WEBVTT - J.J. Abrams

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

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<v Speaker 1>Adamized Studios.

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<v Speaker 2>Imagine walking into your hotel in Mexico City during a

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<v Speaker 2>family crisis and finding one hundred to Molly's delivered to

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<v Speaker 2>your room, then for the following three years receiving concerned texts,

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<v Speaker 2>uplifting emails, and bouquets of flowers which could hardly get

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<v Speaker 2>through the front door. Imagine a friend who makes a

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<v Speaker 2>lightsaber with your name engraved on it while directing Star

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<v Speaker 2>Wars with a cast and crew of thousands, and designing

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<v Speaker 2>a lego digital model of the River Cafe for your birthday,

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<v Speaker 2>confessing later more challenging than directing a movie, and what

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<v Speaker 2>movies they are? Brilliant, beautiful movies we wait for and require.

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<v Speaker 2>A friend who makes you laugh so much through dinners

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<v Speaker 2>at your restaurant, the staff look on and wonder, this

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<v Speaker 2>is jj Abrams, who I am here with today to

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<v Speaker 2>talk about food and family and friendship. Imagine how happy

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<v Speaker 2>I am to be with someone I love.

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<v Speaker 3>I mean, seriously, I can't follow that at all.

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<v Speaker 4>What are you doing?

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<v Speaker 3>I got chills four times when you're reading that. I mean, seriously,

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<v Speaker 3>that's impossible.

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<v Speaker 2>It's really possible. You know, it's true every word, so

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<v Speaker 2>I can imagine.

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<v Speaker 3>I thank you.

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<v Speaker 2>Okay, We're done.

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<v Speaker 3>That was it? That was it. There's nothing better than that. Seriously,

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<v Speaker 3>we should quit that.

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<v Speaker 2>Well we can't because we have to find a recipe?

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<v Speaker 2>Which one showd you that? Would you carbonaro? Or chocolate cake?

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<v Speaker 3>You carbon arts? You kidding me?

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<v Speaker 2>Nice room? Did you ever work in Row? Have you ever.

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<v Speaker 3>Lived in the first day of shooting on Mission II?

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<v Speaker 3>Was in Rome?

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<v Speaker 2>Was it? How long did you stay?

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<v Speaker 3>We were there for a few weeks. It was really fun.

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<v Speaker 2>I think it's the most beautiful city in the world.

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<v Speaker 3>It's unbelievable. So do you want to just read it?

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<v Speaker 2>Yep?

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<v Speaker 3>All right? And is it? Is it Penny Regatta?

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<v Speaker 2>Yeah?

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<v Speaker 3>Okay, I competed in the Penny Regatta once reat is? Seriously,

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<v Speaker 3>I'm so stupid. Okay, here we go, all right, Penny

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<v Speaker 3>I like carbonaro? Here we go for us. The two

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<v Speaker 3>most important ingredients are excellent, free range eggs and panchetta stessa.

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<v Speaker 3>This serves six. You start with two hundred grams seven

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<v Speaker 3>ounces of panchetta cut into match sticks, one tablespoon olive oil,

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<v Speaker 3>six egg yolks, one hundred and twenty million liters four

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<v Speaker 3>fluid ounces of double cream, one hundred fifty grams five

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<v Speaker 3>ounces parmesan freshly grated, two hundred fifty grams nine ounces

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<v Speaker 3>of penny regatta. Fry the panchetta and the olive oil

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<v Speaker 3>slowly so that it releases its own fat before becoming crisp.

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<v Speaker 3>Add some black pepper, Beat the egg yolks with a

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<v Speaker 3>cream and season with salt and pepper. Add half the parmesan. Meanwhile,

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<v Speaker 3>cook the penne in a generous amount of boiling salted water,

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<v Speaker 3>then drain thoroughly. Combine immediately with the hot panchetta and

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<v Speaker 3>the oil, and then pour in the cream mixture. Stir

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<v Speaker 3>to coat each pasta piece. The heat from the pasta

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<v Speaker 3>will cook the eggs slightly. Finally at the remaining palmesan

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<v Speaker 3>and surf beautiful.

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<v Speaker 2>So what was food like when you were growing up?

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<v Speaker 2>Did so? Your mother would say cook she was a cook,

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<v Speaker 2>or she was.

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<v Speaker 3>A cook, and she would make you know, traditional like brisket,

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<v Speaker 3>Jewish sort of food she would, but she would also

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<v Speaker 3>make you know she made an amazing caesar salad. For

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<v Speaker 3>some reason her said.

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<v Speaker 2>It was fantastic.

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<v Speaker 3>I don't know what it was. It was great, and

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<v Speaker 3>she was always always about what we were eating, and

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<v Speaker 3>to a point where it was insane, Like I would

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<v Speaker 3>I we'd be sitting at a lunch that she would

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<v Speaker 3>have made, and the conversation she wanted to have would

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<v Speaker 3>be about dinner the next and it'd be like, I'm trying,

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<v Speaker 3>you know, we're just eating. But weirdly now I do

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<v Speaker 3>tend to look forward to food in a way that

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<v Speaker 3>is probably not right sized, probably vaguely. It's not like

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<v Speaker 3>an obsession, but it's like it's super important.

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<v Speaker 2>And is that at home? Do you think at home

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<v Speaker 2>with your kids or just now you're thinking about what

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<v Speaker 2>you're gonna eat.

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<v Speaker 3>In general, I think it's food is such a It's

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<v Speaker 3>something that like, I know this is gonna sound insane,

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<v Speaker 3>but I literally get sad when I'm like halfway through

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<v Speaker 3>a meal, so like wait a minute, yeah, it's gonna

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<v Speaker 3>be oversuit And it's a very and I do think

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<v Speaker 3>there's probably some strong analogy to life in that that

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<v Speaker 3>there's something about it that you just feel like, oh no,

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<v Speaker 3>you know this is you don't want this to go away.

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<v Speaker 3>She was always concerned that you weren't eating enough while

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<v Speaker 3>you were eating. Also, it's interesting because she liked myself.

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<v Speaker 3>She always talked about herself and felt that she was fat,

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<v Speaker 3>and she was incredibly not fat.

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<v Speaker 2>Yeah, and you're not fat.

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<v Speaker 3>But like whatever the body dysmorphia thing, yeah, but like

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<v Speaker 3>but and yet both she and I like it's not

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<v Speaker 3>like we then shy away from food. It's the opposite.

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<v Speaker 3>Like it's like I'm I I love you know. And

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<v Speaker 3>as a kid when I was young, I definitely was

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<v Speaker 3>a chubby kid, but I was never like athletic, So

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<v Speaker 3>I sort of probably conflated that feeling of being chubby

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<v Speaker 3>as a kid and then not a very good athlete

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<v Speaker 3>with somehow just being a bit of a fat slot.

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<v Speaker 3>But I love food. I member as a kid, I

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<v Speaker 3>was always you know, I was always making things.

