WEBVTT - QLS Classic: Jesse Johnson Part 1

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<v Speaker 1>Course Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora. Hey, what's

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<v Speaker 1>going on? What's going on? Y'all? This is QLs Classic.

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<v Speaker 1>My name is quest Love. You're listening to a classic

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<v Speaker 1>episode of Course Love Supreme. Hey, what can I say?

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<v Speaker 1>Jesse Johnson from the time you know of Course Purple

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<v Speaker 1>episodes are my favorite. This is from August first, twenty eighteen.

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<v Speaker 1>What makes this Jesse episode so special, in addition to

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<v Speaker 1>his storytelling and his amazing life, is the sneak guest

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<v Speaker 1>that he brought into the show that we weren't aware

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<v Speaker 1>of when I was aware of. Anyway, I hope you

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<v Speaker 1>guys enjoy it. This part one of a two part

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<v Speaker 1>Jesse Johnson and Course Love Supreme QLs Classic. I hope

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<v Speaker 1>this works.

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<v Speaker 2>Suprema Supreme, A roll Call Suprema Supreme, Roll Call Supreme, Supreme,

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<v Speaker 2>Roll Call Supreme.

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<v Speaker 3>Supreme, roll car.

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<v Speaker 1>Yeah, what I'm always getting into something? Why Ia says

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<v Speaker 1>I ain't right? Mm hmm. Some could say, oh, don't

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<v Speaker 1>go home with him, or my bark's worse than my bite. Right,

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<v Speaker 1>you can trust me, girl. A gentleman, A gentleman never

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<v Speaker 1>tells HM, your secret's safe on site.

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<v Speaker 4>Hey, Jesse, Yeah, come in man, Suprema Suprema roll.

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<v Speaker 1>Car name Sugar.

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<v Speaker 3>Yeah, used to drive a Silica.

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<v Speaker 5>Yeah, back when this dude was making Shaka Delica.

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<v Speaker 2>Supremo Supremo roll Suprema Supremo.

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<v Speaker 3>Roll call was five.

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<v Speaker 6>Was corrected by my mother. Yeah, I was sure today's guest. Yeah,

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<v Speaker 6>it was my father's brother.

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<v Speaker 2>Sup Supremo roll call Supremo Suprema.

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<v Speaker 7>Rolls like yeah, and Jesse, yo, just looking for to

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<v Speaker 7>go out.

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<v Speaker 8>Suprema Supremeo roll Suprema Supremo roll.

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<v Speaker 3>Yeah yeah, and yeah yeah, I want to picture.

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<v Speaker 8>Supreme Supreme Supreme roll Supreme Supreme Ro Supreme Supreme.

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<v Speaker 1>That's all ladies and gentlemen.

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<v Speaker 3>Uh, clown and early, No, you don't.

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<v Speaker 1>It's a long story behind that, you know.

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<v Speaker 3>At the same time that can't even y'all get away

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<v Speaker 3>with her thinking she's right there.

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<v Speaker 1>Those three seconds, those three seconds are the staple of

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<v Speaker 1>the show. It's a long story. Explain what that means.

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<v Speaker 1>But ladies and gentlemen, Uh, nothing sits us more uh

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<v Speaker 1>than getting one on one time.

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<v Speaker 4>Uh.

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<v Speaker 1>What I consider with any purple disciple on quest Love

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<v Speaker 1>supreme and this is no exception.

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<v Speaker 3>Bring up bad memories.

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<v Speaker 1>I'm about to say, paink disciple, you.

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<v Speaker 3>Bring up bad memories of that chachadelic or stuff. No,

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<v Speaker 3>y'all did. Y'all don't know the story behind.

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<v Speaker 1>I've heard the story.

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<v Speaker 3>We don't what y'all hold people, truth had the truth.

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<v Speaker 1>We're going to get that. Let me introduce you for anyway.

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<v Speaker 1>Our guest is a master x men on part with

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<v Speaker 1>some of the best brothers to ever touch the guitar

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<v Speaker 1>from Eddie Hazel, Ernie Eisley, the Brother Nelson himself, Jimmy

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<v Speaker 1>Hendricks name him, uh turner anybody. Uh, he's gaying attention.

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<v Speaker 1>Remember he said he's gay.

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<v Speaker 3>I didn't even know what he.

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<v Speaker 1>Remember he's gay. Jesse Johnson, thank.

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<v Speaker 3>You, question, Thank you for this. It's actually my pleasure, man.

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<v Speaker 3>It's how's it going, bro? It's good, man. I can't complain.

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<v Speaker 3>And that's when people you know I'm a true New

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<v Speaker 3>Yorker in a sense, when you ask me how am

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<v Speaker 3>I doing I'm compared to who?

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<v Speaker 1>Yeah, I definitely as you that. Well, Thank you man,

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<v Speaker 1>I'm glad you but I'm good. I mean, I really

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<v Speaker 1>haven't had a chance to chop it up with you

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<v Speaker 1>since uh well, since you've been on the scene.

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<v Speaker 3>Yeah, no, that's why I I this would what great timing.

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<v Speaker 3>Huh yeah, I've done so much stuff together. We've never

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<v Speaker 3>had it, but we're always like jumping out of the

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<v Speaker 3>plane with the parachute on and hitting the ground running.

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<v Speaker 1>Part of me always knew that I'd have this platform

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<v Speaker 1>one day, so I think I wanted to save all

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<v Speaker 1>of my fan out moments for when the tapes are rolling,

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<v Speaker 1>so I could just ask any and everything, because I

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<v Speaker 1>feel like, I mean, after you broke my heart about

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<v Speaker 1>the the lin drum seven seven story, Yeah, it broke

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<v Speaker 1>a lot of heart, and then I'm certain that there's

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<v Speaker 1>like fifty other worries you about to debunk today. Yeah.

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<v Speaker 3>They always say the truth is can be heavy.

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<v Speaker 1>Truth hurts, Yeah, so uh well, yeah, I guess I

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<v Speaker 1>should say that we are recording at the world famous

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<v Speaker 1>Electric Lady Studios, the house of Jimmy.

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<v Speaker 3>And uh Live and Well in New York.

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<v Speaker 1>We're actually in the b room, which you know, rarely,

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<v Speaker 1>what do we do here, Steve? We did like send

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<v Speaker 1>it on maybe.

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<v Speaker 5>One more again, I guess was in here. So a

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<v Speaker 5>lot of vocals and mixing in here.

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<v Speaker 1>But Jordan, I know that, uh, I at least know

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<v Speaker 1>that a track send it on here, Like we started

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<v Speaker 1>off in this room before we even went to the

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<v Speaker 1>ap Ram. So like a lot of the early stuff,

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<v Speaker 1>I'm sure there's a real Superman Lover on it. Back

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<v Speaker 1>when I think Kim and BB King were supposed to

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<v Speaker 1>do Superman Lover, we're talking about doing D'angelo's Voodoo.

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<v Speaker 7>But right, so, Jesse, you never recorded it here before.

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<v Speaker 3>I've came here a couple of times when he was

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<v Speaker 3>when d was working there, but I wouldn't come in

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<v Speaker 3>because it's like the headspace in here that you know.

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<v Speaker 3>I'm a Jimmy disciple. So it's like even now, it's overwhelming. Yeah,

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<v Speaker 3>it's heavy because you depending on you know what you

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<v Speaker 3>feel and how you feel things, and I usually feel

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<v Speaker 3>what's going on and it's it's it's beautiful, but it's heavy.

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<v Speaker 1>I'll say that sixty eight, sixty eight years later, maybe

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<v Speaker 1>would you say that at least seventy five percent of

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<v Speaker 1>the studio still intact from the original plan of Well.

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<v Speaker 3>First of all, it's fifty year.

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<v Speaker 1>Sixty eight. I'm in nineteen sixty.

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<v Speaker 5>Yeah, fifty years yeah, well technically opened in seventy. But

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<v Speaker 5>but there's there's some gear that's original, some microphones, but

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<v Speaker 5>but structurally, it's mostly in the structural exactly our work.

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<v Speaker 7>And you know, can we can we reiterate to everybody too,

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<v Speaker 7>that you kind of grew up in this building for

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<v Speaker 7>some of the New Quest Love Supreen listeners as Sugar Steve.

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<v Speaker 1>Actually, you know, I stole Sugar Steve from Electric Lady Steve.

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<v Speaker 5>I mean, I'm only like the third most interesting person here.

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<v Speaker 7>Use somebody might be listening like, what the hell did

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<v Speaker 7>Sugar Steve know what?

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<v Speaker 3>Actually he knows a lot.

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<v Speaker 5>Yeah, I mean I came up here as an intern,

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<v Speaker 5>started cleaning the toilets, and then stay for about eight

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<v Speaker 5>or nine years.

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<v Speaker 1>And wait, you were here eight years before.

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<v Speaker 5>No, I started basically when you when you came.

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<v Speaker 1>Here, So you were an intern when Voodoo started. Yeah,

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<v Speaker 1>we told you did else. No, I'm just kidding.

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<v Speaker 5>I was an assistant engineer, okay, who cleaned the toilets.

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<v Speaker 1>At the time. There was a cat here named Jimmy

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<v Speaker 1>that we swore was the actual ghost of Jimi Hendrix.

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<v Speaker 1>One time he there was what was it, he jumped

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<v Speaker 1>on the.

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<v Speaker 5>Board and Yeah, if he jumps on the console while

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<v Speaker 5>you're mixing, meanings like he approves of the mix, you know.

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<v Speaker 1>Yeah, but there was one time where he like, we

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<v Speaker 1>were looking for the source of some feedback thing and

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<v Speaker 1>the cat actually jumped on the board and pressed it,

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<v Speaker 1>turned it off and pressed some button, and then we

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<v Speaker 1>were forever convinced that that was Jimmy Hendricks.

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<v Speaker 5>Plus his name was Jimmy, which which really helped.

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<v Speaker 1>Yes, that helped, all right, So jesse H, I always

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<v Speaker 1>start each show with this question, where were you born?

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<v Speaker 3>Rock Island, Illinois as far as that from a town

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<v Speaker 3>probably four or five hours from Chicago. It's between before

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<v Speaker 3>you hit Chicago, you hit Rockford and some other Aurora,

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<v Speaker 3>that famous place from U Wayne's World.

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<v Speaker 1>Yeah, okay, so.

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<v Speaker 3>That he thought he had my I play used to

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<v Speaker 3>play in Aurora, Illinois, gains where gains Boro I think

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<v Speaker 3>it's called a Gainsboro, that's something like that. I used

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<v Speaker 3>to play all over those places illis But Aurora in

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<v Speaker 3>the movie, he said he thought he had Mono, but

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<v Speaker 3>he just foo was bored.

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<v Speaker 1>And a roar. But Aurora was really like that.

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<v Speaker 3>But Peoria, I played one of those you know you've

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<v Speaker 3>seen the storied uh Richard probably talking about the Pimp

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<v Speaker 3>Yeah convention. I played one of those Illinois for real

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<v Speaker 3>and they they're real, Like the dude comes in the

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<v Speaker 3>Pimp of the Year with the cup and.

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<v Speaker 1>Well, I was gonna say, you were born in the sixties,

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<v Speaker 1>so you were.

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<v Speaker 3>Yes, But I played with I was so fortunate I

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<v Speaker 3>played with these guys. Was telling me one time that

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<v Speaker 3>they were all Greens Band. So it was a drummer

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<v Speaker 3>David Govan, his brother Oscar on guitar, brother Dennis on bass.

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<v Speaker 3>They were signing there, al Greens band. You know, you

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<v Speaker 3>meet people. I'm in a little town. Came out and

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<v Speaker 3>I'm like, yeah, yeah, right, right right. And I remember

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<v Speaker 3>playing at this bar midnight specials on the TV and

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<v Speaker 3>break and them cats was up there playing without Green

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<v Speaker 3>and I suised to play. It was fortunate enough as

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<v Speaker 3>a youngster to play with some real cats, you know,

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<v Speaker 3>get to travel around and just drop out of school

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<v Speaker 3>and all that fun stuff.

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<v Speaker 1>Well, for a lot, or I'm saying for a lot

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<v Speaker 1>of us. For me at least, like you think of Illinois,

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<v Speaker 1>you just basically think of Chicago.

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<v Speaker 3>I grew up South Side Chica. I grew up the

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<v Speaker 3>two cities that I grew up and I was born

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<v Speaker 3>in Rock Island, but I grew up in South Side

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<v Speaker 3>Chicago and one of the other roughest places other than

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<v Speaker 3>the rough side of You've heard Quincy Jones talk about

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<v Speaker 3>the South Side Chicago's joke. It's like escape from New York,

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<v Speaker 3>cars on fire and stuff in Jackson Park. It was

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<v Speaker 3>really But East Saint Louis was no joke. I grew yeah, yeah,

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<v Speaker 3>I grew up in Say Louis. So I saw George.

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<v Speaker 3>I think the album might have been I can't it

0:11:46.080 --> 0:11:48.800
<v Speaker 3>was Jerome Brayley, but it was years before the Jerome

0:11:48.840 --> 0:11:51.760
<v Speaker 3>Braley had the stuff that's on the mother George has

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<v Speaker 3>on a Mothership Connection album. Yeah, but he was wearing

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<v Speaker 3>that so they were coming off that thing, maybe the

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<v Speaker 3>Chocolate City. But I saw them. I was a little kid.

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<v Speaker 3>I rode three buses to get to They played at

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<v Speaker 3>East Side High And when I would tell that story

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<v Speaker 3>to George, George would be like, oh man, you're telling

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<v Speaker 3>your age. I'm like, no, I was a little kid.

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<v Speaker 3>I just was. I had older brothers, so I was

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<v Speaker 3>in the you know, they exposed me, you know, I

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<v Speaker 3>we know the Donald Goyn's books and slams and into

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<v Speaker 3>great music, you know, because I had I had, you know,

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<v Speaker 3>seven older brothers. Whoa damn Wait, you were the youngest

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<v Speaker 3>of seven. No, I'm not like towards the end, but

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<v Speaker 3>I you know, I got older brothers though.

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<v Speaker 6>Okay, siblings in total? How many siblings and total?

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<v Speaker 1>Shit?

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<v Speaker 3>Maybe I shouldn't cuss, right, it's a lot of us.

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<v Speaker 3>It's it was like twelve of us or something because

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<v Speaker 3>my father he raised everybody, but there were not those.

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<v Speaker 3>My older siblings are not his siblings. I'm my father.

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<v Speaker 3>I'm his oldest. And then I have a a brother

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<v Speaker 3>and a sister and knows are my father's he raised

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<v Speaker 3>the other cause I grew up and then we never

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<v Speaker 3>you know, and black families, if you got you can

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<v Speaker 3>have twelve brothers and sisters, but they all got different dads.

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<v Speaker 3>But you never hear words like that's my step sister,

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<v Speaker 3>that's my half. It's like, yeah, sisters same here, Yeah exactly.

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<v Speaker 1>So were you how did you develop your musical skills?

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<v Speaker 1>Was your family into music or no? But they my father.

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<v Speaker 3>He gave me the he It was a lot of

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<v Speaker 3>my household had a lot of like if I wanted

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<v Speaker 3>to play music. I had to be able to remember,

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<v Speaker 3>you know, you know who wake up in my boy,

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<v Speaker 3>you can play and then you and I had come

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<v Speaker 3>to this stuff like exactly. And if you couldn't do that,

0:13:52.960 --> 0:13:55.040
<v Speaker 3>he wouldn't. I wasn't allowed to play some of them.

0:13:55.080 --> 0:13:57.760
<v Speaker 3>So I was allowed to play and bands at an

0:13:57.760 --> 0:14:00.800
<v Speaker 3>early age. Because he had all these thick records. I

0:14:00.800 --> 0:14:02.920
<v Speaker 3>didn't know. I think, I forget what they're called, but

0:14:02.960 --> 0:14:06.280
<v Speaker 3>they look like an album, but they're smaller seventy eights, yes,

0:14:06.320 --> 0:14:08.200
<v Speaker 3>but they had no names on them, so they were

0:14:08.240 --> 0:14:10.400
<v Speaker 3>that old. He and you remember the old record players

0:14:10.440 --> 0:14:12.760
<v Speaker 3>because we didn't ruin all of his records, were slowing

0:14:12.840 --> 0:14:17.720
<v Speaker 3>them down and learned that, you know, learn and all

0:14:17.800 --> 0:14:19.520
<v Speaker 3>that and so you slow the record. So he had

0:14:19.520 --> 0:14:21.680
<v Speaker 3>all these collections that was Lightning Hoppins. I mean, it

0:14:21.720 --> 0:14:25.200
<v Speaker 3>wasn't into many years later later that I realized it

0:14:25.200 --> 0:14:27.360
<v Speaker 3>was Lightning Hopkins now. But they had no names on them.

0:14:27.400 --> 0:14:29.120
<v Speaker 3>But I had to know all that stuff, and that's

0:14:29.120 --> 0:14:32.160
<v Speaker 3>why I could play Bottleneck and all kind of tunis

0:14:32.160 --> 0:14:33.880
<v Speaker 3>and Robert Johnson because he was like, if you can

0:14:33.880 --> 0:14:36.480
<v Speaker 3>play this, then you can go play, So you're a

0:14:36.520 --> 0:14:40.080
<v Speaker 3>true bluesman to through and through, but just to please

0:14:40.120 --> 0:14:41.920
<v Speaker 3>your dad like he was president.

0:14:42.360 --> 0:14:42.640
<v Speaker 5>It was.

0:14:43.520 --> 0:14:46.600
<v Speaker 3>I was so fortunate in the house growing up. I mean,

0:14:46.640 --> 0:14:49.560
<v Speaker 3>when I read your backstory, it just sounds a lot

0:14:49.720 --> 0:14:52.840
<v Speaker 3>like mine, except for my parents were not musicians, but

0:14:52.880 --> 0:14:56.160
<v Speaker 3>they would promote shows. And as a little kid growing

0:14:56.240 --> 0:14:58.560
<v Speaker 3>up in a small town like Rock Island, which is

0:14:58.680 --> 0:15:02.600
<v Speaker 3>very predominantly Jewish town, which was a really really cool

0:15:02.600 --> 0:15:04.880
<v Speaker 3>thing because I grew up in advertley with a lot

0:15:04.880 --> 0:15:09.800
<v Speaker 3>of culture. No, yeah, I saw all my friends. I

0:15:09.800 --> 0:15:13.120
<v Speaker 3>grew up, you know, mantsa ball and the whole shot,

0:15:13.200 --> 0:15:15.560
<v Speaker 3>you know, with a lot of culture, but not realizing

0:15:15.560 --> 0:15:17.120
<v Speaker 3>it because you know, you're just a little kid going.

0:15:17.280 --> 0:15:20.000
<v Speaker 3>But I would wake up some mornings and there's a

0:15:20.040 --> 0:15:21.440
<v Speaker 3>guy in the living room. I was like, who's that?

0:15:21.560 --> 0:15:24.960
<v Speaker 3>And it was a cat named Major Lance a song

0:15:25.000 --> 0:15:28.960
<v Speaker 3>called Monkey Time. So they would put together shows like that.

0:15:29.000 --> 0:15:31.480
<v Speaker 3>My father would, so he would, I guess, be a

0:15:31.520 --> 0:15:33.840
<v Speaker 3>quase promoter, but he worked a gig. He were a

0:15:33.840 --> 0:15:36.480
<v Speaker 3>couple of jobs, but he would promote these shows. One

0:15:36.520 --> 0:15:39.800
<v Speaker 3>day he wake up and it's like Major Lance the

0:15:40.000 --> 0:15:43.600
<v Speaker 3>living room and you know, Jimmy McCracken, you know, different

0:15:43.680 --> 0:15:47.000
<v Speaker 3>cats like that. So I would really not realizing, you know,

0:15:47.360 --> 0:15:50.200
<v Speaker 3>I'm not even in school good yet. So but I

0:15:50.280 --> 0:15:52.200
<v Speaker 3>but they listen to the between the two of them

0:15:52.360 --> 0:15:55.080
<v Speaker 3>listen to everything. They loved everything. So my vocabulary in

0:15:55.120 --> 0:15:57.880
<v Speaker 3>my ears are so giant because it was not so

0:15:57.960 --> 0:16:01.080
<v Speaker 3>I the love of music. It's just a love of music.

0:16:01.080 --> 0:16:02.240
<v Speaker 3>But I love all styles.

0:16:02.400 --> 0:16:06.640
<v Speaker 1>This is a recurring theme on the show, either DJ's

0:16:06.720 --> 0:16:11.560
<v Speaker 1>become producers or if you're three or four years old,

0:16:12.520 --> 0:16:18.960
<v Speaker 1>like God's in the living room teaching you exactly. So, uh,

0:16:21.040 --> 0:16:23.680
<v Speaker 1>what was your band situation like in school? Like were

0:16:23.720 --> 0:16:24.680
<v Speaker 1>you forming bands?

0:16:24.720 --> 0:16:28.600
<v Speaker 3>And no, I was really you know, I guess you're

0:16:30.480 --> 0:16:33.160
<v Speaker 3>It was the weirdest thing. I was like, of course,

0:16:33.200 --> 0:16:36.560
<v Speaker 3>you you know, it's like a disease once you discover

0:16:37.360 --> 0:16:40.600
<v Speaker 3>music and you really get the jones because it's like

0:16:41.080 --> 0:16:43.160
<v Speaker 3>you see girls and you're just like, oh man, she's

0:16:43.160 --> 0:16:44.640
<v Speaker 3>so pretty well love it. But you know, it was

0:16:44.680 --> 0:16:47.240
<v Speaker 3>like that during that time and girls will say you

0:16:47.280 --> 0:16:49.440
<v Speaker 3>don't get high, and I go no, and they go, oh,

0:16:49.480 --> 0:16:52.960
<v Speaker 3>I can't deal with you. And just always try to

0:16:52.960 --> 0:16:56.000
<v Speaker 3>tell my kids it's like I was always a straight dude.

0:16:56.040 --> 0:16:57.840
<v Speaker 3>I was always a nerd dude. I said, but look

0:16:58.480 --> 0:17:00.840
<v Speaker 3>what I did, and look what did I said? When

0:17:00.880 --> 0:17:02.760
<v Speaker 3>I went back to rock, And the first time I

0:17:02.760 --> 0:17:05.080
<v Speaker 3>played the I was with the time. It was printing

0:17:05.160 --> 0:17:09.720
<v Speaker 3>the time, and we played Palmer Chiropractice Auditorium whereas where

0:17:09.800 --> 0:17:12.800
<v Speaker 3>I grew up there and seeing then Lizzie everybody at

0:17:12.840 --> 0:17:15.520
<v Speaker 3>that place, and ac DC's here, so here I'm at

0:17:15.520 --> 0:17:18.520
<v Speaker 3>this place and it's print in the time. And then

0:17:18.520 --> 0:17:20.280
<v Speaker 3>when I went on my own, I went back there

0:17:20.400 --> 0:17:23.560
<v Speaker 3>and played with Hendricks and Zeppelin played at the Call Ballroom,

0:17:23.680 --> 0:17:25.800
<v Speaker 3>so you know, and it's and I just remember this girl,

0:17:25.880 --> 0:17:29.480
<v Speaker 3>she was like miss Black Quad Cities, and I remember

0:17:29.520 --> 0:17:31.720
<v Speaker 3>she walked on. I was sitting under the girl's porch

0:17:31.760 --> 0:17:34.600
<v Speaker 3>in Davenport when she walked up the stairs and I said, him,

0:17:34.640 --> 0:17:38.000
<v Speaker 3>sitting there talking to something. And she walked up stairs

0:17:38.040 --> 0:17:40.399
<v Speaker 3>a meet with somebody, and I said hi, and she

0:17:40.440 --> 0:17:42.480
<v Speaker 3>didn't speak to me. And then when I played there,

0:17:42.520 --> 0:17:45.720
<v Speaker 3>she almost got hit by a car running across the

0:17:46.359 --> 0:17:49.359
<v Speaker 3>But it's like, you know, I didn't say nothing, but

0:17:49.400 --> 0:17:52.560
<v Speaker 3>you just go like, see you just never know that

0:17:52.640 --> 0:17:56.840
<v Speaker 3>dude janitoring over there cleaning the toilet. You just come on, man,

0:17:56.840 --> 0:17:58.960
<v Speaker 3>I know I did the same thing. You don't y'all

0:17:59.000 --> 0:18:02.720
<v Speaker 3>don't even understand I cut I cut teeth. If y'all

0:18:03.920 --> 0:18:05.120
<v Speaker 3>y'all you know for.

0:18:05.080 --> 0:18:07.600
<v Speaker 1>A second, did it's a system too.

0:18:09.480 --> 0:18:11.120
<v Speaker 3>I did all kinds.

0:18:10.840 --> 0:18:13.560
<v Speaker 7>Of stuff because stuff like the first job that you had.

0:18:13.760 --> 0:18:17.719
<v Speaker 3>I okay, as I wanted my first, my first real guitar.

0:18:18.040 --> 0:18:20.760
<v Speaker 1>And what kind of act did you have as a kid?

0:18:21.040 --> 0:18:24.919
<v Speaker 3>I had like the regular tice skulls and the strength.

0:18:25.680 --> 0:18:28.160
<v Speaker 3>It was like a break exactly. And that twenty nine

0:18:28.200 --> 0:18:31.119
<v Speaker 3>dollars of a lot of lawns I mowed. And you know,

0:18:31.119 --> 0:18:33.000
<v Speaker 3>when you're a kid, you have a stack of twenty

0:18:33.320 --> 0:18:38.000
<v Speaker 3>nine once loaded, you just keep you taking up the jar.

0:18:38.320 --> 0:18:39.440
<v Speaker 1>Look, I'm still that way.

0:18:39.680 --> 0:18:42.320
<v Speaker 3>And I had the UH and I had payment ones,

0:18:43.160 --> 0:18:45.080
<v Speaker 3>I had the memory. I don't know if y'all remember this,

0:18:45.119 --> 0:18:47.280
<v Speaker 3>as I'm older than y'all, But Crystal radio. There was

0:18:47.280 --> 0:18:49.600
<v Speaker 3>these things that you would sit in the window. You

0:18:49.720 --> 0:18:51.960
<v Speaker 3>build these little radios and they didn't have batteries, but

0:18:52.000 --> 0:18:53.960
<v Speaker 3>you sit them in the window and they gather in

0:18:54.119 --> 0:18:57.320
<v Speaker 3>store sunlight and did at night you could listen to

0:18:57.359 --> 0:19:01.520
<v Speaker 3>the radio. Yeah, that's what they called there. But they

0:19:01.520 --> 0:19:04.679
<v Speaker 3>were called crystal radio back then because there wasn't solar

0:19:04.720 --> 0:19:06.800
<v Speaker 3>head like a little crystal and that they would store

0:19:07.440 --> 0:19:11.119
<v Speaker 3>sunlight and you'd build them from realistic and before radio

0:19:11.200 --> 0:19:13.680
<v Speaker 3>shock and all that. But yeah, that's how I kind

0:19:13.680 --> 0:19:16.399
<v Speaker 3>of started getting worn in different styles of music and

0:19:16.400 --> 0:19:19.360
<v Speaker 3>getting those jazz stations of blue stations that wasn't even

0:19:19.359 --> 0:19:20.720
<v Speaker 3>in the I.

0:19:20.760 --> 0:19:23.679
<v Speaker 1>Was going to say, how prevalent was Was there a

0:19:23.720 --> 0:19:27.440
<v Speaker 1>black radio station in East St. Yoris?

0:19:27.600 --> 0:19:31.560
<v Speaker 3>It was because I'm always telling my cousin that it

0:19:31.640 --> 0:19:35.960
<v Speaker 3>was black radio that broke Benny and the Jets. Was

0:19:36.040 --> 0:19:39.160
<v Speaker 3>never a single, but it was a DJ in East St.

