1 00:00:00,120 --> 00:00:01,200 Speaker 1: You want me to do your ads? 2 00:00:01,560 --> 00:00:02,320 Speaker 2: What this is about? 3 00:00:03,560 --> 00:00:04,400 Speaker 3: Why is that up? 4 00:00:05,519 --> 00:00:08,480 Speaker 1: Just a gentle nudge? 5 00:00:09,800 --> 00:00:12,440 Speaker 3: I feel that. I guess you're the judge of what 6 00:00:12,880 --> 00:00:15,480 Speaker 3: gentle one judge nudge? 7 00:00:16,000 --> 00:00:19,200 Speaker 2: Right, So all right, so you want us to do so? 8 00:00:19,280 --> 00:00:21,639 Speaker 2: Here is here? We have the add up on the 9 00:00:21,680 --> 00:00:24,240 Speaker 2: screen that we're supposed to record, you know, in between 10 00:00:24,239 --> 00:00:28,560 Speaker 2: the episodes or after the episode. Kevin's characterized it as 11 00:00:28,600 --> 00:00:33,600 Speaker 2: a gentle nudge. It's a potentially show ruining nudge to 12 00:00:33,680 --> 00:00:36,640 Speaker 2: have ad copy on a big screen in front of 13 00:00:36,720 --> 00:00:40,360 Speaker 2: us as we try to get into what is a 14 00:00:40,360 --> 00:00:41,680 Speaker 2: pretty complex show. 15 00:00:41,880 --> 00:00:44,720 Speaker 3: Actually, what we have planned for this one is not 16 00:00:44,840 --> 00:00:46,479 Speaker 3: This is not the one that I would pick to 17 00:00:46,479 --> 00:00:49,919 Speaker 3: be the one where there's different words than what we. 18 00:00:50,800 --> 00:00:54,680 Speaker 2: I'm not really uh, not particularly excited about trying to 19 00:00:54,760 --> 00:00:58,640 Speaker 2: balance all of the different elements of doing a podcast 20 00:00:58,680 --> 00:01:06,560 Speaker 2: episode with here it while I'm also reading ad copy 21 00:01:06,600 --> 00:01:15,440 Speaker 2: from what is let's face it, a disgusting predatory company, 22 00:01:16,640 --> 00:01:20,040 Speaker 2: and I believe, outside of the ad itself, I'm allowed 23 00:01:20,080 --> 00:01:21,040 Speaker 2: to say that. 24 00:01:21,600 --> 00:01:25,040 Speaker 3: And not necessarily the most disgusting or predatory, not even. 25 00:01:25,600 --> 00:01:28,800 Speaker 2: Not even close. Atis I would advertise for much worse 26 00:01:28,840 --> 00:01:31,200 Speaker 2: companies than this. I would use this company, and I 27 00:01:31,400 --> 00:01:35,119 Speaker 2: have and I will again. So you know, you could 28 00:01:35,120 --> 00:01:38,520 Speaker 2: take my criticisms with a great asult because I am 29 00:01:38,720 --> 00:01:43,320 Speaker 2: very much a participant. There's way worse stuff I would 30 00:01:44,480 --> 00:01:48,560 Speaker 2: happily advertise for because you get something like seventeen hundred bucks. 31 00:01:48,640 --> 00:01:50,960 Speaker 3: Yes, that's right. This is what people don't understand when 32 00:01:50,960 --> 00:01:53,920 Speaker 3: they criticize. Have you noticed this when people are like, 33 00:01:54,080 --> 00:01:56,520 Speaker 3: how dare you advertise for that company? 34 00:01:56,600 --> 00:01:59,600 Speaker 2: You know, we don't get this ad, but like better help? Yeah, 35 00:01:59,640 --> 00:02:02,120 Speaker 2: and they're like mad about it whatever it is like 36 00:02:02,360 --> 00:02:06,040 Speaker 2: and which, by the way, if they're hearing this, they buddy, yeah. 37 00:02:06,120 --> 00:02:08,920 Speaker 2: And by the way, discount people like. 38 00:02:08,919 --> 00:02:12,679 Speaker 3: They pay you to do these ads, yes, like they say, 39 00:02:12,720 --> 00:02:15,920 Speaker 3: like why are you doing this? Like, like, I honestly 40 00:02:15,960 --> 00:02:20,040 Speaker 3: think people do not know that, like they advertisers pay 41 00:02:20,200 --> 00:02:21,440 Speaker 3: money for us to do them. 42 00:02:21,600 --> 00:02:28,239 Speaker 2: It seems as if they're not aware because the way 43 00:02:29,280 --> 00:02:32,400 Speaker 2: we're doing it only to promote the company, and that 44 00:02:32,480 --> 00:02:34,760 Speaker 2: there's not an exchange of money happening. 45 00:02:35,000 --> 00:02:37,760 Speaker 3: Yeah, And it's the kind of it's not like limited 46 00:02:37,800 --> 00:02:40,280 Speaker 3: in terms of like it's not a gift certificate to 47 00:02:40,440 --> 00:02:43,440 Speaker 3: that company. It's it's money that you can spend any 48 00:02:43,600 --> 00:02:44,520 Speaker 3: other I often. 49 00:02:44,360 --> 00:02:48,920 Speaker 2: Do spend the money Yeah, yeah, sure cuts the company, 50 00:02:49,000 --> 00:02:52,000 Speaker 2: yeah whatever, it's like yeah, some of it, and also 51 00:02:52,040 --> 00:02:56,480 Speaker 2: sometimes you get sometimes you get also like free product 52 00:02:56,600 --> 00:02:57,200 Speaker 2: in the company. 53 00:02:57,320 --> 00:03:01,919 Speaker 1: Right now, there's a whole side of this that's disgusting. 54 00:03:02,040 --> 00:03:03,200 Speaker 2: But what were you going to say? 55 00:03:03,520 --> 00:03:04,400 Speaker 3: It's great to be here. 56 00:03:04,600 --> 00:03:06,799 Speaker 2: Yeah, but you were saying something before when we were talking. 57 00:03:06,639 --> 00:03:11,919 Speaker 1: About the programmatic ones, or they'll drop in like into 58 00:03:11,919 --> 00:03:14,120 Speaker 1: your back catalog, the programmatic. 59 00:03:13,680 --> 00:03:16,280 Speaker 2: One, the dynamic dynamic, the dynamics that. 60 00:03:16,240 --> 00:03:19,040 Speaker 1: Are sometimes insane, and someone will be like it was 61 00:03:19,040 --> 00:03:21,840 Speaker 1: like for a gun company or for like a church, 62 00:03:21,919 --> 00:03:22,400 Speaker 1: and you're. 63 00:03:22,240 --> 00:03:26,840 Speaker 2: Like, yeah, we put no restrictions. Yeah, we're just like 64 00:03:26,960 --> 00:03:28,160 Speaker 2: literally anything. 65 00:03:28,560 --> 00:03:29,440 Speaker 1: And then if people hit. 66 00:03:29,360 --> 00:03:32,400 Speaker 3: Us, don't them And especially it goes back into the 67 00:03:32,400 --> 00:03:35,280 Speaker 3: episode where we like get a little serious because of 68 00:03:35,840 --> 00:03:41,480 Speaker 3: serious tragedy has just taken place in the world. And 69 00:03:41,520 --> 00:03:46,680 Speaker 3: then there's like the advertisement is for a tragedy the 70 00:03:47,040 --> 00:03:51,120 Speaker 3: tragedy making company. Yes, yeah, no, I know, but you 71 00:03:51,160 --> 00:03:54,280 Speaker 3: are just again they're like why did that happen? It's like, 72 00:03:54,320 --> 00:03:56,600 Speaker 3: well because they we had an ad week more. 73 00:03:56,400 --> 00:03:57,680 Speaker 2: We had an ad for the Taliban. 74 00:03:57,960 --> 00:04:00,080 Speaker 3: Yeah really, yes, how long. 75 00:04:00,080 --> 00:04:03,400 Speaker 2: Ago this money spends the same I don't know. 76 00:04:03,800 --> 00:04:06,160 Speaker 3: Yeah, I mean, but you know with the dynamic ads, 77 00:04:06,200 --> 00:04:11,000 Speaker 3: it was literally like eternal, like how long ago? 78 00:04:11,040 --> 00:04:13,120 Speaker 1: Well then I feel like maybe you guys should monitor 79 00:04:13,160 --> 00:04:14,640 Speaker 1: that a little. I mean, that feels like. 80 00:04:14,880 --> 00:04:17,599 Speaker 3: It wasn't always. There was a time when the Taliban 81 00:04:17,760 --> 00:04:21,880 Speaker 3: was not like, yeah, the worst. It wasn't like company 82 00:04:21,880 --> 00:04:24,359 Speaker 3: where people were like, oh the Taliban people were like 83 00:04:24,440 --> 00:04:25,000 Speaker 3: it was kind of it was. 84 00:04:25,000 --> 00:04:27,600 Speaker 2: Like you either you know, yeah, you either didn't know 85 00:04:27,640 --> 00:04:30,880 Speaker 2: that much about it or your awareness was it was 86 00:04:31,000 --> 00:04:34,000 Speaker 2: very peripheral. They hadn't like made a splash the way 87 00:04:34,000 --> 00:04:35,200 Speaker 2: that like Elon has. 88 00:04:35,320 --> 00:04:38,000 Speaker 3: Now, yes, they were doing some interesting stuff. It was 89 00:04:38,040 --> 00:04:42,520 Speaker 3: that time where like, I mean they had I mean, 90 00:04:42,560 --> 00:04:44,440 Speaker 3: it's in the ad. Just listen to the you know, 91 00:04:44,560 --> 00:04:45,919 Speaker 3: like you know what I mean, do it for free? 92 00:04:46,000 --> 00:04:47,960 Speaker 1: Well, I just wondered, like, promote the. 93 00:04:47,920 --> 00:04:51,720 Speaker 3: Taliban on your show. This undercuts the entire thing. If 94 00:04:51,760 --> 00:04:54,440 Speaker 3: you have me promoting the Taliban and the context where 95 00:04:54,480 --> 00:04:57,839 Speaker 3: I'm not being paid, well, that doesn't make sense to me. 96 00:04:57,960 --> 00:04:59,760 Speaker 2: We thought we were using an example you would connect 97 00:04:59,760 --> 00:05:01,960 Speaker 2: to because you have that you have that bumper sticker 98 00:05:02,000 --> 00:05:03,799 Speaker 2: on your car that says I bought this thing before 99 00:05:03,839 --> 00:05:04,839 Speaker 2: Elon went crazy. 100 00:05:05,000 --> 00:05:06,440 Speaker 1: Well, yeah, but I did. That's different. 101 00:05:06,480 --> 00:05:09,600 Speaker 2: You know what I mean different? That's a different. Well, yeah, 102 00:05:09,640 --> 00:05:12,080 Speaker 2: I on a regular tesla, I would say yes, But 103 00:05:12,160 --> 00:05:14,480 Speaker 2: the cyber truck. By the time that was really available, 104 00:05:14,560 --> 00:05:17,440 Speaker 2: it was it was pretty clear that which direction this 105 00:05:17,600 --> 00:05:18,200 Speaker 2: was head. 106 00:05:18,040 --> 00:05:20,200 Speaker 3: And the dot and the eye has a face in 107 00:05:20,240 --> 00:05:24,039 Speaker 3: it that's winking. Yeah, well yeah, what is he winking about? 108 00:05:24,320 --> 00:05:27,719 Speaker 1: Yeah, cheek. I mean that's Elon's whole thing. Comedy was dead. 109 00:05:28,000 --> 00:05:28,920 Speaker 1: I'm not going to get into all that. 110 00:05:29,160 --> 00:05:32,880 Speaker 3: Okay, So it does sound like that, like, no, that's 111 00:05:34,279 --> 00:05:35,200 Speaker 3: comedy is illegal. 112 00:05:35,480 --> 00:05:39,680 Speaker 1: I think the comparison to the Taliban and someone who 113 00:05:39,760 --> 00:05:41,920 Speaker 1: drives and I'm not saying me, but someone who drives 114 00:05:41,920 --> 00:05:44,080 Speaker 1: a cyber truck with a I bought this before Elon 115 00:05:44,200 --> 00:05:46,719 Speaker 1: was crazy, Elon winking in it? 116 00:05:46,839 --> 00:05:50,839 Speaker 2: Were sorry, that's comparing it to having an ad for 117 00:05:50,880 --> 00:05:53,280 Speaker 2: the Taliban face. 118 00:05:53,080 --> 00:05:55,040 Speaker 1: Which question am I supposed to add answer here? Because 119 00:05:55,080 --> 00:05:57,000 Speaker 1: this is feeling a little It feels like you guys 120 00:05:57,040 --> 00:05:57,360 Speaker 1: are gag. 121 00:05:57,440 --> 00:06:01,719 Speaker 2: Well, you mischaracterized the comparison. You said we were comparing 122 00:06:02,040 --> 00:06:04,239 Speaker 2: the act of driving a cyber truck with that sticker 123 00:06:04,600 --> 00:06:07,800 Speaker 2: to the Taliban. No, we were comparing it to doing 124 00:06:07,880 --> 00:06:10,920 Speaker 2: it for that not even doing an ad having a 125 00:06:11,000 --> 00:06:15,880 Speaker 2: dynamic AD asserted sure, yeah, and then to answer your question, 126 00:06:16,000 --> 00:06:18,239 Speaker 2: I think it is supposed to eat Elon's face becauky. 127 00:06:19,200 --> 00:06:20,000 Speaker 1: He's the meme guy. 128 00:06:20,080 --> 00:06:25,080 Speaker 3: It's way hard like it's like a really hot guy. 129 00:06:25,320 --> 00:06:29,080 Speaker 3: It's it's just much better looking than I consider Elon too. 130 00:06:30,200 --> 00:06:32,240 Speaker 2: By the way, we're not this show. I feel like 131 00:06:32,279 --> 00:06:34,080 Speaker 2: every episode we have to say that we're not into 132 00:06:34,120 --> 00:06:35,480 Speaker 2: like body shaming or whatever. 