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Speaker 1: And I can't please everybody. Oh, I don't want Mary

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Speaker 1: to be sad again. You host that the best?

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Speaker 2: You want my old music, go buy my old album.

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Speaker 3: It's the Guard Crack Care.

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Speaker 4: You know who it is, your boy Jada, It's the

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Speaker 4: Joe and Jada Show.

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Speaker 5: Every show legendary, every show iconic, and we.

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Speaker 3: Crushing these niggas.

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Speaker 4: Now, when you think of today's guests, We're gonna have

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Speaker 4: to cut it a little short because we could be

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Speaker 4: here for hours.

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Speaker 3: When you're think of today's guests, you think of genuine.

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Speaker 3: You think of the queen of hip hop show I'm

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Speaker 3: talking bridge.

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Speaker 4: You think of coming from a household with some good

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Speaker 4: ass fool You think of some of the best siblings.

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Speaker 4: I know you know DMX brought us to Rough Riders,

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Speaker 4: but you don't know she passed out actual demo tape

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Speaker 4: which actually got us our first record.

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Speaker 3: There. You think of being able.

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Speaker 4: To withstand and persevere through all of the errors and

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Speaker 4: just evolved and get better and get richer and get

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Speaker 4: more everything. Ladies and gentlemen, no, no, we got you

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Speaker 4: wanna keep going.

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Speaker 3: We gotta think of slow. Oh yes, you think of

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Speaker 3: who that's right? You think of you? Yeah, motherfuck amergell

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Speaker 3: you think of artist, you take a brown eyes.

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Speaker 4: That's right, de leons, that's right, think of wheels, ladies

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Speaker 4: and gentlemen. Makes her noy for Mary James.

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Speaker 1: Thank y'all, Thank y'all, thank y'all. So what's that's up?

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Speaker 2: Y'all?

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Speaker 6: Yo, sister, you looking like you're looking like a bag

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Speaker 6: of money out there.

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Speaker 7: Everybody turn their ringers off if you if you're back,

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Speaker 7: Ald honey, because we got a live studio audience in

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Speaker 7: cases too young.

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Speaker 4: I don't know about the shows that used to be

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Speaker 4: taped with a live studio.

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Speaker 3: Today. Of you say anything too loud.

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Speaker 5: Or your ringer goes off, you're gonna get kicked out

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Speaker 5: this house.

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Speaker 4: This is a very serious, important shoulder to me, biggest.

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Speaker 3: My wife today.

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Speaker 1: My bag is not in here right because my ring

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Speaker 1: is on.

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Speaker 4: Your folking ring like you going like a slip vegas

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Speaker 4: your fucking ring on the whole episode when you're good.

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Speaker 6: Littania, Listen that ship you got on. I see you

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Speaker 6: already got your money from the Chimney fire us.

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Speaker 3: Yo. He's shooting at me.

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Speaker 6: That up at the fastest insurance money.

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Speaker 4: Motherfucker, I haven't seen I said my Chimney didn't catch

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Speaker 4: on firing me.

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Speaker 3: Just had the opening day with our sister.

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Speaker 4: Is in the buildings of birthday, can we were?

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Speaker 7: We show love here, So ladies and jenlemen, happy birthday

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Speaker 7: and the rest me. Happy birthday to you, Happy birthday to.

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Speaker 3: You, Happy birthday day.

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Speaker 8: Many Happy birthday to you, Thank you, thank you.

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Speaker 3: Thank God. Mary ain't my wife because she know how

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Speaker 3: to convince me. She looked at you.

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Speaker 6: She was like, Joey, I like that change, Joey. I

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Speaker 6: like that change, Joey. I like that cha oh fuck it.

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Speaker 6: Let me go buy and marry this jake. She told

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Speaker 6: me today you ain't get me no gift. I said, well,

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Speaker 6: did you renally get your Since said, yeah, that's the

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Speaker 6: same back just in the same fucking family. We don't

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Speaker 6: miss on the gifts like you gotta stop since we

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Speaker 6: love you so much. The whole thing is that the

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Speaker 6: whole world loves you, so don't got like we can't

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Speaker 6: over love the whole world the love like I cash it.

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Speaker 3: Over I ever much the world lover. I love him

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Speaker 3: a little.

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Speaker 4: Bit over the world because I wouldn't really, big man,

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Speaker 4: that's you know what I'm saying.

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Speaker 3: Credible.

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Speaker 4: I know you say, Chris Lady pulled up to your projects.

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Speaker 3: Know this and that and this, like this the way

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Speaker 3: you like to go this that this. We had a

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Speaker 3: lot of meetings. They curved us a lot. He was

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Speaker 3: hammling a lot of shit.

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Speaker 4: We finally got the demo that we thought was strong enough.

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Speaker 4: Shout out to my brother James Box jamark o'miller's yes, sir, make.

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Speaker 3: Some noise for my man father out of here. You

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Speaker 3: know what I'm saying, Joe. It's also Latanya lt that

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Speaker 3: on his birthday, Happy Birthday, the LTV we all stuff

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Speaker 3: and I called it yesterday to single happy Birthday. I did.

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Speaker 3: I'll shing you to it right now.

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Speaker 6: Sis, how you feeling? Uh, you don't just promote? Boy,

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Speaker 6: do you promote like you'll stay quiet for a minute.

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Speaker 6: But I don't seen you on Good Morning America. Sherrie

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Speaker 6: is different level.

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Speaker 3: W was not fucking around talk about this residency. I

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Speaker 3: have to.

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Speaker 1: I mean, it's a huge deal. It's I mean, at

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Speaker 1: this point in your career, this is where you're supposed

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Speaker 1: to be. You know, touring is one thing, it's amazing,

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Speaker 1: but you know, it's a lot of getting on buses,

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Speaker 1: getting on planes, running up and down the road. But

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Speaker 1: this is like you know, you go to Vegas, you

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Speaker 1: sit there, you sit in a mansion hotel, and then you.

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Speaker 3: Go for you.

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Speaker 6: We ain't gonna buy. We're gonna rent the mansion just

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Speaker 6: to go to our show every night.

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Speaker 3: Okay, coming, I know, I don't know. Hell yeah coming.

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Speaker 3: We gonna beat it. Think we're not gonna beat it, everybody.

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Speaker 3: I don't think.

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Speaker 1: You know.

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Speaker 4: When they first announced it the world, it was like,

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Speaker 4: COVID tell you know about it, Harry's cut.

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Speaker 3: My mommy called me jasus I her Mary. I said,

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Speaker 3: my got you.

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Speaker 9: Don't worry man got you? So that let me tell

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Speaker 9: you it's too right. It's too that crazy Lorna's brother

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Speaker 9: from Colombia, Lucito, my brother. He don't speak much English,

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Speaker 9: but he know Mary.

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Speaker 6: But he don't really know Mary because he's into Reggaetna

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Speaker 6: and all that shit. So when he asked me, I said, well,

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Speaker 6: she's the English Marc Anthony, that's the best way to

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Speaker 6: describe it. To Mark Anthony, legend he tell our Madison

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Speaker 6: Square Garden right now, He'll be like Tonight's show, So

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Speaker 6: doubt that's how Mary is. So I'm trying to explain them.

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Speaker 6: You know Mark Anthony only years number one hits. That's

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Speaker 6: what she is in English. But Mark Anthony got a

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Speaker 6: resident and see out there too, so we all just.

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Speaker 1: Oh nice difficult or the winds win.

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Speaker 3: I don't know he has. I don't know. I don't

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Speaker 3: know ship.

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Speaker 6: How about that? I just pull up my new ship

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Speaker 6: is I'm sneaking into everything.

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Speaker 3: I just pull up. Hold on to Monica LT. You

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Speaker 3: don't like to get on camera, but this for Marianne

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Speaker 3: LT bringing it. You're the scar face like this. Excuse

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Speaker 3: me another one? Two three? I be birthday? Be birthday?

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Speaker 3: You have bad day? Ltday You.

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Speaker 4: That's a nice yoall. That's a beautiful, beautiful cake. Thank

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Speaker 4: you be Birthday. We love y'all.

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Speaker 1: Joe show, we love so much.

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Speaker 3: Tell him? How big is this show? Right here? Marython,

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Speaker 3: don't front you be watching? This ship is massive?

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Speaker 6: Oh I gotta hold it, blow it up two times

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Speaker 6: a fella, tru time of fella.

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Speaker 1: The show is massive. Man, this is legend. How you

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Speaker 1: saying legend?

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Speaker 3: This is huge?

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Speaker 6: Nah? We love you man, We got you. You are

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Speaker 6: actually first show on Netflix.

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Speaker 1: Reallyss on the Netflix because ress On gett into the

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Speaker 1: bag back back.

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Speaker 3: You know, I delivered on my promise.

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Speaker 6: You know, my business partner was looking at me like

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Speaker 6: he was like, yo, Joe, So with the bag, I said, Yo,

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Speaker 6: don't worry y'all. We're gonna get that bag. We're gonna

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Speaker 6: get the legend that we're gonna smoke him out. He said,

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Speaker 6: Yo Joe, But what's up? He started getting antsy, and

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Speaker 6: God came with it. You know this type of ship,

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Speaker 6: you know what I'm saying. So we are, Oh Mary,

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Speaker 6: we like this disrespectful up to the knees. I want

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Speaker 6: these guys to hurry up and quick up to the knees.

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Speaker 6: I want these guys to quit already, like everybody in podcast,

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Speaker 6: may give it up thro the fucking I wain and

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Speaker 6: go go retire this ship different right here, it's that

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Speaker 6: real ship right here. You see the Louis. You see

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Speaker 6: the Louis, You see the Fendi.

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Speaker 3: First we shipping on it and we ain't even cast

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Speaker 3: one bagging yet. This is rap money a fact. Joe,

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Speaker 3: Sis you luddy ship man. And let me tell you something.

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Speaker 6: I remember Patty LaBelle told me because you know my

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Speaker 6: favorite single ball time is Luthor.

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Speaker 3: You knew Luther all that.

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Speaker 1: No, not really. I met him once brief, but I

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Speaker 1: didn't know him.

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Speaker 3: No, yeah, that's crazy. No, he's from five blocks away

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Speaker 3: from me. Here we go. Today's Wyo, my brother, Today's who.

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Speaker 6: Who's the old school lady from Wayo? The first one

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Speaker 6: that popped off?

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Speaker 3: Oh?

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Speaker 4: Under thunder raid Man under Raid.

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Speaker 3: I was talking to him about all one day.

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Speaker 6: He was like, yeah, I see at the supermarket all

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Speaker 6: the time, Like she really from Yarkice.

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Speaker 5: Yeah, she living seven pounds.

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Speaker 6: And now you sung recipes a j Herwell, right, you

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Speaker 6: sung to him, Anita Baker, So go.

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Speaker 1: Ahead, let me tell you the story.

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Speaker 3: So it's okay.

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Speaker 1: You remember the gallery in White Plains, right, remember the

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Speaker 1: day it was a big thing about them getting the

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Speaker 1: karaoke machine. So we went to the mall and I recorded,

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Speaker 1: which was my favorite song at the moment, was Caught

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Speaker 1: Up in the Rapture. And I recorded Caught Up in

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Speaker 1: the Rapture, And I bought the tape on my my

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Speaker 1: mother's boyfriend, who was my stepfather. We called my stepfather.

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Speaker 1: He worked at General Motors with Jeff Redd and my Vernon,

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Speaker 1: and Jeff Red was already on he had you called

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Speaker 1: and told me Jeffred gave the tape to Andre Herrol.

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Speaker 1: Andre came to Slovamb and came up to my house.

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Speaker 1: I sang the whole Anita Baker Rapture album because that

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Speaker 1: was my album at the time. Rest is history. He's here.

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Speaker 3: You know what's crazy? Man, shout out.

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Speaker 6: I don't want to disrespectful, shout out my best friend

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Speaker 6: ever in life. He dead, long time tor one Tana,

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Speaker 6: but he was one of them fly ll cool j type.

