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Speaker 1: It's board meeting of the holiday company, the corporation, the business.

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Speaker 2: Sorry, back up, which holiday or it's every holiday.

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Speaker 1: It's the corporation that makes and sells all the holidays.

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Speaker 2: All the holidays, the new board.

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Speaker 1: It's missus Clause, it's Dracula, It's but.

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Speaker 2: It's also the pirate from talk like a Pirate Day.

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Speaker 2: It's the time to make the donuts guy from International

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Speaker 2: Donut Day. Who else? Oh, all your siblings are there

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Speaker 2: for Sibling Day, which is like, honestly to me, that's

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Speaker 2: my favorite holiday. Now. I used to like when I

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Speaker 2: was a kid, I liked Christmas. Then I got kind

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Speaker 2: of in a Halloween just because it's so freaky and

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Speaker 2: it's when you can really get out there and like

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Speaker 2: freak out your friends. But now as an adult, Sibling Day, man,

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Speaker 2: where I just I get on the GRAM and I

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Speaker 2: look at everyone with like their brother who they see

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Speaker 2: once a year, and they're like in you know, and

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Speaker 2: their little kids, yes there is they don't have a

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Speaker 2: rugby shirt in a sandbox, And I'm like, okay, yes,

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Speaker 2: this is actually giving me life.

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Speaker 1: So we're thinking like okay, it's Valentine's Day coming up,

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Speaker 1: and we have I'm just sweating a lot. That's why

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Speaker 1: I keep wiping my face with a towel. Because you

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Speaker 1: went for a walk in very cold weather. It was, yes,

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Speaker 1: it's twenty degrees.

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Speaker 2: But I realized I was running late and I gone

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Speaker 2: the wrong way, so I started running the way back

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Speaker 2: and now I can't stop sweating. But go ahead. You're

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Speaker 2: at the holiday store.

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Speaker 1: We're at the holiday store of the corporation, and we're thinking, like, okay,

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Speaker 1: we need a new one of these. Look at Gallentine's Day.

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Speaker 1: That's doing like Gangbusters, big business, big No. They did

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Speaker 1: a whole TV show about that.

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Speaker 2: The cards that people buy for that, Like some of

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Speaker 2: those cards make me openly weep when I'm reading them,

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Speaker 2: just like in the middle of a Walgreens or whatever,

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Speaker 2: just seeing what girlfriends might send to each other on

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Speaker 2: Gallentine's Day and the depth of that friendship in those relationships,

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Speaker 2: and it's making me in the Walgreens lie down and

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Speaker 2: have a cry and get swept up with a broom

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Speaker 2: by one of the employees because they because they think

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Speaker 2: that I'm like a mess that's someone spilled on the floor,

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Speaker 2: and in a way, I am one.

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Speaker 1: Of those huge like after hours like rolling machine brooms.

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Speaker 2: That they that they push around.

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Speaker 1: Yeah, and so they're like, okay, we need one of

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Speaker 1: the that's Galentine's Day is whatever, the thirteenth or something fifteenth,

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Speaker 1: there's another thing. We need one for the eighteenth. And

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Speaker 1: I'm supposed to give a presentation. I didn't think of

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Speaker 1: anything ahead of time, and so I said, I had

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Speaker 1: to go to the bathroom. I went to the bathroom,

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Speaker 1: I thought of something. I came back and I pitched

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Speaker 1: shallow Hallanine's Day, which they were really nice about.

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Speaker 2: That's awesome, Well they should be. I mean, it's a

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Speaker 2: solid idea.

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Speaker 1: They were so nice.

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Speaker 2: So what happens on shallow Hellentine's Day? Walk me through

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Speaker 2: it on shallow Hollentine's Day?

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Speaker 1: And they were This is where they were mostly like

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Speaker 1: helping fill in with pitches, which I really appreciated. You

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Speaker 1: watch Shallow How in the morning? Oh great, just get

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Speaker 1: it out of the way. You wake up and watch

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Speaker 1: Shallow How.

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Speaker 2: What a way to set the tone.

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Speaker 1: And then for the rest of the day you wonder

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Speaker 1: what if you what if that is happening to you?

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Speaker 2: Right? You don't know when you see you're actually perceiving

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Speaker 2: their inner beauty or lack thereof, rather than their their

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Speaker 2: physical How would you ever know?

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Speaker 3: Huh?

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Speaker 2: I guess using the film as a my teacher, you

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Speaker 2: would know sometimes by how like gravity behaves in the world.

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Speaker 1: But if that's all you, But if that's normal for you,

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Speaker 1: you wouldn't know. Like if you you to sit on

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Speaker 1: one side of the seesaw and then a normal sized

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Speaker 1: person sits.

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Speaker 2: On normal size I'm.

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Speaker 1: Sorry, yeah, sits on the other side of the seesaw

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Speaker 1: and you are rocketed off into space. If that is

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Speaker 1: something that like has always happened, If that's it's always happened,

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Speaker 1: how would you ever know?

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Speaker 2: But then shallow, how wouldn't be happening to you? What

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Speaker 2: would happen is you had been born with the mindset

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Speaker 2: of shallow? How where is what happened to shallow?

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Speaker 1: How is that?

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Speaker 2: I think Tony Robbins shook his hand in an elevator.

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Speaker 1: Is that what?

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Speaker 2: Dylan?

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Speaker 1: Go ahead, go ahead, please please.

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Speaker 2: This is a longer intro than usual, just because we

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Speaker 2: weren't confident that you guys would be able to fill

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Speaker 2: the whole show. We're eating, eating, eating.

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Speaker 3: We can't run, that's correct.

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Speaker 4: First of all, high, I'm Dylan. I feel like Tony Robbins.

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Speaker 2: Podcast Hang on a podcasts.

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Speaker 1: Friends with Brotea Hi I'm Brothy podcast also doing now writing.

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Speaker 1: The podcast is called Lecture Hall. It's on Patreon. They

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Speaker 1: have no machines or equipment that they do it on it.

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Speaker 1: It's sort of original in that way.

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Speaker 2: And it's reflected in their subscriber base and in very minimal.

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Speaker 3: Quality and in the quality and the conversations.

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Speaker 1: Yeah, and we'll get back shit and we'll get back

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Speaker 1: to Shallahowe. I just want to say, I like, I

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Speaker 1: do I really relate to this friendship because as an

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Speaker 1: APT actor, I'm not going to be like friends with

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Speaker 1: another actor, you know what I mean. We can be cool,

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Speaker 1: like I'll be cool if I see you like like,

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Speaker 1: it's fine, we can be cool, but I'm we're not like,

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Speaker 1: I'm not going to be friends with you.

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Speaker 2: You know what I mean? Well, because what I Yeah,

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Speaker 2: go ahead, go ahead, go ahead, go ahead for everything people.

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Speaker 3: Yeah, okay, so I'm going to so it'll be me ken.

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Speaker 2: Are you keeping track of the order?

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Speaker 4: Yeah, it's not that hard.

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Speaker 3: Yeah, okay, So I think between two people there should

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Speaker 3: be one sad card. Yes, I wanted to say that

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Speaker 3: out loud. I thought it would be like an interesting addition, Sean.

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Speaker 2: It probably is. No, I'm going to take it, but honestly,

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Speaker 2: what you're saying is actually cool as hell. But I'm

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Speaker 2: in this spot where, like, and I'm guilty of this

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Speaker 2: a lot, I'm not listening. I'm waiting for my turn

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Speaker 2: to speak, and we actually created that dynamic. But I

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Speaker 2: wanted to say that for an actor, we'd be friends

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Speaker 2: with another actor. Okay, yeah, you could be cool with them,

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Speaker 2: but ultimately, when you both end up in the same audition,

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Speaker 2: you got to activate that killer instinct and you have

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Speaker 2: to be willing to rip their throat out in front

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Speaker 2: of the casting director in order to get your job.

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Speaker 2: So for me, it's like, because I'm not in that field,

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Speaker 2: I could be fucking pumped when hayes Man books a

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Speaker 2: big role and I go, shit, I can't wait to

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Speaker 2: watch that because even though it's adjacent to what I

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Speaker 2: do as a basically a producer, I understand the language

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Speaker 2: of what he's working on. But I don't have to

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Speaker 2: be jealous because I'm not pursuing that same avenue. What

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Speaker 2: I'm trying to get into is segment producing for a

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Speaker 2: Funnier Die. I want to book the trucks. I want

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Speaker 2: to use the interns, maximize them. I want to, hey,

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Speaker 2: you know, do we need another light?

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Speaker 3: Sure?

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Speaker 2: Fucking I can see.

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Speaker 1: Well for me, do we need these lights at all?

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Speaker 1: Can we sell these?

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Speaker 4: I mean, as for me, I want to be in

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Speaker 4: that Funnier Die sketch. So, like I I auditions when

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Speaker 4: you were like when you were like actress, can't be

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Speaker 4: friends with other actors. I obviously thought of like an

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Speaker 4: audition scenario, and then I realized, like, my entire life

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Speaker 4: is an audition, because like these days, you don't really

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Speaker 4: like go to an audition and say, like here's my resume.

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Speaker 4: It's like who you know, It's like you want to

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Speaker 4: past your friends. So like every waking moment is an audition.

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Speaker 2: If you just let Dylan go because she's.

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Speaker 4: Next, yeah, sorry, because it was like it was my turn.

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Speaker 1: Dylan didn't step on your shoe, just saying the same

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Speaker 1: thing that she said earlier. So yeah, maybe you sort

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Speaker 1: of instinctively knew that that was going to happen.

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Speaker 3: Yeah, I mean, listen, I was trying to maybe save

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Speaker 3: us all from a little bit of embarrassment. But this

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Speaker 3: is a podcast where everyone is vulnerable. So hm, I

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Speaker 3: think that that's no.

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Speaker 2: I've been working sweat off my face in front of

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Speaker 2: you guys the whole time, Like, right, that doesn't get

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Speaker 2: more vulnerable.

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Speaker 3: It's been a real producer move for you. I can

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Speaker 3: definitely see a producer doing that, because it's like, oh,

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Speaker 3: you've organized all these lights, now now you're sweaty.

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Speaker 2: Yeah, on camera. Talent probably wouldn't let you see them

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Speaker 2: that way unless it was what the character was going through.

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Speaker 2: That's rue talk about sweaty characters. Anyone can answer, Okay,

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Speaker 2: so everybody at the state not everyone, So anyone is

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Speaker 2: not everyone.

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Speaker 3: Dyan, go ahead, go ahead, thank you, Dylan, go ahead.

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Speaker 4: I was going to say Gwyneth Paltrow and Shallow How Yeah.

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Speaker 2: No, that's actually the great It's the first thing I

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Speaker 2: thought of as well. It's some of Jack Block's characters.

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Speaker 4: Yeah, I mean, he's not not sweaty. That's the crazy

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Speaker 4: thing about shallow How is like he's also sweaty.

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Speaker 2: Yeah right, and then he's coming from this place of

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Speaker 2: incredible judgment. Yeah, as is George Castanza.

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Speaker 3: Oh, George stanzas sweaty. He's I think he is a

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Speaker 3: little nervous, and that that probably you know, there's like

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Speaker 3: being physically sweaty, and then there's also being emotionally sweaty, which.

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Speaker 4: What does he have to be nervous about.

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Speaker 1: You wouldn't be nervous. You're best friends with Kramer. He's

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Speaker 1: opening opening the door so fast and it could really hurt.

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Speaker 3: You, and he could do that at any point. There's

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Speaker 3: not a door you could stand by where there isn't

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Speaker 3: just the looming threat of Kramer and the velocity, and.

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Speaker 1: The window is right there on the other side. He

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Speaker 1: could do so easily, just like open the door so hard,

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Speaker 1: smash you out the window. We saw the ac Unit

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Speaker 1: fall out of there.

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Speaker 2: The blooper reel every season was just George getting creamed

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Speaker 2: by the fucking door and sometimes getting really seriously hurt.

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Speaker 2: They shut down production like every year because he would

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Speaker 2: be very badly injured, so there's a medical team on standby.

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Speaker 2: But it was the whole bloopers. They weren't funny, like

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Speaker 2: it was just like Jerry says a line and then

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Speaker 2: wam George's like, fuck Jesus Christ.

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Speaker 3: I mean you wonder like why. By the end of

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Speaker 3: the series, George Costanza is sort of flat like a pancake.

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Speaker 2: Yeah, that did just sort of gradually flatten out. M hm.

