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Speaker 1: Dear listeners of hollywood Land, does it feel like you're

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Speaker 1: stuck in limbo? Standing under a flickering street light at

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Speaker 1: the corner of Hollywood and True Crime, waiting for the

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Speaker 1: next episode of hollywood Land to drop.

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Speaker 2: I got you.

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Speaker 1: Welcome to hollywood Land.

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Speaker 2: The Rap Party.

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Speaker 1: What has happened in my good people of hollywood Land.

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Speaker 1: We are back once again, back in the saddle, back

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Speaker 1: in this thing we call the Rap Party. This is

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Speaker 1: the show that gets you from one full episode of

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Speaker 1: hollywood Land to the next. The place for obsessives just

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Speaker 1: like you, the movie geeks, the true crime freaks, the

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Speaker 1: ones who like their movie history with the side of

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Speaker 1: grit and grime. My name is Zeth Lundy, writer at

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Speaker 1: Double Elvis, showrunner for hollywood Land, the sister show to

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Speaker 1: Disgrace Land, the og Music and True Crime Pod. And

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Speaker 1: on this episode of Hollywoodland, we are talking about out

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Speaker 1: this week's full episode subject David Lynch. We are previewing

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Speaker 1: next week's episode on Chris Farley. We're talking about the

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Speaker 1: weirdest movies of all time. And of course we're going

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Speaker 1: to check out your voicemails, text dms and emails. So

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Speaker 1: come on, everybody, let's party. It's Tuesday morning as I'm

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Speaker 1: recording this episode, and just yesterday we learned the tragic

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Speaker 1: news that Rob Reiner, iconic director, actor, producer, screenwriter, was

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Speaker 1: found dead in his Brentwood home along with his wife, Michelle.

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Speaker 1: Police said that the couple was found stabbed to death,

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Speaker 1: and shortly thereafter, LA Chief of Police Jim McDonnell announced

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Speaker 1: that they had taken the couple's thirty two year old son,

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Speaker 1: Nick Reiner, into custody. The chiefs exact words were that

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Speaker 1: he was booked for murder, and as of the recording

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Speaker 1: of this episode, Nick Reiner is being held on four

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Speaker 1: million dollars bail. He's being held on suspicion to murder,

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Speaker 1: and word in the press is that we could see

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Speaker 1: official charges from the LA District Attorney's office sometime later today.

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Speaker 1: It's still very early in the investigation here, and there's

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Speaker 1: a lot of stuff swirling around online, and so I'm

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Speaker 1: not going to get too much into the nitty gritty

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Speaker 1: of exactly what happened at the moment. Perhaps we'll save

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Speaker 1: some of that for another time, but for now, I

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Speaker 1: just wanted to take some time to reflect on Rob

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Speaker 1: Reiner's career and what he meant to me, and I'm

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Speaker 1: sure to many of you as well. This reminds me.

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Speaker 1: Rob Reiner reminds me of something else I recorded recently

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Speaker 1: that you guys haven't heard yet, you will soon, But

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Speaker 1: something I recorded in which I briefly talked about the

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Speaker 1: director Sidney Lumett and how he always seemed to be

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Speaker 1: invisible to me. You know, he had this absence of style,

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Speaker 1: when in fact his secret weapon was that he had

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Speaker 1: what he called unseen style. He talks about this in

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Speaker 1: great lengths in his book Making Movies, that it's not

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Speaker 1: the director's job to wow you with all kinds of

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Speaker 1: camera theatrics, but instead to tell a story in the

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Speaker 1: best possible way, and to do it in a way

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Speaker 1: so that the audience is completely engrossed in that story

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Speaker 1: and they kind of forget that they're watching a movie.

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Speaker 1: I think Rob Reiner had unseen style. He wasn't an

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Speaker 1: auteur like Spielberg or Scorsese. You didn't watch his films

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Speaker 1: and instantly identify them as a Rob Reiner film because

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Speaker 1: of the way they looked. But his unseen style made

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Speaker 1: his best movies some of the greatest movies of all time.

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Speaker 1: For example, my social media feeds have been full of

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Speaker 1: Rob Reiner clips for the last twenty four hours, clips

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Speaker 1: of films in which he had memorable performances, and also

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Speaker 1: lots of clips of Reiner talking about making movies. One

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Speaker 1: clip in particular that really stood out to me is

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Speaker 1: one where he's talking about making The Princess Bride, his

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Speaker 1: incredible nineteen eighty seven fantasy and adventure film, and he's

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Speaker 1: saying that his least favorite in that film is this

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Speaker 1: shot of Robin Wright riding a horse across a bridge,

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Speaker 1: and the camera pans as she rides, and as the

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Speaker 1: camera pans, it picks up the sun, the backlight of

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Speaker 1: the sun, and it causes this lens flare on the picture.

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Speaker 1: And he hated that lens flare because it immediately draws

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Speaker 1: the audience's attention to the fact that this is a movie,

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Speaker 1: that it's being filmed, and his intention was to put

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Speaker 1: you in this particular time, this place, a time very

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Speaker 1: very long ago, in something like a lens flair. He's arguing,

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Speaker 1: here can snap you out of the movie's spell. Now,

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Speaker 1: that is unseen style. Another director who had compare Reiner

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Speaker 1: to is Billy Wilder. They both had the capacity to

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Speaker 1: tell any kind of story. Whether that story was rooted

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Speaker 1: in comedy, drama, horror didn't matter. And this is different

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Speaker 1: than a gun for hire. These are true craftsmen who

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Speaker 1: are using their strengths to tell compelling stories. The Princess Bride,

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Speaker 1: for example, was of course in the middle of this

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Speaker 1: incredible streak that Rob Ryner was on in the eighties

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Speaker 1: and the nineties. It started with his directorial debut This

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Speaker 1: Is Spinal Tap in nineteen eighty four, still in my estimation,

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Speaker 1: one of the funniest films of all time. A groundbreaking

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Speaker 1: film too. It's technically not the first mockumentary in cinema

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Speaker 1: history off the top of my head. Woody Allen made

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Speaker 1: Take the Money and Run in the late sixties, but

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Speaker 1: it established a framework for this kind of film, and

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Speaker 1: Reiner's frequent collaborator, Christopher Guest, would define his own directorial

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Speaker 1: career with this kind of film and movies like Best

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Speaker 1: in Show and Waiting for Goufman. But arguably you don't

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Speaker 1: have mockumentary TV shows like The Office or Parks and

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Speaker 1: Rec or Abbott Elementary without This Is Spinal Tap. I

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Speaker 1: also think there's no Simpsons without this movie. The sense

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Speaker 1: of humor, the style of humor, the way that jokes

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Speaker 1: are told visually, verbally, musically, it's so much a part

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Speaker 1: of the Simpsons comedic DNA. I recently watched this with

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Speaker 1: my son for the first time, his first time, that

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Speaker 1: is probably my ninety ninth time, and I was reminded

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Speaker 1: what a write of passage it is to watch this

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Speaker 1: movie as an obsessive music fan, rock and roll fan,

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Speaker 1: heavy metal fan, just like I was at his age.

