WEBVTT - Episode 129 w/ Kid 'N Play

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<v Speaker 1>And it's Drink Chas motherfucking Podcast. Mason, He's a legendary

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<v Speaker 1>queen's rapper, He's Segre's your boy in O R E

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<v Speaker 1>He's a Miami hip hop pioneer. What Up is d

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<v Speaker 1>j e FN? Together they drinking up with some of

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<v Speaker 1>the biggest players in the most professional unprofessional podcast and

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<v Speaker 1>your number one sorts for drunk fact drink has motherfucking

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<v Speaker 1>Every day is New Year's e. That's it's time for

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<v Speaker 1>Drink Champs. Drink up, mother mother? What did you do

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<v Speaker 1>to be hopefully this ship be? This is your boy

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<v Speaker 1>in O R What Up is dj e FN? And

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<v Speaker 1>this is Drink Chas Podcast? Make Up Now now one

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<v Speaker 1>with me and my partner to the left of me,

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<v Speaker 1>DyF And we started this podcast we wanted to say

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<v Speaker 1>that we wanted to salute the legends. There's so many

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<v Speaker 1>people that after you have ten years, you have you know,

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<v Speaker 1>fifteen years, you know, twenty years in this game, people

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<v Speaker 1>want to ride you off and people want to tell

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<v Speaker 1>you you know, you ain't you, you're old and all that.

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<v Speaker 1>But that's not what we do here. We do heres.

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<v Speaker 1>We want to respect all legends. We want to let

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<v Speaker 1>these people know we want to get them their flowers

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<v Speaker 1>where they can smell them. They treat where they can't

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<v Speaker 1>help them. They thought us where they can think them,

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<v Speaker 1>and they drink what they can drink them. And today

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<v Speaker 1>we have people who I felt like they literally raised

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<v Speaker 1>me from being from Queen's I've made from down the

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<v Speaker 1>blocking point um from where they from Elmhurst, being b

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<v Speaker 1>from Left Franck City. I'm just so honored. I'm went

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<v Speaker 1>and I've watched House Party again and I just went

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<v Speaker 1>and just did because you know what, and I forgot

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<v Speaker 1>how much of a fan like I'm starstruck right now

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<v Speaker 1>to tell you. And so I would like to welcome

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<v Speaker 1>to the build the kid. And that's the craziest thing

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<v Speaker 1>about your stories. I a little, so I a little.

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<v Speaker 1>By the way, here's the craziest thinking about your story

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<v Speaker 1>is play You were a wild guy back there, go ahead,

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<v Speaker 1>that's what That's what they say. They say you were

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<v Speaker 1>looked up that hat Patty Mason, Like those were my heroes. Man,

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<v Speaker 1>I was no head. You know what I'm saying. We

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<v Speaker 1>didn't have the kind of heroes a lot of cats

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<v Speaker 1>have today. You know, there was no rap stars. And

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<v Speaker 1>for my upbringing, you know, my father being out there

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<v Speaker 1>and the black exploitation films and all that. I thought

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<v Speaker 1>that's all it was for us, you know, so that

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<v Speaker 1>when we're seeing these ghetto celebrity stars like you know

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<v Speaker 1>what I'm saying, the Benzes and BMW's and all that

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<v Speaker 1>good stuff, I thought that's all it was for me.

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<v Speaker 1>Because when Cats was in the school, you know, the

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<v Speaker 1>fireman and the president of the bank coming talking about

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<v Speaker 1>how to be successful, I didn't know about what the

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<v Speaker 1>heck they was about. Talking to me about roaches and

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<v Speaker 1>the house, even about no heat. You know, I'm not

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<v Speaker 1>seeing the mark four, Continental, mark fowards and all of that.

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<v Speaker 1>So I was stupid man to God be the well

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<v Speaker 1>we well, we're here. I dragged him out, so kid,

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<v Speaker 1>because I don't know, I'll follow what you do. And

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<v Speaker 1>I know you got a close relationship with Bill Moore. Yes,

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<v Speaker 1>Bill Moore, who was a person idolized people with h

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<v Speaker 1>Bill Bill Moore. I don't know if I say the

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<v Speaker 1>name right always, So Bill Moore, we s probation right now. Yeah,

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<v Speaker 1>he said what he said. I told him, I said,

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<v Speaker 1>you say nigga one more time? Are you gonna be

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<v Speaker 1>able to shade you get one more game. Well, how

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<v Speaker 1>did you do you speak to him since then? Oh? Yeah, yeah,

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<v Speaker 1>if we got dinner, like a few weeks back, the

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<v Speaker 1>Bill tells me, when I'm not around, he's playing with

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<v Speaker 1>kid and play. Well, yeah, well you celebrated his run

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<v Speaker 1>to his binger. It's a couple of years back. He's like,

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<v Speaker 1>I'm the play when you're not a married yea, yeah, yeah,

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<v Speaker 1>you're right, chimp. No, no, yeah, he's been he's been

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<v Speaker 1>a close friend since like since like the mid nineties. Uh.

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<v Speaker 1>And you know, did you do his original shows we

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<v Speaker 1>are politically correct? I probably did that about twenty times.

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<v Speaker 1>And I think I was on the finale episode as well. Uh.

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<v Speaker 1>Then you know, he got into that trouble with you know,

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<v Speaker 1>back in the you know, Iraq War days and stuff

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<v Speaker 1>like that, you know, not eleven Chip. And then he

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<v Speaker 1>came back again on HBO and I actually did the

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<v Speaker 1>Couple of Buddies and mine did the theme music for

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<v Speaker 1>you know I know that. Yeah, yeah, they switched it

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<v Speaker 1>up last year for some reason. I don't know. It

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<v Speaker 1>wasn't broken, but you know, but you know, he's been

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<v Speaker 1>good to me and and you know, he's one of

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<v Speaker 1>those guys that over the years, he's kind of taught

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<v Speaker 1>me a lot. He's probably one of the smartest and

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<v Speaker 1>not the smartest dude that I know. So I think

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<v Speaker 1>we've we've had a positive kind of impact. I've tried

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<v Speaker 1>to have him enjoy his successful Like honestly, I don't

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<v Speaker 1>know politics to his show, because like I just I'll

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<v Speaker 1>just like the smoke weed. I just look at it

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<v Speaker 1>show like you we smoke pounds. So let me ask

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<v Speaker 1>you a question, because you guys career, like when I

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<v Speaker 1>went and I you know, I went and looked at

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<v Speaker 1>you guys, you were like one of the first transitions,

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<v Speaker 1>like meaning you guys had an album, oh in the

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<v Speaker 1>movie just you just started a movie right after that.

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<v Speaker 1>You know what's so funny. The only thing I ever

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<v Speaker 1>wanted was a single for the women. That's all I done.

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<v Speaker 1>That's just get us. We're good. I was good already,

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<v Speaker 1>but that was gonna be like yo, you know what

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<v Speaker 1>I'm saying. I never, in my wild of dreams would

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<v Speaker 1>be a full album using videos, movies, cartoon series, Marvel

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<v Speaker 1>comic strip At one time, it was small. What was it? Love?

