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Speaker 1: All right, pay the queen.

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Speaker 2: The queen actually just just just a couple of minutes ago, respectfully.

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Speaker 3: Yea, with all due respect, she is the queen of

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Speaker 3: the underworld now and she's the Queen of Hades because

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Speaker 3: you know, she respectfully bit it and uh is no

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Speaker 3: longer of this earthly plane.

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Speaker 4: And we're still gonna do.

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Speaker 1: You don't You don't really read the news and stuff.

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Speaker 3: Did you not?

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Speaker 1: You do?

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Speaker 3: You don't read any cool news.

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Speaker 4: I I set my phone work focus mode.

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Speaker 1: Harry Knowles for sure knows what he's talking about.

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Speaker 2: Mm hmmm, so you set your what Drew mcqueeny. But

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Speaker 2: but the queen is no more Drew Moriarty down beneath the.

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Speaker 1: Down beneath the Moriarty.

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Speaker 4: Yeah, he's one of the right on ai CN.

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Speaker 1: They shouldn't let Moriarty do that.

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Speaker 3: Yeah, I think we need less after what he pulled.

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Speaker 1: It's it's fine, Like, it's just odd to me that

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Speaker 1: they can't use it to track his location. Somehow this

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Speaker 1: guy is just allowed to work.

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Speaker 3: I've been a vocal, vocal opponent of cancel culture obviously

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Speaker 3: as long as the term has.

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Speaker 4: Of course, as soon as it started bubbling up.

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Speaker 3: With exceptions There are cases, of course, where we do

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Speaker 3: need to say, okay, as a society Moriarty's behavior. I'm

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Speaker 3: not saying the guy needs to go live in a ditch.

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Speaker 3: I'm saying we can't give him one of the most

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Speaker 3: prominent and sought after jobs distributing information right to our

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Speaker 3: most influentruential readers, people who you know then go on

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Speaker 3: podcasts and repeat what is said. Because if at any

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Speaker 3: time he decides to just turn that dial and start

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Speaker 3: start making up lies about.

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Speaker 1: Me, then it's going to be too late, right.

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Speaker 3: Because he's already got this stuff in. So if he

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Speaker 3: were to go on there and say that like I

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Speaker 3: was crying in the parking lot before I came in

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Speaker 3: because I dropped my popsicle, how are we going to

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Speaker 3: combat that? Because we've given this guy the platform.

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Speaker 4: Now, we've said the scoops are worth the behavior. We've

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Speaker 4: basically said that we're willing to put up.

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Speaker 1: The scoops in this idea that Scotland Yard is going

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Speaker 1: to be able to use the clues that he's leaving

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Speaker 1: behind in his reviews to tip them to the heist

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Speaker 1: that he's about to perpetrate. Yeah, you're not going to

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Speaker 1: solve the clues. You've had plenty of opportunities.

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Speaker 3: Well, even if you put them together. I'm my suspicion is,

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Speaker 3: as you're realizing what he has planned, we would be

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Speaker 3: able to simultaneously cut from you figuring it out to

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Speaker 3: him actually pulling it off and getting away with it.

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Speaker 3: So it's like, oh, he's going to and he already did,

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Speaker 3: Yeah he saw. I think that's that's an issue. And

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Speaker 3: I wasn't crying.

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Speaker 4: When he came in with red eyes.

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Speaker 3: Yes, and the and this time of.

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Speaker 1: Year, yes, then this time you're especially it's summer, so like, yeah,

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Speaker 1: that's the honestly the.

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Speaker 3: Very way.

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Speaker 1: Yeah.

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Speaker 4: The popsicle falling on ground count right now is super high.

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Speaker 4: I checked my weather app.

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Speaker 3: Every morning, Yes, sick man.

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Speaker 4: And it's actually more dangerous to start a popsicle and

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Speaker 4: not finish it than to have no popsicle, you know,

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Speaker 4: like the the the right amount. So if you don't

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Speaker 4: get the whole thing.

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Speaker 1: Actually, if you don't finish it off, yes, yeah, if

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Speaker 1: you stop halfway through, it can build up actually get

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Speaker 1: really hurt.

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Speaker 4: Or if you're stopped by like gravity or slippery hands

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Speaker 4: or with it.

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Speaker 1: If it goes flying.

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Speaker 3: And by the way, It's like, so the next thing,

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Speaker 3: you know more already is going to have some article

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Speaker 3: about how I got down on all fours and was

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Speaker 3: like sucking on the dirty popsicle off the ground like

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Speaker 3: a dog, and then then like I gotta be in

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Speaker 3: my mouth. Yeah, and like that's now the news all

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Speaker 3: of a sudden, It's like this is supposed to be

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Speaker 3: where I go to find out if the Queen's alive?

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Speaker 1: And what is that even a clue? What heist? Is

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Speaker 1: that even the clue to that? Like you're down on

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Speaker 1: all fours like sucking out a popsicle and you got

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Speaker 1: to be in your mouth?

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Speaker 4: H be Like I'm just trying to read this news site.

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Speaker 1: Oh he's going to steal big bells, okay steal.

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Speaker 4: And I just came to this news site to find

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Speaker 4: out if the new Samahayak movie made one of these

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Speaker 4: journalists squirt metaphorically.

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Speaker 1: And it can be really dangerous to like go into

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Speaker 1: a Sami movie and not not squirt or not know

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Speaker 1: if you're gonna squirt. Yes, you know, so that's why

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Speaker 1: you do.

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Speaker 4: It's called service journalists, like which pants and to.

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Speaker 1: Desperatvin I got a little stuck? Can you like help

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Speaker 1: me out. I'm a little stuck over here. Thank you.

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Speaker 3: Hayes is a little stuck so trying to move forward

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Speaker 3: and difficulty. Kevin is gonna help Hayes get unstuck.

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Speaker 1: Okay, thank you.

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Speaker 3: Imagine what the inside out emotions inside Hayes's head we're doing.

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Speaker 3: Just then, can you think about that? Like when he's stuck,

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Speaker 3: it's like the year is going like I'm scared I'm

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Speaker 3: gonna be stuck forever, and.

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Speaker 1: Then like anxiety, anxiety.

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Speaker 3: I'm like, oh, I'm scared too, yeah, and then like

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Speaker 3: shame is going like I'm so Emba is to be

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Speaker 3: stuck like that.

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Speaker 4: You know, but Amy Poehler is like, it's so cool

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Speaker 4: to be stuck. This is so fun.

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Speaker 1: Yeah, I don't like I understand, you know, a lot

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Speaker 1: of the performers.

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Speaker 3: I don't really think of them as like, uh.

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Speaker 1: It's more enjoyable for me to actually think of them

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Speaker 1: like as the the movie.

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Speaker 3: Wants you to do that. The movie does want you

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Speaker 3: to do that. And so I try to honor the

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Speaker 3: artist's intention and not go like, oh, I'm friends with

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Speaker 3: this actor whatever the thing is that you're but I

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Speaker 3: try to just go like, oh my gosh, what a

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Speaker 3: magical journey, and look at the anger is going. I hate,

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Speaker 3: I'm so mad. I'm stuck you InCom poopnessed but.

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Speaker 1: Kind of out of loyalty.

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Speaker 4: You didn't even want to watch the new one because

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Speaker 4: because your friends. I know you guys are friends with

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Speaker 4: Bill and Mindy, and when they stepped away, you cannot.

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Speaker 3: It's not for the show. The fact is people bring

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Speaker 3: a certain amount of value and that value should be

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Speaker 3: recognized and e.

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Speaker 1: The two of them, what there were.

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Speaker 3: Oh but it's pretty easy. I think you made out

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Speaker 3: okay on the first one. I think you actually did

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Speaker 3: pretty well. So when we come back and we want

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Speaker 3: to run it back, maybe this time we want to

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Speaker 3: just have a little bit of respect, especially for what

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Speaker 3: has been going on for them individually in the time

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Speaker 3: since that movie happened. So it's not you're not talking

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Speaker 3: to the same people. You're talking to Titans, And I

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Speaker 3: just don't know why that wasn't recognized and I don't

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Speaker 3: want to talk about it on the show.

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Speaker 1: Sure, but.

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Speaker 3: If I could meet the business affairs lawyer who tendered

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Speaker 3: that initial offer, I would a big, hawking loogie at

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Speaker 3: their entire fucking dome.

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Speaker 1: Chicken tendered it more like what they did.

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Speaker 4: Yeah, hock tooy, that's the new toy.

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Speaker 1: Be my new cuspidor, and I need one. You should

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Speaker 1: see what I've done to this cuspidor.

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Speaker 3: He's got to get another one.

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Speaker 1: You Like, they kind of make it seem like when

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Speaker 1: they sell it to you, they kind of make it

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Speaker 1: seem like it's well just or just.

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Speaker 3: Well they do they do present it that way.

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Speaker 1: Yeah, he's not wrong, Yes, it's not really, that's.

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Speaker 3: Not When you get it home, you kind of find

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Speaker 3: out that you've been misled.

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Speaker 1: Yeah.

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Speaker 3: Right, it's not really a cuspodoor.

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Speaker 1: It's mesh first of all. Yeah, and so like I

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Speaker 1: guess you're and I guess that's how they get you

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Speaker 1: to like and get the line or it's very sheer. Yeah,

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Speaker 1: so like the lining is separate, and so you like

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Speaker 1: you have to like now you're going back to the

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Speaker 1: dealer and saying, like, and you built the whole room

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Speaker 1: around this, you know what I mean, The entire room

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Speaker 1: has been it's like the central design element in the

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Speaker 1: room because it's in the middle of the room. You

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Speaker 1: need to be able to see to do it.

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Speaker 3: You need with your life, telling your wife, wait, till

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Speaker 3: you see the cuspadoor room, like just like just this

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Speaker 3: is the one room in the house, hands off, this

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Speaker 3: one's mine, yes, and you're and it's gonna be the

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Speaker 3: show piece. And when we give the tour of the home,

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Speaker 3: people are gonna know, yes, this is where Hayes made

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Speaker 3: his mark. And instead what happens is what.

