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Speaker 1: Look man, oh I see you? Why why look over there?

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Speaker 1: How is that culture? Yes? Goodness, well, Mike, my girl

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Speaker 1: is a little cold, not on even a little cold,

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Speaker 1: not even a little. But that's okay, it's actually not okay,

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Speaker 1: Oh my god. Can we just start with and I

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Speaker 1: don't think so, honey. This isn't my official revolution on

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Speaker 1: the pod? Okay, do you wanta time me? Yes? Okay,

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Speaker 1: But the seconds, in the seconds into the pod, Bowen

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Speaker 1: has to do and we don't know if it is

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Speaker 1: is I don't know, but it might be in it

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Speaker 1: might be and it might be a big day for

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Speaker 1: I don't think so Honey's. So basically, Bowen Yang is

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Speaker 1: maybe one of many. I don't think it's Honey's on

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Speaker 1: this episode. Time starts now. I don't fucking think so Honey.

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Speaker 1: My fucking landlord, I don't know who they are because

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Speaker 1: I only communicate through the fucking broker who showed me

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Speaker 1: this place. I love my apartment, but the heat does

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Speaker 1: not work, has not worked for weeks. The air conditioning

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Speaker 1: did not work for most of the fucking summer. I

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Speaker 1: cannot live in these conditions. This is illegal. I haven't

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Speaker 1: paid rent this month because I'm withholding it until they

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Speaker 1: fix this. I don't know, I'm just freezing. I'm in

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Speaker 1: a terrible mood, like this is just unbearable, and I

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Speaker 1: don't know, like for anyone else who has, like who's

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Speaker 1: going through some like heating issues right now and as

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Speaker 1: we get into the colder months. I'm so sorry. I'm

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Speaker 1: with you. I stand in solidarity with you, sisters. Sisters,

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Speaker 1: I just think, God, this really can funk up your

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Speaker 1: whole day, right if you are not if your feet

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Speaker 1: are cold, well guess what your heart will be too.

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Speaker 1: Really chills you to the damn marrow, to the hearts,

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Speaker 1: to the cardiac muscle. Good luck with your peristalsis, honey,

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Speaker 1: And that's one minute. Loving you was more like living

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Speaker 1: here is cold. Here as a cold. That's what I'm saying, honey,

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Speaker 1: cocoa cold CoA co called or I'm looking at my

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Speaker 1: and here I am sort of card again. I wore

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Speaker 1: to I thought for a second like maybe you would

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Speaker 1: just pop it on, but of course you've already iconically

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Speaker 1: worn't it this week? Girl? I left it at work

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Speaker 1: along with the vinyls that she signed to both of us.

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Speaker 1: I have to tell you, girl, so a d and

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Speaker 1: Bowen texted me a picture of a signed vinyl from

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Speaker 1: Taylor and it says, to Matt, exclamation point love. It

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Speaker 1: looks like the words she spelled as like Taylor. It

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Speaker 1: looks like she spelled Taylor. And I was like, does

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Speaker 1: she know? Well? I can now confirm to the reader

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Speaker 1: that as I was walking down the tunnel too good

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Speaker 1: nights with Taylor, I wore a wonderful CDLP satin like

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Speaker 1: red wine colored pajama shirt, and I wore I wore

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Speaker 1: the red Taylor Swift scarf that is not part of

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Speaker 1: her merch in this Taylor's version cycle. She was like, oh,

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Speaker 1: that's cute. Ha ha ha. I just sang all too well.

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Speaker 1: I really think she because she is because Taylor was

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Speaker 1: in red, has been in red mode this entire weekend

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Speaker 1: by proxy, so have we all. And it has been

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Speaker 1: quite fun. Do you not feel like it's twelve all

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Speaker 1: over again? I said to Miss tree Pain herself, I said,

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Speaker 1: and the best possible her publicist m M Trey Pain.

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Speaker 1: We love Ms Tree, I said, it feels like, in

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Speaker 1: the best way, we're in again. And I longed for

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Speaker 1: the days and I told her I didn't I haven't

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Speaker 1: I haven't. Really, I didn't. I never got to tell

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Speaker 1: this to Taylor, but I was like, that album is

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Speaker 1: my favorite because it came out right as I graduated college.

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Speaker 1: I was, you know, feeling happy, free, confused, and only

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Speaker 1: at the same time magical. Oh yeah, oh yeah. So

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Speaker 1: I think it was a kind of a shock when

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Speaker 1: I put on the Taylor Swift shirt with the card

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Speaker 1: again Folklore card again, and she was like, what is this?

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Speaker 1: Oh my god, this is so disgusting. If me, I'm

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Speaker 1: just you had to have this moment with her, because

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Speaker 1: then we would never would have known. She would have known.

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Speaker 1: But here's how I phrased it here. I was thinking

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Speaker 1: someone must have told her, well, yeah, as like, has

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Speaker 1: someone explained to you what Taylor Swift is yet? Oh

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Speaker 1: my god? She was like, no, what is that? I

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Speaker 1: was like, and then like Jenna Rosatano or perfect stage

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Speaker 1: manager calls us up to screams out us guys, let's

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Speaker 1: go on stage. So we're walking. I was like, it's

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Speaker 1: too dumb, I'll explain to you later. She was like okay,

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Speaker 1: and I was like, no, I'll explain to you. She's like, yeah,

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Speaker 1: explain it to me now, I said, Taylor, I was like,

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Speaker 1: Taylor Swift is this personality, is this persona, and Taylor

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Speaker 1: is the songwriter strumming on the guitar. Taylor is the

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Speaker 1: girl who's stomping down the runway on tour. And she

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Speaker 1: throws her head back and laughs and says, that is

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Speaker 1: so funny and so stupid. Yeah, we won readers, we

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Speaker 1: won the way the readers and Paul wass this and

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Speaker 1: the swift E readers and swift a publics this one.

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Speaker 1: She threw her head back, laughing like a little kid.

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Speaker 1: Oh my god. I think it's strange that she thinks

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Speaker 1: we're funny because she does. And stupid too, stupid too,

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Speaker 1: and she's right and she's right, and you know, like,

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Speaker 1: I mean, what a wonderful thing, what a wonderful what

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Speaker 1: a wonderful moment. I I basically went up to Lauren

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Speaker 1: this week on Saturday before dress rehearsal, just to thank him.

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Speaker 1: I was just like, hey, Lauren, like, thanks so much.

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Speaker 1: I think I will say this. There was a there

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Speaker 1: was an opportunity for me to do something, to do

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Speaker 1: something with her on weekend up date. It didn't work out.

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Speaker 1: It was completely fine. I was not crushed by it

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Speaker 1: at all I was thrilled at the prospect of it,

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Speaker 1: but Lauren was like, oh, it would be fun for

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Speaker 1: Taylor and Bowen to go out there together. Blah blah

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Speaker 1: blah blah blah. It didn't transpire. She had a very

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Speaker 1: busy week. I was sort of, to be honest, relieved.

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Speaker 1: I was like, because I would have just really worked

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Speaker 1: myself up into full many had it happened on a

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Speaker 1: week like this one. And so I basically went up

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Speaker 1: to Lauren's office. I was like, Hey, Lauren, I just

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Speaker 1: wanted to thank you for giving me that opportunity, for

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Speaker 1: like considering that to begin with, and for bringing her on,

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Speaker 1: and you know, she's one of my favorite musicians ever,

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Speaker 1: and I just wanted to thank you. And he was

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Speaker 1: like just very very sweet about it and me and

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Speaker 1: then Lauren and I had a nice moment. Oh and

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Speaker 1: then wait, I can share this, Yes, I can share this.

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Speaker 1: First thing I did. First, I knock on Lauren's door

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Speaker 1: and he goes, you want one of these cookies that

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Speaker 1: Taylor baked for me, and then like walks over to

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Speaker 1: a box gives me this pumpkin spice coconut delicious ginger cookie,

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Speaker 1: so so soft and gooey and um I ate it.

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Speaker 1: Shared a cookie with Lauren in his office, one of

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Speaker 1: that came out of Taylor Swift's own oven ate one

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Speaker 1: of his cookies. We had a lovely little chat. Then

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Speaker 1: we go downstairs to dress rehearsal. I watched all two,

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Speaker 1: all ten minute version live next to Miss Gail King herself. Wow,

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Speaker 1: who was who was in the building? She knew all

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Speaker 1: the new lyrics. She is a swifty, she's a swifty

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Speaker 1: And she and I turned to each other and said,

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Speaker 1: isn't it so great? Isn't such a great expansion of

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Speaker 1: this song that we all, we have all grown so

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Speaker 1: attached to. And then dress happened, and then air happened.

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Speaker 1: The same thing happened. Ryan Reynolds and Miss Blake Lively.

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Speaker 1: Director Blake, we're gonna get into that. We're gonna get

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Speaker 1: getting into that turned to me and said, you know

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Speaker 1: all the words already. The song has been out for

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Speaker 1: one day. You know all the new words. I said,

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Speaker 1: I know all the new words. They don't understand that.

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Speaker 1: They don't understand the deep swift nous, the embracing of

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Speaker 1: the Taylor and the Taylor and the realization that this

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Speaker 1: red re release, and specifically the all too well tim

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Speaker 1: and a version is what you said, which is it

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Speaker 1: is when Taylor meets Taylor at the Max, and that

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Speaker 1: is why it is to be celebrated. So yeah, we

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Speaker 1: got off book on day one, within hours, we got

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Speaker 1: a book day one hours. Sweetie Mama, Blakely Girl across

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Speaker 1: Sweet Lively Girl blasting across the ed Cot Bridge. Oh

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Speaker 1: my god. First of all, I just want to say

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Speaker 1: for anyone that doesn't, that's anyone that's always like, wow,

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Speaker 1: episodes completely devoted to Taylor. We are going to get

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Speaker 1: into other culture. But this it may not be the

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Speaker 1: episode for you, because this is truly Matt and Bowen

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Speaker 1: Taylor's version. Because this, this is what I'm sure everyone thinks. This,

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Speaker 1: The Swifties think this. We're not going to get a

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Speaker 1: moment like this again. No, it's a celebration. I do

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Speaker 1: believe that it is her best album. It is her

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Speaker 1: best well, I mean it is her best album in

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Speaker 1: this Taylor's version sort of you are allowed to have

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Speaker 1: a favorite. You are entitled. Red is, just like I said,

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Speaker 1: a very important album for me. The way that Taylor

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Speaker 1: Swift's music attaches to people, the way that people attached

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Speaker 1: to her music is very contingent on where each person

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Speaker 1: is at in their own lives. Well you, that is true.

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Speaker 1: That is true, and you actually sent me the Pitchfork

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Speaker 1: article today. And by the way pitch Pitchfork upgrades, it's

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Speaker 1: already very positive long review of Read to I believe

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Speaker 1: it's like an eight point five on pitch it's a

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Speaker 1: nine point now. Okay, so perfect, that's now on nine

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Speaker 1: point now. But it says something which I think is correct,

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Speaker 1: which is that Read when it was released was the

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Speaker 1: nexus of her musical career because it it actually sort

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Speaker 1: of it's the bridge. It's it's the bridge. It let

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Speaker 1: everyone know this is the maturation of this type of artist,

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Speaker 1: this like young singer songwriter coming into her own, but

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Speaker 1: it's also letting everyone know of her maximum pop ambitions.

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Speaker 1: And it is the bridge. It is from It truly

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Speaker 1: is the bridge from Taylor to Taylor. And that's just

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Speaker 1: the truth. And that's just this is why it's an

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Speaker 1: important album to discuss. I won't make any apologies to

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Speaker 1: the listener, to the reader. We are unapologetic. We will

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Speaker 1: talk about other culture this episode. I'm sure so much

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Speaker 1: plan yet so much has happened, current events are happening

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Speaker 1: as we speak, but as I will also say, I

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Speaker 1: will also say that Fearless Taylor's version and I'm sure

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Speaker 1: we'll feel this way when if she when if and

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Speaker 1: when she rerecords Taylor Swift the first album and speak now.

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Speaker 1: I was just listening to Enchanted. I was like, I

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Speaker 1: can't wait for the Taylor's version of this huge, huge

190
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Speaker 1: right now and Chanted and then you knew this Enchanted

191
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Speaker 1: exploded on TikTok and now it's like in the top

192
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Speaker 1: fifty extreme songs in the country. It's going to chart again,

193
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Speaker 1: and Chanton is huge right now. It's kind of getting

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Speaker 1: lost in the Red conversation. But in the days prior

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Speaker 1: to the Red re release, Enchanted was blowing up. It

196
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Speaker 1: increased like in like streaming because it got found on

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Speaker 1: TikTok and became like a meme on TikTok. It's why,

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Speaker 1: But continue what you were saying, because did you listen

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Speaker 1: to Fearless Taylor's version and think, oh wow, it's so

200
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Speaker 1: beautiful to hear her sing songs about being fifteen. Is

201
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Speaker 1: this thirty year old or you know, thirty something or

202
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Speaker 1: it's just like her putting these developed vocals onto these

203
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Speaker 1: songs she wrote, you know, thirteen years ago, Like there

204
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Speaker 1: is like that's like part of the layer, It's part

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Speaker 1: of the appeal to why you're listening to this. There

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Speaker 1: is some of that in Red for sure, but for Red,

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Speaker 1: it's like, oh, this is just confirming. It's it's just really, um,

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Speaker 1: I don't know, seeling this idea that this is an

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Speaker 1: incredible album, not that Fearless wasn't, but like there's just

210
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Speaker 1: there's less of that gap between, Like it just shows

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Speaker 1: you like she this was the bridge, this is this

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Speaker 1: is the artist that made her who she is, like

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Speaker 1: who she is, like how we know her today? You know? Yes,

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Speaker 1: I also think that you know and and I don't

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Speaker 1: know if she would agree with me, but this is

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Speaker 1: actually my take. And as I'm listening to the Red

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Speaker 1: re release and I'm enjoying it. Not that I didn't

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Speaker 1: enjoy the Fearless rerelease, I just thought it was like

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Speaker 1: really cute and fun and I'm happy we had it.

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Speaker 1: This is like powerful to me and like actually improved

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Speaker 1: the album. I think when she started this process of

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Speaker 1: re recording everything, it was about ownership absolutely, and it

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Speaker 1: was about getting back her Master's But now I think

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Speaker 1: maybe as she's doing it, she's actually discovering that it's

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Speaker 1: a way too sort of honor all these eras and

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Speaker 1: the fact that her fans grew so much, especially during

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Speaker 1: an album like Red, which was truly a transition. And

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Speaker 1: also the album is so deeply about growing up, and

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Speaker 1: it's so deeply about nostalgia, and it's also you know,

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Speaker 1: it's it's it's little pieces of her. It's almost like

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Speaker 1: in Red she was talking to herself in her past,

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Speaker 1: present and future in a way. And I do think

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Speaker 1: it's made me love the album so much more than

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Speaker 1: I ever did, because I think you didn't. You didn't

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Speaker 1: love it. It's not that I didn't. It's it's not

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Speaker 1: that I didn't love it. It was before my stand hood,

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Speaker 1: my standard, I will say, happened with and that's just

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Speaker 1: that's just them's the facts. But I will say that

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Speaker 1: I always did like Red. I guess I was just

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Speaker 1: at the time Red came out, maybe not developed enough

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Speaker 1: to not see it as confusing. I was like, well,

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Speaker 1: this isn't her identity as an artist, Like what's this?

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Speaker 1: Like what's all this like synth and what's this? You know,

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Speaker 1: like weird employe Sisson. I knew we were troubled with

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Speaker 1: the dub step of it all. I was like, I

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Speaker 1: didn't get it. Now I do, because I think it's

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Speaker 1: exactly what I'm saying, which is it's that next, it's

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Speaker 1: that bridge, it's that Taylor becoming Taylor, but also taking

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Speaker 1: Taylor along with her, which I think at the time

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Speaker 1: sort of through me, and now I can really respect

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Speaker 1: and appreciate. And I also think it's the first time

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Speaker 1: it was a revolution for her lyrically. I mean, all

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Speaker 1: too well, it's just so perfect and we will talk

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Speaker 1: about it as as as its own piece because now

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Speaker 1: we've seen it like in the short film, etcetera. But

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Speaker 1: I just think in terms of Red, so many of

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Speaker 1: the themes of the album itself actually are um congruent

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Speaker 1: with the themes of her doing this process of rerecording,

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Speaker 1: and that's why I think it feels so special and singular,

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Speaker 1: and why I think we're all having so much fun

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Speaker 1: with it. I just I've never loved her as much

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Speaker 1: as I do this week. I'm her. I fucking love her.

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Speaker 1: I mean, I I just all I've listened to all

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Speaker 1: week until literally this afternoon when I watched the Adult

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Speaker 1: special last night, which I would love to touch on. Um.

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Speaker 1: I I was listening to the ten minute All Too Well,

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Speaker 1: and I'm like, this is exactly why I love her.

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Speaker 1: I mean, this is like such a fleshed out, specific

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Speaker 1: circumstance about what was a three month relationship, but that

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Speaker 1: really changed her and I don't I would love to

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Speaker 1: hear what it was like, Um, for you to see

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Speaker 1: the performance live here the song for the first time,

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Speaker 1: and then see the short film and let's let's talk

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Speaker 1: about All Too Well for a second. Um, All too Well.

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Speaker 1: I was listening to it at yeah twelve, I like, like,

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Speaker 1: there's there was some Twitter discussion about how like exactly

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Speaker 1: twelve ten am Eastern time. Everyone was tweeting their responses

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Speaker 1: being like, oh my god, like like literally like clockwork. Um.

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Speaker 1: But I just like probably guessed internally at some of

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Speaker 1: the lyrics, like, I mean, it's so impactful when used

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Speaker 1: to be a little kid with classes in a twin

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Speaker 1: size bit and then just when when she transitions into

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Speaker 1: the new lyrics. Yeah, it's so powerful when you hear

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Speaker 1: that old stuff you've always known and transition, it's like

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Speaker 1: it's like the continuing of a story. It's like a

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Speaker 1: mad lib that was in your heart and mind but

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Speaker 1: never but and then to find out that it actually exists,

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Speaker 1: you're like, oh my god, it's like that flashing out

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Speaker 1: that you didn't know you needed. But it's genius of

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Speaker 1: her not to modulate on like an extra verse and

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Speaker 1: a chorus in a verse in pre chorus, an extra bridge, whatever,

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Speaker 1: it like blending in the new with the old in

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Speaker 1: this perfect checkered way after the first like two minutes,

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Speaker 1: so good, just so just so great. And my favorite

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Speaker 1: new lyric um weirdly mine is um sipping on your

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Speaker 1: coffee like a late night show or something. I just

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Speaker 1: think that's such a that's such a great image, like

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Speaker 1: and then it just kind of it only further confirms

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Speaker 1: this idea that it's an actor, you know, like that

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Speaker 1: it's someone who like is a public figure in a

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Speaker 1: way that would warrant him going on a late night show.

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Speaker 1: I just I just think, just really great. I I

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Speaker 1: kind of do feel like the patriarchy key chain is anachronistic,

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Speaker 1: Like I don't think that was a thing back in

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Speaker 1: two thousand twelve, Like I don't think those were that

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Speaker 1: phrase was on key chains necessarily in a way that

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Speaker 1: would be recognizable in a song lyric of hers. She

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Speaker 1: definitely wasn't saying the A word back then. She was

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Speaker 1: probably maybe she was writing it. I don't maybe, but

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Speaker 1: she is fully fully within her artistic rights or whatever

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Speaker 1: to like throw that in in retrospect retroactively. Um, but

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Speaker 1: I just I don't know that was great. Yeah, I

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Speaker 1: would say. The only lyric that confuses me is the

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Speaker 1: patriarchy key chain. I probably could have done without that,

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Speaker 1: but I would say, and I was never going to

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Speaker 1: tell in jokes, but the punch line goes, I get older,

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Speaker 1: but my age is so her, and like I just

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Speaker 1: the whole thing that like waited for the door and

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Speaker 1: my my my dad watched or you charm my dad. Yes,

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Speaker 1: the late night host and then the door. It's supposed

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Speaker 1: to be fun turning twenty one. It's the whole thing

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Speaker 1: is such a I mean, if you didn't know it

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Speaker 1: was Jake before she and the Jill in Hall of

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Speaker 1: it all is fully confirmed in a way where it's

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Speaker 1: just like, Wow, this guy and this is this is

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Speaker 1: what I was saying as someone who was nineteen dated

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Speaker 1: and dated someone who was thirty. There's a reason why

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Speaker 1: some of those guys do that, and I would say

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Speaker 1: it's because they're not I would I would categorize them

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Speaker 1: as not emotionally mature. This is not to drag anyone

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Speaker 1: out there who's thirty one dating a nineteen year old,

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Speaker 1: but I would tell you to take a good hard

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Speaker 1: look at yourself and think about that person's experience, because

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Speaker 1: I also think that what she has realized now being

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Speaker 1: someone who is that age and she's his age now, Yes,

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Speaker 1: And I think that that actually puts a light bulb

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Speaker 1: on I know it certainly has for me about what

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Speaker 1: it means to date someone at that age and like

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Speaker 1: to put someone through the emotional ringer at that age.

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Speaker 1: And that's why I think she's digging in so hard

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Speaker 1: and not being so in cheek about this, you know

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Speaker 1: what I mean. Like, I think I think part of

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Speaker 1: her is, like if she didn't have like remnants of

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Speaker 1: the heartbreak, I think part of her is a little

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Speaker 1: piste off about the fact that, like, you know, she

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Speaker 1: got put through it by someone who had a lot

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00:18:13,840 --> 00:18:15,840
Speaker 1: of years on her and a lot of power over her.

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Speaker 1: And I think it's kind of you know, vindictive. Taylor

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00:18:19,520 --> 00:18:21,680
Speaker 1: is is something different now than it was then because

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Speaker 1: she is the most powerful person in the music industry.

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Speaker 1: But it's pretty sweet to see it happened because I

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Speaker 1: recognize what she went through, and I didn't go through

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Speaker 1: the same version of it, but I went through a

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Speaker 1: version of it, and I am smiling listening to it.

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Speaker 1: That's what I I kind of has there been discussion

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Speaker 1: around the line I'm a soldier returning half her weight?

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Speaker 1: Is that the way I feel like? I absolutely love

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Speaker 1: that amazing lyric. I feel like that's a reference to

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Speaker 1: Jake Joe and Hall film Brothers. You know, I think

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Speaker 1: that I think she certainly thought of it. Yeah, anyway,

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Speaker 1: that's just that's just my thought. But but but Toby

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Speaker 1: McGuire was was the brother who was the soldier in

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Speaker 1: that movie, and not Jake. Anyway, I think Toby and

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00:19:03,119 --> 00:19:05,920
Speaker 1: Taylor s would have exists in the same I can't explain,

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00:19:06,480 --> 00:19:09,560
Speaker 1: but I I get what you're saying, and I celebrate it.