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Speaker 6: He had every girl you wanted from Harlem and the Bronx,

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Speaker 6: but he had this this chubby girl and that used

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Speaker 6: to be like your tone because he had no no

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Speaker 6: I'm fat, I'm fat Joe, but he had this girl

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Speaker 6: that didn't fit his normal profile. So we over there

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Speaker 6: sitting in the house and all that Washington projects. I'm like, yo,

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Speaker 6: my man, what's up? He was like, she singing them.

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Speaker 6: She used to sing Anita Baker to toll Boy. He

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Speaker 6: was sitting in his lips. She was like, God, that look.

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Speaker 3: Out she sings to me.

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Speaker 1: That's what I sing. Cord and the Rapture was every

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Speaker 1: hood girls. You know, we were all wanting to be

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Speaker 1: in love when somebody love us, and that song just

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Speaker 1: made us knowl it made us think about you know,

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Speaker 1: the man. We wanted not to give a mushie, but

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Speaker 1: you know, I'm a chick and.

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Speaker 6: Said Anita Baker, I know if you performing with it,

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Speaker 6: but you actually told the you know, like he said

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Speaker 6: the demo, right, yeah.

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Speaker 3: You don't sing Anita Baker. We don't hear Mary J.

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Speaker 3: Blige as we know that's right right.

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Speaker 1: Well it was It wasn't caught up in the rapture

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Speaker 1: that put me onto Anita Baker. It was angel, You're

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Speaker 1: my angel. That's what maybe like, that's what.

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Speaker 3: Angels that ship. Yeah.

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Speaker 1: Then I fell in love with Anita Bacon saying her songs,

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Speaker 1: you know, and then.

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Speaker 4: I eventually let the Baker doing all the stuff she

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Speaker 4: did that led up to do You Remind Me?

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Speaker 5: When You Remind Me came out, it was like everybody

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Speaker 5: got hit the honor roll. In a while, it was

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Speaker 5: like we can't hear enoughing. We were still there, so

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Speaker 5: we were still like.

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Speaker 7: Parties and slow by my Shirley's Runner, it was like

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Speaker 7: a hundred times in the row.

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Speaker 3: The baseman of the thing.

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Speaker 7: They're playing back for hour. It was Doge Buff Daddy

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Speaker 7: with the drums. So first with the drums. The drums

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Speaker 7: who put the drums, that was Dave Wall the business

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Speaker 7: he did the biz office mark.

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Speaker 1: That's what it remind me. Yeah, that's the that I

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Speaker 1: sang over. And he did this cheese over the drums

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Speaker 1: and it was a strictly business sounds, business business sound

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Speaker 1: that's the movie. So so Andre didn't know what to

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Speaker 1: do with me because he was looking at me like, Okay,

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Speaker 1: she's no Whitney Houston. She's not gonna wear a gown.

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Speaker 1: She looks like a little tomboy, right, So I was

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Speaker 1: shelved kind of, but it was strictly business the strictly

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Speaker 1: business soundtrack where you remind me read Alert, pulled the

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Speaker 1: song off, put it in the mixed show on DJ's

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Speaker 1: ram with it, and then they introduced me to Huff

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Speaker 1: who was like, oh, I know exactly what to do

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Speaker 1: with her. And Joasy was already out and he was like,

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Speaker 1: she's gonna be a female Jodasy And for the hat

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Speaker 1: turn back was give us some tough ones.

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Speaker 3: And you know, because I ain't gonna a lot of men.

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Speaker 6: I hear them grums anywhere I go out to see

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Speaker 6: that the Puff Daddy Dance. I knew that diddy Bop

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Speaker 6: was with them drums, Like when I you know, music

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Speaker 6: is music is like a fucking you know, it takes.

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Speaker 3: The right to He had not I know about him.

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Speaker 3: He just here. I say, he didn't have one thing

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Speaker 3: to do with the drums. But oh what but he

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Speaker 3: they've oth us what she saying? Man them drums?

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Speaker 6: Your mind me of that diddy Bop, that that you know,

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Speaker 6: that ship right there, like you know me and how

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Speaker 6: we battle a wop in the crib.

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Speaker 4: I'm not lying, mother, fake could challenge her, But I

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Speaker 4: don't even know why you got the gumption, dh.

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Speaker 3: That's one thing. We ain't got to convince you much

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Speaker 3: of the right music.

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Speaker 6: Come on, you fucking dancing your ass off in the

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Speaker 6: door of the kitchen, cause we gotta convince you for everything.

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Speaker 6: But that shit like that, that shit, it's a whole

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Speaker 6: thing where we went, where we went.

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Speaker 3: To see Chris Brown.

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Speaker 6: Yeah, we walking through the concert and all that shit.

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Speaker 3: She I knew that Mary J.

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Speaker 6: Blize don't do shit like that, So she's walking. We

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Speaker 6: gotta walk through the ship. She I become her security.

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Speaker 6: When I'm with her, I'm security. So she I am

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Speaker 6: not the number one object it's like all, I like,

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Speaker 6: I will fuck twenty niggas up for her, like I

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Speaker 6: gotta like, I gotta turn it to Joey from the

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Speaker 6: Bronx when I'm with us.

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Speaker 3: I mean, you know, we had a beautiful time.

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Speaker 6: But I kept fighting with Ralph McDaniels because he had

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Speaker 6: footage of you when you was like eighteen or nineteen,

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Speaker 6: and I think it was in Mount Vernon's. It was

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Speaker 6: one of your first shows. And I asked Ralph, I asked,

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Speaker 6: Uncle Ralph, see your Ralph Man?

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Speaker 3: Like, did you?

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Speaker 6: He said, bro, I knew the second I saw her rocks.

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Speaker 6: He was like that ship turned upside down and he

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Speaker 6: was like, she going, you know, all many are You

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Speaker 6: know the women.

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Speaker 3: At your show they hate man. They hate man. That's

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Speaker 3: a flat Charlie.

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Speaker 1: So I don't think they hate man. I think they

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Speaker 1: just tied of being hurt. They don't know how to process,

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Speaker 1: like none of us knew how to process what we

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Speaker 1: were going through with men back in the days. So

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Speaker 1: I don't think they hate them. They just don't know

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Speaker 1: how to, you know, process the hurt that they're going

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Speaker 1: through with men, or how to even love themselves out

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Speaker 1: of it. You know, I don't think it's hate for you.

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Speaker 1: I think it's hate for the fact that they don't

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Speaker 1: know what to do with this feeling. You get what

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Speaker 1: I'm saying.

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Speaker 3: We're talking. I go to your shoulder. I said, like,

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Speaker 3: I'm getting sad. Why don't you flaming? And when the

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Speaker 3: human with the same feeling.

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Speaker 6: I've been going to her concerts with my wife for

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Speaker 6: thirty years and she goes, I don't know if you know.

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Speaker 6: She be sniped Yoe, my brother Joe here and my

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Speaker 6: sister Joe.

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Speaker 3: Do the right thing.

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Speaker 6: I'm like, so fuck chicks from upper depth of Stone

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Speaker 6: grinsies out me and shit.

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Speaker 3: I'm like, oh my god, I come over here to

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Speaker 3: get cursed the fuck out every yo.

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Speaker 6: I'm like, yo, they like you gotta be a strong

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Speaker 6: man to take your girl there and stand there.

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Speaker 3: I'm going down. You feel like they I'm going down.

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Speaker 6: It's a decent way of cursing every guy out in

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Speaker 6: the universe. And you sitting in there like, yo, Mary,

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Speaker 6: I love your ship, but why they gotta curse me out?

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Speaker 3: Like what I'm doing wrong?

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Speaker 6: But that empowerment, you know, And it's sad because so

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00:17:48,720 --> 00:17:53,760
Speaker 6: many years me watching you is fucked up. But they say, Yo, Mary,

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Speaker 6: you know she gotta be going through some shit so

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Speaker 6: we can get the best work from her, like you know,

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00:18:00,320 --> 00:18:04,960
Speaker 6: them painful records. And it's fucked up because your biggest

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00:18:05,000 --> 00:18:09,920
Speaker 6: songs come from your personal experiences and heartbreaks, and tell

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Speaker 6: us about that. When you fucking crush, that's when you

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Speaker 6: do your best shit.

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Speaker 1: I used to think that was the situation, but I

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Speaker 1: think that just like the fans, they can only relate

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Speaker 1: to you from where they are. So I was where

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Speaker 1: I was, So I was sad, I was suicidal. I

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Speaker 1: was trying over some nigga all the time, and.

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Speaker 3: That was very relatable to a lot of.

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Speaker 1: The exactly and so I was, honestly just given where

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Speaker 1: I was at. So when I was, when I say

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Speaker 1: just fine, I wasn't, you know, just fine. I wanted

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Speaker 1: to be just fine. I wanted to be happy. If

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Speaker 1: you look at my life, I want you to see

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Speaker 1: what I'm living, what I'm going. Look at my life.

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Speaker 1: So it's just about being relatable and just letting people

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Speaker 1: see where I was, you know, honestly through my music.

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Speaker 1: And I still do the same thing, and I can't

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Speaker 1: please everybody. Oh Mary, to be sad again, You hostet

356
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Speaker 1: the best. You want my old music, go by my

357
00:19:04,320 --> 00:19:10,280
Speaker 1: old album, you know, because I can't stay for you guys.

358
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Speaker 1: But I understand, I totally get it. So where I

359
00:19:15,040 --> 00:19:17,160
Speaker 1: am right now, you'll get where where I'm at right now.

360
00:19:17,160 --> 00:19:19,080
Speaker 1: But I'm not. I'm not saying, oh, you know the

361
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Speaker 1: hell with the girls, that's broken hearted? Absolutely not. But

362
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Speaker 1: I can't get with you in certain places anymore. You

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00:19:26,119 --> 00:19:28,960
Speaker 1: understand I'm saying without came out of Doctor Rock yesterday.

364
00:19:29,000 --> 00:19:31,080
Speaker 6: I give no, my knee fucked up, so I get

365
00:19:31,119 --> 00:19:35,639
Speaker 6: the therapy. Iccord you with doctor Rob Trump for the

366
00:19:35,800 --> 00:19:38,840
Speaker 6: name after Doctor Rock. By the way, the fucking building

367
00:19:39,160 --> 00:19:42,360
Speaker 6: says doctor, I'm taking you to the doctor.

368
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Speaker 3: Dre a fucking knee and foot doctors.

369
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Speaker 6: Like I'm right, but I'm Then I come outside and

370
00:19:48,200 --> 00:19:52,840
Speaker 6: there's this Cuban dude and he's always so happy, right

371
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Speaker 6: dog skinning Cuban dude, all fat you know I'm after

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Speaker 6: Cuban yesterday was crying.

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Speaker 3: He said, my wife leave me for guy in Atlanta,

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Speaker 3: take my two daughters.

375
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Speaker 6: No, this real shit, and he wants Fat Joe to

376
00:20:08,200 --> 00:20:11,320
Speaker 6: really therapy him. Like you know, I'm trying to my

377
00:20:11,400 --> 00:20:13,359
Speaker 6: wife waiting in the car I'm trying to get up

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Speaker 6: out of there.

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Speaker 3: He's like, fun.

380
00:20:15,720 --> 00:20:18,040
Speaker 6: So I gotta sit down with this man and he

381
00:20:18,200 --> 00:20:20,520
Speaker 6: thank god he got the other security and work with him.

382
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Speaker 6: He was like, yo, Joe, I said, by the way,

383
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Speaker 6: this guy's fly too. No pause, whatever you want to say.

384
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Speaker 6: He ain't no ugly dude. He's flying and he worked

385
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Speaker 6: hard's I worked fourteen hours a day.

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Speaker 3: The point is I'm trying to make I'm telling him

387
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Speaker 3: I had a friend. I don't know. I gotta talk

388
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Speaker 3: him off the ledge.

389
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Speaker 5: All right.

390
00:20:46,840 --> 00:20:47,920
Speaker 3: It was a quick quitch.