0:19:39.160 --> 0:19:41.800
<v Speaker 3>Louis name Jim Gates. Yeah, it was never a single.

0:19:41.800 --> 0:19:45.200
<v Speaker 3>Black radio this DJ that started playing it, and at

0:19:45.200 --> 0:19:48.840
<v Speaker 3>the time they were black radio, unlike I don't know

0:19:48.880 --> 0:19:51.120
<v Speaker 3>if because I was in they Saint Louis. I would

0:19:51.240 --> 0:19:52.840
<v Speaker 3>even when I lived in Rock Island, I would go

0:19:52.920 --> 0:19:55.639
<v Speaker 3>to my mother's in the summer and East St. Louis

0:19:55.640 --> 0:19:58.000
<v Speaker 3>and my mother's I mean when I talk about this,

0:19:58.040 --> 0:20:00.360
<v Speaker 3>because I have a book, an audiobook that's come out

0:20:01.359 --> 0:20:05.359
<v Speaker 3>later in the year, but okay, she had a backyard

0:20:05.400 --> 0:20:08.440
<v Speaker 3>and then it was a fence dividing the backyards instead

0:20:08.440 --> 0:20:11.040
<v Speaker 3>of an alley, so there was. There would be this

0:20:11.080 --> 0:20:13.879
<v Speaker 3>guy every now and then sitting on the back porch

0:20:13.960 --> 0:20:16.080
<v Speaker 3>in a chair and playing guitar, and I would go over.

0:20:16.240 --> 0:20:19.119
<v Speaker 3>Sometimes I'm a young kid, I go over and I go,

0:20:19.600 --> 0:20:22.520
<v Speaker 3>you know, and just watch him play guitar. And he'd

0:20:22.560 --> 0:20:24.960
<v Speaker 3>have a pipe and he'd be playing. And that cat

0:20:24.960 --> 0:20:28.600
<v Speaker 3>was Albert King. So he would go, you know, he

0:20:28.640 --> 0:20:31.119
<v Speaker 3>would say, you know, because his guitar is strung up

0:20:31.280 --> 0:20:33.280
<v Speaker 3>like for me, but he just turns it this way

0:20:33.320 --> 0:20:35.760
<v Speaker 3>and plays it with the strings upside down. So he

0:20:35.800 --> 0:20:38.000
<v Speaker 3>would go. He would show me things. And so when

0:20:38.000 --> 0:20:42.199
<v Speaker 3>I older, when I tell people, I know exactly what

0:20:42.240 --> 0:20:44.359
<v Speaker 3>he's playing and how he was tuned because he was

0:20:44.400 --> 0:20:45.880
<v Speaker 3>like he would show me. And so when I would

0:20:45.920 --> 0:21:00.240
<v Speaker 3>go right, I knew exactly what he was doing because

0:21:00.240 --> 0:21:02.080
<v Speaker 3>I got to see him do that when I was thirteen,

0:21:02.280 --> 0:21:04.119
<v Speaker 3>and he would show me stuff and he would and

0:21:04.160 --> 0:21:08.720
<v Speaker 3>what it was. He dated the lady behind living behind

0:21:08.720 --> 0:21:11.800
<v Speaker 3>my mother and and I remember it so brightly because

0:21:12.080 --> 0:21:15.000
<v Speaker 3>at the time lou Brock was the Saints cardinal, but

0:21:15.040 --> 0:21:17.440
<v Speaker 3>he had these Dodge dealerships and it was with lou

0:21:17.480 --> 0:21:21.480
<v Speaker 3>Brock Dodges right there, and uh, I didn't realize that

0:21:21.560 --> 0:21:23.840
<v Speaker 3>Albert King, but he drove his own tour bus, so

0:21:23.880 --> 0:21:26.200
<v Speaker 3>it'd be this every time. They'd be this big bus. Yeah,

0:21:27.560 --> 0:21:30.199
<v Speaker 3>it's just like that's why when I was telling somebody

0:21:30.200 --> 0:21:32.760
<v Speaker 3>on the plane here yesterday, I said, when I talk

0:21:32.760 --> 0:21:34.560
<v Speaker 3>about my life, it's just I was like, I'm lying,

0:21:34.680 --> 0:21:39.359
<v Speaker 3>you know, because there's too much. No, it's planet. It

0:21:39.520 --> 0:21:44.359
<v Speaker 3>just too much stuff lines up for me. Like you know,

0:21:44.520 --> 0:21:46.760
<v Speaker 3>you know my sister, right, Swayne car Walls. He's my

0:21:46.760 --> 0:21:49.560
<v Speaker 3>play sister, but we like really closely, you know something.

0:21:49.800 --> 0:21:53.439
<v Speaker 3>So that was her big joke. She's like, man, he

0:21:53.640 --> 0:21:57.199
<v Speaker 3>just got here famous because I came to Minneapolis not

0:21:57.280 --> 0:21:59.760
<v Speaker 3>knowing anybody. I'm staying at the YMC. Ate like one

0:21:59.760 --> 0:22:02.359
<v Speaker 3>of the village people, right, you know why if you

0:22:02.400 --> 0:22:04.760
<v Speaker 3>didn't live anywhere, you know you could, they would let

0:22:04.840 --> 0:22:05.840
<v Speaker 3>you crash out.

0:22:06.080 --> 0:22:06.280
<v Speaker 1>Yeah.

0:22:06.440 --> 0:22:08.680
<v Speaker 3>So I came to Minneapolis, not not but I'm staying

0:22:08.720 --> 0:22:12.800
<v Speaker 3>at the YMC. I'm chilling April nineteen eighty one by June,

0:22:12.800 --> 0:22:14.520
<v Speaker 3>I'm in the stars on that cup.

0:22:14.760 --> 0:22:16.320
<v Speaker 1>Wow. Wow.

0:22:16.920 --> 0:22:21.840
<v Speaker 3>So it's like wow, and I didn't know anybody, so

0:22:21.880 --> 0:22:24.719
<v Speaker 3>what the fuck exactly? So what would happen is I

0:22:24.840 --> 0:22:28.480
<v Speaker 3>was during the day I would go I would go

0:22:28.560 --> 0:22:32.280
<v Speaker 3>walking around and so people would think I was somebody else.

0:22:32.280 --> 0:22:35.280
<v Speaker 3>They are you, are you related to that? And I

0:22:35.320 --> 0:22:37.760
<v Speaker 3>didn't know anybody, and I go no. So I'd be

0:22:37.880 --> 0:22:39.960
<v Speaker 3>walking around. And if you go back and there's a

0:22:40.000 --> 0:22:42.600
<v Speaker 3>guitar store there, I think it's still there. It's called

0:22:42.640 --> 0:22:44.280
<v Speaker 3>Nude could pay. But if you go back and check out,

0:22:44.320 --> 0:22:47.359
<v Speaker 3>there's old ads that I did model for before I

0:22:47.400 --> 0:22:49.159
<v Speaker 3>was ever in the time, so you'll see you can

0:22:49.200 --> 0:22:51.840
<v Speaker 3>look up. Wow.

0:22:52.240 --> 0:22:53.920
<v Speaker 7>So you were dressing like a rock star?

0:22:54.080 --> 0:22:57.040
<v Speaker 3>R No, No, I just must have looked a certain.

0:22:58.880 --> 0:22:59.920
<v Speaker 1>Allen just walking around.

0:23:00.880 --> 0:23:01.960
<v Speaker 3>No, not nothing.

0:23:02.080 --> 0:23:02.400
<v Speaker 1>I didn't.

0:23:02.440 --> 0:23:04.359
<v Speaker 3>I don't even think I had any of that stuff

0:23:04.400 --> 0:23:06.960
<v Speaker 3>with me then because I had to when I joined

0:23:07.000 --> 0:23:08.919
<v Speaker 3>this band Enterprise, I had to have all that stuff

0:23:08.920 --> 0:23:09.320
<v Speaker 3>come up.

0:23:10.160 --> 0:23:17.760
<v Speaker 1>That's crazy. So, uh, what effect knowing that I believe

0:23:17.800 --> 0:23:21.320
<v Speaker 1>you were born in sixty what effect did watching? How

0:23:21.320 --> 0:23:23.760
<v Speaker 1>did Hendrix enter your life? Well?

0:23:25.240 --> 0:23:30.120
<v Speaker 3>I was too young to have seen him, so when

0:23:30.119 --> 0:23:32.439
<v Speaker 3>I got but I remember the day. I remember we

0:23:32.520 --> 0:23:34.200
<v Speaker 3>lived in it was any Saint Louis in a basement

0:23:34.240 --> 0:23:37.760
<v Speaker 3>apartment the day he died, because it came on the television.

0:23:37.760 --> 0:23:39.399
<v Speaker 3>I'll never forget it. But I didn't know who he was,

0:23:39.520 --> 0:23:42.480
<v Speaker 3>but I believe it or not. That same day I

0:23:42.560 --> 0:23:47.920
<v Speaker 3>knew who Bob Marley was because he wrote a song

0:23:48.119 --> 0:23:50.600
<v Speaker 3>he wrote. There was a guy named Johnny Nash that

0:23:50.720 --> 0:23:57.360
<v Speaker 3>had a song called was this clearly Yes that You're right?

0:23:57.600 --> 0:24:00.720
<v Speaker 3>Quest You're right? He had he had the That song

0:24:00.840 --> 0:24:03.959
<v Speaker 3>was out way back then. But that's who wrote that,

0:24:04.320 --> 0:24:06.840
<v Speaker 3>right and so, and it came out at the time.

0:24:06.880 --> 0:24:08.560
<v Speaker 3>There was I just remember this one song because I

0:24:08.640 --> 0:24:10.879
<v Speaker 3>used to I used to just make me have. I

0:24:10.880 --> 0:24:12.399
<v Speaker 3>didn't like this, so it was called I was a

0:24:12.400 --> 0:24:22.199
<v Speaker 3>girl watcher A girl watch. Yeah, I watching girls.

0:24:22.920 --> 0:24:27.359
<v Speaker 1>I didn't know the real version later, but I knew

0:24:28.400 --> 0:24:30.560
<v Speaker 1>I didn't. I didn't know the real version until just.

0:24:32.040 --> 0:24:34.119
<v Speaker 3>So. Yeah, I just said, I you know, I do.

0:24:34.320 --> 0:24:36.320
<v Speaker 3>That's for some reason, you know certain things in your

0:24:36.520 --> 0:24:40.760
<v Speaker 3>like you know, the day you know Kennedy was this

0:24:40.920 --> 0:24:41.680
<v Speaker 3>and the same thing.

0:24:41.800 --> 0:24:44.359
<v Speaker 1>Wait, since we were in a rabbit hole. Side note,

0:24:45.359 --> 0:24:50.760
<v Speaker 1>Run did one solo joint that never quite made it

0:24:50.840 --> 0:24:54.439
<v Speaker 1>in nineteen eighty three. It was like Run and Papa

0:24:55.440 --> 0:24:58.080
<v Speaker 1>Papa rhyme large or something, and they covered I'm a

0:24:58.160 --> 0:25:00.879
<v Speaker 1>Girl Watcher. Oh wow, but that you have never released

0:25:00.880 --> 0:25:05.040
<v Speaker 1>it because it was like run run, So anyway.

0:25:04.640 --> 0:25:06.880
<v Speaker 3>No, that's just I was just saying how certain things

0:25:06.880 --> 0:25:10.160
<v Speaker 3>become a snapshot in your life because you they're connected

0:25:10.160 --> 0:25:13.000
<v Speaker 3>with music. It's like the day Martin Luther King was assassinated.

0:25:13.040 --> 0:25:14.800
<v Speaker 3>I remember it because one of the songs I love

0:25:15.000 --> 0:25:18.760
<v Speaker 3>was cat just recently passed away that I absolutely love,

0:25:19.840 --> 0:25:23.639
<v Speaker 3>Hugh Mescala grazing in the grass. And so I was

0:25:23.680 --> 0:25:27.159
<v Speaker 3>a young kid and HEAs Saint Louis and been fortunate

0:25:27.200 --> 0:25:29.600
<v Speaker 3>enough at that time I met Martin Luther King as

0:25:29.600 --> 0:25:32.119
<v Speaker 3>a little kid. You know, Malcolm X.

0:25:32.160 --> 0:25:34.120
<v Speaker 7>I'm sorry, I'm gonna need you not to pass by

0:25:34.160 --> 0:25:35.879
<v Speaker 7>these moments, and I'm gonna need you to kind of

0:25:35.880 --> 0:25:37.159
<v Speaker 7>tell I'm.

0:25:37.040 --> 0:25:39.960
<v Speaker 3>Telling you when I elaborate on everything is I believe you.

0:25:40.440 --> 0:25:43.440
<v Speaker 3>It's just like but it's like those times, the times

0:25:43.480 --> 0:25:45.439
<v Speaker 3>that you grew up in and you got to remember

0:25:45.640 --> 0:25:48.439
<v Speaker 3>Malcolm X wasn't like the Malcolm X that people know.

0:25:48.520 --> 0:25:50.879
<v Speaker 3>He went, he flew, you know, they he would be

0:25:50.960 --> 0:25:53.240
<v Speaker 3>the guy that would come in and opened the other mosque.

0:25:54.160 --> 0:25:58.720
<v Speaker 3>And so growing up in the Nation of Islam, so

0:26:00.080 --> 0:26:01.240
<v Speaker 3>through my mother, so.

0:26:01.240 --> 0:26:06.720
<v Speaker 7>I wait a minute, yeah, I got to get.

0:26:08.320 --> 0:26:11.640
<v Speaker 3>I got to experience all of that seriously. Yeah, that's

0:26:11.680 --> 0:26:14.520
<v Speaker 3>the reason why I'm like always was kind of really

0:26:14.600 --> 0:26:16.720
<v Speaker 3>corny and not in the drugs or drinking and all that,

0:26:16.960 --> 0:26:22.040
<v Speaker 3>because because I was just raised to do that way,

0:26:22.240 --> 0:26:25.120
<v Speaker 3>raised by a whole bunch of women, my mom, her sisters.

0:26:25.200 --> 0:26:26.120
<v Speaker 3>Oh my god, so.

0:26:26.040 --> 0:26:27.560
<v Speaker 7>Your mom was in the nation, was your but your

0:26:27.640 --> 0:26:28.200
<v Speaker 7>dad wasn't?

0:26:28.359 --> 0:26:30.920
<v Speaker 3>They weren't they were not married? Then okay they were

0:26:30.960 --> 0:26:33.560
<v Speaker 3>like she disappeared with all of us. And there it's

0:26:33.560 --> 0:26:34.360
<v Speaker 3>a whole nother.

0:26:34.440 --> 0:26:36.000
<v Speaker 7>You're gonna say that for the book. I see what

0:26:36.040 --> 0:26:36.360
<v Speaker 7>you're doing.

0:26:36.440 --> 0:26:38.520
<v Speaker 3>No, no, no, it's just it's just like would go on

0:26:38.640 --> 0:26:43.320
<v Speaker 3>and be probably everybody no, like this is a true

0:26:43.480 --> 0:26:47.560
<v Speaker 3>music nerd, but it's like, but it's like the all

0:26:47.600 --> 0:26:51.000
<v Speaker 3>the moments that you live. And because one of the

0:26:51.040 --> 0:26:55.280
<v Speaker 3>things that when Quincy talked about, we would go to

0:26:55.320 --> 0:26:59.640
<v Speaker 3>school in South Chicago and coming home, going to school

0:26:59.680 --> 0:27:02.240
<v Speaker 3>and come home almost like a life and death experience

0:27:02.280 --> 0:27:04.920
<v Speaker 3>every day. That's how East Saint Louis was. How did

0:27:04.920 --> 0:27:05.520
<v Speaker 3>you escape that?

0:27:05.560 --> 0:27:07.439
<v Speaker 1>Though? Like, did you have like.

0:27:09.040 --> 0:27:12.320
<v Speaker 3>No, I was, I have no idea because I because

0:27:12.480 --> 0:27:14.400
<v Speaker 3>let me tell you how crazy it is now. It's

0:27:14.440 --> 0:27:18.399
<v Speaker 3>like it's like my youngest child is fourteen, and I

0:27:18.440 --> 0:27:22.080
<v Speaker 3>can't imagine her walking from here to you know, three

0:27:22.160 --> 0:27:26.199
<v Speaker 3>or four or five blocks where I'm I'm nine, and

0:27:26.320 --> 0:27:29.159
<v Speaker 3>I was ye over seeing those shows when the kids

0:27:29.200 --> 0:27:31.879
<v Speaker 3>go extra extra Read out about when me and a

0:27:31.960 --> 0:27:34.919
<v Speaker 3>kid that lived upstairs from us in this apartment. His

0:27:35.000 --> 0:27:37.960
<v Speaker 3>name was Hermann. Uh he passed away as a child.

0:27:37.960 --> 0:27:40.720
<v Speaker 3>He got hit by a car, unfortunately, but he was

0:27:40.720 --> 0:27:43.960
<v Speaker 3>a He had a gig selling this newspaper called the

0:27:43.960 --> 0:27:50.000
<v Speaker 3>Bistate Defender. So I was so a hustler at such

0:27:50.000 --> 0:27:51.439
<v Speaker 3>a young guy. So I was nine, and I had

0:27:51.440 --> 0:27:53.800
<v Speaker 3>to lie and till the guy was ten. And so

0:27:53.880 --> 0:27:55.800
<v Speaker 3>we would go after school and we would get a

0:27:55.800 --> 0:27:57.600
<v Speaker 3>whole stack of papers. He would get a whole stack

0:27:57.640 --> 0:27:59.520
<v Speaker 3>of paper and carry How crazy this is. You can't

0:27:59.560 --> 0:28:02.320
<v Speaker 3>imagine and doing this with your kid, or allowing your

0:28:02.359 --> 0:28:04.320
<v Speaker 3>kid to do this. But where I lived in the

0:28:04.440 --> 0:28:07.560
<v Speaker 3>Saint Louis, we would walk across the bridge to Saint Louis.

0:28:07.560 --> 0:28:10.040
<v Speaker 3>When you walk across the bridge in Saint Louis, Missouri, now,

0:28:10.320 --> 0:28:12.959
<v Speaker 3>so we would walk across the bridge, me and Herman.

0:28:13.040 --> 0:28:15.199
<v Speaker 3>He was ten, I was nine. We would get these

0:28:15.240 --> 0:28:17.720
<v Speaker 3>stack of papers. They were twenty cents a piece. We'd

0:28:18.200 --> 0:28:20.200
<v Speaker 3>have to turn in the diamond. Then we kept a dime.

0:28:20.320 --> 0:28:22.600
<v Speaker 3>So we'd walk across the bridge. At the end of

0:28:22.640 --> 0:28:25.120
<v Speaker 3>the bridge. You when you got across the bridge, you'd

0:28:25.119 --> 0:28:30.640
<v Speaker 3>make a right and on one side was the Continental

0:28:31.080 --> 0:28:34.399
<v Speaker 3>Trailways bus station. Other side was the farmer's market. So

0:28:34.440 --> 0:28:36.600
<v Speaker 3>we'd be this isn't at night and we're walking down

0:28:36.640 --> 0:28:39.200
<v Speaker 3>there by state defend their busy and we would sell

0:28:39.240 --> 0:28:42.040
<v Speaker 3>every one of those papers, walk across the bridge the

0:28:42.080 --> 0:28:45.560
<v Speaker 3>next day, give the guy his half of the ten,

0:28:45.640 --> 0:28:47.680
<v Speaker 3>then we get another stack. We would do that every day.

0:28:47.760 --> 0:28:51.280
<v Speaker 3>Imagine your kid allowing your kid today. But it was like,

0:28:51.440 --> 0:28:53.240
<v Speaker 3>you know, helping. Huh, how would you guys be out

0:28:53.240 --> 0:28:55.080
<v Speaker 3>there till them papers were gone?

0:28:55.480 --> 0:28:57.320
<v Speaker 7>And y'all was mad late, like the paper come out

0:28:57.320 --> 0:28:59.240
<v Speaker 7>in the morning, y'all sell No.

0:28:59.200 --> 0:29:02.320
<v Speaker 3>The by state there was like some weird paper that

0:29:02.520 --> 0:29:05.720
<v Speaker 3>just kind of told about murders and killings. And because

0:29:05.760 --> 0:29:10.200
<v Speaker 3>at that time Saint Louis, I think Saint Louis, Missouri,

0:29:10.280 --> 0:29:14.160
<v Speaker 3>was the murder capital of the state. And in that

0:29:14.280 --> 0:29:17.280
<v Speaker 3>neighborhood that was the murder capital was where the Spinkx

0:29:17.320 --> 0:29:21.840
<v Speaker 3>brothers came from. Oh yeah, because you they were Yeah,

0:29:21.840 --> 0:29:24.520
<v Speaker 3>it was like you didn't go in that. It was

0:29:24.560 --> 0:29:26.880
<v Speaker 3>the projects over there. And you would walk past this

0:29:26.920 --> 0:29:29.280
<v Speaker 3>store that was called Famous Bar Sticks and Fuller and

0:29:29.320 --> 0:29:31.360
<v Speaker 3>all of some story like that was really like the

0:29:31.400 --> 0:29:34.600
<v Speaker 3>big Then you got two blocks past that, man, it

0:29:34.680 --> 0:29:36.600
<v Speaker 3>was like the White House back in the days. You

0:29:36.600 --> 0:29:39.120
<v Speaker 3>remember you walked past the White House for about two

0:29:39.120 --> 0:29:42.360
<v Speaker 3>blocks and it was, well, what's going on? What happened?

0:29:43.520 --> 0:29:43.720
<v Speaker 2>Yeah?

0:29:43.920 --> 0:29:46.400
<v Speaker 3>East St. Louis a lot of cities like that.

0:29:46.480 --> 0:29:50.560
<v Speaker 1>Were there any notable uh peers or people that we

0:29:50.600 --> 0:29:51.680
<v Speaker 1>were doing all day long?

0:29:51.840 --> 0:29:53.960
<v Speaker 3>Because if you guys go look at the history of

0:29:54.040 --> 0:29:57.440
<v Speaker 3>Chuck Berry and all them. So East Saint Louis, downtown

0:29:57.440 --> 0:30:03.160
<v Speaker 3>eas St. Louis, there was a club and I just

0:30:03.200 --> 0:30:05.720
<v Speaker 3>don't know how, and I ain't dead or whatever, but

0:30:05.840 --> 0:30:07.880
<v Speaker 3>I was a kid. I was a little kid, wasn't

0:30:08.200 --> 0:30:10.880
<v Speaker 3>old enough, but I was so crazy with music already.

0:30:11.920 --> 0:30:14.080
<v Speaker 3>This club Chuck Berry would play it and the club

0:30:14.120 --> 0:30:15.800
<v Speaker 3>had a back door. You would open the back door.

0:30:15.800 --> 0:30:18.240
<v Speaker 3>I remember hearing stories. Elvis used to do this when

0:30:18.240 --> 0:30:20.920
<v Speaker 3>he was a you know, a kid, he was a

0:30:20.920 --> 0:30:22.880
<v Speaker 3>little kid. He would do to go look in the

0:30:22.920 --> 0:30:25.280
<v Speaker 3>window at the you know, the juke joints and they

0:30:25.320 --> 0:30:27.040
<v Speaker 3>would let him do that and the little white kid,

0:30:27.080 --> 0:30:29.760
<v Speaker 3>and I actually did that. I would this club. You

0:30:29.760 --> 0:30:31.640
<v Speaker 3>would open the back door and you could see straight

0:30:31.680 --> 0:30:34.480
<v Speaker 3>through the club to the stage, and I would see

0:30:34.560 --> 0:30:37.160
<v Speaker 3>Chuck Berry play. I would see the I would just

0:30:37.200 --> 0:30:39.880
<v Speaker 3>sit there and be like And so I was really

0:30:39.920 --> 0:30:41.840
<v Speaker 3>fortunate in the sense that I knew what I was.

0:30:41.800 --> 0:30:42.320
<v Speaker 1>Going to do.

0:30:42.360 --> 0:30:49.160
<v Speaker 3>And then what changed it. Parliament Funkadelic played at Eastside

0:30:49.240 --> 0:30:51.280
<v Speaker 3>High School, and then whenever I would tell George. I

0:30:51.360 --> 0:30:54.800
<v Speaker 3>was telling George just during the Graffiti Bridge filming and

0:30:54.800 --> 0:30:56.719
<v Speaker 3>he was like, Oh, you're showing your age. I said, no, bro,

0:30:56.920 --> 0:30:59.440
<v Speaker 3>I was, I wouldn't even and I wouldn't in high school.

0:30:59.440 --> 0:31:01.520
<v Speaker 3>I said, I took the rebusses to get to that area,

0:31:01.560 --> 0:31:04.600
<v Speaker 3>and I said, I was so young and so little

0:31:04.640 --> 0:31:07.360
<v Speaker 3>that when the guy opened the door, he was like,

0:31:08.240 --> 0:31:10.480
<v Speaker 3>who's with you? You know at the school, and he

0:31:10.600 --> 0:31:12.680
<v Speaker 3>let me come in. So I'm sitting in the bleachers

0:31:13.040 --> 0:31:16.080
<v Speaker 3>watching them rehearse sound check and everything, and it was

0:31:17.000 --> 0:31:19.160
<v Speaker 3>I knew from that moment what I was gonna do

0:31:19.600 --> 0:31:22.840
<v Speaker 3>because Michael Hampton walked in. It was back in the

0:31:22.840 --> 0:31:25.800
<v Speaker 3>seventies where there was these patch of jeans and Michael

0:31:25.840 --> 0:31:28.240
<v Speaker 3>Hampton walked in and he had a pig nos amp

0:31:28.320 --> 0:31:30.320
<v Speaker 3>on east side and they had they all had some

0:31:30.400 --> 0:31:33.280
<v Speaker 3>barrels hanging off their back like real Mexicans, and it

0:31:33.360 --> 0:31:34.840
<v Speaker 3>was like and it was the only time I've seen

0:31:35.720 --> 0:31:38.600
<v Speaker 3>during the soundcheck, George Clinton played a black less Paul.

0:31:38.600 --> 0:31:41.520
<v Speaker 3>He played guitar and it's just the real this was

0:31:41.560 --> 0:31:45.920
<v Speaker 3>Funkadelic fund And you talked to George. George's memory is frightening,

0:31:46.240 --> 0:31:53.600
<v Speaker 3>like George remembers any and George is mind blowing with that.

0:31:53.720 --> 0:31:56.000
<v Speaker 3>Like George talked to me by about three years ago

0:31:56.120 --> 0:31:58.680
<v Speaker 3>and oh, I haven't seen you since the Blop blop

0:31:58.720 --> 0:32:01.680
<v Speaker 3>blop and he was dead and the and it was

0:32:01.720 --> 0:32:05.760
<v Speaker 3>the last time he saw me was at Paisley was filming.

0:32:06.240 --> 0:32:10.040
<v Speaker 3>You know, it's just mind but that show. I remembered

0:32:10.040 --> 0:32:12.680
<v Speaker 3>it because I'm dude, I'm a little kid. I'm like

0:32:12.760 --> 0:32:16.640
<v Speaker 3>and I took like two the transferred things to get there,

0:32:16.680 --> 0:32:18.800
<v Speaker 3>and so I to this day, I try to remember

0:32:18.800 --> 0:32:21.080
<v Speaker 3>how I got home because I'm a little kid and

0:32:21.160 --> 0:32:23.920
<v Speaker 3>just walking from that school back to where the bus

0:32:24.960 --> 0:32:29.040
<v Speaker 3>just just like sick with it. As far as no,

0:32:29.160 --> 0:32:30.920
<v Speaker 3>I was actually living with some other.

0:32:30.720 --> 0:32:34.360
<v Speaker 7>People like in the books ran away.

0:32:34.400 --> 0:32:36.560
<v Speaker 3>It was like a foster kid at that point time.

