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Speaker 1: And his drinks motherfucking podcast Man, He's a legendary Queen's wrapper.

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Speaker 1: He's like is your boy in O R. He's a

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Speaker 1: Miami hippop pioneer. One up is d J e f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in the most professional unprofessional podcast and your number

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Speaker 1: one sorts for drunk factor drinks. Motherfucking every day is

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Speaker 1: New year'se. Let's time for drink champs, drink up for

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Speaker 1: the mother? Would it good be? Hopefully? Is? Would it sip?

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Speaker 1: B TOC Your boy n A O N A? What

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Speaker 1: up is d J e FN And it's his drink

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Speaker 1: chats motherfucking podcast makes up right and right now, if

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Speaker 1: we don't have one of the most assistant rappers in

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Speaker 1: the world. Every year he has a hit, either it's

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Speaker 1: an underground hit or big mega head. He has been

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Speaker 1: consistent since nine out here, stopping doing doing it, just

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Speaker 1: being just being consistent, giving the fans what they want

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Speaker 1: every fucking year. One of the most lyrical people ever.

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Speaker 1: It gets looked over his lyricism sometimes because he makes

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Speaker 1: so much big hits and people focus on that and

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Speaker 1: they don't actually focus. This man is a super duper

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Speaker 1: real lyricist plaques on plaques, on plaques, on plaques, on plaques,

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Speaker 1: on plaques on plaques. He's been doing it, and I'm

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Speaker 1: personally happy to see him from the beginning to where

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Speaker 1: he is now the only man in the whole world

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Speaker 1: to get away with the inkling. No one can get

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Speaker 1: away with this only here. No one qushes him in that.

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Speaker 1: That's how cool he is. One of the flies stingers

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Speaker 1: in the world. If you don't know what I'm talking about,

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Speaker 1: motherfucking father, listen, so fab in the beginning, in the beginning,

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Speaker 1: you got through, but it's pop. Can you tell a

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Speaker 1: braking fats and like, come on, goddamn it, we are celebrating.

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Speaker 1: I cannot start the Dame of view and I ain't

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Speaker 1: gonna lie. I ain't a lot, mr Day. I'm in

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Speaker 1: the plastic cups, plastic cups. I like plastics. I'm like

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Speaker 1: a hood. I'm wanna drink a special ship, but I

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Speaker 1: want to drink first, drink champagne too. Plastic cups work,

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Speaker 1: That's what I'm used to them, so fat, Like a

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Speaker 1: lot of people, don't let make it to what I

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Speaker 1: said in the intro uh to me if you would

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Speaker 1: have made records and then and take this, if you'd

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Speaker 1: have made records like just street records, like people will

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Speaker 1: compare you to like black thought of you don't say

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Speaker 1: it with that lyrical thing, because like you're really somebody

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Speaker 1: who really thinks about each goddamn ball line? Right, how

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Speaker 1: do you develop that? And who inspired that? With artists?

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Speaker 1: I think, um, I think the first artist that inspired

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Speaker 1: me was Can I See Four? Then I was just

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Speaker 1: like a fan of hip hop, so like anybody who

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Speaker 1: just had a good joint you. But Kaine was the

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Speaker 1: first person that I started seeing like getting style swag,

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Speaker 1: you know what I mean, the girls like that. He

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Speaker 1: still was hard, he smashed. He was ahead of his

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Speaker 1: time in social media. Social media need have been lit.

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Speaker 1: But it was a little too that was too much

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Speaker 1: back then then. I think the chocolate, the dots chocolate

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Speaker 1: thing might have yeah, and and and then and then

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Speaker 1: the Speedos. Remember he had the speedos U in her book, right,

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Speaker 1: No I'm tooking my home Big day came. No, No,

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Speaker 1: But that's what Naomi Campbell when he had the Speedos, right,

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Speaker 1: that's what it would it would then. I know, it's

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Speaker 1: just still just still felt weird to me, it definitely

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Speaker 1: was weird. Now it was lit he is so Kane

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Speaker 1: sparked it for me, and he sparked like line for line,

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Speaker 1: like how he would even set up his bars, you know,

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Speaker 1: put the quarter in your ask because you played yourself.

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Speaker 1: You know what I'm saying. What you want dope with

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Speaker 1: dog food like he dope dog. Kane was the first one,

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Speaker 1: and then it was Big. All my influences was kind

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Speaker 1: of close to me too, like Big and then Jay

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Speaker 1: because you know, it was from where you're from, related

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Speaker 1: more of court, you know what I'm saying. They look

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Speaker 1: more relatable to you. They look like you. They look

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Speaker 1: they come from the places you come from. Marcia is

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Speaker 1: seven minutes from me, you know what I'm saying. So

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Speaker 1: all of those things was those are the artists that

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Speaker 1: you know. How how is it seeing the new Brooklyn?

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Speaker 1: You know what I'm saying, because um, this is a

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Speaker 1: whole new era. Like you got a Soho house in Brooklyn, now,

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Speaker 1: like that's how it's different. I mean, but it's it's

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Speaker 1: it's it's old roll is good, you know what I mean.

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Speaker 1: I love Bold Brooklyn. I love you know the energy

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Speaker 1: of old Brooklyn. I love Brooklyn still there. Let's be clear. Yeah,

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Speaker 1: still still underneath you and you make it wrong and

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Speaker 1: the roc like that, you know, I mean, it's still there.

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Speaker 1: But Nell, Brooklyn is is showing you, um, you know,

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Speaker 1: the progression evolution. You know what I'm saying, even you

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Speaker 1: know down to the nets coming in, you know what

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Speaker 1: I mean that that whole that whole thing is just

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Speaker 1: it just shows that Brooklyn is growing up a little

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Speaker 1: bit to you know what I'm saying, potential to And

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Speaker 1: you think anybody got you on the Show Brooklyn challenge

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Speaker 1: or pretty much you nailed everybody. I think I nailed

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Speaker 1: it because I said it all. I was gonna say

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Speaker 1: that I got after that one. I knew he was

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Speaker 1: gonna say that. But because I've seen cassing over to

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Speaker 1: an interview and he said, yeah that may don't called

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Speaker 1: him and mayn't say he got you. Now listen to me,

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Speaker 1: no verse, Yeah, man maynoes you know. And he also

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Speaker 1: he's speaking from a place that he comes from. You

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Speaker 1: He's he's from notion, from the from the on the street.

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Speaker 1: So you know, but I mean on that type of time,

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Speaker 1: that's what I do. Single. I might even say that

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Speaker 1: my verse started that challenge what I'm It's like when

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Speaker 1: you walk on something so bad, like you know, you

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Speaker 1: ever you have a felt like everybody want to walk

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Speaker 1: you know, everybody want to learn you have from like

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Speaker 1: you did a record where, um, you didn't you didn't

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Speaker 1: have the best verse. Um, Like my first question for

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Speaker 1: anybody's on bad from TVs? Who had the best verse

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Speaker 1: on bad from TV? Kissing Styles back and forth Badly?

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Speaker 1: I just liked because it was two of them. I did,

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Speaker 1: like styles back to style, smoked my weed and went

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Speaker 1: pass it back to me. I'm thinking, what is going on?

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Speaker 1: And I didn't know now so that but what is

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Speaker 1: there a record that you you felt like you should

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Speaker 1: have went back in and changed your verse or it

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Speaker 1: probably his records that I felt like I could have,

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Speaker 1: you know after the fact, But I was, I was.

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Speaker 1: I was cool with it at the time, Like when

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Speaker 1: I'm doing them, I listened to it enough to say,

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Speaker 1: oh yeah, now we just send it over. You know

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Speaker 1: what I'm saying. I'm not like the the freestyle off

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Speaker 1: the top of the head and just give anybody anything

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Speaker 1: like I really sit all right put in it, you

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Speaker 1: know what I mean? And I think people respect. I

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Speaker 1: think when people even getting verses back from me. They listened,

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Speaker 1: They don't. You don't sound like if you get a

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Speaker 1: verse from and do it Andy being like, man, you

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Speaker 1: just said anything on this ship. You know, I don't think.

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Speaker 1: I don't think I give people that energy. Now. Now,

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Speaker 1: at one point you was doing I think it's the

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Speaker 1: Friday Night Freestyles or something was you and Jada right now?

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Speaker 1: You would you were you were predominantly doing records that

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Speaker 1: was out already, or you was doing new records too. No,

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Speaker 1: I was just doing nineties okay freestyle. Have you ever

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Speaker 1: free stylet on someone's new record and they got mad

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Speaker 1: at you? No? No, because you know, I've got calls

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Speaker 1: before when I was the biggest, bigger artist and I

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Speaker 1: would rhyme on someone's record and then to the radio

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Speaker 1: or the people that's you know, you know cool or

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Speaker 1: something will play my version as opposed to playing the

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Speaker 1: other artist version. So I've got he was doing that

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Speaker 1: back then, you know what I'm saying, because we was

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Speaker 1: at that time, we was jumping on new ships. French

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Speaker 1: Bobby Smurder remix almost got a little bit more burned

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Speaker 1: in the original, you know what I'm saying. And I

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Speaker 1: could I could imagine Bobby Smurder labels called the Sneaky

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Speaker 1: Behind that French was supposed to be on the remix,

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Speaker 1: but French just threw his out, so he drew it

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Speaker 1: out before the remix was completed, or he might he

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Speaker 1: might have not even put it out. Let me let

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Speaker 1: me say that. I don't think he put it up,

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Speaker 1: but it came out with just him and the Bobby

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Speaker 1: s Murder when it was supposed to men all the

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Speaker 1: people who that was, I guess on the remix. So

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Speaker 1: they got that one first, and then I didn't even

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Speaker 1: though I know that because the Smurder boys was telling

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Speaker 1: me like they hadn't finished putting the re mixed together yet,

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Speaker 1: but that one was out now, So you know, people

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Speaker 1: gonna play the new joint. Frenches join Hisfic. They really

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Speaker 1: do know each other. We do pick up the findy

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Speaker 1: man in the background. Got there biking, You're get out

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Speaker 1: of here. Then each try to bring some niggas to

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Speaker 1: my projects to battle me. Wait wait wait, wait, wait

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Speaker 1: to stop to stop stop Okay, hold on, this is

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Speaker 1: this is this is you already on or you know? Okay,

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Speaker 1: this is me seeing the balls. I'm hot in the hood.

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Speaker 1: Preclu Was it pre clue? I might have had a

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Speaker 1: I might have a few Clue freestyles at this point,

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Speaker 1: and you know, niggas is trying to after me. And

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Speaker 1: this is like ninety eight cloud chasing three guess who?

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Speaker 1: Guess who the three guys I know who that's who.

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Speaker 1: It was the franchise Red Cafe. What's the other thing?

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Speaker 1: Bigg eat Bigga and um what's the other nigga? The

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Speaker 1: third que ce que Heat in Atlanta? Something that I needed.

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Speaker 1: I needed. I need to understand, miss fat. I ain't

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Speaker 1: battling y'all niggers a little man. Did that happen like that? Okay, okay, okay, okay, Yeah,

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Speaker 1: I'm not gonna lie. I'm like I'm calling I'm happy,

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Speaker 1: like you know, gravy real. They ended up that like

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Speaker 1: you know what I'm saying, Like you could have like

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Speaker 1: even Red Cafe, like I knew them from back then

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Speaker 1: with Mike Lightning and ship like that running around with

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Speaker 1: Mike Lighty. Yeah yeah, so they was. They was actually

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Speaker 1: a little hot, like they got a little I ain't

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Speaker 1: Red Cafe killed his book. So Brooklyn freestyle, you see it,

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Speaker 1: he killed it. He looked like his face was strong,

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Speaker 1: like he was looking a big shot. Yeah, he took again.

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Speaker 1: He was working out his head like you know, you

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Speaker 1: know what I'm saying, like he was ready. I don't

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Speaker 1: look at someone on a space. So you come into

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Speaker 1: the game, how do you essentially even connect with to

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Speaker 1: my uh my managers at the time, Kep Webb and

193
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Speaker 1: Chill they knew you, Kep web do Clue No first, Yeah,

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Speaker 1: met them in my hood that stop and they they

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Speaker 1: you know, at the time, a couple of guys was

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Speaker 1: coming around saying they could get me on. So there

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Speaker 1: was another you know group of those guys. So I

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Speaker 1: was just really, I would let people just have the opportunity.

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Speaker 1: Let me see what you canna do, you know what

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Speaker 1: I'm saying, Because everybody telling me they could get me on,

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Speaker 1: and at that time to getting on, there was no

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Speaker 1: Internet and all of that. So it's more like who

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Speaker 1: you knew kind of thing, and they who they knew

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Speaker 1: it was Clue. Clue at the time was you know,

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Speaker 1: Clue had the Monday Night mixtape, had the mixtape game.

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Speaker 1: It was it was a big deal. So, um, you know,

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Speaker 1: they brought me up to Clue. We met Clue and

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Speaker 1: not from that point on, I wouldn't say they was

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Speaker 1: managers my managers from that point on, but I or

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Speaker 1: that day, Um, they connected on their word. You know

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Speaker 1: what I'm saying. They were saying that they could get

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Speaker 1: me the clue because a lot of people at that

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Speaker 1: time were just saying, you know it was doing a

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Speaker 1: big findy just saying they could get you on whoever,

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Speaker 1: whoever is your booking agent is a platinum because you're like,

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Speaker 1: you're like every like I ain't gonna lie like every

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Speaker 1: other day you were like Vagas or somewhere like you

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Speaker 1: you have a platinum agent or is that is that?

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Speaker 1: That is that your hits? You gotta relax, I was saying,

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Speaker 1: but you know what I mean, I don't know where,

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Speaker 1: I don't know. I'm not gonna I'm not gonna lie.

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Speaker 1: Let you know, I definitely even think like that. I'm proud,

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Speaker 1: Like do you do you realize like you realize most

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Speaker 1: rappers can't work like that? Though most rappers can't even

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Speaker 1: receive work, you know what I'm trying to say, Like

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Speaker 1: most you really can go out every week, can if

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Speaker 1: you want it? You know what I'm saying, Like you

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Speaker 1: really can like this, listen that there's this's like Fat

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Speaker 1: Joe was especially one like that. Uh, there's not a lot,

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Speaker 1: There's not a lot more. I mean there's people. I

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Speaker 1: mean there's like always uh, you gotta relax, always always

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Speaker 1: always like a DMX, always like a DMX who's who's

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Speaker 1: elder than might not have a hit now, but people

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Speaker 1: you can still sell a crowd, but a lot of

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Speaker 1: people like you can still throw it like like like

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Speaker 1: this is a real ship like you can you can

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Speaker 1: turn around, I can go like this. I can close

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Speaker 1: my eyes and pick up a state and I can

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Speaker 1: see that you use there like that. That's that's don't

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Speaker 1: let's make some noise to that, goddamnit because you're poking

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Speaker 1: agent this classic whoever the kidding that this nigger man?

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Speaker 1: She's Luise Papa Cheese. Well so um yeah, definitely man,

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Speaker 1: I'm want to pick that up man in the state,

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Speaker 1: keep firing. Is it time for I think it's tiger bone?

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Speaker 1: Are you ready for phone? Or you don't want to do? Um?

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Speaker 1: Your smooth ships call? That's that's what fab You said

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Speaker 1: you were size nine and a half or ten? Okay,

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Speaker 1: not in the half. He's all at what I'm sad? Yeah,

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Speaker 1: getting many gifts, yet all gifts that. Yes, yes, we

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Speaker 1: try to take care of our artists. Man, Yo, fabies,

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Speaker 1: you realized I like, I brag about you. You know

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Speaker 1: what I mean? I brag about you too. I'm like, yo,

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Speaker 1: I know this nigga since he first came in the game,

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Speaker 1: he thinks he beat me in that free style. I

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Speaker 1: don't think that. I don't. That's why I knew you

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Speaker 1: to say you never got smoked on the record. I

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Speaker 1: just gonna say that because you're very competitive guy. But

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Speaker 1: you did that win. Just to be clear, I want

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Speaker 1: that's crazy. She was crazy? What did I say? Um? Um,

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Speaker 1: let me know. Cast was like Steph mall Berry, who

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Speaker 1: in the club without a weapon, so that your feet

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Speaker 1: make you do the pump dance to perfection? That was

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Speaker 1: kind of all that was kind of all that. But

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Speaker 1: you was hungry, y'all ain't gonna give it to you.

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Speaker 1: You were trying to me. I listened back and I said,

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Speaker 1: it was no way. He wasn't gonna go twice. I

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Speaker 1: had to go to you went twice. I didn't know

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Speaker 1: when I was gonna ever get that shot again. You

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Speaker 1: want to come up there right? You know what? The

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Speaker 1: month if you want to at Polly curved grow forward

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Speaker 1: like you know. You was like, so you like, I

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Speaker 1: come up there around I got some ship to say,

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Speaker 1: but you don't got to do it at that point.

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Speaker 1: I'm just I didn't even know I was gonna wrap

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Speaker 1: that day work. You said that before. I thought I

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Speaker 1: thought she was just gonna wrap that. I thought I

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Speaker 1: was just going there to me cool. I thought Kevin

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Speaker 1: Chair was just so they really put you on the

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Speaker 1: spot like that. That's a knocks on back from You're like,

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Speaker 1: oh listen, I have the whole commercive break. I'm saying

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Speaker 1: my ship in my head just what you say that before.

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Speaker 1: But I always thought you was like like playing like

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Speaker 1: you you're dead serious. So when you came home, okay, okay,

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Speaker 1: showed up. Man, that's the that's the side of fact

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Speaker 1: and the factor because you murped it. But but I'm

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Speaker 1: sitting here because of that freestyle. So when I seem

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Speaker 1: to see the growth from from that, and I always like,

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Speaker 1: you know, to tell you true, but I'll tell you

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Speaker 1: the funny ship you're growing up fifty earlier. Um, I

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Speaker 1: actually seen fifty from the beginning. Like I always tell

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Speaker 1: that the fifty that I know he got so much

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Speaker 1: like accolades and so much money now and I still

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Speaker 1: it's still funny when I say I'm proud of you,

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Speaker 1: because I'm so he looking at me like nigga, I

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Speaker 1: might see you seven times, but still it doesn't not.

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Speaker 1: I seemed to growth. I seem to you come up,

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Speaker 1: and I'm always salute that, you know what I'm saying.

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Speaker 1: I'm always salute that because I see I seem to

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Speaker 1: hunger in you in the beginning. I seem that you

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Speaker 1: was relentless. You wasn't gonna you know what I mean,

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Speaker 1: you wasn't gonna let up. And for you to be

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Speaker 1: where you at, I definitely salute that, my brother, because

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Speaker 1: I mean, I think I think that should be more.

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Speaker 1: You know, just think about Let's think about it. Like

305
00:17:07,440 --> 00:17:10,480
Speaker 1: you had one shot. You went to a radio station

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Speaker 1: and at the time, I was like platinum, I was

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Speaker 1: like whatever, and you came and each other. I think

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Speaker 1: they what did you think you hate? So how did

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Speaker 1: you feel about Clue bringing I didn't even have a

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Speaker 1: relationship with. I still don't know why he gave me

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Speaker 1: that platform, on that opportunity, you know what I'm saying,

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Speaker 1: That shot like that because I didn't even have a

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Speaker 1: relationship to tell you the truth, Um, it felt like

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Speaker 1: he was meant to be. Like you know how some

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Speaker 1: certain things don't feel You didn't feel no kind of way.

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Speaker 1: I actually did not word when he was like he

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Speaker 1: was just in the moment, he was like my man's

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Speaker 1: gonna rhyme. And I think they called him sport. I

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Speaker 1: didn't even call you fave at the time, and I

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Speaker 1: was like, no problem, and I did. And then and

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Speaker 1: when I seen that they made him the forefront of

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Speaker 1: desert storm, like he went from like being like you know,

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Speaker 1: the artists that they was thinking about to the and

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Speaker 1: that that ship like me, like I love to be

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Speaker 1: be a hot part of hip hop history. You understand

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Speaker 1: saying I can pay a little part, like a tiny

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Speaker 1: part of that ship. And you know I play a

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Speaker 1: tiny part of Farrell's career like like that say, because

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Speaker 1: you know the world recognized his talent. You don't take

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Speaker 1: away from his talent, not taking away from his town,

331
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Speaker 1: but you held the world recognized Like that moment for

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Speaker 1: you in the station, that was a moment. That was

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Speaker 1: a moment that changed things. Yes, because I always wanted

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Speaker 1: to know how he felt about that because I didn't.

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Speaker 1: I didn't. I don't know if Clue even mentioned it

336
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Speaker 1: to him that he was gonna do it or like

337
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Speaker 1: even when I started rapping and rapping back and forth.

338
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Speaker 1: But he's at this point, you know, accomplished and did

339
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Speaker 1: doing his thing, and even him going back to the

340
00:18:53,520 --> 00:18:56,359
Speaker 1: hood is little man that you have told you to

341
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Speaker 1: take me up, but that did happen. And gonna be honest,

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00:19:01,280 --> 00:19:04,359
Speaker 1: yall relationships seem organic from the beginning. So even though

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Speaker 1: he told me he didn't say that, just meant he said,

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Speaker 1: my man, but it felt it felt it felt but

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Speaker 1: he didn't claim but it felt it felt, it felt good.

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Speaker 1: And I'm just like, so so let's let me I'm

347
00:19:16,480 --> 00:19:18,520
Speaker 1: jumping around a little bit. I remember one of your

348
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Speaker 1: first singles was with Nate Dog and this was like

349
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Speaker 1: right after like the East Coast West Coast Ship was

350
00:19:25,080 --> 00:19:27,600
Speaker 1: like drawing like and you was like you not only

351
00:19:27,720 --> 00:19:30,080
Speaker 1: did did the song, but you actually went to Cali

352
00:19:30,880 --> 00:19:34,480
Speaker 1: and filmed the video. No, no, no, you okay because

353
00:19:34,720 --> 00:19:39,399
Speaker 1: the Little Riders maybe maybe ain't crazy. No, she was

354
00:19:39,480 --> 00:19:42,479
Speaker 1: just patching back together. That was one of the illest

355
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Speaker 1: parts about that record, because I don't think before that time.

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Speaker 1: It was a little gap in between. Yes it was,

357
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Speaker 1: And I didn't even know that I really was doing

358
00:19:49,840 --> 00:19:52,520
Speaker 1: that until it happened, and I was like, damn, like,

359
00:19:52,600 --> 00:19:55,320
Speaker 1: you know, niggas haven't been working with each other like

360
00:19:55,440 --> 00:19:57,320
Speaker 1: that since the vig and pop shit, you know what

361
00:19:57,320 --> 00:19:59,480
Speaker 1: I'm saying. So this was kind of like that could

362
00:19:59,560 --> 00:20:02,399
Speaker 1: And I don't even know if Nate I thought that

363
00:20:02,520 --> 00:20:04,760
Speaker 1: deep into it too. The kid who produced it was

364
00:20:04,840 --> 00:20:07,520
Speaker 1: from the Bay and then they jumped on it, and

365
00:20:07,640 --> 00:20:09,960
Speaker 1: then you know, I made it my first single, and

366
00:20:10,040 --> 00:20:12,879
Speaker 1: then people kind of connected the dots and that, like

367
00:20:12,960 --> 00:20:14,639
Speaker 1: I we didn't. I didn't see it. I know. I

368
00:20:14,720 --> 00:20:16,600
Speaker 1: definitely wasn't looking at it like you're just gonna bring

369
00:20:16,680 --> 00:20:18,520
Speaker 1: the least in the West. I wouldn't even lie. It

370
00:20:18,600 --> 00:20:22,000
Speaker 1: actually did in a certain way because it was like, um,

371
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Speaker 1: you coming out being the new hot kids and interscope

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Speaker 1: at the time, right I was on Electric Electric, Okay,

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Speaker 1: Elector and with the number one DJ which is Clue

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Speaker 1: and then this is the guy who's a legend, and

375
00:20:36,920 --> 00:20:39,000
Speaker 1: so it did in a way, but it was it

376
00:20:39,160 --> 00:20:41,480
Speaker 1: was funny at first. I remember industry people like how

377
00:20:41,800 --> 00:20:47,879
Speaker 1: flex right there? Well in cruise the world, no one

378
00:20:48,000 --> 00:20:52,120
Speaker 1: was hotter than Clue. In the mixtape world. At one point,

379
00:20:54,080 --> 00:20:57,320
Speaker 1: no one was hotter than Clue. But what I gotta

380
00:20:57,400 --> 00:21:00,760
Speaker 1: give Flex is no one has ever really touched Flex

381
00:21:01,119 --> 00:21:04,200
Speaker 1: on that radio, like throwing a party on the radio,

382
00:21:04,760 --> 00:21:08,120
Speaker 1: like just your New York City stopped, like you haven't

383
00:21:08,160 --> 00:21:13,359
Speaker 1: heard Flex pulling over, pull over, like like he's like,

384
00:21:14,160 --> 00:21:17,320
Speaker 1: hold on, hold over, motherfucker, I'm going over and he'll

385
00:21:17,400 --> 00:21:19,359
Speaker 1: drop a ball like I'm into that ship. You know

386
00:21:19,440 --> 00:21:22,280
Speaker 1: when Drake and Meek had had had had the ship

387
00:21:22,920 --> 00:21:25,840
Speaker 1: and Flex said I got the Meek record. You know,

388
00:21:25,880 --> 00:21:28,480
Speaker 1: I missed my flight that night because I didn't want

389
00:21:28,520 --> 00:21:30,600
Speaker 1: to hear it. I didn't I'm so much as a

390
00:21:30,720 --> 00:21:33,159
Speaker 1: fan of like the hip hop ship. I was like,

391
00:21:33,240 --> 00:21:36,600
Speaker 1: I looked at by and I didn't want to miss

392
00:21:36,640 --> 00:21:44,399
Speaker 1: it's coming out. It's my it's my uncle's birthday. So

393
00:21:44,480 --> 00:21:46,800
Speaker 1: I go to my uncle's trib. My uncle dude, you know,

394
00:21:47,000 --> 00:21:50,880
Speaker 1: chill vibes bombing you at the crib, But it's more

395
00:21:51,080 --> 00:21:54,119
Speaker 1: like a you gotta you can't be on your phone

396
00:21:54,200 --> 00:21:55,760
Speaker 1: and chicken and you know what I'm saying. So it's

397
00:21:55,800 --> 00:21:57,920
Speaker 1: more like just kicking it with your uncle and and

398
00:21:58,040 --> 00:22:01,159
Speaker 1: really fucking with him, have a drink, smoke whatever. So

399
00:22:01,320 --> 00:22:03,640
Speaker 1: I'm doing that and then somebody texts me like, Yo,

400
00:22:03,840 --> 00:22:07,359
Speaker 1: they're about to do the Meek record. I'm like, wow, Wow,

401
00:22:07,720 --> 00:22:11,040
Speaker 1: I gotta hear this. I'm trying to really engage. I'm

402
00:22:11,160 --> 00:22:18,280
Speaker 1: talking deep little kids ship yo cold. I'm trying to

403
00:22:18,400 --> 00:22:20,240
Speaker 1: figure out way I want to go to the bathroom

404
00:22:20,600 --> 00:22:22,919
Speaker 1: with a bathroom that you know you can put up

405
00:22:22,920 --> 00:22:25,600
Speaker 1: on your phone too. I'm trying to really get that.

