1 00:00:00,600 --> 00:00:03,320 Speaker 1: Calin's Entertainment Report and he's on the Bread Show. 2 00:00:03,760 --> 00:00:08,240 Speaker 2: In a new interview, Terrence Howard shared it, Yeah, this 3 00:00:08,360 --> 00:00:10,520 Speaker 2: is crazy that Diddy, I guess tried to hook up 4 00:00:10,520 --> 00:00:13,720 Speaker 2: with him. He said that Didty hired him to be 5 00:00:13,800 --> 00:00:15,880 Speaker 2: his acting coach and he went to the rapper's house 6 00:00:16,280 --> 00:00:19,560 Speaker 2: for weeks of work on acting material. However, when he 7 00:00:19,600 --> 00:00:21,800 Speaker 2: would go to Ditty's house, he said that. 8 00:00:21,800 --> 00:00:23,720 Speaker 3: The rapper would just sit and stare at him. 9 00:00:24,120 --> 00:00:26,440 Speaker 2: Tarren said that when he was asked to play music 10 00:00:26,480 --> 00:00:29,640 Speaker 2: for him, Ditty would also continue to just stare at him. 11 00:00:29,920 --> 00:00:32,200 Speaker 3: He was so confused by how Diddy was acting. 12 00:00:32,240 --> 00:00:35,320 Speaker 2: He asked his assistant for some clarity and he was told, 13 00:00:35,479 --> 00:00:38,040 Speaker 2: I think he's trying to f you. So he cut 14 00:00:38,080 --> 00:00:41,200 Speaker 2: off all communication with Diddy moving forward and never spoke 15 00:00:41,240 --> 00:00:43,600 Speaker 2: to him again. Speaking of Ditty, his ex Cassie is 16 00:00:43,600 --> 00:00:47,000 Speaker 2: set to testify against him in his upcoming trial and 17 00:00:47,400 --> 00:00:51,040 Speaker 2: use her name. An emotion filed Friday, Prosecutors stay that 18 00:00:51,200 --> 00:00:55,920 Speaker 2: victim number one would be testifying using her name Cassie, 19 00:00:56,200 --> 00:00:58,920 Speaker 2: not anonymously. She of course is victim number one and 20 00:00:58,960 --> 00:01:01,600 Speaker 2: really filed that lost that kind of started got the 21 00:01:01,600 --> 00:01:02,240 Speaker 2: ball rolling. 22 00:01:02,280 --> 00:01:03,640 Speaker 3: She is very very brave. 23 00:01:04,120 --> 00:01:07,200 Speaker 2: Victim two, three, and four have all asked that their 24 00:01:07,240 --> 00:01:11,360 Speaker 2: identities not be revealed to the press or public. So 25 00:01:11,400 --> 00:01:13,399 Speaker 2: she's going to have to go through I'm sure a 26 00:01:13,400 --> 00:01:14,640 Speaker 2: lot more when she does do that. 27 00:01:15,000 --> 00:01:16,640 Speaker 3: Switching gears to something really happy. 28 00:01:16,800 --> 00:01:20,040 Speaker 2: A petition on change dot org was started to rename 29 00:01:20,160 --> 00:01:22,199 Speaker 2: Nashville's BNA Airport. 30 00:01:21,880 --> 00:01:22,959 Speaker 3: After Dolly Parton. 31 00:01:23,440 --> 00:01:26,640 Speaker 2: Forty seven thousand people have signed the petition, and there 32 00:01:26,680 --> 00:01:31,200 Speaker 2: have been over a thousand monetary contributions made to the campaign. 33 00:01:31,600 --> 00:01:34,560 Speaker 2: The petition in part reads, as proud citizens of Tennessee, 34 00:01:34,560 --> 00:01:37,640 Speaker 2: we are motivated by our deep rooted admiration for the 35 00:01:37,760 --> 00:01:41,560 Speaker 2: national treasure and Tennessee legend, Dolly Parton. They went on 36 00:01:41,640 --> 00:01:43,759 Speaker 2: to talk about how she's not only given the gift 37 00:01:43,840 --> 00:01:47,120 Speaker 2: of music, but tons of philanthropy, not only just to Tennessee, 38 00:01:47,160 --> 00:01:49,840 Speaker 2: but to the whole world. They ended it by saying 39 00:01:49,880 --> 00:01:53,200 Speaker 2: we could all be departon from Parton, which I think 40 00:01:53,320 --> 00:01:54,120 Speaker 2: is adorable. 41 00:01:54,240 --> 00:01:55,920 Speaker 3: And you know, she of course lost her husband. 