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Speaker 1: He's fourteen, he plays guitar, he's in a band, he

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Speaker 1: lives and breathes music twenty four to seven. It's literally

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Speaker 1: all he talks about, which is great because we always

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Speaker 1: have something to talk about together. But I just loved

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Speaker 1: how this movie has not aged at all. I mean,

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Speaker 1: he laughed the entire way through. Just the deadpan seriousness

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Speaker 1: that everyone exudes in this movie. Reiner included the complete

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Speaker 1: lack of recognition when it comes to how ridiculous they

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Speaker 1: are just makes this still one of the goats when

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Speaker 1: it comes too funny movies. I haven't seen the next

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Speaker 1: film he made after this, The Sure Thing, which came

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Speaker 1: out in eighty five with John Cusack and Daphne Zuniga

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Speaker 1: got a very positive reception, though lots of critics compared

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Speaker 1: it to Frank Capper's classic It Happened One Night, But

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Speaker 1: then he makes Stand by Me the next year nineteen

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Speaker 1: eighty six, then The Princess Bride the year after that

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Speaker 1: eighty seven, and then when Harry met Sally in eighty nine,

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Speaker 1: Misery in nineteen ninety and a Few Good Men in

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Speaker 1: nineteen ninety two. That's as great rate of an eight

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Speaker 1: year stretch as anyone, just totally undeniable. And of course

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Speaker 1: he made more movies, you know, he just made one

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Speaker 1: this year. In fact, the sequel to Spinal Tap, Spinal

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Speaker 1: Tap two The End Continues, which I still have not

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Speaker 1: seen yet, but I'm going to very soon. Holler if

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Speaker 1: you've seen it and let me know what you think.

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Speaker 1: But his classic run is inarguably iconic. I used that

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Speaker 1: word up at the top to describe him iconic, and

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Speaker 1: it absolutely applies. These films are where we got. This

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Speaker 1: goes to eleven. I'll have what she's having. You can't

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Speaker 1: handle the truth now. I know that Rob Reiner did

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Speaker 1: not write most of the scripts of his films, but

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Speaker 1: part of that unseen style is taking the words from

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Speaker 1: the page, working with your actors to deliver the lines,

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Speaker 1: and working with your crew to capture the lines in

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Speaker 1: a way that can be iconic. There's a way to

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Speaker 1: execute all these scenes and all of these lines in

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Speaker 1: a completely opposite fashion, and the iconicness of it is

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Speaker 1: all just totally lost.

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Speaker 2: You know.

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Speaker 1: It's definitely helpful. Di Reiner worked with some of the

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Speaker 1: best screenwriters out there. William Goldman wrote the scripts for

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Speaker 1: The Princess Bride and Misery, Nora Ephron wrote When Harry

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Speaker 1: Met Sally, and Aaron Sorkin wrote A Few Good Men.

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Speaker 1: Just goes to show the elevation of Ryiner's taste. You know,

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Speaker 1: he's the guy who delivered two of the greatest Stephen

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Speaker 1: King adaptations of all time, with one of those stand

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Speaker 1: by Me, being in my eyes, the greatest Stephen King adaptation.

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Speaker 1: You know, Stephen King is known as a horror writer,

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Speaker 1: but I think that's kind of a mguffin when it

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Speaker 1: comes to truly understanding what he's all about. He is

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Speaker 1: such a great writer of people, of characters, of people

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Speaker 1: you know, people you've met, people you love and hate,

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Speaker 1: and not to get all English lit one on one here,

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Speaker 1: but you know he does this often inside the framework

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Speaker 1: of a horror story or a sci fi story. I mean,

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Speaker 1: Under the Dome is less about what the hell is

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Speaker 1: this weird dome around our town and more about what

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Speaker 1: happens to people in a community when they are all

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Speaker 1: suddenly dealing with a crisis together. Anyway, I just think

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Speaker 1: that Ryner got the closest to King's tone in King's

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Speaker 1: intentions with stand By Me, even though it's not a

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Speaker 1: horror film. You know, Stephen King writes teenage characters so well,

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Speaker 1: and Rob Reiner really helped make these characters on the

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Speaker 1: screen feel so real and authentic. I haven't even mentioned

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Speaker 1: Reiner's background, his family, his father, of course, the great

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Speaker 1: Carl Reiner, longtime collaborator with mel Brooks, he created the

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Speaker 1: Dick Van Dyke Show. Incredible comedian, actor and director in

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Speaker 1: his own right, big shoes to fit, and Rob Reiner

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Speaker 1: did his best to impress his old man, first by

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Speaker 1: starring in the hit TV show All in the Family,

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Speaker 1: and then with this incredible career as a filmmaker and

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Speaker 1: a producer as well. Rest in peace to the great

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Speaker 1: Rob Reiner. Maybe fire up one of your favorite Reiner

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Speaker 1: films this week in his memory, and maybe that film

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Speaker 1: is The Wolf of Wall Street, in which he's got

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Speaker 1: that small role as Jordan Bellefort's father, stealing every scene

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Speaker 1: he's in, like the scene where he's been waiting, oh

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Speaker 1: fucking week to watch the Equalizer and someone has the

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Speaker 1: goddamn gall to call him on a Tuesday night. So great,

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Speaker 1: so funny. Speaking of funny, next week in Hollywood Land,

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Speaker 1: we've got our episode on Chris Farley. Chris Farley sadly

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Speaker 1: passed away twenty eight years ago tomorrow, December eighteenth, nineteen

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Speaker 1: ninety seven. So naturally we've got Farley on the brain

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Speaker 1: here and we'll get into that story next week. Which

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Speaker 1: got me thinking question of the week here for you

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Speaker 1: that will get into next week in Hollywood Land. What

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Speaker 1: are some of the funniest performances in a film? The

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Speaker 1: film itself doesn't have to be great, but the performance

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Speaker 1: has to be funny. Maybe it's a small role that

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Speaker 1: steals scenes, like Rob Reiner in The Wolf.

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Speaker 2: Of Wall Street.

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Speaker 1: Maybe it's the lead role, but it cracks you up

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Speaker 1: to no end and makes you watch it over and over.

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Speaker 1: Let me know. Six one seven nine oh six six

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Speaker 1: six three eight, send me a text, leave me a voicemail,

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Speaker 1: and perhaps we will read or play your answer here

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Speaker 1: next week in the Rap Party. But before we do that,

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Speaker 1: we got to talk about this week's question, which is

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Speaker 1: all about weird movies. I got a lot of responses

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Speaker 1: from you guys, and we're gonna get into it right

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Speaker 1: after this quick break. I wait, oh wait, what the

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Speaker 1: fucking equalizer?

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Speaker 2: And I have to fucking hello.

