WEBVTT - What Does Death Mean To You

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<v Speaker 1>In the morning. You wake up in the morning. I'm

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<v Speaker 1>talking right, I never you're about to experience a morning

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<v Speaker 1>showing like any yo to the breast club. What you

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<v Speaker 1>guys are doing right now, that's the hump culture. Breakfast

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<v Speaker 1>club is my morning sick. I need it and I

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<v Speaker 1>love it. Something you like. You're really not popping until

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<v Speaker 1>you do the breakfast Club and waiting come to y'all

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<v Speaker 1>show man, I know you gotta be a big time

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<v Speaker 1>celect me to be up and here you gotta be.

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<v Speaker 1>You gotta be big time t J. N Atioli and

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<v Speaker 1>Charlottagne the guy the breakfast club bitches. Take your good

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<v Speaker 1>morning Usa yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo Good morning, acually ye

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<v Speaker 1>good morning. He's amby Charlottagne. The god piece of the

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<v Speaker 1>planet is Monday. Yes, it's Monday. Back to the work week,

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<v Speaker 1>another quarantine work week. What's happening, how you're feeling out there?

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<v Speaker 1>How you're feeling man, shout out to all the mothers

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<v Speaker 1>out there. Hopefully you guys had a wonderful Mother's Day. Um,

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<v Speaker 1>I know I had to travel to Queens to us

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<v Speaker 1>see my mom. I was of course, I couldn't hug

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<v Speaker 1>or touch a kiss or anything like that. But we

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<v Speaker 1>played some music outside, we danced outside, we made us

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<v Speaker 1>some sons and she was very, very happy and excited.

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<v Speaker 1>She cried the whole time. And then we drove over

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<v Speaker 1>to Gear's mom's house and we did the same thing.

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<v Speaker 1>So it was just a great celebration day. We just relaxed,

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<v Speaker 1>chilled and what else could you do? I want to

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<v Speaker 1>drive Drive by celebrations are going to replace real celebrations

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<v Speaker 1>once all of this is over, because think about it, right,

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<v Speaker 1>when it's like a birthday party for one of your

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<v Speaker 1>kids classmates, a mother's day, people don't really want to

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<v Speaker 1>be bothered all the time with these long, elaborate four

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<v Speaker 1>or five hour parties. Sometimes those are a little dry,

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<v Speaker 1>boys just saying what's up. They make a lot of sense. Remember,

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<v Speaker 1>you know how it could before before the quarantine, people

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<v Speaker 1>would be like, I'm gonna do a quick little drive by, right,

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<v Speaker 1>I'm gonna do a little, quick, little, a little quick

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<v Speaker 1>little drive by being and out. Now you really get

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<v Speaker 1>to do that well for family members. For family members, no,

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<v Speaker 1>but for other things, I totally agree, because sometimes four

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<v Speaker 1>or five hour party, yeah buy you you don't. You don't.

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<v Speaker 1>You don't a gift out the car window? You especially

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<v Speaker 1>when the kid got three or four those a month,

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<v Speaker 1>because you know, all their little friends got their birthdays

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<v Speaker 1>run the same time, that quick little drive byby hitting. No,

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<v Speaker 1>kids would rather be at a party with their friends.

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<v Speaker 1>I would think, Yeah, yeah, kid's birthday parties aren't for you,

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<v Speaker 1>they're for the kids. Yeah. But you're absolutely right. But

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<v Speaker 1>we still parents at the end of the day. When

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<v Speaker 1>your parents, we're like, god, dang another one. It is exhausting.

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<v Speaker 1>Even though it's not about us, it is exhausting. It's

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<v Speaker 1>not even about you. Kids. We don't want probably don't

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<v Speaker 1>want to do a drive by. They probably want to

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<v Speaker 1>go and have it, know they I know they don't,

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<v Speaker 1>But I'm just speaking from a parents perspective. That would

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<v Speaker 1>be cool. Yeah, very much so very weak the horn

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<v Speaker 1>a couple of times, like I said, off the back

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<v Speaker 1>and keep it moving. Amazing the kid crying in the back,

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<v Speaker 1>Why can't I go in? Yeah, they're not crying. They excited.

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<v Speaker 1>They just excited to get out the house. Like my kids.

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<v Speaker 1>You gotta think about it. For my kids, this was

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<v Speaker 1>their friends. Because if the first time my kids have

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<v Speaker 1>been out the house, and I think ten weeks, ten weeks,

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<v Speaker 1>they haven't been out back, like out out the property,

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<v Speaker 1>you know, I mean, this was the first time. So

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<v Speaker 1>just them driving on the road, they were excited. And

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<v Speaker 1>we don't know if the kids are falling in love

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<v Speaker 1>with these drive buys, because you know, they get to

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<v Speaker 1>make their little signs, you know what I'm saying, They

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<v Speaker 1>get to pull up, hang out the window. They might

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<v Speaker 1>they might be enjoying this more than a being around

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<v Speaker 1>each other dancing and singing. Maybe that's just my wishful

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<v Speaker 1>thinking for the future. I don't think stuff that's that's

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<v Speaker 1>your wishful thinking. Yeah, that's what that is. All right. Well,

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<v Speaker 1>let's get the show cracking front page news. What we're

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<v Speaker 1>talking about, Well, well, you know, we have to start

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<v Speaker 1>this this Monday. We're talking about other things that happened

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<v Speaker 1>over the weekend, and there was some tragedy, some people

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<v Speaker 1>close to us have passed away, and some icons in

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<v Speaker 1>the music business. So we'll start off talking about that

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<v Speaker 1>all right, we'll get into that next and of course

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<v Speaker 1>Andre Horrell, he was he passed away over the weekend,

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<v Speaker 1>so rest in peace to Andre Horrell. He's been on

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<v Speaker 1>a Breakfast Club several times. He's a friend to everybody

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<v Speaker 1>in the room. Just a great energy, a great guy,

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<v Speaker 1>a great individual. He's a foundation to this music industry.

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<v Speaker 1>Some of your favorite artists, whether it's Mary J. Blige,

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<v Speaker 1>whether it's Guy, whether it's Joe to see how we

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<v Speaker 1>sh your monie for just to name a few. So

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<v Speaker 1>we're gonna get that interview back on the first time

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<v Speaker 1>he came to the Breakfast Club and he explained his

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<v Speaker 1>story how we created Uptown and all that. And we're

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<v Speaker 1>gonna get on a little Uptown mini mix on this morning,

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<v Speaker 1>so don't move. We'll do that next hour. It's the

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<v Speaker 1>Breakfast Club. Good morning morning. Everybody is DJ Envy Angela

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<v Speaker 1>yee shaw, I mean the guy we all to Breakfast Club.

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<v Speaker 1>Let's getting some front page news where we start with ye, Well,

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<v Speaker 1>this one really hit close to home and I know

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<v Speaker 1>we're paying tribute to Andre Horrell this morning, but rest

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<v Speaker 1>in peace to Andre Horrell who passed away over the weekend.

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<v Speaker 1>That was hard news for us all to get now,

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<v Speaker 1>you know, he is part of the Revolt family as well.

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<v Speaker 1>He was only fifty nine years old and he was

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<v Speaker 1>the vice chairman, and he was a lot of people's mentors,

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<v Speaker 1>a lot of people's friends, family members. So we just

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<v Speaker 1>want to give our condolences to everybody who Andre Horrell

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<v Speaker 1>has touched their life. As you know, he was in

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<v Speaker 1>nineteen eighty three, he was he hired Diddy to work

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<v Speaker 1>at def Jam. Well, no def Jam hired Andre Herrell

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<v Speaker 1>in nineteen eighty three. He was the vice president there.

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<v Speaker 1>Then it became general manager at the label. Then he

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<v Speaker 1>hired Um Diddy to go work at Uptown after he

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<v Speaker 1>founded Uptown Records. That's where he hired Diddy as an

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<v Speaker 1>intern and helped launch the career of so many people

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<v Speaker 1>like Mary Day Blithe, tv D and the Boys Joe

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<v Speaker 1>to See Teddy Riley, And in addition to that, there

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<v Speaker 1>was a lot of people who were giving stories that

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<v Speaker 1>we might have never heard before as well. So I

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<v Speaker 1>don't know if you guys saw all of these stories

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<v Speaker 1>that were being told, but there were a lot of

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<v Speaker 1>stories being told by Teddy Riley. He paid tribute to

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<v Speaker 1>Andre Horrell. He called him his mentor. He also said

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<v Speaker 1>that he spoke to him shortly before his versus battle

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<v Speaker 1>with Baby Face. He said, the pep talk that you're

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<v Speaker 1>you're you've given me right before, I felt like the

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<v Speaker 1>same pep talks you've given me from the beginning of

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<v Speaker 1>Uptown Records, sleeping on the couch at your office, your

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<v Speaker 1>brownstone in Brooklyn. You chose me out of all the

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<v Speaker 1>kids that you could have picked to work with you.

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<v Speaker 1>And Casey also gave his own tribute to Andre Horrell.

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<v Speaker 1>He said, the first time we met Drey, my group

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<v Speaker 1>went to New York to get a record deal. We went.

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<v Speaker 1>We wanted it to be from Uptown Records. At the time.

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<v Speaker 1>Dre had our favorite artists. He had Guy, he had

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<v Speaker 1>heavy d That's where we wanted to go. We got

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<v Speaker 1>to New York one morning and we just chance. We

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<v Speaker 1>went through the Yellow Pages and looked up Uptown Records.

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<v Speaker 1>We went over there. We saw Drey when we were

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<v Speaker 1>in the lobby waiting, but we didn't get a chance

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<v Speaker 1>to speak to him. He was getting on and off

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<v Speaker 1>the elevator, but we didn't say anything to him. How

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<v Speaker 1>he goes on to talk about how Andre Horrell also

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<v Speaker 1>came up with the MTV Unplugged Show with Uptown. That

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<v Speaker 1>was a clever idea of his. He had never done that,

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<v Speaker 1>that had never been done for a label. It was

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<v Speaker 1>all his idea, he said. Drey asked us to cover

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<v Speaker 1>Stevie Wonders lately for the show. We were like, we

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<v Speaker 1>can sing, but you're talking about Stevie wonder And he said,

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<v Speaker 1>y'all can do it, and that turned out to be

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<v Speaker 1>a big song for Joe to see. So rest in

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<v Speaker 1>peace to Andre Horrell. Also, Little Richard passed away at

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<v Speaker 1>the age of eighty seven. He is one of the legends,

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<v Speaker 1>one of the originators, and according to his family members,

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<v Speaker 1>he died in Nashville with his brother and his son

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<v Speaker 1>by his side. They said the cause of his death

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<v Speaker 1>is related to bone cancer. He had been ill for

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<v Speaker 1>a good while. We'll give you more information on Little

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<v Speaker 1>Richard throughout the morning as well. Also, this also heard

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<v Speaker 1>a lot of people. Betty Wright passed away over the weekend. Also,

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<v Speaker 1>she was sixty six and she died after her cancer diagnosis,

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<v Speaker 1>and they said something had clearly been wrong with her.

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<v Speaker 1>Because Shaka Khan actually made a plea calling all my

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<v Speaker 1>prayer warriors my beloved sister, Betty Wright is now in

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<v Speaker 1>need of all your prayers. So she was recently honored

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<v Speaker 1>on TV one's Unsung. She was called one of the

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<v Speaker 1>most underrated singers of her time. So many songs that

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<v Speaker 1>she had, including clean Up Woman. She was only eighteen

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<v Speaker 1>when that song was releasing. It was her biggest song ever.

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<v Speaker 1>She also had a lot of people sampled that song.

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<v Speaker 1>A lot of people sampled two Night is the Night,

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<v Speaker 1>whereas the Love We'll be talking about Betty Wright throughout

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<v Speaker 1>the morning as well, at the age of sixty six,

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<v Speaker 1>So we did lose a lot of legendary people over

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<v Speaker 1>this weekend. Yeah, made me allah, God be pleased with

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<v Speaker 1>all of those individuals. Salute to Andre Horrell, great brother

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<v Speaker 1>man personally and professionally that I talked to quite often

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<v Speaker 1>over the past few years. Um, you know, assisting him

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<v Speaker 1>and getting this Uptown record story off the ground, which

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<v Speaker 1>is coming out as a mini series on BT supposed

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<v Speaker 1>to be this fall, but you know, coronavirus pushed all

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<v Speaker 1>that back. But he made me a consultant producer on that,

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<v Speaker 1>so we we actually spoke very very often. I actually

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<v Speaker 1>spoke to him Tuesday, you know, Um, He's just a

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<v Speaker 1>just a great great greade grade grade, great great man,

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<v Speaker 1>great man. And that was I mean, all all of

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<v Speaker 1>these all depths of shocking, but it's just like that's

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<v Speaker 1>one you just do not expect to hear. I didn't

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<v Speaker 1>expect to hear that on you know, Friday, Friday night

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<v Speaker 1>at all. Like I literally was looking at somebody hit me, like, yo,

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<v Speaker 1>you talked to Andre. I'm like, uh, and I since

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<v Speaker 1>Tuesday and it's you know, it's Friday night, like I

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<v Speaker 1>already passed away. I'm like, huh. So it's just like,

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<v Speaker 1>you know, I don't know that I have a have

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<v Speaker 1>a very weird relationship with death. I've I've I've learned

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<v Speaker 1>to accept it over the past past couple of years,

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<v Speaker 1>really the past year, I've learned the accepted just leaning

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<v Speaker 1>into the uncertainty of life, knowing that every day could

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<v Speaker 1>be your last. But I still don't understand why things

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<v Speaker 1>happened to certain people at certain moments, because like Andrea

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<v Speaker 1>was really about to get his flowers in a real

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<v Speaker 1>real way when this when this mini series, you know,

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<v Speaker 1>dropped on bat and people were gonna really see the

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<v Speaker 1>legacy he built with Uptown and how ninety five percent,

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<v Speaker 1>not even ninety five percent. All black record labels now

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<v Speaker 1>are like like he laid the blueprint form just the

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<v Speaker 1>whole ghetto fabulous black excellence lifestyle. Andrea was that dude.

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<v Speaker 1>He was People was about to see that. They'll still

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<v Speaker 1>see that. What I'm saying, he would have been here

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<v Speaker 1>to receive those flowers. It was just strange. Man. Yeah, yeah,

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<v Speaker 1>you know, he did more than radio, but we'll talk

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<v Speaker 1>about him more. Man, He did more than radio Champagne

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<v Speaker 1>and Bubbles Bubbles. Baby, it was radio Champagne Bubbles was

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<v Speaker 1>a weekend weekend. No, no, he was. He was doing

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<v Speaker 1>it um on mornings at ninety seven. Uh when me

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<v Speaker 1>and miss Jones, miss Holmes was out and they brought

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<v Speaker 1>him in into Champagne and Bubbles. Yeah, and I was

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<v Speaker 1>helping him up up one time. I got stories, stories

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<v Speaker 1>and stories about Andre Horal. But rest in peace. We're

0:11:09.800 --> 0:11:11.559
<v Speaker 1>gonna get an interview all the next guy while rest

0:11:11.640 --> 0:11:14.080
<v Speaker 1>in peace to him, Rest in peace to Betty Wright,

0:11:14.160 --> 0:11:17.040
<v Speaker 1>and rest in piece of uri. Andre has done stuff

0:11:17.040 --> 0:11:21.440
<v Speaker 1>from U. He really got my wife's my wife's family

0:11:21.480 --> 0:11:23.640
<v Speaker 1>blessed in a real way. This shit, it's like Andrea

0:11:23.760 --> 0:11:27.080
<v Speaker 1>is a good dude, man, real man, good brother. All right,

0:11:27.400 --> 0:11:29.040
<v Speaker 1>all right when we come back, get it off your

0:11:29.120 --> 0:11:31.600
<v Speaker 1>chests eight hundred five eight five one on five one.

0:11:31.600 --> 0:11:33.200
<v Speaker 1>If you need to vent, hit us up now. It's

0:11:33.240 --> 0:11:39.960
<v Speaker 1>the Breakfast Club. Good morning, the Breakfast Club. This is

0:11:40.000 --> 0:11:41.920
<v Speaker 1>your time to get it off your chest. Whether you're man,

0:11:44.040 --> 0:11:45.760
<v Speaker 1>I hear from you on the Breakfast Club. But if

0:11:45.800 --> 0:11:50.920
<v Speaker 1>you got something on your mind. Hello, who's this? This

0:11:51.120 --> 0:11:54.480
<v Speaker 1>is Chandler from columb So Hi on good morning, Jay, Shandela,

0:11:54.520 --> 0:11:57.240
<v Speaker 1>what's up? Get it off your chests? Brother? H well one,

0:11:57.240 --> 0:12:00.480
<v Speaker 1>I wanted to say Mother's Day, had a great Mother's Day.

0:12:00.080 --> 0:12:04.240
<v Speaker 1>The White Sie and too I want it a little

0:12:04.280 --> 0:12:07.080
<v Speaker 1>Dickie series was a great series. Or I don't know

0:12:07.120 --> 0:12:09.920
<v Speaker 1>why you wasn't on an envy, but it was a great, great,

0:12:09.960 --> 0:12:14.040
<v Speaker 1>great series. And Angela and Charlotte Maagne yep, y'all did

0:12:14.040 --> 0:12:18.360
<v Speaker 1>a great job. And thank you. Free, no problem, no

0:12:18.440 --> 0:12:23.000
<v Speaker 1>problem free. Now. I know it's Corona. But if they

0:12:23.000 --> 0:12:26.280
<v Speaker 1>had a concert here and they said Applies was performing

0:12:26.320 --> 0:12:29.720
<v Speaker 1>that rock, I probably would risk it off. Where is here?

0:12:30.320 --> 0:12:35.120
<v Speaker 1>Where's here? Colomazo? Hi, clomazo Hi? Okay, So you love Applies?

0:12:35.160 --> 0:12:38.440
<v Speaker 1>You feel like you applies rock. Yeah, if you performed

0:12:38.480 --> 0:12:41.559
<v Speaker 1>that that energy might be one of the best performances

0:12:41.600 --> 0:12:44.040
<v Speaker 1>I've ever seen. I might risk it all if he

0:12:44.120 --> 0:12:47.080
<v Speaker 1>did that. Rock boys dropped on a clue box applies

0:12:47.160 --> 0:12:49.040
<v Speaker 1>somebody just guy said he would go risk it to

0:12:49.040 --> 0:12:53.720
<v Speaker 1>see Applies do rock. But I was actually closing on

0:12:53.760 --> 0:12:55.439
<v Speaker 1>the home that day when they did the Little Dickie

0:12:55.720 --> 0:12:59.040
<v Speaker 1>series side That's why I wasn't there. Oh well yeah, yeah, yeah,

0:12:59.160 --> 0:13:02.280
<v Speaker 1>great show, great show. I recommend everybody to watch it.

0:13:02.760 --> 0:13:04.640
<v Speaker 1>Thank you. Brother. Wake up in the morning and realize,

0:13:04.720 --> 0:13:06.240
<v Speaker 1>just do you think about the things you don't expect

0:13:06.280 --> 0:13:08.520
<v Speaker 1>to hear? He said, you would risk getting Corolla to

0:13:08.520 --> 0:13:10.800
<v Speaker 1>go see flies for four him? No, oh, here's my

0:13:10.840 --> 0:13:18.200
<v Speaker 1>rock Rock. Hello? Who's this? That Mercy whatever? Lead from Detroit? Hey,

0:13:18.200 --> 0:13:21.480
<v Speaker 1>what's up? Chess Man? First, I want to say I'm blessed.

0:13:21.600 --> 0:13:23.560
<v Speaker 1>I don't want to what my father is. I want

0:13:23.559 --> 0:13:25.800
<v Speaker 1>to like, it's all fad, I'm blessed. Ain't miss no

0:13:25.880 --> 0:13:28.400
<v Speaker 1>pay checks, wife, they miss no pay checks. But we

0:13:28.400 --> 0:13:30.360
<v Speaker 1>don't even know Hasitta at the post office? Man, But

0:13:30.480 --> 0:13:32.240
<v Speaker 1>we got the crazy man and the White Hawks man.

0:13:32.320 --> 0:13:35.280
<v Speaker 1>We had changed. I'm miss him my life everything, and

0:13:35.600 --> 0:13:40.079
<v Speaker 1>we just met. This is that sucks. That sucks. The

0:13:40.160 --> 0:13:42.560
<v Speaker 1>post office is a dangerous place. By the way, man,

0:13:42.760 --> 0:13:45.440
<v Speaker 1>we got a bust of people done. What you mean

0:13:45.520 --> 0:13:50.480
<v Speaker 1>people that work at the post office. Yeah, you're working

0:13:50.640 --> 0:13:53.719
<v Speaker 1>so hard too. I do have to say, man, you

0:13:53.800 --> 0:13:56.280
<v Speaker 1>guys do deserve hazard pay. And even going to the

0:13:56.360 --> 0:13:58.320
<v Speaker 1>post office. You go, you walk into post office if

0:13:58.320 --> 0:14:00.640
<v Speaker 1>it's four, if it's four or five people the post office,

0:14:00.679 --> 0:14:02.800
<v Speaker 1>I stay outside. I tell people come out. You can't

0:14:02.840 --> 0:14:05.120
<v Speaker 1>social distance. It's not even what mine isn't that big

0:14:05.200 --> 0:14:07.600
<v Speaker 1>in my neighborhood. I get something the other day from

0:14:07.640 --> 0:14:10.040
<v Speaker 1>the ap W, which is our union. I'm thinking there's

0:14:10.080 --> 0:14:12.080
<v Speaker 1>gonna be a letter saying they fight for us, they

0:14:12.160 --> 0:14:14.280
<v Speaker 1>don't get us has a pay. It was some stickers

0:14:14.360 --> 0:14:18.160
<v Speaker 1>and plastic rubber bands, Like what is this? What is

0:14:18.240 --> 0:14:21.000
<v Speaker 1>this y'all spending money on this nonsense? For we ain't

0:14:21.000 --> 0:14:23.320
<v Speaker 1>here risk in our lives Like this is I need

0:14:23.360 --> 0:14:24.880
<v Speaker 1>you all to make some noise for me and my

0:14:25.040 --> 0:14:31.520
<v Speaker 1>six hundred thousand coworkers. Y'all not consider government officials. Yes, yeah,

0:14:31.600 --> 0:14:33.720
<v Speaker 1>y'all should be getting as a pig. That's crazy than

0:14:34.000 --> 0:14:35.840
<v Speaker 1>noise for us. Man, get one of these junior people

0:14:35.880 --> 0:14:37.920
<v Speaker 1>on there so we can call it put them in check. Man.

0:14:38.280 --> 0:14:39.840
<v Speaker 1>All right, brother, well, thank you for calling, man, and

0:14:39.880 --> 0:14:42.120
<v Speaker 1>we appreciate the work what you're doing every day too. Man,

0:14:42.520 --> 0:14:45.000
<v Speaker 1>Get it off your chest eight hundred five eight five

0:14:45.080 --> 0:14:47.120
<v Speaker 1>one on five one. If you need to vent, hit

0:14:47.240 --> 0:14:49.800
<v Speaker 1>us up now. It's the Breakfast Club. Good morning, the

0:14:50.040 --> 0:14:57.320
<v Speaker 1>Breakfast Club. Wake up, wake up, wake y'all. You're trying

0:14:57.360 --> 0:15:00.880
<v Speaker 1>to get it off your chest with your man or blas.

0:15:01.080 --> 0:15:03.680
<v Speaker 1>We want to hear from you on the recons Well, Hello,

0:15:03.800 --> 0:15:07.680
<v Speaker 1>who's this? This is Bernard Datte calling from Silly. How's everyone?

