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Speaker 1: Yams, yams?

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Speaker 2: You know what yam? You know what what yams is?

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Speaker 3: Though, right, like the the the sweet potato that we both.

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Speaker 4: Yes, but but it's also sorry, I'm trying to get

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Speaker 4: my screen back here. But yams is also like a

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Speaker 4: slang term for uh for ass, like what like, oh,

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Speaker 4: she got yams?

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Speaker 3: Yeah?

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Speaker 2: No, I thought that I swear yams. Okay it gams

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Speaker 2: is legs. That's from camberdies yeam, but not peach? Is

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Speaker 2: that just the emoji finery? I do not like Urban Dictionary.

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Speaker 3: Look, I know, but times you have to reference these things.

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Speaker 3: No urban dictionary. Oh here we go, Urban dictionary for yams.

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Speaker 3: Let's see yams not wams.

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Speaker 2: This is ruining.

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Speaker 3: Thanks for yams, A big fat, juicy ass, that's what

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Speaker 3: it says.

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Speaker 2: Listen to hip hop. They reference yams sometimes, but your.

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Speaker 3: Street it is astronomical. Right now, you're teaching me the slang.

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Speaker 3: I appreciate your service, Thank you for your service. You're

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Speaker 3: so welcome. Yeah, anyway, I won't mention anything about your yams.

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Speaker 2: Well you can it would it be plural?

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Speaker 4: Because I feel like if if it's if yams are

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Speaker 4: talking about.

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Speaker 2: A butt, if you say, is it, it's a yam

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Speaker 2: then like we're talking about singular, but.

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Speaker 4: Yeah, you're sort of referencing them collectively, so it would

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Speaker 4: be yams.

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Speaker 2: Yeah, like she got she got a fat yam. Be

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Speaker 2: like what just one?

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Speaker 3: So she got she got great yams. I don't I

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Speaker 3: feel I've never felt less hip.

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Speaker 4: I don't think that's how I don't think that's how

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Speaker 4: the kids say it.

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Speaker 2: She's got great yams.

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Speaker 4: You know it's not a that's that was like a

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Speaker 4: I believe a panty hose commercial in the in the

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Speaker 4: early nineties.

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Speaker 2: Maybe she's got legs.

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Speaker 4: She knows how you remember with that and it was

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Speaker 4: legs whatever with the two g's, Yeah, with the two g's,

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Speaker 4: and it's the ones that you can buy.

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Speaker 2: Like at CBS. Right, Hey, there's any to buy your

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Speaker 2: panty hose. Here's there.

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Speaker 4: There is our merch She's got yams and it's it

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Speaker 4: is uh lifting supporting pantyhose.

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Speaker 2: Yes, okay that you tied it all.

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Speaker 4: Together, yampty hose, yammy hose, yammy hose.

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Speaker 2: Sorry, I don't know what's happening. Justin did we start

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Speaker 2: going this is it?

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Speaker 1: Man?

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Speaker 3: I don't know if I don't know if you started

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Speaker 3: recording but I am oh I did I think, Yeah,

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Speaker 3: I did part of the It's all part of the

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Speaker 3: show now, like it's all part of the fun.

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Speaker 2: Everybody, You're not welcome if you don't know what we're

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Speaker 2: referring to.

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Speaker 4: There was a discussion of wild yams in our in

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Speaker 4: our interview with Debbie Gregory towards the end, and she

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Speaker 4: gave some.

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Speaker 2: That a little earlier today.

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Speaker 4: And now I've just become obsessed with yams well, and

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Speaker 4: also informing Andrea what the.

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Speaker 3: Yeah, it's not just a sweet potato anymore, No, it

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Speaker 3: can it can.

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Speaker 2: Help is a sweet sweet potatois you know what I mean? Sweets?

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Speaker 3: You can use it for you know, some forms of

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Speaker 3: hormone therapy.

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Speaker 2: You can use it as slang, Yeah you can.

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Speaker 3: Yeah, it's a Thanksgiving side dish like this is.

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Speaker 4: I wonder if you slather yourself in wild jams if

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Speaker 4: it gives you yams?

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Speaker 2: You know what I mean? Like, does it he causes

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Speaker 2: good yams? Yeah?

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Speaker 4: Wait, you know what I feel like we're using the

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Speaker 4: word entirely wrong this. I feel like this is going

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Speaker 4: to be one of those things that like a large

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Speaker 4: portion of the audience goes, don't ever do that again,

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Speaker 4: don't you have no idea how how stupid you two sounded.

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Speaker 2: But here's the shaker, we do. We do know how

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Speaker 2: stupid we're saying it anyway. So, yeah, I have no shame.

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Speaker 2: I played Kimmy Gibbler for one hundred years.

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Speaker 4: Yeah, I mean that's what I always say to my kids, like,

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Speaker 4: oh my god, you're so embarrassing. I'm like, do you

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Speaker 4: know what I do for Have you seen what I

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Speaker 4: do for a living? There is no embarrassment anymore. Yeah,

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Speaker 4: I don't have that.

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Speaker 3: Yeah, that's not a thing when you when you grow

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Speaker 3: up on a sitcom.

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Speaker 4: No, you just make when you grow up on a sitcom,

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Speaker 4: and when you fall down as often as I do, you,

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Speaker 4: the embarrassment has to you have to get right over

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Speaker 4: that because chances are you're going to be falling down

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Speaker 4: in public.

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Speaker 1: Yeah.

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Speaker 3: No, it's it's a necessity to being a child actor

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Speaker 3: from the eighties and nineties.

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Speaker 2: Nothing embarrasses you anymore, that's true.

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Speaker 4: Yeah, Like I have a very very solid exoskeleton of

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Speaker 4: no shame.

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Speaker 2: Yeah. Well, well that was I don't know.

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Speaker 3: I don't well, I do know how we got on

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Speaker 3: that topic because of Debbie Gregory.

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Speaker 2: But why are we still talking about it?

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Speaker 4: Because because nothing makes sense anymore? Because why not? Because

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Speaker 4: that's the day that we're having. That's why we are.

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Speaker 3: You're looking directly into my soul.

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Speaker 2: I am.

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Speaker 3: Yeah. I don't know if you're better lit today or

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Speaker 3: you're closer to your camera, but I'm like, I almost

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Speaker 3: need to look away because you're looking directly into my

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Speaker 3: cell right now.

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Speaker 2: I'm sorry, No, you know what it is.

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Speaker 4: I pinned the speaker thing differently on zoom, and it's

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Speaker 4: like a little closer to my camera, so I think

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Speaker 4: I'm looking I'm looking at you. Usually i'm looking at

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Speaker 4: you kind of down and over here, but I have

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Speaker 4: you closer up to the top now. Oh yeah, so

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Speaker 4: I'm looking at you in the eye. But I'm glad

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Speaker 4: that it looks like I'm staring deeply into your soul.

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Speaker 3: Oh you are. It's very distracting, but no, I like it.

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Speaker 3: It makes me feel like we're in person, which we

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Speaker 3: were in person together few days ago. You are.

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Speaker 2: What a fun reunion of so much fun.

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Speaker 3: Sony, who played Ramona on Fuller House, she's back in town.

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Speaker 3: She graduated from NYU in three and a half years

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Speaker 3: and we wanted to go out to dinner to celebrate

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Speaker 3: her and her huge accomplishment.

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Speaker 4: Yeah, and we went with the great and glorious Kim Moffatt,

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Speaker 4: who our listeners also know, and Mel Samuels, who are

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Speaker 4: listeners also know from all of our mentions. But yeah,

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Speaker 4: we met Kim and Mel working on Fuller and we

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Speaker 4: have all remained very close friends. And yeah, we wanted

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Speaker 4: to take Sony out and celebrate her her being, you know,

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Speaker 4: an adult now, Like it's so.

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Speaker 3: Weird, like we met her when she was what thirteen

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Speaker 3: fourteen and now she's like having Margarita's well with me. Anyways,

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Speaker 3: it was yeah, I was like this is.

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Speaker 2: So cool, like health water, Andrea was health health Water.

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Speaker 3: Okay, so Kim ordered my drink because I was running

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Speaker 3: a little bit late as I am, because well we

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Speaker 3: plotted this to be fair. Yeah, yes, okay, so I

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Speaker 3: texted we could get her. Yeah, okay, so Kim, okay,

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Speaker 3: So Kim go, I'm like, I'm running late, but I

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Speaker 3: give Kim permission to order my drink, which that was

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Speaker 3: the first mistake.

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Speaker 4: Well, meet Kim and Sony rode over together. So the

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Speaker 4: second you texted, we all three knew and we were like, okay.

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Speaker 3: Okay, So what was what did Kim tell the waiter?

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Speaker 3: That's what I want to know. What did we all

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Speaker 3: tell the waiter?

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Speaker 4: Everyone was involved in this, you were you were yeah, yeah,

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Speaker 4: we were like, look, we have a friend who loves margaritas.

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Speaker 2: Yeah I do.

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Speaker 4: We're like, we're going to be here for a while.

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Speaker 4: She said she's only having one. Can you put that

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Speaker 4: one in a giant bucket? Like we You should have

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Speaker 4: heard us for like five minutes. That the reason that

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Speaker 4: our waiter was like was just in on all of

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Speaker 4: our weird conversations with us, and we're like, yeah, bring

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Speaker 4: him in because we started off the evening like hi, sir,

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Speaker 4: you're going to need to get to know us, and

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Speaker 4: and he was like okay I and so yeah, Kim

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Speaker 4: was like what do we like, how do we do this?

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Speaker 4: And so he was like, well, there's like a margarita

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Speaker 4: with the little shot of tequila onside.

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Speaker 2: We're like, okay, perfect, We'll tell her it's water, like joking,

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Speaker 2: you're not going to mistake to kill the water. Yeah.

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Speaker 4: And then but then the running gag of the night

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Speaker 4: became that we were calling that little shot health water.

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Speaker 2: We were like, no, to tell water health water.

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Speaker 3: Yeah.

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Speaker 2: Yeah, it's not alcohol, it's health water. I was like,

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Speaker 2: all right, well I better drink up.

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Speaker 4: Yep, and don't worry. I obviously I don't drink. So

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Speaker 4: I was driving two people home. Ab we were there

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Speaker 4: for probably three hours at least at least, so my

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Speaker 4: health water had a chance to pro health water had

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Speaker 4: a chance to process. But yeah, but we had so

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Speaker 4: much fun. Oh it was great. Filled my soul.

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Speaker 3: Like I just as much as I'm like, oh I

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Speaker 3: gotta I have to leave the house. I have to

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Speaker 3: dry on a freewheel, and it's so hard to get

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Speaker 3: up and out of the house that way, but when

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Speaker 3: we're together, I'm like one hundred percent worth it.

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Speaker 2: That's the thing. It's all.

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Speaker 4: It's the getting there, Yes, ereathing in life, yes, getting

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Speaker 4: to work, getting to the gym, getting any.

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Speaker 2: Like, it's that in between period.

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Speaker 4: Once I'm in the car and like have my music

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Speaker 4: on or whatever, I'm like, oh that.

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Speaker 2: This is look at me, Yes, this is great. Yeah.

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Speaker 4: But I take another point. I'm like, no, I don't

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Speaker 4: want to leave here. Why would I leave here?

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Speaker 1: Yeah?

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Speaker 2: Yeah, no, I get it, I get it.

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Speaker 3: But I left that night just feeling so appreciative of

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Speaker 3: my friends and that we got to have some time together.

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Speaker 2: It was much. It was so great, Yes, so great, Yes,

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Speaker 2: so much fun.

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Speaker 3: Well, let's talk about an episode, shall we.

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Speaker 2: Let's let's get into an episode.

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Speaker 3: Welcome back to How Rude Tanertos. I'm Andrea Barber and

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Speaker 3: I'm Jodie Sweeten, and today we are discussing season three,

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Speaker 3: episode twelve, titled Joey and Stacy and oh yeah, Jesse,

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Speaker 3: oh yeah.

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Speaker 2: Because we always forget about Jesse.

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Speaker 3: It originally aired on December fifteenth, nineteen eighty nine.

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Speaker 2: We're closing in on this decade here, you know, we're

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Speaker 2: almost to nineteen night god uh.

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Speaker 3: And it goes a little something like this comet the

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Speaker 3: puppy is an undisciplined chewer, and Jesse bosses around Joey,

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Speaker 3: who becomes fascinated with a background singer in a commercial.

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Speaker 2: It was directed.

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Speaker 4: Who becomes fascinated with a background singer and a commercial

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Speaker 4: sounds like Joey is stalking someone.

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Speaker 3: This is not a good synopsis at all, because she

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Speaker 3: doesn't have a name, like come on.

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Speaker 4: Like right, she didn't have a name, But she becomes

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Speaker 4: fascinated with a background singer who is helping Jesse and

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Speaker 4: Joey on a commercial and happens to be in the

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Speaker 4: basement otherwise known as Joey's room. Yeah, it's not like

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Speaker 4: this just some random woman that he was like, I've

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Speaker 4: seen her and now I'm just I must have her.

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Speaker 3: No, No, she actually was in his room. Yeah, exactly,

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Speaker 3: so exactly. So, yeah, this is written in a not

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Speaker 3: accurate and also.

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Speaker 4: I'm glad that we clarified cot the puppy as a

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Speaker 4: close to as opposed to comment the person. Well, so

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Speaker 4: I'm glad. Yeah, the puppy isn't an undisciplined schooer. We

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Speaker 4: the way this show, as opposed to cousin Comet, who

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Speaker 4: also chews up everything in the house. And it's really

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Speaker 4: strange because he's a nine year old boy.

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Speaker 3: So you have to clarify on this show because there's

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Speaker 3: so many people playing so many different characters and changing you.

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Speaker 2: He was a guest star on many different shows. Yeah. Yeah,

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Speaker 2: m just dressed him up in a trench coat. You

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Speaker 2: never know.

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Speaker 3: Very well trained. He'll be playing mister Bhaer next week.

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Speaker 3: Uh okay. This episode was directed by Coffee Coffee Coffee

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Speaker 3: Billy Fosters, written by Doug McIntyre, no relation to just

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Speaker 3: gonna say, no relation to Joey. And we have some

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Speaker 3: great guest stars this week. We have Carrie Michaelson as

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Speaker 3: Stacy Fleetwood.

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Speaker 2: Fleetwood.

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Speaker 3: She's known for one hundred and eleven episodes of Give

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Speaker 3: Me a Break, What, The Incredible, Hulk, Chips and Different Strokes.

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Speaker 3: Oh my goodness, she looked so familiar. Yeah, I don't

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Speaker 3: know which one of these shows I watched that. I

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Speaker 3: was like, oh, yeah, one.

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Speaker 2: Or all of them? Yeah, I thought too.

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Speaker 4: I was like, I mean I recognized her obviously from

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Speaker 4: like the show. But then I was like, but no,

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Speaker 4: you look I feel like I've seen you in other stuff.

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Speaker 4: So yeah, one.

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Speaker 2: Of those for sure.

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Speaker 3: I thought she came back on Full House later.

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Speaker 2: In this, right, I thought maybe? Yeah, No, this is

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Speaker 2: her only episode of full House, so I'm like, wow.

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Speaker 4: And she's quit working after this, let me guess, well

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Speaker 4: soon after yes, full House the Career Killer.

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Speaker 2: Yep.

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Speaker 3: We also have Cindy Heron as Cindy Daniels and she

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Speaker 3: can't they changed that name. She's been really confusing otherwise,

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Speaker 3: and she's known for a million music videos. She's been

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Speaker 3: in Sultan Pepa's What a Man.

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Speaker 2: She did a gazillion music videos.

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Speaker 3: For en Vogue, Too Long, Too Gone, Whatever, Don't Let

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Speaker 3: Go run Away, Love for Your Mind, Oh my god.

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Speaker 4: Yeah, I'm hearing that entire en Vogue album right now

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Speaker 4: in my head as you're saying all these songs.

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Speaker 3: She was in all of them, and she was in

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Speaker 3: a more recent video for New Kids on the Block

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Speaker 3: Bring Back the Time.

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Speaker 2: I know this this woman has.

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Speaker 3: She has been around the block a few times when

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Speaker 3: it comes to music videos, and she was also in Batman.

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Speaker 2: But that's the term that you want. Is that the

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Speaker 2: term we want to use? Been around the block?

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Speaker 3: Yeah?

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Speaker 2: I think that means something. I don't think that means

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Speaker 2: what you think of doing. Need to get Urban Dictionary

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Speaker 2: out again.

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Speaker 4: No, I just usually when you say someone's been around

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Speaker 4: the block, I think that implies that they've seen a

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Speaker 4: lot of you.

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Speaker 2: I thought that, like, they've yeah this is my first rodeo.

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Speaker 4: Oh okay, Maybe maybe I'm making something she's been around

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Speaker 4: the being appropriate, But I feel like when you say

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Speaker 4: someone's been around the block, it means they've it's not

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Speaker 4: the it's not their first rodeo, right, No, that's not

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Speaker 4: that's not it's not their first rodeo and they've been

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Speaker 4: around the block are two different things. Yeah, yeah, yeah,

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Speaker 4: you're not doing a rodeo around the block. Rodeos are

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Speaker 4: separate from where you from your block.

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Speaker 3: Michael makes fun of me forgetting like all these malaprops

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Speaker 3: like I get I get.

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Speaker 4: It because yes, yes you do, and I love it. Yes,

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Speaker 4: and it's great.

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Speaker 2: I'm here for it.

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Speaker 3: Phish major like this. I should not be messing up

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Speaker 3: as many sayings as I do.

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Speaker 4: Well, but you know, you know proper English. I know

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Speaker 4: all of the stupid things that people say in replacement

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Speaker 4: of proper English.

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Speaker 3: So yeah, you know the street slang that's way more

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Speaker 3: important than proper English or syntax. Okay, Well, Cindy Harron

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Speaker 3: has this isn't her first rodeo, maybe.

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Speaker 2: Or maybe not. She's been around the block. I don't know.

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Speaker 2: I don't know where that was.

