1 00:00:08,039 --> 00:00:11,400 Speaker 1: Welcome to another episode of Strictly Business, the podcast in 2 00:00:11,400 --> 00:00:13,720 Speaker 1: which we speak with some of the brightest minds working 3 00:00:13,760 --> 00:00:17,960 Speaker 1: in the media business today. I'm Andrew Wallenstein with Variety. 4 00:00:18,960 --> 00:00:22,079 Speaker 1: With a name like Soul Machines, it's either one of 5 00:00:22,120 --> 00:00:25,920 Speaker 1: two things, some long forgotten seventies R and B group 6 00:00:26,520 --> 00:00:31,639 Speaker 1: or a twenty first century startup creating virtual clones of celebrities. Well, 7 00:00:31,840 --> 00:00:35,080 Speaker 1: we've got the latter on here today on Strictly Business. 8 00:00:35,120 --> 00:00:38,040 Speaker 1: Soul Machines CEO Greg Cross is here to talk about 9 00:00:38,280 --> 00:00:41,199 Speaker 1: a fascinating venture that is marrying state of the art 10 00:00:41,280 --> 00:00:45,599 Speaker 1: animation with artificial intelligence to create something that just might 11 00:00:45,640 --> 00:00:48,199 Speaker 1: be the next big thing in entertainment. We'll be back 12 00:00:48,240 --> 00:00:53,400 Speaker 1: with Greg in just a moment. Hi, this is Andrew 13 00:00:53,440 --> 00:00:58,840 Speaker 1: Wallenstein with Variety's Strictly Business podcast. If you love Varieties podcasts, 14 00:00:58,880 --> 00:01:03,320 Speaker 1: you're going to want to try Variety Intelligence Platform or VIP. 15 00:01:04,240 --> 00:01:07,200 Speaker 1: It's a digital subscription tier on Variety dot com for 16 00:01:07,319 --> 00:01:11,600 Speaker 1: industry professionals to dig deeper into analysis and data that 17 00:01:11,680 --> 00:01:15,360 Speaker 1: helps them be smarter about their business. VIP just launched 18 00:01:15,400 --> 00:01:19,000 Speaker 1: a great new newsletter and offers more special reports than ever, 19 00:01:19,480 --> 00:01:23,720 Speaker 1: So visit Variety dot com. Slash vip save for a 20 00:01:23,840 --> 00:01:30,640 Speaker 1: twenty percent discount. We are back with Greg Cross, CEO 21 00:01:30,920 --> 00:01:34,160 Speaker 1: of Soul Machines, with the first of what was such 22 00:01:34,240 --> 00:01:38,120 Speaker 1: a fascinating interview. It lasted a full hour, so I 23 00:01:38,200 --> 00:01:41,760 Speaker 1: broke it into two thirty minute sections to hear the 24 00:01:41,800 --> 00:01:45,000 Speaker 1: second half hour. Make sure to tune into Strictly Business 25 00:01:45,120 --> 00:01:48,520 Speaker 1: next week. But without further ado, we've got the first 26 00:01:48,560 --> 00:01:52,880 Speaker 1: thirty minutes ready to go right now. Greg, thanks for 27 00:01:52,880 --> 00:01:53,320 Speaker 1: coming in. 28 00:01:53,520 --> 00:01:55,920 Speaker 2: Hi, great to be spending some time with you, and 29 00:01:55,960 --> 00:01:57,800 Speaker 2: you listen to this, it's fantastic great. 30 00:01:58,320 --> 00:02:00,000 Speaker 1: So, you know, this is one of these moments where 31 00:02:00,280 --> 00:02:03,520 Speaker 1: I don't feel like the podcast format does the interview 32 00:02:03,800 --> 00:02:07,480 Speaker 1: justice because you really need to see a Soul Machines 33 00:02:07,560 --> 00:02:10,880 Speaker 1: creation in action to truly get what it's about. But 34 00:02:10,960 --> 00:02:13,160 Speaker 1: you know, we'll soldier on, and the best thing you 35 00:02:13,160 --> 00:02:15,040 Speaker 1: could do is just start us off with a very 36 00:02:15,080 --> 00:02:18,800 Speaker 1: basic explanation of what it is that Sole Machines does. 37 00:02:18,960 --> 00:02:22,080 Speaker 2: Yeah, I mean kind of the name says it at all, really, 38 00:02:22,200 --> 00:02:25,840 Speaker 2: So you know, when I co founded the company, we 39 00:02:25,840 --> 00:02:28,000 Speaker 2: were looking for a name, and you know, the thing 40 00:02:28,000 --> 00:02:30,560 Speaker 2: that we kept coming back to is putting some soul 41 00:02:30,720 --> 00:02:33,880 Speaker 2: into the machines of our future. So you know, I 42 00:02:33,919 --> 00:02:36,240 Speaker 2: love brand names that are quite literal in terms of 43 00:02:36,400 --> 00:02:39,239 Speaker 2: you know what it's all about. So you know, as 44 00:02:39,280 --> 00:02:42,320 Speaker 2: a company, you know, we do a lot of research 45 00:02:42,360 --> 00:02:47,960 Speaker 2: in a very specialized field of artificial intelligence called cognitive modeling. 46 00:02:48,760 --> 00:02:51,760 Speaker 2: So and this is a really enables us to bring 47 00:02:51,800 --> 00:02:55,079 Speaker 2: to life really really advanced form of animation. So that 48 00:02:55,840 --> 00:02:59,520 Speaker 2: cgi characters which we got quite used to know an 49 00:02:59,680 --> 00:03:02,839 Speaker 2: l I the entertainment business, but instead of them being 50 00:03:02,919 --> 00:03:08,120 Speaker 2: animated by pre recorded content and you know this concept 51 00:03:08,160 --> 00:03:11,960 Speaker 2: of linear storytelling, you know, we're literally bringing digital characters 52 00:03:12,040 --> 00:03:16,600 Speaker 2: to life in real time. And we call it autonomous animation. 53 00:03:16,880 --> 00:03:19,040 Speaker 2: And this is what you know, you and I are 54 00:03:19,080 --> 00:03:21,840 Speaker 2: both doing here as we record this podcast. Your brain 55 00:03:21,960 --> 00:03:25,359 Speaker 2: is animating you and bringing you to life in this instance, 56 00:03:25,440 --> 00:03:28,280 Speaker 2: and mine's doing exactly the same. So you know, so 57 00:03:28,760 --> 00:03:31,400 Speaker 2: it's literally, like I mean to paint a picture, it's 58 00:03:31,440 --> 00:03:35,680 Speaker 2: literally like having a zoom conversation or a video conference 59 00:03:35,720 --> 00:03:39,360 Speaker 2: conversation with a digital person rather than a real person. 60 00:03:39,560 --> 00:03:42,480 Speaker 1: So let's give an example with one of your clients. 61 00:03:42,520 --> 00:03:46,320 Speaker 1: There's an interesting mix of celebrities both dead and alive 62 00:03:47,080 --> 00:03:51,000 Speaker 1: in that portfolio. So I for instance, noticed Carmelo Anthony, 63 00:03:51,040 --> 00:03:54,720 Speaker 1: the recently retired basketball player. What can I do with 64 00:03:54,880 --> 00:03:55,960 Speaker 1: virtual Carmelo. 65 00:03:56,480 --> 00:04:01,200 Speaker 2: Yeah, so you know, we started working with Carmalo last 66 00:04:01,320 --> 00:04:06,480 Speaker 2: year and so you know, Digital Camelo. There's a number 67 00:04:06,480 --> 00:04:09,600 Speaker 2: of different types of experiences that we're looking to create 68 00:04:09,680 --> 00:04:13,040 Speaker 2: for for Camalo and his business interests as he moves 69 00:04:13,080 --> 00:04:16,719 Speaker 2: into the sort of into his post playing career. You 70 00:04:16,839 --> 00:04:20,680 Speaker 2: think about it. You know, when you've got an incredible 71 00:04:20,720 --> 00:04:24,080 Speaker 2: athlete like Camelo had a long and successful career, you know, 72 00:04:24,320 --> 00:04:26,480 Speaker 2: how does he stay in touch with his fans now? 73 00:04:26,720 --> 00:04:29,800 Speaker 2: You know now that he's not playing basketball on a 74 00:04:30,600 --> 00:04:33,400 Speaker 2: day to day basis. So for us, this becomes what 75 00:04:33,480 --> 00:04:37,640 Speaker 2: we think of as the future of fan experiences. You know, 76 00:04:37,920 --> 00:04:41,600 Speaker 2: we've all watched Camelo play and amazing basketball