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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphne's Aniga an iHeartRadio podcast.

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Speaker 1: Hi ladies, welcome back to Still the Place.

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Speaker 3: Super excited, always good to see you, so good to

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Speaker 3: see you both. We're on episode twenty eight, which is

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Speaker 3: called Pushing Boundaries, which is a very good title for

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Speaker 3: it at first here in April seventh, nineteen ninety three.

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Speaker 3: So this is back to really sort of classic fun Melrose.

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Speaker 1: We have Allison falling more in.

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Speaker 3: Love with Billy, which is so sweet to see her

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Speaker 3: being vulnerable, but Amanda is torturing her at work and

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Speaker 3: also trying to call Billy on the phone. Alison is

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Speaker 3: erasing the messages. Matt has a date, which is super exciting.

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Speaker 4: Matt has a date.

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Speaker 1: Matt has a date.

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Speaker 3: Michael is being a dick to sweet beautiful Jane and

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Speaker 3: flirting with Kimberly and where the Matt and uncomfortable ways

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Speaker 3: super uncomfortab and Daphne is rubbing Grant's chest all of us,

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Speaker 3: both of us, I said, d as Joe's Daphne's rubbing

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Speaker 3: Grant's chest for us, Joe is rubbing Jake's chest.

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Speaker 1: But you know, the lines blur as.

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Speaker 4: We know, very confusing.

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Speaker 3: So we start off exterior D and D, which you've

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Speaker 3: talked about before, but it was the spelling offices, and

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Speaker 3: Amanda is already being brought to Alison. So I just

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Speaker 3: want to start by saying, Amanda is in this beautiful

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Speaker 3: little fitted sweater and skirt, and.

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Speaker 4: We were going to start with clothes.

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Speaker 3: I'm a linebacker. Why do I look like I'm ready

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Speaker 3: to go on the football field? What can you explain

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Speaker 3: the shoulder pads to me?

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Speaker 4: They were extra large shoulder pads this time.

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Speaker 5: Yes, but I have the note that finally he's in

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Speaker 5: a very tightly belted skirt suit and with a velvet black.

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Speaker 2: Scrunchy and finally, you're not frumpy. So there's that. Well

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Speaker 2: from you, Courtney.

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Speaker 5: May have put in your little double choulder pads that

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Speaker 5: you got online that you told me on the Home

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Speaker 5: Shopping Network the Home Shopping Network, maybe in your trailer

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Speaker 5: you added, but at least you had a shape.

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Speaker 2: It wasn't frumpy and layered.

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Speaker 1: I thought you that's true. It's just still too big

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Speaker 1: what I saw on this.

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Speaker 3: I'm like, wow, Heather knows that address for her body

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Speaker 3: and I have not yet figured it out I have

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Speaker 3: these huge, voluminous tops. Anyway, So Amanda's being mean to

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Speaker 3: Alison about her work and also sort of implying that

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Speaker 3: she wants to talk to Billy. So Allison says that

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Speaker 3: Billy doesn't want to talk to her, and she says,

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Speaker 3: as you know, when you live with a guy, it's

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Speaker 3: easy to read between the lines.

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Speaker 4: I love how like Alison was sort of irritated and

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Speaker 4: put out at the beginning of the conversation, but the

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Speaker 4: minute she saw an opening to start, like, you know,

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Speaker 4: twisting the knife to Amanda, she's smiling. She's like, oh

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Speaker 4: and as you know, like she's like, I have a

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Speaker 4: tactic here, and she's she's.

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Speaker 2: Got a plan.

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Speaker 5: Yeah, she's annoyed because because Amanda already is saying things

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Speaker 5: like I need to see your work now and so

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Speaker 5: slip shot and god, can't you do better, she just

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Speaker 5: you know, opens it and goes through it and uses

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Speaker 5: these scripty words. They were words, but she insult So

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Speaker 5: Alison's like, well, let me just remind you I live

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Speaker 5: with Billy, I know.

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Speaker 3: So we've established that Amanda is mean to Alison, and

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Speaker 3: Alison has a crush on Billy, which is adorable and

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Speaker 3: then we go to Escapade magazine, where Billy's co worker

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Speaker 3: has reported him for lying on his resume.

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Speaker 4: About going to Columbia, about going to Columbia.

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Speaker 3: He's totally you know, and instead of firing him, his

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Speaker 3: boss gives him a chance to cover a story.

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Speaker 1: And can you guys explain this to me? His boss

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Speaker 1: is playing with.

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Speaker 4: This like yeah, like.

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Speaker 1: Pink ball.

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Speaker 3: It was.

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Speaker 4: It was a strange I mean, she's like the sophisticated

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Speaker 4: head of the magazine, right, and she's squishing this pink

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Speaker 4: fuzzy thing in her hand for the entire scene.

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Speaker 1: We all notice, but we didn't have those then.

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Speaker 4: No, it's never explained or like Billy doesn't even go,

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Speaker 4: what are you doing?

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Speaker 1: You have a big bu.

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Speaker 2: Oh, well yeah that makes sense the rest of the show. Yeah,

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Speaker 2: well maybe she slater, that makes sense, but she's thinking exactly.

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Speaker 5: Instead of getting mad of her brand new employee lying,

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Speaker 5: she gives him a promotion.

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Speaker 3: Yeah, which is a happy surprise for Billy and a

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Speaker 3: big surprise for us. So after Billy's promotion, we go

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Speaker 3: to the hospital where Michael and Kimberly are flirting so

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Speaker 3: overtly not subtle, not subtle about her hidden tattoo, and

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Speaker 3: he's guessing where it is, and we basically have it

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Speaker 3: somewhere in her nether regions, Like all we know is

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Speaker 3: that it's somewhere in.

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Speaker 2: The shoulders and the ankles, and really no.

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Speaker 3: It's somewhere her underpants hide, right, because that's what she's

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Speaker 3: made clear.

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Speaker 4: Well, but she also does a little like drippy, you know,

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Speaker 4: like takes her scrubs off of one shoulder, like is

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Speaker 4: it here? Peekaboo, Like she's totally is.

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Speaker 2: It in my ankle?

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Speaker 5: And she lives her scrubs pants and you see her

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Speaker 5: scrunchy socks and rebox remember those white rebox with the white.

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Speaker 1: Socks, And then she dances over to sit next to him.

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Speaker 4: Yeah, super game all and totally yeah, totally.

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Speaker 3: Overt, Yes, super overt. There's nothing subtle about it. So

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Speaker 3: at this point, I'm still kind of hoping that Michael

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Speaker 3: is going to hold off because of our beautiful Jane

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Speaker 3: slash dear friend Josie. And I'm already annoyed, but so

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Speaker 3: fingers crossed he's gonna be able to keep it in

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Speaker 3: his pants.

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Speaker 1: Yeah.

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Speaker 3: So then we end up at Shooters right, which is

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Speaker 3: the only restaurant in town. I think of his self.

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Speaker 1: It's the main restaurant, for sure, it's the main restaurant.

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Speaker 1: Everyone knows Matt or having drinks and this.

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Speaker 3: Very cute guy approaches him. Ronda thinks it's for her, but.

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Speaker 4: It's Brian McNamara and he's a very you know, handsome,

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Speaker 4: charming guy and yeah, and Rnonda assumes, but no, he's

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Speaker 4: got his eyes from Matt.

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Speaker 1: Yeah, and he was a lawyer on Matt's case.

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Speaker 4: Wrongful termination suit. He was at the firm, but not

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Speaker 4: actually on that case because he's in we'll learn later

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Speaker 4: that he's in a different department.

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Speaker 3: Yeah, which is a nice way too. I thought it

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Speaker 3: was a subtle way to say. So he knows Matt's gay,

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Speaker 3: so we know he's like they make it really clear

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Speaker 3: he's hitting and him. He gives him his card and

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Speaker 3: Matt says, I don't need a lawyer, and he goes,

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Speaker 3: how about for dinner?

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Speaker 1: Right? That's pretty smiid didn't he think? Yeah?

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Speaker 3: It was?

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Speaker 4: It was the uh And it was also really cute,

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Speaker 4: just like to call Ronda out that she was making

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Speaker 4: the assumption like, Oh, the guy's looking over here, he

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Speaker 4: must be looking at me. Nope, I'm looking at Matt.

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Speaker 4: I know, it was a cute way to have that scene.

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Speaker 1: I was so happy he got a date. So we're

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Speaker 1: all super excited.

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Speaker 3: And then we're back at Billy and Allison's apartment where

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Speaker 3: Alison is erasing a message from Amanda and Billy walks

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Speaker 3: in just as she's doing it and tells her that

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Speaker 3: he's writing about a dog wedding.

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Speaker 4: Which but he's happy because he's writing.

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Speaker 1: That sounds like a great article.

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Speaker 4: I actually thought of you. When I saw that, I

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Speaker 4: was like, oh my gosh, Corney missed me. So thrilled

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Speaker 4: she missed me.

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Speaker 1: Yang they're making fun of it because perfect sense.

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Speaker 5: We get excited that before the scene before when the

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Speaker 5: boss says, well, I have something for you to write

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Speaker 5: about a wedding, you know, and uh, you're the audience goes,

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Speaker 5: oh yay, you know, and then he's like a dog wedding.

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Speaker 4: He's like, what it's It's cute because he's like, I

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Speaker 4: know it's a puff piece and she's just like given

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Speaker 4: me this like promotion sort of whatever, but at least

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Speaker 4: it's writing and I'm gonna make the best durned puff

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Speaker 4: piece I can. And you know, he's just like, I'll

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Speaker 4: show her.

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Speaker 1: I'm just gonna did you notice the angle?

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Speaker 3: So we're kind of behind Alison with her gargantuan scrunchheet,

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Speaker 3: which Daphney pointed out, and Billy is walking down and

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Speaker 3: Andrew's gone on the cutest faded jeans. It must be

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Speaker 3: when he started bringing his own clothes and he could

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Speaker 3: not look cute, and Allison looks completely flustered. I put

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Speaker 3: Allison looks very amused and horny in her scrunch She's like,

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Speaker 3: oh dog Weddy, Oh my goodness.

