WEBVTT - Erick Sermon Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Here we Go, Here we go, Ladies and gentlemen, we

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<v Speaker 2>are closing out. Are in twenty twenty four season, our

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<v Speaker 2>abundant season of Quest Love Supreme. We've had some really

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<v Speaker 2>really amazing conversation, especially with a lot of my hip

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<v Speaker 2>hop peers this year alone, you know, talking to the

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<v Speaker 2>B Minors and the Rizza at Rock and the BEASTI Boys,

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<v Speaker 2>Pete Rock and Common Foreign Exchange and Jonathan Schecter of

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<v Speaker 2>The Source, to name a few.

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<v Speaker 1>And I will say that today is no.

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<v Speaker 2>Exception in terms of us giving flowers to hip hop Royalty.

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<v Speaker 1>What can I say?

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<v Speaker 2>All the episodes of Quest Love Supreme are long overdue,

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<v Speaker 2>but this, more than any, is really really really overdue.

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<v Speaker 2>I will really go out on a limb and say

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<v Speaker 2>that as a producer.

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<v Speaker 1>All right, let me put it this way.

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<v Speaker 2>You know, like every time I'm telling you guys in

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<v Speaker 2>Questlove Supreme world that the pioneer always gets overlooked and

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<v Speaker 2>it's the person that comes in second that kind of

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<v Speaker 2>gets all the credit. I will say that our guest

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<v Speaker 2>today is probably the first person I thought about in

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<v Speaker 2>terms of pure production innovation.

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<v Speaker 1>That is so accessible and so effective that.

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<v Speaker 2>He never truly ever gets the credit that he deserves

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<v Speaker 2>for a lot of the ideas that he first started

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<v Speaker 2>doing in hip hop that we now just take for granted,

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<v Speaker 2>not to mention. As I said in the ad Rock episode,

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<v Speaker 2>you know, as Guru said, is mostly the voice our

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<v Speaker 2>guest today has probably one of my favorite all time voices.

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<v Speaker 2>At a time of most people, especially in the classic era,

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<v Speaker 2>were yelling like run brought in the yelling era. Is

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<v Speaker 2>something to me about monotone sinister delivery that to me

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<v Speaker 2>is more scarier than you're like your hardcore delivery, or

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<v Speaker 2>you're like hyped up, loudest person in the room, like

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<v Speaker 2>the person that says it low key and they mean business.

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<v Speaker 1>That person scares you.

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<v Speaker 2>The silent person scares you more than the person that's

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<v Speaker 2>on you to death. There's so much we can say,

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<v Speaker 2>but I just got to say that, you know, this

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<v Speaker 2>is long overdue. He's a founder member of one of

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<v Speaker 2>the best rap duos of all time, ep m D,

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<v Speaker 2>member of Death Squad. He's producer for himself, Redman, Keith Murray,

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<v Speaker 2>Ll Tupot, Luke, Chris black Street, and on It's about

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<v Speaker 2>time we had a conversation with the with the green

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<v Speaker 2>eyed You know what I'm saying, give it up for

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<v Speaker 2>the one and only Eric Sermon and aka Erico NASA's.

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<v Speaker 3>I thought he had a long intro.

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<v Speaker 1>Oh dog, I'm the king of long intest so you

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<v Speaker 1>are the You just killed.

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<v Speaker 4>Him like that like that. It's like, yo, damn, that

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<v Speaker 4>is crazy.

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<v Speaker 2>But dude, there's people out there that take notice. They

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<v Speaker 2>take notice. Look, I have so many questions that ask you,

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<v Speaker 2>and you know, this is one of the joys of

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<v Speaker 2>doing one on one sessions that you know, but I'm

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<v Speaker 2>just gonna kind of rapid fire all the things I

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<v Speaker 2>ever wanted to ask you.

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<v Speaker 1>Of course, I'll start from the beginning. Tell us where

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<v Speaker 1>you were born. Brother.

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<v Speaker 4>I was born in base show A, Long Island, which

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<v Speaker 4>is the same hospital lokuj was born in, which is

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<v Speaker 4>Southside Hospital.

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<v Speaker 3>Word.

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<v Speaker 2>Okay, so you're from Long Island, right, from Long Island.

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<v Speaker 2>Most rappers like migrated to Long Island, but you were

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<v Speaker 2>born there.

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<v Speaker 3>Yeah, born Long Island.

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<v Speaker 4>Yes, it's just like the met the man's and the

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<v Speaker 4>priories and people that don't want to kind of say,

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<v Speaker 4>but they are Long Islanders.

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<v Speaker 3>You know what I'm saying.

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<v Speaker 1>I did not know that they were born in Long Island.

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<v Speaker 4>Yes, yes, and Todd Smith too, he said he migrated

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<v Speaker 4>too Queens but he was born in Long Island.

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<v Speaker 3>But yeah, but we After that, I.

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<v Speaker 4>Went to Hawaian Dance, which is where my mom and

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<v Speaker 4>them grew up after they came from Florida, which is

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<v Speaker 4>where Rock Kim is from. So my mother used to

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<v Speaker 4>hang out with Rock Kim's older brothers and sisters.

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<v Speaker 3>This is a crazy, crazy story, like.

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<v Speaker 4>Not knowing that pretty soon HUDs someha's become famous and

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<v Speaker 4>Rock Kim would become famous. So then I moved from

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<v Speaker 4>near to a town called Brentwood. Is where I learned

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<v Speaker 4>all my stuff from. I learned how to rap, I

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<v Speaker 4>learned how to break dance, I learned how to just.

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<v Speaker 3>Know what hip hop was, graffiti.

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<v Speaker 4>All that stuff came from a town called Brentwood, which

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<v Speaker 4>is where pretty soon I ended up meeting Parish Act.

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<v Speaker 1>What was your first musical memory in life?

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<v Speaker 3>Well, it got to be with my dad.

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<v Speaker 4>Dad, like any other family shoe that played so many records.

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<v Speaker 4>My dad was a can't really call him a collector

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<v Speaker 4>though too though quest it was like he just had

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<v Speaker 4>every record, every album was sitting in front of this,

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<v Speaker 4>you know, when backed up against the speaker or or

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<v Speaker 4>against whatever the record player was, so all the records

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<v Speaker 4>was out there. That was my first experience of him

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<v Speaker 4>just playing records back to back to back to back.

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<v Speaker 4>And that's how my first introduction to to getting to

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<v Speaker 4>being so involved knowing what music sound.

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<v Speaker 1>Like, what kind of records was he was he playing?

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<v Speaker 4>Oh man, uh, he was playing everything from Teddy penny

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<v Speaker 4>Grass to Blue Magic, all the way down to the Whispers,

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<v Speaker 4>to the Temptations, to Howl, Melvin the Blue Nose.

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<v Speaker 3>That was his favorite group, you know, the the Spinners.

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<v Speaker 4>And then after that he started going into Funkadelic in

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<v Speaker 4>the Parliament of course, and you know, and and all

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<v Speaker 4>the stuff to Rick James. So it started he had

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<v Speaker 4>a bass of music. But they started with the seventies first,

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<v Speaker 4>then it started going into you know, the late seventies.

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<v Speaker 1>So he was just a music lover. He wasn't a

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<v Speaker 1>DJ or anything music.

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<v Speaker 3>They bought albums and bring them home and played them.

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<v Speaker 1>What did your parents do for a living? What did

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<v Speaker 1>your household look like growing up?

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<v Speaker 4>My parents worked for the mentally challenged children for like

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<v Speaker 4>over twenty five years.

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<v Speaker 1>Do you have a siblings. Are you the only child

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<v Speaker 1>or do you have.

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<v Speaker 4>Two sisters two below me, one two years below me,

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<v Speaker 4>in one four years below me.

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<v Speaker 2>Okay, some of my favorite talent in hip hop came

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<v Speaker 2>from Long Island. Yet I always wondered what the other

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<v Speaker 2>Burroughs were doing at the time when hip hop was

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<v Speaker 2>developing in the Bronx. Was it as fruitful in the

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<v Speaker 2>other boroughs like Queens Brooklyn, Staten Island?

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<v Speaker 3>Right?

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<v Speaker 1>So what was your first hip hop experience?

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<v Speaker 3>I think again, in the neighborhood.

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<v Speaker 4>The neighborhood had house parties and we had these days

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<v Speaker 4>and almost because we I lived in a town called

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<v Speaker 4>Regis Park, so it had like it was like a

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<v Speaker 4>thirteen block radius, but out of the six blocks it

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<v Speaker 4>was DJ's. Out of the sixth block, it was MC's.

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<v Speaker 4>Like I'm telling you, if people would see where I

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<v Speaker 4>came from, if you didn't know about the Bronx, though,

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<v Speaker 4>you would think, yo, this way hip hop back because

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<v Speaker 4>we had everything. And when I tell you, everybody was nice,

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<v Speaker 4>well my eyes, because whoever I looked at it was

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<v Speaker 4>all nice on the set and all nice rhyming and breakdancing.

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<v Speaker 3>Because a lot of Long Island.

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<v Speaker 4>Kids so too, went went to go to the city

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<v Speaker 4>to go do breakdancing contests with the big breakdancers back then.

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<v Speaker 3>So but again that happened to be the neighborhood that.

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<v Speaker 4>That was my first hip hop experience, maybe at twelve

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<v Speaker 4>years old, sneaking out the window to a house party

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<v Speaker 4>around the corner.

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<v Speaker 1>And they were MC's and DJ oh.

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<v Speaker 3>Hell yeah, hell yeah.

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<v Speaker 4>I mean we had some kids, anybody know, a guy

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<v Speaker 4>named Bergermeister, a kid named Frank B, a guy named

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<v Speaker 4>a Z, a guy named Bourn.

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<v Speaker 3>You know, it was the five per center born c

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<v Speaker 3>Asiatic was there. It was all all five percent names.

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<v Speaker 2>Did you ever cross paths with any other notable figures

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<v Speaker 2>of hip hop? Like I always hear Biz story or yeah,

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<v Speaker 2>the first one is Biz.

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<v Speaker 4>Definitely that that that's it's gonna always be Biz. Biz

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<v Speaker 4>came to my junior high school in a lunch room.

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<v Speaker 1>Did he go to that school?

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<v Speaker 2>Because everything No, everybody from Long Island says the same thing.

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<v Speaker 1>Biz came to my school. But yet Biz never went

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<v Speaker 1>to that school.

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<v Speaker 4>Never went there. They just loved him. People might make

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<v Speaker 4>a joke though and say, yo, is he Jesus Christ

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<v Speaker 4>or not?

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<v Speaker 3>Because he had no call, But He was at every function.

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<v Speaker 3>He was at every town. He was at everything that

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<v Speaker 3>went on.

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<v Speaker 4>When you hear the stories that oh yo llo yeah,

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<v Speaker 4>will say, yeah, Biz got me at rock him. Oh yeah,

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<v Speaker 4>Bis took me to such and such. Oh yeah, such,

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<v Speaker 4>Biz took me to He was everywhere and didn't have

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<v Speaker 4>a call, but he took the train and managed to

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<v Speaker 4>be everywhere. He left the places of Long Island where

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<v Speaker 4>I'm like, yo, Bis isn't from there. No, he was,

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<v Speaker 4>he said for three years or he was over I'm like, no,

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<v Speaker 4>he's from no man, he was because he lived next

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<v Speaker 4>to my DJ, Diamond J on the same block on

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<v Speaker 4>Noble Street.

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<v Speaker 3>That Noble Street when you hear him in the Record

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<v Speaker 3>Street block from Diamond Okay, and Diamond Schelle was his brother.

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<v Speaker 4>So again they lived on that block. But he's also

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<v Speaker 4>saying that he lived in Careham. He lived in over

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<v Speaker 4>here in Patchog. He lived because his printerval was in Patchog.

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<v Speaker 3>I mean the way. So I'm like, and then all

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<v Speaker 3>of a sudden you're in Jersey, and then.

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<v Speaker 4>You and brooks At obviously wear more every day, and

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<v Speaker 4>then and then you go to Baltimore and spend the

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<v Speaker 4>rest of your life there. So yeah, bizmal Key was

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<v Speaker 4>the first one before I got famous. Then of course

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<v Speaker 4>Long Island. You know Chuck D. You know, you start going,

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<v Speaker 4>then you start seeing E. P. M. D rock Him

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<v Speaker 4>and then Daylight so and then please the new school.

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<v Speaker 4>I mean, I'm not hating, but if you take Long

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<v Speaker 4>Island out the mix.

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<v Speaker 2>All my favorite acts come from Long Island. You don't

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<v Speaker 2>have to tell me.

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<v Speaker 4>To Then you got JBC Force, Keith Murray, k Solo.

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<v Speaker 4>Now you got to look at it's you know what

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<v Speaker 4>I'm saying, it's a problem.

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<v Speaker 1>How often would you go to the city? Was there

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<v Speaker 1>ever need to go.

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<v Speaker 2>To Manhattan or Harlem or any of those other spots

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<v Speaker 2>I'm talking free EPMD. I'm just talking about like before

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<v Speaker 2>you even had a record deal, Like was most of

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<v Speaker 2>your life just in Long Island?

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<v Speaker 4>Qus, you're the first one that ever asked that question

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<v Speaker 4>in life, And that's a dupe question. If I never

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<v Speaker 4>got famous, I don't know if I were have.

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<v Speaker 3>Seen the city.

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<v Speaker 4>I was already seeing Brooklyn because my family is from

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<v Speaker 4>ping Houses, so I was already in ping Houses in

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<v Speaker 4>East New York all the time. But as far as

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<v Speaker 4>me seeing again, when I went to the Parlom and

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<v Speaker 4>I parked outside.

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<v Speaker 3>I called my mother to God.

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<v Speaker 4>Visited as of man's black people everywhere, we don't have

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<v Speaker 4>that Long Island is that birth Puerto Rican white and

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<v Speaker 4>black right ques. I pulled over and I parked, and

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<v Speaker 4>my Samura Suzuki, and I just stood there like this

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<v Speaker 4>looking around.

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<v Speaker 3>I saw Aaron Hall. I said, Aaron coming for some

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<v Speaker 3>quick second. So Aaron came over.

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<v Speaker 4>He went to another bar, of course, the street from

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<v Speaker 4>the Apollo right, and and but I saw a lot

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<v Speaker 4>of people. But I just saw so many black folks.

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<v Speaker 4>And I don't think that I would have been able

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<v Speaker 4>to see that because there was no need for me

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<v Speaker 4>to go to the city, being from Long Island.

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<v Speaker 3>Long Island was his own place.

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<v Speaker 1>What was it like?

0:11:35.760 --> 0:11:37.440
<v Speaker 2>Like what we knew of Long Island was of course

0:11:37.480 --> 0:11:42.079
<v Speaker 2>like Amityville Horror or like it was these suburbs. It

0:11:42.160 --> 0:11:44.480
<v Speaker 2>wasn't anything close to what the Bronx looked like in

0:11:44.520 --> 0:11:47.560
<v Speaker 2>wild Style or anything like. So what was a typical

0:11:47.679 --> 0:11:49.960
<v Speaker 2>day like as a teenager in Long Island?

0:11:50.600 --> 0:11:51.240
<v Speaker 3>Not the same?

0:11:51.520 --> 0:11:52.680
<v Speaker 4>Like and so far as like do you have a

0:11:52.679 --> 0:11:55.720
<v Speaker 4>look at Compton and watch some stuff with palm trees

0:11:55.760 --> 0:11:57.800
<v Speaker 4>and the whole and the same thing, So like, why

0:11:57.840 --> 0:11:58.600
<v Speaker 4>can make that line?

0:11:58.600 --> 0:11:59.880
<v Speaker 3>They where you from? Us? Where you at?

0:12:00.080 --> 0:12:01.840
<v Speaker 4>The whole time was the fact that we still had

0:12:01.840 --> 0:12:05.960
<v Speaker 4>the same drama, still had games, We still had had

0:12:06.000 --> 0:12:09.960
<v Speaker 4>the competation between Puerto Ricans and blacks and white and black.

0:12:10.000 --> 0:12:11.880
<v Speaker 3>It's the same. We had the same thing. It was

0:12:11.920 --> 0:12:13.160
<v Speaker 3>like before.

0:12:12.920 --> 0:12:17.040
<v Speaker 4>Keith Murray l D came, game came, it was Barcelona,

0:12:17.120 --> 0:12:19.960
<v Speaker 4>which was Puerto Ricans and these guys. Wasn't happening. This

0:12:20.000 --> 0:12:23.640
<v Speaker 4>is what Brentwood was. Brentwood was Puerto Rican, black and white.

0:12:23.679 --> 0:12:26.920
<v Speaker 4>It was a mixture. So that's how we lived. So

0:12:26.920 --> 0:12:30.280
<v Speaker 4>so we was all friends too. That was in school

0:12:30.559 --> 0:12:32.559
<v Speaker 4>and me and Parish. I don't know if you've heard

0:12:32.559 --> 0:12:35.360
<v Speaker 4>this before. We had two high schools next to each other.

0:12:35.840 --> 0:12:38.360
<v Speaker 4>So I went to Ross, he went to Syland on

0:12:38.400 --> 0:12:40.800
<v Speaker 4>the same property. It was kind of it was. It

0:12:40.840 --> 0:12:44.120
<v Speaker 4>was weird, but nobody never seen two high schools next

0:12:44.280 --> 0:12:45.880
<v Speaker 4>next to each other. You know what I'm saying?

0:12:46.520 --> 0:12:46.840
<v Speaker 1>Got it?

0:12:47.320 --> 0:12:50.120
<v Speaker 2>What was your entry into being in hip hop? Did

0:12:50.160 --> 0:12:52.199
<v Speaker 2>you start out as a DJ? Were you trying to

0:12:52.280 --> 0:12:52.920
<v Speaker 2>MC like?