0:15:08.000 --> 0:15:15.280
<v Speaker 1>Good morning, Charlotmgagne the god in Angela. Get it off

0:15:15.360 --> 0:15:18.200
<v Speaker 1>your chest? All right? Well, first of all, I want

0:15:18.240 --> 0:15:21.640
<v Speaker 1>to just say rest in pizza andre Harrell's family, Um,

0:15:22.040 --> 0:15:25.360
<v Speaker 1>Richard and Betty Wright. And wasn't Andre Harrell one of

0:15:25.440 --> 0:15:29.080
<v Speaker 1>the partners of Doctor Jacko Mister High Rap Group. Yeah

0:15:29.160 --> 0:15:31.720
<v Speaker 1>he was. Yeah. I don't want people to forget that

0:15:31.840 --> 0:15:34.480
<v Speaker 1>because you know that was part of the eighties legend

0:15:34.600 --> 0:15:36.600
<v Speaker 1>right there. But one of the things I didn't want

0:15:36.640 --> 0:15:39.800
<v Speaker 1>to call about today. Um, Charlottamagne. You always talk about

0:15:39.840 --> 0:15:43.080
<v Speaker 1>mental health awareness and I just want to bring awareness

0:15:43.240 --> 0:15:46.000
<v Speaker 1>to spend three years that I've been trying to call

0:15:46.120 --> 0:15:48.760
<v Speaker 1>in and talk to you all about this. My sister's

0:15:48.880 --> 0:15:51.120
<v Speaker 1>life was taken at the age of fifty by her

0:15:51.240 --> 0:15:55.680
<v Speaker 1>only son who suffered from schizophrenia. And let me tell you,

0:15:55.800 --> 0:15:58.600
<v Speaker 1>in North Carolina, she was constantly we were living in

0:15:58.760 --> 0:16:03.480
<v Speaker 1>Charlotte at the time, and whenever my nephew had thoughts

0:16:03.560 --> 0:16:07.560
<v Speaker 1>of taking her life and his life, she would hospitalize

0:16:07.640 --> 0:16:10.960
<v Speaker 1>him and they will always release him back to her.

0:16:11.520 --> 0:16:14.880
<v Speaker 1>And then when it went to court, he he didn't

0:16:14.880 --> 0:16:16.960
<v Speaker 1>even have a trial. The judge says he had been

0:16:17.040 --> 0:16:21.120
<v Speaker 1>mentally ill for quite some time and that he was

0:16:21.320 --> 0:16:24.360
<v Speaker 1>deemed not guilty due to the reason of insanity and

0:16:24.480 --> 0:16:27.000
<v Speaker 1>a crazy thing about it. We still have things in

0:16:27.120 --> 0:16:30.880
<v Speaker 1>litigation with her life insurance, but he's on all of

0:16:30.960 --> 0:16:35.200
<v Speaker 1>her life insurance policies and he is not guilty due

0:16:35.200 --> 0:16:37.960
<v Speaker 1>to the reason of insanity. He's in a mental institution

0:16:38.040 --> 0:16:41.000
<v Speaker 1>for the rest of his life. But unfortunately, there's no

0:16:41.200 --> 0:16:44.880
<v Speaker 1>laws out there for the for the caretaker, you know

0:16:44.920 --> 0:16:49.440
<v Speaker 1>what I mean, you mean, for the can't take good

0:16:49.480 --> 0:16:52.040
<v Speaker 1>as far as like, what do you mean, my sister.

0:16:54.400 --> 0:16:57.960
<v Speaker 1>There should be laws for the custodian parent or the

0:16:58.080 --> 0:17:00.840
<v Speaker 1>person who's taking care of someone that's an adult, that

0:17:01.200 --> 0:17:05.879
<v Speaker 1>that has mental illness. There's nothing out there for that person,

0:17:06.240 --> 0:17:10.160
<v Speaker 1>like the hospitals will constantly release them back to your custody,

0:17:10.560 --> 0:17:14.040
<v Speaker 1>knowing that he had thought of killing you. Yeah, there

0:17:14.040 --> 0:17:16.480
<v Speaker 1>should be some type of orders of protection in place.

0:17:16.560 --> 0:17:18.520
<v Speaker 1>All Honestly, that brother, that brother should have been in

0:17:18.560 --> 0:17:21.680
<v Speaker 1>the mental facility a long time ago, a long time,

0:17:21.720 --> 0:17:24.680
<v Speaker 1>a diagnosis in twenty twelve. He took her life in

0:17:24.800 --> 0:17:28.480
<v Speaker 1>twenty seventeen, and they constantly kept releasing them to them

0:17:28.720 --> 0:17:30.919
<v Speaker 1>to her. And that's what I just wanted to get out.

0:17:30.960 --> 0:17:33.320
<v Speaker 1>If there's anyone out there with any kind of information

0:17:33.640 --> 0:17:36.040
<v Speaker 1>of how we can continue to fight this fight or

0:17:36.119 --> 0:17:39.400
<v Speaker 1>get a law changed out there, please get in touch

0:17:39.480 --> 0:17:41.800
<v Speaker 1>with me, because I want to take this all the

0:17:41.880 --> 0:17:43.760
<v Speaker 1>way up. I want to be able to have something

0:17:43.840 --> 0:17:47.000
<v Speaker 1>called the Marcella Law because my sisters served twenty years

0:17:47.359 --> 0:17:50.320
<v Speaker 1>as a marine, and she didn't die for our country.

0:17:50.440 --> 0:17:52.639
<v Speaker 1>She died for her son. You know what I mean.

0:17:53.119 --> 0:17:56.000
<v Speaker 1>It's just could I get your info? When you leave

0:17:56.000 --> 0:17:58.040
<v Speaker 1>your info for me, when we hang up the phone,

0:17:58.600 --> 0:18:01.159
<v Speaker 1>I'm I'm gonna shoot you an email, all right, Hold on,

0:18:01.240 --> 0:18:04.040
<v Speaker 1>all right, get it off your chest eight hundred five

0:18:04.119 --> 0:18:06.119
<v Speaker 1>A five one oh five one. If you need to vent,

0:18:06.160 --> 0:18:07.560
<v Speaker 1>you can hit us something now. We got rumors on

0:18:07.600 --> 0:18:10.320
<v Speaker 1>the way. Ye yes, Over the weekend, a lot happened

0:18:10.400 --> 0:18:13.520
<v Speaker 1>Takashi six to nine. He broke all kinds of records

0:18:13.960 --> 0:18:16.480
<v Speaker 1>when he went live and also released some new music

0:18:16.960 --> 0:18:19.240
<v Speaker 1>and baby Face I was looking forward to this Mother's

0:18:19.320 --> 0:18:23.200
<v Speaker 1>Day tribute, but understandably it's been postponed, and we'll tell

0:18:23.200 --> 0:18:25.360
<v Speaker 1>you what he did instead. All right, we'll get into

0:18:25.400 --> 0:18:27.560
<v Speaker 1>that next. Keeping locked this to Breakfast Club. Good morning,

0:18:27.880 --> 0:18:34.920
<v Speaker 1>the Breakfast Club, DJ Envy, Angela Yee, Charlomagne, the guy

0:18:35.000 --> 0:18:36.920
<v Speaker 1>we all the Breakfast Club. Let's get to the rumors.

0:18:36.960 --> 0:18:42.760
<v Speaker 1>Let's talk to Kashi six nine. She's filling the team.

0:18:43.080 --> 0:18:46.280
<v Speaker 1>This is the rumor report with Angela Yee on the

0:18:46.359 --> 0:18:50.320
<v Speaker 1>Breakfast Club. So Takashi six nine went live for the

0:18:50.359 --> 0:18:52.879
<v Speaker 1>first time since he got out of prison, and he

0:18:53.040 --> 0:18:56.520
<v Speaker 1>broke all the records. He broke Tory Lanes's Instagram live record,

0:18:56.520 --> 0:18:59.400
<v Speaker 1>who had three hundred thousand. He had two million viewers

0:19:00.280 --> 0:19:03.600
<v Speaker 1>during his live. Now in addition to that, he also

0:19:03.760 --> 0:19:07.879
<v Speaker 1>put out a new song, Guba, and that song in

0:19:08.000 --> 0:19:11.800
<v Speaker 1>twenty four hours had forty three point five million views,

0:19:11.920 --> 0:19:15.160
<v Speaker 1>So he broke every record possible. He broke Eminem's record

0:19:15.240 --> 0:19:19.080
<v Speaker 1>in just twenty four hours for hip hop YouTube views. Now,

0:19:19.160 --> 0:19:21.400
<v Speaker 1>in addition to that, here's what he had to say

0:19:21.600 --> 0:19:24.320
<v Speaker 1>about snitching on his IG live. But where was the

0:19:24.400 --> 0:19:26.400
<v Speaker 1>loyalt when you were sleeping with my baby mother? Where

0:19:26.480 --> 0:19:28.280
<v Speaker 1>was the loyalt when you was caught on the white

0:19:28.320 --> 0:19:29.800
<v Speaker 1>tap trying to kill me? Who was the loyaltie when

0:19:29.840 --> 0:19:32.000
<v Speaker 1>you try to kidnap my mother? Where was the loyalty

0:19:32.119 --> 0:19:33.520
<v Speaker 1>when you were still the millions of dollars for me?

0:19:33.600 --> 0:19:35.879
<v Speaker 1>Where was that? So? Who broke it first? All right,

0:19:36.000 --> 0:19:38.840
<v Speaker 1>I'll get it. Don't fight fire fire, I'm sorry, But

0:19:39.000 --> 0:19:41.680
<v Speaker 1>what did I do on kidnap me? I'm supposed to

0:19:41.680 --> 0:19:43.240
<v Speaker 1>be loyal to that? No, you know what? You know

0:19:43.320 --> 0:19:46.600
<v Speaker 1>what it is, y'all don't want to accept the fact

0:19:46.640 --> 0:19:49.359
<v Speaker 1>that those are all true facts. Yeah, I heard that,

0:19:49.520 --> 0:19:53.280
<v Speaker 1>And you know, like I said, when I met the kid,

0:19:53.359 --> 0:19:55.800
<v Speaker 1>he's a good kid. But you talk about why you

0:19:55.880 --> 0:19:57.840
<v Speaker 1>snitched on those people, but you also got to talk

0:19:57.840 --> 0:20:00.600
<v Speaker 1>about the conversation of why you told on Cardi B

0:20:00.840 --> 0:20:04.680
<v Speaker 1>while you told on Jim Jones, Why you mentioned while

0:20:04.720 --> 0:20:06.920
<v Speaker 1>you put a hit out on somebody, like there's other reason,

0:20:06.920 --> 0:20:09.720
<v Speaker 1>it's not just it's not just somebody said something. And

0:20:09.760 --> 0:20:11.280
<v Speaker 1>then you said, now I'm not gonna go to jail

0:20:11.320 --> 0:20:13.239
<v Speaker 1>for them. You also opened up for so many other

0:20:13.280 --> 0:20:16.199
<v Speaker 1>people that had nothing to do with any of that. Yeah, man,

0:20:16.480 --> 0:20:19.399
<v Speaker 1>you know, and you and you use those people the

0:20:19.520 --> 0:20:21.760
<v Speaker 1>harm other people, like you just said, you use those

0:20:22.240 --> 0:20:24.960
<v Speaker 1>you know guys and security. You ordered hits on other guys.

0:20:25.280 --> 0:20:27.359
<v Speaker 1>You're not innocent at all. You know the lifestyle you

0:20:27.480 --> 0:20:29.959
<v Speaker 1>was leading, and when the lifestyle didn't benefit you anymore

0:20:29.960 --> 0:20:32.040
<v Speaker 1>and those wolves turned on you, you turned on the wolves.

0:20:32.119 --> 0:20:34.680
<v Speaker 1>Welcome to the streets now. Meek Mill went on Twitter

0:20:34.760 --> 0:20:37.280
<v Speaker 1>and said, I hope that rat going live to apologize

0:20:37.280 --> 0:20:40.080
<v Speaker 1>to the people he told on or the victim. He said,

0:20:40.160 --> 0:20:42.680
<v Speaker 1>y'all forgot that fast or rat killed Nipsey. He wasn't

0:20:42.720 --> 0:20:44.600
<v Speaker 1>supposed to be on the street. Sas the only thing

0:20:44.640 --> 0:20:47.320
<v Speaker 1>I'm gonna say, because he's dead, left his baby mom

0:20:47.400 --> 0:20:50.800
<v Speaker 1>and child like a coward as targets. And then he

0:20:50.960 --> 0:20:54.200
<v Speaker 1>also went on to say because he did just have

0:20:54.359 --> 0:20:56.800
<v Speaker 1>a you know, he had his child on his birthday

0:20:56.920 --> 0:21:00.280
<v Speaker 1>on Wednesday, And of course Dakashi had something to say

0:21:00.280 --> 0:21:04.320
<v Speaker 1>about that. Takashi went on social media and commented about

0:21:04.359 --> 0:21:06.639
<v Speaker 1>Meek Meil, you know, paying attention to him at this time.

0:21:06.680 --> 0:21:09.639
<v Speaker 1>He said, imagine having a newborn baby coming to the

0:21:09.680 --> 0:21:13.080
<v Speaker 1>world to be pressed about a Mexican with a rainbow hair. Well,

0:21:13.160 --> 0:21:15.280
<v Speaker 1>Miek Meil said, I'm sorry I lashed out. Sometimes when

0:21:15.320 --> 0:21:17.480
<v Speaker 1>I see people playing like that. Eloa, I've been locked

0:21:17.560 --> 0:21:21.040
<v Speaker 1>up too many times like an animal, as he said,

0:21:21.200 --> 0:21:22.879
<v Speaker 1>changed my pass code and don't give it to me

0:21:23.000 --> 0:21:26.880
<v Speaker 1>no more. And then he put some laughing emojis with that. Now,

0:21:26.960 --> 0:21:29.639
<v Speaker 1>in addition to that, there was some video that a

0:21:29.720 --> 0:21:33.440
<v Speaker 1>girl posted. I guess Takashi moved in next door to

0:21:33.520 --> 0:21:36.440
<v Speaker 1>her and she saw him outside taking pictures and she

0:21:36.600 --> 0:21:43.280
<v Speaker 1>posted this six nine is literally he moved into the

0:21:43.320 --> 0:21:50.560
<v Speaker 1>house behind me. He's taking pictures. Yeah, and there was

0:21:50.600 --> 0:21:53.120
<v Speaker 1>a whole lot of money talking. You know, I'm sure

0:21:53.160 --> 0:21:56.120
<v Speaker 1>the young man has money, but you ain't got real money.

0:21:56.119 --> 0:21:59.080
<v Speaker 1>If you got neighbors, bro, you're in witness protection. There's

0:21:59.119 --> 0:22:01.320
<v Speaker 1>no way in hell if when you's actually not though

0:22:01.600 --> 0:22:04.600
<v Speaker 1>he's not, well, that's that's even worse. Yeah, that's even worse.

0:22:05.000 --> 0:22:07.040
<v Speaker 1>Like you talk about money, you shouldn't have neighbors like

0:22:07.040 --> 0:22:08.639
<v Speaker 1>you shouldn't be on your porch and your neighbors be

0:22:08.680 --> 0:22:11.720
<v Speaker 1>able to take a video of you. And and I'm

0:22:11.760 --> 0:22:13.920
<v Speaker 1>just complain that I know my neighbors can't take pictures

0:22:13.920 --> 0:22:16.040
<v Speaker 1>of me. Look like it was a shared pool. To

0:22:16.160 --> 0:22:18.960
<v Speaker 1>the legs, you're live in a complex with the community pool.

0:22:19.320 --> 0:22:21.600
<v Speaker 1>Nothing wrong with that. It looks like he moved already,

0:22:21.680 --> 0:22:24.040
<v Speaker 1>so we don't know where he is now. But yeah,

0:22:24.080 --> 0:22:27.760
<v Speaker 1>that was very smart outside rainbow hair posing with money. Yeah,

0:22:27.760 --> 0:22:30.720
<v Speaker 1>you can't let the neighbors thousand on a chain and

0:22:31.240 --> 0:22:33.359
<v Speaker 1>you're in an area where people can come out to

0:22:33.400 --> 0:22:35.080
<v Speaker 1>the back porch, you're coming the pool and see you,

0:22:35.200 --> 0:22:37.240
<v Speaker 1>Like you have to be smarter than that as well.

0:22:37.400 --> 0:22:39.280
<v Speaker 1>I mean like he's not though, And that right there

0:22:39.359 --> 0:22:41.159
<v Speaker 1>is a prime example of why this isn't going to

0:22:41.280 --> 0:22:42.760
<v Speaker 1>end well. And this is why I don't even think

0:22:42.760 --> 0:22:44.480
<v Speaker 1>we should be entertaining any of this. I don't even

0:22:44.520 --> 0:22:46.800
<v Speaker 1>think we should be talking about this because energy, any

0:22:46.920 --> 0:22:50.080
<v Speaker 1>energy we give that young man, is only fueling his

0:22:50.240 --> 0:22:52.720
<v Speaker 1>untimely demise. Because let me tell you something about the universe.

0:22:52.920 --> 0:22:55.040
<v Speaker 1>When you bump your head in life, and the universe

0:22:55.119 --> 0:22:57.040
<v Speaker 1>teaches you a lesson from that head bump, and you

0:22:57.080 --> 0:22:59.080
<v Speaker 1>don't learn a lesson from that head bump, and you

0:22:59.160 --> 0:23:00.800
<v Speaker 1>go back to doing what caused you to bump your

0:23:00.840 --> 0:23:02.440
<v Speaker 1>head in the first place. You're not gonna get a

0:23:02.480 --> 0:23:04.720
<v Speaker 1>head bumped the next time. Next time, you will lose

0:23:04.760 --> 0:23:08.199
<v Speaker 1>your head all together. Watch all right, Well he did

0:23:08.280 --> 0:23:10.119
<v Speaker 1>break all kinds of records, So we're just letting you

0:23:10.240 --> 0:23:13.080
<v Speaker 1>know what's happening now, baby face. In the meantime, we're

0:23:13.080 --> 0:23:16.520
<v Speaker 1>supposed to do this a waiting to exhale Mother's Day Special,

0:23:16.720 --> 0:23:19.800
<v Speaker 1>but instead he said, due to the passing of a

0:23:19.920 --> 0:23:21.720
<v Speaker 1>very dear friend of mine, will have to postpone the

0:23:21.760 --> 0:23:25.600
<v Speaker 1>waiting to exhale Mother's Day Special, and instead he did

0:23:25.680 --> 0:23:29.280
<v Speaker 1>a tribute to Andre Horrell, who was very close to him.

0:23:29.320 --> 0:23:31.000
<v Speaker 1>He went on to share a song that he wrote

0:23:31.119 --> 0:23:34.960
<v Speaker 1>and dedicated to Andre Horrell. Here is that song. I

0:23:35.119 --> 0:23:43.920
<v Speaker 1>remember how you smile, I remember how you laugh, how

0:23:44.000 --> 0:23:49.680
<v Speaker 1>you always told you the truth and you never held

0:23:49.760 --> 0:23:58.040
<v Speaker 1>things bad. How you fought for excellence to be black

0:23:58.119 --> 0:24:03.640
<v Speaker 1>as we can be. Andrew, you knew who you were,

0:24:04.200 --> 0:24:07.440
<v Speaker 1>and I swear, if nothing else you talked me to

0:24:07.760 --> 0:24:13.399
<v Speaker 1>be me. Lord, have mercy, my baby face, got a

0:24:13.440 --> 0:24:16.359
<v Speaker 1>eulogy voice. I mean that whole song, is it just

0:24:16.640 --> 0:24:18.879
<v Speaker 1>it sounded like the end of the movie when they

0:24:19.040 --> 0:24:21.520
<v Speaker 1>putting up the pictures of the people who passed away,

0:24:22.359 --> 0:24:26.800
<v Speaker 1>like God, damn baby face, Lord have mercy all right. Well,

0:24:26.800 --> 0:24:29.800
<v Speaker 1>according to auto Hrrell's ex wife, she said that he

0:24:30.000 --> 0:24:33.000
<v Speaker 1>did die from heart failure and that he did have

0:24:33.160 --> 0:24:35.879
<v Speaker 1>a history of heart problems that led to this. So

0:24:36.680 --> 0:24:39.560
<v Speaker 1>apparently he was on a phone call the day before

0:24:39.760 --> 0:24:42.639
<v Speaker 1>he passed and the call just dropped, and according to

0:24:42.720 --> 0:24:44.680
<v Speaker 1>a source, they said the person didn't think anything of it.

0:24:44.800 --> 0:24:46.760
<v Speaker 1>After that, attempts to reach him all day by phone

0:24:46.800 --> 0:24:50.200
<v Speaker 1>were unsuccessful. That's when his cousin went by in the

0:24:50.320 --> 0:24:52.399
<v Speaker 1>morning and used a spare key and found that he

0:24:52.480 --> 0:24:56.360
<v Speaker 1>had passed. Yeah, and you know it's so interesting. Um,

0:24:56.880 --> 0:25:00.240
<v Speaker 1>you know, I saw Jesse Collins saying how he's hooked

0:25:00.280 --> 0:25:02.840
<v Speaker 1>to Andrea on Wednesday, and Andrew was adamant about talking

0:25:02.880 --> 0:25:04.520
<v Speaker 1>to one of the writers because he wanted to get

0:25:04.600 --> 0:25:09.640
<v Speaker 1>this this this story into the Uptown miniseries that they're doing,

0:25:09.720 --> 0:25:11.720
<v Speaker 1>and that he wanted to really land the ending. And

0:25:11.800 --> 0:25:14.800
<v Speaker 1>then I saw I was on Without Shopton on MSNBC

0:25:15.000 --> 0:25:16.560
<v Speaker 1>yesterday and he was talking about how they were on

0:25:16.640 --> 0:25:19.800
<v Speaker 1>this whole group call, you know, putting together these these

0:25:19.920 --> 0:25:22.600
<v Speaker 1>plans in regard to the election coming up in November.

0:25:22.800 --> 0:25:24.720
<v Speaker 1>And then you know, I'm looking at my phone on

0:25:24.840 --> 0:25:28.679
<v Speaker 1>Tuesday and he sent me this long, detailed plan about something,

0:25:28.720 --> 0:25:30.840
<v Speaker 1>and I'm just like, I want to do people know

0:25:31.400 --> 0:25:34.520
<v Speaker 1>when they're about to go, you know what I mean? Like,

0:25:34.640 --> 0:25:38.320
<v Speaker 1>that's it seems very odd that everybody had similar conversations

0:25:38.359 --> 0:25:41.360
<v Speaker 1>with him this week where he was like putting out

0:25:41.400 --> 0:25:44.800
<v Speaker 1>these detailed plans to people like it's it's I don't know,

0:25:45.640 --> 0:25:49.119
<v Speaker 1>It's all right now. Uh now, let's talk about this

0:25:49.600 --> 0:25:52.520
<v Speaker 1>scam that happened. And among the people's scam was Jennifer

0:25:52.640 --> 0:25:55.880
<v Speaker 1>Lewis from Blackish, a friend of ours two and she's

0:25:55.920 --> 0:25:58.439
<v Speaker 1>among four women who were kinds out of four hundred

0:25:58.480 --> 0:26:01.320
<v Speaker 1>thousand dollars in a romance scam. I believe she's spoken

0:26:01.400 --> 0:26:04.760
<v Speaker 1>on this before. But Antonio Marriott Wilson, also known as

0:26:04.840 --> 0:26:08.120
<v Speaker 1>doctor Tony Marriott and Bryce Carrington, he agreed to plead

0:26:08.160 --> 0:26:10.920
<v Speaker 1>guilty to one count of wire fraud after he got

0:26:11.119 --> 0:26:14.440
<v Speaker 1>that four hundred thousand dollars from these women. He previously

0:26:14.520 --> 0:26:16.879
<v Speaker 1>served a four year term in federal prison for wire

0:26:16.960 --> 0:26:19.840
<v Speaker 1>fraud and tax evasion back in two thousand and nine,

0:26:19.880 --> 0:26:22.560
<v Speaker 1>after pleading guilty. He met four women on dating apps

0:26:22.960 --> 0:26:26.160
<v Speaker 1>between May twenty fifteen and October twenty eighteen. He convinced

0:26:26.200 --> 0:26:29.160
<v Speaker 1>them to engage in romantic relationships with them, and then

0:26:29.320 --> 0:26:32.000
<v Speaker 1>once there, he proceeded to con all of them out

0:26:32.040 --> 0:26:35.520
<v Speaker 1>of three hundred and eighty seven thousand dollars cumulatively. So

0:26:35.760 --> 0:26:38.119
<v Speaker 1>Jennifer Lewis was among those people. She met him at

0:26:38.160 --> 0:26:40.359
<v Speaker 1>a gym where he worked as a manager. He would

0:26:40.440 --> 0:26:42.000
<v Speaker 1>use the money that he got from these women to

0:26:42.160 --> 0:26:44.280
<v Speaker 1>fund his lifestyle and then he was paying off all

0:26:44.320 --> 0:26:48.280
<v Speaker 1>of his debts and buying luxury items. And yeah, previously

0:26:48.359 --> 0:26:50.240
<v Speaker 1>he had done the same scheme. So now he's facing

0:26:50.280 --> 0:26:53.760
<v Speaker 1>a maximum sentence of twenty years in federal prison. They

0:26:53.840 --> 0:26:56.199
<v Speaker 1>have not yet set a date for his hearing. Now,

0:26:56.280 --> 0:26:58.040
<v Speaker 1>what was the time period that he got all his

0:26:58.119 --> 0:27:00.359
<v Speaker 1>money out of missus Jennifer Lewis, Queen Lewis, Because it

0:27:00.400 --> 0:27:03.600
<v Speaker 1>was like it was like four hundred thousand, right, four

0:27:03.760 --> 0:27:07.280
<v Speaker 1>women between four women, it was four hundred thousand cumulators. Oh,

0:27:07.480 --> 0:27:12.000
<v Speaker 1>I thought it was just Missus Lewis that eight from oh, okay, okay, okay, okay.

