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Speaker 1: So yesterday I am sitting down and my phone beats

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Speaker 1: and it says Bank of America did you authorize fifty

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Speaker 1: four dollars to door Dash? And I said, why no,

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Speaker 1: I didn't.

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Speaker 2: Oh, so I called the bank and they said you

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Speaker 2: should go on your app and check out how many

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Speaker 2: door dashes you've ordered in the last hour. And so

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Speaker 2: I go on and there are seventeen door Dash orders.

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Speaker 2: You're so hungry from a hundred and five dollars at McDonald's.

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Speaker 1: So I was like, okay, So in my.

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Speaker 3: Car, my car, was there any party that was like

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Speaker 3: did I?

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Speaker 2: So it was like it was like twelve or fourteen

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Speaker 2: hundred dollars in an hour today?

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Speaker 3: Do you think it was one person or you just

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Speaker 3: got hacked? In like fourteen people were shit, that's my guess.

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Speaker 1: Is I got hacked.

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Speaker 2: So obviously I was like, this is not me and

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Speaker 2: we have to go back and find the first one

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Speaker 2: where it's like, no, wait, that was my first one.

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Speaker 2: But in like an hour, someone had taken my card

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Speaker 2: information and put fourteen hundred dollars on door dash.

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Speaker 4: Okay, question was it all going to the same address.

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Speaker 2: No, apparently it wasn't going to the same place, and

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Speaker 2: a bunch of them like this. Yere's the thing that

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Speaker 2: was weird, Like eleven of the charges were for exactly

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Speaker 2: the same amount of money fifty four dollars and thirty

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Speaker 2: eight cents or.

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Speaker 1: Something like that.

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Speaker 2: Right, so this is the second time in my life

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Speaker 2: either somebody stolen my stuff or I got full on

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Speaker 2: identity scam.

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Speaker 1: Does that happen either?

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Speaker 4: Hear me out they're ordering food. I feel like you

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Speaker 4: should let them do it. I feel I feel like someone.

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Speaker 5: Want their food.

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Speaker 1: I want to take the food.

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Speaker 4: Out of the someone is is robin hooding you?

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Speaker 1: I yes, but you would lose so fourteen hundred dollars

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Speaker 1: in an hour.

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Speaker 3: Think about if you I can see Dan yell be like,

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Speaker 3: well they must need it, and they put you two days.

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Speaker 4: Later a different I'm saying, if it was going to

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Speaker 4: one house, I would say, you know what, there's no

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Speaker 4: way you could eat that much food. It's not possible.

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Speaker 1: It's got to be a scam. Though.

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Speaker 2: If that many of them for are for exactly the

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Speaker 2: same amount of money, it's not like some Robin Hood

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Speaker 2: guy was like, I'm sending fifty I.

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Speaker 4: Think they figured out what triggers the amount and they go.

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Speaker 4: Anything under sixty bucks goes by unscathed.

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Speaker 2: Well yeah, and if this is a robin Hood situation,

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Speaker 2: call me the Sheriff of Nottingham.

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Speaker 1: I'm going to burn down their entire villa. So no

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Speaker 1: problem with that. Don't take my stuff. I don't take

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Speaker 1: my it's taking your stuff. It's just taking your money.

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Speaker 1: That's my stuff. And buy food food, Well, I don't care,

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Speaker 1: don't care my money. Have you has that ever happened

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Speaker 1: to you?

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Speaker 6: Have you?

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Speaker 1: Have you guys ever had your identity stolen or any

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Speaker 1: money taken from like.

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Speaker 4: Oh I okay, yeah, I just last year had a

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Speaker 4: batch of checks stolen from the mailbox and dollars taken

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Speaker 4: out over over the course of a few weeks. Wrote checks.

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Speaker 4: They didn't even try. There was one check that was

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Speaker 4: for like thirty seven hundred dollars they wrote, and in

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Speaker 4: the memo they wrote refrigerator repair. Oh, I'm sorry, you

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Speaker 4: repaired a refrigerator for thirty seven hundred dollars. You could

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Speaker 4: go buy a you could buy a regular refrigerator and

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Speaker 4: fill it with gold for thirty seven hundred dollars.

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Speaker 1: Maybe that's what they were doing. They was robin Hood,

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Speaker 1: and they were.

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Speaker 2: Filled they were trying to keep the food the family.

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Speaker 1: You should have cared, I was, I should have left that.

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Speaker 4: No, it was really you know what was really annoying

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Speaker 4: about it is that the minute they flagged it as

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Speaker 4: fraud and contacted me and were like, whoa, hey, I

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Speaker 4: think this is fraud, it was like, yes, that obviously

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Speaker 4: all of these very much are some of the not

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Speaker 4: signed by me at all. None of the signatures matched.

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Speaker 4: Even the handwriting was all different, so it looked like

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Speaker 4: multiple people writing checks to different things. So I immediately

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Speaker 4: closed the account and opened a new account. And yet

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Speaker 4: the bank, which shall remain nameless, continued to cash checks

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Speaker 4: from the new account using the old checks from the

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Speaker 4: old checking account. So even after it was like oh wow, well,

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Speaker 4: thank goodness we got a hold of it. Now another

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Speaker 4: like seventy five hundred dollars left the new account, it

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Speaker 4: was like, how is this happening? And they were like, oh, sorry,

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Speaker 4: it's because there's a thirty day period where anything you

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Speaker 4: have technically the two accounts are kind of linked for

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Speaker 4: thirty days in case there's something outstanding that you have.

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Speaker 4: It's like, stop doing that, stop it, just stop it.

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Speaker 4: I'd rather one of my checks bounce then for anyway.

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Speaker 4: So yeah, writer, you've got to have been robbed. I

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Speaker 4: mean that's how they get.

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Speaker 1: You riter, how they get your writer.

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Speaker 3: I the only I mean, yes, like little credit card

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Speaker 3: things and stuff here and there. But actually, do you

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Speaker 3: guys remember when like I lost one of my best

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Speaker 3: friends when we were doing Boy because he stole money

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Speaker 3: from me.

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Speaker 4: Oh, I don't remember, got that story, but.

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Speaker 3: Yes, yeah, I was, like I guess, so it was

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Speaker 3: probably to probably write about season four, like write about

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Speaker 3: where we're recapping.

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Speaker 1: But yeah, I had I like one of my closest friends.

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Speaker 3: I had like two friends, one of them I still have, Nathan,

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Speaker 3: and then my other best friend I'm not going to

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Speaker 3: name him, but we were like inseparable. We were like

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Speaker 3: the Three Musketeers from maybe thirteen on thirteen until like

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Speaker 3: this time at seventeen. And yeah, like he he had

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Speaker 3: this this summer. I guess it was over the summer

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Speaker 3: or whatever. He just got he started going to raves

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Speaker 3: and getting into like drugs and experimentation and like, which

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Speaker 3: a lot of people were, but like I wasn't, and

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Speaker 3: my buddy Nathan wasn't. We were kind of like separating

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Speaker 3: from him in some ways, but he suddenly like was

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Speaker 3: buying everything, like buying stuff for people all the time,

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Speaker 3: and like he would show up and like and we'd

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Speaker 3: be like, what's going on, you know, And it was

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Speaker 3: just kind of like this weird time and and but

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Speaker 3: we were still seeing each other.

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Speaker 1: And then like.

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Speaker 3: At some point we decided I hadn't seen him for

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Speaker 3: a little while, and we decided to throw a party

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Speaker 3: at my house because my parents were in Hawaii. And

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Speaker 3: not that we were throwing a party without my parents

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Speaker 3: and all this, it was just that we had the

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Speaker 3: whole house to ourselves.

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Speaker 1: My parents would always let us like have people over.

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Speaker 3: So we so this friend and I and Nathan were like, well,

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Speaker 3: let's let's let's have a night to get back together

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Speaker 3: because we hadn't seen each other for a while. We're

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Speaker 3: like yes, And we threw this giant party and and

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Speaker 3: like all all of our friends from basketball came and

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Speaker 3: like we got to see everybody and like, so it

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Speaker 3: was just a great time. And then the next morning

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Speaker 3: I wake up and it's me and him and Nathan,

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Speaker 3: and Nathan has to go home, so we say goodbye.

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Speaker 3: So it's just him and me at the house. We're

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Speaker 3: cleaning up and talking about the night before where my

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Speaker 3: dad calls from Hawaii and he's.

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Speaker 1: Like, hey, have you know do you still have your

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Speaker 1: ATM card?

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Speaker 3: And I'm like, god, yeah, I did lose my ATM

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Speaker 3: card like a couple of month, like a month and

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Speaker 3: a half ago or two months ago. And he's like, Okay,

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Speaker 3: well I got called from the bank. Somebody's been taking

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Speaker 3: your money out, uh and using your code for the

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Speaker 3: last like month and a half two months and taking

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Speaker 3: you know, I think it was like fifteen hundred dollars

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Speaker 3: over the course. And I was like, oh, oh my god.

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Speaker 3: And he's like yeah, but you know, he's like, here's

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Speaker 3: what they said. They said that people usually end up

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Speaker 3: admitting it because you had to have given the code

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Speaker 3: to somebody. So they're gonna say you have to you know. Uh,

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Speaker 3: they're gonna find the cameras. They're gonna have cameras at

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Speaker 3: these ATMs, so tell people start saying telling your friends

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Speaker 3: now that like they're gonna get a camera. Smart I know.

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Speaker 3: And I'm like okay, and he's like, you know, he's

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Speaker 3: like he's like, I don't know who you know, He's like,

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Speaker 3: and I'm like, well, I could you know and I'm short.

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Speaker 3: I started thinking about who this could be, and I

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Speaker 3: hang up the phone and I turned to my buddy

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Speaker 3: and I'm like, oh my god, could it be so INSTI?

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Speaker 3: And we're like going through the list together and he's like, yeah,

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Speaker 3: I don't know. And I'm like, yeah, dude, like it's

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Speaker 3: got be And I like nail it down to like

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Speaker 3: a couple somewhat shady people, because you know, when you're

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Speaker 3: a teenager, you hand your credit card?

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Speaker 5: Are your ATM card? Be like you two go twenty books?

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Speaker 5: And at least I did.

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Speaker 1: And I was a kid.

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Speaker 5: Yeah, And so he's like and I'm like okay.

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Speaker 3: And then and then I'm like on the phone with Nathan,

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Speaker 3: who had gone home, and he's like, well, you.

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Speaker 1: Know who has had your credit you're ATM. And I'm

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Speaker 1: like what. He's like, so and so.

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Speaker 3: And I look out the window at so and so

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Speaker 3: who's at the house with me, and he's sitting there

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Speaker 3: smoking a cigarette. He had like quit smoking. I see

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Speaker 3: that he's like sitting outside my house, like smoking.

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Speaker 4: Nervous and counting money.

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Speaker 3: And I'm like, oh no, oh god. And Nathan's like, yeah, dude,

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Speaker 3: he he I saw him. He had it like a

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Speaker 3: couple of weeks ago, and I asked him about it

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Speaker 3: and he was like and said, I hang up the phone,

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Speaker 3: walk outside, and my buddy's like, can I just can

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Speaker 3: you hold my hand? And I'm like okay, And he's like,

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Speaker 3: I feel so bad and I'm so sorry, and you know,

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Speaker 3: and he just tells me the truth that he's been

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Speaker 3: stealing money from me for like the last two months.

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Speaker 3: And it was awful, I mean, and I was like,

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Speaker 3: what do I do? Man, Like yeah, you know, and

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Speaker 3: like I know, I know, the worst part about it

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Speaker 3: is like that, I know, I know why he thought

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Speaker 3: it would be okay, because you know, I was one

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Speaker 3: of these kids who like had money and like had

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Speaker 3: money to a degree that and I was generous with it.

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Speaker 3: And he knew that I didn't really care about money.

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Speaker 3: He knew that ultimately, if he needed money, I would

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Speaker 3: always get but he stole it from me.

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Speaker 1: You know.

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Speaker 3: And so then we went into this weird period for

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Speaker 3: several months where I didn't know how to, Like, I

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Speaker 3: didn't want to cut him out of my life because

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Speaker 3: I loved him and he loved you know. We was

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Speaker 3: like I want to be a friend, but of course

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Speaker 3: my parents were like, he's we have to tell his parents,

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Speaker 3: and he didn't want them to tell his parents. He

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Speaker 3: was like, oh, I'll just pay you back over time.

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Speaker 3: And so my parents were like, writer, do you want

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Speaker 3: to work this out with him alone? And I was like, yeah,

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Speaker 3: let us work it out. He'll just pay me slowly

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Speaker 3: over you know. And then after like a couple like

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Speaker 3: after doing that for like a week, my dad was like, no, Like,

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Speaker 3: if I was this kid's parent, I would need to know,

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Speaker 3: like he still lives with his parents. So my dad

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Speaker 3: called his dad, and then his dad, who was this

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Speaker 3: hardcore like kind of like more authoritarian, he like worked

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Speaker 3: for the boy Scouts and like he like came down

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Speaker 3: hard on his son. It was like, oh, and I

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Speaker 3: felt bad, but also, you know, you stole money from

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Speaker 3: me for Yeah, it was awful, and it was just

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Speaker 3: it was the dissolution of the friendship, you know, but

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Speaker 3: it was like a slow dissolution.

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Speaker 1: It was just so painful.

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Speaker 5: Because I wanted to be able to say I can

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Speaker 5: forgive you.

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Speaker 3: I understand you just got caught up in this period

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Speaker 3: and thought that you could get away with it or

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Speaker 3: pay me back or I don't know what, but that Ultimately,

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Speaker 3: the trust was just.

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Speaker 1: Ruptured and it was like we could never get this back.

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Speaker 5: So it was pretty devastating.

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Speaker 3: Yeah, it was like the one of the worst like losses.

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Speaker 3: And you know, we've seen each other over the years

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Speaker 3: and it's like fine, and obviously I wanted. Like in retrospect,

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Speaker 3: I can pretty much chalk it up to like teenage stuff, you.

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Speaker 1: Know, like me and teenagers. It's just on a scale

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Speaker 1: that's so much higher.

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Speaker 3: Than like, you know, it's not like he stole even

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Speaker 3: like five bucks from me or whatever. It's right, and

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Speaker 3: the fact that he did it repeatedly that was like

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Speaker 3: one of the hardest parts is like, over like a

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Speaker 3: month and a half, two months, you're going and consciously

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Speaker 3: taking out one hundred dollars taking another two hundred dollars.

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Speaker 1: It's like that's sneaky that it's this is hard to forgive,

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Speaker 1: you know. Guys.

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Speaker 4: Still, I still have faith that Will can work it

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Speaker 4: out with his thief and they could be best friends. Yeah,

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Speaker 4: we already know he likes to work for McDonald's.

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Speaker 1: You guys have a bird wor's thing.

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Speaker 2: I know McDonald's well enough to note it doesn't taste

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Speaker 2: the same if it's delivered to your house.

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Speaker 4: You're right, you gotta go get it there to Shae,

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Speaker 4: to Shay, thank you. Welcome to Pod Meets World.

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Speaker 7: I'm Danielle Fischel, I'm rather er Strong, and I'm Wilfordell.

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Speaker 4: Welcome to this season four. Recap of episode to Hair Today,

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Speaker 4: Goon Tomorrow. It originally aired September twenty seventh, nineteen ninety six.

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Speaker 4: The synopsis to Panga takes drastic measures to prove to

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Speaker 4: Corey that looks aren't important, but when Topega gets a

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Speaker 4: stunning makeover, Corey starts to feel even more self conscious.

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Speaker 4: It was direct by Jeff McCracken, written by Susan Estelle Jansen.

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Speaker 4: Before I jump into guest stars, do you guys want

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Speaker 4: to say overall thoughts? I? How did you feel watching

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Speaker 4: the episode?

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Speaker 1: What?

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Speaker 4: What were you thinking?

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Speaker 1: Uh? I think it's a perfect episode.

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Speaker 4: It's perfect, kind of a literal scene by scene perfect episode.

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Speaker 5: It's a perfect epode.

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Speaker 3: I mean only I did think well, I did think

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Speaker 3: the A story could have been like I wasn't laughing

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Speaker 3: all that much during the A story.

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Speaker 5: But it doesn't matter. Like it's like like there have

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Speaker 5: been funnier episodes of Boy.

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Speaker 1: Met world for sure. Sure, real story. One of the

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Speaker 1: funniest ever.

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Speaker 3: The funniest things I've ever seen. One of the funniest

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Speaker 3: things is hysterical. But the A story wasn't like super funny,

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Speaker 3: but I don't care.

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Speaker 4: Because telling so fun great.

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Speaker 1: Oh my god, it was just like yeah, perfect at

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Speaker 1: least for me. We're two for two for season four.

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Speaker 1: Season four is starting gangbusters, gangbusters.

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Speaker 3: This episode was just wonderful, and it's like it's like

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Speaker 3: all the things that you want, like Turner's back, Turner

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Speaker 3: has a literary involvement, like literally everything I would have

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Speaker 3: asked for, Dan Topanga and Sean having a moment that

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Speaker 3: it's built on their relationship and Corey coming from a

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Speaker 3: place of insecurity and like like just perfectly positioned as

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Speaker 3: like this, you know, scared kid, like learning.

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Speaker 4: About kid and also finding spaces to to to comfort

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Speaker 4: other people who are also going through things like there

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Speaker 4: for Tapanga, but also like every not a single shot

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Speaker 4: wasted in this episode. I also will say, I cannot

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Speaker 4: believe I did not remember that good looking detective you're

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Speaker 4: cutting your episode same episode, because I remember every single

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Speaker 4: moment of your be storyline will every single of it,

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Speaker 4: and I remember it being my favorite Eric thing that

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Speaker 4: had ever happened, and so obviously you would think that

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Speaker 4: I would go, well, of course, he's got this great

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Speaker 4: storyline and it's the same week I get my big

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Speaker 4: haircutting storyline. But no, I also so remember all of

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Speaker 4: the details about dating the Towny and yet didn't remember

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Speaker 4: that the Towny episode is the same episode as Good

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Speaker 4: Looking Detective.

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Speaker 1: You just hit everything I said to to the point

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Speaker 1: where when I turned it on last night, I'm watching

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Speaker 1: it with Sue and I came up with the bathrobe

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Speaker 1: in the cocopas I'm like, oh, this is the same episode.

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Speaker 1: How was this the same episode? Idea? No, idea, Yes,

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Speaker 1: it was.

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Speaker 4: Literally perfect television.

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Speaker 1: It is. I agree. It was an incredible This might

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Speaker 1: be my favorite overall episode of the entirety.

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Speaker 4: This might be my number one favorite episode of the

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Speaker 4: series too.

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Speaker 2: Even the guest The guest cast was great, like everybody,

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Speaker 2: all the guest stars were amazing, too.

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Speaker 1: Perfect.

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Speaker 5: If you were to say, like, what is the like?

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Speaker 3: Because because because I do think that, like all as

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Speaker 3: much as I've loved other episodes in some ways more

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Speaker 3: they're not as balanced, but this one balances the drama

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Speaker 3: on the comedy so perfectly.

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Speaker 1: That scene with the.

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Speaker 3: Towny is just like the tawny girl day, like is

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Speaker 3: just wonderful because it's like completely not played for comedy.

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Speaker 3: It's just played for like life lesson and not in

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Speaker 3: the like dramatic.

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Speaker 5: Like Moby, like tell you how you feel, no shame,

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Speaker 5: just like, oh, it's so good.

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Speaker 1: It's all so good.

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Speaker 3: And then yeah, I didn't even think about it until

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Speaker 3: just hearing you say that now, Danielle. Like the fact

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Speaker 3: that the good looking guy is thematically linked to your

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Speaker 3: storyline too, and like about good look, it's.

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Speaker 4: So good, it's so incredible. It feels truly, it feels

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Speaker 4: like this episode could be its own class in sitcom writing,

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Speaker 4: like you every the scenes were the right amount of time,

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Speaker 4: like they were, they were a good length. I loved

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Speaker 4: every single thing about writer Susan Estelle Jansen.

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Speaker 1: Oh wow, Okay, it's so good. I don't normally say

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Speaker 1: this about us either, but we're all great in this.

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Speaker 4: We are phenomenal. Truly, every single person brought their a

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Speaker 4: game this week. Ben is in a plus form, writers

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Speaker 4: in a plus form, like you mentioned, Will the guest

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Speaker 4: cast is incredible, Will you are this is the best

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Speaker 4: I've ever seen you.

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Speaker 1: I don't disagree. This is we don't disagree, hands down

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Speaker 1: and oh.

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Speaker 3: Then the guest casts with the guy who plays the

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Speaker 3: haircut dude walk in do one like over the top

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Speaker 3: kind of bit.

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Speaker 5: But I loved it.

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Speaker 2: And huge, huge stand up comedian, good friend Jerry Seinfeld.

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Speaker 1: Everybody nailed it. This was such a good.

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Speaker 4: Tony makes it through that scene where he has and

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Speaker 4: not laughing, and I think he must have I kind

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Speaker 4: of had memories of.

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Speaker 1: Time.

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Speaker 4: Okay, I'm so excited. I always worry if we like

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Speaker 4: all love an episode so much, it's gonna be boring.

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Speaker 4: But I am bubbling at the seams with how much

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Speaker 4: I want to talk about this episode. It's so good.

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Speaker 1: So let me jump into the guest start.

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Speaker 4: Anthony Tyler Quinn aka Tony Quinn our mister Turner. He

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Speaker 4: returns after missing the season premiere. He's, of course, Jonathan Turner.

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Speaker 4: Stand up comedian dom Irera is Did I Say Myrara

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Speaker 4: appears as Busco, also known for roles on Seinfeld, The

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Speaker 4: King of Queens and the cult cartoon, Doctor Katz professional Therapist,

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Speaker 4: and Dana Dowry as Tammy, who you might recognize from

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Speaker 4: the early two thousands show Providence.