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Speaker 4: Like, I don't know, I didn't get horny. I really

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Speaker 4: I didn't get that. I think you might be projected.

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Speaker 4: We might have some recollection of I don't know.

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Speaker 2: Just like there probably was some. There probably was some

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Speaker 2: because behind the scenes we know, y'all what was going

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Speaker 2: on before.

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Speaker 1: There are my favorite genes of his that I'm having

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Speaker 1: a sense memory.

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Speaker 4: But wait, you're back. Did you see that he started

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Speaker 4: bringing his own clothes.

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Speaker 3: Well, when he's wearing their clothes, he's got on huge

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Speaker 3: pleated khakis and huge shirts. He had on these really

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Speaker 3: cute faded jeans which must have must have been his.

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Speaker 4: You're assuming they're hit.

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Speaker 2: Oh interesting, what about you? Corney?

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Speaker 5: Because you were some like they look like just regular

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Speaker 5: Levi's that were well worn.

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Speaker 1: Those were mine. Yeah, those, Yeah, that's what I thought.

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Speaker 2: You can tell, you know, when people wear their own jeans.

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Speaker 1: Maybe John I was sharing the same pair of jeans.

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Speaker 1: Maybe maybe that.

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Speaker 5: Happens often though with wardrobe people. They'll, you know, they'll

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Speaker 5: say if you have a comfortable pair of jeans, it

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Speaker 5: helps them too, because it makes it look real.

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Speaker 4: And jeans are nearly impossible.

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Speaker 2: Yeah, there's just so many. It happens pretty often.

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Speaker 1: They'll say, yeah, I still have those genes.

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Speaker 2: Oh really, Yeah, it must be well worn.

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Speaker 1: This is thirty five years ago. Yeah, I got the

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Speaker 1: five oh ones.

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Speaker 2: They're back.

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Speaker 1: They're back in. They're back in.

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Speaker 5: I know.

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Speaker 3: So now we go back to Escapade magazine and Billy's

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Speaker 3: boss likes his article and shows it by walking around

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Speaker 3: his chair and touching his shoulders. She gives him a promotion.

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Speaker 3: He says, they don't know how to thank you, and

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Speaker 3: she says, we'll think of something.

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Speaker 2: Yes, Billy goes great.

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Speaker 5: Thanks makes that reminds me of like this episode is

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Speaker 5: two women making the moves and being very strong with

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Speaker 5: the men. So you have Kimberly doing it too, Michael,

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Speaker 5: And I'm very much this boss doing this to Billy,

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Speaker 5: and also Amanda's coming up to Billy too, and Amanda,

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Speaker 5: but not in this way. This like this boss you

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Speaker 5: know often is switched around, but you know the gender.

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Speaker 5: That's usually the male boss doing it to the young

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Speaker 5: you know, underling female.

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Speaker 4: But anyway, I thought we're neither one of them belong.

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Speaker 2: Well, yeah, exactly, we'll follow it through and see you right.

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Speaker 3: And it's a show of aggressive women speaking of We're

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Speaker 3: back at D and D and Amanda is is torturing Allison.

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Speaker 3: She tells us the Handsbacker report, and she says the

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Speaker 3: descriptions are trite, the goals of the campaign are ill defined,

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Speaker 3: and the conclusions read like wishful thinking. Honestly, Allison, I

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Speaker 3: don't mean to be harsh, but your work is still

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Speaker 3: on aut to the level it was before you were

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Speaker 3: chasing your boyfriend all over the country.

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Speaker 1: Again, she didn't mean to be harsh, No, she meant

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Speaker 1: to be kind. She just meant to exaggerate. She's trying

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Speaker 1: to help, trying to help you.

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Speaker 4: She was just trying to be specific.

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Speaker 3: So then Billy calls to tell Alison about his promotion

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Speaker 3: and you see Amanda listening to the conversation about where

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Speaker 3: they're going to meet for dinner, right yeap where they're

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Speaker 3: all going to meet, And.

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Speaker 5: We all knew it was going to happen because so

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Speaker 5: the whole building now is going to go out and

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Speaker 5: celebrate for Billy Billy's.

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Speaker 1: Success, which which is super cute all together a scene.

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Speaker 2: So that's the next scene.

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Speaker 5: And I was going to ask, you, guys, do you

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Speaker 5: remember where we shot that scene where the whole building

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Speaker 5: is out to dinner on an outside patio? I don't

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Speaker 5: do you No, I was trying to remember where we

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Speaker 5: would you know, usually its scenes where there's just a date,

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Speaker 5: you know, a couple or maybe a double date somewhere,

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Speaker 5: but that was I don't know.

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Speaker 2: Was it a place out there?

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Speaker 4: Did Marie calendar we have an outdoor patio?

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Speaker 1: It actually did?

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Speaker 4: They actually did?

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Speaker 1: It could have been, could have been.

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Speaker 4: I don't remember Hamlet too. Didn't we shoot at Hamburger Hamlets?

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Speaker 3: Although yeah, that we would, but they we walk on

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Speaker 3: the street after dinner, so we actually went into the town.

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Speaker 2: Maybe very I was just wondering if you guys remember, Gosh,

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Speaker 2: I wish I remembered.

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Speaker 1: I don't but I love all being together.

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Speaker 3: So at the dinner, Billy is sharing his really heartfelt

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Speaker 3: thanks and Michael is just being a complete dick about it.

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Speaker 3: And when Amanda shows up and says, I've been leaving

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Speaker 3: you messages?

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Speaker 1: Did you get them?

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Speaker 3: And Billy covers for Alison, God bless him and says

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Speaker 3: the machines on the fritz, and then Michael says, Michael says,

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Speaker 3: if I were you, I'd get my machine fixed because

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Speaker 3: you don't want to miss her car.

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Speaker 1: We're very annoyed.

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Speaker 5: Yeah, yeah, because well he's just implying you don't want

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Speaker 5: to miss the calls from Amanda.

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Speaker 2: I know, babe, but.

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Speaker 4: He's just very like smug and smarmy a little bit.

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Speaker 1: And yeah, he's being.

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Speaker 3: Gross in this scene, which he continues as he's walking

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Speaker 3: with the guys and saying shitty things about marriage about

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Speaker 3: the saying to the guys, follow.

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Speaker 1: Your libido while you can, and yeah, comes when you're married.

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Speaker 1: He goes, nothing, come on.

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Speaker 4: So he's on the stage and.

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Speaker 5: Then we have a little walk away with a little

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Speaker 5: walk walk and talk as they call them in the

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Speaker 5: biz with Alison and Joe and she confess as well,

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Speaker 5: I erased all the messages from Amanda that she's been

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Speaker 5: leaving for Billy, and then I think.

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Speaker 2: I like approve that, don't I.

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Speaker 1: Well, everyone's kind of saying at this point, why don't

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Speaker 1: you guys just go out already?

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Speaker 3: Like, yeah, it's clear, even the cast is yeah, like

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Speaker 3: the audiences, Yeah, I.

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Speaker 4: Know, the guys and the girls are like, why aren't

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Speaker 4: you just like making Yeah?

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Speaker 1: Yeah, you know.

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Speaker 3: Everybody's so tired of the will they won't they? Back

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Speaker 3: and forth, So we go afterwards, we're back in Joe.

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Speaker 3: I hope it's Joe's apartment. We don't know, but you're

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Speaker 3: on pink satin sheets, so I'm hoping those aren't Jakes.

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Speaker 4: It's definitely Joe's apartment because it's pink satin sheets, pink satin.

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Speaker 2: How we're deciding that now, remember what, it's not Jake's.

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Speaker 4: We've seen them before. Yeah, he has some sort of

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Speaker 4: you know, navy plaid, but you definitely have pink satin.

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Speaker 1: Yeah, so these are pink satin.

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Speaker 3: And Joe is rubbing Jake's chest for America, and he's

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Speaker 3: talking about Michael flirting outside of his marriage, and you

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Speaker 3: said something that I thought was really interesting, you as

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Speaker 3: Joe dath and you said, it seems to me that

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Speaker 3: you and I were lovers way before we actually did it.

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Speaker 1: And it was funny because I saw you trying to make.

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Speaker 3: We did it work because I'm like, obviously you're like

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Speaker 3: we like you have to do exact words like what

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Speaker 3: I really, as a grown woman say, did.

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Speaker 4: It like you said it kind of like cute? Like

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Speaker 4: you made it kind of cute, you made it work.

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Speaker 1: But I could see like how you had to make

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Speaker 1: it work.

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Speaker 5: And also I thought it was a little confusing because

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Speaker 5: doesn't the word we were lovers mean we were making love,

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Speaker 5: meaning we were having sex.

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Speaker 4: She felished by we were lovers before we.

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Speaker 1: Did it, so it should have been before we physically

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Speaker 1: made love.

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Speaker 3: Yeah, he's saying that you guys were in love when

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Speaker 3: you were in love with each other before you had sex.

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Speaker 3: So if Michael's flirting with somebody, that's an emotional affair.

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Speaker 1: That's what I think from it.

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Speaker 4: It's just an example of like a line that isn't

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Speaker 4: really like right, and you were just on going. I

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Speaker 4: guess I just got to make this where because I

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Speaker 4: can't change it right. And it's like it sounded it

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Speaker 4: was like fine on paper or whatever it seemed to

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Speaker 4: find on paper until somebody's trying to say it and wing, wait,

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Speaker 4: yeah out loud is a whole different thing than yeah yeah.

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Speaker 3: But you made it work, you made it playful, which

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Speaker 3: is sweet. And then you guys, and then she went

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Speaker 3: back to rubbing slide off the sheets. I don't know

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Speaker 3: how because they were very pink and very shine.

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Speaker 5: You just clung to his chest, on to his six

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Speaker 5: packs so she wouldn't slide off those sheets like a ladder.

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Speaker 1: You just hang on.

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Speaker 5: Yeah.

