WEBVTT - You Used to Smile

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<v Speaker 1>Family Secrets is a production of I Heart Radio. People

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<v Speaker 1>don't just happen. We sacrifice former versions of ourselves. We

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<v Speaker 1>sacrifice the people who dared to raise us. The eye,

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<v Speaker 1>it seems, doesn't exist until we are able to say

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<v Speaker 1>I am no longer yours. My grandmother and I, without

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<v Speaker 1>knowing it, we're faithfully following a script that had already

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<v Speaker 1>been written for us. A woman raises a boy into

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<v Speaker 1>a man, loving him so intensely that her commitment finally

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<v Speaker 1>repulses him. Silent beside my grandmother on the same twenty

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<v Speaker 1>minute drive we'd taken so many times that summer. I

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<v Speaker 1>could feel the distance growing, but didn't understand it yet

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<v Speaker 1>instead had a sense of certainty to group in me.

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<v Speaker 1>I made myself a promise, even if it meant becoming

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<v Speaker 1>a stranger to my loved ones, even if it meant

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<v Speaker 1>keeping secrets, I would have a life of my own.

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<v Speaker 1>That's say Jones, reading from his extraordinary memoir How We

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<v Speaker 1>Fight for Our Lives. Said is a story of love

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<v Speaker 1>and the unspoken, courage and shame, a mother and a son,

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<v Speaker 1>and a long hard road to becoming who we really are.

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<v Speaker 1>I'm Danny Shapiro, and this is family secrets, the secrets

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<v Speaker 1>that are kept from us, the secrets we keep from others,

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<v Speaker 1>and the secrets we keep from ourselves. Describe for me

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<v Speaker 1>the landscape of your childhood. The landscape of my childhood

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<v Speaker 1>was really mostly the suburbs of North Texas. I grew

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<v Speaker 1>up about fifteen minutes north of Dallas, Texas, and so

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<v Speaker 1>that very kind of sprawling North Texas plane landscape that

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<v Speaker 1>was it. And I literally lived off of Main Street,

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<v Speaker 1>and I remember having a sense of feeling like, oh,

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<v Speaker 1>I'm in the heart of suburban Americana. But we were

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<v Speaker 1>like off Main Street in an apartment complex, you know,

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<v Speaker 1>So it wasn't like, it wasn't quite like that ideal.

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<v Speaker 1>And then otherwise, an important part of the landscape of

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<v Speaker 1>growing up was Memphis, Tennessee, where both sides of my

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<v Speaker 1>family actually are from generations and generations and generations act

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<v Speaker 1>and so I grew up with a really strong relationship

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<v Speaker 1>to both of those different southern landscapes. Can you describe

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<v Speaker 1>your mother, Well, one thing is she she raised me

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<v Speaker 1>as a single parent. She did not graduate from college.

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<v Speaker 1>She you know, studied for a few semesters in Memphis,

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<v Speaker 1>kept her books which later became really important for me

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<v Speaker 1>because I grew up in a house full of books

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<v Speaker 1>and in a house with a lifelong reader. She read

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<v Speaker 1>like three newspapers a day. She had literally like a

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<v Speaker 1>second purse that she would like shove all of her

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<v Speaker 1>newspapers in to carry around with her throughout the day.

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<v Speaker 1>Then she was always reading. You know, there was a

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<v Speaker 1>lot of particularly in the nineties, like it was a

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<v Speaker 1>really booming moment of black contemporary fiction. This is when

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<v Speaker 1>Alice Walker, Terry McMillan, Gloria Naylor, Tony Morrison are all

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<v Speaker 1>bestselling authors. So I grew up in a home rich

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<v Speaker 1>with that kind of tradition because of her. And then

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<v Speaker 1>one thing else I think that was really cool about

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<v Speaker 1>my mom, aside from her biddy and her humor, is

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<v Speaker 1>that she had the sense of the world. She worked

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<v Speaker 1>as a flight attendant for a long time when I

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<v Speaker 1>was younger, and actually worked for the airlines my entire life,

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<v Speaker 1>and so she had traveled a lot. She was always

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<v Speaker 1>in different capacities over the course of her career, just

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<v Speaker 1>interacting with a lot of different kind of people, which

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<v Speaker 1>meant that she brought that worldly nous, this appreciation for

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<v Speaker 1>diversity and otherness into our home. And and so even

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<v Speaker 1>though we were growing up, we were living in you know,

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<v Speaker 1>two bedroom apartment, paycheck to paycheck, often eviction notices on

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<v Speaker 1>the counter. We were always discussing the news. We had

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<v Speaker 1>a sense an appreciation of culture and of art, and

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<v Speaker 1>you know, we were trying different cuisine. She was always

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<v Speaker 1>studying different recipes from different cultures. Um, so you know,

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<v Speaker 1>we would have Indian currie one night for dinner, and

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<v Speaker 1>then maybe a Pope pie the next and then she'd

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<v Speaker 1>be making like Mexican fajitas. So there was just a

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<v Speaker 1>richness to her that she always brought home and I

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<v Speaker 1>loved And I guess the last thing I would say,

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<v Speaker 1>we laughed a lot. My mom was very funny, and

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<v Speaker 1>I would like to think that I got some of

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<v Speaker 1>my humor from her. Well, and you have a great laugh,

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<v Speaker 1>So I thank you. Do you think that that worldliness

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<v Speaker 1>and that sense of you know, sort of connection to

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<v Speaker 1>the wider world contributed to a sense of stability and

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<v Speaker 1>security even though there was this paycheck to paycheck, you know,

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<v Speaker 1>eviction notices on the kitchen counter kind of existence. I

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<v Speaker 1>think so. I think, you know, as a kid who

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<v Speaker 1>in my teens was coming into an understanding of my

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<v Speaker 1>sexuality as a gay man, for example, or you know,

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<v Speaker 1>my love of arts, which my mom always supported. She

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<v Speaker 1>was always just like she loved that I was drawing

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<v Speaker 1>and writing and reading, and you know, always encouraged that

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<v Speaker 1>part of my life. I think culture, I guess I

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<v Speaker 1>would say it was like a tether for me. It

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<v Speaker 1>was kind of like even amidst the instability or the stress,

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<v Speaker 1>being working poor is stressful, it's exhausting even on good days.

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<v Speaker 1>But I think having a sense of there's this world

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<v Speaker 1>out there that we are connected to, either to our

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<v Speaker 1>appreciation or by how I'm starting to write myself, I

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<v Speaker 1>think it gave me a sense of hope, and it

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<v Speaker 1>added dignity to our lives, you know, to our conversations,

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<v Speaker 1>because we have so much to talk about beyond just

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<v Speaker 1>the rigors of living paycheck to paycheck. It's a beautiful word, dignity.

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<v Speaker 1>And along with this dignity came a careful economy of speech, said,

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<v Speaker 1>and his mom talked about a lot of things, beautiful things,

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<v Speaker 1>but there were places that it seemed they just couldn't go.

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<v Speaker 1>This way of talking or not talking was a family condition.

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<v Speaker 1>There was code on phone calls, if someone paused and said, well,

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<v Speaker 1>it was good to hear your voice. That signaled the

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<v Speaker 1>end of the conversation when said is twelve or thirteen.

