WEBVTT - Mini Crush #33

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<v Speaker 1>Hey, everybody, Welcome to Mini Crush Early morning edition, Early

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<v Speaker 1>Morning a dish. Welcome to Second Cup. Listen to you. Yeah,

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<v Speaker 1>is that your lowest writes his voice. Well, this is

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<v Speaker 1>my It's funny. I just talked to my buddy Matt

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<v Speaker 1>in the hallway. He was a musician. Yeah, works over

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<v Speaker 1>a mail chimp and uh. He said that Farrell Is

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<v Speaker 1>that his name? Sure? From from nerd? Yeah, he said,

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<v Speaker 1>Farrell records. It's told them most recording first thing. And

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<v Speaker 1>he said Farrell records first thing in the morning because

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<v Speaker 1>that is when the voices exist like deepest. And I'm

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<v Speaker 1>also sick. So he was like, dude, you're you're about

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<v Speaker 1>to rock the sex talk. You sound downright sultry, chuck.

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<v Speaker 1>I'm getting the goose bumps. Yeah, I sound kind of gross.

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<v Speaker 1>Actually I got sick at the tale. I got sick

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<v Speaker 1>in Sydney, Australia. Are you are you? Are you okay?

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<v Speaker 1>Are we okay? Should I be shoot? You be quarantined?

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<v Speaker 1>And I don't think so. I did wonder like if

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<v Speaker 1>I got some weird Australian rhinovirus. Is that a thing? Well,

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<v Speaker 1>rhino virus is just the common cold. Basically, I don't

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<v Speaker 1>know if it was some weird strain there that they

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<v Speaker 1>can't fix. Here. You know, I'm hearing it. Knatchuck. You

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<v Speaker 1>got a little nasal action going on. Yeah, it's a

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<v Speaker 1>little bit gross. It's all apologies. No, no, you don't

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<v Speaker 1>want me to exhale deeply. I have the raspiest It

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<v Speaker 1>feels like I'm uh should be in a sanatorium. I'm

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<v Speaker 1>waiting for you to exhale deeply. Oh that was a movie, Yep,

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<v Speaker 1>this is a movie. Show nice ref how's it going, dude?

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<v Speaker 1>So I am sick noll, you're down in the domes.

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<v Speaker 1>I'm a little sick in the head. So this should

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<v Speaker 1>be these next two episodes should be pretty great. Whoa. Uh?

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<v Speaker 1>So I watched I would and saw Black Klansmen in Perth,

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<v Speaker 1>Australia because I had I got there and I wanted

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<v Speaker 1>to stay up and try and get myself on a

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<v Speaker 1>regular sleeping schedule. Had that work out for you? So

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<v Speaker 1>I was like, all right, I need to stimulate myself.

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<v Speaker 1>It took a big walk, hung around, walked around Perth

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<v Speaker 1>and then um cuddled some koalas well. I did that

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<v Speaker 1>later on for sure. Uh. They just handing out koala

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<v Speaker 1>when you get off the plane actually pretty great. And

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<v Speaker 1>then when you when you go back, Yeah, I do uh.

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<v Speaker 1>And then I went to uh the movies because I

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<v Speaker 1>was like, that'll stimulate my mind, and I would and

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<v Speaker 1>saw a Black Klansmen. You saw it, right, I have

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<v Speaker 1>not seen it yet now now I didn't see. I've

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<v Speaker 1>heard good things, though I have not been making good

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<v Speaker 1>use of my failing movie pass. Oh the movie pass conversation. Yeah,

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<v Speaker 1>are we passed due for it? Is he still around? Now?

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<v Speaker 1>It's still around. I think I haven't tried using it,

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<v Speaker 1>but they keep sending me these spammy emails that clearly

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<v Speaker 1>are like, please, don't forget about please, but don't go

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<v Speaker 1>to movies either. You're right, yeah, because we can't afford it, right,

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<v Speaker 1>we love you, but stay home for now. And then

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<v Speaker 1>I'm doing them a solid because I haven't used it

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<v Speaker 1>in a couple of months. Yeah, well you should. Maybe

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<v Speaker 1>if you see Black Clansman, we can crush Yeah to

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<v Speaker 1>judgment to judge it. Yeah, good movie. I totally dug it.

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<v Speaker 1>But it was a little weird seeing in Perth because

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<v Speaker 1>it's like there's so much shame at the end as

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<v Speaker 1>an American, and I was walking out of the theater,

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<v Speaker 1>and I was like, do they know do they know

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<v Speaker 1>I'm American? Yeah, you can passes an Austie. I think,

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<v Speaker 1>oh sure, why not AUSSI AUSSI. Yeah. As so I

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<v Speaker 1>thought we would do a little segment called Movies on

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<v Speaker 1>a Plane since I just spent it took ten plane

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<v Speaker 1>flights in eleven days. People on this tour. It was

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<v Speaker 1>a a mind to say the least. I did have

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<v Speaker 1>two great days off, but the rest of it was

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<v Speaker 1>a bit of a grind. And I watched a lot

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<v Speaker 1>of movies. I bet you did. So I just figured

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<v Speaker 1>i'd kind of go through these real quick and we

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<v Speaker 1>just sort of rap about the ones that you've seen

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<v Speaker 1>without doing full reviews. Hopefully, I I don't disappoint, but

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<v Speaker 1>I've been watching some movies on planes myself lately, so

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<v Speaker 1>maybe there's some overlap. All right, Well, I saw and

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<v Speaker 1>shout out to Virgin Australia in Virgin Atlantic, Freddy, dude,

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<v Speaker 1>they do it right to give you like Filet Mignon stuff. Well,

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<v Speaker 1>it's just good. It's just the way you should fly

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<v Speaker 1>overseas on a thirteen hour flight. Yeah, And that was

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<v Speaker 1>just you know, I had to do Atlanta to l A,

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<v Speaker 1>l A to Sydney, Sydney to Perth, because we just

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<v Speaker 1>did it, asked backwards. When we got to Sydney, I

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<v Speaker 1>was like, can we just start here? Do you have

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<v Speaker 1>to get on one more plane? How how long is

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<v Speaker 1>a flight from Sydney to Perth. I feel like it

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<v Speaker 1>was about five hours. I mean it's it's like flying

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<v Speaker 1>across like La New York. Yeah, I forget. I forget

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<v Speaker 1>the size of country other than the United States because

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<v Speaker 1>tunnel vision. Yeah, it's a it's a fucking continental. Yeah,

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<v Speaker 1>that's right. That's right. So I saw the Han Solo movie.

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<v Speaker 1>Hated it. You know, I didn't hate it. I didn't

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<v Speaker 1>like it. I'm somewhere in the middle, you know what.

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<v Speaker 1>I'm overstas wanted to say that phrase in that voice.

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<v Speaker 1>I was like utterly indifferent to it. It did nothing

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<v Speaker 1>for me. Yeah, I was kind of the biggest disappointment

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<v Speaker 1>of all is to be just completely like, I don't

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<v Speaker 1>really remember anything about it now that I'm talking to you, Like,

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<v Speaker 1>I saw it right when it came out. My kid

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<v Speaker 1>liked it because it was kind of a swashbuckling, you know,

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<v Speaker 1>adventure flick sort of. But I just don't really remember

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<v Speaker 1>when I know there was a heist and Woody Harrelson

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<v Speaker 1>was in it, and yeah, just disappointing overall. The first

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<v Speaker 1>sign of like, oh boy, they're really start like is

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<v Speaker 1>this what we're in for? Were are like, I don't know,

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<v Speaker 1>they've been bad Star Wars movies, but like, are we are?

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<v Speaker 1>We just going to get these mediocre character movies one

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<v Speaker 1>after the other every other year now? Well, I think

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<v Speaker 1>it was such a flop that it made them kind

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<v Speaker 1>of change their strategy. They put on the brakes, didn't they.

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<v Speaker 1>I think they did a little bit on some of

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<v Speaker 1>the other the other Origin movies. Yeah, I think, Um,

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<v Speaker 1>I definitely think they took notice and they're like, okay,

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<v Speaker 1>we can't just print money anymore with exactly, which is

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<v Speaker 1>a good message to send, which is the fans deserved more.

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<v Speaker 1>It just wasn't great. What's his name? Donald Glover was good.

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<v Speaker 1>I enjoyed, like he did a good Lando calrisian. Yeah,

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<v Speaker 1>but it doesn't even it very much. Yeah, I don't know, man,

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<v Speaker 1>it was just so mediocre. Yeah, I agree, all right, Tully?

