WEBVTT - Episode 305 "Muni Long"

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<v Speaker 1>Word with me here you know, bt know how it goes,

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<v Speaker 1>shout out oct no real color, what we see? Whole game?

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<v Speaker 2>Wait, the Butler book something.

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<v Speaker 1>Oh, you can't stand on their ownsle see I already

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<v Speaker 1>know you can't with me because with the squad on me,

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<v Speaker 1>they get a little They called me.

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<v Speaker 2>He love by love he love her.

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<v Speaker 3>Ball of Alert.

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<v Speaker 2>Welcome to the ball Alert Show.

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<v Speaker 1>Podcasts available everywhere you get your podcast. Please continue to like, subscribe,

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<v Speaker 1>and share our YouTube page at baller Alert Tv. I

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<v Speaker 1>go by the name of Ferrari Simmits.

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<v Speaker 4>I'll go on to name you know bt C t.

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<v Speaker 1>Of that money log in the building, grab me with it?

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<v Speaker 2>Yeah, I love that for me.

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<v Speaker 3>I love that for you too, cause you've been you

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<v Speaker 3>have a journey you've been on I have. You know

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<v Speaker 3>what I'm saying, How are you feeling though? Like I

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<v Speaker 3>know you been diagnosed and you know you just recently

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<v Speaker 3>said you had autism, Like.

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<v Speaker 4>How is that? How's how are you doing?

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<v Speaker 2>I mean, I'm still doing me. You gotta keep you pushing,

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<v Speaker 2>you know. I think one thing that keeps me on

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<v Speaker 2>the right path is just like knowing that everybody has

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<v Speaker 2>their own journey and their own unique experience and it's

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<v Speaker 2>my life and it's my responsibility to make the best

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<v Speaker 2>of it. Sometimes it does get a little tough because

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<v Speaker 2>it's like I have so much success based on like

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<v Speaker 2>the standard right status quo that when I have my

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<v Speaker 2>moments when I am down, it's hard for people to

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<v Speaker 2>relate and so they be like girl. So I have

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<v Speaker 2>to kind of struggle through those moments on my own sometimes.

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<v Speaker 2>But God don't give you more than you can carry.

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<v Speaker 3>Yeah, And I've learned a lot through about loopus, through

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<v Speaker 3>like Tony Braxton and people who have it, like those

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<v Speaker 3>type of celebrities, and they say it inflame, like if

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<v Speaker 3>you're if you're worked up or if you're you know,

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<v Speaker 3>too excited.

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<v Speaker 4>Have you had any flirps do to things like that?

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<v Speaker 2>Absolutely? Mostly mine are like in my hands and joints,

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<v Speaker 2>so sometimes I can't really like open things as you saw.

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<v Speaker 2>But Yeah, it's funny because it's like it's a cash

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<v Speaker 2>twenty two because with something like an autoimmune that is

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<v Speaker 2>stress related, it's best if you don't talk about it.

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<v Speaker 2>But yet if you don't talk about it, there's no representation,

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<v Speaker 2>you know, So it's tough. I gotta choose moments when

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<v Speaker 2>when I'm feeling good, when there is anything happening like

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<v Speaker 2>right now where I'll share, and sometimes I'm just like, yeah,

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<v Speaker 2>you know, I don't really want to talk about it

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<v Speaker 2>right now because I'm kind of going through it. But

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<v Speaker 2>I think, you know, keeping your stress level of down,

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<v Speaker 2>stand positive, eating right, getting sleep, and just not putting

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<v Speaker 2>yourself in scenarios where you could be triggered, that's really

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<v Speaker 2>the key. Mm hmm.

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<v Speaker 4>You have a lot of support from your family and husband.

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<v Speaker 2>Yeah. I mean I don't really ask for much, very

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<v Speaker 2>self sufficient, independent. I like to be by myself. So

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<v Speaker 2>when I do, they just give it to me. You know,

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<v Speaker 2>it's like dad, can you make me a gro cheese?

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<v Speaker 2>You know? So yeah, I'm very I'm very blessed.

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<v Speaker 1>Now, if we could take it back a little bit.

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<v Speaker 1>You're from Gifford, Florida, which is right by Vero Beach,

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<v Speaker 1>a little bit south Florida.

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<v Speaker 2>They pushing, they pushing the boundary to border.

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<v Speaker 1>What do you say you from?

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<v Speaker 2>You say you're from, Yeah, it's becoming smaller and smaller.

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<v Speaker 1>I'm a Florida guy And I literally had to look

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<v Speaker 1>that up. I was like, yeah, Florida from Okay, because

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<v Speaker 1>I've been to Vio, but I didn't know right on

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<v Speaker 1>top of Zo.

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<v Speaker 4>It's okay.

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<v Speaker 2>So we like a train track community, you know, like

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<v Speaker 2>they put the MLK train tracks and the you know,

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<v Speaker 2>Dollar General in the hood, and then right across the

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<v Speaker 2>train track is the beach. So there's literally people from

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<v Speaker 2>where I'm from that have never been to the beach

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<v Speaker 2>ten minutes down the street because it's not it's a

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<v Speaker 2>different neighborhood, you know, it's literally like driving driving hood

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<v Speaker 2>hood hood, section eight housing, you know what I'm saying,

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<v Speaker 2>and then train track and then boom mansions.

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<v Speaker 1>So how was it like for you growing up on

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<v Speaker 1>your side on that side of the tracks? Was because

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<v Speaker 1>I know somebody saying in the.

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<v Speaker 2>Family mom My mom saying yeah, in the navy, my

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<v Speaker 2>biological father, my stepfather worked for the Sheriff's department for

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<v Speaker 2>many years, I think twenty plus. He still teaches in

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<v Speaker 2>the town. Yeah, I I don't know. I was very

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<v Speaker 2>so I actually grew up all over the United States

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<v Speaker 2>in my younger years. It wasn't until I was about

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<v Speaker 2>fourteen that we moved to give For which my mother's

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<v Speaker 2>hometown where she was raised as Wabasso, was twenty minutes

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<v Speaker 2>down the street. And I grew up on a farm,

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<v Speaker 2>and I was very much like if I was hungry,

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<v Speaker 2>you just go pick an orange off the tree. So

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<v Speaker 2>I didn't really have an actual concept of like status

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<v Speaker 2>or like we struggling because we literally lived off the land.

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<v Speaker 2>But you know, I didn't have no Jordan's or nothing

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<v Speaker 2>like that. Like we didn't have designer clothes. You know.

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<v Speaker 2>We definitely was shopped at J. C. Penny, you know,

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<v Speaker 2>buy one, get one for eighty eight cents jeans. So

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<v Speaker 2>I don't know, I was very oblivious. It wasn't until

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<v Speaker 2>I got older that I realized, like, wait a minute,

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<v Speaker 2>that's not right, you know, I was. I wasn't. My

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<v Speaker 2>mom did a good job with keeping us, keeping us

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<v Speaker 2>shielded from that. Yes. I have two brothers, yeah, older

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<v Speaker 2>one older one younger, and I had a step brother

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<v Speaker 2>he passed away years ago. Uh so yeah, I'm the

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<v Speaker 2>only girl.

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<v Speaker 3>Oh wow, So you was out there you know with

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<v Speaker 3>your milk and cows and stuff too.

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<v Speaker 2>We had no cows, but I did feed the chickens.

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<v Speaker 2>We used to fish in the pond. We had geese.

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<v Speaker 2>I had a pet hog.

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<v Speaker 1>Yeah they are pretty smart.

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<v Speaker 2>Yeah, well they killed them and broasted them. Yeah you do.

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<v Speaker 4>You s.

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<v Speaker 2>No, I don't slaughter chickens when we don't do that.

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<v Speaker 2>I did have to learn how to gut fish when

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<v Speaker 2>I was younger, because again, we live off the land,

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<v Speaker 2>so you wasn't allowed. You have to eat what you kill,

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<v Speaker 2>so if you kill it, you got to eat it.

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<v Speaker 2>I do and I don't particularly. Yeah, a long time ago,

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<v Speaker 2>we used to shoot squirrels. I'm just throw it on

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<v Speaker 2>the grid.

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<v Speaker 3>But like you said, once you you know, hit your

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<v Speaker 3>teenage years and stuff like that, you was in like

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<v Speaker 3>a sheltered space with your parents and at home and

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<v Speaker 3>stuff like that.

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<v Speaker 4>But then you got on the internet and you.

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<v Speaker 3>Started to do your thing in two thousand and four, right,

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<v Speaker 3>two thousand and four was my first video.

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<v Speaker 2>Yes, wow did your research?

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<v Speaker 3>Yeah, like you said, you were sheltered. So it's like,

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<v Speaker 3>you know, I don't think many people you did sleepovers or.

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<v Speaker 4>Seminaris something like that.

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<v Speaker 3>You know, people on the internet now have friends like

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<v Speaker 3>fans who are online, and that's kind of like what

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<v Speaker 3>you kind of started doing at that time. You know,

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<v Speaker 3>how did that shape you as far as doing your

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<v Speaker 3>music in two thousand and four, I think it's kind of.

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<v Speaker 2>Like two separate things. I think one my mom didn't

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<v Speaker 2>let me do nothing, did lease squat. I remember one

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<v Speaker 2>time this boy asked me to the movies for Valentine's Day.

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<v Speaker 2>And we've known him, we've known each other since we were

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<v Speaker 2>like seven, and he finally was like, yo, can you

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<v Speaker 2>like can we go to movies? So I told my mom.

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<v Speaker 2>I got all dressed out on my pink and red.

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<v Speaker 2>She drove me to the movie theater. The boy came

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<v Speaker 2>up to the car. He had chocolate to bear, flowers, balloons,

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<v Speaker 2>whole nine yards like you know, miss Sheila. I was

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<v Speaker 2>just gonna let her pick the movie, and my mom

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<v Speaker 2>was like, okay. One second she rode the windor she said,

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<v Speaker 2>y'all think y'all sleep, you know, and mind you. I'm

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<v Speaker 2>so like not even I'm so green. I was just

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<v Speaker 2>excited that she was lett me do something telling me

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<v Speaker 2>about this lady rode down the window and said, you

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<v Speaker 2>at the movies. Tell him by and all. I drove

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<v Speaker 2>off and the boy was standing there like with the flowers,

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<v Speaker 2>like oh, and I was just one little tear coming

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<v Speaker 2>down my eye. It's literally for real. And I was

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<v Speaker 2>so upset and so hurt. But that was my life.

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<v Speaker 2>She didn't let me do nothing. So I think the

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<v Speaker 2>computer became my escape right because I could talk to people,

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<v Speaker 2>I could make videos and respond to comments, and I

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<v Speaker 2>did develop relationships with some of my supporters I still

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<v Speaker 2>talk to to this day from years ago. It's one

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<v Speaker 2>girl named Liquida. She's buying me gifts and stuff. I'll

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<v Speaker 2>invite her to my shows. You know. It's just like

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<v Speaker 2>we do create a genuine bonding connection with our fans sometimes,

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<v Speaker 2>and it's hard to do that now because people be

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<v Speaker 2>like pushing it a little bit, like tellate what I

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<v Speaker 2>need to do and talk it to me crazy and

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<v Speaker 2>you forget. Like somebody said something like I was gonna

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<v Speaker 2>beat your ass if you didn't. I said, who was

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<v Speaker 2>gonna be? What?

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<v Speaker 4>You know what I'm saying, like my favorite song? She said.

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<v Speaker 2>They really they pushing it. They be pushing it. So

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<v Speaker 2>sometimes I'd be having to like go in, like I

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<v Speaker 2>went on on, went in on this girl on TikTok

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<v Speaker 2>the other day. She couldn't take it, though, so I

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<v Speaker 2>had to erase what I said because I'm like, okay,

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<v Speaker 2>people are laughing at her a little too much, and

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<v Speaker 2>you know, I know how that feels, so I'm gonna

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<v Speaker 2>just take it down and give her a break. But

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<v Speaker 2>I have to do that sometimes to let people know.

