WEBVTT - Conversations About Checking In

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<v Speaker 1>Watch up and welcome back to another episode and No

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<v Speaker 1>Sinners Podcast with your host now funck that with your

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<v Speaker 1>low glasses, Malone, whether fucking pig? What's the deal? Just here, man,

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<v Speaker 1>just here? Not much else. How are you liking Florida.

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<v Speaker 1>I'm liking it. It's cool. I ran to a little

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<v Speaker 1>bit of a wrinkle. The um the biden Ezuela problem

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<v Speaker 1>is has reached Florida. I went to Walmart the other

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<v Speaker 1>day to try to get some meat and chicken, and

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<v Speaker 1>they were out of both meat and you had to

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<v Speaker 1>have like one little thing of ground beef and like

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<v Speaker 1>a couple of chicken legs. That was it. I was like, fuck, ship,

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<v Speaker 1>that sounds like you got some ship right there. It

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<v Speaker 1>looks crazy. No, I just wasn't trying to cook that.

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<v Speaker 1>I had all ingredients to cook other things, and I

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<v Speaker 1>was like, what's going on to why there is no

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<v Speaker 1>meat in Miami. I'm not sure. I mean, I think

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<v Speaker 1>it might be the fact that it's like the end

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<v Speaker 1>of the road for like rail delivery, you know, like

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<v Speaker 1>if like they don't grow that ship here, so if

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<v Speaker 1>it's coming in like say like last time I tried,

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<v Speaker 1>I was making postively. I couldn't find onions. Had to

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<v Speaker 1>go to three stores to find onions. Not I went

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<v Speaker 1>to that the oranges and cocaine. Yeah, the seven eleven

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<v Speaker 1>I went to have nothing but empty shells. They had

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<v Speaker 1>like two things of orange juice, like the ship, like

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<v Speaker 1>the super pulp seven eleven orange juice that nobody wants

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<v Speaker 1>was the only orange uice they had left. I was shocked. Well,

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<v Speaker 1>you know what I find, uh is the shortage of

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<v Speaker 1>baby food. Isn't baby food a fabricatedem Yeah, it's got

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<v Speaker 1>a lot of weird FDA regulations and stuff. So I

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<v Speaker 1>think that was a significant factor in that. Yeah. I

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<v Speaker 1>was talking with my wife about that, and I said, well,

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<v Speaker 1>shod and infants that consume baby food can take the

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<v Speaker 1>bridge as well. So people go ahead to start and

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<v Speaker 1>see my wife says, some women don't produce milk. You

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<v Speaker 1>know what. I don't like that, excuse um because it's true, right,

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<v Speaker 1>some women don't produce milk, Like when abortions happen, some

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<v Speaker 1>women do get raped, but that's not the majority of

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<v Speaker 1>the problem. Well what about this though, Like if it

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<v Speaker 1>say you're kids like eight months old, right, and you

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<v Speaker 1>weaned your kid from like breast milk to formula, like

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<v Speaker 1>at five months hypothetically, I don't know, so like you stopped,

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<v Speaker 1>Why would you Why would you wean your child from

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<v Speaker 1>breast milk to formula? I don't know, but like supposed

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<v Speaker 1>hypothetically that you do, and then your body stops producing

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<v Speaker 1>milk and then there's no more formula? Can you produce

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<v Speaker 1>the milk again? Well, I definitely courtesy of Mrs Steele.

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<v Speaker 1>I was educated on that because I said some things.

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<v Speaker 1>I said, women need to stop being lazy and breastfeed

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<v Speaker 1>their kid. They're too worried about their figure and they

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<v Speaker 1>nipples getting warped out of shaping all that stuff. I

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<v Speaker 1>thought that they didn't want to do it just for

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<v Speaker 1>cosmetic reasons. But I found out that some women just

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<v Speaker 1>don't produce enough milk. Because let's take all my kids.

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<v Speaker 1>Jasmine was breast fed. Stefan he was prest fed, but

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<v Speaker 1>took the bottle too, because he was so greedy that

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<v Speaker 1>he would make Maria runs ry on milk. She wouldn't

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<v Speaker 1>have enough milk for him, so she would have to

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<v Speaker 1>make him a bottle because he was just that greedy. Chris,

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<v Speaker 1>he didn't want the milk. He he was weird. He

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<v Speaker 1>just wanted to He just wanted to do some weird stuff,

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<v Speaker 1>so we had some weird concoction greevance to him. But Jasmine,

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<v Speaker 1>she was fully on prest And I'll tell you something

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<v Speaker 1>that's interesting too. Both of my boys had um, you know,

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<v Speaker 1>asthma and surass right when they were younger. Jasmine was breastfast.

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<v Speaker 1>You didn't have none of those illnesses. Perfect skin and

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<v Speaker 1>perfect everything. Yeah, go ahead, Pete, I said, I think

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<v Speaker 1>that it's probably not too much to suggest that when

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<v Speaker 1>you have a pharmaceutical company that is responsible for making

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<v Speaker 1>most of the formula, that there might be a little

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<v Speaker 1>bit of future market incentive with the quote unquote recipe.

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<v Speaker 1>And and I'll resent what you said still, like we

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<v Speaker 1>have to stop coming into a space to where people

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<v Speaker 1>are being questioned and then the immediate response is a

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<v Speaker 1>fear or hate, Like if you say something that people

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<v Speaker 1>don't agree with, right, Like let's say if I say

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<v Speaker 1>uh as a talent when I listened to Little NASAs

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<v Speaker 1>records at times their corny, right, I'm not almost folk, Right,

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<v Speaker 1>that's just ridiculous. That's just an intellectually lazy response to challenge.

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<v Speaker 1>Is his movie, you know, music corny, just like prior

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<v Speaker 1>when I was just saying right now, I'm like, you know,

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<v Speaker 1>like baby food or like abortion, Like abortion laws are

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<v Speaker 1>not rooted in rape, right, It's all about convenience. It's

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<v Speaker 1>not like I'm being pro man or hateful to women

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<v Speaker 1>or a misogynists as you would call it, or chauvinistic

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<v Speaker 1>as you would call it. That's ridiculous. It's just lazy.

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<v Speaker 1>Literally you would have to combat the ideas and then

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<v Speaker 1>do the numbers of how many women actually get raped

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<v Speaker 1>and have a bortion versus how many women just have

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<v Speaker 1>a bortion. Well, let me clarify at first, that sounds

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<v Speaker 1>very chauvinistic of you. Sound sound it sounded so listen

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<v Speaker 1>the clinical definition of listening and hearing, right, Men, Men

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<v Speaker 1>listen right, you you listed and you end. Women tend

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<v Speaker 1>to hear right. That's to acknowledge sound. So that's why

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<v Speaker 1>when I say something you would respond with it sounds

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<v Speaker 1>like you're saying, or it sounds like you're no. I

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<v Speaker 1>gave you a list and end. Just look at the

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<v Speaker 1>list and end. It's all real. Like, it's not about

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<v Speaker 1>hating women, are disliking women. I understand that some women

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<v Speaker 1>do not produce milk. But that is not why formula

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<v Speaker 1>companies are wealthy. They're wealthy because people are lazy. People

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<v Speaker 1>don't want to have kids because they don't want the

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<v Speaker 1>financial responsibilities. That's the majority reason why people. And I

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<v Speaker 1>think that's responsible. I think that's being responsible. It's not.

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<v Speaker 1>Nothing about taking a life is responsible. No, listen, I'm not.

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<v Speaker 1>I'm talking about people that decide not to have kids

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<v Speaker 1>for the financial ramifications. I think if you can't afford

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<v Speaker 1>to have children, you can't, you shouldn't have them. But

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<v Speaker 1>I think the responsible thing to do would be to

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<v Speaker 1>not have sex, not have six And that's and and

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<v Speaker 1>and that phase right there is what's wrong with with humanity.

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<v Speaker 1>And like from a women's standpoint on abortion, women want

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<v Speaker 1>they don't want to cover anything they want to They

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<v Speaker 1>want to get nutted in by who the funk ever,

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<v Speaker 1>and then they want to have an abortion. But they

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<v Speaker 1>want their abortion free and paid for by the taxpayer.

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<v Speaker 1>And if they don't have abortion, they want to have

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<v Speaker 1>the kid, and they want to put the dude on

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<v Speaker 1>child support. If the dude doesn't have enough money, then

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<v Speaker 1>gets who steps in the taxpayer again, I'm paying for

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<v Speaker 1>abortions and fucking child support via my taxes for more bitches.

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<v Speaker 1>I ain't never fucked and I could ever count. And

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<v Speaker 1>that's Pete white man about my white tax dollars. But

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<v Speaker 1>I feel you. I just don't like paying for pussy.

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<v Speaker 1>I wasn't there. It's just it doesn't ring well with you.

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<v Speaker 1>Don't like a pussy. No Sailings, we're gonna get canceled

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<v Speaker 1>because of the first few minutes, remember it off in

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<v Speaker 1>the first few minute. I'm sorry, dadies. Pete is telling

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<v Speaker 1>the truth, but he has to say it better. I

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<v Speaker 1>couldn't have said it any better. No Sailors. Yeah, my man,

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<v Speaker 1>Peter Bias, resident producer, excuse me, resident managerial expertise, and

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<v Speaker 1>the executive podcast company owner Normous Steel for me, my manager,

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<v Speaker 1>big stealers in the house as USU. Wow. You know

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<v Speaker 1>if we didn't get canceled in those first three or

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<v Speaker 1>four minutes, man, because right off the head, they're gonna

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<v Speaker 1>be like, first off, glasses is tripping. How dare he

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<v Speaker 1>actually compare abortions to murdering life. It's something we're doing

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<v Speaker 1>with our body like it's crazy how they have reduced

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<v Speaker 1>the conversation of abortions to the equivalent of getting a tattoo.

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<v Speaker 1>It's like whatever we do with our bodies. Like I'm saying,

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<v Speaker 1>don't get a tattooed, but he's telling you this is

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<v Speaker 1>the same. But I don't want to talk about that

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<v Speaker 1>because women are already gonna be bad. And I'm sorry, ladies,

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<v Speaker 1>but y'all gotta keep it real sometimes, and we gotta

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<v Speaker 1>keep just like me. And I keep it real with

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<v Speaker 1>me and for me, and that's what this is all about,

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<v Speaker 1>keeping it real. I was listening to something. Uh it

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<v Speaker 1>was Oh, his name is a Sian Campbell. Mm hmm.

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<v Speaker 1>I'll see some of his content. Um, he's like a YouTuber. Um.

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<v Speaker 1>He speaks from a really I almost want to feel

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<v Speaker 1>like he has a really good, soulful place that he

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<v Speaker 1>speaks from. But at times when I listened to him,

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<v Speaker 1>it sounds like he's just really been traumatized and been

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<v Speaker 1>through a lot, and he feels pressure kind of respond

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<v Speaker 1>to certain ways, or he feels like he's catering to

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<v Speaker 1>his audience. That's just my opinion. You don't mean, I'm right, Well,

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<v Speaker 1>he's been he's been through some trauma. You know. That's

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<v Speaker 1>doggy dogs that yeah, yeah, and and and it's obvious right.

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<v Speaker 1>So that's not the point, but it was something he

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<v Speaker 1>was saying. He was having a conversation with Math and

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<v Speaker 1>he was saying, he applauded uh pop smoke recipes because

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<v Speaker 1>solid low, because cool young nigga. He said, he applauded

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<v Speaker 1>him for not checking in. And I just thought that

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<v Speaker 1>that was a weird thing, right, because I I'm starting

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<v Speaker 1>to realize there's an overall connotation with what people referred

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<v Speaker 1>to as checking in. Right, So I'm vested, right, this

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<v Speaker 1>is my expertise, right the street urban lifestyle, like more

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<v Speaker 1>than Pete, more than Stills. So Pete, I wanted to

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<v Speaker 1>ask you, what do you think people mean when they

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<v Speaker 1>say checking in? I don't know the PRESLA context, like,

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<v Speaker 1>how are you how are you suggesting? Well, I'm saying

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<v Speaker 1>if a rapper? If so? Right now, within the conversation

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<v Speaker 1>right had being had by the culture, people are saying,

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<v Speaker 1>is it a good or a bad thing to check in? Um,

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<v Speaker 1>that means if you go to Los Angeles, get in

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<v Speaker 1>contact with certain Los Angelino's right who have street ties. Oh,

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<v Speaker 1>I guess you ask covered. I don't quite know why.

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<v Speaker 1>I don't want to kind of assume what they means.

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<v Speaker 1>But I'm asking what do you think it means? Um,

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<v Speaker 1>how that hands on where you're going? But I think that, yeah,

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<v Speaker 1>maybe to some extent, there's seems like there's always kind

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<v Speaker 1>of an industry like suggestion that if you're in somebody's city,

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<v Speaker 1>it's almost like you, oh it to that person to

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<v Speaker 1>contribute in some sort of a way to what's happening

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<v Speaker 1>in the city or what they do as like the

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<v Speaker 1>leading voice in the city. Still, what do you think, Shit,

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<v Speaker 1>I don't think no one should have to check in

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<v Speaker 1>with nobody. Let me ask you this, what do you

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<v Speaker 1>think checking in means? I think checking in is alerting

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<v Speaker 1>people that somewhere you're going to a city that you're

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<v Speaker 1>traveling to. Like if I was going to New York,

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<v Speaker 1>if I check in with somebody and say, hey, I

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<v Speaker 1>mean you guys, say you kind of just to put

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<v Speaker 1>them on notice that you in the city. But as

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<v Speaker 1>far as that whole checking in thing that like, you

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<v Speaker 1>gotta let me know. You know how trick Trick was

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<v Speaker 1>shutting down people's concerts and all that stuff, that's ridiculous

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<v Speaker 1>to me. Well, I think that I think Trick was

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<v Speaker 1>actually talking about really the promoters. He felt that, um,

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<v Speaker 1>a lot of the promoters, right, they were booking these

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<v Speaker 1>out of town acts, right, and um having the Detroit

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<v Speaker 1>audience come through the community right to to provide and

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<v Speaker 1>watch these acts. And he was never the promoters were

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<v Speaker 1>not supporting Detroit artists and allowing them to be a

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<v Speaker 1>part of it. Right, doing your community part like, you know,

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<v Speaker 1>like it were required to lift each urban street community

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<v Speaker 1>out of this level of poor, of poverty and oppression.

