WEBVTT - Hairline Switch (with Janelle James) RE-RELEASE

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<v Speaker 1>I want to love seeing God damn right, who doesn't

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<v Speaker 1>want to make out on TV? It's pretty cool? I mean,

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<v Speaker 1>why the titty is still up in the head, you

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<v Speaker 1>know right, Let me make out while my titties are fresh.

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<v Speaker 1>They're gonna soil eventually. I'd like it on wax as

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<v Speaker 1>evidence so I could show my kids later. You see

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<v Speaker 1>them titties like I wouldn't be back in the day.

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<v Speaker 1>I know you don't like talking about your papa's titties,

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<v Speaker 1>but I'm gonna show you. I need you to see

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<v Speaker 1>him just so you respect me. Goddamn it, boys, gathering

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<v Speaker 1>something to share with you. Everyone around the fireplace. I

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<v Speaker 1>have a big announcement. And your daddy ever tell you

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<v Speaker 1>about this? Why chips in your racist mean she's turning

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<v Speaker 1>stuff you can't tell me? Yeah? There it is. There

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<v Speaker 1>it is, Ladies and gentlemen, here we are welcome to

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<v Speaker 1>another phenomenal, devastating, thick booty episode of My Mama Told Me,

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<v Speaker 1>the podcast where we dive deep into the pockets and

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<v Speaker 1>lack conspiracy theories and we finally start that go fund

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<v Speaker 1>me to recollect iced teas Ponytail. The man ain't been

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<v Speaker 1>the same since they took his ponytail from him. We

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<v Speaker 1>got to get that ponytail back by all means, by

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<v Speaker 1>any coast, we will get iced tea back his ponytail.

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<v Speaker 1>I am your host, Lake snick Herman. I am excited

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<v Speaker 1>to be here. It is hot in my house. I

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<v Speaker 1>ain't wearing no sleeves. We're getting it popping today. And

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<v Speaker 1>my guest today apparently she's not wearing no shirt, which

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<v Speaker 1>is very exciting for everyone involved. It's an audiocast, but

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<v Speaker 1>now you get to use your imagination, which is very funny.

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<v Speaker 1>She's hilarious. She's just so fucking funny. You know from Netflix,

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<v Speaker 1>you know from Black Monday. She's just hilarious. I'm a

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<v Speaker 1>big fan. Give it up from my guest today, Miss

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<v Speaker 1>Janelle James. Oh yeah, I haven't felt applause and so

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<v Speaker 1>long again one more time. I got you. It's nice, right, Yeah,

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<v Speaker 1>you haven't done any of the you know, the outdoor shows.

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<v Speaker 1>You haven't gone and ventured out. Two days ago it

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<v Speaker 1>was my first one with Chelsea Handler. But it was

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<v Speaker 1>such ah, it was such a huge ordeal and uh

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<v Speaker 1>that I'm not sure. I'm still trying to figure out

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<v Speaker 1>if I enjoyed it or not. It was so stressful

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<v Speaker 1>first show in five months, that weird thing of like

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<v Speaker 1>you're not comfortable doing your art the way that you

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<v Speaker 1>used to do your art. Tacked on top of the

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<v Speaker 1>fact that like you're putting couzies on top of your

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<v Speaker 1>microphone from spreading germs, it's all very well, that's not

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<v Speaker 1>even a half of it. It was a shoot, not

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<v Speaker 1>just a show. So this is SAG rules and it

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<v Speaker 1>is intense so to you know, sanitize and audience and

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<v Speaker 1>mask and isolation, and it's just like, yo, is this fun?

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<v Speaker 1>Just worth it? Yeah? I mean I got paid. I

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<v Speaker 1>was like, I had told myself I wasn't gonna come

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<v Speaker 1>venture out unless it's for a good amount of money.

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<v Speaker 1>So they got me on that. But then I was

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<v Speaker 1>just like, yo, this is this is crazy. I don't

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<v Speaker 1>know if the money Now I'm like, I don't know

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<v Speaker 1>if the money was right. It was so much. It

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<v Speaker 1>was so much to deal with. So yeah, I feel

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<v Speaker 1>like after a certain point of success, we're all asking ourselves, like,

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<v Speaker 1>I don't know, I had planned on hitting there so quickly,

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<v Speaker 1>you know. So I once did a commercial where I

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<v Speaker 1>dressed up like a giant piece of checks mix and uh,

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<v Speaker 1>I hit that prettier in my career. I remember that.

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<v Speaker 1>It's not a fond memory. I'm not brand Uh nope,

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<v Speaker 1>well okay, And it was the internet. It was like weird,

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<v Speaker 1>no websites only you. No, no, not even any residual

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<v Speaker 1>checks to take the edge off your regret to be

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<v Speaker 1>a whore. We all do. The point is, we all

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<v Speaker 1>make choices exactly. Well, I'm really excited you're here today

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<v Speaker 1>because you came with a conspiracy theory that has been

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<v Speaker 1>very near and dear to my heart for quite a while.

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<v Speaker 1>And after some deliberating. We deliberated a little bit, but

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<v Speaker 1>you picked. I want to make sure we get this correct.

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<v Speaker 1>You said, my mama told me black men with bad

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<v Speaker 1>haircuts are perceived as safer in the eyes of white America.

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<v Speaker 1>Is it a conspiracy if it's true? Yeah, but that's

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<v Speaker 1>what I say. I've heard it before, and I love

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<v Speaker 1>that you picked it. Tell me where this comes from

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<v Speaker 1>for you, Well, my mama first, but also I think

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<v Speaker 1>it perpetuates through Hollywood. Anytime the good guy steps on

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<v Speaker 1>the scene, that hairline is is all the way fucked up,

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<v Speaker 1>you know what I mean. And so I think it's

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<v Speaker 1>so almost anti black to be walking around with your

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<v Speaker 1>head oh messed up. That It's like you gotta be

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<v Speaker 1>working on the other side, you know what I mean,

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<v Speaker 1>or trying to not working on the other side, but

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<v Speaker 1>trying to present yourself is differently then, right, So you're

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<v Speaker 1>saying that to some extent, this is like the men

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<v Speaker 1>or the people involved in this consenting to a shitty

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<v Speaker 1>hairline for the sake of like getting in good with Hollywood.

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<v Speaker 1>It started as a conspiracy and people are now using it.

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<v Speaker 1>You know what I mean, just my just my theory.

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<v Speaker 1>I know. Listen, there's no reason to run from this.

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<v Speaker 1>Let's dig deep. We all code switch some people here

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<v Speaker 1>line switch, you know what I mean. You're trying to

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<v Speaker 1>get trying to get exactly example James, her voice on

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<v Speaker 1>the phone calls some of y'all tell your barber he

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<v Speaker 1>don't touch that. I'm trying to get up to the

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<v Speaker 1>VP spot. You know. So I got my I love that. Wait,

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<v Speaker 1>your mother has this opinion. She shares this conspiracy theory.

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<v Speaker 1>Now I was lying. I was just trying to go

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<v Speaker 1>I'm just playing along. Good. Yeah, my mother, I'm from

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<v Speaker 1>the island, so we I don't know what our conspiracy theory.

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<v Speaker 1>We just have a lot of sayings that are rooted

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<v Speaker 1>in religion bullshit that I can Yeah, but this one

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<v Speaker 1>is I picked because I'm definitely no, it's a thing. Sure,

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<v Speaker 1>let's start digging into examples, because I do feel like

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<v Speaker 1>even for our white listeners, we have to imagine that

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<v Speaker 1>some of them are even confused about what a good

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<v Speaker 1>hairline is. Do you know what I mean? Like, I

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<v Speaker 1>can't imagine that that half the time they even know

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<v Speaker 1>when a black man has us. I would say, look

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<v Speaker 1>at any recent upgrade on the NBA. You know it's

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<v Speaker 1>a n that was looking a little different than they

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<v Speaker 1>were a couple of years ago. That's the new version

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<v Speaker 1>is the good hairline. That's that's look at you trying

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<v Speaker 1>to keep your money by not saying, Lebron James, look

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<v Speaker 1>at you. I was very professional of you. You're like,

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<v Speaker 1>I have to drive the Graham packer next to him

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<v Speaker 1>in a commercial coming up. You don't know, you don't

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<v Speaker 1>know he's sometimes you know, might right be a check

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<v Speaker 1>I'm gonna be but you never know. When individuals crossover

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<v Speaker 1>into a comedic comedy or whatever, they always crossed the no.

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<v Speaker 1>But I might have to meet this dude one day,

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<v Speaker 1>you never know. But yeah, Janelle James jam too, Oh

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<v Speaker 1>my god, I wish anyway, don't we all? But I

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<v Speaker 1>totally agree. I think that it to some extent. Uh,

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<v Speaker 1>there was a celebration of a lot of NBA or

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<v Speaker 1>sort of big celebrity figures at the point that their

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<v Speaker 1>hair looked shitty or is continuing to look shitty. Complicated. Sure, yeah,

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<v Speaker 1>I was just gonna say, if white people want to

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<v Speaker 1>know what we're trying to achieve here as far as perfection,

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<v Speaker 1>look to the ones that were paid for right there

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<v Speaker 1>you go that. Look, okay, look there were That's okay,

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<v Speaker 1>Now you're explaining something. So so a old lebron is

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<v Speaker 1>what we're fighting again, current lebron is what we are

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<v Speaker 1>trying to achieve. I said it. I've said it a

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<v Speaker 1>few times in other places, but I genuinely believe that

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<v Speaker 1>Jalen Rose made a deal with the devil to have

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<v Speaker 1>the hairline that he has. It is magnificent. Dude, up, Oh,

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<v Speaker 1>you don't know Jalen Rose. I'm not a BigMan ever exists.

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<v Speaker 1>He's more famous for being an Indiana pacer and then

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<v Speaker 1>getting uh, well he wasn't a pacer at the time,

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<v Speaker 1>but he took eighty one points from Kobe. Kobe scored

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<v Speaker 1>eighty one points on the Man and now he's a commentator.

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<v Speaker 1>And this is an example of a great headline. It's

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<v Speaker 1>what you're saying, fantastic. Oh. I'm like, wait a minute,

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<v Speaker 1>what do you okay? I thought you were saying the opposite.

