WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan. Number two. Hey, y'all,

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<v Speaker 1>welcome to the Bits side of the Best Bits. If

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<v Speaker 1>you just heard my interview with Scuba Steve this week

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<v Speaker 1>and you're here to listen to the Bits, this is

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<v Speaker 1>just the one where I intro the best seven segments

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<v Speaker 1>from the show this week and we play them. So

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<v Speaker 1>if you're looking for the interview side of this podcast

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<v Speaker 1>that you guys all loved and you wrote into me about,

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<v Speaker 1>then that's the other side of this podcast. It's posted

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<v Speaker 1>in two parts. There's one part that's going to be

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<v Speaker 1>with Scuba Steve, in one part that is just the bits,

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<v Speaker 1>and that's what's happening right now. We're trying to do

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<v Speaker 1>this new way so everybody gets the best part of

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<v Speaker 1>these because it is the best Bits. So we're breaking

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<v Speaker 1>it down, starting off with number seven. It was International

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<v Speaker 1>Women's Day this week and we had to Neel Towns

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<v Speaker 1>and Hayley Winners on with us, who both performed and

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<v Speaker 1>they did so beautifully and shared some incredible stories. Here

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<v Speaker 1>they are number seven. You guys are gonna love this nextist,

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<v Speaker 1>it's coming in now. Her name is Haley witters Amy.

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<v Speaker 1>What song of Hayley's when I when I just say

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<v Speaker 1>her name, do you think of Janice in a hotel bar? Yeah,

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<v Speaker 1>Janice at the hotel bar. Here you go to get

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<v Speaker 1>on the field. You ain't ready to start a family.

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<v Speaker 1>Pay your bi gift someway. That money won't make it happy.

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<v Speaker 1>Make good love, good company, drink good one, make good coffee,

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<v Speaker 1>keep your chin up. Let everyone in a while, have

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<v Speaker 1>a good cry. Go on, make a good living girl,

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<v Speaker 1>don't forget to make a good life. So she's setting

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<v Speaker 1>up now, you guys are gonna love her and here

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<v Speaker 1>she is left God on the Bobby Bones Show. Now

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<v Speaker 1>Haley Witters Hailey walk on to the show. Thanks for

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<v Speaker 1>having me. Yeah, you know what I was looking back

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<v Speaker 1>because I'm a big fan. I program and Amy hosts

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<v Speaker 1>The Women of IRA Country, and I have featured one, two, three, four, five,

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<v Speaker 1>six your song seven different, seven different songs of yours, Like,

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<v Speaker 1>I'm just a big fan of your body of work,

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<v Speaker 1>and so thanks to be able to have you here, Like,

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<v Speaker 1>I'm very excited that you're here today. I'm very excited.

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<v Speaker 1>I mean, I've gotten to do a lot of cool things,

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<v Speaker 1>but I think my hometown won't consider me making it

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<v Speaker 1>until I've played the Bobby Bones Show. So this is

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<v Speaker 1>a big day. And what is your hometown Shoeyville, Iowa?

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<v Speaker 1>And what isn't if I were to drive into shoe Eville,

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<v Speaker 1>If I were to drive into Shoeville, like, what do

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<v Speaker 1>I see? Corn fields? Just driving through cornfields? We got

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<v Speaker 1>two bars in a church in Shoeville. Life's about balance.

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<v Speaker 1>We got to stop sign. The town's mad because we

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<v Speaker 1>finally got a stoplight. So it's a pretty small town.

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<v Speaker 1>So you have one stoplight. We have one stoplight now congratulations. Yeah,

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<v Speaker 1>we do not have a stoplight where I'm from, but

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<v Speaker 1>we have a dollar general now love it, which is

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<v Speaker 1>about the same. You know, when you weigh them out,

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<v Speaker 1>they're both like what we got a cell phone tower

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<v Speaker 1>about six years ago. Nice. Until about six years ago,

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<v Speaker 1>you could drive into Mountain Pine, Arkansas and you could

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<v Speaker 1>not use your cell phone. That is wild and Shoeville

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<v Speaker 1>you've had that forever. We've had self servants. So I'm

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<v Speaker 1>imagining lots of farms. That corn is such a big

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<v Speaker 1>part of the economic economy of Shoeyville. Is that what

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<v Speaker 1>everybody does there? Yeah? I mean my dad, you know,

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<v Speaker 1>has worked at the corn processing plant. Adm Um. He's

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<v Speaker 1>worked there his whole life. He's now he grows corn.

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<v Speaker 1>He's a corn crop farmer, corn beans. It's a big

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<v Speaker 1>part of Iowa for sure. Do you being not just exposed,

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<v Speaker 1>but I mean living in corn? Do you like corn everything?

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<v Speaker 1>Or do you hate corn everything? I love corn everything.

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<v Speaker 1>She has to say that her mafia comes and gets

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<v Speaker 1>there like everything. Yeah. Um, you know what's really cool

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<v Speaker 1>about you? And you're gonna perform in a second, and

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<v Speaker 1>I'm excited for audience to hear this. But you know,

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<v Speaker 1>you are such a massive fan of traditional country music

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<v Speaker 1>and you I've written songs for Martina McBride and Alan Jackson. Yeah,

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<v Speaker 1>I mean, aside from your career now which you are

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<v Speaker 1>so respected and you're so good, But how cool is

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<v Speaker 1>it to be able to do that for heroes of yours?

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<v Speaker 1>It's insane. I mean I grew up idolizing them and

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<v Speaker 1>just studying Alan Jackson's body of work. I mean, I

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<v Speaker 1>admire him so much as a songwriter too, So to

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<v Speaker 1>have him, you know, hear one of my songs and

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<v Speaker 1>think it's worthy enough to be on a record of

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<v Speaker 1>his is a huge honor and He's just been incredibly

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<v Speaker 1>gracious and cool to me. So it's been really cool.

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<v Speaker 1>Today's International Women's Day, and I wanted to bring in

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<v Speaker 1>some women that I really think said a great example

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<v Speaker 1>for other women. That's why you're here today, because I

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<v Speaker 1>think you have your own original path that you've been

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<v Speaker 1>kicking down and you're going down and regardless of what

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<v Speaker 1>happens commercially, and now you're getting that, which is cool.

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<v Speaker 1>But you've always just done your own thing and let

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<v Speaker 1>it come to you, and I think that is that's

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<v Speaker 1>I really respect that. But I'll ask you now, who

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<v Speaker 1>what women do you see out there that you look

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<v Speaker 1>to and you're like, you know, they did their thing

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<v Speaker 1>that kind of allows me to do mine. I mean, gosh,

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<v Speaker 1>a lot of the females of the nineties, you know,

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<v Speaker 1>Tricia Martina, my friend Britney Spencer right now is just

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<v Speaker 1>blazing her own trail and it's been really cool to

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<v Speaker 1>watch her grow. You know, Miranda, I think a lot

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<v Speaker 1>of the females in the genre, I think it's been

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<v Speaker 1>you know, everyone always kind of tells us it's a

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<v Speaker 1>harder road, but I see so many girls out there

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<v Speaker 1>just you know, buckling up, rolling their sleeves up and

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<v Speaker 1>doing the work and making their music get out there

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<v Speaker 1>to people no matter what. So I'm kind of inspired

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<v Speaker 1>by all of the chicks right now in the format.

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<v Speaker 1>Now you have a banjo, yeah, because that's not if

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<v Speaker 1>I'm looking, that is not a ganjo. It's not a ganjo.

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<v Speaker 1>You're not opposing. And I'm very very basic banjo player.

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<v Speaker 1>At this point, I'm going to be doing some banjo lessons,

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<v Speaker 1>but I taught myself this little part to the song

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<v Speaker 1>that we're about to perform, and I really just have

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<v Speaker 1>fun playing it, So don't don't judge my banjo's skills.

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<v Speaker 1>I would say a simple banjo was better than a

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<v Speaker 1>poser a ganjo. Who's great because a ganjo is six

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<v Speaker 1>strings and you played like a guitar and everybody's like, oh,

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<v Speaker 1>they play the banjo, Like no, they're playing guitar, and

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<v Speaker 1>I think that sounds like a banjo. But Haley has

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<v Speaker 1>four strings. Well, I play banjo probably like a guitar player,

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<v Speaker 1>and I'm barely that. So yeah, she's not giving herself

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<v Speaker 1>an until here, And I'm like, you're right, but what

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<v Speaker 1>song are you gonna play for Haley? We're gonna play

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<v Speaker 1>a new single off my latest record, which is coming

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<v Speaker 1>out three eighteen. This is called Everything she Ain't. All Right,

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<v Speaker 1>Here we go, Haley Witters on the Bobby Bone Show.

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<v Speaker 1>Shit a peach, y'all ought to be picking, she ain't.

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<v Speaker 1>The cup of tea, y'all ought to be seven. She

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<v Speaker 1>treats you like it broke, locking need fixing. You ain't

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<v Speaker 1>getting nothing back from all that you're given if you're

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<v Speaker 1>good with who you kiss and say love. But I

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<v Speaker 1>can show you what you're missing. Yeah, boy, I can

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<v Speaker 1>be the whiskey in your soda, the Lindy Corona shot

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<v Speaker 1>gunning or Tacoma the ad t a Hank. She's got

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<v Speaker 1>a little style in a Hollywood smile. But believe me, honey,

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<v Speaker 1>good is money in the bank. I'm everything she is

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<v Speaker 1>and everything she ain't. Yeah, everything she is and everything

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<v Speaker 1>she ain't. I never know if you're gonna go back

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<v Speaker 1>into something then you guys wanted We like, okay. Sometimes

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<v Speaker 1>people will trick us and they'll stop and then we'll go, yeah,

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<v Speaker 1>I'm gonna go. We're like, oh, radiance, Yeah, Haleywood, great job, Haley,

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<v Speaker 1>that's awesome. Thank you so much. Um, who tell me

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<v Speaker 1>who your people are? Up here with you. This is

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<v Speaker 1>Laurence Sacks on fiddle, Ethan Burke's on the guitar, and

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<v Speaker 1>I'm Bobby. Everybody. Thanks guys, um you guys follow Haley

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<v Speaker 1>Haleywood's w H I T T E R S. And

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<v Speaker 1>Haley is actually doing her own headlining tour and you

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<v Speaker 1>are it's all. It's happening now, it's happening now. It's

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<v Speaker 1>the Hardland tour. If you're out and you come to

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<v Speaker 1>this show, like, how long do you play? Do you

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<v Speaker 1>do an hour? We do like ninety minutes on the

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<v Speaker 1>Hartland tour. Don't My manager is looking at me, why

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<v Speaker 1>is that bad? Well, yeah, I think it's great. It's great,

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<v Speaker 1>it's great. Ninety minutes. It's great. We've been convincing me

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<v Speaker 1>something right now. No, no, no, no, we've been We've

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<v Speaker 1>been very fortunate to get to open for Luke Hombs,

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<v Speaker 1>Mari Morris, Midland. We're out with Midland, and you know,

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<v Speaker 1>you get like thirty minutes for something like that, so

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<v Speaker 1>it's been really nice to get a full ninety minutes

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<v Speaker 1>to get to really dig into the record and get to,

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<v Speaker 1>you know, sing those songs for the fans. So it's

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<v Speaker 1>been cool. And the record comes out this month three eighteen. Yeah,

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<v Speaker 1>raced And so hope you guys check that out. Haley

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<v Speaker 1>Witters is here. I think hopefully this will inspire to

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<v Speaker 1>go follow her on social media, support her if she

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<v Speaker 1>comes to your town and on the website you can

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<v Speaker 1>see tour dates and everybody in Shoeyville, Iowa. I'm glad

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<v Speaker 1>you exist because of that you we wouldn't have Haley

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<v Speaker 1>Witters here, are you guys? The shoes like your mascot,

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<v Speaker 1>hey Shueyville Shoes. No, my high school they called us

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<v Speaker 1>Calpe High like but where the hawks Prairie Hawks? Do

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<v Speaker 1>we think like shoes thin showey. Yeah. It was named

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<v Speaker 1>after William Shoey, I think after his last name was Shoey.

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<v Speaker 1>And what did he do? Do you know, I don't know,

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<v Speaker 1>Anita like figure out what he cornbread? Made cornbread? Totally

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<v Speaker 1>totally Hailey Witters. Really enjoy you. Thank you for coming by,

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<v Speaker 1>Thank you for having us. It's the best bits of

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<v Speaker 1>the week with Morgan number two all right, moments away

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<v Speaker 1>from Tanil Towns. You may know her for the song

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<v Speaker 1>Jersey on the Wall, Oh God. That song was about

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<v Speaker 1>a kid that had died at a school and then

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<v Speaker 1>she wrote a song because she went to the gym

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<v Speaker 1>and saw that it hanging like that. She was like,

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<v Speaker 1>what happened? They told the story. Then she wrote the

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<v Speaker 1>question like if I ever get to heaven, this is

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<v Speaker 1>what I want to ask. So that song so good

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<v Speaker 1>and then you might know her for somebody's daughter. All right,

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<v Speaker 1>and she's here. Now let's go on the Bobby Bones Show.

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<v Speaker 1>Now to Neil Towns. So it's International Women's Day, and

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<v Speaker 1>I thought, let me invite up, you know, another one

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<v Speaker 1>of the women that I expect, and I feel like

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<v Speaker 1>it's a great role model for young girls and just

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<v Speaker 1>so many things. And to Neil Towns is here. To Neil, hey,

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<v Speaker 1>thanks for having me. Great to see. I was watching

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<v Speaker 1>it Good to see you one of your Instagram videos

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<v Speaker 1>and I think it looked like you were practicing in

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<v Speaker 1>the bathroom, like a public bathroom. Yeah, like you and

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<v Speaker 1>all that your band were, Oh yeah, what what was

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<v Speaker 1>happening there? See? The bathrooms are always such an adventure.