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<v Speaker 1>Mattel was talking about the toys at one time. For

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<v Speaker 1>you know what I'm saying the Saturday Morning Cartoons joint, right,

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<v Speaker 1>How I didn't make that transition all. What people don't

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<v Speaker 1>know is Reggie Hudland, who wrote and directed the original

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<v Speaker 1>House Party, was a video director back in the days,

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<v Speaker 1>and he used to chase meet and particularly to chase

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<v Speaker 1>me down in clubs because he wanted to shoot. I'm

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<v Speaker 1>using video on us. But we had we had a

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<v Speaker 1>guy at that time, so we were we were cool.

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<v Speaker 1>Then one time you stepped to me was like, yo,

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<v Speaker 1>excuse me, I got a movie script for y'all. He

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<v Speaker 1>was like, so back then it was in our crew

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<v Speaker 1>like me play and the Herbie love Bug producer. It

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<v Speaker 1>was it was kind of like my job to read

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<v Speaker 1>stuff because because I couldn't out of Green English literature,

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<v Speaker 1>you know. So they we got the script and I

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<v Speaker 1>remember reading it and I remember coming back and telling

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<v Speaker 1>playing Herbie. I said, you know what, it's like seventy

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<v Speaker 1>percent there, Like the structure was really strong, the characters

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<v Speaker 1>were fleshed out. It just riginal script and it was

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<v Speaker 1>ridden for you guys because Jeff that now Reggie and

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<v Speaker 1>then wanted us to do because they was familiar with

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<v Speaker 1>our videos and stuff. They felt it was a good

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<v Speaker 1>fit New Line Cinema, Will Smith and Jazzy Jeff because

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<v Speaker 1>they felt it was a better bad for their to

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<v Speaker 1>edge their bets. But at the time they were suing

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<v Speaker 1>Will and Jeff, Mike Knight, Me on My Street and

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<v Speaker 1>Jeff and them was like, what are you crazy? Wants

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<v Speaker 1>to do a movie and you're seeing us, So they

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<v Speaker 1>weren't with it, but Reggie and Warrenton always wanted us

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<v Speaker 1>to do already. Originally the conceptually they were always thinking about. Yeah,

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<v Speaker 1>I mean it was kind of based on childhood friends.

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<v Speaker 1>And I think even with Groovy chilling all of them,

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<v Speaker 1>I think they had a place in it as well.

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<v Speaker 1>So I was got that line before. Force kept saying

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<v Speaker 1>that this, so I really joined. I felt like it

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<v Speaker 1>was seventy percent there. But but and I thought we

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<v Speaker 1>could bring it the rest of the way, like we

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<v Speaker 1>could hip hop legitimize it, and and so you know,

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<v Speaker 1>I urged the you know, our girls, the guys that

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<v Speaker 1>that want to do it right. So but that's what happened.

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<v Speaker 1>To his credit, Reggie Huglin, let us do basically what

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<v Speaker 1>we wanted to. He was he was saying stuff like, look,

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<v Speaker 1>here's the structure, here's the format. Now, if there's a

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<v Speaker 1>better way to say it to get to where we

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<v Speaker 1>gotta get to, if there's a more hip hop and

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<v Speaker 1>a legitimate way to say it, do it that way.

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<v Speaker 1>So he allowed us to do that, and in particular,

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<v Speaker 1>full force all that stuff that full force did they

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<v Speaker 1>plade all that stuff, all that I smell, I smell

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<v Speaker 1>that kick, all that they made up, they all of

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<v Speaker 1>that stuff. And that's one of the great things that

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<v Speaker 1>we liked about Reggie because he let us do our thing. Now,

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<v Speaker 1>if it came to something really really crucial that he

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<v Speaker 1>thought was crucial to the to the scene or something

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<v Speaker 1>like that, maybe even you know, he would he would

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<v Speaker 1>hold a forward on that. But for the most part,

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<v Speaker 1>you know, he kind of let us do our thing

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<v Speaker 1>and let you know, lift the hip hop come out.

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<v Speaker 1>And the truth be told, I didn't want to do

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<v Speaker 1>the movie because at the time we was making crazy

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<v Speaker 1>money with the music and I felt and you would

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<v Speaker 1>think apartment but at that time when people would do

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<v Speaker 1>commercial days of movies, they would say that they great

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<v Speaker 1>commercial or something that was about reason. At the time,

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<v Speaker 1>I felt we were making great money. I'm looking at

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<v Speaker 1>the history of hip hop in movies because while style

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<v Speaker 1>and we can't forget tougher than leather, you know what

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<v Speaker 1>I'm saying, we can't forget to So I'm like it

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<v Speaker 1>Running Sea can't pull off of a movie who they

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<v Speaker 1>had everything we are, you know what. I'm trying to

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<v Speaker 1>be the business minded one. But we had this rule

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<v Speaker 1>among its called majority rules, and herbiean kid outvoted me.

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<v Speaker 1>It's the best, the best. You know how many we

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<v Speaker 1>wasn't were on us? Just one? Yeah, it's too high.

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<v Speaker 1>When we did Funhouse, that was us building off the

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<v Speaker 1>popular that's what we call it. Because the legal reasons,

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<v Speaker 1>we couldn't call it house party, so that's why we

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<v Speaker 1>call it. So it couldn't be the legitimate soundtrack of No,

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<v Speaker 1>we didn't joints on the soundtrack too cold joints for

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<v Speaker 1>the sound track two we actually they were like competing

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<v Speaker 1>against one another at the time. So yeah, but look

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<v Speaker 1>how long your career, your career you had up a

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<v Speaker 1>one holum it goes the way that's make that that's career.

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<v Speaker 1>That's a career like most people. And just to think

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<v Speaker 1>about it nowadays, nowadays music is so disposable. What's what's

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<v Speaker 1>a hit? Record today will not be a hit record

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<v Speaker 1>by the summertime. Remember remember you used to have a

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<v Speaker 1>hit record, your records to be a hit record at

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<v Speaker 1>least for a year or two. Now you have a

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<v Speaker 1>hit record and you do a music video months. Now

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<v Speaker 1>you have to do a music video every week. Well,

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<v Speaker 1>I will say this to to something to think that

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<v Speaker 1>the artist of today kind of kind of you know,

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<v Speaker 1>they obviously have a different outlook on it. Um. You know,

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<v Speaker 1>you know, the mentality back then was like make the

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<v Speaker 1>joint tour, take some time off and then running back. Nowadays,

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<v Speaker 1>like you said, maybe because of the music is so disposable.

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<v Speaker 1>These guys just started hitting and hitting and hitting. You know,

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<v Speaker 1>guys like Jay started doing. They were just like a

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<v Speaker 1>little as long as we're doing hot joints, let's don't

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<v Speaker 1>let's don't give him a chance to forget about us,

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<v Speaker 1>you know what I'm saying, Will, Yeah, there's a lot

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<v Speaker 1>about about the new era of rappers, Uh, the way

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<v Speaker 1>they approach it that I like, you know what I'm saying.

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<v Speaker 1>For instance, I would like to hit Yeah. Well, I mean,

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<v Speaker 1>look I listened to so much new rap. I mean,

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<v Speaker 1>you know, I mean how you call him a young dug.