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<v Speaker 1>He comes across a photograph of a young man wedged

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<v Speaker 1>into a copy of James Baldwin's Another Country. He had

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<v Speaker 1>never seen the man before, and he asks his mother

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<v Speaker 1>about him. It was kind of like the bookmark, which

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<v Speaker 1>I do the same thing, you kind of like shove,

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<v Speaker 1>you know, a photo or sheet from a notebook in

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<v Speaker 1>a book. It was like this young man who I

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<v Speaker 1>did not recognize, and it was dated like Jackson, Mississippi,

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<v Speaker 1>with a date in the eighties, And I was like,

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<v Speaker 1>is he uncle? Like who is this person? And I

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<v Speaker 1>eventually asked her about it and found out that it

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<v Speaker 1>was like this best friend of hers who she had

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<v Speaker 1>never mentioned. And this was kind of the rub for

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<v Speaker 1>our relationship, you know, amongst all of the richness and

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<v Speaker 1>the laughter and the warmth, there would be these moments

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<v Speaker 1>where all of a sudden, her language was like as

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<v Speaker 1>efficient as possible. So she was like, oh, you know,

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<v Speaker 1>we were really good friends. We would go on road trips.

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<v Speaker 1>Then he found out he was sick and he died.

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<v Speaker 1>He killed himself and then she walked out of the room,

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<v Speaker 1>and I was like what, And I think I shouted

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<v Speaker 1>out maybe one more question because I didn't understand. I

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<v Speaker 1>couldn't fathom as I would think. I was like twelve

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<v Speaker 1>or thirteen, like what being sick had to do with

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<v Speaker 1>killing oneself? Why would you do that? And she was

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<v Speaker 1>like he had aids and she walked out. And that

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<v Speaker 1>ended up being the first vivid memory I have of

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<v Speaker 1>us implicitly talking about sexuality. He was a gay man

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<v Speaker 1>who she a gay black man who she loved very

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<v Speaker 1>very much and lost. And the way kids, you know,

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<v Speaker 1>kind of unwittingly get to the hard questions. They don't

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<v Speaker 1>know what they're doing, they're just digging around and their

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<v Speaker 1>parents stuff. That's very much what happened. It's such a

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<v Speaker 1>theme on this podcast. In almost every episode, there's snooping

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<v Speaker 1>of some kind or another, just this sense of what

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<v Speaker 1>are the adults up to? And you know, what are

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<v Speaker 1>their secrets and what are their lives? You use the

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<v Speaker 1>phrase economy of language or economy of speech. And when

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<v Speaker 1>your mother didn't want to speak, she just didn't and

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<v Speaker 1>she would pause for a really long time and you'd

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<v Speaker 1>have to wait her out or think maybe she's done speaking,

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<v Speaker 1>and then she would say something more right. Could you

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<v Speaker 1>talk a little bit about the role of religion. It's

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<v Speaker 1>fascinated by the fact that your mother was a Buddhist

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<v Speaker 1>and that your grandmother, her mother was a Baptist who

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<v Speaker 1>later joined in an evangelical church, and sort of what

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<v Speaker 1>the role of all that was for you in these

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<v Speaker 1>years where you were you were coming out to yourself,

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<v Speaker 1>but you were not coming out to anyone around you,

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<v Speaker 1>not too friends, certainly, not to your mother, certainly, not

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<v Speaker 1>to your grandmother. Can you talk us through that period

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<v Speaker 1>of time? Yeah, I mean, you know, really, you know,

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<v Speaker 1>when you asked about kind of the landscape of my upbringing,

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<v Speaker 1>I would say, also, you know, it was kind of

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<v Speaker 1>helpful to think of the kind of the calendar of

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<v Speaker 1>my childhood, which is to say, because my mom was

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<v Speaker 1>a single parent raising me when I was not in

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<v Speaker 1>school for winter break and summer break, it was normal

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<v Speaker 1>for her to send me to Memphis to stay with

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<v Speaker 1>her mother, my grandmother, because it's expensive raising boys. Boys

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<v Speaker 1>are taking through all of your things, asking you tough questions,

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<v Speaker 1>you know, getting into trouble, eating all of your food,

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<v Speaker 1>and so that was a really kind of important, I

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<v Speaker 1>don't know, kind of time relationship that we had because

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<v Speaker 1>my mother and her twenties before I was born, started

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<v Speaker 1>practicing nature and Buddhism. She chanted namniah inge K. She

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<v Speaker 1>was very devout, very passionate about nature and Buddhist philosophy.

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<v Speaker 1>And I would argue she was as dedicated to her

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<v Speaker 1>faith as the rest of my family was to their

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<v Speaker 1>Christian faiths at different times. I mean, there were Catholic members,

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<v Speaker 1>they were Baptist and Evangelical, you know, but everyone was very,

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<v Speaker 1>very passionate. I felt like often when I was growing

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<v Speaker 1>up the only person who was ambivalent about religion, and

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<v Speaker 1>I still am, probably because twice a year I was

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<v Speaker 1>kind of being shuttled back and forth between these two

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<v Speaker 1>really intense religious philosophies. And so it was like when

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<v Speaker 1>I was home with mom Um in Texas, I would

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<v Speaker 1>participate and do all kinds of nature and Buddhist activities,

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<v Speaker 1>and that was just a part of our lives. I

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<v Speaker 1>would chant with her in the mornings and evenings, and

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<v Speaker 1>then in the winter or summer, when I was with

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<v Speaker 1>my grandmother, I would go to church. I was baptized,

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<v Speaker 1>you know, at one point, I would go to whatever

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<v Speaker 1>the like, the Christian Bible camp, all of those different things.

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<v Speaker 1>When my grandmother started going to a white, suburban Evangelical church,

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<v Speaker 1>and that was very different. She until that moment been

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<v Speaker 1>going to mostly black Baptist church. She started going to

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<v Speaker 1>the church, you know, right basically at the beginning of

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<v Speaker 1>high school for me, and it just felt like the

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<v Speaker 1>kind of standard back and forth dysfunctional, but no one's

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<v Speaker 1>talking about it. It's fine kind of relationship we'd all

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<v Speaker 1>developed over the years regarding faith and how to live.

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<v Speaker 1>I think because I was entering puberty and becoming a teenager,

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<v Speaker 1>starting to talk back and frankly starting to become more

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<v Speaker 1>self aware about my feelings for boys, starting to stow away.

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<v Speaker 1>Calvin Klein adds, you know that, like my grandmother finds

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<v Speaker 1>at one point in my stuff at her house. It

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<v Speaker 1>just made it it almost like a do or die

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<v Speaker 1>moment for my grandmother, where I think she felt, this

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<v Speaker 1>is where I have to take my stand. I have

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<v Speaker 1>to save my grandson. I've already lost my daughter. I

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<v Speaker 1>very much feel as her perspective at that time, all

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<v Speaker 1>of a sudden, we were going to church four times

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<v Speaker 1>a week, five times a week and it ends within

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<v Speaker 1>a really heartbreaking kind of moment where my grandmother asked

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<v Speaker 1>a visiting pastor to pray over me, basically to save me,

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<v Speaker 1>you know, the sins of my mother. And it was

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<v Speaker 1>it was awful. What kinds of things does the pastor

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<v Speaker 1>say in that moment? I refrained that my grandmother had

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<v Speaker 1>when introducing me to people at this new church, was

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<v Speaker 1>this is my grandson's side. He's visiting from Texas. His

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<v Speaker 1>mother was Buddhist. That was that was my introduction to

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<v Speaker 1>countless people at this church. And of course, you know

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<v Speaker 1>for teenagers, that's just uncomfortable anyway, right, But yeah, that

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<v Speaker 1>has just kind of gone on and gone on and

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<v Speaker 1>gone on, and it felt like everyone was making me

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<v Speaker 1>their little pet Christian project in this church, being really

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<v Speaker 1>nice and supportive. And then at the end of the summer,