0:32:36.720 --> 0:32:45.440
<v Speaker 1>It's another recurring on this show. So how did you

0:32:45.480 --> 0:32:47.640
<v Speaker 1>wind up in Minneapolis?

0:32:48.160 --> 0:32:54.320
<v Speaker 3>Well, I was in in Rock Island. Rock Island is

0:32:54.360 --> 0:32:56.440
<v Speaker 3>a really very very very small town. And at the

0:32:56.560 --> 0:32:59.400
<v Speaker 3>end of the bridge, there's this bridge that it takes

0:32:59.400 --> 0:33:01.840
<v Speaker 3>you from you're in rock I know, Illinois. When you

0:33:01.880 --> 0:33:04.160
<v Speaker 3>go with a bridge in Downport Iole. Well read the

0:33:04.200 --> 0:33:06.760
<v Speaker 3>foot of that bridge. There's a you can see it

0:33:06.800 --> 0:33:08.880
<v Speaker 3>online because it's no longer there now, but it's called

0:33:08.880 --> 0:33:12.120
<v Speaker 3>the Yankee Clipper. It was a hardcore biker bar. I mean,

0:33:12.160 --> 0:33:17.280
<v Speaker 3>if you went in there black, you died. You I'm

0:33:17.280 --> 0:33:20.720
<v Speaker 3>not I'm serious. The band the you can look it up.

0:33:20.760 --> 0:33:24.840
<v Speaker 3>The motorcycle group was called the Grim Reapers. Seriously seriously,

0:33:25.760 --> 0:33:28.640
<v Speaker 3>like yeah, no, seriously, you you and he and it

0:33:28.800 --> 0:33:31.840
<v Speaker 3>even worse. You had a chance, you had a better chance,

0:33:32.560 --> 0:33:35.640
<v Speaker 3>Like I learned something about cats that were hardcore like that,

0:33:35.960 --> 0:33:37.800
<v Speaker 3>Like I went in there and I survived because I

0:33:38.160 --> 0:33:39.800
<v Speaker 3>went in there and cranked them. Map and the guy

0:33:39.840 --> 0:33:41.680
<v Speaker 3>who placed I took in his band of band was

0:33:41.680 --> 0:33:45.760
<v Speaker 3>called Dealer. And the guy who place I took he

0:33:45.880 --> 0:33:48.600
<v Speaker 3>was like an actual dealer and he just got tired

0:33:48.600 --> 0:33:52.320
<v Speaker 3>of planning, so I took his he gave the job

0:33:52.400 --> 0:33:54.520
<v Speaker 3>to me. And then and the band was all all

0:33:54.560 --> 0:33:57.040
<v Speaker 3>white band and the club was like it was like

0:33:57.080 --> 0:33:58.880
<v Speaker 3>it used to be at one point in scription, so

0:33:58.960 --> 0:34:01.640
<v Speaker 3>you had a The stage was like this when we

0:34:01.640 --> 0:34:04.120
<v Speaker 3>were and then it came out in a little you

0:34:04.240 --> 0:34:06.120
<v Speaker 3>like that because it was a strip joint and it

0:34:06.200 --> 0:34:08.319
<v Speaker 3>was a long stage like that, and then a bar

0:34:09.040 --> 0:34:11.120
<v Speaker 3>ran and I and when the singer, one of the

0:34:11.120 --> 0:34:14.160
<v Speaker 3>guys in the band was gay, and I never got

0:34:14.200 --> 0:34:16.080
<v Speaker 3>any flat because I played my butt off.

0:34:16.160 --> 0:34:16.319
<v Speaker 1>You know.

0:34:16.719 --> 0:34:19.799
<v Speaker 3>I went in there and just popped it harder than

0:34:19.840 --> 0:34:22.600
<v Speaker 3>it ever you know. I heard somebody kick guitar like that,

0:34:22.719 --> 0:34:25.319
<v Speaker 3>and and when he would come up to sing, hey

0:34:25.360 --> 0:34:28.319
<v Speaker 3>what pelt him with so much stuff? And I was like, damn.

0:34:28.360 --> 0:34:31.920
<v Speaker 1>So this like the Blues Brothers where you just the chicken. Yeah.

0:34:32.000 --> 0:34:34.600
<v Speaker 3>But what I discovered at that young age is like

0:34:34.719 --> 0:34:37.480
<v Speaker 3>you can be white, but if you're gay, they will

0:34:37.520 --> 0:34:41.759
<v Speaker 3>hate you more then they hate me. Yeah, they don't.

0:34:41.880 --> 0:34:44.400
<v Speaker 3>They never because they loved me because I went in

0:34:44.400 --> 0:34:45.680
<v Speaker 3>there and really, so.

0:34:45.680 --> 0:34:47.800
<v Speaker 1>Does this mean that you would have to go zero

0:34:47.960 --> 0:34:51.120
<v Speaker 1>to one hundred and automatically show your shred skills to

0:34:51.200 --> 0:34:52.200
<v Speaker 1>let you let them.

0:34:52.040 --> 0:34:56.040
<v Speaker 3>Know it's something happens to you because you you in

0:34:56.080 --> 0:35:00.720
<v Speaker 3>your mind know that it's a It's it's hard to explain.

0:35:00.760 --> 0:35:02.560
<v Speaker 3>It's like something in your mind knows that it's like

0:35:02.640 --> 0:35:05.239
<v Speaker 3>sink or swim, and so you just dive right in

0:35:05.320 --> 0:35:07.840
<v Speaker 3>swimming and you don't know how to swim, but you're swimming.

0:35:08.560 --> 0:35:11.320
<v Speaker 3>You know you're swimming. So at the end of that bridge,

0:35:11.360 --> 0:35:13.000
<v Speaker 3>the town is so small at the end of that bridge.

0:35:13.080 --> 0:35:16.400
<v Speaker 3>Think that Yekee Clipper across the street, down across the

0:35:16.400 --> 0:35:18.600
<v Speaker 3>street at the end of the Sheraton. The only big

0:35:18.640 --> 0:35:21.400
<v Speaker 3>hotel you know, I was like the taj Mahal in

0:35:21.440 --> 0:35:26.480
<v Speaker 3>this little town. So across the bridge you take right now,

0:35:26.960 --> 0:35:29.480
<v Speaker 3>are you ever heard of the rko Orpheum? That's it

0:35:29.560 --> 0:35:32.040
<v Speaker 3>right there, because you got to what y'all got to remember,

0:35:32.440 --> 0:35:35.840
<v Speaker 3>Iowa is the rock and roll belt of the United States.

0:35:35.880 --> 0:35:41.399
<v Speaker 3>That's why the monsters of rock all of that stuff. Iowa, Iowa, Iowa, Iowa, Iowa.

0:35:41.520 --> 0:35:43.959
<v Speaker 3>That's why my cousin always gets jealous because I've seen

0:35:44.120 --> 0:35:47.759
<v Speaker 3>everybody growing up because that's where all the the cont

0:35:47.800 --> 0:35:51.080
<v Speaker 3>like Van Halen first, Van Halen album. I saw them

0:35:51.120 --> 0:35:52.920
<v Speaker 3>when they had the exact clothes that are on the

0:35:53.000 --> 0:35:56.120
<v Speaker 3>cover everything. I saw all of that Atlanta Rhythm section,

0:35:56.239 --> 0:35:58.719
<v Speaker 3>the Doobies when they had the Taking It to the

0:35:58.760 --> 0:36:03.359
<v Speaker 3>Streets album, lant Rhythm second, saw everybody, the cars, the

0:36:03.440 --> 0:36:06.759
<v Speaker 3>Thin Lizzie, they saw them all. And what what would

0:36:06.760 --> 0:36:09.759
<v Speaker 3>happen is a lot of big bands like Rush, let

0:36:09.840 --> 0:36:12.759
<v Speaker 3>us come in one time and watch them rehearse, because

0:36:12.760 --> 0:36:15.200
<v Speaker 3>they would come to the Rkoorphi and a lot of

0:36:15.239 --> 0:36:18.120
<v Speaker 3>bands would rent that and rehearse there for a month,

0:36:18.280 --> 0:36:20.880
<v Speaker 3>Like Rush rehearsed there for a month, And so you

0:36:21.120 --> 0:36:22.719
<v Speaker 3>need to come in because you know, you when you're

0:36:22.719 --> 0:36:24.879
<v Speaker 3>in the audience, That's when I kind of first got

0:36:24.880 --> 0:36:27.279
<v Speaker 3>the you know, you're in the audience, everything looks like

0:36:27.400 --> 0:36:29.600
<v Speaker 3>shining and then you get up there and this dude's

0:36:29.640 --> 0:36:32.719
<v Speaker 3>answer all knit and they wasn't as tall as you.

0:36:32.719 --> 0:36:35.360
<v Speaker 3>You know, it was my first time. Yeah, get into that.

0:36:35.400 --> 0:36:38.399
<v Speaker 1>But she's saying that Iowa was like mostly a starting point,

0:36:38.480 --> 0:36:40.719
<v Speaker 1>sort of like Michael Jackson's starting off in Kansas City

0:36:40.800 --> 0:36:43.080
<v Speaker 1>or something like, you're saying that Iowa was just a

0:36:43.120 --> 0:36:44.080
<v Speaker 1>starting but it was.

0:36:44.480 --> 0:36:47.280
<v Speaker 3>It was yet a lot of people you'd be surprised.

0:36:47.280 --> 0:36:49.879
<v Speaker 3>And then and then if you turned, if you went

0:36:49.880 --> 0:36:52.719
<v Speaker 3>across the Centinial Bridge right at that same you could

0:36:52.719 --> 0:36:54.759
<v Speaker 3>turn left this arka or from you turn this way.

0:36:54.800 --> 0:36:58.399
<v Speaker 3>The Call Ballroom. The Call Ballroom is where Zeppelin flew

0:36:58.440 --> 0:37:02.040
<v Speaker 3>in from Minneapolis. That's where Jimmy Page's Black Beauty got stolen.

0:37:02.120 --> 0:37:04.719
<v Speaker 3>And then the Sunburns Less Paul that you've seen him

0:37:04.719 --> 0:37:06.880
<v Speaker 3>play forever, that's where he bought it from. Joe Wash

0:37:07.000 --> 0:37:09.480
<v Speaker 3>was at the Call Ballroom. So it's like if you

0:37:09.520 --> 0:37:11.680
<v Speaker 3>go look at the and then they just released The

0:37:11.719 --> 0:37:13.839
<v Speaker 3>Hendricks at the Call Ballroom. And a guy that of

0:37:13.840 --> 0:37:16.360
<v Speaker 3>course was older, that was there. His name is Jerry Wetzel.

0:37:17.160 --> 0:37:19.279
<v Speaker 3>He told me everything had happened and that was a

0:37:19.320 --> 0:37:21.480
<v Speaker 3>thousand years ago in the seventies. He told me that

0:37:21.560 --> 0:37:23.000
<v Speaker 3>like seventy eight, seventy and I was a kid and

0:37:23.040 --> 0:37:27.080
<v Speaker 3>the music start listening to the stories. Everything he told me.

0:37:27.200 --> 0:37:29.840
<v Speaker 3>They just released it last year, late last year, the

0:37:29.880 --> 0:37:32.800
<v Speaker 3>Hendrix at the Call Ballroom. Everything he told me was

0:37:32.880 --> 0:37:35.319
<v Speaker 3>he said he came because the Call Ballroom doesn't have

0:37:35.360 --> 0:37:38.720
<v Speaker 3>a backstage, and it's a stage. The stage has covered

0:37:38.800 --> 0:37:40.920
<v Speaker 3>it cut into you so you can stand it went

0:37:40.920 --> 0:37:43.560
<v Speaker 3>in at the stage and go ques and it's like,

0:37:43.640 --> 0:37:45.319
<v Speaker 3>I'm like next to you. It's like, you know, back

0:37:45.360 --> 0:37:48.759
<v Speaker 3>then they built halls for real music, right, and so

0:37:48.840 --> 0:37:51.239
<v Speaker 3>everything he told me, he said, Hindricks went, he came

0:37:51.280 --> 0:37:53.440
<v Speaker 3>on stage, he caught walked through the audience with the

0:37:53.480 --> 0:37:55.719
<v Speaker 3>police because there's no backstage, so you have to come

0:37:55.760 --> 0:37:58.680
<v Speaker 3>through the audience. And I played there when my first

0:37:58.760 --> 0:38:01.480
<v Speaker 3>album was out, so I was like, you can't tell me,

0:38:02.920 --> 0:38:05.359
<v Speaker 3>so he said. He came up and he was like,

0:38:05.719 --> 0:38:10.120
<v Speaker 3>you know, then he went, he said, oh, you're experiencing.

0:38:13.200 --> 0:38:15.120
<v Speaker 3>And he said when he started playing, he said, don't

0:38:15.120 --> 0:38:17.520
<v Speaker 3>know what happened, but I got I was like completely

0:38:17.560 --> 0:38:20.239
<v Speaker 3>out of it, but I was just able to see

0:38:20.239 --> 0:38:22.280
<v Speaker 3>a lot of like that. And what ended up happening.

0:38:22.440 --> 0:38:26.799
<v Speaker 3>Every band that, even at the big Iowa Jams and

0:38:26.880 --> 0:38:29.759
<v Speaker 3>the Credit Credit Island concerts, with all the men they

0:38:29.800 --> 0:38:32.480
<v Speaker 3>stayed at that, they would come across the bridge they

0:38:32.560 --> 0:38:35.920
<v Speaker 3>at that Sheridan and they would come to the Yankee

0:38:35.920 --> 0:38:40.000
<v Speaker 3>Clipper and I would jam with all of them, Molly Hatchet,

0:38:40.040 --> 0:38:42.560
<v Speaker 3>everybody jam and they all said the same thing to me,

0:38:42.840 --> 0:38:44.239
<v Speaker 3>and I knew that's when I had to get my

0:38:44.280 --> 0:38:46.480
<v Speaker 3>ass out of there, and they would all, what are

0:38:46.520 --> 0:38:48.480
<v Speaker 3>you doing here? What are you doing here? And so

0:38:48.800 --> 0:38:51.600
<v Speaker 3>I didn't have money, you know, because when you're Midwest kid,

0:38:51.640 --> 0:38:53.880
<v Speaker 3>you think you gotta go to Hollywood, gotta go and

0:38:53.920 --> 0:38:56.560
<v Speaker 3>I had money to do that. So I they saved

0:38:56.640 --> 0:38:59.440
<v Speaker 3>up money for me too. I gotta get a bus

0:38:59.480 --> 0:39:04.160
<v Speaker 3>to in his far as I can go with Minneapolis.

0:39:04.640 --> 0:39:06.080
<v Speaker 3>But that's how I ended up there.

0:39:06.440 --> 0:39:09.680
<v Speaker 7>And so but nothing was there, you just like, that's

0:39:09.680 --> 0:39:10.360
<v Speaker 7>as far as I can go.

0:39:10.400 --> 0:39:13.240
<v Speaker 3>It was like I just knew I need to be somewhere,

0:39:13.239 --> 0:39:15.840
<v Speaker 3>and I knew nothing about many I didn't know, And

0:39:15.960 --> 0:39:17.640
<v Speaker 3>as a matter of fact, when I met Prince, I

0:39:17.680 --> 0:39:19.839
<v Speaker 3>didn't everybody. I just knew. He walked in the room

0:39:19.880 --> 0:39:23.200
<v Speaker 3>and he was like hey, and everybody changed, you know,

0:39:23.239 --> 0:39:30.320
<v Speaker 3>the dude six eight was four, what's walk? And everybody changed,

0:39:30.360 --> 0:39:32.799
<v Speaker 3>and I was like, dude, must be. And then the

0:39:33.000 --> 0:39:36.759
<v Speaker 3>funniest thing about why he even came over because he

0:39:36.880 --> 0:39:40.719
<v Speaker 3>was buying I had a little color TV and you

0:39:40.760 --> 0:39:45.000
<v Speaker 3>know them first VCRs. He came over to buy that

0:39:45.040 --> 0:39:48.480
<v Speaker 3>from me for three hundred dollars. And he had invited

0:39:48.520 --> 0:39:52.080
<v Speaker 3>me through Morris because the band and I joined Morse

0:39:52.160 --> 0:39:54.960
<v Speaker 3>day was the drummer in Enterprise, and I never played

0:39:54.960 --> 0:39:57.759
<v Speaker 3>a show with him because he and he invited me

0:39:57.840 --> 0:40:01.040
<v Speaker 3>to First Avenue. So I'm like, you know, I don't

0:40:01.080 --> 0:40:03.919
<v Speaker 3>know anybody and shit, so I'm like outside the club

0:40:03.960 --> 0:40:07.080
<v Speaker 3>and this girl just was just dropped it. Georgeous pulled me.

0:40:08.320 --> 0:40:10.239
<v Speaker 3>I must have looked lost and she just yanked me,

0:40:10.280 --> 0:40:13.600
<v Speaker 3>and I'd never forget her, Sandy, It's so beautiful. She

0:40:13.719 --> 0:40:16.759
<v Speaker 3>yanked me in the thing and like you just let

0:40:16.800 --> 0:40:18.759
<v Speaker 3>you know, just like I must look lost, I must

0:40:18.840 --> 0:40:20.560
<v Speaker 3>look like a tourist or something. And then I go

0:40:20.640 --> 0:40:24.040
<v Speaker 3>in and I watched Prince shows this is a Dirty Mind.

0:40:24.040 --> 0:40:26.040
<v Speaker 3>He's getting ready to leave for the Dirty Mind tour

0:40:26.680 --> 0:40:30.719
<v Speaker 3>and Moors so this is eighty eighty one. Okay, this

0:40:30.760 --> 0:40:35.319
<v Speaker 3>is the April eighty one. So he so I he

0:40:35.400 --> 0:40:37.600
<v Speaker 3>invited me to the show through Mors and I've never

0:40:37.600 --> 0:40:41.440
<v Speaker 3>met him yet or nothing, and so Morres said, hey,

0:40:41.480 --> 0:40:42.280
<v Speaker 3>he got your ticket.

0:40:42.280 --> 0:40:42.840
<v Speaker 1>Here, Da da da.

0:40:42.840 --> 0:40:45.759
<v Speaker 3>I go down the First Avenue, you know, see the show,

0:40:45.800 --> 0:40:47.760
<v Speaker 3>and I watched and I was like, this shit's amazing,

0:40:47.840 --> 0:40:50.080
<v Speaker 3>Da da da. And what Morris was the Morris was

0:40:50.080 --> 0:40:52.480
<v Speaker 3>a dude at the video at the soundboard videotape and

0:40:52.520 --> 0:40:54.959
<v Speaker 3>all the shows, and I didn't know at the time

0:40:55.000 --> 0:40:58.920
<v Speaker 3>that they had this whole thing going where, you know,

0:40:59.000 --> 0:41:01.480
<v Speaker 3>he had these He made some deal with Morris over

0:41:01.560 --> 0:41:05.080
<v Speaker 3>the party up song. And so the next day Princess

0:41:05.120 --> 0:41:07.120
<v Speaker 3>coming over to buy this thing and this is eighty one,

0:41:07.160 --> 0:41:09.080
<v Speaker 3>so it's three hundred dollars. I'm at the why so

0:41:09.239 --> 0:41:13.160
<v Speaker 3>that's like three million dollars, you know. So he comes

0:41:13.160 --> 0:41:15.640
<v Speaker 3>over and it was the only it was the last

0:41:15.640 --> 0:41:18.799
<v Speaker 3>time I ever sung with jeans on because he was like,

0:41:18.840 --> 0:41:20.359
<v Speaker 3>you know, it was the whole kind of punk thing.

0:41:20.400 --> 0:41:23.279
<v Speaker 3>He had the jeans on the thing that Quest has

0:41:23.320 --> 0:41:25.600
<v Speaker 3>on the rood boy. But then and all that and

0:41:26.080 --> 0:41:31.960
<v Speaker 3>this exact one exactly that came from the douction Dog Jamie.

0:41:32.520 --> 0:41:33.120
<v Speaker 1>I gave up.

0:41:33.280 --> 0:41:37.480
<v Speaker 3>I set all that stuff up. I gave you. No, yes, no,

0:41:37.600 --> 0:41:40.800
<v Speaker 3>you don't understand it. D You haven't talked to D right, okay,

0:41:40.840 --> 0:41:42.400
<v Speaker 3>I'll talk to you after the show. You gotta you

0:41:42.400 --> 0:41:44.000
<v Speaker 3>don't understand what's getting to happen.

0:41:44.080 --> 0:41:44.800
<v Speaker 1>Now, I gotta.

0:41:45.120 --> 0:41:47.439
<v Speaker 3>I gotta show you something. You're gonna lose your mind.

0:41:48.320 --> 0:41:53.440
<v Speaker 1>Another house is this.

0:41:53.600 --> 0:41:55.640
<v Speaker 3>I'm going to give you an inside thing so that

0:41:55.760 --> 0:41:58.319
<v Speaker 3>you will know what to grab when this I'm just

0:41:58.520 --> 0:41:59.920
<v Speaker 3>I'm gonna take you to something.

0:42:00.280 --> 0:42:03.600
<v Speaker 1>Get that VCR man. I went that board.

0:42:04.280 --> 0:42:07.440
<v Speaker 3>This is I just spent twenty because Jamie Sup is

0:42:07.440 --> 0:42:09.720
<v Speaker 3>a very very dear friend of mine, and I've always

0:42:09.719 --> 0:42:11.920
<v Speaker 3>been She's always been an absolutely dear person to me

0:42:11.960 --> 0:42:14.720
<v Speaker 3>because she was you never forget people that were nice

0:42:15.320 --> 0:42:17.760
<v Speaker 3>and generous and looked out for you when they didn't

0:42:17.840 --> 0:42:20.760
<v Speaker 3>have to, and you wasn't nothing on you wouldn't anything

0:42:20.760 --> 0:42:22.200
<v Speaker 3>on the bottom of the shoe. And she was that

0:42:22.239 --> 0:42:24.960
<v Speaker 3>way to me. Taught me. I mean, I every time

0:42:25.000 --> 0:42:27.399
<v Speaker 3>I go jack in at the airport, is that She's

0:42:27.440 --> 0:42:28.799
<v Speaker 3>the reason how to do that?

0:42:29.440 --> 0:42:29.600
<v Speaker 1>You know.

0:42:29.640 --> 0:42:31.880
<v Speaker 3>I went up to the when I was told my cousin.

0:42:31.920 --> 0:42:36.080
<v Speaker 3>I went up to the gate in LA yesterday and

0:42:36.080 --> 0:42:37.719
<v Speaker 3>I said, oh, can you I got in line and

0:42:37.760 --> 0:42:41.759
<v Speaker 3>the girl, so can you just check my boarding pass

0:42:41.800 --> 0:42:43.560
<v Speaker 3>to make sure I'm okay? And she said, why wouldn't

0:42:43.600 --> 0:42:47.080
<v Speaker 3>you be? And I was like, and I'm thinking myself,

0:42:47.080 --> 0:42:49.319
<v Speaker 3>and I can suck up anything. I've been at the

0:42:49.360 --> 0:42:52.040
<v Speaker 3>airport at the gate and missed the fly because I

0:42:52.160 --> 0:42:59.520
<v Speaker 3>just know, I yes, I just don't. I don't be

0:42:59.560 --> 0:43:00.840
<v Speaker 3>paying it in anything.

0:43:00.920 --> 0:43:01.759
<v Speaker 7>And you ain't have to.

0:43:02.960 --> 0:43:04.879
<v Speaker 3>And so I was just went up to the thing

0:43:04.960 --> 0:43:07.120
<v Speaker 3>and shoulder and now I'm gonna tell you how how

0:43:07.360 --> 0:43:09.279
<v Speaker 3>stupid it gets. I wanted to think and short to think.

0:43:09.400 --> 0:43:11.480
<v Speaker 3>She goes, why wouldn't you be? Yeah, you're fine. Why

0:43:11.480 --> 0:43:14.200
<v Speaker 3>wouldn't you be okay? You know, pretty pretty sister. You know.

0:43:14.320 --> 0:43:16.880
<v Speaker 3>She's like, why wouldn't you be okay? And I was like,

0:43:17.160 --> 0:43:19.640
<v Speaker 3>you know, I didn't say that, but I'm thinking, I said,

0:43:19.640 --> 0:43:22.120
<v Speaker 3>because I actually did say because I can mess up anything.

0:43:22.440 --> 0:43:24.319
<v Speaker 3>And she said, no, baby, you're good, You're good, You're good.

0:43:24.760 --> 0:43:27.000
<v Speaker 3>But when I went and sat down I told you

0:43:27.000 --> 0:43:32.000
<v Speaker 3>about I couldn't find my boarding. It was like the

0:43:32.080 --> 0:43:35.160
<v Speaker 3>code had inside pocket and I had put it in there,

0:43:35.200 --> 0:43:38.279
<v Speaker 3>and thought, I'm like, asking, have you seen a board?

0:43:38.560 --> 0:43:41.840
<v Speaker 3>That's how I'm telling you know, I'm a Gemini.

0:43:43.040 --> 0:43:44.720
<v Speaker 7>I'm gonna query. Come on, man, I'm.

0:43:46.719 --> 0:43:47.040
<v Speaker 1>Right now.

0:43:49.000 --> 0:43:51.400
<v Speaker 3>I can just you so be thinking you'd be thinking

0:43:51.400 --> 0:43:53.600
<v Speaker 3>about I don't know what everything, but I made I

0:43:53.600 --> 0:43:55.560
<v Speaker 3>already knew early in life. I made a point that

0:43:55.600 --> 0:43:57.800
<v Speaker 3>I would be good at a whole bunch of stuff,

0:43:57.800 --> 0:43:59.359
<v Speaker 3>but I know it would be great at one thing.

0:43:59.480 --> 0:44:02.160
<v Speaker 7>So and this life is a loted you at the

0:44:02.200 --> 0:44:03.640
<v Speaker 7>time that you don't have to know these things.

0:44:03.680 --> 0:44:04.759
<v Speaker 1>This is great for.

0:44:04.760 --> 0:44:06.920
<v Speaker 3>The most part. Thank god, I have a lot. I

0:44:06.960 --> 0:44:09.759
<v Speaker 3>mean for what I've accomplished. I never They's never been

0:44:09.760 --> 0:44:11.560
<v Speaker 3>a part of my dreams. I just wanted to be

0:44:11.600 --> 0:44:14.520
<v Speaker 3>around the corner playing guitar at some pub or something.

0:44:14.600 --> 0:44:17.200
<v Speaker 3>So what if accomplished You have no idea? Yeah, I

0:44:17.239 --> 0:44:21.160
<v Speaker 3>was going to say one, I have no idea any

0:44:21.160 --> 0:44:21.360
<v Speaker 3>of that.

0:44:21.560 --> 0:44:26.799
<v Speaker 1>Were there any other black people in You're Midwessex before

0:44:26.840 --> 0:44:27.839
<v Speaker 1>you got to Minnesota?

