WEBVTT - David Eagleman

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<v Speaker 1>And my grandfather was born in three. I had a

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<v Speaker 1>proper Victorian for a grandfather. So my grandchild was born

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<v Speaker 1>eighteen seventy nine. What. Yeah, he was fifty years old

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<v Speaker 1>when he had my father, and my father was getting

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<v Speaker 1>close to fifty when he heard me, that's bananas. That

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<v Speaker 1>was really interesting being taught to grow tomatoes by a

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<v Speaker 1>ninety seven year old grandpa. And my mother was always

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<v Speaker 1>working jokes about are you sure girls are allowed to

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<v Speaker 1>grow tomatoes? Hello, I'm mini driver. Welcome to Many Questions

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<v Speaker 1>Season two. I've always loved Pruce's question that it was

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<v Speaker 1>originally an nineteenth century parlor game where players would ask

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<v Speaker 1>each other thirty five questions aimed at revealing the other

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<v Speaker 1>players true nature. It's just the scientific method really. In

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<v Speaker 1>asking different people the same set of questions, you can

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<v Speaker 1>make observations about which truths appear to be universal. I

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<v Speaker 1>love this discipline, and it made me wonder, what if

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<v Speaker 1>these questions were just the jumping off point, what greater

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<v Speaker 1>depths would be revealed if I ask these questions as

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<v Speaker 1>conversation starters with thought leaders and trailblazers across all these

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<v Speaker 1>different disciplines. So I adapted prus questionnaire, and I wrote

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<v Speaker 1>my own seven questions that I personally think a pertinent

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<v Speaker 1>to a person's story. They are when and where were

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<v Speaker 1>you happiest? What is the quality you like least about yourself?

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<v Speaker 1>What relationship, real or fictionalized, defines love for you? What

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<v Speaker 1>question would you most like answered? What person, place, or

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<v Speaker 1>experience has shaped you the most? What would be your

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<v Speaker 1>last meal? And can you tell me something in your

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<v Speaker 1>life that's grown out of a personal disaster? And I've

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<v Speaker 1>gathered a group of really remarkable people, ones that I

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<v Speaker 1>am honored and humbled to have had the chance to

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<v Speaker 1>engage with. You may not hear their answers to all

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<v Speaker 1>seven of these questions. We've whittled it down to which

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<v Speaker 1>question felt closest to their experience or the most surprising,

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<v Speaker 1>or created the most fertile ground to connect. My guest

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<v Speaker 1>today is the neuroscientist and author David Eagleman. I'm not

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<v Speaker 1>sure I've ever had a really long conversation with a

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<v Speaker 1>polymath before, but you sure don't forget it when it's over,

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<v Speaker 1>because you know, you keep waking up thinking about things

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<v Speaker 1>they said, and expands everything from quantum of spirituality to

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<v Speaker 1>philosophy to neuro Law and Science to coffee in I Hop,

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<v Speaker 1>David writes about the brain and how it constructs a perception,

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<v Speaker 1>and how different brains do so differently, and how much

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<v Speaker 1>that matters for society. He is, among many other things,

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<v Speaker 1>the executive director of the Center for Science and Law,

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<v Speaker 1>which is a nonprofit that sets out to improve the

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<v Speaker 1>legal system by importing our knowledge about the human brain,

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<v Speaker 1>which then gives options for rehabilitation beyond mass incarceration. He's

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<v Speaker 1>written tons of books, and you will read and be

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<v Speaker 1>astonished by all of them. He said something that I

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<v Speaker 1>think about a lot. He said he was interested in

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<v Speaker 1>exploring the vastness of our ignorance. And he said to

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<v Speaker 1>this kind of interest and excitement and without judgment of

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<v Speaker 1>our human brains, which he also described, and I'm paraphrasing

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<v Speaker 1>as the three pound meat machine who lives in the

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<v Speaker 1>dark and basically runs everything. I hope you enjoy listening

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<v Speaker 1>to David's brain. What relationship, real or fictionalized, de finds

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<v Speaker 1>love for you? I think there are two ways to

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<v Speaker 1>think about that. One is how we feel about the

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<v Speaker 1>love for our children. So if you think about Cormick

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<v Speaker 1>McCarthy's The Road, for example, you know, it's a post

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<v Speaker 1>apocalyptic world after nuclear war, and this father does everything

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<v Speaker 1>in his power just to save his son, just to

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<v Speaker 1>do everything you can to protect his son and keep

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<v Speaker 1>him alive. And of course there are there are many

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<v Speaker 1>stories like this life is Beautiful Roberto Bernini Amy getting

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<v Speaker 1>the title right of that one. Yeah, when he puts

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<v Speaker 1>him in the bin at the end, Yeah, absolutely, Yeah,

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<v Speaker 1>He's in a concentration camp with his son and he

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<v Speaker 1>does everything you can to protect his son. So that's

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<v Speaker 1>a kind of love that now that I'm a father,

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<v Speaker 1>is very meaningful to me. As for romantic love, I

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<v Speaker 1>think that would change each year of my life for me,

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<v Speaker 1>which is to say, when we're younger, we all take

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<v Speaker 1>these great romance fantasies to represent love, and as you

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<v Speaker 1>get older, more realism seeps in. So I've been married

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<v Speaker 1>for twelve years now, and I appreciate now the way

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<v Speaker 1>that real relationships are complex and people change over different

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<v Speaker 1>time scales, as life changes in his career, opportunity to change.

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<v Speaker 1>And I just recently re saw rewatched Fiddler on the Roof,

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<v Speaker 1>you know, and he says, have you asked his wife?

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<v Speaker 1>You know? Do you love me? And she says, do

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<v Speaker 1>I what and so? And you know, they realized that

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<v Speaker 1>the romantic notions can't capture it. But other notions, uh,

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<v Speaker 1>you know, what they do for each other, how they

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<v Speaker 1>demonstrate their bond to one another. This does capture something important.

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<v Speaker 1>Do you think that the romantic love, the faith based love,

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<v Speaker 1>service based love, the love of our children? Do you

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<v Speaker 1>think that the route that it's erroneous that we have

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<v Speaker 1>the same word for it, because there are myriad ways

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<v Speaker 1>to love, right? Yeah. Raymond Carver has a short story

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<v Speaker 1>called what We talked About When we talk about Love,

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<v Speaker 1>and I've always it's a great short story, but I've

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<v Speaker 1>always loved the title as well, because it's about the

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<v Speaker 1>complexity of it, and like so many words in our language,

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<v Speaker 1>there's just too much semantic weight that that word is

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<v Speaker 1>trying to hold, because in fact, it is composed of

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<v Speaker 1>many different things. Yeah, exactly, It's composed of so many things,

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<v Speaker 1>and which of those things matters to us that changes

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<v Speaker 1>through the years. You know, my father, before he died,

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<v Speaker 1>was in one of these care homes. So I met

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<v Speaker 1>some of the other people on his hallway, much older

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<v Speaker 1>men and women who were there, and I think they

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<v Speaker 1>still cared about love, but it was something so different

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<v Speaker 1>for them. It wasn't about the you know, sort of

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<v Speaker 1>young sexy thing, it was about something else. Yeah, definitely.

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<v Speaker 1>It's really I'm fascinated by the different permutations of it,

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<v Speaker 1>of devotion, and of the way in which people love differently,

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<v Speaker 1>when the love that they have with their version of God,

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<v Speaker 1>or with animals or with something that they do, how

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<v Speaker 1>they love romantically changes directly depending on what their relationship

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<v Speaker 1>with that sort of outsourced love, as it were, the

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<v Speaker 1>love that we don't really talk about. I always think

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<v Speaker 1>of love as romantic. I think lots of people do.

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<v Speaker 1>But yeah, that's right. And the other thing about love is,

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<v Speaker 1>you know, obviously it goes into directions. So we all

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<v Speaker 1>want to get love. We want to receive love, love

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<v Speaker 1>in various ways, including from our dogs and so on.

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<v Speaker 1>But we want to be good to the people that

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<v Speaker 1>we care about and love them well. But it's hard, right,

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<v Speaker 1>because we're made up of all these different neural networks

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<v Speaker 1>that all have different drives and care about different things.

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<v Speaker 1>And so sometimes you're feeling angry, and sometimes you're feeling

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<v Speaker 1>distracted by work, and sometimes you're feeling whatever, and so

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<v Speaker 1>you know, we're constantly finding ourselves in situations where we

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<v Speaker 1>don't behave the way that we would like to. One

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<v Speaker 1>of the books that I'm writting right now has to

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<v Speaker 1>do with something called the Ulysses contract, which is how

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<v Speaker 1>you can make a deal with yourself in time to

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<v Speaker 1>constrain your behavior by doing something right now that essentially

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<v Speaker 1>puts you in a contract so that you'll behave better

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<v Speaker 1>in some future situation. This is what Ulysses did when

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<v Speaker 1>he lashed himself to the mask. He knew that the

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<v Speaker 1>sirens song would tempt him just like any mortal man,

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<v Speaker 1>any crash in the rocks. So what he did is

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<v Speaker 1>the Ulysses of sound mind lashed himself to the mass

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<v Speaker 1>so that the future Ulysses couldn't behave badly. And I

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<v Speaker 1>find this a really interesting concept about the things that

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<v Speaker 1>we do to make sure that we don't behave badly

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<v Speaker 1>the future. This is this absolutely fascinating carry on carry on. Well,

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<v Speaker 1>you know. One example is if you're trying to get

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<v Speaker 1>over some addiction, like you know, alcoholism, what you do

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<v Speaker 1>is you clear all the alcohol out of your house

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<v Speaker 1>so that on a you know, festive Saturday night or

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<v Speaker 1>a lonely Sunday, night or something you're not going to

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<v Speaker 1>go in. Even if you think, oh, I'm sure I

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<v Speaker 1>won't drink this anymore, you get rid of it. That's

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<v Speaker 1>the Ulysses contract or, you know, for drug addicts when

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<v Speaker 1>of the first things they're taught when they're trying to