games, but 77 00:04:41,839 --> 00:04:45,119 Speaker 2: not many of us get to meet him in real life. 78 00:04:45,480 --> 00:04:48,480 Speaker 2: So you think about this way of how we can 79 00:04:48,520 --> 00:04:52,000 Speaker 2: democratize a fan experience and and you can go to 80 00:04:52,279 --> 00:04:54,880 Speaker 2: a website and you could have a face to face 81 00:04:55,000 --> 00:04:57,920 Speaker 2: conversation with what we call we refer to him as 82 00:04:57,960 --> 00:05:01,159 Speaker 2: Digital Mallow as you know, as what we talk about 83 00:05:01,520 --> 00:05:08,279 Speaker 2: as a digital twin. So Digital Mellow, you know, might 84 00:05:08,320 --> 00:05:14,159 Speaker 2: become the brand ambassador of of you know, of a 85 00:05:14,200 --> 00:05:17,560 Speaker 2: big automotive car company for example. And so you know, 86 00:05:17,839 --> 00:05:23,080 Speaker 2: think about digital Mellow being accessible from their e commerce 87 00:05:23,120 --> 00:05:27,240 Speaker 2: store or their website or their smartphone app, and you know, 88 00:05:27,360 --> 00:05:31,200 Speaker 2: he can create this sort of one on one brand experience. 89 00:05:31,320 --> 00:05:35,080 Speaker 1: So Carmelo Virtual Carmelo could sell me a car, he 90 00:05:35,160 --> 00:05:38,480 Speaker 1: could talk to me about the attributes and I don't know, 91 00:05:38,560 --> 00:05:41,320 Speaker 1: maybe strike a deal. And to make it clear, the 92 00:05:41,480 --> 00:05:45,120 Speaker 1: real Carmelo has he's not out the control, he's not 93 00:05:45,200 --> 00:05:49,080 Speaker 1: putting words in his mouth. What he the real Carmelo 94 00:05:49,320 --> 00:05:52,120 Speaker 1: is giving you the rates to do this. But that's 95 00:05:52,120 --> 00:05:52,800 Speaker 1: where it ats. 96 00:05:52,920 --> 00:05:55,559 Speaker 2: Yeah, yeah, and you know we're in a joint venture 97 00:05:55,560 --> 00:05:59,080 Speaker 2: business with Camelo, so you know, so because this is 98 00:05:59,120 --> 00:06:02,440 Speaker 2: a this is a new, really really new type of technology. 99 00:06:02,480 --> 00:06:06,279 Speaker 2: So you know, we're reimagining the way in which fans 100 00:06:06,320 --> 00:06:09,719 Speaker 2: can experience there. You know, they're superheroes there, you know, 101 00:06:09,800 --> 00:06:12,440 Speaker 2: the the you know, the the people that they love 102 00:06:12,520 --> 00:06:16,680 Speaker 2: to watch. So so yeah, real Camelo Anthony. We know 103 00:06:16,800 --> 00:06:21,440 Speaker 2: when we set about creating you know, Digital Camelo Anthony, 104 00:06:21,720 --> 00:06:24,479 Speaker 2: we you know, we know we had some access to 105 00:06:24,480 --> 00:06:28,920 Speaker 2: Camelo for a few hours to capture his likeness and 106 00:06:29,000 --> 00:06:33,600 Speaker 2: his personality, all of which becomes part of the the 107 00:06:33,640 --> 00:06:37,400 Speaker 2: AI systems that we've created. We train an AI voice. 108 00:06:37,520 --> 00:06:42,080 Speaker 2: So a really interesting thing about Digital Mallow is he 109 00:06:42,120 --> 00:06:45,839 Speaker 2: can speak any language fluently. So you know, you think 110 00:06:45,839 --> 00:06:48,640 Speaker 2: about that. You know, one of the biggest NBA markets 111 00:06:48,640 --> 00:06:52,080 Speaker 2: in the world now is China. Yes, so imagine a 112 00:06:52,120 --> 00:06:56,680 Speaker 2: world where Digital Mallow is a brand ambassador for a 113 00:06:56,760 --> 00:07:02,320 Speaker 2: Chinese car company speaking Mandarin to fans of the NBA 114 00:07:02,400 --> 00:07:07,560 Speaker 2: in China. So you know, Digital Mellow could become a 115 00:07:07,640 --> 00:07:10,480 Speaker 2: commentator on you know, what's going on in the world 116 00:07:10,480 --> 00:07:13,280 Speaker 2: of basketball at any point in time, and he can 117 00:07:13,320 --> 00:07:18,640 Speaker 2: interact with fans, you know from Syracuse, you know, the 118 00:07:18,640 --> 00:07:21,560 Speaker 2: biggest Mellow fans in the world, the Syracuse fans. Or 119 00:07:21,600 --> 00:07:25,200 Speaker 2: he could interact with, as I said, fans in Europe 120 00:07:25,960 --> 00:07:28,440 Speaker 2: in there in the native language. So I mean, these 121 00:07:28,480 --> 00:07:31,640 Speaker 2: are some of the amazing opportunities that exist as we 122 00:07:31,720 --> 00:07:34,120 Speaker 2: think about, you know, the way in which we can 123 00:07:34,160 --> 00:07:36,320 Speaker 2: create fan experiences in the future. 124 00:07:36,400 --> 00:07:37,920 Speaker 1: And I want to be clear, like, you know, you're 125 00:07:37,960 --> 00:07:40,560 Speaker 1: not some guy in a in a basement here. You're 126 00:07:40,880 --> 00:07:43,560 Speaker 1: first of all an entrepreneur who has you know, sold 127 00:07:43,600 --> 00:07:48,120 Speaker 1: companies to Apple and been around and you've raised well 128 00:07:48,160 --> 00:07:52,160 Speaker 1: over one hundred million for this business. You've got representation 129 00:07:52,280 --> 00:07:57,240 Speaker 1: at c AAA and absolutely and besides Mellow there is 130 00:07:57,600 --> 00:08:00,280 Speaker 1: you've got the likeness of Marilyn Monroe, which I assume 131 00:08:00,320 --> 00:08:02,720 Speaker 1: he negotiated with her estate Like this is real. 132 00:08:02,960 --> 00:08:07,120 Speaker 2: Yeah yeah, so yeah. So from a company point of view, 133 00:08:07,120 --> 00:08:10,160 Speaker 2: the sort of two of us founded the company. So 134 00:08:10,240 --> 00:08:14,200 Speaker 2: my co founder, doctor Mark Sega, came out of the 135 00:08:14,520 --> 00:08:20,200 Speaker 2: incredible Wetter Digital company. Mark won technical Oscars for the 136 00:08:20,240 --> 00:08:23,119 Speaker 2: animation work that he did on the original Avatar movie. 137 00:08:23,160 --> 00:08:26,560 Speaker 2: So if we think back to that movie, it was 138 00:08:27,280 --> 00:08:30,440 Speaker 2: one of the first times that we've seen CGI characters 139 00:08:30,480 --> 00:08:34,440 Speaker 2: capable of micro human expressions. We fell in love with 140 00:08:34,480 --> 00:08:38,520 Speaker 2: those giant blue characters because they expressed emotion. We connected 141 00:08:38,600 --> 00:08:41,480 Speaker 2: them because they expressed an emotion in an incredible way. 142 00:08:41,520 --> 00:08:44,280 Speaker 2: Mark then went on to do Kong with su Peter 143 00:08:44,400 --> 00:08:46,400 Speaker 2: Jackson using the same sort of technology, and then he 144 00:08:46,400 --> 00:08:49,520 Speaker 2: set up a research lab at the University of Auckland 145 00:08:49,520 --> 00:08:53,679 Speaker 2: in twenty twelve and started building the digital brain models 146 00:08:53,720 --> 00:08:58,040 Speaker 2: at underpin the work that we do today. So I 147 00:08:58,080 --> 00:09:01,600 Speaker 2: met Mark in twenty sixteen bun the company out of 148 00:09:02,480 --> 00:09:05,520 Speaker 2: the university at that point, and we've raised over one 149 00:09:05,559 --> 00:09:08,760 Speaker 2: hundred and thirty five million dollars and venture capital from 150 00:09:08,880 --> 00:09:12,079 Speaker 2: some of the from some of the leading venture funds 151 00:09:12,120 --> 00:09:15,200 Speaker 2: in the world. Soft Bank is an investor, Tamasik, the 152 00:09:15,240 --> 00:09:20,199 Speaker 2: big Singapore global investor Horizons, Selena Chow, and the people 153 00:09:20,200 --> 00:09:23,319 Speaker 2: that have invested in companies like Spotify