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<v Speaker 5>She's like.

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<v Speaker 2>She was just like, girl, you being you're doing too much.

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<v Speaker 2>You're a celebrity. People gonna tell you what to do,

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<v Speaker 2>you know, And I was like, so, I'm not gonna

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<v Speaker 2>say what I said, but I basically gave her a

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<v Speaker 2>taste of her own medicine gotch and she couldn't. She

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<v Speaker 2>couldn't handle it.

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<v Speaker 6>Most fans can.

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<v Speaker 2>A lot of people just Internet people, and they just.

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<v Speaker 5>Calm, you know, and a lot of people probably don't

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<v Speaker 5>think that you're actually gonna see their comment.

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<v Speaker 2>They don't. They don't. They don't think that I'm gonna

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<v Speaker 2>say anything back. They expect me to be scary. They

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<v Speaker 2>also don't expect me to have the personality that I

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<v Speaker 2>have because you know, I'm from Florida. Like we we

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<v Speaker 2>can't nobody talk junk like somebody from Florida. If you

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<v Speaker 2>pissed me off, If you piss me off, I'm calling

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<v Speaker 2>you all types of roly poly nick turtlehead.

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<v Speaker 4>You know.

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<v Speaker 2>You know, if I'm Whitney, I'm Bobby and Whitney Whitney

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<v Speaker 2>minus all the extra, you know what I mean. I'm

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<v Speaker 2>very much like somebody asked me the other day, like

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<v Speaker 2>what R and B songs am I listened to in

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<v Speaker 2>my car? I'm like, I'm listening to Big Dude, I'm

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<v Speaker 2>listening to money Bag, I'm listening to Key Clock. I

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<v Speaker 2>ain't listening to it. I make R and B I

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<v Speaker 2>don't listen to it.

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<v Speaker 1>Is that like a cleanse for your ears? Sometimes you

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<v Speaker 1>just hear it, you write it.

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<v Speaker 2>No, I just want to jump on my bed and

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<v Speaker 2>throw things like everybody else, you know what I'm saying.

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<v Speaker 2>Like I used to remember, for like a year straight,

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<v Speaker 2>I would put on bmf Rick Ross and that was

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<v Speaker 2>my alarm. Literally, like I'll be in the bed asleep

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<v Speaker 2>and all of a sudden, it's like boom boom. I think, oh,

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<v Speaker 2>big bitch every morning.

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<v Speaker 3>And that's how people you know her Joe's story, Like

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<v Speaker 3>as far as you're growing up, you was outside, you know,

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<v Speaker 3>skinning fish, you know, playing with hogs. You know, you.

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<v Speaker 1>Had a pet hog and then they killed it and

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<v Speaker 1>ate it.

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<v Speaker 2>Damn so that he was my pet. But they tricked

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<v Speaker 2>me it into feeding it and fattening it up and

0:12:26.880 --> 0:12:28.480
<v Speaker 2>making me feel like you know, I used to come

0:12:28.480 --> 0:12:30.840
<v Speaker 2>home every day from school and be like, hey, Powder,

0:12:31.360 --> 0:12:33.959
<v Speaker 2>talk to him. And he was a wild hog, so

0:12:34.000 --> 0:12:36.559
<v Speaker 2>he used to he was he was, he was. It

0:12:36.679 --> 0:12:41.400
<v Speaker 2>was a big freaking animal. And he would like he

0:12:41.440 --> 0:12:44.560
<v Speaker 2>would charge at the fence for anybody else, but for

0:12:44.640 --> 0:12:47.480
<v Speaker 2>me he was nice. He would walk over and like,

0:12:47.559 --> 0:12:52.480
<v Speaker 2>you know, you talk to and he had these big tusks,

0:12:53.240 --> 0:12:55.160
<v Speaker 2>and I would go in the house and get there.

0:12:55.200 --> 0:12:57.920
<v Speaker 2>We had an empty chipling bucket that we used to

0:12:57.960 --> 0:12:59.959
<v Speaker 2>put our scraps in, so I get the slop bucket,

0:13:00.840 --> 0:13:03.079
<v Speaker 2>put it in the traw and sit there and talk

0:13:03.120 --> 0:13:06.480
<v Speaker 2>to him. And one day I came home and the

0:13:06.520 --> 0:13:09.680
<v Speaker 2>cage was empty. And mind you, my my grandparents lived

0:13:09.679 --> 0:13:14.120
<v Speaker 2>on four acres, so it was huge. So I walk in.

0:13:14.679 --> 0:13:17.880
<v Speaker 2>I go straight to the cage. He's not there. I

0:13:17.880 --> 0:13:21.520
<v Speaker 2>go in the house. I'm like, Granddaddy, what powder. He

0:13:21.559 --> 0:13:23.360
<v Speaker 2>took me to the window. It was a big, long

0:13:24.160 --> 0:13:27.040
<v Speaker 2>window in the front of the house, and he pointed

0:13:27.679 --> 0:13:29.880
<v Speaker 2>to the edge of the yard. So his cage is

0:13:29.920 --> 0:13:33.520
<v Speaker 2>over here. He poured it over here, and powder was

0:13:33.559 --> 0:13:36.840
<v Speaker 2>there roasting on the spit. And I just remember falling

0:13:36.840 --> 0:13:44.360
<v Speaker 2>out and being like and I remember calling my mama,

0:13:44.480 --> 0:13:50.920
<v Speaker 2>like mama daval and she said, we don't eat. I

0:13:50.960 --> 0:13:54.000
<v Speaker 2>didn't the first day, I did not eat that second

0:13:54.080 --> 0:13:58.480
<v Speaker 2>day it was so good. Yeah, he's with me forever.

0:14:00.480 --> 0:14:01.920
<v Speaker 4>Did you ever write a song about powder?

0:14:01.960 --> 0:14:03.439
<v Speaker 2>I didn't know too much.

0:14:03.760 --> 0:14:06.640
<v Speaker 6>We'll be right back with more of the Baller Alert Show.

0:14:09.280 --> 0:14:12.000
<v Speaker 6>You're listening to a special edition of The Baller Alert Show.

0:14:12.160 --> 0:14:12.480
<v Speaker 2>What's Up?

0:14:12.559 --> 0:14:13.400
<v Speaker 4>Is your Girl? Money Long?

0:14:13.440 --> 0:14:15.560
<v Speaker 2>And you are now tuned into the Baller Alert Show.

0:14:16.000 --> 0:14:18.199
<v Speaker 1>I do want to acknowledge the fact that you were

0:14:18.240 --> 0:14:20.720
<v Speaker 1>doing all this and this was dope left well, I

0:14:20.760 --> 0:14:22.960
<v Speaker 1>don't want to say it's dope eating powder or dope.

0:14:23.040 --> 0:14:26.120
<v Speaker 1>You know, your mom leaving to board the young man

0:14:26.560 --> 0:14:30.160
<v Speaker 1>at the movie theater. So when did music come into play?

0:14:30.400 --> 0:14:32.280
<v Speaker 1>Was mom singing all the time in the house and

0:14:32.320 --> 0:14:34.080
<v Speaker 1>then as we started singing too, and she was like,

0:14:34.120 --> 0:14:36.320
<v Speaker 1>oh god, you can sing, or she.

0:14:36.360 --> 0:14:38.840
<v Speaker 2>Says she knew I could sing at two years old. Really,

0:14:39.760 --> 0:14:42.000
<v Speaker 2>we used to living in Connecticut and there was this

0:14:42.720 --> 0:14:45.920
<v Speaker 2>commercial that used to play. I actually remember this too,

0:14:47.040 --> 0:14:51.400
<v Speaker 2>and it would go Spirit of Hampton Roots like you know,

0:14:51.880 --> 0:14:55.320
<v Speaker 2>it was like a airport commercial or something like that.

0:14:55.840 --> 0:15:00.840
<v Speaker 2>And so yeah, and she says she heard me doing

0:15:00.840 --> 0:15:03.200
<v Speaker 2>that one day and she looked with the TV was off,

0:15:03.760 --> 0:15:06.760
<v Speaker 2>so she knew that it was me nice. And there

0:15:06.840 --> 0:15:10.160
<v Speaker 2>was always music in the house. My biological father played

0:15:10.160 --> 0:15:12.960
<v Speaker 2>the trumpet. We had pianos in every house that we

0:15:12.960 --> 0:15:16.240
<v Speaker 2>were in, upright piano. My mom was always singing. There

0:15:16.280 --> 0:15:19.120
<v Speaker 2>was always music playing. She used to have like those

0:15:19.600 --> 0:15:22.480
<v Speaker 2>CD towers full. She had like three of them, so

0:15:22.520 --> 0:15:25.040
<v Speaker 2>it was like always music every get in the car.

0:15:25.160 --> 0:15:28.360
<v Speaker 2>She had the CD book. So, I mean, it was

0:15:28.400 --> 0:15:31.560
<v Speaker 2>just kind of like I thought everybody could do it

0:15:31.680 --> 0:15:34.440
<v Speaker 2>because that's just how we were in our house, even

0:15:34.440 --> 0:15:37.800
<v Speaker 2>my grandma be you know, humming and cooking. My biological

0:15:37.800 --> 0:15:40.480
<v Speaker 2>father also could sing. He had like one of those

0:15:40.520 --> 0:15:49.440
<v Speaker 2>like high pitch temptations, you know, yes yes, and then

0:15:50.000 --> 0:15:52.080
<v Speaker 2>even writing songs like I wrote my first song when

0:15:52.120 --> 0:15:56.920
<v Speaker 2>I was eight, and I remember I was vacuuming and

0:15:57.480 --> 0:16:01.280
<v Speaker 2>just walking down the hallway. I'm looking at the skyllay

0:16:01.800 --> 0:16:04.240
<v Speaker 2>and my brother was like, what song is that. I

0:16:04.280 --> 0:16:05.880
<v Speaker 2>was like, I made it up. He's like, no, you didn't,

0:16:06.800 --> 0:16:08.600
<v Speaker 2>and I was like, yes, I did. We started arguing,

0:16:09.200 --> 0:16:11.320
<v Speaker 2>so we went to my mom and my mom was like, well,

0:16:11.360 --> 0:16:13.720
<v Speaker 2>I never heard it before, and then she bought me

0:16:13.760 --> 0:16:18.160
<v Speaker 2>a composition notebook, and I started making my own songs.

0:16:18.200 --> 0:16:22.040
<v Speaker 2>I just thought everybody did that, And it wasn't until

0:16:22.200 --> 0:16:25.560
<v Speaker 2>I started sharing it online, like fifteen sixteen years old

0:16:25.600 --> 0:16:29.720
<v Speaker 2>that people were like, will you be making that stuff up? Really?

0:16:30.160 --> 0:16:32.520
<v Speaker 2>Even now, people still do that to me. When I

0:16:32.560 --> 0:16:33.920
<v Speaker 2>come up with something, they'd be like, you just wrote

0:16:33.920 --> 0:16:37.880
<v Speaker 2>that right now. So it's just my gift. Everybody's not

0:16:38.560 --> 0:16:39.240
<v Speaker 2>very talented.

0:16:39.640 --> 0:16:43.080
<v Speaker 3>So you're writing the songs. You know, you're on the internet.

0:16:43.720 --> 0:16:45.840
<v Speaker 3>Two thousand and eight, you decided to go to La?

0:16:46.440 --> 0:16:49.480
<v Speaker 3>What decided that in your mind? I'm going to go

0:16:49.560 --> 0:16:51.240
<v Speaker 3>to LA and do this thing?