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<v Speaker 1>break this is never walked around with more than twenty

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<v Speaker 1>dollars in your pocket, because at some point was going

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<v Speaker 1>to come up to you and offer to sell you drugs,

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<v Speaker 1>and you'll be tempted and then you'll give in. So

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<v Speaker 1>there are many things that we do to make sure

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<v Speaker 1>that we can, you know, make a choice now that

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<v Speaker 1>will pay off to keep us acting consistently with our

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<v Speaker 1>long term decision making. I mean, I think I could

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<v Speaker 1>definitely just put a big piece of tape over my

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<v Speaker 1>mouth and that would be my Ulysses contracts sorted. Future

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<v Speaker 1>me is never going to say the stuff that I

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<v Speaker 1>am thinking that I know is going to cause trouble

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<v Speaker 1>because I've got a massive piece of tape. And maybe

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<v Speaker 1>you could, like TM your name. It could be like

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<v Speaker 1>David Eagleman Ulysses tape. I would buy that ship. But

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<v Speaker 1>that requires a modicum of self knowledge that most people

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<v Speaker 1>are not interested in interrogating because they don't want to

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<v Speaker 1>think that there is something fundamentally wrong with them that

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<v Speaker 1>it's going to affect their situation now much less in

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<v Speaker 1>the future when the mermaids are singing and calling you

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<v Speaker 1>into the ocean. Were so tender and we're so lost

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<v Speaker 1>as people. I mean, I love that you write these

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<v Speaker 1>books that really do act as guide posts, because that's

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<v Speaker 1>what I think they are. And I'm constantly looking for

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<v Speaker 1>signs and signed posts because it is so fragile and tender,

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<v Speaker 1>and that you know that you're writing a book for that.

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<v Speaker 1>But I feel for I feel for all of us,

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<v Speaker 1>myself included, going I just I wonder how deep I

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<v Speaker 1>can go into who I am to know how I

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<v Speaker 1>could save myself from myself. Yes, exactly. So, when it

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<v Speaker 1>comes to this issue about self interrogation and really trying

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<v Speaker 1>to understand who we are, one of the hardest things

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<v Speaker 1>to see is the way that we come off to

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<v Speaker 1>other people. Because in fact, this is what one of

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<v Speaker 1>my other books is and I'm writing right now. It's

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<v Speaker 1>called Empire of the Invisible, and it's all about what's

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<v Speaker 1>going on in politics right now. Specifically, it's asking why

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<v Speaker 1>we each believe that we have the truth and we

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<v Speaker 1>see the truth so clearly, and everyone else is misinformed

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<v Speaker 1>or they're a troll or whatever it is. And if

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<v Speaker 1>I can only shout in all caps loud enough on Twitter,

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<v Speaker 1>I could convince everyone that I am right. It's crazy

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<v Speaker 1>to me that everybody believes this at whatever part of

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<v Speaker 1>the political spectrum. And by the way, in terms of relationships,

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<v Speaker 1>we know tend to all believe this as well, which

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<v Speaker 1>is okay, Well, I I already know how to do relationships.

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<v Speaker 1>I'm I'm saying the right things all the time. Do

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<v Speaker 1>you think that that kind of the surety of that

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<v Speaker 1>empiricism that is so pervasive, is that human or is

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<v Speaker 1>that learned? Like is that hardwired into our brains? Is

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<v Speaker 1>that something that was useful once when we were discovering fire? Yeah,

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<v Speaker 1>it couldn't actually be any other way because the way

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<v Speaker 1>we build a model of the world. Remember, your brain

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<v Speaker 1>is locked in silence and darkness inside your skull, and

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<v Speaker 1>all it's trying to do is put together an internal

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<v Speaker 1>model of what is going on out there, which includes

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<v Speaker 1>other people and how other people behave and how they'll

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<v Speaker 1>react to what you say. And the thing is that

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<v Speaker 1>this internal model is inherently limited. It's only built up

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<v Speaker 1>from the little dribbles of data that you get in

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<v Speaker 1>during your years. And so the way the brain works

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<v Speaker 1>is it says, okay, look, I've got this data. I've

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<v Speaker 1>collected all this data. I know what is true, and

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<v Speaker 1>it's just built up from what we've taken in. Now,

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<v Speaker 1>by the way, I will say, we're probably better off

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<v Speaker 1>than we were historically because now we have, for example,

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<v Speaker 1>the printing press, and so we have movies and things

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<v Speaker 1>like that, and so you put all this together and

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<v Speaker 1>we're exposed to literature and two stories that are much

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<v Speaker 1>broader than our own experience. So that helps. But still,

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<v Speaker 1>I've only read a find a number of books in

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<v Speaker 1>my lifetime. I've always met a finite number of people,

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<v Speaker 1>and that has shaped my experience, just like your experiences

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<v Speaker 1>have shaped your brain. And so that's why given that data,

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<v Speaker 1>you say, Okay, I know what is true. This is

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<v Speaker 1>what is true. It's very very interesting. I'm really looking

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<v Speaker 1>forward to reading that book. What person, place, or experience

0:11:47.240 --> 0:11:51.720
<v Speaker 1>most altered your life? Well, interestingly, it's almost certainly my parents.

0:11:51.920 --> 0:11:54.360
<v Speaker 1>But the interesting part is that that feels invisible to us.

0:11:54.400 --> 0:11:56.800
<v Speaker 1>In other words, it's very hard to to see all

0:11:56.800 --> 0:11:58.480
<v Speaker 1>of the ways of what your parents shaped you, because

0:11:58.520 --> 0:12:01.320
<v Speaker 1>you knew nothing else. That was us the background furniture

0:12:01.320 --> 0:12:03.199
<v Speaker 1>of the world, and you grew up against that. So

0:12:03.800 --> 0:12:06.320
<v Speaker 1>that's certainly what has shaped me the most my parents.

0:12:06.400 --> 0:12:09.120
<v Speaker 1>But when I was in graduate school, my thesis advisor,

0:12:09.120 --> 0:12:12.920
<v Speaker 1>ain him Read Montague, was unbelievably influential on me. He

0:12:13.400 --> 0:12:14.960
<v Speaker 1>you know, you come to an age when you're a

0:12:14.960 --> 0:12:17.520
<v Speaker 1>young person. I was like, I guess maybe when I

0:12:17.559 --> 0:12:19.920
<v Speaker 1>entered grad school, you know, you're just leaving your parents

0:12:20.040 --> 0:12:22.480
<v Speaker 1>home and you're looking for other people in the world.

0:12:22.520 --> 0:12:25.280
<v Speaker 1>And he was just a great person to really admire

0:12:25.320 --> 0:12:27.960
<v Speaker 1>in so many ways. He was twenty points at ahead

0:12:28.000 --> 0:12:31.800
<v Speaker 1>of everybody, and he was a terrific athlete, unbelievably strong

0:12:31.880 --> 0:12:34.000
<v Speaker 1>and fast and so on, and and the key thing

0:12:34.040 --> 0:12:36.640
<v Speaker 1>is he gave me no charity. I mean, he spent

0:12:36.880 --> 0:12:40.240
<v Speaker 1>the entirety of grad school beating me up every day.

0:12:40.360 --> 0:12:43.920
<v Speaker 1>And that was really valuable because I think, actually, maybe

0:12:43.960 --> 0:12:48.480
<v Speaker 1>there's sometimes too much charity that happens because teachers are kind,

0:12:48.640 --> 0:12:50.760
<v Speaker 1>or they're just too tired or whatever. So if you

0:12:50.800 --> 0:12:53.760
<v Speaker 1>get something right and you don't get a hundred percent right,

0:12:53.840 --> 0:12:56.319
<v Speaker 1>no one really says anything. They don't expect anything more

0:12:56.440 --> 0:12:59.640
<v Speaker 1>from you, but read expected a hundred percent all the time,

0:12:59.720 --> 0:13:01.760
<v Speaker 1>every time. And that was probably the most valuable thing

0:13:01.760 --> 0:13:03.520
<v Speaker 1>that's happened in my life. And then I guess the

0:13:03.600 --> 0:13:05.520
<v Speaker 1>last thing I'd say is when I was a post doc,

0:13:05.720 --> 0:13:06.960
<v Speaker 1>one of the people I got to work with was

0:13:07.000 --> 0:13:09.640
<v Speaker 1>Francis Crick, who was the co discoverer of the structure

0:13:09.679 --> 0:13:12.360
<v Speaker 1>of DNA. That in my entire life since then, I've

0:13:12.559 --> 0:13:15.800
<v Speaker 1>not had another experience like that, because he was such

0:13:15.840 --> 0:13:18.560
<v Speaker 1>a special person in the sense that not only was

0:13:18.600 --> 0:13:21.720
<v Speaker 1>he essentially the giant of twentieth century biology, but he

0:13:21.760 --> 0:13:23.480
<v Speaker 1>didn't have a life like other people. He never had

0:13:23.480 --> 0:13:25.440
<v Speaker 1>to right grants and try to get a job as

0:13:25.480 --> 0:13:27.920
<v Speaker 1>a professor and whatever. So he just had this office

0:13:27.920 --> 0:13:30.200
<v Speaker 1>and he would read the scientific journals all day. And

0:13:30.200 --> 0:13:31.560
<v Speaker 1>I asked him, as I said, what are you looking

0:13:31.600 --> 0:13:33.120
<v Speaker 1>for when you're reading there? He said, I don't know.

0:13:33.720 --> 0:13:36.439
<v Speaker 1>But what he meant was he's just letting ideas come

0:13:36.480 --> 0:13:39.080
<v Speaker 1>to him, and he's writing letters scientists around the world

0:13:39.120 --> 0:13:40.640
<v Speaker 1>and saying, hey, why don't you do this experience? What

0:13:40.640 --> 0:13:42.160
<v Speaker 1>if you did this and this and this. He was

0:13:42.240 --> 0:13:44.800
<v Speaker 1>just a person who because he'd won a Nobel prize

0:13:44.800 --> 0:13:47.720
<v Speaker 1>as a young person, got to just be a giant

0:13:47.760 --> 0:13:50.600
<v Speaker 1>thinker his whole life and never had to deal with

0:13:50.640 --> 0:13:54.840
<v Speaker 1>the constraints that everyone else had too. Wow, how amazing,

0:13:54.880 --> 0:13:57.360
<v Speaker 1>How amazing that he was your teacher? Yeah, I do think.

