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Speaker 1: It's the Best Bits of the Week with Morgan. Number two. Hey, y'all,

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Speaker 1: welcome to the Bits side of the Best Bits. If

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Speaker 1: you just heard my interview with Scuba Steve this week

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Speaker 1: and you're here to listen to the Bits, this is

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Speaker 1: just the one where I intro the best seven segments

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Speaker 1: from the show this week and we play them. So

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Speaker 1: if you're looking for the interview side of this podcast

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Speaker 1: that you guys all loved and you wrote into me about,

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Speaker 1: then that's the other side of this podcast. It's posted

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Speaker 1: in two parts. There's one part that's going to be

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Speaker 1: with Scuba Steve, in one part that is just the bits,

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Speaker 1: and that's what's happening right now. We're trying to do

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Speaker 1: this new way so everybody gets the best part of

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Speaker 1: these because it is the best Bits. So we're breaking

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Speaker 1: it down, starting off with number seven. It was International

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Speaker 1: Women's Day this week and we had to Neel Towns

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Speaker 1: and Hayley Winners on with us, who both performed and

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Speaker 1: they did so beautifully and shared some incredible stories. Here

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Speaker 1: they are number seven. You guys are gonna love this nextist,

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Speaker 1: it's coming in now. Her name is Haley witters Amy.

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Speaker 1: What song of Hayley's when I when I just say

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Speaker 1: her name, do you think of Janice in a hotel bar? Yeah,

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Speaker 1: Janice at the hotel bar. Here you go to get

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Speaker 1: on the field. You ain't ready to start a family.

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Speaker 1: Pay your bi gift someway. That money won't make it happy.

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Speaker 1: Make good love, good company, drink good one, make good coffee,

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Speaker 1: keep your chin up. Let everyone in a while, have

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Speaker 1: a good cry. Go on, make a good living girl,

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Speaker 1: don't forget to make a good life. So she's setting

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Speaker 1: up now, you guys are gonna love her and here

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Speaker 1: she is left God on the Bobby Bones Show. Now

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Speaker 1: Haley Witters Hailey walk on to the show. Thanks for

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Speaker 1: having me. Yeah, you know what I was looking back

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Speaker 1: because I'm a big fan. I program and Amy hosts

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Speaker 1: The Women of IRA Country, and I have featured one, two, three, four, five,

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Speaker 1: six your song seven different, seven different songs of yours, Like,

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Speaker 1: I'm just a big fan of your body of work,

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Speaker 1: and so thanks to be able to have you here, Like,

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Speaker 1: I'm very excited that you're here today. I'm very excited.

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Speaker 1: I mean, I've gotten to do a lot of cool things,

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Speaker 1: but I think my hometown won't consider me making it

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Speaker 1: until I've played the Bobby Bones Show. So this is

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Speaker 1: a big day. And what is your hometown Shoeyville, Iowa?

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Speaker 1: And what isn't if I were to drive into shoe Eville,

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Speaker 1: If I were to drive into Shoeville, like, what do

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Speaker 1: I see? Corn fields? Just driving through cornfields? We got

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Speaker 1: two bars in a church in Shoeville. Life's about balance.

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Speaker 1: We got to stop sign. The town's mad because we

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Speaker 1: finally got a stoplight. So it's a pretty small town.

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Speaker 1: So you have one stoplight. We have one stoplight now congratulations. Yeah,

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Speaker 1: we do not have a stoplight where I'm from, but

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Speaker 1: we have a dollar general now love it, which is

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Speaker 1: about the same. You know, when you weigh them out,

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Speaker 1: they're both like what we got a cell phone tower

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Speaker 1: about six years ago. Nice. Until about six years ago,

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Speaker 1: you could drive into Mountain Pine, Arkansas and you could

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Speaker 1: not use your cell phone. That is wild and Shoeville

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Speaker 1: you've had that forever. We've had self servants. So I'm

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Speaker 1: imagining lots of farms. That corn is such a big

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Speaker 1: part of the economic economy of Shoeyville. Is that what

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Speaker 1: everybody does there? Yeah? I mean my dad, you know,

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Speaker 1: has worked at the corn processing plant. Adm Um. He's

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Speaker 1: worked there his whole life. He's now he grows corn.

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Speaker 1: He's a corn crop farmer, corn beans. It's a big

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Speaker 1: part of Iowa for sure. Do you being not just exposed,

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Speaker 1: but I mean living in corn? Do you like corn everything?

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Speaker 1: Or do you hate corn everything? I love corn everything.

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Speaker 1: She has to say that her mafia comes and gets

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Speaker 1: there like everything. Yeah. Um, you know what's really cool

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Speaker 1: about you? And you're gonna perform in a second, and

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Speaker 1: I'm excited for audience to hear this. But you know,

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Speaker 1: you are such a massive fan of traditional country music

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Speaker 1: and you I've written songs for Martina McBride and Alan Jackson. Yeah,

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Speaker 1: I mean, aside from your career now which you are

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Speaker 1: so respected and you're so good, But how cool is

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Speaker 1: it to be able to do that for heroes of yours?

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Speaker 1: It's insane. I mean I grew up idolizing them and

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Speaker 1: just studying Alan Jackson's body of work. I mean, I

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Speaker 1: admire him so much as a songwriter too, So to

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Speaker 1: have him, you know, hear one of my songs and

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Speaker 1: think it's worthy enough to be on a record of

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Speaker 1: his is a huge honor and He's just been incredibly

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Speaker 1: gracious and cool to me. So it's been really cool.

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Speaker 1: Today's International Women's Day, and I wanted to bring in

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Speaker 1: some women that I really think said a great example

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Speaker 1: for other women. That's why you're here today, because I

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Speaker 1: think you have your own original path that you've been

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Speaker 1: kicking down and you're going down and regardless of what

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Speaker 1: happens commercially, and now you're getting that, which is cool.

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Speaker 1: But you've always just done your own thing and let

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Speaker 1: it come to you, and I think that is that's

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Speaker 1: I really respect that. But I'll ask you now, who

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Speaker 1: what women do you see out there that you look

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Speaker 1: to and you're like, you know, they did their thing

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Speaker 1: that kind of allows me to do mine. I mean, gosh,

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Speaker 1: a lot of the females of the nineties, you know,

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Speaker 1: Tricia Martina, my friend Britney Spencer right now is just

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Speaker 1: blazing her own trail and it's been really cool to

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Speaker 1: watch her grow. You know, Miranda, I think a lot

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Speaker 1: of the females in the genre, I think it's been

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Speaker 1: you know, everyone always kind of tells us it's a

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Speaker 1: harder road, but I see so many girls out there

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Speaker 1: just you know, buckling up, rolling their sleeves up and

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Speaker 1: doing the work and making their music get out there

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Speaker 1: to people no matter what. So I'm kind of inspired

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Speaker 1: by all of the chicks right now in the format.

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Speaker 1: Now you have a banjo, yeah, because that's not if

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Speaker 1: I'm looking, that is not a ganjo. It's not a ganjo.

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Speaker 1: You're not opposing. And I'm very very basic banjo player.

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Speaker 1: At this point, I'm going to be doing some banjo lessons,

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Speaker 1: but I taught myself this little part to the song

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Speaker 1: that we're about to perform, and I really just have

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Speaker 1: fun playing it, So don't don't judge my banjo's skills.

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Speaker 1: I would say a simple banjo was better than a

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Speaker 1: poser a ganjo. Who's great because a ganjo is six

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Speaker 1: strings and you played like a guitar and everybody's like, oh,

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Speaker 1: they play the banjo, Like no, they're playing guitar, and

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Speaker 1: I think that sounds like a banjo. But Haley has

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Speaker 1: four strings. Well, I play banjo probably like a guitar player,

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Speaker 1: and I'm barely that. So yeah, she's not giving herself

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Speaker 1: an until here, And I'm like, you're right, but what

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Speaker 1: song are you gonna play for Haley? We're gonna play

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Speaker 1: a new single off my latest record, which is coming

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Speaker 1: out three eighteen. This is called Everything she Ain't. All Right,

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Speaker 1: Here we go, Haley Witters on the Bobby Bone Show.

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Speaker 1: Shit a peach, y'all ought to be picking, she ain't.

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Speaker 1: The cup of tea, y'all ought to be seven. She

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Speaker 1: treats you like it broke, locking need fixing. You ain't

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Speaker 1: getting nothing back from all that you're given if you're

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Speaker 1: good with who you kiss and say love. But I

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Speaker 1: can show you what you're missing. Yeah, boy, I can

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Speaker 1: be the whiskey in your soda, the Lindy Corona shot

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Speaker 1: gunning or Tacoma the ad t a Hank. She's got

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Speaker 1: a little style in a Hollywood smile. But believe me, honey,

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Speaker 1: good is money in the bank. I'm everything she is

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Speaker 1: and everything she ain't. Yeah, everything she is and everything

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Speaker 1: she ain't. I never know if you're gonna go back

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Speaker 1: into something then you guys wanted We like, okay. Sometimes

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Speaker 1: people will trick us and they'll stop and then we'll go, yeah,

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Speaker 1: I'm gonna go. We're like, oh, radiance, Yeah, Haleywood, great job, Haley,

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Speaker 1: that's awesome. Thank you so much. Um, who tell me

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Speaker 1: who your people are? Up here with you. This is

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Speaker 1: Laurence Sacks on fiddle, Ethan Burke's on the guitar, and

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Speaker 1: I'm Bobby. Everybody. Thanks guys, um you guys follow Haley

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Speaker 1: Haleywood's w H I T T E R S. And

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Speaker 1: Haley is actually doing her own headlining tour and you

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Speaker 1: are it's all. It's happening now, it's happening now. It's

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Speaker 1: the Hardland tour. If you're out and you come to

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Speaker 1: this show, like, how long do you play? Do you

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Speaker 1: do an hour? We do like ninety minutes on the

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Speaker 1: Hartland tour. Don't My manager is looking at me, why

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Speaker 1: is that bad? Well, yeah, I think it's great. It's great,

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Speaker 1: it's great. Ninety minutes. It's great. We've been convincing me

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Speaker 1: something right now. No, no, no, no, we've been We've

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Speaker 1: been very fortunate to get to open for Luke Hombs,

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Speaker 1: Mari Morris, Midland. We're out with Midland, and you know,

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Speaker 1: you get like thirty minutes for something like that, so

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Speaker 1: it's been really nice to get a full ninety minutes

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Speaker 1: to get to really dig into the record and get to,

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Speaker 1: you know, sing those songs for the fans. So it's

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Speaker 1: been cool. And the record comes out this month three eighteen. Yeah,

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Speaker 1: raced And so hope you guys check that out. Haley

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Speaker 1: Witters is here. I think hopefully this will inspire to

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Speaker 1: go follow her on social media, support her if she

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Speaker 1: comes to your town and on the website you can

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Speaker 1: see tour dates and everybody in Shoeyville, Iowa. I'm glad

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Speaker 1: you exist because of that you we wouldn't have Haley

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Speaker 1: Witters here, are you guys? The shoes like your mascot,

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Speaker 1: hey Shueyville Shoes. No, my high school they called us

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Speaker 1: Calpe High like but where the hawks Prairie Hawks? Do

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Speaker 1: we think like shoes thin showey. Yeah. It was named

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Speaker 1: after William Shoey, I think after his last name was Shoey.

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Speaker 1: And what did he do? Do you know, I don't know,

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Speaker 1: Anita like figure out what he cornbread? Made cornbread? Totally

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Speaker 1: totally Hailey Witters. Really enjoy you. Thank you for coming by,

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Speaker 1: Thank you for having us. It's the best bits of

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Speaker 1: the week with Morgan number two all right, moments away

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Speaker 1: from Tanil Towns. You may know her for the song

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Speaker 1: Jersey on the Wall, Oh God. That song was about

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Speaker 1: a kid that had died at a school and then

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Speaker 1: she wrote a song because she went to the gym

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Speaker 1: and saw that it hanging like that. She was like,

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Speaker 1: what happened? They told the story. Then she wrote the

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Speaker 1: question like if I ever get to heaven, this is

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Speaker 1: what I want to ask. So that song so good

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Speaker 1: and then you might know her for somebody's daughter. All right,

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Speaker 1: and she's here. Now let's go on the Bobby Bones Show.

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Speaker 1: Now to Neil Towns. So it's International Women's Day, and

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Speaker 1: I thought, let me invite up, you know, another one

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Speaker 1: of the women that I expect, and I feel like

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Speaker 1: it's a great role model for young girls and just

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Speaker 1: so many things. And to Neil Towns is here. To Neil, hey,

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Speaker 1: thanks for having me. Great to see. I was watching

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Speaker 1: it Good to see you one of your Instagram videos

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Speaker 1: and I think it looked like you were practicing in

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Speaker 1: the bathroom, like a public bathroom. Yeah, like you and

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Speaker 1: all that your band were, Oh yeah, what what was

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Speaker 1: happening there? See? The bathrooms are always such an adventure.