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Speaker 1: Also at the time Jason Marsden's live in girlfriend. She

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Speaker 1: and Jason lived together.

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Speaker 4: That's why I remembered her so well.

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Speaker 1: She was she and Jason were together for a while.

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Speaker 4: She should have been in everything was great, so good.

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Speaker 4: Gosh her line delivery of you have your parents helping you?

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Speaker 1: Oh yeah, oh wow.

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Speaker 4: And then will Esties returns to Boy Meets World. This

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Speaker 4: time is Dylan, who was different than Alex, who he

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Speaker 4: played in season two's Career Day.

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Speaker 1: Twins Twins, Oh, it's a phoebe Ursula thing from.

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Speaker 6: Friends Hillary Hillary talk was absolutely you just never see

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Speaker 6: them because they're on different levels of the tower and.

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Speaker 4: They never talk about it.

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Speaker 1: Correct, right, So I figured it out.

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Speaker 4: We jump into the episode with our new convertible credits opening,

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Speaker 4: and this is where I noticed, because it's this episode,

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Speaker 4: the season premiere opening was a spoiler for my haircut.

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Speaker 4: Mm hmm, because my hair is cut. I didn't think

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Speaker 4: of it when we saw season one, but here we are,

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Speaker 4: so the start.

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Speaker 3: I could not get over the fact that you and

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Speaker 3: Ben are sitting on the back of a convertible.

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Speaker 4: Wal trame, Okay, that's the first time.

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Speaker 3: We talked about it last time, but this time it

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Speaker 3: drove me crazy. I was like, but they're like seriously

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Speaker 3: driving down the road like this for the whole time.

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Speaker 3: It never star stops. It's never like we're doing this

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Speaker 3: for a moment and then we're gonna get down.

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Speaker 4: You at one are sitting on the side door.

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Speaker 5: Like, why.

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Speaker 1: Just put us in the car.

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Speaker 4: It's not a parade. We're on a highway.

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Speaker 2: I also think Ben is wearing the equivalent of a

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Speaker 2: short sleeved shirt, and yet I have three layers on,

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Speaker 2: including a winter jacket.

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Speaker 1: Nobody knew what was happening.

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Speaker 4: No, no one had any idea what was happening. But

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Speaker 4: oh my gosh. Okay, so that opening is a little

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Speaker 4: it's a killer. Let's say that it's a killer the worst.

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Speaker 4: So to jump into our recap, Corey and Eric. We

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Speaker 4: see the bedroom. Eric is sleep talking in Spanish, waking

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Speaker 4: Corey up. The alarm clock quickly follows, and Corey tells

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Speaker 4: Eric he was doing it again. Eric asks what the

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Speaker 4: Jenny McCarthy dreamer, the Spanish baseball announcing Corey responds, a

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Speaker 4: base bowl. Eric tells him that's good because Jenny's starting

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Speaker 4: to get needy. Eric says, once you hit a certain age,

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Speaker 4: you're afraid to go to sleep at night, and Corey

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Speaker 4: tells him, once you hit a certain age, you're afraid

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Speaker 4: to wake up in the morning. And then we are

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Speaker 4: in the boy's bathroom.

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Speaker 1: I remember this.

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Speaker 2: I remember shooting this where they just put the camera

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Speaker 2: in front of us, justin dead on, and they're like.

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Speaker 3: Because it's like the least flattering when the cameras that

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Speaker 3: close to you with a slightly wide angle, it makes

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Speaker 3: your face all distorted. It's so like and everybody just look,

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Speaker 3: and I love it.

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Speaker 1: It's played perfectly.

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Speaker 2: So I also would give my right arm to have

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Speaker 2: that same sleep outfit Eric's wearing. He worried a bunch

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Speaker 2: of times with the twenty three.

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Speaker 1: Yeah the match, Yeah, I'll take that.

441
00:20:08,960 --> 00:20:12,080
Speaker 4: I also love even the continuity thread of the fact

442
00:20:12,080 --> 00:20:15,760
Speaker 4: that you're in those same pajamas the whole episode. It's

443
00:20:15,800 --> 00:20:18,840
Speaker 4: never even like you change your pajamas to separate days.

444
00:20:18,920 --> 00:20:21,920
Speaker 4: You just are living in your filth. And I love it.

445
00:20:22,040 --> 00:20:25,919
Speaker 4: I just love it, wallowing, wallowing in it. So Corey

446
00:20:25,960 --> 00:20:29,160
Speaker 4: brushes his teeth for approximately point two seconds, and Eric

447
00:20:29,200 --> 00:20:31,640
Speaker 4: walks in, telling him, you're avoiding the mirror again. Sooner

448
00:20:31,760 --> 00:20:33,879
Speaker 4: or later, you're gonna have to look at yourself. Corey

449
00:20:33,880 --> 00:20:36,720
Speaker 4: turns to the mirror in size. Oh man, it's me.

450
00:20:37,480 --> 00:20:40,320
Speaker 4: Eric assures him that every teenager goes through this gawky

451
00:20:40,480 --> 00:20:43,440
Speaker 4: awkward hate what they look like face. Corey questions, well

452
00:20:43,440 --> 00:20:45,720
Speaker 4: what about you, and Eric tells him, yeah, you think

453
00:20:45,760 --> 00:20:54,399
Speaker 4: that baby at Corey aka Ben, in my opinion, is

454
00:20:54,440 --> 00:20:58,520
Speaker 4: actually having not at all a gauky awkward Do you need.

455
00:20:58,520 --> 00:21:00,280
Speaker 1: Jud No, no, But that's a knowing.

456
00:21:01,320 --> 00:21:03,840
Speaker 4: I'm not saying we shouldn't do it. I'm not saying

457
00:21:03,840 --> 00:21:05,840
Speaker 4: we shouldn't do the episode, but I would just like

458
00:21:05,920 --> 00:21:09,960
Speaker 4: to comment. I think Ben looks phenomenal. His hair is great,

459
00:21:10,080 --> 00:21:12,800
Speaker 4: it's a little longer than usual. I also think maybe

460
00:21:12,840 --> 00:21:16,520
Speaker 4: there's some blonde highlights had given it a little bit

461
00:21:16,520 --> 00:21:16,959
Speaker 4: of high right.

462
00:21:17,280 --> 00:21:20,160
Speaker 3: When Ben's hair is a little long, it's too short,

463
00:21:20,200 --> 00:21:21,600
Speaker 3: it's just kind of boring.

464
00:21:21,600 --> 00:21:22,520
Speaker 1: But what has a little bit of.

465
00:21:22,520 --> 00:21:25,520
Speaker 4: Expers and it's a little longer. I love it. And

466
00:21:25,560 --> 00:21:28,600
Speaker 4: his skin is nice and clear. So anyway, Ben.

467
00:21:29,119 --> 00:21:31,359
Speaker 2: That's actually a good point though, because a lot of kids,

468
00:21:31,440 --> 00:21:34,159
Speaker 2: even when they look fine, think they look awful.

469
00:21:34,480 --> 00:21:35,440
Speaker 1: Exactly. That's the point.

470
00:21:37,680 --> 00:21:39,959
Speaker 3: But you get used to your little kid face and

471
00:21:40,000 --> 00:21:42,320
Speaker 3: you're not You're not into your adult face yet, you know,

472
00:21:42,520 --> 00:21:45,760
Speaker 3: so whatever that is, it just feels awkward for everybody.

473
00:21:45,760 --> 00:21:49,560
Speaker 4: It's absolutely totally. They did also play up a little

474
00:21:49,600 --> 00:21:51,520
Speaker 4: bit of his his I think they dressed him a

475
00:21:51,560 --> 00:21:53,520
Speaker 4: little awkwardly in this episode.

476
00:21:53,840 --> 00:21:55,200
Speaker 1: Because they had him like tuck in his pants.

477
00:21:56,400 --> 00:21:58,119
Speaker 4: He looked like he looked like he was trying to

478
00:21:58,119 --> 00:21:59,040
Speaker 4: sell me a cell phone.

479
00:21:59,280 --> 00:22:02,240
Speaker 1: You did exactly with the coral shirt on, like hey,

480
00:22:02,440 --> 00:22:02,960
Speaker 1: can I help you.

481
00:22:03,440 --> 00:22:04,920
Speaker 5: I think the direction was probably.

482
00:22:04,640 --> 00:22:07,080
Speaker 3: Just make him dress like a like a grown man,

483
00:22:07,200 --> 00:22:09,280
Speaker 3: like you know he does. He's not dressing hip at all,

484
00:22:09,320 --> 00:22:10,280
Speaker 3: He's dressing.

485
00:22:10,000 --> 00:22:12,960
Speaker 4: Like exact exactly right exactly. Make him look a little

486
00:22:13,040 --> 00:22:17,159
Speaker 4: like a mid midlife guy who yeah, right, Which I think.

487
00:22:17,119 --> 00:22:18,760
Speaker 3: Is the cheat that they do with you too, Like

488
00:22:18,760 --> 00:22:22,080
Speaker 3: they use the clothes to tell the story, because just

489
00:22:22,119 --> 00:22:24,720
Speaker 3: to let the hair tell the story, it's not no,

490
00:22:25,520 --> 00:22:25,760
Speaker 3: it was.

491
00:22:25,760 --> 00:22:30,680
Speaker 2: A hair, and you clearly had a at some kind

492
00:22:30,680 --> 00:22:31,520
Speaker 2: of bank or something.

493
00:22:32,119 --> 00:22:36,080
Speaker 1: When you're wearing prison. I was like, wears, No, that

494
00:22:36,119 --> 00:22:38,760
Speaker 1: wouldn't be good. Yeah, they're they're going to come to

495
00:22:38,760 --> 00:22:39,399
Speaker 1: the show anyway.

496
00:22:40,280 --> 00:22:42,080
Speaker 3: That is one of the like the only like real

497
00:22:42,119 --> 00:22:44,399
Speaker 3: criticism I would have with this episode is like the

498
00:22:45,240 --> 00:22:48,159
Speaker 3: haircut itself, like you should have gone extreme, Like the

499
00:22:48,160 --> 00:22:51,120
Speaker 3: whole point should have been that you made yourself actually unattractive,

500
00:22:51,160 --> 00:22:52,680
Speaker 3: which if never happens.

501
00:22:53,040 --> 00:22:55,920
Speaker 4: You have a note for Michael Jacobs. Because my hair

502
00:22:56,040 --> 00:22:59,400
Speaker 4: was still longer than I wanted it. It was still

503
00:22:59,560 --> 00:23:03,080
Speaker 4: at least four inches longer than I was hoping to go. Uh,

504
00:23:03,119 --> 00:23:04,480
Speaker 4: and so you know that.

505
00:23:04,480 --> 00:23:06,639
Speaker 2: Was I think what they were going for, and they

506
00:23:06,680 --> 00:23:08,560
Speaker 2: tried to get it on the shot when you walked away?

507
00:23:08,960 --> 00:23:13,719
Speaker 2: Is the ugly quote unquote is the chunky everywhere it

508
00:23:13,720 --> 00:23:14,280
Speaker 2: looks fine?

509
00:23:14,320 --> 00:23:17,919
Speaker 3: You could just look, oh yeah, well that's easily fixed.

510
00:23:18,720 --> 00:23:22,119
Speaker 3: You just go somewhere, I'll do it, like give me

511
00:23:22,160 --> 00:23:22,720
Speaker 3: the scissors.

512
00:23:22,840 --> 00:23:25,760
Speaker 2: It is, well, it's it's essentially it's taking somebody who's

513
00:23:26,000 --> 00:23:28,720
Speaker 2: insanely good looking and going like your.

514
00:23:28,560 --> 00:23:32,800
Speaker 1: Hair doesn't match. Now now you're ugly, Like she had

515
00:23:32,840 --> 00:23:35,680
Speaker 1: gone like this like a fool, jagged like a cross

516
00:23:35,680 --> 00:23:36,080
Speaker 1: her chin.

517
00:23:36,320 --> 00:23:38,200
Speaker 5: Then you'd be, how are we gonna fix this?

518
00:23:38,520 --> 00:23:40,960
Speaker 3: And then it comes out into like a cool stylized

519
00:23:41,119 --> 00:23:41,960
Speaker 3: ammetrical hair.

520
00:23:42,840 --> 00:23:45,760
Speaker 1: That's what I said, is your lob? Is this peak? Danielle?

521
00:23:45,840 --> 00:23:46,760
Speaker 1: You said, you'd know when.

522
00:23:46,640 --> 00:23:49,920
Speaker 4: You saw we're entering it. We're it's definitely post haircut.

523
00:23:50,400 --> 00:23:54,359
Speaker 4: Uh and and so maybe it's gonna be maybe the

524
00:23:54,359 --> 00:23:57,160
Speaker 4: start of season five where my haircut's really settled and

525
00:23:57,200 --> 00:23:58,160
Speaker 4: I come back with a tan.

526
00:23:58,680 --> 00:23:59,960
Speaker 1: Okay, we're gonna be entered.

527
00:24:00,080 --> 00:24:01,960
Speaker 4: I'll tell I'll tell you, I'll know, I'll know exactly

528
00:24:02,000 --> 00:24:05,199
Speaker 4: what it is. Yeah, I'll know. So Eric says, for

529
00:24:05,200 --> 00:24:07,000
Speaker 4: the next few years he's going to be growing into

530
00:24:07,000 --> 00:24:09,640
Speaker 4: his new look and everyone will understand that. Then right

531
00:24:09,680 --> 00:24:12,159
Speaker 4: on cue, Morgan shoves a mister Potato head doll right

532
00:24:12,200 --> 00:24:14,520
Speaker 4: next to Corey and mimics him. Hi, I'm Corey, and

533
00:24:14,560 --> 00:24:16,080
Speaker 4: for the next three years, I'm going to look like

534
00:24:16,119 --> 00:24:19,600
Speaker 4: a potato. Corey says. The child speaks the truth. Morgan

535
00:24:19,640 --> 00:24:23,600
Speaker 4: parades around as Corey announces, I Corey Matthews am a

536
00:24:23,760 --> 00:24:25,760
Speaker 4: po tato.

537
00:24:26,720 --> 00:24:28,439
Speaker 2: Notice she's also you only catch a glimpse of it,

538
00:24:28,520 --> 00:24:30,560
Speaker 2: but still in the same footy pajamas.

539
00:24:30,680 --> 00:24:31,679
Speaker 4: Is she she is?

540
00:24:32,280 --> 00:24:32,760
Speaker 1: You' young?

541
00:24:33,280 --> 00:24:37,440
Speaker 4: Okay, I mean at least I think at least they're

542
00:24:37,600 --> 00:24:40,680
Speaker 4: at least they're they're consistent, sticking with it. Yeah, consistent,

543
00:24:40,720 --> 00:24:43,880
Speaker 4: thank you? Okay, And then we're in the school hallway,

544
00:24:44,200 --> 00:24:46,639
Speaker 4: big scene alert. I forgot it happened so early on

545
00:24:46,840 --> 00:24:49,280
Speaker 4: I really did. I was like, we're already here.

546
00:24:49,560 --> 00:24:52,600
Speaker 1: Act one scene A. I know, it's ooh.

547
00:24:53,160 --> 00:24:55,200
Speaker 4: I couldn't wait, couldn't wait even one second longer.

548
00:24:55,280 --> 00:24:57,080
Speaker 1: So it's good because it means that, like.

549
00:24:57,280 --> 00:24:58,960
Speaker 4: The whole episode, we get to deal lest.

550
00:24:58,760 --> 00:25:00,879
Speaker 3: You get to analyze and to go. It's not you know,

551
00:25:00,960 --> 00:25:03,359
Speaker 3: it's it's not like leading up to that event. Correct,

552
00:25:03,440 --> 00:25:04,640
Speaker 3: it's not not the climate out.

553
00:25:04,760 --> 00:25:05,600
Speaker 1: Yeah, it's the event.

554
00:25:05,760 --> 00:25:08,679
Speaker 4: Yes, I love it. So the camera pans past student

555
00:25:08,760 --> 00:25:11,120
Speaker 4: fixing their hair and doing their makeup in the locker mirrors.

556
00:25:11,200 --> 00:25:14,720
Speaker 4: This is some evolved background actor business, you know. And

557
00:25:15,119 --> 00:25:16,960
Speaker 4: can we talk just for a second about how weird

558
00:25:17,000 --> 00:25:18,840
Speaker 4: it is to shoot stuff where you're looking at yourself

559
00:25:18,840 --> 00:25:19,760
Speaker 4: in the mirror on camera.

560
00:25:20,359 --> 00:25:21,199
Speaker 1: It's bizarre, isn't it.

561
00:25:21,200 --> 00:25:23,800
Speaker 4: It's bizarre because you're not You actually can't see yourself.

562
00:25:23,920 --> 00:25:26,720
Speaker 4: You can only maybe see one one portion of you.

563
00:25:26,800 --> 00:25:29,080
Speaker 4: But in order for the camera to see you, the

564
00:25:29,600 --> 00:25:33,119
Speaker 4: locker has to be exactly like taped to a position

565
00:25:33,200 --> 00:25:35,560
Speaker 4: you can't move, and the way you have to stand

566
00:25:35,680 --> 00:25:37,800
Speaker 4: is in a place where you actually can't really see yourself.

567
00:25:37,840 --> 00:25:38,320
Speaker 1: In the mirror.

568
00:25:38,440 --> 00:25:41,000
Speaker 4: So what you see them doing is them just pretending

569
00:25:41,040 --> 00:25:43,399
Speaker 4: they can see themselves in the mirror. So I always

570
00:25:43,400 --> 00:25:45,800
Speaker 4: think about that and then to have some background actors

571
00:25:45,800 --> 00:25:48,520
Speaker 4: do it, that's some evolved background actor business. So hm,

572
00:25:49,000 --> 00:25:50,880
Speaker 4: Corey's doing the same in the mirror, but his mirror

573
00:25:50,960 --> 00:25:53,040
Speaker 4: is just a picture of mister potato Head, which is

574
00:25:53,040 --> 00:25:55,320
Speaker 4: a cute joke. He grabs a wooden pipe just like

575
00:25:55,359 --> 00:25:56,400
Speaker 4: mister potato Head.

576
00:25:58,200 --> 00:26:02,640
Speaker 1: And like, I'm gonna sell it, and potato, here's the pipe.

577
00:26:02,840 --> 00:26:05,160
Speaker 4: Phoene walks by and grabs the pipe out of Corey's mouth,

578
00:26:05,200 --> 00:26:08,280
Speaker 4: forcing Corey to say, now I got no pipe. And

579
00:26:08,359 --> 00:26:11,200
Speaker 4: Sean's staring at himself in the mirror and Corey tells him, yes, fine,

580
00:26:11,200 --> 00:26:12,680
Speaker 4: you're perfect. Now can we get out of the hallway

581
00:26:12,720 --> 00:26:15,439
Speaker 4: where everyone can see me? Sean tells Cory, I just

582
00:26:15,480 --> 00:26:16,920
Speaker 4: need to get a little more hair in my eyes.

583
00:26:17,160 --> 00:26:19,399
Speaker 4: Then Corey ruffles up Shan's hair and Sean looks in

584
00:26:19,440 --> 00:26:22,440
Speaker 4: the mirror and says, huh, also good. Corey's upset that

585
00:26:22,440 --> 00:26:24,199
Speaker 4: Shawn's hair always looks good, and he tries to make

586
00:26:24,240 --> 00:26:26,560
Speaker 4: his own hair move in the same way. Sean stops him,

587
00:26:26,560 --> 00:26:29,960
Speaker 4: saying stop, he'll cut his fingers. Corey agrees he's overreacting,

588
00:26:30,119 --> 00:26:32,119
Speaker 4: but he says, between Shan and Eric, he feels like

589
00:26:32,160 --> 00:26:35,480
Speaker 4: he's surrounded by people with perfect hair. Tapanga on Cue

590
00:26:35,480 --> 00:26:38,280
Speaker 4: walks up with a very large art bag of sorts,

591
00:26:38,280 --> 00:26:45,119
Speaker 4: which is perfect direction because if you think about what's

592
00:26:45,200 --> 00:26:48,920
Speaker 4: coming up, if I had a regular backpack on, where

593
00:26:48,920 --> 00:26:51,440
Speaker 4: would the scissors be? How would I have to swing

594
00:26:51,560 --> 00:26:54,040
Speaker 4: the backpack around? What would I have to unzip to

595
00:26:54,080 --> 00:26:56,919
Speaker 4: get them? It would take up so much time and

596
00:26:56,960 --> 00:27:00,440
Speaker 4: a lot going on. So Jeff McCracken, being the genius

597
00:27:00,480 --> 00:27:03,200
Speaker 4: he is, said to our prop master David Glazer, being

598
00:27:03,200 --> 00:27:06,359
Speaker 4: the genius he is, let's give her an art back.

599
00:27:06,560 --> 00:27:08,880
Speaker 4: She's carrying something to go to her next class, which

600
00:27:09,240 --> 00:27:11,040
Speaker 4: must be art, which.

601
00:27:10,840 --> 00:27:13,920
Speaker 2: Is said, by the way, right when you arrive, there's

602
00:27:13,960 --> 00:27:16,080
Speaker 2: a background actor behind you who just stares right at

603
00:27:16,119 --> 00:27:19,280
Speaker 2: the camera, just right, like right in between you, just

604
00:27:19,359 --> 00:27:21,000
Speaker 2: right at the camera, and then walks off like oh

605
00:27:21,000 --> 00:27:21,360
Speaker 2: my mom.

