1 00:00:01,200 --> 00:00:03,800 Speaker 1: Bridgewater is a production of I Heart Radio three D 2 00:00:03,880 --> 00:00:06,920 Speaker 1: audio and Grim and Mild from Aaron Mankey for a 3 00:00:06,920 --> 00:00:19,960 Speaker 1: full exposure listen with headphones. Listener discretion advised. Who's there? 4 00:00:21,920 --> 00:00:31,400 Speaker 1: Who's there? Celeste? Where? Hello? No? I can't Why is this? Really? 5 00:00:32,159 --> 00:00:36,320 Speaker 1: Is this really? God? Am I really here? Is that 6 00:00:36,520 --> 00:00:46,680 Speaker 1: really you? Yeah? Jeremy Thomas? Oh Thomas. And I knew it. 7 00:00:47,320 --> 00:00:50,800 Speaker 1: I knew it. I knew that you were still out there. 8 00:00:50,880 --> 00:00:56,000 Speaker 1: I knew you would find me. And how is this possible? 9 00:00:56,440 --> 00:01:03,480 Speaker 1: Jeremy's sun? God, look at you. I don't, I don't understand. 10 00:01:04,120 --> 00:01:09,040 Speaker 1: I knew it. This can't be all right. This is something, 11 00:01:09,200 --> 00:01:19,560 Speaker 1: celestiad You're he's solid, He's he's How are you here? Dad? 12 00:01:20,160 --> 00:01:25,600 Speaker 1: It's me, It's really me. I never stopped looking, Thomas, 13 00:01:26,200 --> 00:01:29,039 Speaker 1: and he's past few months. I thought that I could 14 00:01:29,080 --> 00:01:32,319 Speaker 1: hear you. You know, I was really trying to listen. 15 00:01:32,760 --> 00:01:38,240 Speaker 1: I know you've never stopped never, never, Just so sorry 16 00:01:38,240 --> 00:01:41,399 Speaker 1: he took me this long? You wont What is all 17 00:01:41,440 --> 00:01:45,840 Speaker 1: of this mean? Where? Where? Where have you been? How? 18 00:01:46,400 --> 00:01:49,640 Speaker 1: How are you? How are you all? Are you alive? 19 00:01:49,680 --> 00:01:52,960 Speaker 1: I'll explain everything, I promise, and as much as I 20 00:01:53,000 --> 00:01:58,800 Speaker 1: can anyway, I'd love to get out of this lake first, 21 00:01:59,360 --> 00:02:04,480 Speaker 1: and fine, what is that? We have to get out 22 00:02:04,480 --> 00:02:08,400 Speaker 1: of here? But we'll last Where is she? Last? Was 23 00:02:08,440 --> 00:02:11,920 Speaker 1: the last Celeste from Yes, from the old gathering case? Yeah, 24 00:02:12,120 --> 00:02:16,800 Speaker 1: the last she traded places with me? What means she 25 00:02:16,880 --> 00:02:20,639 Speaker 1: must have That's how I we have to go. Now 26 00:02:20,760 --> 00:02:22,600 Speaker 1: what we we? What? What? What? Are? We? All a blur? 27 00:02:22,800 --> 00:02:27,880 Speaker 1: But I think I think I think I'm not the 28 00:02:27,919 --> 00:03:12,639 Speaker 1: only one that got out. Okay, that's another dead end. 29 00:03:14,360 --> 00:03:17,239 Speaker 1: One other incident of symbols relating to a lost person 30 00:03:17,280 --> 00:03:32,920 Speaker 1: in eighty years Why Ethan? Yeah, um, Olivia? Hey, sorry, 31 00:03:32,919 --> 00:03:38,200 Speaker 1: how can I Yeah? Yeah, yeah, come on in? What 32 00:03:38,280 --> 00:03:44,160 Speaker 1: are you doing? Gree you first? How are you? How 33 00:03:44,200 --> 00:03:48,560 Speaker 1: are you doing? How's Ethan? I heard about him? It 34 00:03:48,720 --> 00:03:53,560 Speaker 1: was he's okay, I mean no, he's not. He's healthy though, 35 00:03:53,640 --> 00:03:57,360 Speaker 1: he's safe. They let him out this afternoon, and I 36 00:03:57,360 --> 00:04:01,120 Speaker 1: don't know. My parents are still in complete freak out own. Yeah, 37 00:04:01,320 --> 00:04:04,880 Speaker 1: they seemed a bit frazzled when they opened the door. 38 00:04:05,480 --> 00:04:08,559 Speaker 1: My dad is taking Nathan to our grandparents in Winchester. 39 00:04:09,560 --> 00:04:12,840 Speaker 1: He needs a break from from this whole place. I 40 00:04:12,880 --> 00:04:15,760 Speaker 1: guess my dad can work from wherever, so they're just 41 00:04:15,800 --> 00:04:17,720 Speaker 1: going to stay there for a little while until Ethan. 42 00:04:20,720 --> 00:04:23,960 Speaker 1: We've been We still don't understand what happened. I've been 43 00:04:24,000 --> 00:04:27,480 Speaker 1: scraping through message board posts and digital archives and I 44 00:04:27,560 --> 00:04:30,320 Speaker 1: can't find anything recent that's close to what happened to Eatan. 