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<v Speaker 1>So he started to tell the other rappers, Hey, man,

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<v Speaker 1>if y'all coming through here, you know, this would be

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<v Speaker 1>dope of you, you know, if you're gonna get money

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<v Speaker 1>in Detroit, to allow other rappers from Detroit, right to

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<v Speaker 1>have an opportunity to share, you know, to share the

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<v Speaker 1>stage so they can entertain Detroit too, because these promoters

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<v Speaker 1>ain't booking them. I actually agree with what Trigger was doing.

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<v Speaker 1>I actually think it was really smart. Um, you know,

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<v Speaker 1>to a certain extent, Bro, I get it. I think, um,

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<v Speaker 1>you should support the community, right instead of just coming

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<v Speaker 1>to take from a community, you should support it. But

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<v Speaker 1>the whole premise, I understand what trick Trick was doing, right,

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<v Speaker 1>but this whole thing where people want to get checked

0:13:11.640 --> 0:13:13.920
<v Speaker 1>in just on some street stuff. We want people checking

0:13:13.920 --> 0:13:16.679
<v Speaker 1>in or you're a mon city without checking in with me,

0:13:16.760 --> 0:13:20.160
<v Speaker 1>it's gonna be problems. That's very that's a very ignorant

0:13:20.200 --> 0:13:22.880
<v Speaker 1>mind state to me. But but who's ever said that.

0:13:23.800 --> 0:13:28.640
<v Speaker 1>You've heard numerous people say that. I've heard a rappers say, Hey,

0:13:28.679 --> 0:13:31.040
<v Speaker 1>if you don't check in when you come to my city,

0:13:31.400 --> 0:13:33.240
<v Speaker 1>it's gonna be a problem. I've never heard that in

0:13:33.280 --> 0:13:37.120
<v Speaker 1>my life. Isn't that kind of the whole baseline behind

0:13:37.160 --> 0:13:38.920
<v Speaker 1>like the fact that, like say, for example, there's a

0:13:39.000 --> 0:13:42.280
<v Speaker 1>lot of recording that is done in hip hop in

0:13:42.280 --> 0:13:47.840
<v Speaker 1>Los Angeles, Right, It isn't there a relationship between the

0:13:47.880 --> 0:13:50.959
<v Speaker 1>concept that steals talking about and what you're talking about

0:13:51.000 --> 0:13:55.400
<v Speaker 1>and the fact that whether it be Sixties or my

0:13:55.600 --> 0:13:58.760
<v Speaker 1>pirrou or various hoods are working as like security for

0:13:58.880 --> 0:14:00.600
<v Speaker 1>these acts when they come in from out of town.

0:14:01.640 --> 0:14:04.840
<v Speaker 1>The Sixties get a really bad rap on what's going on,

0:14:05.120 --> 0:14:09.320
<v Speaker 1>and that making a generic game any anyone because we

0:14:09.400 --> 0:14:12.280
<v Speaker 1>know that there are specifically talk about the sixties, Right,

0:14:12.960 --> 0:14:16.680
<v Speaker 1>I think they get a really bad rap in this arena, right,

0:14:16.920 --> 0:14:23.480
<v Speaker 1>um rolland sixty Crip is an international brand. How powerful

0:14:23.520 --> 0:14:28.520
<v Speaker 1>it is international within the urban community, street communities I

0:14:28.560 --> 0:14:30.880
<v Speaker 1>don't know, but I know it's out there, but within

0:14:30.960 --> 0:14:35.200
<v Speaker 1>America's borders, it's a really powerful brand. A lot of

0:14:35.280 --> 0:14:39.240
<v Speaker 1>people want to be affiliated with the Rolling sixty crips.

0:14:39.840 --> 0:14:42.400
<v Speaker 1>I don't think they have to look for anyone. I

0:14:42.440 --> 0:14:47.640
<v Speaker 1>think most people come looking for them and people because

0:14:47.680 --> 0:14:50.960
<v Speaker 1>you want to be affiliated with these brands, right, and

0:14:51.040 --> 0:14:53.080
<v Speaker 1>you want to wear it, and you wanna you know,

0:14:53.200 --> 0:14:55.280
<v Speaker 1>you want to be a part of it, you know

0:14:55.280 --> 0:14:58.760
<v Speaker 1>what I mean, just like any other honey. You know

0:14:58.880 --> 0:15:01.840
<v Speaker 1>it's best if you do community things to try to

0:15:01.840 --> 0:15:06.400
<v Speaker 1>help people from the community, right. But I think that's

0:15:06.440 --> 0:15:09.960
<v Speaker 1>what that's my issue in the concept. Somewhere along the

0:15:10.040 --> 0:15:16.000
<v Speaker 1>line it became something compatible or comparable to like being exploited.

0:15:16.720 --> 0:15:18.800
<v Speaker 1>And I said, I was listening to math and I

0:15:18.840 --> 0:15:21.000
<v Speaker 1>was listening to us and talk about it, and I

0:15:21.040 --> 0:15:23.680
<v Speaker 1>just thought that was dumb. You mean, not dumb of them,

0:15:23.720 --> 0:15:28.400
<v Speaker 1>but that's a dumb concept. And it's weird because like

0:15:28.600 --> 0:15:32.360
<v Speaker 1>you don't check in, people don't make you pay because

0:15:32.360 --> 0:15:35.920
<v Speaker 1>you exist. A matter of fact, people only make you

0:15:35.960 --> 0:15:38.920
<v Speaker 1>pay when you try to use their brand, right, when

0:15:38.960 --> 0:15:41.480
<v Speaker 1>you try to use their brand right, and and any

0:15:41.520 --> 0:15:43.800
<v Speaker 1>any time you do what she'll cost you something like

0:15:43.920 --> 0:15:46.640
<v Speaker 1>this is a brand that people blood sweat, you know,

0:15:46.720 --> 0:15:50.960
<v Speaker 1>ship blood sweat, tears, died killed over, you know, to

0:15:51.000 --> 0:15:58.240
<v Speaker 1>protect the the reputation of the brand. Um. But I

0:15:58.280 --> 0:16:01.160
<v Speaker 1>think the concept of checking in has gotten so far

0:16:01.320 --> 0:16:05.720
<v Speaker 1>out of context, rooted in some level of the West

0:16:05.760 --> 0:16:09.560
<v Speaker 1>Coast being like this forceful thing of like oh you

0:16:09.560 --> 0:16:12.320
<v Speaker 1>know what, yeah, you you gotta pay them because this

0:16:12.640 --> 0:16:16.280
<v Speaker 1>it's like, no, people pay people because they want to

0:16:16.320 --> 0:16:20.040
<v Speaker 1>be affiliated. Most of the time. People not taking money.

0:16:20.200 --> 0:16:23.240
<v Speaker 1>Most of the time they're offering jobs. Oh you know what,

0:16:23.240 --> 0:16:25.320
<v Speaker 1>would you like to be the security while we're doing it,

0:16:25.720 --> 0:16:28.960
<v Speaker 1>like by that same standard like when puff had used

0:16:28.960 --> 0:16:32.200
<v Speaker 1>the south Side right now it has such a negative connotation,

0:16:32.480 --> 0:16:35.400
<v Speaker 1>but that's dope to employ other brothers from different cities

0:16:35.400 --> 0:16:38.680
<v Speaker 1>and states. For me to hold your common interests while

0:16:38.720 --> 0:16:42.640
<v Speaker 1>you in this territory. Is if you're a real concrete

0:16:42.640 --> 0:16:45.920
<v Speaker 1>player out here, you feel me. Other concrete players respect

0:16:45.920 --> 0:16:48.680
<v Speaker 1>what you're doing. But like if you think of some

0:16:48.760 --> 0:16:53.200
<v Speaker 1>of the most no, some of the some of the

0:16:53.240 --> 0:16:57.080
<v Speaker 1>gangs of the communities that's overly represented in the music industry,

0:16:57.400 --> 0:17:00.200
<v Speaker 1>like a gang like Mansfield come to mind, right where

0:17:00.200 --> 0:17:05.560
<v Speaker 1>you got t money d Macmka all these niggas, right, Uh,

0:17:05.720 --> 0:17:08.760
<v Speaker 1>they don't have to use force. Like it's some kind

0:17:08.760 --> 0:17:13.720
<v Speaker 1>of confusion that that what we do here especially don't

0:17:13.720 --> 0:17:17.400
<v Speaker 1>have value. You feel me like it doesn't have value

0:17:17.440 --> 0:17:20.720
<v Speaker 1>within hip hop and all we do is take from artists.

0:17:20.760 --> 0:17:23.080
<v Speaker 1>But let's talk about what the Jungles right there for

0:17:23.160 --> 0:17:27.080
<v Speaker 1>Walker Flucker. They created his career at this level. They

0:17:27.119 --> 0:17:31.399
<v Speaker 1>gave him the most outstanding reputation as a gangster rapper

0:17:31.720 --> 0:17:35.040
<v Speaker 1>that any rapper in Atlantic could ever have because when

0:17:35.080 --> 0:17:37.600
<v Speaker 1>he came and did a video in the Jungles, all

0:17:37.640 --> 0:17:40.040
<v Speaker 1>of the blood stood behind him and embraced him like

0:17:40.080 --> 0:17:44.720
<v Speaker 1>he was somebody from their community. Like the video might

0:17:44.760 --> 0:17:48.000
<v Speaker 1>have costed twenty thousand, let's say whatever he spin, let's

0:17:48.000 --> 0:17:51.840
<v Speaker 1>say contributed thirty five thousand to the community. That song

0:17:51.960 --> 0:17:56.600
<v Speaker 1>made him a multimillion dollar act. Now he's had success before,

0:17:57.000 --> 0:17:59.520
<v Speaker 1>and he had some success after, but Hard in the

0:17:59.640 --> 0:18:03.359
<v Speaker 1>Paint he came such a phenomenon right, and it made

0:18:03.400 --> 0:18:07.320
<v Speaker 1>him look really, really credible right as an artist because

0:18:07.359 --> 0:18:10.080
<v Speaker 1>he was able as a Georgia, as an Atlanta artist

0:18:10.600 --> 0:18:12.800
<v Speaker 1>that's from New York. He was able to come to

0:18:12.800 --> 0:18:16.360
<v Speaker 1>one of the worst places in Los Angeles and stand

0:18:16.520 --> 0:18:20.480
<v Speaker 1>with two hundred of the most notorious gang members in

0:18:20.560 --> 0:18:27.800
<v Speaker 1>Los Angeles and get support. Like so, I digress. But

0:18:28.000 --> 0:18:31.320
<v Speaker 1>the thought I was having is when I go to

0:18:31.359 --> 0:18:36.960
<v Speaker 1>New York, right, I get down and uh, you know Manhattan,

0:18:38.400 --> 0:18:45.640
<v Speaker 1>I called my niggas because they're my guys around America. Right,

0:18:45.680 --> 0:18:49.040
<v Speaker 1>It's only a handful of us everywhere we go. So

0:18:49.119 --> 0:18:52.879
<v Speaker 1>the natural thing is to literally brothership and set me

0:18:53.000 --> 0:18:57.160
<v Speaker 1>fellowship with other brothers. That's from the coaching. So when

0:18:57.160 --> 0:18:59.240
<v Speaker 1>I go to New York, I'm gonna hear Trade Pizzy

0:18:59.280 --> 0:19:01.560
<v Speaker 1>out of the Bronx, I'm gonna hear my man Wink

0:19:01.880 --> 0:19:05.000
<v Speaker 1>how the Flatbush Brooklet. I'm gonna hear all my partners

0:19:05.320 --> 0:19:08.520
<v Speaker 1>feel me because I want to see them. So if

0:19:08.560 --> 0:19:12.760
<v Speaker 1>you really a concrete player, you know, a real uh

0:19:12.800 --> 0:19:15.160
<v Speaker 1>some kind of phenomen what you do, if if if

0:19:15.240 --> 0:19:18.080
<v Speaker 1>your ship is what it is, it's you don't even

0:19:18.119 --> 0:19:21.240
<v Speaker 1>feel the concept of checking in. It's totally different. It's

0:19:21.320 --> 0:19:23.600
<v Speaker 1>like letting your people know I'm around, what we're doing,

0:19:23.680 --> 0:19:27.720
<v Speaker 1>what's happening. I don't get this whole you feel me,

0:19:27.760 --> 0:19:30.359
<v Speaker 1>this belief that you have to pay somebody to be

0:19:30.440 --> 0:19:33.199
<v Speaker 1>in Los Angeles. No you pay somebody to protect you

0:19:33.280 --> 0:19:37.520
<v Speaker 1>from other niggas from Los Angeles, because other niggas from

0:19:37.560 --> 0:19:41.119
<v Speaker 1>Los Angeles is looking at opportunities to come up, and

0:19:41.160 --> 0:19:43.920
<v Speaker 1>you may look like an opportunity to pay some rints

0:19:43.920 --> 0:19:47.000
<v Speaker 1>for some months. That's why you start to interact with

0:19:47.040 --> 0:19:49.919
<v Speaker 1>other members of Los Angeles or the concept of checking in.

0:19:50.320 --> 0:19:52.560
<v Speaker 1>But I don't think most of these dudes just doing that,

0:19:52.920 --> 0:19:58.000
<v Speaker 1>Like somebody like Chris Brown, right, who will get a reputation. Man,

0:19:57.840 --> 0:20:00.960
<v Speaker 1>the people probably ain't whack my nigga. Whack is really

0:20:01.000 --> 0:20:05.240
<v Speaker 1>important in that from tree Top. Whack ain't need excuse me,

0:20:05.240 --> 0:20:09.159
<v Speaker 1>Fruittown forgive me. Whack is from Fruittown. Minutes is from

0:20:09.200 --> 0:20:12.479
<v Speaker 1>fruit Town. Whack and minutes don't need no money from

0:20:12.520 --> 0:20:16.440
<v Speaker 1>Chris Brown. Whack had a billy before you know Chris Brown.