391
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Speaker 6: I have a friend that they called me one day

392
00:20:50,560 --> 00:20:53,520
Speaker 6: and said he's killing himself. His wife cheated on him

393
00:20:54,000 --> 00:20:57,600
Speaker 6: and said, Joe, please come over here, right. So I

394
00:20:57,680 --> 00:21:00,240
Speaker 6: go over there. Yo, my man, you the man, and

395
00:21:00,359 --> 00:21:02,360
Speaker 6: you know I'm doing whatever I can. You the man,

396
00:21:02,480 --> 00:21:05,680
Speaker 6: this and that, long story short, he was crying. He's

397
00:21:05,720 --> 00:21:07,679
Speaker 6: a you know, tough guy. This and this and that.

398
00:21:08,240 --> 00:21:10,760
Speaker 6: I've seen him a year later and the man run

399
00:21:10,840 --> 00:21:12,640
Speaker 6: up to me, Yo Joe, you.

400
00:21:12,600 --> 00:21:13,400
Speaker 3: Won't believe it.

401
00:21:14,320 --> 00:21:18,159
Speaker 6: I have a new wife, beautiful Dominican. She's a pastor.

402
00:21:18,320 --> 00:21:22,040
Speaker 6: She doesn't want to go out. He shows me pictures beautiful.

403
00:21:22,119 --> 00:21:25,560
Speaker 6: This guy was gonna kill himself the year before. So

404
00:21:25,640 --> 00:21:30,159
Speaker 6: I'm telling him, I know, heartbreak, no matter male or female,

405
00:21:30,760 --> 00:21:34,399
Speaker 6: is fucking devastate. Yeah, you could be a man and

406
00:21:34,440 --> 00:21:36,560
Speaker 6: be crying like that man was crying in the middle

407
00:21:36,600 --> 00:21:39,520
Speaker 6: of his job yesterday. I had to take some time

408
00:21:39,560 --> 00:21:41,959
Speaker 6: out to talk to him and try to talk him

409
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Speaker 6: off the ledge.

410
00:21:43,480 --> 00:21:47,760
Speaker 3: But that's what your music does for women, men, everybody.

411
00:21:48,400 --> 00:21:50,720
Speaker 1: Yeah, I was I was talking. This was a long

412
00:21:50,720 --> 00:21:53,840
Speaker 1: time ago. I was talking to a guy and he

413
00:21:53,960 --> 00:21:57,480
Speaker 1: was like, do you know what's one of my favorite

414
00:21:57,520 --> 00:22:00,520
Speaker 1: song I'm talking about like a drug dealer? Like, no, like.

415
00:22:02,040 --> 00:22:03,399
Speaker 3: You know one of those one of those.

416
00:22:03,760 --> 00:22:05,119
Speaker 1: He was like, you know what one of my favorite

417
00:22:05,160 --> 00:22:07,000
Speaker 1: Mary J. Black song is. I thought he was gonna

418
00:22:07,080 --> 00:22:08,919
Speaker 1: like every day it range and something like that. He

419
00:22:09,040 --> 00:22:13,160
Speaker 1: was like, I'm going down. I was like, why him? Yes?

420
00:22:13,400 --> 00:22:16,840
Speaker 1: And so in these concerts there's men singing the song,

421
00:22:17,160 --> 00:22:20,200
Speaker 1: like I'm talking about men, men, men I sing singing

422
00:22:20,320 --> 00:22:27,160
Speaker 1: the songs drug dealers, I mean construction workers and yeah,

423
00:22:27,200 --> 00:22:29,639
Speaker 1: and they said it helped him through I'm going down,

424
00:22:29,760 --> 00:22:31,800
Speaker 1: help them to sell it, to stay on the corn

425
00:22:31,840 --> 00:22:33,879
Speaker 1: and sell the drugs that they were selling. And that's

426
00:22:34,040 --> 00:22:37,320
Speaker 1: I was like, what I didn't understand it, but after

427
00:22:37,320 --> 00:22:40,640
Speaker 1: you've give them that story. Just now, everybody, everybody.

428
00:22:44,359 --> 00:22:47,920
Speaker 4: Today's show is brought to you by presenting sponsor hard

429
00:22:48,000 --> 00:22:50,880
Speaker 4: Rock Bet. We've been rolling with the hard Rock Bet

430
00:22:50,960 --> 00:22:53,440
Speaker 4: all regular season long, and now.

431
00:22:53,320 --> 00:22:56,120
Speaker 3: Hard Rock Bet is here for what is shaping up

432
00:22:56,440 --> 00:22:58,520
Speaker 3: to be an incredible playoff run.

433
00:22:58,800 --> 00:23:01,720
Speaker 4: You know what I love doing with these big standalone

434
00:23:01,760 --> 00:23:06,520
Speaker 4: playoff games, Same game Paulay's lock in one match up

435
00:23:06,600 --> 00:23:07,400
Speaker 4: at a time.

436
00:23:07,280 --> 00:23:08,560
Speaker 3: And stack your picks.

437
00:23:08,640 --> 00:23:11,600
Speaker 4: Maybe the quarterback throws for two hundred and fifty, the

438
00:23:11,720 --> 00:23:14,840
Speaker 4: running back hits one hundred, and the tight end punches

439
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Speaker 3: You know I did dirty. Everybody got dig dirty.

474
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Speaker 6: I don't know about anybody else, but I got done filthy.

475
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Speaker 3: I had a girlfriend that I used to tell.

476
00:25:18,320 --> 00:25:21,760
Speaker 6: I hate that dude, Black Dave, I hate Juanito, I

477
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478
00:25:23,720 --> 00:25:26,159
Speaker 3: She fucked all of them when I broke up with her,

479
00:25:27,040 --> 00:25:32,960
Speaker 3: every last one of them. Everybody Yo. They was like

480
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Speaker 3: yo yoe, three in the morning calling me. I'm like, yo,

481
00:25:35,920 --> 00:25:39,040
Speaker 3: what's up there? She's walking out with white daddy.

482
00:25:40,200 --> 00:25:44,520
Speaker 6: Everybody I ever told her I didn't like. She fucked

483
00:25:44,560 --> 00:25:51,399
Speaker 6: them all. It's horrible, it's horrible looking for me. It

484
00:25:51,520 --> 00:25:54,080
Speaker 6: was strong, No, no, not strong. I ain't want to

485
00:25:54,119 --> 00:25:56,520
Speaker 6: be with her. You ever been in a relationship with

486
00:25:56,600 --> 00:25:59,480
Speaker 6: the guys talking like I was in a relationship with

487
00:25:59,560 --> 00:25:59,960
Speaker 6: a girl.

488
00:26:00,400 --> 00:26:02,000
Speaker 3: Does she talking all that hot shit?

489
00:26:02,119 --> 00:26:04,000
Speaker 6: And the whole time I'm looking at it, I'm like, bitch,

490
00:26:04,040 --> 00:26:05,320
Speaker 6: I don't even want to be with you.

491
00:26:05,440 --> 00:26:10,320
Speaker 3: Like I'm sitting there like, huh, what this one thing?

492
00:26:10,320 --> 00:26:10,560
Speaker 2: With you?

493
00:26:10,680 --> 00:26:13,080
Speaker 6: Madly in love? You go through the motions. It's another

494
00:26:13,119 --> 00:26:16,680
Speaker 6: thing when you checked out already. Usually about that time.

495
00:26:16,760 --> 00:26:19,359
Speaker 6: Women they making their exit plans. They got their money,

496
00:26:19,400 --> 00:26:21,080
Speaker 6: they cash they had saved, dup.

497
00:26:21,480 --> 00:26:22,080
Speaker 3: They're getting the.

498
00:26:22,119 --> 00:26:26,160
Speaker 6: Fuck up at they get jokes on you guy.

499
00:26:27,400 --> 00:26:28,439
Speaker 3: Yeah, you ever been with it?

500
00:26:28,520 --> 00:26:28,720
Speaker 2: With it.

501
00:26:30,280 --> 00:26:31,439
Speaker 3: Nigga's crazy.

502
00:26:31,840 --> 00:26:34,119
Speaker 6: You ever been in a situation where the god's talking

503
00:26:34,160 --> 00:26:35,880
Speaker 6: all that shit and you're looking at him like yo,

504
00:26:35,960 --> 00:26:39,760
Speaker 6: I've been done, Like yup that shit crazy.

505
00:26:39,800 --> 00:26:42,600
Speaker 1: When it's done is done. When a person is not

506
00:26:42,640 --> 00:26:46,440
Speaker 1: giving you peace, it's poisoned. So you already almost you know.

507
00:26:47,080 --> 00:26:49,480
Speaker 1: Now they whack. They ugly. They're not bringing you the

508
00:26:49,520 --> 00:26:52,800
Speaker 1: things you need. So now they ain't cute no more.

509
00:26:53,119 --> 00:26:55,160
Speaker 1: They nose who's bigger than what it normally is. Their

510
00:26:55,160 --> 00:26:57,119
Speaker 1: stomach is fatter than what it So you're like, no,

511
00:26:57,240 --> 00:26:59,280
Speaker 1: you whacking ugly anyway, this is what you're saying in

512
00:26:59,320 --> 00:27:02,119
Speaker 1: your mind. I'm out of here. But he's still thinking,

513
00:27:02,119 --> 00:27:03,119
Speaker 1: he hot. I know what you're saying.

514
00:27:03,160 --> 00:27:05,359
Speaker 3: He's still thinking, yeah, my nigga.

515
00:27:05,080 --> 00:27:10,119
Speaker 6: You like hello, like you sitting there like hello, like bitch,

516
00:27:10,160 --> 00:27:12,840
Speaker 6: you on the chopping block right now, like you asked

517
00:27:12,840 --> 00:27:15,119
Speaker 6: out it. You better hold on to whatever you got,

518
00:27:15,800 --> 00:27:19,720
Speaker 6: and you know, salute the guys that had girls bought

519
00:27:19,760 --> 00:27:21,600
Speaker 6: them a couple of things. To let them leave with

520
00:27:21,640 --> 00:27:23,680
Speaker 6: their things, because this will be some rich niggas that

521
00:27:23,800 --> 00:27:25,760
Speaker 6: want to keep the bat. We gott my man in

522
00:27:25,760 --> 00:27:28,080
Speaker 6: the fucking boxing. He sued the girl. He went to

523
00:27:28,200 --> 00:27:32,960
Speaker 6: federal court. He wanted the Burkings back. The boxer what's

524
00:27:33,000 --> 00:27:33,600
Speaker 6: his name.

525
00:27:34,240 --> 00:27:34,920
Speaker 3: Devin Ain't.

526
00:27:34,960 --> 00:27:37,800
Speaker 6: He actually went to court broke up with his baby

527
00:27:37,800 --> 00:27:41,680
Speaker 6: Mossles like, yo, I need the Burken bags back, the earrings.

528
00:27:41,760 --> 00:27:44,800
Speaker 3: Like come on, you know what, that's right? We go

529
00:27:45,040 --> 00:27:48,920
Speaker 3: charged that like that's him guilty. They had no back seats.

530
00:27:49,280 --> 00:27:51,640
Speaker 3: Let me tell you keep the fucking bag.

531
00:27:51,840 --> 00:27:54,119
Speaker 6: I fought with my wife one time and I started

532
00:27:54,160 --> 00:27:56,920
Speaker 6: looking at the diamonds and all the watches. I said, man,

533
00:27:57,119 --> 00:27:59,240
Speaker 6: she got more money than me. I'm making stick a

534
00:27:59,320 --> 00:28:00,160
Speaker 6: round boy.

535
00:28:00,480 --> 00:28:02,760
Speaker 3: Fuck that. She got the bag right here.

536
00:28:02,920 --> 00:28:08,480
Speaker 6: Like so, Mary, we're a hip hop show, Yeah, run

537
00:28:08,520 --> 00:28:10,400
Speaker 6: down back in the day.