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<v Speaker 1>I'm like, well, ship, what's the good one? If this

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<v Speaker 1>is awful? This? Yeah, this is pretty fucking perfect. It's

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<v Speaker 1>the perfect airline. And I have to believe that he

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<v Speaker 1>did something. He murdered an orphan to get it. Oh

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<v Speaker 1>he forty seven with this strong ass headline. Something going on?

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<v Speaker 1>Uh something at the altar and I'm looking at a

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<v Speaker 1>picture of his younger self and he had a low

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<v Speaker 1>he had the almost a buzz cut. What's that? Like?

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<v Speaker 1>What's the call? When the five o'clock shadow on your

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<v Speaker 1>all fade and the headline it's Chris Listen, it's never moved,

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<v Speaker 1>it's never in forty seven years. This is a conspiracy

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<v Speaker 1>right here, Jalen roses Hire, that's all that ship. Wow,

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<v Speaker 1>what blood did you drink to get that haircut to

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<v Speaker 1>stay exactly where it is in forties seven years? Oh?

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<v Speaker 1>My goodness, I am amazing this conspiracy specifically I think

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<v Speaker 1>was presented under the guys of black men. But do

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<v Speaker 1>you find that that also applies to women, that black

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<v Speaker 1>women in Hollywood are forced to sort of consent too

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<v Speaker 1>bad hair on ourselves, yeah, or just you know, white

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<v Speaker 1>people sort of like wanting that look so well, you know,

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<v Speaker 1>I definitely switch up, switch up the wigs, depending on

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<v Speaker 1>what I'm trying to go for it. You know, since

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<v Speaker 1>the girl gets uh braids or you know, uh color,

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<v Speaker 1>you know, corporate corporate lady gets gets the wig, you know,

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<v Speaker 1>the straight relaxed here, maybe a little fair or falset

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<v Speaker 1>and fair, a little uh, what's a little scandal, little

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<v Speaker 1>carry Washington, that's standard the last couple of years. I

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<v Speaker 1>got you. So you think the sisters in general are

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<v Speaker 1>getting a little more grace when it comes to their hair,

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<v Speaker 1>that they're having more options to choose. I don't know.

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<v Speaker 1>In Hollywood, I mean, I don't know if it's grace.

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<v Speaker 1>We're all also constantly trying to figure out what hairstyle

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<v Speaker 1>is least scary to white people, or or or just

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<v Speaker 1>the right enough black that they're like, Okay, we got

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<v Speaker 1>a black person, but not too black that she's gonna

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<v Speaker 1>call us on our ship. Right, if you twist that

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<v Speaker 1>all the way to the scout, you're gonna cause some problems.

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<v Speaker 1>It's gonna be tighter or that, you know what I mean,

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<v Speaker 1>She's not gonna like my jokes and ship, you know,

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<v Speaker 1>So that's fair. I think what's fascinating in this conspiracy theory,

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<v Speaker 1>or certainly has so much to explore in this conspiracy

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<v Speaker 1>theory is what the intention of the sort of white

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<v Speaker 1>Hollywood is in controlling black hair? Do you know what

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<v Speaker 1>I mean? Like, what what's your goal here? What is

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<v Speaker 1>what are you ultimately trying to achieve in your control

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<v Speaker 1>of black hair? Well diversity without being too diverse? Mm

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<v Speaker 1>hmmm without without I don't know what's scary to uh.

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<v Speaker 1>I mean, there's pretty conceived notions about different types of hairstyles.

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<v Speaker 1>So if you got dreads, you're radical, or you smoke weed,

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<v Speaker 1>or you know, if you're natural, maybe you in the

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<v Speaker 1>front of the Black Lives Matter protests or whatever they think,

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<v Speaker 1>which isn't necessarily true, but in Hollywood don't really move quickly.

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<v Speaker 1>So the same stereotypes they had in the eighties are

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<v Speaker 1>the same one they judging us by now you know,

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<v Speaker 1>I changed my hair every five seconds, so who am?

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<v Speaker 1>Who am I? But you know, I'm sure you show

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<v Speaker 1>up to work and they're like, that's a new lady,

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<v Speaker 1>so fast. It was you had a bob yesterday and

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<v Speaker 1>it's down to your fun. You black people are amazing

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<v Speaker 1>Black girl magic. Anyway, I think you're making a very

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<v Speaker 1>valid point that so much of this is rooted in

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<v Speaker 1>like antiquated stereotypes, right that, like what white people were

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<v Speaker 1>scared of in nineties six about black associations and hairstyles

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<v Speaker 1>is still the exact same thing that they're pretty much

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<v Speaker 1>afraid of today. I feel like, you know, outside of Hollywood,

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<v Speaker 1>it's still true that white people don't have many encounters

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<v Speaker 1>with black people, so they still everything they believe is

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<v Speaker 1>still what's on TV or what they saw back then,

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<v Speaker 1>and then I don't think they until recently even went

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<v Speaker 1>out of their way to see us. So it's just

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<v Speaker 1>what they happened to see in a movie with a

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<v Speaker 1>black person one time. You know, they're not necessary seeking

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<v Speaker 1>out black entertainment. Always say that this what's happening now

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<v Speaker 1>with diversity and always having to include a black person

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<v Speaker 1>or one of each and all of that I don't know. Sure,

0:13:52.960 --> 0:13:54.280
<v Speaker 1>I'm happy for the work, but I don't know if

0:13:54.320 --> 0:13:57.920
<v Speaker 1>that makes better products. And it's not realistic because a

0:13:57.960 --> 0:14:00.680
<v Speaker 1>lot of white people they hang out with people that

0:14:00.720 --> 0:14:03.800
<v Speaker 1>look like them. It's it's yeah, I hate when I'm

0:14:03.800 --> 0:14:06.440
<v Speaker 1>watching a white production and then here it comes as

0:14:06.720 --> 0:14:08.600
<v Speaker 1>black dude, like, yo, what up? Like they would never

0:14:08.600 --> 0:14:10.320
<v Speaker 1>be friends, you know what I mean. And you don't

0:14:10.320 --> 0:14:14.080
<v Speaker 1>have to trick me. You don't have to wedge this

0:14:14.200 --> 0:14:18.840
<v Speaker 1>person in here because you feel bad about not casting someone,

0:14:19.040 --> 0:14:22.360
<v Speaker 1>Like like writing the story with a black person in

0:14:22.440 --> 0:14:25.000
<v Speaker 1>it just right. You write the story you know how

0:14:25.040 --> 0:14:27.760
<v Speaker 1>to write, and hopefully the story you know how to

0:14:27.800 --> 0:14:31.320
<v Speaker 1>write includes black people. But it shouldn't just be you

0:14:31.440 --> 0:14:34.160
<v Speaker 1>turn this into a black character for a reason. And

0:14:34.200 --> 0:14:36.520
<v Speaker 1>what would happen in the eighties is not eighties. In

0:14:36.560 --> 0:14:38.800
<v Speaker 1>the nineties with the black guy that would show up

0:14:38.960 --> 0:14:41.600
<v Speaker 1>with the hey what up? Would always have a blacks haircut,

0:14:41.880 --> 0:14:44.040
<v Speaker 1>would always have a wack haircut. And I think that's

0:14:44.080 --> 0:14:48.080
<v Speaker 1>just stuck right, And I think part of it is

0:14:48.120 --> 0:14:50.640
<v Speaker 1>like you can't have the one dude show up who's

0:14:50.680 --> 0:14:53.440
<v Speaker 1>like the best friend and he looks sexy and flexy.

0:14:53.680 --> 0:14:56.680
<v Speaker 1>You tried to show up and look like average and

0:14:56.800 --> 0:14:59.280
<v Speaker 1>something that can fade into the background. We don't need

0:14:59.400 --> 0:15:03.280
<v Speaker 1>this mother. Well. Also, I think just from experience, dudes,

0:15:03.480 --> 0:15:05.720
<v Speaker 1>black dudes who's walking around with them type of head cuts,

0:15:05.840 --> 0:15:08.320
<v Speaker 1>grew up around white people. They're going up, what's the

0:15:08.440 --> 0:15:15.560
<v Speaker 1>what's supercut? Super cut? Exactly? They and you know, letting

0:15:15.560 --> 0:15:17.640
<v Speaker 1>barb cut their here or whatever. I mean, I've lived

0:15:17.640 --> 0:15:20.160
<v Speaker 1>in neighborhoods like that, where's no black barbershop, where else

0:15:20.160 --> 0:15:24.760
<v Speaker 1>you're gonna go? You know? So uh as a as

0:15:24.800 --> 0:15:27.840
<v Speaker 1>a I've only been a victim once, but as a

0:15:27.880 --> 0:15:32.120
<v Speaker 1>former victim of super cuts, I can't say I can

0:15:32.160 --> 0:15:34.200
<v Speaker 1>say that it's never going to turn out to be

0:15:34.240 --> 0:15:37.840
<v Speaker 1>the experience you wanted to be. I wouldn't imagine why

0:15:37.920 --> 0:15:42.120
<v Speaker 1>you would think that, But you know, when you're a

0:15:42.320 --> 0:15:45.640
<v Speaker 1>boy growing up in the suburbs, you get desperate. You

0:15:45.720 --> 0:15:48.520
<v Speaker 1>start to think, like, I want to look good. Maybe

0:15:48.520 --> 0:15:51.560
<v Speaker 1>this this white lady can help me out. I've done

0:15:51.560 --> 0:15:53.520
<v Speaker 1>my kids old school where I just went on some

0:15:53.640 --> 0:15:55.440
<v Speaker 1>YouTube bens and said, let me figure out how to

0:15:55.440 --> 0:15:59.280
<v Speaker 1>cut this ship, because I don't you know, I mean,

0:15:59.280 --> 0:16:02.280
<v Speaker 1>we're at a certain point. My mom was cutting my

0:16:02.360 --> 0:16:05.280
<v Speaker 1>hair and she wasn't good at it, and YouTube didn't exist,

0:16:05.840 --> 0:16:09.280
<v Speaker 1>so it was like she's just like making some ship

0:16:09.440 --> 0:16:12.080
<v Speaker 1>up and it wasn't helping. And then I thought like, oh,

0:16:12.120 --> 0:16:15.080
<v Speaker 1>I'm gonna be a big boy and independent and try

0:16:15.160 --> 0:16:17.960
<v Speaker 1>this on my own. And you know, you you funk up.

