1 00:00:00,320 --> 00:00:07,240 Speaker 1: Josh, do not shoot Freeze. Pass the ball to Jalen, 2 00:00:07,560 --> 00:00:09,360 Speaker 1: let him shoot the breech. 3 00:00:10,039 --> 00:00:12,600 Speaker 2: Pass the ball to Douce. I don't care what your 4 00:00:12,640 --> 00:00:15,840 Speaker 2: passed the ball to. Don't show them champion in my vein, 5 00:00:15,960 --> 00:00:18,759 Speaker 2: all of this came out by love going to crazy 6 00:00:18,840 --> 00:00:20,639 Speaker 2: in the stadium, Got the city, Thomas. 7 00:00:32,520 --> 00:00:34,800 Speaker 3: What's up everybody, and Welcome to another episode of The 8 00:00:34,880 --> 00:00:38,400 Speaker 3: Roommate Show, presented by BET three sixty five, A playmaker original. 9 00:00:38,760 --> 00:00:43,040 Speaker 3: Obviously we got roommate Jaylen Brunson, Captain. 10 00:00:42,760 --> 00:00:44,840 Speaker 4: Of New York Mattie Ice. 11 00:00:44,880 --> 00:00:49,600 Speaker 3: Here today we have an Emmy, Peabody and Webby Award winner. 12 00:00:49,280 --> 00:00:49,800 Speaker 4: In the house. 13 00:00:50,120 --> 00:00:53,440 Speaker 3: He's an actor, comedian, writer, and producer known for his 14 00:00:53,520 --> 00:00:57,120 Speaker 3: diverse skills in film, TV and theater. One half of 15 00:00:57,160 --> 00:01:01,760 Speaker 3: the Hits mass comedy series Key and Peel. Welcome Hinga 16 00:01:01,880 --> 00:01:04,160 Speaker 3: mccringerberry to The Roommate Show. 17 00:01:05,480 --> 00:01:10,240 Speaker 2: Get Thank you, Joe. How long were you planning that one? 18 00:01:11,160 --> 00:01:12,240 Speaker 4: I planned that today. 19 00:01:12,360 --> 00:01:14,640 Speaker 2: I felt like you were going to say that because 20 00:01:14,680 --> 00:01:17,600 Speaker 2: you had a pen on which I really appreciate it. 21 00:01:17,600 --> 00:01:18,119 Speaker 4: I'm just hoping. 22 00:01:18,120 --> 00:01:20,440 Speaker 3: I was like, I can't, I can't butcher the name 23 00:01:20,480 --> 00:01:21,800 Speaker 3: when I do it, so I'm like, I was a 24 00:01:21,840 --> 00:01:22,600 Speaker 3: little nervous, but. 25 00:01:23,280 --> 00:01:24,280 Speaker 2: You got through. You got through it. 26 00:01:24,280 --> 00:01:25,800 Speaker 5: You were showing me something on your phone and you 27 00:01:25,800 --> 00:01:27,320 Speaker 5: were like going out of your different windows and I 28 00:01:27,360 --> 00:01:29,240 Speaker 5: saw you at the East West Bawl on YouTube up. 29 00:01:29,440 --> 00:01:32,319 Speaker 3: Oh no, that that was a screenshot of the TikTok 30 00:01:32,319 --> 00:01:33,640 Speaker 3: from this morning. So I was like, I can't. I 31 00:01:33,680 --> 00:01:35,240 Speaker 3: got to make sure I can't butcher the name. So 32 00:01:35,280 --> 00:01:38,480 Speaker 3: I literally had a screenshot of Hinga mccringleberry in my 33 00:01:38,560 --> 00:01:39,760 Speaker 3: phone and you're just going over it and. 34 00:01:39,720 --> 00:01:40,920 Speaker 2: Over it in the car. 35 00:01:44,000 --> 00:01:47,720 Speaker 6: Dringleberry. Usually Josh messes up the intros. Nine times out 36 00:01:47,760 --> 00:01:50,120 Speaker 6: of ten, that might be a top five intro for you. 37 00:01:51,280 --> 00:01:52,000 Speaker 4: There's no mess up. 38 00:01:52,080 --> 00:01:55,440 Speaker 6: So there's no flubs, no mess ups, no lists. It 39 00:01:55,560 --> 00:01:56,880 Speaker 6: was a good good job. 40 00:01:57,120 --> 00:02:00,360 Speaker 2: I'm your Maybe I'm imight have to sit next to 41 00:02:00,360 --> 00:02:02,840 Speaker 2: you when you have other guests going to. 42 00:02:02,840 --> 00:02:03,920 Speaker 4: Be the four of us, and. 43 00:02:05,560 --> 00:02:08,040 Speaker 7: Just so you can get through the intro, I will, 44 00:02:08,080 --> 00:02:11,360 Speaker 7: I will say, And part of part of me butchering 45 00:02:11,400 --> 00:02:16,720 Speaker 7: the the intro is sometimes I butchered the guest names. 46 00:02:16,560 --> 00:02:20,720 Speaker 3: And like I always made jokes messing people's name up. 47 00:02:20,919 --> 00:02:24,160 Speaker 3: From the substitute teacher skit right, and like I just 48 00:02:24,200 --> 00:02:26,120 Speaker 3: did it so much, I like it. 49 00:02:26,160 --> 00:02:28,480 Speaker 4: Just became a thing. And like now half the time 50 00:02:28,480 --> 00:02:30,240 Speaker 4: in the intro like butcher people's name. 51 00:02:30,160 --> 00:02:31,600 Speaker 6: So it's not even just the intro like you do 52 00:02:31,639 --> 00:02:32,679 Speaker 6: it like in real life too. 53 00:02:33,200 --> 00:02:34,840 Speaker 2: But wa, what does he do in real life? 54 00:02:35,600 --> 00:02:35,720 Speaker 3: Name? 55 00:02:35,880 --> 00:02:36,480 Speaker 2: Just but your name? 56 00:02:36,600 --> 00:02:38,640 Speaker 6: Because like if he doesn't know exactly how to say it? 57 00:02:38,720 --> 00:02:42,200 Speaker 6: Who who pretends like he's doing you on purpose? But 58 00:02:42,280 --> 00:02:45,040 Speaker 6: he really doesn't does it? And does it happen? Let 59 00:02:45,080 --> 00:02:46,359 Speaker 6: me ask this, No, I'm going to get into it 60 00:02:46,400 --> 00:02:48,320 Speaker 6: for a second. Does it also happen right after you 61 00:02:48,360 --> 00:02:51,160 Speaker 6: just met the person? Like has the person ever introduced themselves? 62 00:02:51,160 --> 00:02:53,639 Speaker 6: So you said the name correctly? And then you get 63 00:02:53,639 --> 00:02:57,119 Speaker 6: nervous and say, done the same thing he usually called 64 00:02:57,160 --> 00:03:01,360 Speaker 6: like it's usually the last name. It's usually last name. Interesting, Okay, 65 00:03:01,480 --> 00:03:05,360 Speaker 6: who'll say like precious is there's precious a chewa? But 66 00:03:05,360 --> 00:03:06,720 Speaker 6: who say precious acachua? 67 00:03:07,240 --> 00:03:09,920 Speaker 2: Mm hm you put in the extra syllables, But you know, 68 00:03:10,000 --> 00:03:11,799 Speaker 2: I like the effort. I like that you give any 69 00:03:11,840 --> 00:03:14,760 Speaker 2: extra Oh yeah, but what you mean before he was 70 00:03:14,800 --> 00:03:20,080 Speaker 2: on the team, like when you you still do it? Interesting? Interesting? 71 00:03:20,200 --> 00:03:27,079 Speaker 3: O G Andnobib Pascal and uh there. 72 00:03:31,000 --> 00:03:32,680 Speaker 2: Okay from Portland. 73 00:03:32,720 --> 00:03:35,840 Speaker 3: He's he's with Milwaukee uh, Milwaukee Bucks. 74 00:03:35,880 --> 00:03:39,080 Speaker 4: Now I call her Joessica Joseka Joica. 75 00:03:39,160 --> 00:03:41,280 Speaker 2: I actually I tell you something. Uh there was a 76 00:03:41,320 --> 00:03:43,120 Speaker 2: woman that I knew who she actually did a sketch 77 00:03:43,160 --> 00:03:46,160 Speaker 2: for us on Camp Ago. Her name was Jessica. It 78 00:03:46,240 --> 00:03:49,040 Speaker 2: was actually it was actually pronounced Jessica, but it spelled 79 00:03:49,040 --> 00:03:53,160 Speaker 2: like Jessica. No, it would have been better than I 80 00:03:53,200 --> 00:03:55,280 Speaker 2: think it was j a s. I k A so 81 00:03:55,320 --> 00:03:57,760 Speaker 2: that kind of Josica. But it still. I was like 82 00:03:57,880 --> 00:03:59,600 Speaker 2: the first time I said it, it matter a couple 83 00:03:59,600 --> 00:04:02,800 Speaker 2: of times, like, so you could pronounce it Jessica right, 84 00:04:02,800 --> 00:04:04,560 Speaker 2: and she said, I mean you could, but it would 85 00:04:04,600 --> 00:04:07,120 Speaker 2: be wrong. I was like, all right, okay, all right, 86 00:04:07,320 --> 00:04:09,600 Speaker 2: okay Jessica. No, that's a good one. 87 00:04:09,600 --> 00:04:09,760 Speaker 6: Though. 88 00:04:10,040 --> 00:04:13,920 Speaker 2: I keep listen, keep pronouncing the names incorrectly. I've made 89 00:04:13,920 --> 00:04:15,160 Speaker 2: a lot of money. 90 00:04:16,360 --> 00:04:20,520 Speaker 3: Correctly, So like the brain, I just want to know, 91 00:04:20,560 --> 00:04:23,000 Speaker 3: like the brain, like for like, for example, that's git 92 00:04:23,160 --> 00:04:25,160 Speaker 3: right because it was that skit and then it was 93 00:04:25,240 --> 00:04:25,720 Speaker 3: part two. 94 00:04:26,240 --> 00:04:28,839 Speaker 2: Yeah, and then there was a commercial what like yeah 95 00:04:28,839 --> 00:04:32,520 Speaker 2: we did a paramoun commercial yeah a couple of years ago. Yeah, yeah, yeah, 96 00:04:32,560 --> 00:04:36,000 Speaker 2: you know really what a lot of it. We had really, 97 00:04:36,040 --> 00:04:39,800 Speaker 2: really fantastic writers. We had really great writers on our show, 98 00:04:40,360 --> 00:04:43,280 Speaker 2: and I have I've made a I've tried to make 99 00:04:43,279 --> 00:04:44,800 Speaker 2: a point in my life and in my career of 100 00:04:44,839 --> 00:04:48,720 Speaker 2: surrounding myself with people with excellence. Just if you can 101 00:04:49,080 --> 00:04:52,120 Speaker 2: surround yourself with excellence, you have a chance of being excellent. 102 00:04:52,440 --> 00:04:54,760 Speaker 2: And so I've made an effort, made a lot of 103 00:04:54,760 --> 00:04:56,479 Speaker 2: effort to do that in my career. And so the 104 00:04:56,520 --> 00:04:58,760 Speaker 2: guy who one of the guys, you know, we used 105 00:04:58,800 --> 00:05:01,200 Speaker 2: to have what we call in the business, pitch sessions, 106 00:05:01,440 --> 00:05:02,880 Speaker 2: So in the beginning of the week, people come in 107 00:05:02,920 --> 00:05:04,680 Speaker 2: and they pitch different ideas about, oh, you know, I 108 00:05:04,720 --> 00:05:06,960 Speaker 2: saw this today, or I kind of noticed this thing 109 00:05:07,000 --> 00:05:10,440 Speaker 2: about human behavior, and what if we were to sketch 110 00:05:10,440 --> 00:05:12,599 Speaker 2: about this, or we did some sketch about that. And 111 00:05:12,800 --> 00:05:14,600 Speaker 2: one of our writers, he came into a pitch meeting 112 00:05:14,600 --> 00:05:17,280 Speaker 2: one day and he just had that idea solid ready 113 00:05:17,320 --> 00:05:19,000 Speaker 2: to go. He's like, well, what if the guy was 114 00:05:19,040 --> 00:05:20,960 Speaker 2: like from the inner city, but he was teaching in 115 00:05:21,000 --> 00:05:23,600 Speaker 2: a suburban school and he pronounced the names like they 116 00:05:23,600 --> 00:05:27,240 Speaker 2: were black names. And then you could see all the 117 00:05:27,400 --> 00:05:31,640 Speaker 2: cogs turning in everybody else's head, and everyone just piled 118 00:05:31,680 --> 00:05:33,280 Speaker 2: on the idea like, oh but what about this name? 119 00:05:33,360 --> 00:05:35,040 Speaker 2: What about this? And that's when you know you've got 120 00:05:35,080 --> 00:05:37,440 Speaker 2: a good idea. And then he wrote the sketch with 121 00:05:37,520 --> 00:05:42,800 Speaker 2: some people's with some people's suggestions of names. And you know, 122 00:05:43,080 --> 00:05:46,960 Speaker 2: when you work in sketch for a long time, and 123 00:05:46,520 --> 00:05:48,560 Speaker 2: I'd been doing sketch for like twelve years at that 124 00:05:48,600 --> 00:05:50,479 Speaker 2: point in time, so I was like, this, get sketches, 125 00:05:50,480 --> 00:05:52,039 Speaker 2: a solid sketch. I had no idea it was going 126 00:05:52,120 --> 00:05:54,880 Speaker 2: to resonate the way that it resonated, but that's where 127 00:05:54,880 --> 00:05:57,160 Speaker 2: that came from. And so he wrote those two sketches, 128 00:05:57,839 --> 00:06:00,600 Speaker 2: and there's like rules to how the sketch are written. 129 00:06:01,160 --> 00:06:03,840 Speaker 2: And then when we did the commercial, my partner Elle, 130 00:06:04,560 --> 00:06:07,039 Speaker 2: she wrote, she wrote that commercial, wrote the sketch for 131 00:06:07,040 --> 00:06:09,359 Speaker 2: that commercial, and she's like using the rules, and there 132 00:06:09,360 --> 00:06:10,960 Speaker 2: are other people like, well why don't we do this? 133 00:06:11,040 --> 00:06:14,760 Speaker 2: And we do that. It's like stepping up, like there's 134 00:06:14,800 --> 00:06:16,599 Speaker 2: no you got it. You got it. You can do 135 00:06:16,640 --> 00:06:19,640 Speaker 2: whatever you want within the parameters. Right, you step out 136 00:06:19,640 --> 00:06:20,640 Speaker 2: of bounds, it's out of bounds. 137 00:06:20,880 --> 00:06:21,279 Speaker 6: You can't. 138 00:06:21,680 --> 00:06:23,600 Speaker 2: But I made the three but you were out of bounds. 139 00:06:23,839 --> 00:06:26,880 Speaker 2: You have to stay within those strictures, those parameters, and 140 00:06:26,880 --> 00:06:29,279 Speaker 2: then the sketch always sings. And so the commercial was 141 00:06:29,279 --> 00:06:32,520 Speaker 2: really good. But that guy is Greg rich Tellaerico is 142 00:06:32,520 --> 00:06:36,160 Speaker 2: his name, and he was a wonderful, fantastic sketch writer, 143 00:06:36,240 --> 00:06:39,120 Speaker 2: wrote for Mad TV, wrote for camp Peale, and wrote 144 00:06:39,120 --> 00:06:41,960 Speaker 2: for SNL. Yeah, he was really good. So that's that's 145 00:06:42,040 --> 00:06:44,640 Speaker 2: kind of the origin of that of that sketch or 146 00:06:44,680 --> 00:06:47,000 Speaker 2: what you have to figure out what the comedic game 147 00:06:47,440 --> 00:06:50,240 Speaker 2: or the comedic engine of each sketch is, Like what's 148 00:06:50,279 --> 00:06:53,599 Speaker 2: the kernel, what's the thing that you you repeat over 149 00:06:53,640 --> 00:06:56,080 Speaker 2: and over again? That's funny like once you Sometimes it's 150 00:06:56,080 --> 00:07:00,640 Speaker 2: an observation. So like Jordan's observation about the I know 151 00:07:00,640 --> 00:07:03,880 Speaker 2: that you guys like the the We were talked to 152 00:07:03,960 --> 00:07:06,120 Speaker 2: Cameron earlier. What what's the sketch like the auction block? 153 00:07:07,000 --> 00:07:09,200 Speaker 2: The auction block? Jordan said, I got to figure out 154 00:07:09,200 --> 00:07:12,520 Speaker 2: what's the wrinkle here, what's the comedic game and it 155 00:07:13,040 --> 00:07:16,560 Speaker 2: and he goes, well, I've never seen no one wants 156 00:07:16,640 --> 00:07:19,840 Speaker 2: to be a slave, but what if you were so 157 00:07:20,040 --> 00:07:23,800 Speaker 2: vain or so insecure that other slaves are being bought? 158 00:07:24,080 --> 00:07:25,800 Speaker 2: And then you're trying to figure out, well, why nobody 159 00:07:25,800 --> 00:07:29,320 Speaker 2: buying me? So the concept is great, but then the 160 00:07:29,400 --> 00:07:31,360 Speaker 2: game was every time they brought in a new guys 161 00:07:31,400 --> 00:07:35,920 Speaker 2: like I don't pick, you know, and so each every 162 00:07:35,920 --> 00:07:37,600 Speaker 2: sketch has to have one of those games. It's the 163 00:07:37,600 --> 00:07:39,240 Speaker 2: same way that you guys when you guys are on 164 00:07:39,280 --> 00:07:43,840 Speaker 2: the court and you you go, ah, this brother over 165 00:07:43,880 --> 00:07:46,760 Speaker 2: here got this tendency. Oh he's gonna do that every 166 00:07:47,000 --> 00:07:49,040 Speaker 2: he's gonna do that. Ohit did it again. Oh he's 167 00:07:49,040 --> 00:07:51,559 Speaker 2: gonna do that every time. I'm about to go steal 168 00:07:51,600 --> 00:07:54,160 Speaker 2: the ball because he's gonna do that every time. And 169 00:07:54,160 --> 00:07:57,200 Speaker 2: then eventually you shut him down or you trap him, 170 00:07:57,320 --> 00:07:58,760 Speaker 2: or you know that he's gonna go to his left 171 00:07:58,800 --> 00:08:02,280 Speaker 2: every time. We have to figure out what that pattern is. 172 00:08:02,600 --> 00:08:05,560 Speaker 2: And once you get that pattern, you can you you 173 00:08:05,560 --> 00:08:07,920 Speaker 2: you once you have that structure and pattern, you can 174 00:08:07,920 --> 00:08:12,520 Speaker 2: start writing the sketches. Yeah, it's so interesting scientific. 175 00:08:12,520 --> 00:08:14,440 Speaker 5: We've had a few comedians on and the one thing 176 00:08:14,440 --> 00:08:17,400 Speaker 5: they've always said is like, whatevers ended up being their 177 00:08:17,440 --> 00:08:19,520 Speaker 5: most commercially successful is not the one that like when 178 00:08:19,520 --> 00:08:20,960 Speaker 5: it left, they were like, that's it, you. 179 00:08:20,960 --> 00:08:26,920 Speaker 2: Know, It's not an interesting thing is artists writers? The 180 00:08:26,960 --> 00:08:32,080 Speaker 2: writers I've surrounded my South with Jordan El. The really 181 00:08:32,160 --> 00:08:36,520 Speaker 2: creative people think outside of the box, and sometimes you 182 00:08:36,559 --> 00:08:39,440 Speaker 2: go the thing that you wrote that's a little inside 183 00:08:39,440 --> 00:08:41,840 Speaker 2: the box is the thing where you go, oh, this 184 00:08:41,920 --> 00:08:45,520 Speaker 2: is okay, And that's always the thing that ends up 185 00:08:45,559 --> 00:08:48,600 Speaker 2: blowing up. It's always that thing. It's the it's the 186 00:08:48,640 --> 00:08:52,280 Speaker 2: weird ones or the strange ones that go out of 187 00:08:52,320 --> 00:08:56,080 Speaker 2: the norm that everybody that that that the artists fall 188 00:08:56,120 --> 00:08:58,200 Speaker 2: in love with. And it's those other ones that you 189 00:08:58,240 --> 00:09:00,800 Speaker 2: just mentioned that go like, why is so we make 190 00:09:00,880 --> 00:09:03,120 Speaker 2: fun of somebody's name? Why is that? I don't know 191 00:09:03,200 --> 00:09:05,960 Speaker 2: what it is that. I don't know the psychology of it. 192 00:09:06,000 --> 00:09:07,840 Speaker 2: But people love it. They love that. They love the 193 00:09:07,840 --> 00:09:11,080 Speaker 2: football names. They love names. People be loving names. Football 194 00:09:11,120 --> 00:09:13,040 Speaker 2: names might be my favorite, that's your favorite, one be 195 00:09:13,080 --> 00:09:13,520 Speaker 2: my favorite. 196 00:09:13,520 --> 00:09:17,000 Speaker 6: But like the one the substitute teacher one, it's it's 197 00:09:17,040 --> 00:09:19,520 Speaker 6: so ingrained, like I won't even think about the sketch. 198 00:09:19,679 --> 00:09:26,960 Speaker 6: Like his middle name is Aaron, so yeah, it's like 199 00:09:27,520 --> 00:09:29,600 Speaker 6: I won't even think about the sketch. But that's a Ron. 200 00:09:29,800 --> 00:09:32,240 Speaker 2: Like it's just like you said, it's ingrained. It's great, 201 00:09:32,320 --> 00:09:34,400 Speaker 2: it's part of our it's part of I don't know 202 00:09:34,440 --> 00:09:38,040 Speaker 2: how this happened. It's part of our society. That sketch 203 00:09:38,080 --> 00:09:39,559 Speaker 2: has become part of our society. 204 00:09:39,679 --> 00:09:40,160 Speaker 4: Yeah, we have. 205 00:09:40,720 --> 00:09:43,240 Speaker 3: There's actually a rough called Aaron, and that's what every 206 00:09:43,280 --> 00:09:47,520 Speaker 3: time I say, that's all, I call him Aron, And 207 00:09:47,559 --> 00:09:49,160 Speaker 3: like normally he just kind of like you have, what's up, 208 00:09:49,200 --> 00:09:49,760 Speaker 3: Josh and all that. 209 00:09:50,600 --> 00:09:53,720 Speaker 4: And there was this one time he was on the baseline. 210 00:09:53,760 --> 00:09:56,080 Speaker 4: I was like, out of the game. I was like, 211 00:09:56,280 --> 00:09:59,839 Speaker 4: you gotta make a better car than there it is. 212 00:10:00,040 --> 00:10:01,320 Speaker 2: He's like, look at me, I'm loud. I'm not being 213 00:10:01,320 --> 00:10:01,760 Speaker 2: a professional. 214 00:10:02,280 --> 00:10:03,959 Speaker 5: I also think it's so funny because one of the 215 00:10:04,000 --> 00:10:07,560 Speaker 5: other really great sketches was slap ass, and they are 216 00:10:07,679 --> 00:10:09,079 Speaker 5: now at the point I don't even know if this 217 00:10:09,160 --> 00:10:11,120 Speaker 5: is the rest of you guys where it'll be a 218 00:10:11,160 --> 00:10:13,160 Speaker 5: postgame one of you guys will get an interviewed on 219 00:10:13,240 --> 00:10:13,520 Speaker 5: the court. 220 00:10:14,559 --> 00:10:17,560 Speaker 6: It's not then hits him he started, you started? 221 00:10:17,800 --> 00:10:20,800 Speaker 4: You know I didn't start started started? 222 00:10:21,280 --> 00:10:22,120 Speaker 2: Oh did he really? 223 00:10:22,480 --> 00:10:23,679 Speaker 6: So? I forget what gave it? 224 00:10:23,720 --> 00:10:24,400 Speaker 4: In New Orleans? 