538
00:28:11,160 --> 00:28:14,679
Speaker 3: Who's some of the favorite records? And I know some

539
00:28:14,760 --> 00:28:18,240
Speaker 3: of your favorite but like our star w with Raps

540
00:28:18,280 --> 00:28:20,960
Speaker 3: New Generation one day we was talking about hip hop

541
00:28:20,960 --> 00:28:24,600
Speaker 3: and no no sens and signing for Brooklyn Raps New

542
00:28:24,640 --> 00:28:26,280
Speaker 3: Generation from the super level.

543
00:28:26,359 --> 00:28:30,560
Speaker 6: Seeing all them guys that generation. I've seen you sing

544
00:28:30,560 --> 00:28:32,920
Speaker 6: the Heart of Heart, how you fall in love with

545
00:28:33,000 --> 00:28:35,159
Speaker 6: hip hop? And you know what was the first songs

546
00:28:35,160 --> 00:28:37,199
Speaker 6: that you was parting too in the gyms they at

547
00:28:37,240 --> 00:28:39,440
Speaker 6: the jams and yonkits too, right, That's.

548
00:28:39,280 --> 00:28:42,440
Speaker 1: How we had a lot of block parties, School twelve

549
00:28:42,520 --> 00:28:45,560
Speaker 1: and the School twelve parties came the school parties like

550
00:28:45,680 --> 00:28:48,080
Speaker 1: y'all came up behind us, but y'all caught up to

551
00:28:48,280 --> 00:28:51,520
Speaker 1: you know, School twelve parties and the DJs, you know,

552
00:28:51,840 --> 00:28:54,720
Speaker 1: mixing all of the hip hop records. That's how like

553
00:28:54,760 --> 00:28:58,080
Speaker 1: they was playing all the samples like u FO, Member UFO.

554
00:28:59,600 --> 00:29:01,400
Speaker 3: And nought Less.

555
00:29:02,040 --> 00:29:04,840
Speaker 1: Yeah, so it was I fell in love just with

556
00:29:05,040 --> 00:29:09,000
Speaker 1: the samples, you know. And then it was back then

557
00:29:09,080 --> 00:29:11,960
Speaker 1: it was like Terrorists one was a big deal. Big

558
00:29:12,040 --> 00:29:15,120
Speaker 1: Daddy Kane was a big deal. Caras one and Big

559
00:29:15,160 --> 00:29:20,320
Speaker 1: Daddy Kane was youngers. What everybody had. Everybody had a shoes,

560
00:29:20,400 --> 00:29:24,400
Speaker 1: everybody was went around playing like everybody had all the

561
00:29:24,440 --> 00:29:30,080
Speaker 1: drug dealers had fact right cottage both everybody had some.

562
00:29:30,600 --> 00:29:34,720
Speaker 1: So it was all about the School twelve parties and

563
00:29:34,720 --> 00:29:38,200
Speaker 1: in the summer, the block parties. So the DJs they

564
00:29:38,280 --> 00:29:40,560
Speaker 1: put us on and they put us on to the

565
00:29:40,560 --> 00:29:42,560
Speaker 1: stuff that they did they didn't play on the radio.

566
00:29:43,200 --> 00:29:45,680
Speaker 1: They put us on to the ship. That people be like,

567
00:29:45,680 --> 00:29:46,400
Speaker 1: how you know that, like.

568
00:29:46,400 --> 00:29:49,200
Speaker 6: If you DJ from you because I'm talking about he

569
00:29:49,240 --> 00:29:51,480
Speaker 6: ain't got to be big timing number somebody who was

570
00:29:51,600 --> 00:29:52,760
Speaker 6: rocking them jams.

571
00:29:53,520 --> 00:29:55,040
Speaker 3: It wasn't shut out Supreme At.

572
00:29:55,720 --> 00:29:58,200
Speaker 1: People was coming them out of town to play in

573
00:29:58,280 --> 00:30:01,160
Speaker 1: DJ shows in it. I mean it used to be

574
00:30:01,400 --> 00:30:04,120
Speaker 1: like you have like B Master, g Masters, you had

575
00:30:04,240 --> 00:30:08,000
Speaker 1: breaking them those guys. It was from Warburton, froms and er.

576
00:30:10,120 --> 00:30:12,200
Speaker 3: Yeah, so you got us.

577
00:30:12,440 --> 00:30:15,040
Speaker 6: We got it right now. They caught that shout out

578
00:30:15,120 --> 00:30:18,440
Speaker 6: so legend wherever they at. That's like I'm telling you,

579
00:30:18,440 --> 00:30:24,400
Speaker 6: you gotta remember, you know to me, Supreme.

580
00:30:22,480 --> 00:30:23,280
Speaker 3: Huts put me on.

581
00:30:23,680 --> 00:30:27,400
Speaker 6: We get We had the best block parties in Supreme Hush.

582
00:30:27,440 --> 00:30:30,920
Speaker 6: They mother was called mother Earth and mother Earth would

583
00:30:30,960 --> 00:30:32,800
Speaker 6: sitting behind the ropes and they be like, back up

584
00:30:32,840 --> 00:30:33,720
Speaker 6: from the ropes.

585
00:30:33,520 --> 00:30:34,000
Speaker 3: Mother Earth.

586
00:30:34,000 --> 00:30:36,560
Speaker 6: They'll stop the fucking music for an hour talking about

587
00:30:36,560 --> 00:30:39,800
Speaker 6: back up mother Earth. Got no they was you know,

588
00:30:39,840 --> 00:30:42,360
Speaker 6: they was in power and they was rocking. And that's

589
00:30:42,360 --> 00:30:44,960
Speaker 6: how we learned all that hip hop. Ship to carry

590
00:30:45,040 --> 00:30:47,760
Speaker 6: us one and Harris One.

591
00:30:47,680 --> 00:30:54,080
Speaker 1: Big Daddy came. Houdini was it was Bigos Wills from

592
00:30:54,240 --> 00:30:57,560
Speaker 1: Will five minutes of funk like skating rings gave us

593
00:30:58,160 --> 00:30:59,640
Speaker 1: a lot of you know, good hip.

594
00:30:59,520 --> 00:31:03,440
Speaker 3: Hops, skating ringing wild called Wills. Yep.

595
00:31:03,640 --> 00:31:05,680
Speaker 1: Wills was on a big deal. And then when we

596
00:31:05,760 --> 00:31:07,680
Speaker 1: all got old enough to run the Harlem and all

597
00:31:07,720 --> 00:31:10,200
Speaker 1: these other places we was running to. There was the

598
00:31:10,240 --> 00:31:14,800
Speaker 1: Red Zone, there was the Octagon, the Tunnel, the Red Power.

599
00:31:15,080 --> 00:31:16,800
Speaker 1: I was I was too young for the Red Power,

600
00:31:16,840 --> 00:31:19,800
Speaker 1: but I heard but I was in the Red Zone.

601
00:31:20,080 --> 00:31:22,920
Speaker 1: I was in the Tunnel. I was in the Octagon.

602
00:31:23,640 --> 00:31:27,200
Speaker 1: And somewhere else Number Spot just the Spy Club. The

603
00:31:27,200 --> 00:31:29,200
Speaker 1: Spike was called the Spy Club, but.

604
00:31:29,280 --> 00:31:32,440
Speaker 6: Anybody got one. I remember the one? What was that club? USA?

605
00:31:32,520 --> 00:31:35,680
Speaker 6: They built the club. They spent so many millions. That's

606
00:31:35,720 --> 00:31:37,720
Speaker 6: the night I seen Biggie came up to me. He

607
00:31:37,800 --> 00:31:39,479
Speaker 6: pulled out the gun in the sheet. He said, you've

608
00:31:39,480 --> 00:31:42,840
Speaker 6: seen DJ Clue. I said, I ain't see. He just

609
00:31:42,920 --> 00:31:47,520
Speaker 6: kept going. I just saw a clue. I just saw

610
00:31:47,520 --> 00:31:50,200
Speaker 6: a clue. He had the hammer and his ship, he

611
00:31:50,240 --> 00:31:52,520
Speaker 6: had a vest. He was like, yo, just crack steak.

612
00:31:52,600 --> 00:31:56,600
Speaker 3: Clue. I said, clue just walked by. He saved his life.

613
00:31:57,080 --> 00:32:00,000
Speaker 3: What legend it was mixtape.

614
00:32:00,200 --> 00:32:04,360
Speaker 1: So so I got put on to the Jungle Brothers

615
00:32:04,640 --> 00:32:09,320
Speaker 1: through a misage. Ship straight off the Jungle, That's one

616
00:32:09,360 --> 00:32:13,200
Speaker 1: of my favorite, Like I know every word.

617
00:32:13,000 --> 00:32:17,680
Speaker 3: For work t Blue Brother. I was selling drugs to

618
00:32:17,720 --> 00:32:18,880
Speaker 3: the Jungle Brothers.

619
00:32:19,080 --> 00:32:23,600
Speaker 6: Like I'm in the corner watching ship move with the

620
00:32:23,640 --> 00:32:26,120
Speaker 6: box playing Jungle Brother's Jungle.

621
00:32:26,240 --> 00:32:30,720
Speaker 3: I remember that ship. That was that ship, I know

622
00:32:30,800 --> 00:32:32,920
Speaker 3: the whole like ship.

623
00:32:33,080 --> 00:32:33,760
Speaker 1: Wow.

624
00:32:34,360 --> 00:32:43,760
Speaker 6: They was legendary, the Jungle brother and they had that.

625
00:32:40,600 --> 00:32:43,600
Speaker 1: That was the that was the youngest anthem right there.

626
00:32:43,720 --> 00:32:48,200
Speaker 1: And Jungle Brother JB for sure a bit a bit

627
00:32:48,280 --> 00:32:48,920
Speaker 1: moram and.

628
00:32:49,000 --> 00:32:53,720
Speaker 10: Almost so I let him go. I let him run along,

629
00:32:53,880 --> 00:32:58,640
Speaker 10: run along, wild Ship. You know, I'm listening to the radio.

630
00:32:58,720 --> 00:32:59,640
Speaker 10: It's your birthday.

631
00:32:59,720 --> 00:33:01,440
Speaker 6: So I don't know if you know because you was

632
00:33:01,480 --> 00:33:06,200
Speaker 6: out here moving, working and promoting the residency. But I

633
00:33:06,240 --> 00:33:09,640
Speaker 6: heard Smith and Wesson on the radio and they told

634
00:33:09,680 --> 00:33:12,680
Speaker 6: last story how that eyes shine you Shine came about

635
00:33:13,200 --> 00:33:15,920
Speaker 6: and they said they was in the club. I guess

636
00:33:16,000 --> 00:33:19,720
Speaker 6: you puff. They invited them back to the studio and

637
00:33:19,760 --> 00:33:21,920
Speaker 6: they said they jumped on the joint and that's what

638
00:33:21,960 --> 00:33:23,000
Speaker 6: they said on the radio.

639
00:33:23,800 --> 00:33:25,400
Speaker 3: You remember that, well.

640
00:33:26,080 --> 00:33:28,920
Speaker 1: I don't remember being in the studio with Smith and Wesson.

641
00:33:29,400 --> 00:33:33,240
Speaker 1: I don't remember that, but I do remember Puff bringing

642
00:33:33,280 --> 00:33:35,480
Speaker 1: it back to me with them on it, and they

643
00:33:35,640 --> 00:33:37,720
Speaker 1: was one of my favorites at the time. When I

644
00:33:37,760 --> 00:33:39,760
Speaker 1: heard them on, I just I went crazy. I was like,

645
00:33:40,000 --> 00:33:44,280
Speaker 1: we gone meet you know? That was it right here?

646
00:33:44,320 --> 00:33:47,000
Speaker 1: And now I know everybody's gonna be watching. I said

647
00:33:47,040 --> 00:33:50,840
Speaker 1: it earlier to myself. Buck Shall Shorty goat, He'll go

648
00:33:51,600 --> 00:33:54,760
Speaker 1: buck Shall Shorty duck down, buck shot Shorty a goat

649
00:33:55,440 --> 00:33:56,000
Speaker 1: by fall.

650
00:33:56,160 --> 00:33:58,640
Speaker 6: Yeah, Like I'm like, I'm ready to put them as

651
00:33:58,680 --> 00:34:01,400
Speaker 6: a goat, like one of the greatest of all time.