0:16:18.360 --> 0:16:20.200
<v Speaker 1>But so and so did they cut your hair with

0:16:20.240 --> 0:16:28.000
<v Speaker 1>the scissors. Of course, that's that's where they start. And

0:16:28.000 --> 0:16:30.520
<v Speaker 1>then you walk out You're like, okay, line me up,

0:16:30.560 --> 0:16:33.040
<v Speaker 1>and then you got bangs. For some reason, it's just,

0:16:33.240 --> 0:16:35.000
<v Speaker 1>you know, I feel like that's the writer of passage

0:16:35.000 --> 0:16:37.240
<v Speaker 1>from black people here, Like I've definitely sat down in

0:16:37.280 --> 0:16:40.000
<v Speaker 1>a white woman's chair, Like actually that just happened to

0:16:40.040 --> 0:16:44.280
<v Speaker 1>me on sat where it's so funny because because of YouTube.

0:16:44.480 --> 0:16:47.680
<v Speaker 1>This is off topic, but because of YouTube, and I

0:16:47.720 --> 0:16:49.840
<v Speaker 1>appreciate it. You know, there's the white hair solids are

0:16:49.840 --> 0:16:52.080
<v Speaker 1>trying to learn about black hair more. And this woman

0:16:52.240 --> 0:16:55.920
<v Speaker 1>was so proud of having some edge control gel like

0:16:56.080 --> 0:16:59.400
<v Speaker 1>she pulled it out, Like before she pulled it out,

0:16:59.480 --> 0:17:01.800
<v Speaker 1>her face was beaming. I was like, what was she

0:17:01.840 --> 0:17:03.760
<v Speaker 1>about to pull out? Because she was like, I'm about

0:17:03.760 --> 0:17:07.280
<v Speaker 1>to fucking blow this chick's mind. Like and she pulled

0:17:07.320 --> 0:17:11.439
<v Speaker 1>out this edge control and brush, and she's like, should

0:17:11.440 --> 0:17:14.720
<v Speaker 1>I do your edges? And I just she couldn't wait

0:17:14.760 --> 0:17:17.360
<v Speaker 1>to say that, you know, she was up all night

0:17:18.440 --> 0:17:21.159
<v Speaker 1>and look how nice I am. I said, sure, I

0:17:21.200 --> 0:17:22.679
<v Speaker 1>ain't need a head that ship. But I was like,

0:17:22.760 --> 0:17:25.919
<v Speaker 1>you look so excited to crack open and it was fresh,

0:17:26.040 --> 0:17:28.600
<v Speaker 1>not one fingerprinting that ship. I was the first. She

0:17:28.720 --> 0:17:31.879
<v Speaker 1>killed it, no meaning when she opened the gael, I

0:17:32.000 --> 0:17:35.240
<v Speaker 1>was obviously the first. She hadn't even put her finger

0:17:35.280 --> 0:17:37.560
<v Speaker 1>in it yet it was a fresh move surface. I

0:17:37.600 --> 0:17:40.440
<v Speaker 1>was the first edges she had ever brushed down. She

0:17:40.560 --> 0:17:44.760
<v Speaker 1>was cracking the seal on this edge control jail exactly.

0:17:45.119 --> 0:17:47.600
<v Speaker 1>She was waiting for you, and and to your point,

0:17:47.680 --> 0:17:53.480
<v Speaker 1>that's very nice that she tried. But whatever. The more

0:17:53.920 --> 0:17:57.119
<v Speaker 1>wanted alternative is that they left black people into the

0:17:57.280 --> 0:18:00.960
<v Speaker 1>unions for her styling on sets. But anyway, so that

0:18:01.000 --> 0:18:04.320
<v Speaker 1>would be so ideal, I too have had some horrifying

0:18:04.520 --> 0:18:07.679
<v Speaker 1>that stories where it's just like you show up and

0:18:07.720 --> 0:18:10.120
<v Speaker 1>they don't have a black barber, and if they do,

0:18:10.359 --> 0:18:13.200
<v Speaker 1>it's not really a black barber. It's just like somebody

0:18:13.200 --> 0:18:16.440
<v Speaker 1>who qualifies as being able to do ethnic hair, which

0:18:16.480 --> 0:18:19.680
<v Speaker 1>doesn't mean anything. It's like you know what I mean,

0:18:19.960 --> 0:18:25.439
<v Speaker 1>goddamn thing, black hair, That's what I wanted. Do you

0:18:25.520 --> 0:18:28.719
<v Speaker 1>know how to be a nigga and a barbershop? Can

0:18:28.800 --> 0:18:31.159
<v Speaker 1>you cut my hair while you tell me about you

0:18:31.240 --> 0:18:34.480
<v Speaker 1>cheating on your wife? The kind of energy I need

0:18:34.520 --> 0:18:36.720
<v Speaker 1>to get a solid hair, do you know what I mean?

0:18:36.960 --> 0:18:39.040
<v Speaker 1>So that brings us back to our conspiracy and that

0:18:39.080 --> 0:18:41.760
<v Speaker 1>I think part of the reason black dudes with horrible

0:18:41.760 --> 0:18:45.480
<v Speaker 1>haircuts are more palatable and safer to white people is

0:18:45.520 --> 0:18:49.719
<v Speaker 1>that they know that they're not experiencing the indoctrinate nation

0:18:49.880 --> 0:18:54.000
<v Speaker 1>or what the is the indoctri nation of black barbershops.

0:18:55.359 --> 0:18:58.359
<v Speaker 1>Who knows what they think it's happening in there. Probably

0:18:58.359 --> 0:19:00.639
<v Speaker 1>they think we in there getting radical make plans with

0:19:00.680 --> 0:19:06.159
<v Speaker 1>each other. Whoa theory? Wait, I'm must Let's take a

0:19:06.160 --> 0:19:08.840
<v Speaker 1>step back. I really thought about this. You might have

0:19:08.920 --> 0:19:11.879
<v Speaker 1>just you might have just cracked open something that I

0:19:12.320 --> 0:19:14.560
<v Speaker 1>need you to really explore this. This brings me to

0:19:14.600 --> 0:19:16.520
<v Speaker 1>a section of the show that I like to call

0:19:16.600 --> 0:19:20.399
<v Speaker 1>talk that talk, and what you're suggesting is groundbreaking in

0:19:20.400 --> 0:19:22.720
<v Speaker 1>a way that I never expected. So, Janelle, I'm gonna

0:19:22.720 --> 0:19:25.600
<v Speaker 1>give you thirty seconds, thirty seconds to just break down

0:19:25.680 --> 0:19:29.439
<v Speaker 1>exactly what you mean about this potential indoctrination from the

0:19:29.480 --> 0:19:34.600
<v Speaker 1>black barbershop. Whenever you're ready, I'm ready. So I think

0:19:34.760 --> 0:19:37.560
<v Speaker 1>black barbershops is one of the few spaces that white

0:19:37.560 --> 0:19:40.399
<v Speaker 1>people have not gentrified, and so they don't know what

0:19:40.440 --> 0:19:43.000
<v Speaker 1>the fund is happening in there, and usually just based

0:19:43.040 --> 0:19:46.199
<v Speaker 1>on behaviors that are and things that are happening and

0:19:46.200 --> 0:19:49.360
<v Speaker 1>have always happened, they for whatever reason, having their head

0:19:49.359 --> 0:19:52.120
<v Speaker 1>that anytime we're left to our own devices, that we're

0:19:52.119 --> 0:19:54.879
<v Speaker 1>plotting against them. So if you're in a barbershop with

0:19:54.960 --> 0:19:57.360
<v Speaker 1>the fresh fade, oh and don't have a fresh line

0:19:57.440 --> 0:19:59.000
<v Speaker 1>up all the time, I mean you and this so

0:19:59.080 --> 0:20:05.520
<v Speaker 1>much who knows what? They are? Scary scared of the unknown,

0:20:05.560 --> 0:20:08.240
<v Speaker 1>which is is the basis for a lot of basing.

0:20:09.760 --> 0:20:19.240
<v Speaker 1>There is oh man, that's okay, now, okay that oh,

0:20:19.359 --> 0:20:22.720
<v Speaker 1>now you crack something open, because I think that's exactly right.

0:20:22.760 --> 0:20:26.000
<v Speaker 1>I think there's this constant fear of what we're doing

0:20:26.160 --> 0:20:30.040
<v Speaker 1>without them, and so they are essentially making us get

0:20:30.040 --> 0:20:32.919
<v Speaker 1>our hair cut by white people or by sort of

0:20:32.960 --> 0:20:36.400
<v Speaker 1>like their insiders, so that they can avoid the risk

0:20:36.520 --> 0:20:40.320
<v Speaker 1>that we're constantly treading in this space that they're afraid

0:20:40.400 --> 0:20:45.240
<v Speaker 1>to enter on their own, and then there's a constant

0:20:45.320 --> 0:20:48.280
<v Speaker 1>risk that maybe if I'm alone with my barber, I'm

0:20:48.280 --> 0:20:51.800
<v Speaker 1>gonna be planning some sort of like terrorist attack against

0:20:51.880 --> 0:20:57.480
<v Speaker 1>the the white community who cut by a dude who

0:20:57.480 --> 0:21:01.480
<v Speaker 1>has bad opinions about like women and Lebron Like I don't.

0:21:01.960 --> 0:21:04.240
<v Speaker 1>It doesn't have to be all that well, you know,

0:21:04.320 --> 0:21:07.080
<v Speaker 1>I found that white people think we think about their

0:21:07.119 --> 0:21:09.440
<v Speaker 1>way more than we do. So that's what I think

0:21:09.520 --> 0:21:13.640
<v Speaker 1>is happening. Uh, Honestly, this changed everything for me and

0:21:13.680 --> 0:21:17.480
<v Speaker 1>I I've got more reading to do because this is powerful.

