WEBVTT - S2E24 Valley Girls

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<v Speaker 1>Welcome back, listeners to your one and only source into

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<v Speaker 1>all things gossip Crow. You know you'll love it. XO

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<v Speaker 1>x Oh, Hello everyone, and welcome back to XO XO.

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<v Speaker 1>I'm your host, Jessica's Or. Today we'll be getting into

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<v Speaker 1>season two episode Valley Girls. This is pretty special. We

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<v Speaker 1>have a flashback to Lily's life growing up in l A,

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<v Speaker 1>which actually was a backdrop pilot for a Gossip Girl spinoff.

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<v Speaker 1>That's crazy, right, And of course the Upper east Side

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<v Speaker 1>has its own drama, including prom night and one of

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<v Speaker 1>the sweetest Chuck and Blair moments in the show. And

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<v Speaker 1>for my guest, you know her, you love her. I'm

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<v Speaker 1>so excited to announce my partner in crime, Susanna Shatkowsky,

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<v Speaker 1>is joining me again this week. Susanna always brings the

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<v Speaker 1>best stories and honestly, I just love talking to her. Plus,

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<v Speaker 1>De Rhoda has some great moments in this episode that

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<v Speaker 1>Susannah can give her expertise on. I'm so excited. So

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<v Speaker 1>without further ado, here's Bally Girls. What's going on? Girl? Hey,

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<v Speaker 1>what's going Yeah? Every time we start talking, we have

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<v Speaker 1>a countdown and it sounds and to me, it's like

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<v Speaker 1>forgot to take off of the Space Shuttle. We're going

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<v Speaker 1>to space the girl. Um, that's actually funny you say that.

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<v Speaker 1>Last night we have two friends in town and we're

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<v Speaker 1>up in flag stuff and like at night, the stars

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<v Speaker 1>are so beyond like there's so many and that you

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<v Speaker 1>see like shooting stars and all the things. We were

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<v Speaker 1>literally took blankets and laid on the driveway. Amazing and beautiful.

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<v Speaker 1>So but you have to appreciate that. It's like in

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<v Speaker 1>New York you can't see the stars and not staying

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<v Speaker 1>out one star. I guess there are some stars walking around, right,

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<v Speaker 1>But No, it's funny because Flagstaff it's like the only

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<v Speaker 1>thing I know about Flagstaff is uh, the climate is uh,

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<v Speaker 1>you know, not what you would typically think of. No.

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<v Speaker 1>In Arizona, Sona. Yeah, and so because essentially desert beautiful. Yeah,

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<v Speaker 1>it's so beautiful the tree and right now with fall,

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<v Speaker 1>it's like all the colors, all the fall vibes, and

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<v Speaker 1>that this is my favorite time of the year. That's

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<v Speaker 1>why I like living in l A. Is hard for

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<v Speaker 1>me because I'm like, I need fall. I need that

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<v Speaker 1>New York fall. Today is a good example. Today is

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<v Speaker 1>that kind of fault still sunny, but it has like

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<v Speaker 1>the temps are down where you can have like a

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<v Speaker 1>little bit of a light jacket. It's like brisk, yes,

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<v Speaker 1>and it has that feeling of people have wood burning fireplaces.

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<v Speaker 1>So this time of the year when you're walking the dog,

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<v Speaker 1>smell the fireplace is and it's like crunchy leaves and

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<v Speaker 1>it's like crisp air. Yeah, and is yea does really

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<v Speaker 1>well in spring and fall because the small amount of

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<v Speaker 1>foliage that we do have, it's like all of a

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<v Speaker 1>sudden you kind of start noticing it because it's like

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<v Speaker 1>beautiful colors. And yeah, fall is definitely, let's romantic New

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<v Speaker 1>York time. This is magic time. It really does feel magical.

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<v Speaker 1>Brief little window. So the countdown comes on. We're going

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<v Speaker 1>to gossip Girl World. We're in a like in a spaceship. Yes, yeah,

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<v Speaker 1>here we are. It does feel like that. And here

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<v Speaker 1>we are talking about fall in New York. Okay, So

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<v Speaker 1>we're rewatching season two, episode twenty four, Valley Girls, which

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<v Speaker 1>is based on the movie Valley Girl, three rom com

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<v Speaker 1>with Deborah Foreman and Nicholas Cage. I don't know that movie.

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<v Speaker 1>That's when I've never heard of. I don't either and

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<v Speaker 1>I like Nicholas Cage. He like cracks me up in

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<v Speaker 1>a way. Yeah, and so this is that crazy episode

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<v Speaker 1>where we have a flashback to Lily's youth. This only

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<v Speaker 1>happens once some gossip roll and we like leave the

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<v Speaker 1>sort of universe of this show and go into another.

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<v Speaker 1>We leave the planet of Gossip Girl and go go

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<v Speaker 1>to the planet of l A. I guess, yeah, yepree,

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<v Speaker 1>I think is what it said in the opening. And

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<v Speaker 1>we see like Malibu and it's Brittany Snow playing the

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<v Speaker 1>younger Lily driving on PCH Pacific Coast Highway. I have

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<v Speaker 1>a friend that's from Malbo and she's like, people always

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<v Speaker 1>say the pH when you're not from there. She's like,

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<v Speaker 1>when you're from there, you just say pc H. That's

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<v Speaker 1>a good hint. That's like insider knowledge. Yea Pacific Highway.

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<v Speaker 1>And Brittney Snow, who I'm a big fan of. I

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<v Speaker 1>think she's such a sweetheart in life and then her

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<v Speaker 1>as an actor, I think she's just she has like

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<v Speaker 1>always this undertone thing of like this comedic thing that

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<v Speaker 1>she brings to a lot of her roles. I feel,

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<v Speaker 1>all in all, I'm a big fan of her. No,

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<v Speaker 1>I agree. She has a really magical charismatic quality. And

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<v Speaker 1>in this particular show, it's like, because she is playing

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<v Speaker 1>a young Lily and we know Lily so well, it's

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<v Speaker 1>like she really did an incredible job of finding the

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<v Speaker 1>sort of essence of that actor and then playing the

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<v Speaker 1>young version of her, Like it was masterful. I thought,

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<v Speaker 1>So I'm a big Brittany fan now, especially after what

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<v Speaker 1>I thought. She was really really really great, and I

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<v Speaker 1>love Christian Ritter, and I thought that was like a

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<v Speaker 1>good match and their chemistry was great. Yeah, oh that's

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<v Speaker 1>a good chemistry. And it's funny because like we had

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<v Speaker 1>that that pair in this episode, we see the Brittany

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<v Speaker 1>and Britney Christian River chemistry and then we see the

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<v Speaker 1>Layton Blake chemistry and those two sort of blonde brunettes,

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<v Speaker 1>you know, but really really fun to watch those two

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<v Speaker 1>different friendships and the different kind of colors of them.

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<v Speaker 1>But then also they have essential like core that they

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<v Speaker 1>share almost totally very true. And it's also funny because

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<v Speaker 1>you would never put those two sisters. So I also

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<v Speaker 1>thought that was kind of like interesting but cool, and

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<v Speaker 1>I loved how they plugged that right away, like the

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<v Speaker 1>Shiloh his character at the diner is like, I don't

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<v Speaker 1>see the resemblance. I'm like, okay, totally different looking, different vibes.

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<v Speaker 1>But I thought that that was what was neat about it. Okay,

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<v Speaker 1>can we talk about this before we get into it. So, yeah,

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<v Speaker 1>this was a spinoff, and it was essentially supposed to

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<v Speaker 1>be the pilot for a spinoff of Gossip Girl, which

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<v Speaker 1>was would have been Valley Valley Girls, right, right. So

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<v Speaker 1>it's like they conceived of the idea that the Gossip

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<v Speaker 1>Girl was at this point in its second season well received, right,

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<v Speaker 1>and they were considering spin off ideas. I mean, I'm assuming,

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<v Speaker 1>and then they came up with this plan that, you

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<v Speaker 1>know what would be nice to to explore the high

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<v Speaker 1>school life of Lily vander Woodson. So I guess that

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<v Speaker 1>rather than make a separate pilot, they kind of folded

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<v Speaker 1>it into the Gossip Girl story here. So it's like

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<v Speaker 1>we're getting a pilot within an episode, right, So it's

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<v Speaker 1>like unique Dommy like yeah, and it's like I can't

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<v Speaker 1>think of another show where that's happened, but I'm sure

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<v Speaker 1>it has, but it's an interesting way to do it,

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<v Speaker 1>it is, and I think the idea is like actually

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<v Speaker 1>really cool when you think about it. But I'm watching it,

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<v Speaker 1>and to me, when it was done, I'm like, wait,

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<v Speaker 1>I want to see what's going on with Lily and Carroll.

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<v Speaker 1>Even though we know where Lily ends up, there's still

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<v Speaker 1>like years that go on and this in that relationship,

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<v Speaker 1>And we get teased on so many things in this

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<v Speaker 1>episode because like we know that you know, she had

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<v Speaker 1>some kind of you know, she really had a deep

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<v Speaker 1>relationship or connection with this guy that she meets in

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<v Speaker 1>this in l a and that somehow her mom messes

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<v Speaker 1>it up for her. We learned that from the flash forward,

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<v Speaker 1>and but we need to see it go down. And

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<v Speaker 1>it's like, yeah, I got really hooked, And it was like, yeah,

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<v Speaker 1>I really wanted to see how those characters continue to

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<v Speaker 1>relate tweet and like even dis ship and yeah, her

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<v Speaker 1>on the bus, like how is she going to live

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<v Speaker 1>in this world? Absolutely? And I And here's my thing,

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<v Speaker 1>I don't know what ended up happening. If they just

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<v Speaker 1>decided to just leave at the flashback episode or whatever.

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<v Speaker 1>I'm not sure. I don't know the answers are, but

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<v Speaker 1>it didn't continue. But I think that with Gossip Girl,

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<v Speaker 1>we're so dialed in right now with what's going on

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<v Speaker 1>with Blair and Nate and Chuck and then Serena going

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<v Speaker 1>to jail and Georgina coming back and all these things.

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<v Speaker 1>I think when it pulled away and we did go

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<v Speaker 1>back to the flashbacks, you're still like so caught up

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<v Speaker 1>on what's going on on the Upper east Side that

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<v Speaker 1>I feel like it was I feel like they would

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<v Speaker 1>have just done it on its own. It would have

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<v Speaker 1>maybe had a different outcome. Does that make sense, Yeah, totally.

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<v Speaker 1>And I think it's like it's like your attention is

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<v Speaker 1>kind of split. So it's like that the feeling that,

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<v Speaker 1>you know, I'm so invested in these characters in this

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<v Speaker 1>story and this these are like my buddies that I'm watching,

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<v Speaker 1>you know, it's like my gos girl that I know.

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<v Speaker 1>And then it's like, yeah, when you would get taken

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<v Speaker 1>away to the other story, it's like your brain almost

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<v Speaker 1>has a reset, and then as soon as you get

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<v Speaker 1>engaged in the other world, like when you start to

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<v Speaker 1>really kind of get the you know, you're in the

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<v Speaker 1>vibe of it, then you flashback again. So it is

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<v Speaker 1>a harder way to do it, and they did a

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<v Speaker 1>great job in the sense of beaut wanting us to

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<v Speaker 1>watch both, but it was to me, I'm like, if

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<v Speaker 1>they would have just maybe done it on its own.

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<v Speaker 1>Then all of a sudden, Derroota brings her her problemdress

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<v Speaker 1>and I can't get over the prom dress. I can't

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<v Speaker 1>get over how like sweet you are that you did that.

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<v Speaker 1>I'm so pumped for Blair. And then it cuts to

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<v Speaker 1>the other thing and I'm like still dandreaming about Blair's

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<v Speaker 1>beautiful prince dress. Yeah, and it's fun because I feel

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<v Speaker 1>like the juicy sort of flashback to you know, kind

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<v Speaker 1>of really getting into the Lily's relationship their own mother,

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<v Speaker 1>and like going back in Lily's life is one thing,

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<v Speaker 1>but if it's a pilot for a standalone show, it's like,

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<v Speaker 1>I feel like you and I are both you know,

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<v Speaker 1>we're kind of in love with those characters in that story.

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<v Speaker 1>We wouldn't want to want to see it, you know,

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<v Speaker 1>as its own show too. But it's like, uh so,

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<v Speaker 1>I feel like this episode works beautifully the way that

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<v Speaker 1>it is, but it's almost like I wish they had

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<v Speaker 1>had then a second kind of standalone pilot on its own,

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<v Speaker 1>so that we could really invest in that other world

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<v Speaker 1>and then see it take off because it's such a

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<v Speaker 1>cool kind of spinoff because because there's so much to

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<v Speaker 1>dig into, right, you kind of have an idea of

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<v Speaker 1>where we end up with this character, but it's a

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<v Speaker 1>whole other world to explore, and so we have the

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<v Speaker 1>sensibilities of the same kind of creative team flashing it out.

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<v Speaker 1>So it's kind of fun and you look for the echoes,

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<v Speaker 1>but you can go into a whole other story and

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<v Speaker 1>invest in a whole other group of characters and it's

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<v Speaker 1>never going to bump up against the other one because

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<v Speaker 1>you know, it's not like the eighties, there of a

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<v Speaker 1>to catch up to the you know whatever year. So

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<v Speaker 1>I think it was so cool. So I wish I

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<v Speaker 1>wish it had been different, but you know, the world

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<v Speaker 1>of who and what, Yeah, you never know what TV

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<v Speaker 1>and or maybe someone else book the pilot and couldn't

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<v Speaker 1>do it, Like there's so many things that could have

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<v Speaker 1>went on. But yeah, more or less, we both really

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<v Speaker 1>enjoyed it. Yeah, I think it was a fun It

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<v Speaker 1>was a fun jaunt. Yeah, And it's like when you're

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<v Speaker 1>an actor and you're working on the show, it's almost

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<v Speaker 1>you can't even let yourself think about how many things

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<v Speaker 1>have to go into making it. You just got to

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<v Speaker 1>try to make it and make it keep going. And

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<v Speaker 1>you know, so the idea that the pilot or an

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<v Speaker 1>idea turns into a series is already so you know,

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<v Speaker 1>beyond comprehension, beyond for sure, So who knows. But but

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<v Speaker 1>it was a really fun thing to explore, and I

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<v Speaker 1>think that we certainly got a lot out of it

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<v Speaker 1>in this episode as far as like, to me, this

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<v Speaker 1>stuff that we learned about Lily is priceless. And then

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<v Speaker 1>also the sort of mother daughter relationships that are set up,

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<v Speaker 1>you know, with Clates to Serena. I feel like it

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<v Speaker 1>really gave us a lot of a lot of insight

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<v Speaker 1>and a lot of For me, it was very relatable

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<v Speaker 1>and so I think, you know, that kind of layered

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<v Speaker 1>storyline here really worked. And there was so much, like

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<v Speaker 1>you said, so much exciting stuff happening in the sort

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<v Speaker 1>of contemporary story. But the prom, I mean the prom

0:11:15.440 --> 0:11:18.120
<v Speaker 1>that's a big deal. Oh god, we need to get

0:11:18.120 --> 0:11:20.040
<v Speaker 1>into all of this right now. Okay, So this is

0:11:20.120 --> 0:11:22.400
<v Speaker 1>here's where we left off, because now we we'll dive in.