0:16:52.200 --> 0:16:55.800
<v Speaker 2>I think I had reached the ceiling here in Atlanta

0:16:56.560 --> 0:17:00.520
<v Speaker 2>my first record deal. The guy who signed me, him

0:17:00.520 --> 0:17:02.880
<v Speaker 2>and his lawyer made more money than me on the

0:17:02.920 --> 0:17:05.560
<v Speaker 2>first record deal I had, and so eventually that money

0:17:05.600 --> 0:17:09.040
<v Speaker 2>ran out very quickly actually, and I was like, well, damn,

0:17:09.320 --> 0:17:13.200
<v Speaker 2>you know what am I going to do? I found

0:17:13.200 --> 0:17:16.600
<v Speaker 2>out about songwriting and I was like, well, I don't

0:17:16.600 --> 0:17:19.760
<v Speaker 2>want to go back to Gifford because he need nothing

0:17:19.800 --> 0:17:24.640
<v Speaker 2>to do there. But you know, have babies and so yeah,

0:17:24.880 --> 0:17:26.800
<v Speaker 2>and get married. I have babies and you know, be

0:17:26.840 --> 0:17:29.960
<v Speaker 2>a mom, which there's nothing wrong with that, but that's

0:17:29.960 --> 0:17:33.119
<v Speaker 2>not what I wanted, and so I was like, well,

0:17:33.200 --> 0:17:37.560
<v Speaker 2>let me go to La do some sessions. I had

0:17:37.600 --> 0:17:42.840
<v Speaker 2>no idea that I was going to grow in notoriety

0:17:43.040 --> 0:17:45.840
<v Speaker 2>so fast as a songwriter. But when I got out there,

0:17:45.880 --> 0:17:48.680
<v Speaker 2>I was doing like five sessions a day every day,

0:17:48.760 --> 0:17:54.399
<v Speaker 2>two songs minimum in every session. My first session, I

0:17:54.440 --> 0:17:58.480
<v Speaker 2>got a placement with this UK artist named Cheryl Cole

0:17:58.560 --> 0:18:01.040
<v Speaker 2>that went number one over there, and then after that

0:18:01.080 --> 0:18:03.960
<v Speaker 2>it was just like Selena Gomez who says Chris Brown

0:18:04.000 --> 0:18:06.960
<v Speaker 2>doing me at Rihanna, it was like boom boom boom,

0:18:07.200 --> 0:18:08.679
<v Speaker 2>you know. But I think it was just because I

0:18:08.760 --> 0:18:13.000
<v Speaker 2>was working so much that I had so it's like

0:18:13.040 --> 0:18:15.639
<v Speaker 2>a you know, the ratio of songs I had to

0:18:15.720 --> 0:18:19.960
<v Speaker 2>choose from made it possible for me to have that

0:18:20.040 --> 0:18:21.000
<v Speaker 2>kind of like Snowball.

0:18:21.840 --> 0:18:24.440
<v Speaker 1>Are you married at this time? A relationship and get married?

0:18:24.480 --> 0:18:25.840
<v Speaker 2>Yeah, I've been married for nine years.

0:18:25.960 --> 0:18:30.840
<v Speaker 1>Okay, So so you got married when like where were fifteen?

0:18:31.480 --> 0:18:33.040
<v Speaker 1>Where were you then? In Florida?

0:18:33.600 --> 0:18:34.399
<v Speaker 2>Uh, California.

0:18:34.520 --> 0:18:37.840
<v Speaker 1>You're in California. So how was that like? Because you know,

0:18:38.880 --> 0:18:42.240
<v Speaker 1>being married is not easy, that's a whole different job. Yes,

0:18:42.359 --> 0:18:45.120
<v Speaker 1>definitely happily married, but she crazy and I'm crazy, so.

0:18:45.040 --> 0:18:45.879
<v Speaker 5>It's a little lift.

0:18:46.160 --> 0:18:49.199
<v Speaker 1>So I'm just saying marriage is a job. It's so

0:18:49.320 --> 0:18:52.120
<v Speaker 1>much communication that needs to be happening, and someone will

0:18:52.200 --> 0:18:56.480
<v Speaker 1>like you that has a crazy schedule, and then I'm

0:18:56.480 --> 0:18:59.960
<v Speaker 1>not sure you know who your husband is, but how

0:19:00.119 --> 0:19:03.080
<v Speaker 1>is that conversation with him when you guys communicating like, hey,

0:19:03.119 --> 0:19:03.360
<v Speaker 1>you know.

0:19:03.359 --> 0:19:05.200
<v Speaker 2>I have to go to the studio and you might

0:19:05.240 --> 0:19:08.119
<v Speaker 2>be on all day. I think there has to just

0:19:08.119 --> 0:19:11.840
<v Speaker 2>be a mutual respect, right because it's like this, I've

0:19:11.840 --> 0:19:14.879
<v Speaker 2>been working to get to this moment for seventeen years.

0:19:16.600 --> 0:19:20.600
<v Speaker 2>You know, you wouldn't want to stop the person that

0:19:20.640 --> 0:19:24.800
<v Speaker 2>you love from doing something that they're obviously, you know,

0:19:25.080 --> 0:19:28.680
<v Speaker 2>blessed with that is my gifting. But I definitely made

0:19:28.680 --> 0:19:33.280
<v Speaker 2>it very clear like you're not stopping nothing. I'm gonna

0:19:33.359 --> 0:19:36.000
<v Speaker 2>I'm gonna work, That's what I'm gonna do. And I

0:19:36.040 --> 0:19:38.600
<v Speaker 2>think also too, it's just like there's no formula, there's

0:19:38.640 --> 0:19:41.560
<v Speaker 2>no one size fit all. You have to communicate, you

0:19:41.600 --> 0:19:46.199
<v Speaker 2>have to make time for what's important to you, and

0:19:46.240 --> 0:19:49.520
<v Speaker 2>you can't be prideful, which I think that stops a

0:19:49.520 --> 0:19:54.000
<v Speaker 2>lot of people sometimes from thriving into relationships because you know,

0:19:54.119 --> 0:19:55.600
<v Speaker 2>you don't want to admit when you mess up. You

0:19:55.600 --> 0:20:00.560
<v Speaker 2>don't want to be soft, be vulnerable. And also the

0:20:00.560 --> 0:20:05.120
<v Speaker 2>death of relationships is trying to please anybody else outside

0:20:05.119 --> 0:20:07.560
<v Speaker 2>of the two of you. You know, if you're doing

0:20:07.600 --> 0:20:11.000
<v Speaker 2>things for you boys, if you're doing things for the

0:20:11.080 --> 0:20:15.320
<v Speaker 2>general public, the perception you already lost. It has to

0:20:15.400 --> 0:20:21.919
<v Speaker 2>be a real genuine respect, mutual connection, respect, communication, maturity,

0:20:22.600 --> 0:20:22.960
<v Speaker 2>all that.

0:20:23.160 --> 0:20:24.520
<v Speaker 4>An he seems supportive of you.

0:20:24.720 --> 0:20:29.040
<v Speaker 2>He named your label, he came up with the name. Yeah,

0:20:29.080 --> 0:20:30.800
<v Speaker 2>but also too, I think that's part of it, right,

0:20:30.920 --> 0:20:39.720
<v Speaker 2>Like sometimes it's just kind to like allow your partner

0:20:39.880 --> 0:20:46.840
<v Speaker 2>to feel as if yeah, like of course I don't

0:20:46.880 --> 0:20:51.399
<v Speaker 2>need anyone to name anything or write anything, but you know,

0:20:52.240 --> 0:20:54.320
<v Speaker 2>if he comes up with a name and it's cool,

0:20:54.359 --> 0:21:00.720
<v Speaker 2>why not use that thank you? You know what I'm saying,

0:21:00.760 --> 0:21:03.359
<v Speaker 2>like versus being like no things like it's just it's

0:21:03.520 --> 0:21:06.040
<v Speaker 2>there's it's not it's kind of productive. There's no purpose

0:21:06.080 --> 0:21:11.400
<v Speaker 2>for me to do that. And that's with anything like hairstyle, nails, outfit,

0:21:12.359 --> 0:21:16.439
<v Speaker 2>you know, video treatment, Like if you have a dope idea,

0:21:17.200 --> 0:21:18.640
<v Speaker 2>why not share?

0:21:18.880 --> 0:21:21.200
<v Speaker 1>Do you guys have fun? Time to date each other.

0:21:22.280 --> 0:21:26.160
<v Speaker 2>It's a little tough, but I mean again, every day

0:21:26.240 --> 0:21:28.080
<v Speaker 2>is what you make it, you know what I'm saying.

0:21:28.119 --> 0:21:32.720
<v Speaker 2>I'm happy with walking around the block like I'm happy

0:21:32.720 --> 0:21:35.160
<v Speaker 2>with that that, you know, or just sitting outside looking

0:21:35.160 --> 0:21:38.560
<v Speaker 2>at stars or Netflix and Jill like, I'm very simple.

0:21:39.000 --> 0:21:41.160
<v Speaker 1>How did he get you or how did you get him?

0:21:41.280 --> 0:21:42.280
<v Speaker 1>How did y'all get each other?

0:21:44.000 --> 0:21:48.720
<v Speaker 2>You know, I honestly don't even I just remember liking,

0:21:49.119 --> 0:21:54.960
<v Speaker 2>uh no, That's why I thought he was going to no.

0:21:55.160 --> 0:21:59.480
<v Speaker 2>I just remember liking the fact that he was taking

0:21:59.520 --> 0:22:04.239
<v Speaker 2>care of me, like health wise, so you know, we

0:22:04.280 --> 0:22:08.120
<v Speaker 2>were working out a lot. I had like holistic medicines

0:22:08.160 --> 0:22:10.600
<v Speaker 2>and stuff. He was making sure I would take it

0:22:11.160 --> 0:22:13.440
<v Speaker 2>because sometimes I don't. I'm not the best way remembering

0:22:13.480 --> 0:22:16.359
<v Speaker 2>to take my medicine. So those are the things that

0:22:16.440 --> 0:22:17.000
<v Speaker 2>made me be like.

0:22:17.000 --> 0:22:19.720
<v Speaker 1>Hmm, you really care about me.

0:22:19.880 --> 0:22:21.359
<v Speaker 2>Yeah, they're really love me.

0:22:23.320 --> 0:22:25.160
<v Speaker 3>I know you mentioned in one of your interviews about

0:22:25.160 --> 0:22:27.560
<v Speaker 3>industry grooming and things like that.

0:22:27.720 --> 0:22:28.760
<v Speaker 4>Can you just shed light on.

0:22:28.720 --> 0:22:29.280
<v Speaker 3>That a little bit.

0:22:30.240 --> 0:22:32.879
<v Speaker 2>I think as I grow, just like as a woman

0:22:33.119 --> 0:22:37.879
<v Speaker 2>in maturity, as a creative, I realized that every single

0:22:37.920 --> 0:22:43.520
<v Speaker 2>thing I went through was tempering me. You know for

0:22:43.720 --> 0:22:46.840
<v Speaker 2>the for where I'm at now, like I was not

0:22:46.880 --> 0:22:50.080
<v Speaker 2>prepared at any other time or moment before now, I

0:22:50.160 --> 0:22:55.600
<v Speaker 2>wasn't ready. And also as I grow in wisdom, I'm

0:22:55.640 --> 0:23:00.959
<v Speaker 2>able to see people, like really see them, and I

0:23:01.000 --> 0:23:05.080
<v Speaker 2>can tell like who knows themselves, who's being authentic, who

0:23:05.320 --> 0:23:12.359
<v Speaker 2>is being led by an external locus of control meaning

0:23:13.560 --> 0:23:17.320
<v Speaker 2>you are moved by outside opinions other than your own

0:23:17.320 --> 0:23:20.679
<v Speaker 2>that do not originate f himself. And then internal locus

0:23:20.680 --> 0:23:24.960
<v Speaker 2>of control meaning you get your guidance from your intuition,

0:23:25.119 --> 0:23:27.359
<v Speaker 2>your gut, what's on your heart. I call it the

0:23:27.359 --> 0:23:30.159
<v Speaker 2>God whisper. You know, when you get that instinct to

0:23:30.320 --> 0:23:32.600
<v Speaker 2>like grab your coat before you walk out the door,

0:23:33.320 --> 0:23:35.240
<v Speaker 2>and then you grab it and then it rains, or

0:23:36.080 --> 0:23:38.800
<v Speaker 2>you know, you get the instinct like I don't know

0:23:38.880 --> 0:23:42.280
<v Speaker 2>why someone telling me to bring these flip flops, but

0:23:42.280 --> 0:23:44.240
<v Speaker 2>I'm gonna bring them, and then you end up needing it.