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Speaker 1: And you were remembering Shallow How, Dylan, I don't want to.

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Speaker 1: I don't want to, Like you were sharing some memories

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Speaker 1: of Shallow How. I don't want to get away from that.

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Speaker 4: I just wanted to say that Tony Robbins did make

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Speaker 4: a cameo in the film. I think there was an elevator.

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Speaker 1: That is what gave him his powers.

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Speaker 4: Yes, he I don't know if he goes to the

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Speaker 4: elevator shakes uncontrollably, and then Gwyneth Paltrow is very fat.

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Speaker 3: Wait what if the elevator was shaking because Kramer was

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Speaker 3: under it?

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Speaker 4: He was under it.

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Speaker 3: Yeah, he's like shaking it.

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Speaker 2: Because he was Oh yeah, because he heard George Costanzas

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Speaker 2: in the movie. So he showed up on set. And

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Speaker 2: now just any time somebody's inside eddiething, he's trying to

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Speaker 2: burst through in some way. That's fucked up. Wow, I

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Speaker 2: never got that layer of the film The Fairly Brothers Man. Man,

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Speaker 2: there's always more to uncover. Those films are like giant

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Speaker 2: onions to me. Oh I think that Tony. They make

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Speaker 2: me cry that. I think that Tony Robbin's definitely undoes

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Speaker 2: the shallow hal effect. I don't know if that's what

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Speaker 2: gives him the power as you put it, Hayes.

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Speaker 4: Well, okay, I just want to say, like as somebody

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Speaker 4: I like to study, like a good screenplay like Shallow Howe,

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Speaker 4: and I just think that he would do that, like

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Speaker 4: they would put the sort of similar things at the

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Speaker 4: beginning of the end, like to bookend the sort of

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Speaker 4: the matter.

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Speaker 2: I thought he was chasing him down to be like

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Speaker 2: I need you to do that, I need you to

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Speaker 2: fix what he did to me. I thought that was

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Speaker 2: what was happening. Yeah, but here's where I have to

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Speaker 2: be embarrassed and vulnerable again, which is what we do

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Speaker 2: on this show. And admit, it's been a little while

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Speaker 2: since I've seen it. I think it's been almost six months,

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Speaker 2: and I don't have I don't have every single beat

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Speaker 2: of it, you know, precise in my mind right now.

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Speaker 2: And it's this has been a really good reminder, big

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Speaker 2: wake up call for me. It's time to sit down

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Speaker 2: and put some time in mister Shallow how Well.

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Speaker 4: That's what February eighteenth is.

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Speaker 2: Right right around the corner.

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Speaker 3: Do you feel weird that you said time twice in

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Speaker 3: that sentence.

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Speaker 2: I didn't.

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Speaker 3: Okay, you shouldn't.

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Speaker 2: I just you know, Hollywood Handbook is a free flowing

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Speaker 2: conversation that occasionally touches on mature subjects.

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Speaker 1: Yeah, where the points don't matter and everyone gets vulnerable.

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Speaker 5: Yeah points.

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Speaker 3: I haven't seen shallow how but I have seen Kramer

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Speaker 3: versus Kreamer its talk about that.

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Speaker 2: It shows Yeah, I'll talk about it.

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Speaker 3: Okay. I think Meryl Streep does a great job in it.

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Speaker 2: But what else is well, you know, she's only she's

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Speaker 2: only in a few scenes. She has about eighteen minutes

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Speaker 2: of screen time, and she won the hone.

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Speaker 1: So that's a great job to you. Is barely been

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Speaker 1: showing up for the movie?

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Speaker 3: I mean there were scheduling conflicts?

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Speaker 1: Did she what did she have?

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Speaker 4: I honestly, I hate this, what aspect of it? I

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Speaker 4: hate that. I hate that when Brody, who's supposed to

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Speaker 4: be like my co host, talks about actors who do

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Speaker 4: a good job and that I have nothing to do

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Speaker 4: with and I wasn't even born yet.

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Speaker 2: You notice I haven't done that to Hayes.

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Speaker 3: Mm hmmm, well, Sean, do you like the movie? Kramer

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Speaker 3: versus Kramer.

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Speaker 2: Let's have Hayes answer first. Take it away.

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Speaker 1: Hayes, Yeah, I think it's pretty good. I think I

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Speaker 1: would have been I think I could have contributed a lot.

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Speaker 2: Yeah, it's missing a lot. You know how it was

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Speaker 2: that improvised moment where Dustin Hoffman throws the wine glass

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Speaker 2: against the wall as he's standing up from the table

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Speaker 2: at the first kind of meeting with Merrill after she

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Speaker 2: had abandoned them. Hayes. Hayes, I think if he was

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Speaker 2: in it would have thrown every glass you see again, No,

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Speaker 2: not like.

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Speaker 1: That is such a I'm standing there. I'm not either

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Speaker 1: of those characters. I'm just like a third guy who's like, yikes.

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Speaker 1: But he throws the glass and I freaking catch it,

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Speaker 1: and I'm like, nuh uh uh, hey man, this is

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Speaker 1: a restaurant. These aren't yours. You want to smash a glass?

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Speaker 1: You do that shit at home. Obviously you guys have

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Speaker 1: something intense going on.

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Speaker 3: Wow. Wait, so Hayes, you would sort of like you

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Speaker 3: would sort of save the day. That rules.

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Speaker 1: I just put my hand up, just like unfazed, and

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Speaker 1: I'm like, n huh uh.

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Speaker 3: Where are you? Because you know they they do have

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Speaker 3: like a corner table and he smashes it against Where

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Speaker 3: are you hiding during that?

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Speaker 1: I have just kind of nuzzled my way in there

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Speaker 1: over the course of the scene, and I'm like, get

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Speaker 1: egg behind his channel.

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Speaker 2: Excuse me, excuse me.

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Speaker 1: I have to check. I've got to check on this corner.

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Speaker 1: This corner stinks and I'm like smelling it.

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Speaker 3: So you're crouched down. So you're crouched down.

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Speaker 1: Yeah, I'm crouched down facing the corner, really getting my

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Speaker 1: nose at it.

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Speaker 2: Uh huh what stinks over here? Do you find out

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Speaker 2: what it is?

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Speaker 1: Do I find out what it is? What's more satisfying?

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Speaker 1: I mean, this is like the seventies. I think back

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Speaker 1: then it would have been like the conversation, the end

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Speaker 1: of the conversation, you know, where he's like tearing the

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Speaker 1: walls open and stuff.

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Speaker 2: They left a lot of stuff ambiguousb Yeah, then, well

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Speaker 2: they didn't have CGI, so they had to right because yeah,

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Speaker 2: it's it would have to be something. It would probably

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Speaker 2: be one of the ghosts from from Ghostbusters or something

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Speaker 2: like that, So you want to have yeah, special effects

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Speaker 2: unit in.

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Speaker 4: They do look like they smell really bad. The ghosts

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Speaker 4: are drawn like stink like shit.

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Speaker 3: Yeah, if someone said that, I would be surprised if

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Speaker 3: someone said the ghosts smell really good.

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Speaker 2: Well, this is another spot where Hayes could be really

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Speaker 2: I think Bill Murray's funny in those movies. Hayes, I know,

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Speaker 2: was would have loved to be in there. He's a

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Speaker 2: waiter in the corner and he goes, pee, you stinky ghosts.

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Speaker 3: You know. You know what I'll say about Dylan is

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Speaker 3: that I don't I don't think she would have been

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Speaker 3: in that movie. And why because she's not a stinky

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Speaker 3: ghost and that's a concert.

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Speaker 4: There are female roles.

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Speaker 2: Yeah, there's that. There's that I think it would be.

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Speaker 3: I think you would be in your own movie during that.

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Speaker 3: I think you would be in Ladybird.

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Speaker 1: Do you think, Okay during instead of Ghostbusters, she would

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Speaker 1: have been in Ladybird instead.

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Speaker 3: Uh huh.

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Speaker 2: That's really nice.

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Speaker 4: Yeah, Actually it's kind of nice because I would have

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Speaker 4: really done a lot for my career, probably would't be

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Speaker 4: on this podcast.

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Speaker 2: Well, Hayes would have been. Hayes would have been at

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Speaker 2: the same time, and and you know in Brad's Status,

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Speaker 2: which also took place at Sacramento. So so it's like

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Speaker 2: we both are supporting our.

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Speaker 3: Partners and we're all in Sacramento.

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Speaker 2: Brad, Brad is at the beginning anyway, Then you have

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Speaker 2: characters and it's a movie. It's fake. Like the characters

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Speaker 2: in the movie are there.

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Speaker 3: Oh right, right right?

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Speaker 4: They probably shot like exteriors and Sacramento and then whatever,

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Speaker 4: probably Los Angeles.

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Speaker 3: Yeah, do you have to shoot exteriors now? Or can

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Speaker 3: you just Google image search it?

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Speaker 2: You're asking me because I'm a producer. H huh, I

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Speaker 2: you know, I'm old school. Yeah, I draw it.

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Speaker 3: Uh huh.

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Speaker 1: Fod has a funny has a cool way of doing

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Speaker 1: this where yeah, Sean will draw it. He'll draw a

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Speaker 1: house with a family outside, He'll draw the sun, He'll

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Speaker 1: draw a tree, uh, and then people and then the

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Speaker 1: the actors hold that up kind of next to their head.

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Speaker 1: Mm hmm.

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Speaker 3: What's right or left? Is there like a It.

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Speaker 1: Depends on like which side or what part of their

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Speaker 1: head is Ugly.

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Speaker 2: The image is reversed. But yeah, yeah, it's I.

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Speaker 4: Am wondering, like, you know how, I'm not saying this

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Speaker 4: is what's going on here, but you know how, like

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Speaker 4: a therapist will ask you to draw a house with

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Speaker 4: a family to sort of indicate emotional distress in a child.

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Speaker 4: Is that anything related to this?

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Speaker 6: Well?

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Speaker 2: Uh, you know, obviously I've never thought about it. I

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Speaker 2: was mostly just like we have to somehow generate an

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Speaker 2: image of a house for this shoot that is, you know,

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Speaker 2: taking place on the corner, Yeah, Franklin, which is like

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Speaker 2: a really crazy intersection. So and I need to make

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Speaker 2: a suburban house. But when I draw it, uh, yeah,

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Speaker 2: I guess I've noticed that the family is always like

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Speaker 2: killing each other.

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Speaker 1: Yeah, none of the none of them have heads?

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Speaker 3: Oh man, so are the heads like pretty late? Are

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Speaker 3: so it they.

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Speaker 2: Don't have them? Or like they're buried under no matter what.

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Speaker 2: The follow up question is the it's built on a

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Speaker 2: foundation which cannot stand.

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Speaker 3: Okay, what did the next look like? Are the next

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Speaker 3: like nicely sewed up, like the head has been amputated?

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Speaker 2: The next look like spaghetti?

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Speaker 3: Oh man, Yeah, that's that's that.

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Speaker 2: Sacramento looks like a little spaghetti.

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Speaker 3: One one spaghetti spaghetti. Yes, okay, yeah, like a long

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Speaker 3: noodle in terms of posess.

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Speaker 2: Okay, Kevin, down boy. So let's get into the show itself,

396
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Speaker 2: which is basically some sort of teaching seminar or something.

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Speaker 2: You do lecture hall and you tried to humiliate us

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Speaker 2: and made us go on there and like how you

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Speaker 2: uh some kind of basically like Wikipedia page or something. Yeah,

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Speaker 2: and uh gee, how would you like it if oh,

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Speaker 2: I don't know somebody did that to you.

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Speaker 4: We do it all the time. We would love.

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Speaker 3: To yeah, yeah, right, we feel really good topic.

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Speaker 4: Do you want me to start?

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Speaker 1: If you like it so much, then yeah, please start?

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Speaker 2: Do it?

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Speaker 4: Okay?

408
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Speaker 3: Well, can you not yell at my friend Dylan?

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Speaker 1: I'm actually so unlike you. I actually have a machine

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Speaker 1: that actually shows me how loud I be, and right

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Speaker 1: now I'm in the high end of the of the

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Speaker 1: yellow range, which is normal, and it was actually good.

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Speaker 1: So if you actually had a machine that could tell

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Speaker 1: you what volume is, then you then you can talk

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Speaker 1: to me about yelling.

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Speaker 4: Well, I doesn't go the other way. You can yell

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Speaker 4: at broadly if you want, sorry to continue.