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Speaker 1: Every time we show up at a venue, it's like, Okay,

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Speaker 1: what are the showers going to be? Like today? What's

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Speaker 1: the bathroom? And we were opening for Reba and there

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Speaker 1: was such a great refurben there. I was like, come on, guys,

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Speaker 1: we need to we need to run some stuff in

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Speaker 1: the bathroom. So that was our moment. And it was

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Speaker 1: it smelling. I mean, it's fine, it was fine. It

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Speaker 1: was fine. It was a nice smelling bathroom. They probably

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Speaker 1: cleaned it before you got there. I appreciated that. I

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Speaker 1: always do. You know, that's an extra special treat. It's

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Speaker 1: so important to Nil to give back. She's raised over

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Speaker 1: two million dollars for Big Hearts for Big Kids, which

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Speaker 1: is a charity Tenniel started when she was just fifteen

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Speaker 1: years old, which is wild because now you're like sixteen. Yeah,

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Speaker 1: that's right. I mean it's been so long. Tell me

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Speaker 1: about Big Hearts for Big Kids. Okay. So it's this

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Speaker 1: concert fundraiser we do up in my hometown and Graham Ferry,

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Speaker 1: Alberta for a local youth shelter. They help kids ages

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Speaker 1: eleven to seventeen struggling with homelessness. And we've been able

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Speaker 1: to kind of bring the whole community together to keep

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Speaker 1: the doors open over the past eleven years. So you

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Speaker 1: know something else, and I know I mentioned it to

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Speaker 1: you every single time, but I've always so moved when

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Speaker 1: I hit it again is And one of the reasons

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Speaker 1: I thought about you for International Women's Day is you

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Speaker 1: did a version of one of your songs with a

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Speaker 1: local Girl Scout troop of girls that are homeless for

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Speaker 1: the most part. Yeah. Yeah, will you tell the audience

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Speaker 1: kind of what you did there? Yeah. So we did

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Speaker 1: this version of Somebody's Daughter with the Girl Scouts Troop

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Speaker 1: six thousand of Middle Tennessee. And these are all girls

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Speaker 1: without permanent housing. And I heard about this troop. There's

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Speaker 1: one in New York, one in Nashville, and I was like,

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Speaker 1: we need to I would love to get to hang

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Speaker 1: out with these girls. So we helped them earn their

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Speaker 1: musician badge, which I've never been a part of handing

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Speaker 1: out a Girls Scout badge before. That was really cool,

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Speaker 1: and they all came into the studio and sang on

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Speaker 1: it and did some stuffing and clapping and literally the

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Speaker 1: best experience I've ever had in the studio. It was

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Speaker 1: so fun. Isn't that so cool? Yeah? I love it,

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Speaker 1: And you can start. I mean, I heard it before.

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Speaker 1: I guess I knew about it because I just talk

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Speaker 1: to your music and I'm like, well, post something new today.

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Speaker 1: You post on the news today something popped up and

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Speaker 1: it was somebody's daughter, but it was the version with

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Speaker 1: the girls Scouts. Yeah, they're never going to forget. That's

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Speaker 1: a well, I crazy. It was so special to Neil

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Speaker 1: Towns is with us, And again I keep up with

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Speaker 1: you through social media for the most part. I consider

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Speaker 1: us friends me too, But like friends that travel a lot,

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Speaker 1: you keep up with them a lot. On right, I'm

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Speaker 1: just looking at Instagram and stuff and I saw a

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Speaker 1: picture where they gave you a big plaque. It was

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Speaker 1: like gold and platinum single. It was Matt, where do

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Speaker 1: you put that massive plaque in your house? I don't

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Speaker 1: actually know. I'm in like a little two bedroom town house.

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Speaker 1: I'm not sure what to do with it, but I

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Speaker 1: am so excited to have it. So cool. It looks

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Speaker 1: like the sides of a door. It really, it's massive,

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Speaker 1: and it's you know, got my face on it, which

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Speaker 1: is very cool and also strange. I feel like to

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Speaker 1: maybe have in my house. But it means the most

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Speaker 1: to know people have listened to these songs enough times

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Speaker 1: to add up to whatever that plaque says. It's so crazy,

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Speaker 1: you know, today being International Women's Day, like, who were

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Speaker 1: the female influences in your life that you go? Man?

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Speaker 1: Without them, I don't know if I would be here now. Honestly,

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Speaker 1: all of the women in my family are such strong, fierce, independent,

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Speaker 1: just forces of nature. My great grandmother, my my Mary Willette,

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Speaker 1: my my grandmother, my mom, all of them were just

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Speaker 1: like no filters, full of love, wonderful people. And we

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Speaker 1: drove around listening to so many female voice is. I

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Speaker 1: don't think I'd be playing music if it weren't for

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Speaker 1: you know, the obsessive amounts of Shania Twain that I

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Speaker 1: sang along too, and writing in my grandparents motor home,

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Speaker 1: listening to a Code of Many Colors Dolly Parton over

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Speaker 1: and over. It's like so many of those voices definitely

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Speaker 1: impacted the way that I felt like I saw the

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Speaker 1: world and saw a place that I could do music too.

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Speaker 1: He wrote this song When's It Going to Happen? And

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Speaker 1: I feel, as being a fan of your music, I

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Speaker 1: feel like this is the most personal and artist always

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Speaker 1: says my most personal song, and I'm like, I stop

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Speaker 1: saying that crowd the eighth time, but I feel like

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Speaker 1: this is the most personal song about you. Were like introspectively,

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Speaker 1: you took this song and did what was happening in

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Speaker 1: your heart and mind? Yes, so, elizab which is a

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Speaker 1: little terrifying, but it is. I like to be the

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Speaker 1: storyteller and kind of write songs from the other third

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Speaker 1: view perspective, But this one is very much about internal

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Speaker 1: internal feelings, this season of my life where my mailbox

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Speaker 1: is full of wedding invitations of all my friends getting married,

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Speaker 1: and I kind of wanted to write a song about

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Speaker 1: what it feels like to be on the other side

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Speaker 1: of that sometimes. So here is Daniel Towns with her

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Speaker 1: song When's It Gonna Happen? Never been good at expectations.

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Speaker 1: I think I expect too much. But if it's any consolation,

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Speaker 1: well I still believe in love. You know I got

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Speaker 1: your invitation. Can't wave ruse, Mary beach ess, I should

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Speaker 1: tell you he's inn coming. There's no plus one. It's

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Speaker 1: just me. Oh and I'll sure being a dress with

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Speaker 1: a smile, And I couldn't be happier for you. Sometimes

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Speaker 1: I feel like I'm the last one standing, all a girl,

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Speaker 1: all my friends are falling in love. I'm scared to death,

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Speaker 1: all end up empty handed. Can't be the only one

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Speaker 1: faking wensick gonnana happen happened to me? And no, it's

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Speaker 1: supposed to happen naturally, wensy gonna happen? Oh to me? Who? Yeah, yeah,

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Speaker 1: ain't no town back girl? Who did you write that with? Okay?

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Speaker 1: I wrote this with my friends Stephen Rabel and Steph

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Speaker 1: Jones over Zoom, who had never met in person before,

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Speaker 1: but we've written like fifteen or so songs together at

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Speaker 1: this point. I'm such big fans of both of them.

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Speaker 1: Was that like, okay, guys, I want to go extremely

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Speaker 1: internal here. Not honestly, it was going, okay, what should

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Speaker 1: we write a song about today? And I was like

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Speaker 1: I literally was looking at the stack of mail on

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Speaker 1: my counter And this was in the middle of the

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Speaker 1: pandemic of definitely feeling pretty lonely and going I can't

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Speaker 1: be the only one feeling this way, Like what if

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Speaker 1: we wrote a song just about that? So yeah, it

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Speaker 1: was every line that we wrote. I was like, whoa,

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Speaker 1: that's this is real. But okay, yep, we're putting this

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Speaker 1: in the song. And then we finished it and I

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Speaker 1: was like, dang it, I like this this means like

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Speaker 1: now we have to record it. We have to record it.

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Speaker 1: It's so good. Thank you, You're so good. You guys

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Speaker 1: followed to Neil Towns, Towns, t ow n S and

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Speaker 1: how the Torgo. It was awesome. Yeah, it was so fun.

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Speaker 1: People showed up, people came that they came and what

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Speaker 1: they knew the music. We sang the songs together. It

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Speaker 1: was such a dream. I'm super fun for you. Thank

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Speaker 1: you for coming in today to play. Thank you for

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Speaker 1: having me, Bobby. So great to see everybody. Good to

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Speaker 1: be here Tanil Towns and listen. If you're looking for

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Speaker 1: a woman were International Women's Day to be like that

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Speaker 1: is my inspiration. I don't think till not to date guys,

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Speaker 1: but I'm saying like, oh no, I like, no happening now.

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Speaker 1: This is when it's happened now, looking for someone to

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Speaker 1: go like, you know, I'm only looking for someone to

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Speaker 1: inspire me for a mean. Tenniel is a good one.

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Speaker 1: You're a good one, thanks Bobby. All right, there she

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Speaker 1: has Tenniel Towns. It's the best bits of the week,

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Speaker 1: with Morgan number two coming in at number six. I

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Speaker 1: watched Back to the Future for the first time, and

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Speaker 1: y'all are digging these old school movie TV show reviews.

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Speaker 1: I had to throw this in here. Here it is.

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Speaker 1: Let me know if you like my review. Maybe you don't,

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Speaker 1: maybe it was too controversial. I don't know. Number six.

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Speaker 1: So we told Morgan number two twenty eight to go

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Speaker 1: watch Back to the Future because she had never seen

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Speaker 1: it and we had an unsuccessful Seinfeld experiment. She watched

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Speaker 1: Seinfeld and she was like, yes, it's not that funny anymore. Fair.

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Speaker 1: I just don't think there's any way to miss with

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Speaker 1: Michael J. Foxon Back to the Future. Hom on, So

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Speaker 1: you watched it? How I had to rent it on Amazon? Okay,

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Speaker 1: it wasn't anywhere else to watch, like three Bucks or something. Yeah,

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Speaker 1: you to reimburse you? Are you cool? No, I'm good.

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Speaker 1: I'm good. If I hated it, I get pulled into

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Speaker 1: HR because I'm making people pay for content. Yeah, she

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Speaker 1: can do that on an expense report, right, Yeah, okay,

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Speaker 1: I guess So you watched Back to the Future. Is

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Speaker 1: it was it long? It's an hour or like seventeen minutes.

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Speaker 1: That's the greatest movie. I didn't even realize about the

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Speaker 1: perfect movie link. That's cool. High expectations. What you think? Okay, well,

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Speaker 1: my past spoiler part, like, everybody, is it old enough

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Speaker 1: that I can spoil something? That's a good question to ask.

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Speaker 1: I'm gonna say yes. And we're also warning people that

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Speaker 1: are back to the future spoiler is coming here. Wow.

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Speaker 1: So when I watched it listen, I was really into it.

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Speaker 1: I really enjoyed it. But something kept bothering me. There's

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Speaker 1: a little bit of incest that happens during the show

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Speaker 1: when the mom and him, and it took me a

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Speaker 1: while to get over it. I was like, he just

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Speaker 1: kissed his mom, like I know he's not she doesn't

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Speaker 1: know and whatever, but he didn't quite kiss his mom.

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Speaker 1: She kissed him. He didn't want that. She also didn't

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Speaker 1: know it was her son comes in the past. Yes,

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Speaker 1: but he knew it was coming. He knew that she

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Speaker 1: had the hots for him. He kept saying it, so

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Speaker 1: that part, like it irks me a little bit, but

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Speaker 1: I got over it because it was so good. All right,

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Speaker 1: what do you rate Back to the Future? All right, Well,

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Speaker 1: m I would give it four out of five Deloreans.

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Speaker 1: It's good, solid rating for something so old. And I

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Speaker 1: will say that at the end as soon as they're like,

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Speaker 1: you know, we're we're going we don't need any and

386
00:21:08,640 --> 00:21:10,320
Speaker 1: he makes the big line. I was like, I want

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00:21:10,320 --> 00:21:15,400
Speaker 1: to watch the sea. Back to the Future came out

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Speaker 1: in nineteen eighty five, Like I wasn't even old enough

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Speaker 1: to really watch it and understand it. Then I guess

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Speaker 1: I watched you watch it years later. But back to

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Speaker 1: the Future gets the thumbs out, Seinfeld gets it thumbs down. Yeah,

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00:21:25,640 --> 00:21:27,320
Speaker 1: so you go. If you ever watch Back to the

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Speaker 1: Future too, just let us know. I'm not going to

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00:21:29,000 --> 00:21:31,200
Speaker 1: sign that to you, but I'm going to sign something

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Speaker 1: else to you. And you have two weeks, okay, if

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Speaker 1: you want to take the challenge. If you've seen it, though,

397
00:21:37,680 --> 00:21:41,320
Speaker 1: don't have you ever seen The Karate Kid the original?