0:27:12.520 --> 0:27:15.480
<v Speaker 1>What was the time period though, between May twenty fifteen

0:27:15.520 --> 0:27:19.280
<v Speaker 1>and October twenty eighteen, so about three three years. That's

0:27:19.280 --> 0:27:21.159
<v Speaker 1>about one hundred grand a year. That ain't bad. I

0:27:21.240 --> 0:27:24.479
<v Speaker 1>was about I was okay. I want to say Dan,

0:27:24.480 --> 0:27:26.639
<v Speaker 1>he's pretty good. Scameal but three years that's about it, right?

0:27:27.160 --> 0:27:29.600
<v Speaker 1>All right? Well I'm Mandela Yee and that is your

0:27:29.720 --> 0:27:32.880
<v Speaker 1>rumor report. All right, thank you, miss ye. Now when

0:27:32.920 --> 0:27:34.800
<v Speaker 1>we come back, we got front page news what we're

0:27:34.800 --> 0:27:37.440
<v Speaker 1>talking about, yes, and you know we didn't get a

0:27:37.520 --> 0:27:40.280
<v Speaker 1>chance to get into more details about Betty right passing

0:27:40.320 --> 0:27:43.320
<v Speaker 1>in Little Richard passing, so we will get more into

0:27:43.440 --> 0:27:45.800
<v Speaker 1>that and front page news. All right, we'll get into

0:27:45.840 --> 0:27:47.920
<v Speaker 1>that when we come back. Keeping locked this to breakfast club.

0:27:47.960 --> 0:27:52.440
<v Speaker 1>Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

0:27:52.440 --> 0:27:54.440
<v Speaker 1>the guy we all the breakfast club. Let's get in

0:27:54.520 --> 0:27:59.600
<v Speaker 1>some front page news where were starting? Ye, Man, I

0:27:59.720 --> 0:28:02.680
<v Speaker 1>just bad that. It's a lot of not good news

0:28:03.760 --> 0:28:06.920
<v Speaker 1>this morning. But little Richard rest in piece too. Little Richard.

0:28:06.960 --> 0:28:09.520
<v Speaker 1>He was eighty seven years old. He passed from bone

0:28:09.560 --> 0:28:14.280
<v Speaker 1>cancer at his house in Nashville on Saturday morning. He

0:28:14.400 --> 0:28:17.960
<v Speaker 1>signed his first record deal with RCA back in nineteen

0:28:18.040 --> 0:28:21.879
<v Speaker 1>fifty one, and he was known as one of the

0:28:22.200 --> 0:28:26.320
<v Speaker 1>architects of rock and roll. So rest in piece to

0:28:26.359 --> 0:28:29.200
<v Speaker 1>Little Richard. According to some of the all time greats,

0:28:29.240 --> 0:28:30.760
<v Speaker 1>they did say they learned a lot from him. Like

0:28:30.880 --> 0:28:34.880
<v Speaker 1>Davie Wonder. He said that when he was fifteen years

0:28:34.920 --> 0:28:37.399
<v Speaker 1>old and he was playing piano and doing all of that,

0:28:37.560 --> 0:28:40.120
<v Speaker 1>there was a mix of soul, gospel and blues that

0:28:40.320 --> 0:28:44.120
<v Speaker 1>captured the boisterous spirit of Little Richard, like Tutti Fruity Singer.

0:28:44.800 --> 0:28:47.440
<v Speaker 1>Also Mick Jagger from the Rolling Stones, the front man

0:28:47.520 --> 0:28:49.680
<v Speaker 1>from the Rolling Stones. He said he learned everything about

0:28:49.720 --> 0:28:53.000
<v Speaker 1>the art of the preen from the originator, a Little Richard.

0:28:53.040 --> 0:28:56.160
<v Speaker 1>And long before there were the lips like the good

0:28:56.240 --> 0:28:59.320
<v Speaker 1>Golly Miss Molly, Singer had perfected his pal But beyond that,

0:28:59.560 --> 0:29:01.960
<v Speaker 1>mc jack got in touch with his feminine side in

0:29:02.040 --> 0:29:04.479
<v Speaker 1>a way that Little Richard had done beforehand, freeing him

0:29:04.520 --> 0:29:08.880
<v Speaker 1>from the rules of rock star masculinity. Paul McCartney. According

0:29:08.960 --> 0:29:11.640
<v Speaker 1>to Paul McCartney, he says Little Richard schooled him on

0:29:11.760 --> 0:29:15.520
<v Speaker 1>his vocalizations, holding his signature woo no doubt, putting more

0:29:15.640 --> 0:29:18.120
<v Speaker 1>soul into his singing. Also, So a lot of people

0:29:18.240 --> 0:29:22.600
<v Speaker 1>owe a lot too, Little Richard, including Elton John, even

0:29:22.720 --> 0:29:25.719
<v Speaker 1>Prince Bett, Middler, a lot of people owe a lot

0:29:25.800 --> 0:29:29.760
<v Speaker 1>of their careers. And salutor Michael Jackson too. You know

0:29:29.880 --> 0:29:33.400
<v Speaker 1>Michael Jackson when he brought back the Beatles publishing as

0:29:33.480 --> 0:29:36.080
<v Speaker 1>part of that that that package, Little Richard's publishing was

0:29:36.120 --> 0:29:38.920
<v Speaker 1>in there, and he gave Little Richard his publishing back.

0:29:39.560 --> 0:29:41.320
<v Speaker 1>He gave it to him. Yeah, a lot of people

0:29:41.400 --> 0:29:45.520
<v Speaker 1>don't don't know that story, but yeah, Michael Michael Jackson

0:29:45.560 --> 0:29:48.840
<v Speaker 1>gave Little Richard publishing back. Wow. Also rest in piece

0:29:48.880 --> 0:29:52.320
<v Speaker 1>to Betty Right. She passed away and she's best known

0:29:52.480 --> 0:29:55.040
<v Speaker 1>for her songs clean Up Woman and Tonight Is The Night.

0:29:55.120 --> 0:29:57.440
<v Speaker 1>She was only sixty sixty years old. She died at

0:29:57.480 --> 0:30:02.320
<v Speaker 1>her Miami home on Sunday from cancer. She actually got

0:30:02.360 --> 0:30:04.200
<v Speaker 1>her stage name when she was just a kid. She

0:30:04.280 --> 0:30:06.600
<v Speaker 1>started singing in a gospel group called the Echoes of

0:30:06.720 --> 0:30:09.880
<v Speaker 1>Joy at just two years old, and they released an

0:30:09.880 --> 0:30:12.560
<v Speaker 1>album in nineteen fifty six when she was only three.

0:30:12.960 --> 0:30:14.920
<v Speaker 1>She then switched from gospel to R and B. At

0:30:14.920 --> 0:30:17.400
<v Speaker 1>eleven years old, she started singing at local talent shows

0:30:17.440 --> 0:30:20.600
<v Speaker 1>in Miami and her big breakthrough came with this this

0:30:20.760 --> 0:30:23.080
<v Speaker 1>song right here, Cleanup Woman, from her second album I

0:30:23.200 --> 0:30:39.440
<v Speaker 1>Love the Way You Love a Woman behind about That

0:30:39.560 --> 0:30:42.360
<v Speaker 1>song was actually sampled quite a bit. Mary J. Blige

0:30:42.520 --> 0:30:45.760
<v Speaker 1>obviously sampled that song for Real Love SWB. I'm sew

0:30:45.840 --> 0:30:47.920
<v Speaker 1>into You. That was a sample from clean Up Woman.

0:30:48.160 --> 0:30:51.479
<v Speaker 1>Even Chance the Rabbit, most recently featuring Childish Gambino favorite

0:30:51.520 --> 0:30:54.240
<v Speaker 1>song in twenty thirteen, That was a sample from clean

0:30:54.320 --> 0:30:56.600
<v Speaker 1>Up Woman. Another one of her popular songs, Two Night

0:30:56.720 --> 0:31:19.480
<v Speaker 1>is the Night, Parts one and two. I Remember my

0:31:19.560 --> 0:31:23.320
<v Speaker 1>Mom cleaning the house to that boy. Yes, and that

0:31:23.440 --> 0:31:25.760
<v Speaker 1>song was sample quite a bit too. Of course, I

0:31:25.840 --> 0:31:28.080
<v Speaker 1>want to set you up by calling me bad. That

0:31:28.320 --> 0:31:31.720
<v Speaker 1>is one of the biggest samples from that song to

0:31:31.880 --> 0:31:34.040
<v Speaker 1>Night Tonight is the Night, So rest in peace to

0:31:34.440 --> 0:31:37.840
<v Speaker 1>Betty Wright. Also Canny Man Knocking Knocking Boots. If y'all

0:31:37.840 --> 0:31:42.080
<v Speaker 1>remember that song, that was definitely sampled from Tonight's to Night,

0:31:42.600 --> 0:31:46.520
<v Speaker 1>all right Publishing checks you have been crazy? Yeah, listen,

0:31:46.640 --> 0:31:49.680
<v Speaker 1>Beyonce and jay Z upgrade you. They sample Girls Can't

0:31:49.720 --> 0:31:51.640
<v Speaker 1>Do What Guys Do, another one of her songs. She

0:31:51.760 --> 0:31:54.920
<v Speaker 1>had a lot of people sampling her so well known

0:31:55.000 --> 0:31:57.120
<v Speaker 1>for that. They said she was very underrated as far

0:31:57.200 --> 0:32:01.480
<v Speaker 1>as an artist. All Right, now let's talk about Jerry Stiller.

0:32:01.560 --> 0:32:04.000
<v Speaker 1>Actor and comedian Jerry Steller. He passed away due to

0:32:04.120 --> 0:32:07.840
<v Speaker 1>natural causes. He's also Ben Stiller's father, actor Ben Stiller's father.

0:32:07.960 --> 0:32:09.920
<v Speaker 1>He was ninety two years old. He said he was

0:32:09.960 --> 0:32:13.200
<v Speaker 1>a great dad and grandfather and the most dedicated husband

0:32:13.240 --> 0:32:15.200
<v Speaker 1>to Anne for about sixty two years. He will be

0:32:15.280 --> 0:32:18.320
<v Speaker 1>greatly misslove you, Dad. That was from Ben Stiller. He

0:32:18.520 --> 0:32:21.480
<v Speaker 1>was known as Frank Costanza in the show STEINFELDI was

0:32:21.560 --> 0:32:25.080
<v Speaker 1>also known as Arthur Spooner and the King of Queens.

0:32:25.160 --> 0:32:30.200
<v Speaker 1>So rest in peace to him. To Jerry Stiller, also, well,

0:32:30.240 --> 0:32:33.280
<v Speaker 1>you know, listen, man, deaf is not the opposite of life.

0:32:33.360 --> 0:32:35.800
<v Speaker 1>It's a part of it. And that's just a harsh reality.

0:32:35.880 --> 0:32:38.600
<v Speaker 1>And we all die. And the goal isn't to live forever.

0:32:38.680 --> 0:32:40.640
<v Speaker 1>The goal is to create something that will And all

0:32:40.680 --> 0:32:43.520
<v Speaker 1>of those people that you name, they definitely created things

0:32:43.880 --> 0:32:46.600
<v Speaker 1>that you know will stand in the test of time.

0:32:46.800 --> 0:32:49.160
<v Speaker 1>So that's that's that's that should be everybody's goal, like

0:32:49.240 --> 0:32:53.200
<v Speaker 1>create creates something that that will live forever. Because al

0:32:54.080 --> 0:32:56.600
<v Speaker 1>and also rest in peace to dj Amanda Blaze. She's

0:32:56.640 --> 0:33:00.760
<v Speaker 1>a personal friend and apparently she has passed the way also,

0:33:00.960 --> 0:33:04.760
<v Speaker 1>so our condolences to her family and friends. Absolutely, she

0:33:04.880 --> 0:33:08.080
<v Speaker 1>was Miami DJ and from she did in both New

0:33:08.200 --> 0:33:10.000
<v Speaker 1>York City, Miami and all over the world. She was

0:33:10.040 --> 0:33:13.680
<v Speaker 1>a great DJ. I mean she's book ye several times,

0:33:13.720 --> 0:33:16.680
<v Speaker 1>she's booked myself, So jeffinitely rest in peace to DJ.

0:33:18.680 --> 0:33:23.280
<v Speaker 1>Didn't say yet. They haven't said yet, Oh Mercy, All right,

0:33:23.360 --> 0:33:26.320
<v Speaker 1>well that is your front page news now when we

0:33:26.440 --> 0:33:30.840
<v Speaker 1>come back. Andre Horrell also passed away over the weekend,

0:33:31.080 --> 0:33:33.959
<v Speaker 1>and he was a friend to the room. He's been

0:33:34.000 --> 0:33:36.880
<v Speaker 1>to the show several times, and we're gonna get back

0:33:36.920 --> 0:33:39.440
<v Speaker 1>on an interview Volt and you know where I'm a

0:33:39.520 --> 0:33:45.680
<v Speaker 1>volt every morning. So Records, he taught y'all how to

0:33:45.760 --> 0:33:48.800
<v Speaker 1>be ghetto fabulous. He taught y'all what black excellence was

0:33:48.840 --> 0:33:51.600
<v Speaker 1>all about. I'm time Records laid the blueprint for every

0:33:51.640 --> 0:33:55.600
<v Speaker 1>single modern day black record label that exists. Now would

0:33:55.680 --> 0:34:01.200
<v Speaker 1>be nothing radio personality to So he has roots in

0:34:01.360 --> 0:34:04.080
<v Speaker 1>radio as well, and he's an artist himself, that's right.

0:34:04.320 --> 0:34:06.240
<v Speaker 1>So we're gonna get We're gonna talk to him again.

0:34:06.280 --> 0:34:08.160
<v Speaker 1>We're gonna get that interview back on when we come back.

0:34:08.200 --> 0:34:10.960
<v Speaker 1>So don't move. It's the Breakfast Club, Good Morning, the

0:34:11.239 --> 0:34:18.640
<v Speaker 1>Breakfast Club porting. Everybody is DJ Envy, Angela Yee, Charlomagne,

0:34:18.680 --> 0:34:22.880
<v Speaker 1>the guy. We are the Breakfast Club. Now rest in

0:34:23.000 --> 0:34:25.560
<v Speaker 1>peace to Andre Horrell. Andre Horrell was a friend to

0:34:25.640 --> 0:34:28.000
<v Speaker 1>the room. He's been to the station several times. We

0:34:28.080 --> 0:34:30.200
<v Speaker 1>don't the show several times to talk about things that

0:34:30.280 --> 0:34:34.439
<v Speaker 1>he's working on from uptown to the Revoke Music Conference. Well,

0:34:34.520 --> 0:34:37.640
<v Speaker 1>we're gonna replay his interview the first time he came

0:34:37.719 --> 0:34:40.359
<v Speaker 1>up here. Let's get that on Rest in Peace again,

0:34:40.440 --> 0:34:43.520
<v Speaker 1>Andre Horrell. It's the Breakfast Club, Good Morning, bestial guests

0:34:43.560 --> 0:34:46.680
<v Speaker 1>in the building. Also, he's a radio host. Be careful, guy,

0:34:46.680 --> 0:34:48.600
<v Speaker 1>because we're trying to take our job. In a minute, Yes,

0:34:48.880 --> 0:34:56.279
<v Speaker 1>mister Andre Horrell, it's a Champaigne and Bubble morning there

0:34:56.360 --> 0:34:59.840
<v Speaker 1>with Envy, I mean Yea, with the beautiful miss Angela Yello,

0:35:00.000 --> 0:35:01.440
<v Speaker 1>and we're getting ready to set this thing off. I

0:35:01.520 --> 0:35:03.560
<v Speaker 1>used to listening to Champaion of Bubbles on Kiss all

0:35:03.600 --> 0:35:06.680
<v Speaker 1>the time. Thank you many, because you know I like

0:35:07.000 --> 0:35:08.279
<v Speaker 1>R and B and you know he was playing that

0:35:08.480 --> 0:35:12.520
<v Speaker 1>good old nineties R and B. Two steps Yes, man, girl,

0:35:12.600 --> 0:35:15.000
<v Speaker 1>meet boy, boy, Meet girl, music. Yes, we're actually having

0:35:15.000 --> 0:35:17.120
<v Speaker 1>a nineties R and B party, Are you really we're

0:35:17.120 --> 0:35:19.920
<v Speaker 1>planning it for real? Yeah? We got to man, right,

0:35:20.000 --> 0:35:25.799
<v Speaker 1>let's yes, Yes, I'm available for that dancing the guy

0:35:25.880 --> 0:35:27.600
<v Speaker 1>in my house by myself, that's right. You know what

0:35:28.120 --> 0:35:29.880
<v Speaker 1>you want't get a woman next to you again? That

0:35:30.800 --> 0:35:32.879
<v Speaker 1>I mean we danced together. I'm saying I like old

0:35:32.960 --> 0:35:36.560
<v Speaker 1>school vibes. You know that dude, Jack swing Erro was

0:35:36.600 --> 0:35:38.200
<v Speaker 1>a different type of error. Man. That was a different

0:35:38.680 --> 0:35:41.319
<v Speaker 1>with the Gucci girls dancing and Teddy Riley met to say, Yes,

0:35:41.560 --> 0:35:44.560
<v Speaker 1>why you never signed Teddy Riley? I just signed he

0:35:44.680 --> 0:35:46.879
<v Speaker 1>was in Guy, he was in God what I'm saying

0:35:46.920 --> 0:35:48.640
<v Speaker 1>he wasn't You never signed him as a solo artist? No,

0:35:48.760 --> 0:35:50.759
<v Speaker 1>because I had got You didn't have Aaron as a

0:35:50.800 --> 0:35:52.960
<v Speaker 1>solo artist either, though, did you. That's what I mean

0:35:53.000 --> 0:35:54.640
<v Speaker 1>when I said, did you signed Teddy because you had Guy?

0:35:54.719 --> 0:35:56.800
<v Speaker 1>But then Aaron went solo and Teddy wouldn't did his

0:35:56.840 --> 0:35:58.959
<v Speaker 1>own thing. You just let him go up. No, it wasn't.

0:35:59.040 --> 0:36:01.400
<v Speaker 1>It wasn't. It wasn't just letting me go. They wanted

0:36:01.440 --> 0:36:03.880
<v Speaker 1>to split up and do different things. Sometimes when you

0:36:04.000 --> 0:36:06.080
<v Speaker 1>have a lot of artists, you don't want to control

0:36:06.200 --> 0:36:08.480
<v Speaker 1>every part of them because they end up not really

0:36:08.520 --> 0:36:10.399
<v Speaker 1>wanting to work with you. You got a lot of them,

0:36:10.440 --> 0:36:12.520
<v Speaker 1>get some other money got you? How did you get

0:36:12.560 --> 0:36:14.279
<v Speaker 1>your start in the music? Yeah, I think we might

0:36:14.320 --> 0:36:17.359
<v Speaker 1>be speeding. We got to tell how did you get

0:36:17.440 --> 0:36:20.040
<v Speaker 1>your start in the music industry? I started off as

0:36:20.080 --> 0:36:23.080
<v Speaker 1>a rapper when I was fifteen years old, nineteen seventy five.

0:36:23.640 --> 0:36:25.719
<v Speaker 1>I went to Charles Avenue's High School. We were a

0:36:25.800 --> 0:36:28.720
<v Speaker 1>hollow group and my name was doctor Jackal. We weren't

0:36:28.719 --> 0:36:31.400
<v Speaker 1>doctor Jucklin, mister high right. We just sent the parties

0:36:31.440 --> 0:36:35.840
<v Speaker 1>and hallow us. I see those old pictures a classical,

0:36:36.280 --> 0:36:38.759
<v Speaker 1>but they are my Instagram. You just go check them out.

0:36:39.360 --> 0:36:41.640
<v Speaker 1>I remember any of those old boss Come on, man,

0:36:41.719 --> 0:36:45.120
<v Speaker 1>spit something. I ain't spending them right yere. When I

0:36:45.200 --> 0:36:47.800
<v Speaker 1>get that feeling you're beat on, I do what I do.

0:36:47.960 --> 0:36:50.239
<v Speaker 1>You know I ain't afraid of the mic. We know,

0:36:50.880 --> 0:36:53.400
<v Speaker 1>okay you didn't. But did you have a messed up contract?

0:36:53.480 --> 0:36:59.480
<v Speaker 1>Back then? Of course we're taking everything, were taking your children,

0:37:01.960 --> 0:37:04.920
<v Speaker 1>your trained pass everything we could take. But you know,

0:37:05.200 --> 0:37:08.120
<v Speaker 1>fortunately back then deals were like for twelve inches, they

0:37:08.160 --> 0:37:11.280
<v Speaker 1>only lasted a year. So if you didn't hit that summer,

0:37:11.320 --> 0:37:13.960
<v Speaker 1>you got dropped and you're free to go get another deal.

0:37:14.360 --> 0:37:16.479
<v Speaker 1>It was just a singles market. So by the time

0:37:16.920 --> 0:37:19.759
<v Speaker 1>it became album time, we were very well educated in

0:37:19.800 --> 0:37:22.480
<v Speaker 1>the business, so much so I decided to take a

0:37:22.640 --> 0:37:27.120
<v Speaker 1>backseat and do the business. Start Uptown Records. Tell us

0:37:27.160 --> 0:37:29.000
<v Speaker 1>about that. How did you find Uptown Records? How did

0:37:29.040 --> 0:37:30.640
<v Speaker 1>you get the funding and how did you find the

0:37:31.080 --> 0:37:33.399
<v Speaker 1>How did you learn the business? Though? Like the maker,

0:37:33.400 --> 0:37:34.719
<v Speaker 1>you say you want that's what you wanted to do.

0:37:35.000 --> 0:37:37.759
<v Speaker 1>I was always the manager of microp Seglement Side, so

0:37:37.800 --> 0:37:39.640
<v Speaker 1>I always dealt with Russell when he had Court the

0:37:39.719 --> 0:37:42.960
<v Speaker 1>Bow to produce records with the jerky managers in Cleveland.

0:37:43.360 --> 0:37:45.600
<v Speaker 1>I always had the road map how to do it.

0:37:46.040 --> 0:37:48.720
<v Speaker 1>It was just natural to me. Uptown You started Uptown.

0:37:48.960 --> 0:37:52.160
<v Speaker 1>I started Uptown really kind of by accident. I was

0:37:52.200 --> 0:37:55.399
<v Speaker 1>sitting in the office at Rush working with Ross heavy

0:37:55.480 --> 0:37:58.040
<v Speaker 1>D called me, want to speak to Russell Simmons got

0:37:58.160 --> 0:38:01.640
<v Speaker 1>blessed Dad and I said Russell was not here. He said,

0:38:01.680 --> 0:38:03.520
<v Speaker 1>what's your name? I said, my name is Andre Rob

0:38:03.880 --> 0:38:06.960
<v Speaker 1>He said, yo, you tea out? Yeah yeah, yeah, yeah, yeah,

0:38:07.000 --> 0:38:09.879
<v Speaker 1>I'm busy man, what's going on? He said nothing, I'm

0:38:09.880 --> 0:38:13.200
<v Speaker 1>gonna call you tomorrow. So he hung up right, got

0:38:13.280 --> 0:38:15.360
<v Speaker 1>his game together. The thing about Heavy, I don't know.

