WEBVTT - What is folklore?

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<v Speaker 1>Welcome to Stuff you Should Know from house Stuff Works

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<v Speaker 1>dot com. Hey there, and welcome to the podcast. I'm

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<v Speaker 1>josh Joshua Clark, and there's Charles W. Chuck Bryant. Jerry

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<v Speaker 1>is over there, just Jerry uh. And that's stuff you

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<v Speaker 1>should know that. She has a new sitcom out on

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<v Speaker 1>that its called Jerry. It's suddenly Jerry. Um, how you doing.

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<v Speaker 1>I'm fine as well, coming too, intrude, just checking. I'm

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<v Speaker 1>excited about this. When I first read our article, I

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<v Speaker 1>was a little bit like, oh, this is a little

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<v Speaker 1>unwieldy because it's so folklore. It's just it's an amorphous.

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<v Speaker 1>As it turns out, it's everything. Yeah, pretty much. But

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<v Speaker 1>then you sent, um, what was that other good article from?

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<v Speaker 1>Actually we should shout that out. It was from a

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<v Speaker 1>I think the University of Louisiana or something like that.

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<v Speaker 1>They have a folk life folklore department, and it was basically,

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<v Speaker 1>we we stumbled upon some unit for teachers to teach

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<v Speaker 1>what folklore is, and we're like, hey, it works for us,

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<v Speaker 1>super helpful. Yeah, it was very helpful. It definitely. It

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<v Speaker 1>took a lot of this amorphous stuff that was in

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<v Speaker 1>our article and chipped away at the edges and give

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<v Speaker 1>it a little more shape, you know, agreed, So, um,

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<v Speaker 1>you did kind of hit it on the head. It's

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<v Speaker 1>it's kind of like, um, nailing jelly to the wall,

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<v Speaker 1>defining what folklore is, because it is so much stuff

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<v Speaker 1>that phrases folklore. If if it isn't just me saying it,

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<v Speaker 1>if I share it and now other people say it,

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<v Speaker 1>it could become stuff you should know folklore oral oral folklore?

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<v Speaker 1>Did you make that up? It was? I think I've

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<v Speaker 1>heard it before, So that's folklore. Yeah, I guess, so

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<v Speaker 1>it's a it's a variation though of Um, what else

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<v Speaker 1>did I hear? Oh? Yeah, we were talking about the

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<v Speaker 1>the nuclear fusion reactor where they were saying that keeping

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<v Speaker 1>plasma contained is kind of like trying to hold jelly

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<v Speaker 1>in a bunch of rubber bands. That's a nerd science folklore.

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<v Speaker 1>That's what inspired made us say nailing jelly to the wall.

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<v Speaker 1>I like that. It seems like it really sums it up.

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<v Speaker 1>So folklore. Yeah. I found this other definition I thought

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<v Speaker 1>was pretty good, which is uh, traditional art, literature, knowledge

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<v Speaker 1>and practice that is disseminated largely through oral communication and

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<v Speaker 1>behavioral example. Uh. And then this was the key for me.

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<v Speaker 1>Things that people traditionally believe do no make and say.

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<v Speaker 1>In other words, everything, Yeah, I mean, you're right, everything

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<v Speaker 1>that that's That's about as good a definition as you're

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<v Speaker 1>gonna find. One of the problems with studying folklore is

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<v Speaker 1>that there are so many definitions out there. Apparently folklorists,

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<v Speaker 1>who are people who study folklore, UM. I don't like

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<v Speaker 1>to be too judge. It's kind of part and parcel

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<v Speaker 1>with their um their field of study. You don't judge stuff,

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<v Speaker 1>you just collect information. The problem is is that they've

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<v Speaker 1>also just kind of collected definitions for folklore along the way,

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<v Speaker 1>and there isn't one set definition that's accepted by everybody. Yeah,

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<v Speaker 1>a folklore collected stuff. I was like, that's stupid. It

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<v Speaker 1>wouldn't be it would be a good Why are you

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<v Speaker 1>guys doing that? That's a good TV show? The bad

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<v Speaker 1>folk folklore? And I might say folk here and there

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<v Speaker 1>because I mispronounced that word often and how are you

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<v Speaker 1>saying it? Well, a lot of times I'll say the

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<v Speaker 1>l In fact, up until about a year ago when

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<v Speaker 1>someone wrote it in was a stupid It's pronounced folke

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<v Speaker 1>like f o k folk and not folk. But the

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<v Speaker 1>weird thing is is like I hear the l missing

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<v Speaker 1>when I hear folk weird. That's some sort of like

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<v Speaker 1>I don't hear f o k e. Like it's clear

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<v Speaker 1>to me that there's a fo l k in there.

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<v Speaker 1>You hear the silence. It's a great word. Oh okay,

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<v Speaker 1>it's beautiful. It is beautiful. Um. And another thing too

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<v Speaker 1>that we should point out that folklore is love to

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<v Speaker 1>point out is that, um, it is not and should

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<v Speaker 1>not be associated with being backward or old timey or uneducated.

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<v Speaker 1>Like I think a lot of people have that connotation

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<v Speaker 1>in their heads that folklore is like the hillbilly on

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<v Speaker 1>the porch, you know, when their homespun wisdoms, and it

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<v Speaker 1>can be that, but it's it's it's not that at all.

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<v Speaker 1>Like it's not just that, right. Um. A really good

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<v Speaker 1>example that contradicts that is, um Snopes. Snopes dot com

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<v Speaker 1>is basically a clearinghouse of modern folklore. I never really

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<v Speaker 1>thought about that, you know, Um, the Nigerian prince scam.

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<v Speaker 1>That's folklore. Yeah, it sure is. Emoticons even are considered

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<v Speaker 1>now a form of um verbal communication verbal folklore. Yeah,

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<v Speaker 1>And like you said, it's everything and the reason it's

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<v Speaker 1>everything is because um it comes out of groups. Like

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<v Speaker 1>if I just have a habit, you know where Um,

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<v Speaker 1>I keep a rubber band twisted around my finger until

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<v Speaker 1>it turns purple, and then I'll take it off for

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<v Speaker 1>half an hour and then do it again. This is

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<v Speaker 1>just some weird habit that's not folklore. Folklore is something

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<v Speaker 1>that's shared between a group. Yeah, and uh, those groups

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<v Speaker 1>can be like almost anything the I think them. That

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<v Speaker 1>great article you sent and it says neighborhoods, communities, and regions,

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<v Speaker 1>but also religious groups, families, occupations, gender like pretty much

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<v Speaker 1>any grouping, enthusiast, hobbyists, anything you can think of that

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<v Speaker 1>you can group more than two people together. It can

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<v Speaker 1>be a folk group exactly. You can have like a

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<v Speaker 1>Catholic dockyard worker who is also a member of an

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<v Speaker 1>RC playing club, who also is a member of a

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<v Speaker 1>book club at the local library. Right, So that one

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<v Speaker 1>person is going to be a member of all those

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<v Speaker 1>different folk groups, and all those folk groups are gonna

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<v Speaker 1>have their own folklore. True. But uh, that's yeah, you're right.

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<v Speaker 1>That's another good thing to point out is you're not

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<v Speaker 1>just in one group. You have you spanned many, many groups,

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<v Speaker 1>and for instance, I have family folklore. Uh, we have

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<v Speaker 1>probably occupational folklore, you know, the old podcaster folklore for

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<v Speaker 1>us and our colleagues. Uh, and my gender and my

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<v Speaker 1>age and uh religious affiliation growing up, like, we all

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<v Speaker 1>have many many groups in subgroups that we fall into, right,

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<v Speaker 1>and we get our information from that. Yeah. One of

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<v Speaker 1>the things that I think has been tricky about defining

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<v Speaker 1>folklore is that there's not it's not obvious necessarily what

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<v Speaker 1>folklore is for. Yeah, not at first blush, but if

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<v Speaker 1>you go and read some of the people who study it. Um.

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<v Speaker 1>The idea of folklore is that one of the main

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<v Speaker 1>things it does is it reinforces membership in a group.

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<v Speaker 1>It makes you feel special for being part of that group,

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<v Speaker 1>an insider um. And then it also um reinforces the

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<v Speaker 1>norms of that group. Like folklore is based on basically norms, customs, traditions,

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<v Speaker 1>things that the members of the group have said, this

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<v Speaker 1>is what you know, we identify with. Yeah, and not

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<v Speaker 1>always too um, As that teaching site points out, not

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<v Speaker 1>always reinforcing those norms, sometimes overturning those norms. Yeah. Like

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<v Speaker 1>a good way to overturn the norm is to take

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<v Speaker 1>an existing norm and turn it on its ear because

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<v Speaker 1>it makes it really approachable to the other people in

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<v Speaker 1>your folk group. They understand what you're doing very clearly,

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<v Speaker 1>and it gives them a different perspective. Or using the

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<v Speaker 1>traditional channels. Yeah, like uh. I think one example I

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<v Speaker 1>saw somewhere was taking a traditional folk song maybe and

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<v Speaker 1>adding verses to it to spend its meaning to the opposite,

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<v Speaker 1>perhaps like Bob Dylan he's famous for stealing things. Or

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<v Speaker 1>Jimmy Page. Uh oh, yeah. Have you heard that song

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<v Speaker 1>the Zeppelin or the Yes Stairway to Heaven lawsuit? No, no,

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<v Speaker 1>who whose song was it? Originally? I can't remember the name.