225 00:10:24,840 --> 00:10:26,679 Speaker 6: Yeah, it happened one game in New Orleans. I'm doing 226 00:10:26,720 --> 00:10:30,079 Speaker 6: it on court interview right after the game and just 227 00:10:30,120 --> 00:10:31,760 Speaker 6: comes up and slaps in the ass. I'm just like 228 00:10:32,760 --> 00:10:34,440 Speaker 6: actually cursed. I was like, I'm gonna beat the shit 229 00:10:34,520 --> 00:10:36,120 Speaker 6: out of you, and that was like a lot of TV. 230 00:10:36,320 --> 00:10:40,199 Speaker 6: I was sorry, and then it happened to get a 231 00:10:40,240 --> 00:10:43,640 Speaker 6: couple weeks later, and then I was like just like 232 00:10:44,200 --> 00:10:47,280 Speaker 6: try to like not say it. But then like one 233 00:10:47,400 --> 00:10:49,440 Speaker 6: game he starts doing I'm like, all right, this dude's 234 00:10:49,440 --> 00:10:51,040 Speaker 6: a follower. Now he wants to be a part of it. 235 00:10:51,840 --> 00:10:55,520 Speaker 6: And then then so he did it twice, and then 236 00:10:55,559 --> 00:10:59,199 Speaker 6: I think it was mostly Josh did it twice, and 237 00:10:59,320 --> 00:11:01,760 Speaker 6: Josh did it Josh did it twice. So now most 238 00:11:01,840 --> 00:11:05,600 Speaker 6: recently Josh is done an ochre review. I'm like, I said, 239 00:11:05,600 --> 00:11:08,800 Speaker 6: I have an opportunity here to give him back. But 240 00:11:09,120 --> 00:11:11,079 Speaker 6: Josh is so paranoid. So he's doing a co interview 241 00:11:11,080 --> 00:11:17,839 Speaker 6: but he's like skinny. And then like and then I 242 00:11:17,920 --> 00:11:20,679 Speaker 6: think Last Game La Last Game, Josh sees me. It 243 00:11:20,720 --> 00:11:22,720 Speaker 6: starts like he's literally talking into the mic, but he's 244 00:11:22,760 --> 00:11:24,640 Speaker 6: like doing a three sixty, like making sure he doesn't 245 00:11:24,679 --> 00:11:25,720 Speaker 6: break sight of me. 246 00:11:27,360 --> 00:11:29,120 Speaker 2: Get behind him, and. 247 00:11:29,160 --> 00:11:31,480 Speaker 5: It's exactly what they did in the sketch when when 248 00:11:31,520 --> 00:11:32,760 Speaker 5: they would see Jordan's. 249 00:11:32,800 --> 00:11:35,439 Speaker 2: Exactly It's it's so funny that that that that that 250 00:11:35,640 --> 00:11:38,360 Speaker 2: comedic game was happening in real life. We've been very 251 00:11:38,480 --> 00:11:41,360 Speaker 2: fortunate in our show to have that happen that there 252 00:11:41,440 --> 00:11:43,880 Speaker 2: have been a few things that have that have seeped 253 00:11:43,960 --> 00:11:47,400 Speaker 2: from the show into real life. And you know, we 254 00:11:47,520 --> 00:11:50,640 Speaker 2: did when we did I, we used to do the UH. 255 00:11:51,000 --> 00:11:53,040 Speaker 2: I used to play a character named Luther, who is 256 00:11:53,320 --> 00:11:57,160 Speaker 2: Obama's anger translator. And Obama is always so even and 257 00:11:57,280 --> 00:11:59,719 Speaker 2: never showed any anger. So my character was the person 258 00:11:59,760 --> 00:12:03,199 Speaker 2: who showed anger for him. And then and then I 259 00:12:03,320 --> 00:12:05,679 Speaker 2: was at some event years is years ago. It was 260 00:12:05,800 --> 00:12:08,560 Speaker 2: an event at the White House, and this guy walks 261 00:12:08,640 --> 00:12:09,880 Speaker 2: up to me and he goes and he goes, hey, 262 00:12:09,880 --> 00:12:12,360 Speaker 2: I'm one of the I'm one of the the speech raders. 263 00:12:12,400 --> 00:12:14,880 Speaker 2: And we were wondering if you wanted to if you'd 264 00:12:14,880 --> 00:12:17,480 Speaker 2: be interested in participating in the White House Correspondence dinner 265 00:12:18,160 --> 00:12:21,839 Speaker 2: UH in April. And I was like, hell yeah. And 266 00:12:21,960 --> 00:12:23,559 Speaker 2: he's like, I mean maybe we could write like a 267 00:12:23,640 --> 00:12:26,280 Speaker 2: Luther bit and you could translate for the actual president. 268 00:12:26,640 --> 00:12:29,880 Speaker 2: And I was like, uh yeah, let us do that, 269 00:12:30,040 --> 00:12:32,439 Speaker 2: you know, and we did. And I remember being there 270 00:12:32,640 --> 00:12:34,800 Speaker 2: and it being this kind of out of body experience 271 00:12:34,840 --> 00:12:39,040 Speaker 2: where you're kind of going, I'm playing a fictional character 272 00:12:40,600 --> 00:12:43,160 Speaker 2: with a with a shoot with a with the real person. 273 00:12:43,320 --> 00:12:46,480 Speaker 2: So in the show, I would play Luther, and Jordan 274 00:12:46,520 --> 00:12:49,720 Speaker 2: would impersonate Obama and I would be his anger translator. 275 00:12:49,760 --> 00:12:52,120 Speaker 2: And then to do it in real life it was crazy. 276 00:12:52,600 --> 00:12:54,600 Speaker 2: It was crazy to be there and do it with them. 277 00:12:54,640 --> 00:12:56,959 Speaker 2: It was And so we've we've been very fortunate that 278 00:12:57,000 --> 00:12:58,640 Speaker 2: in a couple occasions we've had that. The fact that 279 00:12:58,720 --> 00:13:02,320 Speaker 2: slap ass is real, it makes my it makes my heart. 280 00:13:03,080 --> 00:13:08,040 Speaker 6: Unfortunately, it's unfortunately, it's real. Unfortunately, I'm gonna be very 281 00:13:08,240 --> 00:13:11,400 Speaker 6: specific right here. Unfortunately it's real. 282 00:13:11,600 --> 00:13:13,559 Speaker 5: I feel like another one that's real is is the 283 00:13:13,640 --> 00:13:15,679 Speaker 5: Obama handshake one. I feel like there's been a few 284 00:13:15,720 --> 00:13:17,600 Speaker 5: guests that have come on the show. They see Jaylen, 285 00:13:18,200 --> 00:13:19,360 Speaker 5: they see Josh and then the. 286 00:13:21,880 --> 00:13:24,200 Speaker 3: Funniest one when you see like the videos or something, 287 00:13:24,280 --> 00:13:27,439 Speaker 3: I think Obama. I think it actually would Obama with it. 288 00:13:27,520 --> 00:13:30,199 Speaker 3: I think it was Usa b wapping up everybody and 289 00:13:30,360 --> 00:13:31,280 Speaker 3: like Sean Ford. 290 00:13:33,679 --> 00:13:38,360 Speaker 2: And just Steve and Steve Kerry. Yeah, yeah, yeah. The sketch, 291 00:13:38,520 --> 00:13:42,719 Speaker 2: the original sketch was based on another video where the 292 00:13:42,760 --> 00:13:46,079 Speaker 2: President had gone to visit Uh. He had visited okay See. 293 00:13:46,840 --> 00:13:48,880 Speaker 2: This is like ten years ago and he went to 294 00:13:48,960 --> 00:13:51,440 Speaker 2: okay See and so he like he tapped up Duran. 295 00:13:51,520 --> 00:13:53,080 Speaker 2: Durant was still I mean's a long time ago. Durant 296 00:13:53,120 --> 00:13:56,240 Speaker 2: was still there. Durant and Westbrook and then to go 297 00:13:56,360 --> 00:13:58,040 Speaker 2: to the coach established shakes her hands in. One of 298 00:13:58,080 --> 00:14:01,640 Speaker 2: our writers was like, ah, there it is and rot 299 00:14:01,760 --> 00:14:04,480 Speaker 2: up the sketch so crazy. It's a lot of fun. 300 00:14:04,720 --> 00:14:06,920 Speaker 5: This is a never ordinary sports segment brought to you 301 00:14:07,040 --> 00:14:09,439 Speaker 5: by bet three six five. This is this is pretty 302 00:14:09,440 --> 00:14:11,760 Speaker 5: cool one. Obviously, you know, I think we've all tuned in. 303 00:14:12,000 --> 00:14:14,920 Speaker 5: Stadium golf is here, which is really interesting. So I 304 00:14:14,920 --> 00:14:17,600 Speaker 5: think we should talk about TGL obviously for those who 305 00:14:17,640 --> 00:14:20,440 Speaker 5: don't know, it's a completely different format on golf. For one, 306 00:14:20,520 --> 00:14:25,240 Speaker 5: it's indoors, state of the art, you know, simulator, great talent, 307 00:14:26,200 --> 00:14:29,880 Speaker 5: crazy tech. Like the green they have sort of was 308 00:14:30,080 --> 00:14:32,280 Speaker 5: hydraulics below it the kind of adjust the green based 309 00:14:32,320 --> 00:14:35,400 Speaker 5: on the whole so basically can build out an entire 310 00:14:35,480 --> 00:14:36,000 Speaker 5: golf course. 311 00:14:36,400 --> 00:14:39,960 Speaker 3: Uh, indoors, have you had a chance to to I watched, 312 00:14:40,000 --> 00:14:42,280 Speaker 3: I think I've watched almost I think there has been 313 00:14:42,400 --> 00:14:44,280 Speaker 3: four four matches so far. 314 00:14:44,280 --> 00:14:47,720 Speaker 4: I think I watched two or three we had didn't 315 00:14:47,720 --> 00:14:49,040 Speaker 4: have games, But it's fun. 316 00:14:49,120 --> 00:14:52,960 Speaker 3: It gives the viewer a new little look at, you know, 317 00:14:53,640 --> 00:14:56,960 Speaker 3: these guys, the personality the crowd has a little bit more. 318 00:14:56,840 --> 00:14:57,080 Speaker 6: Of a. 319 00:14:58,800 --> 00:15:00,480 Speaker 3: Saying it because you can you don't have to do 320 00:15:00,680 --> 00:15:03,360 Speaker 3: like the everyone's quiet when you hit, you know they're 321 00:15:03,400 --> 00:15:06,040 Speaker 3: hitting a shot, and obviously with it being. 322 00:15:08,680 --> 00:15:13,560 Speaker 4: Assume, you can kind of make the holes as difficult 323 00:15:13,600 --> 00:15:16,040 Speaker 4: as you want, as kind of crazy as you want. 324 00:15:16,160 --> 00:15:20,520 Speaker 4: So it's fun. It gives a new fun, you know, 325 00:15:20,800 --> 00:15:24,080 Speaker 4: vibe to golf, got some trash talk and all that. 326 00:15:24,200 --> 00:15:25,360 Speaker 4: So it's cool. I'm in on it. 327 00:15:25,600 --> 00:15:26,240 Speaker 2: I like it. 328 00:15:26,640 --> 00:15:28,400 Speaker 6: Yeah, I'm gonna say I feel the same way about it. 329 00:15:28,440 --> 00:15:30,680 Speaker 6: I think it's interesting. I think it's cool enough to 330 00:15:30,720 --> 00:15:32,920 Speaker 6: where people are interested to watch it and tune it 331 00:15:33,000 --> 00:15:36,840 Speaker 6: even on TV, something I definitely want to try out. 332 00:15:36,880 --> 00:15:38,520 Speaker 6: I feel that'd be that'd be pretty sweet. 333 00:15:38,680 --> 00:15:38,880 Speaker 2: Yeah. 334 00:15:38,960 --> 00:15:41,960 Speaker 5: Obviously, like in the PGA, there's a lot of etiquette 335 00:15:41,960 --> 00:15:43,280 Speaker 5: that goes along with it. So it's cool in this 336 00:15:43,400 --> 00:15:45,280 Speaker 5: format to see guys kind of let loose a little bit, 337 00:15:45,320 --> 00:15:48,760 Speaker 5: shows personality. Whatever the moment, it's never ordinary. At BET 338 00:15:48,840 --> 00:15:51,440 Speaker 5: three six five, Breaking news from BET three six five. 339 00:15:51,680 --> 00:15:54,160 Speaker 5: New customers bet five dollars and get one hundred and 340 00:15:54,160 --> 00:15:57,120 Speaker 5: fifty dollars. Some bonus bets win or lose. Sign up, 341 00:15:57,240 --> 00:15:59,840 Speaker 5: deposit ten dollars. Place a bet for five dollars and 342 00:16:00,000 --> 00:16:02,360 Speaker 5: at one hundred and fifty dollars and bonus bets win 343 00:16:02,640 --> 00:16:05,800 Speaker 5: or lose. Bonus bets can be used on the spread, totals, 344 00:16:06,120 --> 00:16:08,320 Speaker 5: player props, futures, and so much more. 345 00:16:08,720 --> 00:16:11,280 Speaker 2: Whatever the moment, it's never ordinary. At Bet three six y. 346 00:16:11,280 --> 00:16:13,080 Speaker 5: Five, as far as I know, we talked about the 347 00:16:13,120 --> 00:16:15,000 Speaker 5: sketches that have kind of like broken through. Do you 348 00:16:15,080 --> 00:16:17,720 Speaker 5: have a personal favorite, Maybe it didn't see that level 349 00:16:17,720 --> 00:16:18,800 Speaker 5: of commercial success. 350 00:16:18,480 --> 00:16:19,120 Speaker 8: But yeah, I do. 351 00:16:19,240 --> 00:16:22,360 Speaker 2: I actually do. I have a personal favorite called it's 352 00:16:22,400 --> 00:16:27,120 Speaker 2: called MJ Halloween and it's it's just a it's really 353 00:16:27,240 --> 00:16:31,440 Speaker 2: a silly, silly little sketch and there's no plot to 354 00:16:31,520 --> 00:16:35,560 Speaker 2: the sketch. But Jordan is having a Halloween party and 355 00:16:35,640 --> 00:16:37,960 Speaker 2: people look and he's greeting people in the coming into 356 00:16:37,960 --> 00:16:40,200 Speaker 2: the house. And then and he's opening the door and 357 00:16:40,320 --> 00:16:42,240 Speaker 2: this couple comes in and he's like Ted and Nett, 358 00:16:42,320 --> 00:16:44,520 Speaker 2: come on in, and they walk in, and then the 359 00:16:44,600 --> 00:16:46,240 Speaker 2: camera comes back around and there I am and I'm 360 00:16:46,320 --> 00:16:50,160 Speaker 2: dressed in Michael Jackson and Michael Jackson costume like beat it, 361 00:16:50,360 --> 00:16:54,480 Speaker 2: like eighties Michael Jackson with the Jerry Curl, and I 362 00:16:54,600 --> 00:16:57,000 Speaker 2: just start going and clearly you can see it's me. 363 00:16:57,640 --> 00:16:59,760 Speaker 2: And the basis of the idea for the sketch was 364 00:16:59,800 --> 00:17:02,840 Speaker 2: that when I was younger, you guys, y'all know who 365 00:17:03,000 --> 00:17:06,399 Speaker 2: Austin Powers is, Okay, likes like you see someone dressed 366 00:17:06,440 --> 00:17:08,879 Speaker 2: in an Austin Powers costume at a costume party or 367 00:17:08,920 --> 00:17:12,960 Speaker 2: Halloween and the guy just keeps going, oh, behave, be heve. 368 00:17:13,760 --> 00:17:15,600 Speaker 2: I got it, man, I got it. The second I 369 00:17:15,680 --> 00:17:19,199 Speaker 2: saw you, I knew you were Austin Powers. Right, be Hi, 370 00:17:19,760 --> 00:17:22,600 Speaker 2: don't do don't say behave again. Please, don't say behave again. 371 00:17:22,840 --> 00:17:25,159 Speaker 2: We got it. We know it's you. So I was 372 00:17:25,280 --> 00:17:27,320 Speaker 2: doing that, but with Michael Jackson. So when he goes, 373 00:17:27,359 --> 00:17:30,520 Speaker 2: he goes Noah, Clearly I'm dressed as Michael Jackson. I 374 00:17:30,600 --> 00:17:33,359 Speaker 2: go hey, and he's like, Yep, that's it, that's it. 375 00:17:33,480 --> 00:17:38,520 Speaker 2: I'm like, he's like, Yep, I got it, And I 376 00:17:38,640 --> 00:17:41,920 Speaker 2: do it for five fucking minutes. I just keep doing 377 00:17:42,000 --> 00:17:43,960 Speaker 2: it and doing it, and I'm kicking my leg and 378 00:17:44,080 --> 00:17:46,240 Speaker 2: talking to Annie are you okay? Are you okay? And 379 00:17:46,320 --> 00:17:48,440 Speaker 2: he's like, are you okay? And that was my favorite Joe. 380 00:17:48,760 --> 00:17:51,280 Speaker 2: There's no literally the point of the sketch is I'm 381 00:17:51,320 --> 00:17:55,080 Speaker 2: trying to make him laugh. That's the only is can I, 382 00:17:55,240 --> 00:17:58,200 Speaker 2: in the next twenty minutes make him break character and laugh? 383 00:17:58,560 --> 00:18:01,960 Speaker 2: And it's it was just silly and fun and and 384 00:18:02,119 --> 00:18:04,280 Speaker 2: and you know it's it's got hits on it and everything. 385 00:18:04,320 --> 00:18:06,200 Speaker 2: People have watched it. I don't know why, but it 386 00:18:06,240 --> 00:18:08,320 Speaker 2: holds a really special place in my heart. It's like 387 00:18:08,359 --> 00:18:11,080 Speaker 2: my it's it's my favorite sketch. It's my favorite sketch. Yeah, 388 00:18:11,520 --> 00:18:12,080 Speaker 2: I want to know. 389 00:18:12,200 --> 00:18:14,640 Speaker 3: How how long does it take to film these sketches, 390 00:18:14,880 --> 00:18:18,159 Speaker 3: because like if I'm in the background, because obviously me 391 00:18:18,320 --> 00:18:20,040 Speaker 3: watching it, I'm like I'm laughing. 392 00:18:20,320 --> 00:18:23,240 Speaker 4: Yeah, Like I can only imagine in the background. 393 00:18:23,080 --> 00:18:26,360 Speaker 3: There gotta be like three people over there laughing, two 394 00:18:26,480 --> 00:18:29,639 Speaker 3: over there trying not to chuckle, and like at one point, 395 00:18:29,840 --> 00:18:31,680 Speaker 3: the whole room just like erupts and laughed. 396 00:18:31,760 --> 00:18:34,159 Speaker 2: And it happened a lot. It happened a lot. And 397 00:18:34,240 --> 00:18:38,800 Speaker 2: sometimes like people try as hard as they can be professional, 398 00:18:39,000 --> 00:18:40,920 Speaker 2: they really try as hard as they can, and so 399 00:18:41,080 --> 00:18:42,600 Speaker 2: like there are guys who are like, you know, holding 400 00:18:42,640 --> 00:18:45,640 Speaker 2: these lights or like the bounce cards or whatever there. 401 00:18:46,040 --> 00:18:48,520 Speaker 2: And I've seen guys like I'm doing a scene, I'm 402 00:18:48,600 --> 00:18:50,320 Speaker 2: just out of the corner of my eye, i can 403 00:18:50,359 --> 00:18:54,119 Speaker 2: see a dude just fucking book off the set, just 404 00:18:54,359 --> 00:18:57,320 Speaker 2: run off the set, and I'm like, I'm doing line 405 00:18:57,359 --> 00:19:01,440 Speaker 2: and you can tell going to leave the set to 406 00:19:01,520 --> 00:19:04,480 Speaker 2: go laugh. And I've had or I've been doing a 407 00:19:04,520 --> 00:19:05,840 Speaker 2: scene and I'll see a guy out the corner of 408 00:19:05,840 --> 00:19:09,159 Speaker 2: my eye just duck his head or and and you 409 00:19:09,240 --> 00:19:13,680 Speaker 2: can hear someone laughing into their armpit. So everyone's trying 410 00:19:13,680 --> 00:19:16,000 Speaker 2: to do everything they can not to not to ruin 411 00:19:16,119 --> 00:19:18,280 Speaker 2: the take. And there have been times where you sit 412 00:19:18,400 --> 00:19:20,720 Speaker 2: it's tough where you're sitting in the editing bay and 413 00:19:20,840 --> 00:19:22,920 Speaker 2: you're in the editing bay and you're editing the take 414 00:19:22,920 --> 00:19:25,080 Speaker 2: and you're like, oh, this is the best take, but 415 00:19:25,160 --> 00:19:27,840 Speaker 2: you can hear this in the background and you look 416 00:19:27,880 --> 00:19:29,600 Speaker 2: at the sound guy immediately, can we take that out? 417 00:19:29,640 --> 00:19:30,960 Speaker 2: Can we get rid of that sound? And they're like 418 00:19:32,040 --> 00:19:34,040 Speaker 2: and they're like, oh my god, that's the best take. 419 00:19:34,320 --> 00:19:37,639 Speaker 2: That's okay. The worst is when the extras for the 420 00:19:37,680 --> 00:19:40,920 Speaker 2: background actors trying to make a name for themselves, and 421 00:19:41,359 --> 00:19:43,359 Speaker 2: you just and and then there's a perfect take and 422 00:19:43,400 --> 00:19:45,440 Speaker 2: then and then sometimes one time Jordan will be like, 423 00:19:46,320 --> 00:19:47,920 Speaker 2: look just look at my man in the back though, 424 00:19:48,160 --> 00:19:51,080 Speaker 2: and you look at this guy in the back and 425 00:19:51,200 --> 00:19:54,320 Speaker 2: you're just like, come on, bro, and then the takes ruined, 426 00:19:54,320 --> 00:19:57,200 Speaker 2: you know, And we had a we had a guy 427 00:19:57,280 --> 00:19:59,359 Speaker 2: one time. We had a guy one time. We were 428 00:19:59,400 --> 00:20:01,720 Speaker 2: doing a sketch. Jordan was playing the president and he 429 00:20:01,840 --> 00:20:03,520 Speaker 2: was at an ATM. He's playing Obama and he was 430 00:20:03,560 --> 00:20:06,040 Speaker 2: at an ATM and everybody's in line at the ATM like, 431 00:20:06,040 --> 00:20:08,159 Speaker 2: oh my god, it's Obama's Obama. And there was a 432 00:20:08,200 --> 00:20:10,640 Speaker 2: guy who he was an extra, so he's not allowed 433 00:20:10,680 --> 00:20:13,080 Speaker 2: to talk, and they made him a featured extra, which 434 00:20:13,119 --> 00:20:14,720 Speaker 2: means we're gonna we're gonna pull you up in the line. 435 00:20:14,800 --> 00:20:16,800 Speaker 2: We're gonna have a shot of you and which one 436 00:20:16,880 --> 00:20:19,480 Speaker 2: should get really excited so you can you can act, 437 00:20:19,560 --> 00:20:21,800 Speaker 2: don't don't fade in the background. We're asking you to, 438 00:20:22,000 --> 00:20:23,600 Speaker 2: you know. And he's like, okay, and he said, but 439 00:20:23,640 --> 00:20:26,800 Speaker 2: don't but but don't say anything. So the assistant director goes, 440 00:20:26,840 --> 00:20:28,399 Speaker 2: don't say anything and he walks away. Then one of 441 00:20:28,400 --> 00:20:30,760 Speaker 2: our executive producers walks and goes, so when when Jordan 442 00:20:30,840 --> 00:20:34,159 Speaker 2: walks past, you go, hey, mister president, and then he 443 00:20:34,240 --> 00:20:36,160 Speaker 2: walks away and the guy's like what and the guy's 444 00:20:36,280 --> 00:20:38,120 Speaker 2: back maybe don't say a fucking thing, don't get work 445 00:20:38,280 --> 00:20:40,520 Speaker 2: and walks away and he's like what action and he's 446 00:20:40,640 --> 00:20:43,960 Speaker 2: just now he doesn't know what to do. So Jordan 447 00:20:44,000 --> 00:20:46,120 Speaker 2: walks up to him, and the guy's stand right next 448 00:20:46,160 --> 00:20:47,760 Speaker 2: to me and he shakes this person's hand and he 449 00:20:47,800 --> 00:20:49,639 Speaker 2: goes to shake this guy's head and his mind just 450 00:20:49,760 --> 00:20:51,400 Speaker 2: his brain just explodes. 