406
00:22:25,760 --> 00:22:28,200
Speaker 1: But I really had to just sunk, and then I didn't.

407
00:22:28,400 --> 00:22:30,399
Speaker 1: I didn't get to I didn't get to check it

408
00:22:30,440 --> 00:22:33,240
Speaker 1: out until I got in the car. And now. But

409
00:22:33,320 --> 00:22:35,240
Speaker 1: the whole time I'm sitting there on he talking to me,

410
00:22:35,280 --> 00:22:38,040
Speaker 1: I ain't even listening to I'm like, damn, I gotta

411
00:22:38,119 --> 00:22:41,639
Speaker 1: hear this. I'm talking about the night FLEXI bluff. I'm

412
00:22:41,680 --> 00:22:43,760
Speaker 1: talking about the night that Flex didn't have he did.

413
00:22:44,080 --> 00:22:48,119
Speaker 1: It was like, Yo, you don't remember that night, Reflex

414
00:22:48,320 --> 00:22:51,879
Speaker 1: he did pull up. This is why I don't know

415
00:22:51,960 --> 00:22:54,000
Speaker 1: if I was supposed to say this from Flex, but

416
00:22:54,160 --> 00:22:57,840
Speaker 1: this is why I fucking fun with funk Master Flex. Right,

417
00:22:58,760 --> 00:23:02,560
Speaker 1: So I I just missed my flight that day, right,

418
00:23:03,520 --> 00:23:06,280
Speaker 1: so I get on the next flight in the morning.

419
00:23:06,600 --> 00:23:08,720
Speaker 1: But I get some records and I get it mixed,

420
00:23:08,880 --> 00:23:11,160
Speaker 1: and I called Flex, and I'm not gonna flex cause

421
00:23:11,160 --> 00:23:12,639
Speaker 1: I know the whole New York City is gonna be

422
00:23:12,680 --> 00:23:15,240
Speaker 1: tuned in. So look, play one of my joints while

423
00:23:15,320 --> 00:23:18,399
Speaker 1: you're playing in between these war records or whatever. So

424
00:23:18,640 --> 00:23:21,040
Speaker 1: Flex goes to me, I'm sorry if I was supposed

425
00:23:21,040 --> 00:23:24,320
Speaker 1: to say this, Flex. The Flex goes to me to

426
00:23:24,480 --> 00:23:26,240
Speaker 1: know me, how I look out there, and I go

427
00:23:27,400 --> 00:23:30,280
Speaker 1: because I'm trying not to say, but you look, you

428
00:23:30,320 --> 00:23:32,480
Speaker 1: know what I'm saying, like you had me missed my flight,

429
00:23:33,320 --> 00:23:34,879
Speaker 1: like you should have said, I don't have to record

430
00:23:34,920 --> 00:23:37,600
Speaker 1: at some point. But anyway, I'm trying to avoid it.

431
00:23:37,640 --> 00:23:40,440
Speaker 1: And Flex is like, how I look out there? And

432
00:23:40,560 --> 00:23:42,920
Speaker 1: I said, what you mean? He's like, glory, I know

433
00:23:43,080 --> 00:23:46,240
Speaker 1: you know. And I said, now you look a little crazy.

434
00:23:46,520 --> 00:23:49,560
Speaker 1: He said. I was like, maybe he was baking like

435
00:23:49,600 --> 00:23:51,879
Speaker 1: a biscuit. Maybe you're baking like he said, I know

436
00:23:52,000 --> 00:23:54,320
Speaker 1: I was because I didn't come outside the whole day.

437
00:23:55,640 --> 00:23:57,960
Speaker 1: And I opened the door for one person and it

438
00:23:58,040 --> 00:24:00,840
Speaker 1: was the ups man and the U yes man. Look

439
00:24:00,920 --> 00:24:04,040
Speaker 1: this story with me. He's here. Rop Knight ain't it.

440
00:24:07,080 --> 00:24:10,359
Speaker 1: That's it, yo, that should have me. But you know

441
00:24:10,440 --> 00:24:12,760
Speaker 1: what it is, Flex takes his losses with his wins

442
00:24:12,880 --> 00:24:15,240
Speaker 1: the same way, and most people don't do that. Most

443
00:24:15,280 --> 00:24:17,680
Speaker 1: people lose and want to just you know, throw away.

444
00:24:17,760 --> 00:24:20,840
Speaker 1: But sorry, we're jumping all over the place. But Takasi

445
00:24:20,920 --> 00:24:22,560
Speaker 1: six nine, he got two hund grand for you. He

446
00:24:22,600 --> 00:24:25,160
Speaker 1: wants to do a record for you. Right now, Fabulous

447
00:24:25,200 --> 00:24:31,960
Speaker 1: is doing it. Let's take a shot to that. Let's

448
00:24:31,960 --> 00:24:39,639
Speaker 1: take a shot to that salute. But I'm gonna tell

449
00:24:39,640 --> 00:24:43,560
Speaker 1: you who's gonna work with Takaci six nine. That's who's

450
00:24:43,560 --> 00:24:45,760
Speaker 1: gonna sucking up, because it's gonna be all of us,

451
00:24:45,840 --> 00:24:50,359
Speaker 1: just like Gucci. I got the memo that we was

452
00:24:50,440 --> 00:24:57,520
Speaker 1: boycott and Guchi the b D Awards. Did did you

453
00:24:57,600 --> 00:25:00,920
Speaker 1: see that? I'm confused. I didn't say it. I didn't

454
00:25:00,920 --> 00:25:06,760
Speaker 1: see the avoiding be it was Gucci everywhere. So let's

455
00:25:06,760 --> 00:25:09,040
Speaker 1: get back to my point. So you know who's gonna

456
00:25:09,480 --> 00:25:11,119
Speaker 1: I'm gonna do it. What it is is all of

457
00:25:11,200 --> 00:25:13,400
Speaker 1: us were gonna set a union. We're gonna say we'd

458
00:25:14,720 --> 00:25:17,960
Speaker 1: all right boycotting not boycotting, we just say anything like

459
00:25:18,119 --> 00:25:20,320
Speaker 1: the wrappers, We're gonna say we ain't. But let me

460
00:25:20,359 --> 00:25:23,800
Speaker 1: tell you who's gonna The motherfucking producers. Now, we talked

461
00:25:23,800 --> 00:25:27,160
Speaker 1: about this last night, but this episode is coming out good.

462
00:25:27,520 --> 00:25:29,560
Speaker 1: The producers is gonna be the first. I'm telling the

463
00:25:29,680 --> 00:25:33,240
Speaker 1: producers you think are gonna do it? Okay? What producer

464
00:25:33,320 --> 00:25:36,000
Speaker 1: you think won't do it? I think I think any

465
00:25:36,040 --> 00:25:39,160
Speaker 1: producer that has any name won't do it. I disagree

466
00:25:39,200 --> 00:25:41,560
Speaker 1: with you. I think Farrell's not hell to them standing.

467
00:25:41,560 --> 00:25:43,879
Speaker 1: I don't think Farrell would do it. I think Farrell

468
00:25:43,920 --> 00:25:45,760
Speaker 1: it won't do it if he calls people like me

469
00:25:46,280 --> 00:25:50,800
Speaker 1: it's too much moved. That's another thing too. You know

470
00:25:50,880 --> 00:25:53,040
Speaker 1: you're gonna be some people gonna love that though, but

471
00:25:54,359 --> 00:25:57,560
Speaker 1: it's not people who don't need that. They'll stay with that.

472
00:25:57,640 --> 00:26:01,080
Speaker 1: Farrell don't need, right, he don't need it. I don't

473
00:26:01,080 --> 00:26:03,680
Speaker 1: think Scott starts needed, but it's not like he don't

474
00:26:03,720 --> 00:26:05,200
Speaker 1: need it neither. It's like, you know what I'm saying,

475
00:26:05,320 --> 00:26:08,040
Speaker 1: the kid is throwing our platinum records. Scott might need it,

476
00:26:08,200 --> 00:26:11,280
Speaker 1: Scott okay, just to get it, just to get it gone.

477
00:26:11,920 --> 00:26:14,080
Speaker 1: And I don't think he I say he would do it,

478
00:26:14,520 --> 00:26:18,360
Speaker 1: but that energy is you gotta look at who who

479
00:26:18,520 --> 00:26:22,240
Speaker 1: needs that energy. I don't think he's held to those standards.

480
00:26:22,280 --> 00:26:24,639
Speaker 1: I don't think Mike Will made it because held to

481
00:26:25,240 --> 00:26:30,200
Speaker 1: Fabulous and Nori and Jay the Kisses standards. He not.

482
00:26:30,720 --> 00:26:32,720
Speaker 1: But it's still if they want that energy, that that

483
00:26:33,280 --> 00:26:35,840
Speaker 1: the negative of the negative side of it is what

484
00:26:36,720 --> 00:26:38,960
Speaker 1: could keep somebody doing it even if they don't have

485
00:26:39,200 --> 00:26:40,920
Speaker 1: that same more. That's what I don't I don't know,

486
00:26:42,240 --> 00:26:44,480
Speaker 1: uh six non personally to have it. But like, I

487
00:26:44,760 --> 00:26:47,320
Speaker 1: just don't like the standard that is said, like you

488
00:26:47,359 --> 00:26:48,720
Speaker 1: know what I mean, Like you can't do that and

489
00:26:48,720 --> 00:26:53,040
Speaker 1: then come back and it's nah, you do that, You're

490
00:26:53,040 --> 00:26:55,680
Speaker 1: gonna you're gonna suffer the consequences of what you do.

491
00:26:55,800 --> 00:26:59,040
Speaker 1: But we can't. We can't set that for the for

492
00:26:59,200 --> 00:27:02,920
Speaker 1: our kids. Know I'm saying, right, but the public like

493
00:27:03,080 --> 00:27:05,480
Speaker 1: that's not cool. You know what I'm saying. It's it's

494
00:27:05,560 --> 00:27:09,640
Speaker 1: just you, and it's the way and it's the way

495
00:27:10,560 --> 00:27:12,480
Speaker 1: it came about, you know what I'm saying. It wasn't

496
00:27:12,560 --> 00:27:15,760
Speaker 1: like a civilian. If he was a civilion doing the

497
00:27:15,800 --> 00:27:17,720
Speaker 1: same thing, it would be totally different. But he was

498
00:27:17,800 --> 00:27:22,960
Speaker 1: yelling gang gang doing that, and that shows kids of

499
00:27:23,119 --> 00:27:25,239
Speaker 1: this generation that yeah, you could do that and then

500
00:27:25,280 --> 00:27:28,520
Speaker 1: when it goes left, no repercussions. All right, I'm gonna

501
00:27:28,560 --> 00:27:31,160
Speaker 1: go right and then I'm gonna come back left and y'all.

502
00:27:31,920 --> 00:27:34,320
Speaker 1: But but isn't it kind of deeper than that? When

503
00:27:34,320 --> 00:27:37,440
Speaker 1: you look at that Will Smith is doing Nicky Bond story,

504
00:27:38,520 --> 00:27:42,600
Speaker 1: Like that's different. I think why the end of it

505
00:27:42,760 --> 00:27:45,359
Speaker 1: is the same and that type of what what's the

506
00:27:45,400 --> 00:27:47,359
Speaker 1: Frank Lucas story that it wasn't the end of the

507
00:27:47,400 --> 00:27:50,360
Speaker 1: same result American American g did he didn't? He talented,

508
00:27:50,640 --> 00:27:52,440
Speaker 1: But I think it's a it's a different round. He

509
00:27:52,600 --> 00:27:54,200
Speaker 1: told on he told on the cops, so he told

510
00:27:54,280 --> 00:27:58,399
Speaker 1: on Frank Luke. I think he told on everybody. I

511
00:27:58,440 --> 00:28:01,119
Speaker 1: think he told on everybody. And to connect supposedly and

512
00:28:01,240 --> 00:28:03,440
Speaker 1: to connect it don't matter. Well, I just think the

513
00:28:03,520 --> 00:28:07,160
Speaker 1: movie game is a whole different things. Just telling the story.

514
00:28:07,240 --> 00:28:10,400
Speaker 1: I guess really like I can't hold them. I guess

515
00:28:10,440 --> 00:28:13,800
Speaker 1: deeply you can hold him because it's like you pushing

516
00:28:13,840 --> 00:28:16,359
Speaker 1: the story for it. But like on the on their side,

517
00:28:16,400 --> 00:28:19,560
Speaker 1: I want to hold Will against Nikki. I would rather

518
00:28:20,320 --> 00:28:24,600
Speaker 1: they do stories on god Fisher, you know, like the

519
00:28:25,480 --> 00:28:28,359
Speaker 1: paiding for should have been more focused on rich As

520
00:28:28,400 --> 00:28:30,879
Speaker 1: opposed to you know, but but guess what our poles

521
00:28:30,920 --> 00:28:32,959
Speaker 1: in star you know what I'm saying. It's just it's

522
00:28:33,000 --> 00:28:34,600
Speaker 1: just a funny world we lived in. Like you know

523
00:28:34,600 --> 00:28:37,560
Speaker 1: what I'm saying. It's that it's the edge, it's the

524
00:28:37,720 --> 00:28:40,240
Speaker 1: entertainment of it. And think about the fabis, think about

525
00:28:40,240 --> 00:28:43,280
Speaker 1: it like this. We're only five percent of people who

526
00:28:43,360 --> 00:28:45,800
Speaker 1: think like this, Like you know what I'm saying, We're

527
00:28:45,840 --> 00:28:48,520
Speaker 1: five percent of people who think that we gotta keep

528
00:28:48,560 --> 00:28:50,360
Speaker 1: it real and we gotta do this. There's so many

529
00:28:50,400 --> 00:28:53,080
Speaker 1: people who that's why the omars from the wire. This

530
00:28:53,160 --> 00:28:55,640
Speaker 1: is way more on Mars now than anything. There's people

531
00:28:55,640 --> 00:28:58,480
Speaker 1: who tell and stay outside and then come right then

532
00:28:58,600 --> 00:29:01,320
Speaker 1: back outside. This this was ain't going to witness protection

533
00:29:01,400 --> 00:29:04,760
Speaker 1: a lone of that that goes into people accepting it. Yea,

534
00:29:05,000 --> 00:29:08,000
Speaker 1: that's what Let's a rat before used to go hot

535
00:29:08,080 --> 00:29:10,640
Speaker 1: in the hole. That's where rats went. They didn't come

536
00:29:10,680 --> 00:29:14,360
Speaker 1: back outside and mixing, mingling. Now you could be lit

537
00:29:14,440 --> 00:29:16,840
Speaker 1: if you still got money. People except that you're here rap.

538
00:29:16,920 --> 00:29:20,400
Speaker 1: But he got that bread, he got that bag. That's

539
00:29:20,440 --> 00:29:23,720
Speaker 1: a difference than what's going on today. Right before I

540
00:29:23,760 --> 00:29:25,520
Speaker 1: had to go move somewhere, he had to you know,

541
00:29:25,640 --> 00:29:28,200
Speaker 1: when they can see him, they threw chase them whatever.

542
00:29:28,600 --> 00:29:29,920
Speaker 1: You know what I'm saying, even if it was a

543
00:29:29,960 --> 00:29:32,160
Speaker 1: tattle tell, and then when you grow up, you being

544
00:29:32,200 --> 00:29:35,040
Speaker 1: a tattle tell was wrong And it's all the social

545
00:29:35,120 --> 00:29:37,760
Speaker 1: media ship because it's fame at all. Cars. So we

546
00:29:37,920 --> 00:29:40,760
Speaker 1: just interviewed Troy a right, and we got a couple

547
00:29:40,840 --> 00:29:43,280
Speaker 1: of us slack about that. Do you think we wasn't

548
00:29:43,320 --> 00:29:45,160
Speaker 1: Do you think we sucked up? We think we shouldn't

549
00:29:45,160 --> 00:29:48,800
Speaker 1: interview Troyer. I don't know, and I know Troy, I

550
00:29:48,840 --> 00:29:53,120
Speaker 1: don't know the full like I lost connection and track

551
00:29:53,200 --> 00:29:55,960
Speaker 1: of where that we all because people living our own world,

552
00:29:56,040 --> 00:29:58,240
Speaker 1: you know where it's. So it's hard for me to

553
00:29:58,280 --> 00:29:59,800
Speaker 1: say if it was right or wrong because I don't

554
00:29:59,840 --> 00:30:02,360
Speaker 1: know what he did to say it was wrong. Well,

555
00:30:02,360 --> 00:30:04,400
Speaker 1: he didn't do it yet, but he did say he's

556
00:30:04,400 --> 00:30:06,200
Speaker 1: gonna do it because he said he's gonna know what

557
00:30:06,360 --> 00:30:09,520
Speaker 1: tell He's gonna he's gonna I don't know if he

558
00:30:09,600 --> 00:30:15,920
Speaker 1: said that story. He said he's gonna solid story. It

559
00:30:16,040 --> 00:30:20,080
Speaker 1: was gonna his And he feels like at the end

560
00:30:20,080 --> 00:30:23,600
Speaker 1: of the day, a person said, if he gave a

561
00:30:23,640 --> 00:30:25,800
Speaker 1: person a platform for that, we want and if I'm

562
00:30:26,000 --> 00:30:28,320
Speaker 1: if I'm wrong as a man or you know, I

563
00:30:28,400 --> 00:30:31,120
Speaker 1: apologize whatever, right, But what I'm saying is he hasn't

564
00:30:31,160 --> 00:30:36,560
Speaker 1: told yet. Come on, drain you all right, Jesus ross

565
00:30:36,600 --> 00:30:39,920
Speaker 1: the wild wine. But he hasn't told told. Yeah. And

566
00:30:40,080 --> 00:30:42,800
Speaker 1: the thing about it is, he in his mind thinks

567
00:30:42,880 --> 00:30:44,760
Speaker 1: that tax Stone So this is what he this is

568
00:30:45,000 --> 00:30:47,200
Speaker 1: is from his mouth. He in his mind thinks that

569
00:30:47,320 --> 00:30:51,040
Speaker 1: tax Stone told on him. So why the funk He's

570
00:30:51,040 --> 00:30:54,720
Speaker 1: not gonna say say what he did to him back? Well,

571
00:30:54,760 --> 00:30:56,880
Speaker 1: I guess the tax moster. I don't know. I don't

572
00:30:56,920 --> 00:30:59,240
Speaker 1: know if he told or not too. But it is

573
00:30:59,560 --> 00:31:03,320
Speaker 1: video for the yeah yeah incident, so that kind of

574
00:31:03,360 --> 00:31:07,400
Speaker 1: tells on you. Yeah yeah. But I don't I don't know.

575
00:31:07,720 --> 00:31:10,520
Speaker 1: Like I said, I don't know that much of the situation.

576
00:31:10,920 --> 00:31:14,840
Speaker 1: You know, I know Troy Um actually was like really

577
00:31:14,920 --> 00:31:17,200
Speaker 1: cool with Troy for for a minute. It just got

578
00:31:18,120 --> 00:31:20,760
Speaker 1: so crazy. You know what I'm saying that I don't

579
00:31:20,800 --> 00:31:22,440
Speaker 1: know what's going on. Yeah, my queen's nick. I chose

580
00:31:22,480 --> 00:31:24,200
Speaker 1: to move move out of there. I didn't want to

581
00:31:24,240 --> 00:31:26,720
Speaker 1: be involved with it. But I'm a Brooklyn nigga, and

582
00:31:27,280 --> 00:31:31,959
Speaker 1: you don't want to be involved right going on here. Yeah, now,

583
00:31:32,080 --> 00:31:35,480
Speaker 1: but you know we see slap for it. If and

584
00:31:35,720 --> 00:31:37,280
Speaker 1: if we were out of line for giving a person

585
00:31:37,360 --> 00:31:39,200
Speaker 1: a platform, then you know, I'm a man at the

586
00:31:39,280 --> 00:31:41,000
Speaker 1: end of the day. Like and I heard some people

587
00:31:41,080 --> 00:31:44,720
Speaker 1: say that, well, they would have been mad if like

588
00:31:44,880 --> 00:31:46,760
Speaker 1: like they would have implicated the Hot ninety seven and

589
00:31:46,760 --> 00:31:48,440
Speaker 1: ship like when we had the Hot ninety seven ship.

590
00:31:48,680 --> 00:31:51,160
Speaker 1: And that's and I don't understand that. I also agree

591
00:31:51,200 --> 00:31:53,240
Speaker 1: with that because I would have felt something. But here's

592
00:31:53,360 --> 00:31:56,040
Speaker 1: here's a difference. There was no paper trials other than

593
00:31:56,120 --> 00:31:58,640
Speaker 1: Little Kim and Foxy Brown. There is no Junior Mafia

594
00:31:58,760 --> 00:32:02,240
Speaker 1: disk record towards Noriega. There is no Noriega record this

595
00:32:02,400 --> 00:32:05,560
Speaker 1: towards you. There's nothing like, there's no there's no nothing.

596
00:32:05,600 --> 00:32:08,760
Speaker 1: There was no blogs made about me against them and

597
00:32:08,800 --> 00:32:11,200
Speaker 1: them against us. So when this ship happened, and it

598
00:32:11,360 --> 00:32:13,800
Speaker 1: was easy to just get it away because there wasn't lines,

599
00:32:13,960 --> 00:32:16,400
Speaker 1: It wasn't in the public's eye. It was just that incident.

600
00:32:16,600 --> 00:32:18,840
Speaker 1: There was in the public eye the actual drama or

601
00:32:18,880 --> 00:32:22,320
Speaker 1: whatever was behind We both shut our mouth. So you

602
00:32:22,400 --> 00:32:25,000
Speaker 1: can't relate that to that because it's two different instances.

603
00:32:25,080 --> 00:32:26,800
Speaker 1: But it is what it is. Like I said, if

604
00:32:26,880 --> 00:32:30,040
Speaker 1: I did a platform or you know, I Apologizma before

605
00:32:30,120 --> 00:32:37,560
Speaker 1: that incident. Absolutely incident. Oh you said about taxing Troy. No, no,

606
00:32:37,760 --> 00:32:41,240
Speaker 1: it was just it was it was just a moment. No,

607
00:32:41,440 --> 00:32:43,840
Speaker 1: it was it was Little Kim had by a Storm.

608
00:32:44,240 --> 00:32:47,120
Speaker 1: Big up to Little Kim. She's um her new album

609
00:32:47,200 --> 00:32:53,520
Speaker 1: not who knew, I'm not and me and hers cool

610
00:32:53,600 --> 00:32:58,360
Speaker 1: now too, which is which is good? Great ship, Oh ship,

611
00:32:59,440 --> 00:33:03,240
Speaker 1: We'll get to that late. But so Kim had was

612
00:33:03,320 --> 00:33:07,960
Speaker 1: on Quiet starm Yeah, do say right here, maybe we

613
00:33:08,040 --> 00:33:09,880
Speaker 1: got the x SO and we got the regular one

614
00:33:09,960 --> 00:33:12,440
Speaker 1: right there for a couple of you know what I'm saying,

615
00:33:13,040 --> 00:33:15,520
Speaker 1: let's let let's let the whole No, maybe here baby,

616
00:33:15,560 --> 00:33:20,280
Speaker 1: we are here so anyway, anyway, anyway, so um Kim

617
00:33:20,360 --> 00:33:26,080
Speaker 1: did Quiet Storm. Ironically, this is why I never knew

618
00:33:26,120 --> 00:33:30,200
Speaker 1: why this was ever be ever. Alchemist produced Bang Bang,

619
00:33:31,000 --> 00:33:34,520
Speaker 1: that small deep producer. That's why if anybody don't know,

620
00:33:34,960 --> 00:33:39,320
Speaker 1: Alchemists recommended that, Oh those are the two records, why

621
00:33:39,480 --> 00:33:42,520
Speaker 1: Storm and Bang Bang. I was on Bang Bang. Al

622
00:33:42,600 --> 00:33:46,960
Speaker 1: Chemists recommended we put a girl on there. You understand,

623
00:33:47,040 --> 00:33:48,800
Speaker 1: this is this is mar This is why I never

624
00:33:48,880 --> 00:33:51,520
Speaker 1: knew that's deep. Never took a person forgot about that.