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Speaker 1: Oh right, y'all. Hope you're all keeping it weird out

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Speaker 1: there in Hollywood Land. It's all about weird this week.

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Speaker 1: We dropped our David Lynch episode a few days ago,

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Speaker 1: sort of the patron saint of weird, the guy who

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Speaker 1: for me at least gave me permission to be weird,

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Speaker 1: for things to not make sense, stop making sense, as

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Speaker 1: another beloved weirdo, David Byrne would say. So, I asked

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Speaker 1: you guys last week, what's the weirdest movie you've ever seen?

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Speaker 1: And I got a ton of feedback. But before I

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Speaker 1: dive into all this, all your great responses here, I

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Speaker 1: just wanted to remind everyone if you missed it, that

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Speaker 1: last week, Jake and I dropped the first episode of

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Speaker 1: a brand new video podcast that we're calling this film

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Speaker 1: should be played loud. It combines our love of movies,

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Speaker 1: Hollywood Land and music Disgraceland and goes deep on the

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Speaker 1: great music from films that we love, the best soundtracks,

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Speaker 1: the best scores, the best needle drops, so much more.

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Speaker 1: Episode one on Martin Scorsese's excellent film Goodfellas is live now.

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Speaker 1: Like I said, you can check it out over on Patreon.

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Speaker 1: You can just go right to patreon dot com slash Disgraceland,

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Speaker 1: or if it's easier, just go to the Disgraceland website,

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Speaker 1: which is disgracelampod dot com and there's links to sign

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Speaker 1: up right there on our homepage. This show is unlike

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Speaker 1: anything else we're doing right now. It's got a lot

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Speaker 1: going on visually and it's just super super fun. You

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Speaker 1: can expect new episodes monthly over there. In fact, we

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Speaker 1: are polling the community right now in Patreon as to

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Speaker 1: which movie we should cover next month in our episode.

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Speaker 1: So definitely get in there and let us know. Okay,

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Speaker 1: so let's get into weird movies here for a minute.

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Speaker 1: And let me just preface this by saying I've been

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Speaker 1: really loving getting all of your voicemails and texts and

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Speaker 1: emails here, and we've been getting a lot lately. It

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Speaker 1: seems like every week we're getting more and more and more,

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Speaker 1: so please keep them coming. Just know that there are

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Speaker 1: so many that it's hard for me. It's impossible for

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Speaker 1: me actually to reply to all of them, and it's

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Speaker 1: even harder to fit them all here on the show.

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Speaker 1: We may have found a way to include even more

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Speaker 1: of your calls and messages here very soon, so stay

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Speaker 1: tuned for that. But for now, this is all just

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Speaker 1: to say that I really appreciate you guys reaching out.

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Speaker 1: Please keep it up, keep sending me the messages, and

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Speaker 1: thank you for your understanding if you know I don't

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Speaker 1: get to yours right away. Okay, So with that, first

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Speaker 1: of all, we got a call that answers the question

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Speaker 1: of the week while also getting into our John Waters

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Speaker 1: conversation from last week. Let's check out this voicemail from

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Speaker 1: the five oh eight.

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Speaker 3: Yeah, so this is Mike from the Fiveweight and number

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Speaker 3: one best kidnapping movie and best John Waters movie and

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Speaker 3: weirdst movie I've seen, and my number one pick for

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Speaker 3: the best movies of the twenty first century, all in

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Speaker 3: the same movie. Which is one that was not mentioned

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Speaker 3: in the John Waters episode, and that is CeCILL Be Divented.

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Speaker 3: I'm telling you now you need to just drop everything

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Speaker 3: you're doing purchase a copy of this movie. I think

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Speaker 3: you can't. I don't think you can stream it anymore.

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Speaker 3: If you've ever liked like the studio, this is this

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Speaker 3: is like that same premise but on steroids. Yeah, it's

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Speaker 3: really unbelievable. Cecil Be Demented. Check it out. Okay, thanks,

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Speaker 3: I love the show fan from day one.

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Speaker 1: Okay, thanks, bye, Mike. Way to check off all three boxes.

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Speaker 1: Favorite John Waters movie, favorite movie of the twenty first century,

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Speaker 1: and weirdest movie you've ever seen, Cecil Be Demented. I

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Speaker 1: know about this movie remember when it came out, but

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Speaker 1: I have not seen it, and based on your recommendation,

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Speaker 1: I'm going to rectify that very very soon. This sounds incredible.

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Speaker 1: The studio on steroids. If they ever they ever re

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Speaker 1: at least this on Blu Ray, they should totally use

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Speaker 1: that quote on the cover. It's like a poll quote. Incredible.

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Speaker 1: I love the studio, the show, the studio that was

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Speaker 1: on Apple TV. I love Robert Umpmin's The Player. So

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Speaker 1: I looked this one up real quick. It's from two thousand.

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Speaker 1: Melanie Griffith plays a snobby A list actress who was

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Speaker 1: kidnapped by a group of terrorist filmmakers and forced to

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Speaker 1: start in their underground movie. Mike, I am all in

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Speaker 1: on this. Stay tuned. I'll check it out and thank

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Speaker 1: you so much for through recommendation. Okay, let's see over

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Speaker 1: in the text the Department of Texts. Here we got

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Speaker 1: a text from Chad in the eight one seven, says

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Speaker 1: Chad in the eight one seven. Here the weirdest movie

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Speaker 1: I can think of was also the was also the

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Speaker 1: first time I saw boobs on TV. Cable had just

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Speaker 1: come to the DFW area. It was nineteen eighties. Humanoids

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Speaker 1: from the Deep, described by the Internet Movie Database as

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Speaker 1: humanoid sea creatures, start killing a fishing town's residents, attacking

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Speaker 1: their women. It's up to the townsfolk and a visiting

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Speaker 1: biologist to fight back and fend them off. It even

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Speaker 1: had a V style alien birth years before V came out.

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Speaker 1: Love listening to all the shows Rock rolla Rock Corolla, Chad,

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Speaker 1: great work. You clearly clearly understood the assignment. This sounds

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Speaker 1: incredibly weird, and I'm guessing incredibly low budget as well.

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Speaker 1: Sounds like an episode of The X Files from back

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Speaker 1: in the day, which was definitely That show is definitely

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Speaker 1: inspired by these kinds of movies, and as much of

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Speaker 1: an X Files fan as I was, I never really

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Speaker 1: had the urge to check out totally weird or random

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Speaker 1: movies like Humanoids from the Deep. Incredible title, by the way,

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Speaker 1: sounds like a Rush B side outtake from the mid seventies.

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Speaker 2: Here my not, It's Fine the Deep something like that.