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Speaker 3: Yeah, but that's because I mean, I'm fine. I'm fine

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Speaker 3: with that because I'm sort of hard of hearing.

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Speaker 2: So honestly, either of you guys can yell at either

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Speaker 2: of us, at least something would be happening.

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Speaker 4: Wow, well, I had to go into my topic having Okay, good, good,

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Speaker 4: I'm glad because the Westminster. It's the Westminster Dog Show.

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Speaker 2: Okay, okay, I think that's my second favorite dog show.

425
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Speaker 3: What's their first one?

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Speaker 2: I love the rescue dogs.

427
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Speaker 4: Oh yeah, they're not allowed in the Westminster. For shit,

428
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Speaker 4: you're not allowed to be a rescue dog. They did

429
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Speaker 4: let they let mixed breeds come in in twenty fourteen,

430
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Speaker 4: but they're still probably bred. Okay. So it was an

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Speaker 4: all all breed show that was hosted in New York

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Speaker 4: City from eighteen seventy seven to twenty twenty. When it

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Speaker 4: stopped happening.

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Speaker 1: It's over now, Well they moved it too. That's a

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Speaker 1: long dog show. That's a really long dog show.

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Speaker 4: It's crazy. How you just do that? Like I said

437
00:23:01,520 --> 00:23:02,600
Speaker 4: something and then you're like, wait.

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Speaker 2: What is it?

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Speaker 1: Yeah?

440
00:23:03,640 --> 00:23:04,879
Speaker 3: How do you do that?

441
00:23:04,880 --> 00:23:06,679
Speaker 4: That was crazy? Like I said, like a span of

442
00:23:06,680 --> 00:23:08,639
Speaker 4: time and you racked it like it was like one show.

443
00:23:08,920 --> 00:23:10,680
Speaker 2: That's so interesting? How do I do that?

444
00:23:10,760 --> 00:23:12,360
Speaker 3: How do you do that?

445
00:23:12,359 --> 00:23:15,800
Speaker 2: That's like fucked up? I actually never even think about that.

446
00:23:15,880 --> 00:23:17,879
Speaker 2: I'm worried that if he thinks about it, like he

447
00:23:17,960 --> 00:23:19,760
Speaker 2: won't be able to I won't be able to do that.

448
00:23:19,800 --> 00:23:22,320
Speaker 1: It's just this kind of innate a bit and it's

449
00:23:22,359 --> 00:23:23,840
Speaker 1: not like I do it all the time. I don't

450
00:23:23,880 --> 00:23:27,160
Speaker 1: even do it every episode. So it's like I can't

451
00:23:27,200 --> 00:23:29,119
Speaker 1: really afford to like think about it too much and

452
00:23:29,160 --> 00:23:30,440
Speaker 1: do it less, you know what I mean.

453
00:23:31,280 --> 00:23:34,440
Speaker 3: Yeah, no, protect that, protect that about yourself.

454
00:23:34,560 --> 00:23:36,920
Speaker 2: Yeah. Anyway, that dog show would take forever.

455
00:23:37,520 --> 00:23:41,760
Speaker 4: God, it would take forever. That's really funny. It's annual,

456
00:23:41,840 --> 00:23:45,280
Speaker 4: you guys. It's just one of your Okay, So they're

457
00:23:45,320 --> 00:23:47,560
Speaker 4: required doctor, required to be on display, and there assigned

458
00:23:47,560 --> 00:23:50,400
Speaker 4: locations during the entire show, except when shown in the ring,

459
00:23:50,520 --> 00:23:53,200
Speaker 4: groomed for showtime, or taken outside for elimination.

460
00:23:54,080 --> 00:24:01,240
Speaker 1: Take take them outside and I'll eliminate them. Wow, if

461
00:24:01,240 --> 00:24:03,320
Speaker 1: you can bring the dog with me and the dog

462
00:24:03,480 --> 00:24:06,280
Speaker 1: is being taken outside to be eliminated.

463
00:24:06,480 --> 00:24:08,240
Speaker 4: Yeah, they take them outside.

464
00:24:09,680 --> 00:24:15,080
Speaker 2: I can't draw dogs. Yeah, so for some reason, I

465
00:24:15,160 --> 00:24:17,040
Speaker 2: can't get the body shape right.

466
00:24:18,119 --> 00:24:18,399
Speaker 3: Yeah.

467
00:24:18,520 --> 00:24:22,359
Speaker 2: It always ends up looking more like some kind of

468
00:24:22,400 --> 00:24:23,560
Speaker 2: crazy giraffe.

469
00:24:24,560 --> 00:24:25,000
Speaker 4: Yeah.

470
00:24:25,119 --> 00:24:28,880
Speaker 3: Oh, it's just I can help their way. Shorter neck.

471
00:24:29,880 --> 00:24:32,359
Speaker 2: Well, the neck ends up looking like spaghetti.

472
00:24:32,920 --> 00:24:36,760
Speaker 3: Yeah right, no head, no.

473
00:24:36,640 --> 00:24:40,159
Speaker 4: Hair yeah, uh huh so how does it look like

474
00:24:40,200 --> 00:24:40,639
Speaker 4: a draft?

475
00:24:41,240 --> 00:24:43,159
Speaker 2: I guess I was being generous to myself. It just

476
00:24:43,160 --> 00:24:44,280
Speaker 2: looks like a big mess.

477
00:24:45,040 --> 00:24:50,280
Speaker 4: Yeah, so myself. I'm sorry.

478
00:24:50,720 --> 00:24:53,800
Speaker 2: No, it's okay. I shouldn't have tried to.

479
00:24:53,920 --> 00:24:56,200
Speaker 4: Like on our show, we usually like present something.

480
00:24:56,240 --> 00:24:56,520
Speaker 2: Okay.

481
00:24:58,440 --> 00:25:02,639
Speaker 4: The first Westminster show to May eighth, eighteen seventy seven,

482
00:25:02,800 --> 00:25:04,480
Speaker 4: which is a day after my birthday, which is May

483
00:25:04,480 --> 00:25:06,639
Speaker 4: seventh originally.

484
00:25:06,760 --> 00:25:09,080
Speaker 1: Okay, my wife's birthday actually is May eighth.

485
00:25:10,320 --> 00:25:12,440
Speaker 4: Oh, I could have been May eight. I was born

486
00:25:12,480 --> 00:25:14,200
Speaker 4: at eleven fifty six pm.

487
00:25:14,240 --> 00:25:16,280
Speaker 3: So were you really?

488
00:25:17,000 --> 00:25:17,800
Speaker 4: I was my.

489
00:25:17,760 --> 00:25:21,080
Speaker 2: Mom ragging about the like ability to be born on

490
00:25:21,119 --> 00:25:23,440
Speaker 2: a specific tice. I could have been born on this date.

491
00:25:23,720 --> 00:25:26,640
Speaker 3: Yeah, if you just held on.

492
00:25:27,680 --> 00:25:31,120
Speaker 1: And why would you even lie about that? Everyone, everyone

493
00:25:31,200 --> 00:25:31,840
Speaker 1: is asleep.

494
00:25:32,200 --> 00:25:36,280
Speaker 3: You weren't born that late at night. Bedtime is ten, people,

495
00:25:36,280 --> 00:25:39,600
Speaker 3: bedtime is born at night, okay, sow, bedtime is ten.

496
00:25:40,800 --> 00:25:42,280
Speaker 1: Did you come out of there asleep?

497
00:25:43,960 --> 00:25:46,000
Speaker 3: Yeah? Were you asleep when you were born?

498
00:25:47,000 --> 00:25:51,400
Speaker 2: That's so late, Dylan. I actually also was born at night,

499
00:25:51,440 --> 00:25:55,240
Speaker 2: but I wasn't born last night, so I'm not exactly

500
00:25:55,280 --> 00:25:56,560
Speaker 2: buying what you're selling.

501
00:25:56,280 --> 00:25:58,560
Speaker 4: Here, all right, all right? It was like four pm,

502
00:25:58,800 --> 00:26:04,600
Speaker 4: and it was it was in October. Originally, the prize

503
00:26:04,640 --> 00:26:06,680
Speaker 4: for winning the dog show was a pistol.

504
00:26:07,080 --> 00:26:09,679
Speaker 2: Wait, give dog.

505
00:26:12,520 --> 00:26:14,800
Speaker 4: It was a really like fancy gun that that everybody

506
00:26:14,840 --> 00:26:18,119
Speaker 4: was trying to a viye for. So the way that

507
00:26:18,160 --> 00:26:20,800
Speaker 4: they judge dogs is that there's like a written description

508
00:26:20,920 --> 00:26:23,159
Speaker 4: of each breed that some guy just writes, like his

509
00:26:23,359 --> 00:26:25,800
Speaker 4: dream Shepherd, and then they just try to match it

510
00:26:25,840 --> 00:26:27,360
Speaker 4: to that, including eye shape.

511
00:26:28,320 --> 00:26:33,439
Speaker 2: Sorry, when you say dream shepherd, do you mean man, Dax?

512
00:26:36,920 --> 00:26:45,040
Speaker 4: I'm talking Dax, dream Shepherd's.

513
00:26:46,440 --> 00:26:48,800
Speaker 3: Hans. How do you do it? This is twice.

514
00:26:48,480 --> 00:26:53,600
Speaker 2: Now, Kevin, crazy joke that everybody wants. This is crazy?

515
00:26:54,520 --> 00:26:55,280
Speaker 4: What was your joke?

516
00:26:56,920 --> 00:26:59,639
Speaker 2: He said, the Sandman like, which is sort of the

517
00:26:59,720 --> 00:27:01,400
Speaker 2: range I was walking in that it's like someone who

518
00:27:01,480 --> 00:27:03,400
Speaker 2: shepherd's you, he's the dream shepherd.

519
00:27:03,880 --> 00:27:07,800
Speaker 4: Okay, I'm gonna go, Dax, but thank you. I'd love

520
00:27:07,800 --> 00:27:11,040
Speaker 4: to find something that we could do together. So Westminster

521
00:27:11,119 --> 00:27:15,160
Speaker 4: held competitions in junior showmanship ever since nineteen thirty four,

522
00:27:15,359 --> 00:27:18,159
Speaker 4: so you can be a child in show dogs. The

523
00:27:18,200 --> 00:27:22,159
Speaker 4: winning dog becomes America's dog for the coming year, and

524
00:27:22,200 --> 00:27:24,920
Speaker 4: this entails the rain begins with a media tour.

525
00:27:25,080 --> 00:27:28,120
Speaker 2: I thought I thought Ballpark Frank's were America's dog.

526
00:27:31,119 --> 00:27:35,760
Speaker 3: I'm just trying to do, like what shack, Sean, say

527
00:27:35,800 --> 00:27:38,400
Speaker 3: it louder, Yeah.

528
00:27:38,320 --> 00:27:41,600
Speaker 2: No, I will Rettie again. You don't know.

529
00:27:43,440 --> 00:27:46,120
Speaker 1: How loud he's being, like, like, you have no way

530
00:27:46,119 --> 00:27:49,600
Speaker 1: of knowing this. You don't have a machine that tells

531
00:27:49,640 --> 00:27:50,560
Speaker 1: you this information.

532
00:27:51,119 --> 00:27:51,840
Speaker 2: But we do.

533
00:27:52,400 --> 00:27:55,439
Speaker 3: I have two machines. They're my right ear and my

534
00:27:55,520 --> 00:27:59,840
Speaker 3: left ear, and they're telling me that Shawn's a very shan,

535
00:28:00,200 --> 00:28:03,359
Speaker 3: very quiet like a mouse. And Hayes, you're very loud

536
00:28:03,480 --> 00:28:04,080
Speaker 3: like a lion.

537
00:28:04,960 --> 00:28:07,320
Speaker 2: Your ear is a machine. Yeah.

538
00:28:07,800 --> 00:28:09,720
Speaker 4: There was in a horrible accident and.

539
00:28:09,720 --> 00:28:11,600
Speaker 2: You have your ears got replaced with.

540
00:28:12,200 --> 00:28:15,080
Speaker 3: I went through some kind of machines. I went through

541
00:28:15,119 --> 00:28:17,920
Speaker 3: some kind of factory assembly line because I thought it

542
00:28:17,960 --> 00:28:19,840
Speaker 3: would be fun, and.

543
00:28:19,880 --> 00:28:24,040
Speaker 4: You came out with two big machines on your head. Yeah,

544
00:28:24,119 --> 00:28:27,680
Speaker 4: so the reign of being America's dog you didn't.