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<v Speaker 1>I think perhaps because my grandmother was aware that I

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<v Speaker 1>was getting ready to go home and we've been having

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<v Speaker 1>a lot of arguments, she decided at the end of

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<v Speaker 1>a church service to actually take me to the front

0:14:38.400 --> 0:14:39.960
<v Speaker 1>of the church when they say, you know, the doors

0:14:40.000 --> 0:14:42.160
<v Speaker 1>of the church are open if if anyone would like

0:14:42.200 --> 0:14:44.760
<v Speaker 1>to join the church, you're welcome. To do. So it's

0:14:44.800 --> 0:14:49.760
<v Speaker 1>supposed to be voluntary. The ideas, you know, if if

0:14:49.800 --> 0:14:53.000
<v Speaker 1>you are so inspired, you know, you are welcome to

0:14:53.120 --> 0:14:55.120
<v Speaker 1>walk up to the front of the church and kind

0:14:55.120 --> 0:15:00.280
<v Speaker 1>of have this moment. What happened is my grandmother took

0:15:00.320 --> 0:15:03.000
<v Speaker 1>me by the hand, and I was so stunned. She

0:15:03.040 --> 0:15:05.040
<v Speaker 1>didn't really have to drag me. She just kind of

0:15:05.240 --> 0:15:06.800
<v Speaker 1>led me to the front of the church, and I

0:15:06.840 --> 0:15:10.239
<v Speaker 1>just felt like I was having an out of body experience.

0:15:10.960 --> 0:15:13.280
<v Speaker 1>And the next thing I know, you know, I realized

0:15:13.320 --> 0:15:15.960
<v Speaker 1>this man, this pastor, has been talking for several minutes

0:15:16.040 --> 0:15:18.240
<v Speaker 1>because I was just like, what's going on, And I

0:15:18.360 --> 0:15:21.760
<v Speaker 1>just realized she said, this is my grandson. Said he's

0:15:21.840 --> 0:15:26.040
<v Speaker 1>from Texas. His mother's Buddhist, and he basically put a

0:15:26.080 --> 0:15:29.320
<v Speaker 1>curse on my mother. I've heard a lot of prayers

0:15:29.400 --> 0:15:31.800
<v Speaker 1>since then, and and and before then. You know, I

0:15:31.840 --> 0:15:34.840
<v Speaker 1>know what a hopeful prayer sounds like. This wasn't it.

0:15:35.760 --> 0:15:40.480
<v Speaker 1>He was basically praying for my mother to suffer and

0:15:40.520 --> 0:15:44.160
<v Speaker 1>get sick and forgot to put all kinds of ailments

0:15:44.280 --> 0:15:46.920
<v Speaker 1>very much like basically show her, you know, your seven plagues,

0:15:47.640 --> 0:15:50.720
<v Speaker 1>so that she will see the light and come back

0:15:50.760 --> 0:15:54.800
<v Speaker 1>to the church. And bring her son with her, and

0:15:54.920 --> 0:15:58.120
<v Speaker 1>it was it was stunning. I mean, I I remember

0:15:58.640 --> 0:16:00.760
<v Speaker 1>how I felt. I remember bird that I felt like

0:16:00.800 --> 0:16:04.000
<v Speaker 1>I was frankly about to pass out, you know, because

0:16:04.360 --> 0:16:08.040
<v Speaker 1>the entire time that he's saying these really awful things,

0:16:08.080 --> 0:16:11.240
<v Speaker 1>things I wouldn't wish upon, frankly my worst enemy, with

0:16:11.320 --> 0:16:15.240
<v Speaker 1>a few exceptions. Um, I realized, you know, like my

0:16:15.440 --> 0:16:20.400
<v Speaker 1>mom's mom is holding my hand. And I'm not a parent,

0:16:21.160 --> 0:16:24.920
<v Speaker 1>but I think it's fair to say, generally, if someone

0:16:24.960 --> 0:16:28.080
<v Speaker 1>were to talk about your child, you know, and certainly

0:16:28.120 --> 0:16:32.240
<v Speaker 1>your grandchild in this way, you know, you would be upset,

0:16:33.040 --> 0:16:36.600
<v Speaker 1>you would be offended, you would stand up and instead,

0:16:36.760 --> 0:16:39.400
<v Speaker 1>you know, I just was looking at my grandmother with

0:16:39.440 --> 0:16:41.360
<v Speaker 1>her head bowed, and it was just we were just

0:16:41.400 --> 0:16:46.200
<v Speaker 1>in two totally different realities, and you were just did

0:16:46.200 --> 0:16:49.240
<v Speaker 1>the Matthew were fourteen at this point, Yeah, I believe. So.

0:16:52.080 --> 0:16:56.000
<v Speaker 1>Imagine being fourteen years old and your grandmother is holding

0:16:56.000 --> 0:16:58.960
<v Speaker 1>your hand as a pastor places what amounts to a

0:16:59.040 --> 0:17:04.760
<v Speaker 1>curse her daughter, your own mother. And what's worse, if

0:17:04.800 --> 0:17:08.560
<v Speaker 1>anything in this situation can possibly be worse, is that

0:17:08.600 --> 0:17:16.200
<v Speaker 1>Sayid's mother has a serious heart condition. The pastor who

0:17:16.280 --> 0:17:18.560
<v Speaker 1>was saying that didn't know about but my grandmother did.

0:17:19.320 --> 0:17:23.000
<v Speaker 1>But my sense of right and wrong in that moment

0:17:23.359 --> 0:17:25.440
<v Speaker 1>it was pretty clear. You know. I was like, this

0:17:25.520 --> 0:17:30.120
<v Speaker 1>is wrong. This is not even for people who followed

0:17:30.119 --> 0:17:32.520
<v Speaker 1>the Christian faith. I don't think that's what they want,

0:17:33.560 --> 0:17:36.400
<v Speaker 1>you know, And so I remember feeling like, gosh, this

0:17:36.520 --> 0:17:42.959
<v Speaker 1>is warped, this is toxic. I just felt really sad

0:17:43.320 --> 0:17:46.520
<v Speaker 1>for myself, but also for my grandmother because I think

0:17:46.520 --> 0:17:50.520
<v Speaker 1>though I didn't understand the depths of it, I did

0:17:50.640 --> 0:17:53.600
<v Speaker 1>feel in that moment like there's no coming back from

0:17:53.600 --> 0:17:57.080
<v Speaker 1>a moment like this for us. And it's also occurring

0:17:57.080 --> 0:17:59.680
<v Speaker 1>to me that this pastor and his curse and your

0:17:59.800 --> 0:18:03.040
<v Speaker 1>your grandmother's acceptance of all that is about your mother

0:18:03.080 --> 0:18:05.399
<v Speaker 1>being a Buddhist, you are at this point, at the

0:18:05.440 --> 0:18:11.159
<v Speaker 1>age of fourteen, carrying something much deeper and closer to

0:18:11.240 --> 0:18:15.959
<v Speaker 1>your identity that would be problematic in that world, in

0:18:16.000 --> 0:18:20.040
<v Speaker 1>the evangelical Christian world. Absolutely it felt yeah, And and

0:18:20.080 --> 0:18:23.000
<v Speaker 1>it's like, you know, and to think about secrets. I

0:18:23.040 --> 0:18:27.119
<v Speaker 1>think that nuance your pointing too, is distinctly Southern. My

0:18:27.240 --> 0:18:29.560
<v Speaker 1>grandmother at that point knew that I had a crush

0:18:29.600 --> 0:18:34.639
<v Speaker 1>on boys before she submits Said to the pastor. Sayd's

0:18:34.680 --> 0:18:38.040
<v Speaker 1>grandmother had found a cutout page from a magazine, a

0:18:38.119 --> 0:18:41.240
<v Speaker 1>Calvin Klein ad featuring Mark Wahlberg when she was going

0:18:41.240 --> 0:18:45.760
<v Speaker 1>through Said's things. So she slaps him, hits him hard,

0:18:46.400 --> 0:18:50.879
<v Speaker 1>calls him worldly more a code, but she doesn't speak

0:18:50.880 --> 0:18:56.320
<v Speaker 1>to him directly about his sexuality. I think grandmother's often

0:18:56.520 --> 0:19:00.400
<v Speaker 1>end up kind of surveilling and policing gender for boys

0:19:00.400 --> 0:19:02.399
<v Speaker 1>and girls that they're raising, you know. So it was

0:19:02.440 --> 0:19:05.159
<v Speaker 1>always like act like a boy, don't be a sissy,

0:19:05.280 --> 0:19:07.680
<v Speaker 1>don't stand like that, don't own your hand like that.

