WEBVTT - Jordan McGraw

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<v Speaker 1>Hello everyone, and welcome to another episode of Inside the

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<v Speaker 1>Studio on iHeart Radio. My name is Jordan Runtog, but

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<v Speaker 1>enough about me. My guest today has had a very

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<v Speaker 1>busy life in Lockdown. He's tied the knot with Ease

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<v Speaker 1>Daily Pop co host Morgan Stewart, and this summer became

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<v Speaker 1>a first time parents a daughter, Row And somehow he's

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<v Speaker 1>still found time to drop two stellar singles, most recently

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<v Speaker 1>the synth Tings throwback She and also a few months earlier, Her,

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<v Speaker 1>which is a collaboration with the Jonas Brothers. He's heading

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<v Speaker 1>out on the road with them for a series of

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<v Speaker 1>dates through the fall. How does he do it all? Well,

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<v Speaker 1>there's talent, good work, ethic, and maybe a word of

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<v Speaker 1>advice from his father, who you may know as Dr Phil.

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<v Speaker 1>I'm so happy to welcome my guest today, Jordan McGraw.

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<v Speaker 1>This is going to be so confusing. First time this

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<v Speaker 1>has happened on this show. I talked to myself all

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<v Speaker 1>the time. Same here. Well, while we're on the topic

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<v Speaker 1>of similar names, you have two new songs. Your new

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<v Speaker 1>song is called your latest song, rather, it's called She,

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<v Speaker 1>and your last single before that is Her. Everybody get

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<v Speaker 1>that straight. Both songs are excellent. Let's start with She,

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<v Speaker 1>which is about something that I'm guilty of. When you

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<v Speaker 1>have a dream where you're mad at someone and you

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<v Speaker 1>wake up and you're still kind of a rationally mad

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<v Speaker 1>at them, and it throws your whole day. Tell me

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<v Speaker 1>about where where did the song come from? For you?

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<v Speaker 1>I think we're all guilty of it. First of all,

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<v Speaker 1>it's like you can't control it and you just wake

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<v Speaker 1>up glaring at somebody. Okay, uh no, it's oddly enough,

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<v Speaker 1>it is a true story. My now wife and I

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<v Speaker 1>were quarantining together right right when it was you know,

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<v Speaker 1>at its time where we had to stay inside, which

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<v Speaker 1>was probably the worst setting for this to actually happen in,

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<v Speaker 1>and she just woke up pissed and I was like

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<v Speaker 1>what what? And uh she was like just nothing, you

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<v Speaker 1>really did. It's just, you know, I don't want to

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<v Speaker 1>talk about it. I was like, I think she's still

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<v Speaker 1>mad at me. Were months pasted it, and I think

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<v Speaker 1>she's still mad about it. I can't get ahold of

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<v Speaker 1>dream me. So you know, what do with the dream?

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<v Speaker 1>Did she tell you? I have? I have no idea,

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<v Speaker 1>I don't know, but it was bad, so if I

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<v Speaker 1>ever get ahold of dream Jordan, I'm like kick his ask, Yeah,

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<v Speaker 1>you gotta exchange some words. The an upshot of this

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<v Speaker 1>is not only a great song, but an incredible video

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<v Speaker 1>where he went to What's for me a sacred place.

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<v Speaker 1>You went to the set of the Wheel of Fortune.

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<v Speaker 1>I mean, I assume that was the real said, I

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<v Speaker 1>feel like, you can't you can't fake that. It was

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<v Speaker 1>the real set that was. That was like kind of

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<v Speaker 1>one of my one of my things. I was like,

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<v Speaker 1>if we're gonna do it, we're gotta do it for real.

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<v Speaker 1>If we're gonna fake it, like I will know too

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<v Speaker 1>many of the details to know it's fake, right, you know,

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<v Speaker 1>because I grew up watching I watched two shows growing

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<v Speaker 1>up all the time. Is that in the Simpsons. So

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<v Speaker 1>I was just like I was starstruck walking in you know.

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<v Speaker 1>It's just like it's everything you hope it would be.

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<v Speaker 1>The wheel is smaller but twice as heavy as you

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<v Speaker 1>think it is. Ah yeah, you see them like kind

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<v Speaker 1>of grunt when they go to spin it. That's real. Okay,

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<v Speaker 1>Oh yeah, I don't know what. I don't know what

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<v Speaker 1>makes it so heavy, but yeah, oh man, Morgan got

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<v Speaker 1>to be Vanna White, which I'm told is harder than

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<v Speaker 1>it seems, way harder. She had you gotta like really,

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<v Speaker 1>you know, it's a screen now, so you would think

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<v Speaker 1>it would be easier to hit the screen, but it's

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<v Speaker 1>you gotta like really get in there. It's such a

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<v Speaker 1>great video and you you play multiple characters. You're like

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<v Speaker 1>Eddie Murphy in there. You're your pat say Jack, and

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<v Speaker 1>you're the three contestants. I love the characters. I mean,

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<v Speaker 1>the cowboy guy kind of reminds me of Burt Reynolds

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<v Speaker 1>on the S Live Celebrity Jeopardy. That was our exact reference.

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<v Speaker 1>You nailed it. Yeah, Oh my god, tell me tell

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<v Speaker 1>me about all those uh those folks. I love doing

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<v Speaker 1>impressions and playing characters and stuff. So when we were

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<v Speaker 1>picking the characters though, I was like, Okay, they each

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<v Speaker 1>have to be like a little part of me or

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<v Speaker 1>somebody that I know so that I can like really

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<v Speaker 1>deliver the one liners and the stupid jokes. So I

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<v Speaker 1>grew up in Texas. That's the cowboy you know. All

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<v Speaker 1>of my all of my my family has, you know,

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<v Speaker 1>those weird sayings, the terrible mustaches and never take their

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<v Speaker 1>cowboy hats. Off the nerd. I am like secretly a

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<v Speaker 1>total nerd that that that's like me on the inside.

