1 00:00:00,040 --> 00:00:03,440 Speaker 1: First of all, you don't know me. We all about 2 00:00:03,480 --> 00:00:06,320 Speaker 1: that high school drama, Girl Drama Girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:15,520 Speaker 1: our comic Girl Cheering for the drama Queen's Girl Fashion. 5 00:00:15,560 --> 00:00:17,759 Speaker 1: But you're tough girls. You could sit with us Girl 6 00:00:17,880 --> 00:00:22,000 Speaker 1: Drama Queens Drama Queen's DRAWNA, Queen's Drama Drawn MC, Queen's Drama, 7 00:00:22,079 --> 00:00:32,839 Speaker 1: Queen's You Guys, Season four episode um were dressed up 8 00:00:33,280 --> 00:00:37,480 Speaker 1: Queen dressed out. My gosh, I'm so jealous. I didn't 9 00:00:37,479 --> 00:00:41,239 Speaker 1: get the medal. No, you're traveling for work. No, but 10 00:00:41,280 --> 00:00:43,280 Speaker 1: I just I just cleaned my office and found my 11 00:00:43,320 --> 00:00:45,080 Speaker 1: crown and I was like, oh, this is so nice. 12 00:00:45,080 --> 00:00:46,519 Speaker 1: So I put it on top of the bottle of 13 00:00:46,880 --> 00:00:50,200 Speaker 1: your whiskey, which is in my house, and it's sitting 14 00:00:50,240 --> 00:00:52,839 Speaker 1: there on my bar. And I didn't bring it with me, 15 00:00:52,840 --> 00:00:54,920 Speaker 1: and I should have. But you both look very beautiful. 16 00:00:55,000 --> 00:00:57,840 Speaker 1: Promp prom queens. Indeed, you're like basically filming out of 17 00:00:57,840 --> 00:01:03,920 Speaker 1: castle right now, so you're This episode originally aired February one, 18 00:01:04,000 --> 00:01:07,360 Speaker 1: two thousand seven, A real follow up to Our Valentine's 19 00:01:07,440 --> 00:01:11,960 Speaker 1: Day Show on the Day from the residue of Nathan's 20 00:01:12,000 --> 00:01:15,640 Speaker 1: pre prom party has serious repercussions for everyone in Tree Hill. 21 00:01:16,040 --> 00:01:20,040 Speaker 1: Hayley asks Nathan for a list of all his past 22 00:01:20,200 --> 00:01:22,800 Speaker 1: sexual conquests. Oh my God, do not ever do that. 23 00:01:23,400 --> 00:01:26,040 Speaker 1: Rachel is suspended after taking the blame for the exam 24 00:01:26,080 --> 00:01:28,600 Speaker 1: that she stole with Brooke. Peyton tells Lucas she wants 25 00:01:28,640 --> 00:01:31,160 Speaker 1: to skip the prom entirely, but he doesn't want to 26 00:01:31,200 --> 00:01:35,320 Speaker 1: take no for an answer, And finally, Marvin McFadden and 27 00:01:35,360 --> 00:01:41,120 Speaker 1: Brooke must deal with dating clean teens on pro cuties. 28 00:01:41,240 --> 00:01:44,080 Speaker 1: This episode was directed by our very own Paul Johansson 29 00:01:44,120 --> 00:01:48,040 Speaker 1: and he crushed it. Wow prom episode. This is so fun. 30 00:01:48,080 --> 00:01:49,960 Speaker 1: I love I love the big episodes like this. This 31 00:01:50,000 --> 00:01:53,320 Speaker 1: one was a huge one. I was so I had 32 00:01:53,360 --> 00:01:55,120 Speaker 1: so much to say about this episode, and I'm upset 33 00:01:55,120 --> 00:01:56,800 Speaker 1: that I'm not going to be here for this entire podcast, 34 00:01:56,840 --> 00:02:01,360 Speaker 1: But I have to like First, Hillary, you are such 35 00:02:01,360 --> 00:02:05,480 Speaker 1: a good actress the scenes that you did, Like, it 36 00:02:05,800 --> 00:02:09,760 Speaker 1: was so nice to see Peyton take a turn from 37 00:02:09,800 --> 00:02:13,440 Speaker 1: being um. You've gone through all the phases of like weepy, 38 00:02:13,680 --> 00:02:16,360 Speaker 1: and then you were having fun for a while and 39 00:02:16,400 --> 00:02:21,400 Speaker 1: now it's like you're just get angry and we haven't 40 00:02:21,520 --> 00:02:25,640 Speaker 1: seen Peyton do that in a way that is so 41 00:02:25,960 --> 00:02:29,320 Speaker 1: confident and solid. Like I've seen Peyton throw a fit before, 42 00:02:29,960 --> 00:02:33,800 Speaker 1: I don't know that I've seen Peyton just kind of 43 00:02:33,840 --> 00:02:36,080 Speaker 1: come into her a confidence in her own of like 44 00:02:36,880 --> 00:02:41,760 Speaker 1: everything is shifted and you put everything emotionally into place. Um, 45 00:02:42,040 --> 00:02:44,720 Speaker 1: with how you felt about what Brooke and Nathan did 46 00:02:45,160 --> 00:02:48,079 Speaker 1: and you're like, okay, that's it. I know exactly where 47 00:02:48,080 --> 00:02:51,519 Speaker 1: I stand right now, and I'm it was just so 48 00:02:51,520 --> 00:02:54,160 Speaker 1: solid and the and then the emotional turn that you 49 00:02:54,240 --> 00:02:58,640 Speaker 1: had with Brooke in the yard, um, it was just 50 00:02:58,919 --> 00:03:01,000 Speaker 1: like talking about your mom. Mom. It made me cry 51 00:03:01,000 --> 00:03:03,280 Speaker 1: and I'm driving and I was like, stop crying, I'm driving. 52 00:03:04,040 --> 00:03:08,120 Speaker 1: It was really really good. So well that well, thanks. 53 00:03:08,200 --> 00:03:10,720 Speaker 1: I think that we were all really lucky that in 54 00:03:10,760 --> 00:03:15,720 Speaker 1: this big episode we had Paul directing, because Paul knew 55 00:03:15,800 --> 00:03:18,200 Speaker 1: us man, Paul knew the ship that was going on 56 00:03:18,600 --> 00:03:22,079 Speaker 1: in real life. He knew all the stuff our characters 57 00:03:22,080 --> 00:03:25,960 Speaker 1: that had to do before, you know, And I think 58 00:03:26,240 --> 00:03:30,840 Speaker 1: everyone turned in really good performances this episode. And so 59 00:03:30,919 --> 00:03:33,400 Speaker 1: while we have you, I want to talk about yours 60 00:03:33,520 --> 00:03:39,520 Speaker 1: because it is so um. It makes that like your 61 00:03:39,520 --> 00:03:43,160 Speaker 1: throat burn when you think about asking your partner to 62 00:03:43,200 --> 00:03:46,960 Speaker 1: make a sex list, like oh my god, oh my god. 63 00:03:47,680 --> 00:03:49,760 Speaker 1: Basically we're doing the thing that you do in horror 64 00:03:49,800 --> 00:03:52,800 Speaker 1: films and were like, Haley, don't come in the hou 65 00:03:55,400 --> 00:03:58,800 Speaker 1: and she's so pregnant and hormonal. But it's so the 66 00:03:58,880 --> 00:04:00,760 Speaker 1: writing I thought was fully areas on this one. The 67 00:04:00,760 --> 00:04:03,200 Speaker 1: fact that I got to be so irrational and just 68 00:04:03,280 --> 00:04:06,240 Speaker 1: out of control, I didn't find it irrational at all. 69 00:04:06,440 --> 00:04:10,800 Speaker 1: You totally made it. It made sense to me. Oh thanks, Yeah, 70 00:04:10,840 --> 00:04:13,240 Speaker 1: that was really fun. I was surprid that was another 71 00:04:13,360 --> 00:04:16,080 Speaker 1: this episode I had a lot of I remembered being 72 00:04:16,080 --> 00:04:19,440 Speaker 1: in the rooms. This is the episode I slapped Rachel too, 73 00:04:19,600 --> 00:04:24,480 Speaker 1: right or was that the no? That was the last one? Remember, yes, 74 00:04:24,640 --> 00:04:27,880 Speaker 1: that was the last one. It was the last one, right, Okay, 75 00:04:27,920 --> 00:04:30,040 Speaker 1: so that one I wasn't here for you and James 76 00:04:30,080 --> 00:04:34,800 Speaker 1: have such great comedy in this, and it's very Katherine 77 00:04:34,800 --> 00:04:38,080 Speaker 1: hepp Burn, Spencer Tracy. It's fast. It's like try to 78 00:04:38,200 --> 00:04:41,719 Speaker 1: keep up, you know, that's Hayley's energy. It's like, no, 79 00:04:41,960 --> 00:04:43,720 Speaker 1: do what I asked you to do, but also don't 80 00:04:43,760 --> 00:04:46,720 Speaker 1: do what I asked you to do, and you two 81 00:04:46,760 --> 00:04:51,200 Speaker 1: are getting to do funny stuff maybe for the first time, Like, 82 00:04:51,279 --> 00:04:53,599 Speaker 1: you guys have been very sweet together. You've had fights, 83 00:04:53,640 --> 00:04:57,240 Speaker 1: you've been vulnerable and emotional, but you're being funny together. 