652
00:34:01,760 --> 00:34:04,080
Speaker 3: And I don't think we ever talk about him like that, but.

653
00:34:04,120 --> 00:34:08,680
Speaker 6: The ship man listen to that, and it still goes

654
00:34:08,760 --> 00:34:10,120
Speaker 6: in my fucking blood.

655
00:34:10,160 --> 00:34:13,919
Speaker 3: When the when the just and and and and then

656
00:34:14,040 --> 00:34:14,600
Speaker 3: and the.

657
00:34:15,120 --> 00:34:18,759
Speaker 1: Flows and the other one comes something something come follow me?

658
00:34:19,280 --> 00:34:27,160
Speaker 1: Something is crazy? What's the four one one album is

659
00:34:27,239 --> 00:34:28,680
Speaker 1: narrated by that.

660
00:34:32,400 --> 00:34:35,000
Speaker 6: We gotta pull that Fendi fur down, see them all

661
00:34:35,000 --> 00:34:39,600
Speaker 6: of them down. Oh that's for their eyes. Mary threatened me, right,

662
00:34:39,680 --> 00:34:43,520
Speaker 6: that's crazy. We had our birthday party and I pull

663
00:34:43,640 --> 00:34:46,320
Speaker 6: up and she's like, you better come with that ship

664
00:34:46,400 --> 00:34:50,040
Speaker 6: on when I come, because I'm coming and I said, damn,

665
00:34:50,120 --> 00:34:54,520
Speaker 6: I rethought the whole ship still when in the clients

666
00:34:54,560 --> 00:34:57,480
Speaker 6: it really calculated this, I said, man, I gotta come

667
00:34:57,560 --> 00:35:00,560
Speaker 6: with some fendy first, some other because she come through.

668
00:35:01,040 --> 00:35:03,240
Speaker 3: You never dressed whack.

669
00:35:03,800 --> 00:35:06,880
Speaker 6: If you come to my house from the supermarket, from anywhere,

670
00:35:07,440 --> 00:35:12,040
Speaker 6: you freshed down, even in the like on a regular day.

671
00:35:12,880 --> 00:35:16,080
Speaker 6: If you come on a regular regular of all days,

672
00:35:16,400 --> 00:35:19,200
Speaker 6: you got that ship on what is fastened to you?

673
00:35:19,360 --> 00:35:22,680
Speaker 6: And I know why I brought up Luther Venger before

674
00:35:22,719 --> 00:35:25,520
Speaker 6: you answered that. I'm gonna tell you why. Patti LaBelle

675
00:35:25,800 --> 00:35:31,360
Speaker 6: told me Luther Vanjels had a closet with couches and

676
00:35:31,480 --> 00:35:34,400
Speaker 6: TV in there, and if you go visit him in

677
00:35:34,440 --> 00:35:37,840
Speaker 6: his house, he puts you in the closet and starts

678
00:35:37,840 --> 00:35:40,680
Speaker 6: showing yo, this that scapperbelly.

679
00:35:40,560 --> 00:35:43,680
Speaker 3: Yo, this is that one of one bou Maine.

680
00:35:44,320 --> 00:35:49,480
Speaker 6: This I think for all my years of following Mary Ja, like,

681
00:35:49,560 --> 00:35:54,320
Speaker 6: your closet gotta be fucking ridiculous.

682
00:35:54,360 --> 00:35:56,719
Speaker 1: It's insane. And I can't even find half of the

683
00:35:56,719 --> 00:35:59,920
Speaker 1: stuff that I wore through the years, like it's just

684
00:36:00,040 --> 00:36:02,480
Speaker 1: and it's still crazy. I wish I could find all

685
00:36:02,480 --> 00:36:03,840
Speaker 1: of that stuff that I was wearing.

686
00:36:03,600 --> 00:36:07,120
Speaker 6: What do you mean like the stolen missing nor no

687
00:36:07,320 --> 00:36:10,680
Speaker 6: nigga stole my Oh yeah you do? You still got

688
00:36:10,680 --> 00:36:12,839
Speaker 6: the army coat? Will flowed your Nah, but I got

689
00:36:12,880 --> 00:36:15,239
Speaker 6: an army coat. I almost wore that ship just on

690
00:36:15,280 --> 00:36:18,839
Speaker 6: the regular, just outside the day. Now I got motherfucking

691
00:36:18,960 --> 00:36:22,200
Speaker 6: Lord Piana army coach nine thousand.

692
00:36:21,840 --> 00:36:25,839
Speaker 3: To the jack. But GoAhead, but when you moving, they

693
00:36:25,880 --> 00:36:26,560
Speaker 3: stole your ship?

694
00:36:27,040 --> 00:36:27,080
Speaker 1: No?

695
00:36:27,600 --> 00:36:30,800
Speaker 3: When was it burned down in the chimney fire?

696
00:36:31,600 --> 00:36:34,719
Speaker 1: Nah, it's just it's a lot of it probably is

697
00:36:34,800 --> 00:36:37,080
Speaker 1: stolen because like I don't know where it was at.

698
00:36:37,120 --> 00:36:40,480
Speaker 1: But when you're moving, you just things just get lost

699
00:36:40,520 --> 00:36:43,919
Speaker 1: and everywhere, and then you know, you get I gave

700
00:36:43,920 --> 00:36:45,640
Speaker 1: a lot of stuff away like he'll just take it,

701
00:36:45,719 --> 00:36:48,160
Speaker 1: and you know, I wish I didn't.

702
00:36:48,320 --> 00:36:52,640
Speaker 6: But that's not crazy because the Renner gave manship away.

703
00:36:52,680 --> 00:36:55,480
Speaker 6: That now is the style. Now we bind it again

704
00:36:55,520 --> 00:36:58,200
Speaker 6: because as he liked the ship. This is the vintage

705
00:36:58,360 --> 00:37:00,279
Speaker 6: like I had that in every color. I gave it

706
00:37:00,280 --> 00:37:05,880
Speaker 6: out this, this, that, everything coming back everything, the residency.

707
00:37:05,960 --> 00:37:06,800
Speaker 6: You doing it different.

708
00:37:06,840 --> 00:37:12,120
Speaker 5: You will have actors and yeah.

709
00:37:12,239 --> 00:37:15,400
Speaker 1: It's called my life, my life story, So I'm definitely

710
00:37:15,400 --> 00:37:18,360
Speaker 1: gonna use some actors. And actresses to tell the story.

711
00:37:18,680 --> 00:37:20,080
Speaker 1: You know, ain't gonna be like a bunch of acting

712
00:37:20,160 --> 00:37:22,959
Speaker 1: like it's going to be a Mary J. Blige show

713
00:37:23,560 --> 00:37:26,840
Speaker 1: with little bits of like things involved to pull on

714
00:37:26,920 --> 00:37:30,319
Speaker 1: your memory from interviews that I've done. You'd be like, oh,

715
00:37:30,400 --> 00:37:32,680
Speaker 1: why she said that? And you know she said this

716
00:37:32,800 --> 00:37:35,839
Speaker 1: was that? So it'll be B sides like songs that like,

717
00:37:35,960 --> 00:37:40,200
Speaker 1: there's a lot of songs I never perform, So the

718
00:37:40,280 --> 00:37:41,719
Speaker 1: B sides that we're picking, Oh my.

719
00:37:41,719 --> 00:37:44,279
Speaker 3: God, no, we want that, Like that was the number

720
00:37:44,280 --> 00:37:44,840
Speaker 3: one question.

721
00:37:44,920 --> 00:37:47,520
Speaker 6: I went around and hustle hustle a couple of women,

722
00:37:47,560 --> 00:37:49,879
Speaker 6: and I was like, what should I ask Mary, because

723
00:37:49,920 --> 00:37:53,000
Speaker 6: you know we would well, thank God, I'm blessed to

724
00:37:53,080 --> 00:37:55,879
Speaker 6: be with Mary J. Blige all the time. And let

725
00:37:55,880 --> 00:37:57,800
Speaker 6: me tell you something, I don't take you for granted.

726
00:37:57,880 --> 00:38:00,839
Speaker 6: I know you the queen you run and ship. I

727
00:38:00,920 --> 00:38:02,960
Speaker 6: asked a couple of people, and they always like, is

728
00:38:03,000 --> 00:38:06,040
Speaker 6: she gonna do the songs we never see her perform

729
00:38:06,560 --> 00:38:07,560
Speaker 6: at the residency?

730
00:38:08,760 --> 00:38:12,000
Speaker 1: Wait to say hear what I'm by you and you

731
00:38:12,000 --> 00:38:14,600
Speaker 1: you know, but you're not gonna be coming for the

732
00:38:14,640 --> 00:38:18,160
Speaker 1: normal things we got, So do you want to tell

733
00:38:18,160 --> 00:38:21,800
Speaker 1: a story out that can't get you off my mind.

734
00:38:21,800 --> 00:38:25,040
Speaker 1: How we had that message first, You and Style y'all

735
00:38:25,080 --> 00:38:29,360
Speaker 1: was on the record that Brodne did jick shoot. We

736
00:38:29,440 --> 00:38:32,400
Speaker 1: had the do Doom Doom Doom. We had that first.

737
00:38:33,040 --> 00:38:33,680
Speaker 3: That's a fact.

738
00:38:33,920 --> 00:38:34,720
Speaker 1: We had that first.

739
00:38:34,719 --> 00:38:35,320
Speaker 3: That's a fact.

740
00:38:35,400 --> 00:38:38,040
Speaker 1: And Ronnie just told the story. So I'm gonna tell

741
00:38:38,040 --> 00:38:40,759
Speaker 1: it again. The record was a monster before we even

742
00:38:40,800 --> 00:38:44,080
Speaker 1: got it out smashed, they killed it. Everybody was excited

743
00:38:44,400 --> 00:38:49,120
Speaker 1: and it was the Doom Doom, the message Ronnie's mixing

744
00:38:49,160 --> 00:38:52,879
Speaker 1: the record or something like that. Before Ronnie he said

745
00:38:52,880 --> 00:38:54,359
Speaker 1: when he said he was going to mix the record

746
00:38:54,400 --> 00:38:58,080
Speaker 1: at he said that some people was coming. I don't

747
00:38:58,080 --> 00:39:00,439
Speaker 1: want to say who it is. I said, don't play

748
00:39:00,440 --> 00:39:04,120
Speaker 1: it for him. He played it for him. Two weeks later,

749
00:39:04,480 --> 00:39:05,800
Speaker 1: Jack the whole sample.

750
00:39:05,880 --> 00:39:09,160
Speaker 3: Gn I just told you about the ship off the air.

751
00:39:09,360 --> 00:39:12,640
Speaker 1: That's the game. That's why I don't tell nobody nothing.

752
00:39:13,680 --> 00:39:18,680
Speaker 6: I keep everything to my soulf. So I just told him,

753
00:39:18,680 --> 00:39:21,120
Speaker 6: one of our best friends on Earth. I never told

754
00:39:21,160 --> 00:39:25,760
Speaker 6: the ship publicly. I played him a record. Two weeks later,

755
00:39:26,600 --> 00:39:30,120
Speaker 6: we had an identical twin floating in the air, and

756
00:39:30,160 --> 00:39:33,359
Speaker 6: I was like Jesus Christ, I couldn't be to this day,

757
00:39:33,360 --> 00:39:35,239
Speaker 6: it's one of my best friends. I never even had

758
00:39:35,239 --> 00:39:37,160
Speaker 6: the courage to tell him, Yo, you know you jack

759
00:39:37,560 --> 00:39:38,200
Speaker 6: my y'allo.

760
00:39:38,800 --> 00:39:41,600
Speaker 3: You know what I'm saying. I play him record. You

761
00:39:41,640 --> 00:39:44,239
Speaker 3: know this, the game got something hot in a store?

762
00:39:44,280 --> 00:39:44,520
Speaker 3: A game.

763
00:39:44,520 --> 00:39:47,600
Speaker 1: If you got something hot, don't tell nobody what it is.