42 00:01:55,960 --> 00:01:58,800 Speaker 2: I think that that would be a really awesome thing 43 00:01:58,960 --> 00:01:59,680 Speaker 2: to bless her. 44 00:02:00,000 --> 00:02:00,960 Speaker 3: You need to do it, I don't. 45 00:02:01,000 --> 00:02:03,960 Speaker 2: I don't know if there's anything that could There's no 46 00:02:04,040 --> 00:02:06,600 Speaker 2: reason to not do it not a reason out there 47 00:02:06,640 --> 00:02:07,360 Speaker 2: sign it? 48 00:02:07,480 --> 00:02:09,240 Speaker 3: Yeah, let's so. 49 00:02:09,360 --> 00:02:11,280 Speaker 2: I mean I think we probably can sign it, unless 50 00:02:11,280 --> 00:02:11,960 Speaker 2: I don't know if we have to. 51 00:02:12,040 --> 00:02:13,000 Speaker 3: It's changed dot org. 52 00:02:13,040 --> 00:02:14,880 Speaker 2: So if you want to hit behind that, I think 53 00:02:14,919 --> 00:02:16,880 Speaker 2: we need to be departing from partons they. 54 00:02:16,760 --> 00:02:18,640 Speaker 1: Have I'm just looking at up right now. 55 00:02:18,639 --> 00:02:21,240 Speaker 4: But the not to get too nerdy about it as 56 00:02:21,240 --> 00:02:24,920 Speaker 4: a pilot, but they have arrival procedures that only pilots 57 00:02:24,919 --> 00:02:25,880 Speaker 4: wouldn't care about. 58 00:02:25,919 --> 00:02:27,400 Speaker 1: But they're named after the artists. 59 00:02:27,840 --> 00:02:30,600 Speaker 4: So they have the Chesney to arrival, the Paisley four arrival, 60 00:02:30,680 --> 00:02:35,560 Speaker 4: the Rhyman two arrival, and the Swift to arrival in Nashville. Yeah, 61 00:02:35,840 --> 00:02:38,040 Speaker 4: to you wouldn't know that as it like the pilots 62 00:02:38,040 --> 00:02:39,920 Speaker 4: would know that. It's like, you know, the sort of 63 00:02:39,919 --> 00:02:41,600 Speaker 4: hot the roadway in the sky, how they get to 64 00:02:41,600 --> 00:02:43,400 Speaker 4: the airport. But then I'm trying to see if the 65 00:02:43,440 --> 00:02:45,920 Speaker 4: points are named after the way points are named after 66 00:02:46,160 --> 00:02:50,880 Speaker 4: songs like the Swift. That's just the last fix is 67 00:02:50,880 --> 00:02:53,600 Speaker 4: this Swift s W I F T T or something. 68 00:02:55,000 --> 00:02:57,000 Speaker 1: I don't know. Anyway, it's really cute. 69 00:02:57,600 --> 00:02:59,760 Speaker 4: Yeah, so like whenever I go to Nashville, it's like 70 00:03:00,000 --> 00:03:01,600 Speaker 4: I forget which one it is. I think it's the 71 00:03:01,680 --> 00:03:05,320 Speaker 4: Ryman from from this direction down to the Rymann Theater. 72 00:03:05,800 --> 00:03:08,160 Speaker 4: But yeah, a lot of airports do that. We have 73 00:03:08,240 --> 00:03:11,920 Speaker 4: one here into o'her. It's called the Fight Arrival and 74 00:03:11,960 --> 00:03:15,280 Speaker 4: it's like Blackhawks. It's named after Blackhawks, and it's like 75 00:03:15,960 --> 00:03:18,800 Speaker 4: the fixes. They're like GPS points in the sky. But 76 00:03:18,880 --> 00:03:21,000 Speaker 4: there I forget what it is. It's like b Hawk, 77 00:03:21,960 --> 00:03:25,359 Speaker 4: Stanley st n l Y, Stanley Cup Champs on the 78 00:03:25,560 --> 00:03:29,320 Speaker 4: like as you move down the finger is by Dallas 79 00:03:29,360 --> 00:03:32,160 Speaker 4: the Finger Yeah yeah. 80 00:03:31,600 --> 00:03:32,639 Speaker 1: Yeah, Calin liked that one. 81 00:03:32,800 --> 00:03:37,280 Speaker 2: Oh okay, well your air traffic control uh mesty told 82 00:03:37,320 --> 00:03:39,360 Speaker 2: you to speed up to finger and I just. 83 00:03:39,480 --> 00:03:40,600 Speaker 1: Yeah, there's a there's a point. 84 00:03:40,760 --> 00:03:43,600 Speaker 4: So these are like imaginary points in the sky that 85 00:03:43,720 --> 00:03:46,720 Speaker 4: the computer that GPS knows what they are, and so 86 00:03:46,760 --> 00:03:48,800 Speaker 4: it's like a so that every so they tell you, 87 00:03:48,840 --> 00:03:50,640 Speaker 4: like for example, I think it's the Finger of five 88 00:03:50,760 --> 00:03:53,320 Speaker 4: arrival into Dallas Love, which is what the f I 89 00:03:53,440 --> 00:03:57,240 Speaker 4: N g R is the point five fingers. Nobody wants that, No, 90 00:03:57,680 --> 00:04:00,760 Speaker 4: that's but anyway, so it's a if they clear you 91 00:04:00,800 --> 00:04:03,280 Speaker 4: on that, then everybody who's on that will be going 92 00:04:03,320 --> 00:04:05,040 Speaker 4: like it would be like if you were on an expressway. 