84 00:04:58,920 --> 00:05:03,560 Speaker 1: I was glad that they didn't write Hayley's reaction to 85 00:05:03,640 --> 00:05:08,640 Speaker 1: this as like another big, overwhelming, sad, sulky like, you know, 86 00:05:08,800 --> 00:05:10,960 Speaker 1: how could you do this? I don't know who? I like, 87 00:05:11,040 --> 00:05:13,440 Speaker 1: I just didn't want to mope. I was so happy 88 00:05:13,480 --> 00:05:17,320 Speaker 1: that she was just kind of a grown up about it, like, wow, Wow, 89 00:05:20,720 --> 00:05:23,120 Speaker 1: it's not that you're mad that he made the tape. 90 00:05:23,240 --> 00:05:27,400 Speaker 1: It's that you're mad that he still light. Yeah, do 91 00:05:27,440 --> 00:05:34,360 Speaker 1: you use it? It's so horrible. It's so horrible, and 92 00:05:34,920 --> 00:05:39,280 Speaker 1: the natural fear because don't forget in the prior episode, 93 00:05:39,640 --> 00:05:43,159 Speaker 1: when everyone's yelling, oh my god, Nathan and Peyton made 94 00:05:43,160 --> 00:05:45,880 Speaker 1: a sex tape. Peyton comes running screaming turn it off, 95 00:05:45,920 --> 00:05:49,960 Speaker 1: turn it off. Haley witnesses all of this. So Haley 96 00:05:50,320 --> 00:05:53,200 Speaker 1: turns and looks at her husband and goes, oh, old, 97 00:05:53,320 --> 00:05:56,880 Speaker 1: Nathan video taped every time he had sex with a girl, 98 00:05:57,400 --> 00:06:00,040 Speaker 1: Like that camcorder was set up in his bedroom. It 99 00:06:00,520 --> 00:06:03,760 Speaker 1: was like to go get it. It was there, it 100 00:06:03,880 --> 00:06:10,159 Speaker 1: was there, and why was it already there well, So 101 00:06:10,279 --> 00:06:14,920 Speaker 1: essentially the discovery of oh, you have this whole other life, 102 00:06:15,160 --> 00:06:18,200 Speaker 1: this whole other series of proclivities, these fantasies that I 103 00:06:18,240 --> 00:06:21,640 Speaker 1: know nothing about, that can be really hard. I remember 104 00:06:22,320 --> 00:06:24,240 Speaker 1: years and years ago. I don't know what it is now, 105 00:06:24,320 --> 00:06:27,200 Speaker 1: but when I think when we were doing the show, 106 00:06:27,440 --> 00:06:29,640 Speaker 1: it might have even come up because of this episode. 107 00:06:30,160 --> 00:06:32,239 Speaker 1: There was like a big piece that got published about 108 00:06:32,240 --> 00:06:35,800 Speaker 1: how like over of people feel like if their partner 109 00:06:35,839 --> 00:06:39,400 Speaker 1: has a secret porn habit that is cheating, Like that's 110 00:06:39,440 --> 00:06:41,720 Speaker 1: a really intense thing to find out that someone has 111 00:06:41,760 --> 00:06:43,920 Speaker 1: a whole sex life that has nothing to do with you. 112 00:06:44,600 --> 00:06:47,240 Speaker 1: And I loved that we were able to talk about 113 00:06:48,080 --> 00:06:53,280 Speaker 1: the reality of how complicated it is to figure out 114 00:06:53,360 --> 00:06:56,919 Speaker 1: what the person you love likes that has nothing to 115 00:06:56,960 --> 00:06:59,480 Speaker 1: do with you. But we did it in a funny way. 116 00:07:00,240 --> 00:07:02,840 Speaker 1: It's like it gave people permission to have the conversation. 117 00:07:03,560 --> 00:07:06,359 Speaker 1: But to your point, Joy, it wasn't Moby, it wasn't 118 00:07:06,360 --> 00:07:09,960 Speaker 1: like hitting us over the head with another dramatic thing, 119 00:07:10,120 --> 00:07:13,240 Speaker 1: and I loved it. I also have to say something 120 00:07:13,280 --> 00:07:16,240 Speaker 1: about this tape. I have to say something. Chilly and 121 00:07:16,240 --> 00:07:21,600 Speaker 1: I talked about this last so upset about this because 122 00:07:21,640 --> 00:07:24,400 Speaker 1: this is actually this is really fed up. And look, 123 00:07:24,440 --> 00:07:30,040 Speaker 1: I get that the point was that Brooke essentially was 124 00:07:30,080 --> 00:07:32,320 Speaker 1: going to be told like you betrayed me too, with 125 00:07:32,360 --> 00:07:34,840 Speaker 1: the Peyton and Lucas of it all, and and their 126 00:07:34,840 --> 00:07:37,240 Speaker 1: whole thing is this was one drunk night and you 127 00:07:37,280 --> 00:07:39,200 Speaker 1: had a full emotional affair, and you lied to me 128 00:07:39,200 --> 00:07:42,000 Speaker 1: and you snuck around behind my back. Each person decides 129 00:07:42,040 --> 00:07:45,120 Speaker 1: why the other person is the wrong one. But I 130 00:07:45,200 --> 00:07:47,640 Speaker 1: remember how upset I was when we got this script, 131 00:07:47,720 --> 00:07:49,320 Speaker 1: and I was like, I'm not going to do this, 132 00:07:49,640 --> 00:07:53,280 Speaker 1: like this is so unforgivable, and they gave me this 133 00:07:53,360 --> 00:07:55,600 Speaker 1: whole thing about no, no, no. At the opening of 134 00:07:55,680 --> 00:07:59,520 Speaker 1: four fifteen, Peyton is on a tear. Nathan is doing 135 00:07:59,520 --> 00:08:02,680 Speaker 1: body oots off Bevin. They get in a big screaming 136 00:08:02,680 --> 00:08:06,200 Speaker 1: fight and she dumps him, and then she comes to 137 00:08:06,360 --> 00:08:09,680 Speaker 1: Brook and Brooke is wasted and having a good time 138 00:08:09,720 --> 00:08:12,600 Speaker 1: and says, you don't you hate Nathan. He's mean to you. 139 00:08:13,040 --> 00:08:15,280 Speaker 1: I have I know what you need. Take two of 140 00:08:15,400 --> 00:08:17,920 Speaker 1: these and call me in the morning. And she yanks 141 00:08:18,000 --> 00:08:21,600 Speaker 1: over to like hot guys and like shows them to Peyton, 142 00:08:21,800 --> 00:08:23,960 Speaker 1: and Peyton looks at her and goes, I'm not like you, 143 00:08:24,000 --> 00:08:28,400 Speaker 1: I'm not a two bit in front of everyone and 144 00:08:28,480 --> 00:08:33,079 Speaker 1: walks away. And so when Brooke sits down with Nathan 145 00:08:33,679 --> 00:08:36,200 Speaker 1: and he says, Peyton broke up with me, she says, 146 00:08:37,559 --> 00:08:39,760 Speaker 1: Peyton just like I don't remember what it was, but 147 00:08:39,800 --> 00:08:41,400 Speaker 1: it was essentially like she just said the meanest thing 148 00:08:41,400 --> 00:08:43,760 Speaker 1: anyone's ever said to me. And he looked at her 149 00:08:43,800 --> 00:08:45,880 Speaker 1: and was like want to get back at her, And 150 00:08:45,920 --> 00:08:48,600 Speaker 1: it was like it was like a thing that they 151 00:08:48,640 --> 00:08:52,480 Speaker 1: made a decision on. And for me, when the episode 152 00:08:52,480 --> 00:08:54,640 Speaker 1: aired and I saw that they had cut that out, 153 00:08:54,800 --> 00:08:58,520 Speaker 1: I was like, listen, you don't. Everybody's in the wrong here. 154 00:08:59,440 --> 00:09:02,959 Speaker 1: But when you take away the like core wound context 155 00:09:03,120 --> 00:09:07,040 Speaker 1: that when your best friend has said the merest thing 156 00:09:07,200 --> 00:09:09,880 Speaker 1: like at fifteen that you think anyone can say to you, 157 00:09:10,200 --> 00:09:15,840 Speaker 1: I was like, oh my god, I sobbed. When I sob, 158 00:09:16,840 --> 00:09:19,920 Speaker 1: you know what, You're right, because what it turned into 159 00:09:20,200 --> 00:09:23,560 Speaker 1: was kind of gross and creepy, Nathan being like you 160 00:09:23,559 --> 00:09:27,240 Speaker 1: were you were just drunk enough. It was like like 161 00:09:27,320 --> 00:09:30,880 Speaker 1: him taking advantage of a drunk girl. And even further, 162 00:09:30,960 --> 00:09:33,000 Speaker 1: it says it when you get into the bedroom, he's like, 163 00:09:33,120 --> 00:09:37,239 Speaker 1: you need another drink? Like what are we doing here? Exactly, 164 00:09:37,920 --> 00:09:41,439 Speaker 1: and it went from being to two kids. We've talked 165 00:09:41,480 --> 00:09:44,520 Speaker 1: so much about how in like all these ways Nathan 166 00:09:44,559 --> 00:09:48,160 Speaker 1: and Brooke are really similar and like their friendship can 167 00:09:48,160 --> 00:09:51,960 Speaker 1: be this great respite for each other, and and you 168 00:09:52,040 --> 00:09:55,360 Speaker 1: could have seen why these two made this really bad 169 00:09:55,400 --> 00:09:58,680 Speaker 1: decision in the in the versions of themselves they were 170 00:09:58,720 --> 00:10:02,440 Speaker 1: two years ago, and then both tried to pretend it 171 00:10:02,480 --> 00:10:04,520 Speaker 1: never happened and never talked about it again, and like 172 00:10:04,920 --> 00:10:07,000 Speaker 1: Brooke even says, like, I kind of like I was 173 00:10:07,080 --> 00:10:08,640 Speaker 1: really drunk. I kind of wanted it to be a 174 00:10:08,640 --> 00:10:12,600 Speaker 1: bad dream, which is so sad. And it goes from 175 00:10:12,600 --> 00:10:15,120 Speaker 1: being like, oh, that was the worst versions of us 176 00:10:15,160 --> 00:10:17,960 Speaker 1: and now we're better versions of us to just like 177 00:10:18,480 --> 00:10:21,959 Speaker 1: her in particular, being the bad guy, like she really 178 00:10:22,000 --> 00:10:26,760 Speaker 1: gets blamed, and I just felt like it was so cruel, 179 00:10:27,400 --> 00:10:29,600 Speaker 1: Like I don't know, it made me feel very defensive 180 00:10:29,640 --> 00:10:31,440 Speaker 1: of her, which is probably an insane thing to say 181 00:10:31,480 --> 00:10:36,240 Speaker 1: because she's not an actual person, but she feels like, yeah, 182 00:10:36,320 --> 00:10:39,600 Speaker 1: but that you went through seasons and seasons after seasons, 183 00:10:39,679 --> 00:10:43,280 Speaker 1: the episodes of episodes after that, functioning in a certain 184 00:10:43,320 --> 00:10:49,600 Speaker 1: way believing that Brooke just did that just for no reasons. Yeah, 185 00:10:49,640 --> 00:10:52,040 Speaker 1: it just affects me that you look at at your 186 00:10:52,080 --> 00:10:55,040 Speaker 1: performance and who Brooke has been over the last like 187 00:10:55,080 --> 00:10:59,360 Speaker 1: two seasons. Yeah, yeah, yeah, and it and there, and 188 00:10:59,360 --> 00:11:02,080 Speaker 1: there was to be the tie in with Peyton calling 189 00:11:02,120 --> 00:11:04,920 Speaker 1: her that to Peyton putting it on her dress, and 190 00:11:04,960 --> 00:11:08,839 Speaker 1: it was like it was a whole thing like this, 191 00:11:09,120 --> 00:11:12,760 Speaker 1: this like mortal wound. And they took it away, but 192 00:11:12,840 --> 00:11:16,120 Speaker 1: they didn't take away you dumping him, And I was like, 193 00:11:16,320 --> 00:11:19,040 Speaker 1: that's really stub like it gives him an excuse, but 194 00:11:19,120 --> 00:11:23,560 Speaker 1: not her exactly. And I didn't because the excuse that 195 00:11:23,640 --> 00:11:26,040 Speaker 1: Haley and Peyton get the whole time is it didn't 196 00:11:26,040 --> 00:11:28,360 Speaker 1: mean anything. It didn't mean anything. It didn't mean anything, 197 00:11:28,720 --> 00:11:31,679 Speaker 1: which those are just like dumb empty words. If it 198 00:11:31,840 --> 00:11:34,960 Speaker 1: instead had been like, no, you were being a bitch 199 00:11:35,040 --> 00:11:38,280 Speaker 1: that night, like trying to get back at you, and 200 00:11:38,320 --> 00:11:40,880 Speaker 1: I feel really horrible about it. Yeah, you were awful 201 00:11:40,920 --> 00:11:43,120 Speaker 1: to both of us. We did something regrettable, and because 202 00:11:43,120 --> 00:11:46,120 Speaker 1: we regretted it, we buried it. Like, yeah, I could 203 00:11:46,120 --> 00:11:48,880 Speaker 1: have been a more interesting conversation. Anytime someone tells me 204 00:11:49,080 --> 00:11:52,400 Speaker 1: it didn't mean anything, I'm like, do me more, Like 205 00:11:52,480 --> 00:11:56,199 Speaker 1: how many soapb obbaras have you watched? You loser. Yeah, exactly. 206 00:11:56,679 --> 00:11:58,240 Speaker 1: This is one of the things that happens a lot 207 00:11:58,320 --> 00:12:01,440 Speaker 1: with TV. If that's different from film, I think is 208 00:12:01,480 --> 00:12:03,760 Speaker 1: that you know, there's there's people in an office who 209 00:12:03,840 --> 00:12:08,720 Speaker 1: are not artists, and then there's writers UM. And the 210 00:12:08,760 --> 00:12:11,559 Speaker 1: writers are in TV are preoccupied with the next episode 211 00:12:11,559 --> 00:12:13,720 Speaker 1: and everything, and you know, they're all often just trying 212 00:12:13,760 --> 00:12:16,840 Speaker 1: to piece mail things together if something doesn't make sense, 213 00:12:16,920 --> 00:12:19,280 Speaker 1: or if an episodes too long or whatever, and so 214 00:12:20,040 --> 00:12:23,679 Speaker 1: it's everyone except the people responsible for those characters in 215 00:12:23,720 --> 00:12:27,120 Speaker 1: the room making creative decisions about the characters. And it's 216 00:12:27,160 --> 00:12:30,520 Speaker 1: really frustrating it. It happens all the time in UM, 217 00:12:30,559 --> 00:12:34,160 Speaker 1: in TV, and uh, there's nothing that really actors can 218 00:12:34,200 --> 00:12:35,600 Speaker 1: do about it. You just have to show up and 219 00:12:35,640 --> 00:12:40,040 Speaker 1: trust that you know, the people who are working with 220 00:12:40,080 --> 00:12:43,240 Speaker 1: the office people really have your back, and sometimes they 221 00:12:43,320 --> 00:12:45,640 Speaker 1: just they just can't because they're too distractive of too 222 00:12:45,679 --> 00:12:48,760 Speaker 1: many other things, or maybe they don't care. I don't know. 223 00:12:48,920 --> 00:13:01,160 Speaker 1: It can be tough or you have to go um 224 00:13:01,280 --> 00:13:05,679 Speaker 1: what you said, you remember filming this episode, you had 225 00:13:05,720 --> 00:13:09,480 Speaker 1: a really really nice scene with Chad in the kitchen. 226 00:13:09,679 --> 00:13:12,920 Speaker 1: Do you remember that one I just watched like an 227 00:13:12,960 --> 00:13:15,679 Speaker 1: hour ago. What happened, what happened in the kitchen, But 228 00:13:15,760 --> 00:13:19,480 Speaker 1: you're like, you know, talking about Peyton's ex boyfriend in 229 00:13:19,520 --> 00:13:25,160 Speaker 1: the video and Nathan says or Lucas says, well, Nathan's 230 00:13:25,200 --> 00:13:28,040 Speaker 1: not like her ex boyfriend either. You know. She said, like, 231 00:13:28,120 --> 00:13:31,640 Speaker 1: don't be like Peyton's ex boyfriend. You're encouraging to go 232 00:13:31,720 --> 00:13:35,280 Speaker 1: to Peyton, show up for her and don't be like 233 00:13:35,520 --> 00:13:39,120 Speaker 1: her ex boyfriend. And he's like, niced to Nathan because 234 00:13:39,160 --> 00:13:43,360 Speaker 1: he's not like her ex boyfriend either. Yeah, you two 235 00:13:43,400 --> 00:13:48,120 Speaker 1: had such a good chemistry in that scene and Lucas 236 00:13:48,240 --> 00:13:51,360 Speaker 1: is being Lucas bounced and back and forth between Brook 237 00:13:51,360 --> 00:13:54,120 Speaker 1: and Payton again. Yeah, you're the person that lets the 238 00:13:54,160 --> 00:13:57,400 Speaker 1: audience see him like for the good Boy. I always 239 00:13:57,440 --> 00:13:59,959 Speaker 1: miss seeing Haley and Lucas on camera because we started 240 00:14:00,040 --> 00:14:02,840 Speaker 1: the show that way. It was so much Lucas and 241 00:14:02,920 --> 00:14:05,240 Speaker 1: so whenever we get to see them together again, and 242 00:14:05,280 --> 00:14:07,079 Speaker 1: I even you know, I search out at at an 243 00:14:07,080 --> 00:14:10,679 Speaker 1: event um recently, and um, it just it does. It's like, 244 00:14:11,000 --> 00:14:13,440 Speaker 1: no matter how much time goes by, no matter what, 245 00:14:13,520 --> 00:14:16,560 Speaker 1: it just feels like you've been through so much together. 246 00:14:16,600 --> 00:14:19,600 Speaker 1: It's family. It's like you just it's a comfort level 247 00:14:19,640 --> 00:14:21,920 Speaker 1: and it was like, man, we could easily be walking 248 00:14:21,960 --> 00:14:25,040 Speaker 1: down the street, um down Front Street right now again. 249 00:14:26,080 --> 00:14:28,560 Speaker 1: You know, it's it's great. I love I love Lucas 250 00:14:28,560 --> 00:14:33,400 Speaker 1: and healing. I think it's also nice to see, you know, 251 00:14:33,520 --> 00:14:36,760 Speaker 1: Nathan's taking a lot of responsibility going on his apology tour, 252 00:14:37,600 --> 00:14:41,240 Speaker 1: and it's nice to see their brotherly relationship with Lucas 253 00:14:41,680 --> 00:14:46,000 Speaker 1: kind of following Nathan around trying to keep everyone calm 254 00:14:46,040 --> 00:14:48,520 Speaker 1: in the wake of the crisis. Like I didn't even 255 00:14:48,520 --> 00:14:51,080 Speaker 1: realize that that Lucas was doing, but you know, it's 256 00:14:51,120 --> 00:14:53,440 Speaker 1: like a nice seesaw. It's in a way, they're like, 257 00:14:53,520 --> 00:14:55,960 Speaker 1: let's divide and conquer, and so they're sort of like 258 00:14:56,520 --> 00:15:02,240 Speaker 1: rotating around each other trying to solve this problem the brand. Yeah, 259 00:15:02,320 --> 00:15:07,640 Speaker 1: and I really enjoyed that. I enjoyed, you know, seeing 260 00:15:07,720 --> 00:15:09,560 Speaker 1: Nathan take it on the chin and be the best 261 00:15:09,640 --> 00:15:15,520 Speaker 1: version of himself. And I appreciated that Lucas was reminding 262 00:15:15,560 --> 00:15:20,080 Speaker 1: everyone who their friends really are. You know. He he 263 00:15:20,120 --> 00:15:21,920 Speaker 1: does it for Brooke, and he does it for Haley, 264 00:15:21,960 --> 00:15:24,480 Speaker 1: and he does it for Peyton. He says to Peyton. Look, 265 00:15:25,040 --> 00:15:27,560 Speaker 1: in a way, Lucas is the only person in this episode, 266 00:15:27,560 --> 00:15:29,800 Speaker 1: by the way who says, yeah, they did something dumb 267 00:15:29,880 --> 00:15:32,840 Speaker 1: years ago when they were drunk. We did this thing 268 00:15:33,640 --> 00:15:38,080 Speaker 1: for a long time behind her back, Peyton, you know, 269 00:15:38,160 --> 00:15:41,160 Speaker 1: and he acknowledges it for the first time and she, granted, 270 00:15:41,240 --> 00:15:46,600 Speaker 1: isn't ready to hear it, but it's it's kind of impressive. 