1 00:00:08,440 --> 00:00:15,800 Speaker 1: Scarable advice for Shugar Space. It's time. Hello, Hello, Hello, Hello, 2 00:00:15,920 --> 00:00:18,200 Speaker 1: welcome to the Naughty but Nice Show. I'm your house, 3 00:00:18,280 --> 00:00:21,480 Speaker 1: drup shooter. It's Friday, meaning a dear friend, Corey Andrew 4 00:00:21,520 --> 00:00:24,920 Speaker 1: from Instinct magazine dot com is joining us. Corey, are 5 00:00:24,960 --> 00:00:29,440 Speaker 1: you there? I am here. Happy Friday everyone. Hello, Darling, 6 00:00:29,480 --> 00:00:32,080 Speaker 1: you sound crystal Crystal clear. Hey, we got a ton 7 00:00:32,120 --> 00:00:35,120 Speaker 1: of tea. Let's get into the show. What time is it, 8 00:00:35,159 --> 00:00:39,560 Speaker 1: my friends? It is tea time. Charlie Sheen is saying 9 00:00:39,600 --> 00:00:44,639 Speaker 1: Denise Richards should complain to a judge over the child's 10 00:00:44,640 --> 00:00:48,520 Speaker 1: support ruling said Charlie and Denise were married from two 11 00:00:48,520 --> 00:00:51,080 Speaker 1: thousand and two to two thousand and six. They shared 12 00:00:51,159 --> 00:00:55,240 Speaker 1: two children together, Sammy, who's now seventeen and Lula, who 13 00:00:55,320 --> 00:00:59,160 Speaker 1: is sixteen. So a judge ruled that after one of 14 00:00:59,160 --> 00:01:03,040 Speaker 1: the daughters, Sammy, after she moved in with Charlie, the 15 00:01:03,120 --> 00:01:05,880 Speaker 1: judge ruled, well, now that she's living with her Dan, 16 00:01:06,600 --> 00:01:10,640 Speaker 1: Charlie no longer needs to pay child support to Denise. 17 00:01:11,280 --> 00:01:15,319 Speaker 1: The actress. Denise was blindsighted by the ruling when approached 18 00:01:15,520 --> 00:01:20,240 Speaker 1: by paparazzi outside Whole Food in Malibu. Can imagine him 19 00:01:20,240 --> 00:01:23,400 Speaker 1: and the celebrities that you must see in Malibu. I mean, 20 00:01:23,440 --> 00:01:25,480 Speaker 1: I just sit there. If I was a photographer, just 21 00:01:25,480 --> 00:01:28,720 Speaker 1: sit outside Whole Food in Malibu and you'll see everybody. 22 00:01:28,920 --> 00:01:32,240 Speaker 1: So he was approached by a photographer and he was 23 00:01:32,319 --> 00:01:35,639 Speaker 1: asked about Denise and the new ruling, and he said 24 00:01:36,040 --> 00:01:38,960 Speaker 1: she should go down to the court house and complain 25 00:01:39,120 --> 00:01:44,240 Speaker 1: to the judge. After the ruling. She is doing interviews, 26 00:01:44,240 --> 00:01:47,880 Speaker 1: he told us Weekly. Then he believes it's extremely fair. 27 00:01:48,200 --> 00:01:51,240 Speaker 1: Denise is not doing interviews, but her people are talking 28 00:01:51,600 --> 00:01:55,400 Speaker 1: saying she's very disappointed and she's very surprised. But get 29 00:01:55,440 --> 00:01:59,919 Speaker 1: this also to Denise's new husband is heartbroken. That's what inside. 30 00:02:00,520 --> 00:02:03,920 Speaker 1: Of course, of course that's a massive check they're not 31 00:02:03,960 --> 00:02:06,520 Speaker 1: going to be getting anymore. They go on to say, 32 00:02:06,560 --> 00:02:10,320 Speaker 1: he's not just heartbroken over the money. He's heartbroken because 33 00:02:10,720 --> 00:02:14,600 Speaker 1: Charlie has done this. And it's very unfair because when 34 00:02:14,639 --> 00:02:20,480 Speaker 1: Denise is upset, then he's upset you're missing that check. Yeah, 35 00:02:20,480 --> 00:02:23,160 Speaker 1: I think, honey, he's missing the coins. And you know, 36 00:02:23,200 --> 00:02:26,119 Speaker 1: I wonder though about this. Is this something that Charlie 37 00:02:26,120 --> 00:02:28,240 Speaker 1: went to the judge and petition for. I mean, it's 38 00:02:28,320 --> 00:02:30,240 Speaker 1: not as if the judge is out of nowhere, goes, 39 00:02:30,280 --> 00:02:32,680 Speaker 1: Oh the kid's there now, no more shall support. Like 40 00:02:32,760 --> 00:02:36,200 Speaker 1: it seems clear that Charlie was like, hey, I've done 41 00:02:36,200 --> 00:02:38,280 Speaker 1: with these payments. I'm trying to did it. Charlie's like, 42 00:02:38,360 --> 00:02:40,760 Speaker 1: Charlie's been paying these payments for years and years and 43 00:02:40,840 --> 00:02:43,120 Speaker 1: years and the kids were living with Denise, And I 44 00:02:43,360 --> 00:02:45,360 Speaker 1: told my source has told me he's a good dad. 45 00:02:45,680 --> 00:02:47,280 Speaker 1: He tries to be the best. The card. He mean, 46 00:02:47,400 --> 00:02:49,880 Speaker 1: let's remember he's Charlie. She yeah, so good. He's a 47 00:02:50,120 --> 00:02:51,840 Speaker 1: you know, sort of a word that we should forget 48 00:02:52,120 --> 00:02:54,720 Speaker 1: about it. He tries to be there. But financially he's great. 