133 00:06:35,839 --> 00:06:37,760 Speaker 1: Yon would be the worst one. 134 00:06:37,880 --> 00:06:40,000 Speaker 3: I was just going as far as to say that 135 00:06:40,240 --> 00:06:43,440 Speaker 3: clearly working out that that I don't think Elon is 136 00:06:43,440 --> 00:06:46,160 Speaker 3: the hottest guy in the world, which it feels like 137 00:06:46,279 --> 00:06:47,840 Speaker 3: the person drawing. 138 00:06:47,560 --> 00:06:51,440 Speaker 1: Well, I'm a I like the I like it. 139 00:06:51,560 --> 00:06:54,040 Speaker 3: So you think he is the hottest guy in the world. 140 00:06:54,080 --> 00:06:58,039 Speaker 3: But you bought it, so Sapio. Yeah, but you bought 141 00:06:58,040 --> 00:07:00,279 Speaker 3: it before he went crazy. 142 00:07:00,880 --> 00:07:07,040 Speaker 1: Mm hmmm, yeah, yeah, I bought it like months ago. Okay, yeah, 143 00:07:07,200 --> 00:07:09,800 Speaker 1: before before, And I don't even think he's going crazy now. 144 00:07:09,920 --> 00:07:11,520 Speaker 1: I think he's kind of been vilified. 145 00:07:11,680 --> 00:07:14,280 Speaker 3: I see. So you're saying I bought this before Elon 146 00:07:14,360 --> 00:07:17,600 Speaker 3: went crazy, which is going to happen potentially at some 147 00:07:17,640 --> 00:07:18,600 Speaker 3: point in the future, but. 148 00:07:18,600 --> 00:07:19,200 Speaker 2: Maybe you could. 149 00:07:20,120 --> 00:07:21,720 Speaker 1: I mean, the weight on this guy right now. 150 00:07:21,800 --> 00:07:24,600 Speaker 2: Yeah, how much criticism he's receiving, and all he's trying 151 00:07:24,600 --> 00:07:26,240 Speaker 2: to do, all the pressure he's put on himself to 152 00:07:26,320 --> 00:07:26,960 Speaker 2: kind of save the. 153 00:07:26,960 --> 00:07:31,200 Speaker 3: Plane, went putting up with all your bullshit, all the 154 00:07:31,200 --> 00:07:32,760 Speaker 3: people that are complaining about it. 155 00:07:32,840 --> 00:07:35,920 Speaker 2: Yeah, but I bought this thing before you drove elon crazy. 156 00:07:36,320 --> 00:07:38,080 Speaker 1: And by the way, I haven't driven him crazy, but 157 00:07:38,080 --> 00:07:39,840 Speaker 1: they're they're they're pushing. 158 00:07:39,560 --> 00:07:43,240 Speaker 3: Him before you. 159 00:07:43,320 --> 00:07:47,440 Speaker 1: Clearly he's the Tony Stark figure that you know, if anything. Yeah, 160 00:07:47,480 --> 00:07:49,600 Speaker 1: but and he's fun and he's funnier than Tony Stark. 161 00:07:49,640 --> 00:07:52,360 Speaker 1: But yeah, exactly, And I'm just saying comparing that. 162 00:07:52,400 --> 00:07:55,560 Speaker 2: Tony Stark is funny like the movies, he's funny. 163 00:07:56,120 --> 00:07:59,680 Speaker 1: He's not like hilarious, and he wasn't fighting. 164 00:07:59,720 --> 00:08:02,120 Speaker 2: Being a funny in the books. And by the way, 165 00:08:02,160 --> 00:08:03,160 Speaker 2: I don't call them comic books. 166 00:08:03,160 --> 00:08:03,880 Speaker 3: I call him books. 167 00:08:03,960 --> 00:08:06,480 Speaker 1: Yeah, No, they're definitely I agree that where you can 168 00:08:06,480 --> 00:08:07,760 Speaker 1: see on those are books. 169 00:08:07,840 --> 00:08:09,480 Speaker 2: Yeah, but he's not as funny in that. But in 170 00:08:09,520 --> 00:08:10,240 Speaker 2: the movies he's. 171 00:08:10,160 --> 00:08:13,160 Speaker 1: Really funny, charming, and I think that there's a difference 172 00:08:13,720 --> 00:08:15,600 Speaker 1: has going on for him. But I don't want to 173 00:08:15,600 --> 00:08:16,640 Speaker 1: get bogged down and all that. 174 00:08:16,680 --> 00:08:18,520 Speaker 2: I mean, that's like, no, that shouldn't be with that 175 00:08:18,600 --> 00:08:21,960 Speaker 2: episode because that's become a political Yeah, exactly, a little 176 00:08:21,960 --> 00:08:24,120 Speaker 2: bit of a third rail third rail. Yeah, but I 177 00:08:24,120 --> 00:08:24,520 Speaker 2: don't you. 178 00:08:24,520 --> 00:08:27,680 Speaker 1: Know, let's I think we all love America and that's 179 00:08:27,720 --> 00:08:30,080 Speaker 1: why the Taliban thing was was troubling to hear. 180 00:08:30,160 --> 00:08:31,920 Speaker 2: Were you going to say third rail? Yeah? 181 00:08:32,320 --> 00:08:35,040 Speaker 3: I thought you might say football political football, which is 182 00:08:35,040 --> 00:08:35,960 Speaker 3: the thing that people say. 183 00:08:36,240 --> 00:08:39,720 Speaker 1: Yeah, I mean I'm familiar with both terms. 184 00:08:39,880 --> 00:08:44,760 Speaker 2: Yeah, very well, but just like you know, dynamic and programmatic. 185 00:08:45,559 --> 00:08:47,440 Speaker 1: I mean I've noticed that you kind of turned your 186 00:08:47,440 --> 00:08:49,559 Speaker 1: nose up at the programmatic thing. That's just another way 187 00:08:49,559 --> 00:08:49,960 Speaker 1: to say. 188 00:08:49,800 --> 00:08:51,719 Speaker 2: It's not how. I yeah, it's not how I've ever 189 00:08:51,760 --> 00:08:55,240 Speaker 2: heard of described. Yeah, no, that you have what. 190 00:08:55,200 --> 00:09:00,240 Speaker 3: You have And so a new show we're excited about. 191 00:08:59,960 --> 00:09:03,679 Speaker 2: It's next time speaking of being in the game, this 192 00:09:03,760 --> 00:09:07,439 Speaker 2: guy changed the game and now he's looking to change again. 193 00:09:07,880 --> 00:09:11,200 Speaker 1: I mean, that is the nicest thing that I think. 194 00:09:11,200 --> 00:09:12,920 Speaker 1: That's the nicest thing you too have said about Man. 195 00:09:12,960 --> 00:09:14,679 Speaker 1: That's really nice. And do you mean that? I mean 196 00:09:14,720 --> 00:09:16,960 Speaker 1: it feels like, you know, it's not just like doing 197 00:09:17,000 --> 00:09:18,920 Speaker 1: another podcast. You think it's kind of changing the game 198 00:09:18,960 --> 00:09:19,280 Speaker 1: a little. 199 00:09:20,000 --> 00:09:21,640 Speaker 2: I've said, you want to change the game? 200 00:09:21,760 --> 00:09:24,760 Speaker 1: Oh, I think it changed the game. What did you hear? 201 00:09:25,559 --> 00:09:27,920 Speaker 3: I did hear change the game? And I was just 202 00:09:27,920 --> 00:09:28,560 Speaker 3: going to sit. 203 00:09:28,440 --> 00:09:31,120 Speaker 2: Here the game and now you're changing it again or 204 00:09:31,160 --> 00:09:32,199 Speaker 2: you want to change it again? 205 00:09:32,400 --> 00:09:33,480 Speaker 3: Right? 206 00:09:33,520 --> 00:09:33,679 Speaker 4: Well? 207 00:09:33,679 --> 00:09:36,600 Speaker 1: Either way. Yeah, there's another there's a you know, yeah, 208 00:09:36,679 --> 00:09:38,640 Speaker 1: it's called next We have you guys have been on 209 00:09:38,679 --> 00:09:39,079 Speaker 1: the show. 210 00:09:40,520 --> 00:09:45,000 Speaker 3: We just were, Yeah, and we talked about on that 211 00:09:45,080 --> 00:09:50,520 Speaker 3: show doing something kind of interesting because show. Yeah, I 212 00:09:50,559 --> 00:09:54,839 Speaker 3: think it is fair to say we didn't really get 213 00:09:54,960 --> 00:09:57,160 Speaker 3: where we were intending to go. 214 00:09:57,400 --> 00:09:59,920 Speaker 2: I yes, I would say that for the entirety of 215 00:10:00,080 --> 00:10:02,280 Speaker 2: the show, I didn't know what was happening, what was 216 00:10:02,320 --> 00:10:05,000 Speaker 2: supposed to happen, what you wanted to happen, what I 217 00:10:05,040 --> 00:10:08,000 Speaker 2: should be doing, why we were on the show, what 218 00:10:08,040 --> 00:10:14,280 Speaker 2: the show is, And you kept saying, but that's not 219 00:10:14,360 --> 00:10:16,120 Speaker 2: what I was hearing. 220 00:10:16,520 --> 00:10:18,000 Speaker 1: Can I just can I just say, and not to 221 00:10:18,040 --> 00:10:20,079 Speaker 1: tell you guys how to run your show, but I 222 00:10:20,120 --> 00:10:22,720 Speaker 1: definitely think we should not be talking just about how 223 00:10:22,800 --> 00:10:24,959 Speaker 1: that went on this show, because. 224 00:10:25,080 --> 00:10:26,880 Speaker 2: It's a whole other show, a show. 225 00:10:27,440 --> 00:10:30,920 Speaker 1: If you listen to that show, you can see that 226 00:10:31,040 --> 00:10:34,840 Speaker 1: I came in with a plan and it it didn't 227 00:10:34,880 --> 00:10:36,240 Speaker 1: happen in the way that I saw. 228 00:10:36,480 --> 00:10:38,800 Speaker 2: I have to listen now, I just did it. 229 00:10:39,000 --> 00:10:41,280 Speaker 1: No, you don't have to know. But well, first of all, 230 00:10:41,320 --> 00:10:42,679 Speaker 1: you didn't make it sound like it's gonna be work 231 00:10:42,720 --> 00:10:43,200 Speaker 1: to listen to. 232 00:10:45,960 --> 00:10:49,760 Speaker 3: Is much less painful for me than like, what what 233 00:10:49,800 --> 00:10:50,559 Speaker 3: that experience? 234 00:10:51,760 --> 00:10:56,920 Speaker 2: I mean, I'm passionate about yeah, and I think we work. 235 00:10:57,120 --> 00:10:58,360 Speaker 2: I'm a worker among workers. 236 00:10:58,520 --> 00:11:02,920 Speaker 3: It's totally well, I disconnected from what that experience was. 237 00:11:02,920 --> 00:11:06,160 Speaker 3: Was like, I will will not be listening to it 238 00:11:06,240 --> 00:11:08,520 Speaker 3: even talking about it. Now, I agree with you. I 239 00:11:08,520 --> 00:11:11,000 Speaker 3: would love to not spend this entire episode doing that, 240 00:11:11,559 --> 00:11:14,920 Speaker 3: but I do want. I think it would be helpful 241 00:11:15,320 --> 00:11:17,400 Speaker 3: just to give it because this episode is coming up first. 242 00:11:17,920 --> 00:11:20,839 Speaker 3: So this gives us an opportunity to get ahead of. 243 00:11:20,800 --> 00:11:24,840 Speaker 1: Something table at Yeah, get out in the table no no, no, 244 00:11:24,880 --> 00:11:27,199 Speaker 1: not get in front of stuff to promote it, to 245 00:11:27,480 --> 00:11:29,200 Speaker 1: promote it. And that's great. It's called next we have 246 00:11:29,240 --> 00:11:32,559 Speaker 1: and you guys did it, and you know that, and 247 00:11:32,600 --> 00:11:37,600 Speaker 1: I think that I was. It was, Uh, it was 248 00:11:37,600 --> 00:11:39,640 Speaker 1: like being in a writer's room. 249 00:11:39,840 --> 00:11:41,160 Speaker 3: Is that what the show. 250 00:11:41,840 --> 00:11:42,439 Speaker 2: Is supposed to be? 251 00:11:43,240 --> 00:11:45,240 Speaker 1: But that's what I loved about the segments we did 252 00:11:45,280 --> 00:11:48,280 Speaker 1: because it's supposed to be segments. And uh and again, 253 00:11:48,320 --> 00:11:55,599 Speaker 1: I really I'm not. I'm not such a surprise doing it. 254 00:11:55,640 --> 00:11:57,480 Speaker 1: We've all been in writers rooms, and I know you 255 00:11:57,559 --> 00:11:59,240 Speaker 1: said that that kind of came as a surprise. 256 00:11:59,440 --> 00:12:04,640 Speaker 3: I was, you've finished that episode. So in the continuity 257 00:12:04,679 --> 00:12:07,240 Speaker 3: of our own experience, we were just talking about how 258 00:12:07,640 --> 00:12:09,319 Speaker 3: you've said that you've done some writing. 259 00:12:09,040 --> 00:12:12,360 Speaker 1: Before we've all done like you want to keep talking 260 00:12:12,400 --> 00:12:14,360 Speaker 1: about that. I don't want it, but I mean we've 261 00:12:14,360 --> 00:12:15,840 Speaker 1: all written stuff. 262 00:12:16,000 --> 00:12:17,920 Speaker 2: I hate to do. What I guess is sort of 263 00:12:17,920 --> 00:12:20,480 Speaker 2: a companion piece to what was ultimately kind. 264 00:12:20,360 --> 00:12:30,040 Speaker 1: Of well careful, friendless, no what no. 265 00:12:28,520 --> 00:12:29,240 Speaker 2: Very lonely. 