45 00:04:30,360 --> 00:04:34,200 Speaker 1: So I just hey, I know, but he's safe, and 46 00:04:34,240 --> 00:04:37,479 Speaker 1: he's called his big sister and his grandmother on the case. 47 00:04:37,640 --> 00:04:40,400 Speaker 1: I mean, if anyone can figure it out, it is 48 00:04:40,440 --> 00:04:49,279 Speaker 1: the Becker Hoskins. Yeah, anyway, what's up? What are you 49 00:04:49,320 --> 00:04:56,040 Speaker 1: doing here? Oh? Right? Um? Have you talked to Anne recently? Oh? 50 00:04:56,200 --> 00:05:00,600 Speaker 1: I haven't talked to her since the hospital last night. Why, well, 51 00:05:01,160 --> 00:05:06,719 Speaker 1: something kind of strange ch happened earlier. Okay, so you 52 00:05:06,800 --> 00:05:19,840 Speaker 1: remember Katie Frank's Wow, I can't believe you still live here. 53 00:05:20,040 --> 00:05:23,440 Speaker 1: Once you learn about the modern housing market, you'll understand 54 00:05:24,080 --> 00:05:29,479 Speaker 1: it looks different and all the furnitures. I also don't 55 00:05:29,520 --> 00:05:34,240 Speaker 1: remember you being such a slab. Well, it has been 56 00:05:34,240 --> 00:05:39,719 Speaker 1: a hectic a few decades. Believe it. Oh my god, 57 00:05:40,760 --> 00:05:53,560 Speaker 1: it's really you. You're really here husband, decades since we 58 00:05:53,640 --> 00:06:00,680 Speaker 1: lasted that decades, Thomas man Christ, I'm an a woman now, 59 00:06:01,040 --> 00:06:06,200 Speaker 1: I mean, look at me. No, no, no, You're still beautiful, 60 00:06:07,000 --> 00:06:10,840 Speaker 1: You're always beautiful. But I'm not who I was. I 61 00:06:10,839 --> 00:06:18,200 Speaker 1: don't think either of us are. Um, Jeremy, O, my god, 62 00:06:19,120 --> 00:06:20,800 Speaker 1: there's so much I want to tell you, things I've 63 00:06:20,800 --> 00:06:25,160 Speaker 1: been waiting decades to tell you. And and I no, no, 64 00:06:25,279 --> 00:06:30,039 Speaker 1: it's it's okay. I know about that. It's um, how 65 00:06:30,040 --> 00:06:34,800 Speaker 1: did you you knew it was me? How did you know? 66 00:06:34,839 --> 00:06:38,320 Speaker 1: I mean, it's you're my son. Sure you're all grown 67 00:06:38,440 --> 00:06:44,719 Speaker 1: up now, but I knew i'd know you anywhere anytime, you, Jeremy, 68 00:06:45,000 --> 00:06:50,080 Speaker 1: But you you look what what do I look like? 69 00:06:50,960 --> 00:06:57,680 Speaker 1: You look almost exactly the same, maybe a little rag 70 00:06:57,720 --> 00:07:03,160 Speaker 1: it around the edges, but you haven't aged. Huh? I 71 00:07:03,200 --> 00:07:08,239 Speaker 1: did wonder? Should should that? Um disturb you just a little? 72 00:07:08,560 --> 00:07:10,160 Speaker 1: But I don't know if I can complain about not 73 00:07:10,200 --> 00:07:15,080 Speaker 1: getting older? How exactly is this possible? Time worked differently 74 00:07:15,160 --> 00:07:19,800 Speaker 1: over there? Oh? Well in that case, okay, Jeremy. And 75 00:07:19,920 --> 00:07:22,400 Speaker 1: how do we even know? How do we know that 76 00:07:22,560 --> 00:07:27,120 Speaker 1: you are the real Thomas Bradshaw? What? Yeah, you just 77 00:07:27,240 --> 00:07:29,400 Speaker 1: come out of the fog. You're still thirty five, and 78 00:07:29,440 --> 00:07:31,640 Speaker 1: you're talking about celestrating places with you like it makes 79 00:07:31,640 --> 00:07:34,280 Speaker 1: any sense? And then you expect us to believe that 80 00:07:34,320 --> 00:07:38,360 Speaker 1: my father is not actually dead. Jeremy, my father is dead. 81 00:07:39,040 --> 00:07:45,040 Speaker 1: You are dead me. I'm not, I never was. I'm 82 00:07:45,080 --> 00:07:51,000 Speaker 1: so sorry. No, don't say you're sorry. And you say 83 00:07:51,000 --> 00:07:53,400 Speaker 1: you're sorry because you can't say you're sorry because you're 84 00:07:53,440 --> 00:07:57,640 Speaker 1: not real. Okay, Jeremy, Jeremy, honey, after everything that we 85 00:07:57,760 --> 00:08:00,960 Speaker 1: just witnessed, your you're still denying that there's something beyond 86 00:08:01,000 --> 00:08:04,200 Speaker 1: our understanding going on here. I mean, look at him, 87 00:08:04,360 --> 00:08:07,000 Speaker 1: look at him. We're not hallucinating. How I know this 88 00:08:07,080 --> 00:08:11,200 Speaker 1: isn't just a dream or that that you're not some 89 00:08:11,320 --> 00:08:15,120 Speaker 1: trick that I'm not gonna wake up tomorrow and find 90 00:08:15,160 --> 00:08:18,720 Speaker 1: that you're still gone. I'm not going anywhere. I'm here. 91 00:08:19,520 --> 00:08:21,800 Speaker 1: I mean, I barely understand how or why I was 92 00:08:21,840 --> 00:08:25,520 Speaker 1: able to get out, but I'm not leaving. I'm here, Son, 93 00:08:26,400 --> 00:08:35,679 Speaker 1: I'm here. You we're jad I lost you. You've been 94 00:08:36,640 --> 00:08:41,600 Speaker 1: You've been gone. I know. Fuck, I feel like I'm 95 00:08:41,640 --> 00:08:49,240 Speaker 1: losing my mind. I know the feeling it's really you, 96 00:08:49,440 --> 00:08:56,800 Speaker 1: isn't it. Yeah, Jeremy, it is so. When you when 97 00:08:56,800 --> 00:09:00,720 Speaker 1: you said Tim moved differently over there, you were inside 98 00:09:00,760 --> 00:09:03,720 Speaker 1: that that thing that opened up above the lake, yes, 99 00:09:03,760 --> 00:09:07,079 Speaker 1: I'm kind of like a vortex or portal ship. Did 100 00:09:07,120 --> 00:09:10,880 Speaker 1: Celeste really open it or wait? If she treated places 101 00:09:10,920 --> 00:09:14,800 Speaker 1: with you then she strapped out like you were. Ah, 102 00:09:14,840 --> 00:09:17,120 Speaker 1: I don't know. And she was with you when you 103 00:09:17,240 --> 00:09:21,560 Speaker 1: found me, yeah, right right before and then she jumped. 