1 00:00:01,240 --> 00:00:04,200 Speaker 1: In the morning. You wake up in the morning. I'm 2 00:00:04,240 --> 00:00:07,040 Speaker 1: talking right, I never you're about to experience a morning 3 00:00:07,040 --> 00:00:11,160 Speaker 1: showing like any yo to the breast club. What you 4 00:00:11,160 --> 00:00:13,360 Speaker 1: guys are doing right now, that's the hump culture. Breakfast 5 00:00:13,400 --> 00:00:16,560 Speaker 1: club is my morning sick. I need it and I 6 00:00:16,680 --> 00:00:20,080 Speaker 1: love it. Something you like. You're really not popping until 7 00:00:20,120 --> 00:00:23,080 Speaker 1: you do the breakfast Club and waiting come to y'all 8 00:00:23,120 --> 00:00:24,800 Speaker 1: show man, I know you gotta be a big time 9 00:00:24,920 --> 00:00:26,319 Speaker 1: celect me to be up and here you gotta be. 10 00:00:26,280 --> 00:00:28,840 Speaker 1: You gotta be big time t J. N Atioli and 11 00:00:29,000 --> 00:00:43,280 Speaker 1: Charlottagne the guy the breakfast club bitches. Take your good 12 00:00:43,360 --> 00:00:46,600 Speaker 1: morning Usa yo yo yo yo yo yo yo yo 13 00:00:46,680 --> 00:00:48,279 Speaker 1: yo yo yo yo yo yo yo yo yo yo 14 00:00:48,360 --> 00:00:50,040 Speaker 1: yo yo yo yo yo yo yo yo yo yo 15 00:00:50,080 --> 00:00:51,879 Speaker 1: yo yo yo yo yo yo yo yo yo yo 16 00:00:51,920 --> 00:00:53,720 Speaker 1: yo yo yo yo yo yo yo yo yo yo 17 00:00:53,800 --> 00:00:57,000 Speaker 1: yo yo yo yo yo yo Good morning, acually ye 18 00:00:58,040 --> 00:01:01,560 Speaker 1: good morning. He's amby Charlottagne. The god piece of the 19 00:01:01,640 --> 00:01:07,760 Speaker 1: planet is Monday. Yes, it's Monday. Back to the work week, 20 00:01:08,400 --> 00:01:11,679 Speaker 1: another quarantine work week. What's happening, how you're feeling out there? 21 00:01:11,680 --> 00:01:13,839 Speaker 1: How you're feeling man, shout out to all the mothers 22 00:01:13,880 --> 00:01:17,720 Speaker 1: out there. Hopefully you guys had a wonderful Mother's Day. Um, 23 00:01:17,920 --> 00:01:20,080 Speaker 1: I know I had to travel to Queens to us 24 00:01:20,080 --> 00:01:22,399 Speaker 1: see my mom. I was of course, I couldn't hug 25 00:01:22,440 --> 00:01:24,160 Speaker 1: or touch a kiss or anything like that. But we 26 00:01:24,520 --> 00:01:27,360 Speaker 1: played some music outside, we danced outside, we made us 27 00:01:27,360 --> 00:01:30,120 Speaker 1: some sons and she was very, very happy and excited. 28 00:01:30,120 --> 00:01:31,840 Speaker 1: She cried the whole time. And then we drove over 29 00:01:31,920 --> 00:01:34,600 Speaker 1: to Gear's mom's house and we did the same thing. 30 00:01:34,720 --> 00:01:37,840 Speaker 1: So it was just a great celebration day. We just relaxed, 31 00:01:37,880 --> 00:01:41,240 Speaker 1: chilled and what else could you do? I want to 32 00:01:41,440 --> 00:01:46,360 Speaker 1: drive Drive by celebrations are going to replace real celebrations 33 00:01:46,720 --> 00:01:48,760 Speaker 1: once all of this is over, because think about it, right, 34 00:01:48,760 --> 00:01:51,040 Speaker 1: when it's like a birthday party for one of your 35 00:01:51,360 --> 00:01:55,040 Speaker 1: kids classmates, a mother's day, people don't really want to 36 00:01:55,040 --> 00:01:57,480 Speaker 1: be bothered all the time with these long, elaborate four 37 00:01:57,560 --> 00:01:59,960 Speaker 1: or five hour parties. Sometimes those are a little dry, 38 00:02:00,120 --> 00:02:03,360 Speaker 1: boys just saying what's up. They make a lot of sense. Remember, 39 00:02:03,360 --> 00:02:05,160 Speaker 1: you know how it could before before the quarantine, people 40 00:02:05,200 --> 00:02:07,360 Speaker 1: would be like, I'm gonna do a quick little drive by, right, 41 00:02:07,400 --> 00:02:09,079 Speaker 1: I'm gonna do a little, quick, little, a little quick 42 00:02:09,120 --> 00:02:11,400 Speaker 1: little drive by being and out. Now you really get 43 00:02:11,440 --> 00:02:14,919 Speaker 1: to do that well for family members. For family members, no, 44 00:02:15,280 --> 00:02:18,200 Speaker 1: but for other things, I totally agree, because sometimes four 45 00:02:18,280 --> 00:02:21,280 Speaker 1: or five hour party, yeah buy you you don't. You don't. 46 00:02:21,440 --> 00:02:24,919 Speaker 1: You don't a gift out the car window? You especially 47 00:02:24,919 --> 00:02:27,000 Speaker 1: when the kid got three or four those a month, 48 00:02:27,160 --> 00:02:29,200 Speaker 1: because you know, all their little friends got their birthdays 49 00:02:29,320 --> 00:02:33,160 Speaker 1: run the same time, that quick little drive byby hitting. No, 50 00:02:33,280 --> 00:02:35,640 Speaker 1: kids would rather be at a party with their friends. 51 00:02:35,720 --> 00:02:40,919 Speaker 1: I would think, Yeah, yeah, kid's birthday parties aren't for you, 52 00:02:41,000 --> 00:02:44,680 Speaker 1: they're for the kids. Yeah. But you're absolutely right. But 53 00:02:44,720 --> 00:02:46,200 Speaker 1: we still parents at the end of the day. When 54 00:02:46,200 --> 00:02:49,720 Speaker 1: your parents, we're like, god, dang another one. It is exhausting. 55 00:02:49,880 --> 00:02:51,920 Speaker 1: Even though it's not about us, it is exhausting. It's 56 00:02:51,960 --> 00:02:56,720 Speaker 1: not even about you. Kids. We don't want probably don't 57 00:02:56,800 --> 00:02:58,960 Speaker 1: want to do a drive by. They probably want to 58 00:02:58,960 --> 00:03:02,760 Speaker 1: go and have it, know they I know they don't, 59 00:03:02,840 --> 00:03:05,440 Speaker 1: But I'm just speaking from a parents perspective. That would 60 00:03:05,480 --> 00:03:11,840 Speaker 1: be cool. Yeah, very much so very weak the horn 61 00:03:11,919 --> 00:03:13,880 Speaker 1: a couple of times, like I said, off the back 62 00:03:13,919 --> 00:03:17,520 Speaker 1: and keep it moving. Amazing the kid crying in the back, 63 00:03:17,600 --> 00:03:20,280 Speaker 1: Why can't I go in? Yeah, they're not crying. They excited. 64 00:03:20,320 --> 00:03:22,120 Speaker 1: They just excited to get out the house. Like my kids. 65 00:03:22,360 --> 00:03:23,880 Speaker 1: You gotta think about it. For my kids, this was 66 00:03:24,840 --> 00:03:27,840 Speaker 1: their friends. Because if the first time my kids have 67 00:03:27,840 --> 00:03:29,760 Speaker 1: been out the house, and I think ten weeks, ten weeks, 68 00:03:29,760 --> 00:03:32,520 Speaker 1: they haven't been out back, like out out the property, 69 00:03:32,560 --> 00:03:34,000 Speaker 1: you know, I mean, this was the first time. So 70 00:03:34,280 --> 00:03:36,280 Speaker 1: just them driving on the road, they were excited. And 71 00:03:36,800 --> 00:03:38,360 Speaker 1: we don't know if the kids are falling in love 72 00:03:38,400 --> 00:03:40,080 Speaker 1: with these drive buys, because you know, they get to 73 00:03:40,080 --> 00:03:42,240 Speaker 1: make their little signs, you know what I'm saying, They 74 00:03:42,280 --> 00:03:44,200 Speaker 1: get to pull up, hang out the window. They might 75 00:03:44,360 --> 00:03:47,520 Speaker 1: they might be enjoying this more than a being around 76 00:03:47,520 --> 00:03:50,680 Speaker 1: each other dancing and singing. Maybe that's just my wishful 77 00:03:50,720 --> 00:03:52,760 Speaker 1: thinking for the future. I don't think stuff that's that's 78 00:03:52,760 --> 00:03:56,240 Speaker 1: your wishful thinking. Yeah, that's what that is. All right. Well, 79 00:03:56,320 --> 00:03:58,440 Speaker 1: let's get the show cracking front page news. What we're 80 00:03:58,440 --> 00:04:01,640 Speaker 1: talking about, Well, well, you know, we have to start 81 00:04:01,720 --> 00:04:05,480 Speaker 1: this this Monday. We're talking about other things that happened 82 00:04:05,480 --> 00:04:09,760 Speaker 1: over the weekend, and there was some tragedy, some people 83 00:04:09,800 --> 00:04:12,760 Speaker 1: close to us have passed away, and some icons in 84 00:04:12,800 --> 00:04:15,520 Speaker 1: the music business. So we'll start off talking about that 85 00:04:16,240 --> 00:04:19,080 Speaker 1: all right, we'll get into that next and of course 86 00:04:19,200 --> 00:04:23,120 Speaker 1: Andre Horrell, he was he passed away over the weekend, 87 00:04:23,200 --> 00:04:25,800 Speaker 1: so rest in peace to Andre Horrell. He's been on 88 00:04:25,800 --> 00:04:28,839 Speaker 1: a Breakfast Club several times. He's a friend to everybody 89 00:04:28,839 --> 00:04:31,840 Speaker 1: in the room. Just a great energy, a great guy, 90 00:04:31,960 --> 00:04:34,960 Speaker 1: a great individual. He's a foundation to this music industry. 91 00:04:35,279 --> 00:04:37,640 Speaker 1: Some of your favorite artists, whether it's Mary J. Blige, 92 00:04:37,680 --> 00:04:41,800 Speaker 1: whether it's Guy, whether it's Joe to see how we 93 00:04:41,920 --> 00:04:44,400 Speaker 1: sh your monie for just to name a few. So 94 00:04:44,400 --> 00:04:46,640 Speaker 1: we're gonna get that interview back on the first time 95 00:04:46,640 --> 00:04:48,479 Speaker 1: he came to the Breakfast Club and he explained his 96 00:04:48,520 --> 00:04:50,920 Speaker 1: story how we created Uptown and all that. And we're 97 00:04:50,960 --> 00:04:53,159 Speaker 1: gonna get on a little Uptown mini mix on this morning, 98 00:04:53,600 --> 00:04:55,160 Speaker 1: so don't move. We'll do that next hour. It's the 99 00:04:55,160 --> 00:04:59,440 Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy Angela 100 00:04:59,520 --> 00:05:01,440 Speaker 1: yee shaw, I mean the guy we all to Breakfast Club. 101 00:05:01,520 --> 00:05:07,479 Speaker 1: Let's getting some front page news where we start with ye, Well, 102 00:05:07,480 --> 00:05:09,200 Speaker 1: this one really hit close to home and I know 103 00:05:09,200 --> 00:05:12,839 Speaker 1: we're paying tribute to Andre Horrell this morning, but rest 104 00:05:12,880 --> 00:05:17,279 Speaker 1: in peace to Andre Horrell who passed away over the weekend. 105 00:05:17,320 --> 00:05:20,599 Speaker 1: That was hard news for us all to get now, 106 00:05:21,480 --> 00:05:23,599 Speaker 1: you know, he is part of the Revolt family as well. 107 00:05:23,640 --> 00:05:26,960 Speaker 1: He was only fifty nine years old and he was 108 00:05:27,120 --> 00:05:30,560 Speaker 1: the vice chairman, and he was a lot of people's mentors, 109 00:05:30,600 --> 00:05:34,560 Speaker 1: a lot of people's friends, family members. So we just 110 00:05:34,560 --> 00:05:38,000 Speaker 1: want to give our condolences to everybody who Andre Horrell 111 00:05:38,520 --> 00:05:42,719 Speaker 1: has touched their life. As you know, he was in 112 00:05:42,880 --> 00:05:46,800 Speaker 1: nineteen eighty three, he was he hired Diddy to work 113 00:05:46,839 --> 00:05:50,760 Speaker 1: at def Jam. Well, no def Jam hired Andre Herrell 114 00:05:50,760 --> 00:05:52,640 Speaker 1: in nineteen eighty three. He was the vice president there. 115 00:05:52,640 --> 00:05:55,320 Speaker 1: Then it became general manager at the label. Then he 116 00:05:55,400 --> 00:05:57,440 Speaker 1: hired Um Diddy to go work at Uptown after he 117 00:05:57,480 --> 00:05:59,960 Speaker 1: founded Uptown Records. That's where he hired Diddy as an 118 00:06:00,040 --> 00:06:02,600 Speaker 1: intern and helped launch the career of so many people 119 00:06:02,680 --> 00:06:04,760 Speaker 1: like Mary Day Blithe, tv D and the Boys Joe 120 00:06:04,800 --> 00:06:08,680 Speaker 1: to See Teddy Riley, And in addition to that, there 121 00:06:08,800 --> 00:06:10,880 Speaker 1: was a lot of people who were giving stories that 122 00:06:10,920 --> 00:06:13,680 Speaker 1: we might have never heard before as well. So I 123 00:06:13,680 --> 00:06:16,240 Speaker 1: don't know if you guys saw all of these stories 124 00:06:16,240 --> 00:06:19,680 Speaker 1: that were being told, but there were a lot of 125 00:06:19,680 --> 00:06:22,280 Speaker 1: stories being told by Teddy Riley. He paid tribute to 126 00:06:22,320 --> 00:06:25,159 Speaker 1: Andre Horrell. He called him his mentor. He also said 127 00:06:25,200 --> 00:06:28,119 Speaker 1: that he spoke to him shortly before his versus battle 128 00:06:28,160 --> 00:06:30,600 Speaker 1: with Baby Face. He said, the pep talk that you're 129 00:06:30,800 --> 00:06:32,560 Speaker 1: you're you've given me right before, I felt like the 130 00:06:32,560 --> 00:06:34,560 Speaker 1: same pep talks you've given me from the beginning of 131 00:06:34,640 --> 00:06:37,600 Speaker 1: Uptown Records, sleeping on the couch at your office, your 132 00:06:37,640 --> 00:06:39,920 Speaker 1: brownstone in Brooklyn. You chose me out of all the 133 00:06:40,000 --> 00:06:41,680 Speaker 1: kids that you could have picked to work with you. 134 00:06:42,880 --> 00:06:48,279 Speaker 1: And Casey also gave his own tribute to Andre Horrell. 135 00:06:48,320 --> 00:06:49,880 Speaker 1: He said, the first time we met Drey, my group 136 00:06:49,920 --> 00:06:51,480 Speaker 1: went to New York to get a record deal. We went. 137 00:06:51,720 --> 00:06:53,960 Speaker 1: We wanted it to be from Uptown Records. At the time. 138 00:06:54,320 --> 00:06:56,360 Speaker 1: Dre had our favorite artists. He had Guy, he had 139 00:06:56,360 --> 00:06:58,600 Speaker 1: heavy d That's where we wanted to go. We got 140 00:06:58,640 --> 00:07:00,599 Speaker 1: to New York one morning and we just chance. We 141 00:07:00,640 --> 00:07:02,839 Speaker 1: went through the Yellow Pages and looked up Uptown Records. 142 00:07:02,880 --> 00:07:04,880 Speaker 1: We went over there. We saw Drey when we were 143 00:07:04,880 --> 00:07:06,560 Speaker 1: in the lobby waiting, but we didn't get a chance 144 00:07:06,600 --> 00:07:08,560 Speaker 1: to speak to him. He was getting on and off 145 00:07:08,560 --> 00:07:11,560 Speaker 1: the elevator, but we didn't say anything to him. How 146 00:07:11,600 --> 00:07:14,360 Speaker 1: he goes on to talk about how Andre Horrell also 147 00:07:14,440 --> 00:07:18,000 Speaker 1: came up with the MTV Unplugged Show with Uptown. That 148 00:07:18,120 --> 00:07:20,440 Speaker 1: was a clever idea of his. He had never done that, 149 00:07:20,440 --> 00:07:22,360 Speaker 1: that had never been done for a label. It was 150 00:07:22,400 --> 00:07:24,640 Speaker 1: all his idea, he said. Drey asked us to cover 151 00:07:24,640 --> 00:07:27,040 Speaker 1: Stevie Wonders lately for the show. We were like, we 152 00:07:27,080 --> 00:07:29,400 Speaker 1: can sing, but you're talking about Stevie wonder And he said, 153 00:07:29,760 --> 00:07:32,480 Speaker 1: y'all can do it, and that turned out to be 154 00:07:32,520 --> 00:07:34,480 Speaker 1: a big song for Joe to see. So rest in 155 00:07:34,520 --> 00:07:37,600 Speaker 1: peace to Andre Horrell. Also, Little Richard passed away at 156 00:07:37,600 --> 00:07:41,000 Speaker 1: the age of eighty seven. He is one of the legends, 157 00:07:41,080 --> 00:07:45,480 Speaker 1: one of the originators, and according to his family members, 158 00:07:45,520 --> 00:07:48,040 Speaker 1: he died in Nashville with his brother and his son 159 00:07:48,080 --> 00:07:49,840 Speaker 1: by his side. They said the cause of his death 160 00:07:49,920 --> 00:07:52,600 Speaker 1: is related to bone cancer. He had been ill for 161 00:07:52,680 --> 00:07:55,480 Speaker 1: a good while. We'll give you more information on Little 162 00:07:55,560 --> 00:07:59,280 Speaker 1: Richard throughout the morning as well. Also, this also heard 163 00:07:59,320 --> 00:08:03,200 Speaker 1: a lot of people. Betty Wright passed away over the weekend. Also, 164 00:08:03,400 --> 00:08:06,760 Speaker 1: she was sixty six and she died after her cancer diagnosis, 165 00:08:07,320 --> 00:08:09,680 Speaker 1: and they said something had clearly been wrong with her. 166 00:08:09,720 --> 00:08:13,040 Speaker 1: Because Shaka Khan actually made a plea calling all my 167 00:08:13,120 --> 00:08:16,120 Speaker 1: prayer warriors my beloved sister, Betty Wright is now in 168 00:08:16,120 --> 00:08:19,160 Speaker 1: need of all your prayers. So she was recently honored 169 00:08:19,200 --> 00:08:21,440 Speaker 1: on TV one's Unsung. She was called one of the 170 00:08:21,480 --> 00:08:25,040 Speaker 1: most underrated singers of her time. So many songs that 171 00:08:25,080 --> 00:08:27,480 Speaker 1: she had, including clean Up Woman. She was only eighteen 172 00:08:27,960 --> 00:08:30,680 Speaker 1: when that song was releasing. It was her biggest song ever. 173 00:08:31,920 --> 00:08:39,839 Speaker 1: She also had a lot of people sampled that song. 174 00:08:40,280 --> 00:08:42,480 Speaker 1: A lot of people sampled two Night is the Night, 175 00:08:43,280 --> 00:08:45,559 Speaker 1: whereas the Love We'll be talking about Betty Wright throughout 176 00:08:45,600 --> 00:08:48,000 Speaker 1: the morning as well, at the age of sixty six, 177 00:08:48,040 --> 00:08:50,679 Speaker 1: So we did lose a lot of legendary people over 178 00:08:50,720 --> 00:08:54,840 Speaker 1: this weekend. Yeah, made me allah, God be pleased with 179 00:08:55,200 --> 00:08:59,280 Speaker 1: all of those individuals. Salute to Andre Horrell, great brother 180 00:08:59,360 --> 00:09:04,040 Speaker 1: man personally and professionally that I talked to quite often 181 00:09:04,280 --> 00:09:07,320 Speaker 1: over the past few years. Um, you know, assisting him 182 00:09:07,320 --> 00:09:09,920 Speaker 1: and getting this Uptown record story off the ground, which 183 00:09:10,000 --> 00:09:12,720 Speaker 1: is coming out as a mini series on BT supposed 184 00:09:12,720 --> 00:09:15,360 Speaker 1: to be this fall, but you know, coronavirus pushed all 185 00:09:15,360 --> 00:09:17,840 Speaker 1: that back. But he made me a consultant producer on that, 186 00:09:17,920 --> 00:09:20,600 Speaker 1: so we we actually spoke very very often. I actually 187 00:09:20,640 --> 00:09:24,160 Speaker 1: spoke to him Tuesday, you know, Um, He's just a 188 00:09:24,360 --> 00:09:28,000 Speaker 1: just a great great greade grade grade, great great man, 189 00:09:28,559 --> 00:09:31,520 Speaker 1: great man. And that was I mean, all all of 190 00:09:31,520 --> 00:09:33,560 Speaker 1: these all depths of shocking, but it's just like that's 191 00:09:33,600 --> 00:09:36,440 Speaker 1: one you just do not expect to hear. I didn't 192 00:09:36,440 --> 00:09:39,280 Speaker 1: expect to hear that on you know, Friday, Friday night 193 00:09:39,559 --> 00:09:42,160 Speaker 1: at all. Like I literally was looking at somebody hit me, like, yo, 194 00:09:42,200 --> 00:09:44,840 Speaker 1: you talked to Andre. I'm like, uh, and I since 195 00:09:44,880 --> 00:09:48,079 Speaker 1: Tuesday and it's you know, it's Friday night, like I 196 00:09:48,120 --> 00:09:51,080 Speaker 1: already passed away. I'm like, huh. So it's just like, 197 00:09:51,160 --> 00:09:53,360 Speaker 1: you know, I don't know that I have a have 198 00:09:53,440 --> 00:09:56,480 Speaker 1: a very weird relationship with death. I've I've I've learned 199 00:09:56,480 --> 00:09:59,839 Speaker 1: to accept it over the past past couple of years, 200 00:10:00,080 --> 00:10:02,320 Speaker 1: really the past year, I've learned the accepted just leaning 201 00:10:02,360 --> 00:10:04,960 Speaker 1: into the uncertainty of life, knowing that every day could 202 00:10:05,000 --> 00:10:08,000 Speaker 1: be your last. But I still don't understand why things 203 00:10:08,040 --> 00:10:12,040 Speaker 1: happened to certain people at certain moments, because like Andrea 204 00:10:12,160 --> 00:10:14,160 Speaker 1: was really about to get his flowers in a real 205 00:10:14,320 --> 00:10:17,360 Speaker 1: real way when this when this mini series, you know, 206 00:10:17,480 --> 00:10:20,360 Speaker 1: dropped on bat and people were gonna really see the 207 00:10:20,520 --> 00:10:23,959 Speaker 1: legacy he built with Uptown and how ninety five percent, 208 00:10:24,120 --> 00:10:26,680 Speaker 1: not even ninety five percent. All black record labels now 209 00:10:27,040 --> 00:10:29,280 Speaker 1: are like like he laid the blueprint form just the 210 00:10:29,320 --> 00:10:33,120 Speaker 1: whole ghetto fabulous black excellence lifestyle. Andrea was that dude. 211 00:10:33,440 --> 00:10:35,440 Speaker 1: He was People was about to see that. They'll still 212 00:10:35,440 --> 00:10:36,880 Speaker 1: see that. What I'm saying, he would have been here 213 00:10:36,880 --> 00:10:40,760 Speaker 1: to receive those flowers. It was just strange. Man. Yeah, yeah, 214 00:10:40,800 --> 00:10:42,439 Speaker 1: you know, he did more than radio, but we'll talk 215 00:10:42,440 --> 00:10:44,720 Speaker 1: about him more. Man, He did more than radio Champagne 216 00:10:44,720 --> 00:10:50,360 Speaker 1: and Bubbles Bubbles. Baby, it was radio Champagne Bubbles was 217 00:10:50,360 --> 00:10:55,160 Speaker 1: a weekend weekend. No, no, he was. He was doing 218 00:10:55,160 --> 00:10:58,640 Speaker 1: it um on mornings at ninety seven. Uh when me 219 00:10:58,720 --> 00:11:02,120 Speaker 1: and miss Jones, miss Holmes was out and they brought 220 00:11:02,200 --> 00:11:04,240 Speaker 1: him in into Champagne and Bubbles. Yeah, and I was 221 00:11:04,480 --> 00:11:06,960 Speaker 1: helping him up up one time. I got stories, stories 222 00:11:06,960 --> 00:11:09,800 Speaker 1: and stories about Andre Horal. But rest in peace. We're 223 00:11:09,800 --> 00:11:11,559 Speaker 1: gonna get an interview all the next guy while rest 224 00:11:11,640 --> 00:11:14,080 Speaker 1: in peace to him, Rest in peace to Betty Wright, 225 00:11:14,160 --> 00:11:17,040 Speaker 1: and rest in piece of uri. Andre has done stuff 226 00:11:17,040 --> 00:11:21,440 Speaker 1: from U. He really got my wife's my wife's family 227 00:11:21,480 --> 00:11:23,640 Speaker 1: blessed in a real way. This shit, it's like Andrea 228 00:11:23,760 --> 00:11:27,080 Speaker 1: is a good dude, man, real man, good brother. All right, 229 00:11:27,400 --> 00:11:29,040 Speaker 1: all right when we come back, get it off your 230 00:11:29,120 --> 00:11:31,600 Speaker 1: chests eight hundred five eight five one on five one. 231 00:11:31,600 --> 00:11:33,200 Speaker 1: If you need to vent, hit us up now. It's 232 00:11:33,240 --> 00:11:39,960 Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. This is 233 00:11:40,000 --> 00:11:41,920 Speaker 1: your time to get it off your chest. Whether you're man, 234 00:11:44,040 --> 00:11:45,760 Speaker 1: I hear from you on the Breakfast Club. But if 235 00:11:45,800 --> 00:11:50,920 Speaker 1: you got something on your mind. Hello, who's this? This 236 00:11:51,120 --> 00:11:54,480 Speaker 1: is Chandler from columb So Hi on good morning, Jay, Shandela, 237 00:11:54,520 --> 00:11:57,240 Speaker 1: what's up? Get it off your chests? Brother? H well one, 238 00:11:57,240 --> 00:12:00,480 Speaker 1: I wanted to say Mother's Day, had a great Mother's Day. 239 00:12:00,080 --> 00:12:04,240 Speaker 1: The White Sie and too I want it a little 240 00:12:04,280 --> 00:12:07,080 Speaker 1: Dickie series was a great series. Or I don't know 241 00:12:07,120 --> 00:12:09,920 Speaker 1: why you wasn't on an envy, but it was a great, great, 242 00:12:09,960 --> 00:12:14,040 Speaker 1: great series. And Angela and Charlotte Maagne yep, y'all did 243 00:12:14,040 --> 00:12:18,360 Speaker 1: a great job. And thank you. Free, no problem, no 244 00:12:18,440 --> 00:12:23,000 Speaker 1: problem free. Now. I know it's Corona. But if they 245 00:12:23,000 --> 00:12:26,280 Speaker 1: had a concert here and they said Applies was performing 246 00:12:26,320 --> 00:12:29,720 Speaker 1: that rock, I probably would risk it off. Where is here? 247 00:12:30,320 --> 00:12:35,120 Speaker 1: Where's here? Colomazo? Hi, clomazo Hi? Okay, So you love Applies? 