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Speaker 1: What did you think of the short film? The short film,

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Speaker 1: lovely short film love Taylor in a red Wig feels

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00:19:26,320 --> 00:19:30,040
Speaker 1: very bad blood. I don't know, it feels very feels

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Speaker 1: very much. This is the red era. I love it. Why, Yeah,

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Speaker 1: I love it? And her dp she she she she's

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Speaker 1: gone Na Yang, who's who is very talented. Clearly, I

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00:19:42,560 --> 00:19:45,160
Speaker 1: think you were counting the number of times they yelled

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Speaker 1: fucking at each other and that one scene and it

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Speaker 1: is thirteen. I mean, like it all built to that,

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Speaker 1: because I was like, okay, this must be like a

376
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Speaker 1: dog whistle orneasterg like fucking like they're saying fucking a lot,

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Speaker 1: and it must be thirteen. It must be like building

378
00:19:56,480 --> 00:19:58,440
Speaker 1: up to that. It was very I said to Bowen,

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Speaker 1: and I say this in the best way, and this

380
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Speaker 1: is not a drag, Okay. That long scene of them

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Speaker 1: in the kitchen was very like when you let young

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Speaker 1: actors improvise and there's a lot of fuckings and that's

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Speaker 1: totally fine, and and we love and we love it

384
00:20:13,200 --> 00:20:16,159
Speaker 1: and you know, I'm obsessed. But she wrote it, and

385
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Speaker 1: so therefore I feel like there was some penmanship involved

386
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Speaker 1: in the dialogue. I feel as though there was some

387
00:20:22,880 --> 00:20:25,320
Speaker 1: scripting going on, but the actors were allowed to improvise,

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Speaker 1: which is how you get that many fuckings. And but

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Speaker 1: but I also know it's probably intentional. I don't I

390
00:20:30,840 --> 00:20:33,760
Speaker 1: don't dispute the intentionality of it all. I just I

391
00:20:33,800 --> 00:20:36,879
Speaker 1: think I saw her saying an interview that she watched

392
00:20:36,880 --> 00:20:39,120
Speaker 1: as the actors improvised, and it was like so dead

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Speaker 1: on and she away, I will say, I'm a little

394
00:20:42,240 --> 00:20:44,919
Speaker 1: bit on his side in that scene because she is

395
00:20:44,960 --> 00:20:49,400
Speaker 1: acting crazy, like and I'm like, this is say someone's nineteen,

396
00:20:49,560 --> 00:20:52,000
Speaker 1: no girl, because I'm like, this girl's acting crazy. And

397
00:20:52,040 --> 00:20:54,520
Speaker 1: also Joelan jared that we they came over last night

398
00:20:54,560 --> 00:20:58,399
Speaker 1: for Housewives, l O L the girl. We'll get to it.

399
00:20:58,680 --> 00:21:00,720
Speaker 1: But they also were like, yeah, I didn't want to

400
00:21:00,720 --> 00:21:02,720
Speaker 1: say anything, but I kind of think she's being crazy

401
00:21:02,760 --> 00:21:06,959
Speaker 1: in this scene. Well and that's but he's also a monster.

402
00:21:07,200 --> 00:21:09,560
Speaker 1: Part of me thinks that Taylor is matured enough now

403
00:21:09,640 --> 00:21:13,960
Speaker 1: where she would let like a potentially unflattering I'm sure

404
00:21:14,000 --> 00:21:17,320
Speaker 1: she thought absolutely. I'm sure miss Sadie Sank thought of that,

405
00:21:17,480 --> 00:21:19,919
Speaker 1: like just like like she's like, we're not no one's

406
00:21:19,960 --> 00:21:23,520
Speaker 1: like she like, the girl is not blameless necessarily in

407
00:21:23,560 --> 00:21:26,280
Speaker 1: this I mean she was. She was taking advantage of

408
00:21:26,600 --> 00:21:31,959
Speaker 1: absolutely difference. Yes, and you can't you It's like she

409
00:21:32,160 --> 00:21:34,600
Speaker 1: is nineteen years old. If you put someone in that

410
00:21:34,680 --> 00:21:37,840
Speaker 1: situation and she feels a certain way, she's going to

411
00:21:37,840 --> 00:21:40,160
Speaker 1: to act like she feels a certain way, and then

412
00:21:40,200 --> 00:21:42,000
Speaker 1: I think that that's another thing. I was looking at

413
00:21:42,040 --> 00:21:45,360
Speaker 1: it and I'm like, God, these two people shouldn't be together,

414
00:21:45,800 --> 00:21:47,879
Speaker 1: and that's what that's sort of I mean, And watching

415
00:21:47,880 --> 00:21:51,360
Speaker 1: the video the first time I was watching it, I'm like, yeah,

416
00:21:51,400 --> 00:21:53,359
Speaker 1: I mean, I feel like this is all pretty familiar,

417
00:21:53,480 --> 00:21:55,920
Speaker 1: like and then I realized, like, oh, it's familiar because

418
00:21:55,920 --> 00:21:59,120
Speaker 1: I recognize it deeply. And I think that you know

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00:21:59,280 --> 00:22:02,280
Speaker 1: this story, You've known it for almost ten years. Yes,

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00:22:02,400 --> 00:22:05,240
Speaker 1: And I think that it was actually really kind of great.

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00:22:05,320 --> 00:22:08,520
Speaker 1: I think it's a really good, illustrative music video for

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00:22:08,600 --> 00:22:12,680
Speaker 1: the song. And I I've been actually surprised. I didn't

423
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Speaker 1: think I would listen to the ten minute version exclusively

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Speaker 1: and not the five minute version. Not that I don't

425
00:22:18,160 --> 00:22:21,040
Speaker 1: love the original version, but the ten minute version is

426
00:22:21,080 --> 00:22:23,479
Speaker 1: now my version, that's for sure. I mean, let's just

427
00:22:23,520 --> 00:22:28,919
Speaker 1: acknowledge how high the hype was sort of stacked, you know,

428
00:22:29,000 --> 00:22:30,800
Speaker 1: like built it was like it was, the build up

429
00:22:30,840 --> 00:22:34,320
Speaker 1: to it was so nutt nutty, like of course, she

430
00:22:34,480 --> 00:22:36,600
Speaker 1: she knows that the Swifties are gonna go insane. What

431
00:22:36,720 --> 00:22:39,840
Speaker 1: she announces a ten minute all too well, are you

432
00:22:39,960 --> 00:22:43,399
Speaker 1: kidding me? And then we're all like going crazy in

433
00:22:43,440 --> 00:22:46,240
Speaker 1: the months before it comes out, and then it comes

434
00:22:46,240 --> 00:22:50,800
Speaker 1: out and we're all like, wow, this met Slash exceeded

435
00:22:50,800 --> 00:22:56,200
Speaker 1: the expectations crazy. And then I will say you get

436
00:22:56,240 --> 00:22:59,440
Speaker 1: that many fuckings if you're also like in a David

437
00:22:59,480 --> 00:23:04,600
Speaker 1: Manment way, absolutely yeah, I didn't. I did not. I

438
00:23:04,640 --> 00:23:06,879
Speaker 1: didn't take issue with the fuckings at all. That's what

439
00:23:06,880 --> 00:23:09,200
Speaker 1: people say when they're upset. It's actually really culture number

440
00:23:09,200 --> 00:23:14,680
Speaker 1: fifty fucking fucking people say when they're upset, And that's

441
00:23:14,800 --> 00:23:17,920
Speaker 1: that's going in the book. Here's what I'll say, Um,

442
00:23:18,640 --> 00:23:21,359
Speaker 1: before we move on from the Red Era, because there's

443
00:23:21,359 --> 00:23:24,040
Speaker 1: just so much What book are you talking about? I

444
00:23:24,040 --> 00:23:25,479
Speaker 1: don't even know. I don't know why I said that,

445
00:23:26,440 --> 00:23:28,440
Speaker 1: but before we move on from the Red Era, which

446
00:23:28,640 --> 00:23:30,639
Speaker 1: it's just been. It's been the joy of my life.

447
00:23:31,200 --> 00:23:33,840
Speaker 1: And I know that you had such a positive experience

448
00:23:33,880 --> 00:23:37,840
Speaker 1: with her as performance was amazing, but as an album

449
00:23:37,960 --> 00:23:40,439
Speaker 1: and even with the Vault tracks, I wonder if you

450
00:23:40,520 --> 00:23:43,320
Speaker 1: had to say three or four highlights, what are they?

451
00:23:43,400 --> 00:23:46,639
Speaker 1: What songs are you particularly enjoying in terms of the

452
00:23:46,760 --> 00:23:49,040
Speaker 1: update and what of the new Vault songs are you

453
00:23:49,080 --> 00:23:53,000
Speaker 1: absolutely like putting in the Cannon for favorite tailor songs.

454
00:23:53,280 --> 00:23:54,919
Speaker 1: I mean, I bet you think about me as I

455
00:23:54,920 --> 00:24:00,440
Speaker 1: think in the Cannon, especially with this wonderful visual Chefskiss.

456
00:24:00,480 --> 00:24:03,080
Speaker 1: We'll talk about that. I like Babe. I love that

457
00:24:03,160 --> 00:24:07,560
Speaker 1: there's a promises promises. It feels very three ill wise,

458
00:24:08,119 --> 00:24:11,480
Speaker 1: you know, saying promises quickly twice. Um, it's very free

459
00:24:11,920 --> 00:24:16,400
Speaker 1: and that. Yeah, and then um, Ronan is a song

460
00:24:16,440 --> 00:24:18,800
Speaker 1: that I didn't really didn't like. I was like, oh,

461
00:24:18,840 --> 00:24:20,560
Speaker 1: what a lovely, beautiful song, and I know I know

462
00:24:20,640 --> 00:24:23,240
Speaker 1: the story behind it, but just like I just just

463
00:24:23,280 --> 00:24:26,240
Speaker 1: sonically it sounds so gorgeous. And then um, come back

464
00:24:26,280 --> 00:24:29,199
Speaker 1: be here. Really it's something that never stuck that I

465
00:24:29,280 --> 00:24:32,960
Speaker 1: always like, kind of overlooked during the original release, and

466
00:24:33,000 --> 00:24:36,280
Speaker 1: now I'm just like, what a great song. Absolutely anyway,

467
00:24:36,680 --> 00:24:39,760
Speaker 1: and then obviously, um, nothing new. Phoebe sounds so good

468
00:24:39,760 --> 00:24:41,439
Speaker 1: and I think it's both such as it's such a

469
00:24:41,480 --> 00:24:45,160
Speaker 1: great match for both of them. Yeah, she was very

470
00:24:45,200 --> 00:24:47,800
Speaker 1: she was really smart to to to to collab with her. Yeah,

471
00:24:47,920 --> 00:24:50,040
Speaker 1: I think that that's it's such a great song, and

472
00:24:50,119 --> 00:24:52,119
Speaker 1: I think it's I can understand why she left it

473
00:24:52,160 --> 00:24:53,840
Speaker 1: off the first time, because she probably was afraid to

474
00:24:53,840 --> 00:24:56,280
Speaker 1: put it on because it's so honest, I mean, And

475
00:24:56,359 --> 00:24:59,560
Speaker 1: she did touch on feeling that way about feeling disposable

476
00:24:59,600 --> 00:25:01,640
Speaker 1: as a one in the music industry in the Miss

477
00:25:01,640 --> 00:25:05,800
Speaker 1: Americana documentary, and it's been interesting now to see confirmed

478
00:25:05,800 --> 00:25:07,560
Speaker 1: that this has been something that's been on her mind

479
00:25:07,600 --> 00:25:09,920
Speaker 1: and she has the lyric that's I've had too much

480
00:25:09,920 --> 00:25:12,199
Speaker 1: to drink to note. I know it's like, and I

481
00:25:12,240 --> 00:25:14,200
Speaker 1: know it's sad, this is what I think about, but

482
00:25:14,480 --> 00:25:16,719
Speaker 1: you know, there's a lot of pressure on her and

483
00:25:16,760 --> 00:25:18,960
Speaker 1: so you know, sometimes for her to feel that way

484
00:25:19,000 --> 00:25:21,720
Speaker 1: at twenty two to write the song as a twenty

485
00:25:21,760 --> 00:25:25,639
Speaker 1: two year old crazy dark has nothing to do with

486
00:25:25,680 --> 00:25:29,360
Speaker 1: her and has everything to do with society, you know whatever, obviously,

487
00:25:29,400 --> 00:25:32,600
Speaker 1: but like just just what a yeah, an honest song.

488
00:25:33,440 --> 00:25:37,040
Speaker 1: Nothing's really changed in the way that people feel about

489
00:25:37,080 --> 00:25:39,840
Speaker 1: women in the music industry. I guess for this to

490
00:25:39,880 --> 00:25:44,520
Speaker 1: still be resonant um but really good. Yeah, I would

491
00:25:44,520 --> 00:25:47,679
Speaker 1: say overall my opinions are I mean, message in a

492
00:25:47,680 --> 00:25:49,800
Speaker 1: bottle of such a fun, little snack of a pop song.

493
00:25:49,840 --> 00:25:51,960
Speaker 1: I understand why it didn't make it the first time,

494
00:25:52,000 --> 00:25:53,960
Speaker 1: because I think this was the first song that she

495
00:25:54,040 --> 00:25:56,359
Speaker 1: wrote with Max Martin and Shellback, and I think she

496
00:25:56,400 --> 00:25:59,159
Speaker 1: did improve upon it in terms of the upbeat songs

497
00:25:59,160 --> 00:26:02,000
Speaker 1: on the album that we're on the initial version, I

498
00:26:02,040 --> 00:26:05,480
Speaker 1: will say I think that in the re recordings, I

499
00:26:05,520 --> 00:26:08,080
Speaker 1: think the mid tempo and ballads fair better than the

500
00:26:08,160 --> 00:26:11,119
Speaker 1: up tempo songs. It just seems like maybe that was

501
00:26:11,280 --> 00:26:14,000
Speaker 1: what she was more interested and passionate about this time

502
00:26:14,040 --> 00:26:17,600
Speaker 1: with this album. I I do prefer the original. We

503
00:26:17,640 --> 00:26:20,639
Speaker 1: are never ever getting back together. The we Ese are

504
00:26:20,680 --> 00:26:23,880
Speaker 1: a little much for me on the new release, and

505
00:26:24,520 --> 00:26:28,080
Speaker 1: but there's these songs are still fun twenty two. I mean,

506
00:26:28,440 --> 00:26:31,800
Speaker 1: it's it's so much fun like and I have such

507
00:26:31,840 --> 00:26:34,760
Speaker 1: an appreciation for that as a pure pop song now,

508
00:26:35,200 --> 00:26:38,760
Speaker 1: Like it's just so genius, and that's my favorite up

509
00:26:38,760 --> 00:26:40,919
Speaker 1: tempo on the song, I think in terms of the

510
00:26:40,920 --> 00:26:44,720
Speaker 1: re release and the original now, but I mean, Red

511
00:26:45,200 --> 00:26:48,440
Speaker 1: sounds absolutely beautiful and you so get it, Like there's

512
00:26:48,480 --> 00:26:50,560
Speaker 1: State of Grace and then there's Red and the album

513
00:26:50,560 --> 00:26:55,479
Speaker 1: really begins Red into treacherous. Treacherous is one of her

514
00:26:55,520 --> 00:27:01,320
Speaker 1: top five. Treacherous is it is so fucking good and

515
00:27:01,359 --> 00:27:05,280
Speaker 1: listening to her sing it now gorgeous. I mean, I

516
00:27:05,320 --> 00:27:07,359
Speaker 1: think this this is one of the tracks that is

517
00:27:07,520 --> 00:27:10,800
Speaker 1: I think is better than on the original album. I

518
00:27:11,720 --> 00:27:13,800
Speaker 1: would agree. The production on it, the vocals on it

519
00:27:13,920 --> 00:27:18,080
Speaker 1: all huge improvements, improvements. I got to tell her I

520
00:27:18,119 --> 00:27:21,239
Speaker 1: sent you, I sent you a promo there was there

521
00:27:21,280 --> 00:27:24,400
Speaker 1: was a promo for SNL where I got to um,

522
00:27:24,440 --> 00:27:28,439
Speaker 1: just my me as Bowen as scripted just I just

523
00:27:28,480 --> 00:27:30,879
Speaker 1: like kind of drop a lyrical reference, and everyone's like, Bowen,

524
00:27:30,960 --> 00:27:32,600
Speaker 1: come on, and I'm like, what, I like her music,

525
00:27:32,680 --> 00:27:34,119
Speaker 1: and then she like pats me on the shoulder. And

526
00:27:34,160 --> 00:27:37,439
Speaker 1: then there was one quote unquote very sadie think of

527
00:27:37,520 --> 00:27:40,879
Speaker 1: me improvised the line where I said treacherous is the

528
00:27:40,880 --> 00:27:43,800
Speaker 1: sound of falling in love, and she was like really

529
00:27:43,880 --> 00:27:45,840
Speaker 1: kind of floored by it in the moment. Matt has

530
00:27:45,840 --> 00:27:49,000
Speaker 1: the footage, but I was but she was like, what treacherous.

531
00:27:49,040 --> 00:27:50,840
Speaker 1: That's so nice, And like I was like, I don't

532
00:27:50,840 --> 00:27:53,920
Speaker 1: think people tell her that enough. No, what am I saying?

533
00:27:53,920 --> 00:27:57,040
Speaker 1: I'm saying like maybe maybe that is like an underappreciated

534
00:27:57,240 --> 00:28:00,080
Speaker 1: song of hers that maybe she doesn't. I think it

535
00:28:00,119 --> 00:28:05,480
Speaker 1: is so beautiful. It is the bridge. Nothing safe is

536
00:28:05,480 --> 00:28:08,000
Speaker 1: worth the drive. And I will follow you, follow you

537
00:28:08,080 --> 00:28:10,040
Speaker 1: home to you head like trying to sleep list night

538
00:28:10,080 --> 00:28:12,280
Speaker 1: and I will get you, get you alone. And you

539
00:28:12,320 --> 00:28:15,159
Speaker 1: know what it's funny is it's so obviously about like

540
00:28:15,280 --> 00:28:18,880
Speaker 1: meeting and having that first attraction to Jake Jillan Hall,

541
00:28:19,280 --> 00:28:22,440
Speaker 1: and it applies to anyone. I mean when you know.

542
00:28:22,640 --> 00:28:24,639
Speaker 1: And there's a live performance where she says this one

543
00:28:24,680 --> 00:28:26,760
Speaker 1: of my favorite live performances she's ever done, is it

544
00:28:26,800 --> 00:28:31,520
Speaker 1: was like a red listening party with a bunch of girls. Yeah,

545
00:28:31,640 --> 00:28:34,439
Speaker 1: and she's got her iconic redit like liberal arts college

546
00:28:34,440 --> 00:28:37,080
Speaker 1: hair at the time, and she's like, this is when

547
00:28:37,400 --> 00:28:39,680
Speaker 1: you start to like somebody and you know it's gonna

548
00:28:39,720 --> 00:28:42,880
Speaker 1: annihilate you, but you do it anyway. And I was

549
00:28:42,920 --> 00:28:47,520
Speaker 1: just like, I mean, a h it's it's choosing to

550
00:28:47,640 --> 00:28:51,320
Speaker 1: live life so that you see what happens. And like

551
00:28:51,960 --> 00:28:55,120
Speaker 1: there's also in Treacherous, I mean literally there's so much

552
00:28:55,200 --> 00:28:58,440
Speaker 1: like danger imagery and it's just like you could tell

553
00:28:58,520 --> 00:29:01,920
Speaker 1: she felt so vulnerable, and that is what I love

554
00:29:02,080 --> 00:29:06,920
Speaker 1: about Taylor Swift is the willingness to be vulnerable. And

555
00:29:06,960 --> 00:29:09,520
Speaker 1: then you know later on you see in her life

556
00:29:09,520 --> 00:29:12,080
Speaker 1: when she felt like she really needed to put armor

557
00:29:12,160 --> 00:29:14,959
Speaker 1: on and literally we got reputation, you know, but there

558
00:29:15,000 --> 00:29:18,680
Speaker 1: were still little glimpses of vulnerability like she just has

559
00:29:18,680 --> 00:29:22,280
Speaker 1: she's got. She allows herself to go out and be

560
00:29:22,440 --> 00:29:27,240
Speaker 1: inspired so that she can create work that really, really

561
00:29:27,840 --> 00:29:33,880
Speaker 1: really hits. And Treacherous to me is it's just so boring.

562
00:29:34,240 --> 00:29:38,400
Speaker 1: It's it's so good, and she's also sounds horny as

563
00:29:38,400 --> 00:29:42,160
Speaker 1: hell on it too, and it's also about genuine attraction,

564
00:29:42,520 --> 00:29:45,920
Speaker 1: which I do love. Can you think of a crazier

565
00:29:45,960 --> 00:29:49,400
Speaker 1: opening lyric? Not crazier, but just like horny or opening lyric?

566
00:29:49,480 --> 00:29:52,160
Speaker 1: I should say, then put your lips close to mine?

567
00:29:52,160 --> 00:29:56,520
Speaker 1: As long as edging the Edgers one with that song

568
00:29:56,720 --> 00:29:59,480
Speaker 1: that Edger's actually one, it's actually a rule of culture

569
00:29:59,600 --> 00:30:09,080
Speaker 1: numbers the Edgers. Yeah, um, I would say, Yeah, so treacherous,

570
00:30:09,120 --> 00:30:14,080
Speaker 1: I would say, Ronan God did I cry, Begin again,

571
00:30:15,080 --> 00:30:19,480
Speaker 1: Begin again? Did what it needed to do on this

572
00:30:19,680 --> 00:30:23,200
Speaker 1: new re release and it honestly makes me feel so

573
00:30:23,280 --> 00:30:26,760
Speaker 1: hopeful every single time. Obviously holding down and state of

574
00:30:26,760 --> 00:30:30,840
Speaker 1: grace we stand. And I will close by saying that

575
00:30:31,880 --> 00:30:37,320
Speaker 1: the update of Girl at Home I am in total

576
00:30:37,320 --> 00:30:41,400
Speaker 1: support of. And this is how I know that, Yes,

577
00:30:41,480 --> 00:30:44,360
Speaker 1: it's the ownership that really matters. But I think she

578
00:30:44,480 --> 00:30:46,400
Speaker 1: might have made a more conscious effort to make it

579
00:30:46,440 --> 00:30:48,960
Speaker 1: sound the exact same if she never wanted the original

580
00:30:49,000 --> 00:30:51,920
Speaker 1: listen to. I think this process of re recording is

581
00:30:51,960 --> 00:30:55,480
Speaker 1: becoming something different for her in the beautiful, great way

582
00:30:55,600 --> 00:30:58,960
Speaker 1: and also an ingenious way as the capitalist that she

583
00:30:59,120 --> 00:31:02,640
Speaker 1: is and we know in that third generation banker's daughter Mama,

584
00:31:03,040 --> 00:31:06,080
Speaker 1: she says, I am a brand. I am rereleasing all

585
00:31:06,080 --> 00:31:09,360
Speaker 1: my albums as if they're bigger than ever, new things,

586
00:31:09,480 --> 00:31:12,880
Speaker 1: and I love it. Let us talk about and give

587
00:31:12,920 --> 00:31:16,520
Speaker 1: props to Miss Blake, Miss Blake before you before we

588
00:31:16,520 --> 00:31:19,200
Speaker 1: move on to the to the video of I Bet

589
00:31:19,200 --> 00:31:22,000
Speaker 1: You Think About Me. Just the lyrics, lyrics on Holy Ground,

590
00:31:22,000 --> 00:31:25,040
Speaker 1: I think really hit you, hit you hard again when

591
00:31:25,080 --> 00:31:28,280
Speaker 1: you really sit down and listen to it. I always

592
00:31:28,320 --> 00:31:31,680
Speaker 1: loved the song, but something about again this this this rerelease,

593
00:31:31,680 --> 00:31:35,320
Speaker 1: I'm like, whoa, and like just the concept, I mean,

594
00:31:35,360 --> 00:31:38,040
Speaker 1: don't you isn't this this concept that like it's so obvious,

595
00:31:38,200 --> 00:31:41,480
Speaker 1: but like if you walk by a place, it has

596
00:31:41,520 --> 00:31:45,240
Speaker 1: some like emotional romantic like energy, like like thing for

597
00:31:45,400 --> 00:31:48,840
Speaker 1: history to you so powerful and like the like she's

598
00:31:49,040 --> 00:31:53,280
Speaker 1: this bitch is fucking throwing biblical references in this fucking song,

599
00:31:54,280 --> 00:31:58,040
Speaker 1: Like I I mean, like whatever like whatever your thoughts

600
00:31:58,040 --> 00:32:00,719
Speaker 1: on Christianity are, like, I'm like, okay, is like fucking

601
00:32:00,800 --> 00:32:03,480
Speaker 1: quoting the Bible in this way that doesn't feel forced,

602
00:32:03,880 --> 00:32:06,400
Speaker 1: is just enough so that you understand that. She's like,

603
00:32:06,840 --> 00:32:10,680
Speaker 1: this is a place of biblical that's suffused with biblical

604
00:32:10,840 --> 00:32:14,680
Speaker 1: energy in the Bible of my life, right say that

605
00:32:15,400 --> 00:32:18,320
Speaker 1: it is sacred. And you know, this just recently happened

606
00:32:18,320 --> 00:32:21,080
Speaker 1: to me. I felt very red when when it's when

607
00:32:21,080 --> 00:32:22,920
Speaker 1: we shot Bonobos. It was the first time I had

608
00:32:22,920 --> 00:32:24,920
Speaker 1: come back to New York since before the pandemic, and

609
00:32:24,960 --> 00:32:28,480
Speaker 1: it was and I was walking to the city, specifically

610
00:32:28,520 --> 00:32:30,800
Speaker 1: the East village where we went to school, where I lived,

611
00:32:30,920 --> 00:32:34,920
Speaker 1: where I had so many you know, first kisses and

612
00:32:35,200 --> 00:32:38,560
Speaker 1: how many I cried on course street corners, and you

613
00:32:38,600 --> 00:32:40,720
Speaker 1: know places that I used to go have lunch and

614
00:32:40,760 --> 00:32:43,200
Speaker 1: meet up with friends are now Starbucks, and you know

615
00:32:43,600 --> 00:32:46,680
Speaker 1: times where I was working really hard at school, and

616
00:32:46,760 --> 00:32:50,640
Speaker 1: you know where I apartments that I moved into and

617
00:32:50,680 --> 00:32:54,080
Speaker 1: moved out of and met people. And it's just that

618
00:32:54,320 --> 00:32:57,160
Speaker 1: is a really powerful thing. And I think that a

619
00:32:57,240 --> 00:32:59,880
Speaker 1: song like that really speaks to that, and this whole

620
00:33:00,000 --> 00:33:01,920
Speaker 1: album really speaks to that, because you know what Bowen.