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Speaker 4: And by that, we're not implying anything bad Cindy. We

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Speaker 4: don't mean it. But if that, if that's not what

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Speaker 4: we meant, well that's not what I meant.

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Speaker 2: She's very accomplished.

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Speaker 3: She is a very accomplished actress and singer, and we

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Speaker 3: there and I'm sorry for anything I've said that this

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Speaker 3: has totally about I'll.

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Speaker 2: Let you talk now, I'll stop, and.

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Speaker 3: That's all the time we have for today's folks. Okay,

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Speaker 3: two more guest stars, and I promise i'll start this recap.

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Speaker 3: Brian Byers is Ted, so he's one of the guys

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Speaker 3: on the couch, the advertising guest known for mash Three's Company,

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Speaker 3: General Hospital, and Highway to Heaven. And Bert Kramer plays

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Speaker 3: mister Kiner. He's known for Matt Locke, Falcon Crest, Dynasty,

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Speaker 3: and one hundred and thirty nine episodes of the daytime

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Speaker 3: drama Texas. So, okay, he's kind of intimidating. I think

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Speaker 3: this was He was a well cast as the intimidating

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Speaker 3: advertising executive who's not sure about Jesse's pitch.

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Speaker 2: Yeah. I enjoyed it. Yeah I was intimidated. I was too.

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Speaker 3: Okay, we start with our teaser. In the kitchen, Michelle

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Speaker 3: is blowing bubbles in her chocolate milk when Danny walks over.

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Speaker 3: He tells Michelle that big girls do not blow bubbles

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Speaker 3: into their milk, and Michelle asks why. He responds in

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Speaker 3: a serious tone because milk is not a toy. Michelle

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Speaker 3: asks again why Danny explains because they don't sell milk

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Speaker 3: in toy stores. Michelle responds, why I remember this phase

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Speaker 3: of toddlers where that's all. It doesn't matter what answer

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Speaker 3: you give them. They just doesn't ask me why why?

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Speaker 4: And you can actually drive someone pretty crazy by just

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Speaker 4: asking why after everything, because you can do it forever.

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Speaker 3: Yeah.

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Speaker 2: Yeah, there's no end, there's no finish or smell.

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Speaker 4: There is no end to the whys. And if you've

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Speaker 4: ever been around a toddler, you know that, Oh this

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Speaker 4: is fun to watch.

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Speaker 2: Yeah, I will say I wanted chocolate milk after this.

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Speaker 3: Really, I am not a fan of chocolate milk or

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Speaker 3: milk really in general.

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Speaker 2: I don't like ice cream.

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Speaker 4: I'm not a dairy p No, not so much an

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Speaker 4: ice cream, but a good glass of milk with some

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Speaker 4: cookies or something.

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Speaker 2: Yeah, gotta do it. See you think I'm chocolate milk.

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Speaker 3: I'm turned off by chocolate milk because when I was

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Speaker 3: running in my marathon days, that's what they hand you

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Speaker 3: at the finish line if you've run twenty six miles,

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Speaker 3: They're like, here, here's the cold sugar. Yeah, it's supposed

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Speaker 3: to repair your muscles and all that, But I was like,

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Speaker 3: chocolate milk, cold chocolate milk, curdling in my hot stomach

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Speaker 3: that is now nauseated after running twenty six miles. See

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Speaker 3: look at your See, I can see your expression so

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Speaker 3: much clearer now.

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Speaker 2: Yeah. Ever since I'm like, no, I.

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Speaker 3: Don't need chocolate milk. I don't need that doesn't sound appealing.

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Speaker 3: So and this, this scene didn't may hand you if

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Speaker 3: you're lactose intolerant, well, just water, gatorade. Maybe, I don't know.

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Speaker 3: You don't get the milk the gatorade in the first place.

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Speaker 2: You're like, I want some gatorade, screw the chocolate.

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Speaker 3: Mik I never took the chocolate milk. I was like, no,

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Speaker 3: I'll just take a water in a banana.

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Speaker 2: That's all I need.

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Speaker 3: There you go, There you go, and then a big

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Speaker 3: meal a pizza after that.

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Speaker 2: There you go. Okay.

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Speaker 3: Anyways, before the last listener turns this podcast off because

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Speaker 3: we can't stay on topic.

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Speaker 2: I'm sorry, I'm sorry, I'm sorry.

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Speaker 3: So Danny can't think of one good reason not to

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Speaker 3: blow bubbles into his milk, so he encourages her to

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Speaker 3: start again, and this time he joins her, but he's

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Speaker 3: a little too aggressive and milk irrupts all over the

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Speaker 3: sides of his cup. This is so out of character

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Speaker 3: for Danny, right, I was like, oh, don't, don't.

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Speaker 2: I was like, what, Oh, Danny would be having a

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Speaker 2: hard till he.

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Speaker 3: Was very calm all things considered in this moment. So

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Speaker 3: Michelle shows him how to properly blow bubbles in his milk,

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Speaker 3: and he tries it again less aggressively. Michelle watches and

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Speaker 3: tells him better, and then the two continue to blow

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Speaker 3: chocolate milk bubbles together. All right, classic teasers. Chocolate milk

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Speaker 3: really does blow the best bubbles. The chocolate makes the

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Speaker 3: best bubbles.

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Speaker 2: I don't know. I just said it.

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Speaker 3: I I'll believe you because I don't drink chocolate milk.

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Speaker 3: I don't blow bubbles in any milk.

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Speaker 4: Well, there's your first mistake, not that not drinking chocolate milk,

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Speaker 4: believing me.

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Speaker 3: I'm very gullible today, well in general, but today in particular.

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Speaker 2: Well, it's not your first time around the block. Like

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Speaker 2: that compliment, right or no?

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Speaker 3: Is it not a I'm gonna google this soon as

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Speaker 3: as soon as we Well, someone said it to you

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Speaker 3: as a compliment that I don't think they meant that.

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Speaker 2: Joey Sweeten.

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Speaker 3: Even around the block a few times, isn't He's like

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Speaker 3: this it? Yeah, you know what you're doing.

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Speaker 2: You know what you're talking about.

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Speaker 3: You are accomplished, and maybe maybe maybe it does. Maybe

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Speaker 3: it does. I'm gonna sure, I could be wrong. It

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Speaker 3: happens often.

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Speaker 2: Okay, okay, we'll google, we'll google it later.

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Speaker 3: Let's get to let's get to uh this, whatever's happening,

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Speaker 3: I know. Okay, So we're finally in Joey's room. Jesse's

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Speaker 3: recording a Permiteeth Denture commercial with two women.

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Speaker 2: Right, because you would do that in an open room

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Speaker 2: and not in a recording booth.

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Speaker 3: Yeah, what are they just? They're just practicing. I guess

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Speaker 3: they're not because it's just a pitch, so they're.

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Speaker 2: Just that's never mind. I'm sorry. See this is I

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Speaker 2: was wrong.

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Speaker 3: That's you're still stuck on the block back, not going

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Speaker 3: around it, but you're still.

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Speaker 2: Talking about Yeah, this is what you're doing.

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Speaker 3: Okay, Joey frantically runs in and introduce If Joey frantically

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00:20:05,840 --> 00:20:09,040
Speaker 3: runs in and interrupts them, this is this is We're

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Speaker 3: right back to where I have to stare at your

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Speaker 3: forehead because I can't look at the eye.

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Speaker 2: Sorry, what's happening.

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Speaker 3: Because we were just talking about doing a blooper reel

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Speaker 3: for the Social Believe you have material, and now here

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00:20:26,240 --> 00:20:31,000
Speaker 3: we are just screwed around. Oh boy, okay, guys, this

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Speaker 3: is just what it was like on Pullerhouse, where Jody

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Speaker 3: and I couldn't keep a straight face looking at each

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Speaker 3: other's forehead.

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Speaker 4: Sometimes it's a problem. Okay, it's back to the Scooby Dodo.

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Speaker 2: It's a hazard.

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00:20:41,240 --> 00:20:43,880
Speaker 3: Oh yes, okay, women are singing Scooby Doo. Joey frantically

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00:20:43,960 --> 00:20:47,040
Speaker 3: runs in. He interrupts them. He says, hold the Scooby doos.

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00:20:47,680 --> 00:20:50,159
Speaker 3: He tells Jesse he's got a great new idea for

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Speaker 3: this hermitieth commercial. Instead of using music, we zap them

441
00:20:54,480 --> 00:20:58,600
Speaker 3: with comedy. Joey wearing berets. Oh yeah, I like this

442
00:20:58,640 --> 00:21:00,520
Speaker 3: beret on him. He wore that I think in the

443
00:21:00,600 --> 00:21:04,000
Speaker 3: last episode two. Yeah, I feel berets were he was

444
00:21:04,040 --> 00:21:04,920
Speaker 3: having a beret moment.

445
00:21:05,080 --> 00:21:06,720
Speaker 2: Yeah, he looks good in it.

446
00:21:07,680 --> 00:21:11,640
Speaker 3: Uh so he's using a silly voice impression. Jesse gives

447
00:21:11,640 --> 00:21:15,840
Speaker 3: a fake laugh, but bluntly tells him we're not doing funny,

448
00:21:17,280 --> 00:21:20,960
Speaker 3: So she introduces Joey to the backup singers. Stacy Fleetwood

449
00:21:21,200 --> 00:21:25,760
Speaker 3: and Cindy Daniels no association with Fleetwood mac oh, yes,

450
00:21:25,840 --> 00:21:31,240
Speaker 3: thank you. Good good clarification. So Stacy excitedly shakes Joey's hand.

451
00:21:31,520 --> 00:21:34,639
Speaker 3: She recognizes him immediately, she saw his act at the

452
00:21:34,720 --> 00:21:39,320
Speaker 3: laugh Machine and thought he was hysterical. Joey smiles and

453
00:21:39,400 --> 00:21:43,000
Speaker 3: thanks her, telling her she was a beautiful audience. Then

454
00:21:43,080 --> 00:21:46,480
Speaker 3: Cindy shakes Joey's hand. She smiles and casually tells him,

455
00:21:46,760 --> 00:21:47,600
Speaker 3: I've never heard of you.

456
00:21:49,080 --> 00:21:51,359
Speaker 2: Love that line. She had one line or two lines,

457
00:21:51,359 --> 00:21:53,199
Speaker 2: and she delivered a book. Yeah, like I don't even

458
00:21:53,240 --> 00:21:53,679
Speaker 2: know who you are.

459
00:21:53,960 --> 00:21:58,080
Speaker 3: Yeah, So Stacy assures her that she's going to be impressed,

460
00:21:58,359 --> 00:22:00,400
Speaker 3: and she tells Joey to do his rose and Bar

461
00:22:00,760 --> 00:22:05,199
Speaker 3: imitation at age. Well, yeah, this must have been at

462
00:22:05,200 --> 00:22:07,280
Speaker 3: the height of Roseanne the well it.

463
00:22:07,240 --> 00:22:10,400
Speaker 4: Was when before it was maybe even before she had

464
00:22:10,440 --> 00:22:13,439
Speaker 4: her show, because well, but she was it was just her.

465
00:22:13,720 --> 00:22:15,440
Speaker 4: She was a very popular stand up at the times.

466
00:22:15,440 --> 00:22:16,760
Speaker 4: It might have been before I don't think it might

467
00:22:17,000 --> 00:22:18,479
Speaker 4: It might have been before Roseanne the sitcom.

468
00:22:18,520 --> 00:22:22,159
Speaker 2: It was just she was was popular. Okay as a

469
00:22:22,200 --> 00:22:24,760
Speaker 2: stand up. He did it. He did a very good impression.

470
00:22:24,840 --> 00:22:25,920
Speaker 2: He can he can.

471
00:22:26,000 --> 00:22:29,320
Speaker 3: He can imitate anybody, like, come on, Roseanne is good,

472
00:22:29,440 --> 00:22:33,760
Speaker 3: It's very good. So Joey does this impression. Stacy laughs,

473
00:22:34,119 --> 00:22:38,200
Speaker 3: and then she requests his Popeye impression. Next, Joey is

474
00:22:38,240 --> 00:22:42,160
Speaker 3: shocked you like Popeye, and Stacey admits she loves him.

475
00:22:42,480 --> 00:22:44,480
Speaker 3: Any guy who can eat spinach through a pipe is

476
00:22:44,520 --> 00:22:45,480
Speaker 3: my kind of band?

477
00:22:46,560 --> 00:22:47,879
Speaker 2: Why I did.

478
00:22:49,280 --> 00:22:52,960
Speaker 4: Either they're made for each other or like no more so,

479
00:22:53,160 --> 00:22:54,879
Speaker 4: any guy who can eat spinach through a pipe is

480
00:22:54,920 --> 00:22:55,600
Speaker 4: your kind of man.

481
00:22:56,000 --> 00:22:57,160
Speaker 2: I avoid those people.

482
00:22:57,640 --> 00:22:59,920
Speaker 4: If I met someone who was sucking spinach through a

483
00:23:00,240 --> 00:23:01,760
Speaker 4: I'd be like, I don't think we should hang out.

484
00:23:01,920 --> 00:23:04,560
Speaker 3: If I saw that on like a tender profile, I

485
00:23:04,600 --> 00:23:06,840
Speaker 3: would be like, no, they've been around.

486
00:23:06,640 --> 00:23:10,920
Speaker 2: The walk many times, so okay.

487
00:23:11,440 --> 00:23:14,359
Speaker 3: So Joey responds in his Popeye voice and then walks

488
00:23:14,359 --> 00:23:18,560
Speaker 3: Stacy over to his pop Eye collection. Why why are

489
00:23:18,560 --> 00:23:21,280
Speaker 3: they using cartoon voices as an aphrodisiac for joke?

490
00:23:21,359 --> 00:23:23,320
Speaker 2: Like every time he meets a you mean you don't

491
00:23:23,359 --> 00:23:23,840
Speaker 2: get hot?

492
00:23:23,880 --> 00:23:30,199
Speaker 3: Every time someone uh does uh bowlingkle this is his

493
00:23:30,320 --> 00:23:36,480
Speaker 3: go to line with women is like, no, that's not appealing,

494
00:23:36,560 --> 00:23:39,440
Speaker 3: Well maybe it is to Stacy and Zoe or over.

495
00:23:39,359 --> 00:23:41,359
Speaker 2: The I don't know. We don't know what the market

496
00:23:41,440 --> 00:23:42,920
Speaker 2: is like out there at the time, you know what

497
00:23:42,960 --> 00:23:43,240
Speaker 2: I mean.

498
00:23:43,359 --> 00:23:47,080
Speaker 4: You maybe maybe there's a lot of maybe there's a

499
00:23:47,119 --> 00:23:50,040
Speaker 4: lot of Jesse's and Joey is a is a breath.

500
00:23:49,720 --> 00:23:52,359
Speaker 2: Of fresh air. Oh okay, yeah, yeah, I don't know.

501
00:23:52,600 --> 00:23:54,040
Speaker 2: You know, maybe there's a lot of dudes out there.

502
00:23:54,160 --> 00:23:56,480
Speaker 4: She's like, oh god, I think she's like, I'll go

503
00:23:56,600 --> 00:23:58,159
Speaker 4: for someone who makes Popeye noises.

504
00:23:58,359 --> 00:24:00,800
Speaker 3: It's this is very a niche can unity is the

505
00:24:01,840 --> 00:24:03,359
Speaker 3: underground cartoon lovers.

506
00:24:03,400 --> 00:24:05,560
Speaker 4: I mean, the days before the Internet, you know, you

507
00:24:05,880 --> 00:24:07,560
Speaker 4: didn't know that there were as many as there are,

508
00:24:07,600 --> 00:24:10,000
Speaker 4: and now there's a whole underground Popeye community.

509
00:24:10,240 --> 00:24:11,440
Speaker 2: She would have found her people, right.

510
00:24:20,400 --> 00:24:23,359
Speaker 3: Jesse turns to Cindy. He says, are we in this room?

511
00:24:23,840 --> 00:24:28,000
Speaker 3: And Cindy responds, we are, but we shouldn't be. Jesse

512
00:24:28,080 --> 00:24:30,840
Speaker 3: tells Joey they can call it a day. Joey brushes

513
00:24:30,920 --> 00:24:34,400
Speaker 3: him off, hardly paying attention. Yeah, yeah, okay, fine, he's

514
00:24:34,400 --> 00:24:38,040
Speaker 3: busy showing his collection to Stacy. Jesse reminds him dinners

515
00:24:38,080 --> 00:24:41,920
Speaker 3: in an hour, and Joey brushes him off again. Okay, yeah, fine,

516
00:24:42,200 --> 00:24:45,720
Speaker 3: so joe So Jesse sarcastically announces the Pope is coming,

517
00:24:46,359 --> 00:24:49,920
Speaker 3: and Joey responds, yeah, say hi for me. Jesse turns

518
00:24:49,920 --> 00:24:54,840
Speaker 3: to Cindy he's gone, and then they leave. Joey proudly

519
00:24:54,880 --> 00:24:58,919
Speaker 3: shows Stacy a frame that contains an actual Popeye signature.

520
00:24:58,880 --> 00:25:00,960
Speaker 2: And he jokes that there's all these forgery is going

521
00:25:01,000 --> 00:25:01,600
Speaker 2: on now.

522
00:25:03,040 --> 00:25:05,679
Speaker 4: Just an awkward So if that was yeah, if I

523
00:25:05,720 --> 00:25:08,840
Speaker 4: were in like second grade, i'd be like, cool, let

524
00:25:08,880 --> 00:25:09,600
Speaker 4: me see your popeyes.

525
00:25:10,280 --> 00:25:10,480
Speaker 2: Yeah.

526
00:25:10,560 --> 00:25:10,720
Speaker 3: Yeah.

527
00:25:10,720 --> 00:25:14,520
Speaker 2: As an adult, I'd be like, this isn't the flex

528
00:25:14,560 --> 00:25:19,040
Speaker 2: you think it is, Joey, but he's he's not. He's

529
00:25:19,359 --> 00:25:20,840
Speaker 2: not flexing like Popeye. I'll tell you that.

530
00:25:20,920 --> 00:25:24,840
Speaker 3: No, he's not sucking spinach through his pipe or whatever.