266 00:12:29,520 --> 00:12:29,679 Speaker 4: Yea. 267 00:12:31,040 --> 00:12:33,360 Speaker 3: It should be, I mean, something should be like an 268 00:12:33,440 --> 00:12:37,520 Speaker 3: isolation because when we live in a collective society. 269 00:12:39,200 --> 00:12:41,160 Speaker 1: Now, now, I am going to insist that you guys 270 00:12:41,200 --> 00:12:43,200 Speaker 1: listen to it, because I think if you listen to it, 271 00:12:43,240 --> 00:12:47,559 Speaker 1: you'll say, oh wow, okay. Not only were you guys 272 00:12:47,600 --> 00:12:50,000 Speaker 1: great on it, you could see my plan. 273 00:12:51,440 --> 00:12:54,040 Speaker 3: And the editing you kept saying is gonna really, it's 274 00:12:54,040 --> 00:12:54,400 Speaker 3: gonna really. 275 00:12:54,640 --> 00:12:56,880 Speaker 2: There was a lot of talk about how much editing minimal. 276 00:12:57,559 --> 00:13:01,760 Speaker 1: There's no no, you think absolute, I don't. I'll put 277 00:13:01,760 --> 00:13:02,319 Speaker 1: it out fast. 278 00:13:02,320 --> 00:13:04,360 Speaker 2: Compared to other episodes you've done, or just for a 279 00:13:04,400 --> 00:13:06,000 Speaker 2: podcast overall, but. 280 00:13:06,200 --> 00:13:08,079 Speaker 1: Just for just in general, I just I don't think. 281 00:13:08,280 --> 00:13:10,400 Speaker 1: I think. I think if you guys listen, it's one 282 00:13:10,440 --> 00:13:14,440 Speaker 1: of those ones where you'll go, okay. There were and 283 00:13:14,440 --> 00:13:16,440 Speaker 1: that's why I compared to a writ it felt like 284 00:13:16,480 --> 00:13:19,079 Speaker 1: we were all pitching in a great way and best 285 00:13:19,120 --> 00:13:19,840 Speaker 1: idea one. 286 00:13:20,040 --> 00:13:22,160 Speaker 3: Do you want to talk? Just say your credits? It 287 00:13:22,160 --> 00:13:23,000 Speaker 3: feels like that's what. 288 00:13:22,920 --> 00:13:25,480 Speaker 2: You know, yeah, kind of just go around. 289 00:13:26,640 --> 00:13:29,600 Speaker 1: But I'm not. I'm not even getting into that. That's great. 290 00:13:29,640 --> 00:13:32,000 Speaker 3: I'd love to know what what some of the titles were. 291 00:13:32,080 --> 00:13:34,560 Speaker 2: Just yeah, just because I didn't even know this whole siety. 292 00:13:34,760 --> 00:13:37,960 Speaker 2: I think of you as like a stand up or like, oh. 293 00:13:37,920 --> 00:13:40,240 Speaker 1: Well, thank you, go ahead, Kevin. 294 00:13:41,920 --> 00:13:43,760 Speaker 3: I do a lot of stand up so we can 295 00:13:43,800 --> 00:13:46,880 Speaker 3: get through those. You won't tell us okay, no, no, okay, 296 00:13:46,880 --> 00:13:48,280 Speaker 3: you don't want to tell me how to do? 297 00:13:48,800 --> 00:13:50,680 Speaker 1: How about if you interview me about it and go. 298 00:13:51,080 --> 00:13:53,560 Speaker 2: You know, ask you what it is, totally what the 299 00:13:53,559 --> 00:13:56,000 Speaker 2: show usually is. I think we have asked you twice. 300 00:13:56,040 --> 00:13:59,880 Speaker 2: I think okay at it, but it felt like you 301 00:14:00,200 --> 00:14:02,400 Speaker 2: want to ask. That's why I didn't answer easily. 302 00:14:02,440 --> 00:14:05,000 Speaker 3: I'd like to ask, so we can Oh yeah, so 303 00:14:05,040 --> 00:14:07,640 Speaker 3: we can move beyond it, all right, I'll get into it. 304 00:14:07,960 --> 00:14:10,000 Speaker 1: I've written on, Uh, you ever heard of the show 305 00:14:10,040 --> 00:14:12,320 Speaker 1: called You're the Worst? Uh? 306 00:14:12,520 --> 00:14:14,319 Speaker 3: Yeah, heard of it. 307 00:14:14,320 --> 00:14:15,120 Speaker 1: It's a great show. 308 00:14:16,360 --> 00:14:21,440 Speaker 2: Yeah, that's what Arrested Development. 309 00:14:22,480 --> 00:14:23,320 Speaker 1: Oh what? 310 00:14:24,240 --> 00:14:24,480 Speaker 4: Yeah? 311 00:14:25,720 --> 00:14:28,040 Speaker 1: Have you heard of that one? Which season? I don't 312 00:14:28,040 --> 00:14:30,680 Speaker 1: get into what season I wrote on, because I think 313 00:14:30,720 --> 00:14:33,680 Speaker 1: if you watch that show, that whole show is about 314 00:14:33,880 --> 00:14:36,720 Speaker 1: in totality, all the writers would say it doesn't matter 315 00:14:36,760 --> 00:14:38,560 Speaker 1: what season you write on of the show. If you're 316 00:14:38,560 --> 00:14:41,080 Speaker 1: in the club, you're in the club. And I'm in 317 00:14:41,120 --> 00:14:45,040 Speaker 1: the club. Okay, But but yeah, those that I wrote 318 00:14:45,080 --> 00:14:50,040 Speaker 1: on Arrested Development, arrest Yeah season what's your favorite season? 319 00:14:50,920 --> 00:14:54,120 Speaker 3: I mean, just for me? Like I wrote on Eastbounding 320 00:14:54,240 --> 00:14:57,360 Speaker 3: Down it was a great show. I wrote on season four, 321 00:14:57,880 --> 00:15:02,360 Speaker 3: So I want like, yes, I agree, that's what everyone says. 322 00:15:02,520 --> 00:15:04,640 Speaker 3: One and four were kind of like the two like 323 00:15:04,880 --> 00:15:09,080 Speaker 3: really really great seasons. Yeah, uh, and so yours was. 324 00:15:09,600 --> 00:15:12,440 Speaker 3: It can just be helpful to understand, like, especially because 325 00:15:12,600 --> 00:15:17,400 Speaker 3: there was a really long gap between season three of 326 00:15:17,440 --> 00:15:19,760 Speaker 3: the show. I think in season four. Yeah, it was 327 00:15:19,760 --> 00:15:22,040 Speaker 3: almost like a completely different show. 328 00:15:22,840 --> 00:15:27,480 Speaker 1: Well, I think, uh, I think the whole thing. First 329 00:15:27,520 --> 00:15:29,480 Speaker 1: of all, those are great seasons of Eastbound and Down. 330 00:15:29,560 --> 00:15:30,360 Speaker 1: So kudos to. 331 00:15:30,320 --> 00:15:33,040 Speaker 3: You, thank you, and I would love to offer you 332 00:15:33,120 --> 00:15:36,120 Speaker 3: kudos as well. But you seem to not want to 333 00:15:36,160 --> 00:15:37,640 Speaker 3: share show. 334 00:15:37,640 --> 00:15:39,880 Speaker 1: Change which season, and I think that's what I loved 335 00:15:39,920 --> 00:15:44,520 Speaker 1: about the later seasons. Have you seen season four of Eastbound? 336 00:15:44,560 --> 00:15:47,800 Speaker 2: Yeah, I've seen season four. Yeah. My friend Hayes wrote 337 00:15:47,800 --> 00:15:47,960 Speaker 2: for it. 338 00:15:48,080 --> 00:15:50,920 Speaker 3: Yeah, but I would have friends over him. We would 339 00:15:50,920 --> 00:15:53,240 Speaker 3: just like watch the show. I talk about some of 340 00:15:53,280 --> 00:15:55,400 Speaker 3: the best mind yeaheah. 341 00:15:55,400 --> 00:15:58,040 Speaker 1: No, I know, And that was I've also written on 342 00:15:59,520 --> 00:16:03,120 Speaker 1: I wrote on a show called Flaked the second season. 343 00:16:03,160 --> 00:16:07,240 Speaker 3: Wow, so you really got into the second season of Flaked, Okay, 344 00:16:10,400 --> 00:16:12,240 Speaker 3: I wrote that I didn't want to ask if it 345 00:16:12,280 --> 00:16:14,840 Speaker 3: was the first or second, it was the second one. Really, 346 00:16:14,960 --> 00:16:18,400 Speaker 3: like I would just I would just personally just say 347 00:16:18,440 --> 00:16:20,480 Speaker 3: I wrote on Flaked. 348 00:16:20,160 --> 00:16:22,000 Speaker 1: Well, see you were trying to Yeah, it seems like 349 00:16:22,040 --> 00:16:25,560 Speaker 1: you volunteered season on that one, so I think. 350 00:16:25,440 --> 00:16:27,640 Speaker 3: It's helpful to specify. For Flake. I would just say 351 00:16:27,680 --> 00:16:28,840 Speaker 3: I wrote on Flaked. 352 00:16:28,560 --> 00:16:31,920 Speaker 2: I think any season like like you said, like Arrested, 353 00:16:32,040 --> 00:16:34,400 Speaker 2: Like that's a show. Like the credit itself is so great. 354 00:16:34,880 --> 00:16:39,360 Speaker 2: I think for Flaked, let me just assume you know 355 00:16:39,880 --> 00:16:42,840 Speaker 2: that it was the whole show or even season one. 356 00:16:43,040 --> 00:16:46,200 Speaker 1: Yeah, but that but there, I look, I'm not I'm 357 00:16:46,240 --> 00:16:50,240 Speaker 1: just saying we've we've all been writers and yeah, Arrested Development. 358 00:16:50,840 --> 00:16:51,320 Speaker 2: I didn't know. 359 00:16:51,680 --> 00:16:53,280 Speaker 1: Yeah, so that's a pretty big show. 360 00:16:53,480 --> 00:16:55,920 Speaker 2: No, that's and that's why we asked. I mean, actually 361 00:16:55,920 --> 00:16:57,120 Speaker 2: we asked just so you could say it, so we 362 00:16:57,120 --> 00:16:59,520 Speaker 2: could talk about something else. But I but but I didn't. 363 00:16:59,560 --> 00:17:01,080 Speaker 1: I haven't. I didn't move on. I mean, but I 364 00:17:01,760 --> 00:17:03,800 Speaker 1: just think now we can all sort of go, hey, 365 00:17:03,960 --> 00:17:06,639 Speaker 1: he spound down arrest Development. Those are some that's some 366 00:17:06,680 --> 00:17:09,920 Speaker 1: big stuff. That's a big room, you know. And that's 367 00:17:09,920 --> 00:17:12,560 Speaker 1: what I was comparing the podcast too. Was it was 368 00:17:12,760 --> 00:17:16,000 Speaker 1: very much a writer's room. It got intense, but so 369 00:17:16,119 --> 00:17:17,679 Speaker 1: did the West Wing. And look at how good that 370 00:17:17,720 --> 00:17:18,040 Speaker 1: shows it. 371 00:17:18,119 --> 00:17:19,680 Speaker 2: Yeah, it gets heated. Did you work on that? 372 00:17:20,000 --> 00:17:23,160 Speaker 1: No, it's too young. But I but but otherwise they 373 00:17:23,440 --> 00:17:24,639 Speaker 1: projected you or something. 374 00:17:25,119 --> 00:17:26,119 Speaker 4: How do you apply to it? 375 00:17:26,200 --> 00:17:26,360 Speaker 2: No? 376 00:17:26,440 --> 00:17:27,200 Speaker 1: I couldn't even. 377 00:17:27,040 --> 00:17:28,720 Speaker 3: Okay, how do you know you were too young? 378 00:17:29,240 --> 00:17:31,280 Speaker 1: As a kid, as I'm a very I'm young. 379 00:17:31,720 --> 00:17:31,960 Speaker 2: Yeah. 380 00:17:32,000 --> 00:17:34,520 Speaker 1: First of all, I haven't been you know, I haven't 381 00:17:34,520 --> 00:17:35,560 Speaker 1: been in the game that long. 382 00:17:35,800 --> 00:17:39,240 Speaker 3: I think it honestly could have used one kid in there. 383 00:17:39,280 --> 00:17:42,680 Speaker 3: There's like barely any kid, Like you could tell that 384 00:17:42,880 --> 00:17:44,560 Speaker 3: there was no kid voice in that. 385 00:17:44,800 --> 00:17:45,760 Speaker 1: I completely agree. 386 00:17:45,880 --> 00:17:48,520 Speaker 3: That's partly why it's. I think it's the age so poorly. 387 00:17:48,760 --> 00:17:51,199 Speaker 2: Yeah, it just feels it's so dated because it's all 388 00:17:51,359 --> 00:17:54,159 Speaker 2: it was the fifth season. It's an echo chambers grown up. 389 00:17:54,240 --> 00:17:58,439 Speaker 3: Yeah, Okay, because I was going to say that arrested 390 00:17:58,440 --> 00:17:59,640 Speaker 3: development feels. 391 00:17:59,320 --> 00:18:03,000 Speaker 2: Like I just remember there different. I remember there being 392 00:18:03,080 --> 00:18:06,000 Speaker 2: three and then the fourth came back, and I think 393 00:18:06,040 --> 00:18:10,600 Speaker 2: people kind of went like, we tried, you know, to 394 00:18:10,680 --> 00:18:14,119 Speaker 2: come back. But there was the fifth, yeah, which people 395 00:18:14,440 --> 00:18:17,480 Speaker 2: which is so yeah, which I slas kind of like 396 00:18:17,520 --> 00:18:18,480 Speaker 2: two seasons. 