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Speaker 1: Anyways, Thanks for reaching out, Chad, I appreciate it. Eric

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Speaker 1: in the nine to five to four text in Hey Discos,

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Speaker 1: Eric from the nine to five to four enjoying the

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Speaker 1: Show's weirdest movie for me was Mulholland Drive. David Lynch

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Speaker 1: is an acquired taste and I will not ever be

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Speaker 1: in the mood to watch that again. Yeah, I hear you, Eric,

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Speaker 1: David Lynch, John Waters, these guys are definitely acquired tastes.

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Speaker 1: Either it works for you or it doesn't. There's really

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Speaker 1: no in between your either team Lynch or you were

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Speaker 1: absolutely as far away from that team as you can be.

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Speaker 1: Why I gravitated towards weird shit when I was younger,

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Speaker 1: and I still love it.

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Speaker 2: I don't know.

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Speaker 1: I've tried, you know, watching some of these David Lynch

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Speaker 1: movies with my wife, and.

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Speaker 2: It just doesn't work. Every time.

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Speaker 1: She just has this what the fuck look on her face,

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Speaker 1: like the entire movie, and just she just doesn't get

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Speaker 1: the appeal at all. So I hear you, man, I

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Speaker 1: think my wife would even go as far as to

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Speaker 1: classify his movies as bad. It's that whole trash versus

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Speaker 1: treasure thing again we were talking about, I guess, but Eric,

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Speaker 1: thank you so much for the text over on Patreon

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Speaker 1: with our all Access members, I pose this question over there,

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Speaker 1: and I'm going to rapid fire off a bunch of

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Speaker 1: responses here. I don't really have time to get into

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Speaker 1: every single one, but a bunch of our all Access

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Speaker 1: members said the following. Sean said Plan nine from Outer Space.

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Speaker 1: That's that infamous Edward movie. Kimberly said Human Tenepede, to

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Speaker 1: which someone replied, oh lord, Christa said Jacob's latter excellent movie.

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Speaker 1: Becky picked Boxing. Helena Jackie said, Tommy, I'm assuming you're

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Speaker 1: talking about the adaptation of the Who's Rock Opera. Tommy

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Speaker 1: Barry said Student Bodies, Coco chimed in with maybe not

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Speaker 1: the weirdest ever, but the one that popped in my

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Speaker 1: head was adaptation, Yes, the incredible Spike Jones movie about

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Speaker 1: a screenwriter played by Nicholas Cage. Nicholas Cage plays twins

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Speaker 1: in this movie, but he's a screenwriter who's attempting to

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Speaker 1: turn Susan Orlean's book The Orchid Thief into a screenplay

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Speaker 1: for a movie. And as this is written by Charlie Kaufman,

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Speaker 1: Kaufman and Spike Jones previously collaborated on Being John Malkovich.

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Speaker 1: And the way that this movie devolves into the thing

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Speaker 1: that Nicholas Cage is trying it so desperately for it

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Speaker 1: not to be is so genius. And yes, this film

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Speaker 1: is super weird. It's difficult to describe, and it's better

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Speaker 1: if you haven't seen this to just watch it and

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Speaker 1: experience it for yourself and just watch what happens. It's

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Speaker 1: brilliant screenwriting, it's brilliant filmmaking. Nicholas Cage is incredible, so

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Speaker 1: is Meryl Streep and Chris Cooper. Great pet Coco Ashley says, Manfish,

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Speaker 1: I don't know that one. Curtis picked naked Lunch, Eric

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Speaker 1: said Men, which is the recent Alex Garland movie. Tim

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Speaker 1: chimed in with rec Rahem for a Dream. I watched

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Speaker 1: that once and I will never watch that again. I

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Speaker 1: was so every one of that dude's movies. Darren Aronofsky

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Speaker 1: just disturbs me to no end. Rec Raem for a Dream,

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Speaker 1: very much so Mother even more so. I don't know

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Speaker 1: if you, if any of you who've seen Mother here,

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Speaker 1: it's just like next level disturbing. Anyways, Thanks for that, Tim.

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Speaker 1: Jeff chimes in with Blue Velvet. Jeff says that Dennis

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Speaker 1: Hopper's character is way out there, and then some very

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Speaker 1: true Jeff, very true Uf in that gas Steve says,

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Speaker 1: weird but awesome Memento and then weird and not in

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Speaker 1: a good way, a racerhead. Steve goes on to say,

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Speaker 1: I fully appreciate I'm in the minority about this, and

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Speaker 1: I completely respect its impact on cinema as art, but

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Speaker 1: you can definitely leave me out of this film. Chris

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Speaker 1: picks the nineteen ninety one movie Highway to Hell, and

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Speaker 1: Cynthia gave us three picks here, Videodrome, Liquid Sky, and

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Speaker 1: from Beyond. Look at us, guys, we are building quite

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Speaker 1: the library of weird movies. And despite what you think

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Speaker 1: about David Lynch's movies, personally, I would like to think

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Speaker 1: that he would be proud of us here. I would

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Speaker 1: have loved to have known what he thought was the

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Speaker 1: weirdest movie ever. Some would say that his film The

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Speaker 1: Straight Story, that G rated movie he made for Disney

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Speaker 1: is his weird movie. Hey you ever made?

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Speaker 2: Okay?

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Speaker 1: Also, this week we got some some communications here from

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Speaker 1: you guys on some other subjects, things, other things we've

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Speaker 1: been talking about. We got an email from Sal up

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Speaker 1: in the Great White North, who was chiming in on

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Speaker 1: underrated mob movies, which we talked about a few weeks back.

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Speaker 1: Sal says, you requested underrated mob movies. My recommendation is

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Speaker 1: twenty ninth Street. Not a full blown mob movie, but

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Speaker 1: the mob plays a vital role. Love your podcast. Sal

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Speaker 1: from Hamilton, Canada. What's up, Sal, Canada? Represent? I was

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Speaker 1: just talking to my daughter the other day. She was like,

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Speaker 1: when an't we going.

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Speaker 2: Back to Canada? And I was like, soon, we're gonna be.

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Speaker 1: We're gonna go there soon. So anyway, Sal, we'll be

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Speaker 1: up somewhere and you're maybe not your neck of the woods.

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Speaker 1: But up in Canada soon. Much love of you guys

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Speaker 1: up there. This is a movie from nineteen ninety one

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Speaker 1: that I haven't seen, but looking at the poster for it,

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Speaker 1: I totally remember seeing this poster in the movie theater

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00:21:56,000 --> 00:21:59,040
Speaker 1: back in the day. This star is the great Danny Ayelo,

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Speaker 1: who was just coming off his incredible performance and do

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Speaker 1: the right thing. And also I saw it was written

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Speaker 1: by the great George Gallo, who also wrote Midnight Run,

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Speaker 1: which is one of my favorite odd couple buddy road

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Speaker 1: movies of all time. So thanks for the recommendation here,

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Speaker 1: Sal appreciate that. Another text here about another subject we

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Speaker 1: were covering recently from the Midwest. This one reads, Hi

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Speaker 1: Jason here from Minnesota. Here's a Hollywood Land talker for you.