and Zoom, to 154 00:09:23,400 --> 00:09:25,320 Speaker 2: name a couple. So yeah, I mean, we you know, 155 00:09:25,360 --> 00:09:28,440 Speaker 2: we've you know, this is really really deep tech research 156 00:09:28,520 --> 00:09:32,839 Speaker 2: and you know, and it's attracting the interests of some 157 00:09:32,880 --> 00:09:35,280 Speaker 2: of the biggest celebrities in the world. You talked about 158 00:09:35,640 --> 00:09:41,360 Speaker 2: the project we have with Maryland. The digital rights of 159 00:09:41,400 --> 00:09:44,880 Speaker 2: the name, likeness and image of Maryland are held by 160 00:09:44,960 --> 00:09:48,080 Speaker 2: Authentic Brands Group for a bigger entertainment group I guess 161 00:09:48,080 --> 00:09:51,719 Speaker 2: headquartered out of New York, and actually they own a 162 00:09:51,840 --> 00:09:55,120 Speaker 2: number of you know, the name like images of some 163 00:09:55,200 --> 00:09:59,480 Speaker 2: like pretty iconic legends, you know, Muhammadali, Elvis Presley. So 164 00:10:00,320 --> 00:10:03,120 Speaker 2: Marilyn Monroe is one of the next projects we're literally 165 00:10:03,200 --> 00:10:07,640 Speaker 2: just about to start working on and bringing life to 166 00:10:07,720 --> 00:10:12,239 Speaker 2: that project. So Mark Twan and another one of our celebrities, 167 00:10:12,640 --> 00:10:15,920 Speaker 2: and we've chosen different celebrities from different fields. So Mark 168 00:10:16,240 --> 00:10:20,120 Speaker 2: is a K pop superstar, you know, in the world 169 00:10:20,160 --> 00:10:22,439 Speaker 2: of music, you know, I mean Mark is you know, 170 00:10:22,480 --> 00:10:25,560 Speaker 2: it might not be as well known in America, but 171 00:10:26,040 --> 00:10:30,360 Speaker 2: he's one of CIA's biggest musicians that they rap. And 172 00:10:30,480 --> 00:10:31,280 Speaker 2: so where does a. 173 00:10:31,320 --> 00:10:33,680 Speaker 1: K pop fan encounter the virtual Mark? 174 00:10:34,480 --> 00:10:37,800 Speaker 2: How literally encounter them? All over the world, you know, 175 00:10:37,920 --> 00:10:40,480 Speaker 2: K pop is, I mean it is a global phenomenon. 176 00:10:40,520 --> 00:10:44,120 Speaker 2: But you know guys like Mark will full of will 177 00:10:44,160 --> 00:10:48,280 Speaker 2: full of soccer stadium in the Philippines or in Jakata 178 00:10:49,559 --> 00:10:52,440 Speaker 2: just to hear them answer questions on a stage, not perform, 179 00:10:52,640 --> 00:10:55,960 Speaker 2: just ask questions. So imagine a world where they can, 180 00:10:56,400 --> 00:10:58,679 Speaker 2: you know, they can sit in a live stream and 181 00:10:58,760 --> 00:11:03,760 Speaker 2: ask questions directly to digital marked one in their own language. 182 00:11:03,960 --> 00:11:06,240 Speaker 2: I mean, that's the sort of magic we envisage for 183 00:11:06,280 --> 00:11:06,720 Speaker 2: the future. 184 00:11:07,200 --> 00:11:09,839 Speaker 1: And is this and maybe this isn't an either or 185 00:11:09,880 --> 00:11:12,440 Speaker 1: a question, but I'll ask it, is this meant to 186 00:11:12,520 --> 00:11:16,040 Speaker 1: be a one to one interaction or a one to 187 00:11:16,240 --> 00:11:17,360 Speaker 1: many interaction? 188 00:11:17,679 --> 00:11:20,959 Speaker 2: Both? But it's actually I mean, our technology is all 189 00:11:21,000 --> 00:11:24,440 Speaker 2: about one to one interaction, you know. So you know, 190 00:11:24,640 --> 00:11:29,520 Speaker 2: human interaction is about emotional connection. Sure, so we communicate 191 00:11:29,559 --> 00:11:31,640 Speaker 2: in lots of different ways as human beings, but the 192 00:11:31,640 --> 00:11:35,960 Speaker 2: most you know, the most personal, the most connective interactions 193 00:11:36,000 --> 00:11:38,640 Speaker 2: are those one to one, you know, one to one 194 00:11:38,720 --> 00:11:44,320 Speaker 2: face to face interactions where you're not just hearing words, 195 00:11:44,440 --> 00:11:49,560 Speaker 2: you're actually understanding, you know, the full all of the 196 00:11:49,600 --> 00:11:54,160 Speaker 2: elements of that nonverbal communication. So an emotional connection is 197 00:11:54,160 --> 00:11:59,040 Speaker 2: incredibly important to us. We remember things that we connect, 198 00:11:59,040 --> 00:12:02,280 Speaker 2: you know, and people that we're emotionally connect with. So yeah, 199 00:12:02,520 --> 00:12:04,800 Speaker 2: it is for us a lot of this about one 200 00:12:04,880 --> 00:12:08,160 Speaker 2: to one interaction. We also do a huge amount of 201 00:12:08,200 --> 00:12:11,480 Speaker 2: work in the in the in the brand space, so 202 00:12:11,600 --> 00:12:17,559 Speaker 2: creating digital ambassadors and digital influences for big brands, General Motors, 203 00:12:18,160 --> 00:12:24,320 Speaker 2: Cadillac are examples of a client of ours in the 204 00:12:24,320 --> 00:12:31,679 Speaker 2: financial space JP Morgan, Chase, MasterCard, Fidelity, and so this 205 00:12:31,760 --> 00:12:37,000 Speaker 2: is helping big brands imagine how they can create an 206 00:12:37,000 --> 00:12:42,240 Speaker 2: emotional connection in an increasingly digital world, because if you 207 00:12:42,320 --> 00:12:46,880 Speaker 2: think about brand connections in the digital world of e commerce, 208 00:12:48,040 --> 00:12:51,839 Speaker 2: they've been marginalized because in many respects, e commerce is 209 00:12:51,840 --> 00:12:57,719 Speaker 2: about efficient transactions, where brands historically have always created these 210 00:12:57,760 --> 00:13:01,040 Speaker 2: emotional connections using different forms of me media, whether it's 211 00:13:01,080 --> 00:13:05,199 Speaker 2: print media, whether it's television, as advertising as a media, 212 00:13:05,240 --> 00:13:09,600 Speaker 2: but brand values. The value of a brand is measured 213 00:13:09,600 --> 00:13:12,080 Speaker 2: by the level of emotional connection they can have with 214 00:13:12,120 --> 00:13:15,680 Speaker 2: the target audiences, and this provides that one to one 215 00:13:16,040 --> 00:13:19,280 Speaker 2: personalized brand experience in a digital world. 216 00:13:20,400 --> 00:13:23,960 Speaker 1: So the thing that concerns me, though, and I wonder 217 00:13:24,040 --> 00:13:27,600 Speaker 1: if concerns you know, the people you pitch your services 218 00:13:27,640 --> 00:13:30,920 Speaker 1: to that you know, maybe they're agents of celebrities. Is 219 00:13:31,320 --> 00:13:34,240 Speaker 1: I feel like we're always hearing stories about let's call 220 00:13:34,280 --> 00:13:37,960 Speaker 1: it technology going rogue. I remember there was a virtual 221 00:13:38,120 --> 00:13:42,520 Speaker 1: artist fan Mecha last year who sounded somewhat similar in 222 00:13:42,520 --> 00:13:46,960 Speaker 1: this kind of technology spouted racist things. I feel like 223 00:13:47,000 --> 00:13:50,160 Speaker 1: it's almost inevitable. We always hear these things. Do you 224 00:13:50,480 --> 00:13:53,439 Speaker 1: encounter these concerns and what do you say to those 225 00:13:53,520 --> 00:13:54,440 Speaker 1: you're trying to win over? 226 00:13:54,720 --> 00:13:58,160 Speaker 2: Yeah, I mean, look, you know this debate we you know, 227 00:13:58,200 --> 00:14:01,280 Speaker 2: I mean artificial intelligence. I mean last year was something 228 00:14:01,360 --> 00:14:03,560 Speaker 2: that was in the world of technology, in the world 229 00:14:03,559 --> 00:14:07,560 Speaker 2: of research labs, and now artificial intelligence that thanks to chat, 230 00:14:07,600 --> 00:14:10,560 Speaker 2: gpt is and app we all have on our smartphones now, 231 00:14:10,679 --> 00:14:15,520 Speaker 2: so we all use even though we artificial intelligence touched 232 00:14:15,600 --> 00:14:18,400 Speaker 2: us every day previously, and if we bought something on 233 00:14:18,440 --> 00:14:22,080 Speaker 2: Amazon AI was driving the algorithms in the background, or 234 00:14:22,120 --> 00:14:25,720 Speaker 2: on social media, it's driving the advertising algorithms in the background. 