49 00:02:55,320 --> 00:02:58,840 Speaker 1: Every month he get that check for these kids. They 50 00:02:58,840 --> 00:03:01,720 Speaker 1: are now too, sixteen and seventeen. I mean we should 51 00:03:01,760 --> 00:03:03,880 Speaker 1: I should check this out. I don't know what age 52 00:03:03,960 --> 00:03:08,680 Speaker 1: child support as I think eighteen. So now the kids 53 00:03:08,680 --> 00:03:11,080 Speaker 1: will at least one of them is living with Charlie. 54 00:03:11,120 --> 00:03:14,679 Speaker 1: Remember that whole drama on social media. She said it 55 00:03:14,840 --> 00:03:17,160 Speaker 1: was a hellish place living with her mom and she's 56 00:03:17,200 --> 00:03:19,320 Speaker 1: happy now to be with her dad. So there's lots 57 00:03:19,320 --> 00:03:22,120 Speaker 1: of drama going on there. I love. It just shows 58 00:03:22,120 --> 00:03:24,919 Speaker 1: you how shrewd Charlie Sheen is. We think of him 59 00:03:24,919 --> 00:03:27,320 Speaker 1: a sloppy but you know what when it comes to legally, 60 00:03:27,560 --> 00:03:30,800 Speaker 1: is he got his lawyers down to that courthouse with me. 61 00:03:30,960 --> 00:03:33,799 Speaker 1: I'm not paying anymore. He's putting our legacy. He's dad. 62 00:03:33,840 --> 00:03:35,160 Speaker 1: I mean, come on, he knows where to go and 63 00:03:35,280 --> 00:03:37,280 Speaker 1: he needs the good stuff. He knows who to talk 64 00:03:37,320 --> 00:03:40,400 Speaker 1: to his dad. Mean you know, yes, he has good lawyers. 65 00:03:40,400 --> 00:03:43,880 Speaker 1: So he's no longer playing child support. His daughter has 66 00:03:43,920 --> 00:03:47,760 Speaker 1: moved in with him. Denise is very, very upset about this. 67 00:03:47,840 --> 00:03:50,400 Speaker 1: I bet she is. Do you think it's fair? That's 68 00:03:50,440 --> 00:03:52,320 Speaker 1: our whole question of the day. Do you think this 69 00:03:52,440 --> 00:03:55,240 Speaker 1: is fair? Should he still be paying she's not living 70 00:03:55,240 --> 00:03:58,760 Speaker 1: with Denise? Or is this a good idea? Hey? Go 71 00:03:58,920 --> 00:04:01,200 Speaker 1: vote on answer to pay. Naughty Nights are all but 72 00:04:01,280 --> 00:04:04,400 Speaker 1: on Facebook pages Naughty Gossip. You can leave a comment 73 00:04:04,400 --> 00:04:06,800 Speaker 1: there and be sure to check back on Monday to 74 00:04:06,960 --> 00:04:10,240 Speaker 1: hear your results. Corey Love, what are you working on? Yes, well, 75 00:04:10,320 --> 00:04:13,040 Speaker 1: Kelly Clarkson has shaded her ex husband for trying to 76 00:04:13,080 --> 00:04:17,200 Speaker 1: get her ten million dollar house in the divorce. This 77 00:04:17,240 --> 00:04:19,359 Speaker 1: story cracks me up, though, I gotta be honest. So 78 00:04:19,480 --> 00:04:22,760 Speaker 1: fans are convinced that Kelly Clarkson has shaded Brandon Blackstock 79 00:04:23,080 --> 00:04:25,600 Speaker 1: when she recently performed a rendition of Happier Than Thou 80 00:04:25,680 --> 00:04:28,520 Speaker 1: by Billie Eilish. Now, they couldn't help but notice that 81 00:04:28,600 --> 00:04:31,440 Speaker 1: she had changed a few of the lyrics to the songs, 82 00:04:31,320 --> 00:04:34,040 Speaker 1: and she changed the final lyric too, I get it 83 00:04:34,240 --> 00:04:37,720 Speaker 1: you hate this city. Now. Many interpreted that lyric as 84 00:04:37,720 --> 00:04:40,080 Speaker 1: a reference to her ex husband, Brandon Blackstock, who has 85 00:04:40,080 --> 00:04:43,360 Speaker 1: been living at his and Clarkson's former ranch in Montana 86 00:04:43,600 --> 00:04:45,839 Speaker 1: ever since she filed for divorce from him back in 87 00:04:45,920 --> 00:04:49,360 Speaker 1: July twenty twenty. Now. Clarkson, for her part, has spent 88 00:04:49,360 --> 00:04:51,839 Speaker 1: most of her time living and working in Los Angeles 89 00:04:51,839 --> 00:04:54,719 Speaker 1: since they're split, but Blackstock has been busy fighting for 90 00:04:54,720 --> 00:04:57,599 Speaker 1: a month to try to keep the Montana home as 91 00:04:57,640 --> 00:04:59,840 Speaker 1: part of their divorce settlement. Now we need to say, 92 00:05:00,160 --> 00:05:02,479 Speaker 1: we need to share that the ranch was bought by 93 00:05:02,720 --> 00:05:06,560 Speaker 1: Clarkson for a ten point four million dollars twenty nineteen. 