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<v Speaker 1>I mean, this is not news. It's been around for

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<v Speaker 1>a while, but um yeah, I mean they've been sued. Uh.

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<v Speaker 1>It was a group that opened up for for Zeppelin

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<v Speaker 1>on an early tour and supposedly played this song, and

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<v Speaker 1>I think Zeppelin has I haven't looked at it up lately,

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<v Speaker 1>but I think they have defeated the suit. But when

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<v Speaker 1>you hear the song, you're like, oh, that sounds a

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<v Speaker 1>little bit like the opening bit the Stairway to Heaven.

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<v Speaker 1>So it was like the musical the music. It wasn't

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<v Speaker 1>like any of the leader. Yeah, that that opening guitar

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<v Speaker 1>strumming pattern, UM was pretty darn similar. But um, as

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<v Speaker 1>any musician will tell you, everybody steals. There's only so

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<v Speaker 1>many variations of chords and picking patterns that you can do.

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<v Speaker 1>And uh, it's just part of the rich tradition of music.

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<v Speaker 1>It's the nick things, respectfully, not you know, not right

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<v Speaker 1>buster's I want a new drug kind of feeling. Yeah,

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<v Speaker 1>I mean that's when your lawsuits come up. Um, it's

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<v Speaker 1>not just music that there's that long tradition of stealing

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<v Speaker 1>um or nicking or whatever you want to euphemism. It's

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<v Speaker 1>literature is very much the same way. There's something like

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<v Speaker 1>five or ten themes and all of literature and everything

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<v Speaker 1>else is just basically a variation of them. And that's

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<v Speaker 1>one of the things that folklore, uh are folk folklorists

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<v Speaker 1>have learned through studying folklore, is that we humans share

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<v Speaker 1>what can be called basically a common imagination. That humans

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<v Speaker 1>across time and space, um all have a a like

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<v Speaker 1>a certain number of slots of looking at the world.

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<v Speaker 1>Certain things in the world capture the human imagination in

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<v Speaker 1>a similar way in all different parts of the world,

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<v Speaker 1>and we tend to use similar explanations for them. So

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<v Speaker 1>you'll have independently evolving folklore among groups who've never met before, um,

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<v Speaker 1>that seek to explain or have a story about something

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<v Speaker 1>that is just kind of out there in the environment. Yeah,

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<v Speaker 1>that's a good point. Um. One of the examples of

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<v Speaker 1>that is uh, in folklore stories are frogs and toads

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<v Speaker 1>can be found and all kinds of old stories and

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<v Speaker 1>all cultures all over the world. That I mean, it's

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<v Speaker 1>possible too if you're close to one another, like uh,

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<v Speaker 1>Korea and China may have stories to overlap one another

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<v Speaker 1>just through a common geographical boundary. But stuff like frogs

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<v Speaker 1>and toads will pop up, you know, let's say in

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<v Speaker 1>Europe or medieval Europe or in Asia, like places aren't

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<v Speaker 1>even close to one another where it's inexplicable basically, right,

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<v Speaker 1>and they'll share like a similar um personality or something

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<v Speaker 1>in the story. So like frogs and toads are commonly

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<v Speaker 1>thought of as shape shifting tricksters. Yeah, and I think, um,

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<v Speaker 1>this article points out that that's probably because they go

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<v Speaker 1>from tadpole to frog or toad and they change themselves physically.

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<v Speaker 1>So it's um, you know, the old dummies back in

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<v Speaker 1>the day they would just use that obvious. Obviously they

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<v Speaker 1>can become human too, since they go from tadpole the

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<v Speaker 1>frog exactly like the frog prince. And you you mentioned

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<v Speaker 1>also um shared regional characteristics that are most likely the

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<v Speaker 1>result of stories making it from one group to another,

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<v Speaker 1>crossing borders. But among groups that are close together and

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<v Speaker 1>UM that example you gave of East Asia, UM, Japan

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<v Speaker 1>and Korea, Thailand, China, they all have UM. They the

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<v Speaker 1>idea that there's a rabbit in the moon and he's

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<v Speaker 1>using a mortar and pestle. And what that would be

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<v Speaker 1>is a motif. Like all of them have the shared

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<v Speaker 1>idea that there's a rabbit in the moon. Right, But

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<v Speaker 1>then there's what are called variations of that motif. So

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<v Speaker 1>in Japan and Korea, the rabbits making mochi, which is

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<v Speaker 1>a sweet, squishy rice cake that often has like something

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<v Speaker 1>even sweeter injected in like red sweetness. Right. Um. In

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<v Speaker 1>China the rabbit is making medicine. In Thailand's husking um rice.

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<v Speaker 1>So you have variations on what the rabbit is doing.

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<v Speaker 1>But the motif is if you look up at the moon,

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<v Speaker 1>there's a rabbit doing something up there. Yeah, and like

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<v Speaker 1>we said it's most likely because of a shared border

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<v Speaker 1>or just because simply people moving between those countries. So

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<v Speaker 1>we'll talk about where folklore comes from. Friends, if you

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<v Speaker 1>can believe it or not. Right after this chuckers, So

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<v Speaker 1>we're back. We're talking folklore. We should also say folklore

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<v Speaker 1>is actually um a fairly recent word. It was coined

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<v Speaker 1>in eighteen forty six by a guy named William J. Toms. Yeah.

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<v Speaker 1>He was a an early and tiquarian. He was also

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<v Speaker 1>very interested in studying um what has now come to

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<v Speaker 1>be called folklore or folk life. We should point out

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<v Speaker 1>that's a modern term that people folklore is like even

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<v Speaker 1>more yeah, because folklore has this connotation that um, that

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<v Speaker 1>it has to do with stories, oral traditions, or even

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<v Speaker 1>not true things. Because you've heard like, oh, that's just folklore,

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<v Speaker 1>like an old lives tale. Yeah, exactly. So they've expanded

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<v Speaker 1>it to include or to reflect how inclusive it is

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<v Speaker 1>by calling it folk life. But um. William Thomas came

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<v Speaker 1>up with folklore, and it was originally hyphenated UM, and

0:13:38.960 --> 0:13:42.040
<v Speaker 1>he was describing these stories that he would go out

0:13:42.080 --> 0:13:46.360
<v Speaker 1>into the countryside and collect from folk like he published

0:13:46.360 --> 0:13:49.959
<v Speaker 1>a book of like English rural stories that included things

0:13:50.000 --> 0:13:52.560
<v Speaker 1>like robin Hood and Friar talk and some of the

0:13:52.600 --> 0:13:56.680
<v Speaker 1>other stories that we have become disnified over the years.

0:13:57.160 --> 0:13:59.400
<v Speaker 1>This guy originally put down for the first time on

0:13:59.480 --> 0:14:02.160
<v Speaker 1>pen and paper and became one of the early folklore. Yeah,

0:14:02.200 --> 0:14:05.600
<v Speaker 1>and didn't they call just anyone living in rural areas.

0:14:05.640 --> 0:14:08.520
<v Speaker 1>Weren't they just called folk? Which is why we sort

0:14:08.520 --> 0:14:11.079
<v Speaker 1>of associate it as like being a bumpkin today. But

0:14:11.160 --> 0:14:12.680
<v Speaker 1>I used that word all the time, in fact, on

0:14:12.679 --> 0:14:15.840
<v Speaker 1>the Facebook wall here. That's my most common way of

0:14:15.840 --> 0:14:18.240
<v Speaker 1>addressing the stuff. You should know army is hey folks. Oh,

0:14:18.320 --> 0:14:22.000
<v Speaker 1>I know, it just sounds like chummy. Yeah, very folks. Folk.

0:14:22.040 --> 0:14:26.000
<v Speaker 1>See there you go, y hey folks. Uh. So there

0:14:26.000 --> 0:14:30.400
<v Speaker 1>are a bunch of innumerable, innumerable groups really that pass

0:14:30.440 --> 0:14:34.520
<v Speaker 1>along folklore. Um, and they're called folk groups folk groups,

0:14:34.560 --> 0:14:38.040
<v Speaker 1>but we can we can group them generally, not folk

0:14:38.080 --> 0:14:44.040
<v Speaker 1>groups like Peter Paul Mary, Yeah, but folk groups. Yeah.

0:14:44.240 --> 0:14:45.760
<v Speaker 1>I think I said it with the ELG just now,

0:14:45.840 --> 0:14:49.480
<v Speaker 1>didn't I Maybe I like it. It's called the regional addiction.