451 00:20:51,440 --> 00:20:51,920 Speaker 9: He just goes. 452 00:20:57,560 --> 00:21:01,480 Speaker 2: He just has a meltdown. And we must have watched 453 00:21:01,520 --> 00:21:04,600 Speaker 2: that take in the editing like six times in row. 454 00:21:04,680 --> 00:21:06,960 Speaker 2: Joms like, look, look at the guy and he's trying 455 00:21:07,480 --> 00:21:10,600 Speaker 2: to talk and not talk at the same time. He goes, 456 00:21:14,680 --> 00:21:17,640 Speaker 2: so that's so funny. So like those kind of things, 457 00:21:17,720 --> 00:21:20,280 Speaker 2: I mean, and the crew was like, but it's tough. 458 00:21:20,359 --> 00:21:23,359 Speaker 2: People try, but we get to improvise a lot, so 459 00:21:23,480 --> 00:21:26,320 Speaker 2: they don't know, they don't know what's coming, you know 460 00:21:26,400 --> 00:21:28,720 Speaker 2: what I mean, and so they do their best. By 461 00:21:28,720 --> 00:21:30,120 Speaker 2: the time he got to the middle of the second 462 00:21:30,200 --> 00:21:33,679 Speaker 2: season or the third season, they're like they got their 463 00:21:33,720 --> 00:21:35,080 Speaker 2: head on a swivel, they got their you know what 464 00:21:35,080 --> 00:21:36,720 Speaker 2: I mean, they're on their toes. They're like, okay, yeah, 465 00:21:36,720 --> 00:21:38,520 Speaker 2: anything could happen here, anything could happen. 466 00:21:38,640 --> 00:21:42,360 Speaker 6: So, yeah, I take it back. I remember my favorite clip. 467 00:21:42,440 --> 00:21:46,560 Speaker 6: Now I forget the actual sketch with the clip of uh. 468 00:21:47,200 --> 00:21:51,239 Speaker 6: That's when he's playing Obama. Jordan's playing Obama and he's 469 00:21:51,280 --> 00:21:54,080 Speaker 6: teaching his don't how to drive. That's your favorite clip. 470 00:21:58,080 --> 00:21:59,840 Speaker 6: He's teaching me how to drive and she gets pulled over. 471 00:22:00,000 --> 00:22:00,560 Speaker 4: I don't have to write this. 472 00:22:00,920 --> 00:22:03,800 Speaker 6: He's like, oh, he was like, oh you pulled over. Oh, 473 00:22:03,880 --> 00:22:06,480 Speaker 6: mister president. Uh, you know what, Just treat me like 474 00:22:06,520 --> 00:22:10,160 Speaker 6: a normal citizen, right, dude, you got to do office 475 00:22:10,200 --> 00:22:12,439 Speaker 6: or whatever preseasons like them both out and arrest them 476 00:22:12,440 --> 00:22:17,159 Speaker 6: on top of the car. That's that's my favorite. 477 00:22:18,160 --> 00:22:19,280 Speaker 2: That's a really good one. 478 00:22:20,240 --> 00:22:22,159 Speaker 5: I mean it was it was I think comedically it 479 00:22:22,240 --> 00:22:25,359 Speaker 5: influenced so many people's just taste in comedy and and 480 00:22:25,480 --> 00:22:27,639 Speaker 5: I mean we could say you're probably named so many more, right, 481 00:22:27,720 --> 00:22:29,480 Speaker 5: Like we were talking last night about the soul food one. 482 00:22:32,800 --> 00:22:34,600 Speaker 2: Yeah, just give me a bucket, a lot and a 483 00:22:34,760 --> 00:22:39,040 Speaker 2: human foot. That sketch was one of the first sketches 484 00:22:39,240 --> 00:22:41,919 Speaker 2: it was a very kind of important sketch. That sketch 485 00:22:42,119 --> 00:22:47,200 Speaker 2: was kind of what helped synthesize the key and peal 486 00:22:47,359 --> 00:22:49,600 Speaker 2: style for us, Like we were like, oh, this is it, 487 00:22:49,720 --> 00:22:53,320 Speaker 2: it it's it's one of the things that we used 488 00:22:53,320 --> 00:22:55,000 Speaker 2: to do in the sketch. One of our rules was 489 00:22:55,400 --> 00:22:57,360 Speaker 2: we like to start all of our sketches at a one. 490 00:22:58,280 --> 00:23:00,480 Speaker 2: So if you guys ever heard of Mindy Python, So 491 00:23:01,160 --> 00:23:04,800 Speaker 2: if you're my age, the heroes, the gods of sketch 492 00:23:04,880 --> 00:23:07,560 Speaker 2: comedy were always Monty Python. There are a bunch of 493 00:23:07,600 --> 00:23:10,480 Speaker 2: British guys who made sketch comedy in the late sixties 494 00:23:10,520 --> 00:23:15,520 Speaker 2: and early seventies and really weird, way out there kind 495 00:23:15,560 --> 00:23:18,720 Speaker 2: of concepts where the beginning of the sketch would be 496 00:23:18,840 --> 00:23:22,640 Speaker 2: weird and it would get weirder. Right, what we tried 497 00:23:22,680 --> 00:23:25,000 Speaker 2: to do is begin because you guys are from we 498 00:23:25,119 --> 00:23:28,680 Speaker 2: were writing for you. You were writing for the YouTube generation. 499 00:23:28,840 --> 00:23:30,920 Speaker 2: So you guys are used to watching, Oh dude, watch this, 500 00:23:31,359 --> 00:23:34,879 Speaker 2: watch this real person do this real funny thing to 501 00:23:35,000 --> 00:23:38,800 Speaker 2: this other real person. Right, We're used to seeing people 502 00:23:38,960 --> 00:23:42,840 Speaker 2: catching people doing weird things in real life as opposed 503 00:23:42,840 --> 00:23:46,160 Speaker 2: to just making up crazy shit. So we would try 504 00:23:46,160 --> 00:23:48,760 Speaker 2: to start our sketches at a one, and then you 505 00:23:48,880 --> 00:23:51,280 Speaker 2: go like one, and then you go to a twelve, 506 00:23:51,680 --> 00:23:53,600 Speaker 2: and then get a little weird to a thirty, and 507 00:23:53,680 --> 00:23:55,560 Speaker 2: you heighten it more to an eighty six, and you 508 00:23:55,680 --> 00:23:57,760 Speaker 2: can end the sketch at four hundred and twenty five. 509 00:23:58,080 --> 00:24:00,480 Speaker 2: But don't start the sketch a four hundred twenty five. People, 510 00:24:00,480 --> 00:24:01,080 Speaker 2: but what the fuck is this? 511 00:24:01,720 --> 00:24:01,920 Speaker 6: You know? 512 00:24:02,280 --> 00:24:05,000 Speaker 2: So we try. I think that's part of part of 513 00:24:05,080 --> 00:24:08,040 Speaker 2: the influence is this sense that people go, Okay, I'm 514 00:24:08,080 --> 00:24:11,680 Speaker 2: with them, I'm with them. Oh that's crazy. Oh ship 515 00:24:11,760 --> 00:24:15,040 Speaker 2: they did. And then and then that sketch was one 516 00:24:15,040 --> 00:24:16,720 Speaker 2: of the first sketches we kind of figured out the 517 00:24:17,560 --> 00:24:20,840 Speaker 2: the math of our comedy is that it can it's 518 00:24:20,880 --> 00:24:22,680 Speaker 2: something that people familiar with, they can get on board 519 00:24:22,720 --> 00:24:24,959 Speaker 2: with it intellectually, and then it gets more and more 520 00:24:25,080 --> 00:24:27,560 Speaker 2: ridiculous as we go. And so that was, Yeah, that one. 521 00:24:27,600 --> 00:24:29,239 Speaker 2: It's funny that you mentioned that one, because that one 522 00:24:29,480 --> 00:24:30,960 Speaker 2: was really important to our development. 523 00:24:31,000 --> 00:24:32,679 Speaker 4: We were just talking about that as you mentioned that one. 524 00:24:32,680 --> 00:24:33,280 Speaker 4: As a white man. 525 00:24:33,560 --> 00:24:38,200 Speaker 5: Oh, relaxed, we could do this all day. I'm sure 526 00:24:38,480 --> 00:24:40,400 Speaker 5: there's lots to talk about. The last one that I'll 527 00:24:40,440 --> 00:24:42,280 Speaker 5: say is I think we were also talking about this one. 528 00:24:42,720 --> 00:24:44,359 Speaker 5: I forget exactly what was happening, but it was like 529 00:24:44,480 --> 00:24:46,520 Speaker 5: said it was either a presidential address or something, and 530 00:24:47,119 --> 00:24:49,240 Speaker 5: someone was saying, you know, we're here for all Americans, 531 00:24:49,280 --> 00:24:51,199 Speaker 5: whether you're black, white, gay, And then as soon as 532 00:24:51,200 --> 00:24:51,800 Speaker 5: they said gay. 533 00:24:52,800 --> 00:24:55,160 Speaker 2: The camera pans to Jordan. He's like, and he kept 534 00:24:55,240 --> 00:24:56,879 Speaker 2: he kept trying to he kept trying to hide and 535 00:24:56,920 --> 00:24:57,760 Speaker 2: run away from the camera. 536 00:25:00,400 --> 00:25:01,639 Speaker 4: That was amazing that one. 537 00:25:01,720 --> 00:25:03,359 Speaker 2: I love that one too. Yeah, it's just kind of 538 00:25:03,359 --> 00:25:07,639 Speaker 2: an interesting and interesting it's our writers were so smart 539 00:25:07,840 --> 00:25:10,000 Speaker 2: and so clever and so brilliant at being able to 540 00:25:10,119 --> 00:25:16,640 Speaker 2: find just find these moments, these like observational moments in time. 541 00:25:17,680 --> 00:25:19,440 Speaker 2: And sometimes what it is is you just kind of 542 00:25:19,520 --> 00:25:21,320 Speaker 2: go home and when you're on a writing staff for 543 00:25:21,400 --> 00:25:25,560 Speaker 2: a show, your brain is like an antenna and you're 544 00:25:25,600 --> 00:25:29,760 Speaker 2: starting to just notice everything. You notice any kind of behavior. 545 00:25:30,640 --> 00:25:33,600 Speaker 2: A sketch can come from anything. It's like, I don't 546 00:25:33,640 --> 00:25:35,560 Speaker 2: know all four of us, none of our legs are crossed. 547 00:25:35,640 --> 00:25:41,760 Speaker 2: I don't know what that is. We probably wrote upwards 548 00:25:41,800 --> 00:25:46,320 Speaker 2: of seven hundred sketches, maybe more, and out of those 549 00:25:46,400 --> 00:25:48,639 Speaker 2: seven over seven hundred sketches, we ended up with two 550 00:25:48,720 --> 00:25:50,920 Speaker 2: hundred and eighty nine, and out of those two hundred 551 00:25:50,920 --> 00:25:53,840 Speaker 2: and eighty nine sketches, two hundred and eighty five or 552 00:25:53,880 --> 00:25:56,200 Speaker 2: two hundred and eighty four of them aired, and not 553 00:25:56,280 --> 00:25:58,639 Speaker 2: every single one is an A. But you've got to 554 00:25:59,400 --> 00:26:01,720 Speaker 2: it's shots on goal. You got to just keep on 555 00:26:01,800 --> 00:26:04,480 Speaker 2: coming up with ideas and just keep figuring what what 556 00:26:04,600 --> 00:26:07,000 Speaker 2: are the interesting things in life that we do as 557 00:26:07,119 --> 00:26:10,080 Speaker 2: humans and that and it's fun. It's fun to be 558 00:26:10,640 --> 00:26:14,639 Speaker 2: kind of that aware of human behavior and it's fascinating. 559 00:26:15,080 --> 00:26:16,399 Speaker 2: I loved it. I absolutely loved it. 560 00:26:16,480 --> 00:26:21,000 Speaker 6: My question, so those five that I guess were like 561 00:26:21,080 --> 00:26:23,400 Speaker 6: the two at eighty nine, right, Yeah, did you start 562 00:26:23,480 --> 00:26:25,320 Speaker 6: filming those five and you're like, ah, this is this 563 00:26:25,480 --> 00:26:25,760 Speaker 6: isn't it? 564 00:26:26,080 --> 00:26:28,320 Speaker 2: Or did you like scrap where you start filming? No, 565 00:26:28,440 --> 00:26:30,879 Speaker 2: we scrapped them after we film them. Okay, So what 566 00:26:30,960 --> 00:26:32,960 Speaker 2: we would do is we would put the show together 567 00:26:33,280 --> 00:26:36,440 Speaker 2: and you have a big old board. There's a huge 568 00:26:36,520 --> 00:26:39,280 Speaker 2: board on the wall, and on the board are all 569 00:26:39,320 --> 00:26:42,359 Speaker 2: different kinds of cards like note cards, and each one 570 00:26:42,480 --> 00:26:44,119 Speaker 2: sketches have the name of the card written on the 571 00:26:44,560 --> 00:26:46,119 Speaker 2: name of the sketch written on the card, and we 572 00:26:46,160 --> 00:26:47,800 Speaker 2: would have to rearrange them and put this in here, 573 00:26:47,840 --> 00:26:49,119 Speaker 2: and we don't have much time for this one. We 574 00:26:49,200 --> 00:26:50,720 Speaker 2: have to cut a second out of that one. And 575 00:26:50,800 --> 00:26:53,919 Speaker 2: then eventually it got to a place it's like attrition, right, 576 00:26:54,000 --> 00:26:55,200 Speaker 2: You get to the end of it and you go, 577 00:26:56,840 --> 00:26:59,240 Speaker 2: this one isn't that kind of weak? I don't, And 578 00:26:59,320 --> 00:27:01,080 Speaker 2: it just keeps on going to the back of the board. 579 00:27:01,359 --> 00:27:02,600 Speaker 2: It keeps on going to the back of the board. 580 00:27:02,640 --> 00:27:04,080 Speaker 2: And every time I try to put it into an episode, 581 00:27:04,119 --> 00:27:06,639 Speaker 2: it goes to the back of the board. And and 582 00:27:06,720 --> 00:27:10,000 Speaker 2: you never know why, Jayla, It's it's too weird or 583 00:27:10,080 --> 00:27:12,119 Speaker 2: too esoteric. I don't think enough people are going to 584 00:27:12,160 --> 00:27:14,639 Speaker 2: get the joke or whatever it was. And so we 585 00:27:14,840 --> 00:27:17,920 Speaker 2: filmed all of them, added in to the best of 586 00:27:18,000 --> 00:27:19,800 Speaker 2: our ability to make them as funny as we could 587 00:27:20,160 --> 00:27:23,320 Speaker 2: in the edit, and sometimes just the concept doesn't hold up, 588 00:27:23,520 --> 00:27:23,680 Speaker 2: you know. 589 00:27:24,040 --> 00:27:26,600 Speaker 4: So for you, right, when was when were you? Let 590 00:27:26,640 --> 00:27:29,800 Speaker 4: you know what? A sketch comedy like, That's that's what 591 00:27:29,920 --> 00:27:30,639 Speaker 4: I want to do, you know. 592 00:27:30,720 --> 00:27:33,239 Speaker 2: I left when I got out of school. I went 593 00:27:33,280 --> 00:27:36,240 Speaker 2: to school, and I uh, I went to undergrad it 594 00:27:36,320 --> 00:27:39,000 Speaker 2: in my hometown in Detroit, and I went to small 595 00:27:39,080 --> 00:27:42,119 Speaker 2: Catholic college called the University of Detroit, big basketball school, 596 00:27:42,160 --> 00:27:43,240 Speaker 2: by the way, when I was a kid, when I 597 00:27:43,280 --> 00:27:45,879 Speaker 2: was by the way, my whole life, since I was 598 00:27:45,920 --> 00:27:53,119 Speaker 2: a little kid. It's tough. It's tough. You couldn't believe it. 599 00:27:53,200 --> 00:27:55,600 Speaker 2: The only good thing that came out of that was 600 00:27:55,680 --> 00:27:57,760 Speaker 2: that they is that they dominated us, that they beat 601 00:27:57,840 --> 00:28:00,320 Speaker 2: us badly. If we had lost that game by like 602 00:28:00,359 --> 00:28:05,080 Speaker 2: a field goal, I don't know, it would really sting, right, 603 00:28:05,440 --> 00:28:07,240 Speaker 2: like they just had us beat the whole game. It 604 00:28:07,400 --> 00:28:09,159 Speaker 2: was like we just we just didn't have it, you know. 605 00:28:09,680 --> 00:28:13,520 Speaker 2: But but always been a Detroit Lions fan. You know, 606 00:28:13,640 --> 00:28:15,800 Speaker 2: I grew up in the era of the bad boy Pistons. 607 00:28:16,560 --> 00:28:19,320 Speaker 2: And but when I was a little boy, so you're 608 00:28:19,680 --> 00:28:20,960 Speaker 2: you're a big Stewarts fan. 609 00:28:21,920 --> 00:28:22,360 Speaker 6: They're back. 610 00:28:22,760 --> 00:28:23,480 Speaker 2: They're back. 611 00:28:23,480 --> 00:28:24,680 Speaker 6: The bad boys are back. 612 00:28:24,720 --> 00:28:27,399 Speaker 2: Bad boys are back. Bad boys are back. When I 613 00:28:27,520 --> 00:28:29,240 Speaker 2: was a little boy, my parents used to go to 614 00:28:29,280 --> 00:28:30,920 Speaker 2: the University of Detroit and they used to put me. 615 00:28:31,359 --> 00:28:33,080 Speaker 2: My dad used to put me on his shoulders and 616 00:28:33,200 --> 00:28:36,639 Speaker 2: we used to watch Dick Vital. Dick Vital was the 617 00:28:36,760 --> 00:28:38,840 Speaker 2: coach of the University of Detroit Titans when I was 618 00:28:38,880 --> 00:28:40,840 Speaker 2: a little boy. And now you know, he's one of 619 00:28:40,880 --> 00:28:43,600 Speaker 2: the kind of he's on the Mount Rushmore of college basketball. 620 00:28:43,640 --> 00:28:45,840 Speaker 2: We know him as one of the icons of college basketball. 621 00:28:45,840 --> 00:28:48,080 Speaker 2: But anyway, at any rate, I went to undergrad there. 622 00:28:48,160 --> 00:28:50,960 Speaker 2: I got my master's degree in acting from Penn State, 623 00:28:51,680 --> 00:28:53,600 Speaker 2: and then I kind of I went back home to 624 00:28:53,680 --> 00:28:55,280 Speaker 2: Detroit and I started a theater with a bunch of 625 00:28:55,320 --> 00:28:58,000 Speaker 2: friends of mine, And that's kind of when I really 626 00:28:58,080 --> 00:29:02,040 Speaker 2: got involved in improvisation and comedy. I'm a Shakespearean actor. 627 00:29:02,200 --> 00:29:06,440 Speaker 2: I'm a classically trained dramatic actor. I do check off 628 00:29:06,560 --> 00:29:10,479 Speaker 2: and Shakespeare, and that was my training. Always loved comedy, 629 00:29:10,680 --> 00:29:14,040 Speaker 2: always loved Saturday Night Live. Eddie Murphy was my idol. 630 00:29:14,920 --> 00:29:17,880 Speaker 2: But it was after I got back home Detroit started 631 00:29:17,920 --> 00:29:21,120 Speaker 2: this theater with my friends that I there's a very 632 00:29:21,200 --> 00:29:24,600 Speaker 2: famous comedy theater in Chicago called the Second City. Allie, 633 00:29:24,600 --> 00:29:26,920 Speaker 2: I'm sure Ali knows. I'm sure Ali's been, yeah, and 634 00:29:27,440 --> 00:29:30,320 Speaker 2: Alice's she says, yeah, I've been a second. Second City 635 00:29:30,440 --> 00:29:34,160 Speaker 2: is where most of the original cast of Saturday Night 636 00:29:34,240 --> 00:29:37,440 Speaker 2: Live came from. John Belushi, Dan Ackroyd, Gilda Radner. They're 637 00:29:37,480 --> 00:29:41,960 Speaker 2: all from the Second City. Steve Carell, Julie, Louis dreyfus Me, 638 00:29:42,680 --> 00:29:46,200 Speaker 2: Tina Fey, I could just I could sit here for 639 00:29:46,720 --> 00:29:50,000 Speaker 2: twenty minutes and list names of actors and writers and 640 00:29:50,080 --> 00:29:52,280 Speaker 2: producers that came out of the Second City. It's like 641 00:29:52,360 --> 00:29:55,320 Speaker 2: our it's like our minor leagues. So like Second City 642 00:29:55,440 --> 00:30:00,720 Speaker 2: is like single a Ball, SNL is play Ball, and 643 00:30:00,760 --> 00:30:03,000 Speaker 2: then you get your own TV show. You're in the show, 644 00:30:03,080 --> 00:30:06,520 Speaker 2: you're in the pros. And and so I worked at 645 00:30:06,560 --> 00:30:08,240 Speaker 2: the Second City. There was a Second City in Detroit. 646 00:30:08,920 --> 00:30:11,160 Speaker 2: I worked there, and that was where the bug really 647 00:30:11,200 --> 00:30:13,720 Speaker 2: bit me. And then I started and I started writing 648 00:30:13,760 --> 00:30:18,719 Speaker 2: sketch and and teaching sketch and writing intros to people's 649 00:30:18,760 --> 00:30:21,680 Speaker 2: sketch books. And I just immersed myself in that world. 650 00:30:22,000 --> 00:30:24,160 Speaker 2: And yeah, it was not the plan. That was not 651 00:30:24,280 --> 00:30:25,360 Speaker 2: the plan, but that's what happened. 652 00:30:25,520 --> 00:30:27,360 Speaker 6: Have you have you got to want to any Broadway 653 00:30:27,400 --> 00:30:30,800 Speaker 6: shows yet since being in New York. No, but I've 654 00:30:30,840 --> 00:30:33,800 Speaker 6: been to Broadway shows. But I wanted to go to 655 00:30:34,040 --> 00:30:34,200 Speaker 6: m J. 656 00:30:34,680 --> 00:30:35,320 Speaker 9: But I want to. 657 00:30:38,200 --> 00:30:41,920 Speaker 2: Michael Jackson. Yeah, like a biographical Michael Jackson. 658 00:30:43,040 --> 00:30:43,640 Speaker 6: You want to take me? 659 00:30:44,120 --> 00:30:46,160 Speaker 3: No, no, no, I was I was just wondering because 660 00:30:46,160 --> 00:30:49,600 Speaker 3: I feel like that is so impressive to me, just 661 00:30:49,840 --> 00:30:50,640 Speaker 3: the total sonics. 662 00:30:50,680 --> 00:30:51,800 Speaker 4: I feel like, you know, movies. 