0:13:57.480 --> 0:14:00.319
<v Speaker 1>How have things teach you? Yes, we have a big

0:14:00.360 --> 0:14:02.360
<v Speaker 1>swell here in California at the moment. I don't know

0:14:02.360 --> 0:14:05.440
<v Speaker 1>if you're aware of yourself, but I am. And yesterday

0:14:05.640 --> 0:14:08.760
<v Speaker 1>I went out very excited and I just took so

0:14:08.920 --> 0:14:13.680
<v Speaker 1>many giant waves on my head and I was so bummed,

0:14:13.920 --> 0:14:15.840
<v Speaker 1>and I kind of I came in and I sat

0:14:15.880 --> 0:14:17.760
<v Speaker 1>on the beach and my friend I was like, oh,

0:14:17.760 --> 0:14:19.760
<v Speaker 1>it was just the worst. And my friend went, well,

0:14:19.760 --> 0:14:21.560
<v Speaker 1>do you know what you did? Like, do you know what?

0:14:21.640 --> 0:14:23.040
<v Speaker 1>Do you know what happened? I was like, well, yeah,

0:14:23.080 --> 0:14:25.800
<v Speaker 1>you know that first ten footer I was too far

0:14:25.840 --> 0:14:27.760
<v Speaker 1>ahead of it, and on the second one I was

0:14:27.800 --> 0:14:29.840
<v Speaker 1>just dealing with being piste off about the first one,

0:14:29.840 --> 0:14:33.320
<v Speaker 1>and the third one I was scared. And he was like, great, well,

0:14:33.480 --> 0:14:35.600
<v Speaker 1>now you can go back out and not do all

0:14:35.640 --> 0:14:39.120
<v Speaker 1>that ship that you just said, And so I did.

0:14:39.200 --> 0:14:41.600
<v Speaker 1>I went back out and I took another ten waves

0:14:41.600 --> 0:14:54.960
<v Speaker 1>on the head, but I did get one really amazing one. Yeah,

0:14:55.400 --> 0:14:57.880
<v Speaker 1>in your life, can you tell me about something that

0:14:57.960 --> 0:15:01.080
<v Speaker 1>has grown out of a personal disaster? Uh? Yeah. When

0:15:01.120 --> 0:15:03.120
<v Speaker 1>I was in the third grade, I fell off of

0:15:03.160 --> 0:15:05.920
<v Speaker 1>a roof of a house that was under construction, and

0:15:05.960 --> 0:15:08.560
<v Speaker 1>I almost died. Um. I fell, you know, from the

0:15:08.640 --> 0:15:11.160
<v Speaker 1>roof and landed on the brick floor, face first, and

0:15:11.160 --> 0:15:14.240
<v Speaker 1>I shattered my nose. But I think that's part of

0:15:14.240 --> 0:15:17.360
<v Speaker 1>what made me a neuroscientist, because as I was falling,

0:15:18.040 --> 0:15:21.200
<v Speaker 1>I was, first of all, having completely calm, clear thoughts.

0:15:21.200 --> 0:15:23.480
<v Speaker 1>I was thinking about Alice in Wonderland and how this

0:15:23.560 --> 0:15:25.280
<v Speaker 1>must have been what it was like when she was

0:15:25.320 --> 0:15:27.440
<v Speaker 1>falling down the rabbit hole. And just before that, I

0:15:27.480 --> 0:15:29.240
<v Speaker 1>was thinking about, Okay, I wonder if I could still

0:15:29.240 --> 0:15:31.720
<v Speaker 1>grab for the roof, and and then I realized that's

0:15:31.760 --> 0:15:33.600
<v Speaker 1>tar paper and it's not gonna hold, and that's not

0:15:33.640 --> 0:15:35.840
<v Speaker 1>gonna work. And you know, eventually I just turned and

0:15:35.840 --> 0:15:38.360
<v Speaker 1>faced the bricks and hit. But the thing is that

0:15:38.400 --> 0:15:40.440
<v Speaker 1>the whole event seemed to take a very long time.

0:15:40.640 --> 0:15:42.960
<v Speaker 1>I still remember the thoughts very clearly because it was,

0:15:43.000 --> 0:15:44.920
<v Speaker 1>you know, a traumatic event. But when I got to

0:15:45.000 --> 0:15:46.800
<v Speaker 1>high school and I took physics. I realized that the

0:15:46.840 --> 0:15:49.080
<v Speaker 1>whole fall had taken point six of a second, and

0:15:49.160 --> 0:15:51.640
<v Speaker 1>I couldn't figure that out. I couldn't understand how this

0:15:51.720 --> 0:15:53.480
<v Speaker 1>thing that was so fast seemed to taking so long.

0:15:53.520 --> 0:15:55.880
<v Speaker 1>It's like, I'm really interested in our perception of the world,

0:15:55.880 --> 0:15:58.720
<v Speaker 1>and specifically in the perception of time and why things

0:15:58.760 --> 0:16:01.600
<v Speaker 1>seemed to go in slow motion during a life threatening event.

0:16:02.040 --> 0:16:04.480
<v Speaker 1>And I ended up, you know, growing up to become

0:16:04.480 --> 0:16:08.000
<v Speaker 1>a neuroscientist. And I studied that. I did these experiments

0:16:08.080 --> 0:16:10.360
<v Speaker 1>where I dropped people from a hundred and fifty foot

0:16:10.360 --> 0:16:13.800
<v Speaker 1>tall tower in free fall and they're caught in a

0:16:13.880 --> 0:16:16.120
<v Speaker 1>net below, going seventy miles an hour, and I was

0:16:16.200 --> 0:16:19.200
<v Speaker 1>able to measure aspects of their time perception on the

0:16:19.200 --> 0:16:21.720
<v Speaker 1>way down. How did you do that? What I did

0:16:21.760 --> 0:16:23.480
<v Speaker 1>is I built a device that went on their wrist

0:16:23.560 --> 0:16:26.600
<v Speaker 1>and it flashed information at them, visual information at them

0:16:26.720 --> 0:16:30.320
<v Speaker 1>at a certain rate, and depending on how fast they

0:16:30.320 --> 0:16:33.120
<v Speaker 1>were seeing the world, the question was would they be

0:16:33.160 --> 0:16:36.200
<v Speaker 1>able to essentially see in slow motion? Because everybody who's

0:16:36.200 --> 0:16:38.160
<v Speaker 1>ever gotten in a car accident says, oh, you know,

0:16:38.160 --> 0:16:40.200
<v Speaker 1>I was like so much. I saw the hood crumple

0:16:40.200 --> 0:16:42.040
<v Speaker 1>in the rear view mirror fall off and the facial

0:16:42.040 --> 0:16:44.400
<v Speaker 1>expression the other person and so on, and so I

0:16:44.440 --> 0:16:46.560
<v Speaker 1>wanted to really test whether that was true, whether you

0:16:46.600 --> 0:16:48.840
<v Speaker 1>could see in slow motion, and it turned out that

0:16:48.960 --> 0:16:51.680
<v Speaker 1>you do not see in slow motion. It's all a

0:16:51.800 --> 0:16:55.080
<v Speaker 1>retrospective trick of memory, which is to say, when you're

0:16:55.080 --> 0:16:59.040
<v Speaker 1>in a life streating situation, you're laying down memories really densely.

0:16:59.400 --> 0:17:02.080
<v Speaker 1>Normally you're not laying down much memory at all. You know,

0:17:02.080 --> 0:17:03.720
<v Speaker 1>I don't remember my drive home. It was just it

0:17:03.840 --> 0:17:06.520
<v Speaker 1>was nothing. But when something really matters, your brain writes

0:17:06.520 --> 0:17:08.680
<v Speaker 1>sound every single thing. So when you read that back out,

0:17:08.680 --> 0:17:10.000
<v Speaker 1>when you say what does happen? What does happened? What

0:17:10.080 --> 0:17:12.880
<v Speaker 1>just happened, you remember it in such detail that your

0:17:12.880 --> 0:17:15.480
<v Speaker 1>brain estimates, I guess I was have taken longer. I

0:17:15.600 --> 0:17:17.800
<v Speaker 1>was taken a long time. So it's all about the

0:17:17.800 --> 0:17:20.439
<v Speaker 1>way memory is laid down. That's why we think the

0:17:20.520 --> 0:17:23.360
<v Speaker 1>event took place in slow motion, whereas in fact it's

0:17:23.400 --> 0:17:25.479
<v Speaker 1>not slow motion. And I realized after I did these

0:17:25.520 --> 0:17:27.800
<v Speaker 1>experiments that it has to be that way, because you know,

0:17:27.880 --> 0:17:30.880
<v Speaker 1>coming back to the car accidents, which someone says, look,

0:17:30.920 --> 0:17:32.960
<v Speaker 1>I know it went slow motion because I saw these things,

0:17:33.200 --> 0:17:35.760
<v Speaker 1>you can just ask the person, Okay, look the passenger

0:17:35.840 --> 0:17:37.640
<v Speaker 1>on the car seat next to you, who is screaming.

0:17:37.680 --> 0:17:41.359
<v Speaker 1>Did it sounds like the person was actually saying because

0:17:41.480 --> 0:17:43.199
<v Speaker 1>if not, then that means it was not going in

0:17:43.200 --> 0:17:46.000
<v Speaker 1>slow motion, and people have to allow that. Actually, they

0:17:46.040 --> 0:17:48.320
<v Speaker 1>didn't hear things in slow motion, so it's simply that

0:17:48.359 --> 0:17:51.000
<v Speaker 1>they remembered all the details, and so when their brain

0:17:51.080 --> 0:17:53.359
<v Speaker 1>makes an estimate, it says, I guess that must have

0:17:53.359 --> 0:17:55.560
<v Speaker 1>been five seconds, because I don't usually have that much memory.