0:23:45.520 --> 0:23:47.399
<v Speaker 2>That's the God whisper. That's what I call it. A

0:23:47.480 --> 0:23:50.880
<v Speaker 2>lot of times people ignore it, but when you get

0:23:50.880 --> 0:23:54.560
<v Speaker 2>to a certain place of like trusting that and understanding

0:23:55.440 --> 0:23:58.479
<v Speaker 2>those are little taps from God, from the universe, from

0:23:58.520 --> 0:24:03.480
<v Speaker 2>your angels. You in the right direction. You learn how

0:24:03.520 --> 0:24:09.760
<v Speaker 2>to operating that, and so I can recognize when somebody

0:24:09.840 --> 0:24:11.960
<v Speaker 2>is doing that. I think when I was younger, I

0:24:11.960 --> 0:24:16.240
<v Speaker 2>didn't have that, so I was trusting and putting my

0:24:16.320 --> 0:24:22.120
<v Speaker 2>faith in other people. So appreciate you, Shay.

0:24:23.800 --> 0:24:24.440
<v Speaker 4>I know that.

0:24:26.880 --> 0:24:30.240
<v Speaker 3>You are signed now rights or deal.

0:24:30.119 --> 0:24:32.000
<v Speaker 2>I have a partnership with Definitely me, I'm signing myself.

0:24:32.040 --> 0:24:32.960
<v Speaker 1>Partnership is dope.

0:24:33.400 --> 0:24:33.880
<v Speaker 2>Yeah.

0:24:34.080 --> 0:24:37.679
<v Speaker 4>I know that Hours and Hours helped that, right the single.

0:24:38.080 --> 0:24:40.520
<v Speaker 2>I think the Hours and Hours was a tipping point.

0:24:40.560 --> 0:24:45.320
<v Speaker 2>But I had already built a catalog, a nice little

0:24:45.359 --> 0:24:48.399
<v Speaker 2>like catalog about thirty songs, and a bunch of them

0:24:48.440 --> 0:24:51.600
<v Speaker 2>were doing really well in terms of independency, Like I

0:24:51.640 --> 0:24:54.680
<v Speaker 2>had multiple songs that were hitting a million.

0:24:54.800 --> 0:24:57.879
<v Speaker 4>For your Yourself under your Name, My Moneymoon.

0:24:58.520 --> 0:25:01.880
<v Speaker 2>And so hours and Hours obviously that's my biggest song.

0:25:01.920 --> 0:25:05.919
<v Speaker 2>I think it's got half a billion streams, which is

0:25:05.960 --> 0:25:11.359
<v Speaker 2>amazingaire Right, Well, I ever see the other one too?

0:25:12.760 --> 0:25:13.160
<v Speaker 4>Me too?

0:25:13.600 --> 0:25:18.040
<v Speaker 2>Yeah, So I think it was definitely Hours and Hours.

0:25:18.080 --> 0:25:20.600
<v Speaker 2>But I think what the reason why I was able

0:25:20.600 --> 0:25:21.960
<v Speaker 2>to get what I was able to get as far

0:25:22.000 --> 0:25:27.160
<v Speaker 2>as partnership and revenue share and all that is because

0:25:27.240 --> 0:25:29.840
<v Speaker 2>they saw, like, it's not just one. It's not just

0:25:29.880 --> 0:25:32.920
<v Speaker 2>a one hit of quitter like she has built. She's

0:25:32.960 --> 0:25:36.840
<v Speaker 2>going somewhere with her brand. She has identity. And I

0:25:36.840 --> 0:25:40.399
<v Speaker 2>think the true test came recently with like can she

0:25:40.480 --> 0:25:43.840
<v Speaker 2>do it again? You know? Is it? Was it just

0:25:43.960 --> 0:25:46.840
<v Speaker 2>lightning in a bottle? Was it just luck? And I

0:25:46.880 --> 0:25:49.720
<v Speaker 2>think what made for me now is doing the same thing.

0:25:49.840 --> 0:25:52.439
<v Speaker 2>Is going viral on TikTok. We got number one at

0:25:52.520 --> 0:25:55.480
<v Speaker 2>urban radio. We just released a video yesterday, so if

0:25:55.520 --> 0:25:58.280
<v Speaker 2>you haven't seen that, go check that on YouTube, featuring

0:25:58.359 --> 0:26:02.760
<v Speaker 2>Lou James, directed by Trinidad James, and that's gray and

0:26:02.840 --> 0:26:05.719
<v Speaker 2>I think they're seeing like, oh wow, she does know

0:26:05.760 --> 0:26:08.200
<v Speaker 2>what she's talking about. She does know what she's doing.

0:26:08.440 --> 0:26:11.800
<v Speaker 2>And it's not any specific formula. It's just the relationship

0:26:11.840 --> 0:26:15.919
<v Speaker 2>that I have created with my supporters. It took a

0:26:15.960 --> 0:26:20.880
<v Speaker 2>lot more on groundwork, right. I actually have to, like individually,

0:26:21.000 --> 0:26:25.399
<v Speaker 2>like every comment, respond with a genuine response, not just

0:26:25.480 --> 0:26:30.560
<v Speaker 2>like a mooji like yeah, like I have to actually

0:26:31.359 --> 0:26:33.800
<v Speaker 2>right now, I mean just this is just real, like

0:26:33.840 --> 0:26:36.840
<v Speaker 2>this is this is how I'm doing it. I'm actually

0:26:37.320 --> 0:26:40.400
<v Speaker 2>imagine this is what I was saying to my manager Shaka,

0:26:40.400 --> 0:26:44.760
<v Speaker 2>he's over there. I was like him and Jeff. What

0:26:45.160 --> 0:26:49.639
<v Speaker 2>the music industry has done in essence is put the

0:26:49.800 --> 0:26:56.240
<v Speaker 2>power in the hands of the creator, demographic, your niche.

0:26:56.840 --> 0:26:59.000
<v Speaker 2>It's not you the creator. You don't have the power

0:26:59.320 --> 0:27:02.359
<v Speaker 2>and neither does the label. Where you get the power

0:27:02.680 --> 0:27:06.520
<v Speaker 2>is Imagine if you're in a stadium and it's the

0:27:06.560 --> 0:27:12.680
<v Speaker 2>field is crowded, Imagine you the star player walking through

0:27:12.680 --> 0:27:16.480
<v Speaker 2>that crowd and not getting attacked, not getting touched, not

0:27:16.560 --> 0:27:20.920
<v Speaker 2>getting hounded. If you can do that, then you are

0:27:21.359 --> 0:27:23.159
<v Speaker 2>the captain of the ship. There's not a lot of

0:27:23.240 --> 0:27:25.600
<v Speaker 2>artists who can do that. Nicki Minaj can do it,

0:27:26.359 --> 0:27:30.480
<v Speaker 2>you know, Kanye. Kanye can do it. But it's very hard,

0:27:30.560 --> 0:27:36.200
<v Speaker 2>and it's like you have to be so like confident

0:27:36.760 --> 0:27:39.800
<v Speaker 2>in who you are to be able to control that space.

0:27:40.400 --> 0:27:42.200
<v Speaker 2>You're at a spiritual level. You got to be able

0:27:42.200 --> 0:27:46.240
<v Speaker 2>to push your aura out to let people know like, yes,

0:27:46.280 --> 0:27:49.200
<v Speaker 2>I'm here, I'm with you, we're in this together. Hey,

0:27:49.240 --> 0:27:51.879
<v Speaker 2>how are you? You're beautiful? Oh my gosh, like and

0:27:51.920 --> 0:27:55.040
<v Speaker 2>you really it has to be genuine because people can

0:27:55.200 --> 0:28:00.000
<v Speaker 2>smell the fear. You can't fake it. So I think

0:28:00.000 --> 0:28:03.119
<v Speaker 2>think where my power comes from is I really know

0:28:03.200 --> 0:28:05.640
<v Speaker 2>my audience. I really know what they want to see

0:28:05.640 --> 0:28:08.040
<v Speaker 2>for me, what they want to hear, and I protect it.

0:28:08.080 --> 0:28:10.200
<v Speaker 2>I do not let you know. Sometimes people at the

0:28:10.240 --> 0:28:11.639
<v Speaker 2>label will be like, oh, can you do this? And

0:28:12.040 --> 0:28:14.159
<v Speaker 2>can you do what this? And can you make a

0:28:14.320 --> 0:28:16.920
<v Speaker 2>post about this. I'm like, that's whack. They're gonna know

0:28:17.680 --> 0:28:20.000
<v Speaker 2>you know that it's not me. And it's not to

0:28:20.040 --> 0:28:22.480
<v Speaker 2>say that people's ideas are whack. It's just they know

0:28:22.600 --> 0:28:25.760
<v Speaker 2>my voice and they can tell when I'm trying to

0:28:25.800 --> 0:28:29.520
<v Speaker 2>sell them something or when I really am genuinely like, y'all,

0:28:30.119 --> 0:28:32.440
<v Speaker 2>I found his lotion, you know what I'm saying. So

0:28:33.400 --> 0:28:36.600
<v Speaker 2>it drives my value up because I'm only going to

0:28:36.760 --> 0:28:40.320
<v Speaker 2>advertise and stand behind things that I actually believe in.

0:28:41.280 --> 0:28:43.880
<v Speaker 2>So when I do speak about something, you know, oh,

0:28:43.920 --> 0:28:46.600
<v Speaker 2>I'm gonna go get that because she don't. She don't

0:28:46.640 --> 0:28:48.640
<v Speaker 2>just be feeding us, you know, force feeding us stuff.

0:28:49.040 --> 0:28:53.200
<v Speaker 2>But it takes longer because I have to actually vet

0:28:53.240 --> 0:28:55.960
<v Speaker 2>these things and you know, try things out and spend

0:28:55.960 --> 0:28:59.480
<v Speaker 2>my own money, and you know, before I bring it

0:28:59.520 --> 0:29:03.720
<v Speaker 2>to my people, I have to have warned, you know.

0:29:03.800 --> 0:29:07.360
<v Speaker 2>So it takes longer, it takes more resources, and it's

0:29:07.400 --> 0:29:10.000
<v Speaker 2>not like the cool route, you know what I'm saying

0:29:10.880 --> 0:29:15.600
<v Speaker 2>where like a lot of these influencers, they're wearing and

0:29:15.640 --> 0:29:19.000
<v Speaker 2>testing the hottest stuff as it's you know, blowing up

0:29:19.080 --> 0:29:22.640
<v Speaker 2>is about timing for me and finding the right partnerships.

0:29:22.920 --> 0:29:26.040
<v Speaker 2>But in the end, at the end of it, I'm

0:29:26.760 --> 0:29:32.640
<v Speaker 2>creating this foundation that is very strong, and you can't

0:29:33.440 --> 0:29:36.200
<v Speaker 2>it's not shakeable. It's unshakeable. So like if I do

0:29:36.280 --> 0:29:38.880
<v Speaker 2>mess up and I have a moment that isn't so great,

0:29:39.560 --> 0:29:41.600
<v Speaker 2>it's overshadowed by all the times that I made the

0:29:41.640 --> 0:29:45.360
<v Speaker 2>right choices, and I'm fine with that. Like my goal

0:29:45.400 --> 0:29:49.200
<v Speaker 2>was never to be uh famous. It's to be able

0:29:49.240 --> 0:29:52.840
<v Speaker 2>to express myself at a high level for a very

0:29:52.880 --> 0:29:54.800
<v Speaker 2>long time until I get tired of it. And of

0:29:54.840 --> 0:29:59.240
<v Speaker 2>course being successful in having brand recognition and people knowing

0:29:59.240 --> 0:30:02.160
<v Speaker 2>who I am visually and knowing who I am as

0:30:02.200 --> 0:30:05.200
<v Speaker 2>a personality helps to be able to do that to

0:30:05.200 --> 0:30:08.280
<v Speaker 2>bring in more opportunities, But that's not the goal. So

0:30:09.080 --> 0:30:12.520
<v Speaker 2>I think, as I said before, I wasn't ready before

0:30:12.520 --> 0:30:14.400
<v Speaker 2>and now I wouldn't have been able to understand that.