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Speaker 1: You have you know, well, I mean, and this is gross,

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Speaker 1: but like in the time you're taking a long time

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Speaker 1: to like pick the cuspidor meanwhile, everything is just gathering

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Speaker 1: in your cheeks, you know what I mean, you have

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Speaker 1: nowhere to put it, sure, and it's just kind of

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Speaker 1: like drooping further and further and down. Then it's getting

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Speaker 1: like really logged in there. Yeah, you know what I mean.

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Speaker 1: And then when you get it, the release is like,

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Speaker 1: so it feels amazing, but like to realize that you're

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Speaker 1: releasing into a mesh caspitor. Yeah, it's but you can't throw.

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Speaker 4: You know, That's why it's like it's made out of

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Speaker 4: old water bottles. I've seen these cuspidors online. I get

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Speaker 4: Instagram ads for them. The idea is that you just

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Speaker 4: throw it in the wash.

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Speaker 1: You can throw it in the wash, yes.

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Speaker 3: Can, but it's it's also then the wash gets nasty, yeah,

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Speaker 3: because it's well, I mean, you can talk about your wash,

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Speaker 3: but Hayes's wash is I'm also mesh. I mean it's

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Speaker 3: it's not you know, it's not perfect.

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Speaker 1: I gotta I gotta washer on one of the same

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Speaker 1: these Instagram things like the Way and they have.

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Speaker 3: The tracking number. You gotta download a different app to

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Speaker 3: be able to follow the track.

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Speaker 1: And they have like the equivalent I forget her name,

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Speaker 1: but it's like basically the equivalent of Brooke Williamson from

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Speaker 1: like two time Top Chef Winner, but for the Bravo

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Speaker 1: show where they do laundry, like they have her right

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Speaker 1: on there being like a blow dryer, I use this

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Speaker 1: below dryer, below dryer. Yeah, that's where the washer. It

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Speaker 1: sounds to the untrained ear Kevin, it sounds like maybe

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Speaker 1: that's like a hair.

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Speaker 3: Blow dryer show, but there is an e.

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Speaker 1: Yeah, but it's below dryer, below dry which is where

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Speaker 1: they when you stack them. That's where the washer.

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Speaker 3: Yes, Well, it's interesting is that you see you're saying

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Speaker 3: the equivalent of Brook Williamson but it is soundra hueler. Yeah,

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Speaker 3: like that is won that show.

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Speaker 1: Yes, and that's where she kind of like came, I guess.

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Speaker 3: It nowhere right, Like it was like, wait, she's all

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Speaker 3: of a sudden all over stuff.

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Speaker 4: It's kind of like like wipe being on Survivor, where

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Speaker 4: you're like, I think I've seen a movie or two

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Speaker 4: you've finished.

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Speaker 1: But she was like on.

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Speaker 4: Season two not really addressing that. Yes, she was the

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Speaker 4: queen of Central European cinema.

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Speaker 1: And that's a pathway there. I guess that we we haven't.

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Speaker 1: We don't have no here. Same with their like panel

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Speaker 1: shows and stuff.

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Speaker 5: I wish we had. I wish we had that. Why

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Speaker 5: can't that take hold over here?

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Speaker 3: Just that vibe, you know, just the pleasant sort of

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Speaker 3: like this conversational just like teasing each other and the

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Speaker 3: game shows, the recurring people.

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Speaker 5: Why don't we have that? We need to have that

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Speaker 5: here and we have it there and they have it.

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Speaker 5: I wish we did.

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Speaker 3: We need to have it too. Why can't that get

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Speaker 3: going here?

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Speaker 1: And we don't want to watch that necessarily, we don't

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Speaker 1: want to watch theirs, But why can't we have ours?

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Speaker 3: It's a different It must be something different about us

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Speaker 3: or our stars, But there's I don't know what it is,

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Speaker 3: but I want to have it ours here because I

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Speaker 3: see them having it and it's so nice.

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Speaker 1: You have After Midnight.

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Speaker 3: We have After Midnight, Yes, we have, we have that.

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Speaker 3: There's there's more structures there, and.

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Speaker 1: That's exactly what we're talking about, where like we like

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Speaker 1: they're not getting points.

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Speaker 4: And they're becoming less famous as they go on. Like

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Speaker 4: the Way After Midnight's kind of like an upside down

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Speaker 4: British panel show, and that I feel like it hurts

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Speaker 4: the people on it.

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Speaker 1: They're now subtracting points. Any time you say anything on

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Speaker 1: that show, you get points taken away.

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Speaker 3: It's true, yes, and the and the points come directly

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Speaker 3: off of your IMDb star meter. Every every time I

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Speaker 3: see someone telling a good story, it's on one of

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Speaker 3: these British shows, these panels where they all just seem

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Speaker 3: like they're just hanging out in someone's living room and oops,

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Speaker 3: there's a camera there and we can't seem to have that.

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Speaker 3: It's we've got to gamify everything. Yes, it's got to

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Speaker 3: be a competition. You can't just go and tell a

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Speaker 3: funny story about having sex with a musician or whatever

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Speaker 3: getting a venereal disease from them. It's just like you've

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Speaker 3: got to put on a blindfold and play beard pong

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Speaker 3: or whatever it is. I just wish we could have it.

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Speaker 1: Graham used to be on Comedy Central.

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Speaker 3: Remember that Norton that actually was we didn't know what

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Speaker 3: we had was gone.

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Speaker 4: Yeah, Reggie Wats has been trying to tell us for

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Speaker 4: a long time, do that here have it. He's on

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Speaker 4: those shows, those the task Masters, which is like after midnight,

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Speaker 4: a little less structure, very big over there.

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Speaker 1: Yeah, the Taskmasters would be the thing about it after midnight,

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Speaker 1: it's like much structure. Let me let me do it, like,

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Speaker 1: let me go on there, let me do the show.

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Speaker 3: Let me be on the show, all this stuff, put

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Speaker 3: me on the show. Please, let me be on the show.

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Speaker 1: Let me come out from back there, you know, let

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Speaker 1: me come out from behind the thing just a little bit.

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Speaker 4: Well, let me sit down, Yeah, let me come out

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Speaker 4: in front of it and sit down.

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Speaker 3: Get front and.

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Speaker 1: Let me sit down on the floor in front of

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Speaker 1: the front of you.

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Speaker 3: Can I sit in front of the podium so you

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Speaker 3: can't see the number in case my score is not good?

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Speaker 3: And then can I just hang out and like, just

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Speaker 3: like do I have to always be coming up with

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Speaker 3: some joke for you, because the thing is these chat

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Speaker 3: shows they have, are they funny? Yeah? Hell yeah, I'm

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Speaker 3: losing it. I'm fucking dying.

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Speaker 4: You're always sending me the clips from the British shows.

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Speaker 4: You're like their sitcoms are better. You're sending me links

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Speaker 4: to weird Torrent site.

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Speaker 3: There's ship dude, have you gotten those?

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Speaker 4: I get the links for sure.

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Speaker 1: But they.

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Speaker 3: Their shit is wild, man, It's loose and it feels real.

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Speaker 3: Doesn't feel like this prepackage polished. Oh everyone, there's been nine,

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Speaker 3: you know, different executives.

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Speaker 1: Because bad camera. The camera they use is really bad looking.

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Speaker 1: And that's what real life looks like. Real life looks

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Speaker 1: like ship. Not everybody has a life looks like who Yes, yes,

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Speaker 1: and their clothes are bad. Uh. And they're much much uglier.

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Speaker 3: The sets made of cardboard. Everybody looks like ship.

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Speaker 1: Yes.

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Speaker 4: People didn't have time to get in shape. Yeah, they

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Speaker 4: got very short notice to appear on camera. Yes, came

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Speaker 4: straight from a dinner.

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Speaker 3: I have an observation about their teeth. They're a little different,

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Speaker 3: you know, over there across the palm, so you the

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Speaker 3: old palm.

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Speaker 1: We have an audible original coming out.

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Speaker 3: It's starting now.

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Speaker 4: Is it about to I think it comes well, it's dropping. Yeah,

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Speaker 4: it comes out in a couple of weeks.

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Speaker 1: Boom, okay, set your set your so we and just

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Speaker 1: to say when we're recording this, it's uh September of

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Speaker 1: twenty twenty two.

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Speaker 4: Yep, the queen just died. Yeah, so it's it. So

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Speaker 4: I don't know when you're going to release it. There's

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Speaker 4: a chance people might not be able to download it yet.

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00:17:23,000 --> 00:17:25,199
Speaker 4: But if you have one credit on your audible, you

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00:17:25,240 --> 00:17:27,560
Speaker 4: can add it. You can add it to your wish

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Speaker 4: list credit at credit. Oh perfect, then early November.

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Speaker 3: But I want to but but I but I'm looking

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00:17:35,280 --> 00:17:39,400
Speaker 3: hard at Project tail Mary. So I'm not saying anything

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00:17:39,440 --> 00:17:47,040
Speaker 3: about your project negative because obviously Project Hail Mary is

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Speaker 3: a big project, and your project is a big project.

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Speaker 3: And I can only pick one because I only have

329
00:17:52,960 --> 00:17:55,520
Speaker 3: one credit, So tell me because this will be good

330
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Speaker 3: for other Yeah, what's the new of your project?

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Speaker 4: It's called Past My Bedtime And I just fail Maxie,

332
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Speaker 4: just remembering. And it's weird that I know this because

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Speaker 4: it's twenty twenty two. You don't need a credit, it's

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00:18:08,080 --> 00:18:10,440
Speaker 4: free if you have a membership. So get your Project

335
00:18:10,440 --> 00:18:13,240
Speaker 4: Hail Mary and then add past my bedtime, kind of

336
00:18:13,280 --> 00:18:15,720
Speaker 4: decided I definitely want it, Okay, for sure, don't burn

337
00:18:15,760 --> 00:18:16,159
Speaker 4: the credit.