397 00:18:18,760 --> 00:18:22,600 Speaker 3: It was split kind of yeah, because people didn't want 398 00:18:22,680 --> 00:18:26,840 Speaker 3: to be in the same place as the room. 399 00:18:26,920 --> 00:18:30,040 Speaker 1: The curtain stuff that I what I say to you, Hey, 400 00:18:30,240 --> 00:18:34,080 Speaker 1: you know, was Danny McBride, Oh was he upset. 401 00:18:33,760 --> 00:18:36,719 Speaker 3: About the family? I'm happy to answer the family. 402 00:18:37,119 --> 00:18:37,480 Speaker 4: The rest. 403 00:18:37,920 --> 00:18:39,399 Speaker 1: We're all a family, and. 404 00:18:39,240 --> 00:18:44,560 Speaker 3: Why was it so I'm no, families are kind of 405 00:18:44,560 --> 00:18:47,320 Speaker 3: supposed to be together. We were all. 406 00:18:47,080 --> 00:18:48,080 Speaker 2: Like especially telling. 407 00:18:49,840 --> 00:18:52,919 Speaker 1: Them I don't think that I kai act with some 408 00:18:53,040 --> 00:18:54,320 Speaker 1: of those guys. 409 00:18:54,160 --> 00:18:56,080 Speaker 3: Some of them, but you are. 410 00:18:57,480 --> 00:19:01,320 Speaker 1: On the other day, right, I've kind of let's just say, 411 00:19:02,359 --> 00:19:06,000 Speaker 1: if we were kayaking, I could have gotten a big crew, and. 412 00:19:05,920 --> 00:19:09,760 Speaker 3: I'm guessing you were on the Ournett side of things. 413 00:19:10,160 --> 00:19:14,360 Speaker 1: No, s okay, I just am saying comedy wise. 414 00:19:14,240 --> 00:19:16,000 Speaker 3: I know it's only one of the Like a lot 415 00:19:16,040 --> 00:19:18,320 Speaker 3: of those guys got shows later, and only one of 416 00:19:18,359 --> 00:19:22,240 Speaker 3: them was like, you know, like, come I should do Flaked. 417 00:19:24,480 --> 00:19:27,960 Speaker 2: You weren't on Ozark season two, for example, What. 418 00:19:27,920 --> 00:19:31,520 Speaker 1: The look come on? You think I would Jason? 419 00:19:32,200 --> 00:19:34,280 Speaker 3: Wait, you were about to say you think I would 420 00:19:34,280 --> 00:19:35,040 Speaker 3: do Ozark? 421 00:19:35,280 --> 00:19:36,760 Speaker 1: No, No, I would know. 422 00:19:37,119 --> 00:19:38,600 Speaker 2: I think that's a pretty good credit. 423 00:19:39,320 --> 00:19:41,880 Speaker 1: Pete offered it to me. I said, Jay, I don't 424 00:19:41,920 --> 00:19:45,000 Speaker 1: think I'm ready to do this right now. You know, 425 00:19:45,280 --> 00:19:48,040 Speaker 1: get it going. Maybe I'll come in next season like 426 00:19:48,040 --> 00:19:52,040 Speaker 1: I did on Flaked. Something like you. 427 00:19:52,040 --> 00:19:54,199 Speaker 3: You said that on Flaked, will ask you to be 428 00:19:54,280 --> 00:19:56,200 Speaker 3: on season one and you said, I don't think I'm 429 00:19:56,280 --> 00:19:59,440 Speaker 3: ready right now. Get it going, and then I'll come 430 00:19:59,480 --> 00:20:00,680 Speaker 3: do next Don't let. 431 00:20:00,600 --> 00:20:02,800 Speaker 2: Me let me get in the lab or go to 432 00:20:02,840 --> 00:20:04,400 Speaker 2: the get some Sorry. 433 00:20:06,200 --> 00:20:10,240 Speaker 1: No, I don't remember that. We don't go. It's not 434 00:20:10,280 --> 00:20:11,960 Speaker 1: a project based relation. 435 00:20:12,440 --> 00:20:14,040 Speaker 3: When do you see it? Have you guessed it on 436 00:20:15,240 --> 00:20:16,080 Speaker 3: the podcast? 437 00:20:16,760 --> 00:20:18,360 Speaker 2: You're a podcaster, that's a podcast. 438 00:20:19,280 --> 00:20:21,199 Speaker 3: Since your friends and since you do see him, have 439 00:20:21,240 --> 00:20:22,639 Speaker 3: you seen him in that context? 440 00:20:23,640 --> 00:20:27,640 Speaker 1: Have I seen Will in the context of doing being 441 00:20:27,680 --> 00:20:27,960 Speaker 1: a guest? 442 00:20:28,119 --> 00:20:30,680 Speaker 3: I've been smart Have you been a guest on SmartLess? 443 00:20:30,720 --> 00:20:32,040 Speaker 1: Sorry on the show? 444 00:20:32,760 --> 00:20:52,080 Speaker 4: Okay, let me try to get this. 445 00:20:54,160 --> 00:20:56,200 Speaker 2: Let's try to get this question clear, because I think 446 00:20:56,680 --> 00:20:58,439 Speaker 2: disconnect my fault. 447 00:20:58,600 --> 00:21:04,399 Speaker 1: No, yeah, well, okay, hold on the question. The question 448 00:21:04,640 --> 00:21:07,360 Speaker 1: doesn't even merit an answer in that way. 449 00:21:07,680 --> 00:21:08,480 Speaker 3: Not in that way. 450 00:21:08,760 --> 00:21:12,359 Speaker 1: Okay, the question being have I been on SmartLess? 451 00:21:12,359 --> 00:21:16,080 Speaker 3: Because SmartLess has guess yes, right, yeah, And that's kind 452 00:21:16,080 --> 00:21:16,760 Speaker 3: of the whole idea. 453 00:21:16,800 --> 00:21:18,720 Speaker 2: You're saying how much you see Will and that you 454 00:21:18,760 --> 00:21:21,040 Speaker 2: guys run into each other. It's not a project based 455 00:21:21,280 --> 00:21:25,080 Speaker 2: it's like chatting, which is kind of what they do SmartLess. 456 00:21:25,080 --> 00:21:25,960 Speaker 2: They have a conversation. 457 00:21:26,000 --> 00:21:30,320 Speaker 1: If you have a guy's email, you know, what, are 458 00:21:30,359 --> 00:21:33,560 Speaker 1: you friends? I guarantee you? How about this? 459 00:21:34,040 --> 00:21:36,199 Speaker 3: I see you Will? 460 00:21:36,880 --> 00:21:39,280 Speaker 1: Does that mean you're like you're in a Hollywood See 461 00:21:39,760 --> 00:21:40,800 Speaker 1: there's a holiday. 462 00:21:40,480 --> 00:21:43,840 Speaker 3: You're like typing a W in your Gmail and like 463 00:21:43,920 --> 00:21:46,680 Speaker 3: sometimes it'll autocomplete and like you'll. 464 00:21:46,480 --> 00:21:48,159 Speaker 1: See, oh my god. If I were to search for 465 00:21:48,200 --> 00:21:51,080 Speaker 1: his email, I'd do it on my laptop and that 466 00:21:51,119 --> 00:21:56,679 Speaker 1: would come up. Yeah, and that's his email. Yeah, so 467 00:21:56,760 --> 00:22:04,600 Speaker 1: there you go. So yeah, So I think what I 468 00:22:04,640 --> 00:22:07,000 Speaker 1: was saying was we're all in the in the game, 469 00:22:07,040 --> 00:22:07,800 Speaker 1: and I'm. 470 00:22:07,520 --> 00:22:09,480 Speaker 2: So close to you just so you know, like I'm 471 00:22:09,520 --> 00:22:11,840 Speaker 2: really like, I'm only a couple of feet away from you, 472 00:22:11,920 --> 00:22:14,679 Speaker 2: so I can hear you. Fine, So just what do you 473 00:22:15,000 --> 00:22:18,280 Speaker 2: go to talk to me? Just check. 474 00:22:20,520 --> 00:22:24,040 Speaker 1: I'm having here, having a good time. I don't think 475 00:22:24,040 --> 00:22:29,760 Speaker 1: that's a legal hold on a season four of Eastbound yea, 476 00:22:30,320 --> 00:22:34,199 Speaker 1: so similar, we're all saying the same thing. Kayaking is 477 00:22:34,280 --> 00:22:36,200 Speaker 1: on the table with some of these people. 478 00:22:37,040 --> 00:22:42,440 Speaker 3: That is on the table, okay, but is doing SmartLess 479 00:22:42,520 --> 00:22:45,040 Speaker 3: on the table? Like That's what I'm kind of curious 480 00:22:45,040 --> 00:22:47,439 Speaker 3: about because it's sort of it seems like as a 481 00:22:47,480 --> 00:22:52,400 Speaker 3: podcaster with microphones and right and even like less of 482 00:22:52,440 --> 00:22:55,280 Speaker 3: a lift in terms of like a gosh, well you know. 483 00:22:55,200 --> 00:22:58,359 Speaker 1: What I love about only do it through zoom? Isn't 484 00:22:58,359 --> 00:22:58,880 Speaker 1: that crazy? 485 00:22:58,960 --> 00:22:59,200 Speaker 4: Did you? 486 00:22:59,200 --> 00:23:02,159 Speaker 2: Guys? That seems anybody. 487 00:23:03,320 --> 00:23:07,320 Speaker 1: On the road I know, but there's literally. 488 00:23:07,080 --> 00:23:09,520 Speaker 3: Nothing prohibiting you from doing. 489 00:23:09,400 --> 00:23:11,560 Speaker 1: Now doing it or having done it, or about to 490 00:23:11,600 --> 00:23:12,359 Speaker 1: do it or will do it. 491 00:23:12,600 --> 00:23:13,720 Speaker 2: They can do it in the future. 492 00:23:13,720 --> 00:23:16,040 Speaker 1: Oh so you're about you about there's a bunch, there's 493 00:23:16,080 --> 00:23:18,320 Speaker 1: a lot of you know, I mean, look again, I 494 00:23:18,320 --> 00:23:21,879 Speaker 1: think that you guys are you guys have been in 495 00:23:21,880 --> 00:23:23,919 Speaker 1: the game long enough that you know that if you 496 00:23:23,960 --> 00:23:25,919 Speaker 1: don't even have to be on a podcast to have 497 00:23:26,160 --> 00:23:28,360 Speaker 1: necessarily done something like that. 498 00:23:29,080 --> 00:23:32,160 Speaker 2: So we're what one thing I'm thinking of it could 499 00:23:32,200 --> 00:23:35,760 Speaker 2: be kind of fun to think about, is so the 500 00:23:35,800 --> 00:23:38,440 Speaker 2: way that show works, right is one of the guys 501 00:23:38,520 --> 00:23:42,040 Speaker 2: Will fries the others with the guest. Yes, so they 502 00:23:42,040 --> 00:23:44,280 Speaker 2: don't know who the guest is until it's like it's like, oh, 503 00:23:44,359 --> 00:23:47,040 Speaker 2: this week Will's bringing the guest and we don't know 504 00:23:47,080 --> 00:23:50,480 Speaker 2: who it's going to be. And can you imagine, especially 505 00:23:50,520 --> 00:23:56,640 Speaker 2: since you already work with Jason, what would the reaction be, right, Yeah, 506 00:23:56,720 --> 00:23:59,640 Speaker 2: but all of a sudden, this week Will brought Olivia Coleman, 507 00:24:00,680 --> 00:24:03,040 Speaker 2: and I think that, like, and you know, they are like, 508 00:24:03,040 --> 00:24:08,120 Speaker 2: who's got a better list of like so when so 509 00:24:08,200 --> 00:24:10,720 Speaker 2: when it's like the reveal and it's like the zoom 510 00:24:10,760 --> 00:24:13,520 Speaker 2: window lights up and it's gear Bear. 511 00:24:13,800 --> 00:24:16,480 Speaker 3: But who's the who's inviting him? Because I think it 512 00:24:16,480 --> 00:24:20,720 Speaker 3: could be really interesting if Sean invited. 513 00:24:20,080 --> 00:24:25,160 Speaker 1: Him relationship and you get to. 514 00:24:25,080 --> 00:24:28,960 Speaker 3: See the look on Jason and Will is this next guest? 515 00:24:29,359 --> 00:24:35,120 Speaker 2: And they would say coming up next? They would say next, next, up, we. 516 00:24:35,080 --> 00:24:38,080 Speaker 3: Have next, we have next, we have next, we have 517 00:24:38,800 --> 00:24:41,360 Speaker 3: and they would say that's Gareff. 518 00:24:42,600 --> 00:24:45,480 Speaker 1: What do you mean like they when you would hear 519 00:24:45,560 --> 00:24:46,399 Speaker 1: they would so. 520 00:24:47,240 --> 00:24:52,280 Speaker 2: Sean, Sean, next we have and that's a hint, right, 521 00:24:52,440 --> 00:24:55,920 Speaker 2: it's yeah, that's the name of your show. Am saying that, 522 00:24:56,520 --> 00:24:59,879 Speaker 2: telling yes, next we have, so you go next. We 523 00:25:00,080 --> 00:25:03,160 Speaker 2: have a big hint to them. And then it's from 524 00:25:03,240 --> 00:25:06,040 Speaker 2: next we have Garrett. 525 00:25:07,480 --> 00:25:11,320 Speaker 1: I think that you feel like you're name Sean. 526 00:25:11,520 --> 00:25:13,479 Speaker 3: Well no, no, but because the reason is I think 527 00:25:13,520 --> 00:25:15,560 Speaker 3: the way Sean would do it is said he name 528 00:25:15,640 --> 00:25:20,639 Speaker 3: is next we have I think someone you'll recognize window 529 00:25:21,400 --> 00:25:26,280 Speaker 3: And then they're saying that's Garret, that's Gareth. Are they 530 00:25:26,359 --> 00:25:28,480 Speaker 3: saying that when I did it? 531 00:25:28,600 --> 00:25:30,480 Speaker 1: Or are you saying in a way we have. 532 00:25:32,080 --> 00:25:32,399 Speaker 2: Hold on? 533 00:25:32,440 --> 00:25:37,160 Speaker 1: I got a yeah. Are they saying that? I think 534 00:25:37,200 --> 00:25:39,919 Speaker 1: there's definitely. I mean, look, they'll edit it down to get. 535 00:25:39,840 --> 00:25:41,920 Speaker 3: The reaction, So you think they will. 536 00:25:42,040 --> 00:25:42,400 Speaker 1: I'm talking. 