WEBVTT - How the Voyager Golden Records Work

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<v Speaker 1>Welcome to Stuff You Should Know, a production of five

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<v Speaker 1>Heart Radios How Stuff Works. Hey, and welcome to the podcast.

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<v Speaker 1>I'm Josh Clark and there's Charles W. Chuck Bryant. We're

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<v Speaker 1>just batching it going stagged today. First stuff you should know. Yeah,

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<v Speaker 1>our our date's not here. We're one another's date. Whether

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<v Speaker 1>you like it or not, I'm your date. Were you

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<v Speaker 1>a big school dance guy? I was big at staying

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<v Speaker 1>away from them. He didn't go to those things. I

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<v Speaker 1>went to like one or two in eighth grade maybe,

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<v Speaker 1>but I learned my lesson early on. I got you

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<v Speaker 1>no prom. Yeah, I mean I went to prom and

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<v Speaker 1>all that, but you know, like the normal school dances

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<v Speaker 1>and things like that, like the under the Sea dance

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<v Speaker 1>in I didn't go to that all week. We only

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<v Speaker 1>had two We had homecoming and prom and that's it.

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<v Speaker 1>Oh well, I think you know how Oh there was

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<v Speaker 1>so little to do that. There were tons of dances

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<v Speaker 1>all the time. Sure, man, just like in the movies.

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<v Speaker 1>It is just like in the movies when it's super

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<v Speaker 1>cold outside and you're just stuck inside, everybody's just gotta dance. Oh,

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<v Speaker 1>I guess we were just outdoors in the the heat

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<v Speaker 1>and humidity. Right. You you had hiking, We had dances.

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<v Speaker 1>So what's this got to do with the Golden Records?

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<v Speaker 1>I don't know. This is kind of cool. Very seventies. Yeah,

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<v Speaker 1>that's the thing, man, It doesn't get much more seventies

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<v Speaker 1>than than this. Actually, this one and the other one

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<v Speaker 1>that we're doing today about as seventies as it gets.

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<v Speaker 1>But yeah, so we're talking about Chuck. Two golden records,

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<v Speaker 1>two very special golden records, identical in every way. Um.

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<v Speaker 1>They were pressed in a series of I'm not sure

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<v Speaker 1>how many because I once saw Carl Sagan messing with one.

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<v Speaker 1>So there maybe three, there, maybe four, I don't know,

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<v Speaker 1>but there are at least two. And right now, these

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<v Speaker 1>very very special gold records are somewhere outside of our

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<v Speaker 1>solar system. They are aboard two space probes, Voyager one

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<v Speaker 1>and two, that were launched in um and for the

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<v Speaker 1>Voyager probes are the first two human made objects to

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<v Speaker 1>travel beyond our Solar system, which is pretty cool in

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<v Speaker 1>and of itself. Yeah, there are billions of miles about

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<v Speaker 1>thirteen billion miles from Earth right now, going very fast. Yeah,

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<v Speaker 1>and uh, you mentioned Carl Sagan. This was his sort

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<v Speaker 1>of baby, and the idea is, hey, let's launch something

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<v Speaker 1>into outer space on the well, I mean the sort

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<v Speaker 1>of reason was in case and another civilization and extraterrestrial

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<v Speaker 1>being or life force could come across it, this will

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<v Speaker 1>be our greeting to them. But when you read into it,

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<v Speaker 1>it's probably really unlikely that might happen, and it it

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<v Speaker 1>was sort of a pr thing for NASA and also

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<v Speaker 1>just like made us feel better, I think, yeah, and

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<v Speaker 1>like you're saying, it's very seventies and that it was

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<v Speaker 1>part of this kind of larger trend in the Steffanies,

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<v Speaker 1>mostly helmed by Carl Sagan from what I could tell

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<v Speaker 1>where um, there was this kind of push to get

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<v Speaker 1>the world to agree like becoming part of some galactic

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<v Speaker 1>you know, community would be a good thing for humanity

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<v Speaker 1>and start thinking beyond the realms of Earth, but at

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<v Speaker 1>the same time thinking about Earth and how we can

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<v Speaker 1>take care of it. Was all kind of intertwined and connected,

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<v Speaker 1>and it all kind of took shape in this kind

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<v Speaker 1>of collective human project of creating messages and bottles and

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<v Speaker 1>shooting them out into space. And the wisdom of that

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<v Speaker 1>today is is questioned by some people and me, Oh yeah,

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<v Speaker 1>there are some people who say, like, m, it's not

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<v Speaker 1>necessarily the best thing to do to start sending messages

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<v Speaker 1>into space before we have much of a clue of

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<v Speaker 1>what if anything is out there. Just isn't the safest

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<v Speaker 1>play you can make. But at the time, and I

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<v Speaker 1>saw a quote from Frank Drake, who was heavily involved

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<v Speaker 1>in these projects. Um he he said, you know, back then,

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<v Speaker 1>everybody was an optimist. Like there was nobody who wondered

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<v Speaker 1>like whether this was a smart or foolish thing to do. Like,

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<v Speaker 1>of course it was a good idea. Of course, the

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<v Speaker 1>whoever we contacted would be friendly, so why would we

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<v Speaker 1>not want to get in touch with them? And that

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<v Speaker 1>was kind of like this driving thing, like this optimism

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<v Speaker 1>and enthusiasm for reaching out beyond earth and and and

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<v Speaker 1>kind of saying, hey, we're here and we want everybody

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<v Speaker 1>to take us seriously. Now, that was a big seventies

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<v Speaker 1>thing and kind of the drive behind this Golden Record thing. Yeah,

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<v Speaker 1>and uh, one thing is for sure, if you don't

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<v Speaker 1>feel great about it and other people don't feel great

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<v Speaker 1>about it, ts, it is far far too late to

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<v Speaker 1>have that concern. That is a real argument about this,

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<v Speaker 1>because yeah, like you're saying they're billions of miles or

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<v Speaker 1>saying would put it billions and billions of miles from Earth.

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<v Speaker 1>I think something like thirteen billion miles by now, traveling

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<v Speaker 1>thirty eight thousand miles per hour constantly. So yeah, the

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<v Speaker 1>the cat is out of the bag, as it were,

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<v Speaker 1>the probe is out of the Solar System, so it

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<v Speaker 1>is too late. Um, but we can still poop poo

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<v Speaker 1>it in question whether it was foolish or not in retrospect.

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<v Speaker 1>That's fun. Yeah, it's fun to poop on Carl Sagan's dream. Hey,

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<v Speaker 1>you know me, Man Sagan is one of my heroes.

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<v Speaker 1>He was a pretty interesting cat. But um, these Golden Records,

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<v Speaker 1>like you said, they were kind of his baby. Um.

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<v Speaker 1>And we were talking about the Voyager Probe and the

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<v Speaker 1>Golden Records almost interchangeably. The Golden Records are aboard Voyager

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<v Speaker 1>one and Voyager two, which have shot out into the

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<v Speaker 1>Solar System and will be drifting in space unless somebody

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<v Speaker 1>grabs them and and says, what's on here, you know,

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<v Speaker 1>shakes it, the records fall out, they'll just keep going forever.

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<v Speaker 1>And they actually built these Golden Records so that they'll

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<v Speaker 1>last at least a billion years by most as to

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<v Speaker 1>vacuum sealed in the further vacuum of space, covered by

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<v Speaker 1>an aluminum cover that will protect it from cosmic rays. UM,

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<v Speaker 1>basically indefinitely for all all, all those of us alive

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<v Speaker 1>are concerned. Yeah, and there we keep saying golden records.

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<v Speaker 1>They are gold plated. They're not solid gold like the dancers.

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<v Speaker 1>They are copper and they are covered in gold. And

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<v Speaker 1>they went with that because that was just well a

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<v Speaker 1>few reasons. One is, obviously we didn't have We had tape,

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<v Speaker 1>but tape would disintegrate eventually. We did not have digital

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<v Speaker 1>storage like we do today today. If we wanted to

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<v Speaker 1>do this, we can include whatever we wanted. Basically, UM,

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<v Speaker 1>we could include like all of humanity, every recipe, every song,

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<v Speaker 1>every movie, every painting, anything we wanted, every speech ever made.

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<v Speaker 1>But back then they figured a record was the way

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<v Speaker 1>to go, and this copper, gold plated record was the

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<v Speaker 1>thing that would hold up the best. Yeah, that's actually

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<v Speaker 1>funny you bring that up, because I was thinking of

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<v Speaker 1>doing UM an episode on DNA data storage where you

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<v Speaker 1>can put literally all of the world's information into like

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<v Speaker 1>encoded in d NA. UM. This is like the opposite

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<v Speaker 1>of that. I think the onboard computers for Voyager. Um

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<v Speaker 1>Ruse helps us with this one. He said that they

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<v Speaker 1>had something like sixties seven of of of ram of

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<v Speaker 1>of memory aboard. Yeah, and you're like, wow, we've really

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<v Speaker 1>come a long way. But think about how elegant that

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<v Speaker 1>code had to be to drive these two space probes

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<v Speaker 1>that were not only like these these were weren't just

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<v Speaker 1>like hey, let's see how far we can shoot this

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<v Speaker 1>thing like skipping a rock on a pond. Like these

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<v Speaker 1>rocks had cameras and equipment and engines and all sorts

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<v Speaker 1>of things aboard that were that were run and operated

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<v Speaker 1>by these onboard computers that had sixties seven kilobites RAM.

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<v Speaker 1>That is spectacularly impressive. Yeah, it doesn't seem possible. Actually,

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<v Speaker 1>but they're well actually, I mean I was gonna say

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<v Speaker 1>there there were they're out there, but we're just kind

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<v Speaker 1>of taking it on faith. At the r the whole

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<v Speaker 1>thing could be one big lie. All right, So if

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<v Speaker 1>we're going to talk about Golden records, we need to

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<v Speaker 1>talk about what preceded the Golden records. Um Dave calls

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<v Speaker 1>it a rough draft, and that's kind of a good

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<v Speaker 1>way to put it. But in the early seventies there

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<v Speaker 1>were the Pioneer ten and eleven missions. These were two

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<v Speaker 1>space probes launched Passi asteroid Belt and their gold was

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<v Speaker 1>to take the first pictures up close of Jupiter and Saturn.

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<v Speaker 1>And we can't communicate with these guys anymore, they're way

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<v Speaker 1>way out there. But Sagan went to NASA and said, hey,

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<v Speaker 1>what do you think of sending a message in a bottle?

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<v Speaker 1>Basically like you mentioned a cosmic message and NASA everyone

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<v Speaker 1>was smoking weed back then, including Carl Sagan. Oh, I'm sure,

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<v Speaker 1>uh I bet that segan weed was good too. Yeah,

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<v Speaker 1>we talked about it. Remember in the Nuclear winner Um

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<v Speaker 1>episode that he discovered weed. Actually, he might not have

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<v Speaker 1>been smoking weed at the time of the Pioneer plaques, though,

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<v Speaker 1>how do you think was that pre Uh? I think so.

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<v Speaker 1>I think that came later when he when he met

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<v Speaker 1>Andrewy and oh she was she was the influence. Huh

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<v Speaker 1>I think so? All right, Well, at any rate, NASA

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<v Speaker 1>said that's a cool idea, let's do this. At the time,

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<v Speaker 1>he was married to his second wife, Linda Salzman Sagan

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<v Speaker 1>and the aforementioned Frank Drake, who was one of his

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<v Speaker 1>old Cornell buddies, and they came up with a plaque,

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<v Speaker 1>an inscripted plaque for this launch. Right. So one of

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<v Speaker 1>the very famous things on this pioneer plaque was a

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<v Speaker 1>an etching of a naked man and a naked woman.

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<v Speaker 1>And they're anatomically correct, um and very impressive. Yeah super

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<v Speaker 1>um almost almost shame like shamingly so yeah, but um,

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<v Speaker 1>they like they really went to town and the guy

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<v Speaker 1>didn't they so um. A lot of people like I

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<v Speaker 1>don't know, a lot of people actually couldn't find any

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<v Speaker 1>any contemporary articles on it. Um, but there was this

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<v Speaker 1>at least enough of a public outcry that it's worth

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<v Speaker 1>noting against spending taxpayer money on creating what some people

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<v Speaker 1>called space porn because I guess in the two and

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<v Speaker 1>seventy three people had, you know, a real aversion to

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<v Speaker 1>line drawings of naked men and naked women put onto

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<v Speaker 1>a plaque and sent out into space, even though what

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<v Speaker 1>they were trying to say is, hey, these are what

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<v Speaker 1>humans look like. How how about it? What do you

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<v Speaker 1>think you like what you see? Yeah? I mean Dave

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<v Speaker 1>said there was an uproar. I'm not sure if it

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<v Speaker 1>was quite that bad, but it was the thing enough NASA. Um, well,

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<v Speaker 1>we'll talk about what happened later on on their second

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<v Speaker 1>attempt at naked bodies. And well, even today I want

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<v Speaker 1>to say one more thing, even today on about those

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<v Speaker 1>some people are like, well, notably either both white people

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<v Speaker 1>or if you look, the woman standing a little more

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<v Speaker 1>demurely than the man is. But these were not things

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<v Speaker 1>that Sagan and his friends were thinking of at the time.

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<v Speaker 1>They were like just trying to say, this is what

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<v Speaker 1>what humans look like with the amount of space that

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<v Speaker 1>we have. Um. And it's worth pointing out too. If

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<v Speaker 1>you look at the picture of the man, he's holding

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<v Speaker 1>his hands up like, hey, how's it going. He's kind

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<v Speaker 1>of waving in like a friendly gesture. Sure, just like, hey,

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<v Speaker 1>I'm just standing here naked. How you doing? Here's my penis?