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<v Speaker 1>He was like, here's the permision. He was back, Yeah,

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<v Speaker 1>I want to hit it sheets, shotty sheets, you know

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<v Speaker 1>what I mean. I listened to it. I listened to

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<v Speaker 1>a lot of cats. I mean obviously you listened to

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<v Speaker 1>the big ones. You know, we love we love the Drakes,

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<v Speaker 1>and we love the logics, and we love the Jake

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<v Speaker 1>Holes and we love Kendricks. Yeah yeah, yeah, and and

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<v Speaker 1>a lot of you know, underground casting underground, you know,

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<v Speaker 1>send me stuff all the time. Wait moved him. That's

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<v Speaker 1>the way, real quick, it's yours. So people so waiting,

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<v Speaker 1>so a young artist, they kind of hit me up

0:11:39.040 --> 0:11:41.360
<v Speaker 1>all the time. And and they say, Yo, man, you

0:11:41.520 --> 0:11:43.160
<v Speaker 1>want seeing you this joint? Man, Maybe you wudn't play,

0:11:43.200 --> 0:11:44.720
<v Speaker 1>Maybe you want to jump on them. Maybe you play

0:11:45.240 --> 0:11:48.839
<v Speaker 1>up another story. May tell that story, man, maybe you

0:11:48.840 --> 0:11:50.480
<v Speaker 1>would play. Want to jump on the Jorge? I said, Yo,

0:11:50.480 --> 0:11:51.679
<v Speaker 1>may send send me to join. You know. You know

0:11:51.679 --> 0:11:53.599
<v Speaker 1>what I'm saying. I'll keep it out. So people that

0:11:53.800 --> 0:11:55.920
<v Speaker 1>got computer and listening to the joint, man, you know,

0:11:55.960 --> 0:11:57.400
<v Speaker 1>the beat is kind of rocking, man, he said. You know,

0:11:57.679 --> 0:12:00.400
<v Speaker 1>me and my man, we couldn't joint. Dedicated to y'all, guys,

0:12:00.720 --> 0:12:03.960
<v Speaker 1>you do rhyming or whatever. Didn't think you get to

0:12:03.960 --> 0:12:09.640
<v Speaker 1>the hook. He goes undertam undertown every day. Don't care

0:12:09.679 --> 0:12:14.079
<v Speaker 1>what you say. I ain't just the day we tag

0:12:14.160 --> 0:12:25.560
<v Speaker 1>team bitches. That's that kids, I said this this one.

0:12:25.640 --> 0:12:31.600
<v Speaker 1>He didn't playing me. I think you just threw that

0:12:31.640 --> 0:12:36.040
<v Speaker 1>record right now. I said, first of all, ain't no

0:12:36.160 --> 0:12:39.560
<v Speaker 1>way to play getting on this. That's a non start up.

0:12:41.080 --> 0:12:43.000
<v Speaker 1>And I said, that's just even too raw for me.

0:12:43.120 --> 0:12:48.280
<v Speaker 1>Manage did not did you guys? Do you guys know

0:12:49.160 --> 0:12:52.760
<v Speaker 1>like how famous that dances like we gotta do it.

0:12:52.800 --> 0:12:55.719
<v Speaker 1>In about an hour, I heard y'all say that that's

0:12:55.840 --> 0:12:59.960
<v Speaker 1>that beat in your contract for real. Well, he show

0:13:01.320 --> 0:13:03.440
<v Speaker 1>people tell if we don't do it, there might be

0:13:03.520 --> 0:13:09.160
<v Speaker 1>a mutiny. You know. It's so funny because I was thinking,

0:13:09.200 --> 0:13:11.120
<v Speaker 1>I said, you know, you look at Do Do the

0:13:11.200 --> 0:13:14.400
<v Speaker 1>Douggie and all these dances coming out, And I got

0:13:14.400 --> 0:13:16.760
<v Speaker 1>to confess, especially I was with Douggie last night and

0:13:16.840 --> 0:13:19.120
<v Speaker 1>he killed the crowd with that. But I remember when

0:13:19.120 --> 0:13:21.400
<v Speaker 1>the records record came out and the the dance became popular,

0:13:21.480 --> 0:13:22.719
<v Speaker 1>like oh this is the end of the kid and

0:13:22.800 --> 0:13:25.319
<v Speaker 1>play kickstep. This is going on replace it, But we're

0:13:25.360 --> 0:13:28.800
<v Speaker 1>still good. Like, and I'm like, what makes the record,

0:13:29.080 --> 0:13:32.720
<v Speaker 1>what makes this dance last this long? And it finally

0:13:32.800 --> 0:13:35.319
<v Speaker 1>hit me it's the only dance out there took two

0:13:35.400 --> 0:13:39.439
<v Speaker 1>people exactly. When you want to celebrate something, you need,

0:13:38.679 --> 0:13:42.520
<v Speaker 1>you need, you whatever, this is the dance you do

0:13:42.679 --> 0:13:44.640
<v Speaker 1>and many people to people send the videos and you

0:13:44.720 --> 0:13:48.000
<v Speaker 1>see the videos everybody doing kid and play dude, do

0:13:48.120 --> 0:13:50.000
<v Speaker 1>hit the strike at the bowling now and the kid

0:13:50.160 --> 0:13:53.839
<v Speaker 1>play the two change wanted to do? Yeah, still got

0:13:53.960 --> 0:13:59.120
<v Speaker 1>Ron James lay with two change one name, you know. Yeah,

0:13:59.200 --> 0:14:06.280
<v Speaker 1>the people just roll. That's yeah, you're just kicking me

0:14:06.320 --> 0:14:09.280
<v Speaker 1>on my legs. Has one second. Let me interrupt for

0:14:09.320 --> 0:14:13.160
<v Speaker 1>a quick Drink Champs message. Did you know that every

0:14:13.160 --> 0:14:15.440
<v Speaker 1>single episode of Drink Champs and I'm talking to you,

0:14:15.520 --> 0:14:19.200
<v Speaker 1>Drink Champs Army, every single episode of Drink Champs is

0:14:19.240 --> 0:14:22.280
<v Speaker 1>now on Spotify. That's right. The same app that has

0:14:22.320 --> 0:14:26.720
<v Speaker 1>millions of songs now also has thousands of podcasts. You

0:14:26.720 --> 0:14:29.120
<v Speaker 1>don't really need to listen to all those podcasts, but

0:14:29.160 --> 0:14:31.840
<v Speaker 1>they're on Spotify. You can listen to all your favorite

0:14:31.840 --> 0:14:35.880
<v Speaker 1>shows and discover new ones. Like I said, just don't

0:14:35.920 --> 0:14:38.280
<v Speaker 1>go too deep. Just stick with the Drink Champs and

0:14:38.320 --> 0:14:40.280
<v Speaker 1>we got you covered. But of course you know we

0:14:40.360 --> 0:14:42.600
<v Speaker 1>got friends in affiliate to you could check out to

0:14:42.680 --> 0:14:46.800
<v Speaker 1>subscribe to our show. Search for Drink Champs, tap follow

0:14:47.160 --> 0:14:50.040
<v Speaker 1>and get every new episode delivered to you while you're

0:14:50.080 --> 0:14:52.480
<v Speaker 1>on Spotify, you know, don't forget to check out nor

0:14:52.600 --> 0:14:55.280
<v Speaker 1>He's page and all his music on there, and also

0:14:55.400 --> 0:14:58.880
<v Speaker 1>myself d J E. F follow us on Spotify as well.