621
00:33:02,280 --> 00:33:04,920
Speaker 1: It's also really important for us because it was a

622
00:33:04,960 --> 00:33:10,320
Speaker 1: really fun transitional time in our lives. It was, you know,

623
00:33:10,840 --> 00:33:13,640
Speaker 1: and we were we were twenty two. We really were

624
00:33:14,080 --> 00:33:17,959
Speaker 1: happy for your confusing lily at the same time in

625
00:33:18,000 --> 00:33:22,840
Speaker 1: the best way, Darling. It was good never looking down

626
00:33:22,880 --> 00:33:26,800
Speaker 1: and right there where we stood was holy ground. Come on,

627
00:33:27,640 --> 00:33:31,760
Speaker 1: fuck you for that. That's girl good Billy Joel said,

628
00:33:31,800 --> 00:33:36,400
Speaker 1: beatles of her time and time. Patty Lapone said, one

629
00:33:36,440 --> 00:33:41,440
Speaker 1: of the best lyricists of our generation. And Patty his

630
00:33:41,520 --> 00:33:47,160
Speaker 1: close girlfriends with Stephen Sondheim close girlfriends close, that's actually

631
00:33:47,200 --> 00:33:56,720
Speaker 1: real culture Number six, Patty close girlfriends so stupid um

632
00:33:56,840 --> 00:34:00,280
Speaker 1: speaking of close girlfriends, Taylor's close girlfriend Blake Lively direct

633
00:34:00,640 --> 00:34:03,240
Speaker 1: video I Bet You Think About Me Again, one of

634
00:34:03,240 --> 00:34:06,600
Speaker 1: the stronger song from the Vault, which I loved. This

635
00:34:06,640 --> 00:34:09,319
Speaker 1: is one of her best music videos. No I said

636
00:34:09,360 --> 00:34:13,239
Speaker 1: to you, I said, wow, this is up there, Yes,

637
00:34:13,360 --> 00:34:17,239
Speaker 1: just like such. And honestly, what I thought about the

638
00:34:17,360 --> 00:34:22,640
Speaker 1: entire time watching it was this direction. Direction, and also

639
00:34:22,719 --> 00:34:27,080
Speaker 1: it's like, you know, we had Miles Teller in it, pedigree,

640
00:34:27,840 --> 00:34:32,160
Speaker 1: we had Lively behind the camera, really good style. I

641
00:34:32,200 --> 00:34:34,600
Speaker 1: thought she had a really good style. It's edited so well,

642
00:34:34,760 --> 00:34:37,919
Speaker 1: great vision. Taylor was obviously having a lot of fun

643
00:34:37,960 --> 00:34:42,560
Speaker 1: in it. Blake should direct more. Blake is a visuals person,

644
00:34:44,239 --> 00:34:46,200
Speaker 1: Like you know, she like picked the office out for

645
00:34:46,200 --> 00:34:49,759
Speaker 1: a simple favor. You know, she like fucking like was

646
00:34:50,040 --> 00:34:55,120
Speaker 1: Serena vander Woodson like the image, Like she like cultivated

647
00:34:55,160 --> 00:35:01,640
Speaker 1: that herself. Like she's incredible, an amazing actress, obviously star actress.

648
00:35:02,680 --> 00:35:06,200
Speaker 1: The first time I saw her, sisterhood directress directress and

649
00:35:06,280 --> 00:35:09,799
Speaker 1: also you know what sisterhood I'll never forget. I was like,

650
00:35:09,840 --> 00:35:12,520
Speaker 1: who is that? I was like, I need to know

651
00:35:12,560 --> 00:35:15,120
Speaker 1: a girl in the world everything, and then the world

652
00:35:15,239 --> 00:35:18,200
Speaker 1: noticed everything. I was just like thinking to myself, I

653
00:35:18,239 --> 00:35:21,520
Speaker 1: was like, how much fun Taylor is having? Like also

654
00:35:21,680 --> 00:35:24,120
Speaker 1: a lot going on in the video set piece wise,

655
00:35:24,239 --> 00:35:28,080
Speaker 1: like tar Angle. You know, this is a really really

656
00:35:28,120 --> 00:35:35,520
Speaker 1: good directorial effort. I say, Bravo, Bravo. I say maybe

657
00:35:35,560 --> 00:35:40,600
Speaker 1: her I would say brav x, I would I would

658
00:35:40,640 --> 00:35:47,839
Speaker 1: say maybe Taylor's best music video since Space. Yeah, let's

659
00:35:47,840 --> 00:35:52,600
Speaker 1: say that, and what not not. This is not the streams.

660
00:35:52,680 --> 00:35:54,960
Speaker 1: I acknowledge the problematic nature of it, but I do

661
00:35:55,040 --> 00:35:57,239
Speaker 1: think it's absolutely beautiful and I emotional every time I

662
00:35:57,239 --> 00:36:00,480
Speaker 1: watch it, I really fucking I just you know what,

663
00:36:00,520 --> 00:36:05,160
Speaker 1: and I'll say I love Harmonica Taylor. And if you

664
00:36:05,200 --> 00:36:07,480
Speaker 1: want to go so far as to say that, as

665
00:36:07,520 --> 00:36:09,799
Speaker 1: we've said, this is Red as the Bridge. If we

666
00:36:09,800 --> 00:36:12,560
Speaker 1: are to believe that she wrote this song for this

667
00:36:12,640 --> 00:36:16,759
Speaker 1: album during her sort of exploratory conceptual process of this,

668
00:36:17,440 --> 00:36:20,160
Speaker 1: if the harmonica was in there originally kind of like

669
00:36:20,239 --> 00:36:23,880
Speaker 1: Foretells Folklore era Taylor, you know, like it is past present, future,

670
00:36:23,920 --> 00:36:27,480
Speaker 1: like this is like the four dimensional snapshot of Taylor

671
00:36:27,520 --> 00:36:29,680
Speaker 1: Swift that we're gonna get, that we have, that we

672
00:36:29,719 --> 00:36:33,759
Speaker 1: will always have. Well, what read the album proves is

673
00:36:33,800 --> 00:36:37,080
Speaker 1: that time and space don't exist, because this album exists

674
00:36:37,120 --> 00:36:40,120
Speaker 1: in a vacuum where she was speaking to all let's

675
00:36:40,160 --> 00:36:44,799
Speaker 1: call it nine dimensions of Taylor, Taylor, Taylor. It was

676
00:36:44,880 --> 00:36:46,880
Speaker 1: just like speaking to everything. It was. It was shooting

677
00:36:46,880 --> 00:36:50,200
Speaker 1: out energy in all directions because you know what, you

678
00:36:50,200 --> 00:36:53,680
Speaker 1: know what she wasn't doing during Fearless Taylor's version in April.

679
00:36:54,160 --> 00:36:56,120
Speaker 1: She was not going on the on the show. She

680
00:36:56,239 --> 00:36:59,279
Speaker 1: was not really doing the songs live, which I'm sure

681
00:36:59,280 --> 00:37:02,560
Speaker 1: doesn't mean that she doesn't love Fearless songs like or

682
00:37:02,600 --> 00:37:04,280
Speaker 1: like you know that time in her in her career,

683
00:37:04,400 --> 00:37:06,919
Speaker 1: in her life. I just think she you can tell

684
00:37:07,080 --> 00:37:10,759
Speaker 1: she fucking loves this album. Yes, she knows, she thinks

685
00:37:10,760 --> 00:37:12,360
Speaker 1: it's one of her best. She knows it's one of

686
00:37:12,360 --> 00:37:15,759
Speaker 1: her best. She I think thinks of this also as

687
00:37:15,800 --> 00:37:19,600
Speaker 1: this sacred time capsule. That's why she's dressing in that

688
00:37:19,680 --> 00:37:22,040
Speaker 1: era again. I'm like, we just in folklore era, like

689
00:37:22,080 --> 00:37:25,760
Speaker 1: a year ago, and it's like and now it feels

690
00:37:25,800 --> 00:37:28,120
Speaker 1: like it doesn't be like a regression. It just feels like, whoa,

691
00:37:28,520 --> 00:37:29,840
Speaker 1: this is such And this is what I said to

692
00:37:29,880 --> 00:37:32,120
Speaker 1: Tree Pain, and I said, I know this is probably

693
00:37:32,120 --> 00:37:33,839
Speaker 1: what you guys thought about all along, but like this

694
00:37:33,960 --> 00:37:39,160
Speaker 1: really is like an intentional, powerful return to that time

695
00:37:39,200 --> 00:37:41,440
Speaker 1: in her life and in our lives, and so therefore

696
00:37:41,480 --> 00:37:46,200
Speaker 1: I feel like I'm twenty two again. Yes, yes, it's

697
00:37:46,280 --> 00:37:48,760
Speaker 1: just it's I don't know. I'm just saying it's crazy.

698
00:37:48,800 --> 00:37:51,160
Speaker 1: It's it's it's a crazy power, and I'm like, I

699
00:37:51,600 --> 00:37:53,080
Speaker 1: kind of like it. I'm kind of scared by it.

700
00:37:53,080 --> 00:37:56,040
Speaker 1: I'm kind of like, whoa, what is It's bizarre, very

701
00:37:56,040 --> 00:38:00,439
Speaker 1: confused and lonely at the same time, and magical. That's

702
00:38:00,440 --> 00:38:03,960
Speaker 1: what it is. Yeah, in the best way, in the

703
00:38:04,080 --> 00:38:08,759
Speaker 1: best way. That's what this is. Taylor. We say brav

704
00:38:09,080 --> 00:38:13,080
Speaker 1: X you X Taylor the title of a title of

705
00:38:13,239 --> 00:38:16,680
Speaker 1: X brov X Taylor brov x Taylor brov X Comma

706
00:38:16,800 --> 00:38:21,279
Speaker 1: Tay Laura exclamation point. That's exactly right, That's exactly right.

707
00:38:21,400 --> 00:38:24,680
Speaker 1: The red was the one time she was Tay Laura,

708
00:38:25,800 --> 00:38:28,840
Speaker 1: Taylor and Taylor everything. And that's that's beautiful, and that's

709
00:38:28,880 --> 00:38:35,920
Speaker 1: that's cultural. Rest You're so a culture baby. And okay,

710
00:38:35,920 --> 00:38:38,560
Speaker 1: so you just we just said the word king and

711
00:38:38,640 --> 00:38:41,840
Speaker 1: in a transition out of this. There's so much to

712
00:38:41,880 --> 00:38:45,359
Speaker 1: talk about, but I have to tell you something, King

713
00:38:46,120 --> 00:38:51,040
Speaker 1: Ego WoT Um was so good in the second season

714
00:38:51,040 --> 00:38:53,880
Speaker 1: of Love Life. I had to text her. I was like, girl,

715
00:38:54,360 --> 00:38:57,120
Speaker 1: I was the way you did that. Did you watch

716
00:38:57,120 --> 00:38:59,799
Speaker 1: the second season of love Life? The readers know that

717
00:39:00,440 --> 00:39:02,000
Speaker 1: if you've been listening for a while, you know I

718
00:39:02,040 --> 00:39:04,440
Speaker 1: loved the first season of Love Life. The second season

719
00:39:04,440 --> 00:39:07,200
Speaker 1: of Love Life with William Jackson Harper and Miss Jessica

720
00:39:07,280 --> 00:39:10,640
Speaker 1: Williams never better. This was great. Did you catch this?

721
00:39:11,120 --> 00:39:13,239
Speaker 1: I have not watched a single episode of Love Life.

722
00:39:13,280 --> 00:39:15,480
Speaker 1: I I'm sure I would love it. This is the

723
00:39:15,520 --> 00:39:18,040
Speaker 1: thing I told I told King this at dinner at

724
00:39:18,080 --> 00:39:21,040
Speaker 1: the after party on Saturday. I said, because someone from

725
00:39:21,040 --> 00:39:23,040
Speaker 1: someone from NBC came over and talked to us and

726
00:39:23,120 --> 00:39:24,200
Speaker 1: was like, oh my god, have you have we all

727
00:39:24,200 --> 00:39:26,719
Speaker 1: seen Ego in Love Life? I go, yes, and I

728
00:39:26,760 --> 00:39:32,360
Speaker 1: go she is the draw for some people, myself specifically,

729
00:39:32,440 --> 00:39:36,680
Speaker 1: because I was not. I watched because of her, and

730
00:39:36,719 --> 00:39:40,440
Speaker 1: I watched the entire thing and was like, oh my God,

731
00:39:41,239 --> 00:39:47,839
Speaker 1: give me this rom calm lead iconography. Absolutely, I mean

732
00:39:47,960 --> 00:39:50,640
Speaker 1: she gave it to you every way she was because

733
00:39:50,760 --> 00:39:53,360
Speaker 1: you know, Ego was giving you ego, but she was

734
00:39:53,400 --> 00:39:55,719
Speaker 1: also giving you shades of ego we haven't seen, which

735
00:39:55,719 --> 00:39:58,479
Speaker 1: I'm always excited when when when the SNL folks get

736
00:39:58,480 --> 00:40:02,560
Speaker 1: this opportunity because they're so talented, and also, Punky Johnson

737
00:40:02,640 --> 00:40:06,520
Speaker 1: is in the show. Punky is so good, fabulous, I

738
00:40:06,560 --> 00:40:11,000
Speaker 1: mean so great, and actually I think I've only had

739
00:40:11,040 --> 00:40:14,239
Speaker 1: the very fleeting pleasure of meeting Punky, but big fan,

740
00:40:15,120 --> 00:40:18,880
Speaker 1: the lot person in the world, the kindest, funniest person,

741
00:40:19,160 --> 00:40:22,200
Speaker 1: so so good, and I will say I'm about to

742
00:40:22,239 --> 00:40:25,200
Speaker 1: give it all the way up to William Jackson Harper,

743
00:40:25,400 --> 00:40:29,440
Speaker 1: who was an amazing lead and let truly, you guys,

744
00:40:30,000 --> 00:40:33,240
Speaker 1: this is my recommendation. This week, watched the second season

745
00:40:33,239 --> 00:40:35,279
Speaker 1: of Love Life. You really don't have to watch the

746
00:40:35,320 --> 00:40:38,239
Speaker 1: first season, but you know, I did enjoy it the

747
00:40:38,280 --> 00:40:41,920
Speaker 1: second season of Love Life. He's so great, so charming,

748
00:40:42,360 --> 00:40:46,040
Speaker 1: so watchable, so hot, like and his chemistry with Jessica

749
00:40:46,120 --> 00:40:49,960
Speaker 1: Williams was amazing and she has never been better. I

750
00:40:50,080 --> 00:40:54,720
Speaker 1: was like, she's a star and just across the board.

751
00:40:54,760 --> 00:40:58,720
Speaker 1: I really enjoyed Love Life, And props to King who

752
00:40:59,040 --> 00:41:01,200
Speaker 1: bodied that fourth episode. And then she comes back and

753
00:41:01,239 --> 00:41:05,040
Speaker 1: at the end of the season, loved it, loved it King.

754
00:41:05,680 --> 00:41:08,319
Speaker 1: I think King is really in her charges ard era,

755
00:41:09,200 --> 00:41:13,399
Speaker 1: like not that she wasn't. This is the thing. King

756
00:41:13,480 --> 00:41:17,320
Speaker 1: is one of those people that has always just sword

757
00:41:17,600 --> 00:41:20,600
Speaker 1: and has always moved through the world with this assured

758
00:41:20,680 --> 00:41:24,280
Speaker 1: nous that she is very good. Yep, she's a superstar.

759
00:41:24,560 --> 00:41:26,920
Speaker 1: She has the X factor. Bab she's a she has

760
00:41:26,960 --> 00:41:29,800
Speaker 1: it And honestly, can I just say I'm a jealous,

761
00:41:30,040 --> 00:41:34,640
Speaker 1: fucking bitch. No, but I see her succeed every time

762
00:41:34,640 --> 00:41:37,880
Speaker 1: on the show and life outside of SNL. I go,

763
00:41:38,400 --> 00:41:41,360
Speaker 1: I'm just so purely happy for you. Oh yeah, she

764
00:41:42,600 --> 00:41:45,040
Speaker 1: happens with a few people. It happens with like you

765
00:41:45,920 --> 00:41:49,040
Speaker 1: and that's it. I'm getting more people than that, but

766
00:41:49,120 --> 00:41:51,520
Speaker 1: like I'm just a king. It was one of those people.

767
00:41:51,640 --> 00:41:54,560
Speaker 1: I'm just like, God, good for you. I'm just so

768
00:41:54,600 --> 00:41:56,440
Speaker 1: happy for you. I was so happy for her, and

769
00:41:56,480 --> 00:41:58,000
Speaker 1: I know there are a lot, there's lots of fans

770
00:41:58,040 --> 00:41:59,279
Speaker 1: of that show. I texted her. I was like, I

771
00:41:59,320 --> 00:42:02,640
Speaker 1: hope you're hearing all the praise because she really deserves it.

772
00:42:02,719 --> 00:42:06,400
Speaker 1: And I can't say enough again. If you remember, if

773
00:42:06,440 --> 00:42:08,880
Speaker 1: if you've been watching, listening to this for a while,

774
00:42:09,000 --> 00:42:10,719
Speaker 1: or reading this podcast for a bit, you remember I

775
00:42:10,760 --> 00:42:13,040
Speaker 1: finished all of Love Life in one night. Same thing

776
00:42:13,040 --> 00:42:16,320
Speaker 1: with the second season. It's real easy. It's half hour episodes,

777
00:42:16,520 --> 00:42:18,520
Speaker 1: it's all They released the whole thing at the same time.

778
00:42:18,960 --> 00:42:21,799
Speaker 1: So it's like which Hbox doesn't always do. But I

779
00:42:21,840 --> 00:42:24,040
Speaker 1: believe they did it this and if they if they didn't,

780
00:42:24,040 --> 00:42:27,200
Speaker 1: it is all out now, so trick it out. Loved

781
00:42:27,719 --> 00:42:40,120
Speaker 1: it now. Did you get to watch the Adel special?

782
00:42:40,320 --> 00:42:43,320
Speaker 1: It was delivering on new Adele music. It was delivering

783
00:42:43,360 --> 00:42:46,080
Speaker 1: on in many ways. We heard, you know, new vocal

784
00:42:46,120 --> 00:42:52,960
Speaker 1: renditions of Taylor and Taylor. We heard Adele vocally sounding

785
00:42:53,080 --> 00:42:56,360
Speaker 1: so good and warm and healthy, singing the old classics

786
00:42:56,400 --> 00:42:59,400
Speaker 1: like you've never heard of before. I don't I don't think, um,

787
00:42:59,840 --> 00:43:02,320
Speaker 1: I don't think that someone like you has ever sounded

788
00:43:02,360 --> 00:43:06,360
Speaker 1: better when we were young. Hello, you know easy on me.

789
00:43:06,400 --> 00:43:08,720
Speaker 1: It's so funny hear or sing it live. But also

790
00:43:08,840 --> 00:43:11,399
Speaker 1: some of the new music that she has coming out.

791
00:43:11,480 --> 00:43:14,759
Speaker 1: She she she sang this one song called hold On,

792
00:43:14,800 --> 00:43:18,120
Speaker 1: which was fantastic, and then she closed with this song

793
00:43:18,200 --> 00:43:20,480
Speaker 1: which is like love is a game or something, and

794
00:43:20,640 --> 00:43:23,759
Speaker 1: it's like she wrote a new classic song. It's the

795
00:43:23,760 --> 00:43:25,879
Speaker 1: only way I can describe it. Like Greta came over

796
00:43:25,920 --> 00:43:28,319
Speaker 1: earlier and we were watching it and I turned to

797
00:43:28,360 --> 00:43:30,480
Speaker 1: her and I was like, this is a song that

798
00:43:30,520 --> 00:43:32,880
Speaker 1: we're gonna be singing for years to come, and it

799
00:43:32,960 --> 00:43:36,360
Speaker 1: just made me so excited. Her interview with Oprah was,

800
00:43:36,400 --> 00:43:39,759
Speaker 1: of course amazing, because Oprah is Oprah, and Oprah was

801
00:43:39,800 --> 00:43:42,080
Speaker 1: of course giving you classic iconic like welcome to My

802
00:43:42,160 --> 00:43:44,920
Speaker 1: Rose Garden vibes. Where I guess she's doing all her

803
00:43:45,000 --> 00:43:47,879
Speaker 1: interviews now, it's it's she has, she goes, she goes.

804
00:43:48,000 --> 00:43:49,520
Speaker 1: I really wanted to bring you back to my Rose

805
00:43:49,560 --> 00:43:52,080
Speaker 1: Garden because look over there, there's my tea house, and

806
00:43:52,120 --> 00:43:55,040
Speaker 1: sure enough, there's an entire house for tea, but it

807
00:43:55,160 --> 00:43:59,480
Speaker 1: was Opra's house, so Adele came over to Oprah's house.

808
00:43:59,480 --> 00:44:03,000
Speaker 1: She wore this sunning white pants suits and in the

809
00:44:03,080 --> 00:44:06,680
Speaker 1: in the in the performance itself, she had this like stunning, stunning,

810
00:44:06,680 --> 00:44:10,360
Speaker 1: She's giving Italian glamor this like black Shipparelli dress, like

811
00:44:10,440 --> 00:44:13,080
Speaker 1: it was just she was so beautiful and it was

812
00:44:13,120 --> 00:44:15,839
Speaker 1: like Griffith Observatory. So that was gorgeous. And I mean

813
00:44:15,920 --> 00:44:19,120
Speaker 1: this the the production design was amazing. She sounded incredible.

814
00:44:19,239 --> 00:44:21,759
Speaker 1: Check it out. It's on Paramount Plus. What I love

815
00:44:21,880 --> 00:44:24,840
Speaker 1: the most was how relaxed and happy she seems and

816
00:44:24,880 --> 00:44:27,439
Speaker 1: how she was like answering every question being like yeah,

817
00:44:27,560 --> 00:44:30,200
Speaker 1: you know, like I think Adele, we always associate with

818
00:44:30,239 --> 00:44:33,960
Speaker 1: like sort of like a frenetic drunk energy, and it

819
00:44:34,040 --> 00:44:36,319
Speaker 1: seems like we're seeing like a more like grown up

820
00:44:36,400 --> 00:44:39,040
Speaker 1: Adele who And you can even tell in her lyrics

821
00:44:39,040 --> 00:44:41,760
Speaker 1: in the way that she delivers it. She's like, look, babe,

822
00:44:41,760 --> 00:44:43,640
Speaker 1: this is music that I love and this is the

823
00:44:43,680 --> 00:44:45,920
Speaker 1: truth and these are my lyrics and this is how

824
00:44:45,920 --> 00:44:50,960
Speaker 1: I've grown up and you're hearing it and she like Taylor, Um.