0:11:22.480 --> 0:11:24.520
<v Speaker 1>But Chuck brought your Gina back to the city to

0:11:24.559 --> 0:11:28.439
<v Speaker 1>help him and Serena catch a scammer, while Blair had

0:11:28.440 --> 0:11:31.439
<v Speaker 1>to choose between Chuck and Nate. Rufus prepared to propose

0:11:31.520 --> 0:11:35.480
<v Speaker 1>to Lily but realized he didn't recognize her anymore, and

0:11:35.520 --> 0:11:38.640
<v Speaker 1>Serena's planned to expose Poppy ended with her winding up

0:11:38.640 --> 0:11:41.320
<v Speaker 1>in jail. Her mother put in j which I'm still

0:11:41.320 --> 0:11:44.560
<v Speaker 1>not over. Yeah, was like put her in jail and

0:11:44.559 --> 0:11:47.240
<v Speaker 1>then and then her plan us to drop the charges eventually.

0:11:47.320 --> 0:11:50.280
<v Speaker 1>But when we left her, she was just hanging out

0:11:50.320 --> 0:11:54.680
<v Speaker 1>and everybody was hanging out in the waiting room. Um

0:11:54.760 --> 0:11:57.320
<v Speaker 1>So in this episode, we have a flashback to the

0:11:57.320 --> 0:12:00.199
<v Speaker 1>early eighties, as we said, So it's some seven teen

0:12:00.280 --> 0:12:02.600
<v Speaker 1>year old Lily Rhodes that's who we're with, and she

0:12:02.640 --> 0:12:04.839
<v Speaker 1>gets kicked out of boarding school and runs away to

0:12:04.880 --> 0:12:08.560
<v Speaker 1>Santa Barbara, where she reconnected her parents Rick and Cecy

0:12:08.720 --> 0:12:11.480
<v Speaker 1>and goes to find her rebellious sister Carol. And back

0:12:11.480 --> 0:12:13.439
<v Speaker 1>in the present day, Blair and Nate are going to

0:12:13.480 --> 0:12:16.720
<v Speaker 1>prompt together, but the evening doesn't turn out exactly as planned,

0:12:16.800 --> 0:12:19.319
<v Speaker 1>and meanwhile Serena and Lily do not see eye to

0:12:19.400 --> 0:12:24.440
<v Speaker 1>eye over Serena's recent running with the law. So a

0:12:24.440 --> 0:12:28.400
<v Speaker 1>lot of things are happening, and incidentally, Andrew McCarthy plays

0:12:28.440 --> 0:12:32.559
<v Speaker 1>the dad, which is amazing. Yeah, because first of all,

0:12:32.600 --> 0:12:35.760
<v Speaker 1>he's an icon of that time. I mean he's like original,

0:12:35.800 --> 0:12:41.120
<v Speaker 1>like Brett Pack guy. So yeah, and like the older viewers,

0:12:41.200 --> 0:12:43.600
<v Speaker 1>I mean the older but you know the viewers that

0:12:43.679 --> 0:12:47.120
<v Speaker 1>we're not, you know, teens and twenties of the show. Um,

0:12:47.120 --> 0:12:48.840
<v Speaker 1>that says something to them because he was in a

0:12:48.840 --> 0:12:51.040
<v Speaker 1>ton of back to the eighties. Yeah, and we're getting

0:12:51.200 --> 0:12:53.239
<v Speaker 1>and he's like, you know, that's sort of the generation

0:12:53.320 --> 0:12:56.320
<v Speaker 1>that he was like this cool kid in and then

0:12:56.360 --> 0:12:57.960
<v Speaker 1>so that's cool. And then also the fact is like

0:12:58.080 --> 0:12:59.920
<v Speaker 1>I know he you know, he worked on Gossip or

0:13:00.040 --> 0:13:02.120
<v Speaker 1>so much as a director, directed some episodes and I

0:13:02.160 --> 0:13:04.280
<v Speaker 1>loved him as a director, So I forgot that he

0:13:04.360 --> 0:13:06.360
<v Speaker 1>was on it as an actor in this episode, and

0:13:06.360 --> 0:13:08.240
<v Speaker 1>it was kind of I didn't even know about, Like yeah,

0:13:08.240 --> 0:13:09.679
<v Speaker 1>I felt like a real like I was like, what

0:13:09.760 --> 0:13:12.640
<v Speaker 1>is that him? And so fun because then he would

0:13:12.679 --> 0:13:14.719
<v Speaker 1>have been on both sides of the same camera. Is

0:13:14.800 --> 0:13:17.120
<v Speaker 1>kind of cool because like, yeah, if he got to

0:13:17.200 --> 0:13:19.040
<v Speaker 1>new the crew and he's I liked him as a

0:13:19.080 --> 0:13:22.200
<v Speaker 1>director because he was like an actor's director. Obviously he

0:13:22.320 --> 0:13:25.520
<v Speaker 1>was real like confident and easy and really knew how

0:13:25.559 --> 0:13:27.760
<v Speaker 1>to speak, you know, like he would give one quick

0:13:27.800 --> 0:13:30.720
<v Speaker 1>line or one quick note and you just got it.

0:13:30.760 --> 0:13:33.240
<v Speaker 1>But yes, when he popped on the screen. After Lily

0:13:33.280 --> 0:13:35.160
<v Speaker 1>gets out of the car and Malibu, she stops at

0:13:35.160 --> 0:13:37.560
<v Speaker 1>a pay phone because obviously there's not cell phones then,

0:13:37.559 --> 0:13:41.640
<v Speaker 1>which is also again so like fun to watch because

0:13:41.640 --> 0:13:43.360
<v Speaker 1>you can't just text, you can't just go on, you

0:13:43.360 --> 0:13:44.960
<v Speaker 1>know what I mean, Like she could pull over, like

0:13:45.000 --> 0:13:48.640
<v Speaker 1>put change into the pay phone, like you know, probably

0:13:48.640 --> 0:13:52.120
<v Speaker 1>look up the number in her date book. Especially. I

0:13:52.160 --> 0:13:54.040
<v Speaker 1>was thinking about this too that like for us watching

0:13:54.040 --> 0:13:57.240
<v Speaker 1>it now, it's like the original Gossip or like modern

0:13:57.280 --> 0:13:59.360
<v Speaker 1>day I mean the one with Blair and Serena in

0:13:59.400 --> 0:14:03.360
<v Speaker 1>that world old were for us as viewers now those

0:14:03.360 --> 0:14:06.320
<v Speaker 1>phones and the technology has already dated, and then here

0:14:06.400 --> 0:14:09.559
<v Speaker 1>you have, you know, another level of different. So we're like, yeah,

0:14:09.720 --> 0:14:13.560
<v Speaker 1>three jumps away from this world of connectivity that we

0:14:13.559 --> 0:14:15.720
<v Speaker 1>have now. So it's fun to see that. It is

0:14:15.920 --> 0:14:19.960
<v Speaker 1>like my sister who's twenty years old, doesn't understand that,

0:14:20.000 --> 0:14:22.200
<v Speaker 1>like there wasn't navigation at one point. I mean, she

0:14:22.320 --> 0:14:24.200
<v Speaker 1>understands it, but like she doesn't know a world in

0:14:24.200 --> 0:14:25.840
<v Speaker 1>that so she's like, well, what how did you get

0:14:25.840 --> 0:14:29.360
<v Speaker 1>to places? Or so like you had to like literally

0:14:29.480 --> 0:14:32.000
<v Speaker 1>right down and be like, okay, I gotta take exit

0:14:32.840 --> 0:14:36.080
<v Speaker 1>seven B and take the second right. Sometimes you wouldn't

0:14:36.120 --> 0:14:38.240
<v Speaker 1>know the street names, so you literally had to print

0:14:38.280 --> 0:14:41.240
<v Speaker 1>out the actually from map quest. They had that. Yeah,

0:14:41.280 --> 0:14:43.640
<v Speaker 1>but but I mean in the eighties, I don't in

0:14:43.680 --> 0:14:49.440
<v Speaker 1>the actual map and or an atlas or you know

0:14:49.600 --> 0:14:59.200
<v Speaker 1>roads that they would say very stressful. Yeah, we yeah,

0:14:59.240 --> 0:15:00.960
<v Speaker 1>see a little bit of which is fun, I think

0:15:01.000 --> 0:15:02.840
<v Speaker 1>when I mean, it has to be so fun as

0:15:02.840 --> 0:15:05.640
<v Speaker 1>you're creating a show too, uh evelve into all those

0:15:05.680 --> 0:15:08.160
<v Speaker 1>details in the world build you know, for the eighties,

0:15:08.280 --> 0:15:11.560
<v Speaker 1>and I think they've definitely had a fun time, for sure.

0:15:11.760 --> 0:15:13.160
<v Speaker 1>I'm sure they did. But you know what, I also

0:15:13.240 --> 0:15:17.200
<v Speaker 1>think it's probably a bit of a challenge nowadays. You

0:15:17.320 --> 0:15:19.960
<v Speaker 1>can't really have a scene in a show or in

0:15:20.040 --> 0:15:24.440
<v Speaker 1>a movie that's you know, present day without a cell phone.

0:15:24.800 --> 0:15:27.280
<v Speaker 1>But that also it's got to be challenging because of

0:15:27.360 --> 0:15:29.200
<v Speaker 1>like conflicts that you need in a script or in

0:15:29.240 --> 0:15:32.160
<v Speaker 1>a story, or the problems or the lessons that you're

0:15:32.240 --> 0:15:34.600
<v Speaker 1>learning in these storylines and things like that. Because it's

0:15:34.640 --> 0:15:36.440
<v Speaker 1>so easy to just send a text or call. So

0:15:36.520 --> 0:15:37.600
<v Speaker 1>I feel like it's got to be a bit of

0:15:37.640 --> 0:15:41.120
<v Speaker 1>a challenge to like navigate why you don't just pick

0:15:41.200 --> 0:15:43.320
<v Speaker 1>up the phone when you're in a you know, in

0:15:43.400 --> 0:15:45.560
<v Speaker 1>a situation, you know what I mean, Like like Serena

0:15:45.600 --> 0:15:47.080
<v Speaker 1>and Jail, she couldn't just pick up the phone or

0:15:47.120 --> 0:15:48.840
<v Speaker 1>she wasn't getting dance text because she didn't have it.

0:15:48.960 --> 0:15:51.840
<v Speaker 1>That worked in that scene. But the majority of the time,

0:15:52.000 --> 0:15:54.280
<v Speaker 1>everyone has a phone in their pocket in their hand.

0:15:54.640 --> 0:15:57.080
<v Speaker 1>Oh yeah, it's a very different different thing than movies

0:15:57.120 --> 0:15:59.760
<v Speaker 1>in the eighties and nineties because or any time before,

0:16:00.000 --> 0:16:02.640
<v Speaker 1>because you you you would literally have to show up

0:16:02.760 --> 0:16:05.520
<v Speaker 1>or I don't know, I would think as a writer

0:16:05.640 --> 0:16:08.080
<v Speaker 1>that would be right. I mean I was. I was

0:16:08.120 --> 0:16:12.760
<v Speaker 1>in graduate school, um in the you know, mid mid auts,

0:16:12.800 --> 0:16:16.040
<v Speaker 1>I guess, and I went for three months to Moscow

0:16:16.600 --> 0:16:18.560
<v Speaker 1>to the Moscow Art Theater. We studied there. It was

0:16:18.600 --> 0:16:20.760
<v Speaker 1>like part of my grad program in America. And when

0:16:20.800 --> 0:16:23.080
<v Speaker 1>we went there, we didn't have you know, even though

0:16:23.080 --> 0:16:25.160
<v Speaker 1>we had cell phones back then, and I mean they

0:16:25.160 --> 0:16:27.080
<v Speaker 1>weren't as cool as they were today. But when we

0:16:27.200 --> 0:16:30.560
<v Speaker 1>went to the other you know, overseas, we couldn't use

0:16:30.640 --> 0:16:33.560
<v Speaker 1>them at all because it was before you know, smartphones

0:16:33.600 --> 0:16:36.840
<v Speaker 1>and all that. So I remember for three months living

0:16:36.880 --> 0:16:39.400
<v Speaker 1>in a flashback world to like the eighties and nineties

0:16:39.440 --> 0:16:43.280
<v Speaker 1>where you actually had to make plans show up. If

0:16:43.320 --> 0:16:45.600
<v Speaker 1>you didn't, people were concerned or they felt, you know,

0:16:45.640 --> 0:16:47.520
<v Speaker 1>stood up. But you couldn't even be late. That was

0:16:47.520 --> 0:16:49.680
<v Speaker 1>anything you couldn't say, like, hey, running ten minutes late,

0:16:49.760 --> 0:16:51.480
<v Speaker 1>because you know, you'd like hope that a person is

0:16:51.480 --> 0:16:54.200
<v Speaker 1>still sitting there, you know. So it was it's such

0:16:54.200 --> 0:16:56.880
<v Speaker 1>a different kind of accountability, like human to human. I

0:16:56.960 --> 0:16:59.000
<v Speaker 1>think that's one of the things you know that's so

0:16:59.120 --> 0:17:01.560
<v Speaker 1>different too. So yeah, I think we flashed back in time.

0:17:01.640 --> 0:17:06.800
<v Speaker 1>We have to. Even relationships are different because of communicate different. Yeah,

0:17:07.640 --> 0:17:09.159
<v Speaker 1>I kind of in a way wish it was a

0:17:09.240 --> 0:17:12.000
<v Speaker 1>little bit still like that in the sense of like, hey,

0:17:12.080 --> 0:17:13.360
<v Speaker 1>I meet you here, and I'm doing that no matter

0:17:13.440 --> 0:17:14.960
<v Speaker 1>what it is, whether you know what I mean, Like

0:17:15.119 --> 0:17:16.960
<v Speaker 1>nothing that way though. Not even to sit down and

0:17:17.000 --> 0:17:18.800
<v Speaker 1>watch your show anymore, any show that you watch, you

0:17:18.840 --> 0:17:21.159
<v Speaker 1>can you can wait three weeks, you can wait for

0:17:21.200 --> 0:17:22.639
<v Speaker 1>the whole season at count and then watch it like

0:17:22.720 --> 0:17:24.000
<v Speaker 1>you used to have to sit down on a Monday

0:17:24.080 --> 0:17:26.879
<v Speaker 1>night at seven o'clock and watch Gossip Girl Fell on

0:17:26.920 --> 0:17:28.760
<v Speaker 1>a Thursday or whatever it was, you know what I mean.

0:17:29.359 --> 0:17:31.760
<v Speaker 1>Also nothing, I mean speaking of watching TV, like when

0:17:31.760 --> 0:17:33.920
<v Speaker 1>I'm watching these episodes, you know, because we're going to

0:17:34.000 --> 0:17:36.360
<v Speaker 1>talk about them, and you know, I'm really paying attention.

0:17:36.480 --> 0:17:39.400
<v Speaker 1>And it makes me realize that I so rarely watch

0:17:39.480 --> 0:17:41.920
<v Speaker 1>television without my phone in my hand. So even shows

0:17:41.960 --> 0:17:45.119
<v Speaker 1>I love, I find myself just like scrolling and social

0:17:45.200 --> 0:17:51.760
<v Speaker 1>media and like, yeah, recently I've taken up TikTok from everything.

0:17:52.080 --> 0:17:54.840
<v Speaker 1>I don't always it's so weird because like I'm kind

0:17:54.880 --> 0:17:56.719
<v Speaker 1>of a grandma with stuff, and you know, so it's

0:17:57.000 --> 0:17:59.560
<v Speaker 1>it's tick. Talk thing is such a thing, and I

0:17:59.680 --> 0:18:01.680
<v Speaker 1>haven't dove into it, and I don't know that I

0:18:02.040 --> 0:18:05.760
<v Speaker 1>will or ken because I just I'm like, it's just

0:18:05.800 --> 0:18:07.760
<v Speaker 1>another thing, but so many people love it. Just tell

0:18:07.840 --> 0:18:09.879
<v Speaker 1>me what freaks me out? I mean, for me, the

0:18:09.920 --> 0:18:11.760
<v Speaker 1>thing wasn't I didn't really understand how it worked, and

0:18:11.800 --> 0:18:13.520
<v Speaker 1>so then I kind of I logged in and took

0:18:13.560 --> 0:18:16.280
<v Speaker 1>a look, and then I realized, you know, you kind

0:18:16.280 --> 0:18:19.440
<v Speaker 1>of just start the scroll and because you don't have

0:18:19.640 --> 0:18:22.800
<v Speaker 1>to follow people or have friends, or you don't have

0:18:22.880 --> 0:18:26.560
<v Speaker 1>to make any choices before you start scrolling. Um, it

0:18:26.680 --> 0:18:28.480
<v Speaker 1>kind of just like feeds you. So then it starts

0:18:28.520 --> 0:18:30.640
<v Speaker 1>to learn about you, I guess because like whatever you're

0:18:30.640 --> 0:18:32.760
<v Speaker 1>paying more attention to, it starts sending you more of that.