0:19:07.880 --> 0:19:10.959
<v Speaker 1>She knew. And so I think the fact that in

0:19:11.040 --> 0:19:13.160
<v Speaker 1>this moment she takes me to the front of the church,

0:19:13.320 --> 0:19:16.840
<v Speaker 1>she did not say I'm worried my grandson might be

0:19:16.920 --> 0:19:22.960
<v Speaker 1>gay or whatever, I think it speaks to how deeply

0:19:23.960 --> 0:19:28.879
<v Speaker 1>shameful homophobia and queerness in that space is embedded, you

0:19:28.920 --> 0:19:31.560
<v Speaker 1>know that, because to me, it feels like that's really

0:19:31.600 --> 0:19:35.680
<v Speaker 1>what was going on. That's clearly what she was worried

0:19:35.680 --> 0:19:40.320
<v Speaker 1>about for me, but it felt like that was too

0:19:41.040 --> 0:19:44.520
<v Speaker 1>too barbed to even speak in the church. So it

0:19:44.560 --> 0:19:48.040
<v Speaker 1>almost feels like my mom and my mother's faith becomes

0:19:48.280 --> 0:19:54.520
<v Speaker 1>the well the sacrificial lamp. We'll be back in a

0:19:54.560 --> 0:20:05.479
<v Speaker 1>moment with more family secrets. Said is now in high school.

0:20:06.240 --> 0:20:08.800
<v Speaker 1>One day, his class is let out early because the

0:20:08.840 --> 0:20:12.240
<v Speaker 1>drama department is putting on a production of The Laramie Project,

0:20:12.640 --> 0:20:15.640
<v Speaker 1>a theater piece based on the murder of Matthew Shepard.

0:20:16.800 --> 0:20:19.720
<v Speaker 1>It's all said can do to hold himself together. He

0:20:19.800 --> 0:20:23.840
<v Speaker 1>doesn't want anyone to see him cry. He remains closeted

0:20:24.000 --> 0:20:26.919
<v Speaker 1>through high school and then wins a fellowship for speech

0:20:26.960 --> 0:20:31.879
<v Speaker 1>and debate at Western Kentucky University and initially remains closeted

0:20:31.920 --> 0:20:34.879
<v Speaker 1>there as well. He refers to this in his book

0:20:35.400 --> 0:20:40.159
<v Speaker 1>as his second closeting, writing it shouldn't have been that

0:20:40.320 --> 0:20:46.960
<v Speaker 1>easy to unbecome myself, I mean to me, so much

0:20:47.000 --> 0:20:50.399
<v Speaker 1>of your story is about unbecoming and the cost and

0:20:50.440 --> 0:20:53.720
<v Speaker 1>the price of unbecoming and becoming and this kind of

0:20:53.800 --> 0:21:01.240
<v Speaker 1>dance between those two states. Yeah. One myth that heterosexual

0:21:01.520 --> 0:21:04.800
<v Speaker 1>people have about the closet, and of course there are

0:21:04.800 --> 0:21:07.760
<v Speaker 1>all kinds of cultural closets, but one myth is that

0:21:07.920 --> 0:21:11.840
<v Speaker 1>it's like queer people come out once and that's it,

0:21:12.480 --> 0:21:14.280
<v Speaker 1>you know, like we just like we we send a

0:21:14.359 --> 0:21:17.560
<v Speaker 1>flare into the air and everyone's like, Okay, Side's gay,

0:21:17.600 --> 0:21:19.800
<v Speaker 1>and then that's it for the rest of sides life.

0:21:20.280 --> 0:21:22.680
<v Speaker 1>And of course that's not the case. Every time we

0:21:23.000 --> 0:21:26.760
<v Speaker 1>start a new job, every time we step into a bar,

0:21:26.960 --> 0:21:31.359
<v Speaker 1>you know, every time we meet a new doctor or nurse,

0:21:31.520 --> 0:21:34.240
<v Speaker 1>you know, and they're going over our sexual history. All

0:21:34.280 --> 0:21:38.000
<v Speaker 1>of those kinds of moments we are having to negotiate.

0:21:38.119 --> 0:21:41.639
<v Speaker 1>We're having to decide is it safe for me to share,

0:21:41.680 --> 0:21:43.880
<v Speaker 1>Do I need to share, should I you know, or

0:21:43.960 --> 0:21:48.320
<v Speaker 1>I'm absolutely going to share. And it's fluid, and it's

0:21:48.400 --> 0:21:52.919
<v Speaker 1>based on the space we're in, how safe we feel,

0:21:53.119 --> 0:21:56.080
<v Speaker 1>if it feels relevant, if we have the energy to

0:21:56.240 --> 0:22:00.639
<v Speaker 1>do so. And that was not something I understand stood

0:22:01.320 --> 0:22:05.000
<v Speaker 1>as a young man coming into my sexual identity. So

0:22:05.400 --> 0:22:07.680
<v Speaker 1>when I got to college, for example, you see, and

0:22:07.760 --> 0:22:09.600
<v Speaker 1>it's like literally in the first day, I mean, I'm like,

0:22:09.920 --> 0:22:12.080
<v Speaker 1>after years of being like I can't wait to get

0:22:12.080 --> 0:22:14.439
<v Speaker 1>away from home and go to school and I'm just

0:22:14.480 --> 0:22:18.920
<v Speaker 1>gonna finally be myself because surely the only issue I'm

0:22:18.920 --> 0:22:23.480
<v Speaker 1>struggling with here is my family. I step onto this

0:22:23.600 --> 0:22:28.800
<v Speaker 1>college campus and it's like, within like five hellos, I've

0:22:28.880 --> 0:22:31.800
<v Speaker 1>stepped right back into the closet I've taken on this

0:22:31.840 --> 0:22:34.399
<v Speaker 1>new persona. I'm trying to act like one of the

0:22:34.480 --> 0:22:37.240
<v Speaker 1>jocks from my high school who never would have so

0:22:37.320 --> 0:22:39.159
<v Speaker 1>much have sat with me at the cafeteria at One

0:22:39.200 --> 0:22:41.600
<v Speaker 1>Word school, But that was the persona I was like

0:22:41.680 --> 0:22:46.040
<v Speaker 1>trying to embrace during my first year experience that weird

0:22:46.119 --> 0:22:49.720
<v Speaker 1>orientation week, you know college students have. I mean, one

0:22:49.760 --> 0:22:52.520
<v Speaker 1>thing I'm thinking about is you're speaking, is the poignancy

0:22:52.640 --> 0:22:55.879
<v Speaker 1>or the pain of performing a persona like in that

0:22:55.960 --> 0:23:00.760
<v Speaker 1>first week to be accepted and then to be accepted.