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Speaker 1: Branching out from your favorite holiday movies, how about exploring

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Speaker 1: the best movies set in winter where the snow and

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Speaker 1: cold are essential to the plot. Some that come to

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Speaker 1: mind are Fargo, McCabe and Missus Miller, A Simple Plan,

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Speaker 1: Grumpy Old Men, and Wind River. But my ultimate favorite

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Speaker 1: winter movie is the bleak spaghetti Western masterpiece The Great

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Speaker 1: Silence by Sergio Corbucci. Do you or your listeners have

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Speaker 1: any favorites. Well, Jason, I do, and I love this

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Speaker 1: great question, great topic, and you already chose some of

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Speaker 1: my favorite snowy, cold movies like Fargo, McCabe and Missus

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Speaker 1: Miller and A Simple Plan, Man, just a sidebar, real quick.

427
00:23:08,119 --> 00:23:11,000
Speaker 1: A Simple Plan. That's such an underrated film, by the way,

428
00:23:11,280 --> 00:23:15,840
Speaker 1: directed by Sam Raimi. Great premise, great tension. I remember

429
00:23:15,880 --> 00:23:17,520
Speaker 1: seeing that in the theater when it came out. It's

430
00:23:17,560 --> 00:23:20,320
Speaker 1: definitely an underrated favorite of mine. So thanks for bringing

431
00:23:20,320 --> 00:23:22,439
Speaker 1: that up. I gotta you know, it's tis the season

432
00:23:22,480 --> 00:23:25,400
Speaker 1: to watch to watch cold, snowy movies like A Simple Plan.

433
00:23:25,440 --> 00:23:27,120
Speaker 1: I gotta fire that up at some point. I've got

434
00:23:27,119 --> 00:23:29,680
Speaker 1: some more for you. How about John Carpenter's The Thing,

435
00:23:30,200 --> 00:23:35,480
Speaker 1: how about The Revenant, The Shining, Happy Feet? Now, I'm

436
00:23:35,480 --> 00:23:37,600
Speaker 1: just kidding on that last one. The others I totally

437
00:23:37,600 --> 00:23:40,880
Speaker 1: stand by, though. The Shining's got, you know, that amazing

438
00:23:41,160 --> 00:23:43,360
Speaker 1: chase through the maze there and the snow at the end,

439
00:23:43,440 --> 00:23:47,479
Speaker 1: and Jack Nicholson freezing in the snow, freezing or not freezing,

440
00:23:47,480 --> 00:23:50,119
Speaker 1: I don't know, freezing for all of eternity. You've you've

441
00:23:50,200 --> 00:23:54,560
Speaker 1: always been the caretaker. This is a really fun topic. Now, Jason.

442
00:23:54,560 --> 00:23:58,000
Speaker 1: As for the Great Silence, I have not seen that before.

443
00:23:58,080 --> 00:23:59,879
Speaker 1: I haven't even heard of it, and I need to

444
00:23:59,880 --> 00:24:02,159
Speaker 1: get better. I need to see more spaghetti westerns. I

445
00:24:02,160 --> 00:24:06,439
Speaker 1: need to branch out beyond Sergio Leon's Big Three and

446
00:24:06,640 --> 00:24:08,800
Speaker 1: check this out. So thank you and thank you for

447
00:24:08,840 --> 00:24:11,800
Speaker 1: bringing up this topic of conversation. Everyone else, get at

448
00:24:11,840 --> 00:24:15,239
Speaker 1: me with your favorite snowy or cold movies six one

449
00:24:15,359 --> 00:24:18,359
Speaker 1: seven nine oh six six six three eight, or you

450
00:24:18,400 --> 00:24:22,360
Speaker 1: can email Disgrace Lampod at gmail dot com. You can

451
00:24:22,560 --> 00:24:25,280
Speaker 1: jump in the chat, Patreon, all Access, whatever it works.

452
00:24:25,320 --> 00:24:27,480
Speaker 1: I'll be there for you, okay, and I'll be right

453
00:24:27,520 --> 00:24:29,760
Speaker 1: back to talk about what I've been watching, listening to

454
00:24:29,960 --> 00:24:46,000
Speaker 1: and reading right after this, So stick around. So over

455
00:24:46,040 --> 00:24:48,200
Speaker 1: the weekend, I watched a couple of great movies, both

456
00:24:48,200 --> 00:24:52,120
Speaker 1: of them released this year and both coincidentally available right

457
00:24:52,160 --> 00:24:54,800
Speaker 1: now to stream on Netflix. It was a it was

458
00:24:54,840 --> 00:24:57,960
Speaker 1: a Netflix and chill weekend, I guess around the Lundi household.

459
00:24:58,400 --> 00:25:01,359
Speaker 1: The first one is a movie called One of Them Days.

460
00:25:01,600 --> 00:25:03,760
Speaker 1: This came out at the beginning of the year, I

461
00:25:03,800 --> 00:25:07,240
Speaker 1: think in January. It's directed by Lawrence Lamont and written

462
00:25:07,320 --> 00:25:11,359
Speaker 1: by Sarita Singleton. It's her debut screenplay. She's collaborated in

463
00:25:11,400 --> 00:25:15,080
Speaker 1: the past with Ray on shows like Insecure and Rap Shit.

464
00:25:15,359 --> 00:25:18,439
Speaker 1: I think is Ray is a producer and executive producer

465
00:25:18,440 --> 00:25:20,760
Speaker 1: on this movie as well, but don't quote me on that.

466
00:25:21,160 --> 00:25:25,040
Speaker 1: This stars Kiki Palmer and Sissa, also a film debut

467
00:25:25,200 --> 00:25:28,320
Speaker 1: as friends, roommates opposites, and they need to make rent

468
00:25:28,359 --> 00:25:30,440
Speaker 1: money for the month by the end of the day

469
00:25:30,680 --> 00:25:32,680
Speaker 1: because they're getting kicked out of their apartment that they

470
00:25:32,680 --> 00:25:35,720
Speaker 1: share in La. The chemistry between the two of them

471
00:25:35,880 --> 00:25:40,120
Speaker 1: is so great. Sissa is a great actress, They're both

472
00:25:40,200 --> 00:25:41,960
Speaker 1: She's funny. They're both so funny.

473
00:25:42,240 --> 00:25:42,440
Speaker 2: Kecki.

474
00:25:42,520 --> 00:25:44,720
Speaker 1: Palmer, though, in particular, is becoming a favorite of mine

475
00:25:44,800 --> 00:25:47,679
Speaker 1: with her timing and her delivery, even just what she

476
00:25:47,720 --> 00:25:50,800
Speaker 1: does with her face. She's like doing some genius level

477
00:25:50,840 --> 00:25:53,720
Speaker 1: comedian shit here. This really does feel like the kind

478
00:25:53,720 --> 00:25:56,000
Speaker 1: of movie they just don't make it anymore. Like comedies

479
00:25:56,040 --> 00:25:58,480
Speaker 1: like these used to be in the theaters all the time,

480
00:25:58,560 --> 00:26:00,320
Speaker 1: and now this sort of thing is just relegant to

481
00:26:00,320 --> 00:26:03,680
Speaker 1: a bad TV show or a bad straight to streaming movie.