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00:18:16,760 --> 00:18:22,360
Speaker 3: Yeah, it's feel I'm interested, but I'm not like, oh,

339
00:18:22,400 --> 00:18:24,560
Speaker 3: I have to have it, and when until I feel

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00:18:24,600 --> 00:18:26,800
Speaker 3: like I have to have it, I'll keep the credit

341
00:18:27,119 --> 00:18:29,879
Speaker 3: because the potential of having that credit in your account

342
00:18:29,880 --> 00:18:32,600
Speaker 3: and people know this and imagining what it could be

343
00:18:33,400 --> 00:18:37,440
Speaker 3: is sometimes more thrilling, even than listening to a book.

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00:18:37,320 --> 00:18:39,640
Speaker 4: Of course, because you're like, all the different ways this

345
00:18:39,680 --> 00:18:42,800
Speaker 4: one credit could transform me to a better person. I

346
00:18:42,800 --> 00:18:47,000
Speaker 4: could learn about an expedition to a planet. I could

347
00:18:47,200 --> 00:18:48,639
Speaker 4: read a book on how to trick women?

348
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Speaker 3: What are some what are some things you could buy

349
00:18:52,800 --> 00:18:54,760
Speaker 3: with this max with this five dollar bill?

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Speaker 4: Maybe like a kindles, like a novella.

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Speaker 3: Okay, okay, even a hard product.

352
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Speaker 4: Like a so like a small book.

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Speaker 1: It's like a bush.

354
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Speaker 4: One moment, I thought we were staying in the Amazon ecosphere.

355
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Speaker 4: Are we allowed to spend this money anywhere?

356
00:19:14,440 --> 00:19:14,600
Speaker 1: Well?

357
00:19:14,720 --> 00:19:17,200
Speaker 3: Yes, I mean you can buy five dollars worth of

358
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Speaker 3: fresh cherries cherry season.

359
00:19:21,440 --> 00:19:22,840
Speaker 4: You get your cherries in September.

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Speaker 3: Oh, yes, that's when they finally figured it out. All

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00:19:26,080 --> 00:19:28,800
Speaker 3: summer they're kind of waffling around Do I want to

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Speaker 3: be sweet? Do I want to be hard? And then

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Speaker 3: in September they finally decide I want to be hard

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Speaker 3: and not sweet. So that's when we've got it. And

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00:19:36,680 --> 00:19:39,280
Speaker 3: so you could buy five dollars worth of cherries. You

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Speaker 3: could buy I think maybe a fidget spinner or something.

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Speaker 3: But all of these are things I can imagine eating

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Speaker 3: the fresh chair. I could imagine spinning a fidget.

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Speaker 1: The things that the men in the park are making

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Speaker 1: shoot up in the air, Yeah, they go so high,

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Speaker 1: and every time I like, that's not coming back, and

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00:20:00,359 --> 00:20:05,200
Speaker 1: single time it does, it lands that one ain't coming back.

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Speaker 3: Oh yeah, a bubble Wand but all of those things

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00:20:08,040 --> 00:20:11,560
Speaker 3: are amazing to think about and actually me imagining all

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Speaker 3: the places this money could go while I hold the

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Speaker 3: money is the potential and all of that maybe tastes

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Speaker 3: even better than fresh September cherries. And so that's the

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Speaker 3: point I'm trying to make. And I'm gonna put this

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Speaker 3: back for now.

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Speaker 4: Sure, but did you not have good tools? Because that's

381
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Speaker 4: how much an audible credit costs? Fifteen dollars You took

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Speaker 4: out five.

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Speaker 3: And well I do have a one and a five, Okay,

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00:20:42,960 --> 00:20:51,639
Speaker 3: I do, so that is fifteen, Yeah, fifty fifty dollars.

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Speaker 3: I have the exact change one.

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Speaker 1: And you had a co wife er on this, correct

387
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Speaker 1: your wife.

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00:21:02,119 --> 00:21:05,120
Speaker 4: Yeah, the podcast is co written and co created by

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00:21:05,200 --> 00:21:10,399
Speaker 4: my wife, who's bedtime called past my Bedtime. Oral History

390
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Speaker 4: of the fastest failure in late night History.

391
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Speaker 1: And the Boy grows up.

392
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Speaker 3: Oral History of the fastest failure in late night history.

393
00:21:17,320 --> 00:21:18,879
Speaker 3: You don't have any synonyms for history.

394
00:21:19,800 --> 00:21:22,359
Speaker 4: The way that it kind of picks at your someone,

395
00:21:22,440 --> 00:21:28,719
Speaker 4: like your brain was the point that is, because now

396
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Speaker 4: it's bothering you.

397
00:21:29,640 --> 00:21:31,480
Speaker 3: You're trolling my ass.

398
00:21:32,280 --> 00:21:34,800
Speaker 4: No, yeah, I mean I'm the same way. You know,

399
00:21:35,000 --> 00:21:38,199
Speaker 4: you read a script there reusing words? Why not use

400
00:21:38,240 --> 00:21:42,800
Speaker 4: a different word? No, humans would ever use bloodhound for that.

401
00:21:42,680 --> 00:21:51,080
Speaker 3: Stuff you got there twice? Boat and boat, you know

402
00:21:51,080 --> 00:21:54,800
Speaker 3: what I mean, Let's try ship. I'm doing that all day,

403
00:21:55,040 --> 00:21:57,040
Speaker 3: every rewrite. That's all I'm doing.

404
00:21:57,160 --> 00:21:59,200
Speaker 1: That's your kind of position in the role.

405
00:21:59,320 --> 00:22:02,240
Speaker 3: Yeah, and see, and I don't know what it is.

406
00:22:02,320 --> 00:22:04,600
Speaker 3: It's just like I can see the matrix sort of

407
00:22:04,640 --> 00:22:07,440
Speaker 3: where I know if there's a word that is in

408
00:22:07,720 --> 00:22:12,600
Speaker 3: two sentences near each other, and I just like I

409
00:22:12,640 --> 00:22:13,480
Speaker 3: can't abide it.

410
00:22:13,720 --> 00:22:19,200
Speaker 1: No, and and he's replying to the challenges on Instagram

411
00:22:19,240 --> 00:22:23,120
Speaker 1: and such of finding the mistake and his reply even

412
00:22:23,119 --> 00:22:25,159
Speaker 1: though it's the same as a lot of other people's replies,

413
00:22:25,160 --> 00:22:26,919
Speaker 1: because some other people do figure it out too, but

414
00:22:26,960 --> 00:22:30,080
Speaker 1: people are liking his his reply.

415
00:22:30,800 --> 00:22:32,480
Speaker 4: The challenge is on Instagram.

416
00:22:33,640 --> 00:22:38,280
Speaker 2: You don't look at the challenge challenges onsta where it's

417
00:22:38,359 --> 00:22:39,760
Speaker 2: like what's the what's the mistake?

418
00:22:39,880 --> 00:22:43,760
Speaker 1: Like find the mistake. Sometimes it's having you do maths.

419
00:22:44,880 --> 00:22:48,959
Speaker 4: I think maybe you're you're telling on your your puzzle

420
00:22:49,040 --> 00:22:52,240
Speaker 4: specific algorithm. I'm not getting a lot of puzzles. It's

421
00:22:52,280 --> 00:22:55,479
Speaker 4: just women that have the T shirts and they're holding

422
00:22:55,560 --> 00:22:57,480
Speaker 4: up the top of their T shirts and then they

423
00:22:57,600 --> 00:23:01,280
Speaker 4: drop them and it all sort of falls and.

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00:23:02,800 --> 00:23:05,159
Speaker 3: The top of their T shirt. They're holding the T

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Speaker 3: shirt out from their body.

426
00:23:06,400 --> 00:23:08,399
Speaker 4: No, it's tight to their body, and they're pulling the

427
00:23:08,440 --> 00:23:10,760
Speaker 4: T shirt up and it's kind of bringing their body

428
00:23:10,800 --> 00:23:12,200
Speaker 4: with it and then they that's the bottom.

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00:23:12,200 --> 00:23:13,840
Speaker 1: I know, it makes it seem like it's the top

430
00:23:13,840 --> 00:23:15,800
Speaker 1: for a minute because they pulled it up, and I

431
00:23:15,880 --> 00:23:19,680
Speaker 1: know like that that can be very tricky because this part.

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00:23:19,480 --> 00:23:21,720
Speaker 3: Of the T shirts up high, that's the top. But

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00:23:21,880 --> 00:23:23,959
Speaker 3: what you're saying I think actually is that they are

434
00:23:24,000 --> 00:23:28,560
Speaker 3: holding the bottom. Yes, they're pulling the bottom towards the top.

435
00:23:28,400 --> 00:23:29,760
Speaker 1: But that doesn't make it the top.

436
00:23:29,880 --> 00:23:32,240
Speaker 2: And then and they call the whole thing atop.

437
00:23:32,320 --> 00:23:36,879
Speaker 1: Sometimes they're so stupid.

438
00:23:36,800 --> 00:23:40,720
Speaker 3: That ship is so fucking dumb. Another thing they don't

439
00:23:40,720 --> 00:23:42,760
Speaker 3: do in Britain, you know what I mean, it's all

440
00:23:42,880 --> 00:23:46,480
Speaker 3: they just they wouldn't use that terminology because like the

441
00:23:46,600 --> 00:23:49,240
Speaker 3: chat shows and the sort of intelligent way that they

442
00:23:49,280 --> 00:23:52,920
Speaker 3: conduct themselves there, you don't have this kind of confusion.

443
00:23:53,040 --> 00:23:55,720
Speaker 3: And we ruined their language.

444
00:23:55,280 --> 00:23:58,720
Speaker 1: They bottom when they say bottom, they're referring to Nick Bottom.

445
00:23:59,160 --> 00:24:01,280
Speaker 1: Farce like it's very elevated.

446
00:24:01,359 --> 00:24:04,560
Speaker 4: Well they say front bottom and that's a wet t shirt.