0:14:59.440 --> 0:15:03.720
<v Speaker 1>But check out Drink Champs the podcast on Spotify. They're

0:15:03.720 --> 0:15:09.360
<v Speaker 1>streaming it right now, so don't Waitaha, bing Bone, how

0:15:09.600 --> 0:15:11.880
<v Speaker 1>is it? Because so you guys, tetually came out of

0:15:11.880 --> 0:15:15.600
<v Speaker 1>eighty eight the first came but our first single, last Night,

0:15:15.720 --> 0:15:22.440
<v Speaker 1>came out and even changed it first whatever in the game.

0:15:22.520 --> 0:15:25.480
<v Speaker 1>How many years is that? Eight seven, that's almost that's

0:15:25.520 --> 0:15:32.960
<v Speaker 1>thirty one, thirty years. Let's make some mud. He called

0:15:33.080 --> 0:15:40.680
<v Speaker 1>years flavorless. Now you guys are on tour with Donna

0:15:40.680 --> 0:15:43.320
<v Speaker 1>Show with Smokey Robinson. You've never had a reason to

0:15:43.360 --> 0:15:45.440
<v Speaker 1>be in the room with smoke with Robinson. Let you

0:15:45.440 --> 0:15:50.560
<v Speaker 1>know how up my life is actually, but we've done that.

0:15:50.800 --> 0:15:53.600
<v Speaker 1>You don't know, you know smoke actually I don't even

0:15:53.640 --> 0:15:55.360
<v Speaker 1>let him through. Welson Day and the Path who were

0:15:55.440 --> 0:15:58.800
<v Speaker 1>used to our films. But that's the thing, and I

0:15:58.840 --> 0:16:01.080
<v Speaker 1>guess it's it's a blessed them because we've been kind

0:16:01.080 --> 0:16:03.840
<v Speaker 1>of one of those hip hop groups that you can

0:16:03.880 --> 0:16:06.080
<v Speaker 1>we can we can go on the all rap line up,

0:16:06.360 --> 0:16:08.840
<v Speaker 1>but we also you can throw us on R and

0:16:08.880 --> 0:16:10.840
<v Speaker 1>B dudes like you know, we did a show in

0:16:10.880 --> 0:16:15.400
<v Speaker 1>Atlanta last year with Ron Eisley Keeps You Up and

0:16:15.440 --> 0:16:17.560
<v Speaker 1>Ever in Champagne King and we were only rappers on

0:16:17.640 --> 0:16:19.000
<v Speaker 1>so that that's happened a lot over the years that

0:16:19.000 --> 0:16:39.240
<v Speaker 1>we were all y'all. Y'all can remix it be no ray, Yeah,

0:16:41.080 --> 0:16:43.400
<v Speaker 1>but you know how powerful to crossover pillings. I'll never

0:16:43.440 --> 0:16:45.480
<v Speaker 1>forget when I was a Sunset Bullovard one time it

0:16:45.600 --> 0:16:48.440
<v Speaker 1>was a restaurant and the one and the only line

0:16:48.480 --> 0:16:50.600
<v Speaker 1>up Richie and I had to roll up on him

0:16:50.600 --> 0:16:56.120
<v Speaker 1>and this guy I don't run queens. Richie wouldn't even

0:16:56.200 --> 0:16:58.920
<v Speaker 1>let me talk because he knew about us and just

0:16:59.120 --> 0:17:04.200
<v Speaker 1>running us with the Jackson same thing. You don't get away.

0:17:05.080 --> 0:17:08.560
<v Speaker 1>Can just say that at the time you see you

0:17:08.680 --> 0:17:15.240
<v Speaker 1>saying something said Jackson, you know those guys we're not

0:17:15.400 --> 0:17:17.440
<v Speaker 1>giving people they do We fans too, you know what

0:17:17.480 --> 0:17:20.480
<v Speaker 1>I'm saying. I mean, Yo, Luther vander All and we've

0:17:20.480 --> 0:17:22.520
<v Speaker 1>had the honor. But when you go up and you're

0:17:22.520 --> 0:17:24.760
<v Speaker 1>trying to tell them how much you admire their work,

0:17:25.000 --> 0:17:27.199
<v Speaker 1>and they're cutting you off because they're telling how much

0:17:27.240 --> 0:17:32.119
<v Speaker 1>they've enjoyed your work, it's like surreal, Richie. I just

0:17:32.240 --> 0:17:37.840
<v Speaker 1>roll up on him and said, somebody, yeah you know,

0:17:37.920 --> 0:17:39.720
<v Speaker 1>but that's but you know what it is. Yeah, you know,

0:17:39.760 --> 0:17:42.440
<v Speaker 1>y'll come across people. You have no idea who is

0:17:42.480 --> 0:17:44.920
<v Speaker 1>a fan of yours. But but players, right, we we

0:17:45.040 --> 0:17:48.119
<v Speaker 1>usually come out first with you know, with the with

0:17:48.200 --> 0:17:50.120
<v Speaker 1>the that just rolled up on pieces of a dream

0:17:50.200 --> 0:17:54.320
<v Speaker 1>Man ran down, you know, we groove for my phone

0:17:54.359 --> 0:17:57.560
<v Speaker 1>and they're like shock, like yo were music lovers man

0:17:58.200 --> 0:18:01.880
<v Speaker 1>winning five Old day. He's really I'm old. So what's

0:18:01.920 --> 0:18:03.959
<v Speaker 1>the best what's the best error in hip hop? To you?

0:18:04.480 --> 0:18:08.560
<v Speaker 1>Every we came out him for me? Late eighties? Wait,

0:18:08.600 --> 0:18:11.600
<v Speaker 1>so you don't go eight eight to uh, you don't

0:18:11.600 --> 0:18:13.600
<v Speaker 1>go ten years, you just you just went eight eight

0:18:13.640 --> 0:18:17.800
<v Speaker 1>to ninety two. Then if you if you look at

0:18:17.840 --> 0:18:20.639
<v Speaker 1>the groups that came out at that time, you know

0:18:20.680 --> 0:18:24.160
<v Speaker 1>what I'm saying, And that's like and that's like, that's

0:18:24.240 --> 0:18:28.679
<v Speaker 1>that's primarily East coast, but towards the end, yeah, when

0:18:28.680 --> 0:18:30.720
<v Speaker 1>the what comes popping off? So I kind of I

0:18:30.760 --> 0:18:33.400
<v Speaker 1>kind of circle that. It's a question I always needed

0:18:33.440 --> 0:18:36.440
<v Speaker 1>to know. Was Kane talking about y'all when he said,

0:18:36.440 --> 0:18:40.560
<v Speaker 1>who's flat top rules and eighty nine? I don't and

0:18:40.600 --> 0:18:42.800
<v Speaker 1>I are great friends. Let's never come up. I've never

0:18:42.800 --> 0:18:44.879
<v Speaker 1>even thought about. But I know what you're saying. I

0:18:44.880 --> 0:18:48.200
<v Speaker 1>don't like because because you know, you heard the room

0:18:48.440 --> 0:18:52.399
<v Speaker 1>yea yeah. But when we ask him, you know, but

0:18:52.440 --> 0:18:57.760
<v Speaker 1>this is this is the thing when when somebody like

0:18:58.359 --> 0:19:04.840
<v Speaker 1>he's talking about said he you know. But but the

0:19:04.840 --> 0:19:06.959
<v Speaker 1>thing with k is and this is what we always

0:19:06.960 --> 0:19:09.280
<v Speaker 1>I always liked it in mind about him was Kane

0:19:09.280 --> 0:19:13.400
<v Speaker 1>always appreciated the thrill of the competition, like it wasn't

0:19:13.400 --> 0:19:15.199
<v Speaker 1>no deef but it's just like, yo, you know, it's

0:19:15.200 --> 0:19:17.040
<v Speaker 1>almost like the steel shop and steel Man. You know

0:19:17.080 --> 0:19:19.720
<v Speaker 1>what I'm saying, you want to do? I want to do?