94 00:05:06,640 --> 00:05:10,000 Speaker 1: So she bought it, right and so absolutely, and now 95 00:05:10,040 --> 00:05:13,560 Speaker 1: a Los Angeles judge is ruling that because she bought it, 96 00:05:13,680 --> 00:05:19,000 Speaker 1: the Manta Ranch belongs to Clarkson. And you know what, 97 00:05:19,320 --> 00:05:21,400 Speaker 1: he's shady for even trying to get that house he 98 00:05:21,480 --> 00:05:25,560 Speaker 1: built their house wasn't his. I can't stand shady divorces 99 00:05:25,680 --> 00:05:29,960 Speaker 1: like that. Shady. It's so shady. These two have so 100 00:05:30,040 --> 00:05:32,719 Speaker 1: much money now obviously Kelly has way, way more, but 101 00:05:32,760 --> 00:05:35,160 Speaker 1: he was her manager for a long time. The manager 102 00:05:35,240 --> 00:05:38,960 Speaker 1: never goes poor. They always have money. So he's doing 103 00:05:39,000 --> 00:05:42,760 Speaker 1: fine too. He wants to continue living the lifestyle of 104 00:05:42,839 --> 00:05:45,880 Speaker 1: Kelly Clarkson's husband, but not be with Kelly Clarkson. That 105 00:05:45,920 --> 00:05:49,080 Speaker 1: doesn't work that. It doesn't work like that. If you 106 00:05:49,200 --> 00:05:53,640 Speaker 1: want to live the lifestyle of the husband of a superstar, 107 00:05:53,920 --> 00:05:58,280 Speaker 1: then stay married. But you're getting divorced. And with divorce, 108 00:05:58,640 --> 00:06:01,360 Speaker 1: that's the end of Kelly, and not only Kelly, it's 109 00:06:01,400 --> 00:06:04,599 Speaker 1: the end of Kelly money. And so instead of living 110 00:06:04,640 --> 00:06:07,880 Speaker 1: in a ten million dollar ranch, about a one million 111 00:06:07,920 --> 00:06:11,359 Speaker 1: dollars rancho. I mean, you know, I do think. I 112 00:06:11,400 --> 00:06:13,280 Speaker 1: do think people get used to it, though, don't they 113 00:06:13,440 --> 00:06:16,280 Speaker 1: And it becomes like a right. They think because they 114 00:06:16,320 --> 00:06:18,200 Speaker 1: live like that now they should always live like that. 115 00:06:18,240 --> 00:06:20,320 Speaker 1: I'm like, oh no, no, no, no no no. When that 116 00:06:20,360 --> 00:06:22,480 Speaker 1: money's over, I mean, who lives in a ten million 117 00:06:22,480 --> 00:06:25,200 Speaker 1: dollar house. She's got the house back, and I sort 118 00:06:25,240 --> 00:06:28,480 Speaker 1: of love the shadiness. She deliberately changed her lyrics. She's 119 00:06:28,520 --> 00:06:31,119 Speaker 1: too much of a musician to change a lyric without 120 00:06:31,240 --> 00:06:33,960 Speaker 1: knowing what she's doing. She's not the sort of artist 121 00:06:34,000 --> 00:06:36,240 Speaker 1: that goes up on lyrics or doesn't do the work. 122 00:06:36,360 --> 00:06:39,120 Speaker 1: She knows her materials, she knows her songs, and I 123 00:06:39,160 --> 00:06:41,400 Speaker 1: think on her show they might even be in the 124 00:06:41,440 --> 00:06:44,919 Speaker 1: teleprompter because she's always singing a new song every day 125 00:06:44,920 --> 00:06:48,000 Speaker 1: by a cover artist, so it's not her catalog, so 126 00:06:48,040 --> 00:06:50,680 Speaker 1: they might even be in the telly prompter. And the 127 00:06:50,760 --> 00:06:54,080 Speaker 1: new lyric just happened to ryme when she's a lot 128 00:06:54,120 --> 00:06:57,039 Speaker 1: of works and somebody wrote that lyric. She Saggitt. She 129 00:06:57,080 --> 00:06:59,000 Speaker 1: knows exactly what she's up to, and you know what, 130 00:06:59,160 --> 00:07:04,279 Speaker 1: I'm here for it. Britney's sons are making a rare 131 00:07:04,320 --> 00:07:07,200 Speaker 1: public appearance. So I've got a photograph of Sean Preston, 132 00:07:07,240 --> 00:07:10,640 Speaker 1: who's now sixteen, and Jaden James, who's fifteen. My goodness, 133 00:07:10,680 --> 00:07:13,360 Speaker 1: they are growing up. They look great together. We don't 134 00:07:13,400 --> 00:07:16,960 Speaker 1: see them very often. The picture was snapped with their dad, 135 00:07:17,440 --> 00:07:20,480 Speaker 1: Kevin Federline, who ten years ago we used to think 136 00:07:20,480 --> 00:07:22,160 Speaker 1: he was shady and now he's turned out to be 137 00:07:22,280 --> 00:07:26,160 Speaker 1: dad of the years. It's amazing. Isn't it. So they 138 00:07:26,200 --> 00:07:29,520 Speaker 1: say in the photograph that these are just wonderful boys. 139 00:07:29,600 --> 00:07:33,560 Speaker 1: Also too, they call Jaden a child protege because he's 140 00:07:33,600 --> 00:07:36,960 Speaker 1: playing the piano in a video. Brittany has said in 141 00:07:37,000 --> 00:07:39,520 Speaker 1: the past that she has to be very careful with 142 00:07:39,560 --> 00:07:43,000 Speaker 1: her children and she even has to ask permission before 143 00:07:43,200 --> 00:07:46,840 Speaker 1: she posts