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<v Speaker 1>Every time we show up at a venue, it's like, Okay,

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<v Speaker 1>what are the showers going to be? Like today? What's

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<v Speaker 1>the bathroom? And we were opening for Reba and there

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<v Speaker 1>was such a great refurben there. I was like, come on, guys,

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<v Speaker 1>we need to we need to run some stuff in

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<v Speaker 1>the bathroom. So that was our moment. And it was

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<v Speaker 1>it smelling. I mean, it's fine, it was fine. It

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<v Speaker 1>was fine. It was a nice smelling bathroom. They probably

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<v Speaker 1>cleaned it before you got there. I appreciated that. I

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<v Speaker 1>always do. You know, that's an extra special treat. It's

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<v Speaker 1>so important to Nil to give back. She's raised over

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<v Speaker 1>two million dollars for Big Hearts for Big Kids, which

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<v Speaker 1>is a charity Tenniel started when she was just fifteen

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<v Speaker 1>years old, which is wild because now you're like sixteen. Yeah,

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<v Speaker 1>that's right. I mean it's been so long. Tell me

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<v Speaker 1>about Big Hearts for Big Kids. Okay. So it's this

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<v Speaker 1>concert fundraiser we do up in my hometown and Graham Ferry,

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<v Speaker 1>Alberta for a local youth shelter. They help kids ages

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<v Speaker 1>eleven to seventeen struggling with homelessness. And we've been able

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<v Speaker 1>to kind of bring the whole community together to keep

0:11:28.800 --> 0:11:31.520
<v Speaker 1>the doors open over the past eleven years. So you

0:11:31.600 --> 0:11:33.400
<v Speaker 1>know something else, and I know I mentioned it to

0:11:33.400 --> 0:11:35.160
<v Speaker 1>you every single time, but I've always so moved when

0:11:35.160 --> 0:11:38.680
<v Speaker 1>I hit it again is And one of the reasons

0:11:38.720 --> 0:11:41.360
<v Speaker 1>I thought about you for International Women's Day is you

0:11:41.400 --> 0:11:43.480
<v Speaker 1>did a version of one of your songs with a

0:11:43.480 --> 0:11:46.720
<v Speaker 1>local Girl Scout troop of girls that are homeless for

0:11:46.720 --> 0:11:49.120
<v Speaker 1>the most part. Yeah. Yeah, will you tell the audience

0:11:49.200 --> 0:11:51.439
<v Speaker 1>kind of what you did there? Yeah. So we did

0:11:51.440 --> 0:11:54.160
<v Speaker 1>this version of Somebody's Daughter with the Girl Scouts Troop

0:11:54.200 --> 0:11:57.440
<v Speaker 1>six thousand of Middle Tennessee. And these are all girls

0:11:57.440 --> 0:12:01.240
<v Speaker 1>without permanent housing. And I heard about this troop. There's

0:12:01.240 --> 0:12:04.280
<v Speaker 1>one in New York, one in Nashville, and I was like,

0:12:04.320 --> 0:12:05.880
<v Speaker 1>we need to I would love to get to hang

0:12:05.920 --> 0:12:07.840
<v Speaker 1>out with these girls. So we helped them earn their

0:12:07.920 --> 0:12:10.000
<v Speaker 1>musician badge, which I've never been a part of handing

0:12:10.000 --> 0:12:11.960
<v Speaker 1>out a Girls Scout badge before. That was really cool,

0:12:12.120 --> 0:12:15.200
<v Speaker 1>and they all came into the studio and sang on

0:12:15.280 --> 0:12:18.040
<v Speaker 1>it and did some stuffing and clapping and literally the

0:12:18.080 --> 0:12:20.120
<v Speaker 1>best experience I've ever had in the studio. It was

0:12:20.160 --> 0:12:22.040
<v Speaker 1>so fun. Isn't that so cool? Yeah? I love it,

0:12:22.160 --> 0:12:24.720
<v Speaker 1>And you can start. I mean, I heard it before.

0:12:24.720 --> 0:12:27.079
<v Speaker 1>I guess I knew about it because I just talk

0:12:27.120 --> 0:12:28.960
<v Speaker 1>to your music and I'm like, well, post something new today.

0:12:29.120 --> 0:12:31.560
<v Speaker 1>You post on the news today something popped up and

0:12:31.600 --> 0:12:33.760
<v Speaker 1>it was somebody's daughter, but it was the version with

0:12:33.800 --> 0:12:36.520
<v Speaker 1>the girls Scouts. Yeah, they're never going to forget. That's

0:12:36.559 --> 0:12:41.160
<v Speaker 1>a well, I crazy. It was so special to Neil

0:12:41.240 --> 0:12:45.080
<v Speaker 1>Towns is with us, And again I keep up with

0:12:45.120 --> 0:12:47.400
<v Speaker 1>you through social media for the most part. I consider

0:12:47.480 --> 0:12:51.200
<v Speaker 1>us friends me too, But like friends that travel a lot,

0:12:52.480 --> 0:12:54.240
<v Speaker 1>you keep up with them a lot. On right, I'm

0:12:54.240 --> 0:12:56.400
<v Speaker 1>just looking at Instagram and stuff and I saw a

0:12:56.440 --> 0:12:58.719
<v Speaker 1>picture where they gave you a big plaque. It was

0:12:58.920 --> 0:13:01.200
<v Speaker 1>like gold and platinum single. It was Matt, where do

0:13:01.240 --> 0:13:04.320
<v Speaker 1>you put that massive plaque in your house? I don't

0:13:04.400 --> 0:13:08.240
<v Speaker 1>actually know. I'm in like a little two bedroom town house.

0:13:08.840 --> 0:13:10.600
<v Speaker 1>I'm not sure what to do with it, but I

0:13:10.640 --> 0:13:15.240
<v Speaker 1>am so excited to have it. So cool. It looks

0:13:15.240 --> 0:13:17.520
<v Speaker 1>like the sides of a door. It really, it's massive,

0:13:18.200 --> 0:13:19.880
<v Speaker 1>and it's you know, got my face on it, which

0:13:19.920 --> 0:13:21.800
<v Speaker 1>is very cool and also strange. I feel like to

0:13:21.880 --> 0:13:24.839
<v Speaker 1>maybe have in my house. But it means the most

0:13:25.200 --> 0:13:27.760
<v Speaker 1>to know people have listened to these songs enough times

0:13:27.800 --> 0:13:30.880
<v Speaker 1>to add up to whatever that plaque says. It's so crazy,

0:13:31.240 --> 0:13:35.080
<v Speaker 1>you know, today being International Women's Day, like, who were

0:13:35.120 --> 0:13:38.719
<v Speaker 1>the female influences in your life that you go? Man?

0:13:38.760 --> 0:13:41.520
<v Speaker 1>Without them, I don't know if I would be here now. Honestly,

0:13:41.600 --> 0:13:45.920
<v Speaker 1>all of the women in my family are such strong, fierce, independent,

0:13:46.520 --> 0:13:50.120
<v Speaker 1>just forces of nature. My great grandmother, my my Mary Willette,

0:13:50.200 --> 0:13:53.640
<v Speaker 1>my my grandmother, my mom, all of them were just

0:13:53.720 --> 0:13:57.480
<v Speaker 1>like no filters, full of love, wonderful people. And we

0:13:57.720 --> 0:14:00.400
<v Speaker 1>drove around listening to so many female voice is. I

0:14:00.400 --> 0:14:04.000
<v Speaker 1>don't think I'd be playing music if it weren't for

0:14:04.160 --> 0:14:07.400
<v Speaker 1>you know, the obsessive amounts of Shania Twain that I

0:14:07.440 --> 0:14:11.200
<v Speaker 1>sang along too, and writing in my grandparents motor home,

0:14:11.280 --> 0:14:13.800
<v Speaker 1>listening to a Code of Many Colors Dolly Parton over

0:14:13.840 --> 0:14:17.160
<v Speaker 1>and over. It's like so many of those voices definitely

0:14:17.559 --> 0:14:19.360
<v Speaker 1>impacted the way that I felt like I saw the

0:14:19.400 --> 0:14:22.120
<v Speaker 1>world and saw a place that I could do music too.

0:14:22.560 --> 0:14:25.440
<v Speaker 1>He wrote this song When's It Going to Happen? And

0:14:25.720 --> 0:14:28.520
<v Speaker 1>I feel, as being a fan of your music, I

0:14:28.560 --> 0:14:31.240
<v Speaker 1>feel like this is the most personal and artist always

0:14:31.240 --> 0:14:33.200
<v Speaker 1>says my most personal song, and I'm like, I stop

0:14:33.240 --> 0:14:35.440
<v Speaker 1>saying that crowd the eighth time, but I feel like

0:14:36.600 --> 0:14:41.640
<v Speaker 1>this is the most personal song about you. Were like introspectively,

0:14:41.760 --> 0:14:44.080
<v Speaker 1>you took this song and did what was happening in

0:14:44.120 --> 0:14:46.160
<v Speaker 1>your heart and mind? Yes, so, elizab which is a

0:14:46.200 --> 0:14:48.000
<v Speaker 1>little terrifying, but it is. I like to be the

0:14:48.000 --> 0:14:51.600
<v Speaker 1>storyteller and kind of write songs from the other third

0:14:51.680 --> 0:14:55.320
<v Speaker 1>view perspective, But this one is very much about internal

0:14:55.520 --> 0:14:58.240
<v Speaker 1>internal feelings, this season of my life where my mailbox

0:14:58.360 --> 0:15:01.200
<v Speaker 1>is full of wedding invitations of all my friends getting married,

0:15:01.240 --> 0:15:03.240
<v Speaker 1>and I kind of wanted to write a song about

0:15:03.240 --> 0:15:05.200
<v Speaker 1>what it feels like to be on the other side

0:15:05.240 --> 0:15:08.440
<v Speaker 1>of that sometimes. So here is Daniel Towns with her

0:15:08.480 --> 0:15:18.880
<v Speaker 1>song When's It Gonna Happen? Never been good at expectations.

0:15:20.960 --> 0:15:28.000
<v Speaker 1>I think I expect too much. But if it's any consolation,

0:15:29.480 --> 0:15:36.840
<v Speaker 1>well I still believe in love. You know I got

0:15:36.960 --> 0:15:46.600
<v Speaker 1>your invitation. Can't wave ruse, Mary beach ess, I should

0:15:46.600 --> 0:15:51.760
<v Speaker 1>tell you he's inn coming. There's no plus one. It's

0:15:51.880 --> 0:15:58.080
<v Speaker 1>just me. Oh and I'll sure being a dress with

0:15:58.320 --> 0:16:06.200
<v Speaker 1>a smile, And I couldn't be happier for you. Sometimes

0:16:06.240 --> 0:16:11.360
<v Speaker 1>I feel like I'm the last one standing, all a girl,

0:16:12.280 --> 0:16:16.920
<v Speaker 1>all my friends are falling in love. I'm scared to death,

0:16:16.960 --> 0:16:22.760
<v Speaker 1>all end up empty handed. Can't be the only one

0:16:24.600 --> 0:16:31.400
<v Speaker 1>faking wensick gonnana happen happened to me? And no, it's

0:16:31.400 --> 0:16:47.840
<v Speaker 1>supposed to happen naturally, wensy gonna happen? Oh to me? Who? Yeah, yeah,

0:16:52.240 --> 0:16:57.760
<v Speaker 1>ain't no town back girl? Who did you write that with? Okay?

0:16:57.760 --> 0:17:00.520
<v Speaker 1>I wrote this with my friends Stephen Rabel and Steph

0:17:00.640 --> 0:17:03.720
<v Speaker 1>Jones over Zoom, who had never met in person before,

0:17:03.800 --> 0:17:06.919
<v Speaker 1>but we've written like fifteen or so songs together at

0:17:06.960 --> 0:17:09.400
<v Speaker 1>this point. I'm such big fans of both of them.

0:17:10.800 --> 0:17:15.439
<v Speaker 1>Was that like, okay, guys, I want to go extremely

0:17:15.920 --> 0:17:21.920
<v Speaker 1>internal here. Not honestly, it was going, okay, what should

0:17:21.920 --> 0:17:23.639
<v Speaker 1>we write a song about today? And I was like

0:17:24.280 --> 0:17:26.520
<v Speaker 1>I literally was looking at the stack of mail on

0:17:26.560 --> 0:17:29.879
<v Speaker 1>my counter And this was in the middle of the

0:17:29.920 --> 0:17:33.320
<v Speaker 1>pandemic of definitely feeling pretty lonely and going I can't

0:17:33.320 --> 0:17:35.520
<v Speaker 1>be the only one feeling this way, Like what if

0:17:35.560 --> 0:17:39.480
<v Speaker 1>we wrote a song just about that? So yeah, it

0:17:39.640 --> 0:17:41.680
<v Speaker 1>was every line that we wrote. I was like, whoa,

0:17:41.840 --> 0:17:44.320
<v Speaker 1>that's this is real. But okay, yep, we're putting this

0:17:44.359 --> 0:17:45.800
<v Speaker 1>in the song. And then we finished it and I

0:17:45.840 --> 0:17:47.560
<v Speaker 1>was like, dang it, I like this this means like

0:17:48.840 --> 0:17:51.159
<v Speaker 1>now we have to record it. We have to record it.

0:17:52.240 --> 0:17:55.400
<v Speaker 1>It's so good. Thank you, You're so good. You guys

0:17:55.400 --> 0:17:59.560
<v Speaker 1>followed to Neil Towns, Towns, t ow n S and

0:17:59.680 --> 0:18:03.080
<v Speaker 1>how the Torgo. It was awesome. Yeah, it was so fun.

0:18:03.560 --> 0:18:07.240
<v Speaker 1>People showed up, people came that they came and what

0:18:07.359 --> 0:18:09.720
<v Speaker 1>they knew the music. We sang the songs together. It

0:18:09.800 --> 0:18:12.200
<v Speaker 1>was such a dream. I'm super fun for you. Thank

0:18:12.200 --> 0:18:13.520
<v Speaker 1>you for coming in today to play. Thank you for

0:18:13.600 --> 0:18:15.879
<v Speaker 1>having me, Bobby. So great to see everybody. Good to

0:18:15.920 --> 0:18:20.040
<v Speaker 1>be here Tanil Towns and listen. If you're looking for

0:18:20.080 --> 0:18:23.680
<v Speaker 1>a woman were International Women's Day to be like that

0:18:23.840 --> 0:18:27.160
<v Speaker 1>is my inspiration. I don't think till not to date guys,

0:18:27.200 --> 0:18:32.720
<v Speaker 1>but I'm saying like, oh no, I like, no happening now.

