WEBVTT - Questlove Supreme: SiR

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Ladies and gentlemen,

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<v Speaker 1>Welcome to another episode of Quest Love Supreme. I'm here

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<v Speaker 1>with the almighty Team Supreme. I assume that brand new

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<v Speaker 1>Bill is on the streets right now.

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<v Speaker 2>We're here in the water, okay.

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<v Speaker 3>Now here on vacation with the girls.

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<v Speaker 4>He's on vacation. Where Bill vacations?

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<v Speaker 5>Where's these vacations?

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<v Speaker 2>They didn't on a boat somewhere?

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<v Speaker 1>Damn?

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<v Speaker 6>Okay, you would say I'm with a bunch of all

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<v Speaker 6>the girls though, so you know, it's kind of vacation.

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<v Speaker 1>That's what quality time. Let's let's what's up? We got

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<v Speaker 1>fon Tigelow. You're in North Carolina, I.

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<v Speaker 2>Assume, yeah, yeah, man, what.

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<v Speaker 1>Is that artwork that's on the left side, your left side?

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<v Speaker 1>I always wonder that when you're interviewing from this place.

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<v Speaker 7>What is that we did? An artist did that illustration

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<v Speaker 7>for us? It was like a card. Okay, let's warn

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<v Speaker 7>me on top of about like a like a plane card.

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<v Speaker 7>And yes, I just framed up put in my studio.

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<v Speaker 4>Okay, that's what's up? Like, Yeah, how a y'all doing?

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<v Speaker 3>We are good. I'm sorry y'all all forgiving you all this.

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<v Speaker 6>I'm after looking at Sara's album cover, I realized I

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<v Speaker 6>need to put my workout clothes on every day, and like,

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<v Speaker 6>I'm a workout So that's what I'm going to do

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<v Speaker 6>after this.

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<v Speaker 4>Is inspirational.

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<v Speaker 1>Physic together, in your post pandemic physical together.

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<v Speaker 4>We all hear you loud and clear.

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<v Speaker 5>Bro.

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<v Speaker 1>You know summer's coming up, you know, giving my Sarah

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<v Speaker 1>on Steve, how's it going?

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<v Speaker 8>Good morning everybody. Yeah, how's the network doing? I'm not

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<v Speaker 8>sure if it exists anymore?

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<v Speaker 1>No more network?

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<v Speaker 2>Oh wow, I don't know.

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<v Speaker 8>There was some tumultuous season seven. Now we're in season eight.

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<v Speaker 8>I'm not really sure he's in charge, and you know

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<v Speaker 8>we're moving forward.

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<v Speaker 1>Damn, you got m needed out of your own network.

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<v Speaker 4>Kind of.

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<v Speaker 1>Damn, Steve, It's okay, we got to do a network episode.

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<v Speaker 4>Yeah, you're right.

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<v Speaker 8>I still got my quest of Supreme family though.

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<v Speaker 1>So basically I will say that this particular episode, this

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<v Speaker 1>is one of those practice what you preach moments, because

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<v Speaker 1>I think around October of last year, I kind of

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<v Speaker 1>put a note out to the producers of the show

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<v Speaker 1>Layah cousin Jake Brittany that you know, I didn't want

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<v Speaker 1>to get too comfortable, Like when you get way too

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<v Speaker 1>comfortable in your comfort zone, that could be too an

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<v Speaker 1>easy downfall. And I was noticing another podcast that sort

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<v Speaker 1>of stayed in their.

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<v Speaker 4>Comfort zone and they had a really great.

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<v Speaker 1>Run, and now they're kind of running out of ideas

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<v Speaker 1>because they're not pivoting and getting out of that comfort

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<v Speaker 1>place they like. And of course, when you're coming to

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<v Speaker 1>Quest of Supreme, nine times out of ten, we're talking

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<v Speaker 1>to veterans that have put like, you know, twenty thirty,

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<v Speaker 1>forty fifty years the game, and you know, it's always

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<v Speaker 1>fun and very easy to go back and and sort

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<v Speaker 1>of marvel on someone's legacy. I gave a note that

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<v Speaker 1>I really, especially after the Dave Matthews episode, that I

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<v Speaker 1>wanted to talk to newer artists, younger artists that maybe

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<v Speaker 1>I wasn't that familiar with, like the back of my hand.

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<v Speaker 1>You know, it's not like us doing a Narti Michael

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<v Speaker 1>Walden episode, or us doing a Quincy Jones episode, or

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<v Speaker 1>you know, something of that level.

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<v Speaker 4>And so wait, we did a Quincy Jones episode, Steve.

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<v Speaker 5>I'll talk about it.

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<v Speaker 1>We did a Quincy Jones episode, believe it or not.

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<v Speaker 2>Actually, you can tell us about it.

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<v Speaker 1>Yes, we've done a Quincy Jones episode. So anyway, that said,

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<v Speaker 1>I kind of said, start in twenty twenty four. I

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<v Speaker 1>want to switch it up a little bit and start

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<v Speaker 1>connecting with tomorrow's legends. You know, people kind of ten

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<v Speaker 1>years maybe fifteen years in the game, younger than your

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<v Speaker 1>thirty your forty year old veterans that will be tomorrow's legends.

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<v Speaker 1>I think it's rather apropos that our guest today is

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<v Speaker 1>sort of running on an ongoing theme that we've been

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<v Speaker 1>having with a lot of ours that we've been speaking

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<v Speaker 1>to in that what their lives were before the pandemic

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<v Speaker 1>has sort of pivoted and moved into another direction. And

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<v Speaker 1>basically this artist, of course has Brandy recognition. He has

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<v Speaker 1>a new album entitled Heavy, sort of making the rounds

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<v Speaker 1>as we speak, getting a lot of accolades, and along

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<v Speaker 1>with his collaborations and his previous records, I'm kind of

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<v Speaker 1>liking this new place that artists are in right now

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<v Speaker 1>in terms of.

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<v Speaker 4>Putting their heart out there and.

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<v Speaker 1>Showing their vulnerability and showing their journey, which is needed.

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<v Speaker 1>So pretty much the ongoing theme to me is rather

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<v Speaker 1>apropos and our guest is no exception to it. Please welcome.

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<v Speaker 1>Two question of supreme sir.

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<v Speaker 5>What are you doing?

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<v Speaker 4>Where are you talking to us?

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<v Speaker 5>From this morning eighty fourth? I'm over here in Inglewood, man.

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<v Speaker 5>You're still in Inglewood?

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<v Speaker 1>Yay?

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<v Speaker 5>Course of course, of course, yeah, I can't leave.

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<v Speaker 3>Man.

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<v Speaker 5>It's the neighborhood actually got better since they did the

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<v Speaker 5>stadium and they're working on Clippers stadium over here. If

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<v Speaker 5>you know anything about the city, has been a lot

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<v Speaker 5>of changes over here.

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<v Speaker 3>This gentrification thing is real over here.

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<v Speaker 5>It's not a bad thing. It's not a bad thing

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<v Speaker 5>for somebody that still lives in the city. People that

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<v Speaker 5>held onto their houses and didn't sell and move and

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<v Speaker 5>stuff like that. They're up right now. The house, I

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<v Speaker 5>mean it is up right now. So I know everybody

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<v Speaker 5>around me is happy.

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<v Speaker 3>There's something special about LA people.

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<v Speaker 6>They really hold on to their homes in South I

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<v Speaker 6>live in lamert So I'm just saying, get these people

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<v Speaker 6>hold on to their.

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<v Speaker 5>Homes for sure, if they know any better, because the

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<v Speaker 5>property value is just going to keep going up. The

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<v Speaker 5>center city of Los Angeles, including like Inglewood and copp In.

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<v Speaker 5>The inner city is flourishing. You know what, I mean,

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<v Speaker 5>and the people that owned homes have been there thirty

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<v Speaker 5>forty years. So my neighborhood is the same people I

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<v Speaker 5>run into, the same people I grew up with. They

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<v Speaker 5>still live in their mama house.

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<v Speaker 6>And thanks, I'm Merre's funny because the landlords around here

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<v Speaker 6>are old and black too, so they just is discriminatory.

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<v Speaker 6>So when I got my place, he definitely looked me

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<v Speaker 6>up and down like, okay, you fit, Like.

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<v Speaker 4>Yeah, that's weird.

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<v Speaker 1>I went back to my old neighborhood, my old house

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<v Speaker 1>that you remember, Laya in South Philly, Saint Albans. Yeah,

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<v Speaker 1>sad to say that I'm the last owner of pretty

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<v Speaker 1>much of that block, and sad to say I'm the

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<v Speaker 1>last black owner, Like it was a black neighborhood.

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<v Speaker 4>When I moved in, and now I didn't recognize that shit.

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<v Speaker 1>I felt like Marty McFly walking through nineteen fifty, like

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<v Speaker 1>we got Starbucks on the corner, Like that's hilarious.

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<v Speaker 3>It's crazy.

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<v Speaker 6>Because for reference, sir, you should know that, like Philadelphia

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<v Speaker 6>is probably in stage eight A, gentrification is a one

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<v Speaker 6>to ten. I always say, like DC and Harlem are

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<v Speaker 6>in stage fifteen past ten, but LA is probably in a.

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<v Speaker 3>Five or six. So I know you're saying what you're saying, Yeah,

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<v Speaker 3>I do.

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<v Speaker 6>Y'all just got there. You just got the stadium. We

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<v Speaker 6>just get in the train stations. It's no, they're jogging.

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<v Speaker 6>They're jogging.

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<v Speaker 4>They're jogging.

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<v Speaker 1>Wait, so you're saying to me, because the thing was,

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<v Speaker 1>I went to that stadium on not opening night, but

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<v Speaker 1>like opening month. Now, the stadium beautiful. Where I park though, Dad.

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<v Speaker 5>You park at the Forum, probably trying to get you over.

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<v Speaker 4>To so far dog. You know, that was a couple

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<v Speaker 4>of years ago. I hope it's gotten better.

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<v Speaker 2>So you know, it was, it happened.

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<v Speaker 4>It was a little weird.

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<v Speaker 5>No, No, it's still a hectic now, mind you. I'm

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<v Speaker 5>not I'm not a I'm not a football fan, so

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<v Speaker 5>I don't care about the stadium. It's not my thing,

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<v Speaker 5>you know what I mean. But it's just it's done

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<v Speaker 5>a lot for the city, you know what I mean.

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<v Speaker 5>And having met the mayor and talked to him about

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<v Speaker 5>it then and seen you know, all of the businesses

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<v Speaker 5>that have come up, and you know it kind of

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<v Speaker 5>it makes you look at it differently.

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<v Speaker 3>You know.

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<v Speaker 5>I definitely was thinking about protecting, you know, the people

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<v Speaker 5>that were getting displaced because people got displaced. You know,

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<v Speaker 5>we ain't gonna talk about that, but you know they

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<v Speaker 5>tore down homes and stuff like that to move things

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<v Speaker 5>in for the Clippers stadium, and you know that was

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<v Speaker 5>a big thing. But once you start to see the benefit,

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<v Speaker 5>you kind of look at it like this can work,

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<v Speaker 5>you know. But it's all about the community coming together.

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<v Speaker 5>And I from from my perspective, I don't think Inglewood

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<v Speaker 5>ever being completely gentrified, you know what I mean. I

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<v Speaker 5>see it as it might end up being a melting pot,

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<v Speaker 5>which it already kind of is. There's a huge Asian

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<v Speaker 5>community out here, there's a huge community of someones. There's

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<v Speaker 5>a huge you know, Mexican community as well as all

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<v Speaker 5>the black folks out here. So you know what I mean,

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<v Speaker 5>you're gonna have to kick out a whole bunch of

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<v Speaker 5>different people before you get to straight up just gentrification,

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<v Speaker 5>you know. And I don't think I don't think we're

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<v Speaker 5>on that route.

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<v Speaker 4>I dig it. There were you born in Inglewood.

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<v Speaker 5>Inglewood Adjacment. We're Los Angeles baby, So me and my

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<v Speaker 5>family were all born in like South Central, but my

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<v Speaker 5>dad was born in Inglewood and the house that we

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<v Speaker 5>grew up in My grandmother bought in nineteen sixty four,

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<v Speaker 5>so we had been in the city my whole life.

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<v Speaker 5>But no, I was born at uh she I think

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<v Speaker 5>I was born a Killer King. I know my mom was.

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<v Speaker 3>Okay, Killer King?

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<v Speaker 5>Is that what you said? Killer King? Is the hospital

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<v Speaker 5>in la is famous?

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<v Speaker 1>What is it known?

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<v Speaker 4>For people that aren't?

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<v Speaker 5>It's in the hood. So when you get shot, they

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<v Speaker 5>take you to Killer King and nobody survives at Killer King.

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<v Speaker 1>Like Brady, you were going to say that, Okay, every.

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<v Speaker 5>City to Killer King. You're telling them take me anywhere.

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<v Speaker 4>But in Philadelphia that would be Misser Cordia Hospital. I

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<v Speaker 4>get it.

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<v Speaker 2>I got you that.

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<v Speaker 5>That make sense.

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<v Speaker 1>We called it miserable Codia Cordia.

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<v Speaker 6>Yeah.

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<v Speaker 1>I'll ask you what I ask all of our guests.

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<v Speaker 1>Do you remember what your first musical memory was in life?

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<v Speaker 5>Great question? Okay? Now, which had a piano roll on me?

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<v Speaker 5>Because I don't have perfect pitch. But let's just give

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<v Speaker 5>an example. My mother will be at the piano and

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<v Speaker 5>she'd be like, this is see. If you have your

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<v Speaker 5>fingers here, you're hitting the note. If you go down here,

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<v Speaker 5>you are flat.

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<v Speaker 1>If you go up beast, you are strong.

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<v Speaker 5>See you know what I mean. That's my first musical

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<v Speaker 5>memory is my mother teaching us how to sing, or

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<v Speaker 5>trying to teach us how to sing. And my first

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<v Speaker 5>musical performance, I was five years old in front of

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<v Speaker 5>the church and we sang Oh Holy Night, and so

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<v Speaker 5>I you know, I grew up. I grew up in

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<v Speaker 5>a house where music was everything. You know, I don't

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<v Speaker 5>remember my life when I don't remember a time of

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<v Speaker 5>my life where somebody wasn't creating or somebody wasn't performing.

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<v Speaker 5>And you know, I'm blessed to be in a musical family.

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<v Speaker 7>Your mom, she was a singer and already she sang

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<v Speaker 7>for Steve not Stevie Shaka and Michael Jackson that she

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<v Speaker 7>did backs.

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<v Speaker 5>For them, yep, yep, yeah man, Miss Jackie, Miss Jackie, yep.

0:11:12.920 --> 0:11:14.839
<v Speaker 5>And prayers up for my mom. Man. She was in

0:11:14.920 --> 0:11:16.840
<v Speaker 5>a car accident a couple of days ago. So she's

0:11:17.720 --> 0:11:22.000
<v Speaker 5>she's got surgery today at twelve, and we're just fearful. Man.

0:11:22.600 --> 0:11:25.400
<v Speaker 5>She fractured her second vertebrae and it's been you know,

0:11:25.559 --> 0:11:27.320
<v Speaker 5>his last couple of days has been really tough on us.

0:11:27.400 --> 0:11:30.679
<v Speaker 5>But she's doing good. She's in good spirits, but she's.

0:11:32.280 --> 0:11:35.400
<v Speaker 2>Yeah, resu, how long was she singing?

0:11:36.160 --> 0:11:38.520
<v Speaker 5>She grew up in a church too. Her her grandfather

0:11:38.679 --> 0:11:40.920
<v Speaker 5>was a pastor, mother's singer in the church, you know

0:11:40.960 --> 0:11:44.040
<v Speaker 5>what I mean. Her and her brothers were raised in church.