a picture. She said, they're both really private 144 00:07:47,600 --> 00:07:51,720 Speaker 1: and extremely independent. My sources tell me since the day 145 00:07:51,760 --> 00:07:56,360 Speaker 1: they were born, they have seen fame up close and personal, 146 00:07:56,680 --> 00:07:59,640 Speaker 1: and they've not really seen something that they like. Yeah, 147 00:07:59,720 --> 00:08:03,200 Speaker 1: that's why these two boys are so private, I know. 148 00:08:03,360 --> 00:08:05,800 Speaker 1: Because he seems to be a great piano player, A 149 00:08:05,800 --> 00:08:09,240 Speaker 1: lot of people are buzzing, will be a musician? Will 150 00:08:09,280 --> 00:08:12,680 Speaker 1: he follow in his mommy's footsteps. I'm told no, he 151 00:08:12,800 --> 00:08:16,119 Speaker 1: doesn't want fame. If you've seen it, and you've seen 152 00:08:16,160 --> 00:08:19,800 Speaker 1: the dance side of it this closely, I'm told these 153 00:08:19,800 --> 00:08:23,440 Speaker 1: two boys want no part of celebrity. Yeah, but you 154 00:08:23,480 --> 00:08:26,320 Speaker 1: know what, though, you can still maintain a life as 155 00:08:26,360 --> 00:08:28,920 Speaker 1: a musician and not be famous. You know, he could 156 00:08:28,960 --> 00:08:30,720 Speaker 1: go on to do all kinds of other things in 157 00:08:30,840 --> 00:08:33,320 Speaker 1: music and not be a pop star. So if he 158 00:08:33,360 --> 00:08:36,280 Speaker 1: loves music, there's still an opportunity for a career there 159 00:08:36,320 --> 00:08:40,480 Speaker 1: without an other craziness. You know, I know you're right, 160 00:08:40,520 --> 00:08:44,559 Speaker 1: and I think though being Britney Spears's children, yeah, you 161 00:08:44,640 --> 00:08:47,160 Speaker 1: care for they end up. Even if they work in 162 00:08:47,240 --> 00:08:50,280 Speaker 1: a bank, there's going to be a certain level of 163 00:08:50,320 --> 00:08:53,560 Speaker 1: fame that is going to follow them around for forever. 164 00:08:53,640 --> 00:08:56,640 Speaker 1: I was thinking about Madonna's children and her daughter Lola 165 00:08:56,720 --> 00:08:59,559 Speaker 1: seems quite comfortable in the spotlight, that goodness because she's 166 00:08:59,600 --> 00:09:02,440 Speaker 1: always to have it on her being Madonna's kids. And 167 00:09:02,440 --> 00:09:04,840 Speaker 1: then I look at Angelina's kids, who seem to be 168 00:09:04,920 --> 00:09:07,360 Speaker 1: much more private. Yea, Yet they're always going to be 169 00:09:07,440 --> 00:09:10,840 Speaker 1: Angelina and Brad's kids. And so I just hope that 170 00:09:10,880 --> 00:09:13,600 Speaker 1: all this works out here Brittany and the kids. I'm 171 00:09:13,640 --> 00:09:17,200 Speaker 1: wishing you all the best. Talking about music, what's this 172 00:09:17,320 --> 00:09:21,040 Speaker 1: story about Adele and Beyonce? Yes, well, Adele had a 173 00:09:21,120 --> 00:09:25,320 Speaker 1: conversation with Beyonce after the twenty seventeen Grammys. Adele took 174 00:09:25,360 --> 00:09:28,200 Speaker 1: home the top award at the twenty seventeen Grammys, but 175 00:09:28,280 --> 00:09:31,720 Speaker 1: she maintained the entire time that the Album of the 176 00:09:31,800 --> 00:09:35,280 Speaker 1: Years should have gone to Beyonce. Wow. Now, the British 177 00:09:35,280 --> 00:09:38,040 Speaker 1: singer who declared her love for Beyonce's Lemonade during her 178 00:09:38,080 --> 00:09:42,640 Speaker 1: own acceptance speech, revealed the two spoke privately after the show. 179 00:09:43,040 --> 00:09:45,959 Speaker 1: She says, my personal opinion is that Beyonce definitely should 180 00:09:46,000 --> 00:09:48,680 Speaker 1: have won. I got overwhelmed. I was like, I have 181 00:09:48,760 --> 00:09:50,840 Speaker 1: to go tell her how much I love that album, 182 00:09:50,880 --> 00:09:52,920 Speaker 1: how much it means to me, and I'm getting a 183 00:09:52,920 --> 00:09:57,040 Speaker 1: bit emotional now. Adele found Beyonce backstage to explain how 184 00:09:57,120 --> 00:09:59,760 Speaker 1: much Lemonade meant to her, but the thirty three year 185 00:09:59,760 --> 00:10:02,920 Speaker 1: old said she wasn't able to articulate it well during 186 00:10:02,960 --> 00:10:06,760 Speaker 1: their first exchange, and after leaving Beyonce's dressing room, she 187 00:10:06,880 --> 00:10:11,840 Speaker 1: burst into tears, so her then husband, charity executive Simon Knicki, 188 00:10:12,200 --> 00:10:13,880 Speaker 1: he dragged her back in the room a second time, 189 00:10:13,920 --> 00:10:18,200 Speaker 1: and Beyonce's publicist cleared the room. So she just said 190 00:10:18,200 --> 