545
00:28:27,840 --> 00:28:29,560
Speaker 3: Right, Sorry, No, you didn't you.

546
00:28:29,720 --> 00:28:33,399
Speaker 2: I'm sorry, No, I'm not. This is ridiculous, Sean.

547
00:28:33,440 --> 00:28:35,000
Speaker 3: You don't know what it's like to be a woman

548
00:28:35,040 --> 00:28:36,520
Speaker 3: of color in America. Right now.

549
00:28:37,200 --> 00:28:41,080
Speaker 2: All of you have ears that are machines. That's the

550
00:28:41,200 --> 00:28:44,000
Speaker 2: issue I've really misunderstood.

551
00:28:44,080 --> 00:28:47,200
Speaker 3: Yeah, we're not supposed to do that, like a like

552
00:28:47,240 --> 00:28:48,360
Speaker 3: we're a monolith.

553
00:28:49,480 --> 00:28:52,160
Speaker 2: There are four of us, then who's the wei?

554
00:28:52,200 --> 00:28:56,960
Speaker 3: Then the other people like me? Okay, I think Dylan

555
00:28:57,080 --> 00:28:59,040
Speaker 3: was talking about the Westminster Dog Show.

556
00:28:59,440 --> 00:29:02,760
Speaker 1: Okay, please, okay.

557
00:29:02,880 --> 00:29:06,280
Speaker 4: Anyway, the reign of being America's Dog begins with a

558
00:29:06,360 --> 00:29:09,160
Speaker 4: media tour and then the dog visits the observation deck

559
00:29:09,240 --> 00:29:16,040
Speaker 4: at the Empire State Building. They take him up there. Yeah,

560
00:29:16,520 --> 00:29:18,520
Speaker 4: we'll get into that. We'll actually get into the gender

561
00:29:18,560 --> 00:29:19,280
Speaker 4: of the winner later.

562
00:29:19,360 --> 00:29:19,520
Speaker 2: Try.

563
00:29:20,880 --> 00:29:23,280
Speaker 4: Then the New York Stock Exchange invites the winner to

564
00:29:23,360 --> 00:29:24,880
Speaker 4: ring the bell. I don't know how a dog rings.

565
00:29:24,960 --> 00:29:25,760
Speaker 4: The dog rings the bell.

566
00:29:25,800 --> 00:29:29,160
Speaker 1: They take him up there, and and what happens.

567
00:29:30,520 --> 00:29:34,360
Speaker 4: He just looks down like I don't know.

568
00:29:33,520 --> 00:29:35,560
Speaker 1: Like, how do they know when it's like enough that

569
00:29:35,600 --> 00:29:36,840
Speaker 1: they've been up there long enough?

570
00:29:38,440 --> 00:29:41,200
Speaker 3: What do they do with that prize winning pistol?

571
00:29:42,560 --> 00:29:42,880
Speaker 4: I don't know.

572
00:29:42,960 --> 00:29:43,880
Speaker 3: The pistol doesn't.

573
00:29:43,640 --> 00:29:46,280
Speaker 2: You're allowed to kill anyone you want. You're allowed to

574
00:29:46,320 --> 00:29:52,680
Speaker 2: shoot one person whoever you want once with the pistol.

575
00:29:54,840 --> 00:29:59,200
Speaker 3: I wouldn't shoot them in the head. I wouldn't be dog, no,

576
00:29:59,520 --> 00:30:02,880
Speaker 3: just anyone. One. If I had to shoot someone, I

577
00:30:02,880 --> 00:30:03,960
Speaker 3: wouldn't do it in the head.

578
00:30:05,400 --> 00:30:09,680
Speaker 2: Okay, Interesting, it feels like you want a follow up question.

579
00:30:09,840 --> 00:30:10,920
Speaker 2: So I don't.

580
00:30:11,840 --> 00:30:16,560
Speaker 3: I don't. All right, I'm going to sleep now, Oh my.

581
00:30:16,480 --> 00:30:18,080
Speaker 2: God, she's gone.

582
00:30:18,400 --> 00:30:21,760
Speaker 4: Okay. It's because we touched on something that she actually

583
00:30:21,760 --> 00:30:23,040
Speaker 4: really believes, which is weird.

584
00:30:23,280 --> 00:30:23,720
Speaker 1: She's put a.

585
00:30:23,720 --> 00:30:26,240
Speaker 2: Lot of thought into where she would shoot someone.

586
00:30:26,520 --> 00:30:29,560
Speaker 4: I know there's clearly someone she's thinking of too, which

587
00:30:29,600 --> 00:30:30,880
Speaker 4: is really now, I.

588
00:30:30,840 --> 00:30:33,840
Speaker 3: Put that into where I wouldn't shoot them, and it's head?

589
00:30:34,600 --> 00:30:35,160
Speaker 4: Who is it?

590
00:30:36,200 --> 00:30:36,800
Speaker 2: Who is it?

591
00:30:36,960 --> 00:30:38,400
Speaker 4: Do you want to sorry? Is it Tim Kaine?

592
00:30:40,120 --> 00:30:41,080
Speaker 3: John Stamos.

593
00:30:41,560 --> 00:30:43,480
Speaker 4: Yeah, I wouldn't shoot him in the head. I wouldn't.

594
00:30:43,760 --> 00:30:44,640
Speaker 3: I think he should live.

595
00:30:45,560 --> 00:30:45,960
Speaker 2: Mm hmm.

596
00:30:47,320 --> 00:30:48,480
Speaker 4: No one said he shouldn't.

597
00:30:48,720 --> 00:30:50,080
Speaker 2: Okay, so you're gonna leave.

598
00:30:51,600 --> 00:30:57,720
Speaker 1: You know, he's grandfathered, right, you're gonna you're gonna leave

599
00:30:57,760 --> 00:31:02,040
Speaker 1: that the grand child with out a grandfathered.

600
00:31:02,480 --> 00:31:06,680
Speaker 3: No, not without because guess what, I'm not killing him.

601
00:31:07,160 --> 00:31:08,360
Speaker 4: Yeah, but he has to go through all kinds of

602
00:31:08,360 --> 00:31:09,080
Speaker 4: physical therapy.

603
00:31:10,000 --> 00:31:13,120
Speaker 3: No, not all kinds, just the one.

604
00:31:14,040 --> 00:31:19,040
Speaker 2: This guy literally found out that he was both a

605
00:31:19,320 --> 00:31:26,440
Speaker 2: father and a grandfather on the same day. Can you

606
00:31:26,560 --> 00:31:28,120
Speaker 2: imagine the trauma?

607
00:31:28,600 --> 00:31:30,960
Speaker 4: What I was just thinking, Now, Brondley has a gun,

608
00:31:31,080 --> 00:31:31,600
Speaker 4: like he's been through.

609
00:31:31,840 --> 00:31:33,440
Speaker 2: You've got a gun and you're gonna point it a

610
00:31:33,440 --> 00:31:37,040
Speaker 2: guy who, first of all, his restaurant, Jimmy's, is getting

611
00:31:37,080 --> 00:31:42,440
Speaker 2: its ass kicked by Bistro six. Dion fucking Sanders is

612
00:31:42,480 --> 00:31:45,400
Speaker 2: coming to town and he's gonna eat at Bistro six,

613
00:31:45,400 --> 00:31:49,040
Speaker 2: which is a huge photo opportunity. He's trying to find

614
00:31:49,080 --> 00:31:50,720
Speaker 2: a way to get him to come to Jimmy's. Oh

615
00:31:50,760 --> 00:31:52,960
Speaker 2: and by the way, he's babysitting his grandchild for the

616
00:31:52,960 --> 00:31:54,840
Speaker 2: first time, who he just found out about today on

617
00:31:54,880 --> 00:31:57,360
Speaker 2: the same day he found out about his child child.

618
00:31:57,800 --> 00:31:59,880
Speaker 2: So this is a lot to deal with.

619
00:32:00,440 --> 00:32:03,080
Speaker 3: So it's really so isn't it like a second chance

620
00:32:03,120 --> 00:32:05,960
Speaker 3: at life that he gets shot but not in the head?

621
00:32:07,120 --> 00:32:08,120
Speaker 3: I rest my case.

622
00:32:08,440 --> 00:32:12,880
Speaker 1: Okay, So you're saying maybe it would help him if

623
00:32:12,880 --> 00:32:16,640
Speaker 1: you shot him at Bistro six, then.

624
00:32:16,480 --> 00:32:21,880
Speaker 3: He's a hero. No, that lives, that's the hero that lives.

625
00:32:23,160 --> 00:32:28,920
Speaker 1: That's not right. He's definitely not a hero. But maybe

626
00:32:28,960 --> 00:32:31,760
Speaker 1: then people wouldn't go to Bestro six so much because

627
00:32:31,800 --> 00:32:34,440
Speaker 1: Broti's there, she's shooting people. Should we go to Beestro

628
00:32:34,520 --> 00:32:35,720
Speaker 1: six tonight, No.

629
00:32:35,600 --> 00:32:43,880
Speaker 2: Brodie's yeah, because Brotie's not allowed at Jimmy's anymore because

630
00:32:43,880 --> 00:32:47,760
Speaker 2: there's a restraining order she shot the owner at Bistro six,

631
00:32:48,880 --> 00:32:49,959
Speaker 2: where she is still allowed.

632
00:32:50,880 --> 00:32:51,640
Speaker 1: She's still there.

633
00:32:52,320 --> 00:32:56,520
Speaker 3: I'm yeah, I'm allowed at Okay, here's I'm allowed to

634
00:32:56,560 --> 00:32:59,360
Speaker 3: eat at Jimmy's. But I have to be outside.

635
00:33:01,520 --> 00:33:02,480
Speaker 4: Yeah, he's COVID.

636
00:33:03,160 --> 00:33:07,760
Speaker 2: Nobody, it's not that's that's not because of the Westminster

637
00:33:07,800 --> 00:33:09,000
Speaker 2: Dog Show pistol shooting.

638
00:33:09,440 --> 00:33:12,920
Speaker 1: Yeah, it's not because you shot it. All this other

639
00:33:12,960 --> 00:33:13,720
Speaker 1: stuff happening.

640
00:33:14,400 --> 00:33:17,760
Speaker 3: Oh then then why do I have to eat outside?

641
00:33:18,600 --> 00:33:20,560
Speaker 1: Well, because you, first of all, you make a big mess.

642
00:33:20,840 --> 00:33:22,840
Speaker 3: I don't mean to make a mess. I always clean

643
00:33:22,920 --> 00:33:23,920
Speaker 3: up after myself.

644
00:33:24,520 --> 00:33:27,040
Speaker 1: No, you kind of know, you actually don't. First of all,

645
00:33:27,080 --> 00:33:30,440
Speaker 1: you kind of just kick it around with your foot. Yeah.

646
00:33:30,480 --> 00:33:32,280
Speaker 2: Oh, I'm so sorry. I didn't realize this was happening.

647
00:33:32,360 --> 00:33:34,480
Speaker 2: Let me clean this up, and you kick it around

648
00:33:34,480 --> 00:33:36,840
Speaker 2: with your foot, And then you have a big backpack

649
00:33:36,880 --> 00:33:39,800
Speaker 2: on with a big sloppy towel that is even messier

650
00:33:39,800 --> 00:33:42,680
Speaker 2: than what's on the ground. You go, I'll get it,

651
00:33:42,800 --> 00:33:46,520
Speaker 2: I'll get it. You're just sort of like slapping it

652
00:33:46,640 --> 00:33:49,360
Speaker 2: down against the pile of food that's on the ground,

653
00:33:49,640 --> 00:33:52,600
Speaker 2: and there's pieces of old fish falling off the towel

654
00:33:52,600 --> 00:33:56,120
Speaker 2: and all this stuff and we're going like, please don't help,

655
00:33:56,240 --> 00:33:57,200
Speaker 2: like stop helping.

656
00:33:57,480 --> 00:34:02,880
Speaker 3: Yes, I'm trying, aren't I.

657
00:34:01,080 --> 00:34:03,200
Speaker 2: I guess, but it feels like, you know, it feels

658
00:34:03,200 --> 00:34:05,040
Speaker 2: like you know that you're leaving it worse than you

659
00:34:05,080 --> 00:34:06,680
Speaker 2: found it.

660
00:34:06,200 --> 00:34:09,480
Speaker 1: And another reason you ordered the whole branzino.