0:11:45.120 --> 0:11:47.440
<v Speaker 5>So my mom doesn't know anything about music. She started

0:11:47.480 --> 0:11:50.360
<v Speaker 5>playing piano when she was six years old, and my

0:11:50.480 --> 0:11:52.959
<v Speaker 5>uncle Andrew started playing bass when he was seventeen and

0:11:53.160 --> 0:11:56.240
<v Speaker 5>never looked backing. Yeah, you guys know Andrew Gruchet. If

0:11:56.280 --> 0:11:59.040
<v Speaker 5>you know anything about gospel music, yea better know Andrew

0:11:59.120 --> 0:12:03.160
<v Speaker 5>Grouchet God, yes, yes, yeah, the Godfather of base you know.

0:12:03.400 --> 0:12:06.240
<v Speaker 5>And my mother was blessed to have a brother like Andrew.

0:12:06.440 --> 0:12:09.160
<v Speaker 5>I can say their dynamic kind of creates the dynamic

0:12:09.240 --> 0:12:11.080
<v Speaker 5>that you see between me and my brother the Smoke

0:12:11.160 --> 0:12:13.719
<v Speaker 5>and my brother Deveond. They help each other when they can,

0:12:13.920 --> 0:12:17.199
<v Speaker 5>but they're individuals and they're very powerful on their own. So,

0:12:17.440 --> 0:12:20.120
<v Speaker 5>you know, it was it was always the you know,

0:12:20.360 --> 0:12:22.400
<v Speaker 5>just the joy to watch my mother work, you know,

0:12:22.520 --> 0:12:24.719
<v Speaker 5>being the miniSTR of music at church. You know, she

0:12:25.000 --> 0:12:28.200
<v Speaker 5>was out there every Sunday. Well, let's let's be honest.

0:12:28.200 --> 0:12:32.920
<v Speaker 5>She was there Tuesday, Thursday, Friday, you know choir, Yeah,

0:12:32.960 --> 0:12:36.800
<v Speaker 5>Bible study choir, rehearsal, Friday service, Sunday service, you know

0:12:36.840 --> 0:12:38.880
<v Speaker 5>what I mean. My mom was a workforce, you know,

0:12:39.120 --> 0:12:41.880
<v Speaker 5>and still to this day. We was with her yesterday

0:12:41.960 --> 0:12:44.559
<v Speaker 5>and the only thing she was worried about, you know,

0:12:45.000 --> 0:12:47.680
<v Speaker 5>when they're talking about surgery, she's like, can I play

0:12:47.679 --> 0:12:50.679
<v Speaker 5>the piano? That's you know what I mean, Like, I

0:12:50.720 --> 0:12:53.920
<v Speaker 5>don't care about nothing else. I need to play the piano,

0:12:54.080 --> 0:12:55.160
<v Speaker 5>you know what I mean. So that's the type of

0:12:55.240 --> 0:12:55.760
<v Speaker 5>mother I had.

0:12:56.240 --> 0:12:58.559
<v Speaker 4>Well, were you Seventh Day of ventist.

0:12:58.400 --> 0:13:03.600
<v Speaker 5>Or oh no, we're non denomination okay, oh damn, okay, Okay,

0:13:03.679 --> 0:13:04.360
<v Speaker 5>it was just real.

0:13:04.360 --> 0:13:06.480
<v Speaker 3>Christians that did the thing. Like you know, it's just

0:13:06.559 --> 0:13:07.360
<v Speaker 3>different church days.

0:13:07.520 --> 0:13:11.000
<v Speaker 1>Well often when I hear every day usually it's seven

0:13:11.080 --> 0:13:14.800
<v Speaker 1>Day of Venice. But and it's weird, not denomination when

0:13:14.800 --> 0:13:19.160
<v Speaker 1>people always thought with more lenient, not too super strict

0:13:20.080 --> 0:13:25.760
<v Speaker 1>on things that are normally you know the law, right right? Okay,

0:13:26.080 --> 0:13:31.160
<v Speaker 1>So non denominational. Do you remember like your first creative project,

0:13:31.360 --> 0:13:33.360
<v Speaker 1>Like what was the first thing that you remember doing

0:13:33.480 --> 0:13:37.079
<v Speaker 1>creatively or what was singing in that church? Your first Okay?

0:13:37.120 --> 0:13:39.680
<v Speaker 5>So when I was younger, my mom bade us do music,

0:13:39.800 --> 0:13:42.080
<v Speaker 5>and as a kid, I didn't appreciate it. I didn't

0:13:42.160 --> 0:13:44.360
<v Speaker 5>understand it. I shunned away from it, and I didn't

0:13:44.360 --> 0:13:46.680
<v Speaker 5>I didn't like it. So when I was about fourteen fifteen,

0:13:46.760 --> 0:13:48.920
<v Speaker 5>we sat down and had a conversation about what I wanted,

0:13:48.920 --> 0:13:50.800
<v Speaker 5>and I was like, I want to play sports. So

0:13:50.880 --> 0:13:53.520
<v Speaker 5>I stopped doing music. Didn't do music ten years. I

0:13:53.559 --> 0:13:55.360
<v Speaker 5>didn't even come into the game until I was like

0:13:55.640 --> 0:13:58.440
<v Speaker 5>twenty three, twenty four. My brothers were writing twenty four

0:13:59.240 --> 0:14:02.680
<v Speaker 5>something like that. Yeah, twenty four, twenty five, something like that. Yeah.

0:14:02.679 --> 0:14:04.720
<v Speaker 5>I didn't write my first song until I was twenty six.

0:14:04.960 --> 0:14:08.520
<v Speaker 1>Wo Yeah, you know what I man, how old are

0:14:08.520 --> 0:14:08.960
<v Speaker 1>you right now?

0:14:09.559 --> 0:14:10.160
<v Speaker 5>Thirty seven?

0:14:15.000 --> 0:14:15.920
<v Speaker 3>I gotta know a beer?

0:14:16.320 --> 0:14:19.320
<v Speaker 1>Well, I'm sorry, I think when you're my age fifty three? Hello,

0:14:19.840 --> 0:14:25.000
<v Speaker 1>but everyone to me is just nineteen. Yeah, we got

0:14:25.120 --> 0:14:25.560
<v Speaker 1>to work on that.

0:14:27.680 --> 0:14:29.160
<v Speaker 5>You thought you just talking to a kid. Man.

0:14:29.200 --> 0:14:29.520
<v Speaker 2>I got.

0:14:31.120 --> 0:14:32.920
<v Speaker 1>This young kid. Let me hear me, let me.

0:14:34.800 --> 0:14:35.160
<v Speaker 3>Some things.

0:14:35.680 --> 0:14:37.600
<v Speaker 1>My knowledge on this young boy.

0:14:39.080 --> 0:14:39.280
<v Speaker 4>Man.

0:14:40.760 --> 0:14:42.560
<v Speaker 5>Hey, So it just it just the hands up, you know.

0:14:42.680 --> 0:14:44.920
<v Speaker 5>I started off my because I'm I'm the type of

0:14:44.960 --> 0:14:47.040
<v Speaker 5>person I am. My thing is knowledge. When when I

0:14:47.200 --> 0:14:49.280
<v Speaker 5>like something, I got to know how to do it right,

0:14:49.440 --> 0:14:51.480
<v Speaker 5>You know what I mean? So I went to school.

0:14:51.480 --> 0:14:53.400
<v Speaker 5>I went to Los Angeles School. I was my first

0:14:53.440 --> 0:14:55.360
<v Speaker 5>step when I when I started writing songs, I was like, oh,

0:14:55.440 --> 0:14:58.440
<v Speaker 5>I stuck, let me figure out what's going on. I

0:14:58.520 --> 0:14:59.800
<v Speaker 5>was terrible at it, you know what I mean, And

0:14:59.840 --> 0:15:01.760
<v Speaker 5>my my brother was kind enough to show me that

0:15:02.040 --> 0:15:04.600
<v Speaker 5>there was potential behind it. But I was like, naw,

0:15:04.680 --> 0:15:07.240
<v Speaker 5>this don't sound like what these niggas are doing. So

0:15:07.480 --> 0:15:09.960
<v Speaker 5>I went to the LA Film School to two years

0:15:10.000 --> 0:15:13.480
<v Speaker 5>of my life and really focused in on trying to

0:15:13.600 --> 0:15:17.280
<v Speaker 5>just become a better musician and engineer. So I'm a

0:15:17.320 --> 0:15:19.680
<v Speaker 5>recording engineer by trade. That was my first, you know thing,

0:15:20.760 --> 0:15:23.120
<v Speaker 5>and from there I started to just develop my sound

0:15:23.200 --> 0:15:26.000
<v Speaker 5>and my songwriting and stuff like that. And this is

0:15:26.040 --> 0:15:27.920
<v Speaker 5>all while I was just working as an engineer. My

0:15:27.960 --> 0:15:31.000
<v Speaker 5>first big gig was working for Tyrese, which, yeah, that

0:15:31.080 --> 0:15:31.640
<v Speaker 5>was interesting.

0:15:32.040 --> 0:15:36.320
<v Speaker 4>Yeah, I like that faith and That's love Supreme Office

0:15:36.960 --> 0:15:37.560
<v Speaker 4>next week.

0:15:42.520 --> 0:15:44.880
<v Speaker 5>Shout up to Tyrese. Taught me a lot about people,

0:15:45.080 --> 0:15:47.200
<v Speaker 5>taught me a lot about the music industry, taught me

0:15:47.240 --> 0:15:50.040
<v Speaker 5>a lot about independence and how much I wanted it

0:15:50.520 --> 0:15:52.800
<v Speaker 5>at the time, Like I'm showing up the sessions. I'm his,

0:15:53.000 --> 0:15:54.960
<v Speaker 5>you know, head engineer. In the house. I got six

0:15:55.040 --> 0:15:57.400
<v Speaker 5>people working for me, you know, and I'm just watching

0:15:57.440 --> 0:15:59.880
<v Speaker 5>all these other songwriters come in and try to bless him. Wow.

0:16:00.120 --> 0:16:02.240
<v Speaker 5>At the time, I was writing songs and I had

0:16:02.320 --> 0:16:04.320
<v Speaker 5>found a little confidence. But I wouldn't have said that

0:16:04.400 --> 0:16:06.160
<v Speaker 5>because it was my job, my day job, So I

0:16:06.240 --> 0:16:08.360
<v Speaker 5>wasn't even trying to like get in get in the mix.

0:16:08.480 --> 0:16:10.960
<v Speaker 5>But I played a couple of records for one of

0:16:11.000 --> 0:16:13.280
<v Speaker 5>the other songwriters one day and they were like looking

0:16:13.320 --> 0:16:16.160
<v Speaker 5>at me crazy, you know what I mean. We were

0:16:16.520 --> 0:16:18.880
<v Speaker 5>at a camp for his last project called the Black

0:16:18.960 --> 0:16:25.640
<v Speaker 5>Rolls Album. Yeah, Yeah, and my brother Davion was one

0:16:25.640 --> 0:16:27.960
<v Speaker 5>of the songwriters. I got him in to write songs

0:16:27.960 --> 0:16:30.520
<v Speaker 5>for Tyrese, and he just wasn't having it. He was like,

0:16:30.640 --> 0:16:32.440
<v Speaker 5>fuck that, you know what I mean, You're gonna play

0:16:32.480 --> 0:16:34.360
<v Speaker 5>some of these folkus fucking songs for Tyrese. So they

0:16:34.400 --> 0:16:36.120
<v Speaker 5>had this big meeting where everybody would sit down at

0:16:36.120 --> 0:16:38.080
<v Speaker 5>the end of the week and play two three records

0:16:38.160 --> 0:16:39.640
<v Speaker 5>or something like that. And I had like a batch

0:16:39.680 --> 0:16:42.880
<v Speaker 5>of like five ready, and I was the last person

0:16:42.920 --> 0:16:45.400
<v Speaker 5>to play records. Everybody played records as like Darrel got records.

0:16:45.640 --> 0:16:49.840
<v Speaker 5>I come in, I play my songs and everybody lost

0:16:50.400 --> 0:16:53.360
<v Speaker 5>their shit. It was like a big This was probably

0:16:53.440 --> 0:16:56.080
<v Speaker 5>the biggest music moment for me at today at the time.

0:16:56.200 --> 0:16:58.800
<v Speaker 5>But Tyrese runs up gives me a big hug. I

0:16:58.880 --> 0:17:01.400
<v Speaker 5>didn't know, Oh my god, I didn't know. I had

0:17:01.480 --> 0:17:03.200
<v Speaker 5>to tell him underneath my wing.

0:17:03.320 --> 0:17:04.800
<v Speaker 2>You know.

0:17:04.920 --> 0:17:07.960
<v Speaker 5>I just you know, you know what I mean, and

0:17:08.440 --> 0:17:12.800
<v Speaker 5>like a two weeks yeah, you know, just there's so

0:17:12.960 --> 0:17:15.040
<v Speaker 5>much going on. Man, God is moving in this room.

0:17:15.880 --> 0:17:16.120
<v Speaker 2>People.

0:17:18.760 --> 0:17:21.320
<v Speaker 5>Hey, look, look, can't nobody do Tyree's like me.

0:17:21.920 --> 0:17:24.439
<v Speaker 3>I'll tell you what did you make Black Role?

0:17:24.520 --> 0:17:25.439
<v Speaker 5>Did you get on the record?

0:17:25.760 --> 0:17:25.920
<v Speaker 2>Yeah?

0:17:26.000 --> 0:17:27.200
<v Speaker 5>Yeah, I got a couple of songs on it. I

0:17:27.240 --> 0:17:28.680
<v Speaker 5>can't tell you the names of him because I forgot

0:17:28.880 --> 0:17:31.280
<v Speaker 5>I don't remember, but I definitely made the project for sure.

0:17:32.160 --> 0:17:34.960
<v Speaker 5>But you know, having that big moment, and this is

0:17:34.960 --> 0:17:36.920
<v Speaker 5>a lesson for a lot of musicians. Just because people

0:17:37.200 --> 0:17:38.960
<v Speaker 5>look like they're fucking with you or they look like

0:17:39.040 --> 0:17:41.399
<v Speaker 5>they rock, and don't mean they got your best interests

0:17:41.400 --> 0:17:43.440
<v Speaker 5>at heart, you know what I mean. Even after that incident,

0:17:43.840 --> 0:17:46.399
<v Speaker 5>you know, I kept working for Tyreese. He just our

0:17:46.440 --> 0:17:50.760
<v Speaker 5>relationship didn't like progress. It seemed like he was trying

0:17:50.800 --> 0:17:52.680
<v Speaker 5>to like he's trying to stand back me.

0:17:52.760 --> 0:17:52.879
<v Speaker 6>Man.

0:17:52.920 --> 0:17:54.680
<v Speaker 5>He wasn't trying to let me shine. He wasn't trying

0:17:54.720 --> 0:17:56.240
<v Speaker 5>to put me out there to where he wanted me

0:17:56.320 --> 0:17:59.360
<v Speaker 5>to be his engineer. And there was a day where

0:17:59.480 --> 0:18:01.000
<v Speaker 5>Jennifer hood And came to the house. I don't know

0:18:01.000 --> 0:18:03.359
<v Speaker 5>if she remembers this, but you know, she came in

0:18:03.480 --> 0:18:05.320
<v Speaker 5>to meet him, and I let her in the house.