606
00:27:24,680 --> 00:27:26,960
Speaker 4: So Corey points to Topanga and adds, no need to

607
00:27:27,000 --> 00:27:30,000
Speaker 4: explain this relationship is there. Corey tells Topanga he's feeling

608
00:27:30,040 --> 00:27:32,640
Speaker 4: a little insecure today, but he's sure it'll pass right

609
00:27:32,680 --> 00:27:35,920
Speaker 4: as he says this. Dylan will Estis, with his perfect

610
00:27:35,920 --> 00:27:38,880
Speaker 4: hair and his poka shells, comes walking up to Tapanga

611
00:27:38,920 --> 00:27:40,719
Speaker 4: and asks if she wants to go out this weekend.

612
00:27:40,920 --> 00:27:42,919
Speaker 4: Tapanga tells him, of course not, I'm going out with

613
00:27:42,960 --> 00:27:46,520
Speaker 4: Corey Pokashelle. Dylan surprised and tells her you're still with him?

614
00:27:46,680 --> 00:27:48,399
Speaker 4: I figured you would have dumped him over the summer.

615
00:27:48,600 --> 00:27:48,679
Speaker 8: What.

616
00:27:49,200 --> 00:27:50,240
Speaker 1: I just love this whole seat.

617
00:27:50,560 --> 00:27:53,399
Speaker 2: That's so good, the best, just talking about him like

618
00:27:53,440 --> 00:27:54,000
Speaker 2: he's not sting.

619
00:27:54,840 --> 00:27:56,120
Speaker 1: This is this is what I love.

620
00:27:56,200 --> 00:27:58,560
Speaker 3: Is like Corey trying to be confident, like he's like,

621
00:27:58,720 --> 00:28:00,760
Speaker 3: I'm just having a bad day. I'm just a but

622
00:28:00,800 --> 00:28:02,520
Speaker 3: he's not putting it out on anybody else. And then

623
00:28:02,560 --> 00:28:04,720
Speaker 3: the situation comes in that just rubs his face in it,

624
00:28:04,920 --> 00:28:06,760
Speaker 3: and then he can be as upset as he wants

625
00:28:07,000 --> 00:28:10,520
Speaker 3: because he's reacting to something actually happening. That's like what

626
00:28:10,560 --> 00:28:12,720
Speaker 3: we lacked in that, you know, I feel like in

627
00:28:12,760 --> 00:28:16,000
Speaker 3: previous episodes like, Okay, now I'm totally on board with Corey.

628
00:28:16,440 --> 00:28:19,399
Speaker 3: See this happens, Oh the poor guy.

629
00:28:19,680 --> 00:28:20,320
Speaker 1: You're with him?

630
00:28:20,600 --> 00:28:26,320
Speaker 4: Yes, if he overreacts, you can know that's okay. It's

631
00:28:26,359 --> 00:28:29,800
Speaker 4: okay to overreact. We all overreact sometimes and you're figuring

632
00:28:29,840 --> 00:28:32,400
Speaker 4: the world out. So but you're right. It's when he

633
00:28:32,680 --> 00:28:35,520
Speaker 4: when he starts off by being like I'm not feeling great,

634
00:28:35,640 --> 00:28:40,800
Speaker 4: like an honest and then also a scenario gets right

635
00:28:40,840 --> 00:28:43,280
Speaker 4: in front of him that blows up in his face. Okay,

636
00:28:43,360 --> 00:28:44,400
Speaker 4: I can do anything after this.

637
00:28:44,480 --> 00:28:46,640
Speaker 2: And when he's this Corey exactly, that's exactly what was

638
00:28:46,680 --> 00:28:48,640
Speaker 2: gonna say. When he's this Cory even later where he's

639
00:28:48,640 --> 00:28:50,800
Speaker 2: like the universe were supposed to be together, it doesn't

640
00:28:50,800 --> 00:28:52,960
Speaker 2: come off as creepy and weird. It comes off as

641
00:28:53,000 --> 00:28:56,520
Speaker 2: hopeful and like goofy, and so you're fine with it.

642
00:28:57,000 --> 00:29:00,600
Speaker 1: So this Corey more of this to three more.

643
00:29:00,280 --> 00:29:05,680
Speaker 4: Yep so uh. Tepega asks him to leave, but on

644
00:29:05,720 --> 00:29:07,520
Speaker 4: his way out, he says, well, if you do decide

645
00:29:07,560 --> 00:29:10,080
Speaker 4: to dump him, here's my card. Corey reads Dylan's card

646
00:29:10,120 --> 00:29:13,560
Speaker 4: out loud locker number one sixty eight. Sean shrugs, and

647
00:29:13,640 --> 00:29:18,320
Speaker 4: Corey gives us an undercover huh did you hear it?

648
00:29:16,520 --> 00:29:21,600
Speaker 1: It's und I do it this episode and then.

649
00:29:24,120 --> 00:29:25,880
Speaker 5: It's like we're sending coded.

650
00:29:25,600 --> 00:29:26,600
Speaker 1: Messages to each other.

651
00:29:28,240 --> 00:29:29,680
Speaker 4: I saw it was like, oh, we just did the hunt,

652
00:29:29,680 --> 00:29:32,520
Speaker 4: and we glad we all saw it, because sometimes only

653
00:29:32,560 --> 00:29:33,840
Speaker 4: one of us notices it and we're like, oh, I

654
00:29:33,880 --> 00:29:36,120
Speaker 4: should go back and watch it. But seriously, this felt

655
00:29:36,160 --> 00:29:39,719
Speaker 4: like us time traveling where I really felt like I

656
00:29:39,800 --> 00:29:42,000
Speaker 4: was like, oh, we are.

657
00:29:42,440 --> 00:29:45,000
Speaker 3: Like we like clearly decided to try and insert hum

658
00:29:46,800 --> 00:29:48,440
Speaker 3: as possible, and we all.

659
00:29:48,320 --> 00:29:51,960
Speaker 4: Noticed them now and the writers didn't.

660
00:29:52,040 --> 00:29:54,040
Speaker 3: And that was part of the joke, was we were

661
00:29:54,040 --> 00:29:57,640
Speaker 3: slipping them in as reaction beats, just because we thought

662
00:29:57,640 --> 00:29:59,600
Speaker 3: it was just so funny. And if they let us,

663
00:29:59,640 --> 00:30:02,120
Speaker 3: if they didn't notice, we were getting away with something

664
00:30:02,360 --> 00:30:05,120
Speaker 3: that was just a message to each other. We've smuggled

665
00:30:05,160 --> 00:30:08,640
Speaker 3: in little messages. It's yeah, it's like writing strawfty bright

666
00:30:08,720 --> 00:30:09,280
Speaker 3: on my folder.

667
00:30:09,320 --> 00:30:10,280
Speaker 1: It feels so good.

668
00:30:10,360 --> 00:30:11,000
Speaker 9: It's it.

669
00:30:11,280 --> 00:30:25,280
Speaker 4: That's exactly right. Corey gives us that undercover huh, before

670
00:30:25,280 --> 00:30:28,200
Speaker 4: admitting that's a nice locker. Topanga assures Corey that it

671
00:30:28,240 --> 00:30:30,000
Speaker 4: was just some guy asking her out and it isn't

672
00:30:30,040 --> 00:30:32,000
Speaker 4: a big deal. Corey explains it's not a big deal

673
00:30:32,040 --> 00:30:34,400
Speaker 4: to her because she's the ASKI and why are you

674
00:30:34,440 --> 00:30:37,560
Speaker 4: always the ASKI? Because you are gorgeous. Topega thanks him

675
00:30:37,600 --> 00:30:40,000
Speaker 4: and tells him to give her some credit. Boys usually

676
00:30:40,080 --> 00:30:42,320
Speaker 4: date girls based on how they look, but Corey dates

677
00:30:42,320 --> 00:30:45,000
Speaker 4: her because of who she is inside. Corey looks at

678
00:30:45,000 --> 00:30:47,760
Speaker 4: Sean and they both start to laugh. Tapega continues, the

679
00:30:47,800 --> 00:30:49,680
Speaker 4: only reason you think I'm good looking is because you

680
00:30:49,760 --> 00:30:52,080
Speaker 4: care about me. Sean starts to laugh at this again,

681
00:30:52,120 --> 00:30:54,440
Speaker 4: but Corey doesn't follow. He scolds Sean, that was one

682
00:30:54,520 --> 00:30:56,400
Speaker 4: laugh too many.

683
00:30:56,480 --> 00:30:58,080
Speaker 1: I feel like I could have done another one right,

684
00:30:58,120 --> 00:30:59,760
Speaker 1: Like there needs to be three. There needs to be three.

685
00:31:00,400 --> 00:31:02,120
Speaker 1: Do you think there's probably whole episode?

686
00:31:02,280 --> 00:31:04,040
Speaker 4: Maybe, but that's my only My only note for the

687
00:31:04,080 --> 00:31:06,640
Speaker 4: whole episode is you know, if you had done two three,

688
00:31:06,720 --> 00:31:08,840
Speaker 4: you could then say three, there's one too many.

689
00:31:09,000 --> 00:31:11,200
Speaker 1: I know. I feel like they're we must have and

690
00:31:11,200 --> 00:31:13,600
Speaker 1: then they were just like, let's say yeah to the joke. Yeah,

691
00:31:13,640 --> 00:31:13,880
Speaker 1: I don't know.

692
00:31:13,960 --> 00:31:15,480
Speaker 4: Yeah, there must have been one beat too long, and

693
00:31:15,520 --> 00:31:19,080
Speaker 4: they were like, we can just cut that. So Tapega

694
00:31:19,120 --> 00:31:21,000
Speaker 4: assures him that no matter what she looked like, Corey

695
00:31:21,000 --> 00:31:23,800
Speaker 4: would still think she's pretty. Corey continues being insecure, saying

696
00:31:23,840 --> 00:31:25,760
Speaker 4: he has a nose that takes up half his face

697
00:31:25,840 --> 00:31:28,760
Speaker 4: and hair like a brillo. Pad Tapanga tells him she

698
00:31:28,840 --> 00:31:31,440
Speaker 4: loves his face and she loves his hair, but most

699
00:31:31,520 --> 00:31:33,320
Speaker 4: of all she loves him because of who he is.

700
00:31:34,720 --> 00:31:37,800
Speaker 4: So Tapanga finishes her sweet speech saying, I hope you

701
00:31:37,840 --> 00:31:39,800
Speaker 4: love me because of who I am and not because

702
00:31:39,840 --> 00:31:42,160
Speaker 4: of my face and hair. Corey stares at her blankly

703
00:31:42,440 --> 00:31:44,240
Speaker 4: and says, if I looked in the mirror and saw

704
00:31:44,240 --> 00:31:46,280
Speaker 4: what you see, I'd feel real good about myself too.

705
00:31:46,560 --> 00:31:48,360
Speaker 4: Topanga asks, Oh, you think that's it? You think what

706
00:31:48,440 --> 00:31:50,360
Speaker 4: gives me all my confidence is my face and hair?

707
00:31:50,720 --> 00:31:52,800
Speaker 4: Corey adds, and the fact that they're perfect. Yeah, I

708
00:31:52,800 --> 00:31:55,000
Speaker 4: think that puts a little spring in your step. Topanga

709
00:31:55,040 --> 00:31:56,960
Speaker 4: then pulls a pair of scissors out of her bag

710
00:31:57,160 --> 00:32:00,640
Speaker 4: with record speed because great directing by Jeff Kraken, I've

711
00:32:00,640 --> 00:32:03,840
Speaker 4: got the art bag, and right in front of Corey,

712
00:32:04,280 --> 00:32:06,360
Speaker 4: she chops her hair off.

713
00:32:07,960 --> 00:32:09,280
Speaker 1: She cuts her hair bit, she cuts her hair a

714
00:32:09,320 --> 00:32:10,480
Speaker 1: little bit.

715
00:32:09,800 --> 00:32:13,760
Speaker 4: She cuts five inches off. Yes, uh yeah, So the

716
00:32:13,760 --> 00:32:17,120
Speaker 4: studio audience is like stunned silence, hands him the pieces

717
00:32:17,160 --> 00:32:19,360
Speaker 4: she cut, asking if she's any different now. Corey's in shock,

718
00:32:19,360 --> 00:32:22,680
Speaker 4: and so is Sean in the background, and so is America.

719
00:32:22,800 --> 00:32:24,800
Speaker 1: America shocked shocked.

720
00:32:25,080 --> 00:32:27,680
Speaker 4: Tapega continues cutting her hair as Corey says she's somewhat

721
00:32:27,760 --> 00:32:29,959
Speaker 4: less predictable, but he'd still love her no matter what

722
00:32:30,000 --> 00:32:32,320
Speaker 4: she looked like. Topega says, she glad, She's glad he

723
00:32:32,400 --> 00:32:35,080
Speaker 4: learned something. She starts to walk off with her unevenly

724
00:32:35,120 --> 00:32:38,080
Speaker 4: cut hair, and then stops in her tracks as she

725
00:32:38,160 --> 00:32:42,720
Speaker 4: walks past Sean's locker and his mirror. In disbelief, Sean

726
00:32:42,760 --> 00:32:45,640
Speaker 4: predicts she's gonna scream now. Topanga proceeds to let out

727
00:32:45,640 --> 00:32:48,880
Speaker 4: a giant scream as she's holding her uneven strands of hair.

728
00:32:50,440 --> 00:32:51,600
Speaker 4: Just there we go.

729
00:32:51,920 --> 00:32:52,440
Speaker 1: You're awesome.

730
00:32:53,400 --> 00:32:56,120
Speaker 2: Wed one about this at a at a live show,

731
00:32:56,160 --> 00:32:58,240
Speaker 2: and you told me you thought you cut off a foot.

732
00:32:58,960 --> 00:33:00,800
Speaker 4: We did. By the time it was by the time

733
00:33:01,280 --> 00:33:01,840
Speaker 4: he had done.

734
00:33:01,680 --> 00:33:03,920
Speaker 1: The hair, when you were actually cutting it, you'd cut

735
00:33:03,920 --> 00:33:04,480
Speaker 1: a foot off.

736
00:33:04,600 --> 00:33:06,800
Speaker 4: Oh no, by the time we were done, like where

737
00:33:06,840 --> 00:33:08,840
Speaker 4: my hair ended up and where it had been, it

738
00:33:08,880 --> 00:33:10,200
Speaker 4: was over. It was twelve inches.

739
00:33:10,280 --> 00:33:12,560
Speaker 2: But no, no, I just watching it as a guy.

740
00:33:12,600 --> 00:33:14,640
Speaker 2: It made me feel good thinking that you thought that

741
00:33:14,720 --> 00:33:15,200
Speaker 2: was a foot.

742
00:33:16,560 --> 00:33:30,120
Speaker 9: That's no, my gosh, You're like, wow, right, maybe I've

743
00:33:30,160 --> 00:33:30,920
Speaker 9: got something there.

744
00:33:31,280 --> 00:33:33,960
Speaker 4: All right, we're in this school hallway. Topega is still

745
00:33:33,960 --> 00:33:36,600
Speaker 4: staring at Sean's locker mirror, reassuring herself that it's just

746
00:33:36,680 --> 00:33:38,240
Speaker 4: a little hair, it has nothing to do with who

747
00:33:38,240 --> 00:33:40,520
Speaker 4: she is. Corey is still holding her chopped off hair.

748
00:33:40,600 --> 00:33:43,200
Speaker 4: To Pega continues, I'm still to Panga, Lawrence, and nobody

749
00:33:43,200 --> 00:33:45,800
Speaker 4: who cares about me will even notice, right. Phoene walks

750
00:33:45,880 --> 00:33:48,080
Speaker 4: up and greets Corey and Sean, and to Pega turns around.

751
00:33:48,120 --> 00:33:50,560
Speaker 4: Phoene says, ooh, what the heck happened to you? To

752
00:33:50,680 --> 00:33:52,880
Speaker 4: Pega worriedly tells him, I've cut my hair. In an

753
00:33:52,880 --> 00:33:55,320
Speaker 4: attempt to show Corey that physical appearance is secondary to

754
00:33:55,320 --> 00:33:59,160
Speaker 4: inner beauty. Phoene sees Corey's handful of locks and tells Topanga, well,

755
00:33:59,200 --> 00:34:01,160
Speaker 4: in that case, miss Laura, I applaud your attempt at

756
00:34:01,160 --> 00:34:05,680
Speaker 4: teaching a very valuable lesson during these extremely vulnerable teenage years.

757
00:34:06,120 --> 00:34:08,280
Speaker 4: To paying a scream cries do you think I'm ugly?

758
00:34:08,480 --> 00:34:11,040
Speaker 4: And she runs away. The boys all stare in disbelief,

759
00:34:11,040 --> 00:34:12,560
Speaker 4: and Sean announces, nice.

760
00:34:12,320 --> 00:34:15,759
Speaker 1: Going, Phoenie. I love that nice going, Phoenie.

761
00:34:16,080 --> 00:34:18,719
Speaker 4: It's so cute. Did I ever tell you, guys the

762
00:34:18,800 --> 00:34:21,040
Speaker 4: story of the conversation I had with my mom that's

763
00:34:21,080 --> 00:34:23,560
Speaker 4: very similar to this? You think I'm ugly? I was

764
00:34:23,560 --> 00:34:27,200
Speaker 4: in high school and I only wanted to wear tennis

765
00:34:27,200 --> 00:34:30,359
Speaker 4: shoes with my dresses. And my mom is of the

766
00:34:30,640 --> 00:34:34,000
Speaker 4: camp that like tennis shoes don't go with dresses, you

767
00:34:34,040 --> 00:34:38,560
Speaker 4: wear sandals or heels or something. They just she didn't

768
00:34:38,600 --> 00:34:41,279
Speaker 4: like that look. And I really I don't remember where

769
00:34:41,320 --> 00:34:43,000
Speaker 4: I was going, but I was getting ready for something,

770
00:34:43,120 --> 00:34:46,600
Speaker 4: probably some sort of date. And I came downstairs in

771
00:34:46,640 --> 00:34:49,360
Speaker 4: a sun dress, like a long sun dress and tennis shoes,

772
00:34:49,600 --> 00:34:51,200
Speaker 4: and I said, what do you think about this outfit?

773
00:34:51,400 --> 00:34:53,239
Speaker 4: And she said, I don't think the shoes with that

774
00:34:53,320 --> 00:34:57,360
Speaker 4: dress are flattering. And I literally burst into tears and yelled,

775
00:34:57,480 --> 00:35:05,800
Speaker 4: you think I'm fat and ran upstairs and she was like, what, wait,

776
00:35:05,880 --> 00:35:08,600
Speaker 4: what I what is going on? Anyway, It's literally the

777
00:35:08,600 --> 00:35:11,520
Speaker 4: first thing I thought of, because I remember it so vividly,

778
00:35:11,960 --> 00:35:15,280
Speaker 4: And it's another one of those very relatable teenage moments

779
00:35:15,320 --> 00:35:16,440
Speaker 4: where you also.

780
00:35:16,200 --> 00:35:21,040
Speaker 1: A very relatable adult marriage moment. Yeah, that's a very

781
00:35:21,120 --> 00:35:23,320
Speaker 1: relatable moments between two people.

782
00:35:24,280 --> 00:35:24,600
Speaker 9: I was.

783
00:35:24,719 --> 00:35:29,040
Speaker 4: I was very emotional as a teen girl. Uh So,

784
00:35:29,160 --> 00:35:32,040
Speaker 4: then we're in the girl's bathroom another new set alert

785
00:35:32,320 --> 00:35:34,959
Speaker 4: Tapega is staring at herself again now in the bathroom mirror.

786
00:35:35,000 --> 00:35:36,560
Speaker 4: Trying to figure out what to do with her hair.

787
00:35:36,640 --> 00:35:39,080
Speaker 4: She's next to two fellow students, one of whom is

788
00:35:39,200 --> 00:35:42,960
Speaker 4: Jessica Bibbo, who we spoke to during our Background Actors episode.

789
00:35:42,960 --> 00:35:47,040
Speaker 4: If you guys remember, she's next to another background actress, Wendy,

790
00:35:47,200 --> 00:35:49,600
Speaker 4: and those two have kept in touch since the day

791
00:35:49,800 --> 00:35:52,240
Speaker 4: they met on set during this taping.

792
00:35:52,480 --> 00:35:54,240
Speaker 1: That's so cool, isn't that amazing?

793
00:35:54,480 --> 00:35:56,560
Speaker 2: I have a question for the two of you as directors,

794
00:35:56,560 --> 00:35:58,319
Speaker 2: because you know kind of more of the behind the

795
00:35:58,320 --> 00:36:02,080
Speaker 2: scenes stuff than I do. A set like this, Do

796
00:36:02,120 --> 00:36:05,480
Speaker 2: you have any idea what it costs to build a

797
00:36:05,520 --> 00:36:06,080
Speaker 2: set like this?

798
00:36:06,200 --> 00:36:07,759
Speaker 1: Is it? Is it ten thousand dollars to build a

799
00:36:07,760 --> 00:36:09,160
Speaker 1: set like this? Is a one hundred thousand dollars to

800
00:36:09,160 --> 00:36:09,440
Speaker 1: build it?

801
00:36:09,480 --> 00:36:11,799
Speaker 3: It's more of a producer question I have, no, I

802
00:36:11,800 --> 00:36:14,960
Speaker 3: don't really know. It's expensive. It's expensive because you have

803
00:36:15,000 --> 00:36:17,320
Speaker 3: to pay unions. I mean, the crews are really expensive

804
00:36:17,360 --> 00:36:20,399
Speaker 3: because they build it within a night. Basically, yeah, they

805
00:36:20,440 --> 00:36:22,920
Speaker 3: build it within a night, which means they put it up,

806
00:36:22,960 --> 00:36:24,759
Speaker 3: paint it, you know, so like you have to pay

807
00:36:24,800 --> 00:36:27,360
Speaker 3: somebody to design it, and then then you have to

808
00:36:27,360 --> 00:36:29,680
Speaker 3: pay like a crew to construct it, and then you.