0:17:55.800 --> 0:17:58.280
<v Speaker 1>Do you think that only a traumatic event can trigger

0:17:58.320 --> 0:18:00.760
<v Speaker 1>that kind of memory sequence, But because something that is

0:18:00.800 --> 0:18:04.560
<v Speaker 1>intensely pleasurable and amazing do the same thing? Yeah, good question.

0:18:04.640 --> 0:18:06.679
<v Speaker 1>It can be the intensely pleasurable and amazing. It's just

0:18:07.040 --> 0:18:09.920
<v Speaker 1>that's more rare. But it's an area of your brain

0:18:10.000 --> 0:18:12.760
<v Speaker 1>called the limbic system and the amygdala in particular, that's

0:18:12.760 --> 0:18:15.960
<v Speaker 1>involved and saying, hey, write this down. This is important,

0:18:16.080 --> 0:18:18.040
<v Speaker 1>and there aren't that many things that are super important

0:18:18.040 --> 0:18:20.439
<v Speaker 1>for us write down. Certainly traumatic events count, and certainly

0:18:20.520 --> 0:18:23.119
<v Speaker 1>super pleasurable events a count, But otherwise most of the

0:18:23.200 --> 0:18:26.320
<v Speaker 1>time you're amygla says, Okay, you know, same old stuff.

0:18:26.320 --> 0:18:29.040
<v Speaker 1>I'm not gonna bother keeping dense memories of this. That's

0:18:29.040 --> 0:18:32.120
<v Speaker 1>so funny because childbirth, I don't know what your partner

0:18:32.240 --> 0:18:35.240
<v Speaker 1>or wife experience, but it's so interesting. There is great

0:18:35.280 --> 0:18:38.119
<v Speaker 1>swathes of the thirty seven hours that I was in

0:18:38.200 --> 0:18:42.080
<v Speaker 1>labor that I remember so acutely and keenly, and they

0:18:42.119 --> 0:18:46.000
<v Speaker 1>involved pain, and they also involved laughter and hilarious things

0:18:46.040 --> 0:18:48.239
<v Speaker 1>that my mother and my sister said. And then there

0:18:48.320 --> 0:18:50.920
<v Speaker 1>must be ours. There were hours and hours and hours

0:18:50.920 --> 0:18:53.560
<v Speaker 1>that I know I was just stumbling through pain, but

0:18:53.640 --> 0:18:56.719
<v Speaker 1>I don't remember exactly. So it's it's interesting. There are

0:18:56.720 --> 0:18:58.720
<v Speaker 1>parts of that thirty seven hours that are carved out

0:18:58.760 --> 0:19:01.400
<v Speaker 1>in the boldest relief. So interesting. I've often wondered why

0:19:01.440 --> 0:19:04.160
<v Speaker 1>my brain chose to remember those bits and not when

0:19:04.200 --> 0:19:06.520
<v Speaker 1>I was sitting in the shower, you know, singing, which

0:19:06.560 --> 0:19:08.320
<v Speaker 1>I know I did because they told me I did it,

0:19:08.320 --> 0:19:11.199
<v Speaker 1>but I don't really remember it. Yeah, Well, what happens

0:19:11.240 --> 0:19:13.600
<v Speaker 1>during pregnancies. You've got all these hormones that are going

0:19:13.680 --> 0:19:15.840
<v Speaker 1>up and down and bouncing all over the place, and

0:19:16.200 --> 0:19:19.320
<v Speaker 1>for better or worse, this just teaches us what biological

0:19:19.359 --> 0:19:21.359
<v Speaker 1>machines we are, which is to say, oh, when this

0:19:21.440 --> 0:19:24.159
<v Speaker 1>hormone's himes and then you're remembering and you can remember

0:19:24.160 --> 0:19:26.479
<v Speaker 1>that later, and then when this other thing is happening,

0:19:26.560 --> 0:19:30.119
<v Speaker 1>forget it. You're just not writing anything. Now it's amazing. Yeah,

0:19:30.160 --> 0:19:33.520
<v Speaker 1>it can be amazing and depressing and eye opening and

0:19:33.560 --> 0:19:35.960
<v Speaker 1>so on. I think it's the most important thing for

0:19:36.000 --> 0:19:39.719
<v Speaker 1>self understanding, for understanding what is our experience in the world.

0:19:40.119 --> 0:19:43.760
<v Speaker 1>I think that grief has taught me that meaning is

0:19:43.840 --> 0:19:47.280
<v Speaker 1>just assigned. We assigned meaning, and the depth of our

0:19:47.320 --> 0:19:49.920
<v Speaker 1>experience and the meaningfulness of our life is in direct

0:19:49.920 --> 0:19:52.560
<v Speaker 1>proportion to what meaning we assigned to it. Well, it's

0:19:52.560 --> 0:19:55.280
<v Speaker 1>even worse than that, I think, which is to say,

0:19:55.320 --> 0:19:58.440
<v Speaker 1>a lot of the stuff is evolutionarily dictated, and so

0:19:59.119 --> 0:20:02.040
<v Speaker 1>you know, when you're a young person and you when

0:20:02.119 --> 0:20:04.399
<v Speaker 1>we think, oh my god, I'm so in love and

0:20:04.400 --> 0:20:07.080
<v Speaker 1>so on, that meaning we didn't really have a choice

0:20:07.080 --> 0:20:10.040
<v Speaker 1>in that. That is what has allowed our species to survive.

0:20:10.320 --> 0:20:12.520
<v Speaker 1>So many things are like that. Why is it that,

0:20:12.720 --> 0:20:14.600
<v Speaker 1>you know, if if there's a lemon pie in the

0:20:14.640 --> 0:20:17.359
<v Speaker 1>oven that smells so good, but let's say a piece

0:20:17.359 --> 0:20:20.359
<v Speaker 1>of poop on the sidewalk smells so aversive, so bad,

0:20:20.640 --> 0:20:23.840
<v Speaker 1>given that they're just molecules both in both cases just

0:20:23.880 --> 0:20:26.080
<v Speaker 1>molecules that are wafting through the air and attached to

0:20:26.119 --> 0:20:28.240
<v Speaker 1>receptors in your nose. You know, if you study full

0:20:28.280 --> 0:20:31.800
<v Speaker 1>faction how that actually works. It's just molecules in different shapes.

0:20:31.800 --> 0:20:33.760
<v Speaker 1>So if I showed you the two different shapes, I said, okay,

0:20:33.800 --> 0:20:35.320
<v Speaker 1>one of these is lemon pie. One of these poop,

0:20:35.359 --> 0:20:37.280
<v Speaker 1>you wouldn't know which is which you couldn't possibly And

0:20:37.400 --> 0:20:39.760
<v Speaker 1>so the question is why is one so pleasurable one

0:20:39.760 --> 0:20:42.080
<v Speaker 1>so aversive? And the answer has to do with the

0:20:42.359 --> 0:20:45.880
<v Speaker 1>evolutionary meaning. So the lemon pie tells you, hey, there's food,

0:20:45.880 --> 0:20:48.080
<v Speaker 1>there's high sugars, and they're great. I can keep this

0:20:48.200 --> 0:20:52.320
<v Speaker 1>battery powered, you know, robot meat, robot going. But the

0:20:52.359 --> 0:20:55.040
<v Speaker 1>poop is full of bacteria, and things that have been

0:20:55.040 --> 0:20:59.119
<v Speaker 1>figured out through revolutionary time are dangerous to your pathologic

0:20:59.359 --> 0:21:02.080
<v Speaker 1>and so the shorthand that your brain does to say,

0:21:02.080 --> 0:21:04.960
<v Speaker 1>oh that's aversive, don't go near that thing. And so

0:21:05.040 --> 0:21:07.440
<v Speaker 1>I often wonder about this issue of all the things

0:21:07.480 --> 0:21:11.160
<v Speaker 1>that we find meaningful in life. The question is how

0:21:11.200 --> 0:21:14.200
<v Speaker 1>how far does the hand of evolution reach in there

0:21:14.560 --> 0:21:17.840
<v Speaker 1>and define what we find meaningful, what we don't exactly

0:21:18.040 --> 0:21:20.920
<v Speaker 1>and spending time on wrapping that that probably isn't quite

0:21:21.040 --> 0:21:22.919
<v Speaker 1>enough life to do that. Or maybe that is, but

0:21:22.960 --> 0:21:24.560
<v Speaker 1>maybe it would just take all the fun out of it.

0:21:24.800 --> 0:21:26.399
<v Speaker 1>You know, I don't actually think so. You know. My

0:21:26.440 --> 0:21:29.520
<v Speaker 1>analogy is if you and I sat down many for

0:21:29.560 --> 0:21:31.800
<v Speaker 1>the next hour and I gave you a diagram, and

0:21:31.840 --> 0:21:34.600
<v Speaker 1>I showed you exactly why you like the taste of

0:21:34.760 --> 0:21:37.560
<v Speaker 1>let's say, chocolate, why you think that tastes so delicious.

0:21:37.800 --> 0:21:39.960
<v Speaker 1>You might say, okay, good, I've got it. I understand

0:21:40.000 --> 0:21:43.320
<v Speaker 1>the entire diagram. But that doesn't change your pleasure about

0:21:43.320 --> 0:21:45.720
<v Speaker 1>it at all. It doesn't improve it, it it doesn't diminish it.

0:21:45.720 --> 0:21:47.919
<v Speaker 1>It's like it's a different world. I mean, if I

0:21:47.960 --> 0:21:49.719
<v Speaker 1>send this to you about you know, the color purple,

0:21:49.800 --> 0:21:51.560
<v Speaker 1>I said, oh, look here, you've got these color photo

0:21:51.560 --> 0:21:53.960
<v Speaker 1>receptors and this happens in a visual cortex, blah blah blah.