661
00:34:10,320 --> 00:34:11,960
Speaker 3: Yeah, it's a great dish.

662
00:34:11,840 --> 00:34:14,040
Speaker 1: And then you eat it with just that the towel

663
00:34:14,080 --> 00:34:16,120
Speaker 1: is also your utetsil for some reason.

664
00:34:17,239 --> 00:34:20,400
Speaker 3: Yes, so then well so that my hands don't touch

665
00:34:20,480 --> 00:34:23,279
Speaker 3: the branzino directly, but.

666
00:34:23,239 --> 00:34:25,880
Speaker 1: It's it doesn't. It's so hard for you to like

667
00:34:25,920 --> 00:34:26,719
Speaker 1: pick things up.

668
00:34:27,680 --> 00:34:29,880
Speaker 2: And I'm being generous even in calling it a towel,

669
00:34:29,920 --> 00:34:31,120
Speaker 2: it's really a blanket.

670
00:34:33,120 --> 00:34:34,560
Speaker 1: It's like a it's a quilt.

671
00:34:37,000 --> 00:34:39,279
Speaker 2: Tell at least, is like a something you would use

672
00:34:39,320 --> 00:34:42,040
Speaker 2: to clean but don't clean up with the blanket. You

673
00:34:42,080 --> 00:34:44,120
Speaker 2: called it a towel, that's why. And I've you know,

674
00:34:45,360 --> 00:34:48,279
Speaker 2: I've fallen for it here. But it's clearly a quilt.

675
00:34:48,800 --> 00:34:51,719
Speaker 3: I mean, well, it doesn't have like, it doesn't have

676
00:34:51,880 --> 00:34:54,879
Speaker 3: separate things for my fingers, you know, it's it sort

677
00:34:54,920 --> 00:34:57,640
Speaker 3: of acts like a mitten, but worse.

678
00:34:58,080 --> 00:35:01,040
Speaker 1: Does it doesn't it's like a mitten without a thumb. Yeah,

679
00:35:01,880 --> 00:35:04,520
Speaker 1: And let's be honest, it's huge.

680
00:35:05,000 --> 00:35:08,160
Speaker 2: The quilt is huge, and you obviously put a lot

681
00:35:08,160 --> 00:35:10,440
Speaker 2: of time into it, and each square is dedicated to

682
00:35:10,480 --> 00:35:13,759
Speaker 2: a different erotic pokemon.

683
00:35:16,040 --> 00:35:19,720
Speaker 3: Okay, you're just listen. You're just describing my awesome quilt.

684
00:35:19,840 --> 00:35:21,960
Speaker 1: But this is just an answer to your question, which

685
00:35:22,000 --> 00:35:23,960
Speaker 1: is why do I have to eat outside? It's like

686
00:35:24,280 --> 00:35:26,200
Speaker 1: every restaurant is like, okay, you can do that, but

687
00:35:26,239 --> 00:35:29,600
Speaker 1: you have to do it outside. Okay, okay, street cleaning

688
00:35:29,640 --> 00:35:33,640
Speaker 1: is tomorrow, so you should come today and then they'll

689
00:35:33,680 --> 00:35:34,920
Speaker 1: come and hose it all off.

690
00:35:35,480 --> 00:35:37,080
Speaker 3: I have a question for you, hoy. Do you guys

691
00:35:37,120 --> 00:35:39,080
Speaker 3: ever think about how hard it is for me to

692
00:35:39,120 --> 00:35:41,560
Speaker 3: eat the branzino with that quilt?

693
00:35:41,840 --> 00:35:44,080
Speaker 4: No, we can't even see the erotic pokemon. It's covered

694
00:35:44,120 --> 00:35:45,239
Speaker 4: in fish heads.

695
00:35:45,800 --> 00:35:48,759
Speaker 3: I don't want to eat the branzino that way, But

696
00:35:48,840 --> 00:35:51,560
Speaker 3: what other option do I have? What am I I'm

697
00:35:51,600 --> 00:35:53,560
Speaker 3: not an animal. I'm not going to just like like

698
00:35:53,719 --> 00:35:57,400
Speaker 3: eat directly with my hands or like put my face

699
00:35:57,520 --> 00:36:00,000
Speaker 3: in it. Any of the quilt.

700
00:36:00,280 --> 00:36:02,480
Speaker 2: I just wish I mean, at this point, I just

701
00:36:02,520 --> 00:36:04,200
Speaker 2: wish it was a different quilt because a lot of

702
00:36:04,200 --> 00:36:07,000
Speaker 2: times there's kids eating around you, and these these pokemon

703
00:36:07,080 --> 00:36:10,000
Speaker 2: drawings are pretty graphic, and you've changed all of the

704
00:36:10,080 --> 00:36:13,080
Speaker 2: names to like different dirty names except for Squirtle. That

705
00:36:13,160 --> 00:36:13,960
Speaker 2: one is left.

706
00:36:14,960 --> 00:36:17,359
Speaker 3: Well that's what I started with, and then you kind

707
00:36:17,400 --> 00:36:20,880
Speaker 3: of build out from there. Well, here's the thing.

708
00:36:20,760 --> 00:36:24,759
Speaker 1: Is actually blast Toys is also still that's right.

709
00:36:25,320 --> 00:36:28,080
Speaker 3: Well I started with Squirtle, and then I learned that

710
00:36:28,160 --> 00:36:31,120
Speaker 3: he's actually one of these things called Pokemon, and so

711
00:36:31,360 --> 00:36:34,399
Speaker 3: that's how, you know, I thought he was just sort

712
00:36:34,440 --> 00:36:37,040
Speaker 3: of an independent erotic figure.

713
00:36:37,400 --> 00:36:41,040
Speaker 2: Okay, okay, But the point is if kids.

714
00:36:40,880 --> 00:36:44,680
Speaker 3: See it, then okay, great, they're learning about sexuality in

715
00:36:44,719 --> 00:36:45,560
Speaker 3: a healthy way.

716
00:36:46,920 --> 00:36:50,759
Speaker 2: I agree to disagree on that. I like a lot

717
00:36:50,800 --> 00:36:53,880
Speaker 2: of them actually look extremely unhealthy. It feels as if

718
00:36:53,920 --> 00:36:58,400
Speaker 2: you've got a great legs to give them various conditions.

719
00:36:58,440 --> 00:37:01,680
Speaker 3: That how else, here's the thing is that nobody knows

720
00:37:01,719 --> 00:37:05,080
Speaker 3: what to look for with chlamydia.

721
00:37:06,560 --> 00:37:09,160
Speaker 2: And now I have you know, I'm sorry I brought

722
00:37:09,200 --> 00:37:10,719
Speaker 2: up the quilt. I'm sorry I brought up quill. What's

723
00:37:10,760 --> 00:37:12,239
Speaker 2: the dog show thing? What happens next?

724
00:37:12,719 --> 00:37:14,319
Speaker 4: I just keep remembering, this is like the lady who

725
00:37:14,400 --> 00:37:15,880
Speaker 4: came in and shot John Stamos.

726
00:37:16,320 --> 00:37:20,640
Speaker 2: Yeah no, that's not to be. That's not to be forgotten. No,

727
00:37:20,719 --> 00:37:26,640
Speaker 2: not in the head.

728
00:37:27,600 --> 00:37:32,640
Speaker 4: So look, only seven dogs won more than once. But

729
00:37:32,800 --> 00:37:35,319
Speaker 4: there's one three time champion, and it's a dog whose

730
00:37:35,360 --> 00:37:40,359
Speaker 4: name is Warren. Warren, Warren, he was early nineteen hundred's dog.

731
00:37:40,360 --> 00:37:43,640
Speaker 3: Okay, what if his last name Warren? What if his

732
00:37:43,719 --> 00:37:45,960
Speaker 3: last name is Peace like.

733
00:37:45,960 --> 00:37:50,239
Speaker 2: Warren Peace Warren. Yeah, that's cool. That's like a hay

734
00:37:50,320 --> 00:37:53,319
Speaker 2: style joke. What if his first name is Elizabeth.

735
00:37:55,200 --> 00:37:56,320
Speaker 3: Elizabeth Peace.

736
00:37:57,400 --> 00:37:59,720
Speaker 1: Wait, do you mean it's yeah, it's dead of Warren.

737
00:38:00,719 --> 00:38:02,360
Speaker 2: No, yeah, well Elizabeth Warren.

738
00:38:03,600 --> 00:38:09,280
Speaker 1: Okay, but that would mean it's okay, that would.

739
00:38:09,080 --> 00:38:09,319
Speaker 2: Mean what.

740
00:38:14,280 --> 00:38:18,880
Speaker 1: That's all only three times? The dog one again?

741
00:38:19,000 --> 00:38:21,319
Speaker 4: Huh yeah, I know that's and that's the most any

742
00:38:21,320 --> 00:38:21,839
Speaker 4: dog's ever won.

743
00:38:22,080 --> 00:38:23,160
Speaker 2: Warren.

744
00:38:23,920 --> 00:38:25,680
Speaker 1: The dog will come back and be like this dog

745
00:38:25,800 --> 00:38:26,359
Speaker 1: sucks now.

746
00:38:27,040 --> 00:38:27,200
Speaker 2: Yeah.

747
00:38:27,280 --> 00:38:28,759
Speaker 4: No, they'll come back and they'll be like, we're on

748
00:38:28,840 --> 00:38:29,759
Speaker 4: to other things.

749
00:38:30,080 --> 00:38:32,480
Speaker 1: Yeah, we've actually moved on to other stuff now.

750
00:38:33,280 --> 00:38:37,279
Speaker 2: Oh ship uh Warren? Holy shit? Man? Oh wow, oh

751
00:38:37,320 --> 00:38:37,840
Speaker 2: you came.

752
00:38:38,040 --> 00:38:39,360
Speaker 1: You're back, dude.

753
00:38:39,640 --> 00:38:40,919
Speaker 2: Uh nice?

754
00:38:41,040 --> 00:38:41,239
Speaker 1: Nice?

755
00:38:41,280 --> 00:38:43,400
Speaker 2: No, I think we have a spot for you. Hang on,

756
00:38:43,480 --> 00:38:46,080
Speaker 2: hang on real, okay, move the move the trash can

757
00:38:47,120 --> 00:38:49,799
Speaker 2: yeah y no, no, no, no, there's a platform right over here. No no, no, no,

758
00:38:49,880 --> 00:38:53,000
Speaker 2: we were we were expecting you. Yeah yeah, no, no, no, no, totally, totally,

759
00:38:53,000 --> 00:38:56,800
Speaker 2: totally yeah, Warren, get in here. Warren's here. Everybody he came.

760
00:38:56,920 --> 00:39:02,319
Speaker 2: Isn't that cool and good? Yeah? No, he's back again. Yeah.

761
00:39:02,480 --> 00:39:04,239
Speaker 2: I don't know. I don't know what the fuck he's

762
00:39:04,280 --> 00:39:09,120
Speaker 2: doing here. Looks like shit? Yeah, Warren, no, give us

763
00:39:09,120 --> 00:39:11,360
Speaker 2: a give us just a second. Yeah, I'm so sorry

764
00:39:11,400 --> 00:39:12,080
Speaker 2: this is happening.

765
00:39:12,160 --> 00:39:17,000
Speaker 3: Yeah, hey, it's when when Sean, when Shawn does acting

766
00:39:17,160 --> 00:39:18,520
Speaker 3: like this, do you feel threatened?

767
00:39:20,200 --> 00:39:23,160
Speaker 1: No, he's giving me line readings. Oh, this is now

768
00:39:23,239 --> 00:39:23,880
Speaker 1: for me to do.

769
00:39:25,320 --> 00:39:26,759
Speaker 3: Oh can you perform it now?

770
00:39:27,360 --> 00:39:35,040
Speaker 2: Yeah? Sure, Warren? What what the hell?

771
00:39:38,719 --> 00:39:41,160
Speaker 1: Warren's why is Warren's here?

772
00:39:42,520 --> 00:39:44,040
Speaker 2: You need to move the light? Move that light?

773
00:39:44,840 --> 00:39:47,440
Speaker 1: This is me producing so I you know, it's like

774
00:39:49,480 --> 00:39:52,920
Speaker 1: I make it really intense. I think back to like

775
00:39:52,960 --> 00:39:54,759
Speaker 1: stuff that happened to me personally.

776
00:39:55,640 --> 00:39:55,839
Speaker 3: Yeah.