0:18:32.760 --> 0:18:36.119
<v Speaker 1>This is when it's happened now, looking for someone to

0:18:36.200 --> 0:18:37.639
<v Speaker 1>go like, you know, I'm only looking for someone to

0:18:37.720 --> 0:18:41.440
<v Speaker 1>inspire me for a mean. Tenniel is a good one.

0:18:41.480 --> 0:18:43.359
<v Speaker 1>You're a good one, thanks Bobby. All right, there she

0:18:43.440 --> 0:18:47.760
<v Speaker 1>has Tenniel Towns. It's the best bits of the week,

0:18:48.520 --> 0:18:52.520
<v Speaker 1>with Morgan number two coming in at number six. I

0:18:52.680 --> 0:18:55.359
<v Speaker 1>watched Back to the Future for the first time, and

0:18:55.440 --> 0:18:59.800
<v Speaker 1>y'all are digging these old school movie TV show reviews.

0:19:00.240 --> 0:19:02.359
<v Speaker 1>I had to throw this in here. Here it is.

0:19:02.640 --> 0:19:05.000
<v Speaker 1>Let me know if you like my review. Maybe you don't,

0:19:05.040 --> 0:19:08.240
<v Speaker 1>maybe it was too controversial. I don't know. Number six.

0:19:08.480 --> 0:19:11.159
<v Speaker 1>So we told Morgan number two twenty eight to go

0:19:11.200 --> 0:19:12.840
<v Speaker 1>watch Back to the Future because she had never seen

0:19:12.840 --> 0:19:16.720
<v Speaker 1>it and we had an unsuccessful Seinfeld experiment. She watched

0:19:16.720 --> 0:19:19.560
<v Speaker 1>Seinfeld and she was like, yes, it's not that funny anymore. Fair.

0:19:20.240 --> 0:19:22.840
<v Speaker 1>I just don't think there's any way to miss with

0:19:22.880 --> 0:19:27.000
<v Speaker 1>Michael J. Foxon Back to the Future. Hom on, So

0:19:28.320 --> 0:19:32.159
<v Speaker 1>you watched it? How I had to rent it on Amazon? Okay,

0:19:32.200 --> 0:19:35.480
<v Speaker 1>it wasn't anywhere else to watch, like three Bucks or something. Yeah,

0:19:35.640 --> 0:19:37.320
<v Speaker 1>you to reimburse you? Are you cool? No, I'm good.

0:19:37.520 --> 0:19:41.040
<v Speaker 1>I'm good. If I hated it, I get pulled into

0:19:41.160 --> 0:19:44.040
<v Speaker 1>HR because I'm making people pay for content. Yeah, she

0:19:44.080 --> 0:19:46.480
<v Speaker 1>can do that on an expense report, right, Yeah, okay,

0:19:46.480 --> 0:19:50.280
<v Speaker 1>I guess So you watched Back to the Future. Is

0:19:50.320 --> 0:19:53.879
<v Speaker 1>it was it long? It's an hour or like seventeen minutes.

0:19:53.920 --> 0:19:56.000
<v Speaker 1>That's the greatest movie. I didn't even realize about the

0:19:56.000 --> 0:19:59.800
<v Speaker 1>perfect movie link. That's cool. High expectations. What you think? Okay, well,

0:20:00.160 --> 0:20:02.760
<v Speaker 1>my past spoiler part, like, everybody, is it old enough

0:20:02.880 --> 0:20:06.400
<v Speaker 1>that I can spoil something? That's a good question to ask.

0:20:06.440 --> 0:20:08.919
<v Speaker 1>I'm gonna say yes. And we're also warning people that

0:20:09.000 --> 0:20:11.119
<v Speaker 1>are back to the future spoiler is coming here. Wow.

0:20:12.720 --> 0:20:16.879
<v Speaker 1>So when I watched it listen, I was really into it.

0:20:16.920 --> 0:20:20.359
<v Speaker 1>I really enjoyed it. But something kept bothering me. There's

0:20:20.400 --> 0:20:22.920
<v Speaker 1>a little bit of incest that happens during the show

0:20:23.160 --> 0:20:26.280
<v Speaker 1>when the mom and him, and it took me a

0:20:26.320 --> 0:20:28.600
<v Speaker 1>while to get over it. I was like, he just

0:20:28.720 --> 0:20:32.280
<v Speaker 1>kissed his mom, like I know he's not she doesn't

0:20:32.280 --> 0:20:34.400
<v Speaker 1>know and whatever, but he didn't quite kiss his mom.

0:20:34.480 --> 0:20:37.600
<v Speaker 1>She kissed him. He didn't want that. She also didn't

0:20:37.600 --> 0:20:40.000
<v Speaker 1>know it was her son comes in the past. Yes,

0:20:40.160 --> 0:20:42.159
<v Speaker 1>but he knew it was coming. He knew that she

0:20:42.240 --> 0:20:44.600
<v Speaker 1>had the hots for him. He kept saying it, so

0:20:44.640 --> 0:20:47.640
<v Speaker 1>that part, like it irks me a little bit, but

0:20:48.240 --> 0:20:53.359
<v Speaker 1>I got over it because it was so good. All right,

0:20:53.400 --> 0:20:55.720
<v Speaker 1>what do you rate Back to the Future? All right, Well,

0:20:56.800 --> 0:21:00.840
<v Speaker 1>m I would give it four out of five Deloreans.

0:21:01.080 --> 0:21:03.800
<v Speaker 1>It's good, solid rating for something so old. And I

0:21:03.840 --> 0:21:06.000
<v Speaker 1>will say that at the end as soon as they're like,

0:21:06.400 --> 0:21:08.600
<v Speaker 1>you know, we're we're going we don't need any and

0:21:08.640 --> 0:21:10.320
<v Speaker 1>he makes the big line. I was like, I want

0:21:10.320 --> 0:21:15.400
<v Speaker 1>to watch the sea. Back to the Future came out

0:21:15.400 --> 0:21:17.760
<v Speaker 1>in nineteen eighty five, Like I wasn't even old enough

0:21:17.760 --> 0:21:19.680
<v Speaker 1>to really watch it and understand it. Then I guess

0:21:19.680 --> 0:21:22.240
<v Speaker 1>I watched you watch it years later. But back to

0:21:22.280 --> 0:21:25.600
<v Speaker 1>the Future gets the thumbs out, Seinfeld gets it thumbs down. Yeah,

0:21:25.640 --> 0:21:27.320
<v Speaker 1>so you go. If you ever watch Back to the

0:21:27.359 --> 0:21:28.879
<v Speaker 1>Future too, just let us know. I'm not going to

0:21:29.000 --> 0:21:31.200
<v Speaker 1>sign that to you, but I'm going to sign something

0:21:31.240 --> 0:21:34.479
<v Speaker 1>else to you. And you have two weeks, okay, if

0:21:34.520 --> 0:21:37.440
<v Speaker 1>you want to take the challenge. If you've seen it, though,

0:21:37.680 --> 0:21:41.320
<v Speaker 1>don't have you ever seen The Karate Kid the original?

0:21:42.920 --> 0:21:44.520
<v Speaker 1>I want to say that I've seen parts, but I

0:21:44.600 --> 0:21:46.440
<v Speaker 1>have not seen it all the way through. Now, okay,

0:21:46.960 --> 0:21:50.320
<v Speaker 1>your next challenge, if you choose to accept it, is

0:21:50.320 --> 0:21:53.200
<v Speaker 1>the Karate Kid from nineteen eighty four. Oh, we're even

0:21:53.240 --> 0:21:57.520
<v Speaker 1>going back one more. Okay, Yeah, I'll accept it. Okay,

0:21:58.359 --> 0:22:00.760
<v Speaker 1>two weeks from today, Mike will check with her. Morgan

0:22:00.840 --> 0:22:03.480
<v Speaker 1>number two will watch The Karate Kid. What's the Karate

0:22:03.600 --> 0:22:06.359
<v Speaker 1>Kids review on Rotten Tomatoes. It's got to be the

0:22:06.400 --> 0:22:09.880
<v Speaker 1>most right eighty nine Okay, that's good. We was Back

0:22:09.880 --> 0:22:14.080
<v Speaker 1>to the Future review, right, Okay. I think you'll like

0:22:14.160 --> 0:22:18.960
<v Speaker 1>the Karate Kid. But sometimes they're so dated that it's

0:22:19.000 --> 0:22:23.159
<v Speaker 1>tough to really enjoy because it's just wildly old. I

0:22:23.160 --> 0:22:25.040
<v Speaker 1>will say too, like watching Back to the Future is

0:22:25.080 --> 0:22:27.840
<v Speaker 1>funny because all of like the jeans are coming back

0:22:27.840 --> 0:22:30.440
<v Speaker 1>in style right now, so some of the things he

0:22:30.560 --> 0:22:33.520
<v Speaker 1>was wearing. IM like, oh, we're wearing that right now, Marvin,

0:22:34.520 --> 0:22:39.680
<v Speaker 1>Marvin Barry, Yes, do you get that reference? Yes, it's

0:22:39.720 --> 0:22:44.679
<v Speaker 1>your brother cousin, cousin, Yeah, a long time and Barry, Okay,

0:22:44.760 --> 0:22:49.800
<v Speaker 1>good job. It's the best bits of the week with Morgan.

0:22:49.920 --> 0:22:54.960
<v Speaker 1>Number two, it's always a funny one when Lunchbox tries

0:22:55.000 --> 0:22:57.760
<v Speaker 1>to do something crazy with a prank call. And this

0:22:57.800 --> 0:23:02.000
<v Speaker 1>week he tried to buy John von Jovie's apartment using

0:23:02.280 --> 0:23:05.439
<v Speaker 1>John bon Jovi's hit lyrics and let's just say the

0:23:05.520 --> 0:23:08.960
<v Speaker 1>realtor was not having any part of it. Number five,

0:23:09.160 --> 0:23:12.520
<v Speaker 1>here is Lunchbox trying to buy bon Jovie's apartment. Come on, so,

0:23:13.000 --> 0:23:15.919
<v Speaker 1>Jason Gibbles Lunchboxes alter ego who tries to make deals,

0:23:16.280 --> 0:23:19.119
<v Speaker 1>and he often says businessman making business deals, trying to

0:23:19.119 --> 0:23:22.000
<v Speaker 1>get that money we talked briefly about bon Jovie's apartment

0:23:22.119 --> 0:23:26.359
<v Speaker 1>twenty two million dollars in New York City. Lunchbox calls

0:23:26.400 --> 0:23:28.280
<v Speaker 1>to try to make them a deal, and as he does,

0:23:28.600 --> 0:23:32.440
<v Speaker 1>he weaves in bon Jovie lyrics. Yes, for example, it's

0:23:32.480 --> 0:23:34.440
<v Speaker 1>my life. Maybe you know this song right here, it's

0:23:36.000 --> 0:23:38.560
<v Speaker 1>he weaves that one in, maybe one in debtit or alive.

0:23:43.160 --> 0:23:45.840
<v Speaker 1>Here is Lunchbox trying to call and buy John bon

0:23:46.000 --> 0:23:52.800
<v Speaker 1>Jovi's apartment. Hi, this is different. Yeah, this is Jason Gibble,

0:23:52.880 --> 0:23:55.440
<v Speaker 1>business man making business deals, trying to get that money.

0:23:55.520 --> 0:23:57.400
<v Speaker 1>And I was trying to call and get some information

0:23:57.400 --> 0:24:02.119
<v Speaker 1>on one fifty five. What's the eleventh street time property?

0:24:02.240 --> 0:24:05.119
<v Speaker 1>Beautiful piece? Yeah, yeah, beautiful. Like I looked online, I

0:24:05.200 --> 0:24:08.840
<v Speaker 1>was like, man, it's my life. It's now or never.

0:24:08.880 --> 0:24:11.000
<v Speaker 1>If I'm going to upgrade to this because I'm forty,

0:24:11.160 --> 0:24:14.080
<v Speaker 1>I'm not gonna live forever. Wow, this is the place

0:24:14.119 --> 0:24:18.240
<v Speaker 1>for you. It's four thousand square feet floor to ceiling

0:24:18.720 --> 0:24:21.840
<v Speaker 1>windows over. When I look at those windows, while I

0:24:21.880 --> 0:24:24.000
<v Speaker 1>was looking at the pictures online, I was like, man,

0:24:24.119 --> 0:24:26.719
<v Speaker 1>I want that place. I want it dead or alive.

0:24:26.880 --> 0:24:29.520
<v Speaker 1>I don't care. I got to be in there. Imagine this.

0:24:29.800 --> 0:24:32.840
<v Speaker 1>You open up the doors, you come right out, and

0:24:32.880 --> 0:24:36.120
<v Speaker 1>there's the city surrounding you. The best part is, here's

0:24:36.160 --> 0:24:38.840
<v Speaker 1>the best part of it. My wife she tells me,

0:24:38.920 --> 0:24:42.399
<v Speaker 1>oh my gosh, you're not romantic. Basically, she says, you

0:24:42.520 --> 0:24:45.600
<v Speaker 1>give love a bad name. Well guess what when I

0:24:45.680 --> 0:24:49.280
<v Speaker 1>surprised her with this, Uh, that's gonna change. Yeah, I

0:24:49.480 --> 0:24:54.320
<v Speaker 1>hear you. Okay, so it has four bedrooms clogging now

0:24:55.520 --> 0:24:58.760
<v Speaker 1>for real? Like, are you guys looking for a serious buyer?

0:24:59.119 --> 0:25:01.480
<v Speaker 1>Once I submit this offer, I'm gonna be living on

0:25:01.520 --> 0:25:05.040
<v Speaker 1>a prayer that you accept it. You know, or you've

0:25:05.040 --> 0:25:07.240
<v Speaker 1>been doing it's quoting Bond Josey. I don't know if

0:25:07.280 --> 0:25:10.359
<v Speaker 1>you're serious or you're not. I'm a very busy woman.

0:25:10.560 --> 0:25:13.600
<v Speaker 1>I have many properties to show, and you're waights in

0:25:13.680 --> 0:25:16.160
<v Speaker 1>my time. Have a good day. That's a good one.