531
00:25:24,840 --> 00:25:27,000
Speaker 3: You know, He's not not doing it.

532
00:25:28,359 --> 00:25:29,840
Speaker 2: Wait what what?

533
00:25:31,080 --> 00:25:31,400
Speaker 1: I think?

534
00:25:31,400 --> 00:25:32,760
Speaker 2: It just sounded funny.

535
00:25:33,359 --> 00:25:37,760
Speaker 3: Just sometimes when you say things, it sounds so wholesome

536
00:25:37,880 --> 00:25:45,040
Speaker 3: and unintentionally inappropriate and I love it. Okay, welcome, Yes,

537
00:25:45,200 --> 00:25:49,960
Speaker 3: thank you, mooing right along. Next we're in DJ and

538
00:25:49,960 --> 00:25:55,800
Speaker 3: Stepp's room. Give me in DJ walking, Well, are you okay?

539
00:25:56,160 --> 00:25:59,280
Speaker 2: What's happening? No? No, it's been I don't even know.

540
00:25:59,359 --> 00:26:01,800
Speaker 2: It's fine a break? Do you need more jams? Like

541
00:26:01,800 --> 00:26:04,879
Speaker 2: what do we need to get through this? That's not

542
00:26:05,040 --> 00:26:06,920
Speaker 2: helping me pull myself together?

543
00:26:07,000 --> 00:26:12,000
Speaker 3: Okay, ok, focus, focus, Yes, Kimmy and DJ walk in,

544
00:26:12,320 --> 00:26:15,000
Speaker 3: and Kimmy assures her that this is the last time

545
00:26:15,240 --> 00:26:17,840
Speaker 3: she'll ever copy her homework. I know why you're laughing

546
00:26:17,920 --> 00:26:20,520
Speaker 3: because you're you're imagining what I'm wearing in this in

547
00:26:20,600 --> 00:26:21,400
Speaker 3: the scene.

548
00:26:21,440 --> 00:26:24,080
Speaker 4: Which is Yeah, it was a strange there was it

549
00:26:24,200 --> 00:26:26,879
Speaker 4: was a strange thing on the front of your shirt.

550
00:26:27,080 --> 00:26:27,240
Speaker 1: Oh.

551
00:26:27,240 --> 00:26:29,119
Speaker 3: I don't even know what that was, but just the

552
00:26:29,119 --> 00:26:34,080
Speaker 3: the neon colors were getting brighter, they're.

553
00:26:33,040 --> 00:26:35,719
Speaker 4: Coming out, right, was the leggings and it was there

554
00:26:35,760 --> 00:26:38,320
Speaker 4: was like a weird face on there.

555
00:26:38,480 --> 00:26:40,720
Speaker 3: Yeah, And I feel like I hit a growth spurt

556
00:26:40,720 --> 00:26:42,240
Speaker 3: over hiatus or something, because.

557
00:26:42,000 --> 00:26:44,680
Speaker 2: I definitely holler. You're definitely a lot taller.

558
00:26:46,280 --> 00:26:49,600
Speaker 3: So DJ reminds Kimmy that if she keeps copying her homework,

559
00:26:49,680 --> 00:26:52,639
Speaker 3: she's never going to learn anything, and Kimmy shrugs, So

560
00:26:52,680 --> 00:26:54,680
Speaker 3: what once I'm out of school, I'm never going to

561
00:26:54,800 --> 00:26:56,880
Speaker 3: use English, which is.

562
00:26:56,800 --> 00:27:00,000
Speaker 2: So funnily ironic. That's what you got your.

563
00:27:02,520 --> 00:27:07,520
Speaker 3: Well, sometimes art does not imitate life. So DJ searches

564
00:27:07,560 --> 00:27:10,600
Speaker 3: for her homework and finds it torn to shreds on

565
00:27:10,640 --> 00:27:15,080
Speaker 3: the floor. The dog literally ate her homework. She realizes

566
00:27:15,080 --> 00:27:17,760
Speaker 3: that all that hard work was for nothing, and Kimmy

567
00:27:17,800 --> 00:27:20,960
Speaker 3: points out that this is exactly why she doesn't do homework.

568
00:27:22,000 --> 00:27:25,320
Speaker 3: Danny storms in, holding up a torn up tie. He

569
00:27:25,400 --> 00:27:28,400
Speaker 3: blames Comet for eating his favorite tie, and he asks

570
00:27:28,440 --> 00:27:33,000
Speaker 3: the girls where Comet is. DJ doesn't know. Michelle walks

571
00:27:33,000 --> 00:27:35,600
Speaker 3: in next holding a slipper in her hand. The doggie

572
00:27:35,800 --> 00:27:39,480
Speaker 3: ate my bunny slipper. Danny picks it up and examines it.

573
00:27:39,960 --> 00:27:42,760
Speaker 3: He points out that Comet only drooled on it, and

574
00:27:42,800 --> 00:27:47,640
Speaker 3: Michelle makes a sour face. You doggie drool. She's very

575
00:27:47,680 --> 00:27:49,880
Speaker 3: negative about this dog, like the dog ate her ice

576
00:27:49,960 --> 00:27:52,719
Speaker 3: cream a couple episodes ago. Now she's mad at the

577
00:27:52,760 --> 00:27:56,320
Speaker 3: bunny slipper thing. Yeah, she's not a fan. She's not

578
00:27:56,359 --> 00:27:59,480
Speaker 3: a fan of the dog. At first, Yeah, not at all.

579
00:28:00,960 --> 00:28:04,520
Speaker 3: But then Stephanie cheerfully walks into the room holding Comet

580
00:28:04,560 --> 00:28:08,640
Speaker 3: on a leash. Everyone angrily points at the dog in unison.

581
00:28:09,080 --> 00:28:11,800
Speaker 3: There he is, and your hair is very short, like

582
00:28:11,840 --> 00:28:14,520
Speaker 3: you must have gotten a haircut. Your curls are like

583
00:28:14,560 --> 00:28:17,480
Speaker 3: almost like it was really my hair was really curly,

584
00:28:17,680 --> 00:28:20,280
Speaker 3: very curly, like it was like, I think I probably

585
00:28:20,359 --> 00:28:21,880
Speaker 3: just recently got a perm is what.

586
00:28:21,840 --> 00:28:22,399
Speaker 2: It looks like?

587
00:28:23,320 --> 00:28:25,840
Speaker 3: It's very Shirley Temple esque and very cute.

588
00:28:25,880 --> 00:28:28,200
Speaker 2: Yeah, thanks, I liked it.

589
00:28:28,280 --> 00:28:31,159
Speaker 3: Thanks so Steph asks why everyone is mad at sweet

590
00:28:31,160 --> 00:28:34,360
Speaker 3: little Comet. Michelle shakes her finger at the dog and scolds,

591
00:28:34,400 --> 00:28:39,040
Speaker 3: you ate my bunny. Slipper, bad, bad bad. Stuph responds,

592
00:28:39,160 --> 00:28:41,960
Speaker 3: if Comet could talk, I'm sure he would say, and

593
00:28:42,000 --> 00:28:43,680
Speaker 3: she imitates Comet panting for.

594
00:28:43,640 --> 00:28:45,280
Speaker 2: The full effect. How rude.

595
00:28:46,760 --> 00:28:49,120
Speaker 3: DJ sighs, telling her dad that no one will believe

596
00:28:49,160 --> 00:28:52,440
Speaker 3: the old dog ate my homework excuse, so she's going

597
00:28:52,480 --> 00:28:56,160
Speaker 3: to tell her teacher that Michelle ate it. Kimmy asks

598
00:28:56,280 --> 00:29:00,800
Speaker 3: Danny if he's ever considered obedience school. Danny nods yes,

599
00:29:01,000 --> 00:29:03,800
Speaker 3: and tell your parents. I'm willing to pay half. The

600
00:29:03,800 --> 00:29:07,560
Speaker 3: audience laughs hysterically and claps, and kim You just smiles

601
00:29:07,560 --> 00:29:09,800
Speaker 3: and walks away, like, where's my comeback? Like that is

602
00:29:10,080 --> 00:29:12,240
Speaker 3: I does I needed a comeback in this moment?

603
00:29:12,280 --> 00:29:14,880
Speaker 4: You know what's so funny is that moment was really

604
00:29:14,880 --> 00:29:17,760
Speaker 4: one of those particular moments when I was like right,

605
00:29:17,800 --> 00:29:20,080
Speaker 4: because it was just it felt like suddenly like you

606
00:29:20,160 --> 00:29:22,120
Speaker 4: paused for like four or five seconds, like such a

607
00:29:22,160 --> 00:29:24,880
Speaker 4: sitcom moment to just stare, let the let the laugh, land,

608
00:29:24,960 --> 00:29:26,960
Speaker 4: let people laugh, and then you exit, and you're like,

609
00:29:27,120 --> 00:29:28,440
Speaker 4: that's who does that?

610
00:29:28,840 --> 00:29:31,120
Speaker 3: It is such a sick, calm thing, like nobody else

611
00:29:31,760 --> 00:29:34,640
Speaker 3: pauses for two beats and then walks out of her room.

612
00:29:34,960 --> 00:29:37,200
Speaker 4: Right, I'm going to start doing that though, just to

613
00:29:37,200 --> 00:29:41,080
Speaker 4: make it awkward. It's going to be people are gonna

614
00:29:41,080 --> 00:29:44,160
Speaker 4: say something about this and then walk out of the room.

615
00:29:44,720 --> 00:29:45,560
Speaker 2: Why did she do that?

616
00:29:46,480 --> 00:29:48,720
Speaker 3: I was just waiting for the laughs. I that's the

617
00:29:48,720 --> 00:29:50,920
Speaker 3: first thing they tell you in acting school. Wait for

618
00:29:50,960 --> 00:29:53,160
Speaker 3: the laughs. Let's wait for the last mom one one,

619
00:29:53,280 --> 00:29:54,040
Speaker 3: wait for the laugh.

620
00:29:54,280 --> 00:29:55,360
Speaker 2: Yeah.

621
00:29:55,760 --> 00:29:59,200
Speaker 3: So Danny addresses Stephanie next. He tells her that comment

622
00:29:59,320 --> 00:30:03,240
Speaker 3: is out of troll, but Stephanie defends Commet. It's not

623
00:30:03,400 --> 00:30:08,800
Speaker 3: Commet's fault. His dog food tastes terrible. Danny leans closer

624
00:30:08,840 --> 00:30:13,080
Speaker 3: to her, concerned, you tasted it, and steph can't contain

625
00:30:13,120 --> 00:30:15,760
Speaker 3: her giggles. Of course not I fed it to Michelle.

626
00:30:16,920 --> 00:30:21,520
Speaker 3: Michelle is just still very unhappy. I hate dog food. Yuck.

627
00:30:22,360 --> 00:30:25,280
Speaker 2: Well, now I know why stuff's making her eat dog food.

628
00:30:26,880 --> 00:30:29,800
Speaker 3: Danny tells her, do not feed dog food to your sister,

629
00:30:30,240 --> 00:30:31,400
Speaker 3: and Steph smiles.

630
00:30:31,480 --> 00:30:31,840
Speaker 2: Okay.

631
00:30:33,400 --> 00:30:35,720
Speaker 3: Danny picks up comment, telling him he needs to learn

632
00:30:35,720 --> 00:30:39,760
Speaker 3: the rules around here, rule number one, and Commet begins

633
00:30:39,760 --> 00:30:42,480
Speaker 3: to lick his nose. Never lick my nose when I'm

634
00:30:42,560 --> 00:30:47,360
Speaker 3: lecturing you. But Commet doesn't stop. Bob continues, I know

635
00:30:47,400 --> 00:30:49,760
Speaker 3: it's an easy mark, but don't do it. He was

636
00:30:49,800 --> 00:30:52,200
Speaker 3: always making fun of his nose. Nose is great.

637
00:30:52,400 --> 00:30:54,920
Speaker 2: Well, then that was I think actually an ad lib.

638
00:30:55,160 --> 00:30:58,240
Speaker 2: Oh yeah, yeah.

639
00:30:57,280 --> 00:30:59,080
Speaker 4: Yeah, I know it's an easy mark, but I can

640
00:30:59,160 --> 00:31:01,160
Speaker 4: just kind of tell by the delivery like it was.

641
00:31:01,320 --> 00:31:03,480
Speaker 2: Yeah, that was that was not scripted. That was Bob

642
00:31:03,640 --> 00:31:06,000
Speaker 2: just I mean maybe felt like it though. Yeah, it

643
00:31:06,040 --> 00:31:07,160
Speaker 2: did feel like it. I agree.

644
00:31:08,520 --> 00:31:11,360
Speaker 3: So next, in the living room, Joey is standing as

645
00:31:11,400 --> 00:31:14,760
Speaker 3: Stacy sits on the couch. He excitedly tells Stacy to

646
00:31:14,880 --> 00:31:17,800
Speaker 3: name that TV show as he pretends to light a match.

647
00:31:18,400 --> 00:31:21,800
Speaker 3: Stacy jumps up and yells Mission Impossible, and Joey sings

648
00:31:21,800 --> 00:31:24,480
Speaker 3: a song to the beat of the Mission Impossible theme song,

649
00:31:24,760 --> 00:31:28,320
Speaker 3: and Stacy snaps along with him. She laughs and tells

650
00:31:28,360 --> 00:31:31,520
Speaker 3: Joey he's so cute. He blushes, Oh, come on, cut

651
00:31:31,720 --> 00:31:36,160
Speaker 3: it out, Joey and Stacy begin to kiss as Jesse walks.

652
00:31:35,920 --> 00:31:36,720
Speaker 2: Down the stairs.

653
00:31:37,760 --> 00:31:41,200
Speaker 3: More people making out in the living room why with

654
00:31:41,280 --> 00:31:45,920
Speaker 3: an audience, Yes, yeah, but Jesse's not embarrassed. He's just like, yeah,

655
00:31:47,400 --> 00:31:49,560
Speaker 3: he's made out and never room in this house in

656
00:31:49,560 --> 00:31:51,640
Speaker 3: front of every single member, including the dog.

657
00:31:51,880 --> 00:31:54,480
Speaker 2: Yeah, Like, ah, there you go.

658
00:31:54,600 --> 00:31:57,520
Speaker 4: You've learning, you're learning my techniques make out with people

659
00:31:57,520 --> 00:31:57,960
Speaker 4: in the room.

660
00:31:59,240 --> 00:32:00,800
Speaker 2: Does it make you uncomfortable?

661
00:32:00,880 --> 00:32:03,120
Speaker 3: Also to like, it makes me so comfortable watching the

662
00:32:03,160 --> 00:32:04,280
Speaker 3: guys kiss people.

663
00:32:04,360 --> 00:32:05,240
Speaker 2: I mean maybe maybe.

664
00:32:05,120 --> 00:32:07,200
Speaker 3: Not so much, John, but it just makes me John,

665
00:32:07,640 --> 00:32:10,560
Speaker 3: It's like watching your brothers kiss someone. I'm like, well,

666
00:32:10,600 --> 00:32:14,200
Speaker 3: it makes me uncomfortable because I know how uncomfortable it

667
00:32:14,240 --> 00:32:17,880
Speaker 3: is to do like like a sitcom kiss where it's

668
00:32:17,920 --> 00:32:20,640
Speaker 3: so like yeah, you know, like you it looks like

669
00:32:20,680 --> 00:32:24,640
Speaker 3: you're kissing your grad Like there's it's not a passion's right.

670
00:32:24,680 --> 00:32:27,120
Speaker 3: You don't want I mean you because it would be weird,

671
00:32:28,160 --> 00:32:30,480
Speaker 3: almost weirder than having everyone make out in the living room.

672
00:32:30,720 --> 00:32:34,240
Speaker 2: But but it just feels so like forced.

673
00:32:34,280 --> 00:32:38,160
Speaker 3: And also then when you're again holding for someone to

674
00:32:38,280 --> 00:32:41,840
Speaker 3: walk through the room and you're just both standing there

675
00:32:41,880 --> 00:32:43,800
Speaker 3: like with your you know, you look like those little

676
00:32:43,880 --> 00:32:47,760
Speaker 3: magnetic salt pepper shakers with the that just touch lips.

677
00:32:47,800 --> 00:32:51,400
Speaker 2: You know, that's about the amount of passion that's in it. Yeah, exactly.

678
00:32:51,480 --> 00:32:53,960
Speaker 3: You know, it's like a middle school you know, it's

679
00:32:53,960 --> 00:32:55,800
Speaker 3: like no no touching, just like just.

680
00:32:55,720 --> 00:33:01,760
Speaker 4: Against middle school in public. Bad timing and awkward. Not great, Yeah,

681
00:33:01,880 --> 00:33:06,840
Speaker 4: awkward as well. Oh it's too funny. So Joey breaks

682
00:33:06,840 --> 00:33:10,080
Speaker 4: the kiss and exclaims, I Chihuaha.

683
00:33:10,160 --> 00:33:12,080
Speaker 2: Nope, we're not going out again. Done.

684
00:33:13,000 --> 00:33:17,080
Speaker 3: No, I have I have witnessed at least three deal

685
00:33:17,120 --> 00:33:20,240
Speaker 3: breakers just between Joey and Stacy's short relationship.

686
00:33:21,320 --> 00:33:24,920
Speaker 2: She's still into him. It started at Papa. But you know, hey,

687
00:33:25,160 --> 00:33:26,000
Speaker 2: look there is a.

688
00:33:26,240 --> 00:33:29,320
Speaker 3: There's there's a a what is it a.

689
00:33:29,360 --> 00:33:30,720
Speaker 2: Nut for every bolt or whatever?

690
00:33:31,000 --> 00:33:31,120
Speaker 3: You know.

691
00:33:31,240 --> 00:33:34,640
Speaker 2: No, I don't know if that's true. You're ye'll not

692
00:33:34,680 --> 00:33:39,000
Speaker 2: ask you. Yeah, but yeah, you know, maybe that's maybe

693
00:33:39,000 --> 00:33:41,400
Speaker 2: that's the thing. I don't I don't know. But I

694
00:33:41,440 --> 00:33:43,080
Speaker 2: mean she loved him at the left machine.

