1 00:00:00,760 --> 00:00:17,680 Speaker 1: I am all in, kiss you, I am all in 2 00:00:17,960 --> 00:00:22,439 Speaker 1: with Scott Patterson and I Heart Radio podcast. Hey everybody, 3 00:00:22,520 --> 00:00:26,520 Speaker 1: Scott Patterson, I am all in podcast I Heart Radio. 4 00:00:26,640 --> 00:00:31,640 Speaker 1: We are going to recap Kiss and Tell episode seven, 5 00:00:31,720 --> 00:00:35,880 Speaker 1: season one. I am joined by the illustrious Amy Sugarman 6 00:00:37,120 --> 00:00:40,879 Speaker 1: uh and that's Riley and Danielle are with us on 7 00:00:41,000 --> 00:00:44,920 Speaker 1: board as well. So I didn't like my acting in 8 00:00:44,960 --> 00:00:47,080 Speaker 1: this episode. I gotta be honest with you. I didn't 9 00:00:47,080 --> 00:00:51,360 Speaker 1: like it. Really, I didn't. I didn't um what did 10 00:00:51,360 --> 00:00:52,640 Speaker 1: you think was wrong? I don't know. I think it 11 00:00:52,680 --> 00:00:54,840 Speaker 1: was just a little too angry, little over the top. 12 00:00:54,920 --> 00:00:58,080 Speaker 1: And you know, I'm still finding the character, you know 13 00:00:58,120 --> 00:01:01,319 Speaker 1: what I mean. And I just I just really, this 14 00:01:01,360 --> 00:01:03,240 Speaker 1: is why I don't like to watch myself, and this 15 00:01:03,320 --> 00:01:07,200 Speaker 1: was it was unpleasant for me less really you were. 16 00:01:07,440 --> 00:01:10,240 Speaker 1: You were particularly grumpy, But I didn't know. I didn't 17 00:01:10,240 --> 00:01:12,600 Speaker 1: think it was over the time, something with this guy 18 00:01:12,920 --> 00:01:20,280 Speaker 1: like jeez, you hate you obviously hate Thanksgiving. Yeah, you know, 19 00:01:20,520 --> 00:01:23,200 Speaker 1: I don't know, but it's but maybe Docie brings out 20 00:01:23,240 --> 00:01:26,760 Speaker 1: that grouchiness in Luke. Maybe you played it right. I 21 00:01:26,800 --> 00:01:29,720 Speaker 1: don't know. I don't think so. I think there's another 22 00:01:29,760 --> 00:01:31,720 Speaker 1: way to go. I gotta beat my own credit here. 23 00:01:31,720 --> 00:01:34,760 Speaker 1: I just I'm calling the acting police on myself. I 24 00:01:34,800 --> 00:01:37,080 Speaker 1: did not like. Yeah, I didn't like what I did. 25 00:01:37,319 --> 00:01:39,920 Speaker 1: I didn't like what I did. I didn't like what 26 00:01:39,959 --> 00:01:42,760 Speaker 1: I did with Lauren either. At the table when I 27 00:01:42,800 --> 00:01:45,320 Speaker 1: can you mean the scene we've the scene we reenacted 28 00:01:45,319 --> 00:01:48,040 Speaker 1: in the last episode. I approached that scene. No, I 29 00:01:48,400 --> 00:01:51,160 Speaker 1: gotta call. I gotta throw a flag on that one. 30 00:01:51,360 --> 00:01:53,480 Speaker 1: I gotta give myself a red card, like get off 31 00:01:53,480 --> 00:01:57,240 Speaker 1: the pitch. You know, what did you think when Docie Taylor? 32 00:01:57,280 --> 00:02:00,760 Speaker 1: Docie called you young man? Thought that was kind of 33 00:02:00,760 --> 00:02:04,760 Speaker 1: interesting because he's definitely didn't he know Luke's father, maybe, 34 00:02:04,960 --> 00:02:07,640 Speaker 1: and he's definitely holding that a little bit of authority 35 00:02:08,560 --> 00:02:11,280 Speaker 1: in the scene because maybe the opening scene. But he 36 00:02:11,320 --> 00:02:13,080 Speaker 1: said it early in the scene, because that would have 37 00:02:13,360 --> 00:02:15,760 Speaker 1: beat me off, man, I'll tell you, Yeah, he says 38 00:02:15,800 --> 00:02:18,640 Speaker 1: something kind young man. All right, well then good. You know, 39 00:02:18,760 --> 00:02:21,320 Speaker 1: then I'm taking the red card back. That's exactly the 40 00:02:21,320 --> 00:02:23,680 Speaker 1: way I should have been thinking. I felt. I felt 41 00:02:23,720 --> 00:02:29,000 Speaker 1: like Docie makes you grouchy, and we know that heretofore? 42 00:02:29,200 --> 00:02:32,800 Speaker 1: Is that the right way to say it? Forevermore? You 43 00:02:32,840 --> 00:02:36,040 Speaker 1: know he's coming into a space being disrespectful. That's my 44 00:02:36,120 --> 00:02:39,000 Speaker 1: dad's place, you know. It's like, don't come in here 45 00:02:39,000 --> 00:02:41,600 Speaker 1: shooting your mouth off like this, and and you know, 46 00:02:41,639 --> 00:02:44,240 Speaker 1: point your finger and give me what for. That's right, 47 00:02:44,560 --> 00:02:50,120 Speaker 1: young man, he's coast. You make a very salient point there, 48 00:02:50,600 --> 00:02:53,520 Speaker 1: You make a very salient point. Yeah, alright, alright, I'm 49 00:02:53,520 --> 00:02:55,520 Speaker 1: going to give myself a little break on the acting 50 00:02:55,520 --> 00:02:58,920 Speaker 1: side there. Alright, good, it was justified, you know, like 51 00:02:58,960 --> 00:03:01,760 Speaker 1: we talked about this in the last episode with George 52 00:03:01,840 --> 00:03:04,200 Speaker 1: in that the same thing. It was jarring for you 53 00:03:04,280 --> 00:03:09,160 Speaker 1: and George when Dean responded to Laura Lae in that scene, 54 00:03:09,400 --> 00:03:13,000 Speaker 1: and that both when Doci called you young man, and 55 00:03:13,120 --> 00:03:17,840 Speaker 1: the scene where Dean pushes back whoa. That was aggressive 56 00:03:17,919 --> 00:03:20,679 Speaker 1: for a young teenager to say to lorelaie is it 57 00:03:20,800 --> 00:03:24,880 Speaker 1: my turn now? But it feels like those were very 58 00:03:24,880 --> 00:03:29,440 Speaker 1: specifically done in both cases for a reason, setting the 59 00:03:29,520 --> 00:03:33,040 Speaker 1: character up to fail. And I think I think that 60 00:03:33,160 --> 00:03:36,280 Speaker 1: kiss was the first one, like whoa, that was not 61 00:03:36,320 --> 00:03:39,000 Speaker 1: I don't know if you mean, because he was so aggressive, 62 00:03:39,440 --> 00:03:41,800 Speaker 1: he was so like she didn't know what was coming. 63 00:03:41,840 --> 00:03:44,560 Speaker 1: There was no build up. It was like which hand 64 00:03:44,560 --> 00:03:47,440 Speaker 1: has the soda boom? Kiss. I was caught up in 65 00:03:47,600 --> 00:03:50,920 Speaker 1: all of the flush of young love and all those 66 00:03:50,920 --> 00:03:54,360 Speaker 1: feelings and how you can't control him when you're that age, 67 00:03:54,400 --> 00:03:57,960 Speaker 1: and and here she is standing right before me, and 68 00:03:57,960 --> 00:04:00,880 Speaker 1: and she's so beautiful and sweet, and he just so 69 00:04:00,960 --> 00:04:02,560 Speaker 1: I'm going to give him the benefit of the doubt 70 00:04:02,600 --> 00:04:04,560 Speaker 1: on that one, right, I mean, who could resist? Right? 71 00:04:04,640 --> 00:04:06,160 Speaker 1: He just he gave her a little kiss. It was 72 00:04:06,200 --> 00:04:10,560 Speaker 1: probably a little too long, but because it's where we 73 00:04:10,680 --> 00:04:15,000 Speaker 1: buy our food. Still the best line, did the kiss 74 00:04:15,040 --> 00:04:19,120 Speaker 1: happened before you were ready for it? Essentially because the 75 00:04:19,200 --> 00:04:22,839 Speaker 1: kiss surprised me. I was like, it's supposed to And 76 00:04:22,880 --> 00:04:25,000 Speaker 1: I think that's the beauty of the writing it. It 77 00:04:25,360 --> 00:04:28,520 Speaker 1: gives you something when you least expect it. But it 78 00:04:28,560 --> 00:04:31,719 Speaker 1: makes sense. Was ballsy enough to do that kiss? He's 79 00:04:31,760 --> 00:04:33,800 Speaker 1: ballsy enough to say to laure Line might turn now. 80 00:04:34,000 --> 00:04:37,960 Speaker 1: It's it's really yeah. It's like boy, and I started 81 00:04:38,000 --> 00:04:40,760 Speaker 1: thinking right away, this is not the right guy for her? 82 00:04:41,520 --> 00:04:45,159 Speaker 1: Is really yeah, that's like a city kid. That's a 83 00:04:45,240 --> 00:04:52,560 Speaker 1: cocky city kid from Chicago who yeah, right an ill 84 00:04:52,640 --> 00:04:55,400 Speaker 1: three kiss the hole in a quarter and gives her 85 00:04:55,440 --> 00:04:57,600 Speaker 1: a bracelet. You know, you know what I mean. It's like, 86 00:04:57,760 --> 00:05:01,479 Speaker 1: that's different. That's it was a quarter. I'm telling you 87 00:05:01,560 --> 00:05:03,400 Speaker 1: drilled a hole in a quarter anything. I feel like 88 00:05:04,040 --> 00:05:08,560 Speaker 1: Dean is totally the right guy for her for her 89 00:05:08,640 --> 00:05:15,279 Speaker 1: first boyfriend, Like who do you want Tristan? Tristan's a tool, 90 00:05:19,520 --> 00:05:23,920 Speaker 1: you granted, but but there was a reason that Laurel 91 00:05:23,960 --> 00:05:29,039 Speaker 1: I gave him the speech. So she wouldn't have done 92 00:05:29,080 --> 00:05:33,599 Speaker 1: that to a kid who she felt was, um, you know, 93 00:05:33,640 --> 00:05:39,880 Speaker 1: a little more suburban, shall I say, like more stars 94 00:05:39,920 --> 00:05:43,200 Speaker 1: Halloween had been around for her speech, wouldn't have happened. 