00:10:20,320 Speaker 1: to her, like, hey, the Grammys have the Grammy's work. 191 00:10:20,360 --> 00:10:22,480 Speaker 1: The people who control at the very top, they don't 192 00:10:22,480 --> 00:10:24,480 Speaker 1: know what a visual album is. They don't want to 193 00:10:24,520 --> 00:10:27,040 Speaker 1: support the way she's moving things forward with her releases 194 00:10:27,280 --> 00:10:29,840 Speaker 1: and the things she's talking about. Adele explains, and she 195 00:10:29,960 --> 00:10:31,720 Speaker 1: was a bit of an emotional mess at night, though, 196 00:10:32,160 --> 00:10:36,400 Speaker 1: you know, because she actually broke her Grammy award. She 197 00:10:36,440 --> 00:10:39,480 Speaker 1: broke the award, she still hasn't fixed it, and instead 198 00:10:39,520 --> 00:10:42,120 Speaker 1: of like the actual thing being fixed, there's a piece 199 00:10:42,160 --> 00:10:45,560 Speaker 1: of fruit wedged in where the break happened in the award. 200 00:10:45,559 --> 00:10:49,360 Speaker 1: And it's a limit. So maybe just further acceptance speech 201 00:10:49,400 --> 00:10:52,680 Speaker 1: for there. But can I just tell you, if Adele, 202 00:10:52,720 --> 00:10:55,280 Speaker 1: if you're listening and I'm a member of the voting 203 00:10:55,400 --> 00:10:58,520 Speaker 1: Grammy Voting Academy, we do know, honey, what a visual 204 00:10:58,559 --> 00:11:01,520 Speaker 1: album is. Just to be shady, but we do. We 205 00:11:01,559 --> 00:11:04,240 Speaker 1: do the Yeah, yeah, it's so tricky, is nixt. My 206 00:11:04,480 --> 00:11:07,480 Speaker 1: initial instincts was, oh, this is so lovely that you 207 00:11:07,520 --> 00:11:09,960 Speaker 1: so respect her, you go over, But I think you 208 00:11:09,960 --> 00:11:12,840 Speaker 1: actually make it worse. I think, you know, Beyonce's backstage 209 00:11:12,840 --> 00:11:15,120 Speaker 1: with her people. I've been backstage had the Grammys with 210 00:11:15,120 --> 00:11:18,520 Speaker 1: Alicia Keys and different different celebrities, different people I worked for, 211 00:11:18,800 --> 00:11:20,880 Speaker 1: And it's really emotional when you lose. You just want 212 00:11:20,920 --> 00:11:23,679 Speaker 1: to be by yourself, Like I've been backstage with artists 213 00:11:23,679 --> 00:11:25,400 Speaker 1: that haven't won. You don't want the winner in the 214 00:11:25,480 --> 00:11:28,160 Speaker 1: room crying. You don't just call me in a week, 215 00:11:28,440 --> 00:11:30,080 Speaker 1: like send me a note next week, because send me 216 00:11:30,120 --> 00:11:32,680 Speaker 1: some flowers next week, but that night you weren't like 217 00:11:32,880 --> 00:11:37,400 Speaker 1: enjoy your win, and it's it is gracious on one hand, 218 00:11:37,920 --> 00:11:40,000 Speaker 1: but on the other hand, it's just so awkward. You're 219 00:11:40,040 --> 00:11:44,079 Speaker 1: actually making it worse or Beyonce, Yeah, go home, enjoy 220 00:11:44,120 --> 00:11:46,960 Speaker 1: your reward. And even though I do believe it's coming 221 00:11:47,000 --> 00:11:49,560 Speaker 1: from a good place, I think Adele is really being 222 00:11:49,640 --> 00:11:52,520 Speaker 1: honest here and opening up her heart. She loves Beyonce 223 00:11:52,679 --> 00:11:56,000 Speaker 1: and that that Lemonade album was fabulous, But there always 224 00:11:56,040 --> 00:11:58,920 Speaker 1: has to be a winner. Every award show, there has 225 00:11:58,960 --> 00:12:02,000 Speaker 1: to be a winner, and when you don't win, you accepted. 226 00:12:02,080 --> 00:12:04,120 Speaker 1: I think Beyonce is a big girl. She's a smart 227 00:12:04,880 --> 00:12:07,800 Speaker 1: she knows what's going on to she knows and the 228 00:12:07,840 --> 00:12:11,600 Speaker 1: politics of award shows. Every award show, every award has 229 00:12:11,640 --> 00:12:15,280 Speaker 1: politics involved in it, so she gets it. You're almost 230 00:12:15,280 --> 00:12:17,640 Speaker 1: a pointing out the obvious, Adele. I don't think this 231 00:12:17,760 --> 00:12:21,640 Speaker 1: made Beyonce Eddie happier. In fact, I would argue you 232 00:12:21,720 --> 00:12:25,080 Speaker 1: made it even more awkward and enjoy it. Enjoyed, enjoy it. 233 00:12:25,559 --> 00:12:28,080 Speaker 1: Let's move along quickly before we go to break. Jane 234 00:12:28,080 --> 00:12:31,360 Speaker 1: Fonder is a shame to admit that she actually really 235 00:12:31,440 --> 00:12:35,720 Speaker 1: cares about what men think. Of her looks. So she 236 00:12:35,880 --> 00:12:37,800 Speaker 1: said that if she's going to be on a zoom 237 00:12:37,880 --> 00:12:40,240 Speaker 1: call and she knows