809
00:36:29,640 --> 00:36:32,520
Speaker 1: Have to pay a crew to set, decade, set decorate it.

810
00:36:32,840 --> 00:36:36,680
Speaker 1: So that's like three distinct like crews at least to

811
00:36:36,800 --> 00:36:39,120
Speaker 1: just even get it work and then do it so fast.

812
00:36:39,239 --> 00:36:41,400
Speaker 5: I mean, it's crazy night later.

813
00:36:42,120 --> 00:36:45,080
Speaker 4: That sink is practical. That water works, so they have

814
00:36:45,080 --> 00:36:47,200
Speaker 4: to get water. They have to.

815
00:36:47,480 --> 00:36:49,680
Speaker 2: It's probably closer to the one hundred thousand dollars than

816
00:36:49,719 --> 00:36:51,359
Speaker 2: it is the ten thousand dollars on.

817
00:36:51,320 --> 00:36:52,239
Speaker 1: A union job like this.

818
00:36:52,320 --> 00:36:53,920
Speaker 3: On a union job like this, yeah, because you're paying

819
00:36:53,920 --> 00:36:57,120
Speaker 3: everybody union wages and it's like you're paying overtime if

820
00:36:57,160 --> 00:37:00,640
Speaker 3: they have to do it, like yeah, it's it's a lot. Yeah,

821
00:37:00,680 --> 00:37:03,200
Speaker 3: but I think you know, if you were doing it

822
00:37:03,520 --> 00:37:06,279
Speaker 3: on like a low budget Indy whatever, you could get

823
00:37:06,280 --> 00:37:09,319
Speaker 3: this done for ten grand to throw this up, because

824
00:37:09,360 --> 00:37:11,120
Speaker 3: the materials themselves are actually pretty cheap.

825
00:37:11,160 --> 00:37:12,959
Speaker 4: It's like exactly she plywood and pain.

826
00:37:13,000 --> 00:37:15,359
Speaker 1: It's a fake like brick. All the stuff is fake.

827
00:37:16,520 --> 00:37:18,120
Speaker 1: All I guess the toilets would be real and the

828
00:37:18,160 --> 00:37:20,400
Speaker 1: sink would be real. I know, yeah, but you know,

829
00:37:21,400 --> 00:37:22,400
Speaker 1: I'm just curious.

830
00:37:22,880 --> 00:37:25,919
Speaker 4: So anyway, Corey barges in, still holding Topanga's hair, which

831
00:37:25,920 --> 00:37:28,040
Speaker 4: he's using to cover his eyes. Man coming in I'm

832
00:37:28,040 --> 00:37:31,239
Speaker 4: not looking. I'm just here on business. He opens his

833
00:37:31,239 --> 00:37:33,320
Speaker 4: eyes and tells the girls they probably want to scream

834
00:37:33,320 --> 00:37:35,359
Speaker 4: and scatter now that he's in there, because he's a boy.

835
00:37:35,600 --> 00:37:36,920
Speaker 4: The girls look at him without a care in the

836
00:37:36,920 --> 00:37:38,880
Speaker 4: world and just go back to fixing themselves in the mirrors.

837
00:37:39,200 --> 00:37:41,160
Speaker 4: Corey looks around and asks why they have a couch,

838
00:37:41,200 --> 00:37:43,560
Speaker 4: and Tapega tells him sometimes they need to lie down.

839
00:37:44,000 --> 00:37:45,960
Speaker 4: Corey says that that's where boys are different. They're in

840
00:37:46,000 --> 00:37:48,200
Speaker 4: there out they don't like to linger. The two other

841
00:37:48,239 --> 00:37:50,680
Speaker 4: girls walk out and to Panga admits that she would

842
00:37:50,680 --> 00:37:52,879
Speaker 4: like to be alone. Cory sits down on the couch

843
00:37:52,880 --> 00:37:54,960
Speaker 4: and tells her he'll be alone with her. You don't

844
00:37:55,000 --> 00:37:57,160
Speaker 4: have any problems. Look at yourself in the mirror. You're

845
00:37:57,200 --> 00:38:00,560
Speaker 4: still beautiful. Tapega walks over and we get some shaky

846
00:38:00,600 --> 00:38:04,680
Speaker 4: camera work is the Stapanga walks over, Yeah, there was

847
00:38:04,680 --> 00:38:07,200
Speaker 4: a there was a little camera bobble. Yeah, it must

848
00:38:07,239 --> 00:38:08,319
Speaker 4: have been an uneven floor there.

849
00:38:08,800 --> 00:38:09,240
Speaker 8: Uh.

850
00:38:09,400 --> 00:38:11,840
Speaker 4: Corey tells her she was right, it doesn't matter what

851
00:38:11,880 --> 00:38:14,120
Speaker 4: she looks like, it only matters who she is, and

852
00:38:14,160 --> 00:38:17,120
Speaker 4: Tapega reveals, that's my problem. That was only because I

853
00:38:17,200 --> 00:38:19,560
Speaker 4: was comfortable with my appearance all this time, but now

854
00:38:19,600 --> 00:38:22,839
Speaker 4: I'm not How shallow can I be? Corey assures her

855
00:38:22,880 --> 00:38:26,160
Speaker 4: she's not shallow. She's the deepest, most thoughtful, profound person

856
00:38:26,200 --> 00:38:28,920
Speaker 4: he's ever known. Tapega asks how her hair looks, and

857
00:38:28,920 --> 00:38:31,400
Speaker 4: Corey tells her that's not one of your strong points anymore.

858
00:38:32,120 --> 00:38:33,200
Speaker 4: Very funny joke.

859
00:38:33,239 --> 00:38:36,759
Speaker 3: I mean, the supportive he's like, he's the great Corey, right.

860
00:38:36,800 --> 00:38:39,120
Speaker 3: But it's also just great writing, right because now these

861
00:38:39,120 --> 00:38:42,440
Speaker 3: two characters have entered the upside down right like he started.

862
00:38:42,560 --> 00:38:45,880
Speaker 3: They started where she was supporting him for being insecure,

863
00:38:46,120 --> 00:38:47,759
Speaker 3: and then through the course of the events of this

864
00:38:47,800 --> 00:38:51,239
Speaker 3: episode already they've completely reversed roles and now Corey has

865
00:38:51,280 --> 00:38:53,720
Speaker 3: to be supporting her. That is just perfect writing.

866
00:38:53,760 --> 00:38:54,640
Speaker 1: And I believe it.

867
00:38:54,719 --> 00:38:57,680
Speaker 3: Like how they've they've clearly stated everybody's like been able

868
00:38:57,680 --> 00:38:59,319
Speaker 3: to go and it's been fun along the way.

869
00:38:59,400 --> 00:39:01,719
Speaker 1: It's just absolutely perfect writer.

870
00:39:01,880 --> 00:39:03,920
Speaker 2: And the idea that they're doing it in a bathroom,

871
00:39:04,080 --> 00:39:06,800
Speaker 2: like it in a bathroom, it's just it's so awesome.

872
00:39:06,880 --> 00:39:08,600
Speaker 1: It's everything about it is perfect.

873
00:39:08,960 --> 00:39:12,839
Speaker 4: Yeah, And I believe that Corey when he tells her

874
00:39:13,080 --> 00:39:15,560
Speaker 4: the very same lesson lesson she was just trying to

875
00:39:15,600 --> 00:39:17,880
Speaker 4: teach him in the scene before that he believes it.

876
00:39:18,000 --> 00:39:20,080
Speaker 3: He does believe it, and he does can't even apply

877
00:39:20,200 --> 00:39:22,360
Speaker 3: to himself yet, you know, they're still a journey to

878
00:39:22,360 --> 00:39:24,040
Speaker 3: be had. But he's just trying to make her feel

879
00:39:24,080 --> 00:39:25,399
Speaker 3: better and being honest with.

880
00:39:25,360 --> 00:39:31,440
Speaker 4: Her totally, and she's being able to internalize it for himself.

881
00:39:31,680 --> 00:39:34,799
Speaker 4: But recognizing you are right though, because here you are

882
00:39:35,120 --> 00:39:37,359
Speaker 4: in the same situation and I think you're crazy because

883
00:39:37,360 --> 00:39:39,160
Speaker 4: I love you and your beautiful no matter what.

884
00:39:39,400 --> 00:39:41,960
Speaker 2: But that's the joy of him never also looking in

885
00:39:42,000 --> 00:39:44,080
Speaker 2: the mirror or having the mirror in his lockers. He

886
00:39:44,120 --> 00:39:47,400
Speaker 2: won't see himself right throughout the entire episode, which is

887
00:39:47,440 --> 00:39:49,440
Speaker 2: so cool. So even when he's when he's reversed the thing,

888
00:39:49,560 --> 00:39:50,680
Speaker 2: it was just it was also good.

889
00:39:50,719 --> 00:39:51,480
Speaker 1: It's also good.

890
00:39:52,000 --> 00:39:54,560
Speaker 4: Tapega grabs her strand of hair from Corey and looks

891
00:39:54,560 --> 00:39:57,040
Speaker 4: at it disappointedly. Corey asks how long it took her

892
00:39:57,040 --> 00:39:59,160
Speaker 4: to grow her hair that long. Topanga tells him six

893
00:39:59,239 --> 00:40:02,360
Speaker 4: or seven years, and Corey excitedly tells her that's perfect.

894
00:40:02,640 --> 00:40:04,719
Speaker 4: Corey explains that in six to seven years her hair

895
00:40:04,760 --> 00:40:07,240
Speaker 4: will grow back and he'll be out of his goosey goosey,

896
00:40:14,280 --> 00:40:14,879
Speaker 4: trying to make.

897
00:40:14,800 --> 00:40:16,759
Speaker 5: It kind of cool like.

898
00:40:16,400 --> 00:40:18,640
Speaker 2: Goosey, Goosey goose.

899
00:40:21,320 --> 00:40:21,560
Speaker 1: Man.

900
00:40:21,600 --> 00:40:23,560
Speaker 4: And he tells Tapanga this is going to make them

901
00:40:23,600 --> 00:40:26,040
Speaker 4: even closer as a couple because now they are in

902
00:40:26,120 --> 00:40:29,359
Speaker 4: perfect sink to. Pega smiles and kisses Corey, telling him

903
00:40:29,400 --> 00:40:31,719
Speaker 4: that's why she loves him. After school, she'll go to

904
00:40:31,719 --> 00:40:33,520
Speaker 4: the beauty parlor and she's going to get her hair

905
00:40:33,560 --> 00:40:36,200
Speaker 4: even out to Pega leaves the girl's bathroom and Corey

906
00:40:36,239 --> 00:40:38,799
Speaker 4: stays behind. Sean immediately walks out of a stall and

907
00:40:38,880 --> 00:40:42,000
Speaker 4: asks how the conversation went. Corey tells him everything's gonna

908
00:40:42,000 --> 00:40:43,920
Speaker 4: be fine. To Panga is going to go to a

909
00:40:43,960 --> 00:40:47,759
Speaker 4: beauty parlor after this, and Sean gives him his own

910
00:40:47,800 --> 00:40:51,880
Speaker 4: little undercover huh huh huh, and then says, so, what

911
00:40:51,920 --> 00:40:55,080
Speaker 4: do you want to do now? That's where he almost

912
00:40:55,120 --> 00:41:00,640
Speaker 4: broke almost.

913
00:41:00,200 --> 00:41:01,239
Speaker 5: So what do you want to do now?

914
00:41:02,080 --> 00:41:04,000
Speaker 4: Corey asks if he wants to sit on the couch

915
00:41:04,040 --> 00:41:06,000
Speaker 4: to it. Sean says yes. They PLoP down on the

916
00:41:06,000 --> 00:41:09,719
Speaker 4: couch and sit in the girl's bathroom alone, and then

917
00:41:10,080 --> 00:41:14,960
Speaker 4: we're in the Matthews House. Another iconic scene. Alert Eric

918
00:41:15,040 --> 00:41:17,160
Speaker 4: is on the couch in a robe drinking milk straight

919
00:41:17,160 --> 00:41:19,680
Speaker 4: from the carton and squirting chocolate sauce directly into his mouth.

920
00:41:19,719 --> 00:41:22,080
Speaker 4: He shakes his head vigorously to mix in time to.

921
00:41:22,080 --> 00:41:24,040
Speaker 1: Wait for the bee story to start too. By the way,

922
00:41:24,239 --> 00:41:26,840
Speaker 1: I know, it's but it's worked. It totally works.

923
00:41:27,080 --> 00:41:28,080
Speaker 5: Yeah, yeah, it's so.

924
00:41:28,440 --> 00:41:30,720
Speaker 3: It's Actually I was just realizing, Oh, we haven't developed

925
00:41:31,040 --> 00:41:31,680
Speaker 3: Eric storyline.

926
00:41:31,680 --> 00:41:32,440
Speaker 1: It hasn't even started.

927
00:41:32,520 --> 00:41:34,440
Speaker 4: Just jumping into it now.

928
00:41:34,040 --> 00:41:34,279
Speaker 3: Wow.

929
00:41:34,520 --> 00:41:36,839
Speaker 4: So Amy and Morgan walk in, and Amy tells Eric

930
00:41:36,880 --> 00:41:39,080
Speaker 4: it's four o'clock. He's been sitting in the exact same

931
00:41:39,120 --> 00:41:41,640
Speaker 4: spot when she left this morning. Apparently Eric was supposed

932
00:41:41,680 --> 00:41:43,399
Speaker 4: to be looking for a job. He tells her he's

933
00:41:43,440 --> 00:41:45,520
Speaker 4: been watching crime shows on TV all day, and these

934
00:41:45,560 --> 00:41:48,400
Speaker 4: crime shows have been solved by old guys, fat guys,

935
00:41:48,440 --> 00:41:51,880
Speaker 4: and guys with wrinkled raincoats. It occurs to Eric that

936
00:41:51,920 --> 00:41:55,160
Speaker 4: what this world's needs, what this world needs is Eric Matthews,

937
00:41:55,239 --> 00:41:58,160
Speaker 4: good looking detective. He says it in a deep movie

938
00:41:58,200 --> 00:42:02,880
Speaker 4: announcer voice. Worriedly announces I'm gonna do so much homework

939
00:42:03,040 --> 00:42:06,799
Speaker 4: as she runs up the stairs. So really cute that

940
00:42:07,000 --> 00:42:09,520
Speaker 4: this is the perfect way for Morgan to not be mean. Really,

941
00:42:09,600 --> 00:42:11,440
Speaker 4: I mean it's a little mean, but it's perfect. She's like,

942
00:42:11,480 --> 00:42:13,200
Speaker 4: my brother didn't get into college and now he sits

943
00:42:13,200 --> 00:42:15,440
Speaker 4: around and watches TV all day. I'm gonna do so,

944
00:42:15,520 --> 00:42:16,960
Speaker 4: I'm gonna do all my homework.

945
00:42:17,000 --> 00:42:17,600
Speaker 1: Great little one.

946
00:42:17,800 --> 00:42:20,200
Speaker 2: She's a little one liner machine. She runs, says the

947
00:42:20,200 --> 00:42:21,440
Speaker 2: line takes it runs right.

948
00:42:22,680 --> 00:42:25,000
Speaker 4: Eric continues telling Amy he's already thought of a theme song.

949
00:42:25,280 --> 00:42:29,880
Speaker 2: He sings, will breaks out all the cute girl shout

950
00:42:29,960 --> 00:42:31,640
Speaker 2: get the good looking guy.

951
00:42:31,920 --> 00:42:33,600
Speaker 1: I have to say. People ask me to sing that

952
00:42:34,160 --> 00:42:37,000
Speaker 1: at every convention. Really, Oh god, I hear it all

953
00:42:37,040 --> 00:42:39,600
Speaker 1: the time. So good. Yeah.

954
00:42:39,760 --> 00:42:42,880
Speaker 4: Producer Tara said, I still knew every word to this song,

955
00:42:43,040 --> 00:42:48,640
Speaker 4: and so did I. Ah so uh. He finishes with

956
00:42:48,680 --> 00:42:51,120
Speaker 4: a hair toss and a smile at Amy, saying book

957
00:42:51,160 --> 00:42:51,800
Speaker 4: him good looking.

958
00:42:52,680 --> 00:42:52,919
Speaker 1: Uh.

959
00:42:53,120 --> 00:42:56,480
Speaker 4: Do you remember the origin of this song? Did they

960
00:42:56,520 --> 00:42:57,200
Speaker 4: let you do?

961
00:42:57,680 --> 00:42:57,799
Speaker 9: Oh?

962
00:42:57,840 --> 00:42:58,440
Speaker 1: No, I didn't.

963
00:42:58,440 --> 00:43:01,120
Speaker 3: This was they wrote all this, They wrote Eric's But

964
00:43:01,160 --> 00:43:02,280
Speaker 3: did you come up with the melody?

965
00:43:02,280 --> 00:43:04,520
Speaker 1: Did you just spontaneous at the table's singing? No?

966
00:43:04,800 --> 00:43:08,000
Speaker 2: I think what happened was because they in the tag.

967
00:43:08,160 --> 00:43:11,839
Speaker 2: Then Ray Colecord obviously did a version of the song.

968
00:43:11,920 --> 00:43:13,680
Speaker 2: So I guess is they played some version of it

969
00:43:13,760 --> 00:43:15,840
Speaker 2: for me to give me the kind of the cadence

970
00:43:15,880 --> 00:43:18,960
Speaker 2: of the song, and then yeah, because no, this was

971
00:43:18,960 --> 00:43:20,600
Speaker 2: all them. I'd love to say that I ad lived

972
00:43:20,640 --> 00:43:24,160
Speaker 2: any of this, but no, this was all It was great.

973
00:43:24,080 --> 00:43:28,040
Speaker 4: So funny. So Amy is unamused. I'm scared for you. You've

974
00:43:27,880 --> 00:43:29,880
Speaker 4: got to get out of this house. Eric asks to

975
00:43:29,920 --> 00:43:32,000
Speaker 4: do what. Let's say I find one of these so

976
00:43:32,080 --> 00:43:34,759
Speaker 4: called jobs with a high school diploma. The best I

977
00:43:34,800 --> 00:43:36,799
Speaker 4: can ask for his minimum wage and what they take

978
00:43:36,800 --> 00:43:41,680
Speaker 4: out for taxes. I can do better solving crimes. He

979
00:43:41,840 --> 00:43:44,480
Speaker 4: starts singing his theme song again, but Amy lunges at him,

980
00:43:44,480 --> 00:43:46,760
Speaker 4: covering his mouth. She pleads, you can't just mope around

981
00:43:46,760 --> 00:43:48,439
Speaker 4: the house. Why don't you go out on a date.

982
00:43:48,719 --> 00:43:50,239
Speaker 4: Eric tells her all the girls he used to date

983
00:43:50,239 --> 00:43:52,560
Speaker 4: have gone off to college. Amy argues there must be

984
00:43:52,640 --> 00:43:56,480
Speaker 4: plenty of nice girls right here in town. Eric asks, townys.

985
00:43:56,680 --> 00:43:57,920
Speaker 4: You want me to date a towny?

986
00:43:58,120 --> 00:43:58,279
Speaker 6: Oh?

987
00:43:58,360 --> 00:44:00,120
Speaker 4: I could see them now, sitting on their couch in

988
00:44:00,120 --> 00:44:03,680
Speaker 4: their ratty bathroom, watching daytime TV and eating bond bonds.

989
00:44:04,200 --> 00:44:06,680
Speaker 4: Amy looks him up and down, and Eric confidently explains

990
00:44:07,080 --> 00:44:11,120
Speaker 4: these are cocoa puffs and checked great joke.

991
00:44:12,560 --> 00:44:15,000
Speaker 1: Indy watched this episode with me and like, these are

992
00:44:15,000 --> 00:44:16,799
Speaker 1: cocoa puffs. He lost it, lost it.

993
00:44:17,040 --> 00:44:17,920
Speaker 4: It's so funny.

994
00:44:18,000 --> 00:44:19,080
Speaker 1: It's so funny.

995
00:44:19,520 --> 00:44:23,960
Speaker 4: I also, I have never wanted cocoa puffs, so more good.

996
00:44:24,840 --> 00:44:27,040
Speaker 4: Didn't it look delicious?

997
00:44:26,280 --> 00:44:29,040
Speaker 2: I'm doing the spoon acting because.

998
00:44:33,400 --> 00:44:35,800
Speaker 1: Cereal just stabbing it repeatedly with this stirring.

999
00:44:35,840 --> 00:44:38,200
Speaker 4: You were stirring it, you were getting the cocoa puffs

1000
00:44:38,200 --> 00:44:41,560
Speaker 4: in there. But I also thought, man, that's the way

1001
00:44:41,600 --> 00:44:43,400
Speaker 4: to do it, to eat your cereal also out of

1002
00:44:43,400 --> 00:44:47,160
Speaker 4: an extra large bowl. Everything about what you were doing it. No,

1003
00:44:47,200 --> 00:44:48,480
Speaker 4: I just use a regular.

1004
00:44:50,880 --> 00:44:54,200
Speaker 1: I've had forever. Salad that is like this big.

1005
00:44:54,320 --> 00:44:56,239
Speaker 2: It's green. I think it's based on the show. But

1006
00:44:56,280 --> 00:44:58,520
Speaker 2: it's this big and it holds up.