95 00:05:43,200 --> 00:05:45,200 Speaker 1: That scene wouldn't have happened. That's why she had to 96 00:05:45,200 --> 00:05:47,799 Speaker 1: do it. It's like, and that's why she kept saying, 97 00:05:48,000 --> 00:05:51,840 Speaker 1: she's not getting on your motorcycle. I don't have a motorcycle. 98 00:05:51,960 --> 00:05:56,200 Speaker 1: She's not getting on your motorcycle. Like, do you know what? 99 00:05:56,360 --> 00:05:59,320 Speaker 1: You know what I'm talking about city kid, which means 100 00:05:59,680 --> 00:06:03,279 Speaker 1: you are not going to sleep with my daughter. You're 101 00:06:03,320 --> 00:06:07,440 Speaker 1: not going to knock up my daughter, because that's that's 102 00:06:07,440 --> 00:06:09,599 Speaker 1: what that scene was about. I know what you're about. 103 00:06:10,040 --> 00:06:14,520 Speaker 1: You're sexually aggressive. You kissed my daughter in the marketplace. 104 00:06:15,080 --> 00:06:17,360 Speaker 1: You're you know, a tall drink of water. You get, 105 00:06:17,160 --> 00:06:19,719 Speaker 1: you get women, you women are you know these girls 106 00:06:19,720 --> 00:06:23,000 Speaker 1: are throwing themselves all over you. I've already been through this. 107 00:06:23,360 --> 00:06:25,320 Speaker 1: My daughter is not going I brought her to this 108 00:06:25,360 --> 00:06:27,839 Speaker 1: town to get away from that kind of garbage. You 109 00:06:27,839 --> 00:06:31,400 Speaker 1: know you're not doing Christopher had a motorcycle then, but 110 00:06:31,440 --> 00:06:33,839 Speaker 1: he definitely has a motorcycle later, So she's got a 111 00:06:33,839 --> 00:06:38,200 Speaker 1: whole sense of motorcycles. We got it. You know, remember 112 00:06:38,240 --> 00:06:44,520 Speaker 1: when Suki and Laura Lee or your counter you know, now, 113 00:06:47,120 --> 00:06:54,920 Speaker 1: I mean that was like and what Lauren? Laura Lae 114 00:06:55,880 --> 00:07:02,000 Speaker 1: has that line he looks like Christopher. So she's completely 115 00:07:02,200 --> 00:07:06,080 Speaker 1: in a dither that Rory is going down the same path. 116 00:07:08,040 --> 00:07:11,200 Speaker 1: And that was the look that she gave the two 117 00:07:11,240 --> 00:07:13,440 Speaker 1: of them in the prior episode at the very last 118 00:07:13,440 --> 00:07:17,320 Speaker 1: seemed horror like, that's my life flashing before my eyes. 119 00:07:17,840 --> 00:07:20,640 Speaker 1: I've done that. My daughter is doing it now now 120 00:07:20,640 --> 00:07:23,920 Speaker 1: we now we understand it. The fear like, oh god, 121 00:07:24,000 --> 00:07:26,160 Speaker 1: So let me ask you this. Do you think that's 122 00:07:26,160 --> 00:07:29,560 Speaker 1: why Rory doesn't tell Laura Lie about the kiss for 123 00:07:29,600 --> 00:07:35,480 Speaker 1: so long? Because Laura la isn't reacting normally or or 124 00:07:35,640 --> 00:07:42,400 Speaker 1: favorably about this. Well, I don't know, I mean, she 125 00:07:42,400 --> 00:07:44,520 Speaker 1: she's she's she said she was kind of scared to 126 00:07:44,560 --> 00:07:48,400 Speaker 1: tell her mom right, want to tell her? Well, and 127 00:07:48,400 --> 00:07:51,360 Speaker 1: who wants to tell their mom, even even Rory and 128 00:07:51,440 --> 00:07:54,120 Speaker 1: Laura Lae, who are best friends. Who wants to tell 129 00:07:54,160 --> 00:07:56,880 Speaker 1: their mom's sixteen years old? That big a deal. She's sixteen, 130 00:07:56,920 --> 00:07:59,680 Speaker 1: she got kissed. That's that's that's a that's a big deal. 131 00:08:00,400 --> 00:08:03,280 Speaker 1: Was that a big deal back then? Well? Yeah, I mean, 132 00:08:03,280 --> 00:08:06,280 Speaker 1: but she's the right age, she's not too young. I 133 00:08:06,320 --> 00:08:08,920 Speaker 1: just think, you know, I mean, she called her a 134 00:08:08,960 --> 00:08:11,800 Speaker 1: supermarket slut at the end of that really funny scene 135 00:08:12,160 --> 00:08:14,560 Speaker 1: when they agreed, when she calmed down and said, look, 136 00:08:14,600 --> 00:08:16,200 Speaker 1: he's coming over and this is how we're going to 137 00:08:16,280 --> 00:08:18,560 Speaker 1: do it, and sorry and all that right, right, right, well, 138 00:08:18,560 --> 00:08:20,640 Speaker 1: and then she slipped more back into the lower light. 139 00:08:21,000 --> 00:08:24,680 Speaker 1: We know that Rory knows. It's almost like she's off 140 00:08:24,800 --> 00:08:29,120 Speaker 1: kilter when she's getting weirded out. But I yeah, I 141 00:08:29,160 --> 00:08:32,680 Speaker 1: think she's afraid that it's a reputational thing. It's like, 142 00:08:32,720 --> 00:08:34,840 Speaker 1: I know, my mom is a little kind of a 143 00:08:34,880 --> 00:08:37,760 Speaker 1: wild card sometime. My mom has kind of reputation. My 144 00:08:37,800 --> 00:08:40,280 Speaker 1: mom can act a little crazy. I love my mom 145 00:08:40,360 --> 00:08:43,680 Speaker 1: so much. Rory is much more comfortable with her mom 146 00:08:43,760 --> 00:08:47,920 Speaker 1: flirting she was more comfortable with her flirting with the 147 00:08:48,360 --> 00:08:51,520 Speaker 1: divorced dad at school, and even maxim medina, dare I 148 00:08:51,520 --> 00:08:55,839 Speaker 1: speak his name? She's she's accepted her eccentricity, she's accepted 149 00:08:55,920 --> 00:08:58,760 Speaker 1: that she's she's not like the other moms. But she's 150 00:08:58,800 --> 00:09:02,240 Speaker 1: my mom and I love her and she's terrific. Um 151 00:09:02,480 --> 00:09:05,320 Speaker 1: very special relationship. We didn't even talk about this. How 152 00:09:05,360 --> 00:09:08,240 Speaker 1: about the kiss happens. So she's talking about the corn 153 00:09:08,280 --> 00:09:11,160 Speaker 1: starch and how it's a good thickening material, and then 154 00:09:11,240 --> 00:09:14,400 Speaker 1: he's got the soda or the puff, and the kiss happens. 155 00:09:14,600 --> 00:09:19,400 Speaker 1: She says thank you and runs, runs, runs, runs, almost 156 00:09:19,480 --> 00:09:22,640 Speaker 1: dies getting hit by the car that you knew that 157 00:09:22,720 --> 00:09:26,760 Speaker 1: was coming, runs straight to lane. Thank you. What a line, 158 00:09:27,080 --> 00:09:34,920 Speaker 1: What a great performance. Thank you? And she, you know, 159 00:09:35,160 --> 00:09:40,400 Speaker 1: just just such a vulnerable, sweet innocent girls. I mean, 160 00:09:40,480 --> 00:09:45,040 Speaker 1: but yeah for him, Look it's inappropriate for him. Here, 161 00:09:45,080 --> 00:09:48,760 Speaker 1: I got my my puritanical sites coming out. Um, it's 162 00:09:48,800 --> 00:09:51,520 Speaker 1: like this kid from out of town who works that job, 163 00:09:52,080 --> 00:09:55,959 Speaker 1: go ahead and kisses her in the marketplace at his job. 164 00:09:56,640 --> 00:09:59,080 Speaker 1: And I mean he didn't care. Who could have seen that? 165 00:09:59,200 --> 00:10:02,559 Speaker 1: He just went ahead planned it in all. Wow, that 166 00:10:02,720 --> 00:10:05,679 Speaker 1: didn't think you would have liked it, but puts Rory 167 00:10:05,679 --> 00:10:08,040 Speaker 1: in a tough spot in that town, you know, That's 168 00:10:08,200 --> 00:10:12,040 Speaker 1: that's all. I think it was harmless, but I wouldn't 169 00:10:12,040 --> 00:10:17,439 Speaker 1: think you would like it. Mm hmmm. I'm the dad, right, Luke, 170 00:10:17,559 --> 00:10:20,880 Speaker 1: Let's say, let's no, no, no, this is Luke talking. Now. 171 00:10:21,360 --> 00:10:23,480 Speaker 1: You don't do that. You don't do that to Mike, 172 00:10:23,600 --> 00:10:28,680 Speaker 1: my kid. What would you have said to Dean? I 173 00:10:28,720 --> 00:10:30,360 Speaker 1: don't know if it would have been a much of 174 00:10:30,400 --> 00:10:34,560 Speaker 1: a conversation, to be honest with you. WHOA yea. Even 175 00:10:34,559 --> 00:10:36,920 Speaker 1: though I like him and I like I like Jared, 176 00:10:36,960 --> 00:10:40,280 Speaker 1: and I like his acting very much. The character, let's 177 00:10:40,280 --> 00:10:43,600 Speaker 1: be let's be clear here. It's it's it's the character. 