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<v Speaker 1>Did you see Tully? No? I it looked good though.

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<v Speaker 1>Tully was very good. Not what I expected. I won't

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<v Speaker 1>give away too much, um, but I thoroughly enjoyed it.

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<v Speaker 1>Charlie's their Own written by uh Diablo Cody, Diablo Cody

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<v Speaker 1>and Jay and Rerightman directed their A Belief third outing

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<v Speaker 1>together as writer and director Jason Reitman. Yeah, which one

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<v Speaker 1>is he? He? He's Ivan Rerightman's son. He directed Up

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<v Speaker 1>in the Air and Juno. That's right. Oh yeah, yeah, okay,

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<v Speaker 1>of course. Yeah. I didn't realize he was related to Ivan. Yeah. Yeah,

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<v Speaker 1>that's his kid. Ye. Your dad's a director, so you're

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<v Speaker 1>going to be a director. My dad was an elementary

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<v Speaker 1>school principal and so I'm a podcaster. My dad was

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<v Speaker 1>an asshole and uh and I'm a podcaster. Uh, so

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<v Speaker 1>recommend Talie. I saw All the Money in the World.

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<v Speaker 1>Have you seen that? No? That was good man. That

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<v Speaker 1>was the story. Ridley Scott directed it. That's the one

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<v Speaker 1>where they they cut out Kevin Spacey, right, yeah, absolutely, yeah, which,

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<v Speaker 1>now that I've seen it with Christopher Plumber plays uh

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<v Speaker 1>John Paul Getty, the original John Paul Getty. I can't

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<v Speaker 1>imagine Kevin Spacey in that role. That all, he's too young.

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<v Speaker 1>First of all, they would have to age um up.

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<v Speaker 1>It's just silly when you've got Christopher Plumb. Yeah, he's great.

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<v Speaker 1>Do you think he was like on the on the

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<v Speaker 1>short list already or they just kind of like had

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<v Speaker 1>to like scram you know, I'm not sure. Weird that

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<v Speaker 1>it made so much sense. Yeah, Yeah, it was a

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<v Speaker 1>good movie though. You know, it's the true story of

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<v Speaker 1>the kidnapping of John Paul Getty, I think the third

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<v Speaker 1>uh in the nineteen seventies. This is the Getty of

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<v Speaker 1>like the Getty Museum and Getty images and all that

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<v Speaker 1>get Getty, Getty, Getty, Getty, Getty, get Both those are

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<v Speaker 1>Getty right. Whatever happened to him he was in Lost Highway. Yeah,

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<v Speaker 1>I wouldn't feel too bad for me. It's a Getty

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<v Speaker 1>fair enough, fair enough question. Do you did you? What

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<v Speaker 1>was this? What was the scope of the reshoots? Have

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<v Speaker 1>been like based on seeing the movie quite a bit really, Yeah.

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<v Speaker 1>I mean he's in a lot of the movie for sure.

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<v Speaker 1>I Mean I just can't imagine they would to get

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<v Speaker 1>the continuity right and to get everyone back in place

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<v Speaker 1>in all the sets and all everything. I mean, what

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<v Speaker 1>a what a ship show? Yeah, and that's the one

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<v Speaker 1>that at all the news because Marky Mark got paid

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<v Speaker 1>a lot of money for reshoots and Michelle Williams did

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<v Speaker 1>not at right, and everyone got mad, even sort of

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<v Speaker 1>at Marky Mark, who by all accounts from what I've heard,

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<v Speaker 1>is a pretty good guy. And he was like, I

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<v Speaker 1>felt got it bad for him because it wasn't his fault.

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<v Speaker 1>He didn't know. He wasn't like, you pay me a

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<v Speaker 1>lot and don't pay her or anything. Well, I mean

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<v Speaker 1>it's like their managers handle all that ship, yeah exactly.

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<v Speaker 1>But when he he got so much grief, he donated

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<v Speaker 1>his money, I believe to uh to some uh woman's organization.

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<v Speaker 1>I can't remember which one, but which I think was

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<v Speaker 1>a good move. But I'm glad that it brought, like,

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<v Speaker 1>you know, shine to light on that shitty, shitty thing

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<v Speaker 1>that they did. Because Michelle Williams is great. She's sort of,

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<v Speaker 1>you know, sort of the lead of the movie in

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<v Speaker 1>a way. I laugh. I'd love to see it really good, good,

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<v Speaker 1>highsty kidnapping sort of movie. I rewatched The Shining, which

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<v Speaker 1>I gotta say, watching that with headphones on with no

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<v Speaker 1>distractions on a plane in the middle of the night,

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<v Speaker 1>the seven thousand feet above the ocean is a great

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<v Speaker 1>way to see the shining again for like the tenth time.

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<v Speaker 1>Did you get the creeps? Yeah? And just I got

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<v Speaker 1>to really hone in on it with like I said,

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<v Speaker 1>no cell phones, no, no anything, just me and the

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<v Speaker 1>shining in my ear holes. Very cool experience. It's funny.

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<v Speaker 1>I watched the New Blade Owner movie on a plane

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<v Speaker 1>and it was really cool hearing that with headphones. Yeah.

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<v Speaker 1>That because the soundtrack is so ethereal and crazy and

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<v Speaker 1>you've already seen it. I've seen in the theaters. Yeah,

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<v Speaker 1>but hearing it with headphones on really drew attention to

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<v Speaker 1>some of the little details. Score yea, that were pretty cool.

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<v Speaker 1>Headphones are the way to go man, always. I haven't

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<v Speaker 1>done it a while, but my my new album from

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<v Speaker 1>favorite band Ritual was always, lay down the floor with

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<v Speaker 1>my headphones, turn off the lights, lock myself in a room,

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<v Speaker 1>and give it. I call it the headphones listen. Best

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<v Speaker 1>way to experience music in movies absolutely. Uh. Deadpool two

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<v Speaker 1>finally saw that. Yeah, I enjoyed that. It was funny.

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<v Speaker 1>It's fucking great. Are just really fun movies so funny?

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<v Speaker 1>As rewatched Avengers the Infinity War because why not? And

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<v Speaker 1>then I watched a few documentaries. I watched the Michael

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<v Speaker 1>Caine documentary called My Generation that you would totally dig.

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<v Speaker 1>And it's not Michael Caine is sort of the host

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<v Speaker 1>of the documentary. It's not just about his life, but

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<v Speaker 1>it's about London in the nineteen sixties late sixties and

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<v Speaker 1>what a hip swinging place that was and told through

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<v Speaker 1>his eyes about him and the Rolling Stones and Maryanne

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<v Speaker 1>Faithful and Albert Finney and like just the actors and

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<v Speaker 1>the writers and the artists and the musicians. Was it

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<v Speaker 1>just like Austin Powers. Well, it was very Austin Powers.

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<v Speaker 1>That was definitely that era, but highly recommend And you

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<v Speaker 1>get to hear Michael Kaine, Michael Kaine, you know what,

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<v Speaker 1>Oh my cocaine, cocaine. That's right. Hits your hands off,

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<v Speaker 1>Mike Cocaine. He's so good man. Uh docu entry, Yeah, cool,

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<v Speaker 1>it's called My Generation. It's good. Identical Strangers is about

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<v Speaker 1>these three identical twins separated at birth, who meet, uh,

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<v Speaker 1>when they are nineteen years old, These three boys, and

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<v Speaker 1>so you basically can you imagine being nineteen years old

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<v Speaker 1>out of high school and you meet another Knoll and

0:12:24.960 --> 0:12:30.400
<v Speaker 1>then another Null. Yeah, identical triplets would be terrifying or

0:12:30.440 --> 0:12:32.600
<v Speaker 1>maybe comforting. I don't know. I could use a buddy.

0:12:33.000 --> 0:12:36.040
<v Speaker 1>It's a really interesting story and it goes different places

0:12:36.080 --> 0:12:38.440
<v Speaker 1>that you don't expect. I have heard nothing but amazing

0:12:38.480 --> 0:12:40.080
<v Speaker 1>things about it and it and it is a It

0:12:40.160 --> 0:12:42.079
<v Speaker 1>sounded like pure fiction when I first heard it, but

0:12:42.320 --> 0:12:44.240
<v Speaker 1>it is. It's very much a real thing that happened.