248 00:12:35,160 --> 00:12:38,440 Speaker 1: You feel like you applies rock. Yeah, if you performed 249 00:12:38,480 --> 00:12:41,559 Speaker 1: that that energy might be one of the best performances 250 00:12:41,600 --> 00:12:44,040 Speaker 1: I've ever seen. I might risk it all if he 251 00:12:44,120 --> 00:12:47,080 Speaker 1: did that. Rock boys dropped on a clue box applies 252 00:12:47,160 --> 00:12:49,040 Speaker 1: somebody just guy said he would go risk it to 253 00:12:49,040 --> 00:12:53,720 Speaker 1: see Applies do rock. But I was actually closing on 254 00:12:53,760 --> 00:12:55,439 Speaker 1: the home that day when they did the Little Dickie 255 00:12:55,720 --> 00:12:59,040 Speaker 1: series side That's why I wasn't there. Oh well yeah, yeah, yeah, 256 00:12:59,160 --> 00:13:02,280 Speaker 1: great show, great show. I recommend everybody to watch it. 257 00:13:02,760 --> 00:13:04,640 Speaker 1: Thank you. Brother. Wake up in the morning and realize, 258 00:13:04,720 --> 00:13:06,240 Speaker 1: just do you think about the things you don't expect 259 00:13:06,280 --> 00:13:08,520 Speaker 1: to hear? He said, you would risk getting Corolla to 260 00:13:08,520 --> 00:13:10,800 Speaker 1: go see flies for four him? No, oh, here's my 261 00:13:10,840 --> 00:13:18,200 Speaker 1: rock Rock. Hello? Who's this? That Mercy whatever? Lead from Detroit? Hey, 262 00:13:18,200 --> 00:13:21,480 Speaker 1: what's up? Chess Man? First, I want to say I'm blessed. 263 00:13:21,600 --> 00:13:23,560 Speaker 1: I don't want to what my father is. I want 264 00:13:23,559 --> 00:13:25,800 Speaker 1: to like, it's all fad, I'm blessed. Ain't miss no 265 00:13:25,880 --> 00:13:28,400 Speaker 1: pay checks, wife, they miss no pay checks. But we 266 00:13:28,400 --> 00:13:30,360 Speaker 1: don't even know Hasitta at the post office? Man, But 267 00:13:30,480 --> 00:13:32,240 Speaker 1: we got the crazy man and the White Hawks man. 268 00:13:32,320 --> 00:13:35,280 Speaker 1: We had changed. I'm miss him my life everything, and 269 00:13:35,600 --> 00:13:40,079 Speaker 1: we just met. This is that sucks. That sucks. The 270 00:13:40,160 --> 00:13:42,560 Speaker 1: post office is a dangerous place. By the way, man, 271 00:13:42,760 --> 00:13:45,440 Speaker 1: we got a bust of people done. What you mean 272 00:13:45,520 --> 00:13:50,480 Speaker 1: people that work at the post office. Yeah, you're working 273 00:13:50,640 --> 00:13:53,719 Speaker 1: so hard too. I do have to say, man, you 274 00:13:53,800 --> 00:13:56,280 Speaker 1: guys do deserve hazard pay. And even going to the 275 00:13:56,360 --> 00:13:58,320 Speaker 1: post office. You go, you walk into post office if 276 00:13:58,320 --> 00:14:00,640 Speaker 1: it's four, if it's four or five people the post office, 277 00:14:00,679 --> 00:14:02,800 Speaker 1: I stay outside. I tell people come out. You can't 278 00:14:02,840 --> 00:14:05,120 Speaker 1: social distance. It's not even what mine isn't that big 279 00:14:05,200 --> 00:14:07,600 Speaker 1: in my neighborhood. I get something the other day from 280 00:14:07,640 --> 00:14:10,040 Speaker 1: the ap W, which is our union. I'm thinking there's 281 00:14:10,080 --> 00:14:12,080 Speaker 1: gonna be a letter saying they fight for us, they 282 00:14:12,160 --> 00:14:14,280 Speaker 1: don't get us has a pay. It was some stickers 283 00:14:14,360 --> 00:14:18,160 Speaker 1: and plastic rubber bands, Like what is this? What is 284 00:14:18,240 --> 00:14:21,000 Speaker 1: this y'all spending money on this nonsense? For we ain't 285 00:14:21,000 --> 00:14:23,320 Speaker 1: here risk in our lives Like this is I need 286 00:14:23,360 --> 00:14:24,880 Speaker 1: you all to make some noise for me and my 287 00:14:25,040 --> 00:14:31,520 Speaker 1: six hundred thousand coworkers. Y'all not consider government officials. Yes, yeah, 288 00:14:31,600 --> 00:14:33,720 Speaker 1: y'all should be getting as a pig. That's crazy than 289 00:14:34,000 --> 00:14:35,840 Speaker 1: noise for us. Man, get one of these junior people 290 00:14:35,880 --> 00:14:37,920 Speaker 1: on there so we can call it put them in check. Man. 291 00:14:38,280 --> 00:14:39,840 Speaker 1: All right, brother, well, thank you for calling, man, and 292 00:14:39,880 --> 00:14:42,120 Speaker 1: we appreciate the work what you're doing every day too. Man, 293 00:14:42,520 --> 00:14:45,000 Speaker 1: Get it off your chest eight hundred five eight five 294 00:14:45,080 --> 00:14:47,120 Speaker 1: one on five one. If you need to vent, hit 295 00:14:47,240 --> 00:14:49,800 Speaker 1: us up now. It's the Breakfast Club. Good morning, the 296 00:14:50,040 --> 00:14:57,320 Speaker 1: Breakfast Club. Wake up, wake up, wake y'all. You're trying 297 00:14:57,360 --> 00:15:00,880 Speaker 1: to get it off your chest with your man or blas. 298 00:15:01,080 --> 00:15:03,680 Speaker 1: We want to hear from you on the recons Well, Hello, 299 00:15:03,800 --> 00:15:07,680 Speaker 1: who's this? This is Bernard Datte calling from Silly. How's everyone? 300 00:15:08,000 --> 00:15:15,280 Speaker 1: Good morning, Charlotmgagne the god in Angela. Get it off 301 00:15:15,360 --> 00:15:18,200 Speaker 1: your chest? All right? Well, first of all, I want 302 00:15:18,240 --> 00:15:21,640 Speaker 1: to just say rest in pizza andre Harrell's family, Um, 303 00:15:22,040 --> 00:15:25,360 Speaker 1: Richard and Betty Wright. And wasn't Andre Harrell one of 304 00:15:25,440 --> 00:15:29,080 Speaker 1: the partners of Doctor Jacko Mister High Rap Group. Yeah 305 00:15:29,160 --> 00:15:31,720 Speaker 1: he was. Yeah. I don't want people to forget that 306 00:15:31,840 --> 00:15:34,480 Speaker 1: because you know that was part of the eighties legend 307 00:15:34,600 --> 00:15:36,600 Speaker 1: right there. But one of the things I didn't want 308 00:15:36,640 --> 00:15:39,800 Speaker 1: to call about today. Um, Charlottamagne. You always talk about 309 00:15:39,840 --> 00:15:43,080 Speaker 1: mental health awareness and I just want to bring awareness 310 00:15:43,240 --> 00:15:46,000 Speaker 1: to spend three years that I've been trying to call 311 00:15:46,120 --> 00:15:48,760 Speaker 1: in and talk to you all about this. My sister's 312 00:15:48,880 --> 00:15:51,120 Speaker 1: life was taken at the age of fifty by her 313 00:15:51,240 --> 00:15:55,680 Speaker 1: only son who suffered from schizophrenia. And let me tell you, 314 00:15:55,800 --> 00:15:58,600 Speaker 1: in North Carolina, she was constantly we were living in 315 00:15:58,760 --> 00:16:03,480 Speaker 1: Charlotte at the time, and whenever my nephew had thoughts 316 00:16:03,560 --> 00:16:07,560 Speaker 1: of taking her life and his life, she would hospitalize 317 00:16:07,640 --> 00:16:10,960 Speaker 1: him and they will always release him back to her. 318 00:16:11,520 --> 00:16:14,880 Speaker 1: And then when it went to court, he he didn't 319 00:16:14,880 --> 00:16:16,960 Speaker 1: even have a trial. The judge says he had been 320 00:16:17,040 --> 00:16:21,120 Speaker 1: mentally ill for quite some time and that he was 321 00:16:21,320 --> 00:16:24,360 Speaker 1: deemed not guilty due to the reason of insanity and 322 00:16:24,480 --> 00:16:27,000 Speaker 1: a crazy thing about it. We still have things in 323 00:16:27,120 --> 00:16:30,880 Speaker 1: litigation with her life insurance, but he's on all of 324 00:16:30,960 --> 00:16:35,200 Speaker 1: her life insurance policies and he is not guilty due 325 00:16:35,200 --> 00:16:37,960 Speaker 1: to the reason of insanity. He's in a mental institution 326 00:16:38,040 --> 00:16:41,000 Speaker 1: for the rest of his life. But unfortunately, there's no 327 00:16:41,200 --> 00:16:44,880 Speaker 1: laws out there for the for the caretaker, you know 328 00:16:44,920 --> 00:16:49,440 Speaker 1: what I mean, you mean, for the can't take good 329 00:16:49,480 --> 00:16:52,040 Speaker 1: as far as like, what do you mean, my sister. 330 00:16:54,400 --> 00:16:57,960 Speaker 1: There should be laws for the custodian parent or the 331 00:16:58,080 --> 00:17:00,840 Speaker 1: person who's taking care of someone that's an adult, that 332 00:17:01,200 --> 00:17:05,879 Speaker 1: that has mental illness. There's nothing out there for that person, 333 00:17:06,240 --> 00:17:10,160 Speaker 1: like the hospitals will constantly release them back to your custody, 334 00:17:10,560 --> 00:17:14,040 Speaker 1: knowing that he had thought of killing you. Yeah, there 335 00:17:14,040 --> 00:17:16,480 Speaker 1: should be some type of orders of protection in place. 336 00:17:16,560 --> 00:17:18,520 Speaker 1: All Honestly, that brother, that brother should have been in 337 00:17:18,560 --> 00:17:21,680 Speaker 1: the mental facility a long time ago, a long time, 338 00:17:21,720 --> 00:17:24,680 Speaker 1: a diagnosis in twenty twelve. He took her life in 339 00:17:24,800 --> 00:17:28,480 Speaker 1: twenty seventeen, and they constantly kept releasing them to them 340 00:17:28,720 --> 00:17:30,919 Speaker 1: to her. And that's what I just wanted to get out. 341 00:17:30,960 --> 00:17:33,320 Speaker 1: If there's anyone out there with any kind of information 342 00:17:33,640 --> 00:17:36,040 Speaker 1: of how we can continue to fight this fight or 343 00:17:36,119 --> 00:17:39,400 Speaker 1: get a law changed out there, please get in touch 344 00:17:39,480 --> 00:17:41,800 Speaker 1: with me, because I want to take this all the 345 00:17:41,880 --> 00:17:43,760 Speaker 1: way up. I want to be able to have something 346 00:17:43,840 --> 00:17:47,000 Speaker 1: called the Marcella Law because my sisters served twenty years 347 00:17:47,359 --> 00:17:50,320 Speaker 1: as a marine, and she didn't die for our country. 348 00:17:50,440 --> 00:17:52,639 Speaker 1: She died for her son. You know what I mean. 349 00:17:53,119 --> 00:17:56,000 Speaker 1: It's just could I get your info? When you leave 350 00:17:56,000 --> 00:17:58,040 Speaker 1: your info for me, when we hang up the phone, 351 00:17:58,600 --> 00:18:01,159 Speaker 1: I'm I'm gonna shoot you an email, all right, Hold on, 352 00:18:01,240 --> 00:18:04,040 Speaker 1: all right, get it off your chest eight hundred five 353 00:18:04,119 --> 00:18:06,119 Speaker 1: A five one oh five one. If you need to vent, 354 00:18:06,160 --> 00:18:07,560 Speaker 1: you can hit us something now. We got rumors on 355 00:18:07,600 --> 00:18:10,320 Speaker 1: the way. Ye yes, Over the weekend, a lot happened 356 00:18:10,400 --> 00:18:13,520 Speaker 1: Takashi six to nine. He broke all kinds of records 357 00:18:13,960 --> 00:18:16,480 Speaker 1: when he went live and also released some new music 358 00:18:16,960 --> 00:18:19,240 Speaker 1: and baby Face I was looking forward to this Mother's 359 00:18:19,320 --> 00:18:23,200 Speaker 1: Day tribute, but understandably it's been postponed, and we'll tell 360 00:18:23,200 --> 00:18:25,360 Speaker 1: you what he did instead. All right, we'll get into 361 00:18:25,400 --> 00:18:27,560 Speaker 1: that next. Keeping locked this to Breakfast Club. Good morning, 362 00:18:27,880 --> 00:18:34,920 Speaker 1: the Breakfast Club, DJ Envy, Angela Yee, Charlomagne, the guy 363 00:18:35,000 --> 00:18:36,920 Speaker 1: we all the Breakfast Club. Let's get to the rumors. 364 00:18:36,960 --> 00:18:42,760 Speaker 1: Let's talk to Kashi six nine. She's filling the team. 365 00:18:43,080 --> 00:18:46,280 Speaker 1: This is the rumor report with Angela Yee on the 366 00:18:46,359 --> 00:18:50,320 Speaker 1: Breakfast Club. So Takashi six nine went live for the 367 00:18:50,359 --> 00:18:52,879 Speaker 1: first time since he got out of prison, and he 368 00:18:53,040 --> 00:18:56,520 Speaker 1: broke all the records. He broke Tory Lanes's Instagram live record, 369 00:18:56,520 --> 00:18:59,400 Speaker 1: who had three hundred thousand. He had two million viewers 370 00:19:00,280 --> 00:19:03,600 Speaker 1: during his live. Now in addition to that, he also 371 00:19:03,760 --> 00:19:07,879 Speaker 1: put out a new song, Guba, and that song in 372 00:19:08,000 --> 00:19:11,800 Speaker 1: twenty four hours had forty three point five million views, 373 00:19:11,920 --> 00:19:15,160 Speaker 1: So he broke every record possible. He broke Eminem's record 374 00:19:15,240 --> 00:19:19,080 Speaker 1: in just twenty four hours for hip hop YouTube views. Now, 375 00:19:19,160 --> 00:19:21,400 Speaker 1: in addition to that, here's what he had to say 376 00:19:21,600 --> 00:19:24,320 Speaker 1: about snitching on his IG live. But where was the 377 00:19:24,400 --> 00:19:26,400 Speaker 1: loyalt when you were sleeping with my baby mother? Where 378 00:19:26,480 --> 00:19:28,280 Speaker 1: was the loyalt when you was caught on the white 379 00:19:28,320 --> 00:19:29,800 Speaker 1: tap trying to kill me? Who was the loyaltie when 380 00:19:29,840 --> 00:19:32,000 Speaker 1: you try to kidnap my mother? Where was the loyalty 381 00:19:32,119 --> 00:19:33,520 Speaker 1: when you were still the millions of dollars for me? 382 00:19:33,600 --> 00:19:35,879 Speaker 1: Where was that? So? Who broke it first? All right, 383 00:19:36,000 --> 00:19:38,840 Speaker 1: I'll get it. Don't fight fire fire, I'm sorry, But 384 00:19:39,000 --> 00:19:41,680 Speaker 1: what did I do on kidnap me? I'm supposed to 385 00:19:41,680 --> 00:19:43,240 Speaker 1: be loyal to that? No, you know what? You know 386 00:19:43,320 --> 00:19:46,600 Speaker 1: what it is, y'all don't want to accept the fact 387 00:19:46,640 --> 00:19:49,359 Speaker 1: that those are all true facts. Yeah, I heard that, 388 00:19:49,520 --> 00:19:53,280 Speaker 1: And you know, like I said, when I met the kid, 389 00:19:53,359 --> 00:19:55,800 Speaker 1: he's a good kid. But you talk about why you 390 00:19:55,880 --> 00:19:57,840 Speaker 1: snitched on those people, but you also got to talk 391 00:19:57,840 --> 00:20:00,600 Speaker 1: about the conversation of why you told on Cardi B 392 00:20:00,840 --> 00:20:04,680 Speaker 1: while you told on Jim Jones, Why you mentioned while 393 00:20:04,720 --> 00:20:06,920 Speaker 1: you put a hit out on somebody, like there's other reason, 394 00:20:06,920 --> 00:20:09,720 Speaker 1: it's not just it's not just somebody said something. And 395 00:20:09,760 --> 00:20:11,280 Speaker 1: then you said, now I'm not gonna go to jail 396 00:20:11,320 --> 00:20:13,239 Speaker 1: for them. You also opened up for so many other 397 00:20:13,280 --> 00:20:16,199 Speaker 1: people that had nothing to do with any of that. Yeah, man, 398 00:20:16,480 --> 00:20:19,399 Speaker 1: you know, and you and you use those people the 399 00:20:19,520 --> 00:20:21,760 Speaker 1: harm other people, like you just said, you use those 400 00:20:22,240 --> 00:20:24,960 Speaker 1: you know guys and security. You ordered hits on other guys. 401 00:20:25,280 --> 00:20:27,359 Speaker 1: You're not innocent at all. You know the lifestyle you 402 00:20:27,480 --> 00:20:29,959 Speaker 1: was leading, and when the lifestyle didn't benefit you anymore 403 00:20:29,960 --> 00:20:32,040 Speaker 1: and those wolves turned on you, you turned on the wolves. 404 00:20:32,119 --> 00:20:34,680 Speaker 1: Welcome to the streets now. Meek Mill went on Twitter 405 00:20:34,760 --> 00:20:37,280 Speaker 1: and said, I hope that rat going live to apologize 406 00:20:37,280 --> 00:20:40,080 Speaker 1: to the people he told on or the victim. He said, 407 00:20:40,160 --> 00:20:42,680 Speaker 1: y'all forgot that fast or rat killed Nipsey. He wasn't 408 00:20:42,720 --> 00:20:44,600 Speaker 1: supposed to be on the street. Sas the only thing 409 00:20:44,640 --> 00:20:47,320 Speaker 1: I'm gonna say, because he's dead, left his baby mom 410 00:20:47,400 --> 00:20:50,800 Speaker 1: and child like a coward as targets. And then he 411 00:20:50,960 --> 00:20:54,200 Speaker 1: also went on to say because he did just have 412 00:20:54,359 --> 00:20:56,800 Speaker 1: a you know, he had his child on his birthday 413 00:20:56,920 --> 00:21:00,280 Speaker 1: on Wednesday, And of course Dakashi had something to say 414 00:21:00,280 --> 00:21:04,320 Speaker 1: about that. Takashi went on social media and commented about 415 00:21:04,359 --> 00:21:06,639 Speaker 1: Meek Meil, you know, paying attention to him at this time. 416 00:21:06,680 --> 00:21:09,639 Speaker 1: He said, imagine having a newborn baby coming to the 417 00:21:09,680 --> 00:21:13,080 Speaker 1: world to be pressed about a Mexican with a rainbow hair. Well, 418 00:21:13,160 --> 00:21:15,280 Speaker 1: Miek Meil said, I'm sorry I lashed out. Sometimes when 419 00:21:15,320 --> 00:21:17,480 Speaker 1: I see people playing like that. Eloa, I've been locked 420 00:21:17,560 --> 00:21:21,040 Speaker 1: up too many times like an animal, as he said, 421 00:21:21,200 --> 00:21:22,879 Speaker 1: changed my pass code and don't give it to me 422 00:21:23,000 --> 00:21:26,880 Speaker 1: no more. And then he put some laughing emojis with that. Now, 423 00:21:26,960 --> 00:21:29,639 Speaker 1: in addition to that, there was some video that a 424 00:21:29,720 --> 00:21:33,440 Speaker 1: girl posted. I guess Takashi moved in next door to 425 00:21:33,520 --> 00:21:36,440 Speaker 1: her and she saw him outside taking pictures and she 426 00:21:36,600 --> 00:21:43,280 Speaker 1: posted this six nine is literally he moved into the 427 00:21:43,320 --> 00:21:50,560 Speaker 1: house behind me. He's taking pictures. Yeah, and there was 428 00:21:50,600 --> 00:21:53,120 Speaker 1: a whole lot of money talking. You know, I'm sure 429 00:21:53,160 --> 00:21:56,120 Speaker 1: the young man has money, but you ain't got real money. 430 00:21:56,119 --> 00:21:59,080 Speaker 1: If you got neighbors, bro, you're in witness protection. There's 431 00:21:59,119 --> 00:22:01,320 Speaker 1: no way in hell if when you's actually not though 432 00:22:01,600 --> 00:22:04,600 Speaker 1: he's not, well, that's that's even worse. Yeah, that's even worse. 433 00:22:05,000 --> 00:22:07,040 Speaker 1: Like you talk about money, you shouldn't have neighbors like 434 00:22:07,040 --> 00:22:08,639 Speaker 1: you shouldn't be on your porch and your neighbors be 435 00:22:08,680 --> 00:22:11,720 Speaker 1: able to take a video of you. And and I'm 436 00:22:11,760 --> 00:22:13,920 Speaker 1: just complain that I know my neighbors can't take pictures 437 00:22:13,920 --> 00:22:16,040 Speaker 1: of me. Look like it was a shared pool. To 438 00:22:16,160 --> 00:22:18,960 Speaker 1: the legs, you're live in a complex with the community pool. 439 00:22:19,320 --> 00:22:21,600 Speaker 1: Nothing wrong with that. It looks like he moved already, 440 00:22:21,680 --> 00:22:24,040 Speaker 1: so we don't know where he is now. But yeah, 441 00:22:24,080 --> 00:22:27,760 Speaker 1: that was very smart outside rainbow hair posing with money. Yeah, 442 00:22:27,760 --> 00:22:30,720 Speaker 1: you can't let the neighbors thousand on a chain and 443 00:22:31,240 --> 00:22:33,359 Speaker 1: you're in an area where people can come out to 444 00:22:33,400 --> 00:22:35,080 Speaker 1: the back porch, you're coming the pool and see you, 445 00:22:35,200 --> 00:22:37,240 Speaker 1: Like you have to be smarter than that as well. 446 00:22:37,400 --> 00:22:39,280 Speaker 1: I mean like he's not though, And that right there 447 00:22:39,359 --> 00:22:41,159 Speaker 1: is a prime example of why this isn't going to 448 00:22:41,280 --> 00:22:42,760 Speaker 1: end well. And this is why I don't even think 449 00:22:42,760 --> 00:22:44,480 Speaker 1: we should be entertaining any of this. I don't even 450 00:22:44,520 --> 00:22:46,800 Speaker 1: think we should be talking about this because energy, any 451 00:22:46,920 --> 00:22:50,080 Speaker 1: energy we give that young man, is only fueling his 452 00:22:50,240 --> 00:22:52,720 Speaker 1: untimely demise. Because let me tell you something about the universe. 