825
00:44:51,000 --> 00:44:53,520
Speaker 1: I think I love her so much because She's like, Yeah,

826
00:44:53,520 --> 00:44:55,399
Speaker 1: I'm gonna live my life and put it out there,

827
00:44:55,400 --> 00:44:57,759
Speaker 1: and like that's that's that's the way I can like

828
00:44:57,880 --> 00:45:01,759
Speaker 1: interact with um. Everybody really is in the music itself,

829
00:45:02,920 --> 00:45:04,719
Speaker 1: you know, because she'll go away for years and then

830
00:45:04,760 --> 00:45:06,840
Speaker 1: come back. And it just made me so excited for

831
00:45:06,880 --> 00:45:10,120
Speaker 1: Friday to get the new music. But I think you're

832
00:45:10,120 --> 00:45:11,680
Speaker 1: gonna love it. You're gonna love the way you look

833
00:45:11,719 --> 00:45:13,919
Speaker 1: when when you listen to it. I guarantee it. There's

834
00:45:13,960 --> 00:45:16,800
Speaker 1: just a lot of culture happening in these next couple

835
00:45:16,800 --> 00:45:22,120
Speaker 1: of months. We're getting into Oscar season. Great music coming

836
00:45:22,160 --> 00:45:24,600
Speaker 1: out that sort of takes us back in time or

837
00:45:24,640 --> 00:45:28,520
Speaker 1: pushes us forward in time. And then, fucking I'm gonna

838
00:45:28,560 --> 00:45:30,799
Speaker 1: say it, we got a new Pokemon game coming out.

839
00:45:30,960 --> 00:45:35,840
Speaker 1: Hell yeah, talk about the using moment Pokemon. Brilliant Diamond,

840
00:45:35,840 --> 00:45:39,080
Speaker 1: Shining Pearl, that's what it is. It's to we have go.

841
00:45:39,200 --> 00:45:41,680
Speaker 1: We have come far from Blue and Red, We've come

842
00:45:41,680 --> 00:45:43,400
Speaker 1: far from Blue and Well. These are remix of Diamond

843
00:45:43,440 --> 00:45:45,719
Speaker 1: and Pearl that came out in the DS, but this

844
00:45:46,000 --> 00:45:48,760
Speaker 1: in like two thousand six seven. This is a remake

845
00:45:48,800 --> 00:45:51,520
Speaker 1: of Doubt on the Switch. Beautiful new Pokemon to catch

846
00:45:51,600 --> 00:45:54,640
Speaker 1: you can catch your article knows your maltration. They let

847
00:45:54,640 --> 00:45:57,000
Speaker 1: you catch the legendary birds. They can let you catch

848
00:45:57,040 --> 00:45:59,840
Speaker 1: the legendary birds depending on the version you have me,

849
00:46:00,040 --> 00:46:02,480
Speaker 1: you can be caught in this one. If you can

850
00:46:02,520 --> 00:46:05,440
Speaker 1: catch me. You see that that too far from me.

851
00:46:05,680 --> 00:46:08,200
Speaker 1: You might have to download because I know this bitch

852
00:46:08,200 --> 00:46:10,799
Speaker 1: has a switch. You might have to start getting into

853
00:46:10,800 --> 00:46:13,399
Speaker 1: Pokemon again so you and I can battle and trade. Wait,

854
00:46:13,480 --> 00:46:16,000
Speaker 1: I actually would love that. You're probably so much better

855
00:46:16,040 --> 00:46:17,480
Speaker 1: than you have to give me. You have to give

856
00:46:17,480 --> 00:46:19,560
Speaker 1: me a couple of months to get ahead start, I think,

857
00:46:19,640 --> 00:46:22,799
Speaker 1: let me get good again. It's coming out Friday. I'm

858
00:46:22,920 --> 00:46:25,640
Speaker 1: really excited. Okay, wait, if there's a new Pokemon coming out,

859
00:46:25,640 --> 00:46:27,600
Speaker 1: I'm actually excited because I would love to get to

860
00:46:27,640 --> 00:46:30,200
Speaker 1: know the new girls. Because back in the day, back

861
00:46:30,200 --> 00:46:32,120
Speaker 1: in the day when I was start of kicking kicking

862
00:46:32,160 --> 00:46:34,600
Speaker 1: the balls around, there was a hundred fifty one girls,

863
00:46:34,600 --> 00:46:37,200
Speaker 1: and now there's thousands of girls. Now there's almost a thousand.

864
00:46:37,239 --> 00:46:38,840
Speaker 1: But this is that this is going back to generation

865
00:46:38,960 --> 00:46:41,600
Speaker 1: four where they were only maybe and you can that

866
00:46:41,920 --> 00:46:44,520
Speaker 1: you might see some new girls from the future come

867
00:46:44,560 --> 00:46:49,440
Speaker 1: back and travel through time, dear, But it's somewhat manageable,

868
00:46:49,440 --> 00:46:53,200
Speaker 1: and some of the Gen four girls are adorable, powerful iconic.

869
00:46:53,320 --> 00:46:56,359
Speaker 1: There are some icons in the mix, don't get that.

870
00:46:56,560 --> 00:46:59,279
Speaker 1: Let's get that straight. So in terms of so, let's

871
00:46:59,320 --> 00:47:01,880
Speaker 1: say that these those are sort of the new the

872
00:47:01,960 --> 00:47:06,680
Speaker 1: new songs are the old girls still as they say,

873
00:47:07,000 --> 00:47:11,080
Speaker 1: giving it to you carrying like for example, is Squirrel tearing?

874
00:47:11,480 --> 00:47:14,319
Speaker 1: Is Pikachu still tearing? You know what I mean? May

875
00:47:14,360 --> 00:47:17,160
Speaker 1: not you may not see Squirtle, but you will see

876
00:47:17,160 --> 00:47:20,640
Speaker 1: a Pikachu in the wild. Of course, you will see

877
00:47:20,960 --> 00:47:25,680
Speaker 1: the classic girls roll through. Pokemon is you you don't

878
00:47:25,760 --> 00:47:30,560
Speaker 1: understand nostalgia culture as well, but also very forward thinking

879
00:47:30,640 --> 00:47:33,440
Speaker 1: in some ways, but also will remind you why it's

880
00:47:33,640 --> 00:47:36,800
Speaker 1: icon It is it is, Pokemon is is its own diva.

881
00:47:36,960 --> 00:47:39,840
Speaker 1: Pokemon is it is its own and every Pokemon is

882
00:47:39,840 --> 00:47:43,160
Speaker 1: a song. Think of it that way, dear, I really,

883
00:47:43,160 --> 00:47:44,880
Speaker 1: that's That's the way I'm gonna think about it from

884
00:47:44,920 --> 00:47:50,160
Speaker 1: now on. Pokemon is Aretha Franklin and Pikachu is natural woman.

885
00:47:50,320 --> 00:47:54,000
Speaker 1: You know what I mean. Pikachu's natural woman mews rsp

886
00:47:54,160 --> 00:47:58,200
Speaker 1: as respect and that's it. That's all there is to say.

887
00:47:58,800 --> 00:48:04,600
Speaker 1: Ars Art is dreaming and I'm thinking absolutely absolutely, and

888
00:48:04,719 --> 00:48:07,839
Speaker 1: I would say, Diamond, Diamond and Pearl are the young

889
00:48:07,840 --> 00:48:12,520
Speaker 1: gifted in black of her of her repertoire. And I

890
00:48:12,520 --> 00:48:14,560
Speaker 1: would say, you know what I would say, what I

891
00:48:14,600 --> 00:48:19,680
Speaker 1: really would say is that Pigioto is do right woman,

892
00:48:20,440 --> 00:48:23,600
Speaker 1: do right. That's what I would say. That's really what

893
00:48:23,640 --> 00:48:26,719
Speaker 1: I would say at this moment. If you want to

894
00:48:26,719 --> 00:48:33,040
Speaker 1: do right, oh night woman, you gotta be a do

895
00:48:33,560 --> 00:48:39,960
Speaker 1: right Oh that man? Oh come on, Jigglie puff is

896
00:48:40,320 --> 00:48:46,799
Speaker 1: tell me Pine of Fools and cliff Fable is you're

897
00:48:46,840 --> 00:48:53,000
Speaker 1: bad to thank? Think about to try thank thank Come

898
00:48:53,040 --> 00:48:57,480
Speaker 1: on now, products, come on, products PROCs Aretha brov X

899
00:48:57,560 --> 00:49:00,680
Speaker 1: to us all brod X to us all. Now should

900
00:49:00,680 --> 00:49:02,560
Speaker 1: we talk about housewives? Would you want to? Well? I

901
00:49:02,600 --> 00:49:04,719
Speaker 1: did all I've seen from the adult thing are um

902
00:49:05,239 --> 00:49:08,640
Speaker 1: is that video of Oprah and Lazzo dancing to Hello

903
00:49:09,080 --> 00:49:12,400
Speaker 1: in the audience? Yes. So the crowd was almost entirely

904
00:49:12,480 --> 00:49:15,320
Speaker 1: celebrities in Hollywood tips and I was like, truly l

905
00:49:15,360 --> 00:49:17,320
Speaker 1: O L. They cut to the crowd of Leonardo DiCaprio

906
00:49:17,440 --> 00:49:19,960
Speaker 1: was there with his mask like honest train and I'm like,

907
00:49:20,480 --> 00:49:23,359
Speaker 1: we are really exists. I was like, I wonder if

908
00:49:23,400 --> 00:49:25,120
Speaker 1: this is gonna elienate people that are like there was

909
00:49:25,120 --> 00:49:28,480
Speaker 1: an exclusive Adele contentatory. At one point, she goes, I

910
00:49:28,560 --> 00:49:30,880
Speaker 1: only wanted to invite people I really like. And you know,

911
00:49:30,920 --> 00:49:33,320
Speaker 1: some people haven't really made but somebody close friends and

912
00:49:33,400 --> 00:49:35,839
Speaker 1: they cut two and it's like, literally Melissa McCarthy sat

913
00:49:35,920 --> 00:49:38,879
Speaker 1: next to Lizzo. Fucking Aaron Paul is there, rocking back

914
00:49:38,920 --> 00:49:43,520
Speaker 1: and forth doing his thing. Fucking Drake Drake was there, bowen.

915
00:49:43,719 --> 00:49:48,680
Speaker 1: I'm not even getting what kind of was a motley.

916
00:49:49,480 --> 00:49:52,480
Speaker 1: I'm I'm getting Aaron paulkin to someone else anyway. Sorry,

917
00:49:52,520 --> 00:49:55,799
Speaker 1: Aaron Paul Jesse from Breaking Bad, who looks the same.

918
00:49:56,080 --> 00:49:58,439
Speaker 1: He walked right out of the pages of Breaking Bad

919
00:49:58,480 --> 00:50:00,279
Speaker 1: and onto the grip of the Deservatory to watch a

920
00:50:00,360 --> 00:50:03,320
Speaker 1: del sing hello, I missed that one. I missed I

921
00:50:03,360 --> 00:50:05,080
Speaker 1: missed that one too. You know he's you know, you

922
00:50:05,120 --> 00:50:06,719
Speaker 1: can if you want to watch the third season of

923
00:50:06,800 --> 00:50:11,080
Speaker 1: West World. He was the lead. Oh yes, people don't

924
00:50:11,120 --> 00:50:13,839
Speaker 1: know that. People don't know that. People don't talk about

925
00:50:13,880 --> 00:50:17,040
Speaker 1: West Worlds anymore. But it's you know, doing insane work,

926
00:50:17,560 --> 00:50:21,040
Speaker 1: being what it is. I want to say, I'm laughing

927
00:50:21,440 --> 00:50:26,160
Speaker 1: out loud because Jared just sent me a YouTube video

928
00:50:26,520 --> 00:50:29,759
Speaker 1: of Candice on the Kelly Clarkson Show. Have you seen it?

929
00:50:29,800 --> 00:50:31,880
Speaker 1: And are you laughing just because you are laughing at

930
00:50:31,920 --> 00:50:34,880
Speaker 1: the idea of cannadae? No, no, no, I never laughed

931
00:50:34,920 --> 00:50:37,520
Speaker 1: like that because I know I think drive Back is

932
00:50:37,520 --> 00:50:39,360
Speaker 1: about and a half. Well, did you see that she

933
00:50:39,440 --> 00:50:42,040
Speaker 1: posted like an Instagram story of like some party, some

934
00:50:42,239 --> 00:50:45,840
Speaker 1: like mini concerts she did at some club some in

935
00:50:45,960 --> 00:50:49,040
Speaker 1: some city where she like had like just was doing

936
00:50:49,080 --> 00:50:53,279
Speaker 1: her Beyonce like fat to see. I don't know why

937
00:50:53,360 --> 00:51:01,080
Speaker 1: something like that. That's what you it to say. Well,

938
00:51:01,160 --> 00:51:02,879
Speaker 1: she had two backup dancers, as I was gonna say

939
00:51:02,920 --> 00:51:06,440
Speaker 1: her Beyonce fact simile, but that's not necessarily right. But

940
00:51:06,560 --> 00:51:09,000
Speaker 1: she was doing here Beyonce fagotry with two backup dancers

941
00:51:09,040 --> 00:51:12,759
Speaker 1: behind her to drive Back, fucking going off during the

942
00:51:12,800 --> 00:51:14,279
Speaker 1: bridge with the coreo. And I was like, this is

943
00:51:14,440 --> 00:51:18,840
Speaker 1: fucking awesome. We love Candice Canda's performing drive Back on.

944
00:51:19,840 --> 00:51:25,200
Speaker 1: She says, Kelly Coxton show, Oh my god, different key, yeah, yeah,

945
00:51:27,360 --> 00:51:35,080
Speaker 1: oh my god, I'm obsessed. Okay, wait, oh my god,

946
00:51:37,280 --> 00:51:44,919
Speaker 1: she's serving conversation snation. That's not what you want. Don't

947
00:51:44,960 --> 00:51:50,839
Speaker 1: do bad bad there's not play. There is Coreo happening, bitch,

948
00:51:51,080 --> 00:51:54,520
Speaker 1: the sun is so good. We need to get her on. Yeah,

949
00:51:55,880 --> 00:51:58,799
Speaker 1: next thing and no you're grabbing no mater area. Oh

950
00:51:58,960 --> 00:52:01,560
Speaker 1: my god. It New York Comedy Festival. I came out

951
00:52:01,600 --> 00:52:04,000
Speaker 1: to this song and then the song ended and I

952
00:52:04,080 --> 00:52:06,240
Speaker 1: was like, who knows that song? And the crowd roared,

953
00:52:06,480 --> 00:52:08,760
Speaker 1: and I was like, I knew I had my closest

954
00:52:08,760 --> 00:52:11,680
Speaker 1: friends here tonight. I knew my girls came out to Brooklyn.

955
00:52:14,560 --> 00:52:24,400
Speaker 1: Come on, this song is so good. Back make it

956
00:52:24,560 --> 00:52:32,239
Speaker 1: that complain, come back, come back. Oh my god, Wait,

957
00:52:32,760 --> 00:52:33,919
Speaker 1: I just want to hear the end of the course,

958
00:52:35,360 --> 00:52:42,359
Speaker 1: even when I can, even when I can. Okay, I'm

959
00:52:42,400 --> 00:52:43,920
Speaker 1: not gonna make everyone listen to the whole thing, but

960
00:52:44,000 --> 00:52:47,320
Speaker 1: I'm just saying, Candice fucking bodied the Kelly Clarkson Show. Okay,

961
00:52:48,239 --> 00:52:51,200
Speaker 1: you're you and this word body today, I bodied it

962
00:52:52,640 --> 00:52:56,719
Speaker 1: it um. Andy Cohen was at the show and I

963
00:52:56,880 --> 00:53:00,120
Speaker 1: was I was like, I love that he is that

964
00:53:00,280 --> 00:53:03,719
Speaker 1: SNL and anyway, that's all I wanted. Was he standing?

965
00:53:04,239 --> 00:53:06,400
Speaker 1: Was he there to stand Taylor? Was? I think I

966
00:53:06,480 --> 00:53:07,960
Speaker 1: think it was just there to roll through. But I'm

967
00:53:08,000 --> 00:53:10,360
Speaker 1: sure he's stans Taylor, although maybe like he's never had

968
00:53:10,400 --> 00:53:14,399
Speaker 1: Taylor on, only know he's close with John, very close

969
00:53:14,480 --> 00:53:16,640
Speaker 1: with JM, so who knows. And I said, you know

970
00:53:16,719 --> 00:53:19,080
Speaker 1: what's gonna happen when she does really speak now, which,

971
00:53:19,120 --> 00:53:21,400
Speaker 1: by the way, I want speaking nowt bad, because now

972
00:53:21,440 --> 00:53:23,000
Speaker 1: that I've heard what she did with Red, I really

973
00:53:23,040 --> 00:53:24,759
Speaker 1: want to speak now, because that's another one that doesn't

974
00:53:24,760 --> 00:53:29,399
Speaker 1: get the shine, not that Red Budgiesman is in her top.

975
00:53:29,560 --> 00:53:31,400
Speaker 1: I said, you know, we're getting a forty five minutes,

976
00:53:31,400 --> 00:53:34,720
Speaker 1: dear John, with a feature film attached, and I'm ready

977
00:53:34,800 --> 00:53:37,120
Speaker 1: for it. A three hour long feature film for a

978
00:53:37,200 --> 00:53:41,439
Speaker 1: forty five minutes song, Taylor said. Scorsese vibes. Taylor said,

979
00:53:42,080 --> 00:53:45,719
Speaker 1: this is my good fellas. It's gonna be. It's gonna be.

980
00:53:45,880 --> 00:53:49,560
Speaker 1: It's gonna be three blonde women in ball gowns running

981
00:53:49,600 --> 00:53:54,120
Speaker 1: around New Jersey, New York City, fucking killing men, shooting people,

982
00:53:54,560 --> 00:53:57,960
Speaker 1: and her and their trunks and her trunk. De j

983
00:53:59,640 --> 00:54:01,680
Speaker 1: I way for that ship, Oh my god. And you

984
00:54:01,760 --> 00:54:07,760
Speaker 1: know what I'm realizing now she really dated these older guys,

985
00:54:08,560 --> 00:54:11,000
Speaker 1: like she must feel a certain way about this looking

986
00:54:11,040 --> 00:54:13,960
Speaker 1: back being their age. Now She's like, jeez, I'm sure

987
00:54:14,040 --> 00:54:16,759
Speaker 1: she feels some level of like what the fuck. But

988
00:54:16,880 --> 00:54:20,600
Speaker 1: like we've I've been there. I mean, you know, I

989
00:54:20,760 --> 00:54:24,640
Speaker 1: made a whole habit of dating guys with not even

990
00:54:24,719 --> 00:54:27,319
Speaker 1: just older s precimpally with power over me. And now

991
00:54:27,440 --> 00:54:29,000
Speaker 1: I look back and I'm like, I want to I

992
00:54:29,080 --> 00:54:32,120
Speaker 1: want to tell myself at that age, like you gotta

993
00:54:32,200 --> 00:54:34,680
Speaker 1: not do I not is this therapy? I think it

994
00:54:34,880 --> 00:54:38,640
Speaker 1: gave me a complex anyway, I've just been really, I

995
00:54:38,920 --> 00:54:41,239
Speaker 1: get it, I get it, I get your Taylor. Isn't

996
00:54:41,239 --> 00:54:44,399
Speaker 1: it nice to date? I just highly recommend if people

997
00:54:44,440 --> 00:54:48,920
Speaker 1: haven't tried dating people like on their level. It's not

998
00:54:49,040 --> 00:54:51,000
Speaker 1: that that's what I'm doing right now, but I at

999
00:54:51,080 --> 00:54:53,359
Speaker 1: least I'm dating someone like my own age, which doesn't

1000
00:54:53,400 --> 00:54:57,359
Speaker 1: always happen. I that yeah, where I'm like, oh, I've

1001
00:54:57,400 --> 00:55:00,680
Speaker 1: gone for like older guys sometimes and it's great, it's fine.

1002
00:55:00,719 --> 00:55:03,360
Speaker 1: There's nothing that inherently wrong with it. I'm just like,

1003
00:55:03,400 --> 00:55:05,880
Speaker 1: but what does it say about the dynamic? I don't know,

1004
00:55:06,120 --> 00:55:07,960
Speaker 1: like the stages you're you know, Here's what i'd say.

1005
00:55:08,120 --> 00:55:11,480
Speaker 1: I'm not saying. I'm not saying it's a bad thing

1006
00:55:11,760 --> 00:55:14,400
Speaker 1: when there's an age difference. I'm just saying, let's not

1007
00:55:14,560 --> 00:55:18,239
Speaker 1: pretend there's not like, stop, this thing of our age

1008
00:55:18,320 --> 00:55:21,240
Speaker 1: difference is not something we think about our age difference,

1009
00:55:21,440 --> 00:55:24,239
Speaker 1: that we were actually in the same sort of place

1010
00:55:24,280 --> 00:55:27,040
Speaker 1: in our lives. Like we don't acknowledge the age difference.

1011
00:55:27,120 --> 00:55:29,520
Speaker 1: You should be like you're at a different place in

1012
00:55:29,600 --> 00:55:32,680
Speaker 1: your life. It's weird when people say things like the

1013
00:55:32,760 --> 00:55:34,919
Speaker 1: age difference is not something we think about or something

1014
00:55:34,960 --> 00:55:37,960
Speaker 1: that affects us. Like what I don't know. I don't know,

1015
00:55:38,239 --> 00:55:42,520
Speaker 1: just speaking from experience here. But what's important is we

1016
00:55:42,719 --> 00:55:45,480
Speaker 1: talk about the Housewives of Potomac reunion and salt like

1017
00:55:45,840 --> 00:55:47,920
Speaker 1: thoughts on there on this part of the reunion. I

1018
00:55:47,960 --> 00:55:50,840
Speaker 1: don't know if it's just me. I was obsessed with

1019
00:55:51,000 --> 00:55:53,360
Speaker 1: it top to bottom too. I thought it was a

1020
00:55:53,560 --> 00:55:58,560
Speaker 1: great reunion. Great reunion where you gotta hug from Karen

1021
00:55:58,760 --> 00:56:03,200
Speaker 1: between Karen and ge Zelda was really sweet. Um Ashley

1022
00:56:03,280 --> 00:56:06,799
Speaker 1: had a moment a little bit You and Joel are

1023
00:56:06,800 --> 00:56:09,359
Speaker 1: a little bit anti Wendy. Is that fair to say?

1024
00:56:10,080 --> 00:56:11,880
Speaker 1: Let me tell you something right now. I got in

1025
00:56:11,960 --> 00:56:18,000
Speaker 1: Wendy opos d MS today to inviteer onto the show. Okay, teams,

1026
00:56:18,080 --> 00:56:20,040
Speaker 1: and when I have if you look around me, I

1027
00:56:20,120 --> 00:56:23,960
Speaker 1: have every candlelit I have I have Wendy my own

1028
00:56:24,000 --> 00:56:25,839
Speaker 1: I'm looking to my own, my own knee right now.