537 00:25:43,119 --> 00:25:47,680 Speaker 3: I think the first cut their first reaction here will 538 00:25:47,720 --> 00:25:50,520 Speaker 3: need to be edited. No, okay, how will it appear 539 00:25:50,840 --> 00:25:51,160 Speaker 3: like this? 540 00:25:51,800 --> 00:25:55,000 Speaker 1: Okay? So do you want me to do? Are you 541 00:25:55,000 --> 00:25:56,240 Speaker 1: you want a Will impression? 542 00:25:56,960 --> 00:26:00,080 Speaker 3: No? I think we were saying Sean would introduce, So 543 00:26:00,200 --> 00:26:01,160 Speaker 3: you're doing Will's. 544 00:26:00,840 --> 00:26:06,199 Speaker 1: Well, I have Will reacted okay, so uh and and 545 00:26:06,240 --> 00:26:07,640 Speaker 1: he's going to say next, we have this. 546 00:26:09,080 --> 00:26:13,240 Speaker 3: A little head thing as you got into your Sean Yeah, all. 547 00:26:14,080 --> 00:26:15,480 Speaker 1: Yeah, what is that suggesting? 548 00:26:15,600 --> 00:26:18,679 Speaker 2: Oh, just that you have a physicality that you associate 549 00:26:18,720 --> 00:26:24,440 Speaker 2: with Sean and it's you know, no, it's not something 550 00:26:24,440 --> 00:26:26,000 Speaker 2: I've seen, but this is how we find our. 551 00:26:26,400 --> 00:26:28,080 Speaker 1: Have you ever seen him host the show. 552 00:26:29,480 --> 00:26:33,000 Speaker 3: Host the show SmartLess? I haven't. I haven't been on it. 553 00:26:33,119 --> 00:26:33,560 Speaker 3: Have you? 554 00:26:34,200 --> 00:26:36,200 Speaker 1: Well, I think you it would be fine to say 555 00:26:36,240 --> 00:26:39,320 Speaker 1: that his head does a little jaunt when he's excited. 556 00:26:39,600 --> 00:26:43,679 Speaker 3: And he's excited to introduce you, because because Jason and 557 00:26:43,680 --> 00:26:45,760 Speaker 3: Will Will recognize you. 558 00:26:46,040 --> 00:26:50,240 Speaker 2: What about what about this? He said? Sean says, he goes, well, 559 00:26:50,280 --> 00:26:54,439 Speaker 2: when I was you know, I remembered last minute that 560 00:26:54,520 --> 00:26:57,960 Speaker 2: I had to book a guest. I nearly flaked season 561 00:26:58,040 --> 00:27:00,760 Speaker 2: two but next we have I don't know if you 562 00:27:00,800 --> 00:27:02,440 Speaker 2: say from next week, have. 563 00:27:02,560 --> 00:27:05,840 Speaker 3: So and how is Bill? How is well reacting? Or 564 00:27:05,840 --> 00:27:07,920 Speaker 3: at least how will it appear you seem to want 565 00:27:08,000 --> 00:27:09,639 Speaker 3: to do, like how it will cut together? 566 00:27:09,840 --> 00:27:12,440 Speaker 1: The cut together version, it'll be great? 567 00:27:13,119 --> 00:27:14,439 Speaker 3: What will that sound like? 568 00:27:15,560 --> 00:27:17,359 Speaker 1: I mean, I don't want to ruin it for anyone 569 00:27:17,400 --> 00:27:20,359 Speaker 1: who might so it is happening. I don't want anyone 570 00:27:20,440 --> 00:27:25,280 Speaker 1: to not to be. I think it's worth listening to. 571 00:27:25,640 --> 00:27:30,880 Speaker 1: What is the reveal on on the show? Sure? 572 00:27:31,040 --> 00:27:33,960 Speaker 3: Yea great which has happened or is going to happen? 573 00:27:34,119 --> 00:27:37,400 Speaker 1: There will be evidence of it two again? 574 00:27:37,560 --> 00:27:43,560 Speaker 2: I that I that I what's the citizen? Could there's 575 00:27:43,880 --> 00:27:45,240 Speaker 2: they find an enjoy? 576 00:27:45,760 --> 00:27:47,640 Speaker 3: So if you do have a lot of episodes, yes 577 00:27:48,160 --> 00:27:51,320 Speaker 3: are you and you're on one of the episodes? 578 00:27:51,480 --> 00:27:53,920 Speaker 1: Well, I'm worried to answer any of this stuff after 579 00:27:53,960 --> 00:27:56,600 Speaker 1: the season too thing because they take the season two 580 00:27:56,680 --> 00:27:59,080 Speaker 1: thing got you guys all kind of mucked up in mind. 581 00:27:59,119 --> 00:28:02,680 Speaker 2: You don't want to know about Yeah, you know, did 582 00:28:02,680 --> 00:28:04,479 Speaker 2: you have a will impression that you wanted to do 583 00:28:04,520 --> 00:28:04,880 Speaker 2: for us? 584 00:28:05,200 --> 00:28:07,960 Speaker 1: Well, I just feel like it's in it would not 585 00:28:08,040 --> 00:28:10,280 Speaker 1: be you know, now is probably not the best time 586 00:28:10,320 --> 00:28:10,720 Speaker 1: I'll do it. 587 00:28:10,880 --> 00:28:11,320 Speaker 2: I would. 588 00:28:11,560 --> 00:28:15,640 Speaker 3: Okay, so you were saying what whoa? Oh, he's saying, well, 589 00:28:15,760 --> 00:28:19,840 Speaker 3: he's seeing you and saying whoa, oh whoa, and that's 590 00:28:19,880 --> 00:28:23,560 Speaker 3: because he well knows your name. 591 00:28:23,840 --> 00:28:26,359 Speaker 1: I got fucking raked over the colds from my head. 592 00:28:27,720 --> 00:28:31,680 Speaker 1: But he goes, oh, whoa. 593 00:28:32,440 --> 00:28:34,760 Speaker 3: That's good. I think that's a perfectly good impression. 594 00:28:34,840 --> 00:28:35,000 Speaker 2: Good. 595 00:28:35,240 --> 00:28:38,920 Speaker 3: Yeah, is he saying whoa because he knows he's supposed 596 00:28:38,960 --> 00:28:39,680 Speaker 3: to recognize? 597 00:28:41,360 --> 00:28:42,520 Speaker 2: Yeah, he buying time? 598 00:28:43,480 --> 00:28:46,560 Speaker 3: Is he hoping that like someone else will somebody else? 599 00:28:46,560 --> 00:28:48,640 Speaker 1: In general? Is the art of buying time? Wouldn't you 600 00:28:48,680 --> 00:28:51,440 Speaker 1: agree with that this episode? Yeah? 601 00:28:52,360 --> 00:28:55,520 Speaker 3: You know, I know I were selling it. That's mine. 602 00:28:55,600 --> 00:28:59,600 Speaker 2: Well, I mean, look, you you know selling selling at time? 603 00:28:59,680 --> 00:29:00,400 Speaker 2: Right wee? 604 00:29:00,840 --> 00:29:04,280 Speaker 1: I can do the dad as will let's beat the ad. 605 00:29:04,720 --> 00:29:08,240 Speaker 1: I could do the ad as will you know whatever? 606 00:29:10,200 --> 00:29:10,400 Speaker 2: You know? 607 00:29:11,480 --> 00:29:15,760 Speaker 1: Sure, whatever you want. I mean, I'm just saying, so. 608 00:29:15,800 --> 00:29:19,480 Speaker 3: You didn't notice that we were kind of meticulously not 609 00:29:19,600 --> 00:29:25,239 Speaker 3: saying the name of the company we're gonna. 610 00:29:25,600 --> 00:29:27,800 Speaker 1: Oh, I shouldn't say it, You shouldn't say it? 611 00:29:28,080 --> 00:29:33,160 Speaker 2: Yeah yeah, oh oh oh. Because I make a little 612 00:29:33,200 --> 00:29:35,760 Speaker 2: tongue in cheek joke generally about companies that are on 613 00:29:35,840 --> 00:29:37,760 Speaker 2: the show. Yeah, they're sort of absurd in a way 614 00:29:37,760 --> 00:29:39,520 Speaker 2: that protects us. When we actually say the name of 615 00:29:39,560 --> 00:29:41,960 Speaker 2: the company, we end up in sort of a sticky situation. 616 00:29:42,520 --> 00:29:46,280 Speaker 1: Yeah, okay, yeah, yeah that's great. No, that's fine. Well yeah, 617 00:29:46,320 --> 00:29:49,120 Speaker 1: so I mean, you know, yeah, I don't need to. 618 00:29:49,080 --> 00:29:52,200 Speaker 2: Say yeah, you know, well whatever we can, we can 619 00:29:52,240 --> 00:29:58,960 Speaker 2: say it. It's brilliant Earth the Ethical Gemstone Company. 620 00:30:00,320 --> 00:30:04,680 Speaker 1: Well they're sourcing all of those jem the jewels. 621 00:30:05,680 --> 00:30:07,160 Speaker 3: You just look at them and you're like, this is 622 00:30:07,200 --> 00:30:08,840 Speaker 3: the source the out of this. 623 00:30:10,920 --> 00:30:13,920 Speaker 1: Yeah. But anyway, yeah, that's so that's the smartlest chapter. 624 00:30:15,080 --> 00:30:19,160 Speaker 3: Okay. And it has been written or has yet to 625 00:30:19,200 --> 00:30:19,640 Speaker 3: be written. 626 00:30:20,280 --> 00:30:24,480 Speaker 1: Every chapter is open to addendums, especially in this book. 627 00:30:25,640 --> 00:30:27,560 Speaker 2: And you pointed to yourself when you said, this book, 628 00:30:29,560 --> 00:30:32,000 Speaker 2: yeah do we want to do so well. 629 00:30:31,880 --> 00:30:34,160 Speaker 1: I just want to be very clear again the whole thing, 630 00:30:34,200 --> 00:30:36,080 Speaker 1: I'm sorry, but the whole thing about the writer's room, 631 00:30:36,120 --> 00:30:38,800 Speaker 1: that was just we've all been there, and that's all 632 00:30:38,840 --> 00:30:42,200 Speaker 1: I was trying to say. And I think, yes, and 633 00:30:42,240 --> 00:30:42,800 Speaker 1: I have been too. 634 00:30:43,640 --> 00:30:45,400 Speaker 3: If that's all you were trying to say, I mean, 635 00:30:45,440 --> 00:30:46,720 Speaker 3: and I think and I don't want to give I 636 00:30:46,760 --> 00:30:49,120 Speaker 3: think it could have been accomplished in shorter time. 637 00:30:50,200 --> 00:30:52,160 Speaker 2: But if I don't care, and I don't care what 638 00:30:52,240 --> 00:30:54,360 Speaker 2: the credits are, I'm not talking about my credits. I 639 00:30:54,360 --> 00:30:54,840 Speaker 2: don't you know. 640 00:30:55,040 --> 00:30:57,000 Speaker 1: Yeah, oh me either. I'm not gonna That's why I 641 00:30:57,000 --> 00:30:58,280 Speaker 1: wouldn't tell you this season. 642 00:30:58,120 --> 00:31:01,240 Speaker 3: Would be nice to ask. I mean, like, since I 643 00:31:01,320 --> 00:31:04,400 Speaker 3: got to do one, you got to do like fifty. 644 00:31:04,160 --> 00:31:04,840 Speaker 1: And there's more. 645 00:31:05,160 --> 00:31:08,880 Speaker 3: Yeah, Okay, I actually doubt that because I think we 646 00:31:08,880 --> 00:31:09,680 Speaker 3: would have heard about it. 647 00:31:09,720 --> 00:31:10,280 Speaker 1: There's more. 648 00:31:10,360 --> 00:31:14,840 Speaker 3: I think we I think you would. Oh my god, 649 00:31:15,120 --> 00:31:16,400 Speaker 3: what again? 650 00:31:16,800 --> 00:31:20,240 Speaker 2: Just keep saying what that show season beyond when I 651 00:31:20,280 --> 00:31:20,960 Speaker 2: thought it ended? 652 00:31:21,120 --> 00:31:25,280 Speaker 1: That ship? Come on? Just keeps come on, that's the 653 00:31:25,280 --> 00:31:25,960 Speaker 1: best season. 654 00:31:27,720 --> 00:31:28,000 Speaker 4: What if? 655 00:31:28,320 --> 00:31:32,680 Speaker 3: It might be nice to ask Sean, like what what? 656 00:31:32,800 --> 00:31:35,080 Speaker 1: I just would rather get this dead beat conversation out 657 00:31:35,080 --> 00:31:37,080 Speaker 1: of the way. That was a great season of that show. 658 00:31:37,160 --> 00:31:39,680 Speaker 3: I thought we did might be it might be exciting 659 00:31:39,720 --> 00:31:40,320 Speaker 3: to hear for you. 660 00:31:40,720 --> 00:31:43,560 Speaker 2: The conversation we've had about it already, in my mind 661 00:31:43,600 --> 00:31:45,880 Speaker 2: has lasted longer than I think deadbeat did. 662 00:31:46,480 --> 00:31:50,920 Speaker 1: Sean, Come on, that's not dead beat That a lot 663 00:31:50,920 --> 00:31:57,840 Speaker 1: of people needed to know. There's closure, you know, show forever, Sean. 664 00:31:57,920 --> 00:31:59,280 Speaker 1: Let's get this super show like you were. 665 00:31:59,200 --> 00:32:05,680 Speaker 3: Saying, is that Jonathan names that was death bored to death? Okay, 666 00:32:05,760 --> 00:32:06,400 Speaker 3: so dead Beat? 667 00:32:06,440 --> 00:32:08,600 Speaker 2: I dead? Was Tyler Lebin? 