235 00:14:25,760 --> 00:14:29,120 Speaker 2: So we weren't making a choice to engage with AI 236 00:14:29,560 --> 00:14:33,200 Speaker 2: as consumers. Now we are, So you know, that debate 237 00:14:33,240 --> 00:14:36,040 Speaker 2: has really really come to the forefront. Is you know, 238 00:14:36,280 --> 00:14:38,320 Speaker 2: are the robots coming? Are they going to kill us? 239 00:14:38,320 --> 00:14:40,880 Speaker 2: Are they going to rule over us? And I guess 240 00:14:40,880 --> 00:14:43,120 Speaker 2: we're you know, so there's two parts of this. So one, 241 00:14:43,280 --> 00:14:46,560 Speaker 2: I think the debate's really really good. It's great to 242 00:14:46,680 --> 00:14:51,320 Speaker 2: have both sides of that debate, and it's great to 243 00:14:51,320 --> 00:14:54,000 Speaker 2: have so many people engaging in that debate because when 244 00:14:54,040 --> 00:14:58,480 Speaker 2: you think about the last big technology wave that came along, 245 00:14:58,480 --> 00:15:01,440 Speaker 2: which was the social media wave, you know, we just 246 00:15:01,880 --> 00:15:04,120 Speaker 2: came along for the right, you know, and then we 247 00:15:04,280 --> 00:15:07,760 Speaker 2: learned about you know, the perils of fate news and 248 00:15:07,840 --> 00:15:09,640 Speaker 2: all of the sort that kind of happened to us. 249 00:15:09,640 --> 00:15:13,480 Speaker 2: So as we move into this world where artificial intelligence 250 00:15:13,600 --> 00:15:16,440 Speaker 2: is becoming a bigger and bigger part of it, I 251 00:15:16,520 --> 00:15:18,960 Speaker 2: think it's a fantastic thing that there is so much 252 00:15:19,040 --> 00:15:23,000 Speaker 2: debate going on and people are expressing their concern because 253 00:15:23,000 --> 00:15:26,320 Speaker 2: that puts you know, an absolute focus on you know, 254 00:15:26,480 --> 00:15:29,480 Speaker 2: providers like us to make it safe you know, and 255 00:15:29,920 --> 00:15:32,800 Speaker 2: you know and to you know, and so you've seen 256 00:15:32,960 --> 00:15:35,680 Speaker 2: worth you know, as we've all started to use these 257 00:15:35,760 --> 00:15:40,120 Speaker 2: large language models. They you know, I mean, they hallucinate, 258 00:15:40,280 --> 00:15:42,640 Speaker 2: so they make stuff up because they're just predicting what 259 00:15:42,680 --> 00:15:44,680 Speaker 2: word comes next, So they make stuff up from time 260 00:15:44,760 --> 00:15:48,320 Speaker 2: to time. But the rate of learning, you know, is incredible. 261 00:15:48,400 --> 00:15:52,600 Speaker 2: The safeguards that are there that have been built into that, 262 00:15:52,680 --> 00:15:56,600 Speaker 2: and the safeguards that you can train into it, you know, 263 00:15:56,720 --> 00:16:00,440 Speaker 2: quite substantial, you know. Within you know, the large language 264 00:16:00,440 --> 00:16:02,880 Speaker 2: models and chat GPT sort of hit the market really, 265 00:16:02,920 --> 00:16:05,440 Speaker 2: I guess at the beginning of this year, and already 266 00:16:05,440 --> 00:16:09,880 Speaker 2: we've got something you know, evolving called a private language model. Yeah. 267 00:16:10,000 --> 00:16:13,280 Speaker 2: So a private language model is where you can train 268 00:16:14,040 --> 00:16:18,600 Speaker 2: ah if you're like a closed version of knowledge or content. 269 00:16:18,800 --> 00:16:22,960 Speaker 2: So you know, a digital Camelo Anthony can only speak 270 00:16:23,200 --> 00:16:27,080 Speaker 2: about the content you train it on, but I can 271 00:16:27,080 --> 00:16:31,000 Speaker 2: still speak in an incredibly conversational way. So you know, 272 00:16:31,080 --> 00:16:34,120 Speaker 2: then this idea of having to build safeguards and you know, 273 00:16:34,520 --> 00:16:37,240 Speaker 2: and keep things careful. And then in the example you gave, 274 00:16:37,560 --> 00:16:41,160 Speaker 2: you know, I can remember reading about it, and you know, 275 00:16:41,680 --> 00:16:46,240 Speaker 2: I think you know, you know, they didn't really think 276 00:16:46,360 --> 00:16:51,040 Speaker 2: through the ethics of what they were doing and doing 277 00:16:51,080 --> 00:16:53,560 Speaker 2: it and you know, doing it and executing it in 278 00:16:53,560 --> 00:16:56,160 Speaker 2: the most responsible way. I think, you know, from you know, 279 00:16:56,200 --> 00:16:59,200 Speaker 2: they got you know, you know, I think a pretty 280 00:16:59,200 --> 00:17:01,880 Speaker 2: heavily criticized My memory serves me, right, you know, by 281 00:17:02,000 --> 00:17:05,040 Speaker 2: being a bunch of white tech bros, you know, trying 282 00:17:05,040 --> 00:17:08,840 Speaker 2: to build a you know, an African American American rapper 283 00:17:09,320 --> 00:17:12,160 Speaker 2: and so got into all sorts of cultural and sensitive 284 00:17:12,240 --> 00:17:14,560 Speaker 2: is insensitivities and things like that, and you know, very 285 00:17:14,600 --> 00:17:17,960 Speaker 2: very quickly got taken down. So in the world in 286 00:17:18,000 --> 00:17:20,159 Speaker 2: which we live, you know, you have to be incredibly 287 00:17:20,160 --> 00:17:22,760 Speaker 2: thoughtful about how you engage you know, how we think 288 00:17:22,800 --> 00:17:25,480 Speaker 2: about it. I mean, there are areas of business that 289 00:17:25,520 --> 00:17:27,360 Speaker 2: we don't want to be involved in. I don't want 290 00:17:27,440 --> 00:17:31,120 Speaker 2: to produce digital twins and politicians, Okay, I mean that's 291 00:17:31,200 --> 00:17:33,320 Speaker 2: that's that's an example, I mean, because I mean we 292 00:17:33,400 --> 00:17:36,720 Speaker 2: can look at, you know, what, how fake news has 293 00:17:36,760 --> 00:17:39,520 Speaker 2: impacted the democratic democratic process. 294 00:17:40,520 --> 00:17:43,240 Speaker 1: What about a virtual or a digital twin of our 295 00:17:43,280 --> 00:17:44,440 Speaker 1: news anchor. 