WEBVTT - This Is How You Know He's Cheating! (S1 EP28 "Pushing Boundaries")

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne's Aniga an iHeartRadio podcast.

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<v Speaker 1>Hi ladies, welcome back to Still the Place.

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<v Speaker 3>Super excited, always good to see you, so good to

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<v Speaker 3>see you both. We're on episode twenty eight, which is

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<v Speaker 3>called Pushing Boundaries, which is a very good title for

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<v Speaker 3>it at first here in April seventh, nineteen ninety three.

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<v Speaker 3>So this is back to really sort of classic fun Melrose.

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<v Speaker 1>We have Allison falling more in.

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<v Speaker 3>Love with Billy, which is so sweet to see her

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<v Speaker 3>being vulnerable, but Amanda is torturing her at work and

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<v Speaker 3>also trying to call Billy on the phone. Alison is

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<v Speaker 3>erasing the messages. Matt has a date, which is super exciting.

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<v Speaker 4>Matt has a date.

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<v Speaker 1>Matt has a date.

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<v Speaker 3>Michael is being a dick to sweet beautiful Jane and

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<v Speaker 3>flirting with Kimberly and where the Matt and uncomfortable ways

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<v Speaker 3>super uncomfortab and Daphne is rubbing Grant's chest all of us,

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<v Speaker 3>both of us, I said, d as Joe's Daphne's rubbing

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<v Speaker 3>Grant's chest for us, Joe is rubbing Jake's chest.

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<v Speaker 1>But you know, the lines blur as.

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<v Speaker 4>We know, very confusing.

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<v Speaker 3>So we start off exterior D and D, which you've

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<v Speaker 3>talked about before, but it was the spelling offices, and

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<v Speaker 3>Amanda is already being brought to Alison. So I just

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<v Speaker 3>want to start by saying, Amanda is in this beautiful

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<v Speaker 3>little fitted sweater and skirt, and.

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<v Speaker 4>We were going to start with clothes.

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<v Speaker 3>I'm a linebacker. Why do I look like I'm ready

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<v Speaker 3>to go on the football field? What can you explain

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<v Speaker 3>the shoulder pads to me?

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<v Speaker 4>They were extra large shoulder pads this time.

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<v Speaker 5>Yes, but I have the note that finally he's in

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<v Speaker 5>a very tightly belted skirt suit and with a velvet black.

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<v Speaker 2>Scrunchy and finally, you're not frumpy. So there's that. Well

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<v Speaker 2>from you, Courtney.

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<v Speaker 5>May have put in your little double choulder pads that

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<v Speaker 5>you got online that you told me on the Home

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<v Speaker 5>Shopping Network the Home Shopping Network, maybe in your trailer

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<v Speaker 5>you added, but at least you had a shape.

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<v Speaker 2>It wasn't frumpy and layered.

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<v Speaker 1>I thought you that's true. It's just still too big

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<v Speaker 1>what I saw on this.

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<v Speaker 3>I'm like, wow, Heather knows that address for her body

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<v Speaker 3>and I have not yet figured it out I have

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<v Speaker 3>these huge, voluminous tops. Anyway, So Amanda's being mean to

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<v Speaker 3>Alison about her work and also sort of implying that

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<v Speaker 3>she wants to talk to Billy. So Allison says that

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<v Speaker 3>Billy doesn't want to talk to her, and she says,

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<v Speaker 3>as you know, when you live with a guy, it's

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<v Speaker 3>easy to read between the lines.

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<v Speaker 4>I love how like Alison was sort of irritated and

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<v Speaker 4>put out at the beginning of the conversation, but the

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<v Speaker 4>minute she saw an opening to start, like, you know,

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<v Speaker 4>twisting the knife to Amanda, she's smiling. She's like, oh

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<v Speaker 4>and as you know, like she's like, I have a

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<v Speaker 4>tactic here, and she's she's.

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<v Speaker 2>Got a plan.

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<v Speaker 5>Yeah, she's annoyed because because Amanda already is saying things

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<v Speaker 5>like I need to see your work now and so

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<v Speaker 5>slip shot and god, can't you do better, she just

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<v Speaker 5>you know, opens it and goes through it and uses

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<v Speaker 5>these scripty words. They were words, but she insult So

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<v Speaker 5>Alison's like, well, let me just remind you I live

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<v Speaker 5>with Billy, I know.

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<v Speaker 3>So we've established that Amanda is mean to Alison, and

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<v Speaker 3>Alison has a crush on Billy, which is adorable and

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<v Speaker 3>then we go to Escapade magazine, where Billy's co worker

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<v Speaker 3>has reported him for lying on his resume.

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<v Speaker 4>About going to Columbia, about going to Columbia.

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<v Speaker 3>He's totally you know, and instead of firing him, his

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<v Speaker 3>boss gives him a chance to cover a story.

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<v Speaker 1>And can you guys explain this to me? His boss

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<v Speaker 1>is playing with.

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<v Speaker 4>This like yeah, like.

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<v Speaker 1>Pink ball.

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<v Speaker 3>It was.

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<v Speaker 4>It was a strange I mean, she's like the sophisticated

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<v Speaker 4>head of the magazine, right, and she's squishing this pink

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<v Speaker 4>fuzzy thing in her hand for the entire scene.

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<v Speaker 1>We all notice, but we didn't have those then.

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<v Speaker 4>No, it's never explained or like Billy doesn't even go,

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<v Speaker 4>what are you doing?

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<v Speaker 1>You have a big bu.

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<v Speaker 2>Oh, well yeah that makes sense the rest of the show. Yeah,

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<v Speaker 2>well maybe she slater, that makes sense, but she's thinking exactly.

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<v Speaker 5>Instead of getting mad of her brand new employee lying,

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<v Speaker 5>she gives him a promotion.

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<v Speaker 3>Yeah, which is a happy surprise for Billy and a

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<v Speaker 3>big surprise for us. So after Billy's promotion, we go

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<v Speaker 3>to the hospital where Michael and Kimberly are flirting so

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<v Speaker 3>overtly not subtle, not subtle about her hidden tattoo, and

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<v Speaker 3>he's guessing where it is, and we basically have it

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<v Speaker 3>somewhere in her nether regions, Like all we know is

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<v Speaker 3>that it's somewhere in.

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<v Speaker 2>The shoulders and the ankles, and really no.

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<v Speaker 3>It's somewhere her underpants hide, right, because that's what she's

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<v Speaker 3>made clear.

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<v Speaker 4>Well, but she also does a little like drippy, you know,

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<v Speaker 4>like takes her scrubs off of one shoulder, like is

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<v Speaker 4>it here? Peekaboo, Like she's totally is.

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<v Speaker 2>It in my ankle?

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<v Speaker 5>And she lives her scrubs pants and you see her

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<v Speaker 5>scrunchy socks and rebox remember those white rebox with the white.

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<v Speaker 1>Socks, And then she dances over to sit next to him.

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<v Speaker 4>Yeah, super game all and totally yeah, totally.

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<v Speaker 3>Overt, Yes, super overt. There's nothing subtle about it. So

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<v Speaker 3>at this point, I'm still kind of hoping that Michael

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<v Speaker 3>is going to hold off because of our beautiful Jane

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<v Speaker 3>slash dear friend Josie. And I'm already annoyed, but so

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<v Speaker 3>fingers crossed he's gonna be able to keep it in

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<v Speaker 3>his pants.

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<v Speaker 1>Yeah.

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<v Speaker 3>So then we end up at Shooters right, which is

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<v Speaker 3>the only restaurant in town. I think of his self.

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<v Speaker 1>It's the main restaurant, for sure, it's the main restaurant.

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<v Speaker 1>Everyone knows Matt or having drinks and this.

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<v Speaker 3>Very cute guy approaches him. Ronda thinks it's for her, but.

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<v Speaker 4>It's Brian McNamara and he's a very you know, handsome,

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<v Speaker 4>charming guy and yeah, and Rnonda assumes, but no, he's

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<v Speaker 4>got his eyes from Matt.

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<v Speaker 1>Yeah, and he was a lawyer on Matt's case.

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<v Speaker 4>Wrongful termination suit. He was at the firm, but not

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<v Speaker 4>actually on that case because he's in we'll learn later

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<v Speaker 4>that he's in a different department.

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<v Speaker 3>Yeah, which is a nice way too. I thought it

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<v Speaker 3>was a subtle way to say. So he knows Matt's gay,

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<v Speaker 3>so we know he's like they make it really clear

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<v Speaker 3>he's hitting and him. He gives him his card and

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<v Speaker 3>Matt says, I don't need a lawyer, and he goes,

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<v Speaker 3>how about for dinner?

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<v Speaker 1>Right? That's pretty smiid didn't he think? Yeah?

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<v Speaker 3>It was?

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<v Speaker 4>It was the uh And it was also really cute,

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<v Speaker 4>just like to call Ronda out that she was making

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<v Speaker 4>the assumption like, Oh, the guy's looking over here, he

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<v Speaker 4>must be looking at me. Nope, I'm looking at Matt.

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<v Speaker 4>I know, it was a cute way to have that scene.

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<v Speaker 1>I was so happy he got a date. So we're

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<v Speaker 1>all super excited.

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<v Speaker 3>And then we're back at Billy and Allison's apartment where

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<v Speaker 3>Alison is erasing a message from Amanda and Billy walks

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<v Speaker 3>in just as she's doing it and tells her that

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<v Speaker 3>he's writing about a dog wedding.

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<v Speaker 4>Which but he's happy because he's writing.

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<v Speaker 1>That sounds like a great article.

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<v Speaker 4>I actually thought of you. When I saw that, I

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<v Speaker 4>was like, oh my gosh, Corney missed me. So thrilled

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<v Speaker 4>she missed me.

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<v Speaker 1>Yang they're making fun of it because perfect sense.

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<v Speaker 5>We get excited that before the scene before when the

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<v Speaker 5>boss says, well, I have something for you to write

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<v Speaker 5>about a wedding, you know, and uh, you're the audience goes,

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<v Speaker 5>oh yay, you know, and then he's like a dog wedding.

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<v Speaker 4>He's like, what it's It's cute because he's like, I

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<v Speaker 4>know it's a puff piece and she's just like given

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<v Speaker 4>me this like promotion sort of whatever, but at least

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<v Speaker 4>it's writing and I'm gonna make the best durned puff

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<v Speaker 4>piece I can. And you know, he's just like, I'll

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<v Speaker 4>show her.

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<v Speaker 1>I'm just gonna did you notice the angle?

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<v Speaker 3>So we're kind of behind Alison with her gargantuan scrunchheet,

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<v Speaker 3>which Daphney pointed out, and Billy is walking down and

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<v Speaker 3>Andrew's gone on the cutest faded jeans. It must be

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<v Speaker 3>when he started bringing his own clothes and he could

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<v Speaker 3>not look cute, and Allison looks completely flustered. I put

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<v Speaker 3>Allison looks very amused and horny in her scrunch She's like,

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<v Speaker 3>oh dog Weddy, Oh my goodness.