663 00:30:51,880 --> 00:30:55,840 Speaker 3: Obviously, it's you know, acting is difficult in general, but 664 00:30:55,920 --> 00:30:59,240 Speaker 3: it's like you know movies, you're able to like, you know, scene, 665 00:30:59,440 --> 00:31:01,520 Speaker 3: you know, do scenes and they can. 666 00:31:01,480 --> 00:31:03,240 Speaker 2: Stop and you get to do it again. 667 00:31:03,320 --> 00:31:04,000 Speaker 4: Oh my gosh. 668 00:31:04,200 --> 00:31:06,960 Speaker 2: No do overs, none, no do overs. 669 00:31:07,520 --> 00:31:10,400 Speaker 3: It's I've been to Hamilton a couple of times and 670 00:31:10,480 --> 00:31:12,480 Speaker 3: I'm just just watching and listening. 671 00:31:12,520 --> 00:31:14,920 Speaker 4: I'm just like, I don't know how these people do this. 672 00:31:15,800 --> 00:31:19,080 Speaker 2: The the the most challenging part, which to me is 673 00:31:19,120 --> 00:31:23,520 Speaker 2: almost the most satisfying part, is learning, learning mentally what 674 00:31:23,640 --> 00:31:26,200 Speaker 2: you have to do to do it. Once you do it, 675 00:31:26,280 --> 00:31:28,920 Speaker 2: it gets into your bones and it becomes muscle memory. 676 00:31:30,600 --> 00:31:33,240 Speaker 2: But there's something about the theater that's to me even 677 00:31:33,320 --> 00:31:37,320 Speaker 2: more magical than being on screen, which is is that 678 00:31:37,440 --> 00:31:41,480 Speaker 2: you have instant, instant reaction from the audience, instant. It's 679 00:31:41,480 --> 00:31:44,560 Speaker 2: instant gratification too, especially if you're doing a comedy. So 680 00:31:44,640 --> 00:31:47,640 Speaker 2: I did a comedy on Broadway about five six years ago. 681 00:31:49,480 --> 00:31:52,040 Speaker 2: It's the best feeling. It's the best feeling to be 682 00:31:52,120 --> 00:31:55,080 Speaker 2: there with them, ride it with them, experience it with them. 683 00:31:55,680 --> 00:31:59,400 Speaker 2: And but you're right, a musical something like Hamilton, you 684 00:31:59,520 --> 00:32:02,480 Speaker 2: may as well, I'll be playing a basketball game, it's 685 00:32:02,640 --> 00:32:05,000 Speaker 2: that taxing for those people. You may as well be 686 00:32:05,120 --> 00:32:05,600 Speaker 2: on the court. 687 00:32:06,000 --> 00:32:08,040 Speaker 4: But even in the basketball game, it's like, oh, you 688 00:32:08,120 --> 00:32:11,400 Speaker 4: guys can do a turnover. People just like y'all doing. 689 00:32:12,000 --> 00:32:13,640 Speaker 4: You can't turnover. 690 00:32:14,160 --> 00:32:16,520 Speaker 2: Yeah, you can't forget, you can't forget your line. There's 691 00:32:16,600 --> 00:32:19,840 Speaker 2: no stutter, there's no nothing and people and sometimes it 692 00:32:19,880 --> 00:32:22,440 Speaker 2: does happen. Sometimes it does happen and other people have 693 00:32:22,560 --> 00:32:25,080 Speaker 2: to pick up the slack or figure out. I know 694 00:32:25,200 --> 00:32:27,960 Speaker 2: people have told me stories about they're on stage and 695 00:32:28,000 --> 00:32:34,880 Speaker 2: they'll turn it's gone, the lines are gone. They've done 696 00:32:34,920 --> 00:32:38,600 Speaker 2: it fifty times, they've done it three hundred and fifty times, 697 00:32:38,720 --> 00:32:41,200 Speaker 2: and the lines are gone. But because everybody else knows 698 00:32:41,320 --> 00:32:45,040 Speaker 2: the play so well play if you will right, they'll 699 00:32:45,120 --> 00:32:48,200 Speaker 2: just go didn't you want to offer me a drink? 700 00:32:48,640 --> 00:32:50,440 Speaker 2: And then the other act will go as a matter 701 00:32:50,440 --> 00:32:53,600 Speaker 2: of fact, I did, I would you like some? And 702 00:32:53,680 --> 00:32:55,080 Speaker 2: then get you? And then you get them back on 703 00:32:55,200 --> 00:32:59,440 Speaker 2: track and hopefully nobody in the audience notices. But it's 704 00:32:59,840 --> 00:33:03,040 Speaker 2: it's it is, it is. It's a hell of a challenge, 705 00:33:03,120 --> 00:33:05,120 Speaker 2: it really is. Live theater is amazing. 706 00:33:05,320 --> 00:33:07,640 Speaker 5: Yeah, I know you mentioned that your your background is 707 00:33:08,120 --> 00:33:10,760 Speaker 5: more classically trained after and I guess when did you 708 00:33:11,480 --> 00:33:13,920 Speaker 5: wanted to become clear to you that kem Pelitz or 709 00:33:14,000 --> 00:33:16,400 Speaker 5: run its course? And when did you want to decide 710 00:33:16,440 --> 00:33:19,080 Speaker 5: that you wanted to It was pretty definitive. Yeah, it 711 00:33:19,160 --> 00:33:20,080 Speaker 5: was pretty definitive. 712 00:33:20,200 --> 00:33:24,320 Speaker 2: I you know, we decided we wanted after the fifth season, 713 00:33:24,360 --> 00:33:27,240 Speaker 2: we wanted to be done, and we just decided, you know, 714 00:33:27,400 --> 00:33:31,479 Speaker 2: let's be done much too uh. Comedy Central's disappointment. They 715 00:33:31,480 --> 00:33:33,920 Speaker 2: were like, what do you mean you're done? We're supposed 716 00:33:33,920 --> 00:33:35,000 Speaker 2: to do like eight or nine of these and I 717 00:33:35,080 --> 00:33:37,440 Speaker 2: was like eight or nine. He's new, new, new, And 718 00:33:37,840 --> 00:33:40,480 Speaker 2: Jordan wanted to he wanted to write his movies. You know, 719 00:33:40,680 --> 00:33:43,360 Speaker 2: other stuff was happening, other stuff was happening in our 720 00:33:43,440 --> 00:33:45,840 Speaker 2: lives professionally, and we knew we wanted to be done. 721 00:33:46,400 --> 00:33:51,320 Speaker 2: And so once when that was done, then uh, I 722 00:33:51,440 --> 00:33:54,160 Speaker 2: met Ellen. We became friends. Is before we were business partners, 723 00:33:54,200 --> 00:33:56,400 Speaker 2: and we became friends. And I was talking to her 724 00:33:56,440 --> 00:33:58,840 Speaker 2: one time about about you know, she was like, what's 725 00:33:58,880 --> 00:34:00,520 Speaker 2: you know, what's next to your career? What are you 726 00:34:00,520 --> 00:34:03,440 Speaker 2: going to do next? And I was like, oh, I 727 00:34:03,600 --> 00:34:05,040 Speaker 2: kind of want to do this, but I can't because 728 00:34:05,080 --> 00:34:07,040 Speaker 2: of this reason. And I'd love to do that, but 729 00:34:07,160 --> 00:34:08,880 Speaker 2: I can't do that because of this reason. And I 730 00:34:08,960 --> 00:34:11,480 Speaker 2: was making up all these reasons I was blocking myself. 731 00:34:12,200 --> 00:34:14,960 Speaker 2: And then she said to me, she said, she goes, 732 00:34:15,120 --> 00:34:17,920 Speaker 2: how about this, if if if you knew that nothing 733 00:34:18,080 --> 00:34:20,920 Speaker 2: was in the way, if there was no reason for 734 00:34:21,040 --> 00:34:24,239 Speaker 2: you to say no, if you knew whatever you wanted 735 00:34:24,280 --> 00:34:26,960 Speaker 2: to do could happen, what would that be? And it 736 00:34:27,080 --> 00:34:30,239 Speaker 2: like cracked my head open. And I was like, oh, well, 737 00:34:31,280 --> 00:34:34,880 Speaker 2: then you know I want to do Shakespeare and I 738 00:34:34,960 --> 00:34:38,240 Speaker 2: want to I want to be Jason Bourne. Just that's 739 00:34:38,280 --> 00:34:40,960 Speaker 2: my fantasy. That's what I want to do, And with 740 00:34:41,120 --> 00:34:44,320 Speaker 2: her help, it was insane. Within a year year and 741 00:34:44,360 --> 00:34:47,839 Speaker 2: a half, I had done an action sequence on an 742 00:34:47,880 --> 00:34:52,440 Speaker 2: action television show, and then I had done a production 743 00:34:52,960 --> 00:34:54,920 Speaker 2: I played her Ratio and a production of Hamlet at 744 00:34:54,960 --> 00:34:56,879 Speaker 2: the Public Theater, which is like one of the most 745 00:34:56,960 --> 00:34:59,760 Speaker 2: renowned offright Broadway theaters in the world. So your dreams 746 00:34:59,760 --> 00:35:01,799 Speaker 2: can you just have to not You have to get 747 00:35:01,920 --> 00:35:05,239 Speaker 2: your limits, out of your own limits, out of the way. 748 00:35:05,360 --> 00:35:07,480 Speaker 2: Forget forget the rest of the world. The world's gonna happen. 749 00:35:08,520 --> 00:35:11,840 Speaker 2: Don't stop yourself, is what she was telling me, And 750 00:35:11,920 --> 00:35:13,920 Speaker 2: so then that was when I was like, there's all 751 00:35:13,960 --> 00:35:15,640 Speaker 2: these other things I want to achieve in my career, 752 00:35:16,280 --> 00:35:20,880 Speaker 2: and I wanted to get back to something something akin 753 00:35:21,000 --> 00:35:22,840 Speaker 2: to what I did when I was in school. And 754 00:35:23,280 --> 00:35:25,280 Speaker 2: so I got to do that, and I'm still striving 755 00:35:25,360 --> 00:35:26,080 Speaker 2: to do that, you know. 756 00:35:26,520 --> 00:35:28,640 Speaker 6: So it was like kind of breaking your comfort zone again. 757 00:35:28,800 --> 00:35:31,080 Speaker 2: Yeah it was. But because I knew Key and Peel, 758 00:35:31,480 --> 00:35:33,560 Speaker 2: I knew how that worked. I knew all my tricks. 759 00:35:33,600 --> 00:35:35,759 Speaker 2: I knew how to do it. It's the same with you, guys, 760 00:35:36,239 --> 00:35:37,600 Speaker 2: what are you gonna do it? You can't just shoot 761 00:35:37,840 --> 00:35:40,120 Speaker 2: one shot. You can't just go to the block, right. 762 00:35:40,120 --> 00:35:41,600 Speaker 2: You're not just to know I'm gonna get an eighteen 763 00:35:41,600 --> 00:35:44,200 Speaker 2: foot jumper every time. You're not gonna get it every time. 764 00:35:44,400 --> 00:35:46,640 Speaker 2: You have to develop other parts of your game. And 765 00:35:46,800 --> 00:35:48,839 Speaker 2: so I had to develop other parts of my game 766 00:35:49,640 --> 00:35:54,480 Speaker 2: or or try to stoke those old feelings and start 767 00:35:54,560 --> 00:35:56,000 Speaker 2: reworking those old muscles. 768 00:35:56,440 --> 00:35:59,080 Speaker 3: This is what I wanted to do eighteen foot again. 769 00:35:59,280 --> 00:36:02,080 Speaker 3: Unless you demard road, I don't know how some you're 770 00:36:02,080 --> 00:36:02,600 Speaker 3: gonna get to that. 771 00:36:03,600 --> 00:36:05,719 Speaker 2: There's some people who could just get to it every time. 772 00:36:05,760 --> 00:36:07,279 Speaker 6: As we get to every ta get to it every time. 773 00:36:07,360 --> 00:36:09,520 Speaker 6: Every time, there's no matter what you can do there, 774 00:36:09,520 --> 00:36:10,120 Speaker 6: we can get to that. 775 00:36:10,520 --> 00:36:12,120 Speaker 2: I had to get out of my comfort zone. You're right, 776 00:36:12,200 --> 00:36:13,439 Speaker 2: I had to get out of my comfort zone. 777 00:36:13,640 --> 00:36:15,360 Speaker 6: The best time of the year is almost here. For 778 00:36:15,440 --> 00:36:17,200 Speaker 6: all you college basketball fans, remember that. 779 00:36:17,320 --> 00:36:20,400 Speaker 4: Josh, yes, Sir, two sixteen Naughty Champs. 780 00:36:20,200 --> 00:36:24,360 Speaker 6: Twenty sixteen, Uh, just cool. But there's twenty eighteen for 781 00:36:24,440 --> 00:36:24,919 Speaker 6: me for sure? 782 00:36:25,239 --> 00:36:28,759 Speaker 5: Easy, easy forget twenty sixteen, twenty eighteen. Regardless of who 783 00:36:28,800 --> 00:36:30,600 Speaker 5: makes it to the final game and attorney this year, 784 00:36:30,920 --> 00:36:33,480 Speaker 5: one thing's for certain. It takes the most talented people 785 00:36:33,600 --> 00:36:35,719 Speaker 5: working together to help these teams play at this level. 786 00:36:35,880 --> 00:36:38,200 Speaker 5: And if you're hiring, you want the most talented people 787 00:36:38,280 --> 00:36:39,920 Speaker 5: on your team to help your business go to the 788 00:36:40,000 --> 00:36:40,479 Speaker 5: next level. 789 00:36:40,640 --> 00:36:41,399 Speaker 9: How do you find them? 790 00:36:41,680 --> 00:36:44,319 Speaker 5: ZipRecruiter and right now you can try ZipRecruiter for free 791 00:36:44,560 --> 00:36:45,839 Speaker 5: at ZipRecruiter dot com. 792 00:36:46,080 --> 00:36:46,960 Speaker 2: Slash roomies. 793 00:36:47,120 --> 00:36:50,359 Speaker 6: How fast is zipprecruiter smart technology start showing your job 794 00:36:50,440 --> 00:36:54,320 Speaker 6: to qualify candidates immediately bash than Josh crash on the boards. 795 00:36:54,520 --> 00:36:58,440 Speaker 3: Ziprecruiter's powerful and matching technology works fast to score top talent, 796 00:36:58,600 --> 00:37:00,399 Speaker 3: so you don't have to waste time money. 797 00:37:00,480 --> 00:37:03,080 Speaker 5: We love efficials pick ZipRecruiter to help you build a 798 00:37:03,120 --> 00:37:05,720 Speaker 5: winning team like Jalen and Josh back in twenty sixteen 799 00:37:06,160 --> 00:37:08,600 Speaker 5: and Jalen in twenty sixteen and twenty eighteen. See why 800 00:37:08,719 --> 00:37:11,200 Speaker 5: four out of five employers who post on ZipRecruiter get 801 00:37:11,200 --> 00:37:12,839 Speaker 5: a quality candidate within the first day. 802 00:37:13,080 --> 00:37:16,040 Speaker 4: Just go to this exclusive web address right now to 803 00:37:16,120 --> 00:37:18,839 Speaker 4: try ZipRecruiter for free. ZipRecruiter dot com. 804 00:37:19,080 --> 00:37:23,640 Speaker 6: Slash roomies again that ZipRecruiter dot Com, slash roo, m 805 00:37:23,800 --> 00:37:27,440 Speaker 6: I EU pass ZipRecruiter, The Smartest Way to Hire. The 806 00:37:27,560 --> 00:37:29,880 Speaker 6: Roommate Show is now sponsored by DoorDash. 807 00:37:30,120 --> 00:37:32,920 Speaker 5: DoorDash has a dash Pass members only deal for the 808 00:37:33,000 --> 00:37:35,759 Speaker 5: twenty four to twenty five NBA season. They swoosh you 809 00:37:35,920 --> 00:37:38,560 Speaker 5: save when any player scores fifty or more points in 810 00:37:38,640 --> 00:37:41,440 Speaker 5: a game. Dash Pass members save fifty percent on an 811 00:37:41,560 --> 00:37:43,640 Speaker 5: order up to ten dollars off. Who's going to make 812 00:37:43,640 --> 00:37:46,439 Speaker 5: this happen for our first dash Pass members Jalen or Josh. 813 00:37:46,719 --> 00:37:49,080 Speaker 4: Well, Jalen does have a few fifty point games in 814 00:37:49,160 --> 00:37:49,960 Speaker 4: his career already. 815 00:37:50,080 --> 00:37:50,920 Speaker 6: What about rebounds? 816 00:37:51,080 --> 00:37:52,120 Speaker 2: That's got to count for something. 817 00:37:52,200 --> 00:37:54,640 Speaker 6: Josh, sign up for dash Pass and save more all 818 00:37:54,760 --> 00:37:58,080 Speaker 6: year round, zero dollars delivery fees and reduce service fees 819 00:37:58,120 --> 00:38:01,719 Speaker 6: on eligible orders, plus exclusive perks like this one. I 820 00:38:01,840 --> 00:38:04,320 Speaker 6: know we all love the zero dollar delivery fees, especially 821 00:38:04,520 --> 00:38:06,680 Speaker 6: how fell in New Yorkers always getting. 822 00:38:06,480 --> 00:38:09,839 Speaker 5: Delivery guilty Since moving to the city, I definitely catch 823 00:38:09,920 --> 00:38:10,759 Speaker 5: myself ordering more. 824 00:38:10,800 --> 00:38:13,279 Speaker 3: He used the promo code NBA fifty the next day 825 00:38:13,400 --> 00:38:15,719 Speaker 3: after a fifty point game during the twenty twenty four 826 00:38:15,719 --> 00:38:18,160 Speaker 3: to twenty five NBA regular season from. 827 00:38:18,080 --> 00:38:21,360 Speaker 4: Noon to midnight. That's right, from noon to midnight. 828 00:38:21,640 --> 00:38:24,560 Speaker 5: Valid for dash Pass members only, from noon to midnight 829 00:38:24,800 --> 00:38:27,560 Speaker 5: the day after any player scores fifty or more in 830 00:38:27,680 --> 00:38:30,080 Speaker 5: a single game during the twenty four to twenty five 831 00:38:30,160 --> 00:38:33,000 Speaker 5: regular season. Valid with use of promo code from noon 832 00:38:33,040 --> 00:38:35,480 Speaker 5: to midnight the day after a fifty point game on 833 00:38:35,600 --> 00:38:39,080 Speaker 5: eligible orders at Participating merchants must have an active dash 834 00:38:39,160 --> 00:38:39,720 Speaker 5: Pass account. 835 00:38:39,840 --> 00:38:40,319 Speaker 2: Terms apply. 836 00:38:40,640 --> 00:38:47,480 Speaker 6: You're James Franklin impersonation. Yeah, I was, Honestly, when I 837 00:38:47,640 --> 00:38:50,359 Speaker 6: saw that, at first, I'm like, damn, it really looks 838 00:38:50,400 --> 00:38:53,560 Speaker 6: like yeah really, it really messed me up. I was like, 839 00:38:53,640 --> 00:38:56,440 Speaker 6: hold on, there's something off about this right right, because 840 00:38:56,480 --> 00:38:58,000 Speaker 6: I mean that was hilarious and. 841 00:38:57,960 --> 00:39:03,240 Speaker 4: Then the run rhyme someone's uniform. 842 00:39:05,600 --> 00:39:06,040 Speaker 6: He was. 843 00:39:07,800 --> 00:39:10,400 Speaker 2: One of my favorite things we ever did. He I 844 00:39:10,600 --> 00:39:12,759 Speaker 2: was there for the Blue White game, you know, the 845 00:39:12,960 --> 00:39:15,760 Speaker 2: spring football game, their scrimmage. I went for their scrimmage 846 00:39:15,800 --> 00:39:18,719 Speaker 2: one time, and he took I took a picture with 847 00:39:18,840 --> 00:39:21,920 Speaker 2: his wife and his daughters. So I took a picture 848 00:39:22,000 --> 00:39:24,600 Speaker 2: dressed as him with his wife and daughters. They sent 849 00:39:24,719 --> 00:39:26,719 Speaker 2: that out as their Christmas card that year to see 850 00:39:26,719 --> 00:39:29,920 Speaker 2: if anybody would notice, just if anybody would notice that 851 00:39:30,040 --> 00:39:34,640 Speaker 2: it was not him. Actually, yeah, yeah, So he was great. 852 00:39:34,800 --> 00:39:36,920 Speaker 2: He's wonderful. He's a great guy. He's really good. He 853 00:39:36,960 --> 00:39:40,440 Speaker 2: loves he loves his students. When they have practice and 854 00:39:40,520 --> 00:39:43,040 Speaker 2: then they or they break and they're having lunch, what 855 00:39:43,160 --> 00:39:44,480 Speaker 2: he does is he'll walk around. I don't if he 856 00:39:44,520 --> 00:39:45,759 Speaker 2: still does it, but he walked around the room and 857 00:39:45,760 --> 00:39:46,959 Speaker 2: he'll go. He goes. 858 00:39:47,480 --> 00:39:51,160 Speaker 10: Anyone with a three point eight five GPA or above 859 00:39:51,360 --> 00:39:54,239 Speaker 10: get in line, and those guys get to eat first. 860 00:39:55,239 --> 00:39:58,400 Speaker 10: Anybody with three point two in above get in line. 861 00:39:58,880 --> 00:40:01,560 Speaker 10: And so depend on your g p A is when 862 00:40:01,600 --> 00:40:03,000 Speaker 10: you get to eat. Is when you get to go 863 00:40:03,080 --> 00:40:05,359 Speaker 10: in line to eat, which I thought was awesome. 864 00:40:06,040 --> 00:40:08,120 Speaker 6: First between you two, but I would eat first. Before 865 00:40:12,480 --> 00:40:14,120 Speaker 6: I was just about to say yeah, I'm eating first. 866 00:40:14,239 --> 00:40:14,799 Speaker 6: Who would eat? 867 00:40:15,200 --> 00:40:18,160 Speaker 5: Obviously you're not in school. But if on the next 868 00:40:18,200 --> 00:40:19,439 Speaker 5: who would who would eat first? 869 00:40:19,520 --> 00:40:19,759 Speaker 2: Who do you? 870 00:40:19,840 --> 00:40:21,279 Speaker 6: Who do you think would have the highest g p. 871 00:40:21,360 --> 00:40:22,680 Speaker 2: A on the mix? 872 00:40:24,080 --> 00:40:26,520 Speaker 6: First of all, let's let's see who's graduated on the necks. 873 00:40:26,560 --> 00:40:31,719 Speaker 6: First of all, okay, Me, Josh, Tyler, Cale. 874 00:40:33,239 --> 00:40:35,600 Speaker 2: Are you guys the only guys roster? 875 00:40:36,280 --> 00:40:36,520 Speaker 8: Ryan? 876 00:40:36,920 --> 00:40:37,360 Speaker 4: Oh? That right? 877 00:40:37,600 --> 00:40:37,640 Speaker 3: You? 878 00:40:37,680 --> 00:40:42,520 Speaker 6: First? Is he didn't I'm not tripping. Did I make 879 00:40:42,520 --> 00:40:48,520 Speaker 6: go to Harvard? I am no. 880 00:40:48,680 --> 00:40:49,200 Speaker 2: I want to know. 881 00:40:49,360 --> 00:40:51,800 Speaker 6: I'm pretty sure. I'm pretty sure you with the Harvard. 882 00:40:52,440 --> 00:40:55,560 Speaker 6: I'm almost positive. Because these boys with Matt for Schilla. 