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<v Speaker 2>Did you know you cooked as a kid with her

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<v Speaker 2>by yourself both, Yeah, what would you cook?

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<v Speaker 3>Well, whatever she was making, she would like be doing,

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<v Speaker 3>you know, all sorts of things. And it was also

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<v Speaker 3>like La in the seventies, so it was like, you know,

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<v Speaker 3>like stuffed zucchini thing, just things that were just like

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<v Speaker 3>very much of that era. She would cook. But the

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<v Speaker 3>thing that I was most beyond her just being to

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<v Speaker 3>a fault probably loving. I mean, she was so loving

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<v Speaker 3>that it was like I remember thinking, I know, it's

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<v Speaker 3>not as good as you think it is, whatever it

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<v Speaker 3>is I've done. But the thing that I really take

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<v Speaker 3>away the most was that switching up what you do

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<v Speaker 3>and how you define yourself and who you are is

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<v Speaker 3>part of living, that not being defined by a label

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<v Speaker 3>or any one thing. And she was someone who when

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<v Speaker 3>we moved to Los Angeles and I was only five,

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<v Speaker 3>we moved from New York. She's early on started being

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<v Speaker 3>a real estate agent, and then she you know, she

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<v Speaker 3>was interested in art and started doing classes and became

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<v Speaker 3>a painter. But then she was going to be forty,

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<v Speaker 3>and she thought, you know, she wanted to be a lawyer.

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<v Speaker 3>And she was asking around, is it crazy to start

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<v Speaker 3>law school, you know, when you're thirty, And she asked someone,

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<v Speaker 3>and I remember their response to her was, you know, in

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<v Speaker 3>two years going to be forty either way, Yeah, you know,

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<v Speaker 3>And then she went to law school and graduated top

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<v Speaker 3>of her class, and then she became a law professor

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<v Speaker 3>and she was doing that for a while, and then

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<v Speaker 3>she wanted to go into producing and she did that.

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<v Speaker 3>You know, She's just was someone who is constantly creating

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<v Speaker 3>but also shape shifting.

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<v Speaker 2>Would you sit down to dinner?

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<v Speaker 3>Yeah?

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<v Speaker 2>Every night?

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<v Speaker 3>Yeah, we would sit whatever you were doing. We would

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<v Speaker 3>sit at the table most every night, although obviously at

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<v Speaker 3>a certain point and it might not be. Frankly, as

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<v Speaker 3>I say this, I'm sure that if my sister's listening

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<v Speaker 3>to this, she's probably like laughing and saying, what are

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<v Speaker 3>you talking about? Every night? You know, my guess is

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<v Speaker 3>it's probably far less frequently than my memory suggests. But

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<v Speaker 3>I have, you know, I have a real sense of

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<v Speaker 3>and memory of sitting together with the family. But it

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<v Speaker 3>was also, I have to say, because it was that era,

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<v Speaker 3>and I think being in Los Angeles in the seventies,

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<v Speaker 3>there was a bit of like carelessness. And I know

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<v Speaker 3>that I'm comparing it to some of the more kind

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<v Speaker 3>of helicopter parenty crap that happens today, which is not

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<v Speaker 3>healthy at all either. But there was a bit of

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<v Speaker 3>a kind of benign neglect and maybe not even benign

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<v Speaker 3>sometimes that would happen with parents, and I certainly feel

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<v Speaker 3>like I was safe. I never felt like, oh my god,

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<v Speaker 3>my parents are like crazy. They were not like druggy

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<v Speaker 3>nutty out of their minds. You know, but there were

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<v Speaker 3>in that era, and whether it was like various you know,

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<v Speaker 3>cults that were around, whether it was like this kind

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<v Speaker 3>of culture was such a kind of free wheeling, odd

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<v Speaker 3>sort of place to grow up that I remember seeing

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<v Speaker 3>a lot of friends whose parents were kind of off

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<v Speaker 3>the rails as parents. But I will say that I

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<v Speaker 3>do have a sense that there were times when I

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<v Speaker 3>think my sister and I were a little bit on

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<v Speaker 3>our own too, in terms of like not really being

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<v Speaker 3>supervised the way you'd think kids should be.

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<v Speaker 2>But you came out, you know that. I look at

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<v Speaker 2>my kids and I you know, when you are a grandparent,

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<v Speaker 2>you'll see that you kind of it's great having grandchildren.

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<v Speaker 2>But the really interesting thing is to see the parents

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<v Speaker 2>as parents, your children as parents. It's very revealing. And

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<v Speaker 2>I think I look back and you know, Richard and myself,

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<v Speaker 2>and we certainly were not as attentive as they are.

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<v Speaker 3>No, but I'm really sorry, sad, but I do think

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<v Speaker 3>we were. I do think that you, you know, you're

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<v Speaker 3>constantly learning lessons. I'm fascinated with what you're talking about

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<v Speaker 3>because I think there's a there's obviously this sort of

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<v Speaker 3>seismic shift that happens when what was your primary family

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<v Speaker 3>shifts into it slightly into a different you know, the

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<v Speaker 3>not the rear view, but a very different station, and

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<v Speaker 3>your primary family becomes the family you choose to make.

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<v Speaker 3>But then there's another shift that happens again, when then

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<v Speaker 3>your kids shift and you're suddenly the one that's being shifted.

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<v Speaker 3>It's not your choice, and you're sort of the and

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<v Speaker 3>And so I think that we're probably constantly learning about

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<v Speaker 3>kind of where we stand based on kind of how

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<v Speaker 3>we define ourselves given the relationships with the people we

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<v Speaker 3>love the most. And when you start to see people

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<v Speaker 3>that you raised that you you know, in some cases,

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<v Speaker 3>gave birth to and you raised that, you you witness

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<v Speaker 3>something that sometimes you realize, oh wow, I don't know

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<v Speaker 3>where the hell they got that or how they know that,

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<v Speaker 3>but certainly not from me. And the other times you think,

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<v Speaker 3>oh my god, they actually did absorb that thing that

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<v Speaker 3>I did not think they were aware of. And it's

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<v Speaker 3>just fascinating.

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<v Speaker 2>You talk about your mother, what about the men in

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<v Speaker 2>your family? Did they cook? Does your father? He came

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<v Speaker 2>right up to the past. You remember when you brought

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<v Speaker 2>your father to the cafe and he was so interested

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<v Speaker 2>in the food he was with me. I don't know

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<v Speaker 2>if he was interested in cooking or eating.

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<v Speaker 3>But he loves food. He would cook something sometimes it

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<v Speaker 3>was sort of usually fairly simple stuff. He was a

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<v Speaker 3>soft boiled egg. That's so, what's it called like when

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<v Speaker 3>it's like yeah, stf well, which I never in my

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<v Speaker 3>life will understand. But he loved them. And he had

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<v Speaker 3>that little like egg cup and he would tap the

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<v Speaker 3>thing in British.