0:12:44.320 --> 0:12:45.760
<v Speaker 1>It was a big deal with time too. I think

0:12:45.840 --> 0:12:48.920
<v Speaker 1>it was the maybe early eighties when it happened, and

0:12:48.960 --> 0:12:50.480
<v Speaker 1>they were just you know, they blew up there on

0:12:50.520 --> 0:12:53.160
<v Speaker 1>every TV show and every magazine and I think I'd

0:12:53.200 --> 0:12:56.120
<v Speaker 1>sort of remember that a little bit, uh when I

0:12:56.160 --> 0:12:59.839
<v Speaker 1>was a kid, but very good identical strangers. And then finally, no,

0:13:00.120 --> 0:13:03.840
<v Speaker 1>I watched the Mr. Rogers documentary Won't You Be My Neighbor?

0:13:04.040 --> 0:13:07.040
<v Speaker 1>And cried on a plane did a pull on them heartstrings?

0:13:07.280 --> 0:13:11.200
<v Speaker 1>L geez, have you seen it? God? Damn so good.

0:13:11.280 --> 0:13:13.600
<v Speaker 1>I don't know if I'm ready. It's really really great,

0:13:14.320 --> 0:13:16.680
<v Speaker 1>and it's it's so cool just to shine a light

0:13:16.720 --> 0:13:19.000
<v Speaker 1>on that dude and the work that he did. And

0:13:19.640 --> 0:13:23.840
<v Speaker 1>to top it off, uh, my buddy Scotty, who was

0:13:24.480 --> 0:13:28.200
<v Speaker 1>just appeared for the Close Encounters edition. He did additional

0:13:28.240 --> 0:13:29.840
<v Speaker 1>camera work on it. He did some of the interviews,

0:13:30.240 --> 0:13:32.040
<v Speaker 1>so I got to see his name on the screen

0:13:32.080 --> 0:13:34.040
<v Speaker 1>at the end. That's awesome, which is always great. Lay

0:13:34.080 --> 0:13:37.040
<v Speaker 1>to go Scotty. So that is movies on a plane.

0:13:37.080 --> 0:13:39.160
<v Speaker 1>That's what I watched everyone. I think there might you

0:13:39.280 --> 0:13:42.600
<v Speaker 1>also watched a lot of Assy rules football because on

0:13:42.640 --> 0:13:45.920
<v Speaker 1>the Virgin flights they have classic matches and I really

0:13:45.920 --> 0:13:48.440
<v Speaker 1>got into that sport while I was over there because

0:13:48.440 --> 0:13:50.840
<v Speaker 1>their playoffs, their finals are going on right now. Cool,

0:13:50.920 --> 0:13:53.320
<v Speaker 1>it's really really fun. You were not really super into

0:13:53.679 --> 0:13:56.520
<v Speaker 1>this soccer we're talking about, right, No, no no, no, Assi football?

0:13:56.640 --> 0:13:59.440
<v Speaker 1>What is this? It is? It's sort of like a

0:13:59.480 --> 0:14:05.160
<v Speaker 1>combination of rugby soccer and American football. It's yeah, it's

0:14:05.160 --> 0:14:09.600
<v Speaker 1>a crazy hybrid right there, it is, and it's if

0:14:09.600 --> 0:14:11.640
<v Speaker 1>you're an American used to American football, it's a little

0:14:11.679 --> 0:14:14.240
<v Speaker 1>hard to follow it first, but as a sports fan

0:14:14.880 --> 0:14:17.600
<v Speaker 1>just intuitively, if you start watching it, you're like, all right,

0:14:17.640 --> 0:14:21.120
<v Speaker 1>I sort of get the rules and it's great, what

0:14:21.120 --> 0:14:24.560
<v Speaker 1>what a wonderful sport, and I'm gonna continue to watch

0:14:24.600 --> 0:14:28.200
<v Speaker 1>here in America online? What's your outlet for it? Here? Online? Exactly?

0:14:28.240 --> 0:14:30.360
<v Speaker 1>Of course, you can watch anything online. You can watch

0:14:30.400 --> 0:14:43.120
<v Speaker 1>anything online. So moving on to trope time, We're gonna

0:14:43.160 --> 0:14:45.720
<v Speaker 1>keep the tropes going, everybody, because on the movie Crushers page,

0:14:45.760 --> 0:14:50.240
<v Speaker 1>you are bringing it and uh, they are like cheez,

0:14:50.440 --> 0:14:54.000
<v Speaker 1>three seventy eight tropes here, So we'll we'll mention ten

0:14:54.080 --> 0:14:58.000
<v Speaker 1>or fifteen of them. Uh. Aunt Rebecca, I love that

0:14:58.840 --> 0:15:02.160
<v Speaker 1>that's somebody's name on face book. When do you say

0:15:02.160 --> 0:15:05.360
<v Speaker 1>aunt or aunt? I say aunt? See I say aunt.

0:15:05.600 --> 0:15:08.000
<v Speaker 1>But everyone laughs at that. Now you know what now

0:15:08.000 --> 0:15:09.280
<v Speaker 1>that I'm staying, Now that I was saying it out loud,

0:15:09.280 --> 0:15:11.480
<v Speaker 1>I'm not sure what I say. I don't have occasion

0:15:11.480 --> 0:15:13.680
<v Speaker 1>to say it very often. Do you don't have aunts?

0:15:13.880 --> 0:15:16.640
<v Speaker 1>I do? But I just call her Betsy Aunt. I

0:15:16.680 --> 0:15:19.720
<v Speaker 1>say Aunt Betsy Betsy. Yeah, I wouldn't say that sounds

0:15:19.760 --> 0:15:22.400
<v Speaker 1>very hoity toity, it does, right, Yeah, agree, I don't

0:15:22.400 --> 0:15:23.880
<v Speaker 1>know why I said I said that. So this is

0:15:23.920 --> 0:15:28.320
<v Speaker 1>Aunt Rebecca when it's time for spontaneous romance and the

0:15:28.360 --> 0:15:33.240
<v Speaker 1>lovers move into a bedroom filled with lit candles, not bad. Yeah,

0:15:33.280 --> 0:15:37.080
<v Speaker 1>like that scene in the room. Oh yeah sure, yeah.

0:15:37.200 --> 0:15:41.200
<v Speaker 1>Oh god, that's the troopiest embodiment of that trope that

0:15:41.240 --> 0:15:44.160
<v Speaker 1>ever could be. Because the thing that because Tommy y

0:15:44.280 --> 0:15:46.440
<v Speaker 1>so is Mr Trope and he you know, that whole

0:15:46.480 --> 0:15:49.440
<v Speaker 1>movie is full of like, you know, cliche and that

0:15:49.640 --> 0:15:51.320
<v Speaker 1>is like one of the big ones. Yeah, that's all

0:15:51.360 --> 0:15:53.840
<v Speaker 1>he knew how to do. There's also rose petals, I

0:15:53.840 --> 0:15:57.160
<v Speaker 1>believe in that scene raked in rose Petals, which has

0:15:57.240 --> 0:16:01.440
<v Speaker 1>literally never happened. Who do that? Or if you're moving

0:16:01.480 --> 0:16:04.040
<v Speaker 1>into bedroom for sexy time, you don't certainly don't stop

0:16:04.040 --> 0:16:06.800
<v Speaker 1>to light candles. I mean maybe if you're like preparing

0:16:06.880 --> 0:16:09.760
<v Speaker 1>for like an anniversary romantic evening, you have the house

0:16:09.840 --> 0:16:12.800
<v Speaker 1>filled with candles or something, but still it just seems

0:16:12.800 --> 0:16:16.440
<v Speaker 1>like a fire hazard. Yeah. And also a sure way

0:16:16.480 --> 0:16:18.640
<v Speaker 1>to make sure you don't have sexy time is to

0:16:18.880 --> 0:16:23.600
<v Speaker 1>pre light the candles, because then you'll get in a fight. Yeah,

0:16:23.680 --> 0:16:26.000
<v Speaker 1>because you're getting a fight. You're like, well, shut au

0:16:26.040 --> 0:16:27.920
<v Speaker 1>lit all these candles. Now we're in a fight. Now

0:16:27.960 --> 0:16:35.480
<v Speaker 1>we gotta blow them all out. Dave Taylor says, ditching

0:16:35.560 --> 0:16:38.600
<v Speaker 1>school or work and you get your picture on the

0:16:38.640 --> 0:16:43.520
<v Speaker 1>paper or TV. What. I don't know what he's talking about.