0:19:19.960 --> 0:19:23.080
<v Speaker 1>And his his his hit top was was a work

0:19:23.080 --> 0:19:24.920
<v Speaker 1>of art. You know what I'm saying. And I think

0:19:25.000 --> 0:19:27.080
<v Speaker 1>you know, if that was anything was a friendly competition.

0:19:27.080 --> 0:19:29.040
<v Speaker 1>You know mine is probably longer, but his was his

0:19:29.200 --> 0:19:33.080
<v Speaker 1>was like cloud Cloud three three cussing eyebrow turning a

0:19:33.080 --> 0:19:36.959
<v Speaker 1>while out that arrows was great. But let me ask

0:19:37.000 --> 0:19:39.119
<v Speaker 1>you something because since we brought it up being at

0:19:39.119 --> 0:19:41.280
<v Speaker 1>the West Coast sted Rising around the time you guys

0:19:41.280 --> 0:19:43.359
<v Speaker 1>are bubbling, and I remember as a fan, I'm listening

0:19:43.359 --> 0:19:45.320
<v Speaker 1>I got Kid and playing on the mixtape and I'm

0:19:45.320 --> 0:19:48.440
<v Speaker 1>starting I got n w A Easy, we got a story.

0:19:48.480 --> 0:19:50.679
<v Speaker 1>So I'm wondering, like, yeah, like how was that because

0:19:51.200 --> 0:19:53.439
<v Speaker 1>for me was speaking about the errors. That was the

0:19:53.440 --> 0:19:57.000
<v Speaker 1>first that some other they talked about in straight out

0:19:57.000 --> 0:20:03.200
<v Speaker 1>of that don't want to tell you that stories too

0:20:06.080 --> 0:20:09.760
<v Speaker 1>in the book, but no in w A Man. Interesting

0:20:09.800 --> 0:20:13.800
<v Speaker 1>thing was I remember being introduced to their music in

0:20:13.960 --> 0:20:15.960
<v Speaker 1>l A and I could at the time, I could

0:20:15.960 --> 0:20:17.600
<v Speaker 1>curse with the best of them. When I heard that,

0:20:17.680 --> 0:20:21.080
<v Speaker 1>I was like, yo, and I'll never forget when we

0:20:21.359 --> 0:20:25.080
<v Speaker 1>have been on every Public Enemy tour like that was

0:20:25.119 --> 0:20:28.800
<v Speaker 1>the best. Always wanted us on his tours. And we

0:20:28.880 --> 0:20:31.919
<v Speaker 1>had just finished this night and I'm one out, I'm tired,

0:20:32.600 --> 0:20:34.760
<v Speaker 1>and they come to me with the pitch for the

0:20:34.800 --> 0:20:36.480
<v Speaker 1>next tour and they got n w A on and

0:20:36.520 --> 0:20:38.760
<v Speaker 1>I'm like, na, man, I mean that that's just already

0:20:38.800 --> 0:20:44.080
<v Speaker 1>heard the music. Yeah, there's been much easy. But I

0:20:44.160 --> 0:20:46.680
<v Speaker 1>got the start. When I came down from the after party,

0:20:46.680 --> 0:20:48.880
<v Speaker 1>we ready getting into some women the whole night like that.

0:20:49.200 --> 0:20:52.600
<v Speaker 1>I wanted my famous peinter Colada Virgin Peter Colatta, but

0:20:52.640 --> 0:20:54.760
<v Speaker 1>the boss shut down. I felt I could use my name, like,

0:20:54.800 --> 0:20:56.280
<v Speaker 1>oh man, He's like, I don't care well know who

0:20:56.320 --> 0:20:58.359
<v Speaker 1>you are. You ain't getting no Peanut colatda. So the

0:20:58.400 --> 0:21:00.240
<v Speaker 1>promoter comes and says, yo, I got to stay. I said,

0:21:00.240 --> 0:21:02.440
<v Speaker 1>I'm not doing this thing. I said, you know what,

0:21:02.680 --> 0:21:04.600
<v Speaker 1>let me be fair. If you get me a Peter Coloido,

0:21:04.720 --> 0:21:06.480
<v Speaker 1>I'll do the tour. Because I thought that the ball

0:21:06.560 --> 0:21:10.639
<v Speaker 1>was shut. Darl Brooks G Street Productions comes over with

0:21:10.840 --> 0:21:13.680
<v Speaker 1>to Peter Colloidas and a half of Peter Coloida and

0:21:13.720 --> 0:21:15.679
<v Speaker 1>I had to keep my word and we ended up

0:21:15.680 --> 0:21:17.679
<v Speaker 1>doing the tour. But the reason why they needed us

0:21:17.720 --> 0:21:19.359
<v Speaker 1>to be about the reason why they I wanted to

0:21:19.440 --> 0:21:21.440
<v Speaker 1>keep my word, the reason why they needed us on yourself.

0:21:22.520 --> 0:21:26.879
<v Speaker 1>Yeah that's for Yeah, because with Public Enemy and m

0:21:27.080 --> 0:21:28.960
<v Speaker 1>w A on the same tour, they thought it was

0:21:28.960 --> 0:21:34.480
<v Speaker 1>gonna be crazy about. So that's why we ended up

0:21:34.520 --> 0:21:37.360
<v Speaker 1>being a part of that history. And we had fun

0:21:37.400 --> 0:21:40.320
<v Speaker 1>with the guys. A lot of and that this is

0:21:40.359 --> 0:21:42.320
<v Speaker 1>the thing you know a lot of times you're you're

0:21:42.359 --> 0:21:45.160
<v Speaker 1>wearing or you know, because you don't know, you don't

0:21:45.240 --> 0:21:47.359
<v Speaker 1>know people you know. We didn't know too Short, we

0:21:47.400 --> 0:21:49.040
<v Speaker 1>didn't know Easy, and then we didn't know Jake, we

0:21:49.040 --> 0:21:51.320
<v Speaker 1>didn't know Q, we didn't know Yellow and once we

0:21:51.359 --> 0:21:54.280
<v Speaker 1>got together. First of all, I made the mistake and

0:21:54.320 --> 0:21:56.560
<v Speaker 1>thought it was two different audiences. I think the people

0:21:56.600 --> 0:21:59.719
<v Speaker 1>that listen the kid who play couldn't possibly listen. Why

0:21:59.760 --> 0:22:02.280
<v Speaker 1>would say that to it? But I was I was

0:22:02.320 --> 0:22:05.000
<v Speaker 1>so wrong. Is that the same tour that T. K.