764
00:39:47,680 --> 00:39:48,880
Speaker 3: Don't tell him nothing.

765
00:39:48,960 --> 00:39:49,160
Speaker 2: Man.

766
00:39:49,480 --> 00:39:52,680
Speaker 6: That's slightly now. I think cal It taught me that. Like,

767
00:39:53,000 --> 00:39:56,040
Speaker 6: I'll be next to Calid and he don't tell me nothing.

768
00:39:56,120 --> 00:39:58,520
Speaker 6: Next day, I looked at TV as a Codgate commercial.

769
00:39:58,560 --> 00:40:00,640
Speaker 6: I'm like, damn, this motherfucker, don't even let me know

770
00:40:00,640 --> 00:40:02,920
Speaker 6: where the bag hat or nothing. I'm like, but you

771
00:40:03,000 --> 00:40:08,719
Speaker 6: gotta protect your blessings. You gotta protect you know where

772
00:40:08,719 --> 00:40:13,000
Speaker 6: you going, because the people will move on your shit.

773
00:40:13,160 --> 00:40:15,680
Speaker 6: It was a lot of people got upset that we

774
00:40:15,760 --> 00:40:18,560
Speaker 6: got the Netflix deal and we didn't tell nobody what

775
00:40:18,600 --> 00:40:21,359
Speaker 6: we was doing, and so when they saw it, they

776
00:40:21,480 --> 00:40:23,560
Speaker 6: was like, oh shit, Like yo, y'all could have gave

777
00:40:23,640 --> 00:40:27,280
Speaker 6: us a heads up. How about nobody feeds us, nobody

778
00:40:27,320 --> 00:40:29,360
Speaker 6: pay our bills, So we gotta do what we gotta do.

779
00:40:29,400 --> 00:40:32,600
Speaker 6: We gotta protect our blessings. I understand what you say.

780
00:40:32,680 --> 00:40:34,799
Speaker 6: You can't play shit and nobody, not even the best.

781
00:40:34,800 --> 00:40:38,960
Speaker 6: I'm talking about our best friend, almost the most loyalist

782
00:40:39,080 --> 00:40:40,160
Speaker 6: dude I know in the world.

783
00:40:40,200 --> 00:40:43,200
Speaker 3: He heard my shit. He went back, Yo, look what

784
00:40:43,280 --> 00:40:43,680
Speaker 3: I did.

785
00:40:43,760 --> 00:40:47,920
Speaker 4: I was like, foul play foul out of all the

786
00:40:47,960 --> 00:40:52,399
Speaker 4: success you got, all the accolades, this that, this, as

787
00:40:52,440 --> 00:40:54,120
Speaker 4: he said, I stole this, this, that, this.

788
00:40:54,800 --> 00:40:56,080
Speaker 3: You gotta have the.

789
00:40:56,000 --> 00:41:00,840
Speaker 4: Most in history of your music. Play then the house

790
00:41:01,440 --> 00:41:05,880
Speaker 4: while the house is getting clean. I'll put you against

791
00:41:05,960 --> 00:41:08,400
Speaker 4: any other artists.

792
00:41:07,719 --> 00:41:08,600
Speaker 3: On the planet.

793
00:41:11,400 --> 00:41:13,719
Speaker 4: You want to get a good house clean, they play

794
00:41:13,800 --> 00:41:15,960
Speaker 4: you more than a door will surprise.

795
00:41:17,040 --> 00:41:23,200
Speaker 6: Oh yo, My aunt and moms would play that ship

796
00:41:23,280 --> 00:41:26,279
Speaker 6: to the ship. The ship was like the ship was

797
00:41:26,400 --> 00:41:29,640
Speaker 6: melting again. Bro, we live on the fifth lap. We're

798
00:41:29,640 --> 00:41:33,279
Speaker 6: in front of the building playing. We hit them for

799
00:41:33,440 --> 00:41:39,640
Speaker 6: ten hours straits. I will survive. Oh no, no, no,

800
00:41:39,719 --> 00:41:41,400
Speaker 6: I don't even know what the ship mean. I'm a

801
00:41:41,400 --> 00:41:43,200
Speaker 6: little kid. I don't even know what the fuck they

802
00:41:43,320 --> 00:41:44,040
Speaker 6: singing about.

803
00:41:45,160 --> 00:41:49,000
Speaker 1: And that candy stating, oh I'm a My mother played

804
00:41:49,000 --> 00:41:51,440
Speaker 1: the hell out of record, and I didn't know why

805
00:41:51,480 --> 00:41:55,799
Speaker 1: until I got older. I mean, the lyrics is well

806
00:41:55,880 --> 00:41:58,719
Speaker 1: for women, so I guess that would be the equivalent

807
00:41:58,800 --> 00:42:02,120
Speaker 1: to I will survive and now my music is I

808
00:42:02,160 --> 00:42:06,960
Speaker 1: Will Survive. It's the same thing, you know, same women empowerment.

809
00:42:07,160 --> 00:42:10,040
Speaker 6: So I want you to tell me about getting on

810
00:42:10,239 --> 00:42:13,359
Speaker 6: jay Z's first album. Did you know he was going

811
00:42:13,440 --> 00:42:15,759
Speaker 6: to be the guy or did you know? How did

812
00:42:15,800 --> 00:42:17,760
Speaker 6: that come about it? And I heard you say it before,

813
00:42:17,800 --> 00:42:19,640
Speaker 6: but I wanted for the audience because there's a hip

814
00:42:19,680 --> 00:42:20,440
Speaker 6: hop Yeah.

815
00:42:21,840 --> 00:42:24,160
Speaker 1: I didn't know that he was going to be what

816
00:42:24,280 --> 00:42:27,560
Speaker 1: he was, but but I knew my girl. So my

817
00:42:27,600 --> 00:42:30,680
Speaker 1: girlfriend Michelle, who's still my girl to this day, we

818
00:42:30,800 --> 00:42:34,359
Speaker 1: bought for Friends with Dame Dash. I knew Dame since

819
00:42:34,360 --> 00:42:39,560
Speaker 1: Slovan and Michelle was like, oh you know Dame. That

820
00:42:39,640 --> 00:42:41,839
Speaker 1: was like yeah, this was like on the start and

821
00:42:41,920 --> 00:42:43,440
Speaker 1: jay Z's about to do a record and they want

822
00:42:43,480 --> 00:42:47,200
Speaker 1: you on. I was onto my Life album and I

823
00:42:47,239 --> 00:42:49,640
Speaker 1: was like bet So I showed up to the studio.

824
00:42:50,520 --> 00:42:53,279
Speaker 1: They gave me the money in the brown bag, like

825
00:42:53,800 --> 00:42:54,960
Speaker 1: a brown faith for bag.

826
00:42:55,239 --> 00:43:02,480
Speaker 6: I still have some Yalla residue on a.

827
00:43:00,160 --> 00:43:01,399
Speaker 3: Not y'all on there.

828
00:43:01,880 --> 00:43:04,440
Speaker 1: We didn't mind going. I didn't mind doing business like that.

829
00:43:04,480 --> 00:43:06,640
Speaker 1: Back then. I was like whatever it was. I was

830
00:43:06,680 --> 00:43:09,840
Speaker 1: still actually mentally in slow Bomb, you know. So I

831
00:43:09,880 --> 00:43:13,120
Speaker 1: took the money when in the studio was there, did

832
00:43:13,160 --> 00:43:16,879
Speaker 1: the verse and that was it. It wasn't no big deal.

833
00:43:16,920 --> 00:43:17,600
Speaker 1: It was just.

834
00:43:19,840 --> 00:43:21,640
Speaker 3: Year with hip hop history.

835
00:43:22,480 --> 00:43:24,879
Speaker 1: You see how it happened. You know it was on

836
00:43:24,920 --> 00:43:25,880
Speaker 1: some street ships.

837
00:43:26,200 --> 00:43:29,680
Speaker 11: But here was a drug deal with no drugs, legal,

838
00:43:29,760 --> 00:43:31,400
Speaker 11: drug money legal judge.

839
00:43:38,680 --> 00:43:41,960
Speaker 6: You know it's impossible, right to figure it out. But

840
00:43:42,280 --> 00:43:46,280
Speaker 6: with all the records, I think your biggest is family.

841
00:43:45,880 --> 00:43:49,880
Speaker 3: Affair with doctor Drake. That was who with whoever? That like?

842
00:43:52,440 --> 00:43:54,840
Speaker 3: Who else is on it?

843
00:43:56,440 --> 00:44:05,120
Speaker 6: Hold up as mayors and Dommy would say, Chasen Sevester Stallone, the.

844
00:44:05,239 --> 00:44:09,239
Speaker 3: Motherfucker gave you a boy sixty two names. He's been

845
00:44:09,320 --> 00:44:11,120
Speaker 3: picking up my call with a call for him.

846
00:44:12,560 --> 00:44:16,399
Speaker 6: That family affair, you hear the beat. I mean y'all

847
00:44:16,400 --> 00:44:18,640
Speaker 6: had a ball. I see that, Yola, Tanya, you all

848
00:44:18,719 --> 00:44:19,840
Speaker 6: in that fucking video.

849
00:44:20,000 --> 00:44:20,160
Speaker 10: Hut.

850
00:44:20,800 --> 00:44:21,520
Speaker 3: He was a film.

851
00:44:22,239 --> 00:44:25,640
Speaker 6: He was a family affair, family affair, I get it.

852
00:44:26,239 --> 00:44:28,520
Speaker 6: What was that like when they played you that doctor

853
00:44:28,600 --> 00:44:31,520
Speaker 6: j is still the guy. I'm I never worked with it.

854
00:44:31,640 --> 00:44:34,520
Speaker 6: I'm trying to get something to crumber, save a little

855
00:44:34,520 --> 00:44:35,320
Speaker 6: piece for later.

856
00:44:35,760 --> 00:44:37,479
Speaker 1: Well, let me tell you the story. And Don Pool

857
00:44:37,480 --> 00:44:39,200
Speaker 1: had a lot to do with this because Don Poul

858
00:44:39,280 --> 00:44:40,200
Speaker 1: was my an R at.

859
00:44:40,120 --> 00:44:41,640
Speaker 3: The time, shut out.

860
00:44:44,880 --> 00:44:50,319
Speaker 1: One of those in Miami, and so Don Poole Dom

861
00:44:50,400 --> 00:44:53,400
Speaker 1: poo bought me the actual track. Now I'm a hardcore

862
00:44:53,480 --> 00:44:55,440
Speaker 1: hip hop head. All I'm doing is singing over hip

863
00:44:55,440 --> 00:45:00,160
Speaker 1: hop loops and he brings me didn't understand it. So

864
00:45:00,200 --> 00:45:02,240
Speaker 1: Don Pruh was like, oh man, and then he goes

865
00:45:03,200 --> 00:45:07,040
Speaker 1: and he gets to the studio with my brother and

866
00:45:07,080 --> 00:45:09,759
Speaker 1: then he's like, you're married. I think you needed to

867
00:45:09,760 --> 00:45:12,640
Speaker 1: come down to the studio and you know, rethink this.

868
00:45:13,520 --> 00:45:16,960
Speaker 1: So I had to snap out of you know, records

869
00:45:17,000 --> 00:45:20,000
Speaker 1: crackling and singing over hip hop moves for a second

870
00:45:20,040 --> 00:45:23,520
Speaker 1: to try something new. I said, let me go and

871
00:45:23,560 --> 00:45:26,080
Speaker 1: see what this is about. So we get in the studio,

872
00:45:27,160 --> 00:45:30,440
Speaker 1: we started writing the song. My brother had already wrote

873
00:45:30,480 --> 00:45:33,959
Speaker 1: some of the song and so I recorded it. Once

874
00:45:34,040 --> 00:45:38,920
Speaker 1: I recorded this song, I was like, oh, okay, we

875
00:45:39,000 --> 00:45:42,439
Speaker 1: might have something. So I sent it to Dre. Once

876
00:45:42,480 --> 00:45:44,799
Speaker 1: we finished it, right, I said it to Dre. Dre

877
00:45:45,000 --> 00:45:48,000
Speaker 1: was like, no, I need something. I need something. He

878
00:45:48,080 --> 00:45:49,759
Speaker 1: was like it needs a bridge, and I was like,

879
00:45:49,760 --> 00:45:52,000
Speaker 1: it don't need a fucking bridge. And I was going crazy,

880
00:45:52,200 --> 00:45:56,200
Speaker 1: acting like the savage that I was, and he was like,

881
00:45:56,440 --> 00:45:58,040
Speaker 1: if you don't do a bridge, I'm take my name

882
00:45:58,040 --> 00:46:02,239
Speaker 1: off it. I said, okay, I went in. So I

883
00:46:02,280 --> 00:46:06,160
Speaker 1: Wan wrote the bridge killed the bridge sent it.