0:23:01.320 --> 0:23:05.680
<v Speaker 1>But you're not being accepted as yourself right. The goal

0:23:05.760 --> 0:23:09.760
<v Speaker 1>is simply to be accepted, and you're leaving you know,

0:23:09.800 --> 0:23:13.760
<v Speaker 1>one is leaving oneself kind of in the dust. Absolutely,

0:23:14.960 --> 0:23:18.720
<v Speaker 1>you find a group of friends pretty quickly where you

0:23:18.840 --> 0:23:25.000
<v Speaker 1>feel safe and comfortable being yourself. M hm. I mean,

0:23:25.000 --> 0:23:27.359
<v Speaker 1>I'm just thinking about safety because as you're growing up

0:23:27.400 --> 0:23:30.359
<v Speaker 1>to feeling that it is not safe to be gay,

0:23:30.480 --> 0:23:32.080
<v Speaker 1>it is not safe to be black, and it is

0:23:32.160 --> 0:23:35.040
<v Speaker 1>really not safe to be a black gay man, and

0:23:35.080 --> 0:23:38.200
<v Speaker 1>then you get to this place where it almost seems

0:23:38.240 --> 0:23:42.600
<v Speaker 1>like you're just like fuck that. Your Twitter and Instagram

0:23:42.640 --> 0:23:47.240
<v Speaker 1>handle is the ferocity and there's this moment in your

0:23:47.240 --> 0:23:52.080
<v Speaker 1>book about halfway through where you describe as a ferocity

0:23:52.840 --> 0:23:56.160
<v Speaker 1>you know with which you are going to be your

0:23:56.520 --> 0:24:00.280
<v Speaker 1>most authentic self. Thank you for catching that detailized sure

0:24:00.400 --> 0:24:03.719
<v Speaker 1>that little easter um. You know, you go to your

0:24:03.720 --> 0:24:07.600
<v Speaker 1>first few college parties, the first few times you you know,

0:24:07.640 --> 0:24:11.000
<v Speaker 1>have like the messy hook ups, and and you're in

0:24:11.040 --> 0:24:15.440
<v Speaker 1>a mixed group of students your age, older students, and

0:24:15.720 --> 0:24:18.520
<v Speaker 1>you get to kiss a boy and plain sight of

0:24:18.680 --> 0:24:22.000
<v Speaker 1>all of those different people, and no one cares because

0:24:22.040 --> 0:24:24.320
<v Speaker 1>they're making out with whoever they're making out. They're nodding

0:24:24.359 --> 0:24:27.040
<v Speaker 1>as you're like, oh, you found someone, you know, and

0:24:27.080 --> 0:24:30.639
<v Speaker 1>that's all that matters. You found someone. It's been on

0:24:30.680 --> 0:24:33.000
<v Speaker 1>my mind so much because, of course, with the pandemic,

0:24:33.160 --> 0:24:37.280
<v Speaker 1>there are still college students who were very much looking

0:24:37.280 --> 0:24:40.399
<v Speaker 1>forward to getting to have those kinds of experiences. And

0:24:40.520 --> 0:24:44.280
<v Speaker 1>I understand, and certainly we need to socially distance and

0:24:44.680 --> 0:24:47.760
<v Speaker 1>those parties should not be happening right now. They're not healthy,

0:24:47.760 --> 0:24:50.280
<v Speaker 1>it's not good, it's not worth it. But also I

0:24:50.320 --> 0:24:54.000
<v Speaker 1>do want to honor that ache I've been thinking about

0:24:54.040 --> 0:24:57.320
<v Speaker 1>of queer young people who are looking for those kinds

0:24:57.359 --> 0:25:01.240
<v Speaker 1>of spaces. Who were so king forward to those kinds

0:25:01.280 --> 0:25:06.320
<v Speaker 1>of moments, And if you don't need them, you don't

0:25:06.440 --> 0:25:09.920
<v Speaker 1>understand how important it can be to have a night

0:25:10.040 --> 0:25:12.720
<v Speaker 1>like that. You know what I mean, to dance and

0:25:12.800 --> 0:25:16.359
<v Speaker 1>swing and mess your way into yourself, and that is

0:25:16.600 --> 0:25:19.240
<v Speaker 1>that is an important part of learning who we are

0:25:19.280 --> 0:25:23.280
<v Speaker 1>as young people in particular, right, the fun, the joy,

0:25:23.320 --> 0:25:29.840
<v Speaker 1>particularly after years of self policing, you know, a bullying

0:25:30.480 --> 0:25:35.199
<v Speaker 1>of anxiety and depression. It's those first few moments of

0:25:35.280 --> 0:25:41.600
<v Speaker 1>like just the endorphin rush of oh wow, this is

0:25:41.640 --> 0:25:43.840
<v Speaker 1>what it feels like. Is this what I'll feel like

0:25:43.840 --> 0:25:48.479
<v Speaker 1>all the time? That is a profound moment, because of

0:25:48.480 --> 0:25:51.239
<v Speaker 1>course you go, oh, well, I want to feel like

0:25:51.320 --> 0:25:55.760
<v Speaker 1>this forever. I want to be my full fear self.

0:25:56.640 --> 0:25:59.639
<v Speaker 1>And for me, it wasn't just oh, this is a

0:25:59.680 --> 0:26:08.200
<v Speaker 1>cool party. It was learning how to unite all of

0:26:08.320 --> 0:26:14.840
<v Speaker 1>myselves in plain sight. I'm always kind of trying to

0:26:14.880 --> 0:26:19.119
<v Speaker 1>figure out which mask, which persona is most viable in

0:26:19.200 --> 0:26:22.440
<v Speaker 1>the space. Yeah, there's a moment where you're writing about

0:26:22.440 --> 0:26:25.600
<v Speaker 1>your mother, and you're right. We both allowed too deep

0:26:25.640 --> 0:26:29.160
<v Speaker 1>of a contrast between our interiors and our exteriors, and

0:26:29.400 --> 0:26:33.840
<v Speaker 1>there's such a price to be paid for that, the

0:26:33.920 --> 0:26:36.159
<v Speaker 1>sense that who we are on the inside is not

0:26:37.040 --> 0:26:39.159
<v Speaker 1>it's not what we're showing. It's not safe to show it,

0:26:39.240 --> 0:26:42.280
<v Speaker 1>or we think it's not, or there's shame or self loathing.

0:26:43.240 --> 0:26:45.080
<v Speaker 1>There are moments where, even after I come out to

0:26:45.160 --> 0:26:50.400
<v Speaker 1>my mom, at one point, the awkwardness of talking about dating,

0:26:50.560 --> 0:26:54.199
<v Speaker 1>of talking about boyfriends would be so intense at times

0:26:54.240 --> 0:26:56.120
<v Speaker 1>in those first couple of years after I came out

0:26:56.160 --> 0:26:58.960
<v Speaker 1>to her that sometimes I would just give up. I

0:26:58.960 --> 0:27:00.880
<v Speaker 1>would like raise a question hin and she I would

0:27:00.880 --> 0:27:02.520
<v Speaker 1>look at her and she would have a look of

0:27:02.560 --> 0:27:07.440
<v Speaker 1>total panic on her face, and I would change the subject.