398
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Speaker 1: I want to say that I've seen parts, but I

399
00:21:44,600 --> 00:21:46,440
Speaker 1: have not seen it all the way through. Now, okay,

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Speaker 1: your next challenge, if you choose to accept it, is

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00:21:50,320 --> 00:21:53,200
Speaker 1: the Karate Kid from nineteen eighty four. Oh, we're even

402
00:21:53,240 --> 00:21:57,520
Speaker 1: going back one more. Okay, Yeah, I'll accept it. Okay,

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00:21:58,359 --> 00:22:00,760
Speaker 1: two weeks from today, Mike will check with her. Morgan

404
00:22:00,840 --> 00:22:03,480
Speaker 1: number two will watch The Karate Kid. What's the Karate

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Speaker 1: Kids review on Rotten Tomatoes. It's got to be the

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00:22:06,400 --> 00:22:09,880
Speaker 1: most right eighty nine Okay, that's good. We was Back

407
00:22:09,880 --> 00:22:14,080
Speaker 1: to the Future review, right, Okay. I think you'll like

408
00:22:14,160 --> 00:22:18,960
Speaker 1: the Karate Kid. But sometimes they're so dated that it's

409
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Speaker 1: tough to really enjoy because it's just wildly old. I

410
00:22:23,160 --> 00:22:25,040
Speaker 1: will say too, like watching Back to the Future is

411
00:22:25,080 --> 00:22:27,840
Speaker 1: funny because all of like the jeans are coming back

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00:22:27,840 --> 00:22:30,440
Speaker 1: in style right now, so some of the things he

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Speaker 1: was wearing. IM like, oh, we're wearing that right now, Marvin,

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Speaker 1: Marvin Barry, Yes, do you get that reference? Yes, it's

415
00:22:39,720 --> 00:22:44,679
Speaker 1: your brother cousin, cousin, Yeah, a long time and Barry, Okay,

416
00:22:44,760 --> 00:22:49,800
Speaker 1: good job. It's the best bits of the week with Morgan.

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Speaker 1: Number two, it's always a funny one when Lunchbox tries

418
00:22:55,000 --> 00:22:57,760
Speaker 1: to do something crazy with a prank call. And this

419
00:22:57,800 --> 00:23:02,000
Speaker 1: week he tried to buy John von Jovie's apartment using

420
00:23:02,280 --> 00:23:05,439
Speaker 1: John bon Jovi's hit lyrics and let's just say the

421
00:23:05,520 --> 00:23:08,960
Speaker 1: realtor was not having any part of it. Number five,

422
00:23:09,160 --> 00:23:12,520
Speaker 1: here is Lunchbox trying to buy bon Jovie's apartment. Come on, so,

423
00:23:13,000 --> 00:23:15,919
Speaker 1: Jason Gibbles Lunchboxes alter ego who tries to make deals,

424
00:23:16,280 --> 00:23:19,119
Speaker 1: and he often says businessman making business deals, trying to

425
00:23:19,119 --> 00:23:22,000
Speaker 1: get that money we talked briefly about bon Jovie's apartment

426
00:23:22,119 --> 00:23:26,359
Speaker 1: twenty two million dollars in New York City. Lunchbox calls

427
00:23:26,400 --> 00:23:28,280
Speaker 1: to try to make them a deal, and as he does,

428
00:23:28,600 --> 00:23:32,440
Speaker 1: he weaves in bon Jovie lyrics. Yes, for example, it's

429
00:23:32,480 --> 00:23:34,440
Speaker 1: my life. Maybe you know this song right here, it's

430
00:23:36,000 --> 00:23:38,560
Speaker 1: he weaves that one in, maybe one in debtit or alive.

431
00:23:43,160 --> 00:23:45,840
Speaker 1: Here is Lunchbox trying to call and buy John bon

432
00:23:46,000 --> 00:23:52,800
Speaker 1: Jovi's apartment. Hi, this is different. Yeah, this is Jason Gibble,

433
00:23:52,880 --> 00:23:55,440
Speaker 1: business man making business deals, trying to get that money.

434
00:23:55,520 --> 00:23:57,400
Speaker 1: And I was trying to call and get some information

435
00:23:57,400 --> 00:24:02,119
Speaker 1: on one fifty five. What's the eleventh street time property?

436
00:24:02,240 --> 00:24:05,119
Speaker 1: Beautiful piece? Yeah, yeah, beautiful. Like I looked online, I

437
00:24:05,200 --> 00:24:08,840
Speaker 1: was like, man, it's my life. It's now or never.

438
00:24:08,880 --> 00:24:11,000
Speaker 1: If I'm going to upgrade to this because I'm forty,

439
00:24:11,160 --> 00:24:14,080
Speaker 1: I'm not gonna live forever. Wow, this is the place

440
00:24:14,119 --> 00:24:18,240
Speaker 1: for you. It's four thousand square feet floor to ceiling

441
00:24:18,720 --> 00:24:21,840
Speaker 1: windows over. When I look at those windows, while I

442
00:24:21,880 --> 00:24:24,000
Speaker 1: was looking at the pictures online, I was like, man,

443
00:24:24,119 --> 00:24:26,719
Speaker 1: I want that place. I want it dead or alive.

444
00:24:26,880 --> 00:24:29,520
Speaker 1: I don't care. I got to be in there. Imagine this.

445
00:24:29,800 --> 00:24:32,840
Speaker 1: You open up the doors, you come right out, and

446
00:24:32,880 --> 00:24:36,120
Speaker 1: there's the city surrounding you. The best part is, here's

447
00:24:36,160 --> 00:24:38,840
Speaker 1: the best part of it. My wife she tells me,

448
00:24:38,920 --> 00:24:42,399
Speaker 1: oh my gosh, you're not romantic. Basically, she says, you

449
00:24:42,520 --> 00:24:45,600
Speaker 1: give love a bad name. Well guess what when I

450
00:24:45,680 --> 00:24:49,280
Speaker 1: surprised her with this, Uh, that's gonna change. Yeah, I

451
00:24:49,480 --> 00:24:54,320
Speaker 1: hear you. Okay, so it has four bedrooms clogging now

452
00:24:55,520 --> 00:24:58,760
Speaker 1: for real? Like, are you guys looking for a serious buyer?

453
00:24:59,119 --> 00:25:01,480
Speaker 1: Once I submit this offer, I'm gonna be living on

454
00:25:01,520 --> 00:25:05,040
Speaker 1: a prayer that you accept it. You know, or you've

455
00:25:05,040 --> 00:25:07,240
Speaker 1: been doing it's quoting Bond Josey. I don't know if

456
00:25:07,280 --> 00:25:10,359
Speaker 1: you're serious or you're not. I'm a very busy woman.

457
00:25:10,560 --> 00:25:13,600
Speaker 1: I have many properties to show, and you're waights in

458
00:25:13,680 --> 00:25:16,160
Speaker 1: my time. Have a good day. That's a good one.

459
00:25:17,600 --> 00:25:21,080
Speaker 1: There's a nice one. I guess. The thing that strikes

460
00:25:21,119 --> 00:25:24,119
Speaker 1: me is you could just say those things normally, like

461
00:25:24,119 --> 00:25:25,800
Speaker 1: you know when you give love a bad name, But

462
00:25:25,920 --> 00:25:28,760
Speaker 1: it's almost like you're reading it, you're talking normal. Then

463
00:25:28,760 --> 00:25:31,560
Speaker 1: you're like, and you give love a bad name? You

464
00:25:31,680 --> 00:25:33,840
Speaker 1: wrote those down, y, I wrote those because I gotta

465
00:25:33,840 --> 00:25:36,000
Speaker 1: remember them. Yeah, that's good though, any luck, do you

466
00:25:36,000 --> 00:25:37,240
Speaker 1: get it? Do you get a showing it? I know

467
00:25:37,359 --> 00:25:39,720
Speaker 1: she didn't. She didn't call me back. He left her

468
00:25:39,800 --> 00:25:41,640
Speaker 1: number though, right I was like, oh no, no, no, no,

469
00:25:41,760 --> 00:25:45,520
Speaker 1: hang out and I try to car back. Nothing good one.

470
00:25:45,680 --> 00:25:49,440
Speaker 1: It's the best bits of the week with Morgan. Number two.

471
00:25:50,920 --> 00:25:53,840
Speaker 1: We love this guy. He is having an incredible March

472
00:25:53,880 --> 00:25:57,080
Speaker 1: and he talks about why it's so incredible. Parker McCollum

473
00:25:57,160 --> 00:25:59,439
Speaker 1: came on the show. He performed a little bit of

474
00:25:59,480 --> 00:26:02,280
Speaker 1: his song to be Loved by You, and Bobby surprised

475
00:26:02,359 --> 00:26:04,960
Speaker 1: him with a parody that he had just written of

476
00:26:04,960 --> 00:26:07,520
Speaker 1: one of Parker's songs, and of course we talked about

477
00:26:07,560 --> 00:26:09,480
Speaker 1: March and why it's been so awesome for him, from

478
00:26:09,760 --> 00:26:14,280
Speaker 1: ACM Awards performing and winning to him getting married very soon.

479
00:26:14,480 --> 00:26:18,160
Speaker 1: So listen right now. This is Parker McCallum number four.

480
00:26:18,320 --> 00:26:21,000
Speaker 1: Congratulations dude, you've been winning all the awards, performing on

481
00:26:21,040 --> 00:26:23,760
Speaker 1: all the award shows. Thank you. That's one award and

482
00:26:23,760 --> 00:26:26,200
Speaker 1: one awards show, but yeah it counts for all of them. Yeah,

483
00:26:26,200 --> 00:26:28,280
Speaker 1: it's like everyone I've seen and the last week you

484
00:26:28,320 --> 00:26:30,560
Speaker 1: were on it. Thank you man. Parker. Text and there's like, hey,

485
00:26:30,560 --> 00:26:32,840
Speaker 1: you're gonna be up on the show tomorrow. I'm coming up.

486
00:26:32,880 --> 00:26:34,679
Speaker 1: And I was like, yeah, I was like, what if

487
00:26:34,680 --> 00:26:36,119
Speaker 1: I wasn't What if he came up? Well, you know,

488
00:26:36,160 --> 00:26:38,199
Speaker 1: nine of us were here. Oh my calendar, all it

489
00:26:38,240 --> 00:26:41,040
Speaker 1: ever says is Bobby Bones. So sometimes it's like you

490
00:26:41,080 --> 00:26:42,879
Speaker 1: come in and you do, you'll do like some liners

491
00:26:42,960 --> 00:26:44,840
Speaker 1: or something and leave, or you'll do you know, it's like,

492
00:26:44,960 --> 00:26:46,399
Speaker 1: I don't even know if I'm actually gonna be on.

493
00:26:48,680 --> 00:26:50,160
Speaker 1: Say hey, I'm gonna come to your show. You're gonna

494
00:26:50,160 --> 00:26:53,199
Speaker 1: be there. I said, yeah, yes, sir, I am going

495
00:26:53,280 --> 00:26:54,800
Speaker 1: to be there. He's like, all right, cool, And then

496
00:26:54,840 --> 00:26:56,280
Speaker 1: I thought, man, did people ever just come up here

497
00:26:56,280 --> 00:26:58,159
Speaker 1: and I'm not here? Are you got scheduling interviews just

498
00:26:58,160 --> 00:27:00,320
Speaker 1: for fun? The one time you were out of sound,

499
00:27:00,359 --> 00:27:02,399
Speaker 1: I did the thing like taking over your office or something,

500
00:27:02,440 --> 00:27:04,560
Speaker 1: going through all your stuff on camera? It was on camera,

501
00:27:04,800 --> 00:27:06,159
Speaker 1: or I think I saw that that was just me

502
00:27:06,240 --> 00:27:08,080
Speaker 1: and Parker. Yeah again, I just I think you guys

503
00:27:08,119 --> 00:27:11,800
Speaker 1: just bringing artists up to have fun. Congratulations on your

504
00:27:12,040 --> 00:27:15,160
Speaker 1: ACM new mail artists. Thank you pretty cool. I saw

505
00:27:15,200 --> 00:27:17,280
Speaker 1: the thing where I guess you're on a zoom and

506
00:27:17,320 --> 00:27:20,040
Speaker 1: then you're waiting what did they tell you is about

507
00:27:20,040 --> 00:27:21,880
Speaker 1: to happen? Why are you on a zoom? Man? It's

508
00:27:21,880 --> 00:27:23,879
Speaker 1: just kind of like this morning, it's just on my calendar.

509
00:27:23,920 --> 00:27:25,680
Speaker 1: I thought I had a we're actually trying to walk

510
00:27:25,680 --> 00:27:28,120
Speaker 1: out of the house, go to the airport, we're about

511
00:27:28,119 --> 00:27:29,640
Speaker 1: to miss our flight, and I had a zoom call.

512
00:27:30,160 --> 00:27:32,439
Speaker 1: You didn't know you No, I was just a normal interview,

513
00:27:32,560 --> 00:27:34,879
Speaker 1: So I got it. I just hopped on, thinking, you know,

514
00:27:35,080 --> 00:27:37,480
Speaker 1: talk about normal stuff real quick and then go to

515
00:27:37,480 --> 00:27:39,240
Speaker 1: the airport. And then Miranda hopped on, and I was

516
00:27:39,320 --> 00:27:41,719
Speaker 1: like it kind of in my mind, you know, right,

517
00:27:41,840 --> 00:27:43,760
Speaker 1: My first thought was just what I think is? I mean,

518
00:27:43,800 --> 00:27:45,560
Speaker 1: we're about to fly there for the ACMs. But I

519
00:27:45,600 --> 00:27:47,400
Speaker 1: was like, I can't go when nothing like that. So

520
00:27:48,280 --> 00:27:50,919
Speaker 1: and she said, you won? You won? Yeah, I won.