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<v Speaker 1>Clarence and then the emo kid not apologetically went through

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<v Speaker 1>quite the quite the emo phase. Oh yeah, taken back

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<v Speaker 1>Sunday Saves the Day. That was my that was my

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<v Speaker 1>my youth. Yeah, totally totally. I had I had a

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<v Speaker 1>black pink and black mohawk. I had the leopard spots

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<v Speaker 1>in my hair for a little bit. I bleached it.

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<v Speaker 1>I bleached out black hair dye to put more different.

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<v Speaker 1>It was just like my hair was just like you

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<v Speaker 1>could break it. Path. Yeah, No, I missed the I

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<v Speaker 1>missed the the eyeshadow and skinny jeans days. I have

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<v Speaker 1>to say I still try to get them as skinny

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<v Speaker 1>as they'll go, but I'm not as flexible as I

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<v Speaker 1>once was. Well, it is an incredible video. Tell me

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<v Speaker 1>about the track Her, which I know was a collaboration

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<v Speaker 1>between you and your buddies and the and the Jonas brothers.

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<v Speaker 1>How did that song come together? Yeah, kind of right

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<v Speaker 1>when I was getting off of the Happiness Begins tour.

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<v Speaker 1>I was kind of talking to them about where I

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<v Speaker 1>wanted to sound to kind of head and I, you know,

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<v Speaker 1>I started giving some details of like, you know, a

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<v Speaker 1>little bit, I want the pop punk me to be

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<v Speaker 1>involved in there. I want, you know, kind of my

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<v Speaker 1>love of eighties music to be in there, and um,

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<v Speaker 1>you know, I kind started describing it and Nick was like,

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<v Speaker 1>I think, I think I have a song that you

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<v Speaker 1>might want to use, and Joe was like, oh, yes, absolutely,

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<v Speaker 1>and so they played me to chorus and I was like, yeah,

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<v Speaker 1>that that's that's that's pretty much it. And uh, they

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<v Speaker 1>let me do my thing to it and then put

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<v Speaker 1>my spin on it and make it my own and

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<v Speaker 1>then you know, there it is. So you go way

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<v Speaker 1>back with the Jonah Spars. I mean, you said you

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<v Speaker 1>opened for the tour in en Happiness begins tour, and

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<v Speaker 1>you're you're on the road with them, I think now

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<v Speaker 1>on a new tour, which we'll talk about in a minute.

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<v Speaker 1>How did you first connect with them? Are our real

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<v Speaker 1>friendship started over a love of baseball. I the first

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<v Speaker 1>time I met Nick was actually at a Dodgery game,

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<v Speaker 1>and uh, we had some mutual friends, so I he

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<v Speaker 1>and I are probably the two shyest people in the world,

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<v Speaker 1>so we just I walked up to him and I

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<v Speaker 1>was like, hey, I know so, and so he's like, oh, yeah, yeah,

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<v Speaker 1>and uh, you know, but then you know, to Tequilas

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<v Speaker 1>later and we're best friends already. So yeah, I met

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<v Speaker 1>I met him that way and Joe Joe and I

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<v Speaker 1>kind of met not long after that, and he wound

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<v Speaker 1>up directing a video for me, and uh, you know.

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<v Speaker 1>After after that, the rest is history. And now I

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<v Speaker 1>get to go on the biggest tours in the world,

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<v Speaker 1>which you know is definitely a perk of the friendship. Well,

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<v Speaker 1>here's the question for you, who's most likely to win

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<v Speaker 1>at Fortnite? Joe and I play every day, so I

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<v Speaker 1>can tell you with a hud certainty that Joe will

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<v Speaker 1>win at Fortnite over all of us beat Okay, yeah, yeah,

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<v Speaker 1>I barely make it every day, even on the road,

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<v Speaker 1>or especially on the road, I guess maybe ask yeah,

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<v Speaker 1>I mean, if we have WiFi on the road, we

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<v Speaker 1>will we find a way to get in there and

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<v Speaker 1>do it. You just kicked off what I think like

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<v Speaker 1>a couple of days ago, your first in something like

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<v Speaker 1>sixty dates with them. How is it getting back on

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<v Speaker 1>the road so far? It was crazy. I was so

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<v Speaker 1>excited going into it because playing live is my absolute

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<v Speaker 1>favorite part of anything music. But I underestimated how good

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<v Speaker 1>it would feel to walk on the stage in front

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<v Speaker 1>of a bunch of people. I I stepped foot onto

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<v Speaker 1>that stage and immediately was ear to ear, grinning, like

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<v Speaker 1>it's just the excite. I did realize how much I

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<v Speaker 1>missed that excitement. It's so I'm so excited to just

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<v Speaker 1>keep going. We have a day off today and I'm like, no, well,

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<v Speaker 1>lot's changed since you you went on the road last.