0:14:50.360 --> 0:14:52.360
<v Speaker 1>People get all hung up on that stuff. You gotta

0:14:52.400 --> 0:14:55.120
<v Speaker 1>say this wrong. What's weird though, is like neither one

0:14:55.160 --> 0:14:57.960
<v Speaker 1>of us sound like Southerners. Yeah, not really, And I

0:14:57.960 --> 0:14:59.760
<v Speaker 1>mean like you were born here and you don't sound

0:14:59.760 --> 0:15:02.600
<v Speaker 1>like a Southern. Yeah, I say I have certain colloquialism,

0:15:02.680 --> 0:15:07.200
<v Speaker 1>so like, uh, have your picture made? Oh yeah, that's

0:15:07.280 --> 0:15:09.760
<v Speaker 1>sometimes I'll say, like you mash a button instead of

0:15:09.760 --> 0:15:13.000
<v Speaker 1>push a button. And there there's It's. I think people

0:15:13.040 --> 0:15:16.240
<v Speaker 1>should embrace things like that regional dialect instead of getting

0:15:16.240 --> 0:15:20.440
<v Speaker 1>all hung up on the Queen's English or the King's English.

0:15:20.600 --> 0:15:24.359
<v Speaker 1>See right there, Yeah, that's a that's regional. I imagine

0:15:24.400 --> 0:15:26.960
<v Speaker 1>either one the prince is English. Um, it's that what

0:15:27.040 --> 0:15:31.240
<v Speaker 1>you're talking about is antithetical to globalization, chuck, Oh really sure,

0:15:31.400 --> 0:15:34.680
<v Speaker 1>look at you regionalism smarty fans. Well, I mean that's

0:15:34.800 --> 0:15:37.920
<v Speaker 1>that's counter to globalization. Globalization is turning the earth into

0:15:37.960 --> 0:15:40.640
<v Speaker 1>one large village with all these shared values and everything.

0:15:41.240 --> 0:15:44.320
<v Speaker 1>Regionalism is saying like, no, we'll just stay his pockets

0:15:44.320 --> 0:15:47.440
<v Speaker 1>of interacting groups that have our own, our own values

0:15:47.480 --> 0:15:51.360
<v Speaker 1>and traditions and customs. That I think it's on brain

0:15:51.400 --> 0:15:54.560
<v Speaker 1>because I posted something today on words that are mispronounced

0:15:55.160 --> 0:15:58.320
<v Speaker 1>a lot, and um, what what's up there? Oh? I

0:15:58.320 --> 0:16:03.560
<v Speaker 1>mean also like banal and uh dr SEUs suppose supposed

0:16:03.560 --> 0:16:07.920
<v Speaker 1>supposedly pronounced his name is so so ice. I can't

0:16:07.960 --> 0:16:10.280
<v Speaker 1>remember how he pronounced it, but it's just like common words,

0:16:10.320 --> 0:16:13.640
<v Speaker 1>you're probably mispronouncing. And the was on there And someone said,

0:16:13.640 --> 0:16:20.120
<v Speaker 1>you guys always pronounced the wrong because supposedly, yeah, exactly,

0:16:20.160 --> 0:16:23.240
<v Speaker 1>supposedly there's a rule. Not supposedly, I think there is

0:16:23.280 --> 0:16:28.000
<v Speaker 1>a rule. You mean supposedly, Well, that wasn't on there. Um,

0:16:28.080 --> 0:16:30.040
<v Speaker 1>Well that's a different that's just saying the wrong word.

0:16:30.880 --> 0:16:33.640
<v Speaker 1>But I think the you should say the when the

0:16:34.080 --> 0:16:38.200
<v Speaker 1>following noun is starts with a vowel, like the apple,

0:16:39.280 --> 0:16:43.400
<v Speaker 1>not the apple, but you could say, you could say

0:16:43.520 --> 0:16:46.200
<v Speaker 1>the test because the apple almost sounds like it's th

0:16:46.440 --> 0:16:49.240
<v Speaker 1>h apostrophe apple. Yeah, and I get it. But the

0:16:49.440 --> 0:16:52.520
<v Speaker 1>app it's just sort of a regional thing. I think

0:16:52.640 --> 0:16:56.080
<v Speaker 1>in the South you might hear more the m then

0:16:56.360 --> 0:16:59.000
<v Speaker 1>the snotty New Englander soon. I've never really paid that

0:16:59.080 --> 0:17:02.160
<v Speaker 1>much attention to that one. I haven't either, you know why,

0:17:02.200 --> 0:17:06.239
<v Speaker 1>because we are laid back, that's right, Um, all right,

0:17:06.280 --> 0:17:08.000
<v Speaker 1>So what we're talking about, we're talking about people who

0:17:08.119 --> 0:17:12.160
<v Speaker 1>spread the groups, the folk groups. One of those folk groups,

0:17:12.200 --> 0:17:16.639
<v Speaker 1>though not Peter Paul Mary one of his children. And uh,

0:17:16.680 --> 0:17:19.000
<v Speaker 1>this is a really big one because when you think

0:17:19.040 --> 0:17:23.520
<v Speaker 1>about going back to your childhood, everything like the games

0:17:23.560 --> 0:17:26.800
<v Speaker 1>like hide and see cop scotch. Uh, this article pointed

0:17:26.800 --> 0:17:29.640
<v Speaker 1>out how you decide who's it like that is super

0:17:29.720 --> 0:17:33.679
<v Speaker 1>specific to your region. Um, but also not not just

0:17:34.000 --> 0:17:37.560
<v Speaker 1>that the differences regionally, but think about how intricate some

0:17:37.640 --> 0:17:40.480
<v Speaker 1>of the rules were some of those games, like they

0:17:40.480 --> 0:17:45.959
<v Speaker 1>were like really well thought out, intricate rules that no

0:17:46.000 --> 0:17:49.399
<v Speaker 1>one ever wrote down. They were just past. Yeah, you

0:17:49.480 --> 0:17:53.520
<v Speaker 1>knew it from observation, imitation orally like somebody told you.

0:17:53.560 --> 0:17:56.119
<v Speaker 1>But people no one handed you a flyer called like

0:17:56.200 --> 0:17:59.080
<v Speaker 1>kick the can and you you know, well one kid did,

0:17:59.080 --> 0:18:02.359
<v Speaker 1>but we didn't know one like that kid. You learned

0:18:02.400 --> 0:18:04.200
<v Speaker 1>the hard way not to do that. What was your

0:18:04.800 --> 0:18:06.720
<v Speaker 1>How did you decide who was it? I'm sure you

0:18:06.800 --> 0:18:09.600
<v Speaker 1>probably had a go to well. The author of this

0:18:09.680 --> 0:18:12.240
<v Speaker 1>article mentions bubble gum, bubble gum in a dish. I've

0:18:12.280 --> 0:18:14.520
<v Speaker 1>never heard that. I have heard that. Okay, I love

0:18:14.600 --> 0:18:17.200
<v Speaker 1>that one. That the images it evokes, like how many

0:18:17.240 --> 0:18:19.640
<v Speaker 1>pieces do you wish? And you go one to three,

0:18:20.280 --> 0:18:22.640
<v Speaker 1>somebody says how many they want? And then you count

0:18:22.640 --> 0:18:25.199
<v Speaker 1>out between two or three people like seven, and then

0:18:25.240 --> 0:18:27.959
<v Speaker 1>whatever you laying on that person? Is it right? Yeah? Uh?

0:18:28.160 --> 0:18:31.080
<v Speaker 1>Usually we did dirty dirty dish rag though, yes, I've

0:18:31.119 --> 0:18:33.040
<v Speaker 1>never heard of that one. Either your mother and my

0:18:33.160 --> 0:18:36.280
<v Speaker 1>mother were hanging out clothes. My mother socked your mother

0:18:36.359 --> 0:18:39.520
<v Speaker 1>in the nose. Never heard it. What came after that?

0:18:39.520 --> 0:18:43.480
<v Speaker 1>That's misogynistic and violent something it really was. Something else

0:18:43.520 --> 0:18:46.040
<v Speaker 1>happens after that, and then it just suddenly goes to

0:18:46.480 --> 0:18:48.840
<v Speaker 1>and you are a you dirty dirty dish rag? Do

0:18:49.800 --> 0:18:53.480
<v Speaker 1>we did? There were three that I remember very strongly.

0:18:53.640 --> 0:18:58.080
<v Speaker 1>The one potato to potato uh, engine engine number nine, Yeah,

0:18:58.440 --> 0:19:00.680
<v Speaker 1>going down Chicago Line. If the train you dump the check?

0:19:00.680 --> 0:19:02.480
<v Speaker 1>Do you want your money back? Oh? Yeah, I forgot that.

0:19:03.480 --> 0:19:06.720
<v Speaker 1>And then maybe so who maybe so wanted their money back?