178 00:10:44,520 --> 00:10:46,720 Speaker 1: I think Laurela and I have If we were together 179 00:10:46,760 --> 00:10:48,680 Speaker 1: at that time, I think we would have had some 180 00:10:48,720 --> 00:10:53,320 Speaker 1: real arguments about allowing her to continue to see him. 181 00:10:54,160 --> 00:10:56,200 Speaker 1: He kissed her in the market, that's not what we 182 00:10:56,280 --> 00:10:59,319 Speaker 1: do here. That was inappropriate. And then he and then 183 00:10:59,320 --> 00:11:01,360 Speaker 1: you told me about out the movie night thing, and 184 00:11:01,400 --> 00:11:03,320 Speaker 1: he said, now it's my turn to speak. I would 185 00:11:03,320 --> 00:11:08,000 Speaker 1: have been like, wow, No, he's a combination of sweet 186 00:11:08,720 --> 00:11:14,240 Speaker 1: and and and I think so, yeah, I think so. 187 00:11:16,480 --> 00:11:19,560 Speaker 1: I do love that she ran to lanes and said, 188 00:11:19,640 --> 00:11:24,640 Speaker 1: I got kissed and I shoplifted. Did she steal the 189 00:11:24,640 --> 00:11:26,880 Speaker 1: corn stuff? No, she just didn't. She forgot it was 190 00:11:26,920 --> 00:11:30,240 Speaker 1: in her hand. Yeah, she ran with it. Yeah, I 191 00:11:30,240 --> 00:11:34,760 Speaker 1: mean breaking down Dean is an interesting thing because he 192 00:11:34,920 --> 00:11:38,600 Speaker 1: is wholesome and sweet, and I don't think he's gonna 193 00:11:38,720 --> 00:11:42,560 Speaker 1: hurt her or break her heart. It's an act. Oh, 194 00:11:42,640 --> 00:11:46,079 Speaker 1: it's an act. I think. I don't know. I just 195 00:11:46,400 --> 00:11:50,480 Speaker 1: this brazen now, can I mean compared to Tristan? Yeah, 196 00:11:50,520 --> 00:11:53,439 Speaker 1: but to be but I'm here comes this word again, 197 00:11:53,480 --> 00:11:58,520 Speaker 1: a little manipulative if he's not backing down from Laurela, 198 00:11:59,160 --> 00:12:03,000 Speaker 1: the Mama air who's letting him know, keep it in 199 00:12:03,080 --> 00:12:07,280 Speaker 1: your pants with my daughter, or you're gonna get thrown 200 00:12:07,280 --> 00:12:10,400 Speaker 1: in the lake by the entire town. Watch it, pal, 201 00:12:10,720 --> 00:12:12,760 Speaker 1: you know that kind of thing. Don't mess with my girl. 202 00:12:13,400 --> 00:12:19,600 Speaker 1: And he has enough confidence at eighteen years old to say, uh, 203 00:12:19,760 --> 00:12:22,720 Speaker 1: can I speak now? I mean that's just like that's 204 00:12:22,800 --> 00:12:28,760 Speaker 1: trouble with a capital T. Whoa trouble that was that 205 00:12:29,000 --> 00:12:33,920 Speaker 1: sent out warning warning alarms were going off as soon 206 00:12:33,960 --> 00:12:36,640 Speaker 1: as he said that, I want oh trouble. This is 207 00:12:36,679 --> 00:12:40,320 Speaker 1: bad right because we know that's in there for a reason, 208 00:12:40,559 --> 00:12:45,280 Speaker 1: and so we're supposed to get that he is confident 209 00:12:45,840 --> 00:12:50,920 Speaker 1: with a little bit of too much, too much. But 210 00:12:51,000 --> 00:12:57,840 Speaker 1: I still, you know, I like Dean mm hmm. I 211 00:12:57,880 --> 00:13:00,959 Speaker 1: think you can't be you guys can't see. But Scott's 212 00:13:01,000 --> 00:13:03,120 Speaker 1: face is not saying the same thing that Riley and 213 00:13:03,200 --> 00:13:05,480 Speaker 1: I are saying. Do you think he's sweet? And Scott 214 00:13:05,760 --> 00:13:13,080 Speaker 1: not a suitable boy for Rory? I'm sorry, sorry, Let's 215 00:13:13,080 --> 00:13:15,320 Speaker 1: go backwards for a minute, because there is a scene 216 00:13:15,960 --> 00:13:18,920 Speaker 1: that we have not discussed that I thought was hands 217 00:13:18,960 --> 00:13:22,160 Speaker 1: down the most relatable scene of all time, and it 218 00:13:22,240 --> 00:13:27,760 Speaker 1: is when Laurel is in the refrigerator with everything everywhere, 219 00:13:28,559 --> 00:13:33,200 Speaker 1: and she is on the phone with the refrigerator people. Literally, 220 00:13:34,480 --> 00:13:37,880 Speaker 1: I've never felt larealize so much. When she's like making 221 00:13:37,920 --> 00:13:40,560 Speaker 1: the noise of the refrigerator. Obviously the person on the 222 00:13:40,559 --> 00:13:43,080 Speaker 1: phone can't help her. She's like, can you get me 223 00:13:43,160 --> 00:13:45,679 Speaker 1: someone who can help me? And can you be here 224 00:13:45,720 --> 00:13:48,840 Speaker 1: tomorrow at eight am because I have a job. And 225 00:13:48,880 --> 00:13:52,040 Speaker 1: then she hangs up and they're coming on Monday between 226 00:13:52,280 --> 00:13:55,520 Speaker 1: like literally three and eight. Like that is me with 227 00:13:55,559 --> 00:13:58,439 Speaker 1: the cable people, like when my direct TV goes down, 228 00:13:58,600 --> 00:14:03,280 Speaker 1: and I'm just beside myself. It was so relatable everyone 229 00:14:03,360 --> 00:14:09,240 Speaker 1: has experienced that. I asked myself, how many times has 230 00:14:09,360 --> 00:14:12,920 Speaker 1: that particular company, if their local, been talked to like that? 231 00:14:14,040 --> 00:14:16,520 Speaker 1: You know what I mean? Can you make the noise 232 00:14:16,559 --> 00:14:21,920 Speaker 1: of refrigerators making? How about you? Riley? I can't. I'm 233 00:14:21,920 --> 00:14:23,720 Speaker 1: not good at that. I've tried. I tried last night 234 00:14:23,760 --> 00:14:28,920 Speaker 1: and it was just terrible. I woke up home. Sounds 235 00:14:28,920 --> 00:14:36,320 Speaker 1: like that, sounds like a fly landing on your foot. 236 00:14:37,000 --> 00:14:39,320 Speaker 1: My favorite parts heard telling, asked the other guy. He 237 00:14:39,320 --> 00:14:45,880 Speaker 1: knows how it sounds. The whole thing was so brilliant, 238 00:14:46,160 --> 00:14:50,240 Speaker 1: like literally that was my favorite scene. Yeah, because she 239 00:14:50,320 --> 00:14:54,480 Speaker 1: can't really tell her mom what happened at Dozy's right 240 00:14:54,560 --> 00:14:56,680 Speaker 1: when she's in that right and then she's told, and 241 00:14:56,680 --> 00:14:59,800 Speaker 1: then I think Or's like, oh thank God, like this 242 00:15:00,120 --> 00:15:03,000 Speaker 1: is I'm dodging the bullet because my mom's like literally 243 00:15:03,000 --> 00:15:07,600 Speaker 1: losing her bleep over the broken refrigerator. Can't. Can't like Laurel. 244 00:15:08,000 --> 00:15:10,160 Speaker 1: After Laurel, I says, I hate my life, Like whereas 245 00:15:10,200 --> 00:15:12,480 Speaker 1: going to be like, oh, by the way, by the 246 00:15:12,680 --> 00:15:14,840 Speaker 1: kissed a dude, I just kissed a dude by the 247 00:15:14,920 --> 00:15:20,840 Speaker 1: rats transplant just macked on my face. You know, I 248 00:15:20,880 --> 00:15:24,960 Speaker 1: have a nice day, mom. And then, of course, how 249 00:15:24,960 --> 00:15:30,000 Speaker 1: about later when when Babette it traps Dean like he's 250 00:15:30,080 --> 00:15:31,960 Speaker 1: late for the movie, and then they looked out the 251 00:15:32,000 --> 00:15:36,760 Speaker 1: window and he's totally stuck with more So there's there again. 252 00:15:37,240 --> 00:15:41,560 Speaker 1: There's more warning signs coming from his behavior being trapped 253 00:15:41,560 --> 00:15:43,880 Speaker 1: by by Bett. He didn't look like he was having 254 00:15:43,920 --> 00:15:46,920 Speaker 1: a good time. And when Morey said stay cool, kid, 255 00:15:47,000 --> 00:15:50,520 Speaker 1: he was just like whatever, yeah, because he wasn't. He's 256 00:15:50,560 --> 00:15:53,040 Speaker 1: trapped by adults and he wants to get into the girl, 257 00:15:53,120 --> 00:15:56,600 Speaker 1: so what but be polite about it, be a nice girl. 258 00:15:56,680 --> 00:16:00,440 Speaker 1: Scott trying to remember being a teenager. He's in a 259 00:16:00,480 --> 00:16:04,240 Speaker 1: small town. He's supposed to be a smart city kid, right, 260 00:16:04,760 --> 00:16:06,920 Speaker 1: it's like make friends, go in there and make friends. 