1007
00:44:58,480 --> 00:45:02,640
Speaker 1: A box rite a box of Are you serious? No,

1008
00:45:02,719 --> 00:45:04,680
Speaker 1: it's been a while. It's not my popcorn bowl. But

1009
00:45:04,719 --> 00:45:07,080
Speaker 1: back in the day, I remember when Love and I

1010
00:45:07,120 --> 00:45:10,319
Speaker 1: were dating, we would like sit in the morning with

1011
00:45:10,360 --> 00:45:12,960
Speaker 1: this thing and we'd share a box of cereal while

1012
00:45:13,040 --> 00:45:15,799
Speaker 1: watching cartoons. It was the greatest great ever. Yeah, I

1013
00:45:15,840 --> 00:45:16,160
Speaker 1: still have.

1014
00:45:16,719 --> 00:45:19,000
Speaker 4: I'm going to actually have to go buy some cocoa

1015
00:45:19,000 --> 00:45:20,759
Speaker 4: buffs because it really made me want them. They're not

1016
00:45:20,800 --> 00:45:23,359
Speaker 4: as good as a Kebler sand They're handy, but there

1017
00:45:25,160 --> 00:45:27,279
Speaker 4: you know what, I'm going to drive my Hyundai to

1018
00:45:27,320 --> 00:45:27,960
Speaker 4: get some Keebler.

1019
00:45:27,960 --> 00:45:38,760
Speaker 2: Sandy's some Keeler Sandy and great in that bowl are Yeah.

1020
00:45:38,800 --> 00:45:42,360
Speaker 4: So then we are in the three Cellini Brothers hair salon,

1021
00:45:42,560 --> 00:45:44,160
Speaker 4: another new Settler, another.

1022
00:45:44,040 --> 00:45:46,680
Speaker 1: Set John and a lot of news.

1023
00:45:46,960 --> 00:45:49,279
Speaker 2: And think about the first episode of the season. We

1024
00:45:49,280 --> 00:45:51,040
Speaker 2: were driving. We did the yogurt cup.

1025
00:45:51,120 --> 00:45:54,680
Speaker 1: Wee we had money, Clen.

1026
00:45:55,320 --> 00:45:56,799
Speaker 4: We knew we were picked up at the end of

1027
00:45:56,800 --> 00:45:57,920
Speaker 4: season three and they gave us.

1028
00:45:57,880 --> 00:46:00,200
Speaker 1: Some doughn absolutely.

1029
00:46:00,719 --> 00:46:03,120
Speaker 4: So Sean and Corey are waiting for Tapanga, and Sean's

1030
00:46:03,120 --> 00:46:05,080
Speaker 4: getting antsy because she's been in there a long time.

1031
00:46:05,239 --> 00:46:07,239
Speaker 4: Cory asks, what are you getting so crazy about? She's

1032
00:46:07,239 --> 00:46:09,839
Speaker 4: just getting a haircut again. I love it, Corey, the

1033
00:46:09,840 --> 00:46:13,359
Speaker 4: optimist things are fine, settling you down, Sean says, we've

1034
00:46:13,360 --> 00:46:15,440
Speaker 4: known Tapanga her whole life. She doesn't wear makeup. She's

1035
00:46:15,480 --> 00:46:18,400
Speaker 4: never been to a beauty parlor. She's completely natural. And

1036
00:46:18,440 --> 00:46:20,720
Speaker 4: to that, I would like to say, ladies and gentlemen,

1037
00:46:20,840 --> 00:46:22,480
Speaker 4: I was not completely natural.

1038
00:46:22,640 --> 00:46:24,560
Speaker 1: No makeup.

1039
00:46:25,280 --> 00:46:29,080
Speaker 4: We had an entire care and makeup team dedicated to and.

1040
00:46:28,960 --> 00:46:31,360
Speaker 1: Wardrobe correct since the age of twelve.

1041
00:46:32,960 --> 00:46:37,560
Speaker 4: I've had that team of people, the natural, unnatural beauty

1042
00:46:37,600 --> 00:46:41,600
Speaker 4: of two hours a day in a chair, hair all.

1043
00:46:42,520 --> 00:46:47,719
Speaker 4: That's exactly hours and hours of maintenance. Also hours and

1044
00:46:47,800 --> 00:46:51,200
Speaker 4: hours of my life wasted, spend spent thinking about every

1045
00:46:51,239 --> 00:46:54,680
Speaker 4: single morsel of food I put into my mouth, being paranoid.

1046
00:46:54,719 --> 00:46:56,840
Speaker 4: I was going to look heavy on camera, so I

1047
00:46:56,840 --> 00:47:03,960
Speaker 4: would just like to say, I call just okay. So

1048
00:47:04,280 --> 00:47:07,120
Speaker 4: Corey questions, so what's the big deal? Sean explains, she

1049
00:47:07,239 --> 00:47:10,080
Speaker 4: was beautiful without anybody's help. Now she's got professional help.

1050
00:47:10,120 --> 00:47:12,000
Speaker 4: She's going to be mega beautiful. We're not even going

1051
00:47:12,040 --> 00:47:13,680
Speaker 4: to be able to look at her directly without burning

1052
00:47:13,680 --> 00:47:16,560
Speaker 4: our retinas. And I remember that line, and it's so funny.

1053
00:47:16,760 --> 00:47:17,720
Speaker 1: It's all so good.

1054
00:47:17,960 --> 00:47:20,640
Speaker 4: It's so good. Corey argues, this isn't Beverly Hills. It's

1055
00:47:20,640 --> 00:47:23,840
Speaker 4: a neighborhood beauty salon next to Old Lady Schneider's donut shop.

1056
00:47:23,960 --> 00:47:26,960
Speaker 4: They don't exactly do miracles here. The camera cuts to

1057
00:47:27,080 --> 00:47:29,640
Speaker 4: a beautiful woman getting out of a salon share and

1058
00:47:29,719 --> 00:47:32,680
Speaker 4: Sean gasps Old Lady Schneider.

1059
00:47:34,040 --> 00:47:36,960
Speaker 1: Trying hard not to lose it. We are trying so hard.

1060
00:47:37,000 --> 00:47:37,480
Speaker 1: Not to eat it.

1061
00:47:37,520 --> 00:47:39,400
Speaker 3: I don't know what was going on, but there was

1062
00:47:39,440 --> 00:47:41,520
Speaker 3: some in joke between the two of us. I don't

1063
00:47:41,520 --> 00:47:42,000
Speaker 3: know what it was.

1064
00:47:42,080 --> 00:47:43,719
Speaker 1: We thought that was the funniest thing of it. The

1065
00:47:43,800 --> 00:47:47,759
Speaker 1: funniest thing is legitimately funny. It's such a good joke.

1066
00:47:47,760 --> 00:47:49,120
Speaker 3: But I could just tell that Ben and I can't

1067
00:47:49,120 --> 00:47:51,000
Speaker 3: look at each other and this moment, like we're trying

1068
00:47:51,000 --> 00:47:54,160
Speaker 3: to avoid eye contact because if we clearly are going

1069
00:47:54,200 --> 00:47:55,080
Speaker 3: to make each other lose it.

1070
00:47:55,120 --> 00:47:55,440
Speaker 1: I don't know.

1071
00:47:55,480 --> 00:47:58,120
Speaker 4: Oh my god. So I do remember all of the

1072
00:47:58,160 --> 00:48:03,160
Speaker 4: scenes with Dom. He is so funny and was so

1073
00:48:03,400 --> 00:48:07,720
Speaker 4: funny all week, and I think we generally in every

1074
00:48:07,760 --> 00:48:10,799
Speaker 4: scene that took place in this beauty parlor, couldn't keep

1075
00:48:10,840 --> 00:48:13,360
Speaker 4: it together. I just we were just having fun the

1076
00:48:13,360 --> 00:48:16,960
Speaker 4: whole time, Like it was just such a fun, great,

1077
00:48:17,120 --> 00:48:21,920
Speaker 4: absolutely great. I cackled at that old Lady Schneider joke. Sean,

1078
00:48:22,239 --> 00:48:24,440
Speaker 4: Oh gosh, Sean breaks it to him. The first thing

1079
00:48:24,480 --> 00:48:26,279
Speaker 4: she's gonna do is dump you. Then she's going to

1080
00:48:26,320 --> 00:48:29,040
Speaker 4: start hanging out with other unbelievably good looking people. Cory

1081
00:48:29,120 --> 00:48:31,239
Speaker 4: asks how he knows that, and Sean says, it's what

1082
00:48:31,280 --> 00:48:35,560
Speaker 4: we do. Hit after hit after hit, after perfect joke

1083
00:48:35,600 --> 00:48:38,360
Speaker 4: after perfect joke, Cory says, this is all wrong. If

1084
00:48:38,400 --> 00:48:40,720
Speaker 4: anyone knows hair, it's me. When I get a haircut,

1085
00:48:40,719 --> 00:48:43,040
Speaker 4: it looks terrible for like the first six weeks, then

1086
00:48:43,080 --> 00:48:45,080
Speaker 4: all of a sudden, it looks terrific for a day,

1087
00:48:45,400 --> 00:48:48,040
Speaker 4: and then it's time for another haircut. It's what I

1088
00:48:48,160 --> 00:48:50,040
Speaker 4: like to call the haircut cycle.

1089
00:48:49,760 --> 00:48:53,000
Speaker 3: Of Shake, one of the greatest little monologues, like just

1090
00:48:53,200 --> 00:48:56,720
Speaker 3: word for word, so funny, and Ben's delivery, I'm just.

1091
00:48:56,600 --> 00:48:58,440
Speaker 1: Like, yes, yes, yes, yes.

1092
00:48:58,360 --> 00:49:01,520
Speaker 4: Yes, all of us, hit after hit after hit after

1093
00:49:01,600 --> 00:49:03,120
Speaker 4: hit of just I can't catch my breath.

1094
00:49:03,160 --> 00:49:06,239
Speaker 3: It's almost every scene you could quote almost every line. Yeah,

1095
00:49:06,280 --> 00:49:07,960
Speaker 3: you know what I mean, Like, almost every scene is

1096
00:49:07,960 --> 00:49:10,640
Speaker 3: an iconic line from Boyby's World. Like then the next

1097
00:49:10,640 --> 00:49:12,879
Speaker 3: beat when I'm like, I live in a trailer park

1098
00:49:12,880 --> 00:49:16,359
Speaker 3: and my hair does this notable Sean lines ever.

1099
00:49:16,640 --> 00:49:18,120
Speaker 4: Yeah, and you know you know what I think. One

1100
00:49:18,160 --> 00:49:20,719
Speaker 4: of the things is that makes boy Meets World so

1101
00:49:20,880 --> 00:49:24,320
Speaker 4: amazing is that in the seven seasons of the show,

1102
00:49:24,920 --> 00:49:27,239
Speaker 4: we probably have so we did a total of one

1103
00:49:27,280 --> 00:49:29,200
Speaker 4: hundred and fifty eight episodes. Well, those of you who

1104
00:49:29,239 --> 00:49:30,560
Speaker 4: were on the show, you did one hundred total of

1105
00:49:30,560 --> 00:49:32,400
Speaker 4: one hundred and fifty eight episodes for people like me

1106
00:49:32,440 --> 00:49:34,200
Speaker 4: who were barely on the show. We did something more

1107
00:49:34,239 --> 00:49:40,000
Speaker 4: like one hundred or something. But there are probably really

1108
00:49:40,040 --> 00:49:45,880
Speaker 4: conservative estimate forty episodes that are like this one that

1109
00:49:45,960 --> 00:49:51,080
Speaker 4: are so memorable, so iconic, so incredible, so perfect from

1110
00:49:51,080 --> 00:49:53,479
Speaker 4: beginning to end. Maybe not quite as balanced, but there's

1111
00:49:53,520 --> 00:49:58,520
Speaker 4: so many amazing ones. And then there's probably another sixty

1112
00:49:58,600 --> 00:50:02,319
Speaker 4: or seventy that are just bees, which is still great,

1113
00:50:02,480 --> 00:50:05,680
Speaker 4: still pretty emnent. Yeah, maybe it's thirty that are like

1114
00:50:06,080 --> 00:50:07,799
Speaker 4: I could have done without that one when you're looking

1115
00:50:07,840 --> 00:50:11,040
Speaker 4: at that ratio, No wonder the ones that aren't as

1116
00:50:11,080 --> 00:50:14,240
Speaker 4: good people go, Yeah, maybe I skip that one. But overall, boy,

1117
00:50:14,239 --> 00:50:17,880
Speaker 4: do I ever love this show? When you have what

1118
00:50:17,920 --> 00:50:21,600
Speaker 4: we're already starting with with season four, Oh that's all?

1119
00:50:21,840 --> 00:50:23,800
Speaker 4: You find a better show out there that's also.

1120
00:50:23,640 --> 00:50:27,520
Speaker 2: Par for the course for any long lasting television show. Yeah,

1121
00:50:27,960 --> 00:50:31,080
Speaker 2: there's not a single television show in history that every

1122
00:50:31,120 --> 00:50:31,960
Speaker 2: episode was awesome.

1123
00:50:32,280 --> 00:50:34,600
Speaker 1: Just doesn't it be? It doesn't exist. And just to

1124
00:50:34,719 --> 00:50:36,600
Speaker 1: demand of the speed at which you have to write

1125
00:50:36,600 --> 00:50:40,160
Speaker 1: and the last episodes, I mean, you're doing twenty twenty

1126
00:50:40,160 --> 00:50:43,160
Speaker 1: one twenty two episodes of season sometimes twenty four, twenty four,

1127
00:50:43,400 --> 00:50:45,400
Speaker 1: it's just such a crazy schedule.

1128
00:50:45,760 --> 00:50:48,239
Speaker 3: So yeah, I mean the idea, it's more like it's

1129
00:50:48,239 --> 00:50:51,920
Speaker 3: more like like, you know, to do a sports ball metaphor.

1130
00:50:52,120 --> 00:50:55,719
Speaker 3: Oh wait, it's more like baseball. You know baseball, you

1131
00:50:55,760 --> 00:51:00,200
Speaker 3: know in baseball. It's it's not about like it's going

1132
00:51:00,640 --> 00:51:02,719
Speaker 3: to Yes, I wanted you to keep that you want

1133
00:51:02,760 --> 00:51:05,080
Speaker 3: to make money metaphor, because right, it's more like you

1134
00:51:05,239 --> 00:51:08,080
Speaker 3: you do like small moves. It's not like every time

1135
00:51:08,120 --> 00:51:09,560
Speaker 3: you have to it's like you have to be more

1136
00:51:09,560 --> 00:51:10,640
Speaker 3: consistent over.

1137
00:51:10,680 --> 00:51:12,040
Speaker 1: You're going to Bill James with it?

1138
00:51:12,080 --> 00:51:15,000
Speaker 4: Interesting, sure, sure, yeah he knows that.

1139
00:51:15,080 --> 00:51:16,799
Speaker 2: Bill James is the guy who wrote the book that

1140
00:51:16,840 --> 00:51:19,360
Speaker 2: Moneyball was based on. Ye, Like it's where it's the

1141
00:51:19,360 --> 00:51:21,000
Speaker 2: money the book creating.

1142
00:51:21,080 --> 00:51:22,600
Speaker 1: Yeah, I've always seen the moving all this stuff.

1143
00:51:22,680 --> 00:51:25,600
Speaker 2: Yeah okay, yeah, but yes, you're right, it's like, you know,

1144
00:51:25,800 --> 00:51:28,319
Speaker 2: let's you know, we can spend the money in a

1145
00:51:28,360 --> 00:51:31,560
Speaker 2: better way to make the team more profitable essentially.

1146
00:51:32,200 --> 00:51:34,319
Speaker 4: So Sean asks, and that's what you think is going

1147
00:51:34,360 --> 00:51:36,839
Speaker 4: to happen to Tapanga. Yes I do, Corey says, because

1148
00:51:36,880 --> 00:51:39,319
Speaker 4: the universe knows we're supposed to be together. So the

1149
00:51:39,400 --> 00:51:41,440
Speaker 4: universe has seen fit to put to Panga in that

1150
00:51:41,560 --> 00:51:43,560
Speaker 4: chair and make her hideous so we can get through

1151
00:51:43,600 --> 00:51:46,840
Speaker 4: our teenage years awkward hand in awkward hand.

1152
00:51:47,000 --> 00:51:48,680
Speaker 5: Classics Boy meets World.

1153
00:51:49,080 --> 00:51:52,440
Speaker 3: Universe yep, like confusion with the fact that we're on

1154
00:51:52,480 --> 00:51:54,320
Speaker 3: a TV show thing, which we've talked a lot about,

1155
00:51:54,360 --> 00:51:56,440
Speaker 3: But this is like maybe one of the first like

1156
00:51:56,600 --> 00:51:59,359
Speaker 3: really clearly stated like and what we're supposed to out

1157
00:51:59,360 --> 00:51:59,879
Speaker 3: of this, right?

1158
00:52:00,000 --> 00:52:02,160
Speaker 4: Oh yeah, but I was okay with.

1159
00:52:02,120 --> 00:52:05,719
Speaker 1: This one, yeah, because its Girl Meets World was all this.

1160
00:52:06,680 --> 00:52:11,000
Speaker 3: Literally every week of Girl Meets World would say something

1161
00:52:11,040 --> 00:52:12,440
Speaker 3: about the universe.

1162
00:52:12,040 --> 00:52:13,920
Speaker 1: Means that we're supposed to be doing this.

1163
00:52:13,880 --> 00:52:15,960
Speaker 5: Or you know, it's basically a code for God.

1164
00:52:16,320 --> 00:52:19,000
Speaker 1: Like always it's always like God means we're gonna you know.

1165
00:52:19,080 --> 00:52:21,920
Speaker 3: It's really it's interesting that this is like one of

1166
00:52:21,920 --> 00:52:24,240
Speaker 3: the first times I think Corey's actually said universe.

1167
00:52:24,360 --> 00:52:26,040
Speaker 1: Girl Meets World used that all the time.

1168
00:52:26,360 --> 00:52:30,040
Speaker 4: Yes, yes, So Sean asks, you know, she's coming out

1169
00:52:30,040 --> 00:52:32,319
Speaker 4: great looking, don't you. Corey grabs Sean and hugs him

1170
00:52:32,320 --> 00:52:36,440
Speaker 4: as he groans yes, yes, and then we see Tapanga

1171
00:52:37,080 --> 00:52:40,680
Speaker 4: new Crop topped slowly walking out of the hairdresser's room

1172
00:52:40,680 --> 00:52:45,160
Speaker 4: as the audience whoosh, And this is here possibly the

1173
00:52:45,160 --> 00:52:49,960
Speaker 4: most used jiff of topanga. Just you know that topanga

1174
00:52:50,000 --> 00:52:52,200
Speaker 4: walking out, just me walking out?

1175
00:52:52,320 --> 00:52:53,480
Speaker 1: Is you also had.

1176
00:52:53,320 --> 00:52:55,600
Speaker 2: The look you were like trying to be shy and coquettish,

1177
00:52:55,640 --> 00:52:56,560
Speaker 2: but you knew you look good.

1178
00:52:56,600 --> 00:52:57,279
Speaker 1: You could tell you Oh.

1179
00:52:57,239 --> 00:53:00,239
Speaker 4: Yeah, I mean well, it's the whole point of the scene. Also,

1180
00:53:00,280 --> 00:53:02,120
Speaker 4: when my dad watch this episode, my dad went, where

1181
00:53:02,120 --> 00:53:09,840
Speaker 4: did you learn to walk like that? So Sean stares

1182
00:53:09,880 --> 00:53:11,920
Speaker 4: at the panga and disbelief. As Corey turns around to

1183
00:53:11,920 --> 00:53:15,880
Speaker 4: look at her, he angrily cries, this universe blows. So,

1184
00:53:16,960 --> 00:53:21,640
Speaker 4: I mean, there we are another another perfect, hilarious classic scene.

1185
00:53:21,880 --> 00:53:24,839
Speaker 3: The biggest stretch is just that you haven't changed all them, right,

1186
00:53:24,920 --> 00:53:26,200
Speaker 3: Like the fact that they have to like tie your

1187
00:53:26,239 --> 00:53:29,040
Speaker 3: shirt to make you like show off belly and be

1188
00:53:29,040 --> 00:53:30,040
Speaker 3: a little sexier.

1189
00:53:30,520 --> 00:53:33,160
Speaker 1: Hair alone is like is it no?

1190
00:53:33,239 --> 00:53:35,319
Speaker 4: It also is that he has done her makeup and

1191
00:53:35,360 --> 00:53:39,280
Speaker 4: painted her nails. It's a it's a transformation of other things,

1192
00:53:39,400 --> 00:53:42,000
Speaker 4: not just the hairca.

1193
00:53:41,360 --> 00:53:42,799
Speaker 5: You were you were hard to make over.

1194
00:53:43,000 --> 00:53:47,120
Speaker 3: You were already you know, in this league of beautiful

1195
00:53:47,120 --> 00:53:50,000
Speaker 3: woman or girl that then you can't write And I

1196
00:53:50,080 --> 00:53:53,319
Speaker 3: just think, yeah, they could have well they didn't down.

1197
00:53:53,360 --> 00:53:55,120
Speaker 2: They didn't play it down enough like they did in

1198
00:53:55,160 --> 00:53:57,880
Speaker 2: the nineties movies where it's like, you know, she I

1199
00:53:57,880 --> 00:53:59,960
Speaker 2: need to glass for all these things where it's glass

1200
00:54:00,120 --> 00:54:01,120
Speaker 2: and a ponytail and.

1201
00:54:01,400 --> 00:54:03,719
Speaker 1: She can't be pretty. She has a ponytail, like you know,

1202
00:54:03,800 --> 00:54:04,240
Speaker 1: like that.