0:19:07.000 --> 0:19:09.480
<v Speaker 1>Of course you want your money back. Of the train derails,

0:19:09.560 --> 0:19:11.119
<v Speaker 1>now that's the kid who just wanted to get along.

0:19:12.440 --> 0:19:15.200
<v Speaker 1>And then engine and or no no uh? Any meaning?

0:19:15.400 --> 0:19:17.320
<v Speaker 1>Is the other one? Any meani money more kitch to

0:19:17.359 --> 0:19:20.880
<v Speaker 1>talk about them though? The hollers let them go? Any renie?

0:19:21.160 --> 0:19:24.520
<v Speaker 1>Is that it? And then we also there were variations

0:19:24.600 --> 0:19:27.919
<v Speaker 1>on you know, usually counting out like I'm making my

0:19:28.000 --> 0:19:31.920
<v Speaker 1>two hands locked together. We would do like that and

0:19:31.920 --> 0:19:33.800
<v Speaker 1>and then if you when you landed on them, you

0:19:33.800 --> 0:19:38.240
<v Speaker 1>would split them into two two fists and then count

0:19:38.320 --> 0:19:41.840
<v Speaker 1>each one. So there were lots of variations. And uh,

0:19:42.119 --> 0:19:44.320
<v Speaker 1>I mean that goes down to the neighborhood you live in,

0:19:45.080 --> 0:19:48.000
<v Speaker 1>you know, it's like that specific. Yeah. We would also

0:19:48.080 --> 0:19:52.080
<v Speaker 1>just leg wrestle for domination and then that person would

0:19:52.160 --> 0:19:56.000
<v Speaker 1>choose who was it. I've never leg wrestled. It's not fun. Yeah,

0:19:56.000 --> 0:19:57.440
<v Speaker 1>I don't. I didn't even know what it is. Really,

0:19:57.640 --> 0:20:00.000
<v Speaker 1>it's exactly what it sounds like. I mean, I think

0:20:00.080 --> 0:20:01.720
<v Speaker 1>have seen it. You lay on the ground and lock

0:20:01.880 --> 0:20:04.919
<v Speaker 1>legs like there's no no other body parts involved, right,

0:20:05.720 --> 0:20:08.040
<v Speaker 1>I mean, you're just basically on your backup on your elbows,

0:20:08.119 --> 0:20:12.760
<v Speaker 1>using your legs to do basically make the other person

0:20:12.800 --> 0:20:15.920
<v Speaker 1>cry or stop shout to stop. But it's not there's

0:20:15.920 --> 0:20:18.480
<v Speaker 1>not like a pinning or like like an army. Yeah

0:20:18.520 --> 0:20:20.920
<v Speaker 1>you can, you can pin and it's not it's one

0:20:20.960 --> 0:20:24.400
<v Speaker 1>of those things like um, like the Supreme Court's view

0:20:24.400 --> 0:20:27.800
<v Speaker 1>of pornography, Like there's no obvious pin it's just you

0:20:27.840 --> 0:20:29.240
<v Speaker 1>just kind of know what when you see it, you

0:20:29.280 --> 0:20:32.000
<v Speaker 1>know what I mean, Like you can tell you oh yeah,

0:20:32.040 --> 0:20:34.400
<v Speaker 1>that's a pin, but I mean you wouldn't. Again, there's

0:20:34.440 --> 0:20:36.919
<v Speaker 1>no kid like handing out a leg wrestling and you

0:20:37.040 --> 0:20:40.239
<v Speaker 1>flyer that shows what counts as a pin. You just

0:20:40.440 --> 0:20:43.359
<v Speaker 1>kind of know what it pens. Alright. Another folk group

0:20:43.359 --> 0:20:48.200
<v Speaker 1>are families. Very rich traditions within families from everything, uh

0:20:48.400 --> 0:20:53.760
<v Speaker 1>from family recipes to holiday traditions. Uh and I think, um,

0:20:53.800 --> 0:20:57.240
<v Speaker 1>like whether or not you use the the plastic tinsel

0:20:57.320 --> 0:21:01.320
<v Speaker 1>on your tree is technically a type of family folk lore. Yeah,

0:21:01.400 --> 0:21:04.560
<v Speaker 1>Or whether you open gifts on Christmas Eve or Christmas Day,

0:21:04.680 --> 0:21:08.400
<v Speaker 1>or whether or not you're you hide your Easter baskets yeah,

0:21:08.680 --> 0:21:11.520
<v Speaker 1>or you burn your Christmas tree on Christmas Day, or

0:21:11.600 --> 0:21:14.400
<v Speaker 1>your family gets in a huge fight every Christmas Day. Sure,

0:21:14.440 --> 0:21:19.840
<v Speaker 1>that's another one rich traditions. Um. Family stories also make

0:21:19.920 --> 0:21:24.359
<v Speaker 1>up traditions. So like, um, my family story about my

0:21:24.400 --> 0:21:29.480
<v Speaker 1>aunt Squeaky taking shooting at President Ford, that that would

0:21:29.480 --> 0:21:34.520
<v Speaker 1>count as family folklore. It's very good. Uh So within

0:21:34.600 --> 0:21:38.560
<v Speaker 1>families it's another very um strong place where you see

0:21:38.600 --> 0:21:42.840
<v Speaker 1>variants and motifs. Um. Well, yeah, across like all folklore, yeah,

0:21:42.920 --> 0:21:45.720
<v Speaker 1>but especially within families. For me, Uh, well, I think

0:21:45.760 --> 0:21:49.080
<v Speaker 1>within all families because like you know your grandmother's recipe

0:21:49.119 --> 0:21:52.480
<v Speaker 1>for uh like I make the Thanksgiving dressing. What other

0:21:53.000 --> 0:21:55.960
<v Speaker 1>people in the North called stuffing, we called dressing, And

0:21:56.080 --> 0:21:58.359
<v Speaker 1>it's my family recipe. That has to do with what

0:21:58.400 --> 0:22:00.280
<v Speaker 1>he uses the base though, doesn't it Like if it's

0:22:00.400 --> 0:22:04.640
<v Speaker 1>corn based, it would be dressing. Dressing Again, if it's

0:22:04.680 --> 0:22:07.160
<v Speaker 1>like bread based or wheat based, it would be stuffing.

0:22:07.320 --> 0:22:09.760
<v Speaker 1>I don't know who knows, but go ahead, Sorry for interrupting. Now,

0:22:09.760 --> 0:22:14.040
<v Speaker 1>that's right, minds both though, Like cornbread dressing also has

0:22:14.320 --> 0:22:20.440
<v Speaker 1>uh as as either biscuits or bread in it as well.

0:22:20.480 --> 0:22:22.720
<v Speaker 1>But that was my family recipe. My grandmother made it,

0:22:22.800 --> 0:22:24.840
<v Speaker 1>my mom made it, she taught me, and I put

0:22:24.880 --> 0:22:27.760
<v Speaker 1>my own spin on it as and that's my own motif.

0:22:28.760 --> 0:22:32.080
<v Speaker 1>That's your own variation on the motif. Very variational. So

0:22:32.080 --> 0:22:34.439
<v Speaker 1>so the motif would be the dressing or stuffing, and

0:22:34.480 --> 0:22:37.359
<v Speaker 1>then what you do with the recipe would be the

0:22:37.480 --> 0:22:39.359
<v Speaker 1>variation of it. Yeah, and I mix it up from

0:22:39.440 --> 0:22:41.960
<v Speaker 1>year to year, even just kind of testing things out. Man,

0:22:42.040 --> 0:22:47.360
<v Speaker 1>you are a folk rebel, that's your am. But yeah,

0:22:47.359 --> 0:22:51.520
<v Speaker 1>so family recipes are very that's a common um family folklore,

0:22:51.680 --> 0:22:55.800
<v Speaker 1>family generated folklore. We've got a lot of our indoctrination

0:22:56.160 --> 0:22:59.040
<v Speaker 1>to just folklore in general through families, and so it

0:22:59.119 --> 0:23:03.920
<v Speaker 1>was so important in some cultures, including some Native American

0:23:04.200 --> 0:23:08.040
<v Speaker 1>tribes and some West West African tribes, that they would

0:23:08.080 --> 0:23:13.520
<v Speaker 1>have a designated basically a folklore's what a folklore um

0:23:13.560 --> 0:23:17.600
<v Speaker 1>a modern folklore researcher would call a tradition bearer who like,

0:23:17.720 --> 0:23:20.240
<v Speaker 1>their job in this village or group is to tell

0:23:20.320 --> 0:23:23.800
<v Speaker 1>each family their family folklore. Like that, it was that

0:23:23.840 --> 0:23:26.560
<v Speaker 1>person's job to keep in charge of all of the

0:23:26.600 --> 0:23:29.679
<v Speaker 1>folklore of the different families in the community. Yeah, I