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<v Speaker 2>Because that's how the English they call them soldiers, and

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<v Speaker 2>you kind of a little and you dip it into

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<v Speaker 2>a very running egg.

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<v Speaker 3>No thank you. So I have no interest. But my dad,

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<v Speaker 3>I think if you said to him, you could have

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<v Speaker 3>this giant pile of gold or some eggs. He loves

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<v Speaker 3>eggs in a way I don't. I don't think it's

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<v Speaker 3>healthy and not not like unhealthy cholesterol like I think

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<v Speaker 3>mentally is insane.

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<v Speaker 2>He has them all day or just for.

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<v Speaker 3>He'll just if you ever want him to say yes

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<v Speaker 3>to you, say do you want some eggs? Because that's

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<v Speaker 3>the He'll never say none of that.

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<v Speaker 4>I'd love to see him.

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<v Speaker 3>I was obsessed for some reason with omelets. I don't

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<v Speaker 3>know what, why, where that came from. But you know,

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<v Speaker 3>it looks so easy, but like, once you start getting

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<v Speaker 3>into it.

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<v Speaker 2>How do you make it?

0:11:54.040 --> 0:11:58.600
<v Speaker 3>It is deceptively difficult. It really is, well because you think,

0:11:58.880 --> 0:12:01.280
<v Speaker 3>come on, what egg a pa like? First of all,

0:12:01.800 --> 0:12:03.480
<v Speaker 3>one of the key things about anomenal I think is

0:12:03.520 --> 0:12:05.760
<v Speaker 3>just not keeping it on the fire because when I forever,

0:12:05.880 --> 0:12:07.960
<v Speaker 3>I would just sort of keep the pan there and

0:12:08.000 --> 0:12:09.440
<v Speaker 3>keep the eggs there, and you have to actually take

0:12:09.480 --> 0:12:10.960
<v Speaker 3>them off when I think as soon as it start

0:12:10.960 --> 0:12:14.880
<v Speaker 3>to congeal, and then I don't like flipping it before

0:12:14.920 --> 0:12:16.640
<v Speaker 3>you fill it. And then you know, I think you

0:12:16.679 --> 0:12:17.679
<v Speaker 3>want to sort of do it.

0:12:17.600 --> 0:12:19.679
<v Speaker 2>But start from the beginning. Do you put water in them?

0:12:19.760 --> 0:12:20.480
<v Speaker 2>Or do you put milk?

0:12:20.640 --> 0:12:23.560
<v Speaker 3>Nothing, I'll put in milk sometimes, but we I'm not.

0:12:23.760 --> 0:12:27.079
<v Speaker 3>I'll usually just do eggs, then some salt. I have

0:12:27.200 --> 0:12:30.559
<v Speaker 3>very I have very stupid simple like I like a

0:12:30.600 --> 0:12:33.199
<v Speaker 3>little bit of like sauteed onions in it, and maybe

0:12:33.240 --> 0:12:36.360
<v Speaker 3>some tomato dice up, but not filling things like I

0:12:36.400 --> 0:12:39.000
<v Speaker 3>don't like bell peppers and Western omelets and any of

0:12:39.000 --> 0:12:39.319
<v Speaker 3>that stuff.

0:12:39.360 --> 0:12:41.400
<v Speaker 2>That's what I like about brunch in New York because

0:12:41.400 --> 0:12:44.280
<v Speaker 2>it's they always give you these huge omelets, don't they

0:12:44.640 --> 0:12:46.280
<v Speaker 2>like spinish and everything.

0:12:46.760 --> 0:12:49.760
<v Speaker 3>I'm fascinated watching because it's the truth is like until

0:12:49.800 --> 0:12:52.760
<v Speaker 3>there was cooking shows and things, and have you seen

0:12:52.920 --> 0:12:55.800
<v Speaker 3>the Julia Child things? Not yet she cooks an omelet

0:12:55.840 --> 0:12:57.880
<v Speaker 3>in the very first episode and in a way on

0:12:58.000 --> 0:13:01.680
<v Speaker 3>live TV, and it's it's very charming. And before they're

0:13:01.679 --> 0:13:04.160
<v Speaker 3>all the cooking shows. When you go to any kind

0:13:04.200 --> 0:13:07.240
<v Speaker 3>of whether you're at a hotel or you know, like

0:13:07.240 --> 0:13:09.280
<v Speaker 3>a buffet, when they would have someone cooking the you know,

0:13:09.280 --> 0:13:12.040
<v Speaker 3>I'm always fascinated to watching someone. Yeah they do that, well,

0:13:12.400 --> 0:13:15.400
<v Speaker 3>who makes anyone who makes like ten thousand omelets a

0:13:15.480 --> 0:13:17.960
<v Speaker 3>day or whatever? It is like it's fascinating to watch

0:13:18.200 --> 0:13:20.719
<v Speaker 3>someone and then the way they flip the thing over

0:13:20.760 --> 0:13:22.839
<v Speaker 3>and you just think, or at least I think, I'm

0:13:22.840 --> 0:13:24.640
<v Speaker 3>never gonna be able to do Do you flip things

0:13:24.679 --> 0:13:24.840
<v Speaker 3>like that?

0:13:24.840 --> 0:13:27.000
<v Speaker 2>In pan I don't flip. I'm not very good at flipping.

0:13:27.040 --> 0:13:29.920
<v Speaker 2>But they are the chefs. They flip pastas you know,

0:13:29.960 --> 0:13:32.080
<v Speaker 2>they know they make the penny and then they go

0:13:32.400 --> 0:13:33.560
<v Speaker 2>like that. I'm kind of standing.

0:13:33.679 --> 0:13:34.400
<v Speaker 4>I know.

0:13:34.800 --> 0:13:37.720
<v Speaker 3>It's it's a little bit like watching like an Olympic jumper.

0:13:38.000 --> 0:13:39.680
<v Speaker 3>It scares the hell out of me. How do they

0:13:39.760 --> 0:13:40.160
<v Speaker 3>do that?

0:13:40.360 --> 0:13:42.000
<v Speaker 2>I know they kind of. I don't even know if

0:13:42.000 --> 0:13:45.679
<v Speaker 2>it's necessary that I think it's out all the pasta.

0:13:45.760 --> 0:13:48.480
<v Speaker 2>It is probably I like shaking a pan. I'm quite

0:13:48.480 --> 0:13:52.800
<v Speaker 2>good like shaky. I like getting potatoes out of the oven,

0:13:52.920 --> 0:13:54.920
<v Speaker 2>burning my hand, you know, shaky. I always say to

0:13:54.960 --> 0:13:56.120
<v Speaker 2>the chefs, shake a pad, And.

0:13:56.320 --> 0:13:58.079
<v Speaker 3>Have you ever reached into the album without putting a

0:13:58.120 --> 0:13:58.400
<v Speaker 3>mid on?

0:13:58.679 --> 0:13:58.760
<v Speaker 4>Like?