447
00:24:04,560 --> 00:24:06,720
Speaker 4: They say from they do say from bottom. Also, they

448
00:24:06,720 --> 00:24:08,840
Speaker 4: published topless photos in their newspaper.

449
00:24:09,359 --> 00:24:12,120
Speaker 3: Yes, I mean, they just have a different but it's

450
00:24:12,160 --> 00:24:15,639
Speaker 3: page six and you just go like children are obviously,

451
00:24:16,000 --> 00:24:20,000
Speaker 3: like everyone knows, the child's mind is different and they

452
00:24:20,000 --> 00:24:22,720
Speaker 3: have a lower sort of attention. That's why Sesame Street

453
00:24:22,760 --> 00:24:24,919
Speaker 3: has short segments. And what they are is they go

454
00:24:25,040 --> 00:24:28,600
Speaker 3: through five pages and they say, well, nothing exciting here,

455
00:24:29,080 --> 00:24:32,280
Speaker 3: and then left for mom and Dad is on page

456
00:24:32,320 --> 00:24:34,440
Speaker 3: six as you said there.

457
00:24:34,480 --> 00:24:36,520
Speaker 4: You said page six. I think it's page three. Page

458
00:24:36,520 --> 00:24:37,600
Speaker 4: six is the gossip thing?

459
00:24:37,640 --> 00:24:39,320
Speaker 3: Maybe is page six the gossip thing?

460
00:24:39,359 --> 00:24:41,720
Speaker 4: But maybe page three seems too early because I'm agreeing

461
00:24:41,760 --> 00:24:44,239
Speaker 4: with your logic a little bit.

462
00:24:44,480 --> 00:24:48,760
Speaker 1: How this culture was founded, it was the Puritan like

463
00:24:48,760 --> 00:24:52,440
Speaker 1: the Puritans flee.

464
00:24:52,600 --> 00:24:53,440
Speaker 4: Yeah, yeah, you're right.

465
00:24:53,440 --> 00:24:57,400
Speaker 1: They decided to flee from England because they saw Bobo's

466
00:24:57,440 --> 00:24:59,600
Speaker 1: in the newspaper and now with like they have to

467
00:24:59,600 --> 00:25:02,040
Speaker 1: come all the way over here and like this is

468
00:25:02,320 --> 00:25:04,600
Speaker 1: like now in our blood, so we see that and

469
00:25:04,640 --> 00:25:05,080
Speaker 1: like like.

470
00:25:05,040 --> 00:25:09,280
Speaker 4: They fled the world where unstructured chat formats make people famous,

471
00:25:09,280 --> 00:25:11,840
Speaker 4: and they came here. We're unstructured chat formats like this

472
00:25:11,960 --> 00:25:14,200
Speaker 4: are destroying don't help people.

473
00:25:14,440 --> 00:25:15,840
Speaker 1: Yes, No, it was.

474
00:25:15,840 --> 00:25:19,520
Speaker 3: Like there's so there's so much repression here still, and

475
00:25:19,560 --> 00:25:24,719
Speaker 3: it's like genetic that like the fear of public snogging,

476
00:25:25,119 --> 00:25:31,720
Speaker 3: you know, is is so restrictive and you just feel

477
00:25:31,720 --> 00:25:33,480
Speaker 3: it when you walk around out there in the world.

478
00:25:33,560 --> 00:25:40,000
Speaker 3: Everyone's uptight and there's so much anxiety, like an inside

479
00:25:40,040 --> 00:25:42,160
Speaker 3: out you know what I mean. I'd like to see

480
00:25:42,240 --> 00:25:46,639
Speaker 3: British inside out, the feelings inside those heads, and it

481
00:25:46,640 --> 00:25:56,920
Speaker 3: would be smartness, right yuh, Freedom of thought. Yes, yeah, newspaper,

482
00:25:56,920 --> 00:26:00,960
Speaker 3: Bobo enjoying, right, these be the kind of things and

483
00:26:01,000 --> 00:26:03,640
Speaker 3: they're all sharing the controls in a civilized way.

484
00:26:03,840 --> 00:26:13,359
Speaker 4: Stiff Flipness that's their number one chat podcast, Smartness for once. Yeah, yes,

485
00:26:13,520 --> 00:26:15,920
Speaker 4: they all know a lot a smartness monster.

486
00:26:16,960 --> 00:26:17,520
Speaker 3: Mm hmmm.

487
00:26:22,280 --> 00:26:25,720
Speaker 1: Here's a scenario I was chewing on earlier and it's

488
00:26:25,760 --> 00:26:26,760
Speaker 1: finally coming into me.

489
00:26:26,840 --> 00:26:27,840
Speaker 3: Spit it out.

490
00:26:27,880 --> 00:26:34,240
Speaker 1: The boy comes of age two, uh to fully be

491
00:26:34,320 --> 00:26:37,400
Speaker 1: able to engage with mommy and daddy. And now we're

492
00:26:37,440 --> 00:26:42,040
Speaker 1: negotiating about bedtime, right, and you say it's past your

493
00:26:42,040 --> 00:26:47,520
Speaker 1: bedtime and the boy says, oh, so suddenly that's a problem.

494
00:26:47,640 --> 00:26:49,720
Speaker 1: It seems like you wrote an entire book about it

495
00:26:49,760 --> 00:26:52,720
Speaker 1: back when when I was small and I couldn't because

496
00:26:52,760 --> 00:26:53,960
Speaker 1: you thought I couldn't read yet.

497
00:26:55,240 --> 00:26:59,040
Speaker 3: And he's actually pinned your ass to the wall with

498
00:26:59,240 --> 00:26:59,960
Speaker 3: logic and fact.

499
00:27:00,320 --> 00:27:00,560
Speaker 1: Yeah.

500
00:27:00,960 --> 00:27:03,040
Speaker 4: I don't know if Lee and I will have kids,

501
00:27:03,560 --> 00:27:07,080
Speaker 4: and we haven't decided yet. Okay, you know, it just

502
00:27:07,119 --> 00:27:09,400
Speaker 4: feels like with with a strike coming.

503
00:27:09,840 --> 00:27:13,280
Speaker 3: Yeah, it might be the looming strike. I hope they

504
00:27:13,280 --> 00:27:14,080
Speaker 3: figure that out.

505
00:27:14,119 --> 00:27:17,320
Speaker 4: But with the we're eight months out from the deadline

506
00:27:17,320 --> 00:27:20,560
Speaker 4: and I just I'm worried it would be irresponsible to

507
00:27:20,760 --> 00:27:24,320
Speaker 4: have a kid now, especially having made a podcast about

508
00:27:24,960 --> 00:27:25,840
Speaker 4: pivot before.

509
00:27:26,520 --> 00:27:34,200
Speaker 3: Yes, right, got way ahead of that TV shutdown by

510
00:27:34,280 --> 00:27:35,240
Speaker 3: doing the audio.

511
00:27:35,720 --> 00:27:40,199
Speaker 4: Yeah, the expensive slow audio scripted drama that requires a

512
00:27:40,240 --> 00:27:43,159
Speaker 4: membership to a non podcast website. We we kind of

513
00:27:43,200 --> 00:27:46,280
Speaker 4: just saw a way through and we took it, and

514
00:27:46,320 --> 00:27:48,040
Speaker 4: then two years later it's about to come out.

515
00:27:48,080 --> 00:27:48,680
Speaker 1: It's crazy.

516
00:27:49,240 --> 00:27:52,439
Speaker 3: Yeah, that's powerful. But do you want to talk a

517
00:27:52,440 --> 00:27:56,280
Speaker 3: little bit about what might happen on the show so

518
00:27:56,400 --> 00:27:59,840
Speaker 3: I can sort of get a feel for if I'm gonna.

519
00:27:59,640 --> 00:28:01,639
Speaker 4: Like this absolutely, because I don't want you to burn

520
00:28:02,600 --> 00:28:05,399
Speaker 4: no credit. I don't want you to keep a membership credit.

521
00:28:05,440 --> 00:28:08,960
Speaker 3: But my time ultimately is a credit because I hate

522
00:28:09,000 --> 00:28:13,200
Speaker 3: to take out the five dollars bill again. But there's

523
00:28:13,280 --> 00:28:18,280
Speaker 3: a way in which your time is money. Well, this

524
00:28:18,320 --> 00:28:21,960
Speaker 3: is money too. So so if I think of this

525
00:28:22,080 --> 00:28:25,920
Speaker 3: and all the potential could be remember the fresh cherries. Yeah,

526
00:28:25,960 --> 00:28:30,560
Speaker 3: So there's there's other things that are like money. One

527
00:28:30,560 --> 00:28:34,160
Speaker 3: of them's time, and time is something that you can

528
00:28:34,200 --> 00:28:36,720
Speaker 3: spend doing different things and might imagine five time.

529
00:28:36,800 --> 00:28:38,240
Speaker 1: If you think about it like the same.

530
00:28:38,560 --> 00:28:40,920
Speaker 3: You think about it like it's time. So picture this

531
00:28:40,960 --> 00:28:43,520
Speaker 3: as time, and I go, okay, my five time, Well,

532
00:28:43,520 --> 00:28:46,720
Speaker 3: I could spend my five time watching a movie, yes,

533
00:28:48,240 --> 00:28:51,479
Speaker 3: talking to my friend. Hey, okay, I could be listening

534
00:28:51,480 --> 00:28:57,200
Speaker 3: to New York Show, right yeah, yeah, because time is time, time,

535
00:28:57,240 --> 00:29:00,800
Speaker 3: it's time. I could be listening to you show, That's

536
00:29:00,880 --> 00:29:06,160
Speaker 3: one option, or I could be maybe uh, working on

537
00:29:06,200 --> 00:29:08,280
Speaker 3: a project of my own. And I do have some

538
00:29:08,320 --> 00:29:12,720
Speaker 3: things in the hopper that I'm excited about. But ultimately,

539
00:29:12,880 --> 00:29:16,040
Speaker 3: what I've found is, just like with the money, the

540
00:29:16,160 --> 00:29:19,800
Speaker 3: idea of imagining how the time could be spent is

541
00:29:19,920 --> 00:29:21,520
Speaker 3: actually the best use of it.