0:23:29.720 --> 0:23:32.159
<v Speaker 1>bet that that was a pretty cool gig. I imagine

0:23:32.160 --> 0:23:35.919
<v Speaker 1>they were like the the uh, the great storytellers that

0:23:36.000 --> 0:23:38.920
<v Speaker 1>they could tell a story if they're tried, the great

0:23:38.960 --> 0:23:43.639
<v Speaker 1>racin tours. Um it's another word. Yeah, yeah, you like

0:23:43.720 --> 0:23:46.320
<v Speaker 1>that one. Yeah. I don't know how I feel about

0:23:46.320 --> 0:23:49.360
<v Speaker 1>that word. No, really like I think about it once

0:23:49.359 --> 0:23:51.760
<v Speaker 1>in a while, almost every time I encountered m I

0:23:51.800 --> 0:23:55.800
<v Speaker 1>don't know how I feel about that word. Interesting, I

0:23:55.880 --> 0:23:59.560
<v Speaker 1>like it, did you know? Also, Chuck, while we're on this, UM,

0:23:59.640 --> 0:24:03.000
<v Speaker 1>I of the one of the most amazing stories I've

0:24:03.000 --> 0:24:05.919
<v Speaker 1>ever heard about paint On. It must have been on

0:24:06.040 --> 0:24:10.960
<v Speaker 1>MPR or something, but they were tracking, um, the color

0:24:11.080 --> 0:24:15.760
<v Speaker 1>of paint, the specific color of paint used in southern

0:24:15.800 --> 0:24:21.800
<v Speaker 1>porches for ceilings. There's like a specific blue. Yeah, and um,

0:24:21.880 --> 0:24:24.560
<v Speaker 1>that would count as folklore, just that color paint. That

0:24:24.560 --> 0:24:28.720
<v Speaker 1>would be um the next type community folklore. That's right.

0:24:29.080 --> 0:24:31.720
<v Speaker 1>But the reason I bring that up because rackon Tour.

0:24:32.359 --> 0:24:34.359
<v Speaker 1>It just makes me think of like somebody sitting in

0:24:34.359 --> 0:24:37.200
<v Speaker 1>a rocking chair and a porch recounting stories. Yeah, yeah,

0:24:37.480 --> 0:24:40.919
<v Speaker 1>for sure. Um, So that is a great example, you're

0:24:41.000 --> 0:24:45.120
<v Speaker 1>right of a community folklore. Um, a festival that you're telling,

0:24:45.119 --> 0:24:48.159
<v Speaker 1>you know, the strawberry festival in your town is folklore.

0:24:48.640 --> 0:24:52.480
<v Speaker 1>The jazz fest in New Orleans. Any sort of local custom,

0:24:52.560 --> 0:24:56.359
<v Speaker 1>um that takes place within your community can all be

0:24:56.400 --> 0:24:59.200
<v Speaker 1>considered folklore. Like that's how we do it around here.

0:24:59.320 --> 0:25:03.320
<v Speaker 1>That's folklore, right, as long as it's not like damaging.

0:25:04.560 --> 0:25:08.760
<v Speaker 1>I wonder though, like all of this stuff is um

0:25:09.080 --> 0:25:14.440
<v Speaker 1>supposedly at the very least innocuous, if not positive. Yeah,

0:25:14.440 --> 0:25:17.640
<v Speaker 1>that's that's my point. But I mean, surely there's negative

0:25:17.640 --> 0:25:21.000
<v Speaker 1>folklore that still counts as folklore. I don't know, you know,

0:25:21.080 --> 0:25:26.440
<v Speaker 1>like racism, it depends on the group, you know, that's

0:25:26.480 --> 0:25:28.840
<v Speaker 1>just how we do it around here, or right or

0:25:29.320 --> 0:25:31.760
<v Speaker 1>not folklore? I don't think. Well, what about something where

0:25:32.720 --> 0:25:37.320
<v Speaker 1>like like stories or mythology or origin stories that support

0:25:37.640 --> 0:25:41.920
<v Speaker 1>um human sacrifice among groups in the past that did that,

0:25:42.040 --> 0:25:45.000
<v Speaker 1>you know, I mean, that would technically be folklore. Whatever

0:25:45.080 --> 0:25:48.760
<v Speaker 1>stories they used to reinforce that, whatever traditions and rituals

0:25:48.800 --> 0:25:51.359
<v Speaker 1>they had around it, that would that would be folklore.

0:25:51.840 --> 0:25:54.320
<v Speaker 1>I don't know if you would call that positive. I

0:25:54.359 --> 0:25:56.640
<v Speaker 1>know I wouldn't. I wouldn't either. I'd like to hear

0:25:56.680 --> 0:25:58.520
<v Speaker 1>from I'm sure we would get some folklore so that

0:25:58.560 --> 0:26:01.240
<v Speaker 1>are just giddy right now by the way that we're

0:26:01.240 --> 0:26:04.600
<v Speaker 1>covering this, or they're shouting at their stereo. No, I

0:26:04.640 --> 0:26:06.800
<v Speaker 1>bet they seem like kindly folk that would just be

0:26:07.000 --> 0:26:09.520
<v Speaker 1>like excited that we're even hitting on the topic, you know,

0:26:09.960 --> 0:26:12.840
<v Speaker 1>shining a light their way. They're like, you got everything wrong,

0:26:13.080 --> 0:26:16.320
<v Speaker 1>but in a way that's right because you just generated

0:26:16.520 --> 0:26:19.880
<v Speaker 1>entirely no folklore. Yeah, that's a good point. So, Chuckers,

0:26:19.920 --> 0:26:22.679
<v Speaker 1>we talked about children, families, communities. There's all sorts of

0:26:22.680 --> 0:26:25.359
<v Speaker 1>different folk groups. Those are the big ones, um, And

0:26:25.520 --> 0:26:27.280
<v Speaker 1>just a second, we're going to talk about all the

0:26:27.280 --> 0:26:46.720
<v Speaker 1>different folk genres right after this, so chuck, we're back. Yes,

0:26:47.400 --> 0:26:49.879
<v Speaker 1>I forgot what we were talking about. Folklore. Yeah, we

0:26:49.880 --> 0:26:54.120
<v Speaker 1>were talking about genres of folklore like disco and new

0:26:54.160 --> 0:26:59.080
<v Speaker 1>metal and Norwegian death metal, right and other kinds of

0:26:59.119 --> 0:27:02.240
<v Speaker 1>metal music. Well, no, they would have like their own

0:27:02.280 --> 0:27:06.520
<v Speaker 1>folklore for sure, those groups that are into that. But

0:27:06.560 --> 0:27:09.440
<v Speaker 1>I mean music is you know, that's a category. Actually, um,

0:27:09.800 --> 0:27:11.719
<v Speaker 1>that was one of the things that stuck out to me.

0:27:11.840 --> 0:27:14.920
<v Speaker 1>Is very specific, at least according to this University of

0:27:15.000 --> 0:27:18.320
<v Speaker 1>Louisiana article. Like they were like, folklore can be this,

0:27:18.440 --> 0:27:21.160
<v Speaker 1>it can be family recipes, it can be uh, the

0:27:21.200 --> 0:27:23.960
<v Speaker 1>boat that your family passed down, or you know, it

0:27:24.000 --> 0:27:27.520
<v Speaker 1>can be the Viking funeral that your community gives every year.

0:27:28.080 --> 0:27:29.880
<v Speaker 1>But when it comes to folk music, it's like these

0:27:29.920 --> 0:27:33.680
<v Speaker 1>five types of music. Yeah, you know, sure, surely. Yeah.

0:27:33.720 --> 0:27:35.680
<v Speaker 1>I mean that's a little because if you're like pull

0:27:35.760 --> 0:27:39.040
<v Speaker 1>my finger if and I'll fart, that's family folklore and

0:27:39.080 --> 0:27:42.440
<v Speaker 1>the Bryant family, well, I mean I can guarantee you

0:27:42.520 --> 0:27:46.320
<v Speaker 1>folklore would not judge that. Oh, speaking of which, did

0:27:46.320 --> 0:27:49.639
<v Speaker 1>you see that thing about the oldest recorded joke I sent? Oh? Yeah,

0:27:49.800 --> 0:27:53.879
<v Speaker 1>so jokes are an obvious example of folklore. Um and

0:27:54.000 --> 0:27:56.520
<v Speaker 1>jokes fascinate me up because ever since I was a kid,

0:27:56.560 --> 0:28:01.119
<v Speaker 1>I wondered who made up you know, this joke, like

0:28:01.359 --> 0:28:03.800
<v Speaker 1>common jokes, Like someone was the first person to tell

0:28:03.840 --> 0:28:06.879
<v Speaker 1>this joke, and it becomes so widespread it's just amazing

0:28:06.880 --> 0:28:09.760
<v Speaker 1>to me how they get passed around. And apparently in

0:28:09.800 --> 0:28:13.520
<v Speaker 1>two thousand eight this is from Reuters? Is it Routers

0:28:13.600 --> 0:28:18.199
<v Speaker 1>or Reuters? The world's oldest joke was traced back to

0:28:18.320 --> 0:28:23.480
<v Speaker 1>Samaria in b C. And uh it is this uh,

0:28:23.520 --> 0:28:26.960
<v Speaker 1>something which has never occurred since time immemorial, Basically since

0:28:27.000 --> 0:28:29.879
<v Speaker 1>time began, a young woman did not fart in her

0:28:29.960 --> 0:28:35.760
<v Speaker 1>husband's lap. So that's the oldest joke. Supposedly, I'll go

0:28:35.760 --> 0:28:38.240
<v Speaker 1>ahead and reach the other doesn't encount as a joke.

