WEBVTT - Lil' Mo

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<v Speaker 1>And money. We all take out. We are the authority

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<v Speaker 1>on all things R and B and money. Ladies and gentlemen,

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<v Speaker 1>what's going on? I am tanking and this is the

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<v Speaker 1>R and B Money Podcast, the authority on all things.

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<v Speaker 1>Who you know? You were talking about R and B

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<v Speaker 1>in the trenches. What I'm saying when it was only

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<v Speaker 1>two R and B artists on the bill and the

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<v Speaker 1>rest was rappers. Was in the deep South South Carolina,

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<v Speaker 1>Bill too below gains Bill, Florida. We was in the

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<v Speaker 1>trenches to get the My little sister, my loved one

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<v Speaker 1>around the way. Yeah, you understand what I'm saying. Please

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<v Speaker 1>give it up. She's so accomplished, so many things. We'll

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<v Speaker 1>get to all that. Yeah, you up appreciate you will remember,

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<v Speaker 1>are you kidding? Like people don't remember? Like I was

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<v Speaker 1>doing shows, Oh my god, we're rappers, so we would

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<v Speaker 1>have to I was singing songs like Ballance and having

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<v Speaker 1>to walk out the club with the mic in my

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<v Speaker 1>hand because they will start shooting and fighting. Absolutely, That's

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<v Speaker 1>that's that's where we came from. They could never survive.

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<v Speaker 1>It would be just me and you. I would look

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<v Speaker 1>at the field and there would be miracle c murder

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<v Speaker 1>and yeah, thank a little more. So wait, wait, so

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<v Speaker 1>are y'all the original trap? So I think we are

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<v Speaker 1>real shout out to But I'm sure Bryson Tiller never

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<v Speaker 1>had to walk out of the club after singing a

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<v Speaker 1>ballot It too gunshots listen. I had been almost booed

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<v Speaker 1>on some of these all trap shows. What they are like,

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<v Speaker 1>who is this nigger with the baby along? You know

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<v Speaker 1>what I'm saying. But you were I was crazy and

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<v Speaker 1>milk character. Because when you could perform at any arena,

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<v Speaker 1>especially the ones that you at least expected to get

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<v Speaker 1>around of applause, that's when you know you do well.

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<v Speaker 1>Here's the other thing, too, is that you you of

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<v Speaker 1>course started there, and when when I was coming along

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<v Speaker 1>you you were already had you were already on hit records.

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<v Speaker 1>So when I when I when I came in on

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<v Speaker 1>those shows with you, that was me trying to get

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<v Speaker 1>my records played. But so you were like you were,

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<v Speaker 1>you were you were already kind of tried improving before

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<v Speaker 1>I got there, because you were going on after You're

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<v Speaker 1>gonna after me, right, you know what I'm saying. So

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<v Speaker 1>when your songs came on, it was it was up.

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<v Speaker 1>But you were. You still had to work your way

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<v Speaker 1>into that space, right for sure. But when I saw you,

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<v Speaker 1>you was cooking, and I was like, I was like

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<v Speaker 1>there on some R and B pol when I saw

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<v Speaker 1>you on the bill or when I would see your name,

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<v Speaker 1>even to this day, I was like, at least I

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<v Speaker 1>know with somebody on here that's can really sing, because

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<v Speaker 1>there's that. That's how we got No, it's it's kind

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<v Speaker 1>of shape, but that's how that's that's that's what you did.

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<v Speaker 1>That's how that's shape, no shade, right, yeah, but that's

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<v Speaker 1>how we got our record deals. You know what I'm saying,

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<v Speaker 1>even even even down to Jay like it wasn't it

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<v Speaker 1>wasn't no fluff like JA could dance. You know what

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<v Speaker 1>I'm saying, there's there's that he could dance, right, I

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<v Speaker 1>got to you know what I'm saying, I'm dancing in

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<v Speaker 1>my first video you were, I was fallout choreography because

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<v Speaker 1>we were all, you know, we fell with cameras came out.

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<v Speaker 1>We were talking about things that could have stopped. You

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<v Speaker 1>could have stopped you know, the progression yea of taking

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<v Speaker 1>little mo. Yeah, and he almost stopped his progression with dancing. No,

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<v Speaker 1>but the main thing that would have stopped all this

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<v Speaker 1>ship No, no, no is if he would have kept

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<v Speaker 1>trying to wrap. No, I wasn't trying. First of all,

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<v Speaker 1>shout out to michaelid in the build. My brother kame

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<v Speaker 1>crossing brother, who knows my rap pedigree? It out, who

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<v Speaker 1>knows my rap pedigree? Okay, they were clean wraps. I

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<v Speaker 1>was a church kid. What was your name? MC Hurricane? Really? Yeah? Okay,

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<v Speaker 1>so the wait where you like you were like bringing

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<v Speaker 1>the rain? I was, I was bringing the thunder and

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<v Speaker 1>the thunder was this? Was this biblical? Because biblical? You

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<v Speaker 1>were a church rap? I would wrap street ish You

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<v Speaker 1>know how you watch remember how you watched the box

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<v Speaker 1>and all the dirty songs that were changed and had

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<v Speaker 1>the radio. What's crazy is I started out rapping too,

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<v Speaker 1>because like my first time being on the rod was

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<v Speaker 1>with my uncle John P. King. So while I was

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<v Speaker 1>in high school, don't I went into some gangses. I

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<v Speaker 1>ain't kidding, y'allen, Like when I used to turn them

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<v Speaker 1>guns into his shirt. We'll bring to this church, let's

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<v Speaker 1>start there. But I used to wrap as well, and

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<v Speaker 1>I tried to do gospel rap, but I had that

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<v Speaker 1>stree edge because I grew up in church where he

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<v Speaker 1>told me one day when I was like fifteen years old,

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<v Speaker 1>he was like, I think you should sing because not

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<v Speaker 1>there's nothing wrong with your rapping, but I think you

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<v Speaker 1>should sing because you'll last longer. He never lied. That's crazy, right,

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<v Speaker 1>So like literally twenty nine years later, yeah, that way.

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<v Speaker 1>I I stayed rapping, yeah, until until my tenth grade

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<v Speaker 1>in high school because I was I was battling everybody

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<v Speaker 1>and me too, and I was I was, I was.

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<v Speaker 1>I was a battle rapper. So and one in English class.

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<v Speaker 1>Our teacher in English class used to always let me

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<v Speaker 1>in this other kid battle for like a little credit, right,

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<v Speaker 1>and so I would I would kill him, right, I

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<v Speaker 1>would just go eddie. And one day he was like,

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<v Speaker 1>you know I can beat you. I was like, you

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<v Speaker 1>haven't beat me yet, he said, he said, because when

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<v Speaker 1>I'm rapping, I'm you know, I'm just I'm being lyrical,

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<v Speaker 1>like I'm you know what I'm saying. He's like, when

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<v Speaker 1>you're rapping, like you're actually battle rapping, like you're you're

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<v Speaker 1>talking about me. I haven't even talked about you yet,

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<v Speaker 1>you know what I'm saying. And I was like, I

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<v Speaker 1>was like, yeah, I hear you, but let's get to it.

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<v Speaker 1>And so having a philosophy, yeah listen. And so we

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<v Speaker 1>got to the class and he went first and he

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<v Speaker 1>did his rap, and he he rapped so good, but

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<v Speaker 1>he was actually rapping about me this time. And remember

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<v Speaker 1>you watched eight miles and and what was his name

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<v Speaker 1>with Papa Doc who was supposed to go last after Eminem. Yeah,

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<v Speaker 1>well he Eminem me massacre. His rap was so crazy

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<v Speaker 1>and there was so many uz and os and so

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<v Speaker 1>many ohs. I was like, this rapping, this rapping, gonna

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<v Speaker 1>do it crazy man, what's this nigger's name? He's not.

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<v Speaker 1>He works up. We have to thank you. I don't

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<v Speaker 1>know your name. So he reached out to you and

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<v Speaker 1>be like you are crushed you in the tip break

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<v Speaker 1>he probably is now aside from him crushing tank, crushing

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<v Speaker 1>DJ hurricane whatever hurricane he was. Yeah, we would we

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<v Speaker 1>would personally like to thank you in the R and

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<v Speaker 1>B world for destroying this man's rap career so that

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<v Speaker 1>he didn't do that foolishness. Man, I was good. So

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<v Speaker 1>he saved the rhyme about you for last. You might

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<v Speaker 1>have said he had never he had never rapped about me.

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<v Speaker 1>It was all ways about how good he was and

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<v Speaker 1>metaphors and all that, you know what I'm saying. But

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<v Speaker 1>and I was like, you know, I'm going to more

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<v Speaker 1>to all the street in it I'm talking about it's

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<v Speaker 1>closed like I'm going. He's like, I've never rapped about you.

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<v Speaker 1>I was like, rap about me. So that's why I'm

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<v Speaker 1>you know, but that's what getting to songwriting, which you

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<v Speaker 1>do very well. I think us being rappers, you know

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<v Speaker 1>what I'm saying, and being lyricists is why we were,

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<v Speaker 1>why we are able to put these songs together and

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<v Speaker 1>put these words together the way we do. Not only

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<v Speaker 1>did honestly growing up in the church help you, I

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<v Speaker 1>think it helped me. I don't play you play like

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<v Speaker 1>a hundred instruments. I can't play just like a little

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<v Speaker 1>bit of shower music on the drums and that's about it.

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<v Speaker 1>I can just shout music. That's it. That's it. And

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<v Speaker 1>I think it helped with like melody and stuff like

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<v Speaker 1>you know, don't before you go there, Before you go there,

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<v Speaker 1>we like to start at the beginning. We are very

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<v Speaker 1>very informative. I could like to start at the beginning

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<v Speaker 1>because you already threw out the John P. Keeper which

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<v Speaker 1>super Super shout out to in the tenth grade. I

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<v Speaker 1>see what today is gonna be the death of m

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<v Speaker 1>You didn't tell shoot I was my name was. At

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<v Speaker 1>first I was Sassy c Yeah yeah in church, in

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<v Speaker 1>church church, and then I would know for city, See

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<v Speaker 1>everybody had those names. And then I was young Wisdom.

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<v Speaker 1>I went through this whole phase of yeah, young wisdom.

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<v Speaker 1>I was like I went through the shade joined brand

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<v Speaker 1>new thing that I was like everybody used to be

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<v Speaker 1>a five per center. I used to hang with the

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<v Speaker 1>no young wisdom and then after that, honestly, John Picky

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<v Speaker 1>gave me the name little Mo because my last name

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<v Speaker 1>is loving, so he used to call me mony for

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<v Speaker 1>some of my reason. Yeah, and then he just stopped

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<v Speaker 1>on me. That just stuff. And my friend was just

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<v Speaker 1>like my fir Renee because I was. We used to

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<v Speaker 1>drive from Fayetteville to Charlotte every Wednesday for rehearsal three

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<v Speaker 1>hours there at three hours bait. So I would get

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<v Speaker 1>out of school, drive to Charlotte to rehearse. Then my

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<v Speaker 1>dad would bring me back on Friday so we could

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<v Speaker 1>go on touring the weekend, and then he would pick

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<v Speaker 1>me back up on Sunday. So it was just like

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<v Speaker 1>it did. Okay, when did you know when did somebody

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<v Speaker 1>tell you? When did the first church congregation say that

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<v Speaker 1>baby got it? Honestly, where I used to sing songs

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<v Speaker 1>in church, I was like four or five, and the

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<v Speaker 1>first song I lafed was I think it was about

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<v Speaker 1>a Clark sisters. What a difference it makes. So I

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<v Speaker 1>was too, I'm gonna be singing those grown songs. But

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<v Speaker 1>when I started saying with John, he was the one

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<v Speaker 1>that told me you got something because I started rabbits.

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<v Speaker 1>That was like in ninety one. Shoot, I was in

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<v Speaker 1>tiph grade, ninth tiph grade. That was the first time, Yeah,

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<v Speaker 1>you got something special. Yeah, So people always said that

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<v Speaker 1>I was, you know, gifted. I had a gift because

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<v Speaker 1>I was saying all the adult songs because he lives

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<v Speaker 1>all the grown songs as a child director. Yeah, because

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<v Speaker 1>it was like when you seven, when you five years old,

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<v Speaker 1>when I was in the world, I didn't have a

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<v Speaker 1>gut on my side. You five years old, talk about

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<v Speaker 1>when I was in the world, when you was outside

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<v Speaker 1>the junior choir, sc gave me your song like it's that.

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<v Speaker 1>But then when you get up to the young adult quire,

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<v Speaker 1>then you can start singing a difference it makes when

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<v Speaker 1>y'all walk the So this is like that. So what

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<v Speaker 1>happens in gospel is like a portion of the Bible

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<v Speaker 1>when Jesus goes from this from one age and he

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<v Speaker 1>comes back he was up the world. Yeah, I'm just

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<v Speaker 1>trying to listen. Honestly, that that age of thirteen that's

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<v Speaker 1>really pivotal, and a lot of people's like this. Honestly,

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<v Speaker 1>that's the age of honestly what they call it accountability,

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<v Speaker 1>but that's also the age that when you're trying to

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<v Speaker 1>find yourself. So that would be the age when I

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<v Speaker 1>was just like, Okay, this is what I wanted to do.

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<v Speaker 1>I always want to ramp. But I was just like

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<v Speaker 1>once my uncle told me at fifteen, sing you'll last longer.

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<v Speaker 1>At first, you know, I tried my son does it

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<v Speaker 1>to me? He's thirteen, and I'm like, yo, you should sing.

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<v Speaker 1>He was like, nobody wants to hear that anymore. So

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<v Speaker 1>I'm just like, yes, they did. You really don't understand

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<v Speaker 1>that's what touches the heart. I'm not saying that rap doesn't,

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<v Speaker 1>but it's just something about a melody. It's just something

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<v Speaker 1>about tone. It's just something about that type of connection

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<v Speaker 1>that just hit different. So it's just like, yeah, something,

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<v Speaker 1>but now they don't really talk about love. They talk

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<v Speaker 1>about love, but it's in such a different way. So honestly,

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<v Speaker 1>that's crazy. I've never wrote a hate song in my life.

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<v Speaker 1>Mm hmm. No, none, toxic. I remade a toxic song,

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<v Speaker 1>remade Shirley Murdock husband, and that was like toxic. But

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<v Speaker 1>it was State Church that was the first. Yeah, everything

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<v Speaker 1>was exciting and I had things in my life. Yeah, okay,

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<v Speaker 1>So you want to rote with John Kid? How long?

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<v Speaker 1>How long were you out with father John? For like

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<v Speaker 1>two years? And then after that once I'm I started

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<v Speaker 1>out with low Kid? Was there? Was there? So I say?

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<v Speaker 1>And I was next to name? Okay, so it was

0:13:56.040 --> 0:14:00.640
<v Speaker 1>a musician. Cool played the drums, Eric Bryce Shu's play guitar,

0:14:00.840 --> 0:14:02.760
<v Speaker 1>and it was another John used to play the bass

0:14:02.760 --> 0:14:05.680
<v Speaker 1>like I was there. Yeah, right after I was there

0:14:05.679 --> 0:14:10.320
<v Speaker 1>for show Up. So I came there with show Up. Yes,

0:14:11.000 --> 0:14:13.760
<v Speaker 1>you used to be the kid waiting on y'all in

0:14:13.760 --> 0:14:16.319
<v Speaker 1>in d C. When he would do the V I P. Conventions,

0:14:16.559 --> 0:14:18.720
<v Speaker 1>I'd be the kid waiting and I don't play basketball

0:14:18.800 --> 0:14:24.760
<v Speaker 1>with him? Yes, a ya he used to be so lit.

0:14:24.960 --> 0:14:27.120
<v Speaker 1>The best part, and this is what I learned so

0:14:27.200 --> 0:14:29.760
<v Speaker 1>much from my uncle is just like now I understand

0:14:30.320 --> 0:14:34.280
<v Speaker 1>the for our gospel artist. Everybody on stage were just like,

0:14:34.360 --> 0:14:36.160
<v Speaker 1>the music is jammen. But when he would come out

0:14:36.200 --> 0:14:38.440
<v Speaker 1>and slide on stage and the keyboar will be ready,

0:14:38.560 --> 0:14:42.720
<v Speaker 1>the people would go because he was like he was like,

0:14:44.400 --> 0:14:46.960
<v Speaker 1>because he did the R and B, did a stinton,

0:14:47.040 --> 0:14:54.840
<v Speaker 1>cameo hello, right, yes, came right, so absolutely yeah. So

0:14:55.600 --> 0:14:59.240
<v Speaker 1>his approach to gospel music was totally was a completely

0:14:59.280 --> 0:15:02.080
<v Speaker 1>different pot it like it was like it was it

0:15:02.160 --> 0:15:05.760
<v Speaker 1>was something we had never seen before. The structure of it,

0:15:06.040 --> 0:15:08.480
<v Speaker 1>how solid it was like yo'all could do something like

0:15:08.520 --> 0:15:11.800
<v Speaker 1>this and everybody knew where to go. Or he'd make

0:15:11.840 --> 0:15:15.400
<v Speaker 1>a noise and everybody's yeah, it wasn't it was. We

0:15:15.400 --> 0:15:17.560
<v Speaker 1>was like, so we're watching the band on this side.

0:15:17.600 --> 0:15:19.880
<v Speaker 1>You had a band corner, when the band when where

0:15:19.920 --> 0:15:23.040
<v Speaker 1>the band set up. There were eighty musicians from that

0:15:23.200 --> 0:15:26.600
<v Speaker 1>single sitting on the side like this, and then you

0:15:26.680 --> 0:15:28.440
<v Speaker 1>got the congregation watching the whole thing. You got the

0:15:28.480 --> 0:15:31.800
<v Speaker 1>singers all through the day. But it was ill. The

0:15:31.880 --> 0:15:36.360
<v Speaker 1>music was the phrases, but put together music rehearsals. Yeah,

0:15:36.720 --> 0:15:38.280
<v Speaker 1>I did the V I was. I was part of

0:15:38.320 --> 0:15:40.920
<v Speaker 1>the v I p Chuire Wednesday rehearsals that I used

0:15:40.920 --> 0:15:44.760
<v Speaker 1>to go to. People like it was almost like a concert.

0:15:45.200 --> 0:15:46.600
<v Speaker 1>He would come and have like a little bit of

0:15:46.600 --> 0:15:50.560
<v Speaker 1>Bible study and literally from like six pm two two

0:15:50.560 --> 0:15:52.840
<v Speaker 1>in the morning now would have school the next day.

0:15:53.240 --> 0:15:55.000
<v Speaker 1>He would write songs right there. He was like, all right, y'all,

0:15:55.000 --> 0:15:56.560
<v Speaker 1>gotta learn this right now. I was I'm gonna give

0:15:56.560 --> 0:15:58.040
<v Speaker 1>it to you know what, saying, awesome, gonna get this

0:15:58.120 --> 0:16:00.600
<v Speaker 1>so on up. He would literally write song on the spot.

0:16:00.600 --> 0:16:03.680
<v Speaker 1>And that's I learned so much from him and he

0:16:03.960 --> 0:16:06.320
<v Speaker 1>because he played, he would like make you go to

0:16:06.680 --> 0:16:09.400
<v Speaker 1>and they would go. It was like how did they know?

0:16:09.520 --> 0:16:13.120
<v Speaker 1>But he had that. He was the first person I

0:16:13.160 --> 0:16:18.280
<v Speaker 1>saw sing and not miss and I didn't. I don't

0:16:18.320 --> 0:16:21.000
<v Speaker 1>know how we can talk about We don't talk about

0:16:21.000 --> 0:16:24.680
<v Speaker 1>that enough. We don't. We don't. That's a gift in

0:16:24.680 --> 0:16:27.200
<v Speaker 1>itself he did. Even if you're not obviously John p

0:16:27.320 --> 0:16:30.080
<v Speaker 1>Kids is amazing. But even if you're just a good

0:16:30.120 --> 0:16:32.960
<v Speaker 1>singer and you don't miss, that's that's still something very

0:16:33.000 --> 0:16:39.160
<v Speaker 1>special to prepare yourself to to honor your gift because

0:16:39.200 --> 0:16:41.480
<v Speaker 1>everybody don't honor their gift. We do a lot of

0:16:41.560 --> 0:16:44.280
<v Speaker 1>things that go against what you're supposed to be doing

0:16:44.640 --> 0:16:55.600
<v Speaker 1>to take I might have been on the other side

0:16:55.640 --> 0:17:05.800
<v Speaker 1>of you know, I might have been on the no.

0:17:05.960 --> 0:17:08.880
<v Speaker 1>But that's but that's something that that that should be

0:17:10.320 --> 0:17:17.320
<v Speaker 1>spotlight when someone doesn't miss those type of artist's every night. Yes,

0:17:18.240 --> 0:17:20.399
<v Speaker 1>you would never know if he was sick, if he

0:17:20.480 --> 0:17:23.680
<v Speaker 1>was tired, if he was like you would never know

0:17:23.760 --> 0:17:28.000
<v Speaker 1>because any time he hit that stage, he would give

0:17:28.000 --> 0:17:31.280
<v Speaker 1>it his all. And you know, like now they say, well,

0:17:31.280 --> 0:17:33.680
<v Speaker 1>what time I go on from nine to nine thirty,

0:17:34.080 --> 0:17:42.120
<v Speaker 1>he'll get up there, and especially especially when he does

0:17:42.600 --> 0:17:44.359
<v Speaker 1>what I used to love too, and I learned a

0:17:44.359 --> 0:17:46.240
<v Speaker 1>lot of that too, is like then I try to

0:17:46.240 --> 0:17:48.159
<v Speaker 1>think people come to his consoles just to see if

0:17:48.200 --> 0:17:50.480
<v Speaker 1>he was gonna get him money. He would literally from

0:17:50.520 --> 0:17:52.760
<v Speaker 1>his heart be like he would look at somebody like

0:17:52.760 --> 0:17:55.600
<v Speaker 1>come in for a second, because like, what's your rent? Sheila?

0:17:56.560 --> 0:18:00.240
<v Speaker 1>Uh we we recipes to her, Jeanette, you're renting what

0:18:00.359 --> 0:18:04.439
<v Speaker 1>he pay So when I when I when I may

0:18:04.760 --> 0:18:07.200
<v Speaker 1>pay for that. I got that from John pick Wow.

0:18:07.920 --> 0:18:10.400
<v Speaker 1>I took that from him. That's that's who I learned

0:18:10.400 --> 0:18:14.000
<v Speaker 1>how to tip from and that's how you forever we

0:18:14.080 --> 0:18:17.080
<v Speaker 1>used to go to eye and eat after the concerts. Yes,

0:18:17.200 --> 0:18:22.080
<v Speaker 1>I will watch him give hundreds of dollars too, And

0:18:22.200 --> 0:18:23.479
<v Speaker 1>I mean it would be a bunch of us. Think

0:18:23.480 --> 0:18:27.399
<v Speaker 1>if a thousand dollars didn't matter to whoever was waiting

0:18:27.400 --> 0:18:31.920
<v Speaker 1>on us? Are you giving him so much money? He

0:18:31.960 --> 0:18:35.280
<v Speaker 1>don't like this bad who just always take care of people,

0:18:35.280 --> 0:18:37.479
<v Speaker 1>to take care of you always? Always first person? Ever

0:18:37.480 --> 0:18:39.119
<v Speaker 1>seen that? So I learned that from him at the

0:18:39.119 --> 0:18:41.320
<v Speaker 1>concerts giving away money. I want to bless you. You

0:18:41.320 --> 0:18:42.840
<v Speaker 1>look like you need a blessing. How much is this?

0:18:43.359 --> 0:18:45.879
<v Speaker 1>How much does that give her? That she get her that?

0:18:45.880 --> 0:18:51.320
<v Speaker 1>That's that's why I learned it from. Yeah, he's gonna

0:18:51.359 --> 0:18:53.399
<v Speaker 1>love this. I can't wait to tell him. Be like,

0:18:53.480 --> 0:18:57.720
<v Speaker 1>you don't realize how much? Even on down to when

0:18:57.760 --> 0:19:00.480
<v Speaker 1>I started working with Missy, she was like, wait, John,

0:19:00.800 --> 0:19:04.080
<v Speaker 1>like do you like people just did it again? But

0:19:04.200 --> 0:19:17.880
<v Speaker 1>I just you just threw out another gone to Missy

0:19:18.000 --> 0:19:22.560
<v Speaker 1>that way like I was looking back, Okay, none of them.

0:19:22.600 --> 0:19:25.639
<v Speaker 1>Don't you stop? You stopped this? Okay, we need information.

0:19:25.920 --> 0:19:35.679
<v Speaker 1>She's so used to leave you you How do you

0:19:35.720 --> 0:19:39.240
<v Speaker 1>go from John p Key to Missy, how does that happen?

0:19:39.280 --> 0:19:42.760
<v Speaker 1>What's the interview before? Before Missy? I actually toured with

0:19:43.280 --> 0:19:46.160
<v Speaker 1>Guru rest in peace to him. I did jazz matazz

0:19:46.280 --> 0:19:48.440
<v Speaker 1>because I think at that time in Dia Dad report

0:19:49.000 --> 0:19:51.600
<v Speaker 1>she couldn't go. So I was singing her part. How

0:19:51.600 --> 0:19:55.480
<v Speaker 1>did you get that? I? Um, well, my cousin. She

0:19:55.680 --> 0:19:58.800
<v Speaker 1>was married to Gary, who is DJ Premiers half brother.

0:19:59.320 --> 0:20:02.040
<v Speaker 1>He I was living in North Carolina. Like when I say,

0:20:02.240 --> 0:20:05.880
<v Speaker 1>God whatever, he typed down the rope down for me

0:20:06.000 --> 0:20:09.359
<v Speaker 1>before I got here. He was in his bad and

0:20:09.400 --> 0:20:12.800
<v Speaker 1>I never understood it till now because I never had

0:20:12.800 --> 0:20:15.240
<v Speaker 1>the audition. People just took their word for it. So

0:20:15.720 --> 0:20:18.000
<v Speaker 1>they took me to Guru's house. He used to live

0:20:18.040 --> 0:20:21.480
<v Speaker 1>like right and like Elmhurst, right between Queens and Long Island.

0:20:21.920 --> 0:20:24.000
<v Speaker 1>So my aunt lived in Queens. So I was like,

0:20:24.040 --> 0:20:26.240
<v Speaker 1>if I get this gig, then I can stay with

0:20:26.280 --> 0:20:29.760
<v Speaker 1>my aunt. And I wind up going singing his eyes

0:20:29.760 --> 0:20:32.280
<v Speaker 1>on the Sparrow and Gurgle's living room. He was like, so, yeah,

0:20:32.280 --> 0:20:34.399
<v Speaker 1>they're gonna call you tomorrow and we're gonna get you.

0:20:34.560 --> 0:20:36.639
<v Speaker 1>Do you have a passport? I was like no, but

0:20:36.760 --> 0:20:39.760
<v Speaker 1>my dad drove me up there from North Carolina. He's

0:20:39.840 --> 0:20:42.240
<v Speaker 1>always been my driver, not the fire in one time.

0:20:42.320 --> 0:20:46.160
<v Speaker 1>We'll talk about that later. But like I just always

0:20:46.560 --> 0:20:48.600
<v Speaker 1>I never had the really audition. All I had to

0:20:48.600 --> 0:20:53.320
<v Speaker 1>do was show up and I always got the job. Okay,

0:20:54.720 --> 0:20:57.240
<v Speaker 1>you did the whole United States and the whole and

0:20:57.240 --> 0:20:59.879
<v Speaker 1>then the overseas. So mind you, I'm just getting out

0:20:59.920 --> 0:21:03.239
<v Speaker 1>of high school and you getting paid, Yes, you get

0:21:03.359 --> 0:21:05.320
<v Speaker 1>real money to do this. And I was just like,

0:21:05.640 --> 0:21:07.879
<v Speaker 1>so I'm thinking, I'm just going for the experience. And

0:21:07.880 --> 0:21:09.120
<v Speaker 1>I was like, well, this is how much you're gonna

0:21:09.119 --> 0:21:17.000
<v Speaker 1>get paid this, And I was like, and tours that

0:21:17.040 --> 0:21:21.240
<v Speaker 1>are already established, so it wasn't like care of Yeah,

0:21:21.359 --> 0:21:23.639
<v Speaker 1>Like I'm like, for damn, this is more than I

0:21:23.720 --> 0:21:28.040
<v Speaker 1>get job, working a job or anything. Before you caught

0:21:28.040 --> 0:21:31.080
<v Speaker 1>this kid, I never had a job like. I've never

0:21:31.080 --> 0:21:33.840
<v Speaker 1>felt out an application in my life. I wanted to

0:21:33.840 --> 0:21:35.760
<v Speaker 1>feel out one because I was living on four break

0:21:35.800 --> 0:21:37.960
<v Speaker 1>and I wanted to work at Wendy's. But then I

0:21:37.960 --> 0:21:39.439
<v Speaker 1>was like, I'm not gonna be able to do that

0:21:39.960 --> 0:21:44.680
<v Speaker 1>because I used to breed everybody here. And one time, really, yeah,

0:21:44.880 --> 0:21:46.600
<v Speaker 1>I thought I was gonna get a job. How old

0:21:46.800 --> 0:21:49.160
<v Speaker 1>would you like a teenager because they made everybody else.

0:21:50.440 --> 0:21:52.760
<v Speaker 1>I was like sixteen seventeen. I was just like, you

0:21:52.800 --> 0:21:56.840
<v Speaker 1>know what, I like clothes. Listen, I'm tired of selling.