0:18:33.359 --> 0:18:36.400
<v Speaker 1>So it's a real I mean, it's kind of dangerous

0:18:36.400 --> 0:18:38.159
<v Speaker 1>because like the first time I looked at I was like, oh,

0:18:38.200 --> 0:18:40.240
<v Speaker 1>I don't get it. By the second time, I was

0:18:40.320 --> 0:18:44.600
<v Speaker 1>like two hours later, I'm like watching like hours of

0:18:44.720 --> 0:18:49.440
<v Speaker 1>like croc pot videos. But it's like and also the

0:18:49.520 --> 0:18:51.720
<v Speaker 1>things things I like now, I mean it's sending me

0:18:51.800 --> 0:18:55.480
<v Speaker 1>all these you know, animal rescues and and then you know,

0:18:55.680 --> 0:18:58.280
<v Speaker 1>weird like one pot recipes. I'm like, oh, this is

0:18:58.600 --> 0:19:00.119
<v Speaker 1>so I'm starting to get it. I'm like, oh, this

0:19:00.240 --> 0:19:02.720
<v Speaker 1>is what TikTok, this is who TikTok thinks I am,

0:19:03.040 --> 0:19:04.800
<v Speaker 1>which is kind of a funny. It's like a funny

0:19:04.840 --> 0:19:07.359
<v Speaker 1>mirror to your own personality. But I have yet to

0:19:07.440 --> 0:19:10.200
<v Speaker 1>venture into actually making any of my own content or videos,

0:19:10.240 --> 0:19:13.560
<v Speaker 1>which is slightly overwhelming. So I'm gonna try it. We're

0:19:13.560 --> 0:19:16.679
<v Speaker 1>gonna promising here and now to try I'm gonna make

0:19:16.800 --> 0:19:19.960
<v Speaker 1>Mike al TikTok video. I'll let you know, and I

0:19:20.000 --> 0:19:22.240
<v Speaker 1>want to know all the things. Let me ask you this.

0:19:22.960 --> 0:19:25.240
<v Speaker 1>So now we're jumping back from the eighties, from the

0:19:25.320 --> 0:19:28.840
<v Speaker 1>rewatch to the Gossip Girl we were on what are

0:19:28.880 --> 0:19:30.600
<v Speaker 1>we calling it that the original? Is that what we

0:19:31.160 --> 0:19:35.400
<v Speaker 1>don't know? To the one that's on now? Do they

0:19:35.520 --> 0:19:38.320
<v Speaker 1>on the new one talk about TikTok and Instagram and

0:19:38.680 --> 0:19:41.639
<v Speaker 1>snapchat like those things in the dialogue because that is

0:19:42.240 --> 0:19:44.480
<v Speaker 1>such a part of today's world, or do they stay

0:19:44.520 --> 0:19:47.680
<v Speaker 1>away from that and just let Gossip Girl be the

0:19:47.760 --> 0:19:50.800
<v Speaker 1>platform that now they definitely do. The Gospels is an

0:19:50.840 --> 0:19:55.960
<v Speaker 1>Instagram handle, but they're in the whole new show, and

0:19:56.040 --> 0:19:57.879
<v Speaker 1>so you find out right away anything Gossip Girl is

0:19:58.520 --> 0:20:02.280
<v Speaker 1>versus the way that you know the original series it was.

0:20:02.400 --> 0:20:04.600
<v Speaker 1>But you know what, they probably had to do that otherwise,

0:20:04.640 --> 0:20:06.520
<v Speaker 1>are you just trying to recreate the same show? And

0:20:06.880 --> 0:20:09.600
<v Speaker 1>sometimes that is not what you can do, I think,

0:20:09.680 --> 0:20:11.320
<v Speaker 1>not what you can do, not what people want to see,

0:20:11.480 --> 0:20:14.119
<v Speaker 1>because you did it and you know what I mean, right, No,

0:20:14.240 --> 0:20:16.080
<v Speaker 1>they definitely, like I feel like they did a brilliant

0:20:16.160 --> 0:20:18.720
<v Speaker 1>job of moving forward in time with us, you know,

0:20:18.800 --> 0:20:21.600
<v Speaker 1>as a society. Um, so all of that social media,

0:20:21.640 --> 0:20:23.800
<v Speaker 1>like exactly what you're saying, like it's I think it's

0:20:23.840 --> 0:20:26.080
<v Speaker 1>really the kind of uh tent pole of the show,

0:20:26.160 --> 0:20:28.000
<v Speaker 1>Like it's like a crux of it is this understanding

0:20:28.040 --> 0:20:31.280
<v Speaker 1>of how people communicate today. So it's really integrated and

0:20:31.440 --> 0:20:34.600
<v Speaker 1>so I think similar to the original show, it's like

0:20:35.040 --> 0:20:39.760
<v Speaker 1>kind of cutting edge and time appropriate and really realistic

0:20:39.960 --> 0:20:43.119
<v Speaker 1>in a way in terms of how people use media.

0:20:43.440 --> 0:20:45.359
<v Speaker 1>So even though Gossip or all the original the one

0:20:45.359 --> 0:20:48.639
<v Speaker 1>we're watching seems dated, it's like they were very that

0:20:48.840 --> 0:20:51.400
<v Speaker 1>use of social media and media in general was really

0:20:51.440 --> 0:20:53.680
<v Speaker 1>advanced in that moment, right, So it's like the fact

0:20:53.760 --> 0:20:57.240
<v Speaker 1>that people were looking at a blog and texting each

0:20:57.280 --> 0:20:59.800
<v Speaker 1>other and snapping photos of each other, like that was

0:21:00.040 --> 0:21:04.600
<v Speaker 1>cutting edge stuff back in the day. Right, amazing. Yeah,

0:21:04.800 --> 0:21:08.680
<v Speaker 1>that's a wild it is. It's interesting because that, um yeah,

0:21:08.720 --> 0:21:12.560
<v Speaker 1>the like in Gossip Girl, the original to Rode, I

0:21:12.600 --> 0:21:15.000
<v Speaker 1>had a scene where she was on Facebook, like doing

0:21:15.080 --> 0:21:18.240
<v Speaker 1>some Facebook stocking. So like Facebook was very you know,

0:21:19.320 --> 0:21:21.680
<v Speaker 1>was the thing. And you know, one of the other things,

0:21:21.840 --> 0:21:24.359
<v Speaker 1>as I've told you before, I have certain like TV

0:21:24.480 --> 0:21:28.840
<v Speaker 1>watching pet Peeves, which um comes to bear in this episode,

0:21:28.880 --> 0:21:30.920
<v Speaker 1>which I have I'll get to in a second, but

0:21:31.520 --> 0:21:35.040
<v Speaker 1>one of them is when I watched television today and

0:21:35.160 --> 0:21:39.000
<v Speaker 1>people are texting on phones and how you know if

0:21:39.040 --> 0:21:41.120
<v Speaker 1>it's like you're texting your boyfriend. But then they show

0:21:41.160 --> 0:21:43.920
<v Speaker 1>the phone and there's no previous text messages like that,

0:21:44.000 --> 0:21:47.520
<v Speaker 1>they didn't create start and I'm like, yeah, nobody's And

0:21:47.640 --> 0:21:50.120
<v Speaker 1>so it's funny because I that's why biggest pet peeve.

0:21:50.160 --> 0:21:53.000
<v Speaker 1>But I watched like like technology on television now, But

0:21:53.359 --> 0:21:55.679
<v Speaker 1>they nail that in the New Gossip Girl and then

0:21:56.200 --> 0:21:59.160
<v Speaker 1>in this gossipel it's not even applicable because the way

0:21:59.200 --> 0:22:04.840
<v Speaker 1>those phones were because the screen takes up the whole screen. Yeah,

0:22:04.880 --> 0:22:07.280
<v Speaker 1>Like in this episode, we see Serena finally at the

0:22:07.400 --> 0:22:09.640
<v Speaker 1>end text silly and says, I'm sorry, you know, I'm

0:22:09.680 --> 0:22:11.720
<v Speaker 1>on my way home, and it's like text takes up

0:22:11.760 --> 0:22:16.000
<v Speaker 1>the whole screen. It's so funny. It's like such big letters.

0:22:16.480 --> 0:22:32.120
<v Speaker 1>But yeah, okay, so we have the flashback she meets

0:22:32.160 --> 0:22:34.720
<v Speaker 1>her dad. It's Andrew McCarthy, who we love, and then

0:22:35.359 --> 0:22:39.000
<v Speaker 1>c C, who I always love when CEC comes on

0:22:39.320 --> 0:22:42.280
<v Speaker 1>because just even the tone of her voice and like

0:22:43.880 --> 0:22:47.720
<v Speaker 1>she's nucleus from which everything comes on the Upper East Side,

0:22:47.760 --> 0:22:50.040
<v Speaker 1>you know what I mean. Somehow she's like the classic

0:22:50.200 --> 0:22:54.720
<v Speaker 1>you know, yeah, she's like wicked and wild, but like

0:22:55.800 --> 0:22:58.359
<v Speaker 1>she has this like accent, but it's I don't know,

0:22:58.600 --> 0:23:02.200
<v Speaker 1>I just she's also cool and like really, she's such

0:23:02.240 --> 0:23:05.359
<v Speaker 1>a like a beautiful woman. And it's funny because I

0:23:05.440 --> 0:23:07.960
<v Speaker 1>end this episode at one point that that's either Jenny

0:23:08.040 --> 0:23:10.920
<v Speaker 1>or Eric. I think he says like, oh, Grandma moves

0:23:11.000 --> 0:23:13.159
<v Speaker 1>fast or something, and I was like, of course she does.

0:23:13.200 --> 0:23:14.680
<v Speaker 1>Look at her, she's like a model, and he's like,

0:23:15.119 --> 0:23:17.240
<v Speaker 1>I mean, she doesn't look like a grannybody's grandma, you

0:23:17.280 --> 0:23:19.440
<v Speaker 1>know what I mean. And it's so great because we're like,

0:23:19.480 --> 0:23:21.520
<v Speaker 1>of course that's how Lily is gonna look too, down

0:23:21.560 --> 0:23:25.879
<v Speaker 1>the line, because it's like beautiful, sophisticated, you know, easy

0:23:25.960 --> 0:23:29.119
<v Speaker 1>elegance that they have totally And how about the woman

0:23:29.280 --> 0:23:33.040
<v Speaker 1>who plays c C and the flashbacks, like even her

0:23:33.080 --> 0:23:35.800
<v Speaker 1>tone of voice, I'm like, wow, she's like really, yeah,

0:23:35.840 --> 0:23:39.199
<v Speaker 1>she's fantastic. Yeah. I feel like both she and Brittany

0:23:39.200 --> 0:23:43.320
<v Speaker 1>Snow definitely studied those characterizations and they honored them, and

0:23:43.600 --> 0:23:46.400
<v Speaker 1>you know, you can see those characters in their work,

0:23:46.480 --> 0:23:48.680
<v Speaker 1>which is so cool. And it's like, so in the

0:23:48.760 --> 0:23:50.840
<v Speaker 1>beginning of that, will you clarify one thing for me?

0:23:50.920 --> 0:23:54.760
<v Speaker 1>So we see, uh, the young Lily at lunch with

0:23:54.800 --> 0:23:57.240
<v Speaker 1>her dad. So she's been kicked out of school and

0:23:57.560 --> 0:23:59.280
<v Speaker 1>she wants to live with her dad in l A.

0:24:00.680 --> 0:24:02.639
<v Speaker 1>But he because he has this whole new or not

0:24:02.800 --> 0:24:04.960
<v Speaker 1>not new life, but this life that she wants to

0:24:05.040 --> 0:24:06.920
<v Speaker 1>be a part of it. She wants to just she

0:24:06.960 --> 0:24:09.680
<v Speaker 1>wants to reconnect and yeah, come there, but he some

0:24:09.800 --> 0:24:11.359
<v Speaker 1>but he's too busy and he's like some kind of

0:24:11.400 --> 0:24:14.080
<v Speaker 1>record executive or big shot or something. Right, basically he's not,

0:24:14.400 --> 0:24:15.959
<v Speaker 1>you know, there for her in that moment. It's kind

0:24:15.960 --> 0:24:19.639
<v Speaker 1>of disappointing. But CC is there. So do they all

0:24:19.720 --> 0:24:22.080
<v Speaker 1>live in l A. Or is she living in New

0:24:22.160 --> 0:24:24.000
<v Speaker 1>York with Cecy? I don't know. That's a part of it.

0:24:24.040 --> 0:24:26.520
<v Speaker 1>Was confused. I don't know. That's why we need another episode. Yeah,

0:24:26.840 --> 0:24:30.199
<v Speaker 1>they live, they lived in Malibu in West Hollywood. Did

0:24:30.200 --> 0:24:32.639
<v Speaker 1>they live in the valley? Because the feeling that her

0:24:32.720 --> 0:24:34.639
<v Speaker 1>and her mom stayed on the East coast and that

0:24:35.040 --> 0:24:37.399
<v Speaker 1>the dad and the others than the sister were on

0:24:37.440 --> 0:24:38.840
<v Speaker 1>the West coast and then now they were kind of

0:24:38.880 --> 0:24:40.720
<v Speaker 1>all coming together. That's kind of what I thought was

0:24:40.760 --> 0:24:43.520
<v Speaker 1>going on, but then the details got away from But

0:24:43.560 --> 0:24:45.680
<v Speaker 1>I guess it doesn't matter. I mean fundamentally, what matters

0:24:45.720 --> 0:24:49.080
<v Speaker 1>is that it was like Lily, yeah the question even

0:24:49.119 --> 0:24:51.000
<v Speaker 1>back then though, she has like an Upper east Side vibe,

0:24:51.040 --> 0:24:53.479
<v Speaker 1>which you know, and there's a scene in this episode

0:24:53.480 --> 0:24:56.280
<v Speaker 1>where the where the young younger CC says to her,

0:24:56.880 --> 0:24:58.280
<v Speaker 1>I want you to live on the Upper east Side

0:24:58.320 --> 0:25:03.360
<v Speaker 1>and so it's like already in definitely in the rational life, right,

0:25:03.800 --> 0:25:06.160
<v Speaker 1>so it makes sense to go in her style because

0:25:06.160 --> 0:25:08.159
<v Speaker 1>she's so I feel like that was so interesting to

0:25:08.200 --> 0:25:11.080
<v Speaker 1>me was the feeling the vibe of l A. You know, yeah,

0:25:11.080 --> 0:25:14.360
<v Speaker 1>they're like surfboards and the sun and like very yeah,

0:25:15.480 --> 0:25:17.600
<v Speaker 1>and how she did or did not stick out there,

0:25:17.680 --> 0:25:20.879
<v Speaker 1>you know, like her hair and her pearls and you

0:25:20.920 --> 0:25:23.440
<v Speaker 1>know she was So that was a fun way to

0:25:23.600 --> 0:25:26.080
<v Speaker 1>like explore that character, I think by like contrasting her

0:25:26.160 --> 0:25:28.800
<v Speaker 1>so much with that kind of I guess that laid

0:25:28.840 --> 0:25:31.280
<v Speaker 1>back energy of l A and especially in the eighties

0:25:31.440 --> 0:25:34.680
<v Speaker 1>totally how about why And they're literally speaking of that

0:25:35.080 --> 0:25:37.639
<v Speaker 1>when they're in the car and they're talking about how

0:25:37.720 --> 0:25:40.000
<v Speaker 1>she she sold her car to invest Carol sold her

0:25:40.040 --> 0:25:42.080
<v Speaker 1>card to invest in something, and she's like it's like

0:25:42.160 --> 0:25:44.960
<v Speaker 1>a purse that you wear around your waist. Oh, yes,

0:25:45.840 --> 0:25:48.080
<v Speaker 1>she's talking about a Fannie Pack. I love that. I

0:25:48.119 --> 0:25:50.159
<v Speaker 1>feel like there's a couple of moments in this episode

0:25:50.160 --> 0:25:51.879
<v Speaker 1>where you get that really And I think this episode

0:25:51.880 --> 0:25:55.080
<v Speaker 1>was actually written by Josh and Stephanie, so I feel

0:25:55.080 --> 0:25:57.040
<v Speaker 1>like you really get a lot of their very particular

0:25:57.080 --> 0:25:59.320
<v Speaker 1>wit here, you know, And like that is one of

0:25:59.400 --> 0:26:02.080
<v Speaker 1>those things, like inserting the fact that she's frivolously invested

0:26:02.080 --> 0:26:04.200
<v Speaker 1>in a Fannie Pack. It's so good. I love that.