0:38:15.480 --> 0:38:18.239
<v Speaker 1>He was charming. Hey, what's happening baby, It's just me

0:38:18.440 --> 0:38:21.719
<v Speaker 1>have I should think going and you'd be relaxed, a

0:38:21.840 --> 0:38:24.640
<v Speaker 1>big fat cut he dude, you start relaxed. He was

0:38:24.680 --> 0:38:28.439
<v Speaker 1>the original Champago. Yeah, and he made you relax. I'm

0:38:28.480 --> 0:38:30.040
<v Speaker 1>all right, and you didn't want to be mean and

0:38:30.080 --> 0:38:32.120
<v Speaker 1>you wanted to take in what he said. And then

0:38:32.160 --> 0:38:34.799
<v Speaker 1>when he came down to the office and Russell staw

0:38:34.840 --> 0:38:36.440
<v Speaker 1>on Russell thay he was one of the fat boys,

0:38:36.920 --> 0:38:40.240
<v Speaker 1>I said, and that kind of put big men in style.

0:38:40.719 --> 0:38:45.439
<v Speaker 1>Absolutely a big man. I could dance like Heavy. Heavy

0:38:45.480 --> 0:38:50.520
<v Speaker 1>could dance, dance, he could do reggae, he could dance. Everything.

0:38:50.680 --> 0:38:53.760
<v Speaker 1>Was very talented. First artist, Heavy was my first artist

0:38:53.960 --> 0:38:56.239
<v Speaker 1>that worked out. And Heavy was a hit. Who came

0:38:56.280 --> 0:39:00.960
<v Speaker 1>after Heavy who I'll be sure you were the first

0:39:01.040 --> 0:39:04.560
<v Speaker 1>dude to give lights can people. I'll be sure Christopher

0:39:04.600 --> 0:39:07.480
<v Speaker 1>would him would have never been in the style if

0:39:07.520 --> 0:39:11.160
<v Speaker 1>it was you. They wasn't styled. They went out and

0:39:11.239 --> 0:39:14.279
<v Speaker 1>they was fighting with Jordan and Bobby Brown. I'll be sure.

0:39:14.440 --> 0:39:16.760
<v Speaker 1>With the last one who stood up with the Curls

0:39:17.000 --> 0:39:20.480
<v Speaker 1>and Christopher, obviously Christopher. I was so happy when Nedo

0:39:20.480 --> 0:39:24.080
<v Speaker 1>Brown stabbed him in the head. And lord, wait, let

0:39:24.160 --> 0:39:25.840
<v Speaker 1>me tell you the power of lights can dudes with

0:39:25.920 --> 0:39:28.320
<v Speaker 1>girls back then, I'll be sure. Came to my office,

0:39:28.640 --> 0:39:31.560
<v Speaker 1>he said, Drake, come downstairs. We went walking for about

0:39:32.239 --> 0:39:35.480
<v Speaker 1>part of a block. You're here, that'll be sure, that'll

0:39:35.520 --> 0:39:39.160
<v Speaker 1>be sure. We walk another quote block that's I'll be sure,

0:39:39.480 --> 0:39:42.400
<v Speaker 1>and girls start running after us. I never had an

0:39:42.480 --> 0:39:46.200
<v Speaker 1>artist where streaming girls like that, never with his day

0:39:46.440 --> 0:39:48.439
<v Speaker 1>chase you down the street girls in New York City

0:39:48.600 --> 0:39:51.440
<v Speaker 1>when you see that, right, So what happened happened with

0:39:51.520 --> 0:39:56.919
<v Speaker 1>like or would think they wouldn't. Joe was kind of tough,

0:39:57.000 --> 0:40:00.880
<v Speaker 1>looking like you just didn't want to run up on

0:40:01.040 --> 0:40:04.400
<v Speaker 1>Katie and diving on and see what's happening? Did you

0:40:04.480 --> 0:40:05.960
<v Speaker 1>know that when you signed Joe to See, because you

0:40:05.960 --> 0:40:08.440
<v Speaker 1>could just go from these I guess attractive lights kin

0:40:08.600 --> 0:40:11.600
<v Speaker 1>guys to these four dudes from North Carolina. Well, Joe

0:40:11.640 --> 0:40:13.880
<v Speaker 1>to See. They were playing music for one of my

0:40:13.960 --> 0:40:16.040
<v Speaker 1>and arts went to consint with me, so half was

0:40:16.080 --> 0:40:19.279
<v Speaker 1>having to meet with me and we kept hearing. So yeah,

0:40:19.400 --> 0:40:22.840
<v Speaker 1>having my bad. So we're listening to that. Who is

0:40:22.960 --> 0:40:25.759
<v Speaker 1>this we're just coming from? Then I heard come and

0:40:25.960 --> 0:40:28.759
<v Speaker 1>talk to me? That Me and have got up and

0:40:28.880 --> 0:40:31.719
<v Speaker 1>went in and opened the door and four little dudes

0:40:31.719 --> 0:40:34.359
<v Speaker 1>from North Carolina was sitting there, and we said, Yo,

0:40:34.840 --> 0:40:37.520
<v Speaker 1>did y'all make these records? Yep? I wrote them and

0:40:37.640 --> 0:40:40.719
<v Speaker 1>produced them. And that was DeVante Swain, and I said,

0:40:40.880 --> 0:40:43.319
<v Speaker 1>y'all ain't gonna home. Were signing y'all, y'all getting ready

0:40:43.320 --> 0:40:45.160
<v Speaker 1>to making record there You're gonna be on uptown Records.

0:40:45.200 --> 0:40:46.279
<v Speaker 1>That's what they told us. There was like we had

0:40:46.280 --> 0:40:48.480
<v Speaker 1>old records before we got there, Like I didn't believe them,

0:40:48.520 --> 0:40:51.600
<v Speaker 1>but yeah they did. Now what happened was the records

0:40:51.680 --> 0:40:53.880
<v Speaker 1>wasn't right at their first gorind because you know, you're

0:40:53.880 --> 0:40:56.640
<v Speaker 1>in North Carolina back in nineteen ninety one. It wasn't

0:40:56.640 --> 0:40:59.880
<v Speaker 1>like you was at HIT factory, so it wasn't mixed right,

0:41:00.120 --> 0:41:03.160
<v Speaker 1>was noisy? I put on that Johnny Gil record my mind,

0:41:03.239 --> 0:41:05.600
<v Speaker 1>and I remember sitting them down and saying, do you

0:41:05.680 --> 0:41:08.440
<v Speaker 1>see how this boy is saying put on that red dress?

0:41:08.520 --> 0:41:11.440
<v Speaker 1>Do you see red dress? Slip on them high heels

0:41:11.560 --> 0:41:13.439
<v Speaker 1>and she moving around the living room. Now, I play

0:41:13.480 --> 0:41:15.839
<v Speaker 1>your record, and every red was got to that cat

0:41:17.120 --> 0:41:19.920
<v Speaker 1>said do you see anybody? Or do you just hear

0:41:19.960 --> 0:41:23.400
<v Speaker 1>a noise? So they got so mad or frustrated. But

0:41:23.600 --> 0:41:25.920
<v Speaker 1>then I put out be Sure with him to produce,

0:41:26.400 --> 0:41:29.000
<v Speaker 1>so it was still their lyrics, still the music, but

0:41:29.239 --> 0:41:31.960
<v Speaker 1>I had more experience producer. He had worked with Pointsy,

0:41:32.440 --> 0:41:35.319
<v Speaker 1>so he was a really massiful producer. And that's how

0:41:35.400 --> 0:41:37.719
<v Speaker 1>we got that's first Joe to See album. And there

0:41:37.800 --> 0:41:40.040
<v Speaker 1>was a big fight over the first single too. Remember

0:41:40.080 --> 0:41:43.400
<v Speaker 1>the first single was gotta love it because it was

0:41:43.480 --> 0:41:45.239
<v Speaker 1>half the album was like more up Temple. The other

0:41:45.280 --> 0:41:48.360
<v Speaker 1>half was slow. That's right. So Puff and Joe to

0:41:48.480 --> 0:41:51.160
<v Speaker 1>See got together and this this is my policy. If

0:41:51.400 --> 0:41:55.000
<v Speaker 1>you feel strongly about something, you know yourself and you

0:41:55.080 --> 0:41:57.480
<v Speaker 1>know your fans better than I can, you just keep

0:41:57.640 --> 0:41:59.719
<v Speaker 1>arguing with me until you get your way, till I

0:41:59.760 --> 0:42:03.480
<v Speaker 1>see it your way. So they argued, argued, but I

0:42:03.560 --> 0:42:05.840
<v Speaker 1>gotta love and we know that wasn't it. Let's puffing

0:42:05.920 --> 0:42:12.920
<v Speaker 1>that video um dances. So then I said, let's put

0:42:12.960 --> 0:42:15.919
<v Speaker 1>out Forever my Lady, and we put out for my Lady.

0:42:16.000 --> 0:42:23.359
<v Speaker 1>It blasted off. I feel like all those we were off,

0:42:23.400 --> 0:42:25.799
<v Speaker 1>and then we hit you with the remix the hip

0:42:25.800 --> 0:42:29.440
<v Speaker 1>hop soul and then the ghost face and stopping. You know,

0:42:29.520 --> 0:42:32.400
<v Speaker 1>mister Dalvin did that Freaking You remix? Yeah, Freaking You

0:42:32.560 --> 0:42:35.960
<v Speaker 1>remix the second album. They come and talk to me,

0:42:36.040 --> 0:42:38.000
<v Speaker 1>remixed out and I see we're gonna talk all let's

0:42:38.040 --> 0:42:40.040
<v Speaker 1>talk about Jose and we're not gonna play one record.

0:42:40.080 --> 0:42:49.480
<v Speaker 1>Look at all that we're gonna mix this morning? What okay? Alright, alright, alright,

0:42:50.960 --> 0:42:54.600
<v Speaker 1>guy Heavy d Joe to see Christoph Williams. Sure, Mary

0:42:54.680 --> 0:42:56.799
<v Speaker 1>jim Blige, he signed so many artists when we come back,

0:42:56.880 --> 0:42:59.320
<v Speaker 1>Let's talk about Mary a little bit. I don't go anywhere.

0:42:59.320 --> 0:43:02.799
<v Speaker 1>Andre Horrell was in the building. It's a breakfast morning.

0:43:02.800 --> 0:43:05.840
<v Speaker 1>Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We

0:43:05.960 --> 0:43:08.640
<v Speaker 1>all the breakfast club. We have Andre Horrell in the building.

0:43:08.920 --> 0:43:12.000
<v Speaker 1>Throw back Thursday, found of Uptown Records. Now, how did

0:43:12.040 --> 0:43:14.759
<v Speaker 1>you get up with Mary j Blige? So? I got

0:43:14.840 --> 0:43:19.280
<v Speaker 1>with Mary through her managers. Mary stepfather game in his tape.

0:43:19.640 --> 0:43:21.920
<v Speaker 1>So they came and they played me the tape. It

0:43:22.080 --> 0:43:25.879
<v Speaker 1>was Shaka Kan Sweet Thing. So she played sweet Thing.

0:43:26.320 --> 0:43:28.840
<v Speaker 1>I'm gonna love you anyway, you know how she kills it.

0:43:29.480 --> 0:43:32.120
<v Speaker 1>So I'm listening to that. I'm like, it felt like

0:43:32.200 --> 0:43:35.200
<v Speaker 1>a Picasso Paynton, the way her voice was going through

0:43:35.280 --> 0:43:38.640
<v Speaker 1>the canvas, like all that pain, all our heart. I

0:43:38.719 --> 0:43:41.239
<v Speaker 1>went out to Snowbound Projects right to meet up and

0:43:41.280 --> 0:43:43.839
<v Speaker 1>a mother and everything. And so when I came up there,

0:43:43.920 --> 0:43:46.040
<v Speaker 1>she was looking at me, just smiling, and she was shy,

0:43:46.719 --> 0:43:49.640
<v Speaker 1>and I said, your voice is serious. I said, one

0:43:49.680 --> 0:43:52.640
<v Speaker 1>day you're gonna sing for rock and roll legends, kings

0:43:52.760 --> 0:43:56.040
<v Speaker 1>and queens. And she just giggled like a seventeen year old.

0:43:56.200 --> 0:43:58.880
<v Speaker 1>And look what happened. Yeah, step Game the Queen and

0:43:58.960 --> 0:44:02.680
<v Speaker 1>hip hop soul. Yeah, almost twenty years later, and then

0:44:02.680 --> 0:44:04.960
<v Speaker 1>you got you got soul for real. You had yeah

0:44:05.239 --> 0:44:08.719
<v Speaker 1>heavy father MC. So have you found so he had

0:44:08.760 --> 0:44:10.520
<v Speaker 1>the Lost Boys too? Right? Yeah, we had the Lost

0:44:10.560 --> 0:44:15.440
<v Speaker 1>Boys too. Oh. At one point we had nine records

0:44:15.480 --> 0:44:18.160
<v Speaker 1>on the radio here in New York. I never and

0:44:18.280 --> 0:44:20.320
<v Speaker 1>you know what, I don't know if because of the

0:44:20.360 --> 0:44:22.600
<v Speaker 1>time period, but I've never heard anybody say Andre Herrel

0:44:22.680 --> 0:44:27.560
<v Speaker 1>didn't treat me fairly. That's nice. I mean, I don't know. Yeah,

0:44:27.560 --> 0:44:29.720
<v Speaker 1>maybe I didn't hear it. No, you always hear stories

0:44:30.000 --> 0:44:31.759
<v Speaker 1>trying to be nice. But what I try to do

0:44:32.040 --> 0:44:34.840
<v Speaker 1>I think more importantly is I try to look at

0:44:34.880 --> 0:44:37.440
<v Speaker 1>an artist and see them for who they want to be,

0:44:38.200 --> 0:44:40.360
<v Speaker 1>and then I try to tell them, these are the

0:44:40.480 --> 0:44:42.640
<v Speaker 1>clearest things that will make you big and we should

0:44:42.680 --> 0:44:47.320
<v Speaker 1>move toward that. And fortunately my relationship with such a

0:44:47.360 --> 0:44:49.560
<v Speaker 1>trusting relationship with them. They would try some things that

0:44:49.640 --> 0:44:51.800
<v Speaker 1>would want to do, and they worked out what was

0:44:51.840 --> 0:44:54.120
<v Speaker 1>your biggest mistake running up tail records or all that

0:44:54.239 --> 0:44:57.920
<v Speaker 1>you passed, or I got everybody I want it. If

0:44:57.960 --> 0:45:00.480
<v Speaker 1>I wanted it, it meant everybody el I just wanted it.

0:45:00.600 --> 0:45:03.520
<v Speaker 1>Like before I wanted, they didn't. They wasn't sure. But

0:45:03.680 --> 0:45:06.960
<v Speaker 1>once I wanted, everybody was sure. So then I got

0:45:07.040 --> 0:45:09.239
<v Speaker 1>so many records on the radio. I'm like, you're gonna

0:45:09.239 --> 0:45:11.879
<v Speaker 1>go with them, and you're gonna go with me. Back then,

0:45:11.960 --> 0:45:14.640
<v Speaker 1>if they was going with me, because the artists were happy,

0:45:14.719 --> 0:45:17.480
<v Speaker 1>they want tour together. We had a sound. Matter of fact,

0:45:17.520 --> 0:45:20.600
<v Speaker 1>we had a culture. We would get old fabulous, right.

0:45:20.800 --> 0:45:23.400
<v Speaker 1>We drank up all the champagne, danced at all the parties,

0:45:24.239 --> 0:45:26.520
<v Speaker 1>and that's what they was looking at. They was looking

0:45:26.560 --> 0:45:29.480
<v Speaker 1>at that lifestyle from rags to richards, going from the

0:45:29.520 --> 0:45:32.120
<v Speaker 1>bottom to the top. That get old fabulous. But we

0:45:32.160 --> 0:45:34.560
<v Speaker 1>always get the infamous story about how did he worked

0:45:34.600 --> 0:45:36.080
<v Speaker 1>for you? And he was an intern and he would

0:45:36.160 --> 0:45:38.319
<v Speaker 1>ride the train and hide in the bathroom. So because

0:45:38.360 --> 0:45:40.719
<v Speaker 1>he was in college, Howard just to come and work

0:45:40.760 --> 0:45:43.560
<v Speaker 1>at uptown. And then they said you ended up firing him.

0:45:44.040 --> 0:45:46.560
<v Speaker 1>I can see why you fire No, no, no, so

0:45:46.800 --> 0:45:50.520
<v Speaker 1>this so much, this so much, y'all had no idea

0:45:50.680 --> 0:45:57.480
<v Speaker 1>further a Buff was having the time of his life. Nobody, nobody,

0:45:57.920 --> 0:46:01.879
<v Speaker 1>nobody loved get old Fabulous more than him. Yeah. Puff

0:46:01.960 --> 0:46:04.600
<v Speaker 1>came in the door with two earrings on. I had

0:46:04.719 --> 0:46:07.840
<v Speaker 1>never seen that. He came in with boots and and

0:46:08.000 --> 0:46:11.000
<v Speaker 1>blazes and hoodies. I was looking at him like, okay,

0:46:11.080 --> 0:46:13.040
<v Speaker 1>all right, all right, all right, I think that works.

0:46:13.400 --> 0:46:15.640
<v Speaker 1>We dressed Joe to see like that, and we did.

0:46:16.080 --> 0:46:17.640
<v Speaker 1>And the rerec Colly was saying, put him in suits,

0:46:17.680 --> 0:46:19.520
<v Speaker 1>put him in suits, and Puff said, I'm about to

0:46:19.520 --> 0:46:22.719
<v Speaker 1>put him in suits. Tid like you're gonna dress him

0:46:22.800 --> 0:46:26.120
<v Speaker 1>how you dressed Puff? And I would empower my young

0:46:26.200 --> 0:46:28.279
<v Speaker 1>people to let them know the things that they did

0:46:28.440 --> 0:46:30.919
<v Speaker 1>right and that they had a lifestyle that other people

0:46:30.960 --> 0:46:34.279
<v Speaker 1>would like. And for Puff, he really had the close

0:46:34.320 --> 0:46:37.399
<v Speaker 1>opportuity because He really worked closely with me. Puff used

0:46:37.400 --> 0:46:39.759
<v Speaker 1>to watch me like television on the phone. I used

0:46:39.760 --> 0:46:42.399
<v Speaker 1>to stop in the middle of Puff, don't you gotta

0:46:42.440 --> 0:46:46.480
<v Speaker 1>go to work? So he was really a student of

0:46:46.560 --> 0:46:49.920
<v Speaker 1>the game and he worked really, really, really hard. How

0:46:50.000 --> 0:46:52.040
<v Speaker 1>much did Puff contribute to uptime because it seems like

0:46:52.320 --> 0:46:54.160
<v Speaker 1>it's a lot of CREDITI up time because he's a

0:46:54.160 --> 0:46:56.160
<v Speaker 1>lot of credit for Joe to Seeing Mary Ja. He

0:46:56.280 --> 0:46:58.080
<v Speaker 1>did contribute a lot, but these are the main things

0:46:58.160 --> 0:47:01.239
<v Speaker 1>he contribute. I saw Mary J. Blies, I signed jod

0:47:01.280 --> 0:47:04.840
<v Speaker 1>to cy, but Puff worked on Joe to See. But

0:47:04.960 --> 0:47:08.360
<v Speaker 1>I'll be shure produced them all right. What Puff claimed

0:47:08.400 --> 0:47:13.239
<v Speaker 1>the fame is musically was his construction in fashion of

0:47:13.400 --> 0:47:16.839
<v Speaker 1>Mary J. Blige. That's him, he like, I signed to her,

0:47:17.200 --> 0:47:20.080
<v Speaker 1>but Puff put that beat up under her and changed

0:47:20.120 --> 0:47:26.160
<v Speaker 1>the game him. Eddie Aff Darnell Jones came and they

0:47:26.320 --> 0:47:29.640
<v Speaker 1>laid down that those sad kind of chords, and Mary

0:47:29.800 --> 0:47:32.680
<v Speaker 1>was seeing like projects sunshine over them like love without

0:47:32.719 --> 0:47:35.960
<v Speaker 1>a limit. He has made you feel like it's good

0:47:36.000 --> 0:47:37.759
<v Speaker 1>in the hood. Let's drop the top and let's pull

0:47:37.840 --> 0:47:41.520
<v Speaker 1>up some new sneakers. Absolutely, so we love Mary, Like

0:47:42.080 --> 0:47:46.719
<v Speaker 1>in my office, if Mary had a performance everybody would

0:47:46.760 --> 0:47:49.520
<v Speaker 1>sit there and debate, and I wasn't the leader. I

0:47:49.640 --> 0:47:52.960
<v Speaker 1>wasn't the boss. When he came the artist's best argument wins.

0:47:53.280 --> 0:47:55.640
<v Speaker 1>I'm listening to see you back up what you're gonna say.

0:47:56.080 --> 0:47:58.160
<v Speaker 1>So they would say Mary can't wear that, that's not

0:47:58.280 --> 0:48:02.239
<v Speaker 1>what her audience wants, and I'll be all right, all right,

0:48:02.600 --> 0:48:05.279
<v Speaker 1>And I felt like taking care of Mary and help

0:48:05.360 --> 0:48:08.400
<v Speaker 1>him lift her up and make her queen. We were

0:48:08.480 --> 0:48:13.239
<v Speaker 1>lifting up girls from single households, girls from in Paris neighborhoods.

0:48:13.560 --> 0:48:16.880
<v Speaker 1>So so Mary was and is a symbol of what

0:48:17.120 --> 0:48:19.359
<v Speaker 1>you can really do. That's what they said. In order

0:48:19.400 --> 0:48:21.120
<v Speaker 1>for you to ride, you gotta lift up others. Yes,

0:48:21.800 --> 0:48:24.399
<v Speaker 1>I think she's the best example of that, right, So didn't.

0:48:24.440 --> 0:48:26.359
<v Speaker 1>Did he bring Biggie to Uptown at one point? Yes,

0:48:26.760 --> 0:48:30.359
<v Speaker 1>but but he bought He bought Biggie to Uptown through

0:48:30.440 --> 0:48:33.279
<v Speaker 1>bad Boy, like we started bad Boy at Uptown, And

0:48:33.440 --> 0:48:36.640
<v Speaker 1>so Puff wanted to sign Biggie. His label was new,

0:48:36.719 --> 0:48:38.800
<v Speaker 1>he didn't have any artists. He just needed me to

0:48:39.040 --> 0:48:46.160
<v Speaker 1>assure Biggie. Yes, yes, yes, I gave bad Boy records.

0:48:46.600 --> 0:48:50.359
<v Speaker 1>He had already signed Total Yeah, already signed Craig mac

0:48:50.480 --> 0:48:53.440
<v Speaker 1>and Biggie and Biggie had our part in Bulls that

0:48:53.560 --> 0:48:56.120
<v Speaker 1>came out on Uptown Records, and we had a dinner.

0:48:56.400 --> 0:48:59.799
<v Speaker 1>I sat down Biggie and assured him that Puff had

0:49:00.000 --> 0:49:03.200
<v Speaker 1>all my confidence and all my resources and that he

0:49:03.280 --> 0:49:06.719
<v Speaker 1>would be treated no different than any other artists we got.

0:49:06.880 --> 0:49:08.719
<v Speaker 1>We don't sign a lot of artists, and if we

0:49:08.840 --> 0:49:10.560
<v Speaker 1>signed you, we're gonna figure you out and make you

0:49:10.640 --> 0:49:13.480
<v Speaker 1>the biggest star that we can make you. And that's

0:49:13.480 --> 0:49:15.879
<v Speaker 1>all he needed to hear. And then Puff did his thing.

0:49:17.040 --> 0:49:18.800
<v Speaker 1>Did you believe in Big when you first saw I

0:49:18.960 --> 0:49:25.080
<v Speaker 1>believed him Puff? But after I started hearing that music, well,

0:49:25.080 --> 0:49:27.959
<v Speaker 1>I signed black and ugly as ever. Yeah, Big, he's

0:49:28.040 --> 0:49:30.080
<v Speaker 1>my favorite rapper. He's like the mom and get a

0:49:30.160 --> 0:49:32.759
<v Speaker 1>hip hop. So what was the down for if there

0:49:32.840 --> 0:49:34.560
<v Speaker 1>was a dawn full of Uptail records? Why why the

0:49:34.640 --> 0:49:40.360
<v Speaker 1>Uptail stopped producing all those records? No, no, no, no,

0:49:41.000 --> 0:49:43.920
<v Speaker 1>they just came with an offer from Motown up so

0:49:44.040 --> 0:49:46.480
<v Speaker 1>ridiculous at the time. I had to take a look

0:49:46.520 --> 0:49:49.640
<v Speaker 1>at it. And then Heavy came on. He would be

0:49:49.680 --> 0:49:53.280
<v Speaker 1>the president. But artists sometimes can have a hard time

0:49:54.000 --> 0:49:58.080
<v Speaker 1>managing artists because artists, in order to be great, they

0:49:58.160 --> 0:50:00.480
<v Speaker 1>need to spend a lot of time thinking about himselves.