0:22:00.000 --> 0:22:11.000
<v Speaker 1>I say, I wasn't avoiding dope. I've seen something earlier

0:22:11.000 --> 0:22:13.320
<v Speaker 1>when they said just do it online said, I've ever

0:22:13.400 --> 0:22:15.399
<v Speaker 1>stopped taking crump with up money because he opened it

0:22:15.440 --> 0:22:17.399
<v Speaker 1>up and half of it was a dollar, half of

0:22:17.480 --> 0:22:33.760
<v Speaker 1>it was a twenty drug. Trust me. My stent with

0:22:33.920 --> 0:22:37.639
<v Speaker 1>jobs were I had. I wanted to get some clothes

0:22:38.080 --> 0:22:41.080
<v Speaker 1>during Christmas time, so I went and worked at the

0:22:41.080 --> 0:22:44.040
<v Speaker 1>oak Tree for like two months before he wrapped about

0:22:44.040 --> 0:22:46.600
<v Speaker 1>the tree he did ever have? He wrapped it. Yeah,

0:22:46.720 --> 0:22:48.440
<v Speaker 1>I was working at Utrey. When you get the whole

0:22:48.440 --> 0:22:51.119
<v Speaker 1>suit for ninety nine plus your shirt and time, that

0:22:51.240 --> 0:22:56.840
<v Speaker 1>was how pack That was me? And then I put

0:22:56.880 --> 0:22:59.439
<v Speaker 1>it with a Vsati tie and some kind of cold shoes,

0:22:59.520 --> 0:23:02.600
<v Speaker 1>dressed that up, dressed that things so anyway. And then

0:23:02.720 --> 0:23:05.439
<v Speaker 1>my second stint at a job, I'm so I'm so

0:23:05.520 --> 0:23:14.879
<v Speaker 1>mad that Mike Lidy let you wear that high school listen.

0:23:15.119 --> 0:23:19.119
<v Speaker 1>And then from Oaktree I went to uh I had.

0:23:19.240 --> 0:23:21.560
<v Speaker 1>I had a job at a parcel plus where we

0:23:21.640 --> 0:23:23.760
<v Speaker 1>used to make coves and deliver the mail and all

0:23:23.760 --> 0:23:27.600
<v Speaker 1>that stuff, right, and so I sent off I sent

0:23:27.680 --> 0:23:35.400
<v Speaker 1>off the first and one mixed blueprints. It is mixed.

0:23:36.200 --> 0:23:41.879
<v Speaker 1>It was I remember all the plans for the for

0:23:41.920 --> 0:23:43.879
<v Speaker 1>the shoes, I mean, the shirts and all of that

0:23:43.920 --> 0:23:48.119
<v Speaker 1>stuff I sent. I sent those off to to whoever

0:23:48.160 --> 0:23:50.159
<v Speaker 1>they ended up doing the deal with to get out.

0:23:50.280 --> 0:23:51.960
<v Speaker 1>I sent those off. That's like my claim to fame

0:23:52.000 --> 0:23:54.879
<v Speaker 1>my ship though. And he guy was from Maryland. So

0:23:55.040 --> 0:23:56.639
<v Speaker 1>I did that, and then I did that for like

0:23:56.680 --> 0:23:59.680
<v Speaker 1>about three months. And you know why I got fired?

0:24:00.040 --> 0:24:02.840
<v Speaker 1>Oh you know why I got fired? Let me think

0:24:02.960 --> 0:24:05.880
<v Speaker 1>what could I can't even think like why, I'm gonna

0:24:05.920 --> 0:24:09.360
<v Speaker 1>tell you why I got fired? Yeah, Pastor John p Key,

0:24:09.520 --> 0:24:12.240
<v Speaker 1>what happened you, hug out? I stayed out all night

0:24:13.080 --> 0:24:16.560
<v Speaker 1>with the church with John v Key playing basketball and

0:24:16.600 --> 0:24:22.960
<v Speaker 1>eating that I hoped, and I woke up late because

0:24:22.960 --> 0:24:24.800
<v Speaker 1>I was supposed to open the store. It was like

0:24:24.880 --> 0:24:27.439
<v Speaker 1>my third or fourth time being so listen. So what

0:24:27.560 --> 0:24:30.800
<v Speaker 1>this comes out to is John p Key was the

0:24:30.840 --> 0:24:34.560
<v Speaker 1>reason for both of y'all. R and B music got

0:24:34.600 --> 0:24:41.880
<v Speaker 1>you fired And told Sassy see over here, this ain't

0:24:41.880 --> 0:24:51.040
<v Speaker 1>gonna work, Sassy, see little wisdom whatever, shut out whatever

0:24:51.119 --> 0:24:56.760
<v Speaker 1>you want. I don't know what look here? Uh you

0:24:56.800 --> 0:25:00.400
<v Speaker 1>need to sing? Yeah? Last key was you know he'll

0:25:00.560 --> 0:25:06.240
<v Speaker 1>you back to everything? So checks um seeing the world? Yeah,

0:25:06.240 --> 0:25:10.280
<v Speaker 1>seeing the world. How do you get to missy so Um?

0:25:10.640 --> 0:25:13.560
<v Speaker 1>I remember coming back. I had started hair school because

0:25:13.600 --> 0:25:17.040
<v Speaker 1>the tour was over, and I was like, let me

0:25:17.080 --> 0:25:19.040
<v Speaker 1>just go do here because I didn't know if the

0:25:19.119 --> 0:25:20.840
<v Speaker 1>music thing was gonna work out or not. And I

0:25:20.920 --> 0:25:22.639
<v Speaker 1>was still too young to get him. Do you remember

0:25:22.720 --> 0:25:26.040
<v Speaker 1>Neils in New York? That was like everybody used to

0:25:26.119 --> 0:25:30.000
<v Speaker 1>go uh and saying it was like an open mic.

0:25:30.359 --> 0:25:32.560
<v Speaker 1>That's why I used to go. So I was sneaking

0:25:32.680 --> 0:25:35.560
<v Speaker 1>because I wasn't twenty one, but I was sneaking. I

0:25:35.560 --> 0:25:38.080
<v Speaker 1>would see like call Thomas. They was like Maria Curry

0:25:38.119 --> 0:25:48.200
<v Speaker 1>gonna be Kelly Price and Maria Curry because I was like, wait,

0:25:48.240 --> 0:25:51.639
<v Speaker 1>who named my name? So I was like they were

0:25:51.680 --> 0:25:54.400
<v Speaker 1>like these persons deep people are gonna be there and

0:25:54.560 --> 0:25:57.000
<v Speaker 1>what was what's his name? Ron Grant used to have

0:25:57.080 --> 0:25:59.280
<v Speaker 1>an open mic t and I remember I was like,

0:25:59.320 --> 0:26:01.639
<v Speaker 1>one night, I want to sing at these and I

0:26:01.680 --> 0:26:03.720
<v Speaker 1>went and I signed up and they didn't ask me

0:26:03.760 --> 0:26:05.199
<v Speaker 1>for I d because the people I would go it

0:26:05.280 --> 0:26:08.159
<v Speaker 1>was always grown. I always always thought I was grown,

0:26:08.240 --> 0:26:14.040
<v Speaker 1>for like I always honed with grown people. And I said,

0:26:14.080 --> 0:26:20.440
<v Speaker 1>but I but I sang uh Lauren hillsong Um, killing

0:26:20.440 --> 0:26:23.440
<v Speaker 1>me softly, and I killed it. And then after that

0:26:23.520 --> 0:26:25.360
<v Speaker 1>people like, yo, you should do something. I was like, dag,

0:26:25.480 --> 0:26:28.840
<v Speaker 1>my uncle was right, but I was. This was after

0:26:28.840 --> 0:26:30.280
<v Speaker 1>I came off tour, so I was doing R and

0:26:30.320 --> 0:26:32.239
<v Speaker 1>B and if I used to feel so convicted, like,

0:26:32.320 --> 0:26:34.800
<v Speaker 1>oh my god, I'm hell here, I'm singing this secular music.

0:26:34.840 --> 0:26:37.040
<v Speaker 1>I'm a burn with the devil. I always thought I

0:26:37.040 --> 0:26:38.560
<v Speaker 1>was gonna burn with the devil. That's what kept me

0:26:38.600 --> 0:26:40.959
<v Speaker 1>from it. But then I realized I was like, wait,

0:26:41.840 --> 0:26:44.439
<v Speaker 1>people still love me, so I'm gonna do this. So

0:26:44.480 --> 0:26:47.119
<v Speaker 1>I had started working with like producers and stuff, writing

0:26:47.160 --> 0:26:51.320
<v Speaker 1>songs and referencing songs, and for some of my reasons,

0:26:51.359 --> 0:26:54.119
<v Speaker 1>some of my references got to Missy and I was

0:26:54.240 --> 0:26:56.679
<v Speaker 1>in the mall and Green Neck is mall, getting just

0:26:56.680 --> 0:26:58.800
<v Speaker 1>finished getting my nails, and that's when we had beepers.

0:26:59.440 --> 0:27:02.160
<v Speaker 1>So I had moved to New York. I was living

0:27:02.200 --> 0:27:04.959
<v Speaker 1>in Queens, so going down there in school and just

0:27:05.040 --> 0:27:07.240
<v Speaker 1>like going to open mics and just trying to make

0:27:07.240 --> 0:27:13.640
<v Speaker 1>a name for myself and Merlin Bob had yeah, well

0:27:13.760 --> 0:27:17.760
<v Speaker 1>ron ron was his um his uh his, he had

0:27:17.800 --> 0:27:22.240
<v Speaker 1>two assistance that So I remember getting a beeping whenever

0:27:22.280 --> 0:27:25.399
<v Speaker 1>said two on two. That meant money, child, that mean money.

0:27:25.920 --> 0:27:29.080
<v Speaker 1>So I called her back and he was like, Maryland,

0:27:29.119 --> 0:27:31.440
<v Speaker 1>want to speak to you, and I was like for real,

0:27:31.920 --> 0:27:34.200
<v Speaker 1>and so he was like, yeah, Missy um Elliot wants

0:27:34.200 --> 0:27:36.200
<v Speaker 1>you to call I'm like out of here, Missy don't

0:27:36.200 --> 0:27:38.480
<v Speaker 1>want me to call her like this, like I'm at

0:27:38.480 --> 0:27:41.840
<v Speaker 1>the mall. Want you to call her? And I was like,

0:27:41.960 --> 0:27:45.399
<v Speaker 1>no freaking way. Hold on the second, I remember putting

0:27:45.400 --> 0:27:48.040
<v Speaker 1>the pay phone down because that's when the drug deals

0:27:48.080 --> 0:27:50.840
<v Speaker 1>had all the bag phones and them phone bills us

0:27:50.840 --> 0:27:53.320
<v Speaker 1>to be high. So I found a piece of paper

0:27:53.320 --> 0:27:55.359
<v Speaker 1>and the pencil and I said, what's her number? And

0:27:55.400 --> 0:27:57.240
<v Speaker 1>I had I remember having a phone like this, write

0:27:57.240 --> 0:27:58.920
<v Speaker 1>her number down. I called her right then and there,

0:27:59.359 --> 0:28:01.680
<v Speaker 1>and she must have been in probably a Lamborghinia song,

0:28:01.960 --> 0:28:03.840
<v Speaker 1>and she was like hold on, hold on. She had

0:28:03.840 --> 0:28:05.840
<v Speaker 1>a car phone. I was like, hey, what's up this

0:28:05.920 --> 0:28:08.520
<v Speaker 1>little moe. I try to sound like like like I

0:28:08.560 --> 0:28:15.000
<v Speaker 1>was talking, what is this a certain voice? It's like Yo,

0:28:15.040 --> 0:28:19.119
<v Speaker 1>what's up. I remember. I was like, yeah, what's up

0:28:19.119 --> 0:28:21.159
<v Speaker 1>this little moment Merlin Bob told me to call you.

0:28:21.200 --> 0:28:23.040
<v Speaker 1>She was like, hold on, hold on, hold on. Malik

0:28:23.119 --> 0:28:25.040
<v Speaker 1>turned down the music because that's when remember Malik that

0:28:25.119 --> 0:28:27.719
<v Speaker 1>used to dance with her by her So he was like,

0:28:27.760 --> 0:28:37.520
<v Speaker 1>she's like turning out the song perfect because it was

0:28:37.600 --> 0:28:40.520
<v Speaker 1>so so prathetic. But now I get it, Like that's

0:28:40.520 --> 0:28:42.520
<v Speaker 1>really how it feel like. It feel like a movie.

0:28:42.880 --> 0:28:45.280
<v Speaker 1>But it was just like she was like, Yo, your

0:28:45.360 --> 0:28:48.640
<v Speaker 1>voice is dope, Like, Yo, can you come to the

0:28:48.640 --> 0:28:51.320
<v Speaker 1>city today. I was like, let me check my palm pilot. Yep,

0:28:51.440 --> 0:28:53.920
<v Speaker 1>I'll be there. And I remember going to the city

0:28:54.160 --> 0:28:57.040
<v Speaker 1>and when I met her and we were the same height.

0:28:58.160 --> 0:29:02.560
<v Speaker 1>He's like, I didn't even have to talk talk and

0:29:02.600 --> 0:29:09.360
<v Speaker 1>then the rest was literally history. Like from there, I

0:29:09.440 --> 0:29:12.479
<v Speaker 1>sang Whitney Houston saving All My Love for You, and

0:29:13.520 --> 0:29:15.360
<v Speaker 1>she she didn't tell me Whitney was coming to the

0:29:15.360 --> 0:29:22.240
<v Speaker 1>studio that day. What yeah, not that same day. It

0:29:22.320 --> 0:29:25.000
<v Speaker 1>was like months after. So I would reference Mry would

0:29:25.000 --> 0:29:26.840
<v Speaker 1>write this song. She was like, reference something, you know

0:29:26.840 --> 0:29:28.640
<v Speaker 1>what I'm saying. So I would be I was like,

0:29:28.640 --> 0:29:30.040
<v Speaker 1>do you want me to sing all over she was like,

0:29:30.120 --> 0:29:33.280
<v Speaker 1>do your thing, because that's gonna make you know people.

0:29:36.640 --> 0:29:38.600
<v Speaker 1>So I remember sitting in the studio and then all

0:29:38.640 --> 0:29:41.640
<v Speaker 1>of a sudden, like Whitney Houston walks and I'm like Jesus,

0:29:42.360 --> 0:29:46.200
<v Speaker 1>like no, no, like this is not happening it. So

0:29:46.280 --> 0:29:50.280
<v Speaker 1>I just remember just like Whitney coming up to me

0:29:50.280 --> 0:29:53.160
<v Speaker 1>because the song she wrote, Yes m Mr. It was

0:29:53.160 --> 0:29:55.680
<v Speaker 1>called yes, and I referenced it. Whitney like hugged me.

0:29:55.720 --> 0:29:58.640
<v Speaker 1>It was just like, you know, ahmost like she was

0:29:58.640 --> 0:30:00.160
<v Speaker 1>so hyped up. Then she made me go in the

0:30:00.240 --> 0:30:02.840
<v Speaker 1>booth for her and vocal produce it. I was like,

0:30:02.880 --> 0:30:06.080
<v Speaker 1>how do you tell the greatest freaking voice of the

0:30:06.120 --> 0:30:08.520
<v Speaker 1>world that had all the church girls want to sing

0:30:08.600 --> 0:30:12.560
<v Speaker 1>secular music with some annointing. I'm standing in the booth

0:30:12.560 --> 0:30:14.320
<v Speaker 1>when we can use My throat is so dry because

0:30:14.320 --> 0:30:20.920
<v Speaker 1>I'm nervous. She gave me a fisherman's friend, a fisherman's friends. Yeah,

0:30:28.320 --> 0:30:31.120
<v Speaker 1>how you ready at least in your mind your mind, yeah,

0:30:31.600 --> 0:30:34.280
<v Speaker 1>not knowing that there was really ain't for sables. But

0:30:34.360 --> 0:30:39.120
<v Speaker 1>it was like that's I meant with like everybody everybody?

0:30:39.280 --> 0:30:41.240
<v Speaker 1>Is that how you ended up getting your record deal?

0:30:42.040 --> 0:30:45.000
<v Speaker 1>Or so? Yeah, how long are you with Missy? I

0:30:45.080 --> 0:30:47.880
<v Speaker 1>was with like, literally, point, you're doing You're you're doing

0:30:48.600 --> 0:30:52.400
<v Speaker 1>working session work, session work, just so for the people

0:30:52.440 --> 0:30:54.680
<v Speaker 1>who don't know, this is the process for you. So

0:30:54.760 --> 0:30:57.040
<v Speaker 1>you go on to her first with Guru, do you

0:30:57.200 --> 0:31:02.280
<v Speaker 1>link up with Missy when Missy is an amazing producer,

0:31:02.480 --> 0:31:06.480
<v Speaker 1>songwriter outside of big an artist, but her vision so

0:31:06.040 --> 0:31:11.000
<v Speaker 1>with so with Missy, now you in a sense on staff, Yeah,

0:31:11.400 --> 0:31:14.880
<v Speaker 1>you're doing her demos for Yeah, but she sing too,

0:31:15.080 --> 0:31:19.160
<v Speaker 1>of course, like no, she sings to like but a

0:31:19.200 --> 0:31:23.760
<v Speaker 1>lot of people wanted to harmonies because she comes from

0:31:23.840 --> 0:31:26.880
<v Speaker 1>that Joe to see. So we were stacking now you

0:31:26.920 --> 0:31:30.600
<v Speaker 1>could do ye comes from the basement, So we were

0:31:30.640 --> 0:31:36.000
<v Speaker 1>sa we were stacking vocals. That's where we came from,

0:31:36.040 --> 0:31:38.320
<v Speaker 1>the stacking vocals days. So she taught me so much

0:31:38.360 --> 0:31:41.320
<v Speaker 1>because I didn't know studio work. I was. So that's

0:31:41.320 --> 0:31:44.560
<v Speaker 1>when I learned that, you know, outside singing live and

0:31:44.600 --> 0:31:47.120
<v Speaker 1>studio is totally different. I hate being the studio. I

0:31:47.160 --> 0:31:50.040
<v Speaker 1>feel closeterrophobic. I feel like my ideas don't come like

0:31:50.200 --> 0:31:52.520
<v Speaker 1>don't come to life. So I was glad that I

0:31:52.560 --> 0:31:54.479
<v Speaker 1>had her skeleton there and then I could take it

0:31:54.960 --> 0:31:57.240
<v Speaker 1>to next level because Hot Boys was just her and

0:31:57.280 --> 0:31:59.640
<v Speaker 1>then I sang with it. So now she let me

0:32:00.040 --> 0:32:03.480
<v Speaker 1>ring that church ad lives, which people you ain't gotta

0:32:03.520 --> 0:32:10.480
<v Speaker 1>do all that. Let me get busy where how long?

0:32:10.800 --> 0:32:16.680
<v Speaker 1>How long? Were like? Okay? So I had my deal,

0:32:17.200 --> 0:32:19.080
<v Speaker 1>I was signed to a lecture. But it was just

0:32:19.120 --> 0:32:20.600
<v Speaker 1>like I was working with Missy. I was just like,

0:32:20.680 --> 0:32:24.920
<v Speaker 1>I don't need I want, Yeah, I don't even really

0:32:24.920 --> 0:32:27.880
<v Speaker 1>wanna did nothing. And all the songs that I was picking,

0:32:28.560 --> 0:32:30.320
<v Speaker 1>and you know, all the songs that they were picking,

0:32:30.360 --> 0:32:31.680
<v Speaker 1>that's what I did to that. I was working with

0:32:31.720 --> 0:32:34.080
<v Speaker 1>Montell Jordan and them, so they would pick a songs.

0:32:34.120 --> 0:32:36.080
<v Speaker 1>I was like, I don't think them like, these songs

0:32:36.080 --> 0:32:39.320
<v Speaker 1>are great, but I don't think it's gonna translate too.

0:32:39.920 --> 0:32:44.120
<v Speaker 1>I had tattoos, gold teeth at the time, braids, so

0:32:44.160 --> 0:32:47.080
<v Speaker 1>I looked like a rapper, but I sang like a

0:32:47.160 --> 0:32:49.240
<v Speaker 1>church girl, so you feel me. I was trying to

0:32:49.240 --> 0:32:55.480
<v Speaker 1>blend those both worlds. So just like Missy taught me,

0:32:55.560 --> 0:32:58.560
<v Speaker 1>just like, just don't settle for nothing. Be who you are.

0:32:59.040 --> 0:33:01.040
<v Speaker 1>And that's how I about the gate. She was like,

0:33:01.320 --> 0:33:08.040
<v Speaker 1>these niggas got money charge him. Yeah, so to get

0:33:08.040 --> 0:33:10.360
<v Speaker 1>me to show up to vocal radets. That's a word,

0:33:11.000 --> 0:33:23.360
<v Speaker 1>the charge him, charge him sore nigga mm hmm. And

0:33:23.520 --> 0:33:26.440
<v Speaker 1>so that like I learned the game earlier. It's totally

0:33:26.520 --> 0:33:29.200
<v Speaker 1>a blessing because I didn't have to go through with

0:33:29.320 --> 0:33:32.000
<v Speaker 1>a manager that so me and more like I'm cool

0:33:32.040 --> 0:33:35.040
<v Speaker 1>with everybody, but I always got to deal directly with

0:33:35.560 --> 0:33:41.160
<v Speaker 1>the source. And so really that taught me everything I know.

0:33:41.840 --> 0:33:49.560
<v Speaker 1>So first hit record, um, they was coming back to back.

0:33:49.880 --> 0:33:53.160
<v Speaker 1>It's not super Woman, oh by myself here, but like

0:33:53.480 --> 0:33:59.520
<v Speaker 1>I was doing like hot boars hoos, didn't put it

0:33:59.600 --> 0:34:02.560
<v Speaker 1>on me and then I cried, like but I recorded,

0:34:02.600 --> 0:34:04.880
<v Speaker 1>I cried before I didn't put it on me. Child.

0:34:05.160 --> 0:34:07.120
<v Speaker 1>It was like so much stuff is going back to

0:34:07.160 --> 0:34:10.879
<v Speaker 1>back to back, So those records would be four super Yes.

0:34:11.680 --> 0:34:14.719
<v Speaker 1>Why did I not know? That's why people like I

0:34:14.800 --> 0:34:16.080
<v Speaker 1>love you from the nineties, I said, I don't know

0:34:16.080 --> 0:34:17.239
<v Speaker 1>why you love it for the nine becase a bit

0:34:17.360 --> 0:34:19.400
<v Speaker 1>wasn't out. I was all other people records in the nineties.

0:34:19.560 --> 0:34:23.560
<v Speaker 1>But would you did your first come out? I got

0:34:24.320 --> 0:34:27.360
<v Speaker 1>I think, oh one, your first single came out. Superwoman

0:34:27.440 --> 0:34:31.200
<v Speaker 1>came out two one, okay, so we are yeah, yeah,

0:34:31.640 --> 0:34:34.239
<v Speaker 1>or like two thousand two thousand one, because you know

0:34:34.320 --> 0:34:36.040
<v Speaker 1>what me was out in like ninety n like we

0:34:36.160 --> 0:34:38.640
<v Speaker 1>just celebrated like annivers I'm like, yeah, this sounds older

0:34:38.680 --> 0:34:42.960
<v Speaker 1>than MATUREY really are because I solo, our solo careers

0:34:43.000 --> 0:34:45.880
<v Speaker 1>mirror then, but you was already active. But you want

0:34:45.960 --> 0:34:49.160
<v Speaker 1>to know, I was singing backgrounds. I didn't have no

0:34:49.280 --> 0:34:51.719
<v Speaker 1>music out, none at all, but that's what I was

0:34:51.800 --> 0:34:57.080
<v Speaker 1>doing too, had records on. You had like but c is,

0:34:57.080 --> 0:34:59.200
<v Speaker 1>I still didn't think I'm mattered, So it didn't count

0:34:59.239 --> 0:35:06.880
<v Speaker 1>to me telling you out watching watching all the videos

0:35:06.960 --> 0:35:10.279
<v Speaker 1>that he was cracking you. I appreciate that because like

0:35:10.400 --> 0:35:12.120
<v Speaker 1>to me, it was just like dad, I still got

0:35:12.160 --> 0:35:17.120
<v Speaker 1>more work to do. But like tour with Missy, that's

0:35:17.160 --> 0:35:20.359
<v Speaker 1>when I got to tour with literally everybody every day

0:35:20.440 --> 0:35:23.440
<v Speaker 1>being with Aaliyah like that, those kind of things, I'm

0:35:23.520 --> 0:35:26.879
<v Speaker 1>just like, nobody will ever have that opportunity. Those were

0:35:27.320 --> 0:35:30.200
<v Speaker 1>We're doing jay Leno and then going doing tour like

0:35:30.880 --> 0:35:33.279
<v Speaker 1>she Missy stayed on tour for years, so it just

0:35:33.400 --> 0:35:37.400
<v Speaker 1>used to be so dope just to see her in

0:35:37.480 --> 0:35:40.760
<v Speaker 1>her element and she's so shot. So once she's done performance,

0:35:40.960 --> 0:35:43.680
<v Speaker 1>she leaving, I'm just like dag like I really get

0:35:43.760 --> 0:35:47.000
<v Speaker 1>to live the life. I really got to live the life.

0:35:47.120 --> 0:35:49.480
<v Speaker 1>So you were kind of like Charlie Murphy, Eddie Murphy,

0:35:49.840 --> 0:35:55.080
<v Speaker 1>like Eddie Murphy, every Murphy went home and she had

0:35:55.120 --> 0:36:00.800
<v Speaker 1>to leave what you need? Yeah, basketball, ye know for

0:36:00.880 --> 0:36:07.520
<v Speaker 1>real outside. Yeah, like that was a blessing. I'm a superwoman.

0:36:09.160 --> 0:36:13.520
<v Speaker 1>I always noticed that it says super woman too. Yeah,

0:36:14.360 --> 0:36:20.480
<v Speaker 1>we're Superwoman one. So super Woman? How did that go? Yeah? Well? Sup?

0:36:21.239 --> 0:36:24.920
<v Speaker 1>The no people have been asking me that because recently

0:36:24.960 --> 0:36:27.279
<v Speaker 1>it's been added to streaming site, so nobody knew for

0:36:27.480 --> 0:36:32.959
<v Speaker 1>years that there was a part one only yeah, because

0:36:33.000 --> 0:36:35.720
<v Speaker 1>they just thought that They thought it was Cura White.

0:36:35.760 --> 0:36:38.080
<v Speaker 1>So it was just like, so, why wouldn't have leave

0:36:38.920 --> 0:36:41.320
<v Speaker 1>the part two? Part one? Part one? Part one was

0:36:42.040 --> 0:36:46.200
<v Speaker 1>brand conson. That's when he was walking. Yeah. Yeah, and

0:36:46.280 --> 0:36:48.800
<v Speaker 1>they told us the song was too cocky. It was

0:36:48.880 --> 0:36:50.480
<v Speaker 1>two because I was like, you ain't got to look

0:36:50.600 --> 0:36:52.960
<v Speaker 1>Jermaine was the one who I was like, yo, you

0:36:53.719 --> 0:36:55.279
<v Speaker 1>like you kill it. I was like, you ain't got

0:36:55.360 --> 0:36:57.120
<v Speaker 1>to look up in the sky for a bird or

0:36:57.160 --> 0:36:59.399
<v Speaker 1>a plane. You're looking for a change, and I'm saving

0:36:59.480 --> 0:37:03.840
<v Speaker 1>your Head's got the s on my chest. Summer soup boom,

0:37:04.719 --> 0:37:15.000
<v Speaker 1>you ain't gotta look up in the sky for heard.

0:37:16.440 --> 0:37:18.640
<v Speaker 1>But it was like, remember that Beantie single beat Stopped,

0:37:18.880 --> 0:37:22.200
<v Speaker 1>Don't Chill? We used that for beat. Cox put keys

0:37:22.239 --> 0:37:26.120
<v Speaker 1>on it, so it was like it was too cocky,

0:37:27.400 --> 0:37:28.920
<v Speaker 1>So that was called super Wan. We thought it was

0:37:28.960 --> 0:37:31.880
<v Speaker 1>gonna be a problem with Carol White Superwoman because then

0:37:31.920 --> 0:37:34.360
<v Speaker 1>the titles and then registering it. So I was like,

0:37:34.400 --> 0:37:36.640
<v Speaker 1>all I bet I was in l A. There was

0:37:36.719 --> 0:37:40.239
<v Speaker 1>remember when DreamWorks had the labels. There was an artist

0:37:40.320 --> 0:37:43.040
<v Speaker 1>named Canela Cox and I was boke o producing on

0:37:43.200 --> 0:37:45.160
<v Speaker 1>her songs and she was done. She had two hours

0:37:45.280 --> 0:37:47.560
<v Speaker 1>left on her session and I was like me and

0:37:47.640 --> 0:37:49.200
<v Speaker 1>my manager at the time, Loria, I was like, we

0:37:49.360 --> 0:37:52.000
<v Speaker 1>might as well used this time. Clue had left a

0:37:52.120 --> 0:37:55.799
<v Speaker 1>beat and he was like, if you get this song, Clue, yeah,

0:37:56.120 --> 0:37:57.840
<v Speaker 1>DJ Clue di super Woman part one. So there was

0:37:58.080 --> 0:38:01.160
<v Speaker 1>wasn't part too excuse me, there wasn't even no keys

0:38:01.200 --> 0:38:05.480
<v Speaker 1>on it. It was just so what I did was

0:38:06.280 --> 0:38:16.200
<v Speaker 1>I smoked me some weed and I never heard nobody body. Um.

0:38:17.239 --> 0:38:19.160
<v Speaker 1>I smoked some weet and I went in there and

0:38:19.280 --> 0:38:21.920
<v Speaker 1>I say Superwoman down because I was so used to

0:38:22.000 --> 0:38:25.240
<v Speaker 1>Missy teach me do your vocals different ways each chorus.

0:38:25.640 --> 0:38:27.279
<v Speaker 1>So when I found out we could fly vo because

0:38:27.280 --> 0:38:28.920
<v Speaker 1>I was like, fly because we don't have much time

0:38:29.040 --> 0:38:31.560
<v Speaker 1>left and we have to get it out of still

0:38:31.719 --> 0:38:34.279
<v Speaker 1>somebody's session. Yeah okay, So and I didn't want to

0:38:34.360 --> 0:38:44.520
<v Speaker 1>label to find out, so Traino was I think her biggs.