0:12:53.920 --> 0:12:56.320
<v Speaker 3>So it's funny you say that first of all came

0:12:56.320 --> 0:12:57.079
<v Speaker 3>from soul training.

0:12:57.800 --> 0:13:00.960
<v Speaker 4>Shallamar had this kid in there that was called the

0:13:01.000 --> 0:13:03.920
<v Speaker 4>pop a Long Kid, so I took his name. I

0:13:03.960 --> 0:13:05.679
<v Speaker 4>don't know if anybody I know people. I'm taking y'all

0:13:05.760 --> 0:13:10.920
<v Speaker 4>back though, too. Yes, inside Shallamar. The other member was

0:13:10.960 --> 0:13:14.720
<v Speaker 4>the ill Popper, so I took his name. I began

0:13:14.840 --> 0:13:18.160
<v Speaker 4>doing that. All of a sudden, my mom comes home

0:13:18.200 --> 0:13:23.920
<v Speaker 4>from her job with two twelve inches okay, apache with

0:13:24.040 --> 0:13:26.640
<v Speaker 4>the green label right.

0:13:26.280 --> 0:13:29.960
<v Speaker 1>Right, and she brung home rappers a light okay.

0:13:30.000 --> 0:13:31.880
<v Speaker 3>And it changed everything for me.

0:13:32.840 --> 0:13:36.960
<v Speaker 4>Then my cousin down the street, since there was so

0:13:37.000 --> 0:13:41.480
<v Speaker 4>many DJs, he bought turntables, so I was able to

0:13:41.600 --> 0:13:44.040
<v Speaker 4>have that too. So I was he would bring home

0:13:44.320 --> 0:13:47.520
<v Speaker 4>Fat Boys and and bring home the new mally Mall,

0:13:48.240 --> 0:13:50.800
<v Speaker 4>bring home the Fantastic for the Phillis for.

0:13:51.080 --> 0:13:54.840
<v Speaker 3>He would bring home all these new records, uh.

0:13:54.720 --> 0:13:57.160
<v Speaker 4>And so, and I used to just be spinning them.

0:13:57.240 --> 0:13:59.520
<v Speaker 4>So but while I'm spinning them, of course, the Fat

0:13:59.520 --> 0:14:01.280
<v Speaker 4>Boys had me like. I was just like, well, these

0:14:01.320 --> 0:14:05.439
<v Speaker 4>guys are just razy. All of a sudden, well, me

0:14:05.520 --> 0:14:07.079
<v Speaker 4>and Paris was getting ready to get on. I did

0:14:07.160 --> 0:14:09.640
<v Speaker 4>this give you the one thing We drove to the

0:14:09.679 --> 0:14:13.720
<v Speaker 4>city to go buy to go buy sucking seeds?

0:14:14.280 --> 0:14:17.040
<v Speaker 2>Really, yes, there was no place in Long Island too,

0:14:17.880 --> 0:14:19.040
<v Speaker 2>did they didn't have that record?

0:14:19.960 --> 0:14:23.960
<v Speaker 1>What did you attend any like spectrum city parties?

0:14:24.000 --> 0:14:26.800
<v Speaker 2>Like those parties at Hank Shockley and Chuck de And

0:14:27.040 --> 0:14:31.400
<v Speaker 2>and Keith Shackley used to throw in Long Island at all.

0:14:32.240 --> 0:14:34.920
<v Speaker 4>I did not know about none of them until I

0:14:34.960 --> 0:14:35.880
<v Speaker 4>got on tour with them.

0:14:36.600 --> 0:14:38.400
<v Speaker 3>I have no clue about. All I know was about

0:14:38.400 --> 0:14:38.920
<v Speaker 3>my section.

0:14:39.680 --> 0:14:40.000
<v Speaker 1>Got it.

0:14:40.080 --> 0:14:43.520
<v Speaker 2>We just called all right, so tell me how you

0:14:43.600 --> 0:14:44.960
<v Speaker 2>met Paris Smith?

0:14:45.600 --> 0:14:48.680
<v Speaker 3>Okay, well, but where I was at and we just parked.

0:14:49.880 --> 0:14:52.680
<v Speaker 4>The house that we was written had got rat infested,

0:14:52.720 --> 0:14:55.200
<v Speaker 4>like I mean, they was coming from out of nowhere.

0:14:56.560 --> 0:14:58.600
<v Speaker 4>I mean it was like some city you see on

0:14:58.680 --> 0:15:01.840
<v Speaker 4>Ben or the movie like that. So and we couldn't

0:15:01.840 --> 0:15:04.920
<v Speaker 4>control it, and the landlord was acting like she didn't

0:15:04.960 --> 0:15:08.880
<v Speaker 4>want to fix it right, So my mom's called her

0:15:08.920 --> 0:15:12.000
<v Speaker 4>mother and Grandma was like, okay, well, y'all come over

0:15:12.000 --> 0:15:14.360
<v Speaker 4>here then, So we ended up staying there while mommy

0:15:14.600 --> 0:15:19.160
<v Speaker 4>stacked her paper up. So at the bus stop I

0:15:19.200 --> 0:15:23.960
<v Speaker 4>saw a Parish because he's on the next block. I

0:15:24.040 --> 0:15:28.080
<v Speaker 4>moved to Belgrave, he's on Abingdon. So I see him

0:15:28.120 --> 0:15:30.640
<v Speaker 4>at the bus stop and he didn't know me, and

0:15:30.680 --> 0:15:33.440
<v Speaker 4>he snapped on me on the second day because you know,

0:15:33.480 --> 0:15:35.680
<v Speaker 4>I had an the tiger on, I had the leaves on,

0:15:36.680 --> 0:15:37.320
<v Speaker 4>but I had.

0:15:37.280 --> 0:15:38.520
<v Speaker 3>The wrong pumas.

0:15:38.720 --> 0:15:42.280
<v Speaker 4>The pumas was invaders and not baskets because they didn't

0:15:42.320 --> 0:15:45.720
<v Speaker 4>have the hose around the logo, so you know they

0:15:45.800 --> 0:15:49.040
<v Speaker 4>was fake because because basket puomers are the real ones

0:15:49.200 --> 0:15:51.960
<v Speaker 4>with the holes around it. Mine didn't have no hose

0:15:52.040 --> 0:15:54.680
<v Speaker 4>around the logo and they wasn't baskets.

0:15:55.040 --> 0:15:58.120
<v Speaker 3>So before it was one of before it was like

0:15:58.200 --> 0:15:58.840
<v Speaker 3>one of those.

0:15:59.240 --> 0:16:03.280
<v Speaker 4>He did it first back then, so he snapped on me,

0:16:04.120 --> 0:16:05.680
<v Speaker 4>so I was like, oh So I was like, oh, okay,

0:16:05.680 --> 0:16:06.200
<v Speaker 4>you got jokes.

0:16:06.200 --> 0:16:06.760
<v Speaker 3>You got jokes.

0:16:07.040 --> 0:16:11.160
<v Speaker 4>So after that he found out where I was from.

0:16:11.240 --> 0:16:15.120
<v Speaker 4>See where I'm from. When it comes to Long Island,

0:16:15.240 --> 0:16:16.720
<v Speaker 4>people know about Reese's Park.

0:16:16.960 --> 0:16:18.160
<v Speaker 1>What was it about it?

0:16:18.160 --> 0:16:20.600
<v Speaker 4>It was the coacher and it was the people over

0:16:20.640 --> 0:16:23.920
<v Speaker 4>there who got busy. Everybody in there right now have

0:16:24.080 --> 0:16:26.680
<v Speaker 4>went to prison or did some time or with like

0:16:26.720 --> 0:16:28.200
<v Speaker 4>stick up boys or whatever.

0:16:28.240 --> 0:16:29.600
<v Speaker 3>Where I'm from is no joke.

0:16:29.920 --> 0:16:32.760
<v Speaker 4>So that point of town me coming over there made

0:16:32.800 --> 0:16:34.520
<v Speaker 4>me cool, you know what I mean?

0:16:34.800 --> 0:16:36.880
<v Speaker 3>Even though he knew them people.

0:16:36.640 --> 0:16:39.400
<v Speaker 4>Because his sisters knew them, and his older brothers knew

0:16:39.440 --> 0:16:42.640
<v Speaker 4>who they were too. So once you knew where I

0:16:42.720 --> 0:16:46.520
<v Speaker 4>was from, it made me cool. And then I said, yo,

0:16:46.600 --> 0:16:48.680
<v Speaker 4>I raped, and that was it. He's like, yo, let

0:16:48.720 --> 0:16:52.240
<v Speaker 4>me hear you rap. So when you hear Jane, Jane

0:16:52.280 --> 0:16:54.600
<v Speaker 4>was one of my first raps I had. I had

0:16:54.640 --> 0:16:56.400
<v Speaker 4>that when I was when I was twelve years old.

0:16:56.840 --> 0:16:59.560
<v Speaker 4>What So I ended up taking Jane with me when

0:16:59.600 --> 0:17:02.800
<v Speaker 4>I met him at fourteen. And I had a burnoud

0:17:02.840 --> 0:17:06.840
<v Speaker 4>get story the one who who who shout tried to

0:17:06.880 --> 0:17:09.480
<v Speaker 4>train along out right. So I had those two stories.

0:17:09.880 --> 0:17:13.040
<v Speaker 4>So I roped that story for him all of a sudden.

0:17:13.119 --> 0:17:15.840
<v Speaker 4>Parents used to have me go to his school and

0:17:15.920 --> 0:17:19.040
<v Speaker 4>rap for his boys, like yo, man, check out, check out.

0:17:18.880 --> 0:17:20.000
<v Speaker 3>This kid boom boom.

0:17:20.080 --> 0:17:24.760
<v Speaker 4>Because Powers never rhymed the DJ, he never rapped what

0:17:25.240 --> 0:17:25.919
<v Speaker 4>until he met me?

0:17:26.680 --> 0:17:29.840
<v Speaker 1>Okay, So this is what I find odd one.

0:17:29.920 --> 0:17:35.119
<v Speaker 2>This is the second story of a legendary duo whose

0:17:35.240 --> 0:17:40.800
<v Speaker 2>origins start with ranking on each other. Because before Prodigy

0:17:40.880 --> 0:17:46.879
<v Speaker 2>passed away, he told the story that basically that he

0:17:47.040 --> 0:17:51.320
<v Speaker 2>realized Havoc and his boys were about to rob him,

0:17:51.840 --> 0:17:54.320
<v Speaker 2>you know, on like the first week of school or something.

0:17:55.800 --> 0:17:58.600
<v Speaker 1>They were plotting on robbing him and then.

0:18:00.080 --> 0:18:03.159
<v Speaker 2>I'm out, like last minute, like they decided not to

0:18:03.320 --> 0:18:05.760
<v Speaker 2>like they they were going to start out as enemies,

0:18:06.280 --> 0:18:08.480
<v Speaker 2>but then they became boys.

0:18:08.600 --> 0:18:11.640
<v Speaker 1>So it's funny that that's how you two started.

0:18:11.960 --> 0:18:12.520
<v Speaker 3>I don't know it.

0:18:12.600 --> 0:18:12.679
<v Speaker 2>There.

0:18:13.240 --> 0:18:15.720
<v Speaker 1>You said that your original MC name was going to

0:18:15.760 --> 0:18:16.600
<v Speaker 1>be Populong Kid.

0:18:17.480 --> 0:18:19.879
<v Speaker 2>Explain to me the evolution of EPMD, because y'all have

0:18:19.960 --> 0:18:23.680
<v Speaker 2>spelled it so many crazy ways before you just finally

0:18:25.080 --> 0:18:26.680
<v Speaker 2>decided on your actual name.

0:18:26.720 --> 0:18:29.160
<v Speaker 1>But what was your original name? Your MC name?

0:18:30.040 --> 0:18:33.399
<v Speaker 4>Yeah, but the popagon Kill was my dancing name. I

0:18:33.440 --> 0:18:36.760
<v Speaker 4>didn't have the MC name yet. When e pm D

0:18:37.000 --> 0:18:42.240
<v Speaker 4>was getting put together, I used Eric sermon inside my rhymes,

0:18:42.640 --> 0:18:44.119
<v Speaker 4>and when I could walk through the crowd and I

0:18:44.119 --> 0:18:46.560
<v Speaker 4>can see you has turned, I hear voices saying that's

0:18:46.600 --> 0:18:47.280
<v Speaker 4>everic sermon.

0:18:47.320 --> 0:18:48.200
<v Speaker 3>I didn't have that.

0:18:48.480 --> 0:18:51.919
<v Speaker 4>So then when you got to chill, came to the

0:18:52.040 --> 0:18:56.280
<v Speaker 4>E double E. Don't know where that came from. I

0:18:56.280 --> 0:18:59.560
<v Speaker 4>think it came from where the name was spelled. At first,

0:18:59.560 --> 0:19:04.960
<v Speaker 4>it was spelled E P E E M D right e.

0:19:05.240 --> 0:19:07.760
<v Speaker 4>So it was spelled but Paris used to be like,

0:19:08.000 --> 0:19:10.760
<v Speaker 4>I'm the P double E M D E E. So

0:19:11.280 --> 0:19:14.560
<v Speaker 4>I must have took it from him, like, okay, well

0:19:14.560 --> 0:19:15.399
<v Speaker 4>you're the P double.

0:19:15.640 --> 0:19:16.600
<v Speaker 3>I'm the E double E.

0:19:16.680 --> 0:19:20.120
<v Speaker 1>Then, even though you weren't in the E double, even

0:19:20.160 --> 0:19:20.920
<v Speaker 1>though I don't know.

0:19:20.840 --> 0:19:22.920
<v Speaker 3>What the E double was stand for because I don't.

0:19:23.280 --> 0:19:25.920
<v Speaker 4>Again, it's not like MC Breed where he could say

0:19:26.400 --> 0:19:27.879
<v Speaker 4>there's two e's and breed.

0:19:28.200 --> 0:19:29.880
<v Speaker 3>So he was I'm the E double.

0:19:29.880 --> 0:19:32.080
<v Speaker 4>I proclaimed my name, even though I got on him

0:19:32.119 --> 0:19:33.440
<v Speaker 4>about that too when I first met him.

0:19:33.480 --> 0:19:38.560
<v Speaker 2>I'm like, what, But how did Parish get into rocking then?

0:19:38.760 --> 0:19:41.320
<v Speaker 2>If he didn't start out as an MC?

0:19:42.480 --> 0:19:45.159
<v Speaker 4>Because Paris thought I was dope, So he figured that

0:19:45.280 --> 0:19:47.000
<v Speaker 4>with me, we can go and see you and make

0:19:47.040 --> 0:19:47.439
<v Speaker 4>a record.

0:19:48.320 --> 0:19:51.160
<v Speaker 3>See the way I rhymed and my list and everything

0:19:51.560 --> 0:19:51.960
<v Speaker 3>like that.

0:19:52.320 --> 0:19:54.639
<v Speaker 4>Again, like everybody else who heard it was like, yo,

0:19:55.080 --> 0:19:56.720
<v Speaker 4>it's it's it got an l flow.

0:19:57.040 --> 0:20:01.440
<v Speaker 3>But see my DJ Diamond. When and he first heard

0:20:02.040 --> 0:20:05.240
<v Speaker 3>my melody, he was like, Eric, is some dude named

0:20:05.320 --> 0:20:06.960
<v Speaker 3>rock Wind that sound like you?

0:20:07.640 --> 0:20:10.000
<v Speaker 4>He we didn't call him rock Hemra, it was rock Wind.

0:20:10.560 --> 0:20:12.600
<v Speaker 4>So when he came to school he said, Yo, some

0:20:12.680 --> 0:20:15.080
<v Speaker 4>kid named rock Wind is out. Boom boom boom. The

0:20:15.119 --> 0:20:18.360
<v Speaker 4>next day on the radio station, mister Red Alert I

0:20:18.440 --> 0:20:20.760
<v Speaker 4>heard it, you know, termed the base take out my

0:20:20.800 --> 0:20:23.639
<v Speaker 4>melody and now to God, I'm letting nags be born

0:20:23.760 --> 0:20:27.040
<v Speaker 4>under my name aka I. So so I'm like yo,

0:20:27.400 --> 0:20:31.080
<v Speaker 4>he rhymes slow too like men do wack give but

0:20:31.200 --> 0:20:34.520
<v Speaker 4>doug a ball on the yell. So so Paris felt too,

0:20:35.200 --> 0:20:37.240
<v Speaker 4>and we heard something on Red Alert that wasn't dope

0:20:37.359 --> 0:20:39.639
<v Speaker 4>and we were like many he playing that we can

0:20:39.680 --> 0:20:40.520
<v Speaker 4>go into last.

0:20:40.880 --> 0:20:44.440
<v Speaker 3>Paris comes from a group called the Rock Squad, which

0:20:44.640 --> 0:20:48.280
<v Speaker 3>was him k Solo and his brother, where Paris was

0:20:48.320 --> 0:20:48.800
<v Speaker 3>the DJ.

0:20:49.480 --> 0:20:52.240
<v Speaker 4>So he kind of knew how to make a record

0:20:52.280 --> 0:20:54.359
<v Speaker 4>kind of by watching his brother. So we went to

0:20:54.400 --> 0:20:58.639
<v Speaker 4>the same studio, Charlie Murrauder that did his brother's group

0:20:58.720 --> 0:21:02.359
<v Speaker 4>that also did Den'll Worry Morgan, I do anything for you.

0:21:02.400 --> 0:21:03.520
<v Speaker 3>It's done that studio too.

0:21:04.080 --> 0:21:05.960
<v Speaker 1>Oh okay, okay okay.

0:21:06.119 --> 0:21:09.080
<v Speaker 4>Then eventually Red Man thatss effects. Everything was done at Charlie.