271 00:15:47,400 --> 00:15:50,800 Speaker 1: And and and he uses that reality of look, this 272 00:15:50,880 --> 00:15:52,240 Speaker 1: is what we did, and we did it for a 273 00:15:52,280 --> 00:15:56,400 Speaker 1: long time, and it's this is the reality now, and 274 00:15:56,400 --> 00:15:58,480 Speaker 1: and he and then he says, you're better than this. 275 00:15:59,840 --> 00:16:03,680 Speaker 1: My take on Lucas is that he's so pumped that 276 00:16:03,840 --> 00:16:08,080 Speaker 1: he's not at the center of this. Also that for 277 00:16:08,160 --> 00:16:11,200 Speaker 1: so long he was the dip and dump stuff with 278 00:16:11,280 --> 00:16:15,000 Speaker 1: multiple girls, you know, just like, hey man, this is 279 00:16:15,040 --> 00:16:18,960 Speaker 1: my opportunity to like clean the slate. Oh my god, 280 00:16:19,000 --> 00:16:24,080 Speaker 1: it's but if we all give each other's mistakes that Yeah, 281 00:16:24,120 --> 00:16:27,080 Speaker 1: he's just standing in the middle of the hurricane, just 282 00:16:27,160 --> 00:16:31,480 Speaker 1: watching the women in his life, his mother, Hayley Brook, 283 00:16:31,560 --> 00:16:36,680 Speaker 1: everybody's just and and he's just taking it, taking it 284 00:16:36,720 --> 00:16:41,960 Speaker 1: on the chin, trying to handle everybody. Yeah, so funny. Yeah, 285 00:16:42,000 --> 00:16:44,280 Speaker 1: and he does. He really does take it on the 286 00:16:44,320 --> 00:16:48,040 Speaker 1: chain because less we forget when him and when Lucas 287 00:16:48,040 --> 00:16:53,520 Speaker 1: and Nathan have their scene. Oh, Nate apologizes and and 288 00:16:53,640 --> 00:16:56,080 Speaker 1: Lucas says something about, you know, I just don't ever 289 00:16:56,080 --> 00:16:58,480 Speaker 1: want to see a tape of you in Peyton. Nathan 290 00:16:58,560 --> 00:17:00,600 Speaker 1: just takes a breath and goes, well, never will because 291 00:17:00,600 --> 00:17:02,400 Speaker 1: Haley destroyed all the tapes in the house. And I 292 00:17:02,480 --> 00:17:05,720 Speaker 1: was like, oh my god, Like he just goes ahead 293 00:17:05,760 --> 00:17:08,800 Speaker 1: and says, don't worry about it, man, And it's so 294 00:17:09,720 --> 00:17:13,320 Speaker 1: that was my only confirmation that that existed. Even I 295 00:17:13,400 --> 00:17:16,919 Speaker 1: was like, what, there's tapes, I know. I was like, 296 00:17:17,080 --> 00:17:20,320 Speaker 1: this is really horrible. And I don't know if maybe 297 00:17:20,320 --> 00:17:22,280 Speaker 1: we were talking about this because we were in the 298 00:17:22,400 --> 00:17:26,480 Speaker 1: era of all those reality girls having their sex tapes 299 00:17:26,480 --> 00:17:28,600 Speaker 1: come out. I don't know why this was such a 300 00:17:28,640 --> 00:17:32,760 Speaker 1: big deal, but God, when he just said that, When 301 00:17:32,840 --> 00:17:34,960 Speaker 1: Nathan says that to Lucas was such a straight face 302 00:17:35,000 --> 00:17:38,600 Speaker 1: in the kitchen, I almost fainted. Yeah, I was like, 303 00:17:39,440 --> 00:17:44,639 Speaker 1: but also I have a very strong appreciation for a 304 00:17:44,840 --> 00:17:48,359 Speaker 1: singular tape that can be destroyed, do you know what 305 00:17:48,400 --> 00:17:50,919 Speaker 1: I mean? In the age of the Internet and in 306 00:17:50,960 --> 00:17:54,480 Speaker 1: the age of like, you know, people downloading things or 307 00:17:54,520 --> 00:17:57,840 Speaker 1: sending them digitally, like having a tape that you can 308 00:17:58,040 --> 00:18:03,000 Speaker 1: rip the physical film Burn and Destroy. What a treat 309 00:18:03,359 --> 00:18:07,480 Speaker 1: I missed the good old days. Yeah, my god, I 310 00:18:08,200 --> 00:18:10,879 Speaker 1: I just want to see Haley with a hammer, just like. 311 00:18:11,080 --> 00:18:13,679 Speaker 1: That's it. I know that I want to see Haley 312 00:18:13,720 --> 00:18:16,960 Speaker 1: with a lighter and a barbecue, like just lighter fluid 313 00:18:17,000 --> 00:18:20,920 Speaker 1: that's on a webber grill outside and burn it, Angelo Bassett. 314 00:18:22,920 --> 00:18:26,320 Speaker 1: It would have been so so, so so funny. It 315 00:18:26,320 --> 00:18:29,639 Speaker 1: would have worked too well. I gotta go. I love 316 00:18:29,720 --> 00:18:33,040 Speaker 1: you guys. Yeah, well, thanks for joining us, have fun 317 00:18:33,040 --> 00:18:37,720 Speaker 1: in the castle. Great performances in this episode, both of you. Well, same, 318 00:18:37,760 --> 00:18:48,480 Speaker 1: thank you. Yeah. It's so yeah, there's a lot of like, 319 00:18:48,800 --> 00:18:50,880 Speaker 1: there's just a lot of nuance that I didn't catch 320 00:18:51,000 --> 00:18:54,679 Speaker 1: the first time around. And I'm I'm loving it, and 321 00:18:54,720 --> 00:18:59,560 Speaker 1: I'm also a little uncomfortable. Yeah, because we're finding out 322 00:18:59,640 --> 00:19:02,920 Speaker 1: things that on ourselves, our characters that we didn't know. 323 00:19:03,240 --> 00:19:07,560 Speaker 1: That's what it is. It's it feels like it honestly 324 00:19:07,600 --> 00:19:10,359 Speaker 1: feels like exactly like what Brooke is experiencing. That you 325 00:19:10,400 --> 00:19:12,879 Speaker 1: did something dumb and drunk at a party and you 326 00:19:12,880 --> 00:19:16,199 Speaker 1: don't remember until people start reminding you, and then the 327 00:19:16,240 --> 00:19:20,119 Speaker 1: pieces come back together. You know, I forgot about Peyton 328 00:19:20,320 --> 00:19:25,320 Speaker 1: and Nathan and nipple rings and sex tapes and showers together, 329 00:19:25,400 --> 00:19:28,560 Speaker 1: like all of it has been wiped from my memory 330 00:19:28,600 --> 00:19:31,239 Speaker 1: because you know, for the last couple of years it's 331 00:19:31,280 --> 00:19:34,960 Speaker 1: Luke Luke, Luke, Luke, Luke, Luke luke. Um. The reminder 332 00:19:35,119 --> 00:19:38,600 Speaker 1: is brutal. It is so brutal, and I think it 333 00:19:38,640 --> 00:19:44,280 Speaker 1: can be really hard, especially when something from so far 334 00:19:44,359 --> 00:19:50,040 Speaker 1: in your past comes up and and you know, Lucas 335 00:19:50,040 --> 00:19:52,520 Speaker 1: says it. He says, she's acting like it just happened. 336 00:19:53,560 --> 00:19:56,280 Speaker 1: Haley has the counter, Well, it did just happen to her, 337 00:19:56,840 --> 00:19:58,879 Speaker 1: you know, she just found out about it. But for 338 00:19:59,000 --> 00:20:04,560 Speaker 1: Brooke and Nathan, like I would bet you they've both 339 00:20:04,680 --> 00:20:07,919 Speaker 1: literally forgotten that this ever happened. Now it's back to 340 00:20:07,960 --> 00:20:13,600 Speaker 1: bite them in the ass and what a total nightmare. Yeah, 341 00:20:13,880 --> 00:20:18,120 Speaker 1: but right there, but also a great platform for some 342 00:20:18,160 --> 00:20:23,280 Speaker 1: comedy because you and I, as we watched Hailey be like, 343 00:20:23,520 --> 00:20:26,439 Speaker 1: I want the list, guys. So Foria and I are 344 00:20:26,440 --> 00:20:29,720 Speaker 1: sitting here to sidebar texted each other about like you 345 00:20:29,720 --> 00:20:31,680 Speaker 1: don't want the list. You don't want the list. You 346 00:20:31,760 --> 00:20:36,320 Speaker 1: think we want that list. It's a real bad idea. 347 00:20:36,600 --> 00:20:39,320 Speaker 1: You don't want the list. And if I mean there's one, 348 00:20:39,400 --> 00:20:43,400 Speaker 1: you shouldn't keep a list. Don't make a list. It's 349 00:20:43,440 --> 00:20:45,600 Speaker 1: a recipe for don't make a list for us to 350 00:20:45,640 --> 00:20:54,240 Speaker 1: find in your drawers or oh my god, you don't 351 00:20:54,280 --> 00:20:58,720 Speaker 1: want that list. No. No. I've had a couple of 352 00:20:58,720 --> 00:21:04,600 Speaker 1: situations where I have um learned after the fact that uh, 353 00:21:04,720 --> 00:21:07,800 Speaker 1: I have engaged with someone who has been with my partner, 354 00:21:08,680 --> 00:21:12,080 Speaker 1: And it makes me happy that I don't know, because 355 00:21:12,119 --> 00:21:15,040 Speaker 1: when I interact with them, I'm a cool girl. You know, 356 00:21:15,280 --> 00:21:18,359 Speaker 1: I'm not being territorial or weird. I'm just being fun cool. 357 00:21:19,040 --> 00:21:21,200 Speaker 1: And so then when I find out later, I'm like, Okay, fine, 358 00:21:21,640 --> 00:21:24,600 Speaker 1: you know, I don't want to know before. Knowing before 359 00:21:24,680 --> 00:21:27,159 Speaker 1: makes it worse because then you're not really yourself when 360 00:21:27,200 --> 00:21:31,280 Speaker 1: you meet that person. Yes, it's just not possible. Yeah, 