0:27:08.320 --> 0:27:12.480
<v Speaker 1>And I think that is an aspect of identity that

0:27:12.760 --> 0:27:17.920
<v Speaker 1>doesn't get as much mainstream attention. But actually, I would

0:27:18.040 --> 0:27:23.879
<v Speaker 1>argue is a much more common, ongoing part of queer

0:27:23.920 --> 0:27:29.480
<v Speaker 1>life because it's something we're constantly negotiating. We'll be right back,

0:27:40.520 --> 0:27:43.520
<v Speaker 1>you know. That's sort of brings me to the part

0:27:43.560 --> 0:27:47.400
<v Speaker 1>of your book where you write about a relationship with

0:27:47.640 --> 0:27:50.879
<v Speaker 1>you call him the botanist, that is, you know, just

0:27:51.480 --> 0:27:56.919
<v Speaker 1>defined by its violence and defilement, and that goes on

0:27:57.040 --> 0:28:02.560
<v Speaker 1>for a bit even as I is finding his footing,

0:28:03.000 --> 0:28:06.119
<v Speaker 1>settling in and becoming more himself with his new college friends,

0:28:06.760 --> 0:28:11.320
<v Speaker 1>there is a strong undercurrent of self loathing. This self

0:28:11.359 --> 0:28:14.560
<v Speaker 1>loathing takes the form of his being drawn into encounters

0:28:14.600 --> 0:28:19.440
<v Speaker 1>with sadistic men in which this inner directed hatred gets

0:28:19.480 --> 0:28:23.159
<v Speaker 1>played out in terrifying ways. One of these he calls

0:28:23.400 --> 0:28:27.560
<v Speaker 1>the botanist a cold and punishing man, and the other

0:28:27.680 --> 0:28:32.439
<v Speaker 1>he calls Daniel. Daniel fully intends to kill said, and

0:28:32.640 --> 0:28:38.560
<v Speaker 1>very nearly does. There's a moment where a professor of

0:28:38.640 --> 0:28:40.440
<v Speaker 1>yours says to you, said, what happened to your smile?

0:28:40.560 --> 0:28:44.440
<v Speaker 1>Used to smile all the time? What was that trajectory?

0:28:45.080 --> 0:28:48.440
<v Speaker 1>I think it's funny. You know, we've forgotten it already

0:28:48.480 --> 0:28:52.160
<v Speaker 1>because our conversation about queerness and LGBT rights as a

0:28:52.240 --> 0:28:55.800
<v Speaker 1>country has moved pretty quickly, which is nice. But you

0:28:55.840 --> 0:28:57.760
<v Speaker 1>know what, I was a high school student in a

0:28:57.920 --> 0:29:01.200
<v Speaker 1>college student when we would talk about these kinds of issues.

0:29:01.240 --> 0:29:03.840
<v Speaker 1>We didn't use the word ally. We didn't talk about this,

0:29:03.920 --> 0:29:09.120
<v Speaker 1>We didn't talk about inclusion. The word was tolerance. Remember

0:29:09.240 --> 0:29:13.840
<v Speaker 1>that that was the kind of euphemism or the framework

0:29:14.080 --> 0:29:16.640
<v Speaker 1>that we would talk about. Basically accepting gay people, trans

0:29:16.640 --> 0:29:19.160
<v Speaker 1>people weren't even a part of the conversation at the time, right,

0:29:19.200 --> 0:29:22.440
<v Speaker 1>it was like this, we are tolerant community. And and

0:29:22.480 --> 0:29:26.000
<v Speaker 1>so I think what I discovered as a college student

0:29:26.280 --> 0:29:30.920
<v Speaker 1>was that though I wasn't being bullied, though I wasn't

0:29:31.120 --> 0:29:36.000
<v Speaker 1>being harassed or explicitly other it was fine. You know,

0:29:36.040 --> 0:29:39.480
<v Speaker 1>people dated, people knew I was having crushes or going

0:29:39.560 --> 0:29:42.200
<v Speaker 1>on dates or hooking up a bit. You know, I

0:29:42.200 --> 0:29:45.240
<v Speaker 1>would break it up a bit with friends and mixed company.

0:29:45.760 --> 0:29:48.240
<v Speaker 1>I realized, I think over time and in retrospect, that

0:29:48.320 --> 0:29:54.320
<v Speaker 1>it was tolerated. I didn't feel comfortable, I think talking

0:29:54.440 --> 0:29:59.680
<v Speaker 1>about the less fun parts of my sexual identity. I

0:29:59.720 --> 0:30:03.920
<v Speaker 1>didn't feel comfortable talking about the messiness, the confusion and

0:30:04.240 --> 0:30:06.720
<v Speaker 1>things that we now have. I think a far better

0:30:06.760 --> 0:30:12.640
<v Speaker 1>conversation about grape culture consent. What does racism look like

0:30:12.680 --> 0:30:16.080
<v Speaker 1>in a sexual context? You know? What what is sexual

0:30:16.160 --> 0:30:19.200
<v Speaker 1>education and sexual health for queer people look like? Like?

0:30:19.280 --> 0:30:23.440
<v Speaker 1>All of that was not I didn't see a way

0:30:23.480 --> 0:30:25.840
<v Speaker 1>to bring that into the conversation. I don't think my

0:30:25.920 --> 0:30:29.360
<v Speaker 1>friends did. We didn't have that tool. And so it's

0:30:29.360 --> 0:30:33.000
<v Speaker 1>one of those things where it's important for us to

0:30:33.160 --> 0:30:40.920
<v Speaker 1>understand that just because people aren't explicitly trying to kill

0:30:41.080 --> 0:30:45.800
<v Speaker 1>us does not mean that we are truly free. And

0:30:46.000 --> 0:30:48.640
<v Speaker 1>I think that's the struggle when you have been alienated

0:30:48.680 --> 0:30:53.760
<v Speaker 1>for so long you don't even understand that you're kind

0:30:53.760 --> 0:30:57.080
<v Speaker 1>of trying to survive on like crumbs and small morsels.

0:30:57.120 --> 0:31:01.560
<v Speaker 1>You're not really getting sustenance. And so though you know,

0:31:01.640 --> 0:31:04.680
<v Speaker 1>a lot had changed and it felt more inclusive than

0:31:05.000 --> 0:31:08.040
<v Speaker 1>where I grew up in Texas, for example, I think

0:31:08.080 --> 0:31:12.160
<v Speaker 1>I started inflicting my own shame and starting to keep

0:31:12.200 --> 0:31:18.160
<v Speaker 1>my own secrets on my own. I think America is

0:31:18.280 --> 0:31:23.160
<v Speaker 1>really good at getting women to be sexist to women,

0:31:24.720 --> 0:31:28.920
<v Speaker 1>getting black people to be racist to ourselves, getting queer

0:31:28.960 --> 0:31:34.160
<v Speaker 1>people to inflict homophobia transphobia on ourselves and each other.

0:31:34.400 --> 0:31:38.360
<v Speaker 1>You know, it's almost like that toxicity is like whispering

0:31:38.360 --> 0:31:41.400
<v Speaker 1>in your ear for so long that you start saying

0:31:41.440 --> 0:31:44.640
<v Speaker 1>it to yourself. And I feel that, like in college,

0:31:44.680 --> 0:31:49.000
<v Speaker 1>that caught up with me. Does that makes so much sense?

0:31:49.080 --> 0:31:54.360
<v Speaker 1>It's like internalizing it becomes the internal annihilator. Oh, absolutely

0:31:54.920 --> 0:31:56.720
<v Speaker 1>to that point. I mean, you know, thank goodness for

0:31:56.800 --> 0:32:01.040
<v Speaker 1>Women's studies fellows and Audrey lore did Glory Anzell do it.