521
00:27:51,200 --> 00:27:53,760
Speaker 1: That's pretty cool. That's pretty that's pretty good man. It's

522
00:27:53,800 --> 00:27:55,360
Speaker 1: as good as you can do with those things as win.

523
00:27:55,520 --> 00:27:58,600
Speaker 1: So did you already know you were performing? Though? No,

524
00:27:58,640 --> 00:28:00,520
Speaker 1: I did not. I had no idea. Um, you know,

525
00:28:00,560 --> 00:28:02,760
Speaker 1: they when you're nominated, they kind of, I think, reach

526
00:28:02,800 --> 00:28:05,400
Speaker 1: out to your team about, you know, just in case

527
00:28:05,440 --> 00:28:07,800
Speaker 1: you do win. But I was like, well, I mean

528
00:28:07,800 --> 00:28:09,040
Speaker 1: I just there's no way. It was like, I'm not

529
00:28:09,080 --> 00:28:11,760
Speaker 1: gonna win an ACM award, but but here you are.

530
00:28:12,359 --> 00:28:16,880
Speaker 1: You are getting married. So are you saying when it's

531
00:28:16,880 --> 00:28:18,399
Speaker 1: at the end of the month. I've been saying at

532
00:28:18,400 --> 00:28:21,120
Speaker 1: the end of the month, okay, good good enough. Um. Now,

533
00:28:21,119 --> 00:28:22,800
Speaker 1: when I was getting married, I wanted to wear a

534
00:28:22,840 --> 00:28:25,640
Speaker 1: red tuxedo and it was kind of ribto um, what

535
00:28:25,880 --> 00:28:28,240
Speaker 1: have you had any struggle with what you want? Because

536
00:28:28,240 --> 00:28:31,159
Speaker 1: you're you know, you're a guy with style. You know,

537
00:28:31,720 --> 00:28:34,040
Speaker 1: I just kind of it's her day. It means it's

538
00:28:34,080 --> 00:28:36,640
Speaker 1: like the so such a big deal to a girl

539
00:28:36,680 --> 00:28:38,680
Speaker 1: to plan a wedding, right the guy, you're just kind

540
00:28:38,720 --> 00:28:40,280
Speaker 1: of like, tell me where to be, when to be there.

541
00:28:40,920 --> 00:28:43,280
Speaker 1: They don't care what I think. Did you suggest anything

542
00:28:43,280 --> 00:28:46,200
Speaker 1: about your attire? I did on the like very beginning.

543
00:28:46,240 --> 00:28:48,160
Speaker 1: I was like, man, I'd love for me and all

544
00:28:48,200 --> 00:28:50,880
Speaker 1: my groomsmen to be you know, black cowboy hat, solid black,

545
00:28:50,920 --> 00:28:53,920
Speaker 1: old school tuxedo, black boots, the whole deal. And she

546
00:28:54,000 --> 00:28:58,640
Speaker 1: was like, absolutely not. I's like, I was like, don't

547
00:28:58,640 --> 00:29:00,760
Speaker 1: ask me again. I wanted to if if I don't

548
00:29:00,920 --> 00:29:02,960
Speaker 1: get to have any input on that, then so what

549
00:29:03,320 --> 00:29:06,920
Speaker 1: did you decides? Uh? Classic normal talks. Yeah, I don't

550
00:29:06,920 --> 00:29:09,280
Speaker 1: even I don't know. Actually, try it on today at

551
00:29:09,320 --> 00:29:12,840
Speaker 1: four on my calendar it says tucks thing calendar. Hey,

552
00:29:12,840 --> 00:29:14,720
Speaker 1: I can respect the guy who lives by his calendar.

553
00:29:14,840 --> 00:29:17,280
Speaker 1: That's all I got. How many times as he said,

554
00:29:17,280 --> 00:29:20,160
Speaker 1: calendar and that's all I got. Are you nervous about

555
00:29:20,240 --> 00:29:22,520
Speaker 1: getting married? Are you ready to do it? Not yet?

556
00:29:22,600 --> 00:29:25,800
Speaker 1: You know? I mean just this month is so crazy, um,

557
00:29:25,840 --> 00:29:28,160
Speaker 1: the month of March of It's like I'm stringing together

558
00:29:28,240 --> 00:29:29,960
Speaker 1: one of the greatest months of my life right now.

559
00:29:30,040 --> 00:29:33,960
Speaker 1: So UM, list why this month is so great? Um,

560
00:29:34,080 --> 00:29:36,400
Speaker 1: hopefully about to have my second number one, that's why.

561
00:29:36,440 --> 00:29:38,360
Speaker 1: That's why it's here. Today's about to have a number one. Yes,

562
00:29:38,440 --> 00:29:42,640
Speaker 1: had Um just played in the ACMs. UM playing the

563
00:29:42,680 --> 00:29:45,680
Speaker 1: Houston Rodeo sold out seventy thousand people on Saturday, and

564
00:29:45,720 --> 00:29:49,800
Speaker 1: then getting married. So that's a good March. Yeah, that's

565
00:29:49,800 --> 00:29:52,400
Speaker 1: a good one. Yeah. At Houston Rodeo. That's significant too.

566
00:29:52,760 --> 00:29:54,840
Speaker 1: That's that's all I ever want to do. That's it

567
00:29:54,960 --> 00:29:59,080
Speaker 1: for me. I mean, growing up in Texas, that's the

568
00:29:59,120 --> 00:30:02,920
Speaker 1: biggest thing. Go or if you're an artist, to perform

569
00:30:02,960 --> 00:30:05,320
Speaker 1: at the Houston Rodeo and the thing is sold out

570
00:30:05,440 --> 00:30:08,640
Speaker 1: seventy thousand people. It's just craw. I don't know. The

571
00:30:08,640 --> 00:30:10,560
Speaker 1: ACM thing hasn't really hit me yet. That was all

572
00:30:10,640 --> 00:30:12,680
Speaker 1: kind of a blur. And then the rodeo probably be

573
00:30:12,760 --> 00:30:14,360
Speaker 1: the same way. We're probably be like in July, I'll

574
00:30:14,400 --> 00:30:15,920
Speaker 1: be riding down the road on the bus somewhere and

575
00:30:16,000 --> 00:30:19,040
Speaker 1: be like, man March was really good. Yeah it's a good,

576
00:30:19,560 --> 00:30:21,800
Speaker 1: but none will be as good after this. This is

577
00:30:21,840 --> 00:30:24,280
Speaker 1: the peak, so he'll take it in. Hey I do

578
00:30:24,320 --> 00:30:26,440
Speaker 1: if you don't mind. I know you have your guitar um,

579
00:30:26,840 --> 00:30:28,760
Speaker 1: Why don't you play a little bit? Just give us

580
00:30:28,760 --> 00:30:30,320
Speaker 1: a verse in chorus of this song that's about to

581
00:30:30,320 --> 00:30:33,440
Speaker 1: go number one. Here is Parker McCullum. And to be

582
00:30:33,480 --> 00:30:45,480
Speaker 1: loved by you. You'll maybe I'm right, maybe I'm wrong,

583
00:30:45,880 --> 00:30:50,440
Speaker 1: fining I shoot and take this long easy to sit

584
00:30:50,760 --> 00:30:54,360
Speaker 1: thing done. I guess I'm a little be harder to

585
00:30:54,520 --> 00:30:58,040
Speaker 1: love than the rift? Where does it have to be

586
00:30:58,280 --> 00:31:04,520
Speaker 1: so dud? My bit? So hold your heart and I

587
00:31:04,840 --> 00:31:11,600
Speaker 1: never let it go again? So why you always angry?

588
00:31:12,000 --> 00:31:18,880
Speaker 1: Why you always cry? Why do you sleep bail? When

589
00:31:18,960 --> 00:31:23,400
Speaker 1: I know you don't like it? Maybe you might be

590
00:31:23,840 --> 00:31:29,200
Speaker 1: defference to kill you to tell me the truth? What

591
00:31:29,520 --> 00:31:37,240
Speaker 1: in a hill doesn't make to do to be loved

592
00:31:37,440 --> 00:31:41,360
Speaker 1: by you? Come on there he is. That's the number

593
00:31:41,360 --> 00:31:43,640
Speaker 1: one song this week. We're gonna go next week it

594
00:31:43,680 --> 00:31:45,320
Speaker 1: will be Hey, I want to try something. When you

595
00:31:45,320 --> 00:31:47,600
Speaker 1: were walking in your songs always on my head? You

596
00:31:47,640 --> 00:31:50,680
Speaker 1: know why you always angry? And thank you? Thank you?

597
00:31:50,680 --> 00:31:53,920
Speaker 1: Ask I'm pretta get that, but I was thinking about it,

598
00:31:53,960 --> 00:31:56,840
Speaker 1: and I wrote the first four lines to a parody.

599
00:31:57,080 --> 00:31:59,440
Speaker 1: And I don't want to do parodies anymore. But play me,

600
00:32:00,000 --> 00:32:04,240
Speaker 1: you know, don't sing, but play me the chorus on

601
00:32:04,360 --> 00:32:06,000
Speaker 1: your guitar. All right, here we go. I'm gonna do

602
00:32:06,000 --> 00:32:07,840
Speaker 1: you want that same key? Yeah? I know? I mean,

603
00:32:07,880 --> 00:32:10,440
Speaker 1: what do I know? All right? Sure, here we go.

604
00:32:10,680 --> 00:32:13,280
Speaker 1: So why you got it? I'll start it? So why

605
00:32:13,280 --> 00:32:18,360
Speaker 1: are you always angry? Why don't you just eat lunch?

606
00:32:19,720 --> 00:32:25,840
Speaker 1: There's lots of leftovers. Just go and heat it up

607
00:32:26,280 --> 00:32:31,200
Speaker 1: and use the microwave and clear off the screen when

608
00:32:31,240 --> 00:32:37,640
Speaker 1: you're done. Just stop winding that you're hungry. Don't know

609
00:32:37,960 --> 00:32:41,440
Speaker 1: the rest. And I never got this far with the song.

610
00:32:41,920 --> 00:32:46,080
Speaker 1: Thank you very much, thank you? It's our first. Yeah

611
00:32:46,120 --> 00:32:48,600
Speaker 1: are you always angry? You didn't sing though? Oh I

612
00:32:48,640 --> 00:32:52,240
Speaker 1: thought you were taking it home. I've never heard anyone

613
00:32:52,280 --> 00:32:54,440
Speaker 1: take it home more than I just took it home. No,

614
00:32:54,560 --> 00:32:56,520
Speaker 1: that's all the way home you ever get on stage.

615
00:32:57,320 --> 00:32:59,920
Speaker 1: And this is on both sides of it, where one

616
00:33:00,240 --> 00:33:02,760
Speaker 1: night you feel like, man, I'm killing it, like my

617
00:33:02,880 --> 00:33:06,200
Speaker 1: voice is good, I'm on like just and you're like, man,

618
00:33:06,200 --> 00:33:08,560
Speaker 1: this is one of those rare nights where everything is perfect.

619
00:33:09,040 --> 00:33:10,680
Speaker 1: And then at the same time, do you have nights

620
00:33:10,680 --> 00:33:14,120
Speaker 1: where you're like, man, everything is wrong, like I'm not hitting?

621
00:33:14,640 --> 00:33:17,680
Speaker 1: Does that? Do those happen often? On either side? Man,

622
00:33:17,760 --> 00:33:21,000
Speaker 1: I'm just so critical of it. It's always the second one.

623
00:33:21,080 --> 00:33:22,920
Speaker 1: Every night. It's like, oh, man, well we just as

624
00:33:22,920 --> 00:33:24,600
Speaker 1: soon as we walk off the bus, me and the band,

625
00:33:24,680 --> 00:33:26,440
Speaker 1: or as soon as we walk off the stage, the

626
00:33:26,480 --> 00:33:29,000
Speaker 1: band and I are always sitting there, you know, how'd

627
00:33:29,000 --> 00:33:30,920
Speaker 1: your ears sound? How did it? You know? What'd you think?

628
00:33:30,920 --> 00:33:33,400
Speaker 1: What the you know? And sometimes we feel like we

629
00:33:33,440 --> 00:33:36,120
Speaker 1: play terrible or I sound terrible with the crowd energy

630
00:33:36,160 --> 00:33:38,480
Speaker 1: is so electric it doesn't even matter, you know. So

631
00:33:39,200 --> 00:33:41,400
Speaker 1: I'm in my head about it. Every single night. We

632
00:33:41,440 --> 00:33:44,360
Speaker 1: record every show, listen to every you do, yeah, oh,

633
00:33:44,440 --> 00:33:48,120
Speaker 1: like game tape, kind of like watching film you're gonna

634
00:33:48,200 --> 00:33:51,440
Speaker 1: drive yourself crazy. It drives me insane. I just wanted

635
00:33:51,480 --> 00:33:53,600
Speaker 1: to be perfect. I'm a big believer in getting better.