0:30:14.880 --> 0:30:17.080
<v Speaker 3>You know, ten years ago, do you think this power

0:30:17.120 --> 0:30:20.280
<v Speaker 3>came from when you stepped out of priscillating into money

0:30:20.280 --> 0:30:22.040
<v Speaker 3>long I.

0:30:22.000 --> 0:30:25.320
<v Speaker 2>Think it so in that transition period, yes, but it

0:30:25.360 --> 0:30:27.360
<v Speaker 2>didn't have anything to do with music. It was just

0:30:28.360 --> 0:30:31.800
<v Speaker 2>I had asked an old friend of mine, Wilmer Valdorama.

0:30:31.800 --> 0:30:33.520
<v Speaker 2>I don't know if you guys watched our seventies show.

0:30:34.080 --> 0:30:38.240
<v Speaker 2>He's a fez for an exchange student, and of course

0:30:38.240 --> 0:30:41.120
<v Speaker 2>he's grown, he's done, he's on like ncis now. But

0:30:41.240 --> 0:30:43.080
<v Speaker 2>I asked him a long time ago. I was like, Wilmer,

0:30:43.720 --> 0:30:45.560
<v Speaker 2>how do you know when it's time to grow up?

0:30:46.280 --> 0:30:48.200
<v Speaker 2>I think I was like twenty when I asked him this,

0:30:48.720 --> 0:30:50.120
<v Speaker 2>and he was like, when you get tired of making

0:30:50.120 --> 0:30:53.120
<v Speaker 2>the same mistakes over and over, you start changing things

0:30:53.120 --> 0:30:56.440
<v Speaker 2>and tweaking things and doing things differently. And that really

0:30:56.520 --> 0:30:57.760
<v Speaker 2>hit me. I had to think about it for a

0:30:57.800 --> 0:30:59.560
<v Speaker 2>long time, like what do you mean? What do he

0:30:59.600 --> 0:31:03.440
<v Speaker 2>mean by it? And so I started watching how I

0:31:03.480 --> 0:31:06.760
<v Speaker 2>talk about myself, watching how I talk about others, watching

0:31:08.480 --> 0:31:10.920
<v Speaker 2>when you get that little envious feeling when you see

0:31:10.920 --> 0:31:14.600
<v Speaker 2>somebody doing something that you wish you were doing, changing

0:31:14.640 --> 0:31:17.960
<v Speaker 2>the momentum of that thought into like, so now instead,

0:31:18.320 --> 0:31:20.480
<v Speaker 2>when I see somebody doing something that I want to

0:31:20.480 --> 0:31:23.440
<v Speaker 2>be doing, I don't even feel envy anymore. I'm remembering

0:31:23.480 --> 0:31:26.160
<v Speaker 2>to say, that's for me. I would love to experience that,

0:31:26.800 --> 0:31:29.640
<v Speaker 2>you know, and so you're calling these things into your

0:31:29.720 --> 0:31:37.560
<v Speaker 2>experience with a positive polarization versus like the opposite of

0:31:37.600 --> 0:31:40.280
<v Speaker 2>that would be dang, how come it? You know it's

0:31:40.280 --> 0:31:42.360
<v Speaker 2>never works out for me, mag get right there. It's

0:31:42.400 --> 0:31:45.320
<v Speaker 2>always something you gotta watch that. You can't talk like that,

0:31:45.560 --> 0:31:50.200
<v Speaker 2>and it takes literally you have to brainwash yourself. So

0:31:50.240 --> 0:31:54.600
<v Speaker 2>I was listening to self help books, meditations ask formations,

0:31:55.000 --> 0:31:57.440
<v Speaker 2>so basically affirmations in the form of a question, like

0:31:57.880 --> 0:32:00.560
<v Speaker 2>why am I so successful? Why does it everything always

0:32:00.560 --> 0:32:02.760
<v Speaker 2>happened for me so easily? Why is my bank account

0:32:02.800 --> 0:32:05.360
<v Speaker 2>so full? You know, things like that. Before I go

0:32:05.400 --> 0:32:07.720
<v Speaker 2>to sleep, first thing in the morning, I'm listening to

0:32:07.760 --> 0:32:10.160
<v Speaker 2>my books. I'm turning on It's so much stuff on YouTube,

0:32:10.200 --> 0:32:15.440
<v Speaker 2>like for free therapy rey key. Yeah. So, like I

0:32:15.480 --> 0:32:20.280
<v Speaker 2>did a very holistic like rebranding as well internally, and

0:32:20.360 --> 0:32:23.200
<v Speaker 2>then what you guys see is the product of that

0:32:23.720 --> 0:32:27.280
<v Speaker 2>very surface level. You know, how I address how I talk,

0:32:27.600 --> 0:32:30.960
<v Speaker 2>my music, my videos, But there's there's so much more

0:32:31.080 --> 0:32:33.520
<v Speaker 2>deeper work that I've been doing.

0:32:34.000 --> 0:32:36.600
<v Speaker 4>You said you had that conversation with fez. Well, he's

0:32:36.600 --> 0:32:37.200
<v Speaker 4>never really fizz.

0:32:37.280 --> 0:32:41.320
<v Speaker 3>But at twenty and twenty one, you became a millionaire

0:32:41.680 --> 0:32:42.720
<v Speaker 3>or he made the first million.

0:32:43.840 --> 0:32:46.720
<v Speaker 4>This is the Bler Alert Show. And just to touch on.

0:32:46.680 --> 0:32:50.800
<v Speaker 3>The financial aspect of it, can you just shed some

0:32:50.920 --> 0:32:55.480
<v Speaker 3>light on financial decisions and when you get into making money.

0:32:55.600 --> 0:32:57.640
<v Speaker 2>I mean, I think I've seen so many interviews where

0:32:57.680 --> 0:33:00.800
<v Speaker 2>like people will share when they first started get and money,

0:33:00.440 --> 0:33:05.240
<v Speaker 2>they blew it. And I definitely blew a lot, not

0:33:05.440 --> 0:33:12.240
<v Speaker 2>understanding just how business works and taxes and what you

0:33:12.280 --> 0:33:14.200
<v Speaker 2>can write off and what you can't, and rent and

0:33:14.880 --> 0:33:17.880
<v Speaker 2>loaning people money and you know, thinking you're going to

0:33:17.920 --> 0:33:20.880
<v Speaker 2>get it back and you never, you never will. You

0:33:20.920 --> 0:33:22.480
<v Speaker 2>don't get it back, They don't give it back.

0:33:23.920 --> 0:33:26.320
<v Speaker 3>We just had Atl Jacob and he blew his money,

0:33:26.520 --> 0:33:29.320
<v Speaker 3>like told him he was gonna blow it. Yeah.

0:33:29.520 --> 0:33:33.520
<v Speaker 5>Atl Jacob said that Future said, every every person in

0:33:33.560 --> 0:33:35.520
<v Speaker 5>the industry that makes a lot of money goes broke

0:33:35.560 --> 0:33:36.360
<v Speaker 5>the first time.

0:33:36.200 --> 0:33:44.280
<v Speaker 2>Around second third because it's like you think that when

0:33:44.280 --> 0:33:46.280
<v Speaker 2>you get this amount of money, it's gonna change your life.

0:33:47.240 --> 0:33:49.360
<v Speaker 2>When you get this car, when you get this jewelry,

0:33:49.360 --> 0:33:52.520
<v Speaker 2>when you get that's what you think. And then when

0:33:52.520 --> 0:33:55.080
<v Speaker 2>you get it you realize like, oh, hey, you know

0:33:55.160 --> 0:33:56.600
<v Speaker 2>that has nothing to do with it, and that's why

0:33:56.640 --> 0:33:58.880
<v Speaker 2>you like, you know, you'll see people who are really

0:33:58.920 --> 0:34:04.040
<v Speaker 2>wealthy weren't flannel shirts and birkenstocks because it's like none

0:34:04.080 --> 0:34:06.320
<v Speaker 2>of that stuff really matters. Money is just a means

0:34:06.360 --> 0:34:08.920
<v Speaker 2>to be able to maneuver in the world. So like,

0:34:10.280 --> 0:34:11.799
<v Speaker 2>if I want to get up at two am and

0:34:12.000 --> 0:34:14.480
<v Speaker 2>fly to Dubai, I need to make enough money where

0:34:14.480 --> 0:34:16.640
<v Speaker 2>I can. I can do that and the rules do

0:34:16.719 --> 0:34:19.040
<v Speaker 2>not apply to me because I make my own magic.

0:34:20.000 --> 0:34:23.320
<v Speaker 2>And the only reason why I understand that is because

0:34:23.360 --> 0:34:25.960
<v Speaker 2>I've tried it every other way. Right, So like, as

0:34:26.040 --> 0:34:28.120
<v Speaker 2>much as you don't want your baby, I don't know

0:34:28.120 --> 0:34:29.759
<v Speaker 2>if you have kids, as much as you might not

0:34:29.800 --> 0:34:32.800
<v Speaker 2>want your baby to touch that hot stove, they gotta

0:34:32.880 --> 0:34:36.200
<v Speaker 2>touch it to see. See, that's why you don't do that,

0:34:36.920 --> 0:34:40.480
<v Speaker 2>you know. And so like, there is something very in

0:34:40.520 --> 0:34:44.560
<v Speaker 2>the humanness of like existence, right if that doesn't even

0:34:44.560 --> 0:34:47.799
<v Speaker 2>make sense, but you get what I'm saying. There is

0:34:47.840 --> 0:34:51.240
<v Speaker 2>just something about us where we gotta see for ourselves

0:34:51.280 --> 0:34:54.279
<v Speaker 2>and experience it for ourselves. There is no better teacher

0:34:54.320 --> 0:34:57.239
<v Speaker 2>than experience. It doesn't matter how much I tell you

0:34:58.160 --> 0:35:02.200
<v Speaker 2>that that's not gonna out good. You're not gonna really

0:35:02.320 --> 0:35:07.279
<v Speaker 2>understand it. Yeah, you're not until you you know it,

0:35:07.320 --> 0:35:09.000
<v Speaker 2>don't matter how much your mama tell you, or your

0:35:09.040 --> 0:35:11.439
<v Speaker 2>sister or whoever, be like, man, treat that girl right,

0:35:11.760 --> 0:35:15.719
<v Speaker 2>do the right thing. Until you lose her, You're not

0:35:15.760 --> 0:35:20.560
<v Speaker 2>gonna get it. You're not gonna understand. And so I

0:35:20.560 --> 0:35:25.160
<v Speaker 2>would just say, man, like, if you plan on being

0:35:25.200 --> 0:35:30.040
<v Speaker 2>really successful, plan on losing, plan on losing, you will,

0:35:30.560 --> 0:35:33.680
<v Speaker 2>but get back up, Like, get back up, don't let

0:35:33.680 --> 0:35:37.360
<v Speaker 2>that stop you. I failed. I can't even tell you

0:35:37.400 --> 0:35:41.080
<v Speaker 2>how many times, but I got back up, and I'm like, well,

0:35:41.120 --> 0:35:42.080
<v Speaker 2>you know what else am I gonna do?