884
00:46:06,560 --> 00:46:07,960
Speaker 3: He was a bridge Againe.

885
00:46:08,080 --> 00:46:13,520
Speaker 1: We don't need no hater us. We're just trying to

886
00:46:13,800 --> 00:46:19,880
Speaker 1: love one another. Yeah, all of that that was me.

887
00:46:21,920 --> 00:46:23,320
Speaker 3: I got the words.

888
00:46:23,000 --> 00:46:28,000
Speaker 4: Like like it very much, start on the plate and

889
00:46:28,040 --> 00:46:29,000
Speaker 4: the rest is history.

890
00:46:29,000 --> 00:46:31,719
Speaker 1: The song was so big. I was on tour and

891
00:46:31,760 --> 00:46:33,960
Speaker 1: we had this bus drop. It was this big white

892
00:46:34,040 --> 00:46:37,320
Speaker 1: and you know, like bluegrass country music listening and he

893
00:46:37,360 --> 00:46:41,160
Speaker 1: would keep the station on the blue grass station. And

894
00:46:41,200 --> 00:46:42,960
Speaker 1: I came up and I came up there to talk

895
00:46:43,000 --> 00:46:46,319
Speaker 1: to him one day and Family Affair was on. I

896
00:46:46,360 --> 00:46:47,680
Speaker 1: was like, Yo, what station is that. He was like,

897
00:46:47,760 --> 00:46:51,000
Speaker 1: that's my station, he's my song. I said, what my song?

898
00:46:51,120 --> 00:46:52,040
Speaker 3: You like that's me.

899
00:46:52,680 --> 00:46:54,600
Speaker 1: That's when I realized. I said, oh my god, I'm

900
00:46:54,640 --> 00:46:58,080
Speaker 1: I'm I'm a huge star. That's when I remember and.

901
00:46:58,000 --> 00:47:00,759
Speaker 4: The bad part of me being on the show, me

902
00:47:00,920 --> 00:47:02,840
Speaker 4: being on is a blessing and beautiful.

903
00:47:02,880 --> 00:47:05,760
Speaker 5: Now when they come to going on, they do a show, when.

904
00:47:05,640 --> 00:47:09,000
Speaker 3: They called me, it's the last song.

905
00:47:10,680 --> 00:47:11,360
Speaker 4: You know that.

906
00:47:12,280 --> 00:47:15,239
Speaker 3: Shanty do that ship to me all the time. A

907
00:47:15,320 --> 00:47:17,239
Speaker 3: shanty do that ship to me all the time? Be

908
00:47:17,360 --> 00:47:22,200
Speaker 3: like song eighteen, yuests bro song eighteen. This is the last.

909
00:47:22,840 --> 00:47:26,719
Speaker 3: She got three phases of souls. I got the last fame,

910
00:47:27,080 --> 00:47:30,040
Speaker 3: last one at the last, the fine prick.

911
00:47:31,440 --> 00:47:33,239
Speaker 1: Everybody's wasted at that point.

912
00:47:33,440 --> 00:47:36,640
Speaker 6: That I throw a fly for that one because you've

913
00:47:36,640 --> 00:47:39,120
Speaker 6: been doing Jadekins thirty with the last song.

914
00:47:40,120 --> 00:47:44,919
Speaker 1: Ain't flying now? Fab fabins on it too?

915
00:47:45,480 --> 00:47:45,719
Speaker 3: Yeah?

916
00:47:46,000 --> 00:47:48,920
Speaker 1: On the rabbits on Family, if on the remake on it?

917
00:47:49,680 --> 00:47:50,000
Speaker 6: Wow?

918
00:47:51,200 --> 00:47:53,520
Speaker 3: You like working a lot with fab Like what's that?

919
00:47:54,000 --> 00:47:56,879
Speaker 6: We already noticed Yanks top five didd or a lot,

920
00:47:56,960 --> 00:47:59,560
Speaker 6: but you you know what it is, chemist street.

921
00:47:59,360 --> 00:48:02,520
Speaker 1: Babist, great chemistry, but he's also a good person and

922
00:48:02,640 --> 00:48:06,160
Speaker 1: a really good friendly. I deal with people I go

923
00:48:06,239 --> 00:48:10,239
Speaker 1: where I'm celebrating. You know, I have Fabiney stay less queen.

924
00:48:10,440 --> 00:48:12,320
Speaker 1: You know, just pay for the ground. Gotta give me

925
00:48:12,360 --> 00:48:15,759
Speaker 1: nothing else. You know I'm coming cheers, I'm doing founding nothing.

926
00:48:16,239 --> 00:48:18,920
Speaker 1: This is my family, and I only really deal with

927
00:48:19,360 --> 00:48:22,400
Speaker 1: Jada Kiss and Fabulous when it comes because they really

928
00:48:22,600 --> 00:48:25,680
Speaker 1: support me. I hate to go begging biggest for your

929
00:48:26,000 --> 00:48:26,400
Speaker 1: can I get it.

930
00:48:27,040 --> 00:48:29,439
Speaker 5: I'm not begging from the verse on my phone, turn red,

931
00:48:30,320 --> 00:48:32,560
Speaker 5: that's maybe gotta come.

932
00:48:33,000 --> 00:48:35,000
Speaker 6: You ever heard her talk like a guy? You ever

933
00:48:35,120 --> 00:48:37,080
Speaker 6: called her from a number she don't know, she'd be like,

934
00:48:37,160 --> 00:48:41,360
Speaker 6: yo's un, she's the greatest ever made.

935
00:48:41,560 --> 00:48:44,040
Speaker 3: I'm telling you the truth. Don't fly? What the why

936
00:48:44,080 --> 00:48:46,480
Speaker 3: would I call her from a number that she don't know?

937
00:48:47,400 --> 00:48:47,440
Speaker 2: So?

938
00:48:47,680 --> 00:48:48,719
Speaker 1: What for? Two?

939
00:48:48,840 --> 00:48:49,680
Speaker 3: What color Franks?

940
00:48:49,719 --> 00:48:50,120
Speaker 5: You're doing?

941
00:48:50,160 --> 00:48:50,319
Speaker 4: Over?

942
00:48:50,360 --> 00:48:50,520
Speaker 1: Man?

943
00:48:50,600 --> 00:48:53,239
Speaker 3: On your Mary J Blige? And I'm like, Yo, what's up?

944
00:48:53,320 --> 00:48:55,400
Speaker 3: Sis here? What's up? What's going on?

945
00:48:55,560 --> 00:48:55,680
Speaker 1: Now?

946
00:48:55,960 --> 00:48:58,719
Speaker 3: Who you're talking to this shu? And be like, yo,

947
00:48:58,800 --> 00:49:03,120
Speaker 3: it's Joe Crank? Oh y'all's you was up? Best? All right?

948
00:49:03,200 --> 00:49:06,920
Speaker 6: Let's just say I call you right now? Number right now?

949
00:49:07,400 --> 00:49:08,480
Speaker 6: Block number yourself?

950
00:49:08,560 --> 00:49:11,719
Speaker 3: Sins? What's going on? Yo? What's going on? Before I

951
00:49:11,800 --> 00:49:19,080
Speaker 3: say my name? How would you answer the phone? What's up?

952
00:49:19,200 --> 00:49:24,080
Speaker 3: Jump that ship? Crazy? You got me thinking you changed

953
00:49:24,120 --> 00:49:28,399
Speaker 3: the number? Like yeah, Joe Crack? What yo? Yo? What's up?

954
00:49:30,440 --> 00:49:32,520
Speaker 1: I had to find him? Look after I got that what,

955
00:49:32,760 --> 00:49:35,320
Speaker 1: I had to find another voice because people was calling

956
00:49:35,400 --> 00:49:37,719
Speaker 1: me from all different cottage and wasn't who they was,

957
00:49:38,480 --> 00:49:40,120
Speaker 1: So I had to find another.

958
00:49:41,640 --> 00:49:41,960
Speaker 3: Screen.

959
00:49:45,640 --> 00:49:47,920
Speaker 6: Let me tell you something, man, You know we over

960
00:49:48,040 --> 00:49:52,440
Speaker 6: at divorce and all that because your new man is

961
00:49:52,600 --> 00:49:53,440
Speaker 6: well not man.

962
00:49:53,840 --> 00:49:55,440
Speaker 3: Is he a mystery man? Still?

963
00:49:57,960 --> 00:49:58,960
Speaker 1: Is he a mystery man to you?

964
00:49:59,360 --> 00:50:00,480
Speaker 3: Not to no?

965
00:50:00,560 --> 00:50:03,279
Speaker 1: No, yes, yes, And I.

966
00:50:03,400 --> 00:50:07,879
Speaker 6: Was dancing by shot up so the motherfucker looked like Joe.

967
00:50:08,080 --> 00:50:14,760
Speaker 1: Listen, I'm saying. I said, yo, Joe, let me explain

968
00:50:14,800 --> 00:50:17,200
Speaker 1: something to you. To the world, he's a mystery man.

969
00:50:17,239 --> 00:50:19,680
Speaker 1: But to my family and for instance, not so we're

970
00:50:19,760 --> 00:50:20,680
Speaker 1: not doing that.

971
00:50:20,800 --> 00:50:25,319
Speaker 3: Because makes some noise for that. Protect your feet, protect

972
00:50:25,400 --> 00:50:26,279
Speaker 3: your feet.

973
00:50:28,360 --> 00:50:28,600
Speaker 2: You know.

974
00:50:28,760 --> 00:50:31,880
Speaker 6: With me, they try to give me so many bags

975
00:50:32,920 --> 00:50:35,360
Speaker 6: to be on TV with my family, and I always

976
00:50:35,400 --> 00:50:37,799
Speaker 6: said no because I know I wouldn't have a relationship

977
00:50:37,880 --> 00:50:40,760
Speaker 6: after a TV show because everybody be in your business.

978
00:50:40,840 --> 00:50:43,560
Speaker 6: They got something to say, ship that's probably normal that

979
00:50:44,239 --> 00:50:46,759
Speaker 6: to you or to my wife would be They be like, oh,

980
00:50:46,960 --> 00:50:49,640
Speaker 6: he ain't ship because suit you know, I don't know

981
00:50:49,680 --> 00:50:51,600
Speaker 6: about you. But as soon as I locked that door,

982
00:50:51,880 --> 00:50:54,360
Speaker 6: close that door, I say some slick ship on the

983
00:50:54,440 --> 00:50:57,920
Speaker 6: way out, like you know words, All right, man, you're

984
00:50:58,000 --> 00:51:03,200
Speaker 6: no pro closed the door. They cut that ship on camera.

985
00:51:04,600 --> 00:51:07,399
Speaker 6: My head'll be on a fucking pike on one of them.

986
00:51:07,480 --> 00:51:11,160
Speaker 6: Game of Joe checked us out today, true King in

987
00:51:11,239 --> 00:51:16,040
Speaker 6: the North, Joey Snow, what ship on?

988
00:51:16,400 --> 00:51:19,040
Speaker 3: I'm the true King of Joey, King of the Off

989
00:51:21,360 --> 00:51:26,000
Speaker 3: Snow came in that cocaine ship. You ain't doing that.

990
00:51:26,400 --> 00:51:26,920
Speaker 3: That ain't that.