0:38:54.000 --> 0:38:55.600
<v Speaker 1>He was like, Yo, they got some money over here.

0:38:55.840 --> 0:39:00.480
<v Speaker 1>We used to give like them check Out checks d

0:39:01.480 --> 0:39:06.520
<v Speaker 1>and and Cherry Ross checks always hit different. Let me

0:39:06.560 --> 0:39:14.120
<v Speaker 1>tell you. Jason Joshua, the amazing mixed master guy, the

0:39:14.280 --> 0:39:19.240
<v Speaker 1>mix sologists, Yeah, was at one point and DreamWorks really

0:39:19.520 --> 0:39:23.160
<v Speaker 1>had to see song structure too. While he was, Yo,

0:39:24.040 --> 0:39:26.960
<v Speaker 1>what do you mean the hook? So you know what? Yeah,

0:39:27.160 --> 0:39:30.480
<v Speaker 1>how do you have this job? I think at that

0:39:30.520 --> 0:39:32.520
<v Speaker 1>time they PARBT was just hiring black people. So like,

0:39:32.800 --> 0:39:40.560
<v Speaker 1>well that listen, I believe that. I believe that people

0:39:40.600 --> 0:39:46.840
<v Speaker 1>putting people in position. Yeah I love you brother, absolutely. Okay,

0:39:46.880 --> 0:39:50.480
<v Speaker 1>So you so you still her session? You do Superwoman too?

0:39:50.760 --> 0:39:53.120
<v Speaker 1>So because this was the other thing that, like you

0:39:53.200 --> 0:39:56.560
<v Speaker 1>said that that first that first sound that kicks in,

0:39:58.560 --> 0:40:01.759
<v Speaker 1>they were multiple songs for you that in my mind,

0:40:01.880 --> 0:40:04.840
<v Speaker 1>I was like, they sounds like get old video games.

0:40:05.960 --> 0:40:11.239
<v Speaker 1>It sounds to me like if if a nigga said

0:40:11.440 --> 0:40:15.759
<v Speaker 1>this is how super Mario sounds, but then you would

0:40:15.800 --> 0:40:19.200
<v Speaker 1>come on seeing church. So just imagine, imagine there was

0:40:19.280 --> 0:40:24.160
<v Speaker 1>no keys, no strings, no baseline. It's just so I

0:40:24.320 --> 0:40:30.800
<v Speaker 1>literally no drums. It was just that was it. That

0:40:30.960 --> 0:40:32.600
<v Speaker 1>was it. So I sang it all the way down.

0:40:32.640 --> 0:40:34.640
<v Speaker 1>When it got to the bridge, I had to You

0:40:34.719 --> 0:40:36.680
<v Speaker 1>could probably hear it, like if you go back you

0:40:36.760 --> 0:40:38.480
<v Speaker 1>can hear. I had to do. I said, drop the

0:40:38.560 --> 0:40:41.359
<v Speaker 1>music out right here, and so I said every day

0:40:41.960 --> 0:40:47.840
<v Speaker 1>I love you in us fair show a chicken. So

0:40:48.280 --> 0:40:50.839
<v Speaker 1>I literally save off my snap and now I don't

0:40:50.880 --> 0:40:53.000
<v Speaker 1>know play when I second like that, and then added

0:40:53.040 --> 0:40:55.520
<v Speaker 1>the backgrounds. So when they finally got in with the

0:40:55.800 --> 0:40:58.680
<v Speaker 1>with the additional keys and program at people, they played

0:40:58.680 --> 0:41:02.160
<v Speaker 1>around it. So it's really he goes a little secret,

0:41:02.200 --> 0:41:04.960
<v Speaker 1>it's really not on. I always sing off time and

0:41:05.200 --> 0:41:12.280
<v Speaker 1>but be on time. You get it, so it's likely,

0:41:13.440 --> 0:41:17.920
<v Speaker 1>but it's always always. It's just so I was like

0:41:18.080 --> 0:41:19.719
<v Speaker 1>the person. I was just like, I know I sing

0:41:19.840 --> 0:41:24.800
<v Speaker 1>off b but it's like it's a bob. You told me,

0:41:25.000 --> 0:41:27.480
<v Speaker 1>and I'm gonna tell you. Gave me a copy one

0:41:27.600 --> 0:41:29.120
<v Speaker 1>day and I think I probably went back in the

0:41:29.200 --> 0:41:31.120
<v Speaker 1>big and cry because I was like, damn, Like when

0:41:31.160 --> 0:41:33.480
<v Speaker 1>you notice people that really sing and really do this.

0:41:33.840 --> 0:41:37.479
<v Speaker 1>We was at d night show in Atlanta. You was like, Sis,

0:41:37.760 --> 0:41:39.719
<v Speaker 1>You've been one of the only people that can sing

0:41:39.840 --> 0:41:43.440
<v Speaker 1>with tempo and I was just like, I never thought

0:41:43.480 --> 0:41:48.560
<v Speaker 1>anybody noticed. He was like and stick like you feel

0:41:48.600 --> 0:41:52.320
<v Speaker 1>me sing though you was like sing with not like

0:41:53.480 --> 0:41:56.000
<v Speaker 1>dance around and you know what I'm saying and dumb

0:41:56.040 --> 0:41:59.040
<v Speaker 1>it down. You've actually been able to actually sing a

0:41:59.239 --> 0:42:02.319
<v Speaker 1>real vocal. That's a blessing. And so to hear someone

0:42:02.480 --> 0:42:05.759
<v Speaker 1>noticed that, be like, Yo, how do he know? Because

0:42:05.800 --> 0:42:08.239
<v Speaker 1>people don't be knowing because I wanted someone too so

0:42:08.400 --> 0:42:12.320
<v Speaker 1>bad but I couldn't. I couldn't figure out the science

0:42:12.400 --> 0:42:15.560
<v Speaker 1>on it. But you know crazy, It's like then I'll

0:42:15.600 --> 0:42:17.239
<v Speaker 1>listen to your song and I'm like, like, how do

0:42:17.360 --> 0:42:19.800
<v Speaker 1>you know? And I was like, God, I thank you

0:42:19.880 --> 0:42:22.160
<v Speaker 1>for the gifts you have given me without repentance, and

0:42:22.239 --> 0:42:24.319
<v Speaker 1>the talents that you have given me. But I wish

0:42:24.400 --> 0:42:26.040
<v Speaker 1>I could play because if I could play, I was like,

0:42:26.080 --> 0:42:31.200
<v Speaker 1>I killed all of these bitches that girl I know,

0:42:31.400 --> 0:42:39.880
<v Speaker 1>God say like crazy and before I arrest it. But

0:42:39.960 --> 0:42:41.520
<v Speaker 1>it was just like I used to always feel like

0:42:41.600 --> 0:42:43.920
<v Speaker 1>if I could play then then they will really be

0:42:44.000 --> 0:42:46.400
<v Speaker 1>able to get it. But then I realized my voice

0:42:46.480 --> 0:42:48.560
<v Speaker 1>is my instrument, and if they get it, they get it.

0:42:48.640 --> 0:42:50.480
<v Speaker 1>If they don't, they'll get it later. And now a

0:42:50.560 --> 0:42:53.759
<v Speaker 1>lot of people and you and you like you have

0:42:54.040 --> 0:42:57.560
<v Speaker 1>songs that I mean, you know this when they come

0:42:57.600 --> 0:43:03.360
<v Speaker 1>on this is yeah, they lose their mind, like the

0:43:03.920 --> 0:43:06.440
<v Speaker 1>we do R and B Club when we went headliner

0:43:06.440 --> 0:43:09.680
<v Speaker 1>and Mike Gardening them in in Miami. Your songs are

0:43:09.760 --> 0:43:13.840
<v Speaker 1>played there semi videos and I'd be like, yo, this

0:43:14.080 --> 0:43:16.759
<v Speaker 1>is like, how do they still? But then you know

0:43:16.880 --> 0:43:19.600
<v Speaker 1>what what my angels says, not what you say or

0:43:19.640 --> 0:43:22.360
<v Speaker 1>what you do, is how you make people feel. And

0:43:22.440 --> 0:43:24.560
<v Speaker 1>I always realized a lot of these people were in

0:43:24.800 --> 0:43:27.680
<v Speaker 1>elementary school and junior high running home to watch one

0:43:27.719 --> 0:43:31.400
<v Speaker 1>O six in part they remember that, and so now

0:43:31.480 --> 0:43:33.920
<v Speaker 1>that they're growing, were like, you all remember running home

0:43:33.960 --> 0:43:35.719
<v Speaker 1>and ask my moment, can I get them color hairs?

0:43:35.840 --> 0:43:37.200
<v Speaker 1>And they don't know what I used to have to

0:43:37.280 --> 0:43:39.920
<v Speaker 1>go through to be able to get the blue hair,

0:43:40.239 --> 0:43:42.359
<v Speaker 1>to be able to wear those colors. Yeah, we don't

0:43:42.360 --> 0:43:44.520
<v Speaker 1>want you to scare the consumer, because you know, it's

0:43:44.560 --> 0:43:53.120
<v Speaker 1>like another meeting remember the meetings, and he used to

0:43:53.280 --> 0:43:55.400
<v Speaker 1>to tell them like, y'all don't get it, and they

0:43:55.440 --> 0:43:57.640
<v Speaker 1>will be like, who then do you think he is?

0:43:58.120 --> 0:44:03.440
<v Speaker 1>Because you're Christmas brother? That wow? But okay, now we

0:44:03.600 --> 0:44:08.480
<v Speaker 1>see what they got now, the same tattoos all in

0:44:08.560 --> 0:44:13.000
<v Speaker 1>their mouth. I just have to hide my tattoos. I

0:44:13.080 --> 0:44:15.120
<v Speaker 1>just have to hide my tattoos. Still. I was just like, nah,

0:44:15.480 --> 0:44:18.920
<v Speaker 1>you know what you work for me when I saw you,

0:44:19.120 --> 0:44:21.480
<v Speaker 1>and what I still feel when I hear your music. Now,

0:44:22.120 --> 0:44:25.640
<v Speaker 1>there was a time in music when it was very shiny, right.

0:44:25.800 --> 0:44:28.399
<v Speaker 1>It was. It was the puff dad here. Everybody knew

0:44:28.400 --> 0:44:30.520
<v Speaker 1>about it. It was the shiny suits. And then d

0:44:30.680 --> 0:44:35.120
<v Speaker 1>m X came MHM and he made music very aggressive

0:44:35.200 --> 0:44:39.000
<v Speaker 1>and very soulful. People didn't people don't got rested soul.

0:44:39.440 --> 0:44:42.000
<v Speaker 1>People don't mention how soul for d m X is

0:44:42.120 --> 0:44:45.120
<v Speaker 1>music was. You felt it in yourself to this day

0:44:46.000 --> 0:44:50.200
<v Speaker 1>and to this day, they can play a hunted R

0:44:50.280 --> 0:44:53.279
<v Speaker 1>and B songs and then one of yours comes on

0:44:54.200 --> 0:44:58.320
<v Speaker 1>and it's dark and hell is hot. Niggas is getting

0:44:58.440 --> 0:45:02.160
<v Speaker 1>to it when a little mo record plays, Because you

0:45:02.360 --> 0:45:06.040
<v Speaker 1>bring a different type of grit and grind to R

0:45:06.080 --> 0:45:10.040
<v Speaker 1>and B music. That just didn't it didn't exist from

0:45:10.080 --> 0:45:15.440
<v Speaker 1>a female's perspective. It's so aggressive when it comes on.

0:45:15.600 --> 0:45:18.440
<v Speaker 1>It's like we went when we were just in Miami.

0:45:18.560 --> 0:45:22.200
<v Speaker 1>We were all in Miami together having a good time. Man,

0:45:22.400 --> 0:45:29.120
<v Speaker 1>I had so much fun. I is, y'all don't understand

0:45:29.239 --> 0:45:32.040
<v Speaker 1>how much fun I had so looking big. My sister

0:45:32.160 --> 0:45:34.480
<v Speaker 1>was like, bet you was. I said, I came from

0:45:34.520 --> 0:45:38.200
<v Speaker 1>a very dark place. So the pandemic was a blessing

0:45:38.280 --> 0:45:41.480
<v Speaker 1>for me, so to be able to get out and

0:45:41.600 --> 0:45:44.279
<v Speaker 1>to enjoy and to let my hand down so I

0:45:44.320 --> 0:45:46.160
<v Speaker 1>can sing on stage and will be when I get

0:45:46.200 --> 0:45:50.359
<v Speaker 1>to be like, say, because I've seen you on stage

0:45:50.400 --> 0:45:53.160
<v Speaker 1>and I'm like saying, but when I get to be

0:45:53.280 --> 0:45:59.600
<v Speaker 1>like I need to be a fan fan so family,

0:46:00.000 --> 0:46:03.400
<v Speaker 1>But I'm a question because you got a yeah, and

0:46:03.480 --> 0:46:06.520
<v Speaker 1>when and when that record dropped, when they dropped your

0:46:06.600 --> 0:46:11.200
<v Speaker 1>record at the end, it's just like it was like yo, mom,

0:46:11.400 --> 0:46:12.800
<v Speaker 1>Like people say to me, They was like, mo, you

0:46:12.960 --> 0:46:14.520
<v Speaker 1>was fool and it was like, yo, you seem like

0:46:14.600 --> 0:46:16.960
<v Speaker 1>you loved I said, I did you had a ball?

0:46:17.040 --> 0:46:19.480
<v Speaker 1>You have the same question like nine times? Yeah, And

0:46:19.560 --> 0:46:23.839
<v Speaker 1>I still want to ask you that question today. She asked,

0:46:24.680 --> 0:46:28.239
<v Speaker 1>don't you gotta ask him, Yeah, I done with you,

0:46:37.680 --> 0:46:40.200
<v Speaker 1>but yes, you know, speaking of your music and your

0:46:40.280 --> 0:46:42.560
<v Speaker 1>past and the things that you had to go through

0:46:42.920 --> 0:46:47.239
<v Speaker 1>in this industry that looked at female R and B

0:46:47.840 --> 0:46:50.960
<v Speaker 1>in a certain light, it was very light seeing it's

0:46:51.080 --> 0:46:53.319
<v Speaker 1>very soft. It was you know what I mean, that's

0:46:53.360 --> 0:46:57.240
<v Speaker 1>just let's just be real. It was it wasn't those tattoos.

0:46:57.239 --> 0:46:58.920
<v Speaker 1>If you had tattoos, you was putting some clothes over

0:46:58.960 --> 0:47:02.600
<v Speaker 1>those tattoos. There were things that that in this business

0:47:03.080 --> 0:47:06.320
<v Speaker 1>from a female R and B perspective, just weren't accepted.

0:47:06.960 --> 0:47:10.200
<v Speaker 1>It was just like, that just doesn't work for the consumer,

0:47:11.280 --> 0:47:14.600
<v Speaker 1>when in reality, these motherfucker's didn't even really know the consumer.

0:47:15.239 --> 0:47:20.480
<v Speaker 1>They were so far removed from who outside was and is.

0:47:20.840 --> 0:47:23.120
<v Speaker 1>They were not outside. And you want to know what's

0:47:23.120 --> 0:47:26.320
<v Speaker 1>crazy is once I got outside and I learned from myself,

0:47:26.840 --> 0:47:28.239
<v Speaker 1>I found out I was just like, why am I

0:47:28.320 --> 0:47:29.960
<v Speaker 1>big in the bay earlier? Why are we talking about

0:47:29.960 --> 0:47:31.920
<v Speaker 1>come out with these girls? Was like, yo, one of

0:47:32.040 --> 0:47:34.920
<v Speaker 1>my big in the trenches is because I look like

0:47:35.560 --> 0:47:38.960
<v Speaker 1>they can look like me. Yeah, I'm from the band.

0:47:39.440 --> 0:47:41.200
<v Speaker 1>You want to know what crazy is? When I go

0:47:41.320 --> 0:47:45.040
<v Speaker 1>out there, the love I wouldn't already know because I

0:47:45.239 --> 0:47:48.040
<v Speaker 1>was like around when the East Coast and West Coast,

0:47:48.239 --> 0:47:50.279
<v Speaker 1>like I was around that time, So it was just

0:47:50.360 --> 0:47:51.799
<v Speaker 1>like if you came out here, do your work, get

0:47:51.840 --> 0:47:54.480
<v Speaker 1>your home, you fear me. So then you went out

0:47:56.600 --> 0:48:02.919
<v Speaker 1>different summer jams or something like it to this day.

0:48:03.920 --> 0:48:05.680
<v Speaker 1>To this day, I was out there a couple of

0:48:05.719 --> 0:48:08.800
<v Speaker 1>weeks ago. They had um I forgot what they call it,

0:48:08.920 --> 0:48:14.319
<v Speaker 1>but it was Bobby D Presents, Me, Ashanti, Nellie Yang

0:48:14.360 --> 0:48:19.560
<v Speaker 1>Yang Twins, little john A, Marie. Everybody was there and

0:48:19.600 --> 0:48:21.880
<v Speaker 1>so I'm thinking, who show up to just think that

0:48:22.000 --> 0:48:25.000
<v Speaker 1>they were sold out? And I looked in the crowd

0:48:26.040 --> 0:48:28.520
<v Speaker 1>and what they told us was the consumer. The majority

0:48:28.520 --> 0:48:33.040
<v Speaker 1>of people didn't even look like me. It was all Latina's,

0:48:33.280 --> 0:48:37.399
<v Speaker 1>It was all people, and they were by being yeah.

0:48:38.480 --> 0:48:41.040
<v Speaker 1>So because we did Oakland and on Aryan and I

0:48:41.160 --> 0:48:43.800
<v Speaker 1>was just like now, twenty years ago, they told me

0:48:44.800 --> 0:48:47.120
<v Speaker 1>I wouldn't connect with the consumer. You don't want to

0:48:47.120 --> 0:48:49.640
<v Speaker 1>scare them away. So what they further lets me know

0:48:49.800 --> 0:48:52.200
<v Speaker 1>is that they thought I wouldn't connect with the crossover.

0:48:52.520 --> 0:48:55.279
<v Speaker 1>The records crossed over. Then we broke records. Then we

0:48:55.360 --> 0:48:57.680
<v Speaker 1>broke so many records. Well put it on me that

0:48:57.760 --> 0:48:59.959
<v Speaker 1>they had to retire, and they swore that they were paid,

0:49:00.040 --> 0:49:03.439
<v Speaker 1>and yo, it was a whole thing. I was like, wait,

0:49:03.600 --> 0:49:06.799
<v Speaker 1>who paying for to people called up there. I was like, yo,

0:49:07.040 --> 0:49:08.600
<v Speaker 1>I can't even. There was the time remember when you

0:49:08.680 --> 0:49:12.839
<v Speaker 1>can't even They said that they were paying people. Def

0:49:13.200 --> 0:49:15.960
<v Speaker 1>gotta be paying to have that play that. They was

0:49:16.000 --> 0:49:18.600
<v Speaker 1>like no. People was like no, I really called up

0:49:18.640 --> 0:49:21.080
<v Speaker 1>there and they had us come out there and retire

0:49:21.120 --> 0:49:22.799
<v Speaker 1>the record because there was like, there's no way y'all

0:49:22.800 --> 0:49:27.839
<v Speaker 1>can always be number one? For like I used always wondered,

0:49:27.840 --> 0:49:29.279
<v Speaker 1>I was like, well, what is so big about it?

0:49:29.320 --> 0:49:32.040
<v Speaker 1>Because to be honest, I went there in freestyund everything

0:49:32.160 --> 0:49:34.960
<v Speaker 1>and none of it rhymed. What was so big about it?

0:49:36.640 --> 0:49:40.279
<v Speaker 1>On me? Where would I be without you? Baby? So

0:49:40.480 --> 0:49:43.000
<v Speaker 1>if you need me, if you want me to put

0:49:43.040 --> 0:49:48.080
<v Speaker 1>it on you because I love you, don't you forget

0:49:48.200 --> 0:49:52.279
<v Speaker 1>it Whenever you need me. If you own me to

0:49:52.360 --> 0:49:57.960
<v Speaker 1>put it on you, come on? Where doing rot? That's

0:49:58.400 --> 0:50:00.680
<v Speaker 1>you know? So they'd be like, maybe like you only

0:50:00.719 --> 0:50:02.440
<v Speaker 1>can sing a minute of a song because people lose

0:50:02.480 --> 0:50:05.479
<v Speaker 1>their interest. We can sing that whole song up until

0:50:05.520 --> 0:50:09.200
<v Speaker 1>the come on? Don't you know that? I love you,

0:50:09.760 --> 0:50:12.960
<v Speaker 1>I need you, I want you. I want you to

0:50:12.960 --> 0:50:15.239
<v Speaker 1>put it to the end to the song when you

0:50:15.360 --> 0:50:20.400
<v Speaker 1>hit the record go off, that's a blessing. None of

0:50:20.480 --> 0:50:25.920
<v Speaker 1>it would I be if it won't for your baby,

0:50:27.320 --> 0:50:34.439
<v Speaker 1>because I'm so tired of me long. If it won't,

0:50:34.719 --> 0:50:39.960
<v Speaker 1>none of it rhymes. If it won't to you, that's

0:50:40.000 --> 0:50:49.719
<v Speaker 1>that church. And will won't he will? That was the

0:50:49.800 --> 0:50:52.920
<v Speaker 1>most incorrect English. Or maybe you know what it mean.

0:50:52.960 --> 0:50:57.640
<v Speaker 1>Won't he win? That mean didn't he? Did? He? Ever? Know? What?

0:50:58.239 --> 0:51:08.120
<v Speaker 1>Did he did? Did he not do it? We understood?

0:51:08.600 --> 0:51:12.800
<v Speaker 1>So that comes out before Superwoman. So does that speed

0:51:12.920 --> 0:51:15.480
<v Speaker 1>up the process at a lecture at the time to say, hey,

0:51:16.000 --> 0:51:17.719
<v Speaker 1>we're going with a little more right now, because we

0:51:17.800 --> 0:51:20.320
<v Speaker 1>all know how that ship goes to sign and it's like,

0:51:20.360 --> 0:51:23.919
<v Speaker 1>oh yeah, and they're doing whatever they're doing, but we're

0:51:23.960 --> 0:51:26.720
<v Speaker 1>not really paying that much attention. It didn't speed up anything.

0:51:27.160 --> 0:51:29.399
<v Speaker 1>I had to send that record back to clue they

0:51:30.120 --> 0:51:36.360
<v Speaker 1>wind up literally rushed putting it together. Duro was his partner,

0:51:36.640 --> 0:51:38.560
<v Speaker 1>so the fact that he was an engineer mixing right

0:51:38.560 --> 0:51:40.359
<v Speaker 1>there in there clues to have a thing called Monday

0:51:40.440 --> 0:51:42.799
<v Speaker 1>Night Mixtape in New York and Hot ninety seven back

0:51:42.880 --> 0:51:45.239
<v Speaker 1>then he played it on his show. He made the

0:51:45.320 --> 0:51:47.640
<v Speaker 1>label catch up. He was like, he said, I promise

0:51:47.680 --> 0:51:49.839
<v Speaker 1>you so it's fab on there at the time. Yes,

0:51:50.640 --> 0:51:53.640
<v Speaker 1>because fab as a new artist. Yes, so while we're

0:51:53.640 --> 0:51:55.280
<v Speaker 1>in the studio and once I send it a clue

0:51:55.360 --> 0:51:58.719
<v Speaker 1>because that beat was initially for m O P. Let's

0:51:58.920 --> 0:52:02.439
<v Speaker 1>let's let's start there and would have been talking about

0:52:02.480 --> 0:52:09.359
<v Speaker 1>kidnappings all off Goldeth everywhere. But they was like, who

0:52:09.400 --> 0:52:10.719
<v Speaker 1>you wanna get on it? Because that would be dope

0:52:10.719 --> 0:52:12.640
<v Speaker 1>if you have a rapper. So by that time I

0:52:12.680 --> 0:52:14.359
<v Speaker 1>had already worked at everybody you want to get young,

0:52:14.680 --> 0:52:17.960
<v Speaker 1>get one getting him? You want on it? I was like, yo,

0:52:18.080 --> 0:52:22.000
<v Speaker 1>the boy, I'll be spelling his name or everything spins. Yeah,

0:52:23.200 --> 0:52:25.960
<v Speaker 1>he came. They look called Fabulous Sports, so he's look

0:52:26.000 --> 0:52:30.719
<v Speaker 1>on spis so he comes to the studio him. That's

0:52:30.760 --> 0:52:33.040
<v Speaker 1>when he was with Webb and Chail and I remember

0:52:33.160 --> 0:52:36.120
<v Speaker 1>like they came with yellow bandannas on and chicken boxes

0:52:36.640 --> 0:52:38.840
<v Speaker 1>and he had the next Heil pager like this. So

0:52:38.880 --> 0:52:40.200
<v Speaker 1>I was like, all right, I'm gonna let you do

0:52:40.280 --> 0:52:42.560
<v Speaker 1>your thing. Do you need anything? He was like no,

0:52:42.640 --> 0:52:45.040
<v Speaker 1>I'm good. Just he said, well I add so I

0:52:45.200 --> 0:52:46.799
<v Speaker 1>leave out and I come back. I was like, you done?

0:52:47.600 --> 0:52:49.640
<v Speaker 1>Oh lord, I hope this thing sounds dope. Is the

0:52:49.680 --> 0:52:52.640
<v Speaker 1>Monday night mixtapes he'd be doing, yo, he was like,

0:52:52.719 --> 0:52:54.400
<v Speaker 1>So he said, just let me just let you know.

0:52:54.480 --> 0:52:56.560
<v Speaker 1>I did a little something on the intro just in

0:52:56.640 --> 0:52:58.680
<v Speaker 1>case you could keep whatever, and then I added something

0:52:58.800 --> 0:53:01.480
<v Speaker 1>on the end. So soon as he was like, I

0:53:01.560 --> 0:53:03.680
<v Speaker 1>guess I ain't got no reason to main go around

0:53:03.719 --> 0:53:05.560
<v Speaker 1>what he said. I found a superwoman that could leap

0:53:05.600 --> 0:53:09.200
<v Speaker 1>from the truck. I said, we out of here, and

0:53:09.280 --> 0:53:17.120
<v Speaker 1>I heard his yeah, we are at it by that time,

0:53:17.200 --> 0:53:19.799
<v Speaker 1>because you know music at this point, are you new?

0:53:20.360 --> 0:53:22.640
<v Speaker 1>You know hits? At this point you're around Missy, you

0:53:22.719 --> 0:53:27.040
<v Speaker 1>can I was like, that's it, that's it. So remember

0:53:27.080 --> 0:53:28.720
<v Speaker 1>back then, if you put out a record, the label

0:53:28.800 --> 0:53:31.400
<v Speaker 1>can cease and desisted and stop it. But it was

0:53:31.440 --> 0:53:33.759
<v Speaker 1>getting so much Bird, I've been cease and desisted. I

0:53:33.840 --> 0:53:37.040
<v Speaker 1>have to have you. No. I kind of cease them

0:53:39.280 --> 0:53:48.239
<v Speaker 1>on Shots Fired. Yeah, yeah, yeah, own label because because

0:53:48.239 --> 0:53:51.080
<v Speaker 1>they were trying to get it. Yeah, and they were like,

0:53:51.160 --> 0:53:53.520
<v Speaker 1>your records going to interfere And I was like, what

0:53:54.080 --> 0:53:57.239
<v Speaker 1>do you mean, and now you can put out Yeah,

0:53:57.280 --> 0:53:58.920
<v Speaker 1>we should have we should have stayed with it. But

0:53:59.719 --> 0:54:03.040
<v Speaker 1>you know what what's crazy is is that everything that

0:54:03.200 --> 0:54:06.200
<v Speaker 1>we wasn't allowed to do then doing that, And I'm

0:54:06.239 --> 0:54:16.640
<v Speaker 1>like everything I'm not supposed to do. Yeah, Like I've

0:54:16.760 --> 0:54:19.440
<v Speaker 1>literally I can't feel a hit record I've been around

0:54:19.560 --> 0:54:22.080
<v Speaker 1>because I've been around everybody from the Missies, the Tams,

0:54:22.320 --> 0:54:24.600
<v Speaker 1>j jay Z's, the A And I was like, I

0:54:24.719 --> 0:54:28.480
<v Speaker 1>knew everybody, so I knew what a hit record felt like.

0:54:29.120 --> 0:54:31.279
<v Speaker 1>Damn the Sun because you look for you to pop

0:54:31.400 --> 0:54:35.400
<v Speaker 1>up on a record like Parking Lot. Yeah, and they

0:54:35.440 --> 0:54:37.279
<v Speaker 1>gotta really, they got to really getting his bag to

0:54:37.360 --> 0:54:39.800
<v Speaker 1>understand that little Mo was on Parking Lot then. And

0:54:39.880 --> 0:54:42.759
<v Speaker 1>then Jay call you like yo, because I used to

0:54:42.800 --> 0:54:45.680
<v Speaker 1>think I was his cousin come to the studio. I

0:54:45.800 --> 0:54:48.600
<v Speaker 1>used think I was everybody's cousin, from John Key to

0:54:48.760 --> 0:54:53.120
<v Speaker 1>jay Z. That's crazy, that's crazy. That's insane. It's crazy

0:54:53.200 --> 0:54:56.480
<v Speaker 1>and to him and I want to know, And I

0:54:56.520 --> 0:54:58.879
<v Speaker 1>don't know if people I pay attention to a lot

0:54:59.000 --> 0:55:04.360
<v Speaker 1>of different ship. When you would sing hooks for niggas,

0:55:05.160 --> 0:55:09.160
<v Speaker 1>you wouldn't sing them as a girl. You would sing

0:55:09.320 --> 0:55:12.640
<v Speaker 1>the hook as they would sing the hook, which was

0:55:12.920 --> 0:55:16.920
<v Speaker 1>very odd to me, really like, what's the what's the

0:55:17.000 --> 0:55:20.040
<v Speaker 1>what's the fabi? Um? Can't let you go? Oh yeah,

0:55:20.440 --> 0:55:24.520
<v Speaker 1>well you're singing to the girl with him, but you're

0:55:24.520 --> 0:55:27.799
<v Speaker 1>supposed to be the girl. But parking lot pimping. Yeah,

0:55:28.000 --> 0:55:31.120
<v Speaker 1>you're singing about parking lot pimper like you wanted to. Yo.