453 00:22:52,920 --> 00:22:55,040 Speaker 1: When you bump your head in life, and the universe 454 00:22:55,119 --> 00:22:57,040 Speaker 1: teaches you a lesson from that head bump, and you 455 00:22:57,080 --> 00:22:59,080 Speaker 1: don't learn a lesson from that head bump, and you 456 00:22:59,160 --> 00:23:00,800 Speaker 1: go back to doing what caused you to bump your 457 00:23:00,840 --> 00:23:02,440 Speaker 1: head in the first place. You're not gonna get a 458 00:23:02,480 --> 00:23:04,720 Speaker 1: head bumped the next time. Next time, you will lose 459 00:23:04,760 --> 00:23:08,199 Speaker 1: your head all together. Watch all right, Well he did 460 00:23:08,280 --> 00:23:10,119 Speaker 1: break all kinds of records, So we're just letting you 461 00:23:10,240 --> 00:23:13,080 Speaker 1: know what's happening now, baby face. In the meantime, we're 462 00:23:13,080 --> 00:23:16,520 Speaker 1: supposed to do this a waiting to exhale Mother's Day Special, 463 00:23:16,720 --> 00:23:19,800 Speaker 1: but instead he said, due to the passing of a 464 00:23:19,920 --> 00:23:21,720 Speaker 1: very dear friend of mine, will have to postpone the 465 00:23:21,760 --> 00:23:25,600 Speaker 1: waiting to exhale Mother's Day Special, and instead he did 466 00:23:25,680 --> 00:23:29,280 Speaker 1: a tribute to Andre Horrell, who was very close to him. 467 00:23:29,320 --> 00:23:31,000 Speaker 1: He went on to share a song that he wrote 468 00:23:31,119 --> 00:23:34,960 Speaker 1: and dedicated to Andre Horrell. Here is that song. I 469 00:23:35,119 --> 00:23:43,920 Speaker 1: remember how you smile, I remember how you laugh, how 470 00:23:44,000 --> 00:23:49,680 Speaker 1: you always told you the truth and you never held 471 00:23:49,760 --> 00:23:58,040 Speaker 1: things bad. How you fought for excellence to be black 472 00:23:58,119 --> 00:24:03,640 Speaker 1: as we can be. Andrew, you knew who you were, 473 00:24:04,200 --> 00:24:07,440 Speaker 1: and I swear, if nothing else you talked me to 474 00:24:07,760 --> 00:24:13,399 Speaker 1: be me. Lord, have mercy, my baby face, got a 475 00:24:13,440 --> 00:24:16,359 Speaker 1: eulogy voice. I mean that whole song, is it just 476 00:24:16,640 --> 00:24:18,879 Speaker 1: it sounded like the end of the movie when they 477 00:24:19,040 --> 00:24:21,520 Speaker 1: putting up the pictures of the people who passed away, 478 00:24:22,359 --> 00:24:26,800 Speaker 1: like God, damn baby face, Lord have mercy all right. Well, 479 00:24:26,800 --> 00:24:29,800 Speaker 1: according to auto Hrrell's ex wife, she said that he 480 00:24:30,000 --> 00:24:33,000 Speaker 1: did die from heart failure and that he did have 481 00:24:33,160 --> 00:24:35,879 Speaker 1: a history of heart problems that led to this. So 482 00:24:36,680 --> 00:24:39,560 Speaker 1: apparently he was on a phone call the day before 483 00:24:39,760 --> 00:24:42,639 Speaker 1: he passed and the call just dropped, and according to 484 00:24:42,720 --> 00:24:44,680 Speaker 1: a source, they said the person didn't think anything of it. 485 00:24:44,800 --> 00:24:46,760 Speaker 1: After that, attempts to reach him all day by phone 486 00:24:46,800 --> 00:24:50,200 Speaker 1: were unsuccessful. That's when his cousin went by in the 487 00:24:50,320 --> 00:24:52,399 Speaker 1: morning and used a spare key and found that he 488 00:24:52,480 --> 00:24:56,360 Speaker 1: had passed. Yeah, and you know it's so interesting. Um, 489 00:24:56,880 --> 00:25:00,240 Speaker 1: you know, I saw Jesse Collins saying how he's hooked 490 00:25:00,280 --> 00:25:02,840 Speaker 1: to Andrea on Wednesday, and Andrew was adamant about talking 491 00:25:02,880 --> 00:25:04,520 Speaker 1: to one of the writers because he wanted to get 492 00:25:04,600 --> 00:25:09,640 Speaker 1: this this this story into the Uptown miniseries that they're doing, 493 00:25:09,720 --> 00:25:11,720 Speaker 1: and that he wanted to really land the ending. And 494 00:25:11,800 --> 00:25:14,800 Speaker 1: then I saw I was on Without Shopton on MSNBC 495 00:25:15,000 --> 00:25:16,560 Speaker 1: yesterday and he was talking about how they were on 496 00:25:16,640 --> 00:25:19,800 Speaker 1: this whole group call, you know, putting together these these 497 00:25:19,920 --> 00:25:22,600 Speaker 1: plans in regard to the election coming up in November. 498 00:25:22,800 --> 00:25:24,720 Speaker 1: And then you know, I'm looking at my phone on 499 00:25:24,840 --> 00:25:28,679 Speaker 1: Tuesday and he sent me this long, detailed plan about something, 500 00:25:28,720 --> 00:25:30,840 Speaker 1: and I'm just like, I want to do people know 501 00:25:31,400 --> 00:25:34,520 Speaker 1: when they're about to go, you know what I mean? Like, 502 00:25:34,640 --> 00:25:38,320 Speaker 1: that's it seems very odd that everybody had similar conversations 503 00:25:38,359 --> 00:25:41,360 Speaker 1: with him this week where he was like putting out 504 00:25:41,400 --> 00:25:44,800 Speaker 1: these detailed plans to people like it's it's I don't know, 505 00:25:45,640 --> 00:25:49,119 Speaker 1: It's all right now. Uh now, let's talk about this 506 00:25:49,600 --> 00:25:52,520 Speaker 1: scam that happened. And among the people's scam was Jennifer 507 00:25:52,640 --> 00:25:55,880 Speaker 1: Lewis from Blackish, a friend of ours two and she's 508 00:25:55,920 --> 00:25:58,439 Speaker 1: among four women who were kinds out of four hundred 509 00:25:58,480 --> 00:26:01,320 Speaker 1: thousand dollars in a romance scam. I believe she's spoken 510 00:26:01,400 --> 00:26:04,760 Speaker 1: on this before. But Antonio Marriott Wilson, also known as 511 00:26:04,840 --> 00:26:08,120 Speaker 1: doctor Tony Marriott and Bryce Carrington, he agreed to plead 512 00:26:08,160 --> 00:26:10,920 Speaker 1: guilty to one count of wire fraud after he got 513 00:26:11,119 --> 00:26:14,440 Speaker 1: that four hundred thousand dollars from these women. He previously 514 00:26:14,520 --> 00:26:16,879 Speaker 1: served a four year term in federal prison for wire 515 00:26:16,960 --> 00:26:19,840 Speaker 1: fraud and tax evasion back in two thousand and nine, 516 00:26:19,880 --> 00:26:22,560 Speaker 1: after pleading guilty. He met four women on dating apps 517 00:26:22,960 --> 00:26:26,160 Speaker 1: between May twenty fifteen and October twenty eighteen. He convinced 518 00:26:26,200 --> 00:26:29,160 Speaker 1: them to engage in romantic relationships with them, and then 519 00:26:29,320 --> 00:26:32,000 Speaker 1: once there, he proceeded to con all of them out 520 00:26:32,040 --> 00:26:35,520 Speaker 1: of three hundred and eighty seven thousand dollars cumulatively. So 521 00:26:35,760 --> 00:26:38,119 Speaker 1: Jennifer Lewis was among those people. She met him at 522 00:26:38,160 --> 00:26:40,359 Speaker 1: a gym where he worked as a manager. He would 523 00:26:40,440 --> 00:26:42,000 Speaker 1: use the money that he got from these women to 524 00:26:42,160 --> 00:26:44,280 Speaker 1: fund his lifestyle and then he was paying off all 525 00:26:44,320 --> 00:26:48,280 Speaker 1: of his debts and buying luxury items. And yeah, previously 526 00:26:48,359 --> 00:26:50,240 Speaker 1: he had done the same scheme. So now he's facing 527 00:26:50,280 --> 00:26:53,760 Speaker 1: a maximum sentence of twenty years in federal prison. They 528 00:26:53,840 --> 00:26:56,199 Speaker 1: have not yet set a date for his hearing. Now, 529 00:26:56,280 --> 00:26:58,040 Speaker 1: what was the time period that he got all his 530 00:26:58,119 --> 00:27:00,359 Speaker 1: money out of missus Jennifer Lewis, Queen Lewis, Because it 531 00:27:00,400 --> 00:27:03,600 Speaker 1: was like it was like four hundred thousand, right, four 532 00:27:03,760 --> 00:27:07,280 Speaker 1: women between four women, it was four hundred thousand cumulators. Oh, 533 00:27:07,480 --> 00:27:12,000 Speaker 1: I thought it was just Missus Lewis that eight from oh, okay, okay, okay, okay. 534 00:27:12,520 --> 00:27:15,480 Speaker 1: What was the time period though, between May twenty fifteen 535 00:27:15,520 --> 00:27:19,280 Speaker 1: and October twenty eighteen, so about three three years. That's 536 00:27:19,280 --> 00:27:21,159 Speaker 1: about one hundred grand a year. That ain't bad. I 537 00:27:21,240 --> 00:27:24,479 Speaker 1: was about I was okay. I want to say Dan, 538 00:27:24,480 --> 00:27:26,639 Speaker 1: he's pretty good. Scameal but three years that's about it, right? 539 00:27:27,160 --> 00:27:29,600 Speaker 1: All right? Well I'm Mandela Yee and that is your 540 00:27:29,720 --> 00:27:32,880 Speaker 1: rumor report. All right, thank you, miss ye. Now when 541 00:27:32,920 --> 00:27:34,800 Speaker 1: we come back, we got front page news what we're 542 00:27:34,800 --> 00:27:37,440 Speaker 1: talking about, yes, and you know we didn't get a 543 00:27:37,520 --> 00:27:40,280 Speaker 1: chance to get into more details about Betty right passing 544 00:27:40,320 --> 00:27:43,320 Speaker 1: in Little Richard passing, so we will get more into 545 00:27:43,440 --> 00:27:45,800 Speaker 1: that and front page news. All right, we'll get into 546 00:27:45,840 --> 00:27:47,920 Speaker 1: that when we come back. Keeping locked this to breakfast club. 547 00:27:47,960 --> 00:27:52,440 Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne 548 00:27:52,440 --> 00:27:54,440 Speaker 1: the guy we all the breakfast club. Let's get in 549 00:27:54,520 --> 00:27:59,600 Speaker 1: some front page news where were starting? Ye, Man, I 550 00:27:59,720 --> 00:28:02,680 Speaker 1: just bad that. It's a lot of not good news 551 00:28:03,760 --> 00:28:06,920 Speaker 1: this morning. But little Richard rest in piece too. Little Richard. 552 00:28:06,960 --> 00:28:09,520 Speaker 1: He was eighty seven years old. He passed from bone 553 00:28:09,560 --> 00:28:14,280 Speaker 1: cancer at his house in Nashville on Saturday morning. He 554 00:28:14,400 --> 00:28:17,960 Speaker 1: signed his first record deal with RCA back in nineteen 555 00:28:18,040 --> 00:28:21,879 Speaker 1: fifty one, and he was known as one of the 556 00:28:22,200 --> 00:28:26,320 Speaker 1: architects of rock and roll. So rest in piece to 557 00:28:26,359 --> 00:28:29,200 Speaker 1: Little Richard. According to some of the all time greats, 558 00:28:29,240 --> 00:28:30,760 Speaker 1: they did say they learned a lot from him. Like 559 00:28:30,880 --> 00:28:34,880 Speaker 1: Davie Wonder. He said that when he was fifteen years 560 00:28:34,920 --> 00:28:37,399 Speaker 1: old and he was playing piano and doing all of that, 561 00:28:37,560 --> 00:28:40,120 Speaker 1: there was a mix of soul, gospel and blues that 562 00:28:40,320 --> 00:28:44,120 Speaker 1: captured the boisterous spirit of Little Richard, like Tutti Fruity Singer. 563 00:28:44,800 --> 00:28:47,440 Speaker 1: Also Mick Jagger from the Rolling Stones, the front man 564 00:28:47,520 --> 00:28:49,680 Speaker 1: from the Rolling Stones. He said he learned everything about 565 00:28:49,720 --> 00:28:53,000 Speaker 1: the art of the preen from the originator, a Little Richard. 566 00:28:53,040 --> 00:28:56,160 Speaker 1: And long before there were the lips like the good 567 00:28:56,240 --> 00:28:59,320 Speaker 1: Golly Miss Molly, Singer had perfected his pal But beyond that, 568 00:28:59,560 --> 00:29:01,960 Speaker 1: mc jack got in touch with his feminine side in 569 00:29:02,040 --> 00:29:04,479 Speaker 1: a way that Little Richard had done beforehand, freeing him 570 00:29:04,520 --> 00:29:08,880 Speaker 1: from the rules of rock star masculinity. Paul McCartney. According 571 00:29:08,960 --> 00:29:11,640 Speaker 1: to Paul McCartney, he says Little Richard schooled him on 572 00:29:11,760 --> 00:29:15,520 Speaker 1: his vocalizations, holding his signature woo no doubt, putting more 573 00:29:15,640 --> 00:29:18,120 Speaker 1: soul into his singing. Also, So a lot of people 574 00:29:18,240 --> 00:29:22,600 Speaker 1: owe a lot too, Little Richard, including Elton John, even 575 00:29:22,720 --> 00:29:25,719 Speaker 1: Prince Bett, Middler, a lot of people owe a lot 576 00:29:25,800 --> 00:29:29,760 Speaker 1: of their careers. And salutor Michael Jackson too. You know 577 00:29:29,880 --> 00:29:33,400 Speaker 1: Michael Jackson when he brought back the Beatles publishing as 578 00:29:33,480 --> 00:29:36,080 Speaker 1: part of that that that package, Little Richard's publishing was 579 00:29:36,120 --> 00:29:38,920 Speaker 1: in there, and he gave Little Richard his publishing back. 580 00:29:39,560 --> 00:29:41,320 Speaker 1: He gave it to him. Yeah, a lot of people 581 00:29:41,400 --> 00:29:45,520 Speaker 1: don't don't know that story, but yeah, Michael Michael Jackson 582 00:29:45,560 --> 00:29:48,840 Speaker 1: gave Little Richard publishing back. Wow. Also rest in piece 583 00:29:48,880 --> 00:29:52,320 Speaker 1: to Betty Right. She passed away and she's best known 584 00:29:52,480 --> 00:29:55,040 Speaker 1: for her songs clean Up Woman and Tonight Is The Night. 585 00:29:55,120 --> 00:29:57,440 Speaker 1: She was only sixty sixty years old. She died at 586 00:29:57,480 --> 00:30:02,320 Speaker 1: her Miami home on Sunday from cancer. She actually got 587 00:30:02,360 --> 00:30:04,200 Speaker 1: her stage name when she was just a kid. She 588 00:30:04,280 --> 00:30:06,600 Speaker 1: started singing in a gospel group called the Echoes of 589 00:30:06,720 --> 00:30:09,880 Speaker 1: Joy at just two years old, and they released an 590 00:30:09,880 --> 00:30:12,560 Speaker 1: album in nineteen fifty six when she was only three. 591 00:30:12,960 --> 00:30:14,920 Speaker 1: She then switched from gospel to R and B. At 592 00:30:14,920 --> 00:30:17,400 Speaker 1: eleven years old, she started singing at local talent shows 593 00:30:17,440 --> 00:30:20,600 Speaker 1: in Miami and her big breakthrough came with this this 594 00:30:20,760 --> 00:30:23,080 Speaker 1: song right here, Cleanup Woman, from her second album I 595 00:30:23,200 --> 00:30:39,440 Speaker 1: Love the Way You Love a Woman behind about That 596 00:30:39,560 --> 00:30:42,360 Speaker 1: song was actually sampled quite a bit. Mary J. Blige 597 00:30:42,520 --> 00:30:45,760 Speaker 1: obviously sampled that song for Real Love SWB. I'm sew 598 00:30:45,840 --> 00:30:47,920 Speaker 1: into You. That was a sample from clean Up Woman. 599 00:30:48,160 --> 00:30:51,479 Speaker 1: Even Chance the Rabbit, most recently featuring Childish Gambino favorite 600 00:30:51,520 --> 00:30:54,240 Speaker 1: song in twenty thirteen, That was a sample from clean 601 00:30:54,320 --> 00:30:56,600 Speaker 1: Up Woman. Another one of her popular songs, Two Night 602 00:30:56,720 --> 00:31:19,480 Speaker 1: is the Night, Parts one and two. I Remember my 603 00:31:19,560 --> 00:31:23,320 Speaker 1: Mom cleaning the house to that boy. Yes, and that 604 00:31:23,440 --> 00:31:25,760 Speaker 1: song was sample quite a bit too. Of course, I 605 00:31:25,840 --> 00:31:28,080 Speaker 1: want to set you up by calling me bad. That 606 00:31:28,320 --> 00:31:31,720 Speaker 1: is one of the biggest samples from that song to 607 00:31:31,880 --> 00:31:34,040 Speaker 1: Night Tonight is the Night, So rest in peace to 608 00:31:34,440 --> 00:31:37,840 Speaker 1: Betty Wright. Also Canny Man Knocking Knocking Boots. If y'all 609 00:31:37,840 --> 00:31:42,080 Speaker 1: remember that song, that was definitely sampled from Tonight's to Night, 610 00:31:42,600 --> 00:31:46,520 Speaker 1: all right Publishing checks you have been crazy? Yeah, listen, 611 00:31:46,640 --> 00:31:49,680 Speaker 1: Beyonce and jay Z upgrade you. They sample Girls Can't 612 00:31:49,720 --> 00:31:51,640 Speaker 1: Do What Guys Do, another one of her songs. She 613 00:31:51,760 --> 00:31:54,920 Speaker 1: had a lot of people sampling her so well known 614 00:31:55,000 --> 00:31:57,120 Speaker 1: for that. They said she was very underrated as far 615 00:31:57,200 --> 00:32:01,480 Speaker 1: as an artist. All Right, now let's talk about Jerry Stiller. 616 00:32:01,560 --> 00:32:04,000 Speaker 1: Actor and comedian Jerry Steller. He passed away due to 617 00:32:04,120 --> 00:32:07,840 Speaker 1: natural causes. He's also Ben Stiller's father, actor Ben Stiller's father. 618 00:32:07,960 --> 00:32:09,920 Speaker 1: He was ninety two years old. He said he was 619 00:32:09,960 --> 00:32:13,200 Speaker 1: a great dad and grandfather and the most dedicated husband 620 00:32:13,240 --> 00:32:15,200 Speaker 1: to Anne for about sixty two years. He will be 621 00:32:15,280 --> 00:32:18,320 Speaker 1: greatly misslove you, Dad. That was from Ben Stiller. He 622 00:32:18,520 --> 00:32:21,480 Speaker 1: was known as Frank Costanza in the show STEINFELDI was 623 00:32:21,560 --> 00:32:25,080 Speaker 1: also known as Arthur Spooner and the King of Queens. 624 00:32:25,160 --> 00:32:30,200 Speaker 1: So rest in peace to him. To Jerry Stiller, also, well, 625 00:32:30,240 --> 00:32:33,280 Speaker 1: you know, listen, man, deaf is not the opposite of life. 626 00:32:33,360 --> 00:32:35,800 Speaker 1: It's a part of it. And that's just a harsh reality. 627 00:32:35,880 --> 00:32:38,600 Speaker 1: And we all die. And the goal isn't to live forever. 628 00:32:38,680 --> 00:32:40,640 Speaker 1: The goal is to create something that will And all 629 00:32:40,680 --> 00:32:43,520 Speaker 1: of those people that you name, they definitely created things 630 00:32:43,880 --> 00:32:46,600 Speaker 1: that you know will stand in the test of time. 631 00:32:46,800 --> 00:32:49,160 Speaker 1: So that's that's that's that should be everybody's goal, like 632 00:32:49,240 --> 00:32:53,200 Speaker 1: create creates something that that will live forever. Because al 633 00:32:54,080 --> 00:32:56,600 Speaker 1: and also rest in peace to dj Amanda Blaze. She's 634 00:32:56,640 --> 00:33:00,760 Speaker 1: a personal friend and apparently she has passed the way also, 635 00:33:00,960 --> 00:33:04,760 Speaker 1: so our condolences to her family and friends. Absolutely, she 636 00:33:04,880 --> 00:33:08,080 Speaker 1: was Miami DJ and from she did in both New 637 00:33:08,200 --> 00:33:10,000 Speaker 1: York City, Miami and all over the world. She was 638 00:33:10,040 --> 00:33:13,680 Speaker 1: a great DJ. I mean she's book ye several times, 639 00:33:13,720 --> 00:33:16,680 Speaker 1: she's booked myself, So jeffinitely rest in peace to DJ. 640 00:33:18,680 --> 00:33:23,280 Speaker 1: Didn't say yet. They haven't said yet, Oh Mercy, All right, 641 00:33:23,360 --> 00:33:26,320 Speaker 1: well that is your front page news now when we 642 00:33:26,440 --> 00:33:30,840 Speaker 1: come back. Andre Horrell also passed away over the weekend, 643 00:33:31,080 --> 00:33:33,959 Speaker 1: and he was a friend to the room. He's been 644 00:33:34,000 --> 00:33:36,880 Speaker 1: to the show several times, and we're gonna get back 645 00:33:36,920 --> 00:33:39,440 Speaker 1: on an interview Volt and you know where I'm a 646 00:33:39,520 --> 00:33:45,680 Speaker 1: volt every morning. So Records, he taught y'all how to 647 00:33:45,760 --> 00:33:48,800 Speaker 1: be ghetto fabulous. He taught y'all what black excellence was 648 00:33:48,840 --> 00:33:51,600 Speaker 1: all about. I'm time Records laid the blueprint for every 649 00:33:51,640 --> 00:33:55,600 Speaker 1: single modern day black record label that exists. Now would 650 00:33:55,680 --> 00:34:01,200 Speaker 1: be nothing radio personality to So he has roots in 651 00:34:01,360 --> 00:34:04,080 Speaker 1: radio as well, and he's an artist himself, that's right. 652 00:34:04,320 --> 00:34:06,240 Speaker 1: So we're gonna get We're gonna talk to him again. 653 00:34:06,280 --> 00:34:08,160 Speaker 1: We're gonna get that interview back on when we come back. 654 00:34:08,200 --> 00:34:10,960 Speaker 1: So don't move. It's the Breakfast Club, Good Morning, the 655 00:34:11,239 --> 00:34:18,640 Speaker 1: Breakfast Club porting. Everybody is DJ Envy, Angela Yee, Charlomagne, 656 00:34:18,680 --> 00:34:22,880 Speaker 1: the guy. We are the Breakfast Club. Now rest in 657 00:34:23,000 --> 00:34:25,560 Speaker 1: peace to Andre Horrell. Andre Horrell was a friend to 658 00:34:25,640 --> 00:34:28,000 Speaker 1: the room. He's been to the station several times. We 659 00:34:28,080 --> 00:34:30,200 Speaker 1: don't the show several times to talk about things that 660 00:34:30,280 --> 00:34:34,439 Speaker 1: he's working on from uptown to the Revoke Music Conference. Well, 661 00:34:34,520 --> 00:34:37,640 Speaker 1: we're gonna replay his interview the first time he came 662 00:34:37,719 --> 00:34:40,359 Speaker 1: up here. Let's get that on Rest in Peace again, 663 00:34:40,440 --> 00:34:43,520 Speaker 1: Andre Horrell. It's the Breakfast Club, Good Morning, bestial guests 664 00:34:43,560 --> 00:34:46,680 Speaker 1: in the building. Also, he's a radio host. Be careful, guy, 665 00:34:46,680 --> 00:34:48,600 Speaker 1: because we're trying to take our job. In a minute, Yes, 666 00:34:48,880 --> 00:34:56,279 Speaker 1: mister Andre Horrell, it's a Champaigne and Bubble morning there 667 00:34:56,360 --> 00:34:59,840 Speaker 1: with Envy, I mean Yea, with the beautiful miss Angela Yello, 668 00:35:00,000 --> 00:35:01,440 Speaker 1: and we're getting ready to set this thing off. I 669 00:35:01,520 --> 00:35:03,560 Speaker 1: used to listening to Champaion of Bubbles on Kiss all 670 00:35:03,600 --> 00:35:06,680 Speaker 1: the time. Thank you many, because you know I like 671 00:35:07,000 --> 00:35:08,279 Speaker 1: R and B and you know he was playing that 672 00:35:08,480 --> 00:35:12,520 Speaker 1: good old nineties R and B. Two steps Yes, man, girl, 673 00:35:12,600 --> 00:35:15,000 Speaker 1: meet boy, boy, Meet girl, music. Yes, we're actually having 674 00:35:15,000 --> 00:35:17,120 Speaker 1: a nineties R and B party, Are you really we're 675 00:35:17,120 --> 00:35:19,920 Speaker 1: planning it for real? Yeah? We got to man, right, 676 00:35:20,000 --> 00:35:25,799 Speaker 1: let's yes, Yes, I'm available for that dancing the guy 677 00:35:25,880 --> 00:35:27,600 Speaker 1: in my house by myself, that's right. You know what 678 00:35:28,120 --> 00:35:29,880 Speaker 1: you want't get a woman next to you again? That 679 00:35:30,800 --> 00:35:32,879 Speaker 1: I mean we danced together. I'm saying I like old 680 00:35:32,960 --> 00:35:36,560 Speaker 1: school vibes. You know that dude, Jack swing Erro was 681 00:35:36,600 --> 00:35:38,200 Speaker 1: a different type of error. Man. That was a different 682 00:35:38,680 --> 00:35:41,319 Speaker 1: with the Gucci girls dancing and Teddy Riley met to say, Yes, 683 00:35:41,560 --> 00:35:44,560 Speaker 1: why you never signed Teddy Riley? I just signed he 684 00:35:44,680 --> 00:35:46,879 Speaker 1: was in Guy, he was in God what I'm saying 685 00:35:46,920 --> 00:35:48,640 Speaker 1: he wasn't You never signed him as a solo artist? No, 686 00:35:48,760 --> 00:35:50,759 Speaker 1: because I had got You didn't have Aaron as a 687 00:35:50,800 --> 00:35:52,960 Speaker 1: solo artist either, though, did you. That's what I mean 688 00:35:53,000 --> 00:35:54,640 Speaker 1: when I said, did you signed Teddy because you had Guy? 689 00:35:54,719 --> 00:35:56,800 Speaker 1: But then Aaron went solo and Teddy wouldn't did his 690 00:35:56,840 --> 00:35:58,959 Speaker 1: own thing. You just let him go up. No, it wasn't. 691 00:35:59,040 --> 00:36:01,400 Speaker 1: It wasn't. It wasn't just letting me go. They wanted 692 00:36:01,440 --> 00:36:03,880 Speaker 1: to split up and do different things. Sometimes when you 693 00:36:04,000 --> 00:36:06,080 Speaker 1: have a lot of artists, you don't want to control 694 00:36:06,200 --> 00:36:08,480 Speaker 1: every part of them because they end up not really 695 00:36:08,520 --> 00:36:10,399 Speaker 1: wanting to work with you. You got a lot of them, 696 00:36:10,440 --> 00:36:12,520 Speaker 1: get some other money got you? How did you get 697 00:36:12,560 --> 00:36:14,279 Speaker 1: your start in the music? Yeah, I think we might 698 00:36:14,320 --> 00:36:17,359 Speaker 1: be speeding. We got to tell how did you get 699 00:36:17,440 --> 00:36:20,040 Speaker 1: your start in the music industry? I started off as 700 00:36:20,080 --> 00:36:23,080 Speaker 1: a rapper when I was fifteen years old, nineteen seventy five. 701 00:36:23,640 --> 00:36:25,719 Speaker 1: I went to Charles Avenue's High School. We were a 702 00:36:25,800 --> 00:36:28,720 Speaker 1: hollow group and my name was doctor Jackal. We weren't 703 00:36:28,719 --> 00:36:31,400 Speaker 1: doctor Jucklin, mister high right. We just sent the parties 704 00:36:31,440 --> 00:36:35,840 Speaker 1: and hallow us. I see those old pictures a classical, 705 00:36:36,280 --> 00:36:38,759 Speaker 1: but they are my Instagram. You just go check them out. 706 00:36:39,360 --> 00:36:41,640 Speaker 1: I remember any of those old boss Come on, man, 707 00:36:41,719 --> 00:36:45,120 Speaker 1: spit something. I ain't spending them right yere. When I 708 00:36:45,200 --> 00:36:47,800 Speaker 1: get that feeling you're beat on, I do what I do. 709 00:36:47,960 --> 00:36:50,239 Speaker 1: You know I ain't afraid of the mic. We know, 710 00:36:50,880 --> 00:36:53,400 Speaker 1: okay you didn't. But did you have a messed up contract? 