636
00:33:53,640 --> 00:33:55,640
Speaker 1: But if I did that, I couldn't do it every

637
00:33:55,720 --> 00:33:58,680
Speaker 1: night because I would always hate myself. Yeah, it's we

638
00:33:58,760 --> 00:34:00,400
Speaker 1: usually get on the bus and someone do we listen

639
00:34:00,440 --> 00:34:02,280
Speaker 1: to the show? And they'll be like, listen, and so

640
00:34:02,360 --> 00:34:04,880
Speaker 1: it's I don't know, that's tough. Good for you. Do

641
00:34:04,880 --> 00:34:08,560
Speaker 1: you feel like you get better from it? I hope. So.

642
00:34:08,800 --> 00:34:11,760
Speaker 1: Do you ever say anything stupid? Like when you're talking

643
00:34:11,800 --> 00:34:14,160
Speaker 1: and you're back and you're like, why did I say that? Oh?

644
00:34:14,200 --> 00:34:16,200
Speaker 1: All the time? There's a video on the internet. One

645
00:34:16,280 --> 00:34:18,359
Speaker 1: night we were playing somewhere in like Kansas or something.

646
00:34:18,440 --> 00:34:20,279
Speaker 1: It's a big outdoor stage. It was super windy, and

647
00:34:20,320 --> 00:34:22,879
Speaker 1: it was just blow and the whole show, And at

648
00:34:22,920 --> 00:34:25,120
Speaker 1: some point it's like on TikTok or something that's popped

649
00:34:25,200 --> 00:34:28,560
Speaker 1: up recently that sounds so stupid. I'm like, I'm like,

650
00:34:28,600 --> 00:34:30,000
Speaker 1: how much wind can there be? It has to go

651
00:34:30,000 --> 00:34:31,360
Speaker 1: all the way around the world at one point, like,

652
00:34:31,360 --> 00:34:33,000
Speaker 1: surely we're going to run out of wind before the

653
00:34:33,080 --> 00:34:35,040
Speaker 1: end of this show. It goes all the way around

654
00:34:35,080 --> 00:34:36,759
Speaker 1: like it has to go to the other side at

655
00:34:36,840 --> 00:34:39,720
Speaker 1: some point there's no way there's any wind left. And

656
00:34:40,160 --> 00:34:46,280
Speaker 1: after the show you're like, what does he talk? We're listening.

657
00:34:46,280 --> 00:34:49,040
Speaker 1: It's all smart, all coming up road for you right now. Man,

658
00:34:49,080 --> 00:34:52,000
Speaker 1: you're about to get married. I mean, she's awesome. The

659
00:34:52,520 --> 00:34:54,600
Speaker 1: just numera know, I'm gonna say she's the man, but

660
00:34:54,680 --> 00:34:56,839
Speaker 1: she's not the man, she's the woman. Well you got

661
00:34:56,840 --> 00:34:59,840
Speaker 1: it all going. Congrats on the wedding. You're not singing

662
00:34:59,840 --> 00:35:02,279
Speaker 1: it your wedding, right, no, suir, Okay, thank god. It

663
00:35:02,280 --> 00:35:04,200
Speaker 1: would just be awkward for everybody. It'd be awesome, it'd

664
00:35:04,239 --> 00:35:06,719
Speaker 1: be awkward for everybody. And everything with me and Holly

665
00:35:06,800 --> 00:35:09,160
Speaker 1: Ray is always about me. Like everything we go to

666
00:35:09,360 --> 00:35:11,120
Speaker 1: is for me. Everything, you know, I've got to get

667
00:35:11,120 --> 00:35:14,040
Speaker 1: on stage, do the interview, everything's that a way. And

668
00:35:14,080 --> 00:35:16,320
Speaker 1: so I'm like, that's like such a big dage. She

669
00:35:16,360 --> 00:35:19,640
Speaker 1: needs to be about her. So is that often a

670
00:35:19,719 --> 00:35:24,120
Speaker 1: convert because we have that same conversation where so much

671
00:35:24,160 --> 00:35:26,239
Speaker 1: is about when we go places. A lot of the

672
00:35:26,280 --> 00:35:29,640
Speaker 1: time she just ends up being Bobby's wife and we

673
00:35:29,719 --> 00:35:33,400
Speaker 1: have to purposefully find things that and I try to

674
00:35:33,440 --> 00:35:35,759
Speaker 1: make an effort to do things where she's just not

675
00:35:35,880 --> 00:35:38,839
Speaker 1: my wife or I'm just a dorky guy that's with

676
00:35:38,880 --> 00:35:41,879
Speaker 1: her because she kind of deserves her own spotlight. Yeah.

677
00:35:41,920 --> 00:35:44,400
Speaker 1: I always trying to just make sure that she doesn't

678
00:35:44,440 --> 00:35:47,279
Speaker 1: feel like that, and I enjoy that, you know, Like

679
00:35:47,320 --> 00:35:50,240
Speaker 1: I mean, everything is it's always we're always going somewhere

680
00:35:50,320 --> 00:35:52,360
Speaker 1: doing something for me. So I'm always trying to go

681
00:35:52,400 --> 00:35:55,160
Speaker 1: places and do stuff for her. But I don't know,

682
00:35:55,239 --> 00:35:57,880
Speaker 1: she's really She's just the bomb dude. She handles it

683
00:35:58,000 --> 00:36:00,560
Speaker 1: so well and it's still kind of new her. I

684
00:36:00,600 --> 00:36:02,359
Speaker 1: think a lot of the things we do, like being

685
00:36:02,400 --> 00:36:04,600
Speaker 1: at the Awards show, I think you thought that was

686
00:36:04,600 --> 00:36:06,920
Speaker 1: the coolest thing in the world. She saw Brittany Aldine,

687
00:36:06,960 --> 00:36:10,200
Speaker 1: and Brittany came over and said hello, so um, you

688
00:36:10,239 --> 00:36:12,880
Speaker 1: know those those kind of things. I think she's probably

689
00:36:13,120 --> 00:36:16,040
Speaker 1: it's probably okay too. Yeah, I congratulations the bank you there.

690
00:36:16,080 --> 00:36:18,200
Speaker 1: He is Parker McCullum. I was working a couple of

691
00:36:18,200 --> 00:36:20,520
Speaker 1: the lines here for the song that was smash Yeah. Well,

692
00:36:20,600 --> 00:36:23,359
Speaker 1: because at the second verse it goes, why are you

693
00:36:23,480 --> 00:36:27,920
Speaker 1: always angry? Why don't you just eat lunch? There's lots

694
00:36:27,920 --> 00:36:31,040
Speaker 1: of leftovers, just go and heat it up. And I

695
00:36:31,040 --> 00:36:33,759
Speaker 1: feel like a food reference here, like, um, maybe have

696
00:36:34,000 --> 00:36:38,839
Speaker 1: some pasta in the drawer. There's a grilled cheese, right,

697
00:36:38,880 --> 00:36:41,879
Speaker 1: so let me find you, because she's what's a man

698
00:36:42,040 --> 00:36:45,120
Speaker 1: have to do? Hold on? Hold on? Don't know, I'm

699
00:36:45,120 --> 00:36:50,320
Speaker 1: writing no, hold on, man? So what have to do

700
00:36:50,680 --> 00:36:53,600
Speaker 1: to be loved by you? And I would be like, chew,

701
00:36:54,320 --> 00:36:57,120
Speaker 1: I need some food? Like that's why I'm chasing that

702
00:36:57,200 --> 00:37:00,000
Speaker 1: last part? Yeah, yeah, this, Why do I chase it

703
00:37:00,040 --> 00:37:01,880
Speaker 1: all day all time? How to believe you? All right?

704
00:37:01,920 --> 00:37:04,719
Speaker 1: From the from the top three two? I don't know

705
00:37:04,760 --> 00:37:06,680
Speaker 1: how to count. I don't know what's happening here. All right,

706
00:37:06,680 --> 00:37:11,840
Speaker 1: there we go. So why you always hary? Why don't

707
00:37:11,880 --> 00:37:18,520
Speaker 1: you just eat lunch? This tons of leftovers? Just go

708
00:37:18,680 --> 00:37:25,480
Speaker 1: and heat it up. Maybe have some pasta in the drawer.

709
00:37:25,560 --> 00:37:31,040
Speaker 1: This a grilled cheese. You don't have to tell me.

710
00:37:31,800 --> 00:37:34,480
Speaker 1: Don't have you can't do please, it's gotta go you

711
00:37:34,920 --> 00:37:41,000
Speaker 1: to be I had him. I'm gonna work on this

712
00:37:41,080 --> 00:37:43,680
Speaker 1: all night. I'm never gonna bring it up again. I've

713
00:37:44,360 --> 00:37:48,040
Speaker 1: got a hundred that are that finished, that are that close,

714
00:37:48,160 --> 00:37:51,080
Speaker 1: So just shut up and eat some food. I'm pretty

715
00:37:51,160 --> 00:37:55,279
Speaker 1: much there. I'm pretty much Parker McCallum follow him at

716
00:37:55,320 --> 00:37:57,719
Speaker 1: Parker McCallum. Let me say this, he'll be out. I

717
00:37:57,800 --> 00:38:00,440
Speaker 1: got a couple of things. He's playing with a church

718
00:38:00,560 --> 00:38:03,080
Speaker 1: Brothers Osborne in Milwaukee on May twenty eighth for that

719
00:38:03,120 --> 00:38:06,160
Speaker 1: stadium show. It's going to be massive, Garley m the

720
00:38:06,280 --> 00:38:09,239
Speaker 1: Rodeo Massive. Can you still get tickets? It's sold out,

721
00:38:09,280 --> 00:38:11,319
Speaker 1: but sometimes they do like a little Bloba tickets at

722
00:38:11,320 --> 00:38:12,920
Speaker 1: the very end. Yeah, it's so but I know, I

723
00:38:13,000 --> 00:38:15,560
Speaker 1: know a guy. If anybody needs tickets, and here's Parker's

724
00:38:15,560 --> 00:38:20,200
Speaker 1: cell phone number, call him. It's the gold Chain Cowboy Tour.

725
00:38:20,719 --> 00:38:23,040
Speaker 1: You get a chancy Parkers live shows are great. Just

726
00:38:23,080 --> 00:38:26,320
Speaker 1: go to Parker McCollum dot com. He'll be Corpus Christie

727
00:38:26,480 --> 00:38:31,720
Speaker 1: Carl's Bad Tucson, Orlando, Madison, Alabama. He's a great guy.

728
00:38:32,040 --> 00:38:34,080
Speaker 1: I consider him a friend. It's all on my calendar

729
00:38:34,120 --> 00:38:37,120
Speaker 1: and there he is, Parker McCallum. Everybody, Yeah, thank you, anybody,

730
00:38:37,280 --> 00:38:41,680
Speaker 1: thank you. It's the best bits of the week with

731
00:38:41,719 --> 00:38:46,600
Speaker 1: Morgan number two. This was the last week of submissions

732
00:38:46,640 --> 00:38:49,960
Speaker 1: for our Bobby Bones show. Themes Hong and Oh my goodness,

733
00:38:49,960 --> 00:38:52,680
Speaker 1: there were so many good ones y'all, Like I cannot

734
00:38:52,680 --> 00:38:55,960
Speaker 1: even explain this. You're gonna hear the last ones here,

735
00:38:56,000 --> 00:38:58,120
Speaker 1: but also you can go on Bobby Bones dot com

736
00:38:58,120 --> 00:39:01,879
Speaker 1: and see these six finalists before we start voting next week.

737
00:39:02,080 --> 00:39:04,319
Speaker 1: Let us know your favorites when we post that next week.

738
00:39:04,400 --> 00:39:07,200
Speaker 1: Not yet, don't be coming up in my d ms yet,

739
00:39:07,280 --> 00:39:09,560
Speaker 1: but soon you guys can place your votes for the

740
00:39:09,680 --> 00:39:13,240
Speaker 1: Bobby Bones Show Theme song number three. All right, final

741
00:39:13,320 --> 00:39:16,400
Speaker 1: batch of theme songs that have been written by listeners

742
00:39:16,520 --> 00:39:19,279
Speaker 1: for this show. I said, hey, write us a thirty

743
00:39:19,280 --> 00:39:21,440
Speaker 1: second theme song. I'll pay somebody five hundred bucks in

744
00:39:21,440 --> 00:39:23,719
Speaker 1: my own money. So this is the last week we

745
00:39:23,760 --> 00:39:26,200
Speaker 1: have three. We're gonna move one, maybe two of these

746
00:39:26,200 --> 00:39:29,799
Speaker 1: into the semifinals. This is Angie Kay, she writes me,

747
00:39:29,840 --> 00:39:32,800
Speaker 1: and my buddy Chris made the winning theme song right here.

748
00:39:33,239 --> 00:39:35,480
Speaker 1: Then listen to the Bobby Bones Show since y'all started.