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<v Speaker 4>Like, I don't know, I didn't get horny. I really

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<v Speaker 4>I didn't get that. I think you might be projected.

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<v Speaker 4>We might have some recollection of I don't know.

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<v Speaker 2>Just like there probably was some. There probably was some

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<v Speaker 2>because behind the scenes we know, y'all what was going

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<v Speaker 2>on before.

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<v Speaker 1>There are my favorite genes of his that I'm having

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<v Speaker 1>a sense memory.

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<v Speaker 4>But wait, you're back. Did you see that he started

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<v Speaker 4>bringing his own clothes.

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<v Speaker 3>Well, when he's wearing their clothes, he's got on huge

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<v Speaker 3>pleated khakis and huge shirts. He had on these really

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<v Speaker 3>cute faded jeans which must have must have been his.

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<v Speaker 4>You're assuming they're hit.

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<v Speaker 2>Oh interesting, what about you? Corney?

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<v Speaker 5>Because you were some like they look like just regular

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<v Speaker 5>Levi's that were well worn.

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<v Speaker 1>Those were mine. Yeah, those, Yeah, that's what I thought.

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<v Speaker 2>You can tell, you know, when people wear their own jeans.

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<v Speaker 1>Maybe John I was sharing the same pair of jeans.

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<v Speaker 1>Maybe maybe that.

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<v Speaker 5>Happens often though with wardrobe people. They'll, you know, they'll

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<v Speaker 5>say if you have a comfortable pair of jeans, it

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<v Speaker 5>helps them too, because it makes it look real.

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<v Speaker 4>And jeans are nearly impossible.

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<v Speaker 2>Yeah, there's just so many. It happens pretty often.

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<v Speaker 1>They'll say, yeah, I still have those genes.

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<v Speaker 2>Oh really, Yeah, it must be well worn.

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<v Speaker 1>This is thirty five years ago. Yeah, I got the

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<v Speaker 1>five oh ones.

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<v Speaker 2>They're back.

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<v Speaker 1>They're back in. They're back in.

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<v Speaker 5>I know.

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<v Speaker 3>So now we go back to Escapade magazine and Billy's

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<v Speaker 3>boss likes his article and shows it by walking around

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<v Speaker 3>his chair and touching his shoulders. She gives him a promotion.

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<v Speaker 3>He says, they don't know how to thank you, and

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<v Speaker 3>she says, we'll think of something.

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<v Speaker 2>Yes, Billy goes great.

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<v Speaker 5>Thanks makes that reminds me of like this episode is

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<v Speaker 5>two women making the moves and being very strong with

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<v Speaker 5>the men. So you have Kimberly doing it too, Michael,

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<v Speaker 5>And I'm very much this boss doing this to Billy,

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<v Speaker 5>and also Amanda's coming up to Billy too, and Amanda,

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<v Speaker 5>but not in this way. This like this boss you

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<v Speaker 5>know often is switched around, but you know the gender.

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<v Speaker 5>That's usually the male boss doing it to the young

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<v Speaker 5>you know, underling female.

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<v Speaker 4>But anyway, I thought we're neither one of them belong.

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<v Speaker 2>Well, yeah, exactly, we'll follow it through and see you right.

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<v Speaker 3>And it's a show of aggressive women speaking of We're

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<v Speaker 3>back at D and D and Amanda is is torturing Allison.

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<v Speaker 3>She tells us the Handsbacker report, and she says the

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<v Speaker 3>descriptions are trite, the goals of the campaign are ill defined,

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<v Speaker 3>and the conclusions read like wishful thinking. Honestly, Allison, I

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<v Speaker 3>don't mean to be harsh, but your work is still

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<v Speaker 3>on aut to the level it was before you were

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<v Speaker 3>chasing your boyfriend all over the country.

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<v Speaker 1>Again, she didn't mean to be harsh, No, she meant

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<v Speaker 1>to be kind. She just meant to exaggerate. She's trying

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<v Speaker 1>to help, trying to help you.

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<v Speaker 4>She was just trying to be specific.

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<v Speaker 3>So then Billy calls to tell Alison about his promotion

0:10:57.960 --> 0:11:00.640
<v Speaker 3>and you see Amanda listening to the conversation about where

0:11:00.640 --> 0:11:05.120
<v Speaker 3>they're going to meet for dinner, right yeap where they're

0:11:05.120 --> 0:11:06.120
<v Speaker 3>all going to meet, And.

0:11:06.200 --> 0:11:07.880
<v Speaker 5>We all knew it was going to happen because so

0:11:08.000 --> 0:11:10.079
<v Speaker 5>the whole building now is going to go out and

0:11:10.200 --> 0:11:12.240
<v Speaker 5>celebrate for Billy Billy's.

0:11:13.200 --> 0:11:17.320
<v Speaker 1>Success, which which is super cute all together a scene.

0:11:17.360 --> 0:11:18.280
<v Speaker 2>So that's the next scene.

0:11:18.320 --> 0:11:19.839
<v Speaker 5>And I was going to ask, you, guys, do you

0:11:19.920 --> 0:11:22.520
<v Speaker 5>remember where we shot that scene where the whole building

0:11:22.679 --> 0:11:26.920
<v Speaker 5>is out to dinner on an outside patio? I don't

0:11:27.120 --> 0:11:29.920
<v Speaker 5>do you No, I was trying to remember where we

0:11:29.960 --> 0:11:33.360
<v Speaker 5>would you know, usually its scenes where there's just a date,

0:11:33.440 --> 0:11:35.640
<v Speaker 5>you know, a couple or maybe a double date somewhere,

0:11:35.679 --> 0:11:36.920
<v Speaker 5>but that was I don't know.

0:11:37.320 --> 0:11:38.280
<v Speaker 2>Was it a place out there?

0:11:38.520 --> 0:11:40.720
<v Speaker 4>Did Marie calendar we have an outdoor patio?

0:11:40.920 --> 0:11:41.679
<v Speaker 1>It actually did?

0:11:42.600 --> 0:11:43.480
<v Speaker 4>They actually did?

0:11:43.600 --> 0:11:45.360
<v Speaker 1>It could have been, could have been.

0:11:45.400 --> 0:11:48.880
<v Speaker 4>I don't remember Hamlet too. Didn't we shoot at Hamburger Hamlets?

0:11:48.920 --> 0:11:51.360
<v Speaker 3>Although yeah, that we would, but they we walk on

0:11:51.440 --> 0:11:55.000
<v Speaker 3>the street after dinner, so we actually went into the town.

0:11:56.080 --> 0:11:58.680
<v Speaker 2>Maybe very I was just wondering if you guys remember, Gosh,

0:11:58.720 --> 0:11:59.560
<v Speaker 2>I wish I remembered.

0:11:59.640 --> 0:12:01.280
<v Speaker 1>I don't but I love all being together.

0:12:01.400 --> 0:12:04.240
<v Speaker 3>So at the dinner, Billy is sharing his really heartfelt

0:12:04.280 --> 0:12:07.160
<v Speaker 3>thanks and Michael is just being a complete dick about it.

0:12:07.800 --> 0:12:10.640
<v Speaker 3>And when Amanda shows up and says, I've been leaving

0:12:10.679 --> 0:12:11.320
<v Speaker 3>you messages?

0:12:11.360 --> 0:12:12.040
<v Speaker 1>Did you get them?

0:12:12.160 --> 0:12:14.680
<v Speaker 3>And Billy covers for Alison, God bless him and says

0:12:15.160 --> 0:12:19.040
<v Speaker 3>the machines on the fritz, and then Michael says, Michael says,

0:12:19.400 --> 0:12:23.040
<v Speaker 3>if I were you, I'd get my machine fixed because

0:12:23.080 --> 0:12:24.160
<v Speaker 3>you don't want to miss her car.

0:12:24.280 --> 0:12:25.120
<v Speaker 1>We're very annoyed.

0:12:25.520 --> 0:12:28.440
<v Speaker 5>Yeah, yeah, because well he's just implying you don't want

0:12:28.480 --> 0:12:29.840
<v Speaker 5>to miss the calls from Amanda.

0:12:30.200 --> 0:12:31.880
<v Speaker 2>I know, babe, but.

0:12:31.960 --> 0:12:34.480
<v Speaker 4>He's just very like smug and smarmy a little bit.

0:12:34.640 --> 0:12:36.000
<v Speaker 1>And yeah, he's being.

0:12:35.960 --> 0:12:39.760
<v Speaker 3>Gross in this scene, which he continues as he's walking

0:12:39.920 --> 0:12:43.079
<v Speaker 3>with the guys and saying shitty things about marriage about

0:12:43.640 --> 0:12:45.439
<v Speaker 3>the saying to the guys, follow.

0:12:45.200 --> 0:12:47.960
<v Speaker 1>Your libido while you can, and yeah, comes when you're married.

0:12:48.040 --> 0:12:50.240
<v Speaker 1>He goes, nothing, come on.

0:12:51.320 --> 0:12:52.800
<v Speaker 4>So he's on the stage and.

0:12:52.880 --> 0:12:55.240
<v Speaker 5>Then we have a little walk away with a little

0:12:55.320 --> 0:12:57.480
<v Speaker 5>walk walk and talk as they call them in the

0:12:57.559 --> 0:13:00.920
<v Speaker 5>biz with Alison and Joe and she confess as well,

0:13:01.360 --> 0:13:03.880
<v Speaker 5>I erased all the messages from Amanda that she's been

0:13:03.960 --> 0:13:05.880
<v Speaker 5>leaving for Billy, and then I think.

0:13:05.800 --> 0:13:07.480
<v Speaker 2>I like approve that, don't I.

0:13:07.760 --> 0:13:09.760
<v Speaker 1>Well, everyone's kind of saying at this point, why don't

0:13:09.800 --> 0:13:10.960
<v Speaker 1>you guys just go out already?

0:13:11.080 --> 0:13:14.679
<v Speaker 3>Like, yeah, it's clear, even the cast is yeah, like

0:13:14.800 --> 0:13:16.440
<v Speaker 3>the audiences, Yeah, I.

0:13:16.520 --> 0:13:18.839
<v Speaker 4>Know, the guys and the girls are like, why aren't

0:13:18.840 --> 0:13:20.480
<v Speaker 4>you just like making Yeah?

0:13:20.559 --> 0:13:20.959
<v Speaker 1>Yeah, you know.

0:13:21.480 --> 0:13:24.360
<v Speaker 3>Everybody's so tired of the will they won't they? Back

0:13:24.400 --> 0:13:27.079
<v Speaker 3>and forth, So we go afterwards, we're back in Joe.

0:13:27.200 --> 0:13:29.400
<v Speaker 3>I hope it's Joe's apartment. We don't know, but you're

0:13:29.440 --> 0:13:31.840
<v Speaker 3>on pink satin sheets, so I'm hoping those aren't Jakes.

0:13:31.880 --> 0:13:35.240
<v Speaker 4>It's definitely Joe's apartment because it's pink satin sheets, pink satin.