104 00:09:22,600 --> 00:09:25,480 Speaker 1: How did you know that that's what what she was 105 00:09:25,520 --> 00:09:27,720 Speaker 1: trying to do right away? You knew that she was 106 00:09:27,720 --> 00:09:30,360 Speaker 1: trying to trade places. That's the only thing that makes sense. 107 00:09:31,280 --> 00:09:32,960 Speaker 1: I guess something else could have gotten me out, but 108 00:09:33,000 --> 00:09:35,640 Speaker 1: I don't know how. And I remember her from before. 109 00:09:35,679 --> 00:09:40,240 Speaker 1: She was there that night when when you Yeah, and 110 00:09:40,240 --> 00:09:46,880 Speaker 1: and recently things have been getting um thinner, but between 111 00:09:47,080 --> 00:09:49,079 Speaker 1: here and there, and I thought I heard her trying 112 00:09:49,080 --> 00:09:50,640 Speaker 1: to talk to me, trying to tell me what she 113 00:09:50,760 --> 00:09:54,920 Speaker 1: was planning. So Celeste was she wasn't lying, She wasn't 114 00:09:55,720 --> 00:09:57,680 Speaker 1: she wasn't making any of it up. She really was 115 00:09:57,720 --> 00:10:01,920 Speaker 1: trying to fix some kind of cosmic tear more or less. Yeah, 116 00:10:01,960 --> 00:10:05,200 Speaker 1: And you you think she jumped off a cliff and 117 00:10:05,280 --> 00:10:12,040 Speaker 1: landed in where wherever whatever you've been in work for me? Well, 118 00:10:12,200 --> 00:10:15,920 Speaker 1: to be fair, I was pushed Thomas. Oh my god, 119 00:10:16,880 --> 00:10:19,600 Speaker 1: that's probably not the best joke. No, no, no, I mean, 120 00:10:19,640 --> 00:10:22,720 Speaker 1: why not, right, Like, why shouldn't my dad dad joke 121 00:10:22,760 --> 00:10:25,400 Speaker 1: about his own murder. I mean, you can't joke about that, then, 122 00:10:25,480 --> 00:10:28,760 Speaker 1: what can you joke about Jeremy. To be fair, I 123 00:10:28,840 --> 00:10:33,000 Speaker 1: do think it was an accident. It all happened so fast. 124 00:10:33,080 --> 00:10:37,640 Speaker 1: I thought they were going to hurt someone. But knowing 125 00:10:37,679 --> 00:10:41,040 Speaker 1: what I know now, maybe I should have played it differently. 126 00:10:42,360 --> 00:10:44,199 Speaker 1: I've had a lot of time to think about it. 127 00:10:44,440 --> 00:10:46,439 Speaker 1: How should you have played it? I thought they were 128 00:10:46,440 --> 00:10:49,200 Speaker 1: a crazy cult trying to sacrifice someone. I didn't realize 129 00:10:49,240 --> 00:10:51,640 Speaker 1: they were trying to go somewhere of their own free will. No, 130 00:10:51,920 --> 00:10:55,120 Speaker 1: you had it right, Okay, they didn't know what they 131 00:10:55,120 --> 00:10:57,840 Speaker 1: were trying to do either. I mean they were trying 132 00:10:57,880 --> 00:11:01,400 Speaker 1: to sacrifice somebody, some kind of blood rituals, open up 133 00:11:01,400 --> 00:11:04,920 Speaker 1: a gate to another dimension. You did the right thing 134 00:11:05,000 --> 00:11:08,079 Speaker 1: with the information that you had, Thomas. You did Oh 135 00:11:08,080 --> 00:11:12,959 Speaker 1: my god, that is such bullshit. What. No, I'm sorry. 136 00:11:12,960 --> 00:11:15,520 Speaker 1: You should not have intervened. You You should have just 137 00:11:15,600 --> 00:11:17,440 Speaker 1: let those nut jobs do whatever it is that they 138 00:11:17,440 --> 00:11:18,920 Speaker 1: wanted to do, and they should have dealt with the 139 00:11:18,920 --> 00:11:22,240 Speaker 1: consequences themselves. It wasn't an option. I had a job 140 00:11:22,280 --> 00:11:26,480 Speaker 1: to do, and your and did your job usually require 141 00:11:26,559 --> 00:11:30,000 Speaker 1: confronting dangerous people alone, going to a secret cult meeting 142 00:11:30,000 --> 00:11:33,559 Speaker 1: without any backup and without telling anyone. You try explaining 143 00:11:33,559 --> 00:11:35,959 Speaker 1: to your captain that you need resources to stop magical 144 00:11:36,040 --> 00:11:37,840 Speaker 1: rituals in the woods and see how that goes. Well, 145 00:11:37,880 --> 00:11:41,920 Speaker 1: you should have tried. You think I didn't. I was 146 00:11:42,000 --> 00:11:44,040 Speaker 1: doing everything I could to get to the bottom of 147 00:11:44,040 --> 00:11:46,480 