0:44:28.520 --> 0:44:31.360
<v Speaker 3>No, that had to say no, no, because that was

0:44:31.400 --> 0:44:33.240
<v Speaker 3>the whole thing that That's why I ended up playing

0:44:33.280 --> 0:44:35.920
<v Speaker 3>at that biker bar with the white cats. Because all

0:44:35.920 --> 0:44:38.160
<v Speaker 3>the brothers that I knew that were the top cats,

0:44:38.239 --> 0:44:40.920
<v Speaker 3>they had jobs because they wanted to have They had Lincolns,

0:44:41.160 --> 0:44:42.879
<v Speaker 3>got a lot and it and I would they would

0:44:42.920 --> 0:44:45.040
<v Speaker 3>give me whenever they came and pick me up for

0:44:45.080 --> 0:44:48.640
<v Speaker 3>the gig, get a job, get your card, and I

0:44:48.680 --> 0:44:51.200
<v Speaker 3>was like, you know, that wasn't my thing, and I

0:44:51.239 --> 0:44:54.680
<v Speaker 3>wanted to play with your an and your neck. I

0:44:54.719 --> 0:44:56.840
<v Speaker 3>would be first saying where I get a taxi? No,

0:44:56.880 --> 0:44:59.520
<v Speaker 3>they would pick me up, but they would gripe about

0:44:59.520 --> 0:45:03.800
<v Speaker 3>picking me, y'all. But the thing was that they worked

0:45:03.800 --> 0:45:05.719
<v Speaker 3>at uh. I mean that they made more money and

0:45:06.200 --> 0:45:07.799
<v Speaker 3>they worked at it. They worked as straight. So the

0:45:07.960 --> 0:45:10.200
<v Speaker 3>music thing was kind of a hobby where to me,

0:45:10.320 --> 0:45:13.279
<v Speaker 3>I wanted it to be six nights a week and

0:45:13.320 --> 0:45:15.480
<v Speaker 3>then you know, at the time, unfortunately, at that time,

0:45:15.600 --> 0:45:18.080
<v Speaker 3>it was like White Cats was the ones. It was

0:45:18.160 --> 0:45:22.400
<v Speaker 3>like they were working six seven nights a week. And

0:45:22.480 --> 0:45:25.160
<v Speaker 3>I'm like, I gotta go mess with these luggers because

0:45:25.719 --> 0:45:27.640
<v Speaker 3>these brothers wanted to have Lincolns and none of the

0:45:27.680 --> 0:45:31.319
<v Speaker 3>White Cats though, had lincolns. A catalyzed big shit. They

0:45:31.520 --> 0:45:34.040
<v Speaker 3>just love was like me, hey, hey, we're making ten

0:45:34.719 --> 0:45:37.280
<v Speaker 3>in eighty one. I think I had a ten thousand

0:45:37.360 --> 0:45:40.160
<v Speaker 3>dollars a year. You couldn't tell me I wasn't rich.

0:45:41.000 --> 0:45:43.480
<v Speaker 7>Well, your journey it sounds kind of like we had

0:45:43.640 --> 0:45:46.080
<v Speaker 7>Michael McDonald here too, who was also from Saint Louis.

0:45:46.080 --> 0:45:47.840
<v Speaker 7>And it is interesting because you mentioned the Doobie brothers

0:45:47.840 --> 0:45:50.360
<v Speaker 7>in Iowa. So I was like, damn, y'all had parallel

0:45:50.440 --> 0:45:53.160
<v Speaker 7>journeys going on, and then y'all did y'all ever cross paths?

0:45:53.160 --> 0:45:53.680
<v Speaker 1>And that's no.

0:45:53.840 --> 0:45:56.680
<v Speaker 3>He had just I think taken it to the Streets

0:45:56.760 --> 0:45:59.480
<v Speaker 3>was his first Doobie's record, right yeah, because the other

0:45:59.520 --> 0:46:03.440
<v Speaker 3>cat who really founded the Doobies with that, Tom Johnston,

0:46:03.520 --> 0:46:05.880
<v Speaker 3>he quit because he didn't like where it was gone

0:46:06.000 --> 0:46:09.799
<v Speaker 3>with the Michael McDonald's stuff. So no, I never I

0:46:09.880 --> 0:46:12.120
<v Speaker 3>never met him because I liked the other Doobie you know,

0:46:12.160 --> 0:46:15.239
<v Speaker 3>the Doobie Brothers, Old black Water and all that ship and.

0:46:15.120 --> 0:46:18.160
<v Speaker 1>That that I don't know whatever that was.

0:46:18.200 --> 0:46:19.920
<v Speaker 3>That's as much as I'm a plague. So you want

0:46:19.960 --> 0:46:27.600
<v Speaker 3>to so you I gotta just say this to you.

0:46:27.840 --> 0:46:32.120
<v Speaker 3>That was when I went when Prince came over. This

0:46:32.200 --> 0:46:34.520
<v Speaker 3>is how, this is how our relationship was founded. For

0:46:34.600 --> 0:46:37.080
<v Speaker 3>this is why we This is why I lived with him,

0:46:37.120 --> 0:46:42.080
<v Speaker 3>and we were cool up until I left, because he

0:46:42.200 --> 0:46:44.719
<v Speaker 3>came over to pick up that thing and he sat

0:46:44.760 --> 0:46:47.759
<v Speaker 3>down and and everybody changed and stuff. All of the

0:46:47.800 --> 0:46:51.560
<v Speaker 3>hardest brothers. Why you big? You know, we stole that

0:46:51.600 --> 0:46:53.960
<v Speaker 3>from another base player named Jeff mcgravey, But he was

0:46:53.960 --> 0:46:56.520
<v Speaker 3>the one. What are you big streets of San Francisco

0:46:56.640 --> 0:46:59.080
<v Speaker 3>knowles having, you know, that's where we got all that

0:46:59.239 --> 0:47:03.920
<v Speaker 3>hy you well, even he changed when Prince walked in. Everybody, Prince,

0:47:04.160 --> 0:47:04.839
<v Speaker 3>what's going on?

0:47:04.960 --> 0:47:05.160
<v Speaker 2>You know?

0:47:05.360 --> 0:47:06.319
<v Speaker 1>And king.

0:47:06.760 --> 0:47:09.120
<v Speaker 3>He came and sat out. He sat down, Yeah, black

0:47:09.200 --> 0:47:11.319
<v Speaker 3>leather jacket, and was like I said, last time, first

0:47:11.360 --> 0:47:12.840
<v Speaker 3>and only time I ever seen him with jeans on.

0:47:12.920 --> 0:47:15.720
<v Speaker 3>After that, he's been decked every since. He never heard it,

0:47:15.760 --> 0:47:20.799
<v Speaker 3>but he I set across from him, probably where that is,

0:47:20.840 --> 0:47:23.680
<v Speaker 3>and I said, hey, man, I saw you. Sure no,

0:47:23.800 --> 0:47:25.960
<v Speaker 3>he said. I said, hey man, I'm Jesse and he

0:47:26.080 --> 0:47:29.799
<v Speaker 3>said Prince. And I was like, whoa man? Because I

0:47:29.840 --> 0:47:32.279
<v Speaker 3>can't even do it as monotone. He would never think

0:47:32.800 --> 0:47:35.520
<v Speaker 3>he could sing his eyes off because he spoke it

0:47:35.600 --> 0:47:38.279
<v Speaker 3>was one note. Hey, how you doing. I can't even

0:47:38.280 --> 0:47:40.439
<v Speaker 3>do it? Yeah, you're doing It was just so low

0:47:40.520 --> 0:47:44.440
<v Speaker 3>and yes, And I just freaked out and I said, man,

0:47:44.480 --> 0:47:46.600
<v Speaker 3>I thought you was gonna go hi Maname is Prince

0:47:46.880 --> 0:47:48.879
<v Speaker 3>And he just kind of started laughing a little bit.

0:47:48.960 --> 0:47:51.919
<v Speaker 3>And Morris is standing more. The only person that really

0:47:51.920 --> 0:47:56.120
<v Speaker 3>remembers is Morris is standing where Princess sitting. Morris is

0:47:56.160 --> 0:47:58.759
<v Speaker 3>standing right here. Morris Day, That's who I know. I

0:47:58.760 --> 0:48:01.200
<v Speaker 3>don't I don't know who print says or nothing about

0:48:01.239 --> 0:48:03.200
<v Speaker 3>him or anything. So I just knew he must have

0:48:03.239 --> 0:48:05.040
<v Speaker 3>been somebody. He must have been. Like I saw the

0:48:05.080 --> 0:48:07.040
<v Speaker 3>show the night before, but I still didn't know anything

0:48:07.080 --> 0:48:10.040
<v Speaker 3>about because you know, how segregated the rock and.

0:48:10.040 --> 0:48:12.120
<v Speaker 1>Roll so none of this hits.

0:48:12.160 --> 0:48:15.160
<v Speaker 3>None of his radio, yeah, none of the black rock

0:48:15.200 --> 0:48:16.400
<v Speaker 3>Island has no black radio.

0:48:16.880 --> 0:48:17.160
<v Speaker 1>Zero.

0:48:17.600 --> 0:48:20.800
<v Speaker 3>That's why I knew the Doobies and Zeppelin and everything

0:48:20.800 --> 0:48:24.399
<v Speaker 3>else like that, because there's no black radio. So when

0:48:24.440 --> 0:48:27.480
<v Speaker 3>he hit, you know, it was right towards the disco.

0:48:27.560 --> 0:48:30.000
<v Speaker 3>So I was fortunate enough to miss that whole discorder

0:48:30.040 --> 0:48:34.799
<v Speaker 3>because I was rock and roll thing. So he I said, yeah, man,

0:48:34.800 --> 0:48:37.000
<v Speaker 3>I saw your show. I said, think so invioted show.

0:48:37.000 --> 0:48:38.920
<v Speaker 3>I show you show. It was really cool, man, I

0:48:38.960 --> 0:48:41.759
<v Speaker 3>really dug it, So you really dig Hendrix Hunt. I

0:48:41.840 --> 0:48:43.920
<v Speaker 3>never watched him, and I stood up. I was like you,

0:48:45.880 --> 0:48:50.000
<v Speaker 3>I swear, I said, you lie. The every move and

0:48:50.120 --> 0:48:57.279
<v Speaker 3>more sustained behind him, and Prince looked at me and

0:48:57.320 --> 0:49:01.799
<v Speaker 3>he fell on the floor. Kh He fell on the floor,

0:49:01.960 --> 0:49:04.719
<v Speaker 3>just laughing his eyes up. And that was like that

0:49:04.840 --> 0:49:08.600
<v Speaker 3>was the relationship was we was never know you know.

0:49:08.680 --> 0:49:10.400
<v Speaker 3>So that's why when you would see me out in

0:49:10.560 --> 0:49:13.640
<v Speaker 3>LA during that whole you always see both of us

0:49:13.680 --> 0:49:16.200
<v Speaker 3>together all the time because I didn't have that oh man,

0:49:16.760 --> 0:49:18.600
<v Speaker 3>you know, because he we'd walk in the club and

0:49:18.680 --> 0:49:22.400
<v Speaker 3>chicks with be all on him and shit, and I

0:49:22.520 --> 0:49:23.960
<v Speaker 3>just go hang over here for a minute till you

0:49:24.080 --> 0:49:25.600
<v Speaker 3>was the cool and then we just hang out and

0:49:25.600 --> 0:49:27.160
<v Speaker 3>he's like, man, you know, when I walk in the

0:49:27.239 --> 0:49:30.120
<v Speaker 3>club with other people, I won't say that name. They

0:49:30.160 --> 0:49:32.160
<v Speaker 3>wouldn't come near me to rest it. And I asked, mother,

0:49:32.200 --> 0:49:35.000
<v Speaker 3>fuck are your priends? I ain't nobody, you know. I

0:49:35.080 --> 0:49:37.160
<v Speaker 3>was never tripping like that because I remember after the

0:49:37.239 --> 0:49:40.839
<v Speaker 3>nineteen ninety nine tour being so broke. But I never

0:49:40.920 --> 0:49:48.080
<v Speaker 3>equated his wealth or shit with what I should be

0:49:48.160 --> 0:49:52.000
<v Speaker 3>making because I knew that I'm broke. I'm in the time,

0:49:52.200 --> 0:49:54.359
<v Speaker 3>I got gold, platinum, broke as a mother like, I

0:49:54.360 --> 0:49:56.560
<v Speaker 3>ain't even pay attention. I'm so broke. But I knew

0:49:56.560 --> 0:49:59.279
<v Speaker 3>that that was his shit. You did what I'm saying,

0:49:59.280 --> 0:50:01.160
<v Speaker 3>Like a lot of people don't realized that. Like somebody

0:50:01.239 --> 0:50:03.919
<v Speaker 3>just I saw somebody on Twitter and I couldn't bring

0:50:03.960 --> 0:50:06.279
<v Speaker 3>myself to just break the harbor. They said, oh, man,

0:50:06.800 --> 0:50:08.759
<v Speaker 3>I don't know what the question was because I don't

0:50:08.840 --> 0:50:10.640
<v Speaker 3>really know how that shit works, but I just see

0:50:10.640 --> 0:50:12.359
<v Speaker 3>that reply and it said, oh my.

0:50:12.360 --> 0:50:13.640
<v Speaker 1>Favorite, without a doubt.

0:50:13.800 --> 0:50:14.520
<v Speaker 3>Seven seven.

0:50:15.120 --> 0:50:17.560
<v Speaker 1>You know, Jelly Bean on drum drums.

0:50:17.200 --> 0:50:21.040
<v Speaker 3>Jerry on bass, and I just I can't do it.

0:50:21.560 --> 0:50:24.160
<v Speaker 3>It's like, dude, that's that's all, Prince. I hate to

0:50:24.160 --> 0:50:29.280
<v Speaker 3>tell you and David Geirbaldi on the program for it,

0:50:29.360 --> 0:50:31.600
<v Speaker 3>but you know you just, oh, I just got I

0:50:31.640 --> 0:50:34.279
<v Speaker 3>can't run nobody's dreams. I'm gonna be thinking that, but

0:50:34.320 --> 0:50:36.000
<v Speaker 3>that's what I mean. It was all his stuff. So

0:50:36.560 --> 0:50:39.839
<v Speaker 3>but I knew that, I knew within myself I had

0:50:39.920 --> 0:50:42.600
<v Speaker 3>talent because I'm I'm horrible when it comes to learning

0:50:42.719 --> 0:50:44.799
<v Speaker 3>songs off of records and ship like that. When you

0:50:44.920 --> 0:50:47.520
<v Speaker 3>when I met you for the first time with D's

0:50:47.560 --> 0:50:50.080
<v Speaker 3>thing in twenty twelve, I was like, and I was

0:50:50.120 --> 0:50:53.560
<v Speaker 3>telling you, dude, never played any music before, did I

0:50:53.560 --> 0:50:56.240
<v Speaker 3>didn't have a hand, and you know, creating and creating

0:50:56.320 --> 0:50:58.319
<v Speaker 3>this is just crazy. And plus you know d the

0:50:58.520 --> 0:51:02.239
<v Speaker 3>biggest thing, well for you would probably is normal, but

0:51:02.440 --> 0:51:05.480
<v Speaker 3>that is these timing. And he would tell me the

0:51:05.520 --> 0:51:07.759
<v Speaker 3>hours that you and him and that you and Peano

0:51:07.800 --> 0:51:10.400
<v Speaker 3>would argue him and go that ain't the one, and

0:51:10.480 --> 0:51:12.520
<v Speaker 3>he would and y'all he was telling me, he said

0:51:12.560 --> 0:51:15.479
<v Speaker 3>a mirror Pino would be like that ain't the one.

0:51:15.560 --> 0:51:17.520
<v Speaker 3>That ain't the one, but you know how he's one

0:51:18.239 --> 0:51:20.919
<v Speaker 3>now his one is now a two or three or something.

0:51:21.640 --> 0:51:21.960
<v Speaker 1>Pick up.

0:51:22.200 --> 0:51:25.399
<v Speaker 3>Yes, if you ain't, if you like, if you plan

0:51:25.560 --> 0:51:28.960
<v Speaker 3>lady or something and you daydream for half a second,

0:51:29.600 --> 0:51:34.160
<v Speaker 3>you gotta stop. And because his his whole. That's what's

0:51:34.160 --> 0:51:37.279
<v Speaker 3>beautiful about his music though, because it's like, uh, it's

0:51:37.360 --> 0:51:39.040
<v Speaker 3>the same thing with Prince, Like a lot of people

0:51:39.080 --> 0:51:41.719
<v Speaker 3>always see him trying to figure out what Prince did

0:51:41.760 --> 0:51:44.000
<v Speaker 3>on the keyboards and what they don't know. You ain't

0:51:44.040 --> 0:51:46.799
<v Speaker 3>never figured that ship because he took the overheim a

0:51:46.840 --> 0:51:53.200
<v Speaker 3>pedal board and until anything, and he just wants something

0:51:53.280 --> 0:51:56.280
<v Speaker 3>that he never It is crazy. It was no rules

0:51:56.360 --> 0:51:59.920
<v Speaker 3>to how he how he did anything. You know, he

0:52:00.880 --> 0:52:02.840
<v Speaker 3>had a little bit of theory behind him, but it

0:52:02.920 --> 0:52:06.839
<v Speaker 3>was all guttural. It was all instinct. It was just

0:52:06.880 --> 0:52:09.960
<v Speaker 3>like you know, and that we related really and intellectually.

0:52:10.280 --> 0:52:13.160
<v Speaker 3>We related to a great deal of stuff because the

0:52:13.239 --> 0:52:17.920
<v Speaker 3>dude was like so smart, you know, I Q wise,

0:52:17.960 --> 0:52:20.320
<v Speaker 3>he was really really smart dude. But I learned records,

0:52:20.320 --> 0:52:21.840
<v Speaker 3>how to make records. I had never been in a

0:52:21.880 --> 0:52:24.200
<v Speaker 3>studio till I met him, So I learned how to

0:52:25.040 --> 0:52:28.480
<v Speaker 3>make a record, Like how Chris Moon taught him. That's

0:52:28.520 --> 0:52:29.800
<v Speaker 3>how I learned.

0:52:30.120 --> 0:52:36.600
<v Speaker 1>Were you there at the infamous uh Perkins restaurant uh dinner?

0:52:37.200 --> 0:52:38.800
<v Speaker 3>I hate to break it to you, my man, it

0:52:38.920 --> 0:52:44.399
<v Speaker 3>wasn't Perkins. I'm gonna take you back Sambos. Y'all don't

0:52:44.440 --> 0:52:51.319
<v Speaker 3>remember Sambos. Get you a Sambos Burger. Yes, it was

0:52:51.360 --> 0:52:56.560
<v Speaker 3>called We had Minneapolis had the last standing Sambos on

0:52:56.680 --> 0:52:59.960
<v Speaker 3>Lake Street. That ship wasn't no Perkins. That was a

0:53:00.480 --> 0:53:04.880
<v Speaker 3>Sambos on Lake Street. And I remember Morrise and I

0:53:05.000 --> 0:53:07.719
<v Speaker 3>rode motorcycles and shit together, so that Morris was going

0:53:07.800 --> 0:53:10.160
<v Speaker 3>to the meeting with because the way the time actually

0:53:10.160 --> 0:53:12.600
<v Speaker 3>came together was nothing like all this stuff that people

0:53:12.880 --> 0:53:15.439
<v Speaker 3>make up and say, and it wasn't anything like that.

0:53:15.520 --> 0:53:18.560
<v Speaker 3>The time was Morse day and I. If you see

0:53:18.560 --> 0:53:23.560
<v Speaker 3>the assetate which I owned today, it says the Nerve. Oh,

0:53:23.600 --> 0:53:25.759
<v Speaker 3>I remember that, And it's just Morse and I and

0:53:25.800 --> 0:53:28.560
<v Speaker 3>what we were. We were gonna be the Blackhall and Oats.

0:53:28.680 --> 0:53:31.200
<v Speaker 3>So it's the album that y'all know. We'd get it

0:53:31.280 --> 0:53:33.640
<v Speaker 3>up cool, all of that, but it was just Morrise

0:53:33.680 --> 0:53:34.040
<v Speaker 3>and I.

0:53:34.239 --> 0:53:35.360
<v Speaker 1>It's gonna be called the Nerve.

0:53:35.840 --> 0:53:38.799
<v Speaker 3>It was the Nerve. And so when Prince went to

0:53:39.840 --> 0:53:42.640
<v Speaker 3>used the name, but it was owned by some people.

0:53:42.800 --> 0:53:46.400
<v Speaker 3>But Dick This though, catch This though the Time was

0:53:46.480 --> 0:53:51.800
<v Speaker 3>owned forever until nineteen. He didn't buy the name until

0:53:51.960 --> 0:53:52.600
<v Speaker 3>ninety seven.

0:53:52.719 --> 0:53:53.520
<v Speaker 1>He leased the name.

0:53:53.880 --> 0:53:58.040
<v Speaker 3>It was owned by two white cats in North Carolina somewhere.

0:53:58.080 --> 0:54:02.400
<v Speaker 3>They owned it all those years. He's just leasing it, really, yeah,

0:54:02.440 --> 0:54:04.480
<v Speaker 3>And then he bought the rights. When I knew the

0:54:04.560 --> 0:54:06.479
<v Speaker 3>rights was up, I was on the phone with Terry.

0:54:06.480 --> 0:54:10.040
<v Speaker 3>That's why I remember. I had just moved to Awatuki, Arizona,

0:54:10.560 --> 0:54:14.040
<v Speaker 3>from Minneapolis, and I remember being on the phone with Terry.

0:54:14.080 --> 0:54:17.040
<v Speaker 3>It was like ninety seven because I just dropped that

0:54:17.120 --> 0:54:20.680
<v Speaker 3>bear on my neck and sole thing and and I

0:54:20.719 --> 0:54:23.120
<v Speaker 3>was like, man, just by the by that, you know

0:54:23.200 --> 0:54:26.600
<v Speaker 3>it's and he was and then print A bought it,

0:54:26.920 --> 0:54:31.160
<v Speaker 3>damn exactly. So he but it was like we didn't

0:54:31.200 --> 0:54:33.839
<v Speaker 3>own them. But but then that all the flight time

0:54:33.880 --> 0:54:35.480
<v Speaker 3>thing and all that stuff, how people try to tell

0:54:35.520 --> 0:54:37.160
<v Speaker 3>it didn't come together like that. It was just at

0:54:37.200 --> 0:54:41.080
<v Speaker 3>the last minute because Prince was on a dirty mind

0:54:41.080 --> 0:54:43.719
<v Speaker 3>tour and so Morris when he left, he had you know,

0:54:43.800 --> 0:54:47.440
<v Speaker 3>laugh row and jeans. I never saw him look like

0:54:47.440 --> 0:54:50.000
<v Speaker 3>that again when he came back. He was a totally

0:54:50.120 --> 0:54:51.080
<v Speaker 3>different cat.

0:54:51.120 --> 0:54:53.000
<v Speaker 1>Oh so he was afro, not feathered.

0:54:53.400 --> 0:54:57.840
<v Speaker 3>No, he came back from the Dirty Mine tour and

0:54:57.920 --> 0:55:02.160
<v Speaker 3>the album that you know was they have that album. Okay,

0:55:02.200 --> 0:55:04.080
<v Speaker 3>the first album was called the Time, it was called

0:55:04.080 --> 0:55:06.359
<v Speaker 3>The Nerve. But when he came back and the Prince

0:55:06.400 --> 0:55:08.600
<v Speaker 3>would call me and sold this girl that I lived

0:55:08.640 --> 0:55:13.879
<v Speaker 3>with at the time, she they would answer the phone.

0:55:13.920 --> 0:55:15.399
<v Speaker 3>You know, I was standing at the cribs. She would

0:55:15.400 --> 0:55:18.879
<v Speaker 3>answer the phone and it's Prince Jesse there. And they

0:55:18.880 --> 0:55:20.760
<v Speaker 3>would earn her friends were freeing.

0:55:20.800 --> 0:55:21.160
<v Speaker 1>They'd be.

0:55:23.400 --> 0:55:25.960
<v Speaker 3>On the phone and they would go and her friends like,

0:55:26.120 --> 0:55:29.120
<v Speaker 3>who is here? And she would always and this is

0:55:29.120 --> 0:55:31.600
<v Speaker 3>a true, honest, I got a story stack of bibles.

0:55:32.040 --> 0:55:33.440
<v Speaker 3>He would go, what did you come here for?

0:55:33.560 --> 0:55:33.640
<v Speaker 5>Us?

0:55:33.680 --> 0:55:33.919
<v Speaker 1>Second?

0:55:34.000 --> 0:55:37.520
<v Speaker 3>I'm gonna be famous. She would laugh so hard. Oh

0:55:37.600 --> 0:55:40.400
<v Speaker 3>my god, she'd fall on the floor crying. And that

0:55:40.440 --> 0:55:49.520
<v Speaker 3>should have been a sign I didn't pay attention. Story shirt.

0:55:49.600 --> 0:55:51.919
<v Speaker 3>But yeah, he would call and say, stay there, stay there,

0:55:51.960 --> 0:55:55.520
<v Speaker 3>stay in Minneapolis, stay in Minneapolis, stay, don't leave, don't leave.

0:55:55.719 --> 0:55:59.080
<v Speaker 3>We're gonna get your car. Like I was just gonna.

0:55:59.640 --> 0:56:01.920
<v Speaker 3>I was just and that the fucking starving to death

0:56:01.960 --> 0:56:05.160
<v Speaker 3>in minis because we would play a weekend. Man, Sue

0:56:05.200 --> 0:56:07.359
<v Speaker 3>Anne talk about that. So we play a weekend and

0:56:07.400 --> 0:56:09.440
<v Speaker 3>make thirty five dollars. You remember them days you make

0:56:10.120 --> 0:56:12.279
<v Speaker 3>you in heaven. It was like we would go to

0:56:12.360 --> 0:56:17.080
<v Speaker 3>white and White Castle was like like La. Like there

0:56:17.120 --> 0:56:19.360
<v Speaker 3>was a time in La that I'd be at the

0:56:19.360 --> 0:56:21.279
<v Speaker 3>studio and then you see the White Castle here and

0:56:21.320 --> 0:56:24.759
<v Speaker 3>you would see a purple pink Bentley, so what the

0:56:24.840 --> 0:56:27.880
<v Speaker 3>Paris Hilton would be in line. It was like that

0:56:28.040 --> 0:56:30.840
<v Speaker 3>kind of how in an out burger. But White Castle

0:56:31.000 --> 0:56:33.319
<v Speaker 3>was that back in the day on Lake Street. So

0:56:33.480 --> 0:56:38.120
<v Speaker 3>we after the club's closed, Prince everybody was in that ship.

0:56:38.360 --> 0:56:41.440
<v Speaker 3>It was like that because it was the joint. It

0:56:41.560 --> 0:56:45.200
<v Speaker 3>was like the joint, so we were all you know,

0:56:45.239 --> 0:56:47.719
<v Speaker 3>it was a joint. So thirty five dollars was like

0:56:48.080 --> 0:56:49.839
<v Speaker 3>we get some White Castle. You know, you can take

0:56:49.880 --> 0:56:54.000
<v Speaker 3>about five and get about thirty White Castle and exactly.

0:56:54.160 --> 0:56:57.279
<v Speaker 3>So he would call and say, don't leave, stay there.

0:56:57.400 --> 0:56:59.080
<v Speaker 3>You know, we're gonna do this, and we're gonna do that,

0:56:59.080 --> 0:57:00.439
<v Speaker 3>and we go to this and we're going. I said,

0:57:00.800 --> 0:57:03.040
<v Speaker 3>I'm a car. We're gonna get your car, which he

0:57:03.160 --> 0:57:06.839
<v Speaker 3>never did, but in a way they later on it did,

0:57:06.880 --> 0:57:10.200
<v Speaker 3>but didn't have no air in it, so fuck. But

0:57:10.239 --> 0:57:12.600
<v Speaker 3>I had a great stereo. I think I told that

0:57:12.640 --> 0:57:14.799
<v Speaker 3>story online about the jungle of song. I would play

0:57:14.840 --> 0:57:18.120
<v Speaker 3>him songs and he would let, oh my god, he go, Morse,

0:57:18.160 --> 0:57:20.600
<v Speaker 3>you gotta hear this, and Neat and Morris and Jimmy

0:57:20.680 --> 0:57:22.920
<v Speaker 3>jam are the only two people I know when they cried,

0:57:22.920 --> 0:57:27.000
<v Speaker 3>they tears start, they they literally are quiet. And he

0:57:27.120 --> 0:57:30.040
<v Speaker 3>kept doing that. But most people you know and be like,

0:57:30.080 --> 0:57:32.160
<v Speaker 3>oh man, ain't playing nothing, but I didn't. I just

0:57:32.240 --> 0:57:34.760
<v Speaker 3>kept playing songs for him till one day. I it

0:57:34.800 --> 0:57:37.480
<v Speaker 3>was after acting class, before we started preparaying. I said, hey, man,

0:57:37.520 --> 0:57:39.480
<v Speaker 3>I want to play you something. So he I want

0:57:39.520 --> 0:57:41.680
<v Speaker 3>to go listen to it in his car because he

0:57:41.720 --> 0:57:45.720
<v Speaker 3>got air. This is somethinger my car, no air, one

0:57:45.800 --> 0:57:48.480
<v Speaker 3>hundred and eighty degrees. He goes. But I had the

0:57:48.600 --> 0:57:52.840
<v Speaker 3>stereo over everybody. I had the bomping shit over. So

0:57:52.880 --> 0:57:55.000
<v Speaker 3>he's listening to it in your car. And I was

0:57:55.040 --> 0:57:57.919
<v Speaker 3>trying to give him the cassette so he could listen

0:57:57.960 --> 0:58:00.440
<v Speaker 3>to it later. And it was right after acting class.