0:18:05.520 --> 0:18:08.440
<v Speaker 5>You know, I'm like, hey, she you know, anothers nary, nonchalant,

0:18:08.760 --> 0:18:12.600
<v Speaker 5>and he, you know, was introducing her to everybody in

0:18:12.640 --> 0:18:15.199
<v Speaker 5>the house and just didn't even say my first name. Bro.

0:18:15.440 --> 0:18:16.720
<v Speaker 5>Like it was that this one man. I don't know

0:18:16.720 --> 0:18:18.680
<v Speaker 5>if Tyrese knows this story, he remembers this, but he

0:18:18.720 --> 0:18:21.240
<v Speaker 5>couldn't say my name to Jennifer us and Jennifer Usson

0:18:21.240 --> 0:18:23.560
<v Speaker 5>didn't look me in the eye. And I took that

0:18:23.760 --> 0:18:26.160
<v Speaker 5>very personally. I quit that day. I walked in the room.

0:18:26.200 --> 0:18:28.440
<v Speaker 5>It was like ten niggas in that room, writers, producers,

0:18:28.520 --> 0:18:31.280
<v Speaker 5>Jenniferussis didn't right there. Eric Bellinger was there. I forget

0:18:31.320 --> 0:18:34.040
<v Speaker 5>who else was there, but oh ty dollad Time was there,

0:18:34.080 --> 0:18:36.719
<v Speaker 5>I think. But I walked in there, I was like, hey, Tyrese, Hey, hey,

0:18:36.760 --> 0:18:38.680
<v Speaker 5>pay me for the day, bro, I quit in front

0:18:38.680 --> 0:18:43.639
<v Speaker 5>of everybody, was like, what what what do you mean? Him? Hey, hey,

0:18:43.680 --> 0:18:45.840
<v Speaker 5>hold him on, y'all, hold him on, y'all. Let me

0:18:46.040 --> 0:18:47.879
<v Speaker 5>go out at him and talk to me outside. And

0:18:48.359 --> 0:18:51.240
<v Speaker 5>there was no convincing me of that. And I think

0:18:51.520 --> 0:18:54.640
<v Speaker 5>after that, I probably was signed to TDE like after

0:18:54.840 --> 0:18:57.040
<v Speaker 5>like six months or something like that, or I you know,

0:18:57.400 --> 0:18:59.639
<v Speaker 5>I was already like popping. I put my own project out.

0:18:59.640 --> 0:19:02.160
<v Speaker 5>Wouldn't was the first thing we dropped into Seven Sundays

0:19:02.160 --> 0:19:05.160
<v Speaker 5>And it was over after that, and I've never looked back,

0:19:05.280 --> 0:19:07.320
<v Speaker 5>you know what I mean. And I think tyre for

0:19:07.400 --> 0:19:09.159
<v Speaker 5>that experience because it taught me a lot about how

0:19:09.200 --> 0:19:11.960
<v Speaker 5>to treat people, you know, first or four months.

0:19:12.960 --> 0:19:15.760
<v Speaker 7>I want to ask you about your first about Seven

0:19:15.840 --> 0:19:18.520
<v Speaker 7>Sundays and the label you put that out on Fresh Selects.

0:19:19.520 --> 0:19:21.000
<v Speaker 2>Talk about just that period in your life.

0:19:21.000 --> 0:19:21.119
<v Speaker 5>Man.

0:19:21.160 --> 0:19:23.720
<v Speaker 2>I love that record. I played it, you know all

0:19:23.760 --> 0:19:26.200
<v Speaker 2>the time. Uh No, man, just I just wanted to

0:19:26.240 --> 0:19:28.080
<v Speaker 2>talk talk about that time in your life.

0:19:28.960 --> 0:19:29.120
<v Speaker 6>Man.

0:19:29.600 --> 0:19:32.800
<v Speaker 5>I was I was broken, homeless. I just put tyree

0:19:33.000 --> 0:19:35.480
<v Speaker 5>and I didn't know what I was gonna do with

0:19:35.560 --> 0:19:38.000
<v Speaker 5>my life, you know. I was trying to figure things out.

0:19:38.119 --> 0:19:40.040
<v Speaker 5>And we had just put out this this tape that

0:19:40.119 --> 0:19:42.119
<v Speaker 5>had like twenty one songs. What it's called Wooden Voodoo

0:19:42.119 --> 0:19:44.560
<v Speaker 5>is it's my first tape. If anybody really looks for it,

0:19:44.760 --> 0:19:49.479
<v Speaker 5>it's like fault Wooden Voodoo.

0:19:52.560 --> 0:19:53.680
<v Speaker 2>It's got some stuff on there.

0:19:54.160 --> 0:19:57.280
<v Speaker 5>But Kenny heard it. Kenny Fresh from Fresh Selects heard it,

0:19:57.480 --> 0:19:59.240
<v Speaker 5>and he contacted me and was like, I want to

0:19:59.240 --> 0:20:01.000
<v Speaker 5>put this project out. I was like, okay, I'm already

0:20:01.040 --> 0:20:03.400
<v Speaker 5>working on something, and we started to playlist for seven

0:20:03.480 --> 0:20:07.440
<v Speaker 5>Sundays and seven Sundays is what introduced me to Top

0:20:07.560 --> 0:20:09.720
<v Speaker 5>and got me in the room with Tde. So I

0:20:09.840 --> 0:20:11.879
<v Speaker 5>look at that time as like this that was probably

0:20:12.000 --> 0:20:17.040
<v Speaker 5>like the highlight of my career because it opened so

0:20:17.160 --> 0:20:19.399
<v Speaker 5>many doors for me. And I did that all by myself.

0:20:19.480 --> 0:20:21.880
<v Speaker 5>It was just me and Kenny, and he really didn't

0:20:21.880 --> 0:20:23.880
<v Speaker 5>even do anything. He just suggested, like I like this song.

0:20:23.920 --> 0:20:24.600
<v Speaker 2>I like that song.

0:20:24.720 --> 0:20:27.600
<v Speaker 5>I did the master, I cut the vocal, you know

0:20:27.640 --> 0:20:30.000
<v Speaker 5>what I mean? And yes, I said, I did the

0:20:30.080 --> 0:20:32.800
<v Speaker 5>master myself. Like I was engineering back then. I don't

0:20:32.800 --> 0:20:34.480
<v Speaker 5>do that shit no more. I got I got helped.

0:20:34.560 --> 0:20:38.760
<v Speaker 1>But wait, even now, as as an artist, you I mean,

0:20:38.800 --> 0:20:41.320
<v Speaker 1>you're an engineer, so you would know how you want

0:20:41.359 --> 0:20:42.120
<v Speaker 1>the song to sound.

0:20:42.600 --> 0:20:44.240
<v Speaker 5>Yes, yes, oh yeah, I mean I still cut my

0:20:44.280 --> 0:20:46.800
<v Speaker 5>own vocal. I can't let go of those rings. Like

0:20:46.920 --> 0:20:50.600
<v Speaker 5>I've tried. I've hired engineers, I've sat down. But imagine

0:20:50.640 --> 0:20:53.080
<v Speaker 5>that you're in the booth, guys in the chair and

0:20:53.440 --> 0:20:55.040
<v Speaker 5>you cut a vocal, but you just want him to

0:20:55.119 --> 0:20:57.040
<v Speaker 5>nudge it. You have to say, I need you to

0:20:57.160 --> 0:20:59.800
<v Speaker 5>nudge this to the left. Now imagine I'm sitting in

0:20:59.840 --> 0:21:02.399
<v Speaker 5>the here, I cut the vocal. I need to nudge it.

0:21:03.240 --> 0:21:04.360
<v Speaker 2>I can nudge it, right.

0:21:04.520 --> 0:21:05.760
<v Speaker 5>I nudged it. You know what I mean.

0:21:05.840 --> 0:21:06.240
<v Speaker 4>And that's it.

0:21:06.640 --> 0:21:10.600
<v Speaker 8>That's the whole thing. Steve, Yeah, yeah, yeah, yeah, No.

0:21:11.080 --> 0:21:14.160
<v Speaker 8>A mirror is much more for people who don't realize.

0:21:14.800 --> 0:21:18.920
<v Speaker 8>He's much more of an engineer than people know. He

0:21:19.960 --> 0:21:25.240
<v Speaker 8>mixes more than I do most of the time. I

0:21:25.320 --> 0:21:30.160
<v Speaker 8>mean I'm recording because he's you know, playing and producing

0:21:30.200 --> 0:21:32.280
<v Speaker 8>a lot of times. But when it comes time to

0:21:32.359 --> 0:21:35.280
<v Speaker 8>do rough mixes and certainly in the final mix stage,

0:21:35.359 --> 0:21:37.440
<v Speaker 8>Amir has got his hands on the dials since I

0:21:37.560 --> 0:21:40.000
<v Speaker 8>met him, since Electrical Lady in ninety six, he's been

0:21:40.560 --> 0:21:42.560
<v Speaker 8>He gets gets right on the board. It's easier and

0:21:42.640 --> 0:21:44.680
<v Speaker 8>quicker than to try and explain what you want if

0:21:44.720 --> 0:21:47.600
<v Speaker 8>you just know the basics, you know, and and a

0:21:47.680 --> 0:21:51.000
<v Speaker 8>mir loves plugins, so he just loves playing around with

0:21:51.440 --> 0:21:55.520
<v Speaker 8>toys essentially. But yeah, I mean, I'm sure there's a lot.

0:21:55.560 --> 0:21:59.520
<v Speaker 8>I mean, D'Angelo was recording his own vocals, Yeah.

0:21:59.680 --> 0:22:00.240
<v Speaker 4>Things like that.

0:22:00.440 --> 0:22:04.840
<v Speaker 8>But yeah, it's certainly helpful to as an artist to

0:22:04.960 --> 0:22:06.679
<v Speaker 8>know how to engineer it.

0:22:07.160 --> 0:22:10.040
<v Speaker 1>I would think from a singing standpoint, which is such

0:22:10.080 --> 0:22:12.440
<v Speaker 1>a vulnerable thing to do. Are you the type of

0:22:12.520 --> 0:22:17.080
<v Speaker 1>singer that needs pretty much your space? Like, are you

0:22:17.200 --> 0:22:20.240
<v Speaker 1>the singer that can turn it on if five people

0:22:20.280 --> 0:22:23.400
<v Speaker 1>were in the room watching you, the engineer.

0:22:23.080 --> 0:22:25.560
<v Speaker 4>Your boys, your.

0:22:24.720 --> 0:22:27.600
<v Speaker 1>Family and there watching you, or is it like everyone

0:22:27.680 --> 0:22:29.320
<v Speaker 1>get out the room engineer too.

0:22:29.840 --> 0:22:30.760
<v Speaker 4>I could do this myself.

0:22:31.520 --> 0:22:33.800
<v Speaker 5>No, no, no, I don't care who's watching you watch

0:22:35.880 --> 0:22:38.920
<v Speaker 5>especially with this album. Yeah, oh yeah, oh well this

0:22:39.040 --> 0:22:41.160
<v Speaker 5>album was different. I was high most of the time,

0:22:41.240 --> 0:22:42.879
<v Speaker 5>so that wasn't nobody around.

0:22:45.000 --> 0:22:46.800
<v Speaker 4>Okay, no, no, you can stay in the room.

0:22:46.800 --> 0:22:48.400
<v Speaker 5>I don't I don't mind people being around. Just shut

0:22:48.440 --> 0:22:51.480
<v Speaker 5>the fuck up. I got to cut the vocals. Be quiet.

0:22:51.560 --> 0:22:53.040
<v Speaker 5>I don't want to hear you on my track. But

0:22:53.720 --> 0:22:57.040
<v Speaker 5>you know, nah, these last few years. I honestly don't

0:22:57.040 --> 0:22:59.280
<v Speaker 5>know how these songs came. I can't explain it. I

0:22:59.320 --> 0:23:01.520
<v Speaker 5>don't even remember most of these sessions. I don't remember

0:23:02.000 --> 0:23:04.440
<v Speaker 5>a lot because I was just slated. You know a

0:23:04.520 --> 0:23:05.840
<v Speaker 5>lot of people have heard the story of a million

0:23:05.880 --> 0:23:06.919
<v Speaker 5>times about me going to.

0:23:06.960 --> 0:23:08.400
<v Speaker 2>Rehab and all that blah blah blah.

0:23:08.920 --> 0:23:11.119
<v Speaker 5>You know, I beat that story into the ground. So

0:23:11.240 --> 0:23:16.480
<v Speaker 5>if we can just swim by this real quick, I'm sober.

0:23:16.720 --> 0:23:20.200
<v Speaker 5>It's been a year and five months, you know what

0:23:20.240 --> 0:23:23.320
<v Speaker 5>I mean. I found so bride. I found sobriety my way,

0:23:23.480 --> 0:23:25.280
<v Speaker 5>you know what I mean. I still smoke a little weed. Everyone.

0:23:25.320 --> 0:23:26.280
<v Speaker 5>I'm going to ask you, I.

0:23:26.720 --> 0:23:29.200
<v Speaker 3>Thank you for saying this. Thank you because yeah, you

0:23:29.320 --> 0:23:30.280
<v Speaker 3>want to say space.

0:23:30.359 --> 0:23:33.040
<v Speaker 5>No sobriety. Sobriety is different for everybody, you know what

0:23:33.080 --> 0:23:35.879
<v Speaker 5>I mean, everybody has. If you're an addict like I was,

0:23:36.000 --> 0:23:38.480
<v Speaker 5>you have a DC now your doc. Your drug of

0:23:38.600 --> 0:23:40.399
<v Speaker 5>choice is your drug of choice. That doesn't mean that

0:23:40.520 --> 0:23:42.560
<v Speaker 5>everything will affect you like that will, but you got

0:23:42.640 --> 0:23:45.520
<v Speaker 5>to stay away from that thing. And you know, I

0:23:45.680 --> 0:23:50.640
<v Speaker 5>found my way through depression because you know, people don't

0:23:50.680 --> 0:23:53.920
<v Speaker 5>just do drugs. There are root issues too, you know,

0:23:54.359 --> 0:23:56.879
<v Speaker 5>there's reasoning behind it, and I had root issues that

0:23:56.960 --> 0:24:01.000
<v Speaker 5>I find so therapy, rehab, family, everything that. You know,

0:24:01.600 --> 0:24:03.399
<v Speaker 5>all of the love I had helped me kind of

0:24:03.400 --> 0:24:05.840
<v Speaker 5>figure out what was going on, and it placed me

0:24:05.960 --> 0:24:07.800
<v Speaker 5>back in a position where I could fight for my life.

0:24:07.960 --> 0:24:13.239
<v Speaker 1>You know, I've been somewhat transparent about my journey. I mean,

0:24:13.359 --> 0:24:17.720
<v Speaker 1>I'm now like three years removed from the path I'm

0:24:17.760 --> 0:24:20.920
<v Speaker 1>on now, but I can definitely acknowledge that year one

0:24:21.600 --> 0:24:26.760
<v Speaker 1>of this new paradigm shift quest love. The first seven

0:24:26.840 --> 0:24:33.640
<v Speaker 1>months I was actively, subconsciously and consciously trying to sabotage

0:24:33.680 --> 0:24:36.560
<v Speaker 1>it because it was just a very fearful place to

0:24:36.640 --> 0:24:39.159
<v Speaker 1>be in. Could you talk about your experience behind me?