0:20:17.440 --> 0:20:22.440
<v Speaker 1>He don't need no money. Chris Brown loves what this

0:20:22.640 --> 0:20:26.040
<v Speaker 1>thing that we call the culture represents. He loves the

0:20:26.080 --> 0:20:29.239
<v Speaker 1>brotherhood of it, he loves that togetherness of it. He

0:20:29.280 --> 0:20:32.280
<v Speaker 1>loves the lingo in it, he loves the fashion of it.

0:20:32.280 --> 0:20:35.320
<v Speaker 1>It's a lovable thing. It's what It's what made Snoop

0:20:35.400 --> 0:20:38.600
<v Speaker 1>the greatest artist. For me to come out of hip hop. Ever,

0:20:39.480 --> 0:20:43.159
<v Speaker 1>because culturally it is very fascinating to watch us do

0:20:43.240 --> 0:20:46.200
<v Speaker 1>our thing. But like I said, just listening to them

0:20:46.200 --> 0:20:49.119
<v Speaker 1>two brothers chop it up, because what's weird, Because it's like,

0:20:49.520 --> 0:20:52.159
<v Speaker 1>is that what y'all think of us? You think we

0:20:52.280 --> 0:20:56.239
<v Speaker 1>need your money, You think we're just this untalented you know,

0:20:56.520 --> 0:20:58.880
<v Speaker 1>bick You gets a bad reputation for this, and bick

0:20:58.960 --> 0:21:03.040
<v Speaker 1>You has a ton of great ideas. He brings a

0:21:03.080 --> 0:21:06.040
<v Speaker 1>ton of value as an elder, somebody who survived the

0:21:06.040 --> 0:21:09.200
<v Speaker 1>worst parts of the life. Can I speaking to him

0:21:09.240 --> 0:21:12.199
<v Speaker 1>real quick? Wrong? You? Can I speak on him? I

0:21:12.240 --> 0:21:15.000
<v Speaker 1>think very I think Big You is a very, very

0:21:15.080 --> 0:21:20.280
<v Speaker 1>misunderstood individual. He does a number of incredible things for

0:21:20.320 --> 0:21:23.000
<v Speaker 1>his community. And when I talk about community, I mean

0:21:23.080 --> 0:21:25.560
<v Speaker 1>really the community, the kids, especially the children over there.

0:21:26.000 --> 0:21:28.600
<v Speaker 1>You know, Um, you know you had a youth football program,

0:21:28.600 --> 0:21:30.320
<v Speaker 1>and that's how I met that you. Actually I didn't

0:21:30.320 --> 0:21:32.520
<v Speaker 1>meet Big You on the music stuff and nothing else.

0:21:32.960 --> 0:21:36.160
<v Speaker 1>I met Big You talking mess through Tony Lane through

0:21:36.160 --> 0:21:42.000
<v Speaker 1>black tongue about football. You know, get better, Tom. Yeah,

0:21:42.000 --> 0:21:44.399
<v Speaker 1>you talked about a guy that has a program but

0:21:44.520 --> 0:21:47.080
<v Speaker 1>maybe two hundred, two hundred fifty kids in it and

0:21:47.119 --> 0:21:50.800
<v Speaker 1>it's expensive. Front of the youth football program cent in

0:21:50.880 --> 0:21:52.879
<v Speaker 1>his base does not pay They don't have money to

0:21:52.880 --> 0:21:54.720
<v Speaker 1>pay league fees or anything like that. But they still

0:21:54.760 --> 0:21:59.200
<v Speaker 1>play football and all of these and he's genuinely he

0:21:59.400 --> 0:22:04.680
<v Speaker 1>genuinely he has his communities, he has he has what's

0:22:04.720 --> 0:22:07.680
<v Speaker 1>best for them, and he's not doing thathing file man.

0:22:07.720 --> 0:22:11.119
<v Speaker 1>I think he's a misunderstood kid. Like I even heard something,

0:22:11.160 --> 0:22:13.520
<v Speaker 1>you know, I even just heard something about him, somebody

0:22:13.600 --> 0:22:16.119
<v Speaker 1>saying what he's dealing with the police. No, he's not

0:22:16.200 --> 0:22:19.200
<v Speaker 1>dealing with the police. He has a program to where

0:22:19.240 --> 0:22:24.880
<v Speaker 1>he gets funding from the police department for the community.

0:22:25.160 --> 0:22:29.920
<v Speaker 1>But even even entertaining those concepts when you're talking about

0:22:29.920 --> 0:22:33.360
<v Speaker 1>a guy who was transit, you know, transitioned his life

0:22:33.840 --> 0:22:37.760
<v Speaker 1>right from prison into doing positive things for the community

0:22:38.240 --> 0:22:41.879
<v Speaker 1>right a nonprofit. It's all kinds of funding does it

0:22:41.920 --> 0:22:46.520
<v Speaker 1>doesn't matter. I don't give a fuck whoever funds these programs.

0:22:46.560 --> 0:22:48.840
<v Speaker 1>He's supposed to use the money for the benefit of

0:22:48.840 --> 0:22:51.199
<v Speaker 1>those children. I don't give a funk. If it's the

0:22:51.200 --> 0:22:54.200
<v Speaker 1>wealthiest a trade nigga in America or the wealthiest nigga

0:22:54.200 --> 0:22:57.199
<v Speaker 1>from Engle with families in America and they want to

0:22:57.200 --> 0:22:59.800
<v Speaker 1>donate to the program. This is this is about black

0:23:00.040 --> 0:23:02.360
<v Speaker 1>is in the ghetto. So I don't even entertain that

0:23:03.000 --> 0:23:06.600
<v Speaker 1>silly ship. It's just the concept of listening to people

0:23:06.720 --> 0:23:10.160
<v Speaker 1>like people here are just a bunch of guys who

0:23:10.200 --> 0:23:13.000
<v Speaker 1>literally have no talent, and we're just taking it. Honestly,

0:23:13.119 --> 0:23:17.359
<v Speaker 1>I don't think people here crushed down enough on the talent.

0:23:18.280 --> 0:23:22.240
<v Speaker 1>I really think Walker fucker pay cheat. Well. You know what,

0:23:22.280 --> 0:23:24.920
<v Speaker 1>the one thing I respected about Walker flock of Dog

0:23:25.040 --> 0:23:28.480
<v Speaker 1>is whatever t Rogers recipes, teacher t Rogers, O G.

0:23:28.640 --> 0:23:34.080
<v Speaker 1>T Rogers whatever, t what ya whatever? That plug on

0:23:34.119 --> 0:23:36.919
<v Speaker 1>that recipe is Lucky his son too. Yeah, he's a

0:23:36.920 --> 0:23:39.600
<v Speaker 1>good brother man, and we actually, you know what pissing

0:23:39.680 --> 0:23:41.720
<v Speaker 1>me off about that man. That's why I don't take

0:23:41.760 --> 0:23:44.680
<v Speaker 1>stuff for granted. Now, we were supposed to be starting

0:23:44.680 --> 0:23:48.119
<v Speaker 1>to work on his documentary. We have been talking on

0:23:48.119 --> 0:23:49.920
<v Speaker 1>the phone about it. We had talked about it maybe

0:23:49.920 --> 0:23:52.240
<v Speaker 1>three or four times, and I looked up he was gone,

0:23:52.280 --> 0:23:57.240
<v Speaker 1>you know, so we can yeah, yeah, we can't story

0:23:57.280 --> 0:24:02.240
<v Speaker 1>about t Rogers. Right. So men, Lucky, Me and Lucky

0:24:02.320 --> 0:24:06.600
<v Speaker 1>we met through a mutual honey, but we got close fast. Right,

0:24:06.960 --> 0:24:09.880
<v Speaker 1>Lucky was this real talented person introduced me to Bennie Boom.

0:24:09.920 --> 0:24:14.679
<v Speaker 1>Shout out to Benny because really awesome director that he

0:24:14.760 --> 0:24:19.600
<v Speaker 1>actually shot the video for Hardener pain. Um. Long story short,

0:24:19.600 --> 0:24:21.600
<v Speaker 1>he hooked me up with his pops, t Rogers. Right.

0:24:21.760 --> 0:24:23.880
<v Speaker 1>I heard his name a thousand times. I remember seeing

0:24:23.920 --> 0:24:26.359
<v Speaker 1>him in the movie Colors. You know this nigga is

0:24:26.480 --> 0:24:29.760
<v Speaker 1>king blood, you mean, to some degree, you know certain names.

0:24:29.760 --> 0:24:31.360
<v Speaker 1>You hear you got all these niggas. Is really one

0:24:31.359 --> 0:24:34.119
<v Speaker 1>of them guys, you know Terry, you know all of

0:24:34.119 --> 0:24:37.480
<v Speaker 1>those guys. So he wanted to meet me. I'm like, yeah,

0:24:37.480 --> 0:24:39.000
<v Speaker 1>I'm gonna meet t Rodgers. You know, I'm off the

0:24:39.040 --> 0:24:41.000
<v Speaker 1>east side that ship. I ain't did nothing to nobody

0:24:41.000 --> 0:24:43.520
<v Speaker 1>over here. So we decided to meet up at the

0:24:43.600 --> 0:24:50.040
<v Speaker 1>Roscoe's in Inglewood. And uh, we meet up. So we

0:24:50.080 --> 0:24:52.440
<v Speaker 1>had met before, but we meet up to talk business

0:24:52.440 --> 0:24:54.639
<v Speaker 1>at this ros Coast. Now we're in Inglewood now with

0:24:54.760 --> 0:24:57.320
<v Speaker 1>t Rogers, right. So I'm really shipped out of luck.

0:24:57.359 --> 0:25:01.320
<v Speaker 1>I'm in Inglewood with t Rogers, right. So I walk

0:25:01.359 --> 0:25:03.560
<v Speaker 1>into the rest. Rock T is sitting in there. No,

0:25:03.960 --> 0:25:06.399
<v Speaker 1>I walked in first. They said us at the table.

0:25:06.960 --> 0:25:09.520
<v Speaker 1>T comes, okay, this is where we're sitting there. So

0:25:09.600 --> 0:25:12.240
<v Speaker 1>he's talking to me. I'm with either Mode or Metra

0:25:13.119 --> 0:25:16.840
<v Speaker 1>and he says, uh. He said, hey, glasses, never's something. Yeah, man,

0:25:16.840 --> 0:25:19.080
<v Speaker 1>how are you doing? I said, mol g, I'm chilling, man.

0:25:19.119 --> 0:25:21.640
<v Speaker 1>How are you? Everything is good? May say? He said,

0:25:21.640 --> 0:25:24.680
<v Speaker 1>you gotta got a crazy selection the place you wanted

0:25:24.680 --> 0:25:27.080
<v Speaker 1>to sit that right here? You know, have you thought

0:25:27.119 --> 0:25:28.560
<v Speaker 1>about it? If we needed to get out of here,

0:25:28.760 --> 0:25:33.240
<v Speaker 1>where would our exit be? And I said, uh, I said, yeah,

0:25:33.280 --> 0:25:35.320
<v Speaker 1>the door is over there. I said, I got my pistol.

0:25:35.520 --> 0:25:37.800
<v Speaker 1>He said, I got my pistol. He showed this pistol.

0:25:37.960 --> 0:25:39.920
<v Speaker 1>So that's not the point I'm asking. I'm saying. He said,

0:25:39.960 --> 0:25:42.160
<v Speaker 1>how will we get out of here? I said, well,

0:25:42.560 --> 0:25:50.960
<v Speaker 1>this window looks good? Said my man. He thought I

0:25:51.040 --> 0:25:53.399
<v Speaker 1>was looking for the door. I'm like, yeah, this is

0:25:53.440 --> 0:25:55.800
<v Speaker 1>all window. We're going out this window right here, and

0:25:55.800 --> 0:25:58.479
<v Speaker 1>we're just where the cards is that. This is our exits.

0:25:58.560 --> 0:26:02.680
<v Speaker 1>So how does just remember a lot of great conversations

0:26:02.680 --> 0:26:05.439
<v Speaker 1>with him. It's such a brilliant guy man, such a

0:26:05.560 --> 0:26:09.280
<v Speaker 1>brilliant dove man. And and I was talking about Snoop

0:26:09.359 --> 0:26:12.840
<v Speaker 1>earlier on my Instagram live. You know how they see

0:26:12.960 --> 0:26:16.200
<v Speaker 1>us versus how we are you know, from from this

0:26:16.280 --> 0:26:20.600
<v Speaker 1>culture we call blood and the cryptic t Rodgers probably

0:26:20.640 --> 0:26:25.399
<v Speaker 1>could have gave better advice on the presidential position for

0:26:25.520 --> 0:26:28.840
<v Speaker 1>me to Joe Biden. That's how smart a god, how

0:26:28.920 --> 0:26:32.639
<v Speaker 1>into intelligent and smart and resourceful and wise he was

0:26:32.760 --> 0:26:35.840
<v Speaker 1>as a person, and like I said, to constantly be

0:26:36.000 --> 0:26:39.679
<v Speaker 1>reduced down back to that point, like look what we

0:26:39.840 --> 0:26:43.320
<v Speaker 1>offered Walker Flucker and look what we did for Walker

0:26:43.359 --> 0:26:47.719
<v Speaker 1>Flecker's career. Now I'm not again, I'm not taking credit

0:26:47.800 --> 0:26:50.359
<v Speaker 1>right as a los Angeleleson for Walkercker. I'm just telling

0:26:50.400 --> 0:26:54.119
<v Speaker 1>you that's the power of the brand that people and

0:26:54.280 --> 0:26:58.600
<v Speaker 1>rappers want to be affiliated with. I'm not sure. Maybe

0:26:58.720 --> 0:27:01.359
<v Speaker 1>Lucky calls Walking says why you should come shoot this

0:27:01.440 --> 0:27:04.000
<v Speaker 1>video on the jungles. I just don't think that that's

0:27:04.040 --> 0:27:07.280
<v Speaker 1>how that's happening. I just think it's a little bit

0:27:07.320 --> 0:27:10.480
<v Speaker 1>more of people understanding the value, right because he's seen

0:27:10.520 --> 0:27:13.639
<v Speaker 1>a movie training day, so he understands the value of

0:27:13.680 --> 0:27:16.360
<v Speaker 1>the poke. They've seen boys in the hood. So again

0:27:16.400 --> 0:27:19.719
<v Speaker 1>it's one of those things where we really get short changed.