542
00:29:22,240 --> 00:29:22,360
Speaker 1: Right.

543
00:29:22,360 --> 00:29:25,240
Speaker 3: So that's why I probably rather than listening to your thing,

544
00:29:25,280 --> 00:29:27,000
Speaker 3: what I'll do is sit on a couch just like

545
00:29:27,080 --> 00:29:30,120
Speaker 3: this and wonder whether I should listen to that or

546
00:29:30,200 --> 00:29:31,720
Speaker 3: whether I should do something else.

547
00:29:31,960 --> 00:29:34,760
Speaker 4: And all that time wasted, which is money and also

548
00:29:34,880 --> 00:29:38,120
Speaker 4: time that you've wasted. You could have just been listening

549
00:29:38,120 --> 00:29:40,760
Speaker 4: to our thing, because I'll say, and this is I

550
00:29:40,760 --> 00:29:41,240
Speaker 4: think our.

551
00:29:41,160 --> 00:29:42,120
Speaker 1: Time is wasted.

552
00:29:42,880 --> 00:29:43,720
Speaker 3: I don't see it that way.

553
00:29:44,920 --> 00:29:48,200
Speaker 1: Go ahead, And so that's where you're starting. This is

554
00:29:48,200 --> 00:29:50,880
Speaker 1: the level that you're starting at. So now you see like,

555
00:29:50,960 --> 00:29:53,000
Speaker 1: if you can get there, that'll be a real achievement.

556
00:29:53,080 --> 00:29:55,960
Speaker 4: If you can get them to flip on this. I

557
00:29:56,960 --> 00:29:58,760
Speaker 4: like to think that you can listen to our show

558
00:29:58,760 --> 00:30:01,040
Speaker 4: while you're doing other things. Like you in the show,

559
00:30:02,280 --> 00:30:07,440
Speaker 4: I have a small part. But you know, let's say

560
00:30:07,480 --> 00:30:10,400
Speaker 4: you have laundry and you're like, I have to cut

561
00:30:10,480 --> 00:30:14,560
Speaker 4: up this laundry into little pieces. You could be listening

562
00:30:14,600 --> 00:30:17,120
Speaker 4: to our show and this is the other thing.

563
00:30:18,400 --> 00:30:20,640
Speaker 3: Well, first they make you do a puzzle. The next thing,

564
00:30:20,680 --> 00:30:23,000
Speaker 3: you're in a washer that makes you cut your leg

565
00:30:23,680 --> 00:30:24,680
Speaker 3: like to fit it inside.

566
00:30:25,120 --> 00:30:28,240
Speaker 1: And the pitch of like you can carry this around

567
00:30:28,280 --> 00:30:30,760
Speaker 1: in your pocket is like that's cool.

568
00:30:31,000 --> 00:30:32,680
Speaker 3: That's great because when I'm out and I get a

569
00:30:32,720 --> 00:30:34,840
Speaker 3: stain or something, I'm always like, I wish I had

570
00:30:34,840 --> 00:30:36,400
Speaker 3: my washer in my pocket.

571
00:30:36,520 --> 00:30:38,840
Speaker 1: Yes, And it has a little plug attached to It's

572
00:30:38,880 --> 00:30:42,120
Speaker 1: like a little glade pluggin basically, except it does all

573
00:30:42,120 --> 00:30:45,000
Speaker 1: your wash for you. Like that honestly fucking kicks ass.

574
00:30:45,080 --> 00:30:47,360
Speaker 1: But the fact that you have to cut up your

575
00:30:47,400 --> 00:30:49,480
Speaker 1: laundry and the tiny little pieces only watch one little

576
00:30:49,480 --> 00:30:50,560
Speaker 1: piece at a time.

577
00:30:50,400 --> 00:30:53,280
Speaker 3: Yeah, which honestly a lot of times if I only

578
00:30:53,360 --> 00:30:55,680
Speaker 3: have a small stain, it makes sense like where I

579
00:30:55,720 --> 00:30:59,080
Speaker 3: go like, okay, let me just wash the stain but

580
00:30:59,120 --> 00:31:05,360
Speaker 3: then later putting it back becomes a real challenge that

581
00:31:05,520 --> 00:31:07,960
Speaker 3: what do you have a solution for that? Or I

582
00:31:08,000 --> 00:31:09,880
Speaker 3: know you've been working on some different stuff.

583
00:31:10,560 --> 00:31:14,440
Speaker 1: I have basically been buying so many of these and

584
00:31:14,600 --> 00:31:18,760
Speaker 1: like trying to sort of like this is so far

585
00:31:18,920 --> 00:31:24,120
Speaker 1: not working. But cutting the shirt like a puzzle and

586
00:31:24,160 --> 00:31:29,760
Speaker 1: then arranging basically a wall of tiny little washers and

587
00:31:29,800 --> 00:31:34,240
Speaker 1: putting each piece in to recreate the shape of the shirt.

588
00:31:35,040 --> 00:31:40,560
Speaker 1: Oh so, oh, that's smart. It comes out at least

589
00:31:40,600 --> 00:31:43,960
Speaker 1: like ranged in a way so I can like I

590
00:31:44,040 --> 00:31:46,200
Speaker 1: kind of know where everything should go. But then putting

591
00:31:46,240 --> 00:31:49,440
Speaker 1: it back together is like I'm not I'm not so

592
00:31:49,600 --> 00:31:53,240
Speaker 1: far able to It's just it's not like a puzzle

593
00:31:53,240 --> 00:31:53,760
Speaker 1: in that way.

594
00:31:53,880 --> 00:31:56,400
Speaker 4: I do think our show is good sewing your clothes

595
00:31:56,440 --> 00:32:00,920
Speaker 4: back together like something to do, while this is one

596
00:32:01,080 --> 00:32:03,440
Speaker 4: big thing for me, like this is so boring.

597
00:32:03,680 --> 00:32:05,960
Speaker 3: Was that your pitch? Was that why you brought up

598
00:32:06,000 --> 00:32:09,280
Speaker 3: cutting your clothes up was just to say that it's yeah, yeah,

599
00:32:09,280 --> 00:32:11,960
Speaker 3: I was like, I wasn't to know where you're going.

600
00:32:12,040 --> 00:32:12,360
Speaker 3: I didn't know.

601
00:32:12,520 --> 00:32:14,320
Speaker 4: I was just going to do the front half of it.

602
00:32:14,400 --> 00:32:15,960
Speaker 4: But I kind of didn't have to finish that, so

603
00:32:16,040 --> 00:32:17,120
Speaker 4: I know, I know, I know.

604
00:32:17,200 --> 00:32:19,080
Speaker 3: So I'm letting you finish it now. So what were

605
00:32:19,080 --> 00:32:19,760
Speaker 3: you going to say?

606
00:32:20,240 --> 00:32:21,240
Speaker 1: No? I said it.

607
00:32:21,200 --> 00:32:26,360
Speaker 3: Okay, all right, okay, cool, I could fuck with that. Yeah, yeah,

608
00:32:26,760 --> 00:32:29,280
Speaker 3: what kind of stuff is happening in this show?

609
00:32:29,640 --> 00:32:32,240
Speaker 1: And this this is relevant for you actually because like

610
00:32:32,360 --> 00:32:35,760
Speaker 1: you can't really the way you use your imagination, you

611
00:32:35,800 --> 00:32:38,440
Speaker 1: can't really do it and like have a task as well,

612
00:32:39,280 --> 00:32:41,360
Speaker 1: you know what I mean, It is a very you

613
00:32:41,360 --> 00:32:44,000
Speaker 1: you do have to kind of like it's basically the

614
00:32:44,040 --> 00:32:45,800
Speaker 1: equivalent of jacking into the matrix.

615
00:32:45,960 --> 00:32:48,680
Speaker 3: You know about these like fantastic beasts or whatever.

616
00:32:48,880 --> 00:32:53,480
Speaker 1: Yes, I don't, Yes, that's find well that hasn't come

617
00:32:53,480 --> 00:32:55,040
Speaker 1: out yet, but it's yeah.

618
00:32:55,040 --> 00:32:57,480
Speaker 3: No, but just like but just saying yeah, you know

619
00:32:57,520 --> 00:33:02,520
Speaker 3: about these, Yeah, don't talk to me about them, because

620
00:33:02,680 --> 00:33:06,320
Speaker 3: the second that that idea just like of a fantastic

621
00:33:06,360 --> 00:33:09,040
Speaker 3: beast and I'm doing it to myself right now is introduced.

622
00:33:09,360 --> 00:33:12,120
Speaker 3: My imagination is so strong it's pretty much in the

623
00:33:12,160 --> 00:33:15,200
Speaker 3: room with me. Yeah, spooky, and good luck having you know,

624
00:33:15,440 --> 00:33:17,200
Speaker 3: having a talk with me, and good luck having me

625
00:33:17,240 --> 00:33:18,880
Speaker 3: feel safe listening to the book.

626
00:33:19,240 --> 00:33:21,800
Speaker 1: And you can't like jack into the matrix and like

627
00:33:22,680 --> 00:33:26,360
Speaker 1: do you know like cut vegetables or whatever. You know,

628
00:33:26,440 --> 00:33:29,120
Speaker 1: you're kind of like like you're you're when you're in there,

629
00:33:29,160 --> 00:33:31,040
Speaker 1: you're in there, and if he dies in his imagination,

630
00:33:31,120 --> 00:33:32,960
Speaker 1: he can die for real, that's true.

631
00:33:33,000 --> 00:33:34,920
Speaker 4: But you can cut vegetables and stuff in the matrix.

632
00:33:35,040 --> 00:33:38,200
Speaker 3: That's what most of the people cutting matrix vegetables.