883 00:40:56,760 --> 00:40:59,120 Speaker 4: He definitely first to tell you that he want the 884 00:40:59,160 --> 00:40:59,600 Speaker 4: note of day. 885 00:41:00,120 --> 00:41:00,359 Speaker 2: Dang. 886 00:41:00,560 --> 00:41:04,960 Speaker 6: Still great school, very good school. Why I'm trying to 887 00:41:04,960 --> 00:41:06,839 Speaker 6: figure out why he knows Matt for Schulla? Okay, that's 888 00:41:06,920 --> 00:41:15,200 Speaker 6: that's irrelevant. Okay, So I mean first, First, first, I'll 889 00:41:15,239 --> 00:41:16,680 Speaker 6: say you met me. 890 00:41:17,200 --> 00:41:19,680 Speaker 2: Something I didnt want to mention about the sketches because 891 00:41:20,480 --> 00:41:23,200 Speaker 2: all three of you seem to be you. Certainly I'm 892 00:41:23,200 --> 00:41:24,719 Speaker 2: not trying to flatter myself, but you seem to be 893 00:41:24,800 --> 00:41:27,040 Speaker 2: fans of Key and Peel. Are you fans of other 894 00:41:27,360 --> 00:41:29,880 Speaker 2: sketch and do you are you aware of other sketch 895 00:41:30,080 --> 00:41:34,640 Speaker 2: I meanlier for like in the the Old the Old Standby, 896 00:41:35,440 --> 00:41:37,080 Speaker 2: do you have you ever seen the show? I think 897 00:41:37,120 --> 00:41:40,480 Speaker 2: you should leave on Netflix. You might like that? You 898 00:41:40,640 --> 00:41:43,560 Speaker 2: like that? Yeah, what other sketch? We So, so first 899 00:41:43,560 --> 00:41:47,560 Speaker 2: of all, here's I think you should leave with Tim 900 00:41:47,640 --> 00:41:53,920 Speaker 2: Robinson on on Netflix. And then if you can it's 901 00:41:54,000 --> 00:41:56,000 Speaker 2: hard to find because it's it's hard to find. But 902 00:41:57,160 --> 00:41:59,320 Speaker 2: on HBO, which would be Max. If you have the 903 00:41:59,400 --> 00:42:03,879 Speaker 2: Max app, you can stream a show called Mister Show 904 00:42:04,000 --> 00:42:06,480 Speaker 2: with Bob and Dave. But if you want to learn 905 00:42:06,560 --> 00:42:10,520 Speaker 2: about like the roots of sketch, and this is my 906 00:42:10,560 --> 00:42:12,640 Speaker 2: segue here, if you want to learn about the roots 907 00:42:12,680 --> 00:42:15,920 Speaker 2: of sketch or the origins of sketch and some of 908 00:42:15,960 --> 00:42:19,359 Speaker 2: the best sketches that ever been written, there's a book 909 00:42:19,640 --> 00:42:24,520 Speaker 2: that was written by Elle and me called The History 910 00:42:24,560 --> 00:42:25,280 Speaker 2: of Sketch Comedy. 911 00:42:25,520 --> 00:42:27,400 Speaker 6: We should have a segment where Tyler comes on and 912 00:42:27,440 --> 00:42:28,000 Speaker 6: reads that book. 913 00:42:28,000 --> 00:42:30,440 Speaker 2: I mean, and you have to have Tyler come and 914 00:42:30,520 --> 00:42:32,400 Speaker 2: read the whole book when there's the book coming out. 915 00:42:32,719 --> 00:42:34,279 Speaker 2: So the book is out, the book is out in 916 00:42:34,560 --> 00:42:37,879 Speaker 2: hard back form, and but also the audiobook is coming 917 00:42:37,920 --> 00:42:40,120 Speaker 2: out in April so now. And here's the thing about 918 00:42:40,120 --> 00:42:43,000 Speaker 2: the audiobook. I read the books on the narrator, but 919 00:42:43,120 --> 00:42:46,440 Speaker 2: I don't just read the book. Anytime there's a sketch 920 00:42:47,239 --> 00:42:49,960 Speaker 2: and there's characters in the sketch, I do the voices 921 00:42:50,160 --> 00:42:53,440 Speaker 2: of the characters, so there's like a sketch. There are 922 00:42:53,440 --> 00:42:57,520 Speaker 2: two famous British sketch guys called Peter Cook and Dudley Moore. 923 00:42:57,560 --> 00:42:59,720 Speaker 2: They both they passed away years ago, but they wrote 924 00:43:00,400 --> 00:43:03,439 Speaker 2: hilarious sketches in the sixties and they were called Cook 925 00:43:03,480 --> 00:43:05,080 Speaker 2: and More. They were like Key and Peelee. They were 926 00:43:05,080 --> 00:43:07,680 Speaker 2: a comedy team. And I do both of their voices. 927 00:43:07,960 --> 00:43:10,560 Speaker 2: And there's Monty Python sketches. I do all of the 928 00:43:10,680 --> 00:43:13,200 Speaker 2: voices of the Monty Python guys. You guys have heard 929 00:43:13,239 --> 00:43:17,000 Speaker 2: of Carol Burnett. Carol Burnette. Carol Burnett had probably the 930 00:43:17,080 --> 00:43:21,080 Speaker 2: most influential sketch show. Everybody my age or even a 931 00:43:21,080 --> 00:43:24,320 Speaker 2: little older than me, we were all influenced by Carol Burnett. 932 00:43:24,480 --> 00:43:27,000 Speaker 2: Carol Burnette is now I think she's ninety one or 933 00:43:27,040 --> 00:43:29,440 Speaker 2: ninety two years old. But that's another one. If you 934 00:43:29,480 --> 00:43:33,120 Speaker 2: look up Carol Burnett Show and watch those sketches, they 935 00:43:33,160 --> 00:43:36,280 Speaker 2: would be from the late sixties to the late seventies. 936 00:43:36,360 --> 00:43:38,960 Speaker 2: She was on there for like eleven years. She's like 937 00:43:39,239 --> 00:43:41,880 Speaker 2: all of she is our like our god. She's one 938 00:43:41,920 --> 00:43:45,840 Speaker 2: of our last living gods. Her she's ninety one or 939 00:43:45,920 --> 00:43:49,160 Speaker 2: ninety two. And then another guy named mel Brooks. Mel 940 00:43:49,239 --> 00:43:52,840 Speaker 2: Brooks is ninety eight going on ninety nine. They're the 941 00:43:53,040 --> 00:43:57,880 Speaker 2: last kind of living. They're the to win sketch. The 942 00:43:57,960 --> 00:44:01,000 Speaker 2: golden age of sketch comedy was is when television started 943 00:44:01,080 --> 00:44:04,759 Speaker 2: in the fifties and in the nineteen fifties, which is 944 00:44:04,800 --> 00:44:08,319 Speaker 2: what it's the fifties. I can't do seventy years ago, right, 945 00:44:08,680 --> 00:44:11,320 Speaker 2: So when seventy five years ago? So when that started, 946 00:44:11,400 --> 00:44:14,640 Speaker 2: when TV started, one of the forms that really blossomed 947 00:44:14,719 --> 00:44:18,879 Speaker 2: with sketch comedy, and there was a show. Oh my god, 948 00:44:19,040 --> 00:44:21,600 Speaker 2: I sometimes I almost like a throw up a laugh. 949 00:44:21,600 --> 00:44:23,799 Speaker 2: I'm laughing so hard. There's a show. There's a sketch 950 00:44:23,880 --> 00:44:27,960 Speaker 2: comedy show called Your Show of Shows with Sid Caesar. 951 00:44:28,320 --> 00:44:31,640 Speaker 2: My man's name was Sid Caesar. I always wondered what 952 00:44:31,719 --> 00:44:34,120 Speaker 2: his real name was. But the guy's name is Sid Caesar. 953 00:44:34,360 --> 00:44:36,600 Speaker 2: It's called Your Show of Shows. It's from the nineteen fifties. 954 00:44:36,640 --> 00:44:38,520 Speaker 2: There's a trip if you watch like YouTube videos, it's 955 00:44:38,680 --> 00:44:41,239 Speaker 2: all black and white and the screens real shimmery because 956 00:44:41,280 --> 00:44:44,760 Speaker 2: the technology is so new. But Your Show of Shows, 957 00:44:44,800 --> 00:44:48,200 Speaker 2: you watch the sketches. These people were so hilarious and 958 00:44:48,239 --> 00:44:50,720 Speaker 2: you wouldn't know anything about them. Thank God for YouTube, 959 00:44:51,040 --> 00:44:55,080 Speaker 2: because you wouldn't you know, you'd never know. They're so funny. 960 00:44:55,200 --> 00:44:58,800 Speaker 2: Sid Caesar and mel Brooks, this guy who wrote some 961 00:44:58,880 --> 00:45:01,439 Speaker 2: of the funniest comedy movies ever. He wrote a movie 962 00:45:01,480 --> 00:45:04,200 Speaker 2: called Blazing Saddles, He wrote a movie called Young Frankenstein. 963 00:45:05,239 --> 00:45:09,360 Speaker 2: Fantastic comedy movies. He wrote. He was one of the writers, 964 00:45:09,440 --> 00:45:11,640 Speaker 2: one of the sketchwriters on the staff of Your Show 965 00:45:11,680 --> 00:45:15,239 Speaker 2: of Shows. Amazing and I mean even now, seventy five 966 00:45:15,360 --> 00:45:18,720 Speaker 2: years later, some of those sketches some of the funniest 967 00:45:18,719 --> 00:45:21,719 Speaker 2: sketches I've ever seen. I've had some homework to do. Yeah, 968 00:45:22,400 --> 00:45:25,720 Speaker 2: mister show with Bob and Dave, Your Show of Shows, 969 00:45:26,320 --> 00:45:29,080 Speaker 2: The Carol Burnett Show, and all of that is in 970 00:45:29,160 --> 00:45:29,560 Speaker 2: this book. 971 00:45:29,600 --> 00:45:29,959 Speaker 6: In the book. 972 00:45:30,000 --> 00:45:33,080 Speaker 2: It's all in the book. So if your viewers, listeners, viewers, 973 00:45:33,120 --> 00:45:35,279 Speaker 2: slash listeners, they should get this book if they have 974 00:45:35,400 --> 00:45:38,760 Speaker 2: any even a passing interest in sketch, comedy or comedy 975 00:45:38,800 --> 00:45:41,600 Speaker 2: in general. It's a pretty fantastic book. I do say 976 00:45:41,600 --> 00:45:43,279 Speaker 2: some of my stuff. I can say that because Elle 977 00:45:43,360 --> 00:45:46,160 Speaker 2: wrote most of the book, I contributed to the book. 978 00:45:46,160 --> 00:45:46,640 Speaker 2: I would say this. 979 00:45:46,760 --> 00:45:47,640 Speaker 4: I contributed to the. 980 00:45:47,640 --> 00:45:51,320 Speaker 2: Book in a significant way. But Elle wove the book together. 981 00:45:51,440 --> 00:45:53,360 Speaker 2: She wrote the book. She put you know, it's like 982 00:45:53,520 --> 00:45:55,520 Speaker 2: here it is, this is right here history sketch comedy. 983 00:45:56,000 --> 00:45:58,480 Speaker 2: There's pictures of me, a handsome guy on it. They're 984 00:45:58,480 --> 00:46:02,640 Speaker 2: from my little beard there James James Franklin. He guess 985 00:46:02,719 --> 00:46:06,840 Speaker 2: he got contact lenses. So anyway, but that but I 986 00:46:07,040 --> 00:46:09,400 Speaker 2: I wanted to mention that because it's such a it's 987 00:46:09,480 --> 00:46:12,120 Speaker 2: a it's something that Elle. You know, we've been we've 988 00:46:12,160 --> 00:46:17,040 Speaker 2: been partners, comedy partners, writing partners, business partners for ten years. 989 00:46:17,040 --> 00:46:20,040 Speaker 2: We've been business partners, and uh, this is kind of 990 00:46:20,080 --> 00:46:22,440 Speaker 2: what brought us together is our love of comedy and 991 00:46:22,520 --> 00:46:25,560 Speaker 2: what what what we think is funny, what we find funny, 992 00:46:25,560 --> 00:46:27,440 Speaker 2: our brand of comedy. But so we write about that 993 00:46:27,480 --> 00:46:29,360 Speaker 2: in the book and it's really it's a lot of fun. 994 00:46:30,000 --> 00:46:32,720 Speaker 5: Fun You asked if either of us watched sketch comedy. 995 00:46:32,880 --> 00:46:36,880 Speaker 5: Is Nathan for you considered sketch comedy? I would consider 996 00:46:37,040 --> 00:46:42,320 Speaker 5: Nathan for you mockumentary. It borders on sketch comedy, but 997 00:46:42,520 --> 00:46:45,200 Speaker 5: because of the elements of the real people, I would 998 00:46:45,239 --> 00:46:48,480 Speaker 5: think of it more as like mockument because he's he's 999 00:46:48,560 --> 00:46:50,080 Speaker 5: doing a mockumentary. 1000 00:46:49,600 --> 00:46:52,719 Speaker 2: Of a TV show, right. I love him. He's FANTASTICA 1001 00:46:53,640 --> 00:46:57,120 Speaker 2: you should watch it. That Mountain based Jalen This You're 1002 00:46:57,160 --> 00:46:59,319 Speaker 2: gonna watch it and go how did he come up 1003 00:46:59,400 --> 00:46:59,640 Speaker 2: with this? 1004 00:47:00,400 --> 00:47:00,440 Speaker 3: Like? 1005 00:47:00,520 --> 00:47:02,640 Speaker 2: Where did Like he's one of those people you kind 1006 00:47:02,680 --> 00:47:05,520 Speaker 2: of you just look at it and you're going, where 1007 00:47:05,600 --> 00:47:07,000 Speaker 2: did these ideas come from? 1008 00:47:07,719 --> 00:47:10,040 Speaker 5: Basically, he's like a he's a he's a fake business 1009 00:47:10,120 --> 00:47:12,640 Speaker 5: consult in this show, he's a fake business consultant and 1010 00:47:12,760 --> 00:47:15,439 Speaker 5: he's he's consulting for real people who think they're getting 1011 00:47:15,440 --> 00:47:17,880 Speaker 5: a real consultant, and he's giving them ideas that are 1012 00:47:18,280 --> 00:47:19,719 Speaker 5: so ridiculously stupid but. 1013 00:47:19,800 --> 00:47:20,839 Speaker 6: Also kind of makes sense. 1014 00:47:21,200 --> 00:47:23,239 Speaker 5: Like he was consulting for a car wash and his 1015 00:47:23,400 --> 00:47:25,960 Speaker 5: idea was to plant birds in the trees above the 1016 00:47:26,000 --> 00:47:28,279 Speaker 5: car wash, so when people leave the bird ship and 1017 00:47:28,320 --> 00:47:30,160 Speaker 5: then people have to go right back into the car wash. 1018 00:47:30,520 --> 00:47:33,440 Speaker 5: And he's actually saying these things and they're doing these 1019 00:47:33,480 --> 00:47:35,359 Speaker 5: things and they have no idea and they're actually doing 1020 00:47:35,400 --> 00:47:38,160 Speaker 5: these things. He convinced a frozen yogurt shop to do 1021 00:47:38,200 --> 00:47:40,560 Speaker 5: poof flavored frozen yogurt. They actually did it. 1022 00:47:40,880 --> 00:47:45,239 Speaker 2: Like I didn't see that. You should, Yeah, Nathan for you. 1023 00:47:45,640 --> 00:47:49,959 Speaker 6: Yeah, it's funny. Josh's literally texted me all these shows 1024 00:47:51,800 --> 00:47:52,200 Speaker 6: you'll go down. 1025 00:47:52,680 --> 00:47:55,160 Speaker 2: You'll go down a really fun rabbit hole. It's really great. 1026 00:47:55,400 --> 00:47:59,919 Speaker 2: And the interesting thing about like just just just different 1027 00:48:00,040 --> 00:48:04,240 Speaker 2: generations and attention span. So like some of the sketches, 1028 00:48:04,239 --> 00:48:06,080 Speaker 2: if you watch some of the your show of show sketches, 1029 00:48:06,640 --> 00:48:11,600 Speaker 2: some of the sketches are like sixteen minutes long, and 1030 00:48:11,840 --> 00:48:15,120 Speaker 2: that was expected back then. Nobody nobody ever thought what 1031 00:48:15,280 --> 00:48:17,840 Speaker 2: was anybody doing. Back then, people just read, they read books, 1032 00:48:17,920 --> 00:48:22,200 Speaker 2: and they watched the sun set their sun right, So 1033 00:48:22,360 --> 00:48:24,640 Speaker 2: there wasn't there wasn't this kind of we don't have 1034 00:48:24,719 --> 00:48:27,320 Speaker 2: the fast cut, fast edit that I grew up with it, 1035 00:48:27,400 --> 00:48:29,799 Speaker 2: and then you guys have kind of exponentially grown up 1036 00:48:29,840 --> 00:48:32,480 Speaker 2: with which is really affected sketch comedy. But that's also 1037 00:48:32,600 --> 00:48:34,479 Speaker 2: it's also in the book. I can talk about it forever. 1038 00:48:34,760 --> 00:48:37,440 Speaker 2: But yeah, all right, so guys, we're gonna get do 1039 00:48:37,440 --> 00:48:39,799 Speaker 2: a little coach Tibbs anger translated here. Now we play 1040 00:48:39,800 --> 00:48:42,719 Speaker 2: a few quotes from coach Tibbs in the hopes that 1041 00:48:42,880 --> 00:48:46,640 Speaker 2: Keegan or I as Luther, can get down to the 1042 00:48:46,760 --> 00:48:49,040 Speaker 2: bottom of what he really means. Let's see if we 1043 00:48:49,040 --> 00:48:49,640 Speaker 2: can do this here. 1044 00:48:50,680 --> 00:48:55,440 Speaker 6: All right, toughuy to lose a game? You did you 1045 00:48:55,520 --> 00:48:55,960 Speaker 6: think it was? 1046 00:48:56,520 --> 00:48:58,040 Speaker 2: I'm sure you looked at Did you think it was 1047 00:48:58,040 --> 00:48:58,920 Speaker 2: a validy in disapear? 1048 00:49:00,120 --> 00:49:00,719 Speaker 6: You look at it? 1049 00:49:04,680 --> 00:49:06,919 Speaker 2: Okay? I got that one. Okay, so that was really easy. 1050 00:49:07,000 --> 00:49:10,040 Speaker 2: That's just that's just we sucked. 1051 00:49:11,480 --> 00:49:12,120 Speaker 4: We couldn't. 1052 00:49:12,400 --> 00:49:17,160 Speaker 2: What was my camera? This bad boy right here? Okay, sorry, sorry, sweetheart, 1053 00:49:17,160 --> 00:49:19,880 Speaker 2: it's gonna get a little loud. It's like it's like 1054 00:49:20,400 --> 00:49:24,440 Speaker 2: we is score as many points as the other team scoring. 1055 00:49:24,800 --> 00:49:27,279 Speaker 2: We suck? Are you stupid? That's what I was wanted 1056 00:49:27,320 --> 00:49:30,640 Speaker 2: to do. You saw the game. The ball didn't go 1057 00:49:31,000 --> 00:49:33,520 Speaker 2: in the goddamn basket? The hell does you want me 1058 00:49:33,600 --> 00:49:33,919 Speaker 2: to say? 1059 00:49:34,200 --> 00:49:34,520 Speaker 3: Next? 1060 00:49:40,000 --> 00:49:40,480 Speaker 2: Another one? 1061 00:49:41,000 --> 00:49:42,759 Speaker 6: That's you saw it. 1062 00:49:43,280 --> 00:49:45,240 Speaker 4: He's getting filed, he's getting fouled. 1063 00:49:45,800 --> 00:49:46,640 Speaker 6: He's getting filed. 1064 00:49:47,200 --> 00:49:50,720 Speaker 8: He's getting fouled, he's getting foled, He's getting fouled. 1065 00:49:53,520 --> 00:49:54,040 Speaker 4: Is that real? 1066 00:49:54,719 --> 00:49:57,000 Speaker 6: I'm sorry, I'm sorry, Wait, hold on, is that real? 1067 00:49:57,200 --> 00:50:01,160 Speaker 6: Is that real. He said it that many times. 1068 00:50:02,440 --> 00:50:07,440 Speaker 2: It looks like he's like, y'all need to hire refs 1069 00:50:07,640 --> 00:50:12,120 Speaker 2: that can see. Don't hire a blind referee. If the 1070 00:50:12,200 --> 00:50:15,960 Speaker 2: referee walk into the arena with a goddamn sunglasses and 1071 00:50:16,040 --> 00:50:21,560 Speaker 2: a can't talk, don't higher refs that can see. When 1072 00:50:22,000 --> 00:50:25,600 Speaker 2: one of my players is literally being assaulted, you can 1073 00:50:25,680 --> 00:50:28,680 Speaker 2: put three of the players from the other team exail. 1074 00:50:28,920 --> 00:50:32,680 Speaker 2: They assaulted him. It was a foul. It was a foul. 1075 00:50:33,200 --> 00:50:37,600 Speaker 2: Please hire refs that can see, Adam Silva, higher refs that. 1076 00:50:37,800 --> 00:50:39,000 Speaker 6: Have vision. 1077 00:50:41,560 --> 00:50:47,360 Speaker 2: Even gotta be twenty twenty. It just gotta be vision. Motherbuck. 1078 00:50:47,400 --> 00:50:49,440 Speaker 2: That could have gone in there with a crow bars like, 1079 00:50:50,480 --> 00:50:53,040 Speaker 2: and you wouldn't have been lady screet of people. Sweet 1080 00:50:53,040 --> 00:50:55,960 Speaker 2: sweet squeez sweet squeet, sweet what time out? No, not 1081 00:50:56,080 --> 00:50:58,480 Speaker 2: time out? He just caved his head in with a 1082 00:50:58,560 --> 00:51:05,120 Speaker 2: crow bar. Next, it's a great translations, a good translation 1083 00:51:05,160 --> 00:51:05,400 Speaker 2: for what. 1084 00:51:07,080 --> 00:51:08,680 Speaker 10: You be able to pick up on how stubborn Josh 1085 00:51:08,800 --> 00:51:09,480 Speaker 10: is as an individual. 1086 00:51:09,560 --> 00:51:13,279 Speaker 8: Sometimes the stubbornness, I think all great players have that 1087 00:51:13,480 --> 00:51:18,880 Speaker 8: component to them. And you're gonna allow for some idio 1088 00:51:19,000 --> 00:51:21,160 Speaker 8: Shinker sees as long as it doesn't get in the 1089 00:51:21,239 --> 00:51:21,839 Speaker 8: way of the team. 1090 00:51:21,920 --> 00:51:23,520 Speaker 6: And winning. Everybody. 1091 00:51:24,640 --> 00:51:25,640 Speaker 4: Everybody is different. 1092 00:51:26,680 --> 00:51:33,320 Speaker 1: Josh, do not shoot freeze. Pass the ball to Jalen, 1093 00:51:33,920 --> 00:51:35,640 Speaker 1: let him shoot the three. 1094 00:51:35,840 --> 00:51:38,680 Speaker 2: Ship pass the ball to Deuce. I don't care what 1095 00:51:38,840 --> 00:51:42,719 Speaker 2: you passed the ball to. Don't suit them. Stop shooting threes. 1096 00:51:42,920 --> 00:51:46,239 Speaker 2: If you at the perimeter, think the next up and 1097 00:51:46,280 --> 00:51:50,560 Speaker 2: your goddamn here better be passed. If you see a 1098 00:51:50,600 --> 00:51:56,640 Speaker 2: three point line, pass dropping ship, pass the ball, Okay, please, 1099 00:51:56,719 --> 00:52:01,799 Speaker 2: before I have a cardiac in fostering, pass the ball 1100 00:52:02,400 --> 00:52:06,080 Speaker 2: to Jalen Brunson. You know Jayalen Brunson. He's the short 1101 00:52:06,120 --> 00:52:08,360 Speaker 2: woman with the little corn row. You knew you know 1102 00:52:08,440 --> 00:52:10,719 Speaker 2: who he is. You went to school with him. You 1103 00:52:10,840 --> 00:52:14,719 Speaker 2: recognize him. He's the shortest brother on the court. Give 1104 00:52:14,920 --> 00:52:17,480 Speaker 2: him the ball and let him shoot the three point 1105 00:52:17,600 --> 00:52:19,919 Speaker 2: Sorry about that, Jayleen, you ain't always the person. 