0:21:14.200 --> 0:21:18.360
<v Speaker 1>Why did you decide to come in flat footed and monitor?

0:21:18.560 --> 0:21:21.359
<v Speaker 1>To me? Which is the greatest shit ever? Yeah?

0:21:21.359 --> 0:21:24.760
<v Speaker 3>I think that me and Paris the slow flow like

0:21:24.920 --> 0:21:25.360
<v Speaker 3>Rock Kim.

0:21:25.960 --> 0:21:28.320
<v Speaker 4>I was already doing it, but when I heard Rock Kim,

0:21:28.400 --> 0:21:30.399
<v Speaker 4>it made me be like, yo, we can Rhyme'm like this,

0:21:31.200 --> 0:21:31.720
<v Speaker 4>don't forget.

0:21:31.960 --> 0:21:35.359
<v Speaker 3>You can barely understand me anyway, So if I don't

0:21:35.480 --> 0:21:37.639
<v Speaker 3>talk it.

0:21:36.720 --> 0:21:40.000
<v Speaker 4>It's gonna be really hard to hear me. So that

0:21:40.080 --> 0:21:43.840
<v Speaker 4>Quesson's easy. I had no choice, so you had to

0:21:43.880 --> 0:21:46.640
<v Speaker 4>see the employees of a year. Yeah, we're back to work.

0:21:46.680 --> 0:21:49.119
<v Speaker 4>I get time or all the raptors pass because I

0:21:49.160 --> 0:21:51.680
<v Speaker 4>had to. But you didn't hear the words come out

0:21:51.960 --> 0:21:54.680
<v Speaker 4>without the list. See now, I didn't make my list

0:21:54.960 --> 0:21:58.360
<v Speaker 4>go away when I got older. I got older, and

0:21:58.400 --> 0:22:02.200
<v Speaker 4>this is how I started talking. So inside the rhyme,

0:22:02.520 --> 0:22:05.240
<v Speaker 4>there's nothing I can do with it. I was wondering too,

0:22:05.680 --> 0:22:08.200
<v Speaker 4>Why am not being able to listen to words? Why

0:22:08.320 --> 0:22:10.000
<v Speaker 4>is maythan Biggie and them?

0:22:10.080 --> 0:22:10.240
<v Speaker 3>Yo?

0:22:10.359 --> 0:22:14.080
<v Speaker 4>Somebody told me that Puffy told Mace listen sound like

0:22:14.200 --> 0:22:17.399
<v Speaker 4>Eric Sermon, and that came from mad people, and people

0:22:17.440 --> 0:22:20.760
<v Speaker 4>were like, listen. And then when I was doing Mary J.

0:22:20.840 --> 0:22:23.640
<v Speaker 4>Blige upstairs and Hip Factory, I went to go see

0:22:23.640 --> 0:22:26.480
<v Speaker 4>Biggie and b said, Yo, take it out, sir, Yo.

0:22:26.920 --> 0:22:29.159
<v Speaker 4>I want to let you know that on my new album,

0:22:29.400 --> 0:22:30.440
<v Speaker 4>I'm gonna be singing like you.

0:22:30.520 --> 0:22:33.040
<v Speaker 3>It's what you mean. All of a sudden, hypnotized comes

0:22:33.040 --> 0:22:35.480
<v Speaker 3>out these stories, you know.

0:22:35.520 --> 0:22:38.480
<v Speaker 4>I mean, I would never cap one with nobody, but again,

0:22:38.520 --> 0:22:41.280
<v Speaker 4>when I hear these things, I'd be like yo.

0:22:41.560 --> 0:22:44.880
<v Speaker 3>So this was a method that people was trying to do.

0:22:45.200 --> 0:22:47.919
<v Speaker 3>Like you liked. You liked it, but quest I didn't

0:22:47.920 --> 0:22:50.159
<v Speaker 3>do it on purpose. But what I did do.

0:22:50.440 --> 0:22:54.680
<v Speaker 4>Knowing that you're right, Leo Cohen thought, Redman sound like me, right,

0:22:54.960 --> 0:22:57.840
<v Speaker 4>and I'm like real, he said, no, it ain't how

0:22:57.920 --> 0:23:03.760
<v Speaker 4>the rhyming, it's the tone. So me having Reggie around me,

0:23:04.240 --> 0:23:06.879
<v Speaker 4>of course it's gonna affect me, right, Not that you

0:23:07.040 --> 0:23:09.760
<v Speaker 4>had to, because when I did watch your nugget on

0:23:09.800 --> 0:23:13.960
<v Speaker 4>his album, I was still me. But once Reggie started

0:23:14.160 --> 0:23:19.439
<v Speaker 4>becoming Reggie, and then I did hit and Switches right,

0:23:19.520 --> 0:23:22.800
<v Speaker 4>because Reggie came to Atlanta and said, Yo, son, yo,

0:23:23.800 --> 0:23:26.840
<v Speaker 4>I'm not really feeling this stuff you play me because

0:23:26.880 --> 0:23:29.880
<v Speaker 4>I was on some some other I was mad comfortable.

0:23:30.240 --> 0:23:31.840
<v Speaker 4>This is not that and this, and I didn't even

0:23:31.960 --> 0:23:36.320
<v Speaker 4>have hit switches, stay real, none of that stuff hostile,

0:23:36.480 --> 0:23:41.680
<v Speaker 4>none of it. So now he tells me too, So

0:23:41.840 --> 0:23:45.000
<v Speaker 4>that's what happened to me. Now you bring something up,

0:23:45.680 --> 0:23:49.159
<v Speaker 4>damn it, Reggie. Reggie was like, yo, man, you solo,

0:23:49.280 --> 0:23:52.640
<v Speaker 4>now you know what's up. So now it's Mike check.

0:23:52.880 --> 0:23:55.400
<v Speaker 4>Here I go again, check me out. But I'm over

0:23:55.440 --> 0:23:59.399
<v Speaker 4>here now. And then now you have the onyx and

0:23:59.520 --> 0:24:02.920
<v Speaker 4>all this stuff coming that and this, and then you

0:24:03.040 --> 0:24:07.840
<v Speaker 4>got Reggie. Oh my god, you know Mike check your repman,

0:24:07.880 --> 0:24:10.880
<v Speaker 4>get off that Mike check. I could get so all

0:24:10.920 --> 0:24:13.720
<v Speaker 4>of this is going. I'm watching the Cadenus. I'm Washington.

0:24:13.800 --> 0:24:16.400
<v Speaker 4>All of a sudden, Hey Solo brings me this kid

0:24:16.920 --> 0:24:20.040
<v Speaker 4>of the block who's oh yea yoyo, my name is

0:24:20.080 --> 0:24:23.560
<v Speaker 4>keeping my boom boom. And I was like, check this boot,

0:24:23.560 --> 0:24:26.120
<v Speaker 4>part of the plage in your chest, act like arm

0:24:26.160 --> 0:24:28.639
<v Speaker 4>and leg when I come through, got your cranium. I'm like,

0:24:29.040 --> 0:24:32.480
<v Speaker 4>so even though I might want to do this, it's

0:24:32.520 --> 0:24:34.159
<v Speaker 4>got to be over here. And that's I think what

0:24:34.280 --> 0:24:38.879
<v Speaker 4>probably happened. But just like music has summer every sermon.

0:24:39.200 --> 0:24:41.200
<v Speaker 1>Yes, yes, yes, my life.

0:24:41.320 --> 0:24:46.160
<v Speaker 2>I will also say that you know, it wasn't often,

0:24:46.680 --> 0:24:52.160
<v Speaker 2>especially back in eighty eight, where you would see a

0:24:52.200 --> 0:24:59.080
<v Speaker 2>summit meeting of frus from opposite sides of the coast

0:24:59.280 --> 0:25:02.639
<v Speaker 2>or you know, wherever they were from, like normally birds

0:25:02.680 --> 0:25:08.480
<v Speaker 2>of a feather flocked together, and seeing NWA in the

0:25:08.520 --> 0:25:09.760
<v Speaker 2>big paypack video.

0:25:10.760 --> 0:25:13.400
<v Speaker 1>It was like such a big deal for us.

0:25:13.280 --> 0:25:18.119
<v Speaker 2>Like yo EPMD knows NWA like craz That's how me

0:25:18.160 --> 0:25:20.920
<v Speaker 2>and Reek were like watching your TV reps like you

0:25:21.359 --> 0:25:23.919
<v Speaker 2>are a g Funk pioneer that never got the credit,

0:25:24.680 --> 0:25:28.160
<v Speaker 2>and you are also a neo soul pioneer that never

0:25:28.200 --> 0:25:34.280
<v Speaker 2>got the credit. But do you think that because of

0:25:34.400 --> 0:25:38.840
<v Speaker 2>the sort of the thick texture of your production for

0:25:38.920 --> 0:25:41.800
<v Speaker 2>those like first two epm D records where like the

0:25:41.960 --> 0:25:46.160
<v Speaker 2>zap claps for like like that spoke to the West

0:25:46.200 --> 0:25:49.600
<v Speaker 2>Coast more than any more than Public Enemy could have

0:25:50.200 --> 0:25:51.000
<v Speaker 2>because it's touring.

0:25:52.119 --> 0:25:54.800
<v Speaker 4>Don't forget this, it's touring, you know. So so you

0:25:54.800 --> 0:25:57.240
<v Speaker 4>know that was the LA was one of my biggest

0:25:57.240 --> 0:26:00.000
<v Speaker 4>markets because the way they thought me. And when you

0:26:00.080 --> 0:26:02.439
<v Speaker 4>here Snoop telling the story, Snoop said, he drove to

0:26:02.440 --> 0:26:05.960
<v Speaker 4>Britwood looking for me in Parish, right because they don't

0:26:05.960 --> 0:26:08.960
<v Speaker 4>forget this in Britwood in California. So he's so he's

0:26:08.960 --> 0:26:11.640
<v Speaker 4>in Britwood thinking that we're from the suburbs.

0:26:12.080 --> 0:26:14.080
<v Speaker 1>Oh okay, okay, So.

0:26:14.440 --> 0:26:16.080
<v Speaker 3>He told the story a couple of times.

0:26:16.119 --> 0:26:19.040
<v Speaker 4>But anyway, being on tour, but me and Cube was tight,

0:26:19.240 --> 0:26:21.399
<v Speaker 4>like like I had a seven roses Zukie. When I

0:26:21.400 --> 0:26:24.280
<v Speaker 4>went to Laq picked me up, he had seven rosa Zukie,

0:26:24.760 --> 0:26:27.920
<v Speaker 4>you know. And again at the end of the day,

0:26:28.680 --> 0:26:31.480
<v Speaker 4>me and Dre was two people that was on both

0:26:31.520 --> 0:26:33.280
<v Speaker 4>sides stample in Parliament.

0:26:33.520 --> 0:26:34.280
<v Speaker 3>Don't forget them.

0:26:35.160 --> 0:26:37.480
<v Speaker 4>He was doing it first in eighty seven before me

0:26:37.520 --> 0:26:38.560
<v Speaker 4>and Parish even came out.

0:26:39.040 --> 0:26:41.560
<v Speaker 3>It wasn't like, okay, people credit me.

0:26:42.560 --> 0:26:44.840
<v Speaker 4>Like if you talk to dub C, he has say yo,

0:26:45.440 --> 0:26:48.720
<v Speaker 4>I got to get the the West Coast hat to

0:26:48.880 --> 0:26:50.280
<v Speaker 4>Eric sermon because.

0:26:51.720 --> 0:26:53.800
<v Speaker 3>They showed us how to rap on this music.

0:26:54.200 --> 0:26:59.800
<v Speaker 4>So while we was playing Roger, they was rhyming on Roja.

0:27:00.080 --> 0:27:02.960
<v Speaker 4>While we was playing Riding High, they were rapping on

0:27:03.119 --> 0:27:07.119
<v Speaker 4>Riding High. So all the stuff that they hearing on

0:27:07.280 --> 0:27:10.400
<v Speaker 4>the way that Me and Paris did the Funk records

0:27:10.680 --> 0:27:13.040
<v Speaker 4>were different than what they was doing it, so it

0:27:13.119 --> 0:27:15.800
<v Speaker 4>kind of gave them a blueprint. If you hear people talk,

0:27:16.119 --> 0:27:22.160
<v Speaker 4>they say Dre enhanced the stuff I did by playing live.

0:27:22.320 --> 0:27:24.560
<v Speaker 3>So if you hear woman to woman.

0:27:25.000 --> 0:27:29.320
<v Speaker 4>But then be bet, I just sampled it right. He

0:27:29.440 --> 0:27:31.800
<v Speaker 4>did kind of fun your Love and we played them

0:27:31.800 --> 0:27:36.080
<v Speaker 4>now it's bigger so and then once EPMD broke up,

0:27:36.560 --> 0:27:39.600
<v Speaker 4>he was able to go to Roger too, you know,

0:27:40.480 --> 0:27:41.359
<v Speaker 4>things of that nature.

0:27:41.960 --> 0:27:45.760
<v Speaker 2>How are you developing your production skills and your rhyming

0:27:45.880 --> 0:27:51.320
<v Speaker 2>skills in eighty seven in time for like your debut record,

0:27:51.520 --> 0:27:54.800
<v Speaker 2>because you know, like how long did the epm D

0:27:55.200 --> 0:27:59.280
<v Speaker 2>exist before you guys actually got strictly business to the public.

0:28:00.119 --> 0:28:04.280
<v Speaker 4>Yeah, see the ones that fast. The one thing that

0:28:04.320 --> 0:28:07.040
<v Speaker 4>you that we didn't know. We didn't know what the

0:28:07.080 --> 0:28:10.119
<v Speaker 4>producer was. We thought every record you heard was done

0:28:10.119 --> 0:28:10.960
<v Speaker 4>by that person.

0:28:12.080 --> 0:28:12.879
<v Speaker 3>It's not crazy.

0:28:12.960 --> 0:28:15.640
<v Speaker 4>So we're doing what we think we're supposed to be doing.

0:28:15.680 --> 0:28:18.160
<v Speaker 4>We didn't know about we was producers. We never heard

0:28:18.200 --> 0:28:21.320
<v Speaker 4>that word. We just wanted to make a record. So

0:28:21.400 --> 0:28:24.280
<v Speaker 4>we took the break beachs that we had that parents

0:28:24.280 --> 0:28:27.040
<v Speaker 4>had at the DJ, took records from each other houses,

0:28:27.080 --> 0:28:30.359
<v Speaker 4>the whole nine, and that's how formulated epm D. You know,

0:28:30.400 --> 0:28:32.720
<v Speaker 4>we made what was in front of us, not knowing

0:28:32.720 --> 0:28:33.440
<v Speaker 4>what we were doing.

0:28:33.600 --> 0:28:35.639
<v Speaker 3>Don't forget. We didn't know how to make a chorus.

0:28:35.800 --> 0:28:39.600
<v Speaker 4>So will Stocklove called the Autumn two all your two

0:28:39.640 --> 0:28:41.280
<v Speaker 4>came and said, let me get that seven minutes to

0:28:41.320 --> 0:28:44.160
<v Speaker 4>Funk record because we just had the record looping. So

0:28:44.240 --> 0:28:46.920
<v Speaker 4>when it's my thing, we said it's my thing, there's

0:28:47.040 --> 0:28:51.360
<v Speaker 4>nothing there, so Teddy Ted said give me and he said,

0:28:51.360 --> 0:28:54.200
<v Speaker 4>give me that record. So he found that tim boom,

0:28:54.400 --> 0:28:58.280
<v Speaker 4>tim boom, and then that fam f be so called

0:28:58.480 --> 0:29:01.200
<v Speaker 4>me how to format a chorus. I would never even

0:29:01.280 --> 0:29:03.840
<v Speaker 4>known how to due a chorus or format. It was

0:29:04.240 --> 0:29:06.400
<v Speaker 4>caught to me by the author two.

0:29:07.160 --> 0:29:09.280
<v Speaker 1>So there was a version of It's My Thing that

0:29:09.320 --> 0:29:10.840
<v Speaker 1>didn't have no version of.

0:29:10.760 --> 0:29:12.360
<v Speaker 3>This report record came out.

0:29:12.920 --> 0:29:15.720
<v Speaker 4>The label was telling us that we needed to have

0:29:15.760 --> 0:29:18.480
<v Speaker 4>a chorus and to know the chorus, get ready to

0:29:18.520 --> 0:29:18.920
<v Speaker 4>come in?

0:29:19.400 --> 0:29:20.200
<v Speaker 1>Got it okay?

0:29:20.240 --> 0:29:23.360
<v Speaker 4>Because all we had was it It's my thing louder.

0:29:23.600 --> 0:29:25.600
<v Speaker 4>All we had was that we didn't have the drum

0:29:25.680 --> 0:29:28.320
<v Speaker 4>roll and the the horn to be like the boy

0:29:28.400 --> 0:29:30.480
<v Speaker 4>can drop down and come back to the raps.

0:29:30.640 --> 0:29:31.080
<v Speaker 3>We end up.

0:29:31.120 --> 0:29:34.040
<v Speaker 4>You had to split it up so there's a chorus

0:29:34.040 --> 0:29:36.720
<v Speaker 4>and then there's a part you uy on. And once

0:29:36.760 --> 0:29:39.520
<v Speaker 4>we learned that, I went nuts, did and I started

0:29:39.560 --> 0:29:44.720
<v Speaker 4>doing get down, Get down. Time keeps on slipping. So

0:29:44.840 --> 0:29:47.400
<v Speaker 4>now I was just knowing what to do now. And

0:29:47.440 --> 0:29:49.240
<v Speaker 4>then when the thing came out, I was like, to

0:29:49.280 --> 0:29:52.360
<v Speaker 4>what you're saying, Now we're in it.