668 00:32:08,840 --> 00:32:09,160 Speaker 3: Hulu? 669 00:32:10,480 --> 00:32:17,800 Speaker 1: Don't say it like that, h absolutely like Hulu, No, 670 00:32:17,960 --> 00:32:23,360 Speaker 1: not like you're lying about it even Hulu, what are you? 671 00:32:23,520 --> 00:32:24,600 Speaker 1: What is happening to your vie? 672 00:32:25,040 --> 00:32:28,320 Speaker 2: And here Tyler saying and the your lobby one time? 673 00:32:29,120 --> 00:32:33,240 Speaker 3: God, I wish I could remember episode where we quoted 674 00:32:33,240 --> 00:32:36,840 Speaker 3: it right after Yes, but we didn't say just to ourselves. 675 00:32:37,760 --> 00:32:40,840 Speaker 1: We heard him saying something, so it was really good. 676 00:32:41,520 --> 00:32:44,800 Speaker 2: We just It's just one of the best conversations I've 677 00:32:44,920 --> 00:32:48,440 Speaker 2: ever walked by where it was like, bro, I just 678 00:32:48,480 --> 00:32:52,360 Speaker 2: finished filming this movie, like it was so good. 679 00:32:52,440 --> 00:32:53,920 Speaker 3: It was such a great remember. 680 00:32:54,800 --> 00:32:59,320 Speaker 1: Okay, so that's what I have a great one too. 681 00:32:59,360 --> 00:33:01,520 Speaker 1: But yes, that's what DeBie was. Okay, you have a 682 00:33:01,520 --> 00:33:03,400 Speaker 1: great what story about Tyler? 683 00:33:03,440 --> 00:33:03,760 Speaker 4: The mean? 684 00:33:04,280 --> 00:33:07,520 Speaker 3: I'm sure, I mean you must like does the you. 685 00:33:07,560 --> 00:33:08,440 Speaker 2: Did have more than one? You? 686 00:33:08,560 --> 00:33:08,720 Speaker 3: Yeah? 687 00:33:08,760 --> 00:33:10,160 Speaker 2: The whole third season with him? 688 00:33:10,280 --> 00:33:12,360 Speaker 1: Yeah, I do, there's more than one. He came in 689 00:33:12,360 --> 00:33:13,120 Speaker 1: for lunch twice. 690 00:33:13,280 --> 00:33:16,440 Speaker 3: Was that the last one? Was that the last season 691 00:33:16,480 --> 00:33:18,240 Speaker 3: of Deadbeat? 692 00:33:18,520 --> 00:33:21,800 Speaker 1: Do you know it was the final season? Not the 693 00:33:21,880 --> 00:33:25,360 Speaker 1: last one? It's the final season the apex. 694 00:33:25,160 --> 00:33:26,240 Speaker 3: So it was choice. 695 00:33:26,960 --> 00:33:30,840 Speaker 1: So it was the we're it was done. The show 696 00:33:30,880 --> 00:33:33,920 Speaker 1: had said everything it needed to say about unfinished business 697 00:33:33,960 --> 00:33:35,000 Speaker 1: in the Realm of ghosts. 698 00:33:35,720 --> 00:33:36,160 Speaker 3: Mm hmm. 699 00:33:36,960 --> 00:33:37,600 Speaker 1: So it was. 700 00:33:39,440 --> 00:33:42,880 Speaker 3: Is that how they said it? It's the unfinished business 701 00:33:42,880 --> 00:33:46,520 Speaker 3: in the realm of ghosts. That's mine, that's your that 702 00:33:46,640 --> 00:33:47,680 Speaker 3: was your contribution. 703 00:33:47,960 --> 00:33:51,600 Speaker 1: No, just now, But what a way to bottom line it? Okay, Yeah, 704 00:33:51,680 --> 00:33:54,480 Speaker 1: last season of rest Development, last season of Deadbeat, last 705 00:33:54,480 --> 00:33:55,880 Speaker 1: season of Flake, last season. 706 00:33:55,720 --> 00:33:57,160 Speaker 2: Of You're the Worst, the Finisher. 707 00:33:57,560 --> 00:33:59,560 Speaker 1: I'm sorry I wrote in a season that never aired. 708 00:34:00,680 --> 00:34:04,720 Speaker 1: You want that sort of you're writing on the final 709 00:34:04,800 --> 00:34:06,720 Speaker 1: season of some of these things. That's a big ending. 710 00:34:06,760 --> 00:34:09,040 Speaker 1: That's putting the period on it, putting the period right 711 00:34:09,080 --> 00:34:11,480 Speaker 1: on it. But go ahead, Sean, yours credits. Let's hear them, 712 00:34:11,719 --> 00:34:14,440 Speaker 1: give me a show. It's not you said he needed 713 00:34:14,440 --> 00:34:15,880 Speaker 1: to chase, you know. 714 00:34:15,840 --> 00:34:16,839 Speaker 2: He said it might be nice. 715 00:34:17,680 --> 00:34:19,560 Speaker 1: It's like, it's it's like whatever. 716 00:34:19,640 --> 00:34:20,800 Speaker 3: He might not have even heard of it. 717 00:34:21,280 --> 00:34:24,799 Speaker 1: Yeah, I don't either, you know, I just think, yeah, 718 00:34:25,480 --> 00:34:26,439 Speaker 1: it's whatever. 719 00:34:28,760 --> 00:34:32,040 Speaker 2: Going reverse order, I guess most recent. 720 00:34:32,040 --> 00:34:34,560 Speaker 3: Sure, that would be a normal way to do it. 721 00:34:34,880 --> 00:34:36,319 Speaker 2: And I'm writing for severance right now. 722 00:34:36,440 --> 00:34:42,560 Speaker 1: Yeah, yeah, but so what Yeah that's here. Okay, No, 723 00:34:42,680 --> 00:34:45,240 Speaker 1: that's that's awesome. I mean, how are. 724 00:34:45,080 --> 00:34:48,600 Speaker 3: They Yeah, it's like any other show. 725 00:34:48,600 --> 00:34:51,640 Speaker 1: It's just no, it's a great show. I'm not trying. 726 00:34:52,000 --> 00:34:57,560 Speaker 2: I was arrested development early on the whole, you know 727 00:34:57,600 --> 00:34:59,080 Speaker 2: what I mean, Like, there's not a great show. 728 00:34:59,200 --> 00:35:01,200 Speaker 1: We were tasked kind of wrapping it up. 729 00:35:01,920 --> 00:35:02,319 Speaker 3: Mm hmm. 730 00:35:03,080 --> 00:35:32,440 Speaker 1: Okay, first of all, don't do a high yeah yeah. 731 00:35:19,719 --> 00:35:23,680 Speaker 3: And who knows, I mean like maybe maybe this will 732 00:35:23,680 --> 00:35:28,239 Speaker 3: be the last season, like I don't know. 733 00:35:27,400 --> 00:35:29,560 Speaker 1: Hey, bring me on, I don't know, bring me on. 734 00:35:30,400 --> 00:35:32,439 Speaker 2: Yeah. Actually I know there's gonna be another season because 735 00:35:32,440 --> 00:35:33,399 Speaker 2: Gareth isn't there yet. 736 00:35:33,480 --> 00:35:35,200 Speaker 1: Stop it don't make it seem like that. 737 00:35:35,400 --> 00:35:40,000 Speaker 2: Yeah no, I guess there's gonna be at least one more. 738 00:35:43,040 --> 00:35:44,360 Speaker 2: It's like six riders. 739 00:35:44,680 --> 00:35:50,640 Speaker 1: Ah man, yeah no yeah uh no. But uh yeah no, 740 00:35:51,120 --> 00:35:53,360 Speaker 1: that's great. That's really good. That's a great it's a 741 00:35:53,400 --> 00:36:02,719 Speaker 1: great show. I love the show. So yeah, yeah, I 742 00:36:02,840 --> 00:36:05,680 Speaker 1: would love to, uh yeah, just talk about it. 743 00:36:06,520 --> 00:36:06,719 Speaker 4: Yeah. 744 00:36:06,800 --> 00:36:08,560 Speaker 1: I don't know. Did you bring it up because you 745 00:36:08,560 --> 00:36:09,360 Speaker 1: want me to network? 746 00:36:10,280 --> 00:36:14,120 Speaker 3: I I mean I didn't really if you think that's networking, 747 00:36:14,320 --> 00:36:17,839 Speaker 3: like loving the show is not a qualification for like 748 00:36:17,920 --> 00:36:20,080 Speaker 3: being on the show. Of course, I love these mountain downs, 749 00:36:20,120 --> 00:36:26,560 Speaker 3: like my favorite show. I cannot believe. 750 00:36:28,120 --> 00:36:28,879 Speaker 2: We got away with. 751 00:36:32,640 --> 00:36:34,040 Speaker 3: Did you say that we got away with? 752 00:36:35,320 --> 00:36:37,800 Speaker 1: No, some just some of the stuff on the show that. 753 00:36:37,400 --> 00:36:39,239 Speaker 3: That was okay? I thought you said we I thought you. 754 00:36:39,440 --> 00:36:41,680 Speaker 1: I think I kind of are you sort of the 755 00:36:42,719 --> 00:36:45,839 Speaker 1: show and we like just but you know we at 756 00:36:45,840 --> 00:36:47,440 Speaker 1: the time, But go ahead, No, I didn't. 757 00:36:47,239 --> 00:36:52,240 Speaker 3: I feel like you clearly like anticipately, like maybe something 758 00:36:52,320 --> 00:36:55,280 Speaker 3: might get clipped, and you might, like within a clip, 759 00:36:55,440 --> 00:36:57,400 Speaker 3: be able to represent yourself as like what. 760 00:37:02,040 --> 00:37:03,799 Speaker 2: It was even funnier for me to watch it with 761 00:37:04,080 --> 00:37:05,600 Speaker 2: knowing he'd done some of his stuff. 762 00:37:05,719 --> 00:37:07,880 Speaker 1: Yeah, oh, you could be like yeah, same with the 763 00:37:07,880 --> 00:37:10,000 Speaker 1: rest of the development and any other show, you know, 764 00:37:10,040 --> 00:37:12,920 Speaker 1: any other projects that come up my way, Severn's the 765 00:37:12,960 --> 00:37:15,360 Speaker 1: new season Eastbound, or any of the other news stuff 766 00:37:15,840 --> 00:37:16,640 Speaker 1: that I'm writing on. 767 00:37:19,239 --> 00:37:21,839 Speaker 2: Was the most recent one that I what? What were 768 00:37:22,000 --> 00:37:22,720 Speaker 2: the most recent? 769 00:37:23,520 --> 00:37:27,520 Speaker 1: Whose questions? I'm sorry, you guys are kind of like. 770 00:37:26,480 --> 00:37:28,200 Speaker 3: You're just looking into the camera. 771 00:37:29,920 --> 00:37:31,919 Speaker 1: I don't know. That's a way to clip if you 772 00:37:31,960 --> 00:37:34,600 Speaker 1: hold on some of these stuff. Some of the stuff 773 00:37:34,600 --> 00:37:35,680 Speaker 1: can be clipped for socials. 774 00:37:36,360 --> 00:37:37,359 Speaker 3: Oh okay, if you. 775 00:37:37,320 --> 00:37:39,479 Speaker 1: Want it, but I don't know. That's just a clean 776 00:37:39,520 --> 00:37:41,800 Speaker 1: one to cut. If you want to, I'll share it. 777 00:37:41,800 --> 00:37:42,719 Speaker 1: Make me a collaborator. 778 00:37:42,760 --> 00:37:47,200 Speaker 2: Go ahead, the most recent? Uh when I when you 779 00:37:47,280 --> 00:37:49,960 Speaker 2: asked me mine, I went most recent? So yeah, I 780 00:37:50,040 --> 00:37:54,120 Speaker 2: was curious. You seem to have reached back a little 781 00:37:54,160 --> 00:37:58,680 Speaker 2: bit for the most recent. For when you said you 782 00:37:58,719 --> 00:38:01,320 Speaker 2: said you're the worst of the rest, it seem like 783 00:38:01,320 --> 00:38:04,880 Speaker 2: you're reaching season. I mean, I guess I'm sorry on 784 00:38:04,960 --> 00:38:05,680 Speaker 2: aired season or. 785 00:38:06,440 --> 00:38:09,160 Speaker 3: I'm sorry season it exists like out of time, so 786 00:38:09,239 --> 00:38:11,000 Speaker 3: like you know, I guess there's. 787 00:38:11,280 --> 00:38:12,200 Speaker 2: Last week for all I know. 788 00:38:12,280 --> 00:38:15,280 Speaker 1: I meant, yeah, no, it was you know, I felt 789 00:38:15,280 --> 00:38:18,080 Speaker 1: like it was last week. Hold on a lot of 790 00:38:18,120 --> 00:38:20,480 Speaker 1: the decisions. 791 00:38:19,760 --> 00:38:23,360 Speaker 3: To you felt like it what he said that was 792 00:38:23,400 --> 00:38:23,759 Speaker 3: last week? 793 00:38:23,800 --> 00:38:24,919 Speaker 1: Whose question I supposed to answer? 794 00:38:24,920 --> 00:38:27,120 Speaker 2: Because you're both kind of I haven't spoken in a 795 00:38:27,120 --> 00:38:27,960 Speaker 2: couple of minutes. 796 00:38:28,280 --> 00:38:29,080 Speaker 3: So I guess mine. 797 00:38:29,280 --> 00:38:30,280 Speaker 1: Okay, So go ahead. 798 00:38:30,400 --> 00:38:32,360 Speaker 3: It felt like it was last week that you wrote 799 00:38:32,360 --> 00:38:39,920 Speaker 3: on the aired season. I'm sorry. 800 00:38:40,840 --> 00:38:42,920 Speaker 2: That's a positive, I guess about the show. 801 00:38:43,480 --> 00:38:46,120 Speaker 3: I'm just curious why that would feel that way to you. 802 00:38:46,520 --> 00:38:49,360 Speaker 1: If they ever shoot it, If they shoot it, that'll 803 00:38:49,360 --> 00:38:52,480 Speaker 1: be great. I mean freaking COVID. Come on, it was 804 00:38:52,520 --> 00:38:53,399 Speaker 1: changed the whole game. 805 00:38:54,040 --> 00:38:57,680 Speaker 3: It was COVID so completely. They didn't end up airing 806 00:38:57,719 --> 00:39:01,040 Speaker 3: it shooting because oh they didn't shoot it. Okay, it 807 00:39:01,160 --> 00:39:03,960 Speaker 3: was unshot and unh yeah not unshot. 