625
00:33:51,800 --> 00:33:54,160
Speaker 1: Deep never took a personal It was just recorded that

626
00:33:54,240 --> 00:33:58,720
Speaker 1: he remember when you showed it to me. The part

627
00:33:58,760 --> 00:34:02,560
Speaker 1: were the fact that are you showing to me? Yeah yeah, yeah, yeah,

628
00:34:02,640 --> 00:34:04,200
Speaker 1: yeah yeah yeah. But we didn't record it in the

629
00:34:04,280 --> 00:34:07,080
Speaker 1: hit factory though, because Foxy visit. That's what New York ship.

630
00:34:07,400 --> 00:34:12,200
Speaker 1: So anyway, so Alchemists recommends we get a girl. Obviously

631
00:34:12,239 --> 00:34:14,359
Speaker 1: there's only two girls in New York City at the time.

632
00:34:14,920 --> 00:34:19,600
Speaker 1: Kim already on people who who considered our competition Marv

633
00:34:19,680 --> 00:34:22,839
Speaker 1: d obviously, and Foxy was it was cool, like, that's

634
00:34:22,920 --> 00:34:25,600
Speaker 1: that's not my sister. I felt like that at the time,

635
00:34:26,040 --> 00:34:31,280
Speaker 1: still do a little bit, um, but but I've tried

636
00:34:31,360 --> 00:34:33,720
Speaker 1: to feel more. But she just kiss me the away.

637
00:34:34,480 --> 00:34:38,520
Speaker 1: Yeah you don't see that one day, all right, but

638
00:34:38,640 --> 00:34:43,440
Speaker 1: let's let's move on. But but anyway, uh so she

639
00:34:43,760 --> 00:34:47,000
Speaker 1: uh so, the Fox does it and then that was it.

640
00:34:47,200 --> 00:34:50,440
Speaker 1: You know, Um, I guess they took it personal because

641
00:34:50,480 --> 00:34:54,040
Speaker 1: we let Fox say what what what she wanted and well,

642
00:34:54,120 --> 00:34:56,880
Speaker 1: Kim would definitely think it that personal. So yeah, and

643
00:34:57,000 --> 00:35:00,239
Speaker 1: whoever recorded, I guess you kind of a phil ate

644
00:35:00,280 --> 00:35:02,440
Speaker 1: them because y'all was dead y'all had it. See, I

645
00:35:02,440 --> 00:35:04,239
Speaker 1: didn't look at it like that. That's how it goes.

646
00:35:04,719 --> 00:35:07,320
Speaker 1: So something you're telling me and might jump on a

647
00:35:07,480 --> 00:35:13,880
Speaker 1: song and did somebody in song you're gonna Yeah, I

648
00:35:14,000 --> 00:35:19,520
Speaker 1: was still spying. You come back to spray to corner.

649
00:35:19,920 --> 00:35:22,839
Speaker 1: You ain't saying you all y'all niggers. You say spray

650
00:35:22,920 --> 00:35:24,400
Speaker 1: to the corner. So you're saying if I get on

651
00:35:24,520 --> 00:35:28,360
Speaker 1: your record and I are out, that's just somebody that

652
00:35:28,440 --> 00:35:31,439
Speaker 1: I'm cool with, or I would be like, yo, that's

653
00:35:31,520 --> 00:35:33,800
Speaker 1: my man, Like you can't do that on my Like

654
00:35:34,120 --> 00:35:37,239
Speaker 1: I ain't got nothing. But if I not cool with huh,

655
00:35:37,440 --> 00:35:38,799
Speaker 1: you're not cool with it, you let it come out

656
00:35:38,840 --> 00:35:40,360
Speaker 1: and I'll let it come out. Then I would. I

657
00:35:40,440 --> 00:35:43,960
Speaker 1: would also except that he felt away that I put

658
00:35:44,440 --> 00:35:48,040
Speaker 1: that out on You know what I'm saying telling you,

659
00:35:48,160 --> 00:35:51,160
Speaker 1: it's like, yeah, I'm riding like you know what I'm saying.

660
00:35:51,440 --> 00:35:54,960
Speaker 1: I'm kind of you. You're going you're going to do something.

661
00:35:54,960 --> 00:35:57,319
Speaker 1: I jump in the car, which you right over there?

662
00:35:57,400 --> 00:36:04,120
Speaker 1: You do it? Didn't say yeah you really may. You're

663
00:36:04,120 --> 00:36:08,759
Speaker 1: bucking me up right now. It need anything when they're

664
00:36:08,800 --> 00:36:11,880
Speaker 1: going along with it, you got you got the notion

665
00:36:11,960 --> 00:36:14,040
Speaker 1: and say nine when when when Tray said let me

666
00:36:14,080 --> 00:36:25,400
Speaker 1: out though he got out the car, he knew nigga

667
00:36:26,120 --> 00:36:28,799
Speaker 1: to let me know what. I didn't never look at

668
00:36:28,840 --> 00:36:31,759
Speaker 1: it like that. I never did. Never I swear you

669
00:36:31,920 --> 00:36:34,279
Speaker 1: like you said, I'm naive to that, Like I didn't know.

670
00:36:34,719 --> 00:36:37,840
Speaker 1: Like I thought. I thought, like if we're all cool

671
00:36:38,239 --> 00:36:40,800
Speaker 1: and this guy, is you out all my record or

672
00:36:40,960 --> 00:36:43,960
Speaker 1: is you out in my interview, you would realize that

673
00:36:44,200 --> 00:36:47,520
Speaker 1: that is just him because I'm gonna I'm gonna say

674
00:36:47,560 --> 00:36:50,680
Speaker 1: something else, like like, for instance, I interview enemies that

675
00:36:50,920 --> 00:36:53,800
Speaker 1: I interview both sides. Sometimes you know, we'll have a

676
00:36:53,920 --> 00:36:56,839
Speaker 1: job rule. I have a fifty, I have a earth,

677
00:36:57,040 --> 00:36:58,759
Speaker 1: and when they bring up each other, I try to

678
00:36:58,840 --> 00:37:00,640
Speaker 1: because that's not funny to me, you know what I'm saying,

679
00:37:00,719 --> 00:37:03,680
Speaker 1: Like I kind of try to change the subject, you

680
00:37:03,719 --> 00:37:06,239
Speaker 1: know what I'm saying because it's not me. You know

681
00:37:06,280 --> 00:37:08,000
Speaker 1: what I'm saying. But I didn't. I didn't what you

682
00:37:08,080 --> 00:37:10,480
Speaker 1: said just now kind of just doing on the type

683
00:37:10,480 --> 00:37:12,799
Speaker 1: of ball kind of sucked me up because I can

684
00:37:12,880 --> 00:37:15,080
Speaker 1: see how people look at that when you interview somebody,

685
00:37:15,120 --> 00:37:17,439
Speaker 1: it looks like a co sign now, but it's really

686
00:37:17,520 --> 00:37:20,280
Speaker 1: not like yea you might not be in that space,

687
00:37:20,360 --> 00:37:23,320
Speaker 1: but how people perceive things, it's always different than what

688
00:37:23,480 --> 00:37:26,719
Speaker 1: you're intended, you know what I'm saying. So that's how

689
00:37:27,360 --> 00:37:28,880
Speaker 1: you know you could be doing something out of the

690
00:37:29,120 --> 00:37:32,400
Speaker 1: kindness of your heart somebody else and they say, or

691
00:37:32,440 --> 00:37:34,600
Speaker 1: that nig a cloud chasing he trying to you know,

692
00:37:34,719 --> 00:37:36,959
Speaker 1: he's trying to do this. Or you know when people

693
00:37:37,040 --> 00:37:38,960
Speaker 1: go give money to the homeless and they tape it.

694
00:37:39,040 --> 00:37:41,239
Speaker 1: You know what I mean, it's two sides. You it's

695
00:37:41,320 --> 00:37:44,800
Speaker 1: giving them some money, but also why you know what

696
00:37:44,800 --> 00:37:48,520
Speaker 1: I'm saying, So I have to speak like Jesus man,

697
00:37:50,360 --> 00:37:54,719
Speaker 1: like just thinking powerful, you're just thinking that metaphors and

698
00:37:54,800 --> 00:38:01,359
Speaker 1: talking good is good man. So okay, let's we're gonna

699
00:38:01,400 --> 00:38:04,160
Speaker 1: move around. We're gonna move around. That's Michael Bone stronger

700
00:38:04,200 --> 00:38:21,120
Speaker 1: than the Yes you Got Joker t shirts. So I

701
00:38:21,239 --> 00:38:23,600
Speaker 1: heard y'all be killing her life. You'll be killing her.

702
00:38:24,120 --> 00:38:28,319
Speaker 1: Was originally for um the Girl from the View Lenny

703
00:38:28,480 --> 00:38:32,560
Speaker 1: S Girl, Adrian, Adrian, I'm so sorry, Adrian. That was

704
00:38:32,640 --> 00:38:35,440
Speaker 1: her song, heard that that was her beat or her

705
00:38:35,600 --> 00:38:39,880
Speaker 1: song and Lenny S like I played it for her,

706
00:38:40,000 --> 00:38:43,120
Speaker 1: she loved it, but he played it for you. You

707
00:38:43,239 --> 00:38:47,160
Speaker 1: never heard this story before. I've never heard that. Yahneak,

708
00:38:47,280 --> 00:38:49,919
Speaker 1: you know sneaky. You know who sneaky called me about

709
00:38:49,960 --> 00:38:55,719
Speaker 1: that record? Kid Cutty, What's that's the same way I

710
00:38:55,760 --> 00:39:03,520
Speaker 1: around face? I'm like, your fab I did that joint

711
00:39:03,600 --> 00:39:06,319
Speaker 1: with Ryan Leslie. I ain't got my credit on my money,

712
00:39:08,440 --> 00:39:13,600
Speaker 1: Cutty bro oh on my line was just like he

713
00:39:13,719 --> 00:39:16,360
Speaker 1: was production. He was, That's what he was trying to imply.

714
00:39:17,080 --> 00:39:19,600
Speaker 1: So I guess he chakes down and found my number

715
00:39:19,880 --> 00:39:22,640
Speaker 1: or something and hit me up and was like, Yo,

716
00:39:23,520 --> 00:39:27,239
Speaker 1: I'm supposed to have credit or money or something. Why

717
00:39:27,280 --> 00:39:31,840
Speaker 1: would you hit Ryan Leslie. That's what I'm saying. You

718
00:39:31,960 --> 00:39:45,440
Speaker 1: gotta relax, get you blocked it everything follow you. It's crazy.

719
00:39:46,520 --> 00:39:49,680
Speaker 1: My god, I don't even know why you're calling me.

720
00:39:50,320 --> 00:39:58,759
Speaker 1: It's not even my cold. H It's clear. It's clearly clear.

721
00:39:58,800 --> 00:40:00,399
Speaker 1: I'm about to go on stage right now. I made

722
00:40:00,440 --> 00:40:07,239
Speaker 1: it better you and also, um, you make me better.

723
00:40:07,920 --> 00:40:11,200
Speaker 1: That was Holes record. Yeah, I think they made it

724
00:40:11,280 --> 00:40:14,759
Speaker 1: for whole, but I think it was too girly for Hole.

725
00:40:16,120 --> 00:40:18,720
Speaker 1: So he makes some girly records. Now here's another sneaky

726
00:40:18,760 --> 00:40:21,840
Speaker 1: thing behind that. Because I'll get it out. Let's go

727
00:40:22,160 --> 00:40:27,440
Speaker 1: Eve had the record, Yeah, made the joint and she

728
00:40:27,560 --> 00:40:31,759
Speaker 1: had a whole different make me better for Eve, I'm

729
00:40:31,800 --> 00:40:34,080
Speaker 1: not sure up that fifth it was it wasn't make

730
00:40:34,120 --> 00:40:36,600
Speaker 1: me better, it was make me better. It wasn't with

731
00:40:36,760 --> 00:40:38,799
Speaker 1: the hooking. She has a whole another song. She had

732
00:40:38,880 --> 00:40:40,960
Speaker 1: to beat from Timberland and she made a whole different

733
00:40:41,000 --> 00:40:43,319
Speaker 1: song to it. So when we're about to put it out,

734
00:40:43,400 --> 00:40:46,560
Speaker 1: we found Timerland, like, hold up, I think I get

735
00:40:46,640 --> 00:40:50,840
Speaker 1: that beat the Eve Eve got. We're like what so

736
00:40:51,000 --> 00:40:53,080
Speaker 1: we hit Eva. But she was cool while she said

737
00:40:53,400 --> 00:40:55,799
Speaker 1: she said truthfully like it's it was a single for us,

738
00:40:55,880 --> 00:40:58,600
Speaker 1: this is a this is a goal. But for her

739
00:40:58,719 --> 00:41:01,120
Speaker 1: she said it was like an album that she really

740
00:41:01,400 --> 00:41:03,320
Speaker 1: and she just you know. We went to dinner and

741
00:41:03,480 --> 00:41:05,640
Speaker 1: she was like, yeah, y'all had a record and it's

742
00:41:05,680 --> 00:41:16,000
Speaker 1: all good. I was like, m a new single right now,

743
00:41:16,040 --> 00:41:18,520
Speaker 1: that's my catalog. Wouldn't make me better? And if now

744
00:41:18,600 --> 00:41:22,319
Speaker 1: you need it, that damn that's like was not good man,

745
00:41:22,680 --> 00:41:25,200
Speaker 1: that's a special brew. But the new single right now

746
00:41:27,280 --> 00:41:32,440
Speaker 1: very uh acrobeatish international, international. What makes you want to

747
00:41:32,480 --> 00:41:35,960
Speaker 1: go there? Because you can let me stop because you

748
00:41:36,160 --> 00:41:38,920
Speaker 1: have a format. This is this is It was in

749
00:41:39,000 --> 00:41:42,040
Speaker 1: line with that, but you have a formative It's like

750
00:41:43,320 --> 00:41:45,000
Speaker 1: it's like, you know what I'm saying, like a certain thing,

751
00:41:45,160 --> 00:41:48,560
Speaker 1: this one is like huge, this is different. This is

752
00:41:48,680 --> 00:41:51,239
Speaker 1: different for me as a fat fan. That's what it

753
00:41:51,320 --> 00:41:54,520
Speaker 1: really was about, to just really going different. Because if

754
00:41:54,520 --> 00:41:57,880
Speaker 1: I would have came back with any record that's the

755
00:41:58,040 --> 00:42:00,239
Speaker 1: usual what I even if it was breathed or it

756
00:42:00,400 --> 00:42:03,440
Speaker 1: was make me better stop or like you know what

757
00:42:03,440 --> 00:42:07,160
Speaker 1: I mean, Like anything in that vein Uptown val anything

758
00:42:07,239 --> 00:42:09,080
Speaker 1: in that would have you already, it wouldn't have made

759
00:42:09,120 --> 00:42:13,680
Speaker 1: the same like m hmm right, let me you know

760
00:42:13,680 --> 00:42:15,440
Speaker 1: what I mean. I want to I want your eyebrows

761
00:42:15,560 --> 00:42:17,400
Speaker 1: to twist up a little bit like it was. You

762
00:42:17,440 --> 00:42:21,080
Speaker 1: know what I'm saying. So that's where and it like

763
00:42:21,200 --> 00:42:23,440
Speaker 1: how you just said we're moving on on out of country.

764
00:42:23,480 --> 00:42:26,239
Speaker 1: It's it's it's time to move on. He was in

765
00:42:26,360 --> 00:42:29,160
Speaker 1: Kate Berdie. Yeah, we went to we went to Africa.

766
00:42:29,239 --> 00:42:32,759
Speaker 1: I thought Kate Birdie was in Boston. Come on, come on,

767
00:42:34,520 --> 00:42:38,040
Speaker 1: you know what you know what I'm paying. You know

768
00:42:38,160 --> 00:42:44,960
Speaker 1: doesn't want the Kate Bertie. Yeah, you know I'm played around, Yeah,

769
00:42:44,960 --> 00:42:47,640
Speaker 1: because all the Kate Burdies. But I've never seen somebody

770
00:42:47,680 --> 00:42:49,320
Speaker 1: going to Kate Verdie. I was like a lot of

771
00:42:49,320 --> 00:42:51,400
Speaker 1: the reasons I wanted to go there. Showed up the

772
00:42:51,400 --> 00:42:55,120
Speaker 1: ankle bracelet too. That that was. But what made you

773
00:42:55,200 --> 00:42:57,920
Speaker 1: go that's Black Sands. That's where you know. We gotta

774
00:42:58,040 --> 00:43:00,200
Speaker 1: we gotta, we gotta touch it different. And you got

775
00:43:00,280 --> 00:43:03,040
Speaker 1: the opportunity too. You got the you know, we got

776
00:43:03,160 --> 00:43:06,239
Speaker 1: the label money. So we're going over on the major's

777
00:43:06,480 --> 00:43:08,880
Speaker 1: let's pay some money for be on the major. This

778
00:43:09,040 --> 00:43:12,239
Speaker 1: is this is Fabris one. Let me tell yourself. Fab

779
00:43:12,400 --> 00:43:14,520
Speaker 1: is one of them smart niggers. Everyone else tried to

780
00:43:14,560 --> 00:43:20,000
Speaker 1: go independent. That's your personal Listen. He made the right

781
00:43:20,120 --> 00:43:23,080
Speaker 1: choice staying with the major. Do not let these niggas

782
00:43:23,239 --> 00:43:28,640
Speaker 1: you leave it. This guy's the only major dependent game

783
00:43:28,719 --> 00:43:32,880
Speaker 1: for there. Not like it, fat fat. He likes to

784
00:43:33,600 --> 00:43:36,040
Speaker 1: play the same rules. I like. When you're pulling up

785
00:43:36,080 --> 00:43:39,600
Speaker 1: in the spratountain. It's a fucking beautiful thing. Pull up

786
00:43:39,640 --> 00:43:42,560
Speaker 1: when you know, man independent, you gotta bunch it, you

787
00:43:42,719 --> 00:43:46,400
Speaker 1: gotta watch, you gotta you gotta be responsible. Yeah, I

788
00:43:46,480 --> 00:43:51,279
Speaker 1: don't wonder who want to be responsible? Make it lay

789
00:43:52,120 --> 00:43:55,040
Speaker 1: independent making some money some of the YouTube, but all

790
00:43:56,680 --> 00:43:59,680
Speaker 1: not on YouTube. Bro, do not bank on YouTube, but

791
00:43:59,760 --> 00:44:02,520
Speaker 1: don't bank on there. It's not other kids. I can't

792
00:44:02,520 --> 00:44:04,799
Speaker 1: bank on YouTube. That's the new names. Noon Nimes can

793
00:44:04,880 --> 00:44:08,000
Speaker 1: make money for YouTube. We seasoned. You know. You know

794
00:44:08,040 --> 00:44:11,880
Speaker 1: what I have to notice about you though I'm probably like,

795
00:44:12,080 --> 00:44:15,239
Speaker 1: I'm forty two. I don't know how I'm forty one.

796
00:44:15,360 --> 00:44:17,960
Speaker 1: But you know what I noticed people think i'm nine

797
00:44:18,080 --> 00:44:25,960
Speaker 1: hundred HU because you know why I've been I've been

798
00:44:26,000 --> 00:44:30,640
Speaker 1: out since ninety seven. I don't know I'm seven to

799
00:44:30,680 --> 00:44:35,719
Speaker 1: you happy since ninety eight. I'm nick I have but

800
00:44:36,160 --> 00:44:39,400
Speaker 1: and they look at family nineteen and they look at

801
00:44:39,480 --> 00:44:43,319
Speaker 1: me like I've got your beard. I'll be like, they'd

802
00:44:43,320 --> 00:44:44,759
Speaker 1: be like, because in your day, O G. I'll be

803
00:44:44,840 --> 00:44:47,440
Speaker 1: like your first of all, it's not calling me so

804
00:44:47,480 --> 00:44:50,120
Speaker 1: I called me OG because sometimes they call you O

805
00:44:50,280 --> 00:44:52,160
Speaker 1: G and definitely, but they don't really mean it. They

806
00:44:52,239 --> 00:44:54,600
Speaker 1: just call on you. Oh we gotta reach the between.

807
00:44:57,560 --> 00:45:01,000
Speaker 1: You're gonna tell you young niggers. Yeah, yeah, that is

808
00:45:01,040 --> 00:45:05,440
Speaker 1: not always respect fad, But how do you because the

809
00:45:05,520 --> 00:45:09,719
Speaker 1: one thing about you you always seem to to know

810
00:45:10,000 --> 00:45:13,880
Speaker 1: whose next person is. And that's a that's that's a gift,

811
00:45:14,040 --> 00:45:16,160
Speaker 1: you know what I'm saying. And that was that next

812
00:45:16,200 --> 00:45:20,440
Speaker 1: person want to work with you? Oh? You know y'all

813
00:45:20,520 --> 00:45:22,719
Speaker 1: hanging out in parties. How do you manage to be

814
00:45:23,280 --> 00:45:25,200
Speaker 1: that guy that can balance both worlds? Because you get

815
00:45:25,239 --> 00:45:28,200
Speaker 1: respect from the holes, the naz Is, you know what

816
00:45:28,200 --> 00:45:31,279
Speaker 1: I'm saying, the mab peeps to the point noriegas, and

817
00:45:31,360 --> 00:45:34,160
Speaker 1: then you get loved from the new generation too. You

818
00:45:34,320 --> 00:45:37,400
Speaker 1: have a ill balance? How do do do? What do you?

819
00:45:37,560 --> 00:45:40,040
Speaker 1: How do you develop that? I don't even I can't

820
00:45:40,040 --> 00:45:42,080
Speaker 1: even tell you a recipe, But I just think some

821
00:45:42,360 --> 00:45:45,680
Speaker 1: somebody told me that I like bridge the gap between

822
00:45:46,320 --> 00:45:49,600
Speaker 1: the two. Like I might have been, like, I guess

823
00:45:49,640 --> 00:45:53,120
Speaker 1: what you say. We're a senior, junior is in high school,

824
00:45:53,120 --> 00:45:56,120
Speaker 1: and then you have like a sophomore and freshman. You know,

825
00:45:56,280 --> 00:45:59,480
Speaker 1: so if if it's a senior and I'm a junior,

826
00:45:59,520 --> 00:46:03,200
Speaker 1: I'm still in between, you know what I'm saying. I

827
00:46:03,320 --> 00:46:06,879
Speaker 1: think um Cole just did did a song called middle Child,

828
00:46:06,920 --> 00:46:11,279
Speaker 1: and he said he he little bro and big bro

829
00:46:11,440 --> 00:46:13,400
Speaker 1: all at once, so that you know what I mean.

830
00:46:13,480 --> 00:46:16,040
Speaker 1: It was like, it's like you bridged the gap between

831
00:46:16,960 --> 00:46:19,879
Speaker 1: you know what I'm saying, between a younger a younger, uh,

832
00:46:21,120 --> 00:46:24,480
Speaker 1: the younger guys and the older guys too. It's it's

833
00:46:25,080 --> 00:46:27,920
Speaker 1: it's no way that I could say that I landed

834
00:46:28,080 --> 00:46:31,040
Speaker 1: or it's a certain way to do good. Yeah, it's

835
00:46:31,080 --> 00:46:33,040
Speaker 1: just it's just something that just came with me. And

836
00:46:33,360 --> 00:46:36,279
Speaker 1: and I respect, like you said, what you're talking about,

837
00:46:36,280 --> 00:46:38,880
Speaker 1: all of you, I respect, you know, except for them

838
00:46:38,920 --> 00:46:40,440
Speaker 1: calling you o G and trying to call you old.

839
00:46:40,480 --> 00:46:43,239
Speaker 1: I respect all of the young shows like you know, misrespect,

840
00:46:43,560 --> 00:46:47,000
Speaker 1: But it's for you. I tell them my congratulations out

841
00:46:47,040 --> 00:46:48,520
Speaker 1: you know what I mean, Like you know, it's niggers,

842
00:46:48,560 --> 00:46:50,080
Speaker 1: you know. And even in our time, we would see

843
00:46:50,120 --> 00:46:53,040
Speaker 1: sometimes they don't even say nothing to you. You know

844
00:46:53,120 --> 00:46:55,279
Speaker 1: what I'm saying. I used to be an elevators with

845
00:46:55,360 --> 00:47:01,440
Speaker 1: hold hold don't speak, you know. I just hope that's that.

846
00:47:01,920 --> 00:47:05,400
Speaker 1: In New York it was definitely more Brooklyn Brooklyn, but

847
00:47:05,520 --> 00:47:08,520
Speaker 1: it was like I'm not you know, when I came in,

848
00:47:08,600 --> 00:47:11,560
Speaker 1: they were still trying to be the guy. So they

849
00:47:11,680 --> 00:47:14,040
Speaker 1: wasn't giving you the you know, the like. Then I

850
00:47:14,200 --> 00:47:17,000
Speaker 1: had to fight, not really fight against them, but like

851
00:47:17,080 --> 00:47:19,440
Speaker 1: I had to prove myself, I'm not going to a

852
00:47:19,480 --> 00:47:21,879
Speaker 1: lot of people really in our generation didn't pass down

853
00:47:21,920 --> 00:47:24,840
Speaker 1: the torch like they didn't none they really didn't like

854
00:47:25,840 --> 00:47:27,759
Speaker 1: unless it was their man that they had signed and

855
00:47:28,520 --> 00:47:32,160
Speaker 1: got everybody. You know, you're just right under the Rocket

856
00:47:32,200 --> 00:47:36,640
Speaker 1: Feller treat. And then the crazy thing is people like that,

857
00:47:36,960 --> 00:47:38,960
Speaker 1: like a lot of the old school dudes, you should

858
00:47:39,000 --> 00:47:41,920
Speaker 1: never give me love. Be like I'm talking about original.