0:35:42.600 --> 0:35:45.160
<v Speaker 1>Is that why you made your name? Money long?

0:35:46.080 --> 0:35:50.520
<v Speaker 2>Money long? It's definitely an affirmation for sure, because it

0:35:50.520 --> 0:35:51.920
<v Speaker 2>looks like when you look at it, you say, it's

0:35:51.920 --> 0:35:54.600
<v Speaker 2>oh it's mooney long, but it's money long.

0:35:54.719 --> 0:35:56.839
<v Speaker 1>Yes, why am you?

0:35:56.960 --> 0:36:02.239
<v Speaker 2>And I you know it's gonna be different. Also, there

0:36:02.320 --> 0:36:04.400
<v Speaker 2>was nobody else with that name. It was nowhere. It

0:36:04.400 --> 0:36:09.000
<v Speaker 2>did not exist when I've heard first changed my name.

0:36:10.320 --> 0:36:13.160
<v Speaker 2>Now you go online, there's a bunch of I googled it.

0:36:13.200 --> 0:36:15.200
<v Speaker 2>I always do that. I do that with like song titles,

0:36:15.960 --> 0:36:18.000
<v Speaker 2>any ideas I might have. I Google to make sure

0:36:18.000 --> 0:36:20.560
<v Speaker 2>that it doesn't exist exist so that I can own it.

0:36:22.600 --> 0:36:24.799
<v Speaker 5>But yeah, I just, uh, there's a bunch of money

0:36:24.840 --> 0:36:25.760
<v Speaker 5>loans on the internet.

0:36:25.920 --> 0:36:29.279
<v Speaker 3>Now, Yeah, I want to know, how do you how

0:36:29.280 --> 0:36:32.160
<v Speaker 3>do you approach a song when you're writing, good question.

0:36:32.840 --> 0:36:37.439
<v Speaker 2>I'm channeling so almost like a freestyle most of the time.

0:36:37.719 --> 0:36:39.600
<v Speaker 1>Do you have to be there with the producer making

0:36:39.640 --> 0:36:40.480
<v Speaker 1>it from scratch too?

0:36:40.560 --> 0:36:43.520
<v Speaker 2>Or I don't have to that's ideal though, that's the ideal.

0:36:43.560 --> 0:36:47.160
<v Speaker 2>So that's what I've been doing on this project. But

0:36:47.200 --> 0:36:50.000
<v Speaker 2>now I could do it to a track like with

0:36:50.120 --> 0:36:52.640
<v Speaker 2>Hours and Hours. That was a beat I found on YouTube.

0:36:54.040 --> 0:36:56.960
<v Speaker 2>I was just I was washing dishes and I was like,

0:36:57.040 --> 0:36:59.160
<v Speaker 2>extremely bored. I hate cleaning up.

0:36:59.280 --> 0:36:59.960
<v Speaker 1>Found that beat.

0:37:00.280 --> 0:37:06.920
<v Speaker 2>Found that beat. That's a long story, yeah, because I

0:37:06.920 --> 0:37:08.600
<v Speaker 2>bought it, but the producer didn't actually have the right

0:37:08.640 --> 0:37:10.600
<v Speaker 2>to sell it to me. So it turned into it.

0:37:10.600 --> 0:37:12.640
<v Speaker 2>It turned to do a huge thing. We're not gonna

0:37:12.640 --> 0:37:13.080
<v Speaker 2>talk about it.

0:37:13.120 --> 0:37:15.480
<v Speaker 1>I got flowers on that song because that's a very

0:37:15.520 --> 0:37:18.879
<v Speaker 1>slow song on the DJ and in Atlanta, you had

0:37:18.880 --> 0:37:20.439
<v Speaker 1>to play that in the club and.

0:37:20.360 --> 0:37:22.480
<v Speaker 2>It's the slow you know. I still haven't heard that

0:37:22.560 --> 0:37:24.880
<v Speaker 2>song in the club. You haven't heard the song I

0:37:24.920 --> 0:37:27.080
<v Speaker 2>heard of the Magic City. But even when you went

0:37:27.120 --> 0:37:29.719
<v Speaker 2>to Ladies of R and B, of course, But I

0:37:29.719 --> 0:37:33.279
<v Speaker 2>mean like in the club, like everybody's singing it long.

0:37:33.360 --> 0:37:35.359
<v Speaker 2>I've never because during the peak of it, it was

0:37:35.360 --> 0:37:39.560
<v Speaker 2>COVID and I was not going outside Atlanta. I was

0:37:39.560 --> 0:37:42.760
<v Speaker 2>in l A compromised at all. I was not going outside.

0:37:43.440 --> 0:37:44.960
<v Speaker 2>I got people are trying to book me. It was

0:37:44.960 --> 0:37:47.319
<v Speaker 2>getting mad, like, yo, we got this money for you,

0:37:47.480 --> 0:37:52.439
<v Speaker 2>Like you also have to co you know you can't.

0:37:52.440 --> 0:37:55.120
<v Speaker 3>You can't play with lupis. That's an auto immune disease.

0:37:55.239 --> 0:37:56.680
<v Speaker 3>Like you can'tnot do.

0:37:56.560 --> 0:37:59.960
<v Speaker 2>That, yes, because then I'll be in the hospital bed

0:38:00.600 --> 0:38:02.919
<v Speaker 2>and you knows all I was trying to do is smoke.

0:38:02.920 --> 0:38:08.160
<v Speaker 2>Hookah is not Atlanta has a hookah problem. I'm sorry. Listen,

0:38:09.400 --> 0:38:13.680
<v Speaker 2>I've seen somebody at the bus stop with a hookah

0:38:14.120 --> 0:38:17.600
<v Speaker 2>at the bus stop. No, it wasn't a portable one

0:38:17.680 --> 0:38:23.759
<v Speaker 2>was the glass with the whale at the bus that's

0:38:23.880 --> 0:38:26.399
<v Speaker 2>the home. That's the whole Atlanta. Mind you, I live

0:38:26.480 --> 0:38:30.080
<v Speaker 2>in l A. I've been there for a decade. And yes,

0:38:30.120 --> 0:38:32.440
<v Speaker 2>it is in the sense that you would go to

0:38:32.520 --> 0:38:36.080
<v Speaker 2>like the Mediterranean spower the spot and then you could

0:38:36.080 --> 0:38:38.040
<v Speaker 2>do hookah at night. They give it to you with

0:38:38.120 --> 0:38:40.640
<v Speaker 2>like milk to make it smoother. They put like the

0:38:40.680 --> 0:38:44.520
<v Speaker 2>fruit around the rims, and it's the it's the sheisha,

0:38:45.200 --> 0:38:49.120
<v Speaker 2>which is like the jelled tobacco. Bro they not giving you.

0:38:49.480 --> 0:38:51.840
<v Speaker 2>You're getting regular tobacco and a hookah, and it's not

0:38:52.920 --> 0:38:56.080
<v Speaker 2>the coal. They're supposed to come around and tap that

0:38:56.200 --> 0:38:59.799
<v Speaker 2>coal every few you know, thirty minutes to tap off

0:38:59.800 --> 0:39:02.480
<v Speaker 2>all the soot. So next time when y'all go do

0:39:02.600 --> 0:39:05.920
<v Speaker 2>hookah and you pay attention, they're not doing that. But

0:39:06.480 --> 0:39:09.520
<v Speaker 2>the call is getting smaller and smaller, so it's not

0:39:09.520 --> 0:39:11.880
<v Speaker 2>it's going in the air. So like if you're in

0:39:11.920 --> 0:39:14.839
<v Speaker 2>the hookah spot and your throat is burning, when you

0:39:14.840 --> 0:39:17.200
<v Speaker 2>go home and you blow your nose and see how

0:39:17.280 --> 0:39:20.400
<v Speaker 2>much soot is in your nose, it's so unhealthy. And

0:39:20.400 --> 0:39:22.400
<v Speaker 2>then you're not supposed to be smoking out the plastic

0:39:22.840 --> 0:39:25.239
<v Speaker 2>because that plastic, all the microplastic is going in your throat.

0:39:25.480 --> 0:39:27.840
<v Speaker 2>It's supposed to be a wooden nozzle.

0:39:28.000 --> 0:39:28.480
<v Speaker 4>Teach them.

0:39:28.480 --> 0:39:30.480
<v Speaker 2>So I'm just like y'all not doing y'all are doing

0:39:30.600 --> 0:39:36.759
<v Speaker 2>spook up. That's not who spooky. Yeah, that hooka is

0:39:36.840 --> 0:39:37.680
<v Speaker 2>killing young.

0:39:38.040 --> 0:39:41.640
<v Speaker 3>When you need to do some some jingles you got,

0:39:44.520 --> 0:39:45.880
<v Speaker 3>can you jingle us to a break?

0:39:46.080 --> 0:39:49.600
<v Speaker 2>Baller Alert Baller Alert, We'll be right back.

0:39:49.760 --> 0:39:53.239
<v Speaker 6>We'll be right back with more of the Baller Alert Show.

0:39:55.640 --> 0:39:58.319
<v Speaker 6>You're listening to a special edition of the Baller Alert Show.

0:39:58.400 --> 0:40:00.120
<v Speaker 2>What's Up? It's your girl money Long and you are

0:40:00.160 --> 0:40:03.080
<v Speaker 2>now watching the Baller Alert Show on what do you want?

0:40:03.080 --> 0:40:07.239
<v Speaker 4>On the Bowler Alert Show? Made for Me? Where did

0:40:07.239 --> 0:40:08.080
<v Speaker 4>you come up with this?

0:40:08.480 --> 0:40:11.359
<v Speaker 2>So I did on the bet Soul Train Awards this

0:40:11.400 --> 0:40:14.480
<v Speaker 2>past November, I did a rendition of May for Me

0:40:14.520 --> 0:40:18.719
<v Speaker 2>that had a bridge which featured vocalists choir vocalists of

0:40:18.760 --> 0:40:22.040
<v Speaker 2>my favorite vocalist, and I did the arrangement for that

0:40:23.520 --> 0:40:26.200
<v Speaker 2>with a young man named Juwan who was also singing,

0:40:26.640 --> 0:40:31.400
<v Speaker 2>and walteron Millsap and I just wanted, like, sometimes choirs

0:40:31.400 --> 0:40:34.440
<v Speaker 2>can be a little cringey, right, but I felt like

0:40:34.480 --> 0:40:38.160
<v Speaker 2>this song gave, especially those core changes on the bridge.

0:40:38.280 --> 0:40:40.640
<v Speaker 2>It definitely gave like praise and worship because I used

0:40:40.640 --> 0:40:42.880
<v Speaker 2>to lead the praise and worship team like when I

0:40:42.920 --> 0:40:46.040
<v Speaker 2>was heavy in the church, because that's all my mama

0:40:46.040 --> 0:40:49.239
<v Speaker 2>would let me do. Uh. So I decided like, okay,

0:40:49.280 --> 0:40:50.880
<v Speaker 2>let me go back to my roots and bring that

0:40:50.920 --> 0:40:53.279
<v Speaker 2>into the performance. And it was also probably one of

0:40:53.320 --> 0:40:56.840
<v Speaker 2>my more simpler performances I've ever done, because I'm like, Okay,

0:40:56.920 --> 0:40:59.239
<v Speaker 2>you know, the only thing you can do is if

0:40:59.239 --> 0:41:00.880
<v Speaker 2>you keep going I want up, up and up, you

0:41:00.880 --> 0:41:02.960
<v Speaker 2>gotta bring it back down to bring it back up.