0:27:19.960 --> 0:27:22.520
<v Speaker 1>And then the concept that really makes sense, because hip

0:27:22.560 --> 0:27:26.200
<v Speaker 1>hop is all about urban street communities and really checking

0:27:26.200 --> 0:27:29.520
<v Speaker 1>in it is just those urban street communities linking up

0:27:29.960 --> 0:27:34.119
<v Speaker 1>right and offering resources and and and and and chilling

0:27:34.160 --> 0:27:36.399
<v Speaker 1>with each other and you know, building a bond so

0:27:36.440 --> 0:27:39.520
<v Speaker 1>we could keep helping brothers from our background that don't

0:27:39.560 --> 0:27:43.520
<v Speaker 1>have representation. Well, one thing, bro, I think Walker really understood,

0:27:43.600 --> 0:27:45.879
<v Speaker 1>Like you said, I think he understood the importance of

0:27:45.920 --> 0:27:48.640
<v Speaker 1>having the streets behind you. You know, just think about

0:27:48.680 --> 0:27:51.000
<v Speaker 1>how powerful that video was. He's shooting a video, and

0:27:51.080 --> 0:27:54.040
<v Speaker 1>that those particular projects that you know, he had to

0:27:54.080 --> 0:27:56.280
<v Speaker 1>have permission to shoot them, and you're getting greeted about

0:27:56.280 --> 0:27:59.199
<v Speaker 1>t rockets and all that that boots of his career

0:27:59.320 --> 0:28:04.239
<v Speaker 1>up to exponentially. Yeah, and and I think if you

0:28:04.400 --> 0:28:07.840
<v Speaker 1>ask him, he understands the value of it, you know

0:28:07.840 --> 0:28:09.959
<v Speaker 1>what I mean, And he would say so. So I

0:28:10.000 --> 0:28:14.760
<v Speaker 1>just don't when did checking in become this, Oh somebody's

0:28:14.760 --> 0:28:17.480
<v Speaker 1>trying to exploit you, somebody's trying to steal Again. Like

0:28:17.520 --> 0:28:20.080
<v Speaker 1>I said, I don't think the culture does a great job.

0:28:21.000 --> 0:28:23.720
<v Speaker 1>I know different neighborhoods that mess with Jez, but Jes

0:28:23.920 --> 0:28:27.199
<v Speaker 1>don't have versus with people from these neighborhoods. I know,

0:28:27.280 --> 0:28:30.160
<v Speaker 1>certain people mess with certain rappers. And if you're gonna

0:28:30.160 --> 0:28:32.760
<v Speaker 1>have rappers hanging out in your community and coming by

0:28:32.920 --> 0:28:35.200
<v Speaker 1>and claiming the fame. Why would you not have them

0:28:35.240 --> 0:28:37.800
<v Speaker 1>do things for your younger homeli is to try to

0:28:37.880 --> 0:28:44.560
<v Speaker 1>uplift your communities. You know, I think, and I've said

0:28:44.600 --> 0:28:48.040
<v Speaker 1>this once or twice, I genuinely think the culture is

0:28:48.080 --> 0:28:54.080
<v Speaker 1>being exploited. Yeah, culture, But I'll tell you I think

0:28:54.360 --> 0:28:57.640
<v Speaker 1>we are being exploited. Yeah. You know who does the

0:28:57.680 --> 0:29:00.440
<v Speaker 1>best job, little bro of him in their hood public

0:29:00.440 --> 0:29:07.400
<v Speaker 1>relationship so to speak. Oh bird Man, Yeah, stunning, he

0:29:07.560 --> 0:29:11.200
<v Speaker 1>handles himself because if you ever noticed Dog around the country,

0:29:11.800 --> 0:29:14.840
<v Speaker 1>he's accepted by real street cash. That's what I tell people.

0:29:14.840 --> 0:29:17.720
<v Speaker 1>Birdman can go to Chicago, he can go to New York,

0:29:17.920 --> 0:29:21.960
<v Speaker 1>he can come out here to l A. And he's

0:29:22.000 --> 0:29:24.640
<v Speaker 1>good out here, genuinely good because he's handling not one

0:29:24.680 --> 0:29:27.680
<v Speaker 1>thing you said. You don't hear xas versions out here.

0:29:27.960 --> 0:29:30.480
<v Speaker 1>I remember at one time it was five six different

0:29:30.520 --> 0:29:33.600
<v Speaker 1>people and watched that versus from bird Man and Wayne,

0:29:34.400 --> 0:29:36.840
<v Speaker 1>Yeah and Wayne while you while you play, I think

0:29:36.920 --> 0:29:40.560
<v Speaker 1>I think I've never and being around bird Man for years,

0:29:40.600 --> 0:29:42.600
<v Speaker 1>when I was around him all the time, I never

0:29:42.680 --> 0:29:45.840
<v Speaker 1>got that. I never got the feeling of like, yeah,

0:29:45.840 --> 0:29:48.000
<v Speaker 1>I'm not trying to touch hands at the community or

0:29:48.040 --> 0:29:51.480
<v Speaker 1>I feel like some sense of like I shouldn't be here.

0:29:52.080 --> 0:29:57.479
<v Speaker 1>So it's funny that, like I said that, he was

0:29:57.520 --> 0:30:03.360
<v Speaker 1>saying that, and all our thoughts in myself was really,

0:30:03.440 --> 0:30:07.000
<v Speaker 1>y'all nigg is getting over the fact that you could

0:30:07.000 --> 0:30:10.240
<v Speaker 1>come out here and access right you can, you have

0:30:10.440 --> 0:30:14.760
<v Speaker 1>access to Our communities are unique living spaces the things

0:30:14.800 --> 0:30:17.640
<v Speaker 1>that the world has. Literally, you know, Boys and the

0:30:17.640 --> 0:30:20.920
<v Speaker 1>Hood did a hundred million, not juice. You know what

0:30:20.920 --> 0:30:24.680
<v Speaker 1>I'm saying, Like, our culture is a feminam a math.

0:30:24.920 --> 0:30:28.400
<v Speaker 1>Us feel like it'd be pressure if I went to

0:30:28.520 --> 0:30:30.200
<v Speaker 1>New York, right and I was like, well, I need

0:30:30.240 --> 0:30:32.120
<v Speaker 1>to connect with L L. COO J. Because they are

0:30:32.120 --> 0:30:35.280
<v Speaker 1>the real ancestors and fathers of hip hop. None of

0:30:35.360 --> 0:30:38.800
<v Speaker 1>us would ever say that that's an honor. I love

0:30:38.880 --> 0:30:40.440
<v Speaker 1>to get L L on the phone when I go

0:30:40.520 --> 0:30:43.880
<v Speaker 1>to New York. I'm trying to find you know, I've

0:30:43.920 --> 0:30:45.920
<v Speaker 1>talked to cool Her. I'm trying to I gotta chest

0:30:45.960 --> 0:30:47.600
<v Speaker 1>to eat fish with Eric B. I thought it was

0:30:47.640 --> 0:30:50.920
<v Speaker 1>a wonderful thing to to go to the origins of

0:30:50.920 --> 0:30:54.560
<v Speaker 1>where hip hop was created and fellowship right with all

0:30:54.600 --> 0:30:57.680
<v Speaker 1>of the brothers that's the that's literally the cultural phenoms

0:30:57.760 --> 0:31:01.880
<v Speaker 1>of it. I thought it was awesome and I don't

0:31:01.880 --> 0:31:03.880
<v Speaker 1>even take a picture in front of the Marcy projects.

0:31:03.880 --> 0:31:06.320
<v Speaker 1>It just felt like I was opposed to be there.

0:31:06.880 --> 0:31:10.960
<v Speaker 1>I never thought for two seconds that it was exploitation

0:31:11.160 --> 0:31:13.920
<v Speaker 1>or this, that and the third. Like I wish Cool

0:31:13.920 --> 0:31:15.320
<v Speaker 1>g rap would have called me when I was in

0:31:15.360 --> 0:31:17.040
<v Speaker 1>New York glasses, you know, come by the start, have

0:31:17.160 --> 0:31:23.560
<v Speaker 1>been honored. I don't get you know, this whole narrative, like,

0:31:24.360 --> 0:31:26.280
<v Speaker 1>well what I think, bro? I think it's the Internet.

0:31:26.360 --> 0:31:28.040
<v Speaker 1>I think it's the area that we're in now. And

0:31:28.080 --> 0:31:31.760
<v Speaker 1>they kind of take it because, like you said, if

0:31:31.800 --> 0:31:34.280
<v Speaker 1>you listen, if you're go on YouTube right now, they're

0:31:34.280 --> 0:31:37.240
<v Speaker 1>gonna say, oh, somebody got taxed for not checking in right.

0:31:37.680 --> 0:31:40.920
<v Speaker 1>It's never like that, bro, Just like you said, it's

0:31:40.960 --> 0:31:44.040
<v Speaker 1>not how it's perceived to be. People. If you're smart,

0:31:44.160 --> 0:31:45.760
<v Speaker 1>you're going to go to New York. Of course, I'm

0:31:45.760 --> 0:31:48.400
<v Speaker 1>gonna call the homies and living I'm touching down. If

0:31:48.440 --> 0:31:50.360
<v Speaker 1>I go to Louisiana, if I go to New Orleans,

0:31:50.400 --> 0:31:52.840
<v Speaker 1>I'm gonna check in with fiends and everybody else down there.

0:31:54.080 --> 0:31:56.560
<v Speaker 1>I just don't understand what it mean like I can't.

0:31:56.920 --> 0:31:59.240
<v Speaker 1>And don't get me wrong, Gee, I'm not checking the

0:31:59.320 --> 0:32:01.320
<v Speaker 1>in out of fear of people may think it's because

0:32:01.360 --> 0:32:05.520
<v Speaker 1>you're literally going somewhere. Hey, bro, what's going on? I

0:32:05.640 --> 0:32:09.880
<v Speaker 1>have dinner with some of that while I'm here. We're

0:32:09.880 --> 0:32:12.200
<v Speaker 1>going to Sweet Chicks? What what what we've got going on?

0:32:12.280 --> 0:32:14.479
<v Speaker 1>Because when I'm in New Orleans, for me, we're going

0:32:14.520 --> 0:32:17.160
<v Speaker 1>to morrows with what we what we do, Like I'm figured,

0:32:18.800 --> 0:32:23.360
<v Speaker 1>that's what I'm saying. He told me people madrade as

0:32:23.600 --> 0:32:26.960
<v Speaker 1>us and speaking for us. Right when I say us

0:32:27.000 --> 0:32:30.960
<v Speaker 1>the street urban culture, there's so many people masquerading right,

0:32:31.560 --> 0:32:37.680
<v Speaker 1>rapping whatever long masquerading asked us, trying to speak for

0:32:37.840 --> 0:32:41.920
<v Speaker 1>us and increasing silly narratives that gets spread and this

0:32:42.080 --> 0:32:45.720
<v Speaker 1>ship that we all know it's not true. Like it

0:32:45.800 --> 0:32:48.200
<v Speaker 1>was a conversation I was listening to she Gluchen. They

0:32:48.200 --> 0:32:51.760
<v Speaker 1>were saying if a police came into his restaurant, right

0:32:51.880 --> 0:32:54.440
<v Speaker 1>to actually get a beverage with He served to me like,

0:32:54.480 --> 0:32:58.200
<v Speaker 1>hell yeah, It's like we all know if you've been

0:32:58.240 --> 0:33:01.560
<v Speaker 1>in the streets, right, if you if you've participated, you

0:33:01.600 --> 0:33:04.440
<v Speaker 1>feel me, you understand once you're not in the life

0:33:04.800 --> 0:33:07.600
<v Speaker 1>that these rules don't apply to you. Sometimes you can

0:33:07.640 --> 0:33:10.240
<v Speaker 1>carry the same ethics, but the rules don't apply to you,

0:33:11.280 --> 0:33:13.000
<v Speaker 1>know what I'm saying. So I just thought it was

0:33:13.080 --> 0:33:17.680
<v Speaker 1>weird that you have so many people speaking up about

0:33:17.720 --> 0:33:21.360
<v Speaker 1>how we're living right and they're supposed to be representatives,

0:33:21.400 --> 0:33:25.920
<v Speaker 1>but I don't feel represented. Like I'm listening to him.

0:33:25.920 --> 0:33:28.760
<v Speaker 1>I just couldn't believe they thought that checking in mitt

0:33:28.880 --> 0:33:32.520
<v Speaker 1>like like they said pop Smoke got killed for not

0:33:32.680 --> 0:33:36.240
<v Speaker 1>checking in. Yeah, that was ridiculous. That was ridiculous. He

0:33:36.280 --> 0:33:38.200
<v Speaker 1>didn't get Because I'm gonna tell you this, G. First

0:33:38.240 --> 0:33:40.800
<v Speaker 1>of all, I think people when they say that stuff,

0:33:40.800 --> 0:33:43.040
<v Speaker 1>I look at them like they're returned because of this.

0:33:44.720 --> 0:33:47.040
<v Speaker 1>If Peter flew in the l A right now, he

0:33:47.080 --> 0:33:48.840
<v Speaker 1>could fly in THEO l A tomorrow. G and me

0:33:48.880 --> 0:33:51.720
<v Speaker 1>and you neither one. We're getting to alert. It's not

0:33:51.800 --> 0:33:55.160
<v Speaker 1>like nigroes out here, got a phone and somebody come

0:33:55.240 --> 0:33:58.120
<v Speaker 1>in at the time, rapper alert. Oh, he just flew

0:33:58.160 --> 0:34:00.400
<v Speaker 1>in right now. He's on flight six to two and

0:34:00.400 --> 0:34:02.560
<v Speaker 1>he's coming in. If somebody coming to your city, you're

0:34:02.560 --> 0:34:07.400
<v Speaker 1>more than likely not even go. No, I agree, you're

0:34:07.440 --> 0:34:09.080
<v Speaker 1>not gonna know. How how are you gonna know? The

0:34:09.120 --> 0:34:11.200
<v Speaker 1>city is too big, bro, especially when you go somewhere

0:34:11.239 --> 0:34:13.440
<v Speaker 1>like New York. Men, you can go to New York tomorrow,

0:34:13.520 --> 0:34:16.040
<v Speaker 1>g being a hotel, being a sweet Chicken, it the

0:34:16.040 --> 0:34:19.280
<v Speaker 1>whole week and nobody know what depends on the city,

0:34:19.400 --> 0:34:21.440
<v Speaker 1>you know, and the conversation is kind of changing a

0:34:21.440 --> 0:34:24.040
<v Speaker 1>little bit from the beginning, like talking about like in Detroit,

0:34:24.120 --> 0:34:25.560
<v Speaker 1>Like if you're going to New York or you're going

0:34:25.600 --> 0:34:27.000
<v Speaker 1>to l A, you can go in there for something

0:34:27.000 --> 0:34:29.400
<v Speaker 1>really small. It's not public, you know, it's like a

0:34:29.440 --> 0:34:33.440
<v Speaker 1>private industry type of Detroit Detroit and the biggest you

0:34:33.480 --> 0:34:35.040
<v Speaker 1>can fly in Detroit, and if you don't want to

0:34:35.040 --> 0:34:37.960
<v Speaker 1>be seen, you're not gonna see nobody. You understand it.