0:25:17.600 --> 0:25:21.080
<v Speaker 1>There's a nice one. I guess. The thing that strikes

0:25:21.119 --> 0:25:24.119
<v Speaker 1>me is you could just say those things normally, like

0:25:24.119 --> 0:25:25.800
<v Speaker 1>you know when you give love a bad name, But

0:25:25.920 --> 0:25:28.760
<v Speaker 1>it's almost like you're reading it, you're talking normal. Then

0:25:28.760 --> 0:25:31.560
<v Speaker 1>you're like, and you give love a bad name? You

0:25:31.680 --> 0:25:33.840
<v Speaker 1>wrote those down, y, I wrote those because I gotta

0:25:33.840 --> 0:25:36.000
<v Speaker 1>remember them. Yeah, that's good though, any luck, do you

0:25:36.000 --> 0:25:37.240
<v Speaker 1>get it? Do you get a showing it? I know

0:25:37.359 --> 0:25:39.720
<v Speaker 1>she didn't. She didn't call me back. He left her

0:25:39.800 --> 0:25:41.640
<v Speaker 1>number though, right I was like, oh no, no, no, no,

0:25:41.760 --> 0:25:45.520
<v Speaker 1>hang out and I try to car back. Nothing good one.

0:25:45.680 --> 0:25:49.440
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:25:50.920 --> 0:25:53.840
<v Speaker 1>We love this guy. He is having an incredible March

0:25:53.880 --> 0:25:57.080
<v Speaker 1>and he talks about why it's so incredible. Parker McCollum

0:25:57.160 --> 0:25:59.439
<v Speaker 1>came on the show. He performed a little bit of

0:25:59.480 --> 0:26:02.280
<v Speaker 1>his song to be Loved by You, and Bobby surprised

0:26:02.359 --> 0:26:04.960
<v Speaker 1>him with a parody that he had just written of

0:26:04.960 --> 0:26:07.520
<v Speaker 1>one of Parker's songs, and of course we talked about

0:26:07.560 --> 0:26:09.480
<v Speaker 1>March and why it's been so awesome for him, from

0:26:09.760 --> 0:26:14.280
<v Speaker 1>ACM Awards performing and winning to him getting married very soon.

0:26:14.480 --> 0:26:18.160
<v Speaker 1>So listen right now. This is Parker McCallum number four.

0:26:18.320 --> 0:26:21.000
<v Speaker 1>Congratulations dude, you've been winning all the awards, performing on

0:26:21.040 --> 0:26:23.760
<v Speaker 1>all the award shows. Thank you. That's one award and

0:26:23.760 --> 0:26:26.200
<v Speaker 1>one awards show, but yeah it counts for all of them. Yeah,

0:26:26.200 --> 0:26:28.280
<v Speaker 1>it's like everyone I've seen and the last week you

0:26:28.320 --> 0:26:30.560
<v Speaker 1>were on it. Thank you man. Parker. Text and there's like, hey,

0:26:30.560 --> 0:26:32.840
<v Speaker 1>you're gonna be up on the show tomorrow. I'm coming up.

0:26:32.880 --> 0:26:34.679
<v Speaker 1>And I was like, yeah, I was like, what if

0:26:34.680 --> 0:26:36.119
<v Speaker 1>I wasn't What if he came up? Well, you know,

0:26:36.160 --> 0:26:38.199
<v Speaker 1>nine of us were here. Oh my calendar, all it

0:26:38.240 --> 0:26:41.040
<v Speaker 1>ever says is Bobby Bones. So sometimes it's like you

0:26:41.080 --> 0:26:42.879
<v Speaker 1>come in and you do, you'll do like some liners

0:26:42.960 --> 0:26:44.840
<v Speaker 1>or something and leave, or you'll do you know, it's like,

0:26:44.960 --> 0:26:46.399
<v Speaker 1>I don't even know if I'm actually gonna be on.

0:26:48.680 --> 0:26:50.160
<v Speaker 1>Say hey, I'm gonna come to your show. You're gonna

0:26:50.160 --> 0:26:53.199
<v Speaker 1>be there. I said, yeah, yes, sir, I am going

0:26:53.280 --> 0:26:54.800
<v Speaker 1>to be there. He's like, all right, cool, And then

0:26:54.840 --> 0:26:56.280
<v Speaker 1>I thought, man, did people ever just come up here

0:26:56.280 --> 0:26:58.159
<v Speaker 1>and I'm not here? Are you got scheduling interviews just

0:26:58.160 --> 0:27:00.320
<v Speaker 1>for fun? The one time you were out of sound,

0:27:00.359 --> 0:27:02.399
<v Speaker 1>I did the thing like taking over your office or something,

0:27:02.440 --> 0:27:04.560
<v Speaker 1>going through all your stuff on camera? It was on camera,

0:27:04.800 --> 0:27:06.159
<v Speaker 1>or I think I saw that that was just me

0:27:06.240 --> 0:27:08.080
<v Speaker 1>and Parker. Yeah again, I just I think you guys

0:27:08.119 --> 0:27:11.800
<v Speaker 1>just bringing artists up to have fun. Congratulations on your

0:27:12.040 --> 0:27:15.160
<v Speaker 1>ACM new mail artists. Thank you pretty cool. I saw

0:27:15.200 --> 0:27:17.280
<v Speaker 1>the thing where I guess you're on a zoom and

0:27:17.320 --> 0:27:20.040
<v Speaker 1>then you're waiting what did they tell you is about

0:27:20.040 --> 0:27:21.880
<v Speaker 1>to happen? Why are you on a zoom? Man? It's

0:27:21.880 --> 0:27:23.879
<v Speaker 1>just kind of like this morning, it's just on my calendar.

0:27:23.920 --> 0:27:25.680
<v Speaker 1>I thought I had a we're actually trying to walk

0:27:25.680 --> 0:27:28.120
<v Speaker 1>out of the house, go to the airport, we're about

0:27:28.119 --> 0:27:29.640
<v Speaker 1>to miss our flight, and I had a zoom call.

0:27:30.160 --> 0:27:32.439
<v Speaker 1>You didn't know you No, I was just a normal interview,

0:27:32.560 --> 0:27:34.879
<v Speaker 1>So I got it. I just hopped on, thinking, you know,

0:27:35.080 --> 0:27:37.480
<v Speaker 1>talk about normal stuff real quick and then go to

0:27:37.480 --> 0:27:39.240
<v Speaker 1>the airport. And then Miranda hopped on, and I was

0:27:39.320 --> 0:27:41.719
<v Speaker 1>like it kind of in my mind, you know, right,

0:27:41.840 --> 0:27:43.760
<v Speaker 1>My first thought was just what I think is? I mean,

0:27:43.800 --> 0:27:45.560
<v Speaker 1>we're about to fly there for the ACMs. But I

0:27:45.600 --> 0:27:47.400
<v Speaker 1>was like, I can't go when nothing like that. So

0:27:48.280 --> 0:27:50.919
<v Speaker 1>and she said, you won? You won? Yeah, I won.

0:27:51.200 --> 0:27:53.760
<v Speaker 1>That's pretty cool. That's pretty that's pretty good man. It's

0:27:53.800 --> 0:27:55.360
<v Speaker 1>as good as you can do with those things as win.

0:27:55.520 --> 0:27:58.600
<v Speaker 1>So did you already know you were performing? Though? No,

0:27:58.640 --> 0:28:00.520
<v Speaker 1>I did not. I had no idea. Um, you know,

0:28:00.560 --> 0:28:02.760
<v Speaker 1>they when you're nominated, they kind of, I think, reach

0:28:02.800 --> 0:28:05.400
<v Speaker 1>out to your team about, you know, just in case

0:28:05.440 --> 0:28:07.800
<v Speaker 1>you do win. But I was like, well, I mean

0:28:07.800 --> 0:28:09.040
<v Speaker 1>I just there's no way. It was like, I'm not

0:28:09.080 --> 0:28:11.760
<v Speaker 1>gonna win an ACM award, but but here you are.

0:28:12.359 --> 0:28:16.880
<v Speaker 1>You are getting married. So are you saying when it's

0:28:16.880 --> 0:28:18.399
<v Speaker 1>at the end of the month. I've been saying at

0:28:18.400 --> 0:28:21.120
<v Speaker 1>the end of the month, okay, good good enough. Um. Now,

0:28:21.119 --> 0:28:22.800
<v Speaker 1>when I was getting married, I wanted to wear a

0:28:22.840 --> 0:28:25.640
<v Speaker 1>red tuxedo and it was kind of ribto um, what

0:28:25.880 --> 0:28:28.240
<v Speaker 1>have you had any struggle with what you want? Because

0:28:28.240 --> 0:28:31.159
<v Speaker 1>you're you know, you're a guy with style. You know,

0:28:31.720 --> 0:28:34.040
<v Speaker 1>I just kind of it's her day. It means it's

0:28:34.080 --> 0:28:36.640
<v Speaker 1>like the so such a big deal to a girl

0:28:36.680 --> 0:28:38.680
<v Speaker 1>to plan a wedding, right the guy, you're just kind

0:28:38.720 --> 0:28:40.280
<v Speaker 1>of like, tell me where to be, when to be there.

0:28:40.920 --> 0:28:43.280
<v Speaker 1>They don't care what I think. Did you suggest anything

0:28:43.280 --> 0:28:46.200
<v Speaker 1>about your attire? I did on the like very beginning.

0:28:46.240 --> 0:28:48.160
<v Speaker 1>I was like, man, I'd love for me and all

0:28:48.200 --> 0:28:50.880
<v Speaker 1>my groomsmen to be you know, black cowboy hat, solid black,

0:28:50.920 --> 0:28:53.920
<v Speaker 1>old school tuxedo, black boots, the whole deal. And she

0:28:54.000 --> 0:28:58.640
<v Speaker 1>was like, absolutely not. I's like, I was like, don't

0:28:58.640 --> 0:29:00.760
<v Speaker 1>ask me again. I wanted to if if I don't

0:29:00.920 --> 0:29:02.960
<v Speaker 1>get to have any input on that, then so what

0:29:03.320 --> 0:29:06.920
<v Speaker 1>did you decides? Uh? Classic normal talks. Yeah, I don't

0:29:06.920 --> 0:29:09.280
<v Speaker 1>even I don't know. Actually, try it on today at

0:29:09.320 --> 0:29:12.840
<v Speaker 1>four on my calendar it says tucks thing calendar. Hey,

0:29:12.840 --> 0:29:14.720
<v Speaker 1>I can respect the guy who lives by his calendar.

0:29:14.840 --> 0:29:17.280
<v Speaker 1>That's all I got. How many times as he said,

0:29:17.280 --> 0:29:20.160
<v Speaker 1>calendar and that's all I got. Are you nervous about

0:29:20.240 --> 0:29:22.520
<v Speaker 1>getting married? Are you ready to do it? Not yet?

0:29:22.600 --> 0:29:25.800
<v Speaker 1>You know? I mean just this month is so crazy, um,

0:29:25.840 --> 0:29:28.160
<v Speaker 1>the month of March of It's like I'm stringing together

0:29:28.240 --> 0:29:29.960
<v Speaker 1>one of the greatest months of my life right now.

0:29:30.040 --> 0:29:33.960
<v Speaker 1>So UM, list why this month is so great? Um,

0:29:34.080 --> 0:29:36.400
<v Speaker 1>hopefully about to have my second number one, that's why.

0:29:36.440 --> 0:29:38.360
<v Speaker 1>That's why it's here. Today's about to have a number one. Yes,

0:29:38.440 --> 0:29:42.640
<v Speaker 1>had Um just played in the ACMs. UM playing the

0:29:42.680 --> 0:29:45.680
<v Speaker 1>Houston Rodeo sold out seventy thousand people on Saturday, and

0:29:45.720 --> 0:29:49.800
<v Speaker 1>then getting married. So that's a good March. Yeah, that's

0:29:49.800 --> 0:29:52.400
<v Speaker 1>a good one. Yeah. At Houston Rodeo. That's significant too.

0:29:52.760 --> 0:29:54.840
<v Speaker 1>That's that's all I ever want to do. That's it

0:29:54.960 --> 0:29:59.080
<v Speaker 1>for me. I mean, growing up in Texas, that's the

0:29:59.120 --> 0:30:02.920
<v Speaker 1>biggest thing. Go or if you're an artist, to perform

0:30:02.960 --> 0:30:05.320
<v Speaker 1>at the Houston Rodeo and the thing is sold out

0:30:05.440 --> 0:30:08.640
<v Speaker 1>seventy thousand people. It's just craw. I don't know. The

0:30:08.640 --> 0:30:10.560
<v Speaker 1>ACM thing hasn't really hit me yet. That was all

0:30:10.640 --> 0:30:12.680
<v Speaker 1>kind of a blur. And then the rodeo probably be

0:30:12.760 --> 0:30:14.360
<v Speaker 1>the same way. We're probably be like in July, I'll

0:30:14.400 --> 0:30:15.920
<v Speaker 1>be riding down the road on the bus somewhere and

0:30:16.000 --> 0:30:19.040
<v Speaker 1>be like, man March was really good. Yeah it's a good,

0:30:19.560 --> 0:30:21.800
<v Speaker 1>but none will be as good after this. This is

0:30:21.840 --> 0:30:24.280
<v Speaker 1>the peak, so he'll take it in. Hey I do

0:30:24.320 --> 0:30:26.440
<v Speaker 1>if you don't mind. I know you have your guitar um,

0:30:26.840 --> 0:30:28.760
<v Speaker 1>Why don't you play a little bit? Just give us

0:30:28.760 --> 0:30:30.320
<v Speaker 1>a verse in chorus of this song that's about to

0:30:30.320 --> 0:30:33.440
<v Speaker 1>go number one. Here is Parker McCullum. And to be

0:30:33.480 --> 0:30:45.480
<v Speaker 1>loved by you. You'll maybe I'm right, maybe I'm wrong,

0:30:45.880 --> 0:30:50.440
<v Speaker 1>fining I shoot and take this long easy to sit

0:30:50.760 --> 0:30:54.360
<v Speaker 1>thing done. I guess I'm a little be harder to

0:30:54.520 --> 0:30:58.040
<v Speaker 1>love than the rift? Where does it have to be

0:30:58.280 --> 0:31:04.520
<v Speaker 1>so dud? My bit? So hold your heart and I

0:31:04.840 --> 0:31:11.600
<v Speaker 1>never let it go again? So why you always angry?