859
00:47:42,200 --> 00:47:46,040
Speaker 1: I don't want to say when I was number one.

860
00:47:46,600 --> 00:47:48,520
Speaker 1: When I was, they was looking at me like I

861
00:47:48,680 --> 00:47:51,040
Speaker 1: was a commercial dude, and I was like it would

862
00:47:51,040 --> 00:47:52,880
Speaker 1: be like, like it doesn't matterly if I would have

863
00:47:52,920 --> 00:47:56,440
Speaker 1: a commercial record like my heart ist pure, I'm hip hop,

864
00:47:56,520 --> 00:47:59,480
Speaker 1: and they would and now they love me again. You

865
00:47:59,520 --> 00:48:01,759
Speaker 1: know what I'm saying, because like with dream Camps represents

866
00:48:01,800 --> 00:48:03,840
Speaker 1: and all this grade ship. But I'm being honest, he's

867
00:48:03,880 --> 00:48:06,560
Speaker 1: he's keeping it real. Was a lot of people thought

868
00:48:06,800 --> 00:48:09,399
Speaker 1: that when you come up, you're dead in their money.

869
00:48:10,200 --> 00:48:12,080
Speaker 1: You understand I'm saying, like you say that the passing

870
00:48:12,120 --> 00:48:14,360
Speaker 1: the torture is that I think niggas still was so

871
00:48:14,600 --> 00:48:17,799
Speaker 1: young that it wasn't no you know, it wasn't no path.

872
00:48:17,880 --> 00:48:19,920
Speaker 1: I'm still trying to be the nigga. I'm still trying

873
00:48:19,960 --> 00:48:21,839
Speaker 1: to be the man. I'm gonna give you the twy

874
00:48:22,040 --> 00:48:25,720
Speaker 1: at now when you're forty or forty five or fifty

875
00:48:25,800 --> 00:48:28,560
Speaker 1: or whatever you is ready to like because you ain't

876
00:48:28,600 --> 00:48:33,239
Speaker 1: even playing in that same feel anymore. If and I'm one,

877
00:48:34,160 --> 00:48:36,440
Speaker 1: we still it is kind of in the same field. Well,

878
00:48:36,480 --> 00:48:37,880
Speaker 1: I'm trying to get to where you at, and you

879
00:48:38,000 --> 00:48:39,520
Speaker 1: know that I'm trying to get to where you at.

880
00:48:39,600 --> 00:48:40,880
Speaker 1: You know what I'm saying, So you kind of like

881
00:48:41,320 --> 00:48:43,440
Speaker 1: giving you the stiff on the iceman a little bit

882
00:48:43,520 --> 00:48:46,359
Speaker 1: because you but you don't even gotta pass torches anymore. Really,

883
00:48:48,520 --> 00:48:50,279
Speaker 1: I'm the saying the way the game is now like

884
00:48:50,560 --> 00:48:52,960
Speaker 1: everybody has their own lane. Like before there was like

885
00:48:53,080 --> 00:48:54,960
Speaker 1: the labels the gate Kid, but that's because it was

886
00:48:55,040 --> 00:48:57,759
Speaker 1: but who you knew, didn't somebody stamp you in? But

887
00:48:59,840 --> 00:49:02,879
Speaker 1: now was like passing the torch now is like fab

888
00:49:03,000 --> 00:49:05,480
Speaker 1: doing the record with Pop Smoke. You know what I'm saying, Like,

889
00:49:06,160 --> 00:49:08,040
Speaker 1: not the record that doing it just with Drake or

890
00:49:08,120 --> 00:49:09,560
Speaker 1: can you the was you know what I'm saying, When

891
00:49:09,560 --> 00:49:11,719
Speaker 1: they when they Drake Hop doing it with or the

892
00:49:11,800 --> 00:49:15,640
Speaker 1: newer artist Hop. No, but when he did it with Drake. Okay, Okay,

893
00:49:15,760 --> 00:49:18,319
Speaker 1: I'm sorry, I thought you made Now Okay, you've been

894
00:49:18,360 --> 00:49:21,120
Speaker 1: back there. You did that first that was a that's

895
00:49:21,120 --> 00:49:23,160
Speaker 1: a stand for drake, that's you're right, I got a

896
00:49:23,200 --> 00:49:26,040
Speaker 1: whole verse. Yeah, you know what I'm saying. Niggas want

897
00:49:26,120 --> 00:49:28,279
Speaker 1: whole versus right now, and you don't. You don't think

898
00:49:28,320 --> 00:49:31,280
Speaker 1: there's a different forty want or over, a difference between

899
00:49:31,320 --> 00:49:35,320
Speaker 1: passing the torch and passing down like the history of

900
00:49:35,440 --> 00:49:38,120
Speaker 1: the culture. Like to a certain extent, I said this before,

901
00:49:38,120 --> 00:49:40,040
Speaker 1: and I hold up before you said because when you

902
00:49:40,080 --> 00:49:45,400
Speaker 1: were saying, like in the nineties or whatever, love but regardless,

903
00:49:45,440 --> 00:49:48,919
Speaker 1: everybody in the nineties was still talking and showing love

904
00:49:49,000 --> 00:49:52,160
Speaker 1: to the older cats. So younger cats growing up in

905
00:49:53,000 --> 00:49:56,840
Speaker 1: in person no in music, yeah yeah, yeah yeah, But

906
00:49:57,000 --> 00:49:59,000
Speaker 1: behind the scenes it was because when you were early

907
00:49:59,120 --> 00:50:01,720
Speaker 1: nineties kid, growing up wasn't cool. You're listening to the artists.

908
00:50:01,920 --> 00:50:03,919
Speaker 1: We're talking about all kinds of ship that we didn't

909
00:50:03,920 --> 00:50:07,719
Speaker 1: grow over. It wasn't our was always motherfucking coolest dude.

910
00:50:07,800 --> 00:50:10,600
Speaker 1: He never looked at like certain of these other older dudes.

911
00:50:10,680 --> 00:50:13,360
Speaker 1: They looked at me like I owed him something like.

912
00:50:13,440 --> 00:50:16,239
Speaker 1: I don't know if I'm making myself clear, but they

913
00:50:16,360 --> 00:50:18,680
Speaker 1: look like and not only I owe themselves, they looked

914
00:50:18,719 --> 00:50:20,960
Speaker 1: like I was supposed to go like this, we're not

915
00:50:21,040 --> 00:50:23,440
Speaker 1: seeing them, and in my mind I'm doing that. But

916
00:50:23,520 --> 00:50:26,120
Speaker 1: I'm giving yo something. I dude, yo, man yo, I'm

917
00:50:26,160 --> 00:50:28,359
Speaker 1: a big fan of it. Like if I see how

918
00:50:28,400 --> 00:50:30,240
Speaker 1: you're saying, that's why you wouldn't talk about it anymore

919
00:50:30,320 --> 00:50:32,000
Speaker 1: on record, talking about what that's what I'm trying to say,

920
00:50:32,000 --> 00:50:35,400
Speaker 1: your bipass. What I'm saying. People stopped talking about the

921
00:50:35,560 --> 00:50:40,560
Speaker 1: history of the culture and records in the eighties early nineties.

922
00:50:40,600 --> 00:50:45,280
Speaker 1: Everybody's talking about the Hurts, the Grandmaster Flashes, the clubs,

923
00:50:45,320 --> 00:50:49,520
Speaker 1: that there was all the old soup, the history. So

924
00:50:49,640 --> 00:50:51,480
Speaker 1: we thought that ship was cool, even though that wasn't

925
00:50:51,520 --> 00:50:53,840
Speaker 1: our generation. You're right, but picture how hard it is

926
00:50:53,920 --> 00:50:56,640
Speaker 1: for me and fab saying, like if I was to

927
00:50:56,680 --> 00:50:59,239
Speaker 1: go into to a record, I'm not big enough these

928
00:50:59,320 --> 00:51:01,960
Speaker 1: old niggas, not because the old or whatever, because I'm

929
00:51:01,960 --> 00:51:05,920
Speaker 1: trying to relate to the younger generation too. Yeah, you generation,

930
00:51:06,040 --> 00:51:08,360
Speaker 1: I can't talk to you about cool herd. Yeah, my

931
00:51:08,480 --> 00:51:10,759
Speaker 1: generation don't even know who that is. But you could

932
00:51:10,760 --> 00:51:12,800
Speaker 1: talk about the generation a couple of years before that.

933
00:51:12,880 --> 00:51:15,080
Speaker 1: You were that you kind of grew up inspire. You

934
00:51:15,120 --> 00:51:19,359
Speaker 1: could talk like j Z. Yeah, something like that came

935
00:51:19,440 --> 00:51:22,480
Speaker 1: in Kane wasn't so you would never talk about him

936
00:51:22,520 --> 00:51:24,680
Speaker 1: at all. No. I talked about him in my experience,

937
00:51:24,760 --> 00:51:26,760
Speaker 1: but I don't want to talk about him in raps

938
00:51:26,840 --> 00:51:30,040
Speaker 1: like you don't expect the people to grab I came

939
00:51:30,080 --> 00:51:34,880
Speaker 1: out in in eight canes and the cane's actually window

940
00:51:35,080 --> 00:51:39,960
Speaker 1: was what. The only thing I'm saying is this laptop

941
00:51:39,960 --> 00:51:42,479
Speaker 1: googles in eight nine And if you if you would

942
00:51:42,480 --> 00:51:43,880
Speaker 1: say that the verse is what I'm The only thing

943
00:51:43,880 --> 00:51:45,160
Speaker 1: I'm trying to say is if you would say to

944
00:51:45,239 --> 00:51:47,840
Speaker 1: the verse, it would make a young cat say Kane,

945
00:51:48,000 --> 00:51:50,560
Speaker 1: if he? If he, who then is can I think

946
00:51:50,600 --> 00:51:52,880
Speaker 1: him saying that? I think him saying that, you know

947
00:51:53,040 --> 00:51:56,360
Speaker 1: it's the same. Absolutely, Yeah, absolutely agree with that. I

948
00:51:56,480 --> 00:51:59,680
Speaker 1: agree with that. That's not show them back. They're going

949
00:52:00,000 --> 00:52:02,120
Speaker 1: old way. That's the difference in the world. Yeah, but

950
00:52:02,320 --> 00:52:05,040
Speaker 1: forwards needs back as well. Like we all we were

951
00:52:05,040 --> 00:52:07,399
Speaker 1: all standing on a foundation or something that we're going

952
00:52:07,560 --> 00:52:13,600
Speaker 1: back to VCRs. It's not that we're going back to

953
00:52:13,760 --> 00:52:15,920
Speaker 1: We're going forward to where you're not even gonna need

954
00:52:16,000 --> 00:52:20,200
Speaker 1: nothing to play now or what I'm saying. Like the

955
00:52:20,360 --> 00:52:22,239
Speaker 1: kids and they're growing up into that, so they're not

956
00:52:22,400 --> 00:52:24,239
Speaker 1: going to go back. They don't want to go back.

957
00:52:24,239 --> 00:52:25,840
Speaker 1: The only thing they want to see is the future.

958
00:52:26,760 --> 00:52:28,640
Speaker 1: You got to show them something that's that they don't

959
00:52:28,880 --> 00:52:31,759
Speaker 1: that's that's coming. That's why you can't even you know,

960
00:52:31,880 --> 00:52:33,640
Speaker 1: you put out an album. Now, you can't promote an

961
00:52:33,640 --> 00:52:36,839
Speaker 1: album for three six months anymore. No, they don't want

962
00:52:36,840 --> 00:52:41,279
Speaker 1: to even wake that you're doing. Yeah, but everybody's got

963
00:52:41,320 --> 00:52:45,239
Speaker 1: beyont though everybody's everybody's not everybody to be dropping a night. Yeah,

964
00:52:45,560 --> 00:52:51,279
Speaker 1: but some people be trying it that. You might be honest,

965
00:52:53,239 --> 00:52:55,680
Speaker 1: but it's the game and nigga's nigga. You are not

966
00:52:56,040 --> 00:52:58,760
Speaker 1: no disrespect your your base just got to be solid

967
00:52:58,920 --> 00:53:01,160
Speaker 1: enough to do that. Yeah, you can't just jump out

968
00:53:01,200 --> 00:53:03,840
Speaker 1: there and just say I'm dropping the night, but I

969
00:53:03,920 --> 00:53:06,720
Speaker 1: gotta go to work them all, not like the basis

970
00:53:06,840 --> 00:53:10,759
Speaker 1: like that they're not checking in attilatively. You got an

971
00:53:10,760 --> 00:53:13,880
Speaker 1: October day or no, because this is about come out

972
00:53:13,920 --> 00:53:17,359
Speaker 1: in November the first week. So because Summertimes Shooting says

973
00:53:17,400 --> 00:53:19,919
Speaker 1: this is where we are sometimes shoot out three three

974
00:53:20,120 --> 00:53:23,960
Speaker 1: in the motherfucking fall, have you see? This is what

975
00:53:24,400 --> 00:53:27,320
Speaker 1: this was. The thing was behind that Summertimes Shootout was

976
00:53:27,400 --> 00:53:32,040
Speaker 1: never about making summer music. It was about coming out

977
00:53:32,080 --> 00:53:36,320
Speaker 1: of summer. Now you either recapping your summer, you're looking

978
00:53:36,400 --> 00:53:38,960
Speaker 1: at the summer to come, like you say you work

979
00:53:39,000 --> 00:53:41,440
Speaker 1: out when you say you're gett a summer body, you

980
00:53:41,520 --> 00:53:43,200
Speaker 1: work out in the window. The good of summing about

981
00:53:43,200 --> 00:53:45,440
Speaker 1: any bore like and you recapping the the summer you

982
00:53:45,840 --> 00:53:47,880
Speaker 1: you might be in September like yo. That was that

983
00:53:48,000 --> 00:53:49,960
Speaker 1: was that was an ill summer right there, you know

984
00:53:49,960 --> 00:53:52,080
Speaker 1: what I'm saying. So that's what the projects were. They

985
00:53:52,120 --> 00:53:54,320
Speaker 1: were really like recaps on the summer you just have

986
00:53:54,600 --> 00:53:58,000
Speaker 1: or you know, thinking forward to the summer about to come.

987
00:53:58,120 --> 00:54:00,719
Speaker 1: I never I never really did press about them because

988
00:54:00,719 --> 00:54:03,880
Speaker 1: they were mixtapes, but so people never got it. They

989
00:54:03,960 --> 00:54:06,080
Speaker 1: just seemed the world summertime and just thought it's like

990
00:54:06,200 --> 00:54:10,080
Speaker 1: summer music, you know what I mean. But mixtape albums

991
00:54:10,120 --> 00:54:13,680
Speaker 1: now not Now I think it's blending and it's it's

992
00:54:13,719 --> 00:54:17,800
Speaker 1: digested through the same way through through digital platforms and

993
00:54:17,960 --> 00:54:19,600
Speaker 1: you know what I mean. There was a time where

994
00:54:19,760 --> 00:54:21,839
Speaker 1: you know, it was that piff and it was even

995
00:54:21,880 --> 00:54:25,239
Speaker 1: the streets it was that was a different mixtape lane

996
00:54:25,400 --> 00:54:28,360
Speaker 1: how people got music. It was almost like underground. It was,

997
00:54:28,440 --> 00:54:30,200
Speaker 1: you know what I mean, It's not undergrounding the production

998
00:54:30,239 --> 00:54:32,120
Speaker 1: wouldn't be a difference. Though, you don't think the production

999
00:54:32,280 --> 00:54:35,240
Speaker 1: is different too, because like once Kendrick and Drake started

1000
00:54:35,280 --> 00:54:38,080
Speaker 1: making mixtapes, there they was, there were bodies of world

1001
00:54:38,920 --> 00:54:41,839
Speaker 1: original paction. You know, we was doing We was doing

1002
00:54:41,880 --> 00:54:47,840
Speaker 1: free mixtape remixing R and B joints. We was literally people,

1003
00:54:48,120 --> 00:54:50,560
Speaker 1: you know what I mean, You didn't have to clear anything.

1004
00:54:50,719 --> 00:54:54,400
Speaker 1: Whereas you know once Kendrick put section eighty and you

1005
00:54:54,520 --> 00:54:59,080
Speaker 1: know the Drakes so far gone, those are those are

1006
00:54:59,160 --> 00:55:02,160
Speaker 1: different type of you know they classify them in the

1007
00:55:02,280 --> 00:55:04,359
Speaker 1: mixtape lame, but it was just a different different way

1008
00:55:04,400 --> 00:55:09,000
Speaker 1: they did it. What what what? What? Uh? What's fab?

1009
00:55:09,200 --> 00:55:11,759
Speaker 1: Is fab? Gonna put it on an artist's fab going up?

1010
00:55:12,560 --> 00:55:14,680
Speaker 1: I want to look to do that. I think that's

1011
00:55:14,719 --> 00:55:17,160
Speaker 1: only right. If you you come through the door, you

1012
00:55:17,239 --> 00:55:19,480
Speaker 1: hold a doorp and for somebody else, especially if you

1013
00:55:19,480 --> 00:55:21,879
Speaker 1: see him coming. I ain't saying you post the whole

1014
00:55:21,920 --> 00:55:23,880
Speaker 1: the door for somebody or block away. You have ever

1015
00:55:23,960 --> 00:55:28,360
Speaker 1: held that thega take it mad long like you know

1016
00:55:28,400 --> 00:55:31,680
Speaker 1: what I'm saying. As the door one time when they

1017
00:55:32,080 --> 00:55:38,719
Speaker 1: stopped down and win and tie the ship like this,

1018
00:55:43,680 --> 00:55:51,839
Speaker 1: I saw that whole sta is like that's what you're

1019
00:55:51,880 --> 00:55:56,719
Speaker 1: doing that butt, But you know what I mean, you

1020
00:55:56,800 --> 00:56:00,680
Speaker 1: hold a doping for somebody like that's that's that's like

1021
00:56:00,800 --> 00:56:03,880
Speaker 1: one of the accomplishments because it's it's not even just

1022
00:56:04,000 --> 00:56:06,320
Speaker 1: for you. You're doing something for somebody else, you know

1023
00:56:06,320 --> 00:56:08,320
Speaker 1: what I'm saying. So you get the feeling for that,

1024
00:56:08,520 --> 00:56:12,200
Speaker 1: like you know what I mean, I and everybody I think,

1025
00:56:12,920 --> 00:56:15,440
Speaker 1: and not only just you doing for somebody else. Sometimes

1026
00:56:15,640 --> 00:56:18,000
Speaker 1: if it's signed to you or doing it, it can

1027
00:56:20,640 --> 00:56:23,960
Speaker 1: progong your career and can take you to a new

1028
00:56:24,040 --> 00:56:26,400
Speaker 1: place because it's like, I'm so sorry. I think it

1029
00:56:26,480 --> 00:56:29,719
Speaker 1: did that for Wayne. I think I think Gucci Man

1030
00:56:30,239 --> 00:56:33,480
Speaker 1: is one of the goats where you didn't let a

1031
00:56:33,520 --> 00:56:36,000
Speaker 1: lot of them go all over that. But we don't know,

1032
00:56:36,200 --> 00:56:38,920
Speaker 1: we don't know what that business consists of. I'm not

1033
00:56:39,080 --> 00:56:41,359
Speaker 1: don't I'm not saying that he didn't do business something

1034
00:56:41,480 --> 00:56:43,520
Speaker 1: to just know that you don't look at all of

1035
00:56:43,600 --> 00:56:46,319
Speaker 1: those people like it's a tree down there and he's

1036
00:56:46,400 --> 00:56:48,680
Speaker 1: can he's the root of the tree and a lot

1037
00:56:48,719 --> 00:56:50,520
Speaker 1: of them came from I'm not gonna lie to you.

1038
00:56:50,560 --> 00:56:52,239
Speaker 1: I thought about it the other day, and I think

1039
00:56:52,280 --> 00:56:55,640
Speaker 1: Gucci Man might be one of the greatest of all

1040
00:56:55,760 --> 00:56:59,239
Speaker 1: times from my land, as far as business, as far

1041
00:56:59,400 --> 00:57:02,360
Speaker 1: as how Selim and I just looked at it. I

1042
00:57:02,480 --> 00:57:06,399
Speaker 1: was just like rebranding it, rebrand one part. One time,

1043
00:57:06,480 --> 00:57:09,120
Speaker 1: his brand was ice cream corner his face. Now he's

1044
00:57:09,200 --> 00:57:13,000
Speaker 1: back with a whole different Did he get I don't know.

1045
00:57:16,000 --> 00:57:20,360
Speaker 1: I know looking at him, I got it, took it away.

1046
00:57:20,480 --> 00:57:24,120
Speaker 1: It might be they still that you're looking at everything

1047
00:57:24,200 --> 00:57:26,200
Speaker 1: else he made it Forget about that. I see what

1048
00:57:26,360 --> 00:57:29,000
Speaker 1: chan online. You know you got crazy. You ain't even

1049
00:57:29,040 --> 00:57:32,600
Speaker 1: see see ice cream or your face and crazy chacking on.

1050
00:57:32,760 --> 00:57:36,919
Speaker 1: So I'm like, all of that is rebranding is ill,

1051
00:57:37,160 --> 00:57:38,840
Speaker 1: you know what I mean? Why do you still love

1052
00:57:38,960 --> 00:57:41,200
Speaker 1: the game? Because I can tell you still love the game.

1053
00:57:41,240 --> 00:57:42,960
Speaker 1: I'm not gonna actually do you still love the game?

1054
00:57:43,880 --> 00:57:48,040
Speaker 1: He said? Why am I? No? I do love it? Okay,

1055
00:57:48,120 --> 00:57:51,480
Speaker 1: I love why because it comes to a certain extent

1056
00:57:52,120 --> 00:57:56,640
Speaker 1: where all life becomes repetitive, meaning we'll get another hit record,

1057
00:57:57,360 --> 00:58:01,120
Speaker 1: get another tour, or get another sentence set, and like

1058
00:58:01,680 --> 00:58:03,760
Speaker 1: you have to do something to upgrade. Like I've been

1059
00:58:03,800 --> 00:58:05,560
Speaker 1: in this game twenty years, you know what I'm saying.

1060
00:58:05,600 --> 00:58:07,960
Speaker 1: So I've done the same thing over and over for

1061
00:58:08,240 --> 00:58:12,560
Speaker 1: twenty years, and at some point I stopped having a

1062
00:58:12,600 --> 00:58:14,760
Speaker 1: love for it like I did. Like, I don't know,

1063
00:58:14,840 --> 00:58:17,680
Speaker 1: I can't say that to you. I'm asking you, why

1064
00:58:17,720 --> 00:58:20,000
Speaker 1: do you why do you still have the amount of

1065
00:58:20,160 --> 00:58:24,920
Speaker 1: love that you have for the game. Um, I think

1066
00:58:25,000 --> 00:58:28,880
Speaker 1: my passion is so connected to it as a creative

1067
00:58:29,160 --> 00:58:34,280
Speaker 1: like a lot of the whole process of creating me

1068
00:58:34,640 --> 00:58:38,120
Speaker 1: me saying something and play it back for you and

1069
00:58:38,160 --> 00:58:42,520
Speaker 1: the kid behind you, like, oh, like I get I

1070
00:58:42,640 --> 00:58:45,280
Speaker 1: get energy. All of that that that makes me feel good,

1071
00:58:45,400 --> 00:58:48,160
Speaker 1: Just the creative part of it, you know what I'm saying, Like,

1072
00:58:49,280 --> 00:58:51,440
Speaker 1: and then all the other ship, the business or you know,

1073
00:58:51,600 --> 00:58:53,680
Speaker 1: those are the things that can help you fall out

1074
00:58:53,720 --> 00:58:56,520
Speaker 1: of love with it because that's not what you ever

1075
00:58:56,680 --> 00:58:59,880
Speaker 1: loved from the beginning. So once that becomes more than

1076
00:59:00,040 --> 00:59:01,760
Speaker 1: you know what I'm saying, you gotta chase the bag.

1077
00:59:01,880 --> 00:59:06,439
Speaker 1: But are you and Clue still to like together? We're still, dude,

1078
00:59:06,480 --> 00:59:10,840
Speaker 1: We're still good. We're still I'm surprised you have like

1079
00:59:10,920 --> 00:59:15,720
Speaker 1: a damn dad big momi. Oh yeah, did have it?

1080
00:59:15,880 --> 00:59:20,320
Speaker 1: Like just just Clue is a hard friend friends and

1081
00:59:20,520 --> 00:59:24,280
Speaker 1: hard rap I got a hard friends. Ye, he's a

1082
00:59:24,360 --> 00:59:27,000
Speaker 1: hard friend, not even because he's not a bad dude.