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<v Speaker 1>How are you? Did you bring your keys? This is

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<v Speaker 1>the seventies and this whole thing, And by the way,

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<v Speaker 1>you should just look it up if you if you've

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<v Speaker 1>never seen this, it's kind of cool looking, it's very

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<v Speaker 1>seventies and it's um you can get on a T shirt,

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<v Speaker 1>which I ever saw one of these out that's a

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<v Speaker 1>very super nerdy sort of in the no T shirt

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<v Speaker 1>to have I would think, yeah, for sure. But the

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<v Speaker 1>other three things, So you got the naked bodies, and

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<v Speaker 1>you've got friendly man waving the ladies just standing there

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<v Speaker 1>like I guess he's speaking for me because it is

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<v Speaker 1>the seventies. And there are three other inscriptions that are

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<v Speaker 1>all attempts to basically map where the Earth is in

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<v Speaker 1>the universe and in our solar system. Uh, something that

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<v Speaker 1>they would do later on the Golden Records. That was

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<v Speaker 1>an important part of both of these things is to say, like,

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<v Speaker 1>not only who we are, but where are we and

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<v Speaker 1>this is you know, this is where we are in

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<v Speaker 1>the map, Yeah, which is really hard to do. I

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<v Speaker 1>mean not just the idea that this might not be

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<v Speaker 1>found for tens of thousands or hundreds of thousands or

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<v Speaker 1>millions of years. So you're trying to communicate in the

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<v Speaker 1>future like that that nuclear semiotics episodally, Yeah, but you're

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<v Speaker 1>also trying to communicate to somebody who, um, it's not

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<v Speaker 1>even human, it's never been to Earth, has no idea

0:13:01.960 --> 0:13:05.240
<v Speaker 1>what we're talking about. And then you add the third

0:13:05.280 --> 0:13:08.640
<v Speaker 1>layer of that that when they approached NASA with this

0:13:08.679 --> 0:13:11.120
<v Speaker 1>plaque idea, NASA said, that's a really great idea, let's

0:13:11.120 --> 0:13:13.720
<v Speaker 1>do it, give it to us yesterday. So they had

0:13:13.720 --> 0:13:15.640
<v Speaker 1>to come up with it really quickly. And Frank Drake

0:13:15.720 --> 0:13:17.640
<v Speaker 1>is kind of the unsung hero and a lot of

0:13:17.679 --> 0:13:21.559
<v Speaker 1>this because he was a very intelligent astronomer, one of

0:13:21.600 --> 0:13:25.440
<v Speaker 1>the founders of ct UM, the the guy who originated

0:13:25.440 --> 0:13:30.040
<v Speaker 1>the Drake equation which is a probabilistic um formula for

0:13:30.120 --> 0:13:34.160
<v Speaker 1>figuring out how the probability of whether there's alien life

0:13:34.240 --> 0:13:36.200
<v Speaker 1>or not in the universe. Just an all around cool guy.

0:13:36.520 --> 0:13:39.160
<v Speaker 1>But he was not the science communicator like second one.

0:13:39.240 --> 0:13:41.959
<v Speaker 1>So Sagan gets a lot of credit um, not necessarily

0:13:42.000 --> 0:13:43.920
<v Speaker 1>because he was hogging it, but just because he was

0:13:44.000 --> 0:13:46.400
<v Speaker 1>the face or the mouthpiece of all these projects. But

0:13:46.520 --> 0:13:48.520
<v Speaker 1>Frank Drake came up with a lot of these ideas,

0:13:48.800 --> 0:13:50.640
<v Speaker 1>and he was the one who came up with this

0:13:51.320 --> 0:13:55.439
<v Speaker 1>universal key for for figuring things like distance in time

0:13:55.480 --> 0:13:58.680
<v Speaker 1>and getting that across an alien civilization. And it was

0:13:58.760 --> 0:14:02.560
<v Speaker 1>just straight up genius in its simplicity but also in

0:14:02.600 --> 0:14:07.120
<v Speaker 1>its universality too. Yeah, so it is interesting. It is

0:14:07.160 --> 0:14:09.880
<v Speaker 1>like the Semiotics episode in that thought experiment of like

0:14:09.920 --> 0:14:14.640
<v Speaker 1>how would I communicate with something that I mean it clearly?

0:14:14.840 --> 0:14:18.120
<v Speaker 1>You just can't write out something in English. So they went,

0:14:18.679 --> 0:14:24.160
<v Speaker 1>like you said, very smartly, with hydrogen the most abundant

0:14:24.200 --> 0:14:26.600
<v Speaker 1>element in the universe, and they're like, if there's something

0:14:26.600 --> 0:14:29.760
<v Speaker 1>that's gonna find this, they're gonna know what hydrogen is.

0:14:30.520 --> 0:14:32.440
<v Speaker 1>There are a lot of assumptions made, but the assumption

0:14:32.480 --> 0:14:35.120
<v Speaker 1>that they would know what hydrogen hydrogen is was a

0:14:35.120 --> 0:14:37.680
<v Speaker 1>pretty good starting point. I think I agreed that is

0:14:37.680 --> 0:14:40.240
<v Speaker 1>a very good assumption. Most abundant element in the universe.

0:14:40.280 --> 0:14:42.520
<v Speaker 1>Like you said, if you are traveling out in the universe,

0:14:42.600 --> 0:14:45.800
<v Speaker 1>you have any kind of grasp on chemistry, Um, you

0:14:45.840 --> 0:14:48.760
<v Speaker 1>know about hydrogen and you probably have studied it pretty well.

0:14:49.040 --> 0:14:51.960
<v Speaker 1>And the idea is if you're a space faring civilization

0:14:52.720 --> 0:14:54.960
<v Speaker 1>and you've come across the space probe, you kind of

0:14:54.960 --> 0:14:57.840
<v Speaker 1>would have to be you probably at least have that

0:14:57.960 --> 0:15:03.400
<v Speaker 1>most basic understanding of chemistry, which is presumed to be universal. Right. Yeah,

0:15:03.480 --> 0:15:07.320
<v Speaker 1>So the deal with hydrogen atoms is very very very rarely,

0:15:07.680 --> 0:15:10.360
<v Speaker 1>Uh this happens, but it does happen. The electron will

0:15:10.360 --> 0:15:13.600
<v Speaker 1>start spinning in a different direction and it will change

0:15:13.720 --> 0:15:16.920
<v Speaker 1>energy states. Uh. Pretty good band name. This is known

0:15:16.960 --> 0:15:23.200
<v Speaker 1>as hyperfine transition math rock. I guess gotta be maybe Prague,

0:15:24.600 --> 0:15:27.840
<v Speaker 1>but de yeah, math Rock for sure. And when this happens, Uh,

0:15:27.880 --> 0:15:32.400
<v Speaker 1>they release a pulse of electromagnic magnetic radiation. And the

0:15:32.480 --> 0:15:36.600
<v Speaker 1>key here is that it has a fixed wavelength and period. Right, So,

0:15:36.840 --> 0:15:38.800
<v Speaker 1>no matter where you are in the universe, if you

0:15:38.840 --> 0:15:42.080
<v Speaker 1>know about hydrogen, you know that it takes point seven

0:15:42.200 --> 0:15:46.000
<v Speaker 1>nanoseconds for this transition to take place, and that it

0:15:46.080 --> 0:15:50.640
<v Speaker 1>releases a um an energy, a little bolt of lightning

0:15:50.760 --> 0:15:55.200
<v Speaker 1>basically with the um the wavelength of what is it,

0:15:56.240 --> 0:16:00.960
<v Speaker 1>one cimeter centimeter wavelength? Right, said, this is just no

0:16:01.000 --> 0:16:04.320
<v Speaker 1>matter where you're in the universe, we assume hydrogen has

0:16:04.400 --> 0:16:07.520
<v Speaker 1>these properties. And so Frank Drake came on, came along

0:16:07.560 --> 0:16:10.280
<v Speaker 1>and thought, well, you know what if that's true everywhere

0:16:10.320 --> 0:16:12.680
<v Speaker 1>in the universe, and we basically put a little symbol

0:16:12.720 --> 0:16:16.280
<v Speaker 1>there of hydrogen atom going into another hydrogen atom showing

0:16:16.280 --> 0:16:19.520
<v Speaker 1>the two different energy states. They'll say, oh, hydrogen, we

0:16:19.560 --> 0:16:22.280
<v Speaker 1>know about that. Oh they're talking about the transfer of

0:16:22.640 --> 0:16:26.760
<v Speaker 1>the translation between energy states, the hyperfine transition. Um, we

0:16:26.840 --> 0:16:29.480
<v Speaker 1>know all about that. So now we can use those

0:16:30.200 --> 0:16:32.800
<v Speaker 1>those numbers that are going to be the same everywhere

0:16:32.840 --> 0:16:36.880
<v Speaker 1>in the universe as a key to multiply and divide

0:16:36.880 --> 0:16:40.680
<v Speaker 1>with and um basically use that too as a measure

0:16:40.720 --> 0:16:43.360
<v Speaker 1>of time and distance. That's going to be used in

0:16:43.400 --> 0:16:45.600
<v Speaker 1>the rest of the schematic that they put on the

0:16:45.640 --> 0:16:48.920
<v Speaker 1>Pioneer plaque. Yeah. The only other constant that they had

0:16:48.920 --> 0:16:54.000
<v Speaker 1>in mind was the fact that Sammy Hagar can't drive. Wait,

0:16:54.000 --> 0:16:56.040
<v Speaker 1>this would have been before that. I guess this should

0:16:56.040 --> 0:16:58.480
<v Speaker 1>have just had him deliver the plaque all over the place,

0:16:58.520 --> 0:17:01.720
<v Speaker 1>you know. Yeah, and that's wheat uh ferrari or whatever

0:17:01.760 --> 0:17:04.679
<v Speaker 1>that was. He would drive at least thirty eight thousand

0:17:04.680 --> 0:17:06.439
<v Speaker 1>miles prior, if he got the chance, I'll tell you

0:17:06.480 --> 0:17:12.520
<v Speaker 1>that much. So, Um, they didn't have Sammy Hagar available.

0:17:12.560 --> 0:17:14.600
<v Speaker 1>I think in nineteen seventy two he wasn't as well

0:17:14.640 --> 0:17:18.160
<v Speaker 1>known as he is today obviously. UM. So instead they

0:17:18.200 --> 0:17:20.720
<v Speaker 1>put these things aboard the Pioneer UM. And then in

0:17:20.760 --> 0:17:27.159
<v Speaker 1>addition to that, hydrogen uh, the hydrogen um superfine hyperfine transition,

0:17:27.280 --> 0:17:34.320
<v Speaker 1>that's superfine, superfly. Um. They created a diagram of our

0:17:34.440 --> 0:17:37.280
<v Speaker 1>place in the universe. And here was another way that

0:17:37.320 --> 0:17:40.879
<v Speaker 1>Frank Drake shined. He said, Okay, what would if you

0:17:40.880 --> 0:17:44.760
<v Speaker 1>were an alien civilization, what would you use to basically

0:17:45.440 --> 0:17:48.760
<v Speaker 1>as signposts around the universe, and he figured out that

0:17:48.840 --> 0:17:54.040
<v Speaker 1>pulsars would probably be used in Pulsars are these incredibly dense,

0:17:54.200 --> 0:17:59.879
<v Speaker 1>incredibly energetic collapse stars, and they're usually about twelve or

0:18:00.040 --> 0:18:04.760
<v Speaker 1>thirteen miles in diameter, so roughly the size of a city. Small,

0:18:04.840 --> 0:18:08.440
<v Speaker 1>you know, like a city, but they have the mass

0:18:08.480 --> 0:18:12.080
<v Speaker 1>many many, many times our own sons very very dense,

0:18:12.240 --> 0:18:15.439
<v Speaker 1>and they spin really fast, and as they spin, they

0:18:15.480 --> 0:18:18.639
<v Speaker 1>release these bursts of energy, and when you're looking at them,

0:18:18.680 --> 0:18:21.200
<v Speaker 1>that burst of energy gets directed at you. It is

0:18:21.280 --> 0:18:24.880
<v Speaker 1>certain rate, a certain repeating rate, basically like a lighthouse.

0:18:24.920 --> 0:18:30.240
<v Speaker 1>These are celestial lighthouses. And because they spin differently, each

0:18:30.240 --> 0:18:32.919
<v Speaker 1>one has a different frequency or a different rate of

0:18:33.400 --> 0:18:37.440
<v Speaker 1>strobe basically, and so you can say, well, this pulsar

0:18:37.560 --> 0:18:40.240
<v Speaker 1>has this rate. That's this pulsar. I know that's over here.

0:18:40.640 --> 0:18:43.320
<v Speaker 1>Let's see where this other pulsar isn't Frank Drake chose

0:18:43.359 --> 0:18:48.320
<v Speaker 1>fourteen pulsars and basically said, here's their distance from our sun.

0:18:48.920 --> 0:18:51.879
<v Speaker 1>Now if you if you can find these pulsars, you

0:18:51.960 --> 0:18:54.880
<v Speaker 1>can use that as basically a map back to our

0:18:54.920 --> 0:18:57.360
<v Speaker 1>solar system. Yeah, and it's cool looking. If you look

0:18:57.359 --> 0:18:59.800
<v Speaker 1>at the picture, it's um, it looks sort of like

0:18:59.800 --> 0:19:04.000
<v Speaker 1>a icicle wheel with spokes, except there's no uh tube

0:19:04.080 --> 0:19:07.600
<v Speaker 1>or tire, and the spokes are at varying lengths. Yeah,

0:19:07.720 --> 0:19:11.440
<v Speaker 1>it's something I'm missing. The tires missing. Yeah, the tires missing.