93 00:04:05,120 --> 00:04:07,680 Speaker 4: Everybody's on the same path going to the airport, and 94 00:04:07,720 --> 00:04:09,840 Speaker 4: the computer knows it, and the airplane knows it, so 95 00:04:09,920 --> 00:04:12,240 Speaker 4: it flies it. But yeah, it was to Caylin and 96 00:04:12,280 --> 00:04:13,960 Speaker 4: I were going to Dallas and it was I don't 97 00:04:13,960 --> 00:04:17,440 Speaker 4: know why you were going only knows I was going 98 00:04:17,480 --> 00:04:18,239 Speaker 4: to see my uses. 99 00:04:18,480 --> 00:04:21,680 Speaker 1: I don't know why. I don't know idea what you Yeah, well, oh, 100 00:04:21,720 --> 00:04:22,039 Speaker 1: you know what. 101 00:04:22,120 --> 00:04:23,839 Speaker 2: I was going to Austin and it was easier to 102 00:04:23,839 --> 00:04:24,679 Speaker 2: catch a flight runner. 103 00:04:24,920 --> 00:04:27,560 Speaker 1: Right, That's what it was with the air traves. 104 00:04:27,760 --> 00:04:29,919 Speaker 4: So Kayla sitting there and the air traffic controller says, 105 00:04:30,000 --> 00:04:33,480 Speaker 4: you know to me, uh your clear, clear direct finger 106 00:04:33,839 --> 00:04:34,200 Speaker 4: and go. 107 00:04:34,680 --> 00:04:36,839 Speaker 3: No, it was it was speed up to finger. 108 00:04:36,920 --> 00:04:40,640 Speaker 4: It was, yeah, it was clear direct finger and maximum 109 00:04:40,640 --> 00:04:47,599 Speaker 4: forward speed to finger. So and Caylen looked at me like, 110 00:04:47,640 --> 00:04:50,800 Speaker 4: what are we doing? We're going fastive finger baby? You know. 111 00:04:53,080 --> 00:04:53,760 Speaker 1: Fer anymore? 112 00:04:53,880 --> 00:04:58,760 Speaker 2: Right, by the way, if you miss any part of 113 00:04:58,760 --> 00:05:01,040 Speaker 2: whatever the hell this is the Front Show, you can 114 00:05:01,080 --> 00:05:03,200 Speaker 2: search the Front Show on demand and please set us 115 00:05:03,200 --> 00:05:05,080 Speaker 2: as a preset on the iHeartRadio app. 116 00:05:05,160 --> 00:05:07,800 Speaker 4: Like in Wyoming, somewhere there's a waypoint or a vo 117 00:05:07,960 --> 00:05:11,280 Speaker 4: R whatever. It's called crazy Woman or crazy yeah, crazy one. 118 00:05:11,360 --> 00:05:13,560 Speaker 4: Oh damn, I wonder who that's appen. They get really 119 00:05:13,600 --> 00:05:16,960 Speaker 4: clever with some of these. They're into Vegas. There's one 120 00:05:16,960 --> 00:05:21,039 Speaker 4: that's all hangover references. It's just called the Chow Arrival, 121 00:05:21,080 --> 00:05:24,560 Speaker 4: and it's like, mister yeah, so it's like that's hysterical, 122 00:05:24,560 --> 00:05:26,960 Speaker 4: forget what it is. And then there's a Nintendo arrival 123 00:05:27,000 --> 00:05:29,440 Speaker 4: into Vegas because it was invented there, so like there's 124 00:05:29,480 --> 00:05:33,760 Speaker 4: a Tyson arrival into Vegas, so yeah, I forget what 125 00:05:33,800 --> 00:05:36,200 Speaker 4: it likes whatever. They get really clever with them. 126 00:05:36,279 --> 00:05:38,560 Speaker 3: It's like ways in the sky for people that don't 127 00:05:38,600 --> 00:05:39,280 Speaker 3: have a pilot brain. 128 00:05:39,360 --> 00:05:40,839 Speaker 1: That's how I think of it exactly. 129 00:05:40,960 --> 00:05:43,440 Speaker 4: Yeah, but the swift so that they should be in 130 00:05:43,480 --> 00:05:46,040 Speaker 4: the damn airport after Dolly pardon, I like it, Yes 131 00:05:46,240 --> 00:05:46,560 Speaker 4: it is. 132 00:05:47,000 --> 00:05:48,000 Speaker 3: Nobody dis likes her.