1083
00:59:27,200 --> 00:59:30,320
Speaker 1: It's just like he just Clue. He and his world

1084
00:59:30,440 --> 00:59:32,400
Speaker 1: and you know what I'm saying, Like he don't have

1085
00:59:32,640 --> 00:59:34,320
Speaker 1: one thing about Clue. I would say, he don't have

1086
00:59:34,440 --> 00:59:38,280
Speaker 1: no loss in the it's hard real ship less. Maybe

1087
00:59:38,400 --> 00:59:40,919
Speaker 1: like he was gonna leave your song or something like that. Yeah,

1088
00:59:40,920 --> 00:59:42,760
Speaker 1: I knew him then. I knew him there he was

1089
00:59:42,880 --> 00:59:47,280
Speaker 1: on that time. But other than that, he not like Clue.

1090
00:59:47,280 --> 00:59:49,880
Speaker 1: You can leave a hundred thousand in front of him

1091
00:59:49,920 --> 00:59:51,760
Speaker 1: and go walking about. You know, he's been rich. He'd

1092
00:59:51,760 --> 00:59:55,080
Speaker 1: been rich for a long time, what I'm saying. And

1093
00:59:55,120 --> 00:59:57,280
Speaker 1: you gotta have to beef because you were down with

1094
00:59:57,440 --> 01:00:00,560
Speaker 1: Clue and Hot seven trying the front of you. Yeah,

1095
01:00:00,760 --> 01:00:06,040
Speaker 1: a little bit. What I and my flex relationship at

1096
01:00:06,080 --> 01:00:08,600
Speaker 1: one time had got a little weird too. In case

1097
01:00:08,680 --> 01:00:13,600
Speaker 1: like case leg, I feel it's it's smoothed out of course,

1098
01:00:13,720 --> 01:00:16,760
Speaker 1: you know, over time and you know, but especially when

1099
01:00:17,280 --> 01:00:19,680
Speaker 1: Clues thing, it never got to like they felt. But

1100
01:00:19,760 --> 01:00:22,040
Speaker 1: they knew that that's my man, you know what I'm saying.

1101
01:00:22,120 --> 01:00:25,000
Speaker 1: So I guess they're like, you know, you can't play

1102
01:00:25,040 --> 01:00:26,880
Speaker 1: it too close because that's my man, you know what

1103
01:00:26,880 --> 01:00:29,800
Speaker 1: I mean. I wasn't and their their beasts wasn't never

1104
01:00:30,000 --> 01:00:32,600
Speaker 1: Like to me, it wasn't like a street beef or anything.

1105
01:00:32,720 --> 01:00:35,720
Speaker 1: It's just a competition beef. You know, y'all in the

1106
01:00:35,800 --> 01:00:38,640
Speaker 1: same thing, y'all aiming for the same position, and y'all

1107
01:00:38,680 --> 01:00:42,000
Speaker 1: haven't you know competition. It wasn't friendly. It was you know,

1108
01:00:42,880 --> 01:00:45,880
Speaker 1: ny just talking about each other. And you know, but

1109
01:00:46,280 --> 01:00:49,520
Speaker 1: I never I never seen those two people where they

1110
01:00:49,560 --> 01:00:52,520
Speaker 1: would have seen each other. No, no, no, never. But

1111
01:00:53,080 --> 01:00:55,560
Speaker 1: but I see the station's competing so much, like like

1112
01:00:56,240 --> 01:00:58,480
Speaker 1: like when I see Mvy hangout with comin on now,

1113
01:00:58,520 --> 01:01:02,000
Speaker 1: I'll be like god class because they were act like

1114
01:01:02,040 --> 01:01:05,120
Speaker 1: bloods and crips at one point, like like like like yo,

1115
01:01:05,200 --> 01:01:07,760
Speaker 1: you can't I sknew Envy in flex I never knew

1116
01:01:07,800 --> 01:01:10,200
Speaker 1: Camillo in flex At Yeah yeah, yeah, no, no, no, no,

1117
01:01:10,320 --> 01:01:15,720
Speaker 1: Camillo and Camilo Envy. Excuse no, it's not that they

1118
01:01:15,800 --> 01:01:18,520
Speaker 1: have beef. It's just that stations, stations they were they

1119
01:01:18,560 --> 01:01:23,200
Speaker 1: were committed. They couldn't do the same party. And the

1120
01:01:23,280 --> 01:01:25,960
Speaker 1: thing is that fucked me up, Like you know, like

1121
01:01:26,560 --> 01:01:29,960
Speaker 1: I'm a Latino, Like honestly, I used being Latino so

1122
01:01:30,920 --> 01:01:32,880
Speaker 1: and I used being black too. You know what I'm saying,

1123
01:01:32,880 --> 01:01:37,040
Speaker 1: you gotta start being more Dominican. I'm talking out. Just

1124
01:01:37,200 --> 01:01:45,439
Speaker 1: stick to what I know. No, no, I'm taking Spanish classes. Listen,

1125
01:01:45,560 --> 01:01:49,400
Speaker 1: I'm also a Puerto Rican who speak and I ne're

1126
01:01:49,400 --> 01:01:52,720
Speaker 1: just sparing this album so a lot I'm out of.

1127
01:01:53,520 --> 01:01:56,920
Speaker 1: But but I just never too late for two years old.

1128
01:01:57,000 --> 01:01:59,600
Speaker 1: Every who's been in our Spanish classes, so far as

1129
01:01:59,680 --> 01:02:01,280
Speaker 1: you come, make some noise to beeping to my friends,

1130
01:02:02,800 --> 01:02:07,640
Speaker 1: were gonna take boards boards like I don't speak, I

1131
01:02:07,680 --> 01:02:10,240
Speaker 1: don't know what you're speaking when you speak English. I'm

1132
01:02:10,280 --> 01:02:13,320
Speaker 1: not gonna have you teach me Spanish. But so it's

1133
01:02:13,360 --> 01:02:17,320
Speaker 1: never too late. But fathom tell me you gotta start

1134
01:02:17,600 --> 01:02:20,680
Speaker 1: saying you Dominican, because I see interviews with you and

1135
01:02:20,760 --> 01:02:23,880
Speaker 1: you say my father's Dominican, and it hurts Dominicans if

1136
01:02:23,880 --> 01:02:28,400
Speaker 1: we don't like that. I love Dominican, love Dominican. You

1137
01:02:28,480 --> 01:02:31,080
Speaker 1: gotta say I'm Dominican. This is what you gotta say.

1138
01:02:31,120 --> 01:02:33,840
Speaker 1: That's it, that's what change you're like. That was some

1139
01:02:33,960 --> 01:02:42,800
Speaker 1: six nine shot right there. Keep that ship going because

1140
01:02:42,800 --> 01:02:46,320
Speaker 1: it just gets out here like it spreads like you

1141
01:02:47,400 --> 01:02:49,040
Speaker 1: just brought him up a little b and then you

1142
01:02:49,120 --> 01:02:51,600
Speaker 1: just came back and just brought something like No, I'm

1143
01:02:51,640 --> 01:02:53,440
Speaker 1: just saying you got this, d just do that? When

1144
01:02:53,640 --> 01:02:56,360
Speaker 1: when did you do? Know? How when did you get that?

1145
01:02:57,200 --> 01:02:59,560
Speaker 1: Saw an interview and there someone actually he said yes,

1146
01:02:59,600 --> 01:03:02,480
Speaker 1: my father Dominican. And the thing is, you gotta you

1147
01:03:02,520 --> 01:03:06,480
Speaker 1: gotta say no. I'm man, and I'm just telling you.

1148
01:03:06,600 --> 01:03:12,000
Speaker 1: Don't have so many blocks following you. And I'm gonna

1149
01:03:12,000 --> 01:03:14,600
Speaker 1: tell you something. The Menneicans is emotional loyalist. And I

1150
01:03:14,600 --> 01:03:18,080
Speaker 1: didn't know how to fix everything, and yet all of

1151
01:03:18,160 --> 01:03:24,240
Speaker 1: my I went to gotta get us like he's gonna

1152
01:03:26,560 --> 01:03:32,360
Speaker 1: try to fix my pool and get us me too.

1153
01:03:35,120 --> 01:03:39,480
Speaker 1: Don't listen, don't get American me too. Listens listen. If

1154
01:03:39,480 --> 01:03:41,640
Speaker 1: you get mixed black and Puerto Rican, it makes it

1155
01:03:41,720 --> 01:03:44,280
Speaker 1: Dominican anyway. Don't worry about don't worry about it. But

1156
01:03:44,360 --> 01:03:47,560
Speaker 1: I have my friends failed right, have my friend feel

1157
01:03:47,560 --> 01:03:50,920
Speaker 1: he's Dominican guy. Domericans like Pauls and let to take

1158
01:03:50,960 --> 01:03:55,240
Speaker 1: care of their friends. So I'm like, I'm calling my ship.

1159
01:03:55,800 --> 01:03:57,600
Speaker 1: Do you know the ship that's on the bottom of

1160
01:03:57,640 --> 01:03:59,600
Speaker 1: your pool? So I'm calling I need to get my

1161
01:03:59,680 --> 01:04:05,560
Speaker 1: ship correct. Where's this going? I lack. I'm going to

1162
01:04:05,720 --> 01:04:12,640
Speaker 1: fix it. First off, scowl driving on ship. This is

1163
01:04:12,680 --> 01:04:19,760
Speaker 1: the thing that went down with no tools long and

1164
01:04:19,880 --> 01:04:27,680
Speaker 1: it's like I'm looking at my watch die star, like yeah,

1165
01:04:27,720 --> 01:04:29,760
Speaker 1: but what I'm trying to say. He died trying to

1166
01:04:29,840 --> 01:04:35,320
Speaker 1: fix my food. He almost sorry, Sorry that came out wrong.

1167
01:04:36,080 --> 01:04:40,880
Speaker 1: He kills Everyone looked at me like, we don't know

1168
01:04:41,040 --> 01:04:43,479
Speaker 1: this story. You know his place added this whole sex.

1169
01:04:44,760 --> 01:04:47,360
Speaker 1: He almost died, but you got so fat. I'm just

1170
01:04:47,440 --> 01:04:50,960
Speaker 1: being honest. I gotta infrech your Dominican side. It's okay,

1171
01:04:51,080 --> 01:04:53,840
Speaker 1: it's a great thing. I promise you. You wanted Dominican speakers.

1172
01:04:54,080 --> 01:04:56,640
Speaker 1: He was on the Dominican Twitter for that, like three

1173
01:04:59,680 --> 01:05:04,440
Speaker 1: talking Bob. I seen Dominican news letter. They was like

1174
01:05:04,520 --> 01:05:07,600
Speaker 1: fabilous own and they were so happy. And then you

1175
01:05:07,720 --> 01:05:12,360
Speaker 1: haven't really wrapped from there. So I'm just I was in.

1176
01:05:12,560 --> 01:05:14,600
Speaker 1: I was in the Midican problem and everyone's dying, you

1177
01:05:14,680 --> 01:05:17,720
Speaker 1: know that where everybody's dying, everyone's dying. I was out there.

1178
01:05:18,080 --> 01:05:30,400
Speaker 1: They had a fabulous man. They need I focus really

1179
01:05:31,320 --> 01:05:33,360
Speaker 1: get that money. Get that money. Listen and you want

1180
01:05:33,360 --> 01:05:35,920
Speaker 1: to spif TV album. You want spif TV album like

1181
01:05:36,280 --> 01:05:39,040
Speaker 1: that an album? Is that album? Right? Yeah? Sift? He

1182
01:05:39,200 --> 01:05:44,640
Speaker 1: told me he said he said he got weaks right cool? Um, yeah,

1183
01:05:45,320 --> 01:05:47,720
Speaker 1: told me because he puts you on the Dominican record.

1184
01:05:47,760 --> 01:05:49,440
Speaker 1: He's not even the Dominican records, you know, he's the

1185
01:05:49,440 --> 01:05:52,360
Speaker 1: Dominican Yeah. So, um, I think you're oh soon not.

1186
01:05:53,360 --> 01:05:55,120
Speaker 1: You know, that's like one of the biggest dudes album.

1187
01:05:55,160 --> 01:06:00,240
Speaker 1: He also got proof, but don't worry about that. Yeah,

1188
01:06:00,280 --> 01:06:03,919
Speaker 1: you gotta rise, man. Yeah I said that. I don't

1189
01:06:03,960 --> 01:06:06,440
Speaker 1: know if I said this, but no, that's not the

1190
01:06:06,480 --> 01:06:13,200
Speaker 1: one that's on the record. Yeah it is. Let's let's

1191
01:06:13,200 --> 01:06:17,840
Speaker 1: go spip tv. Let's see. Let's see how this works out. Nobody,

1192
01:06:18,680 --> 01:06:23,160
Speaker 1: dud dude, dude, he's the biggest false. He's like, he's

1193
01:06:23,160 --> 01:06:27,200
Speaker 1: the hugest and you need to stop. Man, stop. Let's

1194
01:06:27,200 --> 01:06:30,360
Speaker 1: see what spip TV says. Okay, which one is it?

1195
01:06:30,600 --> 01:06:35,120
Speaker 1: What's what's the room that? Dad's all like, he goes

1196
01:06:35,160 --> 01:06:38,439
Speaker 1: to the other side. I've seen the video, brother, great

1197
01:06:38,480 --> 01:06:48,560
Speaker 1: morning the room. Brother, Let's see a spip TV. Big

1198
01:06:49,240 --> 01:06:51,919
Speaker 1: you said you got edited? Try to store it? Yeah,

1199
01:06:52,520 --> 01:06:55,400
Speaker 1: how do you get edited into doing that? What moves

1200
01:06:55,440 --> 01:06:58,880
Speaker 1: you made that they can make you like? You don't

1201
01:06:58,880 --> 01:07:02,280
Speaker 1: ever seen what you can about the man? Oh wow,

1202
01:07:02,800 --> 01:07:06,800
Speaker 1: I didn't even know leh cool, he said. He said

1203
01:07:06,840 --> 01:07:09,400
Speaker 1: to me what you said when I said, I said,

1204
01:07:09,440 --> 01:07:11,800
Speaker 1: you ever seen because I actually didn't see it. I

1205
01:07:11,880 --> 01:07:15,320
Speaker 1: have somebody watching for me. Come on now, let the

1206
01:07:15,480 --> 01:07:18,600
Speaker 1: fun up, man, clear, he said, you watch that ship

1207
01:07:18,920 --> 01:07:24,040
Speaker 1: because I have somebody watch your mom. Man, let's go

1208
01:07:24,160 --> 01:07:27,200
Speaker 1: to a commercial break. Let's go break. I know you

1209
01:07:27,240 --> 01:07:32,480
Speaker 1: gotta shout out somebody. I want to stay. That's gonna nobody,

1210
01:07:32,520 --> 01:07:35,240
Speaker 1: but back to back to the point, you know, break

1211
01:07:35,280 --> 01:07:37,680
Speaker 1: that span of side and basically Dominican side. Yeah, because

1212
01:07:37,840 --> 01:07:40,080
Speaker 1: because Latin people are serve lay you. I'll be honest

1213
01:07:40,120 --> 01:07:43,960
Speaker 1: with you that soon as we know that we know that.

1214
01:07:44,040 --> 01:07:45,400
Speaker 1: Hold on, hold on, let me ask, let me ask

1215
01:07:45,400 --> 01:07:47,640
Speaker 1: you lose on the fabular song, he texts me back,

1216
01:07:48,120 --> 01:07:56,120
Speaker 1: have Dominican part of regain. I can't understand what the

1217
01:07:56,200 --> 01:08:04,760
Speaker 1: fuck you eating like like as a dent do Medican

1218
01:08:04,840 --> 01:08:07,320
Speaker 1: from my mother and my mother's side. We gotta say it,

1219
01:08:07,680 --> 01:08:09,680
Speaker 1: and you gotta give us Domsicans a chance of how

1220
01:08:09,760 --> 01:08:12,600
Speaker 1: we feel. We feel like you the number one Dominican

1221
01:08:12,680 --> 01:08:16,160
Speaker 1: right in the world. You know that's hard. That's hard.

1222
01:08:16,240 --> 01:08:17,960
Speaker 1: Let's make some noise with the number one Dominican. Go

1223
01:08:18,240 --> 01:08:25,000
Speaker 1: the world. That's hard. That is hard. Latinas will know no, no, no,

1224
01:08:25,120 --> 01:08:27,800
Speaker 1: they'll find out that you're Latino. That's a rat. Ye

1225
01:08:27,920 --> 01:08:31,000
Speaker 1: had an art. She's to she's she's come on, come on,

1226
01:08:31,600 --> 01:08:34,720
Speaker 1: it's Felix's birthday and it's you know, it's going with it,

1227
01:08:35,280 --> 01:08:39,840
Speaker 1: like yo, de who the fund is Felix. She's like

1228
01:08:40,000 --> 01:08:46,280
Speaker 1: the cat will be calling to celebrate brother, to celebrate

1229
01:08:48,280 --> 01:08:52,240
Speaker 1: the philis the cat, the cat. So we just want

1230
01:08:52,240 --> 01:08:57,400
Speaker 1: you to know, welcome to the Latino society and the

1231
01:08:57,479 --> 01:08:59,680
Speaker 1: good thing about it. I'm like you you can be

1232
01:09:00,280 --> 01:09:03,439
Speaker 1: to You just got two days of the week. Yo. Black,

1233
01:09:03,680 --> 01:09:06,240
Speaker 1: but there's black Latinos. We're gonna keep correcting you with

1234
01:09:06,280 --> 01:09:07,720
Speaker 1: this ship. I know. But you know what I'm saying,

1235
01:09:08,240 --> 01:09:14,400
Speaker 1: that little sonversation is politically shame Like I'm just trying

1236
01:09:14,439 --> 01:09:18,760
Speaker 1: to not get me to this. We already got me to. No.

1237
01:09:21,000 --> 01:09:23,679
Speaker 1: I gotta boy just turn them boy Dominican Day parade.

1238
01:09:25,360 --> 01:09:28,880
Speaker 1: But on one thing I gotta boycott, Bab. I know

1239
01:09:29,040 --> 01:09:34,040
Speaker 1: you was that is twenty one years Bab. You've been

1240
01:09:34,080 --> 01:09:40,080
Speaker 1: the same weight the whole time. Why you don't get

1241
01:09:40,160 --> 01:09:43,320
Speaker 1: you weight? And why are you posting pitchers of mac

1242
01:09:43,479 --> 01:09:47,479
Speaker 1: and cheese. It sucks us bad. Looks like me to

1243
01:09:47,560 --> 01:09:53,200
Speaker 1: be like what the last fac keep posting Capperlini's and

1244
01:09:53,280 --> 01:09:56,479
Speaker 1: all all least you posted the You gotta stop posting

1245
01:09:56,479 --> 01:10:00,240
Speaker 1: food pictures. I think I gotta stop because we half

1246
01:10:00,280 --> 01:10:02,040
Speaker 1: for all the fat people in the world, like people

1247
01:10:02,080 --> 01:10:05,479
Speaker 1: who like it's terrible. We see skinny people that never

1248
01:10:05,600 --> 01:10:11,840
Speaker 1: gain weight post the carbs, and you are carbtarian, carbarian

1249
01:10:13,200 --> 01:10:21,280
Speaker 1: you beginning with but you're into the food right now. No,

1250
01:10:22,520 --> 01:10:26,400
Speaker 1: I'm just greedy. But I like I like trying different things.

1251
01:10:26,439 --> 01:10:29,400
Speaker 1: I like seafood, so anything in that seafood family I

1252
01:10:29,560 --> 01:10:33,560
Speaker 1: funk with. But um, I like trying different ship. I

1253
01:10:33,680 --> 01:10:38,280
Speaker 1: like new restaurants, I like go restaurants. UM ran into

1254
01:10:38,320 --> 01:10:40,120
Speaker 1: you and then we ran into you in Mallible at

1255
01:10:40,520 --> 01:10:42,800
Speaker 1: Noble out there. God damn as a vibe though you

1256
01:10:42,840 --> 01:10:45,360
Speaker 1: know what I mean Malibu. I mean Noble was noble,

1257
01:10:46,160 --> 01:10:48,160
Speaker 1: but the Mallible joint is a vibe. You don't got

1258
01:10:48,160 --> 01:10:52,960
Speaker 1: the Mallible sort house member. No, Na, they let me in,

1259
01:10:53,080 --> 01:10:55,320
Speaker 1: but I don't got the membership. Maybe I shouldn't have

1260
01:10:55,360 --> 01:11:02,800
Speaker 1: said that. I've never been what's still don't your face

1261
01:11:02,920 --> 01:11:07,639
Speaker 1: right now? Because a favor confused. I was totally wrong.

1262
01:11:07,680 --> 01:11:11,040
Speaker 1: You're not on a song total. I don't think I

1263
01:11:11,160 --> 01:11:12,519
Speaker 1: was on the song with that, But why it was

1264
01:11:12,600 --> 01:11:14,479
Speaker 1: on my song? Why did you send me this picture?

1265
01:11:14,560 --> 01:11:26,080
Speaker 1: This is weird. I'm just my movie. That's why I

1266
01:11:26,120 --> 01:11:30,720
Speaker 1: spip TV. I don't always cool. Man. Cops asked me

1267
01:11:30,760 --> 01:11:32,160
Speaker 1: about it. I want to be able to say, I

1268
01:11:32,200 --> 01:11:35,320
Speaker 1: don't know. I didn't see it. No base, no case,

1269
01:11:35,439 --> 01:11:38,640
Speaker 1: Yeah that's not I don't even tell me about it.

1270
01:11:38,680 --> 01:11:40,759
Speaker 1: I don't want to. So what what was your favorite

1271
01:11:40,800 --> 01:11:49,040
Speaker 1: label you've been on? Um m hmm, or even your

1272
01:11:49,080 --> 01:11:50,880
Speaker 1: favorite CEO? I want to say. I gotta say, you

1273
01:11:50,920 --> 01:11:53,360
Speaker 1: know what I say, a lecture because that was just

1274
01:11:53,479 --> 01:11:55,640
Speaker 1: the beginning of my label career. I didn't even know

1275
01:11:55,720 --> 01:11:58,600
Speaker 1: what being on label was still a wrong made you

1276
01:11:58,680 --> 01:12:03,800
Speaker 1: felt very much at home. UM. I do love deaf

1277
01:12:03,880 --> 01:12:08,000
Speaker 1: Cham My my people, de Cham's um staff has changed lot,

1278
01:12:08,160 --> 01:12:11,040
Speaker 1: like the team and the people I've met. The relationships

1279
01:12:11,120 --> 01:12:14,880
Speaker 1: I you know, been involved with my def Cham years

1280
01:12:15,000 --> 01:12:17,320
Speaker 1: has has really been cool and like something. You know,

1281
01:12:17,400 --> 01:12:19,080
Speaker 1: most of them don't even work there anymore. What we

1282
01:12:19,120 --> 01:12:21,920
Speaker 1: still have relationships. You know what I'm saying, that's that's

1283
01:12:21,920 --> 01:12:25,639
Speaker 1: what you know that your record label stint was deeper

1284
01:12:25,720 --> 01:12:27,720
Speaker 1: than just working. You know what I'm saying, Like, I

1285
01:12:27,840 --> 01:12:32,840
Speaker 1: still see a Shaunas and Margot's and Tech guys there. No,

1286
01:12:33,120 --> 01:12:36,720
Speaker 1: she did not there. I still have the relationships there

1287
01:12:36,800 --> 01:12:39,559
Speaker 1: with those people. You know what I'm saying that guys

1288
01:12:39,680 --> 01:12:44,559
Speaker 1: is that rock Nation Sports? Yeah? Man, I come from

1289
01:12:44,600 --> 01:12:47,560
Speaker 1: that lecture. The lecture with Sylvia Sylvia wrong made me

1290
01:12:47,680 --> 01:12:50,800
Speaker 1: feel like like I was a baby at one. But

1291
01:12:50,880 --> 01:12:52,920
Speaker 1: so that was the first time and that's why I

1292
01:12:52,960 --> 01:12:56,000
Speaker 1: first met Jay Brown as well with rock Nation and stuff.

1293
01:12:56,000 --> 01:12:59,880
Speaker 1: Now with Electric, I didn't know that and he put me,

1294
01:13:00,760 --> 01:13:05,080
Speaker 1: there's not around anymore, right, I think like a Warner Atlantic. Yeah,

1295
01:13:05,080 --> 01:13:07,479
Speaker 1: that's that's that's Atlantic now because it was it was

1296
01:13:07,560 --> 01:13:11,640
Speaker 1: one Electric Attic and then they just merged into one thing.

1297
01:13:11,680 --> 01:13:14,360
Speaker 1: I think Atlantic or something like that. So who's your

1298
01:13:14,400 --> 01:13:18,320
Speaker 1: favorite CEO? Who's who is your favorite? I would still

1299
01:13:18,439 --> 01:13:22,720
Speaker 1: say Um. I would still say Sylvia just when I

1300
01:13:22,760 --> 01:13:28,040
Speaker 1: got first my first connection and energy. Um, she saw

1301
01:13:29,840 --> 01:13:37,760
Speaker 1: she saw potential in me. Um. Earlier, you mentioned I

1302
01:13:37,880 --> 01:13:39,640
Speaker 1: was signing in the Scope, I was signed for them,

1303
01:13:40,920 --> 01:13:43,439
Speaker 1: and um, that's some clue was there who was at

1304
01:13:43,479 --> 01:13:49,479
Speaker 1: in the Scope and signed me with clues in print

1305
01:13:49,560 --> 01:13:52,439
Speaker 1: the Desert Storm Records, right yeah, if there's a storm

1306
01:13:52,479 --> 01:13:56,720
Speaker 1: slash in the scope. And I had a crazy thing

1307
01:13:56,800 --> 01:13:58,960
Speaker 1: about that was my first record deal, and I had

1308
01:13:59,000 --> 01:14:02,439
Speaker 1: a crazy thing where they fired clue and let's go

1309
01:14:02,640 --> 01:14:06,040
Speaker 1: fired now. And it was a decision whether I was

1310
01:14:06,080 --> 01:14:11,680
Speaker 1: going to stay or leave a clue. And you did

1311
01:14:11,800 --> 01:14:15,160
Speaker 1: leave a clue. I did leave a clue because I

1312
01:14:15,240 --> 01:14:18,080
Speaker 1: just didn't know who who wanted to be up here?