0:19:11.440 --> 0:19:14.239
<v Speaker 1>I said that for sure, it would be a very

0:19:14.280 --> 0:19:17.400
<v Speaker 1>awkward bike to ride, would because, like you said, they're

0:19:17.480 --> 0:19:20.199
<v Speaker 1>varying lengths, so kind of to be up in and

0:19:20.280 --> 0:19:23.560
<v Speaker 1>down it would not be comfortable chuck. Yeah. So the

0:19:23.560 --> 0:19:26.880
<v Speaker 1>the idea is that they could see this, they would

0:19:26.960 --> 0:19:30.120
<v Speaker 1>understand what it means these assumptions again, and they would

0:19:30.119 --> 0:19:35.400
<v Speaker 1>compare their current map of the pulsars. So this enables

0:19:35.400 --> 0:19:39.040
<v Speaker 1>a time stamp basically as a secondary function because all

0:19:39.040 --> 0:19:42.239
<v Speaker 1>this stuff is changing. So if they compared where they

0:19:42.280 --> 0:19:46.240
<v Speaker 1>are whenever this thing gets found, presumably to where it

0:19:46.320 --> 0:19:49.960
<v Speaker 1>was spoked out in nineteen seventy two or whatever, then

0:19:50.000 --> 0:19:53.040
<v Speaker 1>they could determine how many millions of years had passed

0:19:53.400 --> 0:19:56.600
<v Speaker 1>since this thing was launched. Yeah, it's it's pretty it's

0:19:56.640 --> 0:19:59.639
<v Speaker 1>pretty amazing stuff. I mean, like the distance from the

0:19:59.640 --> 0:20:01.480
<v Speaker 1>pulse are so the sun are spelled out in like

0:20:01.560 --> 0:20:04.879
<v Speaker 1>binary code that if you multiply that by the wavelength

0:20:04.960 --> 0:20:08.440
<v Speaker 1>of the hyperfine transition. You get the actual distance, um,

0:20:08.880 --> 0:20:12.240
<v Speaker 1>the the frequency of those pulsars. You can figure out

0:20:12.240 --> 0:20:16.400
<v Speaker 1>which pulsar they're talking about because you multiply that binary

0:20:16.440 --> 0:20:21.200
<v Speaker 1>code by the the the time period of the hyperfine transition.

0:20:21.320 --> 0:20:23.760
<v Speaker 1>It was just like Frank Drake came up with a

0:20:23.960 --> 0:20:28.439
<v Speaker 1>universal way to create a roadmap around the universe, no

0:20:28.480 --> 0:20:31.520
<v Speaker 1>matter where you are. It's just mind blowing that they

0:20:31.560 --> 0:20:34.359
<v Speaker 1>come up with, especially on the fly too. Yeah, time

0:20:34.400 --> 0:20:38.120
<v Speaker 1>stamped roadmap even it's prettying, It really is pretty amazing.

0:20:38.160 --> 0:20:41.320
<v Speaker 1>So this is what they put aboard the Pioneer plaque,

0:20:41.480 --> 0:20:45.919
<v Speaker 1>naked man and woman line drawing, um, very impressive. And

0:20:45.960 --> 0:20:51.560
<v Speaker 1>then the one of the most ingenious two dimensional maps

0:20:51.640 --> 0:20:55.680
<v Speaker 1>anyone's ever devised that could be used anywhere in the universe. Yeah,

0:20:55.680 --> 0:20:58.680
<v Speaker 1>and this was a little dry run for what would

0:20:59.440 --> 0:21:02.439
<v Speaker 1>what would next? Which are the Golden records and maybe

0:21:02.960 --> 0:21:04.920
<v Speaker 1>we take a break now and then talk about those.

0:21:05.320 --> 0:21:40.560
<v Speaker 1>We take a break now, all right, let's do it. Okay,

0:21:40.640 --> 0:21:44.320
<v Speaker 1>So Chuck, we took our break and we're back and

0:21:45.240 --> 0:21:47.920
<v Speaker 1>the there was one other little kind of test run.

0:21:48.359 --> 0:21:53.560
<v Speaker 1>Carl Sagan got to work on something called the Leggios Lagos.

0:21:54.280 --> 0:21:58.800
<v Speaker 1>I'm gonna go with Lagos Laser Geodynamic Satellite UM, which

0:21:58.800 --> 0:22:00.359
<v Speaker 1>was a satellite, and he was like, is going to

0:22:00.400 --> 0:22:02.320
<v Speaker 1>be kind of coolest thing will be in orbit around

0:22:02.320 --> 0:22:04.920
<v Speaker 1>Earth for eight point four million years. I'm gonna leave

0:22:04.960 --> 0:22:07.520
<v Speaker 1>a little, a little, a little hello. How do you

0:22:07.560 --> 0:22:10.639
<v Speaker 1>do to any any civilization who might find it millions

0:22:10.640 --> 0:22:12.800
<v Speaker 1>of years from now? And so this thing has an

0:22:12.840 --> 0:22:17.720
<v Speaker 1>inscription of Pangaea from I think two hundred and eighty million,

0:22:17.760 --> 0:22:21.000
<v Speaker 1>two hundred and sixty eight million years ago, the the

0:22:21.119 --> 0:22:24.359
<v Speaker 1>arrangement of the continents today during human time, and he

0:22:24.440 --> 0:22:28.160
<v Speaker 1>very ingeniously indicates this by having that hand Remember the

0:22:28.200 --> 0:22:31.879
<v Speaker 1>man with his hand up and gesture, friendly gesture. He

0:22:32.000 --> 0:22:35.800
<v Speaker 1>places that next to the current UM arrangement, and then

0:22:35.880 --> 0:22:38.639
<v Speaker 1>what the continents will look like eight point four million

0:22:38.720 --> 0:22:41.920
<v Speaker 1>years from now when Lagos is going to come back

0:22:41.960 --> 0:22:44.080
<v Speaker 1>down to Earth. So this is kind of like a

0:22:44.440 --> 0:22:46.960
<v Speaker 1>just another cool little side diversion that I think he

0:22:47.000 --> 0:22:50.359
<v Speaker 1>did for fun. Yeah, so he's he's got these little

0:22:50.440 --> 0:22:55.199
<v Speaker 1>dry runs going on. By the time the voyager comes along,

0:22:55.720 --> 0:22:58.840
<v Speaker 1>he's like, you know what, UM, this is the mid

0:22:58.920 --> 0:23:02.280
<v Speaker 1>to late seventies. We need to really get a better

0:23:02.359 --> 0:23:05.720
<v Speaker 1>message out there and let everyone know who we are

0:23:05.960 --> 0:23:08.880
<v Speaker 1>as humans. So one thing we really want to do

0:23:09.160 --> 0:23:14.040
<v Speaker 1>is put pieces of culture music. He got together with

0:23:14.080 --> 0:23:18.280
<v Speaker 1>Timothy Ferris, who worked for Rolling Stone magazine wrote about

0:23:18.560 --> 0:23:21.680
<v Speaker 1>music and space stuff for Rolling Stone. He was part

0:23:21.680 --> 0:23:24.280
<v Speaker 1>of the project, and they said, yeah, music has definitely

0:23:24.280 --> 0:23:27.000
<v Speaker 1>got to be in there. We need to put some

0:23:27.040 --> 0:23:31.200
<v Speaker 1>classical music because, like, anyone should be able to hear

0:23:31.200 --> 0:23:34.520
<v Speaker 1>classical music and understand the mathematical beauty that's going on there,

0:23:35.119 --> 0:23:37.760
<v Speaker 1>even even if like the they chose that because even

0:23:37.800 --> 0:23:40.760
<v Speaker 1>if aliens don't have ears or any way to hear it,

0:23:41.040 --> 0:23:43.399
<v Speaker 1>if they understand math, they can kind of translate it

0:23:43.400 --> 0:23:45.080
<v Speaker 1>and be like, wow, this is pretty neat what these

0:23:45.080 --> 0:23:49.720
<v Speaker 1>people did with this math. Hopefully. Yeah, so Frank Drake

0:23:49.800 --> 0:23:52.560
<v Speaker 1>is on board again the unsung genius of this stuff,

0:23:53.359 --> 0:23:55.080
<v Speaker 1>and he's the one that came up with the idea

0:23:55.119 --> 0:23:58.440
<v Speaker 1>for the actual record, like I said, which would last

0:23:58.520 --> 0:24:00.680
<v Speaker 1>much much longer. I think, would you say it was

0:24:00.720 --> 0:24:05.159
<v Speaker 1>like a million years or something billion? A billion years

0:24:05.200 --> 0:24:06.959
<v Speaker 1>is how long it will last. Yeah, that's what they

0:24:07.000 --> 0:24:09.960
<v Speaker 1>shot for. And here's the other benefit of using a

0:24:10.000 --> 0:24:15.520
<v Speaker 1>record um is we play LPs standard LPs at thirty

0:24:15.520 --> 0:24:18.280
<v Speaker 1>three and a third revolutions per minute. You don't have

0:24:18.320 --> 0:24:20.080
<v Speaker 1>to play him like that. You can slow him down

0:24:20.720 --> 0:24:22.800
<v Speaker 1>and you can pack a lot more stuff on there.

0:24:23.119 --> 0:24:27.040
<v Speaker 1>That accounts for about twenty three minutes. Aside, they slowed

0:24:27.080 --> 0:24:30.320
<v Speaker 1>him down to half that sixteen and two thirds revolutions

0:24:30.480 --> 0:24:34.240
<v Speaker 1>per minute, and they did a lot of uh crunching

0:24:34.280 --> 0:24:37.120
<v Speaker 1>basically and tightening, and they ended up getting about an

0:24:37.119 --> 0:24:42.840
<v Speaker 1>hour's worth per side on these golden records of information. Yeah,

0:24:42.920 --> 0:24:46.280
<v Speaker 1>which is pretty impressive in and of itself. They said, okay, great,

0:24:46.320 --> 0:24:48.240
<v Speaker 1>we can fit a lot more sounds on there than

0:24:48.760 --> 0:24:53.399
<v Speaker 1>than just a store a normal LP. Right. But they

0:24:53.440 --> 0:24:55.600
<v Speaker 1>they also figured out I'm not sure if Frank Drake

0:24:55.640 --> 0:24:57.800
<v Speaker 1>came up with this or if he um, I think

0:24:57.840 --> 0:24:59.879
<v Speaker 1>it was reported to him that this is possible, but

0:25:00.280 --> 0:25:02.639
<v Speaker 1>somebody found out that there was a company called Colorado

0:25:02.760 --> 0:25:07.879
<v Speaker 1>Video that had pioneered away to take television images and

0:25:07.960 --> 0:25:11.919
<v Speaker 1>convert them into audio, and then you could take that

0:25:12.000 --> 0:25:15.240
<v Speaker 1>audio and if you use the right algorithm, you could

0:25:15.240 --> 0:25:21.600
<v Speaker 1>convert that audio back into a visual signal television signal again. Yeah,

0:25:21.640 --> 0:25:23.679
<v Speaker 1>so they're like, this is great, we can we we

0:25:23.720 --> 0:25:27.560
<v Speaker 1>can actually not only put sounds and music and words

0:25:27.640 --> 0:25:31.040
<v Speaker 1>on these records, we can embed images too, and so

0:25:31.119 --> 0:25:33.879
<v Speaker 1>they got with Colorado Video and Colorado Video carry that

0:25:33.920 --> 0:25:36.680
<v Speaker 1>out for them UM, which is something we'll talk about,

0:25:36.680 --> 0:25:38.600
<v Speaker 1>but one of the things they were able to add

0:25:38.720 --> 0:25:42.480
<v Speaker 1>was actual images. So if you were an alien that

0:25:42.520 --> 0:25:45.840
<v Speaker 1>came across this UM these this Golden record out there

0:25:45.840 --> 0:25:48.200
<v Speaker 1>on voyage or Warner Voyage or two, and you follow

0:25:48.280 --> 0:25:52.639
<v Speaker 1>the instructions which we'll talk about, you could create recreate

0:25:52.720 --> 0:25:56.760
<v Speaker 1>the pictures that are embedded as sound in these records.

0:25:57.359 --> 0:26:01.240
<v Speaker 1>The mind blowing seventies stuff here. Total. So you've got

0:26:01.280 --> 0:26:04.280
<v Speaker 1>these records which, if you you know, records don't have

0:26:04.320 --> 0:26:06.359
<v Speaker 1>to be vinyl, like I said, these are are copper

0:26:06.480 --> 0:26:08.560
<v Speaker 1>covered in gold, and if you look at and they

0:26:08.600 --> 0:26:11.680
<v Speaker 1>just look like regular LPs that are gold in color,

0:26:12.000 --> 0:26:15.159
<v Speaker 1>super shiny, very very shiny UM. But then they have

0:26:15.359 --> 0:26:18.600
<v Speaker 1>on top, they have this cover that you said is

0:26:18.640 --> 0:26:22.679
<v Speaker 1>made of aluminum and it's it's basically round and you know,

0:26:22.720 --> 0:26:24.760
<v Speaker 1>the exact same size of the LP. It's not like

0:26:24.960 --> 0:26:28.679
<v Speaker 1>a square record LP sleeve or whatever that we're used to.

0:26:29.359 --> 0:26:34.520
<v Speaker 1>But on this cover are all the instructions for what

0:26:34.680 --> 0:26:37.520
<v Speaker 1>these people are going to be looking at and holding on.

0:26:37.640 --> 0:26:43.080
<v Speaker 1>These people, listen to me, these persons in my human

0:26:43.119 --> 0:26:48.520
<v Speaker 1>centric mindset? Here, what's they called the anthropocentric I guess so,

0:26:48.680 --> 0:26:51.920
<v Speaker 1>I mean whatever these beings are when they get these

0:26:51.960 --> 0:26:54.639
<v Speaker 1>records on the cover is everything you need to know

0:26:55.240 --> 0:26:59.000
<v Speaker 1>about what it is and how to play it. Yeah,

0:26:59.200 --> 0:27:02.000
<v Speaker 1>So again they ran into the same problem of how

0:27:02.040 --> 0:27:05.280
<v Speaker 1>do you First of all, we didn't even know that

0:27:05.320 --> 0:27:10.600
<v Speaker 1>we could embed video into audio signals on a record.