0:13:35.440 --> 0:13:39.520
<v Speaker 2>How we're deciding that now, remember what, it's not Jake's.

0:13:39.679 --> 0:13:42.240
<v Speaker 4>We've seen them before. Yeah, he has some sort of

0:13:42.800 --> 0:13:45.520
<v Speaker 4>you know, navy plaid, but you definitely have pink satin.

0:13:45.640 --> 0:13:47.000
<v Speaker 1>Yeah, so these are pink satin.

0:13:47.160 --> 0:13:51.240
<v Speaker 3>And Joe is rubbing Jake's chest for America, and he's

0:13:51.360 --> 0:13:54.640
<v Speaker 3>talking about Michael flirting outside of his marriage, and you

0:13:54.760 --> 0:13:57.040
<v Speaker 3>said something that I thought was really interesting, you as

0:13:57.160 --> 0:13:59.599
<v Speaker 3>Joe dath and you said, it seems to me that

0:13:59.720 --> 0:14:02.319
<v Speaker 3>you and I were lovers way before we actually did it.

0:14:02.440 --> 0:14:04.600
<v Speaker 1>And it was funny because I saw you trying to make.

0:14:05.000 --> 0:14:07.400
<v Speaker 3>We did it work because I'm like, obviously you're like

0:14:07.600 --> 0:14:11.439
<v Speaker 3>we like you have to do exact words like what

0:14:11.600 --> 0:14:13.760
<v Speaker 3>I really, as a grown woman say, did.

0:14:13.679 --> 0:14:17.000
<v Speaker 4>It like you said it kind of like cute? Like

0:14:17.160 --> 0:14:18.920
<v Speaker 4>you made it kind of cute, you made it work.

0:14:19.000 --> 0:14:21.200
<v Speaker 1>But I could see like how you had to make

0:14:21.280 --> 0:14:21.600
<v Speaker 1>it work.

0:14:22.000 --> 0:14:25.080
<v Speaker 5>And also I thought it was a little confusing because

0:14:25.160 --> 0:14:29.240
<v Speaker 5>doesn't the word we were lovers mean we were making love,

0:14:29.440 --> 0:14:30.840
<v Speaker 5>meaning we were having sex.

0:14:31.640 --> 0:14:35.560
<v Speaker 4>She felished by we were lovers before we.

0:14:36.320 --> 0:14:39.000
<v Speaker 1>Did it, so it should have been before we physically

0:14:39.080 --> 0:14:39.560
<v Speaker 1>made love.

0:14:40.040 --> 0:14:42.360
<v Speaker 3>Yeah, he's saying that you guys were in love when

0:14:42.360 --> 0:14:45.200
<v Speaker 3>you were in love with each other before you had sex.

0:14:45.360 --> 0:14:49.200
<v Speaker 3>So if Michael's flirting with somebody, that's an emotional affair.

0:14:49.480 --> 0:14:50.400
<v Speaker 1>That's what I think from it.

0:14:50.680 --> 0:14:53.840
<v Speaker 4>It's just an example of like a line that isn't

0:14:54.120 --> 0:14:57.960
<v Speaker 4>really like right, and you were just on going. I

0:14:58.040 --> 0:15:00.360
<v Speaker 4>guess I just got to make this where because I

0:15:00.400 --> 0:15:02.600
<v Speaker 4>can't change it right. And it's like it sounded it

0:15:02.720 --> 0:15:04.440
<v Speaker 4>was like fine on paper or whatever it seemed to

0:15:04.440 --> 0:15:06.760
<v Speaker 4>find on paper until somebody's trying to say it and wing, wait,

0:15:07.480 --> 0:15:11.120
<v Speaker 4>yeah out loud is a whole different thing than yeah yeah.

0:15:11.240 --> 0:15:13.160
<v Speaker 3>But you made it work, you made it playful, which

0:15:13.320 --> 0:15:16.560
<v Speaker 3>is sweet. And then you guys, and then she went

0:15:16.600 --> 0:15:18.600
<v Speaker 3>back to rubbing slide off the sheets. I don't know

0:15:18.680 --> 0:15:20.280
<v Speaker 3>how because they were very pink and very shine.

0:15:20.640 --> 0:15:25.200
<v Speaker 5>You just clung to his chest, on to his six

0:15:25.320 --> 0:15:28.440
<v Speaker 5>packs so she wouldn't slide off those sheets like a ladder.

0:15:28.560 --> 0:15:29.280
<v Speaker 1>You just hang on.

0:15:31.200 --> 0:15:31.400
<v Speaker 5>Yeah.

0:15:33.120 --> 0:15:36.200
<v Speaker 3>So then we're back in Billie's room and Alison enters,

0:15:36.520 --> 0:15:37.840
<v Speaker 3>dare we stay without pants?

0:15:38.160 --> 0:15:43.080
<v Speaker 4>Well? I lowered the shot started because it's on her

0:15:43.120 --> 0:15:45.400
<v Speaker 4>bare feet on the floor at a closed door and

0:15:45.480 --> 0:15:47.240
<v Speaker 4>you can tell it's a bedroom, and she's like, so

0:15:47.360 --> 0:15:50.440
<v Speaker 4>it's a little bit like teasing what is this moment

0:15:50.760 --> 0:15:52.600
<v Speaker 4>going to be? And then panding up, we find she's

0:15:52.680 --> 0:15:54.520
<v Speaker 4>in this giant T shirt.

0:15:54.640 --> 0:15:58.080
<v Speaker 2>But you're right, giant men's men's sports.

0:15:58.240 --> 0:16:00.280
<v Speaker 5>You know what made me think of made me think

0:16:00.320 --> 0:16:03.280
<v Speaker 5>of that was that looked like a Dartmouth the Dartmouth

0:16:03.320 --> 0:16:04.160
<v Speaker 5>green soccer.

0:16:04.320 --> 0:16:05.400
<v Speaker 1>That's what I thought.

0:16:05.560 --> 0:16:07.320
<v Speaker 2>No, was she borrowing that from home?

0:16:07.440 --> 0:16:07.600
<v Speaker 5>Too?

0:16:07.760 --> 0:16:14.600
<v Speaker 2>Did she bring that from Andrew's closet blurring Blurring TV.

0:16:15.480 --> 0:16:16.640
<v Speaker 1>That's a really good point.

0:16:16.720 --> 0:16:18.920
<v Speaker 3>But it did look really kind of post coital, which

0:16:18.960 --> 0:16:20.680
<v Speaker 3>I know it wasn't, but I know that was intentional.

0:16:20.880 --> 0:16:22.720
<v Speaker 2>It was c yeah, and sexy.

0:16:22.880 --> 0:16:23.640
<v Speaker 4>You're super cudy.

0:16:23.880 --> 0:16:24.800
<v Speaker 1>It was really sexy.

0:16:24.920 --> 0:16:28.080
<v Speaker 3>And Alison admits that she's been erasing messages, and I

0:16:28.120 --> 0:16:30.280
<v Speaker 3>thought it was really sweet to see her so vulnerable,

0:16:30.360 --> 0:16:32.560
<v Speaker 3>like the table has turned, and she whether she knows

0:16:32.600 --> 0:16:35.320
<v Speaker 3>it or not, it's obvious to us that she's having

0:16:35.360 --> 0:16:36.120
<v Speaker 3>really strong.

0:16:35.920 --> 0:16:36.760
<v Speaker 1>Feelings for Billy.

0:16:37.080 --> 0:16:40.720
<v Speaker 3>Yeah, and he's the one sort of playing it cooy

0:16:40.760 --> 0:16:42.840
<v Speaker 3>because his boss is after him, a man is after him.

0:16:42.880 --> 0:16:45.880
<v Speaker 3>Alison is just one more I must have all seen

0:16:45.920 --> 0:16:47.840
<v Speaker 3>those genes that must have it.

0:16:48.080 --> 0:16:48.720
<v Speaker 4>I think that was it.

0:16:49.320 --> 0:16:50.560
<v Speaker 2>It's so cute how he plays it.

0:16:50.680 --> 0:16:53.880
<v Speaker 5>He's just like sitting back and watching her squirm and

0:16:54.000 --> 0:16:54.840
<v Speaker 5>kind of justify.

0:16:55.040 --> 0:16:59.240
<v Speaker 1>It's just like, uh huh, yeah, you lied, well.

0:17:00.640 --> 0:17:02.800
<v Speaker 2>Like, okay, what are you really saying?

0:17:02.920 --> 0:17:05.080
<v Speaker 5>He's just staring at her and I'm just going like,

0:17:05.520 --> 0:17:07.920
<v Speaker 5>are those the actors or are those the characters?

0:17:08.200 --> 0:17:08.400
<v Speaker 1>Yeah?

0:17:08.520 --> 0:17:10.520
<v Speaker 3>It was such a shift though, right because normally he's

0:17:10.560 --> 0:17:13.280
<v Speaker 3>sort of goofy and Alison's rude for some reason, and

0:17:13.359 --> 0:17:15.440
<v Speaker 3>now he's so cool and she's so vulnerable.

0:17:15.800 --> 0:17:17.760
<v Speaker 1>I thought it was really sweet. I like this turn.

0:17:19.040 --> 0:17:22.119
<v Speaker 3>So then back in the Escapade offices, I think, I

0:17:22.200 --> 0:17:24.000
<v Speaker 3>don't know, maybe this is the one you're thinking of, Laura.

0:17:24.119 --> 0:17:26.920
<v Speaker 3>So Alison arrives for lunch. So she asked them to

0:17:27.040 --> 0:17:29.320
<v Speaker 3>lunch in the previous scene. And she arrives for lunch

0:17:29.359 --> 0:17:31.520
<v Speaker 3>in a really weird orange suit.

0:17:32.000 --> 0:17:34.480
<v Speaker 4>It was like apricot color. And I will say that

0:17:34.520 --> 0:17:37.280
<v Speaker 4>I think they are on me the same shoulder pads

0:17:37.440 --> 0:17:40.440
<v Speaker 4>I noticed were it was very shouldery.

0:17:40.920 --> 0:17:44.120
<v Speaker 3>And also off the shoulder, so how I yeah, yeah, yeah,

0:17:44.160 --> 0:17:45.439
<v Speaker 3>that was off the shoulder, off.

0:17:45.359 --> 0:17:49.080
<v Speaker 1>The shoulder, so really weird. But whatever.

0:17:49.680 --> 0:17:52.480
<v Speaker 3>So she shows up and she and the Billy and

0:17:52.560 --> 0:17:56.240
<v Speaker 3>his boss are in the conference room and she is

0:17:56.440 --> 0:17:58.240
<v Speaker 3>really being super flirty with him, and.

0:17:58.280 --> 0:18:03.119
<v Speaker 5>The blinds are open, so when you come to like

0:18:03.320 --> 0:18:05.680
<v Speaker 5>you could just see her with her short skirts sitting

0:18:05.720 --> 0:18:09.400
<v Speaker 5>on a desk flirting with Billy talking about business.