1106 00:52:21,120 --> 00:52:23,840 Speaker 6: But that's great. You said that because I want to 1107 00:52:24,120 --> 00:52:24,879 Speaker 6: walk to the camera. 1108 00:52:26,000 --> 00:52:39,719 Speaker 9: Oh no, what is he showing you? What did you 1109 00:52:39,800 --> 00:52:45,239 Speaker 9: take a three? Were you wide open? 1110 00:52:45,320 --> 00:52:46,880 Speaker 6: On the other side, You guys gave me all that 1111 00:52:47,040 --> 00:52:49,480 Speaker 6: ship for when Josh is open. I didn't passing the ball. 1112 00:52:50,239 --> 00:52:52,600 Speaker 6: That's hilarious and the worst are about it. The day 1113 00:52:52,680 --> 00:52:54,759 Speaker 6: before this, he said he wasn't going to passion the 1114 00:52:54,800 --> 00:52:58,120 Speaker 6: ball too, So man, it was. 1115 00:52:58,160 --> 00:53:02,160 Speaker 2: Word lie this word let's good workout. 1116 00:53:03,840 --> 00:53:05,160 Speaker 6: Actually it was a great workout. 1117 00:53:05,200 --> 00:53:08,400 Speaker 3: I'm not gonna lie when this comes out. Oh when 1118 00:53:08,440 --> 00:53:11,080 Speaker 3: they post this clip, I can't wait to see the 1119 00:53:11,160 --> 00:53:13,200 Speaker 3: first time I go like, oh for three from three, 1120 00:53:13,600 --> 00:53:14,840 Speaker 3: Oh for three. 1121 00:53:15,760 --> 00:53:24,160 Speaker 6: I'm gonna go on after the game. So it's just 1122 00:53:24,280 --> 00:53:26,960 Speaker 6: kind of not on there. But I don't know how 1123 00:53:27,200 --> 00:53:31,839 Speaker 6: you're watching other teams, But recently there's another crash out 1124 00:53:31,880 --> 00:53:35,680 Speaker 6: by a coach. Oh the Taylor Jenkins. 1125 00:53:36,320 --> 00:53:38,960 Speaker 4: Mm hmm, so he did. 1126 00:53:39,800 --> 00:53:43,359 Speaker 6: So they're down one, right, they get the ball, they're 1127 00:53:43,400 --> 00:53:45,759 Speaker 6: in semi change kind of actually in transition, like they 1128 00:53:45,800 --> 00:53:47,880 Speaker 6: can go score. They have at dunk. In fact, they 1129 00:53:48,000 --> 00:53:51,040 Speaker 6: actually kid Wells dun't the ball, so they should be 1130 00:53:51,160 --> 00:53:55,080 Speaker 6: now up one without seven seconds left. Whatever it was whatever. 1131 00:53:56,360 --> 00:53:59,239 Speaker 6: The kids they're running down right, and the ref is 1132 00:53:59,320 --> 00:54:01,960 Speaker 6: running past tail drinkings a coach and he's like pointing 1133 00:54:02,000 --> 00:54:04,279 Speaker 6: to the side like like run run the rough things. 1134 00:54:04,280 --> 00:54:06,320 Speaker 6: He calls time out. Oh my gosh, so bowls the 1135 00:54:06,360 --> 00:54:09,840 Speaker 6: whistle plays dead. Whatever goes and he goes crazy and 1136 00:54:10,000 --> 00:54:13,080 Speaker 6: what what in what league? He's like? 1137 00:54:13,960 --> 00:54:16,239 Speaker 3: Because some you know, sometimes we like, as a as 1138 00:54:16,280 --> 00:54:19,120 Speaker 3: a coach, you're pointing, you know, to your player, get 1139 00:54:19,160 --> 00:54:20,839 Speaker 3: to the you know, the certain part of the hash 1140 00:54:20,920 --> 00:54:23,080 Speaker 3: mark on the sideline to get ready to So we 1141 00:54:23,160 --> 00:54:24,839 Speaker 3: call it time out so we can take the ball 1142 00:54:24,920 --> 00:54:26,759 Speaker 3: out there, because if you called it, if you called 1143 00:54:26,760 --> 00:54:30,239 Speaker 3: the time out, like worry what the half court we 1144 00:54:30,320 --> 00:54:32,080 Speaker 3: would have to take They would have took the ball. 1145 00:54:32,239 --> 00:54:34,880 Speaker 6: If if you call under two minutes, right, if you 1146 00:54:34,920 --> 00:54:36,560 Speaker 6: call a timeout as soon as crossed the ball, you 1147 00:54:36,600 --> 00:54:39,200 Speaker 6: can advance it. If you dribble, you can't advance it. 1148 00:54:39,280 --> 00:54:42,680 Speaker 6: You have to call there you called the timeout where 1149 00:54:42,719 --> 00:54:44,080 Speaker 6: the ball the balls. 1150 00:54:45,320 --> 00:54:51,680 Speaker 2: Oh no, oh, he's losing his mind. Oh here it 1151 00:54:51,760 --> 00:54:53,760 Speaker 2: is right, it's going to bounce in transition. 1152 00:54:54,320 --> 00:54:58,520 Speaker 3: So this they call it boom now yeah, like and 1153 00:54:58,640 --> 00:55:00,920 Speaker 3: you see everyone is going likeyone was like huh. 1154 00:55:01,680 --> 00:55:03,600 Speaker 6: Yeah, they called it. They call it as soon as 1155 00:55:03,600 --> 00:55:06,320 Speaker 6: you cross his half court and like the guys that 1156 00:55:06,400 --> 00:55:09,120 Speaker 6: lay him, Oh, absolutely, and that would have put them 1157 00:55:09,200 --> 00:55:09,480 Speaker 6: up one. 1158 00:55:09,719 --> 00:55:14,480 Speaker 2: Yeah, that's crazy, that's insane. And then he starts yeah, 1159 00:55:15,520 --> 00:55:21,960 Speaker 2: oh he doesn't even translator what And the problem is 1160 00:55:22,000 --> 00:55:24,640 Speaker 2: you can't reverse it. It doesn't matter what you say, 1161 00:55:24,680 --> 00:55:26,520 Speaker 2: doesn't matter how much you plead your case, you can't 1162 00:55:26,520 --> 00:55:30,000 Speaker 2: reverse it. Who won the game? Win the game by one? 1163 00:55:30,800 --> 00:55:31,040 Speaker 4: Jared? 1164 00:55:31,360 --> 00:55:34,600 Speaker 3: The next play or that the drawing up drew up play. 1165 00:55:35,040 --> 00:55:38,000 Speaker 3: Jaron Jackson posts up his left show. 1166 00:55:37,960 --> 00:55:41,799 Speaker 6: The drew up play, the drawn up play, drew up. 1167 00:55:41,719 --> 00:55:45,320 Speaker 3: Play post up. He got foul, go in to his 1168 00:55:45,400 --> 00:55:48,320 Speaker 3: left hand, make both free. That's my favorite part, favorite 1169 00:55:48,360 --> 00:55:51,160 Speaker 3: party of that dynamic drew up play. 1170 00:55:51,440 --> 00:55:54,120 Speaker 4: He drew it up. He drew it up. 1171 00:55:54,560 --> 00:55:56,040 Speaker 2: It wasn't even like he did even like he didn't 1172 00:55:56,040 --> 00:55:58,839 Speaker 2: even get near he didn't even get near this. Oh 1173 00:55:58,960 --> 00:56:00,839 Speaker 2: my god, that is frustrating. 1174 00:56:01,160 --> 00:56:04,880 Speaker 6: Yeah, that's that should be the thing where something that happened, Like, 1175 00:56:04,920 --> 00:56:07,920 Speaker 6: you gotta start doing postgame conferences with the refs. 1176 00:56:08,880 --> 00:56:11,399 Speaker 2: Yea, they should. They should say why did you think 1177 00:56:11,400 --> 00:56:11,839 Speaker 2: they weird? 1178 00:56:11,880 --> 00:56:14,320 Speaker 4: Because they do. They do it something like it's in 1179 00:56:14,400 --> 00:56:18,200 Speaker 4: your foul in Houston foul. But they do it. 1180 00:56:18,760 --> 00:56:21,040 Speaker 6: They'll do like they'll have I think it's like when 1181 00:56:21,120 --> 00:56:24,279 Speaker 6: one reporter I think from each like beat, so like 1182 00:56:24,600 --> 00:56:26,920 Speaker 6: it was like Houston and US, I guess one reporter 1183 00:56:26,960 --> 00:56:29,040 Speaker 6: were going there. They're gonna ask the two or three questions, right, 1184 00:56:29,680 --> 00:56:32,440 Speaker 6: and so of the refs to the refs, but it's 1185 00:56:32,480 --> 00:56:36,240 Speaker 6: to one ref actually, I think anyway, but the play 1186 00:56:36,640 --> 00:56:38,200 Speaker 6: they can only do that when the play at the 1187 00:56:38,320 --> 00:56:40,800 Speaker 6: end of the game was the deciding deciding factor, like 1188 00:56:40,800 --> 00:56:43,040 Speaker 6: there were still thirteen seconds left for us. It's like 1189 00:56:43,480 --> 00:56:45,120 Speaker 6: the foul and then there was no time in the clock, 1190 00:56:45,239 --> 00:56:46,640 Speaker 6: like it was a foul with like a second left 1191 00:56:46,680 --> 00:56:50,040 Speaker 6: fight that's decided to get Like, but I mean, I 1192 00:56:50,160 --> 00:56:51,879 Speaker 6: just want to know, like, like, what do you think? 1193 00:56:51,960 --> 00:56:52,319 Speaker 6: He said? 1194 00:56:52,400 --> 00:56:55,359 Speaker 4: Like yeah, like what like what did you hear? 1195 00:56:55,840 --> 00:56:57,480 Speaker 6: What did you hear? What made you want to call 1196 00:56:57,520 --> 00:56:58,279 Speaker 6: the time out for them? 1197 00:56:58,840 --> 00:57:00,960 Speaker 4: Likely they end up winning, didn't like so it. 1198 00:57:00,960 --> 00:57:03,520 Speaker 2: Didn't also ultimately affect him. But I would love to 1199 00:57:03,560 --> 00:57:06,040 Speaker 2: say I'd pay money to see that. If there was 1200 00:57:06,080 --> 00:57:09,520 Speaker 2: like extra extra access I got NBA dot Com, I'll 1201 00:57:09,560 --> 00:57:11,080 Speaker 2: be like, let me talk, let me hear what the 1202 00:57:11,480 --> 00:57:13,520 Speaker 2: has to say that I remembering. 1203 00:57:17,320 --> 00:57:18,800 Speaker 4: That'd be some good rating right there. 1204 00:57:19,160 --> 00:57:21,280 Speaker 5: This m VP segment is brought to you by Tommy 1205 00:57:21,360 --> 00:57:25,560 Speaker 5: John So Kegan, you've got theater in your bag, comedy obviously, 1206 00:57:25,640 --> 00:57:29,000 Speaker 5: film and TV. How would you assess these different skills 1207 00:57:29,200 --> 00:57:31,360 Speaker 5: and what each one calls for and which of them 1208 00:57:31,440 --> 00:57:32,640 Speaker 5: is your your personal m v P. 1209 00:57:33,400 --> 00:57:39,360 Speaker 2: In general, my m vps are always the writers, and 1210 00:57:39,440 --> 00:57:44,040 Speaker 2: I'll speak. I'll speak about about Ell in particular. The 1211 00:57:44,240 --> 00:57:46,760 Speaker 2: thing that that impresses me so much about her in 1212 00:57:46,880 --> 00:57:49,760 Speaker 2: general as a writer is it's the courage that a 1213 00:57:49,840 --> 00:57:53,080 Speaker 2: writer has. Because a writer, I know that actors give 1214 00:57:53,200 --> 00:57:55,840 Speaker 2: up their emotions and do all this stuff. A writer 1215 00:57:56,040 --> 00:57:59,760 Speaker 2: is really vulnerable because they're they're gonna put all of 1216 00:57:59,800 --> 00:58:02,520 Speaker 2: their ideas and all of their thoughts and their passion 1217 00:58:02,600 --> 00:58:05,000 Speaker 2: into writing this down, and then they've always have to 1218 00:58:05,080 --> 00:58:07,920 Speaker 2: give that off to somebody else who goes, I don't 1219 00:58:07,960 --> 00:58:10,520 Speaker 2: get it, and it's crushing, you know what I mean. 1220 00:58:10,560 --> 00:58:12,360 Speaker 2: And then they go all right, and then they ball 1221 00:58:12,480 --> 00:58:14,200 Speaker 2: up the paper, throw it in the waste basket and 1222 00:58:14,280 --> 00:58:17,560 Speaker 2: you start over again, or you delete that program, start 1223 00:58:17,640 --> 00:58:19,840 Speaker 2: over again. Okay, now I'm gonna put all this thought 1224 00:58:19,920 --> 00:58:22,000 Speaker 2: into this, all this effort into this, and you write 1225 00:58:22,000 --> 00:58:25,280 Speaker 2: it and write it. That courage to do that is amazing. 1226 00:58:25,720 --> 00:58:29,720 Speaker 2: But what makes writers in general fantastic and l my 1227 00:58:29,840 --> 00:58:33,960 Speaker 2: MVP is she knows how to write in her own style, 1228 00:58:34,360 --> 00:58:38,160 Speaker 2: but then also can write for me. She knows the 1229 00:58:38,280 --> 00:58:41,160 Speaker 2: rhythms I talk, in the kinds of words I use. 1230 00:58:41,480 --> 00:58:43,960 Speaker 2: So when she writes often it's just a skill I 1231 00:58:44,000 --> 00:58:45,959 Speaker 2: don't really possess. I can't do this for other people. 1232 00:58:46,040 --> 00:58:49,240 Speaker 2: She goes. So I see her sometimes writing on the 1233 00:58:49,280 --> 00:58:52,000 Speaker 2: commuter and she has like a far off stare. It's 1234 00:58:52,080 --> 00:58:55,920 Speaker 2: because she's thinking about my rhythms. She's going and he 1235 00:58:56,000 --> 00:59:01,520 Speaker 2: would no, no, no, delete delete delete, there it is, 1236 00:59:01,640 --> 00:59:03,960 Speaker 2: that's how you would say it. And then I can 1237 00:59:04,000 --> 00:59:06,200 Speaker 2: see her. I can see her in her mouth, her lips. 1238 00:59:06,880 --> 00:59:09,920 Speaker 2: She's trying to talk like me, so that when I 1239 00:59:10,000 --> 00:59:12,280 Speaker 2: look at the script. Sometimes I'll memorize the script that 1240 00:59:12,440 --> 00:59:14,680 Speaker 2: Elle's written, and I'm like, oh, I memorize that quick. 1241 00:59:15,240 --> 00:59:17,280 Speaker 2: I memorize it quick because it's written in my words. 1242 00:59:18,000 --> 00:59:20,040 Speaker 2: She knows how to write for me. And then and 1243 00:59:20,160 --> 00:59:23,400 Speaker 2: then it's also understanding different types of comedy, like writing 1244 00:59:23,480 --> 00:59:26,920 Speaker 2: a hard joke, like a set up punchline as opposed 1245 00:59:26,960 --> 00:59:30,960 Speaker 2: to a rambling joke or a joke that comes from character. 1246 00:59:32,200 --> 00:59:34,440 Speaker 2: And her being able to be that versatile in all 1247 00:59:34,520 --> 00:59:38,760 Speaker 2: of those different ways is it's really an astonishing thing 1248 00:59:38,840 --> 00:59:41,520 Speaker 2: to behold. It's really a lot of fun. So writers 1249 00:59:41,560 --> 00:59:44,800 Speaker 2: in general, but my partner, my partners, like the MVP 1250 00:59:45,200 --> 00:59:47,400 Speaker 2: on my team, I often think of it as a 1251 00:59:49,360 --> 00:59:51,040 Speaker 2: basketball is different than football, so I think of it 1252 00:59:51,160 --> 00:59:57,200 Speaker 2: more of like football. It's like a writer is sometimes 1253 00:59:57,480 --> 01:00:01,040 Speaker 2: the head coach and the offensive cour dator and the 1254 01:00:01,120 --> 01:00:06,320 Speaker 2: defensive coordinator, and the actor is the quarterback. Right. So 1255 01:00:06,960 --> 01:00:10,240 Speaker 2: the writer has to go, this is the theme, this 1256 01:00:10,480 --> 01:00:14,880 Speaker 2: is the topic, this is the comedic engine, this is 1257 01:00:14,960 --> 01:00:17,920 Speaker 2: the tone. And they take all four of those things 1258 01:00:17,960 --> 01:00:19,400 Speaker 2: to go can you do all those all four of 1259 01:00:19,440 --> 01:00:21,160 Speaker 2: those things for me? And I go, yeah, I can 1260 01:00:21,200 --> 01:00:23,760 Speaker 2: do those. I can incorporate those four things and give 1261 01:00:23,800 --> 01:00:27,840 Speaker 2: you something that hopefully is good or interesting or compelling. 1262 01:00:29,040 --> 01:00:31,480 Speaker 2: But it's funny because it comes from the writer. It's 1263 01:00:31,560 --> 01:00:35,440 Speaker 2: the writer that creates all that. And and sometimes I, 1264 01:00:35,720 --> 01:00:37,280 Speaker 2: you know, I get I get like, I get like 1265 01:00:37,640 --> 01:00:39,320 Speaker 2: I should be doing more. I should be doing more. 1266 01:00:39,560 --> 01:00:43,040 Speaker 2: And l will say to me, She'll say, listen, nobody, 1267 01:00:44,520 --> 01:00:47,439 Speaker 2: you have a great job. You have a really terrific job. 1268 01:00:47,640 --> 01:00:52,480 Speaker 2: You're Sean Connery, You're James Bond. Nobody's talking about Ian Fleming. 1269 01:00:52,520 --> 01:00:54,360 Speaker 2: Ian Fleming. None of you know who Ian Fleming is. 1270 01:00:54,440 --> 01:00:58,920 Speaker 2: Ian Fleming created the character James Bond, the spy world, 1271 01:00:59,360 --> 01:01:04,520 Speaker 2: James Bond, the era, the coolness. Ian Fleming created that 1272 01:01:04,920 --> 01:01:07,480 Speaker 2: and Sean Connery is the dude that gets to reap 1273 01:01:07,520 --> 01:01:11,440 Speaker 2: all the benefits, right, Tom draws up plays or whatever. 1274 01:01:12,000 --> 01:01:14,560 Speaker 2: You guys, it's you know what I mean. The casual 1275 01:01:14,800 --> 01:01:18,040 Speaker 2: basketball fan does not know who Tom Thibodeau is, but 1276 01:01:18,120 --> 01:01:21,320 Speaker 2: they know who Jalen Brunston and Josh Harten, Carl Anthony to. 1277 01:01:21,680 --> 01:01:24,200 Speaker 2: They know who those people are, and so it's it's 1278 01:01:24,560 --> 01:01:27,920 Speaker 2: it's the writers are my heroes. I guess the long 1279 01:01:28,000 --> 01:01:28,720 Speaker 2: and the short I love it. 1280 01:01:28,960 --> 01:01:31,560 Speaker 5: Yeah, you two can make Tommy John the MVP of 1281 01:01:31,640 --> 01:01:32,400 Speaker 5: your underwear drawer? 1282 01:01:32,760 --> 01:01:37,320 Speaker 6: Is that Timmy again? Tend to hype up our favorite underwear? Josh, Well, 1283 01:01:37,920 --> 01:01:39,480 Speaker 6: we'll underwear if you had one over there? 1284 01:01:39,960 --> 01:01:43,240 Speaker 3: You think I'm gonna show you by Tommy John. Second stand, 1285 01:01:43,720 --> 01:01:46,720 Speaker 3: My postgame ritual always starts with Tommy John. The most 1286 01:01:46,800 --> 01:01:51,360 Speaker 3: comfortable underwear I've ever worn. They're comfortable, breatheable, and lightweight 1287 01:01:51,600 --> 01:01:52,360 Speaker 3: and don't write. 1288 01:01:52,240 --> 01:01:56,080 Speaker 6: Up me personally. I like zero distractions. So if it's lightweight, comfortable, 1289 01:01:56,480 --> 01:01:58,160 Speaker 6: that's what I need. We know I am going to 1290 01:01:58,200 --> 01:01:59,720 Speaker 6: play well when I got my Tommy John's on. 1291 01:02:00,120 --> 01:02:02,600 Speaker 3: Once you get yours, you see why Tommy John sold 1292 01:02:02,680 --> 01:02:05,480 Speaker 3: over twenty million pairs of their high quality underwear. 1293 01:02:05,480 --> 01:02:08,360 Speaker 6: With thousands of five sort of views. Tommy John doesn't 1294 01:02:08,400 --> 01:02:11,440 Speaker 6: have customers, they have fanatics like me. Get twenty five 1295 01:02:11,440 --> 01:02:14,600 Speaker 6: percent off sitewid at Tommy john dot com slash. 1296 01:02:14,400 --> 01:02:17,440 Speaker 4: Roommates headed to Madison Square Garden this year. 1297 01:02:17,880 --> 01:02:20,880 Speaker 3: Chase cardholders can score more at MSG with perks like 1298 01:02:21,000 --> 01:02:25,280 Speaker 3: discounts on concessions and team merchandise at Jalen Brenton, Jersey. 1299 01:02:25,360 --> 01:02:28,320 Speaker 6: Perhaps I swear we didn't really play him to say that. 1300 01:02:28,440 --> 01:02:31,520 Speaker 6: Plus card holders get access to the Chase Lounge. Head 1301 01:02:31,560 --> 01:02:34,360 Speaker 6: to Chase dot com slash MSG for more info. Terms 1302 01:02:34,400 --> 01:02:35,320 Speaker 6: and restrictions may apply. 1303 01:02:36,640 --> 01:02:38,040 Speaker 2: Oh my god, look what's going on here? 1304 01:02:38,200 --> 01:02:41,360 Speaker 6: Oh yes, I'll do this because I don't want Josh 1305 01:02:41,440 --> 01:02:43,080 Speaker 6: the butcher up. Actually Josh, go ahead? 1306 01:02:43,240 --> 01:02:46,640 Speaker 4: Okay, Roomy's road call, road damn. 1307 01:02:46,680 --> 01:02:51,240 Speaker 6: Jesus, Roomy's roll call. How would substitute teacher Garvey pronounce 1308 01:02:51,520 --> 01:02:57,680 Speaker 6: these nicknames? These nicks names? Nicknames? Okay, so okay? Nicknames? 1309 01:02:57,760 --> 01:03:04,240 Speaker 2: The first one HM would be Tom because if it 1310 01:03:04,360 --> 01:03:07,120 Speaker 2: was if it's, if it said Thomas, it would be 1311 01:03:07,280 --> 01:03:11,280 Speaker 2: thomb ass. But it doesn't. It says Tom, so it 1312 01:03:11,400 --> 01:03:14,120 Speaker 2: could be if I'm if I'm trying to squeeze every 1313 01:03:14,240 --> 01:03:16,600 Speaker 2: ounce ode of it. It would be tone, all right, 1314 01:03:16,640 --> 01:03:23,000 Speaker 2: So I would say Tom thibby deal or thibid thip 1315 01:03:23,120 --> 01:03:27,280 Speaker 2: day is how I would say that one aw uh 1316 01:03:27,600 --> 01:03:32,200 Speaker 2: o g a noon to beat. Okay, precious was your 1317 01:03:32,240 --> 01:03:34,840 Speaker 2: personal perfectly ordinary name. That's what people's name should be. 1318 01:03:35,280 --> 01:03:43,240 Speaker 2: Precious at you, uber, But look at this name right here? 1319 01:03:43,320 --> 01:03:44,560 Speaker 2: Now this that who who? 1320 01:03:44,800 --> 01:03:44,840 Speaker 6: What? 1321 01:03:45,800 --> 01:03:46,960 Speaker 2: Ariel? Who can porty what? 1322 01:03:47,640 --> 01:03:48,200 Speaker 6: That's his name? 1323 01:03:48,280 --> 01:03:53,120 Speaker 2: Right? I would probably put an extra syllable in it. 1324 01:03:53,160 --> 01:03:56,240 Speaker 2: I would be a real hooka PORTI. Where is a 1325 01:03:58,600 --> 01:04:01,400 Speaker 2: Look at the aria comported past? 1326 01:04:01,480 --> 01:04:01,720 Speaker 3: Kamme? 