991
00:51:27,200 --> 00:51:31,319
Speaker 1: This ain't this you Ni Joey asked you a question, Yes,

992
00:51:32,680 --> 00:51:34,600
Speaker 1: where did you meet me for the first time?

993
00:51:35,840 --> 00:51:38,440
Speaker 3: I don't know, I know, I can I tell you?

994
00:51:38,920 --> 00:51:41,719
Speaker 6: Well, I know I was stabbing somebody. The last person

995
00:51:41,760 --> 00:51:43,600
Speaker 6: who asked me did she was like, yeah, you saw

996
00:51:43,640 --> 00:51:46,080
Speaker 6: you stabbing the guy when I was like, oh my.

997
00:51:46,320 --> 00:51:47,640
Speaker 1: God, want me to tell you.

998
00:51:48,080 --> 00:51:48,279
Speaker 3: Yeah.

999
00:51:49,040 --> 00:51:50,560
Speaker 1: I don't know if it was your first movie, but

1000
00:51:50,600 --> 00:51:53,600
Speaker 1: it was Prison Songs my first movie, and you came

1001
00:51:53,719 --> 00:51:55,719
Speaker 1: to me. You like, Joe, fuck somebody up over you.

1002
00:51:55,840 --> 00:51:59,200
Speaker 1: You was going off and I was like, yeah, fat

1003
00:51:59,320 --> 00:52:03,080
Speaker 1: Joe loves me. He's gonna protect me. And that was

1004
00:52:03,080 --> 00:52:04,239
Speaker 1: the first time I ever met you.

1005
00:52:04,520 --> 00:52:10,600
Speaker 3: And you was still so they ain't beat me, beautiful person.

1006
00:52:10,920 --> 00:52:12,520
Speaker 3: I was supposed to be the kid you had a

1007
00:52:12,600 --> 00:52:15,920
Speaker 3: fight with a Q tip or what I was supposed

1008
00:52:15,920 --> 00:52:19,560
Speaker 3: to be in prison? Yeah, we had a ball. If

1009
00:52:19,600 --> 00:52:23,160
Speaker 3: he was in the Bronx too, we shun that. Somebody

1010
00:52:23,280 --> 00:52:25,040
Speaker 3: always makes it back to the problem.

1011
00:52:26,239 --> 00:52:28,200
Speaker 6: I'm not trying to say it was just the Bronx,

1012
00:52:28,320 --> 00:52:31,000
Speaker 6: But it was the Bronx, you know what I'm saying.

1013
00:52:31,080 --> 00:52:34,560
Speaker 6: But that was a fun time for me. I finally

1014
00:52:34,600 --> 00:52:36,799
Speaker 6: got my cheekbone in the movie like I had been

1015
00:52:36,840 --> 00:52:39,040
Speaker 6: on like t three movies before that. I don't I

1016
00:52:39,080 --> 00:52:40,879
Speaker 6: don't know what it was that like, And they got

1017
00:52:41,680 --> 00:52:44,879
Speaker 6: no pause. You know, I never had a real role.

1018
00:52:45,640 --> 00:52:48,120
Speaker 6: That was the first time I had like a real roll.

1019
00:52:49,120 --> 00:52:50,719
Speaker 3: It's fine. I see that ship to this day. I

1020
00:52:50,760 --> 00:52:53,920
Speaker 3: spoke to Q Tip yesterday, so with the god shout out,

1021
00:52:54,000 --> 00:52:56,239
Speaker 3: Q Tip, you.

1022
00:52:56,320 --> 00:52:57,080
Speaker 5: Need you all here.

1023
00:52:57,520 --> 00:52:58,480
Speaker 3: Oh no, he's gonna come.

1024
00:52:59,440 --> 00:53:05,560
Speaker 1: He's in the friend specially yeah U TIFF's family. And

1025
00:53:06,400 --> 00:53:09,720
Speaker 1: the movie was I carried the whole movie. I played

1026
00:53:10,200 --> 00:53:13,480
Speaker 1: the mother and that was this shit was horrible, Like

1027
00:53:13,560 --> 00:53:14,360
Speaker 1: when I look back.

1028
00:53:14,840 --> 00:53:18,759
Speaker 3: Like, oh, I don't never want to see this again. No,

1029
00:53:19,000 --> 00:53:20,799
Speaker 3: that's that was some real ghetto ship.

1030
00:53:21,320 --> 00:53:27,319
Speaker 6: Yeah, no budget, Yo, sist this residency. We're flying out

1031
00:53:27,360 --> 00:53:27,920
Speaker 6: the Vegas.

1032
00:53:28,440 --> 00:53:28,880
Speaker 3: I love you.

1033
00:53:28,960 --> 00:53:31,640
Speaker 6: It was on Sherry you said, she said any guests,

1034
00:53:31,760 --> 00:53:35,000
Speaker 6: You said, the whole New York coming with facts.

1035
00:53:35,440 --> 00:53:37,000
Speaker 1: But the whole New York is coming.

1036
00:53:37,080 --> 00:53:40,279
Speaker 6: It seems like, listen, they gotta bottom tickets if you

1037
00:53:40,360 --> 00:53:43,920
Speaker 6: gotta stay seventeen in the hotel room seventeen, people, go

1038
00:53:44,120 --> 00:53:44,360
Speaker 6: do it.

1039
00:53:44,520 --> 00:53:47,319
Speaker 3: Whatever you gotta do. Y'all gotta go out there, get

1040
00:53:47,400 --> 00:53:51,360
Speaker 3: your tickets. You gotta gotta go out there, get your tickets.

1041
00:53:51,920 --> 00:53:53,239
Speaker 3: Twenty fifth anniversary.

1042
00:53:53,400 --> 00:53:57,080
Speaker 6: Correct, that's no more drama, No more drama, no more drama,

1043
00:53:57,920 --> 00:53:58,959
Speaker 6: fifth anniversary.

1044
00:54:00,320 --> 00:54:00,880
Speaker 3: Just listen.

1045
00:54:02,080 --> 00:54:06,520
Speaker 6: Yet, we happy for everybody. But sometimes I see some

1046
00:54:06,680 --> 00:54:08,560
Speaker 6: rappers I started with, they missing teeth.

1047
00:54:09,600 --> 00:54:11,239
Speaker 3: You know. One day they snuck me in in the

1048
00:54:11,360 --> 00:54:16,080
Speaker 3: old school at noon? Yeah, yo, what hap go through

1049
00:54:16,160 --> 00:54:17,320
Speaker 3: that tea colleagues?

1050
00:54:17,400 --> 00:54:21,320
Speaker 6: Man? One day they paid me the bag and I

1051
00:54:21,360 --> 00:54:23,480
Speaker 6: don't know how they afforded me at an old school

1052
00:54:23,520 --> 00:54:25,880
Speaker 6: at noon, and they threw the real bag, right, So

1053
00:54:25,960 --> 00:54:28,440
Speaker 6: I full up in there and I'm looking at other legends.

1054
00:54:28,520 --> 00:54:31,880
Speaker 6: They dancing around Hennessy bottles, no teeth. This, I'm like,

1055
00:54:32,440 --> 00:54:34,799
Speaker 6: I closed the door, Like, what the fuck? They caught

1056
00:54:34,880 --> 00:54:37,200
Speaker 6: me in one of these old school at noon.

1057
00:54:37,280 --> 00:54:41,480
Speaker 3: I'm opening the door. These are legends too, like this

1058
00:54:42,719 --> 00:54:44,400
Speaker 3: about them? What year you started?

1059
00:54:45,120 --> 00:54:45,160
Speaker 1: No?

1060
00:54:45,280 --> 00:54:48,799
Speaker 6: No, they legends, Well, what year you started? Your first

1061
00:54:48,880 --> 00:54:49,680
Speaker 6: record came out?

1062
00:54:50,040 --> 00:54:52,200
Speaker 1: When my first first record came out, I was still

1063
00:54:52,200 --> 00:54:54,479
Speaker 1: in slow Mom and I was the FATHERM see, I'll

1064
00:54:54,520 --> 00:54:57,720
Speaker 1: do for you. Fact I wasn't signing.

1065
00:54:58,400 --> 00:55:01,920
Speaker 3: We felt we felt like we made it off that.

1066
00:55:04,520 --> 00:55:06,719
Speaker 1: I'll still run around at both it and cottage and

1067
00:55:07,120 --> 00:55:07,960
Speaker 1: slow in school.

1068
00:55:08,080 --> 00:55:10,839
Speaker 3: Yeall was still deep still, man.

1069
00:55:11,600 --> 00:55:13,880
Speaker 6: Let me tell you something in them Uptown records, right

1070
00:55:13,920 --> 00:55:17,080
Speaker 6: because today, you know, I was getting the massage shout

1071
00:55:17,120 --> 00:55:19,200
Speaker 6: out some more my therapists, and you know I play

1072
00:55:19,239 --> 00:55:21,200
Speaker 6: that on b shit in the back and they play

1073
00:55:21,280 --> 00:55:22,680
Speaker 6: some I'll be sure shit.

1074
00:55:22,600 --> 00:55:23,719
Speaker 3: That I never heard.

1075
00:55:24,360 --> 00:55:26,279
Speaker 6: It was on YouTube and the shit came on and

1076
00:55:26,320 --> 00:55:28,000
Speaker 6: I was like, yo, that's I'll be sure and I

1077
00:55:28,080 --> 00:55:32,200
Speaker 6: look up, sure enough it was him. Like at that time,

1078
00:55:33,480 --> 00:55:39,120
Speaker 6: the d Uptown Records is shoot Father MC heavy D

1079
00:55:39,320 --> 00:55:46,440
Speaker 6: and the boys, Chod C, Christopher Williams. It just us,

1080
00:55:47,600 --> 00:55:50,680
Speaker 6: how crazy was that? Because we look at the Jungle

1081
00:55:50,760 --> 00:55:54,760
Speaker 6: Brothers and we think about Daylight, Soul, Latti Faremony Left.

1082
00:55:54,680 --> 00:55:55,560
Speaker 3: Like that right there.

1083
00:55:55,680 --> 00:55:57,800
Speaker 6: If y'all did a show together like on TV, that

1084
00:55:57,840 --> 00:56:01,880
Speaker 6: would be like the Motown twenty. I don't think nobody's

1085
00:56:01,920 --> 00:56:02,560
Speaker 6: fucking with that.

1086
00:56:03,160 --> 00:56:05,480
Speaker 1: Yeah, I forgot about Daylight, so sorry. I forgot to

1087
00:56:05,520 --> 00:56:08,960
Speaker 1: mention them too. Like back in the days that at

1088
00:56:09,040 --> 00:56:13,759
Speaker 1: least grew upon them. So yeah, the fuddy buddy was

1089
00:56:14,000 --> 00:56:16,840
Speaker 1: a big deal. But yeah, I gotta be crazy.

1090
00:56:17,120 --> 00:56:19,760
Speaker 11: Listen, just we want to keep you for fifty hours.

1091
00:56:19,880 --> 00:56:24,240
Speaker 11: But they say, I know you gotta promote residency, my license.

1092
00:56:24,280 --> 00:56:26,319
Speaker 11: See I have said the other part of my life,

1093
00:56:26,400 --> 00:56:28,320
Speaker 11: my life story, my life, my life.

1094
00:56:28,280 --> 00:56:33,520
Speaker 3: Story worked first person. Get your tickets. Don't call me, definitely,

1095
00:56:33,640 --> 00:56:34,480
Speaker 3: don't call LT.

1096
00:56:35,440 --> 00:56:36,279
Speaker 1: Don't call it.

1097
00:56:36,960 --> 00:56:42,799
Speaker 3: Get your tickets. This ain't that. That ain't this racking kiss.

1098
00:56:42,800 --> 00:56:44,160
Speaker 3: She makes some noise to MJ.

1099
00:56:45,719 --> 00:56:51,560
Speaker 1: Thank y'all than having me. Thank you, I love you,

1100
00:56:52,239 --> 00:56:53,479
Speaker 1: love you, love oth y'all.