777
00:39:55,880 --> 00:39:57,600
Speaker 1: I combine that with Sean's line reading.

778
00:39:58,480 --> 00:39:59,840
Speaker 4: Shawn's not an after. He's not saying like this is

779
00:39:59,840 --> 00:40:01,520
Speaker 4: how do it? He's like, this is the ballpark of

780
00:40:01,520 --> 00:40:04,120
Speaker 4: what I'm looking for. And then I was just giving you, Yeah.

781
00:40:04,280 --> 00:40:07,280
Speaker 2: Just a vibe for it, you know, I'm really of anything,

782
00:40:07,320 --> 00:40:08,720
Speaker 2: maybe like a dialect coach.

783
00:40:08,920 --> 00:40:15,280
Speaker 1: Yeah right, okay, so so Warren Warren, Warren absolutely kicking ass.

784
00:40:15,560 --> 00:40:18,719
Speaker 4: Yeah, he fucking destroyed three years Warren.

785
00:40:18,520 --> 00:40:21,440
Speaker 2: His crushed his own five thousand absolute unit.

786
00:40:24,640 --> 00:40:25,920
Speaker 4: Yeah, but he's you know, he's been dead for like

787
00:40:25,920 --> 00:40:29,319
Speaker 4: one hundred and thirty years. So the two of the

788
00:40:29,360 --> 00:40:32,160
Speaker 4: most popular dog breeds in the United States have never

789
00:40:32,239 --> 00:40:35,239
Speaker 4: won Best in Show because they fucking suck, the Labrador

790
00:40:35,280 --> 00:40:37,480
Speaker 4: Retriever and the Golden Retriever because like I feel like

791
00:40:37,480 --> 00:40:39,319
Speaker 4: both of them are like lumpy and stupid, like they're

792
00:40:39,320 --> 00:40:40,680
Speaker 4: not gonna win like Best in Show.

793
00:40:41,120 --> 00:40:42,040
Speaker 2: They don't suck.

794
00:40:43,440 --> 00:40:47,759
Speaker 4: Umpy anyway, that's just like, yeah, stupid.

795
00:40:48,080 --> 00:40:49,000
Speaker 1: That's its toes.

796
00:40:49,840 --> 00:40:51,120
Speaker 4: No, it has like a big it has like a

797
00:40:51,120 --> 00:40:53,640
Speaker 4: big lump on its head where it points around. It

798
00:40:53,640 --> 00:40:54,919
Speaker 4: seems to like smell.

799
00:40:54,880 --> 00:40:57,080
Speaker 2: That says that's its nose part.

800
00:40:57,440 --> 00:41:00,920
Speaker 4: That's not all that's like a thing about labs though, Yeah,

801
00:41:01,080 --> 00:41:05,120
Speaker 4: kind of ugly. The oldest winner was a ten year

802
00:41:05,120 --> 00:41:07,560
Speaker 4: old dog named Stump in two thousand and nine.

803
00:41:08,480 --> 00:41:18,560
Speaker 7: Stump Stump, he pulled through late in life, which is

804
00:41:18,640 --> 00:41:20,480
Speaker 7: it's like never too late, like I know, like Orson

805
00:41:20,520 --> 00:41:22,560
Speaker 7: Wells wrote, Citizen K when he was twenty and twenty five,

806
00:41:22,600 --> 00:41:24,399
Speaker 7: but like Stump Won when he was ten.

807
00:41:25,000 --> 00:41:27,359
Speaker 1: I've been saying this, and this is for podcasting too.

808
00:41:28,400 --> 00:41:31,799
Speaker 1: I'm thinking when I'm like fifty nine, sixty years old,

809
00:41:33,000 --> 00:41:35,799
Speaker 1: that's when it's really gonna hit, Like this whole podcasting thing.

810
00:41:35,800 --> 00:41:38,560
Speaker 1: People are gonna be like, yes, now you're the best one.

811
00:41:40,440 --> 00:41:43,440
Speaker 3: When is that ten years ago? I'm just kidding.

812
00:41:44,280 --> 00:41:44,839
Speaker 2: When is what?

813
00:41:46,239 --> 00:41:46,800
Speaker 3: Never mind?

814
00:41:47,640 --> 00:41:50,759
Speaker 2: No, I got it and I got two thousand and nine. Yeah,

815
00:41:50,920 --> 00:41:52,040
Speaker 2: I mean roughly.

816
00:41:53,320 --> 00:41:54,000
Speaker 1: Can I tell you a.

817
00:41:54,040 --> 00:41:56,399
Speaker 5: Joke I made about a Labrador retriever and you can

818
00:41:56,440 --> 00:41:57,600
Speaker 5: tell me if it was offensive?

819
00:41:58,000 --> 00:42:00,680
Speaker 1: Okay, what were the circumstances? What's the context?

820
00:42:01,040 --> 00:42:03,600
Speaker 6: The context is it was my neighbor's dog.

821
00:42:04,120 --> 00:42:06,840
Speaker 5: He had a massive tumor on his head, and it

822
00:42:06,960 --> 00:42:08,400
Speaker 5: got bigger and bigger and bigger.

823
00:42:08,680 --> 00:42:10,360
Speaker 2: But where were you when you made the joke?

824
00:42:11,520 --> 00:42:14,840
Speaker 5: It was via text message to who last year, to

825
00:42:14,880 --> 00:42:19,400
Speaker 5: my family, So they sent us a photo of the

826
00:42:19,400 --> 00:42:19,960
Speaker 5: puppies and.

827
00:42:19,920 --> 00:42:24,239
Speaker 2: The family's really rich. If this if? Because that informs

828
00:42:24,280 --> 00:42:24,839
Speaker 2: how your part?

829
00:42:25,120 --> 00:42:28,880
Speaker 4: Yeah, a fancy text.

830
00:42:29,880 --> 00:42:34,920
Speaker 5: Very So the tumor got bigger and bigger and bigger,

831
00:42:34,920 --> 00:42:37,640
Speaker 5: and that the dog died. This was like ten years ago.

832
00:42:38,080 --> 00:42:40,440
Speaker 5: And then last year they got a puppy and the

833
00:42:40,440 --> 00:42:43,600
Speaker 5: puppy was so small and I said, oh, the puppy

834
00:42:43,680 --> 00:42:47,160
Speaker 5: is smaller than the tumor on Lambeau's head. And my

835
00:42:47,239 --> 00:42:48,960
Speaker 5: family said that's offensive.

836
00:42:50,920 --> 00:42:54,120
Speaker 2: Well, I guess I agree that it's offensive because you

837
00:42:54,239 --> 00:42:57,120
Speaker 2: characterize it as a joke. If it was simply a

838
00:42:57,160 --> 00:43:02,640
Speaker 2: statement of fact, would leaves to be accurate. I would say,

839
00:43:03,440 --> 00:43:05,880
Speaker 2: I can't fault this guy. He's just saying what this

840
00:43:06,040 --> 00:43:09,000
Speaker 2: is bigger or smaller than, which I know is something

841
00:43:09,040 --> 00:43:11,160
Speaker 2: that you try to catalog and have had a lot

842
00:43:11,200 --> 00:43:14,680
Speaker 2: of trouble with in the past. The dog's name is Lambeau.

843
00:43:15,239 --> 00:43:19,160
Speaker 1: Yeah, so this is also a window, and like this

844
00:43:19,200 --> 00:43:21,520
Speaker 1: is their neighbor. This is kind of like the class

845
00:43:21,560 --> 00:43:22,839
Speaker 1: that Kevin's family is coming.

846
00:43:23,200 --> 00:43:26,560
Speaker 3: Just gonna just gonna ask how rich they.

847
00:43:26,400 --> 00:43:30,759
Speaker 5: Own Rambo Stadium. The my neighbors owned the Green Bay

848
00:43:30,760 --> 00:43:33,799
Speaker 5: Packers Stadium, so they named their dog after the stadium.

849
00:43:34,239 --> 00:43:37,720
Speaker 2: After a building, I guess a building is a stadium.

850
00:43:37,840 --> 00:43:41,680
Speaker 1: Yeah, no way, a building is not a stadium only

851
00:43:42,600 --> 00:43:44,920
Speaker 1: very almost never.

852
00:43:45,560 --> 00:43:48,319
Speaker 3: How would you describe a stadium? What if I came

853
00:43:48,400 --> 00:43:51,520
Speaker 3: up to you and I was like, hey, can you

854
00:43:51,560 --> 00:43:52,960
Speaker 3: compare me again?

855
00:43:53,040 --> 00:43:57,720
Speaker 1: Now you're asking me, I'm so happy one who's talking

856
00:43:57,760 --> 00:43:59,359
Speaker 1: about this stuff.

857
00:43:59,400 --> 00:44:01,000
Speaker 2: This could have been really bad for me.

858
00:44:01,920 --> 00:44:05,040
Speaker 3: I can't help who I'm talking to, right, So I

859
00:44:05,080 --> 00:44:08,000
Speaker 3: ask you to compare and contrast a building in a stadium.

860
00:44:08,600 --> 00:44:09,400
Speaker 3: What would you say?

861
00:44:10,480 --> 00:44:17,960
Speaker 1: Stadium is picture bull of spaghetti. Take the spaghetti out, Okay,

862
00:44:18,560 --> 00:44:22,480
Speaker 1: make the bowl huge, put a football inside.

863
00:44:23,360 --> 00:44:25,880
Speaker 3: How big is the bull? Can the boll just fit

864
00:44:25,960 --> 00:44:27,759
Speaker 3: a football or no?

865
00:44:27,840 --> 00:44:30,200
Speaker 2: It's huge with Paul Bunyan spaghetti.

866
00:44:30,320 --> 00:44:32,640
Speaker 1: I mean, for the second argument, Paul Bunion spaghetti ball.

867
00:44:33,120 --> 00:44:36,839
Speaker 3: Okay, oh that's huge.

868
00:44:36,040 --> 00:44:39,320
Speaker 2: Normal football, my football. Put that in there.

869
00:44:41,120 --> 00:44:41,720
Speaker 3: It's tiny.

870
00:44:42,480 --> 00:44:52,680
Speaker 1: Have a guy, uh have a bathroom? Boys bathroom, girls bathroom?

871
00:44:53,400 --> 00:44:58,480
Speaker 1: I mean, I guess how many toilets in each bathroom?

872
00:44:58,520 --> 00:44:59,120
Speaker 2: Sixty nine?

873
00:44:59,160 --> 00:44:59,200
Speaker 3: Mi?

874
00:45:00,640 --> 00:45:08,120
Speaker 1: How many saw sixty nine in each bathroom?

875
00:45:09,680 --> 00:45:10,919
Speaker 2: Yeah?

876
00:45:11,480 --> 00:45:24,680
Speaker 1: Yes, yes, okay, so yeah that I mean that's the stadium.

877
00:45:24,719 --> 00:45:25,600
Speaker 1: How would you do it?

878
00:45:26,440 --> 00:45:28,560
Speaker 3: I wouldn't. That's why I'm asking you.

879
00:45:29,440 --> 00:45:32,240
Speaker 1: Okay, you would you would not. You would not even

880
00:45:33,000 --> 00:45:34,520
Speaker 1: describe what a stadium is.

881
00:45:34,880 --> 00:45:37,480
Speaker 3: No, if someone came up to me, I'd say, hey,

882
00:45:37,320 --> 00:45:40,440
Speaker 3: say no, I would say no, I would say.

883
00:45:40,520 --> 00:45:42,920
Speaker 1: Later, did you bring anything to teach us? Or you

884
00:45:43,000 --> 00:45:48,759
Speaker 1: just brought tasks for others to do? Dylan did a

885
00:45:48,800 --> 00:45:49,680
Speaker 1: wonderful job.

886
00:45:50,360 --> 00:45:51,800
Speaker 2: Dylan taught us about stump.

887
00:45:53,000 --> 00:45:56,000
Speaker 4: My last my last fact was that how many there's

888
00:45:56,040 --> 00:45:58,040
Speaker 4: been the gender disparity in winners?

889
00:45:58,640 --> 00:46:00,759
Speaker 2: Which I know something, let's do it, get into it.

890
00:46:01,600 --> 00:46:05,719
Speaker 4: Males have one Best in Show sixty eight times, almost

891
00:46:05,800 --> 00:46:10,120
Speaker 4: the right number to females who have won thirty five times. Wow,

892
00:46:10,360 --> 00:46:11,680
Speaker 4: So we have work to do.