0:27:11.200 --> 0:27:14.600
<v Speaker 1>How are you going to teach an alien to to

0:27:14.760 --> 0:27:17.639
<v Speaker 1>do the to recreate this and see the pictures? They

0:27:17.640 --> 0:27:19.720
<v Speaker 1>had to figure out how to do this using binary

0:27:19.760 --> 0:27:23.879
<v Speaker 1>code picture graphs. UM. The easiest first step was to

0:27:23.960 --> 0:27:26.879
<v Speaker 1>include a cartridge and stylists. So there's actually like a

0:27:26.920 --> 0:27:30.960
<v Speaker 1>needle to play the record with, But that's not intuitive

0:27:31.000 --> 0:27:33.520
<v Speaker 1>necessarily if you're an alien. So they included a little

0:27:33.600 --> 0:27:36.720
<v Speaker 1>drawing of the record and where you should place the

0:27:36.720 --> 0:27:40.720
<v Speaker 1>needle and how to place the needle though, oh is

0:27:40.760 --> 0:27:44.800
<v Speaker 1>it already in place? Okay? Alright, so so why not

0:27:44.880 --> 0:27:47.320
<v Speaker 1>make it as easy as possible on the aliens? Okay?

0:27:47.359 --> 0:27:49.720
<v Speaker 1>So they were saying, don't touch anything, use it like this.

0:27:49.920 --> 0:27:54.080
<v Speaker 1>That was one they also UM had kind of like

0:27:54.119 --> 0:27:58.360
<v Speaker 1>a four step, step by step instructions on the algorithm.

0:27:58.400 --> 0:28:01.679
<v Speaker 1>That they would need to use to you turn the

0:28:01.760 --> 0:28:05.719
<v Speaker 1>audio into video, and it shows that it's supposed to

0:28:05.760 --> 0:28:11.240
<v Speaker 1>create UM five hundred and twelve interlaced lines, kind of

0:28:11.280 --> 0:28:13.320
<v Speaker 1>like an old time TV, you know how that's like

0:28:13.359 --> 0:28:15.840
<v Speaker 1>all lines, just horizontal lines. So it's actually in a

0:28:15.880 --> 0:28:19.800
<v Speaker 1>weave of horizontal vertical. And then they used a test picture.

0:28:19.840 --> 0:28:24.120
<v Speaker 1>They on the cover of the album. There's a square

0:28:24.119 --> 0:28:26.160
<v Speaker 1>with a circle in it, and that's actually the first

0:28:26.160 --> 0:28:29.000
<v Speaker 1>picture that will come up if you're doing this right.

0:28:29.040 --> 0:28:31.120
<v Speaker 1>So it was kind of like saying, if you can

0:28:31.160 --> 0:28:34.840
<v Speaker 1>recreate this, you're on the right track. And again it's ingenious.

0:28:34.880 --> 0:28:37.399
<v Speaker 1>I can't make header tails of it, but I'm guessing

0:28:37.440 --> 0:28:42.400
<v Speaker 1>if you and I were pilots for an alien civilization,

0:28:42.680 --> 0:28:46.880
<v Speaker 1>just skirting around talking smack, we came across Voyager one

0:28:46.960 --> 0:28:50.400
<v Speaker 1>or two UM and we found this thing, we would

0:28:50.440 --> 0:28:52.840
<v Speaker 1>probably take it back to our top minds. We wouldn't

0:28:52.880 --> 0:28:54.800
<v Speaker 1>try to figure it out ourselves, or we would, but

0:28:54.840 --> 0:28:58.040
<v Speaker 1>we wouldn't get anywhere. But you would bet that if

0:28:58.200 --> 0:29:00.440
<v Speaker 1>we put you know, our best side and to so

0:29:00.560 --> 0:29:04.520
<v Speaker 1>on this problem, they could probably decipher this and figure

0:29:04.560 --> 0:29:09.440
<v Speaker 1>it out. Yeah, I think so. I hope so, because

0:29:09.440 --> 0:29:11.800
<v Speaker 1>if not it's all for naught. Well, I mean, you

0:29:11.880 --> 0:29:13.520
<v Speaker 1>just gotta take your best stab at it. And and

0:29:13.560 --> 0:29:15.840
<v Speaker 1>this is a pretty good stab I did. Well. I

0:29:15.880 --> 0:29:18.360
<v Speaker 1>did see a guy on Boing Boing um back in

0:29:18.480 --> 0:29:23.120
<v Speaker 1>I think two thousand, I'm not sure, not too long ago. Um,

0:29:23.200 --> 0:29:25.440
<v Speaker 1>he tried it and was able to successfully do it

0:29:25.480 --> 0:29:28.480
<v Speaker 1>following the instructions on that. So at least one person

0:29:28.520 --> 0:29:32.960
<v Speaker 1>figured it out. Well, that's good. Unless he was just

0:29:33.000 --> 0:29:36.880
<v Speaker 1>this super intelligent alien in human uh than a human

0:29:36.880 --> 0:29:40.400
<v Speaker 1>skin sack, then then that's a good try. So the

0:29:40.440 --> 0:29:43.520
<v Speaker 1>other thing it included on the cover was that um,

0:29:43.800 --> 0:29:46.840
<v Speaker 1>same thing from the Pioneer plaque, that that pulsar map,

0:29:47.120 --> 0:29:49.160
<v Speaker 1>because he was like, we already figured this out, so

0:29:49.200 --> 0:29:51.720
<v Speaker 1>this is great. There's no need to change this thing.

0:29:51.760 --> 0:29:54.520
<v Speaker 1>Just throw that on there as well. And then there

0:29:54.560 --> 0:30:00.080
<v Speaker 1>are these four inscriptions, uh, basically teaching them how to

0:30:00.080 --> 0:30:06.760
<v Speaker 1>decipher all these images and uh using binary symbols again

0:30:07.400 --> 0:30:10.320
<v Speaker 1>um yeah, and if that algorithm, yeah, and if they

0:30:10.320 --> 0:30:14.160
<v Speaker 1>get to that circle, which they pointed out, like you know,

0:30:14.440 --> 0:30:16.360
<v Speaker 1>how that they know if it's not backwards or something.

0:30:16.840 --> 0:30:18.440
<v Speaker 1>I I thought of that too, But I also saw

0:30:18.560 --> 0:30:21.920
<v Speaker 1>pointed out that they chose a circle specifically because it

0:30:22.040 --> 0:30:25.360
<v Speaker 1>shows that that you're you have the correct horizontal and

0:30:25.440 --> 0:30:29.480
<v Speaker 1>vertical aspect. I guess, I guess. So, yeah, it's like

0:30:29.520 --> 0:30:32.760
<v Speaker 1>the old days when you would uh adjust your your

0:30:32.840 --> 0:30:37.840
<v Speaker 1>horizontal and vertical hold. Yes, exactly exactly. So the circle.

0:30:37.880 --> 0:30:40.600
<v Speaker 1>If it looks like that circle isn't flatter or thinner

0:30:40.680 --> 0:30:44.200
<v Speaker 1>or whatever, you're you've got the right vertical and horizontal aspect.

0:30:44.320 --> 0:30:46.680
<v Speaker 1>I think that's why they chose that circle. And I

0:30:46.720 --> 0:30:49.600
<v Speaker 1>have to say, Chuck, I feel really uncomfortable here because

0:30:49.640 --> 0:30:52.200
<v Speaker 1>it's pretty tough to stump both of us right at

0:30:52.240 --> 0:30:55.440
<v Speaker 1>the same time, and so it's kind of bugged me

0:30:55.600 --> 0:30:59.680
<v Speaker 1>researching this whole this whole um episode. And I think

0:30:59.720 --> 0:31:05.040
<v Speaker 1>part of it is is that Frank Drake and Andrewian

0:31:05.200 --> 0:31:09.880
<v Speaker 1>and Tim Ferris and Carl Sagan made this stuff up.

0:31:10.080 --> 0:31:12.400
<v Speaker 1>Is it Tim Farriss? Yeah, it is Tim Fairs. So

0:31:12.480 --> 0:31:16.000
<v Speaker 1>Timothy Ferris, not Tim Ferris before our work Week guy,

0:31:16.000 --> 0:31:18.959
<v Speaker 1>but Timothy Ferris. But that they made the stuff up

0:31:19.760 --> 0:31:22.959
<v Speaker 1>in the hopes that an alien civilization will will understand it.

0:31:23.240 --> 0:31:25.200
<v Speaker 1>And a lot of it does make sense, but it's

0:31:25.200 --> 0:31:27.920
<v Speaker 1>not necessarily tuitive. But it's also not necessarily something that

0:31:28.080 --> 0:31:30.920
<v Speaker 1>I think you could go to school and learn. You

0:31:31.040 --> 0:31:32.680
<v Speaker 1>just kind of have to be vibe and on what

0:31:32.800 --> 0:31:35.160
<v Speaker 1>this small group of people came up in this ad

0:31:35.160 --> 0:31:38.760
<v Speaker 1>hoc way as a message on behalf of humanity out

0:31:38.960 --> 0:31:42.000
<v Speaker 1>to any alien civilization that found it, which makes me

0:31:42.040 --> 0:31:45.200
<v Speaker 1>feel a lot better about failing to fully understand every

0:31:45.240 --> 0:31:49.200
<v Speaker 1>aspect of it. Yeah, I totally agree. Um, there is

0:31:49.240 --> 0:31:52.320
<v Speaker 1>one final piece before week is Everyone's like, yeah, but

0:31:52.360 --> 0:31:56.520
<v Speaker 1>what's on there? We're not going to tell you the

0:31:56.600 --> 0:31:59.120
<v Speaker 1>last little sort of nerdy pieces. They wanted to time

0:31:59.160 --> 0:32:02.680
<v Speaker 1>stamp this one too on the cover, so they included

0:32:03.640 --> 0:32:05.800
<v Speaker 1>on the surface of the thing a little tiny piece

0:32:05.880 --> 0:32:08.920
<v Speaker 1>of uranium two thirty eight. Yeah, this is cool. Yeah,

0:32:08.920 --> 0:32:11.240
<v Speaker 1>it's a radioactive isotope that has a half life of

0:32:11.280 --> 0:32:14.239
<v Speaker 1>four and a half billion years, and it decays at

0:32:14.280 --> 0:32:17.400
<v Speaker 1>a steady rate, which is perfect because if you found

0:32:17.440 --> 0:32:20.720
<v Speaker 1>this thing, you know, millions or billions of years later,

0:32:21.120 --> 0:32:23.040
<v Speaker 1>they would be able to analyze that little patch of

0:32:23.160 --> 0:32:27.640
<v Speaker 1>uranium and pinpoint exactly when this thing was launched. And

0:32:27.680 --> 0:32:30.520
<v Speaker 1>if all that makes sense and you weren't confused by it,

0:32:30.640 --> 0:32:33.200
<v Speaker 1>go listen to our Carbon fourteen episode so you can

0:32:33.240 --> 0:32:36.520
<v Speaker 1>become confused by it. That's right, Okay, So can we

0:32:36.560 --> 0:32:40.960
<v Speaker 1>talk about what was on this thing? No, we have to,

0:32:41.120 --> 0:32:43.000
<v Speaker 1>and of course we shouldn't. We want to, but we

0:32:43.040 --> 0:32:44.560
<v Speaker 1>had to build it up, you know, and get it

0:32:44.600 --> 0:32:48.400
<v Speaker 1>to the point where everyone understood the technical difficulty that

0:32:48.480 --> 0:32:51.760
<v Speaker 1>was involved in getting these things. Because today it's like

0:32:52.360 --> 0:32:54.280
<v Speaker 1>I want to a c D. Actually it's hard to

0:32:54.280 --> 0:32:56.680
<v Speaker 1>make a CD today. Let's say it was ten years ago,

0:32:56.880 --> 0:32:59.440
<v Speaker 1>fifteen years ago, you want to make a CD, easy

0:32:59.480 --> 0:33:03.440
<v Speaker 1>as poe. Right. This was all just making stuff up

0:33:03.480 --> 0:33:06.240
<v Speaker 1>at the time to put on records. And then in

0:33:06.280 --> 0:33:09.000
<v Speaker 1>addition to that, they had to choose this stuff from

0:33:09.080 --> 0:33:12.840
<v Speaker 1>all of the things you could possibly choose from humanity

0:33:12.880 --> 0:33:16.320
<v Speaker 1>to kind of give as clear and round and in

0:33:16.480 --> 0:33:20.440
<v Speaker 1>deep and wide a picture of what makes humans human

0:33:20.960 --> 0:33:24.640
<v Speaker 1>and what makes earth earth um and what demonstrates our

0:33:24.720 --> 0:33:27.880
<v Speaker 1>understanding of all this to somebody who's never met us before.

0:33:28.240 --> 0:33:30.600
<v Speaker 1>That is a really big task. And that's what they

0:33:30.640 --> 0:33:33.920
<v Speaker 1>were facing when they when they curated this collection. Yeah,

0:33:33.960 --> 0:33:36.280
<v Speaker 1>because like we said, it's not like you have, um

0:33:36.320 --> 0:33:40.080
<v Speaker 1>an infinite amount of images to stuff on there. They

0:33:40.080 --> 0:33:43.320
<v Speaker 1>basically said, all right, you got space for I saw

0:33:43.400 --> 0:33:48.160
<v Speaker 1>a hundred and sixteen images, um, So go at it.