361 00:21:31,320 --> 00:21:33,480 Speaker 1: I don't know. I don't want people to keep secrets 362 00:21:33,480 --> 00:21:35,119 Speaker 1: from me. But I also I'm like, I don't think 363 00:21:35,160 --> 00:21:38,280 Speaker 1: I need to know. Like I I remember finding out 364 00:21:38,320 --> 00:21:42,240 Speaker 1: that um, a girl who had been so awful to 365 00:21:42,320 --> 00:21:45,040 Speaker 1: one of my best guy friends in a relationship that 366 00:21:45,080 --> 00:21:50,520 Speaker 1: they were in like tortured this sweet boy. Yeah. Years later, 367 00:21:50,560 --> 00:21:52,360 Speaker 1: I was dating someone and found out he had also 368 00:21:52,480 --> 00:21:55,600 Speaker 1: dated this girl, and I almost broke up with him 369 00:21:55,600 --> 00:21:58,240 Speaker 1: over it, like I couldn't. It made it made you 370 00:21:58,280 --> 00:22:01,000 Speaker 1: think his taste was bad in my head in a 371 00:22:01,040 --> 00:22:02,679 Speaker 1: way that I was like, I don't think I can 372 00:22:02,720 --> 00:22:06,720 Speaker 1: get over this, and yeah, I just was like I don't. 373 00:22:07,040 --> 00:22:10,439 Speaker 1: I don't know how to understand this about you. And 374 00:22:10,480 --> 00:22:12,440 Speaker 1: I was like, man, I just wish i'd never known this. 375 00:22:13,280 --> 00:22:15,800 Speaker 1: I don't want to know this. There's well, here's the deal. 376 00:22:15,880 --> 00:22:21,560 Speaker 1: There's a fine line between knowing who your person has 377 00:22:21,840 --> 00:22:25,560 Speaker 1: had significant relationships with, Like I can look at the 378 00:22:25,600 --> 00:22:27,880 Speaker 1: people that my husband has dated and been like, those 379 00:22:27,880 --> 00:22:32,040 Speaker 1: are all really talented, ambitious, smart women, Like I feel 380 00:22:32,080 --> 00:22:35,639 Speaker 1: like I am in good company, and and then also 381 00:22:35,760 --> 00:22:41,080 Speaker 1: like I have dated people who only ever dated trollops. 382 00:22:41,119 --> 00:22:43,720 Speaker 1: You know, I did not feel like I was in 383 00:22:43,760 --> 00:22:47,720 Speaker 1: good company. And so I think knowing what your person's 384 00:22:47,760 --> 00:22:51,840 Speaker 1: history is in terms of how they respect women, what 385 00:22:51,920 --> 00:22:55,360 Speaker 1: they're attracted to, that can be helpful. I don't need 386 00:22:55,400 --> 00:22:57,640 Speaker 1: to know every person on the list. No, I don't 387 00:22:57,640 --> 00:23:02,040 Speaker 1: want it. I don't want it. Has it's almost air 388 00:23:02,119 --> 00:23:05,040 Speaker 1: to just assume it's everyone right, just to be like, 389 00:23:05,080 --> 00:23:08,440 Speaker 1: it's actually a great strategy. You've kissed everyone, and I'm 390 00:23:08,560 --> 00:23:13,280 Speaker 1: the last one. I'm I'm the one that made you stop. 391 00:23:14,000 --> 00:23:17,800 Speaker 1: Oh my god, it's amazing. Yeah, feather in our caps, Sophia, 392 00:23:18,040 --> 00:23:20,720 Speaker 1: we dime into it. Look at us, look at us. 393 00:23:20,880 --> 00:23:23,639 Speaker 1: We broke up. We also did the damn thing in 394 00:23:23,680 --> 00:23:29,800 Speaker 1: this episode, unfortunately to each other. I still am sweaty 395 00:23:29,840 --> 00:23:33,280 Speaker 1: about this. No, it's okay. We just we were in it, 396 00:23:33,440 --> 00:23:37,159 Speaker 1: like it was such a real fight. And and I 397 00:23:37,200 --> 00:23:40,040 Speaker 1: know we've talked a little bit about you know, stunts 398 00:23:40,040 --> 00:23:44,320 Speaker 1: some things, but it's choreography and you're also in the moment. 399 00:23:44,680 --> 00:23:46,800 Speaker 1: And yeah, there was one moment where we were each 400 00:23:47,280 --> 00:23:49,120 Speaker 1: we were facing each other, and like we were each 401 00:23:49,119 --> 00:23:53,000 Speaker 1: supposed to go left. I was supposed to have I 402 00:23:53,080 --> 00:23:56,320 Speaker 1: remember this so clearly because I was really upset that 403 00:23:56,400 --> 00:24:00,560 Speaker 1: I'd hurt you. I was supposed to be holding your down, 404 00:24:01,280 --> 00:24:08,280 Speaker 1: and when we landed, I could only get your um 405 00:24:08,320 --> 00:24:11,440 Speaker 1: your left hand so on my right hand side down 406 00:24:12,240 --> 00:24:15,480 Speaker 1: and that was bad for you because you had you 407 00:24:15,520 --> 00:24:17,600 Speaker 1: had nothing to do with your other hand. You couldn't 408 00:24:17,640 --> 00:24:20,160 Speaker 1: like hit me. It was like I had to hold 409 00:24:20,200 --> 00:24:23,359 Speaker 1: both hands so that you could struggle against them, and 410 00:24:23,440 --> 00:24:26,800 Speaker 1: I was bringing my arm across to go and get 411 00:24:26,840 --> 00:24:30,600 Speaker 1: your other hand right as you leaned forward and I 412 00:24:30,680 --> 00:24:34,159 Speaker 1: cracked you in the head. And I don't know if 413 00:24:34,160 --> 00:24:37,760 Speaker 1: that's how you remember it, but I remember the crack 414 00:24:37,920 --> 00:24:43,720 Speaker 1: and being like it was scary. It was, well it was. 415 00:24:43,880 --> 00:24:46,480 Speaker 1: I remember thinking like, wow, that was really loud, and 416 00:24:46,480 --> 00:24:48,199 Speaker 1: then thinking was it only loud because it was in 417 00:24:48,280 --> 00:24:50,399 Speaker 1: my head? And then I saw your face and like 418 00:24:50,480 --> 00:24:53,840 Speaker 1: looked around and everyone's eyes were big and mouths were open, 419 00:24:53,880 --> 00:24:55,680 Speaker 1: and I was like, oh, everybody heard that, and we 420 00:24:55,800 --> 00:24:58,720 Speaker 1: like stopped for a minute. But in my head, yeah, 421 00:24:58,800 --> 00:25:02,000 Speaker 1: to your point, Like my memory is that like we 422 00:25:02,000 --> 00:25:06,040 Speaker 1: were both supposed to go left, and like, well, you're 423 00:25:06,119 --> 00:25:08,439 Speaker 1: left in my left, but I went right, and it 424 00:25:08,600 --> 00:25:12,560 Speaker 1: just yeah, it was it was a collision of every proportions. Well, 425 00:25:12,600 --> 00:25:15,359 Speaker 1: we didn't have rehearsal, you know, like we had a 426 00:25:15,400 --> 00:25:19,359 Speaker 1: little bit of rehearsal, but we're shooting outside, we're on location, 427 00:25:19,480 --> 00:25:23,840 Speaker 1: we're fighting daylight. It is a hugely emotional scene and 428 00:25:23,840 --> 00:25:26,199 Speaker 1: there's two of them back to back because we had 429 00:25:26,200 --> 00:25:28,880 Speaker 1: to do I had totally forgotten about the scene where 430 00:25:29,359 --> 00:25:32,600 Speaker 1: comes to Peyton's door and they have the fight at 431 00:25:32,640 --> 00:25:35,200 Speaker 1: the door and then Brooke leaves before she comes back 432 00:25:35,200 --> 00:25:39,120 Speaker 1: to Egg the house so we had two huge emotional 433 00:25:39,200 --> 00:25:43,840 Speaker 1: scenes scenes. Yeah, and there's no time to just like 434 00:25:44,119 --> 00:25:48,439 Speaker 1: five six, seven eight. You know. That's no. They didn't 435 00:25:48,560 --> 00:25:51,080 Speaker 1: coordinate with us as well as they should, I think, 436 00:25:51,200 --> 00:25:53,119 Speaker 1: especially because we were four years in. They were like, 437 00:25:53,160 --> 00:25:57,920 Speaker 1: they're professionals, Sophan, Hillary, they they're great. You know. We 438 00:25:57,920 --> 00:26:00,239 Speaker 1: were always the ones who'd say like, yeah, we can 439 00:26:00,280 --> 00:26:01,720 Speaker 1: do it, just shows where he used to be, will 440 00:26:01,760 --> 00:26:03,840 Speaker 1: make it work. That was always our thing, like we're 441 00:26:03,920 --> 00:26:05,880 Speaker 1: runn out of time, we'll make it work. And then 442 00:26:05,880 --> 00:26:08,360 Speaker 1: you realize, oh, yeah, for some stuff, we should probably 443 00:26:08,480 --> 00:26:12,199 Speaker 1: have choreography. But the thing that struck me about it 444 00:26:12,359 --> 00:26:16,919 Speaker 1: because it's such a beautiful scene between us, and I 445 00:26:16,920 --> 00:26:20,520 Speaker 1: guess part of the reason I'm but hurt about them 446 00:26:20,520 --> 00:26:28,080 Speaker 1: taking that beginning out is because, in different ways, each 447 00:26:28,119 --> 00:26:32,880 Speaker 1: of these girls has this mortal wound, and they get 448 00:26:32,880 --> 00:26:36,879 Speaker 1: expressed with different terms. Brooks is a criticism of of 449 00:26:36,920 --> 00:26:41,879 Speaker 1: who she is. Certainly you know, judgment and sexism and 450 00:26:41,880 --> 00:26:43,880 Speaker 1: all those things, you know, coming from my end of it, 451 00:26:44,600 --> 00:26:48,280 Speaker 1: and and what I saw in this scene watching it 452 00:26:48,359 --> 00:26:52,560 Speaker 1: back is that you got to tell me the worst 453 00:26:52,600 --> 00:26:55,440 Speaker 1: thing I've ever said to you. And I think that 454 00:26:55,640 --> 00:26:57,520 Speaker 1: the wound I feel for Broke is that she didn't 455 00:26:57,520 --> 00:26:59,560 Speaker 1: get to express, like you said one of the worst 456 00:26:59,560 --> 00:27:02,199 Speaker 1: things like a person could say to me like you 457 00:27:02,200 --> 00:27:05,280 Speaker 1: you treated me like everybody else. And the reason it 458 00:27:07,359 --> 00:27:11,040 Speaker 1: the thing that really sticks out to me, obviously, Peyton's wound, 459 00:27:11,520 --> 00:27:13,560 Speaker 1: the mother thing is the biggest and the baddest and 460 00:27:13,600 --> 00:27:17,040 Speaker 1: the worst. And what it illuminated for me in our 461 00:27:17,160 --> 00:27:19,600 Speaker 1: fight and these girls who have been there for each 462 00:27:19,600 --> 00:27:23,639 Speaker 1: other since they were so little, is that they both 463 00:27:23,720 --> 00:27:29,520 Speaker 1: have actually the same core wound. It's abandonment, and they've 464 00:27:29,880 --> 00:27:32,520 Speaker 1: they're the ones who have shown up for each other forever, 465 00:27:33,320 --> 00:27:37,840 Speaker 1: and in this moment, they've abandoned each other. And and 466 00:27:37,920 --> 00:27:42,280 Speaker 1: what Peyton voices to Brooke is you abandoned me. And 467 00:27:42,359 --> 00:27:47,719 Speaker 1: Broke hast to see that the thing she has felt 468 00:27:47,880 --> 00:27:50,680 Speaker 1: that Peyton did to her is exactly what she's done 469 00:27:50,720 --> 00:27:54,639 Speaker 1: to Peyton, and it took my breath away seeing it 470 00:27:54,680 --> 00:27:57,199 Speaker 1: as an adult and really seeing the subtext of the 471 00:27:57,200 --> 00:28:02,520 Speaker 1: conversation between us, I was like, Oh, these girls have 472 00:28:02,680 --> 00:28:06,760 Speaker 1: held like they used to come together to comfort each 473 00:28:06,760 --> 00:28:09,360 Speaker 1: other from this wound, and now they're stabbing each other. 474 00:28:09,600 --> 00:28:15,960 Speaker 1: And it it really gutted me. It really hurt when 475 00:28:15,960 --> 00:28:20,119 Speaker 1: I heard Brooks say you win, you win. You know, 476 00:28:21,560 --> 00:28:23,280 Speaker 1: you got the boy, you got the dress, you got 477 00:28:23,359 --> 00:28:29,440 Speaker 1: everything that you wanted. Um, because for so long Peyton 478 00:28:29,520 --> 00:28:32,080 Speaker 1: was trying to centerr brook and be like, just be 479 00:28:32,240 --> 00:28:34,239 Speaker 1: with them, be happy. I'm gonna keep my secret as 480 00:28:34,240 --> 00:28:40,480 Speaker 1: long as you're happy, you know, And that that was 481 00:28:40,520 --> 00:28:43,320 Speaker 1: like a really hard thing to hear because Peyton doesn't 482 00:28:43,360 --> 00:28:45,760 Speaker 1: feel like it's a win, you know, like it doesn't 483 00:28:45,760 --> 00:28:48,800 Speaker 1: feel like a win, and so to have the person 484 00:28:48,920 --> 00:28:54,280 Speaker 1: you love be like fine. Um. The other thing that 485 00:28:54,360 --> 00:28:56,800 Speaker 1: really strikes me that I didn't figure out till adulthood, 486 00:28:56,880 --> 00:28:59,440 Speaker 1: but that is definitely on display in the scene is 487 00:28:59,480 --> 00:29:01,800 Speaker 1: that we can love a lot of people like you 488 00:29:01,840 --> 00:29:05,840 Speaker 1: and I love a lot of people. We don't give 489 00:29:05,880 --> 00:29:09,800 Speaker 1: a lot of people permission to hurt us. That's the 490 00:29:09,880 --> 00:29:15,120 Speaker 1: next level. And I personally have very few people in 491 00:29:15,200 --> 00:29:18,080 Speaker 1: my life who I will let in enough to hurt me, 492 00:29:18,680 --> 00:29:20,640 Speaker 1: because I'm so conditioned to be like, you know what, 493 00:29:20,640 --> 00:29:22,360 Speaker 1: you're probably gonna have at some point. So we're just 494 00:29:22,400 --> 00:29:24,760 Speaker 1: gonna we're gonna pump the brakes right here. We'll stay 495 00:29:24,800 --> 00:29:31,000 Speaker 1: at love. Love feels fun. Um. Brooke and Peyton are 496 00:29:31,040 --> 00:29:33,880 Speaker 1: the only people who can hurt each other. Lucas can't 497 00:29:33,920 --> 00:29:36,840 Speaker 1: hurt them, He's already done it to both of them. 498 00:29:37,000 --> 00:29:40,160 Speaker 1: Nathan can't hurt them, you know, like their parents can't 499 00:29:40,240 --> 00:29:43,760 Speaker 1: hurt them. They're the only people that they care enough 500 00:29:43,800 --> 00:29:48,480 Speaker 1: about to give them that power. Yes, And I think 501 00:29:48,560 --> 00:29:52,560 Speaker 1: that's why the U win hurts so much, because what 502 00:29:52,600 --> 00:29:55,479 Speaker 1: Brooke is really saying is you were the one person 503 00:29:55,600 --> 00:30:00,280 Speaker 1: I trusted and you broke it. So now you're getting 504 00:30:00,320 --> 00:30:03,719 Speaker 1: all the stuff everybody builds to have one person and 505 00:30:03,800 --> 00:30:07,440 Speaker 1: I have no one. Like That's what Brooke is saying 506 00:30:07,440 --> 00:30:09,840 Speaker 1: to Peyton. You have someone who loves you, like I'm 507 00:30:09,840 --> 00:30:11,440 Speaker 1: out here trying to date. I'm out here trying to 508 00:30:11,480 --> 00:30:13,680 Speaker 1: find a boyfriend in a prom date. I got dumped 509 00:30:14,040 --> 00:30:17,280 Speaker 1: because you to like make up for the gaping hole 510 00:30:17,400 --> 00:30:20,360 Speaker 1: in my heart that you have left, and you've got 511 00:30:20,400 --> 00:30:24,160 Speaker 1: somebody in it. You win, and it is Oh, it's 512 00:30:24,200 --> 00:30:27,640 Speaker 1: so sad, these two little girls. It was a really 513 00:30:27,680 --> 00:30:32,640 Speaker 1: well written scene, and I think it was kind of 514 00:30:32,680 --> 00:30:35,080 Speaker 1: scary for a lot of our crew members to watch 515 00:30:35,120 --> 00:30:38,120 Speaker 1: us film it because we had so much going on 516 00:30:38,280 --> 00:30:42,320 Speaker 1: behind the scenes that it was that weird line of like, 517 00:30:42,880 --> 00:30:45,280 Speaker 1: what's the subtext here? Are these girls really fighting because 518 00:30:45,280 --> 00:30:47,520 Speaker 1: they're both putting in pretty good performances right now, like 519 00:30:47,560 --> 00:30:51,520 Speaker 1: they're they're going for it um. And I remember all 520 00:30:51,520 --> 00:30:53,760 Speaker 1: the crew members afterwards coming up to us being like, 521 00:30:54,120 --> 00:30:57,480 Speaker 1: are you guys okay? Like, are you okay? Yeah? And 522 00:30:58,040 --> 00:31:00,000 Speaker 1: that was the first time I think that we'd put 523 00:31:00,040 --> 00:31:03,200 Speaker 1: in performances where people that loved us and knew us 524 00:31:03,240 --> 00:31:07,479 Speaker 1: were just like, hey, are you guys, Like do you 525 00:31:07,520 --> 00:31:10,800 Speaker 1: need something? Like can we take care of you somehow? 526 00:31:10,960 --> 00:31:14,160 Speaker 1: Because this was intense. It was really intense. It was 527 00:31:14,200 --> 00:31:17,640 Speaker 1: really intense well, and if I may, and this was 528 00:31:17,680 --> 00:31:20,080 Speaker 1: also at a point where we were really getting with 529 00:31:20,320 --> 00:31:25,360 Speaker 1: so hard behind the scenes that it changed our actual friendship. Yes, 530 00:31:26,320 --> 00:31:29,040 Speaker 1: like m m, it makes me want to cry, Like 531 00:31:29,120 --> 00:31:32,760 Speaker 1: we didn't know that. But this was in this was 532 00:31:32,800 --> 00:31:37,720 Speaker 1: in a moment where we you had always been much 533 00:31:37,760 --> 00:31:40,200 Speaker 1: like Brooke and Peyton, like when I got to Wilmington's 534 00:31:40,200 --> 00:31:42,880 Speaker 1: and we've talked about this, like you were my person, 535 00:31:43,960 --> 00:31:46,480 Speaker 1: And this was in an era where we were all 536 00:31:46,560 --> 00:31:50,200 Speaker 1: being pitted against each other. And I think there was 537 00:31:50,280 --> 00:31:55,040 Speaker 1: like under the scene, there was real pain of I 538 00:31:55,120 --> 00:31:57,440 Speaker 1: don't know if you care about me as much as 539 00:31:57,480 --> 00:32:00,080 Speaker 1: I care about you. And I see it in with 540 00:32:00,200 --> 00:32:04,040 Speaker 1: directions and I know in fact it went like all 541 00:32:04,080 --> 00:32:06,320 Speaker 1: the way around the merry ground of all of us girls. 