0:31:12.000 --> 0:31:18.880
<v Speaker 1>Why you always cry? Why do you sleep bail? When

0:31:18.960 --> 0:31:23.400
<v Speaker 1>I know you don't like it? Maybe you might be

0:31:23.840 --> 0:31:29.200
<v Speaker 1>defference to kill you to tell me the truth? What

0:31:29.520 --> 0:31:37.240
<v Speaker 1>in a hill doesn't make to do to be loved

0:31:37.440 --> 0:31:41.360
<v Speaker 1>by you? Come on there he is. That's the number

0:31:41.360 --> 0:31:43.640
<v Speaker 1>one song this week. We're gonna go next week it

0:31:43.680 --> 0:31:45.320
<v Speaker 1>will be Hey, I want to try something. When you

0:31:45.320 --> 0:31:47.600
<v Speaker 1>were walking in your songs always on my head? You

0:31:47.640 --> 0:31:50.680
<v Speaker 1>know why you always angry? And thank you? Thank you?

0:31:50.680 --> 0:31:53.920
<v Speaker 1>Ask I'm pretta get that, but I was thinking about it,

0:31:53.960 --> 0:31:56.840
<v Speaker 1>and I wrote the first four lines to a parody.

0:31:57.080 --> 0:31:59.440
<v Speaker 1>And I don't want to do parodies anymore. But play me,

0:32:00.000 --> 0:32:04.240
<v Speaker 1>you know, don't sing, but play me the chorus on

0:32:04.360 --> 0:32:06.000
<v Speaker 1>your guitar. All right, here we go. I'm gonna do

0:32:06.000 --> 0:32:07.840
<v Speaker 1>you want that same key? Yeah? I know? I mean,

0:32:07.880 --> 0:32:10.440
<v Speaker 1>what do I know? All right? Sure, here we go.

0:32:10.680 --> 0:32:13.280
<v Speaker 1>So why you got it? I'll start it? So why

0:32:13.280 --> 0:32:18.360
<v Speaker 1>are you always angry? Why don't you just eat lunch?

0:32:19.720 --> 0:32:25.840
<v Speaker 1>There's lots of leftovers. Just go and heat it up

0:32:26.280 --> 0:32:31.200
<v Speaker 1>and use the microwave and clear off the screen when

0:32:31.240 --> 0:32:37.640
<v Speaker 1>you're done. Just stop winding that you're hungry. Don't know

0:32:37.960 --> 0:32:41.440
<v Speaker 1>the rest. And I never got this far with the song.

0:32:41.920 --> 0:32:46.080
<v Speaker 1>Thank you very much, thank you? It's our first. Yeah

0:32:46.120 --> 0:32:48.600
<v Speaker 1>are you always angry? You didn't sing though? Oh I

0:32:48.640 --> 0:32:52.240
<v Speaker 1>thought you were taking it home. I've never heard anyone

0:32:52.280 --> 0:32:54.440
<v Speaker 1>take it home more than I just took it home. No,

0:32:54.560 --> 0:32:56.520
<v Speaker 1>that's all the way home you ever get on stage.

0:32:57.320 --> 0:32:59.920
<v Speaker 1>And this is on both sides of it, where one

0:33:00.240 --> 0:33:02.760
<v Speaker 1>night you feel like, man, I'm killing it, like my

0:33:02.880 --> 0:33:06.200
<v Speaker 1>voice is good, I'm on like just and you're like, man,

0:33:06.200 --> 0:33:08.560
<v Speaker 1>this is one of those rare nights where everything is perfect.

0:33:09.040 --> 0:33:10.680
<v Speaker 1>And then at the same time, do you have nights

0:33:10.680 --> 0:33:14.120
<v Speaker 1>where you're like, man, everything is wrong, like I'm not hitting?

0:33:14.640 --> 0:33:17.680
<v Speaker 1>Does that? Do those happen often? On either side? Man,

0:33:17.760 --> 0:33:21.000
<v Speaker 1>I'm just so critical of it. It's always the second one.

0:33:21.080 --> 0:33:22.920
<v Speaker 1>Every night. It's like, oh, man, well we just as

0:33:22.920 --> 0:33:24.600
<v Speaker 1>soon as we walk off the bus, me and the band,

0:33:24.680 --> 0:33:26.440
<v Speaker 1>or as soon as we walk off the stage, the

0:33:26.480 --> 0:33:29.000
<v Speaker 1>band and I are always sitting there, you know, how'd

0:33:29.000 --> 0:33:30.920
<v Speaker 1>your ears sound? How did it? You know? What'd you think?

0:33:30.920 --> 0:33:33.400
<v Speaker 1>What the you know? And sometimes we feel like we

0:33:33.440 --> 0:33:36.120
<v Speaker 1>play terrible or I sound terrible with the crowd energy

0:33:36.160 --> 0:33:38.480
<v Speaker 1>is so electric it doesn't even matter, you know. So

0:33:39.200 --> 0:33:41.400
<v Speaker 1>I'm in my head about it. Every single night. We

0:33:41.440 --> 0:33:44.360
<v Speaker 1>record every show, listen to every you do, yeah, oh,

0:33:44.440 --> 0:33:48.120
<v Speaker 1>like game tape, kind of like watching film you're gonna

0:33:48.200 --> 0:33:51.440
<v Speaker 1>drive yourself crazy. It drives me insane. I just wanted

0:33:51.480 --> 0:33:53.600
<v Speaker 1>to be perfect. I'm a big believer in getting better.

0:33:53.640 --> 0:33:55.640
<v Speaker 1>But if I did that, I couldn't do it every

0:33:55.720 --> 0:33:58.680
<v Speaker 1>night because I would always hate myself. Yeah, it's we

0:33:58.760 --> 0:34:00.400
<v Speaker 1>usually get on the bus and someone do we listen

0:34:00.440 --> 0:34:02.280
<v Speaker 1>to the show? And they'll be like, listen, and so

0:34:02.360 --> 0:34:04.880
<v Speaker 1>it's I don't know, that's tough. Good for you. Do

0:34:04.880 --> 0:34:08.560
<v Speaker 1>you feel like you get better from it? I hope. So.

0:34:08.800 --> 0:34:11.760
<v Speaker 1>Do you ever say anything stupid? Like when you're talking

0:34:11.800 --> 0:34:14.160
<v Speaker 1>and you're back and you're like, why did I say that? Oh?

0:34:14.200 --> 0:34:16.200
<v Speaker 1>All the time? There's a video on the internet. One

0:34:16.280 --> 0:34:18.359
<v Speaker 1>night we were playing somewhere in like Kansas or something.

0:34:18.440 --> 0:34:20.279
<v Speaker 1>It's a big outdoor stage. It was super windy, and

0:34:20.320 --> 0:34:22.879
<v Speaker 1>it was just blow and the whole show, And at

0:34:22.920 --> 0:34:25.120
<v Speaker 1>some point it's like on TikTok or something that's popped

0:34:25.200 --> 0:34:28.560
<v Speaker 1>up recently that sounds so stupid. I'm like, I'm like,

0:34:28.600 --> 0:34:30.000
<v Speaker 1>how much wind can there be? It has to go

0:34:30.000 --> 0:34:31.360
<v Speaker 1>all the way around the world at one point, like,

0:34:31.360 --> 0:34:33.000
<v Speaker 1>surely we're going to run out of wind before the

0:34:33.080 --> 0:34:35.040
<v Speaker 1>end of this show. It goes all the way around

0:34:35.080 --> 0:34:36.759
<v Speaker 1>like it has to go to the other side at

0:34:36.840 --> 0:34:39.720
<v Speaker 1>some point there's no way there's any wind left. And

0:34:40.160 --> 0:34:46.280
<v Speaker 1>after the show you're like, what does he talk? We're listening.

0:34:46.280 --> 0:34:49.040
<v Speaker 1>It's all smart, all coming up road for you right now. Man,

0:34:49.080 --> 0:34:52.000
<v Speaker 1>you're about to get married. I mean, she's awesome. The

0:34:52.520 --> 0:34:54.600
<v Speaker 1>just numera know, I'm gonna say she's the man, but

0:34:54.680 --> 0:34:56.839
<v Speaker 1>she's not the man, she's the woman. Well you got

0:34:56.840 --> 0:34:59.840
<v Speaker 1>it all going. Congrats on the wedding. You're not singing

0:34:59.840 --> 0:35:02.279
<v Speaker 1>it your wedding, right, no, suir, Okay, thank god. It

0:35:02.280 --> 0:35:04.200
<v Speaker 1>would just be awkward for everybody. It'd be awesome, it'd

0:35:04.239 --> 0:35:06.719
<v Speaker 1>be awkward for everybody. And everything with me and Holly

0:35:06.800 --> 0:35:09.160
<v Speaker 1>Ray is always about me. Like everything we go to

0:35:09.360 --> 0:35:11.120
<v Speaker 1>is for me. Everything, you know, I've got to get

0:35:11.120 --> 0:35:14.040
<v Speaker 1>on stage, do the interview, everything's that a way. And

0:35:14.080 --> 0:35:16.320
<v Speaker 1>so I'm like, that's like such a big dage. She

0:35:16.360 --> 0:35:19.640
<v Speaker 1>needs to be about her. So is that often a

0:35:19.719 --> 0:35:24.120
<v Speaker 1>convert because we have that same conversation where so much

0:35:24.160 --> 0:35:26.239
<v Speaker 1>is about when we go places. A lot of the

0:35:26.280 --> 0:35:29.640
<v Speaker 1>time she just ends up being Bobby's wife and we

0:35:29.719 --> 0:35:33.400
<v Speaker 1>have to purposefully find things that and I try to

0:35:33.440 --> 0:35:35.759
<v Speaker 1>make an effort to do things where she's just not

0:35:35.880 --> 0:35:38.839
<v Speaker 1>my wife or I'm just a dorky guy that's with

0:35:38.880 --> 0:35:41.879
<v Speaker 1>her because she kind of deserves her own spotlight. Yeah.

0:35:41.920 --> 0:35:44.400
<v Speaker 1>I always trying to just make sure that she doesn't

0:35:44.440 --> 0:35:47.279
<v Speaker 1>feel like that, and I enjoy that, you know, Like

0:35:47.320 --> 0:35:50.240
<v Speaker 1>I mean, everything is it's always we're always going somewhere

0:35:50.320 --> 0:35:52.360
<v Speaker 1>doing something for me. So I'm always trying to go

0:35:52.400 --> 0:35:55.160
<v Speaker 1>places and do stuff for her. But I don't know,

0:35:55.239 --> 0:35:57.880
<v Speaker 1>she's really She's just the bomb dude. She handles it

0:35:58.000 --> 0:36:00.560
<v Speaker 1>so well and it's still kind of new her. I

0:36:00.600 --> 0:36:02.359
<v Speaker 1>think a lot of the things we do, like being

0:36:02.400 --> 0:36:04.600
<v Speaker 1>at the Awards show, I think you thought that was

0:36:04.600 --> 0:36:06.920
<v Speaker 1>the coolest thing in the world. She saw Brittany Aldine,

0:36:06.960 --> 0:36:10.200
<v Speaker 1>and Brittany came over and said hello, so um, you

0:36:10.239 --> 0:36:12.880
<v Speaker 1>know those those kind of things. I think she's probably

0:36:13.120 --> 0:36:16.040
<v Speaker 1>it's probably okay too. Yeah, I congratulations the bank you there.

0:36:16.080 --> 0:36:18.200
<v Speaker 1>He is Parker McCullum. I was working a couple of

0:36:18.200 --> 0:36:20.520
<v Speaker 1>the lines here for the song that was smash Yeah. Well,

0:36:20.600 --> 0:36:23.359
<v Speaker 1>because at the second verse it goes, why are you

0:36:23.480 --> 0:36:27.920
<v Speaker 1>always angry? Why don't you just eat lunch? There's lots

0:36:27.920 --> 0:36:31.040
<v Speaker 1>of leftovers, just go and heat it up. And I

0:36:31.040 --> 0:36:33.759
<v Speaker 1>feel like a food reference here, like, um, maybe have

0:36:34.000 --> 0:36:38.839
<v Speaker 1>some pasta in the drawer. There's a grilled cheese, right,

0:36:38.880 --> 0:36:41.879
<v Speaker 1>so let me find you, because she's what's a man

0:36:42.040 --> 0:36:45.120
<v Speaker 1>have to do? Hold on? Hold on? Don't know, I'm

0:36:45.120 --> 0:36:50.320
<v Speaker 1>writing no, hold on, man? So what have to do

0:36:50.680 --> 0:36:53.600
<v Speaker 1>to be loved by you? And I would be like, chew,

0:36:54.320 --> 0:36:57.120
<v Speaker 1>I need some food? Like that's why I'm chasing that

0:36:57.200 --> 0:37:00.000
<v Speaker 1>last part? Yeah, yeah, this, Why do I chase it

0:37:00.040 --> 0:37:01.880
<v Speaker 1>all day all time? How to believe you? All right?

0:37:01.920 --> 0:37:04.719
<v Speaker 1>From the from the top three two? I don't know

0:37:04.760 --> 0:37:06.680
<v Speaker 1>how to count. I don't know what's happening here. All right,

0:37:06.680 --> 0:37:11.840
<v Speaker 1>there we go. So why you always hary? Why don't

0:37:11.880 --> 0:37:18.520
<v Speaker 1>you just eat lunch? This tons of leftovers? Just go

0:37:18.680 --> 0:37:25.480
<v Speaker 1>and heat it up. Maybe have some pasta in the drawer.

0:37:25.560 --> 0:37:31.040
<v Speaker 1>This a grilled cheese. You don't have to tell me.