261 00:16:07,000 --> 00:16:09,680 Speaker 1: He's trying to make friends, right, He's in that town. 262 00:16:09,720 --> 00:16:12,480 Speaker 1: He's in the school system, and he's like, you know, 263 00:16:13,000 --> 00:16:16,000 Speaker 1: he's treating more and Babette the next beloved next door 264 00:16:16,040 --> 00:16:19,520 Speaker 1: neighbors like there just being a teenager. Stop it. You're 265 00:16:19,520 --> 00:16:22,239 Speaker 1: being so tough on Dean, and Dean's like a little sweetheart. 266 00:16:22,440 --> 00:16:24,640 Speaker 1: You're being so tough on him. He's still a teenager. 267 00:16:24,720 --> 00:16:28,440 Speaker 1: He's trapped by two from Stars Hollow. I run a 268 00:16:28,480 --> 00:16:33,000 Speaker 1: diner there, and people better treat my people. Well. Who 269 00:16:33,000 --> 00:16:40,640 Speaker 1: do you dislike more? Max Medina or Dean Max Medina, both? 270 00:16:40,960 --> 00:16:43,200 Speaker 1: I mean to me, they're both. It's like, it's like 271 00:16:43,360 --> 00:16:48,800 Speaker 1: Max Dean Medina, Max Medina, Dean Dean, Max Dean, Medina, Dean, 272 00:16:49,200 --> 00:16:54,040 Speaker 1: you know what I mean? Medina Dean Madeina Dean. What's 273 00:16:54,040 --> 00:16:57,160 Speaker 1: that tell you? What does that tell you? There is 274 00:16:57,200 --> 00:17:00,000 Speaker 1: a possible mistake in this episode? Was this the episode 275 00:17:00,000 --> 00:17:03,160 Speaker 1: where Dean says he has two sisters and then we 276 00:17:03,240 --> 00:17:05,720 Speaker 1: only meet one, or like for the rest of forever 277 00:17:05,840 --> 00:17:09,800 Speaker 1: he only has one sister? Mm hmm, A little bit 278 00:17:09,840 --> 00:17:12,720 Speaker 1: of a yeah, it's it's minor, but we should point 279 00:17:12,720 --> 00:17:15,560 Speaker 1: it out. So what do you feel about this episode? Overall? 280 00:17:16,200 --> 00:17:21,600 Speaker 1: My overall sense of it was that now I fully 281 00:17:21,760 --> 00:17:26,359 Speaker 1: understand if I hadn't understood before, and I have and 282 00:17:26,480 --> 00:17:31,960 Speaker 1: had why people are so obsessed with this show. Because 283 00:17:32,920 --> 00:17:38,679 Speaker 1: it's laugh out loud funny. It is at like numerous times. 284 00:17:38,680 --> 00:17:43,960 Speaker 1: It's not just once, it's five, ten, fifteen, laugh out loud, 285 00:17:44,480 --> 00:17:49,600 Speaker 1: twenty laugh out loud lines. They just keep coming. And 286 00:17:49,880 --> 00:17:53,600 Speaker 1: that is I really think all the you know that 287 00:17:53,920 --> 00:17:57,120 Speaker 1: that's how life is. I mean, drama can be. I mean, 288 00:17:57,240 --> 00:18:01,040 Speaker 1: it's it's so good at depicting what people go through 289 00:18:01,040 --> 00:18:03,000 Speaker 1: on a daily basis, real people going through on a 290 00:18:03,080 --> 00:18:06,560 Speaker 1: daily basis, and life is funny and it's tragic and 291 00:18:06,680 --> 00:18:09,760 Speaker 1: it's hard, but man, there's always the laughs and people 292 00:18:09,760 --> 00:18:11,800 Speaker 1: are all I mean, that's what we do in here. 293 00:18:11,880 --> 00:18:14,280 Speaker 1: When things get tough, you know, there's always the laughs 294 00:18:14,320 --> 00:18:17,040 Speaker 1: and the laughs are huge, you know, And that's what 295 00:18:17,160 --> 00:18:21,040 Speaker 1: this show is. It's real. Everything has a laugh, Everything 296 00:18:21,119 --> 00:18:24,240 Speaker 1: has a laugh. But they were from the refrigerator scene 297 00:18:24,320 --> 00:18:27,119 Speaker 1: to the kiss to Mrs Kim saying that's where I 298 00:18:27,240 --> 00:18:29,320 Speaker 1: buy my food, like, you can't kiss where I buy 299 00:18:29,320 --> 00:18:34,680 Speaker 1: my food? No, I mean that wasn't. That's why it's 300 00:18:34,680 --> 00:18:37,440 Speaker 1: so funny, because she's right. It's like, do you want 301 00:18:37,440 --> 00:18:39,240 Speaker 1: to go buy ahead of lettuce when you've seen two 302 00:18:39,240 --> 00:18:44,320 Speaker 1: people making out over it? No, you move on, it's 303 00:18:44,359 --> 00:18:51,680 Speaker 1: contaminated at that point. And even the rocking chair how 304 00:18:51,760 --> 00:18:57,320 Speaker 1: it was like bigger, oh yeah, grow And then I 305 00:18:57,400 --> 00:19:01,080 Speaker 1: obviously lauralize, completely stunned to find out that Rory's kissed 306 00:19:01,080 --> 00:19:04,359 Speaker 1: somebody and she leaves without the chair and Mrs Kim's 307 00:19:04,400 --> 00:19:08,679 Speaker 1: like you forgot chairing. I mean, every the whole show. 308 00:19:09,560 --> 00:19:12,280 Speaker 1: Would you consider it a comedy or a drama. It's 309 00:19:12,320 --> 00:19:16,919 Speaker 1: a drama, yeah, because there are times when you laugh 310 00:19:18,040 --> 00:19:21,320 Speaker 1: from a dramatic situation and there are other times in 311 00:19:21,359 --> 00:19:23,560 Speaker 1: the show when you can tell it's just it's a 312 00:19:23,560 --> 00:19:26,880 Speaker 1: funny bit, right, yeah, I mean it's both. They give 313 00:19:26,920 --> 00:19:32,280 Speaker 1: you both. There are there are moments you know that 314 00:19:32,680 --> 00:19:35,640 Speaker 1: some we haven't seen yet, but where we will cry. 315 00:19:35,720 --> 00:19:38,239 Speaker 1: But it's not like a show like Parenthood or This 316 00:19:38,320 --> 00:19:40,800 Speaker 1: is Us where you're just bawling and you have to 317 00:19:40,840 --> 00:19:44,560 Speaker 1: take advil after you watch. It's not there. They're not 318 00:19:44,640 --> 00:19:48,040 Speaker 1: laying it on thick. They're just moving on from it. 319 00:19:48,080 --> 00:19:51,000 Speaker 1: They're touching it. That's the way. I mean. That's the 320 00:19:51,119 --> 00:19:54,320 Speaker 1: lightness of the show. And you know, to get to 321 00:19:54,400 --> 00:19:57,119 Speaker 1: make it too heavy, it's just the wrong. That's not 322 00:19:57,200 --> 00:20:00,040 Speaker 1: the show. Other shows do that very well. This it 323 00:20:00,119 --> 00:20:02,919 Speaker 1: is not the show that does that. It's like the 324 00:20:02,920 --> 00:20:06,040 Speaker 1: heaviest situations are treated the lightest, The lightest situations are 325 00:20:06,040 --> 00:20:09,919 Speaker 1: treated the heaviest. It's it's it's really quite um oh 326 00:20:09,960 --> 00:20:21,160 Speaker 1: and really come on um and oh no, Laurel, I says, 327 00:20:21,640 --> 00:20:25,240 Speaker 1: and the Laurel I sus bout that. Uh after after 328 00:20:26,000 --> 00:20:30,640 Speaker 1: helping Dean escape, what was Bett talking to her about? Well? 329 00:20:30,800 --> 00:20:33,320 Speaker 1: She when Laurel I said to her, yeah, well I 330 00:20:33,320 --> 00:20:35,280 Speaker 1: gotta go now, I gotta I gotta get it inside 331 00:20:35,280 --> 00:20:39,720 Speaker 1: and shower. I guess what was what was? Oh, he's 332 00:20:39,720 --> 00:20:44,840 Speaker 1: a cutie's talking about. Yeah, it's kind of gross. And 333 00:20:45,000 --> 00:20:50,240 Speaker 1: Laurel not gonna get such. That's so good. It's so good. 334 00:20:50,280 --> 00:20:59,040 Speaker 1: I love that Bade. All right, everybody, it's time for 335 00:20:59,080 --> 00:21:02,640 Speaker 1: pop culture. The pretty juicers tell me, and we'll find 336 00:21:02,680 --> 00:21:05,720 Speaker 1: out that they have up their game because they have 337 00:21:05,840 --> 00:21:09,680 Speaker 1: listened to your comments, your brilliant comments about how we 338 00:21:09,720 --> 00:21:13,919 Speaker 1: should restructure pop culture section. So here we go, Riley 339 00:21:14,000 --> 00:21:18,840 Speaker 1: Danielle Amy, Welcome, Hello, Hello, Hello, back. Uh what do 340 00:21:18,920 --> 00:21:20,600 Speaker 1: you got here? I mean, we're flying by the seat 341 00:21:20,600 --> 00:21:22,320 Speaker 1: of our pants. I don't even know. They're just springing 342 00:21:22,359 --> 00:21:24,280 Speaker 1: this on me. We're gonna check it out. We're gonna 343 00:21:24,280 --> 00:21:27,640 Speaker 1: try it. Let's see what happens. Go ahead, Yes, yeah, 344 00:21:27,640 --> 00:21:29,640 Speaker 1: So we have something a little new for you. We've 345 00:21:29,680 --> 00:21:31,399 Speaker 1: we've definitely heard the feedback and we want to make 346 00:21:31,440 --> 00:21:33,639 Speaker 1: it as best as we can for you. So this 347 00:21:33,720 --> 00:21:36,280 Speaker 1: is Riley, and this is Danielle, and these are the 348 00:21:36,280 --> 00:21:43,440 Speaker 1: pop culture references and we're all in. Oh, so let's go. 349 00:21:44,560 --> 00:21:47,280 Speaker 1: So last week we reenact a scene and moral I said, 350 00:21:47,560 --> 00:21:49,560 Speaker 1: I was watching General Hospital the other day, and you know, 351 00:21:49,680 --> 00:21:51,399 Speaker 1: they have a new Lucky because the old Lucky went 352 00:21:51,440 --> 00:21:53,040 Speaker 1: to go play something where he could actually have a 353 00:21:53,040 --> 00:21:57,480 Speaker 1: real name. So there were actually three Luckies. The role 354 00:21:57,520 --> 00:22:01,720 Speaker 1: was originated by Jonathan Jackson, by Jacob Young and Greg Vaughn. 