0:32:01.080 --> 0:32:03.520
<v Speaker 1>You know, I remember taking a women studies class in

0:32:03.640 --> 0:32:08.280
<v Speaker 1>college and seeing the phrase internalized sexism, and I thought

0:32:08.320 --> 0:32:10.760
<v Speaker 1>my whole body was going to burst into flames because

0:32:10.960 --> 0:32:14.560
<v Speaker 1>it was such a profound idea, like, oh, of course,

0:32:14.840 --> 0:32:19.479
<v Speaker 1>we can totally internalize all of this stuff. And one

0:32:19.480 --> 0:32:22.960
<v Speaker 1>of the things I identified with, I guess is that

0:32:23.800 --> 0:32:27.400
<v Speaker 1>this And I'm wondering whether in my identification, I'm right,

0:32:27.960 --> 0:32:31.720
<v Speaker 1>this period of time where you are kind of acting

0:32:31.760 --> 0:32:36.720
<v Speaker 1>out of this internalized toxicity, how long after that is

0:32:36.760 --> 0:32:39.400
<v Speaker 1>it that your your mother who has been I mean,

0:32:39.400 --> 0:32:41.600
<v Speaker 1>your mother's secret in a way is that she has

0:32:41.640 --> 0:32:44.120
<v Speaker 1>this heart condition. It's not a secret, but she basically

0:32:44.160 --> 0:32:46.640
<v Speaker 1>acts like it doesn't exist, and she keeps smoking cigarettes

0:32:46.680 --> 0:32:50.560
<v Speaker 1>and she just lives like somebody who isn't sick. She

0:32:50.680 --> 0:32:55.520
<v Speaker 1>just refuses to be sick, right, but it catches up

0:32:55.560 --> 0:32:58.560
<v Speaker 1>with her, and you get a phone call that she's

0:32:59.000 --> 0:33:03.000
<v Speaker 1>very sick, and ultimately your mother dies. There's something in

0:33:03.040 --> 0:33:09.920
<v Speaker 1>there about becoming real. In the aftermath of your mother's death,

0:33:10.640 --> 0:33:14.760
<v Speaker 1>you're with your uncle and you've never explicitly come out

0:33:14.800 --> 0:33:18.400
<v Speaker 1>to him, and now you're there and you're making arrangements

0:33:18.640 --> 0:33:21.160
<v Speaker 1>about your mom, and you're right. There were no more

0:33:21.200 --> 0:33:23.800
<v Speaker 1>masks left for me to hide behind. And I just

0:33:23.880 --> 0:33:26.720
<v Speaker 1>wonder whether it's too nate and tidy, perhaps, but it

0:33:26.840 --> 0:33:29.040
<v Speaker 1>felt to me that, I mean, you and your mother

0:33:29.200 --> 0:33:33.880
<v Speaker 1>really loved each other, and her loss was huge. But

0:33:33.960 --> 0:33:38.520
<v Speaker 1>it also feels like it may have been the thing

0:33:38.600 --> 0:33:43.240
<v Speaker 1>that rendered or kind of undid that particular kind of

0:33:43.400 --> 0:33:49.360
<v Speaker 1>acting out of that deep internal self annihilation. Something I

0:33:49.440 --> 0:33:54.280
<v Speaker 1>say often about losing my mom is that it was

0:33:54.320 --> 0:33:58.760
<v Speaker 1>the most humanizing at that time, the most humanizing experience

0:33:58.880 --> 0:34:02.680
<v Speaker 1>I've ever had, even more so than literally, you know,

0:34:02.760 --> 0:34:05.720
<v Speaker 1>someone almost killing me, which at the time did not

0:34:06.040 --> 0:34:09.440
<v Speaker 1>feel like this profoundly enlightening. It was just like a

0:34:09.440 --> 0:34:11.719
<v Speaker 1>horrible thing that happened, you know. So how I saw

0:34:11.760 --> 0:34:17.160
<v Speaker 1>it when my mom died, I felt like grief, and

0:34:17.200 --> 0:34:21.759
<v Speaker 1>it was. It was staringly painful, but it it revealed

0:34:22.960 --> 0:34:28.680
<v Speaker 1>the depths of our relationship to one another. It revealed

0:34:29.520 --> 0:34:33.800
<v Speaker 1>her humanity as an independent person, as just a woman,

0:34:33.960 --> 0:34:37.000
<v Speaker 1>as a daughter, as a sister, as a friend, you know,

0:34:37.080 --> 0:34:40.400
<v Speaker 1>just watching and meeting and have you know, just seeing

0:34:40.520 --> 0:34:43.920
<v Speaker 1>over and over again, all of these people have just

0:34:43.960 --> 0:34:49.040
<v Speaker 1>such an intensely profound grief because of their relationship with her.

0:34:49.120 --> 0:34:54.000
<v Speaker 1>I think something about that and the finality of death,

0:34:54.280 --> 0:34:56.520
<v Speaker 1>as you have these moments where you're like, gosh, she

0:34:56.640 --> 0:34:59.719
<v Speaker 1>was an incredible person, because of course your next thing

0:34:59.840 --> 0:35:02.160
<v Speaker 1>is want to go I should tell her. I want

0:35:02.160 --> 0:35:04.239
<v Speaker 1>to tell her this, I want to tell her what

0:35:04.320 --> 0:35:06.880
<v Speaker 1>I now understand. And then you go, oh, but I can't,

0:35:07.360 --> 0:35:10.360
<v Speaker 1>you know, so you're in this like loop. I think

0:35:10.480 --> 0:35:18.120
<v Speaker 1>that that loop of bereavement introduced me to myself in

0:35:18.160 --> 0:35:21.440
<v Speaker 1>a way. It it is hard to find language for it.

0:35:21.600 --> 0:35:25.759
<v Speaker 1>It feels way to some simplistic to say it made

0:35:25.800 --> 0:35:28.920
<v Speaker 1>me want to live more. But I think maybe it

0:35:29.040 --> 0:35:35.719
<v Speaker 1>helped me understand that my mother this whole time had

0:35:35.760 --> 0:35:40.879
<v Speaker 1>been fighting for her life and trying her best. And

0:35:41.000 --> 0:35:45.200
<v Speaker 1>here I am, if not being ambivalent about my own

0:35:45.239 --> 0:35:51.160
<v Speaker 1>life at times, being my own worst enemy at times literally,

0:35:51.200 --> 0:35:53.600
<v Speaker 1>I mean, in the case of Daniel, just kind of

0:35:53.640 --> 0:35:59.200
<v Speaker 1>almost willingly forfeitting my life, forfeitting at least my appreciation

0:35:59.320 --> 0:36:02.239
<v Speaker 1>for my life and my my well being. And I

0:36:02.280 --> 0:36:07.279
<v Speaker 1>think there was something about the profound loss of my

0:36:07.400 --> 0:36:10.640
<v Speaker 1>mother where I just feel like, how dare you? You

0:36:10.719 --> 0:36:14.560
<v Speaker 1>loved her so much and you now feel the full

0:36:15.000 --> 0:36:18.439
<v Speaker 1>range of her love for you, How could you do this?