0:18:09.920 --> 0:18:12.879
<v Speaker 4>Yeah, she's draped herself on the conference table for all

0:18:12.920 --> 0:18:15.240
<v Speaker 4>the office to see because she's left the blinds open,

0:18:15.280 --> 0:18:18.720
<v Speaker 4>and they're watching. Alison and Cameron are watching through the window,

0:18:18.760 --> 0:18:20.240
<v Speaker 4>and he's like, hey, are you the girlfriend?

0:18:21.480 --> 0:18:25.480
<v Speaker 3>Yeah, we're super inappropriate, And Alison makes her feelings known

0:18:25.520 --> 0:18:28.399
<v Speaker 3>as they're walking in the park, and then Billy says,

0:18:28.840 --> 0:18:31.399
<v Speaker 3>very clearly, what's going on with you anyway? Every time

0:18:31.440 --> 0:18:33.560
<v Speaker 3>I'm around a female lately, you're freaking out.

0:18:33.920 --> 0:18:36.800
<v Speaker 2>Yeah, I could possibly be going on.

0:18:37.240 --> 0:18:39.800
<v Speaker 3>What could possibly As Alison handles it really well and

0:18:39.880 --> 0:18:45.320
<v Speaker 3>walks away, she just, you know, super directing call.

0:18:45.440 --> 0:18:47.200
<v Speaker 5>And then he throws out the rest of his apple

0:18:47.359 --> 0:18:49.600
<v Speaker 5>or something in a trash bin that's right there in

0:18:49.680 --> 0:18:52.520
<v Speaker 5>the middle of the path, like in the middle.

0:18:53.040 --> 0:18:55.639
<v Speaker 2>Like when you're in a park, trash bins are not

0:18:55.800 --> 0:18:58.000
<v Speaker 2>in the middle of the walkway. The trash bins at

0:18:58.040 --> 0:19:00.159
<v Speaker 2>the side in a corner near a fountain. And then

0:19:00.240 --> 0:19:01.879
<v Speaker 2>I don't know, but it's never in the middle of

0:19:01.960 --> 0:19:04.040
<v Speaker 2>where people are walking. It was so weird.

0:19:04.960 --> 0:19:06.760
<v Speaker 3>Maybe they weren't allowed to put it on the grass

0:19:06.880 --> 0:19:09.359
<v Speaker 3>or something, but it was so awkwardly. I thought this, like,

0:19:09.440 --> 0:19:11.200
<v Speaker 3>you can't take a step and throw it away.

0:19:11.240 --> 0:19:13.240
<v Speaker 1>It was literally right in front of him.

0:19:13.720 --> 0:19:16.879
<v Speaker 5>I mean, you can catch these in film and TV.

0:19:17.080 --> 0:19:18.840
<v Speaker 5>You know, when you have to go fast, you see

0:19:18.880 --> 0:19:20.840
<v Speaker 5>these little weird things.

0:19:20.600 --> 0:19:23.000
<v Speaker 2>That just would never happen, just so that.

0:19:23.119 --> 0:19:27.000
<v Speaker 1>Yeah, this one was really obvious, prop can it?

0:19:27.480 --> 0:19:27.680
<v Speaker 4>Yeah?

0:19:28.080 --> 0:19:30.439
<v Speaker 3>Yeah, it was super funny. So now we're back at

0:19:30.480 --> 0:19:34.360
<v Speaker 3>the hospital and Kimberly's complaining about her boyfriend, and then

0:19:34.760 --> 0:19:38.520
<v Speaker 3>she makes an abrupt shift and admits that she was

0:19:38.640 --> 0:19:42.399
<v Speaker 3>crying the night before because she's quote falling for a

0:19:42.480 --> 0:19:44.760
<v Speaker 3>wonderful friend of hers that she can never have.

0:19:46.160 --> 0:19:49.280
<v Speaker 1>And then Michael says does he know? And she had

0:19:49.359 --> 0:19:50.960
<v Speaker 1>and says he does.

0:19:51.160 --> 0:19:58.280
<v Speaker 4>Now, Well, this is another scene of like Marsha just

0:19:59.040 --> 0:20:02.600
<v Speaker 4>killing it. I mean, like she is so good at

0:20:02.680 --> 0:20:09.200
<v Speaker 4>these moments and like milking every like nuance out of it.

0:20:09.400 --> 0:20:11.840
<v Speaker 4>I mean, I think if I think about the words

0:20:11.880 --> 0:20:14.520
<v Speaker 4>on paper, it wouldn't have been that dynamic. But I

0:20:14.600 --> 0:20:18.000
<v Speaker 4>think Marcia is so good, Like she really makes these

0:20:18.160 --> 0:20:21.359
<v Speaker 4>scenes electric. I mean, even though we as the audience

0:20:21.960 --> 0:20:25.680
<v Speaker 4>are rooting for Thomas or Michael to you know, be

0:20:25.840 --> 0:20:28.639
<v Speaker 4>true to his wife whatever, the chemistry between them is

0:20:28.960 --> 0:20:31.440
<v Speaker 4>absolutely undeniable too. And I think the scenes are just

0:20:31.600 --> 0:20:35.200
<v Speaker 4>electric between them because I think Marcia is just so

0:20:35.560 --> 0:20:38.040
<v Speaker 4>on fire and they really back worked it out.

0:20:38.840 --> 0:20:40.320
<v Speaker 2>They really worked it out they too.

0:20:40.440 --> 0:20:42.879
<v Speaker 5>That you can tell also because I've heard stories now

0:20:43.200 --> 0:20:46.600
<v Speaker 5>of how much fun they had together as actors, you know,

0:20:46.800 --> 0:20:49.840
<v Speaker 5>so like even their physicality is very you can tell

0:20:49.840 --> 0:20:50.359
<v Speaker 5>they're playing.

0:20:50.560 --> 0:20:53.720
<v Speaker 1>They're fun. Yeah, she really goes for it.

0:20:53.880 --> 0:20:56.520
<v Speaker 3>And even though we're mad at her that moment when

0:20:56.560 --> 0:20:58.159
<v Speaker 3>she's talking, you can't you feel for her in that

0:20:58.280 --> 0:21:00.840
<v Speaker 3>moment when she says, I was crying over a dear friend.

0:21:00.880 --> 0:21:02.119
<v Speaker 1>Do I'm in love with you?

0:21:02.200 --> 0:21:02.240
<v Speaker 5>Go?

0:21:02.400 --> 0:21:02.640
<v Speaker 1>Really?

0:21:02.680 --> 0:21:02.840
<v Speaker 5>Who?

0:21:02.920 --> 0:21:04.000
<v Speaker 1>And they're oh, man.

0:21:06.240 --> 0:21:11.360
<v Speaker 4>Kane's husband, come on, yeah, and he's so he manages

0:21:11.440 --> 0:21:13.680
<v Speaker 4>to sort of deflect and like get himself out of it,

0:21:13.840 --> 0:21:17.879
<v Speaker 4>like uh, and and he leave right the end of

0:21:17.880 --> 0:21:18.120
<v Speaker 4>the day.

0:21:18.200 --> 0:21:19.959
<v Speaker 1>She leaves and he's looking after her.

0:21:20.160 --> 0:21:20.360
<v Speaker 4>Yeah.

0:21:21.400 --> 0:21:25.679
<v Speaker 3>Yeah, it's very intense, and he looks actually kind of befuddled,

0:21:25.760 --> 0:21:27.720
<v Speaker 3>which is something we don't see Michael.

0:21:27.480 --> 0:21:31.159
<v Speaker 1>Look very right. He's conflicted, but confused and overwhelmed.

0:21:31.200 --> 0:21:33.719
<v Speaker 2>It's because this has built up.

0:21:33.920 --> 0:21:36.479
<v Speaker 5>It's been weeks now, and you know, we've seen him

0:21:36.480 --> 0:21:38.280
<v Speaker 5>in scenes and it's kind of building up, and he

0:21:38.440 --> 0:21:42.880
<v Speaker 5>knows it's coming to it's getting too hard to turn back.

0:21:43.119 --> 0:21:45.680
<v Speaker 5>I mean what she's confessing, there's a tattoo on me

0:21:45.800 --> 0:21:50.639
<v Speaker 5>somewhere and I'm you know, wanting you. And they're sitting

0:21:50.680 --> 0:21:54.440
<v Speaker 5>together on this bunk bed eating sandwiches, and right his

0:21:54.640 --> 0:21:55.840
<v Speaker 5>intimacy is really growing.

0:21:56.000 --> 0:21:58.840
<v Speaker 2>So he's like, oh God, is this really happening.

0:21:58.960 --> 0:22:02.440
<v Speaker 4>Yeah, he's leaning in just enough that, you know, it

0:22:02.560 --> 0:22:05.440
<v Speaker 4>allows her to continue to do it. He hasn't said no,

0:22:05.640 --> 0:22:07.400
<v Speaker 4>he hasn't he hasn't given her the hand.

0:22:07.920 --> 0:22:09.920
<v Speaker 3>Yeah, but I'm still holding out hope because he also

0:22:10.000 --> 0:22:10.920
<v Speaker 3>hasn't said yes.

0:22:12.160 --> 0:22:15.440
<v Speaker 2>That's so cool, that's cute.

0:22:15.960 --> 0:22:16.240
<v Speaker 5>Thank you.

0:22:17.840 --> 0:22:20.719
<v Speaker 3>So now we're back. We're at the in the courtyard

0:22:20.760 --> 0:22:23.200
<v Speaker 3>of the apartment. Matt is excited about his date. Billy

0:22:23.240 --> 0:22:26.920
<v Speaker 3>crosses to his apartment where Alison is making dinner. She's

0:22:27.040 --> 0:22:30.399
<v Speaker 3>nervous and excited and she's trying to make him this dinner.

0:22:30.480 --> 0:22:32.879
<v Speaker 3>She's talking a mile a minute because she's all excited,

0:22:32.920 --> 0:22:34.920
<v Speaker 3>and she wants to apologize for saying the thing about

0:22:34.960 --> 0:22:37.560
<v Speaker 3>his boss, and they're really having She really wants to

0:22:38.200 --> 0:22:39.639
<v Speaker 3>cook dinner for him, and he just.

0:22:39.720 --> 0:22:40.719
<v Speaker 1>Gets up and leaves.

0:22:41.320 --> 0:22:45.240
<v Speaker 4>He's got to go to work. Yeah, it isn't that sad, summer.

0:22:46.680 --> 0:22:50.800
<v Speaker 2>I know, lose, you lose, Alison. You waited too long

0:22:50.880 --> 0:22:53.399
<v Speaker 2>and now you're only doing it. Didn't like her shirt,

0:22:53.520 --> 0:22:55.639
<v Speaker 2>and now you're only doing it. Because these women are

0:22:55.720 --> 0:22:59.359
<v Speaker 2>clearly coming after him. Your little your your roommate who

0:22:59.440 --> 0:23:03.440
<v Speaker 2>you like, are so not into for some reason, suddenly

0:23:03.520 --> 0:23:06.240
<v Speaker 2>you are and it might be too late, you're putting.