0:34:38.280 --> 0:34:40.400
<v Speaker 1>But like more often than not, I mean, like from

0:34:40.400 --> 0:34:44.680
<v Speaker 1>the professionals, like like from from like a hip hop

0:34:44.920 --> 0:34:50.239
<v Speaker 1>music industry professional task standpoint, you can come l A

0:34:50.320 --> 0:34:52.320
<v Speaker 1>and record a song or do a photo shoot or

0:34:52.320 --> 0:34:57.000
<v Speaker 1>saying with New York. If you go to Cleveland, Pittsburgh, Detroit, whatever,

0:34:57.000 --> 0:34:59.239
<v Speaker 1>you're probably going there to do like a live performance

0:34:59.280 --> 0:35:04.480
<v Speaker 1>or something that's more public. I think what happens to

0:35:04.600 --> 0:35:07.319
<v Speaker 1>most rappers now again, this is like what most abortions.

0:35:08.160 --> 0:35:13.120
<v Speaker 1>What happens most rappers, right, they're trying to take advantage

0:35:13.200 --> 0:35:16.839
<v Speaker 1>right of the said community. Right, That's where I was going,

0:35:17.200 --> 0:35:20.400
<v Speaker 1>reputation that's been built up. Why is it great to

0:35:20.400 --> 0:35:22.800
<v Speaker 1>take a picture here? Like why do you want to

0:35:22.840 --> 0:35:25.760
<v Speaker 1>take a picture here? For me, most of those reasons

0:35:25.760 --> 0:35:29.080
<v Speaker 1>are gonna come from why the community made it popular,

0:35:29.320 --> 0:35:31.880
<v Speaker 1>So why would you not want to actually fellowship with

0:35:31.920 --> 0:35:34.399
<v Speaker 1>the community you want to take advantage of or take

0:35:34.440 --> 0:35:38.239
<v Speaker 1>a picture in front of. And that's like kind of

0:35:38.280 --> 0:35:40.960
<v Speaker 1>the other side of it, Like it's wherever there is

0:35:41.000 --> 0:35:44.120
<v Speaker 1>it perceived like value deficit, then you're gonna have the

0:35:44.160 --> 0:35:46.879
<v Speaker 1>same type of conversation Like you might think, okay, well

0:35:46.880 --> 0:35:55.080
<v Speaker 1>you're getting free location exposure at the in the Jay's

0:35:55.200 --> 0:36:00.160
<v Speaker 1>or in Marcy's or wherever the hell you are where

0:36:00.160 --> 0:36:02.160
<v Speaker 1>it's like where it starter was, Like you were talking

0:36:02.160 --> 0:36:07.920
<v Speaker 1>about rappers in Detroit wanting to be able to, you know,

0:36:08.880 --> 0:36:12.880
<v Speaker 1>gaining value. On the other side by participating in somebody

0:36:12.880 --> 0:36:15.320
<v Speaker 1>else's show, who is a bigger name in there potentially,

0:36:15.960 --> 0:36:19.960
<v Speaker 1>you know, so it breaks both ways. I think it's

0:36:20.000 --> 0:36:25.520
<v Speaker 1>just people wanting they're perceived just do Yeah, it would

0:36:25.560 --> 0:36:28.520
<v Speaker 1>be fair. I just don't see why would that be

0:36:28.600 --> 0:36:31.440
<v Speaker 1>a big thing to go to another town where you

0:36:31.480 --> 0:36:35.279
<v Speaker 1>see other brothers that come from that kind of community

0:36:35.360 --> 0:36:38.640
<v Speaker 1>that you came from, but here and not say to yourself,

0:36:38.680 --> 0:36:41.040
<v Speaker 1>how can I not? How can I help these brothers?

0:36:41.440 --> 0:36:44.680
<v Speaker 1>What small things can I do? Feel me? Because I'm

0:36:44.719 --> 0:36:48.000
<v Speaker 1>here with them and I see that the same things

0:36:48.000 --> 0:36:50.839
<v Speaker 1>are going on here that's going on where I'm from,

0:36:50.920 --> 0:36:54.120
<v Speaker 1>and it needs the smallest ship. Maybe you go to

0:36:54.200 --> 0:36:56.560
<v Speaker 1>a town and you see a rapper right you're shooting

0:36:56.560 --> 0:36:59.640
<v Speaker 1>a video right in in the four Trades and the

0:36:59.640 --> 0:37:02.680
<v Speaker 1>fourth gangs to cripts on leaside, Why would you not

0:37:02.880 --> 0:37:07.120
<v Speaker 1>reach out to kboy or a rapper in for trade fair?

0:37:07.200 --> 0:37:09.759
<v Speaker 1>Who's the local rapper over here? You know what, Hey,

0:37:09.800 --> 0:37:11.160
<v Speaker 1>I'm finish you the video over here. You know I

0:37:11.160 --> 0:37:15.120
<v Speaker 1>already pay location people. Look, tell the local rapper that's

0:37:15.160 --> 0:37:17.799
<v Speaker 1>from this community. Hey, man, send me a song. Let

0:37:17.800 --> 0:37:20.360
<v Speaker 1>me do a verse for them, you know, when he

0:37:20.480 --> 0:37:23.520
<v Speaker 1>comes together and figure out you know, hey, it's two guys. Hey,

0:37:23.640 --> 0:37:25.960
<v Speaker 1>you know what, Let's send me both of those guys verses.

0:37:26.239 --> 0:37:28.320
<v Speaker 1>Let me do both of those guys verses. You know

0:37:28.360 --> 0:37:32.759
<v Speaker 1>what I mean? Because they are coming from opress impoverished

0:37:32.760 --> 0:37:36.520
<v Speaker 1>black communities, just like minds and if nothing else, I

0:37:36.560 --> 0:37:39.399
<v Speaker 1>can do this to help them. Yeah, and I think

0:37:39.400 --> 0:37:42.239
<v Speaker 1>a lot of it. Like really, you can make the

0:37:42.360 --> 0:37:45.080
<v Speaker 1>case that at the end of the day, there's like

0:37:45.640 --> 0:37:49.800
<v Speaker 1>equal value in in either outcome. Like take for example,

0:37:49.800 --> 0:37:52.640
<v Speaker 1>to walk a flock a video. For as much as

0:37:52.719 --> 0:37:55.320
<v Speaker 1>that was a value add for him at the time,

0:37:56.400 --> 0:38:01.120
<v Speaker 1>that also on a national scope elevated the perception value

0:38:01.320 --> 0:38:05.480
<v Speaker 1>of association with the Jungles, you know afterwards. So if

0:38:05.480 --> 0:38:08.279
<v Speaker 1>you happened to be a rapper from the Jungles in

0:38:08.320 --> 0:38:10.480
<v Speaker 1>the subsequent few year period out of that time, which

0:38:10.520 --> 0:38:13.200
<v Speaker 1>there weren't really any, but if there was one, that

0:38:14.480 --> 0:38:18.480
<v Speaker 1>there was value that was you know, bilateral. That's not true,

0:38:19.200 --> 0:38:23.799
<v Speaker 1>there was who benefits, which rop benefited. That's what I'm saying.

0:38:23.800 --> 0:38:27.040
<v Speaker 1>There wasn't one. If there was, if there was one

0:38:27.120 --> 0:38:30.160
<v Speaker 1>from the Jungles, Malcolm's from the Jungles. There's a lot

0:38:30.200 --> 0:38:32.279
<v Speaker 1>of rappers from the Jungles right now. They got a

0:38:32.280 --> 0:38:36.279
<v Speaker 1>group that's finally making headway Baby Stone Guerrillas, right and

0:38:37.200 --> 0:38:39.160
<v Speaker 1>why would not while the Flop called them and reach

0:38:39.200 --> 0:38:41.319
<v Speaker 1>out to the lab with them? They already started the

0:38:41.360 --> 0:38:45.600
<v Speaker 1>game traction, they didn't they Hot Sauce been dope for

0:38:45.640 --> 0:38:49.800
<v Speaker 1>a long time out of that community, never received the benefit,

0:38:50.200 --> 0:38:53.719
<v Speaker 1>never received nothing because somebody shot a video them project.

0:38:54.080 --> 0:38:57.720
<v Speaker 1>Excuse me. That housing complex was much more famous before

0:38:57.760 --> 0:39:00.160
<v Speaker 1>while the Flop pair came there. Remember it was just

0:39:00.280 --> 0:39:02.239
<v Speaker 1>on It was just a film that did over a

0:39:02.320 --> 0:39:06.640
<v Speaker 1>hundred million dollars. That Denzel one is only Oscar for

0:39:06.640 --> 0:39:09.880
<v Speaker 1>for sure. Like but those are the only two times

0:39:09.920 --> 0:39:14.600
<v Speaker 1>that's ever gotten like national visibility. But but again, but

0:39:14.680 --> 0:39:17.800
<v Speaker 1>within the community, right, And this is what's important though, right, Pete,

0:39:17.840 --> 0:39:21.760
<v Speaker 1>is within the cultures, the urban street cultures around the world,

0:39:21.920 --> 0:39:25.319
<v Speaker 1>right around the country, right, they all know about the

0:39:25.400 --> 0:39:28.239
<v Speaker 1>Jungles if you in the note of culture, right, if

0:39:28.239 --> 0:39:31.080
<v Speaker 1>you in the note of urban street culture. So yes,

0:39:31.160 --> 0:39:34.000
<v Speaker 1>in the managed in world when they saw Training Day,

0:39:34.040 --> 0:39:37.800
<v Speaker 1>they found out what the junkers were the mainstream world.

0:39:38.160 --> 0:39:42.160
<v Speaker 1>But us right within the urban street cultures all around

0:39:42.280 --> 0:39:45.439
<v Speaker 1>have all heard about the Jungles. All have heard about

0:39:45.480 --> 0:39:48.800
<v Speaker 1>the Jungle. So again, I don't think there's no value.

0:39:50.120 --> 0:39:53.120
<v Speaker 1>And I think sometimes that's the mistake that homies from

0:39:53.160 --> 0:39:56.640
<v Speaker 1>the community make, really believing that if these people are around,

0:39:56.680 --> 0:39:59.760
<v Speaker 1>it brings more value to their community. It's not unless

0:39:59.800 --> 0:40:03.120
<v Speaker 1>some I they decide to institute value the actual person

0:40:03.200 --> 0:40:05.880
<v Speaker 1>taking advantage of it, or you have to monetize that

0:40:05.960 --> 0:40:10.160
<v Speaker 1>person's presence in the community. Anyway, it's not just gonna

0:40:10.160 --> 0:40:11.960
<v Speaker 1>get more popular. People gonna like, hey, I want to

0:40:11.960 --> 0:40:14.640
<v Speaker 1>go there too. It ain't like somebody else came with

0:40:14.760 --> 0:40:16.719
<v Speaker 1>a hundred you know, let's say, walk a flock of

0:40:16.800 --> 0:40:22.160
<v Speaker 1>pay fifty thousand. That's the shoots video. Nobody came back

0:40:22.160 --> 0:40:24.400
<v Speaker 1>and said I have a hundred and fifty thousand to shoot.

0:40:24.600 --> 0:40:26.440
<v Speaker 1>It ain't like, you know, Katie Parris, like, you know what,

0:40:26.520 --> 0:40:29.040
<v Speaker 1>I want the same video. I'm gonna give you guys

0:40:29.120 --> 0:40:33.000
<v Speaker 1>a hundred and fifty thousand. That's not what's happening, you

0:40:33.000 --> 0:40:36.720
<v Speaker 1>feel me. What's happening is right those the say artists

0:40:36.760 --> 0:40:40.240
<v Speaker 1>don't really benefit because you're actually taking something. You're actually

0:40:40.320 --> 0:40:43.920
<v Speaker 1>taking what makes it special, you know, the newness the

0:40:43.960 --> 0:40:46.400
<v Speaker 1>first time you've seen it. We had never seen a

0:40:46.480 --> 0:40:49.399
<v Speaker 1>rapper with you know, in the jungles backed by all

0:40:49.480 --> 0:40:52.400
<v Speaker 1>of these people, and there's a ton of fantastic rappers

0:40:52.640 --> 0:40:56.160
<v Speaker 1>that's from around the way. Joe Moses from Brims fifteen

0:40:56.200 --> 0:40:58.960
<v Speaker 1>ten minutes away, Hot Sauce from over there. He's really

0:40:58.960 --> 0:41:02.839
<v Speaker 1>spectacular malcomes from over there. Uncle manages from over There's

0:41:02.880 --> 0:41:05.200
<v Speaker 1>different people from over there, a lot of bloods from

0:41:05.200 --> 0:41:07.920
<v Speaker 1>around the area, but they have never had the benefit

0:41:08.320 --> 0:41:11.400
<v Speaker 1>of being smacked dead on nicke Let with all of

0:41:11.440 --> 0:41:13.960
<v Speaker 1>the niggers from BPS behind them to say, hey, we

0:41:14.040 --> 0:41:21.040
<v Speaker 1>are supporting this entity. Yeah you know what, bro, I

0:41:21.080 --> 0:41:22.719
<v Speaker 1>feel what you're seeing when you put it that way,

0:41:22.800 --> 0:41:25.080
<v Speaker 1>like like, let's go back to the walking flogging video

0:41:25.400 --> 0:41:27.680
<v Speaker 1>with you and Peter both saying in this sence pretty

0:41:27.760 --> 0:41:31.000
<v Speaker 1>much that none of the rappers over there actually got

0:41:31.000 --> 0:41:35.480
<v Speaker 1>the benefit from that exposure. When you're thinking about it

0:41:35.520 --> 0:41:39.200
<v Speaker 1>like that, you correct. And that's why I think as

0:41:39.239 --> 0:41:42.880
<v Speaker 1>a community even with this concept of checking in, because

0:41:43.160 --> 0:41:45.439
<v Speaker 1>checking in makes it like I said, listening to those

0:41:45.440 --> 0:41:48.640
<v Speaker 1>two specific brothers had them conversation or even when I

0:41:48.680 --> 0:41:52.040
<v Speaker 1>was talking to Van Lathon on something they're working on

0:41:52.120 --> 0:41:55.839
<v Speaker 1>for their stuff. It's this negative connotation on checking in

0:41:56.120 --> 0:41:59.239
<v Speaker 1>where it's like, oh, you know, if you go to

0:41:59.400 --> 0:42:01.120
<v Speaker 1>l A, you need to LA niggas so you don't

0:42:01.120 --> 0:42:04.560
<v Speaker 1>get robbed. No, no, you call l A niggas right

0:42:04.600 --> 0:42:07.239
<v Speaker 1>to do your security to make sure other l A

0:42:07.320 --> 0:42:10.239
<v Speaker 1>niggas don't rob you. Who want to rob you for money, right,

0:42:10.320 --> 0:42:12.600
<v Speaker 1>that's the point of it. Right, you have security, or

0:42:12.680 --> 0:42:16.000
<v Speaker 1>you have regular security that you fly with, you know.