355 00:22:02,240 --> 00:22:04,639 Speaker 1: Jackson returned to the role in two thousand nine and 356 00:22:04,640 --> 00:22:06,920 Speaker 1: then left again in two thousand eleven, with a few 357 00:22:07,000 --> 00:22:11,360 Speaker 1: later appearances in two thousand fifteen and in two thousand ten. 358 00:22:11,480 --> 00:22:14,480 Speaker 1: General Hospital was listed in the Guinness World Records as 359 00:22:14,520 --> 00:22:18,400 Speaker 1: the longest running American soap opera in production. It has 360 00:22:18,440 --> 00:22:22,359 Speaker 1: been on for over fifty eight years. Also, Lucky is 361 00:22:22,359 --> 00:22:25,080 Speaker 1: the son of Luke and Laura. Lucky is kidnapped and 362 00:22:25,119 --> 00:22:30,359 Speaker 1: presumed dead in and returns brainwashed in two thousand and 363 00:22:30,600 --> 00:22:35,000 Speaker 1: In April, it was announced Jonathan Jackson may return for 364 00:22:35,040 --> 00:22:40,240 Speaker 1: another season. No, I know nothing. I know nothing about 365 00:22:40,280 --> 00:22:44,600 Speaker 1: soap operas, but I am intrigued. I am well, it's 366 00:22:44,720 --> 00:22:49,359 Speaker 1: Jack Wagner on General Hospital or was he? He was? 367 00:22:49,560 --> 00:22:53,520 Speaker 1: He was? I think he was John Stamos was Blackie? 368 00:22:53,920 --> 00:22:56,560 Speaker 1: Who was Jack Wagner? Well, who was Jack Wagner? Was? 369 00:22:56,600 --> 00:23:00,480 Speaker 1: He honored Arnold Palmer because he's a hell of a golfer. No, 370 00:23:00,640 --> 00:23:03,720 Speaker 1: but this was when Jack Wagner had his big song. Oh, 371 00:23:04,240 --> 00:23:08,760 Speaker 1: Jack Wagner had a big song. So Jack Wagner is 372 00:23:08,760 --> 00:23:11,600 Speaker 1: the actor who has portrayed Frisco Jones on General Hospital, 373 00:23:11,760 --> 00:23:17,680 Speaker 1: Frisco Jones at the tea teeing off. All right, Next up, 374 00:23:18,000 --> 00:23:20,200 Speaker 1: Lore lies as this to Luke, I'm not gonna lie 375 00:23:20,200 --> 00:23:22,080 Speaker 1: about how good you look dressed as one of those 376 00:23:22,119 --> 00:23:26,920 Speaker 1: guys from the Crucible. The Crystals film written by Arthur Miller, 377 00:23:27,040 --> 00:23:30,520 Speaker 1: inspired by the Salem Witchcraft Trials. The original play was 378 00:23:30,600 --> 00:23:33,560 Speaker 1: often banned in the fifties. It was written during McCarthy 379 00:23:33,640 --> 00:23:36,600 Speaker 1: ism to draw parallels between McCarthy ism and the Salem 380 00:23:36,600 --> 00:23:40,640 Speaker 1: Witchcraft Trials. Daniel A. Lewis and Winona Writer started this film. 381 00:23:40,640 --> 00:23:45,360 Speaker 1: If you didn't know Arthur Miller of the the man 382 00:23:45,440 --> 00:23:50,159 Speaker 1: who married Marilyn Monroe, And maybe I think maybe I 383 00:23:50,200 --> 00:23:52,760 Speaker 1: think she met him through the actor's studio, because she 384 00:23:52,840 --> 00:23:54,600 Speaker 1: entered the actor's student in New York because she was 385 00:23:54,640 --> 00:23:56,920 Speaker 1: actually quite a talented actress and she wanted to study 386 00:23:56,920 --> 00:24:00,919 Speaker 1: with Lee Strassburg, and she got to Hollywood. I think 387 00:24:01,000 --> 00:24:04,400 Speaker 1: she met Arthur Miller through the actor's studio and they 388 00:24:04,640 --> 00:24:08,879 Speaker 1: they hit it off somehow. Um and I got married. 389 00:24:09,160 --> 00:24:11,800 Speaker 1: So Rory says to Lore lies, she lays the line down. 390 00:24:11,880 --> 00:24:14,520 Speaker 1: She says, no James Dean jokes, No father with a 391 00:24:14,560 --> 00:24:18,399 Speaker 1: shotgun stairs, No Nancy Walker impressions. Nancy Walker was an 392 00:24:18,400 --> 00:24:22,840 Speaker 1: American actress and comedian and known as Ida Morgenstern and Rhoda. 393 00:24:23,080 --> 00:24:25,840 Speaker 1: For twenty years, Nancy was Rosie the diner waitress and 394 00:24:25,880 --> 00:24:28,800 Speaker 1: the commercials for the Bounty paper towels Bounty. I think 395 00:24:28,800 --> 00:24:31,960 Speaker 1: Bounty is the quicker pick her upper? Is that true? 396 00:24:32,160 --> 00:24:35,280 Speaker 1: Am I? Is that the matching the right line with 397 00:24:35,320 --> 00:24:37,159 Speaker 1: the right product. I hope, I hope. I'm not going 398 00:24:37,200 --> 00:24:39,639 Speaker 1: to get sued now by somebody who who owns them, 399 00:24:41,800 --> 00:24:45,359 Speaker 1: like another lawsuit. It's all I need. So Rri says, no, 400 00:24:45,640 --> 00:24:48,800 Speaker 1: James Dean jokes. So. James Dean is known for his 401 00:24:48,920 --> 00:24:52,440 Speaker 1: role in Rebel Without a Cause, in he passed away 402 00:24:52,480 --> 00:24:57,200 Speaker 1: in a car crash in but ironically a little fun 403 00:24:57,320 --> 00:25:00,280 Speaker 1: fact he was ticketed by the police two hours before 404 00:25:00,280 --> 00:25:04,000 Speaker 1: he actually crashed. Another fun fact, his two front teeth 405 00:25:04,000 --> 00:25:06,439 Speaker 1: were fake. And this is my favorite reference because he 406 00:25:06,520 --> 00:25:11,920 Speaker 1: was in Taylor Swift's song style you know that lyric Scott. 407 00:25:12,240 --> 00:25:18,280 Speaker 1: I don't know Taylor Swift stuff at all? How dare you? 408 00:25:18,440 --> 00:25:23,840 Speaker 1: I don't. He's got that James Dean day dream looking 409 00:25:24,080 --> 00:25:27,000 Speaker 1: He's I you know, I think the Eagles wrote a 410 00:25:27,040 --> 00:25:32,400 Speaker 1: song about James Dean. It's got James Dean alright. So yeah. 411 00:25:32,480 --> 00:25:34,639 Speaker 1: He was one of those iconic actors, along with Marlon 412 00:25:34,680 --> 00:25:37,440 Speaker 1: Brando and Montgomery Cliff, who came out of the Actors 413 00:25:37,480 --> 00:25:41,280 Speaker 1: Studio in New York and they were all methody guys, 414 00:25:41,359 --> 00:25:46,000 Speaker 1: very petulant, very inner, and very angry, trouble old souls. 415 00:25:46,480 --> 00:25:49,199 Speaker 1: Laurel I says, you can't watch Billy Wonka without massive 416 00:25:49,200 --> 00:25:52,240 Speaker 1: amounts of junk food. So many people know Johnny Depp 417 00:25:52,280 --> 00:25:54,439 Speaker 1: as the way Willie want Gut in the film directed 418 00:25:54,440 --> 00:25:57,399 Speaker 1: by Tim Burton, but the original star Gene Wilder in 419 00:25:57,480 --> 00:26:02,360 Speaker 1: nine Willy Wonka doesn't actually appear until halfway through the film, 420 00:26:02,400 --> 00:26:05,520 Speaker 1: and the Chocolate river was actually made of real chocolate, 421 00:26:05,640 --> 00:26:08,960 Speaker 1: water and cream, so it spoiled fairly quickly and left 422 00:26:08,960 --> 00:26:11,720 Speaker 1: a terrible swill. A third of the stuff in the 423 00:26:11,760 --> 00:26:15,439 Speaker 1: chocolate room was actually edible, and Roald Dahl, author of 424 00:26:15,440 --> 00:26:18,320 Speaker 1: the book, hated the final product, believing it was crummy. 