1029
00:56:28,760 --> 00:56:33,040
Speaker 1: The way I laughed at the Home Essentials will have

1030
00:56:33,160 --> 00:56:36,520
Speaker 1: a five and seven wink can unprecedented. And then you know,

1031
00:56:36,719 --> 00:56:41,040
Speaker 1: you know what Matt Rodgers did that second went to

1032
00:56:41,960 --> 00:56:44,080
Speaker 1: I bought two, one for me, one for study. Okay,

1033
00:56:45,000 --> 00:56:49,600
Speaker 1: a seven week, five week. I think that is the

1034
00:56:49,760 --> 00:56:53,640
Speaker 1: funniest thing, the most funny, like uncomplicated, like it's it's

1035
00:56:53,640 --> 00:56:55,719
Speaker 1: not funny because someone's suffering. It's funny because it's just

1036
00:56:55,920 --> 00:57:01,839
Speaker 1: funny that she just decided to go over five. Yeah. Well,

1037
00:57:02,360 --> 00:57:07,480
Speaker 1: the the Wick War is truly hilarious fun and you

1038
00:57:07,560 --> 00:57:10,400
Speaker 1: know what's so pathetic is Mia came out with a

1039
00:57:10,520 --> 00:57:13,279
Speaker 1: nine wick candle and it's like a thousand dollars and

1040
00:57:13,360 --> 00:57:16,840
Speaker 1: I'm like, girl, no one is going to buy me

1041
00:57:16,960 --> 00:57:19,520
Speaker 1: a candle. They cut to the Mia candle on the

1042
00:57:19,600 --> 00:57:24,080
Speaker 1: show like it looks fucking ugly. I'm sorry, I'm very

1043
00:57:24,440 --> 00:57:28,280
Speaker 1: I'm very Antia Thornton. Well, let's let's talk about it,

1044
00:57:28,360 --> 00:57:30,680
Speaker 1: because you know that she said, well, don't worry because

1045
00:57:30,680 --> 00:57:32,320
Speaker 1: I'm not gonna be giving girls, these girls any of

1046
00:57:32,400 --> 00:57:36,240
Speaker 1: my time. No, bitch, you're fired. Okay, you're fired because

1047
00:57:36,800 --> 00:57:40,680
Speaker 1: you're are you act crazy? You don't have any genuine

1048
00:57:40,720 --> 00:57:45,480
Speaker 1: friends here. I think it's unfortunate because I think she

1049
00:57:45,640 --> 00:57:48,000
Speaker 1: could have figured out being on this show, I really do.

1050
00:57:48,640 --> 00:57:52,600
Speaker 1: But she just acted insane like there was there was

1051
00:57:52,760 --> 00:57:55,720
Speaker 1: never she never found her bearing or like really committed

1052
00:57:55,800 --> 00:57:58,240
Speaker 1: to anything. And then, honestly, I think she made the

1053
00:57:58,280 --> 00:58:00,840
Speaker 1: wrong fucking enemy because and this is the star of

1054
00:58:00,920 --> 00:58:04,560
Speaker 1: the show, Candice is, and I actually I would be

1055
00:58:04,640 --> 00:58:07,320
Speaker 1: curious to think what you thought when they all returning

1056
00:58:07,360 --> 00:58:10,080
Speaker 1: to Candice and telling her that she needed to adjust

1057
00:58:10,120 --> 00:58:13,640
Speaker 1: her behavior and religion. What were your thoughts on all

1058
00:58:13,680 --> 00:58:15,360
Speaker 1: of this? And I would be very curious to hear

1059
00:58:15,400 --> 00:58:17,800
Speaker 1: what you thought about when the issue of colorism was raised,

1060
00:58:17,840 --> 00:58:21,400
Speaker 1: because I have feelings about it. Well, You've put it

1061
00:58:21,560 --> 00:58:27,400
Speaker 1: very eloquently in the past that what's so incredible about

1062
00:58:27,440 --> 00:58:31,720
Speaker 1: The Real Housewives is that each city and each franchise

1063
00:58:32,000 --> 00:58:39,919
Speaker 1: is about particular important subject. With Um New York, it's alcoholism.

1064
00:58:40,000 --> 00:58:43,520
Speaker 1: With Beverly Hills, it's like wealth and status, which is

1065
00:58:43,560 --> 00:58:45,880
Speaker 1: like you know in the China, I think, and how

1066
00:58:45,960 --> 00:58:50,000
Speaker 1: people in this town in particular, it's about appearances and

1067
00:58:52,200 --> 00:58:55,560
Speaker 1: and with Salt Lake, it's about religion. Um, I don't

1068
00:58:55,640 --> 00:58:58,720
Speaker 1: watch I don't watch Dallas. I don't know what Dallas

1069
00:58:58,800 --> 00:59:03,760
Speaker 1: is about status. But with status with Potomac, it's about colorism.

1070
00:59:04,440 --> 00:59:09,040
Speaker 1: I think so. And Ashley Darby is a fucking dumbass

1071
00:59:09,240 --> 00:59:11,880
Speaker 1: for what she said last night we're working this on Monday.

1072
00:59:11,880 --> 00:59:13,160
Speaker 1: For what she said this week where she was like

1073
00:59:13,440 --> 00:59:17,200
Speaker 1: where Wendy asked a perfect question to be like, do

1074
00:59:17,280 --> 00:59:19,880
Speaker 1: you think colorism exists in society or something to that effect.

1075
00:59:20,000 --> 00:59:21,920
Speaker 1: Now she was like, yes, I do. And then when

1076
00:59:21,920 --> 00:59:24,120
Speaker 1: he said do you think colorism exists within this group?

1077
00:59:24,160 --> 00:59:25,720
Speaker 1: And she said, no idea. And then when he's like,

1078
00:59:25,800 --> 00:59:27,880
Speaker 1: how can you say that? How can you say that

1079
00:59:28,000 --> 00:59:31,000
Speaker 1: colorism exists in society but not but that for some

1080
00:59:31,200 --> 00:59:34,800
Speaker 1: reason we are innocularly immune to it, Like that makes

1081
00:59:34,960 --> 00:59:38,320
Speaker 1: no sense? And the answer is because she does not

1082
00:59:38,520 --> 00:59:40,600
Speaker 1: want to cop to her partise. She doesn't in the

1083
00:59:40,640 --> 00:59:42,560
Speaker 1: way that it plays out on this show. I mean,

1084
00:59:42,640 --> 00:59:44,760
Speaker 1: she doesn't want to take accountability for the fact that,

1085
00:59:44,920 --> 00:59:48,400
Speaker 1: like you know, and this is what I'll say, is

1086
00:59:48,520 --> 00:59:55,840
Speaker 1: Candice more excitable? Is she more active? Is she more animated? Yes?

1087
00:59:56,360 --> 00:59:59,640
Speaker 1: Do I think that she sometimes pushes buttons that make

1088
00:59:59,800 --> 01:00:03,600
Speaker 1: me started biting my nails. Yes. Do I find her

1089
01:00:03,680 --> 01:00:08,880
Speaker 1: to be as dangerous, as aggressive, as unruly as they

1090
01:00:08,960 --> 01:00:12,120
Speaker 1: would make it seem. No. And I also think that

1091
01:00:12,320 --> 01:00:16,280
Speaker 1: Wendy often fields things from the other women that they

1092
01:00:16,360 --> 01:00:18,960
Speaker 1: don't lobby at the light skinned women. That's why Wendy

1093
01:00:19,000 --> 01:00:20,920
Speaker 1: and Candice or like this, like you could really tell,

1094
01:00:21,000 --> 01:00:22,800
Speaker 1: like especially when they cut to them like during the

1095
01:00:22,920 --> 01:00:25,800
Speaker 1: lunch break or whatever, like check in with each other.

1096
01:00:25,840 --> 01:00:27,880
Speaker 1: It was like, Oh, this is like a really deep

1097
01:00:27,960 --> 01:00:31,600
Speaker 1: connection that they share over this fucked up thing. Uh.

1098
01:00:32,080 --> 01:00:35,240
Speaker 1: And I don't know. I I think I came away

1099
01:00:35,280 --> 01:00:37,640
Speaker 1: from this episode siding with Candice even I mean I

1100
01:00:37,680 --> 01:00:41,040
Speaker 1: always go back and forth with her, um, but this time,

1101
01:00:42,800 --> 01:00:47,600
Speaker 1: but really just like enjoyed what she I mean, I mean,

1102
01:00:47,680 --> 01:00:51,000
Speaker 1: part of one was pretty iconic with because what you

1103
01:00:51,080 --> 01:00:55,520
Speaker 1: were was because on Gray you were ungrateful. I mean,

1104
01:00:55,880 --> 01:00:57,440
Speaker 1: and we said to each other, that is the new

1105
01:00:57,600 --> 01:01:01,800
Speaker 1: she was trespassing from the in for reunion. Um. Candice

1106
01:01:01,880 --> 01:01:04,240
Speaker 1: just has so many great moments at these reunions that

1107
01:01:04,320 --> 01:01:06,960
Speaker 1: I just appreciate that, like, not for being messy or

1108
01:01:07,040 --> 01:01:08,880
Speaker 1: for being like I mean, yeah it's messy, but I

1109
01:01:08,960 --> 01:01:14,000
Speaker 1: just think she um, she's just a very dynamic chaos

1110
01:01:14,160 --> 01:01:16,760
Speaker 1: agent on the show. The way that feels more exciting

1111
01:01:16,840 --> 01:01:19,560
Speaker 1: to me than Gazelle and Karen. I mean, I am

1112
01:01:19,640 --> 01:01:23,000
Speaker 1: sick of that stuff too. With Candice, it's like like

1113
01:01:23,200 --> 01:01:26,120
Speaker 1: her going to the kitchen, chasing down Ashley Darby in

1114
01:01:26,120 --> 01:01:28,640
Speaker 1: the kitchen and the Williamsburg House being like, why the

1115
01:01:28,680 --> 01:01:31,200
Speaker 1: fund did you do that? I love that ship. I

1116
01:01:31,320 --> 01:01:34,120
Speaker 1: love when someone just like runs after someone and and

1117
01:01:34,440 --> 01:01:37,120
Speaker 1: just goes what was the point of that? Yeah, because

1118
01:01:37,160 --> 01:01:38,480
Speaker 1: I want to do that all the time, and I

1119
01:01:38,560 --> 01:01:42,360
Speaker 1: aspire to a Candice Dillard Bassett level of just like, hey,

1120
01:01:42,880 --> 01:01:46,440
Speaker 1: what the fuck? I think that Candice and Wendy are

1121
01:01:46,600 --> 01:01:50,520
Speaker 1: by far the most dynamic characters on the show. And

1122
01:01:50,680 --> 01:01:54,280
Speaker 1: I think that. Look, I love Andy Cohen and like,

1123
01:01:54,680 --> 01:01:57,400
Speaker 1: I think he does great for the world. I think

1124
01:01:57,480 --> 01:02:01,160
Speaker 1: he was getting annoyed with her in a way that

1125
01:02:02,160 --> 01:02:05,520
Speaker 1: he should understand. I hope he gets that what he

1126
01:02:05,640 --> 01:02:10,840
Speaker 1: has with her, because she is truly important on this show. Yes,

1127
01:02:11,360 --> 01:02:15,720
Speaker 1: because Candice, you can tell like like almost like like

1128
01:02:15,880 --> 01:02:18,840
Speaker 1: they get under each other's skin. And I think Andy

1129
01:02:19,000 --> 01:02:22,800
Speaker 1: likes it, But but I question it because it seems

1130
01:02:22,880 --> 01:02:25,320
Speaker 1: like he does get his feathers ruffled a little bit

1131
01:02:26,200 --> 01:02:30,080
Speaker 1: like with her, and I think that he reacts to

1132
01:02:30,200 --> 01:02:32,160
Speaker 1: her a lot. He does, and I think that what

1133
01:02:32,280 --> 01:02:35,440
Speaker 1: he needs to understand is that's good like and I

1134
01:02:35,680 --> 01:02:38,440
Speaker 1: don't think her places in jeopardy. But when Karen was like,

1135
01:02:38,760 --> 01:02:40,600
Speaker 1: you better change the way you behavior. People are just

1136
01:02:40,600 --> 01:02:42,080
Speaker 1: gonna tune you out, I was like, is that some

1137
01:02:42,160 --> 01:02:45,480
Speaker 1: sort of threat? Do you think that I love Karen Hugo,

1138
01:02:45,680 --> 01:02:47,480
Speaker 1: But do you think that you're like at the level

1139
01:02:47,560 --> 01:02:50,560
Speaker 1: on this show that like what anything you say is

1140
01:02:50,560 --> 01:02:53,120
Speaker 1: going to make the fans feel a different way about Candice.

1141
01:02:53,360 --> 01:02:56,960
Speaker 1: I get that Candice is divisive, but Candice's fans ride hard,

1142
01:02:57,600 --> 01:03:00,880
Speaker 1: and I know them, I'm one of them, and I'm

1143
01:03:00,960 --> 01:03:06,280
Speaker 1: just saying, like, let's not gaslight this person into trying

1144
01:03:06,360 --> 01:03:09,439
Speaker 1: to think that the things she's experiencing are not real.

1145
01:03:09,800 --> 01:03:12,280
Speaker 1: Because when he said to her, you were almost attacked

1146
01:03:12,360 --> 01:03:16,000
Speaker 1: last year, I was like, almost attacked without yeah, and

1147
01:03:16,000 --> 01:03:18,840
Speaker 1: then without goes and that's my fault that I was attacked.

1148
01:03:18,880 --> 01:03:21,360
Speaker 1: Then she kind of like changed the framing of that,

1149
01:03:21,560 --> 01:03:27,400
Speaker 1: the phrasing just being like I was and almost my fault. Yeah, yeah, yeah.

1150
01:03:30,640 --> 01:03:35,280
Speaker 1: One of maybe the most violent altercation and Housewives history.

1151
01:03:35,600 --> 01:03:39,720
Speaker 1: Absolutely one of one of the blood was dropped, like, yeah, look,

1152
01:03:39,840 --> 01:03:43,600
Speaker 1: if Candice has if Candice has issues with quote unquote

1153
01:03:43,640 --> 01:03:47,000
Speaker 1: anger management, she should and will deal with it. But

1154
01:03:47,160 --> 01:03:52,040
Speaker 1: let's not pretend like anything she's doing is warranting any

1155
01:03:52,160 --> 01:03:55,320
Speaker 1: of the physical altercations that have been levied against her.

1156
01:03:55,600 --> 01:04:01,440
Speaker 1: And for Giselle to say like, had had Mia pop Chu,

1157
01:04:01,520 --> 01:04:04,000
Speaker 1: I would have been like shoulder shrug when last year

1158
01:04:04,120 --> 01:04:08,560
Speaker 1: she was like bringing security to fucking coffee events that

1159
01:04:08,720 --> 01:04:12,840
Speaker 1: Monique Briant, I don't know. And then and then I

1160
01:04:13,040 --> 01:04:15,600
Speaker 1: was happy to see some progression with her, like in

1161
01:04:15,760 --> 01:04:19,080
Speaker 1: her narrative, but we see through it with her, we

1162
01:04:19,120 --> 01:04:20,800
Speaker 1: see through it. And also for her to sit there

1163
01:04:20,840 --> 01:04:23,880
Speaker 1: and say that, I was like, wow, the gas lighting

1164
01:04:23,960 --> 01:04:28,400
Speaker 1: that Candice experiences on this franchise is not acceptable. And

1165
01:04:28,440 --> 01:04:31,280
Speaker 1: if she chooses to leave the show, everyone on it

1166
01:04:31,360 --> 01:04:36,800
Speaker 1: will have fucked up. That's what m g Zel was.

1167
01:04:37,000 --> 01:04:38,880
Speaker 1: Is there growth because they feel like we're just kind

1168
01:04:38,920 --> 01:04:41,600
Speaker 1: of she's been spitting her wheels on the show. It's

1169
01:04:41,600 --> 01:04:45,800
Speaker 1: always about Jamal and someone It's it's just it's never

1170
01:04:46,640 --> 01:04:50,000
Speaker 1: there's no progression. It's always about like her being like

1171
01:04:50,640 --> 01:04:54,280
Speaker 1: fully lonely with her daughters. I don't know, it's it's

1172
01:04:54,320 --> 01:04:58,840
Speaker 1: sad to me, um and I just it's it's so

1173
01:04:59,280 --> 01:05:02,360
Speaker 1: deeply irrit hitting me that she can't take it. She

1174
01:05:02,440 --> 01:05:07,240
Speaker 1: can always she can always dish it, never, never refuses

1175
01:05:07,280 --> 01:05:09,040
Speaker 1: to talk about this guy she was dating. Then she

1176
01:05:09,120 --> 01:05:11,120
Speaker 1: ended up breaking up with, like even though she pried

1177
01:05:11,160 --> 01:05:14,760
Speaker 1: into everyone else's ship. The way that she defended her

1178
01:05:14,840 --> 01:05:20,600
Speaker 1: bringing up the Eddie rumors was that was fucking brainless

1179
01:05:20,720 --> 01:05:23,840
Speaker 1: to me and Wendy being like Wendy breaking it down perfectly,

1180
01:05:23,880 --> 01:05:26,240
Speaker 1: being like that blog is maybe read by hundreds of people,

1181
01:05:26,360 --> 01:05:29,080
Speaker 1: you brought it onto this platform that is watched by millions.

1182
01:05:29,840 --> 01:05:32,120
Speaker 1: How do you think that makes me feel? That was

1183
01:05:32,160 --> 01:05:36,520
Speaker 1: just like short circuits so messy. Giselle like that's like

1184
01:05:36,680 --> 01:05:38,560
Speaker 1: she knows she's been on the show long enough to

1185
01:05:38,640 --> 01:05:41,400
Speaker 1: know that like that like has like impact and imp

1186
01:05:41,760 --> 01:05:46,040
Speaker 1: like like that like can ruin a marriage so fucked up.

1187
01:05:47,360 --> 01:05:50,480
Speaker 1: I will publicly say that I bow and Yang hate

1188
01:05:50,520 --> 01:05:55,640
Speaker 1: Giselle brun not since Ramona Singer, I like deeply disdained

1189
01:05:55,680 --> 01:05:57,840
Speaker 1: a like have to have have had deep disdain for

1190
01:05:57,880 --> 01:06:00,040
Speaker 1: a housewife. This is how I think we get to

1191
01:06:00,040 --> 01:06:02,360
Speaker 1: the bottom of the situation. Because she's not going anywhere.

1192
01:06:02,440 --> 01:06:05,120
Speaker 1: She her and Karen like that is the central that

1193
01:06:05,240 --> 01:06:08,120
Speaker 1: is like a central plotline of the show. Robbin's Gotta

1194
01:06:08,160 --> 01:06:12,760
Speaker 1: Go because you need to cut Giselle's lackey off and

1195
01:06:12,920 --> 01:06:17,120
Speaker 1: the Robin storyline if it's not done, it's too sad

1196
01:06:17,240 --> 01:06:21,600
Speaker 1: to watch. She needs either a break or she needs

1197
01:06:21,680 --> 01:06:23,560
Speaker 1: to be let go. And we got some new people

1198
01:06:23,640 --> 01:06:25,960
Speaker 1: in here. I don't think that will happen, but I

1199
01:06:26,080 --> 01:06:28,760
Speaker 1: do think that that's a way we can get to

1200
01:06:28,840 --> 01:06:30,600
Speaker 1: the core of Gazelle a little more because in the

1201
01:06:30,720 --> 01:06:34,080
Speaker 1: character study of Giselle Bryant, I do think there was

1202
01:06:34,240 --> 01:06:38,320
Speaker 1: some movement forward because we got her to admit that

1203
01:06:38,800 --> 01:06:40,840
Speaker 1: she's got a lot of guards up as a defense

1204
01:06:40,880 --> 01:06:44,760
Speaker 1: mechanism because she's been very, very hurt, and she refuses

1205
01:06:44,800 --> 01:06:48,640
Speaker 1: to get emotional because she has to be strong. And

1206
01:06:48,760 --> 01:06:52,640
Speaker 1: I do understand therapist man like once every two years,

1207
01:06:52,720 --> 01:06:55,760
Speaker 1: it's right, And the thing is like, what to see

1208
01:06:55,800 --> 01:06:59,240
Speaker 1: her get emotional about Karen. I was like, maybe that's

1209
01:06:59,280 --> 01:07:01,880
Speaker 1: what it is. Maybe we just need to isolate this

1210
01:07:02,120 --> 01:07:05,280
Speaker 1: a little bit more to Karen and Giselle and sort

1211
01:07:05,320 --> 01:07:07,160
Speaker 1: of figure out what what what it is there, because

1212
01:07:07,200 --> 01:07:09,560
Speaker 1: the fact is this, Giselle does not see Robin as

1213
01:07:09,560 --> 01:07:17,400
Speaker 1: an equal no, and that is allowing her too always

1214
01:07:17,440 --> 01:07:21,240
Speaker 1: have excuses and always have justifications because Robin is never

1215
01:07:21,320 --> 01:07:23,680
Speaker 1: going to not give her that and to form theories

1216
01:07:23,720 --> 01:07:28,479
Speaker 1: out of nothing that just distract from her own pain.

1217
01:07:29,200 --> 01:07:31,160
Speaker 1: That's the that's the whole Wendy thing. Like she like

1218
01:07:31,760 --> 01:07:36,960
Speaker 1: basically like was bored twiddling her thumbs at home, not

1219
01:07:37,160 --> 01:07:38,720
Speaker 1: being able to teach your kids how to drive, and

1220
01:07:38,760 --> 01:07:41,680
Speaker 1: then going, let me just like actually propagate this horrible

1221
01:07:41,760 --> 01:07:46,120
Speaker 1: rumor about Wendy that has no basis in fact a reputable,

1222
01:07:46,720 --> 01:07:51,400
Speaker 1: incredible blog. Yeah. And also when Wendy was like, when

1223
01:07:51,440 --> 01:07:54,280
Speaker 1: the time comes, make sure you apologize to my children,

1224
01:07:54,480 --> 01:07:55,680
Speaker 1: and just all was like, why would I have to

1225
01:07:55,720 --> 01:07:58,240
Speaker 1: apologize to them? And that in and of itself says

1226
01:07:58,280 --> 01:08:01,640
Speaker 1: it all. She can't understand and that what she's done

1227
01:08:01,800 --> 01:08:05,800
Speaker 1: is one day Wendy's kids, when they stumble upon narratives

1228
01:08:05,880 --> 01:08:07,320
Speaker 1: in this show, are going to have to see that

1229
01:08:07,400 --> 01:08:10,320
Speaker 1: there were rumors that their father was unfaithful to their mother.

1230
01:08:11,680 --> 01:08:15,360
Speaker 1: So don't don't don't come around here being like my children,

1231
01:08:15,400 --> 01:08:19,080
Speaker 1: my children, my children, with such blatant disregard for the

1232
01:08:19,560 --> 01:08:23,240
Speaker 1: feelings and well being of one of your castmates children.

1233
01:08:23,400 --> 01:08:27,280
Speaker 1: And that's flat out so I thought Wendy was so

1234
01:08:27,439 --> 01:08:30,519
Speaker 1: on point this whole time. She's been great. And by

1235
01:08:30,600 --> 01:08:34,000
Speaker 1: the way, Wendy o Cepo has just liked my comment.

1236
01:08:34,720 --> 01:08:38,240
Speaker 1: Oh my God, would love to join you and Bowen

1237
01:08:38,439 --> 01:08:43,000
Speaker 1: if your producer can send an email, she says him,

1238
01:08:43,040 --> 01:08:45,120
Speaker 1: Matt hopefully God. First, thank you so much for purchasing

1239
01:08:45,160 --> 01:08:47,000
Speaker 1: the candles. I'm so grateful for your support. Asked for

1240
01:08:47,040 --> 01:08:49,519
Speaker 1: the podcast? How awesome is that? Yes, would love to

1241
01:08:49,600 --> 01:08:51,880
Speaker 1: join you and Bowen if your producer contended an email

1242
01:08:51,920 --> 01:08:53,640
Speaker 1: over to my team, they can assist with scheduling and

1243
01:08:53,680 --> 01:08:56,040
Speaker 1: the sticks. Super excited looking forward to it. This is

1244
01:08:56,040 --> 01:08:58,960
Speaker 1: happening in real time. I'm saying, I can't tell you

1245
01:08:59,160 --> 01:09:05,160
Speaker 1: how thrilled we are. Email is incoming. Oh my God,

1246
01:09:05,920 --> 01:09:09,959
Speaker 1: tell her, as a child of immigrants of insane immigrant

1247
01:09:10,040 --> 01:09:15,680
Speaker 1: parents that she is my favorite housewife ever. Well, you're

1248
01:09:15,680 --> 01:09:17,320
Speaker 1: gonna get to tell her bib because she's gonna come

1249
01:09:17,400 --> 01:09:20,400
Speaker 1: on next week or the week after. And how about

1250
01:09:20,920 --> 01:09:26,240
Speaker 1: them a pless Wow, unbelievable. How awesome is to ask

1251
01:09:26,280 --> 01:09:31,479
Speaker 1: for the podcast? How awesome is that? Literally? Hello? Well hello?