0:13:59.200 --> 0:14:00.880
<v Speaker 3>Have you ever reached the other for something without putting

0:14:00.880 --> 0:14:01.760
<v Speaker 3>a handle mint on them?

0:14:01.840 --> 0:14:04.160
<v Speaker 2>Because from the beginning when I because you know, he's

0:14:04.240 --> 0:14:06.120
<v Speaker 2>never trained, So we rose and I just opened the

0:14:06.200 --> 0:14:08.640
<v Speaker 2>River Cafe, and so you were never trained to do.

0:14:09.320 --> 0:14:13.160
<v Speaker 3>No, I took some don't tell yeah, ruin because okay,

0:14:13.240 --> 0:14:13.840
<v Speaker 3>So I went.

0:14:13.679 --> 0:14:16.240
<v Speaker 2>To cooking school when I was fourteen. No, we just

0:14:16.440 --> 0:14:18.360
<v Speaker 2>you know, we were family cooks, both of us. She

0:14:18.440 --> 0:14:21.800
<v Speaker 2>went to live in Italy and my mother in law

0:14:21.920 --> 0:14:25.280
<v Speaker 2>was Italian and told me to cook. But we started

0:14:25.360 --> 0:14:28.960
<v Speaker 2>so small. The River Cafe was nothing. It was teeny tiny,

0:14:29.000 --> 0:14:30.880
<v Speaker 2>and so I would say we learned. Well, we made

0:14:30.920 --> 0:14:33.520
<v Speaker 2>small movies, didn't you? How did you did you train

0:14:33.640 --> 0:14:34.960
<v Speaker 2>to be a film.

0:14:36.040 --> 0:14:39.200
<v Speaker 3>I didn't, but I just want to. The first movie

0:14:39.240 --> 0:14:42.760
<v Speaker 3>I directed was Mission Impossible three because Tom Cruise asked

0:14:42.800 --> 0:14:45.400
<v Speaker 3>me if I wanted to do it, and I you

0:14:45.480 --> 0:14:46.080
<v Speaker 3>know why did he?

0:14:46.280 --> 0:14:48.560
<v Speaker 2>Response was yes, yeah did he just he just knew,

0:14:49.000 --> 0:14:50.960
<v Speaker 2>uh smart, he knew.

0:14:51.520 --> 0:14:54.240
<v Speaker 3>Look, all I know is that is that he he

0:14:54.280 --> 0:14:55.760
<v Speaker 3>and I got to know each other a little bit,

0:14:56.040 --> 0:14:58.600
<v Speaker 3>and he had watched some of this TV series I

0:14:58.640 --> 0:15:00.720
<v Speaker 3>had done called Alias. It was about the spy, so

0:15:00.800 --> 0:15:05.240
<v Speaker 3>he'd seen I would be interested in doing Mission Possible three.

0:15:05.280 --> 0:15:07.280
<v Speaker 3>So that was crazy. I started as a writer and

0:15:07.360 --> 0:15:10.080
<v Speaker 3>then I got into doing TV and then ended up

0:15:10.120 --> 0:15:14.040
<v Speaker 3>doing doing Mission first. But wait a minute, you were saying.

0:15:14.840 --> 0:15:16.440
<v Speaker 2>So I was just saying that I don't shake you man,

0:15:16.520 --> 0:15:19.360
<v Speaker 2>and I didn't reaching into the thing she used to

0:15:19.800 --> 0:15:22.200
<v Speaker 2>because to come back with with burns, you know, that

0:15:22.320 --> 0:15:22.800
<v Speaker 2>was the thing.

0:15:22.800 --> 0:15:23.960
<v Speaker 3>I hate that always scares hell.

0:15:24.080 --> 0:15:25.800
<v Speaker 2>Say do you would you rather have a cut or

0:15:25.800 --> 0:15:28.680
<v Speaker 2>a burn? What's worse? You know? I hate burns. I

0:15:28.840 --> 0:15:31.240
<v Speaker 2>really hate burns. Cuts you can kind of burns are,

0:15:31.920 --> 0:15:33.000
<v Speaker 2>but a burn is upsetting.

0:15:33.480 --> 0:15:35.160
<v Speaker 3>But because that's always what I think when I see

0:15:35.200 --> 0:15:39.440
<v Speaker 3>people in kitchens working, as you know you do, I'm

0:15:39.480 --> 0:15:41.560
<v Speaker 3>always the thing that I'm always and it's a bit

0:15:41.880 --> 0:15:44.200
<v Speaker 3>also talking about my mom. It's a bit like here's

0:15:44.240 --> 0:15:47.160
<v Speaker 3>the one thing I say. She was always so careful

0:15:47.160 --> 0:15:49.040
<v Speaker 3>about everything, like she like and wanted us to be

0:15:49.120 --> 0:15:53.400
<v Speaker 3>so careful. And to see where that came from. Her father,

0:15:54.080 --> 0:15:58.040
<v Speaker 3>who was Harry Calvin, who was one of my favorite people,

0:15:58.080 --> 0:16:01.800
<v Speaker 3>and he was an incredible influence on me because he

0:16:02.680 --> 0:16:06.600
<v Speaker 3>he worked. He had this electronics company called Calvin Electronics,

0:16:06.600 --> 0:16:09.720
<v Speaker 3>which is still around, and Calvin Electronics was a place

0:16:09.760 --> 0:16:12.560
<v Speaker 3>that would he started after the Second War and he

0:16:13.040 --> 0:16:16.280
<v Speaker 3>was he sold surplus electronics as kits to.

0:16:16.400 --> 0:16:20.320
<v Speaker 2>Schools, and he's lessons in how things work exactly.

0:16:20.440 --> 0:16:23.040
<v Speaker 3>Yeah, So here was a guy who was aware of

0:16:23.920 --> 0:16:27.320
<v Speaker 3>how certain things radios and TVs and telephones and things worked.

0:16:27.400 --> 0:16:30.160
<v Speaker 3>So as a young kid, he would take things apart

0:16:30.680 --> 0:16:33.120
<v Speaker 3>and show me how a phone worked, or how a

0:16:33.160 --> 0:16:35.600
<v Speaker 3>TV worked, or why this happened. And then we would

0:16:35.600 --> 0:16:37.840
<v Speaker 3>do these little projects together where we'd have a little

0:16:38.000 --> 0:16:40.240
<v Speaker 3>plank of wood and we would put a motor on it,

0:16:40.320 --> 0:16:43.160
<v Speaker 3>and we would put little brackets to you know, screw

0:16:43.200 --> 0:16:44.720
<v Speaker 3>it in place, and then a little battery and then

0:16:44.760 --> 0:16:46.520
<v Speaker 3>a switch and he would show me how the circuit works.

0:16:46.560 --> 0:16:49.800
<v Speaker 3>And he was always demystifying things and how they work.