there's a man going to be 238 00:12:40,360 --> 00:12:43,600 Speaker 1: on the call, even if it's a doctor or somebody professionally, 239 00:12:43,920 --> 00:12:47,080 Speaker 1: she's a shame to admit that she pays a little 240 00:12:47,160 --> 00:12:51,880 Speaker 1: extra attention into how she looks. She goes on to 241 00:12:52,000 --> 00:12:54,920 Speaker 1: say that as somebody that grew up in the fifties, 242 00:12:54,960 --> 00:12:58,400 Speaker 1: it's just part of her DNA. She knows, she knows 243 00:12:58,800 --> 00:13:01,040 Speaker 1: it's not a great thing, but she's probably gonna feel 244 00:13:01,080 --> 00:13:04,160 Speaker 1: this way to her death bed. She said, quote, I 245 00:13:04,280 --> 00:13:08,479 Speaker 1: do it because I need to feel they find me attractive. 246 00:13:08,800 --> 00:13:11,319 Speaker 1: I don't mean sexy, I mean just look good for 247 00:13:11,480 --> 00:13:14,240 Speaker 1: my age. Do you do this for certain people too? 248 00:13:14,840 --> 00:13:17,320 Speaker 1: Maybe not men or women, but there's certain people that 249 00:13:17,360 --> 00:13:20,200 Speaker 1: you want to look you want to look more attractive 250 00:13:20,280 --> 00:13:23,120 Speaker 1: for what do you think? I find that at this 251 00:13:23,200 --> 00:13:25,559 Speaker 1: stage in life, I don't do it as much. But yeah, 252 00:13:25,600 --> 00:13:27,400 Speaker 1: there was a time when like I would make sure 253 00:13:27,559 --> 00:13:30,320 Speaker 1: that like every hair was in place, and you know, 254 00:13:30,440 --> 00:13:32,599 Speaker 1: the shirt was pressed. But now I'm look, honey, I 255 00:13:32,600 --> 00:13:35,000 Speaker 1: don't have time for all that. Here's what I got going, 256 00:13:35,080 --> 00:13:38,520 Speaker 1: Here's what I offer. You don't like it by when 257 00:13:38,559 --> 00:13:41,160 Speaker 1: I was at university. I can't admit, I can't believe 258 00:13:41,200 --> 00:13:43,439 Speaker 1: I'm emitting this, but it is true. When I was 259 00:13:43,480 --> 00:13:46,760 Speaker 1: at university, when we'd go out to bars, I would 260 00:13:46,800 --> 00:13:53,600 Speaker 1: stuff a sock into my underwear that I know, Oh 261 00:13:53,640 --> 00:13:56,720 Speaker 1: my god. I just wanted everybody to be like, oh, 262 00:13:56,720 --> 00:14:03,800 Speaker 1: he's amazing, very honestly, but not when I went to 263 00:14:04,000 --> 00:14:06,600 Speaker 1: classes at school, but on the night when we'd go 264 00:14:06,640 --> 00:14:09,840 Speaker 1: to bars, I would always and you know, Art Corey, 265 00:14:10,280 --> 00:14:13,480 Speaker 1: if I didn't have a sock stuffed in my underwear, 266 00:14:13,559 --> 00:14:16,920 Speaker 1: I didn't enjoy the night as much. That the psychological 267 00:14:17,040 --> 00:14:19,680 Speaker 1: component to that I wasn't a good night and I 268 00:14:19,720 --> 00:14:22,080 Speaker 1: would never meet guys without the sock. And I was 269 00:14:22,120 --> 00:14:25,560 Speaker 1: convinced it was the size of my anatomy, but in 270 00:14:25,600 --> 00:14:28,080 Speaker 1: reality it wasn't. It was the way I was feeling yeah, 271 00:14:28,200 --> 00:14:30,960 Speaker 1: and I put out more good vibes. It's like my 272 00:14:30,960 --> 00:14:34,040 Speaker 1: friend Damien had this lovely leather jacket at university and 273 00:14:34,120 --> 00:14:35,920 Speaker 1: I was poor. I didn't have any money, I didn't 274 00:14:35,920 --> 00:14:38,600 Speaker 1: have a leather jacket, and a couple of times Damien 275 00:14:38,760 --> 00:14:41,120 Speaker 1: let me wear his leather jacket, and the bars or 276 00:14:41,120 --> 00:14:43,160 Speaker 1: the club I always met a guy that night, and 277 00:14:43,160 --> 00:14:46,280 Speaker 1: I called it my lucky leather jacket, and I realized 278 00:14:46,320 --> 00:14:48,440 Speaker 1: it now. I realized it had nothing to do with 279 00:14:48,480 --> 00:14:54,080 Speaker 1: the jacket. It had to do with the energy. That's art. Yeah, yeah, Okay, 280 00:14:54,080 --> 00:14:56,200 Speaker 1: we got to take a break while I just blush away. 281 00:14:56,240 --> 00:14:58,080 Speaker 1: I'm so embarrassed, I can't talk anymore. We're gonna take 282 00:14:58,080 --> 00:15:00,720 Speaker 1: a quick break and we will be don't tell anybody, 283 00:15:04,920 --> 00:15:07,760 Speaker 1: Welcome back to the Naughty but By show. I'm still 284 00:15:07,840 --> 00:15:11,000 Speaker 1: humiliated about what I just said that we will move alog. 285 00:15:11,520 --> 00:15:19,600 Speaker 1: Let's get to the balls. Okay. Yesterday show, Megan Margle 286 00:15:20,200 --> 00:15:25,000 Speaker 1: was