0:16:44.600 --> 0:16:47.680
<v Speaker 1>I mean, I guess the modern equivalent is like ditching

0:16:47.720 --> 0:16:51.160
<v Speaker 1>school or work and you end up posting something dumb

0:16:51.240 --> 0:16:53.360
<v Speaker 1>on Facebook and let it set. Let's let's everybody know

0:16:53.360 --> 0:16:57.000
<v Speaker 1>that you get busted. You had to get busted. Doller.

0:16:57.080 --> 0:16:59.800
<v Speaker 1>Maybe maybe I can't think of an example. People should

0:16:59.800 --> 0:17:03.200
<v Speaker 1>give examples with these, the less obvious ones. I would

0:17:03.200 --> 0:17:04.840
<v Speaker 1>love to hear some examples. But I did see somebody

0:17:04.880 --> 0:17:07.760
<v Speaker 1>say on the Facebook page and does anybody else ever

0:17:08.000 --> 0:17:11.560
<v Speaker 1>shake their fist at the podcast device when Chuck and

0:17:11.640 --> 0:17:14.240
<v Speaker 1>Nold are not aware of it? And then I totally

0:17:14.240 --> 0:17:17.000
<v Speaker 1>am um, this, maybe this is one, so right in

0:17:17.119 --> 0:17:19.159
<v Speaker 1>let us know. Hopefully people are shaking their fists at

0:17:19.240 --> 0:17:24.280
<v Speaker 1>us right now. Uh. Joe bomb Gardner says the bathrobe

0:17:24.359 --> 0:17:28.080
<v Speaker 1>over pajamas trope. If you need a midnight snack, or

0:17:28.119 --> 0:17:30.560
<v Speaker 1>here's something go bump in the night, or need to

0:17:30.640 --> 0:17:32.960
<v Speaker 1>let in the cat, you must put on a bathroom

0:17:33.200 --> 0:17:37.360
<v Speaker 1>over your matching button down pajamas. That's funny. That seems superfluous.

0:17:37.359 --> 0:17:39.600
<v Speaker 1>It's like the you know one or the other bathrobes

0:17:39.640 --> 0:17:43.040
<v Speaker 1>go over the nude form. Yeah, I don't wear a bathrobe.

0:17:43.040 --> 0:17:45.040
<v Speaker 1>Do you mean I'm at a at a hotel if

0:17:45.040 --> 0:17:47.600
<v Speaker 1>I'm trying to pamper myself, maybe do you wear those?

0:17:47.640 --> 0:17:49.400
<v Speaker 1>I get grossed out by those because I don't want

0:17:49.400 --> 0:17:52.880
<v Speaker 1>my my junk touching the terry cloth of another man's joe.

0:17:52.920 --> 0:17:57.879
<v Speaker 1>You don't think they have been laundered properly? I don't know. Trusting, yeah,

0:17:57.960 --> 0:17:59.480
<v Speaker 1>but I mean, but if you feel that way, then

0:17:59.480 --> 0:18:01.360
<v Speaker 1>why do you do You even sleep in the bed?

0:18:01.440 --> 0:18:02.960
<v Speaker 1>Do you just stand up all night? What do you

0:18:03.320 --> 0:18:09.399
<v Speaker 1>I sleep? Yeah? I stand up all night. It's pretty cool. Um, No,

0:18:09.840 --> 0:18:11.679
<v Speaker 1>I do, But I do. I do. The first thing

0:18:11.720 --> 0:18:15.160
<v Speaker 1>I do is I take off that top, uh not sheet,

0:18:15.240 --> 0:18:17.800
<v Speaker 1>but whatever the top quilt is. Do they yeah, because

0:18:17.840 --> 0:18:20.000
<v Speaker 1>I think they're I don't think they watched those I

0:18:20.000 --> 0:18:22.320
<v Speaker 1>think so. No, and hotels are disgrossed me. And you

0:18:22.359 --> 0:18:26.680
<v Speaker 1>ever seen the specials where they're taking their sperm everywhere,

0:18:26.920 --> 0:18:30.800
<v Speaker 1>everywhere everywhere? You know, you know where the most sperm is?

0:18:31.440 --> 0:18:39.840
<v Speaker 1>Oh Jesus on the remok Oh god, no wonder, I'm sick.

0:18:39.960 --> 0:18:43.800
<v Speaker 1>You know that line in Love shack glitter on the mattress,

0:18:43.840 --> 0:18:46.560
<v Speaker 1>glitter on the su Yeah, you know they're referring to

0:18:47.000 --> 0:18:52.000
<v Speaker 1>semen totally glitter. Are you sure about that? Why glitter?

0:18:52.200 --> 0:18:55.960
<v Speaker 1>I don't know, because it's it's a little shiny, like

0:18:55.960 --> 0:18:58.840
<v Speaker 1>like the two day old snail trail shining exactly. Oh god,

0:18:58.880 --> 0:19:04.879
<v Speaker 1>where are we going old glitter everywhere? Man? Glitter on

0:19:04.960 --> 0:19:07.320
<v Speaker 1>the highway, never gonna be the same for you ever again?

0:19:07.359 --> 0:19:11.720
<v Speaker 1>Isn't No, it's not You've ruined it for me. It

0:19:12.080 --> 0:19:14.800
<v Speaker 1>might not be true. I heard somebody saying, all right,

0:19:14.920 --> 0:19:18.400
<v Speaker 1>Joel Coleman says, ragtag bunch of friends. The smart one,

0:19:18.640 --> 0:19:22.440
<v Speaker 1>the chubby one, the rebellious one, the beautiful one. Sure

0:19:22.560 --> 0:19:26.159
<v Speaker 1>I'm the smart, chubby, rebellious one. Well, I guess that

0:19:26.160 --> 0:19:28.440
<v Speaker 1>means I'm the beautiful one. I guess so about that.

0:19:28.440 --> 0:19:30.080
<v Speaker 1>That's that. That's the thing that chucked between the two

0:19:30.080 --> 0:19:33.240
<v Speaker 1>of us. We encompass a whole rag tag crew. That's right.

0:19:33.400 --> 0:19:36.400
<v Speaker 1>We are ready for adventures, my friends. Let's do it.

0:19:36.880 --> 0:19:40.240
<v Speaker 1>Sarah McNitt, I love that name, says, I'm pretty sure,

0:19:40.320 --> 0:19:42.960
<v Speaker 1>that pretty sure that no high school dance I went

0:19:43.000 --> 0:19:46.200
<v Speaker 1>to ever had punch. But every high school dance in

0:19:46.240 --> 0:19:48.280
<v Speaker 1>every movie has a big bowl of punch to spike.

0:19:48.520 --> 0:19:51.399
<v Speaker 1>No way. I've been to punch punch parties. Have you

0:19:51.400 --> 0:19:54.320
<v Speaker 1>been to punch party? Yeah? Punch dances, yes, and a

0:19:54.320 --> 0:19:55.679
<v Speaker 1>lot of and and you know what I remember, and

0:19:55.840 --> 0:19:58.600
<v Speaker 1>very fondly, is they would have a big, old floating

0:19:59.000 --> 0:20:02.800
<v Speaker 1>hunk of orange sherbet in them. Oh delicious, And it

0:20:02.880 --> 0:20:06.760
<v Speaker 1>was a soda based punch, so it was a little fizzy. Yeah.

0:20:07.040 --> 0:20:09.280
<v Speaker 1>You know what Emily does is she makes a fuzzy

0:20:09.359 --> 0:20:14.560
<v Speaker 1>naval punch for events. That's uh, I think it's orange

0:20:14.640 --> 0:20:19.359
<v Speaker 1>juice and peach snops. And then she she makes these.

0:20:19.600 --> 0:20:24.520
<v Speaker 1>She gets a butt cake ring pan and she cuts

0:20:24.560 --> 0:20:29.960
<v Speaker 1>orange slices. Everybody, this is like serious Martha Stewart advice. Here.

0:20:30.000 --> 0:20:31.720
<v Speaker 1>She gets like a bunt cake pan and then puts

0:20:31.760 --> 0:20:34.800
<v Speaker 1>water in it and puts in little orange slices. That

0:20:34.880 --> 0:20:39.920
<v Speaker 1>freezes into a delightful frozen o ring full of oranges,

0:20:39.960 --> 0:20:42.879
<v Speaker 1>and she puts that to cool down the punch and

0:20:42.920 --> 0:20:47.280
<v Speaker 1>it floats much like your sherbet does. Very very tasty.