0:37:31.800 --> 0:37:34.480
<v Speaker 1>Don't have you can't do please, it's gotta go you

0:37:34.920 --> 0:37:41.000
<v Speaker 1>to be I had him. I'm gonna work on this

0:37:41.080 --> 0:37:43.680
<v Speaker 1>all night. I'm never gonna bring it up again. I've

0:37:44.360 --> 0:37:48.040
<v Speaker 1>got a hundred that are that finished, that are that close,

0:37:48.160 --> 0:37:51.080
<v Speaker 1>So just shut up and eat some food. I'm pretty

0:37:51.160 --> 0:37:55.279
<v Speaker 1>much there. I'm pretty much Parker McCallum follow him at

0:37:55.320 --> 0:37:57.719
<v Speaker 1>Parker McCallum. Let me say this, he'll be out. I

0:37:57.800 --> 0:38:00.440
<v Speaker 1>got a couple of things. He's playing with a church

0:38:00.560 --> 0:38:03.080
<v Speaker 1>Brothers Osborne in Milwaukee on May twenty eighth for that

0:38:03.120 --> 0:38:06.160
<v Speaker 1>stadium show. It's going to be massive, Garley m the

0:38:06.280 --> 0:38:09.239
<v Speaker 1>Rodeo Massive. Can you still get tickets? It's sold out,

0:38:09.280 --> 0:38:11.319
<v Speaker 1>but sometimes they do like a little Bloba tickets at

0:38:11.320 --> 0:38:12.920
<v Speaker 1>the very end. Yeah, it's so but I know, I

0:38:13.000 --> 0:38:15.560
<v Speaker 1>know a guy. If anybody needs tickets, and here's Parker's

0:38:15.560 --> 0:38:20.200
<v Speaker 1>cell phone number, call him. It's the gold Chain Cowboy Tour.

0:38:20.719 --> 0:38:23.040
<v Speaker 1>You get a chancy Parkers live shows are great. Just

0:38:23.080 --> 0:38:26.320
<v Speaker 1>go to Parker McCollum dot com. He'll be Corpus Christie

0:38:26.480 --> 0:38:31.720
<v Speaker 1>Carl's Bad Tucson, Orlando, Madison, Alabama. He's a great guy.

0:38:32.040 --> 0:38:34.080
<v Speaker 1>I consider him a friend. It's all on my calendar

0:38:34.120 --> 0:38:37.120
<v Speaker 1>and there he is, Parker McCallum. Everybody, Yeah, thank you, anybody,

0:38:37.280 --> 0:38:41.680
<v Speaker 1>thank you. It's the best bits of the week with

0:38:41.719 --> 0:38:46.600
<v Speaker 1>Morgan number two. This was the last week of submissions

0:38:46.640 --> 0:38:49.960
<v Speaker 1>for our Bobby Bones show. Themes Hong and Oh my goodness,

0:38:49.960 --> 0:38:52.680
<v Speaker 1>there were so many good ones y'all, Like I cannot

0:38:52.680 --> 0:38:55.960
<v Speaker 1>even explain this. You're gonna hear the last ones here,

0:38:56.000 --> 0:38:58.120
<v Speaker 1>but also you can go on Bobby Bones dot com

0:38:58.120 --> 0:39:01.879
<v Speaker 1>and see these six finalists before we start voting next week.

0:39:02.080 --> 0:39:04.319
<v Speaker 1>Let us know your favorites when we post that next week.

0:39:04.400 --> 0:39:07.200
<v Speaker 1>Not yet, don't be coming up in my d ms yet,

0:39:07.280 --> 0:39:09.560
<v Speaker 1>but soon you guys can place your votes for the

0:39:09.680 --> 0:39:13.240
<v Speaker 1>Bobby Bones Show Theme song number three. All right, final

0:39:13.320 --> 0:39:16.400
<v Speaker 1>batch of theme songs that have been written by listeners

0:39:16.520 --> 0:39:19.279
<v Speaker 1>for this show. I said, hey, write us a thirty

0:39:19.280 --> 0:39:21.440
<v Speaker 1>second theme song. I'll pay somebody five hundred bucks in

0:39:21.440 --> 0:39:23.719
<v Speaker 1>my own money. So this is the last week we

0:39:23.760 --> 0:39:26.200
<v Speaker 1>have three. We're gonna move one, maybe two of these

0:39:26.200 --> 0:39:29.799
<v Speaker 1>into the semifinals. This is Angie Kay, she writes me,

0:39:29.840 --> 0:39:32.800
<v Speaker 1>and my buddy Chris made the winning theme song right here.

0:39:33.239 --> 0:39:35.480
<v Speaker 1>Then listen to the Bobby Bones Show since y'all started.

0:39:35.719 --> 0:39:50.400
<v Speaker 1>It's Bobby from them something good. Listen the best friend

0:39:53.800 --> 0:40:19.680
<v Speaker 1>boxes yelling any Raymond we get so I'm talking. It's

0:40:22.040 --> 0:40:27.520
<v Speaker 1>that is so amazing good crap what she's a mess? Wow?

0:40:27.640 --> 0:40:29.680
<v Speaker 1>That's really good. I mean, there are two more. How

0:40:29.719 --> 0:40:32.000
<v Speaker 1>do we play that test? I don't know even I

0:40:32.040 --> 0:40:35.320
<v Speaker 1>don't know any that's really good. Are k wow and Chris?

0:40:35.960 --> 0:40:42.240
<v Speaker 1>Uh yeah, that's that's really good okay. And she's really good. Okay.

0:40:42.280 --> 0:40:44.440
<v Speaker 1>Here is m R and D. That's all they call

0:40:44.520 --> 0:40:46.960
<v Speaker 1>themselves R and D. And they wrote, here's our submission

0:40:46.960 --> 0:40:49.680
<v Speaker 1>to be put into the running of the theme songs

0:40:50.160 --> 0:40:52.359
<v Speaker 1>love this show. Boy, we should have put that one last.

0:40:52.440 --> 0:40:54.359
<v Speaker 1>Huh Is that good? Are the other ones good too?

0:40:55.680 --> 0:40:58.239
<v Speaker 1>It's anus all right, here we go. Here's number two?

0:40:59.360 --> 0:41:05.040
<v Speaker 1>What he wake up? And in the turn the radio

0:41:05.680 --> 0:41:13.719
<v Speaker 1>and the doves lunchbox we'll get too. Steve bred Out

0:41:13.880 --> 0:41:17.799
<v Speaker 1>trying to put you through mydis riding. This week's next year.

0:41:18.120 --> 0:41:28.200
<v Speaker 1>And Bobby's on the mind, so you knowing this. That's

0:41:28.239 --> 0:41:32.160
<v Speaker 1>really good too. And and they mentioned Mike d which

0:41:32.200 --> 0:41:34.880
<v Speaker 1>who's such a big part of this show, and some

0:41:34.920 --> 0:41:37.759
<v Speaker 1>people never mentioned him. And I always feel bad because, yeah,

0:41:37.760 --> 0:41:39.840
<v Speaker 1>he didn't talk a whole lot, but he's so important

0:41:39.840 --> 0:41:42.239
<v Speaker 1>to this show. That's really good too. The vibe is

0:41:42.280 --> 0:41:48.240
<v Speaker 1>definitely different. That's good. That's good too. Dang, all right,

0:41:48.440 --> 0:41:51.560
<v Speaker 1>here's our final one for today. This is Katie, she says,

0:41:51.800 --> 0:41:54.479
<v Speaker 1>morning studio afterly love hearing some of the song entries

0:41:54.480 --> 0:41:57.520
<v Speaker 1>for the BBS theme song. I'm not fancy, so it

0:41:57.640 --> 0:42:01.040
<v Speaker 1>probably need to be sung by Abby or thanks for

0:42:01.080 --> 0:42:04.319
<v Speaker 1>giving us listeners a fun opportunity. Hope this song makes

0:42:04.360 --> 0:42:07.200
<v Speaker 1>all of you smile. Katie Ka and my not North Dakota.

0:42:08.120 --> 0:42:11.840
<v Speaker 1>It's blurderning time to wake up. Turn the radio on

0:42:12.120 --> 0:42:16.120
<v Speaker 1>and Jim Oh with the Bat Team crew to your

0:42:16.160 --> 0:42:19.680
<v Speaker 1>favorite songs and boom Head stories. Or in the morning, Corney,

0:42:19.920 --> 0:42:24.200
<v Speaker 1>you know we got game Scalore easy trivia. You're gonna

0:42:24.239 --> 0:42:36.879
<v Speaker 1>get you feeling. I feel good, Oh, I feel so good. Hey, hey, y'all,

0:42:39.040 --> 0:42:42.720
<v Speaker 1>that's actually really good. She didn't have the production capabilities

0:42:42.800 --> 0:42:45.160
<v Speaker 1>or resources the other people had, but that was really good.

0:42:45.160 --> 0:42:50.279
<v Speaker 1>And then she did some little good Yeah, that's good.

0:42:50.480 --> 0:42:53.880
<v Speaker 1>That good man, that's good good. Um. This is what

0:42:53.960 --> 0:42:56.600
<v Speaker 1>I would say because all three, I mean, I would

0:42:56.600 --> 0:42:59.319
<v Speaker 1>say that those three are are better than most of

0:42:59.440 --> 0:43:01.480
<v Speaker 1>the on some of the early weeks because it just

0:43:01.480 --> 0:43:03.719
<v Speaker 1>got better each week. But we can't move all three through.

0:43:03.960 --> 0:43:07.279
<v Speaker 1>I think we probably move in the first two through.

0:43:07.840 --> 0:43:09.359
<v Speaker 1>We can move the first two through. Do you guys

0:43:09.360 --> 0:43:13.120
<v Speaker 1>feel good on that? Yeah? Because they're both so good. Um,

0:43:13.200 --> 0:43:16.120
<v Speaker 1>So we'll have six and then next week we'll go

0:43:16.160 --> 0:43:18.239
<v Speaker 1>through those and cut it down to three and then

0:43:18.239 --> 0:43:20.759
<v Speaker 1>to one. Okay, so we're gonna move Angie K and

0:43:20.920 --> 0:43:23.399
<v Speaker 1>R and D through play ANGI K again one more time,

0:43:23.400 --> 0:43:25.440
<v Speaker 1>and then from the end of this we'll just go

0:43:25.440 --> 0:43:27.240
<v Speaker 1>into the song. Let's see if this how this feels?

0:43:27.360 --> 0:43:37.560
<v Speaker 1>It's body and I'm playing from them, we'll tell something

0:43:37.800 --> 0:43:45.680
<v Speaker 1>good listens like the best from Shot Never lunch Box

0:43:45.760 --> 0:43:57.040
<v Speaker 1>and he's a woman. It's so mad, he Ney, we can't.

0:43:57.080 --> 0:44:14.480
<v Speaker 1>I'm so so bad, I'm talking. It's it's good. All right,

0:44:14.640 --> 0:44:18.319
<v Speaker 1>there you go. It's the best Bits of the week

0:44:19.120 --> 0:44:25.719
<v Speaker 1>with Morgan. Number two. Good Golly, Miss Dolly. She was

0:44:25.800 --> 0:44:28.280
<v Speaker 1>on the show this week. I love me some Dolly Parton.

0:44:28.400 --> 0:44:31.640
<v Speaker 1>She is just a powerhouse of a human. I love

0:44:31.760 --> 0:44:33.560
<v Speaker 1>her and every time she comes on the show it

0:44:33.680 --> 0:44:35.799
<v Speaker 1>just makes me happy and light up inside for at

0:44:35.840 --> 0:44:38.680
<v Speaker 1>least the entire day. So I hope this interview brings

0:44:38.760 --> 0:44:43.360
<v Speaker 1>you some joy because Dolly is just the best. Number two, Dolly,

0:44:43.440 --> 0:44:45.279
<v Speaker 1>good to talk to you, Good to talk to you.

0:44:45.600 --> 0:44:47.120
<v Speaker 1>How are you? I'm pretty good to have your have

0:44:47.200 --> 0:44:50.399
<v Speaker 1>your book right here, and you were we were talking

0:44:50.400 --> 0:44:51.920
<v Speaker 1>about the book, but we were talking about the album

0:44:52.000 --> 0:44:54.560
<v Speaker 1>that came out with the book last week, so this

0:44:54.920 --> 0:44:58.000
<v Speaker 1>and you hosting the ACMs. See, everybody gives you credit

0:44:58.000 --> 0:44:59.760
<v Speaker 1>for being really smart, and I think they should because

0:44:59.760 --> 0:45:02.040
<v Speaker 1>you've you've packaged all this together. You can do all

0:45:02.120 --> 0:45:04.839
<v Speaker 1>this press at one time, and you're knocking it all out.

0:45:04.920 --> 0:45:07.360
<v Speaker 1>This is amazing. So let's talk about the book first

0:45:07.440 --> 0:45:10.399
<v Speaker 1>that came out today, Run Rose, Run, because you wrote

0:45:10.440 --> 0:45:13.520
<v Speaker 1>this with James Patterson. How do you guys become friends?

0:45:13.520 --> 0:45:16.360
<v Speaker 1>How do you guys get in touch with each other? Well, actually,

0:45:16.440 --> 0:45:19.319
<v Speaker 1>he called me he was interested in writing a book

0:45:19.360 --> 0:45:22.080
<v Speaker 1>with me. I don't know why, but he was. I

0:45:22.160 --> 0:45:24.880
<v Speaker 1>guess he had written a couple of things for different celebrities,

0:45:25.160 --> 0:45:28.840
<v Speaker 1>for different popular people, and so he called and asked

0:45:28.920 --> 0:45:30.920
<v Speaker 1>if I would be interested in writing a book with him.

0:45:30.960 --> 0:45:34.000
<v Speaker 1>I said, well, that depends. I was shocked that he

0:45:34.080 --> 0:45:36.520
<v Speaker 1>called start with. I thought, why does he need me?