808 00:39:04,080 --> 00:39:08,320 Speaker 1: You can't. You're making it seem like there's two albatrosses 809 00:39:08,360 --> 00:39:10,080 Speaker 1: around the neck and there's so. 810 00:39:10,080 --> 00:39:13,239 Speaker 3: They both, but it is true that they and they 811 00:39:13,280 --> 00:39:14,080 Speaker 3: didn't either. 812 00:39:14,120 --> 00:39:16,200 Speaker 1: I haven't been putting myself out there for new projects, 813 00:39:16,320 --> 00:39:18,000 Speaker 1: so I wait until there's something that I think I 814 00:39:18,040 --> 00:39:20,080 Speaker 1: want to work on, and then I'm ready to work 815 00:39:20,120 --> 00:39:24,400 Speaker 1: on it. You're talking severance, I'm like, okay, if we're networking, okay, 816 00:39:24,440 --> 00:39:27,399 Speaker 1: I'm listening, and if there's a new season Eastbounder, any 817 00:39:27,400 --> 00:39:27,760 Speaker 1: of the stuff. 818 00:39:27,760 --> 00:39:30,400 Speaker 3: You just implied that you aren't working on severance now 819 00:39:30,480 --> 00:39:35,480 Speaker 3: because you didn't put your haven submitted. So if Ben's 820 00:39:35,520 --> 00:39:38,440 Speaker 3: listening to this, which he is, then he's hearing you. 821 00:39:39,040 --> 00:39:42,880 Speaker 3: Then he's still then he's hearing you say. Oh, the 822 00:39:42,880 --> 00:39:45,319 Speaker 3: only reason I am not on this shows because I 823 00:39:45,400 --> 00:39:46,680 Speaker 3: wasn't my choice not to. 824 00:39:47,000 --> 00:39:49,680 Speaker 1: Well, I would let I would hold on. I would 825 00:39:49,760 --> 00:39:52,160 Speaker 1: let him know first of all that. 826 00:39:52,239 --> 00:39:53,040 Speaker 3: He shut it off. 827 00:39:55,680 --> 00:39:59,040 Speaker 2: You know, I think he's probably pretty. He's a really 828 00:39:59,040 --> 00:39:59,520 Speaker 2: busy guy. 829 00:39:59,560 --> 00:40:04,440 Speaker 1: I don't even got a lot of time we listened 830 00:40:04,600 --> 00:40:05,040 Speaker 1: until that. 831 00:40:06,840 --> 00:40:08,799 Speaker 3: I would off when someone. 832 00:40:08,760 --> 00:40:13,960 Speaker 1: I think, hold on. I think he probably turned it 833 00:40:14,000 --> 00:40:15,560 Speaker 1: back on right now, and I would let him know 834 00:40:16,360 --> 00:40:19,279 Speaker 1: that I'm not trying to network with him through that. 835 00:40:20,239 --> 00:40:23,000 Speaker 3: I don't think he did just for context. I think 836 00:40:23,160 --> 00:40:25,319 Speaker 3: he's turning this back on. I think it's a few 837 00:40:25,440 --> 00:40:28,279 Speaker 3: years later when he's had time to like, he's just. 838 00:40:29,239 --> 00:40:33,480 Speaker 1: Let me congratulations on a fantastic project, and I don't need. 839 00:40:33,360 --> 00:40:36,799 Speaker 3: To think it's going to be over and a few years. 840 00:40:36,600 --> 00:40:41,080 Speaker 1: No, I think we'll talk about endless opportunity. That's one 841 00:40:41,080 --> 00:40:42,799 Speaker 1: of the things that if I were ever in that room, 842 00:40:42,800 --> 00:40:46,080 Speaker 1: I would be pitching. You know this this whole We've 843 00:40:46,080 --> 00:40:48,560 Speaker 1: got such a great structure here in such a great world. 844 00:40:48,600 --> 00:40:52,000 Speaker 1: We could play around so much. Let's just play and 845 00:40:52,080 --> 00:40:55,680 Speaker 1: find it as a room. And I can't talk. 846 00:40:57,840 --> 00:40:59,719 Speaker 3: I wrote up keep going a little bit like I'm 847 00:40:59,800 --> 00:41:01,560 Speaker 3: I'm actually curious about that pitch. 848 00:41:02,680 --> 00:41:04,839 Speaker 2: I can't really weigh in one way or the other. 849 00:41:04,840 --> 00:41:06,239 Speaker 2: I'm not really allowed to talk about I don't want 850 00:41:06,239 --> 00:41:09,040 Speaker 2: to do it. I don't want to it's going to 851 00:41:09,080 --> 00:41:09,760 Speaker 2: go or anything. 852 00:41:09,840 --> 00:41:10,399 Speaker 1: It gets so. 853 00:41:10,320 --> 00:41:11,400 Speaker 3: Great, it was interesting. 854 00:41:11,600 --> 00:41:13,640 Speaker 2: It got up to me and the only thing I 855 00:41:13,680 --> 00:41:15,040 Speaker 2: know for sure is there's gonna be at least one 856 00:41:15,040 --> 00:41:16,000 Speaker 2: more season because you haven't been. 857 00:41:15,920 --> 00:41:18,080 Speaker 1: Brought Well, what about let's say the elevator gets stuck 858 00:41:18,120 --> 00:41:22,799 Speaker 1: one day? Whoa where are they? Which world? That could 859 00:41:22,800 --> 00:41:23,320 Speaker 1: be crazy? 860 00:41:23,480 --> 00:41:24,600 Speaker 2: Even me reacting to it. 861 00:41:24,719 --> 00:41:29,120 Speaker 1: Yeah, you don't have to Yeah, of course, but that's 862 00:41:29,160 --> 00:41:36,399 Speaker 1: probably one or the or or it's a crazy world 863 00:41:36,760 --> 00:41:40,319 Speaker 1: that the elevator is stuck. Yes, because they go from 864 00:41:40,440 --> 00:41:41,800 Speaker 1: office world to real world. 865 00:41:41,920 --> 00:41:45,719 Speaker 3: Yes, that's right, but stuck means stopped in between. It 866 00:41:45,719 --> 00:41:47,239 Speaker 3: doesn't mean in a news. 867 00:41:46,920 --> 00:41:49,759 Speaker 1: But what does that do to their brain? They're in 868 00:41:49,840 --> 00:41:54,560 Speaker 1: a whole new zone? Now, Okay, what is this world? 869 00:41:54,920 --> 00:41:57,480 Speaker 2: Maybe it's well, it's either the as you said, it's 870 00:41:57,560 --> 00:41:59,760 Speaker 2: the office world outside. 871 00:41:59,760 --> 00:42:01,000 Speaker 1: I thought you were weighing in first of. 872 00:42:02,960 --> 00:42:04,440 Speaker 3: Well, he's just saying what the show is. 873 00:42:04,560 --> 00:42:07,200 Speaker 2: Yeah, I know that I'm allowed to clarify. I guess 874 00:42:07,200 --> 00:42:08,160 Speaker 2: what the show actually is. 875 00:42:08,239 --> 00:42:10,040 Speaker 1: I think anything. I don't think I can talk about a 876 00:42:10,840 --> 00:42:15,600 Speaker 1: hold on anything's possible, and that in between floor it's 877 00:42:15,640 --> 00:42:17,000 Speaker 1: a half of everything. 878 00:42:17,080 --> 00:42:19,640 Speaker 2: Boy, you'd lose the trust of the audience. If anything's possible. 879 00:42:19,640 --> 00:42:22,640 Speaker 1: I'm not saying we do it, but jump off if 880 00:42:22,640 --> 00:42:24,239 Speaker 1: I'm in the room. It's a jumping rule. 881 00:42:24,360 --> 00:42:27,719 Speaker 3: So the elevator is not just stuck. The door is 882 00:42:28,320 --> 00:42:33,720 Speaker 3: opening onto well and in between. 883 00:42:34,000 --> 00:42:35,399 Speaker 1: Where world now? 884 00:42:36,560 --> 00:42:38,960 Speaker 3: But the door is opening or not? 885 00:42:40,000 --> 00:42:40,880 Speaker 1: What do you think. 886 00:42:42,360 --> 00:42:44,960 Speaker 2: Again, So that that would be something that could potentially 887 00:42:44,960 --> 00:42:47,080 Speaker 2: happen in a future season. I'm not allowed to discuss that. 888 00:42:48,120 --> 00:42:49,839 Speaker 2: I can tell you what it would happen and sort 889 00:42:49,880 --> 00:42:50,040 Speaker 2: of what. 890 00:42:50,040 --> 00:42:51,840 Speaker 1: The rules are over there, But would it opened? 891 00:42:52,760 --> 00:43:00,320 Speaker 2: The doors of the elevator have traditionally opened, But was he's. 892 00:43:00,160 --> 00:43:03,800 Speaker 1: On our door? Well in the pitch that you and 893 00:43:03,880 --> 00:43:06,680 Speaker 1: I have just kind of clarified, Yeah, so they're kind 894 00:43:06,680 --> 00:43:09,080 Speaker 1: of in a half world, like the thirteenth and a 895 00:43:09,080 --> 00:43:14,480 Speaker 1: half floor and okay, being John Milk, Yeah, that was 896 00:43:14,520 --> 00:43:15,600 Speaker 1: actually being John Milk. 897 00:43:15,760 --> 00:43:18,239 Speaker 3: Then that is what I don't want to hear that 898 00:43:19,120 --> 00:43:22,880 Speaker 3: and that and that already right on the show. But 899 00:43:22,920 --> 00:43:25,040 Speaker 3: to me as a viewer trying to get his foot 900 00:43:25,040 --> 00:43:26,800 Speaker 3: in the door, that's a huge problem. 901 00:43:27,000 --> 00:43:29,360 Speaker 1: Yeah, No, I don't even I don't like the it. 902 00:43:29,360 --> 00:43:32,440 Speaker 2: Would probably betray trusts and also it's so derivative of 903 00:43:33,120 --> 00:43:33,880 Speaker 2: being John Malcolm. 904 00:43:34,120 --> 00:43:35,640 Speaker 1: I know that. I just, oh, I know, but I'm 905 00:43:35,680 --> 00:43:37,719 Speaker 1: just saying as a I mean, you're just literally. 906 00:43:37,960 --> 00:43:40,480 Speaker 2: Already taking inspiration from something that I think to just 907 00:43:40,520 --> 00:43:41,120 Speaker 2: actually lift. 908 00:43:41,200 --> 00:43:44,400 Speaker 3: It's it's already like an office. It's being show in 909 00:43:44,440 --> 00:43:45,680 Speaker 3: a way like I don't think. 910 00:43:45,960 --> 00:43:47,320 Speaker 2: I don't think it's like the I think there is 911 00:43:47,360 --> 00:43:49,040 Speaker 2: an influence. I don't think it's a little bit born 912 00:43:49,080 --> 00:43:49,239 Speaker 2: on it. 913 00:43:50,080 --> 00:43:52,360 Speaker 1: I think they shan I don't think it's like the Office. 914 00:43:51,960 --> 00:43:56,440 Speaker 3: Though I said it was. Yeah, but he said. 915 00:43:56,280 --> 00:43:58,000 Speaker 1: It was like the Office, and I don't think that's right. 916 00:43:58,040 --> 00:43:59,840 Speaker 2: Would you agree? I think that was actually the initial 917 00:44:00,160 --> 00:44:03,080 Speaker 2: end of the show. The creators said multiple interviews. 918 00:44:02,680 --> 00:44:05,880 Speaker 1: That he was sort of like he loved. 919 00:44:05,760 --> 00:44:07,080 Speaker 2: The Office and he wanted to do the sort of 920 00:44:07,080 --> 00:44:07,960 Speaker 2: science fiction version. 921 00:44:08,280 --> 00:44:10,600 Speaker 3: So you feel like he failed. It's so well written, 922 00:44:11,520 --> 00:44:15,200 Speaker 3: but you feel like his intention just like, yeah, I 923 00:44:15,239 --> 00:44:16,040 Speaker 3: actually see it. 924 00:44:16,160 --> 00:44:17,840 Speaker 2: I see it. Of course it morphed and took on 925 00:44:17,880 --> 00:44:20,560 Speaker 2: its own life because he didn't try to make a 926 00:44:20,600 --> 00:44:23,520 Speaker 2: direct reference the way that gear Pitch was. But I 927 00:44:23,560 --> 00:44:24,040 Speaker 2: think that. 928 00:44:24,280 --> 00:44:27,920 Speaker 1: Well, I think that that's what's great about it. And yeah, no, 929 00:44:27,960 --> 00:44:29,000 Speaker 1: I don't even I love. 930 00:44:28,920 --> 00:44:30,840 Speaker 2: The performances you know, I love the visual language of 931 00:44:30,880 --> 00:44:33,120 Speaker 2: the show, and oh my god, I absolutely. 932 00:44:32,640 --> 00:44:35,880 Speaker 1: Think that you think that stuff is not as good. No, 933 00:44:36,000 --> 00:44:39,239 Speaker 1: the visual language is everything. Okay, it's not everything, it's 934 00:44:39,280 --> 00:44:41,640 Speaker 1: not all of it. Yeah, but if Ben is listening, 935 00:44:41,719 --> 00:44:42,960 Speaker 1: which I'm guessing by. 936 00:44:42,840 --> 00:44:49,120 Speaker 2: Now, the dialogue, all these characters of riches that show, 937 00:44:49,160 --> 00:44:50,040 Speaker 2: there are a lot of good stuff. 