0:33:48.200 --> 0:33:51.800
<v Speaker 1>What one hundred and sixteen things will best crystallize what

0:33:51.960 --> 0:33:55.440
<v Speaker 1>planet Earth and humanity is all about. Right, So the

0:33:55.480 --> 0:34:01.280
<v Speaker 1>first thing they did was um some like astronomical images, UM,

0:34:01.320 --> 0:34:05.120
<v Speaker 1>scientific diagrams and stuff like that that charge where we

0:34:05.160 --> 0:34:08.120
<v Speaker 1>are in the Solar system, to basically say, here's where

0:34:08.120 --> 0:34:11.840
<v Speaker 1>we are, Here's what our masses, here's how far the

0:34:11.920 --> 0:34:14.560
<v Speaker 1>planets are from the Sun, and just kind of a

0:34:14.600 --> 0:34:18.120
<v Speaker 1>broad overview of what our solar system is. Right. Pretty

0:34:18.160 --> 0:34:20.640
<v Speaker 1>good place to start, it is, and then it kind

0:34:20.640 --> 0:34:23.359
<v Speaker 1>of drills down a little more into biology and our

0:34:23.440 --> 0:34:28.520
<v Speaker 1>understanding of um nature and cells and cell division, and

0:34:28.560 --> 0:34:34.360
<v Speaker 1>then that kind of nicely transitions to human biology, so uh,

0:34:34.480 --> 0:34:37.640
<v Speaker 1>cell division into a fetus. And then they apparently had

0:34:38.040 --> 0:34:40.600
<v Speaker 1>a picture of a naked man and woman. Again couldn't

0:34:40.600 --> 0:34:45.560
<v Speaker 1>get enough of that stuff. UM and NESA said, no, no, sickos,

0:34:46.120 --> 0:34:48.239
<v Speaker 1>We'll take this man and woman picture, but we're going

0:34:48.280 --> 0:34:51.120
<v Speaker 1>to black them out so that it's just a filled

0:34:51.120 --> 0:34:54.920
<v Speaker 1>in silhouette like what were those called the shadow portrait?

0:34:55.160 --> 0:34:58.560
<v Speaker 1>When you were in like elementary school, I don't know,

0:34:59.000 --> 0:35:01.040
<v Speaker 1>you know I'm talking about, so like you would they

0:35:01.040 --> 0:35:03.080
<v Speaker 1>would shine a light on you and then they would

0:35:03.080 --> 0:35:07.080
<v Speaker 1>basically cut your shadow out in construction paper and then

0:35:07.120 --> 0:35:09.600
<v Speaker 1>you would have a filled in black silhouette of yourself

0:35:09.640 --> 0:35:14.680
<v Speaker 1>from from profile. Yeah, basically like that, but this is

0:35:14.719 --> 0:35:19.600
<v Speaker 1>a full, full frontal, blacked out silhouette of a man

0:35:19.640 --> 0:35:23.399
<v Speaker 1>and a woman. But said it does. But NASA said,

0:35:23.400 --> 0:35:25.439
<v Speaker 1>we're not going to totally defeat the purpose that feed

0:35:25.520 --> 0:35:27.640
<v Speaker 1>us from the last slide. We're gonna put that in

0:35:27.719 --> 0:35:31.360
<v Speaker 1>the center of the woman's abdomen, and then that will

0:35:31.440 --> 0:35:36.239
<v Speaker 1>justify our prudency. I guess, so, uh, I sort of

0:35:36.239 --> 0:35:38.080
<v Speaker 1>get it, but it's just dumb. I mean show. I

0:35:38.120 --> 0:35:41.040
<v Speaker 1>mean they weren't like, hey, put Khaki's in a blazer

0:35:41.040 --> 0:35:44.279
<v Speaker 1>on the guy, like, you gotta show the parts, man,

0:35:44.320 --> 0:35:46.480
<v Speaker 1>you gotta show the naked parts and what we look like.

0:35:46.880 --> 0:35:50.160
<v Speaker 1>Get some doctors on there. Almost said doctors, it's funny.

0:35:51.200 --> 0:35:54.400
<v Speaker 1>So um. They also showed a woman breastfeeding, which I

0:35:54.440 --> 0:35:57.279
<v Speaker 1>thought was really great considering that they blacked out the

0:35:57.680 --> 0:36:02.640
<v Speaker 1>nudity otherwise um, and then they show like human development,

0:36:03.000 --> 0:36:06.759
<v Speaker 1>kids in school, people eating. There's one slide of a

0:36:06.800 --> 0:36:10.200
<v Speaker 1>person person licking and ice cream cone, somebody eating a sandwich,

0:36:10.200 --> 0:36:12.000
<v Speaker 1>and then somebody drinking a glass of water all in

0:36:12.040 --> 0:36:16.680
<v Speaker 1>one image. They really crammed a lot of info into that, UM,

0:36:16.880 --> 0:36:23.000
<v Speaker 1>things like our agriculture and growing food and then um

0:36:23.200 --> 0:36:26.160
<v Speaker 1>nature also you want because it wasn't all just about

0:36:26.239 --> 0:36:30.760
<v Speaker 1>humans but itself as well. You gotta have the birds

0:36:30.760 --> 0:36:33.040
<v Speaker 1>and the flowers and the fishies, you gotta have insects,

0:36:33.480 --> 0:36:37.920
<v Speaker 1>you gotta have the Great Barrier, reef and mountain ranges. Um.

0:36:38.200 --> 0:36:41.960
<v Speaker 1>It showed humans doing things like gymnastics. Imagine, which was

0:36:43.200 --> 0:36:45.719
<v Speaker 1>it might be a very confusing thing to see. Yeah,

0:36:45.760 --> 0:36:50.600
<v Speaker 1>well the first picture they submitted was naked gymnastics and

0:36:50.680 --> 0:36:52.640
<v Speaker 1>NASSA said, go get us another one. Is there any

0:36:52.640 --> 0:36:56.799
<v Speaker 1>other kind? As a matter of fact, there is? Uh.

0:36:56.840 --> 0:36:59.640
<v Speaker 1>And then they go to art of course, UM pictures

0:36:59.680 --> 0:37:08.239
<v Speaker 1>of music school instruments, UM paintings, the Great Wall of China, skyscrapers, trains, cars, airplanes, rockets.

0:37:09.239 --> 0:37:13.759
<v Speaker 1>They did not put stuff like religion or disease or

0:37:13.880 --> 0:37:16.840
<v Speaker 1>crime or war or poverty. They don't want it to

0:37:16.880 --> 0:37:19.479
<v Speaker 1>be a bummer. They kind of just wanted to show

0:37:19.560 --> 0:37:23.319
<v Speaker 1>like the achievements of humanity. I think, have you have

0:37:23.440 --> 0:37:25.560
<v Speaker 1>you seen? Did you look at all these images? I

0:37:25.560 --> 0:37:26.880
<v Speaker 1>didn't look at all of them. I looked at a

0:37:26.880 --> 0:37:28.360
<v Speaker 1>lot of them, and I listened to a lot of

0:37:28.400 --> 0:37:31.560
<v Speaker 1>this stuff. So you me got me this UM this

0:37:31.760 --> 0:37:34.680
<v Speaker 1>set of like like Anniversary said, I think there was

0:37:34.719 --> 0:37:37.560
<v Speaker 1>a kickstarter a couple of years back where people wanted

0:37:37.600 --> 0:37:40.279
<v Speaker 1>to like reissue it on records. So you've got me

0:37:40.320 --> 0:37:42.000
<v Speaker 1>the set and it comes with like the liner notes

0:37:42.040 --> 0:37:44.960
<v Speaker 1>are just amazing and everything. And you go through and

0:37:44.960 --> 0:37:50.000
<v Speaker 1>you look at um the pictures and they're like I

0:37:50.160 --> 0:37:55.640
<v Speaker 1>find the entire set combined to be rather unsettling, you know,

0:37:56.160 --> 0:38:02.719
<v Speaker 1>very like seventies educational film way. They don't have like

0:38:02.840 --> 0:38:08.360
<v Speaker 1>a coherent look to them, which I understand, like there's

0:38:08.440 --> 0:38:11.640
<v Speaker 1>not a coherent look to to the world or to Earth,

0:38:12.520 --> 0:38:17.080
<v Speaker 1>but there's just the the There was no unifying design

0:38:17.320 --> 0:38:19.840
<v Speaker 1>or anything like that. It was just this random assembly

0:38:20.000 --> 0:38:23.120
<v Speaker 1>of pictures and D diagrams. Some were black and white,

0:38:23.160 --> 0:38:26.040
<v Speaker 1>some are blacked out, some are just silhouettes, some are

0:38:26.080 --> 0:38:29.480
<v Speaker 1>full color. It's almost like jarring in the way of

0:38:29.520 --> 0:38:34.000
<v Speaker 1>like um, like that that book Wisconsin Death Trip that

0:38:34.040 --> 0:38:37.040
<v Speaker 1>I'm always talking about is like what that is in text,

0:38:37.160 --> 0:38:39.920
<v Speaker 1>This almost is in pictures, and that's what we sent

0:38:40.000 --> 0:38:42.680
<v Speaker 1>out there. It's for some reason, it just stirs something

0:38:42.719 --> 0:38:44.200
<v Speaker 1>in me that I can't quite put my finger on.

0:38:44.239 --> 0:38:46.640
<v Speaker 1>But it's not fully pleasant, you know. Yeah, I had

0:38:46.680 --> 0:38:49.160
<v Speaker 1>the same reaction. Um, it was, well, you know what

0:38:49.200 --> 0:38:51.360
<v Speaker 1>it would look like. It looked like a set of

0:38:51.440 --> 0:38:55.359
<v Speaker 1>images curated by a bunch of scientists. It did as

0:38:55.400 --> 0:38:58.640
<v Speaker 1>a Marfa scientists on grass. Yeah, like that would it

0:38:58.719 --> 0:39:00.879
<v Speaker 1>have killed them to get the lead that it's in there?

0:39:00.960 --> 0:39:04.520
<v Speaker 1>Or some sort of designer you know. That's that's what

0:39:04.560 --> 0:39:08.839
<v Speaker 1>I'm saying that andrew Ian was like an artist, but

0:39:08.920 --> 0:39:12.240
<v Speaker 1>she was I think a writer. I think Siggen's previous

0:39:12.320 --> 0:39:15.680
<v Speaker 1>wife who I think they became separated during this process.

0:39:15.920 --> 0:39:19.080
<v Speaker 1>I believe she was a visual artist, so maybe her

0:39:19.160 --> 0:39:21.399
<v Speaker 1>not being part of that project is that kind of

0:39:21.920 --> 0:39:24.680
<v Speaker 1>unsettling aspect, you know what I'm saying, Like she she

0:39:24.760 --> 0:39:28.080
<v Speaker 1>would have brought that there and didn't. Who knows? Who

0:39:28.520 --> 0:39:31.600
<v Speaker 1>chuck actually? Hold on, I've I've identified it. Have you

0:39:31.640 --> 0:39:35.680
<v Speaker 1>ever heard of you know? Scarfolk Council? Nope, you do.

0:39:35.920 --> 0:39:40.520
<v Speaker 1>It's like this seventies British um P s A s

0:39:40.760 --> 0:39:44.280
<v Speaker 1>and educational films, but they're all really dark and evil.

0:39:45.480 --> 0:39:47.359
<v Speaker 1>You've seen it before, I've shown it to you. It's

0:39:47.400 --> 0:39:53.080
<v Speaker 1>almost like Scarfolk council chose the pictures that are that

0:39:53.160 --> 0:39:57.440
<v Speaker 1>are in this all right, you should You'll be like,

0:39:57.520 --> 0:39:59.040
<v Speaker 1>as a matter of fact, Josh, I think you've just

0:39:59.040 --> 0:40:02.160
<v Speaker 1>put your finger on it, all right. So that side one,

0:40:02.760 --> 0:40:06.520
<v Speaker 1>Side A, as it were, as all these images um

0:40:06.880 --> 0:40:09.880
<v Speaker 1>cut into this, into the grooves of this thing ingenious.

0:40:10.680 --> 0:40:12.759
<v Speaker 1>And it's also they have their own sounds, so like

0:40:12.800 --> 0:40:15.200
<v Speaker 1>if you're just sitting there listening to the record, these

0:40:15.239 --> 0:40:17.840
<v Speaker 1>pictures have their own sound that lasts a few seconds each,

0:40:18.120 --> 0:40:19.960
<v Speaker 1>but if you run it through the algorithm, those sounds

0:40:19.960 --> 0:40:22.840
<v Speaker 1>are translated into images. It's it's cool, it's neat that

0:40:22.880 --> 0:40:24.960
<v Speaker 1>they have their own sound. You know, oh totally, what's

0:40:24.960 --> 0:40:28.440
<v Speaker 1>gonna make some kind of sound exactly. So Side B,

0:40:28.800 --> 0:40:32.760
<v Speaker 1>if you flip it over, uh, it's the audio portion.

0:40:33.440 --> 0:40:36.719
<v Speaker 1>And so this is where we get, um get a

0:40:36.760 --> 0:40:38.759
<v Speaker 1>little more I don't know about more interesting, but this

0:40:38.840 --> 0:40:43.279
<v Speaker 1>is it's definitely seventies and sort of spacey when you

0:40:43.360 --> 0:40:47.520
<v Speaker 1>listen to some of this stuff. The I would say,

0:40:47.520 --> 0:40:52.680
<v Speaker 1>the entirety of the sound side is super seventies spacey,

0:40:52.840 --> 0:40:57.920
<v Speaker 1>like real trippy and cosmic and mellow. Even the stuff

0:40:57.960 --> 0:41:01.080
<v Speaker 1>that's like a you know, traditional folk music that they included.

0:41:01.120 --> 0:41:12.280
<v Speaker 1>It's all comes from a real like super marijuana e place. Marijuana. Yeah, stony, sure, stony,

0:41:12.320 --> 0:41:14.839
<v Speaker 1>that's what the kids call it, but more like they

0:41:14.920 --> 0:41:20.080
<v Speaker 1>just took marijuana and pressed it into music. Well. The

0:41:20.120 --> 0:41:23.440
<v Speaker 1>first thing is an audio recording of just just a

0:41:23.560 --> 0:41:26.200
<v Speaker 1>sort of a hey, how you doing this? This is

0:41:26.239 --> 0:41:30.279
<v Speaker 1>what you're about to listen to, recorded by Kurt Waldheim,

0:41:31.080 --> 0:41:33.680
<v Speaker 1>the Austrian Secretary General of the u N at the time.