0:58:00.480 --> 0:58:02.720
<v Speaker 3>Caught me cool, let's just listen to it now, and

0:58:02.760 --> 0:58:07.560
<v Speaker 3>I'm like, oh, ship you know, laughing at So it

0:58:07.600 --> 0:58:12.439
<v Speaker 3>was a jungle up, you know, exactly as you know it. Yeah,

0:58:12.560 --> 0:58:15.160
<v Speaker 3>I put it on the thing because I get sick

0:58:15.160 --> 0:58:19.600
<v Speaker 3>of motherfucker's telling me your boy said that in Billboard,

0:58:20.760 --> 0:58:22.960
<v Speaker 3>Nelson George. So when I met him the first time

0:58:23.040 --> 0:58:25.120
<v Speaker 3>here in New York on the island, it was a

0:58:25.520 --> 0:58:28.080
<v Speaker 3>press release party for my first record, and he was

0:58:28.160 --> 0:58:30.520
<v Speaker 3>and his name was on a card and I was

0:58:30.560 --> 0:58:32.880
<v Speaker 3>looking this way, and the girl was with wit said,

0:58:32.920 --> 0:58:36.160
<v Speaker 3>ain't that the guy in Billboard that said this is.

0:58:38.200 --> 0:58:38.680
<v Speaker 1>What I said?

0:58:39.160 --> 0:58:42.360
<v Speaker 3>This is honest. I got to I said, yo, man, hey, bro,

0:58:42.520 --> 0:58:44.920
<v Speaker 3>then do you really think you're gonna sit here on

0:58:45.040 --> 0:58:47.720
<v Speaker 3>my ship? And he made him leave.

0:58:48.400 --> 0:58:49.720
<v Speaker 6>Wow can you.

0:58:51.160 --> 0:58:51.720
<v Speaker 7>In the article?

0:58:51.920 --> 0:58:55.120
<v Speaker 3>He said, Uh, it was really it was really dispepful.

0:58:55.120 --> 0:58:56.920
<v Speaker 3>He said, I didn't probably didn't write ship and the

0:58:57.000 --> 0:58:58.960
<v Speaker 3>princess probably put my name on it for the blah

0:58:58.960 --> 0:59:01.000
<v Speaker 3>blah blah blah blah. You just don't say that unless

0:59:01.000 --> 0:59:03.200
<v Speaker 3>you talk to the people, because you back in the day,

0:59:03.920 --> 0:59:06.000
<v Speaker 3>he had an article in Billboard, had a little picture

0:59:06.000 --> 0:59:09.760
<v Speaker 3>of him. Yeah, but I didn't little blur really remember it,

0:59:09.840 --> 0:59:12.080
<v Speaker 3>like I mean, I remember reading the article, but the

0:59:12.160 --> 0:59:15.240
<v Speaker 3>girl remembered the face and I was like this, I

0:59:15.280 --> 0:59:19.120
<v Speaker 3>was a remembering it was someplace here and it was

0:59:19.160 --> 0:59:24.000
<v Speaker 3>like a really popular Chinese place because they had brought squab,

0:59:24.040 --> 0:59:25.280
<v Speaker 3>which I didn't know was pigeons.

0:59:25.360 --> 0:59:31.440
<v Speaker 1>Mister, No, it was it was before that. Yeah, Nelson

0:59:31.480 --> 0:59:35.600
<v Speaker 1>looked like twenty one Jump Street. And also but I

0:59:35.680 --> 0:59:39.040
<v Speaker 1>did what was the sergeant's name? I can't remember.

0:59:39.160 --> 0:59:41.640
<v Speaker 3>I was just telling Deanna today. I was like, damn,

0:59:41.800 --> 0:59:45.080
<v Speaker 3>you know me, I was always a never industry cat,

0:59:45.120 --> 0:59:48.000
<v Speaker 3>but an industreet's cat. And I said so, I didn't.

0:59:48.200 --> 0:59:50.080
<v Speaker 7>Because Prince wasn't even that dude though, right Like, he

0:59:50.120 --> 0:59:52.000
<v Speaker 7>wasn't mean not for nothing. I ain't gonna say not

0:59:52.040 --> 0:59:53.800
<v Speaker 7>that nice. But he wasn't the one that just throws

0:59:53.800 --> 0:59:56.160
<v Speaker 7>somebody's name on a song that they had nothing to

0:59:56.200 --> 0:59:56.440
<v Speaker 7>do with it.

0:59:56.800 --> 1:00:01.560
<v Speaker 3>Yeah that's a nice No, he was. No, it wasn't

1:00:01.600 --> 1:00:03.440
<v Speaker 3>a nice thing. It was like it wasn't known there

1:00:03.480 --> 1:00:04.720
<v Speaker 3>on the publishing.

1:00:06.200 --> 1:00:08.560
<v Speaker 1>Record. I even wanted to make it seem like he

1:00:08.640 --> 1:00:09.680
<v Speaker 1>did everything.

1:00:10.280 --> 1:00:12.840
<v Speaker 3>But my I don't even think Jungle Love said my

1:00:13.000 --> 1:00:14.440
<v Speaker 3>name on the record.

1:00:14.080 --> 1:00:17.320
<v Speaker 1>Though I think it did. You know why?

1:00:17.520 --> 1:00:19.640
<v Speaker 3>I thought, No, I'm gonna blow y'all away. I'm a

1:00:19.760 --> 1:00:21.959
<v Speaker 3>blow I got a piece of something I ain't never

1:00:22.000 --> 1:00:23.600
<v Speaker 3>seen I have. You know, back in the day when

1:00:23.600 --> 1:00:25.920
<v Speaker 3>you would do a record, they do all the artwork

1:00:25.920 --> 1:00:28.240
<v Speaker 3>for you album, you know, you know me. They then

1:00:28.280 --> 1:00:30.000
<v Speaker 3>they send you the record and you have to look

1:00:30.000 --> 1:00:32.080
<v Speaker 3>at the and look at all the writing. Well, I

1:00:32.120 --> 1:00:35.160
<v Speaker 3>have that in the very for the ice Cream Castle album.

1:00:35.200 --> 1:00:39.240
<v Speaker 3>I'm produced by Jamie Starr, co produced by Jesse Johnson.

1:00:39.440 --> 1:00:40.800
<v Speaker 3>And the same thing with it. If you got the

1:00:40.840 --> 1:00:43.600
<v Speaker 3>first pressing of the Sheila E record, the first ChIL

1:00:43.840 --> 1:00:48.520
<v Speaker 3>records exactly and now and then after that there, No,

1:00:48.560 --> 1:00:51.000
<v Speaker 3>it came off. It came out years ago. It came

1:00:51.040 --> 1:00:53.840
<v Speaker 3>off years ago because he was Prince was vindictive when

1:00:53.840 --> 1:00:56.880
<v Speaker 3>you left him, and it was real bullshit because I stayed,

1:00:58.200 --> 1:01:00.800
<v Speaker 3>you know, I mean, I was just telling Ingrid today.

1:01:00.840 --> 1:01:03.800
<v Speaker 3>When I left after finishing Purple Rain and all that,

1:01:04.120 --> 1:01:06.000
<v Speaker 3>my check was like three hundred and thirty dollars. I

1:01:06.000 --> 1:01:08.200
<v Speaker 3>wouldn't make it though, And this is my question, and

1:01:08.240 --> 1:01:11.040
<v Speaker 3>I got kids, I got so you so as far

1:01:11.080 --> 1:01:12.720
<v Speaker 3>as dedication and all that place.

1:01:12.920 --> 1:01:14.680
<v Speaker 1>Wait wait, wait, wait, wait, hang.

1:01:14.480 --> 1:01:18.400
<v Speaker 3>On, Yes, three hundred and thirty nine dollars, bro.

1:01:18.440 --> 1:01:20.360
<v Speaker 1>Wait, am I sitting in the room Ingrishavez.

1:01:20.480 --> 1:01:27.439
<v Speaker 7>Don't cheesecake, you said, no, she touch cheesecakes, pie, talked

1:01:27.440 --> 1:01:30.000
<v Speaker 7>about the three kids like he's got the mic. We

1:01:30.000 --> 1:01:32.600
<v Speaker 7>put the whole chair in answer, she with.

1:01:32.760 --> 1:01:35.600
<v Speaker 1>High I'm Ingrid seven, you said, Ingrid, And I was like,

1:01:35.640 --> 1:01:37.680
<v Speaker 1>wait a minute, and I put my glasses on.

1:01:37.680 --> 1:01:37.840
<v Speaker 7>Like.

1:01:39.800 --> 1:01:41.320
<v Speaker 3>Well, I think that was one of the things that

1:01:41.400 --> 1:01:44.960
<v Speaker 3>she was so nice that she's an hour into this

1:01:45.040 --> 1:01:49.960
<v Speaker 3>interview not knowing that you've been sitting.

1:01:49.000 --> 1:01:53.280
<v Speaker 1>At the same freaking time and hello, how are you? Yeah?

1:01:53.440 --> 1:01:57.000
<v Speaker 1>I could. I can't touch the cheesecake because I've been

1:01:57.080 --> 1:01:58.760
<v Speaker 1>sugar free for thirty six days.

1:01:58.960 --> 1:01:59.440
<v Speaker 3>There you go.

1:01:59.680 --> 1:02:01.720
<v Speaker 9>Came on the way from Minneapolis for you today.

1:02:02.280 --> 1:02:05.240
<v Speaker 1>That's right, so I have to break it. Just yes,

1:02:07.560 --> 1:02:08.040
<v Speaker 1>I want to.

1:02:08.040 --> 1:02:09.479
<v Speaker 9>Say I'm Aquarius as well.

1:02:10.240 --> 1:02:11.200
<v Speaker 5>You know what I was saying.

1:02:11.240 --> 1:02:13.280
<v Speaker 7>We're kind of all over the place sometimes, are you

1:02:13.400 --> 1:02:15.960
<v Speaker 7>just make sure are February of January?

1:02:16.040 --> 1:02:23.760
<v Speaker 1>Yeah, wow, twentieth twenty first we're all together. Wait, this

1:02:23.840 --> 1:02:26.880
<v Speaker 1>is freaking me out because I didn't know that was

1:02:27.000 --> 1:02:27.560
<v Speaker 1>ingrish Chaves.

1:02:27.720 --> 1:02:32.040
<v Speaker 3>Yeah, that's why I was like on this. I met

1:02:32.040 --> 1:02:35.920
<v Speaker 3>her on the set of I said I would never

1:02:36.000 --> 1:02:37.920
<v Speaker 3>be there, I would never go I never went to Paisley,

1:02:37.920 --> 1:02:39.440
<v Speaker 3>I said, I never go there and never go down

1:02:39.480 --> 1:02:41.480
<v Speaker 3>to paid to be in it, and so I got

1:02:41.520 --> 1:02:45.080
<v Speaker 3>paid for a week Grafita Vision. I barely made it

1:02:45.080 --> 1:02:48.080
<v Speaker 3>three days and we got into it and I had

1:02:48.080 --> 1:02:48.479
<v Speaker 3>to leave.

1:02:49.120 --> 1:02:51.720
<v Speaker 1>Wait all the shooting was just three days?

1:02:52.360 --> 1:02:55.720
<v Speaker 3>No, I yeah, my shooting yeah for whatever I'm in

1:02:55.760 --> 1:02:58.680
<v Speaker 3>the movie was three days because I it was it

1:02:58.800 --> 1:03:01.280
<v Speaker 3>was like all this time when by from Purple Rain

1:03:01.360 --> 1:03:03.880
<v Speaker 3>to now and I hadn't seen you know, like Prince

1:03:03.880 --> 1:03:06.880
<v Speaker 3>would call me up with and play he was. I

1:03:06.920 --> 1:03:08.800
<v Speaker 3>was telling my cousin they had a weird sense of humor,

1:03:08.920 --> 1:03:11.240
<v Speaker 3>Like he called me up long after that's gone. I

1:03:11.280 --> 1:03:14.920
<v Speaker 3>think my first album was about the Dropper what I

1:03:14.960 --> 1:03:16.960
<v Speaker 3>can't remember? But he call you. I mentioned a song

1:03:17.000 --> 1:03:19.600
<v Speaker 3>today and I was like, you know, and he would

1:03:19.840 --> 1:03:22.480
<v Speaker 3>and he was always like he could call you and

1:03:22.560 --> 1:03:25.640
<v Speaker 3>you and it and I'm like real, So I go, man,

1:03:25.760 --> 1:03:30.720
<v Speaker 3>you get this number and he and henores, but he

1:03:30.760 --> 1:03:34.320
<v Speaker 3>ignores that. And I mentioned this song today and I go,

1:03:34.360 --> 1:03:37.600
<v Speaker 3>what do you talk about? Raspberry Beret? And click good,

1:03:37.640 --> 1:03:40.560
<v Speaker 3>Clay hangs up. It was I gonna listen to the song.

1:03:40.600 --> 1:03:43.800
<v Speaker 3>And I had moved the opposite of everybody. So I'm

1:03:43.800 --> 1:03:46.080
<v Speaker 3>in this area called Blaine. It was nothing out there

1:03:46.120 --> 1:03:47.640
<v Speaker 3>but cows and shit me so.

1:03:47.720 --> 1:03:50.000
<v Speaker 1>Old man Johnson's farm exactly so.

1:03:50.160 --> 1:03:52.320
<v Speaker 3>And then the other one was I mentioned I wrote

1:03:52.320 --> 1:03:54.120
<v Speaker 3>a song about you, and I was like, I didn't

1:03:54.120 --> 1:03:55.920
<v Speaker 3>know what. At the time, I was living in Paris

1:03:56.000 --> 1:03:58.720
<v Speaker 3>and I we had Chris crossed a lot and I

1:03:58.760 --> 1:04:02.320
<v Speaker 3>was like, eighty nine, maybe that wasn't wrote a song

1:04:02.360 --> 1:04:05.880
<v Speaker 3>about you. Send me this tape, Bob George, I'm.

1:04:05.720 --> 1:04:07.120
<v Speaker 7>Like, mother forgot that day.

1:04:07.320 --> 1:04:10.960
<v Speaker 3>Wait, you know that's a part of the song that's

1:04:10.960 --> 1:04:13.439
<v Speaker 3>got a gun all that ship. He that's his sense

1:04:13.440 --> 1:04:15.520
<v Speaker 3>of humor. So I had to call it, Yeah, that's

1:04:15.600 --> 1:04:18.680
<v Speaker 3>that's funny. But we would there's things that we would like,

1:04:18.800 --> 1:04:19.120
<v Speaker 3>can you.

1:04:19.040 --> 1:04:21.800
<v Speaker 1>Explain the references? Bob? How is that about you? How

1:04:21.880 --> 1:04:24.600
<v Speaker 1>is that cop you? Or the dude?

1:04:25.080 --> 1:04:27.800
<v Speaker 3>The dude when he goes can we just dance or whatever?

1:04:27.800 --> 1:04:30.720
<v Speaker 3>I don't I don't know. But he because his nickname

1:04:30.800 --> 1:04:34.400
<v Speaker 3>for me for I was here comes Jesse, I'm okay

1:04:34.520 --> 1:04:37.360
<v Speaker 3>Johnson because you know it was the tie. We was

1:04:37.440 --> 1:04:41.880
<v Speaker 3>just some street dudes. And so whenever we would run

1:04:41.920 --> 1:04:43.720
<v Speaker 3>into stuff and I would get that, I would get

1:04:43.720 --> 1:04:47.400
<v Speaker 3>called all the time. I'd be a we've been an

1:04:47.400 --> 1:04:50.720
<v Speaker 3>in store signing, and then some girl you're gonna be

1:04:50.840 --> 1:04:55.760
<v Speaker 3>like bitch, you know, and I would just like, you

1:04:55.880 --> 1:04:59.320
<v Speaker 3>know what, twenty twenty year old, you don't you don't

1:04:59.520 --> 1:05:02.240
<v Speaker 3>you know you just like you're fighting. You don't care

1:05:02.320 --> 1:05:05.400
<v Speaker 3>because I come from you, Saint Louis. Were girls girls

1:05:05.480 --> 1:05:07.840
<v Speaker 3>kick your ass. It ain't like it ain't like how

1:05:07.880 --> 1:05:08.400
<v Speaker 3>it is now.

1:05:08.480 --> 1:05:08.760
<v Speaker 1>You were.

1:05:08.920 --> 1:05:10.960
<v Speaker 3>I grew up going to school good as girl. You

1:05:11.080 --> 1:05:13.800
<v Speaker 3>like me, don't you. This girl used to sit behind me, batty,

1:05:13.880 --> 1:05:18.440
<v Speaker 3>and you're my boyfriend. And she was a twin too.

1:05:19.400 --> 1:05:22.200
<v Speaker 3>She was a twin and her brother, just to describe him,

1:05:22.240 --> 1:05:25.280
<v Speaker 3>they looked just alike. His nickname was Big Fake. So

1:05:25.400 --> 1:05:28.360
<v Speaker 3>I wasn't trying to fuck with So. I used to

1:05:28.440 --> 1:05:30.920
<v Speaker 3>be terrified at this girl. But I'd seen girls just

1:05:31.000 --> 1:05:35.400
<v Speaker 3>beat MoMA and now so so. But it would we

1:05:35.560 --> 1:05:37.840
<v Speaker 3>be in an in store, you know, at a full

1:05:37.920 --> 1:05:40.479
<v Speaker 3>in store, and then I signed something. I didn't act

1:05:40.520 --> 1:05:42.520
<v Speaker 3>funny or nothing, but I signed something this girl be

1:05:42.600 --> 1:05:46.720
<v Speaker 3>like and I just immediately I just bet you what

1:05:47.560 --> 1:05:51.480
<v Speaker 3>you beat you Withn't that nigga you're with you? It

1:05:51.480 --> 1:05:54.200
<v Speaker 3>would happen in hotels, and I would, you know, because

1:05:54.200 --> 1:05:55.760
<v Speaker 3>we would go up come back from the show and

1:05:55.800 --> 1:05:57.800
<v Speaker 3>go up to our room and get changed, and she'd

1:05:57.920 --> 1:06:01.240
<v Speaker 3>come down and lobby and for like the nineteen ninety

1:06:01.320 --> 1:06:03.200
<v Speaker 3>nine tour, can never meet anybody, you know, would be

1:06:03.280 --> 1:06:07.320
<v Speaker 3>on my arm. What vanity and we were like best friends,

1:06:07.320 --> 1:06:09.960
<v Speaker 3>So she'd come down on my arm like because she

1:06:10.160 --> 1:06:13.480
<v Speaker 3>was all the perfect man. No, she's a perfect, complete

1:06:13.600 --> 1:06:20.240
<v Speaker 3>killer blocker. Because girls would come up to me, you

1:06:20.280 --> 1:06:22.720
<v Speaker 3>can have and she wasn't you know. We were like

1:06:22.800 --> 1:06:26.280
<v Speaker 3>brother and sister. Well, our relationship to the day she died,

1:06:26.360 --> 1:06:28.840
<v Speaker 3>she was we were super tight. It's like on me

1:06:28.880 --> 1:06:34.040
<v Speaker 3>and Jamie and and and she would be the whole.

1:06:34.120 --> 1:06:36.200
<v Speaker 3>She had been all over the world and seen in

1:06:36.240 --> 1:06:39.400
<v Speaker 3>places we had never been. So when she came out

1:06:39.440 --> 1:06:41.960
<v Speaker 3>on tour and was seeing this stuff for the first time,

1:06:42.000 --> 1:06:46.960
<v Speaker 3>she was like completely really enthusiastic and excited about it

1:06:46.960 --> 1:06:49.200
<v Speaker 3>because she had she'd been you know, modeling and been

1:06:49.240 --> 1:06:51.680
<v Speaker 3>all over the place, but she had never experienced adelation

1:06:51.840 --> 1:06:55.840
<v Speaker 3>like that before. And so when we'd go in the lobby,

1:06:56.120 --> 1:06:57.920
<v Speaker 3>we'd go up and get changed and then we get rid.

1:06:57.960 --> 1:07:05.920
<v Speaker 3>I try to sneak by doors. Never gonna get it's like.

1:07:06.120 --> 1:07:08.160
<v Speaker 3>And she'd be on your arm, literally girls, and then

1:07:08.160 --> 1:07:10.880
<v Speaker 3>she would point you out, how y'all do women? Y'all see,

1:07:11.160 --> 1:07:13.480
<v Speaker 3>y'all see stuff we don't see. You'd be like, oh,

1:07:13.640 --> 1:07:16.360
<v Speaker 3>she's fun, look at her nails, look at everybody you

1:07:16.400 --> 1:07:18.160
<v Speaker 3>don't even see. You don't even.

1:07:18.040 --> 1:07:20.680
<v Speaker 7>Care, you're like that.

1:07:20.680 --> 1:07:23.120
<v Speaker 3>That's what she would say, stuff like she's not even

1:07:23.160 --> 1:07:26.080
<v Speaker 3>pretty territorial pes, It's like, what do you do?

1:07:26.400 --> 1:07:26.600
<v Speaker 1>You know?

1:07:26.800 --> 1:07:29.280
<v Speaker 3>So that And I could never say to her, no,

1:07:29.520 --> 1:07:32.320
<v Speaker 3>you know, because she was like, we guarded them, you know,

1:07:32.440 --> 1:07:34.680
<v Speaker 3>her Susan, We were like that. I was like their

1:07:34.680 --> 1:07:37.880
<v Speaker 3>big brother, because Susan to this day, if you talk

1:07:37.880 --> 1:07:40.240
<v Speaker 3>about Susan, you talk to Susan Mooncie, she'll tell you

1:07:40.280 --> 1:07:44.280
<v Speaker 3>how how often her and Prince were together. And I

1:07:44.360 --> 1:07:46.680
<v Speaker 3>was always with them, And she said, she remembers me

1:07:46.720 --> 1:07:49.880
<v Speaker 3>looking at my watch at hey, where do you gotta go?

1:07:50.680 --> 1:07:54.160
<v Speaker 3>You know, in Minneapolis, you know it's like ninety below,

1:07:54.680 --> 1:07:57.000
<v Speaker 3>there's this much snow. So when you would go way

1:07:57.040 --> 1:07:59.960
<v Speaker 3>out to Chanhassan, where Prince live, you pack a suit

1:08:00.080 --> 1:08:01.280
<v Speaker 3>case because you wasn't trying.

1:08:01.280 --> 1:08:01.560
<v Speaker 1>I would.

1:08:01.880 --> 1:08:04.480
<v Speaker 3>I had never lived in a city with freeways before.

1:08:05.160 --> 1:08:08.160
<v Speaker 3>So Rock Island is that little, It's that small. So

1:08:08.200 --> 1:08:11.360
<v Speaker 3>when I came to Minneapolis driving, it was like you

1:08:11.400 --> 1:08:14.480
<v Speaker 3>would see where you needed to be and you couldn't

1:08:14.880 --> 1:08:16.920
<v Speaker 3>get to it, and I would. I would, just I'm

1:08:16.960 --> 1:08:19.720
<v Speaker 3>telling you honestly, God, it was like scared shareless. It

1:08:19.840 --> 1:08:23.640
<v Speaker 3>was like so big and intimidating for years to me

1:08:23.920 --> 1:08:27.000
<v Speaker 3>and I can imagine, yeah, but but now I got

1:08:27.040 --> 1:08:31.160
<v Speaker 3>GPS that ship because I'd be daydreaming, you know, and

1:08:31.320 --> 1:08:33.519
<v Speaker 3>that's where listening to music in my car and I'm

1:08:33.560 --> 1:08:36.120
<v Speaker 3>because I was telling ingrid earlier. I've been all over

1:08:36.160 --> 1:08:42.240
<v Speaker 3>the world with no cell phone or or pager, you

1:08:42.280 --> 1:08:45.120
<v Speaker 3>know we used to. Now people can't even on my phone.

1:08:45.160 --> 1:08:46.839
<v Speaker 1>Batteries start you gotta charge.

1:08:47.080 --> 1:08:50.080
<v Speaker 3>You know, I start paying where I'm like, I my

1:08:50.240 --> 1:08:52.800
<v Speaker 3>cousin the slash managers always mad at me because I'm

1:08:52.800 --> 1:08:54.160
<v Speaker 3>always turning all my ship off.

1:08:54.600 --> 1:08:59.640
<v Speaker 1>I was gonna say. So we went to Minneapolis for

1:08:59.640 --> 1:09:03.920
<v Speaker 1>the super and it's like, thank God for GPS because

1:09:04.080 --> 1:09:06.479
<v Speaker 1>I was trying to figure out I mean, even me

1:09:06.680 --> 1:09:09.920
<v Speaker 1>driving all you know, I did the whole tour of

1:09:09.960 --> 1:09:15.560
<v Speaker 1>Minneapolis and all that stuff, like even with GPS and security,

1:09:15.680 --> 1:09:19.080
<v Speaker 1>like I still felt like I just try to imagine

1:09:19.240 --> 1:09:22.840
<v Speaker 1>what was it to drive forty years ago, thirty years ago?

1:09:23.560 --> 1:09:25.880
<v Speaker 1>And and if your people and if you're you know,

1:09:26.479 --> 1:09:29.639
<v Speaker 1>he always seems like he's in thought, always thinking about

1:09:29.680 --> 1:09:33.800
<v Speaker 1>music or something music relate, and if your people watcher too.

1:09:33.840 --> 1:09:36.400
<v Speaker 3>In Minneapolis is a really beautiful city. It's like it's

1:09:36.400 --> 1:09:39.040
<v Speaker 3>so clean, you go, oh my god. And it's even

1:09:39.280 --> 1:09:42.559
<v Speaker 3>most cities like go see the sky or whatever. But

1:09:43.320 --> 1:09:47.920
<v Speaker 3>so when I yeah, it's I I'll kill somebody if

1:09:47.960 --> 1:09:50.960
<v Speaker 3>I don't have GPS to just say, dude, turn right here.

1:09:51.280 --> 1:09:53.240
<v Speaker 3>And I don't know if y'all know ways, but ways

1:09:53.280 --> 1:09:55.040
<v Speaker 3>unless you know your own voice in it?

1:09:55.240 --> 1:09:57.240
<v Speaker 7>Yeah you know that?

1:09:57.880 --> 1:10:00.280
<v Speaker 3>No, No, they added that. So I mean I going

1:10:00.320 --> 1:10:04.519
<v Speaker 3>there and all my ship fool, what are you? I

1:10:04.720 --> 1:10:07.320
<v Speaker 3>purposely it's so excellent you will ride with me?

1:10:07.360 --> 1:10:07.479
<v Speaker 9>Then?