0:23:06.320 --> 0:23:08.440
<v Speaker 1>I can't even tell if Allison is aware of it.

0:23:08.560 --> 0:23:10.560
<v Speaker 1>We're aware of it. I don't know if she's aware.

0:23:10.320 --> 0:23:12.440
<v Speaker 5>Of it, but she oh, I think she's Oh yeah,

0:23:12.520 --> 0:23:15.440
<v Speaker 5>that's a good question. Maybe it's just her subconscious like

0:23:15.440 --> 0:23:19.600
<v Speaker 5>because you can see her, you know, yeah, acting like

0:23:19.720 --> 0:23:20.440
<v Speaker 5>she's aware of it.

0:23:20.600 --> 0:23:21.520
<v Speaker 2>But maybe she's not.

0:23:21.720 --> 0:23:22.840
<v Speaker 1>Yeah, I don't know.

0:23:23.520 --> 0:23:25.760
<v Speaker 2>I think she's aware of it. She's e racing. I

0:23:25.800 --> 0:23:27.680
<v Speaker 2>think she's aware of it. She's aware of it.

0:23:28.040 --> 0:23:29.760
<v Speaker 4>I just have to ask a real life question here,

0:23:29.800 --> 0:23:31.560
<v Speaker 4>though you guys are still dating in real life at

0:23:31.560 --> 0:23:35.240
<v Speaker 4>this point in the show. Yeah, okay, yeah's clarifying thought.

0:23:35.320 --> 0:23:38.120
<v Speaker 4>So I just wanted to make sure, Yeah, what's going

0:23:38.160 --> 0:23:40.800
<v Speaker 4>on behind the scenes, Okay, I just want.

0:23:40.720 --> 0:23:42.280
<v Speaker 2>To get clear of here.

0:23:42.600 --> 0:23:44.440
<v Speaker 1>Yeah, that's why we're sharing apparently.

0:23:45.480 --> 0:23:48.320
<v Speaker 3>So now we're back at the hospital, it's nighttime, Kimberly's

0:23:48.400 --> 0:23:50.359
<v Speaker 3>going to a car and Michael catches up to her,

0:23:51.480 --> 0:23:53.880
<v Speaker 3>and I think he's catching up to her to break

0:23:53.960 --> 0:23:54.280
<v Speaker 3>it off.

0:23:54.480 --> 0:23:55.960
<v Speaker 1>What did you ladies think was happening.

0:23:57.800 --> 0:23:59.480
<v Speaker 4>I don't know I was. I was just filled with

0:23:59.560 --> 0:24:02.560
<v Speaker 4>inevitable ability and sort of dread, like, oh yeah, there's

0:24:03.320 --> 0:24:07.880
<v Speaker 4>I mean, all we also know where it goes, so like, oh,

0:24:08.119 --> 0:24:11.760
<v Speaker 4>of course, couldn't really fool myself here on what was

0:24:11.760 --> 0:24:12.240
<v Speaker 4>going to happen.

0:24:12.760 --> 0:24:15.200
<v Speaker 3>Yeah, she feels embarrassed and she's like, just you know,

0:24:15.480 --> 0:24:18.359
<v Speaker 3>don't mess with me all this stuff, and then he

0:24:18.520 --> 0:24:19.800
<v Speaker 3>grabs her and kisses her.

0:24:20.000 --> 0:24:20.200
<v Speaker 2>Yeah.

0:24:20.680 --> 0:24:24.320
<v Speaker 1>Now is this is the hospital parking lot? Yeah? Well

0:24:24.600 --> 0:24:26.320
<v Speaker 1>do they think people can't see out.

0:24:26.160 --> 0:24:28.560
<v Speaker 3>Of the thousand windows or walking by there right outside

0:24:28.600 --> 0:24:29.520
<v Speaker 3>the door of the hospital.

0:24:29.720 --> 0:24:32.600
<v Speaker 4>Pretty bold, not only for two doctors working at the

0:24:32.640 --> 0:24:35.600
<v Speaker 4>same hospital, but a married one at that.

0:24:35.880 --> 0:24:39.360
<v Speaker 3>Yeah, yes, I thought that was That was pretty intense.

0:24:39.520 --> 0:24:41.520
<v Speaker 3>It's like, please hide somewhere. They were right out in

0:24:41.560 --> 0:24:44.080
<v Speaker 3>the open. So anyway, he gets funny because.

0:24:43.760 --> 0:24:47.159
<v Speaker 5>You're gonna see in a couple more scenes kind of

0:24:47.200 --> 0:24:50.399
<v Speaker 5>the same dynamic with Billy's boss the one. It's the

0:24:50.480 --> 0:24:52.800
<v Speaker 5>two women who have put the move on made it

0:24:53.040 --> 0:24:57.640
<v Speaker 5>very clear that they want these men, regardless of if

0:24:57.640 --> 0:25:01.600
<v Speaker 5>they're taken or if it's inappropriate, and what do they say.

0:25:01.960 --> 0:25:05.000
<v Speaker 2>I was so embarrassed that's what kimberly saying. You know,

0:25:05.240 --> 0:25:08.200
<v Speaker 2>I'm humiliated. Well that's not his problem. Why are you

0:25:08.400 --> 0:25:09.880
<v Speaker 2>like manipulating him?

0:25:11.040 --> 0:25:13.440
<v Speaker 3>She's humiliated because she told him that she loves him,

0:25:13.520 --> 0:25:15.600
<v Speaker 3>I know, and she's letting him know.

0:25:16.000 --> 0:25:17.600
<v Speaker 2>So I'm humiliated.

0:25:17.680 --> 0:25:18.480
<v Speaker 1>I feel badly.

0:25:18.640 --> 0:25:21.119
<v Speaker 2>You need to fix it, basically saying, oh, you did

0:25:21.200 --> 0:25:23.480
<v Speaker 2>nothing wrong. Here, come here, kiss me. And I'm just

0:25:23.600 --> 0:25:25.320
<v Speaker 2>pointing that out now because we're going to see that

0:25:25.359 --> 0:25:30.200
<v Speaker 2>in a few scenes. Do the same thing. She says verbally,

0:25:30.400 --> 0:25:32.639
<v Speaker 2>almost the same thing verbatim to Billy.

0:25:33.400 --> 0:25:33.920
<v Speaker 4>But nice.

0:25:35.720 --> 0:25:38.359
<v Speaker 3>So after the hospital, after they're making out, we're in

0:25:38.440 --> 0:25:41.640
<v Speaker 3>a very nice restaurant with Matt and his handsome date

0:25:42.240 --> 0:25:45.360
<v Speaker 3>who immediately asked if he can smoke and reveals himself

0:25:45.440 --> 0:25:47.800
<v Speaker 3>to be a greedy, shallow lawyer.

0:25:48.920 --> 0:25:52.160
<v Speaker 4>Yeah, like all the things that Matt is not major

0:25:52.280 --> 0:25:52.920
<v Speaker 4>red flags.

0:25:53.080 --> 0:25:55.640
<v Speaker 1>Yeah, they red flags. Yeah.

0:25:55.800 --> 0:25:58.760
<v Speaker 4>I think this was the smokehouse. Did you guys RECOGNI

0:25:58.760 --> 0:26:00.680
<v Speaker 4>It was like red leather boot and stuff, and I

0:26:00.760 --> 0:26:01.920
<v Speaker 4>saw the bar and I was like, I thought this

0:26:02.119 --> 0:26:04.600
<v Speaker 4>was a smokehouse. I made Doug watch this scene, and

0:26:04.720 --> 0:26:06.000
<v Speaker 4>first of all, I said, hey, do you remember that

0:26:06.080 --> 0:26:08.639
<v Speaker 4>scene that you had with Brian McNamara and he's like, no,

0:26:08.800 --> 0:26:11.480
<v Speaker 4>I never had a see Brian mat He's like, no,

0:26:11.600 --> 0:26:14.280
<v Speaker 4>I never had Wait a minute, yes you did. He goes, no, no, no,

0:26:14.480 --> 0:26:18.280
<v Speaker 4>Brian mcnammer is somebody that, like I go up for roles,

0:26:18.359 --> 0:26:20.280
<v Speaker 4>Like we see each other at auditions for the next

0:26:20.320 --> 0:26:22.760
<v Speaker 4>twenty five years. We'll compete against each other for the

0:26:22.800 --> 0:26:24.520
<v Speaker 4>same roles or whatever. But I never had a scene

0:26:24.520 --> 0:26:27.040
<v Speaker 4>with them. I'm like, okay, sit right down, I'm going

0:26:27.080 --> 0:26:29.119
<v Speaker 4>to show you that. Like here's the scene. And he's like,

0:26:29.200 --> 0:26:31.680
<v Speaker 4>what restaurant is this? And then he says it's not

0:26:31.840 --> 0:26:36.160
<v Speaker 4>the Smokehouse, which is like an old industry. Like everybody,

0:26:36.359 --> 0:26:39.320
<v Speaker 4>you know, especially after Warner Brothers or whatever, people go

0:26:39.359 --> 0:26:40.000
<v Speaker 4>to the smokehouse.

0:26:40.000 --> 0:26:41.600
<v Speaker 1>It's like a place she's toast around forever.

0:26:42.000 --> 0:26:43.720
<v Speaker 4>Yeah, but he said it wasn't. Maybe it was like

0:26:43.800 --> 0:26:46.800
<v Speaker 4>Musso and Franks. I was trying to identify the red

0:26:46.880 --> 0:26:47.719
<v Speaker 4>leather boom.

0:26:47.760 --> 0:26:50.520
<v Speaker 3>Well, my guess is that's the inside of the restaurant

0:26:50.560 --> 0:26:51.800
<v Speaker 3>we had did the outdoor scene.

0:26:51.840 --> 0:26:54.240
<v Speaker 4>It it would make sense that it was the same restaurant.

0:26:54.320 --> 0:26:56.280
<v Speaker 4>So I was trying to identify that.

0:26:57.080 --> 0:26:57.280
<v Speaker 1>Yeah.

0:26:57.880 --> 0:27:01.959
<v Speaker 5>Yeah, but at any rate, the guy is you know, saying, oh,

0:27:02.000 --> 0:27:04.199
<v Speaker 5>I'm doing this this lights a cigarette and he goes, oh,

0:27:04.200 --> 0:27:08.600
<v Speaker 5>I'm doing this environmental thing with these polluters and these companies, right,

0:27:08.720 --> 0:27:10.840
<v Speaker 5>and then Matt's like, oh, I know these companies get

0:27:10.920 --> 0:27:11.639
<v Speaker 5>away with murder.

0:27:11.720 --> 0:27:13.320
<v Speaker 2>They just put it all over the place. He's like,

0:27:13.880 --> 0:27:15.000
<v Speaker 2>that's why I'm representing.

0:27:15.240 --> 0:27:18.119
<v Speaker 4>That's what I'm defending, actually represent those big guys.