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<v Speaker 1>You become a husband and a father. How is that

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<v Speaker 1>factored into going on the road. Is it tough to

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<v Speaker 1>kind of balance the being a gig musician with being

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<v Speaker 1>a family man. Yeah, I mean it's it's it's not

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<v Speaker 1>a tough challenge. It's just a different challenge. My wife

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<v Speaker 1>is awesome, and so she's so supportive about it. And

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<v Speaker 1>you know, I'm gonna come home as much as possible

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<v Speaker 1>on the West coast just so I can see Row

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<v Speaker 1>my daughter, and then you know, once we get to

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<v Speaker 1>the middle of the country, they'll come visit a little bit,

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<v Speaker 1>and then once we're on the East coast will come

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<v Speaker 1>out there and I'll be able to kind of come

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<v Speaker 1>back and forth to New York. So we're we're figuring

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<v Speaker 1>out a way to make it the easiest adventure possible,

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<v Speaker 1>but it's definitely an adventure. Nonetheless, Rose, gotta see your dad,

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<v Speaker 1>do was think at those big headphones on? Yeah? I

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<v Speaker 1>want to see her little peanut head with those giant headphones.

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<v Speaker 1>She's so adorable. Congratulations. Has become a dad changed your

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<v Speaker 1>your approach to music at all? Totally? I think I'm

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<v Speaker 1>just I'm just I'm so happy. You know, as cheesy

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<v Speaker 1>as that sounds, you know, I'm so happy. I already

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<v Speaker 1>liked making happy music, but now there's just like this

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<v Speaker 1>element of humor and honesty that wouldn't be there normally.

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<v Speaker 1>You know that I would maybe take my I would

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<v Speaker 1>take myself a little more serious and and maybe kind

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<v Speaker 1>of dial a few of those back. But now I'm

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<v Speaker 1>just like, you know what, I'm I'm here, and here

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<v Speaker 1>I'm dancing around the house with a baby and and uh,

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<v Speaker 1>you know, having phone with my wife, and so I

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<v Speaker 1>get into the studio and it's just like I can't

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<v Speaker 1>turn that off. I think it's just more fun. Damn.

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<v Speaker 1>I mean, being a first time parent during lockdown. My

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<v Speaker 1>sister's going through that right now herself. That's no joke.

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<v Speaker 1>How is how's that experience been for you? It's far

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<v Speaker 1>less scary than I thought it would be. Right before

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<v Speaker 1>she was born, I was like, oh god, I'm responsible

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<v Speaker 1>for a human being. This is gonna be that. You

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<v Speaker 1>can barely take care of myself. But then she's there

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<v Speaker 1>and you see your face and you hear those first

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<v Speaker 1>little noises and you're like, holy sh it, this is

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<v Speaker 1>just the coolest thing I have ever done, you know.

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<v Speaker 1>And then every day she changes so much, so it's like,

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<v Speaker 1>you know, it just keeps you on your toes in

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<v Speaker 1>the sweetest way possible. Oh that's the thing I did

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<v Speaker 1>not expect with with my niece. Like a week goes

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<v Speaker 1>by and you're like, you're you're different. Stop stop no,

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<v Speaker 1>yeah exactly, And then the tooth pops out and you're like,

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<v Speaker 1>what is that. You're supposed to get those and they're

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<v Speaker 1>not gonna start falling out, And then it's it's crazy.

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<v Speaker 1>It's so much fun though, it really is. I sound

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<v Speaker 1>like a broken record, but it's it's the coolest job

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<v Speaker 1>I've ever had. Is she into music yet? My my

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<v Speaker 1>brother in law plays guitar for my my niece and

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<v Speaker 1>she just squeals and kicks and stuff as row in

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<v Speaker 1>the music. Oh, it's crazy. It's like you you put

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<v Speaker 1>on any kind of music and she immediately kind of

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<v Speaker 1>starts bouncing. And then I don't know how she knows

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<v Speaker 1>to dance harder during the chorus, but like the chorus

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<v Speaker 1>hits and she just like lights up a little more,

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<v Speaker 1>and I'm just like, it's it's so cool to see.

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<v Speaker 1>And I don't know how she understands it so well,

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<v Speaker 1>but she does. So, you know, she wants to start

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<v Speaker 1>a band with me when I'm an old man. We

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<v Speaker 1>can do it. It's gonna say it's innate and center

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<v Speaker 1>center blood right. Oh man, have you been getting parenting

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<v Speaker 1>advice from from your dad? You know he kind of

0:10:16.559 --> 0:10:19.760
<v Speaker 1>minds his own business a little bit. He uh, he

0:10:20.320 --> 0:10:23.480
<v Speaker 1>chimes in when I asked, But you know he's he's

0:10:23.480 --> 0:10:26.520
<v Speaker 1>been more useful for just a place to event to,

0:10:26.880 --> 0:10:29.080
<v Speaker 1>you know where I'm like if I do something, I'm

0:10:29.120 --> 0:10:30.920
<v Speaker 1>like afraid I'm doing it wrong, or like is she

0:10:30.920 --> 0:10:33.320
<v Speaker 1>gonna am I gonna be gone too long here? Or whatever.

0:10:33.440 --> 0:10:36.440
<v Speaker 1>He's he's really good about to take it easy. It's

0:10:36.440 --> 0:10:40.440
<v Speaker 1>she is permanent. She's not going anywhere you need to go.

0:10:40.520 --> 0:10:43.400
<v Speaker 1>Take care of yourself, have fun, and and do your thing.

0:10:43.520 --> 0:10:47.640
<v Speaker 1>So he's better for that. He kind of he likes

0:10:47.640 --> 0:10:49.800
<v Speaker 1>to sit back and watch us figure it out. That's cool.