0:45:36.680 --> 0:45:40.000
<v Speaker 1>He's doing okay on his own. But I said I

0:45:40.040 --> 0:45:42.399
<v Speaker 1>would be interested if it was really something I could

0:45:42.719 --> 0:45:46.520
<v Speaker 1>really take part in and really be, you know, able

0:45:46.640 --> 0:45:49.719
<v Speaker 1>to really contribute to it. So I said, won't you

0:45:49.760 --> 0:45:52.399
<v Speaker 1>come to Nashville and we'll talk, And so he flew

0:45:52.480 --> 0:45:54.400
<v Speaker 1>down and we got together and he told me that

0:45:54.480 --> 0:45:57.640
<v Speaker 1>he'd like to write something about Nashville, and I thought, well,

0:45:57.680 --> 0:46:00.520
<v Speaker 1>that's certainly something I know about. So it really worked

0:46:00.560 --> 0:46:03.839
<v Speaker 1>out really well, and we just really clicked. I liked

0:46:03.920 --> 0:46:06.360
<v Speaker 1>him a lot. I thought, well, we'll be able to

0:46:06.400 --> 0:46:08.840
<v Speaker 1>work together, because it's very important when you have to

0:46:08.920 --> 0:46:11.000
<v Speaker 1>do a project that you like the people who haven't

0:46:11.040 --> 0:46:13.839
<v Speaker 1>spend that much time with. But he's really a great

0:46:13.880 --> 0:46:16.719
<v Speaker 1>guy and we just got along great. We both were

0:46:16.719 --> 0:46:19.440
<v Speaker 1>able to contribute a lot to each other. And me

0:46:19.719 --> 0:46:23.239
<v Speaker 1>being in country music all my life and in Nashville

0:46:23.600 --> 0:46:26.239
<v Speaker 1>for fifty seven years, I thought I knew a little

0:46:26.239 --> 0:46:29.680
<v Speaker 1>bit about it. James Patterson is so successful in his

0:46:29.760 --> 0:46:33.200
<v Speaker 1>line of work. Obviously you are in yours. But is

0:46:33.239 --> 0:46:35.880
<v Speaker 1>there ever anyone or has there been any one in

0:46:35.920 --> 0:46:38.040
<v Speaker 1>the last ten fifteen years that you've met and you've

0:46:38.120 --> 0:46:42.920
<v Speaker 1>been star struck by. Well, I'm star struck by anybody

0:46:43.000 --> 0:46:45.560
<v Speaker 1>that does really good work and tries to make a

0:46:45.680 --> 0:46:47.680
<v Speaker 1>difference in the world. And that was one of the

0:46:47.680 --> 0:46:52.120
<v Speaker 1>things I loved about James. He's really interested in making

0:46:52.160 --> 0:46:56.160
<v Speaker 1>the world a better place as I am, and you know,

0:46:56.480 --> 0:46:59.880
<v Speaker 1>he's very big on charity work for children and all that.

0:47:00.239 --> 0:47:03.960
<v Speaker 1>So we really clicked on many ways. But I'm always

0:47:04.520 --> 0:47:07.200
<v Speaker 1>impressed with people that do good things, so I can't

0:47:07.280 --> 0:47:10.359
<v Speaker 1>just necessarily name a bunch of people. But I think

0:47:10.400 --> 0:47:12.960
<v Speaker 1>it's all great when anybody steps up to try to

0:47:13.040 --> 0:47:16.399
<v Speaker 1>do better. The ACM Awards are tonight on Amazon Prime

0:47:16.480 --> 0:47:19.279
<v Speaker 1>Video and you're hosting, and I guess it goes to again,

0:47:19.320 --> 0:47:21.600
<v Speaker 1>you've done so many really cool things. Do you get

0:47:21.760 --> 0:47:26.120
<v Speaker 1>nervous to perform ever anymore? Well, you always get nervous

0:47:26.200 --> 0:47:28.000
<v Speaker 1>because you want it to go well. You hope you

0:47:28.080 --> 0:47:31.080
<v Speaker 1>don't mess up too bad. But that's what they call

0:47:31.160 --> 0:47:34.600
<v Speaker 1>those butterflies. I don't think you ever outgrow that. I

0:47:34.719 --> 0:47:38.480
<v Speaker 1>don't think it should because that's also part of the excitement.

0:47:38.560 --> 0:47:42.200
<v Speaker 1>But yeah, I'm always hoping to do good and hoping I,

0:47:42.560 --> 0:47:46.160
<v Speaker 1>you know, don't disappoint anybody. But just as soon as

0:47:46.239 --> 0:47:49.440
<v Speaker 1>that light hits me, I'm often running then it's too

0:47:49.560 --> 0:47:52.719
<v Speaker 1>late now. So I always look forward to it. I

0:47:52.840 --> 0:47:55.439
<v Speaker 1>love the crowd, I love doing that. I've been doing

0:47:55.520 --> 0:47:59.000
<v Speaker 1>television all my life, so I'm looking forward to it.

0:47:59.080 --> 0:48:01.719
<v Speaker 1>I'm excited about it, really, you know. I was just

0:48:01.800 --> 0:48:03.560
<v Speaker 1>looking at some of the stuff over the past since

0:48:03.600 --> 0:48:06.600
<v Speaker 1>the last time we've spoken, which was the baking line

0:48:06.640 --> 0:48:09.200
<v Speaker 1>with Duncan Hines, the ice cream, you know, the book

0:48:09.239 --> 0:48:11.640
<v Speaker 1>that's out today, the music last they came out last Friday.

0:48:11.960 --> 0:48:14.400
<v Speaker 1>And you know, there's so much that you're involved in.

0:48:14.640 --> 0:48:17.480
<v Speaker 1>Do you have a person that you trust where you

0:48:17.600 --> 0:48:21.640
<v Speaker 1>sit and you go, Okay, let's decide what massive projects

0:48:21.680 --> 0:48:23.479
<v Speaker 1>we're going to take on next. Because I'm sure people

0:48:23.480 --> 0:48:26.160
<v Speaker 1>are throwing ideas at you all the time. How they

0:48:26.280 --> 0:48:30.680
<v Speaker 1>do I have been blessed to be surrounded with wonderful people,

0:48:31.080 --> 0:48:34.520
<v Speaker 1>and of course in the marketing and management, Danny Nozell

0:48:34.960 --> 0:48:39.080
<v Speaker 1>and his crew have done a wonderful job working all

0:48:39.200 --> 0:48:41.600
<v Speaker 1>that out. You've got to have great press and Danny's

0:48:41.600 --> 0:48:44.000
<v Speaker 1>always putting together a great group. And of course it

0:48:44.080 --> 0:48:45.880
<v Speaker 1>depends on what all you're working with. That's what we

0:48:46.040 --> 0:48:50.120
<v Speaker 1>do here in Nashville. Same with my people in East Tennessee,

0:48:50.200 --> 0:48:53.320
<v Speaker 1>with Dollywood and the management there. You know, I just

0:48:53.520 --> 0:48:56.600
<v Speaker 1>I am so blessed to have all these smart, wonderful

0:48:56.640 --> 0:48:58.799
<v Speaker 1>people to help me out with all that. Of course

0:48:58.880 --> 0:49:01.160
<v Speaker 1>I'm the creative, but they have to get out and

0:49:01.239 --> 0:49:03.960
<v Speaker 1>do all the hard work and make all these wonderful

0:49:04.040 --> 0:49:07.680
<v Speaker 1>things happen. Do you have a favorite song to sing

0:49:07.840 --> 0:49:10.919
<v Speaker 1>live now and has that changed over the years where

0:49:10.920 --> 0:49:14.040
<v Speaker 1>you have an affinity for a different songs as you know,

0:49:14.160 --> 0:49:18.759
<v Speaker 1>different years go by. Well, it happens almost not just

0:49:18.960 --> 0:49:22.200
<v Speaker 1>in years, but almost in days or nights, because sometimes

0:49:22.239 --> 0:49:24.360
<v Speaker 1>if there's a certain thing going on that I relate

0:49:24.920 --> 0:49:27.480
<v Speaker 1>to a certain song about, like for instance, Code of

0:49:27.560 --> 0:49:29.960
<v Speaker 1>Many Colors, I sing all the time. But when my

0:49:30.040 --> 0:49:33.960
<v Speaker 1>mother passed away, it was just so hard for several

0:49:34.080 --> 0:49:36.600
<v Speaker 1>months for me to be able to sing that song

0:49:36.719 --> 0:49:40.080
<v Speaker 1>without actually really breaking down where I couldn't even finish

0:49:40.120 --> 0:49:43.400
<v Speaker 1>the song or even that little set you know about family.

0:49:44.239 --> 0:49:46.399
<v Speaker 1>But now you know, I sing it and it takes

0:49:46.440 --> 0:49:49.840
<v Speaker 1>on a different feel than it did when Mama was living.

0:49:49.960 --> 0:49:52.160
<v Speaker 1>It's more of a precious memory kind of thing now.

0:49:52.600 --> 0:49:55.279
<v Speaker 1>But sometimes, you know, it depends on the mood I'm in.

0:49:55.480 --> 0:49:58.560
<v Speaker 1>Some nights, I love singing I Will always Love You Best.

0:49:58.640 --> 0:50:01.479
<v Speaker 1>I always love singing that one, because every singer loves

0:50:01.520 --> 0:50:03.879
<v Speaker 1>to have a song that where you can really sing

0:50:04.040 --> 0:50:06.600
<v Speaker 1>low and let the dynamics, you know, where you can

0:50:06.680 --> 0:50:09.080
<v Speaker 1>go up and down and then really let it go

0:50:09.200 --> 0:50:11.880
<v Speaker 1>at the end. So I always enjoy that one, But

0:50:12.040 --> 0:50:15.880
<v Speaker 1>I enjoy singing the songs that the audience responds to

0:50:16.000 --> 0:50:18.520
<v Speaker 1>the most, Like when I start into nine to five,

0:50:19.080 --> 0:50:21.840
<v Speaker 1>the crowd just goes crazy, start clapping even before I

0:50:22.160 --> 0:50:24.280
<v Speaker 1>when they start hearing the you know, just the rhythm

0:50:24.360 --> 0:50:27.000
<v Speaker 1>of the song. So it just depends on the night,

0:50:27.040 --> 0:50:30.359
<v Speaker 1>but I'm thankful that all of them are received so well.

0:50:30.680 --> 0:50:33.440
<v Speaker 1>I have two questions for you and we'll wrap here.

0:50:33.520 --> 0:50:36.000
<v Speaker 1>But there was a story about Keith Urban being your

0:50:36.080 --> 0:50:38.880
<v Speaker 1>dream duet partner. Are you guys actually working on that now?

0:50:38.960 --> 0:50:41.000
<v Speaker 1>Because once that becomes a story, I think Keith probably

0:50:41.040 --> 0:50:44.839
<v Speaker 1>reaches out like, is that is that the thing? Well?

0:50:44.920 --> 0:50:47.080
<v Speaker 1>Actually I did a do it with him many many

0:50:47.160 --> 0:50:52.040
<v Speaker 1>years ago with him, but I would love to actually

0:50:52.120 --> 0:50:54.479
<v Speaker 1>have something else with him because I think our voice

0:50:54.560 --> 0:50:56.680
<v Speaker 1>is fit. I've always loved him to death. He just

0:50:56.800 --> 0:50:59.400
<v Speaker 1>feels like a member of my family who reminds me

0:50:59.480 --> 0:51:02.080
<v Speaker 1>so much of my brothers Randy and Floyd, who I

0:51:02.239 --> 0:51:04.920
<v Speaker 1>used to sing with all the time. So I would

0:51:04.960 --> 0:51:07.520
<v Speaker 1>love to do something else with Keith and have a

0:51:07.600 --> 0:51:10.000
<v Speaker 1>real single and have a big hit. But he's got

0:51:10.480 --> 0:51:13.600
<v Speaker 1>you know, he's got so many people are running after him.

0:51:14.000 --> 0:51:18.200
<v Speaker 1>But anyhow, someday that'll happen again. I hope He's so talented.

0:51:18.280 --> 0:51:21.520
<v Speaker 1>I love him. Final question is after you do a

0:51:21.680 --> 0:51:24.600
<v Speaker 1>performance of any kind, does someone then grab your clothes

0:51:24.640 --> 0:51:26.520
<v Speaker 1>and go, okay, we have to say this, because this

0:51:27.120 --> 0:51:28.840
<v Speaker 1>we will donate it, we will put it on display,

0:51:28.840 --> 0:51:32.160
<v Speaker 1>like every single thing you wear, is that a thing? Well,

0:51:32.280 --> 0:51:34.879
<v Speaker 1>actually everything I wear. If I really love it, I'll

0:51:34.880 --> 0:51:37.799
<v Speaker 1>wear that again, especially if I'm on tour. And after

0:51:37.840 --> 0:51:40.160
<v Speaker 1>a few weeks somebody asked me if I only wear

0:51:40.480 --> 0:51:44.279
<v Speaker 1>clothes wants. No, there are some things I only wear ones,

0:51:44.360 --> 0:51:47.640
<v Speaker 1>like if it's a really big event, and then we

0:51:47.760 --> 0:51:50.800
<v Speaker 1>put that in the museum. But that's rare because usually

0:51:50.800 --> 0:51:53.400
<v Speaker 1>I'll wear things different times until I'm finished with that,

0:51:53.560 --> 0:51:56.759
<v Speaker 1>and sometimes we even remake them, like if they're a

0:51:56.840 --> 0:51:58.880
<v Speaker 1>long gown, we might shorten it and then I'll wear

0:51:58.920 --> 0:52:01.000
<v Speaker 1>it like that for a while, and then if it's

0:52:01.040 --> 0:52:03.480
<v Speaker 1>done so many important things, it goes in the museum

0:52:03.840 --> 0:52:07.080
<v Speaker 1>or we auctioning off at some charity events. You guys

0:52:07.120 --> 0:52:10.640
<v Speaker 1>can't go to shopt Dolly parton dot com. Get Run

0:52:10.960 --> 0:52:14.440
<v Speaker 1>Rose Run. The music came out last Friday. Dolly, thank you,

0:52:14.680 --> 0:52:16.839
<v Speaker 1>great to see you and hopefully I will see you soon.

0:52:16.880 --> 0:52:19.880
<v Speaker 1>Good luck tonight, okay, thank you, looking forward to it

0:52:20.000 --> 0:52:23.400
<v Speaker 1>all right, bye bye. It's the Best Bits of the

0:52:23.480 --> 0:52:28.359
<v Speaker 1>Week with Morgan number two, and of course this one

0:52:28.440 --> 0:52:30.399
<v Speaker 1>had to come in hot at number one, because oh

0:52:30.520 --> 0:52:34.600
<v Speaker 1>my goodness, what a crazy story from Abbey about her

0:52:34.680 --> 0:52:39.160
<v Speaker 1>boyfriend a medical emergency, Like just so crazy of a story,

0:52:39.280 --> 0:52:41.440
<v Speaker 1>and we're so glad to hear her. He's okay, but

0:52:41.560 --> 0:52:43.120
<v Speaker 1>you got to hear it for yourself, because this is

0:52:43.160 --> 0:52:45.480
<v Speaker 1>just like one and a million I don't actually know

0:52:45.560 --> 0:52:47.160
<v Speaker 1>the odds, but this is like one in a million

0:52:47.280 --> 0:52:50.000
<v Speaker 1>chance that this happens to somebody, and it happened to

0:52:50.080 --> 0:52:52.560
<v Speaker 1>Abby's boyfriend, and it was really scary for her, scary

0:52:52.640 --> 0:52:56.480
<v Speaker 1>for him, just ate all around crazy situation, and she

0:52:56.600 --> 0:52:59.959
<v Speaker 1>shared it with us so seriously though, so glad he's okay,

0:53:00.239 --> 0:53:02.120
<v Speaker 1>and it love to him if he happens to be

0:53:02.200 --> 0:53:05.160
<v Speaker 1>listening to the Best Bits right now. Number one. Okay,

0:53:05.239 --> 0:53:08.000
<v Speaker 1>let's talk about Abby and her boyfriend being airlifted to

0:53:08.080 --> 0:53:11.080
<v Speaker 1>the hospital. You guys voted before he came to the segment.