1313
01:14:18,200 --> 01:14:20,720
Speaker 1: Like who want to you know who I'm staying with?

1314
01:14:21,320 --> 01:14:23,200
Speaker 1: You know what I'm saying. And that's a hard thing

1315
01:14:23,280 --> 01:14:25,599
Speaker 1: for somebody at that time. I was a record deal.

1316
01:14:25,800 --> 01:14:28,560
Speaker 1: You you you as a rapper at that time, that

1317
01:14:28,680 --> 01:14:31,000
Speaker 1: was your goal. That was one of your set goals,

1318
01:14:31,120 --> 01:14:33,679
Speaker 1: get a record deal. So to get a record deal

1319
01:14:33,840 --> 01:14:37,000
Speaker 1: and then be asked do you want the record deal

1320
01:14:37,120 --> 01:14:40,360
Speaker 1: or not? And you say, all right, I gotta go

1321
01:14:40,439 --> 01:14:44,600
Speaker 1: out to roll or not. Really, it was just like

1322
01:14:44,720 --> 01:14:47,120
Speaker 1: position to me, like if you want to stay, you

1323
01:14:47,200 --> 01:14:49,960
Speaker 1: can stay signed and you know, finished making your album,

1324
01:14:50,160 --> 01:14:53,519
Speaker 1: or you can will terminate you with clue and then

1325
01:14:53,600 --> 01:14:55,720
Speaker 1: y'all gotta find you gotta find a new situation. That's

1326
01:14:55,720 --> 01:14:59,880
Speaker 1: how you want to lecture. Lecture yeah, okay after a

1327
01:15:00,040 --> 01:15:01,760
Speaker 1: go Yeah, because we went back, we went back to

1328
01:15:02,080 --> 01:15:05,280
Speaker 1: just grind and mixtape wise and then um that led

1329
01:15:05,360 --> 01:15:08,560
Speaker 1: to a little moment Superwoman. At the time, it was

1330
01:15:08,600 --> 01:15:10,719
Speaker 1: a guy named Jimmy Cozy and who had a joint

1331
01:15:11,479 --> 01:15:14,080
Speaker 1: jow me there seven oh two had a joint with

1332
01:15:14,360 --> 01:15:18,360
Speaker 1: my girls that stuff like so those that grinding that

1333
01:15:19,040 --> 01:15:20,880
Speaker 1: I don't even know if it was like eight months

1334
01:15:20,960 --> 01:15:24,240
Speaker 1: to a year grind And after that label think because

1335
01:15:24,240 --> 01:15:26,000
Speaker 1: I had started the album one in the Scope, I

1336
01:15:26,080 --> 01:15:29,439
Speaker 1: had started recording, I had started keeping a gangster. Some

1337
01:15:29,560 --> 01:15:32,519
Speaker 1: of them records had came from the end of Scope. Yeah.

1338
01:15:33,439 --> 01:15:35,920
Speaker 1: I even did a song with Little Wayne that had

1339
01:15:36,320 --> 01:15:38,400
Speaker 1: had never came out, A funny story Little Wayne, and

1340
01:15:38,439 --> 01:15:41,680
Speaker 1: they was so hot. They came to the studio. I

1341
01:15:41,800 --> 01:15:45,599
Speaker 1: think Steve Stout gave him Honey Graham for Little Wayne.

1342
01:15:47,400 --> 01:15:52,719
Speaker 1: Um out of your budget, Yeah, goddamn it, Scorchings, slash

1343
01:15:52,800 --> 01:15:56,120
Speaker 1: money and like nine nine nine nine in the too

1344
01:15:58,160 --> 01:16:02,080
Speaker 1: gave him a hunted They came to the studio or something.

1345
01:16:02,520 --> 01:16:05,840
Speaker 1: They also requested. This is a they requested like I

1346
01:16:05,920 --> 01:16:11,519
Speaker 1: think four bottles of Chris Stop. I don't know what

1347
01:16:11,640 --> 01:16:13,960
Speaker 1: it was, but it was Chris, you know that was

1348
01:16:14,160 --> 01:16:17,280
Speaker 1: the line that was ace of that time exactly. So

1349
01:16:18,760 --> 01:16:21,080
Speaker 1: the four bottles is there were in the studio. We're

1350
01:16:21,160 --> 01:16:24,000
Speaker 1: thinking that, you know, four bottles of pressed me and

1351
01:16:24,040 --> 01:16:27,360
Speaker 1: they're gonna come in. We're gonna vive, drink some champagne.

1352
01:16:29,200 --> 01:16:31,920
Speaker 1: Wayne came in and did his verse in fifteen minutes,

1353
01:16:31,920 --> 01:16:41,080
Speaker 1: stayed out, took the four bottles with him. That's like

1354
01:16:41,240 --> 01:16:43,560
Speaker 1: even that first time I even seeing something like that,

1355
01:16:43,640 --> 01:16:52,120
Speaker 1: I'm like, you're thinking in your mind, You're thinkings came in.

1356
01:16:53,200 --> 01:16:56,080
Speaker 1: Wayne recited it over the beating. It's like two three

1357
01:16:56,120 --> 01:17:01,639
Speaker 1: times they winning a booth came out too good bottles

1358
01:17:01,680 --> 01:17:04,439
Speaker 1: going right, I'm not gonna pop one. Or they didn't

1359
01:17:04,479 --> 01:17:05,920
Speaker 1: order the food they or the food on me? No,

1360
01:17:06,400 --> 01:17:09,479
Speaker 1: no you yeah, it wasn't there that long. I'm not

1361
01:17:09,560 --> 01:17:13,000
Speaker 1: gonna lae y'all. Let me tell you something. I never

1362
01:17:13,120 --> 01:17:17,120
Speaker 1: knew you could order ham. I remember knew ham came

1363
01:17:17,160 --> 01:17:23,280
Speaker 1: on a pizza. Nas ordered ham pepper n sauce. Oh

1364
01:17:23,320 --> 01:17:25,639
Speaker 1: you know the Nigs ordered so much when I when

1365
01:17:25,680 --> 01:17:28,320
Speaker 1: that ship came, I was like, there's like want the slice.

1366
01:17:28,360 --> 01:17:30,640
Speaker 1: I said, damn, this is New York City. Don't let

1367
01:17:30,680 --> 01:17:32,280
Speaker 1: them eat none of this, you know what I mean?

1368
01:17:32,640 --> 01:17:37,679
Speaker 1: But uh, chez luis, Papa Chee. Let's bringing findian. Let's

1369
01:17:37,680 --> 01:17:41,280
Speaker 1: take a bathroom break back, like we never laughed for

1370
01:17:41,360 --> 01:17:44,120
Speaker 1: nothing but respect. Let's drink chance and motherfucker makes them

1371
01:17:47,280 --> 01:17:49,720
Speaker 1: so fat. Let me ask you, um, was there ever

1372
01:17:50,400 --> 01:17:53,600
Speaker 1: like a dispute because you know we've heard you in

1373
01:17:53,640 --> 01:17:56,679
Speaker 1: the Coco Loso. When we've seen the Coco Loso, it's

1374
01:17:56,800 --> 01:18:01,479
Speaker 1: always be related to its fat um, Like was there

1375
01:18:01,560 --> 01:18:05,280
Speaker 1: any discrepancies of like were you and par for anything?

1376
01:18:05,520 --> 01:18:06,760
Speaker 1: Or like you know what I'm saying, because if we

1377
01:18:06,840 --> 01:18:09,200
Speaker 1: see that French had actually what is that called? What

1378
01:18:09,360 --> 01:18:12,160
Speaker 1: is French have? French vanilla? You know what I'm saying?

1379
01:18:12,320 --> 01:18:14,519
Speaker 1: Is there anything else? Is there something that works for

1380
01:18:14,640 --> 01:18:17,720
Speaker 1: you and him getting together? We had a we had

1381
01:18:17,800 --> 01:18:20,240
Speaker 1: to deal that we was doing a lot of ploso.

1382
01:18:20,680 --> 01:18:25,280
Speaker 1: Thing was running but U it was for a certain time.

1383
01:18:28,160 --> 01:18:38,639
Speaker 1: It's for a certain you all drunk fat, So yeah,

1384
01:18:38,680 --> 01:18:46,840
Speaker 1: I see this. A rockheads came out the door crack

1385
01:18:48,080 --> 01:18:50,560
Speaker 1: puff being a crack at the door. But now we

1386
01:18:50,680 --> 01:18:53,880
Speaker 1: had a term in term ended and you know, just

1387
01:18:54,000 --> 01:18:56,519
Speaker 1: kept it, kept pushing because I want to straight in

1388
01:18:56,600 --> 01:18:59,200
Speaker 1: the room. Man, this is the room. I want to straight.

1389
01:19:00,120 --> 01:19:03,759
Speaker 1: We was on drink Chap before me, you Jay the Kiss,

1390
01:19:05,160 --> 01:19:10,280
Speaker 1: and I seen you had a press run. My partner

1391
01:19:10,360 --> 01:19:13,120
Speaker 1: wasn't there, so I said, what can I do to

1392
01:19:13,320 --> 01:19:18,880
Speaker 1: make our interview different from everyone else's? So it was

1393
01:19:19,040 --> 01:19:23,120
Speaker 1: me who invited Puff. I called Puff. I said, Yo, please,

1394
01:19:23,880 --> 01:19:25,760
Speaker 1: this is this is gonna make the difference from me

1395
01:19:26,680 --> 01:19:31,800
Speaker 1: from everyone else, from Jada Kiss and um Fab and

1396
01:19:32,040 --> 01:19:34,920
Speaker 1: they're on a press run. We can't have our ships

1397
01:19:34,960 --> 01:19:38,360
Speaker 1: look the same as everyone else. So I invited Pop.

1398
01:19:39,920 --> 01:19:42,920
Speaker 1: This is what I felt happened in this situation. You

1399
01:19:43,040 --> 01:19:46,200
Speaker 1: correct me if I'm wrong, But I feel like Pop

1400
01:19:46,280 --> 01:19:48,240
Speaker 1: came in. I feel like y'all don't see each other

1401
01:19:48,280 --> 01:19:51,439
Speaker 1: for a minute, and I feel like he came in,

1402
01:19:52,479 --> 01:19:55,880
Speaker 1: and I thought, oh, he thinks that you were doing

1403
01:19:56,080 --> 01:20:00,720
Speaker 1: parties with a vodka company. And when he says to you, um,

1404
01:20:01,080 --> 01:20:05,240
Speaker 1: we don't party no more, he's saying like he's saying like, oh,

1405
01:20:05,280 --> 01:20:07,120
Speaker 1: you think he's throwing a sub or something. No, no,

1406
01:20:07,280 --> 01:20:10,040
Speaker 1: because that's what people who thought. People thought that. When

1407
01:20:10,080 --> 01:20:12,519
Speaker 1: I thought I heard that, people was taking it funny

1408
01:20:12,560 --> 01:20:15,400
Speaker 1: because he said, no, I want a party, party, party, party,

1409
01:20:16,400 --> 01:20:19,920
Speaker 1: And that was that little people like that she was crazy,

1410
01:20:19,960 --> 01:20:22,519
Speaker 1: and I blame you because I didn't tell him that

1411
01:20:22,560 --> 01:20:27,880
Speaker 1: he got a relaxed right there at the party. You

1412
01:20:27,960 --> 01:20:38,120
Speaker 1: didn't know you don't party party. Yeah, I didn't know

1413
01:20:38,320 --> 01:20:41,120
Speaker 1: it though, Like I was actually you know what it was.

1414
01:20:41,240 --> 01:20:44,719
Speaker 1: I was actually paying um like I was little Tess

1415
01:20:44,840 --> 01:20:46,640
Speaker 1: was falling asleep, right, you know what I mean. I

1416
01:20:46,760 --> 01:20:51,160
Speaker 1: was like it was an l a to right. This

1417
01:20:51,240 --> 01:20:53,160
Speaker 1: is like the most viral movement. He was dead right

1418
01:20:53,880 --> 01:20:56,000
Speaker 1: that she was crazy. This is how I took it.

1419
01:20:56,400 --> 01:20:58,960
Speaker 1: So I couldn't go on the internet and be like, yo,

1420
01:20:59,080 --> 01:21:01,600
Speaker 1: that wasn't no Flate ship, Like yeah, I couldn't do

1421
01:21:01,760 --> 01:21:04,400
Speaker 1: that because they're not going to answer every single body.

1422
01:21:04,920 --> 01:21:07,000
Speaker 1: You know what I'm saying. I think the revote play

1423
01:21:07,160 --> 01:21:14,760
Speaker 1: was a major factor. What do you mean because you yes,

1424
01:21:18,320 --> 01:21:19,920
Speaker 1: But I just want to straighten that out. Like for

1425
01:21:20,000 --> 01:21:23,120
Speaker 1: people who think that now I was on vacation, yeaheah,

1426
01:21:24,320 --> 01:21:26,479
Speaker 1: I was on vacation. I just I said, what the funk,

1427
01:21:26,520 --> 01:21:29,920
Speaker 1: I'm in the late jaiten fab, let me pull the stream.

1428
01:21:29,920 --> 01:21:31,560
Speaker 1: I'm not gonna lie. When that ship went viro on

1429
01:21:31,600 --> 01:21:33,360
Speaker 1: the wrong way, I was like, I'm kind of glad.

1430
01:21:33,400 --> 01:21:41,800
Speaker 1: I wasn't there. Yeah, yeah, vacation when no I was dead,

1431
01:21:42,479 --> 01:21:45,240
Speaker 1: I would listen. I was trying to I'm gonna be

1432
01:21:45,280 --> 01:21:48,799
Speaker 1: honest with the points where I had to pull myself

1433
01:21:48,840 --> 01:21:51,719
Speaker 1: out the equation. So the points where when he said

1434
01:21:51,880 --> 01:21:55,360
Speaker 1: the party party thing, I looked and and and fab

1435
01:21:55,400 --> 01:21:57,479
Speaker 1: looked at him and said, nigga, you were came to

1436
01:21:57,600 --> 01:22:00,320
Speaker 1: my party. And then when he said no, how part party,

1437
01:22:00,360 --> 01:22:03,640
Speaker 1: what I'm thinking in my mind is that's why the

1438
01:22:03,720 --> 01:22:06,679
Speaker 1: coco low so like you'll come, let's let's let's let's

1439
01:22:06,720 --> 01:22:10,680
Speaker 1: do a different campaign. That's what I'm thinking, right to me,

1440
01:22:11,520 --> 01:22:14,800
Speaker 1: But the world took that as a different thing. You

1441
01:22:15,040 --> 01:22:19,559
Speaker 1: was there, what did you feel like? Party? Party was favrant?

1442
01:22:19,680 --> 01:22:22,040
Speaker 1: But it didn't feel like that. That's why I say

1443
01:22:22,160 --> 01:22:26,000
Speaker 1: your intent versus perceptions. We go back to that again.

1444
01:22:26,080 --> 01:22:28,120
Speaker 1: He might have not even meant it that way. Yeah,

1445
01:22:28,120 --> 01:22:30,519
Speaker 1: I don't sitting there watching Jing Champs and you see

1446
01:22:30,600 --> 01:22:34,000
Speaker 1: Puff with the shades on saying no, but we're on

1447
01:22:34,200 --> 01:22:37,679
Speaker 1: party part when you ed like that and you ended

1448
01:22:37,760 --> 01:22:46,040
Speaker 1: it like, what do you mean? I didn't watch it?

1449
01:22:46,320 --> 01:22:47,880
Speaker 1: You know what I mean? Watching it is different from

1450
01:22:47,920 --> 01:22:51,800
Speaker 1: me and the being I catched it. Yeah, why didn't

1451
01:22:51,840 --> 01:22:53,639
Speaker 1: need it. I would have been like, you gotta relax.

1452
01:22:53,800 --> 01:22:56,200
Speaker 1: That's why I said, That's why I blamed you, because

1453
01:22:56,200 --> 01:23:00,320
Speaker 1: you watched it. You was then watching that no go Yeah,

1454
01:23:01,160 --> 01:23:03,720
Speaker 1: when I'm in something, I'm not hitting it. I'm not

1455
01:23:03,840 --> 01:23:07,200
Speaker 1: hitting it till outright. So like afterwards afterwards, one of

1456
01:23:07,240 --> 01:23:10,760
Speaker 1: they watched like, no, they stop that. It's that how

1457
01:23:10,880 --> 01:23:16,120
Speaker 1: nigga niggas got us niggers took it, and they ended

1458
01:23:16,200 --> 01:23:18,840
Speaker 1: it so good, and I'm like, yeah, you gotta look

1459
01:23:19,720 --> 01:23:26,800
Speaker 1: in an arrow where it's like when we're on party party. Yeah, yeah,

1460
01:23:28,880 --> 01:23:33,240
Speaker 1: I could watch that as aging the person snow they

1461
01:23:33,360 --> 01:23:40,240
Speaker 1: just ya dog. Yeah, And I'm not gonna lie. When

1462
01:23:40,280 --> 01:23:45,040
Speaker 1: I saw that piece the way they didn't look crazy,

1463
01:23:45,120 --> 01:23:47,840
Speaker 1: Like there was one dude and I was like, yo,

1464
01:23:48,200 --> 01:23:52,960
Speaker 1: I wanted to pick him up. I really did. Yeah, yeah,

1465
01:23:55,720 --> 01:23:58,840
Speaker 1: there was a couple of it was yeah yeah, yeah,

1466
01:24:00,120 --> 01:24:05,599
Speaker 1: because listen, yeah, motherfucker's icon pop icon. Uh. I've always

1467
01:24:05,800 --> 01:24:11,720
Speaker 1: I've never seen this thing that people be saying about you.

1468
01:24:11,880 --> 01:24:14,600
Speaker 1: I'm saying, say the way they go viral, you know

1469
01:24:14,760 --> 01:24:19,160
Speaker 1: your icons? Yeah yeah, definitely, definitely definitely, So fly let's

1470
01:24:19,160 --> 01:24:22,599
Speaker 1: take it to you. Let's take it to you because

1471
01:24:22,680 --> 01:24:25,080
Speaker 1: Fab just told us, Um, he threw you under the

1472
01:24:25,160 --> 01:24:27,280
Speaker 1: bus and in your face. He said that you broke

1473
01:24:27,479 --> 01:24:30,720
Speaker 1: on the franchise boys. Yeah, that one of the bus.

1474
01:24:31,520 --> 01:24:36,040
Speaker 1: That the bus. Now you know I was playing that

1475
01:24:36,200 --> 01:24:39,840
Speaker 1: was the best life. So and then and then when

1476
01:24:39,880 --> 01:24:43,080
Speaker 1: I said the Little Kim album, I have distinctly looked

1477
01:24:43,120 --> 01:24:46,840
Speaker 1: at you and I just need to act because that

1478
01:24:46,960 --> 01:24:51,000
Speaker 1: was flapping and I didn't. You did Nicki Mina's podcast recently?

1479
01:24:52,920 --> 01:24:56,720
Speaker 1: I like that what happened happens breakdown because you are

1480
01:24:56,880 --> 01:24:59,599
Speaker 1: filiated the two of the biggest artists in hip hop,

1481
01:25:00,160 --> 01:25:04,840
Speaker 1: Little Kim, female art. Excuse me, thank you. We don't

1482
01:25:04,840 --> 01:25:07,320
Speaker 1: know what happened was as far as work, um like

1483
01:25:07,560 --> 01:25:10,720
Speaker 1: you and Nicki squashing it. Yeah, we said, I don't

1484
01:25:10,840 --> 01:25:12,720
Speaker 1: talk business. I just don't know. I went to l

1485
01:25:12,800 --> 01:25:15,679
Speaker 1: a UM, I got a podcast actually code out myself

1486
01:25:16,479 --> 01:25:20,960
Speaker 1: call that suffend me whish means facts. Look at that.

1487
01:25:21,080 --> 01:25:30,800
Speaker 1: Look at that. So we told you gotta relax. He

1488
01:25:30,880 --> 01:25:41,040
Speaker 1: couldn't give. We got a podcast that we got, so

1489
01:25:41,200 --> 01:25:43,080
Speaker 1: we sat down. It was it would be like a

1490
01:25:43,160 --> 01:25:47,200
Speaker 1: business movement a sense. But I had, um, we are

1491
01:25:47,240 --> 01:25:49,680
Speaker 1: talking bly doing like since like last year. But we

1492
01:25:49,760 --> 01:25:53,040
Speaker 1: don't got together. So um, she was like, oh, you

1493
01:25:53,160 --> 01:25:55,559
Speaker 1: can't cut on my rail show. And I'm like, oh,

1494
01:25:56,920 --> 01:25:58,600
Speaker 1: we're not even we gotta we gotta sit down in

1495
01:25:58,600 --> 01:26:00,880
Speaker 1: a few weeks there and at first business Wild before

1496
01:26:00,880 --> 01:26:02,360
Speaker 1: we can sit down, and we know, briefly was just

1497
01:26:02,439 --> 01:26:05,240
Speaker 1: going back and forth for a couple of months and tomp,

1498
01:26:05,920 --> 01:26:07,439
Speaker 1: you know, we could get together and I went to

1499
01:26:07,640 --> 01:26:10,599
Speaker 1: l A. We sat down and you know, I did

1500
01:26:10,880 --> 01:26:16,160
Speaker 1: I did that podcast Queen Radio Apple and she did mine.

1501
01:26:16,400 --> 01:26:17,800
Speaker 1: She did she didn't mine as well. I just never

1502
01:26:17,840 --> 01:26:20,280
Speaker 1: released it, but she didn't mine nor. It was interesting

1503
01:26:20,320 --> 01:26:26,320
Speaker 1: about that. This though, he's got a relationship with a

1504
01:26:26,360 --> 01:26:31,600
Speaker 1: little Kim too, but you know, relationship is so like

1505
01:26:32,880 --> 01:26:38,040
Speaker 1: but he's still he's got a deep connection to Nikki

1506
01:26:38,160 --> 01:26:40,360
Speaker 1: as well. You know what I'm saying, Like it ain't

1507
01:26:40,400 --> 01:26:44,800
Speaker 1: like he who side weird little that's not a side,

1508
01:26:46,200 --> 01:26:55,720
Speaker 1: not a side. I love Kim to devils never you know,

1509
01:26:55,880 --> 01:27:02,680
Speaker 1: it's talking about these likes. That's a you get a

1510
01:27:02,720 --> 01:27:07,880
Speaker 1: long time. Remember you told us how to steal jackets y'all? Yeah,

1511
01:27:08,280 --> 01:27:14,200
Speaker 1: with my friends, Yeah you do on plane, Yo. That

1512
01:27:14,360 --> 01:27:19,280
Speaker 1: was the hardest ship told me that story. That was

1513
01:27:19,360 --> 01:27:24,760
Speaker 1: the hardest ship. But let's say we can't go to Yeah,

1514
01:27:24,800 --> 01:27:27,240
Speaker 1: let's stay focus. Supposed you get locked up right now?

1515
01:27:27,280 --> 01:27:31,320
Speaker 1: Because so how how how is that being cool with both?

1516
01:27:31,680 --> 01:27:34,640
Speaker 1: Why they're supposed to be both at odds? How do

1517
01:27:34,720 --> 01:27:38,439
Speaker 1: you balance that? I would never um, I mean, me

1518
01:27:38,479 --> 01:27:40,400
Speaker 1: and Nikki say down, because we got a history that

1519
01:27:40,920 --> 01:27:44,200
Speaker 1: goes back, you know, the beginning of our career. And

1520
01:27:45,000 --> 01:27:46,880
Speaker 1: she couldn't disrespect Kim to me. So at the end

1521
01:27:46,920 --> 01:27:48,360
Speaker 1: of the day, it was a regular saying about me

1522
01:27:48,360 --> 01:27:50,639
Speaker 1: and her. It wasn't about with Kim, and I wouldn't

1523
01:27:50,720 --> 01:27:53,080
Speaker 1: let it. I wouldn't let it be about Linka. So me,

1524
01:27:53,160 --> 01:27:55,200
Speaker 1: I was sitting down, you know, I was acting to

1525
01:27:55,240 --> 01:27:57,240
Speaker 1: get my business together and try to move on and

1526
01:27:57,360 --> 01:28:00,240
Speaker 1: you know, show my growth. So it wasn't a off you.

1527
01:28:01,040 --> 01:28:02,960
Speaker 1: I didn't take that as nomalge because I didn't go

1528
01:28:03,000 --> 01:28:06,040
Speaker 1: there were nothing against little Kim not saying a little

1529
01:28:06,080 --> 01:28:08,719
Speaker 1: Kim have I felt a way about that because little

1530
01:28:08,800 --> 01:28:12,200
Speaker 1: Kim is real a very loyal person. So she she

1531
01:28:12,840 --> 01:28:14,920
Speaker 1: you know, like y'all were talking about earlier about and

1532
01:28:15,000 --> 01:28:17,040
Speaker 1: you're standing over the corner or somebody got befoot and

1533
01:28:17,040 --> 01:28:18,960
Speaker 1: I'll come to spray if you were in that corner,

1534
01:28:19,000 --> 01:28:20,800
Speaker 1: you might get shot to her get after them with

1535
01:28:20,880 --> 01:28:25,200
Speaker 1: the car nowledge, So analogy still come from the streets.