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Speaker 3: So then we're back in Billie's room and Alison enters,

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Speaker 3: dare we stay without pants?

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Speaker 4: Well? I lowered the shot started because it's on her

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Speaker 4: bare feet on the floor at a closed door and

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Speaker 4: you can tell it's a bedroom, and she's like, so

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Speaker 4: it's a little bit like teasing what is this moment

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Speaker 4: going to be? And then panding up, we find she's

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Speaker 4: in this giant T shirt.

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Speaker 2: But you're right, giant men's men's sports.

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Speaker 5: You know what made me think of made me think

349
00:16:00,320 --> 00:16:03,280
Speaker 5: of that was that looked like a Dartmouth the Dartmouth

350
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Speaker 5: green soccer.

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Speaker 1: That's what I thought.

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00:16:05,560 --> 00:16:07,320
Speaker 2: No, was she borrowing that from home?

353
00:16:07,440 --> 00:16:07,600
Speaker 5: Too?

354
00:16:07,760 --> 00:16:14,600
Speaker 2: Did she bring that from Andrew's closet blurring Blurring TV.

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Speaker 1: That's a really good point.

356
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Speaker 3: But it did look really kind of post coital, which

357
00:16:18,960 --> 00:16:20,680
Speaker 3: I know it wasn't, but I know that was intentional.

358
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Speaker 2: It was c yeah, and sexy.

359
00:16:22,880 --> 00:16:23,640
Speaker 4: You're super cudy.

360
00:16:23,880 --> 00:16:24,800
Speaker 1: It was really sexy.

361
00:16:24,920 --> 00:16:28,080
Speaker 3: And Alison admits that she's been erasing messages, and I

362
00:16:28,120 --> 00:16:30,280
Speaker 3: thought it was really sweet to see her so vulnerable,

363
00:16:30,360 --> 00:16:32,560
Speaker 3: like the table has turned, and she whether she knows

364
00:16:32,600 --> 00:16:35,320
Speaker 3: it or not, it's obvious to us that she's having

365
00:16:35,360 --> 00:16:36,120
Speaker 3: really strong.

366
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Speaker 1: Feelings for Billy.

367
00:16:37,080 --> 00:16:40,720
Speaker 3: Yeah, and he's the one sort of playing it cooy

368
00:16:40,760 --> 00:16:42,840
Speaker 3: because his boss is after him, a man is after him.

369
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Speaker 3: Alison is just one more I must have all seen

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Speaker 3: those genes that must have it.

371
00:16:48,080 --> 00:16:48,720
Speaker 4: I think that was it.

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Speaker 2: It's so cute how he plays it.

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Speaker 5: He's just like sitting back and watching her squirm and

374
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Speaker 5: kind of justify.

375
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Speaker 1: It's just like, uh huh, yeah, you lied, well.

376
00:17:00,640 --> 00:17:02,800
Speaker 2: Like, okay, what are you really saying?

377
00:17:02,920 --> 00:17:05,080
Speaker 5: He's just staring at her and I'm just going like,

378
00:17:05,520 --> 00:17:07,920
Speaker 5: are those the actors or are those the characters?

379
00:17:08,200 --> 00:17:08,400
Speaker 1: Yeah?

380
00:17:08,520 --> 00:17:10,520
Speaker 3: It was such a shift though, right because normally he's

381
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Speaker 3: sort of goofy and Alison's rude for some reason, and

382
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Speaker 3: now he's so cool and she's so vulnerable.

383
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Speaker 1: I thought it was really sweet. I like this turn.

384
00:17:19,040 --> 00:17:22,119
Speaker 3: So then back in the Escapade offices, I think, I

385
00:17:22,200 --> 00:17:24,000
Speaker 3: don't know, maybe this is the one you're thinking of, Laura.

386
00:17:24,119 --> 00:17:26,920
Speaker 3: So Alison arrives for lunch. So she asked them to

387
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Speaker 3: lunch in the previous scene. And she arrives for lunch

388
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Speaker 3: in a really weird orange suit.

389
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Speaker 4: It was like apricot color. And I will say that

390
00:17:34,520 --> 00:17:37,280
Speaker 4: I think they are on me the same shoulder pads

391
00:17:37,440 --> 00:17:40,440
Speaker 4: I noticed were it was very shouldery.

392
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Speaker 3: And also off the shoulder, so how I yeah, yeah, yeah,

393
00:17:44,160 --> 00:17:45,439
Speaker 3: that was off the shoulder, off.

394
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Speaker 1: The shoulder, so really weird. But whatever.

395
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Speaker 3: So she shows up and she and the Billy and

396
00:17:52,560 --> 00:17:56,240
Speaker 3: his boss are in the conference room and she is

397
00:17:56,440 --> 00:17:58,240
Speaker 3: really being super flirty with him, and.

398
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Speaker 5: The blinds are open, so when you come to like

399
00:18:03,320 --> 00:18:05,680
Speaker 5: you could just see her with her short skirts sitting

400
00:18:05,720 --> 00:18:09,400
Speaker 5: on a desk flirting with Billy talking about business.

401
00:18:09,920 --> 00:18:12,879
Speaker 4: Yeah, she's draped herself on the conference table for all

402
00:18:12,920 --> 00:18:15,240
Speaker 4: the office to see because she's left the blinds open,

403
00:18:15,280 --> 00:18:18,720
Speaker 4: and they're watching. Alison and Cameron are watching through the window,

404
00:18:18,760 --> 00:18:20,240
Speaker 4: and he's like, hey, are you the girlfriend?

405
00:18:21,480 --> 00:18:25,480
Speaker 3: Yeah, we're super inappropriate, And Alison makes her feelings known

406
00:18:25,520 --> 00:18:28,399
Speaker 3: as they're walking in the park, and then Billy says,

407
00:18:28,840 --> 00:18:31,399
Speaker 3: very clearly, what's going on with you anyway? Every time

408
00:18:31,440 --> 00:18:33,560
Speaker 3: I'm around a female lately, you're freaking out.

409
00:18:33,920 --> 00:18:36,800
Speaker 2: Yeah, I could possibly be going on.

410
00:18:37,240 --> 00:18:39,800
Speaker 3: What could possibly As Alison handles it really well and

411
00:18:39,880 --> 00:18:45,320
Speaker 3: walks away, she just, you know, super directing call.

412
00:18:45,440 --> 00:18:47,200
Speaker 5: And then he throws out the rest of his apple

413
00:18:47,359 --> 00:18:49,600
Speaker 5: or something in a trash bin that's right there in

414
00:18:49,680 --> 00:18:52,520
Speaker 5: the middle of the path, like in the middle.

415
00:18:53,040 --> 00:18:55,639
Speaker 2: Like when you're in a park, trash bins are not

416
00:18:55,800 --> 00:18:58,000
Speaker 2: in the middle of the walkway. The trash bins at

417
00:18:58,040 --> 00:19:00,159
Speaker 2: the side in a corner near a fountain. And then

418
00:19:00,240 --> 00:19:01,879
Speaker 2: I don't know, but it's never in the middle of

419
00:19:01,960 --> 00:19:04,040
Speaker 2: where people are walking. It was so weird.

420
00:19:04,960 --> 00:19:06,760
Speaker 3: Maybe they weren't allowed to put it on the grass

421
00:19:06,880 --> 00:19:09,359
Speaker 3: or something, but it was so awkwardly. I thought this, like,

422
00:19:09,440 --> 00:19:11,200
Speaker 3: you can't take a step and throw it away.

423
00:19:11,240 --> 00:19:13,240
Speaker 1: It was literally right in front of him.

424
00:19:13,720 --> 00:19:16,879
Speaker 5: I mean, you can catch these in film and TV.

425
00:19:17,080 --> 00:19:18,840
Speaker 5: You know, when you have to go fast, you see

426
00:19:18,880 --> 00:19:20,840
Speaker 5: these little weird things.

427
00:19:20,600 --> 00:19:23,000
Speaker 2: That just would never happen, just so that.

428
00:19:23,119 --> 00:19:27,000
Speaker 1: Yeah, this one was really obvious, prop can it?

429
00:19:27,480 --> 00:19:27,680
Speaker 4: Yeah?

430
00:19:28,080 --> 00:19:30,439
Speaker 3: Yeah, it was super funny. So now we're back at

431
00:19:30,480 --> 00:19:34,360
Speaker 3: the hospital and Kimberly's complaining about her boyfriend, and then

432
00:19:34,760 --> 00:19:38,520
Speaker 3: she makes an abrupt shift and admits that she was

433
00:19:38,640 --> 00:19:42,399
Speaker 3: crying the night before because she's quote falling for a

434
00:19:42,480 --> 00:19:44,760
Speaker 3: wonderful friend of hers that she can never have.

435
00:19:46,160 --> 00:19:49,280
Speaker 1: And then Michael says does he know? And she had

436
00:19:49,359 --> 00:19:50,960
Speaker 1: and says he does.

437
00:19:51,160 --> 00:19:58,280
Speaker 4: Now, Well, this is another scene of like Marsha just

438
00:19:59,040 --> 00:20:02,600
Speaker 4: killing it. I mean, like she is so good at

439
00:20:02,680 --> 00:20:09,200
Speaker 4: these moments and like milking every like nuance out of it.

440
00:20:09,400 --> 00:20:11,840
Speaker 4: I mean, I think if I think about the words

441
00:20:11,880 --> 00:20:14,520
Speaker 4: on paper, it wouldn't have been that dynamic. But I

442
00:20:14,600 --> 00:20:18,000
Speaker 4: think Marcia is so good, Like she really makes these

443
00:20:18,160 --> 00:20:21,359
Speaker 4: scenes electric. I mean, even though we as the audience

444
00:20:21,960 --> 00:20:25,680
Speaker 4: are rooting for Thomas or Michael to you know, be

445
00:20:25,840 --> 00:20:28,639
Speaker 4: true to his wife whatever, the chemistry between them is

446
00:20:28,960 --> 00:20:31,440
Speaker 4: absolutely undeniable too. And I think the scenes are just

447
00:20:31,600 --> 00:20:35,200
Speaker 4: electric between them because I think Marcia is just so

448
00:20:35,560 --> 00:20:38,040
Speaker 4: on fire and they really back worked it out.