0:21:54.000 --> 0:21:55.800
<v Speaker 1>Doesn't change the fact that you look at something purple

0:21:55.840 --> 0:21:59.960
<v Speaker 1>and say, oh, that's beautiful. Has having your children made

0:22:00.040 --> 0:22:03.359
<v Speaker 1>do you think about neuroscience in a different way? Yeah,

0:22:03.400 --> 0:22:06.520
<v Speaker 1>Because like the Yogis talk about beginner's mind, like that

0:22:06.520 --> 0:22:08.760
<v Speaker 1>that is that is a place that you are always

0:22:08.760 --> 0:22:11.119
<v Speaker 1>seeking to get back to, which is what I always

0:22:11.160 --> 0:22:13.840
<v Speaker 1>I've always perceived that, having watched my son grow up,

0:22:13.920 --> 0:22:16.719
<v Speaker 1>that beginner's mind is the purest, most beautiful. They are

0:22:16.760 --> 0:22:21.000
<v Speaker 1>so connected to whatever was pre consciousness and they've brought

0:22:21.040 --> 0:22:23.600
<v Speaker 1>that in with them. So yeah, Well, one of the

0:22:23.640 --> 0:22:26.000
<v Speaker 1>things that has sort of been an interesting surprise to

0:22:26.040 --> 0:22:29.000
<v Speaker 1>me is just seeing the punctuated equilibrium, by which I mean,

0:22:29.040 --> 0:22:31.840
<v Speaker 1>you know, things change suddenly, as in, you know, one

0:22:31.920 --> 0:22:34.360
<v Speaker 1>day your daughter can't read, and then you know, kind

0:22:34.359 --> 0:22:36.160
<v Speaker 1>of a week later, she's a pretty good reader. It's

0:22:36.200 --> 0:22:38.000
<v Speaker 1>just sort of these things that you work on with

0:22:38.040 --> 0:22:40.600
<v Speaker 1>her for a long time, sudden change. And I've always

0:22:40.600 --> 0:22:43.280
<v Speaker 1>found this kind of thing fascinating. It's like the system

0:22:43.560 --> 0:22:46.359
<v Speaker 1>finds something where it says, okay, now I got it,

0:22:46.400 --> 0:22:48.480
<v Speaker 1>and now I know how to read or ride a

0:22:48.480 --> 0:22:50.960
<v Speaker 1>bicycle or whatever the thing is. So that's been really

0:22:50.960 --> 0:22:54.000
<v Speaker 1>interesting to me, and also to really try to get

0:22:54.040 --> 0:22:57.880
<v Speaker 1>an understanding of which things are pre programmed and which

0:22:57.920 --> 0:23:00.439
<v Speaker 1>things are just a matter of absorbing from the world.

0:23:00.640 --> 0:23:02.639
<v Speaker 1>And you know, it's always a combination of both. You

0:23:02.640 --> 0:23:05.240
<v Speaker 1>may know this, but the nature versus nurture debate is

0:23:05.280 --> 0:23:07.840
<v Speaker 1>totally dead because it's always both. You come to the

0:23:07.840 --> 0:23:10.280
<v Speaker 1>table with a lot of pre programming, and you absorb

0:23:10.359 --> 0:23:13.120
<v Speaker 1>the world, and you absorb your language and your culture

0:23:13.119 --> 0:23:15.040
<v Speaker 1>and your neighborhood and your religion and so on. That

0:23:15.080 --> 0:23:17.480
<v Speaker 1>all becomes part of who you are. So, you know,

0:23:17.560 --> 0:23:19.960
<v Speaker 1>just just really watching my kids and trying to understand

0:23:20.000 --> 0:23:23.080
<v Speaker 1>that isn't really Oh, I get so worried that there

0:23:23.160 --> 0:23:25.720
<v Speaker 1>was no way I could have created a scientist because

0:23:25.760 --> 0:23:29.159
<v Speaker 1>of that, because my son is around music and music

0:23:29.320 --> 0:23:33.160
<v Speaker 1>and music and acting and reading and poetry and plays

0:23:33.240 --> 0:23:37.920
<v Speaker 1>and discussing literature and movies and this. And sure enough

0:23:37.960 --> 0:23:40.480
<v Speaker 1>he comes back from this amazing school that he goes

0:23:40.560 --> 0:23:42.800
<v Speaker 1>to having said, can I have base lessons? Can I

0:23:42.880 --> 0:23:44.680
<v Speaker 1>learn the base in September? And I was like yeah,

0:23:44.800 --> 0:23:48.480
<v Speaker 1>totally great. And he comes home and he's already playing

0:23:48.480 --> 0:23:50.439
<v Speaker 1>the bass like he can now play it. And I

0:23:50.480 --> 0:23:52.239
<v Speaker 1>was like, well, I thought we were going to do

0:23:52.280 --> 0:23:54.080
<v Speaker 1>the bass lessons. He was like yeah, I couldn't. I

0:23:54.080 --> 0:23:56.040
<v Speaker 1>couldn't wait. It was just in there. I had to

0:23:56.080 --> 0:23:59.320
<v Speaker 1>start doing it. And I was thinking, like part of

0:23:59.359 --> 0:24:01.320
<v Speaker 1>me was going this so amazing, and pop was going

0:24:01.440 --> 0:24:03.960
<v Speaker 1>you poor thing, like you could have maybe built a bridge,

0:24:04.400 --> 0:24:06.200
<v Speaker 1>like but there was really never any chance that you

0:24:06.280 --> 0:24:07.680
<v Speaker 1>were going to be able to build a bridge because

0:24:07.680 --> 0:24:10.119
<v Speaker 1>of me. You know, I'll tell you the good news,

0:24:10.600 --> 0:24:13.080
<v Speaker 1>that's that you're totally right in your intuition about this.

0:24:13.280 --> 0:24:15.919
<v Speaker 1>But there's two things worth noting. One is that you know,

0:24:16.040 --> 0:24:20.320
<v Speaker 1>kids dropped into the world having a lot of predispositions

0:24:20.359 --> 0:24:22.520
<v Speaker 1>that might be different from yours. So you will influence

0:24:22.560 --> 0:24:25.200
<v Speaker 1>your child massively, and yet your child will go off

0:24:25.240 --> 0:24:27.760
<v Speaker 1>and do things that you didn't really expect. The second

0:24:27.840 --> 0:24:31.280
<v Speaker 1>thing that's so wonderful about this world is the Internet

0:24:31.400 --> 0:24:34.760
<v Speaker 1>and the fact that you have access to anything anytime.

0:24:34.800 --> 0:24:37.359
<v Speaker 1>So he gets lots of music from you, but boy,

0:24:37.400 --> 0:24:39.480
<v Speaker 1>he can just log on and watch you know, Carl

0:24:39.520 --> 0:24:43.000
<v Speaker 1>Sagan's Cosmos, or watch Neil Durass Tyson, or watch anything

0:24:43.000 --> 0:24:45.000
<v Speaker 1>he wants to watch, some brain pop video or some

0:24:45.040 --> 0:24:47.760
<v Speaker 1>ted Ed and suddenly be turned onto bridge building in

0:24:47.800 --> 0:24:49.880
<v Speaker 1>a way that even though he didn't get it from you,

0:24:49.920 --> 0:24:52.520
<v Speaker 1>he got it from ted Ed. So that's the great

0:24:52.560 --> 0:24:55.760
<v Speaker 1>news about this. I mean, I would obviously walk across

0:24:55.840 --> 0:24:58.119
<v Speaker 1>a bridge that a bass player had built, but you

0:24:58.160 --> 0:25:06.920
<v Speaker 1>know thousands wouldn't. Can you tell me where and when

0:25:07.240 --> 0:25:10.680
<v Speaker 1>you were happiest? I hadn't experienced the other night when

0:25:10.720 --> 0:25:14.040
<v Speaker 1>I decided with my two children, who are seven and

0:25:14.080 --> 0:25:15.600
<v Speaker 1>ten years old, that we were going to camp out

0:25:15.640 --> 0:25:18.959
<v Speaker 1>on the trampoline outside, and it was it was very cold,

0:25:19.160 --> 0:25:22.040
<v Speaker 1>and we were very uncomfortable, but it was so much fun.

0:25:22.160 --> 0:25:24.439
<v Speaker 1>It was just all laughter, and so it was just

0:25:24.520 --> 0:25:27.040
<v Speaker 1>such a nice moment with my kids. So as far

0:25:27.080 --> 0:25:30.000
<v Speaker 1>as thinking of a moment, that's my most recent one.

0:25:30.240 --> 0:25:32.920
<v Speaker 1>But I think more generally, you know, I do all

0:25:32.920 --> 0:25:37.120
<v Speaker 1>my writing at eye Hoop, and these are different eye

0:25:37.119 --> 0:25:40.000
<v Speaker 1>hoops all over the world actually, But yeah, I've written

0:25:40.040 --> 0:25:42.320
<v Speaker 1>eight books, so I don't know, like a million words

0:25:42.359 --> 0:25:44.760
<v Speaker 1>I've published so far, and every single one of those

0:25:44.760 --> 0:25:46.600
<v Speaker 1>words has been done at you know, in the National

0:25:46.680 --> 0:25:49.879
<v Speaker 1>House of Pancakes. How many when you were ordering moons

0:25:49.920 --> 0:25:53.920
<v Speaker 1>over my heemy. Actually really just drink the coffee there.

0:25:53.960 --> 0:25:55.720
<v Speaker 1>I don't need too much of the way of pancakes,

0:25:55.760 --> 0:25:58.840
<v Speaker 1>but it's just the right speed. Starbucks is too um,

0:25:59.200 --> 0:26:01.359
<v Speaker 1>you know, there're too many people walking in and out,

0:26:01.400 --> 0:26:04.000
<v Speaker 1>and I hope is slower, and so I just sit

0:26:04.119 --> 0:26:06.560
<v Speaker 1>down for a six hour window and I just right.