1:10:07.720 --> 1:10:12.439
<v Speaker 3>Mother fuck you just miss motherfucker. I got all of

1:10:12.720 --> 1:10:15.680
<v Speaker 3>my daughter by the fourteen year olds. She is in

1:10:15.680 --> 1:10:19.960
<v Speaker 3>the car dying right because it's like, dude, really, I

1:10:20.080 --> 1:10:25.240
<v Speaker 3>told you, I put on my own but no, going

1:10:25.280 --> 1:10:28.800
<v Speaker 3>back to what we were doing Graffiti Bridge and I

1:10:28.800 --> 1:10:32.679
<v Speaker 3>met Ingrid the first time I remember talking to because

1:10:32.680 --> 1:10:35.479
<v Speaker 3>she has she has this heaviness tour. Even even back

1:10:35.520 --> 1:10:38.320
<v Speaker 3>then as a young lady, she just had this heaviness

1:10:38.360 --> 1:10:40.600
<v Speaker 3>tour like she her mind always looked like she was

1:10:40.640 --> 1:10:43.679
<v Speaker 3>in thought, like she was some she. I always took

1:10:43.680 --> 1:10:45.720
<v Speaker 3>it like she really a member. I always told you

1:10:45.760 --> 1:10:48.240
<v Speaker 3>that my cousin was like she always so like she

1:10:48.479 --> 1:10:51.080
<v Speaker 3>wasn't in none of it. I thought I was bad.

1:10:51.520 --> 1:10:54.719
<v Speaker 3>I was just out there going ship over with Yeah,

1:10:54.800 --> 1:10:56.439
<v Speaker 3>but it was all that time passed and it was

1:10:56.479 --> 1:10:59.599
<v Speaker 3>the same kind of thing was happening. And so if

1:10:59.720 --> 1:11:02.720
<v Speaker 3>that easily boor g thedn't how bad were the rehearsals,

1:11:02.720 --> 1:11:06.479
<v Speaker 3>because I know that, like you guys were one of

1:11:06.560 --> 1:11:08.559
<v Speaker 3>the tightest but musical.

1:11:08.760 --> 1:11:09.160
<v Speaker 1>Here's that.

1:11:09.400 --> 1:11:11.920
<v Speaker 3>I came up like that whole lot of all that

1:11:11.920 --> 1:11:13.840
<v Speaker 3>stuff because I grew up with the James Bound thing

1:11:13.880 --> 1:11:16.040
<v Speaker 3>and all that, so all of that when I was

1:11:16.080 --> 1:11:22.080
<v Speaker 3>doing all that horn stuff, all of that stuff, I

1:11:22.120 --> 1:11:24.680
<v Speaker 3>was like all the horn parts. I was coming up

1:11:24.680 --> 1:11:26.240
<v Speaker 3>with a lot of those arrangements and a lot of

1:11:26.280 --> 1:11:30.840
<v Speaker 3>the steps because I played guitar, and so when somebody

1:11:30.840 --> 1:11:32.360
<v Speaker 3>else would try to come up to I'm like, yeah,

1:11:32.360 --> 1:11:34.200
<v Speaker 3>I'm not doing this shit because I can't sing and

1:11:34.240 --> 1:11:36.400
<v Speaker 3>play and do all that dumb shit at the same time.

1:11:36.479 --> 1:11:39.680
<v Speaker 3>So as a when you're playing and somebody, oh, I

1:11:39.720 --> 1:11:41.920
<v Speaker 3>get this stuff, it's like, yeah, but you're not playing nothing,

1:11:41.960 --> 1:11:43.920
<v Speaker 3>so I'm not even paying attention to that. So I

1:11:43.960 --> 1:11:46.280
<v Speaker 3>would come up with a lot of cara fee because

1:11:46.280 --> 1:11:48.920
<v Speaker 3>I knew that it would be simple, like if we

1:11:48.920 --> 1:11:51.120
<v Speaker 3>were just doing this or something, a simple move like that,

1:11:51.160 --> 1:11:53.400
<v Speaker 3>but if you got three cats doing it tight.

1:11:53.320 --> 1:11:54.679
<v Speaker 1>It looks really cool.

1:11:54.720 --> 1:11:57.960
<v Speaker 3>And if the whole stage is going, I knew that,

1:11:58.439 --> 1:11:59.720
<v Speaker 3>So I would come up with a lot of the

1:11:59.800 --> 1:12:02.960
<v Speaker 3>choriography and like we would do the chili sauce across

1:12:03.000 --> 1:12:05.560
<v Speaker 3>the stage. Came with all that ship and so we

1:12:05.960 --> 1:12:08.160
<v Speaker 3>do it around so you could play and then you

1:12:08.360 --> 1:12:10.599
<v Speaker 3>work so hard on it that rehearsal because you would

1:12:10.720 --> 1:12:12.559
<v Speaker 3>want it to be where you didn't think about nothing.

1:12:12.600 --> 1:12:15.000
<v Speaker 3>Because the singing play at the same time an instrument,

1:12:15.840 --> 1:12:18.320
<v Speaker 3>there's a middle brain you gotta find. So when people

1:12:18.360 --> 1:12:20.559
<v Speaker 3>go how do you do that? You as you know,

1:12:21.120 --> 1:12:24.320
<v Speaker 3>you can't think about one or the other. But he

1:12:24.439 --> 1:12:28.320
<v Speaker 3>be playing drums, he'd be playing drums and singing and

1:12:28.360 --> 1:12:29.439
<v Speaker 3>he'd be talking at.

1:12:29.280 --> 1:12:33.080
<v Speaker 1>The same time. So he sandwich man.

1:12:33.320 --> 1:12:36.400
<v Speaker 3>I saw him as a session murdering and he was

1:12:36.479 --> 1:12:39.000
<v Speaker 3>eating something and I'm like, and he kept going he

1:12:39.080 --> 1:12:43.120
<v Speaker 3>was and then he was doing and then he would

1:12:43.200 --> 1:12:49.120
<v Speaker 3>switch off credit and I was like, that's a bad dude,

1:12:49.200 --> 1:12:51.080
<v Speaker 3>But he knows that it's a middle brain. If you

1:12:51.120 --> 1:12:53.320
<v Speaker 3>think about one or the other, you're gonna mess up.

1:12:53.800 --> 1:12:56.640
<v Speaker 3>So it's a place I think right, left, right, I

1:12:56.680 --> 1:12:58.880
<v Speaker 3>mess up. Yeah, it's like you, but you got to

1:12:58.960 --> 1:13:01.479
<v Speaker 3>a place that doesn't exist. It's just like an inner

1:13:02.520 --> 1:13:05.320
<v Speaker 3>blank space and you can almost see yourself in front

1:13:05.320 --> 1:13:06.840
<v Speaker 3>of you doing with you, but you know you. But

1:13:06.840 --> 1:13:09.639
<v Speaker 3>if you think about singing, or if you think about plant,

1:13:09.720 --> 1:13:10.720
<v Speaker 3>you're gonna mess out.

1:13:10.760 --> 1:13:14.040
<v Speaker 1>When Jones calls it the alpha state, yeah, where you

1:13:14.120 --> 1:13:16.640
<v Speaker 1>just don't don't think about it, do it.

1:13:16.880 --> 1:13:18.679
<v Speaker 7>So we're gonna get in a whole graffiti Bridge chapter

1:13:18.680 --> 1:13:19.639
<v Speaker 7>because I, well.

1:13:19.560 --> 1:13:22.360
<v Speaker 1>Yeah, we got a lot Ingrid.

1:13:23.400 --> 1:13:25.240
<v Speaker 3>I that's when I met Ingrid on the side, and

1:13:25.280 --> 1:13:30.040
<v Speaker 3>I forget who introduced me to it, but I didn't.

1:13:30.400 --> 1:13:33.519
<v Speaker 3>I just asked her today did she ever live in Minneapolis?

1:13:33.560 --> 1:13:35.639
<v Speaker 3>Because I didn't think she was from Minneapolis or even

1:13:35.640 --> 1:13:37.360
<v Speaker 3>live there. She says she lived at twelve years but

1:13:37.400 --> 1:13:40.720
<v Speaker 3>I never thought that. But she heard her baby was like,

1:13:40.840 --> 1:13:43.280
<v Speaker 3>he wasn't that old. He was like, what eight months

1:13:43.360 --> 1:13:46.200
<v Speaker 3>or was he older than that? But he but I

1:13:46.240 --> 1:13:49.360
<v Speaker 3>knew she had and I just adore kids. So my

1:13:49.479 --> 1:13:51.840
<v Speaker 3>kids were kids then at the point in time too.

1:13:52.360 --> 1:13:55.720
<v Speaker 3>I think her son and my daughter, the Isabella is

1:13:55.760 --> 1:13:57.960
<v Speaker 3>around the same age. But I was talking about that.

1:13:58.000 --> 1:13:59.639
<v Speaker 3>But she was talking to me, and she was really

1:13:59.680 --> 1:14:02.519
<v Speaker 3>super nice. But I'm standing next to her and I'm

1:14:02.600 --> 1:14:05.479
<v Speaker 3>facing her, but she rarely ever did that. She would

1:14:05.479 --> 1:14:07.559
<v Speaker 3>occasionally did her but she would talk and have a

1:14:07.600 --> 1:14:11.720
<v Speaker 3>full till conversation with you, but she wasn't She was

1:14:11.840 --> 1:14:16.080
<v Speaker 3>really nice, but I was like, Okay, maybe I'm bucking

1:14:16.080 --> 1:14:19.000
<v Speaker 3>her and talking about stuff. And then eventually I walked away.

1:14:19.040 --> 1:14:22.040
<v Speaker 3>I'm on stage shooting now a scene, and then I

1:14:22.080 --> 1:14:25.600
<v Speaker 3>watched Prince walk over to her and she does the

1:14:25.680 --> 1:14:30.040
<v Speaker 3>same thing. She's like, yeah, yeah, yeah, okay, So tell.

1:14:29.920 --> 1:14:31.320
<v Speaker 7>The people, what were you think? You're angry?

1:14:31.400 --> 1:14:31.880
<v Speaker 1>What was going?

1:14:32.760 --> 1:14:36.240
<v Speaker 9>Well, let's see, I had met Prince a few years earlier,

1:14:36.360 --> 1:14:39.160
<v Speaker 9>so I had made this record with him that hadn't

1:14:39.200 --> 1:14:41.679
<v Speaker 9>been released, and so this is a few years later,

1:14:41.720 --> 1:14:45.400
<v Speaker 9>and so when I got back into this scene, I

1:14:45.439 --> 1:14:49.200
<v Speaker 9>was kind of over it. So I knew I was

1:14:49.320 --> 1:14:53.800
<v Speaker 9>right a little bit of a you know, like, Okay,

1:14:53.840 --> 1:14:54.840
<v Speaker 9>I'm gonna do this movie.

1:14:54.960 --> 1:15:00.320
<v Speaker 3>But you know she's like, y'all since you're here, y'all, No,

1:15:00.600 --> 1:15:03.320
<v Speaker 3>she really you saw it all over her? Have I

1:15:03.400 --> 1:15:05.479
<v Speaker 3>not told you that? I told my cousin and I

1:15:05.520 --> 1:15:09.280
<v Speaker 3>was like, going. She she wasn't impressed by not, not

1:15:09.280 --> 1:15:10.719
<v Speaker 3>nothing that any of us was doing.

1:15:11.080 --> 1:15:13.439
<v Speaker 1>Can I ask a side question? This is this is

1:15:13.479 --> 1:15:16.320
<v Speaker 1>a side detour, but I think Bill and I at

1:15:16.360 --> 1:15:23.240
<v Speaker 1>least would like to know what was said to him.

1:15:23.439 --> 1:15:28.040
<v Speaker 1>Oh what did you say to him that made him

1:15:28.640 --> 1:15:32.200
<v Speaker 1>canceled cancel the Black album?

1:15:32.880 --> 1:15:34.960
<v Speaker 9>I didn't say anything to him. I think he was

1:15:35.000 --> 1:15:39.760
<v Speaker 9>looking for a signed you know. And yeah, you know,

1:15:39.960 --> 1:15:43.080
<v Speaker 9>so it wasn't a conversation. It was because he didn't

1:15:43.080 --> 1:15:45.120
<v Speaker 9>talk to me about it. I had no idea about

1:15:45.120 --> 1:15:48.760
<v Speaker 9>this Black album or anything that was going on in

1:15:48.760 --> 1:15:49.519
<v Speaker 9>his head that night.

1:15:49.760 --> 1:15:50.760
<v Speaker 3>He just had this.

1:15:51.439 --> 1:15:52.040
<v Speaker 7>He was on this.

1:15:52.800 --> 1:15:54.679
<v Speaker 9>He had these questions in his heart and his mind,

1:15:54.720 --> 1:15:57.120
<v Speaker 9>I think, and the night that I met him, he

1:15:57.760 --> 1:15:59.559
<v Speaker 9>felt like there was a sign.

1:15:59.680 --> 1:16:02.960
<v Speaker 3>And yeah, the sign was don't put out that ship

1:16:03.000 --> 1:16:06.120
<v Speaker 3>to said the only good rappers are dead rapper and

1:16:06.400 --> 1:16:08.519
<v Speaker 3>do what you normally do put that ship on the

1:16:08.640 --> 1:16:12.439
<v Speaker 3>time album. Let us be for motherfuckers, let us let

1:16:12.479 --> 1:16:15.240
<v Speaker 3>the tie, let me more sent terry beef with motherfuckers.

1:16:15.720 --> 1:16:18.120
<v Speaker 3>Shipped to do it, because like when that ship said

1:16:18.160 --> 1:16:19.920
<v Speaker 3>we don't like New Wave, ain't none of them. I

1:16:19.960 --> 1:16:22.719
<v Speaker 3>don't that ain't me on there. That's all Prince voice

1:16:22.720 --> 1:16:24.720
<v Speaker 3>that I know. But you that ship was, ain't that

1:16:24.840 --> 1:16:29.120
<v Speaker 3>Andre we don't like New Way and that ship ain't

1:16:29.240 --> 1:16:33.160
<v Speaker 3>got nothing. I gotta go boxing, petty, But I gotta

1:16:33.240 --> 1:16:35.559
<v Speaker 3>go box with motherfuckers now. And I ain't got nothing

1:16:35.600 --> 1:16:37.320
<v Speaker 3>to do with that ship on that record.

1:16:37.360 --> 1:16:39.080
<v Speaker 1>But that's no.

1:16:39.600 --> 1:16:41.559
<v Speaker 6>At this point, he had just left right now, he

1:16:41.720 --> 1:16:45.760
<v Speaker 6>that left, Yo, I never put you into neither, but that.

1:16:45.760 --> 1:16:49.760
<v Speaker 3>I heard that when you heard it. Okay the record again.

1:16:50.720 --> 1:16:51.920
<v Speaker 1>In my mind, I don't like me.

1:16:52.040 --> 1:16:54.559
<v Speaker 3>Wait, I ain't on none of that.

1:16:54.880 --> 1:16:56.240
<v Speaker 1>I'm damn he's being petty.

1:16:56.600 --> 1:16:59.479
<v Speaker 3>I'm not getting shot or some ship out in there, you.

1:16:59.479 --> 1:17:02.120
<v Speaker 6>Know, because even someone had an album out around the

1:17:02.160 --> 1:17:03.679
<v Speaker 6>same time called Living in the New Wave.

1:17:04.280 --> 1:17:06.400
<v Speaker 3>That was his whole that was his whole thing, His

1:17:06.479 --> 1:17:07.160
<v Speaker 3>whole thing was.

1:17:07.560 --> 1:17:09.960
<v Speaker 1>In my mind, I'm thinking, like, well, is he talking

1:17:09.960 --> 1:17:11.960
<v Speaker 1>about the Talking Heads or right I think.

1:17:11.960 --> 1:17:15.280
<v Speaker 3>Like the actual legit and new wave and but legit.

1:17:15.400 --> 1:17:18.040
<v Speaker 3>That was the whole thing about legit new wave band.

1:17:18.120 --> 1:17:21.160
<v Speaker 3>They didn't call themselves that did, know what I'm saying.

1:17:21.240 --> 1:17:24.200
<v Speaker 3>It was just press was calling him that. But so

1:17:24.320 --> 1:17:27.240
<v Speaker 3>you never said that he was bucking the shot at Andrea?

1:17:27.280 --> 1:17:30.200
<v Speaker 7>And was he ever nice to anybody who heard.

1:17:30.160 --> 1:17:33.920
<v Speaker 3>He was he was? I don't know was he ever nice.

1:17:33.760 --> 1:17:34.760
<v Speaker 7>To anybody who left?

1:17:35.320 --> 1:17:37.639
<v Speaker 9>I think that when I left, my record got dropped.

1:17:37.880 --> 1:17:41.080
<v Speaker 3>I mean, just like he was vindictive on this ship.

1:17:41.120 --> 1:17:43.760
<v Speaker 3>And then John when I played there December, When was

1:17:43.760 --> 1:17:50.559
<v Speaker 3>that December seventeen, twenty seventeen, John, what's his name? John?

1:17:50.600 --> 1:17:53.880
<v Speaker 3>You know the John John Ringos. Well, you know, he

1:17:53.960 --> 1:17:59.040
<v Speaker 3>was always fiercely he was like he was always fiercely competitive.

1:17:59.080 --> 1:18:01.160
<v Speaker 3>I'm like that shit ain't fiercely competitive.

1:18:01.240 --> 1:18:02.240
<v Speaker 1>That's some bullshit.

1:18:02.360 --> 1:18:04.639
<v Speaker 3>He did a lot of when I left, he did

1:18:04.680 --> 1:18:07.680
<v Speaker 3>a lot of stuff that people just don't know, Like

1:18:07.680 --> 1:18:10.960
<v Speaker 3>the whole Shocadelica thing. I I think it's whole. We were,

1:18:11.560 --> 1:18:14.960
<v Speaker 3>Oh my god. We used to ride around LA with

1:18:15.000 --> 1:18:19.240
<v Speaker 3>the member of the Garbage cam back Seville. The catall

1:18:19.240 --> 1:18:21.400
<v Speaker 3>like to be with the gar We prints the room

1:18:21.800 --> 1:18:24.000
<v Speaker 3>we'd had the biggest hat song could barely fit in

1:18:24.000 --> 1:18:25.720
<v Speaker 3>the car. It was like something from Amoa, Get You

1:18:25.800 --> 1:18:28.719
<v Speaker 3>Suck Leaning. He was leaning his way. I'd be leaning

1:18:28.920 --> 1:18:31.120
<v Speaker 3>and we would and there's a riot going on. Was

1:18:31.120 --> 1:18:34.400
<v Speaker 3>our bible, was our bible. It was like day in,

1:18:34.600 --> 1:18:40.160
<v Speaker 3>day out. That's and so when I got the opportunity,

1:18:40.560 --> 1:18:42.799
<v Speaker 3>which didn't have anything to do with me, John McClain

1:18:42.880 --> 1:18:44.920
<v Speaker 3>put the whole thing together. Because John McClain, I was

1:18:44.920 --> 1:18:48.800
<v Speaker 3>always always recorded in Minneapolis, so I wouldn't be in

1:18:48.960 --> 1:18:53.200
<v Speaker 3>LA because I didn't want record people coming over. And

1:18:53.240 --> 1:18:55.960
<v Speaker 3>there's this thing I never I didn't have budgets when

1:18:56.000 --> 1:18:58.240
<v Speaker 3>I recorded. I recorded on what it's called the fun

1:18:58.680 --> 1:19:00.800
<v Speaker 3>because when I signed with the label, I knew enough

1:19:00.880 --> 1:19:03.679
<v Speaker 3>by then, because I was broken enough and had got

1:19:03.840 --> 1:19:09.400
<v Speaker 3>you know whatever initiated. Let's just say that I knew

1:19:09.439 --> 1:19:13.719
<v Speaker 3>how to do yes exactly, how to least construct a deal.

1:19:14.240 --> 1:19:17.120
<v Speaker 3>And so when I did, I signed as a production

1:19:17.280 --> 1:19:19.640
<v Speaker 3>company that as Jesse Johnson. So that's why I could go.

1:19:20.080 --> 1:19:21.880
<v Speaker 3>If you look at that period, I'm on all kinds

1:19:21.920 --> 1:19:26.960
<v Speaker 3>of stuff, doing everything everywhere. But when I so, John

1:19:27.240 --> 1:19:29.040
<v Speaker 3>was my an R guy. John McClain was my in

1:19:29.160 --> 1:19:32.360
<v Speaker 3>our guy, and he signed me, so the only artists

1:19:32.360 --> 1:19:34.080
<v Speaker 3>I think i'd sign at that point in time. But

1:19:35.880 --> 1:19:38.800
<v Speaker 3>he would fly in when I say I'm done. You

1:19:38.800 --> 1:19:43.160
<v Speaker 3>know I'm mixed, I'm done, and so he would say,

1:19:43.200 --> 1:19:45.679
<v Speaker 3>he said, okay, man, he said, you got a nice record,

1:19:45.720 --> 1:19:48.120
<v Speaker 3>and I'll play me shit you don't like. And one

1:19:48.200 --> 1:19:51.360
<v Speaker 3>of the songs I crazy was in the songs I

1:19:51.360 --> 1:19:51.800
<v Speaker 3>didn't like?

1:19:52.479 --> 1:19:55.720
<v Speaker 1>Why do you specifically ask you for what you don't.

1:19:55.200 --> 1:19:58.080
<v Speaker 3>Because he knew that I would because the way he

1:19:58.720 --> 1:20:01.040
<v Speaker 3>set it up for me to record, because I was

1:20:01.120 --> 1:20:04.040
<v Speaker 3>recording on a fun and not on pos nobody knows

1:20:04.080 --> 1:20:05.880
<v Speaker 3>what I'm recording. So when you're going to record an

1:20:05.880 --> 1:20:09.120
<v Speaker 3>eight song album, he knows I'm gonna record twenty songs,

1:20:09.160 --> 1:20:11.679
<v Speaker 3>a billion songs. And so he would go, okay, yeah,

1:20:12.040 --> 1:20:14.080
<v Speaker 3>I play the song, and yeah, a nice record here.

1:20:14.160 --> 1:20:16.720
<v Speaker 3>Now play me the shit you don't like. And one

1:20:16.760 --> 1:20:18.920
<v Speaker 3>of the songs I played and was crazy and he's.

1:20:19.360 --> 1:20:21.920
<v Speaker 10>That's a hit, Daddy's I'm gonna take that to La.

1:20:22.240 --> 1:20:24.880
<v Speaker 3>I'm gonna put slide on there. And I couldn't picture it.

1:20:24.960 --> 1:20:28.960
<v Speaker 3>I couldn't. I was like, what hem ma, man? He

1:20:29.080 --> 1:20:32.559
<v Speaker 3>was like, and I couldn't picture it. I couldn't picture it,

1:20:32.560 --> 1:20:35.000
<v Speaker 3>and he was like, so he did that whole thing

1:20:35.080 --> 1:20:37.679
<v Speaker 3>had nothing to do with me. I didn't see Sly

1:20:37.880 --> 1:20:40.839
<v Speaker 3>until I went to LA to do the video for Crazy,

1:20:40.960 --> 1:20:41.439
<v Speaker 3>and that's.

1:20:41.240 --> 1:20:43.280
<v Speaker 1>When we recorded his parts Away from You.

1:20:43.640 --> 1:20:47.040
<v Speaker 3>A guy named Billy Valentine got all the vocals and

1:20:47.040 --> 1:20:49.920
<v Speaker 3>everything on Sly in La. He did all of that

1:20:50.320 --> 1:20:52.640
<v Speaker 3>and Sly, I guess when he's you know, Slye was

1:20:52.680 --> 1:20:55.479
<v Speaker 3>the pioneer of that slowing the tape down and singing

1:20:55.920 --> 1:20:59.400
<v Speaker 3>if you won't man this day, that's where that sound

1:20:59.439 --> 1:21:01.880
<v Speaker 3>comes from it and so I get upset if I

1:21:02.000 --> 1:21:02.479
<v Speaker 3>do it now.

1:21:02.520 --> 1:21:02.760
<v Speaker 1>People.

1:21:02.800 --> 1:21:05.120
<v Speaker 3>It was like, Prince, it's the funk out of here.

1:21:05.200 --> 1:21:05.880
<v Speaker 1>It's like I was.

1:21:06.200 --> 1:21:09.160
<v Speaker 3>Sly was the inventor of so much of that ship

1:21:09.439 --> 1:21:15.719
<v Speaker 3>and so uh that Prince he he took that really

1:21:15.760 --> 1:21:19.360
<v Speaker 3>in a weird way, and it was uh and uh

1:21:19.680 --> 1:21:22.280
<v Speaker 3>this last thing. I had a celebration in Minneapolis and

1:21:22.360 --> 1:21:25.840
<v Speaker 3>some psychic lady said, you know, Prince loves you or

1:21:25.880 --> 1:21:28.760
<v Speaker 3>something sent the message saying that or whatever. Bet they

1:21:28.760 --> 1:21:35.040
<v Speaker 3>had a psychic reader at or somebody said, I get

1:21:35.040 --> 1:21:37.760
<v Speaker 3>that a lot. But he called me when we were

1:21:37.800 --> 1:21:40.599
<v Speaker 3>in when I was saying some stuff with that something

1:21:40.720 --> 1:21:43.880
<v Speaker 3>was not right, and I was in a I was

1:21:43.920 --> 1:21:47.679
<v Speaker 3>in for eleven day's rehearsal with D in New Zealand,

1:21:48.040 --> 1:21:50.880
<v Speaker 3>and then we went to the Gold Coast Byron Bay

1:21:50.920 --> 1:21:53.160
<v Speaker 3>to the festival. And when I was there, we had

1:21:53.200 --> 1:21:56.760
<v Speaker 3>got their day off and then we played. And the

1:21:56.800 --> 1:21:59.680
<v Speaker 3>first day we played, when I came back to the room,

1:21:59.720 --> 1:22:01.280
<v Speaker 3>because I don't take any of my I don't take

1:22:01.360 --> 1:22:03.519
<v Speaker 3>phones or anything with me. I leave everything at the

1:22:03.520 --> 1:22:06.280
<v Speaker 3>hotel and I don't take anything because motherfuckers be stealing.

1:22:06.840 --> 1:22:10.000
<v Speaker 3>So I leave everything at the hotel and completely disconnected

1:22:10.160 --> 1:22:12.760
<v Speaker 3>and kind of want need that anyway. But when I

1:22:12.760 --> 1:22:15.639
<v Speaker 3>got back, he there was a girl that I can't say.

1:22:15.680 --> 1:22:20.759
<v Speaker 3>Her name is an unusual name, but she uh worked

1:22:20.760 --> 1:22:23.439
<v Speaker 3>for him. So she's like, oh, Prince wanted to talk

1:22:23.479 --> 1:22:26.360
<v Speaker 3>to you, has something for me. And I haven't talked

1:22:26.400 --> 1:22:28.240
<v Speaker 3>to Prince in a thousand years. So he's like, you

1:22:28.360 --> 1:22:30.960
<v Speaker 3>wanted to he has something for you and he wanted

1:22:31.000 --> 1:22:32.360
<v Speaker 3>to tell you. And he's like, you know you need

1:22:32.400 --> 1:22:36.720
<v Speaker 3>to do you need to you know this is her

1:22:37.120 --> 1:22:42.680
<v Speaker 3>message and you know Google transcribes, yeah, the message And

1:22:42.720 --> 1:22:44.560
<v Speaker 3>the only person I ever played the message for was

1:22:44.640 --> 1:22:47.479
<v Speaker 3>D and he said, you know, you need to do Jesse.

1:22:47.640 --> 1:22:50.720
<v Speaker 3>These other people you're dealing with there, they want to

1:22:50.760 --> 1:22:52.360
<v Speaker 3>be you, they want to be me, or they want

1:22:52.360 --> 1:22:54.439
<v Speaker 3>to be Morris and they you know, he said all

1:22:54.479 --> 1:22:56.400
<v Speaker 3>this stuff like that beneath you, and you know, I

1:22:56.400 --> 1:22:58.160
<v Speaker 3>don't know who he was really talking about. And the

1:22:58.240 --> 1:23:00.720
<v Speaker 3>only person ever played it for was D and he

1:23:00.840 --> 1:23:01.680
<v Speaker 3>was like, who do you think he's on?