711 00:36:53,480 --> 00:36:59,480 Speaker 1: Back then? Of course we're taking everything, were taking your children, 712 00:37:01,960 --> 00:37:04,920 Speaker 1: your trained pass everything we could take. But you know, 713 00:37:05,200 --> 00:37:08,120 Speaker 1: fortunately back then deals were like for twelve inches, they 714 00:37:08,160 --> 00:37:11,280 Speaker 1: only lasted a year. So if you didn't hit that summer, 715 00:37:11,320 --> 00:37:13,960 Speaker 1: you got dropped and you're free to go get another deal. 716 00:37:14,360 --> 00:37:16,479 Speaker 1: It was just a singles market. So by the time 717 00:37:16,920 --> 00:37:19,759 Speaker 1: it became album time, we were very well educated in 718 00:37:19,800 --> 00:37:22,480 Speaker 1: the business, so much so I decided to take a 719 00:37:22,640 --> 00:37:27,120 Speaker 1: backseat and do the business. Start Uptown Records. Tell us 720 00:37:27,160 --> 00:37:29,000 Speaker 1: about that. How did you find Uptown Records? How did 721 00:37:29,040 --> 00:37:30,640 Speaker 1: you get the funding and how did you find the 722 00:37:31,080 --> 00:37:33,399 Speaker 1: How did you learn the business? Though? Like the maker, 723 00:37:33,400 --> 00:37:34,719 Speaker 1: you say you want that's what you wanted to do. 724 00:37:35,000 --> 00:37:37,759 Speaker 1: I was always the manager of microp Seglement Side, so 725 00:37:37,800 --> 00:37:39,640 Speaker 1: I always dealt with Russell when he had Court the 726 00:37:39,719 --> 00:37:42,960 Speaker 1: Bow to produce records with the jerky managers in Cleveland. 727 00:37:43,360 --> 00:37:45,600 Speaker 1: I always had the road map how to do it. 728 00:37:46,040 --> 00:37:48,720 Speaker 1: It was just natural to me. Uptown You started Uptown. 729 00:37:48,960 --> 00:37:52,160 Speaker 1: I started Uptown really kind of by accident. I was 730 00:37:52,200 --> 00:37:55,399 Speaker 1: sitting in the office at Rush working with Ross heavy 731 00:37:55,480 --> 00:37:58,040 Speaker 1: D called me, want to speak to Russell Simmons got 732 00:37:58,160 --> 00:38:01,640 Speaker 1: blessed Dad and I said Russell was not here. He said, 733 00:38:01,680 --> 00:38:03,520 Speaker 1: what's your name? I said, my name is Andre Rob 734 00:38:03,880 --> 00:38:06,960 Speaker 1: He said, yo, you tea out? Yeah yeah, yeah, yeah, yeah, 735 00:38:07,000 --> 00:38:09,879 Speaker 1: I'm busy man, what's going on? He said nothing, I'm 736 00:38:09,880 --> 00:38:13,200 Speaker 1: gonna call you tomorrow. So he hung up right, got 737 00:38:13,280 --> 00:38:15,360 Speaker 1: his game together. The thing about Heavy, I don't know. 738 00:38:15,480 --> 00:38:18,239 Speaker 1: He was charming. Hey, what's happening baby, It's just me 739 00:38:18,440 --> 00:38:21,719 Speaker 1: have I should think going and you'd be relaxed, a 740 00:38:21,840 --> 00:38:24,640 Speaker 1: big fat cut he dude, you start relaxed. He was 741 00:38:24,680 --> 00:38:28,439 Speaker 1: the original Champago. Yeah, and he made you relax. I'm 742 00:38:28,480 --> 00:38:30,040 Speaker 1: all right, and you didn't want to be mean and 743 00:38:30,080 --> 00:38:32,120 Speaker 1: you wanted to take in what he said. And then 744 00:38:32,160 --> 00:38:34,799 Speaker 1: when he came down to the office and Russell staw 745 00:38:34,840 --> 00:38:36,440 Speaker 1: on Russell thay he was one of the fat boys, 746 00:38:36,920 --> 00:38:40,240 Speaker 1: I said, and that kind of put big men in style. 747 00:38:40,719 --> 00:38:45,439 Speaker 1: Absolutely a big man. I could dance like Heavy. Heavy 748 00:38:45,480 --> 00:38:50,520 Speaker 1: could dance, dance, he could do reggae, he could dance. Everything. 749 00:38:50,680 --> 00:38:53,760 Speaker 1: Was very talented. First artist, Heavy was my first artist 750 00:38:53,960 --> 00:38:56,239 Speaker 1: that worked out. And Heavy was a hit. Who came 751 00:38:56,280 --> 00:39:00,960 Speaker 1: after Heavy who I'll be sure you were the first 752 00:39:01,040 --> 00:39:04,560 Speaker 1: dude to give lights can people. I'll be sure Christopher 753 00:39:04,600 --> 00:39:07,480 Speaker 1: would him would have never been in the style if 754 00:39:07,520 --> 00:39:11,160 Speaker 1: it was you. They wasn't styled. They went out and 755 00:39:11,239 --> 00:39:14,279 Speaker 1: they was fighting with Jordan and Bobby Brown. I'll be sure. 756 00:39:14,440 --> 00:39:16,760 Speaker 1: With the last one who stood up with the Curls 757 00:39:17,000 --> 00:39:20,480 Speaker 1: and Christopher, obviously Christopher. I was so happy when Nedo 758 00:39:20,480 --> 00:39:24,080 Speaker 1: Brown stabbed him in the head. And lord, wait, let 759 00:39:24,160 --> 00:39:25,840 Speaker 1: me tell you the power of lights can dudes with 760 00:39:25,920 --> 00:39:28,320 Speaker 1: girls back then, I'll be sure. Came to my office, 761 00:39:28,640 --> 00:39:31,560 Speaker 1: he said, Drake, come downstairs. We went walking for about 762 00:39:32,239 --> 00:39:35,480 Speaker 1: part of a block. You're here, that'll be sure, that'll 763 00:39:35,520 --> 00:39:39,160 Speaker 1: be sure. We walk another quote block that's I'll be sure, 764 00:39:39,480 --> 00:39:42,400 Speaker 1: and girls start running after us. I never had an 765 00:39:42,480 --> 00:39:46,200 Speaker 1: artist where streaming girls like that, never with his day 766 00:39:46,440 --> 00:39:48,439 Speaker 1: chase you down the street girls in New York City 767 00:39:48,600 --> 00:39:51,440 Speaker 1: when you see that, right, So what happened happened with 768 00:39:51,520 --> 00:39:56,919 Speaker 1: like or would think they wouldn't. Joe was kind of tough, 769 00:39:57,000 --> 00:40:00,880 Speaker 1: looking like you just didn't want to run up on 770 00:40:01,040 --> 00:40:04,400 Speaker 1: Katie and diving on and see what's happening? Did you 771 00:40:04,480 --> 00:40:05,960 Speaker 1: know that when you signed Joe to See, because you 772 00:40:05,960 --> 00:40:08,440 Speaker 1: could just go from these I guess attractive lights kin 773 00:40:08,600 --> 00:40:11,600 Speaker 1: guys to these four dudes from North Carolina. Well, Joe 774 00:40:11,640 --> 00:40:13,880 Speaker 1: to See. They were playing music for one of my 775 00:40:13,960 --> 00:40:16,040 Speaker 1: and arts went to consint with me, so half was 776 00:40:16,080 --> 00:40:19,279 Speaker 1: having to meet with me and we kept hearing. So yeah, 777 00:40:19,400 --> 00:40:22,840 Speaker 1: having my bad. So we're listening to that. Who is 778 00:40:22,960 --> 00:40:25,759 Speaker 1: this we're just coming from? Then I heard come and 779 00:40:25,960 --> 00:40:28,759 Speaker 1: talk to me? That Me and have got up and 780 00:40:28,880 --> 00:40:31,719 Speaker 1: went in and opened the door and four little dudes 781 00:40:31,719 --> 00:40:34,359 Speaker 1: from North Carolina was sitting there, and we said, Yo, 782 00:40:34,840 --> 00:40:37,520 Speaker 1: did y'all make these records? Yep? I wrote them and 783 00:40:37,640 --> 00:40:40,719 Speaker 1: produced them. And that was DeVante Swain, and I said, 784 00:40:40,880 --> 00:40:43,319 Speaker 1: y'all ain't gonna home. Were signing y'all, y'all getting ready 785 00:40:43,320 --> 00:40:45,160 Speaker 1: to making record there You're gonna be on uptown Records. 786 00:40:45,200 --> 00:40:46,279 Speaker 1: That's what they told us. There was like we had 787 00:40:46,280 --> 00:40:48,480 Speaker 1: old records before we got there, Like I didn't believe them, 788 00:40:48,520 --> 00:40:51,600 Speaker 1: but yeah they did. Now what happened was the records 789 00:40:51,680 --> 00:40:53,880 Speaker 1: wasn't right at their first gorind because you know, you're 790 00:40:53,880 --> 00:40:56,640 Speaker 1: in North Carolina back in nineteen ninety one. It wasn't 791 00:40:56,640 --> 00:40:59,880 Speaker 1: like you was at HIT factory, so it wasn't mixed right, 792 00:41:00,120 --> 00:41:03,160 Speaker 1: was noisy? I put on that Johnny Gil record my mind, 793 00:41:03,239 --> 00:41:05,600 Speaker 1: and I remember sitting them down and saying, do you 794 00:41:05,680 --> 00:41:08,440 Speaker 1: see how this boy is saying put on that red dress? 795 00:41:08,520 --> 00:41:11,440 Speaker 1: Do you see red dress? Slip on them high heels 796 00:41:11,560 --> 00:41:13,439 Speaker 1: and she moving around the living room. Now, I play 797 00:41:13,480 --> 00:41:15,839 Speaker 1: your record, and every red was got to that cat 798 00:41:17,120 --> 00:41:19,920 Speaker 1: said do you see anybody? Or do you just hear 799 00:41:19,960 --> 00:41:23,400 Speaker 1: a noise? So they got so mad or frustrated. But 800 00:41:23,600 --> 00:41:25,920 Speaker 1: then I put out be Sure with him to produce, 801 00:41:26,400 --> 00:41:29,000 Speaker 1: so it was still their lyrics, still the music, but 802 00:41:29,239 --> 00:41:31,960 Speaker 1: I had more experience producer. He had worked with Pointsy, 803 00:41:32,440 --> 00:41:35,319 Speaker 1: so he was a really massiful producer. And that's how 804 00:41:35,400 --> 00:41:37,719 Speaker 1: we got that's first Joe to See album. And there 805 00:41:37,800 --> 00:41:40,040 Speaker 1: was a big fight over the first single too. Remember 806 00:41:40,080 --> 00:41:43,400 Speaker 1: the first single was gotta love it because it was 807 00:41:43,480 --> 00:41:45,239 Speaker 1: half the album was like more up Temple. The other 808 00:41:45,280 --> 00:41:48,360 Speaker 1: half was slow. That's right. So Puff and Joe to 809 00:41:48,480 --> 00:41:51,160 Speaker 1: See got together and this this is my policy. If 810 00:41:51,400 --> 00:41:55,000 Speaker 1: you feel strongly about something, you know yourself and you 811 00:41:55,080 --> 00:41:57,480 Speaker 1: know your fans better than I can, you just keep 812 00:41:57,640 --> 00:41:59,719 Speaker 1: arguing with me until you get your way, till I 813 00:41:59,760 --> 00:42:03,480 Speaker 1: see it your way. So they argued, argued, but I 814 00:42:03,560 --> 00:42:05,840 Speaker 1: gotta love and we know that wasn't it. Let's puffing 815 00:42:05,920 --> 00:42:12,920 Speaker 1: that video um dances. So then I said, let's put 816 00:42:12,960 --> 00:42:15,919 Speaker 1: out Forever my Lady, and we put out for my Lady. 817 00:42:16,000 --> 00:42:23,359 Speaker 1: It blasted off. I feel like all those we were off, 818 00:42:23,400 --> 00:42:25,799 Speaker 1: and then we hit you with the remix the hip 819 00:42:25,800 --> 00:42:29,440 Speaker 1: hop soul and then the ghost face and stopping. You know, 820 00:42:29,520 --> 00:42:32,400 Speaker 1: mister Dalvin did that Freaking You remix? Yeah, Freaking You 821 00:42:32,560 --> 00:42:35,960 Speaker 1: remix the second album. They come and talk to me, 822 00:42:36,040 --> 00:42:38,000 Speaker 1: remixed out and I see we're gonna talk all let's 823 00:42:38,040 --> 00:42:40,040 Speaker 1: talk about Jose and we're not gonna play one record. 824 00:42:40,080 --> 00:42:49,480 Speaker 1: Look at all that we're gonna mix this morning? What okay? Alright, alright, alright, 825 00:42:50,960 --> 00:42:54,600 Speaker 1: guy Heavy d Joe to see Christoph Williams. Sure, Mary 826 00:42:54,680 --> 00:42:56,799 Speaker 1: jim Blige, he signed so many artists when we come back, 827 00:42:56,880 --> 00:42:59,320 Speaker 1: Let's talk about Mary a little bit. I don't go anywhere. 828 00:42:59,320 --> 00:43:02,799 Speaker 1: Andre Horrell was in the building. It's a breakfast morning. 829 00:43:02,800 --> 00:43:05,840 Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We 830 00:43:05,960 --> 00:43:08,640 Speaker 1: all the breakfast club. We have Andre Horrell in the building. 831 00:43:08,920 --> 00:43:12,000 Speaker 1: Throw back Thursday, found of Uptown Records. Now, how did 832 00:43:12,040 --> 00:43:14,759 Speaker 1: you get up with Mary j Blige? So? I got 833 00:43:14,840 --> 00:43:19,280 Speaker 1: with Mary through her managers. Mary stepfather game in his tape. 834 00:43:19,640 --> 00:43:21,920 Speaker 1: So they came and they played me the tape. It 835 00:43:22,080 --> 00:43:25,879 Speaker 1: was Shaka Kan Sweet Thing. So she played sweet Thing. 836 00:43:26,320 --> 00:43:28,840 Speaker 1: I'm gonna love you anyway, you know how she kills it. 837 00:43:29,480 --> 00:43:32,120 Speaker 1: So I'm listening to that. I'm like, it felt like 838 00:43:32,200 --> 00:43:35,200 Speaker 1: a Picasso Paynton, the way her voice was going through 839 00:43:35,280 --> 00:43:38,640 Speaker 1: the canvas, like all that pain, all our heart. I 840 00:43:38,719 --> 00:43:41,239 Speaker 1: went out to Snowbound Projects right to meet up and 841 00:43:41,280 --> 00:43:43,839 Speaker 1: a mother and everything. And so when I came up there, 842 00:43:43,920 --> 00:43:46,040 Speaker 1: she was looking at me, just smiling, and she was shy, 843 00:43:46,719 --> 00:43:49,640 Speaker 1: and I said, your voice is serious. I said, one 844 00:43:49,680 --> 00:43:52,640 Speaker 1: day you're gonna sing for rock and roll legends, kings 845 00:43:52,760 --> 00:43:56,040 Speaker 1: and queens. And she just giggled like a seventeen year old. 846 00:43:56,200 --> 00:43:58,880 Speaker 1: And look what happened. Yeah, step Game the Queen and 847 00:43:58,960 --> 00:44:02,680 Speaker 1: hip hop soul. Yeah, almost twenty years later, and then 848 00:44:02,680 --> 00:44:04,960 Speaker 1: you got you got soul for real. You had yeah 849 00:44:05,239 --> 00:44:08,719 Speaker 1: heavy father MC. So have you found so he had 850 00:44:08,760 --> 00:44:10,520 Speaker 1: the Lost Boys too? Right? Yeah, we had the Lost 851 00:44:10,560 --> 00:44:15,440 Speaker 1: Boys too. Oh. At one point we had nine records 852 00:44:15,480 --> 00:44:18,160 Speaker 1: on the radio here in New York. I never and 853 00:44:18,280 --> 00:44:20,320 Speaker 1: you know what, I don't know if because of the 854 00:44:20,360 --> 00:44:22,600 Speaker 1: time period, but I've never heard anybody say Andre Herrel 855 00:44:22,680 --> 00:44:27,560 Speaker 1: didn't treat me fairly. That's nice. I mean, I don't know. Yeah, 856 00:44:27,560 --> 00:44:29,720 Speaker 1: maybe I didn't hear it. No, you always hear stories 857 00:44:30,000 --> 00:44:31,759 Speaker 1: trying to be nice. But what I try to do 858 00:44:32,040 --> 00:44:34,840 Speaker 1: I think more importantly is I try to look at 859 00:44:34,880 --> 00:44:37,440 Speaker 1: an artist and see them for who they want to be, 860 00:44:38,200 --> 00:44:40,360 Speaker 1: and then I try to tell them, these are the 861 00:44:40,480 --> 00:44:42,640 Speaker 1: clearest things that will make you big and we should 862 00:44:42,680 --> 00:44:47,320 Speaker 1: move toward that. And fortunately my relationship with such a 863 00:44:47,360 --> 00:44:49,560 Speaker 1: trusting relationship with them. They would try some things that 864 00:44:49,640 --> 00:44:51,800 Speaker 1: would want to do, and they worked out what was 865 00:44:51,840 --> 00:44:54,120 Speaker 1: your biggest mistake running up tail records or all that 866 00:44:54,239 --> 00:44:57,920 Speaker 1: you passed, or I got everybody I want it. If 867 00:44:57,960 --> 00:45:00,480 Speaker 1: I wanted it, it meant everybody el I just wanted it. 868 00:45:00,600 --> 00:45:03,520 Speaker 1: Like before I wanted, they didn't. They wasn't sure. But 869 00:45:03,680 --> 00:45:06,960 Speaker 1: once I wanted, everybody was sure. So then I got 870 00:45:07,040 --> 00:45:09,239 Speaker 1: so many records on the radio. I'm like, you're gonna 871 00:45:09,239 --> 00:45:11,879 Speaker 1: go with them, and you're gonna go with me. Back then, 872 00:45:11,960 --> 00:45:14,640 Speaker 1: if they was going with me, because the artists were happy, 873 00:45:14,719 --> 00:45:17,480 Speaker 1: they want tour together. We had a sound. Matter of fact, 874 00:45:17,520 --> 00:45:20,600 Speaker 1: we had a culture. We would get old fabulous, right. 875 00:45:20,800 --> 00:45:23,400 Speaker 1: We drank up all the champagne, danced at all the parties, 876 00:45:24,239 --> 00:45:26,520 Speaker 1: and that's what they was looking at. They was looking 877 00:45:26,560 --> 00:45:29,480 Speaker 1: at that lifestyle from rags to richards, going from the 878 00:45:29,520 --> 00:45:32,120 Speaker 1: bottom to the top. That get old fabulous. But we 879 00:45:32,160 --> 00:45:34,560 Speaker 1: always get the infamous story about how did he worked 880 00:45:34,600 --> 00:45:36,080 Speaker 1: for you? And he was an intern and he would 881 00:45:36,160 --> 00:45:38,319 Speaker 1: ride the train and hide in the bathroom. So because 882 00:45:38,360 --> 00:45:40,719 Speaker 1: he was in college, Howard just to come and work 883 00:45:40,760 --> 00:45:43,560 Speaker 1: at uptown. And then they said you ended up firing him. 884 00:45:44,040 --> 00:45:46,560 Speaker 1: I can see why you fire No, no, no, so 885 00:45:46,800 --> 00:45:50,520 Speaker 1: this so much, this so much, y'all had no idea 886 00:45:50,680 --> 00:45:57,480 Speaker 1: further a Buff was having the time of his life. Nobody, nobody, 887 00:45:57,920 --> 00:46:01,879 Speaker 1: nobody loved get old Fabulous more than him. Yeah. Puff 888 00:46:01,960 --> 00:46:04,600 Speaker 1: came in the door with two earrings on. I had 889 00:46:04,719 --> 00:46:07,840 Speaker 1: never seen that. He came in with boots and and 890 00:46:08,000 --> 00:46:11,000 Speaker 1: blazes and hoodies. I was looking at him like, okay, 891 00:46:11,080 --> 00:46:13,040 Speaker 1: all right, all right, all right, I think that works. 892 00:46:13,400 --> 00:46:15,640 Speaker 1: We dressed Joe to see like that, and we did. 893 00:46:16,080 --> 00:46:17,640 Speaker 1: And the rerec Colly was saying, put him in suits, 894 00:46:17,680 --> 00:46:19,520 Speaker 1: put him in suits, and Puff said, I'm about to 895 00:46:19,520 --> 00:46:22,719 Speaker 1: put him in suits. Tid like you're gonna dress him 896 00:46:22,800 --> 00:46:26,120 Speaker 1: how you dressed Puff? And I would empower my young 897 00:46:26,200 --> 00:46:28,279 Speaker 1: people to let them know the things that they did 898 00:46:28,440 --> 00:46:30,919 Speaker 1: right and that they had a lifestyle that other people 899 00:46:30,960 --> 00:46:34,279 Speaker 1: would like. And for Puff, he really had the close 900 00:46:34,320 --> 00:46:37,399 Speaker 1: opportuity because He really worked closely with me. Puff used 901 00:46:37,400 --> 00:46:39,759 Speaker 1: to watch me like television on the phone. I used 902 00:46:39,760 --> 00:46:42,399 Speaker 1: to stop in the middle of Puff, don't you gotta 903 00:46:42,440 --> 00:46:46,480 Speaker 1: go to work? So he was really a student of 904 00:46:46,560 --> 00:46:49,920 Speaker 1: the game and he worked really, really, really hard. How 905 00:46:50,000 --> 00:46:52,040 Speaker 1: much did Puff contribute to uptime because it seems like 906 00:46:52,320 --> 00:46:54,160 Speaker 1: it's a lot of CREDITI up time because he's a 907 00:46:54,160 --> 00:46:56,160 Speaker 1: lot of credit for Joe to Seeing Mary Ja. He 908 00:46:56,280 --> 00:46:58,080 Speaker 1: did contribute a lot, but these are the main things 909 00:46:58,160 --> 00:47:01,239 Speaker 1: he contribute. I saw Mary J. Blies, I signed jod 910 00:47:01,280 --> 00:47:04,840 Speaker 1: to cy, but Puff worked on Joe to See. But 911 00:47:04,960 --> 00:47:08,360 Speaker 1: I'll be shure produced them all right. What Puff claimed 912 00:47:08,400 --> 00:47:13,239 Speaker 1: the fame is musically was his construction in fashion of 913 00:47:13,400 --> 00:47:16,839 Speaker 1: Mary J. Blige. That's him, he like, I signed to her, 914 00:47:17,200 --> 00:47:20,080 Speaker 1: but Puff put that beat up under her and changed 915 00:47:20,120 --> 00:47:26,160 Speaker 1: the game him. Eddie Aff Darnell Jones came and they 916 00:47:26,320 --> 00:47:29,640 Speaker 1: laid down that those sad kind of chords, and Mary 917 00:47:29,800 --> 00:47:32,680 Speaker 1: was seeing like projects sunshine over them like love without 918 00:47:32,719 --> 00:47:35,960 Speaker 1: a limit. He has made you feel like it's good 919 00:47:36,000 --> 00:47:37,759 Speaker 1: in the hood. Let's drop the top and let's pull 920 00:47:37,840 --> 00:47:41,520 Speaker 1: up some new sneakers. Absolutely, so we love Mary, Like 921 00:47:42,080 --> 00:47:46,719 Speaker 1: in my office, if Mary had a performance everybody would 922 00:47:46,760 --> 00:47:49,520 Speaker 1: sit there and debate, and I wasn't the leader. I 923 00:47:49,640 --> 00:47:52,960 Speaker 1: wasn't the boss. When he came the artist's best argument wins. 924 00:47:53,280 --> 00:47:55,640 Speaker 1: I'm listening to see you back up what you're gonna say. 925 00:47:56,080 --> 00:47:58,160 Speaker 1: So they would say Mary can't wear that, that's not 926 00:47:58,280 --> 00:48:02,239 Speaker 1: what her audience wants, and I'll be all right, all right, 927 00:48:02,600 --> 00:48:05,279 Speaker 1: And I felt like taking care of Mary and help 928 00:48:05,360 --> 00:48:08,400 Speaker 1: him lift her up and make her queen. We were 929 00:48:08,480 --> 00:48:13,239 Speaker 1: lifting up girls from single households, girls from in Paris neighborhoods. 