0:26:06.720 --> 0:26:10.080
<v Speaker 1>And that is when I am my happiest, especially when

0:26:10.119 --> 0:26:12.960
<v Speaker 1>I feel like I've nailed something. I've gotten something that

0:26:13.080 --> 0:26:16.040
<v Speaker 1>was just a coffin this thought in my head clear

0:26:16.240 --> 0:26:18.600
<v Speaker 1>and on the page, and I've written, you know whatever,

0:26:18.640 --> 0:26:21.920
<v Speaker 1>a hundred fifty seven words that are crystal clear exactly

0:26:21.920 --> 0:26:24.119
<v Speaker 1>what I mean here. That's the best feeling that I know.

0:26:24.720 --> 0:26:26.959
<v Speaker 1>I know that you say you love to do that

0:26:27.000 --> 0:26:29.520
<v Speaker 1>in eye hoop? Can you do that anywhere? Or do

0:26:29.560 --> 0:26:33.000
<v Speaker 1>you get attached to an experience happening in a place

0:26:33.040 --> 0:26:35.520
<v Speaker 1>and then associate that good feeling with that place. You

0:26:35.600 --> 0:26:37.960
<v Speaker 1>can actually be anywhere. It just has to be a

0:26:38.000 --> 0:26:40.359
<v Speaker 1>place that's moving at the right speed. It's y called

0:26:40.359 --> 0:26:43.320
<v Speaker 1>eye hoop because you can only hop very slowly. You

0:26:43.400 --> 0:26:47.360
<v Speaker 1>cannot rush like Starbucks even sounds fast. It's like stars

0:26:47.480 --> 0:26:51.640
<v Speaker 1>and Bucks and movement. I can. I'm not gonna write

0:26:51.640 --> 0:26:56.080
<v Speaker 1>a coffee dash, but I love that feeling of just

0:26:56.320 --> 0:27:04.199
<v Speaker 1>going in deep. Well it's the quality you like at

0:27:04.280 --> 0:27:08.600
<v Speaker 1>least about yourself. Ah well, my whole life has been true.

0:27:08.640 --> 0:27:10.639
<v Speaker 1>I just take on too much. And I have so

0:27:10.680 --> 0:27:13.400
<v Speaker 1>many friends that are good at being laser focused. And

0:27:13.480 --> 0:27:15.119
<v Speaker 1>in fact, just this morning I was talking to a

0:27:15.160 --> 0:27:18.200
<v Speaker 1>colleague of mine who also writes books, and she said, yeah,

0:27:18.320 --> 0:27:20.080
<v Speaker 1>what I do is I start with the table of contents,

0:27:20.119 --> 0:27:22.040
<v Speaker 1>and I write each piece and I know exactly what's

0:27:22.080 --> 0:27:23.520
<v Speaker 1>going to go in the book and with the framework is.

0:27:23.560 --> 0:27:24.920
<v Speaker 1>And that's not at all how I do it. I'm

0:27:24.920 --> 0:27:27.600
<v Speaker 1>completely on the other end of whatever the spectrum is

0:27:27.680 --> 0:27:30.480
<v Speaker 1>that she's on. You know. I just I have ideas

0:27:30.520 --> 0:27:33.120
<v Speaker 1>and I dictate into every note all day long, and I, oh,

0:27:33.160 --> 0:27:34.879
<v Speaker 1>this is gonna be a paragraph here, and I here

0:27:34.920 --> 0:27:37.520
<v Speaker 1>and then and then I tie stuff together with time,

0:27:37.720 --> 0:27:41.840
<v Speaker 1>and I probably spend twice as much time putting something

0:27:41.880 --> 0:27:44.800
<v Speaker 1>together that way and deleting whole you know, scenes and

0:27:44.880 --> 0:27:47.560
<v Speaker 1>paragraphs and chapters. But that's just the way that that

0:27:47.600 --> 0:27:50.080
<v Speaker 1>I write. But the problem is, I'm always I mean,

0:27:50.119 --> 0:27:52.040
<v Speaker 1>this has always been true. I write, you know, five

0:27:52.080 --> 0:27:54.800
<v Speaker 1>books at once, and you know, I teach at Stanford,

0:27:54.840 --> 0:27:57.520
<v Speaker 1>I'm running two companies, and I'm about to start my

0:27:57.520 --> 0:28:01.800
<v Speaker 1>own podcast. That podcast is going to forty minute monologues

0:28:01.840 --> 0:28:04.040
<v Speaker 1>where I'm just talking for forty minutes. And so what

0:28:04.119 --> 0:28:05.919
<v Speaker 1>that means is, I'm just gonna have a ton of

0:28:05.960 --> 0:28:08.080
<v Speaker 1>work on my plate. I've got a great idea. I've

0:28:08.080 --> 0:28:12.280
<v Speaker 1>got a great idea. You record your podcast and then

0:28:12.400 --> 0:28:15.760
<v Speaker 1>that becomes your book. So you just record it and

0:28:15.800 --> 0:28:18.080
<v Speaker 1>then you put it through some program so that it

0:28:18.119 --> 0:28:21.080
<v Speaker 1>just dictates it, and then you just edit what you've

0:28:21.119 --> 0:28:23.720
<v Speaker 1>said already. This is how you're going to save time.

0:28:23.760 --> 0:28:26.640
<v Speaker 1>I would like to see this book. Yes, I love

0:28:26.720 --> 0:28:29.000
<v Speaker 1>that idea. You know. The difficulty is with a book,

0:28:29.520 --> 0:28:32.679
<v Speaker 1>it's like building a cathedral. You know, there's all this stuff.

0:28:32.760 --> 0:28:35.320
<v Speaker 1>It's such a bigger kind of project. And I wish

0:28:35.400 --> 0:28:37.960
<v Speaker 1>I could turn forty minute monologues into a book, but

0:28:38.080 --> 0:28:41.160
<v Speaker 1>it's uh. But perhaps if you do a hundred forty

0:28:41.200 --> 0:28:45.000
<v Speaker 1>minute monologues, you will have the beginnings of a book.

0:28:45.360 --> 0:28:47.480
<v Speaker 1>I'll have a lot of material, that's for sure. I've

0:28:47.520 --> 0:28:51.040
<v Speaker 1>written one book, David, which is not really comfortable to

0:28:51.080 --> 0:28:54.320
<v Speaker 1>anything that you've said. However, it was speaking the thoughts

0:28:54.480 --> 0:28:58.080
<v Speaker 1>that then made it much nearer. It made the reality

0:28:58.120 --> 0:29:00.560
<v Speaker 1>of that book much closer, so I could actually reach

0:29:00.600 --> 0:29:02.880
<v Speaker 1>out and get it. It was having verbalized it. So

0:29:02.920 --> 0:29:06.080
<v Speaker 1>I wonder if it would maybe speed up the process.

0:29:06.120 --> 0:29:08.320
<v Speaker 1>But you hear yourself talking about these ideas and it

0:29:08.360 --> 0:29:12.120
<v Speaker 1>becomes more coherent and certainly externalized and then become something

0:29:12.120 --> 0:29:14.520
<v Speaker 1>that you can actually you can grab easier and right out.

0:29:14.560 --> 0:29:17.400
<v Speaker 1>I don't know no, I totally get that. You reify

0:29:17.520 --> 0:29:20.200
<v Speaker 1>the ideas by saying them out loud. And then one

0:29:20.200 --> 0:29:22.440
<v Speaker 1>trick that I do all the time lately is I

0:29:22.480 --> 0:29:24.720
<v Speaker 1>will then take stuff that I've written and put into

0:29:24.800 --> 0:29:27.280
<v Speaker 1>programs so that it speaks the text back to me,

0:29:27.360 --> 0:29:29.280
<v Speaker 1>but with a totally different voice. I'd say a female

0:29:29.360 --> 0:29:32.000
<v Speaker 1>voice or British, but maybe your voice. So I'm listening

0:29:32.400 --> 0:29:34.720
<v Speaker 1>like an audiobook to my own writing and I think, oh,

0:29:34.800 --> 0:29:37.479
<v Speaker 1>that part sucked, and oh that logic doesn't quite match up.

0:29:37.640 --> 0:29:41.640
<v Speaker 1>That's amazing. I would love that. I would use that

0:29:41.680 --> 0:29:45.200
<v Speaker 1>for difficult conversations with my son. Let me just let

0:29:45.200 --> 0:29:48.719
<v Speaker 1>me just rest this, let me just REases to hear

0:29:48.760 --> 0:29:50.920
<v Speaker 1>that back. That's really cool, as though you're hearing a

0:29:50.960 --> 0:29:54.440
<v Speaker 1>different parents saying it and anything that's not so good actually,

0:29:54.440 --> 0:29:57.080
<v Speaker 1>as I'm a single mother, that really what hel I

0:29:57.120 --> 0:30:00.720
<v Speaker 1>could do it in like a man's voice, right perfect.

0:30:00.880 --> 0:30:03.120
<v Speaker 1>And by the way, many authors in the past have

0:30:03.440 --> 0:30:06.840
<v Speaker 1>used this method. Wordsworth, for example, had a lazy susan

0:30:06.880 --> 0:30:08.920
<v Speaker 1>on the table, you know, one of these circular jobs

0:30:08.920 --> 0:30:11.360
<v Speaker 1>that spins around, and he'd have his different manuscripts on it,

0:30:11.400 --> 0:30:13.880
<v Speaker 1>and he'd work on whatever manuscript until he was slowing down,

0:30:13.880 --> 0:30:15.920
<v Speaker 1>and then he'd spin it and pick a different manuscript

0:30:15.920 --> 0:30:17.880
<v Speaker 1>and work on that. That's exactly how I work. Whenever

0:30:17.880 --> 0:30:20.520
<v Speaker 1>I'm slowing down on something, I switch projects, and as

0:30:20.520 --> 0:30:23.760
<v Speaker 1>a result, I'm always working at top speed on that project.

0:30:23.840 --> 0:30:25.600
<v Speaker 1>So I think there actually is some benefit to it.