893
00:46:11,840 --> 00:46:13,680
Speaker 2: The work hundred though.

894
00:46:13,880 --> 00:46:16,720
Speaker 3: The work does not end here. You're correct.

895
00:46:16,960 --> 00:46:19,400
Speaker 1: So it sounds like boys ruling girls drool, but boys

896
00:46:19,440 --> 00:46:20,239
Speaker 1: also drew this.

897
00:46:24,040 --> 00:46:26,120
Speaker 3: Oh man, is someone keeping track?

898
00:46:26,960 --> 00:46:28,799
Speaker 4: How many we have listeners that do?

899
00:46:28,920 --> 00:46:30,879
Speaker 1: Yeah, we have listeners that will kind of keep keep

900
00:46:30,880 --> 00:46:33,239
Speaker 1: a score of like every time I freaking pop off

901
00:46:33,320 --> 00:46:33,560
Speaker 1: like this.

902
00:46:34,360 --> 00:46:37,120
Speaker 4: Yeah, that's the Westminster d Show.

903
00:46:37,200 --> 00:46:42,360
Speaker 2: Thank you, thank you. She's such a wonderful job. Now, brotee.

904
00:46:43,480 --> 00:46:47,440
Speaker 3: Yeah, here's something interesting that I brought to the table

905
00:46:47,880 --> 00:46:50,840
Speaker 3: is I'm going to teach you guys a little something

906
00:46:50,920 --> 00:46:56,400
Speaker 3: about the podcast Hollywood Handbook Okay, which has a Wikipedia page.

907
00:46:57,239 --> 00:47:02,720
Speaker 3: Okay Hollywood Handbook as a comedy podcast hosted by the Boys,

908
00:47:02,800 --> 00:47:05,080
Speaker 3: which is bolded in Wikipedia.

909
00:47:05,239 --> 00:47:06,600
Speaker 4: By the way, you're allowed to do that. You can

910
00:47:06,719 --> 00:47:07,920
Speaker 4: bold things in Wikipedia.

911
00:47:08,320 --> 00:47:09,919
Speaker 3: Yeah it's bolded, but there's no link.

912
00:47:10,080 --> 00:47:10,960
Speaker 2: We have a bold guy.

913
00:47:12,040 --> 00:47:19,040
Speaker 3: Yay, that's actually really helpful. Consists of Hayes, Davenport and

914
00:47:19,080 --> 00:47:28,759
Speaker 3: Sean Clements. The boys consist of Yeah, that's it. Episodes

915
00:47:28,880 --> 00:47:34,920
Speaker 3: generally consist of the two of you offering advice, telling stories,

916
00:47:35,320 --> 00:47:39,960
Speaker 3: and doing segments. All I know, I know.

917
00:47:39,960 --> 00:47:45,200
Speaker 2: You did actually offer a lot of advice to you.

918
00:47:45,840 --> 00:47:47,960
Speaker 1: First of all, you need to get yourself a freaker

919
00:47:48,040 --> 00:47:50,359
Speaker 1: microphone so you can hear how loud you're being, which

920
00:47:50,400 --> 00:47:54,800
Speaker 1: is like really inappropriate screaming.

921
00:47:55,040 --> 00:47:57,200
Speaker 2: Right now, you are screaming.

922
00:47:58,080 --> 00:48:00,200
Speaker 3: H Can I ask you something? How could I be

923
00:48:00,239 --> 00:48:02,000
Speaker 3: screaming if I have no microphone?

924
00:48:02,920 --> 00:48:04,880
Speaker 2: I don't know how to answer it because the question

925
00:48:05,040 --> 00:48:05,640
Speaker 2: is so bad.

926
00:48:06,520 --> 00:48:07,719
Speaker 1: Yeah, the question.

927
00:48:09,560 --> 00:48:13,560
Speaker 3: What Dylan. No, This is why women don't win the

928
00:48:13,600 --> 00:48:14,840
Speaker 3: Westminster Dog Show.

929
00:48:15,520 --> 00:48:18,960
Speaker 4: Yeah, because they keep fighting with each other and talking

930
00:48:18,960 --> 00:48:20,280
Speaker 4: about each other behind their backs.

931
00:48:20,400 --> 00:48:21,640
Speaker 2: The dogs are caddy.

932
00:48:22,880 --> 00:48:23,200
Speaker 4: Show.

933
00:48:23,840 --> 00:48:28,719
Speaker 2: It's like contagious that Hayes is giving me these like

934
00:48:28,840 --> 00:48:30,560
Speaker 2: ideas for these words.

935
00:48:31,360 --> 00:48:35,440
Speaker 3: So here's a sample list of guests that have apparently

936
00:48:35,480 --> 00:48:41,560
Speaker 3: been on Hollywood Handbook, Donald Glover, Ellie Kemper, Aubrey Plaza,

937
00:48:42,040 --> 00:48:46,120
Speaker 3: who Mail, Nan Gianni, Nick Kroll, all.

938
00:48:46,040 --> 00:48:47,600
Speaker 4: Of these people, who are these people?

939
00:48:48,640 --> 00:48:51,799
Speaker 1: Those were all pretty early this This was when they

940
00:48:51,800 --> 00:48:54,359
Speaker 1: were all like we got had them on the show,

941
00:48:54,360 --> 00:48:57,640
Speaker 1: when they were like really doing stuff, you know. And

942
00:48:57,680 --> 00:48:59,879
Speaker 1: so now we've been doing the show a long time,

943
00:49:00,080 --> 00:49:01,760
Speaker 1: so yes, we've sort of watched them.

944
00:49:02,560 --> 00:49:03,040
Speaker 2: Come and go.

945
00:49:03,080 --> 00:49:05,799
Speaker 4: Okay, I know Kumel, so do I.

946
00:49:05,960 --> 00:49:06,840
Speaker 2: He's been on my show.

947
00:49:07,520 --> 00:49:13,320
Speaker 3: The The You Guys released the first episode on October eighth,

948
00:49:13,560 --> 00:49:15,080
Speaker 3: twenty thirteen, which is and.

949
00:49:15,160 --> 00:49:16,560
Speaker 1: This is something for you all too, now that you've

950
00:49:16,600 --> 00:49:18,600
Speaker 1: been on the show. Also, this is something that happens.

951
00:49:18,719 --> 00:49:20,200
Speaker 1: So you've seen it happen with Kumail.

952
00:49:20,719 --> 00:49:23,000
Speaker 2: You are You're going to.

953
00:49:23,200 --> 00:49:26,840
Speaker 1: Very soon going to be absolutely cut to pieces.

954
00:49:27,320 --> 00:49:30,760
Speaker 2: You are going to get so fucking shredded and huge.

955
00:49:31,560 --> 00:49:33,680
Speaker 2: And this is just like one of the side effects

956
00:49:33,719 --> 00:49:34,680
Speaker 2: of appearing on the show.

957
00:49:36,200 --> 00:49:38,440
Speaker 1: It happens one part at a time.

958
00:49:39,000 --> 00:49:41,719
Speaker 3: It's the Handbook to Hotness pupline.

959
00:49:42,719 --> 00:49:45,920
Speaker 1: Yeah, yeah, but you are absolutely going to explode.

960
00:49:46,280 --> 00:49:48,880
Speaker 3: And does this only happen with South Asian guests.

961
00:49:51,520 --> 00:49:56,719
Speaker 1: That's so interesting. I have never once thought about what

962
00:49:56,800 --> 00:49:58,799
Speaker 1: part of Asia. My guest is from.

963
00:50:00,400 --> 00:50:03,000
Speaker 3: But you've known that all of your guests are from Asia.

964
00:50:03,120 --> 00:50:05,840
Speaker 1: Yeah, I'll be like, Okay, this person from Asia for sure,

965
00:50:05,920 --> 00:50:09,840
Speaker 1: but I'll never be like, oh, it's like North Asia

966
00:50:09,920 --> 00:50:10,320
Speaker 1: or whatever.

967
00:50:10,360 --> 00:50:12,200
Speaker 2: I just don't really like. Yeah.

968
00:50:13,000 --> 00:50:16,960
Speaker 3: So apparently you guys met while writing on the Fox

969
00:50:17,040 --> 00:50:21,759
Speaker 3: program Alan Gregory, where you quickly established a friendship and

970
00:50:21,960 --> 00:50:27,040
Speaker 3: established the reality show show podcast on the ear Wolf Network.

971
00:50:28,239 --> 00:50:32,839
Speaker 3: The podcast featured both of you, alongside reality stars such

972
00:50:32,880 --> 00:50:36,879
Speaker 3: as Survivor winner John Cochrane or comedians like Paul At

973
00:50:36,960 --> 00:50:42,000
Speaker 3: Tompkins and hondors Home, humorously analyzing reality shows such as

974
00:50:42,200 --> 00:50:46,839
Speaker 3: The Challenge, World's Worst Tenants, and Splash, all shows you

975
00:50:46,880 --> 00:50:47,560
Speaker 3: guys made up.

976
00:50:47,800 --> 00:50:52,400
Speaker 2: Right, This is like no Westminster Dog Show for me. Like,

977
00:50:52,480 --> 00:50:55,439
Speaker 2: I don't really know how to engage with it. I

978
00:50:55,440 --> 00:50:57,040
Speaker 2: already know about this stuff already.

979
00:50:57,040 --> 00:50:59,799
Speaker 1: I'm already engaged by it being my entire life and

980
00:50:59,840 --> 00:51:02,040
Speaker 1: like my whole life's work, and it's being like kind

981
00:51:02,040 --> 00:51:04,280
Speaker 1: of summarized and dismissed in a way that I actually

982
00:51:04,320 --> 00:51:05,800
Speaker 1: think is it's.

983
00:51:05,680 --> 00:51:10,359
Speaker 3: Being celebrated, celebrated.

984
00:51:10,640 --> 00:51:13,800
Speaker 2: Honestly, I get on the zoom to escape from this stuff.

985
00:51:14,000 --> 00:51:17,960
Speaker 1: Yeah, but let me. I'm on Dyllan's Wikipedia page right now,

986
00:51:18,000 --> 00:51:21,560
Speaker 1: which does talk about the podcast, and it says. In

987
00:51:21,640 --> 00:51:24,799
Speaker 1: twenty twenty, Dyllan created a podcast with Broty Gupta called

988
00:51:24,920 --> 00:51:31,000
Speaker 1: Lecture Hall, with guests including Iodebris and Rachel Senate. I

989
00:51:31,040 --> 00:51:35,759
Speaker 1: get that right, Yeah, okay, let me click on Brotu's name.

990
00:51:37,200 --> 00:51:40,760
Speaker 2: You can't. What the something's? What the fuck is happening?

991
00:51:40,800 --> 00:51:41,880
Speaker 2: Something wrong with my click?

992
00:51:43,160 --> 00:51:50,360
Speaker 3: If I click harder, you're you're on the wrong wiki.

993
00:51:50,440 --> 00:51:51,960
Speaker 3: I am on wiki feet.

994
00:51:52,320 --> 00:51:52,839
Speaker 1: Maybe just.

995
00:51:54,320 --> 00:51:55,360
Speaker 3: I'm not on wikipeda.

996
00:51:55,360 --> 00:51:57,520
Speaker 2: Maybe see if you can copy it and paste it

997
00:51:57,560 --> 00:52:00,200
Speaker 2: into your search bar. Sometimes I can do that here.

998
00:52:00,200 --> 00:52:01,360
Speaker 2: I'll do it over here.

999
00:52:01,680 --> 00:52:07,719
Speaker 4: Okaye, like Wikipedia dot ru.

1000
00:52:08,560 --> 00:52:11,719
Speaker 2: Won't copy it.

1001
00:52:11,840 --> 00:52:15,000
Speaker 3: Two weeks later, on Ober eighth, the first episode of

1002
00:52:15,040 --> 00:52:19,560
Speaker 3: Hollywood Handbook was released, with guests Jake Johnson the host.

1003
00:52:19,760 --> 00:52:24,480
Speaker 3: In Hollywood Handbook, the hosts play highly successful versions of themselves.

1004
00:52:24,960 --> 00:52:30,600
Speaker 3: That's what happened, presenting the podcast as an insider's guide

1005
00:52:30,640 --> 00:52:33,520
Speaker 3: to kicking butt and dropping names in the red carpet

1006
00:52:33,560 --> 00:52:36,880
Speaker 3: lined back hallways of this industry we call show biz.