482
00:26:03,920 --> 00:26:05,840
Speaker 1: We need more of this kind of thing. A movie

483
00:26:05,840 --> 00:26:08,240
Speaker 1: doesn't have to be more than just a movie. And

484
00:26:08,240 --> 00:26:09,880
Speaker 1: when I say that, or when I say this movie

485
00:26:09,920 --> 00:26:11,800
Speaker 1: is light and easy, I don't not mean that in

486
00:26:11,840 --> 00:26:14,520
Speaker 1: a pejorative way. Sometimes you just want a movie to

487
00:26:14,520 --> 00:26:16,800
Speaker 1: be a good hang, which is exactly what this is.

488
00:26:16,960 --> 00:26:20,280
Speaker 1: It's a great hang. Ninety minutes well spent and listen

489
00:26:20,320 --> 00:26:22,640
Speaker 1: if you've ever stressed out about making rent or paying

490
00:26:22,680 --> 00:26:25,040
Speaker 1: bills on time, which I know we all have, I

491
00:26:25,080 --> 00:26:27,760
Speaker 1: know I have for sure. There is so much to

492
00:26:27,800 --> 00:26:30,920
Speaker 1: identify with here. Highly recommend this if you're looking for

493
00:26:31,040 --> 00:26:33,600
Speaker 1: a movie that is a great hang one of them days.

494
00:26:33,640 --> 00:26:34,520
Speaker 2: It's on Netflix.

495
00:26:35,400 --> 00:26:38,680
Speaker 1: Also on Netflix is the latest installment in the Knives

496
00:26:38,680 --> 00:26:41,880
Speaker 1: Out film series. It's called Wake Up, Dead Man. These

497
00:26:41,920 --> 00:26:45,320
Speaker 1: are films written and directed by Ryan Johnson, starring Daniel

498
00:26:45,400 --> 00:26:49,880
Speaker 1: Craig as the private detective Benoir Blanc. And for those

499
00:26:49,880 --> 00:26:52,560
Speaker 1: who don't know, each film is a different story, a

500
00:26:52,560 --> 00:26:55,320
Speaker 1: different mystery that Blanc has to solve, and he does

501
00:26:55,359 --> 00:27:00,520
Speaker 1: so deliciously with this incredible Colonel Sanders accent that Daniel

502
00:27:00,520 --> 00:27:03,040
Speaker 1: Craig is putting on. The movies are all super playful

503
00:27:03,040 --> 00:27:05,800
Speaker 1: and really ingenious and how they're structured. Just super impressed

504
00:27:05,840 --> 00:27:09,399
Speaker 1: by by the plot twists and turns. The obvious comp

505
00:27:09,440 --> 00:27:11,879
Speaker 1: here for these is you know Agatha Christie and her

506
00:27:12,320 --> 00:27:15,560
Speaker 1: Cue Poirot stories that were turned into huge movies like

507
00:27:15,640 --> 00:27:19,000
Speaker 1: Murder on the Orient Express and Death on the Nile.

508
00:27:19,520 --> 00:27:23,560
Speaker 1: But what sets this latest installment apart from the others

509
00:27:24,080 --> 00:27:28,280
Speaker 1: is that it's really more about Josh O'Connor's character, Father Jud,

510
00:27:28,359 --> 00:27:32,720
Speaker 1: and Josh O'Connor is like giving this incredibly moving, incredibly

511
00:27:32,800 --> 00:27:36,200
Speaker 1: human performance in the center of this puzzle piece mystery.

512
00:27:36,600 --> 00:27:38,879
Speaker 1: I would still like the film if he wasn't in it,

513
00:27:39,280 --> 00:27:41,560
Speaker 1: but I like it so much more because he is

514
00:27:41,600 --> 00:27:43,879
Speaker 1: in it. We don't even see Daniel Craig for the

515
00:27:43,880 --> 00:27:46,840
Speaker 1: first like what thirty or forty minutes of this It's

516
00:27:46,920 --> 00:27:49,800
Speaker 1: all Father Jud's story up to this point. He's a

517
00:27:49,840 --> 00:27:53,240
Speaker 1: former boxer who killed an opponent in the ring, and

518
00:27:53,280 --> 00:27:56,040
Speaker 1: he has since taking up the priesthood. But obviously he's

519
00:27:56,040 --> 00:27:58,560
Speaker 1: still wrestling with the kinds of things he wrestled with

520
00:27:58,600 --> 00:28:01,560
Speaker 1: in his past. He's got that angel and devil inside him,

521
00:28:01,600 --> 00:28:04,200
Speaker 1: duking it out, and at the top of the movie

522
00:28:04,240 --> 00:28:07,080
Speaker 1: he punches a deacon and so he's reassigned as an

523
00:28:07,080 --> 00:28:11,199
Speaker 1: assistant pastor at this place called Our Lady of Perpetual Fortitude.

524
00:28:11,240 --> 00:28:14,280
Speaker 1: In a rural part of New York State. The parish

525
00:28:14,320 --> 00:28:17,720
Speaker 1: there is led by Monsignor Jefferson Wicks, who was played

526
00:28:17,720 --> 00:28:21,280
Speaker 1: by Josh Brolin, and right off the bat they're clashing,

527
00:28:21,920 --> 00:28:24,480
Speaker 1: and soon enough, like in all these films, there's a murder,

528
00:28:24,680 --> 00:28:27,800
Speaker 1: and there's a whole town full of suspects, including not

529
00:28:27,840 --> 00:28:31,399
Speaker 1: just Josh O'Connor, but also Andrew Scott, Glenn Close, Jeremy Renner,

530
00:28:31,840 --> 00:28:35,920
Speaker 1: Carrie Washington, Kaylee Spanney. I said earlier that Josh O'Connor,

531
00:28:36,400 --> 00:28:39,160
Speaker 1: I think I said earlier he elevates this. But it's

532
00:28:39,200 --> 00:28:42,840
Speaker 1: also the way in which Ryan Johnson in his script

533
00:28:42,920 --> 00:28:46,440
Speaker 1: has approached the subject of a mystery, because this film

534
00:28:46,520 --> 00:28:48,600
Speaker 1: is not only a murder mystery, but it's about the

535
00:28:48,600 --> 00:28:52,000
Speaker 1: mystery of faith. And the way in which he intertwines

536
00:28:52,040 --> 00:28:55,800
Speaker 1: those two things is just as deft and intricate as

537
00:28:55,840 --> 00:28:59,480
Speaker 1: the way the plots, twists and turns are structured. I

538
00:28:59,600 --> 00:29:01,320
Speaker 1: may be I would have shaved off a few minutes

539
00:29:01,320 --> 00:29:03,200
Speaker 1: here or there. The whole thing runs close to two

540
00:29:03,240 --> 00:29:06,680
Speaker 1: and a half hours. It never really drags, but it does.