0:30:25.720 --> 0:30:28.960
<v Speaker 1>That's amazing. So it sounds like that's not necessarily like

0:30:29.000 --> 0:30:31.680
<v Speaker 1>a bad quality because you've done it always and you're

0:30:31.800 --> 0:30:33.440
<v Speaker 1>used to it in terms of taking on a lot

0:30:33.480 --> 0:30:36.200
<v Speaker 1>of things. I mean, for example, I'm in Silicon Valley

0:30:36.200 --> 0:30:39.000
<v Speaker 1>and I you know, the vcs who invest do not

0:30:39.160 --> 0:30:41.640
<v Speaker 1>do not like this quality about me. I think they

0:30:41.680 --> 0:30:43.880
<v Speaker 1>would much rather see me as the type of person

0:30:43.880 --> 0:30:46.840
<v Speaker 1>who just as wakes up thinks about this company seven.

0:30:46.920 --> 0:30:50.120
<v Speaker 1>And I do think about it essentially seven, but I'm

0:30:50.120 --> 0:30:51.920
<v Speaker 1>also doing other things at the same time. You know,

0:30:52.000 --> 0:30:54.360
<v Speaker 1>it has worked out, but it always feels like one

0:30:54.400 --> 0:30:57.080
<v Speaker 1>of those things where I'm leaning forward as far forward

0:30:57.120 --> 0:30:59.280
<v Speaker 1>as I can into the future and moving as fast

0:30:59.360 --> 0:31:02.000
<v Speaker 1>as I can on fronts, and as long as it works,

0:31:02.200 --> 0:31:04.800
<v Speaker 1>that's great. You know, at some point I'm going to

0:31:04.960 --> 0:31:06.640
<v Speaker 1>whatever it is, I'm going to break a leg or

0:31:06.720 --> 0:31:09.000
<v Speaker 1>you know, get diagnosed with something or whatever. And then

0:31:09.040 --> 0:31:12.200
<v Speaker 1>everything's gonna, you know, pile up like a giant car accident.

0:31:12.680 --> 0:31:15.040
<v Speaker 1>What would your life look like if you did slow down?

0:31:15.280 --> 0:31:17.200
<v Speaker 1>You know, I just don't think it's my personality. I've

0:31:17.200 --> 0:31:19.800
<v Speaker 1>actually tried. In fact, when I was in college, I

0:31:19.800 --> 0:31:24.320
<v Speaker 1>had this professor I really thought was wonderful, and he said, look, eagleman,

0:31:24.400 --> 0:31:27.240
<v Speaker 1>life is like you are a lumberjack, and you can't

0:31:27.240 --> 0:31:29.520
<v Speaker 1>go into the forest and take one thwack at each tree.

0:31:29.560 --> 0:31:31.800
<v Speaker 1>You have to pick your tree and really hit that

0:31:31.840 --> 0:31:34.000
<v Speaker 1>tree with it. And it sounded so wise, and I

0:31:34.040 --> 0:31:37.680
<v Speaker 1>really liked this guy, and so I tried to change myself.

0:31:37.680 --> 0:31:51.160
<v Speaker 1>But that's just not who I am. David. What would

0:31:51.160 --> 0:31:53.720
<v Speaker 1>be your last meal? I think I would do a

0:31:53.720 --> 0:31:59.240
<v Speaker 1>protein shake, And it's only because that represents my enthusiasm

0:31:59.280 --> 0:32:01.640
<v Speaker 1>about the next steps, about what's coming next, and I

0:32:01.640 --> 0:32:04.160
<v Speaker 1>want to make sure my body is fit and so

0:32:04.240 --> 0:32:05.920
<v Speaker 1>on for the future. So I might as well go

0:32:05.960 --> 0:32:08.239
<v Speaker 1>out on a high note with my eyes still on

0:32:08.280 --> 0:32:10.240
<v Speaker 1>the horizon. I think that's how I'd like to go out.

0:32:10.320 --> 0:32:14.400
<v Speaker 1>You're still feeding your muscles and feeding it protein. Yeah, yeah, cool,

0:32:14.640 --> 0:32:17.959
<v Speaker 1>I like that. I like that a lot. What flavor

0:32:18.000 --> 0:32:20.680
<v Speaker 1>protein shake would it be? I think chocolate. Why not?

0:32:21.040 --> 0:32:22.480
<v Speaker 1>I knew you were going to say that. I knew

0:32:22.520 --> 0:32:23.840
<v Speaker 1>you were going to say that. By the way, who

0:32:23.880 --> 0:32:32.280
<v Speaker 1>wouldn't What question would you most like? Answered? Years ago?

0:32:32.480 --> 0:32:34.880
<v Speaker 1>In two thousand four, I wrote a cover article for

0:32:34.920 --> 0:32:38.800
<v Speaker 1>Discover magazine called ten Unsolved Questions of Neuroscience. And what's

0:32:38.800 --> 0:32:42.560
<v Speaker 1>interesting is that those are essentially as unsolved now as

0:32:42.600 --> 0:32:46.080
<v Speaker 1>they were then, with one possible exception. Actually, but the

0:32:46.120 --> 0:32:49.040
<v Speaker 1>top question for me is the question of consciousness, which

0:32:49.120 --> 0:32:51.440
<v Speaker 1>is why does it feel like something to be you

0:32:51.760 --> 0:32:55.840
<v Speaker 1>or me? Because the brain is built of eighty six

0:32:55.960 --> 0:33:00.280
<v Speaker 1>billion neurons, which are the specialized cells of the brain,

0:33:00.400 --> 0:33:03.040
<v Speaker 1>and each of these neurons is you know, sending information

0:33:03.120 --> 0:33:06.160
<v Speaker 1>back and forth with these electrical spikes, and they're releasing chemicals,

0:33:06.200 --> 0:33:08.560
<v Speaker 1>all kinds of camp kids stuff. But fundamentally, it's just

0:33:08.600 --> 0:33:11.480
<v Speaker 1>a big biological machine. It's just doing stuff. It's just

0:33:11.600 --> 0:33:14.160
<v Speaker 1>you know, sending signals and reacting to signals, and as

0:33:14.160 --> 0:33:16.320
<v Speaker 1>far as we can tell, that's all that's going on.

0:33:16.440 --> 0:33:19.520
<v Speaker 1>Because when somebody damages their brain, we can make very

0:33:19.560 --> 0:33:22.880
<v Speaker 1>particular predictions about what the consequences are going to be.

0:33:23.040 --> 0:33:25.800
<v Speaker 1>It will change their risk aversion or their decision making,

0:33:25.920 --> 0:33:29.600
<v Speaker 1>or their ability to name animals or see colors or

0:33:29.720 --> 0:33:33.320
<v Speaker 1>understand music, you know, super specific things. And so that's

0:33:33.360 --> 0:33:35.880
<v Speaker 1>why when we look at hundreds of years of brain damage,

0:33:35.920 --> 0:33:37.920
<v Speaker 1>we say, all right, look it's Piers. Just be a

0:33:37.960 --> 0:33:40.520
<v Speaker 1>big machine there. But the question is why does it

0:33:40.560 --> 0:33:42.320
<v Speaker 1>feel like something to be alive? Why do you experience

0:33:42.440 --> 0:33:45.920
<v Speaker 1>the beauty of a sunset or the smell of cinnamon

0:33:46.040 --> 0:33:48.400
<v Speaker 1>or the taste of feta cheese on your tongue. Why

0:33:48.440 --> 0:33:51.480
<v Speaker 1>aren't we just like you know, my computer, my laptop

0:33:51.520 --> 0:33:54.680
<v Speaker 1>here is sending lots of signals around back and forth,

0:33:54.680 --> 0:33:57.719
<v Speaker 1>but presumably it's not conscious. And when I watch YouTube

0:33:57.800 --> 0:34:00.040
<v Speaker 1>video that I think is funny, it presumably doesn't. And

0:34:00.080 --> 0:34:01.720
<v Speaker 1>it's funny. It's just sending zero, you know, it's just

0:34:01.760 --> 0:34:03.600
<v Speaker 1>sending zeros and one drone. And when I shut it

0:34:03.600 --> 0:34:06.680
<v Speaker 1>off at night, it doesn't lament its own death or something.

0:34:06.960 --> 0:34:09.279
<v Speaker 1>So this is the question is how do you build

0:34:09.280 --> 0:34:13.279
<v Speaker 1>a biological machine and have it be self aware? Is

0:34:13.320 --> 0:34:16.920
<v Speaker 1>that the fundament of possibility? And is m yeah, exactly

0:34:16.920 --> 0:34:20.319
<v Speaker 1>so for anyone who doesn't though you know possibilities is

0:34:20.360 --> 0:34:23.440
<v Speaker 1>this movement I started about twelve years ago, which is

0:34:23.480 --> 0:34:25.960
<v Speaker 1>simply a way of me trying to capture what the

0:34:26.000 --> 0:34:29.080
<v Speaker 1>scientific temperament is. Where we shine a flashlight around the

0:34:29.080 --> 0:34:31.319
<v Speaker 1>possibility space, we say, look, maybe it's that, Maybe it's that,

0:34:31.360 --> 0:34:33.719
<v Speaker 1>Maybe it's that. And the reason I sort of tried

0:34:33.760 --> 0:34:37.120
<v Speaker 1>to articulate this is because when you go into a bookstore,

0:34:37.120 --> 0:34:39.640
<v Speaker 1>all you ever see are the books by the atheists,

0:34:39.640 --> 0:34:42.120
<v Speaker 1>the new atheists, and the books by the fundamentally religious,

0:34:42.120 --> 0:34:43.600
<v Speaker 1>and they're often put on the same table in the

0:34:43.600 --> 0:34:46.000
<v Speaker 1>bookstores so that you can sort of choose your side

0:34:46.040 --> 0:34:48.880
<v Speaker 1>and see what's But the truth is that our existence

0:34:48.880 --> 0:34:53.200
<v Speaker 1>in the cosmos is so deeply mysterious that almost certainly

0:34:53.600 --> 0:34:56.800
<v Speaker 1>there's something much more interesting going on that is neither

0:34:56.840 --> 0:34:59.200
<v Speaker 1>of those positions. I think you said it as well,

0:34:59.360 --> 0:35:02.520
<v Speaker 1>the asteness of our ignorance. It is full of potential

0:35:02.640 --> 0:35:07.719
<v Speaker 1>as opposed to full of admonishment. Yeah, when I read that,

0:35:08.040 --> 0:35:11.240
<v Speaker 1>you know, being interested in celebrating the vastness of our ignorance,

0:35:11.280 --> 0:35:15.160
<v Speaker 1>it was actually really dynamic as opposed to you dumb dumb.