0:24:39.960 --> 0:24:42.119
<v Speaker 5>Yeah, of course, Yeah. And I like what you said about,

0:24:42.800 --> 0:24:44.960
<v Speaker 5>you know, there being a fear of success because I

0:24:45.040 --> 0:24:48.000
<v Speaker 5>think like there was never down in my mind that

0:24:48.280 --> 0:24:50.359
<v Speaker 5>I'll be good at music, you know what I mean,

0:24:50.480 --> 0:24:52.720
<v Speaker 5>But there was. I'm a married man. I've been married

0:24:53.280 --> 0:24:56.119
<v Speaker 5>for fifteen years, my wife being with my wife at

0:24:56.160 --> 0:24:59.240
<v Speaker 5>twenty and you know, the type of music I make

0:24:59.280 --> 0:25:03.159
<v Speaker 5>and the artartists that everyone wanted me to be, me

0:25:03.320 --> 0:25:05.920
<v Speaker 5>being a married man, those two things didn't mix. So

0:25:06.760 --> 0:25:09.520
<v Speaker 5>you know, there was always this push and pull of

0:25:10.240 --> 0:25:12.600
<v Speaker 5>you know what I mean. I want to succeed, but

0:25:13.160 --> 0:25:15.320
<v Speaker 5>you know, I don't know what it's going to look like,

0:25:15.640 --> 0:25:17.960
<v Speaker 5>you know what I mean. And as I started to

0:25:18.040 --> 0:25:21.159
<v Speaker 5>progress in my career, I started to notice that, you know,

0:25:22.440 --> 0:25:24.720
<v Speaker 5>people didn't give a fuck about my marriage, you know

0:25:24.760 --> 0:25:26.960
<v Speaker 5>what I mean. And that made it very hard for

0:25:27.080 --> 0:25:31.040
<v Speaker 5>me to enjoy my career, you know what I mean,

0:25:31.080 --> 0:25:33.480
<v Speaker 5>and enjoy the successes of my music. And then on

0:25:33.640 --> 0:25:36.800
<v Speaker 5>top of that, the attention that you get when you're

0:25:36.840 --> 0:25:39.040
<v Speaker 5>in the position we're in makes it very hard for

0:25:39.160 --> 0:25:42.480
<v Speaker 5>you to be you know, to see things how everyone

0:25:42.560 --> 0:25:44.600
<v Speaker 5>else sees it. Let's feel like that, you know what

0:25:44.680 --> 0:25:48.200
<v Speaker 5>I mean. It's used your view on you know, relationships

0:25:48.280 --> 0:25:51.680
<v Speaker 5>and people, and it really kind of like set me

0:25:51.800 --> 0:25:54.040
<v Speaker 5>back because I didn't go about it the right way,

0:25:54.240 --> 0:25:55.840
<v Speaker 5>you know what I mean. I wasn't doing a good

0:25:55.960 --> 0:25:58.440
<v Speaker 5>job of just taking care of myself first, you know

0:25:58.440 --> 0:26:00.760
<v Speaker 5>what I mean. I was so concerned with what everybody

0:26:00.840 --> 0:26:02.840
<v Speaker 5>thought about me and what everybody wanted me to be

0:26:02.880 --> 0:26:04.359
<v Speaker 5>as an artist and stuff like that, and I was

0:26:04.480 --> 0:26:08.159
<v Speaker 5>people pleasing and things like that, and then I was

0:26:08.200 --> 0:26:10.639
<v Speaker 5>just neglecting my relationship with my wife. You know what

0:26:10.680 --> 0:26:13.400
<v Speaker 5>I mean, for this image of serve that I thought

0:26:13.440 --> 0:26:15.720
<v Speaker 5>I needed to be, and then I got sick of him,

0:26:16.359 --> 0:26:19.000
<v Speaker 5>and you know, it had already caused problems at home.

0:26:19.440 --> 0:26:21.359
<v Speaker 5>Didn't want to go back to who he was, and

0:26:21.480 --> 0:26:23.920
<v Speaker 5>found this middle place of like, I'm just gonna silently

0:26:24.440 --> 0:26:28.200
<v Speaker 5>like self medicate, you know what I mean, because I'm depressed,

0:26:28.600 --> 0:26:32.120
<v Speaker 5>My home life is messed up staring who I want

0:26:32.160 --> 0:26:35.200
<v Speaker 5>to be. But niggas love him. They love that guy,

0:26:35.840 --> 0:26:38.000
<v Speaker 5>you know what I mean? And I just, you know,

0:26:38.080 --> 0:26:40.919
<v Speaker 5>I started to self medicate, and you know, didn't tell

0:26:40.920 --> 0:26:43.280
<v Speaker 5>anybody until it was too late. And once I decided

0:26:43.320 --> 0:26:45.600
<v Speaker 5>that it was time to tell people, the pandemic happened,

0:26:49.040 --> 0:26:51.440
<v Speaker 5>you know. But you know, as someone that you know

0:26:51.560 --> 0:26:54.639
<v Speaker 5>doesn't give a fuck about like fame or like, I

0:26:54.680 --> 0:26:57.200
<v Speaker 5>don't do this for accolades. I actually like love music.

0:26:57.640 --> 0:27:01.600
<v Speaker 5>It's very hard to appreciate artistry and everything it comes

0:27:01.680 --> 0:27:05.320
<v Speaker 5>with when you know what I mean. People don't like

0:27:05.480 --> 0:27:08.320
<v Speaker 5>respect it or respect you. They don't respect your humanity

0:27:08.320 --> 0:27:09.720
<v Speaker 5>when they see you as an artist, you know what

0:27:09.800 --> 0:27:11.680
<v Speaker 5>I mean. And I had to learn that the hard way.

0:27:12.240 --> 0:27:13.520
<v Speaker 6>I was just gonna ask, what else did you have

0:27:13.640 --> 0:27:16.680
<v Speaker 6>outside of rehab coming out of COVID. You also it

0:27:16.720 --> 0:27:18.600
<v Speaker 6>sounds like you also have people around you that you

0:27:18.680 --> 0:27:21.560
<v Speaker 6>may have had to shuffle a little bit change, Oh.

0:27:21.560 --> 0:27:23.679
<v Speaker 5>For sure, for show for shows, I got, I got

0:27:23.760 --> 0:27:27.639
<v Speaker 5>friends I can't see, you know what I mean. My

0:27:27.800 --> 0:27:31.359
<v Speaker 5>family was very hands on in my health and my recovery,

0:27:31.520 --> 0:27:33.240
<v Speaker 5>you know what I mean. So me and my family

0:27:33.320 --> 0:27:35.840
<v Speaker 5>we were already tight knit, but this kind of just

0:27:35.880 --> 0:27:39.119
<v Speaker 5>brought us closer together. But yeah, I definitely like my

0:27:39.440 --> 0:27:41.119
<v Speaker 5>whole circle is different. I don't got I got like

0:27:41.200 --> 0:27:42.840
<v Speaker 5>two friends that I call, you know what I mean.

0:27:42.840 --> 0:27:44.600
<v Speaker 5>And for the most part, I speak to my mother,

0:27:44.760 --> 0:27:46.720
<v Speaker 5>my father, and my brothers and try to keep.

0:27:46.560 --> 0:27:46.879
<v Speaker 2>It like that.

0:27:47.359 --> 0:27:48.720
<v Speaker 3>We haven't talked about your dad.

0:27:50.359 --> 0:27:50.800
<v Speaker 2>My dad.

0:27:53.119 --> 0:27:56.040
<v Speaker 5>My dad is a he's a funny guy. His name's

0:27:56.160 --> 0:27:59.639
<v Speaker 5>ron and he's gonna be on the interview.

0:28:00.000 --> 0:28:01.879
<v Speaker 3>It is, yes, Ronald.

0:28:04.840 --> 0:28:07.320
<v Speaker 5>Yeah, my dad is the oldest of like six kids.

0:28:07.600 --> 0:28:10.280
<v Speaker 5>He's one of the most gentle people you'll ever meet

0:28:10.280 --> 0:28:12.560
<v Speaker 5>in your life. And he don't sing, he don't do music.

0:28:12.680 --> 0:28:17.200
<v Speaker 5>But he loves my mama. He loves you know what

0:28:17.240 --> 0:28:17.640
<v Speaker 5>I mean.

0:28:17.880 --> 0:28:20.359
<v Speaker 6>Sir, talk about growing up in that like being a

0:28:20.480 --> 0:28:23.680
<v Speaker 6>married man and growing up and having that because a lot.

0:28:23.560 --> 0:28:26.159
<v Speaker 5>Of people have a great example might not mind you.

0:28:26.280 --> 0:28:29.920
<v Speaker 5>My father, when I was growing up, he spent some

0:28:30.040 --> 0:28:32.960
<v Speaker 5>time in the pen. He he had two strikes before I,

0:28:33.160 --> 0:28:36.159
<v Speaker 5>before I was you know, thought of so when I

0:28:36.320 --> 0:28:38.880
<v Speaker 5>when I was when I was six, he got out

0:28:38.920 --> 0:28:41.280
<v Speaker 5>of jail and never looked back, you know, and took

0:28:41.360 --> 0:28:44.040
<v Speaker 5>care of his family. And I've seen him struggle so hard,

0:28:44.120 --> 0:28:45.680
<v Speaker 5>you know what I mean. You know, I having two

0:28:45.720 --> 0:28:48.480
<v Speaker 5>strikes in the nineties, it wasn't too much work for him.

0:28:48.480 --> 0:28:51.400
<v Speaker 5>He you know, he was a limo driver, he's a chaplain.

0:28:52.120 --> 0:28:54.400
<v Speaker 5>He's done so many different things just to provide for

0:28:54.520 --> 0:28:57.200
<v Speaker 5>us and give us opportunities to be great. And we

0:28:57.320 --> 0:28:59.280
<v Speaker 5>love him to death man. And he's still, you know,

0:28:59.600 --> 0:29:02.120
<v Speaker 5>just superhands on in my life. And you know, I

0:29:02.200 --> 0:29:05.040
<v Speaker 5>talk to him all the time. But I think he's

0:29:05.080 --> 0:29:07.200
<v Speaker 5>a funny guy because my dad is getting old, Like

0:29:07.280 --> 0:29:10.320
<v Speaker 5>he's an old man. Now what is old, sir? Oh

0:29:10.520 --> 0:29:13.120
<v Speaker 5>my gosh, she's an old But what's even more, what's

0:29:13.160 --> 0:29:15.200
<v Speaker 5>even more funny is my brother's are turning into old

0:29:15.280 --> 0:29:16.920
<v Speaker 5>man to meet and me and me and my brothers

0:29:16.960 --> 0:29:18.600
<v Speaker 5>we wake up in the morning with neck pains and

0:29:18.600 --> 0:29:20.520
<v Speaker 5>all kind of thirty seven. You know I ain't no

0:29:20.600 --> 0:29:22.960
<v Speaker 5>spring chicken. Man, Are you the youngest of you had?

0:29:23.000 --> 0:29:23.160
<v Speaker 1>Three?

0:29:23.880 --> 0:29:24.520
<v Speaker 2>Yeah? Yeah?

0:29:25.480 --> 0:29:28.600
<v Speaker 5>Wait hold Steve smoke he thirty eight, about to be

0:29:28.680 --> 0:29:30.920
<v Speaker 5>thirty nine, always.

0:29:30.680 --> 0:29:37.600
<v Speaker 1>Youngins man, It was moving fast. See this explains it

0:29:37.720 --> 0:29:42.760
<v Speaker 1>because again I'm thinking, like, damn man, for twenty four

0:29:42.840 --> 0:29:44.640
<v Speaker 1>year old, this guy got a lot of wisdom under

0:29:44.680 --> 0:29:47.400
<v Speaker 1>his belt. Now now I get it.

0:29:47.600 --> 0:29:48.920
<v Speaker 4>I get it now.

0:29:53.760 --> 0:29:57.480
<v Speaker 1>As far as your pen game is concerned, how hard

0:29:57.560 --> 0:30:02.720
<v Speaker 1>is it to you use your music to express what

0:30:02.960 --> 0:30:03.960
<v Speaker 1>you're feeling inside.

0:30:04.440 --> 0:30:06.640
<v Speaker 5>I wouldn't say it's difficult. It just hurts when I

0:30:06.760 --> 0:30:09.000
<v Speaker 5>do it. You know, then this is like a superpower

0:30:09.040 --> 0:30:12.320
<v Speaker 5>I've developed over years of like trying, of trial and error,

0:30:13.000 --> 0:30:16.080
<v Speaker 5>just pulling from emotional places. You know, I'm really good

0:30:16.120 --> 0:30:19.000
<v Speaker 5>at it. And you know the poetry comes from pain.

0:30:19.200 --> 0:30:22.560
<v Speaker 5>So it's kind of a second nature thing for me now, man.

0:30:22.680 --> 0:30:24.680
<v Speaker 5>And like right now I'm sitting in my house. I

0:30:24.680 --> 0:30:26.920
<v Speaker 5>haven't written a song in like probably three four months.

0:30:27.080 --> 0:30:29.120
<v Speaker 5>I'm like an out of practice musician, it feels like,

0:30:29.600 --> 0:30:31.160
<v Speaker 5>but I know as soon as I sit down to

0:30:31.280 --> 0:30:33.480
<v Speaker 5>do it, I know my process. I know what I

0:30:33.600 --> 0:30:35.680
<v Speaker 5>want out of these songs and if I hear the

0:30:35.800 --> 0:30:38.479
<v Speaker 5>music and it's it's there, the songs down there already

0:30:38.520 --> 0:30:40.720
<v Speaker 5>written at this point, you know what I mean. But

0:30:40.800 --> 0:30:43.800
<v Speaker 5>that comes from years of working. I put so much

0:30:43.840 --> 0:30:45.800
<v Speaker 5>time in that people don't see, you know what I mean,

0:30:45.840 --> 0:30:48.760
<v Speaker 5>with songwriting, writing for other artists, writing for myself. I

0:30:48.840 --> 0:30:51.840
<v Speaker 5>got a pile of probably five hundred songs that I

0:30:51.840 --> 0:30:53.320
<v Speaker 5>ain't never gonna see the light of day. But I

0:30:53.520 --> 0:30:55.400
<v Speaker 5>go back and listen to them and examine them and

0:30:55.480 --> 0:30:58.320
<v Speaker 5>pick them apart, just to you know, try to find

0:30:58.360 --> 0:31:01.760
<v Speaker 5>too my craft, you know. But I'm proud that people

0:31:01.920 --> 0:31:04.280
<v Speaker 5>like know me as like a songwriter, like they actually

0:31:04.440 --> 0:31:06.400
<v Speaker 5>like the lyrics and ship like that, because you know,

0:31:06.960 --> 0:31:09.400
<v Speaker 5>I don't put you know, I don't want to like

0:31:09.600 --> 0:31:13.840
<v Speaker 5>ever ever, you know, assume that people listen to my

0:31:13.880 --> 0:31:16.320
<v Speaker 5>ship and they love it, you know, they love what

0:31:16.400 --> 0:31:17.640
<v Speaker 5>I got to say, you know what I mean.

0:31:17.960 --> 0:31:21.280
<v Speaker 2>I'm crashing down, that's my record. Yeah.

0:31:21.560 --> 0:31:24.280
<v Speaker 5>Yeah, I'm blessed to be in a position I'm in.

0:31:24.440 --> 0:31:26.080
<v Speaker 5>Like a lot of people just they try to say

0:31:26.120 --> 0:31:28.840
<v Speaker 5>cool ship, you know what I mean, I'm trying. I'm

0:31:28.920 --> 0:31:33.440
<v Speaker 5>trying to dig so the end that it's relatable to

0:31:33.840 --> 0:31:35.400
<v Speaker 5>the outer world, you know, what I mean. I think

0:31:35.480 --> 0:31:38.200
<v Speaker 5>that's my secret. When you sit down to write, are

0:31:38.240 --> 0:31:40.800
<v Speaker 5>you like a lyrics guy first or melody guy first?

0:31:41.520 --> 0:31:44.400
<v Speaker 5>It depends. Yeah, it all depends.