reportedly eyeing a deal with an infomercial guru. This 287 00:15:25,040 --> 00:15:28,880 Speaker 1: guy made Cindy Crawford over two hundred million dollars. Do 288 00:15:28,920 --> 00:15:31,080 Speaker 1: you think Megan should take the money or is this 289 00:15:31,320 --> 00:15:36,720 Speaker 1: tacky Megan margl doing infomercials. What do you think? Let's oh, 290 00:15:36,800 --> 00:15:40,800 Speaker 1: sixty five percent said tacky. It's gonna feel tacky at first, 291 00:15:40,800 --> 00:15:43,400 Speaker 1: but after a while you get used to it. Remember God, 292 00:15:43,480 --> 00:15:46,360 Speaker 1: Rest in peace, Rest in peace. Larry King with those 293 00:15:46,360 --> 00:15:48,600 Speaker 1: garlic pills. I used to see him at two o'clock 294 00:15:48,600 --> 00:15:51,400 Speaker 1: in the morning, one eight hundred garlic four payments are 295 00:15:51,720 --> 00:15:54,160 Speaker 1: Remember those. At first, that's little, how tacky. Then after 296 00:15:54,200 --> 00:15:55,640 Speaker 1: a while I was like, oh, hi, Larry, I might 297 00:15:55,720 --> 00:15:58,040 Speaker 1: have even ordered them the same as Cindy Crawford when 298 00:15:58,040 --> 00:16:01,120 Speaker 1: I saw Cindy doing that skincare stuff. What's so tacky? 299 00:16:01,240 --> 00:16:04,040 Speaker 1: And now I'm like, for you, so I think I agree, 300 00:16:04,120 --> 00:16:06,600 Speaker 1: and it's but it's for me. It's both. It's gonna 301 00:16:06,600 --> 00:16:08,320 Speaker 1: feel tacky at first, but I guess we'll get used 302 00:16:08,360 --> 00:16:10,440 Speaker 1: to it. Don't forget to vote on today's pool. Get 303 00:16:10,480 --> 00:16:13,160 Speaker 1: to my Twitter paget Naughty Noise rom or a Facebook 304 00:16:13,160 --> 00:16:15,040 Speaker 1: pay Canlady Gossip. You can leave a comment there and 305 00:16:15,080 --> 00:16:18,520 Speaker 1: be sure to check back tomorrow to hear your results. 306 00:16:18,520 --> 00:16:25,400 Speaker 1: And now it's time for nicest of the day, Yes Child. 307 00:16:25,520 --> 00:16:27,720 Speaker 1: Andrew Louis Webber hated the movie Cat so much that 308 00:16:27,760 --> 00:16:31,440 Speaker 1: he bought a dog. I mean, I mean, I mean, 309 00:16:31,560 --> 00:16:35,640 Speaker 1: come on, I mean, are greatest headline? And yeah, totally 310 00:16:35,720 --> 00:16:38,600 Speaker 1: like that's a pulitzer right there, that one. But Andrew 311 00:16:38,640 --> 00:16:41,840 Speaker 1: Leue Webber is not a fan of the film adaptation 312 00:16:41,880 --> 00:16:44,800 Speaker 1: of his hit musical Cats, and nearly two years after 313 00:16:44,840 --> 00:16:47,760 Speaker 1: the film's release, the seventy three year old composer called 314 00:16:47,760 --> 00:16:51,000 Speaker 1: it off the scale. Wrong. During an interview with Variety 315 00:16:51,080 --> 00:16:54,040 Speaker 1: this week, he admitted that he disliked the film so 316 00:16:54,160 --> 00:16:57,520 Speaker 1: much that it prompted him to buy a dog. So, 317 00:16:57,840 --> 00:17:00,320 Speaker 1: he says, I saw it and I just thought, oh god, no. 318 00:17:01,400 --> 00:17:03,480 Speaker 1: It was the first time in my seventy years on 319 00:17:03,520 --> 00:17:05,480 Speaker 1: this planet that I went out and bought a dog. 320 00:17:05,560 --> 00:17:07,199 Speaker 1: So the one good thing to come up it is 321 00:17:07,359 --> 00:17:10,439 Speaker 1: my little Heavens puppy. I said, I needed him with 322 00:17:10,480 --> 00:17:13,720 Speaker 1: me at all times because I'm emotionally damaged and I 323 00:17:13,800 --> 00:17:16,280 Speaker 1: must have this therapy dog. Who Variety, So he was 324 00:17:16,480 --> 00:17:18,359 Speaker 1: it must have been taken a flight or something, because 325 00:17:18,560 --> 00:17:20,720 Speaker 1: he wrote to an airline and he told him about 326 00:17:20,720 --> 00:17:22,800 Speaker 1: the dog, and the airline wrote back and said, well, 327 00:17:22,800 --> 00:17:25,800 Speaker 1: can you prove that you really need this dog? And 328 00:17:25,960 --> 00:17:28,520 Speaker 1: I said, yes, just see what Hollywood did to my 329 00:17:28,600 --> 00:17:33,840 Speaker 1: musical Cats. This is so hilarious. And then the approval 330 00:17:33,880 --> 00:17:36,520 Speaker 1: came back with a note just simply saying, no doctor 331 00:17:36,600 --> 00:17:43,600 Speaker 1: report required. It's my favorite favorite. Andrew Lloyd Webber is 332 00:17:43,760 --> 00:17:49,560 Speaker 1: so mad, He's like the mad Lord. I just Wolf 333 00:17:49,600 --> 00:17:53,040 Speaker 1: Wolf wolfest of the day, and now I not instid. 