0:16:49.880 --> 0:16:53.320
<v Speaker 3>So that was always something. But he was also apparently

0:16:53.520 --> 0:16:58.320
<v Speaker 3>like petrified of his grandchildren ever getting hurt. But you

0:16:58.440 --> 0:17:01.400
<v Speaker 3>saw how he lived. He was a bit paranoid, and

0:17:02.120 --> 0:17:06.399
<v Speaker 3>he would have every corner in his house, whether it

0:17:06.480 --> 0:17:10.360
<v Speaker 3>was a table, a counter, anything, he would take tissue

0:17:10.400 --> 0:17:12.280
<v Speaker 3>and roll it up and then put like electrical tape

0:17:12.359 --> 0:17:15.040
<v Speaker 3>on it and everything was padded. So it was a

0:17:15.080 --> 0:17:17.480
<v Speaker 3>little bit like they ridiculous, like you'd run through the

0:17:17.560 --> 0:17:19.399
<v Speaker 3>house and everything was padded. So that was kind of

0:17:19.440 --> 0:17:21.400
<v Speaker 3>where my mom. By the way, one thing about my grandfather,

0:17:21.480 --> 0:17:26.200
<v Speaker 3>which was vaguely funny, so his company, Coven Electronics. He

0:17:26.200 --> 0:17:29.040
<v Speaker 3>had some really cool designs for some of his catalogs

0:17:29.359 --> 0:17:31.639
<v Speaker 3>and one of them was the circuit that looked like

0:17:31.680 --> 0:17:34.359
<v Speaker 3>a K and I always sort of loved it. And

0:17:34.520 --> 0:17:36.800
<v Speaker 3>I loved my grandfather. Now he was a great grandfather,

0:17:36.920 --> 0:17:38.960
<v Speaker 3>but I know as a father he was a bit

0:17:40.080 --> 0:17:43.159
<v Speaker 3>tough and my mother's sister and I think that, like

0:17:43.440 --> 0:17:45.680
<v Speaker 3>my mom would say, I think that he was bipolar.

0:17:46.440 --> 0:17:48.440
<v Speaker 3>That's interesting, But to me, he was just a great

0:17:48.480 --> 0:17:50.280
<v Speaker 3>grandfather And I didn't get any of that. There was

0:17:50.280 --> 0:17:52.880
<v Speaker 3>a little bit of the you know, anger here and there,

0:17:52.920 --> 0:17:55.679
<v Speaker 3>but like I never had the issues as yet anyway,

0:17:55.800 --> 0:17:57.840
<v Speaker 3>So the k design was really cool, and we were

0:17:57.880 --> 0:18:00.760
<v Speaker 3>doing a little in house the U effects company that

0:18:00.800 --> 0:18:04.600
<v Speaker 3>we were calling Calvin Optical. So I had this graphic

0:18:04.680 --> 0:18:06.760
<v Speaker 3>designer who was working on a logo, and I said, oh,

0:18:06.800 --> 0:18:08.560
<v Speaker 3>why don't we just use the logo that he used

0:18:08.560 --> 0:18:10.639
<v Speaker 3>to use, which is the case. So she looked at

0:18:10.640 --> 0:18:12.159
<v Speaker 3>it and she did some researcher. You came back and

0:18:12.320 --> 0:18:14.560
<v Speaker 3>she she said to me, oh, this is this is

0:18:14.560 --> 0:18:18.120
<v Speaker 3>an actual circuit that exists. I'm like, oh, really, yes,

0:18:18.240 --> 0:18:21.600
<v Speaker 3>and she's like, it's called a bipolar circuit. Now, my

0:18:21.680 --> 0:18:23.679
<v Speaker 3>mom had passed away at that point, so I couldn't

0:18:23.720 --> 0:18:25.720
<v Speaker 3>call her to say, you're not going to believe this,

0:18:26.000 --> 0:18:32.800
<v Speaker 3>but his logo was bipolar anyway. But my mother was

0:18:32.800 --> 0:18:37.080
<v Speaker 3>always like, you know, nervous about things and how things happened.

0:18:37.160 --> 0:18:39.480
<v Speaker 3>And for whatever reason, when I look at a kitchen

0:18:39.560 --> 0:18:42.719
<v Speaker 3>and see how crazy it is, I feel like it's

0:18:42.720 --> 0:18:44.600
<v Speaker 3>sort of that kind of like nervousness that she used

0:18:44.600 --> 0:18:47.239
<v Speaker 3>to have. And I think, dear God, please put an

0:18:47.240 --> 0:18:49.240
<v Speaker 3>oven mid on, because the idea of reaching into and

0:18:49.320 --> 0:18:54.160
<v Speaker 3>grabbing a mozzarella marin ara pan bare handed is a nightmare.

0:18:54.240 --> 0:18:57.719
<v Speaker 2>Heavy. Yeah, I think that fear. People sometimes say can

0:18:57.760 --> 0:18:59.520
<v Speaker 2>we come and cook in the kitchen? Or can I

0:18:59.520 --> 0:19:01.320
<v Speaker 2>spend the day with you in the kitchen, And sometimes

0:19:01.480 --> 0:19:03.760
<v Speaker 2>it says, but you know, it is a dangerous place.

0:19:04.080 --> 0:19:06.760
<v Speaker 2>So that's my you know, if you come in a kitchen,

0:19:06.840 --> 0:19:08.720
<v Speaker 2>you know, and the chef's the way they move and

0:19:08.760 --> 0:19:11.399
<v Speaker 2>they carry hot pans and they're always saying. And in

0:19:11.480 --> 0:19:13.720
<v Speaker 2>the River Cafe, you know, we have an open kitchen,

0:19:13.840 --> 0:19:16.680
<v Speaker 2>so you can't shout, you know, hot behind you or

0:19:17.359 --> 0:19:22.199
<v Speaker 2>move or whatever. Everybody's kind of navigating it between between

0:19:22.280 --> 0:19:24.320
<v Speaker 2>hot plates. And if you are a chef and you

0:19:24.480 --> 0:19:27.000
<v Speaker 2>leave something hot and you burn one of your colleagues,

0:19:27.520 --> 0:19:28.880
<v Speaker 2>it's very upsetting.

0:19:28.920 --> 0:19:28.960
<v Speaker 4>It.

0:19:29.080 --> 0:19:33.480
<v Speaker 2>So the kitchen is you know, but it's a dangerous place.

0:19:33.520 --> 0:19:35.280
<v Speaker 2>And a film sets a David place, isn't it.