0:27:18.359 --> 0:27:18.560
<v Speaker 2>Yeah.

0:27:19.400 --> 0:27:22.280
<v Speaker 3>Bye, And he also says to Matt, we thought you

0:27:22.320 --> 0:27:24.240
<v Speaker 3>should have sued him, and That's like, well, that wasn't

0:27:24.480 --> 0:27:24.880
<v Speaker 3>the point.

0:27:24.920 --> 0:27:26.480
<v Speaker 1>I really wanted to work with the kids. He's like, yeah,

0:27:26.520 --> 0:27:28.720
<v Speaker 1>you could have made a fortune. Yeah. They're not on

0:27:28.800 --> 0:27:29.440
<v Speaker 1>the same page.

0:27:29.640 --> 0:27:32.680
<v Speaker 4>Not on the same page, so disappointing, but the date's

0:27:32.720 --> 0:27:33.360
<v Speaker 4>not gonna.

0:27:33.240 --> 0:27:36.040
<v Speaker 3>So speaking of not on the same page, we go

0:27:36.119 --> 0:27:38.920
<v Speaker 3>back to Michael and Jane's apartment and gorgeous Jane is

0:27:39.040 --> 0:27:43.320
<v Speaker 3>cooking dinner and trying to seduce Michael, which again you're

0:27:43.400 --> 0:27:46.280
<v Speaker 3>just like, do you not have eyes or ears? And

0:27:46.440 --> 0:27:49.160
<v Speaker 3>Michael looks at her beautiful chicken she's cooking and says,

0:27:49.240 --> 0:27:50.200
<v Speaker 3>that's going to take forever.

0:27:50.280 --> 0:27:51.080
<v Speaker 1>I'm going to bed.

0:27:51.760 --> 0:27:54.800
<v Speaker 2>She has candles lit, she has a beautiful like we

0:27:54.920 --> 0:27:57.760
<v Speaker 2>need to be closer, and oh, that's.

0:27:57.800 --> 0:28:01.960
<v Speaker 4>Like ikey, and yeah, not good, I don't know, not good.

0:28:02.119 --> 0:28:05.520
<v Speaker 5>Really putting yourself out there and forward and making that effort,

0:28:05.680 --> 0:28:08.480
<v Speaker 5>you know, and trying to care for your partner.

0:28:08.600 --> 0:28:11.320
<v Speaker 1>And he's just like, I gotta go, you know.

0:28:11.600 --> 0:28:15.159
<v Speaker 3>And she's so sweet and gorgeous, and we're so annoyed

0:28:15.200 --> 0:28:17.200
<v Speaker 3>with him. We're back to being annoyed with him. M

0:28:19.080 --> 0:28:22.120
<v Speaker 3>So now we're back to escapade. Speaking of women trying

0:28:22.160 --> 0:28:24.280
<v Speaker 3>to have sex with men, Billy's boss is coming on

0:28:24.520 --> 0:28:27.280
<v Speaker 3>very strong and asked him to rub her shoulders.

0:28:27.440 --> 0:28:29.840
<v Speaker 4>And when the scene opened, it was like are they

0:28:29.840 --> 0:28:32.200
<v Speaker 4>in a hotel room or restaurant? Where is this? Because

0:28:32.240 --> 0:28:34.680
<v Speaker 4>it was like, you know, like it was couch, like

0:28:34.800 --> 0:28:36.840
<v Speaker 4>dim lighting and whatever. And she leads them over to

0:28:36.840 --> 0:28:38.280
<v Speaker 4>the couch and then I see as the as the

0:28:38.320 --> 0:28:40.360
<v Speaker 4>shot opened up it was her office, but she's got

0:28:40.440 --> 0:28:42.600
<v Speaker 4>the couch in her office and she's couch.

0:28:43.280 --> 0:28:43.480
<v Speaker 1>Yeah.

0:28:44.040 --> 0:28:44.880
<v Speaker 4>I don't know where is where?

0:28:45.920 --> 0:28:48.760
<v Speaker 1>I don't not going, but there is a joke there,

0:28:48.920 --> 0:28:49.480
<v Speaker 1>just f yi.

0:28:52.720 --> 0:28:54.520
<v Speaker 4>Yuh yeah.

0:28:54.640 --> 0:28:56.920
<v Speaker 1>So he says no to having sex.

0:28:56.760 --> 0:28:58.680
<v Speaker 3>With her, and she says, while we're at it, why

0:28:58.680 --> 0:29:02.560
<v Speaker 3>don't we just forget your promote as well, which.

0:29:02.480 --> 0:29:03.400
<v Speaker 1>Is pretty dark.

0:29:03.640 --> 0:29:06.840
<v Speaker 5>Wait a second, hold on, did you guys say that

0:29:06.960 --> 0:29:08.200
<v Speaker 5>she actually does the deed?

0:29:08.800 --> 0:29:12.600
<v Speaker 4>Well, she does. She she turns sho massage.

0:29:12.560 --> 0:29:16.640
<v Speaker 2>Like okay, then he massages her and then she like

0:29:16.720 --> 0:29:20.120
<v Speaker 2>whips around and lunges at him. Yeah you know, and

0:29:20.880 --> 0:29:23.200
<v Speaker 2>uh anyway, yeah.

0:29:23.120 --> 0:29:26.320
<v Speaker 3>So then he's like uh no, yeah, and then his

0:29:26.440 --> 0:29:29.920
<v Speaker 3>fears are realized when she renigs on the promotion, which

0:29:30.080 --> 0:29:34.640
<v Speaker 3>is so bad. So then we're back at the apartment

0:29:34.720 --> 0:29:37.240
<v Speaker 3>outside and Ronda asks him out about his date and

0:29:37.400 --> 0:29:39.560
<v Speaker 3>she pressures him to give the guy a chance, and

0:29:39.640 --> 0:29:42.440
<v Speaker 3>Matt of course gets defensive, which is valid, don't you think.

0:29:43.080 --> 0:29:45.480
<v Speaker 4>Yeah. I like that scene. I really I liked the

0:29:45.600 --> 0:29:48.160
<v Speaker 4>way he was saying, what you think I should just

0:29:48.240 --> 0:29:50.120
<v Speaker 4>sleep with a guy because it's because he's the first

0:29:50.120 --> 0:29:52.280
<v Speaker 4>guy that comes along, and you think that's you think

0:29:52.320 --> 0:29:55.160
<v Speaker 4>that's how I You think that's what I do, And

0:29:55.400 --> 0:29:56.760
<v Speaker 4>you think that's what I do because I'm gay, Like

0:29:56.840 --> 0:29:59.360
<v Speaker 4>what you know? No, that bugs me. I liked that

0:29:59.640 --> 0:30:03.400
<v Speaker 4>dynam in the scene of firsting. I just I just

0:30:03.520 --> 0:30:05.040
<v Speaker 4>wanted you to have a good time, and you know,

0:30:05.200 --> 0:30:08.680
<v Speaker 4>like I thought she was super sweet and and he

0:30:08.840 --> 0:30:12.040
<v Speaker 4>was super justified and seeing what he felt like I

0:30:12.160 --> 0:30:14.200
<v Speaker 4>just thought it was a nice scene. There was not

0:30:14.320 --> 0:30:15.160
<v Speaker 4>a bad guy in the scene.

0:30:15.240 --> 0:30:16.560
<v Speaker 2>I don't think there was a bad guy either.

0:30:16.640 --> 0:30:19.120
<v Speaker 5>Yeah, I mean, you know, like bring that into real life,

0:30:19.200 --> 0:30:20.560
<v Speaker 5>you know, and you want to you would want to

0:30:20.600 --> 0:30:21.400
<v Speaker 5>tell a friend.

0:30:21.280 --> 0:30:24.720
<v Speaker 2>Stay open, stay open, give it another chance.

0:30:24.840 --> 0:30:28.800
<v Speaker 5>Maybe you know, maybe this isn't like the whatever that

0:30:28.880 --> 0:30:31.600
<v Speaker 5>you usually go for, but it's just an innocent, try

0:30:31.680 --> 0:30:32.760
<v Speaker 5>to stay open friend.

0:30:33.240 --> 0:30:36.280
<v Speaker 4>Yeah, which I will say that Doug couldn't remember having

0:30:36.320 --> 0:30:38.280
<v Speaker 4>a scene with Brian McNamara, but he did remember that

0:30:38.360 --> 0:30:40.000
<v Speaker 4>shirt he was wearing when he comes out and he's

0:30:40.040 --> 0:30:42.080
<v Speaker 4>carrying the turquoise lunder basket, but he's got like this

0:30:42.400 --> 0:30:45.600
<v Speaker 4>another like printed shirt on and his jean jacket tied

0:30:45.720 --> 0:30:48.479
<v Speaker 4>around his waist because he might need his jean jacket

0:30:49.520 --> 0:30:50.960
<v Speaker 4>on the way to the laundry room, so you better

0:30:51.000 --> 0:30:51.840
<v Speaker 4>tie it around your waist.

0:30:52.760 --> 0:30:57.800
<v Speaker 1>Yeah. So that's funny, that's very cute.

0:30:57.840 --> 0:30:59.920
<v Speaker 4>Why do we remember, like, oh I remember that weird

0:31:00.120 --> 0:31:02.280
<v Speaker 4>Sure there were, but I can't remember my seeing partner.

0:31:05.520 --> 0:31:08.960
<v Speaker 3>So we're back in Billy and Allison's apartment and Allison

0:31:09.080 --> 0:31:11.520
<v Speaker 3>is maniacally telling Billy about her new work plan.

0:31:11.680 --> 0:31:12.840
<v Speaker 1>She's super like this.

0:31:12.960 --> 0:31:14.160
<v Speaker 3>And this and this, and then I'm gonna and then

0:31:14.160 --> 0:31:17.280
<v Speaker 3>I'm gonna that, and finally notices that Billy is upset,

0:31:18.000 --> 0:31:20.560
<v Speaker 3>and he admits that he got demoted after ejecting his boss.

0:31:20.640 --> 0:31:22.680
<v Speaker 3>And just for the record, Allison is now wearing a

0:31:22.760 --> 0:31:26.880
<v Speaker 3>gargantuan white scrunchy like it must have wrapped around her

0:31:27.000 --> 0:31:27.600
<v Speaker 3>seven times.

0:31:28.160 --> 0:31:30.320
<v Speaker 4>It was I don't know what they deal with the

0:31:30.400 --> 0:31:32.040
<v Speaker 4>big scrunchy. They were Gilman.

0:31:32.280 --> 0:31:35.920
<v Speaker 1>That was very, very nineties. So it's very sad that

0:31:36.000 --> 0:31:36.520
<v Speaker 1>he admits that.

0:31:36.600 --> 0:31:38.760
<v Speaker 3>And Allison says we can do something, we can get

0:31:38.760 --> 0:31:41.200
<v Speaker 3>a lawyer, which I was like, oh, she's in like

0:31:41.320 --> 0:31:42.000
<v Speaker 3>marriage mode.

0:31:42.520 --> 0:31:42.920
<v Speaker 1>He is not.