0:20:47.320 --> 0:20:50.240
<v Speaker 1>I bet the ladies love it. Have to invite me

0:20:50.280 --> 0:20:53.159
<v Speaker 1>to one of these soires one day, Chuck, I will

0:20:53.240 --> 0:20:55.600
<v Speaker 1>you know what? You're on the Christmas party list just

0:20:55.720 --> 0:20:58.159
<v Speaker 1>like that, sweet, although I don't know for everyone this

0:20:58.240 --> 0:21:00.680
<v Speaker 1>year because we're moving out of our us next week

0:21:01.040 --> 0:21:03.800
<v Speaker 1>to renovate it, so we will literally have Christmas in

0:21:03.840 --> 0:21:06.720
<v Speaker 1>a rental home this year. Maybe I have a party there.

0:21:07.000 --> 0:21:11.560
<v Speaker 1>You should trash the place. Mark phonum Or fox num,

0:21:12.080 --> 0:21:15.280
<v Speaker 1>but I bet it's Phonem says, gun goes off. Everyone

0:21:15.359 --> 0:21:19.000
<v Speaker 1>is fine, but wait, someone looks down and a spot

0:21:19.040 --> 0:21:22.560
<v Speaker 1>of blood slowly starts growing. Of course, of course, how

0:21:22.560 --> 0:21:25.720
<v Speaker 1>do you know you're not shot? That's the thing. It's

0:21:25.720 --> 0:21:30.440
<v Speaker 1>always like the realization that I'm shot, whereas in real

0:21:30.560 --> 0:21:36.040
<v Speaker 1>reality you'd be like, fun, shot, I'm shot. Well, do

0:21:36.040 --> 0:21:37.720
<v Speaker 1>you think it might be like a like a like

0:21:37.760 --> 0:21:41.240
<v Speaker 1>a shock kind of thing, maybe you know, maybe you know?

0:21:41.720 --> 0:21:44.800
<v Speaker 1>Or like did that just get pinched? Exactly? I wonder

0:21:44.800 --> 0:21:47.040
<v Speaker 1>what getting shot feels like. It Probably it feels worse

0:21:47.040 --> 0:21:49.359
<v Speaker 1>than getting pinched. I'm really curious. I don't want to

0:21:49.359 --> 0:21:52.160
<v Speaker 1>get shot. But I've always been one of those people

0:21:52.200 --> 0:21:55.399
<v Speaker 1>that wanted the experience of something, even if it wasn't pleasant.

0:21:55.640 --> 0:21:57.080
<v Speaker 1>You want to know what it's like. Do you want

0:21:57.080 --> 0:22:01.080
<v Speaker 1>to taste each other? You know? When I was younger,

0:22:01.119 --> 0:22:02.920
<v Speaker 1>I might have done something stupid like that. Yeah, I

0:22:02.920 --> 0:22:05.320
<v Speaker 1>would do ship like that. Like there was I remember

0:22:05.320 --> 0:22:07.040
<v Speaker 1>one time that it wasn't a BB gun and it

0:22:07.080 --> 0:22:10.080
<v Speaker 1>was some sort of a gun that shot something pretty hard,

0:22:11.160 --> 0:22:14.280
<v Speaker 1>and everyone was shooting it and wondering how bad it hurt,

0:22:14.800 --> 0:22:17.399
<v Speaker 1>And so I said, shoot me and I lifted up

0:22:17.440 --> 0:22:20.200
<v Speaker 1>my shirt and someone shot me with it, and it hurt.

0:22:20.920 --> 0:22:23.760
<v Speaker 1>But I knew then, you know. I like having that

0:22:23.840 --> 0:22:30.159
<v Speaker 1>first person, that visceral knowledge. It's important, Chuck, it is,

0:22:30.320 --> 0:22:34.280
<v Speaker 1>It's important for growing as a as a person. Uh.

0:22:34.359 --> 0:22:39.080
<v Speaker 1>Let me see here, Mohammed uh Man. Everyone has much

0:22:39.119 --> 0:22:43.480
<v Speaker 1>better names than we do. Mohammed Day. I'm not sure

0:22:43.520 --> 0:22:45.240
<v Speaker 1>if this has been shared yet, but any time a

0:22:45.280 --> 0:22:47.639
<v Speaker 1>gang of bad guys that texts the hero, they always

0:22:47.640 --> 0:22:49.919
<v Speaker 1>fight him, one or two at a time. You have

0:22:49.920 --> 0:22:53.040
<v Speaker 1>the numbers, guys, you should gang rush to the hero. Yes,

0:22:53.080 --> 0:22:55.359
<v Speaker 1>that is for sure. They just sort of stand around.

0:22:56.160 --> 0:22:58.320
<v Speaker 1>I feel like this has come up. It probably has,

0:22:58.520 --> 0:23:01.080
<v Speaker 1>but it's good worth mentioning. It's accurate. You know what,

0:23:01.200 --> 0:23:04.399
<v Speaker 1>if we repeat these, it just means that they're they

0:23:04.720 --> 0:23:06.720
<v Speaker 1>fit the bill. That's right, all right, let's do one

0:23:06.720 --> 0:23:10.439
<v Speaker 1>more here. James Nordstrom says diving helmets and space helmets

0:23:10.480 --> 0:23:13.720
<v Speaker 1>must have interior lighting whose only apparent function is to

0:23:13.720 --> 0:23:17.320
<v Speaker 1>eliminate the face of the user. Sure, because it's a

0:23:17.359 --> 0:23:20.960
<v Speaker 1>movie and you gotta see the face, you know. I

0:23:21.040 --> 0:23:26.080
<v Speaker 1>really like the shot from inside the helmet. Oh the Yeah,

0:23:26.080 --> 0:23:28.120
<v Speaker 1>that's a that's a good one. That's a good one. Yeah,

0:23:28.160 --> 0:23:30.639
<v Speaker 1>but he's got a point. Like in real life, I

0:23:30.840 --> 0:23:32.760
<v Speaker 1>r L. I doubt if they have a light like

0:23:32.800 --> 0:23:34.760
<v Speaker 1>shining in your face inside the helmet. Yeah, that would

0:23:34.840 --> 0:23:36.520
<v Speaker 1>be pleasant, would be pleasant. If anything, it would be

0:23:36.600 --> 0:23:38.239
<v Speaker 1>like a head like a worklight, like one of those

0:23:38.280 --> 0:23:40.520
<v Speaker 1>little head headband things you put on, you know when

0:23:40.560 --> 0:23:52.359
<v Speaker 1>you're like yeah, like a headlamp, head lamp. Yeah. All right, everyone,

0:23:52.720 --> 0:23:55.080
<v Speaker 1>we're gonna finish up with stream this and comment card.

0:23:56.000 --> 0:24:00.840
<v Speaker 1>I have been watching Ozark season two. Did you watch

0:24:00.840 --> 0:24:03.199
<v Speaker 1>any of that season one? I didn't finish season one

0:24:03.240 --> 0:24:05.840
<v Speaker 1>and I lost me um, Like yeah, I mean I

0:24:05.880 --> 0:24:08.920
<v Speaker 1>didn't think it was bad. Sometimes I just sometimes it

0:24:09.000 --> 0:24:12.800
<v Speaker 1>just like guy drift, I get it. I love it.

0:24:13.280 --> 0:24:15.040
<v Speaker 1>Weigh in on the show. It shot right here in

0:24:15.080 --> 0:24:18.800
<v Speaker 1>Atlanta at Lake Altoona. Have a few friends at work

0:24:18.840 --> 0:24:23.000
<v Speaker 1>on it on the crew there. And uh, apparently Bateman

0:24:23.119 --> 0:24:26.040
<v Speaker 1>is a great guy. My friend works in props and

0:24:26.040 --> 0:24:28.480
<v Speaker 1>and Bateman is he's done the show runner, but he

0:24:28.520 --> 0:24:30.520
<v Speaker 1>directs a bunch of episodes and it's sort of his

0:24:30.520 --> 0:24:33.080
<v Speaker 1>his gig. And he said Bateman is just the ship.

0:24:33.600 --> 0:24:38.359
<v Speaker 1>He said, he's super cool and like if something needs doing,

0:24:38.480 --> 0:24:40.960
<v Speaker 1>he does it. He doesn't sit around and say I

0:24:41.040 --> 0:24:43.480
<v Speaker 1>need someone to come in and and move that painting,

0:24:43.520 --> 0:24:46.600
<v Speaker 1>like he'll just go do it. That's awesome, And it

0:24:46.640 --> 0:24:48.760
<v Speaker 1>sounds like not a big deal, But when you work

0:24:48.760 --> 0:24:51.800
<v Speaker 1>on movie sets and film sets and a director does

0:24:51.880 --> 0:24:53.880
<v Speaker 1>things like that, it sends a big message to the crew.