0:50:00.840 --> 0:50:03.040
<v Speaker 1>So as the president of the label, you have to

0:50:03.200 --> 0:50:06.480
<v Speaker 1>give yourself to others and give yourselves to helping other

0:50:06.560 --> 0:50:11.319
<v Speaker 1>people's dreams. So that's a different headspace. But that's really

0:50:11.600 --> 0:50:13.680
<v Speaker 1>the only reason because their kidding went on because they

0:50:13.719 --> 0:50:15.920
<v Speaker 1>had all the town to people. It was amount of

0:50:16.080 --> 0:50:20.319
<v Speaker 1>being able to manage everybody's expectations, ego and motivate them.

0:50:20.440 --> 0:50:22.840
<v Speaker 1>So you left Uptown to go to Motown, yep, and

0:50:23.120 --> 0:50:26.320
<v Speaker 1>and and left the jail open and just the artists

0:50:26.440 --> 0:50:30.759
<v Speaker 1>running out side insany sild for a minute, do you

0:50:30.840 --> 0:50:35.359
<v Speaker 1>know what Mary j. Blige made it through. Blige made

0:50:35.360 --> 0:50:37.000
<v Speaker 1>it through. Jould have made it through too if it

0:50:37.040 --> 0:50:39.879
<v Speaker 1>wasn't for like their personal issues. You're right, you're right.

0:50:40.320 --> 0:50:42.680
<v Speaker 1>We got more with Andre Horrell when we come back.

0:50:42.760 --> 0:50:45.680
<v Speaker 1>This is the first interview he did with us when

0:50:45.719 --> 0:50:47.760
<v Speaker 1>he came through here. He's been up here several times

0:50:47.800 --> 0:50:50.520
<v Speaker 1>to talk about so many different things, from Uptown Records

0:50:50.600 --> 0:50:54.040
<v Speaker 1>to Revolt Music Conference to everything that he's working on.

0:50:54.120 --> 0:50:56.000
<v Speaker 1>So we'll get that back on when we come back,

0:50:56.280 --> 0:50:58.759
<v Speaker 1>and let's get into an Uptown Records mini mix. I mean,

0:50:59.320 --> 0:51:01.640
<v Speaker 1>he's broke in so many artists, but we don't have

0:51:02.000 --> 0:51:03.560
<v Speaker 1>that much time. I mean, if you want to talk

0:51:03.560 --> 0:51:06.919
<v Speaker 1>about it, we have Lost Boys, Mary J. Blige, Guy,

0:51:07.200 --> 0:51:10.239
<v Speaker 1>I'll be sure, Christopher Williams, Joe to See, just to

0:51:10.360 --> 0:51:12.400
<v Speaker 1>name a few, and we're gonna get that on right now.

0:51:12.400 --> 0:51:15.560
<v Speaker 1>It was the Breakfast Club Good Morning. That was an

0:51:15.680 --> 0:51:18.640
<v Speaker 1>Uptown Records mini mix. Like I said, we couldn't play

0:51:18.760 --> 0:51:20.680
<v Speaker 1>all the artists. I mean, when you think about it,

0:51:20.760 --> 0:51:24.000
<v Speaker 1>Mary J. Blige, Heavy D and the Boys Guy, Christopher Williams,

0:51:24.080 --> 0:51:27.799
<v Speaker 1>I'll be sure money for the lost Joe to See.

0:51:27.800 --> 0:51:32.200
<v Speaker 1>So that was a little bit MC follow them see.

0:51:32.239 --> 0:51:34.440
<v Speaker 1>Of course, So let's get back into our interview with

0:51:34.640 --> 0:51:37.640
<v Speaker 1>Andre Horrels the Breakfast Club Good Morning Morning. Everybody is

0:51:37.680 --> 0:51:40.480
<v Speaker 1>DJ Envy angela Ye, Charlemagne the guy we are the

0:51:40.560 --> 0:51:44.080
<v Speaker 1>Breakfast Club. Andre Horrell's in the building out Charlemagne. Now

0:51:44.320 --> 0:51:46.200
<v Speaker 1>you work for a vote now, which is interesting because

0:51:46.239 --> 0:51:48.319
<v Speaker 1>you had to fire Diddy. But you have to fire

0:51:48.400 --> 0:51:52.279
<v Speaker 1>Diddy though. You gotta understand. When Puff worked for me,

0:51:52.480 --> 0:51:55.200
<v Speaker 1>Puff was like he was my protege, so you know,

0:51:55.600 --> 0:51:57.879
<v Speaker 1>he basically he got to do all the things I did,

0:51:58.520 --> 0:52:02.040
<v Speaker 1>and so anytime somebody else would tell him though it

0:52:02.239 --> 0:52:04.440
<v Speaker 1>was a problem. So I had New York on to

0:52:04.520 --> 0:52:06.319
<v Speaker 1>cover up. So I run over there with Dick Wolf

0:52:06.640 --> 0:52:17.040
<v Speaker 1>trying to work on this show. Yeah, so was the

0:52:17.400 --> 0:52:22.320
<v Speaker 1>music super okay, So right, we're gonna come. Puff is

0:52:22.360 --> 0:52:25.239
<v Speaker 1>walking around the office without a shirt or you know,

0:52:25.440 --> 0:52:28.719
<v Speaker 1>just really living out the video in the old bill. Yeah.

0:52:28.840 --> 0:52:31.840
<v Speaker 1>So then one day we sat down, we had a

0:52:31.920 --> 0:52:35.839
<v Speaker 1>conversation with the general manager and Puff said, Buff said,

0:52:35.880 --> 0:52:39.319
<v Speaker 1>straight up, I don't work for him. I work for you, Drake.

0:52:39.840 --> 0:52:45.720
<v Speaker 1>And I was like, oh my god. I mean this episode, everything,

0:52:46.000 --> 0:52:48.960
<v Speaker 1>everything that happened, now none of y'all gonna be able

0:52:48.960 --> 0:52:51.680
<v Speaker 1>to handle it because gonna be on me. And I

0:52:51.880 --> 0:52:54.399
<v Speaker 1>was feeling I wanted to grow Puff into his own

0:52:54.400 --> 0:52:56.880
<v Speaker 1>boot labor because we had given him Bad Boy, but

0:52:57.080 --> 0:52:59.799
<v Speaker 1>he needed his own space and I couldn't get MC

0:53:00.400 --> 0:53:02.880
<v Speaker 1>to give me the space. So when he got fired,

0:53:02.920 --> 0:53:06.760
<v Speaker 1>he was on payroll the whole time, in his artists

0:53:07.120 --> 0:53:10.640
<v Speaker 1>on payroll the whole time. Oh and when he got

0:53:10.760 --> 0:53:13.800
<v Speaker 1>his deal, I sat there and helped him negotiate and

0:53:13.880 --> 0:53:17.160
<v Speaker 1>pick the best deal. So I let him go to

0:53:17.360 --> 0:53:19.560
<v Speaker 1>make him rich. That was the best thing you probably have.

0:53:20.360 --> 0:53:22.799
<v Speaker 1>We want to be fighting. I'm gonna have to spend

0:53:22.920 --> 0:53:26.640
<v Speaker 1>all my time watching And I was growing doing so

0:53:26.760 --> 0:53:30.279
<v Speaker 1>many things. And it's not like I didn't enjoy watching Puff,

0:53:30.800 --> 0:53:32.719
<v Speaker 1>but if I couldn't be there to watch him do

0:53:32.840 --> 0:53:35.200
<v Speaker 1>his thing, but buffer come to my office play his

0:53:35.280 --> 0:53:37.760
<v Speaker 1>records that he just makes. He would do a hot dance,

0:53:38.520 --> 0:53:40.799
<v Speaker 1>you know what I'm saying. Like every Monday he would

0:53:40.800 --> 0:53:43.840
<v Speaker 1>come into my office, and Monday morning at nine o'clock,

0:53:43.880 --> 0:53:45.759
<v Speaker 1>you had to be at my staff meeting. If you

0:53:45.880 --> 0:53:49.000
<v Speaker 1>missed the staff meeting, you missed the opportunity to chime

0:53:49.080 --> 0:53:50.960
<v Speaker 1>in on the moves that the artists are gonna make.

0:53:51.120 --> 0:53:53.520
<v Speaker 1>And we had so many artists. Those a lot of

0:53:53.600 --> 0:53:56.480
<v Speaker 1>sexy moves. So if you're twenty six, twenty seven, you

0:53:56.600 --> 0:53:58.279
<v Speaker 1>want you want to be involved in that because you

0:53:58.360 --> 0:53:59.960
<v Speaker 1>might want to make a move. You want to have

0:54:00.200 --> 0:54:03.200
<v Speaker 1>your hand on that, because this thing is moving. So

0:54:04.040 --> 0:54:07.360
<v Speaker 1>I remember I was making a movie. It was strictly business,

0:54:08.080 --> 0:54:11.000
<v Speaker 1>and Puff got a part in it. Said Mike, coming,

0:54:11.120 --> 0:54:14.080
<v Speaker 1>I let you be stars. Puffs taking audition. He got

0:54:14.160 --> 0:54:19.200
<v Speaker 1>a parting. So so wait, we're sitting there having a

0:54:19.280 --> 0:54:23.399
<v Speaker 1>regular meeting. Phone rings, it's my producer on the other line.

0:54:23.800 --> 0:54:25.680
<v Speaker 1>He said, Yo, we got a problem out here. I said, what,

0:54:26.080 --> 0:54:28.759
<v Speaker 1>Puff just punched one of the gaffers in the faith,

0:54:29.200 --> 0:54:32.279
<v Speaker 1>I said, what, Buff just punched the gaffers to face?

0:54:35.280 --> 0:54:39.920
<v Speaker 1>Buff of like Dennis the minutes back then, He's changed,

0:54:39.960 --> 0:54:42.360
<v Speaker 1>he said, he's changed. No, he is trying to change.

0:54:42.400 --> 0:54:45.120
<v Speaker 1>He told me, is trying to chang. I'm talking about that.

0:54:45.560 --> 0:54:48.719
<v Speaker 1>So I remember we're having our staff being. Puff is

0:54:48.840 --> 0:54:52.360
<v Speaker 1>in jail, dropping quarters in the pay phone, coming in

0:54:52.680 --> 0:54:54.839
<v Speaker 1>over the speaking phone, trying to be at the meeting.

0:54:55.840 --> 0:55:00.480
<v Speaker 1>That like that serious, dedicated he That was a very,

0:55:00.680 --> 0:55:03.719
<v Speaker 1>very enjoyable time. And I really enjoy working with Pop

0:55:03.840 --> 0:55:06.120
<v Speaker 1>because me and Puff are able together to take this

0:55:06.239 --> 0:55:09.719
<v Speaker 1>whole black thing to a pop international level. There you go.

0:55:10.120 --> 0:55:13.520
<v Speaker 1>All right. That was our interview with Andre Horrell. Rest

0:55:13.600 --> 0:55:17.560
<v Speaker 1>in peace and condolences to his family and friends. I mean,

0:55:17.640 --> 0:55:21.120
<v Speaker 1>he was such an inspiration on this industry. Yeah, and

0:55:21.239 --> 0:55:25.239
<v Speaker 1>listen that that Uptown mini series is coming to BT.

0:55:25.480 --> 0:55:28.239
<v Speaker 1>I don't want anybody, you know, saying stupid things like,

0:55:28.320 --> 0:55:31.040
<v Speaker 1>oh no, that's Joe want to do a mini series. No,

0:55:31.160 --> 0:55:33.759
<v Speaker 1>that mini series got announced last year. You know Andre

0:55:34.920 --> 0:55:37.279
<v Speaker 1>about it? Yeah, Andrews been working on that for the

0:55:37.360 --> 0:55:40.840
<v Speaker 1>past you know, a few years. I'm a consultant producer

0:55:40.920 --> 0:55:43.440
<v Speaker 1>on it. Jesse Collins is the executive producer. Andre was

0:55:43.600 --> 0:55:46.800
<v Speaker 1>very very involved with the story, very involved with the script,

0:55:46.840 --> 0:55:49.800
<v Speaker 1>even up until this past Wednesday. He was on the

0:55:49.880 --> 0:55:52.399
<v Speaker 1>phone with Jesse. You know, um, I'm wanting to add

0:55:52.440 --> 0:55:55.520
<v Speaker 1>some things to the story. So yes, that his story

0:55:55.600 --> 0:55:58.160
<v Speaker 1>will be told and his life will be celebrated the

0:55:58.200 --> 0:56:00.880
<v Speaker 1>way it needs to. All right, well, we got rumors

0:56:00.920 --> 0:56:02.640
<v Speaker 1>on the way, so don't move. It's the Breakfast Club.

0:56:02.680 --> 0:56:11.200
<v Speaker 1>Good morning, listen. It's just report. It's a rule report.

0:56:12.680 --> 0:56:15.640
<v Speaker 1>So over the weekend, as we were watching this versus

0:56:15.719 --> 0:56:20.240
<v Speaker 1>battle that was highly anticipated, the numbers over six hundred

0:56:20.360 --> 0:56:25.239
<v Speaker 1>thousand people watch Erica bad doing Jill Scott on Saturday Night.

0:56:25.320 --> 0:56:28.400
<v Speaker 1>I was one of those people and one of the

0:56:28.440 --> 0:56:30.520
<v Speaker 1>first stories they started off with. And we talked about

0:56:30.560 --> 0:56:32.200
<v Speaker 1>this with Jill Scott when she was on The Breakfast

0:56:32.200 --> 0:56:34.160
<v Speaker 1>Club is the song you Got Me? Because Jill Scott

0:56:34.160 --> 0:56:37.399
<v Speaker 1>actually wrote that while Ericabadu was featured on that root song.

0:56:37.480 --> 0:56:40.439
<v Speaker 1>And here's what was said about it. The Roots gave

0:56:40.520 --> 0:56:44.560
<v Speaker 1>me my first opportunity to write anything ever. It's the

0:56:44.680 --> 0:56:48.600
<v Speaker 1>first song I ever wrote, and for you, Queen wadud

0:56:49.080 --> 0:56:51.360
<v Speaker 1>to sing words that I wrote, and I don't. I

0:56:51.360 --> 0:56:53.960
<v Speaker 1>don't think you've ever done that again, like everything else

0:56:54.040 --> 0:56:57.279
<v Speaker 1>you've written yourself. I'm so honored. I'm going to play

0:56:57.360 --> 0:57:13.719
<v Speaker 1>the exact same song Babies. Yes. So they both got

0:57:13.760 --> 0:57:15.840
<v Speaker 1>to me, and that's how they started off the battle.

0:57:16.080 --> 0:57:18.160
<v Speaker 1>It was over seven hundred thousand people. I don't it

0:57:18.240 --> 0:57:20.480
<v Speaker 1>got into like seven in change, so I think seven

0:57:20.600 --> 0:57:23.200
<v Speaker 1>twenty seven thirty. It was over seven hundred thousand on. Yes, yea.

0:57:23.880 --> 0:57:26.680
<v Speaker 1>It started a little late too. I was like, what's

0:57:26.720 --> 0:57:30.320
<v Speaker 1>going on? Everything was, Everything was pretty smooth. I think

0:57:30.320 --> 0:57:33.520
<v Speaker 1>at one point Erica baddu her battery died and then

0:57:33.600 --> 0:57:35.360
<v Speaker 1>she had to jump back on. And that was when

0:57:35.600 --> 0:57:39.720
<v Speaker 1>Jill Scott was playing Tyrone for her so man Tyrone

0:57:39.720 --> 0:57:41.720
<v Speaker 1>and getting a bad rap for a long time bro

0:57:42.120 --> 0:57:44.800
<v Speaker 1>like Tyrone. All of these years have been catching slander.

0:57:44.840 --> 0:57:47.760
<v Speaker 1>They've been calling people you old Tyrone, asked Negro. All

0:57:47.880 --> 0:57:50.960
<v Speaker 1>Tyrone was was the friend of an f boy. Tyrone

0:57:51.080 --> 0:57:55.240
<v Speaker 1>was a good friend. Man was driving. I thought that

0:57:55.320 --> 0:57:57.560
<v Speaker 1>was very clear from the song. And I thought people

0:57:57.560 --> 0:58:00.680
<v Speaker 1>were just they wos say you better all Tyrone and

0:58:00.720 --> 0:58:03.840
<v Speaker 1>tell him help you get your stuff. That's what I

0:58:04.000 --> 0:58:06.240
<v Speaker 1>never thought about it until Saturday night when I was

0:58:06.400 --> 0:58:08.640
<v Speaker 1>watching the battle, and then everybody started tweeting all of

0:58:08.680 --> 0:58:11.560
<v Speaker 1>this Tyrone slander, and I'm like, wait a minute, all

0:58:11.640 --> 0:58:13.560
<v Speaker 1>Tyrone was doing was being a good friend. And ain't

0:58:13.560 --> 0:58:16.320
<v Speaker 1>his fault. You don't only that man knew without a call.

0:58:16.560 --> 0:58:20.160
<v Speaker 1>And why didn't Erica ever name that brother she named Tyrone,

0:58:20.400 --> 0:58:22.960
<v Speaker 1>She named Jim, James and Paul, but never names that

0:58:23.240 --> 0:58:26.200
<v Speaker 1>boy she was talking about. I thought people were always

0:58:26.240 --> 0:58:27.560
<v Speaker 1>would say when you got mad at to man, you

0:58:27.600 --> 0:58:30.080
<v Speaker 1>bet you better call Tyrone and tell him come on,

0:58:30.640 --> 0:58:33.880
<v Speaker 1>come help you get your stuff. So it's weird that

0:58:33.960 --> 0:58:37.440
<v Speaker 1>people thought that that was a vibe on Saturday night.

0:58:37.480 --> 0:58:40.080
<v Speaker 1>And that title playlist that Erica bout dude, Jill's got

0:58:40.120 --> 0:58:42.760
<v Speaker 1>title playlist is so hard. That is absolutely gonna be

0:58:42.760 --> 0:58:44.680
<v Speaker 1>the soundtrack of my house for a long time. We

0:58:44.800 --> 0:58:49.120
<v Speaker 1>had the sage burning, We had to candles lit. Oh man,

0:58:49.200 --> 0:58:52.080
<v Speaker 1>we had we got these dip tea candles my wife got. Man,

0:58:52.160 --> 0:58:54.400
<v Speaker 1>they smell so good instead of vibe. Oh yeah, I

0:58:54.440 --> 0:58:58.240
<v Speaker 1>have like five of those in here and they're beloved too. Yes,

0:58:58.600 --> 0:59:01.560
<v Speaker 1>all right, all right. Now. In addition to that, we're

0:59:01.600 --> 0:59:04.120
<v Speaker 1>getting ready for the next versus battle and guess who

0:59:04.160 --> 0:59:06.440
<v Speaker 1>it's gonna be. Listen to Timberland and Swiss Beats talk

0:59:06.440 --> 0:59:08.200
<v Speaker 1>about it. You want me tell them? Who want the smoke?

0:59:08.440 --> 0:59:13.640
<v Speaker 1>Das Nellie won't the smoke? Tell them? Okay, come on,

0:59:13.800 --> 0:59:17.040
<v Speaker 1>come on, Nellie won't the smoke with Ludacris. Nellie won't

0:59:17.080 --> 0:59:22.280
<v Speaker 1>the smoke? Attention, attention, Nellie won't the smoke? Nellie and Ludacris.

0:59:22.480 --> 0:59:24.840
<v Speaker 1>A lot of people have been calling for this one. Well,

0:59:24.880 --> 0:59:28.360
<v Speaker 1>when Nellie called into the Breakfast Club to talk about

0:59:28.440 --> 0:59:31.760
<v Speaker 1>you know, the air Force force, I bought that up.

0:59:31.960 --> 0:59:34.040
<v Speaker 1>You know, Nelly versus Luta. I think that's a damn

0:59:34.080 --> 0:59:36.000
<v Speaker 1>good battle. I think that's gonna be great. I can't

0:59:36.000 --> 0:59:39.400
<v Speaker 1>wait to see that. That's I think the problem people

0:59:39.760 --> 0:59:42.040
<v Speaker 1>it's ready for that. The problem people have with these

0:59:42.160 --> 0:59:44.080
<v Speaker 1>verses is that when they think of Nellie Louta, they

0:59:44.160 --> 0:59:47.480
<v Speaker 1>automatically think lyricism. Right, this ain't about lyrics, This is

0:59:47.520 --> 0:59:51.800
<v Speaker 1>about songs, correct, I mean records. So Nellie had big records,

0:59:51.880 --> 0:59:54.160
<v Speaker 1>Luda had big records. That is gonna be a fun,

0:59:54.720 --> 0:59:57.440
<v Speaker 1>entertaining battle next Saturday. I can't wait for that. I know.

0:59:57.920 --> 1:00:00.480
<v Speaker 1>Personality wise, they both are gonna have a lot to say,

1:00:00.600 --> 1:00:05.080
<v Speaker 1>so that should be interesting. Now here's another possible versus battle.

1:00:05.160 --> 1:00:07.720
<v Speaker 1>Here's John Legend. He was talking to Nick Cannon on

1:00:07.880 --> 1:00:10.200
<v Speaker 1>who he could potentially battle, and here's what he said.

1:00:10.640 --> 1:00:13.000
<v Speaker 1>I think that probably the best thing. And honestly, I

1:00:13.080 --> 1:00:14.880
<v Speaker 1>think we would do it if we did it like

1:00:15.040 --> 1:00:18.280
<v Speaker 1>a dueling piano Yeah, no, Yo, that'd be crazy. Yeah,

1:00:18.520 --> 1:00:21.080
<v Speaker 1>I think we will. But I what I do love

1:00:21.120 --> 1:00:23.640
<v Speaker 1>about the way it's been going so far is we're

1:00:23.640 --> 1:00:28.280
<v Speaker 1>seeing producers and writers more than just artists. Because the

1:00:28.400 --> 1:00:31.360
<v Speaker 1>producers and writers, what's so cool about it is you

1:00:31.440 --> 1:00:34.200
<v Speaker 1>didn't maybe know that they produced this song and you're

1:00:34.240 --> 1:00:38.200
<v Speaker 1>hearing these stories and stuff. Yeah. So John Legend versus

1:00:38.280 --> 1:00:40.560
<v Speaker 1>Alicia Keys, that might have to do it. She gotta

1:00:40.600 --> 1:00:42.040
<v Speaker 1>do it, he called her out. She got to do it.

1:00:42.120 --> 1:00:44.240
<v Speaker 1>That's on some piano battle. Who that That's gonna be

1:00:44.240 --> 1:00:46.960
<v Speaker 1>a great one if they got they gotta do that

1:00:47.080 --> 1:00:49.200
<v Speaker 1>during the week though, that's not a weekend one. Yes

1:00:49.280 --> 1:00:52.560
<v Speaker 1>it is. That's not. That's not a Saturday night. It's not.

1:00:55.920 --> 1:01:03.040
<v Speaker 1>That's a Sunday afternoon. No, r no Thursday. That's that's

1:01:03.080 --> 1:01:07.240
<v Speaker 1>a nice date night one too, though. Gonna have, They're

1:01:07.240 --> 1:01:11.600
<v Speaker 1>gonna have the pianos going, got some, you have many up,

1:01:11.840 --> 1:01:13.680
<v Speaker 1>You got a couple of up tempo joints. Yes, he

1:01:13.800 --> 1:01:19.760
<v Speaker 1>does leash keys, Yeah, I got that legend. Got a

1:01:19.840 --> 1:01:23.400
<v Speaker 1>lot of great um also a lot of great appearances

1:01:23.440 --> 1:01:26.240
<v Speaker 1>on other people's songs too, though he does black my

1:01:26.320 --> 1:01:31.800
<v Speaker 1>Money on that one. I think a battle well, well, Luda,

1:01:31.880 --> 1:01:33.560
<v Speaker 1>Chris Nelli? Who went in that one? Luda, Chris Nelli?