0:55:31.239 --> 0:55:41.800
<v Speaker 1>I really I didn't even you know what, I I

0:55:41.840 --> 0:55:44.879
<v Speaker 1>don't even think about that. I just thought about that. Yo,

0:55:46.040 --> 0:55:48.600
<v Speaker 1>that's crazy. You could get me in the woking lot hollydad.

0:55:48.600 --> 0:55:54.200
<v Speaker 1>But just that I think about it, I used to

0:55:54.480 --> 0:55:57.560
<v Speaker 1>want to be big and a nigga so bad because

0:55:57.600 --> 0:56:02.200
<v Speaker 1>you really had to be as Na. So yeah, so

0:56:02.280 --> 0:56:05.480
<v Speaker 1>it was like I like I had to That's a

0:56:05.680 --> 0:56:17.040
<v Speaker 1>great perception. That is crazy. I'm like, really did that?

0:56:18.320 --> 0:56:22.320
<v Speaker 1>Look at whatever this is. I'm buying the whole bottom.

0:56:24.120 --> 0:56:28.480
<v Speaker 1>I none of those this this is a vibe um

0:56:28.840 --> 0:56:32.719
<v Speaker 1>got me thinking of this mother son. So there's also

0:56:32.880 --> 0:56:35.960
<v Speaker 1>life I won't say after music, but all within music,

0:56:36.200 --> 0:56:41.919
<v Speaker 1>where it be TV and radio And what were those

0:56:42.080 --> 0:56:45.560
<v Speaker 1>transitions like and that did they come at a at

0:56:45.560 --> 0:56:48.680
<v Speaker 1>a time where you needed them or were they things

0:56:48.760 --> 0:56:51.400
<v Speaker 1>that you just decided, you know what, I want to

0:56:51.480 --> 0:56:53.839
<v Speaker 1>branch off and do some other things. Let me get

0:56:53.920 --> 0:56:56.920
<v Speaker 1>in to this space because you know, I know, from

0:56:56.960 --> 0:57:00.839
<v Speaker 1>an artist standpoint, there are we all know there are

0:57:01.480 --> 0:57:04.440
<v Speaker 1>there are mountain tops, and then there are valley loads,

0:57:05.000 --> 0:57:07.399
<v Speaker 1>and then we gotta we gotta gotta livot, we gotta pivot,

0:57:07.440 --> 0:57:09.800
<v Speaker 1>we gotta scram. You know what what you'a got for

0:57:09.840 --> 0:57:12.480
<v Speaker 1>me over there? Yeah? Okay, all right, we fight, We

0:57:12.840 --> 0:57:15.520
<v Speaker 1>fight the chickens. Alright, alright, I'm the announcer at the

0:57:15.600 --> 0:57:23.320
<v Speaker 1>chicken fights on Wednesday nights. They got it's it's okaya,

0:57:23.440 --> 0:57:32.000
<v Speaker 1>come see me chicken fights and I'll be at the bullfight. Yo. Yo,

0:57:34.040 --> 0:57:37.080
<v Speaker 1>He's like, no, people have no idea. So how do

0:57:37.160 --> 0:57:42.120
<v Speaker 1>you get to television? I did radio first, Okay, so

0:57:42.320 --> 0:57:45.560
<v Speaker 1>this is how I got in the radio. It's so crazy,

0:57:45.840 --> 0:57:48.800
<v Speaker 1>I would um, I was. I was living between Merland

0:57:48.840 --> 0:57:52.000
<v Speaker 1>and New York at the time, and so I used

0:57:52.000 --> 0:57:55.760
<v Speaker 1>to watch Martin in high school and so ye like

0:57:56.680 --> 0:57:58.680
<v Speaker 1>when I met Martin, I'll myself. Had it not been

0:57:58.720 --> 0:58:01.480
<v Speaker 1>for you, I wouldn't have been able to do radio. Um.

0:58:01.920 --> 0:58:05.720
<v Speaker 1>Shout out to Ursulain Radium is my home girls, Martin sisters,

0:58:06.000 --> 0:58:13.840
<v Speaker 1>who I love very dearly. Everybody wanted the podcast to

0:58:13.880 --> 0:58:19.960
<v Speaker 1>believe trust and believe um. So I remember Tracy Clarity

0:58:20.120 --> 0:58:22.960
<v Speaker 1>was the program director at High nineties seven and so

0:58:23.200 --> 0:58:25.680
<v Speaker 1>one day I think I filled in for I used

0:58:25.720 --> 0:58:27.680
<v Speaker 1>to feel it for Angie Martinez. I would feel it.

0:58:27.920 --> 0:58:31.120
<v Speaker 1>I feeled it one night for Funk Flex. Everybody used

0:58:31.120 --> 0:58:32.960
<v Speaker 1>to have had me feeling. I filled in one morning.

0:58:33.520 --> 0:58:37.280
<v Speaker 1>That's what started Buck while I was there. So she

0:58:37.440 --> 0:58:40.360
<v Speaker 1>was just like, hey, do you want come working radio?

0:58:40.960 --> 0:58:44.360
<v Speaker 1>And I was like, you know, I will, But the

0:58:44.480 --> 0:58:47.480
<v Speaker 1>labels like no, because that will be a conflict, yea

0:58:47.720 --> 0:58:54.040
<v Speaker 1>competition and conflict. And yeah, that's what I learned. They

0:58:54.160 --> 0:58:55.640
<v Speaker 1>used to tell you know that I can't tell you

0:58:55.720 --> 0:58:58.360
<v Speaker 1>know because they'd be like, dude, you that's discrimination. You're

0:58:58.360 --> 0:59:00.800
<v Speaker 1>telling me I can't work. You know what I'm saying?

0:59:00.800 --> 0:59:02.200
<v Speaker 1>How imposed to take care of my family? So I

0:59:02.280 --> 0:59:04.400
<v Speaker 1>did radio because of that. And then when I got

0:59:04.440 --> 0:59:07.000
<v Speaker 1>pregnant with my daughter Heaven, that's when I was just

0:59:07.120 --> 0:59:11.680
<v Speaker 1>like THEA. Mitchem her and James Stevens. Yeah, like I

0:59:11.800 --> 0:59:14.520
<v Speaker 1>got history with all the O G S. THEA. Mitchell

0:59:14.600 --> 0:59:18.600
<v Speaker 1>gave me my first afternoon drive show in Baltimore. It

0:59:18.680 --> 0:59:20.440
<v Speaker 1>was called X one O five seven. They had just

0:59:20.520 --> 0:59:23.920
<v Speaker 1>switched from like talk radio or sports radio to hip

0:59:23.960 --> 0:59:26.080
<v Speaker 1>hop and R and B. So mind you ninety two

0:59:26.160 --> 0:59:28.240
<v Speaker 1>Q had been there for years, so we were a

0:59:28.320 --> 0:59:31.240
<v Speaker 1>new black station coming into a market that you're at

0:59:31.320 --> 0:59:34.880
<v Speaker 1>least expected to make it because Baltimore, you don't like you.

0:59:37.240 --> 0:59:41.160
<v Speaker 1>We were at least expected because you were at least

0:59:41.200 --> 0:59:43.760
<v Speaker 1>expected to make it. Especially it was almost like remember

0:59:43.800 --> 0:59:46.080
<v Speaker 1>when Power Want to Fire started? Oh how ninety seven

0:59:46.120 --> 0:59:49.440
<v Speaker 1>being here, you ain't gonna last. Ninety years later we lasted.

0:59:49.920 --> 0:59:51.840
<v Speaker 1>So it's just like I was just like, look, I'm pregnant,

0:59:52.120 --> 0:59:53.880
<v Speaker 1>I don't feel like this is my first child, feel

0:59:53.880 --> 0:59:55.480
<v Speaker 1>like going on the road. And she was like okay,

0:59:56.160 --> 0:59:59.520
<v Speaker 1>and she said, if you listen to pay attention, you'll

0:59:59.520 --> 1:00:01.880
<v Speaker 1>have a number one show. I listened to. I paid

1:00:01.880 --> 1:00:04.680
<v Speaker 1>attention and I had a number one show against the

1:00:05.440 --> 1:00:08.800
<v Speaker 1>We beat the number one shows. That was in Maryland.

1:00:09.480 --> 1:00:12.000
<v Speaker 1>So after I had my daughter, I wanted to stay there,

1:00:12.120 --> 1:00:15.760
<v Speaker 1>but the label call was just like, yeah, let's talk.

1:00:15.800 --> 1:00:18.840
<v Speaker 1>You go back outside, y'all, And that's when I started. Um,

1:00:19.000 --> 1:00:21.880
<v Speaker 1>I did Meet the Girl next Door album, so I

1:00:21.960 --> 1:00:24.200
<v Speaker 1>did that whole album pregnant, So I was like, no

1:00:24.440 --> 1:00:27.200
<v Speaker 1>much pregnant recording a whole album remember Mike Michael was

1:00:27.240 --> 1:00:30.520
<v Speaker 1>in the studio. I was like walking from the studio

1:00:31.600 --> 1:00:33.760
<v Speaker 1>recorded and then just like the birth of my daughter,

1:00:33.800 --> 1:00:36.280
<v Speaker 1>I was like back out on the road, like a

1:00:36.400 --> 1:00:39.360
<v Speaker 1>couple of weeks later, and I remember John Peki called

1:00:39.400 --> 1:00:42.600
<v Speaker 1>me nice said, you're died from you together. Don't be

1:00:42.680 --> 1:00:49.800
<v Speaker 1>got out of weeks after six weeks. And I was

1:00:49.920 --> 1:00:52.560
<v Speaker 1>outside before that because I just I've never said, if

1:00:52.600 --> 1:00:55.120
<v Speaker 1>you realize, I've never sat down a day in my

1:00:55.240 --> 1:00:58.200
<v Speaker 1>life since I was fifteen, even before then, Like I

1:00:58.320 --> 1:01:01.760
<v Speaker 1>was doing that. Really, come on, let's talk about that though,

1:01:02.120 --> 1:01:14.880
<v Speaker 1>man ter, I gotta started, what are we doing? Think? Yeah?

1:01:15.400 --> 1:01:17.120
<v Speaker 1>So it was like I was every time I have

1:01:17.200 --> 1:01:19.320
<v Speaker 1>a kid, people like every time you put out an album,

1:01:19.520 --> 1:01:22.360
<v Speaker 1>you have a baby. I'm like, damn it, I gotta

1:01:22.400 --> 1:01:24.960
<v Speaker 1>stop this man. So it was like you know, once, yeah,

1:01:25.040 --> 1:01:27.600
<v Speaker 1>once my daughter she was born, and she was like

1:01:27.960 --> 1:01:30.280
<v Speaker 1>she's to this day, she's twenty years old. She's at fast.

1:01:30.360 --> 1:01:31.720
<v Speaker 1>So I was like, I just felt I could take

1:01:31.760 --> 1:01:34.240
<v Speaker 1>on the road. So she's been on tour and everything,

1:01:34.600 --> 1:01:37.480
<v Speaker 1>and they let her get her shots early because you know,

1:01:37.520 --> 1:01:39.800
<v Speaker 1>you posted to weight like eight weeks, but she had

1:01:39.880 --> 1:01:43.320
<v Speaker 1>teeth at like two months. Right at that two month

1:01:43.360 --> 1:01:44.840
<v Speaker 1>mark when they puposed to get this. So I was

1:01:44.920 --> 1:01:46.480
<v Speaker 1>just like we all siwe We was in Jamaica and

1:01:46.880 --> 1:01:51.360
<v Speaker 1>was like and my mom and daddy because I would

1:01:51.360 --> 1:01:53.320
<v Speaker 1>be like, I'm not hiring on nanny. I don't trust

1:01:53.320 --> 1:01:55.600
<v Speaker 1>people around my kids because of trauma that happened to

1:01:55.640 --> 1:01:57.960
<v Speaker 1>me when I was a child. So I was just like, yeah,

1:01:58.120 --> 1:01:59.960
<v Speaker 1>so my mom and dad used to travel a road

1:02:00.040 --> 1:02:02.920
<v Speaker 1>with me to the good stuff, and they were preachers,

1:02:02.960 --> 1:02:06.240
<v Speaker 1>so there was circles and prayers formed around us preachers

1:02:06.320 --> 1:02:08.720
<v Speaker 1>to yeah, my dad's a bishop both but he's the

1:02:08.760 --> 1:02:12.800
<v Speaker 1>cool money driver. Yeah. Yeah. I had to fire him

1:02:12.800 --> 1:02:14.880
<v Speaker 1>because he sleep one time and I was like, we

1:02:15.000 --> 1:02:17.680
<v Speaker 1>can't have that. The Lord covered you though, because you

1:02:17.760 --> 1:02:23.439
<v Speaker 1>still the Lord covered because we ain't and no ditch child.

1:02:26.000 --> 1:02:28.560
<v Speaker 1>Do you remember the church trips how many times we

1:02:28.600 --> 1:02:30.600
<v Speaker 1>didn't know if those drivers were licensed. You got to

1:02:30.600 --> 1:02:32.320
<v Speaker 1>look to that side of the room when you have

1:02:35.440 --> 1:02:38.160
<v Speaker 1>church and stuff, and you know, we never knew if

1:02:38.200 --> 1:02:40.560
<v Speaker 1>the deacon or whoever was driving had a license. And

1:02:40.600 --> 1:02:46.520
<v Speaker 1>the band they never got old changes made that stuff. Yes,

1:02:46.720 --> 1:02:50.920
<v Speaker 1>we just to the church. Christian Union Missionary had a

1:02:51.480 --> 1:02:54.880
<v Speaker 1>church buts and then and then uh, we broke down.

1:02:55.000 --> 1:03:00.520
<v Speaker 1>We had the vans out in Marylanney always drive a

1:03:00.560 --> 1:03:01.960
<v Speaker 1>coach bus and you had to pay the money and

1:03:02.080 --> 1:03:04.240
<v Speaker 1>always be the people that he had the money. We

1:03:04.320 --> 1:03:07.240
<v Speaker 1>take the trip in in Milwaukee, we take the trip

1:03:07.320 --> 1:03:11.280
<v Speaker 1>to Great America. And then when I got to Maryland,

1:03:11.720 --> 1:03:14.360
<v Speaker 1>that's when we that's when it was six and you

1:03:14.440 --> 1:03:16.720
<v Speaker 1>get to go on the church six flashship or your

1:03:16.720 --> 1:03:18.280
<v Speaker 1>school was going to the trip and you got to

1:03:18.280 --> 1:03:21.440
<v Speaker 1>go to the summer church trip. Was cool because you

1:03:21.880 --> 1:03:24.240
<v Speaker 1>you might have made a little connection, got a little

1:03:24.760 --> 1:03:26.680
<v Speaker 1>little girlfriend. You know what I'm saying. You didn't know.

1:03:28.800 --> 1:03:30.760
<v Speaker 1>We went to your church and you just made somebody.

1:03:30.760 --> 1:03:32.560
<v Speaker 1>You might have been looking at the choir or something.

1:03:32.680 --> 1:03:37.600
<v Speaker 1>Now yeah, yeah, yeah. And when you got to six

1:03:37.680 --> 1:03:40.000
<v Speaker 1>Flags or whatever, where y'all is going, you know you

1:03:40.240 --> 1:03:42.280
<v Speaker 1>you want on your own, you know where you went

1:03:42.320 --> 1:03:49.360
<v Speaker 1>your way. You sitting next to her, her boyfriend to

1:03:49.400 --> 1:03:57.000
<v Speaker 1>the church because the church girls do a little bad

1:03:57.080 --> 1:04:00.240
<v Speaker 1>boys that used to be crazy. Actually became my girl friend.

1:04:00.320 --> 1:04:07.480
<v Speaker 1>But she cheated on me. She cheated on me. Connor

1:04:07.520 --> 1:04:09.120
<v Speaker 1>with the church, he was a good guy. I actually

1:04:09.200 --> 1:04:15.320
<v Speaker 1>became a really good friend. Um. But yeah, yeah, remember

1:04:15.360 --> 1:04:19.520
<v Speaker 1>the church. The church tis used to be lit. Everyone

1:04:19.560 --> 1:04:22.040
<v Speaker 1>on the church, So you're doing radio. I didn't grow

1:04:22.080 --> 1:04:30.000
<v Speaker 1>up the change, so um radio doing the radio. I've

1:04:30.040 --> 1:04:33.600
<v Speaker 1>actually been on your radio show. So congrats to that,

1:04:33.680 --> 1:04:36.640
<v Speaker 1>because radio is not easy. It's not because you think that, oh,

1:04:36.680 --> 1:04:38.520
<v Speaker 1>because when you watch more, you think you just get

1:04:38.600 --> 1:04:40.120
<v Speaker 1>to talk. But it was like, no, you have to

1:04:40.160 --> 1:04:43.400
<v Speaker 1>do segments. You have to have fifteen seconds to like

1:04:43.600 --> 1:04:48.000
<v Speaker 1>everything is just like, yeah, what's up? Names traffic up next? Okay,

1:04:48.080 --> 1:04:49.880
<v Speaker 1>make sure you're leaning into this, and then we need

1:04:49.960 --> 1:04:51.720
<v Speaker 1>to make sure you get to get the Walmart thing

1:04:51.800 --> 1:04:53.720
<v Speaker 1>in and then get the all that. Then you have

1:04:53.840 --> 1:04:56.640
<v Speaker 1>to make sure that people listening because they're going to

1:04:56.720 --> 1:04:58.880
<v Speaker 1>tune out, but you got to make sure that you

1:04:59.000 --> 1:05:02.240
<v Speaker 1>have to keep it. Like when I learned those metrics,

1:05:02.280 --> 1:05:03.920
<v Speaker 1>I was like, wait, what do that mean? And then

1:05:03.920 --> 1:05:06.280
<v Speaker 1>it was just like, yeah, that's the people who turned

1:05:06.320 --> 1:05:09.120
<v Speaker 1>but they always come back, So you have to wear radio.

1:05:09.520 --> 1:05:11.960
<v Speaker 1>They don't see you, they just hear you. So you

1:05:12.120 --> 1:05:15.120
<v Speaker 1>have to honestly go up to people that's least expected

1:05:15.360 --> 1:05:17.960
<v Speaker 1>to turn into you. I became the one that they

1:05:18.080 --> 1:05:21.120
<v Speaker 1>least expected to tune it. So I had an audience

1:05:21.560 --> 1:05:24.080
<v Speaker 1>because mind you. We're going from talk radio, so that's

1:05:24.120 --> 1:05:26.760
<v Speaker 1>mostly that's not black people. We don't want to listen

1:05:26.760 --> 1:05:29.440
<v Speaker 1>to people talk. And I think it was like sports

1:05:29.560 --> 1:05:31.040
<v Speaker 1>radio or whatever it was. So it was just like

1:05:31.440 --> 1:05:33.280
<v Speaker 1>they're going from the good old boys and the people

1:05:33.280 --> 1:05:36.479
<v Speaker 1>that like, I don't know why to coming into loud

1:05:36.560 --> 1:05:39.480
<v Speaker 1>mouth a little month. I kind it out next a

1:05:39.480 --> 1:05:42.080
<v Speaker 1>bog me and your ruling them. You feard me. So

1:05:42.160 --> 1:05:46.440
<v Speaker 1>it's going from regular to dag on their ratchet. But

1:05:46.600 --> 1:05:50.000
<v Speaker 1>it worked. It works. So how do you go from

1:05:50.520 --> 1:05:53.800
<v Speaker 1>how do you go from radio being successful at radio

1:05:54.560 --> 1:06:01.480
<v Speaker 1>to television? Just like honestly paying at jim M. I

1:06:01.600 --> 1:06:04.480
<v Speaker 1>always see. I don't even watch TV now, so I

1:06:04.560 --> 1:06:06.800
<v Speaker 1>don't know. But I always just like, as long as

1:06:06.840 --> 1:06:09.760
<v Speaker 1>I'm allowed to do me, I'm like, that's what people like,

1:06:10.040 --> 1:06:12.360
<v Speaker 1>let me be me, and that's what people like because

1:06:12.360 --> 1:06:14.240
<v Speaker 1>I'm like, that's real. When you try to make me

1:06:14.320 --> 1:06:17.120
<v Speaker 1>something I'm not or saying something that I don't want

1:06:17.120 --> 1:06:18.959
<v Speaker 1>to say, like trust me and this have like trust

1:06:19.000 --> 1:06:21.000
<v Speaker 1>me on this. I'm gonna give it my all, but

1:06:21.040 --> 1:06:23.480
<v Speaker 1>I'm gonna let you know that's not gonna work because

1:06:24.160 --> 1:06:27.960
<v Speaker 1>I've come from greatness, so I've like I've been through

1:06:28.000 --> 1:06:30.680
<v Speaker 1>the school of hard knocks. I learned. I learned basically

1:06:30.760 --> 1:06:33.160
<v Speaker 1>the hard way. But and everybody thinks it was easy

1:06:33.200 --> 1:06:35.960
<v Speaker 1>because it goes from John too Missy to Jay to

1:06:36.080 --> 1:06:38.440
<v Speaker 1>go to all of that stuff. But it's like I

1:06:38.600 --> 1:06:41.480
<v Speaker 1>was learning that whole time. So what I learned as

1:06:41.520 --> 1:06:44.200
<v Speaker 1>a teenager brought me into my adult life. So when

1:06:44.440 --> 1:06:45.720
<v Speaker 1>there was a lot of people, there was a lot

1:06:45.720 --> 1:06:47.320
<v Speaker 1>of artists, why is you doing ready, and why did

1:06:47.360 --> 1:06:49.840
<v Speaker 1>you do a TV? Your fans ain't gonna like you,

1:06:49.960 --> 1:06:51.720
<v Speaker 1>dada da da, because that makes you look a certain way.

1:06:51.760 --> 1:06:54.160
<v Speaker 1>I was like, oh, that ain't gonna like me. And

1:06:54.240 --> 1:06:56.280
<v Speaker 1>if they don't, I don't care. They're still gonna look.

1:06:57.200 --> 1:06:59.280
<v Speaker 1>So whether you like me, love me, hate me, you're

1:06:59.280 --> 1:07:01.680
<v Speaker 1>still gonna watch because it's gonna be real. And I

1:07:01.840 --> 1:07:04.440
<v Speaker 1>realized over the years the reason why people have always

1:07:04.800 --> 1:07:07.760
<v Speaker 1>gravitated to me to be like, yo, you keep that

1:07:07.920 --> 1:07:12.520
<v Speaker 1>just so real, like what you like When I get drunk,

1:07:12.520 --> 1:07:17.960
<v Speaker 1>I'm gonna turn this bit up. You are, ye, don't.

1:07:20.480 --> 1:07:22.760
<v Speaker 1>It's interesting because it's a conversation that Tank and I

1:07:22.880 --> 1:07:26.440
<v Speaker 1>have and we've had many times with his career. From

1:07:26.480 --> 1:07:29.000
<v Speaker 1>me being on the business side of his career and

1:07:29.160 --> 1:07:32.720
<v Speaker 1>me saying to him that when you have a gift,

1:07:33.240 --> 1:07:37.160
<v Speaker 1>a real gift, you can't over saturate a real gift

1:07:38.120 --> 1:07:40.960
<v Speaker 1>and there's no way to get away from that. Right,

1:07:41.000 --> 1:07:43.920
<v Speaker 1>So someone telling you, oh, they ain't gonna like this,

1:07:44.000 --> 1:07:47.120
<v Speaker 1>ain't gonna like that. No, you're just bringing more eyeballs

1:07:47.600 --> 1:07:51.680
<v Speaker 1>to your gift and you're actually enhancing it because now

1:07:51.800 --> 1:07:56.360
<v Speaker 1>you're giving your personality, which before social media was really

1:07:56.480 --> 1:08:02.880
<v Speaker 1>tough for the wait for Cything Horner to call somebody

1:08:03.360 --> 1:08:06.800
<v Speaker 1>knew you one way and you from from your videos

1:08:06.840 --> 1:08:09.240
<v Speaker 1>and your your outcome or if you was looking like

1:08:10.320 --> 1:08:12.959
<v Speaker 1>I was on Jay Lenno before I even had songs

1:08:12.960 --> 1:08:15.360
<v Speaker 1>that so Missy took me on it like and I

1:08:15.480 --> 1:08:22.439
<v Speaker 1>was like, man, have conversations, right, because the gift for

1:08:22.520 --> 1:08:25.080
<v Speaker 1>me was social media, you know what I'm saying and

1:08:25.160 --> 1:08:29.679
<v Speaker 1>actually going to meet people because people just assumed something

1:08:29.760 --> 1:08:34.200
<v Speaker 1>about me because of the preacher's kid, and he shouldn't

1:08:34.200 --> 1:08:36.840
<v Speaker 1>have done. Preachers preach mass me up a little bit.

1:08:37.080 --> 1:08:42.000
<v Speaker 1>But a legend industry style, a legend for a lot

1:08:42.040 --> 1:08:49.000
<v Speaker 1>of wrong things. But like let's talking about people. Aired.

1:08:50.200 --> 1:08:52.360
<v Speaker 1>The media brought it back essential media. People got to

1:08:52.400 --> 1:08:56.920
<v Speaker 1>see my personality, which is the one thing missing from

1:08:57.400 --> 1:09:01.280
<v Speaker 1>you know, all of my photos and and probably my music.

1:09:01.360 --> 1:09:03.519
<v Speaker 1>It wasn't well rounded in terms of you know, who

1:09:03.600 --> 1:09:07.600
<v Speaker 1>I really am. You know, all they saw was you

1:09:07.640 --> 1:09:12.479
<v Speaker 1>know what I'm saying, That's all they saw. You said,

1:09:12.479 --> 1:09:15.080
<v Speaker 1>you can't trust the nigga who bites his mouth to

1:09:15.160 --> 1:09:17.559
<v Speaker 1>make it so look skinny to you. Watch the niggas

1:09:17.560 --> 1:09:22.960
<v Speaker 1>who do that. I'm not saying that you were just doing.

1:09:23.640 --> 1:09:27.479
<v Speaker 1>Those niggers that do this, they can't be trusted. I

1:09:27.600 --> 1:09:30.880
<v Speaker 1>can't be trusted. Okay, just remember that I got sisters

1:09:30.920 --> 1:09:37.000
<v Speaker 1>and I got a daughter, so I be looking at looking.

1:09:38.720 --> 1:09:42.679
<v Speaker 1>If a nigga's doo lander's face can't trusted, you can't trusted.

1:09:44.920 --> 1:09:47.800
<v Speaker 1>People would meet me and be like you are not

1:09:48.000 --> 1:09:50.960
<v Speaker 1>what I expected. Because as soon as I walk in up,

1:09:51.240 --> 1:09:54.040
<v Speaker 1>what's happened? What we're doing? Okay? We even sandwiches? Who

1:09:54.120 --> 1:09:57.000
<v Speaker 1>needs a sandwich? I'm passing out the sandwiches at the luncheon?

1:09:57.000 --> 1:09:59.479
<v Speaker 1>Who needs drinks? I got the ice team? You want

1:09:59.600 --> 1:10:02.680
<v Speaker 1>sun that's got you like on that and then like

1:10:03.640 --> 1:10:06.040
<v Speaker 1>you're great, Yeah I thought you were in that. That's

1:10:06.080 --> 1:10:08.720
<v Speaker 1>what I mean. That crazy. So many times when I

1:10:08.760 --> 1:10:11.599
<v Speaker 1>first started working with Tank. Really it was like, wow, dude,

1:10:11.600 --> 1:10:16.400
<v Speaker 1>this dude like he mean and always got shirt off,

1:10:17.240 --> 1:10:22.320
<v Speaker 1>like bro the nigga coolest hell. But nobody knew that

1:10:22.439 --> 1:10:25.040
<v Speaker 1>because they only saw the album coverage, the videos and

1:10:25.160 --> 1:10:27.720
<v Speaker 1>heard the song and they and they saw Preacher's Kid.

1:10:29.160 --> 1:10:33.400
<v Speaker 1>Those are the things. Those are like you watch kid again,

1:10:34.120 --> 1:10:37.800
<v Speaker 1>watch again. I get it. Yeah it was, but I

1:10:37.880 --> 1:10:42.960
<v Speaker 1>mean god in that you feel like your television moment

1:10:43.080 --> 1:10:46.320
<v Speaker 1>was an opportunity for people to actually see all of

1:10:46.439 --> 1:10:49.559
<v Speaker 1>your personality and not just hear you. Yeah, they get

1:10:49.640 --> 1:10:53.120
<v Speaker 1>to see actually like why it was so aggressive and

1:10:53.200 --> 1:11:00.760
<v Speaker 1>then I realized, you know when yeah, that's what I

1:11:00.880 --> 1:11:05.280
<v Speaker 1>heard was she did this. That's but that's the one

1:11:05.320 --> 1:11:09.880
<v Speaker 1>that just makes it feel like that's ever had a

1:11:09.960 --> 1:11:18.080
<v Speaker 1>bop off a little Kim. I need to have one

1:11:18.120 --> 1:11:20.960
<v Speaker 1>of these because it was just like that Joe like

1:11:21.400 --> 1:11:23.519
<v Speaker 1>even to this day was something I'm like, who, no

1:11:23.760 --> 1:11:32.880
<v Speaker 1>other girls maybe total maybe total total, Yeah, but people

1:11:33.120 --> 1:11:35.600
<v Speaker 1>really just bop they would because I came from you

1:11:35.640 --> 1:11:37.760
<v Speaker 1>know side, that's not I always hated that, so I

1:11:37.840 --> 1:11:43.920
<v Speaker 1>always looked the one always. Actually I was allowed to

1:11:43.960 --> 1:11:47.400
<v Speaker 1>do that with John Pie Kid Jump. Yeah, you could

1:11:47.400 --> 1:11:49.400
<v Speaker 1>be like no, you could be you could be youthful,

1:11:49.439 --> 1:11:51.960
<v Speaker 1>you could be a young person. They was jumping at

1:11:51.960 --> 1:11:55.680
<v Speaker 1>your stage. I was like John concerts. Those concerts we

1:11:55.680 --> 1:11:58.479
<v Speaker 1>would actually wear street clothes. Yeah, and that was like

1:11:58.680 --> 1:12:00.720
<v Speaker 1>kind of frowned upon church, you know what I'm saying.