425 00:26:18,880 --> 00:26:21,720 Speaker 1: I have no knowledge of Willie Wonka. I don't even 426 00:26:21,760 --> 00:26:23,520 Speaker 1: think I've seen the movie, but I know that Gene 427 00:26:23,520 --> 00:26:27,600 Speaker 1: Wilder was brilliant and blazing. Saddles to Lorelai, says, I'm 428 00:26:27,600 --> 00:26:29,399 Speaker 1: going to be so cool in there, You're going to 429 00:26:29,520 --> 00:26:32,080 Speaker 1: mistake me for Shaft. So Shaft is a film from 430 00:26:32,880 --> 00:26:36,240 Speaker 1: one starring Richard Rowntree. The movie was remade in ten 431 00:26:36,359 --> 00:26:41,840 Speaker 1: featuring Samuel L. Jackson and the Shafts soundtrack album was 432 00:26:41,920 --> 00:26:45,560 Speaker 1: recorded by Isaac Hayes and Shaft's mustache was a non 433 00:26:45,560 --> 00:26:51,399 Speaker 1: negotiable in the film, Rory says to Lorelai, you're like 434 00:26:51,440 --> 00:26:54,679 Speaker 1: a crazy Elsa Clinch also was actually the host of 435 00:26:54,720 --> 00:26:57,760 Speaker 1: Candm Style with Elsa Clinch. She made an appearance on 436 00:26:57,800 --> 00:27:00,680 Speaker 1: The Bold and Beautiful in n and she still live 437 00:27:00,880 --> 00:27:04,679 Speaker 1: at eighty eight years old. So Babett says this about Dean, Oh, 438 00:27:04,720 --> 00:27:08,400 Speaker 1: he's cute, and that Chuck Heston chin of his So 439 00:27:08,680 --> 00:27:12,200 Speaker 1: check Heston born as John Charles Heston, but famously known 440 00:27:12,240 --> 00:27:17,240 Speaker 1: as Charlton Heston has three different names. I guess um. 441 00:27:17,359 --> 00:27:19,280 Speaker 1: He's famous for Planet of the Apes and Ben her 442 00:27:20,240 --> 00:27:22,720 Speaker 1: and he was the former president of the Screen Actors Guild. 443 00:27:23,119 --> 00:27:25,520 Speaker 1: He wore a hairpiece in every movie since. In nine 444 00:27:25,960 --> 00:27:30,280 Speaker 1: seventy two he played Moses and the Ten didn't. He 445 00:27:30,359 --> 00:27:33,200 Speaker 1: was Moses in the Ten Commandments. That's what he's super 446 00:27:33,240 --> 00:27:36,960 Speaker 1: famous for, right, I know him from Planet of the Apes. 447 00:27:38,200 --> 00:27:40,800 Speaker 1: But okay, so I have a check Heston story. You 448 00:27:40,840 --> 00:27:45,080 Speaker 1: want to hear it? Do we have time? So I'm 449 00:27:45,119 --> 00:27:49,000 Speaker 1: actually flying up to Toronto from l A to shoot 450 00:27:49,119 --> 00:27:52,320 Speaker 1: my scenes in the pilot of Gilmore Girls. And it 451 00:27:52,400 --> 00:27:54,200 Speaker 1: was the first time I was ever in first class 452 00:27:54,280 --> 00:27:57,040 Speaker 1: and Charlton Heston was sitting in the seat in front 453 00:27:57,040 --> 00:27:59,200 Speaker 1: of me, and he could have taken up two seats 454 00:27:59,240 --> 00:28:03,480 Speaker 1: because he's not overweight, but he's just a large, large 455 00:28:04,040 --> 00:28:07,080 Speaker 1: mammal like human being. I mean, he's just a very 456 00:28:07,160 --> 00:28:09,040 Speaker 1: big guy. So when we landed, he got up and 457 00:28:09,119 --> 00:28:10,640 Speaker 1: he has a little back issues, so he's a little 458 00:28:10,680 --> 00:28:13,440 Speaker 1: hunched over. He's still huge, So we were all trying 459 00:28:13,440 --> 00:28:15,440 Speaker 1: to get by him because he was taking so long, 460 00:28:16,400 --> 00:28:17,679 Speaker 1: and he had a lot of things, but we couldn't 461 00:28:17,680 --> 00:28:20,000 Speaker 1: because he's too big. And he led us out of 462 00:28:20,040 --> 00:28:23,160 Speaker 1: the gangway. He led us into these little skinny hallways 463 00:28:24,320 --> 00:28:28,640 Speaker 1: a Toronto International Airport. And some guy turned around and said, 464 00:28:28,680 --> 00:28:31,960 Speaker 1: do you realize that we are being led out of 465 00:28:32,040 --> 00:28:37,760 Speaker 1: bungage bunch on he parts the Red Sea. It's like 466 00:28:37,800 --> 00:28:40,320 Speaker 1: we were extras in the in the in the in 467 00:28:40,400 --> 00:28:43,240 Speaker 1: the modern version of Moses. Anyway, that's my little story. 468 00:28:43,240 --> 00:28:45,720 Speaker 1: Thanks for enjoying it and laughing and paying attention. Thanks. Guy. 469 00:28:47,720 --> 00:28:51,080 Speaker 1: Just because you've heard it before doesn't mean you can't fake. Say, 470 00:28:51,080 --> 00:28:53,720 Speaker 1: there's an acting aspect that you gotta you gotta, you 471 00:28:53,800 --> 00:28:57,400 Speaker 1: gotta pretend like it's the first time. It's the quality 472 00:28:57,400 --> 00:28:59,640 Speaker 1: of the first time. That's the secret acting. Even though 473 00:28:59,680 --> 00:29:01,440 Speaker 1: you've done rehearsed it a million times, you've heard of 474 00:29:01,440 --> 00:29:03,800 Speaker 1: the ball before. It's got to be like, Wow, what 475 00:29:03,880 --> 00:29:10,480 Speaker 1: a great story takes? Would you do? Have a scene? 476 00:29:10,920 --> 00:29:16,600 Speaker 1: And how many I didn't have like a blooper, like 477 00:29:16,680 --> 00:29:22,320 Speaker 1: how many good takes? Yeah? Well, I mean relatively speaking, no, 478 00:29:22,760 --> 00:29:26,680 Speaker 1: if something was out of a line or somebody caught 479 00:29:27,240 --> 00:29:29,240 Speaker 1: a boom mic in the background at the very end, 480 00:29:29,280 --> 00:29:31,760 Speaker 1: they couldn't use it take if it was a master shot, 481 00:29:31,840 --> 00:29:33,360 Speaker 1: you know, so they had to just keep doing and 482 00:29:33,400 --> 00:29:36,000 Speaker 1: doing and doing it. How much would you mess it up? 483 00:29:36,000 --> 00:29:38,719 Speaker 1: How often? Give me a percentage where you just like 484 00:29:38,800 --> 00:29:43,520 Speaker 1: fift your lines. Be honest. I didn't really biff my 485 00:29:43,600 --> 00:29:52,760 Speaker 1: lines after season six, after the show was over, then 486 00:29:52,760 --> 00:29:57,120 Speaker 1: I didn't pick anyone. Yeah, I nailed in those four movies. 487 00:29:57,320 --> 00:30:02,040 Speaker 1: Good job, Scott. I I think the first couple of episodes, 488 00:30:02,080 --> 00:30:05,640 Speaker 1: I think everybody was biffing their lines um, and then 489 00:30:05,680 --> 00:30:07,080 Speaker 1: we just got better at it, We got used to 490 00:30:07,120 --> 00:30:08,720 Speaker 1: it in the short term memories. So it was those 491 00:30:08,760 --> 00:30:12,240 Speaker 1: poor guest actors that just were like sweating story. It's 492 00:30:12,320 --> 00:30:15,440 Speaker 1: asking too much. It's asking a lot, man. I mean, 493 00:30:15,440 --> 00:30:17,320 Speaker 1: they knew the lines. It wasn't a question of them 494 00:30:17,320 --> 00:30:21,120 Speaker 1: not knowing the lines. It's the speed that was required 495 00:30:21,160 --> 00:30:23,120 Speaker 1: that shocked them. And then they couldn't spit it out 496 00:30:23,120 --> 00:30:25,400 Speaker 1: and they just couldn't talk that fast. Trust me. I 497 00:30:25,480 --> 00:30:28,840 Speaker 1: tell Riley and Danielle say it like you're on Gilmore Girls, 498 00:30:28,960 --> 00:30:31,680 Speaker 1: and it feels like it's in slow motion. Listen, no 499 00:30:31,760 --> 00:30:34,240 Speaker 1: matter what you do. And this is a great save, Amy, 500 00:30:34,320 --> 00:30:36,240 Speaker 1: really a great save on your part. But I will 501 00:30:36,240 --> 00:30:38,680 Speaker 1: never forget that you ignored my check Eston story, did 502 00:30:38,680 --> 00:30:41,000 Speaker 1: not respond to it. First of all, you told me 503 00:30:41,040 --> 00:30:45,160 Speaker 1: that story before. It might have been my second time 504 00:30:45,200 --> 00:30:48,240 Speaker 1: hearing I know what's going on you guys just like 505 00:30:48,520 --> 00:30:52,080 Speaker 1: Scott loves Charlton. It's one of the greatest stories in 506 00:30:52,120 --> 00:30:54,440 Speaker 1: my quiver. And you guys were like texting. You weren't 507 00:30:54,480 --> 00:31:04,840 Speaker 1: even we're texting each other going this, we know what 508 00:31:05,040 --> 00:31:10,880 Speaker 1: he was on. The blood is a big I guess 509 00:31:10,880 --> 00:31:12,600 Speaker 1: it's one of those stories where you had to be there. 510 00:31:13,040 --> 00:31:16,719 Speaker 1: All right, all right, Dean says, story. How much does 511 00:31:16,760 --> 00:31:18,880 Speaker 1: it suck that they used Pink Moon in a Volkswagen 512 00:31:18,920 --> 00:31:22,000 Speaker 1: kershial So. Pink Moon is the third and final album 513 00:31:22,040 --> 00:31:25,680 Speaker 1: by the English musician Nick Drake. There's actually no known 514 00:31:25,920 --> 00:31:28,320 Speaker 1: video footage of Drake as an adult. He was only 515 00:31:28,360 --> 00:31:30,880 Speaker 1: ever captured in still photos and in the home videos. 