1252
01:09:32,560 --> 01:09:38,520
Speaker 1: Then when celebrate that, and then I'm so our first housewife,

1253
01:09:39,280 --> 01:09:43,760
Speaker 1: our first house life and not a better person. But

1254
01:09:44,000 --> 01:09:47,519
Speaker 1: um fucking how did she she put the Wendy Stepho

1255
01:09:47,560 --> 01:09:52,280
Speaker 1: inflection on. She said, but baby, baby, no conversation needed

1256
01:09:52,800 --> 01:09:55,920
Speaker 1: or whatever it was she said. She said, no editing

1257
01:09:56,000 --> 01:09:58,960
Speaker 1: needed or whatever, or no real exciting because the question

1258
01:09:59,040 --> 01:10:02,799
Speaker 1: was do you rehearse your rehearsal? Yeah? Yeah, no rehearsal

1259
01:10:02,880 --> 01:10:05,400
Speaker 1: need did some people have it? And Wendy has it

1260
01:10:05,560 --> 01:10:07,160
Speaker 1: and you're gonna see that she has got it, which

1261
01:10:07,280 --> 01:10:12,800
Speaker 1: comes on podcast Last Cultures. Wow not wait, wow, Oh

1262
01:10:12,960 --> 01:10:18,360
Speaker 1: my god. You know, Matt and I our own individual

1263
01:10:18,479 --> 01:10:22,320
Speaker 1: one candles to OHI to the way we bought. We

1264
01:10:22,439 --> 01:10:26,280
Speaker 1: lit them in Ohi the way. My entire place smells

1265
01:10:26,400 --> 01:10:28,800
Speaker 1: like only Home Essentials. And I told you about the

1266
01:10:28,880 --> 01:10:32,240
Speaker 1: Luxury Fragrance spray. The Luxury Frager spray is where it's at.

1267
01:10:32,520 --> 01:10:33,880
Speaker 1: She gave you what she wrote you, a hand written

1268
01:10:33,920 --> 01:10:36,000
Speaker 1: No she did not write anyone, No she didn't, but

1269
01:10:36,120 --> 01:10:40,439
Speaker 1: that's what I think that she only wrote. Bought the

1270
01:10:40,600 --> 01:10:45,960
Speaker 1: full line. I've now spent almost five at the Wendy O.

1271
01:10:46,040 --> 01:10:48,200
Speaker 1: Cfo On Home Essential Store, so I do believe I

1272
01:10:48,280 --> 01:10:51,519
Speaker 1: deserved the handwritten note. You absolutely do. And I'm just

1273
01:10:51,800 --> 01:10:53,400
Speaker 1: I'm not saying that I do too. I'm just saying

1274
01:10:53,400 --> 01:10:56,560
Speaker 1: I'm a little disappointed that I did not go all in.

1275
01:10:57,240 --> 01:11:00,840
Speaker 1: Oh my, get the handwritten Wendy. She's gonna come on

1276
01:11:00,960 --> 01:11:02,880
Speaker 1: and she's going to talk to us about what it

1277
01:11:03,000 --> 01:11:06,320
Speaker 1: was like with NICKI minaj. Oh my god, this is

1278
01:11:06,439 --> 01:11:09,560
Speaker 1: too good anyway, this is absolutely the apex of the

1279
01:11:09,600 --> 01:11:13,240
Speaker 1: Potoma conversation. So to be continued, and let's move on.

1280
01:11:13,439 --> 01:11:17,360
Speaker 1: Let's move on to the Salt Lake City Housewives episode

1281
01:11:17,960 --> 01:11:20,400
Speaker 1: that I believe is one of the best Housewives episodes

1282
01:11:20,400 --> 01:11:23,040
Speaker 1: of all time. Andy Cohen promised us one of the best,

1283
01:11:23,200 --> 01:11:29,000
Speaker 1: one of the top five. I no lies, no fucking lies.

1284
01:11:29,040 --> 01:11:30,640
Speaker 1: I mean the whole thing was edited like it was

1285
01:11:32,200 --> 01:11:36,200
Speaker 1: fucking like true crime, Like there glitchy title cards and

1286
01:11:36,280 --> 01:11:41,479
Speaker 1: ship like I was screaming. But the time, the time

1287
01:11:41,560 --> 01:11:45,160
Speaker 1: stands were so important. This was the episode where jen

1288
01:11:45,240 --> 01:11:48,960
Speaker 1: Shaw gets arrested for wire fraud, um and I think,

1289
01:11:49,000 --> 01:11:53,439
Speaker 1: among other things. But when they were breaking let's just

1290
01:11:53,520 --> 01:11:56,559
Speaker 1: say this, when they were when Heather Gay was breaking

1291
01:11:56,640 --> 01:11:59,200
Speaker 1: down in the car as Whitney is rubbing her back,

1292
01:11:59,360 --> 01:12:05,479
Speaker 1: saying fraud. It's fraud frod Whitney, Whitney was herself. Whitney

1293
01:12:05,479 --> 01:12:08,479
Speaker 1: has cemented herself as one of the all time greats.

1294
01:12:09,560 --> 01:12:12,080
Speaker 1: Talk about someone, I don't think it's suspicious at all

1295
01:12:12,120 --> 01:12:15,639
Speaker 1: that she knows. I think she's she's just like she's smart.

1296
01:12:15,720 --> 01:12:18,200
Speaker 1: She knows about how the world works. Like, don't say

1297
01:12:18,240 --> 01:12:21,439
Speaker 1: that it's suspicious, like if Jenny fucking doesn't know how anything,

1298
01:12:22,200 --> 01:12:25,040
Speaker 1: like which way is up? Lisa is a dumbass. I'm sorry,

1299
01:12:25,080 --> 01:12:29,120
Speaker 1: I'll say it like Lil Lisa Barlow also was iconic

1300
01:12:29,200 --> 01:12:34,680
Speaker 1: to me. No, I was actually very my whole opinions.

1301
01:12:35,200 --> 01:12:37,840
Speaker 1: As soon as she starts sobbing for Stu, I'm like,

1302
01:12:38,240 --> 01:12:41,120
Speaker 1: don't feel bad for Stu after you just found out

1303
01:12:41,200 --> 01:12:44,679
Speaker 1: that they've been fraud like wire frauding so many elderly

1304
01:12:44,920 --> 01:12:47,559
Speaker 1: they feel bad for their families. But I look, here's

1305
01:12:47,560 --> 01:12:49,439
Speaker 1: what I'm saying. When I think Lusa Barlow is iconic.

1306
01:12:49,560 --> 01:12:53,280
Speaker 1: I don't think she's morally standing up right, but was

1307
01:12:53,640 --> 01:12:55,600
Speaker 1: iconic when she when they cut to all six of

1308
01:12:55,680 --> 01:12:58,240
Speaker 1: her phone calls with her lawyers, and every version, every

1309
01:12:58,360 --> 01:13:00,400
Speaker 1: version of it was her saying I'm literally making or

1310
01:13:00,479 --> 01:13:06,040
Speaker 1: literally ship I mean yeah, I mean literally talk about

1311
01:13:06,080 --> 01:13:09,519
Speaker 1: a meme like like she was giving you everything you needed.

1312
01:13:10,120 --> 01:13:13,360
Speaker 1: She was, she was entertaining. I just think, like, I

1313
01:13:13,439 --> 01:13:15,960
Speaker 1: don't really like you as a person anymore, even though

1314
01:13:15,960 --> 01:13:19,320
Speaker 1: you were fine fine. I will say that the winner

1315
01:13:19,360 --> 01:13:22,839
Speaker 1: of the episode, it's a tie between Whitney and Meredith,

1316
01:13:22,880 --> 01:13:25,320
Speaker 1: who face times them, learns about learns about all this,

1317
01:13:25,439 --> 01:13:29,559
Speaker 1: and her first her knee jerk responses, I'm not surprised anyway.

1318
01:13:29,600 --> 01:13:31,960
Speaker 1: Can't we just see you girls by give her the

1319
01:13:32,000 --> 01:13:36,160
Speaker 1: middle snowflake at this time. Yeah, the girls are all

1320
01:13:36,360 --> 01:13:40,000
Speaker 1: really competing for the middle snowflake because they're all sort

1321
01:13:40,040 --> 01:13:42,920
Speaker 1: of tearing each other parts together. It this, I will

1322
01:13:42,960 --> 01:13:46,360
Speaker 1: say the the Mary arriving and finding Meredith in the

1323
01:13:46,400 --> 01:13:49,360
Speaker 1: bathtub with the class of Champagne. I was like, see

1324
01:13:49,560 --> 01:13:54,679
Speaker 1: this is how you do staged housewives bullshit. That feels

1325
01:13:54,720 --> 01:13:57,479
Speaker 1: exactly right. I was like, I think, I think, because

1326
01:13:57,520 --> 01:13:59,760
Speaker 1: I do think in watching it, I think Meredith stage

1327
01:13:59,800 --> 01:14:03,800
Speaker 1: is quite a bit, but it feels iconic, and she's

1328
01:14:03,920 --> 01:14:06,600
Speaker 1: rarely and she's rarely dressed, not iconically her in that

1329
01:14:06,680 --> 01:14:09,960
Speaker 1: little pink dress that she got it wowles, she says

1330
01:14:10,000 --> 01:14:12,439
Speaker 1: after turns up the phone. She's not surprised about the

1331
01:14:12,520 --> 01:14:16,360
Speaker 1: whole thing. She then her revealing on camera that Jen,

1332
01:14:16,479 --> 01:14:19,799
Speaker 1: one of Jen's people, stole from her store six months prior.

1333
01:14:20,320 --> 01:14:24,519
Speaker 1: She can't stand Jen, hates Jen, never wanted to reconcile

1334
01:14:24,600 --> 01:14:26,240
Speaker 1: with Jen. Wouldn't have done it have they not been

1335
01:14:26,280 --> 01:14:28,160
Speaker 1: on a show, And now that she has an excuse,

1336
01:14:28,240 --> 01:14:31,720
Speaker 1: she says, I'm vindicated. Everyone set the funk down. I've

1337
01:14:31,800 --> 01:14:36,080
Speaker 1: been saying this person is a iconic evil man. Oh

1338
01:14:36,280 --> 01:14:41,840
Speaker 1: my god. Jen's like, isn't it so chilling to watch back?

1339
01:14:42,040 --> 01:14:44,320
Speaker 1: I'm so glad they played it again. I guess in

1340
01:14:44,360 --> 01:14:47,680
Speaker 1: the previously um package, but like the way She's like,

1341
01:14:50,040 --> 01:14:54,839
Speaker 1: Shreef has internal bleeding and I'm like, you're lying, You're lying.

1342
01:14:55,320 --> 01:14:57,519
Speaker 1: She was lying, and you know what on watching What

1343
01:14:57,560 --> 01:15:01,200
Speaker 1: Happens Live this Heather Gay like she's a writer or

1344
01:15:01,240 --> 01:15:05,040
Speaker 1: die friend for better or worse? Because Andy Kohin was like,

1345
01:15:05,280 --> 01:15:07,320
Speaker 1: how can you defend her doing that? And she goes,

1346
01:15:07,400 --> 01:15:09,559
Speaker 1: I don't think anyone knows what we were doing that situation,

1347
01:15:09,680 --> 01:15:12,639
Speaker 1: so yeah, I can't defend it. I was like, girl,

1348
01:15:13,720 --> 01:15:17,040
Speaker 1: there are real victims here, and she lied to your face,

1349
01:15:17,160 --> 01:15:19,599
Speaker 1: which shows you that she would have done the same thing.

1350
01:15:19,720 --> 01:15:23,719
Speaker 1: To you. Absolutely, And it's not an Erica comparison because

1351
01:15:23,760 --> 01:15:28,640
Speaker 1: it's like there's a there's there's evidence, there was an investigation.

1352
01:15:28,800 --> 01:15:32,560
Speaker 1: It's like it's there. She was put in handcuffs, she

1353
01:15:32,720 --> 01:15:36,479
Speaker 1: went to a fucking detend she was in custody. Yeah,

1354
01:15:36,600 --> 01:15:40,000
Speaker 1: Erica was not charged with a crime exactly. This is

1355
01:15:40,120 --> 01:15:44,960
Speaker 1: completely in a different league. Like she's a fucking criminal

1356
01:15:45,479 --> 01:15:48,920
Speaker 1: and a harmful, vicious one at that. And this is

1357
01:15:49,000 --> 01:15:52,760
Speaker 1: what I said, praying on vulnerable people. Yes, so so

1358
01:15:52,920 --> 01:15:55,960
Speaker 1: when they showed when Meredith was like, it didn't bother

1359
01:15:56,120 --> 01:15:58,800
Speaker 1: me that the bag got stolen, it bothered me that

1360
01:15:58,920 --> 01:16:01,280
Speaker 1: she kept someone who stole from my store on her staff.

1361
01:16:01,360 --> 01:16:06,240
Speaker 1: Because Jenshaw doesn't care about moral character. She cares about loyalty.

1362
01:16:06,560 --> 01:16:09,760
Speaker 1: When you were loyal to someone who has no moral character, Like,

1363
01:16:09,960 --> 01:16:15,480
Speaker 1: there's no question her and her entire group are criminals.

1364
01:16:15,800 --> 01:16:19,440
Speaker 1: They're dangerous. These women need to separate themselves from her immediately.

1365
01:16:20,280 --> 01:16:23,160
Speaker 1: It's not like Erica, where it's like, you know, there's

1366
01:16:23,200 --> 01:16:25,240
Speaker 1: some question about whether or not the women should have

1367
01:16:25,320 --> 01:16:28,120
Speaker 1: on Beverly Hill should have been worried. It's like, no,

1368
01:16:28,840 --> 01:16:31,280
Speaker 1: this is really fucked up, and a lot of these

1369
01:16:31,320 --> 01:16:34,920
Speaker 1: women do business with each other. Yeah, I kind of

1370
01:16:35,560 --> 01:16:37,240
Speaker 1: you're saying, hey, there's a writer or die friend for

1371
01:16:37,280 --> 01:16:39,240
Speaker 1: better or for worse. It's only for worse for me.

1372
01:16:39,320 --> 01:16:41,519
Speaker 1: Where it's like, I think you're really but I would

1373
01:16:41,520 --> 01:16:43,599
Speaker 1: do it for you. I would. I would. I would

1374
01:16:43,600 --> 01:16:45,400
Speaker 1: do it for you. I really would. And you're a

1375
01:16:45,520 --> 01:16:47,519
Speaker 1: very bad criminal, but I would do it for you too.

1376
01:16:47,880 --> 01:16:50,160
Speaker 1: But I was gonna say that neither of us would

1377
01:16:50,240 --> 01:16:54,040
Speaker 1: do this. But if I would not come to this

1378
01:16:54,280 --> 01:16:57,360
Speaker 1: because we we would not do this because you and

1379
01:16:57,479 --> 01:17:00,559
Speaker 1: I I know, I know that you have moral bitch

1380
01:17:01,560 --> 01:17:05,519
Speaker 1: you are you are actually a moral icon. So true,

1381
01:17:05,640 --> 01:17:09,519
Speaker 1: so true, and likewise, thank you. We're both we're both winking.

1382
01:17:09,560 --> 01:17:11,400
Speaker 1: We're both winking at each other so much our eyes

1383
01:17:11,439 --> 01:17:13,519
Speaker 1: are gonna find I think we're I think we're morally

1384
01:17:13,760 --> 01:17:16,040
Speaker 1: we're both morally we are not the morally cored up

1385
01:17:16,080 --> 01:17:18,920
Speaker 1: to fare. We are morally sound going young and Matt

1386
01:17:19,000 --> 01:17:22,479
Speaker 1: Rogers but on the on the watch What Happens Live

1387
01:17:22,920 --> 01:17:26,320
Speaker 1: episode and he was like, wow, like you're really like

1388
01:17:26,520 --> 01:17:29,880
Speaker 1: going hard for Heather goes. You know what, this is

1389
01:17:29,960 --> 01:17:31,439
Speaker 1: how I want to show up in the world. That's

1390
01:17:31,439 --> 01:17:33,920
Speaker 1: a good friend. And I was like, all right now.

1391
01:17:34,360 --> 01:17:38,040
Speaker 1: Now she's done. I mean, like, all right, congratulations to

1392
01:17:38,120 --> 01:17:40,679
Speaker 1: head there. She got the Rihanna follower in the first season,

1393
01:17:40,840 --> 01:17:43,799
Speaker 1: but now it's all over. That is a thing. Whenever

1394
01:17:43,800 --> 01:17:46,559
Speaker 1: they're like, your life's amazing, Rihanna, DM do, I'm like, girl,

1395
01:17:46,640 --> 01:17:48,840
Speaker 1: that means nothing. It means nothing. I means she got

1396
01:17:48,920 --> 01:17:52,799
Speaker 1: stoned one nine and was this She's like, I'm famous

1397
01:17:52,920 --> 01:17:54,840
Speaker 1: enough to DM any woman I see on TV and

1398
01:17:54,920 --> 01:17:57,400
Speaker 1: have them like freak the funk out, Like that's just

1399
01:17:57,560 --> 01:17:59,160
Speaker 1: that's that's more of a Rihanna thing than it is

1400
01:17:59,200 --> 01:18:02,439
Speaker 1: a youth thing. So for Heather, I'm just like, oh,

1401
01:18:02,800 --> 01:18:06,960
Speaker 1: you are really not doing this well. You don't understand.

1402
01:18:07,560 --> 01:18:12,880
Speaker 1: Unfortunately to use this phrase the assignment and Whitney is

1403
01:18:13,120 --> 01:18:19,559
Speaker 1: really I fucking love that chills. I have the chills.

1404
01:18:20,160 --> 01:18:25,599
Speaker 1: I'm numb. I'm numb numb when she goes. I mean

1405
01:18:26,439 --> 01:18:31,479
Speaker 1: I had a sugar daddy. She her timing and just

1406
01:18:31,680 --> 01:18:34,920
Speaker 1: everything she's done in confessionals from those so like the

1407
01:18:35,080 --> 01:18:39,680
Speaker 1: act outs to the jokes like she's I don't think

1408
01:18:39,720 --> 01:18:41,840
Speaker 1: I don't even think like anyone's like writing this ship

1409
01:18:41,960 --> 01:18:43,880
Speaker 1: for her. I think she's just like a funny, smart,

1410
01:18:44,200 --> 01:18:46,720
Speaker 1: quick person. Clearly, Like on the bus, she was just

1411
01:18:46,840 --> 01:18:49,719
Speaker 1: kind of like schooling all these fucking women. And she's

1412
01:18:49,760 --> 01:18:53,240
Speaker 1: got everyone pressed because she's in conflict with Mary and

1413
01:18:53,479 --> 01:18:57,920
Speaker 1: Lisa and has been in it with Jim. She's actually

1414
01:18:58,040 --> 01:19:01,640
Speaker 1: right at the center. She's right, that's the center, and

1415
01:19:01,760 --> 01:19:05,599
Speaker 1: it's it's it's it's queen behavior, it's queendom, it's it's queendom.

1416
01:19:05,880 --> 01:19:09,599
Speaker 1: Between between her and Meredith, they are not they are

1417
01:19:09,760 --> 01:19:14,240
Speaker 1: contenders for next year's Queendom Award. They're actually when Whendy

1418
01:19:14,280 --> 01:19:16,800
Speaker 1: comes on the pod, which will happen, she will she

1419
01:19:16,840 --> 01:19:19,759
Speaker 1: will receive the Queendom Award. That's if that's like if

1420
01:19:19,800 --> 01:19:21,439
Speaker 1: that like is like a bait that I can throw

1421
01:19:21,520 --> 01:19:24,200
Speaker 1: out there, Whitney, if you come on the show, you'll

1422
01:19:24,240 --> 01:19:27,880
Speaker 1: win the Queendom Award. You will win the Queendom Meredith, Meredith,

1423
01:19:27,960 --> 01:19:30,880
Speaker 1: Meredith Mars will also win the Queendom Award. Yeah, yeah, yeah,

1424
01:19:30,920 --> 01:19:33,599
Speaker 1: yeah yeah, she's honorary Queendom. By the way, when are

1425
01:19:33,640 --> 01:19:36,320
Speaker 1: we doing the why Well, it's sort of like a

1426
01:19:36,520 --> 01:19:39,200
Speaker 1: it's sort of a really good question, and I think

1427
01:19:39,280 --> 01:19:43,040
Speaker 1: later maybe it's a maybe I think I know you're

1428
01:19:43,080 --> 01:19:45,760
Speaker 1: saying later in a way that is a fun, you know,

1429
01:19:46,080 --> 01:19:48,760
Speaker 1: tease for the readers. But I feel like it might

1430
01:19:48,840 --> 01:19:51,840
Speaker 1: be a year end thing, possibly, I think so, I think,

1431
01:19:51,880 --> 01:19:53,839
Speaker 1: who can say? You know what I mean? We certainly

1432
01:19:53,880 --> 01:19:56,559
Speaker 1: can't say. We can't say, and yet we're the only

1433
01:19:56,640 --> 01:19:58,639
Speaker 1: ones who can say, And so that's sort of where

1434
01:19:58,680 --> 01:20:01,600
Speaker 1: we're at. What I will say is that I have

1435
01:20:01,800 --> 01:20:05,519
Speaker 1: not read the nominees in a while, and I'm married,

1436
01:20:05,840 --> 01:20:09,360
Speaker 1: and I'm stressed that I will read these again and

1437
01:20:09,479 --> 01:20:14,960
Speaker 1: be like, well, none of this. Here's here's what I

1438
01:20:15,000 --> 01:20:18,280
Speaker 1: would say about the list of nominees. It already doesn't

1439
01:20:18,280 --> 01:20:22,439
Speaker 1: hold up in an iconic way, and um, why why, wait,

1440
01:20:22,479 --> 01:20:25,120
Speaker 1: what are you talking about? Specifically? I think that our

1441
01:20:25,240 --> 01:20:28,680
Speaker 1: nominations leader isn't actually a lot of real trouble, and

1442
01:20:29,600 --> 01:20:31,920
Speaker 1: we send a lot of well wishes her way, and

1443
01:20:32,120 --> 01:20:35,360
Speaker 1: hopefully she returns to public life soon. But I don't

1444
01:20:35,400 --> 01:20:37,720
Speaker 1: think it would be in good taste to do the

1445
01:20:37,760 --> 01:20:41,439
Speaker 1: last cultu Risco's Culture Awards while our nominations leader seems

1446
01:20:41,479 --> 01:20:44,439
Speaker 1: to be in flux in her personal life and such

1447
01:20:44,479 --> 01:20:49,479
Speaker 1: a fashion. Are we saying and yes, I echo, are

1448
01:20:49,680 --> 01:20:52,640
Speaker 1: the well wishes you've just put out there? Absolutely are

1449
01:20:52,720 --> 01:20:58,800
Speaker 1: we saying that we cancel. I'm saying, I'm saying we

1450
01:20:58,920 --> 01:21:03,200
Speaker 1: haven't made that decision yet. But if we're waiting on

1451
01:21:03,560 --> 01:21:07,400
Speaker 1: our nominations, Lee, are our nominations leader to get better?

1452
01:21:07,640 --> 01:21:09,439
Speaker 1: I don't know that we can expect that in the

1453
01:21:09,520 --> 01:21:12,439
Speaker 1: sh think I think that we will have an off

1454
01:21:12,560 --> 01:21:16,680
Speaker 1: camera discussion, off reader Mike discussion about this because I

1455
01:21:16,720 --> 01:21:18,240
Speaker 1: think I think there's a way we can salvage it.