0:42:16.040 --> 0:42:18.680
<v Speaker 1>But again, if you're from the urban street community, why

0:42:18.680 --> 0:42:21.600
<v Speaker 1>would you not give people an opportunity? You know what

0:42:21.680 --> 0:42:24.759
<v Speaker 1>I mean unless you can afford you know, the the

0:42:24.800 --> 0:42:28.919
<v Speaker 1>guys from special forces like Dr j Dr Dre Gotta dude,

0:42:28.960 --> 0:42:31.879
<v Speaker 1>that's probably about five ft ten five ft none look

0:42:31.920 --> 0:42:34.640
<v Speaker 1>like you eat your heart No wait man, So if

0:42:34.680 --> 0:42:38.600
<v Speaker 1>you don't have you know, the best security, right, why

0:42:38.600 --> 0:42:43.200
<v Speaker 1>would you not employed brothers from different communities? You feel me?

0:42:43.239 --> 0:42:46.400
<v Speaker 1>Where impoverished people looking to actually you know, pay their rent?

0:42:46.760 --> 0:42:49.600
<v Speaker 1>Like why would you not look to employ different people

0:42:49.640 --> 0:42:52.759
<v Speaker 1>from communities, especially if you want to partake in it?

0:42:53.120 --> 0:42:57.080
<v Speaker 1>That just makes sense. Like somebody asked me, was t

0:42:57.280 --> 0:42:59.560
<v Speaker 1>I being exploited? I just laughing. My dog t I

0:42:59.840 --> 0:43:02.880
<v Speaker 1>is who he is. Nobody has exploring tr TR loves

0:43:03.360 --> 0:43:07.239
<v Speaker 1>doing cool things for other black folks, feel me? And

0:43:07.239 --> 0:43:11.520
<v Speaker 1>and again longest said community is providing a value, Like

0:43:11.600 --> 0:43:16.080
<v Speaker 1>what are we really saying? Like it ain't like a

0:43:16.120 --> 0:43:18.960
<v Speaker 1>contrived idea for the most part all the time? Right

0:43:19.040 --> 0:43:20.800
<v Speaker 1>of like when you rob them and I'll stop you

0:43:20.800 --> 0:43:23.319
<v Speaker 1>from getting robbed. It's just not It's just a bunch

0:43:23.360 --> 0:43:25.480
<v Speaker 1>of poor people who have a lot more access to

0:43:25.600 --> 0:43:28.120
<v Speaker 1>different parts of the city than other places we go.

0:43:28.480 --> 0:43:31.040
<v Speaker 1>You know, certain things people don't go pull off in Manhattan.

0:43:31.680 --> 0:43:33.400
<v Speaker 1>I mean, they don't go do that ship in Manhattan.

0:43:33.680 --> 0:43:36.920
<v Speaker 1>It's different. You know, the community will find this way

0:43:36.920 --> 0:43:40.520
<v Speaker 1>to Hollywood. They will find this way to Hollywood and

0:43:40.520 --> 0:43:45.000
<v Speaker 1>make you a victim. So again, it's not likely to happen,

0:43:45.040 --> 0:43:48.759
<v Speaker 1>but it has happened. Like you got the clip where

0:43:48.760 --> 0:43:53.240
<v Speaker 1>Brucey was talking about l A is dangerous because because

0:43:53.239 --> 0:43:55.080
<v Speaker 1>you don't know anybody out there, you need and you

0:43:55.120 --> 0:43:58.080
<v Speaker 1>need to deal with the people that are out there,

0:43:58.120 --> 0:44:00.359
<v Speaker 1>you know, in a in a paraphrase, and the show

0:44:00.600 --> 0:44:07.839
<v Speaker 1>it was right after the Kodak Black shooting. Somebody asked

0:44:07.840 --> 0:44:11.920
<v Speaker 1>me about that. First of all, I think, man, a

0:44:11.920 --> 0:44:14.919
<v Speaker 1>lot of people that talk about l A on these

0:44:14.960 --> 0:44:18.200
<v Speaker 1>social media networks and just in media in general have

0:44:18.400 --> 0:44:21.200
<v Speaker 1>no clue on what they're talking about. And that and

0:44:21.200 --> 0:44:24.080
<v Speaker 1>that's and that's my point still, That's why I really

0:44:24.120 --> 0:44:27.960
<v Speaker 1>was getting down to us, like I'm starting to realize.

0:44:30.400 --> 0:44:34.400
<v Speaker 1>I'm starting to realize that it's a lot of people

0:44:34.600 --> 0:44:38.080
<v Speaker 1>claiming that their hip hop or part of hip hop,

0:44:38.280 --> 0:44:43.719
<v Speaker 1>or represent what we represent, right, and they speak for

0:44:43.840 --> 0:44:49.439
<v Speaker 1>us or speak on us. Yet it always seems like

0:44:49.840 --> 0:44:54.000
<v Speaker 1>it's just incorrect, you know, I mean all the time.

0:44:54.400 --> 0:44:56.719
<v Speaker 1>I'm starting to notice that, and it's starting to really

0:44:56.760 --> 0:45:00.480
<v Speaker 1>be annoying because it's like, if you on of us,

0:45:00.520 --> 0:45:02.879
<v Speaker 1>how could you have this wrong? Now I'm starting to think,

0:45:03.840 --> 0:45:05.879
<v Speaker 1>you know, you just masquerade and that's one of us

0:45:05.880 --> 0:45:11.799
<v Speaker 1>and it's not real anyway. That's probably true as well.

0:45:12.120 --> 0:45:17.080
<v Speaker 1>That comes back to the exploitation. If you're free the

0:45:17.160 --> 0:45:19.920
<v Speaker 1>good majority of people out here putting two on the TMG,

0:45:21.520 --> 0:45:24.160
<v Speaker 1>I mean I feel that I feel a two on

0:45:24.280 --> 0:45:28.120
<v Speaker 1>a tend right. But now again, like I said, when

0:45:28.120 --> 0:45:32.200
<v Speaker 1>you really analyze it, we provide a lot greater value

0:45:32.480 --> 0:45:38.200
<v Speaker 1>of people, you know, benefiting from our culture, right then

0:45:38.239 --> 0:45:42.640
<v Speaker 1>we actually are taking from people. I just don't know

0:45:42.719 --> 0:45:47.200
<v Speaker 1>what type of black man feel me with that has

0:45:47.239 --> 0:45:49.800
<v Speaker 1>this negative connotation. Don't check in like I've heard people

0:45:49.920 --> 0:45:52.320
<v Speaker 1>argue about it, Nick, I ain't checking in with nobody.

0:45:52.400 --> 0:45:55.759
<v Speaker 1>Nick's got me funked up, Like, what do you mean

0:45:55.800 --> 0:45:57.600
<v Speaker 1>You're not checking me? You mean to tell me you

0:45:57.600 --> 0:46:00.680
<v Speaker 1>don't have partners in this city that you call and

0:46:00.719 --> 0:46:02.520
<v Speaker 1>you let them know you're around. Do you not want

0:46:02.560 --> 0:46:06.200
<v Speaker 1>to see your brothers from you know, Flatbush, New York?

0:46:06.239 --> 0:46:08.680
<v Speaker 1>Do you not want to see your brothers from New

0:46:08.800 --> 0:46:13.400
<v Speaker 1>Orleans or Miami or Houston? Feel if I went to Houston,

0:46:13.800 --> 0:46:16.360
<v Speaker 1>I'm gonna hitting my boys. I mean zero, feel me,

0:46:16.360 --> 0:46:18.160
<v Speaker 1>I'm gonna hit my guys that I mess with the

0:46:18.160 --> 0:46:20.440
<v Speaker 1>guys in the street. This is just wherever I go

0:46:20.600 --> 0:46:25.000
<v Speaker 1>because I literally intend to fellowship with the Brothers. I

0:46:25.040 --> 0:46:28.520
<v Speaker 1>don't know what the hell happened to us right as

0:46:28.560 --> 0:46:31.160
<v Speaker 1>a community to where we don't want to fellowship with

0:46:31.200 --> 0:46:35.399
<v Speaker 1>the Brothers. Bro, I'm gonna tell you what the right now,

0:46:36.719 --> 0:46:39.120
<v Speaker 1>we're basically living in the Have you ever seen that

0:46:39.160 --> 0:46:43.360
<v Speaker 1>movie Idiocracy? No, if you get a chance to watch it,

0:46:43.480 --> 0:46:49.239
<v Speaker 1>have you seen Indiocracy? Pete m h um A bunch

0:46:49.239 --> 0:46:51.880
<v Speaker 1>of but the whole premise of the movie, it was

0:46:52.880 --> 0:46:54.840
<v Speaker 1>a movie that was supposed to supposed to shot in

0:46:54.840 --> 0:46:58.320
<v Speaker 1>the future right toward the vegetation on the planet that

0:46:58.480 --> 0:47:01.920
<v Speaker 1>died because they were and um they were using instead

0:47:01.960 --> 0:47:06.640
<v Speaker 1>of using wiada Um water to Florida vegetation, they were

0:47:06.719 --> 0:47:11.280
<v Speaker 1>using gatorade. And so this guy came from the past

0:47:11.320 --> 0:47:13.839
<v Speaker 1>and said, well, they thought he was a genius because

0:47:13.840 --> 0:47:16.160
<v Speaker 1>he pretty much fixed every problem they had. Instead of

0:47:16.239 --> 0:47:19.160
<v Speaker 1>using gatorade, he said, well, this is white vegetation is

0:47:19.160 --> 0:47:22.759
<v Speaker 1>growing because y'all using gatorade. He started using water. The

0:47:22.840 --> 0:47:25.200
<v Speaker 1>people were pretty much idiots because they got a dick

0:47:25.440 --> 0:47:29.400
<v Speaker 1>television program and him's the name idiocracy. But that's the

0:47:29.440 --> 0:47:31.319
<v Speaker 1>era that we're living in right now. We live in

0:47:31.320 --> 0:47:33.960
<v Speaker 1>the Arab man that where people believe any damn thing.

0:47:34.000 --> 0:47:38.240
<v Speaker 1>Somebody said, it's but but social media right is turning

0:47:38.320 --> 0:47:43.120
<v Speaker 1>into the home of bad advice and bad advice. It's

0:47:43.239 --> 0:47:49.000
<v Speaker 1>just spreading rampantly, like like beauty standards are being colonized

0:47:49.040 --> 0:47:53.000
<v Speaker 1>by one simple idea rooted most likely in a white person.

0:47:53.400 --> 0:47:58.279
<v Speaker 1>That's just weird, you know what I mean? Like um,

0:47:58.360 --> 0:48:02.000
<v Speaker 1>checking in fellowshipping with old brothers from from other street

0:48:02.120 --> 0:48:06.399
<v Speaker 1>urban communities is being frowned upon and somehow you are

0:48:07.160 --> 0:48:09.560
<v Speaker 1>you know, you are less than if you fellowship with

0:48:09.640 --> 0:48:13.560
<v Speaker 1>your brothers around the globe. I mean, what type of

0:48:13.600 --> 0:48:16.640
<v Speaker 1>person don't want to help other black people? Again? Right,

0:48:16.719 --> 0:48:19.200
<v Speaker 1>it's like I don't know, Like I don't know what's

0:48:19.200 --> 0:48:21.879
<v Speaker 1>going on, and it's getting worse and worse I hear

0:48:21.880 --> 0:48:24.880
<v Speaker 1>a lot of people Like I listened to certain people

0:48:24.960 --> 0:48:27.000
<v Speaker 1>and again, like we talked about this Pete. They were

0:48:27.000 --> 0:48:29.759
<v Speaker 1>telling me that hip hop is a bad influence on

0:48:29.800 --> 0:48:32.359
<v Speaker 1>the community. And I laughed at him, like, no, hip

0:48:32.360 --> 0:48:37.319
<v Speaker 1>hop is the community. Like you know, somebody said, drill

0:48:37.440 --> 0:48:41.800
<v Speaker 1>music is a bad influence on the community. No, drill music.

0:48:42.120 --> 0:48:45.200
<v Speaker 1>Drilling is what's going on in Chicago in the community,

0:48:45.760 --> 0:48:49.799
<v Speaker 1>all futures music. Right. The opioid he you know, it's

0:48:49.840 --> 0:48:52.719
<v Speaker 1>a bad it's it's bad thing on the community. No,

0:48:52.920 --> 0:48:57.399
<v Speaker 1>the community is addicted to opioids. And he's telling you that.

0:48:57.800 --> 0:49:03.040
<v Speaker 1>He's representing that with conversation. And and black people are

0:49:03.040 --> 0:49:05.440
<v Speaker 1>getting to a weird space, you know what I mean.