1:12:00.760 --> 1:12:02.840
<v Speaker 1>But we got to dress how we wanted to dress

1:12:02.880 --> 1:12:04.560
<v Speaker 1>to come to a John p Key concert, and we

1:12:04.640 --> 1:12:08.000
<v Speaker 1>got to turn up, turn up, and he would mix

1:12:08.160 --> 1:12:11.720
<v Speaker 1>in you know a lot of the secular music with

1:12:11.880 --> 1:12:13.800
<v Speaker 1>the band playing certain stuff, and we'd be like this

1:12:13.920 --> 1:12:18.120
<v Speaker 1>the oh my god, this is crazy, and they would

1:12:18.200 --> 1:12:31.400
<v Speaker 1>know me should go to the like, oh God, just

1:12:31.560 --> 1:12:36.640
<v Speaker 1>imagined being in church, but not really in church, you

1:12:36.680 --> 1:12:38.080
<v Speaker 1>know what I'm saying. It was like they gave you

1:12:38.160 --> 1:12:42.600
<v Speaker 1>outside of love, that a lot of outside something. I

1:12:42.720 --> 1:12:45.280
<v Speaker 1>just grew up in the wrong place, man, like he

1:12:45.439 --> 1:12:46.720
<v Speaker 1>just if I would have grew up like in the

1:12:46.800 --> 1:12:50.200
<v Speaker 1>South for the middle. But all of those churches didn't

1:12:50.200 --> 1:12:53.000
<v Speaker 1>have all of us, all all of our probably our

1:12:53.080 --> 1:13:00.280
<v Speaker 1>home churches basic they were basic. My church was traditional, basically, Yeah,

1:13:00.560 --> 1:13:03.519
<v Speaker 1>my church. Some of the you know, some of the

1:13:03.600 --> 1:13:06.200
<v Speaker 1>breaking of the traditions in my church. It was me

1:13:07.560 --> 1:13:10.160
<v Speaker 1>and that was from me going to see John b

1:13:10.280 --> 1:13:12.120
<v Speaker 1>KEI and hanging out with John Pike and listening to

1:13:12.280 --> 1:13:14.519
<v Speaker 1>John like and listening to the commission like that was

1:13:14.720 --> 1:13:19.439
<v Speaker 1>me trying to break those traditions and say, man, we kids, Man, yeah,

1:13:19.880 --> 1:13:23.200
<v Speaker 1>why do we have to listen? Don't pay the risk.

1:13:33.240 --> 1:13:36.360
<v Speaker 1>But we would do that in church. Absolutely, I'll be

1:13:36.439 --> 1:13:39.080
<v Speaker 1>playing all sorts of stuff they're offering and maybe like

1:13:39.360 --> 1:13:40.880
<v Speaker 1>but then they'll be like, oh, we know what that is,

1:13:41.200 --> 1:13:44.600
<v Speaker 1>but you supposed to be deep save spooky, how do

1:13:44.600 --> 1:13:47.320
<v Speaker 1>you know what it is? So but what's crazy is

1:13:47.400 --> 1:13:49.360
<v Speaker 1>is that I'm trying to think who broke it down? Man?

1:13:49.360 --> 1:13:51.640
<v Speaker 1>I think it was Joe Wilson because I was like,

1:13:52.000 --> 1:13:55.000
<v Speaker 1>he plays like he played. I told him one time.

1:13:55.040 --> 1:13:57.439
<v Speaker 1>I was like, I said, don't take this the wrong way.

1:13:58.160 --> 1:14:06.919
<v Speaker 1>Your gift is Lucifer Eric. He's like, wait, Lucifer became Satan.

1:14:07.439 --> 1:14:12.000
<v Speaker 1>He was the most beautiful. Yeah, he walked in music dripped.

1:14:12.680 --> 1:14:17.080
<v Speaker 1>They said he walked in the set music drip. He

1:14:17.280 --> 1:14:23.360
<v Speaker 1>walked and it was a sound. So you're Delucifer. I'm

1:14:23.400 --> 1:14:26.280
<v Speaker 1>just like, nah, that was the most beautiful. But he

1:14:26.360 --> 1:14:28.599
<v Speaker 1>got so caught up. That's why I's like with this industry,

1:14:29.479 --> 1:14:35.960
<v Speaker 1>they come on this industry. You can come in if

1:14:36.000 --> 1:14:38.920
<v Speaker 1>you come in. That's why I learned to have tough skin,

1:14:39.479 --> 1:14:41.720
<v Speaker 1>and I get it. I came in just like just

1:14:41.800 --> 1:14:44.240
<v Speaker 1>wanted to work. Oh my god, I could say, and

1:14:44.360 --> 1:14:47.920
<v Speaker 1>that's how you get taking advantage of So now I

1:14:48.000 --> 1:14:50.320
<v Speaker 1>get it. If you come and smiling, the hippy and

1:14:50.479 --> 1:14:56.000
<v Speaker 1>excite it, they're literally devout. I've seen people devour and

1:14:56.000 --> 1:14:59.080
<v Speaker 1>I'm like, damn SI And I always thought, oh my god,

1:14:59.160 --> 1:15:01.639
<v Speaker 1>they're gonna pass me, because why am I still here?

1:15:02.479 --> 1:15:06.160
<v Speaker 1>Because I survived, not only to turn up what was in,

1:15:06.439 --> 1:15:09.000
<v Speaker 1>what was in parted and placed into me as a

1:15:09.120 --> 1:15:12.320
<v Speaker 1>child and as a team. It carried over to to

1:15:13.040 --> 1:15:16.560
<v Speaker 1>this day. Now forget it. So it was, it was,

1:15:16.720 --> 1:15:19.360
<v Speaker 1>it was. It was never your last. It was you were.

1:15:19.439 --> 1:15:24.640
<v Speaker 1>You were given an extension on you because let me

1:15:24.720 --> 1:15:28.120
<v Speaker 1>tell you something about you. We talked about me. Let

1:15:28.200 --> 1:15:30.160
<v Speaker 1>me just tell you this, because you want to know

1:15:30.200 --> 1:15:31.720
<v Speaker 1>why I asked you a question so many times. I

1:15:31.840 --> 1:15:34.680
<v Speaker 1>was just like, I don't think like people like us,

1:15:35.080 --> 1:15:38.960
<v Speaker 1>We don't realize our gifts have not only changed lives,

1:15:39.040 --> 1:15:43.400
<v Speaker 1>but it's changed the world. Your music has changed my

1:15:43.520 --> 1:15:47.920
<v Speaker 1>life because nobody sings like that. You could do what

1:15:48.000 --> 1:15:50.800
<v Speaker 1>they did. They can't do what you did. So I

1:15:50.920 --> 1:15:52.640
<v Speaker 1>listened to people, I'm like, yoah, that's all take and

1:15:52.680 --> 1:15:54.639
<v Speaker 1>I'll tell you off the record. I was like, child,

1:15:55.120 --> 1:16:00.800
<v Speaker 1>that's that's his whole sound. There's a sound. So when

1:16:00.840 --> 1:16:04.000
<v Speaker 1>we hear you, we know it's you, even if it's

1:16:04.000 --> 1:16:09.880
<v Speaker 1>somebody else. Tryes. Yeah, trust me. People to have awards

1:16:10.360 --> 1:16:12.800
<v Speaker 1>that it will take up this whole run if it

1:16:12.920 --> 1:16:17.000
<v Speaker 1>wasn't for taking this the note. Yeah, so I get it,

1:16:18.280 --> 1:16:21.080
<v Speaker 1>and they'll never and if we was probably a different

1:16:21.120 --> 1:16:25.240
<v Speaker 1>color that would give you all the praise. But that's

1:16:25.280 --> 1:16:28.120
<v Speaker 1>a whole, another whole, another bag. But that's that's what

1:16:28.200 --> 1:16:30.479
<v Speaker 1>I'm saying. I've seen people I'm just like, wait, man

1:16:30.800 --> 1:16:33.640
<v Speaker 1>adds they're doing okay, they say that's church. This is

1:16:34.080 --> 1:16:38.200
<v Speaker 1>I literally dumbed down my gift because I was like,

1:16:38.240 --> 1:16:42.640
<v Speaker 1>I don't sound like that, but y'all come on, now,

1:16:43.160 --> 1:16:45.560
<v Speaker 1>we wasn't when Johnny was passing that, Mike, that's the

1:16:45.600 --> 1:16:47.439
<v Speaker 1>air I come from. When it was passing, that might

1:16:47.560 --> 1:16:49.080
<v Speaker 1>let you come out with that damn giving it to

1:16:49.120 --> 1:16:53.240
<v Speaker 1>you no more so what they considered now, oh my god,

1:16:53.320 --> 1:16:55.840
<v Speaker 1>that's bullying, that's traumatizing. No, it wasn't it built character

1:16:56.120 --> 1:17:02.880
<v Speaker 1>period period. We were tried by fire, fire fire as kids.

1:17:08.320 --> 1:17:11.200
<v Speaker 1>I had to get that out. But that's not true.

1:17:11.600 --> 1:17:15.800
<v Speaker 1>We were tried by fire. You're not you're not good

1:17:15.960 --> 1:17:18.240
<v Speaker 1>enough to be up here. Have a seat. You're not leading,

1:17:18.320 --> 1:17:27.920
<v Speaker 1>no solo, have a seat. Abundant came, you're ready, say

1:17:27.960 --> 1:17:33.560
<v Speaker 1>you off. You're really off, because you were because I was.

1:17:35.800 --> 1:17:39.240
<v Speaker 1>You're flat. You're flat. Remember. Don't you get up there

1:17:39.479 --> 1:17:41.479
<v Speaker 1>and they call you the sing a solo and be

1:17:41.560 --> 1:17:43.320
<v Speaker 1>like I don't want to saying it's like you better

1:17:43.360 --> 1:17:45.320
<v Speaker 1>sing or else. The Lord is gonna give your voice

1:17:45.360 --> 1:17:50.880
<v Speaker 1>to someone else. God sence we got listen. I don't

1:17:50.880 --> 1:17:56.200
<v Speaker 1>know what this. That's what they call it. Tell me

1:17:56.320 --> 1:18:00.040
<v Speaker 1>and I don't want them to get They ensured like

1:18:00.160 --> 1:18:02.840
<v Speaker 1>you got. You had to be you had to be tough.

1:18:03.000 --> 1:18:06.679
<v Speaker 1>You had to be just born of something different to survive.

1:18:07.240 --> 1:18:10.920
<v Speaker 1>We want people like remember they said Maddie Moore shoes

1:18:10.920 --> 1:18:14.760
<v Speaker 1>at though tennis ball, that she is. We they don't know.

1:18:15.040 --> 1:18:17.519
<v Speaker 1>You're like the lost member of the Clark sisters. I

1:18:17.760 --> 1:18:19.680
<v Speaker 1>think I was. I think I was the cat. I

1:18:19.760 --> 1:18:28.640
<v Speaker 1>was like like Derren Clark. I used to think, and

1:18:28.720 --> 1:18:32.160
<v Speaker 1>that leads to a song that a lot of people

1:18:32.240 --> 1:18:37.880
<v Speaker 1>don't know about. Listen. Listen, there's a song called Endowed

1:18:37.960 --> 1:18:45.920
<v Speaker 1>Me with You, Faith Evans, Fantasia Coco who song It

1:18:46.080 --> 1:18:49.040
<v Speaker 1>is okay like that a lot of people don't know,

1:18:49.200 --> 1:18:55.320
<v Speaker 1>but it's like the Clark Sisters to me. When I

1:18:55.400 --> 1:18:57.719
<v Speaker 1>heard that record, I was like, Oh, this is okay.

1:18:57.760 --> 1:19:01.160
<v Speaker 1>Whoever decided we're gonna call these It was a Cocoa

1:19:01.240 --> 1:19:02.840
<v Speaker 1>that was like, these are the these are the voices

1:19:02.880 --> 1:19:04.439
<v Speaker 1>that I'm calling. I know when I got to call

1:19:04.560 --> 1:19:09.519
<v Speaker 1>Phil Thornton. He called me. He was like, hey, um,

1:19:10.120 --> 1:19:12.479
<v Speaker 1>we're doing this record. So I know they had asked

1:19:12.520 --> 1:19:14.640
<v Speaker 1>other producers to do it, but I don't know if

1:19:14.680 --> 1:19:17.280
<v Speaker 1>people saw the vision. So he was like, hey, can

1:19:17.320 --> 1:19:19.680
<v Speaker 1>you flyt up? When was? It was a Tennessee web

1:19:19.920 --> 1:19:22.679
<v Speaker 1>A sap Ward produced it. So I sang the whole

1:19:22.760 --> 1:19:25.400
<v Speaker 1>record in his entirety, and then he bought Faith in

1:19:25.520 --> 1:19:30.240
<v Speaker 1>and everybody did their separate parts. So the original reference

1:19:31.560 --> 1:19:35.000
<v Speaker 1>was me, and I was just like because I always

1:19:35.040 --> 1:19:37.840
<v Speaker 1>thought I was a clerk, So Coco wanted me on

1:19:37.880 --> 1:19:40.720
<v Speaker 1>the record. I was just like, yo, I called Fantasia,

1:19:40.840 --> 1:19:42.360
<v Speaker 1>you know you gotta get on this jump. So then

1:19:42.400 --> 1:19:45.360
<v Speaker 1>it just became an effect. I know Phil was working

1:19:45.439 --> 1:19:47.519
<v Speaker 1>with Faith at the time, so he called her and

1:19:47.600 --> 1:19:49.720
<v Speaker 1>but I called fantag like, you need to get on this.

1:19:51.040 --> 1:19:54.360
<v Speaker 1>Coco is my first placement, really, my first placement in

1:19:54.360 --> 1:19:56.840
<v Speaker 1>the music business as a songwriter. A song called so

1:19:56.960 --> 1:19:59.639
<v Speaker 1>Hard to Say Goodbye that I wrote for the Hot

1:19:59.680 --> 1:20:04.040
<v Speaker 1>Coco album. It's my first placement as a songwriter ever.

1:20:04.280 --> 1:20:07.000
<v Speaker 1>What's crazy is Coco come from We all from church

1:20:07.479 --> 1:20:09.680
<v Speaker 1>and she grew up in the Bronx. I've never met

1:20:09.720 --> 1:20:13.360
<v Speaker 1>her though, really, which makes it even crazy. Never met

1:20:14.400 --> 1:20:17.479
<v Speaker 1>to this day, I never met Cocoa. She's the coolest,

1:20:17.560 --> 1:20:21.599
<v Speaker 1>Like you know what I am. I'll be in bad

1:20:21.800 --> 1:20:29.280
<v Speaker 1>be onside, like, oh man, she's the coolest. She gonna

1:20:29.320 --> 1:20:30.720
<v Speaker 1>she's gonna hear this and she's gonna be like, Yo,

1:20:30.800 --> 1:20:34.479
<v Speaker 1>that's crazy and yeah, and I got to shoot, that's

1:20:34.520 --> 1:20:37.200
<v Speaker 1>like so crazy. Yeah. I love that record though, and

1:20:37.240 --> 1:20:39.320
<v Speaker 1>that's why that's why I mentioned it. And for me

1:20:39.600 --> 1:20:42.280
<v Speaker 1>it was it was like listening to the Clark sisters,

1:20:42.680 --> 1:20:46.720
<v Speaker 1>like y'all voices together special but see asap like he

1:20:46.880 --> 1:20:49.360
<v Speaker 1>wasn't playing and I was scared. When I'm gonna tell

1:20:49.400 --> 1:20:51.680
<v Speaker 1>you one another crazy thing is. I was just like,

1:20:51.880 --> 1:20:54.320
<v Speaker 1>I was scared to sing it because I knew that

1:20:54.400 --> 1:20:57.400
<v Speaker 1>ASP used to play for Kim Barell, and I was like, listen,

1:20:57.400 --> 1:20:59.040
<v Speaker 1>I'm doing this. I don't see like, no, Kim Brew

1:20:59.240 --> 1:21:02.840
<v Speaker 1>a singer. No. And I went outside and I was

1:21:02.920 --> 1:21:05.080
<v Speaker 1>like smoking weed that session to singing and down me

1:21:05.479 --> 1:21:08.600
<v Speaker 1>because I was nervouing, you know what I was like,

1:21:08.680 --> 1:21:13.599
<v Speaker 1>And it was the weed. It calmed me. I don't

1:21:13.640 --> 1:21:15.479
<v Speaker 1>even know. I think my assistant at the time. I

1:21:15.600 --> 1:21:17.840
<v Speaker 1>was like, where how do we get weed from Baltimore

1:21:17.880 --> 1:21:20.680
<v Speaker 1>to whoever we was? But it calmed me and I

1:21:20.800 --> 1:21:22.479
<v Speaker 1>was able to do I was like, listen, I can't

1:21:22.520 --> 1:21:24.280
<v Speaker 1>do none of that stuff. Kimbarell DoD He's like, you

1:21:24.320 --> 1:21:26.320
<v Speaker 1>don't have to. I want you to do what you

1:21:26.439 --> 1:21:31.000
<v Speaker 1>did and the rest is history. So it's like, yeah,

1:21:31.320 --> 1:21:37.439
<v Speaker 1>if anybody's watching this, go listen to that. Please go

1:21:37.680 --> 1:21:42.280
<v Speaker 1>listen to that record, because these women are going crazy

1:21:42.600 --> 1:21:51.040
<v Speaker 1>on that record. Y'all are cooking Lina's bro Coco, Faith Evans, Fantasia,

1:21:51.640 --> 1:21:59.840
<v Speaker 1>and Sassy Sea. Little wisdom I would give you good

1:22:01.360 --> 1:22:04.160
<v Speaker 1>was sexy. It wasn't a little wisdom, it was your wisdom.

1:22:05.320 --> 1:22:10.320
<v Speaker 1>A little moment okay, I'm confusing a young widow sassy

1:22:10.920 --> 1:22:15.600
<v Speaker 1>ce so so man So, first of all, thank you

1:22:15.720 --> 1:22:20.479
<v Speaker 1>for your energy at my album released in Miami. Um,

1:22:21.840 --> 1:22:23.960
<v Speaker 1>that was just crazy. It's like that little bos about

1:22:23.960 --> 1:22:28.960
<v Speaker 1>to climb over. That's the climb. You gotta say, get it.

1:22:31.600 --> 1:22:36.040
<v Speaker 1>She probably remember I don't show me nothing, something like

1:22:36.080 --> 1:22:37.960
<v Speaker 1>you're gonna pull a ham strength if you jumped this.

1:22:38.240 --> 1:22:40.519
<v Speaker 1>I don't know what's crazy. After like three days he

1:22:40.640 --> 1:22:43.360
<v Speaker 1>was like you was like, I was like, you can't hear.

1:22:43.439 --> 1:22:46.160
<v Speaker 1>You're left here, Yeah, you can't hear? Said, nope, you

1:22:46.320 --> 1:22:52.000
<v Speaker 1>can't hear. I think she said, who told you that?

1:22:52.400 --> 1:22:55.160
<v Speaker 1>I said more, I can't, but who said it? I said,

1:22:55.600 --> 1:22:59.800
<v Speaker 1>I can't hear? But when were you told this? I can't.

1:23:00.320 --> 1:23:09.200
<v Speaker 1>I'm telling you right, I don't believe you. Jesus ain't

1:23:09.240 --> 1:23:13.479
<v Speaker 1>the way he's singing like that and he can't hear. No,

1:23:13.640 --> 1:23:15.479
<v Speaker 1>let me tell you this. This is a real storm

1:23:15.560 --> 1:23:20.360
<v Speaker 1>right here. You're ready go deep. I pay his attention. Okay,

1:23:20.840 --> 1:23:24.080
<v Speaker 1>I watched you on stage. You're saying from monitors, people

1:23:24.120 --> 1:23:25.760
<v Speaker 1>don't do that. They're putting them things in that and

1:23:25.800 --> 1:23:28.840
<v Speaker 1>them things make me like them. I'm like, I can't

1:23:28.880 --> 1:23:32.040
<v Speaker 1>do that you sing from monitors, So if you can't,

1:23:33.280 --> 1:23:37.160
<v Speaker 1>that's unheard of. I just I just I made the adjustment.

1:23:37.240 --> 1:23:41.479
<v Speaker 1>I trained myself to be able to process all of

1:23:41.560 --> 1:23:44.080
<v Speaker 1>it in my one ear. So the problem with me

1:23:44.400 --> 1:23:48.280
<v Speaker 1>and inn ears is that if there are no crowd mix,

1:23:48.800 --> 1:23:53.799
<v Speaker 1>I do disconnected. So yeah, if we have crowd mix,

1:23:54.280 --> 1:23:57.760
<v Speaker 1>then I'm with it because I I kind of I

1:23:57.880 --> 1:24:00.800
<v Speaker 1>thrive off of, you know, crowd in the action. If

1:24:00.800 --> 1:24:02.439
<v Speaker 1>I hear something over here, I want to respond to it.

1:24:02.439 --> 1:24:03.640
<v Speaker 1>If I hear something over here or you know what

1:24:03.640 --> 1:24:05.560
<v Speaker 1>I'm saying, like I want to get into all of

1:24:05.600 --> 1:24:07.840
<v Speaker 1>these don't want your singing. I just don't want to

1:24:08.280 --> 1:24:11.360
<v Speaker 1>run through the motions of my show like I want

1:24:11.400 --> 1:24:13.080
<v Speaker 1>to be. I want to be involved with the people,

1:24:13.080 --> 1:24:15.960
<v Speaker 1>So I can't sartist over are just trying to get

1:24:15.960 --> 1:24:17.880
<v Speaker 1>in and get hello, how many song to sing? A

1:24:17.920 --> 1:24:21.880
<v Speaker 1>piece of a song? And you'd be like, yeah, I mean,

1:24:21.960 --> 1:24:26.000
<v Speaker 1>I don't I understand people go through things. But one

1:24:26.040 --> 1:24:29.800
<v Speaker 1>thing I respect about you is that it was like

1:24:29.880 --> 1:24:33.000
<v Speaker 1>a hundred fifty degrees out there that day, and I

1:24:33.120 --> 1:24:35.240
<v Speaker 1>was like, let me know when he got two songs left,

1:24:35.280 --> 1:24:37.599
<v Speaker 1>because this letout is gonna be crazy. And so they

1:24:37.640 --> 1:24:40.160
<v Speaker 1>tell me. So I walked now slow because I'm like, no,

1:24:40.439 --> 1:24:42.599
<v Speaker 1>I want to hear these songs because once I get

1:24:42.640 --> 1:24:44.560
<v Speaker 1>in my bag, I'm not gonna remember nothing. But I

1:24:44.680 --> 1:24:47.880
<v Speaker 1>was just like, you was singing in the heat, which

1:24:48.000 --> 1:24:51.360
<v Speaker 1>humidity usually take people through out, like I'm not trying

1:24:51.360 --> 1:24:58.360
<v Speaker 1>to really yeah, like but you okay? And I'm like really,

1:24:58.400 --> 1:25:01.600
<v Speaker 1>not trying to disrespect nobody, but it's just like, I'm like,

1:25:02.160 --> 1:25:05.439
<v Speaker 1>I've never seen you have an off day, but I've

1:25:05.479 --> 1:25:07.640
<v Speaker 1>seen people I literally saw on the internet the other week.

1:25:07.720 --> 1:25:09.920
<v Speaker 1>They was like somebody sang three songs and it was like,

1:25:09.960 --> 1:25:12.320
<v Speaker 1>you know what I'm hors you don't get you a

1:25:12.360 --> 1:25:16.559
<v Speaker 1>goddamn and Hella and steam or pre recording vocals. Don't

1:25:16.640 --> 1:25:18.720
<v Speaker 1>you have these people fly out here and talk about you.

1:25:20.640 --> 1:25:25.240
<v Speaker 1>I was gonna cancel that. Really, I had been I

1:25:25.320 --> 1:25:29.840
<v Speaker 1>had been singing, going crazy, doing promo everything for weeks

1:25:30.040 --> 1:25:32.880
<v Speaker 1>and my voice was shot. I felt like I have

1:25:33.000 --> 1:25:35.200
<v Speaker 1>none left, man, I might have to end up canceling

1:25:35.360 --> 1:25:38.519
<v Speaker 1>canceling open. And he was like, I mean, if you're tired, man,

1:25:38.560 --> 1:25:39.880
<v Speaker 1>if you can't do it, you can't do it. And

1:25:39.960 --> 1:25:42.160
<v Speaker 1>I was like, I'm gonna just see how I feel,

1:25:42.840 --> 1:25:46.040
<v Speaker 1>you know, once I get there and so you know,

1:25:46.280 --> 1:25:48.040
<v Speaker 1>I just got chilled a little bit. I had a

1:25:48.040 --> 1:25:52.080
<v Speaker 1>little throat coot, but um um the red bull. I

1:25:52.160 --> 1:25:53.680
<v Speaker 1>was like, let me see where the red bull get me?

1:25:53.680 --> 1:25:57.920
<v Speaker 1>Because the red bully. And then I had a little

1:25:58.000 --> 1:26:00.599
<v Speaker 1>halls and anybody got a halls was I had halls

1:26:00.680 --> 1:26:03.320
<v Speaker 1>on me? Give me the halls. I was like, me, me, me, me,

1:26:03.640 --> 1:26:13.479
<v Speaker 1>me me. I got a little I got a little bit. Yeah,

1:26:14.600 --> 1:26:16.960
<v Speaker 1>just turned that car and it started up a little bit.

1:26:16.960 --> 1:26:19.000
<v Speaker 1>I was like, I got a little left. I was like,

1:26:19.120 --> 1:26:20.439
<v Speaker 1>let's go do it. You know what I'm saying. And

1:26:20.840 --> 1:26:24.200
<v Speaker 1>like for me, like you know, I sing hard. You

1:26:24.200 --> 1:26:27.720
<v Speaker 1>know what I'm saying, so pushing through is this is

1:26:27.760 --> 1:26:31.200
<v Speaker 1>nothing new to me. You know what I'm saying. He's

1:26:31.200 --> 1:26:34.600
<v Speaker 1>also a great adjuster exactly, so you'll you'll know, like

1:26:34.760 --> 1:26:38.360
<v Speaker 1>jail no, because he knows how high I can sing. Yeah,

1:26:38.600 --> 1:26:41.120
<v Speaker 1>and when I'm not when I'm not here and I'm

1:26:41.160 --> 1:26:43.320
<v Speaker 1>down here in this little roles, you will never find

1:26:46.840 --> 1:26:48.960
<v Speaker 1>like when I'm down there here like this, yeah just

1:26:49.040 --> 1:26:50.519
<v Speaker 1>look cooked. And I was like, yeah, I was cool.

1:26:53.080 --> 1:26:57.639
<v Speaker 1>I know, do y'all like this? This is the podcast

1:26:57.760 --> 1:27:11.479
<v Speaker 1>is lit but energy like yeast, Like I want to

1:27:11.520 --> 1:27:15.120
<v Speaker 1>see that though, like because that's a vibe. That's a vibe.

1:27:15.120 --> 1:27:17.240
<v Speaker 1>But I'm just like sometimes I like, I'm all for

1:27:17.520 --> 1:27:19.960
<v Speaker 1>giving people their flowers while they could smell them, and

1:27:20.040 --> 1:27:22.200
<v Speaker 1>I'm always a flower gifing. I like, hey, no, I'll

1:27:22.240 --> 1:27:24.160
<v Speaker 1>never give me mine. I don't look for people to

1:27:24.200 --> 1:27:27.240
<v Speaker 1>get exalted anymore like the real ones. So you saying

1:27:27.320 --> 1:27:30.479
<v Speaker 1>to me like you've been able to rock tempos like,

1:27:31.240 --> 1:27:33.400
<v Speaker 1>and I'll just be like, that's a flower and I

1:27:33.880 --> 1:27:37.080
<v Speaker 1>always hold onto that forever. But to see you like,

1:27:37.479 --> 1:27:39.519
<v Speaker 1>I'm like, when you just imagine when you want to

1:27:39.600 --> 1:27:41.800
<v Speaker 1>hunt it, child, I probably would have. I haven't been

1:27:41.840 --> 1:27:46.760
<v Speaker 1>on a hunt in a long time, really, now, let

1:27:46.840 --> 1:27:48.599
<v Speaker 1>me tell you this. And I was wondering, like when

1:27:48.640 --> 1:27:50.320
<v Speaker 1>I was seeing all the stuff on social media, was like,

1:27:50.400 --> 1:27:53.000
<v Speaker 1>I like the way the strategically he probably recorded this

1:27:53.080 --> 1:27:56.720
<v Speaker 1>week before, Like you was doing shows, you was in Baltimore,

1:27:56.920 --> 1:28:03.360
<v Speaker 1>you was everywhere. Then I saw you singing Come with Jamie.

1:28:03.479 --> 1:28:06.040
<v Speaker 1>Yeah that was a long time ago. Yeah, that was

1:28:06.040 --> 1:28:07.960
<v Speaker 1>a long time ago. But the fact that I was

1:28:08.080 --> 1:28:11.840
<v Speaker 1>just like you were everywhere and listen some of it

1:28:12.080 --> 1:28:16.040
<v Speaker 1>was us, you know, putting things together in pieces and assets,

1:28:16.080 --> 1:28:18.840
<v Speaker 1>and some of it was just the universe like just

1:28:19.040 --> 1:28:21.439
<v Speaker 1>like it's sprinkled. It's time to you know, put us

1:28:21.640 --> 1:28:24.640
<v Speaker 1>drop some tank content. Drop the tank content. Um. And

1:28:24.960 --> 1:28:26.960
<v Speaker 1>so I'm just I'm just thankful to the universe and

1:28:27.000 --> 1:28:30.080
<v Speaker 1>the people who just lended that to us. Um. So

1:28:30.200 --> 1:28:34.240
<v Speaker 1>we were just on the show singing, you know, singing good.