541
00:29:06,880 --> 00:29:10,760
Speaker 1: You know, it does feel maybe a little longer than

542
00:29:10,800 --> 00:29:14,800
Speaker 1: it needs to be. However, you know that whole prolonged prologue.

543
00:29:15,000 --> 00:29:17,200
Speaker 1: I mentioned the first thirty or forty minutes that sets

544
00:29:17,280 --> 00:29:19,320
Speaker 1: up everything. I don't know that I would cut anything

545
00:29:19,320 --> 00:29:21,960
Speaker 1: from that. It's kind of like its own story before

546
00:29:21,960 --> 00:29:25,480
Speaker 1: the murder investigation even asks. So anyways, another one that

547
00:29:25,520 --> 00:29:28,560
Speaker 1: I'm going to highly recommend here. If an elevated murder

548
00:29:28,600 --> 00:29:31,120
Speaker 1: mystery is something you're looking for, you know, it's got

549
00:29:31,120 --> 00:29:33,400
Speaker 1: a lot of meat on the bone there. Also, it's

550
00:29:33,400 --> 00:29:36,360
Speaker 1: the Christmas season, which means I've been listening to as

551
00:29:36,400 --> 00:29:39,840
Speaker 1: much Christmas music as the rest of my family can handle.

552
00:29:40,520 --> 00:29:42,960
Speaker 1: My youngest is actually the one who will listen to

553
00:29:43,000 --> 00:29:46,040
Speaker 1: it with me whenever I get lots of rolled eyes

554
00:29:46,080 --> 00:29:48,280
Speaker 1: for everybody else. It's almost like this. The window this

555
00:29:48,360 --> 00:29:50,840
Speaker 1: year is is narrower than it's ever been before, and

556
00:29:50,880 --> 00:29:52,440
Speaker 1: I'm not really sure what that's all about. I thought

557
00:29:52,560 --> 00:29:55,200
Speaker 1: after Thanksgiving that it was green light go for me,

558
00:29:55,280 --> 00:29:57,360
Speaker 1: but apparently apparently the family had a meeting and I

559
00:29:57,400 --> 00:30:00,720
Speaker 1: was not involved in that. Anyways, I said, I'm trying

560
00:30:00,720 --> 00:30:03,680
Speaker 1: to expand my horizons here and find things that I

561
00:30:03,720 --> 00:30:06,360
Speaker 1: haven't heard before to put in the mix. And my

562
00:30:06,520 --> 00:30:09,880
Speaker 1: favorite discovery this year is an album called This Time

563
00:30:09,920 --> 00:30:13,640
Speaker 1: of year by the singer June Christie. This came out

564
00:30:13,640 --> 00:30:16,560
Speaker 1: in nineteen sixty one. It was released on Capitol Records,

565
00:30:16,920 --> 00:30:20,000
Speaker 1: and the cool thing about it is it's comprised entirely

566
00:30:20,040 --> 00:30:24,200
Speaker 1: of original songs. There's no oldie moldy holiday standards in here,

567
00:30:24,520 --> 00:30:27,440
Speaker 1: and in many cases the songs aren't explicitly about Christmas

568
00:30:27,520 --> 00:30:30,280
Speaker 1: or just about you know, the season, the snow, that

569
00:30:30,360 --> 00:30:33,040
Speaker 1: time of year, as the title suggests. The songs are

570
00:30:33,040 --> 00:30:36,200
Speaker 1: all written by a husband and wife songwriting team, Connie

571
00:30:36,240 --> 00:30:39,960
Speaker 1: Pierce and Arnold Miller. The arrangements are by Pete Rugelo,

572
00:30:40,360 --> 00:30:43,600
Speaker 1: who worked extensively, I guess with June Christie, but he

573
00:30:43,640 --> 00:30:45,320
Speaker 1: also did a lot of TV work in the sixties

574
00:30:45,320 --> 00:30:48,640
Speaker 1: and seventies. For me, it's just such a vocative music

575
00:30:48,760 --> 00:30:50,480
Speaker 1: of the season. I mean, there's a certain kind of

576
00:30:50,520 --> 00:30:53,800
Speaker 1: music that, you know, the sun set so early, especially

577
00:30:53,800 --> 00:30:55,480
Speaker 1: in my part of the world here, you know the

578
00:30:55,520 --> 00:30:59,520
Speaker 1: sun's going down, you know, before four o'clock it seems

579
00:30:59,520 --> 00:31:01,800
Speaker 1: most days right now, And there's a certain type of

580
00:31:01,880 --> 00:31:04,840
Speaker 1: music that just lends itself to that, like Frank Sinatra's

581
00:31:05,680 --> 00:31:08,880
Speaker 1: Sings Only Lonely, that sort of record, and this one

582
00:31:08,960 --> 00:31:10,800
Speaker 1: kind of fits in there. It's you know, got shades

583
00:31:10,800 --> 00:31:14,960
Speaker 1: of Ella Fitzgerald. But like the greatest of Christmas songs,

584
00:31:15,000 --> 00:31:20,040
Speaker 1: this is not like Johnny Mathis Territory. It's not sappy.

585
00:31:20,160 --> 00:31:23,080
Speaker 1: These are melancholy. There's some clouds in the sky. There's

586
00:31:23,120 --> 00:31:26,000
Speaker 1: a lot of longing and regret in the strings. It's

587
00:31:26,480 --> 00:31:29,560
Speaker 1: it's a pretty deep work and I really have grown

588
00:31:29,600 --> 00:31:31,880
Speaker 1: to love it very quickly. So if you're looking for

589
00:31:31,920 --> 00:31:33,960
Speaker 1: something to add to your listening rotation as we get

590
00:31:33,960 --> 00:31:37,600
Speaker 1: into the eye of the holiday season, storm, definitely check

591
00:31:37,640 --> 00:31:40,240
Speaker 1: this one out This time of year by June Christy

592
00:31:40,640 --> 00:31:42,560
Speaker 1: and real quick. As of what I'm reading, I mentioned

593
00:31:42,600 --> 00:31:46,360
Speaker 1: Sidney Lumette earlier in his book Making Movies. I read

594
00:31:46,400 --> 00:31:48,400
Speaker 1: this a long time ago in college, but I'm rereading

595
00:31:48,400 --> 00:31:51,560
Speaker 1: it again in part as I continue to prepare and

596
00:31:51,600 --> 00:31:53,800
Speaker 1: refine some new stuff I'm working on for all of

597
00:31:53,800 --> 00:31:55,600
Speaker 1: you guys. I can't get into what it is yet,

598
00:31:55,600 --> 00:31:57,760
Speaker 1: but I'm stoked to tell you very very soon. Sorry

599
00:31:57,760 --> 00:32:00,880
Speaker 1: to be so vague, but look for some cool shit

600
00:32:00,960 --> 00:32:03,720
Speaker 1: coming down the pike. I just wish that every filmmaker

601
00:32:03,800 --> 00:32:06,120
Speaker 1: wrote a book like Making Movies. It really puts you

602
00:32:06,240 --> 00:32:09,120
Speaker 1: inside Lumette's head. Why he did things the way he did,

603
00:32:09,200 --> 00:32:11,520
Speaker 1: the decisions he made, the challenges he had to overcome.