Speaker 1: what was going on to protect my people before it 148 00:11:46,559 --> 00:11:49,000 Speaker 1: was too late. Well, great job. I'm not the one 149 00:11:49,000 --> 00:11:52,640 Speaker 1: who needed to be protected. As an officer of the law, 150 00:11:53,000 --> 00:11:55,160 Speaker 1: I don't get that. Bub don't don't give me that 151 00:11:55,200 --> 00:11:58,000 Speaker 1: you were some lone wolf with no responsibilities. You're right, 152 00:11:58,040 --> 00:11:59,960 Speaker 1: I did have responsibilities to the people at this time. 153 00:12:00,240 --> 00:12:04,280 Speaker 1: You had a responsibility. You had a responsibility to me 154 00:12:05,280 --> 00:12:07,560 Speaker 1: and to Ann. You didn't even tell your partner. I mean, 155 00:12:07,600 --> 00:12:09,720 Speaker 1: I know you had the opportunity, given that you two 156 00:12:09,720 --> 00:12:13,000 Speaker 1: were already together at that point. All right, let's just 157 00:12:13,120 --> 00:12:16,080 Speaker 1: all what. I'm not going to tell me that calm down, 158 00:12:16,360 --> 00:12:19,640 Speaker 1: you're not I'm going to tell you that I don't 159 00:12:19,679 --> 00:12:21,920 Speaker 1: think that this is the time, and that we can't 160 00:12:21,920 --> 00:12:25,360 Speaker 1: exactly cast stones, considering we've been doing the exact same 161 00:12:25,440 --> 00:12:31,840 Speaker 1: withholding information from the authorities. Come on, fine, well we 162 00:12:31,880 --> 00:12:34,040 Speaker 1: should go to the police. Even if Celeste really is 163 00:12:34,520 --> 00:12:37,440 Speaker 1: in that other place. We we need to file them 164 00:12:37,440 --> 00:12:41,680 Speaker 1: miss some person's report. No one can see Thomas, not 165 00:12:41,760 --> 00:12:45,920 Speaker 1: yet what And you know, I am right, Jeremy, Not 166 00:12:46,000 --> 00:12:48,640 Speaker 1: until we can figure out how to explain all this. 167 00:12:48,840 --> 00:12:53,480 Speaker 1: We don't know, right, We don't know how people react. Yeah, 168 00:12:53,800 --> 00:12:57,920 Speaker 1: so call what? Well, I can't do what the police 169 00:12:57,920 --> 00:13:09,920 Speaker 1: know my voice to Ellen Thomas obviously yet so right, yeah, 170 00:13:09,960 --> 00:13:14,439 Speaker 1: I can't. There's no service landline in the kitchen. Okay, 171 00:13:15,920 --> 00:13:22,800 Speaker 1: be right back. How are you feeling fine? All things considered? 172 00:13:22,840 --> 00:13:29,840 Speaker 1: A little less fine after that? Well, you know he's 173 00:13:29,880 --> 00:13:36,600 Speaker 1: processing emotions are running high. You really know him? Huh yeah. 174 00:13:36,600 --> 00:13:39,400 Speaker 1: I mean we haven't known each other for very long, 175 00:13:39,480 --> 00:13:43,720 Speaker 1: but the time that we have spent together has been intense. 176 00:13:45,440 --> 00:13:48,960 Speaker 1: This isn't all what I was expecting. I can only imagine, 177 00:13:50,080 --> 00:13:56,240 Speaker 1: but you seem I don't know I would have thought, 178 00:13:57,960 --> 00:14:02,640 Speaker 1: But you're you, you know, putting together the pieces and 179 00:14:02,760 --> 00:14:08,160 Speaker 1: cracking the jokes. It's really you after all this time, 180 00:14:08,200 --> 00:14:10,960 Speaker 1: it's really you. Don't worry. I had plenty of time 181 00:14:11,000 --> 00:14:14,480 Speaker 1: to have the full mental breakdown. How long has it 182 00:14:14,520 --> 00:14:16,360 Speaker 1: actually been based on the fact that Jeremy is are 183 00:14:16,360 --> 00:14:23,560 Speaker 1: fully bromance. I'm guessing quite a while. But forty years forty, Oh, 184 00:14:25,960 --> 00:14:29,760 Speaker 1: of course it's forty I should have known. What are 185 00:14:29,800 --> 00:14:32,960 Speaker 1: you all right? Anonymous to delivered. I just hope they 186 00:14:33,360 --> 00:14:35,520 Speaker 1: get there and find nothing that would mean that she's alive, 187 00:14:35,600 --> 00:14:40,680 Speaker 1: right and wherever you were right? I think? So? Yes, Okay, good, 188 00:14:41,080 --> 00:14:44,800 Speaker 1: that's good because otherwise people have survived that fall before Jeremy. 