0:21:18.400 --> 0:21:20.160
<v Speaker 1>All Right, We're gonna take a break and then we're

0:21:20.160 --> 0:21:22.520
<v Speaker 1>gonna be back with more Janelle James and more, my

0:21:22.600 --> 0:21:44.000
<v Speaker 1>mama told me. And we are bad anyway. Yeah, We're

0:21:44.040 --> 0:21:46.800
<v Speaker 1>back here with more Janelle James and more. My mama

0:21:46.840 --> 0:21:49.960
<v Speaker 1>told me. We're still talking about those trash gass hairlines

0:21:50.240 --> 0:21:54.400
<v Speaker 1>that Hollywood approves and allows people to excel in their

0:21:54.440 --> 0:21:58.280
<v Speaker 1>careers based on the fucked up linings that they put

0:21:58.320 --> 0:22:02.800
<v Speaker 1>out in the world. Do you think this extends beyond Hollywood?

0:22:02.840 --> 0:22:06.560
<v Speaker 1>Do you think that this goes into other spaces of six? Yeah,

0:22:06.600 --> 0:22:09.960
<v Speaker 1>I mean every big purchase I've ever made that was

0:22:09.960 --> 0:22:12.760
<v Speaker 1>from a black man was with a dude with a hairline.

0:22:15.720 --> 0:22:19.440
<v Speaker 1>My car, my house is always a guy, come on back,

0:22:19.560 --> 0:22:21.760
<v Speaker 1>got the papers for you? That those only people that

0:22:21.800 --> 0:22:24.200
<v Speaker 1>they let get the papers, you know what I mean?

0:22:24.359 --> 0:22:31.480
<v Speaker 1>So I ain't never bought nothing expensive from a sharp airline, right.

0:22:31.680 --> 0:22:35.160
<v Speaker 1>I started thinking about it in terms of like politicians, right,

0:22:35.520 --> 0:22:39.680
<v Speaker 1>even beyond politics, like he sort of like massive figures

0:22:39.720 --> 0:22:43.840
<v Speaker 1>in history, Barack Obama not that great of a hairline,

0:22:44.280 --> 0:22:47.560
<v Speaker 1>Martin Luther King Jr. Ain't nobody talking about that fate

0:22:47.880 --> 0:22:51.159
<v Speaker 1>Nelson Mandela. You think they would let him be Nelson

0:22:51.240 --> 0:22:54.000
<v Speaker 1>Mandela if he didn't have that slick back afro do

0:22:54.000 --> 0:22:56.520
<v Speaker 1>you know what I mean? Like I will say Barack

0:22:56.680 --> 0:22:59.920
<v Speaker 1>cadd stuff. I will say Barack just like his pol

0:23:00.119 --> 0:23:02.600
<v Speaker 1>takes really walk the line of his hairline, Like he

0:23:02.680 --> 0:23:05.560
<v Speaker 1>has a hairline, but he ain't too sharp, you know what?

0:23:06.160 --> 0:23:09.720
<v Speaker 1>He's laughing to laugh like that's his that's his play.

0:23:09.880 --> 0:23:13.199
<v Speaker 1>That's exactly right, and we're not gonna you know that,

0:23:13.240 --> 0:23:16.560
<v Speaker 1>we're not gonna roast him. But then white people are like, Okay,

0:23:16.600 --> 0:23:21.920
<v Speaker 1>well it's fuzzy, it's funny. Sometimes he was like, hey,

0:23:22.040 --> 0:23:25.280
<v Speaker 1>line me up, but don't you hit them corners. Dare

0:23:25.440 --> 0:23:31.119
<v Speaker 1>hit them corners, you leave them corners. So exactly, I

0:23:31.160 --> 0:23:34.480
<v Speaker 1>can't afford for these motherfucker's to get uncomfortable with my corners.

0:23:34.560 --> 0:23:36.159
<v Speaker 1>I feel like that's how he lives life right in

0:23:36.200 --> 0:23:47.679
<v Speaker 1>the middle, right middle Real by Rachel oh Man. That

0:23:47.840 --> 0:23:53.480
<v Speaker 1>hurts my feelings. I have some research that I love

0:23:53.560 --> 0:23:55.920
<v Speaker 1>to unpack with you, because I do think that there's

0:23:56.119 --> 0:23:59.600
<v Speaker 1>a lot of legitimacy to this conspiracy theory. One of

0:23:59.600 --> 0:24:01.960
<v Speaker 1>the things that I found, one of the as we

0:24:01.960 --> 0:24:05.920
<v Speaker 1>were measuring success, I guess the easiest sort of like

0:24:06.080 --> 0:24:09.639
<v Speaker 1>a measure of success or clearest measure of success was

0:24:09.720 --> 0:24:13.000
<v Speaker 1>to go to the Forbes list of billionaires, right, And

0:24:13.280 --> 0:24:16.679
<v Speaker 1>of the two thousand, one hundred and fifty three people

0:24:16.840 --> 0:24:22.520
<v Speaker 1>listed on the Forbes list of billionaires last year, that's

0:24:22.520 --> 0:24:27.879
<v Speaker 1>saying that, no, you're right, hundred people are billionaires. That

0:24:28.000 --> 0:24:29.960
<v Speaker 1>doesn't even make sense, But go ahead. So I'm sorry,

0:24:30.119 --> 0:24:33.040
<v Speaker 1>and we're out here starving and freezing, and by we,

0:24:33.320 --> 0:24:36.359
<v Speaker 1>I mean y'all, I'm fine. But the point is, oh,

0:24:36.440 --> 0:24:40.760
<v Speaker 1>it's coming for us. It is I'm not. I'm not

0:24:40.920 --> 0:24:44.320
<v Speaker 1>far enough into any game to get to be exactly

0:24:44.440 --> 0:24:48.960
<v Speaker 1>from this exactly, but so of the people, thirteen of

0:24:49.000 --> 0:24:53.880
<v Speaker 1>them are black. In the world. Of those thirteen, that's

0:24:53.880 --> 0:24:57.640
<v Speaker 1>another I'm surprised. Oh it's more than you expect, more

0:24:57.680 --> 0:24:59.920
<v Speaker 1>than I thought. I wouldn't even think they were let

0:25:00.040 --> 0:25:02.560
<v Speaker 1>that many of us get there, for sure. Yeah, they

0:25:02.640 --> 0:25:07.240
<v Speaker 1>let thirteens slip through. And of those thirteen, all thirteen

0:25:07.320 --> 0:25:11.720
<v Speaker 1>of them are black men with trash hairlines or that's

0:25:11.800 --> 0:25:15.080
<v Speaker 1>the that's the breakdown. I think there's another lady in there,

0:25:15.160 --> 0:25:20.159
<v Speaker 1>but that's not the way the bits go. And every

0:25:20.200 --> 0:25:22.119
<v Speaker 1>single one of them, I'll read you something. Some of

0:25:22.160 --> 0:25:27.080
<v Speaker 1>them are concrete tycoons and Michael Jordan's and uh yeah,

0:25:27.119 --> 0:25:29.399
<v Speaker 1>I'm looking now. These are dudes. They just put on

0:25:29.480 --> 0:25:36.240
<v Speaker 1>the number five guard and go straight back. I just

0:25:36.320 --> 0:25:37.919
<v Speaker 1>run this through. I'm just run this through like a

0:25:37.960 --> 0:25:40.679
<v Speaker 1>comb just straight back. Hey man, hit me with that

0:25:40.800 --> 0:25:44.480
<v Speaker 1>lawnmower and keep it moving down. Time I have to

0:25:44.520 --> 0:25:47.199
<v Speaker 1>go shut down an orphanage room. Take the perimeter, just

0:25:47.240 --> 0:25:50.400
<v Speaker 1>take it down to take the shrubbery. You know, I

0:25:50.440 --> 0:25:53.640
<v Speaker 1>think to your point, there's not a lot of evidence

0:25:53.680 --> 0:25:57.120
<v Speaker 1>of like a dude at the highest level of at

0:25:57.160 --> 0:26:01.000
<v Speaker 1>least certainly like financial success that looks like he goes

0:26:01.000 --> 0:26:03.240
<v Speaker 1>to a black barbershop. I'm telling you, it's all around

0:26:03.240 --> 0:26:06.679
<v Speaker 1>the barbershop. These dudes are not known. I mean, you're

0:26:06.720 --> 0:26:08.600
<v Speaker 1>a billionaire. First of all, you have your own barber,

0:26:08.800 --> 0:26:15.600
<v Speaker 1>but this you ain't in the shop getting indoctuated being

0:26:15.640 --> 0:26:18.520
<v Speaker 1>around other brothers. You're already a billionaire, so you're already

0:26:18.560 --> 0:26:21.399
<v Speaker 1>a black billionaire. So you're already isolated. So your only

0:26:21.480 --> 0:26:23.760
<v Speaker 1>peers of other white people, you know what I mean,

0:26:24.280 --> 0:26:26.040
<v Speaker 1>you can't be in there with the waves and a

0:26:26.080 --> 0:26:28.840
<v Speaker 1>wave cap, like get out of here. And at that point,

0:26:28.880 --> 0:26:31.840
<v Speaker 1>who are you doing it for? Right? Like if, like

0:26:31.880 --> 0:26:34.080
<v Speaker 1>you said, if my peers are all white people who

0:26:34.080 --> 0:26:36.800
<v Speaker 1>give the fun if straight hair line, they can't tell

0:26:36.840 --> 0:26:40.000
<v Speaker 1>the difference. Now, I will say I was surprised that

0:26:40.119 --> 0:26:43.320
<v Speaker 1>jay Z went locks after billionaire. That's almost like a

0:26:43.359 --> 0:26:46.640
<v Speaker 1>little fuck you if you think about it. I mean,

0:26:46.760 --> 0:26:48.879
<v Speaker 1>jay Z wasn't known for his hair to begin with.