0:31:43.480 --> 0:31:47.240
<v Speaker 3>Sadly there they're lines of crossed. So now we're back

0:31:47.320 --> 0:31:50.400
<v Speaker 3>in Jane and Michael's apartment and Jane, of course, being

0:31:50.480 --> 0:31:53.600
<v Speaker 3>loving and adorable, comes up behind him while he's shaving

0:31:53.680 --> 0:31:55.719
<v Speaker 3>and invites him to lunch at her studio because it's

0:31:55.760 --> 0:31:57.880
<v Speaker 3>his day off, and he says he has to go

0:31:58.080 --> 0:31:58.360
<v Speaker 3>check on.

0:31:58.400 --> 0:31:59.200
<v Speaker 1>Some Patience.

0:32:00.440 --> 0:32:01.800
<v Speaker 2>Always excuses with him.

0:32:01.840 --> 0:32:04.840
<v Speaker 4>There's like blows her off from latent lie. And I

0:32:04.880 --> 0:32:08.560
<v Speaker 4>thought that that shot in the mirror was really lovely,

0:32:08.720 --> 0:32:11.560
<v Speaker 4>like he's he's got a close up. He's shaving his

0:32:11.760 --> 0:32:13.920
<v Speaker 4>own face, which I thought, he's if he has to

0:32:13.960 --> 0:32:15.200
<v Speaker 4>do it over and over again, he's just going to

0:32:15.240 --> 0:32:17.880
<v Speaker 4>shave that same spot for matching, right, because like just

0:32:17.920 --> 0:32:19.520
<v Speaker 4>get the shaving cream right back there and just do

0:32:19.640 --> 0:32:21.480
<v Speaker 4>that again, just the one spot.

0:32:22.240 --> 0:32:23.520
<v Speaker 2>But yeah, but he's shaving.

0:32:26.760 --> 0:32:29.360
<v Speaker 4>She comes up and yeah, I just thought it was

0:32:29.400 --> 0:32:33.840
<v Speaker 4>a cool of her joining him, like off the back mirror,

0:32:33.880 --> 0:32:35.360
<v Speaker 4>and then she turns and joins him in the front.

0:32:35.400 --> 0:32:38.160
<v Speaker 2>But what I thought was he's shaving if it's his

0:32:38.320 --> 0:32:41.640
<v Speaker 2>day off. That's not when men shave. That's when they

0:32:41.720 --> 0:32:43.520
<v Speaker 2>don't shave because they don't have to go in. But

0:32:43.760 --> 0:32:47.280
<v Speaker 2>he is not going to stick around and hang around.

0:32:47.520 --> 0:32:50.760
<v Speaker 2>He's going. Isn't this where he said?

0:32:50.920 --> 0:32:52.560
<v Speaker 4>Yeah, he said he still has to go into work.

0:32:52.960 --> 0:32:57.400
<v Speaker 3>Yeah, And when Gane leaves for work, he immediately calls kimberly.

0:32:57.560 --> 0:33:00.560
<v Speaker 2>Yes, that's what happens. He immediately says, I need to

0:33:00.600 --> 0:33:00.880
<v Speaker 2>see you.

0:33:01.080 --> 0:33:04.440
<v Speaker 1>Yeah. Yeah. And I'm still thinking he's definitely going to

0:33:04.480 --> 0:33:08.720
<v Speaker 1>break it off now. I mean, so, I remember when.

0:33:08.880 --> 0:33:11.080
<v Speaker 5>Josie was on with us and she was like, I

0:33:11.160 --> 0:33:13.760
<v Speaker 5>think she was commenting on how it was frustrating at

0:33:13.800 --> 0:33:16.840
<v Speaker 5>times to keep playing this pushover, you know, that, and

0:33:16.960 --> 0:33:19.240
<v Speaker 5>this is it. This is an episode an example of

0:33:19.320 --> 0:33:22.560
<v Speaker 5>that where you know, he's shaving and I have a

0:33:22.680 --> 0:33:25.320
<v Speaker 5>day off, but I'm gonna look good and leave you.

0:33:25.960 --> 0:33:27.680
<v Speaker 5>And no, I can't have dinner, even though I see

0:33:27.680 --> 0:33:30.440
<v Speaker 5>the candles that you've in the dinner that you've made.

0:33:31.280 --> 0:33:36.600
<v Speaker 2>No, no, no, And she doesn't get mad. E her frustrating.

0:33:36.840 --> 0:33:39.880
<v Speaker 3>She's such a catch, and so I quite eternally patient

0:33:39.960 --> 0:33:44.040
<v Speaker 3>and horny Jane because she's just and she always wants

0:33:44.080 --> 0:33:45.640
<v Speaker 3>and maybe because she can't quite have him.

0:33:45.960 --> 0:33:46.080
<v Speaker 5>Well.

0:33:46.120 --> 0:33:47.680
<v Speaker 4>I also think they're trying to make him a bad

0:33:47.720 --> 0:33:50.000
<v Speaker 4>guy at this point, right, they had decided, oh, he

0:33:50.160 --> 0:33:53.160
<v Speaker 4>needs to turn into Yeah, so he's doing he's doing

0:33:53.240 --> 0:33:55.360
<v Speaker 4>bad guy stuff for sure. Yeah he is.

0:34:00.400 --> 0:34:04.000
<v Speaker 3>So we're back at Escapade magazine and Billy confronts Nancy

0:34:04.160 --> 0:34:06.480
<v Speaker 3>and quits and says, you know, I really thought I could.

0:34:07.040 --> 0:34:09.240
<v Speaker 3>I really loved write I liked it here. I wanted

0:34:09.280 --> 0:34:13.759
<v Speaker 3>to learn from you. And Nancy, who's his boss, does

0:34:13.840 --> 0:34:18.840
<v Speaker 3>a very female thing and admits to her part and apologizes.

0:34:18.920 --> 0:34:22.000
<v Speaker 3>I wrote like a woman, like, I just think that

0:34:22.160 --> 0:34:24.360
<v Speaker 3>that's I can't see a man doing that exactly.

0:34:24.680 --> 0:34:27.239
<v Speaker 4>I wrote down the same note like this scenario with

0:34:27.400 --> 0:34:32.759
<v Speaker 4>the genders reversed would never never happen. You know, You're right,

0:34:33.040 --> 0:34:35.520
<v Speaker 4>I really shouldn't have done that, and I'm embarrassed. Let

0:34:35.600 --> 0:34:38.880
<v Speaker 4>me give you your job back like that may except

0:34:39.080 --> 0:34:42.560
<v Speaker 4>no one ever said, no man ever except for yeah,

0:34:42.600 --> 0:34:46.160
<v Speaker 4>except for Nancy does. And it's great because he totally

0:34:46.200 --> 0:34:48.200
<v Speaker 4>called her out too. He's like, you know, you're this

0:34:48.360 --> 0:34:49.920
<v Speaker 4>was a power play. This was not about me. This

0:34:50.080 --> 0:34:51.560
<v Speaker 4>was just you trying to wield your power. And I

0:34:51.560 --> 0:34:54.799
<v Speaker 4>think that's pathetic. And she goes, you know, you're right

0:34:55.040 --> 0:34:57.319
<v Speaker 4>that stuff like this happened to me, and I guess

0:34:57.320 --> 0:34:59.120
<v Speaker 4>I was just trying to you know, turn the tables,

0:34:59.160 --> 0:35:00.600
<v Speaker 4>and you're right, that sucks.

0:35:01.800 --> 0:35:05.920
<v Speaker 2>It was very you got to see because she was

0:35:06.000 --> 0:35:06.319
<v Speaker 2>a woman.

0:35:06.440 --> 0:35:09.880
<v Speaker 5>You really got to see like, uh, you know what

0:35:10.000 --> 0:35:13.360
<v Speaker 5>it would be like and the truth and just a

0:35:13.480 --> 0:35:17.440
<v Speaker 5>great human conversation between them and having accountability for your actions.

0:35:17.480 --> 0:35:18.800
<v Speaker 5>And she said, you know, I've put up with this

0:35:19.040 --> 0:35:22.560
<v Speaker 5>my whole climb of the ladder, and I just wanted

0:35:22.640 --> 0:35:24.759
<v Speaker 5>to give it a go and see if I could

0:35:24.800 --> 0:35:29.000
<v Speaker 5>do it, you know, take advantage of him. And but

0:35:29.200 --> 0:35:32.040
<v Speaker 5>I'm sorry, and you know, it was just very cool

0:35:32.560 --> 0:35:34.920
<v Speaker 5>to that that it was that the writers.

0:35:34.560 --> 0:35:37.120
<v Speaker 1>Made it a woman so we could see, Yeah, she

0:35:37.239 --> 0:35:38.440
<v Speaker 1>really took responsibility.

0:35:38.840 --> 0:35:39.080
<v Speaker 4>Yeah.

0:35:39.640 --> 0:35:43.920
<v Speaker 3>So now we are back at Kimberly's apartment. She's clearly nervous.

0:35:44.040 --> 0:35:44.799
<v Speaker 3>Michael comes over.

0:35:45.080 --> 0:35:48.920
<v Speaker 1>She offers him a very sexy lunch of tuna fish which.

0:35:49.040 --> 0:35:52.680
<v Speaker 4>Salads was come on and a bottom of line just

0:35:52.719 --> 0:35:59.520
<v Speaker 4>as effort. Yeah, and then well he walks in the

0:35:59.560 --> 0:36:03.520
<v Speaker 4>door and they just immediately start kissing. He can't even

0:36:03.520 --> 0:36:04.520
<v Speaker 4>wait till he's all the way.

0:36:04.360 --> 0:36:06.399
<v Speaker 3>In the door. It was seeing the tuna that made

0:36:06.440 --> 0:36:09.680
<v Speaker 3>him horny. I'm like, what, that's the least sexy lunch

0:36:09.719 --> 0:36:10.359
<v Speaker 3>I've ever seen.

0:36:10.840 --> 0:36:13.560
<v Speaker 5>I don't know, well, what it was romantic I wrote

0:36:13.640 --> 0:36:16.200
<v Speaker 5>down was that she looks all pretty in her hairs

0:36:16.280 --> 0:36:19.000
<v Speaker 5>up kind offul stuft and all that, and she's wearing

0:36:19.080 --> 0:36:21.960
<v Speaker 5>a loose velvet top, which is very sexy back then

0:36:22.080 --> 0:36:25.120
<v Speaker 5>and then he like throws her down right on.

0:36:25.160 --> 0:36:28.440
<v Speaker 4>Top of that tuna, solid on table.

0:36:28.640 --> 0:36:31.120
<v Speaker 2>Like, he doesn't move to the side, he doesn't throw

0:36:31.200 --> 0:36:34.000
<v Speaker 2>her on the bed or the sofa or any other surface.

0:36:34.280 --> 0:36:36.400
<v Speaker 4>We're assuming that they're lying down on top of the

0:36:36.480 --> 0:36:40.000
<v Speaker 4>knee lunch right now. We just set out slowered her

0:36:40.040 --> 0:36:41.960
<v Speaker 4>gently you see the green beats.