695
00:33:43,160 --> 00:33:46,600
Speaker 3: That is true love too, That that is she's love

696
00:33:46,680 --> 00:33:51,200
Speaker 3: is blind literally Okay. So Jesse is equally as confused

697
00:33:51,240 --> 00:33:54,560
Speaker 3: about this, and he asks I Chihuahua, and Joey admits

698
00:33:54,560 --> 00:33:56,960
Speaker 3: he could have said have mercy, but this felt more

699
00:33:57,080 --> 00:34:04,200
Speaker 3: like an II Chihuahua. Well, I really also, Jesse, why

700
00:34:04,240 --> 00:34:05,200
Speaker 3: are you standing in the room?

701
00:34:05,320 --> 00:34:07,800
Speaker 2: Why are you still there? Where is I don't know?

702
00:34:07,800 --> 00:34:10,560
Speaker 2: When it's comments on the what I just said? After

703
00:34:10,560 --> 00:34:12,640
Speaker 2: I kiss somebody? You shouldn't be here? Why are you

704
00:34:12,680 --> 00:34:13,160
Speaker 2: standing here?

705
00:34:13,200 --> 00:34:17,000
Speaker 3: They go to a kitchen or wherever else. Why are

706
00:34:17,000 --> 00:34:17,600
Speaker 3: you still here?

707
00:34:17,840 --> 00:34:17,960
Speaker 2: Right?

708
00:34:20,080 --> 00:34:24,319
Speaker 3: So, Jesse is unamused. He tells Joey that tomorrow, when

709
00:34:24,320 --> 00:34:27,080
Speaker 3: they pitch the commercial, he's gonna wear his black suits,

710
00:34:27,080 --> 00:34:30,840
Speaker 3: so Joey should wear his great one, grey one. Joey agrees,

711
00:34:30,920 --> 00:34:32,840
Speaker 3: so his great one because it's the only one, the

712
00:34:32,840 --> 00:34:38,320
Speaker 3: only one yet. Jesse questions his choice of AI Chihuahua

713
00:34:38,440 --> 00:34:40,360
Speaker 3: one more time, and then he finally.

714
00:34:40,080 --> 00:34:41,120
Speaker 2: Exits to the kitchen.

715
00:34:42,120 --> 00:34:45,480
Speaker 3: Stacey asks Joey why he lets Jesse boss him around.

716
00:34:46,040 --> 00:34:48,439
Speaker 3: Joey shrugs, well, he didn't boss me around. I only

717
00:34:48,480 --> 00:34:51,759
Speaker 3: have one suit. Stacey assures him that it's not just

718
00:34:51,840 --> 00:34:54,960
Speaker 3: the suit. Jesse's been telling Joey what to do all week.

719
00:34:55,440 --> 00:34:57,840
Speaker 3: For instance, he wouldn't let Joey do comedy for the

720
00:34:57,920 --> 00:35:01,200
Speaker 3: Denture commercial Joey had. He's a go with the flow

721
00:35:01,320 --> 00:35:03,560
Speaker 3: kind of guy. And Stacy tells him that if he

722
00:35:03,680 --> 00:35:07,160
Speaker 3: was more assertive, Jesse would take his ideas more seriously.

723
00:35:08,840 --> 00:35:11,280
Speaker 2: Has she met Jesse? She hasn't really met Jesse.

724
00:35:11,120 --> 00:35:13,319
Speaker 3: So that's what well she No, she has and is

725
00:35:13,360 --> 00:35:16,719
Speaker 3: incredibly perceptive, that's what she's like. This doesn't feel like

726
00:35:16,760 --> 00:35:20,480
Speaker 3: it's going both ways. No, no, it's not. So she

727
00:35:20,600 --> 00:35:23,399
Speaker 3: just wishes that Joey would believe in himself as much

728
00:35:23,440 --> 00:35:26,320
Speaker 3: as she believes in him. He thanks her and admits

729
00:35:26,480 --> 00:35:29,640
Speaker 3: she may be right. Jesse yells from the kitchen Joey,

730
00:35:29,680 --> 00:35:33,160
Speaker 3: come in here, and Joey springs up, exclaiming come and boss.

731
00:35:34,120 --> 00:35:36,600
Speaker 3: Joey tries to commit Stacy that that's just a nickname

732
00:35:36,760 --> 00:35:39,560
Speaker 3: Jesse asked him to use. He takes her hand leads

733
00:35:39,560 --> 00:35:43,480
Speaker 3: her into the kitchen. In the kitchen, Jesse's talking on

734
00:35:43,520 --> 00:35:46,560
Speaker 3: the phone, saying bye, love you, before hanging up. He

735
00:35:46,600 --> 00:35:49,000
Speaker 3: sees Joey walk in and explains he just got off

736
00:35:49,040 --> 00:35:51,960
Speaker 3: the phone with Becky. He tells Joey to cancel his

737
00:35:52,000 --> 00:35:54,160
Speaker 3: plans for tomorrow night because he's made plans for the

738
00:35:54,200 --> 00:35:57,760
Speaker 3: four of them to go bowling. Stacy looks at Joey,

739
00:35:57,920 --> 00:36:01,200
Speaker 3: knowingly pointing out that this is yet another example of

740
00:36:01,320 --> 00:36:06,400
Speaker 3: Jesse bossing him around. Joey finally stands up for himself. Oh,

741
00:36:06,560 --> 00:36:09,440
Speaker 3: now you're deciding when I bowl, just like you decided

742
00:36:09,480 --> 00:36:12,279
Speaker 3: not to use my comedy idea for the Permit Teeth commercial.

743
00:36:13,000 --> 00:36:17,799
Speaker 2: Oh, here we go, here we go. This is escalated fast, right,

744
00:36:17,880 --> 00:36:20,160
Speaker 2: It really did escalate. I was like, whoa, whoa that went.

745
00:36:20,280 --> 00:36:23,120
Speaker 3: Yeah, there's no time for small chat like we got

746
00:36:23,280 --> 00:36:24,960
Speaker 3: you know, we're at minute seven of.

747
00:36:25,719 --> 00:36:27,840
Speaker 2: Seventeen minutes left. We need to have a problem and

748
00:36:27,880 --> 00:36:28,279
Speaker 2: resolve it.

749
00:36:28,360 --> 00:36:32,719
Speaker 3: Yep. So Jesse's like, where's this coming from? They both

750
00:36:32,760 --> 00:36:36,080
Speaker 3: agreed that his idea was better, and Joey corrects him. No,

751
00:36:36,719 --> 00:36:39,279
Speaker 3: you agreed that your idea was better. We were just

752
00:36:39,320 --> 00:36:44,560
Speaker 3: talking about how my idea was great, Jesse. Jesse questions,

753
00:36:44,600 --> 00:36:45,680
Speaker 3: are we talking about us?

754
00:36:45,800 --> 00:36:46,799
Speaker 2: We or you?

755
00:36:47,480 --> 00:36:51,200
Speaker 3: We? Pointing out Joey and Stacy. Joey puts his arm

756
00:36:51,200 --> 00:36:55,640
Speaker 3: around Stacy, saying we WI and she chimes in, I

757
00:36:55,719 --> 00:36:59,680
Speaker 3: just think Joey has terrific ideas. Oh, Jesse gives a

758
00:36:59,719 --> 00:37:03,480
Speaker 3: sasas response in return, here's a terrific idea. Why don't

759
00:37:03,520 --> 00:37:05,480
Speaker 3: you give me a moment alone with my partner?

760
00:37:06,560 --> 00:37:10,320
Speaker 2: Oh? He's spicy.

761
00:37:10,360 --> 00:37:12,880
Speaker 3: He's like, this is like, this is the backup singer

762
00:37:12,920 --> 00:37:16,200
Speaker 3: that he presumably has hired to do this commercial pitch,

763
00:37:16,239 --> 00:37:17,480
Speaker 3: and he's like telling her off.

764
00:37:17,520 --> 00:37:20,280
Speaker 4: Well again, it's it's well yeah, because he's being weirdly

765
00:37:20,360 --> 00:37:21,160
Speaker 4: jealous of his friend.

766
00:37:21,280 --> 00:37:23,200
Speaker 2: He now have, like so he can have the girls,

767
00:37:23,239 --> 00:37:24,439
Speaker 2: but Chess but Joey kids.

768
00:37:24,560 --> 00:37:24,759
Speaker 3: Yeah.

769
00:37:25,920 --> 00:37:26,200
Speaker 2: Again.

770
00:37:26,280 --> 00:37:28,319
Speaker 3: He doesn't like to be challenged either. He doesn't like

771
00:37:28,360 --> 00:37:29,920
Speaker 3: to be questioned or challenge, like it.

772
00:37:29,880 --> 00:37:33,600
Speaker 4: To not be about him. Yeah, and Stacy sees this.

773
00:37:33,760 --> 00:37:35,880
Speaker 4: So Stacy's not going to last more than one episode

774
00:37:35,960 --> 00:37:36,720
Speaker 4: or like, oh.

775
00:37:36,520 --> 00:37:38,880
Speaker 3: That's why she doesn't come back. That's why she does.

776
00:37:38,960 --> 00:37:40,759
Speaker 3: That's why she's like, you know, I think I'm gonna leave.

777
00:37:40,800 --> 00:37:41,080
Speaker 2: We're good.

778
00:37:41,200 --> 00:37:41,759
Speaker 1: Yeah.

779
00:37:41,880 --> 00:37:45,160
Speaker 3: Jesse's the deal breaker in the Joey Stacy relationship.

780
00:37:45,560 --> 00:37:52,600
Speaker 2: Yeah, so uh where am I? M hmmm Oh.

781
00:37:52,719 --> 00:37:55,520
Speaker 3: Joey assures Stacy that he can handle this, so she

782
00:37:55,520 --> 00:37:58,960
Speaker 3: gives him a kiss and walks out. Jesse tells Joey

783
00:37:59,000 --> 00:38:01,319
Speaker 3: he has great idea and that's why the two of

784
00:38:01,360 --> 00:38:05,520
Speaker 3: them are successful as partners. To emphasize this, Joey Jesse

785
00:38:05,640 --> 00:38:09,080
Speaker 3: points to himself one and then points to Joey two.

786
00:38:09,239 --> 00:38:12,520
Speaker 3: One two Joey asks why Jesse gets to be first,

787
00:38:12,880 --> 00:38:14,280
Speaker 3: and Jesse responds.

788
00:38:13,840 --> 00:38:14,959
Speaker 2: Fine too to one.

789
00:38:16,160 --> 00:38:21,120
Speaker 4: Yeah, that's see, that's such a typical thing for someone

790
00:38:21,160 --> 00:38:22,600
Speaker 4: like that to do to.

791
00:38:22,360 --> 00:38:27,320
Speaker 3: One, to always put themselves oh oh oh oh, because

792
00:38:27,360 --> 00:38:31,120
Speaker 3: he's still because it's still to one, but Joey's still

793
00:38:31,120 --> 00:38:32,600
Speaker 3: two and Jesse's still number.

794
00:38:32,360 --> 00:38:34,160
Speaker 2: One, so he's just putting the number two. He's just

795
00:38:34,160 --> 00:38:37,200
Speaker 2: putting the number two show first, but not the placement.

796
00:38:37,920 --> 00:38:40,319
Speaker 2: So that's subtle. I'm just that said a lot about Jess.

797
00:38:40,360 --> 00:38:42,719
Speaker 3: This is a deep look into the mind of how

798
00:38:43,120 --> 00:38:48,359
Speaker 3: how Jesse Cassopolis's brain works. Joey laughs at this, and

799
00:38:48,719 --> 00:38:51,920
Speaker 3: Jesse says he's happy to see him smile. Jesse declares

800
00:38:52,120 --> 00:38:55,520
Speaker 3: dueling Sammy's okay, and Jesse and Joey go back and

801
00:38:55,520 --> 00:38:57,800
Speaker 3: forth imitating Sammy Davis Junior.

802
00:38:59,640 --> 00:39:02,759
Speaker 2: I'm not going to attempt to recreate that. It goes on.

803
00:39:03,040 --> 00:39:05,319
Speaker 3: That's a shame, a little too long for me. I've

804
00:39:05,320 --> 00:39:10,839
Speaker 3: been working online. Well, the boys laugh, they've made up.

805
00:39:10,960 --> 00:39:14,239
Speaker 3: Things are calm again. Jesse begins to walk off and

806
00:39:14,280 --> 00:39:17,799
Speaker 3: reminds Joey tomorrow wear the gray suit. We're gonna pitch

807
00:39:17,840 --> 00:39:22,200
Speaker 3: my idea and no comedy stuff. Okay, Joey's face drops

808
00:39:22,200 --> 00:39:26,239
Speaker 3: when he realizes that nothing has changed. This was a

809
00:39:26,280 --> 00:39:28,320
Speaker 3: shit talk to Becky. Joey needs to talk to Becky

810
00:39:28,360 --> 00:39:31,400
Speaker 3: and I bet you that they would be like yeah

811
00:39:31,560 --> 00:39:34,239
Speaker 3: because this. Yeah, Joey was just manipulated, like his like

812
00:39:34,280 --> 00:39:36,600
Speaker 3: his mind. This was a quick resolution, but it really

813
00:39:36,640 --> 00:39:40,440
Speaker 3: wasn't even a resolution. This was just Jesse manipulating Joey

814
00:39:40,480 --> 00:39:41,719
Speaker 3: into doing what he wants again.

815
00:39:41,920 --> 00:39:44,799
Speaker 2: So yeah, not good. Not good.

816
00:39:46,000 --> 00:39:49,320
Speaker 3: So upstairs in the hallway, Steph walks up to find

817
00:39:49,360 --> 00:39:53,200
Speaker 3: mister Bear's hat, scarf, trench coat, and pants dispersed on

818
00:39:53,239 --> 00:39:59,280
Speaker 3: the ground, leading her to conclude that mister Bear is naked. No, yeah,

819
00:39:59,640 --> 00:40:01,919
Speaker 3: Steph and he enters her room to find mister Bear

820
00:40:02,040 --> 00:40:05,879
Speaker 3: on the floor with limbs missing and stuffing pouring out

821
00:40:05,920 --> 00:40:06,279
Speaker 3: of him.

822
00:40:06,840 --> 00:40:09,920
Speaker 2: She's horrified, screaming help, call nine one one.

823
00:40:11,000 --> 00:40:13,319
Speaker 3: It is disturbing to see mister Bear. I mean, you know,

824
00:40:13,719 --> 00:40:17,839
Speaker 3: mister bears such a history. It's yeah, yeah, yeah, no,

825
00:40:18,239 --> 00:40:19,240
Speaker 3: mister Bear is sacred.

826
00:40:19,760 --> 00:40:21,120
Speaker 2: Yeah, that would don't worry everyone.

827
00:40:21,160 --> 00:40:23,759
Speaker 4: That was a That was a stunt bear, right right,

828
00:40:23,880 --> 00:40:25,920
Speaker 4: That was not a Yeah, we had multiple bears. That

829
00:40:25,960 --> 00:40:28,359
Speaker 4: was not the the the og who's sitting here.

830
00:40:28,440 --> 00:40:30,319
Speaker 2: There's a lot of people that are very relieved right

831
00:40:30,320 --> 00:40:30,680
Speaker 2: now that.

832
00:40:30,680 --> 00:40:33,239
Speaker 4: You just told them that, yeah, the you know, he

833
00:40:33,280 --> 00:40:38,840
Speaker 4: did not no, no, uh, mister Bears were actually harmed

834
00:40:38,880 --> 00:40:40,000
Speaker 4: in the making of this episode.

835
00:40:40,520 --> 00:40:42,600
Speaker 2: I mean some mister Bear was, but not the one

836
00:40:42,600 --> 00:40:44,720
Speaker 2: that we not the real mister Bhaer. Okay good.

837
00:40:45,880 --> 00:40:48,520
Speaker 3: Dj and Michelle run in, asking what the matter is.

838
00:40:48,960 --> 00:40:52,960
Speaker 3: Steph points to the crime scene. Djy grabs Steph, shielding

839
00:40:52,960 --> 00:40:57,600
Speaker 3: her eyes, saying it's better not to look Michelle. Michelle

840
00:40:57,600 --> 00:41:00,799
Speaker 3: declares that she'll make mister Bear better. She stomps over

841
00:41:00,840 --> 00:41:03,480
Speaker 3: to him and gives him a kiss. Then she stands

842
00:41:03,480 --> 00:41:08,280
Speaker 3: and shrugs. It didn't work. Danny runs in next, asking

843
00:41:08,320 --> 00:41:12,040
Speaker 3: stuph what's going on. He sees mister Bear and he sighs,

844
00:41:12,080 --> 00:41:15,000
Speaker 3: oh bummer, Like everybody understands just.

845
00:41:14,920 --> 00:41:21,080
Speaker 2: How catastrophic this is. Yeah, they know. Just then Comet

846
00:41:21,120 --> 00:41:21,839
Speaker 2: comes running in.

847
00:41:22,080 --> 00:41:25,040
Speaker 3: He's carrying a piece of mister Bear in his mouth.

848
00:41:25,680 --> 00:41:29,520
Speaker 3: He pounces on the stuffed animal again, and Michelle exclaims,

849
00:41:29,840 --> 00:41:32,560
Speaker 3: the doggie did it, but he looks.

850
00:41:32,280 --> 00:41:38,000
Speaker 2: So cute, so cute, and see Steff's torn. She loves

851
00:41:38,040 --> 00:41:40,640
Speaker 2: the dog. She loves mister Bear. Yeah, who where is

852
00:41:40,680 --> 00:41:43,000
Speaker 2: her allegiance? You know it's tough.

853
00:41:44,320 --> 00:41:47,520
Speaker 3: Steph asks Comet how he could eat her best friend

854
00:41:47,719 --> 00:41:51,480
Speaker 3: after all she's done for him. Danny picks up the puppy,

855
00:41:51,520 --> 00:41:52,920
Speaker 3: telling him this is a doggie.

856
00:41:53,120 --> 00:41:53,520
Speaker 2: No no.