930 00:48:13,560 --> 00:48:16,880 Speaker 1: So so Mary was and is a symbol of what 931 00:48:17,120 --> 00:48:19,359 Speaker 1: you can really do. That's what they said. In order 932 00:48:19,400 --> 00:48:21,120 Speaker 1: for you to ride, you gotta lift up others. Yes, 933 00:48:21,800 --> 00:48:24,399 Speaker 1: I think she's the best example of that, right, So didn't. 934 00:48:24,440 --> 00:48:26,359 Speaker 1: Did he bring Biggie to Uptown at one point? Yes, 935 00:48:26,760 --> 00:48:30,359 Speaker 1: but but he bought He bought Biggie to Uptown through 936 00:48:30,440 --> 00:48:33,279 Speaker 1: bad Boy, like we started bad Boy at Uptown, And 937 00:48:33,440 --> 00:48:36,640 Speaker 1: so Puff wanted to sign Biggie. His label was new, 938 00:48:36,719 --> 00:48:38,800 Speaker 1: he didn't have any artists. He just needed me to 939 00:48:39,040 --> 00:48:46,160 Speaker 1: assure Biggie. Yes, yes, yes, I gave bad Boy records. 940 00:48:46,600 --> 00:48:50,359 Speaker 1: He had already signed Total Yeah, already signed Craig mac 941 00:48:50,480 --> 00:48:53,440 Speaker 1: and Biggie and Biggie had our part in Bulls that 942 00:48:53,560 --> 00:48:56,120 Speaker 1: came out on Uptown Records, and we had a dinner. 943 00:48:56,400 --> 00:48:59,799 Speaker 1: I sat down Biggie and assured him that Puff had 944 00:49:00,000 --> 00:49:03,200 Speaker 1: all my confidence and all my resources and that he 945 00:49:03,280 --> 00:49:06,719 Speaker 1: would be treated no different than any other artists we got. 946 00:49:06,880 --> 00:49:08,719 Speaker 1: We don't sign a lot of artists, and if we 947 00:49:08,840 --> 00:49:10,560 Speaker 1: signed you, we're gonna figure you out and make you 948 00:49:10,640 --> 00:49:13,480 Speaker 1: the biggest star that we can make you. And that's 949 00:49:13,480 --> 00:49:15,879 Speaker 1: all he needed to hear. And then Puff did his thing. 950 00:49:17,040 --> 00:49:18,800 Speaker 1: Did you believe in Big when you first saw I 951 00:49:18,960 --> 00:49:25,080 Speaker 1: believed him Puff? But after I started hearing that music, well, 952 00:49:25,080 --> 00:49:27,959 Speaker 1: I signed black and ugly as ever. Yeah, Big, he's 953 00:49:28,040 --> 00:49:30,080 Speaker 1: my favorite rapper. He's like the mom and get a 954 00:49:30,160 --> 00:49:32,759 Speaker 1: hip hop. So what was the down for if there 955 00:49:32,840 --> 00:49:34,560 Speaker 1: was a dawn full of Uptail records? Why why the 956 00:49:34,640 --> 00:49:40,360 Speaker 1: Uptail stopped producing all those records? No, no, no, no, 957 00:49:41,000 --> 00:49:43,920 Speaker 1: they just came with an offer from Motown up so 958 00:49:44,040 --> 00:49:46,480 Speaker 1: ridiculous at the time. I had to take a look 959 00:49:46,520 --> 00:49:49,640 Speaker 1: at it. And then Heavy came on. He would be 960 00:49:49,680 --> 00:49:53,280 Speaker 1: the president. But artists sometimes can have a hard time 961 00:49:54,000 --> 00:49:58,080 Speaker 1: managing artists because artists, in order to be great, they 962 00:49:58,160 --> 00:50:00,480 Speaker 1: need to spend a lot of time thinking about himselves. 963 00:50:00,840 --> 00:50:03,040 Speaker 1: So as the president of the label, you have to 964 00:50:03,200 --> 00:50:06,480 Speaker 1: give yourself to others and give yourselves to helping other 965 00:50:06,560 --> 00:50:11,319 Speaker 1: people's dreams. So that's a different headspace. But that's really 966 00:50:11,600 --> 00:50:13,680 Speaker 1: the only reason because their kidding went on because they 967 00:50:13,719 --> 00:50:15,920 Speaker 1: had all the town to people. It was amount of 968 00:50:16,080 --> 00:50:20,319 Speaker 1: being able to manage everybody's expectations, ego and motivate them. 969 00:50:20,440 --> 00:50:22,840 Speaker 1: So you left Uptown to go to Motown, yep, and 970 00:50:23,120 --> 00:50:26,320 Speaker 1: and and left the jail open and just the artists 971 00:50:26,440 --> 00:50:30,759 Speaker 1: running out side insany sild for a minute, do you 972 00:50:30,840 --> 00:50:35,359 Speaker 1: know what Mary j. Blige made it through. Blige made 973 00:50:35,360 --> 00:50:37,000 Speaker 1: it through. Jould have made it through too if it 974 00:50:37,040 --> 00:50:39,879 Speaker 1: wasn't for like their personal issues. You're right, you're right. 975 00:50:40,320 --> 00:50:42,680 Speaker 1: We got more with Andre Horrell when we come back. 976 00:50:42,760 --> 00:50:45,680 Speaker 1: This is the first interview he did with us when 977 00:50:45,719 --> 00:50:47,760 Speaker 1: he came through here. He's been up here several times 978 00:50:47,800 --> 00:50:50,520 Speaker 1: to talk about so many different things, from Uptown Records 979 00:50:50,600 --> 00:50:54,040 Speaker 1: to Revolt Music Conference to everything that he's working on. 980 00:50:54,120 --> 00:50:56,000 Speaker 1: So we'll get that back on when we come back, 981 00:50:56,280 --> 00:50:58,759 Speaker 1: and let's get into an Uptown Records mini mix. I mean, 982 00:50:59,320 --> 00:51:01,640 Speaker 1: he's broke in so many artists, but we don't have 983 00:51:02,000 --> 00:51:03,560 Speaker 1: that much time. I mean, if you want to talk 984 00:51:03,560 --> 00:51:06,919 Speaker 1: about it, we have Lost Boys, Mary J. Blige, Guy, 985 00:51:07,200 --> 00:51:10,239 Speaker 1: I'll be sure, Christopher Williams, Joe to See, just to 986 00:51:10,360 --> 00:51:12,400 Speaker 1: name a few, and we're gonna get that on right now. 987 00:51:12,400 --> 00:51:15,560 Speaker 1: It was the Breakfast Club Good Morning. That was an 988 00:51:15,680 --> 00:51:18,640 Speaker 1: Uptown Records mini mix. Like I said, we couldn't play 989 00:51:18,760 --> 00:51:20,680 Speaker 1: all the artists. I mean, when you think about it, 990 00:51:20,760 --> 00:51:24,000 Speaker 1: Mary J. Blige, Heavy D and the Boys Guy, Christopher Williams, 991 00:51:24,080 --> 00:51:27,799 Speaker 1: I'll be sure money for the lost Joe to See. 992 00:51:27,800 --> 00:51:32,200 Speaker 1: So that was a little bit MC follow them see. 993 00:51:32,239 --> 00:51:34,440 Speaker 1: Of course, So let's get back into our interview with 994 00:51:34,640 --> 00:51:37,640 Speaker 1: Andre Horrels the Breakfast Club Good Morning Morning. Everybody is 995 00:51:37,680 --> 00:51:40,480 Speaker 1: DJ Envy angela Ye, Charlemagne the guy we are the 996 00:51:40,560 --> 00:51:44,080 Speaker 1: Breakfast Club. Andre Horrell's in the building out Charlemagne. Now 997 00:51:44,320 --> 00:51:46,200 Speaker 1: you work for a vote now, which is interesting because 998 00:51:46,239 --> 00:51:48,319 Speaker 1: you had to fire Diddy. But you have to fire 999 00:51:48,400 --> 00:51:52,279 Speaker 1: Diddy though. You gotta understand. When Puff worked for me, 1000 00:51:52,480 --> 00:51:55,200 Speaker 1: Puff was like he was my protege, so you know, 1001 00:51:55,600 --> 00:51:57,879 Speaker 1: he basically he got to do all the things I did, 1002 00:51:58,520 --> 00:52:02,040 Speaker 1: and so anytime somebody else would tell him though it 1003 00:52:02,239 --> 00:52:04,440 Speaker 1: was a problem. So I had New York on to 1004 00:52:04,520 --> 00:52:06,319 Speaker 1: cover up. So I run over there with Dick Wolf 1005 00:52:06,640 --> 00:52:17,040 Speaker 1: trying to work on this show. Yeah, so was the 1006 00:52:17,400 --> 00:52:22,320 Speaker 1: music super okay, So right, we're gonna come. Puff is 1007 00:52:22,360 --> 00:52:25,239 Speaker 1: walking around the office without a shirt or you know, 1008 00:52:25,440 --> 00:52:28,719 Speaker 1: just really living out the video in the old bill. Yeah. 1009 00:52:28,840 --> 00:52:31,840 Speaker 1: So then one day we sat down, we had a 1010 00:52:31,920 --> 00:52:35,839 Speaker 1: conversation with the general manager and Puff said, Buff said, 1011 00:52:35,880 --> 00:52:39,319 Speaker 1: straight up, I don't work for him. I work for you, Drake. 1012 00:52:39,840 --> 00:52:45,720 Speaker 1: And I was like, oh my god. I mean this episode, everything, 1013 00:52:46,000 --> 00:52:48,960 Speaker 1: everything that happened, now none of y'all gonna be able 1014 00:52:48,960 --> 00:52:51,680 Speaker 1: to handle it because gonna be on me. And I 1015 00:52:51,880 --> 00:52:54,399 Speaker 1: was feeling I wanted to grow Puff into his own 1016 00:52:54,400 --> 00:52:56,880 Speaker 1: boot labor because we had given him Bad Boy, but 1017 00:52:57,080 --> 00:52:59,799 Speaker 1: he needed his own space and I couldn't get MC 1018 00:53:00,400 --> 00:53:02,880 Speaker 1: to give me the space. So when he got fired, 1019 00:53:02,920 --> 00:53:06,760 Speaker 1: he was on payroll the whole time, in his artists 1020 00:53:07,120 --> 00:53:10,640 Speaker 1: on payroll the whole time. Oh and when he got 1021 00:53:10,760 --> 00:53:13,800 Speaker 1: his deal, I sat there and helped him negotiate and 1022 00:53:13,880 --> 00:53:17,160 Speaker 1: pick the best deal. So I let him go to 1023 00:53:17,360 --> 00:53:19,560 Speaker 1: make him rich. That was the best thing you probably have. 1024 00:53:20,360 --> 00:53:22,799 Speaker 1: We want to be fighting. I'm gonna have to spend 1025 00:53:22,920 --> 00:53:26,640 Speaker 1: all my time watching And I was growing doing so 1026 00:53:26,760 --> 00:53:30,279 Speaker 1: many things. And it's not like I didn't enjoy watching Puff, 1027 00:53:30,800 --> 00:53:32,719 Speaker 1: but if I couldn't be there to watch him do 1028 00:53:32,840 --> 00:53:35,200 Speaker 1: his thing, but buffer come to my office play his 1029 00:53:35,280 --> 00:53:37,760 Speaker 1: records that he just makes. He would do a hot dance, 1030 00:53:38,520 --> 00:53:40,799 Speaker 1: you know what I'm saying. Like every Monday he would 1031 00:53:40,800 --> 00:53:43,840 Speaker 1: come into my office, and Monday morning at nine o'clock, 1032 00:53:43,880 --> 00:53:45,759 Speaker 1: you had to be at my staff meeting. If you 1033 00:53:45,880 --> 00:53:49,000 Speaker 1: missed the staff meeting, you missed the opportunity to chime 1034 00:53:49,080 --> 00:53:50,960 Speaker 1: in on the moves that the artists are gonna make. 1035 00:53:51,120 --> 00:53:53,520 Speaker 1: And we had so many artists. Those a lot of 1036 00:53:53,600 --> 00:53:56,480 Speaker 1: sexy moves. So if you're twenty six, twenty seven, you 1037 00:53:56,600 --> 00:53:58,279 Speaker 1: want you want to be involved in that because you 1038 00:53:58,360 --> 00:53:59,960 Speaker 1: might want to make a move. You want to have 1039 00:54:00,200 --> 00:54:03,200 Speaker 1: your hand on that, because this thing is moving. So 1040 00:54:04,040 --> 00:54:07,360 Speaker 1: I remember I was making a movie. It was strictly business, 1041 00:54:08,080 --> 00:54:11,000 Speaker 1: and Puff got a part in it. Said Mike, coming, 1042 00:54:11,120 --> 00:54:14,080 Speaker 1: I let you be stars. Puffs taking audition. He got 1043 00:54:14,160 --> 00:54:19,200 Speaker 1: a parting. So so wait, we're sitting there having a 1044 00:54:19,280 --> 00:54:23,399 Speaker 1: regular meeting. Phone rings, it's my producer on the other line. 1045 00:54:23,800 --> 00:54:25,680 Speaker 1: He said, Yo, we got a problem out here. I said, what, 1046 00:54:26,080 --> 00:54:28,759 Speaker 1: Puff just punched one of the gaffers in the faith, 1047 00:54:29,200 --> 00:54:32,279 Speaker 1: I said, what, Buff just punched the gaffers to face? 1048 00:54:35,280 --> 00:54:39,920 Speaker 1: Buff of like Dennis the minutes back then, He's changed, 1049 00:54:39,960 --> 00:54:42,360 Speaker 1: he said, he's changed. No, he is trying to change. 1050 00:54:42,400 --> 00:54:45,120 Speaker 1: He told me, is trying to chang. I'm talking about that. 1051 00:54:45,560 --> 00:54:48,719 Speaker 1: So I remember we're having our staff being. Puff is 1052 00:54:48,840 --> 00:54:52,360 Speaker 1: in jail, dropping quarters in the pay phone, coming in 1053 00:54:52,680 --> 00:54:54,839 Speaker 1: over the speaking phone, trying to be at the meeting. 1054 00:54:55,840 --> 00:55:00,480 Speaker 1: That like that serious, dedicated he That was a very, 1055 00:55:00,680 --> 00:55:03,719 Speaker 1: very enjoyable time. And I really enjoy working with Pop 1056 00:55:03,840 --> 00:55:06,120 Speaker 1: because me and Puff are able together to take this 1057 00:55:06,239 --> 00:55:09,719 Speaker 1: whole black thing to a pop international level. There you go. 1058 00:55:10,120 --> 00:55:13,520 Speaker 1: All right. That was our interview with Andre Horrell. Rest 1059 00:55:13,600 --> 00:55:17,560 Speaker 1: in peace and condolences to his family and friends. I mean, 1060 00:55:17,640 --> 00:55:21,120 Speaker 1: he was such an inspiration on this industry. Yeah, and 1061 00:55:21,239 --> 00:55:25,239 Speaker 1: listen that that Uptown mini series is coming to BT. 1062 00:55:25,480 --> 00:55:28,239 Speaker 1: I don't want anybody, you know, saying stupid things like, 1063 00:55:28,320 --> 00:55:31,040 Speaker 1: oh no, that's Joe want to do a mini series. No, 1064 00:55:31,160 --> 00:55:33,759 Speaker 1: that mini series got announced last year. You know Andre 1065 00:55:34,920 --> 00:55:37,279 Speaker 1: about it? Yeah, Andrews been working on that for the 1066 00:55:37,360 --> 00:55:40,840 Speaker 1: past you know, a few years. I'm a consultant producer 1067 00:55:40,920 --> 00:55:43,440 Speaker 1: on it. Jesse Collins is the executive producer. Andre was 1068 00:55:43,600 --> 00:55:46,800 Speaker 1: very very involved with the story, very involved with the script, 1069 00:55:46,840 --> 00:55:49,800 Speaker 1: even up until this past Wednesday. He was on the 1070 00:55:49,880 --> 00:55:52,399 Speaker 1: phone with Jesse. You know, um, I'm wanting to add 1071 00:55:52,440 --> 00:55:55,520 Speaker 1: some things to the story. So yes, that his story 1072 00:55:55,600 --> 00:55:58,160 Speaker 1: will be told and his life will be celebrated the 1073 00:55:58,200 --> 00:56:00,880 Speaker 1: way it needs to. All right, well, we got rumors 1074 00:56:00,920 --> 00:56:02,640 Speaker 1: on the way, so don't move. It's the Breakfast Club. 1075 00:56:02,680 --> 00:56:11,200 Speaker 1: Good morning, listen. It's just report. It's a rule report. 1076 00:56:12,680 --> 00:56:15,640 Speaker 1: So over the weekend, as we were watching this versus 1077 00:56:15,719 --> 00:56:20,240 Speaker 1: battle that was highly anticipated, the numbers over six hundred 1078 00:56:20,360 --> 00:56:25,239 Speaker 1: thousand people watch Erica bad doing Jill Scott on Saturday Night. 1079 00:56:25,320 --> 00:56:28,400 Speaker 1: I was one of those people and one of the 1080 00:56:28,440 --> 00:56:30,520 Speaker 1: first stories they started off with. And we talked about 1081 00:56:30,560 --> 00:56:32,200 Speaker 1: this with Jill Scott when she was on The Breakfast 1082 00:56:32,200 --> 00:56:34,160 Speaker 1: Club is the song you Got Me? Because Jill Scott 1083 00:56:34,160 --> 00:56:37,399 Speaker 1: actually wrote that while Ericabadu was featured on that root song. 1084 00:56:37,480 --> 00:56:40,439 Speaker 1: And here's what was said about it. The Roots gave 1085 00:56:40,520 --> 00:56:44,560 Speaker 1: me my first opportunity to write anything ever. It's the 1086 00:56:44,680 --> 00:56:48,600 Speaker 1: first song I ever wrote, and for you, Queen wadud 1087 00:56:49,080 --> 00:56:51,360 Speaker 1: to sing words that I wrote, and I don't. I 1088 00:56:51,360 --> 00:56:53,960 Speaker 1: don't think you've ever done that again, like everything else 1089 00:56:54,040 --> 00:56:57,279 Speaker 1: you've written yourself. I'm so honored. I'm going to play 1090 00:56:57,360 --> 00:57:13,719 Speaker 1: the exact same song Babies. Yes. So they both got 1091 00:57:13,760 --> 00:57:15,840 Speaker 1: to me, and that's how they started off the battle. 1092 00:57:16,080 --> 00:57:18,160 Speaker 1: It was over seven hundred thousand people. I don't it 1093 00:57:18,240 --> 00:57:20,480 Speaker 1: got into like seven in change, so I think seven 1094 00:57:20,600 --> 00:57:23,200 Speaker 1: twenty seven thirty. It was over seven hundred thousand on. Yes, yea. 1095 00:57:23,880 --> 00:57:26,680 Speaker 1: It started a little late too. I was like, what's 1096 00:57:26,720 --> 00:57:30,320 Speaker 1: going on? Everything was, Everything was pretty smooth. I think 1097 00:57:30,320 --> 00:57:33,520 Speaker 1: at one point Erica baddu her battery died and then 1098 00:57:33,600 --> 00:57:35,360 Speaker 1: she had to jump back on. And that was when 1099 00:57:35,600 --> 00:57:39,720 Speaker 1: Jill Scott was playing Tyrone for her so man Tyrone 1100 00:57:39,720 --> 00:57:41,720 Speaker 1: and getting a bad rap for a long time bro 1101 00:57:42,120 --> 00:57:44,800 Speaker 1: like Tyrone. All of these years have been catching slander. 1102 00:57:44,840 --> 00:57:47,760 Speaker 1: They've been calling people you old Tyrone, asked Negro. All 1103 00:57:47,880 --> 00:57:50,960 Speaker 1: Tyrone was was the friend of an f boy. Tyrone 1104 00:57:51,080 --> 00:57:55,240 Speaker 1: was a good friend. Man was driving. I thought that 1105 00:57:55,320 --> 00:57:57,560 Speaker 1: was very clear from the song. And I thought people 1106 00:57:57,560 --> 00:58:00,680 Speaker 1: were just they wos say you better all Tyrone and 1107 00:58:00,720 --> 00:58:03,840 Speaker 1: tell him help you get your stuff. That's what I 1108 00:58:04,000 --> 00:58:06,240 Speaker 1: never thought about it until Saturday night when I was 1109 00:58:06,400 --> 00:58:08,640 Speaker 1: watching the battle, and then everybody started tweeting all of 1110 00:58:08,680 --> 00:58:11,560 Speaker 1: this Tyrone slander, and I'm like, wait a minute, all 1111 00:58:11,640 --> 00:58:13,560 Speaker 1: Tyrone was doing was being a good friend. And ain't 1112 00:58:13,560 --> 00:58:16,320 Speaker 1: his fault. You don't only that man knew without a call. 1113 00:58:16,560 --> 00:58:20,160 Speaker 1: And why didn't Erica ever name that brother she named Tyrone, 1114 00:58:20,400 --> 00:58:22,960 Speaker 1: She named Jim, James and Paul, but never names that 1115 00:58:23,240 --> 00:58:26,200 Speaker 1: boy she was talking about. I thought people were always 1116 00:58:26,240 --> 00:58:27,560 Speaker 1: would say when you got mad at to man, you 1117 00:58:27,600 --> 00:58:30,080 Speaker 1: bet you better call Tyrone and tell him come on, 1118 00:58:30,640 --> 00:58:33,880 Speaker 1: come help you get your stuff. So it's weird that 1119 00:58:33,960 --> 00:58:37,440 Speaker 1: people thought that that was a vibe on Saturday night. 1120 00:58:37,480 --> 00:58:40,080 Speaker 1: And that title playlist that Erica bout dude, Jill's got 1121 00:58:40,120 --> 00:58:42,760 Speaker 1: title playlist is so hard. That is absolutely gonna be 1122 00:58:42,760 --> 00:58:44,680 Speaker 1: the soundtrack of my house for a long time. We 1123 00:58:44,800 --> 00:58:49,120 Speaker 1: had the sage burning, We had to candles lit. Oh man, 1124 00:58:49,200 --> 00:58:52,080 Speaker 1: we had we got these dip tea candles my wife got. Man, 1125 00:58:52,160 --> 00:58:54,400 Speaker 1: they smell so good instead of vibe. Oh yeah, I 1126 00:58:54,440 --> 00:58:58,240 Speaker 1: have like five of those in here and they're beloved too. Yes, 1127 00:58:58,600 --> 00:59:01,560 Speaker 1: all right, all right. Now. In addition to that, we're 1128 00:59:01,600 --> 00:59:04,120 Speaker 1: getting ready for the next versus battle and guess who 1129 00:59:04,160 --> 00:59:06,440 Speaker 1: it's gonna be. Listen to Timberland and Swiss Beats talk 1130 00:59:06,440 --> 00:59:08,200 Speaker 1: about it. You want me tell them? Who want the smoke? 1131 00:59:08,440 --> 00:59:13,640 Speaker 1: Das Nellie won't the smoke? Tell them? Okay, come on, 1132 00:59:13,800 --> 00:59:17,040 Speaker 1: come on, Nellie won't the smoke with Ludacris. Nellie won't 1133 00:59:17,080 --> 00:59:22,280 Speaker 1: the smoke? Attention, attention, Nellie won't the smoke? Nellie and Ludacris. 1134 00:59:22,480 --> 00:59:24,840 Speaker 1: A lot of people have been calling for this one. Well, 1135 00:59:24,880 --> 00:59:28,360 Speaker 1: when Nellie called into the Breakfast Club to talk about 1136 00:59:28,440 --> 00:59:31,760 Speaker 1: you know, the air Force force, I bought that up. 1137 00:59:31,960 --> 00:59:34,040 Speaker 1: You know, Nelly versus Luta. I think that's a damn 1138 00:59:34,080 --> 00:59:36,000 Speaker 1: good battle. I think that's gonna be great. I can't 1139 00:59:36,000 --> 00:59:39,400 Speaker 1: wait to see that. That's I think the problem people 1140 00:59:39,760 --> 00:59:42,040 Speaker 1: it's ready for that. The problem people have with these 1141 00:59:42,160 --> 00:59:44,080 Speaker 1: verses is that when they think of Nellie Louta, they 1142 00:59:44,160 --> 00:59:47,480 Speaker 1: automatically think lyricism. Right, this ain't about lyrics, This is 1143 00:59:47,520 --> 00:59:51,800 Speaker 1: about songs, correct, I mean records. So Nellie had big records, 1144 00:59:51,880 --> 00:59:54,160 Speaker 1: Luda had big records. That is gonna be a fun, 1145 00:59:54,720 --> 00:59:57,440 Speaker 1: entertaining battle next Saturday. I can't wait for that. I know. 1146 00:59:57,920 --> 01:00:00,480 Speaker 1: Personality wise, they both are gonna have a lot to say, 1147 01:00:00,600 --> 01:00:05,080 Speaker 1: so that should be interesting. Now here's another possible versus battle. 