0:26:48.880 --> 0:26:51.080
<v Speaker 1>True that, true that, But he's gone like in a

0:26:51.160 --> 0:26:54.840
<v Speaker 1>real wacky way right now that you know I was

0:26:55.480 --> 0:26:59.400
<v Speaker 1>surprised about. I almost jay Z is a fascinating one though,

0:26:59.440 --> 0:27:02.360
<v Speaker 1>because I do you think he's almost playing both sides right,

0:27:02.440 --> 0:27:05.520
<v Speaker 1>because you see this dude who now like you said,

0:27:05.520 --> 0:27:08.320
<v Speaker 1>he sort of has like this afrol lock sort of

0:27:08.359 --> 0:27:12.200
<v Speaker 1>look now, which makes him very like connected to Africa

0:27:12.400 --> 0:27:16.440
<v Speaker 1>and blackness and all this other stuff, while simultaneously having

0:27:16.480 --> 0:27:21.359
<v Speaker 1>a hairstyle that you see on like Cheerios commercials, do

0:27:21.400 --> 0:27:23.000
<v Speaker 1>you know what I mean? Like they put like a

0:27:23.040 --> 0:27:26.879
<v Speaker 1>curly haired black man in the Cheerios commercial and make him,

0:27:27.000 --> 0:27:30.439
<v Speaker 1>uh say, how yummy honey is on his oaks? And

0:27:30.800 --> 0:27:34.320
<v Speaker 1>I knew jay Z crossed over when he I saw

0:27:34.520 --> 0:27:37.199
<v Speaker 1>footage of him. I think it was he was at

0:27:37.200 --> 0:27:40.520
<v Speaker 1>a basketball game with Beyonce and the story was about

0:27:40.800 --> 0:27:43.359
<v Speaker 1>how they must have had an argument because Beyonce had

0:27:43.400 --> 0:27:45.080
<v Speaker 1>a bad look on her face or something. But what

0:27:45.160 --> 0:27:49.520
<v Speaker 1>I noticed was at one point, jay Z spots another

0:27:49.800 --> 0:27:52.880
<v Speaker 1>I can only assume super rich friend across the way,

0:27:53.200 --> 0:27:57.320
<v Speaker 1>and he waved at them in his hands straight out

0:27:57.840 --> 0:28:01.760
<v Speaker 1>and just did the fingers. That's that's I was like,

0:28:02.280 --> 0:28:08.320
<v Speaker 1>that's not Brooklyn bo Jason. Jay Z is waving like

0:28:08.440 --> 0:28:13.720
<v Speaker 1>to the lou Yes, a real fucking Samantha asked, wiggle

0:28:13.840 --> 0:28:17.120
<v Speaker 1>figure a real see you at the tennis courts tomorrow

0:28:17.200 --> 0:28:20.400
<v Speaker 1>type wave, and I was like, oh, they got him, so,

0:28:20.400 --> 0:28:22.600
<v Speaker 1>so that's what makes the hair confusing because he is

0:28:22.680 --> 0:28:25.399
<v Speaker 1>definitely playing both sides. I mean, I don't think he

0:28:25.800 --> 0:28:27.920
<v Speaker 1>I think jay Z is a smart enough dude to

0:28:27.960 --> 0:28:30.520
<v Speaker 1>be aware that, like, all right, I can't be a

0:28:30.560 --> 0:28:33.320
<v Speaker 1>trash hairline guy, but I can be sort of like

0:28:33.400 --> 0:28:40.400
<v Speaker 1>this weird acartistic going in I collect paintings now in

0:28:40.480 --> 0:28:45.040
<v Speaker 1>a museum technica. Yeah, I get it, yep, I love this.

0:28:45.360 --> 0:28:48.200
<v Speaker 1>And there's so many other great examples of people who

0:28:48.240 --> 0:28:50.640
<v Speaker 1>have reached sort of like a weird peak with like

0:28:50.880 --> 0:28:54.960
<v Speaker 1>terrible hairlines. Tiger Woods is a great example. Never got

0:28:55.800 --> 0:28:57.280
<v Speaker 1>but he did he have a claim us. I don't

0:28:57.280 --> 0:29:00.160
<v Speaker 1>think that Tiger ever said he was tell me had

0:29:00.200 --> 0:29:02.480
<v Speaker 1>a black daddy. It's hard not to that was his

0:29:02.560 --> 0:29:05.760
<v Speaker 1>best friend. I don't think that he wanted to, but right,

0:29:05.960 --> 0:29:08.120
<v Speaker 1>I mean, I ain't pushing black on nobody don't want it.

0:29:08.200 --> 0:29:12.160
<v Speaker 1>So that's why you ain't you only trying to say,

0:29:12.320 --> 0:29:13.880
<v Speaker 1>be proud about it that I don't want you. But

0:29:14.160 --> 0:29:16.360
<v Speaker 1>I just don't remember him ever saying that he's black,

0:29:16.400 --> 0:29:24.480
<v Speaker 1>so he can had a headline for like that's fair.

0:29:24.680 --> 0:29:30.600
<v Speaker 1>I'm gonna read you a quote. Don't claim him. You're

0:29:30.600 --> 0:29:34.360
<v Speaker 1>not with me no more time. I'm not gay no more,

0:29:36.360 --> 0:29:42.080
<v Speaker 1>you tiger, you something else, right, He's his own category,

0:29:42.320 --> 0:29:45.480
<v Speaker 1>which is fine. So this has been an ongoing issue,

0:29:45.560 --> 0:29:49.400
<v Speaker 1>so much so that in Hollywood Reporter wrote an article

0:29:49.840 --> 0:29:53.720
<v Speaker 1>called Hollywood's Black hair problem on set We've all cried

0:29:53.760 --> 0:29:57.000
<v Speaker 1>in our trailers, which basically chronicles like sort of and

0:29:57.080 --> 0:30:00.280
<v Speaker 1>it's primarily women, but it chronicles the exactly what you

0:30:00.280 --> 0:30:05.480
<v Speaker 1>were talking about, Yes, black women sort of being cast

0:30:05.720 --> 0:30:09.880
<v Speaker 1>and then not having hairstylists on the other side and

0:30:10.360 --> 0:30:13.920
<v Speaker 1>learn to show up already done exactly, and that's one

0:30:13.960 --> 0:30:16.320
<v Speaker 1>of the things that people say. In the article, Natasha

0:30:16.400 --> 0:30:19.240
<v Speaker 1>Rothwell talks a lot about how she has to wake

0:30:19.320 --> 0:30:22.000
<v Speaker 1>up an hour early from the time she would have

0:30:22.080 --> 0:30:24.920
<v Speaker 1>normally woke up just so she could do her hair,

0:30:25.320 --> 0:30:27.840
<v Speaker 1>show up on set and not let them like do

0:30:27.960 --> 0:30:31.080
<v Speaker 1>something way worse to it. Again, off topic, because this

0:30:31.120 --> 0:30:35.360
<v Speaker 1>is about male hellines, but this also goes to white

0:30:35.360 --> 0:30:38.000
<v Speaker 1>people not being around us. They don't even know what

0:30:38.040 --> 0:30:39.880
<v Speaker 1>our hair is supposed to look like. You know what

0:30:39.880 --> 0:30:43.200
<v Speaker 1>I mean, I've purposely showed up on set looking fucked

0:30:43.280 --> 0:30:45.360
<v Speaker 1>Like if I walked into a black room, y'all would

0:30:45.360 --> 0:30:47.920
<v Speaker 1>be like, what the fun I've purposely gone on set

0:30:48.040 --> 0:30:49.960
<v Speaker 1>and being like, no, I'm good and have the hair

0:30:49.960 --> 0:30:52.160
<v Speaker 1>stylis look at me and like you look great, Like

0:30:52.240 --> 0:30:58.400
<v Speaker 1>they have no idea. Yeah, they're like, okay, I have

0:30:58.440 --> 0:31:00.000
<v Speaker 1>to be like no, I'm joking. I just woke up.

0:31:00.040 --> 0:31:03.160
<v Speaker 1>Then they're like, oh, because they just don't know. Oh

0:31:03.240 --> 0:31:06.640
<v Speaker 1>thank god, I hated what I saw, but I didn't know. Yeah,

0:31:06.840 --> 0:31:09.200
<v Speaker 1>not even that they hated that. They just don't know. Yeah,

0:31:09.280 --> 0:31:11.880
<v Speaker 1>they just don't know. I don't like the Oh, if

0:31:11.880 --> 0:31:14.160
<v Speaker 1>you don't have any black friends, you not that, because

0:31:14.200 --> 0:31:16.600
<v Speaker 1>there's many places in America where you can walk around

0:31:16.640 --> 0:31:18.160
<v Speaker 1>for days and not see one of us, you know

0:31:18.160 --> 0:31:21.760
<v Speaker 1>what I mean. So, but once you get up into

0:31:21.760 --> 0:31:24.720
<v Speaker 1>Hollywood and you and where on set, these are things

0:31:25.280 --> 0:31:28.760
<v Speaker 1>we have to even have someone who knows for they

0:31:28.800 --> 0:31:30.760
<v Speaker 1>have to be trained. They're not training them to do

0:31:30.800 --> 0:31:33.360
<v Speaker 1>our hair, which means that this is an industry that

0:31:33.480 --> 0:31:35.840
<v Speaker 1>was set up with no thought of us ever being

0:31:35.880 --> 0:31:39.760
<v Speaker 1>in it, right, you know, I think that's exactly right.

0:31:40.040 --> 0:31:42.840
<v Speaker 1>And this is where it gets even more fascinating for me,

0:31:43.000 --> 0:31:48.920
<v Speaker 1>is that this conversation extends well beyond the industry, right that, like,

0:31:48.960 --> 0:31:52.360
<v Speaker 1>there's so many different examples of sort of this war

0:31:52.600 --> 0:31:57.800
<v Speaker 1>on black hair in other spaces. For example, a student

0:31:57.920 --> 0:32:01.000
<v Speaker 1>is sent home from Christ the King Elementary School in Terrytown,

0:32:01.000 --> 0:32:05.160
<v Speaker 1>Louisiana because she's wearing box braids. They basically just decide

0:32:05.240 --> 0:32:07.840
<v Speaker 1>box braids are wrong. For a different time in two

0:32:07.880 --> 0:32:10.880
<v Speaker 1>thousand and eighteen, where a six year old a six

0:32:10.960 --> 0:32:13.920
<v Speaker 1>year old is sent home band from school because he

0:32:13.920 --> 0:32:17.320
<v Speaker 1>has locks, and the principal like justifies this as being

0:32:17.360 --> 0:32:20.160
<v Speaker 1>a rule that's been in the schools like doctrine since

0:32:20.280 --> 0:32:23.080
<v Speaker 1>nineteen seventy one, and he's like, dude, I'm the first

0:32:23.080 --> 0:32:31.240
<v Speaker 1>black person hit right, right, I never it's a racial band.