1536
01:28:25,240 --> 01:28:28,160
Speaker 1: Say that what another one? Let's go give them to

1537
01:28:28,560 --> 01:28:35,440
Speaker 1: let me get three. Yeah, my knowledge is come from shootouts.

1538
01:28:37,160 --> 01:28:41,679
Speaker 1: But but so you balanced. Yeah, I thought I got balanced,

1539
01:28:41,800 --> 01:28:43,080
Speaker 1: But I could have did a little better than what

1540
01:28:43,160 --> 01:28:45,160
Speaker 1: I way. I did it, and nobody know I was

1541
01:28:45,200 --> 01:28:46,920
Speaker 1: doing it. I didn't. I didn't. I didn't get him

1542
01:28:46,920 --> 01:28:50,479
Speaker 1: from though. I didn't. I didn't like I don't nobody

1543
01:28:51,360 --> 01:28:54,360
Speaker 1: I ain't know before I asked. I could have asked

1544
01:28:54,400 --> 01:28:55,880
Speaker 1: a couple of friends. I didn't thought about it, but

1545
01:28:55,920 --> 01:28:57,920
Speaker 1: I wanted my heart like, let me get just go

1546
01:28:58,000 --> 01:28:59,640
Speaker 1: ahead and you know, and I see what sure you're

1547
01:28:59,640 --> 01:29:01,840
Speaker 1: talking about, and see we can first and move on

1548
01:29:02,040 --> 01:29:04,960
Speaker 1: from where I was at. I'm I'm stuck in the stage,

1549
01:29:05,160 --> 01:29:07,639
Speaker 1: stuck at twelve years back, like I ain't talking shortly

1550
01:29:07,680 --> 01:29:11,080
Speaker 1: in twelve years when we ain't had many more twelve years.

1551
01:29:11,080 --> 01:29:13,840
Speaker 1: So let's see if we can get past this. And

1552
01:29:13,960 --> 01:29:16,920
Speaker 1: we did. That's dope. Man pick him to pick him

1553
01:29:16,920 --> 01:29:22,640
Speaker 1: to the man up to you down, salute, salute. I

1554
01:29:22,640 --> 01:29:29,880
Speaker 1: ain't a triple who was squashing swashing, squashing beavers and

1555
01:29:29,960 --> 01:29:36,320
Speaker 1: bart who's your man? You gotta squash the leaves north clad.

1556
01:29:36,360 --> 01:29:38,720
Speaker 1: I'm supposed to be savy day. Thank you. I'm making

1557
01:29:39,720 --> 01:29:42,640
Speaker 1: nobody else wants to wait till your answer. But it

1558
01:29:42,720 --> 01:29:47,360
Speaker 1: means you know it's crazy. I'm gonna be clear. You

1559
01:29:47,439 --> 01:29:53,280
Speaker 1: know what FA takes because this is crazy my software.

1560
01:29:53,840 --> 01:29:56,519
Speaker 1: Thank you for asking me that fast. What do you ask?

1561
01:29:56,560 --> 01:29:58,439
Speaker 1: You just said, I'm not in the squats to be

1562
01:29:58,800 --> 01:30:01,040
Speaker 1: Let me tell your son. I don't want no beef

1563
01:30:01,080 --> 01:30:09,000
Speaker 1: with nobody. I've been through it all, and I'm gonna

1564
01:30:09,040 --> 01:30:11,040
Speaker 1: tell you what I've been through because if you don't know,

1565
01:30:11,160 --> 01:30:13,320
Speaker 1: then you don't know. I kind of stuff talking about

1566
01:30:13,560 --> 01:30:16,040
Speaker 1: like in the past. Not yeah, I'm always sposed to

1567
01:30:16,120 --> 01:30:18,160
Speaker 1: be in the past too. I scarpsed to be in

1568
01:30:18,280 --> 01:30:22,800
Speaker 1: the past to everyone the street and street squash on

1569
01:30:22,880 --> 01:30:25,600
Speaker 1: the public platform? What do you mean like on the

1570
01:30:25,720 --> 01:30:29,800
Speaker 1: broadcast on a TV show and radio station, like its

1571
01:30:29,800 --> 01:30:32,280
Speaker 1: own your own head. That's not beef if you had

1572
01:30:32,320 --> 01:30:35,200
Speaker 1: to squash it in there, Start to come to that

1573
01:30:35,320 --> 01:30:37,720
Speaker 1: something I've never really I've never really had like real

1574
01:30:37,880 --> 01:30:40,760
Speaker 1: public beef, I mean had public incidents that happened the

1575
01:30:40,840 --> 01:30:43,680
Speaker 1: public beef. We're back and forth. I mean no, not

1576
01:30:43,840 --> 01:30:45,760
Speaker 1: not really. I've had one or two, you know what

1577
01:30:45,840 --> 01:30:48,720
Speaker 1: I mean, but not really like what you do if

1578
01:30:48,760 --> 01:30:52,040
Speaker 1: somebody else. No, I got caught before, but I can't

1579
01:30:52,080 --> 01:30:55,400
Speaker 1: no more. Like right now in my life, I'm very happy.

1580
01:30:55,600 --> 01:30:59,360
Speaker 1: I'm married. I love going home to my kids. I

1581
01:30:59,479 --> 01:31:02,560
Speaker 1: love going home to my family. I would be irresponsible

1582
01:31:02,600 --> 01:31:04,599
Speaker 1: for me because it's not me that's gonna have the war.

1583
01:31:05,880 --> 01:31:07,639
Speaker 1: I'm not gonna be in the hood. I'm not gonna

1584
01:31:07,680 --> 01:31:09,759
Speaker 1: go to your hood. It's gonna be my my niggers,

1585
01:31:10,120 --> 01:31:12,560
Speaker 1: And what the fun when when my whole plan is

1586
01:31:12,600 --> 01:31:15,400
Speaker 1: to take them out under the hood. I don't need that.

1587
01:31:15,560 --> 01:31:17,519
Speaker 1: So I don't want to be for nobody. It's not

1588
01:31:17,560 --> 01:31:21,240
Speaker 1: a particular person. It's not and I'm not pussy, but

1589
01:31:21,479 --> 01:31:23,240
Speaker 1: at the end of the day, I'd rather just be

1590
01:31:23,439 --> 01:31:26,960
Speaker 1: I'd rather be the man that that my wife loves

1591
01:31:27,040 --> 01:31:29,320
Speaker 1: to me to come home to. You know what I'm saying.

1592
01:31:29,360 --> 01:31:32,360
Speaker 1: I'd rather be that dude like to me as I'm

1593
01:31:32,400 --> 01:31:34,920
Speaker 1: forty two years old, Like, I really don't have nothing

1594
01:31:34,960 --> 01:31:44,360
Speaker 1: to prove to nobody, Like I adn't deal with disrespect,

1595
01:31:44,800 --> 01:31:47,040
Speaker 1: but feelings I can't deal with it. I can't deal.

1596
01:31:47,240 --> 01:31:49,720
Speaker 1: That's the thing is I still get caught because if

1597
01:31:49,760 --> 01:31:52,360
Speaker 1: you say, if you say something to me, I'm gonna

1598
01:31:52,360 --> 01:31:54,040
Speaker 1: say something. But that's not the that's not the thing.

1599
01:31:54,200 --> 01:31:56,920
Speaker 1: The thing is like because I don't think I'm a

1600
01:31:56,960 --> 01:31:59,320
Speaker 1: whold right, And the thing about it is, come on,

1601
01:31:59,400 --> 01:32:01,360
Speaker 1: let's do I can. I got one more life. I

1602
01:32:01,400 --> 01:32:04,479
Speaker 1: don't think I'm hold right. But here's the crazy ship

1603
01:32:04,520 --> 01:32:10,080
Speaker 1: about home watches everything. Like everything I ever do, the

1604
01:32:10,320 --> 01:32:13,120
Speaker 1: nigga will send me up a message or something and

1605
01:32:13,240 --> 01:32:19,599
Speaker 1: be like, so when you say, I'm like, damn, listen,

1606
01:32:19,680 --> 01:32:24,920
Speaker 1: niggas a billion there. If he's watching, that means that

1607
01:32:25,120 --> 01:32:31,040
Speaker 1: every hopefully every people out there's watching the same as

1608
01:32:31,080 --> 01:32:33,800
Speaker 1: that ship. Like Drake call the other day, he said

1609
01:32:33,840 --> 01:32:36,439
Speaker 1: that like Drake called, he called. He called Elliott because

1610
01:32:36,520 --> 01:32:39,160
Speaker 1: me and um Elliott sat here and we went back

1611
01:32:39,200 --> 01:32:41,519
Speaker 1: back and forth, and that that's that's dope to me

1612
01:32:41,600 --> 01:32:44,760
Speaker 1: because when the hip hop generation is listening because we said, yo,

1613
01:32:44,880 --> 01:32:46,760
Speaker 1: listen and I want to tell you to your face,

1614
01:32:46,840 --> 01:32:49,559
Speaker 1: thank you fat because we know that you have an

1615
01:32:49,640 --> 01:32:52,640
Speaker 1: upcoming um project coming out and this might come out.

1616
01:32:52,680 --> 01:32:55,600
Speaker 1: Actually the project came out. But the thing is, i

1617
01:32:55,720 --> 01:32:58,120
Speaker 1: hate you. I said, you're fat, hurt you in Miami,

1618
01:32:58,880 --> 01:33:01,080
Speaker 1: so let's make it happen. That's a man of his world.

1619
01:33:01,160 --> 01:33:04,840
Speaker 1: I respect that, like I've really, really and you know what,

1620
01:33:05,000 --> 01:33:06,759
Speaker 1: every time I ask you to be on the podcast,

1621
01:33:06,840 --> 01:33:09,240
Speaker 1: you always said, as long as I got something to promoting. Ay,

1622
01:33:09,680 --> 01:33:12,320
Speaker 1: and to me, that's all, that's all I want you

1623
01:33:12,400 --> 01:33:14,960
Speaker 1: to do. It's like, when you have something to promote,

1624
01:33:15,040 --> 01:33:16,840
Speaker 1: come funk with us, because at the end of the

1625
01:33:17,000 --> 01:33:20,120
Speaker 1: dayn't even just the promote side, because it's not we

1626
01:33:20,240 --> 01:33:26,519
Speaker 1: ain't promoting that chicking it. I need to be let me,

1627
01:33:26,640 --> 01:33:29,120
Speaker 1: let me explain what I'm trying to say. Sometimes in

1628
01:33:29,240 --> 01:33:31,600
Speaker 1: our generation, like you're important, fab Like, let me just

1629
01:33:31,800 --> 01:33:33,439
Speaker 1: say that to you. You're important, Like you know what

1630
01:33:33,479 --> 01:33:35,280
Speaker 1: I'm saying. That's the reason why you get booked, you

1631
01:33:35,360 --> 01:33:37,240
Speaker 1: know at the three sixty five days a year, I

1632
01:33:37,439 --> 01:33:39,800
Speaker 1: sincerely believe you can get booked three hundred and fifty

1633
01:33:39,840 --> 01:33:41,800
Speaker 1: other you know what I'm saying. Let's make some noise

1634
01:33:41,800 --> 01:33:47,840
Speaker 1: for that, you say and the other fifteen days because

1635
01:33:47,880 --> 01:33:49,479
Speaker 1: you want to take off, you know what I'm saying,

1636
01:33:49,760 --> 01:33:52,200
Speaker 1: and that and that's dope. But the thing is, it's important.

1637
01:33:52,880 --> 01:33:55,000
Speaker 1: It's important is what you say. I don't know what

1638
01:33:55,040 --> 01:33:57,120
Speaker 1: you have some Brooklyn ship going on. Let's just your

1639
01:33:57,200 --> 01:34:00,719
Speaker 1: hold on, hold on some brook take hod dates. Yeah,

1640
01:34:02,920 --> 01:34:05,280
Speaker 1: but so it's important for you to sit down with

1641
01:34:05,400 --> 01:34:07,200
Speaker 1: your own coaching. You know what I'm saying. It's the

1642
01:34:07,320 --> 01:34:10,720
Speaker 1: day for Halloween. I ain't taking because I wanted my

1643
01:34:10,880 --> 01:34:13,800
Speaker 1: family we do that. I'm not gonna lie. You really

1644
01:34:13,920 --> 01:34:16,320
Speaker 1: dressed up on Halloween, so I thought you was playing

1645
01:34:16,439 --> 01:34:19,599
Speaker 1: like the first year seat you on Instagram. First year,

1646
01:34:19,600 --> 01:34:21,680
Speaker 1: it was the shakiest year for me because you like

1647
01:34:21,800 --> 01:34:24,360
Speaker 1: you was like it was like the first year. The

1648
01:34:24,400 --> 01:34:30,160
Speaker 1: first year he was drafting was No. I'm trying to

1649
01:34:30,280 --> 01:34:32,240
Speaker 1: think if it was the Adams family or the like

1650
01:34:32,400 --> 01:34:36,240
Speaker 1: Batman Batman. You did like the Batman villains. I'm not sure.

1651
01:34:36,880 --> 01:34:41,040
Speaker 1: I'm not and it was the first one at him Batman,

1652
01:34:41,120 --> 01:34:44,000
Speaker 1: but battle, I ain't gonna lie. You make me feel

1653
01:34:44,000 --> 01:34:47,160
Speaker 1: like I gotta grow off. I'd never dressed up for Halloween.

1654
01:34:47,880 --> 01:34:49,800
Speaker 1: I gotta grow fast. You look at me and telling

1655
01:34:49,920 --> 01:34:52,360
Speaker 1: from me, Yeah, because I guess I guess you crossed

1656
01:34:52,439 --> 01:34:59,160
Speaker 1: that that Bridge and my wife kids' party costume was

1657
01:34:59,200 --> 01:35:01,560
Speaker 1: a costume party, like a big party right now and

1658
01:35:01,760 --> 01:35:06,600
Speaker 1: I know, I use yours excuse now, No, I'm not.

1659
01:35:07,600 --> 01:35:09,920
Speaker 1: I'm gonna cheeseburger baby, and we're gonna see y'all story.

1660
01:35:10,200 --> 01:35:13,320
Speaker 1: We had that story. You're like, cam got camp excuse me,

1661
01:35:13,439 --> 01:35:18,000
Speaker 1: carry y'all got damnitendy. So it's not you booking all

1662
01:35:18,040 --> 01:35:26,880
Speaker 1: these shows? They keep by bro And what's the name

1663
01:35:26,880 --> 01:35:29,120
Speaker 1: of your podcast? Don't let him turn you in six

1664
01:35:29,240 --> 01:35:37,080
Speaker 1: nine shot him by himself. You can do a small shot.

1665
01:35:37,520 --> 01:35:42,160
Speaker 1: But what's your podcast that's offending? We did? We did

1666
01:35:42,320 --> 01:35:46,320
Speaker 1: stablish that. I knew that already. Let's go podcast already.

1667
01:35:46,800 --> 01:35:50,840
Speaker 1: So who's you disabute? You? Ring champs? I actually talked

1668
01:35:50,880 --> 01:35:53,599
Speaker 1: to about it, but I'm thinking, no podcast, you don't

1669
01:35:53,600 --> 01:35:57,439
Speaker 1: know me. I'm actually talking about it. But you know,

1670
01:35:58,000 --> 01:36:02,000
Speaker 1: are you talking about about television show? Television? We can't

1671
01:36:02,000 --> 01:36:04,519
Speaker 1: control the whole podcast? Yeah? Too much of that. It's

1672
01:36:04,520 --> 01:36:09,679
Speaker 1: too much. You got two got you got nick knowledge,

1673
01:36:09,680 --> 01:36:19,680
Speaker 1: You're ready the first first interviews, your second liviewr come from.

1674
01:36:21,400 --> 01:36:26,599
Speaker 1: If we just second, remember Duan, you remember your niggas

1675
01:36:26,640 --> 01:36:30,280
Speaker 1: was the corrupted niggas. I haven't met the story. I

1676
01:36:30,400 --> 01:36:32,400
Speaker 1: just told you some of the guys I was telling

1677
01:36:32,400 --> 01:36:36,960
Speaker 1: you're gonna put me on get your license. He got

1678
01:36:37,000 --> 01:36:41,040
Speaker 1: me an he no, he got me a permit. Excuse me,

1679
01:36:41,920 --> 01:36:45,599
Speaker 1: he helped me get a permit. Shout to he's still

1680
01:36:45,600 --> 01:36:48,760
Speaker 1: getting money. Yo, let me do. Let me say. Those

1681
01:36:48,800 --> 01:36:52,599
Speaker 1: were the two aut niggers York City at one point

1682
01:36:52,920 --> 01:36:55,559
Speaker 1: they had everything like you can go to another and say, Yo, listen,

1683
01:36:56,680 --> 01:37:02,519
Speaker 1: friendI do qualms. I need call it here. Fright would

1684
01:37:02,600 --> 01:37:05,519
Speaker 1: remember the boyd ship was back to the night, he said,

1685
01:37:06,160 --> 01:37:12,200
Speaker 1: would the ship? Yeah, Like, I'm gonna call Sack. How

1686
01:37:12,400 --> 01:37:16,400
Speaker 1: the fun you who't already? And I just went in

1687
01:37:16,560 --> 01:37:18,639
Speaker 1: question this book the niggas, Yeah, he niggas was different.

1688
01:37:18,840 --> 01:37:20,800
Speaker 1: And I'm gonna tell you one time. This is the

1689
01:37:20,840 --> 01:37:23,240
Speaker 1: one time I think I killed Hold on stage. How

1690
01:37:23,360 --> 01:37:28,320
Speaker 1: that Jamaica. Damn the White Knight, I think I killed

1691
01:37:28,520 --> 01:37:30,759
Speaker 1: Hope gonna watch this. He might call me and be offended.

1692
01:37:31,120 --> 01:37:34,599
Speaker 1: So let's just stuff. Let's be clear. Do you remember

1693
01:37:34,680 --> 01:37:39,240
Speaker 1: that night? It was just bad? So what was your take?

1694
01:37:39,560 --> 01:37:45,840
Speaker 1: You think you got over that night? Absolutely? This is

1695
01:37:45,920 --> 01:37:47,920
Speaker 1: the only night. I don't got a lot of these

1696
01:37:48,040 --> 01:37:52,280
Speaker 1: nights just because I got wanted this, but I night

1697
01:37:52,360 --> 01:37:54,840
Speaker 1: ja make it was just birthday. So he came and

1698
01:37:54,920 --> 01:37:57,960
Speaker 1: he ordered like christouts like mom mc we alredy have

1699
01:37:58,040 --> 01:38:04,720
Speaker 1: bread stripe red strip I was like, and I went

1700
01:38:04,800 --> 01:38:10,080
Speaker 1: on and findy wasn't my height? Man? You remember that. Yeah,

1701
01:38:12,840 --> 01:38:14,960
Speaker 1: he's sweating tig about right now. But you got me.

1702
01:38:15,280 --> 01:38:16,920
Speaker 1: I know your Brooklyn side is not that you admit

1703
01:38:16,960 --> 01:38:19,880
Speaker 1: you know. I think that night Jim ain de free No,

1704
01:38:20,200 --> 01:38:22,680
Speaker 1: when I see what came on? Oh yeah, we was

1705
01:38:22,720 --> 01:38:25,680
Speaker 1: out there. Okay, okay, we was camera on and Jim Joe.

1706
01:38:25,720 --> 01:38:29,360
Speaker 1: That's a couple of times too. Let's be clear. Let's

1707
01:38:29,400 --> 01:38:31,800
Speaker 1: be clear, let's be click, cause I was gonna roll

1708
01:38:31,880 --> 01:38:39,479
Speaker 1: with him. Goddamnit, goddamn good. It's nothing that it was

1709
01:38:39,560 --> 01:38:42,240
Speaker 1: the fool to be old ship. Someone's at my house

1710
01:38:42,320 --> 01:38:47,160
Speaker 1: on come on, hello, your brain turned on? Hello, this show?

1711
01:38:49,960 --> 01:38:52,360
Speaker 1: Oh foods delivery. I let him out. It's probably my son.

1712
01:38:52,400 --> 01:38:59,120
Speaker 1: He's a greaty thing. Non put him up in the

1713
01:38:59,200 --> 01:39:01,200
Speaker 1: front of the crib. Yeah, were fat. Let me just

1714
01:39:01,240 --> 01:39:04,280
Speaker 1: tell you something, man, I really appreciate you being a

1715
01:39:04,360 --> 01:39:07,560
Speaker 1: man of your word. Every time I've seen you, you

1716
01:39:07,760 --> 01:39:09,960
Speaker 1: like you don't know what I got you. I was like,

1717
01:39:10,120 --> 01:39:13,160
Speaker 1: damn all right, I got you, man. And every time

1718
01:39:13,240 --> 01:39:15,920
Speaker 1: you had some movement you came to see me and

1719
01:39:16,680 --> 01:39:19,120
Speaker 1: this time pick up to our rockster roster see me

1720
01:39:19,160 --> 01:39:22,720
Speaker 1: a flyer, and I hit you direct and just said,

1721
01:39:22,800 --> 01:39:29,320
Speaker 1: n let's go. Yes we do. Let me tell you something.

1722
01:39:29,400 --> 01:39:31,080
Speaker 1: Let me keep picking them up before we get up.

1723
01:39:31,080 --> 01:39:35,080
Speaker 1: About the six nuns. Yes, yes, more fabs and less

1724
01:39:35,320 --> 01:39:39,720
Speaker 1: six nins. A quick question, I'm in Chick nine get

1725
01:39:39,760 --> 01:39:52,080
Speaker 1: released next week. Yeah, it's definitely. He wants to I'm in,

1726
01:39:57,080 --> 01:39:59,920
Speaker 1: But I'm gonna tell him to his face, I don't

1727
01:40:00,120 --> 01:40:02,720
Speaker 1: like you like now, but you shouldn't even say that.

1728
01:40:03,200 --> 01:40:06,160
Speaker 1: It's not personal. It's not personal with him. You can't

1729
01:40:06,160 --> 01:40:11,360
Speaker 1: say you said that Union fan. Yeah, we helped it

1730
01:40:11,439 --> 01:40:14,080
Speaker 1: a different standard. Yeah, but I don't think we should

1731
01:40:14,080 --> 01:40:19,479
Speaker 1: have him on the platform. I think me personally, I

1732
01:40:19,520 --> 01:40:22,120
Speaker 1: would tell him I don't like you. He's gonna have

1733
01:40:22,320 --> 01:40:28,680
Speaker 1: him on the Norri podcast. No, yeah, it's gonna be it.

1734
01:40:29,640 --> 01:40:32,080
Speaker 1: Listen you know why, because the thing is with this,

1735
01:40:32,680 --> 01:40:34,800
Speaker 1: see doing a doing a song with you, I feel

1736
01:40:34,840 --> 01:40:37,200
Speaker 1: like that's why I was that disagreeing earlier. Doing a

1737
01:40:37,320 --> 01:40:39,600
Speaker 1: song with you. I feel like that's co side of you,

1738
01:40:39,960 --> 01:40:41,599
Speaker 1: doing an interview with you. I don't feel like it's

1739
01:40:41,720 --> 01:40:43,479
Speaker 1: side of you at all. I feel like I'm just

1740
01:40:43,560 --> 01:40:45,920
Speaker 1: talking to you. I can talk to I talk. I

1741
01:40:46,080 --> 01:40:48,000
Speaker 1: talked to um. But you know why you're talking to

1742
01:40:48,080 --> 01:40:52,040
Speaker 1: skin heads in the skin heads. I talked to k

1743
01:40:52,240 --> 01:40:54,840
Speaker 1: k ks now. But you can't and you can't about

1744
01:40:55,280 --> 01:40:57,519
Speaker 1: you have legends here. That's why you can't say no, no, no, no,

1745
01:40:57,720 --> 01:41:02,720
Speaker 1: no no. That would be clearly chasing about that same

1746
01:41:02,800 --> 01:41:06,280
Speaker 1: interview with no cameras. No, it's not gonna happen. You're

1747
01:41:06,280 --> 01:41:08,320
Speaker 1: doing no and he had to come that's not gonna

1748
01:41:08,520 --> 01:41:10,920
Speaker 1: He would have to come here and fail the same

1749
01:41:11,000 --> 01:41:13,680
Speaker 1: thing that everyone else felt. And I would tell him

1750
01:41:13,680 --> 01:41:16,240
Speaker 1: to the space. I hate snitches and I went to

1751
01:41:16,400 --> 01:41:18,800
Speaker 1: jail for three and a half years four snitches, and

1752
01:41:18,840 --> 01:41:21,160
Speaker 1: I don't respect you. But if he can handle that,

1753
01:41:21,400 --> 01:41:24,560
Speaker 1: and I'm gonna get a sick right here, I'm on

1754
01:41:24,600 --> 01:41:29,360
Speaker 1: a vacation that no problems. You can't get platform, you can't,

1755
01:41:30,080 --> 01:41:37,599
Speaker 1: you can't give this part. No no, I'm saying, that's

1756
01:41:37,640 --> 01:41:39,439
Speaker 1: what I'm saying. That's what I'm saying. If Saving the

1757
01:41:39,520 --> 01:41:41,720
Speaker 1: Bull wants to come here, I would tell Seving the

1758
01:41:41,760 --> 01:41:45,120
Speaker 1: Ball I disagree with you. I heard Saving the Bull

1759
01:41:45,200 --> 01:41:48,840
Speaker 1: tell nobody know seven it's a different culture. It's a

1760
01:41:48,880 --> 01:41:52,639
Speaker 1: different culture. That's that's how I watch your ship. Ain't

1761
01:41:52,640 --> 01:41:56,720
Speaker 1: going ain't going to take from Sammy the Bull the way,

1762
01:41:57,040 --> 01:42:01,679
Speaker 1: And we didn't talk to Sammy. We had a seven

1763
01:42:02,040 --> 01:42:08,600
Speaker 1: who wanted to start a podcast. We actually that's the

1764
01:42:08,840 --> 01:42:14,479
Speaker 1: old total of error. I think it's a different thing, man. Yeah, man, listen, listen.