0:24:53.960 --> 0:24:56.359
<v Speaker 1>That's just like, I'm just here to get the work done.

0:24:56.600 --> 0:25:00.520
<v Speaker 1>And it's a good message for sure. So uh, it's

0:25:00.520 --> 0:25:03.480
<v Speaker 1>the same with podcasting, Chuck, Is that right? You just

0:25:03.480 --> 0:25:05.280
<v Speaker 1>get the work done. Get the work done, that's right.

0:25:05.960 --> 0:25:07.679
<v Speaker 1>Although I will just sit here and wait for you

0:25:07.720 --> 0:25:09.720
<v Speaker 1>to pull the microphone over to my mouth. That's true,

0:25:09.840 --> 0:25:12.040
<v Speaker 1>which is our ritual. Yes, and then and then that

0:25:12.320 --> 0:25:14.960
<v Speaker 1>our our ritual back massage. And then I and I

0:25:14.960 --> 0:25:16.720
<v Speaker 1>take the water bottle and hold it up to you

0:25:16.760 --> 0:25:18.359
<v Speaker 1>so you can like suck a little bit and then

0:25:18.359 --> 0:25:20.280
<v Speaker 1>switch it around and then I pop to spit it

0:25:20.280 --> 0:25:22.920
<v Speaker 1>into noll. I need an espresso sip. That's a that's

0:25:22.920 --> 0:25:26.840
<v Speaker 1>a trope as well. The boxing uh coach who takes

0:25:26.920 --> 0:25:29.320
<v Speaker 1>the water bottle. It's like it's a trope because it

0:25:29.320 --> 0:25:32.040
<v Speaker 1>happens in real boxing. Probably Yeah, yeah, I would say

0:25:32.080 --> 0:25:33.840
<v Speaker 1>that's the witch a trope. Is a depiction of real

0:25:33.840 --> 0:25:35.840
<v Speaker 1>life boxing. But also it's like, I guess it's because

0:25:35.840 --> 0:25:38.880
<v Speaker 1>they're wearing gloves so they can't they hold the bottle.

0:25:38.920 --> 0:25:41.280
<v Speaker 1>They can't hold the bottle, so it's not so much

0:25:41.280 --> 0:25:43.240
<v Speaker 1>a babying thing as it is just a functional thing.

0:25:43.400 --> 0:25:46.120
<v Speaker 1>You're probably right, I take it back, but yeah, I'm

0:25:46.160 --> 0:25:47.920
<v Speaker 1>into Ozark. Man. I think it's good. I think it's

0:25:47.960 --> 0:25:52.800
<v Speaker 1>a it's not quite breaking bad good, but it's basically

0:25:52.840 --> 0:25:55.879
<v Speaker 1>the same show when you look at it at it's

0:25:55.920 --> 0:25:58.160
<v Speaker 1>at a macro point of view. Do you think that's

0:25:58.160 --> 0:26:02.200
<v Speaker 1>how they pitched it. They're like, it's bringing bad Ozarks, Yeah,

0:26:02.280 --> 0:26:06.159
<v Speaker 1>with money instead of crank. Yeah. I'm sure that the

0:26:06.160 --> 0:26:08.439
<v Speaker 1>words breaking bad were used in a pitch meeting at

0:26:08.480 --> 0:26:11.080
<v Speaker 1>some point. But it has that feel, you know, regular

0:26:11.119 --> 0:26:14.159
<v Speaker 1>family who caught up like way over their heads with

0:26:14.280 --> 0:26:18.520
<v Speaker 1>bad guys and getting into trouble and desperate to do something.

0:26:18.720 --> 0:26:21.600
<v Speaker 1>And uh, I just dig it, so blaze through like

0:26:22.880 --> 0:26:25.880
<v Speaker 1>I think the first four episodes of season two and

0:26:26.040 --> 0:26:28.199
<v Speaker 1>uh it's got me, man, I just dig it. A

0:26:28.200 --> 0:26:32.760
<v Speaker 1>Love Bateman, Laura, Lenny's awesome, just great, great cast. Opted

0:26:33.359 --> 0:26:35.320
<v Speaker 1>I'll revisit it. Yeah, I want to get I'm dying

0:26:35.359 --> 0:26:39.040
<v Speaker 1>to get Laura Lenny in here. Man. She's just the best,

0:26:39.280 --> 0:26:43.240
<v Speaker 1>big fan of hers and she's close by. Why don't

0:26:43.240 --> 0:26:45.320
<v Speaker 1>people know we were surrounded by movie stars in this

0:26:45.400 --> 0:26:47.960
<v Speaker 1>town now and none of them. They should be flocking.

0:26:48.040 --> 0:26:51.680
<v Speaker 1>They should be flocking. The kiddy is running dry, everybody.

0:26:51.800 --> 0:26:55.200
<v Speaker 1>We have no guests on the horizon, so who knows? No,

0:26:55.400 --> 0:26:57.199
<v Speaker 1>we we need to record. What's your movie going to be?

0:26:57.480 --> 0:27:00.320
<v Speaker 1>Oh god, I can't say it here, all right, I don't.

0:27:00.320 --> 0:27:04.080
<v Speaker 1>I don't even know. We'll stay tuned because that's that's coming, buddy,

0:27:04.240 --> 0:27:06.119
<v Speaker 1>all right. In comment card, let's finish up with some

0:27:06.240 --> 0:27:11.640
<v Speaker 1>questions from you guys to us guys. Uh. Eric Keith says,

0:27:11.720 --> 0:27:13.560
<v Speaker 1>do you applaud at the end of a movie in

0:27:13.600 --> 0:27:16.320
<v Speaker 1>a theater? I personally get annoyed by it. Most likely

0:27:16.359 --> 0:27:18.120
<v Speaker 1>there's no one in the theater involved in the making

0:27:18.119 --> 0:27:22.160
<v Speaker 1>of the film, So who are you applauding for? Well, Eric,

0:27:22.200 --> 0:27:23.960
<v Speaker 1>first of all, I think you're missing the point a

0:27:24.040 --> 0:27:27.520
<v Speaker 1>little bit there. Of course, you're not applauding the people

0:27:28.080 --> 0:27:30.720
<v Speaker 1>that you think are actually in the theater. You're applauding

0:27:30.840 --> 0:27:34.080
<v Speaker 1>the work of the artist. But I will say that, uh,

0:27:34.280 --> 0:27:36.960
<v Speaker 1>it doesn't happen much. But I have been to a

0:27:37.000 --> 0:27:40.120
<v Speaker 1>few movies over the years where they are very very

0:27:40.119 --> 0:27:44.439
<v Speaker 1>special movies, anticipated wonderful works of art that sort of

0:27:44.920 --> 0:27:49.000
<v Speaker 1>are more important, maybe where people have clapped a little bit,

0:27:49.480 --> 0:27:51.840
<v Speaker 1>and I don't think I did, but it didn't bug me.

0:27:52.000 --> 0:27:54.320
<v Speaker 1>I think it kind of made me feel good. What

0:27:54.400 --> 0:27:57.480
<v Speaker 1>about you. You ever been in a theater where people play, Yeah,

0:27:57.480 --> 0:27:58.919
<v Speaker 1>you kind of like go with the room and if

0:27:59.040 --> 0:28:00.520
<v Speaker 1>you know, I mean, I'll tell you what happens too

0:28:00.600 --> 0:28:02.919
<v Speaker 1>is or when I definitely remember it happening was the

0:28:03.000 --> 0:28:06.440
<v Speaker 1>first big Star Wars reboot, Forced Awakens, you know. Seeing

0:28:06.440 --> 0:28:08.800
<v Speaker 1>that on opening now, I think, yeah, the room full

0:28:08.800 --> 0:28:11.160
<v Speaker 1>of Star Wars geeks, you know that's that's gonna happen

0:28:11.160 --> 0:28:13.840
<v Speaker 1>because people are just jazzed and it's and then that

0:28:13.960 --> 0:28:16.760
<v Speaker 1>music comes on, you know, just like everyone people at

0:28:16.800 --> 0:28:18.840
<v Speaker 1>the beginning, they did clap at the beginning that fucking

0:28:18.840 --> 0:28:22.359
<v Speaker 1>scroll starts. People are like, yeah, like I have a

0:28:22.359 --> 0:28:25.880
<v Speaker 1>good time, enjoy yourself, go into the movies. That's why

0:28:25.920 --> 0:28:27.920
<v Speaker 1>you go. Yeah, don't be experience with someone else, don't

0:28:27.960 --> 0:28:31.440
<v Speaker 1>be an asshole, don't be annoying. Come on, guy, oh

0:28:31.480 --> 0:28:36.119
<v Speaker 1>he's not an asshole. I'm just kidding. Tracy Fox is, uh,

0:28:36.320 --> 0:28:39.960
<v Speaker 1>what's your guilty pleasure movie? Well that you hate to love?