0:10:49.800 --> 0:10:52.480
<v Speaker 1>That's a great resource to have. I mean, he's obviously

0:10:52.720 --> 0:10:55.160
<v Speaker 1>so famous for giving his advice. Is he ever a

0:10:55.200 --> 0:10:57.079
<v Speaker 1>sounding board for you with your music? Do you ever

0:10:57.080 --> 0:10:58.880
<v Speaker 1>play him stuff and say, you know, what do you

0:10:58.920 --> 0:11:03.720
<v Speaker 1>think of this? Hell? Anything? No? No, he is. He's

0:11:03.800 --> 0:11:06.319
<v Speaker 1>He's my biggest fan. He I sometimes have to not

0:11:06.440 --> 0:11:09.600
<v Speaker 1>give him music too soon because no matter how many

0:11:09.600 --> 0:11:11.199
<v Speaker 1>times I tell him not to play it for people,

0:11:11.200 --> 0:11:14.000
<v Speaker 1>he plays it for everybody. Oh he's proud. He's proud,

0:11:14.520 --> 0:11:15.880
<v Speaker 1>I know. But I kind of have to wait till

0:11:15.880 --> 0:11:17.800
<v Speaker 1>it's a little more finished to give him, to give

0:11:17.920 --> 0:11:21.079
<v Speaker 1>him the new songs. But he's the reason I love music.

0:11:21.120 --> 0:11:23.440
<v Speaker 1>I grew up with music always playing in the house.

0:11:23.480 --> 0:11:26.720
<v Speaker 1>He can barely play the radio, but he does love music,

0:11:26.840 --> 0:11:29.079
<v Speaker 1>So you know, I grew up with all kinds of

0:11:29.160 --> 0:11:31.640
<v Speaker 1>music playing throughout the house. Oh man, like, what any

0:11:31.679 --> 0:11:33.439
<v Speaker 1>any songs you here to this day? And think, oh

0:11:33.440 --> 0:11:35.600
<v Speaker 1>my god, I'm I'm tann and I'm in the yeah

0:11:35.960 --> 0:11:38.960
<v Speaker 1>dead Man's curve, and do what did he are the

0:11:39.000 --> 0:11:42.200
<v Speaker 1>two songs that I feel like, looking back, he played

0:11:42.240 --> 0:11:45.679
<v Speaker 1>way too much Jane Dean songs dead Man's Curve of course,

0:11:45.760 --> 0:11:48.280
<v Speaker 1>and then, uh, you know the one that I don't

0:11:48.320 --> 0:11:49.480
<v Speaker 1>mind that he played all the time. It was a

0:11:49.480 --> 0:11:52.000
<v Speaker 1>whole lot of love. So that one's on there too,

0:11:52.000 --> 0:11:53.679
<v Speaker 1>but I can't really make fun of him for that one.

0:11:53.760 --> 0:11:56.880
<v Speaker 1>So what are some sounds that that made you want

0:11:56.920 --> 0:11:59.040
<v Speaker 1>to make music? Were there? Are there any any groups

0:11:59.040 --> 0:12:00.760
<v Speaker 1>are in a particular song song is that really like

0:12:00.840 --> 0:12:02.760
<v Speaker 1>inspired you to say, you know what, this is what

0:12:02.800 --> 0:12:04.600
<v Speaker 1>I want to do with my life. Yeah. I think

0:12:04.640 --> 0:12:08.040
<v Speaker 1>the first like aha moment for me. My second concert

0:12:08.080 --> 0:12:11.120
<v Speaker 1>I ever went to was Tina Turner and uh yeah,

0:12:11.240 --> 0:12:13.880
<v Speaker 1>and it's it's crazy because on this tour we're playing

0:12:13.920 --> 0:12:18.120
<v Speaker 1>the venue I saw her, and so it's like the first, yeah,

0:12:18.160 --> 0:12:20.120
<v Speaker 1>the first time that I was like, Okay, I want

0:12:20.120 --> 0:12:22.360
<v Speaker 1>to do this. I don't know what capacity, but I

0:12:22.440 --> 0:12:26.160
<v Speaker 1>want to do this was her show there, so um,

0:12:26.200 --> 0:12:29.800
<v Speaker 1>you know, it's just she's NonStop, dancing, NonStop. Everybody on

0:12:29.920 --> 0:12:32.640
<v Speaker 1>stage is just competing to have more fun than the

0:12:32.640 --> 0:12:34.920
<v Speaker 1>person next to them, and it's just like it was

0:12:35.000 --> 0:12:37.839
<v Speaker 1>just this ball of energy just thrown right into your face,

0:12:38.040 --> 0:12:40.720
<v Speaker 1>and I never sat down, and I think my job

0:12:40.840 --> 0:12:42.400
<v Speaker 1>was just dropped the whole time. And I was like,

0:12:42.480 --> 0:12:44.960
<v Speaker 1>I don't know what this is yet, but I'm doing that.

0:12:45.080 --> 0:12:48.080
<v Speaker 1>You start off in bands originally, How does going through

0:12:48.120 --> 0:12:50.560
<v Speaker 1>this adventure solo? Now? How does that compare to to

0:12:50.600 --> 0:12:52.800
<v Speaker 1>being in a band? For you? Being in a band

0:12:52.880 --> 0:12:55.600
<v Speaker 1>was cool, you know, I missed parts of it sometimes,

0:12:55.760 --> 0:12:59.680
<v Speaker 1>but it's also like having five girlfriends at once, you know,

0:12:59.760 --> 0:13:03.640
<v Speaker 1>like everybody, everybody wants a little piece of everybody's time,

0:13:03.679 --> 0:13:06.080
<v Speaker 1>and you know it's you get there's like a it's

0:13:06.120 --> 0:13:08.280
<v Speaker 1>like you want to make a decision, you gotta take

0:13:08.320 --> 0:13:10.200
<v Speaker 1>it to the board, and everybody's got to vote on it.