1:23:01.840 --> 1:23:03.680
<v Speaker 1>Like, I don't know, I know, but I.

1:23:03.640 --> 1:23:09.280
<v Speaker 3>Don't know anyway. But then you know, everybody knows Prince.

1:23:09.320 --> 1:23:12.639
<v Speaker 3>You know, you call the number and it's like a burner,

1:23:13.240 --> 1:23:16.640
<v Speaker 3>you know, it's like doesn't exist now, number back, But

1:23:17.040 --> 1:23:21.000
<v Speaker 3>it's never self destructive exactly. And so that was the

1:23:21.080 --> 1:23:23.479
<v Speaker 3>last thing I had.

1:23:23.520 --> 1:23:25.519
<v Speaker 1>Interaction with him, and that was God.

1:23:25.840 --> 1:23:31.479
<v Speaker 3>Was that seventeen sixteen? Yeah, twenty sixteen. We were there

1:23:31.520 --> 1:23:33.920
<v Speaker 3>because Karina was there too. She's you know, you know Corina,

1:23:33.960 --> 1:23:37.200
<v Speaker 3>She's in a documentary, so she was there too. But yeah,

1:23:37.240 --> 1:23:39.080
<v Speaker 3>the only person I played that show for was D.

1:23:39.320 --> 1:23:42.800
<v Speaker 7>But uh, we should say to D is D'Angelo for

1:23:42.800 --> 1:23:44.479
<v Speaker 7>all the listeners because I don't know they might.

1:23:44.360 --> 1:23:48.439
<v Speaker 1>Oh yeah, I'm sorry, yeah, wait, okay, we this is

1:23:48.439 --> 1:23:50.760
<v Speaker 1>the most jumping ahead of time. We got to go

1:23:50.760 --> 1:23:52.240
<v Speaker 1>back a little bit. Yeah, we gotta go back a

1:23:52.280 --> 1:23:55.240
<v Speaker 1>lot of it because I want to hear at least okay,

1:23:55.280 --> 1:23:57.360
<v Speaker 1>So when you at least developed the first record.

1:23:58.200 --> 1:24:00.840
<v Speaker 3>He well, the fly thing really messed him up. Because

1:24:01.200 --> 1:24:03.679
<v Speaker 3>the thing about it with Prince, I learned a lot

1:24:03.760 --> 1:24:05.920
<v Speaker 3>every almost everything I learned about when I got under time,

1:24:06.040 --> 1:24:08.760
<v Speaker 3>Like he, I wasn't afraid to do anything like you

1:24:08.760 --> 1:24:12.080
<v Speaker 3>you know, we would we like people. They were trying

1:24:12.080 --> 1:24:13.640
<v Speaker 3>to look like girls, but we were who he was

1:24:13.640 --> 1:24:16.080
<v Speaker 3>trying to really look like was little Richard because you know,

1:24:16.080 --> 1:24:17.720
<v Speaker 3>if you look at the photos, little Richard, he was

1:24:17.760 --> 1:24:20.519
<v Speaker 3>pretty as fuck, right, And so you know, in principal

1:24:20.640 --> 1:24:21.960
<v Speaker 3>you got to do this and you you know, put

1:24:22.000 --> 1:24:24.840
<v Speaker 3>the because I never wore makeup or had foundation on

1:24:24.880 --> 1:24:27.439
<v Speaker 3>our island. But he was like whatever, you know he was.

1:24:27.560 --> 1:24:30.599
<v Speaker 3>He just like knew that. I was like fearless as well.

1:24:30.600 --> 1:24:33.519
<v Speaker 3>And then when you fearless like that, it helps that

1:24:33.600 --> 1:24:37.759
<v Speaker 3>you have somebody alongside with you that thinks like minded.

1:24:37.840 --> 1:24:40.240
<v Speaker 3>They ain't just like, ain't no tripping, they don't trip

1:24:40.280 --> 1:24:42.320
<v Speaker 3>about the ship, you know, and people was like, man,

1:24:42.400 --> 1:24:44.960
<v Speaker 3>I think that goes gay. And I'd be like you,

1:24:45.640 --> 1:24:49.360
<v Speaker 3>but I hope you gay like he gay. Then only

1:24:49.439 --> 1:24:54.880
<v Speaker 3>maybe a proctologist might see more crack, like whatever, what

1:24:54.920 --> 1:24:57.560
<v Speaker 3>the fuck? Whatever fuck out here with that bullshit. But

1:24:57.560 --> 1:25:00.320
<v Speaker 3>they would always say that about me. But see, James

1:25:00.360 --> 1:25:03.240
<v Speaker 3>Brown told me, when they start calling you, that's when

1:25:03.240 --> 1:25:06.280
<v Speaker 3>you know you made it, you know, because when that

1:25:06.320 --> 1:25:09.479
<v Speaker 3>comes from the man they were. You remember as a

1:25:09.560 --> 1:25:12.160
<v Speaker 3>kid it was like James and Bobby Birds getting married

1:25:12.200 --> 1:25:16.000
<v Speaker 3>and crazy. And so when the signs were made the

1:25:16.080 --> 1:25:20.240
<v Speaker 3>first game, then you start getting shoot a lot you

1:25:20.320 --> 1:25:23.760
<v Speaker 3>grew up, yeah, or your sister like in my case,

1:25:23.920 --> 1:25:26.160
<v Speaker 3>was like threatening to cause you and once money, or

1:25:26.160 --> 1:25:30.800
<v Speaker 3>she's putting out a story of a lot. Wow, wow,

1:25:30.880 --> 1:25:34.559
<v Speaker 3>really yeah, I just know I told you all to day,

1:25:34.640 --> 1:25:37.680
<v Speaker 3>I said, I saw the episode of Say Yes to

1:25:37.760 --> 1:25:40.639
<v Speaker 3>the Dress. I just told him yes. Then she said,

1:25:41.880 --> 1:25:48.439
<v Speaker 3>but yeah no. But but going back to the Black album,

1:25:48.479 --> 1:25:51.880
<v Speaker 3>I just that that that that one song would have

1:25:51.920 --> 1:25:54.719
<v Speaker 3>caused a lot of problems in l A that only

1:25:55.160 --> 1:25:58.439
<v Speaker 3>a rappers, No, that's a song that's dead on it.

1:25:58.720 --> 1:26:00.559
<v Speaker 3>Only a rapper is a dead rapper. And I was like,

1:26:01.000 --> 1:26:02.840
<v Speaker 3>that shit going end up on a time record. Now

1:26:02.880 --> 1:26:05.519
<v Speaker 3>we beefing and get shot it and got shit to

1:26:05.520 --> 1:26:07.840
<v Speaker 3>do with that song, man, But you know that was

1:26:07.880 --> 1:26:11.479
<v Speaker 3>long gone after that. But I'm just saying, dude, Due

1:26:11.560 --> 1:26:13.920
<v Speaker 3>was vindictive when you left, and you didn't do anything

1:26:13.960 --> 1:26:16.000
<v Speaker 3>wrong you. I went and made it on my own merits.

1:26:16.040 --> 1:26:18.160
<v Speaker 3>I wrote every song I ever did, or every song

1:26:18.240 --> 1:26:20.800
<v Speaker 3>was mine, because if I would have even attempted to

1:26:20.840 --> 1:26:23.160
<v Speaker 3>steal something is he didn't you know, he didn't play that.

1:26:23.320 --> 1:26:25.960
<v Speaker 3>He would sue the pants off you because he had

1:26:26.000 --> 1:26:28.599
<v Speaker 3>the bread to do that. So I never went into

1:26:28.640 --> 1:26:30.479
<v Speaker 3>anything like that with him. And I had just never

1:26:30.520 --> 1:26:33.240
<v Speaker 3>signed releases or something. So when I left, lawyers were

1:26:33.240 --> 1:26:35.720
<v Speaker 3>telling me, man, he owes you millions of dollars and

1:26:35.760 --> 1:26:38.320
<v Speaker 3>you can go, And I never did, and you got

1:26:38.360 --> 1:26:39.120
<v Speaker 3>your freedom.

1:26:39.600 --> 1:26:43.400
<v Speaker 7>Got publishing Jungle. You got your publishing for Jungle.

1:26:43.160 --> 1:26:46.439
<v Speaker 3>Luve right, No, I mean I did, but I there's

1:26:46.720 --> 1:26:49.519
<v Speaker 3>prices that myself and Morris had to pay if we

1:26:49.520 --> 1:26:52.400
<v Speaker 3>were leaving. But I was never in a contract, but

1:26:52.439 --> 1:26:55.120
<v Speaker 3>we still there was prices you had to pay. Oh

1:26:55.200 --> 1:26:57.439
<v Speaker 3>so if you left, then you had to differ up

1:26:57.479 --> 1:26:57.960
<v Speaker 3>some things.

1:26:57.960 --> 1:27:01.920
<v Speaker 1>So what okay, I gotta ask, where is that the

1:27:02.040 --> 1:27:05.120
<v Speaker 1>board because I know that you purchased Oh yeah, I

1:27:05.200 --> 1:27:07.439
<v Speaker 1>bought it, but it was really fucked up because I'm

1:27:07.600 --> 1:27:08.880
<v Speaker 1>I just left, I'm on my own.

1:27:08.960 --> 1:27:12.000
<v Speaker 3>I'm he know how poor I am. And he's doing

1:27:12.080 --> 1:27:14.640
<v Speaker 3>dress rehearsals and just give it to you, like no,

1:27:14.880 --> 1:27:18.120
<v Speaker 3>it's just like this, motherfuckers. And he's doing dress rehearsals

1:27:18.120 --> 1:27:22.200
<v Speaker 3>at uh the Saint Paul Center or something, yeah, the

1:27:22.200 --> 1:27:24.200
<v Speaker 3>Saint Paul Civic Center. And I go over there and

1:27:24.240 --> 1:27:27.000
<v Speaker 3>I got a check for I think eighteen thousand. You know,

1:27:27.080 --> 1:27:30.559
<v Speaker 3>that's like nine million dollars to me. So I told

1:27:30.640 --> 1:27:32.640
<v Speaker 3>him I would just gave you the board, like no,

1:27:32.680 --> 1:27:35.760
<v Speaker 3>But he was real hardcore funny about it messed up

1:27:35.800 --> 1:27:37.560
<v Speaker 3>because the only person standing in a room when it

1:27:37.640 --> 1:27:39.200
<v Speaker 3>went down was out of leads. But I walked in

1:27:39.200 --> 1:27:41.280
<v Speaker 3>the room and I said, you know, to get that board.

1:27:41.280 --> 1:27:43.800
<v Speaker 3>It was a Soundcraft B three great board. We did

1:27:43.840 --> 1:27:46.560
<v Speaker 3>a lot of shit on it, nineteen ninety nine Vanity

1:27:46.960 --> 1:27:48.680
<v Speaker 3>the time. We did a lot of great stuff on it.

1:27:48.800 --> 1:27:51.599
<v Speaker 3>All the purple rain was down on board. Yeah, so

1:27:51.640 --> 1:27:53.920
<v Speaker 3>we I go. I give him a check for that,

1:27:54.160 --> 1:27:57.519
<v Speaker 3>which was like killing me because because my fun, my album,

1:27:57.560 --> 1:28:00.240
<v Speaker 3>my first album, Fun was one twenty five and they

1:28:00.240 --> 1:28:01.640
<v Speaker 3>pay it to you in thirds you know, you get

1:28:01.680 --> 1:28:06.080
<v Speaker 3>a third when you start, third when you mix, and

1:28:06.120 --> 1:28:09.040
<v Speaker 3>the other remaining third when you had But people think

1:28:09.080 --> 1:28:11.200
<v Speaker 3>that's a lot of money, but they don't realize it's

1:28:11.240 --> 1:28:14.280
<v Speaker 3>working capital. It's not. It's like you get maybe get

1:28:14.320 --> 1:28:16.400
<v Speaker 3>to get twenty out of that if you're lucky, if

1:28:16.400 --> 1:28:18.720
<v Speaker 3>you're lucky. But I was really good. And because all

1:28:18.760 --> 1:28:22.000
<v Speaker 3>the control is in your hands to to to to,

1:28:22.240 --> 1:28:24.360
<v Speaker 3>you know, to make sure you coming, you know, you

1:28:24.439 --> 1:28:27.160
<v Speaker 3>do right with the money. So and so I go

1:28:27.200 --> 1:28:29.160
<v Speaker 3>over to buy it, and I bought a board, but

1:28:29.240 --> 1:28:31.920
<v Speaker 3>it was garbage. It was a Soundcraft sixteen hundred. And

1:28:32.000 --> 1:28:32.320
<v Speaker 3>when I.

1:28:32.280 --> 1:28:35.360
<v Speaker 1>Started recording, it was like, oh.

1:28:34.600 --> 1:28:37.160
<v Speaker 3>And I and I had already lied my way into

1:28:37.200 --> 1:28:40.280
<v Speaker 3>the record you know the record deal. They say, you

1:28:40.600 --> 1:28:44.040
<v Speaker 3>you don't know about this, you produce records. Oh yeah,

1:28:44.360 --> 1:28:48.519
<v Speaker 3>of course I know what I'm doing. A clue what

1:28:48.560 --> 1:28:48.960
<v Speaker 3>I'm doing.

1:28:49.200 --> 1:28:51.320
<v Speaker 1>Susan, that was at least happening now.

1:28:51.680 --> 1:28:56.479
<v Speaker 3>Actually Susan. Then Susan didn't come with me until until

1:28:56.520 --> 1:28:58.840
<v Speaker 3>I did the Love Struck Hung So that's so Susan

1:28:58.880 --> 1:28:59.479
<v Speaker 3>I'm talking about.

1:28:59.640 --> 1:29:01.719
<v Speaker 6>And that's what question real quick, when did the Janet

1:29:01.760 --> 1:29:04.240
<v Speaker 6>Jackson tracks come in? Is this before you got signed

1:29:04.320 --> 1:29:04.879
<v Speaker 6>or after.

1:29:04.720 --> 1:29:07.320
<v Speaker 3>This after, but I was before my record ever came

1:29:07.360 --> 1:29:10.400
<v Speaker 3>out because I was a John McClean project too. So

1:29:11.320 --> 1:29:13.479
<v Speaker 3>I bought that board. I had to take the other

1:29:13.560 --> 1:29:14.000
<v Speaker 3>board back.

1:29:14.040 --> 1:29:14.639
<v Speaker 1>It was garbage.

1:29:15.400 --> 1:29:17.320
<v Speaker 3>It was I don't know what I paid for nine

1:29:17.360 --> 1:29:19.320
<v Speaker 3>thousand or something, and I took that shit back and

1:29:19.360 --> 1:29:21.120
<v Speaker 3>I was like, all right. I was panicking. I had

1:29:21.120 --> 1:29:23.759
<v Speaker 3>to make something happen. So I knew Prince Sella their board,

1:29:23.760 --> 1:29:26.160
<v Speaker 3>and I called him and he's like, yeah, yeah, d

1:29:26.280 --> 1:29:28.280
<v Speaker 3>d DA. And I didn't even say that, like, man.

1:29:28.120 --> 1:29:30.120
<v Speaker 1>Why don't you just give it much? Motherfucker.

1:29:30.520 --> 1:29:32.080
<v Speaker 3>I ain't even get into that. I just said, Okay,

1:29:32.120 --> 1:29:33.760
<v Speaker 3>where do I need to I went over to the

1:29:33.800 --> 1:29:36.400
<v Speaker 3>same reci to check and Alan Leeds was in the

1:29:36.479 --> 1:29:38.800
<v Speaker 3>room and I and I said, you know, you should

1:29:38.840 --> 1:29:41.080
<v Speaker 3>be the nicest people in anybody ever met. And he goes,

1:29:41.120 --> 1:29:43.600
<v Speaker 3>why do you say that? And I say, because everything

1:29:43.640 --> 1:29:46.400
<v Speaker 3>you've ever dreamed of is happening for you in the

1:29:46.439 --> 1:29:50.040
<v Speaker 3>way that you dreamt of it happening, meaning a crossover,

1:29:50.360 --> 1:29:53.680
<v Speaker 3>right right crossover. That's why when the time plays seven

1:29:53.840 --> 1:29:56.200
<v Speaker 3>seven and stuff live, white people be like, oh what

1:29:56.200 --> 1:29:57.760
<v Speaker 3>the fuck is that? And then the black people in

1:29:57.760 --> 1:29:59.680
<v Speaker 3>the audience be like, yeah, because they knew all the

1:29:59.720 --> 1:30:01.760
<v Speaker 3>time shit before that. But if you ever see the

1:30:01.800 --> 1:30:05.160
<v Speaker 3>audience that the white kids, only the white folks only

1:30:05.200 --> 1:30:07.559
<v Speaker 3>know that ship from the Purple Range. They think that's

1:30:07.600 --> 1:30:10.400
<v Speaker 3>the only time record that's And so I got to

1:30:10.400 --> 1:30:12.439
<v Speaker 3>see that in two thousand and eight when I performed

1:30:12.479 --> 1:30:14.679
<v Speaker 3>that run in Vegas with them, and it's like you said,

1:30:14.760 --> 1:30:18.679
<v Speaker 3>seven to seven and the walk and all that shit,

1:30:20.880 --> 1:30:24.280
<v Speaker 3>And it's weird, how now people don't they don't like something,

1:30:24.320 --> 1:30:26.120
<v Speaker 3>and then you know, we like something, we go, man,

1:30:26.120 --> 1:30:26.880
<v Speaker 3>it's cool.

1:30:26.960 --> 1:30:28.120
<v Speaker 1>Let me go see these other.

1:30:27.960 --> 1:30:29.840
<v Speaker 3>Records, and then we might end up. There's times we

1:30:29.880 --> 1:30:32.479
<v Speaker 3>go Danni, shit, old man, them records wasn't right yet,

1:30:32.560 --> 1:30:35.879
<v Speaker 3>you know, but we'll go back and find out everything.

1:30:36.680 --> 1:30:40.400
<v Speaker 3>And so when I bought the board he said, I said, yeah,

1:30:40.439 --> 1:30:43.040
<v Speaker 3>it should be the nicest person anybody ever meet. And

1:30:43.080 --> 1:30:45.120
<v Speaker 3>I'm meaning this because I love Prince even to the

1:30:45.200 --> 1:30:47.599
<v Speaker 3>day they he died. We were the best of friends.

1:30:47.600 --> 1:30:50.240
<v Speaker 3>We had a major love for one and I lived

1:30:50.240 --> 1:30:52.080
<v Speaker 3>with him. I live with him, I lived in him

1:30:52.080 --> 1:30:54.320
<v Speaker 3>all the way and when we finished Purple Raine, I

1:30:54.400 --> 1:30:57.439
<v Speaker 3>was living at that house. And then when he went

1:30:57.479 --> 1:30:59.880
<v Speaker 3>to La. It was cold blooded. He went to La

1:31:00.000 --> 1:31:02.439
<v Speaker 3>and I said, And on the rap night, I said, Prince,

1:31:03.080 --> 1:31:04.839
<v Speaker 3>can I stay at your house and use the studio?

1:31:05.120 --> 1:31:08.840
<v Speaker 3>He said yeah. But when I went there, I said,

1:31:08.880 --> 1:31:10.439
<v Speaker 3>can I just use the studio? Because I knew he

1:31:10.439 --> 1:31:12.240
<v Speaker 3>was going to La to you know, wrap the film

1:31:12.280 --> 1:31:14.240
<v Speaker 3>and do whatever. I went there.

1:31:14.280 --> 1:31:15.519
<v Speaker 1>He took a boy.

1:31:16.439 --> 1:31:19.120
<v Speaker 3>It was just a take machine and the board and

1:31:19.160 --> 1:31:24.519
<v Speaker 3>the speakers, so I had to like go with someverb

1:31:24.640 --> 1:31:27.880
<v Speaker 3>and on it. And that's where Susan came. I met Susan.

1:31:28.080 --> 1:31:30.360
<v Speaker 3>And you've seen Susan say, how if it wasn't for Jesse,

1:31:30.760 --> 1:31:32.880
<v Speaker 3>I wouldn't got the gig because I'm the one that

1:31:32.960 --> 1:31:35.880
<v Speaker 3>came and I knew everything. But you couldn't never sing

1:31:35.920 --> 1:31:37.720
<v Speaker 3>ithing around Prince. I remember a suns and sound. He

1:31:37.760 --> 1:31:40.160
<v Speaker 3>plugged in harmonizer.

1:31:39.520 --> 1:31:40.400
<v Speaker 1>And I said, what does that do?

1:31:40.760 --> 1:31:44.320
<v Speaker 3>Don't worry about that? And that's all you I knew

1:31:44.360 --> 1:31:46.240
<v Speaker 3>right then and there. Okay, he ain't supposing you ain't

1:31:46.240 --> 1:31:48.920
<v Speaker 3>supposed to know, no ship. But I had big eyes

1:31:49.000 --> 1:31:52.800
<v Speaker 3>and ears open, and so when he when she came in,

1:31:52.880 --> 1:31:55.679
<v Speaker 3>she came from Crosbie, Stills and Nash, so she never

1:31:55.960 --> 1:31:59.400
<v Speaker 3>was around no thumping, bumping, And I said, look, this

1:31:59.560 --> 1:32:02.040
<v Speaker 3>is the drum machine he uses. This is how he

1:32:02.160 --> 1:32:04.160
<v Speaker 3>likes his kick a cute, this is what he uses

1:32:04.200 --> 1:32:06.080
<v Speaker 3>on the base. And I showed her all that stuff.

1:32:06.120 --> 1:32:07.800
<v Speaker 3>And so when he came in for the first time

1:32:07.800 --> 1:32:10.200
<v Speaker 3>and finally called her, she knew all this.

1:32:10.439 --> 1:32:12.439
<v Speaker 1>So all the outboard gear that he would have in

1:32:12.479 --> 1:32:13.559
<v Speaker 1>his drum machines too.

1:32:13.680 --> 1:32:17.240
<v Speaker 3>He took all that shit to La and he didn't

1:32:17.240 --> 1:32:19.679
<v Speaker 3>tell He said, oh, yeah, sure. Then what I asked

1:32:19.720 --> 1:32:20.920
<v Speaker 3>about it was actually shocking.

1:32:21.000 --> 1:32:21.639
<v Speaker 1>Was at the wrapper.

1:32:21.680 --> 1:32:24.120
<v Speaker 3>I was like, ah, because I had been staying there,

1:32:24.120 --> 1:32:27.519
<v Speaker 3>but for some reason, it's weird as hell. I Jamie.

1:32:27.640 --> 1:32:30.720
<v Speaker 3>She was asking me, you know, like the top of

1:32:30.760 --> 1:32:32.400
<v Speaker 3>the year. She said, all that time you spent at

1:32:32.400 --> 1:32:34.200
<v Speaker 3>princes House, why did you just sleep in the living

1:32:34.280 --> 1:32:37.559
<v Speaker 3>room on the couch? And I said this bedrooms? He

1:32:37.600 --> 1:32:40.040
<v Speaker 3>had other bedrooms in there, and his bedroom was on

1:32:40.080 --> 1:32:44.240
<v Speaker 3>the lower level. And then after nineteen ninety nine, Jamie

1:32:44.439 --> 1:32:46.920
<v Speaker 3>had remodeled, had the whole house remodeling at the West Lake.

1:32:47.160 --> 1:32:50.200
<v Speaker 3>Speakers of shit. But I and she said, why did

1:32:50.280 --> 1:32:52.280
<v Speaker 3>you she financed me. Why would you ever sleeping in

1:32:52.280 --> 1:32:55.519
<v Speaker 3>the other bedrooms? I said, because that best friend had

1:32:55.560 --> 1:32:57.920
<v Speaker 3>them flowers and shit on it and ruffles. That shit

1:32:58.000 --> 1:33:01.160
<v Speaker 3>freaked me out, man. But but let me tell how

1:33:01.840 --> 1:33:04.680
<v Speaker 3>futuristic this cat was. Because I didn't know any of

1:33:04.720 --> 1:33:07.000
<v Speaker 3>this stuff. But he would take me in the bedroom

1:33:07.040 --> 1:33:09.679
<v Speaker 3>like on if you've seen Twitter, and I said, yeah,

1:33:09.760 --> 1:33:12.160
<v Speaker 3>Prince had a I said, he had a stack of

1:33:12.200 --> 1:33:17.000
<v Speaker 3>rejection letters because the one that Owen published is one

1:33:17.000 --> 1:33:19.439
<v Speaker 3>of them. But he had a bunch of them because

1:33:19.479 --> 1:33:21.360
<v Speaker 3>he showed them to me. The only reason why I know,

1:33:21.400 --> 1:33:23.479
<v Speaker 3>because he showed them to me. But how ahead of

1:33:23.800 --> 1:33:27.400
<v Speaker 3>himself he was. You know, he in one of the bedrooms.

1:33:27.400 --> 1:33:30.160
<v Speaker 3>He opened up the door to the closet to show me,

1:33:31.400 --> 1:33:35.040
<v Speaker 3>and he had every outfit from the what was the

1:33:35.080 --> 1:33:37.559
<v Speaker 3>first album, call for You for You? He had all

1:33:37.600 --> 1:33:39.920
<v Speaker 3>of the whatever he had on on their leather jacket,

1:33:39.960 --> 1:33:43.840
<v Speaker 3>the bell bottoms of shoes, hit everything. He kept everything

1:33:44.200 --> 1:33:47.680
<v Speaker 3>he had to get. He just had that foresight or

1:33:47.720 --> 1:33:49.600
<v Speaker 3>something and he had and he was showing it to me.

1:33:49.640 --> 1:33:52.080
<v Speaker 3>But I didn't know what this stuff was. Some big

1:33:52.080 --> 1:33:54.000
<v Speaker 3>ass platform shoes, one am I supposed to do?

1:33:54.680 --> 1:33:55.880
<v Speaker 1>But he had.

1:33:55.720 --> 1:33:59.600
<v Speaker 3>Everything from every album up until you know, this is

1:33:59.680 --> 1:34:02.080
<v Speaker 3>like after nineteen ninety nine, tours. So but he was

1:34:02.120 --> 1:34:04.160
<v Speaker 3>showing me just like and that's where he had the

1:34:04.200 --> 1:34:07.559
<v Speaker 3>whole stock of rejection letters, and he's like, look what

1:34:07.600 --> 1:34:09.680
<v Speaker 3>this guy said, Look at this guy said, look at it,

1:34:09.720 --> 1:34:11.000
<v Speaker 3>and they were at all. I was like, I don't

1:34:11.040 --> 1:34:15.840
<v Speaker 3>hear receipts and the yeah, but but it to me

1:34:16.000 --> 1:34:18.759
<v Speaker 3>was showing you how you you had a belief in yourself.

1:34:18.800 --> 1:34:20.560
<v Speaker 3>You ain't really.

1:34:25.560 --> 1:34:28.839
<v Speaker 1>Well wait, I still don't get the question answered.

1:34:29.040 --> 1:34:35.840
<v Speaker 3>Where is the board now, John McClean, If Jesus it's

1:34:35.920 --> 1:34:37.840
<v Speaker 3>upstairs and Marvin's woman John had it.

1:34:38.200 --> 1:34:41.440
<v Speaker 1>Marvin's boy and Prince's board is in that same upstairs

1:34:41.680 --> 1:34:43.519
<v Speaker 1>up in the where bedroom is.