1327 01:04:02,960 --> 01:04:03,080 Speaker 6: Uh? 1328 01:04:03,280 --> 01:04:06,240 Speaker 2: Daddy yet? Where's pastcan? And daddy yet? 1329 01:04:06,320 --> 01:04:06,480 Speaker 6: Yet? 1330 01:04:07,000 --> 01:04:10,440 Speaker 2: Are you up in here? And laundry? Where's laundry? Shammit? 1331 01:04:12,240 --> 01:04:14,600 Speaker 2: What I had is laundry, shalmmon at here? You better 1332 01:04:14,680 --> 01:04:20,600 Speaker 2: not be in the soap and SuDS laundry shammit, laundry salmon? 1333 01:04:21,000 --> 01:04:24,480 Speaker 2: Is it landry? Shamette? Landry is shammo shammit. 1334 01:04:24,520 --> 01:04:28,160 Speaker 3: All right, funny, you actually got get that Pecom's last name, right? 1335 01:04:28,680 --> 01:04:29,440 Speaker 9: Da is it? 1336 01:04:29,520 --> 01:04:29,800 Speaker 6: Daddy? 1337 01:04:30,600 --> 01:04:31,000 Speaker 9: Dadier? 1338 01:04:31,400 --> 01:04:33,160 Speaker 2: Not that yet? He said, said dad? 1339 01:04:33,280 --> 01:04:33,440 Speaker 8: Yet? 1340 01:04:34,000 --> 01:04:35,640 Speaker 2: I tried to put the t in because I put 1341 01:04:36,720 --> 01:04:39,160 Speaker 2: but his it's not pretty there is. You don't pronounce 1342 01:04:39,160 --> 01:04:39,800 Speaker 2: the T in his name? 1343 01:04:39,880 --> 01:04:39,960 Speaker 6: Right? 1344 01:04:40,120 --> 01:04:44,960 Speaker 2: Nah? Did I say com? I think he said past comment? Yeah, 1345 01:04:45,160 --> 01:04:47,560 Speaker 2: that's just because I don't know my glasses. Like I 1346 01:04:47,680 --> 01:04:51,440 Speaker 2: smushed a little in there, but past com? Where's past comment? Daddy? 1347 01:04:51,480 --> 01:04:51,640 Speaker 8: Yet? 1348 01:04:52,680 --> 01:04:53,320 Speaker 6: Where's he from? 1349 01:04:54,000 --> 01:04:54,120 Speaker 3: Uh? 1350 01:04:54,640 --> 01:04:54,920 Speaker 4: Friends? 1351 01:04:54,960 --> 01:04:56,360 Speaker 2: Oh he's from friends, He's friends? 1352 01:04:56,400 --> 01:04:57,200 Speaker 6: Okay for o G. 1353 01:04:57,360 --> 01:05:04,280 Speaker 2: I thought you were gonna say, watches, Oh, where is. 1354 01:05:07,360 --> 01:05:08,720 Speaker 1: Is here? 1355 01:05:09,400 --> 01:05:11,320 Speaker 2: I think one of the something else that I find 1356 01:05:11,520 --> 01:05:16,480 Speaker 2: very very fascinating is this fact that that are our 1357 01:05:17,640 --> 01:05:23,520 Speaker 2: our vocations are very similar because they're they're both performance based, 1358 01:05:23,960 --> 01:05:25,320 Speaker 2: do you know what I mean? And I just love 1359 01:05:25,440 --> 01:05:28,120 Speaker 2: I love hearing about people's processes and how they go 1360 01:05:28,200 --> 01:05:30,120 Speaker 2: about doing what they do because it's fairy time. We 1361 01:05:30,240 --> 01:05:33,200 Speaker 2: have to prep actors prep, you gotta prep, you gotta 1362 01:05:33,280 --> 01:05:35,840 Speaker 2: It's it's repetition, repetition, repetition. It's the same thing. It's 1363 01:05:36,040 --> 01:05:39,640 Speaker 2: very similar, very similar jobs from a mental standpoint. 1364 01:05:39,720 --> 01:05:41,920 Speaker 5: You know, who's the most intense actor you've worked with 1365 01:05:42,000 --> 01:05:43,800 Speaker 5: in terms of their prep? Because I feel like you 1366 01:05:44,160 --> 01:05:47,440 Speaker 5: hear all the time about actors just losing themselves in roles, right, 1367 01:05:47,440 --> 01:05:49,000 Speaker 5: and even when the camera stops, they go back to 1368 01:05:49,000 --> 01:05:51,360 Speaker 5: their trailer, they're still the character for those couple of months. 1369 01:05:51,440 --> 01:05:57,880 Speaker 2: You know, it's interesting, I've not. I've not had that, Honestly, 1370 01:05:57,920 --> 01:06:01,960 Speaker 2: I can't think of Really, I was thinking too, I 1371 01:06:02,760 --> 01:06:07,080 Speaker 2: have because the majority of my the majority of my 1372 01:06:07,240 --> 01:06:14,080 Speaker 2: work on camera is comedic. You try the tone you're 1373 01:06:14,160 --> 01:06:17,800 Speaker 2: trying to set on a set comedically, especially if you 1374 01:06:17,840 --> 01:06:19,600 Speaker 2: have a lot of people in the show are improvisers. 1375 01:06:19,960 --> 01:06:22,520 Speaker 2: Is you want it to be lucy, goosey and free 1376 01:06:22,680 --> 01:06:25,680 Speaker 2: and you don't get a lot of You don't get 1377 01:06:25,720 --> 01:06:28,000 Speaker 2: a lot of people just like you don't get a 1378 01:06:28,040 --> 01:06:30,960 Speaker 2: lot of that. So I've not. I don't. That's a 1379 01:06:31,040 --> 01:06:33,520 Speaker 2: hard question for me to answer. I don't know. And 1380 01:06:33,640 --> 01:06:36,040 Speaker 2: even someone who's done, who's who's so good and so 1381 01:06:36,200 --> 01:06:38,400 Speaker 2: versaile like Timothy Shallomy. I was in Wonka of this 1382 01:06:38,440 --> 01:06:42,240 Speaker 2: movie Wonka with Timothy Shallo. May even Timmy he changes 1383 01:06:42,320 --> 01:06:44,880 Speaker 2: his process based on the kind of movie he's making. 1384 01:06:45,680 --> 01:06:50,160 Speaker 2: So there's a buoyancy, there's a lightness to Wonka. He 1385 01:06:50,360 --> 01:06:53,640 Speaker 2: brought that to that role. Call Me by your Name 1386 01:06:54,280 --> 01:06:57,360 Speaker 2: a different process, I'm sure, I know. Bob Dylan was 1387 01:06:57,360 --> 01:07:00,480 Speaker 2: a completely different process where he's playing a you know, oh, 1388 01:07:00,560 --> 01:07:02,680 Speaker 2: my god, we did a sketch because you guys know 1389 01:07:02,680 --> 01:07:06,480 Speaker 2: who Lando Kellarisian is from the original Star Wars movies. Yes, 1390 01:07:07,040 --> 01:07:12,200 Speaker 2: the Empires. Unfortunately, y'all, I know you don't it. If 1391 01:07:12,240 --> 01:07:13,360 Speaker 2: you saw him, you'd recognize him. 1392 01:07:13,360 --> 01:07:14,000 Speaker 4: His name, Billy D. 1393 01:07:14,040 --> 01:07:16,280 Speaker 2: Williams is his name. He's he's a he's an old 1394 01:07:16,360 --> 01:07:18,560 Speaker 2: man now, but he was. I'm sorry. It's so sad 1395 01:07:20,480 --> 01:07:23,640 Speaker 2: they're not educated, son. But there was a character, an 1396 01:07:23,760 --> 01:07:26,280 Speaker 2: actor in the seventies, in the late sixties and seventies. 1397 01:07:26,320 --> 01:07:28,960 Speaker 2: He was a badass. His name is Billy D. Williams 1398 01:07:29,320 --> 01:07:32,440 Speaker 2: and he was he was the coolest man that ever lived. 1399 01:07:33,080 --> 01:07:35,120 Speaker 2: And he used to he used to do these commercials 1400 01:07:35,200 --> 01:07:40,600 Speaker 2: for a malt liquor. Then he'd go smooth cool schlitz. 1401 01:07:40,720 --> 01:07:43,600 Speaker 2: What was it on, cold, cold, cold forty five? It 1402 01:07:43,760 --> 01:07:46,600 Speaker 2: goes down smooth, And he was like the coolest dude ever. 1403 01:07:46,840 --> 01:07:48,880 Speaker 2: And he's in these in the original Star Wars movies 1404 01:07:49,600 --> 01:07:52,640 Speaker 2: and he uh, he came to set one day. He's 1405 01:07:52,800 --> 01:07:56,840 Speaker 2: in character all the time because he's a personality. Billy D. 1406 01:07:56,880 --> 01:07:58,920 Speaker 2: Williams ever played a character in the movies he was in. 1407 01:07:59,040 --> 01:08:01,280 Speaker 2: He always plays BILLI Wiams. You went to buy your 1408 01:08:01,320 --> 01:08:03,840 Speaker 2: ticket to the movie because you want to see Billy D. Williams. 1409 01:08:04,160 --> 01:08:06,040 Speaker 2: You don't want to see him get lost like Robert 1410 01:08:06,080 --> 01:08:08,640 Speaker 2: de Niro, Robertino gets lost in a character, and he's 1411 01:08:08,680 --> 01:08:11,440 Speaker 2: different in the voice. It's not that he was he 1412 01:08:11,600 --> 01:08:14,040 Speaker 2: was a movie saw, not he's an actor. But you 1413 01:08:14,080 --> 01:08:16,439 Speaker 2: know what I mean, the difference between someone who has 1414 01:08:16,479 --> 01:08:19,719 Speaker 2: a personality and somebody who gets lost in their characters 1415 01:08:19,760 --> 01:08:22,720 Speaker 2: like a chameleon. And Billy D. Williams came to set 1416 01:08:22,760 --> 01:08:24,920 Speaker 2: to do this sketch. He dies sketched for us, and 1417 01:08:25,439 --> 01:08:27,840 Speaker 2: he showed up. He drives up in his Mercedes and 1418 01:08:27,920 --> 01:08:30,320 Speaker 2: he comes up to the trailer and he gets out 1419 01:08:30,320 --> 01:08:33,679 Speaker 2: and he's got on these like flowy silk black pants 1420 01:08:33,720 --> 01:08:35,400 Speaker 2: and this silk black shirt and he has like a 1421 01:08:35,479 --> 01:08:39,000 Speaker 2: colorful scarf. And he gets out of his car and 1422 01:08:39,360 --> 01:08:42,640 Speaker 2: our the guy who runs our base camp, he walks up. 1423 01:08:42,640 --> 01:08:44,439 Speaker 2: He goes, mister Williams, it's a pleasure to meet you. 1424 01:08:44,479 --> 01:08:47,760 Speaker 2: My names Elliott, Uh. I want to welcome you to 1425 01:08:47,840 --> 01:08:49,559 Speaker 2: the set. Also wanted to ask you if you if 1426 01:08:49,560 --> 01:08:53,200 Speaker 2: you brought any wardrobe with you today. Billy D. Williams 1427 01:08:53,240 --> 01:08:55,240 Speaker 2: looked at him, and he looked at himself, and he went, 1428 01:08:56,040 --> 01:08:59,200 Speaker 2: you're looking at him, and then he just went over 1429 01:08:59,320 --> 01:09:02,280 Speaker 2: and got into his trailer and then and and he's like, 1430 01:09:02,439 --> 01:09:04,560 Speaker 2: this is what I'm wearing. This is don'tkay you know? 1431 01:09:04,760 --> 01:09:06,920 Speaker 2: This is what I'm wearing to do the sketch. And 1432 01:09:07,200 --> 01:09:09,560 Speaker 2: he had to be someplace the whole day. It was 1433 01:09:09,720 --> 01:09:12,519 Speaker 2: hilarious every time, like we do the scene and then 1434 01:09:12,560 --> 01:09:14,960 Speaker 2: Billy's doing the thing and everything's happening, and then they 1435 01:09:15,040 --> 01:09:18,599 Speaker 2: say cut and goes, guys, what time is it? Billy? 1436 01:09:18,680 --> 01:09:21,040 Speaker 2: Bro it's like four minutes after the last time, last 1437 01:09:21,080 --> 01:09:23,120 Speaker 2: time you asked. He's like, because I gotta go. I 1438 01:09:23,160 --> 01:09:25,120 Speaker 2: gotta GLEI in Santa mona good one pm? 1439 01:09:25,439 --> 01:09:26,760 Speaker 9: So what was that right? 1440 01:09:26,760 --> 01:09:29,120 Speaker 2: What's that freeway right there? That's the ten, Billy, I 1441 01:09:29,160 --> 01:09:30,760 Speaker 2: could take the ten to the one ten. I'll be 1442 01:09:30,800 --> 01:09:32,840 Speaker 2: there in thirty minutes. How much long are we gonna 1443 01:09:32,880 --> 01:09:36,000 Speaker 2: be here? Like maybe another hour? Oh, guys, I gotta go. 1444 01:09:38,080 --> 01:09:40,800 Speaker 2: He was just like, He's just like, so maybe he 1445 01:09:41,040 --> 01:09:44,240 Speaker 2: Billy Williams is the guy because he was like in character, 1446 01:09:44,920 --> 01:09:47,599 Speaker 2: because that is his character, you know what I mean? Sure, 1447 01:09:47,680 --> 01:09:51,240 Speaker 2: But otherwise it's this kind of situation. Those guys were 1448 01:09:51,320 --> 01:09:56,000 Speaker 2: screwing around all the time because that's because it's film. 1449 01:09:56,439 --> 01:09:58,000 Speaker 2: You just get as much footage. 1450 01:09:57,680 --> 01:09:58,080 Speaker 6: As you can. 1451 01:09:58,200 --> 01:10:01,519 Speaker 2: And then Adam McKay, who's a genius, directed step Brothers 1452 01:10:02,280 --> 01:10:04,240 Speaker 2: just put you put together the best part and they 1453 01:10:04,400 --> 01:10:09,800 Speaker 2: found their chemistry. It's some some actors. I prepared my thing, 1454 01:10:09,920 --> 01:10:12,160 Speaker 2: you prepared my your thing, and then they clash, and 1455 01:10:12,280 --> 01:10:15,439 Speaker 2: that clash is the chemistry. But these guys, and mostly 1456 01:10:15,520 --> 01:10:18,679 Speaker 2: in the comedic world, you want that flow. You want 1457 01:10:18,720 --> 01:10:20,600 Speaker 2: that pop pop pop, you know what I mean, Like 1458 01:10:20,600 --> 01:10:22,559 Speaker 2: when you guys are flowing, like when you're in transition 1459 01:10:22,920 --> 01:10:24,960 Speaker 2: and it just the ball just comes out of your hands. 1460 01:10:25,360 --> 01:10:27,120 Speaker 2: You don't even know, you just you just know it's 1461 01:10:27,200 --> 01:10:30,760 Speaker 2: gonna be there. And then whatever fucking cataog they it's 1462 01:10:30,800 --> 01:10:33,839 Speaker 2: an l you it just happens. It just it just flows. 1463 01:10:33,960 --> 01:10:34,639 Speaker 2: It just flows. 1464 01:10:34,760 --> 01:10:37,040 Speaker 5: Yeah, this is a segment we do every every episode 1465 01:10:37,080 --> 01:10:40,080 Speaker 5: where we'll react to things that happened recently, not always 1466 01:10:40,120 --> 01:10:42,640 Speaker 5: recently social media, just so feel free to react as 1467 01:10:42,680 --> 01:10:42,960 Speaker 5: you would. 1468 01:10:43,200 --> 01:10:45,519 Speaker 2: Okay, so this what you're seeing me do right here. 1469 01:10:45,720 --> 01:10:48,520 Speaker 2: This is me kicking a field goal at the coliseum 1470 01:10:48,560 --> 01:10:51,400 Speaker 2: in LA for a television show that I did. Ellen 1471 01:10:51,400 --> 01:10:54,760 Speaker 2: and I did, and you could see me like, if 1472 01:10:54,760 --> 01:10:56,040 Speaker 2: you can, if you can back it up, he's a 1473 01:10:56,080 --> 01:10:59,720 Speaker 2: ready to back it up. Okay, right right here at 1474 01:10:59,760 --> 01:11:03,439 Speaker 2: the first of all, my heart beating out of my chest. 1475 01:11:03,800 --> 01:11:05,519 Speaker 2: But this thing here where I'm shaking my head and 1476 01:11:05,560 --> 01:11:07,360 Speaker 2: I'm doing this thing with my arms when the guys 1477 01:11:07,439 --> 01:11:09,400 Speaker 2: taught me to kick the field goal. First of all, 1478 01:11:09,439 --> 01:11:10,760 Speaker 2: the three guys who taught me to kick a field 1479 01:11:10,760 --> 01:11:12,000 Speaker 2: goal have never kicked a field goal. And they're like 1480 01:11:12,120 --> 01:11:15,000 Speaker 2: an offensive lineman and two wide receiver and running back 1481 01:11:15,880 --> 01:11:18,000 Speaker 2: have ever gone special teams. And They're like, you got 1482 01:11:18,120 --> 01:11:19,439 Speaker 2: to have a ritual. And I'm like, I don't know 1483 01:11:19,479 --> 01:11:21,720 Speaker 2: about an a ritual. I just need to keep my 1484 01:11:21,840 --> 01:11:24,479 Speaker 2: eye on the ball. And so they said, no, you 1485 01:11:24,520 --> 01:11:25,840 Speaker 2: gotta have a ritual. So I went out there and 1486 01:11:25,880 --> 01:11:27,160 Speaker 2: I just did this little I just went, I just went, 1487 01:11:28,760 --> 01:11:30,320 Speaker 2: I don't know what the fuck I was doing. And 1488 01:11:30,439 --> 01:11:32,880 Speaker 2: then so I backed up and I just did whatever 1489 01:11:33,000 --> 01:11:35,320 Speaker 2: I've seen field goal kickers do my whole life, which 1490 01:11:35,360 --> 01:11:37,160 Speaker 2: is back up and then go two steps to the right. 1491 01:11:37,720 --> 01:11:40,519 Speaker 2: And then I could oh and I got it. 1492 01:11:40,680 --> 01:11:41,080 Speaker 1: I got it. 1493 01:11:41,160 --> 01:11:41,560 Speaker 3: I got it. 1494 01:11:41,920 --> 01:11:45,479 Speaker 2: I think it was and I, oh my god, I 1495 01:11:45,600 --> 01:11:48,720 Speaker 2: was so happy. I think that. And I mean, like 1496 01:11:49,360 --> 01:11:51,439 Speaker 2: the Colosseum. I don't know how many people the Colosseum holds, 1497 01:11:51,479 --> 01:11:54,360 Speaker 2: but they were probably at that point in time, probably 1498 01:11:54,560 --> 01:11:58,320 Speaker 2: forty thousand people. Wow, it's pat And so I went 1499 01:11:58,680 --> 01:12:00,280 Speaker 2: to kick the and I'm like, I don't know how 1500 01:12:00,320 --> 01:12:02,639 Speaker 2: to do chips, I don't know how to put the English. 1501 01:12:02,640 --> 01:12:04,160 Speaker 2: I don't do all that. I'm just gonna kick it 1502 01:12:04,280 --> 01:12:05,800 Speaker 2: straight up like they used to do back in the open, 1503 01:12:05,880 --> 01:12:08,479 Speaker 2: like in the day, like in the sixties, like Tylie Barnes. 1504 01:12:08,479 --> 01:12:10,240 Speaker 2: So I'm just gonna kick it straight up. And you 1505 01:12:10,320 --> 01:12:12,519 Speaker 2: see it hooked a little bit, but because I was 1506 01:12:12,640 --> 01:12:14,840 Speaker 2: so close, it hooks. 1507 01:12:14,960 --> 01:12:15,519 Speaker 6: It hooked. 1508 01:12:15,720 --> 01:12:17,479 Speaker 2: It hooks a little bit, it pulls to the left, 1509 01:12:17,520 --> 01:12:20,040 Speaker 2: but it gets through before anything else happens. Oh my god, 1510 01:12:20,360 --> 01:12:22,400 Speaker 2: it's like one of I was. I have not been. 1511 01:12:22,600 --> 01:12:25,280 Speaker 2: I don't think I have been that nervous. I was 1512 01:12:25,479 --> 01:12:29,479 Speaker 2: more nervous doing that than I was at my debut 1513 01:12:29,640 --> 01:12:34,160 Speaker 2: on Broadway, like twenty times more nervous. I can see that, 1514 01:12:34,400 --> 01:12:36,000 Speaker 2: you know what I mean, I can see that's hilarious. 1515 01:12:36,240 --> 01:12:37,680 Speaker 2: If you were doing that, if you were gonna be 1516 01:12:37,720 --> 01:12:40,640 Speaker 2: in a movie, wouldn't you be twice. As wouldn't that 1517 01:12:40,680 --> 01:12:43,080 Speaker 2: be more nerve racking sure than if you were in 1518 01:12:43,200 --> 01:12:45,599 Speaker 2: the finals? Yeah, that would you'd be more nervous. 1519 01:12:45,600 --> 01:12:45,720 Speaker 6: It was. 1520 01:12:46,000 --> 01:12:47,200 Speaker 2: It was so nerve wracking. 1521 01:12:47,600 --> 01:12:48,960 Speaker 6: Oh my god. I was so happy I made it. 1522 01:12:49,040 --> 01:12:51,599 Speaker 6: It's like being on the court like during the playoffs, 1523 01:12:51,680 --> 01:12:53,040 Speaker 6: like you like, I am comfortable. 1524 01:12:53,240 --> 01:12:53,479 Speaker 9: Yeah. 1525 01:12:53,600 --> 01:12:56,760 Speaker 6: When I went out there for w W Man, my 1526 01:12:57,000 --> 01:13:00,840 Speaker 6: heart was just prace it yeah, race, I was just 1527 01:13:00,920 --> 01:13:02,840 Speaker 6: like it was. 1528 01:13:05,840 --> 01:13:11,560 Speaker 2: Yeah, Oh my god, look at that. Oh there you go. 1529 01:13:11,960 --> 01:13:14,800 Speaker 2: That's the first that's the first starring role I ever had. 1530 01:13:15,040 --> 01:13:17,040 Speaker 2: So if you see the picture of the tie, the 1531 01:13:17,080 --> 01:13:19,800 Speaker 2: skinny tie, So look at the on the next page, 1532 01:13:19,840 --> 01:13:21,920 Speaker 2: on the other side of the page, there is my 1533 01:13:22,080 --> 01:13:25,760 Speaker 2: yearbook and that top picture is me playing Jesus and Godspell, 1534 01:13:26,479 --> 01:13:30,120 Speaker 2: And right there that was it that cemented it for me. 1535 01:13:30,200 --> 01:13:32,560 Speaker 2: When I was a sophomore in high school, I was 1536 01:13:32,600 --> 01:13:35,920 Speaker 2: in a musical called Joseph and the Amazing Tucknicolor dream 1537 01:13:36,000 --> 01:13:38,800 Speaker 2: Coat written by Andrew Lloyd Webber, and I had a 1538 01:13:38,840 --> 01:13:41,360 Speaker 2: little small part in it, but I loved the community, 1539 01:13:41,960 --> 01:13:43,639 Speaker 2: and I loved the fun of it, and I loved 1540 01:13:43,880 --> 01:13:46,080 Speaker 2: the singing. And then the next year, when I was 1541 01:13:46,160 --> 01:13:48,040 Speaker 2: a junior. I got the lead and Godspel I played 1542 01:13:48,120 --> 01:13:50,640 Speaker 2: Jesus and Godspell. That was it. When I was a kid, 1543 01:13:50,680 --> 01:13:52,760 Speaker 2: I wanted to be a veterinarian. I was gonna go 1544 01:13:52,760 --> 01:13:55,200 Speaker 2: to school. It was gonna be a veterinarian that my life, 1545 01:13:55,280 --> 01:13:58,080 Speaker 2: have a practice or whatever, you know. And then I 1546 01:13:58,160 --> 01:13:59,760 Speaker 2: did this, and I met my drama teacher and she 1547 01:13:59,840 --> 01:14:02,679 Speaker 2: got me into theater and I and I played Jesus 1548 01:14:02,720 --> 01:14:03,320 Speaker 2: in God'spill. 