0:28:40.040 --> 0:28:41.680
<v Speaker 1>Remember you used to ask that to guess and then

0:28:41.680 --> 0:28:45.959
<v Speaker 1>they always were confused. That's bewildered to buy it. Some

0:28:46.000 --> 0:28:48.960
<v Speaker 1>people hate that whole segment. They're just like, stop asking

0:28:49.080 --> 0:28:53.120
<v Speaker 1>questions like that. Get your own show. They do that,

0:28:53.160 --> 0:28:54.920
<v Speaker 1>they say that to you. Yeah, people have said I

0:28:54.960 --> 0:28:57.720
<v Speaker 1>don't even like that segment. I don't even do that anymore.

0:28:57.760 --> 0:29:01.400
<v Speaker 1>Oh you mean like listeners. Yeah, that's right. I thought

0:29:01.400 --> 0:29:03.840
<v Speaker 1>you meant like the the guests are like, are you

0:29:03.920 --> 0:29:06.680
<v Speaker 1>asking me questions? Like? That's what that's the arrangement here,

0:29:06.840 --> 0:29:08.880
<v Speaker 1>I can I can show them the door. No, that's

0:29:08.880 --> 0:29:10.720
<v Speaker 1>all that would work. I can see it themselves. It's

0:29:10.800 --> 0:29:14.120
<v Speaker 1>right there. So Tracy Fox says, guilty pleasure movie. I

0:29:14.160 --> 0:29:17.840
<v Speaker 1>don't geez. I've got so many of those. I can

0:29:17.880 --> 0:29:22.160
<v Speaker 1>watch some kind of dumb movies a lot, like, uh,

0:29:22.200 --> 0:29:26.840
<v Speaker 1>what's that dinner for schmucks? Oh yeah, that was fun. Yeah,

0:29:26.880 --> 0:29:28.880
<v Speaker 1>but I would say that's a guilty pleasure. That's not

0:29:28.920 --> 0:29:30.520
<v Speaker 1>some great movie. I think I remember most about that.

0:29:30.560 --> 0:29:33.600
<v Speaker 1>Isn't there a guy with like a vulture or a

0:29:33.640 --> 0:29:37.600
<v Speaker 1>Falcon or something. I just remember that, and I remember

0:29:37.760 --> 0:29:41.360
<v Speaker 1>Zack Alfanakis is like a weird magician or someth That's

0:29:41.400 --> 0:29:44.000
<v Speaker 1>what I remember. So I'm gonna say this one. Do

0:29:44.000 --> 0:29:45.840
<v Speaker 1>you have one that you can speak to? I don't know,

0:29:45.960 --> 0:29:48.320
<v Speaker 1>because I mean, it would I guess it would maybe

0:29:48.360 --> 0:29:51.960
<v Speaker 1>be something like The Room, you know, but but I

0:29:51.960 --> 0:29:53.800
<v Speaker 1>don't even really like the Room. I think it's so

0:29:53.880 --> 0:29:56.160
<v Speaker 1>terrible I can't even call it that. But it would

0:29:56.160 --> 0:30:00.720
<v Speaker 1>be something I don't know, like Manos, the Hands of Fate,

0:30:00.800 --> 0:30:03.400
<v Speaker 1>like a mystery science theater thing. But yeah, you know,

0:30:03.480 --> 0:30:04.880
<v Speaker 1>I don't know. It's hard. That's a tough one. I

0:30:04.920 --> 0:30:06.520
<v Speaker 1>have a hard time with that. Because the pleasure is

0:30:06.560 --> 0:30:08.480
<v Speaker 1>a pleasure. Why they don't need to be no reason

0:30:08.480 --> 0:30:11.120
<v Speaker 1>to feel guilty about it? Yeah, I agreed. John Taylor

0:30:11.120 --> 0:30:15.600
<v Speaker 1>Wesley says, what is one movie making magic fact that

0:30:15.640 --> 0:30:18.680
<v Speaker 1>you wish you didn't know? For example, sometimes I wish

0:30:18.680 --> 0:30:20.640
<v Speaker 1>I'd never learned the actors often have to redub their

0:30:20.680 --> 0:30:24.160
<v Speaker 1>lines in the studio and post production. When I think

0:30:24.160 --> 0:30:26.840
<v Speaker 1>about that, it instantly takes me out of the movie.

0:30:27.840 --> 0:30:31.200
<v Speaker 1>You know. I'm trying to think of one that has

0:30:31.320 --> 0:30:35.480
<v Speaker 1>sort of ruined things for me. I kind of like

0:30:35.600 --> 0:30:40.000
<v Speaker 1>the process though, So even when I know about the

0:30:40.080 --> 0:30:44.320
<v Speaker 1>little movie making trick, I don't mind. It's all you

0:30:44.400 --> 0:30:46.040
<v Speaker 1>it ruined it for me. It didn't ruin it. It

0:30:46.120 --> 0:30:48.480
<v Speaker 1>did for a little bit, but just the fact that

0:30:48.520 --> 0:30:51.720
<v Speaker 1>they take scenes so many times, and that they're like

0:30:51.840 --> 0:30:56.080
<v Speaker 1>literally like these tiny, modular, a little little moments that

0:30:56.120 --> 0:30:59.320
<v Speaker 1>are than assembled together into this illusion of a continuous,

0:31:00.280 --> 0:31:05.320
<v Speaker 1>real exchange. But they'll literally re shoot one line over

0:31:05.360 --> 0:31:07.200
<v Speaker 1>and over and over again from different angles. And like

0:31:07.240 --> 0:31:09.840
<v Speaker 1>I was a p A on a pretty small indie

0:31:10.000 --> 0:31:11.960
<v Speaker 1>in l A years and years ago, and it was

0:31:12.000 --> 0:31:16.479
<v Speaker 1>like a one camera thing. So they would shoot more, shoot, shoot, shoot, shoot, shoot,

0:31:16.880 --> 0:31:20.000
<v Speaker 1>move the camera, shoot, shoot, shoot, shoot, shoot, shoot shot,

0:31:20.040 --> 0:31:22.320
<v Speaker 1>and it just I was just like, I want to die.

0:31:22.480 --> 0:31:24.520
<v Speaker 1>I don't ever want to watch the movie again. Yeah,

0:31:24.600 --> 0:31:27.720
<v Speaker 1>here's one that people you don't want to think about

0:31:27.760 --> 0:31:29.880
<v Speaker 1>because it will ruin things for you. So I'm gonna

0:31:29.920 --> 0:31:33.680
<v Speaker 1>tell you a lot of times when uh they call

0:31:33.720 --> 0:31:35.400
<v Speaker 1>it a one shot, Like if you and I are

0:31:35.400 --> 0:31:37.640
<v Speaker 1>having a conversation across from a table from each other,

0:31:38.040 --> 0:31:41.440
<v Speaker 1>they will do what you call over the shoulders of

0:31:41.520 --> 0:31:45.280
<v Speaker 1>each of us. In other words, the camera is over

0:31:45.320 --> 0:31:48.040
<v Speaker 1>my shoulder, looking at your face when you're talking, then

0:31:48.080 --> 0:31:50.040
<v Speaker 1>over your shoulder, looking at my face when I'm talking.

0:31:50.400 --> 0:31:52.520
<v Speaker 1>That's how they cut together, you know, scene with two

0:31:52.520 --> 0:31:57.120
<v Speaker 1>people talking. Uh, And a lot of times the other

0:31:57.160 --> 0:32:01.280
<v Speaker 1>actor isn't even there. Sometimes you all say, I think, well,

0:32:01.320 --> 0:32:03.360
<v Speaker 1>there's just two people sitting down at a table talking.