0:29:52.400 --> 0:29:55.120
<v Speaker 2>Now you're not a format of song. I get it

0:29:55.520 --> 0:29:58.120
<v Speaker 2>so right before your album comes out. So let's go

0:29:58.240 --> 0:30:00.600
<v Speaker 2>here back in eighty seven, and it's thing came out

0:30:00.600 --> 0:30:01.920
<v Speaker 2>in eighty seven, correct.

0:30:01.880 --> 0:30:05.160
<v Speaker 3>Eighty seven November. Yes, So in your.

0:30:05.040 --> 0:30:11.480
<v Speaker 2>Mind, what does hip hop success look like like?

0:30:12.160 --> 0:30:14.000
<v Speaker 1>Ah, we made it.

0:30:15.400 --> 0:30:16.000
<v Speaker 3>Up on the radio.

0:30:16.880 --> 0:30:20.320
<v Speaker 4>And one night we hear seven as the Funk coming on.

0:30:20.480 --> 0:30:23.760
<v Speaker 4>But there's no no rhymeen, just whether to spend the record.

0:30:24.440 --> 0:30:24.800
<v Speaker 1>Okay.

0:30:24.960 --> 0:30:27.840
<v Speaker 4>All of a sudden, the next weekend we hear the

0:30:27.920 --> 0:30:32.360
<v Speaker 4>helicopters quest so so so we know it's us because

0:30:32.800 --> 0:30:36.160
<v Speaker 4>the helicopters was coming on. And don't forget, they didn't

0:30:36.160 --> 0:30:39.080
<v Speaker 4>have two way back then, so every phone line is busy.

0:30:40.000 --> 0:30:42.120
<v Speaker 3>That's when you know you made it. When you on

0:30:42.200 --> 0:30:42.719
<v Speaker 3>the radio.

0:30:43.040 --> 0:30:45.600
<v Speaker 4>That's what we wanted to be on the radio, know

0:30:45.720 --> 0:30:47.920
<v Speaker 4>about no money, no advances, who jerking?

0:30:47.960 --> 0:30:50.479
<v Speaker 3>Who? Whatever is the record gonna be on the radio?

0:30:51.880 --> 0:30:54.440
<v Speaker 2>Wait, you brought up something that I gotta ask you

0:30:54.480 --> 0:30:58.400
<v Speaker 2>a question about. So my first rap show I ever

0:30:58.480 --> 0:31:03.400
<v Speaker 2>saw it was a free rap show that EPMD did

0:31:03.440 --> 0:31:05.240
<v Speaker 2>in Philadelphia at Penn's landing.

0:31:05.520 --> 0:31:10.560
<v Speaker 3>Oh wait, wait, wait, hold up, okay, wait, I tell

0:31:10.640 --> 0:31:15.720
<v Speaker 3>the story all the time. Speaking of helicopters because me.

0:31:15.720 --> 0:31:20.120
<v Speaker 4>And Paris jump out the limo too early, and okay,

0:31:20.120 --> 0:31:24.000
<v Speaker 4>three thousand kids chased us until we had to jump

0:31:24.040 --> 0:31:27.440
<v Speaker 4>over a twelve foot gate. I felt like Michael Jackson,

0:31:27.640 --> 0:31:31.719
<v Speaker 4>I put the mother was born. I've never seen that before.

0:31:32.200 --> 0:31:35.320
<v Speaker 4>Billy chased us like we was Michael Jackson.

0:31:35.600 --> 0:31:38.600
<v Speaker 1>Yes, yes, Doug, I know this.

0:31:39.800 --> 0:31:40.240
<v Speaker 3>Pen's like.

0:31:40.760 --> 0:31:42.880
<v Speaker 1>My question was, do you remember that show? I don't

0:31:42.880 --> 0:31:43.600
<v Speaker 1>think you will remember it.

0:31:43.760 --> 0:31:47.080
<v Speaker 4>I thought me and Pete teller every time because we

0:31:47.160 --> 0:31:50.520
<v Speaker 4>never had that You had experienced before of people running

0:31:50.560 --> 0:31:53.680
<v Speaker 4>it like that, but not like that? Did that thing

0:31:53.880 --> 0:31:56.000
<v Speaker 4>was on someone you see one of them boy band

0:31:56.080 --> 0:31:59.160
<v Speaker 4>groups men like yo. We had to run and there

0:31:59.240 --> 0:32:01.960
<v Speaker 4>was a kid running.

0:32:02.560 --> 0:32:05.680
<v Speaker 2>Yeah, I'm a witness to that. Wait, but didn't you

0:32:05.680 --> 0:32:07.040
<v Speaker 2>guys land in a helicopter?

0:32:07.160 --> 0:32:07.360
<v Speaker 3>Yes?

0:32:07.840 --> 0:32:09.840
<v Speaker 1>Yes, whose idea was that.

0:32:10.560 --> 0:32:13.080
<v Speaker 4>It wasn't because we had no other way to get

0:32:13.080 --> 0:32:14.120
<v Speaker 4>there to make it in time.

0:32:15.680 --> 0:32:16.880
<v Speaker 3>So I don't know.

0:32:17.120 --> 0:32:20.800
<v Speaker 2>How this is before bawling was even thought about, Like,

0:32:21.120 --> 0:32:22.960
<v Speaker 2>you don't understand how impressionable.

0:32:23.200 --> 0:32:23.960
<v Speaker 1>Now here's the thing.

0:32:24.320 --> 0:32:26.960
<v Speaker 2>Tarika and I didn't know each other, you know what

0:32:27.000 --> 0:32:31.080
<v Speaker 2>I mean, but we were both at that show and

0:32:31.280 --> 0:32:35.640
<v Speaker 2>seeing no way Well believe it or not. We were

0:32:35.720 --> 0:32:39.520
<v Speaker 2>actually in the same high school, but two and two

0:32:39.600 --> 0:32:42.200
<v Speaker 2>didn't equal four yet, you know what I'm saying. He

0:32:42.320 --> 0:32:44.040
<v Speaker 2>was there and I was there, but we didn't know

0:32:44.080 --> 0:32:46.320
<v Speaker 2>each other like that, even though we were in school together.

0:32:46.600 --> 0:32:50.320
<v Speaker 2>But we talked about it later about being at pens

0:32:50.400 --> 0:32:58.959
<v Speaker 2>Landing and you don't understand like being sixteen seeing YouTube

0:32:59.000 --> 0:33:01.680
<v Speaker 2>get out of a hellic copter, like I thought it

0:33:01.720 --> 0:33:03.000
<v Speaker 2>was this normal ship because.

0:33:02.920 --> 0:33:05.120
<v Speaker 4>You know, nobody's gonna believe it even if you tell

0:33:05.200 --> 0:33:09.720
<v Speaker 4>the story people like nau Is capping there's no dude.

0:33:09.640 --> 0:33:14.720
<v Speaker 2>Well number one run DMC use the helicopter and it's

0:33:14.760 --> 0:33:18.480
<v Speaker 2>tricky video, yes, and then you had the helicopter sound

0:33:18.520 --> 0:33:21.080
<v Speaker 2>at the beginning of It's my thing, right, So I

0:33:21.160 --> 0:33:24.400
<v Speaker 2>just thought, oh, on your rider, y'all gotta always arrive

0:33:24.880 --> 0:33:27.280
<v Speaker 2>wherever y'all at in a helicopter.

0:33:27.920 --> 0:33:31.200
<v Speaker 1>So how did y'all wind up on sleeping back records?

0:33:31.720 --> 0:33:35.720
<v Speaker 4>Well again, me and Paris those that demo story is true.

0:33:35.760 --> 0:33:40.000
<v Speaker 4>We built a sixty eighth Camaro from scratch, you know,

0:33:40.920 --> 0:33:44.200
<v Speaker 4>we're you know, took off the hard was that.

0:33:44.280 --> 0:33:47.400
<v Speaker 1>Some long island ship like some leven long island You

0:33:47.600 --> 0:33:48.479
<v Speaker 1>how to fix cars.

0:33:48.600 --> 0:33:50.600
<v Speaker 3>We had a shop, you know, shot we did, but

0:33:50.680 --> 0:33:53.480
<v Speaker 3>we did Paris did too. So we shipped the car down,

0:33:53.680 --> 0:33:55.840
<v Speaker 3>took off the bottle off the top, this and that.

0:33:55.960 --> 0:33:58.760
<v Speaker 4>It was a paint shop called Earl Shives. People don't

0:33:58.800 --> 0:34:03.200
<v Speaker 4>know about that for the whole car. Tape up the headlights,

0:34:03.200 --> 0:34:05.400
<v Speaker 4>tape up all the throw a handles, the whole nine

0:34:05.840 --> 0:34:08.560
<v Speaker 4>car come out spanking cool, and we knew, I think

0:34:08.640 --> 0:34:11.000
<v Speaker 4>it was not that good, but we took it anyway.

0:34:11.400 --> 0:34:13.440
<v Speaker 4>That's why we always said that when he says he

0:34:13.560 --> 0:34:16.520
<v Speaker 4>double had to push by MD Steads, because that happened

0:34:16.520 --> 0:34:19.719
<v Speaker 4>the car broke down. But anyway, we went shopping to

0:34:19.880 --> 0:34:23.080
<v Speaker 4>three places and we got the addresses on the album

0:34:23.080 --> 0:34:25.560
<v Speaker 4>covers at home and you write them down. You go

0:34:25.600 --> 0:34:29.080
<v Speaker 4>to Manhattan and you go walk and our third place

0:34:29.520 --> 0:34:32.320
<v Speaker 4>happened to be we had to just ice album.

0:34:32.760 --> 0:34:34.080
<v Speaker 3>I'm the just iced thing, so you.

0:34:37.040 --> 0:34:40.400
<v Speaker 4>I'm trying to just ice LaToya so so, and LaToya

0:34:40.480 --> 0:34:42.399
<v Speaker 4>was played at the at the jam, at the house

0:34:42.440 --> 0:34:45.799
<v Speaker 4>party all the time. So we had that. That was

0:34:45.840 --> 0:34:49.440
<v Speaker 4>our last place. But a guy named Virgil Sims. Vergil

0:34:49.480 --> 0:34:52.600
<v Speaker 4>took us inside the inside to go meet Ron Resnick,

0:34:53.120 --> 0:34:54.719
<v Speaker 4>and that was it and then all of a sudden

0:34:54.760 --> 0:34:55.080
<v Speaker 4>we got a.

0:34:55.080 --> 0:34:56.279
<v Speaker 3>Call back the third day.

0:34:56.640 --> 0:34:59.200
<v Speaker 4>Like people talk about this, Me and Pete didn't have

0:34:59.320 --> 0:35:00.480
<v Speaker 4>that type of struggle.

0:35:00.920 --> 0:35:03.759
<v Speaker 3>Like I said, four we got turned down twice. I

0:35:03.760 --> 0:35:07.200
<v Speaker 3>think it was Atlantic and I think something was probably

0:35:07.640 --> 0:35:10.920
<v Speaker 3>I don't know, Sonya something on one of the things.

0:35:10.960 --> 0:35:13.719
<v Speaker 3>And after that the third phone call was you know,

0:35:13.960 --> 0:35:16.279
<v Speaker 3>they came and signed us. It was fifteen hundred dollars though, but.

0:35:16.239 --> 0:35:20.480
<v Speaker 2>We got signed after signing the Sleeping Bag. How do

0:35:20.520 --> 0:35:23.040
<v Speaker 2>you guys like plan out what the album is? Like,

0:35:23.080 --> 0:35:26.080
<v Speaker 2>how do you guys who's teaching you how to produce?

0:35:26.160 --> 0:35:26.239
<v Speaker 3>Like?

0:35:26.280 --> 0:35:29.240
<v Speaker 1>What equipment were you using back then? On the first record?

0:35:29.440 --> 0:35:31.320
<v Speaker 3>We didn't use. No, we didn't have no equipment. Not.

0:35:31.680 --> 0:35:33.720
<v Speaker 4>The stuff that we did was done with the engineer,

0:35:33.800 --> 0:35:36.520
<v Speaker 4>Charlie Marauder. We didn't have whatever he had up there

0:35:36.560 --> 0:35:37.000
<v Speaker 4>we use.

0:35:37.400 --> 0:35:37.960
<v Speaker 3>Don't forget.

0:35:38.080 --> 0:35:42.000
<v Speaker 4>We was making loops with quarterman's taping and taping around

0:35:42.000 --> 0:35:43.480
<v Speaker 4>the room and looping it back to half.

0:35:43.520 --> 0:35:44.239
<v Speaker 3>It's like we was.

0:35:44.239 --> 0:35:47.560
<v Speaker 1>Wait, really yeah, the Beastie boy style.

0:35:47.640 --> 0:35:50.760
<v Speaker 2>Okay, So ad Rock talked about that that they weren't

0:35:50.800 --> 0:35:54.160
<v Speaker 2>using drum machines yet they were just expl he explain

0:35:54.239 --> 0:35:58.480
<v Speaker 2>that process, like because I still don't understand the idea

0:35:58.480 --> 0:36:02.799
<v Speaker 2>of going around the room and putting pencils up, because.

0:36:03.160 --> 0:36:06.799
<v Speaker 4>It wasn't no programs for sathing like that like that

0:36:06.960 --> 0:36:09.720
<v Speaker 4>we knew about, you know, don't forget Hank Stockings.

0:36:09.760 --> 0:36:11.759
<v Speaker 3>It was probably advanced the whole nine.

0:36:11.800 --> 0:36:14.520
<v Speaker 4>And then and whatever you heard that from from from

0:36:14.920 --> 0:36:16.000
<v Speaker 4>Beastie Boys.

0:36:16.400 --> 0:36:17.560
<v Speaker 3>This is what Charlie had.

0:36:17.600 --> 0:36:20.560
<v Speaker 4>We didn't have nothing to keep doing this, and we

0:36:20.600 --> 0:36:23.080
<v Speaker 4>only had eight tracks on the task AM, so we

0:36:23.160 --> 0:36:25.440
<v Speaker 4>had to make do with what we had. But the

0:36:25.520 --> 0:36:29.080
<v Speaker 4>looping part, there was no machine that we had that

0:36:29.120 --> 0:36:32.440
<v Speaker 4>would loop. So all we had was to record to

0:36:32.640 --> 0:36:35.399
<v Speaker 4>tape and then splice it and then make the loop

0:36:35.440 --> 0:36:38.040
<v Speaker 4>and then record it back to tape and then record

0:36:38.080 --> 0:36:38.319
<v Speaker 4>from that.

0:36:39.400 --> 0:36:41.560
<v Speaker 2>So wait, you're saying that some of the first album

0:36:41.640 --> 0:36:44.239
<v Speaker 2>was done on an eight track task and.

0:36:43.920 --> 0:36:46.239
<v Speaker 3>All of it, all, all the first two albums done

0:36:46.239 --> 0:36:51.200
<v Speaker 3>on task AM and and red the tapes or cassettes, no,

0:36:51.640 --> 0:36:54.239
<v Speaker 3>meaning that the task and board the.

0:36:55.719 --> 0:36:59.960
<v Speaker 4>Okay, so all you heard what the album, that's effects

0:37:00.640 --> 0:37:03.799
<v Speaker 4>first album. All that was done and on the on

0:37:03.880 --> 0:37:04.520
<v Speaker 4>the eight track.

0:37:05.440 --> 0:37:09.480
<v Speaker 2>Not with the album crammed on the R alone on

0:37:09.600 --> 0:37:10.040
<v Speaker 2>a track.

0:37:11.239 --> 0:37:14.680
<v Speaker 1>Dude, there's like forty two trillion samples on the r NO.

0:37:14.840 --> 0:37:16.719
<v Speaker 4>But after it went from the eight track, we went

0:37:16.760 --> 0:37:19.840
<v Speaker 4>to power play to d O C and that made

0:37:19.880 --> 0:37:23.759
<v Speaker 4>some other other change. But the majority of the album

0:37:23.880 --> 0:37:28.400
<v Speaker 4>when it was done was done on eight track. Hikes

0:37:28.680 --> 0:37:31.520
<v Speaker 4>so and and don't forget the The ratings are stuff

0:37:31.520 --> 0:37:33.799
<v Speaker 4>when you either, but you can't fuck it ain't that much.

0:37:34.520 --> 0:37:35.160
<v Speaker 3>Only only you.

0:37:35.600 --> 0:37:38.960
<v Speaker 4>The James Bond sample, the Kiss Them, I loved drums

0:37:39.080 --> 0:37:40.040
<v Speaker 4>and and that's it.

0:37:40.120 --> 0:37:41.760
<v Speaker 3>But I don't know what you hearing.

0:37:41.840 --> 0:37:45.799
<v Speaker 2>It's not a you kind of have a bomb squattish

0:37:46.480 --> 0:37:51.040
<v Speaker 2>I do. I do texture like even one of your

0:37:51.040 --> 0:37:55.560
<v Speaker 2>favorite productions when you did run DMCs Uh can I

0:37:55.560 --> 0:37:55.840
<v Speaker 2>get it?

0:37:55.880 --> 0:37:59.880
<v Speaker 3>Ye? Hold up yo of question? What is wrong with

0:38:00.320 --> 0:38:02.160
<v Speaker 3>Nobody would ever mention that record?

0:38:03.200 --> 0:38:03.960
<v Speaker 1>Are you crazy?

0:38:05.680 --> 0:38:07.440
<v Speaker 3>Nobody knows about that record but you.

0:38:08.160 --> 0:38:10.800
<v Speaker 1>Because the thing is, you have like three baselines.

0:38:11.160 --> 0:38:14.440
<v Speaker 3>I do when I know I did.