0:19:35.680 --> 0:19:39.000
<v Speaker 3>A film set can be really dangerous and in ways

0:19:39.040 --> 0:19:42.120
<v Speaker 3>that you cannot predict sometimes. I mean I have friends

0:19:42.119 --> 0:19:46.560
<v Speaker 3>who have been injured by falling lights or planks of

0:19:46.600 --> 0:19:48.720
<v Speaker 3>wood or things that you know, and there are all

0:19:48.800 --> 0:19:51.480
<v Speaker 3>sorts of protections that you know, sort of procedures that

0:19:51.520 --> 0:19:54.320
<v Speaker 3>are in place, but like a kitchen, yeah, but when

0:19:54.320 --> 0:19:56.639
<v Speaker 3>you have that many people moving parts, that many people

0:19:57.040 --> 0:20:01.040
<v Speaker 3>that the lights are incredibly hot, and the there are

0:20:01.480 --> 0:20:03.800
<v Speaker 3>cables everywhere, and a lot of times, like in the

0:20:03.880 --> 0:20:06.480
<v Speaker 3>case of the accident that we had, there was, you know,

0:20:06.640 --> 0:20:09.280
<v Speaker 3>this hydraulic door that was being triggered by someone and

0:20:09.359 --> 0:20:11.359
<v Speaker 3>it just went down at the wrong moment in the

0:20:11.400 --> 0:20:13.960
<v Speaker 3>wrong way, and it luckily didn't kill anyone, but certainly

0:20:14.000 --> 0:20:14.240
<v Speaker 3>could have.

0:20:14.840 --> 0:20:17.399
<v Speaker 2>But talking about restaurant kitchens, what about restaurants? Did your

0:20:17.440 --> 0:20:19.440
<v Speaker 2>parents take you to restaurants? Was that a kind of

0:20:19.560 --> 0:20:21.440
<v Speaker 2>abras or you celebrate in a restaurant?

0:20:21.560 --> 0:20:24.680
<v Speaker 3>Sure, but you know, growing up again in La like

0:20:25.480 --> 0:20:27.359
<v Speaker 3>going to the Sizzler was a big deal. What's that

0:20:27.800 --> 0:20:31.080
<v Speaker 3>the Sizzler? Oh, my god, steak steaksy food salad. It's

0:20:31.119 --> 0:20:33.320
<v Speaker 3>a chain here American.

0:20:33.400 --> 0:20:33.960
<v Speaker 4>I should know that.

0:20:34.160 --> 0:20:37.280
<v Speaker 3>You should. No, No, I know what embarrassed.

0:20:37.160 --> 0:20:40.480
<v Speaker 2>Davidson talked about that this favorite But what Pete Davison,

0:20:40.880 --> 0:20:42.639
<v Speaker 2>He's saying that his favorite meal was just.

0:20:42.840 --> 0:20:43.400
<v Speaker 3>A couple of noodles?

0:20:44.000 --> 0:20:44.840
<v Speaker 2>Was it a couple of noodles?

0:20:44.920 --> 0:20:45.120
<v Speaker 3>Yeah?

0:20:45.160 --> 0:20:47.080
<v Speaker 2>No, I have been a way too long. But so

0:20:47.200 --> 0:20:48.959
<v Speaker 2>what was you tell me about Sizzler?

0:20:49.119 --> 0:20:51.800
<v Speaker 3>Schizler? Was I mean, look, there were a handful of

0:20:52.119 --> 0:20:56.720
<v Speaker 3>very seventies and early eighties restaurants that were on at

0:20:56.840 --> 0:20:58.880
<v Speaker 3>least on the West Coaster in California. One of them

0:20:58.960 --> 0:21:00.960
<v Speaker 3>was Hamburger Hamlet. Yeah, I know that one, so I

0:21:01.000 --> 0:21:03.280
<v Speaker 3>would go there. It was good. There was a place

0:21:03.320 --> 0:21:05.280
<v Speaker 3>in west Would called the Chatham that was like a

0:21:05.480 --> 0:21:08.440
<v Speaker 3>little sort of fancy I don't know. My mom would

0:21:08.440 --> 0:21:09.760
<v Speaker 3>take me there. Like there were just there were certain

0:21:09.760 --> 0:21:12.880
<v Speaker 3>places we would go at the time growing up Westwood,

0:21:13.160 --> 0:21:16.160
<v Speaker 3>which is where UCLA is. It was a great area

0:21:16.520 --> 0:21:18.119
<v Speaker 3>and it was fun and there were just tons of

0:21:18.600 --> 0:21:21.600
<v Speaker 3>restaurants and great stores. It was an amazing kind of

0:21:21.840 --> 0:21:26.440
<v Speaker 3>destination which has now changed dramatically and is sadly not

0:21:26.520 --> 0:21:28.119
<v Speaker 3>what it used to be in you know, hopefully you

0:21:28.200 --> 0:21:32.000
<v Speaker 3>can recapture some of its former glory. But there were

0:21:32.040 --> 0:21:33.000
<v Speaker 3>just a ton of places there.

0:21:33.080 --> 0:21:36.520
<v Speaker 2>So you read out quite often or very often, but but.

0:21:38.320 --> 0:21:40.600
<v Speaker 3>Enough that, like, I have a lot of memories of

0:21:40.720 --> 0:21:43.240
<v Speaker 3>going to these places and what I would order.

0:21:54.600 --> 0:21:57.680
<v Speaker 2>I haven't been to very many commencement addresses, but I

0:21:57.920 --> 0:22:01.600
<v Speaker 2>did listen to your address's lawrence, and it's something I

0:22:01.720 --> 0:22:04.560
<v Speaker 2>often quote, because you were talking to these kids who

0:22:04.560 --> 0:22:06.399
<v Speaker 2>were about to go out into the world, and you

0:22:06.960 --> 0:22:11.359
<v Speaker 2>were kind of there giving them guidance and advice at

0:22:11.359 --> 0:22:15.040
<v Speaker 2>a commencement speech. But what moved me enormously was when

0:22:15.080 --> 0:22:18.920
<v Speaker 2>you talked about kindness and the value of kindness, and

0:22:19.200 --> 0:22:21.840
<v Speaker 2>you asked the question, have you ever been in a

0:22:21.920 --> 0:22:24.080
<v Speaker 2>restaurant where food was served to you and you were

0:22:24.119 --> 0:22:25.960
<v Speaker 2>with somebody who didn't look up at the waiter and

0:22:26.000 --> 0:22:29.200
<v Speaker 2>say thank you? And I thought, that is something that

0:22:29.280 --> 0:22:31.480
<v Speaker 2>I say all the time because I work with waiters

0:22:31.840 --> 0:22:36.200
<v Speaker 2>and they again so value and so moving to them

0:22:36.359 --> 0:22:40.240
<v Speaker 2>when somebody says thank you. Why did you say that

0:22:40.320 --> 0:22:41.280
<v Speaker 2>in a commencement speech.

0:22:41.640 --> 0:22:43.280
<v Speaker 3>I don't remember anything I said in that speech, but

0:22:43.400 --> 0:22:45.359
<v Speaker 3>and I'm so glad you said it, because I was like,

0:22:45.400 --> 0:22:45.960
<v Speaker 3>what are you quoting?

0:22:46.000 --> 0:22:46.640
<v Speaker 2>What do I say?