296 00:17:45,800 --> 00:17:47,639 Speaker 2: As long I mean, and once again, we don't do 297 00:17:47,760 --> 00:17:50,439 Speaker 2: digital twins of anybody unless we hone the name likeness 298 00:17:50,440 --> 00:17:52,600 Speaker 2: and image and we you know, we have a relationship 299 00:17:52,600 --> 00:17:55,720 Speaker 2: with those persons. But yeah, I mean, yeah, that's I mean, 300 00:17:55,720 --> 00:17:58,600 Speaker 2: that's something that you know, might be you know, might 301 00:17:58,640 --> 00:18:02,400 Speaker 2: be amazing to think about as as we move forward 302 00:18:02,480 --> 00:18:05,000 Speaker 2: into this world of digital content. Because if you think 303 00:18:05,040 --> 00:18:08,879 Speaker 2: about the world of the news anchor that you know, 304 00:18:08,920 --> 00:18:12,080 Speaker 2: and we go back to the television you know, the 305 00:18:12,160 --> 00:18:14,919 Speaker 2: old olden days and the television area where we you know, 306 00:18:14,960 --> 00:18:18,200 Speaker 2: we all tuned into the six o'clock news, the prime 307 00:18:18,280 --> 00:18:21,639 Speaker 2: time news to because this was a trusted face, a 308 00:18:21,680 --> 00:18:24,639 Speaker 2: trusted voice, a source of the truth. You know, you 309 00:18:24,640 --> 00:18:27,520 Speaker 2: could imagine the need for I mean, we do imagine 310 00:18:27,520 --> 00:18:29,720 Speaker 2: the need for you know, we need more trusted voices 311 00:18:29,760 --> 00:18:35,399 Speaker 2: and trusted brands, you know, and that emotional connection. I 312 00:18:35,440 --> 00:18:38,320 Speaker 2: think that's a big part of you know, what's missing 313 00:18:38,320 --> 00:18:40,160 Speaker 2: in some of the digital worlds. So yeah, we think 314 00:18:40,400 --> 00:18:42,719 Speaker 2: we spend a lot of time thinking about how we 315 00:18:42,760 --> 00:18:45,400 Speaker 2: create those types of connections. You know, when you talk 316 00:18:45,480 --> 00:18:49,440 Speaker 2: to digital mallow and we're very clearful you're not we're 317 00:18:49,480 --> 00:18:50,879 Speaker 2: not trying to trick you that you're talking to the 318 00:18:50,920 --> 00:18:53,399 Speaker 2: real Camelo Anthony. This is a digital version. 319 00:18:53,440 --> 00:18:56,040 Speaker 1: I noticed he sort of identifies that he is not 320 00:18:56,320 --> 00:18:57,160 Speaker 1: the real Yeah. 321 00:18:57,760 --> 00:18:59,800 Speaker 2: I mean that's really important because if you think about 322 00:18:59,800 --> 00:19:03,080 Speaker 2: the concept of establishing an emotional connection that's based on 323 00:19:03,119 --> 00:19:06,040 Speaker 2: a level of trust and integrity, and you don't get 324 00:19:06,080 --> 00:19:09,960 Speaker 2: that when you're trying to full somebody that you're the 325 00:19:10,000 --> 00:19:12,680 Speaker 2: real thing when you're not. You know, So the way 326 00:19:12,720 --> 00:19:17,760 Speaker 2: in which we can provide education and in so many 327 00:19:17,760 --> 00:19:21,320 Speaker 2: different fields, AI is already having such a positive impact, 328 00:19:21,359 --> 00:19:26,720 Speaker 2: and so it's always easy to focus on one side 329 00:19:26,720 --> 00:19:29,840 Speaker 2: of the debate and forget about, you know, the amazing 330 00:19:30,400 --> 00:19:32,280 Speaker 2: and the incredible things we do a lot of work 331 00:19:32,320 --> 00:19:35,520 Speaker 2: in as well as working in entertainment with celebrities and 332 00:19:35,520 --> 00:19:37,600 Speaker 2: big brands, we do a lot of work in health 333 00:19:37,600 --> 00:19:39,840 Speaker 2: care and education. And you know, when you stop and 334 00:19:39,880 --> 00:19:42,760 Speaker 2: think about health care and education and sectors, we don't 335 00:19:42,800 --> 00:19:45,800 Speaker 2: have enough real people in those sectors at the moment. 336 00:19:45,840 --> 00:19:48,600 Speaker 2: We don't have enough teachers in many communities, we don't 337 00:19:49,800 --> 00:19:51,959 Speaker 2: you know, in this post COVID era, we don't have 338 00:19:52,080 --> 00:19:56,439 Speaker 2: enough nurses and healthcare professionals. So, I mean, so ways 339 00:19:56,480 --> 00:20:01,760 Speaker 2: in which artificial intelligence, the ways and which sort of 340 00:20:01,760 --> 00:20:05,160 Speaker 2: digital people that we create can make a difference. 341 00:20:08,560 --> 00:20:10,639 Speaker 1: We'll be right back. We're going to talk more with 342 00:20:10,760 --> 00:20:14,560 Speaker 1: Soul Machines CEO Greg Cross in just a moment. Hi, 343 00:20:14,640 --> 00:20:19,399 Speaker 1: this is Andrew Wallenstein with Variety's Strictly Business podcast. If 344 00:20:19,440 --> 00:20:21,880 Speaker 1: you love Varieties podcasts, you're going to want to try 345 00:20:22,119 --> 00:20:27,920 Speaker 1: Variety Intelligence Platform or VIP. It's a digital subscription tier 346 00:20:27,960 --> 00:20:31,560 Speaker 1: on Variety dot com for industry professionals to dig deeper 347 00:20:31,600 --> 00:20:35,160 Speaker 1: into analysis and data that helps them be smarter about 348 00:20:35,200 --> 00:20:38,840 Speaker 1: their business. VIP just launched a great new newsletter and 349 00:20:38,880 --> 00:20:42,840 Speaker 1: offers more special reports than ever, So visit Variety dot 350 00:20:42,960 --> 00:20:50,120 Speaker 1: com slash vip save for a twenty percent discount. Now 351 00:20:50,119 --> 00:20:55,240 Speaker 1: we're back with Soul Machines CEO Greg Cross. Greg, you know, 352 00:20:55,280 --> 00:20:57,919 Speaker 1: we were just talking about the safety issue and I 353 00:20:57,960 --> 00:21:01,879 Speaker 1: hear you're taking great care here. The technology is going 354 00:21:01,920 --> 00:21:04,159 Speaker 1: to get better and better. But at the end of 355 00:21:04,200 --> 00:21:06,320 Speaker 1: the day, there's a bit of a paradox here because 356 00:21:06,680 --> 00:21:10,119 Speaker 1: at the end of the day they're autonomous, and I 357 00:21:10,119 --> 00:21:14,399 Speaker 1: guess they're safeguards, but I still put myself in the 358 00:21:14,400 --> 00:21:17,119 Speaker 1: shoes of say an agent you were pitching your services to, 359 00:21:17,800 --> 00:21:24,080 Speaker 1: and can you truly guarantee that my you know, this 360 00:21:24,240 --> 00:21:27,400 Speaker 1: digital double of the celebrity is not going to get 361 00:21:27,440 --> 00:21:31,960 Speaker 1: my real celebrity in trouble, you know, what do you 362 00:21:32,240 --> 00:21:35,800 Speaker 1: possibly say to you know, placate those fears? 363 00:21:36,000 --> 00:21:38,520 Speaker 2: Yeah, you know, so the first thing, real celebrities can 364 00:21:38,520 --> 00:21:40,520 Speaker 2: do a pretty good job of getting that in trouble 365 00:21:40,560 --> 00:21:43,760 Speaker 2: in their own rights. So, I mean, you know, the 366 00:21:43,760 --> 00:21:48,960 Speaker 2: digital world often mimics the real world. So so look, 367 00:21:49,440 --> 00:21:52,920 Speaker 2: you know, there are I mean, there are simple safeguards 368 00:21:52,720 --> 00:21:54,800 Speaker 2: that we can put in place. So when we create 369 00:21:54,840 --> 00:22:00,399 Speaker 2: a digital personality, for you know, like a Camelo Anthony, 370 00:22:01,240 --> 00:22:04,960 Speaker 2: the digital personality we configure doesn't include his ability to 371 00:22:05,000 --> 00:22:10,119 Speaker 2: express any negative emotions. So you know, physically, you know that, 372 00:22:10,400 --> 00:22:14,800 Speaker 2: you know, we're going to protect the public persona and 373 00:22:14,840 --> 00:22:21,399 Speaker 2: the public brand of Mallow through a personality that, you know, 374 00:22:21,840 --> 00:22:26,399 Speaker 2: a digital personality that has no ability to express negative emotion. 375 00:22:26,480 --> 00:22:27,919 Speaker 1: But then let me argue the other side of it, 376 00:22:27,960 --> 00:22:31,359 Speaker 1: which is you put in too many safeguards. The animation 377 00:22:31,760 --> 00:22:36,000 Speaker 1: doesn't seem real enough, Like so do you sort of 378 00:22:36,080 --> 00:22:37,200 Speaker 1: is it a double edged sword? 