449
00:20:38,840 --> 00:20:40,320
Speaker 2: They really worked it out they too.

450
00:20:40,440 --> 00:20:42,879
Speaker 5: That you can tell also because I've heard stories now

451
00:20:43,200 --> 00:20:46,600
Speaker 5: of how much fun they had together as actors, you know,

452
00:20:46,800 --> 00:20:49,840
Speaker 5: so like even their physicality is very you can tell

453
00:20:49,840 --> 00:20:50,359
Speaker 5: they're playing.

454
00:20:50,560 --> 00:20:53,720
Speaker 1: They're fun. Yeah, she really goes for it.

455
00:20:53,880 --> 00:20:56,520
Speaker 3: And even though we're mad at her that moment when

456
00:20:56,560 --> 00:20:58,159
Speaker 3: she's talking, you can't you feel for her in that

457
00:20:58,280 --> 00:21:00,840
Speaker 3: moment when she says, I was crying over a dear friend.

458
00:21:00,880 --> 00:21:02,119
Speaker 1: Do I'm in love with you?

459
00:21:02,200 --> 00:21:02,240
Speaker 5: Go?

460
00:21:02,400 --> 00:21:02,640
Speaker 1: Really?

461
00:21:02,680 --> 00:21:02,840
Speaker 5: Who?

462
00:21:02,920 --> 00:21:04,000
Speaker 1: And they're oh, man.

463
00:21:06,240 --> 00:21:11,360
Speaker 4: Kane's husband, come on, yeah, and he's so he manages

464
00:21:11,440 --> 00:21:13,680
Speaker 4: to sort of deflect and like get himself out of it,

465
00:21:13,840 --> 00:21:17,879
Speaker 4: like uh, and and he leave right the end of

466
00:21:17,880 --> 00:21:18,120
Speaker 4: the day.

467
00:21:18,200 --> 00:21:19,959
Speaker 1: She leaves and he's looking after her.

468
00:21:20,160 --> 00:21:20,360
Speaker 4: Yeah.

469
00:21:21,400 --> 00:21:25,679
Speaker 3: Yeah, it's very intense, and he looks actually kind of befuddled,

470
00:21:25,760 --> 00:21:27,720
Speaker 3: which is something we don't see Michael.

471
00:21:27,480 --> 00:21:31,159
Speaker 1: Look very right. He's conflicted, but confused and overwhelmed.

472
00:21:31,200 --> 00:21:33,719
Speaker 2: It's because this has built up.

473
00:21:33,920 --> 00:21:36,479
Speaker 5: It's been weeks now, and you know, we've seen him

474
00:21:36,480 --> 00:21:38,280
Speaker 5: in scenes and it's kind of building up, and he

475
00:21:38,440 --> 00:21:42,880
Speaker 5: knows it's coming to it's getting too hard to turn back.

476
00:21:43,119 --> 00:21:45,680
Speaker 5: I mean what she's confessing, there's a tattoo on me

477
00:21:45,800 --> 00:21:50,639
Speaker 5: somewhere and I'm you know, wanting you. And they're sitting

478
00:21:50,680 --> 00:21:54,440
Speaker 5: together on this bunk bed eating sandwiches, and right his

479
00:21:54,640 --> 00:21:55,840
Speaker 5: intimacy is really growing.

480
00:21:56,000 --> 00:21:58,840
Speaker 2: So he's like, oh God, is this really happening.

481
00:21:58,960 --> 00:22:02,440
Speaker 4: Yeah, he's leaning in just enough that, you know, it

482
00:22:02,560 --> 00:22:05,440
Speaker 4: allows her to continue to do it. He hasn't said no,

483
00:22:05,640 --> 00:22:07,400
Speaker 4: he hasn't he hasn't given her the hand.

484
00:22:07,920 --> 00:22:09,920
Speaker 3: Yeah, but I'm still holding out hope because he also

485
00:22:10,000 --> 00:22:10,920
Speaker 3: hasn't said yes.

486
00:22:12,160 --> 00:22:15,440
Speaker 2: That's so cool, that's cute.

487
00:22:15,960 --> 00:22:16,240
Speaker 5: Thank you.

488
00:22:17,840 --> 00:22:20,719
Speaker 3: So now we're back. We're at the in the courtyard

489
00:22:20,760 --> 00:22:23,200
Speaker 3: of the apartment. Matt is excited about his date. Billy

490
00:22:23,240 --> 00:22:26,920
Speaker 3: crosses to his apartment where Alison is making dinner. She's

491
00:22:27,040 --> 00:22:30,399
Speaker 3: nervous and excited and she's trying to make him this dinner.

492
00:22:30,480 --> 00:22:32,879
Speaker 3: She's talking a mile a minute because she's all excited,

493
00:22:32,920 --> 00:22:34,920
Speaker 3: and she wants to apologize for saying the thing about

494
00:22:34,960 --> 00:22:37,560
Speaker 3: his boss, and they're really having She really wants to

495
00:22:38,200 --> 00:22:39,639
Speaker 3: cook dinner for him, and he just.

496
00:22:39,720 --> 00:22:40,719
Speaker 1: Gets up and leaves.

497
00:22:41,320 --> 00:22:45,240
Speaker 4: He's got to go to work. Yeah, it isn't that sad, summer.

498
00:22:46,680 --> 00:22:50,800
Speaker 2: I know, lose, you lose, Alison. You waited too long

499
00:22:50,880 --> 00:22:53,399
Speaker 2: and now you're only doing it. Didn't like her shirt,

500
00:22:53,520 --> 00:22:55,639
Speaker 2: and now you're only doing it. Because these women are

501
00:22:55,720 --> 00:22:59,359
Speaker 2: clearly coming after him. Your little your your roommate who

502
00:22:59,440 --> 00:23:03,440
Speaker 2: you like, are so not into for some reason, suddenly

503
00:23:03,520 --> 00:23:06,240
Speaker 2: you are and it might be too late, you're putting.

504
00:23:06,320 --> 00:23:08,440
Speaker 1: I can't even tell if Allison is aware of it.

505
00:23:08,560 --> 00:23:10,560
Speaker 1: We're aware of it. I don't know if she's aware.

506
00:23:10,320 --> 00:23:12,440
Speaker 5: Of it, but she oh, I think she's Oh yeah,

507
00:23:12,520 --> 00:23:15,440
Speaker 5: that's a good question. Maybe it's just her subconscious like

508
00:23:15,440 --> 00:23:19,600
Speaker 5: because you can see her, you know, yeah, acting like

509
00:23:19,720 --> 00:23:20,440
Speaker 5: she's aware of it.

510
00:23:20,600 --> 00:23:21,520
Speaker 2: But maybe she's not.

511
00:23:21,720 --> 00:23:22,840
Speaker 1: Yeah, I don't know.

512
00:23:23,520 --> 00:23:25,760
Speaker 2: I think she's aware of it. She's e racing. I

513
00:23:25,800 --> 00:23:27,680
Speaker 2: think she's aware of it. She's aware of it.

514
00:23:28,040 --> 00:23:29,760
Speaker 4: I just have to ask a real life question here,

515
00:23:29,800 --> 00:23:31,560
Speaker 4: though you guys are still dating in real life at

516
00:23:31,560 --> 00:23:35,240
Speaker 4: this point in the show. Yeah, okay, yeah's clarifying thought.

517
00:23:35,320 --> 00:23:38,120
Speaker 4: So I just wanted to make sure, Yeah, what's going

518
00:23:38,160 --> 00:23:40,800
Speaker 4: on behind the scenes, Okay, I just want.

519
00:23:40,720 --> 00:23:42,280
Speaker 2: To get clear of here.

520
00:23:42,600 --> 00:23:44,440
Speaker 1: Yeah, that's why we're sharing apparently.

521
00:23:45,480 --> 00:23:48,320
Speaker 3: So now we're back at the hospital, it's nighttime, Kimberly's

522
00:23:48,400 --> 00:23:50,359
Speaker 3: going to a car and Michael catches up to her,

523
00:23:51,480 --> 00:23:53,880
Speaker 3: and I think he's catching up to her to break

524
00:23:53,960 --> 00:23:54,280
Speaker 3: it off.

525
00:23:54,480 --> 00:23:55,960
Speaker 1: What did you ladies think was happening.

526
00:23:57,800 --> 00:23:59,480
Speaker 4: I don't know I was. I was just filled with

527
00:23:59,560 --> 00:24:02,560
Speaker 4: inevitable ability and sort of dread, like, oh yeah, there's

528
00:24:03,320 --> 00:24:07,880
Speaker 4: I mean, all we also know where it goes, so like, oh,

529
00:24:08,119 --> 00:24:11,760
Speaker 4: of course, couldn't really fool myself here on what was

530
00:24:11,760 --> 00:24:12,240
Speaker 4: going to happen.

531
00:24:12,760 --> 00:24:15,200
Speaker 3: Yeah, she feels embarrassed and she's like, just you know,

532
00:24:15,480 --> 00:24:18,359
Speaker 3: don't mess with me all this stuff, and then he

533
00:24:18,520 --> 00:24:19,800
Speaker 3: grabs her and kisses her.

534
00:24:20,000 --> 00:24:20,200
Speaker 2: Yeah.

535
00:24:20,680 --> 00:24:24,320
Speaker 1: Now is this is the hospital parking lot? Yeah? Well

536
00:24:24,600 --> 00:24:26,320
Speaker 1: do they think people can't see out.

537
00:24:26,160 --> 00:24:28,560
Speaker 3: Of the thousand windows or walking by there right outside

538
00:24:28,600 --> 00:24:29,520
Speaker 3: the door of the hospital.

539
00:24:29,720 --> 00:24:32,600
Speaker 4: Pretty bold, not only for two doctors working at the

540
00:24:32,640 --> 00:24:35,600
Speaker 4: same hospital, but a married one at that.