0:32:03.840 --> 0:32:07.120
<v Speaker 1>That's not always the case. Sometimes the actor isn't there

0:32:07.160 --> 0:32:09.280
<v Speaker 1>and they will just do one side of the coverage only,

0:32:09.920 --> 0:32:12.560
<v Speaker 1>and you were the actor and you're sitting there talking

0:32:12.600 --> 0:32:15.360
<v Speaker 1>to Sometimes someone on set, like a p A will

0:32:15.400 --> 0:32:19.080
<v Speaker 1>just run the lines. Sometimes there's sucking nobody there, and

0:32:19.080 --> 0:32:20.760
<v Speaker 1>I think it's pretty easy to pick up on. Actually

0:32:20.800 --> 0:32:23.080
<v Speaker 1>is when they do that reverse over the shoulder and

0:32:23.120 --> 0:32:25.760
<v Speaker 1>the actor who's back is facing the camera he's talking,

0:32:26.040 --> 0:32:28.080
<v Speaker 1>it's pretty clear a lot of times that what they're

0:32:28.080 --> 0:32:31.840
<v Speaker 1>saying they're not actually saying, because just the way they

0:32:31.880 --> 0:32:34.080
<v Speaker 1>hold their head or like the movie, you can just

0:32:34.120 --> 0:32:36.440
<v Speaker 1>tell they're not actually saying anything, that it was that

0:32:36.520 --> 0:32:39.200
<v Speaker 1>it was dubbed, or that it was from previous take

0:32:39.320 --> 0:32:41.920
<v Speaker 1>or something like that. If you would hone in on that, yes,

0:32:42.000 --> 0:32:44.320
<v Speaker 1>that's a pretty clear one. Yeah. Or and that's a

0:32:44.320 --> 0:32:46.160
<v Speaker 1>trick too, is they'll be like, ship man, we need

0:32:46.200 --> 0:32:48.720
<v Speaker 1>a line here because something's unclear. Do we have a

0:32:48.760 --> 0:32:51.440
<v Speaker 1>shot of their back, so you can just throw a

0:32:51.440 --> 0:32:53.440
<v Speaker 1>shot of their back and then throw in that line

0:32:53.920 --> 0:32:56.640
<v Speaker 1>to like explain something that needed clarity. Yeah, And I

0:32:56.680 --> 0:32:59.480
<v Speaker 1>was actually listening to comedy Bang Bang and um Scott

0:32:59.520 --> 0:33:01.840
<v Speaker 1>Ackerman was talking about he worked on some animated and

0:33:02.000 --> 0:33:05.200
<v Speaker 1>he punched up some script or some animated movie and

0:33:05.240 --> 0:33:10.000
<v Speaker 1>how they love um throwing in extra jokes to punch

0:33:10.080 --> 0:33:13.120
<v Speaker 1>up the script where it's a reverse shot of any creature,

0:33:13.360 --> 0:33:15.880
<v Speaker 1>any interesting that we'll use that as an opportunity to

0:33:15.880 --> 0:33:19.680
<v Speaker 1>throw in some dumb joke. Good stuff, man, Scott Ackerman,

0:33:20.400 --> 0:33:24.200
<v Speaker 1>hero to the podcasting world, no doubt. All right, let's

0:33:24.200 --> 0:33:30.000
<v Speaker 1>do one more here. Caleb Wyant says, what was the

0:33:30.080 --> 0:33:32.080
<v Speaker 1>last movie you watched where you knew you loved it

0:33:32.640 --> 0:33:37.840
<v Speaker 1>within the first half hour or so? Mine was probably

0:33:37.920 --> 0:33:40.120
<v Speaker 1>What we Do in the Shadows? Have you seen what

0:33:40.160 --> 0:33:43.720
<v Speaker 1>we do in the Shadows? It's great, hilarious. God, I

0:33:43.760 --> 0:33:46.000
<v Speaker 1>could watch that movie a million times and that gets

0:33:46.000 --> 0:33:50.560
<v Speaker 1>sick of it so funny, Uh, Caleb Wyant, I don't know,

0:33:50.640 --> 0:33:53.480
<v Speaker 1>because usually, like I mean, within the first half hour,

0:33:53.560 --> 0:33:55.800
<v Speaker 1>that's the first act, Like, if you don't know by then,

0:33:57.320 --> 0:34:01.200
<v Speaker 1>I would say the better question, Caleb, not to man explain,

0:34:01.280 --> 0:34:03.320
<v Speaker 1>this would be if you knew in the first like

0:34:03.360 --> 0:34:07.960
<v Speaker 1>five minutes. You know, I really love the New Blade

0:34:08.000 --> 0:34:11.080
<v Speaker 1>Runner within the first five minutes, Like, I just like

0:34:11.160 --> 0:34:13.000
<v Speaker 1>the whole vibe of it, the whole sound of it,

0:34:13.160 --> 0:34:16.520
<v Speaker 1>the look. Like I would not give a movie half

0:34:16.719 --> 0:34:19.080
<v Speaker 1>like after thirty minutes if I'm not liking it, I'm

0:34:19.120 --> 0:34:22.560
<v Speaker 1>turning it off. Yeah, because that's the first of four, right,

0:34:22.640 --> 0:34:25.400
<v Speaker 1>that's like the first quarter basically of the movie. Ye,

0:34:25.920 --> 0:34:28.759
<v Speaker 1>first third at least, So yeah, i'd be out of there.

0:34:29.480 --> 0:34:31.840
<v Speaker 1>I wouldn't leave the theater. But again, i'd be a

0:34:31.840 --> 0:34:36.360
<v Speaker 1>waste of money, alright, Caleb, good question though, good questions, everybody.

0:34:36.400 --> 0:34:40.120
<v Speaker 1>Thanks for chiming in. Shout out this week to a

0:34:40.160 --> 0:34:45.480
<v Speaker 1>few faive movie crushers who have been handling the movie

0:34:45.600 --> 0:34:50.960
<v Speaker 1>Crushers Facebook page. Jill Hurley is always locking it down,

0:34:51.640 --> 0:34:56.080
<v Speaker 1>taking care of business. We've had some incidences lately where

0:34:56.120 --> 0:34:58.919
<v Speaker 1>there's been some not so nice fans on there, which

0:34:58.920 --> 0:35:01.279
<v Speaker 1>is weird because everyone's only pretty lovely really like what

0:35:01.480 --> 0:35:03.600
<v Speaker 1>like trolling. I don't want to get into it, but

0:35:04.239 --> 0:35:07.759
<v Speaker 1>shout out to Jill and Rebecca Robe, not Rube, it's

0:35:07.880 --> 0:35:11.800
<v Speaker 1>Robe and Vanessa Lopez. Uh. They're they're very active and

0:35:11.840 --> 0:35:15.759
<v Speaker 1>a lot of fun on there. And my buddy Stelen Carlson. Uh.

0:35:16.360 --> 0:35:19.160
<v Speaker 1>I don't know where Stelen is. I believe he is

0:35:19.200 --> 0:35:24.480
<v Speaker 1>somewhere in the uh Norwegian Swedish finished areas of the world.

0:35:25.400 --> 0:35:29.480
<v Speaker 1>That sounds right at least that's where I'm gathering Scandinavian. Yeah,

0:35:29.640 --> 0:35:32.000
<v Speaker 1>I think so, Stelen, let me know where you're from, buddy.

0:35:32.440 --> 0:35:34.160
<v Speaker 1>But he's a cool guy. And he said that he

0:35:35.000 --> 0:35:37.319
<v Speaker 1>is liking the mini crushes as much or more than

0:35:37.360 --> 0:35:40.560
<v Speaker 1>the regular episodes, so it's always nice to hear. Good

0:35:40.560 --> 0:35:42.279
<v Speaker 1>thing is it might be all many crushes from here

0:35:42.320 --> 0:35:45.839
<v Speaker 1>on out. Cheese it maybe unless some people start emailing back.

0:35:45.880 --> 0:35:48.239
<v Speaker 1>By the way, I think, Uh, well, I'm gonna not

0:35:48.800 --> 0:35:51.040
<v Speaker 1>jinx myself, but I've got I got a couple in

0:35:51.080 --> 0:35:53.680
<v Speaker 1>the works. Fingers cross buddy. All right, everybody, thanks for

0:35:53.760 --> 0:35:57.280
<v Speaker 1>chiming in. Go to the Movie Crush or Movie Crushers

0:35:57.680 --> 0:35:59.839
<v Speaker 1>facebook page if you want to get involved in here

0:35:59.840 --> 0:36:03.920
<v Speaker 1>your name on the air, so uh, and we appreciate

0:36:03.960 --> 0:36:07.719
<v Speaker 1>the participation. I appreciate you Chuck, and I appreciate you.

0:36:07.760 --> 0:36:07.800
<v Speaker 1>No