379 00:22:37,480 --> 00:22:39,199 Speaker 2: No, not really, because at the end of the day, 380 00:22:39,200 --> 00:22:43,160 Speaker 2: it's human beings. We tend to respond, you know, mainly 381 00:22:43,200 --> 00:22:47,679 Speaker 2: to positive emotional constructs. An emotional connection is formed, you know, 382 00:22:48,119 --> 00:22:52,159 Speaker 2: from the simple act of saying hello and smiling. You know, 383 00:22:52,320 --> 00:22:57,280 Speaker 2: that's what triggers the dopamine and serotonin in your brain, 384 00:22:57,480 --> 00:23:01,640 Speaker 2: which you know creates this positive connections that in these 385 00:23:01,680 --> 00:23:05,520 Speaker 2: positive emotions, you know, our brain much prefers that that state. 386 00:23:06,200 --> 00:23:10,639 Speaker 2: Then the agitated angry states that you know, you know, 387 00:23:11,040 --> 00:23:13,000 Speaker 2: you know, are the flip side of that. So no, 388 00:23:13,160 --> 00:23:16,199 Speaker 2: I don't know, I don't see that. You know that, 389 00:23:16,920 --> 00:23:21,199 Speaker 2: you know, we're not effectively taking away the power to connect. 390 00:23:21,280 --> 00:23:23,080 Speaker 2: I mean, because I say the power to connect comes 391 00:23:23,119 --> 00:23:25,560 Speaker 2: from positive emotion, not so much negotive emotion. 392 00:23:25,840 --> 00:23:28,680 Speaker 1: So you've been around since twenty sixteen with this company, 393 00:23:28,720 --> 00:23:30,399 Speaker 1: and so I'm wondering, as we sit here in twenty 394 00:23:30,400 --> 00:23:33,720 Speaker 1: twenty three, how come I'm not seeing you know, thousands 395 00:23:33,720 --> 00:23:37,480 Speaker 1: of these digital mellows for every other NBA player or 396 00:23:37,520 --> 00:23:40,159 Speaker 1: every other TV star, movie star, musician. 397 00:23:40,480 --> 00:23:43,879 Speaker 2: Sure, and you know we're just at the beginning of 398 00:23:44,240 --> 00:23:48,520 Speaker 2: this era, you know, to create I mean, the cost 399 00:23:48,560 --> 00:23:53,320 Speaker 2: of and the process is to create these incredibly realistic 400 00:23:53,400 --> 00:23:58,440 Speaker 2: CGI characters, you know, you know, you go back several years, 401 00:23:58,880 --> 00:24:01,720 Speaker 2: you know, and the cost of creating CGI movies, I 402 00:24:01,720 --> 00:24:03,920 Speaker 2: mean these are I mean, it's eye watering in terms 403 00:24:03,920 --> 00:24:07,640 Speaker 2: of the ability to create CGI characters, and it can 404 00:24:07,680 --> 00:24:10,600 Speaker 2: cost hundreds of thousands of dollars per minute of animation 405 00:24:11,240 --> 00:24:14,719 Speaker 2: to create pre recorded content of the quality required in 406 00:24:14,800 --> 00:24:18,560 Speaker 2: the movie industry and the games industry. So there's been 407 00:24:18,600 --> 00:24:20,400 Speaker 2: a huge amount of research. I mean we're ten years 408 00:24:20,440 --> 00:24:23,359 Speaker 2: into our research program, you know, and a lot of 409 00:24:23,400 --> 00:24:26,639 Speaker 2: effort to actually reduce that cost. So I mean we 410 00:24:26,760 --> 00:24:28,760 Speaker 2: can now you know, when we started, I'll give you 411 00:24:29,680 --> 00:24:32,760 Speaker 2: some idea. When we started, we did our first digital twin. 412 00:24:32,880 --> 00:24:36,880 Speaker 2: We created Jack Nicklas, the golfer, the golfer, the golfing legend. 413 00:24:37,400 --> 00:24:40,720 Speaker 2: Jack wanted to be first, I mean seriously, and he's 414 00:24:40,760 --> 00:24:43,479 Speaker 2: eighty three years old and he had no qualms. I 415 00:24:43,520 --> 00:24:46,080 Speaker 2: want to be first, but I want to be thirty 416 00:24:46,119 --> 00:24:49,119 Speaker 2: eight years old again. And that's what we did. So 417 00:24:49,160 --> 00:24:52,600 Speaker 2: we made Jack thirty eight years old. And why did 418 00:24:52,600 --> 00:24:54,640 Speaker 2: he pick thirty eight Because Jack, I mean, that's when 419 00:24:54,680 --> 00:24:56,440 Speaker 2: I was playing my best golf. I was in the 420 00:24:56,800 --> 00:25:00,000 Speaker 2: prime of my you know, when he won the British 421 00:25:00,080 --> 00:25:01,879 Speaker 2: Open for the last time at nineteen seventy eight. So 422 00:25:01,880 --> 00:25:04,440 Speaker 2: we made a digital twiner of Jack at thirty eight 423 00:25:04,480 --> 00:25:08,280 Speaker 2: years old for him. When we did that project, it 424 00:25:08,320 --> 00:25:11,840 Speaker 2: took us six months to build digital jack. You know, 425 00:25:12,480 --> 00:25:18,160 Speaker 2: with our most recent celebrity that we've announced, the digital 426 00:25:18,200 --> 00:25:20,240 Speaker 2: twinter Mark Twine, the K pop star I was telling 427 00:25:20,280 --> 00:25:22,520 Speaker 2: you about, that took less than four weeks. 428 00:25:23,119 --> 00:25:24,320 Speaker 1: So you're getting better at there. 429 00:25:24,359 --> 00:25:27,760 Speaker 2: So it's just getting faster and faster and faster. 430 00:25:28,200 --> 00:25:30,480 Speaker 1: And is it getting cheaper and cheaper, because if it's not, 431 00:25:30,680 --> 00:25:31,800 Speaker 1: how does this a business? 432 00:25:31,880 --> 00:25:34,080 Speaker 2: Yeah? Of course, I mean, of course it gets cheaper 433 00:25:34,119 --> 00:25:36,040 Speaker 2: because you know, I mean, if you think about the 434 00:25:36,080 --> 00:25:39,199 Speaker 2: sort of CGI characters you know that appear in the 435 00:25:39,240 --> 00:25:41,320 Speaker 2: movie and the games entry, they're all built by hand. 436 00:25:41,960 --> 00:25:44,600 Speaker 2: So yeah, what we're focused on, you know, is we're 437 00:25:44,640 --> 00:25:47,639 Speaker 2: automating the production process. And so if you go to 438 00:25:47,720 --> 00:25:52,080 Speaker 2: our website and you can talk to Nova. So Nova 439 00:25:52,520 --> 00:25:56,119 Speaker 2: is not a digital celebrity, she's our brand ambassador and 440 00:25:56,160 --> 00:26:01,600 Speaker 2: she's a synthetic digital person. She is she's not made 441 00:26:01,600 --> 00:26:04,280 Speaker 2: off the likeness of a real person, you know. So 442 00:26:04,440 --> 00:26:07,920 Speaker 2: we we have a creative suite for our synthetic digital people. 443 00:26:07,920 --> 00:26:10,919 Speaker 2: That means literally anybody in the world can create a 444 00:26:11,040 --> 00:26:17,040 Speaker 2: high quality, a hyper realistic CGI character in minutes. You know, 445 00:26:17,280 --> 00:26:22,480 Speaker 2: different different ages, you know, either gender or blended genders, 446 00:26:24,000 --> 00:26:26,959 Speaker 2: different ethnicities, they can you know, you can choose different 447 00:26:27,440 --> 00:26:30,600 Speaker 2: accents and different voices and different languages that they speak. 448 00:26:30,600 --> 00:26:33,160 Speaker 2: All of this is exists in the world of AI today. 449 00:26:33,240 --> 00:26:37,480 Speaker 2: I mean, you know, when we work with our partners 450 00:26:37,520 --> 00:26:42,040 Speaker 2: to create a synthetic digital voice for for Jack Nicholas, 451 00:26:42,960 --> 00:26:45,160 Speaker 2: we can take his English voice and turn it into 452 00:26:45,240 --> 00:26:49,800 Speaker 2: Japanese and into Mandarin. You know, Jack is about to 453 00:26:49,800 --> 00:26:54,200 Speaker 2: become a brand ambassador for a golf merchandising company in Tokyo. 