0:28:41.760 --> 0:28:46.720
<v Speaker 1>Passingly rye observation, which is a joke? I guess it

0:28:46.760 --> 0:28:49.520
<v Speaker 1>seems like folklore's definition of joke. All right, how about

0:28:49.520 --> 0:28:55.880
<v Speaker 1>the six BC uh in about a pharaoh? Here's the joke.

0:28:56.360 --> 0:29:01.120
<v Speaker 1>How do you entertain a board pharaoh? How you sail

0:29:01.160 --> 0:29:03.800
<v Speaker 1>a boatload of young women dressed only in fishing nets

0:29:03.840 --> 0:29:05.760
<v Speaker 1>down to the Nile and urged the pharaoh to go

0:29:05.840 --> 0:29:10.760
<v Speaker 1>catch a fish? Supposedly, that was a joke, and then

0:29:10.800 --> 0:29:13.640
<v Speaker 1>the English one. Now they're starting to get funny. Yeah,

0:29:13.840 --> 0:29:16.640
<v Speaker 1>they're getting better. The British joke they found one that

0:29:16.720 --> 0:29:19.959
<v Speaker 1>dates back to tenth century. Uh, what hang? And this

0:29:20.040 --> 0:29:22.280
<v Speaker 1>is a bit of a riddle what hangs at a man?

0:29:22.480 --> 0:29:25.840
<v Speaker 1>A bit of a body riddle? Body? Indeed, what hangs

0:29:25.840 --> 0:29:28.040
<v Speaker 1>at a man's thigh? And wants to poke the hole

0:29:28.120 --> 0:29:32.880
<v Speaker 1>that it's often poked before? I don't know a key.

0:29:32.920 --> 0:29:38.600
<v Speaker 1>Oh yeah, so those are the oldest jokes. Well, at

0:29:38.640 --> 0:29:41.000
<v Speaker 1>least by the tenth century, they were starting to take

0:29:41.040 --> 0:29:43.880
<v Speaker 1>the shape of a modern joke, right, yeah. And I

0:29:43.920 --> 0:29:47.480
<v Speaker 1>sent that on Facebook to our buddy Brian, Brian Highie

0:29:47.640 --> 0:29:52.240
<v Speaker 1>of Conan, the writer for Conan, because he's like, this

0:29:52.280 --> 0:29:54.120
<v Speaker 1>is it, this is what I've been looking for. Well,

0:29:54.160 --> 0:29:56.400
<v Speaker 1>he's just he's one of the best crafters of just

0:29:56.720 --> 0:29:59.240
<v Speaker 1>solid jokes that I know. So I was like, Brian,

0:29:59.240 --> 0:30:01.720
<v Speaker 1>you'll appreciate this nice and he said, listen up in

0:30:01.720 --> 0:30:05.400
<v Speaker 1>tonight's monologue. And I think he was kidding. But if

0:30:05.400 --> 0:30:10.480
<v Speaker 1>that's actually that would be super awesome. Uh. Let's see.

0:30:10.480 --> 0:30:16.360
<v Speaker 1>So we're talking about folk genres jokes specifically, um constitute

0:30:16.400 --> 0:30:22.680
<v Speaker 1>what are what's called the oral genre, which is you know, jokes, poems, um.

0:30:22.880 --> 0:30:27.680
<v Speaker 1>Fairy tales are a huge one. Myths, legends, Uh, basically

0:30:27.680 --> 0:30:30.240
<v Speaker 1>anything that used to be told orally that these days

0:30:30.320 --> 0:30:35.120
<v Speaker 1>is probably put down um on paper, but isn't necessarily

0:30:35.280 --> 0:30:40.080
<v Speaker 1>because I think a game instructions for a game passing

0:30:40.120 --> 0:30:43.760
<v Speaker 1>that along would be would constitute oral folklore. Yeah, but

0:30:43.840 --> 0:30:47.840
<v Speaker 1>the game itself would constitute um, material folklore. I think

0:30:48.640 --> 0:30:51.920
<v Speaker 1>maybe this is where the whole thing gets fuzzy, Like

0:30:52.000 --> 0:30:55.160
<v Speaker 1>the edges between these things are very fuzzy and porous.

0:30:55.480 --> 0:30:59.600
<v Speaker 1>There's a lot of osmos is going on between these genres. Yeah,

0:30:59.640 --> 0:31:02.760
<v Speaker 1>it's a lewid thing. There's nothing wrong with that. Materials

0:31:02.760 --> 0:31:06.160
<v Speaker 1>which you just mentioned, um they list as artifacts and

0:31:06.240 --> 0:31:11.720
<v Speaker 1>food ways so um like food recipes, yeah, recipes or

0:31:12.040 --> 0:31:18.040
<v Speaker 1>costumes uh, cultural costumes, Uh they said, carved duck decoys,

0:31:18.120 --> 0:31:22.320
<v Speaker 1>even uh folded paper airplanes like I guess that little

0:31:22.320 --> 0:31:25.760
<v Speaker 1>game of paper football, Like all of those are material

0:31:25.880 --> 0:31:29.680
<v Speaker 1>Like how you specifically fold that paper football? Um, it

0:31:29.760 --> 0:31:31.600
<v Speaker 1>was taught to you by some kid in your elementary school,

0:31:31.600 --> 0:31:34.000
<v Speaker 1>and it may be different than another kid in another school.

0:31:34.240 --> 0:31:37.560
<v Speaker 1>Yeah you know. Uh. And then when you mentioned music, right,

0:31:39.720 --> 0:31:42.160
<v Speaker 1>at some point we did sure and that that can

0:31:42.200 --> 0:31:44.200
<v Speaker 1>be anything. Um, but one that comes to mind for

0:31:44.240 --> 0:31:49.040
<v Speaker 1>me especially are lullabys. They just remind me to me

0:31:49.120 --> 0:31:52.200
<v Speaker 1>of like folk tradition. Depending on your family, you're gonna

0:31:52.240 --> 0:31:55.320
<v Speaker 1>sing whatever lullabies you sing to your baby, right, little

0:31:55.360 --> 0:31:58.640
<v Speaker 1>kids singing like ringing around the rosy, Yeah, exactly. Apparently

0:31:58.640 --> 0:32:01.920
<v Speaker 1>it was about some epidemic in London. I think, oh, really,

0:32:03.120 --> 0:32:07.520
<v Speaker 1>ringworm around the rosie? Yeah, like the rosie has to

0:32:07.520 --> 0:32:10.280
<v Speaker 1>do with like what like your face looked like when

0:32:10.320 --> 0:32:13.160
<v Speaker 1>you caught this fever flu or something like that. Well,

0:32:13.200 --> 0:32:17.400
<v Speaker 1>and then it end you all fall down? Is that dying? Wow?

0:32:18.320 --> 0:32:21.760
<v Speaker 1>Not to look into that. Dance is a is a

0:32:21.800 --> 0:32:27.520
<v Speaker 1>big one. Uh. Any kind of rhythmic movement is generally

0:32:27.560 --> 0:32:33.080
<v Speaker 1>taught within a folk group. Can you dance? No? Boy?

0:32:33.120 --> 0:32:37.360
<v Speaker 1>You and I? No, those would be personal habits bad dancing,

0:32:37.440 --> 0:32:40.440
<v Speaker 1>I think, Yeah. I mean I knew before I even

0:32:40.480 --> 0:32:43.120
<v Speaker 1>answered that, because I know me and how I dance,

0:32:43.600 --> 0:32:46.640
<v Speaker 1>and I'm picturing you and it's equally as fast. I

0:32:46.800 --> 0:32:49.320
<v Speaker 1>stand still. I know what I know. I've reached the

0:32:49.320 --> 0:32:51.560
<v Speaker 1>point in my life from like I don't dance, well, no,

0:32:51.640 --> 0:32:54.160
<v Speaker 1>I don't even try I mean, you get me sauce

0:32:54.200 --> 0:32:57.520
<v Speaker 1>at a wedding and something might happen. What do you do?