189 00:14:44,840 --> 00:14:47,760 Speaker 1: I mean, even if she didn't get through the portal, 190 00:14:48,400 --> 00:14:52,360 Speaker 1: she could be okay. Right. Well, if for some reason 191 00:14:52,520 --> 00:15:00,320 Speaker 1: she didn't get through, we have a much bigger problem. Yeah. 192 00:15:17,000 --> 00:15:20,440 Speaker 1: She didn't say anything else, just that she was worried 193 00:15:20,480 --> 00:15:24,240 Speaker 1: about Celeste. Yeah, that Celeste was trying some kind of 194 00:15:24,360 --> 00:15:27,400 Speaker 1: ritual to close the terror in the veil. It didn't 195 00:15:27,400 --> 00:15:29,000 Speaker 1: make a lot of sense, and I'm not sure why 196 00:15:29,080 --> 00:15:31,520 Speaker 1: that would be dangerous in the first place, but Jeremy 197 00:15:31,520 --> 00:15:33,480 Speaker 1: still thought it'd be a good idea to check it out. 198 00:15:34,480 --> 00:15:37,680 Speaker 1: Damn it. Nana still hasn't responded any of my calls 199 00:15:37,760 --> 00:15:43,360 Speaker 1: or texts. Neither is Jeremy. If Celeste really is in danger, 200 00:15:43,440 --> 00:15:48,120 Speaker 1: then they hey, I'm sure they're totally fine. If they're 201 00:15:48,160 --> 00:15:52,240 Speaker 1: totally fine. Then why are the police here? Oh god, 202 00:15:53,120 --> 00:15:59,720 Speaker 1: come one would do that to oaks? Who this is? 203 00:15:59,720 --> 00:16:02,240 Speaker 1: An have seen? I'm gonna need you to step back. 204 00:16:02,360 --> 00:16:05,760 Speaker 1: What happened? Who is that? We're the paramedics. They're grabbing 205 00:16:05,800 --> 00:16:08,760 Speaker 1: a gurnee. What happened? It seems there was some kind 206 00:16:08,800 --> 00:16:12,040 Speaker 1: of accidents or someone didn't get the help they needed. 207 00:16:12,600 --> 00:16:15,680 Speaker 1: We don't know much. Someone jumped, that's unknown at this time. 208 00:16:15,760 --> 00:16:17,600 Speaker 1: Who is it? Is? It? Is it? Look? I know 209 00:16:17,680 --> 00:16:19,520 Speaker 1: the two of you have been caught up in whatever 210 00:16:19,560 --> 00:16:22,680 Speaker 1: has been going on. I'm really glad that your brothers okay. 211 00:16:22,680 --> 00:16:27,920 Speaker 1: By the way, thanks, but this just got very very serious. Maria. 212 00:16:28,000 --> 00:16:35,120 Speaker 1: Whose body is that? Celeste? Corey? Celeste is she? She 213 00:16:35,240 --> 00:16:38,240 Speaker 1: was already gone when we got here. Oh god, wait, 214 00:16:38,360 --> 00:16:42,320 Speaker 1: have you seen anyone else? No? Have you seen anyone else? No? 215 00:16:42,600 --> 00:16:45,960 Speaker 1: It's been a quiet one. The storm earlier cleared everything out. 216 00:16:47,640 --> 00:16:50,960 Speaker 1: Thank you, officer. Well, um, we'll get out of your hair. 217 00:16:51,640 --> 00:16:57,560 Speaker 1: Stay safe. What are you doing? Why didn't you ask 218 00:16:57,600 --> 00:16:59,680 Speaker 1: about Anne and Jeremy. We don't even know if they're 219 00:16:59,680 --> 00:17:02,440 Speaker 1: okay or okay. What we do know is that they 220 00:17:02,480 --> 00:17:05,800 Speaker 1: came to me Celeste, who was now dead, and they 221 00:17:05,840 --> 00:17:09,560 Speaker 1: didn't stick around to talk to the police. Think, what 222 00:17:09,600 --> 00:17:12,720 Speaker 1: do you think they did something? I don't know, No, 223 00:17:12,960 --> 00:17:16,639 Speaker 1: of course not. Nana doesn't like Celeste, but she helped Ethan, 224 00:17:16,680 --> 00:17:21,760 Speaker 1: and Nana wouldn't look. I don't know what happened here, 225 00:17:22,600 --> 00:17:26,400 Speaker 1: but I know my grandmother and if she saw something 226 00:17:26,560 --> 00:17:29,600 Speaker 1: or knew something, she would stick around to healthy investigation, 227 00:17:29,680 --> 00:17:32,159 Speaker 1: even if she could get in trouble for it. So 228 00:17:32,240 --> 00:17:34,960 Speaker 1: if she's not here, then she must have a really 229 00:17:34,960 --> 00:17:39,160 Speaker 1: good reason, or something happened to her and Jeremy or someone, 230 00:17:40,119 --> 00:17:43,240 Speaker 1: but there'd be signs of a struggle. I look at 231 00:17:43,240 --> 00:17:46,600 Speaker 1: all the mud. There's a bunch of footsteps, but no 232 00:17:46,680 --> 00:17:49,760 Speaker 1: signs of dragging or body falling on the ground. Oh 233 00:17:49,880 --> 00:17:52,520 Speaker 1: the hell. My Nana has taught me a lot through 234 00:17:52,560 --> 00:17:56,960 Speaker 1: the years, and something about all of this doesn't feel right. 235 00:17:57,880 --> 00:18:00,480 Speaker 1: Like Jeremy and Nana had to leave for some reason. 236 00:18:01,240 --> 00:18:04,399 Speaker 1: Maybe they were being watched, or maybe they saw something 237 00:18:04,400 --> 00:18:07,560 Speaker 1: that could put them in danger. Maybe something chased them away. 238 00:18:09,240 --> 00:18:11,480 Speaker 1: We need to find them. Where do you think they'd 239 00:18:11,520 --> 00:18:14,240 Speaker 1: be and why wouldn't they be picking up their phones? Well, 240 00:18:14,520 --> 00:18:17,359 Speaker 1: if they're at my Nana's. The service there sucks and 241 00:18:17,480 --> 00:18:20,400 Speaker 1: they could walk there from here. Okay, so that's where 242 00:18:20,400 --> 00:18:28,000 Speaker 1: we go. That's where we go. What do you mean 243 00:18:28,040 --> 00:18:30,200 Speaker 1: a bigger problem? It has to do with the in 244 00:18:30,240 --> 00:18:36,760 Speaker 1: between what it needs. Every forty years, something happens here, 245 00:18:37,240 --> 00:18:39,360 Speaker 1: and I think we're still in the middle of it, right, 246 00:18:39,400 --> 00:18:42,080 Speaker 1: a forty year curse? Sure? Why not? That makes perfect sense. 