1:01:33.560 --> 1:01:37.680
<v Speaker 1>Who you got that went into it? That One's not

1:01:37.720 --> 1:01:39.440
<v Speaker 1>as easy as people think it is. I'm telling you,

1:01:40.160 --> 1:01:43.160
<v Speaker 1>I don't know, man, I'm I'm I'm gonna say slight

1:01:43.440 --> 1:01:46.840
<v Speaker 1>edge to Luda only because I think Luda can take

1:01:47.280 --> 1:01:52.440
<v Speaker 1>Nelly in those later rounds with with with with bigger records,

1:01:53.240 --> 1:01:57.640
<v Speaker 1>big red. I gotta go through their catalogs. I gotta

1:01:57.680 --> 1:01:59.440
<v Speaker 1>sit down and go through it all. Right now, I

1:01:59.520 --> 1:02:02.160
<v Speaker 1>want to ask y'all. I'm just gonna say, because when

1:02:02.200 --> 1:02:05.280
<v Speaker 1>Nellie started doing those country songs, those are good records.

1:02:05.320 --> 1:02:07.600
<v Speaker 1>But I just will go don't know how he will

1:02:07.640 --> 1:02:10.320
<v Speaker 1>go over on a Saturday night on on Instagram Compared

1:02:10.360 --> 1:02:11.800
<v Speaker 1>to some of the stuff I know Luda can play.

1:02:11.880 --> 1:02:14.360
<v Speaker 1>He can't do those cosay now, While we're all quarantine.

1:02:14.440 --> 1:02:17.320
<v Speaker 1>Let's talk about some issues you guys might be having.

1:02:17.480 --> 1:02:21.200
<v Speaker 1>Because Young Thug was very honest about having some dirty

1:02:21.280 --> 1:02:23.080
<v Speaker 1>penis issues. So here's what he had to say on

1:02:23.160 --> 1:02:25.880
<v Speaker 1>his Instagram story. I take a bad every day. I

1:02:25.960 --> 1:02:28.720
<v Speaker 1>don't even have six every day, right, so every time

1:02:28.720 --> 1:02:30.960
<v Speaker 1>I take a ball, my chest, my body be clean.

1:02:31.120 --> 1:02:32.960
<v Speaker 1>But every time I watched my it'd be dirt on

1:02:33.040 --> 1:02:35.240
<v Speaker 1>the on the red. But I ain't had six, I

1:02:35.280 --> 1:02:38.840
<v Speaker 1>ain't did nothing. I ain't even I just go chill,

1:02:39.160 --> 1:02:41.120
<v Speaker 1>then come home, go to sleep. Next day I wake up,

1:02:41.160 --> 1:02:43.120
<v Speaker 1>take a ball of dirty. It's always be dirt on

1:02:43.160 --> 1:02:45.880
<v Speaker 1>the top on the red. I think I just got

1:02:46.000 --> 1:02:49.800
<v Speaker 1>permanented it dirty. I love the transparency, I love the honesty.

1:02:50.160 --> 1:02:54.080
<v Speaker 1>But you may want waking up with dirt on your

1:02:54.120 --> 1:02:58.000
<v Speaker 1>penis no matter how much you shower. He got magma it.

1:02:58.400 --> 1:03:02.640
<v Speaker 1>I don't know what I do dirt like you really

1:03:02.680 --> 1:03:04.840
<v Speaker 1>need you really need to keep your d out the dirt.

1:03:04.880 --> 1:03:07.480
<v Speaker 1>Young Thug. Now, if I'm a woman who hasn't happens

1:03:07.560 --> 1:03:09.680
<v Speaker 1>sex or anything, though he said, it's just nothing, he

1:03:09.800 --> 1:03:12.960
<v Speaker 1>just really wakes up and yeah, you need to go

1:03:13.040 --> 1:03:15.360
<v Speaker 1>to the doctor. Brother. If I'm a woman who asked

1:03:15.360 --> 1:03:17.960
<v Speaker 1>sex with young thug, and I've had any bacterial infections,

1:03:18.000 --> 1:03:21.000
<v Speaker 1>I'm suing, okay, young thug turning these women in the

1:03:21.040 --> 1:03:26.760
<v Speaker 1>young yeast infection, young bacterial vaginosis, young discharge. It could

1:03:26.800 --> 1:03:30.960
<v Speaker 1>just see some It could just see some schmegma, maybe young, older,

1:03:31.360 --> 1:03:34.840
<v Speaker 1>some dead cells. Nah. I think if it was smegma,

1:03:36.200 --> 1:03:39.960
<v Speaker 1>twere just uh well not when it drives up. I

1:03:40.000 --> 1:03:43.840
<v Speaker 1>would think if it drives up, wouldn't it be a smell. No,

1:03:44.000 --> 1:03:46.680
<v Speaker 1>he washes it and still sees dirt on it. That's

1:03:46.720 --> 1:03:49.040
<v Speaker 1>a problem. He needs to go to the doctor. Well,

1:03:49.920 --> 1:03:52.480
<v Speaker 1>they're having similar issues. Can you tweet us and let

1:03:52.560 --> 1:03:56.760
<v Speaker 1>us know all why he took that to social media though,

1:03:56.840 --> 1:03:58.680
<v Speaker 1>Like that's the first place you thought to tell everybody

1:03:58.720 --> 1:04:02.120
<v Speaker 1>you got a dirty d because dealing with the same thing,

1:04:02.200 --> 1:04:05.200
<v Speaker 1>you know, maybe through other people might and y'all just

1:04:05.400 --> 1:04:07.760
<v Speaker 1>not being honest about it. But that's cool. Young thug

1:04:07.880 --> 1:04:11.320
<v Speaker 1>is confident in himself, all right, imagulating problem and that

1:04:11.520 --> 1:04:14.640
<v Speaker 1>is your rumor report? All right, thank you? What that means?

1:04:15.640 --> 1:04:18.600
<v Speaker 1>What kind of dirt? Show us the rag next time? Thugs,

1:04:18.720 --> 1:04:20.280
<v Speaker 1>that's what you were in order to get up, in

1:04:20.400 --> 1:04:23.320
<v Speaker 1>order to get a proper social media diagnosis. You have

1:04:23.400 --> 1:04:25.240
<v Speaker 1>to show us the actual rag. Show us what that

1:04:25.400 --> 1:04:28.280
<v Speaker 1>dirt looked like. I'll pass, all right, Charlomage, who you

1:04:28.320 --> 1:04:31.840
<v Speaker 1>give it? That donkey to you? Donkey of the day

1:04:31.880 --> 1:04:34.920
<v Speaker 1>today is going to a district attorney George Barnhill. He

1:04:35.320 --> 1:04:38.480
<v Speaker 1>was the prosecutor in the Ahmed Aubrey case. Uh. He

1:04:38.560 --> 1:04:40.040
<v Speaker 1>needs to come to the front of the congregation. We'd

1:04:40.040 --> 1:04:41.400
<v Speaker 1>like to have a world with him. All right, we'll

1:04:41.440 --> 1:04:43.439
<v Speaker 1>get into that next keeping lock this to Breakfast Club.

1:04:43.480 --> 1:04:47.920
<v Speaker 1>Good morning. I was born to donkey. It's the donkey

1:04:48.280 --> 1:05:04.840
<v Speaker 1>of the death Charlomagne, devil, Breakfast Club, Darthia. Today from Monday,

1:05:04.920 --> 1:05:09.440
<v Speaker 1>Mayor Levin goes to a Georgia prosecutor, District attorney George Barnhill.

1:05:09.800 --> 1:05:12.840
<v Speaker 1>Now George Barnhill was the prosecutor on the case of

1:05:12.920 --> 1:05:17.400
<v Speaker 1>the young brother Armad Aubrey, arresting pea star Mad. Condolences

1:05:17.440 --> 1:05:22.560
<v Speaker 1>to his family. George Barnhill actually recused himself from the

1:05:22.680 --> 1:05:26.680
<v Speaker 1>investigation on April sixth because his son is a prosecutor

1:05:26.760 --> 1:05:30.120
<v Speaker 1>in the Brunswick District Attorney's office, where one of those thugs,

1:05:30.480 --> 1:05:33.440
<v Speaker 1>one of those murderers of Ahmad one of those goons.

1:05:33.760 --> 1:05:37.800
<v Speaker 1>Gregory McMichael, a former cop, worked as an investigator, but

1:05:37.960 --> 1:05:40.080
<v Speaker 1>he didn't fall back from the case until after he

1:05:40.200 --> 1:05:43.480
<v Speaker 1>received the optopsy report on Armad's death and wrote a

1:05:43.560 --> 1:05:47.440
<v Speaker 1>letter to police explaining why George McMichael and his demon

1:05:47.600 --> 1:05:51.640
<v Speaker 1>Seede son, Travis McMichael should not be charged. That's right,

1:05:51.720 --> 1:05:54.520
<v Speaker 1>you heard me. He said they should not be charged

1:05:54.680 --> 1:05:58.800
<v Speaker 1>and that Armad Aubrey's case was a justifiable homicide. Let's

1:05:58.800 --> 1:06:02.320
<v Speaker 1>go to white guy w aga fox report police. A

1:06:02.480 --> 1:06:06.400
<v Speaker 1>former federal prosecutor, says the GBI and the US Department

1:06:06.480 --> 1:06:09.440
<v Speaker 1>of Justice should both look into the death of Jagger

1:06:09.480 --> 1:06:13.520
<v Speaker 1>Ahmad Aubury. George Barnhill is the elected district attorney for

1:06:13.640 --> 1:06:17.120
<v Speaker 1>the way Cross Circuit. Barnhill recused himself from the case

1:06:17.280 --> 1:06:22.000
<v Speaker 1>that is sweeping the nation. Jogger Aubrey's mother, Wanda Cooper Jones,

1:06:22.200 --> 1:06:26.280
<v Speaker 1>insisted he had a conflict of interest. Barnhill's son works

1:06:26.320 --> 1:06:29.520
<v Speaker 1>in the Brunswick DA's office that Greg McMichael worked in

1:06:30.000 --> 1:06:33.600
<v Speaker 1>as an investigator and later retired from. Barnehill's letter to

1:06:33.680 --> 1:06:37.600
<v Speaker 1>Glenn County Police is getting national attention because it justifies

1:06:37.640 --> 1:06:40.640
<v Speaker 1>the deadly shooting of the black jogger by two white men.

1:06:41.120 --> 1:06:44.520
<v Speaker 1>The longtime prosecutor wrote, we do not see grounds for

1:06:44.600 --> 1:06:47.520
<v Speaker 1>an arrest of any of the three parties. It goes

1:06:47.600 --> 1:06:51.200
<v Speaker 1>on to say Travis McMichael, his father, Greg McMichael, and

1:06:51.360 --> 1:06:54.320
<v Speaker 1>the man who he says shot the video, Brian Williams,

1:06:54.680 --> 1:06:58.840
<v Speaker 1>were following in quote hot pursuit a burglary suspect with

1:06:59.080 --> 1:07:02.800
<v Speaker 1>solid first hand probable cause. DA Barnhill writes that the

1:07:02.920 --> 1:07:07.720
<v Speaker 1>video in real time shows Aubrey attacks Travis McMichael, but

1:07:07.840 --> 1:07:12.880
<v Speaker 1>the former federal prosecutor believes civil rights violations likely occurred.

1:07:13.280 --> 1:07:16.360
<v Speaker 1>First of all, the fact that you recuse yourself from

1:07:16.400 --> 1:07:18.120
<v Speaker 1>this case because you have a son who works in

1:07:18.160 --> 1:07:22.040
<v Speaker 1>the DA's office with that murderer Gregory McMichael used to work,

1:07:22.160 --> 1:07:25.280
<v Speaker 1>lets us know you're already biased. So being that you're biased,

1:07:25.520 --> 1:07:28.480
<v Speaker 1>nobody wants to hear your little letter to the police

1:07:28.640 --> 1:07:31.760
<v Speaker 1>explaining why those devils should not be charged. Okay, we

1:07:31.960 --> 1:07:34.240
<v Speaker 1>know why you think they shouldn't be charged, because one,

1:07:34.320 --> 1:07:37.000
<v Speaker 1>you're protecting one of your own. In two, anytime a

1:07:37.080 --> 1:07:40.320
<v Speaker 1>white man, a domestic terrorist, a member of Vanilla ISIS

1:07:40.600 --> 1:07:44.720
<v Speaker 1>kills a black man in America is justifiable in your eyes. Furthermore,

1:07:44.880 --> 1:07:47.120
<v Speaker 1>if you're going to recuse yourself from the situation, to

1:07:47.240 --> 1:07:50.640
<v Speaker 1>recuse yourself from the situation altogether. Okay. The definition of

1:07:50.720 --> 1:07:53.960
<v Speaker 1>recuse is excuse oneself from a case because of a

1:07:54.080 --> 1:07:59.840
<v Speaker 1>potential conflict of interest, our lack of impartiality. Therefore, his

1:08:00.160 --> 1:08:04.720
<v Speaker 1>letter with his five points regarding the case should be disregarded. Okay.

1:08:04.800 --> 1:08:06.960
<v Speaker 1>If you know you have a complicate interest, and everyone

1:08:07.040 --> 1:08:09.160
<v Speaker 1>else knows you have a complicate interest, then take that

1:08:09.360 --> 1:08:12.120
<v Speaker 1>biased ass letter you wrote the police and wipe your

1:08:12.160 --> 1:08:15.480
<v Speaker 1>ass with it. Okay. How can I, as a black

1:08:15.560 --> 1:08:18.960
<v Speaker 1>person in America ever have faith in a justice system

1:08:19.040 --> 1:08:21.200
<v Speaker 1>like this? See this is why I say every black

1:08:21.240 --> 1:08:23.840
<v Speaker 1>person in America needs to go out and purchase a

1:08:23.960 --> 1:08:27.320
<v Speaker 1>legal firearm. Go to the range, learn how to use it,

1:08:27.640 --> 1:08:29.360
<v Speaker 1>learn the laws of your state to see where you

1:08:29.400 --> 1:08:32.479
<v Speaker 1>can carry it, because you have to protect yourself because

1:08:32.520 --> 1:08:35.840
<v Speaker 1>there is no laws in place to protect us. Okay.

1:08:35.920 --> 1:08:38.040
<v Speaker 1>The Second Amendment to right to bear arms is your

1:08:38.120 --> 1:08:42.599
<v Speaker 1>constitutional right, black man. It's your constitutional right, black woman. Okay.

1:08:42.640 --> 1:08:45.439
<v Speaker 1>It is your constitutional right to possess a legal firearm,

1:08:45.640 --> 1:08:49.240
<v Speaker 1>and you can use that firearm for traditionally lawful purposes

1:08:49.280 --> 1:08:52.760
<v Speaker 1>such as self defense within the home and outside the home,

1:08:52.960 --> 1:08:56.880
<v Speaker 1>depending on your state. I to be Welles once said,

1:08:57.000 --> 1:08:59.320
<v Speaker 1>a Winchester rifle should have a place of honor and

1:08:59.439 --> 1:09:01.680
<v Speaker 1>every black home. And it should be used for that

1:09:01.840 --> 1:09:05.280
<v Speaker 1>protection which the law refuses to give. I repeat, and

1:09:05.439 --> 1:09:08.040
<v Speaker 1>it should be used for that protection which the law

1:09:08.400 --> 1:09:12.720
<v Speaker 1>refuses to give. Okay, replacement Winchester rifle with any gun

1:09:12.800 --> 1:09:15.800
<v Speaker 1>in your choice, and let that quote sink into your heart. Okay.

1:09:15.840 --> 1:09:18.680
<v Speaker 1>And I hear y'all Black people, you know, I hear

1:09:18.760 --> 1:09:21.880
<v Speaker 1>y'all saying our constitution, all right, don't respected our constitutional rights?

1:09:21.920 --> 1:09:24.360
<v Speaker 1>Not respected. If a mad had a gun and shot back,

1:09:24.479 --> 1:09:26.200
<v Speaker 1>he would be in jail right now, or they would

1:09:26.200 --> 1:09:28.559
<v Speaker 1>be justifying his murder because he had a gun. Let

1:09:28.640 --> 1:09:32.040
<v Speaker 1>me tell you, pessimistic punk something. Y'all better stop worrying

1:09:32.040 --> 1:09:34.920
<v Speaker 1>about what your pressure thinks to you. Okay. That's number one,

1:09:35.240 --> 1:09:38.080
<v Speaker 1>all right. Number two, go by a legal firearm because

1:09:38.160 --> 1:09:40.879
<v Speaker 1>it is your constitutional right and you must protect yourself

1:09:41.080 --> 1:09:44.000
<v Speaker 1>from these kinds of threats. Okay. And number three, I

1:09:44.040 --> 1:09:46.320
<v Speaker 1>would rather a mad or any brother or a sister

1:09:46.400 --> 1:09:49.759
<v Speaker 1>who finds themselves in a situation like a mod founds himself,

1:09:49.840 --> 1:09:52.679
<v Speaker 1>and I would much rather than be in jail fighting

1:09:52.760 --> 1:09:55.280
<v Speaker 1>for their freedom because they shot back at some domestic

1:09:55.439 --> 1:09:58.200
<v Speaker 1>terrorists trying to take their life, then have their family

1:09:58.439 --> 1:10:01.559
<v Speaker 1>crying over their casket at funeral. Okay, you can't fight

1:10:01.680 --> 1:10:04.240
<v Speaker 1>these cases when you're dead, all right. I would much

1:10:04.360 --> 1:10:06.600
<v Speaker 1>rather be judged by twelve than carried by six. And

1:10:06.760 --> 1:10:10.720
<v Speaker 1>not only is me owning a legal fire on my

1:10:10.880 --> 1:10:14.439
<v Speaker 1>constitutional right when you're a black person in America, owning

1:10:14.479 --> 1:10:17.840
<v Speaker 1>a legal firearm is a form of self care, because

1:10:17.880 --> 1:10:20.479
<v Speaker 1>we need to care for self at times like this,

1:10:21.000 --> 1:10:24.800
<v Speaker 1>because this wicked American judicial system clearly doesn't care about us.

1:10:25.200 --> 1:10:32.040
<v Speaker 1>Please give George Barnhill the biggest he hall. Oh, I'm

1:10:32.080 --> 1:10:35.160
<v Speaker 1>tripping a matter of fact, like Kathy Griffin. Give George

1:10:35.160 --> 1:10:37.599
<v Speaker 1>barne Hill the biggest he are. Please give this giant

1:10:37.640 --> 1:10:43.680
<v Speaker 1>Jaral male the biggest hea hall. All right, Well, thank

1:10:43.720 --> 1:10:47.840
<v Speaker 1>you for that. Do key of the day. Yes, did

1:10:47.920 --> 1:10:49.880
<v Speaker 1>y'all run with Maud over the weekend? Till I did

1:10:49.920 --> 1:10:52.800
<v Speaker 1>that this weekend? No? I did not. I don't. I

1:10:53.640 --> 1:10:56.400
<v Speaker 1>really don't understand the point of that, to be honest

1:10:56.439 --> 1:10:58.920
<v Speaker 1>with you. I was just showing support for his family.

1:10:59.080 --> 1:11:01.040
<v Speaker 1>You know, he was running, and he's a runner, so

1:11:01.120 --> 1:11:02.920
<v Speaker 1>a lot of people went out just to do that run,

1:11:03.479 --> 1:11:05.800
<v Speaker 1>just to honor him. Well, I'm gonna do it. Run

1:11:05.920 --> 1:11:08.800
<v Speaker 1>for AMD and I want all black people and black

1:11:09.000 --> 1:11:11.479
<v Speaker 1>black people to run to the gun store and purchase

1:11:11.560 --> 1:11:14.160
<v Speaker 1>a legal firearm. Okay, that's what I would like to do.

1:11:14.320 --> 1:11:16.760
<v Speaker 1>Let's let's and if you're gonna do these jogs, let's

1:11:16.840 --> 1:11:19.559
<v Speaker 1>let's let's all run to the gun store and purchase

1:11:19.720 --> 1:11:22.439
<v Speaker 1>legal firearms and get our gun permits and learn how

1:11:22.720 --> 1:11:26.440
<v Speaker 1>to use guns so we can protect ourselves from attacks

1:11:26.760 --> 1:11:31.320
<v Speaker 1>like the one a mad had to experience sadly. All right,

1:11:32.240 --> 1:11:34.200
<v Speaker 1>all right, well, thank you for the donkey of the day.

1:11:34.640 --> 1:11:37.120
<v Speaker 1>Now when we come back eight hundred five eight five

1:11:37.200 --> 1:11:39.479
<v Speaker 1>one oh five one. What are we discussing this morning?

1:11:39.880 --> 1:11:42.439
<v Speaker 1>Let's talk about death, man? What I mean? It seems

1:11:42.640 --> 1:11:46.040
<v Speaker 1>it seems like death was was everywhere this weekend, you know,

1:11:46.080 --> 1:11:48.760
<v Speaker 1>from Andre Horauld, a little Richard to Betty Wright to

1:11:49.360 --> 1:11:53.439
<v Speaker 1>you knowin Jerry Stiller to you know, um a man

1:11:53.560 --> 1:11:57.880
<v Speaker 1>de Blade. It just seemed like, yeah, death was everywhere.

1:11:58.000 --> 1:12:01.559
<v Speaker 1>So I just wonder what a people's thoughts about death,

1:12:01.640 --> 1:12:03.840
<v Speaker 1>and not even just this past weekend, you know, you know,

1:12:03.960 --> 1:12:06.599
<v Speaker 1>with with the passing of Kobe Bryant, with the passing

1:12:06.680 --> 1:12:09.280
<v Speaker 1>of you know, Nipsey Hustle. When you see these situations

1:12:09.360 --> 1:12:13.120
<v Speaker 1>like Ahmad Aubrey and Georgia, Like, what are your thoughts

1:12:13.640 --> 1:12:17.040
<v Speaker 1>about death? Dude? People, I just want to know what

1:12:17.120 --> 1:12:18.720
<v Speaker 1>your relationship is like with death, Like what do you

1:12:18.760 --> 1:12:20.080
<v Speaker 1>think about it? You know what I'm saying? Like I

1:12:20.479 --> 1:12:23.200
<v Speaker 1>have been questioning my own mortality in a way that

1:12:23.640 --> 1:12:27.479
<v Speaker 1>I never have before. So I have a lot of

1:12:27.560 --> 1:12:29.880
<v Speaker 1>thoughts about death. I just wonder what, what what? What's on? What?

1:12:30.080 --> 1:12:32.559
<v Speaker 1>What do y'all think? All right, let's let's talk about

1:12:32.560 --> 1:12:34.639
<v Speaker 1>it when we come back. Eight hundred five eight five

1:12:34.720 --> 1:12:36.679
<v Speaker 1>one on five one. It's the Breakfast Club. Good morning

1:12:39.080 --> 1:12:43.920
<v Speaker 1>in right now at your opinion to the Breakfast Club

1:12:43.960 --> 1:12:47.200
<v Speaker 1>top eight hundred five eight five one on five one,

1:12:47.360 --> 1:12:54.280
<v Speaker 1>The Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,

1:12:54.439 --> 1:12:57.439
<v Speaker 1>Charlomagne the guy. We all the Breakfast Club, good morning now.

1:12:57.520 --> 1:12:59.720
<v Speaker 1>If you just joined us, we opened up the phone

1:12:59.760 --> 1:13:03.479
<v Speaker 1>line eight hundred five five one oh five one. So

1:13:03.600 --> 1:13:06.400
<v Speaker 1>many people passed away in the last couple of months,

1:13:06.760 --> 1:13:09.519
<v Speaker 1>in the last couple of days, from Andre Horrel to

1:13:09.680 --> 1:13:12.679
<v Speaker 1>Betty Right too, Little Richard to dj A Man the Blaze.