0:32:31.680 --> 0:32:35.840
<v Speaker 1>You're just asking it under protective hairstyle, right. And this

0:32:35.920 --> 0:32:38.560
<v Speaker 1>is also again, this is fair of the unknown. They

0:32:38.600 --> 0:32:41.160
<v Speaker 1>don't know what these hairstyles means. It makes them uncomfortable.

0:32:41.600 --> 0:32:44.680
<v Speaker 1>It's not they're not around it. They don't. It's too different,

0:32:44.760 --> 0:32:50.640
<v Speaker 1>it's too black, and it reminds them that we exists. Basically, yes,

0:32:50.920 --> 0:32:53.920
<v Speaker 1>and to your earlier point, nineteen seventy one was when

0:32:53.920 --> 0:32:56.760
<v Speaker 1>you established this rule, because you're basing it off of

0:32:56.840 --> 0:33:01.360
<v Speaker 1>fears that existed in nine exactly, like, we're not even

0:33:01.400 --> 0:33:03.800
<v Speaker 1>afraid of the same ship that we were afraid in

0:33:03.920 --> 0:33:07.080
<v Speaker 1>nineteen seventy one. We were afraid that Russians were gonna

0:33:07.160 --> 0:33:10.720
<v Speaker 1>knuke us through like weird satellites in the sky. Now

0:33:10.760 --> 0:33:14.600
<v Speaker 1>we know they're gonna knoke us through like elections and

0:33:14.840 --> 0:33:19.760
<v Speaker 1>weird emails and Facebook messages, and it's a completely different world.

0:33:20.000 --> 0:33:22.160
<v Speaker 1>And they're more of a poisoning kind of people rather

0:33:22.240 --> 0:33:24.480
<v Speaker 1>than nukes. And now we're finding out, you know, that's

0:33:24.480 --> 0:33:26.640
<v Speaker 1>their thing. We would see in the bombs they do.

0:33:27.000 --> 0:33:31.480
<v Speaker 1>They're more poison people. You know some correct yourself, yeah,

0:33:31.640 --> 0:33:36.080
<v Speaker 1>update your but talking about I mean, this is also

0:33:36.400 --> 0:33:38.520
<v Speaker 1>entertainment industry, but I feel like the patron saint of

0:33:38.840 --> 0:33:43.280
<v Speaker 1>safe hairstyles. It's Bill Cosby, Bill Tosby and every dude

0:33:43.320 --> 0:33:48.520
<v Speaker 1>that he had on that show. Yes, Elvin, Elvin's thirty campus,

0:33:48.920 --> 0:33:53.200
<v Speaker 1>trash that hit cut, the dude in the military, Denise's husband,

0:33:53.600 --> 0:33:57.080
<v Speaker 1>trash like that never had a sweet line up on them.

0:33:57.120 --> 0:33:59.280
<v Speaker 1>If anyone of them girls showed up with a do

0:33:59.440 --> 0:34:02.720
<v Speaker 1>rag nigga and lost his mind, yeah, I think that's

0:34:02.960 --> 0:34:06.720
<v Speaker 1>now you're talking. Now you're really talking. Because THEO was

0:34:06.800 --> 0:34:09.200
<v Speaker 1>about to go on a date wearing a Gordon Guard

0:34:09.200 --> 0:34:15.279
<v Speaker 1>trail and had a trash lineup. He wouldn't even let

0:34:15.280 --> 0:34:18.600
<v Speaker 1>THEE have a real flat top. It was like it

0:34:18.719 --> 0:34:23.680
<v Speaker 1>was an afro that he panted into a flat. Uh,

0:34:23.920 --> 0:34:27.560
<v Speaker 1>he shaped into a flat And I think Cosby knew

0:34:27.600 --> 0:34:30.560
<v Speaker 1>the whole time. Cosby was the king of of sort

0:34:30.600 --> 0:34:34.960
<v Speaker 1>of like respectability politics, and that man knew that if

0:34:34.960 --> 0:34:39.320
<v Speaker 1>he had THEO looking too much like Jalen Roseye, THEO

0:34:39.680 --> 0:34:43.320
<v Speaker 1>was not an endearing character to his white audience exactly

0:34:43.320 --> 0:34:45.360
<v Speaker 1>that it would have It would have been a special episode.

0:34:45.719 --> 0:34:50.800
<v Speaker 1>THEO gets a line UPO gets a lineup and gets

0:34:50.880 --> 0:34:55.000
<v Speaker 1>kicked out of the family, Like you've been over to Flatbush. Well,

0:34:55.080 --> 0:34:59.520
<v Speaker 1>you know who cut your hair? Was like in a

0:34:59.600 --> 0:35:03.080
<v Speaker 1>Clinton Hill or something, right, Yeah, it was like Brooklyn Heights.

0:35:03.840 --> 0:35:06.680
<v Speaker 1>So that that episode, THEO went across the tracks Tosh

0:35:07.040 --> 0:35:09.600
<v Speaker 1>or whatever and got a haircut, and now the whole

0:35:09.640 --> 0:35:11.680
<v Speaker 1>family got to do a dance to convince him to

0:35:11.719 --> 0:35:14.920
<v Speaker 1>come back. THEO took the two train too far, and

0:35:16.880 --> 0:35:21.279
<v Speaker 1>now we don't know if we swim anymore. Right, all right?

0:35:21.480 --> 0:35:25.520
<v Speaker 1>So in two thousand nineteen, and this is interesting, Corey

0:35:25.560 --> 0:35:29.920
<v Speaker 1>Booker into another trash hairline. Uh. Corey Booker introduced the

0:35:30.040 --> 0:35:33.840
<v Speaker 1>Crown Act, which is an act meant to protect against

0:35:33.920 --> 0:35:38.240
<v Speaker 1>discrimination based on hair, specifically for black people with tightly

0:35:38.320 --> 0:35:42.480
<v Speaker 1>coiled or protective styles. Uh. And it's only been accepted

0:35:42.640 --> 0:35:46.919
<v Speaker 1>since two thousand nineteen in three states, California, New York,

0:35:47.040 --> 0:35:49.840
<v Speaker 1>and New Jersey. Everybody else can still fire you or

0:35:49.920 --> 0:35:52.960
<v Speaker 1>keep you from a school based on your hair if

0:35:53.000 --> 0:35:54.920
<v Speaker 1>they want to. And let me tell you that that

0:35:55.000 --> 0:35:57.480
<v Speaker 1>this was a conscious choice. But this is why comedy

0:35:57.600 --> 0:36:00.600
<v Speaker 1>has been such a relief for me, because I've had

0:36:00.640 --> 0:36:03.480
<v Speaker 1>corporate jobs and worked in offices, and I just cannot

0:36:03.560 --> 0:36:07.160
<v Speaker 1>see me as myself as an adult having other adults

0:36:07.160 --> 0:36:09.160
<v Speaker 1>telling me what to do with my head. It's just

0:36:09.239 --> 0:36:13.759
<v Speaker 1>it's so demeaning. It's so demeaning, it's so Uh. You

0:36:13.880 --> 0:36:19.160
<v Speaker 1>take people's humanity, like become be this other thing in

0:36:19.239 --> 0:36:23.120
<v Speaker 1>order to earn money for the job that you're doing. Right,

0:36:23.120 --> 0:36:26.000
<v Speaker 1>take And I think that's such an important point because

0:36:26.040 --> 0:36:28.400
<v Speaker 1>I think at the essence of what we're talking about

0:36:28.560 --> 0:36:32.320
<v Speaker 1>is an ability to take away someone's confidence, right, the

0:36:32.560 --> 0:36:37.680
<v Speaker 1>thing that makes them feel most themselves. Oftentimes we look

0:36:39.400 --> 0:36:42.360
<v Speaker 1>exactly and so I do think to your earlier point,

0:36:42.719 --> 0:36:47.799
<v Speaker 1>this is like an intentional want to damage our confidence

0:36:47.880 --> 0:36:53.600
<v Speaker 1>and keep us in this place of emotional disarray force assimilation. Yeah,

0:36:53.840 --> 0:36:56.440
<v Speaker 1>so either you look a little ashy, you look a

0:36:56.480 --> 0:37:00.239
<v Speaker 1>little bummy, or you look your best, but you're not

0:37:00.440 --> 0:37:04.000
<v Speaker 1>welcome in you know, whatever country. And also your best

0:37:04.000 --> 0:37:06.759
<v Speaker 1>intimidates me. I don't like you looking better than me. Yeah,

0:37:06.840 --> 0:37:09.760
<v Speaker 1>we'll look better than a black man, shined up, teeth

0:37:09.800 --> 0:37:13.920
<v Speaker 1>flinging charm. He's spinning your wife out at the company

0:37:13.960 --> 0:37:16.799
<v Speaker 1>picnic and ship she giggling. Nobody wants that. Come in

0:37:16.840 --> 0:37:19.400
<v Speaker 1>here with this fun up line up and stop intimidating me.

0:37:19.760 --> 0:37:23.160
<v Speaker 1>That's one I'm scared to put Idris in the James bond.

0:37:23.400 --> 0:37:26.080
<v Speaker 1>Come on, who do you want to go? Follow him?

0:37:26.200 --> 0:37:29.319
<v Speaker 1>They because they know that white tuxedo that's gonna look

0:37:29.360 --> 0:37:33.000
<v Speaker 1>better on that chocolate skin than anybody. But Idris gets bond,

0:37:33.719 --> 0:37:35.680
<v Speaker 1>his love interest is gonna be the blackest bitch on

0:37:35.719 --> 0:37:41.160
<v Speaker 1>the planet. It's they will never let him. It just

0:37:41.200 --> 0:37:44.719
<v Speaker 1>blows up the whole, just the whole theory that this

0:37:44.840 --> 0:37:48.080
<v Speaker 1>is like the best thing if you make him bond,

0:37:48.120 --> 0:37:50.680
<v Speaker 1>and so you have to keep him sort of, you know,

0:37:50.960 --> 0:37:54.080
<v Speaker 1>they need him be loother. It's also it's him with

0:37:54.120 --> 0:37:57.600
<v Speaker 1>a trans hairline. That's the only difference I mean he

0:37:57.680 --> 0:38:02.360
<v Speaker 1>pulls it off. But anyway, all right, put your loins away,

0:38:02.680 --> 0:38:06.680
<v Speaker 1>let's focus on the argument here. All wet over there,

0:38:06.760 --> 0:38:08.800
<v Speaker 1>let's forgot. I ain't got no shirt on. I forgot.