541
00:24:35,880 --> 00:24:39,360
Speaker 3: Yeah, yes, I thought that was That was pretty intense.

542
00:24:39,520 --> 00:24:41,520
Speaker 3: It's like, please hide somewhere. They were right out in

543
00:24:41,560 --> 00:24:44,080
Speaker 3: the open. So anyway, he gets funny because.

544
00:24:43,760 --> 00:24:47,159
Speaker 5: You're gonna see in a couple more scenes kind of

545
00:24:47,200 --> 00:24:50,399
Speaker 5: the same dynamic with Billy's boss the one. It's the

546
00:24:50,480 --> 00:24:52,800
Speaker 5: two women who have put the move on made it

547
00:24:53,040 --> 00:24:57,640
Speaker 5: very clear that they want these men, regardless of if

548
00:24:57,640 --> 00:25:01,600
Speaker 5: they're taken or if it's inappropriate, and what do they say.

549
00:25:01,960 --> 00:25:05,000
Speaker 2: I was so embarrassed that's what kimberly saying. You know,

550
00:25:05,240 --> 00:25:08,200
Speaker 2: I'm humiliated. Well that's not his problem. Why are you

551
00:25:08,400 --> 00:25:09,880
Speaker 2: like manipulating him?

552
00:25:11,040 --> 00:25:13,440
Speaker 3: She's humiliated because she told him that she loves him,

553
00:25:13,520 --> 00:25:15,600
Speaker 3: I know, and she's letting him know.

554
00:25:16,000 --> 00:25:17,600
Speaker 2: So I'm humiliated.

555
00:25:17,680 --> 00:25:18,480
Speaker 1: I feel badly.

556
00:25:18,640 --> 00:25:21,119
Speaker 2: You need to fix it, basically saying, oh, you did

557
00:25:21,200 --> 00:25:23,480
Speaker 2: nothing wrong. Here, come here, kiss me. And I'm just

558
00:25:23,600 --> 00:25:25,320
Speaker 2: pointing that out now because we're going to see that

559
00:25:25,359 --> 00:25:30,200
Speaker 2: in a few scenes. Do the same thing. She says verbally,

560
00:25:30,400 --> 00:25:32,639
Speaker 2: almost the same thing verbatim to Billy.

561
00:25:33,400 --> 00:25:33,920
Speaker 4: But nice.

562
00:25:35,720 --> 00:25:38,359
Speaker 3: So after the hospital, after they're making out, we're in

563
00:25:38,440 --> 00:25:41,640
Speaker 3: a very nice restaurant with Matt and his handsome date

564
00:25:42,240 --> 00:25:45,360
Speaker 3: who immediately asked if he can smoke and reveals himself

565
00:25:45,440 --> 00:25:47,800
Speaker 3: to be a greedy, shallow lawyer.

566
00:25:48,920 --> 00:25:52,160
Speaker 4: Yeah, like all the things that Matt is not major

567
00:25:52,280 --> 00:25:52,920
Speaker 4: red flags.

568
00:25:53,080 --> 00:25:55,640
Speaker 1: Yeah, they red flags. Yeah.

569
00:25:55,800 --> 00:25:58,760
Speaker 4: I think this was the smokehouse. Did you guys RECOGNI

570
00:25:58,760 --> 00:26:00,680
Speaker 4: It was like red leather boot and stuff, and I

571
00:26:00,760 --> 00:26:01,920
Speaker 4: saw the bar and I was like, I thought this

572
00:26:02,119 --> 00:26:04,600
Speaker 4: was a smokehouse. I made Doug watch this scene, and

573
00:26:04,720 --> 00:26:06,000
Speaker 4: first of all, I said, hey, do you remember that

574
00:26:06,080 --> 00:26:08,639
Speaker 4: scene that you had with Brian McNamara and he's like, no,

575
00:26:08,800 --> 00:26:11,480
Speaker 4: I never had a see Brian mat He's like, no,

576
00:26:11,600 --> 00:26:14,280
Speaker 4: I never had Wait a minute, yes you did. He goes, no, no, no,

577
00:26:14,480 --> 00:26:18,280
Speaker 4: Brian mcnammer is somebody that, like I go up for roles,

578
00:26:18,359 --> 00:26:20,280
Speaker 4: Like we see each other at auditions for the next

579
00:26:20,320 --> 00:26:22,760
Speaker 4: twenty five years. We'll compete against each other for the

580
00:26:22,800 --> 00:26:24,520
Speaker 4: same roles or whatever. But I never had a scene

581
00:26:24,520 --> 00:26:27,040
Speaker 4: with them. I'm like, okay, sit right down, I'm going

582
00:26:27,080 --> 00:26:29,119
Speaker 4: to show you that. Like here's the scene. And he's like,

583
00:26:29,200 --> 00:26:31,680
Speaker 4: what restaurant is this? And then he says it's not

584
00:26:31,840 --> 00:26:36,160
Speaker 4: the Smokehouse, which is like an old industry. Like everybody,

585
00:26:36,359 --> 00:26:39,320
Speaker 4: you know, especially after Warner Brothers or whatever, people go

586
00:26:39,359 --> 00:26:40,000
Speaker 4: to the smokehouse.

587
00:26:40,000 --> 00:26:41,600
Speaker 1: It's like a place she's toast around forever.

588
00:26:42,000 --> 00:26:43,720
Speaker 4: Yeah, but he said it wasn't. Maybe it was like

589
00:26:43,800 --> 00:26:46,800
Speaker 4: Musso and Franks. I was trying to identify the red

590
00:26:46,880 --> 00:26:47,719
Speaker 4: leather boom.

591
00:26:47,760 --> 00:26:50,520
Speaker 3: Well, my guess is that's the inside of the restaurant

592
00:26:50,560 --> 00:26:51,800
Speaker 3: we had did the outdoor scene.

593
00:26:51,840 --> 00:26:54,240
Speaker 4: It it would make sense that it was the same restaurant.

594
00:26:54,320 --> 00:26:56,280
Speaker 4: So I was trying to identify that.

595
00:26:57,080 --> 00:26:57,280
Speaker 1: Yeah.

596
00:26:57,880 --> 00:27:01,959
Speaker 5: Yeah, but at any rate, the guy is you know, saying, oh,

597
00:27:02,000 --> 00:27:04,199
Speaker 5: I'm doing this this lights a cigarette and he goes, oh,

598
00:27:04,200 --> 00:27:08,600
Speaker 5: I'm doing this environmental thing with these polluters and these companies, right,

599
00:27:08,720 --> 00:27:10,840
Speaker 5: and then Matt's like, oh, I know these companies get

600
00:27:10,920 --> 00:27:11,639
Speaker 5: away with murder.

601
00:27:11,720 --> 00:27:13,320
Speaker 2: They just put it all over the place. He's like,

602
00:27:13,880 --> 00:27:15,000
Speaker 2: that's why I'm representing.

603
00:27:15,240 --> 00:27:18,119
Speaker 4: That's what I'm defending, actually represent those big guys.

604
00:27:18,359 --> 00:27:18,560
Speaker 2: Yeah.

605
00:27:19,400 --> 00:27:22,280
Speaker 3: Bye, And he also says to Matt, we thought you

606
00:27:22,320 --> 00:27:24,240
Speaker 3: should have sued him, and That's like, well, that wasn't

607
00:27:24,480 --> 00:27:24,880
Speaker 3: the point.

608
00:27:24,920 --> 00:27:26,480
Speaker 1: I really wanted to work with the kids. He's like, yeah,

609
00:27:26,520 --> 00:27:28,720
Speaker 1: you could have made a fortune. Yeah. They're not on

610
00:27:28,800 --> 00:27:29,440
Speaker 1: the same page.

611
00:27:29,640 --> 00:27:32,680
Speaker 4: Not on the same page, so disappointing, but the date's

612
00:27:32,720 --> 00:27:33,360
Speaker 4: not gonna.

613
00:27:33,240 --> 00:27:36,040
Speaker 3: So speaking of not on the same page, we go

614
00:27:36,119 --> 00:27:38,920
Speaker 3: back to Michael and Jane's apartment and gorgeous Jane is

615
00:27:39,040 --> 00:27:43,320
Speaker 3: cooking dinner and trying to seduce Michael, which again you're

616
00:27:43,400 --> 00:27:46,280
Speaker 3: just like, do you not have eyes or ears? And

617
00:27:46,440 --> 00:27:49,160
Speaker 3: Michael looks at her beautiful chicken she's cooking and says,

618
00:27:49,240 --> 00:27:50,200
Speaker 3: that's going to take forever.

619
00:27:50,280 --> 00:27:51,080
Speaker 1: I'm going to bed.

620
00:27:51,760 --> 00:27:54,800
Speaker 2: She has candles lit, she has a beautiful like we

621
00:27:54,920 --> 00:27:57,760
Speaker 2: need to be closer, and oh, that's.

622
00:27:57,800 --> 00:28:01,960
Speaker 4: Like ikey, and yeah, not good, I don't know, not good.

623
00:28:02,119 --> 00:28:05,520
Speaker 5: Really putting yourself out there and forward and making that effort,

624
00:28:05,680 --> 00:28:08,480
Speaker 5: you know, and trying to care for your partner.

625
00:28:08,600 --> 00:28:11,320
Speaker 1: And he's just like, I gotta go, you know.

626
00:28:11,600 --> 00:28:15,159
Speaker 3: And she's so sweet and gorgeous, and we're so annoyed

627
00:28:15,200 --> 00:28:17,200
Speaker 3: with him. We're back to being annoyed with him. M

628
00:28:19,080 --> 00:28:22,120
Speaker 3: So now we're back to escapade. Speaking of women trying

629
00:28:22,160 --> 00:28:24,280
Speaker 3: to have sex with men, Billy's boss is coming on

630
00:28:24,520 --> 00:28:27,280
Speaker 3: very strong and asked him to rub her shoulders.