1765
01:42:14,640 --> 01:42:17,720
Speaker 1: I probably wouldn't, right, But if I did interview six nine,

1766
01:42:17,720 --> 01:42:22,519
Speaker 1: I would sit. I would tell him I did three

1767
01:42:22,520 --> 01:42:24,720
Speaker 1: and a half years of my life. But niggas like you.

1768
01:42:25,479 --> 01:42:28,439
Speaker 1: I don't like you, I don't respect you, and I

1769
01:42:28,520 --> 01:42:31,400
Speaker 1: really don't want to talk to you. But I'm gonna

1770
01:42:31,479 --> 01:42:34,360
Speaker 1: let you talk, and I'm gonna dispute everything you say.

1771
01:42:34,400 --> 01:42:37,760
Speaker 1: I'm gonna refute everything you say to me. That's not

1772
01:42:38,040 --> 01:42:40,760
Speaker 1: that's not a problem to me. That's to me. Now

1773
01:42:41,320 --> 01:42:43,599
Speaker 1: if you tell me not, don't give him a platform,

1774
01:42:43,720 --> 01:42:47,519
Speaker 1: then that's that's something totally different. Want to do a

1775
01:42:47,560 --> 01:42:51,559
Speaker 1: pot platform and try to justify way which is true.

1776
01:42:51,720 --> 01:42:54,160
Speaker 1: And the reason why he can't testify it is because

1777
01:42:54,200 --> 01:42:57,920
Speaker 1: he said gang gang. Once you say gang gang and

1778
01:42:58,000 --> 01:43:00,320
Speaker 1: you say that, then you have to apply at what

1779
01:43:00,439 --> 01:43:03,320
Speaker 1: he's saying. To the people who watch it, didn't they

1780
01:43:03,439 --> 01:43:05,439
Speaker 1: make their judgment if they want to accept what he's

1781
01:43:05,439 --> 01:43:08,680
Speaker 1: saying or not when you give him that platform. And

1782
01:43:08,720 --> 01:43:10,559
Speaker 1: by the way, I'm not co signing him. And that's

1783
01:43:12,240 --> 01:43:15,320
Speaker 1: our kids. Like you said, they don't come from the

1784
01:43:15,439 --> 01:43:19,880
Speaker 1: same moral codes we come from, so they might look

1785
01:43:19,920 --> 01:43:23,960
Speaker 1: at it and really be like Nons was going for

1786
01:43:24,120 --> 01:43:26,160
Speaker 1: me ten years O did it too, you know what

1787
01:43:26,160 --> 01:43:29,479
Speaker 1: I'm saying, Like they come from a different right. My

1788
01:43:29,600 --> 01:43:33,320
Speaker 1: son don't live in that world, very postal. I'm working

1789
01:43:33,360 --> 01:43:35,560
Speaker 1: hard so that he don't have to so so so

1790
01:43:35,920 --> 01:43:38,200
Speaker 1: so you come home when your son is banging the

1791
01:43:38,320 --> 01:43:42,120
Speaker 1: new six nine. No, my my son knows since and

1792
01:43:42,200 --> 01:43:47,880
Speaker 1: he's like man six knins a snitch, my son said,

1793
01:43:47,960 --> 01:43:49,800
Speaker 1: without me telling him. And you know, you know what's

1794
01:43:49,800 --> 01:43:53,599
Speaker 1: the fun part about it this since six nine snitch

1795
01:43:54,920 --> 01:43:57,120
Speaker 1: every day I listen to his music though while he

1796
01:43:57,280 --> 01:44:00,479
Speaker 1: was swerving, and I know that might be a Bulty

1797
01:44:00,600 --> 01:44:04,200
Speaker 1: record or I know abilities on that. Then you know,

1798
01:44:04,240 --> 01:44:05,840
Speaker 1: I love a bulky you know what I mean. But

1799
01:44:06,000 --> 01:44:08,800
Speaker 1: the thing is the radio station did not pull that

1800
01:44:08,920 --> 01:44:13,000
Speaker 1: record when we had to shoot out of any seven

1801
01:44:13,760 --> 01:44:18,000
Speaker 1: our records was pulled that that record not next week.

1802
01:44:18,040 --> 01:44:20,240
Speaker 1: They didn't have to have a million. They said, shoot

1803
01:44:20,280 --> 01:44:22,960
Speaker 1: out from the Howdy seven, pull them motherfucker's records, but

1804
01:44:23,640 --> 01:44:28,680
Speaker 1: never got the incident in the radio station. Yeah, that's

1805
01:44:28,720 --> 01:44:30,840
Speaker 1: a different This is a different thing, different things. What

1806
01:44:30,920 --> 01:44:34,320
Speaker 1: I'm saying is I'm saying is the sincerity of the

1807
01:44:34,439 --> 01:44:38,479
Speaker 1: situation made them pull my record immediately. I'm telling you,

1808
01:44:38,600 --> 01:44:41,120
Speaker 1: the sincerity of the situation did not make piece people

1809
01:44:41,120 --> 01:44:43,760
Speaker 1: pull that back. I think the worstness means less now

1810
01:44:43,920 --> 01:44:47,719
Speaker 1: than it did years. I think the worstness now means

1811
01:44:48,040 --> 01:44:50,320
Speaker 1: it could be a part of the culture to some people.

1812
01:44:50,439 --> 01:44:54,400
Speaker 1: It wasn't say y'all called I called poll looking out.

1813
01:44:55,920 --> 01:45:01,320
Speaker 1: But it's something where it is it is it? It wasn't.

1814
01:45:01,360 --> 01:45:06,040
Speaker 1: I don't know what he said. Y'all call it snitching.

1815
01:45:06,120 --> 01:45:10,960
Speaker 1: I'll call it pole looking at So that's the mentality

1816
01:45:11,160 --> 01:45:14,479
Speaker 1: that you know a lot of people are taking, like

1817
01:45:14,560 --> 01:45:16,400
Speaker 1: you know, I ain't snitching. I just don't want to

1818
01:45:16,479 --> 01:45:20,240
Speaker 1: do you know what I mean. I'm trying. They don't

1819
01:45:20,280 --> 01:45:22,519
Speaker 1: have that in They stayed and I'm not. I'm not

1820
01:45:23,320 --> 01:45:28,600
Speaker 1: following this code that I gotta stick to. Uh. But

1821
01:45:28,720 --> 01:45:30,800
Speaker 1: it's deeper than the cold. It's deeper than because because

1822
01:45:30,840 --> 01:45:34,320
Speaker 1: sometimes the decision it was involved you. That's that's what

1823
01:45:34,439 --> 01:45:41,479
Speaker 1: it is. That's crazy. You wouldn't be I'm gonna be honest.

1824
01:45:42,439 --> 01:45:44,200
Speaker 1: Even when I interviewed Troy App and I don't want

1825
01:45:44,200 --> 01:45:46,000
Speaker 1: to put them in the same category, but if you

1826
01:45:46,160 --> 01:45:48,479
Speaker 1: really watch that interview as a steep person, I didn't.

1827
01:45:48,479 --> 01:45:51,320
Speaker 1: I asked them every which way question it was supposed

1828
01:45:51,320 --> 01:45:53,800
Speaker 1: to be asked. You know what I'm saying. But the

1829
01:45:53,920 --> 01:45:56,439
Speaker 1: thing is this, I think, is this what people got

1830
01:45:56,560 --> 01:45:59,519
Speaker 1: to stop doing. Is people already accusing Troy App but

1831
01:45:59,640 --> 01:46:02,479
Speaker 1: being a snitch when he actually didn't take the stand.

1832
01:46:02,560 --> 01:46:05,160
Speaker 1: He said he put out a rap little finger from

1833
01:46:05,200 --> 01:46:08,200
Speaker 1: the stand. He never took it. Yet that's what made

1834
01:46:08,200 --> 01:46:11,320
Speaker 1: it is gonna take the thing you said? You told

1835
01:46:11,360 --> 01:46:13,439
Speaker 1: me that, he kind of said he he kind of said,

1836
01:46:13,680 --> 01:46:17,000
Speaker 1: why whatnot? Because the other nigga is that's what six

1837
01:46:17,120 --> 01:46:22,200
Speaker 1: nine did though six nine same day, what you mean?

1838
01:46:22,280 --> 01:46:28,120
Speaker 1: What you mean? Six Knights? The same thing. Every there

1839
01:46:28,200 --> 01:46:31,560
Speaker 1: was already investigating the whole six nine who before he

1840
01:46:31,640 --> 01:46:34,680
Speaker 1: got locked up, so somebody already wouldn't told him, and

1841
01:46:34,720 --> 01:46:36,760
Speaker 1: they wired the cars up and all that before six

1842
01:46:36,840 --> 01:46:39,960
Speaker 1: nine even got in any trouble. Everybody, when somebody was

1843
01:46:40,000 --> 01:46:42,240
Speaker 1: already working with the police. So I'm pretty sure they

1844
01:46:42,280 --> 01:46:44,400
Speaker 1: came to him and to day who did who was

1845
01:46:44,439 --> 01:46:46,160
Speaker 1: such a such that he was like I don't know him.

1846
01:46:46,160 --> 01:46:47,560
Speaker 1: Maybe he was like I don't know him, and I

1847
01:46:47,680 --> 01:46:48,960
Speaker 1: was like, oh, you don't know him. What are we

1848
01:46:49,000 --> 01:46:50,360
Speaker 1: playing this day for you? You know what I got

1849
01:46:50,479 --> 01:46:53,400
Speaker 1: read there is you. You're right here with him. That's

1850
01:46:53,439 --> 01:46:55,240
Speaker 1: the best work. Defend that asked you a question, they

1851
01:46:55,320 --> 01:46:57,519
Speaker 1: got answered for ready, So I can't say in turn

1852
01:46:57,640 --> 01:47:00,080
Speaker 1: you because you got more instance, Yeah, they got you

1853
01:47:00,160 --> 01:47:04,320
Speaker 1: had the corporation from that made it right. For got

1854
01:47:04,400 --> 01:47:06,560
Speaker 1: something ready, like when he's saying they got something, but

1855
01:47:06,680 --> 01:47:11,080
Speaker 1: they they got you into something they got, so now

1856
01:47:11,240 --> 01:47:14,519
Speaker 1: you turn to get them to get more more. The

1857
01:47:14,600 --> 01:47:17,679
Speaker 1: whole operation it's like wire tap and you say something

1858
01:47:17,800 --> 01:47:19,479
Speaker 1: on wire tap and then they actually you say you

1859
01:47:19,520 --> 01:47:22,920
Speaker 1: say no, they play it back for you. Say. And

1860
01:47:22,960 --> 01:47:26,880
Speaker 1: the Frank Lucas ship and the movie they caught his

1861
01:47:27,000 --> 01:47:29,080
Speaker 1: nephew or something because he shot his girl in the

1862
01:47:29,160 --> 01:47:32,599
Speaker 1: ass or something like that, and they brought him and said,

1863
01:47:32,640 --> 01:47:34,360
Speaker 1: all right, we know you. We got you for shooting

1864
01:47:34,400 --> 01:47:36,560
Speaker 1: this girl because we were staking at your house. But

1865
01:47:36,800 --> 01:47:38,200
Speaker 1: if you don't want to go to jail for this.

1866
01:47:38,600 --> 01:47:43,160
Speaker 1: You can talk about this over here, and that's how

1867
01:47:44,280 --> 01:47:46,280
Speaker 1: that's how they get you because you don't want to

1868
01:47:46,320 --> 01:47:48,560
Speaker 1: take the thing for what you did. You want to

1869
01:47:48,560 --> 01:47:51,800
Speaker 1: take the responsibility for that. Frank Lucas nepheople. They not

1870
01:47:51,920 --> 01:47:54,560
Speaker 1: give me the fucking give me the three years, the

1871
01:47:54,640 --> 01:47:56,720
Speaker 1: five years, but you got I'm not going to But

1872
01:47:56,840 --> 01:47:58,680
Speaker 1: niggas don't want to take that. They don't want to

1873
01:47:58,680 --> 01:48:00,760
Speaker 1: take the responsive maybe for what they look I don't

1874
01:48:00,760 --> 01:48:03,439
Speaker 1: want to take six months. They definitely And you've got

1875
01:48:03,520 --> 01:48:08,280
Speaker 1: a rock chain, fat, but you're not technically rock. That

1876
01:48:08,439 --> 01:48:11,200
Speaker 1: was gifted to me on my birthday, on my forty

1877
01:48:11,240 --> 01:48:14,160
Speaker 1: and birthday. I told you I always felt like I

1878
01:48:14,320 --> 01:48:19,720
Speaker 1: was under the rock family treat. I've launched my rock chain. Okay, yeah,

1879
01:48:19,960 --> 01:48:24,559
Speaker 1: how did you do that? Because I'm high, I should

1880
01:48:24,560 --> 01:48:26,719
Speaker 1: take a I just take a heavy amount of ecstasy

1881
01:48:26,760 --> 01:48:28,760
Speaker 1: at one point. But let's not talk about that right now,

1882
01:48:28,760 --> 01:48:31,479
Speaker 1: because I still at some point you're spoken on. But

1883
01:48:31,560 --> 01:48:33,360
Speaker 1: we don't have to dwell. I'm gonna be honestly, at

1884
01:48:33,400 --> 01:48:35,759
Speaker 1: some point, I still take a little dad like everything.

1885
01:48:37,439 --> 01:48:40,080
Speaker 1: It's not it's not often, but every now and a

1886
01:48:40,160 --> 01:48:42,439
Speaker 1: little base, a little base gotta take a little bit

1887
01:48:42,479 --> 01:48:45,080
Speaker 1: and say it for later. That's what happened with puff

1888
01:48:45,160 --> 01:49:02,479
Speaker 1: one of the party like mine. Man, you're fat. Man.

1889
01:49:02,600 --> 01:49:04,600
Speaker 1: Let me tell you something, Man, finde man. Both of

1890
01:49:04,640 --> 01:49:07,320
Speaker 1: your brothers, Man, your brothers. I know both of your

1891
01:49:07,360 --> 01:49:13,240
Speaker 1: individually separately, I said individually, separate all, So I know

1892
01:49:13,360 --> 01:49:17,120
Speaker 1: both of your individually separately, and I know y'all together,

1893
01:49:17,400 --> 01:49:19,720
Speaker 1: and I know you'll together. And you know what, I

1894
01:49:19,800 --> 01:49:21,880
Speaker 1: want to say that, I'm proud of both of your brothers, man,

1895
01:49:22,000 --> 01:49:24,680
Speaker 1: because so many people in this industry they give up

1896
01:49:24,800 --> 01:49:27,439
Speaker 1: or they go the other way, and they become bad people,

1897
01:49:27,479 --> 01:49:30,200
Speaker 1: and they become haters, and they become You guys always

1898
01:49:30,240 --> 01:49:32,800
Speaker 1: been at the top of your game. You guys continue

1899
01:49:32,880 --> 01:49:35,360
Speaker 1: to just you know, continue to just monkey foot this

1900
01:49:35,439 --> 01:49:37,879
Speaker 1: ship and just push through the doors, and you continue

1901
01:49:37,920 --> 01:49:40,519
Speaker 1: to make money every f fucking five, six days a

1902
01:49:40,640 --> 01:49:43,479
Speaker 1: fucking week. And I'm watching y'all and I'm counting your

1903
01:49:43,520 --> 01:49:48,400
Speaker 1: money and I'm happy. I'm like, they're not with us

1904
01:49:48,479 --> 01:49:51,479
Speaker 1: like that, But I just want to say that that, man,

1905
01:49:52,080 --> 01:49:54,519
Speaker 1: if there's anybody that never told y'all, man, what you're

1906
01:49:54,560 --> 01:49:58,280
Speaker 1: doing is you're doing is the right thing, and continue

1907
01:49:58,320 --> 01:50:00,680
Speaker 1: to do what you're doing and feeding y'all family. And

1908
01:50:00,800 --> 01:50:03,479
Speaker 1: I know sometimes you miss you know, Christmas Is and

1909
01:50:03,840 --> 01:50:07,719
Speaker 1: Thanksgivings because I've been there. I've been there for fifteen years.

1910
01:50:08,200 --> 01:50:14,760
Speaker 1: Uh you know, so no, no, I don't miss all

1911
01:50:14,760 --> 01:50:16,880
Speaker 1: the way. I'm listening to be honest, I'm gonna call

1912
01:50:16,920 --> 01:50:19,160
Speaker 1: you this holloway because I'm I'm I'm I'm gonna have

1913
01:50:19,240 --> 01:50:21,559
Speaker 1: you get my family right, because you know what I'm saying.

1914
01:50:21,600 --> 01:50:23,880
Speaker 1: I'm gonna be honest on the loan, Like in my mind,

1915
01:50:23,920 --> 01:50:25,560
Speaker 1: I've been trying them. I people wanting to call you

1916
01:50:25,720 --> 01:50:29,400
Speaker 1: for years to help me with my stylus because I've

1917
01:50:29,479 --> 01:50:31,519
Speaker 1: never seen you with a bum outfit and I'm kind

1918
01:50:31,560 --> 01:50:35,880
Speaker 1: of mad, like like like no, no, no, listen, listen,

1919
01:50:36,040 --> 01:50:38,680
Speaker 1: family got to have a bump day, Like one day

1920
01:50:38,760 --> 01:50:40,640
Speaker 1: you're gonna come out. You want to come out with

1921
01:50:40,920 --> 01:50:44,439
Speaker 1: the quartet like Cortex. But I've never seen you have

1922
01:50:44,560 --> 01:50:58,200
Speaker 1: a bump day. You man. You know, like you said,

1923
01:50:58,240 --> 01:51:01,479
Speaker 1: we we we come from the same neck at it Woods.

1924
01:51:03,160 --> 01:51:06,599
Speaker 1: We have a genuine respect for each other. Even though

1925
01:51:06,680 --> 01:51:08,600
Speaker 1: he um you know his podcast is supposed to be

1926
01:51:08,640 --> 01:51:13,880
Speaker 1: me and him. He spent off Still my ni, you

1927
01:51:13,920 --> 01:51:18,360
Speaker 1: know you need too much money your hon't. I didn't

1928
01:51:18,360 --> 01:51:25,680
Speaker 1: want it. I'm gonna get but it's never too late.

1929
01:51:26,680 --> 01:51:30,520
Speaker 1: It's too there. You guys just started the body drink responsibly.

1930
01:51:33,680 --> 01:51:35,559
Speaker 1: I wanted to daruma to that question you asked, fat

1931
01:51:35,840 --> 01:51:40,880
Speaker 1: was his favorite CEO? Okay, who was your favorite CEO? U? Well, well,

1932
01:51:40,960 --> 01:51:46,240
Speaker 1: my favorite CEO over the time has been Nil over

1933
01:51:46,240 --> 01:51:49,799
Speaker 1: the time, times over the time. But my favorite ceo,

1934
01:51:50,400 --> 01:51:53,280
Speaker 1: like like, there's Leo coins, there's no there's no dude

1935
01:51:53,840 --> 01:51:57,320
Speaker 1: that he just embodied the boss what's the name one

1936
01:51:57,320 --> 01:52:00,679
Speaker 1: of the do my thing with Leo? Ever, he never

1937
01:52:01,200 --> 01:52:04,080
Speaker 1: I came over you know where he was even when

1938
01:52:04,120 --> 01:52:07,679
Speaker 1: I came over to the Atlantic was Electromergeny. I never

1939
01:52:07,800 --> 01:52:10,400
Speaker 1: got the jil, I never got the deaf jam jail

1940
01:52:10,479 --> 01:52:12,720
Speaker 1: from him. We were into a Yankee game. But it

1941
01:52:12,880 --> 01:52:16,960
Speaker 1: just didn't like he didn't he didn't you know what

1942
01:52:17,000 --> 01:52:19,160
Speaker 1: I'm saying, And I was I was looking to mess

1943
01:52:19,240 --> 01:52:23,400
Speaker 1: because of course, Bot, I'm under your class, le all Cohen,

1944
01:52:24,000 --> 01:52:27,400
Speaker 1: I'm in great, great seats at the Yankee game. We

1945
01:52:27,560 --> 01:52:29,519
Speaker 1: just ain't you know what I'm saying, Like he didn't

1946
01:52:29,560 --> 01:52:32,000
Speaker 1: give me that what's the name? I know his relationship

1947
01:52:32,080 --> 01:52:35,560
Speaker 1: with old No, it was probably it was this is

1948
01:52:36,400 --> 01:52:38,720
Speaker 1: it was probably you because yeah, i'd be cool. I'm

1949
01:52:39,080 --> 01:52:42,280
Speaker 1: cool and laid back, so especially at that time, I

1950
01:52:42,320 --> 01:52:45,080
Speaker 1: mean he probably wanted more on you, like because when

1951
01:52:45,120 --> 01:52:47,120
Speaker 1: you that's the type of person he was like this,

1952
01:52:47,320 --> 01:52:49,040
Speaker 1: I'll just tell you. I described something to I know,

1953
01:52:49,120 --> 01:52:51,400
Speaker 1: we gotta get our produdt of here. But I remember

1954
01:52:51,439 --> 01:52:54,800
Speaker 1: I became so hot like around the freestyle and Leo

1955
01:52:55,479 --> 01:52:59,040
Speaker 1: called me and said, where are you at? And I said,

1956
01:52:59,360 --> 01:53:02,040
Speaker 1: I'm the video shoot. He said I'll be there and

1957
01:53:02,080 --> 01:53:04,680
Speaker 1: he just hung up, pull up. He never asked me

1958
01:53:04,760 --> 01:53:07,600
Speaker 1: where the video shoot was. And to me, when he

1959
01:53:07,680 --> 01:53:10,800
Speaker 1: pulled up, I knew automatically I was signing the depth

1960
01:53:10,920 --> 01:53:13,680
Speaker 1: jam because he didn't ask me where. He didn't ask

1961
01:53:13,720 --> 01:53:15,840
Speaker 1: me what barrow, he didn't ask me, are you in

1962
01:53:15,920 --> 01:53:18,600
Speaker 1: New York? He just said I'll be there and he

1963
01:53:18,720 --> 01:53:22,599
Speaker 1: just pulled up. But again, fab bendy man, because they

1964
01:53:22,680 --> 01:53:28,320
Speaker 1: keep waving. I don't even know what that means. Yeah, yeah,

1965
01:53:28,400 --> 01:53:32,680
Speaker 1: but don't ye man. Let me just tell y'all. Let

1966
01:53:32,720 --> 01:53:35,240
Speaker 1: me just tell y'all. Just tell y'all man, y'all both

1967
01:53:35,400 --> 01:53:37,760
Speaker 1: great brothers. I'm glad that your brothers are together and

1968
01:53:38,040 --> 01:53:41,080
Speaker 1: and and getting money. You know, I'm very proud of

1969
01:53:41,400 --> 01:53:46,600
Speaker 1: of of of y'all growth. I'm very proud of the

1970
01:53:46,680 --> 01:53:49,360
Speaker 1: man that you turned into fab not not not because

1971
01:53:49,479 --> 01:53:51,680
Speaker 1: I can't be your older brother one year older than you,

1972
01:53:52,320 --> 01:53:55,240
Speaker 1: but you know in hip hop im your older brother,

1973
01:53:55,360 --> 01:53:58,439
Speaker 1: but not in life. And I just I see, you

1974
01:53:58,560 --> 01:54:01,000
Speaker 1: know the growth that he's been aways got older brothers

1975
01:54:01,080 --> 01:54:03,360
Speaker 1: out of one year older. Yeah, I know, I know,

1976
01:54:03,680 --> 01:54:13,400
Speaker 1: you know I'm gonna letthers. You better give me the

1977
01:54:13,439 --> 01:54:20,800
Speaker 1: old want yo. But I want to thank y'all. I

1978
01:54:20,880 --> 01:54:22,519
Speaker 1: want to thank you for being a man of world word.

1979
01:54:22,760 --> 01:54:25,400
Speaker 1: I want to thank you for Finny, for always sticking

1980
01:54:25,600 --> 01:54:27,920
Speaker 1: to the to the script and sticking with this game.

1981
01:54:28,160 --> 01:54:31,559
Speaker 1: So many people was in your position. They quit, they

1982
01:54:31,640 --> 01:54:34,360
Speaker 1: got out this game. They have motherfucker working in the

1983
01:54:34,440 --> 01:54:37,800
Speaker 1: Larzy map right now. I'll take my cleaners to these

1984
01:54:37,880 --> 01:54:45,240
Speaker 1: things and tell him no creases found. It's not Rick.

1985
01:54:45,680 --> 01:54:48,520
Speaker 1: But I want to thank y'all. Come on, let's take

1986
01:54:48,560 --> 01:54:54,080
Speaker 1: some pictures and that