516 00:31:31,320 --> 00:31:33,520 Speaker 1: He actually died in nineteen seventy four at the age 517 00:31:33,520 --> 00:31:37,280 Speaker 1: of twenty six, and the Volkswagen Bug was made famous 518 00:31:37,320 --> 00:31:40,680 Speaker 1: by the film Herbie. I owned a Volkswagen Bug. It 519 00:31:40,800 --> 00:31:45,200 Speaker 1: was the great car. Oh god, back in we had one, 520 00:31:45,240 --> 00:31:49,080 Speaker 1: I think in the seventies. Great car, small but great car. 521 00:31:49,280 --> 00:31:52,440 Speaker 1: Um you know, why does everybody ever a problem with 522 00:31:52,520 --> 00:31:55,800 Speaker 1: musicians making money? I know when I was a kid, Uh, 523 00:31:55,840 --> 00:31:59,880 Speaker 1: you know, somebody sold out to a corporation in their 524 00:32:00,040 --> 00:32:02,680 Speaker 1: music was in a commercial. We you know, we would rebel, 525 00:32:02,960 --> 00:32:05,160 Speaker 1: you know that. But it's just so naive. My god, 526 00:32:05,200 --> 00:32:07,600 Speaker 1: I don't think anyone cares, now, I don't. I think 527 00:32:07,640 --> 00:32:10,520 Speaker 1: it's I think it's considered idiotic if they don't. Swift 528 00:32:10,600 --> 00:32:13,200 Speaker 1: is picking that card again out on the Capitol One ads, 529 00:32:13,200 --> 00:32:16,120 Speaker 1: and I'm yeah, and it's not it's not really selling out. 530 00:32:16,160 --> 00:32:18,080 Speaker 1: It's just like there's no money in music. You can't 531 00:32:18,120 --> 00:32:20,400 Speaker 1: make money selling records and music. Ex that's how we 532 00:32:20,480 --> 00:32:24,440 Speaker 1: learned about a song. Yeah, exactly, now all right the 533 00:32:24,520 --> 00:32:27,480 Speaker 1: last reference, Dean says, So, at what point does the 534 00:32:27,480 --> 00:32:30,320 Speaker 1: outsider get to suggest a movie for for a movie night? 535 00:32:30,800 --> 00:32:32,960 Speaker 1: Rory says that depends what movie are you thinking of? 536 00:32:33,280 --> 00:32:36,440 Speaker 1: Dean says, I don't know, Boogie Nights. Maybe. Rory goes, 537 00:32:36,680 --> 00:32:40,480 Speaker 1: you'll never get a past Laura La because there's like nudity. 538 00:32:40,560 --> 00:32:45,160 Speaker 1: Uh what there's more than nudity. Yeah, can you imagine 539 00:32:45,240 --> 00:32:50,240 Speaker 1: Dean and Rory are watching Boogie Nights with Laura La? Cringe? 540 00:32:50,400 --> 00:32:54,080 Speaker 1: Oh my goodness. I don't know if I'm ever going 541 00:32:54,120 --> 00:32:56,920 Speaker 1: to go on another rant, but if I were to 542 00:32:56,960 --> 00:32:59,680 Speaker 1: go on another rant, like a Scott Collen like rant, 543 00:33:00,240 --> 00:33:02,880 Speaker 1: I might rant it up for Dean and the Boogie Nights. 544 00:33:03,120 --> 00:33:05,600 Speaker 1: You are not team Dean right now, I will say 545 00:33:05,600 --> 00:33:10,120 Speaker 1: that I'm not. I've been very complimentary of Jared and 546 00:33:10,200 --> 00:33:14,600 Speaker 1: his skills as a young actor, but that character Mr 547 00:33:14,760 --> 00:33:18,000 Speaker 1: Chicago sharpie guy kissing in the market and now watching 548 00:33:18,000 --> 00:33:21,000 Speaker 1: Boogie Nights and telling Laurel I, now is it my 549 00:33:21,160 --> 00:33:23,880 Speaker 1: joy to speak? I mean, what, what? What? I still 550 00:33:23,960 --> 00:33:26,520 Speaker 1: think you're going to be fair to Jess because you're 551 00:33:26,560 --> 00:33:30,560 Speaker 1: gonna be Jess biased because he's a relative. So we'll see. 552 00:33:30,560 --> 00:33:33,160 Speaker 1: We'll just wait and see. Because they're Jess had some 553 00:33:34,760 --> 00:33:38,440 Speaker 1: he he wasn't perfect. I'm going to tell you something 554 00:33:38,520 --> 00:33:42,120 Speaker 1: that one of the most famous boxing referees tells his 555 00:33:42,360 --> 00:33:45,520 Speaker 1: world championship contenders when he gets in the ring with him. 556 00:33:45,640 --> 00:33:47,440 Speaker 1: He says, I want you to listen to all my commands. 557 00:33:47,480 --> 00:33:50,040 Speaker 1: I'm firm, but I'm fair. So we need to dive 558 00:33:50,080 --> 00:33:52,920 Speaker 1: into the market mark reference. So market Mark, for those 559 00:33:52,960 --> 00:33:56,560 Speaker 1: that don't know, is Mark Wahlberg. Mark Wahlberg was in 560 00:33:56,560 --> 00:33:59,880 Speaker 1: a hip hop group in nine that was formed called 561 00:33:59,880 --> 00:34:02,640 Speaker 1: The Funky Bunch. He later went on to play Renaissance 562 00:34:02,640 --> 00:34:07,040 Speaker 1: Man and his first starring role in Fear. Random fun 563 00:34:07,080 --> 00:34:10,560 Speaker 1: fact about Mark Wahlberg. He has a third nipple and 564 00:34:10,600 --> 00:34:13,520 Speaker 1: you can actually see that third nipple in Fear. But 565 00:34:13,640 --> 00:34:16,920 Speaker 1: even crazier I've seen it. There is one other celebrity 566 00:34:16,960 --> 00:34:21,520 Speaker 1: that tops in with four nipples. What you say, can 567 00:34:21,560 --> 00:34:24,040 Speaker 1: you guess who it is? What's going on here? What 568 00:34:24,160 --> 00:34:27,399 Speaker 1: celebrity has for nipples? I don't know the answer to this, 569 00:34:27,960 --> 00:34:30,960 Speaker 1: but I've got my Google fingers. Really will never believe it? 570 00:34:31,000 --> 00:34:33,399 Speaker 1: Are you ready give us a hit? Give us a hit? 571 00:34:33,560 --> 00:34:38,400 Speaker 1: Suping guests. Um. He is also a referenced in a 572 00:34:38,440 --> 00:34:47,319 Speaker 1: Taylor Slift song Taylor Lautner drum roll please Harry Styles 573 00:34:47,960 --> 00:34:52,440 Speaker 1: has four nipples? Google it? Oh my god? Really? And 574 00:34:52,480 --> 00:34:55,560 Speaker 1: the last one fact about Mark Wahlberg, Um, he started 575 00:34:55,560 --> 00:35:01,160 Speaker 1: a burger chain called the Wall Burgers with his brothers. Yeah, wow, 576 00:35:01,880 --> 00:35:04,600 Speaker 1: this is worth the Google guys, And we're listening. Where 577 00:35:04,600 --> 00:35:07,680 Speaker 1: are the other two nipples? Kind of below and to 578 00:35:07,800 --> 00:35:13,840 Speaker 1: the sun. And that's it for pop culture references. Vastly improved. 579 00:35:14,239 --> 00:35:16,839 Speaker 1: But we need everyone to email us and let us 580 00:35:16,880 --> 00:35:21,200 Speaker 1: know if we're nailing it now. Yeah, they will. They 581 00:35:21,200 --> 00:35:24,840 Speaker 1: don't need to tell us. They don't need to be prompted. 582 00:35:26,280 --> 00:35:30,239 Speaker 1: It's like a tsunami. Well you're at it, let us 583 00:35:30,280 --> 00:35:35,160 Speaker 1: know everything else, God, but you know we need them. 584 00:35:35,160 --> 00:35:37,839 Speaker 1: We do appreciate it. A few people still say the 585 00:35:37,880 --> 00:35:41,400 Speaker 1: timeline is screwing. Nobody can get the timeline straight. And 586 00:35:41,440 --> 00:35:43,759 Speaker 1: here's what I've come to terms with. It is still 587 00:35:43,760 --> 00:35:47,839 Speaker 1: a TV show, and the timeline is not perfect. There 588 00:35:47,840 --> 00:35:50,040 Speaker 1: are some flaws in the timeline. You're referring to what 589 00:35:51,000 --> 00:35:56,040 Speaker 1: how nobody can quite know what age you met Rory 590 00:35:56,080 --> 00:35:59,799 Speaker 1: and Loralae, because there's another reference where Rory acknowledges she's 591 00:35:59,840 --> 00:36:03,359 Speaker 1: no in you all her life. So I'm going with 592 00:36:03,400 --> 00:36:07,360 Speaker 1: my truth. My truth is my truth, you know. So 593 00:36:08,840 --> 00:36:10,840 Speaker 1: it's gotten me in a lot of trouble, so maybe 594 00:36:10,880 --> 00:36:19,279 Speaker 1: I shouldn't go with ye. I'm so ready with my 595 00:36:19,320 --> 00:36:22,160 Speaker 1: favorite lines. I have so many from this episode. How 596 00:36:23,120 --> 00:36:25,439 Speaker 1: we should I've said them all, but I still think 597 00:36:25,640 --> 00:36:29,080 Speaker 1: I got kissed in shoplifted. And then of course Mrs 598 00:36:29,160 --> 00:36:32,880 Speaker 1: Kim at the grocery store where we buy our food, 599 00:36:34,239 --> 00:36:37,759 Speaker 1: and then the entire refrigerator conversation with the guy on 600 00:36:37,800 --> 00:36:42,480 Speaker 1: the phone is just everything. Um, it's