631
00:28:27,440 --> 00:28:29,840
Speaker 4: And when the scene opened, it was like are they

632
00:28:29,840 --> 00:28:32,200
Speaker 4: in a hotel room or restaurant? Where is this? Because

633
00:28:32,240 --> 00:28:34,680
Speaker 4: it was like, you know, like it was couch, like

634
00:28:34,800 --> 00:28:36,840
Speaker 4: dim lighting and whatever. And she leads them over to

635
00:28:36,840 --> 00:28:38,280
Speaker 4: the couch and then I see as the as the

636
00:28:38,320 --> 00:28:40,360
Speaker 4: shot opened up it was her office, but she's got

637
00:28:40,440 --> 00:28:42,600
Speaker 4: the couch in her office and she's couch.

638
00:28:43,280 --> 00:28:43,480
Speaker 1: Yeah.

639
00:28:44,040 --> 00:28:44,880
Speaker 4: I don't know where is where?

640
00:28:45,920 --> 00:28:48,760
Speaker 1: I don't not going, but there is a joke there,

641
00:28:48,920 --> 00:28:49,480
Speaker 1: just f yi.

642
00:28:52,720 --> 00:28:54,520
Speaker 4: Yuh yeah.

643
00:28:54,640 --> 00:28:56,920
Speaker 1: So he says no to having sex.

644
00:28:56,760 --> 00:28:58,680
Speaker 3: With her, and she says, while we're at it, why

645
00:28:58,680 --> 00:29:02,560
Speaker 3: don't we just forget your promote as well, which.

646
00:29:02,480 --> 00:29:03,400
Speaker 1: Is pretty dark.

647
00:29:03,640 --> 00:29:06,840
Speaker 5: Wait a second, hold on, did you guys say that

648
00:29:06,960 --> 00:29:08,200
Speaker 5: she actually does the deed?

649
00:29:08,800 --> 00:29:12,600
Speaker 4: Well, she does. She she turns sho massage.

650
00:29:12,560 --> 00:29:16,640
Speaker 2: Like okay, then he massages her and then she like

651
00:29:16,720 --> 00:29:20,120
Speaker 2: whips around and lunges at him. Yeah you know, and

652
00:29:20,880 --> 00:29:23,200
Speaker 2: uh anyway, yeah.

653
00:29:23,120 --> 00:29:26,320
Speaker 3: So then he's like uh no, yeah, and then his

654
00:29:26,440 --> 00:29:29,920
Speaker 3: fears are realized when she renigs on the promotion, which

655
00:29:30,080 --> 00:29:34,640
Speaker 3: is so bad. So then we're back at the apartment

656
00:29:34,720 --> 00:29:37,240
Speaker 3: outside and Ronda asks him out about his date and

657
00:29:37,400 --> 00:29:39,560
Speaker 3: she pressures him to give the guy a chance, and

658
00:29:39,640 --> 00:29:42,440
Speaker 3: Matt of course gets defensive, which is valid, don't you think.

659
00:29:43,080 --> 00:29:45,480
Speaker 4: Yeah. I like that scene. I really I liked the

660
00:29:45,600 --> 00:29:48,160
Speaker 4: way he was saying, what you think I should just

661
00:29:48,240 --> 00:29:50,120
Speaker 4: sleep with a guy because it's because he's the first

662
00:29:50,120 --> 00:29:52,280
Speaker 4: guy that comes along, and you think that's you think

663
00:29:52,320 --> 00:29:55,160
Speaker 4: that's how I You think that's what I do, And

664
00:29:55,400 --> 00:29:56,760
Speaker 4: you think that's what I do because I'm gay, Like

665
00:29:56,840 --> 00:29:59,360
Speaker 4: what you know? No, that bugs me. I liked that

666
00:29:59,640 --> 00:30:03,400
Speaker 4: dynam in the scene of firsting. I just I just

667
00:30:03,520 --> 00:30:05,040
Speaker 4: wanted you to have a good time, and you know,

668
00:30:05,200 --> 00:30:08,680
Speaker 4: like I thought she was super sweet and and he

669
00:30:08,840 --> 00:30:12,040
Speaker 4: was super justified and seeing what he felt like I

670
00:30:12,160 --> 00:30:14,200
Speaker 4: just thought it was a nice scene. There was not

671
00:30:14,320 --> 00:30:15,160
Speaker 4: a bad guy in the scene.

672
00:30:15,240 --> 00:30:16,560
Speaker 2: I don't think there was a bad guy either.

673
00:30:16,640 --> 00:30:19,120
Speaker 5: Yeah, I mean, you know, like bring that into real life,

674
00:30:19,200 --> 00:30:20,560
Speaker 5: you know, and you want to you would want to

675
00:30:20,600 --> 00:30:21,400
Speaker 5: tell a friend.

676
00:30:21,280 --> 00:30:24,720
Speaker 2: Stay open, stay open, give it another chance.

677
00:30:24,840 --> 00:30:28,800
Speaker 5: Maybe you know, maybe this isn't like the whatever that

678
00:30:28,880 --> 00:30:31,600
Speaker 5: you usually go for, but it's just an innocent, try

679
00:30:31,680 --> 00:30:32,760
Speaker 5: to stay open friend.

680
00:30:33,240 --> 00:30:36,280
Speaker 4: Yeah, which I will say that Doug couldn't remember having

681
00:30:36,320 --> 00:30:38,280
Speaker 4: a scene with Brian McNamara, but he did remember that

682
00:30:38,360 --> 00:30:40,000
Speaker 4: shirt he was wearing when he comes out and he's

683
00:30:40,040 --> 00:30:42,080
Speaker 4: carrying the turquoise lunder basket, but he's got like this

684
00:30:42,400 --> 00:30:45,600
Speaker 4: another like printed shirt on and his jean jacket tied

685
00:30:45,720 --> 00:30:48,479
Speaker 4: around his waist because he might need his jean jacket

686
00:30:49,520 --> 00:30:50,960
Speaker 4: on the way to the laundry room, so you better

687
00:30:51,000 --> 00:30:51,840
Speaker 4: tie it around your waist.

688
00:30:52,760 --> 00:30:57,800
Speaker 1: Yeah. So that's funny, that's very cute.

689
00:30:57,840 --> 00:30:59,920
Speaker 4: Why do we remember, like, oh I remember that weird

690
00:31:00,120 --> 00:31:02,280
Speaker 4: Sure there were, but I can't remember my seeing partner.

691
00:31:05,520 --> 00:31:08,960
Speaker 3: So we're back in Billy and Allison's apartment and Allison

692
00:31:09,080 --> 00:31:11,520
Speaker 3: is maniacally telling Billy about her new work plan.

693
00:31:11,680 --> 00:31:12,840
Speaker 1: She's super like this.

694
00:31:12,960 --> 00:31:14,160
Speaker 3: And this and this, and then I'm gonna and then

695
00:31:14,160 --> 00:31:17,280
Speaker 3: I'm gonna that, and finally notices that Billy is upset,

696
00:31:18,000 --> 00:31:20,560
Speaker 3: and he admits that he got demoted after ejecting his boss.

697
00:31:20,640 --> 00:31:22,680
Speaker 3: And just for the record, Allison is now wearing a

698
00:31:22,760 --> 00:31:26,880
Speaker 3: gargantuan white scrunchy like it must have wrapped around her

699
00:31:27,000 --> 00:31:27,600
Speaker 3: seven times.

700
00:31:28,160 --> 00:31:30,320
Speaker 4: It was I don't know what they deal with the

701
00:31:30,400 --> 00:31:32,040
Speaker 4: big scrunchy. They were Gilman.

702
00:31:32,280 --> 00:31:35,920
Speaker 1: That was very, very nineties. So it's very sad that

703
00:31:36,000 --> 00:31:36,520
Speaker 1: he admits that.

704
00:31:36,600 --> 00:31:38,760
Speaker 3: And Allison says we can do something, we can get

705
00:31:38,760 --> 00:31:41,200
Speaker 3: a lawyer, which I was like, oh, she's in like

706
00:31:41,320 --> 00:31:42,000
Speaker 3: marriage mode.

707
00:31:42,520 --> 00:31:42,920
Speaker 1: He is not.

708
00:31:43,480 --> 00:31:47,240
Speaker 3: Sadly there they're lines of crossed. So now we're back

709
00:31:47,320 --> 00:31:50,400
Speaker 3: in Jane and Michael's apartment and Jane, of course, being

710
00:31:50,480 --> 00:31:53,600
Speaker 3: loving and adorable, comes up behind him while he's shaving

711
00:31:53,680 --> 00:31:55,719
Speaker 3: and invites him to lunch at her studio because it's

712
00:31:55,760 --> 00:31:57,880
Speaker 3: his day off, and he says he has to go

713
00:31:58,080 --> 00:31:58,360
Speaker 3: check on.

714
00:31:58,400 --> 00:31:59,200
Speaker 1: Some Patience.

715
00:32:00,440 --> 00:32:01,800
Speaker 2: Always excuses with him.

716
00:32:01,840 --> 00:32:04,840
Speaker 4: There's like blows her off from latent lie. And I

717
00:32:04,880 --> 00:32:08,560
Speaker 4: thought that that shot in the mirror was really lovely,

718
00:32:08,720 --> 00:32:11,560
Speaker 4: like he's he's got a close up. He's shaving his

719
00:32:11,760 --> 00:32:13,920
Speaker 4: own face, which I thought, he's if he has to

720
00:32:13,960 --> 00:32:15,200
Speaker 4: do it over and over again, he's just going to

721
00:32:15,240 --> 00:32:17,880
Speaker 4: shave that same spot for matching, right, because like just

722
00:32:17,920 --> 00:32:19,520
Speaker 4: get the shaving cream right back there and just do

723
00:32:19,640 --> 00:32:21,480
Speaker 4: that again, just the one spot.

724
00:32:22,240 --> 00:32:23,520
Speaker 2: But yeah, but he's shaving.

725
00:32:26,760 --> 00:32:29,360
Speaker 4: She comes up and yeah, I just thought it was

726
00:32:29,400 --> 00:32:33,840
Speaker 4: a cool of her joining him, like off the back mirror,

727
00:32:33,880 --> 00:32:35,360
Speaker 4: and then she turns and joins him in the front.