749
00:39:35,719 --> 00:39:50,400
Speaker 1: It's Bobby from them something good. Listen the best friend

750
00:39:53,800 --> 00:40:19,680
Speaker 1: boxes yelling any Raymond we get so I'm talking. It's

751
00:40:22,040 --> 00:40:27,520
Speaker 1: that is so amazing good crap what she's a mess? Wow?

752
00:40:27,640 --> 00:40:29,680
Speaker 1: That's really good. I mean, there are two more. How

753
00:40:29,719 --> 00:40:32,000
Speaker 1: do we play that test? I don't know even I

754
00:40:32,040 --> 00:40:35,320
Speaker 1: don't know any that's really good. Are k wow and Chris?

755
00:40:35,960 --> 00:40:42,240
Speaker 1: Uh yeah, that's that's really good okay. And she's really good. Okay.

756
00:40:42,280 --> 00:40:44,440
Speaker 1: Here is m R and D. That's all they call

757
00:40:44,520 --> 00:40:46,960
Speaker 1: themselves R and D. And they wrote, here's our submission

758
00:40:46,960 --> 00:40:49,680
Speaker 1: to be put into the running of the theme songs

759
00:40:50,160 --> 00:40:52,359
Speaker 1: love this show. Boy, we should have put that one last.

760
00:40:52,440 --> 00:40:54,359
Speaker 1: Huh Is that good? Are the other ones good too?

761
00:40:55,680 --> 00:40:58,239
Speaker 1: It's anus all right, here we go. Here's number two?

762
00:40:59,360 --> 00:41:05,040
Speaker 1: What he wake up? And in the turn the radio

763
00:41:05,680 --> 00:41:13,719
Speaker 1: and the doves lunchbox we'll get too. Steve bred Out

764
00:41:13,880 --> 00:41:17,799
Speaker 1: trying to put you through mydis riding. This week's next year.

765
00:41:18,120 --> 00:41:28,200
Speaker 1: And Bobby's on the mind, so you knowing this. That's

766
00:41:28,239 --> 00:41:32,160
Speaker 1: really good too. And and they mentioned Mike d which

767
00:41:32,200 --> 00:41:34,880
Speaker 1: who's such a big part of this show, and some

768
00:41:34,920 --> 00:41:37,759
Speaker 1: people never mentioned him. And I always feel bad because, yeah,

769
00:41:37,760 --> 00:41:39,840
Speaker 1: he didn't talk a whole lot, but he's so important

770
00:41:39,840 --> 00:41:42,239
Speaker 1: to this show. That's really good too. The vibe is

771
00:41:42,280 --> 00:41:48,240
Speaker 1: definitely different. That's good. That's good too. Dang, all right,

772
00:41:48,440 --> 00:41:51,560
Speaker 1: here's our final one for today. This is Katie, she says,

773
00:41:51,800 --> 00:41:54,479
Speaker 1: morning studio afterly love hearing some of the song entries

774
00:41:54,480 --> 00:41:57,520
Speaker 1: for the BBS theme song. I'm not fancy, so it

775
00:41:57,640 --> 00:42:01,040
Speaker 1: probably need to be sung by Abby or thanks for

776
00:42:01,080 --> 00:42:04,319
Speaker 1: giving us listeners a fun opportunity. Hope this song makes

777
00:42:04,360 --> 00:42:07,200
Speaker 1: all of you smile. Katie Ka and my not North Dakota.

778
00:42:08,120 --> 00:42:11,840
Speaker 1: It's blurderning time to wake up. Turn the radio on

779
00:42:12,120 --> 00:42:16,120
Speaker 1: and Jim Oh with the Bat Team crew to your

780
00:42:16,160 --> 00:42:19,680
Speaker 1: favorite songs and boom Head stories. Or in the morning, Corney,

781
00:42:19,920 --> 00:42:24,200
Speaker 1: you know we got game Scalore easy trivia. You're gonna

782
00:42:24,239 --> 00:42:36,879
Speaker 1: get you feeling. I feel good, Oh, I feel so good. Hey, hey, y'all,

783
00:42:39,040 --> 00:42:42,720
Speaker 1: that's actually really good. She didn't have the production capabilities

784
00:42:42,800 --> 00:42:45,160
Speaker 1: or resources the other people had, but that was really good.

785
00:42:45,160 --> 00:42:50,279
Speaker 1: And then she did some little good Yeah, that's good.

786
00:42:50,480 --> 00:42:53,880
Speaker 1: That good man, that's good good. Um. This is what

787
00:42:53,960 --> 00:42:56,600
Speaker 1: I would say because all three, I mean, I would

788
00:42:56,600 --> 00:42:59,319
Speaker 1: say that those three are are better than most of

789
00:42:59,440 --> 00:43:01,480
Speaker 1: the on some of the early weeks because it just

790
00:43:01,480 --> 00:43:03,719
Speaker 1: got better each week. But we can't move all three through.

791
00:43:03,960 --> 00:43:07,279
Speaker 1: I think we probably move in the first two through.

792
00:43:07,840 --> 00:43:09,359
Speaker 1: We can move the first two through. Do you guys

793
00:43:09,360 --> 00:43:13,120
Speaker 1: feel good on that? Yeah? Because they're both so good. Um,

794
00:43:13,200 --> 00:43:16,120
Speaker 1: So we'll have six and then next week we'll go

795
00:43:16,160 --> 00:43:18,239
Speaker 1: through those and cut it down to three and then

796
00:43:18,239 --> 00:43:20,759
Speaker 1: to one. Okay, so we're gonna move Angie K and

797
00:43:20,920 --> 00:43:23,399
Speaker 1: R and D through play ANGI K again one more time,

798
00:43:23,400 --> 00:43:25,440
Speaker 1: and then from the end of this we'll just go

799
00:43:25,440 --> 00:43:27,240
Speaker 1: into the song. Let's see if this how this feels?

800
00:43:27,360 --> 00:43:37,560
Speaker 1: It's body and I'm playing from them, we'll tell something

801
00:43:37,800 --> 00:43:45,680
Speaker 1: good listens like the best from Shot Never lunch Box

802
00:43:45,760 --> 00:43:57,040
Speaker 1: and he's a woman. It's so mad, he Ney, we can't.

803
00:43:57,080 --> 00:44:14,480
Speaker 1: I'm so so bad, I'm talking. It's it's good. All right,

804
00:44:14,640 --> 00:44:18,319
Speaker 1: there you go. It's the best Bits of the week

805
00:44:19,120 --> 00:44:25,719
Speaker 1: with Morgan. Number two. Good Golly, Miss Dolly. She was

806
00:44:25,800 --> 00:44:28,280
Speaker 1: on the show this week. I love me some Dolly Parton.

807
00:44:28,400 --> 00:44:31,640
Speaker 1: She is just a powerhouse of a human. I love

808
00:44:31,760 --> 00:44:33,560
Speaker 1: her and every time she comes on the show it

809
00:44:33,680 --> 00:44:35,799
Speaker 1: just makes me happy and light up inside for at

810
00:44:35,840 --> 00:44:38,680
Speaker 1: least the entire day. So I hope this interview brings

811
00:44:38,760 --> 00:44:43,360
Speaker 1: you some joy because Dolly is just the best. Number two, Dolly,

812
00:44:43,440 --> 00:44:45,279
Speaker 1: good to talk to you, Good to talk to you.

813
00:44:45,600 --> 00:44:47,120
Speaker 1: How are you? I'm pretty good to have your have

814
00:44:47,200 --> 00:44:50,399
Speaker 1: your book right here, and you were we were talking

815
00:44:50,400 --> 00:44:51,920
Speaker 1: about the book, but we were talking about the album

816
00:44:52,000 --> 00:44:54,560
Speaker 1: that came out with the book last week, so this

817
00:44:54,920 --> 00:44:58,000
Speaker 1: and you hosting the ACMs. See, everybody gives you credit

818
00:44:58,000 --> 00:44:59,760
Speaker 1: for being really smart, and I think they should because

819
00:44:59,760 --> 00:45:02,040
Speaker 1: you've you've packaged all this together. You can do all

820
00:45:02,120 --> 00:45:04,839
Speaker 1: this press at one time, and you're knocking it all out.

821
00:45:04,920 --> 00:45:07,360
Speaker 1: This is amazing. So let's talk about the book first

822
00:45:07,440 --> 00:45:10,399
Speaker 1: that came out today, Run Rose, Run, because you wrote

823
00:45:10,440 --> 00:45:13,520
Speaker 1: this with James Patterson. How do you guys become friends?

824
00:45:13,520 --> 00:45:16,360
Speaker 1: How do you guys get in touch with each other? Well, actually,

825
00:45:16,440 --> 00:45:19,319
Speaker 1: he called me he was interested in writing a book

826
00:45:19,360 --> 00:45:22,080
Speaker 1: with me. I don't know why, but he was. I

827
00:45:22,160 --> 00:45:24,880
Speaker 1: guess he had written a couple of things for different celebrities,

828
00:45:25,160 --> 00:45:28,840
Speaker 1: for different popular people, and so he called and asked

829
00:45:28,920 --> 00:45:30,920
Speaker 1: if I would be interested in writing a book with him.

830
00:45:30,960 --> 00:45:34,000
Speaker 1: I said, well, that depends. I was shocked that he

831
00:45:34,080 --> 00:45:36,520
Speaker 1: called start with. I thought, why does he need me?

832
00:45:36,680 --> 00:45:40,000
Speaker 1: He's doing okay on his own. But I said I

833
00:45:40,040 --> 00:45:42,399
Speaker 1: would be interested if it was really something I could

834
00:45:42,719 --> 00:45:46,520
Speaker 1: really take part in and really be, you know, able

835
00:45:46,640 --> 00:45:49,719
Speaker 1: to really contribute to it. So I said, won't you

836
00:45:49,760 --> 00:45:52,399
Speaker 1: come to Nashville and we'll talk, And so he flew

837
00:45:52,480 --> 00:45:54,400
Speaker 1: down and we got together and he told me that

838
00:45:54,480 --> 00:45:57,640
Speaker 1: he'd like to write something about Nashville, and I thought, well,

839
00:45:57,680 --> 00:46:00,520
Speaker 1: that's certainly something I know about. So it really worked

840
00:46:00,560 --> 00:46:03,839
Speaker 1: out really well, and we just really clicked. I liked

841
00:46:03,920 --> 00:46:06,360
Speaker 1: him a lot. I thought, well, we'll be able to

842
00:46:06,400 --> 00:46:08,840
Speaker 1: work together, because it's very important when you have to

843
00:46:08,920 --> 00:46:11,000
Speaker 1: do a project that you like the people who haven't

844
00:46:11,040 --> 00:46:13,839
Speaker 1: spend that much time with. But he's really a great

845
00:46:13,880 --> 00:46:16,719
Speaker 1: guy and we just got along great. We both were

846
00:46:16,719 --> 00:46:19,440
Speaker 1: able to contribute a lot to each other. And me

847
00:46:19,719 --> 00:46:23,239
Speaker 1: being in country music all my life and in Nashville

848
00:46:23,600 --> 00:46:26,239
Speaker 1: for fifty seven years, I thought I knew a little

849
00:46:26,239 --> 00:46:29,680
Speaker 1: bit about it. James Patterson is so successful in his

850
00:46:29,760 --> 00:46:33,200
Speaker 1: line of work. Obviously you are in yours. But is

851
00:46:33,239 --> 00:46:35,880
Speaker 1: there ever anyone or has there been any one in

852
00:46:35,920 --> 00:46:38,040
Speaker 1: the last ten fifteen years that you've met and you've

853
00:46:38,120 --> 00:46:42,920
Speaker 1: been star struck by. Well, I'm star struck by anybody

854
00:46:43,000 --> 00:46:45,560
Speaker 1: that does really good work and tries to make a

855
00:46:45,680 --> 00:46:47,680
Speaker 1: difference in the world. And that was one of the

856
00:46:47,680 --> 00:46:52,120
Speaker 1: things I loved about James. He's really interested in making

857
00:46:52,160 --> 00:46:56,160
Speaker 1: the world a better place as I am, and you know,

858
00:46:56,480 --> 00:46:59,880
Speaker 1: he's very big on charity work for children and all that.

859
00:47:00,239 --> 00:47:03,960
Speaker 1: So we really clicked on many ways. But I'm always

860
00:47:04,520 --> 00:47:07,200
Speaker 1: impressed with people that do good things, so I can't

861
00:47:07,280 --> 00:47:10,359
Speaker 1: just necessarily name a bunch of people. But I think

862
00:47:10,400 --> 00:47:12,960
Speaker 1: it's all great when anybody steps up to try to

863
00:47:13,040 --> 00:47:16,399
Speaker 1: do better. The ACM Awards are tonight on Amazon Prime

864
00:47:16,480 --> 00:47:19,279
Speaker 1: Video and you're hosting, and I guess it goes to again,

865
00:47:19,320 --> 00:47:21,600
Speaker 1: you've done so many really cool things. Do you get

866
00:47:21,760 --> 00:47:26,120
Speaker 1: nervous to perform ever anymore? Well, you always get nervous

867
00:47:26,200 --> 00:47:28,000
Speaker 1: because you want it to go well. You hope you

868
00:47:28,080 --> 00:47:31,080
Speaker 1: don't mess up too bad. But that's what they call

869
00:47:31,160 --> 00:47:34,600
Speaker 1: those butterflies. I don't think you ever outgrow that. I

870
00:47:34,719 --> 00:47:38,480
Speaker 1: don't think it should because that's also part of the excitement.