542 00:32:06,320 --> 00:32:09,880 Speaker 1: We were so scared because of the things that were 543 00:32:09,920 --> 00:32:13,120 Speaker 1: being whispered in all of our ears. And I think 544 00:32:13,160 --> 00:32:18,120 Speaker 1: it's you know, I think it's really part of it's 545 00:32:18,160 --> 00:32:20,160 Speaker 1: part of what our characters are going through. It's part 546 00:32:20,160 --> 00:32:24,480 Speaker 1: of what we were going through, and it it's not 547 00:32:24,640 --> 00:32:26,840 Speaker 1: something much like Brooke and Peyton. We didn't get any 548 00:32:26,880 --> 00:32:29,480 Speaker 1: help because we didn't have an adult in the room. 549 00:32:29,520 --> 00:32:33,360 Speaker 1: It took us learning lessons as young women and being 550 00:32:33,400 --> 00:32:36,560 Speaker 1: able to bring those back to each other eventually and 551 00:32:36,600 --> 00:32:38,600 Speaker 1: to realize it was never you and it was never me. 552 00:32:38,840 --> 00:32:41,000 Speaker 1: It was the grown ups that we're supposed to take 553 00:32:41,000 --> 00:32:45,080 Speaker 1: care of us wanted us to be enemies. And I 554 00:32:45,120 --> 00:32:48,720 Speaker 1: think all of that happening and being good girls who 555 00:32:48,760 --> 00:32:51,200 Speaker 1: came to work and did good work and really helped 556 00:32:51,240 --> 00:32:55,680 Speaker 1: the crew, I think it's part of why it feels 557 00:32:55,760 --> 00:33:00,800 Speaker 1: so emotional because nobody was allowed to express anything. I 558 00:33:00,880 --> 00:33:06,440 Speaker 1: went home. Here's my admission, um, after the whole like 559 00:33:07,320 --> 00:33:11,440 Speaker 1: fight scene in the next episode, so not this fight scene. 560 00:33:11,480 --> 00:33:15,719 Speaker 1: This fight scene left me feeling really rattled. UM, and 561 00:33:15,760 --> 00:33:19,920 Speaker 1: I was I was unsure, like how to be around 562 00:33:20,120 --> 00:33:23,920 Speaker 1: you because I had hurt you, but I know that 563 00:33:23,960 --> 00:33:27,080 Speaker 1: we'd also done this like work together that um was 564 00:33:27,160 --> 00:33:30,680 Speaker 1: important and that I loved, but it was layered with 565 00:33:30,720 --> 00:33:37,080 Speaker 1: like hurt physical and like you know, figurative UM. When 566 00:33:37,240 --> 00:33:40,160 Speaker 1: we shot the next episode and it's after they fight 567 00:33:40,200 --> 00:33:42,680 Speaker 1: Psycho Deeric and you and I are seated on the 568 00:33:42,680 --> 00:33:45,480 Speaker 1: front porch like all bloody, and we've got the blankets 569 00:33:45,480 --> 00:33:47,600 Speaker 1: around us and we were taking vodka shots from a 570 00:33:47,640 --> 00:33:50,280 Speaker 1: water bottle together. I went home and cried after that. 571 00:33:50,640 --> 00:33:54,080 Speaker 1: I did too, because I was like, it's gonna work. 572 00:33:54,240 --> 00:33:57,240 Speaker 1: It's gonna work. Like that was like the moment where 573 00:33:57,240 --> 00:34:00,160 Speaker 1: I was like, oh, we're good, like to get other, 574 00:34:00,560 --> 00:34:05,760 Speaker 1: were a good team um, and I felt like, um, 575 00:34:05,800 --> 00:34:07,760 Speaker 1: I feel like I could make the choice to hang 576 00:34:07,800 --> 00:34:13,440 Speaker 1: out with you or too, just like be with you 577 00:34:13,520 --> 00:34:15,200 Speaker 1: in a way where I didn't have to ask permission 578 00:34:16,200 --> 00:34:19,400 Speaker 1: from anyone anymore because we've just done this thing that 579 00:34:19,480 --> 00:34:22,960 Speaker 1: was really cool together. Yeah, that was one when I 580 00:34:22,960 --> 00:34:27,400 Speaker 1: cried me too. Oh my god, I can't believe it. Yeah, 581 00:34:27,440 --> 00:34:33,240 Speaker 1: I am it did it it Weirdly, I think being 582 00:34:33,280 --> 00:34:38,319 Speaker 1: in such an intense situation together and coming together like 583 00:34:38,840 --> 00:34:42,560 Speaker 1: it mirrored something we'd had that in our real lives 584 00:34:42,600 --> 00:34:46,080 Speaker 1: and we both like I saw it. Yeah, it was 585 00:34:46,120 --> 00:34:49,880 Speaker 1: the first time where I thought, if we can have this. 586 00:34:51,680 --> 00:34:55,040 Speaker 1: I don't know if all the other stuff that I 587 00:34:55,080 --> 00:34:57,480 Speaker 1: know is being fed in both directions here, I don't 588 00:34:57,520 --> 00:35:00,520 Speaker 1: know if that's real. This feels really real. What almost 589 00:35:00,560 --> 00:35:02,839 Speaker 1: made it didn't It didn't even matter, you know what 590 00:35:02,880 --> 00:35:05,160 Speaker 1: I mean? Like it's like, yes, say whatever you want 591 00:35:05,160 --> 00:35:07,239 Speaker 1: to say. You know. I was waking up to a 592 00:35:07,239 --> 00:35:08,680 Speaker 1: lot of stuff at this point when we were in 593 00:35:08,719 --> 00:35:12,640 Speaker 1: season four, because at this point where you and I 594 00:35:12,680 --> 00:35:15,920 Speaker 1: filmed this episode, I had found out that things were 595 00:35:15,960 --> 00:35:20,000 Speaker 1: being said about me and our creator that we're not true, 596 00:35:20,960 --> 00:35:25,840 Speaker 1: and that light bulb went off and it was like, oh, 597 00:35:25,920 --> 00:35:28,440 Speaker 1: but then that means that the stuff about Danil isn't true, 598 00:35:28,840 --> 00:35:31,840 Speaker 1: and that means the stuff about Sophia isn't true. And 599 00:35:31,880 --> 00:35:36,759 Speaker 1: it was this domino effect and it reached its peak 600 00:35:36,800 --> 00:35:40,160 Speaker 1: when we went to Honey Grove. Right, So this is 601 00:35:40,200 --> 00:35:43,839 Speaker 1: like the span of time between prom and Honey Grove 602 00:35:43,960 --> 00:35:46,840 Speaker 1: is when everything went to shoot on our show. But 603 00:35:48,120 --> 00:35:52,200 Speaker 1: between shooting this episode with you and having this like 604 00:35:52,320 --> 00:35:56,200 Speaker 1: come to Jesus in this moment where like maybe we 605 00:35:56,239 --> 00:35:58,560 Speaker 1: did have to have an injury in order to like 606 00:35:58,800 --> 00:36:01,440 Speaker 1: come together and be God, I'm really sorry, you know. 607 00:36:01,680 --> 00:36:03,759 Speaker 1: I just I'm crying in the trailer because I heard 608 00:36:03,840 --> 00:36:07,000 Speaker 1: you um with Jojo just like oh my god, is 609 00:36:07,040 --> 00:36:10,239 Speaker 1: she you know? And UM and her telling me like, 610 00:36:10,239 --> 00:36:12,000 Speaker 1: calm down, you're making it a really big you have 611 00:36:12,040 --> 00:36:16,239 Speaker 1: to calm down. Um. Between that and then when we 612 00:36:16,280 --> 00:36:18,640 Speaker 1: had the All nine graduation party where we really did 613 00:36:18,680 --> 00:36:23,680 Speaker 1: come together as a team behind the scenes and like, ah, yeah, 614 00:36:23,719 --> 00:36:27,319 Speaker 1: this chunk episodes is just so laced with like real 615 00:36:27,400 --> 00:36:31,520 Speaker 1: life tension, and then like really strong work. We took 616 00:36:31,520 --> 00:36:35,319 Speaker 1: all the stuff that we couldn't say out loud and 617 00:36:35,440 --> 00:36:37,319 Speaker 1: just put it in the scene. Here, you guys go, 618 00:36:37,800 --> 00:36:44,080 Speaker 1: here's the buffet of emotion. Mm hmm. Yeah. It's like 619 00:36:44,160 --> 00:36:47,320 Speaker 1: we got to take out our frustrations on what was 620 00:36:47,360 --> 00:36:50,440 Speaker 1: going on behind the scenes on our guest star next week. 621 00:36:52,800 --> 00:36:57,360 Speaker 1: Oh my god, sweet map Bar when that door knock happens, 622 00:36:59,120 --> 00:37:01,759 Speaker 1: like sweet things are happening, and then the door and 623 00:37:01,800 --> 00:37:07,840 Speaker 1: then mm hmm mm hmm. Yeah, like a metaphor. You know, 624 00:37:07,880 --> 00:37:10,359 Speaker 1: there's so much tender work between two people and that's 625 00:37:10,400 --> 00:37:13,440 Speaker 1: where we move on. I just I love you. I 626 00:37:13,600 --> 00:37:19,120 Speaker 1: love you too, don't make I'm proud of us. Well, yeah, 627 00:37:19,160 --> 00:37:23,920 Speaker 1: it's hard to talk about this. It's hard because it 628 00:37:24,160 --> 00:37:29,200 Speaker 1: means admitting that, like we weren't good to each other 629 00:37:30,080 --> 00:37:35,480 Speaker 1: in different ways. We were like conditioned to be competitive 630 00:37:35,920 --> 00:37:39,200 Speaker 1: or dismissive, or I was just aloof a lot. I 631 00:37:39,280 --> 00:37:42,480 Speaker 1: was really aloof I think what's part of what's hard 632 00:37:42,520 --> 00:37:47,520 Speaker 1: about it, though, is unlike a normal life, when you have, 633 00:37:48,560 --> 00:37:50,480 Speaker 1: you know, sixteen hours of work a day to do 634 00:37:50,560 --> 00:37:52,919 Speaker 1: with someone, you don't have time to get in a fight. 