1:13:12.720 --> 1:13:15.000
<v Speaker 1>We can go a little further back to Nipsey Hustle,

1:13:15.479 --> 1:13:19.400
<v Speaker 1>just so many people so and of course the lives

1:13:19.520 --> 1:13:23.320
<v Speaker 1>lost from coronavirus COVID nineteen as well. So we're asking

1:13:23.400 --> 1:13:25.360
<v Speaker 1>what are your thoughts on death? That is that what

1:13:25.439 --> 1:13:28.280
<v Speaker 1>we're asking today? Yes, what are your thoughts on death? Simple,

1:13:28.360 --> 1:13:30.599
<v Speaker 1>simple question. Okay, well let's start in the room. Yeah,

1:13:30.640 --> 1:13:33.680
<v Speaker 1>let's start. What are your thoughts on death? Ye? I

1:13:33.800 --> 1:13:36.840
<v Speaker 1>think for myself it's something that has always been really

1:13:36.920 --> 1:13:39.000
<v Speaker 1>hard for me to process. I know a lot of

1:13:39.040 --> 1:13:41.599
<v Speaker 1>people are like immediately will go on you know, social

1:13:41.680 --> 1:13:43.320
<v Speaker 1>media and do the rest in peace thing. I think

1:13:43.360 --> 1:13:45.320
<v Speaker 1>for myself a lot of times it just takes me

1:13:45.400 --> 1:13:48.720
<v Speaker 1>a moment and sometimes I just like to process that

1:13:48.960 --> 1:13:52.599
<v Speaker 1>privately myself, and things kind of hit me not right away.

1:13:53.240 --> 1:13:55.400
<v Speaker 1>It'll be a moment, like a couple of days later

1:13:55.479 --> 1:13:57.479
<v Speaker 1>while I'm doing something and I'll think about it at

1:13:57.520 --> 1:14:02.000
<v Speaker 1>a random time. So myself, and if it's a family member,

1:14:02.240 --> 1:14:05.479
<v Speaker 1>that's even harder for me. Yeah, you know, for myself,

1:14:05.520 --> 1:14:09.000
<v Speaker 1>I don't. I don't think about death a lot. It's

1:14:09.040 --> 1:14:11.719
<v Speaker 1>just something that I know that it happens to everybody,

1:14:11.760 --> 1:14:13.160
<v Speaker 1>so I try not to think about it, but it

1:14:13.280 --> 1:14:16.360
<v Speaker 1>worries me. I would have to say, meaning, I just

1:14:16.439 --> 1:14:18.800
<v Speaker 1>want to make sure my family's good. And that's that's

1:14:18.840 --> 1:14:20.920
<v Speaker 1>the only thing that bothers me, you know, And that's

1:14:20.960 --> 1:14:23.120
<v Speaker 1>one of my anxieties we always talk about all the time.

1:14:23.360 --> 1:14:25.200
<v Speaker 1>I just want to make sure if when I leave

1:14:25.280 --> 1:14:27.599
<v Speaker 1>this earth, that my kids are good, my wife is good,

1:14:27.680 --> 1:14:30.560
<v Speaker 1>my family is good, and that I leave something for

1:14:31.080 --> 1:14:34.240
<v Speaker 1>a legacy that will continue to take care of my

1:14:34.479 --> 1:14:37.600
<v Speaker 1>family for generations to come. You know, you look at

1:14:37.640 --> 1:14:39.960
<v Speaker 1>what's going on, and you know there's a lot of

1:14:39.960 --> 1:14:41.720
<v Speaker 1>people out there that says, hey, you know, my son

1:14:41.840 --> 1:14:43.519
<v Speaker 1>lost his job, so you know what, but I'm good,

1:14:43.520 --> 1:14:45.519
<v Speaker 1>I got savings. I can help my son, you know.

1:14:45.640 --> 1:14:47.360
<v Speaker 1>And I want to make sure that i'm that for

1:14:47.479 --> 1:14:49.720
<v Speaker 1>my family that if anything ever happens, they can rely

1:14:49.920 --> 1:14:52.560
<v Speaker 1>on me, that something could continue to make sure that

1:14:52.720 --> 1:14:54.800
<v Speaker 1>my family is good, that they're secure, that I'm teaching

1:14:54.880 --> 1:14:57.720
<v Speaker 1>them to write things about business, about agriculture that they

1:14:57.760 --> 1:15:00.479
<v Speaker 1>can feed themselves. And I'm just trying to that. And

1:15:00.640 --> 1:15:03.719
<v Speaker 1>that's the things that that has me a little crazy

1:15:03.760 --> 1:15:06.320
<v Speaker 1>about death. But as far as it happening or how

1:15:06.400 --> 1:15:08.640
<v Speaker 1>it happens, or any of that. It's something that I

1:15:08.760 --> 1:15:10.479
<v Speaker 1>know I can't control, so I don't think about that

1:15:10.640 --> 1:15:13.800
<v Speaker 1>part or that aspect of it. Yeah, when it comes

1:15:13.840 --> 1:15:15.559
<v Speaker 1>to death, I'm not good with it. I don't want

1:15:15.560 --> 1:15:18.120
<v Speaker 1>to die anytime soon. I am not with that live fast,

1:15:18.240 --> 1:15:20.639
<v Speaker 1>die young mentality. I want to live to be old,

1:15:21.120 --> 1:15:24.200
<v Speaker 1>but I know I can't control it. If I to

1:15:24.720 --> 1:15:27.280
<v Speaker 1>your point, n Vy, if I didn't have a wife,

1:15:27.320 --> 1:15:29.599
<v Speaker 1>if I didn't have kids, I probably would be more

1:15:29.680 --> 1:15:31.639
<v Speaker 1>accepting of it. But I do want to be there.

1:15:31.720 --> 1:15:34.160
<v Speaker 1>I want to be here, you know, for them. But

1:15:34.280 --> 1:15:36.680
<v Speaker 1>my thoughts don't death have changed so much over the years,

1:15:36.680 --> 1:15:38.280
<v Speaker 1>because you know, when you're young, you believe in heaven

1:15:38.320 --> 1:15:41.160
<v Speaker 1>a hell, and if someone you love passes, you know

1:15:41.640 --> 1:15:43.360
<v Speaker 1>you're taught that you'll see them in the future. Then

1:15:43.400 --> 1:15:45.320
<v Speaker 1>you get older and you just don't know what happens

1:15:45.360 --> 1:15:47.080
<v Speaker 1>when you pass. You just know you don't want to die,

1:15:47.280 --> 1:15:49.599
<v Speaker 1>And then you start hearing stories of people making plans

1:15:49.680 --> 1:15:52.080
<v Speaker 1>before they passed. You know. I think about my grandmother

1:15:52.160 --> 1:15:53.720
<v Speaker 1>right before she died, she put her a wig on

1:15:53.840 --> 1:15:55.880
<v Speaker 1>like she was going somewhere, sat in her favorite chair

1:15:56.200 --> 1:16:01.000
<v Speaker 1>and you know, passed away. I think on you know, Harrel.

1:16:01.160 --> 1:16:03.479
<v Speaker 1>You know, I spoke to him Tuesday. He literally, you know,

1:16:03.600 --> 1:16:06.160
<v Speaker 1>sent me this line for line plan, like telling me,

1:16:06.600 --> 1:16:09.400
<v Speaker 1>you know, how it should be executed. And the last

1:16:09.400 --> 1:16:10.800
<v Speaker 1>thing I said to him was, Okay, I'm gonna send

1:16:10.800 --> 1:16:13.479
<v Speaker 1>you some ideas tomorrow. But guess what, there was no tomorrow,

1:16:13.760 --> 1:16:16.240
<v Speaker 1>you know, at least here. But I truly believe there

1:16:16.400 --> 1:16:18.519
<v Speaker 1>is something after this. And then, you know, when you

1:16:18.600 --> 1:16:20.439
<v Speaker 1>get old and you start, you know, having things like

1:16:20.560 --> 1:16:24.560
<v Speaker 1>life insurance and making your will, you know, things like that,

1:16:25.040 --> 1:16:28.479
<v Speaker 1>it really makes you feel like you're staring your your

1:16:28.560 --> 1:16:31.559
<v Speaker 1>your your your death in its face and you wonder

1:16:31.760 --> 1:16:34.360
<v Speaker 1>how close it is. But no, to your point, it's

1:16:34.400 --> 1:16:36.080
<v Speaker 1>just like we got to put those things in place

1:16:36.479 --> 1:16:39.680
<v Speaker 1>just in case, because every day is uncertain, right, you

1:16:39.760 --> 1:16:42.519
<v Speaker 1>just don't know. My plan is to live until I'm

1:16:42.920 --> 1:16:44.840
<v Speaker 1>ninety one hundred years old. I want to live until

1:16:44.840 --> 1:16:46.800
<v Speaker 1>I got to erectile this function. I actually don't ever

1:16:46.880 --> 1:16:48.080
<v Speaker 1>want to have a rerect out this function, but you

1:16:48.160 --> 1:16:50.920
<v Speaker 1>know what I mean. So it's like that's my plan,

1:16:51.080 --> 1:16:53.280
<v Speaker 1>but that may not be God's plan for me. And

1:16:53.680 --> 1:16:55.920
<v Speaker 1>you know, that's just a scary thought. But let's go

1:16:56.000 --> 1:17:00.160
<v Speaker 1>to the phone line. Hello, who's this Hey, good morning brother. Hey,

1:17:00.240 --> 1:17:02.439
<v Speaker 1>it's definitely it's always been curious to me. You know,

1:17:02.520 --> 1:17:05.320
<v Speaker 1>nobody's walking as earth, really know, after life is life?

1:17:05.479 --> 1:17:07.960
<v Speaker 1>You know, nobody died and can't warn nobody would expect,

1:17:08.040 --> 1:17:10.320
<v Speaker 1>you know, once they die. So what I'm curious about

1:17:10.360 --> 1:17:13.160
<v Speaker 1>is with white people raising their kids with hatred. How

1:17:13.200 --> 1:17:15.120
<v Speaker 1>about you know what you're gonna say after you die.

1:17:15.680 --> 1:17:18.920
<v Speaker 1>You know, it's very true slave masters throwing brothers off

1:17:18.960 --> 1:17:21.120
<v Speaker 1>ships in sixteen hundred. So let's say if they die,

1:17:21.640 --> 1:17:23.320
<v Speaker 1>it's true, you get judged and you go to heaven

1:17:23.360 --> 1:17:25.559
<v Speaker 1>and hell. They say they didn't know them slave. Now

1:17:25.680 --> 1:17:27.920
<v Speaker 1>the sixteen hundred and died, Let's say they look up

1:17:27.960 --> 1:17:30.240
<v Speaker 1>and what they were being judged by with the same

1:17:30.320 --> 1:17:32.280
<v Speaker 1>colors and brothers they were throwing off them ship. They

1:17:32.280 --> 1:17:35.080
<v Speaker 1>didn't know. It's gonna be a black soul or spirit judging.

1:17:35.640 --> 1:17:38.840
<v Speaker 1>We don't know, right, yeah, yeah, we don't talk about

1:17:38.880 --> 1:17:40.920
<v Speaker 1>hell enough like we used to. I feel like a

1:17:41.000 --> 1:17:43.720
<v Speaker 1>lot of times people also try to justify things that

1:17:43.800 --> 1:17:45.400
<v Speaker 1>they do in life, and they try to come up

1:17:45.439 --> 1:17:48.880
<v Speaker 1>with reasons why it's okay, and that's the that's the

1:17:48.920 --> 1:17:53.240
<v Speaker 1>man for the pastor's fault, because anybody that dies, the

1:17:53.280 --> 1:17:57.360
<v Speaker 1>pastor can appreciate preached them into heaven. No matter what

1:17:57.520 --> 1:18:00.240
<v Speaker 1>that person did, the pastor can always say, well, you

1:18:00.280 --> 1:18:02.559
<v Speaker 1>know they repented and you know God will have mercy

1:18:02.600 --> 1:18:04.519
<v Speaker 1>on their soul, and YadA, YadA yah. We don't talk

1:18:04.520 --> 1:18:07.280
<v Speaker 1>about hell enough because eight hundred if you believe in

1:18:07.360 --> 1:18:09.280
<v Speaker 1>having a hell, then they gotta be some people in hell, right,

1:18:09.360 --> 1:18:10.840
<v Speaker 1>I don't believe in neither. To be honest with you,

1:18:11.280 --> 1:18:13.400
<v Speaker 1>but let's open up the phone lines eight hundred five,

1:18:13.520 --> 1:18:16.240
<v Speaker 1>eight five, one oh five one. We're asking what are

1:18:16.280 --> 1:18:18.400
<v Speaker 1>your thoughts on death? Call us now? Is the Breakfast Club?

1:18:18.439 --> 1:18:23.679
<v Speaker 1>Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

1:18:23.720 --> 1:18:26.280
<v Speaker 1>the guy. We are the Breakfast Club. Now, if you

1:18:26.400 --> 1:18:29.320
<v Speaker 1>just joined us, we're asking what are your thoughts on death?

1:18:29.640 --> 1:18:33.840
<v Speaker 1>All right? Now, we've lost so many people. Dude's coronavirus

1:18:33.920 --> 1:18:38.479
<v Speaker 1>COVID nineteen. Also, Andre Herald just passed, Little Richie just passed,

1:18:38.560 --> 1:18:41.639
<v Speaker 1>Betty Wright just passed. DJ Man the Blaze just passed

1:18:41.680 --> 1:18:44.080
<v Speaker 1>so many different people. So we're opening up the phone

1:18:44.120 --> 1:18:46.800
<v Speaker 1>lines eight hundred five eighty five, one oh five one Hello,

1:18:46.880 --> 1:18:52.479
<v Speaker 1>who's this? Hello? Hey? What's your name? Her? Can you

1:18:52.520 --> 1:18:54.479
<v Speaker 1>take us all Bluetooth? You got me selling like Teddy

1:18:54.560 --> 1:18:58.400
<v Speaker 1>Riley with the equa Yo, y'all gonna stop disrespecting Teddy Riley. Okay,

1:18:58.560 --> 1:19:00.800
<v Speaker 1>I'm tired all of this. Teddy Riley's land, Ericabod do

1:19:00.920 --> 1:19:05.880
<v Speaker 1>even disrespect to Eddy Riley This Weekends is not synonymous

1:19:05.920 --> 1:19:13.240
<v Speaker 1>with echoes. You know who? Mark shut him? Hello? Hello? Hey,

1:19:13.320 --> 1:19:16.800
<v Speaker 1>Now what is your thought on death right now? Um? Well,

1:19:16.800 --> 1:19:20.200
<v Speaker 1>I'm twenty seven a year old, and uh I live

1:19:20.560 --> 1:19:22.920
<v Speaker 1>I live out out of Detroit now, but you know,

1:19:23.040 --> 1:19:25.839
<v Speaker 1>I've had my experience with death. I believe death impacts

1:19:25.840 --> 1:19:29.920
<v Speaker 1>everybody differently, not only because people have experienced it so much,

1:19:30.120 --> 1:19:32.600
<v Speaker 1>but not only that, the experience where you know if

1:19:32.640 --> 1:19:35.080
<v Speaker 1>somebody is shot or you know if somebody dies really

1:19:35.479 --> 1:19:38.960
<v Speaker 1>really hard. Um. But um, people forget that this is

1:19:39.000 --> 1:19:41.320
<v Speaker 1>a cycle of life. You cannot live without dying and

1:19:41.520 --> 1:19:45.200
<v Speaker 1>cannot die without living. So um, I guess that helps

1:19:45.240 --> 1:19:47.479
<v Speaker 1>me cope better with death, knowing that you know there

1:19:47.560 --> 1:19:50.400
<v Speaker 1>can't be one without the others. But I heard always

1:19:50.439 --> 1:19:53.160
<v Speaker 1>knows oout the sting that loses song them. But um,

1:19:53.360 --> 1:19:56.360
<v Speaker 1>it alwaysn't take me different if it's not, you know, relatable.

1:19:56.760 --> 1:19:58.880
<v Speaker 1>But I always you know, I put my sympity out there,

1:19:58.960 --> 1:20:03.000
<v Speaker 1>my condolence. But that's only part of life, all right.

1:20:03.080 --> 1:20:05.840
<v Speaker 1>You're right they say death is not Death is not

1:20:05.960 --> 1:20:08.880
<v Speaker 1>the opposite of life. It's a part of it, all right. Hello,

1:20:09.000 --> 1:20:13.080
<v Speaker 1>who's this? Hey shawna, Hey Shanna, Good morning. How are

1:20:13.080 --> 1:20:16.120
<v Speaker 1>you feeling this morning? Good morning, I'm feeling glass. How

1:20:16.160 --> 1:20:19.080
<v Speaker 1>about you? Oh, we're feeling okay, we're blessed over here

1:20:19.120 --> 1:20:21.960
<v Speaker 1>as well. We're talking about death. What are your thoughts

1:20:22.000 --> 1:20:24.640
<v Speaker 1>on death? Okay? Well, Um, I kind of felt like,

1:20:24.760 --> 1:20:26.559
<v Speaker 1>you know, I guess when I was a little younger,

1:20:26.640 --> 1:20:29.040
<v Speaker 1>I was more scared of death because I just kind

1:20:29.080 --> 1:20:32.000
<v Speaker 1>of didn't really know the meaning behind it. Um. I

1:20:32.080 --> 1:20:35.000
<v Speaker 1>think now that I'm a little older, I kind of

1:20:35.040 --> 1:20:38.120
<v Speaker 1>feel like, you know, death doesn't discriminate, Death doesn't have

1:20:38.200 --> 1:20:40.519
<v Speaker 1>a name. You know, death is coming. You know, we

1:20:40.760 --> 1:20:43.599
<v Speaker 1>we live to die. So I just think that it's

1:20:43.680 --> 1:20:46.880
<v Speaker 1>important to, you know, live life the best way that

1:20:47.000 --> 1:20:50.240
<v Speaker 1>you can. Um, while you have the luxury of still

1:20:50.320 --> 1:20:52.360
<v Speaker 1>being on earth, you need to do right not only

1:20:52.439 --> 1:20:54.560
<v Speaker 1>by yourself, not only by God, but you got to

1:20:54.600 --> 1:20:57.160
<v Speaker 1>do right by others. And then when that day comes

1:20:57.280 --> 1:20:59.560
<v Speaker 1>for you to die, you know it is what it is.

1:21:00.080 --> 1:21:01.960
<v Speaker 1>As long as you've done what you was supposed to

1:21:02.000 --> 1:21:04.280
<v Speaker 1>do while you're here, then you know where you're going

1:21:04.360 --> 1:21:06.840
<v Speaker 1>when it's time for you to go. I agree with that.

1:21:06.920 --> 1:21:09.840
<v Speaker 1>I saw a switchpiech on social media talking about Andre

1:21:10.000 --> 1:21:13.080
<v Speaker 1>Horrell's passing and saying that he's doing a celebration of

1:21:13.160 --> 1:21:15.240
<v Speaker 1>his life because that's where Andre would have wanted. And

1:21:15.320 --> 1:21:17.400
<v Speaker 1>I think one thing you do one is when you

1:21:17.479 --> 1:21:19.040
<v Speaker 1>do pass away. That's why I agree with you. You

1:21:19.120 --> 1:21:22.519
<v Speaker 1>want people to remember you finally and celebrate those amazing

1:21:22.600 --> 1:21:25.320
<v Speaker 1>memories they have of you as a person. Yeah. I

1:21:25.360 --> 1:21:27.040
<v Speaker 1>agree with everything you're saying, except for that we know

1:21:27.080 --> 1:21:28.960
<v Speaker 1>where we're going. A part we don't know where we're going.

1:21:29.040 --> 1:21:33.559
<v Speaker 1>And I think that that that fear of uncertainty. Are

1:21:33.640 --> 1:21:36.080
<v Speaker 1>that fear of not understanding, right, because that's what they say,

1:21:36.080 --> 1:21:37.560
<v Speaker 1>people fear what they don't understand. If fear of not

1:21:37.640 --> 1:21:40.240
<v Speaker 1>understanding where you're going after your die, after you die,

1:21:40.320 --> 1:21:44.000
<v Speaker 1>I think what causes the anxiety, right, Well, thank you

1:21:44.040 --> 1:21:45.920
<v Speaker 1>for cola mama. So what's the moral of the story,

1:21:45.920 --> 1:21:47.720
<v Speaker 1>If there's a moral, I don't I don't know if

1:21:47.760 --> 1:21:49.880
<v Speaker 1>there's a moral. But I also wonder is it okay

1:21:49.920 --> 1:21:54.920
<v Speaker 1>to question death? Because questioning death seems like you're questioning God.

1:21:55.040 --> 1:21:58.040
<v Speaker 1>But then I wonder how much of a hand does

1:21:58.160 --> 1:22:00.400
<v Speaker 1>God have and whether you live or die? Because I

1:22:00.400 --> 1:22:03.200
<v Speaker 1>don't think God wants us to be taking each other's lives,

1:22:03.400 --> 1:22:06.080
<v Speaker 1>right Like, I think there's God's will and then there

1:22:06.280 --> 1:22:08.960
<v Speaker 1>is free will, you know, and and you know, sometimes

1:22:09.040 --> 1:22:11.839
<v Speaker 1>you make the choices to do things that you shouldn't

1:22:11.880 --> 1:22:13.000
<v Speaker 1>be doing, like when you pull out a gun and

1:22:13.120 --> 1:22:15.280
<v Speaker 1>kill another person. You know what I mean. I don't know.

1:22:15.320 --> 1:22:17.200
<v Speaker 1>I just wonder, you know, I wonder, you know, is

1:22:17.240 --> 1:22:19.760
<v Speaker 1>it okay to the question that, because it does feel

1:22:19.800 --> 1:22:22.519
<v Speaker 1>like you're questioning God, you know. But if there is

1:22:22.560 --> 1:22:24.320
<v Speaker 1>a moral to the story, I would just tell everybody

1:22:24.720 --> 1:22:28.080
<v Speaker 1>speak life, you know. I want to live, to be old.

1:22:28.479 --> 1:22:31.799
<v Speaker 1>I want to be the veteran og and just understand,

1:22:31.880 --> 1:22:34.160
<v Speaker 1>we all die. The goal isn't to lift over. The

1:22:34.240 --> 1:22:36.920
<v Speaker 1>goal is to create something that will right all right?

1:22:37.000 --> 1:22:41.320
<v Speaker 1>Well even got roomors all the way? Yes and Eminem

1:22:41.600 --> 1:22:44.599
<v Speaker 1>stopped by Little Wayne's Young Money Radio on Apple Music

1:22:44.720 --> 1:22:46.400
<v Speaker 1>on Friday, AM. Or tell you some of the things

1:22:46.479 --> 1:22:49.600
<v Speaker 1>that we're discussed. And also we have a special announcement

1:22:49.640 --> 1:22:52.160
<v Speaker 1>about the Robin Hood Benefit coming up, so don't move.

1:22:52.200 --> 1:22:58.040
<v Speaker 1>It's to Breakfast Club. Good morning, the Breakfast Club. Morning.

1:22:58.120 --> 1:23:02.240
<v Speaker 1>Everybody is DJ and Angela Yee, Charlomagne and God we

1:23:02.360 --> 1:23:05.280
<v Speaker 1>are the Breakfast Club. Now we have a Robbin the

1:23:05.360 --> 1:23:09.800
<v Speaker 1>Hood Benefit announcement. Shout to all the Giants fans out there.

1:23:09.920 --> 1:23:12.920
<v Speaker 1>Right now you can turn your fantasy into something that

1:23:13.040 --> 1:23:15.439
<v Speaker 1>you can really do. I'm talking about the New York

1:23:15.520 --> 1:23:19.960
<v Speaker 1>Giants Ultimate Backyard Football Experience. Now, for a donation of

1:23:20.160 --> 1:23:22.960
<v Speaker 1>just ten dollars or more, you could be entered for

1:23:23.000 --> 1:23:25.639
<v Speaker 1>a chance to have New York Giant Super Bowl champions

1:23:25.880 --> 1:23:31.040
<v Speaker 1>Eli Manning, Michael Strahan, Phil Simms, and Justin Tuck come

1:23:31.120 --> 1:23:34.080
<v Speaker 1>to your house and play a game of flag football

1:23:34.120 --> 1:23:35.639
<v Speaker 1>with you and three of your friends. So it's four

1:23:35.760 --> 1:23:38.600
<v Speaker 1>on four all right now. The team owners will be

1:23:38.680 --> 1:23:40.680
<v Speaker 1>the coaches, so how dope is that? And if you

1:23:40.760 --> 1:23:42.720
<v Speaker 1>live outside of New York, they'll invite you to the

1:23:42.800 --> 1:23:46.280
<v Speaker 1>Giants facility or practice facility to play this game. After

1:23:46.360 --> 1:23:49.719
<v Speaker 1>the game, they will have dinner together at your crib

1:23:49.880 --> 1:23:52.720
<v Speaker 1>at your house, where the team will present you with

1:23:52.880 --> 1:23:56.000
<v Speaker 1>your own Giant Super Bowl ring. All right, So if

1:23:56.040 --> 1:23:59.000
<v Speaker 1>you want more information to in to go to Oma

1:23:59.200 --> 1:24:02.720
<v Speaker 1>zet come slash Giants. This is a shot at a

1:24:02.840 --> 1:24:05.640
<v Speaker 1>once in a lifetime moment. I know I'm gonna put

1:24:05.680 --> 1:24:08.400
<v Speaker 1>some some money in and if I WINNA play with

1:24:08.479 --> 1:24:10.360
<v Speaker 1>me here a big Giants fan, so I feel like

1:24:10.800 --> 1:24:12.800
<v Speaker 1>you should enter. I'm gonna tell you something as a

1:24:12.880 --> 1:24:15.120
<v Speaker 1>Dallas Cowboy fan, I think this is a disgusting prize.