0:41:34.040 --> 0:41:39.680
<v Speaker 1>He starts out with with U and he said this, Uh,

0:41:39.800 --> 0:41:42.720
<v Speaker 1>we step out of our solar system into the universe,

0:41:42.719 --> 0:41:46.520
<v Speaker 1>seeking only peace and friendship, to teach if we are

0:41:46.520 --> 0:41:49.279
<v Speaker 1>called upon to be taught, if we are fortunate. I

0:41:49.320 --> 0:41:52.120
<v Speaker 1>think those are beautiful words. It's very cool. Jimmy Carter

0:41:52.520 --> 0:41:57.239
<v Speaker 1>included a printed copy. For some reason, he didn't speak it.

0:41:57.280 --> 0:42:00.680
<v Speaker 1>I'm not sure why. Maybe they didn't have He famously

0:42:00.719 --> 0:42:06.800
<v Speaker 1>hated his voice. Did he really? Okay? Uh? Do you

0:42:06.840 --> 0:42:08.040
<v Speaker 1>want to read that? And that's kind of long. We

0:42:08.040 --> 0:42:11.000
<v Speaker 1>should just say it's pretty great as well. It is great,

0:42:11.040 --> 0:42:14.000
<v Speaker 1>and he basically says, we are working on our own

0:42:14.000 --> 0:42:16.359
<v Speaker 1>problems here on Earth, but we want to join this

0:42:16.840 --> 0:42:20.920
<v Speaker 1>cosmic community one day, and this is our first entree.

0:42:21.000 --> 0:42:23.840
<v Speaker 1>Into that this is us saying hello, right uh, and

0:42:23.880 --> 0:42:26.040
<v Speaker 1>then speaking of saying hello, the next thing that you're

0:42:26.040 --> 0:42:31.160
<v Speaker 1>going to hear are fifty five greetings and fifty five languages.

0:42:32.120 --> 0:42:34.879
<v Speaker 1>And the kind of bummer of this here is it's

0:42:34.920 --> 0:42:37.080
<v Speaker 1>not like they were able because they had to do

0:42:37.120 --> 0:42:39.279
<v Speaker 1>this pretty pretty fast, you know, Like you said, NASA

0:42:39.320 --> 0:42:42.239
<v Speaker 1>didn't him a lot of time, so they couldn't necessarily

0:42:42.280 --> 0:42:44.800
<v Speaker 1>go to all these countries and record people in person.

0:42:45.520 --> 0:42:48.160
<v Speaker 1>So they got a lot of people who spoke these languages,

0:42:48.200 --> 0:42:52.879
<v Speaker 1>but they weren't necessarily natives of that language, and they

0:42:52.880 --> 0:42:55.920
<v Speaker 1>couldn't find all the languages. So I think one that

0:42:56.120 --> 0:42:58.640
<v Speaker 1>a lot of people point to that was unfortunately left

0:42:58.640 --> 0:43:01.600
<v Speaker 1>out with Swahili, so there's no message from someone in

0:43:01.680 --> 0:43:03.800
<v Speaker 1>Swahili on it. But they did do a lot of

0:43:03.880 --> 0:43:06.600
<v Speaker 1>languages considering what they were dealing with, and I think

0:43:06.640 --> 0:43:09.239
<v Speaker 1>originally too, they presumed they would just go to the

0:43:09.400 --> 0:43:12.839
<v Speaker 1>u n and get each ambassador from each country there

0:43:12.880 --> 0:43:16.760
<v Speaker 1>to record a message in their native language. But somebody

0:43:16.800 --> 0:43:19.360
<v Speaker 1>pointed out that almost all the ambassadors there at the

0:43:19.400 --> 0:43:23.280
<v Speaker 1>time were men, and Sagan and his crew definitely wanted

0:43:23.320 --> 0:43:26.359
<v Speaker 1>a pretty even mix of men and women, so they

0:43:26.360 --> 0:43:29.279
<v Speaker 1>had to kind of on the fly figure out we

0:43:29.320 --> 0:43:32.080
<v Speaker 1>need to get some Cornell faculty to get in on this,

0:43:32.200 --> 0:43:34.520
<v Speaker 1>and they managed to pull out what was it, fifty

0:43:34.520 --> 0:43:37.440
<v Speaker 1>five languages, yeah, fifty five and some of these they

0:43:37.440 --> 0:43:39.200
<v Speaker 1>didn't tell people what to say to some sort of

0:43:39.200 --> 0:43:41.600
<v Speaker 1>greeting and however you would want to greet people in

0:43:41.600 --> 0:43:44.960
<v Speaker 1>your language, and some of these are pretty fun. Um.

0:43:45.040 --> 0:43:47.480
<v Speaker 1>The Amoy one, which is a part of the Men

0:43:47.560 --> 0:43:52.279
<v Speaker 1>dialects this, friends of space, how are you all? Have you?

0:43:52.440 --> 0:43:55.240
<v Speaker 1>Have you eaten yet? Come visit us if you have time.

0:43:56.120 --> 0:43:58.759
<v Speaker 1>If you have time, we don't want to put you

0:43:58.800 --> 0:44:02.440
<v Speaker 1>out by making you feel obligated. The Zulu said, we

0:44:02.600 --> 0:44:06.319
<v Speaker 1>greet you great ones. We wish you longevity. Yeah, they're

0:44:06.400 --> 0:44:09.840
<v Speaker 1>kind of you know, we're going to assume that you

0:44:09.880 --> 0:44:11.680
<v Speaker 1>can wipe us all out, so I'm just gonna throw

0:44:11.719 --> 0:44:14.840
<v Speaker 1>some compliments out at you. That's like one step away

0:44:14.840 --> 0:44:19.960
<v Speaker 1>from Eldritch God's um. Persian Persian. The Persian wan was

0:44:20.000 --> 0:44:22.880
<v Speaker 1>pretty good. Hello to the residents of the for skies.

0:44:24.120 --> 0:44:27.360
<v Speaker 1>And the Polish one says, welcome creatures beyond our world.

0:44:28.160 --> 0:44:31.000
<v Speaker 1>That's scary, but I like it. And like you said,

0:44:31.000 --> 0:44:36.400
<v Speaker 1>the Englishman was what now. The English one was actually

0:44:36.400 --> 0:44:41.200
<v Speaker 1>Carl Sagan and Linda Saltzman, Sagan's son Nick. It's very cute.

0:44:41.200 --> 0:44:45.160
<v Speaker 1>He's six years old and improvised this hello from the

0:44:45.239 --> 0:44:49.880
<v Speaker 1>children of planet Earth. Boo, yeah, very nice. It was

0:44:50.000 --> 0:44:52.480
<v Speaker 1>very nice. So um, that was just kind of like

0:44:52.520 --> 0:44:55.360
<v Speaker 1>a bunch of different greetings saying hello, Hey. It comes

0:44:55.360 --> 0:44:58.440
<v Speaker 1>and goes pretty quick, even though there's fifty five entries,

0:44:59.400 --> 0:45:02.279
<v Speaker 1>none of them particularly long. But then after that they

0:45:02.280 --> 0:45:05.560
<v Speaker 1>started to get a little more far out, and I say,

0:45:06.080 --> 0:45:08.040
<v Speaker 1>we take a break and then come back. You want to,

0:45:08.480 --> 0:45:43.759
<v Speaker 1>let's do it, alright, chuck. So the big cliffhanger was

0:45:43.960 --> 0:45:46.080
<v Speaker 1>whether this was actually going to be far out or

0:45:46.120 --> 0:45:48.799
<v Speaker 1>not if I was right. And it turns out I

0:45:48.840 --> 0:45:51.839
<v Speaker 1>was right. This stuff gets far out pretty quick, and

0:45:51.880 --> 0:45:54.759
<v Speaker 1>I think there's no way we can't play one of

0:45:54.800 --> 0:45:58.240
<v Speaker 1>the things. You got to know what I'm talking about.

0:45:58.920 --> 0:46:03.719
<v Speaker 1>I think so music of the Spheres. No, okay, the

0:46:03.800 --> 0:46:11.319
<v Speaker 1>whale whale song, no, the sound essay, which part? All right, Well,

0:46:11.360 --> 0:46:14.200
<v Speaker 1>let's just tell everyone quickly he did include a whale song.

0:46:14.600 --> 0:46:17.680
<v Speaker 1>This was Sagan's idea. He thought that you know, they

0:46:17.840 --> 0:46:21.120
<v Speaker 1>people of the future might not even or not people

0:46:21.120 --> 0:46:23.319
<v Speaker 1>of the future. Here we go again. Whatever these things

0:46:23.360 --> 0:46:26.319
<v Speaker 1>are might not communicate in a language. It maybe more

0:46:26.400 --> 0:46:27.919
<v Speaker 1>like a whale song, so let's throw one of those

0:46:27.920 --> 0:46:32.239
<v Speaker 1>on their plus, whale songs are nice. Then they did

0:46:32.320 --> 0:46:38.320
<v Speaker 1>this uh sound essay that it was an audio way.

0:46:38.719 --> 0:46:43.839
<v Speaker 1>It was an audio journey from evolution on well, first thing,

0:46:43.840 --> 0:46:46.279
<v Speaker 1>A good way to say it, it is, Yeah, for sure.

0:46:46.360 --> 0:46:51.120
<v Speaker 1>They included um, yeah, it's kind of like a trip

0:46:51.200 --> 0:46:54.800
<v Speaker 1>through time and even before human or the evolution of life.

0:46:54.880 --> 0:46:58.360
<v Speaker 1>It's supposed to kind of capture the early Earth. There's

0:46:58.400 --> 0:47:03.000
<v Speaker 1>like lightning and thunder and rain. Um, there's mud pots

0:47:03.040 --> 0:47:07.600
<v Speaker 1>bubbling um, volcanoes, earthquakes, all that stuff to just basically

0:47:07.680 --> 0:47:09.880
<v Speaker 1>say like this is how Earth kind of came together

0:47:10.239 --> 0:47:13.080
<v Speaker 1>and then animals of course. Yeah, it's it's pretty cool

0:47:13.120 --> 0:47:16.440
<v Speaker 1>if you think about it. You know, to try to

0:47:16.480 --> 0:47:20.680
<v Speaker 1>do an auditory progression of of the evolution of Earth.

0:47:20.800 --> 0:47:24.239
<v Speaker 1>So yeah, then life comes along crickets and birds and

0:47:24.360 --> 0:47:27.520
<v Speaker 1>elephants and then humans and this is what I wanted

0:47:27.520 --> 0:47:34.680
<v Speaker 1>to put. So it's I guess Timothy Ferris was kind

0:47:34.680 --> 0:47:37.000
<v Speaker 1>of in charge of picking out the music or was

0:47:37.040 --> 0:47:40.279
<v Speaker 1>a big part of it or the sound essay and

0:47:40.280 --> 0:47:43.720
<v Speaker 1>Andrewian did too. I think they worked together, and notably

0:47:43.760 --> 0:47:46.319
<v Speaker 1>they were actually engaged at the time, at least at

0:47:46.360 --> 0:47:50.719
<v Speaker 1>the beginning of this project. Timothy Ferris and Rurian were um,

0:47:51.040 --> 0:47:58.440
<v Speaker 1>and what's her what's her last name? I like to

0:47:58.440 --> 0:48:02.320
<v Speaker 1>add a little mustard too, all right, so um, Timothy

0:48:02.320 --> 0:48:05.080
<v Speaker 1>and An we're working together on this and for humanity.

0:48:05.120 --> 0:48:08.680
<v Speaker 1>When humanity finally makes an appearance in the sound essay, right,

0:48:09.880 --> 0:48:14.480
<v Speaker 1>it's one of the most bizarre presentations of humanity that

0:48:14.560 --> 0:48:17.760
<v Speaker 1>they could have come up, like what they were thinking.

0:48:18.280 --> 0:48:22.360
<v Speaker 1>I don't either, It doesn't make any sense. So there's

0:48:22.480 --> 0:48:27.399
<v Speaker 1>a wind, sweat, plane, footsteps, and then laughter. Dave calls

0:48:27.400 --> 0:48:29.960
<v Speaker 1>its sinister laughter, and you could definitely take it that way,

0:48:30.000 --> 0:48:33.640
<v Speaker 1>but I think it can also be weird hearty laughter.