857
00:41:54,000 --> 00:41:56,880
Speaker 3: He tells DJ to take comment downstairs, read him his rights,

858
00:41:56,960 --> 00:42:01,160
Speaker 3: and book him. Danny tells Steph he's so. He knows

859
00:42:01,160 --> 00:42:04,560
Speaker 3: how much she loves mister Bear. But these things happen

860
00:42:04,600 --> 00:42:07,960
Speaker 3: when you have a dog. Steph angrily declares, I have

861
00:42:08,120 --> 00:42:11,560
Speaker 3: no dog. She sits down with a disfigured mister Bear

862
00:42:11,719 --> 00:42:15,359
Speaker 3: as the sad violins play in the background, and then

863
00:42:15,400 --> 00:42:17,680
Speaker 3: Michelle gives the sweetest hug to Sniffy.

864
00:42:17,840 --> 00:42:20,240
Speaker 2: He was super cute. It was very cute in there.

865
00:42:20,960 --> 00:42:25,040
Speaker 3: Who Okay, Now we're in the ad agency. Jesse starts

866
00:42:25,200 --> 00:42:28,840
Speaker 3: the permit teeth pitch. As you know, today's denture wearers

867
00:42:28,880 --> 00:42:32,720
Speaker 3: are more alive, more active, if you will, than ever before.

868
00:42:33,560 --> 00:42:37,400
Speaker 3: Their campaign shows that, thanks to permitteeth, wearing dentures doesn't

869
00:42:37,440 --> 00:42:40,680
Speaker 3: mean the party's over. Joey tells the men to picture

870
00:42:40,719 --> 00:42:44,719
Speaker 3: a dance floor with denture wearers represented by the vivacious

871
00:42:44,920 --> 00:42:49,400
Speaker 3: Missus Ferguson Joey reveals a life sized doll of an

872
00:42:49,440 --> 00:42:52,400
Speaker 3: old lady dressed in a black lay scown, complete with

873
00:42:52,400 --> 00:42:53,680
Speaker 3: a fascinator on her head.

874
00:42:54,239 --> 00:42:56,640
Speaker 2: She yeah, she was very well dressed. She really was

875
00:42:57,880 --> 00:42:58,640
Speaker 2: quite classy.

876
00:42:58,840 --> 00:43:03,960
Speaker 3: Very demirr demir, Joey continues. They're all swinging to the

877
00:43:04,000 --> 00:43:07,000
Speaker 3: sound of a big band. As we pan across their happy,

878
00:43:07,040 --> 00:43:12,080
Speaker 3: smiling faces with teeth firmly in place, we hear Joey

879
00:43:12,120 --> 00:43:16,120
Speaker 3: Press's play on the jingle track to reveal Jesse's song. Jesse, Stacey,

880
00:43:16,120 --> 00:43:19,760
Speaker 3: and Cindy enter the room informal where singing their jingle.

881
00:43:20,880 --> 00:43:23,640
Speaker 3: Jesse really gets into this pitchcas he's dancing around with

882
00:43:23,680 --> 00:43:27,480
Speaker 3: the missus Ferguson Dall. The ad ends with Joey saying Herma,

883
00:43:27,520 --> 00:43:31,600
Speaker 3: teeth take a bite out of life. What the hell

884
00:43:31,640 --> 00:43:35,480
Speaker 3: did I just watch? Like that was the Muppets meets Vegas,

885
00:43:35,520 --> 00:43:37,760
Speaker 3: Showgirls meets Frank Sinatra.

886
00:43:38,000 --> 00:43:40,640
Speaker 2: I was like, it was all over the map. It

887
00:43:40,760 --> 00:43:41,320
Speaker 2: was a lot.

888
00:43:41,760 --> 00:43:44,759
Speaker 3: I think I would have preferred if it were Muppets, Yeah,

889
00:43:44,800 --> 00:43:46,920
Speaker 3: but no, it yeah, it was.

890
00:43:47,040 --> 00:43:49,120
Speaker 2: It was a lot. Did people have Is this like

891
00:43:49,200 --> 00:43:51,920
Speaker 2: how how ads actually?

892
00:43:52,760 --> 00:43:55,960
Speaker 4: Like like like from mad Men to Joey and Jesse,

893
00:43:56,239 --> 00:43:58,799
Speaker 4: is this the evolution? Like did it go from like,

894
00:43:59,239 --> 00:44:02,240
Speaker 4: you know, a conference room and a board to like

895
00:44:02,239 --> 00:44:07,800
Speaker 4: like dancing with the skit with a giant, weird stuffed

896
00:44:07,840 --> 00:44:08,759
Speaker 4: mannequin you know what I mean.

897
00:44:09,280 --> 00:44:09,719
Speaker 2: I don't know.

898
00:44:09,840 --> 00:44:12,720
Speaker 3: I don't This must have been just for sit calm effect,

899
00:44:12,760 --> 00:44:14,960
Speaker 3: like make it bigger, make it you know, right?

900
00:44:15,360 --> 00:44:17,680
Speaker 4: Well yeah, because yeah, watching it on a board wouldn't

901
00:44:17,680 --> 00:44:21,600
Speaker 4: be exactly exciting, but watching this was a thing.

902
00:44:22,080 --> 00:44:25,719
Speaker 3: Well, and I guess if it was intentionally bad. Maybe

903
00:44:25,719 --> 00:44:28,560
Speaker 3: it was intentionally bad. So that mister Kines or whatever

904
00:44:28,600 --> 00:44:31,279
Speaker 3: his name is on the couch, he's like, oh, I'll

905
00:44:31,320 --> 00:44:31,799
Speaker 3: think about it.

906
00:44:31,800 --> 00:44:34,879
Speaker 2: He's really not anything, So maybe it was intentional. Yeah,

907
00:44:34,960 --> 00:44:35,520
Speaker 2: it was great.

908
00:44:35,560 --> 00:44:36,960
Speaker 4: You would have been like he would have been like,

909
00:44:37,000 --> 00:44:39,040
Speaker 4: that's amazing, I want it, but he was like, it's

910
00:44:39,120 --> 00:44:39,600
Speaker 4: kind of weird.

911
00:44:39,640 --> 00:44:42,200
Speaker 3: Yeah, okay, so that's what that's what we watched. It

912
00:44:42,239 --> 00:44:44,799
Speaker 3: was a weird hot to pitch intentionally because it.

913
00:44:44,760 --> 00:44:47,080
Speaker 2: Was Jesse's idea and he didn't want to listen to anybody.

914
00:44:47,080 --> 00:44:50,200
Speaker 3: But but you know whatever, So mister Kiner tells the

915
00:44:50,200 --> 00:44:53,000
Speaker 3: boys that it's a very nice presentation, but it is,

916
00:44:53,040 --> 00:44:57,759
Speaker 3: of course the safe approach Jesse tells mister Kiner that

917
00:44:57,800 --> 00:45:00,839
Speaker 3: they think this approach is the best way to Oh,

918
00:45:01,239 --> 00:45:04,560
Speaker 3: don't argue. Don't argue with the boss that you're trying

919
00:45:04,640 --> 00:45:09,839
Speaker 3: to impress. Jesse can't do that, so mister Kiner thanks

920
00:45:09,880 --> 00:45:13,800
Speaker 3: the gentleman and tells them he'll think it over. Stacy

921
00:45:13,920 --> 00:45:17,200
Speaker 3: urges Joey to give mister Kiner his idea, and Joey

922
00:45:17,200 --> 00:45:20,400
Speaker 3: speaks up. Mister Kiner, Sir, before you leave, we'd like

923
00:45:20,440 --> 00:45:23,560
Speaker 3: you to consider going a whole other way. He pitches

924
00:45:23,560 --> 00:45:27,720
Speaker 3: his concept of comedy for this ad. Joey says, comedy

925
00:45:27,760 --> 00:45:32,080
Speaker 3: is more exciting and definitely unexpected, and Jesse, who's catching

926
00:45:32,120 --> 00:45:37,200
Speaker 3: on to what's happening, says definitely unexpected. Joey continues to

927
00:45:37,200 --> 00:45:40,040
Speaker 3: tell mister Kiner that they think he's going to love it,

928
00:45:40,719 --> 00:45:45,520
Speaker 3: and Jesse says, through gritted teeth, well better. We cut

929
00:45:45,560 --> 00:45:48,680
Speaker 3: to a very tense commercial break, and when we come back,

930
00:45:48,680 --> 00:45:51,840
Speaker 3: we are still in the ad agency. Mister Kiner sits

931
00:45:51,880 --> 00:45:54,319
Speaker 3: back down for the comedy pitch, and Jesse joins the

932
00:45:54,360 --> 00:45:56,799
Speaker 3: men on the couch since he's oblivious to what this

933
00:45:57,040 --> 00:46:01,640
Speaker 3: pitch is going to entail his pitch by speaking directly

934
00:46:01,640 --> 00:46:04,480
Speaker 3: to mister Kiner. Now, sir, we take you to a

935
00:46:04,560 --> 00:46:07,400
Speaker 3: hockey game. He rips off his suit to reveal a

936
00:46:07,520 --> 00:46:12,839
Speaker 3: Detroit Red Wings hockey jersey underneath, right, Jesse's, which Dave

937
00:46:12,920 --> 00:46:15,440
Speaker 3: probably always has underneath all of his clothes. Yes, so

938
00:46:15,520 --> 00:46:18,680
Speaker 3: that's from his personal collection. Like no awardrobe needed, that's

939
00:46:19,600 --> 00:46:25,560
Speaker 3: owns Jesse says, iijahuaha in response, Now that's an appropriate

940
00:46:25,640 --> 00:46:28,600
Speaker 3: use of that eye joheha. That word words not after

941
00:46:28,640 --> 00:46:33,320
Speaker 3: a romantic kiss, but after a weird pitch. So, Joey

942
00:46:33,360 --> 00:46:37,400
Speaker 3: continues as he retrieves goalie gear defending the net. Is

943
00:46:37,400 --> 00:46:41,239
Speaker 3: a world famous hockey player and denture wearer, Ghi Ladome,

944
00:46:42,360 --> 00:46:46,520
Speaker 3: Joey imitates Gi Ladome, putting on his best French accent.

945
00:46:47,040 --> 00:46:48,799
Speaker 3: He puts on this brilliant bit that I'm not going

946
00:46:48,840 --> 00:46:52,240
Speaker 3: to attempt to mimic, but just trust me, it's truly fantastic.

947
00:46:52,320 --> 00:46:54,680
Speaker 2: I feel like you could do no, you could do

948
00:46:54,840 --> 00:46:59,160
Speaker 2: no moving right along. Nope. I love Gi Ladome, but

949
00:46:59,239 --> 00:47:03,160
Speaker 2: that's all of you, oh for us? Okay, sorry, you

950
00:47:03,200 --> 00:47:08,600
Speaker 2: sound like Lumiere in Beauty in the Yeah Davis is French.

951
00:47:09,719 --> 00:47:13,239
Speaker 2: Yeah we we so.

952
00:47:13,400 --> 00:47:18,400
Speaker 3: Stacy and the studio audience applauds this brilliant performance. Mister

953
00:47:18,480 --> 00:47:23,000
Speaker 3: Kiner describes the pitch as twisted off center and exactly

954
00:47:23,080 --> 00:47:27,240
Speaker 3: what he's looking for. He declares, let's do it. Joey

955
00:47:27,360 --> 00:47:31,840
Speaker 3: is ecstatic. He hugs Jesse, but Joey Jesse does not

956
00:47:31,960 --> 00:47:35,960
Speaker 3: return the hug, and in fact, he's extremely annoyed. Stacy

957
00:47:36,080 --> 00:47:39,360
Speaker 3: is gushing, telling Joey she's so proud of him. He

958
00:47:39,400 --> 00:47:41,120
Speaker 3: admits that he never would have had the guts to

959
00:47:41,160 --> 00:47:44,560
Speaker 3: do this if it wasn't for her. Joey cheerfully walks

960
00:47:44,600 --> 00:47:47,160
Speaker 3: up to Jesse, who is tearing up his note cards

961
00:47:47,280 --> 00:47:51,440
Speaker 3: in a very passive, aggressive, angry way, and he says, well,

962
00:47:51,480 --> 00:47:55,239
Speaker 3: partner got the job. You got the job, but you

963
00:47:55,320 --> 00:47:58,359
Speaker 3: got the job, but Joey showed him up. Gotta be right,

964
00:47:58,960 --> 00:48:03,800
Speaker 3: Joey showed him up, so he's not happy. Joey says, well, Partner,

965
00:48:03,840 --> 00:48:05,399
Speaker 3: looks like you and I got some work to do,

966
00:48:05,800 --> 00:48:08,880
Speaker 3: and Jesse walks away without even looking at Joey, and

967
00:48:08,920 --> 00:48:14,600
Speaker 3: he says, you and Stace can handle this one. Joey

968
00:48:14,640 --> 00:48:17,879
Speaker 3: asks if he's mad because they liked his idea more

969
00:48:17,920 --> 00:48:21,040
Speaker 3: than Jesse's, and Jesse flips it back on him. Accusing

970
00:48:21,120 --> 00:48:24,680
Speaker 3: Joey of having this whole thing planned out. Joey says

971
00:48:24,719 --> 00:48:27,200
Speaker 3: he was prepared just in case they needed it, and

972
00:48:27,239 --> 00:48:30,200
Speaker 3: it's a good thing that he was. Jesse points at

973
00:48:30,200 --> 00:48:32,680
Speaker 3: Stacey and says, ever since you hooked up with Yoko

974
00:48:32,880 --> 00:48:35,600
Speaker 3: over here, you've changed and not for the better.

975
00:48:37,320 --> 00:48:42,040
Speaker 2: Should say subtle? Yeah, yeah, but the Yoko just got

976
00:48:42,080 --> 00:48:44,680
Speaker 2: you the job, bro go. Yeah, Yoga is benefiting him

977
00:48:45,200 --> 00:48:47,480
Speaker 2: in this case, but yok just got you paid.

978
00:48:50,000 --> 00:48:52,320
Speaker 3: He's no, he did not mean that as a compliment.

979
00:48:52,400 --> 00:48:56,239
Speaker 2: It's not her. It's not her. It's never the it's

980
00:48:56,320 --> 00:48:57,240
Speaker 2: not the woman's fault.

981
00:48:57,440 --> 00:48:57,760
Speaker 1: Yeah.

982
00:48:57,840 --> 00:49:00,200
Speaker 3: Yeah, take it up with Joey if you're mad at Joey,

983
00:49:00,239 --> 00:49:01,560
Speaker 3: it's not Stacy's.

984
00:49:03,000 --> 00:49:04,520
Speaker 2: But Joey is upset.

985
00:49:04,640 --> 00:49:07,799
Speaker 3: He angrily threatens her name is Stacy and leave her

986
00:49:07,880 --> 00:49:10,960
Speaker 3: out of this. Stacy tells Jesse that she didn't mean

987
00:49:11,000 --> 00:49:14,040
Speaker 3: to cause any trouble, and he responds, well you did.

988
00:49:14,760 --> 00:49:18,440
Speaker 3: Joey shakes his head, No, she didn't. Stop blaming this

989
00:49:18,600 --> 00:49:22,000
Speaker 3: on Stacy. Jesse shout, it's fine, then I blame it

990
00:49:22,040 --> 00:49:25,600
Speaker 3: on you, and he storms off. Joey calls after Jesse,

991
00:49:25,719 --> 00:49:28,920
Speaker 3: but Stacey interrupts him Joey, I don't think we should

992
00:49:28,920 --> 00:49:33,560
Speaker 3: see each other any longer. Joey's shocked what She explains

993
00:49:33,600 --> 00:49:36,120
Speaker 3: that she doesn't want to be responsible for breaking up

994
00:49:36,200 --> 00:49:40,080
Speaker 3: their partnership. Jesse chimes in from behind her. Oh it's

995
00:49:40,120 --> 00:49:42,160
Speaker 3: a little late for that, babe, and he.

996
00:49:42,160 --> 00:49:45,879
Speaker 2: Walks out of the room. This is a nasty He's

997
00:49:45,920 --> 00:49:49,480
Speaker 2: a nasty little person in this scene. She's ad three

998
00:49:49,520 --> 00:49:51,600
Speaker 2: little man. Yeah he really is.

999
00:49:51,719 --> 00:49:55,399
Speaker 4: It's just again like his little his little ego. God

1000
00:49:55,480 --> 00:49:58,600
Speaker 4: damnage Jenny didn't he didn't win. He wanted to be

1001
00:49:58,600 --> 00:50:01,080
Speaker 4: the one in charge, always telling Joey what you and

1002
00:50:01,160 --> 00:50:04,360
Speaker 4: then yeah, you see, sometimes Jesse, you're not always.

1003
00:50:04,120 --> 00:50:08,600
Speaker 2: Right, not always right, not always right, and even if

1004
00:50:08,600 --> 00:50:10,080
Speaker 2: you were, like, even if you were, you don't have

1005
00:50:10,080 --> 00:50:12,080
Speaker 2: to act like that. He's so bitter.

1006
00:50:12,160 --> 00:50:15,640
Speaker 3: He's such a bitter Betty in this whole scene, it's ugh.

1007
00:50:16,280 --> 00:50:18,759
Speaker 4: So, although I did find it rather straight, well I

1008
00:50:18,760 --> 00:50:20,799
Speaker 4: guess maybe not. That was like maybe a conference room.

1009
00:50:20,880 --> 00:50:23,600
Speaker 4: I was like the people whose office it was left,

1010
00:50:23,719 --> 00:50:27,480
Speaker 4: oh to give them privacy, right, right?

1011
00:50:28,040 --> 00:50:29,359
Speaker 2: Yeah, yeah, maybe it.

1012
00:50:29,280 --> 00:50:32,680
Speaker 3: Was a conference room. I don't know, but yeah, I

1013
00:50:32,760 --> 00:50:34,960
Speaker 3: don't know. I'm kind of torn because who am I

1014
00:50:35,040 --> 00:50:38,360
Speaker 3: more annoyed at Jesse for throwing this tantrum and throwing

1015
00:50:38,360 --> 00:50:41,800
Speaker 3: these barbs at the girlfriend who doesn't deserve it, or Joey.