1:24:15.200 --> 1:24:17.559
<v Speaker 1>I don't even know why. I don't know why anybody

1:24:17.600 --> 1:24:19.960
<v Speaker 1>would like this. So if I win, or you're gonna play,

1:24:20.080 --> 1:24:24.200
<v Speaker 1>they're gonna play on my team. Yeah, you could be

1:24:24.240 --> 1:24:26.120
<v Speaker 1>the center Charlemagne and you go, oh no, no, no,

1:24:26.280 --> 1:24:28.639
<v Speaker 1>I no no. By the way I would play, we're

1:24:28.640 --> 1:24:31.920
<v Speaker 1>playing against the Giants, yes, oh yeah, I'm all about

1:24:31.960 --> 1:24:34.240
<v Speaker 1>opposition to the Giants. Baby, I'll come up there with

1:24:34.320 --> 1:24:40.519
<v Speaker 1>my Dallas Cowboy football. I would rather be on I'd

1:24:40.600 --> 1:24:42.479
<v Speaker 1>rather be on NV's team playing flag football because then

1:24:42.520 --> 1:24:44.920
<v Speaker 1>you will probably be grabbing for something else that's long

1:24:45.040 --> 1:24:48.000
<v Speaker 1>and dangling from my body. What we're on the same team,

1:24:48.840 --> 1:24:51.320
<v Speaker 1>I know that I'd rather play with you. You know what,

1:24:51.400 --> 1:24:53.400
<v Speaker 1>you're kinky. Let's get to the room, by the way.

1:24:53.600 --> 1:24:55.519
<v Speaker 1>By the way Justin wouldn't be the only one tucking

1:24:55.520 --> 1:24:56.960
<v Speaker 1>in that game if I had to play against v

1:25:00.000 --> 1:25:03.439
<v Speaker 1>A kinky My goodness, how we turn a benefit into

1:25:03.720 --> 1:25:06.720
<v Speaker 1>kinky talk? Now, I don't know what's happened. Let's get

1:25:06.760 --> 1:25:10.800
<v Speaker 1>to the rumors. Let's talk Eminem. This is the rum

1:25:10.840 --> 1:25:21.120
<v Speaker 1>of report with Angela. Yes, Eminem stopped by Little Wayne's

1:25:21.160 --> 1:25:23.240
<v Speaker 1>Young Money Radio and a lot of things that they

1:25:23.320 --> 1:25:26.280
<v Speaker 1>discussed included the new Michael Jordan's documentary, which we're about

1:25:26.280 --> 1:25:29.240
<v Speaker 1>to discuss. Also, one thing that they both do, and

1:25:29.320 --> 1:25:31.000
<v Speaker 1>it has to do with their lyrics because they've been

1:25:31.040 --> 1:25:32.880
<v Speaker 1>in this game for quite some time. Listen to this,

1:25:33.360 --> 1:25:35.320
<v Speaker 1>you start getting to the point where you've wrapped about

1:25:35.320 --> 1:25:40.599
<v Speaker 1>everything everywhere. Man, am I have to literally bro when

1:25:40.640 --> 1:25:42.920
<v Speaker 1>I'm doing something much. You can if you go through

1:25:43.000 --> 1:25:45.360
<v Speaker 1>my phone history, when my Google history is gonna and

1:25:45.400 --> 1:25:47.960
<v Speaker 1>you press all, first thing gonna come up as Little

1:25:48.000 --> 1:25:50.400
<v Speaker 1>Wayne lyrics. I literally have to google my lyrics to

1:25:50.479 --> 1:25:53.160
<v Speaker 1>make sure I didn't say certain stuff before. Yo. I

1:25:53.240 --> 1:25:55.760
<v Speaker 1>swear to God, I do that too, man, that's how

1:25:55.800 --> 1:25:59.920
<v Speaker 1>long we've been doing it. I just did that last night. Yeah.

1:26:00.000 --> 1:26:02.280
<v Speaker 1>I can't think about what could they have not ever

1:26:02.439 --> 1:26:05.240
<v Speaker 1>talked about and he both got a lot of bars

1:26:05.360 --> 1:26:08.120
<v Speaker 1>between them that makes sense, and especially Wayne because I

1:26:08.160 --> 1:26:10.120
<v Speaker 1>don't think Wayne writes. Wayne says he just goes into

1:26:10.160 --> 1:26:11.800
<v Speaker 1>studio and rap. So yeah, I'm sure you have to

1:26:11.880 --> 1:26:13.880
<v Speaker 1>keep track now other things. If you want to listen

1:26:13.920 --> 1:26:16.360
<v Speaker 1>to the whole interview, Eminem talks about pleasing old fans

1:26:16.400 --> 1:26:18.559
<v Speaker 1>and trying to reach new fans as well. They talk

1:26:18.560 --> 1:26:21.360
<v Speaker 1>about Killer Mike and Run the Jewels and yeah, a

1:26:21.400 --> 1:26:23.560
<v Speaker 1>lot of different things. So that's a good interview and

1:26:23.720 --> 1:26:27.120
<v Speaker 1>some donations that they're doing right now. So it's pretty

1:26:27.160 --> 1:26:30.120
<v Speaker 1>dope to listen to all right now, since they discussed

1:26:30.160 --> 1:26:33.160
<v Speaker 1>the Michael Jordan's documentary, let's talk about that. So Michael

1:26:33.240 --> 1:26:36.800
<v Speaker 1>Jordan talked about his father's death and there was a

1:26:36.840 --> 1:26:39.719
<v Speaker 1>lot of conspiracy theories. They said, you know, different things

1:26:39.800 --> 1:26:44.120
<v Speaker 1>about gambling connections, and Michael Jordan's father was murdered. His

1:26:44.240 --> 1:26:47.320
<v Speaker 1>body was found near the North Carolina and South Carolina border.

1:26:47.400 --> 1:26:50.240
<v Speaker 1>They searched for him for weeks. Here's what Michael Jordan

1:26:50.360 --> 1:26:52.880
<v Speaker 1>had to say. It did hurt, you know, but you

1:26:53.000 --> 1:26:55.599
<v Speaker 1>had people that were throwing darts who wanted to hurt me. Anyway.

1:26:55.880 --> 1:26:57.840
<v Speaker 1>It wasn't from the people that I loved, though, the

1:26:57.920 --> 1:27:00.320
<v Speaker 1>people that knew me and people that cares its people

1:27:00.360 --> 1:27:02.840
<v Speaker 1>that you know, got tired of me being on top.

1:27:03.240 --> 1:27:06.599
<v Speaker 1>There is an a thimble's worth of evidence to connect

1:27:06.800 --> 1:27:11.040
<v Speaker 1>that horrible incident to Michael Jordan's gambling or any other

1:27:11.120 --> 1:27:14.640
<v Speaker 1>aspect of Michael Jordan's behavior. Man, I almost cried. I

1:27:14.800 --> 1:27:17.040
<v Speaker 1>was right there. I felt the welling up happened, especially

1:27:17.080 --> 1:27:18.960
<v Speaker 1>when they showed him breaking down in the locker room,

1:27:19.160 --> 1:27:22.040
<v Speaker 1>you know. And what they did to Michael in regards

1:27:22.080 --> 1:27:24.560
<v Speaker 1>to his father and blaming him is what all you

1:27:24.720 --> 1:27:28.040
<v Speaker 1>lame mass social media conspiracy theorists do nowadays, all right,

1:27:28.120 --> 1:27:30.320
<v Speaker 1>talking about everything and everybody like y'all have a clue.

1:27:30.439 --> 1:27:31.880
<v Speaker 1>And I think it's so wacked that people could not

1:27:32.040 --> 1:27:34.799
<v Speaker 1>understand the toll the game was having on Michael Jordan's

1:27:34.840 --> 1:27:37.800
<v Speaker 1>mental and emotional well being, Like, yes, he needed a break,

1:27:38.200 --> 1:27:40.440
<v Speaker 1>you had to walk away, like it was no conspiracy,

1:27:40.560 --> 1:27:43.639
<v Speaker 1>Like look at what he was going through. Jesus Christ,

1:27:44.439 --> 1:27:47.559
<v Speaker 1>all right now. Michael Jordan also talked about his retirement

1:27:47.680 --> 1:27:50.960
<v Speaker 1>not having anything to do with gambling. There were people

1:27:51.080 --> 1:27:53.920
<v Speaker 1>saying that that was why he retired. And here's what

1:27:54.000 --> 1:27:56.880
<v Speaker 1>they said about that. The folklore, the urban legends that

1:27:57.000 --> 1:28:01.040
<v Speaker 1>I sent him away because he was gambling, ridiculous. There's

1:28:01.080 --> 1:28:04.880
<v Speaker 1>never no basis in fact, I didn't retire because he

1:28:05.120 --> 1:28:08.000
<v Speaker 1>kicked me out. Well, they suspended me for a year

1:28:08.000 --> 1:28:10.280
<v Speaker 1>and a half. That is not true. It's no truth

1:28:10.320 --> 1:28:13.080
<v Speaker 1>of that. I needed a break. You know, my father

1:28:13.320 --> 1:28:16.639
<v Speaker 1>just past and I retired, you know, and I retired

1:28:16.680 --> 1:28:18.280
<v Speaker 1>with the notion that I wasn't going to come back.

1:28:18.800 --> 1:28:22.640
<v Speaker 1>Prime example of people trying to understand what's going on

1:28:22.840 --> 1:28:25.719
<v Speaker 1>in somebody else's mind. It's not up for you to understand.

1:28:25.800 --> 1:28:28.240
<v Speaker 1>It's for that person. That person made a decision for himself.

1:28:28.600 --> 1:28:30.760
<v Speaker 1>You don't have to justify, well, why is Michael walking away?

1:28:30.800 --> 1:28:33.719
<v Speaker 1>Michael know why you walked away? Now. You also talked

1:28:33.720 --> 1:28:36.480
<v Speaker 1>about being hard on people, and when you watch this documentary,

1:28:36.560 --> 1:28:38.720
<v Speaker 1>some people might say, or he was so hard on everyone. Well,

1:28:38.760 --> 1:28:41.200
<v Speaker 1>here's what he had to say in response to y'all people.

1:28:41.560 --> 1:28:44.920
<v Speaker 1>Winning has a price, and leadership has a price. I

1:28:45.160 --> 1:28:47.479
<v Speaker 1>challenge people when they didn't want to be challenged, and

1:28:47.680 --> 1:28:50.880
<v Speaker 1>I earned that right because my teammates came after me.

1:28:51.240 --> 1:28:53.200
<v Speaker 1>Once you joined the team, you live in a certain

1:28:53.240 --> 1:28:55.519
<v Speaker 1>standard that I played the game and I wasn't gonna

1:28:55.560 --> 1:28:57.920
<v Speaker 1>take any less. Now that means I had to go

1:28:58.040 --> 1:28:59.720
<v Speaker 1>in and get in your ass a little bit, and

1:28:59.800 --> 1:29:02.599
<v Speaker 1>I did that. You ask all my teammates. The one

1:29:02.640 --> 1:29:05.560
<v Speaker 1>thing about Michael Jordan was he never asked me to

1:29:05.680 --> 1:29:08.800
<v Speaker 1>do something that he didn't do. When people see this

1:29:09.120 --> 1:29:11.519
<v Speaker 1>and they're gonna say, well, he wasn't really a nice guy.

1:29:11.600 --> 1:29:13.840
<v Speaker 1>He may have been a tyrant. Well that's you, because

1:29:13.880 --> 1:29:16.120
<v Speaker 1>you never wanted anything like I don't want to do this.

1:29:16.560 --> 1:29:19.600
<v Speaker 1>I'm only doing it because it is who That was

1:29:19.720 --> 1:29:21.960
<v Speaker 1>com mentality. If you don't want to play that way,

1:29:22.840 --> 1:29:26.479
<v Speaker 1>don't play that. That's right. Winning has a price. He

1:29:26.760 --> 1:29:30.120
<v Speaker 1>is a winner. He has a certain level that he

1:29:30.240 --> 1:29:33.000
<v Speaker 1>plays at and he wants everybody to rise to that level.

1:29:33.080 --> 1:29:37.960
<v Speaker 1>And I don't. I don't have a problem with it whatsoever. Championship, sure, dude.

1:29:38.000 --> 1:29:41.439
<v Speaker 1>And then Gary Payton spoke about the Seattle supersund expresses

1:29:41.479 --> 1:29:43.559
<v Speaker 1>the balls in the series and he said he didn't

1:29:43.600 --> 1:29:46.160
<v Speaker 1>know how to play against Michael Jordan, and Michael Jordan

1:29:46.280 --> 1:29:49.400
<v Speaker 1>responded to those comments. A lot of people back down

1:29:49.479 --> 1:29:52.479
<v Speaker 1>the bike. I didn't. I made it a point, I said,

1:29:52.880 --> 1:29:56.439
<v Speaker 1>just tire him out tired. You just got to tire

1:29:56.479 --> 1:29:59.760
<v Speaker 1>him out. And I kept heat even and banging him

1:29:59.760 --> 1:30:02.120
<v Speaker 1>and even banging it. It took a toll on Mike,

1:30:02.400 --> 1:30:06.840
<v Speaker 1>and took a toll and then resting him a little

1:30:06.880 --> 1:30:10.840
<v Speaker 1>bit and then the serious church And I wish I

1:30:10.920 --> 1:30:12.720
<v Speaker 1>could have did it earlier. I don't know if the

1:30:13.240 --> 1:30:18.080
<v Speaker 1>would have been different, but it was a difference and

1:30:18.160 --> 1:30:20.360
<v Speaker 1>beat him down a little bit. I had no problem

1:30:20.439 --> 1:30:22.559
<v Speaker 1>with the glove. I had a lot of the things

1:30:22.600 --> 1:30:25.559
<v Speaker 1>on my mind. How do you feel about that they

1:30:25.640 --> 1:30:28.439
<v Speaker 1>lost the series? For the two they did? The Bulls

1:30:28.479 --> 1:30:31.000
<v Speaker 1>won the first three games. Seattlet want two in a roll?

1:30:31.080 --> 1:30:34.880
<v Speaker 1>I don't, you know. I can't. And it's easy to say,

1:30:34.880 --> 1:30:36.600
<v Speaker 1>you didn't you know you could have held Michael, but

1:30:36.680 --> 1:30:40.439
<v Speaker 1>you didn't. You know you didn't. You can't. You can't

1:30:40.479 --> 1:30:42.200
<v Speaker 1>talk about what you could have did when when they

1:30:42.240 --> 1:30:45.479
<v Speaker 1>beat you. Honestly, Yeah, and Gary, Gary Payton is a beast,

1:30:45.520 --> 1:30:49.040
<v Speaker 1>one of the greatest defensive players of all time. He

1:30:49.160 --> 1:30:51.120
<v Speaker 1>was saying if he was smarting him the whole time.

1:30:51.760 --> 1:30:54.720
<v Speaker 1>Maybe I don't know they did win, what could have

1:30:54.800 --> 1:30:58.120
<v Speaker 1>what it could have shied nobody, But yeah, I just

1:30:58.240 --> 1:31:00.800
<v Speaker 1>don't think. I think but didn't have Jordan's reaction to

1:31:00.920 --> 1:31:04.200
<v Speaker 1>that though. That's what's interesting. Yeah, nobody beats Michael Jordan,

1:31:04.240 --> 1:31:06.040
<v Speaker 1>and Michael Jordan don't want don't want to be beat.

1:31:06.280 --> 1:31:08.960
<v Speaker 1>I actually believe that, all right. And you know Sunday

1:31:09.080 --> 1:31:11.280
<v Speaker 1>Nights is also Insecure Nights as well. And I just

1:31:11.320 --> 1:31:13.240
<v Speaker 1>want to shout out to Evan and Org She has

1:31:13.280 --> 1:31:17.200
<v Speaker 1>her first HBO stand up comedy special. Mama, I made

1:31:17.240 --> 1:31:19.840
<v Speaker 1>it and here is I just wanted to bring you

1:31:19.960 --> 1:31:22.240
<v Speaker 1>on here so my home. There is no way I

1:31:22.280 --> 1:31:25.240
<v Speaker 1>could do is special about my life without showing you life.

1:31:25.800 --> 1:31:27.880
<v Speaker 1>My parents successful to get me married off. The first

1:31:27.960 --> 1:31:29.240
<v Speaker 1>due to show up in my house withd a go

1:31:29.640 --> 1:31:32.080
<v Speaker 1>might be the right one. This is where you negotiate

1:31:32.280 --> 1:31:33.840
<v Speaker 1>my bad price about how much do you think it

1:31:33.960 --> 1:31:35.880
<v Speaker 1>will start out to day? I'm like just one dollar?

1:31:41.200 --> 1:31:43.479
<v Speaker 1>My mom she leaves me voicemails all the time. This

1:31:43.680 --> 1:31:47.760
<v Speaker 1>is your mother fine with for nobody you are no

1:31:47.960 --> 1:31:53.920
<v Speaker 1>longer It's bring chicken, Happy Beth day span to close

1:31:53.960 --> 1:31:56.519
<v Speaker 1>bombs for vonn org Man. I actually had a chance

1:31:56.560 --> 1:31:58.280
<v Speaker 1>to go see her do stand up. I really like

1:31:58.400 --> 1:32:00.920
<v Speaker 1>Evon org a lot, so shout out her in congratulations.

1:32:00.960 --> 1:32:03.439
<v Speaker 1>I'll be watching that absolutely. I saw once she opened

1:32:03.520 --> 1:32:05.920
<v Speaker 1>up for Chris Rock a couple of years ago. Yep,

1:32:06.400 --> 1:32:10.360
<v Speaker 1>me too. All right, BC before Corona, I know that much.

1:32:10.720 --> 1:32:13.479
<v Speaker 1>I'm Angela, yeah, and that is your rumor report. All right,

1:32:13.560 --> 1:32:15.080
<v Speaker 1>thank you, miss ye. When we come back, we got

1:32:15.120 --> 1:32:17.200
<v Speaker 1>the People's choice mixed. Get your requested. Now it's the

1:32:17.240 --> 1:32:22.520
<v Speaker 1>Breakfast Club. Good morning morning. Everybody is DJ Envy, Angela ye, Charlomagne,

1:32:22.560 --> 1:32:26.840
<v Speaker 1>na guy. We are the Breakfast Club now again. Rest

1:32:26.920 --> 1:32:30.280
<v Speaker 1>in peace to Andre Horrell. We replayed his interview this morning,

1:32:31.120 --> 1:32:34.439
<v Speaker 1>just talking about Uptown Records and everything that he's doing

1:32:34.520 --> 1:32:37.560
<v Speaker 1>and just giving us the history lesson. So rest in

1:32:37.600 --> 1:32:41.280
<v Speaker 1>peace and definitely condolences and friends. Heartbreaking. It's gonna be

1:32:41.400 --> 1:32:46.040
<v Speaker 1>so weird not having Andre Horrel around anymore. So again

1:32:46.120 --> 1:32:51.160
<v Speaker 1>our condolences to his family and close friends. Absolutely that's right,

1:32:51.240 --> 1:32:55.160
<v Speaker 1>and that Uptown Records UH mini series is absolutely coming

1:32:55.200 --> 1:32:59.400
<v Speaker 1>to BT. Andrea was heavily involved in that, heavily involved

1:32:59.439 --> 1:33:01.800
<v Speaker 1>in the star, heavily involved in the script. I mean

1:33:01.840 --> 1:33:04.120
<v Speaker 1>even up until Wednesday, you know, he was on the

1:33:04.200 --> 1:33:07.479
<v Speaker 1>phone with Jesse, you know, wanting some things added to

1:33:07.640 --> 1:33:09.560
<v Speaker 1>the story, and he was adamant about adding them. I

1:33:09.600 --> 1:33:11.960
<v Speaker 1>don't know if y'all saw Jesse Collins um you know,

1:33:12.120 --> 1:33:14.920
<v Speaker 1>post on post on Instagram, but you know, it's good

1:33:15.000 --> 1:33:16.680
<v Speaker 1>that you know his story is gonna be told, and

1:33:16.760 --> 1:33:19.880
<v Speaker 1>it's good that he got his flowers while he was here,

1:33:20.040 --> 1:33:23.080
<v Speaker 1>even though I still think, um, you know, I would

1:33:23.120 --> 1:33:25.360
<v Speaker 1>have liked I would have liked to see him be here,

1:33:25.400 --> 1:33:26.960
<v Speaker 1>to see what the reaction would have been to the

1:33:27.080 --> 1:33:29.679
<v Speaker 1>Uptime mini series. I just don't know if people really

1:33:29.800 --> 1:33:34.120
<v Speaker 1>truly understand what Andre Horrell meant to this culture. I'm

1:33:34.160 --> 1:33:38.479
<v Speaker 1>not sure if they do, but they will and very soon.

1:33:39.320 --> 1:33:40.920
<v Speaker 1>And I also want to say, man, since you know

1:33:41.040 --> 1:33:43.280
<v Speaker 1>it's so much death going on, you have to celebrate

1:33:43.400 --> 1:33:45.719
<v Speaker 1>life in a huge way. I want to say happy

1:33:45.760 --> 1:33:48.200
<v Speaker 1>Borne Day to my guy, be High, you know, And

1:33:48.280 --> 1:33:51.839
<v Speaker 1>I want to say happy High. What's up? Yeah, Bis?

1:33:51.880 --> 1:33:57.200
<v Speaker 1>One day was yesterday, Happy belated birthday to be High.

1:33:58.560 --> 1:34:01.920
<v Speaker 1>All the time just walking around I'm Brooklyn randomly that's

1:34:02.000 --> 1:34:04.400
<v Speaker 1>my guy in a happy born days and an honorable

1:34:04.439 --> 1:34:08.800
<v Speaker 1>Minister Lewis Farrakhan. Minister Lewis Farrakon is eighty seven years

1:34:09.400 --> 1:34:12.000
<v Speaker 1>young today. Drop on a clues bomb for the minister

1:34:12.120 --> 1:34:14.519
<v Speaker 1>man Like that's that's the age I'm trying to get to.

1:34:15.000 --> 1:34:16.479
<v Speaker 1>I don't know about y'all. I want to be here.

1:34:16.520 --> 1:34:18.320
<v Speaker 1>I want to be here. I want to be eighty

1:34:18.360 --> 1:34:22.720
<v Speaker 1>seven and still kicking ass. God damn asolutely. So absolutely

1:34:22.800 --> 1:34:24.479
<v Speaker 1>when we come back. We got the positive notes, so

1:34:24.520 --> 1:34:28.240
<v Speaker 1>don't move. It's to Breakfast Club morning. Everybody's DJ Envy

1:34:28.439 --> 1:34:31.719
<v Speaker 1>Angela Yee. Charlomagne the guy we are the Breakfast Club.

1:34:32.160 --> 1:34:35.519
<v Speaker 1>That's Charlemagne. You got a positive note, yeah, man, Um,

1:34:35.720 --> 1:34:37.120
<v Speaker 1>I just want to tell everybody about this is is

1:34:37.120 --> 1:34:39.840
<v Speaker 1>we're having all these conversations about death. Just know that

1:34:40.120 --> 1:34:43.920
<v Speaker 1>death is not the greatest loss in life. The greatest

1:34:43.960 --> 1:34:47.200
<v Speaker 1>loss is what dies inside us while we are still alive.

1:34:47.760 --> 1:34:50.439
<v Speaker 1>Breakfast Club, you don't finish for y'all, dumb