247 00:18:42,359 --> 00:18:44,320 Speaker 1: I'm going to try to explain the best I can 248 00:18:44,880 --> 00:18:48,640 Speaker 1: do you that, Um, do you remember the last forty years? 249 00:18:48,680 --> 00:18:52,200 Speaker 1: Have you been awake this whole time? I don't even 250 00:18:52,240 --> 00:18:54,679 Speaker 1: know if that's the right question to ask. Is that 251 00:18:54,760 --> 00:18:56,639 Speaker 1: even the right question to ask? I have no idea 252 00:18:56,680 --> 00:18:59,119 Speaker 1: of what we're dealing with here, because in all of 253 00:18:59,200 --> 00:19:01,760 Speaker 1: my years of research, I cannot think of anything that 254 00:19:01,800 --> 00:19:04,640 Speaker 1: would create some sort of time travel. I don't think 255 00:19:04,640 --> 00:19:09,120 Speaker 1: we're dealing with time travel here research. I'm a folklore professor. 256 00:19:09,280 --> 00:19:11,520 Speaker 1: It's a weird ship is sort of my life. But 257 00:19:11,560 --> 00:19:17,080 Speaker 1: this is um okay, So then what we're dealing with here? God, 258 00:19:17,119 --> 00:19:19,800 Speaker 1: what are we dealing with here? If it's not time travel, 259 00:19:20,119 --> 00:19:24,960 Speaker 1: then how are you? How are you here looking like that? Magic? 260 00:19:25,280 --> 00:19:28,760 Speaker 1: I think, or something close to it. Magic. Look, We've 261 00:19:28,800 --> 00:19:33,480 Speaker 1: always known this place is different, right, special? And all 262 00:19:33,480 --> 00:19:36,960 Speaker 1: this stuff. You and I investigated all the strange cases. 263 00:19:37,880 --> 00:19:39,560 Speaker 1: We knew that we were just adding to the pile 264 00:19:39,560 --> 00:19:42,359 Speaker 1: of unsolved mysteries in the Bridgewater police files. And I 265 00:19:42,400 --> 00:19:45,520 Speaker 1: think there's a reason for that. The Bridgewater Triangle, it's 266 00:19:45,520 --> 00:19:47,320 Speaker 1: a name that was given to this region a few 267 00:19:47,400 --> 00:19:50,879 Speaker 1: years before. Well you probably wouldn't have heard of it 268 00:19:50,880 --> 00:19:55,760 Speaker 1: at the time, but there was this cryptozoologist. Ah. A 269 00:19:55,800 --> 00:19:59,119 Speaker 1: lot of people now actually believe that there is some 270 00:19:59,200 --> 00:20:02,119 Speaker 1: kind of mystical force in this region that attracts monsters 271 00:20:02,200 --> 00:20:07,840 Speaker 1: and and paranormal activity, the Bridgewater Triangle, And that sounds 272 00:20:07,840 --> 00:20:12,040 Speaker 1: about right, But it's not this region that's attracting things. 273 00:20:13,000 --> 00:20:16,800 Speaker 1: The region isn't opening to something. That's exactly what Celeste 274 00:20:16,840 --> 00:20:19,000 Speaker 1: was talking about two she she was saying that the 275 00:20:19,080 --> 00:20:23,720 Speaker 1: veil was was thinner here. She's right, but a veil 276 00:20:23,760 --> 00:20:29,840 Speaker 1: between what between here and and what Thomas. Where exactly 277 00:20:29,880 --> 00:20:36,399 Speaker 1: were you inside that veil? I guess. I mean, I 278 00:20:36,440 --> 00:20:38,239 Speaker 1: don't know how to described. It didn't feel like I 279 00:20:38,320 --> 00:20:40,280 Speaker 1: was gone for forty years, but it did feel long 280 00:20:40,400 --> 00:20:41,879 Speaker 1: enough to expect to be an old man by the 281 00:20:41,920 --> 00:20:45,439 Speaker 1: time I got out. If I ever got out, you 282 00:20:45,560 --> 00:20:49,080 Speaker 1: did I know Celeste was just trying to make things right, 283 00:20:49,720 --> 00:20:52,120 Speaker 1: and I hope it worked. But now she'll be trapped 284 00:20:52,160 --> 00:20:54,120 Speaker 1: in there. And were there things in there with you? 285 00:20:54,119 --> 00:20:56,960 Speaker 1: You said, you don't know what else got out and 286 00:20:58,280 --> 00:21:01,400 Speaker 1: out of where, out of whatever is on the other 287 00:21:01,480 --> 00:21:05,720 Speaker 1: side of that in between? Spirit, right, that's what Celeste. 288 00:21:05,720 --> 00:21:10,679 Speaker 1: Thanks Spirit. I'm not sure. I never got to the 289 00:21:10,720 --> 00:21:14,399 Speaker 1: other side. I was just stuck. Sometimes it looked like 290 00:21:14,440 --> 00:21:17,720 Speaker 1: freetown forest. Other times the fog was so thick I 291 00:21:17,720 --> 00:21:19,960 Speaker 1: couldn't see my own hands in front of me, and 292 00:21:20,000 --> 00:21:23,880 Speaker 1: it was like it was like being in suspended animation. 