1456
01:21:18,439 --> 01:21:21,600
Speaker 1: And it's iconic, okay, and it's actually I think we

1457
01:21:21,680 --> 01:21:23,880
Speaker 1: needed to do all the time. But but moving on,

1458
01:21:24,720 --> 01:21:26,840
Speaker 1: let's just say in terms in terms of people that

1459
01:21:27,120 --> 01:21:28,880
Speaker 1: if we're talking culture before we get to I don't

1460
01:21:28,880 --> 01:21:31,240
Speaker 1: think so, honey, and sort of do that. If we're

1461
01:21:31,240 --> 01:21:34,000
Speaker 1: talking culture and people that we wished well and that

1462
01:21:34,120 --> 01:21:38,320
Speaker 1: we were concerned for, Let's just say the conservatorship is over,

1463
01:21:38,720 --> 01:21:48,080
Speaker 1: Britney Spears is free, and I think as a public

1464
01:21:48,560 --> 01:21:51,320
Speaker 1: that we can just and I think everyone is thinking this,

1465
01:21:52,200 --> 01:21:56,120
Speaker 1: we just cannot repeat old mistakes. I think we just

1466
01:21:56,520 --> 01:22:00,320
Speaker 1: leave this woman alone. Leave her alone. She never wants

1467
01:22:00,400 --> 01:22:04,960
Speaker 1: to perform again, that's her prerogative, Okay, come on, I

1468
01:22:05,120 --> 01:22:08,639
Speaker 1: think there is something to maybe investigate with the current

1469
01:22:08,800 --> 01:22:14,040
Speaker 1: boyfriend you potentially, I mean, maybe like I just let's

1470
01:22:14,120 --> 01:22:17,040
Speaker 1: just like, I don't know, but if she seems happy,

1471
01:22:17,400 --> 01:22:20,040
Speaker 1: I think what I want now is to just give

1472
01:22:20,080 --> 01:22:23,400
Speaker 1: her her full autonomy do whatever the hell it is.

1473
01:22:23,520 --> 01:22:26,000
Speaker 1: And by the way, it's fiance and we will see

1474
01:22:26,120 --> 01:22:28,960
Speaker 1: where the where the chips fall. But for right now,

1475
01:22:29,120 --> 01:22:31,599
Speaker 1: I'm like, it's important that we at least give her

1476
01:22:31,640 --> 01:22:35,439
Speaker 1: a fucking chance. So we're giving her the chance. And

1477
01:22:35,560 --> 01:22:37,120
Speaker 1: it's not even it's not even up to any of

1478
01:22:37,240 --> 01:22:39,360
Speaker 1: us to be like she deserves a chance. No, that's

1479
01:22:39,360 --> 01:22:41,800
Speaker 1: what this whole thing was about, Like, let's take our

1480
01:22:41,880 --> 01:22:44,800
Speaker 1: fucking opinions out of it, Let's take our judgment and

1481
01:22:45,360 --> 01:22:48,120
Speaker 1: voyeurism out of it. She's a human being who deserves

1482
01:22:48,200 --> 01:22:50,920
Speaker 1: to do whatever the hell she wants. And you know,

1483
01:22:51,640 --> 01:22:56,200
Speaker 1: unfortunately we will all see what happens. But fortunately she's

1484
01:22:56,240 --> 01:22:59,479
Speaker 1: given that opportunity. And that's how I feel about it

1485
01:23:00,080 --> 01:23:04,479
Speaker 1: at this time. Do you want a morning show plot update? Yes?

1486
01:23:04,640 --> 01:23:07,639
Speaker 1: I always do. What are the third graders writing this time?

1487
01:23:08,200 --> 01:23:11,880
Speaker 1: The third graders are yet again on one. So if

1488
01:23:11,920 --> 01:23:14,200
Speaker 1: you last heard is the teacher? Are they are they

1489
01:23:14,240 --> 01:23:16,639
Speaker 1: still even at school? Are they meeting up? I feel

1490
01:23:16,640 --> 01:23:18,200
Speaker 1: like this is what are you're about to tell me

1491
01:23:18,720 --> 01:23:20,559
Speaker 1: is gonna be so crazy that I'm like, well, they

1492
01:23:20,680 --> 01:23:25,599
Speaker 1: must be meeting up at like you know, fucking Tanners

1493
01:23:25,720 --> 01:23:32,880
Speaker 1: house or something, eating pizza, just like just really going crazy.

1494
01:23:33,560 --> 01:23:35,439
Speaker 1: The teachers on the room. Like last time you gave

1495
01:23:35,479 --> 01:23:37,280
Speaker 1: me the update was like the teacher left. I think

1496
01:23:37,320 --> 01:23:40,720
Speaker 1: the teacher left, and I think comes back to the

1497
01:23:40,760 --> 01:23:44,960
Speaker 1: classroom drunk. I think the teacher leaves. I think the

1498
01:23:45,000 --> 01:23:49,559
Speaker 1: teacher leaves during the day, gets drunk at Applebee's at

1499
01:23:49,640 --> 01:23:52,000
Speaker 1: the bar during the day. It comes at the end

1500
01:23:52,040 --> 01:23:54,160
Speaker 1: of the comes at the end of the day and

1501
01:23:54,280 --> 01:23:57,360
Speaker 1: read what they've written, and it's like, this is the

1502
01:23:57,560 --> 01:24:02,240
Speaker 1: Greg you kid, I love you guys, great writers, and

1503
01:24:02,360 --> 01:24:05,240
Speaker 1: I think that that is the only explanation for what

1504
01:24:05,320 --> 01:24:07,439
Speaker 1: has gone down on the show. But the kids aren't

1505
01:24:07,439 --> 01:24:09,320
Speaker 1: even at the school anymore, is what I'm saying. There's

1506
01:24:09,360 --> 01:24:12,599
Speaker 1: no there's the rules are the rules? The rules keep

1507
01:24:12,680 --> 01:24:14,400
Speaker 1: falling away, Okay, so tell me. It's like when you

1508
01:24:14,439 --> 01:24:16,320
Speaker 1: get excited about a project to school and you actually

1509
01:24:16,360 --> 01:24:18,400
Speaker 1: are excited enough to take it home and work on it.

1510
01:24:18,479 --> 01:24:20,160
Speaker 1: I think what you're I think what you're saying is

1511
01:24:20,920 --> 01:24:24,599
Speaker 1: they're drunk. Teacher is giving them affirmations and they're really excited,

1512
01:24:24,640 --> 01:24:26,760
Speaker 1: and they've worked themselves up into a frenzy to the

1513
01:24:26,800 --> 01:24:29,120
Speaker 1: point where they can write two weeks ago that Steve

1514
01:24:29,200 --> 01:24:32,240
Speaker 1: Carrell drives off a cliff. Steve Carrell is dead. So

1515
01:24:32,360 --> 01:24:34,240
Speaker 1: they actually there was a great episode last week, which

1516
01:24:34,320 --> 01:24:36,280
Speaker 1: is them all reeling from the news that Steve Carell

1517
01:24:36,360 --> 01:24:38,920
Speaker 1: is dead. And I actually left last week thinking, Okay,

1518
01:24:38,960 --> 01:24:41,920
Speaker 1: this actually is a good episode. I'm I'm with it.

1519
01:24:42,200 --> 01:24:44,640
Speaker 1: Jennifer ANSTI continues to do great work. Here's the thing.

1520
01:24:45,040 --> 01:24:48,559
Speaker 1: No one's doing bad work on the cast. Everyone's doing

1521
01:24:48,680 --> 01:24:52,360
Speaker 1: great work. Okay, it is the writing that's a zoo

1522
01:24:53,400 --> 01:24:55,360
Speaker 1: in the best way. I mean, this is my favorite show.

1523
01:24:55,400 --> 01:24:58,760
Speaker 1: I literally I look forward to it every week. A

1524
01:25:00,040 --> 01:25:03,840
Speaker 1: lot happens on this last episode. Jennifer Aniston basically gets

1525
01:25:03,880 --> 01:25:06,840
Speaker 1: canceled because it comes out that she fucked Steve Correll

1526
01:25:06,960 --> 01:25:09,680
Speaker 1: a couple of times and then went to Italy to

1527
01:25:09,760 --> 01:25:13,280
Speaker 1: go see him and write out COVID. So no, no,

1528
01:25:13,439 --> 01:25:15,479
Speaker 1: so they don't. So again, this is a world where

1529
01:25:15,600 --> 01:25:19,439
Speaker 1: Jennifer Aniston, knowing that Italy is a hotspot, flies to Italy,

1530
01:25:20,040 --> 01:25:24,799
Speaker 1: goes to Steve Correll asked him to debunk a rumor

1531
01:25:25,000 --> 01:25:27,000
Speaker 1: that they had sex. He's like, so you want me

1532
01:25:27,080 --> 01:25:29,240
Speaker 1: to lie. She's like, yeah, I want you to fucking lie.

1533
01:25:29,560 --> 01:25:32,280
Speaker 1: Then they have like a whole night together. They don't

1534
01:25:32,320 --> 01:25:35,040
Speaker 1: sleep together, but it's very clear that they are in

1535
01:25:35,240 --> 01:25:38,120
Speaker 1: love and made for each other. She ends up leaving,

1536
01:25:38,479 --> 01:25:40,439
Speaker 1: falling asleep with the wheel and needing to pull over.

1537
01:25:40,600 --> 01:25:42,680
Speaker 1: You think maybe she's gonna get into a car accident. No,

1538
01:25:42,920 --> 01:25:44,920
Speaker 1: it's Steve Correll who drives off a cliff and dies.

1539
01:25:45,800 --> 01:25:49,120
Speaker 1: She flies to America, gets off the plane and is

1540
01:25:49,160 --> 01:25:52,200
Speaker 1: told immediately upon landing that he's dead. So she has

1541
01:25:52,240 --> 01:25:56,680
Speaker 1: a breakdown, goes to his wife's house, apologizes. On the

1542
01:25:56,720 --> 01:26:00,200
Speaker 1: way there, has a huge fight with um duplas. That

1543
01:26:00,360 --> 01:26:02,840
Speaker 1: was iconic. They're just screaming each other in the car

1544
01:26:03,200 --> 01:26:05,960
Speaker 1: and then the sound cuts out, so we're just watching

1545
01:26:06,000 --> 01:26:12,799
Speaker 1: them have meltdowns. Iconic. Oh, they do that when films

1546
01:26:12,840 --> 01:26:16,560
Speaker 1: and TV do that. Yeah. So Jennifer Aniston gets to

1547
01:26:17,000 --> 01:26:20,960
Speaker 1: Steve Carell's wife, who's Mbeth David's, and tells her I

1548
01:26:21,040 --> 01:26:22,400
Speaker 1: wanted to tell you this is about to come out

1549
01:26:22,439 --> 01:26:24,040
Speaker 1: in the book, and also, by the way, he's dead.

1550
01:26:24,400 --> 01:26:27,439
Speaker 1: She's like, okay, thanks for telling me, and then she's like,

1551
01:26:27,479 --> 01:26:29,680
Speaker 1: I want to apologize, and she's like, you knew me,

1552
01:26:30,000 --> 01:26:31,760
Speaker 1: you didn't have to fuck him, and she's like, it

1553
01:26:31,840 --> 01:26:35,120
Speaker 1: only happened twice, and she goes, oh, only twice, and

1554
01:26:35,200 --> 01:26:37,600
Speaker 1: she's like, get the funk out of here. Jennifer Aniston's

1555
01:26:37,600 --> 01:26:40,040
Speaker 1: back is hurting. She she you can tell she has

1556
01:26:40,080 --> 01:26:41,960
Speaker 1: so much stress that's it's carrying up in her back.

1557
01:26:42,640 --> 01:26:44,800
Speaker 1: She can't believe her life. So she comes back from

1558
01:26:44,840 --> 01:26:48,040
Speaker 1: Italy and it is fully working in the morning show studio. Okay,

1559
01:26:48,880 --> 01:26:52,920
Speaker 1: So meanwhile everyone's there, Julianna margin Lass in the throes

1560
01:26:52,960 --> 01:26:56,920
Speaker 1: of a lesbian level fair with a k a. Bradley

1561
01:26:57,000 --> 01:26:59,400
Speaker 1: Jackson who used to be Bradley Jackson, but now it's

1562
01:26:59,479 --> 01:27:02,920
Speaker 1: fully just Reese blonde hair, Reese with this accent. Raley

1563
01:27:03,000 --> 01:27:05,479
Speaker 1: Jackson's kind of gone, but we still stand and we

1564
01:27:05,560 --> 01:27:08,120
Speaker 1: still love it. Her and Julianna Margatie's have about six

1565
01:27:08,200 --> 01:27:11,000
Speaker 1: percent chemistry, but we are buying them as lesbian lovers

1566
01:27:11,200 --> 01:27:15,080
Speaker 1: because we have to. We have to. So Reese's alcoholic

1567
01:27:15,200 --> 01:27:18,360
Speaker 1: brother played by Yes Sarah Barellis's husband, the guy from

1568
01:27:18,400 --> 01:27:22,040
Speaker 1: Mayor vest Town. Oh he's so good. Joe Tippett great

1569
01:27:22,479 --> 01:27:26,560
Speaker 1: great actor. He drunkenly shows up. He's relapsed. He embarrasses

1570
01:27:26,560 --> 01:27:29,120
Speaker 1: her at work and she puts him in a rehab

1571
01:27:29,240 --> 01:27:32,160
Speaker 1: and has to walk away. And that's actually affecting stuff. Okay,

1572
01:27:33,160 --> 01:27:38,719
Speaker 1: So Jennifer Aniston in a book published by Marsha Ka Harden,

1573
01:27:39,200 --> 01:27:42,000
Speaker 1: it's it's come to light that she fucked Steve Carrell.

1574
01:27:42,640 --> 01:27:45,200
Speaker 1: So it looks like she's not going to be canceled.

1575
01:27:45,400 --> 01:27:48,800
Speaker 1: But then footage of her admitting that she went to

1576
01:27:48,880 --> 01:27:51,760
Speaker 1: Italy to go see him leaks because she said she

1577
01:27:51,840 --> 01:27:55,599
Speaker 1: announces this at Steve Carrell's memorial, and of course someone

1578
01:27:55,720 --> 01:27:58,719
Speaker 1: was filming it at this small memorial, it leaks online.

1579
01:27:59,439 --> 01:28:03,479
Speaker 1: How could she not know that? Whatever? Alright, so she

1580
01:28:03,600 --> 01:28:08,320
Speaker 1: didn't know the third graders are on one. There's a

1581
01:28:08,360 --> 01:28:09,960
Speaker 1: lot of bait and switch in like the last ten

1582
01:28:10,000 --> 01:28:12,000
Speaker 1: minutes to the episode. So she wakes up in a

1583
01:28:12,040 --> 01:28:13,960
Speaker 1: cold sweat one night and she looks at Twitter and

1584
01:28:14,040 --> 01:28:17,559
Speaker 1: she's being canceled on Twitter. Furious, she goes to run

1585
01:28:17,680 --> 01:28:20,040
Speaker 1: over to get her phone or something, trips on a shoe,

1586
01:28:20,200 --> 01:28:22,400
Speaker 1: hits her head on the desk, wakes up in a hospital.

1587
01:28:22,920 --> 01:28:26,960
Speaker 1: They say surprise. We says to you, you have COVID

1588
01:28:29,720 --> 01:28:33,680
Speaker 1: and she goes ah and clutches her head, and then

1589
01:28:33,760 --> 01:28:35,400
Speaker 1: it cuts to the rest of the hospital, which is

1590
01:28:35,479 --> 01:28:38,599
Speaker 1: like obviously going crazy with COVID, and you basically leave

1591
01:28:38,680 --> 01:28:42,920
Speaker 1: the episode knowing that she's exposed her entire call it

1592
01:28:43,000 --> 01:28:45,600
Speaker 1: her entire workplace, and all the cast that we know

1593
01:28:45,720 --> 01:28:49,080
Speaker 1: in love to COVID, they all definitely have COVID. That's

1594
01:28:49,120 --> 01:28:51,360
Speaker 1: how we are going into the tenth and final episode

1595
01:28:51,400 --> 01:28:53,800
Speaker 1: of season two. In the Morning Show, Jennifer Anderson has

1596
01:28:53,840 --> 01:28:56,960
Speaker 1: brought Jennifer Anderson is a super spreader who brought COVID

1597
01:28:57,000 --> 01:28:59,240
Speaker 1: back from Italy after Steve pro Dove buff a cliff

1598
01:28:59,320 --> 01:29:01,720
Speaker 1: and she trips or her fucking lubaton, hits her head

1599
01:29:01,760 --> 01:29:04,000
Speaker 1: on the desk, wakes up with COVID in the hospital

1600
01:29:04,280 --> 01:29:08,080
Speaker 1: and now mama, it's March thirteen. The worst part is

1601
01:29:08,360 --> 01:29:16,439
Speaker 1: she's canceled. She's canceled, canceled, canceled. Can you do your

1602
01:29:16,479 --> 01:29:19,240
Speaker 1: impression of her finding out that she has COVID again?

1603
01:29:19,920 --> 01:29:22,720
Speaker 1: She goes not just so she wakes up in the

1604
01:29:22,760 --> 01:29:26,120
Speaker 1: hospital and she oh, who's Her head hurts and she

1605
01:29:26,160 --> 01:29:29,080
Speaker 1: goes and her phone's ring and she goes hello, and

1606
01:29:29,200 --> 01:29:31,720
Speaker 1: they go hey, sorry about what happened. She goes, oh

1607
01:29:32,400 --> 01:29:34,200
Speaker 1: what happened? They go, you hit your head. We know

1608
01:29:34,520 --> 01:29:36,559
Speaker 1: your assistant is not there because she can't be there

1609
01:29:36,760 --> 01:29:40,160
Speaker 1: because not allowed in the hospital. What am I canceled?

1610
01:29:40,280 --> 01:29:42,920
Speaker 1: And they go, yeah, sorry about that too, but it's

1611
01:29:43,040 --> 01:29:46,439
Speaker 1: really sorry about the other thing. She goes, what what else?

1612
01:29:47,080 --> 01:29:50,080
Speaker 1: And they go, they did a test. You're positive for

1613
01:29:50,160 --> 01:29:55,400
Speaker 1: COVID nineteen. And she goes and she like burrows into

1614
01:29:55,479 --> 01:29:57,840
Speaker 1: her pillow and like I think, covers her head with

1615
01:29:57,920 --> 01:30:00,360
Speaker 1: the pillow, and the camera pans over the rest of

1616
01:30:00,360 --> 01:30:04,559
Speaker 1: the hospital in a frenzy. The third graders are giving

1617
01:30:05,280 --> 01:30:09,400
Speaker 1: everything they could give. It's it is my favorite show.

1618
01:30:10,280 --> 01:30:13,120
Speaker 1: I have to really commend the third graders for the

1619
01:30:13,200 --> 01:30:15,680
Speaker 1: bait and switch of you think it's Jen who's going

1620
01:30:15,720 --> 01:30:17,760
Speaker 1: to drive off is going to have an accident, but

1621
01:30:18,240 --> 01:30:21,720
Speaker 1: classic classic. I think I think I think that I

1622
01:30:21,760 --> 01:30:25,040
Speaker 1: think the third graders just watched the season six finale

1623
01:30:25,160 --> 01:30:28,360
Speaker 1: Greys Anatomy, when you think it is about to die

1624
01:30:29,000 --> 01:30:31,240
Speaker 1: but then you find out it's George instead. I think

1625
01:30:31,280 --> 01:30:32,920
Speaker 1: it's very that. I think I think that I think

1626
01:30:32,960 --> 01:30:37,439
Speaker 1: the teacher who was drunk showed everybody that episode and

1627
01:30:37,920 --> 01:30:41,400
Speaker 1: I see Sometimes you can have one character that you

1628
01:30:41,520 --> 01:30:43,639
Speaker 1: make people think it's going to die, but really it's

1629
01:30:43,680 --> 01:30:47,439
Speaker 1: this other character who out of nowhere dies. I think

1630
01:30:47,520 --> 01:30:50,759
Speaker 1: that's the class. You know, what's happening. The third graders

1631
01:30:50,760 --> 01:30:54,200
Speaker 1: are using their imaginations, and I think it's a testament

1632
01:30:54,280 --> 01:30:57,640
Speaker 1: to imagination. The Morning Show is a testament to imagination.

1633
01:30:57,680 --> 01:31:00,920
Speaker 1: It's actually a real culture. Number say in the one

1634
01:31:01,920 --> 01:31:06,599
Speaker 1: The Morning Show. The Morning is the testament imagine nation.

1635
01:31:07,360 --> 01:31:12,240
Speaker 1: Absolutely king, that is what's happening on the Morning Show. Um,

1636
01:31:12,560 --> 01:31:16,360
Speaker 1: I am absolutely devastated that next week is the final episode.

1637
01:31:16,400 --> 01:31:18,280
Speaker 1: It is my favorite show on television, and I will

1638
01:31:18,360 --> 01:31:20,400
Speaker 1: be devastated when it's over. But the good news is

1639
01:31:20,439 --> 01:31:22,320
Speaker 1: I can watch it again and again, and I will.

1640
01:31:22,360 --> 01:31:23,760
Speaker 1: You can watch it again and again, and there will

1641
01:31:23,760 --> 01:31:26,519
Speaker 1: be other shows that you will love. I promise you

1642
01:31:26,680 --> 01:31:29,120
Speaker 1: this a lot of great shows coming out, lots of

1643
01:31:29,200 --> 01:31:31,920
Speaker 1: good stuff coming out, and films I heard being The

1644
01:31:32,040 --> 01:31:34,519
Speaker 1: Ricardo is actually good, Okay, great. I can't wait to

1645
01:31:34,560 --> 01:31:38,160
Speaker 1: see it. I can't wait. Is it time? Unless there's

1646
01:31:38,200 --> 01:31:39,560
Speaker 1: nothing else, I think that it might be time for

1647
01:31:39,560 --> 01:31:50,439
Speaker 1: I don't think so, honey, I think it might be right.

1648
01:31:50,520 --> 01:31:52,000
Speaker 1: I think so, honey, So I don't think so honey.

1649
01:31:52,040 --> 01:31:53,439
Speaker 1: Is that woman a segment that we do when we

1650
01:31:53,520 --> 01:31:55,400
Speaker 1: read have to get something in culture for sixty seconds

1651
01:31:55,439 --> 01:31:59,320
Speaker 1: and I have something. I am so excited you have something.

1652
01:31:59,760 --> 01:32:02,280
Speaker 1: Let me pull up the clock. This is Matt Rodgers

1653
01:32:02,320 --> 01:32:05,040
Speaker 1: is I don't think so honey. As time starts now, sorry,

1654
01:32:05,240 --> 01:32:09,320
Speaker 1: I don't think so honey. Karaoke. So Sudie Green had

1655
01:32:09,439 --> 01:32:12,360
Speaker 1: Alanic birthday party the other night where we did karaoke,

1656
01:32:12,600 --> 01:32:14,519
Speaker 1: and unfortunately, as you can hear in my voice, that

1657
01:32:14,640 --> 01:32:17,200
Speaker 1: is completely gone. I don't think so honey karaoke. There

1658
01:32:17,280 --> 01:32:21,000
Speaker 1: is not a healthy way to do it. There is

1659
01:32:21,120 --> 01:32:24,520
Speaker 1: not a circumstance where you can leave feeling good physically

1660
01:32:25,000 --> 01:32:30,440
Speaker 1: about the way your throat feels. So another thing is emotionally.

1661
01:32:30,600 --> 01:32:32,840
Speaker 1: It's always a question mark because karaoke you can't really

1662
01:32:32,920 --> 01:32:35,120
Speaker 1: hear yourself, so you don't know the vocals are good.

1663
01:32:35,479 --> 01:32:37,640
Speaker 1: I don't think so honey karaoke. There's always that one

1664
01:32:37,680 --> 01:32:39,519
Speaker 1: song you want to do that's not on the list.