1:28:34.520 --> 1:28:37.960
<v Speaker 1>You know what I'm saying. Um, still having it very

1:28:38.040 --> 1:28:42.719
<v Speaker 1>tapped into our our youthful presence and our youthful gifts. Okay,

1:28:42.760 --> 1:28:48.200
<v Speaker 1>we're still here. What is what is little more doing

1:28:49.160 --> 1:28:51.800
<v Speaker 1>now and moving forward? What is the plan? What is

1:28:51.840 --> 1:28:56.200
<v Speaker 1>it called? Honestly, I'm back to the sacrificial lamb. I'm

1:28:56.800 --> 1:28:59.600
<v Speaker 1>extending my time. So my son is thirteen, that was

1:28:59.640 --> 1:29:02.560
<v Speaker 1>sing these niggas under a bus, but he wants to

1:29:02.600 --> 1:29:04.640
<v Speaker 1>be a rapper because he said nobody sings anymore and

1:29:04.680 --> 1:29:06.519
<v Speaker 1>they keep on saying R and B is dead, but

1:29:06.680 --> 1:29:12.639
<v Speaker 1>it's not. It's not. I'm just like, no, you should

1:29:12.680 --> 1:29:17.320
<v Speaker 1>sing your last longer. So he'd rather be I didn't

1:29:17.360 --> 1:29:20.680
<v Speaker 1>do that, and I was like, I told him that

1:29:21.120 --> 1:29:23.120
<v Speaker 1>he doesn't listen to me. So I told him to

1:29:23.200 --> 1:29:26.559
<v Speaker 1>remake a specific song because I'm just like he came

1:29:26.560 --> 1:29:29.120
<v Speaker 1>out the womb singing. One time he cried in church

1:29:29.200 --> 1:29:31.200
<v Speaker 1>and Kimberrells there. She was like, whose baby is that?

1:29:31.320 --> 1:29:33.519
<v Speaker 1>They cried on key? And I raised my head. She said,

1:29:33.520 --> 1:29:39.439
<v Speaker 1>that would be your kid. You know what that means?

1:29:39.840 --> 1:29:42.360
<v Speaker 1>He cried a perfect pitch, so what the organ was played?

1:29:42.720 --> 1:29:44.400
<v Speaker 1>He cried and I was just like, we used to

1:29:44.439 --> 1:29:46.479
<v Speaker 1>call him fussy just because he used to cross so much.

1:29:47.040 --> 1:29:50.960
<v Speaker 1>But he whined and it gave like a yes, and

1:29:51.040 --> 1:29:52.400
<v Speaker 1>I was like, how did they hear that? I was

1:29:52.479 --> 1:29:54.200
<v Speaker 1>so embarrassed. I was like, why will you do this

1:29:54.280 --> 1:29:57.680
<v Speaker 1>when kim Morella's on stay? But I get it, and

1:29:57.760 --> 1:30:02.439
<v Speaker 1>I'm like, listen, son, under stand it's this generation z.

1:30:03.120 --> 1:30:07.200
<v Speaker 1>They're different. They're different. But what I've learned then I

1:30:07.320 --> 1:30:11.240
<v Speaker 1>can place in him and I can sacrifice myself a

1:30:11.320 --> 1:30:12.760
<v Speaker 1>little bit more like I'm gonna go out here and

1:30:12.800 --> 1:30:15.479
<v Speaker 1>saying these old that Saul child. But so far people

1:30:15.520 --> 1:30:17.920
<v Speaker 1>have been loving and liking it. And I've been the

1:30:18.000 --> 1:30:23.719
<v Speaker 1>bag been going jam, yeah, you got jam jams jams,

1:30:23.920 --> 1:30:26.559
<v Speaker 1>and I got and I got a question actually to okay,

1:30:26.680 --> 1:30:34.280
<v Speaker 1>I got to was forever the answer to jagged edges.

1:30:34.400 --> 1:30:38.000
<v Speaker 1>Let's get me. One know what's crazy? Did Brian cot

1:30:38.040 --> 1:30:42.759
<v Speaker 1>St Let's get married? Yes, Yes, I'm pretty sure it's crazy.

1:30:43.680 --> 1:30:47.120
<v Speaker 1>I was recording. I was he did you shot him

1:30:47.160 --> 1:30:48.880
<v Speaker 1>out in the beginning of the song becos One know

1:30:48.920 --> 1:30:51.760
<v Speaker 1>what's crazy is I didn't even hear when I was

1:30:51.920 --> 1:30:54.160
<v Speaker 1>That's when I was recording Uh Meet the Girl, Let's

1:30:54.200 --> 1:30:56.240
<v Speaker 1>do album mind Job was not much pregnant, so I

1:30:56.320 --> 1:30:59.360
<v Speaker 1>sat down the whole session. Beacox came to the studio.

1:30:59.439 --> 1:31:00.920
<v Speaker 1>He was like, I song for y'all want you to

1:31:01.000 --> 1:31:03.360
<v Speaker 1>listen to? He might have would I might have to

1:31:03.400 --> 1:31:04.800
<v Speaker 1>give it to somebody else. He was like, if you

1:31:04.840 --> 1:31:06.920
<v Speaker 1>don't feel As soon as I heard but the piano

1:31:06.960 --> 1:31:08.479
<v Speaker 1>had been I was like, I wanted. He was like,

1:31:09.040 --> 1:31:10.760
<v Speaker 1>are you sure I want to record it right now?

1:31:11.600 --> 1:31:13.840
<v Speaker 1>I want to sat down then write nothing down and

1:31:14.439 --> 1:31:16.720
<v Speaker 1>none of those words wrong baby and my the point

1:31:16.760 --> 1:31:19.240
<v Speaker 1>in my life when I'm tired of playing games, I'm

1:31:19.280 --> 1:31:21.160
<v Speaker 1>ready to settle down. The only part that I've ready

1:31:21.240 --> 1:31:23.920
<v Speaker 1>bio like when you listen to the verses, none of

1:31:23.960 --> 1:31:26.519
<v Speaker 1>the ship rome. But I think I was in such

1:31:26.560 --> 1:31:28.599
<v Speaker 1>a space my first child was about to be born.

1:31:28.800 --> 1:31:33.400
<v Speaker 1>I was hyped. Yeah, anytime I hear piano? You know

1:31:33.439 --> 1:31:36.960
<v Speaker 1>you answer my question? Right? What's you're saying? I know,

1:31:37.080 --> 1:31:38.760
<v Speaker 1>I want to listen to no music? My bad? I

1:31:38.880 --> 1:31:42.120
<v Speaker 1>was recording my how so it's not the answer to it. Wait,

1:31:42.200 --> 1:31:44.000
<v Speaker 1>what's the you asked me? You said, did I hear

1:31:44.080 --> 1:31:47.040
<v Speaker 1>jagging a song? No? No? I said no, not even that. Everybody,

1:31:47.520 --> 1:31:52.400
<v Speaker 1>what you're saying, let's saying it wasn't the answer to that.

1:31:52.439 --> 1:31:54.240
<v Speaker 1>I'm saying was that the I was asking? Was that

1:31:54.280 --> 1:31:59.960
<v Speaker 1>the answered because y'all also both say, you know, well,

1:32:00.040 --> 1:32:06.800
<v Speaker 1>what was crazy? Was Nigga saying? When I heard listen

1:32:06.960 --> 1:32:09.160
<v Speaker 1>when I heard that lyric? I said, When I heard

1:32:09.240 --> 1:32:12.280
<v Speaker 1>Let's get I said, that's a horrible lyric, I said,

1:32:12.360 --> 1:32:16.200
<v Speaker 1>but but it's a very weird. What's all that? What

1:32:16.439 --> 1:32:18.880
<v Speaker 1>it is came out? I think There's Mother came out

1:32:19.040 --> 1:32:22.640
<v Speaker 1>like ninety nine or two. Yeah, yeah, it was a

1:32:22.880 --> 1:32:25.080
<v Speaker 1>very real lyric. We ain't getting no younger, so we

1:32:25.200 --> 1:32:27.800
<v Speaker 1>might as well do it, like yeah, and I was

1:32:27.840 --> 1:32:30.680
<v Speaker 1>like getting no younger, babe, And I was like, I

1:32:30.760 --> 1:32:33.840
<v Speaker 1>ain't going nowhere. You ain't gonnawhere? Like did you write

1:32:33.880 --> 1:32:35.439
<v Speaker 1>no my issues? And you know, I look at what

1:32:35.520 --> 1:32:38.639
<v Speaker 1>I'm a wig what's up? You know? I look, if

1:32:38.680 --> 1:32:46.960
<v Speaker 1>a nigga married you without your wig's ups it's all

1:32:47.000 --> 1:32:52.600
<v Speaker 1>the way I might run if that he loved you.

1:32:55.320 --> 1:32:57.719
<v Speaker 1>Waking up with the goose more, waking over that Florida.

1:32:58.600 --> 1:33:00.479
<v Speaker 1>That's you. That's how you you all? Right Now, I

1:33:00.560 --> 1:33:12.640
<v Speaker 1>got I got you. I'm I'm with But when you

1:33:12.760 --> 1:33:14.200
<v Speaker 1>have like when you take your wig off and put

1:33:14.240 --> 1:33:15.720
<v Speaker 1>on a dresser and then you got to meet meal,

1:33:15.800 --> 1:33:19.120
<v Speaker 1>braid's going big if he's like, I mean there like

1:33:19.240 --> 1:33:22.400
<v Speaker 1>a um a mannequin head that you put it on

1:33:22.520 --> 1:33:24.360
<v Speaker 1>and you just put it on the dresser. Now you

1:33:24.479 --> 1:33:25.840
<v Speaker 1>just take it off, put it on a dresser and

1:33:26.000 --> 1:33:29.160
<v Speaker 1>you just be like, don't mess with my wig, because

1:33:29.960 --> 1:33:32.080
<v Speaker 1>back then was like yeah, like a hunter nadalm jomp

1:33:32.160 --> 1:33:34.960
<v Speaker 1>be like a hundred dolt. That's why did you yo?

1:33:35.080 --> 1:33:38.320
<v Speaker 1>I'll be reading memes the girl. This girl really acts.

1:33:38.360 --> 1:33:40.400
<v Speaker 1>She said, So with the ten thousand for pseudo loans,

1:33:40.400 --> 1:33:42.320
<v Speaker 1>are they't giving us the cash or is they gonna

1:33:42.320 --> 1:33:44.240
<v Speaker 1>take it off the balance? Because I want the ten

1:33:44.280 --> 1:33:49.200
<v Speaker 1>thousand can buy me. That's where it's at right now.

1:33:50.640 --> 1:33:53.559
<v Speaker 1>That's why hair companies are making so much money. Who

1:33:53.600 --> 1:33:56.439
<v Speaker 1>would have thought? Who would have thunk. They just they

1:33:56.520 --> 1:33:59.439
<v Speaker 1>just haven't figured out the man wig just yet. Yeah,

1:33:59.680 --> 1:34:02.760
<v Speaker 1>they have they figured it out. They have not. It's

1:34:02.800 --> 1:34:04.920
<v Speaker 1>like some people that got but it's just like, no,

1:34:05.200 --> 1:34:09.519
<v Speaker 1>that's not right about the wig, the full lace front

1:34:09.560 --> 1:34:12.960
<v Speaker 1>shape up. Yeah, because didn't like I saw one. I

1:34:13.040 --> 1:34:18.360
<v Speaker 1>saw one. I've been saying, they don't. They don't call

1:34:18.400 --> 1:34:20.040
<v Speaker 1>the man. Remember they used to be two pages to

1:34:20.080 --> 1:34:23.320
<v Speaker 1>be like that many they glued on and then they

1:34:23.439 --> 1:34:25.840
<v Speaker 1>lying him. But then after they get hot and that

1:34:25.960 --> 1:34:33.720
<v Speaker 1>they start moving. You ain't getting little younger. I saw

1:34:33.800 --> 1:34:41.559
<v Speaker 1>him without his wig on, so without my My second

1:34:41.640 --> 1:34:44.479
<v Speaker 1>question is I actually like keep sweat so on, making

1:34:44.560 --> 1:34:47.280
<v Speaker 1>last forever. That's well, since we want to shout out

1:34:47.320 --> 1:34:51.040
<v Speaker 1>to the sweat, Yeah, shout out to this I worked with.

1:34:52.960 --> 1:34:55.880
<v Speaker 1>He worked with war going about this house and I remember,

1:34:55.880 --> 1:34:59.960
<v Speaker 1>but he used to live at Alpharetta. They was cooking food.

1:35:00.040 --> 1:35:06.320
<v Speaker 1>He was so well, no he can't, so goddamn twizzle.

1:35:09.439 --> 1:35:11.800
<v Speaker 1>I worked WICKI so I did. I'll trade a million bucks.

1:35:12.680 --> 1:35:17.240
<v Speaker 1>And he was in Alpharetta, Georgia. Alpharetta closes down at sundown.

1:35:18.080 --> 1:35:21.760
<v Speaker 1>So like I was like, damn, somebody cooking. I'm think

1:35:21.760 --> 1:35:23.680
<v Speaker 1>they're gonna bring us a plate. He're like, no, I'm

1:35:23.680 --> 1:35:25.000
<v Speaker 1>about to go up he and eating. I gotta go

1:35:25.120 --> 1:35:28.160
<v Speaker 1>do some running around some twig It was some twizzlers,

1:35:30.920 --> 1:35:35.800
<v Speaker 1>go eat and he left. There was no door dash back.

1:35:36.800 --> 1:35:40.360
<v Speaker 1>That was like years old, years ago. So I was

1:35:40.439 --> 1:35:42.800
<v Speaker 1>just like dag. But when I say a low key

1:35:42.840 --> 1:35:45.599
<v Speaker 1>s so I remember the label. They was like make

1:35:45.760 --> 1:35:48.800
<v Speaker 1>um keeps saying these background He said, Man, tell them

1:35:48.920 --> 1:35:50.800
<v Speaker 1>kiss my ass. They can't tell me what to do.

1:35:51.800 --> 1:35:53.519
<v Speaker 1>And I'm gonna just do one track of my boy's

1:35:53.560 --> 1:36:00.640
<v Speaker 1>gonna cut right through right. You've seen the cut right there,

1:36:00.720 --> 1:36:02.280
<v Speaker 1>then you do the rest. I ain't doing all that.

1:36:02.360 --> 1:36:05.600
<v Speaker 1>Ship back, ye, I don't do all that. Yeah, tells

1:36:05.640 --> 1:36:08.720
<v Speaker 1>ain't doing yes, So you focus on your son right now.

1:36:08.800 --> 1:36:11.680
<v Speaker 1>You're focused on the future on my son. Like are

1:36:11.720 --> 1:36:16.760
<v Speaker 1>you gonna do anymore? Are you doing anymore? People want?

1:36:16.800 --> 1:36:19.360
<v Speaker 1>I actually have some songs coming, like some features with

1:36:19.479 --> 1:36:21.680
<v Speaker 1>some What's crazy is it's like a lot of the

1:36:21.880 --> 1:36:24.559
<v Speaker 1>artists that are young, so I'm doing some things with them,

1:36:24.600 --> 1:36:26.280
<v Speaker 1>and then I have some songs that's in the tuck,

1:36:26.680 --> 1:36:28.760
<v Speaker 1>like I got songs like Todd Dollars sign. I'm just like,

1:36:28.840 --> 1:36:31.920
<v Speaker 1>how are we gonna put this out this right because

1:36:31.920 --> 1:36:33.640
<v Speaker 1>I don't know him since he was a bank I

1:36:33.800 --> 1:36:36.960
<v Speaker 1>know everybody says they were babies like fifteen years old

1:36:37.000 --> 1:36:40.840
<v Speaker 1>playing that Jay Brown's wedding, So it's like we got

1:36:40.840 --> 1:36:44.040
<v Speaker 1>this song because that's what goes like. So you know,

1:36:45.120 --> 1:36:50.280
<v Speaker 1>I'm I understand music has changed, but for the for me,

1:36:50.960 --> 1:36:53.400
<v Speaker 1>I used to think that not my sound was not childish,

1:36:53.760 --> 1:36:57.720
<v Speaker 1>but I realized it translated it. It has translated to

1:36:57.800 --> 1:36:59.720
<v Speaker 1>this generation. So when they're here, they'd be like, oh

1:37:00.080 --> 1:37:03.360
<v Speaker 1>so I don't sound like old lady. No, I don't

1:37:03.360 --> 1:37:05.280
<v Speaker 1>say like so when they be like, hey, Auntimo, like

1:37:05.439 --> 1:37:07.760
<v Speaker 1>I get it. I respect that. Like are you cool

1:37:07.800 --> 1:37:12.519
<v Speaker 1>with being called antimo? Yes, because there's a thing right

1:37:13.439 --> 1:37:18.200
<v Speaker 1>amongst women, yeah, that they don't like being called auntie.

1:37:18.800 --> 1:37:21.120
<v Speaker 1>I love it, you love it? Yeah, okay, little more

1:37:21.200 --> 1:37:27.760
<v Speaker 1>loves now it's different. I'm cool with that. I didn't.

1:37:27.800 --> 1:37:30.560
<v Speaker 1>I didn't want to be for a minute, I love it.

1:37:30.800 --> 1:37:32.280
<v Speaker 1>I didn't want to be. I feel like it's like

1:37:32.360 --> 1:37:37.120
<v Speaker 1>the leader again. It just seemed like I woke up

1:37:37.160 --> 1:37:40.400
<v Speaker 1>one day and it was just it was just overwhelming

1:37:40.439 --> 1:37:43.439
<v Speaker 1>amount of unc and O G. And I was like,

1:37:43.640 --> 1:37:47.120
<v Speaker 1>has it happened that as I'm plucking the graves out

1:37:47.160 --> 1:37:53.360
<v Speaker 1>of my beer and I'm like, it's happening to you.

1:37:56.680 --> 1:37:58.120
<v Speaker 1>It was just like when you when you get that show.

1:38:00.040 --> 1:38:14.439
<v Speaker 1>This is what they do. Y okay? So what age? What? Like? What? What?

1:38:14.880 --> 1:38:16.720
<v Speaker 1>When is a good time? Because I always thought once

1:38:16.760 --> 1:38:20.840
<v Speaker 1>you turn forty, like that's Auntie. I know there are

1:38:20.880 --> 1:38:24.439
<v Speaker 1>people that don't call me women that just feel a

1:38:24.520 --> 1:38:27.200
<v Speaker 1>way about that. I think it's a term of endearment,

1:38:27.520 --> 1:38:29.479
<v Speaker 1>like what she is. When they'd be like, that's my bitch,

1:38:29.520 --> 1:38:30.800
<v Speaker 1>and I'd be like, that's cool, but don't call me

1:38:30.840 --> 1:38:32.920
<v Speaker 1>that no more like if you don't know me like that,

1:38:33.160 --> 1:38:35.680
<v Speaker 1>you feel me be like yo, because we say that

1:38:35.760 --> 1:38:37.800
<v Speaker 1>Baltimore has a term of endearment. There are certain things

1:38:37.840 --> 1:38:39.920
<v Speaker 1>that we said. But when they'd be like auntiem or

1:38:40.000 --> 1:38:41.880
<v Speaker 1>when I go to my to my son's all my

1:38:41.920 --> 1:38:44.120
<v Speaker 1>son's football preak, just all the kids be like ah mo,

1:38:44.520 --> 1:38:48.000
<v Speaker 1>And I love it because the aunt has always been

1:38:48.080 --> 1:38:50.840
<v Speaker 1>the mom that wasn't your mom. You could go to

1:38:50.920 --> 1:38:57.799
<v Speaker 1>your hunt you understand. Yeah, I know people that's Auntie

1:38:58.280 --> 1:39:03.120
<v Speaker 1>like like they're the same, just they like section that's

1:39:03.120 --> 1:39:05.600
<v Speaker 1>the hood. Yeah, that's the hood for you. Yeah, So

1:39:08.080 --> 1:39:11.400
<v Speaker 1>that because the aunt bag then was like if he

1:39:11.520 --> 1:39:13.720
<v Speaker 1>was an auntie, it was just like that mans that

1:39:13.880 --> 1:39:16.920
<v Speaker 1>you was older. But now it's just like aunties grandmas

1:39:17.400 --> 1:39:20.040
<v Speaker 1>and like we don't like I feel like auntie is

1:39:20.120 --> 1:39:25.000
<v Speaker 1>the flies of all the things you can I ride

1:39:25.040 --> 1:39:28.120
<v Speaker 1>in yourself. It's cool. I should watch my uncle get

1:39:28.160 --> 1:39:31.200
<v Speaker 1>flying for all that fucking this rode he put his

1:39:31.280 --> 1:39:34.040
<v Speaker 1>smell good. That smell good. Tell me how you know

1:39:34.080 --> 1:39:35.599
<v Speaker 1>you gotta take care of the lady. You gotta open

1:39:35.640 --> 1:39:37.800
<v Speaker 1>the door and make sure they got flowers and that.

1:39:39.479 --> 1:39:41.719
<v Speaker 1>You know, I'm saying so like that, no more start

1:39:42.320 --> 1:39:44.080
<v Speaker 1>Yeah I am. You know, I'm saying, shout out to

1:39:44.120 --> 1:39:46.040
<v Speaker 1>the o G in the field and that's me. Yeah.

1:39:47.000 --> 1:39:50.200
<v Speaker 1>You know. You know what's crazy is many people won't

1:39:50.240 --> 1:39:51.960
<v Speaker 1>make it to for people to even care about them,

1:39:53.400 --> 1:39:55.400
<v Speaker 1>Like look at the comments and be like that, oh

1:39:55.479 --> 1:40:00.200
<v Speaker 1>there's bitch what they like? No people just I'm like,

1:40:00.240 --> 1:40:03.160
<v Speaker 1>how do Instagram let this one go through? Something? The

1:40:03.240 --> 1:40:05.559
<v Speaker 1>other day? Now, somebody was on the internet the other

1:40:05.640 --> 1:40:07.320
<v Speaker 1>day was like I had sex was something something, And

1:40:07.400 --> 1:40:09.479
<v Speaker 1>I was like cap all I said was cap. I

1:40:09.600 --> 1:40:12.120
<v Speaker 1>was like, what story was? People like you too old

1:40:12.120 --> 1:40:13.400
<v Speaker 1>to be talking at younger I was like, I just

1:40:13.800 --> 1:40:16.040
<v Speaker 1>all I said, all I said was calp. I didn't

1:40:16.040 --> 1:40:18.559
<v Speaker 1>say what part was cap. All I said was cap

1:40:18.680 --> 1:40:21.400
<v Speaker 1>And y'all got y'all let it, y'all let that round, y'all.

1:40:21.479 --> 1:40:26.120
<v Speaker 1>Luck y'all gave me too much power to yea, and

1:40:26.280 --> 1:40:29.320
<v Speaker 1>my whole jot was bring I'm thinking this cash chap

1:40:29.439 --> 1:40:35.120
<v Speaker 1>and this nigga a lie in peace. No with the ogs.

1:40:35.120 --> 1:40:37.519
<v Speaker 1>We're not standing for the lot. It's a it's a

1:40:37.600 --> 1:40:43.080
<v Speaker 1>it's an aspiration day. That mess R and B h R.

1:40:43.520 --> 1:40:45.599
<v Speaker 1>You need some R and B information for me, Okay,

1:40:48.000 --> 1:40:52.960
<v Speaker 1>you like you got like what kind of like what

1:40:53.080 --> 1:40:55.120
<v Speaker 1>type of what type of airpo? Because you have to

1:40:55.160 --> 1:41:06.320
<v Speaker 1>be because I started talking about okay, top five in

1:41:06.400 --> 1:41:13.000
<v Speaker 1>the world or like dead are live? Top five R

1:41:13.120 --> 1:41:23.240
<v Speaker 1>and B artists female female and knows it's yours. It ain't.

1:41:23.280 --> 1:41:31.559
<v Speaker 1>Don't don't make it politically correct, yours. Whitney Houston m hm, whim.

1:41:31.560 --> 1:41:35.559
<v Speaker 1>Try to think of chah. I don't gonna look through

1:41:35.600 --> 1:41:37.360
<v Speaker 1>my phone. Who I'll be listening because I listened to

1:41:38.120 --> 1:41:46.679
<v Speaker 1>the most weirdest nest. Oh God, Joe, Yeah that's one. Yeah,

1:41:47.200 --> 1:41:52.240
<v Speaker 1>because that's that was a sound. Um, Who do let

1:41:52.280 --> 1:41:55.559
<v Speaker 1>me try to think who I listened to Anita Baker.

1:41:56.080 --> 1:42:01.160
<v Speaker 1>I was just like, you could clean That's why I

1:42:01.200 --> 1:42:03.160
<v Speaker 1>know people house do you could clean your whole house?

1:42:04.040 --> 1:42:08.000
<v Speaker 1>To Anitas for a champagne on us this time? No, Yeah,

1:42:08.040 --> 1:42:09.600
<v Speaker 1>I was just you know, I just saw her. I

1:42:09.720 --> 1:42:12.200
<v Speaker 1>just saw her. Yeah. That was like a slick. That

1:42:12.320 --> 1:42:15.519
<v Speaker 1>was like a slick flick. What you know what Anita

1:42:15.560 --> 1:42:17.080
<v Speaker 1>said to me? What did she say? She said to you?

1:42:17.120 --> 1:42:19.400
<v Speaker 1>Because she never said anything to me? What did she say?

1:42:19.560 --> 1:42:23.840
<v Speaker 1>Anita said? Anita said, you can't leave us? Now? Why

1:42:23.960 --> 1:42:29.240
<v Speaker 1>was she saying? What does she say? She just looked

1:42:29.280 --> 1:42:35.479
<v Speaker 1>at me. She's like, She's like, you can't leave us? Confirmation?

1:42:37.200 --> 1:42:39.519
<v Speaker 1>How do you even know? I'm trying to get you

1:42:39.600 --> 1:42:41.479
<v Speaker 1>not to retire. I'm trying to figure out how she

1:42:41.600 --> 1:42:53.040
<v Speaker 1>even knows. Baker says, you can't retire Anita Anita in

1:42:53.200 --> 1:42:56.960
<v Speaker 1>her own in her own stress dimension, her own realm.

1:42:57.400 --> 1:43:00.320
<v Speaker 1>That way, you don't have to concern herself. And she

1:43:00.360 --> 1:43:04.439
<v Speaker 1>said to Reill, can that retire? So okay? Neither, But

1:43:04.560 --> 1:43:10.240
<v Speaker 1>I'm sorry, ship, Yeah, that hurt. That hurt me. You

1:43:10.360 --> 1:43:17.439
<v Speaker 1>heard it here first. He's probably not retiring. Go ahead, Baker,

1:43:18.000 --> 1:43:23.639
<v Speaker 1>you kill. I'm gonna tell you so y'all might not remember,

1:43:23.800 --> 1:43:26.040
<v Speaker 1>but I listened to his songs and he's went on

1:43:26.520 --> 1:43:30.680
<v Speaker 1>Kenny Green. We not what because a lot of people like,

1:43:30.960 --> 1:43:34.040
<v Speaker 1>what do you remember? His song made you a crown

1:43:34.200 --> 1:43:39.120
<v Speaker 1>and call y'all this version in the sky. So I'm

1:43:39.439 --> 1:43:44.360
<v Speaker 1>I'm naming like people. Ken Come on, come on, give

1:43:44.439 --> 1:43:46.320
<v Speaker 1>us some you know what, Give give him some Kenny

1:43:46.360 --> 1:43:48.600
<v Speaker 1>Green history for the people who don't know Kenny Green. Like,

1:43:49.880 --> 1:43:53.360
<v Speaker 1>Kenny Green was special, yea, he was ahead of time.

1:43:53.360 --> 1:43:55.559
<v Speaker 1>And I remember what I meant in my cry because

1:43:55.560 --> 1:43:57.320
<v Speaker 1>I was like, I don't think you realized how much

1:43:57.320 --> 1:43:59.519
<v Speaker 1>you changed. And he was sitting there like this, like

1:44:00.040 --> 1:44:04.720
<v Speaker 1>thought he was gonna be like like arrogant or he

1:44:04.880 --> 1:44:06.519
<v Speaker 1>was just like he was like, I was like, wait,

1:44:06.720 --> 1:44:12.240
<v Speaker 1>why did you back with? Nikenny Green was the amazing

1:44:12.360 --> 1:44:15.840
<v Speaker 1>group intro he was he did all of them leave

1:44:16.000 --> 1:44:22.800
<v Speaker 1>because he was inside let me monster like I'll keep you,

1:44:23.280 --> 1:44:27.439
<v Speaker 1>I'll keep you satisfied the way his monster. Come on,

1:44:27.600 --> 1:44:32.719
<v Speaker 1>Kenny Green. Okay, that's four. One more. That's four because

1:44:32.720 --> 1:44:38.040
<v Speaker 1>it's more than five, but one, lady, two and two

1:44:38.560 --> 1:44:45.639
<v Speaker 1>are two and five, so now that is one. It's

1:44:45.680 --> 1:44:49.360
<v Speaker 1>really Casey and judea no no no, just one because divine,

1:44:51.920 --> 1:44:56.760
<v Speaker 1>don't forget about and don't no no no, no no

1:44:56.840 --> 1:45:04.240
<v Speaker 1>no and singing leave and singing lead? What's he's singing

1:45:04.320 --> 1:45:08.800
<v Speaker 1>lead on multiple songs? And caseop thinking he's singing lead

1:45:09.240 --> 1:45:12.400
<v Speaker 1>because they have a similar tone during the lead, not

1:45:12.560 --> 1:45:18.760
<v Speaker 1>at singing lead because and it was more quartet. I

1:45:18.920 --> 1:45:32.160
<v Speaker 1>get it, and uh five, I'm trying to think like

1:45:33.040 --> 1:45:34.760
<v Speaker 1>who I will see and I would be yelling at

1:45:34.840 --> 1:45:37.040
<v Speaker 1>so like I like when I get to say people's songs, Okay,

1:45:37.080 --> 1:45:44.920
<v Speaker 1>I don't want to sing. You know, you got five kids.