871
00:47:38,560 --> 00:47:42,200
Speaker 1: But yeah, I'm always hoping to do good and hoping I,

872
00:47:42,560 --> 00:47:46,160
Speaker 1: you know, don't disappoint anybody. But just as soon as

873
00:47:46,239 --> 00:47:49,440
Speaker 1: that light hits me, I'm often running then it's too

874
00:47:49,560 --> 00:47:52,719
Speaker 1: late now. So I always look forward to it. I

875
00:47:52,840 --> 00:47:55,439
Speaker 1: love the crowd, I love doing that. I've been doing

876
00:47:55,520 --> 00:47:59,000
Speaker 1: television all my life, so I'm looking forward to it.

877
00:47:59,080 --> 00:48:01,719
Speaker 1: I'm excited about it, really, you know. I was just

878
00:48:01,800 --> 00:48:03,560
Speaker 1: looking at some of the stuff over the past since

879
00:48:03,600 --> 00:48:06,600
Speaker 1: the last time we've spoken, which was the baking line

880
00:48:06,640 --> 00:48:09,200
Speaker 1: with Duncan Hines, the ice cream, you know, the book

881
00:48:09,239 --> 00:48:11,640
Speaker 1: that's out today, the music last they came out last Friday.

882
00:48:11,960 --> 00:48:14,400
Speaker 1: And you know, there's so much that you're involved in.

883
00:48:14,640 --> 00:48:17,480
Speaker 1: Do you have a person that you trust where you

884
00:48:17,600 --> 00:48:21,640
Speaker 1: sit and you go, Okay, let's decide what massive projects

885
00:48:21,680 --> 00:48:23,479
Speaker 1: we're going to take on next. Because I'm sure people

886
00:48:23,480 --> 00:48:26,160
Speaker 1: are throwing ideas at you all the time. How they

887
00:48:26,280 --> 00:48:30,680
Speaker 1: do I have been blessed to be surrounded with wonderful people,

888
00:48:31,080 --> 00:48:34,520
Speaker 1: and of course in the marketing and management, Danny Nozell

889
00:48:34,960 --> 00:48:39,080
Speaker 1: and his crew have done a wonderful job working all

890
00:48:39,200 --> 00:48:41,600
Speaker 1: that out. You've got to have great press and Danny's

891
00:48:41,600 --> 00:48:44,000
Speaker 1: always putting together a great group. And of course it

892
00:48:44,080 --> 00:48:45,880
Speaker 1: depends on what all you're working with. That's what we

893
00:48:46,040 --> 00:48:50,120
Speaker 1: do here in Nashville. Same with my people in East Tennessee,

894
00:48:50,200 --> 00:48:53,320
Speaker 1: with Dollywood and the management there. You know, I just

895
00:48:53,520 --> 00:48:56,600
Speaker 1: I am so blessed to have all these smart, wonderful

896
00:48:56,640 --> 00:48:58,799
Speaker 1: people to help me out with all that. Of course

897
00:48:58,880 --> 00:49:01,160
Speaker 1: I'm the creative, but they have to get out and

898
00:49:01,239 --> 00:49:03,960
Speaker 1: do all the hard work and make all these wonderful

899
00:49:04,040 --> 00:49:07,680
Speaker 1: things happen. Do you have a favorite song to sing

900
00:49:07,840 --> 00:49:10,919
Speaker 1: live now and has that changed over the years where

901
00:49:10,920 --> 00:49:14,040
Speaker 1: you have an affinity for a different songs as you know,

902
00:49:14,160 --> 00:49:18,759
Speaker 1: different years go by. Well, it happens almost not just

903
00:49:18,960 --> 00:49:22,200
Speaker 1: in years, but almost in days or nights, because sometimes

904
00:49:22,239 --> 00:49:24,360
Speaker 1: if there's a certain thing going on that I relate

905
00:49:24,920 --> 00:49:27,480
Speaker 1: to a certain song about, like for instance, Code of

906
00:49:27,560 --> 00:49:29,960
Speaker 1: Many Colors, I sing all the time. But when my

907
00:49:30,040 --> 00:49:33,960
Speaker 1: mother passed away, it was just so hard for several

908
00:49:34,080 --> 00:49:36,600
Speaker 1: months for me to be able to sing that song

909
00:49:36,719 --> 00:49:40,080
Speaker 1: without actually really breaking down where I couldn't even finish

910
00:49:40,120 --> 00:49:43,400
Speaker 1: the song or even that little set you know about family.

911
00:49:44,239 --> 00:49:46,399
Speaker 1: But now you know, I sing it and it takes

912
00:49:46,440 --> 00:49:49,840
Speaker 1: on a different feel than it did when Mama was living.

913
00:49:49,960 --> 00:49:52,160
Speaker 1: It's more of a precious memory kind of thing now.

914
00:49:52,600 --> 00:49:55,279
Speaker 1: But sometimes, you know, it depends on the mood I'm in.

915
00:49:55,480 --> 00:49:58,560
Speaker 1: Some nights, I love singing I Will always Love You Best.

916
00:49:58,640 --> 00:50:01,479
Speaker 1: I always love singing that one, because every singer loves

917
00:50:01,520 --> 00:50:03,879
Speaker 1: to have a song that where you can really sing

918
00:50:04,040 --> 00:50:06,600
Speaker 1: low and let the dynamics, you know, where you can

919
00:50:06,680 --> 00:50:09,080
Speaker 1: go up and down and then really let it go

920
00:50:09,200 --> 00:50:11,880
Speaker 1: at the end. So I always enjoy that one, But

921
00:50:12,040 --> 00:50:15,880
Speaker 1: I enjoy singing the songs that the audience responds to

922
00:50:16,000 --> 00:50:18,520
Speaker 1: the most, Like when I start into nine to five,

923
00:50:19,080 --> 00:50:21,840
Speaker 1: the crowd just goes crazy, start clapping even before I

924
00:50:22,160 --> 00:50:24,280
Speaker 1: when they start hearing the you know, just the rhythm

925
00:50:24,360 --> 00:50:27,000
Speaker 1: of the song. So it just depends on the night,

926
00:50:27,040 --> 00:50:30,359
Speaker 1: but I'm thankful that all of them are received so well.

927
00:50:30,680 --> 00:50:33,440
Speaker 1: I have two questions for you and we'll wrap here.

928
00:50:33,520 --> 00:50:36,000
Speaker 1: But there was a story about Keith Urban being your

929
00:50:36,080 --> 00:50:38,880
Speaker 1: dream duet partner. Are you guys actually working on that now?

930
00:50:38,960 --> 00:50:41,000
Speaker 1: Because once that becomes a story, I think Keith probably

931
00:50:41,040 --> 00:50:44,839
Speaker 1: reaches out like, is that is that the thing? Well?

932
00:50:44,920 --> 00:50:47,080
Speaker 1: Actually I did a do it with him many many

933
00:50:47,160 --> 00:50:52,040
Speaker 1: years ago with him, but I would love to actually

934
00:50:52,120 --> 00:50:54,479
Speaker 1: have something else with him because I think our voice

935
00:50:54,560 --> 00:50:56,680
Speaker 1: is fit. I've always loved him to death. He just

936
00:50:56,800 --> 00:50:59,400
Speaker 1: feels like a member of my family who reminds me

937
00:50:59,480 --> 00:51:02,080
Speaker 1: so much of my brothers Randy and Floyd, who I

938
00:51:02,239 --> 00:51:04,920
Speaker 1: used to sing with all the time. So I would

939
00:51:04,960 --> 00:51:07,520
Speaker 1: love to do something else with Keith and have a

940
00:51:07,600 --> 00:51:10,000
Speaker 1: real single and have a big hit. But he's got

941
00:51:10,480 --> 00:51:13,600
Speaker 1: you know, he's got so many people are running after him.

942
00:51:14,000 --> 00:51:18,200
Speaker 1: But anyhow, someday that'll happen again. I hope He's so talented.

943
00:51:18,280 --> 00:51:21,520
Speaker 1: I love him. Final question is after you do a

944
00:51:21,680 --> 00:51:24,600
Speaker 1: performance of any kind, does someone then grab your clothes

945
00:51:24,640 --> 00:51:26,520
Speaker 1: and go, okay, we have to say this, because this

946
00:51:27,120 --> 00:51:28,840
Speaker 1: we will donate it, we will put it on display,

947
00:51:28,840 --> 00:51:32,160
Speaker 1: like every single thing you wear, is that a thing? Well,

948
00:51:32,280 --> 00:51:34,879
Speaker 1: actually everything I wear. If I really love it, I'll

949
00:51:34,880 --> 00:51:37,799
Speaker 1: wear that again, especially if I'm on tour. And after

950
00:51:37,840 --> 00:51:40,160
Speaker 1: a few weeks somebody asked me if I only wear

951
00:51:40,480 --> 00:51:44,279
Speaker 1: clothes wants. No, there are some things I only wear ones,

952
00:51:44,360 --> 00:51:47,640
Speaker 1: like if it's a really big event, and then we

953
00:51:47,760 --> 00:51:50,800
Speaker 1: put that in the museum. But that's rare because usually

954
00:51:50,800 --> 00:51:53,400
Speaker 1: I'll wear things different times until I'm finished with that,

955
00:51:53,560 --> 00:51:56,759
Speaker 1: and sometimes we even remake them, like if they're a

956
00:51:56,840 --> 00:51:58,880
Speaker 1: long gown, we might shorten it and then I'll wear

957
00:51:58,920 --> 00:52:01,000
Speaker 1: it like that for a while, and then if it's

958
00:52:01,040 --> 00:52:03,480
Speaker 1: done so many important things, it goes in the museum

959
00:52:03,840 --> 00:52:07,080
Speaker 1: or we auctioning off at some charity events. You guys

960
00:52:07,120 --> 00:52:10,640
Speaker 1: can't go to shopt Dolly parton dot com. Get Run

961
00:52:10,960 --> 00:52:14,440
Speaker 1: Rose Run. The music came out last Friday. Dolly, thank you,

962
00:52:14,680 --> 00:52:16,839
Speaker 1: great to see you and hopefully I will see you soon.

963
00:52:16,880 --> 00:52:19,880
Speaker 1: Good luck tonight, okay, thank you, looking forward to it

964
00:52:20,000 --> 00:52:23,400
Speaker 1: all right, bye bye. It's the Best Bits of the

965
00:52:23,480 --> 00:52:28,359
Speaker 1: Week with Morgan number two, and of course this one

966
00:52:28,440 --> 00:52:30,399
Speaker 1: had to come in hot at number one, because oh

967
00:52:30,520 --> 00:52:34,600
Speaker 1: my goodness, what a crazy story from Abbey about her

968
00:52:34,680 --> 00:52:39,160
Speaker 1: boyfriend a medical emergency, Like just so crazy of a story,

969
00:52:39,280 --> 00:52:41,440
Speaker 1: and we're so glad to hear her. He's okay, but

970
00:52:41,560 --> 00:52:43,120
Speaker 1: you got to hear it for yourself, because this is

971
00:52:43,160 --> 00:52:45,480
Speaker 1: just like one and a million I don't actually know

972
00:52:45,560 --> 00:52:47,160
Speaker 1: the odds, but this is like one in a million

973
00:52:47,280 --> 00:52:50,000
Speaker 1: chance that this happens to somebody, and it happened to

974
00:52:50,080 --> 00:52:52,560
Speaker 1: Abby's boyfriend, and it was really scary for her, scary

975
00:52:52,640 --> 00:52:56,480
Speaker 1: for him, just ate all around crazy situation, and she

976
00:52:56,600 --> 00:52:59,959
Speaker 1: shared it with us so seriously though, so glad he's okay,

977
00:53:00,239 --> 00:53:02,120
Speaker 1: and it love to him if he happens to be

978
00:53:02,200 --> 00:53:05,160
Speaker 1: listening to the Best Bits right now. Number one. Okay,

979
00:53:05,239 --> 00:53:08,000
Speaker 1: let's talk about Abby and her boyfriend being airlifted to

980
00:53:08,080 --> 00:53:11,080
Speaker 1: the hospital. You guys voted before he came to the segment.

981
00:53:11,360 --> 00:53:13,480
Speaker 1: This is the one you wanted to hear. Yes, Abby,

982
00:53:13,600 --> 00:53:15,279
Speaker 1: so you have a new boyfriend. You guys have been

983
00:53:15,320 --> 00:53:19,400
Speaker 1: dating for how long now? It was February third, So

984
00:53:19,680 --> 00:53:24,480
Speaker 1: that's a little over a month fresh Verry. So if

985
00:53:24,520 --> 00:53:27,000
Speaker 1: you call the show, Abby's our phone screener. She has

986
00:53:27,040 --> 00:53:29,560
Speaker 1: a new boyfriend. And why that's quick to even be

987
00:53:29,600 --> 00:53:32,000
Speaker 1: a boyfriend. Huh Well, I mean that's like when we

988
00:53:32,080 --> 00:53:35,040
Speaker 1: were like official. But it was before Christmas, so and

989
00:53:35,200 --> 00:53:39,000
Speaker 1: so what happens? What happened? Yeah, okay. So I went

990
00:53:39,080 --> 00:53:41,600
Speaker 1: home to visit him a couple of weekends ago, had

991
00:53:41,640 --> 00:53:43,400
Speaker 1: a great time. I got to meet some of his friends.