0:26:04.800 --> 0:26:06.159
<v Speaker 1>I loved it. I was like, wait, I had to

0:26:06.200 --> 0:26:07.760
<v Speaker 1>rewind it. I'm like, wait, is that what she's like

0:26:07.880 --> 0:26:10.600
<v Speaker 1>explaining that she invested in a Fannie Pack? You're so right,

0:26:10.720 --> 0:26:13.879
<v Speaker 1>that's very like good. Yeah, And it's just so funny

0:26:13.880 --> 0:26:15.680
<v Speaker 1>because it's like for the people who kind of catch

0:26:15.760 --> 0:26:18.760
<v Speaker 1>that or for whom that's humorous, it's like that's the

0:26:18.840 --> 0:26:21.720
<v Speaker 1>kind of detail that makes the show really palatable and

0:26:21.800 --> 0:26:24.440
<v Speaker 1>juicy and like something that people really and it's so subtle,

0:26:24.560 --> 0:26:26.840
<v Speaker 1>like they're just talking about it in the car, like okay,

0:26:27.240 --> 0:26:30.720
<v Speaker 1>so that that happens. And then we go to Blair's

0:26:30.760 --> 0:26:34.240
<v Speaker 1>where you bring her the dress. What does de Rota say?

0:26:34.320 --> 0:26:36.520
<v Speaker 1>I have some good news and bad news. Yeah, she says,

0:26:37.119 --> 0:26:39.560
<v Speaker 1>so basically, it's like the address her dress was ruined,

0:26:39.600 --> 0:26:42.640
<v Speaker 1>I guess in the dry cleaner. And then but Dorotea

0:26:42.680 --> 0:26:44.720
<v Speaker 1>is holding it and it's like in the arment bag

0:26:45.160 --> 0:26:47.399
<v Speaker 1>and Blair wants to see it. She's like, no, this

0:26:47.600 --> 0:26:50.560
<v Speaker 1>is a body bag. It's just like you know that

0:26:50.840 --> 0:26:55.200
<v Speaker 1>she address, so that it's like, you know, a mutilated corpse,

0:26:55.280 --> 0:26:56.600
<v Speaker 1>and she won't allow her to see it, which was

0:26:56.720 --> 0:26:59.359
<v Speaker 1>so funny. And you know, I haven't seen in a

0:26:59.440 --> 0:27:02.920
<v Speaker 1>few episode so that we've we've been rewatching together Toroda

0:27:02.960 --> 0:27:06.440
<v Speaker 1>hasn't been physically present, and so having um the scene

0:27:06.480 --> 0:27:07.840
<v Speaker 1>when she pops on the screen, I was like, oh,

0:27:07.960 --> 0:27:10.880
<v Speaker 1>it's so exciting to see. And it made me laugh

0:27:10.960 --> 0:27:13.160
<v Speaker 1>because to me, like the move like with the body

0:27:13.200 --> 0:27:14.760
<v Speaker 1>bag and then there was like a couple of eye

0:27:14.880 --> 0:27:18.560
<v Speaker 1>rolls and so kind of seeing the how almost over

0:27:18.680 --> 0:27:22.320
<v Speaker 1>the top comedic it was. But it still seemed okay

0:27:22.440 --> 0:27:24.280
<v Speaker 1>because I feel like somehow I buy it that like

0:27:24.400 --> 0:27:28.679
<v Speaker 1>they're that's almost silly together. Yeah, so it didn't make

0:27:28.720 --> 0:27:30.200
<v Speaker 1>me laugh and I was like, oh wow, it was

0:27:30.320 --> 0:27:32.240
<v Speaker 1>really like there was like a lot of broad moves

0:27:32.240 --> 0:27:35.119
<v Speaker 1>in there. And then also once Stoda shows her, she

0:27:35.160 --> 0:27:39.000
<v Speaker 1>has a prom dress from Paris and that dress box,

0:27:39.280 --> 0:27:43.920
<v Speaker 1>Oh my gosh, it was like mongous um. And so

0:27:44.080 --> 0:27:46.359
<v Speaker 1>it's like it was how was how was late? And

0:27:46.440 --> 0:27:49.120
<v Speaker 1>even walking in that that felt just and she did

0:27:49.200 --> 0:27:51.920
<v Speaker 1>it so gracefully and it looked like it almost looked

0:27:51.960 --> 0:27:54.520
<v Speaker 1>like it was comfy, but it just seems so thick

0:27:54.600 --> 0:27:57.840
<v Speaker 1>and big, but it was so beautiful. She looked insane

0:27:58.080 --> 0:28:00.560
<v Speaker 1>that kind of box. Yeah, just such a big box.

0:28:01.560 --> 0:28:03.960
<v Speaker 1>And Dorota sets it down and then they both look

0:28:04.000 --> 0:28:06.560
<v Speaker 1>at it. It's like they're both like throwing it and

0:28:06.640 --> 0:28:08.720
<v Speaker 1>Blair both have the biggest smiles. And it's so funny

0:28:08.720 --> 0:28:10.760
<v Speaker 1>because I was watching it. I remember I don't remember

0:28:10.840 --> 0:28:13.200
<v Speaker 1>doing the scene at all, but I remember that vibe

0:28:13.240 --> 0:28:14.840
<v Speaker 1>of like it was always so easy to have the

0:28:15.240 --> 0:28:18.800
<v Speaker 1>sort of excitement moments because we just had so much fun,

0:28:19.000 --> 0:28:20.840
<v Speaker 1>you know. And so it's like when we opened when

0:28:20.880 --> 0:28:23.320
<v Speaker 1>I opened the box, as Dorota throat is like almost

0:28:23.359 --> 0:28:25.960
<v Speaker 1>jumping up and down with joy over this Parisian dress.

0:28:26.320 --> 0:28:29.720
<v Speaker 1>And I remember that that was always like really easy

0:28:29.800 --> 0:28:31.960
<v Speaker 1>to play, you know, like it was always just very

0:28:32.040 --> 0:28:35.399
<v Speaker 1>fun to lean into those those happy for Blair moments.

0:28:35.720 --> 0:28:38.600
<v Speaker 1>It was a very typical kind of interaction for us,

0:28:38.760 --> 0:28:41.200
<v Speaker 1>but I don't remember specifically at all. So it felt

0:28:41.240 --> 0:28:43.800
<v Speaker 1>fun to watch it because it was like watching another

0:28:43.880 --> 0:28:47.720
<v Speaker 1>person almost well right, yeah, so that was a fun

0:28:47.800 --> 0:28:50.280
<v Speaker 1>scene to see. I was excited for that, and then

0:28:50.400 --> 0:28:53.560
<v Speaker 1>you showed up in the scene. I don't know what

0:28:53.640 --> 0:28:56.920
<v Speaker 1>the conversation was about. I think about Serena going to jail.

0:28:57.320 --> 0:28:59.560
<v Speaker 1>Why to jail? Right over? And so everybody's sitting around

0:28:59.680 --> 0:29:03.400
<v Speaker 1>and Dan and Jenny and Rufus is there and I think,

0:29:03.560 --> 0:29:06.160
<v Speaker 1>you know they're they're chatting, and then but there you

0:29:06.200 --> 0:29:08.440
<v Speaker 1>guys go eating Chinese food out of the boxes with

0:29:08.720 --> 0:29:13.640
<v Speaker 1>the chopsticks had a plate. Because that stuck out to

0:29:13.720 --> 0:29:15.720
<v Speaker 1>me from what you said that Vanessa did have a plane.

0:29:16.040 --> 0:29:17.880
<v Speaker 1>Oh good, And in my mind, I'm like, maybe Dan

0:29:18.000 --> 0:29:19.720
<v Speaker 1>already had it and he's just going back for a second.

0:29:20.040 --> 0:29:22.040
<v Speaker 1>Because I thought of you when I saw that scene,

0:29:22.040 --> 0:29:23.840
<v Speaker 1>I'm like, oh ship. I was like, in the Upper

0:29:23.840 --> 0:29:26.000
<v Speaker 1>east Side, that freest side, they eat it on fine

0:29:26.080 --> 0:29:28.320
<v Speaker 1>China and in Brooklyn they're just like you know, so

0:29:28.400 --> 0:29:30.440
<v Speaker 1>I feel like you can eat I'll explain it. I

0:29:30.520 --> 0:29:32.640
<v Speaker 1>think you can eat lomaine out of the box, but

0:29:32.840 --> 0:29:34.600
<v Speaker 1>everything else you have to mix it with the rice,

0:29:34.840 --> 0:29:40.720
<v Speaker 1>you know, like that's actually making me want totally want yeah,

0:29:40.760 --> 0:29:43.760
<v Speaker 1>oh man. And yeah. And also I was like, that's

0:29:44.120 --> 0:29:46.600
<v Speaker 1>the where Dan lives. It's not too far from where

0:29:46.640 --> 0:29:48.200
<v Speaker 1>I lives. I was like, I wonder where they would

0:29:48.200 --> 0:29:51.360
<v Speaker 1>have ordered from. Oh my god, Yeah, you're like looking

0:29:51.400 --> 0:29:55.360
<v Speaker 1>it up. Yeah, but so that was funny. But yeah,

0:29:55.440 --> 0:29:58.000
<v Speaker 1>so we get to see. That's another thing we explore

0:29:58.040 --> 0:30:00.520
<v Speaker 1>in this episode is that sort of after a math

0:30:00.600 --> 0:30:03.640
<v Speaker 1>because the last time we saw Rufus and Lily, he

0:30:03.760 --> 0:30:05.880
<v Speaker 1>was about to propose and then he changed his mind

0:30:06.080 --> 0:30:09.040
<v Speaker 1>doesn't But at this point is do we know or

0:30:09.240 --> 0:30:12.760
<v Speaker 1>feel like like, are we getting that he didn't do

0:30:12.840 --> 0:30:16.200
<v Speaker 1>it because of her putting Serena and jail? Because That's

0:30:16.240 --> 0:30:18.720
<v Speaker 1>what I'm getting, That's where I'm at. So it's like

0:30:18.800 --> 0:30:22.560
<v Speaker 1>kind of shocked by that, right that he basically, um, yeah,

0:30:22.640 --> 0:30:25.160
<v Speaker 1>that she she I guess he kind of called her

0:30:25.160 --> 0:30:27.560
<v Speaker 1>out as as behaving, you know, like like her mother.

0:30:28.200 --> 0:30:30.400
<v Speaker 1>So I think that's it was like almost like that

0:30:30.720 --> 0:30:33.840
<v Speaker 1>comment that he made and breaking the you know, not proposing,

0:30:34.560 --> 0:30:36.600
<v Speaker 1>uh set us up for this whole episode where we

0:30:36.680 --> 0:30:39.800
<v Speaker 1>flash back to her relationship with her mother and you know,

0:30:39.840 --> 0:30:42.320
<v Speaker 1>and then we see and then Cecy comes back, like

0:30:42.480 --> 0:30:44.800
<v Speaker 1>that's another thing. So, so Serena is in jail and

0:30:46.360 --> 0:30:49.840
<v Speaker 1>Lily finally goes to bail her out or to you know,

0:30:49.920 --> 0:30:53.640
<v Speaker 1>get her out, and then turns out that in fact,

0:30:53.880 --> 0:30:57.320
<v Speaker 1>Serena has called Cecy instead of Lily, And now I

0:30:57.360 --> 0:31:00.240
<v Speaker 1>feel like the whole episode becomes about this generation mother

0:31:00.360 --> 0:31:04.320
<v Speaker 1>daughter dynamic that plays out for sure. Yeah, and speaking

0:31:04.400 --> 0:31:09.160
<v Speaker 1>of Serena says something to Lily about like, I don't

0:31:09.200 --> 0:31:10.640
<v Speaker 1>want to be a mom like you, like I'd rather

0:31:11.000 --> 0:31:13.040
<v Speaker 1>give my kids up for adoption and be a mom.

0:31:13.120 --> 0:31:14.840
<v Speaker 1>It's something along those lines. And then she's like, oh wait,

0:31:14.920 --> 0:31:16.680
<v Speaker 1>you did that. I was like, yeah, yeah, I was

0:31:16.720 --> 0:31:19.560
<v Speaker 1>like that was like digging so deep and so gnarly

0:31:19.720 --> 0:31:24.200
<v Speaker 1>and so rough. Yeah yeah. And I feel like here

0:31:24.600 --> 0:31:27.560
<v Speaker 1>it's also that the kind of generational echo to the

0:31:27.640 --> 0:31:30.200
<v Speaker 1>fact that like the same thing happens between the mother

0:31:30.320 --> 0:31:32.760
<v Speaker 1>daughter pairs in a in a family like down the line,

0:31:32.840 --> 0:31:34.959
<v Speaker 1>you know, So that like the fact that we explore

0:31:35.040 --> 0:31:39.360
<v Speaker 1>that here that you know, Lily, she was Serena with CC,

0:31:40.040 --> 0:31:44.200
<v Speaker 1>and now now we's see Serena with Lily and then

0:31:44.280 --> 0:31:46.160
<v Speaker 1>like Lily is now CC, and it's like this whole

0:31:46.160 --> 0:31:49.800
<v Speaker 1>thing where that yeah, and then CC Serena out, our

0:31:49.880 --> 0:31:51.960
<v Speaker 1>veils are out, like it's yeah, and so I have

0:31:52.040 --> 0:31:54.560
<v Speaker 1>web there is crazy. I also think it's so nice

0:31:54.600 --> 0:31:58.680
<v Speaker 1>how they because we go on this path and explore

0:31:58.760 --> 0:32:01.080
<v Speaker 1>like Cecy's childhood. It's like what Gossip Girl does so

0:32:01.160 --> 0:32:03.240
<v Speaker 1>well is that the characters who are like, you know,

0:32:03.320 --> 0:32:07.640
<v Speaker 1>the parental figures and fleshing out all of their emotional

0:32:07.760 --> 0:32:10.840
<v Speaker 1>life and their history and their story. It allows us

0:32:10.880 --> 0:32:13.120
<v Speaker 1>more insight about Serena, who is you know, our kind

0:32:13.160 --> 0:32:15.960
<v Speaker 1>of principal character. And you know, so it's like these

0:32:16.000 --> 0:32:19.480
<v Speaker 1>parents are multidimensional and it makes the story deeper because

0:32:19.480 --> 0:32:20.960
<v Speaker 1>I feel like a lot of shows, like a high

0:32:20.960 --> 0:32:23.360
<v Speaker 1>school show or something, the parents are the you know,

0:32:23.400 --> 0:32:26.360
<v Speaker 1>they become kind of a peripheral or like just there

0:32:26.480 --> 0:32:29.520
<v Speaker 1>to frame the action. And here you have like, you know,

0:32:29.560 --> 0:32:31.160
<v Speaker 1>they're really part of the story and you care about

0:32:31.200 --> 0:32:33.320
<v Speaker 1>them as much as you care about Lareen Serena. It's like,

0:32:33.360 --> 0:32:36.240
<v Speaker 1>I'm really invested in Lily and her life, and it

0:32:36.520 --> 0:32:38.840
<v Speaker 1>makes the whole thing just like deeper and and also

0:32:38.920 --> 0:32:40.960
<v Speaker 1>more relatable, I think for a bigger audience. You know,

0:32:41.400 --> 0:32:43.800
<v Speaker 1>so it's like and I you know I'm similar to you.