0:13:10.520 --> 0:13:13.520
<v Speaker 1>Somebody's just in a bad mood, whatever. And then I

0:13:13.559 --> 0:13:15.520
<v Speaker 1>did it by myself for the first time, and I

0:13:15.600 --> 0:13:18.839
<v Speaker 1>was like, Okay, this is easy, Let's stick with this.

0:13:19.320 --> 0:13:21.080
<v Speaker 1>And then I realized that I kind of get best

0:13:21.080 --> 0:13:24.480
<v Speaker 1>of both worlds because I don't like a rotating door

0:13:24.520 --> 0:13:26.960
<v Speaker 1>of just different musicians. So the band that I have

0:13:27.080 --> 0:13:30.440
<v Speaker 1>playing with me live are often the people in the

0:13:30.480 --> 0:13:33.760
<v Speaker 1>studio and that I wind up hanging out with it.

0:13:34.160 --> 0:13:36.600
<v Speaker 1>You get the best of both worlds. There was a

0:13:36.679 --> 0:13:39.480
<v Speaker 1>quote you gave recently, or you said that this new

0:13:39.600 --> 0:13:42.240
<v Speaker 1>music she and her are the first music that's really

0:13:42.280 --> 0:13:44.520
<v Speaker 1>authentically you. What do you think that is? Is that

0:13:44.640 --> 0:13:46.760
<v Speaker 1>just a place that all artists drive to get to

0:13:46.920 --> 0:13:48.720
<v Speaker 1>and you got there, or it does something that would

0:13:48.760 --> 0:13:52.000
<v Speaker 1>lockdown and being able to be more introspective and becoming

0:13:52.000 --> 0:13:53.920
<v Speaker 1>a parent or something. What was that? I think it's

0:13:53.920 --> 0:13:55.840
<v Speaker 1>a little bit of both. I think people kind of

0:13:55.880 --> 0:13:58.040
<v Speaker 1>rolled their eyes when you say, like, I finally figured

0:13:58.080 --> 0:14:00.160
<v Speaker 1>out what I want to sound like. But it a

0:14:00.280 --> 0:14:02.880
<v Speaker 1>lot harder than you think it is to kind of

0:14:02.880 --> 0:14:05.880
<v Speaker 1>take what's in your brain, what you're doing with your

0:14:05.920 --> 0:14:08.679
<v Speaker 1>hands and music and all of that and and your

0:14:08.760 --> 0:14:11.080
<v Speaker 1>voice and kind of combining him in a way that

0:14:11.440 --> 0:14:14.760
<v Speaker 1>makes a straight line to you. You know, that's your

0:14:14.840 --> 0:14:17.760
<v Speaker 1>musical journey. Like that's why you can't take for granted

0:14:17.760 --> 0:14:20.480
<v Speaker 1>the steps that you take to get where you want

0:14:20.480 --> 0:14:22.720
<v Speaker 1>to be. But then, yeah, I mean being in quarantine

0:14:22.760 --> 0:14:25.280
<v Speaker 1>and and being locked in the house and then locking

0:14:25.320 --> 0:14:27.880
<v Speaker 1>myself in a room to really figure it out definitely

0:14:27.960 --> 0:14:30.400
<v Speaker 1>expedited the process a little bit, kind of made it

0:14:30.560 --> 0:14:32.600
<v Speaker 1>more of a moment. So you know, I'm in a

0:14:32.600 --> 0:14:35.200
<v Speaker 1>weird way, I'm kind of grateful for that, like forced

0:14:35.200 --> 0:14:37.840
<v Speaker 1>time to sit and think. Is that something that you

0:14:37.840 --> 0:14:40.240
<v Speaker 1>would do every day like some people do yoga or

0:14:40.280 --> 0:14:43.040
<v Speaker 1>go jogging or something. Do you sit for a certain time? Yeah,

0:14:43.400 --> 0:14:47.040
<v Speaker 1>My my attention span is is way too short for that.

0:14:47.640 --> 0:14:50.840
<v Speaker 1>But I try. I try, and then I'll just like

0:14:51.000 --> 0:14:52.800
<v Speaker 1>I'll just sit down to meditate, and then I'll just

0:14:52.840 --> 0:14:55.160
<v Speaker 1>like start staring into a corner and the the next thing

0:14:55.200 --> 0:14:57.080
<v Speaker 1>you know, I'm counting all of the the corners in

0:14:57.080 --> 0:14:59.240
<v Speaker 1>the room, and I'm like, next thing you know, I

0:14:59.240 --> 0:15:01.360
<v Speaker 1>don't even realize it, and I'm I'm playing a game

0:15:01.360 --> 0:15:03.880
<v Speaker 1>on my phone. That's why I've never been able to meditate.

0:15:03.960 --> 0:15:06.800
<v Speaker 1>And also mostly I I love music. I loved it

0:15:06.800 --> 0:15:09.120
<v Speaker 1>all my life. I can I I mess around enough

0:15:09.120 --> 0:15:10.960
<v Speaker 1>phone on a number of instruments. Never been able to

0:15:10.960 --> 0:15:13.040
<v Speaker 1>write a song in my entire life. I I get

0:15:13.080 --> 0:15:15.080
<v Speaker 1>two or three notes in and I just said, oh, yeah,

0:15:15.080 --> 0:15:17.120
<v Speaker 1>that's that song, that's that song, that's that song. I

0:15:17.160 --> 0:15:19.760
<v Speaker 1>can't and I can't get past that. And I'm thirty

0:15:19.760 --> 0:15:22.040
<v Speaker 1>three years old and I can't do it. Definitely feel

0:15:22.080 --> 0:15:23.720
<v Speaker 1>that vibe. I have to, like I have to sit