633
00:33:38,240 --> 00:33:42,200
Speaker 1: Yeah, just like it's a little you're and you're a

634
00:33:42,240 --> 00:33:46,240
Speaker 1: real human body is not sitting there. You can't be like,

635
00:33:46,240 --> 00:33:48,160
Speaker 1: oh just like while I'm in the matrix, I'll just

636
00:33:48,280 --> 00:33:49,920
Speaker 1: like do other stuff.

637
00:33:53,000 --> 00:33:53,240
Speaker 4: Yeah.

638
00:33:53,720 --> 00:33:57,360
Speaker 1: Yeah, I saw it in the theater. Yeah yeah, great, yeah.

639
00:33:57,280 --> 00:34:02,800
Speaker 3: Yeah yeah, not a contest, but like it wasn't.

640
00:34:02,760 --> 00:34:05,200
Speaker 1: You know, it wasn't a race to see it, right.

641
00:34:06,160 --> 00:34:10,360
Speaker 3: Whoever sees it first will be the most good. No,

642
00:34:10,360 --> 00:34:11,000
Speaker 3: no one said that.

643
00:34:11,160 --> 00:34:13,600
Speaker 1: I mean, I know the Winter Olympics are about to happen,

644
00:34:13,680 --> 00:34:18,520
Speaker 1: but and I know we've all got racing on the

645
00:34:18,600 --> 00:34:21,919
Speaker 1: on the brain. But that's not that's not a brain.

646
00:34:22,120 --> 00:34:25,360
Speaker 1: That's actually not in the Winter Olympics seeing surrogates first.

647
00:34:26,200 --> 00:34:30,640
Speaker 3: No, they they took that event out and I'll go

648
00:34:30,680 --> 00:34:36,040
Speaker 3: a step further and never even was so I I

649
00:34:36,080 --> 00:34:38,960
Speaker 3: would like to know in terms of like if I

650
00:34:39,120 --> 00:34:43,600
Speaker 3: did listen, let's say I can calm my imagination.

651
00:34:45,040 --> 00:34:53,560
Speaker 1: What happened with a little bit of oh, yes, right, sure,

652
00:34:56,760 --> 00:34:57,560
Speaker 1: what you have on you?

653
00:34:57,680 --> 00:35:01,080
Speaker 3: But so I let say I'm able to do that

654
00:35:01,160 --> 00:35:04,120
Speaker 3: and actually quiet some of the voices in there. For sure,

655
00:35:04,719 --> 00:35:07,239
Speaker 3: anybody in this show. I know you said you got

656
00:35:07,239 --> 00:35:10,160
Speaker 3: a small part, but the Smattie, there's anybody in there.

657
00:35:11,000 --> 00:35:12,799
Speaker 1: Girls in it. There's a couple.

658
00:35:12,880 --> 00:35:15,040
Speaker 4: Great, there's a friend of the show, Darcy Carton.

659
00:35:15,719 --> 00:35:16,880
Speaker 1: Isn't it okay?

660
00:35:17,040 --> 00:35:18,040
Speaker 3: There's girls in it?

661
00:35:18,360 --> 00:35:21,680
Speaker 1: Jenny Slate not a friend of the show. Lennon Park

662
00:35:21,800 --> 00:35:24,319
Speaker 1: not a friend of the show. Lennon parm is a

663
00:35:24,320 --> 00:35:24,719
Speaker 1: friend of.

664
00:35:24,640 --> 00:35:27,440
Speaker 3: The Lennon's a friend of the show. Old friend hasn't

665
00:35:27,520 --> 00:35:33,360
Speaker 3: been in touch as much recently. Jenny never even sniffed

666
00:35:33,360 --> 00:35:34,239
Speaker 3: being a friend of the show.

667
00:35:34,400 --> 00:35:35,120
Speaker 1: Enemy of the show.

668
00:35:35,840 --> 00:35:37,320
Speaker 3: One of our biggest rivals.

669
00:35:37,760 --> 00:35:40,120
Speaker 4: Bob Ballaban, big Flagrant, Big Flagrant.

670
00:35:41,120 --> 00:35:46,920
Speaker 1: Yes, he's been on many times. His name is as similar,

671
00:35:47,000 --> 00:35:49,200
Speaker 1: his last name is as similar to basketball as you're

672
00:35:49,200 --> 00:35:55,040
Speaker 1: gonna find among celebrities. Sure you know, there's no one And.

673
00:35:55,040 --> 00:35:57,280
Speaker 3: It's not what do you call ball? And you wouldn't

674
00:35:57,280 --> 00:35:57,920
Speaker 3: get wrong.

675
00:35:59,239 --> 00:36:02,560
Speaker 1: Ball, it's not. And I'm not saying it's that close,

676
00:36:03,000 --> 00:36:06,520
Speaker 1: but among celebrities, it is the closest name to basketball.

677
00:36:06,160 --> 00:36:09,080
Speaker 4: Unlike the circuit stuff that was an Olympic sport and

678
00:36:09,120 --> 00:36:09,680
Speaker 4: he won it.

679
00:36:10,040 --> 00:36:11,600
Speaker 1: Having a name that's closest to.

680
00:36:11,560 --> 00:36:15,120
Speaker 2: Basketball as a celebrity, yeah, as a celebrity, that's.

681
00:36:14,960 --> 00:36:18,200
Speaker 4: What we all agree that. There's I'm sure some civilian

682
00:36:18,239 --> 00:36:21,120
Speaker 4: out there named nasketball or.

683
00:36:21,080 --> 00:36:26,080
Speaker 1: Whatever, but yeah, they they started doing it, like the

684
00:36:26,160 --> 00:36:28,800
Speaker 1: dream team thing, where it's no longer about like who's

685
00:36:28,920 --> 00:36:32,239
Speaker 1: best for actual like Olympic basketball, it's like, oh, who

686
00:36:32,239 --> 00:36:34,640
Speaker 1: are just like the famous guy We're trying to grow

687
00:36:34,719 --> 00:36:36,960
Speaker 1: the sport of having a name similar to basketball.

688
00:36:37,080 --> 00:36:40,680
Speaker 3: Yeah, it's just it's the the name recognition is a

689
00:36:40,680 --> 00:36:42,880
Speaker 3: big part of it, which is like unfortunate because it

690
00:36:42,920 --> 00:36:44,520
Speaker 3: is really just supposed to be about the name.

691
00:36:44,680 --> 00:36:47,239
Speaker 4: Yeah, be given the name. Yeah, a family name.

692
00:36:47,400 --> 00:36:48,879
Speaker 3: Only going to get a name you already know.

693
00:36:49,040 --> 00:36:54,680
Speaker 4: Zach Alfanakis, David Harbor, they were, they competed, Yeah, and

694
00:36:54,719 --> 00:36:58,640
Speaker 4: they didn't make it. But mm hmm, Zach Kalfanakis was

695
00:36:58,680 --> 00:36:59,880
Speaker 4: sort of weirdly in the area.

696
00:37:00,080 --> 00:37:03,000
Speaker 1: This kind of was I could quite figure out why.

697
00:37:03,320 --> 00:37:05,880
Speaker 3: Yeah, it feels well, we knew it was closer than

698
00:37:05,960 --> 00:37:08,920
Speaker 3: David Harbor, and so from right there, you know, it's

699
00:37:08,960 --> 00:37:10,160
Speaker 3: all a scale.

700
00:37:13,320 --> 00:37:17,440
Speaker 1: Okay, Darcy Jenny, Tim Robinson feels like he would be

701
00:37:17,480 --> 00:37:18,240
Speaker 1: a friend of the show.

702
00:37:19,400 --> 00:37:20,799
Speaker 3: Yeah, doesn't it?

703
00:37:20,920 --> 00:37:26,239
Speaker 1: Yes, it sure does, doesn't it. We have just not

704
00:37:26,360 --> 00:37:30,160
Speaker 1: been able to crack that nut so far, you know,

705
00:37:31,120 --> 00:37:33,200
Speaker 1: And hey, got any tips?

706
00:37:34,080 --> 00:37:36,800
Speaker 3: Yeah? Please? What?

707
00:37:37,120 --> 00:37:39,080
Speaker 4: I think he's the sort of guy that he likes

708
00:37:39,080 --> 00:37:40,560
Speaker 4: the quality of the material.

709
00:37:40,239 --> 00:37:43,200
Speaker 1: He says, yes, okay, all right.

710
00:37:43,920 --> 00:37:45,880
Speaker 4: His team brings all the asks to him and he

711
00:37:46,000 --> 00:37:48,800
Speaker 4: just kind of just goes. It's obviously not about money

712
00:37:48,880 --> 00:37:50,520
Speaker 4: or status. You know, he's not getting that from the

713
00:37:50,560 --> 00:37:52,799
Speaker 4: audible podcast. But if he thinks the people behind it

714
00:37:52,840 --> 00:37:54,839
Speaker 4: in the material is good, he's an easy Yes, he's

715
00:37:54,840 --> 00:37:57,400
Speaker 4: happy to make the time. This is what I was told.

716
00:37:57,800 --> 00:37:59,880
Speaker 4: You send him the whole thing or just his side?

717
00:38:01,320 --> 00:38:03,360
Speaker 3: Did he get the script or just his sides?

718
00:38:04,120 --> 00:38:05,280
Speaker 1: I think I wrote him.

719
00:38:05,680 --> 00:38:07,120
Speaker 4: I think I wrote him a letter.

720
00:38:07,840 --> 00:38:09,920
Speaker 1: And so he that's the quality of the material you're

721
00:38:09,960 --> 00:38:10,399
Speaker 1: talking about.

722
00:38:10,719 --> 00:38:13,600
Speaker 4: Yeah, I like quoted letter of the letter. Yeah, how

723
00:38:13,600 --> 00:38:16,719
Speaker 4: good you are writing letters? What sort of letters are

724
00:38:16,760 --> 00:38:19,359
Speaker 4: you guys writing? When you try to, you know, reach

725
00:38:19,360 --> 00:38:20,480
Speaker 4: out to someone like Tim.

726
00:38:20,440 --> 00:38:23,799
Speaker 6: Cavin is magazine clippings.