0:32:43.880 --> 0:32:46.760
<v Speaker 1>It's like I saw things that I related to from

0:32:47.000 --> 0:32:49.280
<v Speaker 1>you know, my own mom. But I was wondering because

0:32:49.280 --> 0:32:50.640
<v Speaker 1>I was thinking of you as I was watching, and

0:32:50.680 --> 0:32:52.200
<v Speaker 1>I was like, I wonder, it's like a new mom

0:32:52.320 --> 0:32:54.520
<v Speaker 1>with like, you know, such a little little one, like

0:32:54.640 --> 0:32:57.640
<v Speaker 1>are you already like when you watch stuff about mother

0:32:57.840 --> 0:33:00.880
<v Speaker 1>daughter relationships and is it hitting you a different spot now?

0:33:00.920 --> 0:33:04.640
<v Speaker 1>And yeah, like, oh my god, please just always don't

0:33:04.680 --> 0:33:07.560
<v Speaker 1>never if you mean don't never say it that. Yeah,

0:33:07.720 --> 0:33:10.880
<v Speaker 1>there's so many And here's a thing that's like there's

0:33:10.920 --> 0:33:13.280
<v Speaker 1>a moment when Serena was saying that to Lily and

0:33:13.360 --> 0:33:16.120
<v Speaker 1>she's looking at her. She goes, oh, just wait, trust me.

0:33:16.560 --> 0:33:19.800
<v Speaker 1>Lily says something along those lines, and I'm thinking, like

0:33:19.920 --> 0:33:22.760
<v Speaker 1>as a mom when Serena saying that to her mom,

0:33:22.960 --> 0:33:25.480
<v Speaker 1>as much as maybe Lily has made some mistakes or

0:33:26.200 --> 0:33:29.080
<v Speaker 1>I really think she was always trying to do the

0:33:29.160 --> 0:33:31.520
<v Speaker 1>best she could do. And I do think most parents

0:33:31.680 --> 0:33:34.360
<v Speaker 1>do try to do the best, and sometimes they make

0:33:34.440 --> 0:33:37.040
<v Speaker 1>mistakes and sometimes it's you know, it's not the outcome

0:33:37.120 --> 0:33:40.400
<v Speaker 1>that they want, but it's never their intention. It was

0:33:40.480 --> 0:33:45.040
<v Speaker 1>never to like hurt Serena or make her feel you know,

0:33:45.200 --> 0:33:47.520
<v Speaker 1>nothing but love. So when she's saying that to her,

0:33:47.560 --> 0:33:49.480
<v Speaker 1>it was like, I was like gutted for Lily because

0:33:49.520 --> 0:33:51.120
<v Speaker 1>I'm like, she wasn't trying to do that to you.

0:33:51.240 --> 0:33:55.400
<v Speaker 1>But also, as a seventeen year old kid, you don't

0:33:55.520 --> 0:33:57.880
<v Speaker 1>know the life experiences, you don't know what it's like

0:33:57.960 --> 0:33:59.640
<v Speaker 1>to be a mom yet, so in your mind, it's

0:33:59.640 --> 0:34:03.280
<v Speaker 1>your like just lashing out and telling her she's a

0:34:03.320 --> 0:34:06.840
<v Speaker 1>horrible person. But we know that Lily really was, isn't

0:34:06.960 --> 0:34:11.160
<v Speaker 1>you know? So, And then Serena says, because like at

0:34:11.160 --> 0:34:12.680
<v Speaker 1>the end of the episode, she kind of she has

0:34:12.760 --> 0:34:15.400
<v Speaker 1>that line of somebody asked her about it and she says, oh,

0:34:15.480 --> 0:34:17.000
<v Speaker 1>my mom just did that to me because she loves

0:34:17.040 --> 0:34:19.400
<v Speaker 1>me or whatever. So she kind of resolves it so

0:34:19.480 --> 0:34:22.279
<v Speaker 1>easily almost in her head about the jail thing. But

0:34:22.480 --> 0:34:24.480
<v Speaker 1>she gets, you know, she gets that very thing that

0:34:24.560 --> 0:34:26.919
<v Speaker 1>we're learning in this episode, which is that like every

0:34:27.040 --> 0:34:30.360
<v Speaker 1>mom's just trying her best, right, and it's also like

0:34:30.480 --> 0:34:32.839
<v Speaker 1>the tough love like Lily's trying. She in her mind,

0:34:32.920 --> 0:34:35.640
<v Speaker 1>she's like maybe teaching Serena and everyone else, even Nate

0:34:35.719 --> 0:34:37.400
<v Speaker 1>when they're waiting in the jail in this episode. In

0:34:37.440 --> 0:34:40.080
<v Speaker 1>the beginning, He's like, who does that? It's true, we're

0:34:40.080 --> 0:34:42.520
<v Speaker 1>all like, what the heck? In Lily's mind, she's like

0:34:42.560 --> 0:34:45.520
<v Speaker 1>trying to teach Serena that she can't like that she

0:34:45.560 --> 0:34:47.600
<v Speaker 1>needs to stay in R lane sometimes so that I

0:34:47.719 --> 0:34:49.800
<v Speaker 1>can kind of. I'm not saying I agree with it.

0:34:49.920 --> 0:34:52.520
<v Speaker 1>I still think it's nuts that she did that, but really,

0:34:52.719 --> 0:34:55.000
<v Speaker 1>you know, she's justifying it in in a way to

0:34:55.080 --> 0:34:57.360
<v Speaker 1>try to make Serena grow. Oh yes, no, I think so.

0:34:57.480 --> 0:34:58.640
<v Speaker 1>And I feel like we get to see all of

0:34:58.760 --> 0:35:01.680
<v Speaker 1>that here and it's like, sorree know, Lily cec. That's

0:35:01.920 --> 0:35:06.360
<v Speaker 1>whole family dynamic is so so essential here in this episode.

0:35:06.480 --> 0:35:08.080
<v Speaker 1>And then it's like we have the other side of

0:35:08.120 --> 0:35:09.759
<v Speaker 1>the coin, which is the we also have a lot

0:35:09.800 --> 0:35:14.480
<v Speaker 1>of action happening with Blair and Nate and so let's okay,

0:35:14.600 --> 0:35:16.719
<v Speaker 1>can we just talk about this, Yes, let's talk about

0:35:16.719 --> 0:35:20.440
<v Speaker 1>that for a second. Chuck basically is the reason is

0:35:20.480 --> 0:35:23.279
<v Speaker 1>behind the prom dress. Chuck is behind making sure she

0:35:23.480 --> 0:35:26.600
<v Speaker 1>becomes prom queen. And when he's like standing there and

0:35:26.640 --> 0:35:28.920
<v Speaker 1>Serena asked what he's doing and they're watching Blair get

0:35:28.960 --> 0:35:32.399
<v Speaker 1>crowned queen, here's again where you're you're like, oh my god,

0:35:32.920 --> 0:35:35.680
<v Speaker 1>with season three coming, this must be like another whole

0:35:35.840 --> 0:35:37.759
<v Speaker 1>roller coaster ride that we're going on, and now it's

0:35:37.760 --> 0:35:39.960
<v Speaker 1>going to be the Blair and Chuck right. Yeah, So

0:35:40.080 --> 0:35:44.200
<v Speaker 1>it's like, essentially in this episode, Blair is preparing for prom.

0:35:44.360 --> 0:35:46.920
<v Speaker 1>She has this fantastical idea of what proms should be,

0:35:47.000 --> 0:35:49.880
<v Speaker 1>like she has been dreaming, dreaming of it since her

0:35:50.280 --> 0:35:53.000
<v Speaker 1>since she was a little girl, and all this and

0:35:53.040 --> 0:35:55.680
<v Speaker 1>everything is just falling apart, like her dress is messed up.

0:35:56.360 --> 0:35:58.520
<v Speaker 1>Then Nate has, you know, all of his plans. He

0:35:58.560 --> 0:36:01.480
<v Speaker 1>has the limo planned, he has the corsage, he has

0:36:01.520 --> 0:36:04.080
<v Speaker 1>the hotel. Everything falls apart, and so it's like somebody's

0:36:04.080 --> 0:36:07.440
<v Speaker 1>sabotaging her prom night, right, So it's like we know

0:36:07.680 --> 0:36:10.080
<v Speaker 1>somebody is, and it's like Chuck kind of gets accused

0:36:10.120 --> 0:36:13.080
<v Speaker 1>of it, and then really it's the minions, right, Like

0:36:13.160 --> 0:36:17.319
<v Speaker 1>the mean girls are trying to displace her and make

0:36:17.560 --> 0:36:20.480
<v Speaker 1>so that she doesn't become prom quet. Right, Am I

0:36:20.560 --> 0:36:23.280
<v Speaker 1>missing something? No? I think that is that is correct?

0:36:23.320 --> 0:36:25.799
<v Speaker 1>And I why are all these girls coming out Blair again? Now?

0:36:25.840 --> 0:36:28.200
<v Speaker 1>I thought I was like the ringleader. Yeah I missed

0:36:28.280 --> 0:36:30.239
<v Speaker 1>I missed it. Yeah, I feel like something was to

0:36:30.320 --> 0:36:32.880
<v Speaker 1>happen a few episodes ago or something where they started

0:36:32.880 --> 0:36:35.239
<v Speaker 1>to get crafty on their own or something, but they did,

0:36:35.400 --> 0:36:37.279
<v Speaker 1>and I can't Yeah, I don't know, but it was

0:36:37.360 --> 0:36:42.840
<v Speaker 1>I'm starting to Penelope even though that pink dress is

0:36:42.880 --> 0:36:46.080
<v Speaker 1>super cute and I like it, don't be like rude

0:36:46.120 --> 0:36:49.760
<v Speaker 1>to Blair. Yeah. No, It's funny because when she finds

0:36:49.800 --> 0:36:51.759
<v Speaker 1>out that she is Quean, she's like, well, of course

0:36:51.840 --> 0:36:55.400
<v Speaker 1>we are. I'm like, okay, Blair, right, yeah. So it's

0:36:55.440 --> 0:36:57.440
<v Speaker 1>like it's like we get to the prom finally towards

0:36:57.440 --> 0:37:00.400
<v Speaker 1>the end of the episode, and then Blair mean, basically,

0:37:00.480 --> 0:37:02.239
<v Speaker 1>she discovers that Chuck is holding a bunch of like

0:37:02.960 --> 0:37:05.600
<v Speaker 1>ballots that say Nelly Yuki on them for prom Queen,

0:37:05.680 --> 0:37:08.560
<v Speaker 1>and so she accuses him of being the saboteur of

0:37:08.800 --> 0:37:11.839
<v Speaker 1>her whole right and really mean to have And then

0:37:12.640 --> 0:37:14.360
<v Speaker 1>in the interim we find out that in fact, she

0:37:14.440 --> 0:37:17.280
<v Speaker 1>did win prom Queen, and it turns out that you know, Chuck,

0:37:18.520 --> 0:37:22.919
<v Speaker 1>Chuck overheard the minions scheming and he got went into

0:37:22.920 --> 0:37:24.719
<v Speaker 1>action and he voted. He's like, I voted a hundred

0:37:24.760 --> 0:37:26.759
<v Speaker 1>forty times or something for Blair so that she would

0:37:26.800 --> 0:37:28.560
<v Speaker 1>have the night of her dreams and so like we

0:37:28.600 --> 0:37:31.520
<v Speaker 1>find out that he's really the kind of the hero

0:37:31.680 --> 0:37:34.640
<v Speaker 1>and the savior of the prom night, which is so sweet,

0:37:34.680 --> 0:37:36.600
<v Speaker 1>and he never you know, it's all in the background,

0:37:36.800 --> 0:37:38.360
<v Speaker 1>That's what's so. I think what you're saying is like

0:37:38.440 --> 0:37:40.759
<v Speaker 1>when Serena asked him about it, he's just doing things

0:37:40.840 --> 0:37:42.920
<v Speaker 1>out of love for Blair. At this point with he's like,

0:37:43.000 --> 0:37:44.960
<v Speaker 1>I want her to have the perfect night, and like

0:37:45.080 --> 0:37:47.600
<v Speaker 1>that is so sweet without getting any credit for it,

0:37:47.719 --> 0:37:50.560
<v Speaker 1>and without you know, even making himself known, which is

0:37:50.640 --> 0:37:53.160
<v Speaker 1>like pretty authentic and sweet. Yeah, it's really cool, so

0:37:53.400 --> 0:37:56.040
<v Speaker 1>sweet not getting credit. She's like going off on yelling

0:37:56.120 --> 0:37:58.719
<v Speaker 1>at him. But yeah, so I don't really know why

0:37:58.719 --> 0:38:00.600
<v Speaker 1>the minions were turning on her, but I did love

0:38:00.640 --> 0:38:03.680
<v Speaker 1>to see them. And so like Amanda Satin, who plays Penelope,

0:38:03.760 --> 0:38:06.000
<v Speaker 1>is like one of my best buddies. And I love

0:38:06.080 --> 0:38:08.480
<v Speaker 1>her because when we were working on the show together

0:38:08.560 --> 0:38:11.080
<v Speaker 1>we became friendly and then she ended up doing a

0:38:11.160 --> 0:38:13.239
<v Speaker 1>play with me and we did a play together, so

0:38:14.080 --> 0:38:16.920
<v Speaker 1>we've seen a lot of time together. So I love

0:38:16.960 --> 0:38:19.000
<v Speaker 1>a man. I love her acting, and like, you know,

0:38:19.040 --> 0:38:20.719
<v Speaker 1>I haven't watched the show in so long, so it's

0:38:20.760 --> 0:38:23.759
<v Speaker 1>like seeing her in that Penelope role was like I

0:38:23.800 --> 0:38:25.040
<v Speaker 1>got such a kick out of it, and it was

0:38:25.160 --> 0:38:27.799
<v Speaker 1>just such a great moment because all all of them

0:38:27.960 --> 0:38:30.879
<v Speaker 1>in Dream and you know that, I mean the whole crew.

0:38:31.080 --> 0:38:33.320
<v Speaker 1>And what's so great about those performances too, is that

0:38:33.440 --> 0:38:36.560
<v Speaker 1>like they're so it's like here they're scheming and they're

0:38:36.640 --> 0:38:40.480
<v Speaker 1>like nasty girls, but there's like a vulnerability to it.