0:15:23.760 --> 0:15:27.600
<v Speaker 1>in my studio and I have to allow myself those breaks,

0:15:27.600 --> 0:15:30.320
<v Speaker 1>like I just it winds up shortening the process if

0:15:30.360 --> 0:15:33.600
<v Speaker 1>I let myself daydream and and get away from it,

0:15:33.720 --> 0:15:35.920
<v Speaker 1>you know. And then as far as that, this sounds

0:15:35.960 --> 0:15:38.160
<v Speaker 1>like that, and this sounds like that, David Foster told

0:15:38.160 --> 0:15:41.240
<v Speaker 1>me one time to never forget that amateur's borrow and

0:15:41.280 --> 0:15:44.880
<v Speaker 1>professional steal. So if you're gonna do it, beyond apologetic

0:15:44.920 --> 0:15:47.160
<v Speaker 1>about it and just own it. It's an influence, go

0:15:47.280 --> 0:15:50.320
<v Speaker 1>for it and rip it off. But you know, and

0:15:50.480 --> 0:15:53.240
<v Speaker 1>your own thing. There's nothing that Mozart didn't do before

0:15:53.240 --> 0:15:55.360
<v Speaker 1>all of those other people. So yeah, you hear that

0:15:55.400 --> 0:15:57.240
<v Speaker 1>again and again. I mean Don Everley from the Everly

0:15:57.320 --> 0:15:59.320
<v Speaker 1>Brothers just passed away, and you hear all these people,

0:15:59.360 --> 0:16:02.440
<v Speaker 1>I mean Lennon McCartney's harmonies was was that was the

0:16:02.440 --> 0:16:04.200
<v Speaker 1>Everly Brothers. I mean, you hear all the people that

0:16:04.240 --> 0:16:06.640
<v Speaker 1>they influenced. I mean it's the Beatles have said that

0:16:06.680 --> 0:16:08.560
<v Speaker 1>all they did was steel the Beach Boy's songs and

0:16:08.600 --> 0:16:19.080
<v Speaker 1>give them to you with a funny accent. Is there?

0:16:19.120 --> 0:16:20.960
<v Speaker 1>I mean, David Foster, that must have been just a

0:16:20.960 --> 0:16:24.760
<v Speaker 1>master class and in production and composition, like, like, what

0:16:25.040 --> 0:16:27.640
<v Speaker 1>are some other things that you glean from from your

0:16:27.640 --> 0:16:31.040
<v Speaker 1>time together. The best piece of advice I ever got

0:16:31.160 --> 0:16:33.080
<v Speaker 1>musically is from him, and he said, always be the

0:16:33.120 --> 0:16:37.080
<v Speaker 1>worst one in your band. Always be able to keep up,

0:16:37.080 --> 0:16:39.280
<v Speaker 1>but always be the worst one in your band, because

0:16:39.320 --> 0:16:41.880
<v Speaker 1>if you surround yourself with people that can outplay you,

0:16:42.120 --> 0:16:43.760
<v Speaker 1>not only will it make you better, but it will

0:16:43.760 --> 0:16:46.360
<v Speaker 1>make you sound better. And you will have more fun

0:16:46.760 --> 0:16:50.040
<v Speaker 1>creating with with that kind of safety net behind you

0:16:50.120 --> 0:16:52.760
<v Speaker 1>than you than you would feeling like you're carrying the

0:16:52.760 --> 0:16:55.440
<v Speaker 1>whole thing uphill. So there was that, and then he's

0:16:55.520 --> 0:16:59.000
<v Speaker 1>just a very honest person, and I think sometimes that

0:16:59.040 --> 0:17:02.320
<v Speaker 1>comes across as negative, but he's not. He's actually a

0:17:02.440 --> 0:17:05.440
<v Speaker 1>very encouraging person. He just does it in a very

0:17:05.440 --> 0:17:09.080
<v Speaker 1>blunt way. So if you start, if you're going to

0:17:09.080 --> 0:17:10.880
<v Speaker 1>play him a song, and you start with, hey, it's

0:17:10.920 --> 0:17:12.760
<v Speaker 1>not finished, you know, I still want to do this,

0:17:12.880 --> 0:17:15.040
<v Speaker 1>He'll just be like, cool, don't play it for me.

0:17:15.119 --> 0:17:17.080
<v Speaker 1>Then he's like, if you're going to convince me that

0:17:17.119 --> 0:17:19.040
<v Speaker 1>it's not good before you play it for me, then

0:17:19.320 --> 0:17:21.760
<v Speaker 1>it's not good. Don't play it for me. The message there, though,

0:17:21.760 --> 0:17:24.160
<v Speaker 1>it is be confident about your art. So I think

0:17:24.359 --> 0:17:26.800
<v Speaker 1>just the tough critic that he is kind of encourages

0:17:26.840 --> 0:17:29.600
<v Speaker 1>you to just be better and more, even if it's

0:17:29.600 --> 0:17:32.520
<v Speaker 1>false confidence, just just be more confident. Play a number

0:17:32.560 --> 0:17:34.680
<v Speaker 1>of instruments. Is there one among them that you prefer

0:17:34.760 --> 0:17:37.760
<v Speaker 1>to compose on? Piano or guitar or something else, Sir.

0:17:38.600 --> 0:17:40.679
<v Speaker 1>As far as writing it, I think it switches for me.