1:34:43.600 --> 1:34:45.760
<v Speaker 3>Yes, it's upstairs. And if you walk in, if you

1:34:45.840 --> 1:34:47.800
<v Speaker 3>walk upstairs and you see the best, you know how

1:34:47.840 --> 1:34:52.000
<v Speaker 3>he has had that secret door that opens even met. Yeah,

1:34:52.040 --> 1:34:54.400
<v Speaker 3>but what did I buy? I bought the t s,

1:34:54.680 --> 1:34:58.200
<v Speaker 3>the Giant one fifty six input and all that automation

1:34:58.360 --> 1:35:00.320
<v Speaker 3>because I had the two machines and stuff, and so

1:35:00.360 --> 1:35:03.880
<v Speaker 3>I outgrew it. But but my it was nicer after

1:35:04.000 --> 1:35:08.839
<v Speaker 3>I bought it because I had api okay five fifty

1:35:08.880 --> 1:35:12.240
<v Speaker 3>bees installed, had a roll of like six of them

1:35:12.600 --> 1:35:14.320
<v Speaker 3>installed in it. So I you know it was a

1:35:14.360 --> 1:35:18.799
<v Speaker 3>great console though it was it smacked it to it,

1:35:18.800 --> 1:35:21.400
<v Speaker 3>It really did. And that's why when he I was

1:35:21.479 --> 1:35:23.599
<v Speaker 3>just keeping it and then he said, oh, I'll buy that,

1:35:23.680 --> 1:35:25.320
<v Speaker 3>and then he bought it for what I paid for

1:35:25.320 --> 1:35:28.080
<v Speaker 3>a way back then. But he had Soundcraft come out

1:35:28.120 --> 1:35:33.200
<v Speaker 3>and recap everything, refresh everything. So it's like men and

1:35:33.200 --> 1:35:35.599
<v Speaker 3>it's just sitting there, but it's all connected and everything,

1:35:35.640 --> 1:35:37.720
<v Speaker 3>but it's just sitting there and it's the five point

1:35:37.680 --> 1:35:40.439
<v Speaker 3>fifty b that we cut all that stuff. And then

1:35:40.479 --> 1:35:44.400
<v Speaker 3>I'm just like really not a collector of anything in.

1:35:44.479 --> 1:35:49.679
<v Speaker 1>That sentimental No, Okay, I gotta ask you, how did

1:35:49.720 --> 1:35:56.880
<v Speaker 1>you manage to escape the dressing room from the food fight?

1:35:57.160 --> 1:36:01.799
<v Speaker 1>It was the handcuffed like what they Every everyone's account

1:36:01.920 --> 1:36:07.320
<v Speaker 1>of the food fight in in Cincinnati was that on

1:36:07.400 --> 1:36:10.960
<v Speaker 1>the nineteen ninety nine to was that you're you're anger,

1:36:11.640 --> 1:36:15.280
<v Speaker 1>But I was you to take that that entire coat

1:36:15.360 --> 1:36:15.840
<v Speaker 1>rack down.

1:36:16.200 --> 1:36:18.080
<v Speaker 3>It wasn't because if you if I was really angry

1:36:18.200 --> 1:36:20.400
<v Speaker 3>like that, I gotta steal pipe in my out. It

1:36:20.400 --> 1:36:23.599
<v Speaker 3>has been I've been on death row right now, so

1:36:23.720 --> 1:36:27.640
<v Speaker 3>I've obviously wasn't. It's just like you know you uh,

1:36:28.400 --> 1:36:33.240
<v Speaker 3>but it scared me that day because Prince when I

1:36:33.280 --> 1:36:36.280
<v Speaker 3>when I took that thing down, everybody in that room,

1:36:36.360 --> 1:36:40.200
<v Speaker 3>his band members, everybody fled like roaches. He cut the

1:36:40.280 --> 1:36:42.920
<v Speaker 3>light time. I was like, you can see because there's

1:36:42.960 --> 1:36:47.439
<v Speaker 3>somebody was shooting pictures and you can see just THEO

1:36:48.200 --> 1:36:51.080
<v Speaker 3>and I was yeah, and I was running behind Prince

1:36:51.120 --> 1:36:53.439
<v Speaker 3>and like, say, if you open the door, you know

1:36:53.600 --> 1:36:55.800
<v Speaker 3>most it was a It was a big, big ass

1:36:55.840 --> 1:36:58.600
<v Speaker 3>arena place, so they have fire doors. So when he

1:36:58.720 --> 1:37:02.559
<v Speaker 3>opened the door, Bobby z or somebody ran through the

1:37:02.600 --> 1:37:04.800
<v Speaker 3>door before Prince, and so the door was closing, but

1:37:04.840 --> 1:37:08.519
<v Speaker 3>Prince was busy doing this and then he hit the

1:37:08.640 --> 1:37:10.960
<v Speaker 3>edge of that door and I kind of stopped because

1:37:10.960 --> 1:37:13.360
<v Speaker 3>I thought he didn't hurt himself. He hit that ship hard,

1:37:13.360 --> 1:37:16.479
<v Speaker 3>but he lamb and then rolled around the door. And

1:37:16.520 --> 1:37:18.240
<v Speaker 3>I'm like, I'd have been dead if I hit the

1:37:18.280 --> 1:37:20.720
<v Speaker 3>door like that. But no, I wasn't like that. But

1:37:20.760 --> 1:37:23.720
<v Speaker 3>we had it was a but was funny though. I

1:37:23.880 --> 1:37:26.360
<v Speaker 3>just I just got the concert. So I have him

1:37:26.560 --> 1:37:30.000
<v Speaker 3>taking you both from the stage. But what you know,

1:37:30.000 --> 1:37:33.360
<v Speaker 3>what you didn't see is he was running. You don't

1:37:33.439 --> 1:37:35.720
<v Speaker 3>see how giant the stage is. The stage is like

1:37:36.280 --> 1:37:39.840
<v Speaker 3>ten twenty feet he was running so hard, and then

1:37:40.000 --> 1:37:47.600
<v Speaker 3>Roger Trautman's drums big as drum set zapps with you

1:37:47.640 --> 1:37:52.599
<v Speaker 3>guys at yes, prince, yes, it was before the vanity.

1:37:52.760 --> 1:37:55.120
<v Speaker 3>It was before so it's the controversy to it, right,

1:37:55.439 --> 1:37:59.480
<v Speaker 3>But that drum set is sitting there, giant mam maculate.

1:38:00.560 --> 1:38:03.240
<v Speaker 3>He was running and he couldn't stop, and he knocked

1:38:03.240 --> 1:38:08.519
<v Speaker 3>that hole off the stage like twenty feet. This is

1:38:08.640 --> 1:38:12.960
<v Speaker 3>one stage you guys are for. We got got him

1:38:12.960 --> 1:38:16.000
<v Speaker 3>good because he used to do less work and he

1:38:16.120 --> 1:38:20.639
<v Speaker 3>got that whatever he used to say, I'll do use

1:38:20.720 --> 1:38:24.040
<v Speaker 3>whatever the words. That's always and he and then he

1:38:24.040 --> 1:38:26.080
<v Speaker 3>would always pull out this pair of underwear and do this,

1:38:26.240 --> 1:38:29.840
<v Speaker 3>like pull out a pair of drawers like man, I

1:38:29.920 --> 1:38:34.160
<v Speaker 3>went on a special hunt. I got a pair of

1:38:34.240 --> 1:38:35.840
<v Speaker 3>draws that you know, you can put them on a

1:38:35.880 --> 1:38:39.000
<v Speaker 3>car like a braw and I put that and I

1:38:39.120 --> 1:38:45.680
<v Speaker 3>paid the production manager. I put that ship in his

1:38:45.960 --> 1:38:48.080
<v Speaker 3>because when he would come off, he would change and

1:38:48.120 --> 1:38:50.320
<v Speaker 3>put on the same kind of the same exact jacket.

1:38:50.600 --> 1:38:52.639
<v Speaker 3>Put that ship in the pocket. He goes, I'll did

1:38:52.720 --> 1:38:56.800
<v Speaker 3>you in and he's like, and you got to see it.

1:38:56.800 --> 1:38:58.280
<v Speaker 3>It might even be on the tape to here, but

1:38:58.320 --> 1:39:02.599
<v Speaker 3>you see him and he and it's like a magician

1:39:02.760 --> 1:39:06.960
<v Speaker 3>pulling out the scarfish and he's like, and he does this,

1:39:07.040 --> 1:39:10.040
<v Speaker 3>and he looks at the production mad because the production

1:39:10.200 --> 1:39:13.080
<v Speaker 3>dude was from here, and he looks at him and

1:39:13.080 --> 1:39:15.880
<v Speaker 3>he's like, he was so see, he could do that ship,

1:39:16.080 --> 1:39:18.880
<v Speaker 3>but he couldn't take this ship back. He was like,

1:39:19.040 --> 1:39:21.120
<v Speaker 3>And I didn't think he'd be that hot about that.

1:39:21.280 --> 1:39:24.679
<v Speaker 3>You know, he pulled that ship on these big ass straws,

1:39:24.720 --> 1:39:26.400
<v Speaker 3>and he was. But the fact that you have to

1:39:26.400 --> 1:39:29.840
<v Speaker 3>see him go after that, you in.

1:39:34.800 --> 1:39:35.559
<v Speaker 1>And then he had to.

1:39:35.560 --> 1:39:38.760
<v Speaker 3>Nerd a dude like and he was hot. And I

1:39:38.920 --> 1:39:43.519
<v Speaker 3>was on the side of the stage. And so that

1:39:43.760 --> 1:39:46.599
<v Speaker 3>was the day before the food and so the food

1:39:46.640 --> 1:39:49.320
<v Speaker 3>fight was the actual because that that day that I

1:39:49.320 --> 1:39:51.799
<v Speaker 3>did that wasn't the end of It was the day before.

1:39:52.280 --> 1:39:55.120
<v Speaker 1>So that's how I was and was the end.

1:39:55.160 --> 1:39:58.800
<v Speaker 3>And so after the thing with me, when they got me,

1:39:59.080 --> 1:40:01.720
<v Speaker 3>you saw the door kind of small. He saw the

1:40:01.720 --> 1:40:04.639
<v Speaker 3>time members with juice bags on the head. They took

1:40:04.680 --> 1:40:07.559
<v Speaker 3>green garbage bags, put holes in them and had them

1:40:07.600 --> 1:40:10.599
<v Speaker 3>all life suit him and you saw them out there

1:40:10.720 --> 1:40:15.080
<v Speaker 3>just hot and ready to kill until Morris. We caught

1:40:15.160 --> 1:40:18.840
<v Speaker 3>Matt faink and you know you so they were so

1:40:18.920 --> 1:40:20.920
<v Speaker 3>angry that they were this close to him and could

1:40:21.000 --> 1:40:26.120
<v Speaker 3>hit him. Its like, was just off completely. It was

1:40:26.200 --> 1:40:30.160
<v Speaker 3>just off. I mean, I'm like, because Terry's like, he's

1:40:30.200 --> 1:40:32.759
<v Speaker 3>just so close to it and then the egg breaks

1:40:32.800 --> 1:40:36.200
<v Speaker 3>in his hand because he's gone.

1:40:36.040 --> 1:40:38.120
<v Speaker 1>And the musicians shouldn't be sports people.

1:40:40.000 --> 1:40:45.040
<v Speaker 3>He's picking the egg off the I mean, just like

1:40:45.360 --> 1:40:49.519
<v Speaker 3>revenge time and the only person that wasn't food fight.

1:40:49.560 --> 1:40:52.120
<v Speaker 3>They ran up on him. But he was never part

1:40:52.160 --> 1:40:54.360
<v Speaker 3>of it. I never said more than he what's up

1:40:54.400 --> 1:40:59.120
<v Speaker 3>to him? Than all the years around. It was down Dickerson, Dickerson.

1:40:59.160 --> 1:41:02.200
<v Speaker 3>But yeah, we caught math faint somewhere man, and he

1:41:02.360 --> 1:41:06.519
<v Speaker 3>was not good, wasn't pretty. Yeah we were. You know,

1:41:06.920 --> 1:41:08.840
<v Speaker 3>you just don't need a lot for the time to

1:41:08.880 --> 1:41:11.400
<v Speaker 3>be mad. We ain't paid and then you know where,

1:41:12.560 --> 1:41:14.839
<v Speaker 3>you know, we're going back to the hood. When the tours,

1:41:14.840 --> 1:41:15.679
<v Speaker 3>you know, it wasn't.

1:41:15.520 --> 1:41:17.040
<v Speaker 7>A lot at the end of the day, were y'all

1:41:17.080 --> 1:41:19.479
<v Speaker 7>at least scale like to other the other musicians that

1:41:19.479 --> 1:41:21.800
<v Speaker 7>you would tour with left like Roger Troutin.

1:41:21.640 --> 1:41:23.879
<v Speaker 3>Ask him that we don't know nothing about no scales

1:41:23.920 --> 1:41:28.360
<v Speaker 3>and ship that's something that we just you know, but no, you,

1:41:28.400 --> 1:41:30.360
<v Speaker 3>in all honesty, you can't. The reason why you never

1:41:30.360 --> 1:41:32.080
<v Speaker 3>hear me bitch and moan about it because it's like

1:41:32.120 --> 1:41:35.040
<v Speaker 3>you're there by choice, so you know, ain't nobody you do?

1:41:35.680 --> 1:41:39.240
<v Speaker 3>No because what you learned and what an experience couldn't

1:41:39.240 --> 1:41:40.720
<v Speaker 3>buy it with all the money in the world. So

1:41:40.800 --> 1:41:43.040
<v Speaker 3>when I look at it, and I've always looked at it's.

1:41:42.880 --> 1:41:44.479
<v Speaker 10>Like what if I got paid away more money?

1:41:45.240 --> 1:41:48.679
<v Speaker 3>But I would have never been in that inner. That's

1:41:48.680 --> 1:41:50.680
<v Speaker 3>why when a man was sitting here and he was

1:41:50.800 --> 1:41:53.559
<v Speaker 3>laughing about cleaning the toilets, which I don't know, dude

1:41:53.600 --> 1:41:55.200
<v Speaker 3>would call me in the middle of the night. I

1:41:55.280 --> 1:41:57.639
<v Speaker 3>lived down you know those apartments that you see from

1:41:57.640 --> 1:41:59.880
<v Speaker 3>the freeway that are in different colors. See the scu

1:42:00.160 --> 1:42:03.559
<v Speaker 3>was That's why I lived, and that's where they used

1:42:03.560 --> 1:42:07.960
<v Speaker 3>to film the Marriytime Marshall. Really yeah, but I used

1:42:07.960 --> 1:42:10.920
<v Speaker 3>to live there and to get in Michael, you call

1:42:11.000 --> 1:42:14.000
<v Speaker 3>me at any hour and I would go drive way

1:42:14.040 --> 1:42:16.760
<v Speaker 3>out there because it's the studio. And then the girl

1:42:16.800 --> 1:42:19.240
<v Speaker 3>I was dating with, I think you guys are having

1:42:19.280 --> 1:42:21.080
<v Speaker 3>a fair and I'm like, did the funk out here?

1:42:21.360 --> 1:42:24.200
<v Speaker 3>You know how to make records, call me too, but

1:42:24.479 --> 1:42:26.320
<v Speaker 3>this is fucker called this is fuck. They don'ts how

1:42:26.320 --> 1:42:28.960
<v Speaker 3>to make records, you know, And seriously, that's exactly what

1:42:29.000 --> 1:42:31.679
<v Speaker 3>came out of my mom I'm like going, I'm sorry,

1:42:31.760 --> 1:42:35.040
<v Speaker 3>but he went and out over you because Sigon came.

1:42:35.160 --> 1:42:38.799
<v Speaker 3>Hear around you and listen to some records or whatever

1:42:39.000 --> 1:42:41.240
<v Speaker 3>and the three genos back then it was still three

1:42:41.320 --> 1:42:44.559
<v Speaker 3>channels right now. But I'm like, ship, this is another thing.

1:42:45.240 --> 1:42:47.760
<v Speaker 3>So he would call me out there. Morris is the

1:42:47.760 --> 1:42:50.760
<v Speaker 3>Morse is the witness to this. But Morris, you know,

1:42:50.800 --> 1:42:53.000
<v Speaker 3>in the studio they had that really long cue tip

1:42:53.600 --> 1:43:02.519
<v Speaker 3>that you clean the head, stop using those not for that.

1:43:02.680 --> 1:43:05.800
<v Speaker 1>He would be mad, like you.

1:43:11.400 --> 1:43:14.599
<v Speaker 3>Man, would you stop you? But this we were this

1:43:14.720 --> 1:43:19.320
<v Speaker 3>is doing according the Bird, I think with the bird,

1:43:19.360 --> 1:43:21.680
<v Speaker 3>the original bird, Okay, And he called me out and

1:43:21.720 --> 1:43:23.920
<v Speaker 3>he called me out the drive way out there in

1:43:23.920 --> 1:43:26.080
<v Speaker 3>the middle of like I think I will record or something.

1:43:26.600 --> 1:43:29.600
<v Speaker 3>That got me out there because the machine broke and

1:43:29.720 --> 1:43:32.840
<v Speaker 3>I meant to rewind it by hand. He called you

1:43:32.920 --> 1:43:36.920
<v Speaker 3>just yes because he knew. He was like just gonna

1:43:36.960 --> 1:43:38.840
<v Speaker 3>pay the dudes to be in this moment because you

1:43:38.840 --> 1:43:41.760
<v Speaker 3>know them two grew up together. As kids, Morris and

1:43:41.880 --> 1:43:44.920
<v Speaker 3>Hill was so Morrison be sitting at the board and

1:43:45.160 --> 1:43:49.639
<v Speaker 3>he would be Ryan because I'm like, man, fuck the

1:43:49.640 --> 1:43:51.880
<v Speaker 3>fuck is why you had me call Man? You need

1:43:51.920 --> 1:43:53.120
<v Speaker 3>to call Dom Batcher.

1:43:54.400 --> 1:43:56.320
<v Speaker 7>Why Morris an't give you the handsome.

1:43:56.160 --> 1:43:59.400
<v Speaker 3>No, because he because they're hilarious. They're the funniest dudes.

1:43:59.800 --> 1:44:02.559
<v Speaker 3>They are the funny. Morris is probably one of the

1:44:02.600 --> 1:44:05.960
<v Speaker 3>funniest dudes you ever meet. And he's off the cuff

1:44:06.040 --> 1:44:09.400
<v Speaker 3>with it. Like on stage even that run in Vegas,

1:44:09.479 --> 1:44:11.919
<v Speaker 3>a girl came up and had this top on and

1:44:12.120 --> 1:44:14.439
<v Speaker 3>she had a you know, was like tied in the

1:44:14.439 --> 1:44:16.000
<v Speaker 3>back of the boat and just saw the top of

1:44:16.040 --> 1:44:18.120
<v Speaker 3>his head he got when he touches things like I'm

1:44:18.120 --> 1:44:23.000
<v Speaker 3>about to go from PG to double D like ship

1:44:23.360 --> 1:44:25.800
<v Speaker 3>just immediately he don't think about it and he just

1:44:25.920 --> 1:44:29.360
<v Speaker 3>fat and I just be like, I can't even I

1:44:29.479 --> 1:44:31.360
<v Speaker 3>tell you when we you know, when we see each other,

1:44:31.520 --> 1:44:34.000
<v Speaker 3>we'll see each other now and before we say anything,

1:44:34.000 --> 1:44:37.280
<v Speaker 3>we just look at each other and start Ryan just

1:44:37.320 --> 1:44:38.880
<v Speaker 3>start laughing because we know.

1:44:40.479 --> 1:44:42.559
<v Speaker 7>Morris isn't the same for everybody who never met Morris.

1:44:42.600 --> 1:44:43.120
<v Speaker 1>He is purple.

1:44:44.960 --> 1:44:49.840
<v Speaker 3>He is funnier because all that stuff was written all

1:44:49.880 --> 1:44:52.920
<v Speaker 3>that stuff was written by friends. But Morris Morris is

1:44:52.960 --> 1:44:57.640
<v Speaker 3>funny as hell. He so funniest cats ever. Man, all right,

1:44:58.040 --> 1:44:59.640
<v Speaker 3>are you about to change the topic because actually want to.

1:45:02.160 --> 1:45:04.759
<v Speaker 3>There's a photo going around of Morrison Prince and Princess

1:45:04.760 --> 1:45:08.679
<v Speaker 3>and Jamie star mode or where he's doing that. Yeah, no,

1:45:08.720 --> 1:45:11.000
<v Speaker 3>that's just the polls. They would never they would never

1:45:11.120 --> 1:45:11.400
<v Speaker 3>like that.

1:45:11.439 --> 1:45:13.200
<v Speaker 6>Well no, no, no, no no, I'm just asking, like, you

1:45:13.200 --> 1:45:16.240
<v Speaker 6>know what he would did Jamie Starr character appear in

1:45:16.240 --> 1:45:17.639
<v Speaker 6>the studio whenever?

1:45:17.840 --> 1:45:20.599
<v Speaker 3>That was some ship that was just print. I ain't

1:45:20.600 --> 1:45:23.320
<v Speaker 3>seen them about get Ready knock Up one time, and

1:45:23.400 --> 1:45:26.639
<v Speaker 3>I was just so happy. I was like being out

1:45:26.680 --> 1:45:34.800
<v Speaker 3>in the middle, be fun friends. It was on the

1:45:34.880 --> 1:45:39.920
<v Speaker 3>set of Propine and Morris came in and uh he

1:45:40.040 --> 1:45:44.160
<v Speaker 3>was late, and he wasn't late because y'all don't even

1:45:44.200 --> 1:45:46.639
<v Speaker 3>know man. Y'all don't even know man. He We would

1:45:46.680 --> 1:45:48.760
<v Speaker 3>be on the set every morning at five thirty, but

1:45:48.800 --> 1:45:51.760
<v Speaker 3>we wasn't shooting being dressed. No, it wasn't no hurry

1:45:51.800 --> 1:45:53.679
<v Speaker 3>up and wait. Just didn't want us to be doing

1:45:53.720 --> 1:45:57.120
<v Speaker 3>anything else. So you'd be on the set every day,

1:45:57.240 --> 1:46:01.040
<v Speaker 3>full makeup, dress and ain't shooting nothing, just had just

1:46:01.120 --> 1:46:03.720
<v Speaker 3>so he would know where where's Jesse. I know where

1:46:03.720 --> 1:46:06.479
<v Speaker 3>he's over there? Okay, you know that kind of ship.

1:46:06.640 --> 1:46:09.160
<v Speaker 3>And so Morris was like, yeah, man, you know what,

1:46:09.360 --> 1:46:11.800
<v Speaker 3>fuck this ship. And so Morris walked in one day.

1:46:11.840 --> 1:46:13.840
<v Speaker 3>It was so it was so amazing because he was

1:46:13.880 --> 1:46:16.599
<v Speaker 3>always like my idol, because he.

1:46:15.880 --> 1:46:20.160
<v Speaker 10>He came in high collar, clean his hell, ask got

1:46:20.880 --> 1:46:24.640
<v Speaker 10>look just looked amazing, hairlaid, everything, came in clean his

1:46:24.760 --> 1:46:26.400
<v Speaker 10>hell and Prince and it was when you.

1:46:26.400 --> 1:46:28.760
<v Speaker 3>First walk in the first avenue. You know you can

1:46:28.800 --> 1:46:30.920
<v Speaker 3>either go that way if you go this way. There's

1:46:30.960 --> 1:46:34.200
<v Speaker 3>a stairway, so that the stairway is full of extras.

1:46:35.000 --> 1:46:37.120
<v Speaker 3>And Prince walked up to him, which he was used

1:46:37.120 --> 1:46:39.280
<v Speaker 3>to doing and sand stuff for him. And Morris never

1:46:39.280 --> 1:46:44.720
<v Speaker 3>would say anything in front of everybody, but he this

1:46:44.800 --> 1:46:48.240
<v Speaker 3>morning wasn't. He wasn't at one because.

1:46:47.960 --> 1:46:49.080
<v Speaker 1>He walked up to it.

1:46:49.200 --> 1:46:50.880
<v Speaker 3>Man, you know you're letting the thing about it.

1:46:50.920 --> 1:46:51.639
<v Speaker 1>He's doing this.

1:46:54.280 --> 1:46:59.519
<v Speaker 3>Like mother fucker, and what the fuck? And I was like,

1:47:00.240 --> 1:47:05.080
<v Speaker 3>that's about time. And then when they made it to

1:47:05.160 --> 1:47:07.600
<v Speaker 3>the dressing room with that, then Prince came into the

1:47:07.640 --> 1:47:14.400
<v Speaker 3>dress rooms man and Morrises immediately was and then Bean

1:47:14.520 --> 1:47:17.679
<v Speaker 3>jumped and he's like, bring this ship man, Morsels, get ready,

1:47:17.720 --> 1:47:19.519
<v Speaker 3>And I was like, I'm standing at that going because

1:47:19.560 --> 1:47:21.439
<v Speaker 3>that's what he with. Me and Jerome used to fight

1:47:21.479 --> 1:47:25.080
<v Speaker 3>all the time, really because when Jerome got when Jerome

1:47:25.120 --> 1:47:27.599
<v Speaker 3>came around, he wasn't in the band. He was like

1:47:27.640 --> 1:47:29.840
<v Speaker 3>the roadie dude. So he would be mad all the time.

1:47:29.840 --> 1:47:33.519
<v Speaker 3>You'd see him and he'd be moving the suitcases and roadka.

1:47:33.640 --> 1:47:35.439
<v Speaker 3>He'd be mad all the time. He was always mad

1:47:35.479 --> 1:47:37.000
<v Speaker 3>at me for something he didn't even know me. But

1:47:37.800 --> 1:47:39.519
<v Speaker 3>and so we fight all the time. I said, you

1:47:39.520 --> 1:47:42.080
<v Speaker 3>know what, Mom, Toddy, you musclehead motherfucker, let's do this

1:47:42.120 --> 1:47:44.960
<v Speaker 3>ship And Prince used to be the always be the

1:47:44.960 --> 1:47:47.600
<v Speaker 3>one let him let him fight, So that was my

1:47:47.720 --> 1:47:52.920
<v Speaker 3>opportunity to investigator. Yeah, and Bean jumped in your friends,

1:47:53.640 --> 1:47:56.280
<v Speaker 3>did Joy ass off the way? Let these niggas had

1:47:56.280 --> 1:47:56.880
<v Speaker 3>his ship out?

1:47:57.120 --> 1:47:58.639
<v Speaker 7>I just want to know who said I will fuck

1:47:58.760 --> 1:48:00.560
<v Speaker 7>you up more?

1:48:00.680 --> 1:48:05.439
<v Speaker 1>Yes, So sorry y'all, So sorry to cut y'all so short,

1:48:05.520 --> 1:48:08.439
<v Speaker 1>but you know there's more to come next week on

1:48:08.560 --> 1:48:12.439
<v Speaker 1>our special interview with Jesse Johnson, Tune in next week

1:48:12.479 --> 1:48:16.160
<v Speaker 1>when Jesse will talk about those Purplerine deleted scenes. That

1:48:16.200 --> 1:48:20.000
<v Speaker 1>we didn't get to see touring with Luther vanros and

1:48:20.320 --> 1:48:24.320
<v Speaker 1>Roger Troutman and Larry Troutman. Also, we'll talk about a

1:48:24.360 --> 1:48:28.599
<v Speaker 1>few Prince demos going up for auction. It'll be a blast, y'all.

1:48:28.680 --> 1:48:30.720
<v Speaker 1>Trust me, Trust me? You want to come back next

1:48:30.720 --> 1:48:34.559
<v Speaker 1>week for part two of our interview with Jesse Johnson

1:48:34.800 --> 1:48:48.960
<v Speaker 1>on Quest Love Supreme see event West. Love Supreme is

1:48:48.960 --> 1:48:52.840
<v Speaker 1>a production of iHeartRadio. This classic episode was produced by

1:48:52.960 --> 1:48:59.599
<v Speaker 1>the team at Pandora. For more podcasts from iHeart Radio,

1:48:59.680 --> 1:49:03.479
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

1:49:03.479 --> 1:49:04.400
<v Speaker 1>to your favorite shows.