0:49:05.480 --> 0:49:10.600
<v Speaker 1>And and actually they've been here, they've been here like historically. Right,

0:49:10.680 --> 0:49:14.000
<v Speaker 1>we are so prideful as a people, right, we want

0:49:14.040 --> 0:49:17.359
<v Speaker 1>to say, whatever problems we got going on, let's leave

0:49:17.400 --> 0:49:20.160
<v Speaker 1>in the here. We're gonna walk outside, everybody together and

0:49:20.200 --> 0:49:24.000
<v Speaker 1>act like everything is okay. Right, that's what we're saying

0:49:24.120 --> 0:49:26.719
<v Speaker 1>right now. We want to say, well, you know what,

0:49:27.239 --> 0:49:30.520
<v Speaker 1>it ain't that bad, you know, okay, So instead of

0:49:30.560 --> 0:49:35.040
<v Speaker 1>trying to cure you know, what's going on right in Chicago. Right,

0:49:35.080 --> 0:49:38.239
<v Speaker 1>you got a bunch of poor, you know, impoverished and

0:49:38.280 --> 0:49:43.600
<v Speaker 1>oppressed children, right, trying to figure out life, very little opportunity,

0:49:43.800 --> 0:49:49.160
<v Speaker 1>very little resources, very little everything. Right, Yet there is

0:49:49.200 --> 0:49:53.960
<v Speaker 1>a bunch of surplus, you know, professional big farm of

0:49:54.040 --> 0:49:58.440
<v Speaker 1>medication that has been flooded through that community. Right, and

0:49:58.480 --> 0:50:02.040
<v Speaker 1>then that train stops right where there are all these

0:50:02.080 --> 0:50:07.360
<v Speaker 1>automatic weapons, so guns that usually poor people couldn't afford,

0:50:07.800 --> 0:50:10.920
<v Speaker 1>or or people who don't have to be responsible, right,

0:50:11.000 --> 0:50:14.000
<v Speaker 1>or could be intellectually lazy, that they could never afford

0:50:14.040 --> 0:50:16.080
<v Speaker 1>these guns. You know, to get an a K forty

0:50:16.080 --> 0:50:18.920
<v Speaker 1>seven is a thousand, two thousand dollars, So a poor,

0:50:19.000 --> 0:50:22.319
<v Speaker 1>impoverished you know, motherfucker's don't start. Remember was talking to

0:50:22.320 --> 0:50:24.040
<v Speaker 1>to the homie about it still, and he was saying,

0:50:24.480 --> 0:50:26.640
<v Speaker 1>they to see a K forty sevens in l a

0:50:26.840 --> 0:50:30.840
<v Speaker 1>tonign start selling drugs. You just couldn't afford a K

0:50:31.000 --> 0:50:35.120
<v Speaker 1>forty seven. Most of the the the violence happening with

0:50:35.239 --> 0:50:38.880
<v Speaker 1>guns pre you know, crack cocaine was you know, grandpa

0:50:39.080 --> 0:50:42.600
<v Speaker 1>double barrel shotgun that somebody sawed off the fucking barrel,

0:50:42.960 --> 0:50:47.920
<v Speaker 1>or or somebody's uncle long stupid. That's thirty eight. And

0:50:47.960 --> 0:50:52.719
<v Speaker 1>then crack came and now they're buying you know, oozies,

0:50:53.000 --> 0:50:57.919
<v Speaker 1>technos a ks, But in Chicago the money didn't come

0:50:57.960 --> 0:51:02.320
<v Speaker 1>through yet. These are evan twelve fourteen year old kids

0:51:02.480 --> 0:51:06.120
<v Speaker 1>right having access. They have got their hands on fully

0:51:06.280 --> 0:51:10.960
<v Speaker 1>automatic weapons and big form of medicine that they are

0:51:11.080 --> 0:51:15.440
<v Speaker 1>using recreationally to try to escape their circumstances. To me,

0:51:15.560 --> 0:51:17.120
<v Speaker 1>what they think is in front of them and what

0:51:17.160 --> 0:51:21.160
<v Speaker 1>they think is their challenge. And then everybody within our

0:51:21.280 --> 0:51:24.840
<v Speaker 1>culture wants to talk about why are the rappers rapping

0:51:24.880 --> 0:51:28.000
<v Speaker 1>about what's going on in Chicago? They shouldn't rap about it.

0:51:28.040 --> 0:51:32.040
<v Speaker 1>And I'm like, well, why are you more mad at

0:51:32.080 --> 0:51:36.040
<v Speaker 1>the actual art itself versus being upset at the inspiration

0:51:36.200 --> 0:51:42.120
<v Speaker 1>for the art? Exactly like, I don't hear as many

0:51:42.320 --> 0:51:46.080
<v Speaker 1>black people arguing, well, how did these twelve and thirteen

0:51:46.160 --> 0:51:49.719
<v Speaker 1>year old kids get fully automatic weapons? When I was

0:51:50.120 --> 0:51:53.600
<v Speaker 1>thirteen and fourteen, when the seven those first pull guns

0:51:53.600 --> 0:51:56.520
<v Speaker 1>on us and kill nknok, I had to buy five.

0:51:56.600 --> 0:52:00.360
<v Speaker 1>It was a hundred and twenty dollars and it was

0:52:00.400 --> 0:52:05.880
<v Speaker 1>a piece of ship. You feel me? Yet, these niggas

0:52:06.080 --> 0:52:09.799
<v Speaker 1>is twelve and thirteen and fourteen and they have f

0:52:10.000 --> 0:52:16.120
<v Speaker 1>and n scars in a K forty sevens and glocks

0:52:16.480 --> 0:52:21.879
<v Speaker 1>for me with forty round magazines in it. And I'm

0:52:21.960 --> 0:52:25.319
<v Speaker 1>listening to people who are supposed to represent or come

0:52:25.360 --> 0:52:28.240
<v Speaker 1>from where we come from, say this. You're you're rapping

0:52:28.280 --> 0:52:30.839
<v Speaker 1>about what's going going in Chicago. You know you're it's

0:52:30.840 --> 0:52:34.080
<v Speaker 1>your funk because you're rapping about it instead of being like, oh,

0:52:34.200 --> 0:52:37.480
<v Speaker 1>now I know what's going on. Let's figure out what

0:52:37.680 --> 0:52:41.240
<v Speaker 1>happened in Chicago to make this happen. No, that would

0:52:41.239 --> 0:52:44.160
<v Speaker 1>be too much like right for them to look at

0:52:44.200 --> 0:52:47.000
<v Speaker 1>the art and say, damn, what is that reflecting? We

0:52:47.040 --> 0:52:50.640
<v Speaker 1>need to go deal with the reflection and some peak

0:52:50.680 --> 0:52:54.160
<v Speaker 1>could value like it's like makeup like with girls for me,

0:52:54.239 --> 0:52:57.479
<v Speaker 1>like they they they're not taking care of their health

0:52:57.560 --> 0:53:00.200
<v Speaker 1>right and not drinking enough water. It's a thousand things

0:53:00.200 --> 0:53:02.440
<v Speaker 1>they're not doing for their skin to be correct right

0:53:02.840 --> 0:53:06.440
<v Speaker 1>and getting act mee and guess what they're putting foundation

0:53:06.680 --> 0:53:10.040
<v Speaker 1>right over the acne right, and they're just patient it

0:53:10.080 --> 0:53:15.040
<v Speaker 1>on there instead of actually dealing but why the fund

0:53:15.080 --> 0:53:18.839
<v Speaker 1>do you have acne? Instead of dealing with the bumps.

0:53:18.880 --> 0:53:23.160
<v Speaker 1>That's what's being hip hop went from being our news

0:53:23.200 --> 0:53:26.600
<v Speaker 1>and telling us what's going on in each of our

0:53:26.680 --> 0:53:31.440
<v Speaker 1>urban street communities around the country right to Oh it's

0:53:31.560 --> 0:53:35.279
<v Speaker 1>your fault, this is happening. Who the funk blames the

0:53:35.320 --> 0:53:40.440
<v Speaker 1>newspaper for the news. It's like, I think there's a

0:53:42.719 --> 0:53:45.040
<v Speaker 1>I want to say, like the perspective crisis. So this

0:53:45.120 --> 0:53:50.200
<v Speaker 1>is something you know where if it's within the community itself,

0:53:52.000 --> 0:53:54.520
<v Speaker 1>nobody wants to like I was saying the other day,

0:53:54.560 --> 0:53:57.200
<v Speaker 1>after what the hell it even was about, nobody wants

0:53:57.239 --> 0:54:03.239
<v Speaker 1>to like be already too, you know, not in the

0:54:03.360 --> 0:54:06.799
<v Speaker 1>legal sense literally, but like class action and blame. You

0:54:06.800 --> 0:54:10.799
<v Speaker 1>know what I'm saying. So if you are in the

0:54:10.920 --> 0:54:16.840
<v Speaker 1>community and you can possibly be tied culpable to a flaw,

0:54:17.520 --> 0:54:19.879
<v Speaker 1>it's like, well, I'm not gonna go there. It has

0:54:19.920 --> 0:54:22.040
<v Speaker 1>to be something else, has to be something that I

0:54:22.080 --> 0:54:24.320
<v Speaker 1>had nothing to do with because I'm perfect and I

0:54:24.360 --> 0:54:25.880
<v Speaker 1>don't want to accept that I might have made a

0:54:25.920 --> 0:54:30.000
<v Speaker 1>mistake or you So who who can I blamehiself? That

0:54:30.120 --> 0:54:33.440
<v Speaker 1>guy he's not me and everyone can and everyone can

0:54:33.440 --> 0:54:38.160
<v Speaker 1>see him. And it's funny you said that because that conversation,

0:54:38.840 --> 0:54:41.480
<v Speaker 1>that that narrative I just spoke of, where they're blaming

0:54:41.520 --> 0:54:46.839
<v Speaker 1>the newspaper for the news. It's coming from people who

0:54:47.080 --> 0:54:52.360
<v Speaker 1>this culture, right, who who expressing this culture made them wealthy?

0:54:54.000 --> 0:54:56.000
<v Speaker 1>I tell you that's part of the problem right there.

0:54:56.600 --> 0:55:02.080
<v Speaker 1>We can't blame nobody but ourselves. Bro, I'm not fuck y'all. Listen,

0:55:03.800 --> 0:55:07.760
<v Speaker 1>listen to me, Bro, I'm gonna tell you, um, most

0:55:07.760 --> 0:55:11.759
<v Speaker 1>of the media that's a hip hop media, right it's

0:55:11.800 --> 0:55:15.000
<v Speaker 1>owned and operated by white people right under the guys

0:55:15.040 --> 0:55:17.359
<v Speaker 1>that is black people, that it is black You get

0:55:17.400 --> 0:55:20.880
<v Speaker 1>what I'm saying. But that don't matter. Why are we

0:55:20.960 --> 0:55:25.520
<v Speaker 1>being mad that it's being reported versus what's happening? Like,

0:55:25.640 --> 0:55:28.640
<v Speaker 1>why are we not getting down to the route right again?

0:55:28.680 --> 0:55:31.600
<v Speaker 1>Like checking in right? Checking in is a way for

0:55:31.719 --> 0:55:34.399
<v Speaker 1>brothers within the community that is hip hop, all these

0:55:34.520 --> 0:55:37.680
<v Speaker 1>urban street communities is a way that we can parlay

0:55:37.719 --> 0:55:40.759
<v Speaker 1>with each other, break brand with each other, experience these

0:55:40.760 --> 0:55:43.960
<v Speaker 1>others cultures up close and personal, build a bond with

0:55:44.040 --> 0:55:46.880
<v Speaker 1>people from around the fucking world that go through the

0:55:46.920 --> 0:55:50.279
<v Speaker 1>same ship, that's oppressed by the same person. And some

0:55:50.520 --> 0:55:54.880
<v Speaker 1>fucking how niggas have allowed that to turn into being exploited.

0:55:55.800 --> 0:56:01.719
<v Speaker 1>That's crazy. It's it's again, it's another universal human behavior thing.

0:56:01.960 --> 0:56:05.600
<v Speaker 1>Like I'll draw a parallels so likely. I'm a compare

0:56:05.680 --> 0:56:07.560
<v Speaker 1>two things, so I'm which one do you want me

0:56:07.600 --> 0:56:09.319
<v Speaker 1>to say first? The black one or the white one?

0:56:09.560 --> 0:56:13.479
<v Speaker 1>There's they're similar in in inherent nature. Coming to white

0:56:14.200 --> 0:56:16.920
<v Speaker 1>white one first. Okay, don't tell me, tell me the

0:56:16.920 --> 0:56:21.480
<v Speaker 1>white Can you hear this? Ship steal? Can fuck believe this?

0:56:21.680 --> 0:56:24.000
<v Speaker 1>I gotta put up with fall the nonsense. Can't even

0:56:24.000 --> 0:56:31.480
<v Speaker 1>make a goddamn comparison on the half a comparison. So

0:56:31.600 --> 0:56:35.359
<v Speaker 1>here's half a comparison. You have a lot of talk

0:56:35.440 --> 0:56:39.839
<v Speaker 1>about absentee parents or absentee fathers correct, and a lot

0:56:39.880 --> 0:56:44.719
<v Speaker 1>of upper like like upper upper tax bracket white neighborhoods.

0:56:44.840 --> 0:56:48.040
<v Speaker 1>You have two professional parents that work like ninety hours

0:56:48.040 --> 0:56:49.960
<v Speaker 1>a week. You have a surgeon and say a lawyer,

0:56:50.160 --> 0:56:54.239
<v Speaker 1>they work fucking fifteen hours a day. Tom's five or six, right,

0:56:54.719 --> 0:56:58.120
<v Speaker 1>and their and their daughter is fourteen years old and

0:56:58.160 --> 0:57:00.759
<v Speaker 1>has no fucking sense of self. She has a weird

0:57:00.800 --> 0:57:03.480
<v Speaker 1>eating disorder. Like My high school was on the local

0:57:03.480 --> 0:57:05.839
<v Speaker 1>fucking news, my ninth grade high school because girls were

0:57:05.880 --> 0:57:09.640
<v Speaker 1>snort and riddling like cocaine, trying to drop weight. It's

0:57:09.719 --> 0:57:12.480
<v Speaker 1>for five ft, six hundred and seven pounds to start

0:57:12.520 --> 0:57:14.680
<v Speaker 1>before they got the riddle and in their fucking sinuses.