0:17:40.960 --> 0:17:44.600
<v Speaker 1>I started on guitar, so you know, at some point

0:17:44.640 --> 0:17:47.800
<v Speaker 1>that became just something I fought with, So I switched

0:17:47.800 --> 0:17:50.960
<v Speaker 1>to keyboard or piano, and you know, I was able

0:17:51.000 --> 0:17:52.640
<v Speaker 1>to write on that for a little bit. But then

0:17:52.680 --> 0:17:54.480
<v Speaker 1>my good old friend the guitar was sitting in the

0:17:54.520 --> 0:17:56.720
<v Speaker 1>corner being like, hey, you wanna do this again? And

0:17:56.760 --> 0:17:59.159
<v Speaker 1>so now I'm gonna in a guitar phase. I like

0:17:59.240 --> 0:18:01.520
<v Speaker 1>to just kind of sit on and just figure out

0:18:01.640 --> 0:18:03.480
<v Speaker 1>something that I can play and sing at the same time,

0:18:03.520 --> 0:18:05.879
<v Speaker 1>and then that usually turns itself into something that I

0:18:05.920 --> 0:18:09.320
<v Speaker 1>didn't even plan on. Do you have a favorite guitar?

0:18:09.359 --> 0:18:14.040
<v Speaker 1>I'm a huge guitar nerd. Yeah, well I'm I'm also

0:18:14.080 --> 0:18:16.000
<v Speaker 1>a guitar nerd. I have way too many of them.

0:18:16.160 --> 0:18:19.600
<v Speaker 1>I like to record on a fifty nine Jazz Master.

0:18:21.640 --> 0:18:24.880
<v Speaker 1>That's that's like my that's my studio guitar. But then

0:18:25.080 --> 0:18:28.800
<v Speaker 1>on stage now I'm playing. My first guitar ever was

0:18:28.840 --> 0:18:33.080
<v Speaker 1>a Tom DeLong strat, just the one, the one knob

0:18:33.119 --> 0:18:36.359
<v Speaker 1>and the one humbucker. I recently found two of those

0:18:36.400 --> 0:18:38.439
<v Speaker 1>and I bought those and they're my That's all I

0:18:38.440 --> 0:18:40.919
<v Speaker 1>play on stage now. Oh my god. I I had

0:18:40.960 --> 0:18:43.679
<v Speaker 1>a Blink base when I was in like high school

0:18:43.680 --> 0:18:45.600
<v Speaker 1>and we were doing like Stay Together for the Kids

0:18:45.680 --> 0:18:48.760
<v Speaker 1>and Green Day Minority and j R. And stuff like

0:18:48.800 --> 0:18:52.160
<v Speaker 1>that was all we played exactly that. That's that's those

0:18:52.160 --> 0:18:54.359
<v Speaker 1>are the songs I bought the guitar to learn. Totally.

0:18:54.920 --> 0:18:57.040
<v Speaker 1>It's like full circle to go back and and now

0:18:57.080 --> 0:18:59.760
<v Speaker 1>I'm playing a lot more guitar on stage now than

0:18:59.800 --> 0:19:02.000
<v Speaker 1>I have in the past, and so it's fun to

0:19:02.040 --> 0:19:04.200
<v Speaker 1>do it with my first what was my first guitar?

0:19:04.480 --> 0:19:06.399
<v Speaker 1>That's awesome. Do you have any plans to try to

0:19:06.440 --> 0:19:08.320
<v Speaker 1>like get and play with Angels and their waves or

0:19:08.880 --> 0:19:12.120
<v Speaker 1>Tom solo or something like that, or anything I could

0:19:12.119 --> 0:19:14.760
<v Speaker 1>do with any of those dudes. I would just be

0:19:14.840 --> 0:19:16.600
<v Speaker 1>like I would stutter my way into the room and

0:19:16.640 --> 0:19:19.320
<v Speaker 1>be like we go, like Chris Farley talking to Paul

0:19:19.359 --> 0:19:24.199
<v Speaker 1>McCartney exactly exactly. Did you have any collaborations live up

0:19:24.200 --> 0:19:27.879
<v Speaker 1>any any dream with out there that you're moving towards,

0:19:27.880 --> 0:19:29.879
<v Speaker 1>for people you want to make music with totally. I

0:19:29.880 --> 0:19:33.040
<v Speaker 1>mean Travis Barker, of course, just because I'm a blink

0:19:33.119 --> 0:19:35.680
<v Speaker 1>nerd Mark Hoppus, I would love to. I would love

0:19:35.720 --> 0:19:38.119
<v Speaker 1>to do. Wishing him the best obviously is going through it.

0:19:38.240 --> 0:19:40.440
<v Speaker 1>But Tom DeLonge, any of the blank guys, obviously, I

0:19:40.480 --> 0:19:42.320
<v Speaker 1>don't need to name all three of them. And then

0:19:42.320 --> 0:19:45.800
<v Speaker 1>there's a Belgian artist named Strom that is right at

0:19:45.800 --> 0:19:48.199
<v Speaker 1>the top of my list. I think he's one of

0:19:48.240 --> 0:19:50.280
<v Speaker 1>the most creative people on earth. Any of these guys,

0:19:50.280 --> 0:19:52.840
<v Speaker 1>I mean, Billy Joe would be unreal to I always

0:19:52.880 --> 0:19:54.960
<v Speaker 1>say that even if Billy Joe heard my music and

0:19:55.000 --> 0:19:57.919
<v Speaker 1>said he hated it, I would still be starstruck because

0:19:57.960 --> 0:20:00.240
<v Speaker 1>at least he hates my music and knows that it's there.

0:20:00.960 --> 0:20:05.560
<v Speaker 1>He knows you exist totally across consciousness. Yeah, exactly. He

0:20:05.680 --> 0:20:07.600
<v Speaker 1>had an emotion about me. I'm cool with that, and

0:20:07.640 --> 0:20:10.480
<v Speaker 1>I hear what it is. Yeah, punch me in the face, man,

0:20:10.840 --> 0:20:14.000
<v Speaker 1>I'll take it. When you haven't been making music, getting

0:20:14.000 --> 0:20:17.560
<v Speaker 1>married and caring for a new life in quarantine, I've heard.