0:38:19.920 --> 0:38:23.520
<v Speaker 2>My theory is that Public Enemy crams a bunch of

0:38:23.600 --> 0:38:26.920
<v Speaker 2>mid range and high end samples. That sounds chaotic, But

0:38:28.239 --> 0:38:36.680
<v Speaker 2>you would just mix Jesus like four baselines, even what

0:38:36.719 --> 0:38:40.480
<v Speaker 2>you did in the hest, like with the eight O

0:38:40.560 --> 0:38:44.560
<v Speaker 2>eights and like I just never saw a person just

0:38:45.400 --> 0:38:48.840
<v Speaker 2>mash up a bunch of baselines together. It was the

0:38:48.920 --> 0:38:53.959
<v Speaker 2>samples like imagine again you know you hear something right,

0:38:54.440 --> 0:38:59.640
<v Speaker 2>and I'm not knowing for us to take out the

0:38:59.680 --> 0:39:04.239
<v Speaker 2>base of the sample on mixing and need that, I

0:39:04.280 --> 0:39:09.280
<v Speaker 2>guess is the engineer neither. So Pharrell's like, Eric, whatever

0:39:09.520 --> 0:39:13.959
<v Speaker 2>that W thirty does for you, it makes no sense

0:39:14.000 --> 0:39:15.640
<v Speaker 2>because there's no other sound like it.

0:39:15.880 --> 0:39:16.799
<v Speaker 3>Because also to.

0:39:17.880 --> 0:39:21.920
<v Speaker 4>The machine I use, was was on some it did

0:39:21.960 --> 0:39:25.439
<v Speaker 4>some other things though pus that you would not use.

0:39:26.000 --> 0:39:29.040
<v Speaker 3>It was a rolling W thirty. You only had fifteen seconds.

0:39:29.719 --> 0:39:31.440
<v Speaker 1>Oh okay, don't forget.

0:39:31.440 --> 0:39:32.960
<v Speaker 3>So I was doing this thing stuff. They were doing

0:39:32.960 --> 0:39:35.239
<v Speaker 3>the spe to one hundred, the same thing I was doing,

0:39:35.280 --> 0:39:37.600
<v Speaker 3>the being up fast, being down slow.

0:39:38.160 --> 0:39:39.759
<v Speaker 1>So would you lay it one track at a time?

0:39:40.600 --> 0:39:42.239
<v Speaker 3>Not really, No, I was.

0:39:42.160 --> 0:39:44.359
<v Speaker 4>Doing it, but some stuff was sped up to where

0:39:44.400 --> 0:39:47.560
<v Speaker 4>I can samping because only they had fifteen seconds.

0:39:47.840 --> 0:39:48.160
<v Speaker 1>Got it.

0:39:48.239 --> 0:39:51.279
<v Speaker 3>Don't forget. All those beats you heard was made in

0:39:51.360 --> 0:39:56.520
<v Speaker 3>the fifteen second radius. Say, was done with loops.

0:39:56.680 --> 0:39:59.280
<v Speaker 4>And that's why when you hear jazz, don't speak about

0:39:59.320 --> 0:40:00.360
<v Speaker 4>or jay Z's about.

0:40:00.520 --> 0:40:01.960
<v Speaker 3>I don't know how Eric had that.

0:40:02.000 --> 0:40:04.840
<v Speaker 4>It's my thing going because jazzo tried to loop it

0:40:04.920 --> 0:40:07.200
<v Speaker 4>and it just didn't loop right, you know, but again

0:40:07.680 --> 0:40:10.920
<v Speaker 4>not knowing that we spliced it had a looping around

0:40:10.920 --> 0:40:12.359
<v Speaker 4>the room to take.

0:40:12.520 --> 0:40:15.080
<v Speaker 3>So the splice gave the nice cut. It wasn't a

0:40:15.160 --> 0:40:15.960
<v Speaker 3>sambling machine.

0:40:16.080 --> 0:40:19.319
<v Speaker 2>Did you always stick with the rolling no matter what?

0:40:19.400 --> 0:40:20.759
<v Speaker 2>That's what that was your weapon of choice?

0:40:20.800 --> 0:40:24.000
<v Speaker 3>Yeah, the rolling. The roller stayed with me until just

0:40:24.000 --> 0:40:26.480
<v Speaker 3>like music was done on fifteen fifteen seconds?

0:40:27.360 --> 0:40:28.000
<v Speaker 1>What what?

0:40:28.719 --> 0:40:29.040
<v Speaker 3>But right?

0:40:29.080 --> 0:40:30.880
<v Speaker 4>Because all I would do is I would get what

0:40:30.960 --> 0:40:33.560
<v Speaker 4>I need whatever, I put it back and then when

0:40:33.600 --> 0:40:36.400
<v Speaker 4>I get more vocals, I put them back separately, so

0:40:36.440 --> 0:40:38.720
<v Speaker 4>I lay the track down separate.

0:40:38.920 --> 0:40:41.359
<v Speaker 3>But the reason why you use it rolling for music? Right?

0:40:41.440 --> 0:40:43.080
<v Speaker 4>So so so when you hear some of the hissing

0:40:43.719 --> 0:40:46.680
<v Speaker 4>that you hear in the Marvin Gaye vocals, you probably

0:40:46.680 --> 0:40:50.160
<v Speaker 4>can't tell, but it's it's not it's not clean since

0:40:50.200 --> 0:40:52.719
<v Speaker 4>because it's going through that machine.

0:40:54.120 --> 0:40:58.000
<v Speaker 2>Okay, I was going to say, I try to recreate

0:40:58.480 --> 0:41:02.879
<v Speaker 2>you know, I got the Midnight Love Box, that drawing

0:41:02.920 --> 0:41:05.440
<v Speaker 2>whatever I proposed that and I was trying to figure

0:41:05.480 --> 0:41:07.839
<v Speaker 2>out I was like, yo, how does like how does

0:41:07.840 --> 0:41:11.399
<v Speaker 2>this version sound like? It's it's an old cassette. Yes,

0:41:11.600 --> 0:41:14.279
<v Speaker 2>a bunch of mids, and so of course if you

0:41:14.360 --> 0:41:18.120
<v Speaker 2>sample it at a higher rate, at FOT five or whatever.

0:41:19.080 --> 0:41:21.840
<v Speaker 1>Then your bittne is going to sound.

0:41:22.760 --> 0:41:24.040
<v Speaker 3>Grittier, right.

0:41:24.360 --> 0:41:27.399
<v Speaker 1>I would try to recreate it. Like the way that I.

0:41:27.320 --> 0:41:29.520
<v Speaker 2>Work on production is if I hear something that I like,

0:41:30.120 --> 0:41:32.680
<v Speaker 2>and Dyla taught me this shit, he does the same thing, like,

0:41:32.760 --> 0:41:34.239
<v Speaker 2>oh okay, I like that. Let me see if I

0:41:34.280 --> 0:41:36.799
<v Speaker 2>could recreate it, and see if I could do it.

0:41:37.440 --> 0:41:40.560
<v Speaker 2>And my version always sounded too cleaning and procne, and

0:41:40.600 --> 0:41:43.160
<v Speaker 2>I was like, yo, how does this sound like?

0:41:44.440 --> 0:41:44.760
<v Speaker 3>Listen?

0:41:44.920 --> 0:41:48.640
<v Speaker 4>I tried to do keep it real over even though

0:41:48.680 --> 0:41:53.360
<v Speaker 4>I did it on my new equipment and the ribbon

0:41:53.440 --> 0:41:55.840
<v Speaker 4>in the sky. The way that it comes out in

0:41:55.920 --> 0:41:59.160
<v Speaker 4>Jamal's record does not come out the same way in

0:41:59.280 --> 0:42:02.560
<v Speaker 4>any other thing up a machine like the W thirty.

0:42:03.000 --> 0:42:06.239
<v Speaker 4>It made it different because when you tear it.

0:42:05.719 --> 0:42:08.719
<v Speaker 3>It's different. It's clean, It don't look the same. I

0:42:08.719 --> 0:42:09.520
<v Speaker 3>don't know why.

0:42:09.840 --> 0:42:12.839
<v Speaker 4>So when you're saying that it's truth, when you try

0:42:12.880 --> 0:42:16.200
<v Speaker 4>to recreate something, you'd be like, why don't sound right?

0:42:17.360 --> 0:42:21.120
<v Speaker 2>So to this day, do you still try to collect

0:42:21.280 --> 0:42:23.839
<v Speaker 2>rolling thirties or you've moved on I.

0:42:23.760 --> 0:42:26.279
<v Speaker 3>Got W thirties because of nostalgia.

0:42:26.360 --> 0:42:28.600
<v Speaker 4>So in case I tell you what, one day, I

0:42:28.640 --> 0:42:30.160
<v Speaker 4>was in the lab and I said, rock come here

0:42:30.200 --> 0:42:33.080
<v Speaker 4>real quick. So I went inside my floppy disk and

0:42:33.120 --> 0:42:35.920
<v Speaker 4>I pulled out some stuff for Muddy Waters and he

0:42:36.040 --> 0:42:38.799
<v Speaker 4>was like nah, I pulled out, so I pulled out

0:42:38.840 --> 0:42:40.240
<v Speaker 4>pick it up for him, so.

0:42:41.440 --> 0:42:43.239
<v Speaker 3>Boom boom boom boom.

0:42:43.320 --> 0:42:46.200
<v Speaker 4>So he is like no, so he goes hate shit.

0:42:46.440 --> 0:42:48.719
<v Speaker 4>So I go with the Blackout and I pull out

0:42:48.719 --> 0:42:51.680
<v Speaker 4>the boom boom boom boom boom boom. You know, I

0:42:51.719 --> 0:42:55.000
<v Speaker 4>got the man. He's like nah, So I pulled out

0:42:55.040 --> 0:42:58.920
<v Speaker 4>the youth this because do you on? Blackout was a

0:42:59.160 --> 0:43:02.920
<v Speaker 4>W thirty that had programmed drums on it, So I

0:43:03.040 --> 0:43:06.360
<v Speaker 4>pulled out the disc that came with the Roland to

0:43:06.400 --> 0:43:09.239
<v Speaker 4>make that U beat. So he was just buked out

0:43:09.239 --> 0:43:11.400
<v Speaker 4>by So I keep it from nostalgia and and and

0:43:11.480 --> 0:43:15.200
<v Speaker 4>Pharrell always says, Eric, where's the W thirty beats?

0:43:15.480 --> 0:43:17.200
<v Speaker 3>You know, because don't forget.

0:43:17.400 --> 0:43:21.160
<v Speaker 4>I met Pharrell when I was doing Blackstreet, and Pharrell

0:43:21.640 --> 0:43:23.560
<v Speaker 4>was was was.

0:43:23.520 --> 0:43:26.120
<v Speaker 3>With a guy named Mike, his singer, and with Chad.

0:43:26.719 --> 0:43:30.400
<v Speaker 4>But if you go on YouTube, there's two songs that

0:43:30.480 --> 0:43:34.319
<v Speaker 4>I let Pharrell rhyme on that got leaked back then

0:43:34.360 --> 0:43:37.040
<v Speaker 4>when I was doing Blackstreet and one of the role

0:43:37.719 --> 0:43:40.600
<v Speaker 4>one of them is called boothnocalization and the other one

0:43:40.680 --> 0:43:43.240
<v Speaker 4>is called and you can hear Pharrell ryman.

0:43:43.440 --> 0:43:46.080
<v Speaker 3>So Pharrell was like, yo, I saw Teddy, listen, what's

0:43:46.160 --> 0:43:47.719
<v Speaker 3>up with your boys? Let him rhyme.

0:43:48.040 --> 0:43:50.480
<v Speaker 4>Teddy wasn't really messing with them like that, even if

0:43:50.480 --> 0:43:53.480
<v Speaker 4>they were in the studio, he dept wasn't let them hyme.

0:43:53.640 --> 0:43:56.520
<v Speaker 4>So that's how the Nettunes even got left from them

0:43:56.560 --> 0:43:58.040
<v Speaker 4>because Teddy had him.

0:43:58.200 --> 0:44:01.640
<v Speaker 3>I let the guy rhyme. But right it happened. Happened

0:44:01.680 --> 0:44:03.600
<v Speaker 3>for the best, though, I see.

0:44:03.560 --> 0:44:06.279
<v Speaker 2>All right, wait, you brought up something and I might

0:44:06.320 --> 0:44:09.719
<v Speaker 2>as well go to So what she's saying, was there any.

0:44:11.280 --> 0:44:17.879
<v Speaker 1>Competition, either friendly or real, between you guys and rock Him?

0:44:18.239 --> 0:44:21.480
<v Speaker 2>I for one never thought that you guys sounded like

0:44:21.560 --> 0:44:23.040
<v Speaker 2>him or they sounded like you.

0:44:23.920 --> 0:44:27.280
<v Speaker 1>But was that the talk of New York at the time.

0:44:27.680 --> 0:44:31.279
<v Speaker 4>They're talking Long Island. Don't forget we're close, got it? So,

0:44:31.280 --> 0:44:34.040
<v Speaker 4>so it was not really the artist. It was the

0:44:34.040 --> 0:44:36.640
<v Speaker 4>people in the hood that was starting to beat. So

0:44:36.760 --> 0:44:37.760
<v Speaker 4>of course, if.

0:44:37.640 --> 0:44:39.839
<v Speaker 1>Somebody saying like y'all are biting rock Him or.

0:44:39.840 --> 0:44:43.080
<v Speaker 3>Like right, So if somebody's in your ear singing stuff,

0:44:43.280 --> 0:44:47.360
<v Speaker 3>like listen the nads record rock Him.

0:44:47.560 --> 0:44:50.319
<v Speaker 4>The story came from me. I told him that story

0:44:50.360 --> 0:44:52.480
<v Speaker 4>he wrote about the autobiography Rock Him.

0:44:52.520 --> 0:44:56.560
<v Speaker 3>Right, because what happened was the hood was singing because

0:44:56.640 --> 0:44:58.680
<v Speaker 3>rock Him had you can get a smack for this.

0:44:58.840 --> 0:45:02.000
<v Speaker 4>I ain't no joke. Me and Paris is a single

0:45:02.080 --> 0:45:05.000
<v Speaker 4>come out. It's like a Digham smack. You smacked me

0:45:05.040 --> 0:45:07.880
<v Speaker 4>and I smack you back. So the hood was like yo,

0:45:08.400 --> 0:45:12.160
<v Speaker 4>e pm D came at you because if you're listening,

0:45:12.680 --> 0:45:15.479
<v Speaker 4>you would be like, yeah, you're right, you can get

0:45:15.480 --> 0:45:18.000
<v Speaker 4>this smacked for this, I ain't no joke. You smacked

0:45:18.040 --> 0:45:20.000
<v Speaker 4>me and I smack you back. So no matter what,

0:45:20.480 --> 0:45:23.960
<v Speaker 4>then rock can't made father lega. A brother said Diggam.

0:45:23.960 --> 0:45:25.600
<v Speaker 4>I never dug him be could him follow leading up?

0:45:25.600 --> 0:45:27.600
<v Speaker 4>That's why I drug him to the Danser zone too,

0:45:27.640 --> 0:45:29.120
<v Speaker 4>So he kept going.

0:45:29.480 --> 0:45:33.319
<v Speaker 1>But was it coincidence or no? He came for us

0:45:33.640 --> 0:45:34.640
<v Speaker 1>or were birth of y'all?

0:45:34.760 --> 0:45:38.360
<v Speaker 4>Like no, no, no, The first one was coincidence. Final

0:45:38.440 --> 0:45:43.000
<v Speaker 4>leader was for us. He's brother said Diggam, I never

0:45:43.080 --> 0:45:45.600
<v Speaker 4>dug him. He couldn't follow the leader. No, that's why

0:45:45.600 --> 0:45:47.279
<v Speaker 4>I drug him for the danger zone.

0:45:47.280 --> 0:45:51.840
<v Speaker 1>He kept going, So, did y'all ever have a conversation, Yeah.

0:45:51.680 --> 0:45:54.359
<v Speaker 3>We did and re squons to be after he broke

0:45:54.440 --> 0:45:54.880
<v Speaker 3>up with Eric B.

0:45:56.000 --> 0:45:59.080
<v Speaker 2>But he was actually saying I was coming, of course,

0:45:59.640 --> 0:46:03.280
<v Speaker 2>no see, but it wasn't like y'all were coming for him.

0:46:03.760 --> 0:46:06.439
<v Speaker 4>He don't know that the hood is how to beat

0:46:08.280 --> 0:46:10.760
<v Speaker 4>question the business.

0:46:11.120 --> 0:46:14.080
<v Speaker 2>I've been in that situation where I reacted to someone

0:46:14.520 --> 0:46:17.719
<v Speaker 2>instigating that blah blah blah's talking about you, and then

0:46:17.800 --> 0:46:20.600
<v Speaker 2>we made it damn okay.

0:46:20.640 --> 0:46:24.120
<v Speaker 4>Right, So again it's like again you got to understand Jesuits,

0:46:24.440 --> 0:46:28.000
<v Speaker 4>there's Brentwood Base Show, Deer Parked and Wine Dan so

0:46:28.120 --> 0:46:32.160
<v Speaker 4>three towns down. The Guard lives right here, and then

0:46:32.160 --> 0:46:35.480
<v Speaker 4>you got these other kids from Brentwood who now everybody's

0:46:35.560 --> 0:46:36.200
<v Speaker 4>talking about.

0:46:36.400 --> 0:46:39.839
<v Speaker 3>Everybody's talking about E. P. M D. And you'll rock him.

0:46:40.280 --> 0:46:43.359
<v Speaker 4>So when Paris heard that, that's wh why he said,

0:46:43.600 --> 0:46:45.839
<v Speaker 4>niggas say, we signed to Awe and that music with Whack.