1:45:44.960 --> 1:45:47.880
<v Speaker 1>You need to have a top five. These kids gotta

1:45:47.880 --> 1:45:53.040
<v Speaker 1>have somebody, don't that? Can we come back to the

1:45:53.120 --> 1:45:57.000
<v Speaker 1>no no, don't do that. Mo oh my god, come

1:45:59.760 --> 1:46:02.160
<v Speaker 1>come mom. Like I really can't think of no names

1:46:03.439 --> 1:46:06.920
<v Speaker 1>all this R and B you've been singing with. These

1:46:07.000 --> 1:46:11.040
<v Speaker 1>people are people you've been in the studio with songs with,

1:46:11.680 --> 1:46:16.240
<v Speaker 1>Because I'd be like, even if it's even if it's

1:46:16.280 --> 1:46:18.360
<v Speaker 1>a forbidden name, you can say the name. You can

1:46:18.479 --> 1:46:23.200
<v Speaker 1>say say what you gotta say, likely man at you,

1:46:25.560 --> 1:46:30.719
<v Speaker 1>it's really going Because I'm trying to think, oh ahead,

1:46:30.800 --> 1:46:34.240
<v Speaker 1>say it. I can't think of who it is. Like

1:46:35.520 --> 1:46:40.840
<v Speaker 1>then I would say, Brandy, that Full More album changed

1:46:40.840 --> 1:46:47.720
<v Speaker 1>my life. No one argue Brandy. Absolutely, I used to

1:46:47.760 --> 1:46:49.240
<v Speaker 1>listen to that. Why are you listening to that before

1:46:49.240 --> 1:46:55.760
<v Speaker 1>your show? Nickas? But now I think about it, all

1:46:55.800 --> 1:46:58.160
<v Speaker 1>the people that I've named is always the people that's

1:46:58.680 --> 1:47:00.920
<v Speaker 1>bringing out that. He brought out a sound that was

1:47:00.960 --> 1:47:06.920
<v Speaker 1>a whole sound that people try to emulatelate to this day.

1:47:06.920 --> 1:47:11.840
<v Speaker 1>And I'd be like, y'all's not the messy oil. Yes,

1:47:12.160 --> 1:47:16.400
<v Speaker 1>so it's just like but those like I would say

1:47:16.479 --> 1:47:21.800
<v Speaker 1>like that I would listen to before show. But yeah,

1:47:23.560 --> 1:47:26.880
<v Speaker 1>you have to explain your five five And it's crazy,

1:47:26.960 --> 1:47:30.679
<v Speaker 1>is I've only one I've seen a concerts probably Brandy.

1:47:33.760 --> 1:47:36.960
<v Speaker 1>I've never been to a Whitney Houston concert. I've never

1:47:37.080 --> 1:47:39.320
<v Speaker 1>been to a jod to see concert I have. I

1:47:39.560 --> 1:47:41.880
<v Speaker 1>I've never been to an early I've been the Casey

1:47:41.920 --> 1:47:46.559
<v Speaker 1>and Jojo And that's when it was, I know, crazy,

1:47:48.320 --> 1:47:51.000
<v Speaker 1>stupid crazy. But remember when he was walking out or

1:47:52.920 --> 1:47:57.240
<v Speaker 1>a chicken wing, Remember he grabbed a wing off that

1:47:58.200 --> 1:48:01.040
<v Speaker 1>if we had a show with them. They were singing

1:48:01.200 --> 1:48:09.200
<v Speaker 1>background for father and see treat, what treat? Remember they

1:48:09.240 --> 1:48:16.160
<v Speaker 1>were singing like John everybody That's why when I think

1:48:16.200 --> 1:48:21.240
<v Speaker 1>we did either Jack the Rapper or the b R. Yeah,

1:48:21.720 --> 1:48:25.360
<v Speaker 1>they were singing church. I didn't know that. Remember they

1:48:25.400 --> 1:48:28.240
<v Speaker 1>used to get was only fifteen at that time, they

1:48:28.280 --> 1:48:31.920
<v Speaker 1>were kids. Yeah, and that's why I remember. Remember what

1:48:32.040 --> 1:48:34.960
<v Speaker 1>was Donnie Soul show video Soul and they were like,

1:48:35.240 --> 1:48:37.360
<v Speaker 1>so what are your family? I remember because I used

1:48:37.360 --> 1:48:40.439
<v Speaker 1>to study people's interviews, what do your family thing about

1:48:40.479 --> 1:48:43.680
<v Speaker 1>you singing? Because they came up like apostolic holiness. I

1:48:43.760 --> 1:48:47.360
<v Speaker 1>remember going to Bishop Yes, but I went to Johnny

1:48:47.400 --> 1:48:49.800
<v Speaker 1>Graves church one time because one of the Graves used

1:48:49.800 --> 1:48:51.160
<v Speaker 1>to go to school with me. So I went to

1:48:51.240 --> 1:48:53.320
<v Speaker 1>the church. They used to win the Doyles and baby,

1:48:53.439 --> 1:48:56.519
<v Speaker 1>you wasn't coming there with no pants. So when they

1:48:56.640 --> 1:48:58.040
<v Speaker 1>was like, you know, our parents just like you know,

1:48:58.120 --> 1:49:00.719
<v Speaker 1>you ain't living right, and I was just like, don't understand.

1:49:02.080 --> 1:49:05.200
<v Speaker 1>So when they formed circles around me in church, I

1:49:05.320 --> 1:49:07.080
<v Speaker 1>used to crawl for money. You ain't about to m

1:49:08.040 --> 1:49:10.920
<v Speaker 1>just man, because you ain't get chosen. I'm gonna talk

1:49:10.960 --> 1:49:18.800
<v Speaker 1>about it. Okay, Top five R and B Songs mail

1:49:18.840 --> 1:49:28.120
<v Speaker 1>or top Okay our group, Okay, our group love me better, Kenny,

1:49:28.360 --> 1:49:30.639
<v Speaker 1>like I wish I could write like that so abstract,

1:49:30.680 --> 1:49:35.400
<v Speaker 1>like what made him think of it that? Um, please

1:49:35.800 --> 1:49:39.240
<v Speaker 1>don't go don't you don't have to do that. I

1:49:39.240 --> 1:49:45.120
<v Speaker 1>don't think you understand. I don't think you understand that

1:49:47.320 --> 1:49:49.600
<v Speaker 1>because when people go to the false set up and

1:49:49.680 --> 1:49:53.160
<v Speaker 1>it's just as effective as full voice, you can't leave us.

1:49:53.800 --> 1:49:55.479
<v Speaker 1>I can't leave it. Don't don't try to need of me.

1:49:55.680 --> 1:49:58.240
<v Speaker 1>Don't you know there's a reason. And if you think

1:49:58.280 --> 1:50:00.320
<v Speaker 1>she'd wait too, Yeah, it's gonna be some what people

1:50:00.360 --> 1:50:03.840
<v Speaker 1>just like you can't like those kind of gifts, don't

1:50:03.920 --> 1:50:12.000
<v Speaker 1>they don't come around? Yeah? Yeah, um yeah, um full Moon,

1:50:12.400 --> 1:50:21.479
<v Speaker 1>I ain't even want to run. Come on, man, come on, man,

1:50:22.400 --> 1:50:26.080
<v Speaker 1>come on. If you like she would say, get it

1:50:26.120 --> 1:50:30.200
<v Speaker 1>crack and if you like, must be a ful that.

1:50:30.479 --> 1:50:41.559
<v Speaker 1>So that's three. Um oh, I hate that. I love

1:50:41.640 --> 1:50:43.400
<v Speaker 1>this song because I know this person is not supposed

1:50:43.439 --> 1:50:49.280
<v Speaker 1>to be light, but come on, one of the okay,

1:50:49.320 --> 1:50:52.720
<v Speaker 1>come on, No matter what people think. One of the

1:50:52.920 --> 1:50:55.960
<v Speaker 1>best written songs to me in the world was the

1:50:56.040 --> 1:51:07.560
<v Speaker 1>best sex I've had by R Kelly. Sure craz came on,

1:51:08.280 --> 1:51:11.200
<v Speaker 1>but I first came on. And I want to know

1:51:11.240 --> 1:51:13.719
<v Speaker 1>another fun fact. You know I'm full of fun facts.

1:51:14.160 --> 1:51:17.320
<v Speaker 1>What I want to know because this is like, so

1:51:18.200 --> 1:51:24.240
<v Speaker 1>what from Happily ever After? Case? That's from case Wait,

1:51:25.840 --> 1:51:31.960
<v Speaker 1>mabe what part? Go ahead? Come on, come on wait.

1:51:32.120 --> 1:51:38.439
<v Speaker 1>Wasn't that song before? No no, ive never happen first. No, no, no,

1:51:39.160 --> 1:51:41.600
<v Speaker 1>there is no. I don't know, there is no. I

1:51:41.640 --> 1:51:44.280
<v Speaker 1>don't know. There is no. I don't know. Shout out

1:51:44.280 --> 1:51:49.559
<v Speaker 1>to Joe Joe Brown, shout out my guy, um um

1:51:49.880 --> 1:51:56.360
<v Speaker 1>um Chris Chris. Oh god, I can't think of Chris's

1:51:56.439 --> 1:51:57.840
<v Speaker 1>last name because we got a lot of going on.

1:52:00.760 --> 1:52:04.120
<v Speaker 1>I'm trying to figure out what my guy got paid

1:52:04.200 --> 1:52:06.840
<v Speaker 1>for that. Oh no, no, no, no, no, I believe you,

1:52:06.920 --> 1:52:12.280
<v Speaker 1>but I don't know. We're gonna get same facts. The

1:52:12.439 --> 1:52:17.360
<v Speaker 1>Greatest Sex is a take from cases Happily ever After.

1:52:29.160 --> 1:52:41.720
<v Speaker 1>I dude, you gonna put him side side was the

1:52:41.760 --> 1:52:44.720
<v Speaker 1>one that had found out and be like, oh Chris,

1:52:45.080 --> 1:52:47.200
<v Speaker 1>I can't think of his last name. It's it's I'm

1:52:47.240 --> 1:52:49.360
<v Speaker 1>missing I'm Chris. This is my guy for you too.

1:52:49.520 --> 1:52:53.560
<v Speaker 1>My apologies brother, when you see this. This is a

1:52:53.560 --> 1:52:56.639
<v Speaker 1>shout out to you. No no, no, no, absolutely because

1:52:56.680 --> 1:52:59.599
<v Speaker 1>it was and I remember the time when it happened.

1:52:59.640 --> 1:53:02.479
<v Speaker 1>It's no, no, no, he had to change. He had

1:53:02.800 --> 1:53:05.240
<v Speaker 1>he had to. He had to that brother publish. Yeah,

1:53:05.240 --> 1:53:09.280
<v Speaker 1>he changed it a little bit. But now you greats sex.

1:53:09.600 --> 1:53:13.360
<v Speaker 1>But ya. But when I heard Greatest Sex, I say,

1:53:13.400 --> 1:53:22.840
<v Speaker 1>he beat me again. Damn it. I used like I

1:53:23.000 --> 1:53:27.640
<v Speaker 1>love drama, was like he beat me and King I

1:53:27.680 --> 1:53:29.760
<v Speaker 1>used to always be like this, I'm a catching, I'm

1:53:29.800 --> 1:53:32.080
<v Speaker 1>a guin. Oh I'm gonna kill him with this one.

1:53:32.120 --> 1:53:34.679
<v Speaker 1>And then I heard greaterst Sex. I was like, I lost,

1:53:36.360 --> 1:53:41.400
<v Speaker 1>but but comma no with me, just like like you know,

1:53:41.640 --> 1:53:44.840
<v Speaker 1>like you you know when you hear you hear something,

1:53:44.960 --> 1:53:47.680
<v Speaker 1>you oh, God like what made him thinking that? I

1:53:48.000 --> 1:53:53.519
<v Speaker 1>wish I had written and produced that song and sang

1:53:53.600 --> 1:54:01.439
<v Speaker 1>it that way. Chris Henderson, Chris Henderson, Steve Henderson, Why okay?

1:54:01.600 --> 1:54:07.439
<v Speaker 1>Chris deep ended yes, yes, happily ever half okay? All right? Okay?

1:54:07.479 --> 1:54:09.760
<v Speaker 1>That that it was a three number four was four,

1:54:10.040 --> 1:54:16.080
<v Speaker 1>and I would say five mm hmm, let me take

1:54:16.280 --> 1:54:22.519
<v Speaker 1>because there's some songs, uh I love sweet love Bonita Baker.

1:54:23.680 --> 1:54:25.479
<v Speaker 1>I added that to myself because I was just like,

1:54:27.120 --> 1:54:29.080
<v Speaker 1>do you do you know? All right? That's do it?

1:54:29.240 --> 1:54:34.440
<v Speaker 1>I love those give us a little sweet love you baby,

1:54:35.200 --> 1:54:36.920
<v Speaker 1>she said with all my heart I love were you're

1:54:36.960 --> 1:54:39.720
<v Speaker 1>telling me I love you. I'm gonna give you something

1:54:39.760 --> 1:54:48.120
<v Speaker 1>to sweet love good name. I don't know. I feel

1:54:48.200 --> 1:54:54.920
<v Speaker 1>no calling off my name. You don't love me. If

1:54:54.960 --> 1:54:56.880
<v Speaker 1>you don't tell me that you don't love me, you

1:54:57.000 --> 1:54:59.320
<v Speaker 1>do not love me. If you don't tell me that,

1:55:00.040 --> 1:55:04.360
<v Speaker 1>Haul it out, man, and don't feel feel no shame.

1:55:04.640 --> 1:55:13.520
<v Speaker 1>There was no social media because now you like there

1:55:13.560 --> 1:55:15.520
<v Speaker 1>was no shame back then you knew your granddaddy had

1:55:15.760 --> 1:55:19.120
<v Speaker 1>three fans. Now that no shame is to another level

1:55:19.160 --> 1:55:23.080
<v Speaker 1>because if you say that and some little hood roach

1:55:23.680 --> 1:55:26.200
<v Speaker 1>go and say she no I and you still don't

1:55:26.200 --> 1:55:29.280
<v Speaker 1>feel away about it. Yeah, that means that man. Yeah,

1:55:29.280 --> 1:55:30.680
<v Speaker 1>because you know, at the end of the day, she

1:55:31.520 --> 1:55:33.960
<v Speaker 1>she ain't gonna do nothing. But yeah, because we ain't

1:55:33.960 --> 1:55:38.720
<v Speaker 1>getting no younger, because we already already knew my granddaddy

1:55:38.760 --> 1:55:44.080
<v Speaker 1>had different family damn families. What in his church? I

1:55:44.160 --> 1:55:46.360
<v Speaker 1>found out out later. I was like, he was outside,

1:55:46.440 --> 1:55:50.000
<v Speaker 1>but I get it he's inside too, that way, that way,

1:55:51.800 --> 1:55:55.400
<v Speaker 1>probably with a tony. I'm sure you had to fly young,

1:55:55.720 --> 1:56:16.440
<v Speaker 1>you feel me? Yeah, he first row. You know they've

1:56:16.480 --> 1:56:19.000
<v Speaker 1>thrown them over their head. Now the girls, who is

1:56:19.320 --> 1:56:25.720
<v Speaker 1>all right? Okay? Okay, I love it here, it is

1:56:26.680 --> 1:56:32.080
<v Speaker 1>your place. We're gonna do an R and B voltron Okay,

1:56:32.320 --> 1:56:35.400
<v Speaker 1>you're gonna build. You're gonna build the R and B artists. Okay,

1:56:36.040 --> 1:56:46.080
<v Speaker 1>it's gonna be vocal um style presentation performances they bob

1:56:46.960 --> 1:56:55.400
<v Speaker 1>and their passion. I remember missing one vocal style performance

1:56:56.200 --> 1:57:01.120
<v Speaker 1>and passion swag the whole. Think. That's why I think

1:57:01.400 --> 1:57:09.560
<v Speaker 1>for weeks there, because we've got the coldest who got

1:57:09.640 --> 1:57:19.160
<v Speaker 1>the chop Rick James? Maybe he keep it yo, he

1:57:19.320 --> 1:57:22.360
<v Speaker 1>was outside what he was outside. I don't even know

1:57:22.400 --> 1:57:25.120
<v Speaker 1>if we could have another Rick James. That's why I'm like,

1:57:25.200 --> 1:57:29.200
<v Speaker 1>it's the only certain people, because you know what's happening

1:57:29.240 --> 1:57:33.320
<v Speaker 1>when he's making that song. You know what's going on

1:57:33.440 --> 1:57:39.960
<v Speaker 1>in that studio session. And yeah, okay, so yeah, let's

1:57:40.040 --> 1:57:42.560
<v Speaker 1>let's start with the vocals piece it together. Who are

1:57:42.600 --> 1:57:44.720
<v Speaker 1>you going to grab the vocal from to build your

1:57:44.800 --> 1:57:53.520
<v Speaker 1>RMB artist? Who's the vocal you're taking m there? Well

1:57:53.560 --> 1:57:56.960
<v Speaker 1>have to be yours, because I'll be hearing people without

1:57:57.040 --> 1:57:59.680
<v Speaker 1>the without the order to live on the microt who

1:58:00.000 --> 1:58:05.160
<v Speaker 1>would know what that? So, yeah, you don't miss your

1:58:05.200 --> 1:58:07.120
<v Speaker 1>niggas is sick for putting auto tune on your mike,

1:58:07.280 --> 1:58:10.840
<v Speaker 1>go ahead because saying the kid, and they don't push

1:58:10.920 --> 1:58:14.120
<v Speaker 1>it because people don't understand auto tune was not created

1:58:15.080 --> 1:58:20.680
<v Speaker 1>equally jobbed to be singing with the auto tune my

1:58:21.160 --> 1:58:23.880
<v Speaker 1>messing like listen, I literally bought that mike for my

1:58:24.080 --> 1:58:27.280
<v Speaker 1>kids that shout out to tea pain and the money

1:58:27.360 --> 1:58:29.480
<v Speaker 1>he made that you should sell with this store that

1:58:29.640 --> 1:58:33.960
<v Speaker 1>doesn't exist anymore called toys Arrest. Do they have the

1:58:34.000 --> 1:58:38.440
<v Speaker 1>autotun mike? They have and you can order because I

1:58:38.520 --> 1:58:42.520
<v Speaker 1>hope t Paine still get I think, because that ship

1:58:42.600 --> 1:58:45.520
<v Speaker 1>is genius. But listen, that should not be used on

1:58:45.640 --> 1:58:51.720
<v Speaker 1>a grand stage. That should not be you because and

1:58:51.800 --> 1:58:54.880
<v Speaker 1>then when the system go out, see where you know

1:58:54.920 --> 1:58:56.520
<v Speaker 1>what else we can with the time and not to

1:58:57.680 --> 1:59:03.600
<v Speaker 1>remember when we don't need no music. Yeah, I mean

1:59:03.680 --> 1:59:06.840
<v Speaker 1>stump your seat because we had been saying harmony at

1:59:06.920 --> 1:59:12.200
<v Speaker 1>least three times today that way, no rehearsal. No, don't

1:59:13.160 --> 1:59:14.800
<v Speaker 1>you know what's crazy? Is I love at two when

1:59:14.800 --> 1:59:23.120
<v Speaker 1>you used correctly because it yeah, I think, Yeah, if

1:59:23.160 --> 1:59:28.040
<v Speaker 1>we came to see a computer we didn't, we would

1:59:28.080 --> 1:59:35.880
<v Speaker 1>go to a Max show. Yeah, I phone awards for

1:59:35.960 --> 1:59:41.360
<v Speaker 1>that ship awards or whatever is I know one of

1:59:41.400 --> 1:59:46.160
<v Speaker 1>them ships would the nerds be Yeah? And one time

1:59:46.160 --> 1:59:48.240
<v Speaker 1>I tried and I was like, wait, I try to

1:59:48.320 --> 1:59:50.000
<v Speaker 1>use on the terms, like why does it make me say?

1:59:50.680 --> 1:59:55.520
<v Speaker 1>Because if you have rato, yeah you got you gotta

1:59:55.560 --> 2:00:00.280
<v Speaker 1>push its like it pitched corresmatic family, you sing feeling

2:00:00.280 --> 2:00:05.440
<v Speaker 1>because your chromatic very loose happens, no feeling and auto

2:00:05.520 --> 2:00:10.440
<v Speaker 1>tune the computer don't got her heart. Don't talk about it,

2:00:10.520 --> 2:00:13.760
<v Speaker 1>little mo dude, though, talk about it. Listen, We'll take,

2:00:14.480 --> 2:00:19.000
<v Speaker 1>We'll take, We'll take, the listen. We would take that

2:00:19.160 --> 2:00:23.600
<v Speaker 1>early Mary J. Blige with all that feeling and all

2:00:23.720 --> 2:00:27.600
<v Speaker 1>that grit and all that over anything, with all the

2:00:27.720 --> 2:00:34.400
<v Speaker 1>tune on it over because I've seen Mary lan and

2:00:35.000 --> 2:00:38.920
<v Speaker 1>you could see her every night. She's gonna give it everything.

2:00:39.400 --> 2:00:43.520
<v Speaker 1>She's God. When she passed, I want to pass it up, like, yeah,

2:00:44.240 --> 2:00:46.240
<v Speaker 1>I'll take it. If you think I was yelling that

2:00:46.440 --> 2:00:48.760
<v Speaker 1>night when you like, I get to be a fan.

2:00:48.920 --> 2:00:51.480
<v Speaker 1>I still have the video. She came to Baltimore, so

2:00:51.680 --> 2:00:53.560
<v Speaker 1>I performed with d nice and then Mary came out.

2:00:53.600 --> 2:00:55.120
<v Speaker 1>When she does, I said, I hope when she did

2:00:55.200 --> 2:01:00.839
<v Speaker 1>no more drama she passed out? Did she? Man? Tammy

2:01:01.120 --> 2:01:03.800
<v Speaker 1>was there and I was just like, I think and

2:01:04.120 --> 2:01:05.720
<v Speaker 1>not even go off on the tangent, but I think

2:01:05.840 --> 2:01:14.000
<v Speaker 1>Mary J. Blige has the perfect song playlist of maybe

2:01:14.040 --> 2:01:17.240
<v Speaker 1>any artists, so she part of in terms of music

2:01:17.960 --> 2:01:25.000
<v Speaker 1>that that really resonates her, hire being like when Mary sings,

2:01:27.000 --> 2:01:29.000
<v Speaker 1>you know what I love too. It's because when a

2:01:29.080 --> 2:01:30.560
<v Speaker 1>lot of these are people like, oh my god, that's

2:01:30.560 --> 2:01:32.400
<v Speaker 1>my favorite, I'm like, that's what's up. I'm not here

2:01:32.440 --> 2:01:34.320
<v Speaker 1>to pick and choose who your favorite is, but I

2:01:34.400 --> 2:01:36.760
<v Speaker 1>love artists that Okay, this is my set time, I

2:01:36.880 --> 2:01:39.880
<v Speaker 1>understand it. But Mary's gonna give you testimony like then

2:01:39.960 --> 2:01:42.080
<v Speaker 1>times they have to keep it, you know. But she'll

2:01:42.120 --> 2:01:43.640
<v Speaker 1>talking between she be like, y'all don't know what I

2:01:43.760 --> 2:01:46.280
<v Speaker 1>was going through. I would like, I love when she

2:01:46.400 --> 2:01:49.080
<v Speaker 1>gets into that bag, like minutes to us, you're healing.

2:01:51.160 --> 2:01:54.280
<v Speaker 1>So that's why divertized. I'll be like, look y'all when

2:01:54.320 --> 2:01:56.880
<v Speaker 1>I listen, I'm singing all these damn love songs, but

2:01:56.960 --> 2:01:59.120
<v Speaker 1>a bitch getting her ass beat at the house. Y'all

2:01:59.120 --> 2:02:02.360
<v Speaker 1>have no idea your forby. So it's just like, you

2:02:02.440 --> 2:02:04.360
<v Speaker 1>don't know how many people went through pain, so voice

2:02:04.400 --> 2:02:10.040
<v Speaker 1>you passion Murray like her passion. This is never gonna

2:02:10.080 --> 2:02:11.880
<v Speaker 1>be people like, oh my god, that's the new man. No,

2:02:12.160 --> 2:02:17.360
<v Speaker 1>there's only don't do that Mary, and you can't put

2:02:17.440 --> 2:02:20.960
<v Speaker 1>together a jean to see stop yeah, stop, even if

2:02:21.000 --> 2:02:23.120
<v Speaker 1>you'll be jumping on like or you know what, I'm

2:02:25.200 --> 2:02:29.160
<v Speaker 1>all the leathers in the desert. No, there'll never be

2:02:29.200 --> 2:02:32.360
<v Speaker 1>another day of a mad bind never ever, ever ever

2:02:33.120 --> 2:02:38.800
<v Speaker 1>shoulder at the part whatever, They'll never be style style trip,

2:02:40.600 --> 2:02:43.840
<v Speaker 1>Who put that ship on? Go ahead and do that

2:02:44.120 --> 2:02:46.680
<v Speaker 1>that little goofy dance that abb doing. Do the goofy

2:02:46.800 --> 2:02:50.440
<v Speaker 1>dances somebody doing I know what you're talking about. Who

2:02:50.560 --> 2:02:59.839
<v Speaker 1>be doing? Man, you gotta dan like, who'll be dressing

2:03:00.560 --> 2:03:04.440
<v Speaker 1>the only person that honestly dresses of all time some time,

2:03:05.480 --> 2:03:08.360
<v Speaker 1>all time time? We got some guys and girl girls

2:03:09.040 --> 2:03:11.840
<v Speaker 1>give you this ship. The only person I know that

2:03:11.880 --> 2:03:14.560
<v Speaker 1>I'll be like, Yo, they're gonna Mike. I love the

2:03:14.600 --> 2:03:18.240
<v Speaker 1>way Mary dresses because she gonna wear boot like she's

2:03:18.240 --> 2:03:21.280
<v Speaker 1>gonna give you like when she comes on, she's gonna

2:03:21.280 --> 2:03:28.560
<v Speaker 1>give you how they put it on TV to be

2:03:30.200 --> 2:03:35.680
<v Speaker 1>and I lift the she didn't you know what? Where

2:03:35.760 --> 2:03:37.520
<v Speaker 1>with you a world stage? We're gonna put that on

2:03:37.640 --> 2:03:41.880
<v Speaker 1>power tonight, Ye power book, this is gonna because she Yeah,

2:03:41.920 --> 2:03:45.560
<v Speaker 1>she's gonna give you like she's gonna give you that

2:03:45.720 --> 2:03:48.240
<v Speaker 1>crop like you know, she's gonna rock out. She's gonna

2:03:48.320 --> 2:03:54.880
<v Speaker 1>rock out. Of all times, that part um stage performance

2:03:58.400 --> 2:04:01.320
<v Speaker 1>let me trying to is that I'd be like like,

2:04:01.400 --> 2:04:07.760
<v Speaker 1>I'll be like, yeah, I felt that. Um, I got

2:04:07.880 --> 2:04:11.080
<v Speaker 1>start going to shows again because people still be so rehearsed,

2:04:12.080 --> 2:04:15.400
<v Speaker 1>like there's one thing to rehearsed, but then there's like

2:04:15.920 --> 2:04:19.280
<v Speaker 1>sometimes you're just getting that vibe people like you went

2:04:20.040 --> 2:04:24.400
<v Speaker 1>you went past Yeah, you like like you just went sure,

2:04:24.520 --> 2:04:28.560
<v Speaker 1>Yeah like you. It's rare for people to tap in.

2:04:28.640 --> 2:04:30.200
<v Speaker 1>So I'm trying to think, like, what was the show

2:04:30.240 --> 2:04:32.680
<v Speaker 1>I went too big in a day? Maybe that was

2:04:32.760 --> 2:04:39.400
<v Speaker 1>just like Mary Mary cooking the day she's cooking. I

2:04:39.480 --> 2:04:44.320
<v Speaker 1>watched Mary J. Blige on tour every night, sixty cities,

2:04:44.600 --> 2:04:51.320
<v Speaker 1>sixty arenas sold out, and every uh, Drew Hill, Genuine

2:04:52.280 --> 2:04:57.200
<v Speaker 1>and Aaliyah all will go right before Mary. Yeah, phone

2:04:57.200 --> 2:05:02.080
<v Speaker 1>thugs are clothes and all the musicians, everybody, background singers.

2:05:02.360 --> 2:05:04.640
<v Speaker 1>We would all go out and sit in the audience

2:05:05.200 --> 2:05:10.800
<v Speaker 1>and watch Mary go to work every every night school

2:05:10.960 --> 2:05:15.480
<v Speaker 1>was in session. That's why. I'm just like people don't

2:05:15.600 --> 2:05:22.520
<v Speaker 1>realize like people because she getting what she should be

2:05:22.600 --> 2:05:25.360
<v Speaker 1>higher than that does if people come out moth throw hurt.

2:05:25.400 --> 2:05:27.120
<v Speaker 1>I'm just saying these three songs to go home, y'all

2:05:27.160 --> 2:05:30.960
<v Speaker 1>get your money back. That's out of control. I know

2:05:31.080 --> 2:05:33.680
<v Speaker 1>some people get eight hunted, like you gotta you gotta

2:05:33.720 --> 2:05:38.840
<v Speaker 1>think about like when we're not we're not about a tour,

2:05:39.520 --> 2:05:43.880
<v Speaker 1>about one off. I wasn't a tour. Do you listen? Eight?