1203
00:54:04,120 --> 00:54:06,600
Speaker 3: Well, that's the thing is to Pango already has transitioned

1204
00:54:06,680 --> 00:54:10,719
Speaker 3: from like the sort of lacey dresses, like the hair

1205
00:54:10,760 --> 00:54:13,320
Speaker 3: from the first season, like in a way is written

1206
00:54:13,320 --> 00:54:16,080
Speaker 3: to this. Yes, yes, but especially after like we went

1207
00:54:16,120 --> 00:54:19,440
Speaker 3: to Florida where you were in a different outfit, showing

1208
00:54:19,480 --> 00:54:23,160
Speaker 3: belly and looking all so like this look is already

1209
00:54:23,200 --> 00:54:26,400
Speaker 3: kind of happened over time, so in a weird way,

1210
00:54:26,239 --> 00:54:28,080
Speaker 3: they probably could have set it up better by just

1211
00:54:28,120 --> 00:54:30,319
Speaker 3: having you dress more like first season to Panga, those

1212
00:54:30,360 --> 00:54:33,280
Speaker 3: first couple of scenes exactly change your clothes completely.

1213
00:54:33,280 --> 00:54:35,920
Speaker 1: I don't know, it's well, like you're going to class.

1214
00:54:36,320 --> 00:54:40,239
Speaker 2: Even that one scene she had been wearing smocks like

1215
00:54:40,360 --> 00:54:43,560
Speaker 2: paint and like she maybe does have her hairs all

1216
00:54:43,680 --> 00:54:44,160
Speaker 2: messed up.

1217
00:54:44,200 --> 00:54:48,040
Speaker 4: I mean, like, I think then we would have criticized it.

1218
00:54:48,120 --> 00:54:49,560
Speaker 4: I think we would have criticized it. We would have

1219
00:54:49,560 --> 00:54:55,400
Speaker 4: been like, oh well, like but I do think and

1220
00:54:55,480 --> 00:54:57,359
Speaker 4: I think what happened was I didn't ask to cut

1221
00:54:57,400 --> 00:55:00,319
Speaker 4: my hair until this summer, but my look had arted

1222
00:55:00,320 --> 00:55:03,239
Speaker 4: to change in season three. So the problem was they

1223
00:55:03,239 --> 00:55:05,920
Speaker 4: had already adjusted, They had already started trying to age

1224
00:55:05,920 --> 00:55:08,080
Speaker 4: me up and change me a little bit in season

1225
00:55:08,160 --> 00:55:10,320
Speaker 4: three before I was like, please, please, please let me

1226
00:55:10,360 --> 00:55:12,640
Speaker 4: cut my hair, because you're right. Had we known this

1227
00:55:12,719 --> 00:55:14,960
Speaker 4: was coming all along, they would have been like, let's

1228
00:55:15,040 --> 00:55:20,480
Speaker 4: keep her young, innocent, all natural to Panga until she

1229
00:55:20,560 --> 00:55:23,040
Speaker 4: cuts her hair, and then we have a massive change

1230
00:55:23,160 --> 00:55:26,239
Speaker 4: wardrobe style, you know, big change for her. But we

1231
00:55:26,239 --> 00:55:27,320
Speaker 4: didn't know that was going to happen.

1232
00:55:27,360 --> 00:55:30,799
Speaker 1: But I actually have fourteen here, fourteen.

1233
00:55:30,520 --> 00:55:33,239
Speaker 4: Fifteen is this Let's see what when did this air?

1234
00:55:33,400 --> 00:55:35,400
Speaker 4: This air in ninety six.

1235
00:55:35,200 --> 00:55:36,800
Speaker 1: So I was fifteen ninety fifteen.

1236
00:55:36,960 --> 00:55:40,000
Speaker 4: This is ninety six, Season four, episode three, Fall ninety six,

1237
00:55:40,000 --> 00:55:40,600
Speaker 4: I was fifteen.

1238
00:55:40,760 --> 00:55:41,680
Speaker 5: Weirdly, I felt like.

1239
00:55:41,640 --> 00:55:45,880
Speaker 1: I looked younger in this episode than two in earlier episode.

1240
00:55:45,960 --> 00:55:47,120
Speaker 1: That wasn't the same thing.

1241
00:55:47,480 --> 00:55:49,279
Speaker 3: If you had played me this episode out of order,

1242
00:55:49,280 --> 00:55:50,959
Speaker 3: I would have been like, oh, this is ninety five

1243
00:55:51,080 --> 00:55:53,640
Speaker 3: into ninety six, this is season three. Basically, because by

1244
00:55:53,640 --> 00:55:55,560
Speaker 3: the end of season three, I felt like I was like, ah,

1245
00:55:55,600 --> 00:55:56,960
Speaker 3: I'm looking like a real teenager.

1246
00:55:57,120 --> 00:55:58,720
Speaker 1: But now I guess it's just the haircut.

1247
00:55:58,760 --> 00:56:00,960
Speaker 3: I probably grown my head out over the summer and

1248
00:56:00,960 --> 00:56:02,520
Speaker 3: then they cut it and I just end up kind

1249
00:56:02,520 --> 00:56:03,800
Speaker 3: of looking more like little boys.

1250
00:56:03,920 --> 00:56:06,439
Speaker 2: I think there was also something psychological though about going

1251
00:56:06,480 --> 00:56:09,320
Speaker 2: back to being sidekick Sean, like there was no depression

1252
00:56:09,320 --> 00:56:09,520
Speaker 2: in this.

1253
00:56:09,600 --> 00:56:12,520
Speaker 1: You know, there's no angs. You were like funny, bubbly

1254
00:56:12,600 --> 00:56:13,360
Speaker 1: sidekickshew in this.

1255
00:56:13,400 --> 00:56:15,320
Speaker 3: I don't know, though, that scene with Sepanga is pretty

1256
00:56:15,520 --> 00:56:20,439
Speaker 3: that scene a solid and Sean is I just love

1257
00:56:20,480 --> 00:56:22,600
Speaker 3: Sean is a character of this episode because it's like

1258
00:56:22,960 --> 00:56:26,200
Speaker 3: he's still like confident and like kind of dumb Sean

1259
00:56:26,200 --> 00:56:28,920
Speaker 3: in some ways, but but it's not, and it's it's

1260
00:56:28,960 --> 00:56:29,399
Speaker 3: just so good.

1261
00:56:29,440 --> 00:56:31,840
Speaker 4: It's it's also so it's like a little bit like

1262
00:56:31,920 --> 00:56:34,800
Speaker 4: bad advice, even though it's it's kind of what happens.

1263
00:56:34,840 --> 00:56:38,760
Speaker 4: It's it's bad advice, but also based in like, oh gosh,

1264
00:56:38,880 --> 00:56:54,000
Speaker 4: this is bad news for you a very honest friend. Okay.

1265
00:56:54,040 --> 00:56:56,439
Speaker 4: Then we're in the hair salon to Panga asks the boys, well,

1266
00:56:56,560 --> 00:56:59,640
Speaker 4: isn't somebody going to say anything? Sean tries to control himself,

1267
00:56:59,640 --> 00:57:02,000
Speaker 4: whispering she's my best friend's girl. She's my best friend's girl.

1268
00:57:02,120 --> 00:57:03,800
Speaker 4: And then he breaks and yells out, oh what the

1269
00:57:03,840 --> 00:57:05,680
Speaker 4: heck marry me. I live in a trailer park and

1270
00:57:05,719 --> 00:57:07,600
Speaker 4: I have no education, but my hair does this, and

1271
00:57:07,640 --> 00:57:12,600
Speaker 4: he repeatedly runs his fingers through his middle part. Gosh,

1272
00:57:12,600 --> 00:57:17,280
Speaker 4: it's funny, it's jolly funny, so funny. The audience screams.

1273
00:57:17,400 --> 00:57:19,920
Speaker 4: Corey tries to interject. Sean tells him to shut up. Man,

1274
00:57:20,000 --> 00:57:23,680
Speaker 4: I'm going for it, going for it. Great for Corey

1275
00:57:23,720 --> 00:57:26,320
Speaker 4: grabs a spray bottle and sprays Sean with the water

1276
00:57:26,440 --> 00:57:29,280
Speaker 4: right in the face. Sean pats Corey on the back, Thanks,

1277
00:57:29,280 --> 00:57:32,200
Speaker 4: I'm back, and then he signals call me when Corey.

1278
00:57:32,000 --> 00:57:34,840
Speaker 3: Turns away, because he's like the predictable joke. But then

1279
00:57:34,840 --> 00:57:36,880
Speaker 3: you add two extra beats to it, you know what

1280
00:57:36,960 --> 00:57:38,360
Speaker 3: I mean, Like splash in the water.

1281
00:57:38,480 --> 00:57:40,200
Speaker 1: Okay, now it's funny and on back and then the

1282
00:57:40,240 --> 00:57:41,400
Speaker 1: little oh my god.

1283
00:57:41,680 --> 00:57:42,880
Speaker 4: It's so great.

1284
00:57:43,000 --> 00:57:43,720
Speaker 1: That's great.

1285
00:57:43,920 --> 00:57:46,360
Speaker 4: Corey asks to Panga, I want the name of the

1286
00:57:46,360 --> 00:57:48,600
Speaker 4: guy who did this to you. Tapanga says, you don't

1287
00:57:48,720 --> 00:57:50,640
Speaker 4: like it. Corey says, it's not that I don't like it,

1288
00:57:50,640 --> 00:57:52,280
Speaker 4: it's just that I'm in love with this girl who

1289
00:57:52,320 --> 00:57:54,400
Speaker 4: was never interested in what she looked like before. And

1290
00:57:54,440 --> 00:57:57,240
Speaker 4: now I see makeup and polish on your nails and toes.

1291
00:57:57,280 --> 00:57:59,920
Speaker 4: And he pauses to tell Sean stop looking at her toes,

1292
00:58:00,160 --> 00:58:02,920
Speaker 4: and Sean says, but they sparkle, they sparkle.

1293
00:58:03,120 --> 00:58:05,680
Speaker 1: So lost it so funny.

1294
00:58:07,320 --> 00:58:10,400
Speaker 4: Topanga says her stylist's name is mister Cellini, but she

1295
00:58:10,440 --> 00:58:12,920
Speaker 4: assures him it's just a haircut, it's just some makeup.

1296
00:58:12,960 --> 00:58:15,080
Speaker 4: It's not gonna change me. She looks at her watch

1297
00:58:15,080 --> 00:58:17,240
Speaker 4: and then tells the boys she has to go. Cory

1298
00:58:17,280 --> 00:58:19,480
Speaker 4: asks where she's going, and Tapega turns around to tell

1299
00:58:19,520 --> 00:58:23,720
Speaker 4: him famous line alert this outfit with this hair Hello,

1300
00:58:23,840 --> 00:58:25,400
Speaker 4: bye bye. I am so at the mall.

1301
00:58:26,320 --> 00:58:29,080
Speaker 1: This whole episode is just chock full of the most

1302
00:58:29,240 --> 00:58:32,080
Speaker 1: another quote quote quote quote, It's good.

1303
00:58:32,560 --> 00:58:35,880
Speaker 4: Yeah. Topanga leaves, and Corey says this just isn't like Tapanga.

1304
00:58:36,000 --> 00:58:38,960
Speaker 4: Obviously she's under the influence of the so called mister Cellini.

1305
00:58:39,280 --> 00:58:41,080
Speaker 4: Sean agrees and tells them they should go find him.

1306
00:58:41,160 --> 00:58:43,640
Speaker 4: Cory smiles and asks, you are my friend, aren't you,

1307
00:58:43,760 --> 00:58:46,480
Speaker 4: and Sean responds, of course, I am, Cory asks, and

1308
00:58:46,680 --> 00:58:49,080
Speaker 4: that little thing with Tapanga. Sean admits, I think the

1309
00:58:49,080 --> 00:58:50,880
Speaker 4: three of us can be very happy together.

1310
00:58:51,040 --> 00:59:00,760
Speaker 8: Hey, Sean inventin off. Come on, I was wha, I

1311
00:59:00,840 --> 00:59:03,120
Speaker 8: know a progressive joke.

1312
00:59:03,240 --> 00:59:06,080
Speaker 4: I love it. The boys walk over to the hairdressers

1313
00:59:06,080 --> 00:59:08,240
Speaker 4: and Corey asks which one of you guys worked onto Panga.

1314
00:59:08,280 --> 00:59:11,200
Speaker 4: Lawrence and Italian man steps up and says, ah, that

1315
00:59:11,280 --> 00:59:14,720
Speaker 4: would be me, Bosco Cellini. Corey toughens up. All right, Bosco,

1316
00:59:14,840 --> 00:59:16,280
Speaker 4: I want to know where you come off taking a

1317
00:59:16,360 --> 00:59:18,840
Speaker 4: natural beauty like Topanga and painting her face and nails

1318
00:59:18,880 --> 00:59:21,600
Speaker 4: and messing with her beautiful hair. Bosco points to Sean,

1319
00:59:21,680 --> 00:59:24,120
Speaker 4: calling him friend to the little whining boy, and asks

1320
00:59:24,160 --> 00:59:26,560
Speaker 4: if Corey just said messing, and then he says, for

1321
00:59:26,640 --> 00:59:29,640
Speaker 4: your Inframazzione, it is very rare that on a Tuesday,

1322
00:59:29,720 --> 00:59:32,320
Speaker 4: our slow day, that Venus de Milo herself would sit

1323
00:59:32,360 --> 00:59:34,280
Speaker 4: in my chair and say to me, make with me

1324
00:59:34,360 --> 00:59:37,880
Speaker 4: what you wish Bosco. Bosco says he's a European man,

1325
00:59:37,920 --> 00:59:40,320
Speaker 4: secure enough in his own masculinity to admit that he wept.

1326
00:59:40,360 --> 00:59:42,880
Speaker 4: He cried like a little baby, cries. Sean tells him

1327
00:59:42,880 --> 00:59:44,560
Speaker 4: we're in the middle of Philadelphia here, so let's just

1328
00:59:44,600 --> 00:59:48,800
Speaker 4: drop this phony accent, Bosco asks squoozy Sean yells talking English,

1329
00:59:49,240 --> 00:59:52,080
Speaker 4: Bosco ditches the Italian accent for a thick Brooklyn one.

1330
00:59:52,240 --> 00:59:54,360
Speaker 4: This is how it went down. Chicky comes in, plops

1331
00:59:54,400 --> 00:59:56,360
Speaker 4: down half a SnO right, I do a little snippy,

1332
00:59:59,280 --> 00:59:59,880
Speaker 4: but it works.

1333
01:00:00,080 --> 01:00:01,560
Speaker 1: You gotta do it great.

1334
01:00:02,600 --> 01:00:05,080
Speaker 4: Corey agrees she is beautiful and admits that Bosco did

1335
01:00:05,080 --> 01:00:07,240
Speaker 4: a very nice job. Bosco pats him on the shoulder.

1336
01:00:07,280 --> 01:00:10,160
Speaker 4: Don't mention it, and that is the start of a

1337
01:00:10,200 --> 01:00:15,640
Speaker 4: fantastic drive by appearance by Dom Irrera. Just unbelievable. And

1338
01:00:15,680 --> 01:00:18,800
Speaker 4: then we are in Chubbys. Eric is on a date,

1339
01:00:18,920 --> 01:00:20,920
Speaker 4: explaining to the new love interest that he's at a

1340
01:00:20,920 --> 01:00:23,120
Speaker 4: crossroad in his life because he didn't get into college

1341
01:00:23,160 --> 01:00:26,360
Speaker 4: like the rest of his friends. What friends exactly, I

1342
01:00:26,400 --> 01:00:26,840
Speaker 4: don't know.

1343
01:00:27,480 --> 01:00:28,200
Speaker 1: Neither is Eric.

1344
01:00:30,200 --> 01:00:31,680
Speaker 4: He tells her he's going to be stuck here for

1345
01:00:31,720 --> 01:00:33,600
Speaker 4: a while, and she assures him it's not so bad.

1346
01:00:33,640 --> 01:00:35,880
Speaker 4: You get used to it. Eric admits he's okay with it.

1347
01:00:35,960 --> 01:00:37,760
Speaker 4: He tells her, I actually thought there was a career

1348
01:00:37,800 --> 01:00:39,720
Speaker 4: out there for me as a weatherman. I even interned

1349
01:00:39,720 --> 01:00:40,360
Speaker 4: at Channel five.

1350
01:00:40,440 --> 01:00:45,520
Speaker 1: I loved he brought it back like it was a

1351
01:00:45,600 --> 01:00:48,800
Speaker 1: thing for him, and it mattered and matter yea, and

1352
01:00:48,880 --> 01:00:49,479
Speaker 1: that was great.

1353
01:00:50,000 --> 01:00:52,240
Speaker 4: She's surprised, and he continues, I guess they thought I

1354
01:00:52,280 --> 01:00:54,360
Speaker 4: was too young and didn't have enough life experience, which

1355
01:00:54,400 --> 01:00:57,040
Speaker 4: is crazy. I'm eighteen, I've lived, you know. The girl

1356
01:00:57,040 --> 01:01:00,360
Speaker 4: agrees she's eighteen and feels like she has some life experiences. Well.

1357
01:01:00,680 --> 01:01:02,240
Speaker 4: She tells him she has a two year old to

1358
01:01:02,240 --> 01:01:04,440
Speaker 4: take care of. He's a big handful, and in between

1359
01:01:04,480 --> 01:01:06,480
Speaker 4: putting him in daycare and working double shifts at the

1360
01:01:06,520 --> 01:01:09,600
Speaker 4: dairy queen, I actually wouldn't mind a little less life experience.

1361
01:01:10,160 --> 01:01:13,640
Speaker 4: Eric responds, can't your parents help you? The girl's surprised

1362
01:01:14,080 --> 01:01:14,960
Speaker 4: and her read.

1363
01:01:16,520 --> 01:01:16,960
Speaker 1: Amazing.

1364
01:01:17,360 --> 01:01:18,800
Speaker 4: You have your parents helping you.

1365
01:01:18,680 --> 01:01:20,400
Speaker 1: Got your mom and dad helping you. It's so good.

1366
01:01:20,440 --> 01:01:27,160
Speaker 4: Yeah, he reveals, Yeah, you know, just financially, such a

1367
01:01:27,240 --> 01:01:27,960
Speaker 4: funny joke.

1368
01:01:28,360 --> 01:01:29,280
Speaker 1: Just financially.

1369
01:01:29,320 --> 01:01:31,840
Speaker 3: It's like, Joe, we've watched them support you in every

1370
01:01:31,960 --> 01:01:35,440
Speaker 3: possible way, or as if just financially is not that big.

1371
01:01:35,600 --> 01:01:38,760
Speaker 4: That's my thing, is like just financially, He's like.

1372
01:01:41,760 --> 01:01:44,080
Speaker 1: Every yeah, exactly.

1373
01:01:45,040 --> 01:01:47,880
Speaker 4: She smiles and tells him he's very lucky. He thanks

1374
01:01:47,920 --> 01:01:50,600
Speaker 4: her and admits he's luckier than he thought, and that

1375
01:01:51,560 --> 01:01:53,560
Speaker 4: is a perfect scene.

1376
01:01:53,600 --> 01:01:56,000
Speaker 1: Perfect scene didn't need to be any longer either. It

1377
01:01:56,040 --> 01:01:57,520
Speaker 1: was exactly what you needed, right.

1378
01:01:57,400 --> 01:02:00,600
Speaker 4: Exactly what you needed, a full life lesson. And the

1379
01:02:00,640 --> 01:02:03,560
Speaker 4: way you look at her and smile and there's no

1380
01:02:04,720 --> 01:02:08,800
Speaker 4: absolutely no sense of like, oh, this girl's not for me. Now,

1381
01:02:09,000 --> 01:02:12,000
Speaker 4: you just have such a beautiful moment of connection with

1382
01:02:12,080 --> 01:02:14,919
Speaker 4: her and you smile at her in the most lovely way.

1383
01:02:15,040 --> 01:02:16,360
Speaker 4: It's just fantastic.

1384
01:02:16,600 --> 01:02:17,520
Speaker 1: It was very nice.

1385
01:02:17,600 --> 01:02:19,400
Speaker 4: So then we're in john Ata talking.

1386
01:02:19,160 --> 01:02:22,560
Speaker 3: About a difference from the end or last episode where

1387
01:02:22,600 --> 01:02:25,720
Speaker 3: the tawny girl was just a punchline, do you know

1388
01:02:25,800 --> 01:02:28,120
Speaker 3: what I mean, and like totally not like this is

1389
01:02:28,200 --> 01:02:30,000
Speaker 3: this is such a better way to do it, and

1390
01:02:30,040 --> 01:02:32,840
Speaker 3: it's no less funny, Like this storyline is so even

1391
01:02:32,880 --> 01:02:35,880
Speaker 3: funny funny, but everything that happened in the last episode.

1392
01:02:36,360 --> 01:02:38,440
Speaker 3: But you know, and she's a fully development she is

1393
01:02:38,640 --> 01:02:40,840
Speaker 3: in this case. She is kind of archetypal, right she

1394
01:02:40,960 --> 01:02:43,200
Speaker 3: word that dairy queen has a kid. But it's not

1395
01:02:43,360 --> 01:02:44,800
Speaker 3: played for a joke, it's not.

1396
01:02:44,720 --> 01:02:48,960
Speaker 1: Played for the stereotype. It's just great. It's perfect. Yeah. Yeah,

1397
01:02:49,000 --> 01:02:50,040
Speaker 1: she was so good too.

1398
01:02:50,560 --> 01:02:53,560
Speaker 4: Just just incredible real. So mister Turner walks into his

1399
01:02:53,560 --> 01:02:55,520
Speaker 4: classroom and has to announce to a few boys to

1400
01:02:55,520 --> 01:02:57,480
Speaker 4: take their seats. He wonders, what is so interesting that

1401
01:02:57,480 --> 01:02:59,320
Speaker 4: you all have to crowd around here. He stops when

1402
01:02:59,320 --> 01:03:01,960
Speaker 4: he sees Tepega. Oh boy, look at you. She smiles

1403
01:03:02,000 --> 01:03:03,720
Speaker 4: and says, yeah, I got a haircut. Do you like it?