1148 01:00:05,160 --> 01:00:07,720 Speaker 1: Here's John Legend. He was talking to Nick Cannon on 1149 01:00:07,880 --> 01:00:10,200 Speaker 1: who he could potentially battle, and here's what he said. 1150 01:00:10,640 --> 01:00:13,000 Speaker 1: I think that probably the best thing. And honestly, I 1151 01:00:13,080 --> 01:00:14,880 Speaker 1: think we would do it if we did it like 1152 01:00:15,040 --> 01:00:18,280 Speaker 1: a dueling piano Yeah, no, Yo, that'd be crazy. Yeah, 1153 01:00:18,520 --> 01:00:21,080 Speaker 1: I think we will. But I what I do love 1154 01:00:21,120 --> 01:00:23,640 Speaker 1: about the way it's been going so far is we're 1155 01:00:23,640 --> 01:00:28,280 Speaker 1: seeing producers and writers more than just artists. Because the 1156 01:00:28,400 --> 01:00:31,360 Speaker 1: producers and writers, what's so cool about it is you 1157 01:00:31,440 --> 01:00:34,200 Speaker 1: didn't maybe know that they produced this song and you're 1158 01:00:34,240 --> 01:00:38,200 Speaker 1: hearing these stories and stuff. Yeah. So John Legend versus 1159 01:00:38,280 --> 01:00:40,560 Speaker 1: Alicia Keys, that might have to do it. She gotta 1160 01:00:40,600 --> 01:00:42,040 Speaker 1: do it, he called her out. She got to do it. 1161 01:00:42,120 --> 01:00:44,240 Speaker 1: That's on some piano battle. Who that That's gonna be 1162 01:00:44,240 --> 01:00:46,960 Speaker 1: a great one if they got they gotta do that 1163 01:00:47,080 --> 01:00:49,200 Speaker 1: during the week though, that's not a weekend one. Yes 1164 01:00:49,280 --> 01:00:52,560 Speaker 1: it is. That's not. That's not a Saturday night. It's not. 1165 01:00:55,920 --> 01:01:03,040 Speaker 1: That's a Sunday afternoon. No, r no Thursday. That's that's 1166 01:01:03,080 --> 01:01:07,240 Speaker 1: a nice date night one too, though. Gonna have, They're 1167 01:01:07,240 --> 01:01:11,600 Speaker 1: gonna have the pianos going, got some, you have many up, 1168 01:01:11,840 --> 01:01:13,680 Speaker 1: You got a couple of up tempo joints. Yes, he 1169 01:01:13,800 --> 01:01:19,760 Speaker 1: does leash keys, Yeah, I got that legend. Got a 1170 01:01:19,840 --> 01:01:23,400 Speaker 1: lot of great um also a lot of great appearances 1171 01:01:23,440 --> 01:01:26,240 Speaker 1: on other people's songs too, though he does black my 1172 01:01:26,320 --> 01:01:31,800 Speaker 1: Money on that one. I think a battle well, well, Luda, 1173 01:01:31,880 --> 01:01:33,560 Speaker 1: Chris Nelli? Who went in that one? Luda, Chris Nelli? 1174 01:01:33,560 --> 01:01:37,680 Speaker 1: Who you got that went into it? That One's not 1175 01:01:37,720 --> 01:01:39,440 Speaker 1: as easy as people think it is. I'm telling you, 1176 01:01:40,160 --> 01:01:43,160 Speaker 1: I don't know, man, I'm I'm I'm gonna say slight 1177 01:01:43,440 --> 01:01:46,840 Speaker 1: edge to Luda only because I think Luda can take 1178 01:01:47,280 --> 01:01:52,440 Speaker 1: Nelly in those later rounds with with with with bigger records, 1179 01:01:53,240 --> 01:01:57,640 Speaker 1: big red. I gotta go through their catalogs. I gotta 1180 01:01:57,680 --> 01:01:59,440 Speaker 1: sit down and go through it all. Right now, I 1181 01:01:59,520 --> 01:02:02,160 Speaker 1: want to ask y'all. I'm just gonna say, because when 1182 01:02:02,200 --> 01:02:05,280 Speaker 1: Nellie started doing those country songs, those are good records. 1183 01:02:05,320 --> 01:02:07,600 Speaker 1: But I just will go don't know how he will 1184 01:02:07,640 --> 01:02:10,320 Speaker 1: go over on a Saturday night on on Instagram Compared 1185 01:02:10,360 --> 01:02:11,800 Speaker 1: to some of the stuff I know Luda can play. 1186 01:02:11,880 --> 01:02:14,360 Speaker 1: He can't do those cosay now, While we're all quarantine. 1187 01:02:14,440 --> 01:02:17,320 Speaker 1: Let's talk about some issues you guys might be having. 1188 01:02:17,480 --> 01:02:21,200 Speaker 1: Because Young Thug was very honest about having some dirty 1189 01:02:21,280 --> 01:02:23,080 Speaker 1: penis issues. So here's what he had to say on 1190 01:02:23,160 --> 01:02:25,880 Speaker 1: his Instagram story. I take a bad every day. I 1191 01:02:25,960 --> 01:02:28,720 Speaker 1: don't even have six every day, right, so every time 1192 01:02:28,720 --> 01:02:30,960 Speaker 1: I take a ball, my chest, my body be clean. 1193 01:02:31,120 --> 01:02:32,960 Speaker 1: But every time I watched my it'd be dirt on 1194 01:02:33,040 --> 01:02:35,240 Speaker 1: the on the red. But I ain't had six, I 1195 01:02:35,280 --> 01:02:38,840 Speaker 1: ain't did nothing. I ain't even I just go chill, 1196 01:02:39,160 --> 01:02:41,120 Speaker 1: then come home, go to sleep. Next day I wake up, 1197 01:02:41,160 --> 01:02:43,120 Speaker 1: take a ball of dirty. It's always be dirt on 1198 01:02:43,160 --> 01:02:45,880 Speaker 1: the top on the red. I think I just got 1199 01:02:46,000 --> 01:02:49,800 Speaker 1: permanented it dirty. I love the transparency, I love the honesty. 1200 01:02:50,160 --> 01:02:54,080 Speaker 1: But you may want waking up with dirt on your 1201 01:02:54,120 --> 01:02:58,000 Speaker 1: penis no matter how much you shower. He got magma it. 1202 01:02:58,400 --> 01:03:02,640 Speaker 1: I don't know what I do dirt like you really 1203 01:03:02,680 --> 01:03:04,840 Speaker 1: need you really need to keep your d out the dirt. 1204 01:03:04,880 --> 01:03:07,480 Speaker 1: Young Thug. Now, if I'm a woman who hasn't happens 1205 01:03:07,560 --> 01:03:09,680 Speaker 1: sex or anything, though he said, it's just nothing, he 1206 01:03:09,800 --> 01:03:12,960 Speaker 1: just really wakes up and yeah, you need to go 1207 01:03:13,040 --> 01:03:15,360 Speaker 1: to the doctor. Brother. If I'm a woman who asked 1208 01:03:15,360 --> 01:03:17,960 Speaker 1: sex with young thug, and I've had any bacterial infections, 1209 01:03:18,000 --> 01:03:21,000 Speaker 1: I'm suing, okay, young thug turning these women in the 1210 01:03:21,040 --> 01:03:26,760 Speaker 1: young yeast infection, young bacterial vaginosis, young discharge. It could 1211 01:03:26,800 --> 01:03:30,960 Speaker 1: just see some It could just see some schmegma, maybe young, older, 1212 01:03:31,360 --> 01:03:34,840 Speaker 1: some dead cells. Nah. I think if it was smegma, 1213 01:03:36,200 --> 01:03:39,960 Speaker 1: twere just uh well not when it drives up. I 1214 01:03:40,000 --> 01:03:43,840 Speaker 1: would think if it drives up, wouldn't it be a smell. No, 1215 01:03:44,000 --> 01:03:46,680 Speaker 1: he washes it and still sees dirt on it. That's 1216 01:03:46,720 --> 01:03:49,040 Speaker 1: a problem. He needs to go to the doctor. Well, 1217 01:03:49,920 --> 01:03:52,480 Speaker 1: they're having similar issues. Can you tweet us and let 1218 01:03:52,560 --> 01:03:56,760 Speaker 1: us know all why he took that to social media though, 1219 01:03:56,840 --> 01:03:58,680 Speaker 1: Like that's the first place you thought to tell everybody 1220 01:03:58,720 --> 01:04:02,120 Speaker 1: you got a dirty d because dealing with the same thing, 1221 01:04:02,200 --> 01:04:05,200 Speaker 1: you know, maybe through other people might and y'all just 1222 01:04:05,400 --> 01:04:07,760 Speaker 1: not being honest about it. But that's cool. Young thug 1223 01:04:07,880 --> 01:04:11,320 Speaker 1: is confident in himself, all right, imagulating problem and that 1224 01:04:11,520 --> 01:04:14,640 Speaker 1: is your rumor report? All right, thank you? What that means? 1225 01:04:15,640 --> 01:04:18,600 Speaker 1: What kind of dirt? Show us the rag next time? Thugs, 1226 01:04:18,720 --> 01:04:20,280 Speaker 1: that's what you were in order to get up, in 1227 01:04:20,400 --> 01:04:23,320 Speaker 1: order to get a proper social media diagnosis. You have 1228 01:04:23,400 --> 01:04:25,240 Speaker 1: to show us the actual rag. Show us what that 1229 01:04:25,400 --> 01:04:28,280 Speaker 1: dirt looked like. I'll pass, all right, Charlomage, who you 1230 01:04:28,320 --> 01:04:31,840 Speaker 1: give it? That donkey to you? Donkey of the day 1231 01:04:31,880 --> 01:04:34,920 Speaker 1: today is going to a district attorney George Barnhill. He 1232 01:04:35,320 --> 01:04:38,480 Speaker 1: was the prosecutor in the Ahmed Aubrey case. Uh. He 1233 01:04:38,560 --> 01:04:40,040 Speaker 1: needs to come to the front of the congregation. We'd 1234 01:04:40,040 --> 01:04:41,400 Speaker 1: like to have a world with him. All right, we'll 1235 01:04:41,440 --> 01:04:43,439 Speaker 1: get into that next keeping lock this to Breakfast Club. 1236 01:04:43,480 --> 01:04:47,920 Speaker 1: Good morning. I was born to donkey. It's the donkey 1237 01:04:48,280 --> 01:05:04,840 Speaker 1: of the death Charlomagne, devil, Breakfast Club, Darthia. Today from Monday, 1238 01:05:04,920 --> 01:05:09,440 Speaker 1: Mayor Levin goes to a Georgia prosecutor, District attorney George Barnhill. 1239 01:05:09,800 --> 01:05:12,840 Speaker 1: Now George Barnhill was the prosecutor on the case of 1240 01:05:12,920 --> 01:05:17,400 Speaker 1: the young brother Armad Aubrey, arresting pea star Mad. Condolences 1241 01:05:17,440 --> 01:05:22,560 Speaker 1: to his family. George Barnhill actually recused himself from the 1242 01:05:22,680 --> 01:05:26,680 Speaker 1: investigation on April sixth because his son is a prosecutor 1243 01:05:26,760 --> 01:05:30,120 Speaker 1: in the Brunswick District Attorney's office, where one of those thugs, 1244 01:05:30,480 --> 01:05:33,440 Speaker 1: one of those murderers of Ahmad one of those goons. 1245 01:05:33,760 --> 01:05:37,800 Speaker 1: Gregory McMichael, a former cop, worked as an investigator, but 1246 01:05:37,960 --> 01:05:40,080 Speaker 1: he didn't fall back from the case until after he 1247 01:05:40,200 --> 01:05:43,480 Speaker 1: received the optopsy report on Armad's death and wrote a 1248 01:05:43,560 --> 01:05:47,440 Speaker 1: letter to police explaining why George McMichael and his demon 1249 01:05:47,600 --> 01:05:51,640 Speaker 1: Seede son, Travis McMichael should not be charged. That's right, 1250 01:05:51,720 --> 01:05:54,520 Speaker 1: you heard me. He said they should not be charged 1251 01:05:54,680 --> 01:05:58,800 Speaker 1: and that Armad Aubrey's case was a justifiable homicide. Let's 1252 01:05:58,800 --> 01:06:02,320 Speaker 1: go to white guy w aga fox report police. A 1253 01:06:02,480 --> 01:06:06,400 Speaker 1: former federal prosecutor, says the GBI and the US Department 1254 01:06:06,480 --> 01:06:09,440 Speaker 1: of Justice should both look into the death of Jagger 1255 01:06:09,480 --> 01:06:13,520 Speaker 1: Ahmad Aubury. George Barnhill is the elected district attorney for 1256 01:06:13,640 --> 01:06:17,120 Speaker 1: the way Cross Circuit. Barnhill recused himself from the case 1257 01:06:17,280 --> 01:06:22,000 Speaker 1: that is sweeping the nation. Jogger Aubrey's mother, Wanda Cooper Jones, 1258 01:06:22,200 --> 01:06:26,280 Speaker 1: insisted he had a conflict of interest. Barnhill's son works 1259 01:06:26,320 --> 01:06:29,520 Speaker 1: in the Brunswick DA's office that Greg McMichael worked in 1260 01:06:30,000 --> 01:06:33,600 Speaker 1: as an investigator and later retired from. Barnehill's letter to 1261 01:06:33,680 --> 01:06:37,600 Speaker 1: Glenn County Police is getting national attention because it justifies 1262 01:06:37,640 --> 01:06:40,640 Speaker 1: the deadly shooting of the black jogger by two white men. 1263 01:06:41,120 --> 01:06:44,520 Speaker 1: The longtime prosecutor wrote, we do not see grounds for 1264 01:06:44,600 --> 01:06:47,520 Speaker 1: an arrest of any of the three parties. It goes 1265 01:06:47,600 --> 01:06:51,200 Speaker 1: on to say Travis McMichael, his father, Greg McMichael, and 1266 01:06:51,360 --> 01:06:54,320 Speaker 1: the man who he says shot the video, Brian Williams, 1267 01:06:54,680 --> 01:06:58,840 Speaker 1: were following in quote hot pursuit a burglary suspect with 1268 01:06:59,080 --> 01:07:02,800 Speaker 1: solid first hand probable cause. DA Barnhill writes that the 1269 01:07:02,920 --> 01:07:07,720 Speaker 1: video in real time shows Aubrey attacks Travis McMichael, but 1270 01:07:07,840 --> 01:07:12,880 Speaker 1: the former federal prosecutor believes civil rights violations likely occurred. 1271 01:07:13,280 --> 01:07:16,360 Speaker 1: First of all, the fact that you recuse yourself from 1272 01:07:16,400 --> 01:07:18,120 Speaker 1: this case because you have a son who works in 1273 01:07:18,160 --> 01:07:22,040 Speaker 1: the DA's office with that murderer Gregory McMichael used to work, 1274 01:07:22,160 --> 01:07:25,280 Speaker 1: lets us know you're already biased. So being that you're biased, 1275 01:07:25,520 --> 01:07:28,480 Speaker 1: nobody wants to hear your little letter to the police 1276 01:07:28,640 --> 01:07:31,760 Speaker 1: explaining why those devils should not be charged. Okay, we 1277 01:07:31,960 --> 01:07:34,240 Speaker 1: know why you think they shouldn't be charged, because one, 1278 01:07:34,320 --> 01:07:37,000 Speaker 1: you're protecting one of your own. In two, anytime a 1279 01:07:37,080 --> 01:07:40,320 Speaker 1: white man, a domestic terrorist, a member of Vanilla ISIS 1280 01:07:40,600 --> 01:07:44,720 Speaker 1: kills a black man in America is justifiable in your eyes. Furthermore, 1281 01:07:44,880 --> 01:07:47,120 Speaker 1: if you're going to recuse yourself from the situation, to 1282 01:07:47,240 --> 01:07:50,640 Speaker 1: recuse yourself from the situation altogether. Okay. The definition of 1283 01:07:50,720 --> 01:07:53,960 Speaker 1: recuse is excuse oneself from a case because of a 1284 01:07:54,080 --> 01:07:59,840 Speaker 1: potential conflict of interest, our lack of impartiality. Therefore, his 1285 01:08:00,160 --> 01:08:04,720 Speaker 1: letter with his five points regarding the case should be disregarded. Okay. 1286 01:08:04,800 --> 01:08:06,960 Speaker 1: If you know you have a complicate interest, and everyone 1287 01:08:07,040 --> 01:08:09,160 Speaker 1: else knows you have a complicate interest, then take that 1288 01:08:09,360 --> 01:08:12,120 Speaker 1: biased ass letter you wrote the police and wipe your 1289 01:08:12,160 --> 01:08:15,480 Speaker 1: ass with it. Okay. How can I, as a black 1290 01:08:15,560 --> 01:08:18,960 Speaker 1: person in America ever have faith in a justice system 1291 01:08:19,040 --> 01:08:21,200 Speaker 1: like this? See this is why I say every black 1292 01:08:21,240 --> 01:08:23,840 Speaker 1: person in America needs to go out and purchase a 1293 01:08:23,960 --> 01:08:27,320 Speaker 1: legal firearm. Go to the range, learn how to use it, 1294 01:08:27,640 --> 01:08:29,360 Speaker 1: learn the laws of your state to see where you 1295 01:08:29,400 --> 01:08:32,479 Speaker 1: can carry it, because you have to protect yourself because 1296 01:08:32,520 --> 01:08:35,840 Speaker 1: there is no laws in place to protect us. Okay. 1297 01:08:35,920 --> 01:08:38,040 Speaker 1: The Second Amendment to right to bear arms is your 1298 01:08:38,120 --> 01:08:42,599 Speaker 1: constitutional right, black man. It's your constitutional right, black woman. Okay. 1299 01:08:42,640 --> 01:08:45,439 Speaker 1: It is your constitutional right to possess a legal firearm, 1300 01:08:45,640 --> 01:08:49,240 Speaker 1: and you can use that firearm for traditionally lawful purposes 1301 01:08:49,280 --> 01:08:52,760 Speaker 1: such as self defense within the home and outside the home, 1302 01:08:52,960 --> 01:08:56,880 Speaker 1: depending on your state. I to be Welles once said, 1303 01:08:57,000 --> 01:08:59,320 Speaker 1: a Winchester rifle should have a place of honor and 1304 01:08:59,439 --> 01:09:01,680 Speaker 1: every black home. And it should be used for that 1305 01:09:01,840 --> 01:09:05,280 Speaker 1: protection which the law refuses to give. I repeat, and 1306 01:09:05,439 --> 01:09:08,040 Speaker 1: it should be used for that protection which the law 1307 01:09:08,400 --> 01:09:12,720 Speaker 1: refuses to give. Okay, replacement Winchester rifle with any gun 1308 01:09:12,800 --> 01:09:15,800 Speaker 1: in your choice, and let that quote sink into your heart. Okay. 1309 01:09:15,840 --> 01:09:18,680 Speaker 1: And I hear y'all Black people, you know, I hear 1310 01:09:18,760 --> 01:09:21,880 Speaker 1: y'all saying our constitution, all right, don't respected our constitutional rights? 1311 01:09:21,920 --> 01:09:24,360 Speaker 1: Not respected. If a mad had a gun and shot back, 1312 01:09:24,479 --> 01:09:26,200 Speaker 1: he would be in jail right now, or they would 1313 01:09:26,200 --> 01:09:28,559 Speaker 1: be justifying his murder because he had a gun. Let 1314 01:09:28,640 --> 01:09:32,040 Speaker 1: me tell you, pessimistic punk something. Y'all better stop worrying 1315 01:09:32,040 --> 01:09:34,920 Speaker 1: about what your pressure thinks to you. Okay. That's number one, 1316 01:09:35,240 --> 01:09:38,080 Speaker 1: all right. Number two, go by a legal firearm because 1317 01:09:38,160 --> 01:09:40,879 Speaker 1: it is your constitutional right and you must protect yourself 1318 01:09:41,080 --> 01:09:44,000 Speaker 1: from these kinds of threats. Okay. And number three, I 1319 01:09:44,040 --> 01:09:46,320 Speaker 1: would rather a mad or any brother or a sister 1320 01:09:46,400 --> 01:09:49,759 Speaker 1: who finds themselves in a situation like a mod founds himself, 1321 01:09:49,840 --> 01:09:52,679 Speaker 1: and I would much rather than be in jail fighting 1322 01:09:52,760 --> 01:09:55,280 Speaker 1: for their freedom because they shot back at some domestic 1323 01:09:55,439 --> 01:09:58,200 Speaker 1: terrorists trying to take their life, then have their family 1324 01:09:58,439 --> 01:10:01,559 Speaker 1: crying over their casket at funeral. Okay, you can't fight 1325 01:10:01,680 --> 01:10:04,240 Speaker 1: these cases when you're dead, all right. I would much 1326 01:10:04,360 --> 01:10:06,600 Speaker 1: rather be judged by twelve than carried by six. And 1327 01:10:06,760 --> 01:10:10,720 Speaker 1: not only is me owning a legal fire on my 1328 01:10:10,880 --> 01:10:14,439 Speaker 1: constitutional right when you're a black person in America, owning 1329 01:10:14,479 --> 01:10:17,840 Speaker 1: a legal firearm is a form of self care, because 1330 01:10:17,880 --> 01:10:20,479 Speaker 1: we need to care for self at times like this, 1331 01:10:21,000 --> 01:10:24,800 Speaker 1: because this wicked American judicial system clearly doesn't care about us. 1332 01:10:25,200 --> 01:10:32,040 Speaker 1: Please give George Barnhill the biggest he hall. Oh, I'm 1333 01:10:32,080 --> 01:10:35,160 Speaker 1: tripping a matter of fact, like Kathy Griffin. Give George 1334 01:10:35,160 --> 01:10:37,599 Speaker 1: barne Hill the biggest he are. Please give this giant 1335 01:10:37,640 --> 01:10:43,680 Speaker 1: Jaral male the biggest hea hall. All right, Well, thank 1336 01:10:43,720 --> 01:10:47,840 Speaker 1: you for that. Do key of the day. Yes, did 1337 01:10:47,920 --> 01:10:49,880 Speaker 1: y'all run with Maud over the weekend? Till I did 1338 01:10:49,920 --> 01:10:52,800 Speaker 1: that this weekend? No? I did not. I don't. I 1339 01:10:53,640 --> 01:10:56,400 Speaker 1: really don't understand the point of that, to be honest 1340 01:10:56,439 --> 01:10:58,920 Speaker 1: with you. I was just showing support for his family. 1341 01:10:59,080 --> 01:11:01,040 Speaker 1: You know, he was running, and he's a runner, so 1342 01:11:01,120 --> 01:11:02,920 Speaker 1: a lot of people went out just to do that run, 1343 01:11:03,479 --> 01:11:05,800 Speaker 1: just to honor him. Well, I'm gonna do it. Run 1344 01:11:05,920 --> 01:11:08,800 Speaker 1: for AMD and I want all black people and black 1345 01:11:09,000 --> 01:11:11,479 Speaker 1: black people to run to the gun store and purchase 1346 01:11:11,560 --> 01:11:14,160 Speaker 1: a legal firearm. Okay, that's what I would like to do. 1347 01:11:14,320 --> 01:11:16,760 Speaker 1: Let's let's and if you're gonna do these jogs, let's 1348 01:11:16,840 --> 01:11:19,559 Speaker 1: let's let's all run to the gun store and purchase 1349 01:11:19,720 --> 01:11:22,439 Speaker 1: legal firearms and get our gun permits and learn how 1350 01:11:22,720 --> 01:11:26,440 Speaker 1: to use guns so we can protect ourselves from attacks 1351 01:11:26,760 --> 01:11:31,320 Speaker 1: like the one a mad had to experience sadly. All right, 1352 01:11:32,240 --> 01:11:34,200 Speaker 1: all right, well, thank you for the donkey of the day. 1353 01:11:34,640 --> 01:11:37,120 Speaker 1: Now when we come back eight hundred five eight five 1354 01:11:37,200 --> 01:11:39,479 Speaker 1: one oh five one. What are we discussing this morning? 1355 01:11:39,880 --> 01:11:42,439 Speaker 1: Let's talk about death, man? What I mean? It seems 1356 01:11:42,640 --> 01:11:46,040 Speaker 1: it seems like death was was everywhere this weekend, you know, 1357 01:11:46,080 --> 01:11:48,760 Speaker 1: from Andre Horauld, a little Richard to Betty Wright to 1358 01:11:49,360 --> 01:11:53,439 Speaker 1: you knowin Jerry Stiller to you know, um a man 1359 01:11:53,560 --> 01:11:57,880 Speaker 1: de Blade. It just seemed like, yeah, death was everywhere. 