454 00:26:54,280 --> 00:26:55,920 Speaker 2: I mean, Jack in real life doesn't speak a word 455 00:26:55,920 --> 00:26:59,000 Speaker 2: of Japanese. His digital thirty eight year old digital twin 456 00:26:59,280 --> 00:27:02,879 Speaker 2: speaks fluid Japanese in Jack's voice. So you know these 457 00:27:03,320 --> 00:27:05,119 Speaker 2: you know, these are you know, so all of the 458 00:27:05,160 --> 00:27:07,480 Speaker 2: stuff gets faster and faster and faster at this point 459 00:27:07,520 --> 00:27:10,200 Speaker 2: in time. And you know, and the big breakthroughs in 460 00:27:10,280 --> 00:27:12,800 Speaker 2: AI that we've seen with the large language models like 461 00:27:12,880 --> 00:27:16,400 Speaker 2: Chad GPT have just accelerated that at a dramatic rate. 462 00:27:16,600 --> 00:27:18,919 Speaker 1: So fast forward for me for a little like, do 463 00:27:19,000 --> 00:27:21,920 Speaker 1: you see two years from now or five years from now, 464 00:27:22,520 --> 00:27:26,000 Speaker 1: you know, every Hollywood celebrity is going to have a 465 00:27:26,080 --> 00:27:27,200 Speaker 1: digital double. 466 00:27:26,960 --> 00:27:30,359 Speaker 2: Like absolutely, you know, absolutely, I mean you know, I mean, 467 00:27:30,520 --> 00:27:32,399 Speaker 2: you know, if you think back to the early days 468 00:27:32,440 --> 00:27:35,400 Speaker 2: of social media, you know, I mean that's a good yeah. 469 00:27:35,400 --> 00:27:38,200 Speaker 2: I mean not everybody, not every celebrity had an Instagram 470 00:27:38,240 --> 00:27:43,560 Speaker 2: account or a Facebook account. Now everybody does, so yeah, 471 00:27:43,600 --> 00:27:46,000 Speaker 2: I mean, this is this is a process of you know, 472 00:27:46,160 --> 00:27:50,120 Speaker 2: the technology becoming you know, a bigger and bigger part 473 00:27:50,160 --> 00:27:54,520 Speaker 2: of people's lives. You know, within the sort of time 474 00:27:54,560 --> 00:27:56,840 Speaker 2: frames you were just talking about. Then you know, you 475 00:27:56,880 --> 00:27:59,440 Speaker 2: will have a choice to make a digital twin of yourself, 476 00:28:00,640 --> 00:28:03,879 Speaker 2: a hyper realistic digital twin of yourself, you know, I 477 00:28:03,880 --> 00:28:04,800 Speaker 2: mean today, you. 478 00:28:04,760 --> 00:28:05,960 Speaker 1: Know, Wafe would be thrilled. 479 00:28:07,440 --> 00:28:09,040 Speaker 2: You know, you'll be able to take ten years off 480 00:28:09,040 --> 00:28:12,000 Speaker 2: your age if you want. You know, you you know, 481 00:28:12,160 --> 00:28:15,040 Speaker 2: you'll be able to have you know, long hair if 482 00:28:15,080 --> 00:28:17,400 Speaker 2: you want, or you know, blonde hair. I mean, these 483 00:28:17,440 --> 00:28:18,600 Speaker 2: are you know, I mean, these are some of the 484 00:28:18,600 --> 00:28:21,040 Speaker 2: things that that will that that you know, and you'll 485 00:28:21,040 --> 00:28:23,920 Speaker 2: be able to train that digital person and the personality 486 00:28:23,920 --> 00:28:27,040 Speaker 2: you want them to represent yourself and just by talking 487 00:28:27,040 --> 00:28:29,359 Speaker 2: to them and interacting with them. And you know, and 488 00:28:29,400 --> 00:28:32,520 Speaker 2: while you know, creating a custom voice today you know, 489 00:28:32,960 --> 00:28:37,160 Speaker 2: you know takes you know, a few hours of voice recording, 490 00:28:37,520 --> 00:28:39,600 Speaker 2: you know, in the future, it will take a few 491 00:28:39,640 --> 00:28:42,320 Speaker 2: minutes or a few seconds of voice recording to train 492 00:28:42,560 --> 00:28:44,680 Speaker 2: at a custom voice. So you know, these are you know, 493 00:28:44,720 --> 00:28:48,480 Speaker 2: so all of these technologies will you know, democratize in 494 00:28:48,560 --> 00:28:51,680 Speaker 2: the same way that you know, social media has enabled 495 00:28:51,760 --> 00:28:55,440 Speaker 2: us to stay in touch with our our favorite celebrities 496 00:28:55,920 --> 00:28:57,040 Speaker 2: you know online today. 497 00:28:57,240 --> 00:29:00,480 Speaker 1: Speaking of social media, you know, the celebrity has got 498 00:29:00,480 --> 00:29:05,720 Speaker 1: there after a generation of influencers or creators figured that 499 00:29:05,880 --> 00:29:08,880 Speaker 1: all that and then the celebrities came in. Your business 500 00:29:08,920 --> 00:29:13,240 Speaker 1: is now also catering to the influencer crowd with this 501 00:29:13,800 --> 00:29:16,160 Speaker 1: new product that you have out. Explain how that one. 502 00:29:16,120 --> 00:29:19,320 Speaker 2: Is, yeah, I mean, yeah, you know, this is the 503 00:29:19,320 --> 00:29:22,600 Speaker 2: Digital DNA Studio, which is a creative suite, so you know, 504 00:29:22,840 --> 00:29:26,920 Speaker 2: which means people can create a digital influencer themselves. They 505 00:29:26,960 --> 00:29:29,920 Speaker 2: can they can create skills for it, they can attach 506 00:29:30,040 --> 00:29:36,000 Speaker 2: it to a GPT engine or a conversational knowledge base, 507 00:29:36,920 --> 00:29:38,840 Speaker 2: and then they can deploy it in an e commerce 508 00:29:38,880 --> 00:29:41,520 Speaker 2: store or a web store or a smartphone app. So 509 00:29:41,600 --> 00:29:43,959 Speaker 2: this is you know, this is the way we you know, 510 00:29:44,320 --> 00:29:45,920 Speaker 2: we are going about, you know, one of the ways 511 00:29:45,960 --> 00:29:48,920 Speaker 2: we're going about building our business more on the commercial side. 512 00:29:48,960 --> 00:29:51,720 Speaker 2: You know, when you come to celebrities. You know, you've 513 00:29:51,720 --> 00:29:54,000 Speaker 2: got to know, you take a lot more time and 514 00:29:54,040 --> 00:29:57,000 Speaker 2: spend a lot you know, you actually want to replicate 515 00:29:57,280 --> 00:30:01,120 Speaker 2: you know, you know the celebrity, you as accurately as 516 00:30:01,160 --> 00:30:05,800 Speaker 2: you can. Their mannerisms, there, the behaviors that are identifiable 517 00:30:06,640 --> 00:30:10,360 Speaker 2: you know in real life. You you that requires more work. 518 00:30:11,320 --> 00:30:13,719 Speaker 1: And on that note, to some degree, I listen to 519 00:30:13,720 --> 00:30:16,160 Speaker 1: this and I say to myself, why even bother with 520 00:30:16,240 --> 00:30:19,680 Speaker 1: the celebrities you can create you For instance, you're talking 521 00:30:19,680 --> 00:30:24,480 Speaker 1: about Novaya. Give Nova a singing voice, gives Nova acting talent. 522 00:30:24,880 --> 00:30:27,920 Speaker 1: There is this whole branch of synthetic media where they 523 00:30:28,000 --> 00:30:29,600 Speaker 1: try to create their own are you. 524 00:30:29,640 --> 00:30:32,080 Speaker 2: Yeah, yeah, I mean of course I mean and yeah, yeah, 525 00:30:32,120 --> 00:30:34,160 Speaker 2: of course you know, and so we will, without a doubt, 526 00:30:34,160 --> 00:30:37,440 Speaker 2: we will have creators who go and create their version 527 00:30:37,440 --> 00:30:40,640 Speaker 2: of Nova, you know, our digital influencer and they and 528 00:30:40,680 --> 00:30:43,000 Speaker 2: they create it, and they will create audiences for them 529 00:30:43,040 --> 00:30:46,080 Speaker 2: on social media, which they will in turn be able 530 00:30:46,080 --> 00:30:48,120 Speaker 2: to monetize and you know, they will be able to 531 00:30:48,120 --> 00:30:51,240 Speaker 2: click on that and then go have a live conversation 532 00:30:51,320 --> 00:30:52,920 Speaker 2: and if they know and they might be able to, 533 00:30:52,920 --> 00:30:54,960 Speaker 2: you know, they might end up live streaming, you know, 534 00:30:55,040 --> 00:30:58,240 Speaker 2: their their digital influencer on you know, on a streaming 535 00:30:58,280 --> 00:31:01,840 Speaker 2: platform and enabling fair to pay to interact with their 536 00:31:02,400 --> 00:31:04,240 Speaker 2: you know, with their digital influence. I mean, there's some 537 00:31:04,280 --> 00:31:07,560 Speaker 2: great examples of it out there already where you know, 538 00:31:07,640 --> 00:31:11,640 Speaker 2: we've seen Brazil is a big market for these digital 539 00:31:11,680 --> 00:31:14,840 Speaker 2: influences and then these digital ambassadors. So you know, one 540 00:31:14,840 --> 00:31:17,360 Speaker 2: of the biggest, one of the most successful ones is 541 00:31:18,440 --> 00:31:23,040 Speaker 2: a digital influencer called Lou of Margalou. She represents one 542 00:31:23,040 --> 00:31:27,600 Speaker 2: of the largest retail chains in Brazil and they've had 543 00:31:27,640 --> 00:31:30,480 Speaker 2: Lou out there and she's mainly she's a CGI character. 