0:36:18.960 --> 0:36:23.560
<v Speaker 1>How could you fail to appreciate the very person she

0:36:23.680 --> 0:36:27.440
<v Speaker 1>loves so much? It's not like there was like a

0:36:27.480 --> 0:36:32.239
<v Speaker 1>single moment where all of this became clear. But I

0:36:32.320 --> 0:36:37.839
<v Speaker 1>think beginning with the experience of losing my mother, it's

0:36:37.880 --> 0:36:43.560
<v Speaker 1>one thing to understand your sexual identity or racial identity,

0:36:43.600 --> 0:36:46.040
<v Speaker 1>at least enough to be able to talk about them,

0:36:46.080 --> 0:36:50.240
<v Speaker 1>which is not nothing. I think it's an altogether different

0:36:50.840 --> 0:36:53.680
<v Speaker 1>journey to say, Okay, what are you going to do

0:36:53.760 --> 0:36:55.719
<v Speaker 1>with this life? What are you gonna do with the

0:36:55.880 --> 0:37:00.480
<v Speaker 1>self that you've been working so hard to name? And

0:37:00.520 --> 0:37:03.440
<v Speaker 1>I think in a way it was like, and maybe

0:37:03.440 --> 0:37:08.399
<v Speaker 1>this is the tragedy of the book, homophobia and all

0:37:08.440 --> 0:37:13.360
<v Speaker 1>of the failures of identity kept my mother and I

0:37:14.160 --> 0:37:18.200
<v Speaker 1>from having some really important conversations that I still wish

0:37:18.239 --> 0:37:21.319
<v Speaker 1>we could have. And I think when I lost her,

0:37:22.239 --> 0:37:25.120
<v Speaker 1>there's something about that deficit that I felt like I

0:37:25.200 --> 0:37:32.000
<v Speaker 1>have to make up on my own. Now. Oh, how

0:37:32.040 --> 0:37:35.920
<v Speaker 1>we fight for our lives. We try and we try,

0:37:36.120 --> 0:37:40.400
<v Speaker 1>and perhaps the magnificence the deliverance is in the trying,

0:37:41.280 --> 0:37:44.680
<v Speaker 1>And perhaps those who are lost to us are finally

0:37:45.040 --> 0:37:48.960
<v Speaker 1>not lost to us. Perhaps the conversations we couldn't have

0:37:49.560 --> 0:37:52.440
<v Speaker 1>are the ones that swirl around in our heads and

0:37:52.600 --> 0:37:58.160
<v Speaker 1>hearts and keep us going that's really beautiful. It occurs

0:37:58.160 --> 0:37:59.920
<v Speaker 1>to me too that if we can if we enter

0:38:00.000 --> 0:38:06.040
<v Speaker 1>analize annihilation and we internalize toxicity, we can also internalize love. Yeah,

0:38:06.160 --> 0:38:09.080
<v Speaker 1>it's possible. And you know, and I think, and as

0:38:09.120 --> 0:38:14.600
<v Speaker 1>a writer who's always is drawn to annihilation, you know,

0:38:14.760 --> 0:38:17.480
<v Speaker 1>I mean, in some ways, that's that's it's much easier.

0:38:18.200 --> 0:38:20.680
<v Speaker 1>That kind of peril is often, you know, like clear

0:38:20.840 --> 0:38:23.560
<v Speaker 1>and present, and it often has to be dealt with

0:38:23.640 --> 0:38:28.800
<v Speaker 1>the moment it emerges. Right. But but the rigor of love,

0:38:29.480 --> 0:38:31.799
<v Speaker 1>the rigor of like you know, in a moment you

0:38:31.880 --> 0:38:34.680
<v Speaker 1>see where my mom's in the emergency room when I'm

0:38:34.680 --> 0:38:37.880
<v Speaker 1>in high school earlier in the book, and she's like

0:38:38.000 --> 0:38:40.600
<v Speaker 1>just has her fist in the air and says, like

0:38:40.760 --> 0:38:45.080
<v Speaker 1>I must win. The rigor it takes to become the

0:38:45.160 --> 0:38:47.839
<v Speaker 1>kind of person who can have that kind of determination,

0:38:48.520 --> 0:38:52.320
<v Speaker 1>I would say it's three times as difficult as simply

0:38:52.320 --> 0:39:00.760
<v Speaker 1>trying to escape immediate peril your side eating one left

0:39:00.800 --> 0:39:09.040
<v Speaker 1>passage from his memoir Always like Us never really got away.

0:39:09.200 --> 0:39:13.560
<v Speaker 1>It seemed we just bought ourselves time, a few more

0:39:13.640 --> 0:39:18.280
<v Speaker 1>gasps of air, a few more poems, a few more years.

0:39:19.320 --> 0:39:24.120
<v Speaker 1>History hurt more than any weapon inflicted on us. It

0:39:24.280 --> 0:39:27.640
<v Speaker 1>hit back harder than any weapon we could wield, any

0:39:27.640 --> 0:39:33.080
<v Speaker 1>weapon we could turn ourselves into. I sunk down, I

0:39:33.200 --> 0:39:37.240
<v Speaker 1>looked away. I felt that loneliness and let it settle

0:39:37.280 --> 0:39:42.080
<v Speaker 1>in heavy and final. I don't know how long I

0:39:42.120 --> 0:39:46.320
<v Speaker 1>sat on the floor in that restroom, staring and seeing nothing.

0:39:47.520 --> 0:39:51.320
<v Speaker 1>Eventually I stood up again and washed my face, still

0:39:51.360 --> 0:39:56.879
<v Speaker 1>avoiding my reflection. It seemed as if my life were

0:39:56.920 --> 0:40:01.600
<v Speaker 1>waiting for me outside that room, like polite guest I

0:40:01.600 --> 0:40:05.840
<v Speaker 1>had left behind at the table. It was rude to

0:40:05.960 --> 0:40:09.640
<v Speaker 1>keep him waiting. It helped to think of my life

0:40:09.680 --> 0:40:13.720
<v Speaker 1>as someone separate from me, a person who didn't deserve

0:40:13.800 --> 0:40:17.880
<v Speaker 1>to be abandoned. Sending back down in front of the

0:40:17.920 --> 0:40:22.640
<v Speaker 1>pile of books, I returned to Reginald Shepherd's words. He

0:40:22.800 --> 0:40:27.440
<v Speaker 1>was gone, but they were still here. I thought about

0:40:27.480 --> 0:40:31.280
<v Speaker 1>all the poets who had kept me going. One more minute,

0:40:31.960 --> 0:40:36.720
<v Speaker 1>one more step of the drowned and the drowning, Reginald

0:40:36.760 --> 0:40:41.359
<v Speaker 1>Shepherd wrote, I felt the cord pool taught between us.

0:40:42.719 --> 0:40:46.200
<v Speaker 1>I took a breath. I started a draft of a

0:40:46.239 --> 0:41:00.239
<v Speaker 1>new poem. Family Secrets is an iHeart Media product action.

0:41:00.760 --> 0:41:04.600
<v Speaker 1>Dylan Fagan is the supervising producer and Bethan Macaluso is

0:41:04.640 --> 0:41:08.200
<v Speaker 1>the executive producer. We'd also like to give a special

0:41:08.200 --> 0:41:11.759
<v Speaker 1>thanks to Tyler Klang and Tristan McNeil. If you have

0:41:11.800 --> 0:41:14.319
<v Speaker 1>a family secret you'd like to share, leave us a

0:41:14.360 --> 0:41:17.680
<v Speaker 1>voicemail and your story could appear on an upcoming episode.

0:41:18.320 --> 0:41:22.239
<v Speaker 1>Our number is one eight eight eight secret zero. That's

0:41:22.400 --> 0:41:25.920
<v Speaker 1>secret and then the number zero. You can also find

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<v Speaker 1>us on Instagram at Danny Ryder and Facebook at facebook

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<v Speaker 1>Secrets Pod. For more podcasts from My Heart Radio, visit

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