0:22:46.680 --> 0:22:46.760
<v Speaker 1>Oh?

0:22:46.840 --> 0:22:49.760
<v Speaker 2>My God, should listen to it. It's wautiful speech.

0:22:49.800 --> 0:22:53.000
<v Speaker 3>You're very sweet. But I to that. I would just

0:22:53.040 --> 0:22:56.359
<v Speaker 3>say part of it is the peeve of it, But

0:22:56.480 --> 0:22:59.360
<v Speaker 3>it's deeper than that, because anyone who's worked in any

0:22:59.440 --> 0:23:02.760
<v Speaker 3>kind of service industry, and I, while I was never

0:23:04.160 --> 0:23:07.280
<v Speaker 3>I did. I was a host at this Mexican restaurant

0:23:07.280 --> 0:23:09.320
<v Speaker 3>here in LA but I worked it like a you know,

0:23:09.359 --> 0:23:12.159
<v Speaker 3>an ice cream store, and you know, I'm at different

0:23:12.200 --> 0:23:15.720
<v Speaker 3>stores growing up and that feeling that you have of

0:23:16.160 --> 0:23:19.200
<v Speaker 3>of doing well by someone and doing your job and

0:23:20.119 --> 0:23:24.680
<v Speaker 3>being helpful and getting not even an acknowledgment or a

0:23:24.760 --> 0:23:27.760
<v Speaker 3>look or not. And look, I'm sure that this happens

0:23:28.160 --> 0:23:30.800
<v Speaker 3>all the time to everyone, but it's a different thing

0:23:30.960 --> 0:23:33.439
<v Speaker 3>when you have the job and you know what it's

0:23:33.600 --> 0:23:38.600
<v Speaker 3>like to be dehumanized and disregarded, and you know, and

0:23:38.840 --> 0:23:41.200
<v Speaker 3>and yet that experience for me, and part of it

0:23:41.280 --> 0:23:45.960
<v Speaker 3>is because I remember as a young kid not being athletic.

0:23:46.160 --> 0:23:49.880
<v Speaker 3>The value you have socially as a kid is often

0:23:49.920 --> 0:23:53.159
<v Speaker 3>connected to sort of how well you play sports or

0:23:53.280 --> 0:23:55.399
<v Speaker 3>how well what your grades are if you're you know,

0:23:55.760 --> 0:23:57.560
<v Speaker 3>my grades were never particularly great, and I was never

0:23:58.320 --> 0:24:01.639
<v Speaker 3>any good at sports, so weirdly I had no I

0:24:02.000 --> 0:24:04.560
<v Speaker 3>had nothing of value as a kid, and I remember,

0:24:06.240 --> 0:24:09.439
<v Speaker 3>I remember that feeling of oh, I'm not seen as

0:24:09.560 --> 0:24:16.119
<v Speaker 3>anything of either note or importance or you know, anything special.

0:24:16.200 --> 0:24:18.080
<v Speaker 3>It was just I remember that feeling. And so in

0:24:18.200 --> 0:24:19.879
<v Speaker 3>a way one of the reasons why in terms of

0:24:19.960 --> 0:24:23.920
<v Speaker 3>stories like I tend to love underdogs and I'm look,

0:24:24.640 --> 0:24:27.880
<v Speaker 3>no one is crying for the little white boy who,

0:24:28.040 --> 0:24:30.280
<v Speaker 3>you know, felt like he couldn't throw a ball. But

0:24:30.400 --> 0:24:32.840
<v Speaker 3>it's like the fact that you, you know, you grow

0:24:32.960 --> 0:24:37.600
<v Speaker 3>up in some ways. We all have insecurities and experiences

0:24:37.680 --> 0:24:40.480
<v Speaker 3>that shape us. And I remember feeling like, you know,

0:24:40.840 --> 0:24:43.919
<v Speaker 3>growing up, and then in these jobs, it's so easy

0:24:44.119 --> 0:24:49.800
<v Speaker 3>to be unseen or overlooked or treated badly. I mean,

0:24:49.800 --> 0:24:52.240
<v Speaker 3>I think people sometimes go out in order to break

0:24:52.320 --> 0:24:54.600
<v Speaker 3>people and treat people badly because it makes them feel better,

0:24:55.160 --> 0:25:00.280
<v Speaker 3>and use people as punching bags. And a waiter is

0:25:00.359 --> 0:25:02.879
<v Speaker 3>like the prime example of someone who is who is

0:25:03.119 --> 0:25:06.639
<v Speaker 3>doing you, you know, this sort of beautiful service. And

0:25:07.359 --> 0:25:10.960
<v Speaker 3>even if the waiters not particularly great, they're still serving you.

0:25:11.119 --> 0:25:15.560
<v Speaker 3>They're a server like on that level. To not acknowledge

0:25:15.600 --> 0:25:18.640
<v Speaker 3>that person and have gratitude for them says so much

0:25:18.720 --> 0:25:21.159
<v Speaker 3>more about who that person is. So I don't know

0:25:21.280 --> 0:25:22.879
<v Speaker 3>quite what the context of that comment was, but my

0:25:22.920 --> 0:25:25.320
<v Speaker 3>guess it was like, don't be a friend with, don't

0:25:25.320 --> 0:25:28.240
<v Speaker 3>continue to relationship with the person. Treat someone, she said,

0:25:28.600 --> 0:25:29.680
<v Speaker 3>And the wait is that we have.

0:25:29.920 --> 0:25:31.560
<v Speaker 2>You know, you see a lot in a restaurant. You

0:25:31.640 --> 0:25:35.040
<v Speaker 2>see people crying, You see people coming to a restaurant

0:25:35.200 --> 0:25:39.000
<v Speaker 2>for very private things in a public space. They get fired,

0:25:39.080 --> 0:25:42.199
<v Speaker 2>they admit affairs, they get divorced, they get married, they

0:25:42.280 --> 0:25:46.480
<v Speaker 2>get proposed to, And do you take people to a restaurant? Sometimes?

0:25:46.880 --> 0:25:49.800
<v Speaker 2>Would you before hiring somebody take them to a restaurant

0:25:49.880 --> 0:25:51.520
<v Speaker 2>and kind of see before.

0:25:51.200 --> 0:25:54.159
<v Speaker 3>They I have. I mean I've had all sorts of

0:25:54.760 --> 0:25:59.159
<v Speaker 3>meetings like that with people before working on something or

0:26:00.320 --> 0:26:03.560
<v Speaker 3>committing to something. Sure, But I also I go to

0:26:03.600 --> 0:26:05.400
<v Speaker 3>restaurants to work all the time.

0:26:05.480 --> 0:26:05.760
<v Speaker 4>Like I.