0:31:45.160 --> 0:31:45.520
<v Speaker 4>You know that.

0:31:45.800 --> 0:31:47.520
<v Speaker 5>People people that try to say that one or the

0:31:47.600 --> 0:31:49.520
<v Speaker 5>other don't really to me, I ain't doing it right,

0:31:50.080 --> 0:31:52.120
<v Speaker 5>you know what I mean? Because you you know it's

0:31:52.240 --> 0:31:55.480
<v Speaker 5>this is this is I don't know. It's like basketball.

0:31:55.480 --> 0:31:57.239
<v Speaker 5>And in a basketball game, you dribbling down the court,

0:31:57.240 --> 0:31:58.760
<v Speaker 5>You're not gonna shot the same shot every time, you

0:31:58.800 --> 0:32:00.440
<v Speaker 5>know what I mean? You got to have some kind

0:32:00.480 --> 0:32:03.600
<v Speaker 5>of you know, knowledge of where you're at and what

0:32:03.880 --> 0:32:07.000
<v Speaker 5>you know what the court is dictating. So my songwriting

0:32:07.080 --> 0:32:09.520
<v Speaker 5>is dictated about the court that I'm standing on.

0:32:10.400 --> 0:32:12.240
<v Speaker 6>When it comes to your songs, is it more of

0:32:12.360 --> 0:32:15.360
<v Speaker 6>a your writing songs and artists or A and R

0:32:15.480 --> 0:32:17.720
<v Speaker 6>are picking the songs, or is it also to your

0:32:17.760 --> 0:32:19.320
<v Speaker 6>writing songs for certain people?

0:32:20.120 --> 0:32:21.840
<v Speaker 5>No, I just right now, I don't write for anybody.

0:32:22.320 --> 0:32:24.440
<v Speaker 5>I have a pile. And you know, even when I

0:32:24.440 --> 0:32:26.239
<v Speaker 5>was writing for other people, I never really wrote for them.

0:32:26.280 --> 0:32:27.800
<v Speaker 5>I didn't like, sit down like, okay, I need the

0:32:27.880 --> 0:32:30.000
<v Speaker 5>Beyonce song. I hate them niggas that shit. Don't that

0:32:30.200 --> 0:32:33.080
<v Speaker 5>that shits trash. Let me write a song for Beyonce.

0:32:33.760 --> 0:32:35.120
<v Speaker 5>Want to get up on Beyonce?

0:32:35.320 --> 0:32:35.560
<v Speaker 2>Rat?

0:32:35.800 --> 0:32:41.600
<v Speaker 5>No, No, I just write vis you know what I mean? Now,

0:32:41.680 --> 0:32:43.360
<v Speaker 5>I came from that. I came from like we were

0:32:43.400 --> 0:32:45.200
<v Speaker 5>what works first. People don't know I was in. We

0:32:45.280 --> 0:32:48.640
<v Speaker 5>were writing songs for other people. My brothers had big placements,

0:32:48.680 --> 0:32:51.040
<v Speaker 5>they at Usher placements and like John placements back in

0:32:51.040 --> 0:32:53.120
<v Speaker 5>the day. And that's what really like sold me on

0:32:53.360 --> 0:32:56.800
<v Speaker 5>becoming like a musician. So my first like before I

0:32:56.880 --> 0:32:59.760
<v Speaker 5>wrote my own projects, we were working on like writing

0:32:59.840 --> 0:33:02.200
<v Speaker 5>for the people, and I was in a songwrinning camp

0:33:02.320 --> 0:33:05.840
<v Speaker 5>of six motherfuckers. So you know that taught me a

0:33:05.880 --> 0:33:08.040
<v Speaker 5>lot about who I wanted to be as a writer.

0:33:08.760 --> 0:33:11.000
<v Speaker 1>Can you explain to me what those I always hear

0:33:11.040 --> 0:33:14.520
<v Speaker 1>about those types of camps, especially from artists that come

0:33:14.560 --> 0:33:15.000
<v Speaker 1>on this show.

0:33:15.480 --> 0:33:17.840
<v Speaker 4>Never been a part of those camps because.

0:33:18.040 --> 0:33:21.760
<v Speaker 5>Apparently I'm doing it wrong, Like, no, you're doing it right, brother.

0:33:24.480 --> 0:33:24.800
<v Speaker 5>I don't know.

0:33:24.880 --> 0:33:27.560
<v Speaker 1>But what are camps like? Because it's also like it's

0:33:27.600 --> 0:33:29.680
<v Speaker 1>every it's is it every man for himself? Is it

0:33:29.880 --> 0:33:32.120
<v Speaker 1>like you're off of blood? Like I got to get

0:33:32.160 --> 0:33:34.840
<v Speaker 1>a placement on this record, and it's.

0:33:34.720 --> 0:33:38.719
<v Speaker 5>Pretty it's pretty cut throat at certain points, but I mean,

0:33:38.800 --> 0:33:40.560
<v Speaker 5>I'm so displaced from it. I haven't been in a

0:33:40.640 --> 0:33:43.880
<v Speaker 5>camp for ten years, man, so I don't know. I

0:33:43.920 --> 0:33:46.000
<v Speaker 5>don't know what they like nowadays. But when I was

0:33:46.160 --> 0:33:47.480
<v Speaker 5>doing it, it was tough.

0:33:47.880 --> 0:33:48.480
<v Speaker 4>It was tough.

0:33:49.000 --> 0:33:50.960
<v Speaker 5>So what we used to do because we all loved

0:33:50.960 --> 0:33:53.040
<v Speaker 5>each other and we wanted everyone wanted to succeed, as

0:33:53.080 --> 0:33:55.720
<v Speaker 5>we would break songs down into pieces that's not mine.

0:33:55.760 --> 0:33:57.840
<v Speaker 5>That's how Woodworks did it. Somebody got the first verse,

0:33:57.920 --> 0:34:00.360
<v Speaker 5>we're writing a hook together. Somebody got I can verse,

0:34:00.400 --> 0:34:03.640
<v Speaker 5>somebody get a bridge, you know what I mean? Yeah,

0:34:03.880 --> 0:34:06.200
<v Speaker 5>that and that was I mean, that didn't always work,

0:34:06.280 --> 0:34:07.920
<v Speaker 5>but that was the game plan. That's how we went

0:34:07.960 --> 0:34:11.440
<v Speaker 5>into the situations. And then it would if you're going

0:34:11.480 --> 0:34:13.399
<v Speaker 5>into a writing camp where it's like a whole bunch

0:34:13.400 --> 0:34:16.120
<v Speaker 5>of individuals writers that are coming in, like look, okay,

0:34:16.200 --> 0:34:18.160
<v Speaker 5>let's say Tyree sets up a camp where he has

0:34:18.239 --> 0:34:21.719
<v Speaker 5>producers the writers in come. That is very cutthroat because

0:34:21.760 --> 0:34:24.480
<v Speaker 5>everyone's writing by themselves on their own little setup to

0:34:24.600 --> 0:34:26.600
<v Speaker 5>bring to play to Tyree so that he can choose

0:34:26.640 --> 0:34:29.279
<v Speaker 5>what records he's gonna cut, you know what I mean.

0:34:29.360 --> 0:34:31.759
<v Speaker 5>And that was a different environ I can say that

0:34:32.200 --> 0:34:35.640
<v Speaker 5>the songwriters that I've come across, they're they're all very competitive,

0:34:36.400 --> 0:34:39.160
<v Speaker 5>but you know there is a community of like I'm

0:34:39.200 --> 0:34:40.000
<v Speaker 5>going to help you out.

0:34:40.080 --> 0:34:40.200
<v Speaker 2>You know.

0:34:40.280 --> 0:34:43.239
<v Speaker 5>It was never so cutthroat that work wasn't getting done.

0:34:43.880 --> 0:34:46.799
<v Speaker 1>I can only imagine that, you know, if it's coming

0:34:46.840 --> 0:34:51.000
<v Speaker 1>from your insides and it's your song, it's like your child.

0:34:51.400 --> 0:34:54.800
<v Speaker 1>So I wonder, like, all right, well I got a

0:34:54.960 --> 0:34:58.320
<v Speaker 1>first verse, you know, And I do I do believe

0:34:58.360 --> 0:35:01.520
<v Speaker 1>in that whole thing of how inspiration hit you that

0:35:02.760 --> 0:35:04.240
<v Speaker 1>you know, you have to be in the right environment

0:35:04.320 --> 0:35:06.000
<v Speaker 1>acquired him. I mean, some people need to be in

0:35:06.000 --> 0:35:08.920
<v Speaker 1>a chaotic of environment. I know, people that feel like

0:35:08.960 --> 0:35:11.279
<v Speaker 1>they need to be in arguments with their girlfriend or

0:35:11.960 --> 0:35:14.239
<v Speaker 1>you know, whatever whatever floats their book. But to have

0:35:14.320 --> 0:35:17.399
<v Speaker 1>the ideas come, Quincy Jones on the episode That Will

0:35:17.480 --> 0:35:20.120
<v Speaker 1>Never Come Out says that all of his ideas come

0:35:20.160 --> 0:35:22.520
<v Speaker 1>at one in the morning, that sort of thing. But

0:35:22.680 --> 0:35:27.080
<v Speaker 1>I don't know, I can't imagine like, Okay, having half

0:35:27.120 --> 0:35:30.640
<v Speaker 1>a song and just in the name of time, like

0:35:30.760 --> 0:35:32.759
<v Speaker 1>all right, well you take it over now it's your

0:35:32.840 --> 0:35:34.720
<v Speaker 1>child and we're co parents.

0:35:34.880 --> 0:35:36.840
<v Speaker 4>Like I just never understood that process.

0:35:36.960 --> 0:35:39.200
<v Speaker 1>Like I always felt like, once this song comes out

0:35:39.239 --> 0:35:42.200
<v Speaker 1>of you, you should see it through soup the nuts.

0:35:42.440 --> 0:35:45.880
<v Speaker 1>But you know, I don't know, like do you recommend

0:35:46.000 --> 0:35:50.319
<v Speaker 1>writers camps or for you it's it's better when it's

0:35:50.520 --> 0:35:52.480
<v Speaker 1>just coming from you isolated alone.

0:35:53.040 --> 0:35:57.400
<v Speaker 5>Well as an artist, I don't recommend writing camps, but

0:35:57.480 --> 0:36:01.080
<v Speaker 5>I do recommend writing with other writers. Like, for example,

0:36:01.120 --> 0:36:04.640
<v Speaker 5>there's an artist in Jazzi that is she's a singer

0:36:04.719 --> 0:36:08.279
<v Speaker 5>songwriter and she's very popular. I brought her in to

0:36:08.360 --> 0:36:10.600
<v Speaker 5>help me write the song that I have with Ti

0:36:10.719 --> 0:36:13.480
<v Speaker 5>Dallas Sign on the album. And I did it because

0:36:14.120 --> 0:36:17.520
<v Speaker 5>you know, when creating albums, I feel like you need

0:36:17.680 --> 0:36:21.760
<v Speaker 5>to have different Like let's just use the word vibes.

0:36:21.800 --> 0:36:24.359
<v Speaker 5>I hate the word, but let's you gotta you gotta

0:36:24.440 --> 0:36:25.520
<v Speaker 5>have different different.

0:36:26.520 --> 0:36:29.120
<v Speaker 4>This is how I know you're not twenty all right, exactly.

0:36:30.080 --> 0:36:32.719
<v Speaker 5>You gotta have different There has to be some type

0:36:32.760 --> 0:36:36.880
<v Speaker 5>of variety, you know, to to the sound. In my opinion,

0:36:37.120 --> 0:36:40.399
<v Speaker 5>to make a great project. You know, it's really hard

0:36:40.440 --> 0:36:42.759
<v Speaker 5>to pull off when it's just you in your head,

0:36:43.000 --> 0:36:45.759
<v Speaker 5>you know what I mean. I feel like I've I've

0:36:47.520 --> 0:36:52.839
<v Speaker 5>learned to let people in because people, you know, can

0:36:52.920 --> 0:36:55.680
<v Speaker 5>improve something for you, you know, can make something better

0:36:55.800 --> 0:36:58.480
<v Speaker 5>by you know, looking at it from their perspective, you know.

0:36:58.840 --> 0:37:02.040
<v Speaker 5>And I can learn a lot still, you know, I

0:37:02.160 --> 0:37:05.600
<v Speaker 5>definitely don't think I know everything. So having help, you

0:37:05.680 --> 0:37:08.120
<v Speaker 5>know what I mean, to get you through your own

0:37:08.200 --> 0:37:10.359
<v Speaker 5>thoughts isn't a bad thing. It just depends on how

0:37:10.400 --> 0:37:13.520
<v Speaker 5>you handle it, you know. And I think I've I've

0:37:13.520 --> 0:37:15.840
<v Speaker 5>had years of trial and era with working with other artists,

0:37:15.880 --> 0:37:17.839
<v Speaker 5>so I know what I like immedia, It'll take ten

0:37:17.920 --> 0:37:20.000
<v Speaker 5>minutes for me to decide if we actually gonna do

0:37:20.040 --> 0:37:23.279
<v Speaker 5>the session, you know what I mean, Like if we're

0:37:23.280 --> 0:37:26.080
<v Speaker 5>sitting down and you know, once I'm locked in with somebody,

0:37:26.160 --> 0:37:28.799
<v Speaker 5>it's gonna go smoothly. But it's all trial and there,

0:37:29.000 --> 0:37:33.879
<v Speaker 5>and I feel like I've learned for me, I need help,

0:37:34.160 --> 0:37:36.520
<v Speaker 5>and my music sounds better when I have the right

0:37:37.000 --> 0:37:39.200
<v Speaker 5>type of help. So it's not just about having a

0:37:39.239 --> 0:37:41.359
<v Speaker 5>whole bunch of songwriters people come in. It's about having

0:37:41.520 --> 0:37:42.080
<v Speaker 5>the right.

0:37:43.800 --> 0:37:51.680
<v Speaker 1>Of all the storied clicks in contemporary music. You know,

0:37:51.840 --> 0:37:55.160
<v Speaker 1>start with native tongues, and then start with Wu tang,

0:37:55.280 --> 0:37:59.680
<v Speaker 1>and start with death row Tde to Me is well

0:37:59.760 --> 0:38:02.560
<v Speaker 1>one one of the most ubiquitous but also on the

0:38:02.640 --> 0:38:05.239
<v Speaker 1>other side of that coin, one of the most mysterious

0:38:05.880 --> 0:38:11.760
<v Speaker 1>organizations that I know of but don't know jack about.

0:38:12.680 --> 0:38:14.200
<v Speaker 2>Are we all right?

0:38:14.280 --> 0:38:18.359
<v Speaker 1>Look when you join this organization number one, I'm gonna

0:38:18.360 --> 0:38:22.000
<v Speaker 1>be impression that if you join TDE then yeah, like

0:38:22.920 --> 0:38:27.239
<v Speaker 1>Sizza and Isaiah and Schoolboy and Absol and Doshi and

0:38:27.480 --> 0:38:32.280
<v Speaker 1>like the whole clique are all family in like working

0:38:32.360 --> 0:38:34.480
<v Speaker 1>together on each other's projects and that sort of thing.

0:38:35.280 --> 0:38:36.800
<v Speaker 1>But like, what is it like?

0:38:36.840 --> 0:38:41.040
<v Speaker 4>Because I know nothing about about Anthony and it is.

0:38:41.239 --> 0:38:44.720
<v Speaker 5>It is right. We were just talking about the songwriting camps.