0:38:40.600 --> 0:38:44.200
<v Speaker 1>Like when Amanda, when Penelope announces that it's Blair, it's

0:38:44.200 --> 0:38:47.160
<v Speaker 1>like her face acts like yeah, and you kind of

0:38:47.280 --> 0:38:49.040
<v Speaker 1>kind of get the whole thing about high school, right

0:38:49.080 --> 0:38:52.120
<v Speaker 1>and the Yeah. It's like the fact that in high school,

0:38:52.120 --> 0:38:53.719
<v Speaker 1>like all these mean girls and stuff, like they're really

0:38:53.760 --> 0:38:56.560
<v Speaker 1>coming from place of insecurity. So it's like, I feel

0:38:56.600 --> 0:38:58.760
<v Speaker 1>like you get that here. You know, this problem seemed

0:38:58.920 --> 0:39:03.080
<v Speaker 1>very even though so glamorous and above and beyond, like

0:39:03.480 --> 0:39:05.680
<v Speaker 1>it still seemed relatable and like real to me in

0:39:05.800 --> 0:39:09.440
<v Speaker 1>terms of those dynamics. Yeah, because I just feel like

0:39:09.520 --> 0:39:11.799
<v Speaker 1>in high school everyone is still trying to find their place,

0:39:11.960 --> 0:39:14.719
<v Speaker 1>Like I don't. High school is so crazy to me.

0:39:14.760 --> 0:39:16.360
<v Speaker 1>I had some of my best years there and some

0:39:16.560 --> 0:39:19.400
<v Speaker 1>things that I was very hurt by. Some things I

0:39:19.520 --> 0:39:22.719
<v Speaker 1>learned a lot, but like the mean stuff when people

0:39:22.760 --> 0:39:24.640
<v Speaker 1>are mean, it like hits me in a certain way

0:39:24.640 --> 0:39:26.680
<v Speaker 1>because I did have like some bullying in high school

0:39:27.280 --> 0:39:30.120
<v Speaker 1>and it was very hard to get over and very

0:39:30.280 --> 0:39:34.080
<v Speaker 1>like later on years after high school, the girls all apologized.

0:39:34.120 --> 0:39:36.239
<v Speaker 1>We ran into each other back at a local bar,

0:39:36.440 --> 0:39:39.080
<v Speaker 1>and oddly enough, I was on Gossip Girl. They had

0:39:39.080 --> 0:39:40.800
<v Speaker 1>all watched it and all we're like, oh my gosh,

0:39:40.960 --> 0:39:43.000
<v Speaker 1>and a friend was like the fact that you're even

0:39:43.120 --> 0:39:44.960
<v Speaker 1>like saying hi to them or being and I'm like

0:39:45.160 --> 0:39:47.520
<v Speaker 1>that was on them, like they had something going on

0:39:47.680 --> 0:39:49.360
<v Speaker 1>for them to be mean to me or egg my

0:39:49.440 --> 0:39:52.040
<v Speaker 1>dad's car put pictures of me all over the high

0:39:52.080 --> 0:39:54.840
<v Speaker 1>school like as embarrassing and hurtful as it was, and

0:39:54.920 --> 0:39:57.440
<v Speaker 1>at the time, I wanted to change schools and stuff,

0:39:57.480 --> 0:39:59.320
<v Speaker 1>but like like what you said, it was their in

0:39:59.360 --> 0:40:01.920
<v Speaker 1>securities at them in the time, when my mom and

0:40:02.040 --> 0:40:04.520
<v Speaker 1>my sisters and family would be like, they're just they

0:40:04.560 --> 0:40:07.720
<v Speaker 1>have been securities, you don't It didn't. I didn't getting

0:40:07.760 --> 0:40:10.080
<v Speaker 1>help in the moment, Like I would never know, like

0:40:10.120 --> 0:40:12.440
<v Speaker 1>why would you be mean to someone that's like it's

0:40:12.440 --> 0:40:16.600
<v Speaker 1>such a hollow, a hollow thing, because it's like that

0:40:16.760 --> 0:40:19.879
<v Speaker 1>feeling of like grout mentality and like belonging or something.

0:40:20.080 --> 0:40:22.000
<v Speaker 1>But then to do that by hurting someone else, it's

0:40:22.040 --> 0:40:25.839
<v Speaker 1>just that it's a unfortunately doing that, right. Yeah, it's

0:40:25.840 --> 0:40:29.120
<v Speaker 1>actually really sad for for them. Yeah. Yeah. Like I

0:40:29.160 --> 0:40:32.160
<v Speaker 1>was in high school in Indiana and uh, Fort Wayne, Indiana,

0:40:32.200 --> 0:40:34.239
<v Speaker 1>which is like, you know, very midwestern, kind of mid

0:40:34.360 --> 0:40:37.520
<v Speaker 1>sized town, and my high school. I was in high

0:40:37.520 --> 0:40:42.000
<v Speaker 1>school in the nineties and I years years later, a

0:40:42.080 --> 0:40:43.880
<v Speaker 1>guy that I was in school with wrote me an

0:40:43.920 --> 0:40:46.120
<v Speaker 1>email or write wrote me like a message on Facebook,

0:40:46.120 --> 0:40:48.640
<v Speaker 1>and he said that he, you know, later in life,

0:40:48.680 --> 0:40:51.120
<v Speaker 1>he came out as gay and that he wanted to

0:40:51.200 --> 0:40:53.520
<v Speaker 1>thank me for being nice to him in high school.

0:40:53.920 --> 0:40:57.239
<v Speaker 1>And in high school he was really really abused and

0:40:57.600 --> 0:40:59.239
<v Speaker 1>U you know, had a very difficult time. And it

0:40:59.320 --> 0:41:01.200
<v Speaker 1>was struck me so much because I was like, I

0:41:01.280 --> 0:41:03.120
<v Speaker 1>don't remember being that nice to him. I think I

0:41:03.200 --> 0:41:05.160
<v Speaker 1>just wasn't mean to him, you know, And it's like

0:41:05.200 --> 0:41:06.919
<v Speaker 1>I could have been such a better person in high

0:41:06.920 --> 0:41:09.200
<v Speaker 1>school because with hindsight, it's like to step in and

0:41:09.280 --> 0:41:11.960
<v Speaker 1>be a hero for somebody who's being hurt, you know.

0:41:12.560 --> 0:41:13.879
<v Speaker 1>Just the fact that I was one of the kids

0:41:13.880 --> 0:41:16.680
<v Speaker 1>who wasn't mean to him met something like his life

0:41:18.080 --> 0:41:20.040
<v Speaker 1>you know, and it's like that's like it's so sad

0:41:20.120 --> 0:41:22.360
<v Speaker 1>to look at it, but you want to take like

0:41:22.480 --> 0:41:24.640
<v Speaker 1>young people and just like yeah, that's why when I

0:41:24.680 --> 0:41:26.960
<v Speaker 1>do see the mean girls in these episodes, like like Penelope,

0:41:27.080 --> 0:41:29.920
<v Speaker 1>you better chill, yeah, and the mean girls in this

0:41:30.120 --> 0:41:31.640
<v Speaker 1>I mean, I feel like the Blair is like the

0:41:31.800 --> 0:41:34.279
<v Speaker 1>queen Bee of the mean right in a way she is,

0:41:34.480 --> 0:41:37.000
<v Speaker 1>but it's funny because she she plays it in a

0:41:37.040 --> 0:41:39.480
<v Speaker 1>way where you still roote for her. That's that's what's crazy.

0:41:52.520 --> 0:41:55.080
<v Speaker 1>But that problem, I mean, it's that beautiful other opposite

0:41:55.080 --> 0:41:57.120
<v Speaker 1>side of gossip orl which is like because like part

0:41:57.160 --> 0:41:59.160
<v Speaker 1>of it is relatable and there's so much reality to it,

0:41:59.239 --> 0:42:01.320
<v Speaker 1>but then there's also the fantasy part, you know, and

0:42:02.280 --> 0:42:05.440
<v Speaker 1>like yeah, I mean my problem was in like, you know,

0:42:05.560 --> 0:42:09.960
<v Speaker 1>an auditorium, like like a gymnasium's type auditorium, and it

0:42:10.120 --> 0:42:12.200
<v Speaker 1>was like balloons and stuff and here that I mean

0:42:12.239 --> 0:42:15.480
<v Speaker 1>just the amount of just a decor alone. I was like, whoa,

0:42:15.640 --> 0:42:20.720
<v Speaker 1>it's insane and like like diamond Tiherra's and it was insane.

0:42:21.120 --> 0:42:22.880
<v Speaker 1>What did your dress look like? You know? I went

0:42:22.960 --> 0:42:26.239
<v Speaker 1>to a couple you know problems. We went junior prom

0:42:26.320 --> 0:42:28.759
<v Speaker 1>and senior prom, and I had some friends from other

0:42:28.880 --> 0:42:30.840
<v Speaker 1>high school, so I went a few times. But I

0:42:30.880 --> 0:42:33.640
<v Speaker 1>always had a difficult time picking out a dress because

0:42:33.680 --> 0:42:36.719
<v Speaker 1>my mom, because I was originally from Poland and my

0:42:36.800 --> 0:42:39.400
<v Speaker 1>mom was very Polish, so she was like it was

0:42:39.440 --> 0:42:41.400
<v Speaker 1>a really hard sell to get her to buy me

0:42:41.520 --> 0:42:43.680
<v Speaker 1>like a typical prom dress. Like she just had a

0:42:43.719 --> 0:42:47.000
<v Speaker 1>different fashion sense and so she always wanted to have

0:42:47.080 --> 0:42:49.040
<v Speaker 1>something different, And I was always like, Mom, what the

0:42:49.160 --> 0:42:50.759
<v Speaker 1>problem dress? Because it was all Rick and I had

0:42:50.800 --> 0:42:53.400
<v Speaker 1>the same kind of style, you know. So I remember

0:42:53.600 --> 0:42:55.480
<v Speaker 1>that there was like a little bit of an uphill

0:42:55.560 --> 0:42:58.239
<v Speaker 1>battle getting my parents to like purchase the one that

0:42:58.320 --> 0:43:01.440
<v Speaker 1>I wanted. Um. But I think one of the things

0:43:01.480 --> 0:43:04.000
<v Speaker 1>about growing up in the Midwest and and kind of

0:43:04.040 --> 0:43:06.680
<v Speaker 1>a suburban setting, at least in the nineties, was that

0:43:07.000 --> 0:43:08.759
<v Speaker 1>we went to the mall. We had like a couple

0:43:08.800 --> 0:43:11.120
<v Speaker 1>of department stores where you would go to the fancy

0:43:11.200 --> 0:43:14.440
<v Speaker 1>dress section, like the prom dress section, and so not

0:43:14.760 --> 0:43:17.320
<v Speaker 1>having the same dress as like twenty other girls was

0:43:17.360 --> 0:43:20.720
<v Speaker 1>like almost impossible. And then we didn't have online shopping,

0:43:21.440 --> 0:43:24.399
<v Speaker 1>so you can only buy what you could go see,

0:43:24.760 --> 0:43:27.520
<v Speaker 1>you know. So you know, you live in a sport

0:43:27.520 --> 0:43:30.160
<v Speaker 1>way in Indiana. You're going to glen Brook Mall and

0:43:30.280 --> 0:43:32.520
<v Speaker 1>they're like, you know, and that's you're not You're not

0:43:32.640 --> 0:43:35.160
<v Speaker 1>buying stuffe And I think the options now. I think

0:43:35.200 --> 0:43:37.160
<v Speaker 1>you can live in you know, the most rural part

0:43:37.200 --> 0:43:40.400
<v Speaker 1>of Kansas and get you know anything. You know, you

0:43:40.440 --> 0:43:45.839
<v Speaker 1>can go online and and really do some research and yeah,

0:43:45.880 --> 0:43:48.799
<v Speaker 1>how about you. Do you remember what your I went

0:43:48.880 --> 0:43:50.960
<v Speaker 1>with one of my best friends, do you know, and

0:43:51.560 --> 0:43:53.480
<v Speaker 1>we had the best time we had. We went to

0:43:53.600 --> 0:43:55.200
<v Speaker 1>turn I went, I asked him to turn About. That's

0:43:55.239 --> 0:44:03.000
<v Speaker 1>what I guess backward. Yeah, we just had so much

0:44:03.080 --> 0:44:05.040
<v Speaker 1>fun at Wanted. I can't remember which was first. I

0:44:05.080 --> 0:44:06.719
<v Speaker 1>guess it was turned About first. We had so much fun,

0:44:06.760 --> 0:44:09.239
<v Speaker 1>more like, let's do problem together. But mine was just

0:44:09.320 --> 0:44:11.759
<v Speaker 1>a simple black dress. It was very black. I wore

0:44:11.840 --> 0:44:14.000
<v Speaker 1>my hair straight for the first time ever, I think

0:44:14.040 --> 0:44:15.840
<v Speaker 1>in my life. So I think that was kind of

0:44:15.880 --> 0:44:17.680
<v Speaker 1>shocking to people when I got to the pictures because

0:44:17.680 --> 0:44:22.600
<v Speaker 1>my hair was super super curly. Who are you paper like, shock? Yeah,

0:44:22.719 --> 0:44:24.840
<v Speaker 1>straight hair back. And I just wore a straight ponytail

0:44:24.880 --> 0:44:26.480
<v Speaker 1>and a black dress. And then I went to another

0:44:26.520 --> 0:44:29.360
<v Speaker 1>problem in Chicago and it was just a plain white dress.

0:44:29.760 --> 0:44:33.000
<v Speaker 1>So very simple. Not at all what Vanessa would wear.

0:44:33.040 --> 0:44:35.839
<v Speaker 1>I'll tell you that, but um, maybe almost what something

0:44:35.960 --> 0:44:38.960
<v Speaker 1>Serena would wear, not like, yeah, I don't know, very

0:44:39.000 --> 0:44:42.879
<v Speaker 1>simple company. Yeah yeah, listen to me breaking down my problem.

0:44:43.000 --> 0:44:45.600
<v Speaker 1>Like almost made a statement, but did I don't know.

0:44:46.200 --> 0:44:48.000
<v Speaker 1>I liked it. It was, um, we had we had

0:44:48.000 --> 0:44:50.040
<v Speaker 1>a good time. It was great. The music was good,

0:44:50.239 --> 0:44:53.520
<v Speaker 1>the dinner was good. It was it was awesome. It's amazing. Yeah,

0:44:53.680 --> 0:44:55.960
<v Speaker 1>it just reminded me we said music. It's like, that's

0:44:56.000 --> 0:44:58.200
<v Speaker 1>probably one of the biggest things in this episode is

0:44:59.760 --> 0:45:02.319
<v Speaker 1>one Stefani is then it, which is so doubt yeah,

0:45:02.440 --> 0:45:04.840
<v Speaker 1>and so like when they that's in the flashback, So

0:45:05.040 --> 0:45:07.480
<v Speaker 1>basically it's like Serena gets out of jail and they

0:45:07.480 --> 0:45:10.120
<v Speaker 1>all go to prom Right and then that's basically the

0:45:10.480 --> 0:45:12.120
<v Speaker 1>and then you know we're dealing and then Lily is

0:45:12.160 --> 0:45:15.200
<v Speaker 1>dealing with the fallout of issues with raising Serena basically

0:45:15.560 --> 0:45:18.120
<v Speaker 1>and that her relationship with groups. But then in the

0:45:18.960 --> 0:45:22.680
<v Speaker 1>flashback world, it's like the young Lily, I just kind

0:45:22.680 --> 0:45:25.200
<v Speaker 1>of despair your dad lost in l I finds her

0:45:25.200 --> 0:45:27.440
<v Speaker 1>sister and they go on this kind of adventure and

0:45:27.560 --> 0:45:30.000
<v Speaker 1>she kind of finds herself I guess by like rebelling

0:45:30.160 --> 0:45:31.759
<v Speaker 1>in the end against her mom and like the two

0:45:31.800 --> 0:45:33.920
<v Speaker 1>sisters kind of right off into the sunset together, right,

0:45:33.960 --> 0:45:37.080
<v Speaker 1>Like that's kind of essentially what happens, right, And but

0:45:37.200 --> 0:45:39.360
<v Speaker 1>in that process, like the kind of peak moment is

0:45:39.440 --> 0:45:42.320
<v Speaker 1>this evening out where they go, you know, out in

0:45:42.360 --> 0:45:46.719
<v Speaker 1>the town and like out in eighties l l A. Right,

0:45:47.080 --> 0:45:50.400
<v Speaker 1>So they go to that club and it's Seguen Stefani

0:45:50.520 --> 0:45:52.719
<v Speaker 1>and No Doubt or playing like as an eighties ban

0:45:53.400 --> 0:45:55.839
<v Speaker 1>right by the way. When the music came out, I'm like, wow,

0:45:55.880 --> 0:45:58.520
<v Speaker 1>this is like a great like whoever whatever band this is,

0:45:58.560 --> 0:46:00.799
<v Speaker 1>I'm like, they should have made it. She sounds good.