0:57:17.400 --> 0:57:22.040
<v Speaker 1>So what do they do? Oh, it's Cosmopolitan magazines fault.

0:57:23.440 --> 0:57:26.600
<v Speaker 1>It's the easiest thing to point profiled. It's not you,

0:57:30.400 --> 0:57:36.560
<v Speaker 1>and it's you know, you can find a deflection apparatus

0:57:36.880 --> 0:57:38.800
<v Speaker 1>in a lot of places if you look for one

0:57:39.920 --> 0:57:44.920
<v Speaker 1>that is crazy. I never knew that. It's just's weird

0:57:46.120 --> 0:57:52.320
<v Speaker 1>but crazy. That's my point. Like, I'm getting sick of

0:57:52.440 --> 0:57:57.360
<v Speaker 1>what's supposed to be the culture, right or people supposedly

0:57:57.520 --> 0:58:04.720
<v Speaker 1>from the culture talking ship about the culture. And it's like, no,

0:58:05.520 --> 0:58:07.400
<v Speaker 1>gu mean to tell me you don't think drill music

0:58:07.480 --> 0:58:12.440
<v Speaker 1>is bad for the community, bitch, Drill music is the community.

0:58:13.280 --> 0:58:16.320
<v Speaker 1>Rappers didn't make this ship up. They didn't start. Hey,

0:58:16.360 --> 0:58:18.800
<v Speaker 1>you know what, I'm gonna make up some ship and

0:58:18.880 --> 0:58:21.800
<v Speaker 1>just start shooting motherfucker's and it's gonna be my whole album.

0:58:22.360 --> 0:58:25.480
<v Speaker 1>It's not happening, you feel me. And but I'm gonna

0:58:25.480 --> 0:58:29.080
<v Speaker 1>create this whole world of twelve and thirteen and fourteen

0:58:29.120 --> 0:58:32.040
<v Speaker 1>year old people having guns killing each other, and then

0:58:32.080 --> 0:58:34.200
<v Speaker 1>I'm going to inspire the world to kill each other.

0:58:34.400 --> 0:58:37.560
<v Speaker 1>The funk are you talking about? Because it's actually happening.

0:58:37.920 --> 0:58:40.240
<v Speaker 1>You're mad at Chief keith because it's happening, and he's

0:58:40.240 --> 0:58:44.400
<v Speaker 1>telling you what's happening. The fund's wrong too. Who the

0:58:44.600 --> 0:58:47.920
<v Speaker 1>fuck gets mad at the newspaper for the Oh, you know,

0:58:48.120 --> 0:58:52.520
<v Speaker 1>I can't believe they printed this real story. How dare you?

0:58:52.800 --> 0:58:56.280
<v Speaker 1>But you know what, Still, I've heard stories right of

0:58:56.480 --> 0:59:00.959
<v Speaker 1>other black families telling me, like if a kid got

0:59:01.000 --> 0:59:04.600
<v Speaker 1>touched in the house, instead of them really calling the police,

0:59:04.600 --> 0:59:07.560
<v Speaker 1>getting the authorities evolved, they just try to sweep it

0:59:07.720 --> 0:59:10.760
<v Speaker 1>under the room. It happens. It happens all the time.

0:59:11.080 --> 0:59:13.080
<v Speaker 1>And that's in the black community. G we have a

0:59:13.120 --> 0:59:17.720
<v Speaker 1>tendency to internalize everything. You've seen a number of households,

0:59:17.760 --> 0:59:19.960
<v Speaker 1>and I'm gonna tell you what was really big and stuff.

0:59:19.960 --> 0:59:22.120
<v Speaker 1>Like the Midwest, maybe even not even the West coast,

0:59:22.440 --> 0:59:25.920
<v Speaker 1>you would have instance of, um, the teenage girls getting

0:59:25.960 --> 0:59:28.400
<v Speaker 1>wraith and abused by different family members in the house.

0:59:29.120 --> 0:59:30.960
<v Speaker 1>The women in the house, the older women know about it,

0:59:31.000 --> 0:59:32.880
<v Speaker 1>but they don't say nothing because of them that shame.

0:59:32.960 --> 0:59:34.680
<v Speaker 1>They just figured that it's something and if they did

0:59:34.760 --> 0:59:37.600
<v Speaker 1>get addressed, it's always the girl's fault. Well, you knew

0:59:37.600 --> 0:59:39.640
<v Speaker 1>you should have been wearing those shorts around your aunthor

0:59:40.640 --> 0:59:42.720
<v Speaker 1>And I'm not gonna get that far because that is

0:59:42.760 --> 0:59:45.560
<v Speaker 1>just start getting you know the truth though, bro. But

0:59:45.720 --> 0:59:49.480
<v Speaker 1>what bothers me is we have became the same thing

0:59:49.560 --> 0:59:54.280
<v Speaker 1>that have that's gave our community of voice. We're mad

0:59:54.320 --> 0:59:57.919
<v Speaker 1>at what the voice is saying. That's not news though.

0:59:59.800 --> 1:00:02.440
<v Speaker 1>I mean it's no because I'm not used to it

1:00:02.520 --> 1:00:06.440
<v Speaker 1>being people that are supposed to be like us from

1:00:06.520 --> 1:00:09.880
<v Speaker 1>the community. Well, I mean you mentioned on the live

1:00:10.000 --> 1:00:12.440
<v Speaker 1>what's your name? It's different with See the Lord's Tucker.

1:00:12.680 --> 1:00:16.160
<v Speaker 1>See the Lord Tucker is not from this See the

1:00:16.160 --> 1:00:20.080
<v Speaker 1>Lords tuckers from another time. I get there, the black

1:00:20.080 --> 1:00:24.680
<v Speaker 1>person from Beverly Hills talking about gang banging. That person ignorant.

1:00:24.880 --> 1:00:27.760
<v Speaker 1>Let me ask a question, yea, how old is See

1:00:27.800 --> 1:00:30.280
<v Speaker 1>the Lords Tucker at that time? About forty five? Probably

1:00:30.280 --> 1:00:34.480
<v Speaker 1>so back then. How old is the speaker now? About

1:00:34.520 --> 1:00:40.120
<v Speaker 1>forty five? Probably to say they close from a different time.

1:00:40.680 --> 1:00:43.880
<v Speaker 1>I mean there's a whole generation and change separating like

1:00:44.960 --> 1:00:52.240
<v Speaker 1>do or Die from Dirk thirty years of part in age. Yeah,

1:00:52.240 --> 1:00:55.440
<v Speaker 1>it's real. It's a good point. That's real, good point.

1:00:55.760 --> 1:00:58.000
<v Speaker 1>And gee, I think that's the biggest thing, Bro. I

1:00:58.040 --> 1:01:02.920
<v Speaker 1>think it's just the era we in. Bro. It gotta be.

1:01:03.520 --> 1:01:05.680
<v Speaker 1>I think it's the area we and brother, I think, um,

1:01:05.720 --> 1:01:09.880
<v Speaker 1>today people learned as informed as we are. You remember

1:01:09.920 --> 1:01:12.080
<v Speaker 1>back and before, and you would think it would be

1:01:12.120 --> 1:01:18.760
<v Speaker 1>the opposite now because people have access to information, endless information, bro,

1:01:18.880 --> 1:01:21.840
<v Speaker 1>but they do not use it. They would rather they

1:01:21.840 --> 1:01:25.560
<v Speaker 1>would prefer to rather listen to Bookie on YouTube. He

1:01:25.640 --> 1:01:30.120
<v Speaker 1>has a better time distributed information job Dog than someone else.

1:01:30.160 --> 1:01:33.360
<v Speaker 1>That's um, that's actually first on something. We listened to

1:01:33.400 --> 1:01:37.280
<v Speaker 1>the wrong information today, Bro, that's share. You're right, how

1:01:37.400 --> 1:01:42.440
<v Speaker 1>the funk is there more information and motherfucker's it's more ignorant.

1:01:43.120 --> 1:01:46.120
<v Speaker 1>That's what I'm saying. I wish we had access. That's

1:01:46.240 --> 1:01:49.240
<v Speaker 1>that's the issue itself. It's it's it's a surface area

1:01:49.240 --> 1:01:53.680
<v Speaker 1>of all your ratio and motherfucker's is more. I saw

1:01:53.800 --> 1:01:56.480
<v Speaker 1>motherfucker talking about my song like I can't believe he

1:01:56.560 --> 1:01:59.640
<v Speaker 1>made this up, this story and it was a rapper

1:01:59.680 --> 1:02:01.680
<v Speaker 1>and he was like, this doesn't even sound like it

1:02:01.720 --> 1:02:05.080
<v Speaker 1>could be true. Tupac. There's no way possible Tupac could

1:02:05.080 --> 1:02:07.600
<v Speaker 1>have got murdered by another gang member. It had to

1:02:07.640 --> 1:02:14.960
<v Speaker 1>be the government. And I was like, because it's what

1:02:15.160 --> 1:02:19.040
<v Speaker 1>the funk is going on to where mother How could

1:02:19.080 --> 1:02:25.640
<v Speaker 1>you have access to this much fucking information easily in

1:02:25.720 --> 1:02:29.560
<v Speaker 1>the of your hand and be ignorant? Think about it

1:02:29.600 --> 1:02:32.880
<v Speaker 1>like this, though, Imagine an old school news stand, right

1:02:33.880 --> 1:02:40.960
<v Speaker 1>You've got racks of maybe fifteen different newspapers. Right now,

1:02:41.200 --> 1:02:45.160
<v Speaker 1>you go to a news standard, there's fifteen hundred different newspapers.

1:02:45.880 --> 1:02:48.200
<v Speaker 1>It takes all the time in your day just to

1:02:48.320 --> 1:02:52.360
<v Speaker 1>read which newspapers are there. You don't even have time

1:02:52.360 --> 1:02:54.880
<v Speaker 1>to pick up the newspaper and read the article. That's

1:02:54.960 --> 1:02:57.520
<v Speaker 1>kind of what you see now, people are you're so

1:02:57.600 --> 1:03:00.720
<v Speaker 1>inundated with the headline of the pis sure you see

1:03:00.720 --> 1:03:02.880
<v Speaker 1>ten thousands of them. There weren't ten thousand head lines

1:03:02.880 --> 1:03:04.840
<v Speaker 1>of pictures before it was five and you could read

1:03:04.880 --> 1:03:07.880
<v Speaker 1>the whole story. And now people fail to look at

1:03:07.880 --> 1:03:10.640
<v Speaker 1>something go and there's no there's no critical thought happening either.

1:03:10.640 --> 1:03:12.200
<v Speaker 1>That's the biggest problem. I see ship all the time,

1:03:12.240 --> 1:03:14.240
<v Speaker 1>and you know what, that's one crap, and I look

1:03:14.280 --> 1:03:16.600
<v Speaker 1>it up immediately and I go, that's proven crap. Here's

1:03:16.600 --> 1:03:20.000
<v Speaker 1>the court case right here. I was thinking this. I

1:03:20.080 --> 1:03:24.560
<v Speaker 1>was like, we spent entirely too much time trying to

1:03:24.560 --> 1:03:33.080
<v Speaker 1>teach people intellect versus educating intelligent people. Everybody got obsessed

1:03:33.120 --> 1:03:36.480
<v Speaker 1>with You know why that is the education system doesn't

1:03:36.480 --> 1:03:39.800
<v Speaker 1>want to be accountable for shortcomings. So it's easy to

1:03:39.840 --> 1:03:44.600
<v Speaker 1>teach information than to teach thought processes. Here, who was

1:03:44.640 --> 1:03:47.520
<v Speaker 1>the first President of United States? George Washington? Not like,

1:03:47.880 --> 1:03:50.160
<v Speaker 1>how did George Washington become the first President of the

1:03:50.200 --> 1:03:52.520
<v Speaker 1>United States. You know, one question is a lot easier

1:03:52.560 --> 1:03:54.800
<v Speaker 1>to regurgitate than the other, So it's a lot easier

1:03:54.840 --> 1:04:03.800
<v Speaker 1>to teach at least you know these things. Yeah, but listen, Jeene,

1:04:03.840 --> 1:04:06.760
<v Speaker 1>Peter just hit it right in the head. Man. We

1:04:06.920 --> 1:04:10.400
<v Speaker 1>have a bunch of people. People have a tendency to

1:04:10.520 --> 1:04:13.000
<v Speaker 1>want to believe what they want to believe. You don't

1:04:13.000 --> 1:04:15.000
<v Speaker 1>always tell you people want to choose. You don't always

1:04:15.040 --> 1:04:16.560
<v Speaker 1>say you want to win the way you want to

1:04:16.600 --> 1:04:23.280
<v Speaker 1>win versus just winning. People would rather here a fabricated

1:04:23.280 --> 1:04:26.120
<v Speaker 1>story dog and the truth, I mean, the lie is

1:04:26.200 --> 1:04:29.080
<v Speaker 1>much more. The truth is the ugly truth. Remember when

1:04:29.080 --> 1:04:30.760
<v Speaker 1>I was joking with you, I told you just lie

1:04:30.800 --> 1:04:36.880
<v Speaker 1>to me, bro a lot of beautiful dogs. Everything's gonna

1:04:36.880 --> 1:04:38.840
<v Speaker 1>be okay. That's all you need to hear some time.

1:04:39.160 --> 1:04:50.600
<v Speaker 1>Shake up girdles, heels, lashes, weeds, beautiful lies, very beautiful

1:04:50.640 --> 1:04:57.120
<v Speaker 1>lives Bro good looking out for tuning into the No

1:04:57.240 --> 1:05:01.280
<v Speaker 1>Sellers Podcast. Please do us a favorite, subscribe, ray, comments, Share.

1:05:01.680 --> 1:05:04.040
<v Speaker 1>This episode was recorded right here on the West coast

1:05:04.080 --> 1:05:07.320
<v Speaker 1>of the USA and produced by my homeboy A King,

1:05:07.400 --> 1:05:10.400
<v Speaker 1>for the Black Effect Podcast Network and I Heart Radio.

1:05:10.920 --> 1:05:17.320
<v Speaker 1>Yeah