1360 01:11:58,000 --> 01:12:01,559 Speaker 1: So I just wonder what a people's thoughts about death, 1361 01:12:01,640 --> 01:12:03,840 Speaker 1: and not even just this past weekend, you know, you know, 1362 01:12:03,960 --> 01:12:06,599 Speaker 1: with with the passing of Kobe Bryant, with the passing 1363 01:12:06,680 --> 01:12:09,280 Speaker 1: of you know, Nipsey Hustle. When you see these situations 1364 01:12:09,360 --> 01:12:13,120 Speaker 1: like Ahmad Aubrey and Georgia, Like, what are your thoughts 1365 01:12:13,640 --> 01:12:17,040 Speaker 1: about death? Dude? People, I just want to know what 1366 01:12:17,120 --> 01:12:18,720 Speaker 1: your relationship is like with death, Like what do you 1367 01:12:18,760 --> 01:12:20,080 Speaker 1: think about it? You know what I'm saying? Like I 1368 01:12:20,479 --> 01:12:23,200 Speaker 1: have been questioning my own mortality in a way that 1369 01:12:23,640 --> 01:12:27,479 Speaker 1: I never have before. So I have a lot of 1370 01:12:27,560 --> 01:12:29,880 Speaker 1: thoughts about death. I just wonder what, what what? What's on? What? 1371 01:12:30,080 --> 01:12:32,559 Speaker 1: What do y'all think? All right, let's let's talk about 1372 01:12:32,560 --> 01:12:34,639 Speaker 1: it when we come back. Eight hundred five eight five 1373 01:12:34,720 --> 01:12:36,679 Speaker 1: one on five one. It's the Breakfast Club. Good morning 1374 01:12:39,080 --> 01:12:43,920 Speaker 1: in right now at your opinion to the Breakfast Club 1375 01:12:43,960 --> 01:12:47,200 Speaker 1: top eight hundred five eight five one on five one, 1376 01:12:47,360 --> 01:12:54,280 Speaker 1: The Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, 1377 01:12:54,439 --> 01:12:57,439 Speaker 1: Charlomagne the guy. We all the Breakfast Club, good morning now. 1378 01:12:57,520 --> 01:12:59,720 Speaker 1: If you just joined us, we opened up the phone 1379 01:12:59,760 --> 01:13:03,479 Speaker 1: line eight hundred five five one oh five one. So 1380 01:13:03,600 --> 01:13:06,400 Speaker 1: many people passed away in the last couple of months, 1381 01:13:06,760 --> 01:13:09,519 Speaker 1: in the last couple of days, from Andre Horrel to 1382 01:13:09,680 --> 01:13:12,679 Speaker 1: Betty Right too, Little Richard to dj A Man the Blaze. 1383 01:13:12,720 --> 01:13:15,000 Speaker 1: We can go a little further back to Nipsey Hustle, 1384 01:13:15,479 --> 01:13:19,400 Speaker 1: just so many people so and of course the lives 1385 01:13:19,520 --> 01:13:23,320 Speaker 1: lost from coronavirus COVID nineteen as well. So we're asking 1386 01:13:23,400 --> 01:13:25,360 Speaker 1: what are your thoughts on death? That is that what 1387 01:13:25,439 --> 01:13:28,280 Speaker 1: we're asking today? Yes, what are your thoughts on death? Simple, 1388 01:13:28,360 --> 01:13:30,599 Speaker 1: simple question. Okay, well let's start in the room. Yeah, 1389 01:13:30,640 --> 01:13:33,680 Speaker 1: let's start. What are your thoughts on death? Ye? I 1390 01:13:33,800 --> 01:13:36,840 Speaker 1: think for myself it's something that has always been really 1391 01:13:36,920 --> 01:13:39,000 Speaker 1: hard for me to process. I know a lot of 1392 01:13:39,040 --> 01:13:41,599 Speaker 1: people are like immediately will go on you know, social 1393 01:13:41,680 --> 01:13:43,320 Speaker 1: media and do the rest in peace thing. I think 1394 01:13:43,360 --> 01:13:45,320 Speaker 1: for myself a lot of times it just takes me 1395 01:13:45,400 --> 01:13:48,720 Speaker 1: a moment and sometimes I just like to process that 1396 01:13:48,960 --> 01:13:52,599 Speaker 1: privately myself, and things kind of hit me not right away. 1397 01:13:53,240 --> 01:13:55,400 Speaker 1: It'll be a moment, like a couple of days later 1398 01:13:55,479 --> 01:13:57,479 Speaker 1: while I'm doing something and I'll think about it at 1399 01:13:57,520 --> 01:14:02,000 Speaker 1: a random time. So myself, and if it's a family member, 1400 01:14:02,240 --> 01:14:05,479 Speaker 1: that's even harder for me. Yeah, you know, for myself, 1401 01:14:05,520 --> 01:14:09,000 Speaker 1: I don't. I don't think about death a lot. It's 1402 01:14:09,040 --> 01:14:11,719 Speaker 1: just something that I know that it happens to everybody, 1403 01:14:11,760 --> 01:14:13,160 Speaker 1: so I try not to think about it, but it 1404 01:14:13,280 --> 01:14:16,360 Speaker 1: worries me. I would have to say, meaning, I just 1405 01:14:16,439 --> 01:14:18,800 Speaker 1: want to make sure my family's good. And that's that's 1406 01:14:18,840 --> 01:14:20,920 Speaker 1: the only thing that bothers me, you know, And that's 1407 01:14:20,960 --> 01:14:23,120 Speaker 1: one of my anxieties we always talk about all the time. 1408 01:14:23,360 --> 01:14:25,200 Speaker 1: I just want to make sure if when I leave 1409 01:14:25,280 --> 01:14:27,599 Speaker 1: this earth, that my kids are good, my wife is good, 1410 01:14:27,680 --> 01:14:30,560 Speaker 1: my family is good, and that I leave something for 1411 01:14:31,080 --> 01:14:34,240 Speaker 1: a legacy that will continue to take care of my 1412 01:14:34,479 --> 01:14:37,600 Speaker 1: family for generations to come. You know, you look at 1413 01:14:37,640 --> 01:14:39,960 Speaker 1: what's going on, and you know there's a lot of 1414 01:14:39,960 --> 01:14:41,720 Speaker 1: people out there that says, hey, you know, my son 1415 01:14:41,840 --> 01:14:43,519 Speaker 1: lost his job, so you know what, but I'm good, 1416 01:14:43,520 --> 01:14:45,519 Speaker 1: I got savings. I can help my son, you know. 1417 01:14:45,640 --> 01:14:47,360 Speaker 1: And I want to make sure that i'm that for 1418 01:14:47,479 --> 01:14:49,720 Speaker 1: my family that if anything ever happens, they can rely 1419 01:14:49,920 --> 01:14:52,560 Speaker 1: on me, that something could continue to make sure that 1420 01:14:52,720 --> 01:14:54,800 Speaker 1: my family is good, that they're secure, that I'm teaching 1421 01:14:54,880 --> 01:14:57,720 Speaker 1: them to write things about business, about agriculture that they 1422 01:14:57,760 --> 01:15:00,479 Speaker 1: can feed themselves. And I'm just trying to that. And 1423 01:15:00,640 --> 01:15:03,719 Speaker 1: that's the things that that has me a little crazy 1424 01:15:03,760 --> 01:15:06,320 Speaker 1: about death. But as far as it happening or how 1425 01:15:06,400 --> 01:15:08,640 Speaker 1: it happens, or any of that. It's something that I 1426 01:15:08,760 --> 01:15:10,479 Speaker 1: know I can't control, so I don't think about that 1427 01:15:10,640 --> 01:15:13,800 Speaker 1: part or that aspect of it. Yeah, when it comes 1428 01:15:13,840 --> 01:15:15,559 Speaker 1: to death, I'm not good with it. I don't want 1429 01:15:15,560 --> 01:15:18,120 Speaker 1: to die anytime soon. I am not with that live fast, 1430 01:15:18,240 --> 01:15:20,639 Speaker 1: die young mentality. I want to live to be old, 1431 01:15:21,120 --> 01:15:24,200 Speaker 1: but I know I can't control it. If I to 1432 01:15:24,720 --> 01:15:27,280 Speaker 1: your point, n Vy, if I didn't have a wife, 1433 01:15:27,320 --> 01:15:29,599 Speaker 1: if I didn't have kids, I probably would be more 1434 01:15:29,680 --> 01:15:31,639 Speaker 1: accepting of it. But I do want to be there. 1435 01:15:31,720 --> 01:15:34,160 Speaker 1: I want to be here, you know, for them. But 1436 01:15:34,280 --> 01:15:36,680 Speaker 1: my thoughts don't death have changed so much over the years, 1437 01:15:36,680 --> 01:15:38,280 Speaker 1: because you know, when you're young, you believe in heaven 1438 01:15:38,320 --> 01:15:41,160 Speaker 1: a hell, and if someone you love passes, you know 1439 01:15:41,640 --> 01:15:43,360 Speaker 1: you're taught that you'll see them in the future. Then 1440 01:15:43,400 --> 01:15:45,320 Speaker 1: you get older and you just don't know what happens 1441 01:15:45,360 --> 01:15:47,080 Speaker 1: when you pass. You just know you don't want to die, 1442 01:15:47,280 --> 01:15:49,599 Speaker 1: And then you start hearing stories of people making plans 1443 01:15:49,680 --> 01:15:52,080 Speaker 1: before they passed. You know. I think about my grandmother 1444 01:15:52,160 --> 01:15:53,720 Speaker 1: right before she died, she put her a wig on 1445 01:15:53,840 --> 01:15:55,880 Speaker 1: like she was going somewhere, sat in her favorite chair 1446 01:15:56,200 --> 01:16:01,000 Speaker 1: and you know, passed away. I think on you know, Harrel. 1447 01:16:01,160 --> 01:16:03,479 Speaker 1: You know, I spoke to him Tuesday. He literally, you know, 1448 01:16:03,600 --> 01:16:06,160 Speaker 1: sent me this line for line plan, like telling me, 1449 01:16:06,600 --> 01:16:09,400 Speaker 1: you know, how it should be executed. And the last 1450 01:16:09,400 --> 01:16:10,800 Speaker 1: thing I said to him was, Okay, I'm gonna send 1451 01:16:10,800 --> 01:16:13,479 Speaker 1: you some ideas tomorrow. But guess what, there was no tomorrow, 1452 01:16:13,760 --> 01:16:16,240 Speaker 1: you know, at least here. But I truly believe there 1453 01:16:16,400 --> 01:16:18,519 Speaker 1: is something after this. And then, you know, when you 1454 01:16:18,600 --> 01:16:20,439 Speaker 1: get old and you start, you know, having things like 1455 01:16:20,560 --> 01:16:24,560 Speaker 1: life insurance and making your will, you know, things like that, 1456 01:16:25,040 --> 01:16:28,479 Speaker 1: it really makes you feel like you're staring your your 1457 01:16:28,560 --> 01:16:31,559 Speaker 1: your your your death in its face and you wonder 1458 01:16:31,760 --> 01:16:34,360 Speaker 1: how close it is. But no, to your point, it's 1459 01:16:34,400 --> 01:16:36,080 Speaker 1: just like we got to put those things in place 1460 01:16:36,479 --> 01:16:39,680 Speaker 1: just in case, because every day is uncertain, right, you 1461 01:16:39,760 --> 01:16:42,519 Speaker 1: just don't know. My plan is to live until I'm 1462 01:16:42,920 --> 01:16:44,840 Speaker 1: ninety one hundred years old. I want to live until 1463 01:16:44,840 --> 01:16:46,800 Speaker 1: I got to erectile this function. I actually don't ever 1464 01:16:46,880 --> 01:16:48,080 Speaker 1: want to have a rerect out this function, but you 1465 01:16:48,160 --> 01:16:50,920 Speaker 1: know what I mean. So it's like that's my plan, 1466 01:16:51,080 --> 01:16:53,280 Speaker 1: but that may not be God's plan for me. And 1467 01:16:53,680 --> 01:16:55,920 Speaker 1: you know, that's just a scary thought. But let's go 1468 01:16:56,000 --> 01:17:00,160 Speaker 1: to the phone line. Hello, who's this Hey, good morning brother. Hey, 1469 01:17:00,240 --> 01:17:02,439 Speaker 1: it's definitely it's always been curious to me. You know, 1470 01:17:02,520 --> 01:17:05,320 Speaker 1: nobody's walking as earth, really know, after life is life? 1471 01:17:05,479 --> 01:17:07,960 Speaker 1: You know, nobody died and can't warn nobody would expect, 1472 01:17:08,040 --> 01:17:10,320 Speaker 1: you know, once they die. So what I'm curious about 1473 01:17:10,360 --> 01:17:13,160 Speaker 1: is with white people raising their kids with hatred. How 1474 01:17:13,200 --> 01:17:15,120 Speaker 1: about you know what you're gonna say after you die. 1475 01:17:15,680 --> 01:17:18,920 Speaker 1: You know, it's very true slave masters throwing brothers off 1476 01:17:18,960 --> 01:17:21,120 Speaker 1: ships in sixteen hundred. So let's say if they die, 1477 01:17:21,640 --> 01:17:23,320 Speaker 1: it's true, you get judged and you go to heaven 1478 01:17:23,360 --> 01:17:25,559 Speaker 1: and hell. They say they didn't know them slave. Now 1479 01:17:25,680 --> 01:17:27,920 Speaker 1: the sixteen hundred and died, Let's say they look up 1480 01:17:27,960 --> 01:17:30,240 Speaker 1: and what they were being judged by with the same 1481 01:17:30,320 --> 01:17:32,280 Speaker 1: colors and brothers they were throwing off them ship. They 1482 01:17:32,280 --> 01:17:35,080 Speaker 1: didn't know. It's gonna be a black soul or spirit judging. 1483 01:17:35,640 --> 01:17:38,840 Speaker 1: We don't know, right, yeah, yeah, we don't talk about 1484 01:17:38,880 --> 01:17:40,920 Speaker 1: hell enough like we used to. I feel like a 1485 01:17:41,000 --> 01:17:43,720 Speaker 1: lot of times people also try to justify things that 1486 01:17:43,800 --> 01:17:45,400 Speaker 1: they do in life, and they try to come up 1487 01:17:45,439 --> 01:17:48,880 Speaker 1: with reasons why it's okay, and that's the that's the 1488 01:17:48,920 --> 01:17:53,240 Speaker 1: man for the pastor's fault, because anybody that dies, the 1489 01:17:53,280 --> 01:17:57,360 Speaker 1: pastor can appreciate preached them into heaven. No matter what 1490 01:17:57,520 --> 01:18:00,240 Speaker 1: that person did, the pastor can always say, well, you 1491 01:18:00,280 --> 01:18:02,559 Speaker 1: know they repented and you know God will have mercy 1492 01:18:02,600 --> 01:18:04,519 Speaker 1: on their soul, and YadA, YadA yah. We don't talk 1493 01:18:04,520 --> 01:18:07,280 Speaker 1: about hell enough because eight hundred if you believe in 1494 01:18:07,360 --> 01:18:09,280 Speaker 1: having a hell, then they gotta be some people in hell, right, 1495 01:18:09,360 --> 01:18:10,840 Speaker 1: I don't believe in neither. To be honest with you, 1496 01:18:11,280 --> 01:18:13,400 Speaker 1: but let's open up the phone lines eight hundred five, 1497 01:18:13,520 --> 01:18:16,240 Speaker 1: eight five, one oh five one. We're asking what are 1498 01:18:16,280 --> 01:18:18,400 Speaker 1: your thoughts on death? Call us now? Is the Breakfast Club? 1499 01:18:18,439 --> 01:18:23,679 Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne 1500 01:18:23,720 --> 01:18:26,280 Speaker 1: the guy. We are the Breakfast Club. Now, if you 1501 01:18:26,400 --> 01:18:29,320 Speaker 1: just joined us, we're asking what are your thoughts on death? 1502 01:18:29,640 --> 01:18:33,840 Speaker 1: All right? Now, we've lost so many people. Dude's coronavirus 1503 01:18:33,920 --> 01:18:38,479 Speaker 1: COVID nineteen. Also, Andre Herald just passed, Little Richie just passed, 1504 01:18:38,560 --> 01:18:41,639 Speaker 1: Betty Wright just passed. DJ Man the Blaze just passed 1505 01:18:41,680 --> 01:18:44,080 Speaker 1: so many different people. So we're opening up the phone 1506 01:18:44,120 --> 01:18:46,800 Speaker 1: lines eight hundred five eighty five, one oh five one Hello, 1507 01:18:46,880 --> 01:18:52,479 Speaker 1: who's this? Hello? Hey? What's your name? Her? Can you 1508 01:18:52,520 --> 01:18:54,479 Speaker 1: take us all Bluetooth? You got me selling like Teddy 1509 01:18:54,560 --> 01:18:58,400 Speaker 1: Riley with the equa Yo, y'all gonna stop disrespecting Teddy Riley. Okay, 1510 01:18:58,560 --> 01:19:00,800 Speaker 1: I'm tired all of this. Teddy Riley's land, Ericabod do 1511 01:19:00,920 --> 01:19:05,880 Speaker 1: even disrespect to Eddy Riley This Weekends is not synonymous 1512 01:19:05,920 --> 01:19:13,240 Speaker 1: with echoes. You know who? Mark shut him? Hello? Hello? Hey, 1513 01:19:13,320 --> 01:19:16,800 Speaker 1: Now what is your thought on death right now? Um? Well, 1514 01:19:16,800 --> 01:19:20,200 Speaker 1: I'm twenty seven a year old, and uh I live 1515 01:19:20,560 --> 01:19:22,920 Speaker 1: I live out out of Detroit now, but you know, 1516 01:19:23,040 --> 01:19:25,839 Speaker 1: I've had my experience with death. I believe death impacts 1517 01:19:25,840 --> 01:19:29,920 Speaker 1: everybody differently, not only because people have experienced it so much, 1518 01:19:30,120 --> 01:19:32,600 Speaker 1: but not only that, the experience where you know if 1519 01:19:32,640 --> 01:19:35,080 Speaker 1: somebody is shot or you know if somebody dies really 1520 01:19:35,479 --> 01:19:38,960 Speaker 1: really hard. Um. But um, people forget that this is 1521 01:19:39,000 --> 01:19:41,320 Speaker 1: a cycle of life. You cannot live without dying and 1522 01:19:41,520 --> 01:19:45,200 Speaker 1: cannot die without living. So um, I guess that helps 1523 01:19:45,240 --> 01:19:47,479 Speaker 1: me cope better with death, knowing that you know there 1524 01:19:47,560 --> 01:19:50,400 Speaker 1: can't be one without the others. But I heard always 1525 01:19:50,439 --> 01:19:53,160 Speaker 1: knows oout the sting that loses song them. But um, 1526 01:19:53,360 --> 01:19:56,360 Speaker 1: it alwaysn't take me different if it's not, you know, relatable. 1527 01:19:56,760 --> 01:19:58,880 Speaker 1: But I always you know, I put my sympity out there, 1528 01:19:58,960 --> 01:20:03,000 Speaker 1: my condolence. But that's only part of life, all right. 1529 01:20:03,080 --> 01:20:05,840 Speaker 1: You're right they say death is not Death is not 1530 01:20:05,960 --> 01:20:08,880 Speaker 1: the opposite of life. It's a part of it, all right. Hello, 1531 01:20:09,000 --> 01:20:13,080 Speaker 1: who's this? Hey shawna, Hey Shanna, Good morning. How are 1532 01:20:13,080 --> 01:20:16,120 Speaker 1: you feeling this morning? Good morning, I'm feeling glass. How 1533 01:20:16,160 --> 01:20:19,080 Speaker 1: about you? Oh, we're feeling okay, we're blessed over here 1534 01:20:19,120 --> 01:20:21,960 Speaker 1: as well. We're talking about death. What are your thoughts 1535 01:20:22,000 --> 01:20:24,640 Speaker 1: on death? Okay? Well, Um, I kind of felt like, 1536 01:20:24,760 --> 01:20:26,559 Speaker 1: you know, I guess when I was a little younger, 1537 01:20:26,640 --> 01:20:29,040 Speaker 1: I was more scared of death because I just kind 1538 01:20:29,080 --> 01:20:32,000 Speaker 1: of didn't really know the meaning behind it. Um. I 1539 01:20:32,080 --> 01:20:35,000 Speaker 1: think now that I'm a little older, I kind of 1540 01:20:35,040 --> 01:20:38,120 Speaker 1: feel like, you know, death doesn't discriminate, Death doesn't have 1541 01:20:38,200 --> 01:20:40,519 Speaker 1: a name. You know, death is coming. You know, we 1542 01:20:40,760 --> 01:20:43,599 Speaker 1: we live to die. So I just think that it's 1543 01:20:43,680 --> 01:20:46,880 Speaker 1: important to, you know, live life the best way that 1544 01:20:47,000 --> 01:20:50,240 Speaker 1: you can. Um, while you have the luxury of still 1545 01:20:50,320 --> 01:20:52,360 Speaker 1: being on earth, you need to do right not only 1546 01:20:52,439 --> 01:20:54,560 Speaker 1: by yourself, not only by God, but you got to 1547 01:20:54,600 --> 01:20:57,160 Speaker 1: do right by others. And then when that day comes 1548 01:20:57,280 --> 01:20:59,560 Speaker 1: for you to die, you know it is what it is. 1549 01:21:00,080 --> 01:21:01,960 Speaker 1: As long as you've done what you was supposed to 1550 01:21:02,000 --> 01:21:04,280 Speaker 1: do while you're here, then you know where you're going 1551 01:21:04,360 --> 01:21:06,840 Speaker 1: when it's time for you to go. I agree with that. 1552 01:21:06,920 --> 01:21:09,840 Speaker 1: I saw a switchpiech on social media talking about Andre 1553 01:21:10,000 --> 01:21:13,080 Speaker 1: Horrell's passing and saying that he's doing a celebration of 1554 01:21:13,160 --> 01:21:15,240 Speaker 1: his life because that's where Andre would have wanted. And 1555 01:21:15,320 --> 01:21:17,400 Speaker 1: I think one thing you do one is when you 1556 01:21:17,479 --> 01:21:19,040 Speaker 1: do pass away. That's why I agree with you. You 1557 01:21:19,120 --> 01:21:22,519 Speaker 1: want people to remember you finally and celebrate those amazing 1558 01:21:22,600 --> 01:21:25,320 Speaker 1: memories they have of you as a person. Yeah. I 1559 01:21:25,360 --> 01:21:27,040 Speaker 1: agree with everything you're saying, except for that we know 1560 01:21:27,080 --> 01:21:28,960 Speaker 1: where we're going. A part we don't know where we're going. 1561 01:21:29,040 --> 01:21:33,559 Speaker 1: And I think that that that fear of uncertainty. Are 1562 01:21:33,640 --> 01:21:36,080 Speaker 1: that fear of not understanding, right, because that's what they say, 1563 01:21:36,080 --> 01:21:37,560 Speaker 1: people fear what they don't understand. If fear of not 1564 01:21:37,640 --> 01:21:40,240 Speaker 1: understanding where you're going after your die, after you die, 1565 01:21:40,320 --> 01:21:44,000 Speaker 1: I think what causes the anxiety, right, Well, thank you 1566 01:21:44,040 --> 01:21:45,920 Speaker 1: for cola mama. So what's the moral of the story, 1567 01:21:45,920 --> 01:21:47,720 Speaker 1: If there's a moral, I don't I don't know if 1568 01:21:47,760 --> 01:21:49,880 Speaker 1: there's a moral. But I also wonder is it okay 1569 01:21:49,920 --> 01:21:54,920 Speaker 1: to question death? Because questioning death seems like you're questioning God. 1570 01:21:55,040 --> 01:21:58,040 Speaker 1: But then I wonder how much of a hand does 1571 01:21:58,160 --> 01:22:00,400 Speaker 1: God have and whether you live or die? Because I 1572 01:22:00,400 --> 01:22:03,200 Speaker 1: don't think God wants us to be taking each other's lives, 1573 01:22:03,400 --> 01:22:06,080 Speaker 1: right Like, I think there's God's will and then there 1574 01:22:06,280 --> 01:22:08,960 Speaker 1: is free will, you know, and and you know, sometimes 1575 01:22:09,040 --> 01:22:11,839 Speaker 1: you make the choices to do things that you shouldn't 1576 01:22:11,880 --> 01:22:13,000 Speaker 1: be doing, like when you pull out a gun and 1577 01:22:13,120 --> 01:22:15,280 Speaker 1: kill another person. You know what I mean. I don't know. 1578 01:22:15,320 --> 01:22:17,200 Speaker 1: I just wonder, you know, I wonder, you know, is 1579 01:22:17,240 --> 01:22:19,760 Speaker 1: it okay to the question that, because it does feel 1580 01:22:19,800 --> 01:22:22,519 Speaker 1: like you're questioning God, you know. But if there is 1581 01:22:22,560 --> 01:22:24,320 Speaker 1: a moral to the story, I would just tell everybody 1582 01:22:24,720 --> 01:22:28,080 Speaker 1: speak life, you know. I want to live, to be old. 1583 01:22:28,479 --> 01:22:31,799 Speaker 1: I want to be the veteran og and just understand, 1584 01:22:31,880 --> 01:22:34,160 Speaker 1: we all die. The goal isn't to lift over. The 1585 01:22:34,240 --> 01:22:36,920 Speaker 1: goal is to create something that will right all right? 1586 01:22:37,000 --> 01:22:41,320 Speaker 1: Well even got roomors all the way? Yes and Eminem 1587 01:22:41,600 --> 01:22:44,599 Speaker 1: stopped by Little Wayne's Young Money Radio on Apple Music 1588 01:22:44,720 --> 01:22:46,400 Speaker 1: on Friday, AM. Or tell you some of the things 1589 01:22:46,479 --> 01:22:49,600 Speaker 1: that we're discussed. And also we have a special announcement 1590 01:22:49,640 --> 01:22:52,160 Speaker 1: about the Robin Hood Benefit coming up, so don't move. 1591 01:22:52,200 --> 01:22:58,040 Speaker 1: It's to Breakfast Club. Good morning, the Breakfast Club. Morning. 1592 01:22:58,120 --> 01:23:02,240 Speaker 1: Everybody is DJ and Angela Yee, Charlomagne and God we 1593 01:23:02,360 --> 01:23:05,280 Speaker 1: are the Breakfast Club. Now we have a Robbin the 1594 01:23:05,360 --> 01:23:09,800 Speaker 1: Hood Benefit announcement. Shout to all the Giants fans out there. 