727
00:38:24,400 --> 00:38:28,600
Speaker 4: News magazine clippings. Dang it like Newsweek and stuff.

728
00:38:28,400 --> 00:38:31,960
Speaker 1: Like which people? I mean, we're all people.

729
00:38:34,440 --> 00:38:36,920
Speaker 4: So it's sort of scrapbooked into a kind of color.

730
00:38:36,880 --> 00:38:38,279
Speaker 1: You want to pull up. Wait, don't you have some

731
00:38:38,320 --> 00:38:42,000
Speaker 1: email exchanges with Tim Robinson or or or his team?

732
00:38:42,239 --> 00:38:44,160
Speaker 3: Yeah, or his team. Let's get those up here.

733
00:38:44,280 --> 00:38:48,000
Speaker 4: I gotta say, guys, I wouldn't have expected, like my

734
00:38:48,080 --> 00:38:50,440
Speaker 4: producer to just reach out for this podcast and for

735
00:38:50,480 --> 00:38:52,200
Speaker 4: that to get anything on the board. I think it's

736
00:38:52,280 --> 00:38:54,400
Speaker 4: kind of I think I think it would mean a

737
00:38:54,400 --> 00:38:57,240
Speaker 4: lot to come from you, the two of you together,

738
00:38:57,520 --> 00:38:59,600
Speaker 4: and to say how important.

739
00:39:00,719 --> 00:39:04,719
Speaker 1: Is Like just first will make clear that we have

740
00:39:04,840 --> 00:39:07,319
Speaker 1: like someone working for us, Like obviously you need you

741
00:39:07,360 --> 00:39:08,440
Speaker 1: know that this isn't.

742
00:39:08,440 --> 00:39:13,680
Speaker 3: It's a professional liberation. Yeah, but if you're saying that,

743
00:39:13,719 --> 00:39:17,399
Speaker 3: you think I should have texted him directly, I did.

744
00:39:19,080 --> 00:39:21,520
Speaker 6: Do you guys want the one of February from last

745
00:39:21,600 --> 00:39:23,640
Speaker 6: year or June of last year.

746
00:39:26,280 --> 00:39:31,719
Speaker 1: Last year, twenty twenty one? Yeah, yes, all right.

747
00:39:31,640 --> 00:39:36,160
Speaker 6: We'll start with the February one. This will be quick,

748
00:39:36,360 --> 00:39:39,239
Speaker 6: no response, Let's move over to the June one.

749
00:39:39,680 --> 00:39:42,799
Speaker 1: Wait, what did you write him reaching.

750
00:39:42,560 --> 00:39:44,759
Speaker 6: Out to see if Tim Robinson would be interested and

751
00:39:44,800 --> 00:39:47,680
Speaker 6: available to guests on the comedy podcast Hollywood Handbook.

752
00:39:48,080 --> 00:39:49,160
Speaker 3: We love to have him on.

753
00:39:50,600 --> 00:39:53,160
Speaker 1: And then, So this isn't directly to Tim Robinson.

754
00:39:53,560 --> 00:39:58,279
Speaker 6: This is to his team.

755
00:39:58,440 --> 00:39:59,960
Speaker 4: Look, I'm not going to tell you how to run

756
00:40:01,239 --> 00:40:01,920
Speaker 4: that fish.

757
00:40:04,560 --> 00:40:08,000
Speaker 6: Some previous guests on the show include Donald Glover, Pat Oswald,

758
00:40:08,080 --> 00:40:14,319
Speaker 6: Will Forte, Elie Kemper, and forty five more names. Ill, right,

759
00:40:14,440 --> 00:40:15,800
Speaker 6: and forty five more names.

760
00:40:15,840 --> 00:40:17,000
Speaker 1: That's funny. Thanks?

761
00:40:17,640 --> 00:40:20,799
Speaker 6: Uh, no response there, here's a different one, no response

762
00:40:21,200 --> 00:40:22,800
Speaker 6: and a follow up no response.

763
00:40:22,960 --> 00:40:25,880
Speaker 1: I know what the different ones? Just like, what's the like?

764
00:40:26,560 --> 00:40:28,960
Speaker 1: You know, the contours of the follow up obviously have

765
00:40:29,000 --> 00:40:31,080
Speaker 1: to change a little bit. Yeah, you're puttingr foot on

766
00:40:31,080 --> 00:40:32,720
Speaker 1: the game in February and June.

767
00:40:33,080 --> 00:40:35,520
Speaker 6: Yeah, they were pretty different if I remember.

768
00:40:36,200 --> 00:40:39,279
Speaker 4: Okay, and deep time.

769
00:40:39,560 --> 00:40:41,200
Speaker 1: Let's read them.

770
00:40:41,480 --> 00:40:44,719
Speaker 6: Okay, let's see the February one. I'm reaching out to

771
00:40:44,719 --> 00:40:45,800
Speaker 6: see if Tim Robinson would be in.

772
00:40:46,000 --> 00:40:48,359
Speaker 1: Didn't we just read that one? Oh?

773
00:40:48,480 --> 00:40:52,520
Speaker 6: You know what, they look very similar. Let me read

774
00:40:52,520 --> 00:40:56,360
Speaker 6: the one to Netflix that actually got some traction. Okay,

775
00:40:57,000 --> 00:40:59,839
Speaker 6: I think you should leave team. I got looped in

776
00:41:00,840 --> 00:41:04,640
Speaker 6: with Netflix. Someone says, Hi, I was hoping to put

777
00:41:04,640 --> 00:41:06,879
Speaker 6: you in touch with Kevin Bartelt, who produces the very

778
00:41:06,920 --> 00:41:12,040
Speaker 6: funny and popular podcast Why Hollywood Handbook. They shouldn't have said, Lie, Kevin,

779
00:41:12,320 --> 00:41:16,000
Speaker 6: I'll let you take it from there. Hi, thanks so much.

780
00:41:16,120 --> 00:41:18,120
Speaker 6: Nice to meet everyone. Yes, we'd love to have Tim

781
00:41:18,160 --> 00:41:20,640
Speaker 6: as a guest on Hollywood Handbook if he's available. The

782
00:41:20,719 --> 00:41:23,120
Speaker 6: hosts are big fans. Would love to pronote the pronote

783
00:41:23,160 --> 00:41:25,200
Speaker 6: the dang it that might have been it.

784
00:41:26,400 --> 00:41:28,200
Speaker 1: And then you corrected yourself.

785
00:41:29,560 --> 00:41:30,320
Speaker 3: So is a double.

786
00:41:32,760 --> 00:41:34,240
Speaker 6: We'll love to promote.

787
00:41:35,400 --> 00:41:36,840
Speaker 3: Sometimes a great prenotion.

788
00:41:40,640 --> 00:41:42,840
Speaker 6: Pronot the new season and I think you should leave by.

789
00:41:42,680 --> 00:41:48,759
Speaker 1: The size of the ship. It's thank you.

790
00:41:48,840 --> 00:41:54,160
Speaker 6: Happy to send this request to Tim, all right, they say,

791
00:41:54,200 --> 00:41:56,640
Speaker 6: full disclosure. He's not doing much press, but we'll take

792
00:41:56,680 --> 00:41:57,640
Speaker 6: the offer to his team.

793
00:41:57,760 --> 00:42:03,920
Speaker 1: Oh, don't disclose that to me. Let me just like

794
00:42:04,120 --> 00:42:09,520
Speaker 1: live in ignorance for for for for even a second

795
00:42:10,080 --> 00:42:12,080
Speaker 1: before you just tell me in the email that it's

796
00:42:12,160 --> 00:42:13,000
Speaker 1: not happening.

797
00:42:13,360 --> 00:42:17,000
Speaker 3: Yeah, let me live with the idea. What the five

798
00:42:17,080 --> 00:42:17,719
Speaker 3: dollars could be?

799
00:42:18,040 --> 00:42:19,480
Speaker 1: You know the potential.

800
00:42:19,920 --> 00:42:22,640
Speaker 6: Wow, I do a follow up two years later.

801
00:42:22,760 --> 00:42:27,279
Speaker 1: That's a cool move, Kay, that is something I say?

802
00:42:27,400 --> 00:42:31,680
Speaker 6: Uh? Hi Hi, uh Sarah and the other person.

803
00:42:32,160 --> 00:42:36,640
Speaker 1: Hope you're both I should Why are you protecting the

804
00:42:36,719 --> 00:42:40,960
Speaker 1: other person and exposing Sarah.

805
00:42:41,160 --> 00:42:44,520
Speaker 3: Ass again hung out to dry And then there's some

806
00:42:44,880 --> 00:42:54,200
Speaker 3: crony of yours here throwing your arms around. No, im

807
00:42:54,239 --> 00:42:56,799
Speaker 3: sure that Sarah gets the full brunt of the grenade.

808
00:42:58,120 --> 00:43:00,000
Speaker 6: No, I said, Hi, Sarah and the other person.

809
00:43:00,480 --> 00:43:03,240
Speaker 1: Maybe it's the wrong names because none of the names

810
00:43:03,280 --> 00:43:09,879
Speaker 1: that Kevin gave are also in your in the show, right,

811
00:43:10,040 --> 00:43:12,759
Speaker 1: So who had signed on when you reached out to

812
00:43:12,840 --> 00:43:17,759
Speaker 1: Tim And we're and we're like using them to like

813
00:43:17,920 --> 00:43:21,399
Speaker 1: dangle you know, like, hey, this is actually like coming together.

814
00:43:21,560 --> 00:43:26,520
Speaker 4: This is like David Harbor. David Harbor was the first person.

815
00:43:26,719 --> 00:43:28,040
Speaker 1: He's a voice in Yours two.

816
00:43:29,600 --> 00:43:31,920
Speaker 4: He's the main voice. He's the main He had to

817
00:43:31,960 --> 00:43:34,640
Speaker 4: do the most work. Everybody else only had to work

818
00:43:34,680 --> 00:43:36,920
Speaker 4: for two hours, which we have a big part of it.