0:46:00.880 --> 0:46:02.200
<v Speaker 1>And then there was like a vibe and then get

0:46:02.280 --> 0:46:04.480
<v Speaker 1>the close up swings in and it's Gwen Stefani. I'm like, oh,

0:46:04.640 --> 0:46:06.840
<v Speaker 1>that's because it's I was like doubt and I was like,

0:46:07.120 --> 0:46:08.359
<v Speaker 1>is that really? And then I was like, of course

0:46:08.400 --> 0:46:09.960
<v Speaker 1>it is. That's what kind of show. It was. Always

0:46:10.000 --> 0:46:13.200
<v Speaker 1>had the coolest people, So yeah, it was awesome. And

0:46:13.200 --> 0:46:14.600
<v Speaker 1>it's funny because like a lot of times when there

0:46:14.640 --> 0:46:16.880
<v Speaker 1>was a musical guest, like it had to kind of

0:46:17.000 --> 0:46:19.759
<v Speaker 1>blend into the episode. So it's like you get a

0:46:19.840 --> 0:46:23.799
<v Speaker 1>good moment with Gwen Stefani, and then the scene kind

0:46:23.840 --> 0:46:25.719
<v Speaker 1>of moves forward, you know, which is fun because you're like,

0:46:25.840 --> 0:46:28.359
<v Speaker 1>this is just the world there is. It was cool, yeah,

0:46:28.400 --> 0:46:29.719
<v Speaker 1>and that's what I love about how they do it.

0:46:29.840 --> 0:46:31.080
<v Speaker 1>But they go to the concert and then they go

0:46:31.160 --> 0:46:33.319
<v Speaker 1>to the house party and they're trying to track down

0:46:33.360 --> 0:46:37.319
<v Speaker 1>this guy who's like wronged the Kristen Rider's character Lily sister,

0:46:37.880 --> 0:46:40.880
<v Speaker 1>and so they end up in this like crazy house party,

0:46:40.960 --> 0:46:43.920
<v Speaker 1>and during that process, the young young Lily has some

0:46:44.040 --> 0:46:46.719
<v Speaker 1>drinks and basically starts really falling for this guy, and

0:46:46.800 --> 0:46:50.919
<v Speaker 1>they're this really cute thing happens where when they first meet,

0:46:51.239 --> 0:46:52.960
<v Speaker 1>he kind of runt walks in on or just trying

0:46:53.000 --> 0:46:55.560
<v Speaker 1>on these outfits, and she says, is this the part

0:46:55.640 --> 0:46:58.919
<v Speaker 1>where you fall in love with me? And then later

0:46:59.000 --> 0:47:01.319
<v Speaker 1>when they're dancing together and they're like looking at each

0:47:01.320 --> 0:47:02.600
<v Speaker 1>other's eye and he says, is this the part where

0:47:02.600 --> 0:47:04.120
<v Speaker 1>you fall in love with me? It's such like a

0:47:04.239 --> 0:47:08.200
<v Speaker 1>cute fun line, and I feel like such a moment

0:47:08.480 --> 0:47:11.960
<v Speaker 1>from that from that story and it was so cute,

0:47:12.040 --> 0:47:13.680
<v Speaker 1>and so I was like getting really into their little

0:47:13.680 --> 0:47:16.600
<v Speaker 1>relationship and you know where it could go. It was

0:47:16.640 --> 0:47:19.440
<v Speaker 1>like lovely pure. But how about when Blaren Nate are

0:47:19.520 --> 0:47:22.319
<v Speaker 1>dancing And that's like such a moment too, and then

0:47:22.400 --> 0:47:26.560
<v Speaker 1>it's like they're breaking up, and you know, I found

0:47:26.600 --> 0:47:29.759
<v Speaker 1>that breakup right, So we're saying goodbye to Nate here

0:47:30.520 --> 0:47:32.839
<v Speaker 1>with Blair. But haven't you had that in your life

0:47:32.880 --> 0:47:35.000
<v Speaker 1>where you just feel something slipping away like that? Like

0:47:35.080 --> 0:47:38.000
<v Speaker 1>I mean maybe you know romantically or but I don't

0:47:38.000 --> 0:47:40.440
<v Speaker 1>know if I'm going to be and flow dancing like

0:47:40.600 --> 0:47:43.279
<v Speaker 1>holding each other in our arms, and then like two

0:47:43.360 --> 0:47:45.400
<v Speaker 1>minutes later, I'm like, we're breaking out. I don't know,

0:47:45.600 --> 0:47:47.760
<v Speaker 1>but babe, that's why it was such a moment because

0:47:47.800 --> 0:47:51.080
<v Speaker 1>it's so the irony of it and all this stuff,

0:47:51.160 --> 0:47:53.279
<v Speaker 1>and and then how he just accepted, like he's just

0:47:53.400 --> 0:47:55.879
<v Speaker 1>realizes it. It's like she never says it in words really,

0:47:55.920 --> 0:47:58.200
<v Speaker 1>and she's like, let's just not think about it for

0:47:58.280 --> 0:48:00.960
<v Speaker 1>this next moment and he's like okay, and then it's

0:48:01.000 --> 0:48:03.680
<v Speaker 1>just over and it's so it just hit me because

0:48:03.719 --> 0:48:07.000
<v Speaker 1>like I'm bad with like goodbyes and transitions, like I've

0:48:07.000 --> 0:48:09.640
<v Speaker 1>always yet really like my heart strings get pulled by

0:48:09.680 --> 0:48:11.520
<v Speaker 1>that sound. I was like, oh, the end of it,

0:48:12.000 --> 0:48:14.400
<v Speaker 1>the end of something is always hard for me to

0:48:14.600 --> 0:48:18.880
<v Speaker 1>take um totally. But that was quite a scene with

0:48:19.000 --> 0:48:20.920
<v Speaker 1>the two of them, and then that scene with them

0:48:21.000 --> 0:48:23.080
<v Speaker 1>Blair and Serena on the steps, and it all kind

0:48:23.120 --> 0:48:25.759
<v Speaker 1>of wraps up with that. Let's talk about this, you

0:48:25.840 --> 0:48:29.080
<v Speaker 1>know how there's certain scenes with the lighting on it,

0:48:29.200 --> 0:48:31.400
<v Speaker 1>their makeup, them sitting on the stairs. I was like,

0:48:31.440 --> 0:48:33.120
<v Speaker 1>oh my god, we know that they're both beautiful and

0:48:33.160 --> 0:48:34.640
<v Speaker 1>pretty and they look good on the show all the time.

0:48:34.840 --> 0:48:36.680
<v Speaker 1>They look good in real life too, Like we all

0:48:36.760 --> 0:48:39.680
<v Speaker 1>know that there was something so special about that moment.

0:48:39.840 --> 0:48:43.160
<v Speaker 1>Both of their skins were glowing, like they looked so beautiful,

0:48:43.520 --> 0:48:45.840
<v Speaker 1>like holy yeah. And you know how sometimes there's just

0:48:45.960 --> 0:48:48.120
<v Speaker 1>even when the dps like oh this lighting, this shot

0:48:48.239 --> 0:48:51.640
<v Speaker 1>like looks you know, sticking out more than other ones.

0:48:51.800 --> 0:48:53.640
<v Speaker 1>That was for sure one of those moments for those

0:48:53.680 --> 0:48:56.319
<v Speaker 1>two sitting on the stairs, and I loved it. They're

0:48:56.360 --> 0:48:58.760
<v Speaker 1>like saying that their sisters for life and they survived

0:48:58.800 --> 0:49:01.560
<v Speaker 1>so much together. Yeah. And then and they also kind

0:49:01.560 --> 0:49:03.600
<v Speaker 1>of wrap up high school in that moment either, like

0:49:03.800 --> 0:49:07.600
<v Speaker 1>like Serena says, it's such a a stooped observation she

0:49:07.719 --> 0:49:10.040
<v Speaker 1>makes when she says, like, you know, Blair's like, you know,

0:49:10.400 --> 0:49:11.840
<v Speaker 1>he was my high school boyfriend. I was wanting to

0:49:11.840 --> 0:49:13.480
<v Speaker 1>go to prom, my high school boyfriend. And she's like,

0:49:13.840 --> 0:49:15.759
<v Speaker 1>and then you did it, and you realize he's your

0:49:15.800 --> 0:49:18.560
<v Speaker 1>high school boyfriend and not your life boyfriend or your

0:49:18.680 --> 0:49:21.040
<v Speaker 1>post high school but you know, so it's like the

0:49:21.160 --> 0:49:23.439
<v Speaker 1>fact that they just kind of sitting on those steps.

0:49:23.480 --> 0:49:26.319
<v Speaker 1>They're almost like letting high school fall away. And it's

0:49:26.360 --> 0:49:29.520
<v Speaker 1>like that transitional moment where it's like, you know, moving

0:49:29.560 --> 0:49:31.600
<v Speaker 1>to that next phase of life. It's kind of insane,

0:49:31.920 --> 0:49:34.279
<v Speaker 1>what is too And I also feel like when you're

0:49:34.320 --> 0:49:35.680
<v Speaker 1>like a senior in high school, I feel like so

0:49:35.719 --> 0:49:37.760
<v Speaker 1>many people are so ready to be done with high school.

0:49:37.760 --> 0:49:40.879
<v Speaker 1>And then I remember adults would always say it goes

0:49:40.960 --> 0:49:42.919
<v Speaker 1>so fast, and then in ten years you're gonna wish

0:49:42.920 --> 0:49:44.640
<v Speaker 1>you were back there, and that is kind of true,

0:49:44.680 --> 0:49:47.520
<v Speaker 1>because it goes so fast. It's like so funny the

0:49:47.600 --> 0:49:49.399
<v Speaker 1>next chapter in your life. And a lot of times

0:49:50.160 --> 0:49:52.360
<v Speaker 1>you're leaving high school and thinking that, like, you know,

0:49:52.520 --> 0:49:55.000
<v Speaker 1>the next thing, and for me at least, and so

0:49:55.160 --> 0:49:57.839
<v Speaker 1>many things changed, right, I mean, like everything I thought

0:49:57.960 --> 0:49:59.840
<v Speaker 1>was it was going to happen in my twenties was

0:50:00.080 --> 0:50:02.000
<v Speaker 1>completely the opposite. I thought I was gonna have four

0:50:02.120 --> 0:50:05.200
<v Speaker 1>kids at like, you know, because living in New York,

0:50:05.239 --> 0:50:08.320
<v Speaker 1>shooting up, shooting gossip in New York different. It was

0:50:08.440 --> 0:50:10.720
<v Speaker 1>not at all in my mind when I was seventeen

0:50:10.800 --> 0:50:13.120
<v Speaker 1>years old, you know what I mean. So it's wild

0:50:13.160 --> 0:50:15.440
<v Speaker 1>when they're sitting in what you saide those big moments

0:50:15.520 --> 0:50:18.720
<v Speaker 1>wrapping up that chapter, and it also kind of reminds

0:50:18.800 --> 0:50:21.080
<v Speaker 1>us to I guess that like love relationships come and go,

0:50:21.200 --> 0:50:23.640
<v Speaker 1>but like friendships and family are kind of, you know,

0:50:23.719 --> 0:50:26.680
<v Speaker 1>always there, because it's like she says, I think Serena

0:50:26.719 --> 0:50:29.400
<v Speaker 1>says something about that, like you know, all the boys

0:50:29.480 --> 0:50:32.239
<v Speaker 1>and boyfriends, but like, you know, we have each other

0:50:32.360 --> 0:50:34.200
<v Speaker 1>or whatever. And then you kind of flashed back to

0:50:34.960 --> 0:50:37.600
<v Speaker 1>Lily and her sister having their sister moment and kind

0:50:37.640 --> 0:50:40.360
<v Speaker 1>of ending with this feeling of like it's us against

0:50:40.400 --> 0:50:42.960
<v Speaker 1>the world, you know, and so that's kind of nice.

0:50:43.080 --> 0:50:45.640
<v Speaker 1>And then we have another yeah that faced up with

0:50:45.719 --> 0:50:48.360
<v Speaker 1>Lily and Cecy, which is like, like I really related

0:50:48.440 --> 0:50:50.719
<v Speaker 1>to that, which is that Willy was like, I'm gonna

0:50:50.760 --> 0:50:53.279
<v Speaker 1>ask her to stay. Lily goes to Cec with an

0:50:53.280 --> 0:50:55.719
<v Speaker 1>open heart, and then Cec does that amazing thing that

0:50:55.880 --> 0:50:58.080
<v Speaker 1>humans do, which is the Lily is coming to her

0:50:58.120 --> 0:50:59.840
<v Speaker 1>with an olive branch and then she like pushes it

0:50:59.880 --> 0:51:02.359
<v Speaker 1>away and you're like no, no, no, and she has

0:51:02.400 --> 0:51:06.040
<v Speaker 1>this super chice like crap on looking and you're like,

0:51:06.160 --> 0:51:08.040
<v Speaker 1>just let it be nice for a minute. And then

0:51:08.120 --> 0:51:10.960
<v Speaker 1>she's like yeah, and then something about the hug. Yeah,

0:51:10.960 --> 0:51:12.960
<v Speaker 1>and then she keeps on poking and poking, and then

0:51:13.120 --> 0:51:15.080
<v Speaker 1>but then Lily does that amazing thing where she like

0:51:15.480 --> 0:51:18.600
<v Speaker 1>overrides it. She like let's see C B C C,

0:51:18.800 --> 0:51:21.440
<v Speaker 1>but like forces her into that hug and then at

0:51:21.480 --> 0:51:23.800
<v Speaker 1>the very end like CC kind of let's it in,

0:51:24.000 --> 0:51:26.200
<v Speaker 1>you know, like let's go and and it's such a

0:51:26.280 --> 0:51:27.799
<v Speaker 1>lovely mother. There's like a little bit of a tug

0:51:27.880 --> 0:51:30.440
<v Speaker 1>and more there there and they both play it and

0:51:30.520 --> 0:51:32.200
<v Speaker 1>do it so well. Like yeah, like you said, like

0:51:32.320 --> 0:51:34.319
<v Speaker 1>Lily knows what's going on, but she's like I'm gonna

0:51:34.400 --> 0:51:36.120
<v Speaker 1>like let her feel like she got to me but

0:51:36.239 --> 0:51:38.680
<v Speaker 1>she didn't, but she did. But like there's like so

0:51:38.800 --> 0:51:41.239
<v Speaker 1>many things going on right and sometimes you just have

0:51:41.360 --> 0:51:43.040
<v Speaker 1>to force that for some of the saying it's okay,

0:51:43.120 --> 0:51:45.480
<v Speaker 1>it's gonna be okay, like you know, I love you,

0:51:46.239 --> 0:51:51.120
<v Speaker 1>let's hug it out. Like, you know, begrudgingly and yeah,

0:51:51.160 --> 0:51:53.320
<v Speaker 1>so I feel like that was a nice kind of resolution.