938 00:44:50,080 --> 00:44:52,440 Speaker 1: It's an embarrassment of riches. And in my real quick 939 00:44:52,840 --> 00:44:55,520 Speaker 1: in the half and the they're stuck in the elevator thing, 940 00:44:55,760 --> 00:44:58,239 Speaker 1: that's just a quick idea. I don't even think that 941 00:44:58,280 --> 00:45:00,239 Speaker 1: would Again, that's just not. 942 00:45:00,280 --> 00:45:02,000 Speaker 2: Married to it even being a pitch that you say 943 00:45:02,000 --> 00:45:02,759 Speaker 2: out loud. 944 00:45:04,520 --> 00:45:07,000 Speaker 1: That's you know, extreme, But yeah, no, I don't. It 945 00:45:07,040 --> 00:45:09,080 Speaker 1: doesn't need to be It didn't. It doesn't need to 946 00:45:09,080 --> 00:45:19,799 Speaker 1: be smart. Well, I think that I think saying it is. 947 00:45:19,840 --> 00:45:28,760 Speaker 3: Okay, so you said so you said real quick, created disagree, 948 00:45:28,800 --> 00:45:31,200 Speaker 3: I guess, yeah, yeah, so you said real quick. 949 00:45:31,160 --> 00:45:33,440 Speaker 1: There's common there's a lot of common ground and all 950 00:45:33,560 --> 00:45:35,600 Speaker 1: the stuff we're all saying. And I think anyone listening, 951 00:45:35,600 --> 00:45:38,000 Speaker 1: it's just nice to hear writers kind of chew the fat. 952 00:45:39,800 --> 00:45:43,759 Speaker 2: Yeah, yeah, yeah, somebody kind of has to be the 953 00:45:43,800 --> 00:45:45,520 Speaker 2: decision maker and other people kind of. 954 00:45:45,600 --> 00:45:48,399 Speaker 1: Well, you just want as many you know, it's it's 955 00:45:48,440 --> 00:45:50,600 Speaker 1: helpful to have. Even a bad idea is a good idea. 956 00:45:51,800 --> 00:45:53,960 Speaker 2: Even a bad idea is a good I hadn't heard that. 957 00:45:54,719 --> 00:45:56,640 Speaker 1: Well, I mean, it shows you what you don't want, 958 00:45:56,680 --> 00:45:57,760 Speaker 1: and sometimes that's helpful. 959 00:45:59,120 --> 00:45:59,319 Speaker 3: You know. 960 00:45:59,840 --> 00:46:02,360 Speaker 1: That was what we did on all the seasons of Flaked. 961 00:46:03,120 --> 00:46:06,360 Speaker 3: But a good idea shows you what you do want. 962 00:46:07,360 --> 00:46:09,640 Speaker 1: That feels really crucial. 963 00:46:10,040 --> 00:46:15,560 Speaker 3: It feels at the very least more that's so crucial idea. Okay, yeah, 964 00:46:15,719 --> 00:46:17,640 Speaker 3: so you agree, But you said that. 965 00:46:17,560 --> 00:46:18,759 Speaker 2: His guy's been in the room before. 966 00:46:18,760 --> 00:46:21,879 Speaker 1: He told us that told us literally every single one 967 00:46:21,880 --> 00:46:29,319 Speaker 1: of his credit What else, idiotsitter season one and two? 968 00:46:29,920 --> 00:46:32,040 Speaker 3: Okay, two was just six. 969 00:46:34,360 --> 00:46:35,160 Speaker 2: Two is a six er. 970 00:46:35,480 --> 00:46:39,840 Speaker 1: No six back two is just on those two seats. 971 00:46:39,840 --> 00:46:43,320 Speaker 1: So I'm just saying, I'm just saying, if you're saying 972 00:46:43,320 --> 00:46:45,000 Speaker 1: that I've I told you all my credits, I'm not 973 00:46:45,040 --> 00:46:46,919 Speaker 1: just sitting here spouting a resume. And by the way, 974 00:46:47,920 --> 00:46:50,440 Speaker 1: I haven't even gotten to a movie rewrite. I'm not 975 00:46:50,440 --> 00:46:51,520 Speaker 1: even gonna bring that up. 976 00:46:53,520 --> 00:46:57,000 Speaker 3: Is it something that d Harold Kumar? Wow? 977 00:46:57,640 --> 00:47:01,399 Speaker 2: Oh god, a mirror in here, isn't he in it? 978 00:47:01,520 --> 00:47:03,960 Speaker 1: Yeah, but uh, well, I don't. 979 00:47:03,760 --> 00:47:06,320 Speaker 3: Think that's that seemed like it kind of made you nervous. 980 00:47:06,360 --> 00:47:07,759 Speaker 3: You don't want to get a beer right here. 981 00:47:08,160 --> 00:47:09,960 Speaker 2: Well, he must have been on set and stuff. Kind of. 982 00:47:10,080 --> 00:47:13,240 Speaker 3: I mean, you wouldn't say that you rewrote it was 983 00:47:12,960 --> 00:47:13,920 Speaker 3: it was it credited. 984 00:47:15,080 --> 00:47:20,000 Speaker 1: It's a how you know how crazy the business. 985 00:47:19,800 --> 00:47:22,480 Speaker 3: Is, so you wouldn't. You wouldn't just put out there 986 00:47:22,480 --> 00:47:25,120 Speaker 3: that you did an uncredited rewrite on three D Harold 987 00:47:25,160 --> 00:47:26,799 Speaker 3: Kumar Christmas. 988 00:47:26,480 --> 00:47:28,320 Speaker 2: When we had one of the stars of the movie 989 00:47:28,400 --> 00:47:29,040 Speaker 2: right out and the other. 990 00:47:30,000 --> 00:47:32,640 Speaker 3: He love, he loves talking about it. He knows, he 991 00:47:32,719 --> 00:47:36,320 Speaker 3: knows every facet of the product, like he's like his 992 00:47:36,320 --> 00:47:37,800 Speaker 3: story huge. 993 00:47:38,200 --> 00:47:40,600 Speaker 2: He was really hands on that whole production. 994 00:47:40,880 --> 00:47:44,000 Speaker 3: So if you were like lying or something about in 995 00:47:44,080 --> 00:47:45,839 Speaker 3: credit rewrite on three D here, that could be. 996 00:47:45,800 --> 00:47:47,120 Speaker 2: Fun for you to come in and point to some 997 00:47:47,160 --> 00:47:49,960 Speaker 2: of the lines that that ended up on screen that 998 00:47:50,000 --> 00:47:52,160 Speaker 2: you were involved with, that he could talk about. You 999 00:47:52,160 --> 00:47:54,040 Speaker 2: know what, there's been so much stuff. 1000 00:47:54,080 --> 00:47:55,759 Speaker 1: First of all, it's not a lie. 1001 00:47:56,000 --> 00:47:58,839 Speaker 3: He'd probably say names of like the executives that you 1002 00:47:58,920 --> 00:48:02,759 Speaker 3: would have been word that kind of Yeah. 1003 00:48:03,000 --> 00:48:05,080 Speaker 1: Well but you would, you would, but you would eat 1004 00:48:05,160 --> 00:48:07,200 Speaker 1: both of you would admit. We all would admit having 1005 00:48:07,200 --> 00:48:10,880 Speaker 1: written on such you know, on some juggernauts that sometimes 1006 00:48:10,880 --> 00:48:12,920 Speaker 1: what you write is so different than what ends up 1007 00:48:12,920 --> 00:48:13,480 Speaker 1: on the screen. 1008 00:48:14,480 --> 00:48:16,920 Speaker 3: Right, But it's like it's do. 1009 00:48:17,000 --> 00:48:20,040 Speaker 1: You want to do the ad? Should we do it 1010 00:48:20,120 --> 00:48:20,839 Speaker 1: or nod? 1011 00:48:20,920 --> 00:48:25,240 Speaker 2: From the beginning, yeah, we probably need a little buffer 1012 00:48:25,280 --> 00:48:28,560 Speaker 2: between the yeah, yeah, yeah, okay, go ahead, Sorry, I 1013 00:48:28,600 --> 00:48:31,800 Speaker 2: just want to okay, funk, what were we even talking about? 1014 00:48:31,880 --> 00:48:33,879 Speaker 3: We were talking about you. You said that you had 1015 00:48:33,880 --> 00:48:34,680 Speaker 3: done it on credit. 1016 00:48:35,600 --> 00:48:37,600 Speaker 1: Yeah all right, yeah, yeah, right what. 1017 00:48:37,800 --> 00:48:41,640 Speaker 3: You called three D Harold Kumar Christmas. 1018 00:48:41,360 --> 00:48:46,240 Speaker 1: Very Harold and Kumar Christmas and three D. Okay, okay, 1019 00:48:46,440 --> 00:48:52,239 Speaker 1: there's been so many projects mm hmm yeah, but no, that. 1020 00:48:52,280 --> 00:48:54,759 Speaker 2: Uh title must have gone through a lot, you. 1021 00:48:54,719 --> 00:48:58,920 Speaker 1: Know, yeah, oh yeah, yeah, well we kept changing the story, 1022 00:48:59,640 --> 00:49:04,840 Speaker 1: you know too, we as you and other people working 1023 00:49:04,880 --> 00:49:08,880 Speaker 1: on it. Writer writer, A writer's. 1024 00:49:08,760 --> 00:49:10,719 Speaker 3: Okay, I mean we know a lot of right is 1025 00:49:10,719 --> 00:49:12,720 Speaker 3: there anyway? And I mean like a mere would definitely 1026 00:49:12,719 --> 00:49:13,040 Speaker 3: know them. 1027 00:49:13,480 --> 00:49:15,239 Speaker 1: I don't think we should look right now, what are 1028 00:49:15,280 --> 00:49:16,600 Speaker 1: we going to do? We're all, you know, the show 1029 00:49:16,680 --> 00:49:18,399 Speaker 1: is not going to go too much? Bring him in? Now? 1030 00:49:19,160 --> 00:49:21,600 Speaker 1: Then what's the show confusing? 1031 00:49:21,880 --> 00:49:25,600 Speaker 3: I mean don't bring you don't seem to know. Don't 1032 00:49:25,600 --> 00:49:27,239 Speaker 3: bring him in that he was in it. 1033 00:49:27,280 --> 00:49:28,000 Speaker 1: Don't bring him in? 1034 00:49:29,080 --> 00:49:30,000 Speaker 3: Is that interesting? 1035 00:49:30,840 --> 00:49:34,520 Speaker 1: Don't bring what is it about the like? 1036 00:49:35,040 --> 00:49:38,200 Speaker 3: Did you not like how it came? Were you resentful 1037 00:49:38,239 --> 00:49:39,920 Speaker 3: that like you didn't get a credit on it, or 1038 00:49:39,960 --> 00:49:43,040 Speaker 3: did you? I mean you must have worked on it, right. 1039 00:49:43,080 --> 00:49:45,719 Speaker 1: We don't need to even get Look, I'm just what 1040 00:49:45,800 --> 00:49:47,680 Speaker 1: I was speaking to was when I was accused of 1041 00:49:47,680 --> 00:49:50,200 Speaker 1: bringing up every project and there's even more. 1042 00:49:50,719 --> 00:49:53,080 Speaker 3: Okay, I'm not gonna bring him up. 1043 00:49:54,800 --> 00:49:57,759 Speaker 1: Okay, this whole thing is not you know, I just 1044 00:49:58,080 --> 00:50:00,759 Speaker 1: you know the severance part of it is. I'm not 1045 00:50:00,800 --> 00:50:02,680 Speaker 1: even trying to bring that into it. 1046 00:50:03,280 --> 00:50:07,040 Speaker 3: Well, popular show, it could be like helpful to bring 1047 00:50:07,040 --> 00:50:09,920 Speaker 3: it into people want to hear about it. 1048 00:50:09,960 --> 00:50:14,040 Speaker 2: I fucking there's interest there for sure. I actually have 1049 00:50:14,080 --> 00:50:15,160 Speaker 2: to stick kind of hands off. 1050 00:50:15,200 --> 00:50:17,160 Speaker 1: And as I was as by the way, if I 1051 00:50:17,200 --> 00:50:19,480 Speaker 1: were in it that involved in that room as well, 1052 00:50:19,680 --> 00:50:22,520 Speaker 1: so would I. There's no you would not have anything 1053 00:50:22,520 --> 00:50:23,080 Speaker 1: to worry about. 1054 00:50:23,480 --> 00:50:25,200 Speaker 2: It takes person while you had to drag out of 1055 00:50:25,239 --> 00:50:26,400 Speaker 2: me that I even worked on it. You know what 1056 00:50:26,440 --> 00:50:26,759 Speaker 2: I mean? 1057 00:50:26,800 --> 00:50:29,200 Speaker 1: You were well the same with me and arrested. Yeah, 1058 00:50:29,239 --> 00:50:31,000 Speaker 1: so he was interested in what you would work same 1059 00:50:31,040 --> 00:50:33,360 Speaker 1: with me and arrested. Yeah, yeah, I'm not just going 1060 00:50:33,440 --> 00:50:34,120 Speaker 1: to offer that up. 1061 00:50:34,280 --> 00:50:37,520 Speaker 3: Was that the final Harrold Kumar movie? As well? 1062 00:50:37,600 --> 00:50:38,759 Speaker 2: Do they do another one after that? 1063 00:50:41,000 --> 00:50:45,480 Speaker 1: I don't even understand the the who knows? 1064 00:50:47,000 --> 00:50:48,279 Speaker 3: There's really no way, like. 1065 00:50:48,920 --> 00:50:50,160 Speaker 1: They're probably going to make more? 1066 00:50:50,520 --> 00:50:53,360 Speaker 3: Yeah right? How who knows? Like what it's IP? 1067 00:50:54,440 --> 00:50:57,080 Speaker 1: It's I yeah, intellectual property. 1068 00:50:57,600 --> 00:50:59,680 Speaker 3: They're not going to like reach back into the cattle 1069 00:50:59,800 --> 00:51:00,960 Speaker 3: for some of these titles. 1070 00:51:01,000 --> 00:51:04,399 Speaker 1: Here, did you just check the time? Why? 1071 00:51:05,200 --> 00:51:06,600 Speaker 2: What do you mean feeling done? 1072 00:51:06,760 --> 00:51:13,920 Speaker 1: Yeah, let's get a mirror here. SmartLess Hollywood, Hamburg