0:35:15.360 --> 0:35:18.840
<v Speaker 1>It was like you dumb dumb. Right. The part of

0:35:18.840 --> 0:35:20.920
<v Speaker 1>that was surprising is that people want to pick one

0:35:20.960 --> 0:35:23.839
<v Speaker 1>answer and then fight for that and say Okay, this

0:35:23.920 --> 0:35:26.839
<v Speaker 1>is the right answer. Yeah. How many people are in

0:35:26.840 --> 0:35:29.719
<v Speaker 1>your movement? Can I be in it? Yeah? Please, I'd

0:35:29.760 --> 0:35:31.640
<v Speaker 1>love to have. You know, the interesting part, you know,

0:35:31.680 --> 0:35:33.560
<v Speaker 1>I wrote my book Some, which is a book of

0:35:33.640 --> 0:35:37.640
<v Speaker 1>literary fiction, and it's forty stories of what happens after

0:35:37.760 --> 0:35:39.319
<v Speaker 1>we die, and it's all made up. It's all meant

0:35:39.320 --> 0:35:41.200
<v Speaker 1>to be you know, funny and interesting and then if

0:35:41.200 --> 0:35:43.319
<v Speaker 1>it's meant to be taken seriously. But the part that

0:35:43.480 --> 0:35:45.640
<v Speaker 1>is meant to be taken seriously is the idea of, wow,

0:35:45.680 --> 0:35:47.560
<v Speaker 1>we really have no idea what this is, what our

0:35:47.600 --> 0:35:50.480
<v Speaker 1>existence is all about here? And that's what the metal

0:35:50.600 --> 0:35:53.240
<v Speaker 1>lesson that emerges from the book is. And so anyway,

0:35:53.280 --> 0:35:56.320
<v Speaker 1>after I said the sun and pr one day about

0:35:56.360 --> 0:35:58.920
<v Speaker 1>possibilityis um um, it sort of became a thing and

0:35:59.160 --> 0:36:01.799
<v Speaker 1>people started websites and Facebook groups and stuff like that.

0:36:01.920 --> 0:36:03.200
<v Speaker 1>So I don't know, I haven't really checked on in

0:36:03.239 --> 0:36:05.080
<v Speaker 1>a while, but I'm glad to see it's moving. I

0:36:05.160 --> 0:36:06.960
<v Speaker 1>like it. I think it's great. Now I've got to

0:36:07.000 --> 0:36:09.919
<v Speaker 1>read some as well. I have conversations based on something

0:36:09.960 --> 0:36:13.120
<v Speaker 1>that my mother post death, a phrase that she has coined,

0:36:13.120 --> 0:36:16.400
<v Speaker 1>which is called brain share because, as she's said, to

0:36:16.440 --> 0:36:19.240
<v Speaker 1>me in our conversations because she doesn't have a brain anymore,

0:36:19.280 --> 0:36:21.279
<v Speaker 1>which is a huge relief, but she has to use

0:36:21.320 --> 0:36:24.799
<v Speaker 1>mind so that I can feel her thoughts now. And

0:36:25.040 --> 0:36:26.719
<v Speaker 1>it's so funny because a friend of mine was like, well,

0:36:26.760 --> 0:36:29.000
<v Speaker 1>isn't that just your brain? Isn't that as the function

0:36:29.040 --> 0:36:31.560
<v Speaker 1>of your grief? Because she died only a year ago?

0:36:31.719 --> 0:36:34.080
<v Speaker 1>And I said, well, does it really matter. I don't

0:36:34.080 --> 0:36:36.799
<v Speaker 1>really know. I'll never know. It doesn't matter if I

0:36:36.840 --> 0:36:38.640
<v Speaker 1>know or if I don't know. But I hear her

0:36:38.719 --> 0:36:42.560
<v Speaker 1>voice very specifically, and we have these conversations which are

0:36:42.719 --> 0:36:45.680
<v Speaker 1>so they're fascinating to pick over. They're not just comforting,

0:36:45.920 --> 0:36:49.160
<v Speaker 1>they're strange because there's clearly an evolution either of my

0:36:49.280 --> 0:36:51.360
<v Speaker 1>idea of her since she died, or of her since

0:36:51.360 --> 0:36:53.920
<v Speaker 1>she died. That it's different enough that I recognize her,

0:36:53.960 --> 0:36:55.880
<v Speaker 1>but it's another version of her. Yeah. And you know,

0:36:55.880 --> 0:36:58.239
<v Speaker 1>one of those fascinating things is that the job of

0:36:58.320 --> 0:37:02.320
<v Speaker 1>the brain is to construct these internal models of other people.

0:37:02.400 --> 0:37:05.719
<v Speaker 1>So you have an enormous number of models in your head,

0:37:05.880 --> 0:37:08.359
<v Speaker 1>but you have thousands of these, you know, like oh,

0:37:08.400 --> 0:37:10.560
<v Speaker 1>your neighbor from down the street years ago, and oh,

0:37:10.600 --> 0:37:13.160
<v Speaker 1>your college roommate and so on. You've got little models.

0:37:13.280 --> 0:37:16.200
<v Speaker 1>Some are more sophisticated than the others. So your model

0:37:16.239 --> 0:37:18.840
<v Speaker 1>of your mother is you're devoting a lot of neural

0:37:18.920 --> 0:37:21.279
<v Speaker 1>real estate to that. Actually you've got a very rich

0:37:21.320 --> 0:37:23.960
<v Speaker 1>model of her. Other models that are thinner of you know,

0:37:24.040 --> 0:37:26.600
<v Speaker 1>your barista Starbucks or something that who don't know that well,

0:37:26.680 --> 0:37:28.640
<v Speaker 1>and you have to make lots of assumptions. But the

0:37:28.640 --> 0:37:31.480
<v Speaker 1>thing that has always struck me as fascinating, as you know,

0:37:31.560 --> 0:37:34.600
<v Speaker 1>in neuroscience my field, you know, we've essentially spent all

0:37:34.640 --> 0:37:36.520
<v Speaker 1>the time studying, Okay, how does vision work, how does

0:37:36.600 --> 0:37:38.400
<v Speaker 1>hearing work, how does decision making work? And so on?

0:37:38.560 --> 0:37:41.359
<v Speaker 1>But the part that's gone under appreciated there is how

0:37:41.440 --> 0:37:44.600
<v Speaker 1>social brains are. Brains are all about other brains, and

0:37:44.640 --> 0:37:47.640
<v Speaker 1>so this is sort of an emerging field called social neuroscience.

0:37:47.680 --> 0:37:50.520
<v Speaker 1>But the point is that a huge amount of the

0:37:50.600 --> 0:37:53.600
<v Speaker 1>territory of your brain is there just to simulate your

0:37:53.640 --> 0:37:57.160
<v Speaker 1>mother and your father and everybody you've ever known. Wow,

0:37:57.360 --> 0:38:01.800
<v Speaker 1>all right, I'm gonna be thinking about that three t time, David.

0:38:01.920 --> 0:38:05.960
<v Speaker 1>I'm so honestly just so shaft, as we say in England,

0:38:06.080 --> 0:38:08.040
<v Speaker 1>to talk to you, I can't thank you enough for

0:38:08.080 --> 0:38:10.239
<v Speaker 1>your time. Well, thank you, Minnie, It's been such a

0:38:10.280 --> 0:38:12.920
<v Speaker 1>pleasure to talk with you. Thank you very very much.

0:38:14.480 --> 0:38:18.279
<v Speaker 1>Be sure to check out David's books, including Some Incognito

0:38:18.480 --> 0:38:22.080
<v Speaker 1>and his most recent book, Live Wired, The Inside Story

0:38:22.080 --> 0:38:24.880
<v Speaker 1>of the Ever Changing Brain, which was also nominated for

0:38:24.880 --> 0:38:28.160
<v Speaker 1>a Pulitzer Prize. Live Word explores not only what the

0:38:28.200 --> 0:38:31.680
<v Speaker 1>brain is, but also what the brain does, and when

0:38:31.680 --> 0:38:33.680
<v Speaker 1>you sit down to read it, please feel free to

0:38:33.719 --> 0:38:36.440
<v Speaker 1>imagine you're having a cup of coffee at Eyehop sitting

0:38:36.480 --> 0:38:39.880
<v Speaker 1>next to David while he's busy writing five other books.

0:38:42.160 --> 0:38:45.440
<v Speaker 1>Mini Questions is hosted and written by Me Mini Driver,

0:38:46.000 --> 0:38:53.600
<v Speaker 1>supervising producer Aaron Kaufman, Producer Morgan Levoy, Research assistant Marissa Brown.

0:38:54.880 --> 0:39:00.560
<v Speaker 1>Original music Sorry Baby by Mini Driver. Additional musick by

0:39:00.600 --> 0:39:05.800
<v Speaker 1>Aaron Kaufman, Executive produced by Me Mini Driver. Special thanks

0:39:06.000 --> 0:39:11.680
<v Speaker 1>to Jim Nikolay, Will Pearson, Addison No Day, Lisa Castella

0:39:11.800 --> 0:39:17.000
<v Speaker 1>and Annicke Oppenheim at w kPr, de La Pescador, Kate

0:39:17.080 --> 0:39:21.600
<v Speaker 1>Driver and Jason Weinberg, and for constantly solicited tech support,

0:39:22.040 --> 0:39:22.840
<v Speaker 1>Henry Driver