0:38:09.960 --> 0:38:11.920
<v Speaker 1>I bumped up on the table for men and got excited.

0:38:11.960 --> 0:38:15.359
<v Speaker 1>My bad um. But in his British luthor, yeah, all

0:38:15.440 --> 0:38:17.880
<v Speaker 1>his love interests are white women. I don't know if

0:38:17.880 --> 0:38:20.200
<v Speaker 1>you know, and his sidekicks are black women. I'm saying

0:38:20.200 --> 0:38:23.960
<v Speaker 1>if they did a bond that was a US based production,

0:38:24.239 --> 0:38:27.120
<v Speaker 1>they would not let him have a white love interest.

0:38:27.600 --> 0:38:31.000
<v Speaker 1>I don't It wouldn't be alec wet or something like

0:38:31.040 --> 0:38:35.120
<v Speaker 1>that he would have to have because part of it

0:38:35.200 --> 0:38:39.640
<v Speaker 1>is again where the theory being that certain white people

0:38:39.680 --> 0:38:44.640
<v Speaker 1>are still afraid of old uh stereotypes. The black buck

0:38:44.719 --> 0:38:48.960
<v Speaker 1>that's coming to still your woman really does play into that.

0:38:49.200 --> 0:38:53.440
<v Speaker 1>So right, my guesses is that if they make him

0:38:53.480 --> 0:38:56.640
<v Speaker 1>the bond that he deserves to be, they're probably gonna

0:38:56.680 --> 0:39:00.759
<v Speaker 1>give him like some vaguely ethnically like sort of ambiguous

0:39:00.800 --> 0:39:05.560
<v Speaker 1>woman to give him like a Prianka Chopra what I mean,

0:39:05.640 --> 0:39:09.640
<v Speaker 1>and let that be his love interest that doesn't offend

0:39:10.080 --> 0:39:12.600
<v Speaker 1>them as much as black women do. For whatever reason,

0:39:12.840 --> 0:39:16.600
<v Speaker 1>the idea of black women having sex consensually is very

0:39:16.719 --> 0:39:24.439
<v Speaker 1>upsetting to Hollywood. That's a whole other bagga. Yeah, yeah,

0:39:24.440 --> 0:39:26.960
<v Speaker 1>it gets sad at the end. I get that. All right,

0:39:27.000 --> 0:39:29.000
<v Speaker 1>We're gonna take another break and we'll be back with

0:39:29.120 --> 0:39:31.759
<v Speaker 1>more Janelle James and more of My mama told me

0:39:39.840 --> 0:39:46.200
<v Speaker 1>we are back. I got brown guidance. Ain't nobody got

0:39:46.239 --> 0:39:49.400
<v Speaker 1>time for that. We're back here with more. My mama

0:39:49.520 --> 0:39:53.520
<v Speaker 1>told me more Janelle James. We have I think fully

0:39:53.640 --> 0:39:57.239
<v Speaker 1>unpacked the possibility that this is all rooted in a

0:39:57.440 --> 0:40:00.680
<v Speaker 1>fear of the black barbershop and really a fear of

0:40:00.719 --> 0:40:04.560
<v Speaker 1>black revolution that they, the white people, think is coming

0:40:04.560 --> 0:40:08.719
<v Speaker 1>out of the black barbershop. It's all scary and exciting.

0:40:08.760 --> 0:40:10.719
<v Speaker 1>I love where we're headed. And you know, jokes on

0:40:10.760 --> 0:40:14.360
<v Speaker 1>them because those heirlines, I mean, I feel like that's

0:40:14.400 --> 0:40:20.000
<v Speaker 1>some undercovered spyship. Okay, okay, I like where this is going.

0:40:20.120 --> 0:40:23.600
<v Speaker 1>Tell me more so you trusting the fun up heirlines,

0:40:23.640 --> 0:40:25.880
<v Speaker 1>But they know what they're doing to get up in

0:40:25.880 --> 0:40:30.080
<v Speaker 1>your space. Yeah, you you fucked up my airline, but

0:40:30.120 --> 0:40:33.480
<v Speaker 1>you didn't take my mind from me. I still connected

0:40:33.600 --> 0:40:38.680
<v Speaker 1>to any I'm I'm still working with a people. So yeah, okay,

0:40:38.880 --> 0:40:42.120
<v Speaker 1>that's right. You made my airline look like sharp teeth.

0:40:42.360 --> 0:40:46.040
<v Speaker 1>But guess what, motherfucker, I'm gonna go report back everything

0:40:46.120 --> 0:40:48.759
<v Speaker 1>I've learned on set or in this community or in

0:40:48.760 --> 0:40:58.200
<v Speaker 1>this boardroom channel, Barbershop Network. We gonna get you, motherfucker.

0:40:58.760 --> 0:41:02.200
<v Speaker 1>Oh my god. All right, let's play a game. I

0:41:02.200 --> 0:41:04.960
<v Speaker 1>have a fun game that I like to play. This

0:41:05.000 --> 0:41:09.400
<v Speaker 1>game is called Ugly. You're disgusting. I'm gonna kill you.

0:41:09.440 --> 0:41:12.799
<v Speaker 1>Give me two. This is white Lines. It's a it's

0:41:12.800 --> 0:41:16.280
<v Speaker 1>a fun game where I will introduce to you, Janelle,

0:41:16.360 --> 0:41:20.920
<v Speaker 1>a traditional white conspiracy, a very famous white conspiracy. And

0:41:20.920 --> 0:41:22.880
<v Speaker 1>then I would like you to take the time to

0:41:23.080 --> 0:41:26.680
<v Speaker 1>unpack that conspiracy, really break it all down. Why do

0:41:26.719 --> 0:41:29.880
<v Speaker 1>you think white people care about this conspiracy so much?

0:41:30.080 --> 0:41:34.560
<v Speaker 1>What are these sneaky motherfucker's up to? Yeah, but your

0:41:34.600 --> 0:41:41.600
<v Speaker 1>goofy on, uh, put on, light up your eyes, do

0:41:41.640 --> 0:41:44.719
<v Speaker 1>whatever you gotta do to really to really open that

0:41:44.840 --> 0:41:47.000
<v Speaker 1>third eye. And let's get into this. Have you ever

0:41:47.080 --> 0:41:51.560
<v Speaker 1>heard of the conspiracy Paul is Dead? No? Okay, so

0:41:51.680 --> 0:41:56.240
<v Speaker 1>there is a conspiracy, a claim that the Beatles member

0:41:56.280 --> 0:42:00.280
<v Speaker 1>Paul McCartney in nineteen sixty six died in a car crash,

0:42:00.520 --> 0:42:04.000
<v Speaker 1>and uh, he was replaced by a man named Billy

0:42:04.160 --> 0:42:08.239
<v Speaker 1>Shears who looked like him and then became the Paul

0:42:08.320 --> 0:42:13.320
<v Speaker 1>McCartney we now know today. This has been spread over

0:42:13.680 --> 0:42:18.319
<v Speaker 1>decades of Beatles you know whatever conspiracies, and so much

0:42:18.360 --> 0:42:20.920
<v Speaker 1>so that even in the cover of Abbey Road they

0:42:20.920 --> 0:42:25.439
<v Speaker 1>claimed that Paul is wearing a suit that signifies him

0:42:25.480 --> 0:42:27.880
<v Speaker 1>at his funeral and he has no shoes on as

0:42:28.000 --> 0:42:31.440
<v Speaker 1>he's crossing Abbey Road, which I guess implies that he is.

0:42:31.800 --> 0:42:33.799
<v Speaker 1>I don't know, bare Field get buried in You don't

0:42:33.800 --> 0:42:37.319
<v Speaker 1>get buried in shoes, don't Yeah, listen, I don't get

0:42:37.360 --> 0:42:39.279
<v Speaker 1>what they're doing. But what I would love for you

0:42:39.360 --> 0:42:43.399
<v Speaker 1>to do is explained to me. Why after decades of

0:42:43.440 --> 0:42:47.760
<v Speaker 1>this conspiracy continuing, why it is so important that white

0:42:47.800 --> 0:42:51.840
<v Speaker 1>people believe that Paul McCartney died in that car crash.

0:42:51.880 --> 0:42:55.360
<v Speaker 1>That's a tough one because, uh, it makes absolutely no sense,

0:42:55.600 --> 0:42:59.000
<v Speaker 1>But so they the conspiracy is that they want to

0:42:59.040 --> 0:43:02.680
<v Speaker 1>believe that he's dead. Maybe they know that they've founded

0:43:02.760 --> 0:43:06.439
<v Speaker 1>him and the Beatles, and you know, it's such bad

0:43:06.480 --> 0:43:09.239
<v Speaker 1>because the Beatles were the Michael Jackson of their time.

0:43:09.280 --> 0:43:12.600
<v Speaker 1>You know what I mean right right. They were the biggest,

0:43:12.680 --> 0:43:15.840
<v Speaker 1>they were the baddest, they were all the things. I

0:43:15.840 --> 0:43:18.800
<v Speaker 1>would think a better conspiracy would be that he faked

0:43:18.800 --> 0:43:21.680
<v Speaker 1>his death or something like that to get away from

0:43:21.719 --> 0:43:24.520
<v Speaker 1>the limelight and he was tired of the of the

0:43:24.600 --> 0:43:27.520
<v Speaker 1>business and then kind of like Tupac is in in

0:43:27.680 --> 0:43:32.400
<v Speaker 1>on an Island, chilling, right, Okay, that Paul McCartney just

0:43:32.480 --> 0:43:35.520
<v Speaker 1>wanted out from the property. I can't even wrap my

0:43:35.560 --> 0:43:38.880
<v Speaker 1>mind around this conspiracy that he's dead and replaced for what?

0:43:39.040 --> 0:43:42.200
<v Speaker 1>For what purpose? Is are the Beatles still touring? Is

0:43:42.200 --> 0:43:47.000
<v Speaker 1>he's still collecting? Right? Right? At this point, Paul McCartney

0:43:47.040 --> 0:43:49.880
<v Speaker 1>just shows up on S and L every day. Was

0:43:50.000 --> 0:43:52.359
<v Speaker 1>he murdered? Is that part of the conspiracy? That well,

0:43:52.400 --> 0:43:54.800
<v Speaker 1>it was that the car crash killed him on accident.