1016
00:50:41,840 --> 00:50:44,400
Speaker 3: I mean, yeah, Joey did save the day, but he

1017
00:50:44,560 --> 00:50:49,560
Speaker 3: did prepare this pitch that Jesse didn't agree to, so

1018
00:50:50,080 --> 00:50:52,239
Speaker 3: I can kind of see both ways. Although Jesse is

1019
00:50:52,239 --> 00:50:54,840
Speaker 3: acting way more immature in this particular scene.

1020
00:50:55,640 --> 00:51:01,000
Speaker 4: But yeah, but I do feel like had things gone.

1021
00:51:01,480 --> 00:51:06,320
Speaker 3: Well with Jesse's pitch, Joey wouldn't uh true anything.

1022
00:51:06,480 --> 00:51:08,520
Speaker 2: He only stood anything he wasn't going to.

1023
00:51:08,600 --> 00:51:10,839
Speaker 4: It wasn't like he was like, forget yours, we're doing

1024
00:51:10,880 --> 00:51:11,759
Speaker 4: mine instead.

1025
00:51:12,239 --> 00:51:12,720
Speaker 2: That's true.

1026
00:51:12,760 --> 00:51:15,879
Speaker 4: He was like, oh, you're not loving this, well here,

1027
00:51:15,960 --> 00:51:21,400
Speaker 4: let's try this for me. Personally, I feel like I

1028
00:51:23,000 --> 00:51:25,920
Speaker 4: Jesse should have been like just a little more excited

1029
00:51:25,960 --> 00:51:29,000
Speaker 4: that you know, Hey, look, the success is success when

1030
00:51:29,040 --> 00:51:30,239
Speaker 4: you're a partnership.

1031
00:51:30,520 --> 00:51:33,440
Speaker 3: Yes, well, you don't have the hubris that Jesse does,

1032
00:51:33,560 --> 00:51:36,239
Speaker 3: and he can't see past his ego to see how

1033
00:51:36,280 --> 00:51:38,759
Speaker 3: this really benefits it. This is a win for everybody.

1034
00:51:39,280 --> 00:51:40,920
Speaker 3: You can't see it that way because his ego is

1035
00:51:40,960 --> 00:51:44,480
Speaker 3: bruised and he is acting out about it. But I

1036
00:51:44,840 --> 00:51:49,280
Speaker 3: think Jesse still scarred from that the jingle, the jingle

1037
00:51:49,320 --> 00:51:51,640
Speaker 3: they did with the cats, Joey brought out the cat

1038
00:51:51,680 --> 00:51:53,560
Speaker 3: puppets without telling Jesse.

1039
00:51:53,719 --> 00:51:55,200
Speaker 2: That's true, that's true.

1040
00:51:55,719 --> 00:51:59,520
Speaker 4: The cat the cat puppet thing was also uh was

1041
00:51:59,560 --> 00:52:00,399
Speaker 4: also a thing?

1042
00:52:00,600 --> 00:52:01,040
Speaker 2: So okay.

1043
00:52:01,040 --> 00:52:04,080
Speaker 3: So I think Jesse's still scarred from that, although he's

1044
00:52:04,080 --> 00:52:05,640
Speaker 3: not expressing it in a healthy way.

1045
00:52:06,080 --> 00:52:09,040
Speaker 2: She's like, Joey, you gotta stop, you gotta puppets are scaring.

1046
00:52:09,600 --> 00:52:12,440
Speaker 2: They expected are quite scaring.

1047
00:52:12,880 --> 00:52:25,000
Speaker 3: I'm still I'm still scarred by that scene. Steph tells

1048
00:52:25,080 --> 00:52:27,880
Speaker 3: DJ that if she can make mister Bear better, she'll

1049
00:52:27,920 --> 00:52:32,000
Speaker 3: never read her diary again. DJ's taken aback, you read

1050
00:52:32,040 --> 00:52:37,600
Speaker 3: my diary and Steph stutters, uh, not anymore. Michelle enters.

1051
00:52:37,400 --> 00:52:41,919
Speaker 3: It's a good save. Oh yeah, good save. Michelle enters

1052
00:52:41,920 --> 00:52:45,360
Speaker 3: the room in a nurse costume. She looks adorable. She says,

1053
00:52:45,360 --> 00:52:45,799
Speaker 3: what's up?

1054
00:52:45,840 --> 00:52:46,040
Speaker 2: Doc?

1055
00:52:47,239 --> 00:52:50,840
Speaker 3: DJ announces great, my nurse is here. Michelle uses a

1056
00:52:50,880 --> 00:52:53,920
Speaker 3: steposcope on mister Bear and then gives him a lollipop.

1057
00:52:55,080 --> 00:52:57,719
Speaker 3: Steph gives a fake grin as she tells them this

1058
00:52:57,840 --> 00:53:01,160
Speaker 3: is all very cute, and she shouts, now can we

1059
00:53:01,200 --> 00:53:04,839
Speaker 3: get on with the operation. Comet comes in the room

1060
00:53:04,880 --> 00:53:07,839
Speaker 3: and Steph immediately stops him, what are you doing here

1061
00:53:07,920 --> 00:53:08,720
Speaker 3: looking for dessert?

1062
00:53:08,960 --> 00:53:10,239
Speaker 2: Out out out.

1063
00:53:10,280 --> 00:53:13,879
Speaker 3: And she shooes him away. Michelle shakes her head after

1064
00:53:13,880 --> 00:53:16,880
Speaker 3: watching that, and she admits she needs a nap.

1065
00:53:18,080 --> 00:53:23,719
Speaker 2: Michelle. Michelle comment, no, she would have been angry the dog.

1066
00:53:23,760 --> 00:53:26,080
Speaker 2: Now she's angry stuff. She still look maybe she needs

1067
00:53:26,080 --> 00:53:27,680
Speaker 2: a nap. That we all need a nap.

1068
00:53:27,760 --> 00:53:32,000
Speaker 3: We all need a nap at this point. So in

1069
00:53:32,040 --> 00:53:36,479
Speaker 3: the hallway, Steph winds to Danny tell Comet to stay

1070
00:53:36,480 --> 00:53:39,320
Speaker 3: out of my room. Danny yells to the dog, who's

1071
00:53:39,320 --> 00:53:42,480
Speaker 3: now long gone, to stay out of her room. Just

1072
00:53:42,520 --> 00:53:45,880
Speaker 3: then Jesse walks up the stairs. He angrily tells Danny,

1073
00:53:46,160 --> 00:53:49,200
Speaker 3: your best friend's a hockey puck, and he storms into

1074
00:53:49,200 --> 00:53:53,560
Speaker 3: his room. Danny sarcastically says, in a monotone voice, woo hoo,

1075
00:53:54,040 --> 00:53:55,200
Speaker 3: problems everywhere.

1076
00:53:55,280 --> 00:53:56,440
Speaker 2: I live for this stuff.

1077
00:53:58,040 --> 00:54:01,120
Speaker 3: I think that's just yeah, that's that's the situational comedy,

1078
00:54:01,160 --> 00:54:01,360
Speaker 3: you know.

1079
00:54:01,480 --> 00:54:05,319
Speaker 4: He's just yep, just and those last times you're like, oh,

1080
00:54:05,480 --> 00:54:08,680
Speaker 4: it's just all of it today, rate fantastic.

1081
00:54:09,040 --> 00:54:10,239
Speaker 2: Bring it on? What else you got?

1082
00:54:13,000 --> 00:54:16,480
Speaker 3: So in Jesse's room, Danny and to Steph walk in together,

1083
00:54:16,680 --> 00:54:20,760
Speaker 3: and Danny tells Jesse to spill his guts. He complains

1084
00:54:20,760 --> 00:54:23,200
Speaker 3: that Joey agreed not to pitch his dumb idea and

1085
00:54:23,200 --> 00:54:25,880
Speaker 3: then he did it anyway. He feels like Joey stabbed

1086
00:54:25,960 --> 00:54:27,920
Speaker 3: him right in the back, right in front of his face.

1087
00:54:28,719 --> 00:54:32,520
Speaker 3: Steph chimes in, just like comment. Danny sits Jesse and

1088
00:54:32,560 --> 00:54:35,640
Speaker 3: stuph down, saying it's time for some father daughter brother

1089
00:54:35,680 --> 00:54:39,560
Speaker 3: in law talk. Jesse pouts, well, Joey needs the talk,

1090
00:54:40,040 --> 00:54:43,520
Speaker 3: and Stephanie adds will so does comment. Danny tells Stephan

1091
00:54:43,600 --> 00:54:47,080
Speaker 3: Jesse to try putting themselves in the other person's shoes

1092
00:54:47,400 --> 00:54:50,840
Speaker 3: or pause. Danny laughs at himself, whilst Joey and Stuff

1093
00:54:50,880 --> 00:54:55,960
Speaker 3: are really just unamused. But Danny continues, friends deserve a

1094
00:54:56,040 --> 00:54:59,399
Speaker 3: fair hearing and valuables should always be kept out of reach.

1095
00:55:00,080 --> 00:55:02,759
Speaker 3: So Stephanie, next time Commet has an idea, you have

1096
00:55:02,840 --> 00:55:05,319
Speaker 3: to hear him out. And Jesse, if you just leave

1097
00:55:05,360 --> 00:55:07,839
Speaker 3: your advertising lane around the house, there's a good chance

1098
00:55:07,920 --> 00:55:11,560
Speaker 3: Joey's gonna chew it up. Danny asks if they understand,

1099
00:55:12,080 --> 00:55:17,120
Speaker 3: and Stephan Jess are like, no, we don't. Danny apologizes

1100
00:55:17,160 --> 00:55:20,040
Speaker 3: for being a little confused. This is his first double

1101
00:55:20,239 --> 00:55:24,880
Speaker 3: lecture just then, Thank goodness, Michelle and DJ entered the

1102
00:55:24,960 --> 00:55:28,720
Speaker 3: room with mister Bhaer patched up in a stroller. Michelle

1103
00:55:28,760 --> 00:55:32,360
Speaker 3: announces that mister bear is all better up and Steph

1104
00:55:32,480 --> 00:55:36,600
Speaker 3: runs over to give him a giant hug. Yay, all

1105
00:55:36,680 --> 00:55:37,759
Speaker 3: is right with the world again.

1106
00:55:38,160 --> 00:55:38,480
Speaker 2: Yep.

1107
00:55:38,719 --> 00:55:41,319
Speaker 3: DJ tells Stephanie that he was very brave and that

1108
00:55:41,400 --> 00:55:46,000
Speaker 3: smile never left his face. Stephanie sincerely tells DJ that

1109
00:55:46,080 --> 00:55:50,520
Speaker 3: she is the best big sister for saving mister Bhaer's life.

1110
00:55:51,080 --> 00:55:53,319
Speaker 3: She gives her a huge hug and this is really

1111
00:55:53,400 --> 00:55:55,399
Speaker 3: tearing at my heart strings. This is such a nice,

1112
00:55:55,400 --> 00:55:56,680
Speaker 3: sweet sister moment.

1113
00:55:56,719 --> 00:55:57,479
Speaker 2: It's very cute.

1114
00:55:57,480 --> 00:56:00,640
Speaker 3: It's so cute, and Michelle shouts to them, what about me.

1115
00:56:02,080 --> 00:56:04,080
Speaker 3: Steph tells her she was a very good nurse and

1116
00:56:04,120 --> 00:56:06,279
Speaker 3: gives her a kiss on the cheek, and Michelle gives

1117
00:56:06,280 --> 00:56:10,120
Speaker 3: herself a lollipop for this. Steph announces she's gonna go

1118
00:56:10,120 --> 00:56:13,080
Speaker 3: find Comment and tell him that she forgives him, and

1119
00:56:13,080 --> 00:56:17,399
Speaker 3: then she'll tell him the difference between food and friends.

1120
00:56:17,600 --> 00:56:19,799
Speaker 3: DJ recruits Michelle to come with her and write up

1121
00:56:19,840 --> 00:56:23,720
Speaker 3: Steph's bill. Danny turns to Jesse, asking if he sees

1122
00:56:23,800 --> 00:56:28,160
Speaker 3: how well that went, and Jesse sarcastically responds, Yeah, if

1123
00:56:28,200 --> 00:56:32,399
Speaker 3: only we could stuff Joey, I'd be happy. Jesse still

1124
00:56:32,400 --> 00:56:35,160
Speaker 3: can't believe that Joey said he's bossy. He turns to

1125
00:56:35,239 --> 00:56:37,880
Speaker 3: Danny for reassurance, asking if Danny thinks he's bossy?

1126
00:56:38,840 --> 00:56:41,680
Speaker 2: Has no one ever told you this, Jesse? This can't

1127
00:56:41,680 --> 00:56:42,040
Speaker 2: be news.

1128
00:56:42,120 --> 00:56:45,480
Speaker 3: This is a revelation, right, this can't be news, Like

1129
00:56:45,520 --> 00:56:51,120
Speaker 3: he's not that before. Yeah, yeah, Well it tracks though

1130
00:56:51,160 --> 00:56:54,080
Speaker 3: that he's not hearing it, you know, Yeah, he's not listening.

1131
00:56:54,600 --> 00:56:55,440
Speaker 2: Definitely not listening.

1132
00:56:56,280 --> 00:56:58,600
Speaker 3: Well, he's starting to though. He gets better, he started,

1133
00:56:58,600 --> 00:57:02,760
Speaker 3: he's getting better. But Danny doesn't sugarcoat things. He says, well,

1134
00:57:03,120 --> 00:57:05,959
Speaker 3: you do like to get your own way, and Jesse

1135
00:57:06,080 --> 00:57:10,000
Speaker 3: asks him, what are you trying to say? Danny flatly says, yeah,

1136
00:57:10,040 --> 00:57:14,680
Speaker 3: you're bossy. Jesse promptly yells get out. Then he pauses

1137
00:57:14,719 --> 00:57:17,600
Speaker 3: for a second and apologizes. He realizes, yeah, he is

1138
00:57:17,760 --> 00:57:21,200
Speaker 3: a little bossy little bit. Jesse decides from now on,

1139
00:57:21,280 --> 00:57:23,120
Speaker 3: I'm not going to be bossy. Look at this, I'm

1140
00:57:23,120 --> 00:57:27,040
Speaker 3: bossing myself around. He asks Danny what he should do,

1141
00:57:27,680 --> 00:57:30,520
Speaker 3: and Danny begins to tell a story about a strong

1142
00:57:30,560 --> 00:57:34,160
Speaker 3: young man named Danny. Jesse cuts him off. I'll figure

1143
00:57:34,160 --> 00:57:37,560
Speaker 3: this one out by myself and quickly leaves room. Thank you, Jesse,

1144
00:57:37,680 --> 00:57:41,240
Speaker 3: he saved us from any other Danny monologue. Yeah, he

1145
00:57:41,320 --> 00:57:45,240
Speaker 3: did at least one thing right in this scene. So

1146
00:57:45,360 --> 00:57:48,800
Speaker 3: next in Joey's room, Joey's sitting on his bed scooping

1147
00:57:48,840 --> 00:57:50,640
Speaker 3: ice cream using chips.

1148
00:57:52,080 --> 00:57:54,320
Speaker 2: Odd combination, but you know, I.

1149
00:57:54,320 --> 00:57:56,919
Speaker 4: Mean like, I'll dip French fries in a chocolate shake,

1150
00:57:57,400 --> 00:57:59,600
Speaker 4: so it feels like the salt of.

1151
00:57:59,640 --> 00:58:02,960
Speaker 3: The s I do like salt and sweet, not that

1152
00:58:03,120 --> 00:58:06,320
Speaker 3: particular combination. But have you ever had that particular combine?

1153
00:58:06,320 --> 00:58:06,760
Speaker 2: I have not.

1154
00:58:07,480 --> 00:58:10,080
Speaker 3: Well, then should I try fries in a milk?

1155
00:58:10,240 --> 00:58:14,400
Speaker 4: Telling you fries dip fry chocolate milkshake is peak?

1156
00:58:14,520 --> 00:58:15,760
Speaker 2: You don't like chocolate, don't.

1157
00:58:15,680 --> 00:58:17,840
Speaker 3: Like chocolate milk, and I really don't like shakes or

1158
00:58:18,000 --> 00:58:19,680
Speaker 3: ice cream related things.

1159
00:58:20,480 --> 00:58:21,880
Speaker 2: I mean, I'm not a huge ice cream fan either.

1160
00:58:21,880 --> 00:58:24,720
Speaker 4: I'm just saying, Okay, fries, I'm saying I see where

1161
00:58:24,800 --> 00:58:26,920
Speaker 4: Joey was going with us, Although it felt like it

1162
00:58:27,000 --> 00:58:32,040
Speaker 4: was potentially sour cream and onion chips, which would make

1163
00:58:32,080 --> 00:58:33,840
Speaker 4: it all the pretty gross, but that.

1164
00:58:33,840 --> 00:58:34,880
Speaker 2: Would also be very Joey.

1165
00:58:34,960 --> 00:58:37,040
Speaker 3: Well, and what it had to be a pretty firm

1166
00:58:37,160 --> 00:58:39,640
Speaker 3: chip in order to be able to actually scoop and

1167
00:58:39,680 --> 00:58:40,840
Speaker 3: penetrate the ice cream.

1168
00:58:40,880 --> 00:58:42,640
Speaker 2: So I'm like, is it a tortilla chip? Well, the

1169
00:58:42,680 --> 00:58:44,000
Speaker 2: ice cream may have been sitting there.

1170
00:58:44,040 --> 00:58:45,680
Speaker 4: I mean, it's not in the kitchen, so you may

1171
00:58:45,720 --> 00:58:47,520
Speaker 4: have been sitting there with it for what's probably softened

1172
00:58:47,600 --> 00:58:48,120
Speaker 4: up a little bit.