1665
01:32:39,760 --> 01:32:42,840
Speaker 1: I don't think so honey karaoke because sometimes the books

1666
01:32:43,080 --> 01:32:45,320
Speaker 1: are so big and you're flipping through them and you

1667
01:32:45,400 --> 01:32:47,559
Speaker 1: just simply can't find I can never decide what I'm

1668
01:32:47,560 --> 01:32:49,880
Speaker 1: gonna do. I don't think so honey karaoke because a

1669
01:32:49,880 --> 01:32:51,840
Speaker 1: lot of these karaoke places don't have their own alcohol

1670
01:32:52,040 --> 01:32:53,680
Speaker 1: to B y O B. So I don't think so

1671
01:32:53,800 --> 01:32:56,400
Speaker 1: honey that. I don't think so honey by B. Culture

1672
01:32:56,800 --> 01:33:01,160
Speaker 1: have things. I don't think so honey karaoke really, mainly

1673
01:33:01,240 --> 01:33:04,600
Speaker 1: because it has taken my voice and I want it

1674
01:33:04,680 --> 01:33:07,240
Speaker 1: back so that I can sing again. I don't think

1675
01:33:07,280 --> 01:33:10,479
Speaker 1: so that's one minute. I'm so sorry, queen that it

1676
01:33:10,600 --> 01:33:12,880
Speaker 1: took something you love to do away from you. It

1677
01:33:13,120 --> 01:33:17,400
Speaker 1: is in theory fun, but it really karaoke culture is

1678
01:33:17,479 --> 01:33:21,080
Speaker 1: shouting culture, and that is harmful culture. It's self harm.

1679
01:33:21,200 --> 01:33:23,800
Speaker 1: Karaokee is self harm. That's role of culture. Number nine.

1680
01:33:24,600 --> 01:33:30,040
Speaker 1: Karaoke is self harm harm. And look, I have a

1681
01:33:30,120 --> 01:33:32,679
Speaker 1: lot of respect for what I would what I would

1682
01:33:32,840 --> 01:33:38,880
Speaker 1: term karaoke people. But I'm also very scared of him,

1683
01:33:39,760 --> 01:33:42,320
Speaker 1: because how you could put yourself in a state of

1684
01:33:42,360 --> 01:33:45,639
Speaker 1: abuse again and again and again is shocking. I will

1685
01:33:45,680 --> 01:33:49,280
Speaker 1: say that I did see some stars at karaoke, Sudie

1686
01:33:49,320 --> 01:33:52,320
Speaker 1: Green and Amanda Shakman saying tell him by Seleen Dion

1687
01:33:52,400 --> 01:33:55,640
Speaker 1: and Barbara Streizing. I've never seen anything like it. It

1688
01:33:55,800 --> 01:33:59,360
Speaker 1: was amazing. They're the Selene and Barbara of our generation. Yes,

1689
01:33:59,520 --> 01:34:03,840
Speaker 1: those two. Yes, a manastructment is our Selene Barbara. I mean,

1690
01:34:03,960 --> 01:34:06,839
Speaker 1: it was so wonderful to see it so well matched.

1691
01:34:07,200 --> 01:34:09,000
Speaker 1: And I did have so much fun. And also I

1692
01:34:09,000 --> 01:34:11,479
Speaker 1: would say out loud, Sudie, I had so much fun

1693
01:34:11,560 --> 01:34:14,240
Speaker 1: at your birthday. It was just the physical effects I

1694
01:34:14,320 --> 01:34:17,519
Speaker 1: felt afterwards that have me saying, I don't think so, honey.

1695
01:34:17,560 --> 01:34:20,400
Speaker 1: Karaoke and any of my best friends they could say,

1696
01:34:20,760 --> 01:34:23,400
Speaker 1: my birthday is that put this thing in here that

1697
01:34:23,479 --> 01:34:25,479
Speaker 1: you don't like doing, and I would be there, honey,

1698
01:34:25,520 --> 01:34:27,439
Speaker 1: to the bitter end. And I was there until when

1699
01:34:27,479 --> 01:34:30,160
Speaker 1: I am singing La La by Ashley Simpson, a song

1700
01:34:30,320 --> 01:34:33,800
Speaker 1: that no one can sing without getting hurt, and I'm

1701
01:34:33,880 --> 01:34:37,719
Speaker 1: doing it. You sang the most dangerous song in the world,

1702
01:34:38,200 --> 01:34:40,360
Speaker 1: seven Rings, Seven Rings, and I was saying, La La

1703
01:34:40,400 --> 01:34:44,360
Speaker 1: by Astley Simpson is literally screaming, yeah, it's it's I mean,

1704
01:34:44,479 --> 01:34:46,080
Speaker 1: I I can't even try to do it right now

1705
01:34:46,120 --> 01:34:50,080
Speaker 1: because it's crazy. I also did careless whisper, I did

1706
01:34:51,000 --> 01:34:54,400
Speaker 1: um we we did wildest dreams, simply not in my key.

1707
01:34:54,600 --> 01:34:56,800
Speaker 1: And that's that's another thing is it's hard to find

1708
01:34:56,800 --> 01:34:58,680
Speaker 1: a song in your key, and the fun songs you

1709
01:34:58,720 --> 01:35:00,559
Speaker 1: want to do as a gay man are we men's songs,

1710
01:35:00,640 --> 01:35:03,240
Speaker 1: and so you have to scream them and then you're hurting.

1711
01:35:04,479 --> 01:35:06,800
Speaker 1: I mean, I still take it over you giving La

1712
01:35:06,920 --> 01:35:10,120
Speaker 1: la because it feels like that Blades of Glory thing

1713
01:35:10,240 --> 01:35:12,240
Speaker 1: where it's like it's that trick that nobody has been

1714
01:35:12,240 --> 01:35:14,320
Speaker 1: able to do without killing the other person. You know,

1715
01:35:14,439 --> 01:35:17,400
Speaker 1: like no one's exactly do it a lot. You are.

1716
01:35:17,720 --> 01:35:20,160
Speaker 1: It's playing as war. It's that same sort of high

1717
01:35:20,320 --> 01:35:25,320
Speaker 1: risk situation, and I commend you. I'm glad you're okay.

1718
01:35:25,960 --> 01:35:27,920
Speaker 1: We kind of sang La la as a group, which

1719
01:35:27,960 --> 01:35:31,000
Speaker 1: I think hurt everyone. You know. Actually I sang it

1720
01:35:31,080 --> 01:35:33,479
Speaker 1: and I could see everyone afterwards like everyone had been

1721
01:35:33,520 --> 01:35:35,639
Speaker 1: at war. They were all like rubbing their So it's

1722
01:35:35,680 --> 01:35:39,479
Speaker 1: like sort of like doing like like you know, with karaoke,

1723
01:35:39,800 --> 01:35:42,280
Speaker 1: there's always another song on the docket and you gotta

1724
01:35:42,360 --> 01:35:44,960
Speaker 1: just pick it up and keep moving. But it's tough

1725
01:35:45,200 --> 01:35:48,439
Speaker 1: and it hurts, and sometimes birthday parties hurt. And I

1726
01:35:48,520 --> 01:35:50,560
Speaker 1: would do it for my sisters, and I would do

1727
01:35:50,640 --> 01:35:54,400
Speaker 1: it every time for my sisters. That's you are STU

1728
01:35:55,240 --> 01:35:58,360
Speaker 1: level loyal. I'm still I'm Heather Gay. I'm not here

1729
01:35:58,400 --> 01:36:01,280
Speaker 1: being like you're heading if Andy es, can you defend

1730
01:36:01,360 --> 01:36:03,640
Speaker 1: that studio a karake birthday? I said, yeah, I mean

1731
01:36:03,960 --> 01:36:07,280
Speaker 1: she wants to do karaoke. She enjoys karaoke, and I would.

1732
01:36:07,360 --> 01:36:10,679
Speaker 1: I would shout my way through any song and pay

1733
01:36:10,760 --> 01:36:13,760
Speaker 1: for it for two days, um every time, every time?

1734
01:36:13,760 --> 01:36:16,360
Speaker 1: Who do you identify with the most? Now? Between the

1735
01:36:16,400 --> 01:36:20,439
Speaker 1: Salt Lake City Housewives, Lisa, I don't think you're a Heather. Yeah,

1736
01:36:20,479 --> 01:36:23,439
Speaker 1: you're Lisa Lisa. I'm Lisa and I wear it is

1737
01:36:23,439 --> 01:36:27,240
Speaker 1: a badge of honor. I think I might be Meredith.

1738
01:36:28,080 --> 01:36:32,920
Speaker 1: You are. We are at least you are huh. We

1739
01:36:33,000 --> 01:36:37,640
Speaker 1: are at Lisa and Meredith and your friendship one is

1740
01:36:37,880 --> 01:36:42,200
Speaker 1: like cool one is doing a little bit too much. Ultimately,

1741
01:36:43,160 --> 01:36:45,040
Speaker 1: if there's ever a conflict that they're going to get

1742
01:36:45,120 --> 01:36:48,000
Speaker 1: through it. You are a fashion icon. I do want

1743
01:36:48,000 --> 01:36:52,040
Speaker 1: to just huge huge TETs. One has gorgeous, humongous TETs.

1744
01:36:52,640 --> 01:36:55,280
Speaker 1: You have that low you have that that low voice,

1745
01:36:56,479 --> 01:37:03,759
Speaker 1: the lang vocal sort of quality. Yea, and my kids

1746
01:37:03,800 --> 01:37:05,479
Speaker 1: one day, if I have them, are going to exist

1747
01:37:05,600 --> 01:37:12,160
Speaker 1: on a combination of McDonald's del Taco and RBS, and

1748
01:37:12,200 --> 01:37:17,320
Speaker 1: they're gonna start a business about wolves. I don't like

1749
01:37:17,479 --> 01:37:20,080
Speaker 1: it's like a it's like a it's like yeah, it's

1750
01:37:20,120 --> 01:37:23,040
Speaker 1: like it's it's like it's like grooming products. And I

1751
01:37:23,320 --> 01:37:26,200
Speaker 1: heard it's pretty good. Actually, okay, I gotta get some

1752
01:37:26,320 --> 01:37:29,959
Speaker 1: fresh here. I am spending five at Only Home Essentials.

1753
01:37:30,200 --> 01:37:31,800
Speaker 1: I gotta buy some fresh Wolf. I think I would

1754
01:37:31,840 --> 01:37:33,720
Speaker 1: enjoy it. I'm gonna do a product review. I will

1755
01:37:33,720 --> 01:37:35,640
Speaker 1: say this to Wendy stuff. I'm so excited she's coming on.

1756
01:37:35,760 --> 01:37:38,800
Speaker 1: The only Housewives product I've bought is one I have.

1757
01:37:39,000 --> 01:37:42,639
Speaker 1: I've not bought Brooks Marks, I have not bought fresh Wolves,

1758
01:37:42,720 --> 01:37:45,960
Speaker 1: haven't bought any you know Lisa Reynist stuff or you know.

1759
01:37:46,120 --> 01:37:49,760
Speaker 1: I I really God, I loved you stuff of so much.

1760
01:37:50,160 --> 01:37:53,480
Speaker 1: I can't say the same. In terms of product consumption.

1761
01:37:53,680 --> 01:37:55,880
Speaker 1: Of course, I have the Brooks I wish I was

1762
01:37:56,200 --> 01:37:59,680
Speaker 1: some more. I bought all of Dr Tiffany Moon's candles

1763
01:38:00,240 --> 01:38:02,960
Speaker 1: O hers are fun. They're really good. And I have

1764
01:38:03,360 --> 01:38:07,000
Speaker 1: I'm drowning any products. And I it's not that I

1765
01:38:07,080 --> 01:38:10,760
Speaker 1: don't want Karen Hugo products. It's that it's specifically lad

1766
01:38:10,840 --> 01:38:13,240
Speaker 1: doom and I don't have a doom apartment. I have

1767
01:38:13,280 --> 01:38:19,200
Speaker 1: an on homos and that's just you have more owner. Yeah,

1768
01:38:19,720 --> 01:38:22,400
Speaker 1: this is time for you. Are you ready? This will

1769
01:38:22,400 --> 01:38:24,160
Speaker 1: be your second. I don't think so many of that episode.

1770
01:38:25,400 --> 01:38:28,200
Speaker 1: I'm so excited this is Bone Yang's second. I don't think,

1771
01:38:28,240 --> 01:38:31,080
Speaker 1: so honey. As time starts now, I don't think, so honey,

1772
01:38:31,479 --> 01:38:36,160
Speaker 1: having fun because I'm not having that right now and

1773
01:38:36,240 --> 01:38:39,160
Speaker 1: I haven't had it in a very long time. Even

1774
01:38:39,240 --> 01:38:42,880
Speaker 1: though I've had lovely moments of you know, going to

1775
01:38:43,000 --> 01:38:48,600
Speaker 1: Ohai with my friends, laughing at work, meeting people I

1776
01:38:48,680 --> 01:38:51,680
Speaker 1: love at work, having that opportunity at work, I'm not

1777
01:38:51,840 --> 01:38:54,680
Speaker 1: having fun. I will say, maybe it is like a

1778
01:38:54,840 --> 01:38:56,920
Speaker 1: winter doldrums thing. This is a sad I don't think,

1779
01:38:57,000 --> 01:38:58,639
Speaker 1: so honey, And maybe it's not one that we post

1780
01:38:58,720 --> 01:39:02,519
Speaker 1: on Instagram. Who handles our social media and who edits

1781
01:39:02,520 --> 01:39:05,880
Speaker 1: are lovely? I don't think so honey. Videos. We love

1782
01:39:05,920 --> 01:39:09,720
Speaker 1: Spencer so much, He's iconic. Um, I'm just, you know,

1783
01:39:10,040 --> 01:39:14,599
Speaker 1: in the words of Stephanie Germinata, I'm not having fun tonight,

1784
01:39:15,479 --> 01:39:18,600
Speaker 1: and tonight is a long time in my and my

1785
01:39:18,800 --> 01:39:23,160
Speaker 1: sort of um clock, So yeah, I would love to

1786
01:39:23,240 --> 01:39:26,000
Speaker 1: have fun at some point soon. I haven't felt real

1787
01:39:26,120 --> 01:39:27,560
Speaker 1: joy in a long time. I did go on a

1788
01:39:27,640 --> 01:39:30,720
Speaker 1: good date this week, a couple of good dates. And

1789
01:39:31,040 --> 01:39:33,479
Speaker 1: that's that. Tell us about that, tell us about, tell

1790
01:39:33,560 --> 01:39:35,000
Speaker 1: us about you're a good day. I'm gonna be at

1791
01:39:35,040 --> 01:39:37,120
Speaker 1: gel Briant say. I don't want to say too much,

1792
01:39:37,160 --> 01:39:39,640
Speaker 1: but it was lovely and you know, you know, to

1793
01:39:39,800 --> 01:39:42,040
Speaker 1: have this, to have a good date on the week

1794
01:39:42,080 --> 01:39:48,120
Speaker 1: of Red Taylor's version Begin Again, incredible, It's begin again.

1795
01:39:48,520 --> 01:39:53,720
Speaker 1: It's begin again. It's treacherous, it's stated grace. It's I'm like,

1796
01:39:56,080 --> 01:39:57,960
Speaker 1: well and well, no, no, no, I just it timed

1797
01:39:58,000 --> 01:40:00,160
Speaker 1: out really well. Yeah, it sounds like it will day.

1798
01:40:00,160 --> 01:40:03,040
Speaker 1: It was a great day. I love good dates. I

1799
01:40:03,200 --> 01:40:06,920
Speaker 1: was like, whoa, I really didn't think this could happen again.

1800
01:40:12,240 --> 01:40:15,559
Speaker 1: We love it. I feel vulnerable sharing that. That's okay.

1801
01:40:15,840 --> 01:40:19,120
Speaker 1: You know, you know when you express vulnerability, see, that's

1802
01:40:19,200 --> 01:40:22,360
Speaker 1: the vulnerability that the judges are looking for. And when

1803
01:40:22,400 --> 01:40:25,760
Speaker 1: you express vulnerability, we feel like we know you, and

1804
01:40:25,880 --> 01:40:27,800
Speaker 1: that's what we want. We want the connection. We want

1805
01:40:27,840 --> 01:40:29,240
Speaker 1: to know that that person on the other side of

1806
01:40:29,280 --> 01:40:30,920
Speaker 1: the screen, whether there are a million miles away, that

1807
01:40:30,960 --> 01:40:32,599
Speaker 1: they're a little bit more like us than we thought.

1808
01:40:33,200 --> 01:40:35,880
Speaker 1: And we think the number one, we think, we know

1809
01:40:36,000 --> 01:40:38,920
Speaker 1: he's funny. We want to know he's real. You you

1810
01:40:39,080 --> 01:40:43,360
Speaker 1: are RuPaul. I could step into RuPaul drag if you will,

1811
01:40:43,840 --> 01:40:46,680
Speaker 1: very easily, because I think Rue is really one of

1812
01:40:46,720 --> 01:40:49,599
Speaker 1: the most influential people in pop culture. When you say

1813
01:40:51,560 --> 01:40:56,680
Speaker 1: absolutely does a little culture number seven, Rue is one

1814
01:40:56,720 --> 01:41:00,920
Speaker 1: of the most influential people about culture. Oh my God,

1815
01:41:02,760 --> 01:41:07,679
Speaker 1: and now, Matt, Oh, the way you've lifted my spirits

1816
01:41:07,720 --> 01:41:10,479
Speaker 1: warmed my heart on this cold, cold night in my apartment.

1817
01:41:10,640 --> 01:41:13,240
Speaker 1: I you always cease to amaze me. In the words

1818
01:41:13,280 --> 01:41:16,639
Speaker 1: of Little Mama on America's Next Best Dance Crew, that's

1819
01:41:16,720 --> 01:41:19,400
Speaker 1: my job as your clown best friend, Babe. I'm I

1820
01:41:19,520 --> 01:41:21,960
Speaker 1: say you smiling and laughing, and you were not doing

1821
01:41:22,000 --> 01:41:25,200
Speaker 1: that at the beginning. And at the beginning, big old

1822
01:41:25,360 --> 01:41:29,120
Speaker 1: check mark, you are not. You are not obligated to

1823
01:41:29,240 --> 01:41:32,680
Speaker 1: do that with me. That is my joy to do that. Well,

1824
01:41:32,760 --> 01:41:35,200
Speaker 1: as long as you're happy, then I'm happy. But I

1825
01:41:35,240 --> 01:41:37,080
Speaker 1: don't want you to ever feel like work for you

1826
01:41:37,200 --> 01:41:40,200
Speaker 1: that you have to like get me, get me lifted

1827
01:41:40,640 --> 01:41:43,960
Speaker 1: up like you always I I will always be happy

1828
01:41:44,040 --> 01:41:46,160
Speaker 1: when I see you and talk to you. You don't

1829
01:41:46,160 --> 01:41:47,840
Speaker 1: have to put there's you don't have to put any

1830
01:41:47,920 --> 01:41:50,800
Speaker 1: effort in. I'm just happy to see my very good friend,

1831
01:41:50,920 --> 01:41:54,840
Speaker 1: my best friend, even Matt Rogers. That's so kind, and

1832
01:41:54,880 --> 01:41:56,360
Speaker 1: I'm always so happy to see you. I want to know.

1833
01:41:56,400 --> 01:41:57,760
Speaker 1: I'm checking on your well being right now. Do you

1834
01:41:57,800 --> 01:42:00,439
Speaker 1: have a space heater? No, not even space or I

1835
01:42:00,479 --> 01:42:02,880
Speaker 1: don't know. I'll they're probably look at it tomorrow morning.

1836
01:42:02,920 --> 01:42:05,840
Speaker 1: I hope it will be resolved by then. But tonight

1837
01:42:05,880 --> 01:42:09,000
Speaker 1: I'm gonna like really fucking layer up under the covers

1838
01:42:09,640 --> 01:42:13,200
Speaker 1: or something. Why don't you get a hotel? Hotel? No,

1839
01:42:13,680 --> 01:42:17,920
Speaker 1: I'm not. I was gonna do work. I was gonna

1840
01:42:17,960 --> 01:42:21,040
Speaker 1: do that last night. But tonight I maybe I'll do that.

1841
01:42:21,360 --> 01:42:23,880
Speaker 1: Do it. Get a hotel close to work, or order

1842
01:42:24,000 --> 01:42:26,760
Speaker 1: room order room scurce for yourself tonight. If I was you,

1843
01:42:26,840 --> 01:42:28,200
Speaker 1: I would go over there like and do like a

1844
01:42:28,280 --> 01:42:30,920
Speaker 1: late night moment and just turn around for myself real

1845
01:42:31,000 --> 01:42:32,920
Speaker 1: close to work, have so that you can walk. It

1846
01:42:32,960 --> 01:42:35,599
Speaker 1: could be kind of fun. I'm just snabe. I'll consider

1847
01:42:35,680 --> 01:42:39,320
Speaker 1: I'll consider um anyway. Well, I loved this episode. We

1848
01:42:39,439 --> 01:42:44,519
Speaker 1: covered a lot covered Tay Laura. That's hey, Laura, brav

1849
01:42:44,760 --> 01:42:48,959
Speaker 1: X Tay Laura will. We absolutely love what you've done, Adele.

1850
01:42:49,439 --> 01:42:54,280
Speaker 1: You are coming, so is Wendy. Gag. The fact that

1851
01:42:54,360 --> 01:42:57,400
Speaker 1: the most the most thrilling part of this episode happened

1852
01:42:57,400 --> 01:43:01,439
Speaker 1: in the middle. Matt can confirm that Wendy is my favorite.

1853
01:43:02,080 --> 01:43:04,479
Speaker 1: Oh yeah, you've been saying. And when you levied the

1854
01:43:04,520 --> 01:43:07,960
Speaker 1: accusation that I was not firmly team Wendy, I was like, no,

1855
01:43:08,360 --> 01:43:10,639
Speaker 1: I said, in the words of Wendy, I said, baby,

1856
01:43:11,400 --> 01:43:14,400
Speaker 1: let me correct the record. I am teams And when

1857
01:43:14,720 --> 01:43:18,600
Speaker 1: I'm sorry, I'm sorry that I am so excited I

1858
01:43:18,840 --> 01:43:21,760
Speaker 1: can't even tell you if it's next week. Fuck yeah,

1859
01:43:22,280 --> 01:43:24,640
Speaker 1: Well we will let everyone know. We will let everyone know,

1860
01:43:24,920 --> 01:43:29,719
Speaker 1: but trust and believe we will craft a very good episode.

1861
01:43:29,880 --> 01:43:33,000
Speaker 1: We will ask her all the right questions, making fun,

1862
01:43:34,200 --> 01:43:36,280
Speaker 1: make it insightful. There's no way it won't be insightful

1863
01:43:36,320 --> 01:43:40,439
Speaker 1: when it's Wendy. I mean, Wendy just always always speaks truth.

1864
01:43:41,000 --> 01:43:43,360
Speaker 1: She's the best, and she's got the book coming out

1865
01:43:43,479 --> 01:43:45,960
Speaker 1: that tears of my Mother, and she's got the line,

1866
01:43:46,040 --> 01:43:48,720
Speaker 1: and she's got the fucking Potomac reunion after a whole

1867
01:43:48,760 --> 01:43:51,559
Speaker 1: season that was great and what's gonna be so fun?

1868
01:43:51,720 --> 01:43:55,880
Speaker 1: Can't wait can't wait, baby, baby, baby, can't wait. We

1869
01:43:56,120 --> 01:44:01,960
Speaker 1: end every episode with a song two headlight shot, dude,

1870
01:44:03,160 --> 01:44:10,800
Speaker 1: less night, get you you keep changing keys? Do I

1871
01:44:11,920 --> 01:44:18,639
Speaker 1: glass going through my mind? I think you should think

1872
01:44:18,720 --> 01:44:26,960
Speaker 1: you should know that nothing thing is worth driving. Following

1873
01:44:27,400 --> 01:44:38,160
Speaker 1: follow you are, follow you follow I love it. Bye bye,