0:22:05.119 --> 0:22:11.320
<v Speaker 1>Kirkland was the host ship bomb every night that it's

0:22:11.320 --> 0:22:16.240
<v Speaker 1>good man, that's not good hey, but he kept going everyway, listen,

0:22:16.320 --> 0:22:23.800
<v Speaker 1>this this is true story. He's good people. I don't

0:22:23.800 --> 0:22:32.120
<v Speaker 1>try to I do statism. It isn't so so. But

0:22:32.119 --> 0:22:34.720
<v Speaker 1>but my main point was, um, we got to know

0:22:34.800 --> 0:22:39.840
<v Speaker 1>one enough to ye. Towards the end of the tour,

0:22:39.960 --> 0:22:41.920
<v Speaker 1>right at the end of the toward the end we

0:22:41.920 --> 0:22:46.200
<v Speaker 1>were in um excuse me, we were in Washington and

0:22:46.400 --> 0:22:49.919
<v Speaker 1>in Philly, and as we as the tour moved east

0:22:50.000 --> 0:22:52.320
<v Speaker 1>and this is public end me and end up like yeah, yeah,

0:22:51.960 --> 0:22:56.240
<v Speaker 1>I don't even know. I think by and as the

0:22:56.320 --> 0:22:59.719
<v Speaker 1>tour got more and more towards the East coast, the

0:22:59.720 --> 0:23:01.520
<v Speaker 1>west coach with me, because the coach wasn't really up

0:23:01.520 --> 0:23:04.000
<v Speaker 1>on it yet, so they'll say his name actually Struggle

0:23:04.040 --> 0:23:06.280
<v Speaker 1>a little bit. And I remember the last couple of shows,

0:23:06.640 --> 0:23:10.280
<v Speaker 1>even too short, you're saying struggle, you know. But I

0:23:10.280 --> 0:23:13.359
<v Speaker 1>remember one night. I remember one night game too too.

0:23:13.400 --> 0:23:15.360
<v Speaker 1>I had a rough night, as we all do sometimes,

0:23:15.800 --> 0:23:18.479
<v Speaker 1>and so we're backstage and two short man, that's my man,

0:23:18.520 --> 0:23:20.240
<v Speaker 1>fifty grand I remember him telling it, saying the t

0:23:20.400 --> 0:23:22.960
<v Speaker 1>K he said, Man, he said, Man, I might have

0:23:22.960 --> 0:23:28.000
<v Speaker 1>bombed the night, but nigga, you bombed every night pre consistent.

0:23:29.960 --> 0:23:32.879
<v Speaker 1>Because you know what, here's here's a piece of history

0:23:32.960 --> 0:23:34.640
<v Speaker 1>for you. People could say what they want to say

0:23:34.680 --> 0:23:36.440
<v Speaker 1>in regards to taking a minute for it to catch

0:23:36.480 --> 0:23:38.560
<v Speaker 1>you on the New York but one Catch never gets

0:23:38.560 --> 0:23:40.720
<v Speaker 1>his property. She got that helped out MW n W

0:23:40.920 --> 0:23:48.160
<v Speaker 1>A A lot um DC, he wrote, the mainstream main

0:23:48.280 --> 0:23:50.680
<v Speaker 1>I mean you know what I'm saying, regular play and

0:23:50.920 --> 0:23:53.199
<v Speaker 1>Catch had to give credit to Dr Dre and that

0:23:53.240 --> 0:23:55.119
<v Speaker 1>whole thing man, because he was doing it, man, and

0:23:55.400 --> 0:23:57.879
<v Speaker 1>that helped us. It helped us. You in the n

0:23:58.040 --> 0:24:00.800
<v Speaker 1>W a fan and as a place and we all

0:24:00.600 --> 0:24:02.680
<v Speaker 1>we all had a blast and these are some friendships

0:24:02.720 --> 0:24:05.280
<v Speaker 1>that that we that we we carried, you know to

0:24:05.359 --> 0:24:06.840
<v Speaker 1>this day. You know what I'm saying. I mean when

0:24:06.840 --> 0:24:08.240
<v Speaker 1>we were joking around by t K but you know,

0:24:08.600 --> 0:24:10.680
<v Speaker 1>look he was a part of it as well. Two

0:24:10.680 --> 0:24:12.639
<v Speaker 1>Short was on that DLC was on that tour. J

0:24:12.800 --> 0:24:16.240
<v Speaker 1>J Fad was on that tour, um uh and then

0:24:16.440 --> 0:24:18.960
<v Speaker 1>all other toys we went on. We were doing stuff

0:24:18.960 --> 0:24:22.119
<v Speaker 1>with Digital Underground when Tupac was a back yeah when

0:24:22.160 --> 0:24:26.399
<v Speaker 1>he was Yeah, he was. He was young. And it

0:24:26.440 --> 0:24:29.560
<v Speaker 1>was funny with Tupac because he wanted to wrap so

0:24:29.600 --> 0:24:34.080
<v Speaker 1>bad that he really so at the after party one time,

0:24:34.080 --> 0:24:35.680
<v Speaker 1>we're hanging out men and him I go down, I'm

0:24:35.720 --> 0:24:37.960
<v Speaker 1>just there for the women. So he wants to get on.

0:24:38.040 --> 0:24:41.520
<v Speaker 1>Then he wants to get on the mike, so he goes.

0:24:41.840 --> 0:24:43.760
<v Speaker 1>The DJ goes, yo, we got my man play in

0:24:43.760 --> 0:24:45.639
<v Speaker 1>the house, play coming up to the booth and wrapped

0:24:45.680 --> 0:24:48.239
<v Speaker 1>and I'm like, no, I don't want to two You're

0:24:48.320 --> 0:24:49.960
<v Speaker 1>man going up there. Let's get up there and said, yeah,

0:24:49.920 --> 0:24:51.960
<v Speaker 1>I'm not here for that man. Well let's get up there.

0:24:52.480 --> 0:24:58.480
<v Speaker 1>When the DJ gives you the Mike. You quickly what

0:24:58.480 --> 0:25:01.280
<v Speaker 1>I'm saying. I mean we were be down, beat downs

0:25:01.359 --> 0:25:03.359
<v Speaker 1>and all of that. He had the craziest question on

0:25:03.440 --> 0:25:08.400
<v Speaker 1>yo Yo. He loved him because we go but Yo,

0:25:08.560 --> 0:25:11.159
<v Speaker 1>he would do anything for Yo Yo. You know what

0:25:11.160 --> 0:25:17.760
<v Speaker 1>I'm saying. He shout, Now I've seen dope and you

0:25:17.760 --> 0:25:21.080
<v Speaker 1>you said that g Rapp is from your neighborhood. She

0:25:21.280 --> 0:25:26.159
<v Speaker 1>was still rappers from Corona, and so you claim him

0:25:26.160 --> 0:25:28.040
<v Speaker 1>as being from alm Hurst when I've seen you. You

0:25:28.080 --> 0:25:30.040
<v Speaker 1>know what got confused because a lot of cats would

0:25:30.080 --> 0:25:31.840
<v Speaker 1>hang out in the heart because from the girls was

0:25:31.880 --> 0:25:34.960
<v Speaker 1>at what I'm saying, and some cats didn't want to

0:25:34.960 --> 0:25:37.199
<v Speaker 1>claim Corona like that because they wanted the girls over

0:25:37.280 --> 0:25:39.199
<v Speaker 1>that are so sometimes the five line because you had

0:25:39.200 --> 0:25:44.280
<v Speaker 1>like thirty seventh, thirty fourth try but you know when

0:25:44.320 --> 0:25:46.320
<v Speaker 1>you looked at the school district or whatever, you would