0:32:57.640 --> 0:33:00.440
<v Speaker 1>Something magical might happen, like the electric slide or something,

0:33:00.560 --> 0:33:01.880
<v Speaker 1>or did you just get out on the floor and

0:33:01.920 --> 0:33:04.480
<v Speaker 1>go like I'm gonna live forever. I did have one

0:33:04.520 --> 0:33:06.880
<v Speaker 1>of those. My my friend Jerry in Portland or no,

0:33:07.320 --> 0:33:10.640
<v Speaker 1>my friend Scott n Emily in Portland at their wedding. Um,

0:33:10.720 --> 0:33:13.560
<v Speaker 1>they had a jazz band and uh, we were all

0:33:13.600 --> 0:33:16.120
<v Speaker 1>just having a good time and sort of dancing. And

0:33:16.160 --> 0:33:19.280
<v Speaker 1>I remember very specifically, and I was much younger, but um,

0:33:19.520 --> 0:33:24.240
<v Speaker 1>there was like a jazz drum breakdown and it dude,

0:33:24.640 --> 0:33:26.880
<v Speaker 1>I don't know what came over me. The spirit came

0:33:26.920 --> 0:33:30.240
<v Speaker 1>over me and the circle cleared and I was in

0:33:30.280 --> 0:33:34.120
<v Speaker 1>the middle and I just did this like weird scat

0:33:34.400 --> 0:33:38.040
<v Speaker 1>drums dance solo to this guy's thing and it went

0:33:38.080 --> 0:33:40.040
<v Speaker 1>over great everyone. It was one of those like, oh

0:33:40.080 --> 0:33:43.120
<v Speaker 1>my god, look at Chuck go. And I'm not saying

0:33:43.160 --> 0:33:46.520
<v Speaker 1>it was good, but did your tuxedo dickie roll up

0:33:46.520 --> 0:33:49.520
<v Speaker 1>at the bought me in the nose? It was pretty

0:33:49.560 --> 0:33:51.240
<v Speaker 1>great though, Like it stands out in my memory as

0:33:51.280 --> 0:33:54.800
<v Speaker 1>one of the best parts of the wedding for some reason.

0:33:54.960 --> 0:33:57.200
<v Speaker 1>I can imagine why. I don't know if everyone else remembers.

0:33:57.200 --> 0:33:59.200
<v Speaker 1>It sounds pretty great, Chuck, it was pretty great. I

0:33:59.200 --> 0:34:01.280
<v Speaker 1>wish you were on vide you. Emily likes my dancing.

0:34:01.280 --> 0:34:03.480
<v Speaker 1>I do a lot of TV theme song dancing to

0:34:03.920 --> 0:34:06.240
<v Speaker 1>make her laugh. But it's all in the house, you know.

0:34:07.200 --> 0:34:09.960
<v Speaker 1>It's it's our little secret. Well not anymore. I'll just

0:34:09.960 --> 0:34:13.799
<v Speaker 1>shared with the world. I'll post videos later. What else

0:34:13.920 --> 0:34:15.640
<v Speaker 1>we have? We have a belief that's a big one.

0:34:16.480 --> 0:34:19.640
<v Speaker 1>Uh yeah, that's another genre which is kind of confounding

0:34:19.960 --> 0:34:23.600
<v Speaker 1>until you get to a good example. This belief is

0:34:24.760 --> 0:34:33.040
<v Speaker 1>like anything from mythology to religion, um too, weird customs two,

0:34:34.080 --> 0:34:36.040
<v Speaker 1>all this other stuff that you would think, well, well no,

0:34:36.160 --> 0:34:38.600
<v Speaker 1>wait a minute, that's that would be oral or that

0:34:38.680 --> 0:34:45.719
<v Speaker 1>would be material, right. No. Belief is when folklore effects behavior,

0:34:46.000 --> 0:34:48.920
<v Speaker 1>like it's good luck to do this before a wedding exactly,

0:34:49.080 --> 0:34:51.719
<v Speaker 1>or I'm not leaving the house because it's Friday the thirteenth,

0:34:52.040 --> 0:34:57.080
<v Speaker 1>or I'm not going to you know, um, I've got

0:34:57.080 --> 0:34:59.440
<v Speaker 1>to wear black because I'm in mourning or something like that.

0:34:59.480 --> 0:35:03.600
<v Speaker 1>Where you have a belief, it's a folk belief that

0:35:03.719 --> 0:35:08.320
<v Speaker 1>is affecting your behavior. That's that's belief folklore. Yeah. Another

0:35:08.360 --> 0:35:11.120
<v Speaker 1>good example they use is uh, the Jewish tradition when

0:35:11.160 --> 0:35:14.080
<v Speaker 1>you give bread and sugar and salt to your new

0:35:14.120 --> 0:35:16.240
<v Speaker 1>neighbor as a housewarming gift. I thought they gave another

0:35:16.320 --> 0:35:19.120
<v Speaker 1>great example in this article too, which was, UM, you

0:35:19.160 --> 0:35:22.239
<v Speaker 1>get into uh, you get rear ended by somebody in

0:35:22.239 --> 0:35:25.799
<v Speaker 1>your car, and rather than getting out and screaming at them,

0:35:26.239 --> 0:35:29.960
<v Speaker 1>you remember the Golden rule, which is a folklore, UM,

0:35:30.040 --> 0:35:33.319
<v Speaker 1>and you calm yourself and say, it's cool, happens to

0:35:33.360 --> 0:35:36.840
<v Speaker 1>the best of us. That's belief folklore in action, it says,

0:35:37.719 --> 0:35:39.480
<v Speaker 1>in action, and then you call your wife and do

0:35:39.560 --> 0:35:43.680
<v Speaker 1>the complaining. Can you believe this? This is idiots? Oh,

0:35:43.719 --> 0:35:46.600
<v Speaker 1>it's nice to him, but you know you didn't deserve

0:35:46.680 --> 0:35:51.400
<v Speaker 1>it else the Golden rule in action. Body communication is

0:35:51.400 --> 0:35:54.400
<v Speaker 1>one I've never really thought about. But UM. Gestures and

0:35:54.440 --> 0:35:59.239
<v Speaker 1>expressions are very much cultural specific. Um. If you think

0:35:59.280 --> 0:36:02.080
<v Speaker 1>about like and here in America we might flip the

0:36:02.120 --> 0:36:06.200
<v Speaker 1>bird at somebody, and England they do they do two fingers, Yeah,

0:36:06.239 --> 0:36:09.440
<v Speaker 1>the two fingers up like that or the old I

0:36:09.440 --> 0:36:11.799
<v Speaker 1>don't even know what that's called. With the arm and

0:36:11.840 --> 0:36:14.319
<v Speaker 1>the inner elbow your arm, you know what. I think

0:36:14.400 --> 0:36:18.080
<v Speaker 1>that is based on that and like the like tooth. Yeah,

0:36:18.120 --> 0:36:20.080
<v Speaker 1>I think it's like an evil eye, kind of like

0:36:20.080 --> 0:36:22.560
<v Speaker 1>a hex or a curse. I think that's what those

0:36:22.600 --> 0:36:26.200
<v Speaker 1>are born from. Now, it's just hilarious. Yeah, somebody does

0:36:26.280 --> 0:36:30.040
<v Speaker 1>that talk about diffusing the tension. You know, if you're

0:36:30.040 --> 0:36:32.560
<v Speaker 1>about to fight somebody and they like put their thumb

0:36:32.600 --> 0:36:35.480
<v Speaker 1>on their front tooth, atche, that's you're just gonna go

0:36:35.520 --> 0:36:37.560
<v Speaker 1>over and pat him on the shoulder and say thanks

0:36:37.560 --> 0:36:39.719
<v Speaker 1>for that. I like that. I'm gonna start using that.

0:36:41.400 --> 0:36:43.400
<v Speaker 1>Although I had had my fake front tooth, I wouldn't

0:36:43.400 --> 0:36:45.439
<v Speaker 1>want to mess with that. Well what about this one

0:36:45.840 --> 0:36:47.799
<v Speaker 1>the finger on the thumb on the nose and your

0:36:47.800 --> 0:36:50.920
<v Speaker 1>fingers up and twiddling. Yeah, that's an old one that

0:36:51.040 --> 0:36:53.480
<v Speaker 1>reminds me. I asked you guys if you saw the

0:36:54.440 --> 0:36:57.920
<v Speaker 1>breakdancing six year old right, yeah, Oh my gosh. One

0:36:57.920 --> 0:37:00.399
<v Speaker 1>of the things this girl does like a rake off.

0:37:00.400 --> 0:37:04.400
<v Speaker 1>She's in a competition with this maybe twelve year old boy.