0:53:11.360 --> 0:53:13.480
<v Speaker 1>This is the one you wanted to hear. Yes, Abby,

0:53:13.600 --> 0:53:15.279
<v Speaker 1>so you have a new boyfriend. You guys have been

0:53:15.320 --> 0:53:19.400
<v Speaker 1>dating for how long now? It was February third, So

0:53:19.680 --> 0:53:24.480
<v Speaker 1>that's a little over a month fresh Verry. So if

0:53:24.520 --> 0:53:27.000
<v Speaker 1>you call the show, Abby's our phone screener. She has

0:53:27.040 --> 0:53:29.560
<v Speaker 1>a new boyfriend. And why that's quick to even be

0:53:29.600 --> 0:53:32.000
<v Speaker 1>a boyfriend. Huh Well, I mean that's like when we

0:53:32.080 --> 0:53:35.040
<v Speaker 1>were like official. But it was before Christmas, so and

0:53:35.200 --> 0:53:39.000
<v Speaker 1>so what happens? What happened? Yeah, okay. So I went

0:53:39.080 --> 0:53:41.600
<v Speaker 1>home to visit him a couple of weekends ago, had

0:53:41.640 --> 0:53:43.400
<v Speaker 1>a great time. I got to meet some of his friends.

0:53:43.520 --> 0:53:46.359
<v Speaker 1>We went to a show. And then so he lives

0:53:46.400 --> 0:53:48.320
<v Speaker 1>like an hour or so away from Wichita, which is

0:53:48.360 --> 0:53:50.879
<v Speaker 1>Whichita was where my parents live. So we were gonna

0:53:50.920 --> 0:53:52.759
<v Speaker 1>he was gonna meet them the final night, and we

0:53:52.880 --> 0:53:55.080
<v Speaker 1>went to dinner and it was just like a super

0:53:55.160 --> 0:53:57.040
<v Speaker 1>quick dinner, and then we kind of went our separate ways.

0:53:57.080 --> 0:53:58.560
<v Speaker 1>They were going to take me to the airport the

0:53:58.640 --> 0:54:01.239
<v Speaker 1>next day, and he of home and I didn't really

0:54:01.320 --> 0:54:02.879
<v Speaker 1>hear from him, and I was like, Okay, I guess

0:54:02.960 --> 0:54:05.920
<v Speaker 1>maybe he fell asleep, you know, And so he calls

0:54:06.000 --> 0:54:07.759
<v Speaker 1>me at six in the morning and I was like, oh,

0:54:07.880 --> 0:54:09.880
<v Speaker 1>he's calling me to say, you know, are you awake

0:54:09.960 --> 0:54:12.640
<v Speaker 1>for the airport? You know, you better go? Yeah. I

0:54:12.680 --> 0:54:14.920
<v Speaker 1>was like, oh, how sweet? And I answer, and he's like,

0:54:15.120 --> 0:54:18.520
<v Speaker 1>don't worry, I'm fine, but I am in the hospital.

0:54:18.920 --> 0:54:20.279
<v Speaker 1>I was in the r and I had to be

0:54:20.360 --> 0:54:23.839
<v Speaker 1>airlifted in the helicopter to Kansas to k You met

0:54:23.880 --> 0:54:26.200
<v Speaker 1>in Kansas City, and I was like, what I thought

0:54:26.200 --> 0:54:27.800
<v Speaker 1>I was dreaming? I mean, this is six in the

0:54:27.880 --> 0:54:31.120
<v Speaker 1>morning and you had just seen him the night before. Yeah,

0:54:31.200 --> 0:54:33.440
<v Speaker 1>everything I thought was fine, and I was like, what

0:54:33.520 --> 0:54:35.000
<v Speaker 1>are you saying. The first thing I thought was, you know,

0:54:35.080 --> 0:54:37.160
<v Speaker 1>he was in an accident, like a car accident or something.

0:54:38.360 --> 0:54:41.600
<v Speaker 1>But it turns out as we were eating dinner, he

0:54:41.760 --> 0:54:43.719
<v Speaker 1>went to the bathroom really quick, and I wondered why.

0:54:43.719 --> 0:54:45.160
<v Speaker 1>I was like, oh, that was kind of weird. He

0:54:45.239 --> 0:54:47.960
<v Speaker 1>didn't say anything. He choked in the bathroom. He was

0:54:48.040 --> 0:54:51.919
<v Speaker 1>choking on a piece of meat and it ruptured his esophagus.

0:54:52.360 --> 0:54:54.840
<v Speaker 1>What so there was like a tiny hole in his

0:54:55.000 --> 0:54:56.880
<v Speaker 1>esophagus and on his drive home he was in so

0:54:57.040 --> 0:54:59.800
<v Speaker 1>much pain. And it turns out his chest cavity was

0:55:00.080 --> 0:55:02.200
<v Speaker 1>full of air, like if he would have gone the

0:55:02.239 --> 0:55:05.520
<v Speaker 1>whole Yes, as he was coughing and drinking water, it

0:55:05.719 --> 0:55:09.759
<v Speaker 1>was like leaking out of hiesophagus. Who oh, Like that's

0:55:09.800 --> 0:55:12.759
<v Speaker 1>like life threatening. So then what happened. He pulls over

0:55:12.840 --> 0:55:15.200
<v Speaker 1>it as he So he went home and he was like, okay,

0:55:15.239 --> 0:55:16.840
<v Speaker 1>this is not normal. And he called one of his

0:55:16.920 --> 0:55:18.799
<v Speaker 1>neighbors because he lives kind of in a smaller town,

0:55:19.320 --> 0:55:21.840
<v Speaker 1>and he was like, what do I do? Like, she

0:55:21.960 --> 0:55:23.839
<v Speaker 1>was like, I'll drive you to the hospital. And they

0:55:23.840 --> 0:55:26.279
<v Speaker 1>don't have the resources at that hospital for what he needed.

0:55:26.320 --> 0:55:28.480
<v Speaker 1>So that's why they needed to get a helicopter to

0:55:28.560 --> 0:55:32.399
<v Speaker 1>take into Kansas City. He remember the helicopter ride. He does, yeah,

0:55:32.800 --> 0:55:38.120
<v Speaker 1>and he was like, yep, he was. And it's funny

0:55:38.120 --> 0:55:39.800
<v Speaker 1>because one of the medics on there was like asking

0:55:39.880 --> 0:55:41.320
<v Speaker 1>him questions and he's like, so, do you have a

0:55:41.400 --> 0:55:44.200
<v Speaker 1>girlfriend and he's like yeah, she's in Nashville. And they're

0:55:44.200 --> 0:55:45.600
<v Speaker 1>like if she a singer. He's like no, she works

0:55:45.640 --> 0:55:48.359
<v Speaker 1>in radio. And they're like, oh my gosh, Morgan. He's

0:55:48.400 --> 0:55:53.040
<v Speaker 1>like no. I was like, what in the world. Why

0:55:53.040 --> 0:55:55.279
<v Speaker 1>are you guys having a conversation on the way to

0:55:55.360 --> 0:55:59.040
<v Speaker 1>the hospital. Now, Yes, he has not been able to

0:55:59.080 --> 0:56:00.920
<v Speaker 1>eat for two weeks and he has another week or

0:56:00.960 --> 0:56:03.560
<v Speaker 1>you can't eat. He's been drinking like he's lost weight.

0:56:03.640 --> 0:56:06.000
<v Speaker 1>It is It's insane. I didn't even know this was

0:56:06.040 --> 0:56:08.680
<v Speaker 1>a thing this could happened, but through his esophagus, like

0:56:08.760 --> 0:56:12.040
<v Speaker 1>he can take liquid or like a feeding tube. So

0:56:12.480 --> 0:56:14.920
<v Speaker 1>they had to do a test where you drink this

0:56:15.080 --> 0:56:17.359
<v Speaker 1>die to make sure it's not leaking out really bad

0:56:17.440 --> 0:56:19.520
<v Speaker 1>or he would have had surgery. So, like I was

0:56:19.640 --> 0:56:22.160
<v Speaker 1>waiting for those results and it was so nerve wracking.

0:56:22.400 --> 0:56:28.239
<v Speaker 1>Are you excited about this Saturday? Yeah, he's gonna come. Yes,

0:56:28.480 --> 0:56:30.640
<v Speaker 1>it's the first time I'm seeing him since this has happened,

0:56:30.640 --> 0:56:35.560
<v Speaker 1>so I'm very excited. Bring him on stage. Okay, okay,

0:56:35.719 --> 0:56:38.520
<v Speaker 1>And just so that we're learning from this segment as well.

0:56:38.960 --> 0:56:41.120
<v Speaker 1>Like online, it says you have to go to the

0:56:41.160 --> 0:56:45.280
<v Speaker 1>emergency room right away if you feel like this happening

0:56:45.400 --> 0:56:48.120
<v Speaker 1>with your esophagus, because if it is treated within twenty

0:56:48.160 --> 0:56:51.320
<v Speaker 1>four hours, chances of survival are high. But then if not,

0:56:51.440 --> 0:56:53.200
<v Speaker 1>it goes all downhill from there because it was all

0:56:53.239 --> 0:56:56.120
<v Speaker 1>going into his chest cavity. Yeah, yeah, I mean that.

0:56:56.440 --> 0:57:00.600
<v Speaker 1>I'm glad victory, But who would have you got a

0:57:00.640 --> 0:57:05.319
<v Speaker 1>helicopter ride? That's fun meat, I can't believe it. Um

0:57:05.360 --> 0:57:09.240
<v Speaker 1>Abby will be on Saturday with us. The Raging Idiots

0:57:09.239 --> 0:57:12.800
<v Speaker 1>are playing Strawberry Festival right outside of Tampa and Plant City, Florida.

0:57:13.080 --> 0:57:15.080
<v Speaker 1>You guys can come to the show still tickets to

0:57:15.200 --> 0:57:17.480
<v Speaker 1>be had. Just go to Raging Idiots dot com or

0:57:17.520 --> 0:57:19.960
<v Speaker 1>Strawberry Festival dot com and Abby will be doing a

0:57:20.000 --> 0:57:22.440
<v Speaker 1>little performance national anthem. Shall we sing in a song

0:57:22.480 --> 0:57:25.760
<v Speaker 1>in our set? It's gonna be great. I can't wait.

0:57:26.000 --> 0:57:28.600
<v Speaker 1>I'm so excited. And then, um, if he pays for

0:57:28.640 --> 0:57:31.240
<v Speaker 1>a meeting, great he can meet Eddie. Oh yeah, I

0:57:31.320 --> 0:57:34.440
<v Speaker 1>mean I may waive the fee for that gat. Yeah,

0:57:34.480 --> 0:57:38.160
<v Speaker 1>I'll meet him. But Eddie, he's difficult. So right, all right, Abby,

0:57:38.200 --> 0:57:40.240
<v Speaker 1>I'm glad he's okay. Wait too, thank you? Were you

0:57:40.280 --> 0:57:42.840
<v Speaker 1>guys happy you picked that segment? Yes? Okay? Well, and

0:57:42.920 --> 0:57:46.840
<v Speaker 1>what this is what we learned? Learned? Chew your meat? Yes,

0:57:47.240 --> 0:57:49.000
<v Speaker 1>don't be swallowing it real quick because you got to

0:57:49.000 --> 0:57:50.560
<v Speaker 1>attract a female from me. You just want to talk

0:57:50.600 --> 0:57:52.680
<v Speaker 1>and say funny things and impress. He was meeting the parents, though,

0:57:52.680 --> 0:57:54.439
<v Speaker 1>I'm sure he was a rett nervous. It was his parents,

0:57:54.520 --> 0:57:56.480
<v Speaker 1>right or yours? It was mine? It was mine, Yeah,

0:57:56.720 --> 0:57:58.720
<v Speaker 1>so he could have been a little nervous. I mean,

0:58:00.000 --> 0:58:04.440
<v Speaker 1>it gone so bad, so bad. He's okay. It was

0:58:06.720 --> 0:58:09.760
<v Speaker 1>the steak like I've been eating. Wow, he's trying to

0:58:09.800 --> 0:58:12.760
<v Speaker 1>drink the steak. That's what it sounds like. It's the

0:58:12.920 --> 0:58:18.360
<v Speaker 1>Best Bits of the Week with Morgan number two. That's it, y'all.

0:58:18.600 --> 0:58:21.200
<v Speaker 1>That was just the bits. So if you come to

0:58:21.320 --> 0:58:24.800
<v Speaker 1>Best Bits every weekend looking for the behind the scenes

0:58:24.880 --> 0:58:27.240
<v Speaker 1>interview side of this, which most of y'all shared with

0:58:27.320 --> 0:58:29.360
<v Speaker 1>me that you are, then make sure you look at

0:58:29.400 --> 0:58:31.360
<v Speaker 1>the other part. There's two parts of the Best Bits

0:58:31.440 --> 0:58:34.760
<v Speaker 1>Now that get posted on this lovely Saturday, and one

0:58:34.800 --> 0:58:36.919
<v Speaker 1>of those is the interview that you don't have to skip.

0:58:37.080 --> 0:58:39.400
<v Speaker 1>We just talk for the straight time that it's shown.

0:58:39.760 --> 0:58:41.880
<v Speaker 1>We talk the whole time in this weekend. My guest

0:58:42.080 --> 0:58:44.680
<v Speaker 1>was Scooba Steve, So go listen to that. Y'all. Have

0:58:44.800 --> 0:58:50.960
<v Speaker 1>a beautiful weekend. Bobby your Radio Bobby Bones Show, Bobby

0:58:51.040 --> 0:58:51.440
<v Speaker 1>Bones