0:25:46.320 --> 0:25:48.280
<v Speaker 1>say Corona, but come to find out it was Jackson

0:25:48.359 --> 0:25:52.399
<v Speaker 1>Hikay dirty fourth Avenue is because I would say that

0:25:52.520 --> 0:25:55.440
<v Speaker 1>we considered thirty second Avenue and beyond to be up

0:25:55.440 --> 0:25:59.159
<v Speaker 1>in Corona. Thirty second, thirty second Avenue. I don't know,

0:25:59.200 --> 0:26:03.119
<v Speaker 1>it would be like that's us. He considered that. You know,

0:26:03.200 --> 0:26:08.280
<v Speaker 1>you remember the bomb building. What was that Corona was

0:26:08.320 --> 0:26:12.359
<v Speaker 1>at the hearse we can set the hearse um. You

0:26:12.400 --> 0:26:19.000
<v Speaker 1>know who's horse nass, guys, by the word we can said,

0:26:19.040 --> 0:26:24.840
<v Speaker 1>it's old school queens. Relax and by the way, hassan,

0:26:25.000 --> 0:26:27.240
<v Speaker 1>and by the way, kid, I spoke to the Queen's

0:26:27.320 --> 0:26:30.359
<v Speaker 1>delegation and when we looked at your story, we want

0:26:30.400 --> 0:26:32.760
<v Speaker 1>you to raise the Bronx out of you want you

0:26:32.760 --> 0:26:35.120
<v Speaker 1>to just claimed queens. You spoke in the Queen's delegation

0:26:35.400 --> 0:26:37.840
<v Speaker 1>and I also spoke to the Bronx congregation and they said,

0:26:37.840 --> 0:26:42.040
<v Speaker 1>it's okay, how about a queen. You want you to

0:26:42.080 --> 0:26:45.439
<v Speaker 1>fully claim your bronze. The Bronx raised queens pret queen's

0:26:45.480 --> 0:26:54.560
<v Speaker 1>paybe yo yo, so o man, I mean you and

0:26:54.760 --> 0:26:59.040
<v Speaker 1>Salt and Pepper worked at sears together, your sears a

0:26:59.119 --> 0:27:02.760
<v Speaker 1>robot telephone all down the FI at some point or

0:27:03.400 --> 0:27:09.640
<v Speaker 1>the first one got So what happened if you guys

0:27:09.680 --> 0:27:11.399
<v Speaker 1>went to guy fired, you have to stay this this

0:27:12.040 --> 0:27:14.040
<v Speaker 1>that was in the sand, I mean, I mean it

0:27:14.040 --> 0:27:17.840
<v Speaker 1>would have been no story. And Sulton Pepper was there

0:27:17.920 --> 0:27:23.640
<v Speaker 1>and spend just salt Pepper, just Salt and pepper over

0:27:23.840 --> 0:27:26.560
<v Speaker 1>Martin station, right, Yeah, I used to work in a

0:27:26.600 --> 0:27:32.480
<v Speaker 1>gas station Acrose the street from Let's let's just break

0:27:32.520 --> 0:27:38.360
<v Speaker 1>that down right. Yeah, they've been Pepper worked at Serious

0:27:38.400 --> 0:27:41.240
<v Speaker 1>together and Martin walked across the street and it has that,

0:27:41.400 --> 0:27:47.240
<v Speaker 1>it has gas station talent, and we all and we

0:27:47.320 --> 0:27:49.000
<v Speaker 1>all and we all got down. I mean, can you

0:27:49.040 --> 0:27:51.560
<v Speaker 1>imagine that's like a billion one? Like all five of

0:27:51.640 --> 0:27:55.240
<v Speaker 1>us include heard be like all of us, all of us,

0:27:55.320 --> 0:27:58.600
<v Speaker 1>that's crazy man. And then y'all actually Chris Tucker and

0:27:58.680 --> 0:28:02.760
<v Speaker 1>Bernie Mack is like your discovery. I wouldn't I mean,

0:28:02.760 --> 0:28:06.760
<v Speaker 1>I wouldn't say that. I mean their first movies, Um,

0:28:07.200 --> 0:28:09.080
<v Speaker 1>you know their first Chris Tucker first movie was was

0:28:09.119 --> 0:28:13.840
<v Speaker 1>House Party three. Bernie mac first movie was Happen Bernie

0:28:13.880 --> 0:28:17.680
<v Speaker 1>Mac was this this is a piece of history. Martin

0:28:17.760 --> 0:28:20.440
<v Speaker 1>didn't want to be in House Party three and we

0:28:20.680 --> 0:28:30.479
<v Speaker 1>need huh So anyway, so anyway doing the movies at

0:28:30.480 --> 0:28:36.520
<v Speaker 1>this point, yes, but we're getting paid. So anyway, I'm like, yo,

0:28:36.600 --> 0:28:39.120
<v Speaker 1>we need some star power, we need some comedy power

0:28:39.160 --> 0:28:41.200
<v Speaker 1>in this joint. I went to go see to the

0:28:41.240 --> 0:28:48.120
<v Speaker 1>premier of Who's the Man the Bernie It's like, yes,

0:28:48.440 --> 0:28:50.760
<v Speaker 1>I looked at the screen. I said, this could be

0:28:51.880 --> 0:28:55.800
<v Speaker 1>Robin Harris's brother, Complexion the whole not. So I told

0:28:55.880 --> 0:28:57.760
<v Speaker 1>him because he was there, I said, dude, I'm gonna

0:28:57.800 --> 0:28:59.440
<v Speaker 1>get you in house spot. I'm gonna get it whatever.

0:28:59.680 --> 0:29:01.800
<v Speaker 1>I said. It was a name sousing something up at

0:29:01.880 --> 0:29:05.080
<v Speaker 1>New Line the lady. Yeah, yeah, one of the v

0:29:05.160 --> 0:29:08.560
<v Speaker 1>I p s. And I told him, yeah, you need

0:29:08.640 --> 0:29:11.239
<v Speaker 1>to get into this needs to happen. Did you need

0:29:11.360 --> 0:29:14.640
<v Speaker 1>to have the next day, I know, yeah, happy, yeah, yeah.

0:29:14.680 --> 0:29:16.400
<v Speaker 1>So it was definitely early career. And I remember I

0:29:16.520 --> 0:29:18.640
<v Speaker 1>used to see I used to watch Chris Tucker when

0:29:18.680 --> 0:29:20.400
<v Speaker 1>he came out from Atlanta and watched him do stand

0:29:20.480 --> 0:29:22.880
<v Speaker 1>up in Hollywood at the Comedy Store in particular, and

0:29:22.960 --> 0:29:24.520
<v Speaker 1>you know you called me. He said, you trust me

0:29:24.600 --> 0:29:26.720
<v Speaker 1>on this because we had we were about to shoot

0:29:26.760 --> 0:29:31.719
<v Speaker 1>this scene the next day. And then he said, yo, man,

0:29:31.720 --> 0:29:33.200
<v Speaker 1>we ain't got nobody. We ain't got we need the

0:29:33.240 --> 0:29:35.160
<v Speaker 1>manager for the trip, and we ain't got me got

0:29:35.200 --> 0:29:37.680
<v Speaker 1>a party man, So we got nobody. He's gonna perform.