0:20:17.840 --> 0:20:19.479
<v Speaker 1>I think you I have this right that you've been

0:20:19.560 --> 0:20:22.320
<v Speaker 1>learning magic. That's more of my attention span going out

0:20:22.400 --> 0:20:26.040
<v Speaker 1>the window. I try, and I get so frustrated because

0:20:26.080 --> 0:20:28.160
<v Speaker 1>I don't learn the basics before I try to learn

0:20:28.200 --> 0:20:31.160
<v Speaker 1>the cool tricks. So I I kind of I've kind

0:20:31.160 --> 0:20:33.639
<v Speaker 1>of given up a little bit, but I'll try again

0:20:33.920 --> 0:20:36.080
<v Speaker 1>at some point. I just want to make something disappear.

0:20:36.560 --> 0:20:38.760
<v Speaker 1>It's it's kind of the same as it's the same

0:20:38.800 --> 0:20:40.720
<v Speaker 1>reason I play music, is why I love the magic.

0:20:40.800 --> 0:20:44.200
<v Speaker 1>It's just like for somebody to just pretend that reality

0:20:44.240 --> 0:20:46.080
<v Speaker 1>doesn't exist for a couple of minutes. It's just the

0:20:46.119 --> 0:20:49.359
<v Speaker 1>coolest thing in the World's that's the most amazing description

0:20:49.440 --> 0:20:52.479
<v Speaker 1>of music I've heard in a really long time. Wow,

0:20:52.520 --> 0:20:55.200
<v Speaker 1>thank you for that. That's why we go to concerts.

0:20:55.240 --> 0:20:57.480
<v Speaker 1>Right as soon as you walk into the venue, you're

0:20:57.560 --> 0:20:59.880
<v Speaker 1>it's you're a different person. It's a different world. All

0:21:00.000 --> 0:21:02.440
<v Speaker 1>you want as an overpriced T shirt and overpriced beer

0:21:03.000 --> 0:21:05.400
<v Speaker 1>and a bunch of strangers to yell in your face.

0:21:05.720 --> 0:21:07.959
<v Speaker 1>You know what I mean. It's like that's but at

0:21:08.000 --> 0:21:10.240
<v Speaker 1>the same time, nothing makes you happier, and that's the

0:21:10.320 --> 0:21:12.920
<v Speaker 1>colest part about it. And you're on the road through

0:21:12.960 --> 0:21:16.040
<v Speaker 1>through the end of the fall, October, Yeah, into October. Yeah,

0:21:16.119 --> 0:21:17.760
<v Speaker 1>what else you got coming down the pike? There an

0:21:17.800 --> 0:21:20.000
<v Speaker 1>EP on the way. You know, I have been just

0:21:20.280 --> 0:21:22.840
<v Speaker 1>stacking songs up on the way up to this tour,

0:21:23.040 --> 0:21:26.800
<v Speaker 1>So I'm not sure that the best way to release

0:21:26.840 --> 0:21:28.440
<v Speaker 1>it all. If it were up to me, I would

0:21:28.440 --> 0:21:31.560
<v Speaker 1>just dump it all out there. But you know, I've

0:21:31.200 --> 0:21:35.080
<v Speaker 1>I've come to realize that as frustrating as it is

0:21:35.280 --> 0:21:37.280
<v Speaker 1>to wait to put out music, you know, you have

0:21:37.359 --> 0:21:39.359
<v Speaker 1>to do it to give each song it's best chance.

0:21:39.400 --> 0:21:42.639
<v Speaker 1>And so whatever that roadmap is for these songs, you know,

0:21:42.680 --> 0:21:45.160
<v Speaker 1>I'm on board with. So I eventually want to put

0:21:45.200 --> 0:21:48.359
<v Speaker 1>out a plastic jewel case with c D book and

0:21:48.400 --> 0:21:50.959
<v Speaker 1>an old get the CD in it with you know,

0:21:51.119 --> 0:21:53.920
<v Speaker 1>all the lyrics and the wordy thank you and whatnot.

0:21:54.000 --> 0:21:56.399
<v Speaker 1>But uh, I don't know when that's going to happen.

0:21:56.480 --> 0:21:58.880
<v Speaker 1>But in the meantime there will be a steady flow

0:21:58.920 --> 0:22:01.560
<v Speaker 1>of songs for sure. Awesome. While we look forward to that,

0:22:01.920 --> 0:22:04.160
<v Speaker 1>and we look forward to see when when you come

0:22:04.440 --> 0:22:07.280
<v Speaker 1>around these parts, Joey McGrath, thank you so much for

0:22:07.280 --> 0:22:09.359
<v Speaker 1>your music in your time today. It's been such a pleasure.

0:22:09.359 --> 0:22:11.640
<v Speaker 1>I really appreciate it. Thank you. This was so much fun.

0:22:20.119 --> 0:22:22.520
<v Speaker 1>We hope you enjoyed this episode of Inside the Studio,

0:22:22.640 --> 0:22:26.000
<v Speaker 1>a production of I Heart Radio. For more episodes of

0:22:26.040 --> 0:22:29.040
<v Speaker 1>Inside the Studio or other fantastic shows, check out the

0:22:29.040 --> 0:22:31.800
<v Speaker 1>I heart Radio app, Apple podcast, or wherever you listen

0:22:31.800 --> 0:22:32.960
<v Speaker 1>to your favorite podcasts.