0:38:44.800 --> 0:38:49.080
<v Speaker 5>It is the songwriting camps at the highest level. So everybody,

0:38:49.239 --> 0:38:51.920
<v Speaker 5>everybody is alp for blood. We are all hungry, we

0:38:52.000 --> 0:38:54.960
<v Speaker 5>are all independent. We help each other out where we can,

0:38:55.120 --> 0:38:57.680
<v Speaker 5>but we all got careers to take care of. Now.

0:38:57.800 --> 0:39:00.719
<v Speaker 5>Mind you, we're family, you know what I mean. And

0:39:00.920 --> 0:39:04.279
<v Speaker 5>we're very tight. We're very close knit, you know what

0:39:04.320 --> 0:39:08.319
<v Speaker 5>I mean. But man, TD, there's still a learning curve

0:39:08.400 --> 0:39:10.960
<v Speaker 5>for me, you know what I mean. Let's take away

0:39:11.000 --> 0:39:14.600
<v Speaker 5>the music industry like him his bloods, these game members,

0:39:14.719 --> 0:39:17.400
<v Speaker 5>you know what I mean? And yeah, from LA so

0:39:17.600 --> 0:39:21.080
<v Speaker 5>I gotta I gotta, I gotta first just respect that

0:39:21.440 --> 0:39:24.279
<v Speaker 5>you know what I mean, Like, at at any given time,

0:39:24.880 --> 0:39:27.960
<v Speaker 5>she can go a sour and you know, all hell

0:39:28.000 --> 0:39:30.840
<v Speaker 5>could break loose on this side, you know. So I

0:39:31.000 --> 0:39:32.520
<v Speaker 5>just had to learn who I was dealing with and

0:39:33.000 --> 0:39:37.400
<v Speaker 5>learned that. You know, respect is earned, you know what

0:39:37.440 --> 0:39:40.640
<v Speaker 5>I mean, before it's given in this circle, and we

0:39:40.760 --> 0:39:44.040
<v Speaker 5>don't tolerate disrespect. We don't tolerate ignorance stuff like that.

0:39:44.200 --> 0:39:47.560
<v Speaker 5>Top Is like, he's hardcore man, and as hardcore as

0:39:47.600 --> 0:39:49.680
<v Speaker 5>he is, he's also very gentle and very loving. He's

0:39:49.680 --> 0:39:51.880
<v Speaker 5>a father of like nine kids. He's got a lot

0:39:51.920 --> 0:39:54.759
<v Speaker 5>of children. Yeah, top is a is an interesting dude.

0:39:54.840 --> 0:40:00.640
<v Speaker 5>Man's Charlie Mack. You know. But as far as the egos,

0:40:00.920 --> 0:40:04.360
<v Speaker 5>I will say this, I've never been in a place

0:40:04.400 --> 0:40:08.520
<v Speaker 5>where I'm that motivated to stand out in my life.

0:40:08.600 --> 0:40:10.719
<v Speaker 5>There's so many great things happening. It just makes me

0:40:10.800 --> 0:40:12.319
<v Speaker 5>want to work so much harder to be the best

0:40:12.360 --> 0:40:16.120
<v Speaker 5>version of myself. Sizzle's on top of the planet. Motherfucking

0:40:16.200 --> 0:40:19.759
<v Speaker 5>do she scares me? Scares me?

0:40:20.320 --> 0:40:20.480
<v Speaker 2>Oh?

0:40:21.440 --> 0:40:25.399
<v Speaker 5>I did. Yeah, if you're not familiar, go check out.

0:40:25.800 --> 0:40:29.520
<v Speaker 5>That's the Florida girl. And she she's like, yeah, you

0:40:29.640 --> 0:40:31.800
<v Speaker 5>can't tell me nothing. I know music and I know

0:40:31.880 --> 0:40:34.000
<v Speaker 5>what I like. I know beyond what I like, what

0:40:34.200 --> 0:40:37.440
<v Speaker 5>is proper like. I know I know when it when

0:40:37.480 --> 0:40:39.680
<v Speaker 5>it hits, when it's smacks, and when when the artist

0:40:39.760 --> 0:40:42.520
<v Speaker 5>behind it knows how to make it smack. This bitch

0:40:44.400 --> 0:40:45.719
<v Speaker 5>I didn't even know she was with y'all.

0:40:45.760 --> 0:40:47.799
<v Speaker 3>I like, what, y'all that's great.

0:40:47.920 --> 0:40:51.719
<v Speaker 5>Look, look I met I met doch Uh like uh,

0:40:52.440 --> 0:40:54.719
<v Speaker 5>I guess a couple of weeks before they announced, she

0:40:54.719 --> 0:40:56.480
<v Speaker 5>was starting to TV. When they first came, she came

0:40:56.520 --> 0:40:59.680
<v Speaker 5>in so nice and played me some records. She played

0:40:59.719 --> 0:41:04.440
<v Speaker 5>me the craziest records. What's the song that she has out?

0:41:04.480 --> 0:41:06.720
<v Speaker 5>You probably won't know anyway, but she played me something

0:41:06.760 --> 0:41:12.440
<v Speaker 5>that I was like, I was floored. Well, lord, this

0:41:12.680 --> 0:41:14.919
<v Speaker 5>is one of the most talented women in the game

0:41:15.040 --> 0:41:17.759
<v Speaker 5>right now, and I knows, you know, scissors scissors and

0:41:17.960 --> 0:41:21.239
<v Speaker 5>deserves everything that's going on. But Adolcie, he could ask

0:41:21.480 --> 0:41:24.040
<v Speaker 5>about Dochie, she gonna say the same thing. I'm scared

0:41:24.120 --> 0:41:26.840
<v Speaker 5>of that girl, you know. But that's the environment that

0:41:26.960 --> 0:41:29.640
<v Speaker 5>TD creates. It creates monsters, it creates people that are

0:41:29.680 --> 0:41:31.560
<v Speaker 5>so hungry that you ain't don't give a fun what

0:41:31.640 --> 0:41:34.320
<v Speaker 5>y'ad got going on. It's me, is this this is

0:41:34.400 --> 0:41:36.120
<v Speaker 5>PD or it's nothing else, you know what I mean?

0:41:36.160 --> 0:41:37.120
<v Speaker 5>And it's always gonna be that.

0:41:37.920 --> 0:41:41.239
<v Speaker 1>As an avid watcher of King of the Hill, can

0:41:41.320 --> 0:41:43.799
<v Speaker 1>you please explain your.

0:41:43.760 --> 0:41:45.320
<v Speaker 4>Logic behind John Redcorn.

0:41:45.719 --> 0:41:47.600
<v Speaker 5>We can talk about King of the Hill all day. Okay,

0:41:47.760 --> 0:41:50.480
<v Speaker 5>let go of my person. I don't know you, okay.

0:41:51.560 --> 0:41:54.040
<v Speaker 3>Oh, John Redcorn. He was the indigenous dude on in

0:41:54.120 --> 0:41:55.440
<v Speaker 3>King of the Hill. Yes, that was married to the.

0:41:55.440 --> 0:41:57.279
<v Speaker 4>Blonde right right?

0:41:57.560 --> 0:42:04.080
<v Speaker 5>Yeah, I know John Redcord was not married, motherfucker. He

0:42:04.360 --> 0:42:08.160
<v Speaker 5>was the dude on the side. Dale Gribble is blind

0:42:08.760 --> 0:42:10.759
<v Speaker 5>and when he could not see what was going on,

0:42:10.960 --> 0:42:13.640
<v Speaker 5>he was dirty. Now there was a boy on the show,

0:42:13.760 --> 0:42:19.759
<v Speaker 5>his name was Joseph, but we all know the truth

0:42:19.840 --> 0:42:22.400
<v Speaker 5>behind that whole story. Now that now, mind you and

0:42:22.640 --> 0:42:26.399
<v Speaker 5>me and my wife like we we oh my gosh,

0:42:26.440 --> 0:42:28.359
<v Speaker 5>we burned King of Hill into the ground. I've watched

0:42:28.400 --> 0:42:30.680
<v Speaker 5>the season finale so many times, and like I'm I'm

0:42:30.680 --> 0:42:36.080
<v Speaker 5>a huge, huge fan of John Redcorn in general, just

0:42:36.160 --> 0:42:38.120
<v Speaker 5>because of the episode that I remember him on.

0:42:39.080 --> 0:42:41.200
<v Speaker 1>Yeah, and you know that song.

0:42:41.320 --> 0:42:43.960
<v Speaker 5>That song was a happy accident. Let's be honest, nobody

0:42:44.040 --> 0:42:46.280
<v Speaker 5>expect I didn't expect that motherfucker to go as crazy

0:42:46.320 --> 0:42:46.719
<v Speaker 5>as it did.

0:42:46.840 --> 0:42:47.279
<v Speaker 4>But it did.

0:42:47.760 --> 0:42:51.080
<v Speaker 1>I only asked you simply because you know, oftentimes artists,

0:42:51.200 --> 0:42:54.840
<v Speaker 1>especially under the umbrella hip hop, and I kind of

0:42:55.360 --> 0:42:58.160
<v Speaker 1>blamed ghost Face for this, where they'll just title their

0:42:58.239 --> 0:42:59.960
<v Speaker 1>song anything that has nothing to do with the song.

0:43:00.760 --> 0:43:01.000
<v Speaker 5>Yeah.

0:43:01.680 --> 0:43:04.399
<v Speaker 1>But when I saw that, I was like, nah, there's

0:43:04.440 --> 0:43:09.080
<v Speaker 1>something deeper behind this besides just naming it John Redcorn,

0:43:09.719 --> 0:43:13.640
<v Speaker 1>and especially I know the character that he is, and

0:43:13.760 --> 0:43:18.960
<v Speaker 1>it was curious to how you landed there, and so I.

0:43:19.000 --> 0:43:22.040
<v Speaker 5>Actually started with with I was like, I was watching

0:43:22.120 --> 0:43:24.279
<v Speaker 5>King of the Hill and we were watching I was

0:43:24.320 --> 0:43:27.880
<v Speaker 5>watching the episode where Joseph was like it was like

0:43:27.960 --> 0:43:32.600
<v Speaker 5>a Joseph John Redcord episode. Yeah, and you know he

0:43:32.920 --> 0:43:36.840
<v Speaker 5>left and was just and it's always crying in a

0:43:36.960 --> 0:43:39.680
<v Speaker 5>car or something like that, and it just it made

0:43:39.719 --> 0:43:42.520
<v Speaker 5>me so sad. I was like, oh my gosh, this

0:43:42.680 --> 0:43:46.000
<v Speaker 5>poor guy. And the first verse came of the hook

0:43:46.040 --> 0:43:49.160
<v Speaker 5>came immediately alone every night alone, and I was like,

0:43:49.280 --> 0:43:52.040
<v Speaker 5>this might be interesting, and I started I wrote that

0:43:52.360 --> 0:43:56.200
<v Speaker 5>I actually helped produce that song. So I did drums first,

0:43:56.480 --> 0:43:58.840
<v Speaker 5>I beat by and then I did the harmonies and

0:43:58.960 --> 0:44:01.200
<v Speaker 5>recorded over the harmonies and then had somebody coming in

0:44:01.200 --> 0:44:03.920
<v Speaker 5>and play guitar, so I have musicians build around my

0:44:08.160 --> 0:44:10.680
<v Speaker 5>I did my little three part or whatever, and we

0:44:10.840 --> 0:44:13.279
<v Speaker 5>went from there. But you know that that was, like

0:44:13.360 --> 0:44:17.239
<v Speaker 5>I said, a happy accident. But it definitely helped, like

0:44:17.600 --> 0:44:19.960
<v Speaker 5>shape how I wrote songs for the next few years

0:44:20.040 --> 0:44:22.320
<v Speaker 5>because of how people responded to it. You know, it

0:44:22.440 --> 0:44:25.200
<v Speaker 5>made me a little more adventurous. It made me want

0:44:25.239 --> 0:44:27.879
<v Speaker 5>to connect the dots before I sat down to write.

0:44:27.960 --> 0:44:29.400
<v Speaker 5>I do a lot of that, like a lot of

0:44:29.640 --> 0:44:32.719
<v Speaker 5>repping before I actually write the song in thought where

0:44:32.880 --> 0:44:34.439
<v Speaker 5>I you know, I listened to the music, I said,

0:44:34.440 --> 0:44:36.360
<v Speaker 5>I'm listening to the beat, but I'm also trying to

0:44:37.080 --> 0:44:39.880
<v Speaker 5>just figure out, you know, what would go good over

0:44:39.960 --> 0:44:42.880
<v Speaker 5>the beat and blah blah blah. But anyway, you know this,

0:44:43.120 --> 0:44:46.680
<v Speaker 5>this is like John Redcorn is my baby, man. It's

0:44:46.800 --> 0:44:48.640
<v Speaker 5>it's it's the gift that keeps done giving.

0:44:49.120 --> 0:44:52.200
<v Speaker 2>I love that song, man for real.

0:44:52.680 --> 0:44:54.400
<v Speaker 7>I wanted to ask you about one of your collaborators

0:44:54.440 --> 0:44:57.759
<v Speaker 7>you've been working with over the years, Dek the Punisher Man.

0:44:58.480 --> 0:45:02.040
<v Speaker 7>Hey and you guys, y'all relationship in y'all's creative chemistry,

0:45:02.080 --> 0:45:02.880
<v Speaker 7>how did that come about?

0:45:03.440 --> 0:45:06.480
<v Speaker 5>Me and DK met through one of my favorite people

0:45:06.560 --> 0:45:08.920
<v Speaker 5>on the planet. QUI. I don't know you remember. I

0:45:09.000 --> 0:45:10.680
<v Speaker 5>think I met you back in the day through this guy,

0:45:10.760 --> 0:45:12.240
<v Speaker 5>through Andre Harris, through are.

0:45:14.280 --> 0:45:14.480
<v Speaker 4>Yes.

0:45:14.680 --> 0:45:14.919
<v Speaker 2>Yeah.

0:45:15.239 --> 0:45:18.040
<v Speaker 5>Yeah, dang, you've been to a playlist retreat. I met

0:45:18.080 --> 0:45:19.120
<v Speaker 5>you got the Playlist retreat.

0:45:19.480 --> 0:45:20.480
<v Speaker 4>You've come to Jeff's thing.

0:45:21.120 --> 0:45:23.200
<v Speaker 5>Yeah, yeah, I've been. I was there the first three

0:45:23.280 --> 0:45:27.480
<v Speaker 5>years and then the drug. I mean, you know what.

0:45:27.960 --> 0:45:30.000
<v Speaker 1>The night I came to the Playlist Retreat, I got

0:45:30.080 --> 0:45:33.160
<v Speaker 1>there late from the tonight show and there was a

0:45:33.239 --> 0:45:36.919
<v Speaker 1>taco truck outside it. And what they failed to tell

0:45:37.040 --> 0:45:41.480
<v Speaker 1>me was that all the tacos were infused. And I

0:45:41.800 --> 0:45:45.120
<v Speaker 1>at that time, I was, you know, post pandemic, I microdos,

0:45:45.480 --> 0:45:49.600
<v Speaker 1>I like edibles. I'm very lightweight, and so I downed

0:45:49.600 --> 0:45:53.400
<v Speaker 1>about four of those tacos because I was starving, and

0:45:53.880 --> 0:45:55.120
<v Speaker 1>I found out the hard way.

0:45:56.080 --> 0:45:59.640
<v Speaker 5>Yeah, don't oh yeah, this night was interesting. Oh you

0:45:59.760 --> 0:46:02.719
<v Speaker 5>four you' all around? Yeah, the most euphoric tacos you'll

0:46:02.719 --> 0:46:03.680
<v Speaker 5>ever have in your life.

0:46:03.960 --> 0:46:04.320
<v Speaker 1>Correct.