1404
01:03:04,000 --> 01:03:06,400
Speaker 4: Corey cuts off the conversation, telling Turner to focus. Some

1405
01:03:06,480 --> 01:03:09,400
Speaker 4: people are here to learn. Turner starts his lesson about

1406
01:03:09,440 --> 01:03:13,120
Speaker 4: John Merrick, who is immortalized in the play The Elephant Man.

1407
01:03:13,200 --> 01:03:14,080
Speaker 1: Okay, so.

1408
01:03:15,640 --> 01:03:16,680
Speaker 4: Just let's talk about it.

1409
01:03:16,800 --> 01:03:20,000
Speaker 3: Well, but for me, just this was literature coming back

1410
01:03:20,040 --> 01:03:21,640
Speaker 3: into boy before, which immediately I was like.

1411
01:03:21,720 --> 01:03:22,720
Speaker 1: Yay, I missed this.

1412
01:03:22,840 --> 01:03:25,959
Speaker 5: I what and it worked?

1413
01:03:26,560 --> 01:03:26,800
Speaker 4: Uh.

1414
01:03:26,880 --> 01:03:29,720
Speaker 5: Indy is sitting there and he's like, what is this true?

1415
01:03:29,800 --> 01:03:30,840
Speaker 5: There's there was a person.

1416
01:03:30,720 --> 01:03:31,480
Speaker 1: Named the Elephant Man.

1417
01:03:31,480 --> 01:03:33,960
Speaker 3: And I'm like, so there we are the whole having

1418
01:03:34,000 --> 01:03:36,080
Speaker 3: to pause so I could explain to him, and now

1419
01:03:36,120 --> 01:03:37,919
Speaker 3: he wants to read the play, he wants to see

1420
01:03:37,920 --> 01:03:40,760
Speaker 3: the movie. I was like, it was like, oh, the

1421
01:03:40,880 --> 01:03:44,000
Speaker 3: educational moment is happening, and he was like laughs at

1422
01:03:44,080 --> 01:03:46,000
Speaker 3: like when when Tony does the whole and then he

1423
01:03:46,200 --> 01:03:48,480
Speaker 3: has his head back, and Indy.

1424
01:03:48,280 --> 01:03:49,640
Speaker 1: Was like, is that true.

1425
01:03:49,960 --> 01:03:51,440
Speaker 3: It was like he was like he was laughing at it,

1426
01:03:51,440 --> 01:03:53,320
Speaker 3: but then he wanted to know more about this real

1427
01:03:53,360 --> 01:03:55,200
Speaker 3: person and I was like, yeah, it is this.

1428
01:03:55,240 --> 01:03:57,560
Speaker 1: A real story and it's a great play, and oh.

1429
01:03:57,440 --> 01:03:59,280
Speaker 3: My god, he just couldn't. But it was like, ah,

1430
01:03:59,320 --> 01:04:01,000
Speaker 3: boy meets the world doing its job.

1431
01:04:01,520 --> 01:04:03,320
Speaker 4: He's doing me a favor, and just show him a

1432
01:04:03,360 --> 01:04:07,480
Speaker 4: picture of the hideous Bradley Cooper. He's clear the hideous

1433
01:04:07,520 --> 01:04:10,000
Speaker 4: Bradley Cooper who played him into the play. Just to

1434
01:04:10,080 --> 01:04:14,800
Speaker 4: show him what an ugly, horrible beast the Elephant Man was.

1435
01:04:16,000 --> 01:04:17,640
Speaker 1: Now, this was his line that Tony.

1436
01:04:17,760 --> 01:04:20,520
Speaker 2: We would say to Tony all the time, all really

1437
01:04:20,840 --> 01:04:22,880
Speaker 2: we would go to him and go and ladies until

1438
01:04:22,920 --> 01:04:23,760
Speaker 2: he eventually died.

1439
01:04:24,000 --> 01:04:27,240
Speaker 1: Like the way he said it, he could see Tony.

1440
01:04:27,800 --> 01:04:33,800
Speaker 4: Absolutely kills me. It just kills me. So Turner says,

1441
01:04:33,840 --> 01:04:36,200
Speaker 4: even though he was tragically disfigured, he still won the

1442
01:04:36,200 --> 01:04:39,480
Speaker 4: hearts of London society with his wonderful inner spirit. Corey

1443
01:04:39,480 --> 01:04:41,720
Speaker 4: turns to Sean, I come from a great looking family

1444
01:04:41,760 --> 01:04:43,720
Speaker 4: and I'm just going through my awkward teenage face. But

1445
01:04:43,760 --> 01:04:45,400
Speaker 4: that doesn't mean I can't win the hearts of high

1446
01:04:45,440 --> 01:04:49,440
Speaker 4: school society with my wonderful inner spirit, and Turner continues,

1447
01:04:49,720 --> 01:04:52,000
Speaker 4: what's interesting about John Merrick is that it came from

1448
01:04:52,040 --> 01:04:55,280
Speaker 4: a wonderful looking family, yet was so hideous himself. He

1449
01:04:55,360 --> 01:04:57,560
Speaker 4: was forced to wear a burlap sack over his head

1450
01:04:57,560 --> 01:05:00,400
Speaker 4: and perform as a side show freak and chilled a day.

1451
01:05:00,480 --> 01:05:02,880
Speaker 4: His oversized head rolled back and he done.

1452
01:05:03,720 --> 01:05:06,960
Speaker 2: It is one of the greatest speeches in all of

1453
01:05:06,960 --> 01:05:09,800
Speaker 2: boy be world history because Tony is nailing it.

1454
01:05:09,840 --> 01:05:11,600
Speaker 1: But it's like funny, and.

1455
01:05:11,800 --> 01:05:17,320
Speaker 4: It is written so perfectly. It is delivered with such

1456
01:05:18,200 --> 01:05:23,520
Speaker 4: like perfect inflection. It's just unbelievably funny.

1457
01:05:23,720 --> 01:05:27,000
Speaker 1: Yeah. Now, what job interview did to Panga have after

1458
01:05:27,080 --> 01:05:28,280
Speaker 1: this class?

1459
01:05:28,720 --> 01:05:31,320
Speaker 4: She's going to sell a brick split level?

1460
01:05:31,840 --> 01:05:33,160
Speaker 3: Is that what it is?

1461
01:05:33,200 --> 01:05:33,480
Speaker 4: Okay?

1462
01:05:33,720 --> 01:05:35,520
Speaker 1: Because I thought maybe a bank? I didn't know.

1463
01:05:35,840 --> 01:05:38,640
Speaker 3: It's interesting that they went this direction, right, because now

1464
01:05:38,720 --> 01:05:40,560
Speaker 3: the other thing that you could have gone was more

1465
01:05:40,800 --> 01:05:43,520
Speaker 3: like sexy, I guess, and they clearly decided that that

1466
01:05:43,680 --> 01:05:46,920
Speaker 3: wasn't That doesn't make sense for domesticated is the way, Yes,

1467
01:05:46,960 --> 01:05:48,400
Speaker 3: but it's weird because it doesn't.

1468
01:05:48,560 --> 01:05:50,680
Speaker 4: I also look like I could sell you a cell phone?

1469
01:05:50,920 --> 01:05:54,600
Speaker 3: Yes, yeah, well they also fancy they they.

1470
01:05:54,520 --> 01:05:57,040
Speaker 2: And it's so it's I'm sorry, I'm bracketing this by

1471
01:05:57,040 --> 01:05:59,000
Speaker 2: saying it's creepy in my opinion to talk about a

1472
01:05:59,040 --> 01:06:02,600
Speaker 2: fifteen year old like this. But they went like, when

1473
01:06:02,600 --> 01:06:06,240
Speaker 2: she's just sitting there at the at the desk, they

1474
01:06:06,280 --> 01:06:09,720
Speaker 2: went kind of upscale, more sophisticated, but when she walks

1475
01:06:09,720 --> 01:06:12,840
Speaker 2: into the bathroom, your skirt is real short.

1476
01:06:13,600 --> 01:06:16,360
Speaker 4: Well, my favorite memory that I told Jensen last night

1477
01:06:16,400 --> 01:06:19,120
Speaker 4: while we were watching this is when we did the commentary,

1478
01:06:19,160 --> 01:06:21,680
Speaker 4: which I don't really remember any of the thoughts that

1479
01:06:21,720 --> 01:06:23,720
Speaker 4: we shared about this episode when we did the commentary,

1480
01:06:23,720 --> 01:06:24,520
Speaker 4: but this was one of them.

1481
01:06:24,560 --> 01:06:26,360
Speaker 5: We do the commentary for this episode, we.

1482
01:06:26,280 --> 01:06:29,120
Speaker 4: Did, and one of my favorite things is that Will

1483
01:06:29,200 --> 01:06:33,160
Speaker 4: said that's not a skirt, that's a large belt. Thought

1484
01:06:33,520 --> 01:06:37,920
Speaker 4: was absolutely hilarious. He was like, as you're as as

1485
01:06:37,920 --> 01:06:40,200
Speaker 4: a person who feels very much like your older brother,

1486
01:06:40,600 --> 01:06:42,040
Speaker 4: that skirt is offensive to me.

1487
01:06:42,080 --> 01:06:42,400
Speaker 1: It's not.

1488
01:06:42,760 --> 01:06:45,280
Speaker 4: It's not a skirt, it's a very large belt.

1489
01:06:45,520 --> 01:06:49,480
Speaker 1: Wow, it's so funny. When you mentioned to Danielle to

1490
01:06:49,520 --> 01:06:50,440
Speaker 1: the commentary.

1491
01:06:50,120 --> 01:06:51,960
Speaker 4: Not since we did it, No, I I don't I

1492
01:06:52,040 --> 01:06:55,000
Speaker 4: remember did it. I remember from when we did it

1493
01:06:55,040 --> 01:06:56,720
Speaker 4: that was with like Michael.

1494
01:06:56,680 --> 01:06:59,360
Speaker 3: And Matt Lawrence and Ben and like everybody like because

1495
01:06:59,360 --> 01:07:01,439
Speaker 3: there was I'm trying to remember because we've done two

1496
01:07:01,440 --> 01:07:05,040
Speaker 3: commentary sessions and I don't remember one of our first ones.

1497
01:07:05,120 --> 01:07:07,480
Speaker 1: Yeah, okay, that's funny. It does. It's real short.

1498
01:07:08,080 --> 01:07:10,400
Speaker 4: Yeah, it's a real short skirt. It's really short, and

1499
01:07:10,400 --> 01:07:12,640
Speaker 4: that is why I think they balanced it with more

1500
01:07:12,760 --> 01:07:16,360
Speaker 4: with an oversized kind of long sleeve thing. But they

1501
01:07:16,400 --> 01:07:20,920
Speaker 4: did go they did go really short. Yeah. Uh, I

1502
01:07:20,960 --> 01:07:34,440
Speaker 4: do love a short skirt. Not gonna lie. So Corey asks,

1503
01:07:34,480 --> 01:07:37,080
Speaker 4: and when did he grow out of this death? Just

1504
01:07:37,160 --> 01:07:40,280
Speaker 4: then Phoenie walks in, apologizing for the interruption. Phoene reminds

1505
01:07:40,320 --> 01:07:42,400
Speaker 4: the class that Friday is picture day, so dress nicely

1506
01:07:42,400 --> 01:07:45,080
Speaker 4: and try to look your best. Corey imagines the yearbook

1507
01:07:45,080 --> 01:07:48,280
Speaker 4: and we enter a daydream where Tapanga and Sean look great.

1508
01:07:48,680 --> 01:07:51,920
Speaker 4: This is again very iconic from the show. The inscriptions

1509
01:07:51,960 --> 01:07:54,520
Speaker 4: under our photos say Queen of the Hotties and there's

1510
01:07:54,680 --> 01:07:59,320
Speaker 4: enough for everybody. So good. We then see Corey's picture

1511
01:07:59,360 --> 01:08:01,760
Speaker 4: and he is wearing a burlapsed sack over his head

1512
01:08:01,760 --> 01:08:08,400
Speaker 4: with a quote that reads I'm a human being also brilliant.

1513
01:08:08,680 --> 01:08:10,720
Speaker 1: It's so good, So good.

1514
01:08:10,960 --> 01:08:12,720
Speaker 4: Cory snaps out of the fantasy and says he just

1515
01:08:12,800 --> 01:08:14,919
Speaker 4: wants to die, and he leans back on Sean's desk.

1516
01:08:14,960 --> 01:08:21,800
Speaker 4: He continues, please don't lift my oversized head. It truly

1517
01:08:21,880 --> 01:08:23,679
Speaker 4: is perfect scene after perfect scene after scene.

1518
01:08:23,680 --> 01:08:26,040
Speaker 1: That's it's the best episode we've ever done. I'm sorry,

1519
01:08:26,080 --> 01:08:28,519
Speaker 1: I'll say it. It's, I agree, the best episode we've

1520
01:08:28,560 --> 01:08:28,880
Speaker 1: ever done.

1521
01:08:28,880 --> 01:08:29,519
Speaker 4: It's so agreed.

1522
01:08:29,640 --> 01:08:29,920
Speaker 3: Yeah.

1523
01:08:29,960 --> 01:08:32,719
Speaker 4: And then then we're back in the hair salon. Corey

1524
01:08:32,800 --> 01:08:35,080
Speaker 4: runs in and begs mister Cellini for his help. Chelini,

1525
01:08:35,160 --> 01:08:37,960
Speaker 4: talking in his Italian accent, tells him, see, Chellini is

1526
01:08:38,000 --> 01:08:39,840
Speaker 4: here to help, but when he sees Corey, he drops

1527
01:08:39,840 --> 01:08:42,120
Speaker 4: the Italian accent. Oh it's you, the little whiny kid.

1528
01:08:42,360 --> 01:08:44,840
Speaker 4: Corey tells him he wants Chillini the artist. He wants

1529
01:08:44,880 --> 01:08:46,920
Speaker 4: him to help, just like he did with Tepanga. Chillini

1530
01:08:46,920 --> 01:08:49,120
Speaker 4: tells him forget it, he doesn't take walk ins. Corey

1531
01:08:49,160 --> 01:08:50,920
Speaker 4: pulls out some cash and says, I'm walking in with

1532
01:08:50,960 --> 01:08:54,960
Speaker 4: seventy five bucks. Chillini quickly adjusts back to his Italian

1533
01:08:55,000 --> 01:08:58,040
Speaker 4: accent and announces to the salon ntione cappuccino for the

1534
01:08:58,080 --> 01:09:01,960
Speaker 4: whiny kid. And then you're at the Matthew's house. Eric's

1535
01:09:01,960 --> 01:09:04,639
Speaker 4: sitting on the couch in his same ratty bathrobe, eating

1536
01:09:04,640 --> 01:09:08,360
Speaker 4: those same coco puffs and those same filthy pajamas, sadly

1537
01:09:08,400 --> 01:09:10,720
Speaker 4: singing his made up theme song to his made up

1538
01:09:10,760 --> 01:09:13,680
Speaker 4: crime show. Alan walks in, confused, what the heck are

1539
01:09:13,680 --> 01:09:16,360
Speaker 4: you doing? Eric responds, this is who I am now, Daddy.

1540
01:09:16,640 --> 01:09:19,040
Speaker 4: I'm a towney. I'm worse than a towny because I

1541
01:09:19,080 --> 01:09:21,960
Speaker 4: rely on my parents for economic support. I didn't buy

1542
01:09:22,000 --> 01:09:24,920
Speaker 4: this cereal. You bought my cereal. You bought my clothes,

1543
01:09:25,200 --> 01:09:28,120
Speaker 4: you bought this cereal. You bought the milk, which was

1544
01:09:28,160 --> 01:09:30,320
Speaker 4: white when it started. But it's chocolate now because it's

1545
01:09:30,360 --> 01:09:33,800
Speaker 4: cocoa puffs. And I've been sitting here for nine hours.

1546
01:09:34,240 --> 01:09:39,400
Speaker 4: Perfect will, It's perfect, every moment of it. Alan grabs

1547
01:09:39,479 --> 01:09:41,679
Speaker 4: him off the couch and slaps a newspaper on his chest.

1548
01:09:41,680 --> 01:09:43,800
Speaker 4: Get off your butt, get a job right now. He

1549
01:09:43,840 --> 01:09:45,679
Speaker 4: pushes Eric out the door, who's still in his robe

1550
01:09:45,680 --> 01:09:48,880
Speaker 4: and his pajamas, and Eric lovingly says, thank you, daddy, Thank.

1551
01:09:48,760 --> 01:09:49,160
Speaker 6: You, daddy.

1552
01:09:49,600 --> 01:09:51,200
Speaker 1: This is the one my father, This is the see

1553
01:09:51,240 --> 01:09:54,120
Speaker 1: my father talked about on the podcast where it was

1554
01:09:54,240 --> 01:09:56,920
Speaker 1: It started with Alan saying, get off your ass and

1555
01:09:56,960 --> 01:09:59,599
Speaker 1: get a job, and then we did the next take

1556
01:09:59,680 --> 01:10:02,040
Speaker 1: and it was it finally be came to get off

1557
01:10:02,040 --> 01:10:04,080
Speaker 1: your button, get a job, because he's started ass once

1558
01:10:04,120 --> 01:10:06,120
Speaker 1: and it was Michael's like, no, we can't, can't do it.

1559
01:10:06,320 --> 01:10:08,080
Speaker 2: So yeah we did, I think one take that way

1560
01:10:08,080 --> 01:10:09,559
Speaker 2: and then it changed to that but yes.

1561
01:10:09,680 --> 01:10:11,120
Speaker 4: So funny.

1562
01:10:11,360 --> 01:10:14,719
Speaker 2: Also love how Eric had. It wasn't both the parents

1563
01:10:14,720 --> 01:10:18,200
Speaker 2: hounding him. It was like the mom for Amy came

1564
01:10:18,200 --> 01:10:20,280
Speaker 2: in first and tried to do it her way. Alan

1565
01:10:20,320 --> 01:10:22,320
Speaker 2: came in second as the dad lifted him up, like

1566
01:10:22,400 --> 01:10:23,800
Speaker 2: go get a job, like you get the two of

1567
01:10:23,840 --> 01:10:24,240
Speaker 2: them together.

1568
01:10:24,240 --> 01:10:26,880
Speaker 3: It's different strategies too, like there's a progression. So she

1569
01:10:27,080 --> 01:10:29,120
Speaker 3: didn't say just get a job. She also said maybe

1570
01:10:29,120 --> 01:10:30,040
Speaker 3: try to do it with somebody.

1571
01:10:30,320 --> 01:10:31,960
Speaker 5: It's like there's other options.

1572
01:10:31,600 --> 01:10:34,360
Speaker 4: So right, so yeah, she's thinking about getting him out

1573
01:10:34,360 --> 01:10:37,639
Speaker 4: of the funk he's in. Kind of what else could

1574
01:10:37,640 --> 01:10:39,720
Speaker 4: you do? You're in a depression, Maybe you need some

1575
01:10:39,760 --> 01:10:42,200
Speaker 4: friends kind of a thing. And he's like, no, job,

1576
01:10:43,520 --> 01:10:46,400
Speaker 4: a job, get a job. Then we're back in the

1577
01:10:46,439 --> 01:10:48,800
Speaker 4: girl's bathroom to Pega struts into the bathroom to fix

1578
01:10:48,800 --> 01:10:51,120
Speaker 4: herself in the mirror and a stall door swings open.

1579
01:10:51,320 --> 01:10:54,599
Speaker 4: It's Sean announcing to Tapanga. So here's how I see it.

1580
01:10:54,720 --> 01:10:56,720
Speaker 4: She cuts him off. You guys really can't make it

1581
01:10:56,720 --> 01:10:59,080
Speaker 4: a habit to be in here. Seawan disregards her comment.

1582
01:10:59,360 --> 01:11:01,120
Speaker 4: I grew up with the two people, and I guess

1583
01:11:01,160 --> 01:11:03,479
Speaker 4: they're my two best friends in the world. And I

1584
01:11:03,680 --> 01:11:05,880
Speaker 4: was so happy to.

1585
01:11:05,880 --> 01:11:07,120
Speaker 1: Hear shut down.

1586
01:11:07,840 --> 01:11:08,599
Speaker 4: Isn't that sweet?

1587
01:11:09,479 --> 01:11:09,679
Speaker 8: Yeah?

1588
01:11:12,000 --> 01:11:12,599
Speaker 1: Happy together?

1589
01:11:12,760 --> 01:11:13,640
Speaker 4: I see.

1590
01:11:15,000 --> 01:11:18,000
Speaker 1: I'm more interested in that personally.

1591
01:11:19,680 --> 01:11:22,679
Speaker 4: I do. Really, it was really special for me as

1592
01:11:22,800 --> 01:11:26,760
Speaker 4: Topanga to hear because I still call it petty, but

1593
01:11:26,840 --> 01:11:28,880
Speaker 4: I'm still was hanging on to a little bit of

1594
01:11:28,880 --> 01:11:32,599
Speaker 4: the episode from the Little Cory where Topanga was really

1595
01:11:32,800 --> 01:11:36,559
Speaker 4: inappropriately going after Sean's choices and getting in his business,

1596
01:11:36,560 --> 01:11:39,680
Speaker 4: where Sean was like, she's not my friend, she's your girlfriend.