0:46:45.880 --> 0:46:47.440
<v Speaker 4>We dropped the albums Stricting Peas and you thought it

0:46:47.520 --> 0:46:49.960
<v Speaker 4>was four third day later, the LP went goes to

0:46:50.040 --> 0:46:54.959
<v Speaker 4>what you're saying, Paris called his name because after he said,

0:46:55.000 --> 0:46:58.680
<v Speaker 4>we said that again, you know, you know how you

0:46:58.760 --> 0:47:00.799
<v Speaker 4>know we wasn't having any so it don't matter.

0:47:01.280 --> 0:47:03.160
<v Speaker 2>I got it. I got it. So at least y'all

0:47:03.200 --> 0:47:09.040
<v Speaker 2>squashed it. Okay, Yeah, So were you expecting to sell

0:47:09.120 --> 0:47:14.239
<v Speaker 2>five hundred thousand records like you guys for an independent label?

0:47:14.640 --> 0:47:16.719
<v Speaker 1>Was fresh sleeping bag even prepared?

0:47:17.320 --> 0:47:21.040
<v Speaker 2>No way, I was gonna say, like, because I'm thinking

0:47:21.120 --> 0:47:25.360
<v Speaker 2>like Crust Groove for listeners out there. The story of

0:47:25.400 --> 0:47:27.319
<v Speaker 2>Crush Groove that came out in eighty five was kind

0:47:27.320 --> 0:47:31.640
<v Speaker 2>of a situation where they got popular so fast that

0:47:31.640 --> 0:47:34.960
<v Speaker 2>they didn't have enough money to press extra copies of

0:47:35.000 --> 0:47:36.600
<v Speaker 2>the record, and then they had to borrow from the

0:47:36.600 --> 0:47:39.399
<v Speaker 2>mob and then some shit happens and blah blah blah

0:47:39.400 --> 0:47:44.680
<v Speaker 2>blah blah. But like, how a sleeping bag able to

0:47:46.080 --> 0:47:49.000
<v Speaker 2>I mean, you're a major act as far as I'm concerned, right,

0:47:49.880 --> 0:47:53.600
<v Speaker 2>Were they prepared for that or were they totally caught

0:47:53.600 --> 0:47:56.720
<v Speaker 2>off guard that you guys were like instantly out the box.

0:47:56.760 --> 0:47:59.040
<v Speaker 1>You own TV raps like rap gods.

0:47:59.560 --> 0:48:01.400
<v Speaker 4>They was as far as the selling, But they was

0:48:01.400 --> 0:48:05.440
<v Speaker 4>prepared because they was with Universal Europe before anybody was

0:48:05.480 --> 0:48:08.360
<v Speaker 4>doing the mergers like that, so they already had the

0:48:08.440 --> 0:48:10.439
<v Speaker 4>back end of a big label already to be able

0:48:10.440 --> 0:48:13.600
<v Speaker 4>to manufacture it. That's why EPMD was so big overseas too,

0:48:13.880 --> 0:48:17.440
<v Speaker 4>because the Europe because Universal was behind first records.

0:48:17.640 --> 0:48:20.720
<v Speaker 2>Let's see, I want to talk about people in the ecosystem.

0:48:21.080 --> 0:48:24.120
<v Speaker 2>First of all, Cayler Boss was the original DJ vpm

0:48:24.200 --> 0:48:25.439
<v Speaker 2>D and then Scratch comes in.

0:48:26.040 --> 0:48:27.600
<v Speaker 1>So how did that transition happen?

0:48:28.160 --> 0:48:33.640
<v Speaker 3>Yeah, Cayler Boss and you know, he was starting his.

0:48:33.640 --> 0:48:36.359
<v Speaker 4>Life a little bit and things were moving fast for him,

0:48:36.640 --> 0:48:40.560
<v Speaker 4>you know God, And I think that maybe it wasn't

0:48:41.080 --> 0:48:42.600
<v Speaker 4>him being able to handle that because he had a

0:48:42.600 --> 0:48:45.279
<v Speaker 4>new girlfriend, you know was I think he's getting ready

0:48:45.280 --> 0:48:47.800
<v Speaker 4>to marry at the time, had kids coming, whatever.

0:48:47.800 --> 0:48:49.080
<v Speaker 3>But that's what I think. I don't really know.

0:48:49.719 --> 0:48:50.800
<v Speaker 1>How did you'll find Scratch?

0:48:51.400 --> 0:48:54.120
<v Speaker 3>Scratch was in London. We had to show on Monday.

0:48:54.120 --> 0:48:55.680
<v Speaker 3>We had no DJ, so we had we had the

0:48:55.719 --> 0:48:57.920
<v Speaker 3>tape machine, the one that played the tape. We had

0:48:57.920 --> 0:49:00.319
<v Speaker 3>one of them as the DJ before they was you

0:49:00.360 --> 0:49:02.840
<v Speaker 3>know that machine before there was somebody that we had that.

0:49:03.000 --> 0:49:05.320
<v Speaker 3>So at the end of the day Rest in peace.

0:49:05.400 --> 0:49:08.520
<v Speaker 3>Jam Master J said listen, I have a DJ for you.

0:49:08.719 --> 0:49:13.080
<v Speaker 4>Scratch had just won the seminar in London and jam

0:49:13.320 --> 0:49:15.600
<v Speaker 4>to J bought Scratched on our tour bus and that's

0:49:15.760 --> 0:49:17.160
<v Speaker 4>and then that was history from there.

0:49:17.480 --> 0:49:19.960
<v Speaker 1>And those scratches one right there.

0:49:20.040 --> 0:49:21.960
<v Speaker 3>Yeah, what what's what you're saying? Don't forget yo?

0:49:22.160 --> 0:49:23.919
<v Speaker 1>We oh shit, I forgot that part.

0:49:24.120 --> 0:49:26.759
<v Speaker 4>Yes, what you're saying is made though quest and now

0:49:26.880 --> 0:49:31.240
<v Speaker 4>we have the Parliament by itself, right, so it still

0:49:31.400 --> 0:49:35.760
<v Speaker 4>wasn't getting us. So we sent Scratched the cassette and said, Scratch,

0:49:35.840 --> 0:49:38.640
<v Speaker 4>here's the idea we got, see what you can do

0:49:38.680 --> 0:49:41.680
<v Speaker 4>with that. And that's when the famous scratches from what

0:49:41.760 --> 0:49:43.640
<v Speaker 4>you're saying happened, you know, because it was plain.

0:49:44.239 --> 0:49:47.399
<v Speaker 2>I only asked that because I tease bow legging loud.

0:49:47.480 --> 0:49:50.840
<v Speaker 2>To this day, I don't care what he tells me, Like,

0:49:50.880 --> 0:49:53.600
<v Speaker 2>there's no way he could convince me that doctor Ice

0:49:54.520 --> 0:49:58.399
<v Speaker 2>was that precise on every cut and scratch on those

0:49:58.480 --> 0:49:59.440
<v Speaker 2>UTFO records.

0:49:59.480 --> 0:50:01.279
<v Speaker 1>I was like, come on, y'all, you know, good one.

0:50:01.360 --> 0:50:03.440
<v Speaker 1>You sampled Leader of the Pack.

0:50:03.719 --> 0:50:08.200
<v Speaker 2>And hell yeah, but how do you know that, dude,

0:50:08.239 --> 0:50:09.360
<v Speaker 2>I'm a historian.

0:50:11.040 --> 0:50:14.680
<v Speaker 3>He did, he did, he did sample, he sampled them.

0:50:14.840 --> 0:50:17.800
<v Speaker 2>Before I'm in the game. I study the game, Okay,

0:50:17.800 --> 0:50:22.000
<v Speaker 2>so that's how I do it. Steezo working here at

0:50:22.040 --> 0:50:28.600
<v Speaker 2>the Tonight Show, oftentimes when Steve Martin comes on the show,

0:50:29.719 --> 0:50:33.279
<v Speaker 2>we play his song for him every time once the

0:50:33.360 --> 0:50:38.200
<v Speaker 2>Prescott win. That the Roots custom do songs like the

0:50:38.239 --> 0:50:40.520
<v Speaker 2>walkout song was just as important.

0:50:40.080 --> 0:50:41.120
<v Speaker 1>As the interview.

0:50:42.080 --> 0:50:45.759
<v Speaker 2>And Steve Martin was one of those people that was

0:50:45.800 --> 0:50:48.319
<v Speaker 2>like always wanted to know, like what do the Roots

0:50:48.320 --> 0:50:51.080
<v Speaker 2>play when I come out and they hear the same

0:50:51.120 --> 0:50:58.879
<v Speaker 2>old odi this reading And I told him, I was like, yo,

0:50:58.960 --> 0:51:00.920
<v Speaker 2>are you even aware that you're a part of hip

0:51:00.920 --> 0:51:01.560
<v Speaker 2>hop culture?

0:51:02.560 --> 0:51:04.439
<v Speaker 1>And He's like, no, what do you mean?

0:51:04.560 --> 0:51:08.200
<v Speaker 2>And I was like, one of the most popular dances

0:51:08.239 --> 0:51:12.319
<v Speaker 2>of our era is the Steve Martin Martin So number one?

0:51:13.160 --> 0:51:15.839
<v Speaker 2>How is that dance to Steve Martin? And I've not

0:51:15.960 --> 0:51:17.879
<v Speaker 2>seen Steve Martin? Did he do it in the jerk?

0:51:17.920 --> 0:51:18.600
<v Speaker 2>And I missed it?

0:51:18.640 --> 0:51:21.840
<v Speaker 4>Like nah, No, it was just THESEO just called the

0:51:21.960 --> 0:51:25.640
<v Speaker 4>record that when he heard them, Ben Ben Ben, he

0:51:25.800 --> 0:51:29.080
<v Speaker 4>just made them say whatever because he's the one that

0:51:29.200 --> 0:51:31.799
<v Speaker 4>had the Steve Martin idea. He was like called the

0:51:31.840 --> 0:51:34.320
<v Speaker 4>Steve Martin he said, trust me because he wanted to

0:51:34.360 --> 0:51:37.600
<v Speaker 4>have a dance for himself because after you got to Chipto,

0:51:37.880 --> 0:51:39.200
<v Speaker 4>he wanted to you know what I'm saying, like, yo,

0:51:39.320 --> 0:51:41.480
<v Speaker 4>people know me for this other dance, let me come

0:51:41.560 --> 0:51:42.280
<v Speaker 4>up with something else.

0:51:42.840 --> 0:51:44.759
<v Speaker 3>So he named it that, so we wrote it.

0:51:44.920 --> 0:51:47.600
<v Speaker 1>So he just named it the Steve Martin he.

0:51:47.719 --> 0:51:49.080
<v Speaker 3>Named it and we wrote it.

0:51:51.440 --> 0:51:54.320
<v Speaker 2>Did you have anything to do with his first solo

0:51:54.360 --> 0:51:57.080
<v Speaker 2>record or with It's My Turn or anything?

0:51:57.560 --> 0:52:01.040
<v Speaker 4>No, I think that him and Paris had fell out.

0:52:01.440 --> 0:52:04.719
<v Speaker 4>So because again, don't forget, Craig Matt was supposed to

0:52:04.719 --> 0:52:05.520
<v Speaker 4>be with us too.

0:52:05.680 --> 0:52:07.080
<v Speaker 3>So Craig Matts.

0:52:06.800 --> 0:52:10.920
<v Speaker 5>If you know the Zoomzo Matt story, when E P

0:52:11.080 --> 0:52:15.320
<v Speaker 5>and D broke up, that busts everything from him because

0:52:15.360 --> 0:52:18.440
<v Speaker 5>there was nothing for him to attach to the dreams

0:52:18.480 --> 0:52:20.959
<v Speaker 5>that he had to go with the hit squad because

0:52:21.000 --> 0:52:22.200
<v Speaker 5>that's what he was doing.

0:52:22.239 --> 0:52:25.239
<v Speaker 4>The fun forget the funk that Craig Matt was doing

0:52:25.520 --> 0:52:28.520
<v Speaker 4>was like, nah, it's erkan. I wanted to be here.

0:52:28.880 --> 0:52:31.840
<v Speaker 4>But since the group broke up, years went by. Alvin

0:52:31.920 --> 0:52:34.400
<v Speaker 4>Tony God bent to dead, brought him to Puffy, but

0:52:34.560 --> 0:52:38.319
<v Speaker 4>as far as THEEZO, he went on and did what

0:52:38.400 --> 0:52:42.000
<v Speaker 4>Craig did, trying to do something to show us right

0:52:42.560 --> 0:52:44.880
<v Speaker 4>but then when him and fathers fell out, I was like, Okay,

0:52:45.040 --> 0:52:48.000
<v Speaker 4>it's my term or it's my thing, is my term?

0:52:48.440 --> 0:52:48.879
<v Speaker 1>Got it?

0:52:49.120 --> 0:52:52.759
<v Speaker 3>And so what you're saying when you hear saying some

0:52:53.000 --> 0:52:54.640
<v Speaker 3>get them you was hired.

0:52:55.600 --> 0:53:02.040
<v Speaker 1>Right, Yeah, Paris went adham, I see because the.

0:53:02.040 --> 0:53:04.600
<v Speaker 3>Pits boy, it was high, so you don't really hear

0:53:04.640 --> 0:53:05.760
<v Speaker 3>it until I tell.

0:53:05.640 --> 0:53:10.080
<v Speaker 1>You now, got it? Okay? I didn't know that. All right,

0:53:10.239 --> 0:53:11.319
<v Speaker 1>let's get into it. Man.

0:53:11.880 --> 0:53:14.919
<v Speaker 2>You had too much to drink. So did y'all turn

0:53:14.920 --> 0:53:17.560
<v Speaker 2>the record in? It was like, yo, tone Logan is

0:53:17.600 --> 0:53:19.720
<v Speaker 2>doing some crazy numbers. Y'all need a pop single?

0:53:20.640 --> 0:53:23.839
<v Speaker 3>Like what you said to.

0:53:24.680 --> 0:53:27.040
<v Speaker 1>You know something weird? I'm gonna tell you something.

0:53:27.760 --> 0:53:31.320
<v Speaker 2>One of the biggest responses and this was like, maybe

0:53:31.600 --> 0:53:34.320
<v Speaker 2>I know it's beyond twenty ten, so maybe like twenty

0:53:34.360 --> 0:53:35.080
<v Speaker 2>twelve or whatever.

0:53:35.640 --> 0:53:36.080
<v Speaker 3>Okay.

0:53:36.280 --> 0:53:38.480
<v Speaker 1>I was doing a fast wrap set.

0:53:38.680 --> 0:53:41.080
<v Speaker 2>Okay, shit had to be over like one hundred and

0:53:41.120 --> 0:53:43.680
<v Speaker 2>eighteen beast for men's playing a lot of hip hop,

0:53:43.719 --> 0:53:46.120
<v Speaker 2>house and move jump jack your body and all that stuff.

0:53:46.719 --> 0:53:49.880
<v Speaker 1>And I saw you had too much to drink, and

0:53:49.960 --> 0:53:50.319
<v Speaker 1>I was.

0:53:50.360 --> 0:53:52.760
<v Speaker 3>Like, you better not have you better play the first

0:53:53.280 --> 0:53:53.640
<v Speaker 3>you want to.

0:53:53.640 --> 0:53:57.520
<v Speaker 2>Know it's funny I put it on and in the

0:53:57.600 --> 0:54:01.200
<v Speaker 2>age of irony, way like you do understand now that

0:54:01.640 --> 0:54:05.520
<v Speaker 2>whatever we consider like when I DJ now and I

0:54:05.560 --> 0:54:10.719
<v Speaker 2>spend ice Ice Baby like anything that I wouldn't normally

0:54:10.880 --> 0:54:15.680
<v Speaker 2>touch back in eighty nine, ninety ninety one, ninety two,

0:54:17.080 --> 0:54:19.879
<v Speaker 2>like I play it now and it's like I put

0:54:19.960 --> 0:54:24.319
<v Speaker 2>Michael Jackson on like people just like I put you

0:54:24.320 --> 0:54:26.680
<v Speaker 2>had too Much to Drink on and motherfuckers started doing

0:54:26.680 --> 0:54:29.520
<v Speaker 2>the Carlton to it, like were you guys forced to

0:54:29.560 --> 0:54:32.160
<v Speaker 2>do you had to much to drink and it's time

0:54:32.200 --> 0:54:32.680
<v Speaker 2>to party?

0:54:32.960 --> 0:54:35.120
<v Speaker 4>No, No, it's time and party wasn't forced because I think

0:54:35.160 --> 0:54:39.480
<v Speaker 4>that back then a hip hop if you know, everybody.

0:54:38.960 --> 0:54:42.279
<v Speaker 3>Had a dance re kid like doing Yeah, had a

0:54:42.320 --> 0:54:43.040
<v Speaker 3>house doing.

0:54:43.080 --> 0:54:46.480
<v Speaker 2>And even with I'm Mad remix I'm so mad you

0:54:46.520 --> 0:54:47.000
<v Speaker 2>did that?

0:54:47.560 --> 0:54:50.400
<v Speaker 3>I didn't do that. Scratch bring that to the table

0:54:50.440 --> 0:54:55.000
<v Speaker 3>with the so yeah yeah yeah, yeah, yeah yeah yeah

0:54:55.040 --> 0:54:59.439
<v Speaker 3>boom boom boom boom boom. That was Scratch's remix.

0:55:00.040 --> 0:55:01.279
<v Speaker 1>Tell you Oh God.

0:55:02.160 --> 0:55:05.319
<v Speaker 2>One of the very first roots demos was based on

0:55:06.080 --> 0:55:10.080
<v Speaker 2>so Who's Pal Joey's Hot New music Wow?