728
00:32:35,400 --> 00:32:38,160
Speaker 2: But what I thought was he's shaving if it's his

729
00:32:38,320 --> 00:32:41,640
Speaker 2: day off. That's not when men shave. That's when they

730
00:32:41,720 --> 00:32:43,520
Speaker 2: don't shave because they don't have to go in. But

731
00:32:43,760 --> 00:32:47,280
Speaker 2: he is not going to stick around and hang around.

732
00:32:47,520 --> 00:32:50,760
Speaker 2: He's going. Isn't this where he said?

733
00:32:50,920 --> 00:32:52,560
Speaker 4: Yeah, he said he still has to go into work.

734
00:32:52,960 --> 00:32:57,400
Speaker 3: Yeah, And when Gane leaves for work, he immediately calls kimberly.

735
00:32:57,560 --> 00:33:00,560
Speaker 2: Yes, that's what happens. He immediately says, I need to

736
00:33:00,600 --> 00:33:00,880
Speaker 2: see you.

737
00:33:01,080 --> 00:33:04,440
Speaker 1: Yeah. Yeah. And I'm still thinking he's definitely going to

738
00:33:04,480 --> 00:33:08,720
Speaker 1: break it off now. I mean, so, I remember when.

739
00:33:08,880 --> 00:33:11,080
Speaker 5: Josie was on with us and she was like, I

740
00:33:11,160 --> 00:33:13,760
Speaker 5: think she was commenting on how it was frustrating at

741
00:33:13,800 --> 00:33:16,840
Speaker 5: times to keep playing this pushover, you know, that, and

742
00:33:16,960 --> 00:33:19,240
Speaker 5: this is it. This is an episode an example of

743
00:33:19,320 --> 00:33:22,560
Speaker 5: that where you know, he's shaving and I have a

744
00:33:22,680 --> 00:33:25,320
Speaker 5: day off, but I'm gonna look good and leave you.

745
00:33:25,960 --> 00:33:27,680
Speaker 5: And no, I can't have dinner, even though I see

746
00:33:27,680 --> 00:33:30,440
Speaker 5: the candles that you've in the dinner that you've made.

747
00:33:31,280 --> 00:33:36,600
Speaker 2: No, no, no, And she doesn't get mad. E her frustrating.

748
00:33:36,840 --> 00:33:39,880
Speaker 3: She's such a catch, and so I quite eternally patient

749
00:33:39,960 --> 00:33:44,040
Speaker 3: and horny Jane because she's just and she always wants

750
00:33:44,080 --> 00:33:45,640
Speaker 3: and maybe because she can't quite have him.

751
00:33:45,960 --> 00:33:46,080
Speaker 5: Well.

752
00:33:46,120 --> 00:33:47,680
Speaker 4: I also think they're trying to make him a bad

753
00:33:47,720 --> 00:33:50,000
Speaker 4: guy at this point, right, they had decided, oh, he

754
00:33:50,160 --> 00:33:53,160
Speaker 4: needs to turn into Yeah, so he's doing he's doing

755
00:33:53,240 --> 00:33:55,360
Speaker 4: bad guy stuff for sure. Yeah he is.

756
00:34:00,400 --> 00:34:04,000
Speaker 3: So we're back at Escapade magazine and Billy confronts Nancy

757
00:34:04,160 --> 00:34:06,480
Speaker 3: and quits and says, you know, I really thought I could.

758
00:34:07,040 --> 00:34:09,240
Speaker 3: I really loved write I liked it here. I wanted

759
00:34:09,280 --> 00:34:13,759
Speaker 3: to learn from you. And Nancy, who's his boss, does

760
00:34:13,840 --> 00:34:18,840
Speaker 3: a very female thing and admits to her part and apologizes.

761
00:34:18,920 --> 00:34:22,000
Speaker 3: I wrote like a woman, like, I just think that

762
00:34:22,160 --> 00:34:24,360
Speaker 3: that's I can't see a man doing that exactly.

763
00:34:24,680 --> 00:34:27,239
Speaker 4: I wrote down the same note like this scenario with

764
00:34:27,400 --> 00:34:32,759
Speaker 4: the genders reversed would never never happen. You know, You're right,

765
00:34:33,040 --> 00:34:35,520
Speaker 4: I really shouldn't have done that, and I'm embarrassed. Let

766
00:34:35,600 --> 00:34:38,880
Speaker 4: me give you your job back like that may except

767
00:34:39,080 --> 00:34:42,560
Speaker 4: no one ever said, no man ever except for yeah,

768
00:34:42,600 --> 00:34:46,160
Speaker 4: except for Nancy does. And it's great because he totally

769
00:34:46,200 --> 00:34:48,200
Speaker 4: called her out too. He's like, you know, you're this

770
00:34:48,360 --> 00:34:49,920
Speaker 4: was a power play. This was not about me. This

771
00:34:50,080 --> 00:34:51,560
Speaker 4: was just you trying to wield your power. And I

772
00:34:51,560 --> 00:34:54,799
Speaker 4: think that's pathetic. And she goes, you know, you're right

773
00:34:55,040 --> 00:34:57,319
Speaker 4: that stuff like this happened to me, and I guess

774
00:34:57,320 --> 00:34:59,120
Speaker 4: I was just trying to you know, turn the tables,

775
00:34:59,160 --> 00:35:00,600
Speaker 4: and you're right, that sucks.

776
00:35:01,800 --> 00:35:05,920
Speaker 2: It was very you got to see because she was

777
00:35:06,000 --> 00:35:06,319
Speaker 2: a woman.

778
00:35:06,440 --> 00:35:09,880
Speaker 5: You really got to see like, uh, you know what

779
00:35:10,000 --> 00:35:13,360
Speaker 5: it would be like and the truth and just a

780
00:35:13,480 --> 00:35:17,440
Speaker 5: great human conversation between them and having accountability for your actions.

781
00:35:17,480 --> 00:35:18,800
Speaker 5: And she said, you know, I've put up with this

782
00:35:19,040 --> 00:35:22,560
Speaker 5: my whole climb of the ladder, and I just wanted

783
00:35:22,640 --> 00:35:24,759
Speaker 5: to give it a go and see if I could

784
00:35:24,800 --> 00:35:29,000
Speaker 5: do it, you know, take advantage of him. And but

785
00:35:29,200 --> 00:35:32,040
Speaker 5: I'm sorry, and you know, it was just very cool

786
00:35:32,560 --> 00:35:34,920
Speaker 5: to that that it was that the writers.

787
00:35:34,560 --> 00:35:37,120
Speaker 1: Made it a woman so we could see, Yeah, she

788
00:35:37,239 --> 00:35:38,440
Speaker 1: really took responsibility.

789
00:35:38,840 --> 00:35:39,080
Speaker 4: Yeah.

790
00:35:39,640 --> 00:35:43,920
Speaker 3: So now we are back at Kimberly's apartment. She's clearly nervous.

791
00:35:44,040 --> 00:35:44,799
Speaker 3: Michael comes over.

792
00:35:45,080 --> 00:35:48,920
Speaker 1: She offers him a very sexy lunch of tuna fish which.

793
00:35:49,040 --> 00:35:52,680
Speaker 4: Salads was come on and a bottom of line just

794
00:35:52,719 --> 00:35:59,520
Speaker 4: as effort. Yeah, and then well he walks in the

795
00:35:59,560 --> 00:36:03,520
Speaker 4: door and they just immediately start kissing. He can't even

796
00:36:03,520 --> 00:36:04,520
Speaker 4: wait till he's all the way.

797
00:36:04,360 --> 00:36:06,399
Speaker 3: In the door. It was seeing the tuna that made

798
00:36:06,440 --> 00:36:09,680
Speaker 3: him horny. I'm like, what, that's the least sexy lunch

799
00:36:09,719 --> 00:36:10,359
Speaker 3: I've ever seen.

800
00:36:10,840 --> 00:36:13,560
Speaker 5: I don't know, well, what it was romantic I wrote

801
00:36:13,640 --> 00:36:16,200
Speaker 5: down was that she looks all pretty in her hairs

802
00:36:16,280 --> 00:36:19,000
Speaker 5: up kind offul stuft and all that, and she's wearing

803
00:36:19,080 --> 00:36:21,960
Speaker 5: a loose velvet top, which is very sexy back then

804
00:36:22,080 --> 00:36:25,120
Speaker 5: and then he like throws her down right on.

805
00:36:25,160 --> 00:36:28,440
Speaker 4: Top of that tuna, solid on table.

806
00:36:28,640 --> 00:36:31,120
Speaker 2: Like, he doesn't move to the side, he doesn't throw

807
00:36:31,200 --> 00:36:34,000
Speaker 2: her on the bed or the sofa or any other surface.

808
00:36:34,280 --> 00:36:36,400
Speaker 4: We're assuming that they're lying down on top of the

809
00:36:36,480 --> 00:36:40,000
Speaker 4: knee lunch right now. We just set out slowered her

810
00:36:40,040 --> 00:36:41,960
Speaker 4: gently you see the green beats.

811
00:36:42,040 --> 00:36:47,600
Speaker 2: Under her shoulder. Okay, it's so unsexy. It's disgusting, that's

812
00:36:47,680 --> 00:36:48,120
Speaker 2: what it is.

813
00:36:48,600 --> 00:36:50,279
Speaker 4: And I was like, was this one of.

814
00:36:50,280 --> 00:36:55,400
Speaker 5: Those situations where they were somehow inhibited by the set

815
00:36:55,680 --> 00:36:58,680
Speaker 5: or the time and they couldn't like relight over onto

816
00:36:58,880 --> 00:36:59,960
Speaker 5: some other area.

817
00:37:00,800 --> 00:37:02,759
Speaker 3: I think it was supposed to show that they just

818
00:37:02,880 --> 00:37:05,759
Speaker 3: couldn't wait, like you're so hot for each other, yep,

819
00:37:05,920 --> 00:37:07,759
Speaker 3: we're doing it right here, to do it.