0:26:07.240 --> 0:26:10.080
<v Speaker 3>Write most of what I write at restaurants because the

0:26:10.320 --> 0:26:13.000
<v Speaker 3>energy of the space, the noise of it, what you

0:26:13.080 --> 0:26:15.920
<v Speaker 3>were just describing, it's like when you're at a restaurant,

0:26:16.000 --> 0:26:20.240
<v Speaker 3>it's like it modulates between the most extreme dramatic breakup

0:26:20.320 --> 0:26:22.200
<v Speaker 3>that might be happening at the table, you know, two

0:26:22.280 --> 0:26:26.359
<v Speaker 3>tables over to that first date between people, to you know,

0:26:26.680 --> 0:26:30.359
<v Speaker 3>a parent, and like there's everywhere you look there is

0:26:30.440 --> 0:26:34.720
<v Speaker 3>a window into a drama that is probably its own story.

0:26:34.840 --> 0:26:37.280
<v Speaker 3>So the inspiration that comes from just sitting in a

0:26:37.720 --> 0:26:42.440
<v Speaker 3>restaurant and a coffee shop too, but restaurants are my preference.

0:26:42.800 --> 0:26:46.200
<v Speaker 3>I just feel like it kind of fuels me in

0:26:46.320 --> 0:26:49.359
<v Speaker 3>a way that when I'm in a room alone, I

0:26:49.440 --> 0:26:51.280
<v Speaker 3>can do that too, and I don't mind it, and

0:26:51.320 --> 0:26:53.200
<v Speaker 3>I'll put headphones on listen to music. They like, but

0:26:53.240 --> 0:26:56.959
<v Speaker 3>there's something about being in a restaurant that is hugely

0:26:57.640 --> 0:27:01.399
<v Speaker 3>inspiring and it helps me.

0:27:01.640 --> 0:27:03.480
<v Speaker 2>Do you do it now? You still all the rest?

0:27:03.600 --> 0:27:04.360
<v Speaker 3>Really all time?

0:27:04.760 --> 0:27:06.360
<v Speaker 2>Do you write Longhand on a laptop?

0:27:06.400 --> 0:27:08.200
<v Speaker 3>What do you do long hand? When I first start

0:27:08.240 --> 0:27:10.960
<v Speaker 3>working on something until it starts to become something that

0:27:11.280 --> 0:27:14.919
<v Speaker 3>is starting to become more congealed and solid like an

0:27:14.960 --> 0:27:17.520
<v Speaker 3>omelind and then I will go and start to do

0:27:17.680 --> 0:27:19.480
<v Speaker 3>it on the laptop.

0:27:19.520 --> 0:27:22.000
<v Speaker 2>Instead of talking this case that we're going to finish now.

0:27:22.119 --> 0:27:26.480
<v Speaker 2>But comfort, So if we have food, like your mother

0:27:26.680 --> 0:27:30.440
<v Speaker 2>to express love or your father to grandfather about fear

0:27:30.720 --> 0:27:34.639
<v Speaker 2>or hungry, you know, or where in the pandemic and

0:27:34.720 --> 0:27:36.760
<v Speaker 2>we want to cook, we also go to food for comfort.

0:27:37.400 --> 0:27:41.560
<v Speaker 2>So if you need comfort, jj Abrams, is there a

0:27:41.920 --> 0:27:45.040
<v Speaker 2>food that you would go to for comfort? Is there

0:27:45.240 --> 0:27:46.119
<v Speaker 2>a food.

0:27:47.600 --> 0:27:48.000
<v Speaker 3>There isn't?

0:27:48.040 --> 0:27:48.200
<v Speaker 4>Really?

0:27:48.400 --> 0:27:51.240
<v Speaker 3>Like, I mean, it's funny. I just took my dad

0:27:51.320 --> 0:27:56.800
<v Speaker 3>to dinner at the Dantana the other night in West Hollywood,

0:27:57.040 --> 0:28:00.320
<v Speaker 3>and we were talking about how it was such comfort food.

0:28:00.359 --> 0:28:04.760
<v Speaker 3>And usually comfort food feels like it's got a bit

0:28:04.800 --> 0:28:08.680
<v Speaker 3>of an Italian like there's something about a pasta that

0:28:08.840 --> 0:28:11.440
<v Speaker 3>is just so comforting and feels so good, and you know,

0:28:11.560 --> 0:28:13.359
<v Speaker 3>so there's that kind of thing, and it's usually like

0:28:13.480 --> 0:28:16.600
<v Speaker 3>I guess it might be like the carby starchy thing

0:28:16.720 --> 0:28:18.640
<v Speaker 3>that does it. That's funny because as you were asking,

0:28:18.680 --> 0:28:22.240
<v Speaker 3>I was like thinking, it's hard to imagine like a

0:28:22.359 --> 0:28:25.440
<v Speaker 3>food that on some level doesn't provide some kind of

0:28:25.520 --> 0:28:28.600
<v Speaker 3>like you know, a really great sushi dinner or a

0:28:28.760 --> 0:28:31.560
<v Speaker 3>wonderful you know, like a great pizza or something that

0:28:31.640 --> 0:28:33.800
<v Speaker 3>you know, of course there's bad versions of everything, but

0:28:34.359 --> 0:28:36.600
<v Speaker 3>food in general is just is such a comfort.

0:28:39.840 --> 0:28:43.280
<v Speaker 2>You like that ice cream, I know, almond ice cream,

0:28:43.480 --> 0:28:45.720
<v Speaker 2>you know, the toasted almond ice cream.

0:28:47.280 --> 0:28:48.000
<v Speaker 3>There is that a question?

0:28:48.120 --> 0:28:48.720
<v Speaker 4>What do you have?

0:28:49.360 --> 0:28:53.920
<v Speaker 3>I mean my ordering multiple dishes of it indicate that

0:28:54.040 --> 0:28:54.440
<v Speaker 3>you might.

0:28:54.360 --> 0:28:55.280
<v Speaker 2>Be part of it.

0:28:55.880 --> 0:28:56.880
<v Speaker 4>Can be fine, I'm doing it.

0:28:56.880 --> 0:28:58.160
<v Speaker 3>I'm claiming it all right?

0:29:02.280 --> 0:29:04.760
<v Speaker 2>Oh hi, can you give me a really quick favor.

0:29:05.320 --> 0:29:06.719
<v Speaker 3>You're looking for the recipe itself.

0:29:07.480 --> 0:29:10.640
<v Speaker 2>See if there's a recipe there for almond ice cream.

0:29:10.920 --> 0:29:13.479
<v Speaker 2>You're so kind? Do you want to hold on if

0:29:13.520 --> 0:29:14.600
<v Speaker 2>you find I'm gonna hold on.

0:29:20.800 --> 0:29:24.080
<v Speaker 1>The River Cafe lookbook is now available in bookshops and online.

0:29:24.800 --> 0:29:28.880
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0:29:28.920 --> 0:29:32.840
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0:29:32.960 --> 0:29:36.560
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<v Speaker 1>Ruthie's Table four is a production of iHeart Radio and

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<v Speaker 1>Adamized Studios. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:29:59.520 --> 0:30:02.800
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.