0:46:05.560 --> 0:46:09.080
<v Speaker 5>But I actually met DK the Punisher in two thousand

0:46:09.120 --> 0:46:13.479
<v Speaker 5>and ten at Andre Harris's house. This is the first

0:46:13.600 --> 0:46:16.640
<v Speaker 5>opportunity I had to write songs as just as songwriter

0:46:16.840 --> 0:46:20.520
<v Speaker 5>Nobody's engineer was given to me by Andre Harris and

0:46:21.120 --> 0:46:25.359
<v Speaker 5>and DK met working under Andre Harris, and we got

0:46:25.440 --> 0:46:28.560
<v Speaker 5>great placements, had some great work met. Miss Jill got

0:46:28.640 --> 0:46:31.560
<v Speaker 5>placements on the Woman project. You know, I did Fool's Goal.

0:46:31.800 --> 0:46:34.920
<v Speaker 5>DK produced Fools Gold for Miss Jill on her last project.

0:46:35.440 --> 0:46:35.680
<v Speaker 4>Nice.

0:46:36.120 --> 0:46:39.759
<v Speaker 5>But like, that's my brother at this point. That's that's

0:46:40.080 --> 0:46:43.000
<v Speaker 5>and you know, that's my Baltimore connect, you know, so

0:46:43.320 --> 0:46:47.719
<v Speaker 5>I like me and him have a different type of

0:46:47.719 --> 0:46:49.960
<v Speaker 5>relationship now outside of music. Like I'm about to call

0:46:50.040 --> 0:46:51.960
<v Speaker 5>him right now. We're supposed to work out today, so

0:46:52.120 --> 0:46:54.800
<v Speaker 5>it's going to go link up. But that's my literal

0:46:55.040 --> 0:47:00.279
<v Speaker 5>brother at this point. And musically, you know, me and

0:47:00.400 --> 0:47:02.880
<v Speaker 5>him just click whenever we decide to work. It just

0:47:03.000 --> 0:47:06.000
<v Speaker 5>works now, y'all boys. That chemistry man, man, But the

0:47:06.120 --> 0:47:08.840
<v Speaker 5>music industry is tough man. DK actually had to shift.

0:47:09.800 --> 0:47:12.200
<v Speaker 5>He's a web developer now, so you know, and this

0:47:12.320 --> 0:47:14.759
<v Speaker 5>is one thing that I always recommend to, you know,

0:47:15.160 --> 0:47:18.759
<v Speaker 5>career musicians, if it's not paying your rent, like, don't

0:47:18.800 --> 0:47:21.040
<v Speaker 5>force that, don't be a broke musician. I don't recommend

0:47:21.080 --> 0:47:23.759
<v Speaker 5>that for anybody. Having experienced that, go get you a

0:47:23.840 --> 0:47:26.120
<v Speaker 5>fucking job. You're getting your job isn't going to take

0:47:26.160 --> 0:47:27.960
<v Speaker 5>away from your talent. It's going to make it easier

0:47:28.000 --> 0:47:29.719
<v Speaker 5>for you to get things done if you really think

0:47:29.760 --> 0:47:30.080
<v Speaker 5>about it.

0:47:30.680 --> 0:47:30.840
<v Speaker 2>You know.

0:47:31.000 --> 0:47:33.719
<v Speaker 5>So DK did that, and of course he still has

0:47:33.800 --> 0:47:36.399
<v Speaker 5>placements on Heavy. He's still working, you know what I mean.

0:47:36.480 --> 0:47:39.760
<v Speaker 5>But I'm happy for him because his life is balanced

0:47:39.800 --> 0:47:42.000
<v Speaker 5>out now and he can focus on being a better

0:47:42.080 --> 0:47:45.480
<v Speaker 5>musician because he has a career to kind of.

0:47:45.520 --> 0:47:50.440
<v Speaker 6>Balance another skill, another skill. You didn't mention what was

0:47:50.480 --> 0:47:52.200
<v Speaker 6>your first placement? That's what I asked the Mirror that

0:47:52.239 --> 0:47:55.839
<v Speaker 6>I forgot my first placement. Oh my god, a song

0:47:55.960 --> 0:47:58.160
<v Speaker 6>called Drinks Saints Free by Warren G.

0:48:00.280 --> 0:48:03.360
<v Speaker 2>Oh wow, all right, I like that face.

0:48:05.400 --> 0:48:06.320
<v Speaker 1>That came out of nowhere.

0:48:06.320 --> 0:48:09.839
<v Speaker 5>All right, Yeah, it's a peculiar. It's a peculiar. One

0:48:10.960 --> 0:48:12.480
<v Speaker 5>artist named Mono Maury.

0:48:12.680 --> 0:48:15.080
<v Speaker 2>Which is yeah shouts of man.

0:48:15.160 --> 0:48:17.600
<v Speaker 5>Yeah, Eman is the one that set that session up.

0:48:17.640 --> 0:48:19.560
<v Speaker 5>He called me like, girl, Hey, hey, I got a

0:48:19.640 --> 0:48:21.520
<v Speaker 5>chest with Warren G. Pull up and then we pulled

0:48:21.640 --> 0:48:25.279
<v Speaker 5>up and uh yeah, I got I got my little

0:48:25.360 --> 0:48:26.000
<v Speaker 5>part off.

0:48:32.920 --> 0:48:35.719
<v Speaker 6>Can you talk about the LA music scene because I'm

0:48:35.800 --> 0:48:38.320
<v Speaker 6>curious about the camaraderie because I heard you mention the

0:48:38.360 --> 0:48:40.399
<v Speaker 6>interviews before that. It's a lot of competition, but there's

0:48:40.400 --> 0:48:44.879
<v Speaker 6>got to be camaraderie because you collaborate with Anderson, You've collaborated,

0:48:45.360 --> 0:48:46.640
<v Speaker 6>uh with I'm.

0:48:46.520 --> 0:48:49.719
<v Speaker 3>Guessing like the majority of folks out here. So, but

0:48:49.840 --> 0:48:51.880
<v Speaker 3>what is the scene, Like where do y'all go to?

0:48:52.520 --> 0:48:54.960
<v Speaker 3>Like what's the club? It just doesn't feel like LA

0:48:55.120 --> 0:48:58.520
<v Speaker 3>is like that, like Philly was. Yeah, I know, it's weird.

0:49:00.040 --> 0:49:02.440
<v Speaker 5>That ain't no, ain't no scene for me. I came

0:49:02.480 --> 0:49:06.360
<v Speaker 5>to myself now l A the LA musicians like it's like,

0:49:06.400 --> 0:49:07.520
<v Speaker 5>all right, so you go to you know how you

0:49:07.560 --> 0:49:09.560
<v Speaker 5>go to LA shows and the crowd just like stares

0:49:09.600 --> 0:49:12.960
<v Speaker 5>at you. Yes, yeah, that's how. That's how the LA musicians.

0:49:13.040 --> 0:49:15.640
<v Speaker 5>Then feels like we don't really get along like you

0:49:15.719 --> 0:49:18.920
<v Speaker 5>think we would. Nah, it ain't no camaraderie or anything

0:49:19.040 --> 0:49:22.080
<v Speaker 5>like that. CD is td E. We keep to ourselves

0:49:22.120 --> 0:49:24.600
<v Speaker 5>and it's everybody else outside of that circuit.

0:49:24.719 --> 0:49:29.640
<v Speaker 6>Tie td though, right tis not a TDH Yeah no,

0:49:29.840 --> 0:49:33.360
<v Speaker 6>no no, But that's like TYE is time.

0:49:33.719 --> 0:49:35.800
<v Speaker 5>It's hard to get to the only reason I like

0:49:35.880 --> 0:49:37.839
<v Speaker 5>have these connections because I'm me and I don't say

0:49:37.880 --> 0:49:40.279
<v Speaker 5>that like as a musician, like the type of person

0:49:40.360 --> 0:49:42.800
<v Speaker 5>I am. You know, once you meet me and you

0:49:42.880 --> 0:49:44.200
<v Speaker 5>shake my hand and you start to talk to you

0:49:44.320 --> 0:49:47.960
<v Speaker 5>understand that I have no ill intention. I really respect

0:49:48.000 --> 0:49:50.520
<v Speaker 5>the art and the game, and I think that goes

0:49:50.560 --> 0:49:52.480
<v Speaker 5>a long way with a lot of artists like Anderson.

0:49:52.960 --> 0:49:54.480
<v Speaker 5>I was a fan of hands and I met him

0:49:54.600 --> 0:49:57.440
<v Speaker 5>when he was still Breezy love Joy and you know

0:49:57.640 --> 0:50:00.440
<v Speaker 5>he was I forgot the project. It had a song

0:50:00.520 --> 0:50:01.879
<v Speaker 5>on their I was like, take me to the Star

0:50:02.080 --> 0:50:06.759
<v Speaker 5>Gay and Black be in the space, this beautiful song.

0:50:06.840 --> 0:50:10.480
<v Speaker 5>And I met him and FANBOYD and like was genuine

0:50:10.480 --> 0:50:12.600
<v Speaker 5>about it, Like, wasn't you know I didn't want to

0:50:12.760 --> 0:50:14.960
<v Speaker 5>like act all hard. I was like, yo, I love

0:50:15.000 --> 0:50:17.319
<v Speaker 5>your shit, man, Oh my gosh it. Me and him

0:50:17.320 --> 0:50:19.800
<v Speaker 5>have been friends ever since because I was genuine and

0:50:20.000 --> 0:50:22.680
<v Speaker 5>like when I meet people like ty and and you know,

0:50:22.760 --> 0:50:26.239
<v Speaker 5>I was always genuine. So I feel like they see

0:50:26.320 --> 0:50:28.640
<v Speaker 5>me come back around with my own stuff and they

0:50:28.680 --> 0:50:30.200
<v Speaker 5>want to help, they want to work because of the

0:50:30.239 --> 0:50:31.839
<v Speaker 5>type of person I am. And that's the thing. It's

0:50:31.840 --> 0:50:34.000
<v Speaker 5>always a people thing for me, you know what I mean.

0:50:34.040 --> 0:50:35.920
<v Speaker 5>I don't care where you're from, what you do. Long's

0:50:35.960 --> 0:50:37.840
<v Speaker 5>you go good people, you know, and I'm here to

0:50:37.880 --> 0:50:38.320
<v Speaker 5>support that.

0:50:38.600 --> 0:50:39.680
<v Speaker 3>You see that in a circle back.

0:50:39.680 --> 0:50:41.680
<v Speaker 6>Even when you mentioned Jill and how you had met

0:50:41.719 --> 0:50:44.399
<v Speaker 6>her as an engineer and then y'all ended up collaborating

0:50:44.480 --> 0:50:47.120
<v Speaker 6>on your album, I was like, well that speaks volumes.

0:50:47.640 --> 0:50:49.680
<v Speaker 5>Yeah for sure, for sure, And I mean, shout out

0:50:49.680 --> 0:50:53.200
<v Speaker 5>to miss Jill Man. She's still very instrumental. Like when

0:50:53.200 --> 0:50:54.640
<v Speaker 5>I was going through all of my drug youth, she

0:50:54.840 --> 0:50:57.879
<v Speaker 5>was calling me and like, didn't nobody call me, didn't

0:50:57.880 --> 0:51:00.560
<v Speaker 5>nobody check in on me? Yeah, she called me the

0:51:00.600 --> 0:51:02.320
<v Speaker 5>other day just about my mother, just to check in

0:51:02.520 --> 0:51:04.960
<v Speaker 5>and by my album. She called me to let me

0:51:05.040 --> 0:51:07.719
<v Speaker 5>know she heard my shit and like she loved it,

0:51:07.880 --> 0:51:09.560
<v Speaker 5>you know what I mean. And that shout out to

0:51:09.600 --> 0:51:11.879
<v Speaker 5>miss Jail Yeah, I mean, you guys know it's Jilly

0:51:13.600 --> 0:51:16.200
<v Speaker 5>and shout out to Philly. Let's let's start there. Let

0:51:16.239 --> 0:51:19.759
<v Speaker 5>me go back, shout out to Philadelphia. Okay, all of

0:51:19.840 --> 0:51:22.200
<v Speaker 5>my music connects or all of the things that are

0:51:22.400 --> 0:51:25.160
<v Speaker 5>all of the people that have really like put on

0:51:25.320 --> 0:51:27.799
<v Speaker 5>for me are from Philly, you know what I mean.

0:51:27.960 --> 0:51:30.640
<v Speaker 5>And I mean, you guys, I don't know what's in

0:51:30.680 --> 0:51:34.560
<v Speaker 5>the water, but like the talent even now, the talent

0:51:34.640 --> 0:51:38.000
<v Speaker 5>pool is phenomenal, you know what I mean, And I'm

0:51:38.080 --> 0:51:40.239
<v Speaker 5>glad to be a part of that community. I'm glad

0:51:40.239 --> 0:51:42.560
<v Speaker 5>to say that I'm somewhat a part of that community

0:51:42.600 --> 0:51:43.480
<v Speaker 5>of people. You know.

0:51:44.160 --> 0:51:46.000
<v Speaker 4>Well, thank you, brother, I appreciate that.

0:51:46.400 --> 0:51:51.480
<v Speaker 1>Before we close, I gotta ask, can you tell me?

0:51:51.880 --> 0:51:56.440
<v Speaker 1>And I'm asking more personally, like, what was the process

0:51:57.680 --> 0:51:59.640
<v Speaker 1>the steps to your your health journey?

0:51:59.800 --> 0:52:00.360
<v Speaker 4>Now out.

0:52:01.880 --> 0:52:03.680
<v Speaker 5>You know a lot of prayer, a lot of prayer.

0:52:04.880 --> 0:52:07.000
<v Speaker 1>And when I mean health journey, I'm actually mean your

0:52:07.000 --> 0:52:09.480
<v Speaker 1>physical health journey, because oh oh.

0:52:09.840 --> 0:52:15.520
<v Speaker 5>I tell you a lot of prayer. I still right, Well,

0:52:15.600 --> 0:52:18.680
<v Speaker 5>now you know, all right, so I'm a foodie. I

0:52:18.800 --> 0:52:21.000
<v Speaker 5>love to eat. And during all of this, you know,

0:52:21.239 --> 0:52:24.160
<v Speaker 5>the pandemic and stuff, all we had was postmates sitting

0:52:24.160 --> 0:52:25.880
<v Speaker 5>at the house. I got up to about two hundred

0:52:25.880 --> 0:52:31.880
<v Speaker 5>and fifty pounds. But yeah, yes, look, and you know

0:52:32.040 --> 0:52:35.279
<v Speaker 5>even now, I'm I'm just shocked to see where I got.

0:52:36.120 --> 0:52:37.759
<v Speaker 5>To honestly answer your question, I don't know how all

0:52:37.800 --> 0:52:38.320
<v Speaker 5>this happened.

0:52:38.760 --> 0:52:40.360
<v Speaker 2>I just I was.

0:52:40.560 --> 0:52:45.560
<v Speaker 5>I was just standing on a wing in the prayer man, no, no, no.

0:52:45.960 --> 0:52:50.319
<v Speaker 5>I started I started by asking questions, what did I want?

0:52:50.400 --> 0:52:51.480
<v Speaker 5>You know what I mean, who do I want to

0:52:51.480 --> 0:52:53.200
<v Speaker 5>be what do I want to look like? And I

0:52:53.680 --> 0:52:55.520
<v Speaker 5>came up with a goal to get down to two

0:52:55.600 --> 0:53:00.080
<v Speaker 5>hundred pounds. And after I lost a few pounds, I

0:53:00.360 --> 0:53:02.399
<v Speaker 5>got to this point where I wasn't losing any more weight.