635 00:37:54,520 --> 00:38:03,120 Speaker 1: You don't you are conditioned to not bring your personal life, 636 00:38:03,480 --> 00:38:07,400 Speaker 1: and it can make figuring out your personal life almost 637 00:38:07,440 --> 00:38:11,120 Speaker 1: impossible because the fear is, well, if we take the 638 00:38:11,160 --> 00:38:13,440 Speaker 1: lid off this thing, it's going to explode. You can't 639 00:38:13,480 --> 00:38:15,719 Speaker 1: just like have a fight or an argument like you 640 00:38:15,719 --> 00:38:18,120 Speaker 1: would with your friend and take three days and then 641 00:38:18,160 --> 00:38:22,520 Speaker 1: talk about it. It's it's so pressurized. And I think 642 00:38:23,160 --> 00:38:25,960 Speaker 1: to your point, we finally got to let some of 643 00:38:25,960 --> 00:38:30,560 Speaker 1: the pressure out and then everything changed because we could 644 00:38:30,560 --> 00:38:36,040 Speaker 1: really see each other and and not be manipulated into 645 00:38:36,160 --> 00:38:41,680 Speaker 1: suspicion or assumption anymore. Well, here's here's how you know 646 00:38:41,760 --> 00:38:44,680 Speaker 1: I love you. Um. When I left One Tree Hill, 647 00:38:44,760 --> 00:38:47,760 Speaker 1: there was like it's bad. It was really it was bad, 648 00:38:48,239 --> 00:38:50,440 Speaker 1: and I didn't talk to anybody for a very long time. 649 00:38:50,920 --> 00:38:54,279 Speaker 1: But I had to put my real together, uh, in 650 00:38:54,400 --> 00:38:58,080 Speaker 1: order to go audition for other jobs. And so I'm 651 00:38:58,120 --> 00:39:02,480 Speaker 1: like pregnant putting too together my real And this is 652 00:39:02,520 --> 00:39:04,640 Speaker 1: the one scene from One Tree Hill that I had 653 00:39:04,640 --> 00:39:08,320 Speaker 1: on it. This is what This is my most proud 654 00:39:08,360 --> 00:39:12,440 Speaker 1: work on the show with you m I love it. 655 00:39:13,120 --> 00:39:18,680 Speaker 1: I love that, yeah said. I remember Paul coming into 656 00:39:18,719 --> 00:39:20,879 Speaker 1: the house after Peyton like goes in and slams the door, 657 00:39:20,920 --> 00:39:25,319 Speaker 1: and it's just like, so are you okay? Can we 658 00:39:25,440 --> 00:39:28,440 Speaker 1: keep going? Like yeah, no, we're great, We're troopers, We're 659 00:39:28,440 --> 00:39:34,120 Speaker 1: gonna be great. Um. But this whole episode it was strong. 660 00:39:34,160 --> 00:39:36,040 Speaker 1: I mean I feel like any of our friends would 661 00:39:36,080 --> 00:39:39,160 Speaker 1: say that about this episode. Lee got to do good stuff, 662 00:39:39,800 --> 00:39:43,160 Speaker 1: Haley and Nathan got to do good stuff together, chat 663 00:39:43,239 --> 00:39:45,760 Speaker 1: and where we got to do really good stuff together, 664 00:39:46,280 --> 00:39:51,600 Speaker 1: Like this was an episode about duos and those are 665 00:39:51,600 --> 00:39:55,839 Speaker 1: our strongest episodes. Yeah, yeah, I totally agree, And you're right, 666 00:39:55,880 --> 00:39:59,239 Speaker 1: I mean, what an honorable mention for Lee. It's like 667 00:39:59,680 --> 00:40:03,319 Speaker 1: they they made him. They just wrote him so weird 668 00:40:03,360 --> 00:40:07,560 Speaker 1: in the last episode, and I feel like Mouth and 669 00:40:07,600 --> 00:40:10,160 Speaker 1: who he really is is back in this episode and 670 00:40:10,320 --> 00:40:14,600 Speaker 1: such a relief. And I love that they essentially through 671 00:40:14,719 --> 00:40:17,279 Speaker 1: these you know, this episode and the next one, the 672 00:40:17,320 --> 00:40:21,399 Speaker 1: cliffhanger into prom they let him be ducky. They let 673 00:40:21,480 --> 00:40:26,600 Speaker 1: him be that guy. And even in the small generous moments, 674 00:40:26,640 --> 00:40:29,840 Speaker 1: you know, Mouth texting Rachel a picture of him and 675 00:40:29,880 --> 00:40:32,920 Speaker 1: Brooke and saying we miss you. You know, it's all 676 00:40:34,080 --> 00:40:37,040 Speaker 1: as it should be. The way he is with her 677 00:40:37,080 --> 00:40:43,080 Speaker 1: in the closet she's packing, Oh my god. Yes, but 678 00:40:43,160 --> 00:40:46,360 Speaker 1: also the way she is with you. Brooke and Rachel 679 00:40:46,400 --> 00:40:51,719 Speaker 1: are such a good love story when she I mean 680 00:40:51,880 --> 00:40:55,360 Speaker 1: you and her and that like false goodbye before she 681 00:40:55,440 --> 00:41:00,480 Speaker 1: comes back and hugs you goodbye, so good. It's it's 682 00:41:00,480 --> 00:41:04,760 Speaker 1: the audiences reminder that Brooke Davis is a great friend. 683 00:41:05,760 --> 00:41:09,680 Speaker 1: She's a great friend, and she deserves to be put first. 684 00:41:10,440 --> 00:41:14,799 Speaker 1: I also just love seeing Rachel get vulnerable, you know, 685 00:41:14,880 --> 00:41:18,920 Speaker 1: even even in the comedic way in which she does it. Well, 686 00:41:19,000 --> 00:41:20,839 Speaker 1: yeah I did that because I suck, But you're better 687 00:41:20,880 --> 00:41:25,120 Speaker 1: than she. She has a hard time not cracking a 688 00:41:25,200 --> 00:41:29,440 Speaker 1: joke in a vulnerable moment like someone else I know, um, 689 00:41:32,120 --> 00:41:35,600 Speaker 1: but it's so it's raw and it's sweet and it's honest, 690 00:41:35,640 --> 00:41:38,919 Speaker 1: and I do really love seeing these girls together. There's 691 00:41:38,960 --> 00:41:42,560 Speaker 1: something about these two who have made mistakes making each 692 00:41:42,560 --> 00:41:48,480 Speaker 1: other better that feels very, very sweet. There's a lot 693 00:41:48,520 --> 00:41:51,760 Speaker 1: of sweet duos and then some I'm not so sweet duos, 694 00:41:51,800 --> 00:41:55,680 Speaker 1: and then you have the unsweetest, the bitterest duo of 695 00:41:56,040 --> 00:42:00,680 Speaker 1: all in that end scene, and it seems like it's 696 00:42:00,719 --> 00:42:03,840 Speaker 1: going to be sweet. The misdirect. You know, everyone's getting 697 00:42:03,880 --> 00:42:06,120 Speaker 1: ready for prom and you're getting your dress and everyone's 698 00:42:06,160 --> 00:42:08,040 Speaker 1: doing their hair, and it's cutting back and forth and 699 00:42:08,120 --> 00:42:09,920 Speaker 1: Lucas is tightening his tie and he's putting on his 700 00:42:09,920 --> 00:42:12,600 Speaker 1: boot near and then you realize it's not Lucas, it's Derek. 701 00:42:13,200 --> 00:42:20,319 Speaker 1: Don't Don't done, the perfect the perfect polar opposite to 702 00:42:20,480 --> 00:42:24,239 Speaker 1: you at the river court asking mouth to prom and 703 00:42:24,320 --> 00:42:26,040 Speaker 1: like being with all the boys and it's like so 704 00:42:26,120 --> 00:42:28,120 Speaker 1: cute and it's so high school and it's so fun, 705 00:42:28,640 --> 00:42:32,920 Speaker 1: and then it's like the exact opposite. It's not fun. 706 00:42:33,480 --> 00:42:36,960 Speaker 1: You know who is fun? Okay, you guys, we have 707 00:42:37,080 --> 00:42:40,520 Speaker 1: Matt bar god bless uh, but we're just teasing you 708 00:42:40,560 --> 00:42:43,399 Speaker 1: with him because he's actually going to talk with us 709 00:42:43,400 --> 00:42:47,440 Speaker 1: about next week's episode, which is season four, episode sixteen. 710 00:42:47,520 --> 00:42:50,839 Speaker 1: You call it madness, but I call it love. That's 711 00:42:50,880 --> 00:42:54,520 Speaker 1: so frightening. It's so frightening, But we do love. I 712 00:42:54,800 --> 00:42:58,399 Speaker 1: R L Sweet Matt bar So we'll see you next week. Hey, 713 00:42:58,480 --> 00:43:00,840 Speaker 1: thanks for listening. Don't forget to leave us a review. 714 00:43:01,080 --> 00:43:04,200 Speaker 1: You can also follow us on Instagram at Drama Queens 715 00:43:04,239 --> 00:43:07,719 Speaker 1: O t H. Or email us at Drama Queens at 716 00:43:07,719 --> 00:43:12,120 Speaker 1: I heart radio dot com. See you next time. We 717 00:43:12,239 --> 00:43:15,399 Speaker 1: are all about that high school drama. Girl Drama, Girl, 718 00:43:15,480 --> 00:43:18,600 Speaker 1: all about them high school queens. We'll take you for 719 00:43:18,719 --> 00:43:21,799 Speaker 1: a ride in our comic Girl Cheering for the Right, 720 00:43:22,200 --> 00:43:26,320 Speaker 1: Drama Queens drawl up girl Fashion, but your tough girls. 721 00:43:26,360 --> 00:43:29,400 Speaker 1: You could sit with us. Girl Drama, Queens, Drama, Queens Drama, 722 00:43:29,480 --> 00:43:33,080 Speaker 1: Queen's Drama, Drama, Queen's Drama Queens