1595 01:23:09,920 --> 01:23:12,920 Speaker 1: Right now you can turn your fantasy into something that 1596 01:23:13,040 --> 01:23:15,439 Speaker 1: you can really do. I'm talking about the New York 1597 01:23:15,520 --> 01:23:19,960 Speaker 1: Giants Ultimate Backyard Football Experience. Now, for a donation of 1598 01:23:20,160 --> 01:23:22,960 Speaker 1: just ten dollars or more, you could be entered for 1599 01:23:23,000 --> 01:23:25,639 Speaker 1: a chance to have New York Giant Super Bowl champions 1600 01:23:25,880 --> 01:23:31,040 Speaker 1: Eli Manning, Michael Strahan, Phil Simms, and Justin Tuck come 1601 01:23:31,120 --> 01:23:34,080 Speaker 1: to your house and play a game of flag football 1602 01:23:34,120 --> 01:23:35,639 Speaker 1: with you and three of your friends. So it's four 1603 01:23:35,760 --> 01:23:38,600 Speaker 1: on four all right now. The team owners will be 1604 01:23:38,680 --> 01:23:40,680 Speaker 1: the coaches, so how dope is that? And if you 1605 01:23:40,760 --> 01:23:42,720 Speaker 1: live outside of New York, they'll invite you to the 1606 01:23:42,800 --> 01:23:46,280 Speaker 1: Giants facility or practice facility to play this game. After 1607 01:23:46,360 --> 01:23:49,719 Speaker 1: the game, they will have dinner together at your crib 1608 01:23:49,880 --> 01:23:52,720 Speaker 1: at your house, where the team will present you with 1609 01:23:52,880 --> 01:23:56,000 Speaker 1: your own Giant Super Bowl ring. All right, So if 1610 01:23:56,040 --> 01:23:59,000 Speaker 1: you want more information to in to go to Oma 1611 01:23:59,200 --> 01:24:02,720 Speaker 1: zet come slash Giants. This is a shot at a 1612 01:24:02,840 --> 01:24:05,640 Speaker 1: once in a lifetime moment. I know I'm gonna put 1613 01:24:05,680 --> 01:24:08,400 Speaker 1: some some money in and if I WINNA play with 1614 01:24:08,479 --> 01:24:10,360 Speaker 1: me here a big Giants fan, so I feel like 1615 01:24:10,800 --> 01:24:12,800 Speaker 1: you should enter. I'm gonna tell you something as a 1616 01:24:12,880 --> 01:24:15,120 Speaker 1: Dallas Cowboy fan, I think this is a disgusting prize. 1617 01:24:15,200 --> 01:24:17,559 Speaker 1: I don't even know why. I don't know why anybody 1618 01:24:17,600 --> 01:24:19,960 Speaker 1: would like this. So if I win, or you're gonna play, 1619 01:24:20,080 --> 01:24:24,200 Speaker 1: they're gonna play on my team. Yeah, you could be 1620 01:24:24,240 --> 01:24:26,120 Speaker 1: the center Charlemagne and you go, oh no, no, no, 1621 01:24:26,280 --> 01:24:28,639 Speaker 1: I no no. By the way I would play, we're 1622 01:24:28,640 --> 01:24:31,920 Speaker 1: playing against the Giants, yes, oh yeah, I'm all about 1623 01:24:31,960 --> 01:24:34,240 Speaker 1: opposition to the Giants. Baby, I'll come up there with 1624 01:24:34,320 --> 01:24:40,519 Speaker 1: my Dallas Cowboy football. I would rather be on I'd 1625 01:24:40,600 --> 01:24:42,479 Speaker 1: rather be on NV's team playing flag football because then 1626 01:24:42,520 --> 01:24:44,920 Speaker 1: you will probably be grabbing for something else that's long 1627 01:24:45,040 --> 01:24:48,000 Speaker 1: and dangling from my body. What we're on the same team, 1628 01:24:48,840 --> 01:24:51,320 Speaker 1: I know that I'd rather play with you. You know what, 1629 01:24:51,400 --> 01:24:53,400 Speaker 1: you're kinky. Let's get to the room, by the way. 1630 01:24:53,600 --> 01:24:55,519 Speaker 1: By the way Justin wouldn't be the only one tucking 1631 01:24:55,520 --> 01:24:56,960 Speaker 1: in that game if I had to play against v 1632 01:25:00,000 --> 01:25:03,439 Speaker 1: A kinky My goodness, how we turn a benefit into 1633 01:25:03,720 --> 01:25:06,720 Speaker 1: kinky talk? Now, I don't know what's happened. Let's get 1634 01:25:06,760 --> 01:25:10,800 Speaker 1: to the rumors. Let's talk Eminem. This is the rum 1635 01:25:10,840 --> 01:25:21,120 Speaker 1: of report with Angela. Yes, Eminem stopped by Little Wayne's 1636 01:25:21,160 --> 01:25:23,240 Speaker 1: Young Money Radio and a lot of things that they 1637 01:25:23,320 --> 01:25:26,280 Speaker 1: discussed included the new Michael Jordan's documentary, which we're about 1638 01:25:26,280 --> 01:25:29,240 Speaker 1: to discuss. Also, one thing that they both do, and 1639 01:25:29,320 --> 01:25:31,000 Speaker 1: it has to do with their lyrics because they've been 1640 01:25:31,040 --> 01:25:32,880 Speaker 1: in this game for quite some time. Listen to this, 1641 01:25:33,360 --> 01:25:35,320 Speaker 1: you start getting to the point where you've wrapped about 1642 01:25:35,320 --> 01:25:40,599 Speaker 1: everything everywhere. Man, am I have to literally bro when 1643 01:25:40,640 --> 01:25:42,920 Speaker 1: I'm doing something much. You can if you go through 1644 01:25:43,000 --> 01:25:45,360 Speaker 1: my phone history, when my Google history is gonna and 1645 01:25:45,400 --> 01:25:47,960 Speaker 1: you press all, first thing gonna come up as Little 1646 01:25:48,000 --> 01:25:50,400 Speaker 1: Wayne lyrics. I literally have to google my lyrics to 1647 01:25:50,479 --> 01:25:53,160 Speaker 1: make sure I didn't say certain stuff before. Yo. I 1648 01:25:53,240 --> 01:25:55,760 Speaker 1: swear to God, I do that too, man, that's how 1649 01:25:55,800 --> 01:25:59,920 Speaker 1: long we've been doing it. I just did that last night. Yeah. 1650 01:26:00,000 --> 01:26:02,280 Speaker 1: I can't think about what could they have not ever 1651 01:26:02,439 --> 01:26:05,240 Speaker 1: talked about and he both got a lot of bars 1652 01:26:05,360 --> 01:26:08,120 Speaker 1: between them that makes sense, and especially Wayne because I 1653 01:26:08,160 --> 01:26:10,120 Speaker 1: don't think Wayne writes. Wayne says he just goes into 1654 01:26:10,160 --> 01:26:11,800 Speaker 1: studio and rap. So yeah, I'm sure you have to 1655 01:26:11,880 --> 01:26:13,880 Speaker 1: keep track now other things. If you want to listen 1656 01:26:13,920 --> 01:26:16,360 Speaker 1: to the whole interview, Eminem talks about pleasing old fans 1657 01:26:16,400 --> 01:26:18,559 Speaker 1: and trying to reach new fans as well. They talk 1658 01:26:18,560 --> 01:26:21,360 Speaker 1: about Killer Mike and Run the Jewels and yeah, a 1659 01:26:21,400 --> 01:26:23,560 Speaker 1: lot of different things. So that's a good interview and 1660 01:26:23,720 --> 01:26:27,120 Speaker 1: some donations that they're doing right now. So it's pretty 1661 01:26:27,160 --> 01:26:30,120 Speaker 1: dope to listen to all right now, since they discussed 1662 01:26:30,160 --> 01:26:33,160 Speaker 1: the Michael Jordan's documentary, let's talk about that. So Michael 1663 01:26:33,240 --> 01:26:36,800 Speaker 1: Jordan talked about his father's death and there was a 1664 01:26:36,840 --> 01:26:39,719 Speaker 1: lot of conspiracy theories. They said, you know, different things 1665 01:26:39,800 --> 01:26:44,120 Speaker 1: about gambling connections, and Michael Jordan's father was murdered. His 1666 01:26:44,240 --> 01:26:47,320 Speaker 1: body was found near the North Carolina and South Carolina border. 1667 01:26:47,400 --> 01:26:50,240 Speaker 1: They searched for him for weeks. Here's what Michael Jordan 1668 01:26:50,360 --> 01:26:52,880 Speaker 1: had to say. It did hurt, you know, but you 1669 01:26:53,000 --> 01:26:55,599 Speaker 1: had people that were throwing darts who wanted to hurt me. Anyway. 1670 01:26:55,880 --> 01:26:57,840 Speaker 1: It wasn't from the people that I loved, though, the 1671 01:26:57,920 --> 01:27:00,320 Speaker 1: people that knew me and people that cares its people 1672 01:27:00,360 --> 01:27:02,840 Speaker 1: that you know, got tired of me being on top. 1673 01:27:03,240 --> 01:27:06,599 Speaker 1: There is an a thimble's worth of evidence to connect 1674 01:27:06,800 --> 01:27:11,040 Speaker 1: that horrible incident to Michael Jordan's gambling or any other 1675 01:27:11,120 --> 01:27:14,640 Speaker 1: aspect of Michael Jordan's behavior. Man, I almost cried. I 1676 01:27:14,800 --> 01:27:17,040 Speaker 1: was right there. I felt the welling up happened, especially 1677 01:27:17,080 --> 01:27:18,960 Speaker 1: when they showed him breaking down in the locker room, 1678 01:27:19,160 --> 01:27:22,040 Speaker 1: you know. And what they did to Michael in regards 1679 01:27:22,080 --> 01:27:24,560 Speaker 1: to his father and blaming him is what all you 1680 01:27:24,720 --> 01:27:28,040 Speaker 1: lame mass social media conspiracy theorists do nowadays, all right, 1681 01:27:28,120 --> 01:27:30,320 Speaker 1: talking about everything and everybody like y'all have a clue. 1682 01:27:30,439 --> 01:27:31,880 Speaker 1: And I think it's so wacked that people could not 1683 01:27:32,040 --> 01:27:34,799 Speaker 1: understand the toll the game was having on Michael Jordan's 1684 01:27:34,840 --> 01:27:37,800 Speaker 1: mental and emotional well being, Like, yes, he needed a break, 1685 01:27:38,200 --> 01:27:40,440 Speaker 1: you had to walk away, like it was no conspiracy, 1686 01:27:40,560 --> 01:27:43,639 Speaker 1: Like look at what he was going through. Jesus Christ, 1687 01:27:44,439 --> 01:27:47,559 Speaker 1: all right now. Michael Jordan also talked about his retirement 1688 01:27:47,680 --> 01:27:50,960 Speaker 1: not having anything to do with gambling. There were people 1689 01:27:51,080 --> 01:27:53,920 Speaker 1: saying that that was why he retired. And here's what 1690 01:27:54,000 --> 01:27:56,880 Speaker 1: they said about that. The folklore, the urban legends that 1691 01:27:57,000 --> 01:28:01,040 Speaker 1: I sent him away because he was gambling, ridiculous. There's 1692 01:28:01,080 --> 01:28:04,880 Speaker 1: never no basis in fact, I didn't retire because he 1693 01:28:05,120 --> 01:28:08,000 Speaker 1: kicked me out. Well, they suspended me for a year 1694 01:28:08,000 --> 01:28:10,280 Speaker 1: and a half. That is not true. It's no truth 1695 01:28:10,320 --> 01:28:13,080 Speaker 1: of that. I needed a break. You know, my father 1696 01:28:13,320 --> 01:28:16,639 Speaker 1: just past and I retired, you know, and I retired 1697 01:28:16,680 --> 01:28:18,280 Speaker 1: with the notion that I wasn't going to come back. 1698 01:28:18,800 --> 01:28:22,640 Speaker 1: Prime example of people trying to understand what's going on 1699 01:28:22,840 --> 01:28:25,719 Speaker 1: in somebody else's mind. It's not up for you to understand. 1700 01:28:25,800 --> 01:28:28,240 Speaker 1: It's for that person. That person made a decision for himself. 1701 01:28:28,600 --> 01:28:30,760 Speaker 1: You don't have to justify, well, why is Michael walking away? 1702 01:28:30,800 --> 01:28:33,719 Speaker 1: Michael know why you walked away? Now. You also talked 1703 01:28:33,720 --> 01:28:36,480 Speaker 1: about being hard on people, and when you watch this documentary, 1704 01:28:36,560 --> 01:28:38,720 Speaker 1: some people might say, or he was so hard on everyone. Well, 1705 01:28:38,760 --> 01:28:41,200 Speaker 1: here's what he had to say in response to y'all people. 1706 01:28:41,560 --> 01:28:44,920 Speaker 1: Winning has a price, and leadership has a price. I 1707 01:28:45,160 --> 01:28:47,479 Speaker 1: challenge people when they didn't want to be challenged, and 1708 01:28:47,680 --> 01:28:50,880 Speaker 1: I earned that right because my teammates came after me. 1709 01:28:51,240 --> 01:28:53,200 Speaker 1: Once you joined the team, you live in a certain 1710 01:28:53,240 --> 01:28:55,519 Speaker 1: standard that I played the game and I wasn't gonna 1711 01:28:55,560 --> 01:28:57,920 Speaker 1: take any less. Now that means I had to go 1712 01:28:58,040 --> 01:28:59,720 Speaker 1: in and get in your ass a little bit, and 1713 01:28:59,800 --> 01:29:02,599 Speaker 1: I did that. You ask all my teammates. The one 1714 01:29:02,640 --> 01:29:05,560 Speaker 1: thing about Michael Jordan was he never asked me to 1715 01:29:05,680 --> 01:29:08,800 Speaker 1: do something that he didn't do. When people see this 1716 01:29:09,120 --> 01:29:11,519 Speaker 1: and they're gonna say, well, he wasn't really a nice guy. 1717 01:29:11,600 --> 01:29:13,840 Speaker 1: He may have been a tyrant. Well that's you, because 1718 01:29:13,880 --> 01:29:16,120 Speaker 1: you never wanted anything like I don't want to do this. 1719 01:29:16,560 --> 01:29:19,600 Speaker 1: I'm only doing it because it is who That was 1720 01:29:19,720 --> 01:29:21,960 Speaker 1: com mentality. If you don't want to play that way, 1721 01:29:22,840 --> 01:29:26,479 Speaker 1: don't play that. That's right. Winning has a price. He 1722 01:29:26,760 --> 01:29:30,120 Speaker 1: is a winner. He has a certain level that he 1723 01:29:30,240 --> 01:29:33,000 Speaker 1: plays at and he wants everybody to rise to that level. 1724 01:29:33,080 --> 01:29:37,960 Speaker 1: And I don't. I don't have a problem with it whatsoever. Championship, sure, dude. 1725 01:29:38,000 --> 01:29:41,439 Speaker 1: And then Gary Payton spoke about the Seattle supersund expresses 1726 01:29:41,479 --> 01:29:43,559 Speaker 1: the balls in the series and he said he didn't 1727 01:29:43,600 --> 01:29:46,160 Speaker 1: know how to play against Michael Jordan, and Michael Jordan 1728 01:29:46,280 --> 01:29:49,400 Speaker 1: responded to those comments. A lot of people back down 1729 01:29:49,479 --> 01:29:52,479 Speaker 1: the bike. I didn't. I made it a point, I said, 1730 01:29:52,880 --> 01:29:56,439 Speaker 1: just tire him out tired. You just got to tire 1731 01:29:56,479 --> 01:29:59,760 Speaker 1: him out. And I kept heat even and banging him 1732 01:29:59,760 --> 01:30:02,120 Speaker 1: and even banging it. It took a toll on Mike, 1733 01:30:02,400 --> 01:30:06,840 Speaker 1: and took a toll and then resting him a little 1734 01:30:06,880 --> 01:30:10,840 Speaker 1: bit and then the serious church And I wish I 1735 01:30:10,920 --> 01:30:12,720 Speaker 1: could have did it earlier. I don't know if the 1736 01:30:13,240 --> 01:30:18,080 Speaker 1: would have been different, but it was a difference and 1737 01:30:18,160 --> 01:30:20,360 Speaker 1: beat him down a little bit. I had no problem 1738 01:30:20,439 --> 01:30:22,559 Speaker 1: with the glove. I had a lot of the things 1739 01:30:22,600 --> 01:30:25,559 Speaker 1: on my mind. How do you feel about that they 1740 01:30:25,640 --> 01:30:28,439 Speaker 1: lost the series? For the two they did? The Bulls 1741 01:30:28,479 --> 01:30:31,000 Speaker 1: won the first three games. Seattlet want two in a roll? 1742 01:30:31,080 --> 01:30:34,880 Speaker 1: I don't, you know. I can't. And it's easy to say, 1743 01:30:34,880 --> 01:30:36,600 Speaker 1: you didn't you know you could have held Michael, but 1744 01:30:36,680 --> 01:30:40,439 Speaker 1: you didn't. You know you didn't. You can't. You can't 1745 01:30:40,479 --> 01:30:42,200 Speaker 1: talk about what you could have did when when they 1746 01:30:42,240 --> 01:30:45,479 Speaker 1: beat you. Honestly, Yeah, and Gary, Gary Payton is a beast, 1747 01:30:45,520 --> 01:30:49,040 Speaker 1: one of the greatest defensive players of all time. He 1748 01:30:49,160 --> 01:30:51,120 Speaker 1: was saying if he was smarting him the whole time. 1749 01:30:51,760 --> 01:30:54,720 Speaker 1: Maybe I don't know they did win, what could have 1750 01:30:54,800 --> 01:30:58,120 Speaker 1: what it could have shied nobody, But yeah, I just 1751 01:30:58,240 --> 01:31:00,800 Speaker 1: don't think. I think but didn't have Jordan's reaction to 1752 01:31:00,920 --> 01:31:04,200 Speaker 1: that though. That's what's interesting. Yeah, nobody beats Michael Jordan, 1753 01:31:04,240 --> 01:31:06,040 Speaker 1: and Michael Jordan don't want don't want to be beat. 1754 01:31:06,280 --> 01:31:08,960 Speaker 1: I actually believe that, all right. And you know Sunday 1755 01:31:09,080 --> 01:31:11,280 Speaker 1: Nights is also Insecure Nights as well. And I just 1756 01:31:11,320 --> 01:31:13,240 Speaker 1: want to shout out to Evan and Org She has 1757 01:31:13,280 --> 01:31:17,200 Speaker 1: her first HBO stand up comedy special. Mama, I made 1758 01:31:17,240 --> 01:31:19,840 Speaker 1: it and here is I just wanted to bring you 1759 01:31:19,960 --> 01:31:22,240 Speaker 1: on here so my home. There is no way I 1760 01:31:22,280 --> 01:31:25,240 Speaker 1: could do is special about my life without showing you life. 1761 01:31:25,800 --> 01:31:27,880 Speaker 1: My parents successful to get me married off. The first 1762 01:31:27,960 --> 01:31:29,240 Speaker 1: due to show up in my house withd a go 1763 01:31:29,640 --> 01:31:32,080 Speaker 1: might be the right one. This is where you negotiate 1764 01:31:32,280 --> 01:31:33,840 Speaker 1: my bad price about how much do you think it 1765 01:31:33,960 --> 01:31:35,880 Speaker 1: will start out to day? I'm like just one dollar? 1766 01:31:41,200 --> 01:31:43,479 Speaker 1: My mom she leaves me voicemails all the time. This 1767 01:31:43,680 --> 01:31:47,760 Speaker 1: is your mother fine with for nobody you are no 1768 01:31:47,960 --> 01:31:53,920 Speaker 1: longer It's bring chicken, Happy Beth day span to close 1769 01:31:53,960 --> 01:31:56,519 Speaker 1: bombs for vonn org Man. I actually had a chance 1770 01:31:56,560 --> 01:31:58,280 Speaker 1: to go see her do stand up. I really like 1771 01:31:58,400 --> 01:32:00,920 Speaker 1: Evon org a lot, so shout out her in congratulations. 1772 01:32:00,960 --> 01:32:03,439 Speaker 1: I'll be watching that absolutely. I saw once she opened 1773 01:32:03,520 --> 01:32:05,920 Speaker 1: up for Chris Rock a couple of years ago. Yep, 1774 01:32:06,400 --> 01:32:10,360 Speaker 1: me too. All right, BC before Corona, I know that much. 1775 01:32:10,720 --> 01:32:13,479 Speaker 1: I'm Angela, yeah, and that is your rumor report. All right, 1776 01:32:13,560 --> 01:32:15,080 Speaker 1: thank you, miss ye. When we come back, we got 1777 01:32:15,120 --> 01:32:17,200 Speaker 1: the People's choice mixed. Get your requested. Now it's the 1778 01:32:17,240 --> 01:32:22,520 Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy, Angela ye, Charlomagne, 1779 01:32:22,560 --> 01:32:26,840 Speaker 1: na guy. We are the Breakfast Club now again. Rest 1780 01:32:26,920 --> 01:32:30,280 Speaker 1: in peace to Andre Horrell. We replayed his interview this morning, 1781 01:32:31,120 --> 01:32:34,439 Speaker 1: just talking about Uptown Records and everything that he's doing 1782 01:32:34,520 --> 01:32:37,560 Speaker 1: and just giving us the history lesson. So rest in 1783 01:32:37,600 --> 01:32:41,280 Speaker 1: peace and definitely condolences and friends. Heartbreaking. It's gonna be 1784 01:32:41,400 --> 01:32:46,040 Speaker 1: so weird not having Andre Horrel around anymore. So again 1785 01:32:46,120 --> 01:32:51,160 Speaker 1: our condolences to his family and close friends. Absolutely that's right, 1786 01:32:51,240 --> 01:32:55,160 Speaker 1: and that Uptown Records UH mini series is absolutely coming 1787 01:32:55,200 --> 01:32:59,400 Speaker 1: to BT. Andrea was heavily involved in that, heavily involved 1788 01:32:59,439 --> 01:33:01,800 Speaker 1: in the star, heavily involved in the script. I mean 1789 01:33:01,840 --> 01:33:04,120 Speaker 1: even up until Wednesday, you know, he was on the 1790 01:33:04,200 --> 01:33:07,479 Speaker 1: phone with Jesse, you know, wanting some things added to 1791 01:33:07,640 --> 01:33:09,560 Speaker 1: the story, and he was adamant about adding them. I 1792 01:33:09,600 --> 01:33:11,960 Speaker 1: don't know if y'all saw Jesse Collins um you know, 1793 01:33:12,120 --> 01:33:14,920 Speaker 1: post on post on Instagram, but you know, it's good 1794 01:33:15,000 --> 01:33:16,680 Speaker 1: that you know his story is gonna be told, and 1795 01:33:16,760 --> 01:33:19,880 Speaker 1: it's good that he got his flowers while he was here, 1796 01:33:20,040 --> 01:33:23,080 Speaker 1: even though I still think, um, you know, I would 1797 01:33:23,120 --> 01:33:25,360 Speaker 1: have liked I would have liked to see him be here, 1798 01:33:25,400 --> 01:33:26,960 Speaker 1: to see what the reaction would have been to the 1799 01:33:27,080 --> 01:33:29,679 Speaker 1: Uptime mini series. I just don't know if people really 1800 01:33:29,800 --> 01:33:34,120 Speaker 1: truly understand what Andre Horrell meant to this culture. I'm 1801 01:33:34,160 --> 01:33:38,479 Speaker 1: not sure if they do, but they will and very soon. 1802 01:33:39,320 --> 01:33:40,920 Speaker 1: And I also want to say, man, since you know 1803 01:33:41,040 --> 01:33:43,280 Speaker 1: it's so much death going on, you have to celebrate 1804 01:33:43,400 --> 01:33:45,719 Speaker 1: life in a huge way. I want to say happy 1805 01:33:45,760 --> 01:33:48,200 Speaker 1: Borne Day to my guy, be High, you know, And 1806 01:33:48,280 --> 01:33:51,839 Speaker 1: I want to say happy High. What's up? Yeah, Bis? 1807 01:33:51,880 --> 01:33:57,200 Speaker 1: One day was yesterday, Happy belated birthday to be High. 1808 01:33:58,560 --> 01:34:01,920 Speaker 1: All the time just walking around I'm Brooklyn randomly that's 1809 01:34:02,000 --> 01:34:04,400 Speaker 1: my guy in a happy born days and an honorable 1810 01:34:04,439 --> 01:34:08,800 Speaker 1: Minister Lewis Farrakhan. Minister Lewis Farrakon is eighty seven years 1811 01:34:09,400 --> 01:34:12,000 Speaker 1: young today. Drop on a clues bomb for the minister 1812 01:34:12,120 --> 01:34:14,519 Speaker 1: man Like that's that's the age I'm trying to get to. 1813 01:34:15,000 --> 01:34:16,479 Speaker 1: I don't know about y'all. I want to be here. 1814 01:34:16,520 --> 01:34:18,320 Speaker 1: I want to be here. I want to be eighty 1815 01:34:18,360 --> 01:34:22,720 Speaker 1: seven and still kicking ass. God damn asolutely. So absolutely 1816 01:34:22,800 --> 01:34:24,479 Speaker 1: when we come back. We got the positive notes, so 1817 01:34:24,520 --> 01:34:28,240 Speaker 1: don't move. It's to Breakfast Club morning. Everybody's DJ Envy 1818 01:34:28,439 --> 01:34:31,719 Speaker 1: Angela Yee. Charlomagne the guy we are the Breakfast Club. 1819 01:34:32,160 --> 01:34:35,519 Speaker 1: That's Charlemagne. You got a positive note, yeah, man, Um, 1820 01:34:35,720 --> 01:34:37,120 Speaker 1: I just want to tell everybody about this is is 1821 01:34:37,120 --> 01:34:39,840 Speaker 1: we're having all these conversations about death. Just know that 1822 01:34:40,120 --> 01:34:43,920 Speaker 1: death is not the greatest loss in life. The greatest 1823 01:34:43,960 --> 01:34:47,200 Speaker 1: loss is what dies inside us while we are still alive. 1824 01:34:47,760 --> 01:34:50,439 Speaker 1: Breakfast Club, you don't finish for y'all, dumb