0:41:02.960 --> 0:41:04.960
<v Speaker 2>Otherwise it's just as you gonna end up like hanging

0:41:04.960 --> 0:41:08.440
<v Speaker 2>off the roof by your pinky toe, so you know

0:41:08.480 --> 0:41:10.080
<v Speaker 2>what I'm saying. So I had to bring it back

0:41:10.080 --> 0:41:14.359
<v Speaker 2>down do something a lot more simple. And then for

0:41:14.440 --> 0:41:18.000
<v Speaker 2>the music video, I wanted to do something around Halloween

0:41:18.000 --> 0:41:20.640
<v Speaker 2>where it was like Frankenstein kind of I lose my

0:41:20.680 --> 0:41:23.840
<v Speaker 2>lover and then I go to the morgue and I

0:41:23.880 --> 0:41:26.359
<v Speaker 2>get all these body parts and sold them together and

0:41:26.400 --> 0:41:29.200
<v Speaker 2>make my perfect person. But that was a little bit

0:41:29.280 --> 0:41:34.280
<v Speaker 2>too gory. And also like sometimes as a black female artist,

0:41:34.320 --> 0:41:36.799
<v Speaker 2>you have to understand that while you might not be

0:41:36.800 --> 0:41:41.040
<v Speaker 2>because black women are not a monolith. There's email girls,

0:41:41.120 --> 0:41:45.600
<v Speaker 2>there's luxury girls, there's the hood girls, there's the bookworm,

0:41:45.680 --> 0:41:48.839
<v Speaker 2>nerdy girls, city girls, city girls, you know, so it's

0:41:48.880 --> 0:41:51.840
<v Speaker 2>like there's so many different kind of Black women but

0:41:52.280 --> 0:41:54.520
<v Speaker 2>what the general public wants to see from a black

0:41:54.560 --> 0:42:00.000
<v Speaker 2>woman is a small set of things that they will accept.

0:42:00.280 --> 0:42:03.680
<v Speaker 2>And so I kind of understood that, like, Okay, even

0:42:03.719 --> 0:42:07.000
<v Speaker 2>though that is going into like the sci fi anime bag,

0:42:07.400 --> 0:42:09.239
<v Speaker 2>everybody don't want to see that from me, So let

0:42:09.280 --> 0:42:11.719
<v Speaker 2>me just temper it and like turn it down a

0:42:11.760 --> 0:42:14.840
<v Speaker 2>little bit. So I teamed up with Trinidad James and

0:42:14.920 --> 0:42:17.440
<v Speaker 2>Des Gray and they tweaked my treatment to make it

0:42:17.480 --> 0:42:23.800
<v Speaker 2>be AI robot, black people in text, black people in tech,

0:42:24.800 --> 0:42:28.880
<v Speaker 2>and so without giving you too much, basically, the concept

0:42:29.000 --> 0:42:32.399
<v Speaker 2>was that maybe if you you know, when you think

0:42:32.440 --> 0:42:35.560
<v Speaker 2>about the conversation on Twitter and Spiritual World posts a

0:42:35.600 --> 0:42:39.160
<v Speaker 2>lot about relationships and the arguments that are happening between

0:42:39.160 --> 0:42:41.960
<v Speaker 2>black men and black women and how people feel like

0:42:41.960 --> 0:42:44.799
<v Speaker 2>the dating pool is pissed. Thank god, I don't have

0:42:44.800 --> 0:42:47.680
<v Speaker 2>to do it, but you know, if you listen to

0:42:47.719 --> 0:42:51.239
<v Speaker 2>what the streets are saying, it's hell out here. And

0:42:51.320 --> 0:42:54.719
<v Speaker 2>so I remember maybe twenty years ago, thinking, wouldn't it

0:42:54.719 --> 0:42:57.800
<v Speaker 2>be cool to see the person that you're talking to

0:42:57.840 --> 0:42:59.440
<v Speaker 2>you on the phone and then boom, we have his time,

0:42:59.800 --> 0:43:03.080
<v Speaker 2>And so I'm wondering, you know, just putting it out

0:43:03.120 --> 0:43:05.640
<v Speaker 2>there especially. I don't know if you guys follow like

0:43:05.680 --> 0:43:10.560
<v Speaker 2>any AI pages on Instagram, you're already using it.

0:43:11.239 --> 0:43:12.440
<v Speaker 4>No, I'm talking about.

0:43:13.120 --> 0:43:16.120
<v Speaker 2>AI is going to take everybody job you're already using.

0:43:16.200 --> 0:43:18.920
<v Speaker 5>It's already talking about the AI that they're trying to

0:43:19.080 --> 0:43:22.600
<v Speaker 5>prove and the entertainment business to where they trying to

0:43:22.680 --> 0:43:25.560
<v Speaker 5>license our voices and face and all this stuff too.

0:43:25.719 --> 0:43:28.960
<v Speaker 2>I mean that just becomes a human rights issue, right,

0:43:29.000 --> 0:43:31.680
<v Speaker 2>But you're using AI every day, Okay.

0:43:31.680 --> 0:43:34.480
<v Speaker 5>I like AI in their term, not the terms where

0:43:34.480 --> 0:43:36.240
<v Speaker 5>they trying to legalize.

0:43:36.440 --> 0:43:38.600
<v Speaker 3>I will say, Luke James played a good AI at

0:43:38.600 --> 0:43:40.360
<v Speaker 3>the end when you yeah put him back together?

0:43:40.520 --> 0:43:40.719
<v Speaker 6>Yeah?

0:43:40.800 --> 0:43:44.120
<v Speaker 2>Yeah, did that James come from too. I've known him

0:43:44.120 --> 0:43:46.160
<v Speaker 2>for a while. I was working with him as a

0:43:46.200 --> 0:43:49.279
<v Speaker 2>songwriter producer, and I saw that he was doing a

0:43:49.320 --> 0:43:53.360
<v Speaker 2>lot of sexy red stuff. So he transitioned from just

0:43:53.480 --> 0:43:57.000
<v Speaker 2>being an artist and being you know, the representative to

0:43:57.760 --> 0:44:01.480
<v Speaker 2>now assisting other people when it comes to like style,

0:44:03.320 --> 0:44:07.759
<v Speaker 2>creating content, shooting videos and so saw him doing this

0:44:07.840 --> 0:44:09.279
<v Speaker 2>thing with sexy read and I was like, man, that's

0:44:09.320 --> 0:44:11.680
<v Speaker 2>good for you. And one thing about me, I never

0:44:11.800 --> 0:44:14.480
<v Speaker 2>like to engage or reach out to people until I

0:44:14.520 --> 0:44:17.600
<v Speaker 2>actually got something for you to do. So I put

0:44:17.600 --> 0:44:18.840
<v Speaker 2>it on my list of like I really want to

0:44:18.840 --> 0:44:22.319
<v Speaker 2>work with him on something, and I hit him and

0:44:22.360 --> 0:44:25.080
<v Speaker 2>he was like, let's go. I'm ready. And when I

0:44:25.080 --> 0:44:28.120
<v Speaker 2>tell you like they really like delivering on everything that

0:44:28.120 --> 0:44:29.759
<v Speaker 2>they said they was going to do. Because that's another thing,

0:44:29.840 --> 0:44:34.120
<v Speaker 2>is like, it's priceless when you can find someone who

0:44:34.160 --> 0:44:38.320
<v Speaker 2>can do what they advertise right. And in this business,

0:44:38.360 --> 0:44:40.200
<v Speaker 2>there's a lot of people who will say one thing

0:44:40.840 --> 0:44:42.520
<v Speaker 2>and then as soon as you get a little cloud,

0:44:42.600 --> 0:44:45.440
<v Speaker 2>get some success, they switch it up and then you

0:44:45.480 --> 0:44:47.480
<v Speaker 2>know they want to own everything. They want to take

0:44:47.480 --> 0:44:50.880
<v Speaker 2>credit for everything. That's whack. It's very whack. But then

0:44:50.880 --> 0:44:53.600
<v Speaker 2>there are some people, very few and far between, that

0:44:53.719 --> 0:44:56.880
<v Speaker 2>if they say I can get you this, they get it.

0:44:56.920 --> 0:45:00.000
<v Speaker 2>They deliver, sometimes they over deliver, they deliver on time,

0:45:00.200 --> 0:45:02.680
<v Speaker 2>they do it without complaint. Those are the people that

0:45:02.719 --> 0:45:05.760
<v Speaker 2>you want to surround yourself with, and Trinidad is definitely

0:45:05.800 --> 0:45:06.480
<v Speaker 2>one of those people.

0:45:06.920 --> 0:45:09.800
<v Speaker 4>Okay, is this a song leading into a project?

0:45:10.320 --> 0:45:12.640
<v Speaker 2>Absolutely? I have album. I just finished it. Actually, That's

0:45:12.640 --> 0:45:15.600
<v Speaker 2>what I'm here for in Atlanta to finish my project.

0:45:15.640 --> 0:45:20.080
<v Speaker 2>I'm working with Tricky Stewart Ricky. Yeah, he's executive producing it.

0:45:21.600 --> 0:45:24.600
<v Speaker 2>I got songs with Tommy Brown and mister Franks who

0:45:24.600 --> 0:45:26.440
<v Speaker 2>did a lot of the Ariana Grande hits that we

0:45:26.520 --> 0:45:31.239
<v Speaker 2>know and love. Toron Thomas who did like a bunch

0:45:31.239 --> 0:45:34.040
<v Speaker 2>of the stuff with Lizzo about them. Tommy one Record

0:45:34.080 --> 0:45:35.480
<v Speaker 2>of the Year, Song of the Year last year, he's

0:45:35.520 --> 0:45:40.440
<v Speaker 2>nominated Rock City. He's nominated for Songwriter the Year this

0:45:40.520 --> 0:45:44.800
<v Speaker 2>year at the Grammys. I've known him for years. He's amazing.

0:45:45.320 --> 0:45:49.280
<v Speaker 2>And then the dream worked with him, and then Ku Carell,

0:45:49.800 --> 0:45:53.240
<v Speaker 2>who does all like my background vocals and my vocal production.

0:45:54.800 --> 0:45:57.040
<v Speaker 2>He also is part of the reason why I feel

0:45:57.080 --> 0:46:00.479
<v Speaker 2>like we won Best R and B Performance for hours

0:46:00.520 --> 0:46:01.879
<v Speaker 2>and hours after Grammy's last year.

0:46:01.960 --> 0:46:05.440
<v Speaker 3>So Dream Team, I'm excited. Man, you're excited about this

0:46:05.480 --> 0:46:08.960
<v Speaker 3>because I love your voice. I like your style, like

0:46:09.239 --> 0:46:12.600
<v Speaker 3>you have nostalgia in your voice too, you know, And

0:46:12.760 --> 0:46:15.759
<v Speaker 3>I even like watching your perform like that that one

0:46:16.080 --> 0:46:25.000
<v Speaker 3>performance that went viral when you're like, what did I do?

0:46:29.040 --> 0:46:31.759
<v Speaker 2>I just love having fun, man, being silly and is like,

0:46:32.480 --> 0:46:35.480
<v Speaker 2>I gotta always keep that. I gotta always keep that

0:46:35.640 --> 0:46:38.279
<v Speaker 2>because you know, people like they turn into it now,

0:46:38.320 --> 0:46:40.880
<v Speaker 2>mind you if it's funny. I'm gonna laugh. It was

0:46:40.880 --> 0:46:45.680
<v Speaker 2>just one dude that he took that sound and he

0:46:46.040 --> 0:46:47.520
<v Speaker 2>made it like when you get in the car and

0:46:47.560 --> 0:46:49.000
<v Speaker 2>you'll see hot. Yeah it was.

0:46:51.520 --> 0:46:54.239
<v Speaker 5>That was funny that you can laugh at yourself though,

0:46:54.239 --> 0:46:56.520
<v Speaker 5>because I feel like a lot of artists do not

0:46:56.920 --> 0:46:58.840
<v Speaker 5>like the antics on social media.

0:46:58.920 --> 0:47:00.480
<v Speaker 2>But that's just because I know who I am. It's

0:47:00.520 --> 0:47:02.360
<v Speaker 2>like that ain't it ain't or nothing.