293 00:21:24,960 --> 00:21:29,280 Speaker 1: I never got hungry or thirsty, but I was always tired, sapped, 294 00:21:30,400 --> 00:21:34,920 Speaker 1: something like it was feeding off of me, feeding off 295 00:21:34,960 --> 00:21:39,640 Speaker 1: of you. It feels alive the in between. Every now 296 00:21:39,640 --> 00:21:41,200 Speaker 1: and then I would see something out of the corner 297 00:21:41,200 --> 00:21:43,240 Speaker 1: of my eye, hear something breathing behind me, but I 298 00:21:43,280 --> 00:21:48,440 Speaker 1: never But something changed a little while ago. I don't 299 00:21:48,480 --> 00:21:50,520 Speaker 1: know if it was weeks or days or hell even 300 00:21:50,600 --> 00:21:52,919 Speaker 1: years ago, but the air was getting less suppressive, the 301 00:21:52,920 --> 00:21:56,520 Speaker 1: fog starting to lift, the veil was getting thinner. Yes, 302 00:21:57,040 --> 00:21:59,000 Speaker 1: And so I tried to call out. I tried to 303 00:21:59,000 --> 00:22:02,720 Speaker 1: talk to you. I heard you. I don't know how, 304 00:22:02,760 --> 00:22:05,320 Speaker 1: but I heard you when you were in free Town. 305 00:22:05,720 --> 00:22:09,879 Speaker 1: No on my answering machine. You were leaving me messages. 306 00:22:10,520 --> 00:22:12,760 Speaker 1: I could barely make out your voice on some of them, 307 00:22:12,760 --> 00:22:16,119 Speaker 1: but I know it was you. How is that possible? 308 00:22:16,160 --> 00:22:18,200 Speaker 1: How could you be leaving messages from another dimension? You 309 00:22:18,240 --> 00:22:23,840 Speaker 1: don't even have a cell phone? What phone? Right? Um? 310 00:22:23,880 --> 00:22:29,240 Speaker 1: That's it's it's a it's a portable phone. That's a phone. 311 00:22:28,880 --> 00:22:34,520 Speaker 1: Oh yeah, Tom, Jesus Tom, you okay. I mean it's 312 00:22:34,560 --> 00:22:40,920 Speaker 1: really been forty years. Forty that's such. I mean, I 313 00:22:41,000 --> 00:22:43,720 Speaker 1: knew it might be that long until I could, but 314 00:22:43,840 --> 00:22:48,680 Speaker 1: I really, I really didn't think about what that would mean. Dad. 315 00:22:50,200 --> 00:22:53,320 Speaker 1: I'm just gonna wait, where are you going? I assume 316 00:22:53,400 --> 00:22:57,440 Speaker 1: the bathroom hasn't moved. Nope, just still down the hall. 317 00:22:57,960 --> 00:23:05,480 Speaker 1: I'll be right back, right right of Sorry. Wow. Wow, 318 00:23:05,560 --> 00:23:09,520 Speaker 1: And this is also fun. I mean, he's here, he's 319 00:23:09,560 --> 00:23:12,720 Speaker 1: really here, and he's looking real enough to go pale 320 00:23:12,960 --> 00:23:16,040 Speaker 1: at the sight of a cell phone. And then, Jesus, 321 00:23:16,080 --> 00:23:19,440 Speaker 1: I yelled at him. I yelled at him for being irresponsible, 322 00:23:19,760 --> 00:23:25,800 Speaker 1: yell yelling at my own dad for being irresponsible. It's okay, honey, 323 00:23:26,160 --> 00:23:28,639 Speaker 1: he understands you know, it's been weird for all of us, 324 00:23:28,680 --> 00:23:32,439 Speaker 1: and you know, but there's like adrenaline crash coming for us. 325 00:23:32,440 --> 00:23:36,640 Speaker 1: Who knows what, you know? Yeah, yeah right, But then 326 00:23:36,800 --> 00:23:38,439 Speaker 1: I don't know, like I feel like I'm in some 327 00:23:38,560 --> 00:23:43,240 Speaker 1: kind of dream here. No, he's really back, Jeremy. We 328 00:23:43,320 --> 00:23:46,720 Speaker 1: caught him back. You know, everything in these past few weeks, 329 00:23:46,760 --> 00:23:53,600 Speaker 1: even in my most desperate, scared moments, I just never 330 00:23:53,680 --> 00:23:55,199 Speaker 1: let myself think that any of it could be real, 331 00:23:55,320 --> 00:24:01,040 Speaker 1: because I let myself think that then I could have hope, 332 00:24:01,160 --> 00:24:04,800 Speaker 1: and I um I could not. I know, I know, 333 00:24:04,920 --> 00:24:07,879 Speaker 1: I get it. You know, there were times even when 334 00:24:07,880 --> 00:24:11,119 Speaker 1: I thought having a hope would kill me. But you knew, 335 00:24:12,359 --> 00:24:16,000 Speaker 1: you knew it was all real. I knew that I 336 00:24:16,040 --> 00:24:20,439 Speaker 1: seemed certain, But I hope really is all that ever was? 337 00:24:20,480 --> 00:24:23,359 Speaker 1: I feel like I he just walked out of the fog. 338 00:24:24,119 --> 00:24:26,720 Speaker 1: We didn't even have to like fight a giant black 339 00:24:26,760 --> 00:24:31,840 Speaker 1: dog or anything. Yeah that's true. Oh God, was that real? 340 00:24:32,320 --> 00:24:34,400 Speaker 1: I mean, I think it's safe to