0:43:54.840 --> 0:43:57.600
<v Speaker 1>It wasn't on purpose. And so instead of I think

0:43:57.680 --> 0:44:00.480
<v Speaker 1>the hope or at least what they're suggest thing is

0:44:00.520 --> 0:44:03.879
<v Speaker 1>that instead of losing the Beatles and their front man,

0:44:04.200 --> 0:44:08.640
<v Speaker 1>right because him and Lennon were basically like they just

0:44:08.960 --> 0:44:12.800
<v Speaker 1>they just happened to have a ringer just ready to

0:44:12.880 --> 0:44:15.799
<v Speaker 1>jump in, just just ready at the ready, because they

0:44:15.840 --> 0:44:21.799
<v Speaker 1>had already thought about this, like what if if fall dies,

0:44:21.880 --> 0:44:25.319
<v Speaker 1>we're gonna who we're gonna have. We're blowing up right now,

0:44:25.360 --> 0:44:28.520
<v Speaker 1>and I can't suck this money up. So like I

0:44:31.200 --> 0:44:34.600
<v Speaker 1>that's that is fun to believe that every famous artist

0:44:34.680 --> 0:44:38.920
<v Speaker 1>has a double placement dude, that that the evil record

0:44:38.920 --> 0:44:41.279
<v Speaker 1>company just has on standby, like y'all about to sunk

0:44:41.360 --> 0:44:45.360
<v Speaker 1>up this money. We now, we gotta finish this towards Billy.

0:44:45.400 --> 0:44:49.640
<v Speaker 1>You up like you're saying Bruno Mars was in a

0:44:49.680 --> 0:44:53.200
<v Speaker 1>plane crash. Well that's you, James. You gotta come on,

0:44:53.400 --> 0:44:55.640
<v Speaker 1>you gotta go do your job. You see how fast

0:44:55.680 --> 0:44:58.479
<v Speaker 1>they got Kevin Hard out of that car accident, Like yeah,

0:44:59.160 --> 0:45:04.319
<v Speaker 1>I mean conspiracy right, know what happened with that whole situation? Uh? Kevin?

0:45:04.360 --> 0:45:05.640
<v Speaker 1>I respect you and would love to work on the

0:45:05.680 --> 0:45:12.720
<v Speaker 1>movie with you. Later you'll see Janelle and Pets three

0:45:13.360 --> 0:45:19.600
<v Speaker 1>coming out. Fingers motherfucking crossed. Um. I think this is

0:45:19.640 --> 0:45:23.560
<v Speaker 1>a fascinating train to go down that Hollywood does have fixers.

0:45:23.640 --> 0:45:25.960
<v Speaker 1>I do believe in that people that make things happen,

0:45:26.080 --> 0:45:29.480
<v Speaker 1>and but I don't know why people would want to

0:45:29.520 --> 0:45:32.719
<v Speaker 1>believe this conspiracy. Well, I think to your point, it

0:45:32.840 --> 0:45:36.319
<v Speaker 1>really is the maintaining of the status quo. Right, that like,

0:45:36.560 --> 0:45:41.239
<v Speaker 1>as long as this person continues to exist and and

0:45:41.440 --> 0:45:46.120
<v Speaker 1>these entities seem unharmed and unchanged, we have our power.

0:45:46.480 --> 0:45:48.799
<v Speaker 1>At the point that they seem fallible, they can be

0:45:48.840 --> 0:45:53.920
<v Speaker 1>broken suddenly our power is not as everlasting. And yeah,

0:45:54.360 --> 0:45:57.120
<v Speaker 1>kind of. But the conspiracy is that people think he's

0:45:57.160 --> 0:46:00.160
<v Speaker 1>dead though, so it's not. They don't believe that this

0:46:00.239 --> 0:46:02.880
<v Speaker 1>current Paul McCartney, who I just googled, that's on a

0:46:02.960 --> 0:46:06.960
<v Speaker 1>canoe on a river somewhere, enjoying quarantine. They don't think

0:46:07.000 --> 0:46:11.319
<v Speaker 1>that's him. Goddamn sense to me, right, But that's the Internet, right,

0:46:11.400 --> 0:46:14.920
<v Speaker 1>or that's the Internet of old. I think that the powers,

0:46:15.560 --> 0:46:18.400
<v Speaker 1>what is their motivation for it? I think their want

0:46:18.480 --> 0:46:22.200
<v Speaker 1>is to maintain status quo. Now to your point, why

0:46:22.239 --> 0:46:26.319
<v Speaker 1>do random people want to believe that? Right? That's the

0:46:26.360 --> 0:46:28.560
<v Speaker 1>part that scares me. I can understand wanting to believe

0:46:28.560 --> 0:46:31.239
<v Speaker 1>to pockets still alive, but wanting to believe that Paul

0:46:31.280 --> 0:46:33.840
<v Speaker 1>McCartney is dead and it's now replaced. And it's not

0:46:33.880 --> 0:46:36.279
<v Speaker 1>even some out there conspiracy like he's been replaced by

0:46:36.320 --> 0:46:41.439
<v Speaker 1>lizard person or an alien or cloning or anything. It's

0:46:41.440 --> 0:46:46.799
<v Speaker 1>a man named Jimmy. She dude, he's not. That's not

0:46:46.840 --> 0:46:50.840
<v Speaker 1>even a sexy name. Nobody gets corny for Jimmy Shears.

0:46:50.960 --> 0:46:53.480
<v Speaker 1>They find him in a hotel lobby and a Beatles

0:46:53.520 --> 0:47:00.600
<v Speaker 1>cover band and they say, hey, get those shoes off.

0:47:00.640 --> 0:47:04.200
<v Speaker 1>We're gonna need to make a weird album cover. We

0:47:04.280 --> 0:47:06.160
<v Speaker 1>wanted to be dead, but we want to tell people

0:47:06.160 --> 0:47:08.520
<v Speaker 1>a secret to he alive. I mean the whole thing.

0:47:08.520 --> 0:47:11.080
<v Speaker 1>Don't ask questions. There's got some money, We'll leave some

0:47:11.200 --> 0:47:15.479
<v Speaker 1>little hints and everywhere we go you'll you'll be Paul

0:47:15.719 --> 0:47:21.600
<v Speaker 1>from down. Yeah, we don't give a fuck. We're willing

0:47:21.640 --> 0:47:27.000
<v Speaker 1>to risk it all for a little old Marges towards death. Well, Janelle,

0:47:27.000 --> 0:47:28.839
<v Speaker 1>I think we did it. Couldn't think we nailed it.

0:47:28.920 --> 0:47:31.880
<v Speaker 1>This was a fantastic episode. Could you tell the people

0:47:32.239 --> 0:47:34.279
<v Speaker 1>where they can find you any cool stuff you have

0:47:34.400 --> 0:47:38.040
<v Speaker 1>going on? Yeah, you can find me on line and

0:47:38.600 --> 0:47:41.360
<v Speaker 1>in my online you know, and in my house basically

0:47:41.400 --> 0:47:46.239
<v Speaker 1>because I'm in quarantine like everybody else. Uh. But watch

0:47:46.360 --> 0:47:50.160
<v Speaker 1>Black Monday. Uh, I'm on season two and it's a

0:47:50.200 --> 0:47:53.239
<v Speaker 1>fantastic black ass show and I'm proud of it. Watch

0:47:53.280 --> 0:47:57.880
<v Speaker 1>my Netflix. Uh comedy lineup? Uh, I don't know, Google me.

0:47:57.920 --> 0:48:01.000
<v Speaker 1>I'm out there. Yeah, google her, she's out there and

0:48:01.640 --> 0:48:06.400
<v Speaker 1>uh Netflix her Netflix specialist hilarious Black Monday. Listen to

0:48:06.480 --> 0:48:09.200
<v Speaker 1>my album Black and Mile. The comic just offered to

0:48:09.239 --> 0:48:11.080
<v Speaker 1>pay me to listen to my album, which is like

0:48:11.120 --> 0:48:14.600
<v Speaker 1>it's quarantine dropping everybody crazy that's crazy and will send

0:48:14.640 --> 0:48:21.200
<v Speaker 1>their email over to me. I was touched, but but yeah,

0:48:21.239 --> 0:48:23.239
<v Speaker 1>listen to that. It's the thing I'm most proud of.

0:48:23.360 --> 0:48:29.439
<v Speaker 1>And I guess my kids too or whatever. But yeah, yeah, yeah,

0:48:29.440 --> 0:48:32.279
<v Speaker 1>I guess my kids cool. But Black and Mild That's

0:48:32.280 --> 0:48:34.719
<v Speaker 1>where I really feel like I nailed it. I kill

0:48:34.800 --> 0:48:38.840
<v Speaker 1>that ship. All right. Well, this has been another episode

0:48:38.840 --> 0:48:42.000
<v Speaker 1>of My Mama told me once again, follow us and

0:48:42.000 --> 0:48:45.360
<v Speaker 1>and like and subscribe on whatever platforms you do that ship.

0:48:45.719 --> 0:48:49.279
<v Speaker 1>Oh and last thing, if you have anything that you

0:48:49.320 --> 0:48:53.799
<v Speaker 1>would like to send us, drops, artwork, alien, dick Pis,

0:48:53.840 --> 0:48:57.080
<v Speaker 1>whatever it may be, please send those to my Mama

0:48:57.160 --> 0:48:59.880
<v Speaker 1>pot at gmail dot com. I would love to see it.

0:49:00.200 --> 0:49:02.319
<v Speaker 1>I would love to read it. I would love to

0:49:02.440 --> 0:49:06.080
<v Speaker 1>experience it and potentially play it in one of our episodes.

0:49:06.640 --> 0:49:13.800
<v Speaker 1>Have a good day because I've been grown Davies my

0:49:13.920 --> 0:49:18.920
<v Speaker 1>crop chips in your hands a quala mares are racist.

0:49:21.520 --> 0:49:28.520
<v Speaker 1>The also players, mostly money, runy turkey stuff I can't

0:49:28.600 --> 0:49:29.000
<v Speaker 1>tell me