0:48:33.800 --> 0:48:36.040
<v Speaker 1>But it's odd either way, and especially when you put

0:48:36.080 --> 0:48:39.400
<v Speaker 1>these elements together, it's particularly odd. So I feel like

0:48:39.440 --> 0:48:42.200
<v Speaker 1>we really need to play it's fairly short, right, yeah, yeah,

0:48:42.560 --> 0:48:44.399
<v Speaker 1>you failed to mention the heartbeat too, which is kind

0:48:44.400 --> 0:48:46.840
<v Speaker 1>of what makes it all super creepy as well. Okay,

0:48:46.880 --> 0:48:49.400
<v Speaker 1>so here it is. This is where humans come along

0:48:49.400 --> 0:49:23.080
<v Speaker 1>in the sound essay. O god, wow, Yeah, I mean

0:49:23.160 --> 0:49:25.680
<v Speaker 1>that is what they decided to like this is this

0:49:25.719 --> 0:49:28.480
<v Speaker 1>is what humans do. They walk around with their hearts

0:49:28.480 --> 0:49:32.760
<v Speaker 1>beating as loud as they can, laugh on when sweat planes,

0:49:33.320 --> 0:49:36.640
<v Speaker 1>where their footsteps echo behind them. That's the human experience

0:49:36.719 --> 0:49:40.000
<v Speaker 1>for sure. Yeah, so this sound essay continues of course

0:49:40.280 --> 0:49:43.799
<v Speaker 1>once humans come along. They got through human evolution and

0:49:43.920 --> 0:49:48.520
<v Speaker 1>fire and tools and jobs like the sounds of blacksmith

0:49:48.640 --> 0:49:52.560
<v Speaker 1>ng and cheaperding and sawing things, and then tractors and

0:49:52.600 --> 0:49:57.400
<v Speaker 1>ships and cars and planes. Uh, it's all again. It

0:49:57.440 --> 0:50:01.040
<v Speaker 1>just seems like a very seventies uh bong water sort

0:50:01.080 --> 0:50:04.480
<v Speaker 1>of experiment, right. Um, I don't think we mentioned the

0:50:04.560 --> 0:50:07.439
<v Speaker 1>music of the spheres. I teased it. Oh yeah, there's

0:50:07.480 --> 0:50:12.120
<v Speaker 1>also that this is a twelve minute recording technically it's

0:50:12.160 --> 0:50:15.719
<v Speaker 1>a song, but it's based on the theories of the

0:50:16.080 --> 0:50:21.200
<v Speaker 1>great mathematician Kepler, Johannes Kepler, where they ascribed a musical

0:50:21.239 --> 0:50:25.560
<v Speaker 1>tone to each one of the planets and uh he

0:50:25.640 --> 0:50:29.400
<v Speaker 1>worked with Bell Labs, the computer lab and reproduce the

0:50:29.440 --> 0:50:32.200
<v Speaker 1>sound of the planets in a hundred year orbit around

0:50:32.239 --> 0:50:36.759
<v Speaker 1>the Sun. Yeah, and so it is crazy. I think

0:50:36.880 --> 0:50:39.479
<v Speaker 1>that's Um, that's like part one of the whole sound essay.

0:50:39.520 --> 0:50:42.799
<v Speaker 1>The music of the spheres, and Kepler was working off

0:50:42.840 --> 0:50:45.600
<v Speaker 1>of Pythagoras theories actually, and the whole thing is based

0:50:45.600 --> 0:50:48.680
<v Speaker 1>on this idea that an object moving through space tends

0:50:48.719 --> 0:50:50.759
<v Speaker 1>to make a sound, whether it's like the wishing of

0:50:50.800 --> 0:50:54.960
<v Speaker 1>wind or humming or whatever, an object moving will make

0:50:55.080 --> 0:50:57.880
<v Speaker 1>some sort of sound. And the planets are objects, and

0:50:57.880 --> 0:51:01.840
<v Speaker 1>they're really really big objects, so they make huge sounds

0:51:02.560 --> 0:51:05.239
<v Speaker 1>um And the theory was that the reason we can't

0:51:05.239 --> 0:51:07.400
<v Speaker 1>hear these sounds is because we have no frame of

0:51:07.520 --> 0:51:11.279
<v Speaker 1>reference for what things sound like without them. So our

0:51:11.320 --> 0:51:14.000
<v Speaker 1>concept of silence is actually filled with the sounds of

0:51:14.000 --> 0:51:17.560
<v Speaker 1>the planets, including Earth, moving through space. We just don't

0:51:17.800 --> 0:51:20.319
<v Speaker 1>hear it because we we are so attuned to it.

0:51:20.840 --> 0:51:22.839
<v Speaker 1>And that each of these planets, because they move at

0:51:22.880 --> 0:51:25.239
<v Speaker 1>a different rate, there are different sizes, of different mass

0:51:25.320 --> 0:51:29.160
<v Speaker 1>and velocities and everything, that they'll make their own unique sound,

0:51:29.360 --> 0:51:31.880
<v Speaker 1>and that when you put all these sounds together of

0:51:32.000 --> 0:51:35.719
<v Speaker 1>the bodies in the Solar System to actually harmonize. And

0:51:35.719 --> 0:51:38.560
<v Speaker 1>so Kepler took it a step further and actually figured

0:51:38.600 --> 0:51:42.919
<v Speaker 1>out what each what note each celestial body would make.

0:51:43.239 --> 0:51:45.359
<v Speaker 1>And then Sagan and his crew got together with Bell

0:51:45.480 --> 0:51:48.040
<v Speaker 1>labs like you were saying, and produce that as the

0:51:48.120 --> 0:51:51.160
<v Speaker 1>Music of the Spheres, which is I mean, this is

0:51:51.200 --> 0:51:53.360
<v Speaker 1>the kind of stuff they were doing with just a

0:51:53.400 --> 0:51:58.600
<v Speaker 1>few months to create the Voyager Plaque Project in their entirety,

0:51:58.680 --> 0:52:01.520
<v Speaker 1>or the Voyager Golden Record in their entirety. Yeah, And

0:52:01.560 --> 0:52:03.480
<v Speaker 1>if you go to look up Music of the Spheres

0:52:03.520 --> 0:52:05.560
<v Speaker 1>on YouTube or something, it's it's there's a lot of

0:52:05.560 --> 0:52:09.000
<v Speaker 1>stuff out there called Music of the Spheres UM, so

0:52:09.040 --> 0:52:13.520
<v Speaker 1>it's kind of tough to find the real one even

0:52:13.560 --> 0:52:17.160
<v Speaker 1>if you put in like Kepler, there are some wrong

0:52:17.239 --> 0:52:19.759
<v Speaker 1>stuff out there that is not the real Music of

0:52:19.760 --> 0:52:21.880
<v Speaker 1>the Spheres, but you can find it if you're you know,

0:52:21.880 --> 0:52:25.040
<v Speaker 1>if you spending a time. Yeah, there's an actual NASA

0:52:25.160 --> 0:52:29.160
<v Speaker 1>UM NASA Jet Propulsion Lab has a site um for

0:52:29.400 --> 0:52:33.359
<v Speaker 1>dedicated to Voyager Voyager dot JPL dot NASA dot gov,

0:52:34.080 --> 0:52:36.160
<v Speaker 1>and they have all sorts of stuff about not just

0:52:36.200 --> 0:52:39.080
<v Speaker 1>the Golden Record, but the entire Voyager one and two projects,

0:52:39.120 --> 0:52:41.319
<v Speaker 1>which is pretty cool in and of itself. But they

0:52:41.360 --> 0:52:45.080
<v Speaker 1>have everything that's on the Golden Record, including the UM,

0:52:45.880 --> 0:52:48.560
<v Speaker 1>the sound essay, and the different components of the sound essay,

0:52:48.560 --> 0:52:50.520
<v Speaker 1>and the Music of the Spheres is on there. It's

0:52:50.560 --> 0:52:54.439
<v Speaker 1>pretty cool stuff, even though it's completely unfounded and whacked out.

0:52:54.600 --> 0:52:57.080
<v Speaker 1>It's neat that they kind of nodded to this tradition

0:52:57.520 --> 0:53:00.760
<v Speaker 1>by including it on there. Oh totally, And that's exactly

0:53:00.760 --> 0:53:02.960
<v Speaker 1>where you should go. So just be warned if you

0:53:02.960 --> 0:53:04.440
<v Speaker 1>go to YouTube, you're you're gonna get a lot of

0:53:04.440 --> 0:53:07.480
<v Speaker 1>like ya and stuff like that, because Music of the

0:53:07.480 --> 0:53:11.000
<v Speaker 1>Spheres is just a very trippy title for a song. Hey,

0:53:11.200 --> 0:53:14.640
<v Speaker 1>worst things could happen to you today and stumbling across

0:53:14.680 --> 0:53:17.640
<v Speaker 1>a nice Anna track that you weren't expecting to listen to.

0:53:18.840 --> 0:53:21.279
<v Speaker 1>Oh boy, I actually had one of her CDs back

0:53:21.320 --> 0:53:23.400
<v Speaker 1>in the day. Oh dude, I had that thing was

0:53:23.480 --> 0:53:31.160
<v Speaker 1>on repeat, the one with that's the one. So uh.

0:53:31.200 --> 0:53:33.520
<v Speaker 1>The last part of the sound essay is called life Signs,

0:53:33.520 --> 0:53:36.080
<v Speaker 1>and this is where it really gets out there, as

0:53:36.080 --> 0:53:39.319
<v Speaker 1>if it's not out there enough already. But and drew

0:53:39.520 --> 0:53:43.080
<v Speaker 1>In said, here's what I want to do. I want

0:53:43.080 --> 0:53:47.600
<v Speaker 1>to record my brain activity using an e G and

0:53:47.640 --> 0:53:50.719
<v Speaker 1>then they may be able to reverse engineer this thing

0:53:51.440 --> 0:53:56.600
<v Speaker 1>and actually read my brain thoughts in the future. And

0:53:56.719 --> 0:54:00.360
<v Speaker 1>not only that, but um, I'm falling in love with

0:54:00.440 --> 0:54:03.040
<v Speaker 1>Carl Sagan and he's throwing that love right back in

0:54:03.080 --> 0:54:07.280
<v Speaker 1>my way. So my, my, e g. My brain waves

0:54:07.560 --> 0:54:10.440
<v Speaker 1>that I'm sending out there are going to be soaked

0:54:10.440 --> 0:54:13.759
<v Speaker 1>with love, and that's just like the most groovy thing

0:54:13.760 --> 0:54:16.560
<v Speaker 1>that we can do. It is pretty groovy if you

0:54:16.600 --> 0:54:19.719
<v Speaker 1>think about it. And they got married, Yeah, they got married,

0:54:19.719 --> 0:54:23.280
<v Speaker 1>they had some kids, um, and they were together until

0:54:23.320 --> 0:54:26.919
<v Speaker 1>he died in his sixties. I think in two or three.

0:54:27.160 --> 0:54:31.040
<v Speaker 1>I believe that's right. So um, I think I did.

0:54:31.120 --> 0:54:32.799
<v Speaker 1>I haven't heard it yet, but I heard Radio Lab

0:54:32.800 --> 0:54:36.440
<v Speaker 1>did a pretty good episode about that, about the Life Signs. Yeah,

0:54:36.480 --> 0:54:38.960
<v Speaker 1>I'm sure it's great. Those guys are awesome. Oh yeah,

0:54:38.960 --> 0:54:44.719
<v Speaker 1>of course. So um. The hardest thing, though, Chuck, was

0:54:45.040 --> 0:54:50.680
<v Speaker 1>coming up with music itself that was representative of the

0:54:50.719 --> 0:54:53.239
<v Speaker 1>whole world. They didn't want it to just be Western music.

0:54:53.239 --> 0:54:57.280
<v Speaker 1>For Western music, they chose mostly Beethoven and Bach again

0:54:57.320 --> 0:55:00.680
<v Speaker 1>because like you said, uh, and even a an event

0:55:00.800 --> 0:55:04.920
<v Speaker 1>civilization that didn't have ears or didn't hear um didn't

0:55:04.960 --> 0:55:07.719
<v Speaker 1>sense things like that. Uh, they would still be able

0:55:07.760 --> 0:55:09.680
<v Speaker 1>to analyze it and be impressed by it, see the

0:55:09.719 --> 0:55:14.080
<v Speaker 1>beauty and magic in it. But they also chose um

0:55:14.200 --> 0:55:17.560
<v Speaker 1>some rhythm and blues as part of the Western music

0:55:17.600 --> 0:55:19.960
<v Speaker 1>that they included too. Yeah, you have to. I mean

0:55:20.000 --> 0:55:23.680
<v Speaker 1>there was, um besides boch In, Beethoven, there's other classical

0:55:23.680 --> 0:55:28.080
<v Speaker 1>pieces on there. But you got to represent humanity. Um,

0:55:28.160 --> 0:55:33.040
<v Speaker 1>you cannot represent humanity without the contribution of African American music,

0:55:33.200 --> 0:55:37.040
<v Speaker 1>which was basically the birth of all popular music with blues,

0:55:37.120 --> 0:55:40.160
<v Speaker 1>jazz and then rock and roll. So they thought Chuck

0:55:40.200 --> 0:55:42.359
<v Speaker 1>Berry Johnny be Good got to throw that up there.

0:55:43.640 --> 0:55:47.000
<v Speaker 1>Dark was the Night by Blind Willie Johnson, very kind

0:55:47.000 --> 0:55:50.680
<v Speaker 1>of one of those early kind of creepy sounding blues jams.

0:55:51.440 --> 0:55:54.480
<v Speaker 1>Um melancholy Blues by Louis Armstrong and his Hot seven,

0:55:55.520 --> 0:55:57.480
<v Speaker 1>and I thought it was funny. Dave included this too.

0:55:57.520 --> 0:55:59.600
<v Speaker 1>I actually remember this. Saturday Night Live had a joke

0:55:59.680 --> 0:56:02.720
<v Speaker 1>way back when, because this was all over the news, um,

0:56:02.760 --> 0:56:04.960
<v Speaker 1>where they said the space aliens message back would be

0:56:05.000 --> 0:56:08.640
<v Speaker 1>sydmore Chuck Berry, Right, it was Steve Martin doing his

0:56:08.680 --> 0:56:14.040
<v Speaker 1>psychic character Kokua Yea, who was receiving telepathic messages from

0:56:14.200 --> 0:56:18.279
<v Speaker 1>the aliens who had intercepted the voyage or probes. Uh.

0:56:18.400 --> 0:56:21.040
<v Speaker 1>You would think the Beatles would be a natch, and

0:56:21.160 --> 0:56:24.120
<v Speaker 1>they were, except that it didn't work out. Um. All

0:56:24.120 --> 0:56:26.839
<v Speaker 1>four of the Beatles said, yeah, we'd love to be on. Um,

0:56:26.880 --> 0:56:29.200
<v Speaker 1>there were copyright issues, so they did not make the cut.

0:56:30.239 --> 0:56:34.239
<v Speaker 1>So I read an article by Timothy Ferris saying that

0:56:34.239 --> 0:56:37.759
<v Speaker 1>that was an urban legend that they had never thought

0:56:37.840 --> 0:56:39.960
<v Speaker 1>to or that they had never tried to. Yeah, that

0:56:40.000 --> 0:56:42.759
<v Speaker 1>they hadn't included the Beatles. And apparently part of the

0:56:42.840 --> 0:56:45.000
<v Speaker 1>urban legend is that the Beatles song they were trying

0:56:45.000 --> 0:56:47.719
<v Speaker 1>to get was Here Comes the Sun. And he's like,

0:56:47.760 --> 0:56:49.800
<v Speaker 1>that would have been funny for a very short while.