819
00:43:36,920 --> 00:43:44,280
Speaker 1: We don't have Harbor. And you didn't float Darcy Darcy

820
00:43:44,360 --> 00:43:45,479
Speaker 1: yet Holy ship.

821
00:43:47,440 --> 00:43:51,439
Speaker 3: Any of the girls on the show getting freaky in there?

822
00:43:54,600 --> 00:44:01,040
Speaker 4: Uh no, No, the the young the boy character kind

823
00:44:01,080 --> 00:44:03,200
Speaker 4: of gets freaky. That's sort of the central plot device.

824
00:44:03,440 --> 00:44:05,160
Speaker 3: Okay gets freaky.

825
00:44:05,239 --> 00:44:11,600
Speaker 1: Okay, and so it's your humor drama and it's audio only. Yeah,

826
00:44:11,640 --> 00:44:14,879
Speaker 1: so well he's getting freaky. Is it just a long

827
00:44:14,920 --> 00:44:17,880
Speaker 1: part where it's just like totally silent, We just hear nothing.

828
00:44:19,440 --> 00:44:22,239
Speaker 1: Because if you're really like and like, we don't like

829
00:44:22,280 --> 00:44:23,719
Speaker 1: to get into this stuff too much. But if you're

830
00:44:23,760 --> 00:44:26,040
Speaker 1: like I never do, if you're if you're really like

831
00:44:26,560 --> 00:44:28,399
Speaker 1: doing it, if you're like hitting it right, it should

832
00:44:28,440 --> 00:44:30,960
Speaker 1: be completely silent in there.

833
00:44:31,640 --> 00:44:42,160
Speaker 3: Yeah. Yeah, if you're actually stroking, it should be more quiet.

834
00:44:42,960 --> 00:44:49,360
Speaker 1: Yes, yeah. And a snowstorm mhm.

835
00:44:50,400 --> 00:44:54,200
Speaker 3: And then what I'm saying a snowstorm, I mean you're

836
00:44:54,400 --> 00:44:56,239
Speaker 3: under the snow mm hmm.

837
00:44:58,239 --> 00:45:01,319
Speaker 1: Yeah, and it should be. But it's not that heavy

838
00:45:01,320 --> 00:45:01,880
Speaker 1: a snowstorm.

839
00:45:01,920 --> 00:45:04,120
Speaker 4: It's sort of like a light sort of dusting.

840
00:45:04,960 --> 00:45:06,600
Speaker 3: What's the quietest one you can think of?

841
00:45:09,719 --> 00:45:14,399
Speaker 1: Yeah, even nothing happening at all? What about that?

842
00:45:15,400 --> 00:45:16,120
Speaker 3: Let's do that.

843
00:45:16,120 --> 00:45:17,080
Speaker 1: That's very quiet.

844
00:45:17,800 --> 00:45:18,359
Speaker 3: Let's do that.

845
00:45:18,440 --> 00:45:23,960
Speaker 4: When I visit my mom, I always have sex with

846
00:45:24,040 --> 00:45:29,000
Speaker 4: my wife with the door of the bedroom open, because

847
00:45:29,000 --> 00:45:31,400
Speaker 4: that's how good, that's how good are at.

848
00:45:31,280 --> 00:45:32,880
Speaker 3: It, that's how good you're doing it.

849
00:45:33,040 --> 00:45:35,680
Speaker 1: Yeah, And so Mom is in the other room hearing

850
00:45:35,680 --> 00:45:37,320
Speaker 1: nothing and be like, oh shit, she could.

851
00:45:39,120 --> 00:45:45,120
Speaker 3: Well the door is open, so I know that there's

852
00:45:45,160 --> 00:45:47,560
Speaker 3: nothing inappropriate happening in my house because they would have

853
00:45:47,640 --> 00:45:50,600
Speaker 3: to close the door to actually get freaky. She doesn't

854
00:45:50,600 --> 00:45:54,160
Speaker 3: know how skilled you are and so and you both are.

855
00:45:54,840 --> 00:45:59,879
Speaker 3: I respect obviously to our wives as well, who half

856
00:46:00,120 --> 00:46:03,600
Speaker 3: to participate in the silence to really make it work.

857
00:46:03,680 --> 00:46:06,120
Speaker 4: Yeah, it's a lot of equity in our relationship.

858
00:46:06,560 --> 00:46:07,800
Speaker 1: That's what makes it cook.

859
00:46:07,920 --> 00:46:10,759
Speaker 4: That's what made it work writing this together. You know,

860
00:46:11,120 --> 00:46:14,560
Speaker 4: it was this big challenge to to work. Have you

861
00:46:15,640 --> 00:46:18,480
Speaker 4: have you ever done anything creative with either of your wives?

862
00:46:19,320 --> 00:46:21,640
Speaker 1: I mean I was kind of just talking about.

863
00:46:21,640 --> 00:46:24,279
Speaker 3: Yeah, we were just describing the creative I can get

864
00:46:24,280 --> 00:46:30,359
Speaker 3: her so quiet.

865
00:46:32,520 --> 00:46:36,799
Speaker 6: Yeah, Max's name is celebrity. And I'll tell you if

866
00:46:36,840 --> 00:46:38,520
Speaker 6: they passed or didn't respond.

867
00:46:39,600 --> 00:46:44,200
Speaker 4: Ah, Zach alfanak as he's in art our show, Sack

868
00:46:44,800 --> 00:46:45,120
Speaker 4: did he?

869
00:46:45,920 --> 00:46:48,040
Speaker 1: I think that's beyond our aspirations.

870
00:46:48,080 --> 00:46:49,919
Speaker 3: Eman, Yeah, I don't think.

871
00:46:49,840 --> 00:46:50,520
Speaker 1: We would either know.

872
00:46:50,680 --> 00:46:52,840
Speaker 6: Ask that was in Your Wolf, Ask.

873
00:46:53,719 --> 00:46:57,120
Speaker 3: Your Wolf Ask way back in the day.

874
00:46:57,000 --> 00:46:59,560
Speaker 1: These old buds with Scott and we and we choose

875
00:46:59,560 --> 00:47:01,400
Speaker 1: to go to the moon not because it's easy, but

876
00:47:01,440 --> 00:47:04,840
Speaker 1: because it's hard. But like some stuff is really hard. Sure,

877
00:47:05,480 --> 00:47:08,600
Speaker 1: you know some stuff is like, that's too hard? How

878
00:47:08,600 --> 00:47:09,120
Speaker 1: about meta?

879
00:47:09,320 --> 00:47:13,160
Speaker 3: We didn't choose to go to Mars exactly. Yeah, we

880
00:47:13,239 --> 00:47:15,319
Speaker 3: choose to go to the moon, not because he's because

881
00:47:15,320 --> 00:47:16,800
Speaker 3: it's hard, but we choose not to go to Mars

882
00:47:16,800 --> 00:47:17,920
Speaker 3: because it's choose to go.

883
00:47:17,880 --> 00:47:20,080
Speaker 1: To the moon not because it's easy, but because it's hard,

884
00:47:20,120 --> 00:47:22,160
Speaker 1: but also because it's not that hard.

885
00:47:22,239 --> 00:47:25,279
Speaker 3: Yeah, because it's achievable. Yes, And we're just like not,

886
00:47:25,600 --> 00:47:27,319
Speaker 3: you know, eyes bigger than your stomach here.

887
00:47:27,680 --> 00:47:29,840
Speaker 4: If this is interesting to you, you're gonna love Project

888
00:47:29,920 --> 00:47:33,279
Speaker 4: Artemis or whatever. Heill Mary. That's kind of what that's

889
00:47:33,400 --> 00:47:34,239
Speaker 4: That's about.

890
00:47:35,280 --> 00:47:38,280
Speaker 1: The same thing over and over again, that guy, because

891
00:47:38,320 --> 00:47:41,000
Speaker 1: he because he like is the thing you're are you

892
00:47:41,200 --> 00:47:44,160
Speaker 1: slagging off some of the I love Project hill Mary

893
00:47:44,280 --> 00:47:47,800
Speaker 1: competition on no audible spending credit on because he also

894
00:47:48,000 --> 00:47:50,520
Speaker 1: wrote Artemis and you're like.

895
00:47:50,520 --> 00:47:53,640
Speaker 4: No, Hail Mary is great and one of the great

896
00:47:53,680 --> 00:47:58,640
Speaker 4: audio books genuinely Okay, But yes, that guy likes to

897
00:47:58,680 --> 00:48:01,280
Speaker 4: write about science fiction prob I'm solving and that's fine,

898
00:48:01,520 --> 00:48:04,799
Speaker 4: but it's really good, Okay, And I think Sean should

899
00:48:04,840 --> 00:48:08,560
Speaker 4: spend his fourteen ninety nine which he has.

900
00:48:08,680 --> 00:48:11,520
Speaker 3: We know it's a credit Yeah, yeah, I don't think

901
00:48:11,560 --> 00:48:13,680
Speaker 3: of it as a dollar amount. When it's a credit

902
00:48:14,000 --> 00:48:19,920
Speaker 3: you know, doesn't doesn't do anyone any good because then

903
00:48:19,960 --> 00:48:21,880
Speaker 3: you see a book and you go it's on sale.

904
00:48:22,560 --> 00:48:24,600
Speaker 3: You go, well, fuck, do I not use my fucking

905
00:48:24,600 --> 00:48:27,040
Speaker 3: credit because it's like on sale. But it's like, well,

906
00:48:27,080 --> 00:48:30,200
Speaker 3: but I have money in there. And then it's like, well,

907
00:48:30,239 --> 00:48:32,319
Speaker 3: now I got to find the most expensive book now

908
00:48:32,360 --> 00:48:34,080
Speaker 3: to use my credit on to feel like I'm getting

909
00:48:34,120 --> 00:48:36,160
Speaker 3: a deal. It's like, just forget, just put it out

910
00:48:36,200 --> 00:48:41,000
Speaker 3: of your mind. The credits are credits, they're magic beans.

911
00:48:42,640 --> 00:48:44,680
Speaker 3: Byely Ham