0:53:02.600 --> 0:53:04.800
<v Speaker 5>So I got a nutritionist because I felt like my

0:53:04.920 --> 0:53:08.120
<v Speaker 5>eating was the biggest thing. So my nutrition is this

0:53:08.280 --> 0:53:10.200
<v Speaker 5>the real reason? And I'm in shape. I'm in now.

0:53:10.239 --> 0:53:12.000
<v Speaker 5>You taught me how to spread my meals out. He

0:53:12.040 --> 0:53:15.120
<v Speaker 5>taught me how, you know, eat the right amount of protein,

0:53:15.280 --> 0:53:16.960
<v Speaker 5>make sure I get the right kind of carbs in.

0:53:17.239 --> 0:53:19.280
<v Speaker 5>So my diet did everything.

0:53:20.840 --> 0:53:22.719
<v Speaker 3>You know, sugar, what you're doing with?

0:53:22.840 --> 0:53:25.319
<v Speaker 5>No bread, no sugar, no salt, no life, no love,

0:53:25.440 --> 0:53:27.239
<v Speaker 5>no hoogs, no happiness.

0:53:30.880 --> 0:53:34.040
<v Speaker 1>With you Right now, man, I'm drinking my salads.

0:53:34.920 --> 0:53:39.320
<v Speaker 5>That's right, That's right, these damn seaweed chips. On a

0:53:39.400 --> 0:53:42.839
<v Speaker 5>personal note, if y'all ever need information on the I'm

0:53:42.840 --> 0:53:44.600
<v Speaker 5>a wealth of knowledge when it comes to like healthy

0:53:44.640 --> 0:53:48.000
<v Speaker 5>and yeah, like that, you know, because it's important especially

0:53:48.080 --> 0:53:49.560
<v Speaker 5>for us. It's black folk, you know what I mean.

0:53:49.640 --> 0:53:51.640
<v Speaker 5>We have our issues and we need to pass knowledge

0:53:51.760 --> 0:53:53.960
<v Speaker 5>around so that we can all, you know, thrive and

0:53:54.040 --> 0:53:57.120
<v Speaker 5>be healthy. So feel like you need some information, man,

0:53:57.200 --> 0:53:59.399
<v Speaker 5>feel free to reach out broad Got you so, sir.

0:53:59.400 --> 0:54:01.279
<v Speaker 3>You want to functional mushrooms? You want to.

0:54:02.840 --> 0:54:05.719
<v Speaker 5>No mushrooms, That's that's part of my I can't do mushrooms. No, No,

0:54:05.880 --> 0:54:07.799
<v Speaker 5>not rooms, sir.

0:54:07.880 --> 0:54:08.680
<v Speaker 3>I'm talking about.

0:54:10.280 --> 0:54:11.280
<v Speaker 4>I do the badrooms.

0:54:11.400 --> 0:54:15.960
<v Speaker 6>Yeah, not a I'm talking about the other one, the

0:54:16.040 --> 0:54:18.120
<v Speaker 6>coffee rooms here mutual.

0:54:18.280 --> 0:54:21.680
<v Speaker 1>Okay, you did say that you did that, like matter

0:54:21.719 --> 0:54:22.680
<v Speaker 1>of fact, I'm right now.

0:54:22.760 --> 0:54:23.640
<v Speaker 4>We have some in the kitchen.

0:54:24.120 --> 0:54:30.440
<v Speaker 5>Yeah. Multi vitamin for sure. I definitely like try to

0:54:30.440 --> 0:54:33.160
<v Speaker 5>stay as healthy as possible. But I mean I feel

0:54:33.200 --> 0:54:36.600
<v Speaker 5>like people that need multivitamins are eating like ship. You

0:54:36.640 --> 0:54:38.320
<v Speaker 5>know what I mean. Eat healthy? You need to do

0:54:38.400 --> 0:54:39.160
<v Speaker 5>all the extra ship.

0:54:39.320 --> 0:54:39.800
<v Speaker 4>Just just do.

0:54:40.000 --> 0:54:42.239
<v Speaker 5>Put some greens in your body. This is one. Here's

0:54:42.320 --> 0:54:44.600
<v Speaker 5>the note of the day. If you're gonna eat like crap,

0:54:44.960 --> 0:54:47.800
<v Speaker 5>put something green on your stomach first, because there's something

0:54:47.960 --> 0:54:50.879
<v Speaker 5>inside of you know, in the fiber or so. There's

0:54:50.880 --> 0:54:52.680
<v Speaker 5>a chemical that gets put in your stomach and it

0:54:52.760 --> 0:54:55.480
<v Speaker 5>lines your stomach and helps you digest your food better

0:54:55.480 --> 0:54:57.640
<v Speaker 5>if you eat green before you eat anything else. So

0:54:57.760 --> 0:54:59.799
<v Speaker 5>just eat a little salad before you eat anything else.

0:55:00.160 --> 0:55:00.799
<v Speaker 5>That'll help out.

0:55:00.880 --> 0:55:02.719
<v Speaker 3>Yes, Sally, you're not like a.

0:55:04.360 --> 0:55:06.440
<v Speaker 5>If you if you blending if Yeah, the juice works.

0:55:06.840 --> 0:55:09.200
<v Speaker 1>I'm not a salad fan at all, so all my juice,

0:55:09.280 --> 0:55:10.640
<v Speaker 1>you are salads.

0:55:11.080 --> 0:55:14.200
<v Speaker 5>So smart man, smart man, and it works just as well.

0:55:14.640 --> 0:55:16.480
<v Speaker 6>Can I ask Fat Sir one question I did? I'd

0:55:16.560 --> 0:55:18.200
<v Speaker 6>like to ask Fat Sir old faster.

0:55:19.080 --> 0:55:21.719
<v Speaker 3>Can you tell me though, in Inglewood three of your

0:55:21.719 --> 0:55:23.880
<v Speaker 3>favorite places to eat? Because I just would like to

0:55:23.960 --> 0:55:25.880
<v Speaker 3>know there right now, Inglewood Service?

0:55:27.160 --> 0:55:30.360
<v Speaker 5>All right, all right, if you just want to like

0:55:30.440 --> 0:55:34.000
<v Speaker 5>small little breakfast spot, emma is and it's a hole

0:55:34.040 --> 0:55:37.759
<v Speaker 5>in the wall. This is our bodegga. Okay. So now

0:55:38.120 --> 0:55:41.239
<v Speaker 5>Emma's is on Market in Manchester. She right across the

0:55:41.239 --> 0:55:43.879
<v Speaker 5>street from the swat. Mean, she's just a little hole

0:55:44.000 --> 0:55:45.680
<v Speaker 5>in the wall. But you go in there. You just

0:55:45.719 --> 0:55:47.759
<v Speaker 5>get you a breakfast burrito. Emma to take care of it.

0:55:48.200 --> 0:55:50.319
<v Speaker 3>I'm a breakfast burrito theme, so thank you. I'm always

0:55:50.360 --> 0:55:50.759
<v Speaker 3>on the chase.

0:55:50.840 --> 0:55:52.960
<v Speaker 5>Okay, all right, So now and you tell it. You

0:55:53.080 --> 0:55:55.319
<v Speaker 5>tell her that Daniel sent you. Don't tell it Daryl sent.

0:56:00.160 --> 0:56:01.400
<v Speaker 2>Extra g A.

0:56:01.680 --> 0:56:09.279
<v Speaker 5>Yeah, uh Doulans really you don't like see you have me? No,

0:56:09.920 --> 0:56:13.719
<v Speaker 5>you just disrespected I thought it was commercial. I didn't

0:56:13.719 --> 0:56:16.320
<v Speaker 5>know if it was, Dolens is all we got. No,

0:56:16.719 --> 0:56:18.799
<v Speaker 5>I'm not gonna say it's the best, so who out

0:56:18.840 --> 0:56:21.879
<v Speaker 5>here because they be lying, But Dolings is what we got.

0:56:22.520 --> 0:56:25.120
<v Speaker 5>So go get you somebode. Go get you from the sun,

0:56:25.320 --> 0:56:27.880
<v Speaker 5>some some smother chicken from Duelings. You'll be all right.

0:56:28.040 --> 0:56:29.560
<v Speaker 3>Now, give me a healthy spot, give me one of

0:56:29.600 --> 0:56:33.120
<v Speaker 3>the last spot and simply host them. Oh well, yeah,

0:56:33.120 --> 0:56:34.040
<v Speaker 3>that's I live down the street.

0:56:34.040 --> 0:56:36.080
<v Speaker 5>Okay, perfect, Ye, that's not that's not Inglewood, but that's

0:56:36.160 --> 0:56:37.759
<v Speaker 5>that's where we go. That's where we go.

0:56:39.080 --> 0:56:41.600
<v Speaker 4>Y'all know my two cents anymore, that's spout.

0:56:42.360 --> 0:56:45.359
<v Speaker 5>That's not my spot. No, no, no, no, that's out

0:56:45.400 --> 0:56:46.680
<v Speaker 5>of towns Inglewood spot.

0:56:46.800 --> 0:56:47.919
<v Speaker 4>I support my two cents.

0:56:49.719 --> 0:56:51.880
<v Speaker 6>Ain't nothing wrong with that shot off to Dustin Felder,

0:56:52.120 --> 0:56:55.919
<v Speaker 6>but simply holdsome it's historic in in uh of course

0:56:56.160 --> 0:56:56.640
<v Speaker 6>South l A.

0:56:56.800 --> 0:56:58.239
<v Speaker 5>And the ownership so got it?

0:56:58.640 --> 0:56:59.640
<v Speaker 4>Got it? Well?

0:57:00.000 --> 0:57:03.680
<v Speaker 1>Thanks sir, I thank you for taking time out to

0:57:04.000 --> 0:57:09.640
<v Speaker 1>speak to us. Also, godspeed on on your good energy

0:57:09.760 --> 0:57:13.040
<v Speaker 1>to her. But more than that, I really appreciate just

0:57:13.160 --> 0:57:18.120
<v Speaker 1>you and applaud your ability to not only share your life,

0:57:18.480 --> 0:57:20.640
<v Speaker 1>not only for your music, but in your personal story,

0:57:20.680 --> 0:57:24.320
<v Speaker 1>your recovery and just your your daily walk, and it's

0:57:24.400 --> 0:57:28.520
<v Speaker 1>it's needed. And especially the air quote tumultuous times that

0:57:28.640 --> 0:57:32.240
<v Speaker 1>we're in when you're watching a lot of the old

0:57:32.320 --> 0:57:36.200
<v Speaker 1>guard get dealt with and you're seeing the new guard

0:57:36.360 --> 0:57:41.880
<v Speaker 1>come into play, you know this is overdue and needed.

0:57:42.000 --> 0:57:44.960
<v Speaker 1>And I applaud you and thank you for coming on

0:57:45.080 --> 0:57:47.120
<v Speaker 1>and of course love to Supreme to share your story

0:57:47.160 --> 0:57:48.560
<v Speaker 1>with us. Man, Thank you, Man.

0:57:49.160 --> 0:57:51.640
<v Speaker 5>I really appreciate you guys inviting me Man, and and

0:57:51.840 --> 0:57:53.800
<v Speaker 5>just to say, I'm a huge fan, Bro, I have

0:57:53.960 --> 0:57:56.439
<v Speaker 5>been for years and years and years. Thank gonna gash

0:57:56.480 --> 0:57:58.120
<v Speaker 5>you too much, man, but you you.

0:57:58.640 --> 0:58:01.080
<v Speaker 2>I look up to you, man, and thank you brother.

0:58:01.640 --> 0:58:03.080
<v Speaker 5>It's a pleasure to talk to you.

0:58:03.840 --> 0:58:06.080
<v Speaker 7>Thank you, Thank you for having man that the album

0:58:06.200 --> 0:58:09.240
<v Speaker 7>is dope. But the song like that's my favorite record

0:58:09.400 --> 0:58:12.240
<v Speaker 7>on the album. That's just a beautiful song, Man, really

0:58:12.880 --> 0:58:15.040
<v Speaker 7>really vulnerable, and just the vocal performance on it is

0:58:15.120 --> 0:58:16.000
<v Speaker 7>just really beautiful.

0:58:16.040 --> 0:58:16.160
<v Speaker 4>Man.

0:58:16.240 --> 0:58:18.480
<v Speaker 5>So thank you, thank you, thank you for saying that. Bro.

0:58:18.560 --> 0:58:21.560
<v Speaker 5>I really appreciate that this this album is a laborer love,

0:58:21.760 --> 0:58:24.840
<v Speaker 5>and you know, I'm just excited to start getting out

0:58:24.840 --> 0:58:26.800
<v Speaker 5>here and performing these songs and getting through this.

0:58:27.960 --> 0:58:28.720
<v Speaker 3>It's gonna be tough.

0:58:29.200 --> 0:58:31.520
<v Speaker 2>It's not gonna be tough.

0:58:32.080 --> 0:58:35.040
<v Speaker 1>Well, this this album is it's take one step at

0:58:35.040 --> 0:58:38.600
<v Speaker 1>a time. Nah man. Just look, it was uncomfortable, go

0:58:38.760 --> 0:58:40.960
<v Speaker 1>with it. If it's out of your comfort zone, go

0:58:41.120 --> 0:58:41.320
<v Speaker 1>with it.

0:58:42.080 --> 0:58:44.120
<v Speaker 5>I've learned not to hold back on my emotions. If

0:58:44.160 --> 0:58:46.160
<v Speaker 5>I got to cry on stage, I'm gona let it out.

0:58:46.200 --> 0:58:47.600
<v Speaker 5>But we're gonna get through it, for sure.

0:58:48.000 --> 0:58:50.120
<v Speaker 4>That's important. I applaud that ship.

0:58:50.520 --> 0:58:53.800
<v Speaker 1>All right, we have a farticular Sugar Steve, get your

0:58:53.880 --> 0:58:56.840
<v Speaker 1>network back, bro. We thank you all are here and

0:59:00.040 --> 0:59:07.360
<v Speaker 1>I'm changing shout the cousin. Jake and Brittany, thank you,

0:59:07.680 --> 0:59:13.160
<v Speaker 1>and Sir big upt We'll see you next week. Quest

0:59:13.240 --> 0:59:17.959
<v Speaker 1>Love Supreme all right, yes, sir, thank you for listening

0:59:17.960 --> 0:59:20.600
<v Speaker 1>to Quest Love Supreme. This podcast is hosted by Mere

0:59:20.720 --> 0:59:25.360
<v Speaker 1>Quest Love, Thompson, Liya Saint Clair, Fante Coleman, Sugar, Steve Mandell,

0:59:25.440 --> 0:59:28.800
<v Speaker 1>and myself. I'm pay Bill Sherman. The executive producers are

0:59:28.920 --> 0:59:32.479
<v Speaker 1>mer who just walked into the goddamn room, Thompson, Sean Jean,

0:59:32.720 --> 0:59:36.000
<v Speaker 1>and Brian Calhoun. Produced by Brittany, Benjamin, Jake Pain and

0:59:36.080 --> 0:59:36.920
<v Speaker 1>Lias Sinclair.

0:59:37.040 --> 0:59:38.480
<v Speaker 4>Edited by Alex Conroy.

0:59:38.560 --> 0:59:43.680
<v Speaker 1>I know Alice Conroy, produced for iHeart by Noel Brown West.

0:59:43.760 --> 0:59:49.720
<v Speaker 1>Love Supreme is a production of iHeart Radio. For more

0:59:49.800 --> 0:59:53.800
<v Speaker 1>podcasts from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

0:59:54.240 --> 0:59:55.920
<v Speaker 1>or wherever you listen to your favorite shows.