1007
00:52:37,360 --> 00:52:42,160
Speaker 1: This is like this is like about just listing all

1008
00:52:42,200 --> 00:52:43,840
Speaker 1: the great guests we've had in like kind of the

1009
00:52:43,960 --> 00:52:46,080
Speaker 1: high hopes that we had on the beginning of the show,

1010
00:52:46,280 --> 00:52:48,319
Speaker 1: and now this is literally what it is.

1011
00:52:48,760 --> 00:52:51,359
Speaker 2: You're on the show, you're describing, but the guest now

1012
00:52:51,480 --> 00:52:53,160
Speaker 2: is you and this is what you're doing.

1013
00:52:57,200 --> 00:52:59,799
Speaker 1: So it is making me reckon with like holding my

1014
00:53:00,080 --> 00:53:03,600
Speaker 1: hopes for this show in one hand at the same

1015
00:53:03,600 --> 00:53:06,760
Speaker 1: time as I'm experiencing the reality of what happened.

1016
00:53:07,920 --> 00:53:10,960
Speaker 3: Yeah, is this why you guys? Did you guys write

1017
00:53:10,960 --> 00:53:15,440
Speaker 3: before you got onto this Zoom with you know, Dylan

1018
00:53:15,520 --> 00:53:19,239
Speaker 3: has a Wikipedia page. I, as you both have very

1019
00:53:19,360 --> 00:53:23,759
Speaker 3: kindly pointed out, do not.

1020
00:53:22,239 --> 00:53:25,120
Speaker 1: Not even close? Apparently, I don't really know. I didn't

1021
00:53:25,200 --> 00:53:27,480
Speaker 1: say documented like kind of how close you were.

1022
00:53:27,719 --> 00:53:29,839
Speaker 2: Yeah, I didn't realize there was a scale of like

1023
00:53:29,880 --> 00:53:33,560
Speaker 2: how close you are, or like if they suspect that

1024
00:53:33,640 --> 00:53:36,080
Speaker 2: you will ultimately get one, but they're.

1025
00:53:35,880 --> 00:53:37,200
Speaker 3: Saying, yeah, and it's pretty far.

1026
00:53:38,040 --> 00:53:40,080
Speaker 2: Yeah, it's not on the horizon.

1027
00:53:40,120 --> 00:53:43,600
Speaker 3: It's pretty far. Is this why you stopped playing highly

1028
00:53:43,640 --> 00:53:48,120
Speaker 3: successful versions of yourselves? Did you stop right before you

1029
00:53:48,200 --> 00:53:49,480
Speaker 3: joined this Zoom?

1030
00:53:49,960 --> 00:53:53,400
Speaker 2: It got less funny, less funny to pretend to be

1031
00:53:53,440 --> 00:53:56,560
Speaker 2: successful when we started fucking lapping everyone in the industry

1032
00:53:56,600 --> 00:53:58,800
Speaker 2: with all of the sane achievements.

1033
00:54:02,600 --> 00:54:06,640
Speaker 1: It became mean to joke about like being rich and

1034
00:54:06,760 --> 00:54:07,920
Speaker 1: killing it and doing all this.

1035
00:54:07,960 --> 00:54:10,680
Speaker 2: When we were significantly more successful than all of our guests.

1036
00:54:10,680 --> 00:54:13,439
Speaker 2: It just became like, Okay, this is like now it's

1037
00:54:13,440 --> 00:54:16,400
Speaker 2: punching down when we do this. Yeah, it was probably

1038
00:54:16,440 --> 00:54:17,520
Speaker 2: episode three or four.

1039
00:54:18,320 --> 00:54:23,240
Speaker 3: It's like khumel right now, uh joking about being strong

1040
00:54:23,600 --> 00:54:24,120
Speaker 3: and ripped.

1041
00:54:24,840 --> 00:54:25,400
Speaker 2: Mm hmmah.

1042
00:54:26,120 --> 00:54:29,840
Speaker 1: And look I'm laughing. I'm afraid he's absolutely gonna pulverize me.

1043
00:54:30,680 --> 00:54:32,719
Speaker 4: Is he like really strong? Because I just like I'm

1044
00:54:32,800 --> 00:54:34,560
Speaker 4: kind of focused on like his comedy and like his

1045
00:54:34,680 --> 00:54:36,600
Speaker 4: screenplay and that was not made for an Oscar, like

1046
00:54:36,600 --> 00:54:38,200
Speaker 4: you know what I mean? Like, so I really notice

1047
00:54:38,239 --> 00:54:39,919
Speaker 4: like what his body looks like or is he strong?

1048
00:54:40,000 --> 00:54:40,840
Speaker 2: Are you focused on that?

1049
00:54:41,920 --> 00:54:42,120
Speaker 4: Yeah?

1050
00:54:42,760 --> 00:54:47,080
Speaker 2: Focused on that? All right? Yeah to IMDb. Pull up

1051
00:54:47,080 --> 00:54:49,319
Speaker 2: your computer, go to IMDb. Check the special check the

1052
00:54:49,320 --> 00:54:54,879
Speaker 2: special thanks on the IMDb for the Oscar nominated film

1053
00:54:55,400 --> 00:54:57,640
Speaker 2: that you are apparently focused on.

1054
00:54:58,400 --> 00:55:00,360
Speaker 4: I can't because my phone's an airplane mode because of

1055
00:55:00,400 --> 00:55:01,520
Speaker 4: your podcast.

1056
00:55:02,640 --> 00:55:08,719
Speaker 2: My news too, But you were just reading from the

1057
00:55:08,760 --> 00:55:10,560
Speaker 2: Wikipedia page for Hollywood Handbook.

1058
00:55:13,880 --> 00:55:18,279
Speaker 3: Oh this is all for memory. This is just I mean,

1059
00:55:18,440 --> 00:55:20,319
Speaker 3: I've been a big fan for a while. So this

1060
00:55:20,480 --> 00:55:25,920
Speaker 3: is just information that I'm synthesizing. Well, the reception section.

1061
00:55:26,320 --> 00:55:27,600
Speaker 2: I'm going to get torched up.

1062
00:55:28,320 --> 00:55:33,319
Speaker 3: Yeah, reception, the reception of your podcasts. And again this

1063
00:55:33,360 --> 00:55:35,920
Speaker 3: is all coming from my head, not from the internet.

1064
00:55:36,719 --> 00:55:40,800
Speaker 3: Is that you guys have received an iHeartRadio Podcast Award

1065
00:55:40,840 --> 00:55:43,280
Speaker 3: nomination from Boom.

1066
00:55:44,200 --> 00:55:50,680
Speaker 1: They added that fast, Well, this has gotten really long.

1067
00:55:50,800 --> 00:55:53,040
Speaker 1: I am sort of what are we are brought to you?

1068
00:55:53,120 --> 00:55:58,520
Speaker 1: Are you done with your part? Joke on us?

1069
00:56:00,080 --> 00:56:02,560
Speaker 2: Laugh about it? You know, I've actually got a cool

1070
00:56:02,600 --> 00:56:06,000
Speaker 2: sense of humor. I don't mind getting getting teased a

1071
00:56:06,040 --> 00:56:10,799
Speaker 2: little bit on my own show. No, it's fine. You know,

1072
00:56:11,000 --> 00:56:14,200
Speaker 2: you wanted to come and give us the business, and honestly,

1073
00:56:14,360 --> 00:56:16,759
Speaker 2: I'm laughing about it. I think it's funny. I get it.

1074
00:56:17,000 --> 00:56:18,520
Speaker 2: This is actually the kind of shit I would do.

1075
00:56:18,719 --> 00:56:22,719
Speaker 2: I respect respect. No, that's dope, that's dope. I think

1076
00:56:22,760 --> 00:56:26,360
Speaker 2: it's cool. Honestly, Doggie, I think it's fresh. I'm okay

1077
00:56:26,360 --> 00:56:29,319
Speaker 2: with it. No, I can laugh even though you you know,

1078
00:56:29,320 --> 00:56:31,640
Speaker 2: you came on our show and we're kind of trying

1079
00:56:31,640 --> 00:56:33,640
Speaker 2: to help you promote your own stuff, and it's like

1080
00:56:33,680 --> 00:56:36,440
Speaker 2: where you're like, you know, using it to kind of

1081
00:56:36,480 --> 00:56:40,239
Speaker 2: like kind of come in point in your Westminster dog

1082
00:56:40,280 --> 00:56:42,759
Speaker 2: show pistol at Us and kind of shooting us with that.

1083
00:56:42,960 --> 00:56:47,640
Speaker 1: But so hard to say, but I think it's.

1084
00:56:47,480 --> 00:56:50,920
Speaker 2: Really funny, and so thanks and thanks for giving me

1085
00:56:50,920 --> 00:56:53,560
Speaker 2: the opportunity to laugh at myself not take myself so

1086
00:56:53,640 --> 00:56:54,840
Speaker 2: seriously on this show?

1087
00:56:56,800 --> 00:56:59,719
Speaker 6: Do you end Lecture Hall by saying class dismissed?

1088
00:57:00,719 --> 00:57:01,720
Speaker 3: No, but we should?

1089
00:57:02,120 --> 00:57:03,920
Speaker 4: We just say should should we turn it off? And

1090
00:57:03,920 --> 00:57:05,759
Speaker 4: then someone else goes, yeah, but.

1091
00:57:05,840 --> 00:57:06,720
Speaker 2: Turn what off?

1092
00:57:07,960 --> 00:57:09,320
Speaker 1: You don't record anything?

1093
00:57:10,000 --> 00:57:14,040
Speaker 2: And her ears apparently record the zoom their computers. Yeah,

1094
00:57:14,320 --> 00:57:16,120
Speaker 2: do you just turn your computers off?

1095
00:57:16,600 --> 00:57:19,240
Speaker 3: Yeah, we turn off the computers and then we go

1096
00:57:19,280 --> 00:57:24,480
Speaker 3: to bed. How do you guys do it? How do

1097
00:57:24,520 --> 00:57:27,400
Speaker 3: you guys end your show? You do not go to sleep?

1098
00:57:27,440 --> 00:57:31,840
Speaker 1: After what's Your You're gonna find out about one second.

1099
00:57:32,320 --> 00:57:34,360
Speaker 1: Just sit tight because you're about to fight out.

1100
00:57:34,680 --> 00:57:36,439
Speaker 2: You'll see exactly how we end our show.

1101
00:57:37,080 --> 00:57:39,160
Speaker 1: What's Your? What's your Patreon called?

1102
00:57:39,600 --> 00:57:40,920
Speaker 3: It's called Lecture Hall.

1103
00:57:41,120 --> 00:57:43,240
Speaker 1: And people have the opportunity to pay fifty dollars a

1104
00:57:43,320 --> 00:57:45,040
Speaker 1: month for it if they want to correct.

1105
00:57:45,720 --> 00:57:48,480
Speaker 4: Yeah, and a couple a couple freaks do. Also there's

1106
00:57:48,520 --> 00:57:51,120
Speaker 4: another lecture Hall podcast on iTunes. That's some guys in

1107
00:57:51,240 --> 00:57:53,600
Speaker 4: some sort of college and they talk about sports. That's

1108
00:57:53,640 --> 00:57:55,400
Speaker 4: not us, that's not us.

1109
00:57:55,520 --> 00:57:58,160
Speaker 2: You're not You're like, you're not in college at all.

1110
00:57:59,000 --> 00:58:03,040
Speaker 3: No, not at all. God, we can be further from it.

1111
00:58:07,040 --> 00:58:12,000
Speaker 1: Bye, Whollywood Hamdog.

1112
00:58:12,360 --> 00:58:15,480
Speaker 6: This week on the Patreon, the Boys improved their ad reads,

1113
00:58:15,600 --> 00:58:19,160
Speaker 6: Carl and Asan discuss parking tickets, and The Flagrant Ones

1114
00:58:19,360 --> 00:58:23,360
Speaker 6: are talking all things basketball. Listen to episodes five days

1115
00:58:23,400 --> 00:58:27,240
Speaker 6: a week at patreon dot com Slash the Flager Ones. Plus,

1116
00:58:27,560 --> 00:58:31,160
Speaker 6: there's new Hollywood Handbook shirts out today. Check out the

1117
00:58:31,200 --> 00:58:35,080
Speaker 6: new merch at t public dot com, slash user, Slash

1118
00:58:35,200 --> 00:58:38,240
Speaker 6: the Flagrant Ones, Whollywood Hambook