0:51:53.400 --> 0:51:55.480
<v Speaker 1>Then we have the resolution with Lily and Serena too,

0:51:55.560 --> 0:51:57.160
<v Speaker 1>so it's like it's like things got wrapped up. But

0:51:57.160 --> 0:52:00.520
<v Speaker 1>then again, it's all new beginning, so it's like totally now,

0:52:00.600 --> 0:52:03.920
<v Speaker 1>it's like what's going to happen and who's you know,

0:52:04.120 --> 0:52:06.040
<v Speaker 1>what's gonna happen with Rufus and the Lily and you know,

0:52:06.080 --> 0:52:08.239
<v Speaker 1>it's like all this fresh start stuff, which is like

0:52:08.400 --> 0:52:11.600
<v Speaker 1>always a little scary. It is because it's like the

0:52:11.640 --> 0:52:13.919
<v Speaker 1>past is the past. Let the past be the past.

0:52:14.000 --> 0:52:15.960
<v Speaker 1>But it's also the past is so present right now,

0:52:16.120 --> 0:52:21.600
<v Speaker 1>so that's like all crazy. Oh yeah, actually, speaking of

0:52:21.760 --> 0:52:24.399
<v Speaker 1>the gossip Girl quote like kind of nails that. Oh yeah,

0:52:24.560 --> 0:52:26.920
<v Speaker 1>do you want to do it? Um? Sure, it's a

0:52:27.000 --> 0:52:30.879
<v Speaker 1>long one. That's The other fun fact that we haven't

0:52:30.920 --> 0:52:34.360
<v Speaker 1>mentioned yet about this alisode is that gossip Girl is

0:52:34.440 --> 0:52:37.680
<v Speaker 1>always narrating. In the beginning of that she didn't, and

0:52:37.760 --> 0:52:40.400
<v Speaker 1>she didn't in this one, so it was an unusual

0:52:40.840 --> 0:52:45.160
<v Speaker 1>episode for gossip Girl herself. She basically didn't gossip Girl

0:52:45.200 --> 0:52:48.359
<v Speaker 1>didn't talk until the closing quote, right, and so when

0:52:48.360 --> 0:52:50.960
<v Speaker 1>you heard her voice you're like, oh yeah, which doesn't happen, right,

0:52:51.239 --> 0:52:54.200
<v Speaker 1>So they were closing quote, she says, shoulder pads may

0:52:54.280 --> 0:52:57.399
<v Speaker 1>come and go, but a BFF is forever because even

0:52:57.480 --> 0:52:59.600
<v Speaker 1>when you're not sure where you're headed, it helps to

0:52:59.680 --> 0:53:02.160
<v Speaker 1>know are not going there alone. No one has all

0:53:02.200 --> 0:53:04.239
<v Speaker 1>the answers, and sometimes the best we can do is

0:53:04.320 --> 0:53:07.480
<v Speaker 1>just apologize and let the past be the past. Other

0:53:07.560 --> 0:53:09.279
<v Speaker 1>times we need to look to the future and know

0:53:09.480 --> 0:53:12.040
<v Speaker 1>that even when we think we've seen it all, life

0:53:12.080 --> 0:53:15.200
<v Speaker 1>can still surprise us and we can still surprise ourselves.

0:53:15.920 --> 0:53:19.200
<v Speaker 1>Exo Gossip Girl. Yes, and you know what, so that

0:53:19.320 --> 0:53:22.279
<v Speaker 1>that quote is like really on point. Yeah, that is

0:53:22.360 --> 0:53:25.279
<v Speaker 1>really you're right, that like totally wraps up everything. We're

0:53:25.320 --> 0:53:28.279
<v Speaker 1>just saying, yeah, wow, yeah. Because also even what you

0:53:28.400 --> 0:53:31.200
<v Speaker 1>said when she says and life can still surprise us

0:53:31.239 --> 0:53:33.480
<v Speaker 1>and we can still surprise ourselves. It's like what you

0:53:33.640 --> 0:53:35.960
<v Speaker 1>almost that moment with Lily and her mom, Like she

0:53:36.200 --> 0:53:39.040
<v Speaker 1>knows exactly what her mom is doing, but she kind

0:53:39.080 --> 0:53:41.000
<v Speaker 1>of knows how to handle it right, like it's a

0:53:41.040 --> 0:53:43.160
<v Speaker 1>surprise even though it's not. I don't know. This is

0:53:43.200 --> 0:53:45.719
<v Speaker 1>one of my favorite Gossip Girl quotes that I've that

0:53:45.840 --> 0:53:48.920
<v Speaker 1>I've heard or read since then, it's really not very

0:53:49.120 --> 0:53:52.800
<v Speaker 1>larchy at all. Yeah, no, it's just being real and

0:53:52.880 --> 0:53:55.000
<v Speaker 1>it's just and it also has that feeling of wrapping

0:53:55.080 --> 0:53:57.879
<v Speaker 1>up something and opening the door for something new. Yeah,

0:53:57.920 --> 0:54:00.879
<v Speaker 1>and it's crazy, but like we're just about to wrap

0:54:00.960 --> 0:54:04.600
<v Speaker 1>season two, which by the way, is crazy. But for

0:54:04.680 --> 0:54:08.680
<v Speaker 1>a show episode the finale, for a high school show,

0:54:08.960 --> 0:54:12.279
<v Speaker 1>to graduate everyone and like have this transitional moment after

0:54:12.400 --> 0:54:15.920
<v Speaker 1>two seasons and then still live on in glory for

0:54:16.040 --> 0:54:18.319
<v Speaker 1>four more seasons. It's kind of cool because they really

0:54:18.400 --> 0:54:20.480
<v Speaker 1>let these characters grow and change, right, and we said

0:54:20.480 --> 0:54:22.960
<v Speaker 1>that before, but totally, yeah, that's well. And then and

0:54:23.040 --> 0:54:25.800
<v Speaker 1>then I'll also I wanted to know. I feel like

0:54:25.880 --> 0:54:30.560
<v Speaker 1>we see Lily's sister in the modern day. I was

0:54:30.600 --> 0:54:32.440
<v Speaker 1>going to ask that earlier. I think what happened? I

0:54:32.480 --> 0:54:35.000
<v Speaker 1>have a feeling like a picture who plays her? I think?

0:54:35.120 --> 0:54:37.600
<v Speaker 1>But mine might be wrong. But I also want to know,

0:54:37.760 --> 0:54:43.120
<v Speaker 1>like did this I want to see that too, But

0:54:43.160 --> 0:54:45.680
<v Speaker 1>I'm so ridiculous in my mind. I'm like, did Kristen

0:54:45.800 --> 0:54:48.920
<v Speaker 1>Rinnter ever come back in season two? Three or four?

0:54:49.000 --> 0:54:53.120
<v Speaker 1>And obviously it would be yeah, no, no, I think,

0:54:55.080 --> 0:54:57.440
<v Speaker 1>but it's like all a big you know soup in

0:54:57.560 --> 0:55:01.600
<v Speaker 1>my brain now, but we're threshing, I'm gonna look it out. Yeah. Also, oh,

0:55:01.680 --> 0:55:03.120
<v Speaker 1>we forgot to mention the one thing too, which is

0:55:03.200 --> 0:55:06.320
<v Speaker 1>that we've got to meet vander Woodson. I guess Serena

0:55:06.360 --> 0:55:08.920
<v Speaker 1>and Eric's dad. We met him at the pool party

0:55:09.000 --> 0:55:11.880
<v Speaker 1>in this episode. Oh yeah, and I can't remember what

0:55:11.960 --> 0:55:15.320
<v Speaker 1>happened the big moment too. Yeah, I can't remember what happened.

0:55:15.480 --> 0:55:18.800
<v Speaker 1>What his deal is like with them? Now? Yeah? Like

0:55:19.000 --> 0:55:20.919
<v Speaker 1>where is he now? Yeah? I forget. I mean there's

0:55:20.920 --> 0:55:22.719
<v Speaker 1>some spec story there, but I can't. It's a bald

0:55:22.760 --> 0:55:25.839
<v Speaker 1>one that plays her dad, right, one of the baldwins. Yeah,

0:55:25.880 --> 0:55:27.800
<v Speaker 1>I think so, but as he played vander Woodson or

0:55:27.800 --> 0:55:29.520
<v Speaker 1>does he play Like do they find out they have

0:55:29.560 --> 0:55:31.080
<v Speaker 1>a different dad? No, I don't know. I don't remember.

0:55:31.160 --> 0:55:34.960
<v Speaker 1>There's might be a more complications. Honestly, That's why I'm

0:55:34.960 --> 0:55:37.200
<v Speaker 1>glad we're doing it. But I love that bad the answers,

0:55:37.280 --> 0:55:38.800
<v Speaker 1>but I don't know. That's what's so cool about a

0:55:38.800 --> 0:55:41.239
<v Speaker 1>flashback is when they go, hey vander Woodson and you're like,

0:55:41.280 --> 0:55:44.480
<v Speaker 1>oh there is Yeah. I love that. I get a

0:55:44.560 --> 0:55:45.840
<v Speaker 1>kick out of it. I gotta kick out of that

0:55:45.920 --> 0:55:49.960
<v Speaker 1>whole thing, and I feel like, yeah, we definitely appreciated

0:55:50.320 --> 0:55:55.000
<v Speaker 1>going into that, you know, eighties Lily Rhodes want more,

0:55:55.280 --> 0:55:58.480
<v Speaker 1>and it's like, yeah, you never know. Television is such

0:55:58.600 --> 0:56:04.480
<v Speaker 1>that maybe someday, well maybe why not. I mean, you know,

0:56:04.560 --> 0:56:06.320
<v Speaker 1>let's send it out into the universe because we have

0:56:07.120 --> 0:56:10.560
<v Speaker 1>We're vibing with us for sure. So yeah, and um,

0:56:10.760 --> 0:56:13.160
<v Speaker 1>I have one little update from what we talked about

0:56:13.239 --> 0:56:16.160
<v Speaker 1>last time we were together. Uh yeah, remember how we

0:56:16.200 --> 0:56:18.880
<v Speaker 1>talked about there was a pop belly pig on. There

0:56:18.960 --> 0:56:21.080
<v Speaker 1>was here and makeup trailer. I remember who it was,

0:56:23.239 --> 0:56:27.320
<v Speaker 1>Kaylee Differ who played Ivy. So okay, how funny is this?

0:56:27.560 --> 0:56:30.440
<v Speaker 1>We used to be roommates, are you serious? Yes, before

0:56:30.480 --> 0:56:32.320
<v Speaker 1>she came on Gossip Girl. I remember when we found

0:56:32.360 --> 0:56:34.600
<v Speaker 1>out they were looking for Charlie and I think it

0:56:34.719 --> 0:56:36.480
<v Speaker 1>was pen in the makeup room. Was like, it's an

0:56:36.480 --> 0:56:39.239
<v Speaker 1>actor named Kaylee de Fer him like what I was like,

0:56:39.400 --> 0:56:42.520
<v Speaker 1>broke as a joke, couldn't afford rent And she rented

0:56:42.560 --> 0:56:44.640
<v Speaker 1>me her room for four hundred dollars a week, I

0:56:44.680 --> 0:56:46.680
<v Speaker 1>mean a month, and I would help Walker dogs. And

0:56:46.760 --> 0:56:49.400
<v Speaker 1>she was on a show on Fox that came on

0:56:50.360 --> 0:56:53.280
<v Speaker 1>after Family Guy and that's how I ended up meeting

0:56:53.640 --> 0:56:56.799
<v Speaker 1>and becoming friends with Seth McFarland because they knew each

0:56:56.840 --> 0:56:58.480
<v Speaker 1>other because they were both on Fox shows. It's just

0:56:58.520 --> 0:57:01.279
<v Speaker 1>a super small world, full circle. But yes, her and

0:57:01.400 --> 0:57:04.600
<v Speaker 1>I were roommates. But you And that's funny because I

0:57:04.760 --> 0:57:07.120
<v Speaker 1>never I don't think I ever knew that that was

0:57:07.320 --> 0:57:11.960
<v Speaker 1>her pig and wait and so wait she played Ivy

0:57:12.040 --> 0:57:14.560
<v Speaker 1>and Charlie though, right, I don't know. I'll find out. Yeah,

0:57:14.560 --> 0:57:16.800
<v Speaker 1>I'll have to do research on that, but you know,

0:57:17.760 --> 0:57:20.800
<v Speaker 1>hopefully I'm I'm right. But either way, it's no. I

0:57:20.880 --> 0:57:24.919
<v Speaker 1>think you totally could be. I wouldn't know. But that's

0:57:25.080 --> 0:57:29.280
<v Speaker 1>that's that's the magic of Gossip Girl. It sure is girl.

0:57:29.400 --> 0:57:31.680
<v Speaker 1>It's a weird little animals running around the air and

0:57:31.760 --> 0:57:38.600
<v Speaker 1>makeup room pigs, dogs, cats. Yes, this was so fun.

0:57:38.880 --> 0:57:41.240
<v Speaker 1>I can't I'm like, I'm excited and also like a

0:57:41.360 --> 0:57:44.360
<v Speaker 1>little like nervous because I'm like, what's what, who's coming on?

0:57:44.520 --> 0:57:47.920
<v Speaker 1>Who's leaving? But this was fun. I can't wait for

0:57:48.200 --> 0:57:50.880
<v Speaker 1>next week. We also have a fun guest coming on

0:57:51.040 --> 0:57:54.440
<v Speaker 1>with us to do the rewatch of the finale. Yeah, fun,

0:57:54.720 --> 0:57:57.280
<v Speaker 1>that's very cool. See where all these folks send up.

0:57:58.400 --> 0:58:02.920
<v Speaker 1>Yeah right, I'm like, uh, good lord, I know a

0:58:03.000 --> 0:58:07.560
<v Speaker 1>lot of shocking moments. Well, thank you for chatting to

0:58:07.600 --> 0:58:10.320
<v Speaker 1>me on this beautiful full day. I know I'm gonna

0:58:10.400 --> 0:58:12.160
<v Speaker 1>literally put a sweater on and go outside right now

0:58:12.320 --> 0:58:14.680
<v Speaker 1>for for the walk me too. I'm gonna I'm going

0:58:14.720 --> 0:58:16.560
<v Speaker 1>out actually, you know what. I'm gonna go out for

0:58:16.640 --> 0:58:24.400
<v Speaker 1>Chinese food tonight. So I love that, Susanna. It is

0:58:24.520 --> 0:58:27.040
<v Speaker 1>always such a treat having you on the podcast. Thank

0:58:27.080 --> 0:58:30.320
<v Speaker 1>you so much for joining me, girl and listeners, thanks

0:58:30.360 --> 0:58:32.560
<v Speaker 1>for being here, and get ready because next week is

0:58:32.600 --> 0:58:35.480
<v Speaker 1>the finale week. I know, I know it went way

0:58:35.520 --> 0:58:37.720
<v Speaker 1>too fast, so make sure to tune in for my

0:58:37.840 --> 0:58:41.440
<v Speaker 1>last season to rewatch. It's a good one. Catch you then.

0:58:46.160 --> 0:58:49.600
<v Speaker 1>XO XO is produced by Propagate Content and Meat Jessica's

0:58:49.720 --> 0:58:53.000
<v Speaker 1>Or Our show is executive produced by Langley. Our producers

0:58:53.040 --> 0:58:57.040
<v Speaker 1>are Diego Tapia, Kristin Vermilia, Emily car and Hannah Harris.

0:58:57.640 --> 0:58:59.439
<v Speaker 1>Original music by Moxie and Lu