544 00:31:30,560 --> 00:31:33,520 Speaker 2: She's a made up CGI character. She's not a real person. 545 00:31:34,600 --> 00:31:36,640 Speaker 2: And she's been around for I think ten odd years. 546 00:31:36,640 --> 00:31:40,680 Speaker 2: She has over thirty million followers on social media, and 547 00:31:40,720 --> 00:31:44,120 Speaker 2: she has gone past just being a brand ambassador for 548 00:31:44,400 --> 00:31:48,640 Speaker 2: you know, the retail brand that she represents. She's become 549 00:31:48,880 --> 00:31:53,040 Speaker 2: a social influencer in Brazil. You know, she is outspoken 550 00:31:53,080 --> 00:31:56,480 Speaker 2: on women's rights in Brazil, for example. So you know, 551 00:31:56,520 --> 00:31:58,160 Speaker 2: I mean, this is you know, I mean, but we 552 00:31:58,200 --> 00:32:00,280 Speaker 2: see this on a regular basis. I Mean, some of 553 00:32:00,320 --> 00:32:02,600 Speaker 2: the biggest celebrities in the world have hundreds of millions 554 00:32:02,640 --> 00:32:06,120 Speaker 2: of followers. They have a percentage of those followers, and 555 00:32:06,600 --> 00:32:09,000 Speaker 2: I feel like they have a personal connection with those 556 00:32:09,040 --> 00:32:13,080 Speaker 2: celebrities just because they're able to like or post comments 557 00:32:13,120 --> 00:32:16,080 Speaker 2: against their social media posts. So, you know, a lot 558 00:32:16,120 --> 00:32:19,720 Speaker 2: of these digital behaviors around, you know, this world of 559 00:32:19,880 --> 00:32:23,600 Speaker 2: celebrity and this world of influences you know, you know 560 00:32:23,640 --> 00:32:26,880 Speaker 2: already exists and except you know worth when you create 561 00:32:26,880 --> 00:32:29,240 Speaker 2: a digital twin, you make it more intimate, you make 562 00:32:29,280 --> 00:32:33,680 Speaker 2: it more connective, you make it more believable, and that 563 00:32:34,000 --> 00:32:36,360 Speaker 2: you know what what we're we're incredibly excited by that 564 00:32:36,480 --> 00:32:39,480 Speaker 2: asn't as an opportunity. So you know, you can imagine, 565 00:32:39,680 --> 00:32:44,600 Speaker 2: you know, if we're you know, we're working with you 566 00:32:44,640 --> 00:32:47,520 Speaker 2: know Hollywood star, you know, I mean we've talked about 567 00:32:47,520 --> 00:32:50,760 Speaker 2: Marilyn Mony, but if we're talking about we have a 568 00:32:50,760 --> 00:32:53,840 Speaker 2: Hollywood star who's got a big back catalog of films. 569 00:32:53,920 --> 00:32:56,640 Speaker 2: You know, you could your or you know one of 570 00:32:56,680 --> 00:32:59,720 Speaker 2: the production studios who's created a movie franchise, you know 571 00:32:59,760 --> 00:33:03,200 Speaker 2: where they have multiple installments of that movie franchise, and 572 00:33:03,400 --> 00:33:07,400 Speaker 2: imagine bringing that actor to life as that character and 573 00:33:07,560 --> 00:33:10,720 Speaker 2: fans of that movie franchise can have a day to 574 00:33:10,800 --> 00:33:13,960 Speaker 2: day relationship with that character and you know, they can 575 00:33:14,000 --> 00:33:17,880 Speaker 2: get backstories and insights and feel connected to you know, 576 00:33:17,960 --> 00:33:20,360 Speaker 2: on a you know, literally on a day to day basis, 577 00:33:20,440 --> 00:33:23,440 Speaker 2: rather than having to wait twelve months or you know, 578 00:33:23,480 --> 00:33:27,240 Speaker 2: between a franchise installment. So these are you I mean, 579 00:33:27,240 --> 00:33:29,480 Speaker 2: these are some of the ways in which you know, 580 00:33:29,520 --> 00:33:32,120 Speaker 2: we think about fan engagement. I mean, if you can 581 00:33:32,200 --> 00:33:37,040 Speaker 2: to get into the world of professional sports games like football, 582 00:33:37,280 --> 00:33:40,520 Speaker 2: you know, the NFL has an interesting challenge with the 583 00:33:40,640 --> 00:33:43,760 Speaker 2: kids of today. They don't sit still for four hours 584 00:33:44,240 --> 00:33:46,760 Speaker 2: on a Sunday afternoon to watch a football game. So 585 00:33:47,200 --> 00:33:49,920 Speaker 2: you know, how do you curate and present content to 586 00:33:49,960 --> 00:33:52,200 Speaker 2: them in a form fact that and in a way 587 00:33:52,800 --> 00:33:56,239 Speaker 2: that interest them and keeps them connected to the game. So, 588 00:33:56,640 --> 00:33:58,440 Speaker 2: you know, these are some of the things that we 589 00:33:58,520 --> 00:34:01,160 Speaker 2: spend a lot of time thinking about and talking to, 590 00:34:01,680 --> 00:34:04,280 Speaker 2: you know, not just the celebrities, but the big media 591 00:34:04,280 --> 00:34:07,360 Speaker 2: companies and the big content providers who you know, ultimately 592 00:34:07,400 --> 00:34:11,439 Speaker 2: you know, in the world of professional sports, that's what funds, uh, 593 00:34:12,280 --> 00:34:15,000 Speaker 2: that's what funds of sports makes the will go round 594 00:34:15,000 --> 00:34:18,160 Speaker 2: for these things. So I mean, so you know, these 595 00:34:18,200 --> 00:34:20,840 Speaker 2: are some of the ways in which you know, we reimagine, 596 00:34:21,000 --> 00:34:23,319 Speaker 2: you know, we think about the future of entertainment and 597 00:34:23,360 --> 00:34:27,440 Speaker 2: the way in which you will engage fans with personalized 598 00:34:27,480 --> 00:34:30,320 Speaker 2: content and emotional connection in the future. 599 00:34:31,080 --> 00:34:32,920 Speaker 1: Well, I don't know about you, but listening to this, 600 00:34:33,120 --> 00:34:35,920 Speaker 1: my brain is spinning. I'm sure my listener's brands are 601 00:34:35,920 --> 00:34:38,480 Speaker 1: going to be spinning. Greg. Thank you so much for 602 00:34:38,520 --> 00:34:41,120 Speaker 1: coming in and talking about Sole Machines. This is going 603 00:34:41,120 --> 00:34:42,640 Speaker 1: to be an interesting company to watch. 604 00:34:43,480 --> 00:34:45,279 Speaker 2: Thank you so much for having me. It's been it's 605 00:34:45,280 --> 00:34:46,600 Speaker 2: been an absolute blasting year. 606 00:34:52,719 --> 00:34:55,400 Speaker 1: Well that was part one of my interview with Greg Cross, 607 00:34:55,520 --> 00:34:58,440 Speaker 1: CEO of Sole Machines. Come back next week to the 608 00:34:58,440 --> 00:35:02,080 Speaker 1: Strictly Business podcast for part two of the interview. There's 609 00:35:02,080 --> 00:35:04,360 Speaker 1: so much more with Greg. You're not gonna want to 610 00:35:04,440 --> 00:35:05,680 Speaker 1: miss see you then,