0:55:10.400 --> 0:55:12.280
<v Speaker 1>And we were in a club we heard that ship

0:55:12.280 --> 0:55:12.719
<v Speaker 1>and I was.

0:55:12.680 --> 0:55:18.040
<v Speaker 3>Like a damn y yeah, y'all. I think Scratch knew

0:55:18.120 --> 0:55:20.879
<v Speaker 3>like you knew person who knew music knew records because

0:55:20.880 --> 0:55:21.799
<v Speaker 3>we didn't know what it was.

0:55:22.200 --> 0:55:23.960
<v Speaker 4>But but we were like, yo, it doesn't sound bad,

0:55:24.000 --> 0:55:26.560
<v Speaker 4>so we used it. But as far as it's time

0:55:26.600 --> 0:55:28.520
<v Speaker 4>to party, you're talking about that.

0:55:29.239 --> 0:55:34.880
<v Speaker 3>Boom that was a huge, huge record, hip hop or not,

0:55:35.320 --> 0:55:37.120
<v Speaker 3>so we wasn't too mad about that.

0:55:37.239 --> 0:55:40.799
<v Speaker 4>But that time the party came from Russell. Because of

0:55:40.840 --> 0:55:44.880
<v Speaker 4>run DMC making the rock boxes and all the Mary

0:55:44.960 --> 0:55:46.200
<v Speaker 4>Mary's and all that type of stuff.

0:55:46.440 --> 0:55:47.560
<v Speaker 1>I was gonna say, he wants you to do a

0:55:47.640 --> 0:55:48.920
<v Speaker 1>DJ Hollywood.

0:55:48.480 --> 0:55:54.120
<v Speaker 4>Record exactly that was, and then he had the nerve

0:55:54.200 --> 0:55:57.640
<v Speaker 4>to say, Yo, we're gonna shoot the video. You going

0:55:57.800 --> 0:56:01.400
<v Speaker 4>next all, Oh yeah, we're gonna have Llokuje come down too.

0:56:01.719 --> 0:56:05.560
<v Speaker 4>That's why loing video and such so, and then going

0:56:05.680 --> 0:56:08.640
<v Speaker 4>back to Cali all this stuff, I'm like, Yo, I'm

0:56:08.680 --> 0:56:12.680
<v Speaker 4>like and listen, man, I'm glad people that listened to

0:56:12.719 --> 0:56:15.399
<v Speaker 4>the record took it as a joke kind of because

0:56:15.440 --> 0:56:20.279
<v Speaker 4>the video was funny and the you know, the yes,

0:56:20.480 --> 0:56:23.640
<v Speaker 4>so it wasn't ticket seriously, so it was like n

0:56:23.760 --> 0:56:27.120
<v Speaker 4>w A doing the shit they did in their records, you.

0:56:27.080 --> 0:56:30.359
<v Speaker 2>Know, dude, Well, I mean at the time, it got

0:56:30.400 --> 0:56:34.719
<v Speaker 2>a lot of play on the Box, all right, So

0:56:34.840 --> 0:56:35.720
<v Speaker 2>our listeners out.

0:56:35.640 --> 0:56:38.239
<v Speaker 3>Give remember the Box. Yeah, a lot of put in

0:56:38.280 --> 0:56:41.640
<v Speaker 3>the box it got, all right, So the big payback too.

0:56:41.880 --> 0:56:46.040
<v Speaker 2>There's a moment between like eighty nine, maybe like ninety

0:56:46.040 --> 0:56:49.680
<v Speaker 2>four ninety five. The closest thing we had to YouTube

0:56:50.640 --> 0:56:53.920
<v Speaker 2>was a channel called The Box, which was basically it

0:56:53.960 --> 0:56:54.680
<v Speaker 2>was a jukebox.

0:56:54.680 --> 0:56:55.239
<v Speaker 1>Like you go to this.

0:56:55.360 --> 0:56:58.759
<v Speaker 2>Channel and you call it number yes or a dollar

0:56:58.880 --> 0:57:01.160
<v Speaker 2>seventy five, they will play your video.

0:57:01.200 --> 0:57:03.280
<v Speaker 1>Now you just go on YouTube and watch a video.

0:57:03.360 --> 0:57:06.160
<v Speaker 2>But a lot of people credit that a lot of

0:57:06.400 --> 0:57:09.520
<v Speaker 2>regional rap that wasn't going to get play.

0:57:09.360 --> 0:57:13.319
<v Speaker 1>On beet or MTV Found Life here.

0:57:13.360 --> 0:57:15.840
<v Speaker 2>This is why I credit the Box for like the

0:57:15.880 --> 0:57:19.520
<v Speaker 2>popularity of Two Live Crew because you couldn't see their

0:57:19.600 --> 0:57:23.960
<v Speaker 2>videos on MTV like that, right, or us really getting

0:57:23.960 --> 0:57:25.479
<v Speaker 2>to know the Ghetto boys, or a lot of West

0:57:25.480 --> 0:57:26.800
<v Speaker 2>Coast acts that we weren't up.

0:57:27.760 --> 0:57:30.360
<v Speaker 1>Yes, yes, the Box is what did that.

0:57:30.440 --> 0:57:35.440
<v Speaker 2>But yes, someone loved y'all a lot in the Philadelphia area.

0:57:36.240 --> 0:57:40.040
<v Speaker 2>I probably saw you had too much to drink, probably

0:57:40.200 --> 0:57:43.760
<v Speaker 2>more than I seen. So what you say in video.

0:57:43.840 --> 0:57:47.000
<v Speaker 2>Oh way, dude, that's how I knew to ask it, yo,

0:57:47.160 --> 0:57:49.320
<v Speaker 2>Like it just came on all the time.

0:57:49.520 --> 0:57:49.760
<v Speaker 3>Wow.

0:57:50.920 --> 0:57:55.120
<v Speaker 2>So speaking of ll, can you explain the Rampage video now?

0:57:55.320 --> 0:57:59.480
<v Speaker 2>LLLL claims that is him in that chair in the

0:57:59.560 --> 0:58:05.120
<v Speaker 2>Rampage video in the silhouette. Yeah, but what happened in

0:58:05.160 --> 0:58:08.040
<v Speaker 2>the ram page video that LLLL just wasn't out front

0:58:08.040 --> 0:58:08.760
<v Speaker 2>with the you two.

0:58:09.720 --> 0:58:12.640
<v Speaker 4>It's so crazy because Llo had dropped the album before that,

0:58:12.680 --> 0:58:15.360
<v Speaker 4>and the album didn't pop off like that. So what

0:58:15.440 --> 0:58:19.560
<v Speaker 4>happened was I heard that Russell was like, yo, go

0:58:19.640 --> 0:58:22.600
<v Speaker 4>hang with parishing them. So that's what he did. He

0:58:22.720 --> 0:58:26.439
<v Speaker 4>befriended them to get his street se right. So once

0:58:26.520 --> 0:58:28.640
<v Speaker 4>he you know him in past was more tight than

0:58:28.680 --> 0:58:30.000
<v Speaker 4>me and him. But we was all close.

0:58:30.440 --> 0:58:32.440
<v Speaker 3>And it was in the l O COOJ Tour two

0:58:32.440 --> 0:58:35.439
<v Speaker 3>in eighty nine though, too, so so you know we

0:58:35.440 --> 0:58:36.520
<v Speaker 3>was always friends.

0:58:37.000 --> 0:58:40.800
<v Speaker 4>But so when Llo got the Mally album Get Ready

0:58:40.840 --> 0:58:43.320
<v Speaker 4>to Come, He's in his prime. You know what is

0:58:43.360 --> 0:58:46.200
<v Speaker 4>the panther animal that kills I'm like a blow shot

0:58:46.280 --> 0:58:48.640
<v Speaker 4>coming out, so so breaking Dorner is coming the whole

0:58:48.720 --> 0:58:52.200
<v Speaker 4>night and he coming right all of a sudden, we

0:58:52.400 --> 0:58:57.160
<v Speaker 4>get ready to shoot rampage. So he says, yo, man,

0:58:57.640 --> 0:58:59.560
<v Speaker 4>my manage met my dad said, you know, I'm about

0:58:59.560 --> 0:59:00.000
<v Speaker 4>to come out.

0:59:00.400 --> 0:59:04.240
<v Speaker 3>I shouldn't be seen yet. So we felt like, God, damn,

0:59:04.240 --> 0:59:07.800
<v Speaker 3>you didn't came and you then you know.

0:59:07.560 --> 0:59:09.720
<v Speaker 1>This this was his best verse ever, right.

0:59:09.640 --> 0:59:13.720
<v Speaker 4>So he was like he ain't coming. So I told

0:59:13.800 --> 0:59:17.160
<v Speaker 4>Russell yo, on the strength of Russ. I don't know

0:59:17.200 --> 0:59:18.560
<v Speaker 4>what's going on, but I know the el but to

0:59:18.560 --> 0:59:21.080
<v Speaker 4>be down here to this video and people, now, I

0:59:21.200 --> 0:59:23.320
<v Speaker 4>was mad the whole video set. I was kind of

0:59:23.360 --> 0:59:26.040
<v Speaker 4>upset though, because I wouldn't figure it would even be

0:59:26.120 --> 0:59:31.520
<v Speaker 4>a problem, right comes it comes late and he's like, yo,

0:59:32.120 --> 0:59:33.280
<v Speaker 4>I can get in it. But I got to be

0:59:33.320 --> 0:59:37.720
<v Speaker 4>in a silhouette. So now I'm really man now, like

0:59:37.920 --> 0:59:41.880
<v Speaker 4>extra man. But we had no choice, and I thought

0:59:41.880 --> 0:59:43.920
<v Speaker 4>that Russell them would have put their foot down like

0:59:44.200 --> 0:59:44.520
<v Speaker 4>yo and.

0:59:44.640 --> 0:59:47.240
<v Speaker 3>Be like yo this he signed to you, you know,

0:59:47.400 --> 0:59:48.240
<v Speaker 3>while are we doing this?

0:59:48.360 --> 0:59:52.480
<v Speaker 4>But again everything had to go so and again this

0:59:52.640 --> 0:59:54.680
<v Speaker 4>was when you know, Jennifer Lopez was one of the

0:59:54.760 --> 0:59:56.920
<v Speaker 4>dances in the video at the time.

0:59:57.280 --> 0:59:59.160
<v Speaker 1>So I did not know that.

0:59:59.400 --> 1:00:00.400
<v Speaker 3>Yeah, if you got the.

1:00:00.360 --> 1:00:03.640
<v Speaker 4>Videos, she has on Paris's face and the other girl

1:00:03.640 --> 1:00:05.880
<v Speaker 4>has my face on the shirt that's.

1:00:05.640 --> 1:00:09.080
<v Speaker 3>J Loo dancing, So damn okay.

1:00:09.520 --> 1:00:12.200
<v Speaker 4>There was a bunch of people around that was like

1:00:12.240 --> 1:00:14.240
<v Speaker 4>you know, around the set, and it was like, okay,

1:00:14.280 --> 1:00:17.040
<v Speaker 4>well this got to get done because again, if we

1:00:17.120 --> 1:00:18.840
<v Speaker 4>don't do it, then it's gonna be wasting a video.

1:00:19.360 --> 1:00:21.520
<v Speaker 4>So we did what we had to do and that's

1:00:21.560 --> 1:00:24.120
<v Speaker 4>what But you know, you can if you know l

1:00:24.280 --> 1:00:25.360
<v Speaker 4>you can see the silhouette.

1:00:25.400 --> 1:00:27.320
<v Speaker 3>You can see his movement and how it is.

1:00:27.360 --> 1:00:29.480
<v Speaker 4>You know, it'say, that was not a body double, right,

1:00:29.800 --> 1:00:33.680
<v Speaker 4>so for people to dig question like who is it?

1:00:33.720 --> 1:00:35.400
<v Speaker 4>And that was the messed up party by it like

1:00:35.520 --> 1:00:38.200
<v Speaker 4>dag Man. And then today when people ask you what's

1:00:38.240 --> 1:00:41.280
<v Speaker 4>your favorite verse, you mentioned that, you know, and that's

1:00:41.320 --> 1:00:42.000
<v Speaker 4>the weird part.

1:00:42.120 --> 1:00:42.800
<v Speaker 3>It's crazy.

1:00:43.160 --> 1:00:47.560
<v Speaker 2>That verse was one of his greatest endings ever. If

1:00:47.600 --> 1:00:50.560
<v Speaker 2>there ever was the genesis of a mic drop moment

1:00:50.720 --> 1:00:54.120
<v Speaker 2>after a verse, that verse was it? How long did

1:00:54.120 --> 1:00:57.439
<v Speaker 2>it take for y'all to get that verse out of him?

1:00:57.600 --> 1:00:58.280
<v Speaker 3>I wasn't there.

1:00:58.800 --> 1:01:02.200
<v Speaker 4>Don't forget there's a version out there that God best

1:01:02.240 --> 1:01:04.520
<v Speaker 4>the dead while mister c is going to in Clark

1:01:04.600 --> 1:01:07.200
<v Speaker 4>can going, but they both would play.

1:01:07.000 --> 1:01:10.280
<v Speaker 3>The version that the beat was different. It didn't have

1:01:10.480 --> 1:01:13.560
<v Speaker 3>tramp in it yet it had the drums from BT

1:01:13.760 --> 1:01:17.720
<v Speaker 3>Express in it because the drums that's over the tramp

1:01:17.920 --> 1:01:23.360
<v Speaker 3>beat is what it was with the baseline. Yeah, yep,

1:01:23.720 --> 1:01:28.800
<v Speaker 3>right on that NonStop album. Yes, that was playing. So

1:01:29.080 --> 1:01:31.920
<v Speaker 3>it was only l O, Cuj and Parish in the

1:01:31.960 --> 1:01:34.439
<v Speaker 3>studio with different vocals. It's out there.

1:01:34.720 --> 1:01:37.000
<v Speaker 1>How do they get that version they.

1:01:36.880 --> 1:01:39.200
<v Speaker 3>Started with that version first? I wasn't there.

1:01:39.560 --> 1:01:41.840
<v Speaker 1>How did DJs get that version if it was never

1:01:41.880 --> 1:01:42.440
<v Speaker 1>printed up?

1:01:42.720 --> 1:01:43.960
<v Speaker 3>Somebody leaped it and gave it to them.

1:01:43.960 --> 1:01:48.200
<v Speaker 4>Somebody they had it, They had it early so and

1:01:48.200 --> 1:01:50.160
<v Speaker 4>it couldn't pay from anybody our power play.

1:01:50.360 --> 1:01:53.760
<v Speaker 2>What made y'all change to the tramp loop instead got

1:01:53.880 --> 1:02:00.120
<v Speaker 2>you another thing? My favorite Peate rock moment. I'm sorry,

1:02:00.600 --> 1:02:03.560
<v Speaker 2>my second favorite Pete rock moment of all time, because

1:02:04.360 --> 1:02:07.400
<v Speaker 2>nothing will ever describe what it was like hearing the

1:02:07.400 --> 1:02:10.959
<v Speaker 2>shut Him Down remix for the first time. I didn't

1:02:10.960 --> 1:02:13.840
<v Speaker 2>see that shit coming, right, But I gotta tell you,

1:02:14.960 --> 1:02:20.920
<v Speaker 2>the first time I heard Rampage in a nightclub was

1:02:20.960 --> 1:02:25.720
<v Speaker 2>the p Rock remix version Stop Lying Dog Boom boo.

1:02:27.360 --> 1:02:33.640
<v Speaker 2>Oh my god, that song does not get enough respect.

1:02:33.840 --> 1:02:36.280
<v Speaker 2>I'm shocked that def jam let y'all get it, because

1:02:36.360 --> 1:02:39.560
<v Speaker 2>Rampage twelve inch was a rarity in which there was

1:02:39.640 --> 1:02:45.080
<v Speaker 2>like five selections on each side. Okay, so the grooves

1:02:45.120 --> 1:02:50.800
<v Speaker 2>is smaller, okay, But for me, that remix of Rampage,

1:02:50.920 --> 1:02:55.920
<v Speaker 2>the p Rock remix of Rampage is my second favorite

1:02:55.960 --> 1:03:00.400
<v Speaker 2>all time Pete Rock creations. And that's no way because

1:03:00.480 --> 1:03:03.480
<v Speaker 2>that was before he was air quote Peat Rock.

1:03:04.000 --> 1:03:05.000
<v Speaker 1>How did y'all even?

1:03:05.520 --> 1:03:05.720
<v Speaker 3>Yeah?

1:03:05.760 --> 1:03:08.800
<v Speaker 4>But he was still doing the remixes though, because again

1:03:09.080 --> 1:03:13.680
<v Speaker 4>was he because because because Rampays is ninety one, so whatever,

1:03:13.720 --> 1:03:16.680
<v Speaker 4>But it was something else that Pete. We got to

1:03:16.720 --> 1:03:18.800
<v Speaker 4>look up ninety one People Rock and see what he

1:03:18.880 --> 1:03:21.680
<v Speaker 4>was doing, because it wasn't just people I can see

1:03:21.720 --> 1:03:23.479
<v Speaker 4>us move yet that they didn't come out yet.

1:03:23.720 --> 1:03:25.320
<v Speaker 2>The first time I heard of Pete Rock was the

1:03:25.400 --> 1:03:27.600
<v Speaker 2>ramp Pays remix. I didn't even know that he had

1:03:27.600 --> 1:03:28.000
<v Speaker 2>a group.

1:03:28.080 --> 1:03:29.040
<v Speaker 1>Well, you know.

1:03:29.000 --> 1:03:31.520
<v Speaker 3>What, I had to find him from somewhere. We had

1:03:31.520 --> 1:03:34.520
<v Speaker 3>to look it up, see what was out there. I'm

1:03:34.640 --> 1:03:40.040
<v Speaker 3>looking out there, I'm looking up and yo, like nineteen

1:03:40.120 --> 1:03:41.000
<v Speaker 3>ninety one People Rock.