0:36:42.040 --> 0:36:47.600
<v Speaker 2>Under her shoulder. Okay, it's so unsexy. It's disgusting, that's

0:36:47.680 --> 0:36:48.120
<v Speaker 2>what it is.

0:36:48.600 --> 0:36:50.279
<v Speaker 4>And I was like, was this one of.

0:36:50.280 --> 0:36:55.400
<v Speaker 5>Those situations where they were somehow inhibited by the set

0:36:55.680 --> 0:36:58.680
<v Speaker 5>or the time and they couldn't like relight over onto

0:36:58.880 --> 0:36:59.960
<v Speaker 5>some other area.

0:37:00.800 --> 0:37:02.759
<v Speaker 3>I think it was supposed to show that they just

0:37:02.880 --> 0:37:05.759
<v Speaker 3>couldn't wait, like you're so hot for each other, yep,

0:37:05.920 --> 0:37:07.759
<v Speaker 3>we're doing it right here, to do it.

0:37:07.920 --> 0:37:10.560
<v Speaker 2>On a salad the frame brought in that salad and

0:37:10.760 --> 0:37:15.360
<v Speaker 2>you're just like, this is so un sexy. You just

0:37:15.600 --> 0:37:16.040
<v Speaker 2>ruined it.

0:37:16.560 --> 0:37:20.520
<v Speaker 4>But it is the episode out. I mean, that is

0:37:20.600 --> 0:37:23.600
<v Speaker 4>the story, right is like this is happening, and it

0:37:23.680 --> 0:37:25.560
<v Speaker 4>has happening right now, and right.

0:37:25.840 --> 0:37:28.640
<v Speaker 3>Still, I'd like to say, I still believe that he

0:37:28.960 --> 0:37:31.719
<v Speaker 3>might just stop and really tell her he's in love

0:37:31.760 --> 0:37:32.160
<v Speaker 3>with Jane.

0:37:33.200 --> 0:37:35.920
<v Speaker 4>I felt that, you want to believe that. It's like

0:37:36.040 --> 0:37:37.160
<v Speaker 4>you weren't ever on the show.

0:37:37.080 --> 0:37:39.359
<v Speaker 1>But you were about her. I feel good about it, Laura.

0:37:39.719 --> 0:37:40.120
<v Speaker 4>I think.

0:37:41.640 --> 0:37:44.400
<v Speaker 5>I think because he grabbed her and threw her up

0:37:44.440 --> 0:37:46.759
<v Speaker 5>onto the table with the salad.

0:37:46.520 --> 0:37:49.880
<v Speaker 2>NISI underneath and on the plates that are about to

0:37:49.960 --> 0:37:55.160
<v Speaker 2>go crunch and crash and gross. I think that maybe

0:37:55.239 --> 0:37:56.080
<v Speaker 2>Jesie has a chance.

0:37:56.160 --> 0:37:56.879
<v Speaker 1>That's all I'm saying.

0:37:57.640 --> 0:38:00.239
<v Speaker 3>Really good about It's really good about it. So that

0:38:00.440 --> 0:38:03.920
<v Speaker 3>was a super good episode, wasn't it. Things are moving now,

0:38:03.960 --> 0:38:07.799
<v Speaker 3>We're really really moving fast into the Melrolle Rosie.

0:38:07.960 --> 0:38:08.879
<v Speaker 1>We know and love.

0:38:09.160 --> 0:38:13.360
<v Speaker 4>Well, we've officially turned that corner with Thomas with Michael,

0:38:13.600 --> 0:38:17.200
<v Speaker 4>making that Michael and Kimberly are have done it.

0:38:17.600 --> 0:38:20.400
<v Speaker 2>There's no going back now, right, So.

0:38:20.520 --> 0:38:22.879
<v Speaker 5>He's now going to have to make choices and maybe,

0:38:23.120 --> 0:38:25.120
<v Speaker 5>you know, grovel to his wife.

0:38:25.200 --> 0:38:27.920
<v Speaker 2>We don't know what's going to happen, but that has happened.

0:38:28.760 --> 0:38:32.200
<v Speaker 5>Yes, Unlike the situation with Billy and the Boss, which

0:38:32.280 --> 0:38:33.840
<v Speaker 5>is so grown up and mature.

0:38:34.239 --> 0:38:37.719
<v Speaker 2>She's like, I take accountability. I'm sorry. That wasn't fair,

0:38:38.040 --> 0:38:40.600
<v Speaker 2>and he's like, you throw it an apology and you

0:38:40.680 --> 0:38:41.120
<v Speaker 2>got a deal.

0:38:41.239 --> 0:38:41.399
<v Speaker 4>Yeah.

0:38:41.400 --> 0:38:42.520
<v Speaker 1>I was like, Billy, don't push it.

0:38:42.560 --> 0:38:44.719
<v Speaker 3>When he said that, I was like, just take your win,

0:38:45.480 --> 0:38:48.920
<v Speaker 3>just take your win and get your Yeah, humiliate.

0:38:48.520 --> 0:38:50.200
<v Speaker 1>Her more, I know. Yeah.

0:38:50.440 --> 0:38:53.040
<v Speaker 4>I mean it's like she was apologizing already and he

0:38:53.600 --> 0:38:55.359
<v Speaker 4>just yeah, yeah.

0:38:55.400 --> 0:38:57.319
<v Speaker 5>But it's really it made me at the same time,

0:38:57.320 --> 0:39:00.279
<v Speaker 5>while I'm watching, does you guys, just feel for all all.

0:39:00.239 --> 0:39:04.040
<v Speaker 6>The situations where it was reversed, you know, where it

0:39:04.200 --> 0:39:07.120
<v Speaker 6>was the guy in the power position, and he just

0:39:08.360 --> 0:39:10.600
<v Speaker 6>hasn't done this, just at least.

0:39:10.480 --> 0:39:14.160
<v Speaker 2>In the stories that we see and hear and live through.

0:39:14.480 --> 0:39:15.480
<v Speaker 1>That's not how it goes.

0:39:16.080 --> 0:39:18.680
<v Speaker 5>Nobody says, nobody takes accountability and go, you know what,

0:39:18.680 --> 0:39:19.400
<v Speaker 5>I shouldn't have done that.

0:39:19.840 --> 0:39:20.640
<v Speaker 1>I had the power.

0:39:21.320 --> 0:39:24.880
<v Speaker 2>I'm older than you I have I'm your boss, you know,

0:39:25.600 --> 0:39:28.040
<v Speaker 2>and here's and here's your sorry.

0:39:28.480 --> 0:39:28.680
<v Speaker 1>Yeah.

0:39:29.880 --> 0:39:35.840
<v Speaker 3>Yeah, So anyway, so great episode, Yeah, super fun and

0:39:36.160 --> 0:39:37.120
<v Speaker 3>back for twenty nine.

0:39:37.360 --> 0:39:40.200
<v Speaker 4>Are you guys resisting the urge to like hit play

0:39:40.360 --> 0:39:42.400
<v Speaker 4>on one more episodes? Like when you watch an episode,

0:39:42.480 --> 0:39:44.040
<v Speaker 4>you're you're turning it off? Right, You're not?

0:39:44.320 --> 0:39:44.520
<v Speaker 1>Yeah?

0:39:44.880 --> 0:39:45.560
<v Speaker 2>A couple of times.

0:39:45.560 --> 0:39:47.040
<v Speaker 1>I really want to find a way to watch the

0:39:47.120 --> 0:39:50.440
<v Speaker 1>last one together. I always do that. Yeah, let's do that.

0:39:50.640 --> 0:39:51.080
<v Speaker 2>We should.

0:39:51.480 --> 0:39:53.440
<v Speaker 1>Yeah, but are we gonna watch it together and take

0:39:53.520 --> 0:39:54.280
<v Speaker 1>our own notes?

0:39:54.960 --> 0:39:58.240
<v Speaker 4>Of course we all have thoughts, right, well.

0:39:58.239 --> 0:39:59.759
<v Speaker 1>Watch you together and not talk to each other?

0:40:00.080 --> 0:40:00.200
<v Speaker 5>Right?

0:40:00.239 --> 0:40:03.719
<v Speaker 4>No, zip it, as Courtney likes to say, don't.

0:40:04.200 --> 0:40:06.000
<v Speaker 1>Save it for the camera. Save it for the camera.

0:40:06.320 --> 0:40:07.759
<v Speaker 2>I don't think we can get it if we're all

0:40:07.800 --> 0:40:08.440
<v Speaker 2>in the same room.

0:40:08.520 --> 0:40:10.279
<v Speaker 5>I think we wouldn't get through any of it. I

0:40:10.320 --> 0:40:13.600
<v Speaker 5>think we would not have an episode for the podcast. Yeah,

0:40:13.840 --> 0:40:15.520
<v Speaker 5>got together to do it, right it.

0:40:15.600 --> 0:40:17.520
<v Speaker 1>I think it's worth trying. The last one will be

0:40:17.560 --> 0:40:18.239
<v Speaker 1>the last one.

0:40:18.680 --> 0:40:21.360
<v Speaker 2>So this is twenty eight, right, so.

0:40:21.400 --> 0:40:23.560
<v Speaker 4>We have twenty nine. We got to get to thirty

0:40:23.640 --> 0:40:25.000
<v Speaker 4>two for the end of the season.

0:40:25.160 --> 0:40:28.319
<v Speaker 1>Yeah, four more, four more recaps and a couple more

0:40:28.400 --> 0:40:31.040
<v Speaker 1>guests and a few more guests. Super exciting.

0:40:31.520 --> 0:40:34.440
<v Speaker 4>I look forward to the next because we know some

0:40:34.640 --> 0:40:35.840
<v Speaker 4>big stuff's going to happen.

0:40:36.080 --> 0:40:37.640
<v Speaker 3>And yeah, because it's going to be the scene when

0:40:37.680 --> 0:40:39.759
<v Speaker 3>Michael tells Kimberly he just can't do it and he

0:40:39.840 --> 0:40:41.160
<v Speaker 3>loves it and he apologizes.

0:40:41.360 --> 0:40:42.279
<v Speaker 1>Pretty sure that's coming on.

0:40:42.400 --> 0:40:46.040
<v Speaker 4>I'm pretty sure. Yeah, sure, that's probably He's probably right

0:40:46.120 --> 0:40:48.160
<v Speaker 4>for it. All right, Well, we'll have to tune in

0:40:48.400 --> 0:40:51.080
<v Speaker 4>on the next recap, Jess, we will, all right, Thanks

0:40:51.120 --> 0:40:52.080
<v Speaker 4>everybody for listening.

0:40:52.440 --> 0:40:54.720
<v Speaker 1>All right, guys, so good to see you as always.

0:40:54.960 --> 0:40:57.279
<v Speaker 1>Always gets go by Hi.

0:41:00.080 --> 0:41:00.160
<v Speaker 5>Yes,