assume that all 341 00:24:34,400 --> 00:24:36,800 Speaker 1: of it is Jesus, you know, we don't have to 342 00:24:36,800 --> 00:24:42,240 Speaker 1: worry about any of that stuff now it's over. Yeah, yeah, God, 343 00:24:42,280 --> 00:24:45,520 Speaker 1: what celest did for us? I know, does she have 344 00:24:45,640 --> 00:24:49,360 Speaker 1: a family. I don't know, but we can find out. 345 00:24:49,359 --> 00:24:53,159 Speaker 1: We could tell him, tell him what that there loved 346 00:24:53,160 --> 00:25:00,280 Speaker 1: one is in some interdimensional purgatory. Maybe maybe, h there's 347 00:25:00,280 --> 00:25:02,639 Speaker 1: a way we can get her out, you know, I 348 00:25:02,640 --> 00:25:05,040 Speaker 1: mean we know where she's trapped. Maybe we could do 349 00:25:05,040 --> 00:25:08,000 Speaker 1: it right this time? Yeah? I think No, no, no, no, 350 00:25:08,080 --> 00:25:10,680 Speaker 1: she finally finished what she started forty years ago. She 351 00:25:10,760 --> 00:25:13,040 Speaker 1: made her choice to sacrifice herself to make things right. 352 00:25:13,080 --> 00:25:17,800 Speaker 1: It's not it's not our problem anymore, and this is over. 353 00:25:18,600 --> 00:25:21,520 Speaker 1: We we don't need to know how to get her out. 354 00:25:22,160 --> 00:25:25,920 Speaker 1: Yes we do, because there was someone else in there 355 00:25:25,920 --> 00:25:34,440 Speaker 1: with me, so lest I can't believe she's I mean, 356 00:25:34,640 --> 00:25:38,960 Speaker 1: what happened? I have no idea. Katie said she thought 357 00:25:39,000 --> 00:25:41,800 Speaker 1: she was in danger, right, I mean maybe she meant 358 00:25:41,840 --> 00:25:44,399 Speaker 1: that that Celeste wasn't doing well, that she was at 359 00:25:44,480 --> 00:25:50,320 Speaker 1: risk of hurting herself. Yeah, or or what okay, what 360 00:25:50,400 --> 00:25:52,560 Speaker 1: if whatever she was trying to do the ritual? What 361 00:25:52,640 --> 00:25:55,880 Speaker 1: if it worked? What if it what? Do you think 362 00:25:55,920 --> 00:25:59,320 Speaker 1: she was trying to perform some kind of human sacrifice? 363 00:25:59,680 --> 00:26:03,960 Speaker 1: I don't, I don't know. I don't understand what is happening. 364 00:26:04,160 --> 00:26:11,840 Speaker 1: I I feel stupid for even suggesting it. What was that? Hello? 365 00:26:12,840 --> 00:26:20,360 Speaker 1: Is someone there, Olivia? We should hurry both ship? Oh 366 00:26:20,440 --> 00:26:39,159 Speaker 1: my god, what is that? Olivia? Read? This episode of 367 00:26:39,200 --> 00:26:42,600 Speaker 1: Bridgewater was written by Lauren Shippen and directed by Brendan 368 00:26:42,680 --> 00:26:47,240 Speaker 1: Patrick Hughes assistant director Sarah Klein. Sound designed by Vincent 369 00:26:47,320 --> 00:26:51,280 Speaker 1: the Johnny Rema Okay, Ali, Josh Thane, and Trevor Young, 370 00:26:51,600 --> 00:26:56,600 Speaker 1: with music by Chad Lawson, starring Misha Collins as Jeremy Bradshaw, 371 00:26:56,840 --> 00:27:01,600 Speaker 1: Melissa Ponzio as Anne Becker, Alan To Dick as Thomas Bradshaw, 372 00:27:02,160 --> 00:27:07,240 Speaker 1: Karen Sony as Vipen Corona, Sabra May as Olivia Hoskins, 373 00:27:07,760 --> 00:27:12,800 Speaker 1: Cheryl Umania as Officer Bautista, Will Wheaton as Captain Haddock, 374 00:27:13,320 --> 00:27:18,240 Speaker 1: Tricia Helfer as the Legend Tripper, Stephen Guarino as Dr 375 00:27:18,359 --> 00:27:23,720 Speaker 1: Edwards Nandamisu Dembe as Peyton Blake, Hilary Burton Morgan as 376 00:27:23,720 --> 00:27:29,000 Speaker 1: Shelley Hoskins, Nicki McCauley as Celeste, Then Victoria Grace as 377 00:27:29,080 --> 00:27:33,920 Speaker 1: Katie Frank's, with additional voice acting by Greta Gould, Shelby Young, 378 00:27:34,160 --> 00:27:38,800 Speaker 1: Adam oh Burn, Monty Markham, Charlie Bergman, and Tern Westbrook, 379 00:27:39,119 --> 00:27:44,040 Speaker 1: Executive producers Aaron Manky, Misha Collins, Lauren Shippin, Matt Frederick 380 00:27:44,200 --> 00:27:48,760 Speaker 1: and Alexander Williams. Supervising producers Josh Thane and Trevor Young. 381 00:27:49,280 --> 00:27:52,560 Speaker 1: Bridgewater was created by me Aaron Mankey and is a 382 00:27:52,560 --> 00:27:55,520 Speaker 1: production of Grim and Mild and I Heart three D Audio. 383 00:27:55,960 --> 00:27:58,359 Speaker 1: Learn more about the show over at Grim and Mild 384 00:27:58,520 --> 00:28:01,600 Speaker 1: dot com, slash Bridge Water and find more podcasts from 385 00:28:01,640 --> 00:28:04,920 Speaker 1: I Heart Radio on the I Heart Radio app, Apple Podcasts, 386 00:28:05,040 --> 00:28:08,800 Speaker 1: or wherever you listen to your favorite shows, and as always, 387 00:28:09,480 --> 00:28:10,480 Speaker 1: thanks for listening.