1549 01:14:04,560 --> 01:14:04,800 Speaker 6: Done. 1550 01:14:05,240 --> 01:14:05,880 Speaker 2: I was done. 1551 01:14:06,240 --> 01:14:06,640 Speaker 8: That was it. 1552 01:14:07,280 --> 01:14:09,240 Speaker 2: I knew I'm gonna go to college. I'm gonna study acting, 1553 01:14:09,400 --> 01:14:11,920 Speaker 2: I'm gonna I'm gonna go start a theater. I didn't 1554 01:14:11,920 --> 01:14:13,160 Speaker 2: I don't know what I was gonna do, but it 1555 01:14:13,240 --> 01:14:17,040 Speaker 2: was gonna be theater. I was done. Never had another 1556 01:14:17,120 --> 01:14:18,720 Speaker 2: thought in my mind to do anything else the rest 1557 01:14:18,760 --> 01:14:20,720 Speaker 2: of my life. Look at me looking like straight Will 1558 01:14:20,760 --> 01:14:21,720 Speaker 2: Smith up in here? Look at it? 1559 01:14:23,640 --> 01:14:27,479 Speaker 4: Who goes? The fan questions, Okay, Ben Stiller, what. 1560 01:14:28,160 --> 01:14:30,840 Speaker 3: Why does the coolest holiday parties. 1561 01:14:30,560 --> 01:14:31,080 Speaker 8: In New York? 1562 01:14:31,479 --> 01:14:32,519 Speaker 4: And why I know nix about? 1563 01:14:32,520 --> 01:14:32,680 Speaker 6: Wow? 1564 01:14:32,840 --> 01:14:34,040 Speaker 4: I didn't know you hadiday party. 1565 01:14:34,080 --> 01:14:37,400 Speaker 2: Wait a minute, so it says at Ben Stiller. This 1566 01:14:37,520 --> 01:14:40,080 Speaker 2: is a tweet from Ben Stiller. He says, why does 1567 01:14:40,160 --> 01:14:41,880 Speaker 2: Keegan have the coolest holiday parties in New York And 1568 01:14:41,880 --> 01:14:45,080 Speaker 2: why know Nicks invited? Next were invited? Both of these 1569 01:14:45,160 --> 01:14:49,800 Speaker 2: next were invited? You were in town and wait, you 1570 01:14:49,880 --> 01:14:52,080 Speaker 2: were both out of town. You guys were both out 1571 01:14:52,120 --> 01:14:54,240 Speaker 2: of town, right? And then to have it, you had 1572 01:14:54,280 --> 01:14:58,040 Speaker 2: a game before in that party? Did they had a 1573 01:14:58,080 --> 01:14:59,400 Speaker 2: game the night before? You had a game the night 1574 01:14:59,400 --> 01:15:01,799 Speaker 2: before and you had to travel the next day or something, 1575 01:15:02,000 --> 01:15:05,680 Speaker 2: or you were going. No, no, you were going. You 1576 01:15:05,760 --> 01:15:07,600 Speaker 2: were invited. I can't remember what you were, but I 1577 01:15:07,640 --> 01:15:09,799 Speaker 2: think you would go out oftown for the holidays holidays. 1578 01:15:09,960 --> 01:15:10,439 Speaker 6: No, no, it was. 1579 01:15:10,880 --> 01:15:11,080 Speaker 8: It was. 1580 01:15:11,520 --> 01:15:17,120 Speaker 2: It was like our Hanukkah slash Christmas brunch and Matt, 1581 01:15:17,240 --> 01:15:22,040 Speaker 2: you'll be invited next. Oh, last month, we were. 1582 01:15:23,240 --> 01:15:25,360 Speaker 6: We came home for like two days for Christmas. I 1583 01:15:25,520 --> 01:15:27,120 Speaker 6: was at the game, but we were on the road 1584 01:15:27,120 --> 01:15:29,320 Speaker 6: before and were on the road was right after. 1585 01:15:30,040 --> 01:15:32,080 Speaker 2: That's what it was. But you guys were both invited. See, 1586 01:15:32,200 --> 01:15:35,479 Speaker 2: I didn't know that. I didn't know Ben. I don't 1587 01:15:35,479 --> 01:15:37,160 Speaker 2: know if Ben's watching this. I didn't know Ben that 1588 01:15:37,240 --> 01:15:40,240 Speaker 2: we I would have offered that information to you. I 1589 01:15:40,280 --> 01:15:43,960 Speaker 2: would have told you that, I mean, well, we'll wvite 1590 01:15:44,000 --> 01:15:47,120 Speaker 2: the whole team next time. How long have you been 1591 01:15:47,160 --> 01:15:48,040 Speaker 2: doing the parties? 1592 01:15:49,439 --> 01:15:50,040 Speaker 6: Six years? 1593 01:15:50,600 --> 01:15:53,919 Speaker 2: She before she even met me, she had been doing parties. 1594 01:15:54,640 --> 01:15:58,200 Speaker 2: She when she lived in La She just have parties 1595 01:15:58,280 --> 01:16:00,400 Speaker 2: and at her on the deck on top of her building, 1596 01:16:01,680 --> 01:16:02,760 Speaker 2: like a decade before I knew her. 1597 01:16:03,240 --> 01:16:04,160 Speaker 6: She just have parties. 1598 01:16:04,640 --> 01:16:06,439 Speaker 2: She just goes and then have a party this weekend. 1599 01:16:06,640 --> 01:16:08,640 Speaker 2: And then when we met then she's like, we have 1600 01:16:08,680 --> 01:16:10,200 Speaker 2: to have a holiday party. And I was like, I mean, 1601 01:16:10,240 --> 01:16:12,759 Speaker 2: I guess so, and then you have everybody has a blast. 1602 01:16:12,960 --> 01:16:14,479 Speaker 2: My favorite part of these parties is she has a 1603 01:16:14,640 --> 01:16:18,320 Speaker 2: very eclectic group of friends. So you have people who 1604 01:16:18,320 --> 01:16:21,519 Speaker 2: would never meet meet each other and have like and 1605 01:16:21,600 --> 01:16:23,200 Speaker 2: then they call you the next day or text you 1606 01:16:23,240 --> 01:16:25,000 Speaker 2: next day, go I had the greatest conversation with Blah 1607 01:16:25,000 --> 01:16:27,840 Speaker 2: blah blah blah blah, or I remember, I remember the 1608 01:16:27,920 --> 01:16:31,040 Speaker 2: guys who created Game of Thrones. We had a party 1609 01:16:31,080 --> 01:16:33,400 Speaker 2: one time and one of the guys who created uh 1610 01:16:34,000 --> 01:16:37,080 Speaker 2: Game of Thrones. So we're friends. I'm from Detroit. We're 1611 01:16:37,120 --> 01:16:42,040 Speaker 2: friends with Isaiah Thomas, the original Isiah Thomas. And I 1612 01:16:42,200 --> 01:16:45,439 Speaker 2: remember to this day, if I see his name's dB, 1613 01:16:45,600 --> 01:16:47,920 Speaker 2: we call him dB. dB Weiss is his name, and 1614 01:16:47,960 --> 01:16:50,160 Speaker 2: I'll see dB. He just looks at me. This is 1615 01:16:50,360 --> 01:16:53,040 Speaker 2: this is seven years ago. If I see dB tomorrow, 1616 01:16:53,120 --> 01:16:59,160 Speaker 2: He'll go. Isaiah Thomas. I met Isaiah Thomas. He can't 1617 01:16:59,200 --> 01:17:01,439 Speaker 2: be He walked into the Party's like, is that I say? Thomas. 1618 01:17:01,479 --> 01:17:03,360 Speaker 2: I'm like, yeah, go over, just say hi, and He's like, 1619 01:17:03,640 --> 01:17:05,360 Speaker 2: can I just go? I was like, yeah, go say hi. 1620 01:17:05,840 --> 01:17:09,760 Speaker 2: But that's like from the bad go say hi. And 1621 01:17:09,880 --> 01:17:11,479 Speaker 2: he talked to him for like twenty five minutes. And 1622 01:17:11,560 --> 01:17:14,160 Speaker 2: that's that's kind of the vibe of a party at 1623 01:17:14,320 --> 01:17:18,400 Speaker 2: L's house, and it's it's really great. Babies, little kids. 1624 01:17:18,720 --> 01:17:21,360 Speaker 2: We got We have an amazing pinball machine. Our eighty 1625 01:17:21,400 --> 01:17:24,479 Speaker 2: seven year old aunt makes lemon squares. You can you guys, 1626 01:17:24,520 --> 01:17:27,320 Speaker 2: you guys gotta come and play the story for all 1627 01:17:27,400 --> 01:17:30,479 Speaker 2: machine there. We gotta get there next to next holidays, 1628 01:17:30,720 --> 01:17:33,200 Speaker 2: and more than likely Ben will be there. Ben Stiller 1629 01:17:33,240 --> 01:17:36,479 Speaker 2: will be there. You know, if you do a keympee, 1630 01:17:36,680 --> 01:17:38,080 Speaker 2: I'm sorry, I just jumped right into it. 1631 01:17:38,400 --> 01:17:42,439 Speaker 3: Good Notorious, Underscore, t Underscore, zero, un thescore m if 1632 01:17:42,479 --> 01:17:45,080 Speaker 3: you did a key and peel skit about this next team. 1633 01:17:44,920 --> 01:17:49,360 Speaker 6: Sketch Jesus skitch like bro, it's the same thing. 1634 01:17:49,479 --> 01:17:54,519 Speaker 2: Bro, I gotta I gotta correct you on that one. 1635 01:17:54,600 --> 01:17:55,599 Speaker 4: Ah damn. 1636 01:17:56,040 --> 01:18:00,960 Speaker 2: A skit. A skit is what you do at sleep 1637 01:18:01,000 --> 01:18:05,760 Speaker 2: away camp. That is very often. This is a big 1638 01:18:05,840 --> 01:18:07,800 Speaker 2: thing in the sketch world, like we's a very it's 1639 01:18:07,840 --> 01:18:10,160 Speaker 2: like a sore spot for us. So a skit is 1640 01:18:10,360 --> 01:18:15,040 Speaker 2: very often something some kind of little thematic joke that 1641 01:18:15,120 --> 01:18:18,160 Speaker 2: a person does about one of the counselors. Or a 1642 01:18:18,320 --> 01:18:20,000 Speaker 2: skit is kind of what you would do at like 1643 01:18:20,040 --> 01:18:26,200 Speaker 2: a corporate meeting. A sketch is ostensibly a three to 1644 01:18:26,360 --> 01:18:30,679 Speaker 2: seven minute play. It's a small play, or it's a sketch. 1645 01:18:31,360 --> 01:18:33,200 Speaker 2: The word sketch comes from it's a sketch of a 1646 01:18:33,360 --> 01:18:36,519 Speaker 2: longer what would be a longer play. So there's no 1647 01:18:36,680 --> 01:18:40,680 Speaker 2: secondary characters, there's no second plot, there's no sketches like 1648 01:18:40,800 --> 01:18:44,120 Speaker 2: a sketch of a larger story. So it's it's only 1649 01:18:44,240 --> 01:18:47,160 Speaker 2: one little thing. And that's why we say sketch. I'm sorry, 1650 01:18:47,479 --> 01:18:49,720 Speaker 2: I don't want to bust on you, but it's a 1651 01:18:49,800 --> 01:18:52,320 Speaker 2: big thing that they're to us. Like to sketch artists, 1652 01:18:52,720 --> 01:18:55,599 Speaker 2: we go no, no, no, no, no, we don't do skits. Yeah, anyway, 1653 01:18:56,000 --> 01:18:57,880 Speaker 2: I don't know, bad, my bad. If you did a 1654 01:18:58,000 --> 01:19:02,280 Speaker 2: key and Peel sketch about the next team. Who would 1655 01:19:02,360 --> 01:19:04,840 Speaker 2: you play in this gutch? Who would I play in 1656 01:19:04,960 --> 01:19:10,160 Speaker 2: the sketch? It's funny often. I mean, if you were 1657 01:19:10,240 --> 01:19:12,840 Speaker 2: casting people to size right and you could just do it, 1658 01:19:12,920 --> 01:19:15,679 Speaker 2: however you could do it to make it manipulate the sizes. 1659 01:19:16,400 --> 01:19:21,479 Speaker 2: I would probably given my bill right, wouldn't I play him? Yeah, 1660 01:19:22,320 --> 01:19:25,000 Speaker 2: I'd play you. Yeah, that'd be it'd be a great one. 1661 01:19:25,320 --> 01:19:33,840 Speaker 2: You think I'd played Jalen's dad, but you don't. 1662 01:19:33,920 --> 01:19:36,000 Speaker 6: You think I don't. 1663 01:19:38,400 --> 01:19:38,679 Speaker 2: Fast? 1664 01:19:40,720 --> 01:19:41,080 Speaker 6: I think? 1665 01:19:42,320 --> 01:19:43,400 Speaker 2: Do you think I can play your dad? 1666 01:19:44,280 --> 01:19:49,519 Speaker 6: It's really easy. Basically, you basically got to be closed 1667 01:19:49,560 --> 01:19:53,000 Speaker 6: off to the world like a for a month until 1668 01:19:53,040 --> 01:19:56,080 Speaker 6: you get to understand like like him, and they didn't 1669 01:19:56,120 --> 01:19:58,280 Speaker 6: like each other. First, you didn't like him, you. 1670 01:19:58,280 --> 01:20:02,080 Speaker 2: Didn't like You didn't like Rick, but he was fine 1671 01:20:02,080 --> 01:20:09,400 Speaker 2: with him. I would okay, So the answer is I 1672 01:20:09,439 --> 01:20:12,519 Speaker 2: would play either Josh or I would play Rick Brunson. 1673 01:20:12,840 --> 01:20:15,680 Speaker 2: I play Rick Brunson. I think your dad would be 1674 01:20:15,840 --> 01:20:17,840 Speaker 2: more fun playing your daday your dad? 1675 01:20:17,920 --> 01:20:18,800 Speaker 6: Yeah, that's great. 1676 01:20:18,920 --> 01:20:19,240 Speaker 2: What's this? 1677 01:20:20,479 --> 01:20:22,680 Speaker 4: I'm just thinking. I'm just looking at the bench just 1678 01:20:23,000 --> 01:20:25,320 Speaker 4: like he was, would be. 1679 01:20:27,040 --> 01:20:27,160 Speaker 6: There. 1680 01:20:27,320 --> 01:20:30,200 Speaker 2: I should just sit down down there. I would sit 1681 01:20:30,320 --> 01:20:32,120 Speaker 2: next to Deuce and give him ship. 1682 01:20:34,320 --> 01:20:38,479 Speaker 6: Sports r x AI. If you could give a key 1683 01:20:38,680 --> 01:20:41,080 Speaker 6: pill style pep talk to the team during the time out, 1684 01:20:41,120 --> 01:20:42,840 Speaker 6: what would you say a. 1685 01:20:42,920 --> 01:20:44,599 Speaker 2: Key and peel style pep talk. 1686 01:20:45,439 --> 01:20:49,519 Speaker 6: I'd be like, okay, I'll give you we're down, We're 1687 01:20:49,600 --> 01:20:51,679 Speaker 6: down twenty two minutes left. 1688 01:20:52,120 --> 01:20:56,760 Speaker 2: You're down twenty guys, guys, here's the deal. Here's the deal. 1689 01:20:57,520 --> 01:21:00,680 Speaker 2: I need listen. I need all you guys to be 1690 01:21:00,800 --> 01:21:07,679 Speaker 2: healthy for the next game. Do not try. Stop trying now. Okay, 1691 01:21:08,080 --> 01:21:11,120 Speaker 2: in fact, do me a favor to make sure everybody's healthy. 1692 01:21:11,479 --> 01:21:15,800 Speaker 2: I want you to lose this game by thirty. Let 1693 01:21:15,920 --> 01:21:19,120 Speaker 2: them score ten more points. I don't want a turned ankle. 1694 01:21:19,360 --> 01:21:21,799 Speaker 2: I don't want anyone but chipping a bone in their elbow. 1695 01:21:21,840 --> 01:21:24,479 Speaker 2: I don't want anyone to get hurt. This game's done. 1696 01:21:24,960 --> 01:21:27,439 Speaker 2: This game's done. We're not gonna win, We're not gonna 1697 01:21:27,560 --> 01:21:29,040 Speaker 2: I don't want I don't need to get on Sports 1698 01:21:29,080 --> 01:21:31,439 Speaker 2: Center tonight for the best come back in two minutes. 1699 01:21:31,720 --> 01:21:34,000 Speaker 2: Just let's just lose it. Let them score ten more. 1700 01:21:34,280 --> 01:21:36,800 Speaker 2: Just go out there, act like you all have one leg. 1701 01:21:37,439 --> 01:21:39,639 Speaker 2: I want to be the word make this. I want 1702 01:21:39,720 --> 01:21:43,160 Speaker 2: you guys are the Washington Senators and they're the Harlem Globetrotters. 1703 01:21:43,600 --> 01:21:46,800 Speaker 2: Just lose this one. Please everyone stay healthy. We've got 1704 01:21:46,880 --> 01:21:48,760 Speaker 2: a four game road trip. 1705 01:21:49,960 --> 01:21:53,639 Speaker 6: Please, thank you. This is gonna turn over really well. 1706 01:21:55,680 --> 01:21:58,120 Speaker 6: This is gonna turver really well. I cannot wait for this, 1707 01:22:00,080 --> 01:22:04,880 Speaker 6: for this at Fritz Handles, is there a movie or 1708 01:22:05,040 --> 01:22:06,879 Speaker 6: show you will love to remake for your childhood? 1709 01:22:06,920 --> 01:22:08,599 Speaker 2: Before I answer that question, I just want to take 1710 01:22:08,640 --> 01:22:12,160 Speaker 2: a second to look at Fritz's last name, al Sender. 1711 01:22:13,000 --> 01:22:15,000 Speaker 2: That's cool, right, Louel Sinder? 1712 01:22:15,320 --> 01:22:15,639 Speaker 6: Very cool? 1713 01:22:15,720 --> 01:22:17,320 Speaker 2: Right, that's really cool. I think it's a neat little 1714 01:22:17,320 --> 01:22:20,720 Speaker 2: basketball pocket situation here. Anyway, Is there a movie or 1715 01:22:20,720 --> 01:22:22,559 Speaker 2: a show you would love to remake from your childhood? 1716 01:22:22,720 --> 01:22:25,960 Speaker 2: It's funny. I don't. 1717 01:22:26,120 --> 01:22:26,559 Speaker 6: I don't. 1718 01:22:27,640 --> 01:22:30,639 Speaker 2: I think it's my age. I don't want to remake 1719 01:22:30,720 --> 01:22:33,320 Speaker 2: any of the movies for my childhood. Does that make sense? 1720 01:22:34,000 --> 01:22:38,840 Speaker 2: I I The most magical thing about the movies from 1721 01:22:38,880 --> 01:22:42,360 Speaker 2: my childhood is those people were inspired by things and 1722 01:22:42,439 --> 01:22:44,040 Speaker 2: they kind of create. Now I'm gonna so like an 1723 01:22:44,080 --> 01:22:45,679 Speaker 2: old man right Now'm gonna sell like an old, cranky 1724 01:22:45,680 --> 01:22:49,680 Speaker 2: old man. They came up with their own ideas, and 1725 01:22:49,920 --> 01:22:52,080 Speaker 2: that was What enchanted us by those movies is that 1726 01:22:52,240 --> 01:22:57,439 Speaker 2: they weren't that's forty years ago, so there were no remakes, right, 1727 01:22:57,720 --> 01:23:01,120 Speaker 2: People weren't remaking anything. They were they were inspired by 1728 01:23:01,200 --> 01:23:03,400 Speaker 2: things from their past. They would come up with new stuff. 1729 01:23:03,840 --> 01:23:06,800 Speaker 2: And so I would never want to mess with the 1730 01:23:06,960 --> 01:23:11,519 Speaker 2: magic of those films from my past. So like I, 1731 01:23:11,800 --> 01:23:14,280 Speaker 2: so I the answer is actually none. I wouldn't want 1732 01:23:14,280 --> 01:23:16,880 Speaker 2: to remake any of those movies. I love it like 1733 01:23:16,960 --> 01:23:18,160 Speaker 2: I love them just the way they are. 1734 01:23:18,520 --> 01:23:22,240 Speaker 4: So what's before we do our out show? What's what's next? 1735 01:23:22,720 --> 01:23:27,600 Speaker 2: So we talked about the book. But I I have 1736 01:23:27,720 --> 01:23:31,519 Speaker 2: a movie that I did with Mark Wahlberg, action movie 1737 01:23:31,560 --> 01:23:33,400 Speaker 2: with Mark Wahlberg that's going to come out in the 1738 01:23:33,479 --> 01:23:36,599 Speaker 2: fall on Amazon. And it's gonna be a lot of fun. 1739 01:23:36,640 --> 01:23:39,880 Speaker 2: It's it is, uh, it's kind of like an action 1740 01:23:40,160 --> 01:23:45,439 Speaker 2: adventure caper movie. And it's called Play Dirty. And that's 1741 01:23:45,600 --> 01:23:47,760 Speaker 2: that's good. So I'm looking forward to that. That'll be fun, 1742 01:23:48,120 --> 01:23:51,559 Speaker 2: good movie. Put the kids to bed. A lot of language, 1743 01:23:51,760 --> 01:23:53,960 Speaker 2: but uh, but but it's gonna be a lot of fun. 1744 01:23:54,200 --> 01:23:57,760 Speaker 2: And it was, uh, Marks terrific in it. And it 1745 01:23:57,880 --> 01:24:00,920 Speaker 2: was created by a guy named Shan Black who wrote 1746 01:24:01,040 --> 01:24:04,160 Speaker 2: lethal weapon, lethal weapon movies. He's really he's really terrific, 1747 01:24:04,280 --> 01:24:07,320 Speaker 2: really great writer, makes great stories, are wonderful. So I'm 1748 01:24:07,360 --> 01:24:09,720 Speaker 2: looking forward to that. And then there's other things in 1749 01:24:09,760 --> 01:24:11,680 Speaker 2: the hopper that are in development and we're working on 1750 01:24:11,800 --> 01:24:14,200 Speaker 2: those things, and you know, once they come more to 1751 01:24:14,840 --> 01:24:17,000 Speaker 2: more to fruition, I'll be able to talk about them 1752 01:24:17,040 --> 01:24:19,719 Speaker 2: more so. But we're we're we're working hard, we're busy, 1753 01:24:19,760 --> 01:24:20,720 Speaker 2: and we're having a good time. 1754 01:24:20,840 --> 01:24:24,080 Speaker 3: Cool cool, cool, So everybody, we appreciate you guys tuning in. 1755 01:24:24,360 --> 01:24:26,360 Speaker 3: Make sure you guys tune in every Thursday for weekly 1756 01:24:26,439 --> 01:24:28,040 Speaker 3: episodes from The Roommate. 1757 01:24:27,800 --> 01:24:30,519 Speaker 4: Podcast and Keegle. We appreciate you coming on the show. 1758 01:24:30,560 --> 01:24:35,120 Speaker 2: Thank you. I appreciate you. Appreciate it absolutely absolutely, thanks 1759 01:24:35,439 --> 01:24:38,080 Speaker 2: getting I'll get over there. 1760 01:24:39,479 --> 01:24:41,360 Speaker 6: If he said to me, like like I could joke 1761 01:24:41,360 --> 01:24:43,600 Speaker 6: around with it, but before you but like it's just 1762 01:24:43,960 --> 01:24:46,519 Speaker 6: me my teammates inside those lines. 1763 01:24:46,640 --> 01:24:49,439 Speaker 2: Yeah, until he is over, I have to confess I'm 1764 01:24:49,439 --> 01:24:51,960 Speaker 2: one of them, like I'm that guy, I'm that guys, 1765 01:24:52,000 --> 01:24:55,360 Speaker 2: like how are the twins. I'll talk to the cameraman 1766 01:24:55,680 --> 01:25:00,960 Speaker 2: and it's like you, guys, action, there's no possible way 1767 01:25:01,040 --> 01:25:02,280 Speaker 2: that the three of us are going to get out 1768 01:25:02,280 --> 01:25:07,680 Speaker 2: of here a lot. M m m mmm 1769 01:25:09,240 --> 01:25:11,280 Speaker 5: Mm hmmmmmmm