1:03:41.080 --> 1:03:44.840
<v Speaker 2>Business as Usual came out in nineteen ninety all right,

1:03:44.880 --> 1:03:48.400
<v Speaker 2>So granted December eighteenth, nineteen ninety so yes, right, the

1:03:48.440 --> 1:03:51.760
<v Speaker 2>single came out in nineteen ninety one. But the very

1:03:51.840 --> 1:03:54.440
<v Speaker 2>first time I heard of Pete Rock was that remix,

1:03:54.640 --> 1:03:57.360
<v Speaker 2>because I was like, yo, I didn't even know that

1:03:57.480 --> 1:03:59.680
<v Speaker 2>Eric got down with the RAFFI came drums like that

1:03:59.800 --> 1:04:01.280
<v Speaker 2>like that to me was like.

1:04:01.640 --> 1:04:04.040
<v Speaker 3>Okay, but listen, but it don't show nothing else of

1:04:04.120 --> 1:04:05.160
<v Speaker 3>him the.

1:04:05.120 --> 1:04:07.040
<v Speaker 1>Creator and all that stuff will come out later.

1:04:07.680 --> 1:04:10.280
<v Speaker 3>But no, I'm talking about ninth. When you're saying that

1:04:10.400 --> 1:04:12.040
<v Speaker 3>e pm D remix.

1:04:12.000 --> 1:04:14.760
<v Speaker 1>Or awesome ful film, how did I find them? Dude?

1:04:15.000 --> 1:04:17.760
<v Speaker 2>Like I brought that When I heard that song, I

1:04:17.840 --> 1:04:20.680
<v Speaker 2>went and got the twelve inch. It's all p rock

1:04:20.920 --> 1:04:23.880
<v Speaker 2>hit to the head, hardcore remix or whatever. And that's

1:04:23.920 --> 1:04:25.480
<v Speaker 2>how I got introduced to Pete Rock.

1:04:25.560 --> 1:04:27.840
<v Speaker 3>Hey, you know what, it wasn't even me, it probably was.

1:04:28.000 --> 1:04:30.200
<v Speaker 4>It was a death Jam thing because I wasn't in

1:04:30.280 --> 1:04:32.360
<v Speaker 4>it like that to be going and hit and find

1:04:32.400 --> 1:04:32.840
<v Speaker 4>him whatever.

1:04:33.200 --> 1:04:36.920
<v Speaker 3>Somebody at Death Jam found him.

1:04:36.200 --> 1:04:36.560
<v Speaker 1>Got it.

1:04:37.000 --> 1:04:40.760
<v Speaker 2>So how did you guys wind up leaving Sleeping Back

1:04:40.800 --> 1:04:41.640
<v Speaker 2>to go to Death Jam.

1:04:42.440 --> 1:04:45.439
<v Speaker 4>Yeah, Russell did the audit on them because they knew

1:04:45.440 --> 1:04:46.280
<v Speaker 4>things wasn't right.

1:04:46.760 --> 1:04:48.840
<v Speaker 3>You know, E p D was selling all these records.

1:04:49.160 --> 1:04:50.200
<v Speaker 3>We didn't have nothing.

1:04:50.640 --> 1:04:53.200
<v Speaker 4>They up there with new Deaths and jeeps and soap

1:04:53.320 --> 1:04:56.960
<v Speaker 4>us and shit. So Russell and Russell wanted what he wanted.

1:04:57.120 --> 1:04:59.880
<v Speaker 4>Because even with the tour, when when Run said, Yo,

1:05:00.040 --> 1:05:02.840
<v Speaker 4>go get them new boys, like Run did that? Run

1:05:02.880 --> 1:05:04.880
<v Speaker 4>got us out there. And then when it was time,

1:05:04.920 --> 1:05:07.439
<v Speaker 4>when they saw that how we was moving, they knew

1:05:07.440 --> 1:05:10.640
<v Speaker 4>that we was the new So Russell was like yo,

1:05:10.680 --> 1:05:13.160
<v Speaker 4>because we was all on Rush management. That's why when

1:05:13.200 --> 1:05:15.360
<v Speaker 4>you asked a question about the helicopter and all that

1:05:15.360 --> 1:05:17.720
<v Speaker 4>type of stuff, this is Rush management. Ain't nobody bigger

1:05:17.760 --> 1:05:21.400
<v Speaker 4>than them. So all Rush acts were different. They were

1:05:21.440 --> 1:05:22.880
<v Speaker 4>different with Leo or Russell.

1:05:27.800 --> 1:05:31.840
<v Speaker 2>The only person I've interviewed on this platform about his

1:05:32.000 --> 1:05:35.600
<v Speaker 2>car game was Biz. This will be like I was

1:05:35.640 --> 1:05:39.160
<v Speaker 2>the first one with I was the first one. But

1:05:39.360 --> 1:05:41.800
<v Speaker 2>I have to say that, even though I'm not a

1:05:41.920 --> 1:05:46.880
<v Speaker 2>car dude per se, that the Unfinished Business album cover

1:05:48.160 --> 1:05:54.760
<v Speaker 2>is a rather iconic hip hop photo for just the

1:05:54.800 --> 1:06:01.000
<v Speaker 2>b boys stance, the nikes, you'll rocking whatever. Yeah, the

1:06:01.000 --> 1:06:05.840
<v Speaker 2>bucket has all this stuff. So by that point, were

1:06:05.880 --> 1:06:11.640
<v Speaker 2>you satisfied with the way that life was going.

1:06:12.280 --> 1:06:15.000
<v Speaker 4>We were still young, because I'm an eighteen year old kid.

1:06:15.080 --> 1:06:17.280
<v Speaker 4>So at the end of the day, I still know

1:06:17.360 --> 1:06:20.080
<v Speaker 4>what's going on. I'm in there with Will Smith. Will's

1:06:20.160 --> 1:06:22.000
<v Speaker 4>telling me that, you know, I'm about to be a

1:06:22.000 --> 1:06:25.960
<v Speaker 4>big actor. I'm like for real, Like he was speaking

1:06:26.040 --> 1:06:28.160
<v Speaker 4>like this in eighty eight. But we was in the

1:06:28.200 --> 1:06:33.560
<v Speaker 4>backstage playing basketball, so certain things that you would think that.

1:06:33.840 --> 1:06:36.959
<v Speaker 4>But when the second album came and we went number

1:06:36.960 --> 1:06:39.600
<v Speaker 4>one again, we still didn't really get it because we'll

1:06:39.880 --> 1:06:43.280
<v Speaker 4>announced on stage when to graduate EPDEP or second on

1:06:43.400 --> 1:06:45.400
<v Speaker 4>one album in the row, like you know whatever, whatever.

1:06:45.440 --> 1:06:47.360
<v Speaker 3>We didn't even know what they was talking about. So

1:06:47.640 --> 1:06:50.560
<v Speaker 3>we didn't. Don't forget. We was getting jerked the first

1:06:50.600 --> 1:06:52.720
<v Speaker 3>two albums, so we didn't know. We know, we didn't

1:06:52.960 --> 1:06:55.400
<v Speaker 3>have no money, but it was still we were still

1:06:56.040 --> 1:06:59.160
<v Speaker 3>happy making records and being on tour. So the tour

1:06:59.280 --> 1:07:01.760
<v Speaker 3>and then we had to I named Burt Padell. Don't forget.

1:07:01.800 --> 1:07:04.680
<v Speaker 3>Burt Padell made everything right for all his artists.

1:07:05.040 --> 1:07:08.360
<v Speaker 4>He was the number one account for every artist in

1:07:08.640 --> 1:07:12.240
<v Speaker 4>New York, every major actor from the Narrow to Madonna

1:07:12.360 --> 1:07:13.440
<v Speaker 4>to everybody was.

1:07:13.480 --> 1:07:14.280
<v Speaker 3>All Burt Padell.

1:07:14.760 --> 1:07:17.160
<v Speaker 4>So all the stuff you saw us where it was possible,

1:07:17.440 --> 1:07:20.680
<v Speaker 4>the houses he got for us, the cars he got forced,

1:07:21.040 --> 1:07:24.480
<v Speaker 4>so we didn't know that we didn't we wasn't getting

1:07:24.520 --> 1:07:26.720
<v Speaker 4>it and we didn't have it until Russell came and

1:07:27.040 --> 1:07:27.280
<v Speaker 4>ordered it.

1:07:27.640 --> 1:07:28.360
<v Speaker 3>First records.

1:07:29.080 --> 1:07:33.120
<v Speaker 2>What were those tours like in eighty eight eighty nine,

1:07:33.440 --> 1:07:37.080
<v Speaker 2>those those nail tours? We ll, I don't know if

1:07:37.120 --> 1:07:38.480
<v Speaker 2>you were on the Runs House, you were on the

1:07:38.560 --> 1:07:39.120
<v Speaker 2>Runs House.

1:07:39.720 --> 1:07:41.640
<v Speaker 3>All, yeah, that's the first one eighty eight, the first

1:07:41.640 --> 1:07:43.640
<v Speaker 3>one that I've been on before before the fresh best.

1:07:44.320 --> 1:07:46.000
<v Speaker 1>So tours are different now for us.

1:07:46.200 --> 1:07:48.240
<v Speaker 2>I mean, you know, we're in a position now where

1:07:49.240 --> 1:07:52.840
<v Speaker 2>you know, some of his assister on staying at you know,

1:07:53.000 --> 1:07:55.680
<v Speaker 2>the highest level of four seasons and whatever, and you

1:07:55.760 --> 1:07:57.720
<v Speaker 2>got to have a rider and your own tour bus

1:07:57.840 --> 1:08:00.560
<v Speaker 2>and all those things. Right, I know things were different

1:08:01.320 --> 1:08:05.200
<v Speaker 2>in the early dawning of the nineties. But were those

1:08:05.360 --> 1:08:08.960
<v Speaker 2>tours genuinely fun for you? And what were other territories like?

1:08:09.880 --> 1:08:13.440
<v Speaker 3>Again you were acting young kids, of course, it's exciting.

1:08:13.920 --> 1:08:17.240
<v Speaker 4>The Runs House tour was very very respectful, very neat

1:08:17.280 --> 1:08:20.320
<v Speaker 4>because it's run DMC. So it's run DMC Publican the

1:08:20.439 --> 1:08:23.360
<v Speaker 4>me e pm DJ for the First Prince and sometimes

1:08:23.400 --> 1:08:26.280
<v Speaker 4>SATs the Sonics, So again it was run DMC so

1:08:26.520 --> 1:08:32.360
<v Speaker 4>everything was a plus l O COOJ tour e pm D,

1:08:32.680 --> 1:08:35.240
<v Speaker 4>l O COO J, Big Daddy, King, Slick Rick. Of

1:08:35.320 --> 1:08:38.320
<v Speaker 4>course it's Carl Blanc because it's still LLLL.

1:08:38.240 --> 1:08:42.640
<v Speaker 3>But it's also Rush management, you know. So all the

1:08:42.800 --> 1:08:43.719
<v Speaker 3>tours was dope.

1:08:43.760 --> 1:08:47.840
<v Speaker 4>The mc hammer when we had the beef with him again,

1:08:48.560 --> 1:08:51.080
<v Speaker 4>started off good MC Hammer e pm D. But but

1:08:51.240 --> 1:08:53.439
<v Speaker 4>THELAS opening up, it started off good.

1:08:53.760 --> 1:08:53.920
<v Speaker 3>You know.

1:08:54.040 --> 1:08:57.320
<v Speaker 4>The DJ Quick tour was drama because every night they

1:08:57.439 --> 1:09:01.080
<v Speaker 4>was coming for Quick. Every gang in the Kansas City

1:09:01.280 --> 1:09:04.679
<v Speaker 4>or all them San Diego's with them gang Bingers is crazy.

1:09:05.040 --> 1:09:06.200
<v Speaker 3>They was at Quick.

1:09:06.320 --> 1:09:10.240
<v Speaker 4>So every time EPMD, DJ Quick, chump Rock and Gangsta

1:09:10.600 --> 1:09:13.040
<v Speaker 4>and it was a problem almost every night.

1:09:13.439 --> 1:09:13.719
<v Speaker 1>Okay.

1:09:13.800 --> 1:09:16.479
<v Speaker 2>So the reason why I asked that question is because

1:09:16.680 --> 1:09:22.839
<v Speaker 2>the only indication that I had about what tour life.

1:09:22.720 --> 1:09:23.920
<v Speaker 1>Because the thing is the roots.

1:09:25.240 --> 1:09:29.639
<v Speaker 2>Had the roots come out ten years beforehand, we would

1:09:29.640 --> 1:09:33.320
<v Speaker 2>have been on this tour because our whole existence was

1:09:33.439 --> 1:09:34.120
<v Speaker 2>living on the.

1:09:34.240 --> 1:09:36.000
<v Speaker 1>Road two hundred and fifty plus days.

1:09:36.520 --> 1:09:36.800
<v Speaker 3>Wow.

1:09:36.840 --> 1:09:42.040
<v Speaker 2>So a lot of what I learned or thought about

1:09:42.840 --> 1:09:46.600
<v Speaker 2>what life was like before ninety five touring was what

1:09:46.760 --> 1:09:51.240
<v Speaker 2>I learned about DJ Quick rhyming on just like Compton

1:09:51.800 --> 1:09:54.439
<v Speaker 2>what was the marketplace that you didn't like going to?

1:09:54.680 --> 1:09:56.080
<v Speaker 1>Even at the height of EP and D.

1:09:56.720 --> 1:09:59.920
<v Speaker 4>I tell you what, DC back in the early eighties,

1:10:00.160 --> 1:10:02.439
<v Speaker 4>early nineties, you couldn't go there without a go go

1:10:02.600 --> 1:10:03.479
<v Speaker 4>group being on the bill.

1:10:04.320 --> 1:10:04.559
<v Speaker 1>Wow.

1:10:04.760 --> 1:10:08.240
<v Speaker 4>If the things didn't change until until Puffy until ninety three,

1:10:08.520 --> 1:10:11.679
<v Speaker 4>you could not go to DC and perform without having

1:10:11.720 --> 1:10:14.320
<v Speaker 4>the go go band on your bill with you.

1:10:15.360 --> 1:10:16.760
<v Speaker 1>Wow. It was like that.

1:10:17.479 --> 1:10:19.800
<v Speaker 3>It didn't have it, and they had their own, their

1:10:19.840 --> 1:10:22.439
<v Speaker 3>own market. The whole that I watched R Kelly one night,

1:10:22.560 --> 1:10:26.519
<v Speaker 3>Nigga come on last behind what's that? What's that?

1:10:27.000 --> 1:10:31.639
<v Speaker 2>The big band that was there, rare essence, backyard, your backyard,

1:10:31.720 --> 1:10:32.200
<v Speaker 2>junk yard.

1:10:32.320 --> 1:10:35.599
<v Speaker 3>Okay, they went on and all Kelly came on after him,

1:10:35.680 --> 1:10:39.160
<v Speaker 3>and they was filing out by the hundreds. It's like

1:10:39.280 --> 1:10:42.120
<v Speaker 3>that DC had their own culture language.

1:10:42.439 --> 1:10:46.439
<v Speaker 4>It didn't change until bad Boy and Puffy's parties burned

1:10:46.479 --> 1:10:48.720
<v Speaker 4>that to Howard got it?

1:10:49.000 --> 1:10:50.040
<v Speaker 1>Okay, I see.

1:10:50.280 --> 1:10:52.920
<v Speaker 4>But but as far as the other markets, the only

1:10:53.160 --> 1:10:56.479
<v Speaker 4>market that E PMD has trouble in, and you would

1:10:56.479 --> 1:10:59.160
<v Speaker 4>think that we was a brand new group even till

1:10:59.720 --> 1:11:04.519
<v Speaker 4>five years ago, is New Orleans. It's a real different thing.

1:11:04.600 --> 1:11:08.840
<v Speaker 4>It's different it's different, and think about two. They're coming

1:11:08.880 --> 1:11:11.880
<v Speaker 4>to like fans like yo, whatever, they love.

1:11:11.800 --> 1:11:15.920
<v Speaker 3>You, but we're not in that arena. I felt like

1:11:16.040 --> 1:11:17.000
<v Speaker 3>I was a new rapper.

1:11:19.360 --> 1:11:22.200
<v Speaker 6>Hey everybody, this is Sugar Steve of Questlove Supreme.

1:11:22.680 --> 1:11:24.360
<v Speaker 3>Sorry to interrupt, but Eric.

1:11:24.280 --> 1:11:27.800
<v Speaker 6>Shermon and Emir spoke for over three hours, so please

1:11:27.840 --> 1:11:30.160
<v Speaker 6>come back next week or check your podcast feed for

1:11:30.280 --> 1:11:33.519
<v Speaker 6>part two. In that episode, Eric reflects on working with

1:11:33.640 --> 1:11:37.200
<v Speaker 6>Dos Effects, Redman, two Short, and more. He also speaks

1:11:37.240 --> 1:11:41.280
<v Speaker 6>about sampling Roger Trautman for Crossover and share some superstars

1:11:41.320 --> 1:11:43.320
<v Speaker 6>that have been asking him for beats as of late.

1:11:43.920 --> 1:11:47.000
<v Speaker 6>Thanks so much, Happy New Year from Quest Love Supreme.

1:11:52.280 --> 1:11:59.080
<v Speaker 1>West Love Supreme is a production of iHeart Radio. For

1:11:59.240 --> 1:12:03.920
<v Speaker 1>more podcasts iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:12:03.960 --> 1:12:05.599
<v Speaker 1>wherever you listen to your favorite shows.