604
00:32:11,960 --> 00:32:14,440
Speaker 1: If you're looking for a deep dive into an artist's brain,

605
00:32:14,560 --> 00:32:16,360
Speaker 1: this is a great place to start. And it's just

606
00:32:16,400 --> 00:32:18,840
Speaker 1: a must read for film buffs in general. Let me

607
00:32:18,920 --> 00:32:22,080
Speaker 1: know what all of you are watching, listening to reading.

608
00:32:22,160 --> 00:32:25,880
Speaker 1: Maybe you've got a recommendation for another unexpectedly great Christmas

609
00:32:25,920 --> 00:32:29,720
Speaker 1: or Christmas adjacent album. I'm here, guys. Six one seven

610
00:32:29,840 --> 00:32:33,040
Speaker 1: nine oh six six six three eight. Okay, we're gonna

611
00:32:33,040 --> 00:32:35,600
Speaker 1: pause here for another quick break, but don't nobody go nowhere.

612
00:32:35,720 --> 00:33:03,160
Speaker 2: I'll be back in a flash.

613
00:33:03,240 --> 00:33:05,600
Speaker 1: All right, everybody, we are winding things down here in

614
00:33:05,640 --> 00:33:07,560
Speaker 1: the Rap Party for the week. But before I go,

615
00:33:08,200 --> 00:33:10,360
Speaker 1: before I let you go, I just want a couple

616
00:33:10,360 --> 00:33:12,680
Speaker 1: of things I want to mention here. First of all,

617
00:33:12,880 --> 00:33:14,560
Speaker 1: like I said at the top of the show, I

618
00:33:14,600 --> 00:33:17,800
Speaker 1: want to hear what your favorite funny performance is from

619
00:33:17,840 --> 00:33:19,760
Speaker 1: a film. All right, this is our question of the

620
00:33:19,760 --> 00:33:22,280
Speaker 1: week for next week, and I'll be playing and reading

621
00:33:22,320 --> 00:33:24,600
Speaker 1: your takes here in the Rap Party, so get those

622
00:33:24,600 --> 00:33:27,680
Speaker 1: into me. Six one seven nine oh six six six

623
00:33:27,840 --> 00:33:31,120
Speaker 1: three eight. Also, if you recall last week we gave

624
00:33:31,160 --> 00:33:34,400
Speaker 1: you guys, some bonus content. A bonus episode of Hollywoodland

625
00:33:34,440 --> 00:33:36,680
Speaker 1: in which Jake and I talked about Christmas movies full

626
00:33:36,720 --> 00:33:39,160
Speaker 1: of crime and crime. We wanted to offer you all

627
00:33:39,200 --> 00:33:41,440
Speaker 1: a similar thing this week, so in two days, coming

628
00:33:41,440 --> 00:33:44,600
Speaker 1: on Friday, we've got another bonus episode for you. The

629
00:33:44,600 --> 00:33:47,640
Speaker 1: theme for this one was going to be oddball misfit

630
00:33:47,720 --> 00:33:51,160
Speaker 1: Christmas movies, but it became all about Gremlins just because

631
00:33:51,640 --> 00:33:54,480
Speaker 1: it's a favorite of mine and Matt Boden's head of

632
00:33:54,520 --> 00:33:56,280
Speaker 1: production here at Double Elvis, who's going to be my

633
00:33:56,320 --> 00:33:58,720
Speaker 1: guest for this episode. So if you want to learn

634
00:33:58,720 --> 00:34:00,920
Speaker 1: about everything you wanted to know about Gremlins but we're

635
00:34:00,960 --> 00:34:03,200
Speaker 1: afraid to ask, just make sure you check out that

636
00:34:03,280 --> 00:34:05,200
Speaker 1: episode when it drops here in a couple of days.

637
00:34:05,400 --> 00:34:07,280
Speaker 1: We just recorded that yesterday. I had a lot of

638
00:34:07,360 --> 00:34:09,880
Speaker 1: fun doing it. Always a blast talking to Matt about movies,

639
00:34:10,239 --> 00:34:12,279
Speaker 1: so I hope you guys dig it as well. And

640
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Speaker 1: in addition to all that, I got a couple more

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Speaker 1: things to remind you of. They are number one, available

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Speaker 1: right now in your Hollywoodland feed. Our episode on David Lynch,

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Speaker 1: Number two coming next week on Monday. Our episode on

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00:34:25,239 --> 00:34:28,560
Speaker 1: Chris Farley, number three over in the feed of our

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00:34:28,600 --> 00:34:31,200
Speaker 1: sister show, Disgrace Lamb. We have our episode on Shane

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Speaker 1: mcdowan of the Pogues and the creation of one of

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Speaker 1: the greatest Christmas songs of all time, fairy Tale of

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Speaker 1: New York. And also for our all Access members on

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Speaker 1: both Patreon and Apple podcasts, we've got a brand new

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00:34:42,360 --> 00:34:45,880
Speaker 1: mini episode about the greatest pickup band ever assembled. That

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Speaker 1: would be The Pogues, Tom Waits and Elvis Costello back

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00:34:48,640 --> 00:34:52,439
Speaker 1: in nineteen eighty six, Number four. Also for our all

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00:34:52,440 --> 00:34:56,400
Speaker 1: Access members exclusively on Patreon, our new video podcast, this

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00:34:56,480 --> 00:35:00,000
Speaker 1: film should be played loud. Our first episode on Goodfellas

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Speaker 1: is available right now for you there and now. In

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Speaker 1: honor of this week's episode, me reading you the list

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Speaker 1: of the top grossing films from the month of January

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Speaker 1: twenty twenty five, the month that David Lynch died at

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Speaker 1: the age of seventy eight. Number one Mufasa the Lion King,

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Speaker 1: directed by Barry Jenkins. Number two Sonic the Hedgehog three,

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Speaker 1: directed by Jeff Fowler. Number three Mwana I directed by

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Speaker 1: David Derek Junior by Jason Hand and Dana the dub By.

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Speaker 1: Number four directors Ross Hue, number directed by Robert Egers.

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Speaker 1: Direct number five wicketed by James, directed by John Chu.

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Speaker 1: Number six Complete unknown Jurnkeys directed by James. Band number

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Speaker 1: seven of Denny Thieves two. He Had Terror directed by Christian.

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Speaker 1: Quit talking and start mixing,