1597
01:11:40,080 --> 01:11:42,080
Speaker 4: There was a part of me that was like, Sean

1598
01:11:42,360 --> 01:11:45,160
Speaker 4: somewhere believes that that, like, if it weren't for Corey,

1599
01:11:45,240 --> 01:11:47,760
Speaker 4: I would not be friends with this person. So to

1600
01:11:47,840 --> 01:11:50,479
Speaker 4: hear this come out of his mouth, I feel like

1601
01:11:50,600 --> 01:11:53,080
Speaker 4: now I'm fully back on board for the rest of

1602
01:11:53,120 --> 01:11:57,920
Speaker 4: their future as friends. To believe these three are close,

1603
01:11:58,320 --> 01:12:01,559
Speaker 4: not just because of their individual relationships to each other,

1604
01:12:01,840 --> 01:12:05,080
Speaker 4: this this that adding that moment in did so much

1605
01:12:05,120 --> 01:12:08,040
Speaker 4: for me as watching the show just really great.

1606
01:12:08,200 --> 01:12:10,800
Speaker 3: And then also just story wise, like that that that

1607
01:12:10,840 --> 01:12:14,760
Speaker 3: Sean has taken Corey's anxieties and fears and insecurities and

1608
01:12:14,880 --> 01:12:17,799
Speaker 3: is doing something right. I'm making a choice. I'm actively

1609
01:12:17,880 --> 01:12:22,800
Speaker 3: going to Tapanga on Corey's behalf. And then this conversation

1610
01:12:22,920 --> 01:12:25,439
Speaker 3: is so well written because I'm not telling you you

1611
01:12:25,479 --> 01:12:28,559
Speaker 3: did anything wrong. I'm saying it's I'm just letting you

1612
01:12:28,640 --> 01:12:31,080
Speaker 3: know how it's affecting Corey and how I see it,

1613
01:12:31,200 --> 01:12:33,240
Speaker 3: and like you got to do what you got to do,

1614
01:12:33,360 --> 01:12:36,240
Speaker 3: and it's so it's just so well written and it's

1615
01:12:36,240 --> 01:12:38,519
Speaker 3: so nice because it's like Sean is doing the right thing,

1616
01:12:38,520 --> 01:12:40,240
Speaker 3: but he's not making Tapanga feel bad.

1617
01:12:40,400 --> 01:12:43,080
Speaker 1: You know, He's not like guilt com. He's not actually Corey.

1618
01:12:43,200 --> 01:12:46,160
Speaker 4: It's like, I disagree with you. I don't think The

1619
01:12:46,200 --> 01:12:48,240
Speaker 4: thing I love about it is I don't think he's

1620
01:12:48,320 --> 01:12:51,400
Speaker 4: going to Tapanga. He never even mentions Corey. He doesn't

1621
01:12:51,400 --> 01:12:53,600
Speaker 4: mention how this affects Corey at all. He goes to

1622
01:12:53,640 --> 01:12:58,759
Speaker 4: Topanga and says, what happened to your confidence? You always

1623
01:12:58,800 --> 01:13:02,879
Speaker 4: had confidence in your self, and now you are wrapped

1624
01:13:02,960 --> 01:13:06,559
Speaker 4: up in this outward appearance stuff and who are you? Where?

1625
01:13:06,720 --> 01:13:11,240
Speaker 4: Where have you gone? My friend? I'm worried about you.

1626
01:13:11,240 --> 01:13:13,439
Speaker 4: You don't even make it about Corey. You don't say listen,

1627
01:13:13,479 --> 01:13:16,120
Speaker 4: could you go back to don't evolve? When you evolve?

1628
01:13:16,400 --> 01:13:19,000
Speaker 4: It bums? It bums my friend out. You actually come

1629
01:13:19,040 --> 01:13:21,920
Speaker 4: to me as a friend of Tapega to say you

1630
01:13:22,120 --> 01:13:25,200
Speaker 4: have lost your way, my friend, And I'm more to start.

1631
01:13:24,960 --> 01:13:26,960
Speaker 3: With you, don't I start with like, my I got

1632
01:13:26,960 --> 01:13:28,880
Speaker 3: my one friend going through shaky time right now or

1633
01:13:28,920 --> 01:13:30,720
Speaker 3: something like that, like he's sure.

1634
01:13:30,680 --> 01:13:34,200
Speaker 4: But that's that's his shaky time on his own journey,

1635
01:13:34,280 --> 01:13:37,360
Speaker 4: not now like your journey's adding to his journey. It's

1636
01:13:37,400 --> 01:13:39,640
Speaker 4: more about I see both my friends going through their

1637
01:13:39,680 --> 01:13:42,439
Speaker 4: own shaky journeys, and my job is to help get

1638
01:13:42,479 --> 01:13:45,600
Speaker 4: you through both of your shaky journeys exactly.

1639
01:13:44,880 --> 01:13:47,760
Speaker 2: And also great these you see the joy and the

1640
01:13:47,800 --> 01:13:50,920
Speaker 2: difference when something is written when a character doesn't make

1641
01:13:50,960 --> 01:13:55,040
Speaker 2: it about themselves. Yeah, so Sean wasn't in that conversation

1642
01:13:55,080 --> 01:13:57,000
Speaker 2: at all, had nothing to do with him whatsoever.

1643
01:13:57,320 --> 01:13:58,160
Speaker 1: It makes a big difference.

1644
01:13:58,160 --> 01:14:02,439
Speaker 4: I love that so great, So Sean tells him, as

1645
01:14:02,439 --> 01:14:04,320
Speaker 4: I understand it, one of them who in my opinion

1646
01:14:04,360 --> 01:14:05,880
Speaker 4: is a good looking guy is going through a shaky

1647
01:14:05,920 --> 01:14:07,920
Speaker 4: time right now. To Pega gets worried and asks where

1648
01:14:07,920 --> 01:14:10,280
Speaker 4: Corey is. He tells her that's not as important as

1649
01:14:10,320 --> 01:14:10,800
Speaker 4: where you are.

1650
01:14:10,840 --> 01:14:11,680
Speaker 1: Topega.

1651
01:14:11,720 --> 01:14:14,080
Speaker 4: And all the time that I've known you, I can't

1652
01:14:14,120 --> 01:14:16,200
Speaker 4: remember you ever looking in the mirror. You had this

1653
01:14:16,320 --> 01:14:18,559
Speaker 4: confidence in yourself, and I really liked that about you.

1654
01:14:19,000 --> 01:14:21,400
Speaker 4: Tapega defensively says, everyone in high school has a mirror

1655
01:14:21,400 --> 01:14:23,240
Speaker 4: in their locker and only cares about how they look.

1656
01:14:23,360 --> 01:14:25,559
Speaker 4: Sean responds, but up until a couple of days ago,

1657
01:14:25,680 --> 01:14:28,200
Speaker 4: you never did. Your world got completely rocked when you

1658
01:14:28,240 --> 01:14:31,200
Speaker 4: hacked your hair and saw her that for two seconds,

1659
01:14:31,200 --> 01:14:33,840
Speaker 4: that you could actually look a little less than perfect.

1660
01:14:34,000 --> 01:14:36,800
Speaker 4: This realization hits Topanga and she asks, this isn't me,

1661
01:14:36,920 --> 01:14:39,240
Speaker 4: is it? Sean? He tells her, it's not the Tapanga

1662
01:14:39,320 --> 01:14:41,400
Speaker 4: I know, but obviously we're all at that age where

1663
01:14:41,400 --> 01:14:44,040
Speaker 4: we're going through changes. Tapega turns on the sink and

1664
01:14:44,080 --> 01:14:47,040
Speaker 4: sticks her head under the faucet, making her entire head wet.

1665
01:14:47,320 --> 01:14:49,120
Speaker 4: She flips it and hits Sean in the face, and

1666
01:14:49,120 --> 01:14:52,000
Speaker 4: they both smile and laugh at each other, and we

1667
01:14:52,080 --> 01:14:55,200
Speaker 4: continue the strake of perfect scene after perfect scene after scene,

1668
01:14:55,880 --> 01:14:58,360
Speaker 4: and then we're back in the hair salon. Tapega runs in,

1669
01:14:58,439 --> 01:15:01,760
Speaker 4: hair drenched and begs CHELINI nh to touch Corey. Chiellini says

1670
01:15:01,800 --> 01:15:04,240
Speaker 4: it's too late. He's finito. He announces, this is my

1671
01:15:04,280 --> 01:15:06,479
Speaker 4: best work ever. Everything I have done up until now

1672
01:15:06,680 --> 01:15:09,679
Speaker 4: was Drek. This is my masterpiece. He turns the chair

1673
01:15:09,720 --> 01:15:12,920
Speaker 4: to reveal Corey, who looks exactly the same.

1674
01:15:13,000 --> 01:15:17,040
Speaker 1: Indy screaming out, he looks exactly the same. Just loved it.

1675
01:15:17,160 --> 01:15:18,200
Speaker 1: I was like, yeah, that's.

1676
01:15:18,080 --> 01:15:20,679
Speaker 5: The MOOI He's like, look at him, but it's Ben's face.

1677
01:15:20,760 --> 01:15:24,160
Speaker 5: That's so yes. Ben's like happy muppet face.

1678
01:15:24,200 --> 01:15:24,720
Speaker 1: Do you know what I mean?

1679
01:15:26,080 --> 01:15:28,559
Speaker 3: Smile. That is just so perfect, because if you just

1680
01:15:28,600 --> 01:15:30,840
Speaker 3: turned around and try to look sexier, you're just out

1681
01:15:30,840 --> 01:15:31,680
Speaker 3: of it.

1682
01:15:31,760 --> 01:15:35,000
Speaker 5: Yeah, it's the perfect like do you like me now

1683
01:15:35,040 --> 01:15:35,360
Speaker 5: and not?

1684
01:15:35,600 --> 01:15:36,639
Speaker 1: It's so good.

1685
01:15:36,840 --> 01:15:40,160
Speaker 4: Oh my god, it's just perfect, lawless.

1686
01:15:39,760 --> 01:15:40,599
Speaker 1: Oh my god.

1687
01:15:41,000 --> 01:15:45,679
Speaker 4: Oh to Panga size he's beautiful. Chillini responds, of course,

1688
01:15:45,720 --> 01:15:47,919
Speaker 4: I have had to call upon all my skills and powers.

1689
01:15:47,920 --> 01:15:50,240
Speaker 4: Cory asks if he really looks okay? To Pega smiles

1690
01:15:50,240 --> 01:15:52,639
Speaker 4: and holds out her arm, saying I think I'm falling

1691
01:15:52,680 --> 01:15:55,400
Speaker 4: in love all over again. Orient to Panga are about

1692
01:15:55,400 --> 01:15:58,639
Speaker 4: to kiss when Chelini notices to Panga, you you wet wodent?

1693
01:15:58,760 --> 01:16:00,559
Speaker 4: What have you done to my work? Once again as

1694
01:16:00,600 --> 01:16:03,320
Speaker 4: a European, I weep without embarrassment, where he asks, what

1695
01:16:03,360 --> 01:16:05,600
Speaker 4: are you talking about? She looks beautiful, just like she

1696
01:16:05,640 --> 01:16:08,600
Speaker 4: always was. Tapega tells him you towo Corey, just like

1697
01:16:08,680 --> 01:16:11,360
Speaker 4: you always were. They kiss in the crowd hoots and

1698
01:16:11,479 --> 01:16:16,479
Speaker 4: hollers and it's just glorious, so good, and then the

1699
01:16:16,600 --> 01:16:21,679
Speaker 4: tag possibly our most memorable tag to this point.

1700
01:16:22,000 --> 01:16:22,360
Speaker 1: Yeah.

1701
01:16:22,400 --> 01:16:25,000
Speaker 4: In the Matthew's house, Eric walks in, now wearing a tux,

1702
01:16:25,080 --> 01:16:27,200
Speaker 4: announcing to his parents, I did what you said. I

1703
01:16:27,280 --> 01:16:29,560
Speaker 4: got a job. Amy says they're proud of him, and

1704
01:16:29,600 --> 01:16:32,160
Speaker 4: Alan asks what kind of job. Eric grabs the remote

1705
01:16:32,160 --> 01:16:33,840
Speaker 4: and tells him check it out. He turns on the

1706
01:16:33,880 --> 01:16:35,840
Speaker 4: TV and his crime show theme song is playing, as

1707
01:16:35,840 --> 01:16:38,679
Speaker 4: well as a full intro to a show called Good

1708
01:16:38,720 --> 01:16:42,840
Speaker 4: Looking Guy that's starring Eric Matthews. The intro features him

1709
01:16:42,880 --> 01:16:45,320
Speaker 4: with a really bad green screen and a terrible fake gun.

1710
01:16:45,360 --> 01:16:47,600
Speaker 4: He's running faster than a sports car, swimming with a

1711
01:16:47,640 --> 01:16:49,960
Speaker 4: humongous shark, surfing with a gun in his hand and

1712
01:16:50,000 --> 01:16:53,240
Speaker 4: pretending to ride a camel across Egypt. Before the intro ends,

1713
01:16:53,240 --> 01:16:56,840
Speaker 4: we hear Amy's voice asking Eric, and he stops the charade, asking.

1714
01:16:56,760 --> 01:16:57,759
Speaker 1: Mommy, Mommy.

1715
01:16:58,479 --> 01:17:00,719
Speaker 4: We flip to see Eric asleep on the couch. Amy

1716
01:17:00,720 --> 01:17:03,360
Speaker 4: and Ellen are trying to wake him up. Eric pops up, Daddy,

1717
01:17:03,560 --> 01:17:06,800
Speaker 4: I was fighting crime, Alan Sternsley tells Cernaly tells him

1718
01:17:06,840 --> 01:17:08,840
Speaker 4: to put down the coco puffs and get a job.

1719
01:17:09,320 --> 01:17:12,120
Speaker 4: Eric obliges and mutters, send me out in my bathrobe.

1720
01:17:12,160 --> 01:17:14,520
Speaker 4: What kind of job could I possibly get in a bathrobe?

1721
01:17:14,600 --> 01:17:16,479
Speaker 4: He opens the door in Ads at Night.

1722
01:17:18,680 --> 01:17:20,920
Speaker 1: Michael added that the second take He's like, just stay

1723
01:17:20,960 --> 01:17:21,360
Speaker 1: at night.

1724
01:17:21,439 --> 01:17:22,559
Speaker 5: At the end he was like, all right.

1725
01:17:22,439 --> 01:17:23,320
Speaker 4: Oh funny.

1726
01:17:23,840 --> 01:17:26,280
Speaker 1: It was a real gun, was it? It was a

1727
01:17:26,320 --> 01:17:28,280
Speaker 1: real gun with a real silencer. Yep.

1728
01:17:28,640 --> 01:17:31,800
Speaker 3: So after weturn this episode off, it was it was

1729
01:17:32,000 --> 01:17:36,839
Speaker 3: INDI's bedtime, which took about thirty minutes longer than normal,

1730
01:17:36,920 --> 01:17:39,080
Speaker 3: and I was able to record some moments from it.

1731
01:17:39,920 --> 01:17:41,439
Speaker 1: Can we can we play that file please?

1732
01:17:42,560 --> 01:17:43,880
Speaker 4: In the Ocean.

1733
01:17:47,320 --> 01:17:47,599
Speaker 3: Show?

1734
01:17:48,800 --> 01:17:52,200
Speaker 1: Yet the toy nowhere get out a freeway too?

1735
01:17:53,240 --> 01:17:57,959
Speaker 4: When did he hearreshed it? He had the gun everywhere,

1736
01:17:58,160 --> 01:18:09,040
Speaker 4: but he's like remember and then and then the freeway,

1737
01:18:09,479 --> 01:18:19,519
Speaker 4: he was moving, everything was moving anything. People came like

1738
01:18:20,080 --> 01:18:25,639
Speaker 4: Wally surfing. There's just a bunch of kids, next group, and.

1739
01:18:25,560 --> 01:18:33,320
Speaker 5: He just NonStop stop.

1740
01:18:33,600 --> 01:18:35,080
Speaker 1: That was when I was able to like pull out

1741
01:18:35,080 --> 01:18:38,280
Speaker 1: my phone and record because he just he was dying

1742
01:18:38,439 --> 01:18:39,599
Speaker 1: and he was singing the song.

1743
01:18:39,840 --> 01:18:43,800
Speaker 4: He was like, it looks so fake. I love it.

1744
01:18:44,120 --> 01:18:46,680
Speaker 3: Just by far the most successful moment a boy meets

1745
01:18:47,000 --> 01:18:48,320
Speaker 3: as far as India is concerned.

1746
01:18:48,400 --> 01:18:54,040
Speaker 4: Yes, just age groups were addressed in this episode.

1747
01:18:54,120 --> 01:18:56,720
Speaker 3: Oh, he loved it so much and I just I

1748
01:18:56,800 --> 01:19:02,240
Speaker 3: love hearing that well A plus plus plus possibly the

1749
01:19:02,320 --> 01:19:03,920
Speaker 3: number one for all three of us.

1750
01:19:03,960 --> 01:19:06,880
Speaker 4: Couldn't love it more. Our next episode recap will be

1751
01:19:06,920 --> 01:19:09,800
Speaker 4: season four, episode three, I Ain't going to Spray let

1752
01:19:09,920 --> 01:19:13,760
Speaker 4: Us Know More, which originally aired October October fourth, nineteen.

1753
01:19:13,479 --> 01:19:19,599
Speaker 3: Eighty I think I remember exactly this one wilderness store,

1754
01:19:19,720 --> 01:19:20,360
Speaker 3: the Wilderness.

1755
01:19:20,720 --> 01:19:22,200
Speaker 1: I think this is the Wilderness store.

1756
01:19:22,320 --> 01:19:24,800
Speaker 4: I think, so, yep, does it happen in the same

1757
01:19:24,840 --> 01:19:27,800
Speaker 4: episode that, like he stops working at the at the

1758
01:19:27,840 --> 01:19:30,160
Speaker 4: grocery store and then in the same episode has a

1759
01:19:30,160 --> 01:19:34,120
Speaker 4: wilderness store. I don't, I don't know, Yeah, I don't know.

1760
01:19:34,360 --> 01:19:35,520
Speaker 1: I don't know.

1761
01:19:35,120 --> 01:19:37,040
Speaker 4: I feel like they could have. I don't know, but

1762
01:19:37,080 --> 01:19:38,479
Speaker 4: I feel like that's something they would have wanted to

1763
01:19:38,479 --> 01:19:40,519
Speaker 4: spread out at least over two episodes. I'm quitting my

1764
01:19:40,600 --> 01:19:42,960
Speaker 4: job a big A big dad quit his job episode

1765
01:19:43,280 --> 01:19:45,960
Speaker 4: and then a big I bought a Wilderness Store episode

1766
01:19:45,960 --> 01:19:46,519
Speaker 4: but I don't know.

1767
01:19:46,720 --> 01:19:49,520
Speaker 1: Producer says yes, yes in one episode.

1768
01:19:49,520 --> 01:19:51,759
Speaker 4: Wow, it's all happening. Guys, it's all happening.

1769
01:19:52,080 --> 01:19:54,920
Speaker 1: I'm a I remember we had so much fun in

1770
01:19:54,960 --> 01:19:58,360
Speaker 1: that Wilderness Store set, so I can't wait to see it. Yeah.

1771
01:19:58,400 --> 01:20:00,200
Speaker 1: So I don't know if I ever set for and

1772
01:20:00,280 --> 01:20:00,639
Speaker 1: that set.

1773
01:20:00,960 --> 01:20:01,679
Speaker 4: I know it really.

1774
01:20:01,840 --> 01:20:05,120
Speaker 1: Oh that's so funny.

1775
01:20:05,240 --> 01:20:06,439
Speaker 4: I can't wait to see it. Maybe I'll see it

1776
01:20:06,439 --> 01:20:07,080
Speaker 4: and then I'll remember it.

1777
01:20:07,360 --> 01:20:07,439
Speaker 1: Ye.

1778
01:20:07,840 --> 01:20:10,360
Speaker 4: Well, thank you all for being here for this episode

1779
01:20:10,360 --> 01:20:12,040
Speaker 4: of Podmeets World. As always, you can follow us on

1780
01:20:12,040 --> 01:20:14,120
Speaker 4: Instagram pod Meets World Show. You can send us your

1781
01:20:14,160 --> 01:20:17,000
Speaker 4: emails pod meets World Show at gmail dot com. And

1782
01:20:17,680 --> 01:20:18,320
Speaker 4: we have merch.

1783
01:20:18,880 --> 01:20:21,400
Speaker 2: When at crime breaks out, all the que girl shout

1784
01:20:21,439 --> 01:20:23,320
Speaker 2: go get some good looking merch.

1785
01:20:23,880 --> 01:20:28,320
Speaker 4: Yes, pod meets Worldshow dot com will send us out.

1786
01:20:28,840 --> 01:20:29,599
Speaker 1: We love you all.

1787
01:20:29,920 --> 01:20:34,000
Speaker 2: Pod dismissed pod meets World is Nheart podcast producer and

1788
01:20:34,000 --> 01:20:38,040
Speaker 2: hosted by Danielle Fischel, Wilfordell and Ryder Strong executive producers,

1789
01:20:38,120 --> 01:20:41,160
Speaker 2: Jensen Carp and Amy Sugarman, Executive in charge of production,

1790
01:20:41,320 --> 01:20:45,800
Speaker 2: Danielle Romo, producer and editor, Tara Sudbaksh producer, Maddie Moore,

1791
01:20:46,080 --> 01:20:48,840
Speaker 2: engineer and Boy Meets World super fan Easton Allen. Our

1792
01:20:48,880 --> 01:20:50,960
Speaker 2: theme song is by Kyle Morton of Typhoon and you

1793
01:20:51,000 --> 01:20:53,680
Speaker 2: can follow us on Instagram at Podmeets World Show or

1794
01:20:53,720 --> 01:20:58,240
Speaker 2: email us at Podmeets World Show at gmail dot com