1173
00:58:48,760 --> 00:58:51,640
Speaker 2: Good a good ridged chip. Oh okay, I get you

1174
00:58:51,680 --> 00:58:55,320
Speaker 2: a ridged chip, like like a like a ruffles, you

1175
00:58:55,400 --> 00:58:58,200
Speaker 2: know what I mean with the ridges. Yeah, it's got

1176
00:58:58,200 --> 00:58:59,440
Speaker 2: some traction to it so it.

1177
00:58:59,440 --> 00:59:02,080
Speaker 4: Can Yeah, yeah, he's got a little it's like a

1178
00:59:02,120 --> 00:59:03,080
Speaker 4: little snowplow right in.

1179
00:59:05,120 --> 00:59:07,400
Speaker 3: I'm really glad we figured this out. I'm glad that

1180
00:59:07,440 --> 00:59:13,280
Speaker 3: we're having this discussion. So it's our audience critical. So

1181
00:59:13,360 --> 00:59:15,600
Speaker 3: Jesse walks in and he asks if he can see

1182
00:59:15,640 --> 00:59:19,360
Speaker 3: Joey upstairs. Joey points out that he didn't hear Jesse knock,

1183
00:59:19,760 --> 00:59:20,360
Speaker 3: and Jesse.

1184
00:59:20,240 --> 00:59:21,800
Speaker 2: Reminds him, you don't have a door.

1185
00:59:22,960 --> 00:59:25,600
Speaker 3: That's gotta be weird. Yeah, that is weird. This man

1186
00:59:25,640 --> 00:59:28,160
Speaker 3: has no privacy like at all ever.

1187
00:59:28,280 --> 00:59:31,280
Speaker 2: Right, but I guess nobody ever announces coming in there

1188
00:59:31,320 --> 00:59:34,000
Speaker 2: just they walk in. Yeah, yeah, Well.

1189
00:59:33,680 --> 00:59:35,560
Speaker 3: What's the worst he could be doing, you know, scoop

1190
00:59:35,560 --> 00:59:37,640
Speaker 3: and ice cream and talking to his popeydoll like that.

1191
00:59:37,880 --> 00:59:40,000
Speaker 3: That's as scandalous as it gets in that bedroom.

1192
00:59:40,040 --> 00:59:42,800
Speaker 2: I think true. That's true.

1193
00:59:43,040 --> 00:59:47,080
Speaker 3: Yeah, so he asks again for Joey to come upstairs.

1194
00:59:47,760 --> 00:59:50,200
Speaker 3: Joey gets up and walks up the stairs while saying,

1195
00:59:50,400 --> 00:59:52,920
Speaker 3: I'm not gonna come upstairs just because you asked me

1196
00:59:53,120 --> 00:59:54,040
Speaker 3: to come upstairs.

1197
00:59:55,440 --> 00:59:56,160
Speaker 2: This is a weird bit.

1198
00:59:56,200 --> 00:59:57,960
Speaker 3: Why didn't they just start in the kitchen, Like, why

1199
00:59:58,040 --> 01:00:01,000
Speaker 3: did they even write this little, you know, thirty second scene.

1200
01:00:02,040 --> 01:00:03,800
Speaker 3: Was it just to show that they're still arguing and

1201
01:00:03,880 --> 01:00:06,240
Speaker 3: Joey still or Jesse still bossing him around.

1202
01:00:05,960 --> 01:00:08,520
Speaker 2: And like, yeah, I guess, yes, I don't know.

1203
01:00:08,600 --> 01:00:10,919
Speaker 4: They could have needed he needed well, because you needed

1204
01:00:10,920 --> 01:00:14,080
Speaker 4: to go find Joey, who was obviously in his room upset,

1205
01:00:14,720 --> 01:00:17,040
Speaker 4: because that's where one is upset, is in their room.

1206
01:00:17,160 --> 01:00:20,040
Speaker 3: Yeah, eating ice cream? Okay, okay, so that tracks.

1207
01:00:20,080 --> 01:00:22,000
Speaker 2: That tracks. Yeah.

1208
01:00:22,080 --> 01:00:24,480
Speaker 3: So now they're in the kitchen and Joey is fuming.

1209
01:00:24,960 --> 01:00:27,400
Speaker 3: He tells Jesse that he came upstairs to tell him

1210
01:00:27,520 --> 01:00:30,520
Speaker 3: that he can't tell him to come upstairs. He opens

1211
01:00:30,560 --> 01:00:34,000
Speaker 3: the door to the refrigerator and immediately slams it. And

1212
01:00:34,000 --> 01:00:36,560
Speaker 3: I'm laughing because that Frid was sparse, like there was

1213
01:00:36,600 --> 01:00:42,480
Speaker 3: maybe yeh three plastic vegetables and that's it. Jesse apologizes

1214
01:00:42,520 --> 01:00:46,160
Speaker 3: for being bossy. He wants Joey to forgive him. Joey

1215
01:00:46,160 --> 01:00:49,320
Speaker 3: can't contain his anger because you want me to forgive you,

1216
01:00:49,560 --> 01:00:53,880
Speaker 3: I should just forgive you. Huh, Well dream on. Jesse

1217
01:00:53,960 --> 01:00:57,720
Speaker 3: admits that Joey's comedy angle was a good idea. Joey

1218
01:00:57,720 --> 01:00:59,880
Speaker 3: emphasizes that it was a good idea the first time

1219
01:00:59,880 --> 01:01:02,880
Speaker 3: he told Jesse and the second time, and it's still

1220
01:01:02,880 --> 01:01:05,440
Speaker 3: a good idea even though Jesse thinks it's a good idea.

1221
01:01:05,480 --> 01:01:05,680
Speaker 2: Now.

1222
01:01:06,520 --> 01:01:09,120
Speaker 3: Joey is yelling at this point, and he realizes that

1223
01:01:09,160 --> 01:01:12,320
Speaker 3: he never yells, but now that he's yelling, he starts

1224
01:01:12,400 --> 01:01:14,440
Speaker 3: to like it, like.

1225
01:01:14,440 --> 01:01:17,120
Speaker 2: He's finding his voice. Yes, yeah, he's standing.

1226
01:01:18,360 --> 01:01:23,440
Speaker 3: Yes, I like his side of Joey actually right. Stacey

1227
01:01:23,480 --> 01:01:26,400
Speaker 3: walks in and says hi to Joey, and he quickly turns,

1228
01:01:26,640 --> 01:01:30,240
Speaker 3: obviously shocked to see her. He asks what she's doing there.

1229
01:01:31,000 --> 01:01:35,600
Speaker 3: Stacy explains that Jesse called her, apologized and asks her

1230
01:01:35,680 --> 01:01:38,919
Speaker 3: to work things out with Joey. Jesse thinks that they're

1231
01:01:38,920 --> 01:01:42,760
Speaker 3: good for each other, and so does she. Joey turns

1232
01:01:42,760 --> 01:01:45,440
Speaker 3: to Jesse, giving him a heartfelt thank you for this.

1233
01:01:46,360 --> 01:01:48,640
Speaker 3: Jesse doesn't want to want them to break up just

1234
01:01:48,760 --> 01:01:52,840
Speaker 3: because he and Joey had a problem. Jesse apologizes to

1235
01:01:52,920 --> 01:01:56,600
Speaker 3: Joey for not listening to his ideas. Joey apologizes for

1236
01:01:56,720 --> 01:02:00,560
Speaker 3: springing the Gui La Dome idea on him. Jess highlights

1237
01:02:00,560 --> 01:02:02,880
Speaker 3: the fact that he's stuck to his guns and it

1238
01:02:03,040 --> 01:02:06,560
Speaker 3: paid off, and Joey smiles, telling him it felt great.

1239
01:02:07,560 --> 01:02:10,400
Speaker 3: Jesse assures him from now on he's going to start

1240
01:02:10,440 --> 01:02:13,560
Speaker 3: listening to Joey and be more open to compromise.

1241
01:02:14,280 --> 01:02:18,040
Speaker 2: Okay, yeah, some progress, you.

1242
01:02:17,960 --> 01:02:22,080
Speaker 3: Know, Jesse assures, Oh, no, I already said that. Joey

1243
01:02:22,120 --> 01:02:24,640
Speaker 3: emphasizes that this is why they make a great team.

1244
01:02:24,880 --> 01:02:28,320
Speaker 3: They bring out the best in each other. Jesse agrees

1245
01:02:28,800 --> 01:02:32,920
Speaker 3: and then does his Sammy impression again, and Joey chimes

1246
01:02:32,960 --> 01:02:35,280
Speaker 3: in with his Sammy impression and the boys go back

1247
01:02:35,280 --> 01:02:36,600
Speaker 3: and forth and back and forth.

1248
01:02:36,640 --> 01:02:39,360
Speaker 2: You're not going to do doing Sammy impression all by yourself,

1249
01:02:39,440 --> 01:02:41,840
Speaker 2: I am not. Unfortunately, I am not a bummer.

1250
01:02:43,240 --> 01:02:45,080
Speaker 3: Just went on to it, but like it went on

1251
01:02:45,280 --> 01:02:47,720
Speaker 3: so long, like, they just kept going and going, and

1252
01:02:47,760 --> 01:02:48,960
Speaker 3: I'm like, this is so cringe.

1253
01:02:49,000 --> 01:02:51,520
Speaker 2: I don't know, but it was a bit. It was

1254
01:02:51,560 --> 01:02:53,080
Speaker 2: a bit. They loved their bit. It's a bit.

1255
01:02:53,240 --> 01:02:56,840
Speaker 3: I'm not going to recreate this bit. Come on, babe,

1256
01:02:57,440 --> 01:03:00,200
Speaker 3: So Jesse once they finished there, once they finished their

1257
01:03:00,240 --> 01:03:02,000
Speaker 3: bits where he.

1258
01:03:02,040 --> 01:03:05,200
Speaker 2: Said, come on, babe, no, I was trying to do

1259
01:03:05,240 --> 01:03:12,640
Speaker 2: my own Sammy when you have to explain it, right, well,

1260
01:03:12,640 --> 01:03:13,520
Speaker 2: that always that's what I was.

1261
01:03:13,520 --> 01:03:14,920
Speaker 4: You know, it always makes a joke better when you

1262
01:03:14,960 --> 01:03:17,000
Speaker 4: have to explain it, when you're like, well, actually you

1263
01:03:17,000 --> 01:03:19,120
Speaker 4: see the reason that was funny was right.

1264
01:03:20,600 --> 01:03:22,960
Speaker 2: Great impression, Jody, great impression.

1265
01:03:23,560 --> 01:03:27,160
Speaker 4: Like I feel like, uh, Marlon and finding Nemo. It's

1266
01:03:27,840 --> 01:03:30,120
Speaker 4: there was a clownfish and they're right, and it just

1267
01:03:30,160 --> 01:03:31,120
Speaker 4: goes terribly wrong.

1268
01:03:31,240 --> 01:03:34,160
Speaker 2: Yeah, it's all downhill from there. Great.

1269
01:03:34,960 --> 01:03:39,480
Speaker 3: So Jesse tells Joey to go give Stacy kiss. Joey obliges.

1270
01:03:39,720 --> 01:03:42,600
Speaker 3: He walks over to Stacy and kisses her in his

1271
01:03:42,760 --> 01:03:47,880
Speaker 3: sammy voice. Jesse comments, hi, joe oh up, babe. Joey

1272
01:03:47,880 --> 01:03:49,600
Speaker 3: and Stacy continue to kiss as.

1273
01:03:49,560 --> 01:03:52,480
Speaker 2: Jesse walks away. Of course they do, of course they do.

1274
01:03:52,920 --> 01:03:54,160
Speaker 2: He turns back to look at them.

1275
01:03:54,200 --> 01:03:58,280
Speaker 3: Once more and gives a little oh yeah before walking upstairs,

1276
01:03:58,280 --> 01:03:59,959
Speaker 3: and thank god, that is the end of our show,

1277
01:04:00,240 --> 01:04:01,000
Speaker 3: Ladies and gentlemen.

1278
01:04:01,000 --> 01:04:01,920
Speaker 2: I think it's Jesse.

1279
01:04:02,280 --> 01:04:07,000
Speaker 3: I think Jesse has a weird sort of like voyeurism thing.

1280
01:04:07,560 --> 01:04:10,120
Speaker 3: He's always making out with people in front of other people.

1281
01:04:10,200 --> 01:04:11,600
Speaker 3: And now he's like you ever a kids and then

1282
01:04:11,600 --> 01:04:14,600
Speaker 3: he stops the wh I'm just like like, maybe Jesse's like, yeah, okay,

1283
01:04:14,720 --> 01:04:16,920
Speaker 3: that's Jesse's Jesse.

1284
01:04:16,720 --> 01:04:18,760
Speaker 2: Does not see a problem with this. He is like, no,

1285
01:04:18,880 --> 01:04:20,640
Speaker 2: he doesn't. This is kind of his thing.

1286
01:04:20,760 --> 01:04:22,800
Speaker 4: He's thinking, you know, maybe that's sort of his his

1287
01:04:23,560 --> 01:04:25,680
Speaker 4: you know, his gig, his interest.

1288
01:04:25,960 --> 01:04:28,120
Speaker 2: Shall we say, he's here for it.

1289
01:04:28,120 --> 01:04:32,760
Speaker 4: It's you know, yeah, he is, Yes, definitely, he's here

1290
01:04:32,760 --> 01:04:35,280
Speaker 4: for it. He's therefore, he's everywhere people are making you look,

1291
01:04:35,840 --> 01:04:37,160
Speaker 4: it's everywhere everywhere you look.

1292
01:04:37,440 --> 01:04:40,440
Speaker 2: It's oh man, well.

1293
01:04:40,560 --> 01:04:42,760
Speaker 3: This I don't I don't know how I feel about

1294
01:04:42,760 --> 01:04:44,600
Speaker 3: this episode, Like there's nothing bad.

1295
01:04:44,480 --> 01:04:47,439
Speaker 2: About but it's just it's not this one was down

1296
01:04:47,480 --> 01:04:51,760
Speaker 2: towards my name. Yeah, it's just this, it's you know,

1297
01:04:52,120 --> 01:04:54,880
Speaker 2: no Seacrews, no Howie, no, no, no, it's not that bad.

1298
01:04:55,000 --> 01:04:58,880
Speaker 4: But it's it's floating down towards the bottom where it's

1299
01:04:59,280 --> 01:05:01,160
Speaker 4: I'm just new to on it. I don't I don't

1300
01:05:01,240 --> 01:05:04,160
Speaker 4: love it, I don't hate it. It's it was a thing.

1301
01:05:04,360 --> 01:05:06,520
Speaker 2: Yeah, I just find it forgettable.

1302
01:05:06,640 --> 01:05:09,120
Speaker 3: Like I watched it the first time, it was like

1303
01:05:09,120 --> 01:05:11,240
Speaker 3: I couldn't remember what happened in that episode, and so

1304
01:05:11,280 --> 01:05:13,960
Speaker 3: I watched it again. Yeah, I just I can't tell

1305
01:05:14,000 --> 01:05:16,200
Speaker 3: you what because it feels like we've had this episode

1306
01:05:16,200 --> 01:05:18,480
Speaker 3: before sort of, yeah, you know what I mean. We're like, oh,

1307
01:05:18,640 --> 01:05:22,800
Speaker 3: Jesse's Jeffsey's upset again. He's upset something that he shouldn't be, Yeah,

1308
01:05:22,840 --> 01:05:24,200
Speaker 3: and something.

1309
01:05:23,920 --> 01:05:26,800
Speaker 2: Someone else is just doing living their life. And Joey's

1310
01:05:26,920 --> 01:05:27,520
Speaker 2: just trying.

1311
01:05:27,280 --> 01:05:29,919
Speaker 3: To get get a girlfriend and you know, and get

1312
01:05:29,920 --> 01:05:32,000
Speaker 3: them a job and get them a job. Yeah, we

1313
01:05:32,080 --> 01:05:34,960
Speaker 3: have seen this before multiple times, in multiple episodes.

1314
01:05:36,080 --> 01:05:37,040
Speaker 2: That's what it's forgettable.

1315
01:05:37,120 --> 01:05:41,320
Speaker 4: But again, twenty two twenty four episodes, a season broken

1316
01:05:41,400 --> 01:05:42,920
Speaker 4: up by you know, a week apart.

1317
01:05:43,560 --> 01:05:45,720
Speaker 2: You forget what you wrote, we forget what we did.

1318
01:05:45,840 --> 01:05:49,000
Speaker 2: We do so we do. We record this podcast every week.

1319
01:05:49,040 --> 01:05:50,400
Speaker 2: I couldn't tell you what we did last week.

1320
01:05:50,400 --> 01:05:52,800
Speaker 3: I don't remember. No, it's not this is okay, So

1321
01:05:52,840 --> 01:05:56,640
Speaker 3: that's relatable. Yeah, that's relatable. We heard ourselves recorded this

1322
01:05:56,720 --> 01:05:59,640
Speaker 3: morning on the podcast and we were like, who's talking,

1323
01:06:00,320 --> 01:06:01,440
Speaker 3: what's happening?

1324
01:06:01,560 --> 01:06:05,520
Speaker 2: Say this already? Yeah, so I'm not gonna I'm not.

1325
01:06:05,960 --> 01:06:07,840
Speaker 2: It's a good points only because we're watching them in

1326
01:06:08,080 --> 01:06:08,880
Speaker 2: quick succession.

1327
01:06:09,160 --> 01:06:12,840
Speaker 3: Very very good point. I just I guess I wish

1328
01:06:12,920 --> 01:06:16,960
Speaker 3: that Joey. They didn't make Joey so one dimensional, you know,

1329
01:06:17,120 --> 01:06:18,640
Speaker 3: like it's like, Okay, he's the guy that does the

1330
01:06:18,720 --> 01:06:20,680
Speaker 3: voices and he's always looking for a girlfriend, Like what

1331
01:06:20,760 --> 01:06:22,360
Speaker 3: that's well, yeah, but Jesse is.

1332
01:06:22,400 --> 01:06:24,760
Speaker 4: But I mean by that same token, Jesse's pretty one

1333
01:06:24,800 --> 01:06:27,080
Speaker 4: dimensional in some ways too. He's just always he's.