820
00:37:07,920 --> 00:37:10,560
Speaker 2: On a salad the frame brought in that salad and

821
00:37:10,760 --> 00:37:15,360
Speaker 2: you're just like, this is so un sexy. You just

822
00:37:15,600 --> 00:37:16,040
Speaker 2: ruined it.

823
00:37:16,560 --> 00:37:20,520
Speaker 4: But it is the episode out. I mean, that is

824
00:37:20,600 --> 00:37:23,600
Speaker 4: the story, right is like this is happening, and it

825
00:37:23,680 --> 00:37:25,560
Speaker 4: has happening right now, and right.

826
00:37:25,840 --> 00:37:28,640
Speaker 3: Still, I'd like to say, I still believe that he

827
00:37:28,960 --> 00:37:31,719
Speaker 3: might just stop and really tell her he's in love

828
00:37:31,760 --> 00:37:32,160
Speaker 3: with Jane.

829
00:37:33,200 --> 00:37:35,920
Speaker 4: I felt that, you want to believe that. It's like

830
00:37:36,040 --> 00:37:37,160
Speaker 4: you weren't ever on the show.

831
00:37:37,080 --> 00:37:39,359
Speaker 1: But you were about her. I feel good about it, Laura.

832
00:37:39,719 --> 00:37:40,120
Speaker 4: I think.

833
00:37:41,640 --> 00:37:44,400
Speaker 5: I think because he grabbed her and threw her up

834
00:37:44,440 --> 00:37:46,759
Speaker 5: onto the table with the salad.

835
00:37:46,520 --> 00:37:49,880
Speaker 2: NISI underneath and on the plates that are about to

836
00:37:49,960 --> 00:37:55,160
Speaker 2: go crunch and crash and gross. I think that maybe

837
00:37:55,239 --> 00:37:56,080
Speaker 2: Jesie has a chance.

838
00:37:56,160 --> 00:37:56,879
Speaker 1: That's all I'm saying.

839
00:37:57,640 --> 00:38:00,239
Speaker 3: Really good about It's really good about it. So that

840
00:38:00,440 --> 00:38:03,920
Speaker 3: was a super good episode, wasn't it. Things are moving now,

841
00:38:03,960 --> 00:38:07,799
Speaker 3: We're really really moving fast into the Melrolle Rosie.

842
00:38:07,960 --> 00:38:08,879
Speaker 1: We know and love.

843
00:38:09,160 --> 00:38:13,360
Speaker 4: Well, we've officially turned that corner with Thomas with Michael,

844
00:38:13,600 --> 00:38:17,200
Speaker 4: making that Michael and Kimberly are have done it.

845
00:38:17,600 --> 00:38:20,400
Speaker 2: There's no going back now, right, So.

846
00:38:20,520 --> 00:38:22,879
Speaker 5: He's now going to have to make choices and maybe,

847
00:38:23,120 --> 00:38:25,120
Speaker 5: you know, grovel to his wife.

848
00:38:25,200 --> 00:38:27,920
Speaker 2: We don't know what's going to happen, but that has happened.

849
00:38:28,760 --> 00:38:32,200
Speaker 5: Yes, Unlike the situation with Billy and the Boss, which

850
00:38:32,280 --> 00:38:33,840
Speaker 5: is so grown up and mature.

851
00:38:34,239 --> 00:38:37,719
Speaker 2: She's like, I take accountability. I'm sorry. That wasn't fair,

852
00:38:38,040 --> 00:38:40,600
Speaker 2: and he's like, you throw it an apology and you

853
00:38:40,680 --> 00:38:41,120
Speaker 2: got a deal.

854
00:38:41,239 --> 00:38:41,399
Speaker 4: Yeah.

855
00:38:41,400 --> 00:38:42,520
Speaker 1: I was like, Billy, don't push it.

856
00:38:42,560 --> 00:38:44,719
Speaker 3: When he said that, I was like, just take your win,

857
00:38:45,480 --> 00:38:48,920
Speaker 3: just take your win and get your Yeah, humiliate.

858
00:38:48,520 --> 00:38:50,200
Speaker 1: Her more, I know. Yeah.

859
00:38:50,440 --> 00:38:53,040
Speaker 4: I mean it's like she was apologizing already and he

860
00:38:53,600 --> 00:38:55,359
Speaker 4: just yeah, yeah.

861
00:38:55,400 --> 00:38:57,319
Speaker 5: But it's really it made me at the same time,

862
00:38:57,320 --> 00:39:00,279
Speaker 5: while I'm watching, does you guys, just feel for all all.

863
00:39:00,239 --> 00:39:04,040
Speaker 6: The situations where it was reversed, you know, where it

864
00:39:04,200 --> 00:39:07,120
Speaker 6: was the guy in the power position, and he just

865
00:39:08,360 --> 00:39:10,600
Speaker 6: hasn't done this, just at least.

866
00:39:10,480 --> 00:39:14,160
Speaker 2: In the stories that we see and hear and live through.

867
00:39:14,480 --> 00:39:15,480
Speaker 1: That's not how it goes.

868
00:39:16,080 --> 00:39:18,680
Speaker 5: Nobody says, nobody takes accountability and go, you know what,

869
00:39:18,680 --> 00:39:19,400
Speaker 5: I shouldn't have done that.

870
00:39:19,840 --> 00:39:20,640
Speaker 1: I had the power.

871
00:39:21,320 --> 00:39:24,880
Speaker 2: I'm older than you I have I'm your boss, you know,

872
00:39:25,600 --> 00:39:28,040
Speaker 2: and here's and here's your sorry.

873
00:39:28,480 --> 00:39:28,680
Speaker 1: Yeah.

874
00:39:29,880 --> 00:39:35,840
Speaker 3: Yeah, So anyway, so great episode, Yeah, super fun and

875
00:39:36,160 --> 00:39:37,120
Speaker 3: back for twenty nine.

876
00:39:37,360 --> 00:39:40,200
Speaker 4: Are you guys resisting the urge to like hit play

877
00:39:40,360 --> 00:39:42,400
Speaker 4: on one more episodes? Like when you watch an episode,

878
00:39:42,480 --> 00:39:44,040
Speaker 4: you're you're turning it off? Right, You're not?

879
00:39:44,320 --> 00:39:44,520
Speaker 1: Yeah?

880
00:39:44,880 --> 00:39:45,560
Speaker 2: A couple of times.

881
00:39:45,560 --> 00:39:47,040
Speaker 1: I really want to find a way to watch the

882
00:39:47,120 --> 00:39:50,440
Speaker 1: last one together. I always do that. Yeah, let's do that.

883
00:39:50,640 --> 00:39:51,080
Speaker 2: We should.

884
00:39:51,480 --> 00:39:53,440
Speaker 1: Yeah, but are we gonna watch it together and take

885
00:39:53,520 --> 00:39:54,280
Speaker 1: our own notes?

886
00:39:54,960 --> 00:39:58,240
Speaker 4: Of course we all have thoughts, right, well.

887
00:39:58,239 --> 00:39:59,759
Speaker 1: Watch you together and not talk to each other?

888
00:40:00,080 --> 00:40:00,200
Speaker 5: Right?

889
00:40:00,239 --> 00:40:03,719
Speaker 4: No, zip it, as Courtney likes to say, don't.

890
00:40:04,200 --> 00:40:06,000
Speaker 1: Save it for the camera. Save it for the camera.

891
00:40:06,320 --> 00:40:07,759
Speaker 2: I don't think we can get it if we're all

892
00:40:07,800 --> 00:40:08,440
Speaker 2: in the same room.

893
00:40:08,520 --> 00:40:10,279
Speaker 5: I think we wouldn't get through any of it. I

894
00:40:10,320 --> 00:40:13,600
Speaker 5: think we would not have an episode for the podcast. Yeah,

895
00:40:13,840 --> 00:40:15,520
Speaker 5: got together to do it, right it.

896
00:40:15,600 --> 00:40:17,520
Speaker 1: I think it's worth trying. The last one will be

897
00:40:17,560 --> 00:40:18,239
Speaker 1: the last one.

898
00:40:18,680 --> 00:40:21,360
Speaker 2: So this is twenty eight, right, so.

899
00:40:21,400 --> 00:40:23,560
Speaker 4: We have twenty nine. We got to get to thirty

900
00:40:23,640 --> 00:40:25,000
Speaker 4: two for the end of the season.

901
00:40:25,160 --> 00:40:28,319
Speaker 1: Yeah, four more, four more recaps and a couple more

902
00:40:28,400 --> 00:40:31,040
Speaker 1: guests and a few more guests. Super exciting.

903
00:40:31,520 --> 00:40:34,440
Speaker 4: I look forward to the next because we know some

904
00:40:34,640 --> 00:40:35,840
Speaker 4: big stuff's going to happen.

905
00:40:36,080 --> 00:40:37,640
Speaker 3: And yeah, because it's going to be the scene when

906
00:40:37,680 --> 00:40:39,759
Speaker 3: Michael tells Kimberly he just can't do it and he

907
00:40:39,840 --> 00:40:41,160
Speaker 3: loves it and he apologizes.

908
00:40:41,360 --> 00:40:42,279
Speaker 1: Pretty sure that's coming on.

909
00:40:42,400 --> 00:40:46,040
Speaker 4: I'm pretty sure. Yeah, sure, that's probably He's probably right

910
00:40:46,120 --> 00:40:48,160
Speaker 4: for it. All right, Well, we'll have to tune in

911
00:40:48,400 --> 00:40:51,080
Speaker 4: on the next recap, Jess, we will, all right, Thanks

912
00:40:51,120 --> 00:40:52,080
Speaker 4: everybody for listening.

913
00:40:52,440 --> 00:40:54,720
Speaker 1: All right, guys, so good to see you as always.

914
00:40:54,960 --> 00:40:57,279
Speaker 1: Always gets go by Hi.

915
00:41:00,080 --> 00:41:00,160
Speaker 5: Yes,