334 00:17:54,720 --> 00:17:57,760 Speaker 1: Camela Cabello is admitting that she relies on food when 335 00:17:57,800 --> 00:18:00,800 Speaker 1: she gets anxious, pointing, let's make it clear here, Camilla 336 00:18:00,880 --> 00:18:03,760 Speaker 1: is not analty of the day. It's our emotions and 337 00:18:03,840 --> 00:18:05,919 Speaker 1: a lot of people do this. She gets really candid 338 00:18:05,960 --> 00:18:08,520 Speaker 1: about her relationship with her body, and she says when 339 00:18:08,600 --> 00:18:12,320 Speaker 1: she gets really anxious, she eats more food. It's a 340 00:18:12,440 --> 00:18:15,919 Speaker 1: pattern of eating when she's anxious or uncomfortable. I think 341 00:18:15,920 --> 00:18:19,040 Speaker 1: a lot of people tense of that. She said, it's 342 00:18:19,080 --> 00:18:21,920 Speaker 1: a comfort thing for me. It's just something that's become 343 00:18:22,080 --> 00:18:26,119 Speaker 1: unconscious and almost zombie like eating. And then she feels sick. 344 00:18:26,520 --> 00:18:29,040 Speaker 1: And she said when she's having negative thoughts about her body, 345 00:18:29,119 --> 00:18:32,239 Speaker 1: that's when she wants to binge eat cookies. And then 346 00:18:32,320 --> 00:18:34,760 Speaker 1: she said, it's a real weird psychology. The more I 347 00:18:34,880 --> 00:18:37,160 Speaker 1: love my body, the more I want to take care 348 00:18:37,200 --> 00:18:39,560 Speaker 1: of it. So I've lost a bit of weight recently, 349 00:18:39,680 --> 00:18:41,480 Speaker 1: and I've got to admit now that I feel good 350 00:18:41,480 --> 00:18:44,200 Speaker 1: about myself, I'm in a much better position to take 351 00:18:44,280 --> 00:18:46,679 Speaker 1: care of myself. When I needed to take care of myself, 352 00:18:47,040 --> 00:18:50,000 Speaker 1: I didn't feel like I wanted to it. It is 353 00:18:50,160 --> 00:18:52,880 Speaker 1: sort of a chicken and an egg. But we certainly 354 00:18:53,000 --> 00:18:55,760 Speaker 1: understand with what you are saying. We're sending you at 355 00:18:55,840 --> 00:18:58,119 Speaker 1: best quickly before we leave, let's have a moment of 356 00:18:58,200 --> 00:19:01,920 Speaker 1: Rob You're gonna raw. So my new book, The Forward, 357 00:19:01,960 --> 00:19:03,760 Speaker 1: and so thank you very much for everybody that has 358 00:19:03,800 --> 00:19:06,639 Speaker 1: bought a copy. We're still on the Amazon charts, so 359 00:19:06,640 --> 00:19:08,840 Speaker 1: I think we're around number forty fifty to day. So 360 00:19:08,960 --> 00:19:10,880 Speaker 1: thank you, thank you, thank you. The book is full 361 00:19:10,920 --> 00:19:13,560 Speaker 1: of celebrity quotes, and this is a quote that popped 362 00:19:13,640 --> 00:19:15,560 Speaker 1: up in my mind to date. It's from Michael J. 363 00:19:15,800 --> 00:19:21,720 Speaker 1: Fox quote. My happiness growers in direct proportion to my 364 00:19:22,119 --> 00:19:28,920 Speaker 1: acceptance and in inverse proportion to my expectations. So basically 365 00:19:29,359 --> 00:19:32,920 Speaker 1: what he's saying here is the more he accepts himself, 366 00:19:33,080 --> 00:19:36,440 Speaker 1: his life, what's going, I'm the happier he is. The 367 00:19:36,600 --> 00:19:41,359 Speaker 1: more he puts expectations on situations and himself, the less 368 00:19:41,400 --> 00:19:46,360 Speaker 1: happy he is. Stop putting expectations on friendships, on yourself, 369 00:19:46,800 --> 00:19:50,920 Speaker 1: on your day, and instead just accept. If you accept yourself, 370 00:19:51,240 --> 00:19:53,760 Speaker 1: if you accept your life, if you accept your day, 371 00:19:54,000 --> 00:19:57,720 Speaker 1: yes you will have a good one. That's it for 372 00:19:58,000 --> 00:19:59,760 Speaker 1: us today. We're all going to have a good one. 373 00:20:00,000 --> 00:20:01,480 Speaker 1: Thank you so much for listening to them. Not even 374 00:20:01,520 --> 00:20:04,400 Speaker 1: nice with Rob and Corey show, our production of iHeartRadio. 375 00:20:04,480 --> 00:20:07,840 Speaker 1: Don't forget to subscribe on the iHeartRadio app, Apple podcast 376 00:20:07,920 --> 00:20:10,439 Speaker 1: or wherever you listen. Leave us a review if you can. 377 00:20:10,520 --> 00:20:12,800 Speaker 1: They really do help. And thank you for the people 378 00:20:12,840 --> 00:20:16,040 Speaker 1: that are leaving reviews for my book on Amazon dot com. 379 00:20:16,160 --> 00:20:19,000 Speaker 1: That really helps too. Let's say this all together now. 380 00:20:19,080 --> 00:20:23,399 Speaker 1: If you're going to be no, you've got to be nice. 381 00:20:23,840 --> 00:20:30,360 Speaker 1: Take care of everybody. It's not even nice with Rob