992
00:53:43,520 --> 00:53:46,359
Speaker 1: We went to a show. And then so he lives

993
00:53:46,400 --> 00:53:48,320
Speaker 1: like an hour or so away from Wichita, which is

994
00:53:48,360 --> 00:53:50,879
Speaker 1: Whichita was where my parents live. So we were gonna

995
00:53:50,920 --> 00:53:52,759
Speaker 1: he was gonna meet them the final night, and we

996
00:53:52,880 --> 00:53:55,080
Speaker 1: went to dinner and it was just like a super

997
00:53:55,160 --> 00:53:57,040
Speaker 1: quick dinner, and then we kind of went our separate ways.

998
00:53:57,080 --> 00:53:58,560
Speaker 1: They were going to take me to the airport the

999
00:53:58,640 --> 00:54:01,239
Speaker 1: next day, and he of home and I didn't really

1000
00:54:01,320 --> 00:54:02,879
Speaker 1: hear from him, and I was like, Okay, I guess

1001
00:54:02,960 --> 00:54:05,920
Speaker 1: maybe he fell asleep, you know, And so he calls

1002
00:54:06,000 --> 00:54:07,759
Speaker 1: me at six in the morning and I was like, oh,

1003
00:54:07,880 --> 00:54:09,880
Speaker 1: he's calling me to say, you know, are you awake

1004
00:54:09,960 --> 00:54:12,640
Speaker 1: for the airport? You know, you better go? Yeah. I

1005
00:54:12,680 --> 00:54:14,920
Speaker 1: was like, oh, how sweet? And I answer, and he's like,

1006
00:54:15,120 --> 00:54:18,520
Speaker 1: don't worry, I'm fine, but I am in the hospital.

1007
00:54:18,920 --> 00:54:20,279
Speaker 1: I was in the r and I had to be

1008
00:54:20,360 --> 00:54:23,839
Speaker 1: airlifted in the helicopter to Kansas to k You met

1009
00:54:23,880 --> 00:54:26,200
Speaker 1: in Kansas City, and I was like, what I thought

1010
00:54:26,200 --> 00:54:27,800
Speaker 1: I was dreaming? I mean, this is six in the

1011
00:54:27,880 --> 00:54:31,120
Speaker 1: morning and you had just seen him the night before. Yeah,

1012
00:54:31,200 --> 00:54:33,440
Speaker 1: everything I thought was fine, and I was like, what

1013
00:54:33,520 --> 00:54:35,000
Speaker 1: are you saying. The first thing I thought was, you know,

1014
00:54:35,080 --> 00:54:37,160
Speaker 1: he was in an accident, like a car accident or something.

1015
00:54:38,360 --> 00:54:41,600
Speaker 1: But it turns out as we were eating dinner, he

1016
00:54:41,760 --> 00:54:43,719
Speaker 1: went to the bathroom really quick, and I wondered why.

1017
00:54:43,719 --> 00:54:45,160
Speaker 1: I was like, oh, that was kind of weird. He

1018
00:54:45,239 --> 00:54:47,960
Speaker 1: didn't say anything. He choked in the bathroom. He was

1019
00:54:48,040 --> 00:54:51,919
Speaker 1: choking on a piece of meat and it ruptured his esophagus.

1020
00:54:52,360 --> 00:54:54,840
Speaker 1: What so there was like a tiny hole in his

1021
00:54:55,000 --> 00:54:56,880
Speaker 1: esophagus and on his drive home he was in so

1022
00:54:57,040 --> 00:54:59,800
Speaker 1: much pain. And it turns out his chest cavity was

1023
00:55:00,080 --> 00:55:02,200
Speaker 1: full of air, like if he would have gone the

1024
00:55:02,239 --> 00:55:05,520
Speaker 1: whole Yes, as he was coughing and drinking water, it

1025
00:55:05,719 --> 00:55:09,759
Speaker 1: was like leaking out of hiesophagus. Who oh, Like that's

1026
00:55:09,800 --> 00:55:12,759
Speaker 1: like life threatening. So then what happened. He pulls over

1027
00:55:12,840 --> 00:55:15,200
Speaker 1: it as he So he went home and he was like, okay,

1028
00:55:15,239 --> 00:55:16,840
Speaker 1: this is not normal. And he called one of his

1029
00:55:16,920 --> 00:55:18,799
Speaker 1: neighbors because he lives kind of in a smaller town,

1030
00:55:19,320 --> 00:55:21,840
Speaker 1: and he was like, what do I do? Like, she

1031
00:55:21,960 --> 00:55:23,839
Speaker 1: was like, I'll drive you to the hospital. And they

1032
00:55:23,840 --> 00:55:26,279
Speaker 1: don't have the resources at that hospital for what he needed.

1033
00:55:26,320 --> 00:55:28,480
Speaker 1: So that's why they needed to get a helicopter to

1034
00:55:28,560 --> 00:55:32,399
Speaker 1: take into Kansas City. He remember the helicopter ride. He does, yeah,

1035
00:55:32,800 --> 00:55:38,120
Speaker 1: and he was like, yep, he was. And it's funny

1036
00:55:38,120 --> 00:55:39,800
Speaker 1: because one of the medics on there was like asking

1037
00:55:39,880 --> 00:55:41,320
Speaker 1: him questions and he's like, so, do you have a

1038
00:55:41,400 --> 00:55:44,200
Speaker 1: girlfriend and he's like yeah, she's in Nashville. And they're

1039
00:55:44,200 --> 00:55:45,600
Speaker 1: like if she a singer. He's like no, she works

1040
00:55:45,640 --> 00:55:48,359
Speaker 1: in radio. And they're like, oh my gosh, Morgan. He's

1041
00:55:48,400 --> 00:55:53,040
Speaker 1: like no. I was like, what in the world. Why

1042
00:55:53,040 --> 00:55:55,279
Speaker 1: are you guys having a conversation on the way to

1043
00:55:55,360 --> 00:55:59,040
Speaker 1: the hospital. Now, Yes, he has not been able to

1044
00:55:59,080 --> 00:56:00,920
Speaker 1: eat for two weeks and he has another week or

1045
00:56:00,960 --> 00:56:03,560
Speaker 1: you can't eat. He's been drinking like he's lost weight.

1046
00:56:03,640 --> 00:56:06,000
Speaker 1: It is It's insane. I didn't even know this was

1047
00:56:06,040 --> 00:56:08,680
Speaker 1: a thing this could happened, but through his esophagus, like

1048
00:56:08,760 --> 00:56:12,040
Speaker 1: he can take liquid or like a feeding tube. So

1049
00:56:12,480 --> 00:56:14,920
Speaker 1: they had to do a test where you drink this

1050
00:56:15,080 --> 00:56:17,359
Speaker 1: die to make sure it's not leaking out really bad

1051
00:56:17,440 --> 00:56:19,520
Speaker 1: or he would have had surgery. So, like I was

1052
00:56:19,640 --> 00:56:22,160
Speaker 1: waiting for those results and it was so nerve wracking.

1053
00:56:22,400 --> 00:56:28,239
Speaker 1: Are you excited about this Saturday? Yeah, he's gonna come. Yes,

1054
00:56:28,480 --> 00:56:30,640
Speaker 1: it's the first time I'm seeing him since this has happened,

1055
00:56:30,640 --> 00:56:35,560
Speaker 1: so I'm very excited. Bring him on stage. Okay, okay,

1056
00:56:35,719 --> 00:56:38,520
Speaker 1: And just so that we're learning from this segment as well.

1057
00:56:38,960 --> 00:56:41,120
Speaker 1: Like online, it says you have to go to the

1058
00:56:41,160 --> 00:56:45,280
Speaker 1: emergency room right away if you feel like this happening

1059
00:56:45,400 --> 00:56:48,120
Speaker 1: with your esophagus, because if it is treated within twenty

1060
00:56:48,160 --> 00:56:51,320
Speaker 1: four hours, chances of survival are high. But then if not,

1061
00:56:51,440 --> 00:56:53,200
Speaker 1: it goes all downhill from there because it was all

1062
00:56:53,239 --> 00:56:56,120
Speaker 1: going into his chest cavity. Yeah, yeah, I mean that.

1063
00:56:56,440 --> 00:57:00,600
Speaker 1: I'm glad victory, But who would have you got a

1064
00:57:00,640 --> 00:57:05,319
Speaker 1: helicopter ride? That's fun meat, I can't believe it. Um

1065
00:57:05,360 --> 00:57:09,240
Speaker 1: Abby will be on Saturday with us. The Raging Idiots

1066
00:57:09,239 --> 00:57:12,800
Speaker 1: are playing Strawberry Festival right outside of Tampa and Plant City, Florida.

1067
00:57:13,080 --> 00:57:15,080
Speaker 1: You guys can come to the show still tickets to

1068
00:57:15,200 --> 00:57:17,480
Speaker 1: be had. Just go to Raging Idiots dot com or

1069
00:57:17,520 --> 00:57:19,960
Speaker 1: Strawberry Festival dot com and Abby will be doing a

1070
00:57:20,000 --> 00:57:22,440
Speaker 1: little performance national anthem. Shall we sing in a song

1071
00:57:22,480 --> 00:57:25,760
Speaker 1: in our set? It's gonna be great. I can't wait.

1072
00:57:26,000 --> 00:57:28,600
Speaker 1: I'm so excited. And then, um, if he pays for

1073
00:57:28,640 --> 00:57:31,240
Speaker 1: a meeting, great he can meet Eddie. Oh yeah, I

1074
00:57:31,320 --> 00:57:34,440
Speaker 1: mean I may waive the fee for that gat. Yeah,

1075
00:57:34,480 --> 00:57:38,160
Speaker 1: I'll meet him. But Eddie, he's difficult. So right, all right, Abby,

1076
00:57:38,200 --> 00:57:40,240
Speaker 1: I'm glad he's okay. Wait too, thank you? Were you

1077
00:57:40,280 --> 00:57:42,840
Speaker 1: guys happy you picked that segment? Yes? Okay? Well, and

1078
00:57:42,920 --> 00:57:46,840
Speaker 1: what this is what we learned? Learned? Chew your meat? Yes,

1079
00:57:47,240 --> 00:57:49,000
Speaker 1: don't be swallowing it real quick because you got to

1080
00:57:49,000 --> 00:57:50,560
Speaker 1: attract a female from me. You just want to talk

1081
00:57:50,600 --> 00:57:52,680
Speaker 1: and say funny things and impress. He was meeting the parents, though,

1082
00:57:52,680 --> 00:57:54,439
Speaker 1: I'm sure he was a rett nervous. It was his parents,

1083
00:57:54,520 --> 00:57:56,480
Speaker 1: right or yours? It was mine? It was mine, Yeah,

1084
00:57:56,720 --> 00:57:58,720
Speaker 1: so he could have been a little nervous. I mean,

1085
00:58:00,000 --> 00:58:04,440
Speaker 1: it gone so bad, so bad. He's okay. It was

1086
00:58:06,720 --> 00:58:09,760
Speaker 1: the steak like I've been eating. Wow, he's trying to

1087
00:58:09,800 --> 00:58:12,760
Speaker 1: drink the steak. That's what it sounds like. It's the

1088
00:58:12,920 --> 00:58:18,360
Speaker 1: Best Bits of the Week with Morgan number two. That's it, y'all.

1089
00:58:18,600 --> 00:58:21,200
Speaker 1: That was just the bits. So if you come to

1090
00:58:21,320 --> 00:58:24,800
Speaker 1: Best Bits every weekend looking for the behind the scenes

1091
00:58:24,880 --> 00:58:27,240
Speaker 1: interview side of this, which most of y'all shared with

1092
00:58:27,320 --> 00:58:29,360
Speaker 1: me that you are, then make sure you look at

1093
00:58:29,400 --> 00:58:31,360
Speaker 1: the other part. There's two parts of the Best Bits

1094
00:58:31,440 --> 00:58:34,760
Speaker 1: Now that get posted on this lovely Saturday, and one

1095
00:58:34,800 --> 00:58:36,919
Speaker 1: of those is the interview that you don't have to skip.

1096
00:58:37,080 --> 00:58:39,400
Speaker 1: We just talk for the straight time that it's shown.

1097
00:58:39,760 --> 00:58:41,880
Speaker 1: We talk the whole time in this weekend. My guest

1098
00:58:42,080 --> 00:58:44,680
Speaker 1: was Scooba Steve, So go listen to that. Y'all. Have

1099
00:58:44,800 --> 00:58:50,960
Speaker 1: a beautiful weekend. Bobby your Radio Bobby Bones Show, Bobby

1100
00:58:51,040 --> 00:58:51,440
Speaker 1: Bones