just like, all right, 601 00:36:42,480 --> 00:36:45,680 Speaker 1: who's who's gonna start off? Riley, what's your favorite line 602 00:36:45,719 --> 00:36:48,480 Speaker 1: of the episode. My favorite line is from Laura Lee 603 00:36:48,560 --> 00:36:50,920 Speaker 1: when they're talking about the kiss and they see Dean 604 00:36:50,960 --> 00:36:53,400 Speaker 1: in the grocery store and she said, that must have 605 00:36:53,440 --> 00:37:00,520 Speaker 1: been some backbender, that kiss backbender. Oh my god. I 606 00:37:00,560 --> 00:37:03,800 Speaker 1: think my favorite is I got kissed in I shoplifted 607 00:37:04,160 --> 00:37:07,120 Speaker 1: because it made me laugh so much. But everything Lorelai 608 00:37:07,280 --> 00:37:10,360 Speaker 1: said to the guy the refrigerator repairman on the phone, 609 00:37:10,960 --> 00:37:14,279 Speaker 1: it is I could just listen to it all day. 610 00:37:14,480 --> 00:37:17,719 Speaker 1: So this was tough for me because there was so 611 00:37:17,760 --> 00:37:20,239 Speaker 1: many There's always so many great lines and it's hard 612 00:37:20,320 --> 00:37:23,279 Speaker 1: to just pick one, but you gotta pick one. So 613 00:37:23,480 --> 00:37:31,160 Speaker 1: for me, it was the reference to um Magnolia when 614 00:37:31,600 --> 00:37:34,279 Speaker 1: Rory said, my mother when we when we were in 615 00:37:34,280 --> 00:37:36,640 Speaker 1: the movie theater, my mother was screaming, I want my 616 00:37:36,719 --> 00:37:43,480 Speaker 1: life back three. I mean, it's just it's it's it's 617 00:37:43,520 --> 00:37:47,880 Speaker 1: Amy's way of, you know, slamming what she considers to 618 00:37:47,920 --> 00:37:51,200 Speaker 1: be a pretentious film that it's like, what are you 619 00:37:51,320 --> 00:37:56,719 Speaker 1: doing here? It's like frogs, it's raining frogs. Okay, like, 620 00:37:56,760 --> 00:38:00,920 Speaker 1: what's happening. It's like, somebody, you're trying to entertain me 621 00:38:00,960 --> 00:38:03,840 Speaker 1: with this. I never understood anything of that movie. But 622 00:38:03,880 --> 00:38:06,480 Speaker 1: it's a it's a style of filmmaking. It's a type 623 00:38:06,480 --> 00:38:09,799 Speaker 1: of director, writer, director, and you know, sometimes they get 624 00:38:09,800 --> 00:38:13,879 Speaker 1: it really right and and sometimes you know, it's it's 625 00:38:13,920 --> 00:38:17,960 Speaker 1: a fine line between being profound and pretentious, you know. 626 00:38:18,080 --> 00:38:20,520 Speaker 1: And and I don't know, I like the film, but 627 00:38:20,640 --> 00:38:24,640 Speaker 1: I just thought it was really funny. That's a reference. 628 00:38:26,040 --> 00:38:28,480 Speaker 1: It's like Amy gets to slam the things that she 629 00:38:28,640 --> 00:38:32,399 Speaker 1: finds obnoxious throughout the seven years, and I find those 630 00:38:32,440 --> 00:38:35,120 Speaker 1: really satisfying and very funny. But that that's a funny 631 00:38:35,160 --> 00:38:37,800 Speaker 1: line screaming I want my life back while you're watching. 632 00:38:39,440 --> 00:38:43,399 Speaker 1: It's really funny. Uh So that's mine and I think 633 00:38:43,400 --> 00:38:45,960 Speaker 1: it's the best one. So there you go. Before we 634 00:38:46,000 --> 00:38:48,319 Speaker 1: started talking about love and war and snow because that's 635 00:38:48,400 --> 00:38:52,600 Speaker 1: next week. So Genji Cohen is the writer of Kiss 636 00:38:52,640 --> 00:38:55,719 Speaker 1: and Tell. I never realized, she wrote on Gilmore. She's 637 00:38:55,760 --> 00:38:58,920 Speaker 1: the genius writer of Orange is the New Black and 638 00:38:59,040 --> 00:39:02,560 Speaker 1: Weeds telling you they the talent coming out of the 639 00:39:02,560 --> 00:39:07,120 Speaker 1: writer's room was second to none, you know, they had. 640 00:39:07,960 --> 00:39:11,480 Speaker 1: That's probably why Kiss and Tell was so hilarious also 641 00:39:11,840 --> 00:39:16,520 Speaker 1: because Weeds and Oranges The New Black are comedies, but 642 00:39:16,600 --> 00:39:20,799 Speaker 1: their drama. Yeah, I mean, you've got a murderers row 643 00:39:20,840 --> 00:39:24,960 Speaker 1: of writers on that staff. So it's it's a wow, 644 00:39:25,719 --> 00:39:29,040 Speaker 1: just such enjoyable, so enjoyable. I'm not actually gonna watch 645 00:39:29,040 --> 00:39:32,080 Speaker 1: it today again. I'm gonna watch Kiss and Tell again 646 00:39:32,120 --> 00:39:34,200 Speaker 1: because I enjoyed it so much and now I got 647 00:39:34,680 --> 00:39:36,799 Speaker 1: and I get to rewatch them because I've seen them 648 00:39:36,840 --> 00:39:38,960 Speaker 1: once and now I can, you know, because I'm getting 649 00:39:39,040 --> 00:39:41,600 Speaker 1: so much like a fan, you know what I mean, 650 00:39:41,640 --> 00:39:44,400 Speaker 1: I'm starting to get obsessed. So Kiss and Tell is 651 00:39:44,440 --> 00:39:47,720 Speaker 1: the first episode that Jenji Cohen wrote, and it totally 652 00:39:47,760 --> 00:39:50,840 Speaker 1: makes sense to me because it's filled with humor and 653 00:39:50,880 --> 00:39:53,640 Speaker 1: snark and everything that is her tone. And I think 654 00:39:53,640 --> 00:39:56,640 Speaker 1: that's why, you know, other than when the Paladinos right it, 655 00:39:56,640 --> 00:39:59,440 Speaker 1: It's like, I love the way she writes. Yeah, if 656 00:39:59,480 --> 00:40:01,000 Speaker 1: you get some right years on here, we got we 657 00:40:01,040 --> 00:40:03,600 Speaker 1: have to talk to these writers, definitely, weinitely talk to 658 00:40:03,640 --> 00:40:06,799 Speaker 1: these people. But we have a big surprise coming soon, 659 00:40:07,080 --> 00:40:13,319 Speaker 1: so I don't want to spoil it yet. Be ready, Yeah, 660 00:40:14,040 --> 00:40:18,759 Speaker 1: like in the next couple of weeks. Good job, I 661 00:40:18,800 --> 00:40:20,680 Speaker 1: hope you learned to like Dean a little bit better 662 00:40:20,760 --> 00:40:22,879 Speaker 1: than you do. Right now, it's it's not going well 663 00:40:22,960 --> 00:40:29,000 Speaker 1: for him in Luke's mind. Have a bad feeling. Somebody 664 00:40:29,080 --> 00:40:33,960 Speaker 1: warned us on the Instagram that next week you may 665 00:40:34,719 --> 00:40:37,920 Speaker 1: have a fit because I think there's something coming with Max. 666 00:40:38,120 --> 00:40:41,680 Speaker 1: I'm a little nervous. Dean cooked his own ghosts. He 667 00:40:41,760 --> 00:40:45,640 Speaker 1: kissed her in public, he went toe to toe with Laurel, 668 00:40:46,360 --> 00:40:50,960 Speaker 1: and then he mentioned boogie Nights to Rory. He's a manipulator, 669 00:40:51,040 --> 00:40:54,480 Speaker 1: he's corrupting her. I'm not having it. I'm sorry. I'm 670 00:40:54,520 --> 00:40:57,400 Speaker 1: afraid we may need a therapist next week. What I 671 00:40:57,440 --> 00:41:00,120 Speaker 1: think is it's not about Dean, it's about mat You 672 00:41:00,239 --> 00:41:02,680 Speaker 1: better get those don't get me a therapist, You get 673 00:41:02,680 --> 00:41:08,040 Speaker 1: those two bodyguards. I'm coming out. That's what it's all about. 674 00:41:09,200 --> 00:41:11,080 Speaker 1: I got Jersey coming out of You don't do that. 675 00:41:11,280 --> 00:41:14,799 Speaker 1: You don't do that stuff. You better text text me 676 00:41:14,920 --> 00:41:18,200 Speaker 1: after you watch uh the next episode, so I know 677 00:41:18,360 --> 00:41:22,080 Speaker 1: I can prepare myself to your state of mind. The 678 00:41:22,080 --> 00:41:26,000 Speaker 1: therapy is going to be in the exercise. I get therapist. 679 00:41:26,080 --> 00:42:01,480 Speaker 1: Line one. It's not about bye guys, Hey everybody, and 680 00:42:01,520 --> 00:42:05,000 Speaker 1: don't forget follow us on Instagram at I Am all 681 00:42:05,160 --> 00:42:09,280 Speaker 1: In podcast, and email us at Gilmore at I heart 682 00:42:09,400 --> 00:42:12,359 Speaker 1: radio dot com. Oh you gil More fans. If you're 683 00:42:12,360 --> 00:42:14,200 Speaker 1: looking for the best cup of coffee in the world, 684 00:42:14,239 --> 00:42:18,200 Speaker 1: go to my website from my company scott ep dot com. 685 00:42:18,320 --> 00:42:20,480 Speaker 1: S C O T T y P dot com, scott 686 00:42:20,480 --> 00:42:31,360 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.