0:47:02.480 --> 0:47:04.960
<v Speaker 5>But you know, when a song came out, I was like, man,

0:47:05.040 --> 0:47:08.480
<v Speaker 5>y'all are wearing this song the haters.

0:47:11.160 --> 0:47:12.359
<v Speaker 1>I makes me think about my wife.

0:47:12.400 --> 0:47:15.279
<v Speaker 2>I love that song, but I did wear it out.

0:47:15.440 --> 0:47:17.080
<v Speaker 5>I'm one of those people that would listen to a

0:47:17.120 --> 0:47:19.920
<v Speaker 5>song twenty times and one day when I first hit

0:47:20.000 --> 0:47:21.719
<v Speaker 5>and what, I really like it, But I don't want

0:47:21.719 --> 0:47:23.359
<v Speaker 5>the internet to be playing it too, Like I don't

0:47:23.360 --> 0:47:24.960
<v Speaker 5>want to get on the internet. I didn't listen to

0:47:24.960 --> 0:47:26.120
<v Speaker 5>this twenty times in my car.

0:47:26.560 --> 0:47:29.120
<v Speaker 2>Yeah, I mean it's, you know, blessed in a curse

0:47:30.160 --> 0:47:32.200
<v Speaker 2>because while I'm super grateful and a lot of times

0:47:32.239 --> 0:47:34.680
<v Speaker 2>to the way the industry set up. Now, if your

0:47:34.920 --> 0:47:37.640
<v Speaker 2>song is not doing that on the internet, they won't

0:47:37.680 --> 0:47:40.400
<v Speaker 2>even pay you dust. So it's like you kind of

0:47:40.480 --> 0:47:45.520
<v Speaker 2>need it. But I only I only truly appreciate it

0:47:45.520 --> 0:47:49.920
<v Speaker 2>when it's organic, Like you know, I did not pay people.

0:47:51.480 --> 0:47:53.800
<v Speaker 3>Like the maid for me is like organic because I

0:47:53.840 --> 0:47:56.719
<v Speaker 3>think a girl in some blue pants, blue.

0:47:56.960 --> 0:47:59.040
<v Speaker 2>Girl in the blue pajamas. It's a lot of beef

0:47:59.080 --> 0:48:01.880
<v Speaker 2>going on on TikTok out there because it's two creators

0:48:02.080 --> 0:48:07.879
<v Speaker 2>that one guy, one guy named Reuben J. He did

0:48:08.000 --> 0:48:11.320
<v Speaker 2>he made a parody making fun of my soul Train performance,

0:48:11.440 --> 0:48:14.520
<v Speaker 2>just like walking in the wind because it was crazy

0:48:14.560 --> 0:48:16.880
<v Speaker 2>cold and wendy. So you know, his wig is like

0:48:16.920 --> 0:48:20.960
<v Speaker 2>doing like this. You know, it's super funny, super funny,

0:48:21.040 --> 0:48:23.279
<v Speaker 2>and like he made it like kind of like the

0:48:23.640 --> 0:48:27.920
<v Speaker 2>good Christian Sancti Vibe version. And then the young girl Marie,

0:48:29.239 --> 0:48:31.239
<v Speaker 2>she took it to the hood. You know, she was

0:48:31.280 --> 0:48:34.080
<v Speaker 2>in what was it, TJ Max or something like that,

0:48:34.120 --> 0:48:37.480
<v Speaker 2>and some pajamas. I almost bought those same pajamas from Target.

0:48:37.560 --> 0:48:40.640
<v Speaker 2>I got the green ones and she was in there,

0:48:40.760 --> 0:48:43.040
<v Speaker 2>you know, just like she nugged it out a little bit.

0:48:43.080 --> 0:48:46.200
<v Speaker 2>And that's what people are arguing about, like, oh, she

0:48:46.360 --> 0:48:50.040
<v Speaker 2>started it first. He started first, Like guys, we all

0:48:50.080 --> 0:48:54.000
<v Speaker 2>win it. You know, I'm not mad. I'm not mad.

0:48:56.400 --> 0:48:57.799
<v Speaker 1>I do got a question. So when did this guy

0:48:57.880 --> 0:48:59.839
<v Speaker 1>Shata come into the picture. Man, it's a good guy,

0:49:00.480 --> 0:49:00.960
<v Speaker 1>a good guy.

0:49:01.160 --> 0:49:05.160
<v Speaker 2>Yeah. Yeah. I've been working on Chaka for maybe like

0:49:06.040 --> 0:49:10.680
<v Speaker 2>six eight months now, I don't know, I'm like six yeah.

0:49:11.440 --> 0:49:16.239
<v Speaker 2>Always obviously been a fan from a distance, and he

0:49:16.440 --> 0:49:19.200
<v Speaker 2>him and Jeff really like take care of me. And

0:49:19.480 --> 0:49:21.640
<v Speaker 2>it's hard for me right to listen to other people

0:49:22.520 --> 0:49:26.440
<v Speaker 2>because I'd be worried, like you're just trying to benefit,

0:49:26.719 --> 0:49:30.360
<v Speaker 2>you know in some way, like what's the catch. But

0:49:30.400 --> 0:49:32.280
<v Speaker 2>they're not like that at all. It's like they can

0:49:32.719 --> 0:49:35.960
<v Speaker 2>actually give me advice and give me the reason why

0:49:36.560 --> 0:49:38.200
<v Speaker 2>I shouldn't be doing it or I should go this

0:49:38.239 --> 0:49:42.279
<v Speaker 2>way versus this way. And we have a great chemistry

0:49:42.840 --> 0:49:47.160
<v Speaker 2>where I trust them, you know, And that's like it's

0:49:47.400 --> 0:49:50.480
<v Speaker 2>very Yeah, it's very important, especially being a woman, right,

0:49:52.239 --> 0:49:54.320
<v Speaker 2>you know, them working with Luda for all these years

0:49:54.640 --> 0:49:55.520
<v Speaker 2>is totally different.

0:49:55.920 --> 0:49:56.040
<v Speaker 5>Right.

0:49:56.080 --> 0:49:58.719
<v Speaker 2>I gotta get hair and make up styling before I

0:49:58.760 --> 0:50:01.440
<v Speaker 2>do anything. I gotta I gotta be looking right. I

0:50:01.480 --> 0:50:05.000
<v Speaker 2>cannot go outside without makeup on or people are like,

0:50:05.040 --> 0:50:07.359
<v Speaker 2>well she looks sick, you know what I'm saying, And

0:50:07.400 --> 0:50:11.000
<v Speaker 2>I just look regular. So they understand that they fight

0:50:11.040 --> 0:50:14.960
<v Speaker 2>for me as a performer. There are certain things that

0:50:15.000 --> 0:50:17.440
<v Speaker 2>I need. Like I went to the Chantey Mor concert

0:50:17.520 --> 0:50:18.879
<v Speaker 2>last night and she said it was hot in their

0:50:19.360 --> 0:50:21.480
<v Speaker 2>and I was like, this is just me, and then

0:50:21.520 --> 0:50:24.160
<v Speaker 2>she said it. She was like, thank y'all for boiling

0:50:24.200 --> 0:50:27.120
<v Speaker 2>for me, because I can't sing with the air on,

0:50:27.960 --> 0:50:30.000
<v Speaker 2>you know, just certain things like that, or like you

0:50:30.080 --> 0:50:32.160
<v Speaker 2>going too a venue and they don't want to cut

0:50:32.160 --> 0:50:34.840
<v Speaker 2>the air condition off, so they're blowing all this dust

0:50:34.880 --> 0:50:37.240
<v Speaker 2>and cold, they're into your lungs, and then they expect

0:50:37.280 --> 0:50:38.640
<v Speaker 2>you to go out there and sing for an hour

0:50:39.080 --> 0:50:43.160
<v Speaker 2>and hit these you know, vocal cords. Is that why

0:50:43.160 --> 0:50:45.239
<v Speaker 2>she said, shyn your vocal cords. But also like when

0:50:45.280 --> 0:50:48.040
<v Speaker 2>you warm up, you're literally imagine like you know, you're

0:50:48.040 --> 0:50:50.480
<v Speaker 2>a runner, you're an athlete, and you warm up, you

0:50:50.560 --> 0:50:52.719
<v Speaker 2>run around the track, and then you sit in the

0:50:52.719 --> 0:50:56.200
<v Speaker 2>cold for twenty minutes, so now you're tight again and

0:50:56.360 --> 0:50:59.040
<v Speaker 2>you can hurt yourself that way, you know. So it's

0:50:59.080 --> 0:51:01.640
<v Speaker 2>like it's the same thing with a singer. I do

0:51:01.680 --> 0:51:04.520
<v Speaker 2>all those warm ups and then you get ready to

0:51:04.560 --> 0:51:07.040
<v Speaker 2>go perform on these award shows and right before you

0:51:07.080 --> 0:51:10.640
<v Speaker 2>walk on stage, there's the air blowing right on top

0:51:10.680 --> 0:51:13.000
<v Speaker 2>of your head. You know, and they got to keep

0:51:13.000 --> 0:51:16.160
<v Speaker 2>all those lights cool. So you understand that. But at

0:51:16.160 --> 0:51:18.120
<v Speaker 2>a certain point, you know, you need people back there

0:51:18.560 --> 0:51:20.799
<v Speaker 2>like Shaka fighting for you to be like, hey, cut

0:51:20.800 --> 0:51:23.239
<v Speaker 2>that air off five minutes. You know what I'm saying.

0:51:23.640 --> 0:51:26.240
<v Speaker 2>It's very important, man. It's like just those little things

0:51:26.719 --> 0:51:30.480
<v Speaker 2>because those womans live forever. It's like, you know, it

0:51:30.520 --> 0:51:33.120
<v Speaker 2>might only be a four minute performance, but they're gonna

0:51:33.120 --> 0:51:36.399
<v Speaker 2>watch it over and over for years to come. It's

0:51:36.400 --> 0:51:39.280
<v Speaker 2>got to be right, you know, it's your legacy.

0:51:39.360 --> 0:51:40.799
<v Speaker 5>I gotta say a shout out to J D and

0:51:40.800 --> 0:51:44.120
<v Speaker 5>B cox Man because when I tell you every Wednesday

0:51:44.239 --> 0:51:50.160
<v Speaker 5>at Ladies of R and B, your songs are in rotation.

0:51:50.360 --> 0:51:53.640
<v Speaker 4>You're part of keeping alive. Thank you for real.

0:51:55.200 --> 0:51:55.560
<v Speaker 1>Rotation.

0:51:56.920 --> 0:52:04.719
<v Speaker 2>Powder Wow, what out it to you?

0:52:04.920 --> 0:52:05.480
<v Speaker 4>Exactly?

0:52:09.600 --> 0:52:11.160
<v Speaker 2>That's why he said, well y'all to cast out with.

0:52:11.239 --> 0:52:16.680
<v Speaker 2>I was like, it's okay, oh yeah, money Line on

0:52:16.719 --> 0:52:17.480
<v Speaker 2>the Baller Alert Show.

0:52:17.480 --> 0:52:18.719
<v Speaker 3>Before we get out of here, we do have to

0:52:18.760 --> 0:52:20.000
<v Speaker 3>ask you for a pep talk.

0:52:20.160 --> 0:52:22.640
<v Speaker 2>What's up, y'all? It's your girl money long and my

0:52:22.760 --> 0:52:26.080
<v Speaker 2>little piece of motivation for you is get up out

0:52:26.120 --> 0:52:29.000
<v Speaker 2>that bed. Ain't no money in that bed. Get out

0:52:29.000 --> 0:52:33.160
<v Speaker 2>there in them streets, line them pockets.

0:52:33.320 --> 0:52:35.440
<v Speaker 6>Can't get enough of baller Alert. Follow us on all

0:52:35.520 --> 0:52:39.120
<v Speaker 6>social media platforms at baller Alertlog on the baller alert

0:52:39.160 --> 0:52:39.800
<v Speaker 6>dot com