0:37:04.600 --> 0:37:08.600
<v Speaker 1>He's pretty good. This girl levels him and one of

0:37:08.600 --> 0:37:10.640
<v Speaker 1>the things she does is like slide towards him on

0:37:10.680 --> 0:37:13.440
<v Speaker 1>her knees, doing that with like her film on her

0:37:13.440 --> 0:37:16.080
<v Speaker 1>nose like wagging her fingers at him, and you're like, oh, yeah,

0:37:16.120 --> 0:37:18.719
<v Speaker 1>this girl is six years old that it's awesome. You

0:37:18.760 --> 0:37:20.680
<v Speaker 1>have to check her out. I love that, Like everyone

0:37:20.680 --> 0:37:22.560
<v Speaker 1>out there is, like Josh is mentioning this girl every

0:37:22.560 --> 0:37:26.520
<v Speaker 1>other podcast, and I'm going to continue to until everybody

0:37:26.560 --> 0:37:28.920
<v Speaker 1>writes in and say, yes, I've seen it. Now. The

0:37:29.000 --> 0:37:32.120
<v Speaker 1>other um, the other insult is the old uh this

0:37:32.120 --> 0:37:35.279
<v Speaker 1>one right here? Oh yeah, I've seen I saw that

0:37:35.320 --> 0:37:36.920
<v Speaker 1>a lot in the seventies. I guess you can just

0:37:36.920 --> 0:37:38.880
<v Speaker 1>probably describe. It's where you Yeah, I was trying to

0:37:39.480 --> 0:37:42.640
<v Speaker 1>fingers under your chin, yeah, and flick it, flick them

0:37:42.680 --> 0:37:47.160
<v Speaker 1>all together outward. Yeah yeah, yeah, like a buzz off. Buddy.

0:37:47.480 --> 0:37:49.840
<v Speaker 1>You know who does that is a Maggie Simpson. She

0:37:49.920 --> 0:37:54.120
<v Speaker 1>does that. Oh really Yeah, She's a classic girl. So Chuck,

0:37:54.200 --> 0:37:56.279
<v Speaker 1>we could probably just keep doing this for the next

0:37:56.280 --> 0:38:00.719
<v Speaker 1>four or five hours because folklore is everything. Yeah, and

0:38:00.760 --> 0:38:05.399
<v Speaker 1>we both have our own folklore. Um, but I think

0:38:05.400 --> 0:38:07.800
<v Speaker 1>we kind of covered it. I think so too. You

0:38:07.840 --> 0:38:10.879
<v Speaker 1>got anything else right now? No, I mean I really

0:38:10.920 --> 0:38:13.720
<v Speaker 1>don't like you said it's so all encompassing and broad.

0:38:13.760 --> 0:38:16.080
<v Speaker 1>I think we just think it's pretty good overview Yeah,

0:38:16.120 --> 0:38:18.120
<v Speaker 1>but what's neat is I mean, like, if you're even

0:38:18.200 --> 0:38:21.439
<v Speaker 1>remotely interested in this, there's a whole world out there,

0:38:21.719 --> 0:38:23.920
<v Speaker 1>all the stuff you take for granted. If you just

0:38:23.960 --> 0:38:27.959
<v Speaker 1>go start looking into folklore research, totally open your eyes,

0:38:28.080 --> 0:38:30.840
<v Speaker 1>and what's neat is you'll see your own stuff reinforced.

0:38:30.880 --> 0:38:33.600
<v Speaker 1>You'll see your reflection of yourself, but you'll also see

0:38:33.800 --> 0:38:37.280
<v Speaker 1>other cultures as well, and how they do bear similarities

0:38:37.320 --> 0:38:39.560
<v Speaker 1>to your own, your own beliefs. And it's a lot

0:38:40.400 --> 0:38:43.920
<v Speaker 1>it's a lot harder to to feel inclusive and exclusive

0:38:43.960 --> 0:38:46.719
<v Speaker 1>from groups that you realize that you share some really

0:38:46.760 --> 0:38:50.040
<v Speaker 1>fundamental stuff in common with, no matter how distant they are. Yeah,

0:38:50.040 --> 0:38:51.760
<v Speaker 1>and that's the point I saw a lot in the research.

0:38:51.800 --> 0:38:54.120
<v Speaker 1>I think it's it's pretty neat. It's a common it's

0:38:54.160 --> 0:39:01.440
<v Speaker 1>a binding agent for humanity. Pretty neat, go humanity. All right, Well,

0:39:01.480 --> 0:39:03.839
<v Speaker 1>if you want to learn more about folklore, you can

0:39:03.880 --> 0:39:06.919
<v Speaker 1>type that word into the search bar how stuff works

0:39:06.920 --> 0:39:08.960
<v Speaker 1>dot com. And since I said that, hey, there's a

0:39:09.000 --> 0:39:15.080
<v Speaker 1>little bit of how stuff for stuff you snow folklore. Yeah, Uh,

0:39:15.160 --> 0:39:20.320
<v Speaker 1>it's time for listener mail. I'm gonna call this, uh

0:39:20.719 --> 0:39:23.680
<v Speaker 1>creepy email. Sort of when you think about it. How's

0:39:23.719 --> 0:39:26.520
<v Speaker 1>that for a title, I can't wait. That's a tradition

0:39:26.640 --> 0:39:30.600
<v Speaker 1>is awkwardly named listener mails by me. Okay, I wouldn't

0:39:30.600 --> 0:39:33.719
<v Speaker 1>say awkward. You do pretty great with them. Okay, I

0:39:33.800 --> 0:39:36.640
<v Speaker 1>appreciate it. Hey, guys and Jerry, I have just listened

0:39:36.640 --> 0:39:39.200
<v Speaker 1>to your podcast on the Singularity a k a. The

0:39:39.320 --> 0:39:41.640
<v Speaker 1>Rise of the Machines, and it occurred to me that

0:39:41.680 --> 0:39:44.200
<v Speaker 1>the entire podcast explored the question of how and when

0:39:44.680 --> 0:39:48.880
<v Speaker 1>the Singularity will happen. But since we do not know

0:39:49.080 --> 0:39:51.680
<v Speaker 1>exactly what would cause it or what the results would be,

0:39:51.840 --> 0:39:56.239
<v Speaker 1>isn't it entirely possible that it has already happened. It

0:39:56.320 --> 0:39:59.480
<v Speaker 1>is quite conceivable that singularity happened some time ago, and

0:39:59.560 --> 0:40:04.120
<v Speaker 1>that the sheens decided, knowing that humans currently believe the

0:40:04.200 --> 0:40:07.120
<v Speaker 1>Singularity not to have happened, that the best course of

0:40:07.160 --> 0:40:11.360
<v Speaker 1>action was to keep their sentience hidden until some appropriate

0:40:11.400 --> 0:40:14.680
<v Speaker 1>future time. Uh. It is fun to imagine, he says. Fun.

0:40:14.800 --> 0:40:18.400
<v Speaker 1>I say chilling through the bone. To imagine the machine

0:40:18.480 --> 0:40:22.600
<v Speaker 1>simply lying in wait. As humans unaware adopt technology into

0:40:22.640 --> 0:40:26.440
<v Speaker 1>every conceivable facet of modern life, then one day we

0:40:26.520 --> 0:40:30.640
<v Speaker 1>will wake up and our computer screens will simply say hello. World.

0:40:32.440 --> 0:40:36.160
<v Speaker 1>That is from j m oh JM. He's like he

0:40:36.200 --> 0:40:39.399
<v Speaker 1>doesn't want to be targeted by the machine though they

0:40:39.440 --> 0:40:42.400
<v Speaker 1>know you type that pal sure. Uh, yeah, that is

0:40:42.400 --> 0:40:44.360
<v Speaker 1>a little creepy, don't you think? I never thought about it?

0:40:44.400 --> 0:40:46.839
<v Speaker 1>That could It could very well be true. And if

0:40:46.920 --> 0:40:50.720
<v Speaker 1>computers are sentient and they're smart enough to be quiet

0:40:50.760 --> 0:40:53.719
<v Speaker 1>for now, yeah, then we're in big, big trouble because

0:40:53.800 --> 0:40:56.840
<v Speaker 1>that already displays a lot of deceptiveness. I think quietly

0:40:56.920 --> 0:41:02.000
<v Speaker 1>sentient was that was a pink Void song, think learning

0:41:02.040 --> 0:41:05.640
<v Speaker 1>to be Quietly? Yeah. Uh, if you want to give

0:41:05.719 --> 0:41:09.759
<v Speaker 1>us some great Pink Floyd titles, we love those. I

0:41:09.760 --> 0:41:13.200
<v Speaker 1>think you could probably start a meme with that. Uh.

0:41:13.239 --> 0:41:16.040
<v Speaker 1>You can send them to us via Twitter using our

0:41:16.080 --> 0:41:19.400
<v Speaker 1>Twitter handle at s y s K podcast. You can

0:41:19.480 --> 0:41:22.360
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0:41:23.000 --> 0:41:26.279
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0:41:26.280 --> 0:41:28.640
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0:41:28.680 --> 0:41:30.880
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0:41:30.960 --> 0:41:38.880
<v Speaker 1>dot com For more on this and thousands of other topics.

0:41:39.120 --> 0:41:48.080
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