0:56:50.000 --> 0:56:54.360
<v Speaker 1>And then but he said that they that that was interesting.

0:56:54.680 --> 0:56:58.520
<v Speaker 1>That's disappointing because I would think that would be um,

0:56:58.560 --> 0:57:00.400
<v Speaker 1>I would think that would be worthy of consider duration

0:57:00.880 --> 0:57:05.200
<v Speaker 1>Chuck Berry and Bach's your choices, Chuck, Bob, Dylan they

0:57:05.200 --> 0:57:08.000
<v Speaker 1>thought about, apparently, but they were like, I don't know,

0:57:08.120 --> 0:57:09.960
<v Speaker 1>Dylan might just they just might be wondering what the

0:57:09.960 --> 0:57:13.280
<v Speaker 1>heck he's talking about. That smells like an urban legend too,

0:57:13.640 --> 0:57:17.120
<v Speaker 1>do you think? Yeah? And um, Timothy Ferrist didn't address

0:57:17.120 --> 0:57:19.440
<v Speaker 1>it one way or the other, but but you just

0:57:19.480 --> 0:57:22.640
<v Speaker 1>started cynical about that. I it just smells like when

0:57:22.680 --> 0:57:24.560
<v Speaker 1>you know what I mean, I think it's I think

0:57:24.600 --> 0:57:28.400
<v Speaker 1>it smell it. It smells real to me smells holding.

0:57:28.760 --> 0:57:34.560
<v Speaker 1>I'm a big Dylan fan though, no, it's a legend. Uh.

0:57:34.600 --> 0:57:37.280
<v Speaker 1>They also had music of the world. They had a

0:57:37.320 --> 0:57:41.200
<v Speaker 1>didgeri do of course, some pan flute action, a little

0:57:41.240 --> 0:57:45.560
<v Speaker 1>Indian raffie, a little Indian raga, navajo chant, little mariachi, jams,

0:57:46.720 --> 0:57:51.560
<v Speaker 1>Azerbaijani bagpipes, amazing. Yeah, what else? Music from all over

0:57:51.600 --> 0:57:54.960
<v Speaker 1>the world basically, which is you know what, which is

0:57:54.960 --> 0:57:56.920
<v Speaker 1>what you gotta do. It is strange though that they

0:57:57.600 --> 0:58:01.040
<v Speaker 1>I mean, Johnny be Good was the pop music they

0:58:01.080 --> 0:58:05.000
<v Speaker 1>put on there. Yeah, and again this tim Timothy Ferris

0:58:05.160 --> 0:58:09.240
<v Speaker 1>recollection of it was that um that there was some

0:58:09.360 --> 0:58:12.360
<v Speaker 1>dissent about, including Chuck Berry. I think that it was

0:58:12.480 --> 0:58:15.720
<v Speaker 1>to adolescent, is what one of the people said, And

0:58:15.840 --> 0:58:17.960
<v Speaker 1>Carl Sagan was like, well, there's a lot of adolescents

0:58:18.000 --> 0:58:20.919
<v Speaker 1>that live on planet Earth, so it actually is pretty representative.

0:58:21.640 --> 0:58:23.800
<v Speaker 1>So it ended up on there. But yeah, it is

0:58:23.840 --> 0:58:27.200
<v Speaker 1>surprising that, say, like the Beatles or something, especially from

0:58:27.240 --> 0:58:30.040
<v Speaker 1>you know, this handful of potheads working on the project.

0:58:30.440 --> 0:58:32.480
<v Speaker 1>You'd think for sure that they would have chosen something

0:58:32.520 --> 0:58:37.400
<v Speaker 1>like that, but they didn't. They yes, tune on their right,

0:58:38.000 --> 0:58:44.760
<v Speaker 1>they put twelve in its entiretyis, which is good, but

0:58:44.800 --> 0:58:49.200
<v Speaker 1>it got way better when Phil Collins took over. We've

0:58:49.240 --> 0:58:53.720
<v Speaker 1>talked about this, I know so um one of the

0:58:53.760 --> 0:58:56.680
<v Speaker 1>things that Carl Sagan did after this project. Oh and

0:58:56.720 --> 0:58:59.720
<v Speaker 1>by the way, that laughter, there's apparently a big mystery

0:58:59.720 --> 0:59:02.560
<v Speaker 1>about whose laughter it was on that sound essay when

0:59:02.680 --> 0:59:05.120
<v Speaker 1>Humanity comes in and is walking with the heartbeat going,

0:59:05.640 --> 0:59:09.480
<v Speaker 1>and Um, as Atlantic writer, tried very hard to get

0:59:09.480 --> 0:59:11.720
<v Speaker 1>to the bottom of it, and she believed that she

0:59:11.800 --> 0:59:15.320
<v Speaker 1>had that. She finally got in touch with Sasha Sagan Um,

0:59:15.400 --> 0:59:18.920
<v Speaker 1>Carl Sagan's daughter, Carl and Ann's daughter, who said, I

0:59:19.000 --> 0:59:21.520
<v Speaker 1>talked to my mom and she said that, Um, that

0:59:21.520 --> 0:59:25.560
<v Speaker 1>that was my father's laughter, and it was confirmed with Anne.

0:59:26.000 --> 0:59:28.240
<v Speaker 1>But then Timothy Ferris through a rent in the work

0:59:28.240 --> 0:59:30.280
<v Speaker 1>because he was there too, and he's like, look, I

0:59:30.360 --> 0:59:32.560
<v Speaker 1>knew Carl Sagan very well and I heard his laugh

0:59:32.600 --> 0:59:34.880
<v Speaker 1>plenty of times and it didn't sound anything like that.

0:59:35.560 --> 0:59:37.360
<v Speaker 1>So they're kind of like, where is this gonna go

0:59:37.440 --> 0:59:39.720
<v Speaker 1>with it being Carl Sagan's because I think she had

0:59:39.760 --> 0:59:43.240
<v Speaker 1>spent years trying to figure this out, and I was

0:59:43.320 --> 0:59:45.680
<v Speaker 1>really happy when she did. And then was really Chris

0:59:45.680 --> 0:59:48.520
<v Speaker 1>fallen when it turns out that that wasn't the case,

0:59:48.640 --> 0:59:52.760
<v Speaker 1>and that was um Adrian la France, who spent years

0:59:52.800 --> 0:59:55.800
<v Speaker 1>trying to figure that mystery out. Well, Sagan was a scientist,

0:59:55.840 --> 0:59:58.800
<v Speaker 1>he wasn't a mad scientist. And that's what it sounds

0:59:58.800 --> 1:00:01.720
<v Speaker 1>like a little bit it does. It sounds like somebody

1:00:01.760 --> 1:00:06.400
<v Speaker 1>on some on a you know, some bad grass. So

1:00:06.520 --> 1:00:09.680
<v Speaker 1>in the end, I think you could consider the project

1:00:09.720 --> 1:00:13.400
<v Speaker 1>a success in a way, and that it launched and

1:00:13.400 --> 1:00:15.920
<v Speaker 1>they got what they felt like worked. But I think

1:00:15.960 --> 1:00:19.520
<v Speaker 1>Sagan had a pretty good um take on it, which was,

1:00:20.320 --> 1:00:23.080
<v Speaker 1>you know, this isn't perfect, but we are not perfect,

1:00:24.360 --> 1:00:28.360
<v Speaker 1>so pass the ducy and let's just launch this thing, right.

1:00:29.480 --> 1:00:32.760
<v Speaker 1>So he calculated and he wrote a book about this

1:00:32.800 --> 1:00:37.760
<v Speaker 1>whole thing Um called Murmurs of Earth Um, and it

1:00:37.880 --> 1:00:41.600
<v Speaker 1>kind of recounts the entire project like that's a if

1:00:41.640 --> 1:00:43.320
<v Speaker 1>you really step back and look at it, it's a

1:00:43.360 --> 1:00:45.560
<v Speaker 1>hand handful of people who came up with a pretty

1:00:45.600 --> 1:00:48.160
<v Speaker 1>cool idea, got a bunch of people together to kind

1:00:48.160 --> 1:00:51.040
<v Speaker 1>of contribute to it, and and tried to be ambassadors

1:00:51.040 --> 1:00:55.000
<v Speaker 1>of Earth at its barressed. That's what it is at

1:00:55.000 --> 1:00:58.840
<v Speaker 1>its fullest. It's one of the grandest gestures humanity has

1:00:58.840 --> 1:01:02.600
<v Speaker 1>ever been involved in this really hopeful throwing a message

1:01:02.960 --> 1:01:06.360
<v Speaker 1>in the bottle into the cosmic ocean basically is segan

1:01:06.440 --> 1:01:11.360
<v Speaker 1>put it um And wherever you've where however you feel

1:01:11.400 --> 1:01:14.160
<v Speaker 1>you're going to kind of fall somewhere in between that spectrum.

1:01:14.200 --> 1:01:18.440
<v Speaker 1>But either way, Um, it was a remarkable project and

1:01:18.520 --> 1:01:22.400
<v Speaker 1>just something. It was so Karl Sagan. There aren't that

1:01:22.440 --> 1:01:25.040
<v Speaker 1>many people out there, especially alive at the time that

1:01:25.080 --> 1:01:28.480
<v Speaker 1>he was alive, who would have done that and not

1:01:28.560 --> 1:01:30.880
<v Speaker 1>only just thought to do it, had the connections that

1:01:31.080 --> 1:01:33.440
<v Speaker 1>NASA to do it, to talk people into doing this,

1:01:33.680 --> 1:01:36.040
<v Speaker 1>and then to actually do it and get it done

1:01:36.320 --> 1:01:39.480
<v Speaker 1>and get some records out there in space floating around

1:01:39.560 --> 1:01:41.880
<v Speaker 1>in the hopes that maybe one day some aliens will

1:01:41.920 --> 1:01:44.120
<v Speaker 1>find it and know that we were here and maybe

1:01:44.120 --> 1:01:48.240
<v Speaker 1>come looking for us and wipe us out totally. So

1:01:48.280 --> 1:01:52.120
<v Speaker 1>that's Golden records. Huh, that's Golden Records. If you want

1:01:52.120 --> 1:01:54.560
<v Speaker 1>to know more about Golden Records, go search them on

1:01:54.560 --> 1:01:56.600
<v Speaker 1>the Internet. There's a bunch of really cool stuff out

1:01:56.640 --> 1:01:59.520
<v Speaker 1>there about it. And I think we think you're gonna

1:01:59.560 --> 1:02:02.080
<v Speaker 1>like it. Um. And since I said that it's time

1:02:02.120 --> 1:02:07.080
<v Speaker 1>for a listener, Mayo, I'm gonna call this short and sweet.

1:02:07.560 --> 1:02:11.680
<v Speaker 1>Hey guys, greetings from surprisingly sunny London. I just finished

1:02:11.680 --> 1:02:14.600
<v Speaker 1>listening to your newest episode of Nazi Gold, and while

1:02:14.600 --> 1:02:17.280
<v Speaker 1>it kills me that I can't even tell you which one,

1:02:17.760 --> 1:02:20.680
<v Speaker 1>I am working on a legal case about one of

1:02:20.720 --> 1:02:23.919
<v Speaker 1>the Gold hordes and legends that you mentioned, and if

1:02:23.960 --> 1:02:26.520
<v Speaker 1>it gets made public, I will of course dish out

1:02:26.560 --> 1:02:29.640
<v Speaker 1>the details. But until then, just know that it's every

1:02:29.680 --> 1:02:34.120
<v Speaker 1>bit as wild, thrilling and Indiana Jones meets the Goonies

1:02:34.160 --> 1:02:41.240
<v Speaker 1>as you could possibly imagine. She wouldn't even give us

1:02:41.280 --> 1:02:44.600
<v Speaker 1>anything like don't tell anybody this or don't read this

1:02:44.680 --> 1:02:47.720
<v Speaker 1>as listener mail. But here's the real dirt. Nothing nothing,

1:02:47.840 --> 1:02:50.160
<v Speaker 1>just just is straight up like, hey, I've got all

1:02:50.160 --> 1:02:52.160
<v Speaker 1>this information that I'm not going to share with you,

1:02:52.680 --> 1:02:55.040
<v Speaker 1>and now chuck you you've turned around and done this

1:02:55.080 --> 1:03:00.680
<v Speaker 1>to everybody else. I know that's an anonymous even that

1:03:01.200 --> 1:03:05.040
<v Speaker 1>thanks is dripping in sarcasm too. Well, if you want

1:03:05.040 --> 1:03:07.440
<v Speaker 1>to be like anonymous and just straight up tease us

1:03:07.440 --> 1:03:09.680
<v Speaker 1>with information that you may or may not be able

1:03:09.720 --> 1:03:13.360
<v Speaker 1>to share in the future, okay, that's fine. You can

1:03:13.400 --> 1:03:15.440
<v Speaker 1>send us an email. You can wrap it up spanking

1:03:15.480 --> 1:03:17.760
<v Speaker 1>on the bottom and send it off to Stuff Podcasts

1:03:18.160 --> 1:03:23.760
<v Speaker 1>at i heart radio dot com. Stuff you Should Know

1:03:23.840 --> 1:03:26.240
<v Speaker 1>is a production of iHeart Radio's How Stuff Works. For

1:03:26.360 --> 1:03:28.480
<v Speaker 1>more podcasts for my heart Radio, because at the iHeart

1:03:28.520 --> 1:03:31.040
<v Speaker 1>radio app, Apple Podcasts, or wherever you listen to your

1:03:31.040 --> 1:03:31.720
<v Speaker 1>favorite shows.