2:05:46.680 --> 2:05:49.440
<v Speaker 1>I don't know many people, but you know it's crazy

2:05:49.560 --> 2:05:56.800
<v Speaker 1>million of show. Yeah, you're right, Well I think ain't

2:05:56.800 --> 2:06:00.480
<v Speaker 1>a Nitta getting half a million? You just said no,

2:06:00.640 --> 2:06:02.240
<v Speaker 1>But ain't she getting a half of she getting to

2:06:02.240 --> 2:06:06.640
<v Speaker 1>half a man? Yeah? But like there's Anita, there's Murray,

2:06:06.760 --> 2:06:09.480
<v Speaker 1>like I think she I think she's Mary is getting

2:06:09.520 --> 2:06:11.600
<v Speaker 1>almost a million in the show. I think she deserves.

2:06:14.560 --> 2:06:17.040
<v Speaker 1>I'm just thinking it speaks to you know what I'm saying.

2:06:18.520 --> 2:06:20.320
<v Speaker 1>But when I was, she ain't coming out of the house.

2:06:20.440 --> 2:06:22.760
<v Speaker 1>If you like, she ain't got to come up. She

2:06:22.840 --> 2:06:24.640
<v Speaker 1>don't have to come up. But the let me tell

2:06:24.640 --> 2:06:29.200
<v Speaker 1>you the blessing is because like being around her and

2:06:29.360 --> 2:06:33.760
<v Speaker 1>just like seeing her from like Missy had me around Murray's.

2:06:35.280 --> 2:06:37.040
<v Speaker 1>You know, you couldn't really fan out. You'd be like, yeah,

2:06:37.040 --> 2:06:39.240
<v Speaker 1>I'm gonna go and do these backgrounds. And then when

2:06:39.280 --> 2:06:41.040
<v Speaker 1>we were at that the first time I met her

2:06:41.120 --> 2:06:43.160
<v Speaker 1>and saw her and I was about to lose my

2:06:43.280 --> 2:06:45.680
<v Speaker 1>mind was at the Hot Boys video set. We was

2:06:45.720 --> 2:06:48.160
<v Speaker 1>at two o'clock in the morning. My sister had my nephew,

2:06:48.160 --> 2:06:50.000
<v Speaker 1>I think he was like one years old then, and

2:06:50.160 --> 2:06:52.840
<v Speaker 1>Mary and Latanya had came and We're like, oh my god.

2:06:54.840 --> 2:06:56.560
<v Speaker 1>But you know, people are like, oh, you're not allowed

2:06:56.560 --> 2:06:59.600
<v Speaker 1>to talk to them, and I'm like why, Like this,

2:06:59.760 --> 2:07:02.640
<v Speaker 1>what ain't do? Mary came to us in our trail

2:07:02.680 --> 2:07:05.760
<v Speaker 1>and she was like, I love your wigs. Well, I'm

2:07:05.760 --> 2:07:07.240
<v Speaker 1>gonna call y' all the pretty wigs sis. So she

2:07:07.320 --> 2:07:09.280
<v Speaker 1>was like, where'd you get those? I said, my friend

2:07:09.320 --> 2:07:11.280
<v Speaker 1>that does my hair, the girl yasm was braiding my

2:07:11.360 --> 2:07:14.040
<v Speaker 1>head was getting the wigs at a Flatbush Avenue for

2:07:14.120 --> 2:07:17.480
<v Speaker 1>twenty dollars. She said, twenty dollars. They were charging her

2:07:18.000 --> 2:07:21.040
<v Speaker 1>wherever they was flying her wings in two thousand dollars.

2:07:22.600 --> 2:07:24.000
<v Speaker 1>For the twenty dollar she said, IM gonna call you

2:07:24.040 --> 2:07:26.200
<v Speaker 1>all the pretty wigs. And I remember her embracing me

2:07:26.280 --> 2:07:28.440
<v Speaker 1>that night and she was like, keep your family close

2:07:28.440 --> 2:07:31.080
<v Speaker 1>because these motherfucker's ain't gonna love you like your family.

2:07:31.200 --> 2:07:33.240
<v Speaker 1>And ever since then, when I ride out, me and

2:07:33.320 --> 2:07:37.920
<v Speaker 1>my sister got the same Mama saying, Daddy already know

2:07:38.200 --> 2:07:40.280
<v Speaker 1>I can drink under the table because she ain't gonna

2:07:40.360 --> 2:07:42.760
<v Speaker 1>let no, I can hire all the security with the gun,

2:07:43.280 --> 2:07:46.160
<v Speaker 1>let somebody touch her hair on his head. She's gonna

2:07:46.160 --> 2:07:48.440
<v Speaker 1>put her life before mis We learned that back in

2:07:50.120 --> 2:07:52.120
<v Speaker 1>and I realized so when I went on tour with

2:07:52.200 --> 2:07:54.080
<v Speaker 1>Missy when we were Jay LENO have my sister with

2:07:54.200 --> 2:07:56.400
<v Speaker 1>me anytime I moving away, like I can move And

2:07:56.480 --> 2:07:58.160
<v Speaker 1>she got a whole life in the family. What's the

2:07:58.240 --> 2:08:00.520
<v Speaker 1>first thing I said when you came in here, how's

2:08:00.560 --> 2:08:04.440
<v Speaker 1>your sister? You're the first day And let me tell

2:08:04.440 --> 2:08:06.040
<v Speaker 1>you what she said When she was like where you going,

2:08:06.080 --> 2:08:07.800
<v Speaker 1>I said, I'm going to l A. I'm gonna wait.

2:08:07.840 --> 2:08:12.240
<v Speaker 1>I'm taking Jay talking about you, talking about I'm the stalker.

2:08:12.600 --> 2:08:14.640
<v Speaker 1>I was just like that. She must have been there

2:08:15.080 --> 2:08:19.240
<v Speaker 1>because she was just like no, because we've been like

2:08:19.520 --> 2:08:25.680
<v Speaker 1>just like, I don't think you realize, Yeah, you can't

2:08:25.760 --> 2:08:28.040
<v Speaker 1>leave us. Okay, it's a great vote on that's a

2:08:28.040 --> 2:08:29.880
<v Speaker 1>great votes Toronto. Let's get you, let's get back to that.

2:08:30.560 --> 2:08:33.240
<v Speaker 1>It's a great votes. That's a great because there are

2:08:33.240 --> 2:08:35.040
<v Speaker 1>some people that can sing. But I just know that

2:08:35.840 --> 2:08:38.560
<v Speaker 1>if they put it on Nanda social media. They posted

2:08:38.640 --> 2:08:42.640
<v Speaker 1>up today that you want to go up? Yeah, have

2:08:42.760 --> 2:08:45.720
<v Speaker 1>you ever talked with Mary? No? I was? I Twitter

2:08:45.840 --> 2:08:48.960
<v Speaker 1>backgrounds with Shana. We would love to say it again

2:08:48.960 --> 2:08:57.640
<v Speaker 1>because you know, I just text, Hey, it's me, it's

2:08:57.640 --> 2:09:01.760
<v Speaker 1>your friend Ja. We would love to go on. I

2:09:01.840 --> 2:09:05.880
<v Speaker 1>forgot that. I know it's a whole female tour they're

2:09:05.880 --> 2:09:10.200
<v Speaker 1>going on, and I left respect. Yeah what you're super dollar.

2:09:10.880 --> 2:09:15.320
<v Speaker 1>But at some point that point the Lord, because I

2:09:15.360 --> 2:09:20.560
<v Speaker 1>want to be there yelling Lord Lesia Amen, sister obliged

2:09:20.640 --> 2:09:26.080
<v Speaker 1>to oblige? That would I think that would be so dope.

2:09:27.600 --> 2:09:30.560
<v Speaker 1>That's R and B. So we got we got this.

2:09:31.760 --> 2:09:34.320
<v Speaker 1>It's one special part of the show too. Here we go, Okay,

2:09:34.520 --> 2:09:38.240
<v Speaker 1>here we go. You know it's it's it's a thing.

2:09:38.440 --> 2:09:41.600
<v Speaker 1>It's becoming a thing. I know you're not scared because

2:09:41.600 --> 2:09:43.800
<v Speaker 1>you're little more. But I'm gonna need you be sassy

2:09:43.840 --> 2:09:48.680
<v Speaker 1>seed for this. Be sassy. Not young wisdom, not young wisdom,

2:09:48.840 --> 2:09:52.160
<v Speaker 1>but more more more snassy. See the Young Wisdom. The

2:09:52.280 --> 2:09:57.560
<v Speaker 1>portion of the show is called I ain't saying on that? Okay,

2:09:58.760 --> 2:10:03.480
<v Speaker 1>so what that story can be? Funny? Are fucked up?

2:10:04.120 --> 2:10:07.400
<v Speaker 1>Are both got you? The only rule is that you

2:10:07.480 --> 2:10:10.400
<v Speaker 1>just can't say the names, and the people gotta guess

2:10:10.400 --> 2:10:13.400
<v Speaker 1>who it is whatever they want to do. But you

2:10:13.520 --> 2:10:17.240
<v Speaker 1>tell us the story and you just can't say no names.

2:10:18.000 --> 2:10:21.640
<v Speaker 1>So many stories you do, know you do. Let me

2:10:21.680 --> 2:10:23.680
<v Speaker 1>try to think, child, Let me try to think of

2:10:27.000 --> 2:10:30.760
<v Speaker 1>Go ahead and take your sip, take your silp, my

2:10:31.000 --> 2:10:57.680
<v Speaker 1>drink here around you, trying to think of bok got

2:10:57.800 --> 2:11:09.160
<v Speaker 1>so many childs any man saying are funny and damn,

2:11:09.240 --> 2:11:10.520
<v Speaker 1>let me try to think it was a good one.

2:11:15.120 --> 2:11:21.680
<v Speaker 1>It's so much that to happen, like foof God, these

2:11:21.720 --> 2:11:23.280
<v Speaker 1>are good questions. I wish you all to send me

2:11:23.360 --> 2:11:26.880
<v Speaker 1>the list trying to think of like a good because

2:11:26.920 --> 2:11:29.680
<v Speaker 1>I have some something like jaw and then I got

2:11:29.760 --> 2:11:42.320
<v Speaker 1>something like what the like mm hmm um shoo. God.

2:11:42.480 --> 2:11:45.400
<v Speaker 1>Thereous be so much stuff that happened to the fact

2:11:45.440 --> 2:11:47.600
<v Speaker 1>that I'm still alive, Like I'm trying to figure out

2:11:47.640 --> 2:11:51.760
<v Speaker 1>I'm still here because I've been this some fun up situation.

2:11:51.840 --> 2:11:53.480
<v Speaker 1>I'll be like, how does this happen. I used always

2:11:53.520 --> 2:11:56.040
<v Speaker 1>wonder how does this happen to an R and B person?

2:11:56.200 --> 2:11:59.120
<v Speaker 1>Like we're supposed to be almost like gospel. When no

2:11:59.240 --> 2:12:01.800
<v Speaker 1>weapon FORMI get a weippers is farming like I'm loving,

2:12:02.480 --> 2:12:10.400
<v Speaker 1>but the prospering get tricking. It gets real tricky. I'm

2:12:10.440 --> 2:12:16.400
<v Speaker 1>trying to think, Um, I can tell you one of

2:12:16.440 --> 2:12:21.240
<v Speaker 1>the best vices somebody gave me, And honestly, I used

2:12:21.280 --> 2:12:24.080
<v Speaker 1>that through my whole career, and I'm glad because I

2:12:24.160 --> 2:12:26.920
<v Speaker 1>think that's the reason why I'm still here. I remember,

2:12:27.080 --> 2:12:30.560
<v Speaker 1>like there was a time when she was I was,

2:12:32.240 --> 2:12:35.840
<v Speaker 1>and I wasn't Murray and I am. The kids and

2:12:35.920 --> 2:12:38.720
<v Speaker 1>I remember somebody they came to me. They was just

2:12:38.840 --> 2:12:41.960
<v Speaker 1>like MO, Like they used to tell people, if you

2:12:42.000 --> 2:12:44.160
<v Speaker 1>do a lot of features, you'll get oversaturated. Then people

2:12:44.240 --> 2:12:46.560
<v Speaker 1>get tired of it. They was like, no, MO, keep

2:12:46.600 --> 2:12:50.640
<v Speaker 1>going because you have something that like a lot of

2:12:50.680 --> 2:12:53.880
<v Speaker 1>people don't have, Like there's there's faith as Murray is

2:12:54.320 --> 2:12:56.600
<v Speaker 1>like this Kelly and they were singing roal hooks, but

2:12:56.640 --> 2:13:00.760
<v Speaker 1>they were just like MO, like you have something. All

2:13:00.840 --> 2:13:06.000
<v Speaker 1>I ax is that because like yeah, like because I

2:13:06.080 --> 2:13:09.080
<v Speaker 1>have been through that, I survived the turn up once

2:13:09.120 --> 2:13:11.160
<v Speaker 1>I got to the church, and I realized, oh man,

2:13:11.160 --> 2:13:13.840
<v Speaker 1>I ain't gonna even leave bird with the devil. I

2:13:14.040 --> 2:13:17.720
<v Speaker 1>just did drugs out of drink. Like so now when

2:13:17.760 --> 2:13:20.320
<v Speaker 1>I celebrate, I'm just like your eye beat all the

2:13:20.440 --> 2:13:24.320
<v Speaker 1>fucking odds. But when this person told me, they was like,

2:13:24.560 --> 2:13:29.120
<v Speaker 1>just gonna funk, none of these niggas. But I know

2:13:29.280 --> 2:13:38.080
<v Speaker 1>it was all these bitches like all the Oh I

2:13:38.240 --> 2:13:42.120
<v Speaker 1>took that, and that's what help me. Somebody takes me

2:13:42.200 --> 2:13:44.520
<v Speaker 1>longer to get to where I need to get. But

2:13:45.200 --> 2:13:47.480
<v Speaker 1>when you walk in the room and it be everybody

2:13:47.760 --> 2:13:51.520
<v Speaker 1>from the highest rap to the lowest and crap, can't

2:13:51.560 --> 2:14:05.640
<v Speaker 1>nobody say they hit me from the back. It's just

2:14:05.800 --> 2:14:12.240
<v Speaker 1>like they hit me from And do you know how

2:14:12.440 --> 2:14:14.680
<v Speaker 1>easy it is as a woman when they know when

2:14:14.720 --> 2:14:16.680
<v Speaker 1>you when you touch it, Danny, you go. I was

2:14:16.800 --> 2:14:20.160
<v Speaker 1>at all the concerts because I was all the tours

2:14:20.520 --> 2:14:24.280
<v Speaker 1>and I had access to all everybody. But it's just like,

2:14:25.880 --> 2:14:29.640
<v Speaker 1>just do a song with them. You don't have like niggas,

2:14:31.640 --> 2:14:34.960
<v Speaker 1>even the one even the girls who had gifts. I

2:14:35.600 --> 2:14:39.840
<v Speaker 1>get the girls who don't have gifts. And but at

2:14:39.840 --> 2:14:42.080
<v Speaker 1>the end of the day, I'm glad I didn't. And

2:14:42.120 --> 2:14:43.960
<v Speaker 1>then and I'll take the longer rong. I don't care.

2:14:44.800 --> 2:14:48.520
<v Speaker 1>But like I said, I've been divorced three times. Niggas

2:14:48.600 --> 2:14:52.600
<v Speaker 1>job anyway, you said three times, yeah, three times. Yes,

2:14:53.600 --> 2:14:59.240
<v Speaker 1>you know you're Elizabeth Taylor Christian jan Now I'm just

2:14:59.280 --> 2:15:02.200
<v Speaker 1>getting know I'm up there. But it was just like,

2:15:02.320 --> 2:15:03.520
<v Speaker 1>you know what, that was a part of me, like,

2:15:03.720 --> 2:15:06.440
<v Speaker 1>it's bad, I'm married in the burn, So would you

2:15:06.480 --> 2:15:11.920
<v Speaker 1>get marride again? Not to nobody that it's levels So

2:15:12.200 --> 2:15:14.240
<v Speaker 1>we will get married for love? No, you don't, you

2:15:14.360 --> 2:15:21.560
<v Speaker 1>better when you keep going. So you people had these conversations.

2:15:21.680 --> 2:15:23.800
<v Speaker 1>They had this conversation all the time, though, about what

2:15:23.880 --> 2:15:26.120
<v Speaker 1>marriage used to really be about. It used to be

2:15:26.560 --> 2:15:29.600
<v Speaker 1>there should be a businesses it was a business or

2:15:30.000 --> 2:15:32.880
<v Speaker 1>I think black people change that because we used to.

2:15:32.960 --> 2:15:35.480
<v Speaker 1>I don't think the others ever married truly for love.

2:15:35.720 --> 2:15:38.120
<v Speaker 1>They never did. They always had a bad not the

2:15:38.160 --> 2:15:42.840
<v Speaker 1>colonizes who always there's always a play. It was always

2:15:43.600 --> 2:15:47.240
<v Speaker 1>I'm watching House of Dragon right now, I'm watching Dragons

2:15:47.360 --> 2:15:50.400
<v Speaker 1>right now. The tricky situation, the other thing trying to

2:15:50.480 --> 2:15:58.120
<v Speaker 1>marry a little dragons. So it's the it's the Game

2:15:58.160 --> 2:16:01.200
<v Speaker 1>of Thrones. It's the pre free, cool to game of thrones,

2:16:02.240 --> 2:16:06.120
<v Speaker 1>and they got the Game of thrones because you keep blood.

2:16:06.400 --> 2:16:08.800
<v Speaker 1>It's about keeping the family, yo, you know, one of

2:16:08.840 --> 2:16:11.000
<v Speaker 1>the what's crazy and strength in the in the in

2:16:11.080 --> 2:16:15.280
<v Speaker 1>the wealth. But black people were trying to I had

2:16:15.320 --> 2:16:18.480
<v Speaker 1>got married one time, I hold you when my Sunday

2:16:18.560 --> 2:16:21.040
<v Speaker 1>was like, because my ex was a church musician, he's

2:16:21.040 --> 2:16:23.240
<v Speaker 1>gonna get sat down. They came to phone out that

2:16:23.360 --> 2:16:26.600
<v Speaker 1>church don't sit people down. Well, okay, I don't know

2:16:26.680 --> 2:16:28.280
<v Speaker 1>what that means. That it means you can't play. No,

2:16:28.400 --> 2:16:31.040
<v Speaker 1>you can't play well, you're supposed to be safe. So yeah,

2:16:31.120 --> 2:16:36.119
<v Speaker 1>that time, if y'all did get married, he wasn't gonna

2:16:36.120 --> 2:16:38.880
<v Speaker 1>get this one twenty five a week no more because

2:16:40.360 --> 2:16:42.000
<v Speaker 1>ever heard about those church? Why do you go to

2:16:42.080 --> 2:16:45.680
<v Speaker 1>my number? Because these musicians, now I was getting on

2:16:47.879 --> 2:16:57.440
<v Speaker 1>the ball it up. Why you want me to go

2:16:57.520 --> 2:17:00.320
<v Speaker 1>to the bank and cash. We could have took that

2:17:00.360 --> 2:17:03.200
<v Speaker 1>out off from maybe like we we can't hey you

2:17:03.280 --> 2:17:05.960
<v Speaker 1>for you, We're like you might as well keep They

2:17:06.040 --> 2:17:08.520
<v Speaker 1>told him if y'all don't get married, somebody told her

2:17:08.840 --> 2:17:11.280
<v Speaker 1>that must have been a down self tradition. But come

2:17:11.360 --> 2:17:13.200
<v Speaker 1>to find out that the church was like, no, we

2:17:13.280 --> 2:17:17.160
<v Speaker 1>don't sit people down. And I was just like, hey,

2:17:17.720 --> 2:17:21.080
<v Speaker 1>so she was already married. So then they had got married.

2:17:21.160 --> 2:17:25.960
<v Speaker 1>Like at the Bible study, definitely, they would sit you

2:17:26.000 --> 2:17:27.360
<v Speaker 1>down and you had a baby down south, and then

2:17:27.360 --> 2:17:29.560
<v Speaker 1>the baby wanted to be and your sister brother child.

2:17:29.879 --> 2:17:32.920
<v Speaker 1>Yeah I came up and you know, and sisters was

2:17:32.959 --> 2:17:39.119
<v Speaker 1>really mothers and daughters out communicated from the church. Yeah,

2:17:39.600 --> 2:17:42.520
<v Speaker 1>you know, like a lifetime movie. That was really how

2:17:42.640 --> 2:17:47.680
<v Speaker 1>traumatized if that was to realize that your mama allowed

2:17:47.680 --> 2:17:49.879
<v Speaker 1>to be like almost like a scarlet letter type vib

2:17:50.040 --> 2:17:52.360
<v Speaker 1>not all you're gonna burn it him now you got

2:17:52.440 --> 2:17:53.800
<v Speaker 1>you have to know to get pregnant. Like wait, I

2:17:53.840 --> 2:17:55.960
<v Speaker 1>didn't have to know to do nothing, you know what

2:17:56.000 --> 2:17:58.280
<v Speaker 1>I'm saying. But that was just like I'm glad niggas

2:17:58.280 --> 2:17:59.920
<v Speaker 1>ain't going for that no more. Just like it is

2:18:00.080 --> 2:18:04.360
<v Speaker 1>what it is. Yeah, very were you're talking this church

2:18:04.440 --> 2:18:10.920
<v Speaker 1>talk the world so you can survive the church early

2:18:11.040 --> 2:18:15.000
<v Speaker 1>church to firing Brimstone. Are you going to help everything?

2:18:15.240 --> 2:18:17.200
<v Speaker 1>I used to think I was going to help if

2:18:17.240 --> 2:18:22.520
<v Speaker 1>I didn't tell. I never thought I was doing everything.

2:18:23.760 --> 2:18:28.800
<v Speaker 1>Next was at my heels curse until I turned till

2:18:28.920 --> 2:18:30.640
<v Speaker 1>I started doing R and B until two years out

2:18:30.640 --> 2:18:37.119
<v Speaker 1>of high school. Me need to yeah, yeah, church grown man. Yeah,

2:18:39.480 --> 2:18:42.320
<v Speaker 1>graduated eighteen to like almost twenty, let's start doing R

2:18:42.320 --> 2:18:44.320
<v Speaker 1>and B. And it was and it was even I

2:18:46.000 --> 2:18:47.880
<v Speaker 1>was inching my way and I was like, I was like, well,

2:18:47.879 --> 2:18:50.280
<v Speaker 1>I'm gonna just be like boys to men. You know

2:18:50.280 --> 2:18:53.000
<v Speaker 1>what I'm saying, I'll be boys to man baby face, Yeah,

2:18:53.720 --> 2:18:56.800
<v Speaker 1>sinkle of bright McKnight, That's what I'm gonna be. And

2:18:56.920 --> 2:18:59.119
<v Speaker 1>then and then I got ahold of that. R Kelly.

2:18:59.320 --> 2:19:02.440
<v Speaker 1>You didn't get with no Rick James, no Prince. I

2:19:02.480 --> 2:19:05.039
<v Speaker 1>grew up some of the music, but I grew up

2:19:05.080 --> 2:19:07.800
<v Speaker 1>on what I grew up on. You you know nothing

2:19:07.800 --> 2:19:10.760
<v Speaker 1>about dirty Mind, but I grew up on like listening

2:19:10.840 --> 2:19:13.760
<v Speaker 1>was able to like when my father had was a bakery,

2:19:14.680 --> 2:19:18.039
<v Speaker 1>he had guy yep, and he had a new additions.

2:19:19.360 --> 2:19:22.080
<v Speaker 1>That was the that was you know, was in my house.

2:19:24.320 --> 2:19:29.760
<v Speaker 1>So no, I want to know. I know, Oh that's

2:19:29.760 --> 2:19:33.800
<v Speaker 1>another person. They can say he will be sleeping on him,

2:19:34.240 --> 2:19:42.240
<v Speaker 1>the monster if they sleep his tone killer killer, and

2:19:42.320 --> 2:19:45.920
<v Speaker 1>he knows it, he knows. Maybe they try to take

2:19:46.040 --> 2:19:47.640
<v Speaker 1>off the intro to the par and the and they

2:19:47.720 --> 2:19:49.000
<v Speaker 1>tried to switch it out with tray songs. And the

2:19:49.040 --> 2:19:51.280
<v Speaker 1>people like they kept. The next week that they went

2:19:51.320 --> 2:19:54.440
<v Speaker 1>back to Rugland got so bad and was like I

2:19:54.480 --> 2:19:58.680
<v Speaker 1>didn't even ask you, Yes, I didn't ask. They just

2:19:58.800 --> 2:20:00.680
<v Speaker 1>put me on this. I don't just want to get out.

2:20:00.879 --> 2:20:05.600
<v Speaker 1>But that's like Joe is just Joe just has that again,

2:20:05.720 --> 2:20:09.160
<v Speaker 1>that voice that that can cover so much ground, whether

2:20:09.160 --> 2:20:12.040
<v Speaker 1>it be whether it be dirty, hip hop or love.

2:20:12.120 --> 2:20:15.200
<v Speaker 1>So his voice just like how does he like? How

2:20:15.240 --> 2:20:19.720
<v Speaker 1>does he know? Yeah? I just wanting to know wrote

2:20:19.720 --> 2:20:22.160
<v Speaker 1>and produced for y'all know. I love Joe. I'm a

2:20:22.240 --> 2:20:24.120
<v Speaker 1>credit read doctor from that era when you get the

2:20:24.160 --> 2:20:30.480
<v Speaker 1>City unfolded, I used to see who on this? Okay,

2:20:30.760 --> 2:20:36.160
<v Speaker 1>okay you nice? Yeah yeah, okay, well listen, Um, we

2:20:36.160 --> 2:20:37.720
<v Speaker 1>don't want to take up all your time because you

2:20:37.760 --> 2:20:43.120
<v Speaker 1>know your family so you know you you are here. Um,

2:20:44.200 --> 2:20:47.680
<v Speaker 1>this is always home for you always and you are

2:20:47.800 --> 2:20:50.359
<v Speaker 1>family to us. You know that we're just letting everybody

2:20:50.400 --> 2:20:53.360
<v Speaker 1>else not his family. You got something bad to say

2:20:53.400 --> 2:20:59.879
<v Speaker 1>about littlemochect yourself protect yourself at all time? Yeah, it's

2:21:00.000 --> 2:21:07.080
<v Speaker 1>because like a tricky Yeah, like people look at me,

2:21:07.200 --> 2:21:12.400
<v Speaker 1>People look at me and think it's me. I want

2:21:12.440 --> 2:21:14.039
<v Speaker 1>to know what because I'm like, oh my God, he's

2:21:14.080 --> 2:21:19.160
<v Speaker 1>so nice. He's so yeah, and I love it. That's

2:21:19.240 --> 2:21:21.520
<v Speaker 1>that's a perfect balance to be like, you know, just

2:21:21.800 --> 2:21:25.920
<v Speaker 1>he like, man, we're gonna suck you up. I was like, yeah, man,

2:21:25.959 --> 2:21:37.640
<v Speaker 1>I can't. He's like man blood all right. Yeah, he's

2:21:37.640 --> 2:21:39.280
<v Speaker 1>saying what he would be saying what I want to

2:21:39.320 --> 2:21:43.520
<v Speaker 1>say because I knew I'll be saying some stuff from

2:21:43.560 --> 2:21:48.400
<v Speaker 1>the Bay Area. Bang, So blood is young blood for us.

2:21:48.480 --> 2:21:52.280
<v Speaker 1>Don't don't get confused, don't. But I love it. There's

2:21:52.360 --> 2:21:57.880
<v Speaker 1>no gray area area. They like you, They don't, you know,

2:21:58.040 --> 2:22:02.640
<v Speaker 1>like we might. No, But anyway, Um, you are you.

2:22:02.840 --> 2:22:06.560
<v Speaker 1>You are absolutely amazing. You are you are, you are not.

2:22:08.080 --> 2:22:10.200
<v Speaker 1>You are not old news. You know you are from

2:22:10.240 --> 2:22:13.920
<v Speaker 1>an old school, but you are still new. You're still

2:22:14.000 --> 2:22:18.160
<v Speaker 1>in the building, You're still on these stages. You still

2:22:18.280 --> 2:22:25.720
<v Speaker 1>have your look. Thank you, I'm saying you have you

2:22:25.840 --> 2:22:29.880
<v Speaker 1>have as your word been preserved for a time like this,

2:22:30.680 --> 2:22:35.040
<v Speaker 1>And what a time for everybody at this moment to

2:22:35.200 --> 2:22:39.480
<v Speaker 1>be trying, you know, to prove that R and B

2:22:40.280 --> 2:22:43.920
<v Speaker 1>it's still a lot and still a thing. And then

2:22:44.040 --> 2:22:47.760
<v Speaker 1>getting and guess who's just been sitting waiting for everybody

2:22:47.800 --> 2:22:51.959
<v Speaker 1>to realize that, Yeah, and here we are so um

2:22:52.320 --> 2:22:55.440
<v Speaker 1>on behalf of the Army Money Podcast. We want to

2:22:55.480 --> 2:22:59.360
<v Speaker 1>thank you, appreciate you. And this this was this was

2:22:59.440 --> 2:23:03.240
<v Speaker 1>flowers for you. Thank You've never really gotten any flowers before.

2:23:03.879 --> 2:23:07.000
<v Speaker 1>This whole thing has been about making sure you get

2:23:07.040 --> 2:23:10.720
<v Speaker 1>your flowers. We celebrate little, we celebrate you. Know what

2:23:10.920 --> 2:23:15.920
<v Speaker 1>I'm saying, all a little more. Every everything from John P.

2:23:16.120 --> 2:23:19.520
<v Speaker 1>Keen to Jay Z were celebrating a little more. So

2:23:19.680 --> 2:23:22.400
<v Speaker 1>you listen. My name is Tank, I'm Val and this

2:23:22.600 --> 2:23:26.720
<v Speaker 1>has been the R Money Podcast, the authority on all

2:23:26.840 --> 2:23:37.600
<v Speaker 1>things featuring our sister love one blood Blood, Yeah, yeah,

2:23:37.680 --> 2:23:46.160
<v Speaker 1>yeah Money