1334
01:06:26,920 --> 01:06:29,400
Speaker 2: Just kind of always being a dick and not getting

1335
01:06:29,400 --> 01:06:31,000
Speaker 2: his way, you know what I mean, like.

1336
01:06:33,080 --> 01:06:35,840
Speaker 3: Layers to like there's been more growth with Jesse. He's

1337
01:06:35,880 --> 01:06:38,560
Speaker 3: had more of a character arc. Well yeah, and Joey's

1338
01:06:38,600 --> 01:06:40,200
Speaker 3: just kind of like I want to know, more.

1339
01:06:40,080 --> 01:06:41,960
Speaker 4: Of a character loop it is, you know, he's a

1340
01:06:42,040 --> 01:06:43,480
Speaker 4: kind of a little loop, like a like it's like

1341
01:06:43,520 --> 01:06:46,600
Speaker 4: a roller coaster. You're moving forward but kind of going

1342
01:06:46,640 --> 01:06:47,800
Speaker 4: back also at the same time.

1343
01:06:48,040 --> 01:06:50,960
Speaker 2: Yeah, that's a great analogy. Yes, he's in it. He's

1344
01:06:50,960 --> 01:06:51,480
Speaker 2: in a loop.

1345
01:06:51,960 --> 01:06:55,240
Speaker 3: He's looping around, and Joey's just kind of like they're

1346
01:06:55,280 --> 01:06:57,200
Speaker 3: just kind of throwing him a storyline now and then,

1347
01:06:57,240 --> 01:06:58,080
Speaker 3: and it's forgettable.

1348
01:06:58,120 --> 01:06:58,760
Speaker 2: I don't like that.

1349
01:06:58,960 --> 01:07:02,040
Speaker 4: Joey loves Papa, Okay that he doesn't. He's a simple

1350
01:07:02,080 --> 01:07:03,320
Speaker 4: man with simple needs.

1351
01:07:03,880 --> 01:07:06,440
Speaker 3: We're on season three, Like it's time to find some

1352
01:07:06,520 --> 01:07:09,800
Speaker 3: other interest or some other angle, or he needs like

1353
01:07:10,160 --> 01:07:12,760
Speaker 3: some other conflict that has higher stakes. I don't know,

1354
01:07:12,760 --> 01:07:14,280
Speaker 3: I need something to grab onto.

1355
01:07:15,560 --> 01:07:19,120
Speaker 2: Yeah, yeah, he's joe is a bit. It's a little

1356
01:07:19,280 --> 01:07:20,080
Speaker 2: it's a little basic.

1357
01:07:20,640 --> 01:07:23,560
Speaker 3: But it only it only it only makes me sad

1358
01:07:23,560 --> 01:07:25,720
Speaker 3: because Dave is such an amazing talent and I'm like,

1359
01:07:25,760 --> 01:07:28,560
Speaker 3: give him more, I do, you know, give him anything.

1360
01:07:28,640 --> 01:07:30,720
Speaker 3: But you know, this is just where we are with

1361
01:07:30,880 --> 01:07:31,880
Speaker 3: Joey in season three.

1362
01:07:31,960 --> 01:07:34,080
Speaker 2: That's all right, yeah yeah, I mean, hey.

1363
01:07:33,960 --> 01:07:37,000
Speaker 3: We'll circle back to this in a few episodes'll circle

1364
01:07:37,080 --> 01:07:37,680
Speaker 3: back to all of this.

1365
01:07:37,760 --> 01:07:38,080
Speaker 2: I'm sure.

1366
01:07:38,080 --> 01:07:39,720
Speaker 4: I'm sure we're gonna do the same episode in a

1367
01:07:39,720 --> 01:07:42,200
Speaker 4: different format again when Jesse gets mad at something. Yeah,

1368
01:07:42,240 --> 01:07:46,400
Speaker 4: and Connie and Karen will be like, so you know, Connie, Karen,

1369
01:07:46,840 --> 01:07:50,800
Speaker 4: how yeah, how we It'll be all of them everyone, Well,

1370
01:07:50,800 --> 01:07:54,320
Speaker 4: that'll be the wedding episode. Actually, that's the wedding episode

1371
01:07:54,360 --> 01:07:56,760
Speaker 4: which we are getting to, so we'll be there eventually.

1372
01:07:56,480 --> 01:07:59,000
Speaker 2: Getting closer, getting closer. You, So, did you have any

1373
01:07:59,040 --> 01:08:01,240
Speaker 2: everywhere he looks for those episodes, I have an I

1374
01:08:01,280 --> 01:08:05,000
Speaker 2: have like a dumb one. Okay, what is it?

1375
01:08:05,040 --> 01:08:07,840
Speaker 3: Well, when Dave and when Dave, when Joey and stays

1376
01:08:07,840 --> 01:08:10,320
Speaker 3: here on the couch in the living room, Dave picks

1377
01:08:10,360 --> 01:08:12,479
Speaker 3: up a Canta cola to take a sip and puts

1378
01:08:12,520 --> 01:08:14,880
Speaker 3: it back down, it's like so obviously empty like it

1379
01:08:15,240 --> 01:08:17,400
Speaker 3: for some reason, like unfilled cups.

1380
01:08:17,320 --> 01:08:18,840
Speaker 2: In Christmas movies.

1381
01:08:19,720 --> 01:08:22,960
Speaker 4: It makes me look Yeah, there's something about like you

1382
01:08:23,040 --> 01:08:24,960
Speaker 4: just don't Yeah, it's got heft, and it's you don't

1383
01:08:24,960 --> 01:08:26,520
Speaker 4: want to splash and yeah.

1384
01:08:26,360 --> 01:08:27,000
Speaker 2: Yeah, I don't.

1385
01:08:27,160 --> 01:08:28,760
Speaker 3: Like, just pour some water in there. It doesn't have

1386
01:08:28,800 --> 01:08:30,880
Speaker 3: to be soda, like, just make it feel like it

1387
01:08:30,920 --> 01:08:33,439
Speaker 3: has weight to it, so when the actor picks it up,

1388
01:08:34,120 --> 01:08:36,680
Speaker 3: it looks like it's got something in there. Not.

1389
01:08:37,320 --> 01:08:37,799
Speaker 2: Yeah.

1390
01:08:37,880 --> 01:08:39,479
Speaker 4: I feel like it would echo less too when you

1391
01:08:39,479 --> 01:08:41,400
Speaker 4: set it down if you had a little something in it,

1392
01:08:41,640 --> 01:08:42,360
Speaker 4: a little less.

1393
01:08:42,160 --> 01:08:46,599
Speaker 3: Rebirt verb, yeah, read a little bit less rebirth reverb

1394
01:08:49,000 --> 01:08:53,360
Speaker 3: and less rebirth less, yes, but more going around the block.

1395
01:08:54,080 --> 01:08:59,799
Speaker 3: Uh so so am I everywhere you look. Please, It's

1396
01:08:59,840 --> 01:09:02,160
Speaker 3: all so kind of dumb but silly and brought back

1397
01:09:02,200 --> 01:09:07,519
Speaker 3: like a memory of these particular things. In one of

1398
01:09:07,560 --> 01:09:09,120
Speaker 3: the scenes, I think.

1399
01:09:08,920 --> 01:09:12,439
Speaker 4: It's towards the end where they're doing the operation on

1400
01:09:12,560 --> 01:09:16,240
Speaker 4: mister Bear. I have this hair clip in my hair

1401
01:09:17,439 --> 01:09:21,120
Speaker 4: and if you look at it, it is made out

1402
01:09:21,160 --> 01:09:22,720
Speaker 4: of uninflated balloons.

1403
01:09:22,880 --> 01:09:23,160
Speaker 2: What.

1404
01:09:24,320 --> 01:09:29,200
Speaker 4: Yeah, really, And I remember it's multi colored uninflated balloons

1405
01:09:29,240 --> 01:09:33,080
Speaker 4: like attached to you know, like a barette whipped into

1406
01:09:33,080 --> 01:09:35,599
Speaker 4: my hair. And I feel like I had I had

1407
01:09:35,640 --> 01:09:40,160
Speaker 4: several of these ones that were there was like multicolor balloons.

1408
01:09:40,160 --> 01:09:41,720
Speaker 4: There was like an all pink one, maybe an all

1409
01:09:41,720 --> 01:09:43,519
Speaker 4: purple like it matched.

1410
01:09:44,320 --> 01:09:46,960
Speaker 2: It was very I saw that.

1411
01:09:47,360 --> 01:09:49,479
Speaker 4: Oh my god, I remember those because I just I

1412
01:09:49,479 --> 01:09:52,639
Speaker 4: remember the feeling, you know, weird rubber.

1413
01:09:53,760 --> 01:09:57,679
Speaker 3: Yes, I think that's perfect for a little girl. And yeah,

1414
01:09:57,680 --> 01:10:01,920
Speaker 3: it was super cute and colorful, Etsy, It's super really, yeah,

1415
01:10:02,000 --> 01:10:05,360
Speaker 3: it really was. I don't know where they where they

1416
01:10:05,360 --> 01:10:07,360
Speaker 3: found it or where they got it obviously, you know,

1417
01:10:07,439 --> 01:10:09,559
Speaker 3: some little store or boutique, so maybe they were selling

1418
01:10:09,600 --> 01:10:11,400
Speaker 3: it at Nordstroms. I don't know, but yeah, it was

1419
01:10:11,479 --> 01:10:15,680
Speaker 3: very cute core memory there. Yeah, accessor it was.

1420
01:10:15,760 --> 01:10:17,360
Speaker 4: Yeah, it was such a core memory because it was

1421
01:10:17,400 --> 01:10:21,400
Speaker 4: one of those weird little accessories that I really liked.

1422
01:10:21,760 --> 01:10:23,800
Speaker 2: And so yeah, I just remember being like, oh, I

1423
01:10:23,920 --> 01:10:26,000
Speaker 2: like that. Yeah, that was my.

1424
01:10:25,960 --> 01:10:27,960
Speaker 3: Everywhere you look, the things that are important to you

1425
01:10:28,040 --> 01:10:30,280
Speaker 3: when you're eight years old, you know, it's like, right,

1426
01:10:30,439 --> 01:10:33,120
Speaker 3: your clips, that hair clip, m that's what you remember

1427
01:10:33,280 --> 01:10:35,799
Speaker 3: about this that I remember the hair clutters and the puppy.

1428
01:10:35,880 --> 01:10:39,040
Speaker 2: Yeah, yep, Okay, that was a good one. That was

1429
01:10:39,080 --> 01:10:41,040
Speaker 2: a good one. I like that. I like that everywhere

1430
01:10:41,040 --> 01:10:45,000
Speaker 2: you look. So all right, Well that's it. So I got.

1431
01:10:45,040 --> 01:10:47,680
Speaker 3: That's all I got.

1432
01:10:48,360 --> 01:10:51,240
Speaker 2: You know, this one was mixed. Is not the worst.

1433
01:10:51,280 --> 01:10:54,439
Speaker 2: I'm still waiting for the worst of season three. I

1434
01:10:54,439 --> 01:10:56,320
Speaker 2: don't know. They haven't haven't gotten there yet.

1435
01:10:57,439 --> 01:10:59,559
Speaker 4: Yeah, we're about halfway through this season and we haven't

1436
01:10:59,600 --> 01:11:02,400
Speaker 4: gotten to the worst of season three. Yeah, but I

1437
01:11:02,439 --> 01:11:04,479
Speaker 4: don't know what's coming. I don't know what's coming. We

1438
01:11:04,520 --> 01:11:08,160
Speaker 4: may have to go back and and reevaluate. Okay, if nothing,

1439
01:11:08,280 --> 01:11:09,080
Speaker 4: if nothing gets.

1440
01:11:08,960 --> 01:11:11,840
Speaker 3: Terrible, well, so far it's probably Doctor Dare for me

1441
01:11:12,080 --> 01:11:15,720
Speaker 3: is the low the lowest. Yeah, but well, leaving room

1442
01:11:15,760 --> 01:11:19,760
Speaker 3: for many reasons other lowest. Yeah, there's there's yeah, so

1443
01:11:19,840 --> 01:11:22,480
Speaker 3: right now for me, it's Doctor Dare is on the bottom.

1444
01:11:22,760 --> 01:11:26,360
Speaker 3: But we're leaving room for worse episodes to come. Okay,

1445
01:11:26,680 --> 01:11:29,280
Speaker 3: there's always worse episodes to come. There's always it could

1446
01:11:29,280 --> 01:11:31,360
Speaker 3: always get worse. It could always be worse. But Doctor

1447
01:11:31,400 --> 01:11:35,160
Speaker 3: Dare was pretty bad. Yeah, yeah, so okay, okay, right, glad.

1448
01:11:34,920 --> 01:11:36,360
Speaker 2: We sorted that until next time. My friend.

1449
01:11:36,520 --> 01:11:38,559
Speaker 4: Yeah, I'm just.

1450
01:11:38,560 --> 01:11:42,960
Speaker 2: Gonna laugh for like forty minutes. It right, I'm gonna

1451
01:11:42,960 --> 01:11:43,280
Speaker 2: go laugh.

1452
01:11:43,280 --> 01:11:47,080
Speaker 3: I'm gonna go sit in a dark rooms all over you. Yeah,

1453
01:11:47,200 --> 01:11:52,120
Speaker 3: let's use You know, someone might be alarmed at that

1454
01:11:52,160 --> 01:11:55,160
Speaker 3: behavior if I started doing all three of those things

1455
01:11:55,160 --> 01:11:57,680
Speaker 3: at once. So I'm gonna try and space those out

1456
01:11:57,720 --> 01:12:02,000
Speaker 3: a little bit so that I don't wind up anywhere

1457
01:12:01,880 --> 01:12:02,599
Speaker 3: and read pictures.

1458
01:12:02,600 --> 01:12:06,040
Speaker 2: If you do this, so please FaceTime mends. I'm worri

1459
01:12:06,160 --> 01:12:09,120
Speaker 2: with the MS. You know what I mean. It depends, Yeah,

1460
01:12:09,160 --> 01:12:12,000
Speaker 2: it depends on. This gives a whole new meaning to

1461
01:12:12,040 --> 01:12:12,559
Speaker 2: self care.

1462
01:12:13,439 --> 01:12:20,719
Speaker 3: A sweet potato endity, oh sweeten Oh yeah, sweet and potatoes.

1463
01:12:20,800 --> 01:12:24,799
Speaker 2: Potato, sweet and potatoes. That's it. You could start selling

1464
01:12:24,840 --> 01:12:31,959
Speaker 2: potatoes sweet. Well, there's always that go into the potato industry.

1465
01:12:32,560 --> 01:12:34,880
Speaker 3: Oh you guys, we're gonna let you go because this

1466
01:12:35,000 --> 01:12:35,840
Speaker 3: is gonna keep going.

1467
01:12:36,000 --> 01:12:39,200
Speaker 2: It's not gonna get better. Yeah, it really is. We're

1468
01:12:39,280 --> 01:12:45,280
Speaker 2: so sorry. We we love you guys. We love our listeners.

1469
01:12:45,280 --> 01:12:48,200
Speaker 3: What you might think right when we do these episodes

1470
01:12:48,240 --> 01:12:51,320
Speaker 3: that go completely off the rails, But seriously, thank you

1471
01:12:51,320 --> 01:12:54,080
Speaker 3: guys for listening. Make sure you're following us on Instagram

1472
01:12:54,160 --> 01:12:56,880
Speaker 3: at how Rude pod. You can also send us an

1473
01:12:56,880 --> 01:12:59,519
Speaker 3: email at Howard podcast at gmail dot com. We love

1474
01:12:59,520 --> 01:13:03,400
Speaker 3: hearing all of your suggestions and send us questions. Send

1475
01:13:03,439 --> 01:13:05,559
Speaker 3: us your thoughts, as long.

1476
01:13:05,439 --> 01:13:07,760
Speaker 4: As they don't involve anything about yams or what to

1477
01:13:07,760 --> 01:13:12,120
Speaker 4: do with them, because we're we already know. Uh, but

1478
01:13:12,160 --> 01:13:14,519
Speaker 4: I would love to hear your opinions on going around,

1479
01:13:14,560 --> 01:13:17,200
Speaker 4: on what it means to have been around the block.

1480
01:13:17,360 --> 01:13:19,600
Speaker 2: Yeah, let's take a vote, is it?

1481
01:13:19,680 --> 01:13:21,599
Speaker 3: Yeah? I think we're gonna I think we might find

1482
01:13:21,640 --> 01:13:24,320
Speaker 3: that people are like, yeah, that's done, not the compliment

1483
01:13:24,360 --> 01:13:26,640
Speaker 3: you think it is. But we'll see, we'll see. I

1484
01:13:26,720 --> 01:13:30,000
Speaker 3: accept that I accept that I am very much probably wrong,

1485
01:13:31,280 --> 01:13:31,880
Speaker 3: and that's okay.

1486
01:13:32,400 --> 01:13:35,080
Speaker 2: That's okay, we'll find out next time. Okay, everyone will

1487
01:13:35,120 --> 01:13:40,120
Speaker 2: be waiting with baited breath. All right, you guys, thank

1488
01:13:40,120 --> 01:13:41,040
Speaker 2: you so much for listening.

1489
01:13:41,320 --> 01:13:44,400
Speaker 4: Remember like and subscribe to the podcast because obviously this

1490
01:13:44,520 --> 01:13:45,680
Speaker 4: is just pure brilliance.

1491
01:13:46,400 --> 01:13:47,960
Speaker 2: You don't want to miss what we scrambled.

1492
01:13:48,000 --> 01:13:51,799
Speaker 4: You don't want to miss this because this is great.

1493
01:13:52,439 --> 01:13:54,000
Speaker 4: Oh we love you guys.

1494
01:13:54,360 --> 01:13:57,840
Speaker 2: Remember the world is small, but A, B and I

1495
01:13:57,880 --> 01:14:01,000
Speaker 2: are insane. Amen.

1496
01:14:01,840 --> 01:14:04,160
Speaker 3: Yeah, there's no other way.

1497
01:14:03,960 --> 01:14:07,920
Speaker 2: To close this episode. There's no other way, no goodbye bye,