0:29:37.760 --> 0:29:41.640
<v Speaker 1>And I was like, I was like, I said, I

0:29:41.800 --> 0:29:44.240
<v Speaker 1>just seen money at the comedy store, man, you know

0:29:44.280 --> 0:29:45.880
<v Speaker 1>what I'm saying. And CHRISTI just got on stage. So

0:29:45.920 --> 0:29:47.640
<v Speaker 1>I stepped to him and you know, you know Chris,

0:29:47.760 --> 0:29:51.720
<v Speaker 1>Chris liked what your doing. So I said, yo, man,

0:29:52.000 --> 0:29:54.240
<v Speaker 1>come down to the set tomorrow. You know what I'm saying.

0:29:54.320 --> 0:29:56.560
<v Speaker 1>We go, there's a part for you, man, just do

0:29:57.720 --> 0:30:00.200
<v Speaker 1>went down there, did the one scene you I mean,

0:30:00.400 --> 0:30:02.000
<v Speaker 1>stole it with the scene, you know what I mean.

0:30:02.040 --> 0:30:04.080
<v Speaker 1>And then his next movie after that was Friday because

0:30:04.240 --> 0:30:07.200
<v Speaker 1>now new Line was very very familiar with him, and

0:30:07.520 --> 0:30:13.040
<v Speaker 1>you know, Cube brought on first quantity y'allah. Yeah, I'll

0:30:13.080 --> 0:30:16.040
<v Speaker 1>tell you. At the same time, yes, from a live

0:30:16.120 --> 0:30:17.520
<v Speaker 1>doing stand up man, he was, I mean, he was

0:30:17.600 --> 0:30:21.320
<v Speaker 1>just a young Chris Tucker, like fresh out of Atlanta.

0:30:21.880 --> 0:30:25.240
<v Speaker 1>Was electric. He was electric man, and I knew yeah,

0:30:25.400 --> 0:30:26.880
<v Speaker 1>and that and that goes back to another thing that

0:30:26.920 --> 0:30:30.720
<v Speaker 1>play was talking about kind of kind of entring toward

0:30:31.440 --> 0:30:34.200
<v Speaker 1>these house party movies, especially toward the end they we

0:30:34.320 --> 0:30:36.240
<v Speaker 1>get we get most of the credit, but there was

0:30:36.360 --> 0:30:39.080
<v Speaker 1>lots of good people and and we wanted that We

0:30:39.160 --> 0:30:40.960
<v Speaker 1>don't want to you know, we wanted everybody to shine

0:30:41.000 --> 0:30:43.680
<v Speaker 1>because then it uplifts the movie. Everybody wins. So when

0:30:43.760 --> 0:30:45.560
<v Speaker 1>people so when we wanted Martin to come back for

0:30:45.560 --> 0:30:47.280
<v Speaker 1>the house party together, but you gotta let him win,

0:30:47.720 --> 0:30:49.800
<v Speaker 1>you know, We told him put full forth in House

0:30:49.840 --> 0:30:52.480
<v Speaker 1>Party too, because because they because it ain't broke and

0:30:52.560 --> 0:30:55.640
<v Speaker 1>not not. Why are you? Why are you? Why are

0:30:55.680 --> 0:30:58.840
<v Speaker 1>you replacing them? Are you taking away? Let's add let's

0:30:58.880 --> 0:31:01.520
<v Speaker 1>add to it. So what the course of the three

0:31:01.560 --> 0:31:04.000
<v Speaker 1>house parties in a movie like Class Act? We were

0:31:04.040 --> 0:31:06.959
<v Speaker 1>always trying to load up on the talent and if

0:31:07.000 --> 0:31:10.120
<v Speaker 1>it meant giving people opportunities that hadn't had opportunities before,

0:31:11.120 --> 0:31:13.440
<v Speaker 1>isn't true. Lebron James is doing a new we makeup

0:31:13.480 --> 0:31:15.600
<v Speaker 1>House part that's the word, that's the word on word

0:31:15.640 --> 0:31:19.680
<v Speaker 1>on sreeze. How did that? How does that happening? He

0:31:19.760 --> 0:31:33.080
<v Speaker 1>has the cool y'all? Man, you mean we we own

0:31:33.200 --> 0:31:36.160
<v Speaker 1>House Party, but we don't own it, you know what

0:31:36.200 --> 0:31:38.520
<v Speaker 1>I'm saying. That's time for it, that's new line. So,

0:31:38.600 --> 0:31:40.800
<v Speaker 1>I mean, that's obvious the day they've kind of bonded

0:31:40.840 --> 0:31:43.440
<v Speaker 1>together and to formulation they got good people with it, man,

0:31:43.480 --> 0:31:48.240
<v Speaker 1>I mean brother Donald Glover's brother Atlanta, you know what

0:31:48.280 --> 0:31:50.640
<v Speaker 1>I'm saying. So yeah, I mean I'm just concerned because

0:31:50.680 --> 0:31:52.840
<v Speaker 1>it's a different time in this world. You know, when

0:31:52.880 --> 0:31:54.880
<v Speaker 1>you came up with the House Party, then it was relatable.

0:31:54.920 --> 0:31:58.200
<v Speaker 1>Everybody knew about the house party, parents going down south,

0:31:58.400 --> 0:32:01.280
<v Speaker 1>just that. Look at let's put that where we are today.

0:32:01.400 --> 0:32:04.840
<v Speaker 1>You know what I'm saying, it's clubs. I was back then.

0:32:05.640 --> 0:32:07.880
<v Speaker 1>I'm sorry. I was in love with Gina back then.

0:32:07.880 --> 0:32:12.360
<v Speaker 1>I'm sorry, great kisser, shout out to teacher, But you

0:32:12.400 --> 0:32:16.400
<v Speaker 1>didn't hit you back out on the market and then

0:32:16.440 --> 0:32:18.600
<v Speaker 1>you're not gonna lie and play. I ain't gonna lie

0:32:19.520 --> 0:32:24.000
<v Speaker 1>old and you were knocking down a lot of it

0:32:24.240 --> 0:32:28.000
<v Speaker 1>just clas I mean that was the word in Queens.

0:32:28.040 --> 0:32:30.040
<v Speaker 1>I'm saying. They was like yeomen and you were like

0:32:30.120 --> 0:32:35.280
<v Speaker 1>the first restless Nights. Thinking about it, he was. He

0:32:35.360 --> 0:32:45.520
<v Speaker 1>was the first Westley Pip, you know. But that's it.

0:32:46.320 --> 0:32:50.360
<v Speaker 1>It's dude. This dude was a terror on You don't

0:32:50.360 --> 0:32:56.640
<v Speaker 1>play for playboyvolgue, but you have. That's why all of them. Yeah,

0:32:57.480 --> 0:33:01.560
<v Speaker 1>the bad one, that's the one. Yeah. My kid was

0:33:01.640 --> 0:33:06.200
<v Speaker 1>knocking out those books in school exactly first we Firth

0:33:06.200 --> 0:33:11.080
<v Speaker 1>started hanging off. I have a big thick glasses like,

0:33:11.200 --> 0:33:17.600
<v Speaker 1>what's going on there? That class? Yeah yeah, yeah, but

0:33:17.720 --> 0:33:19.480
<v Speaker 1>that's what he helped me out a lot with that.

0:33:19.560 --> 0:33:20.760
<v Speaker 1>You know, he kind of help you get a lot

0:33:20.760 --> 0:33:23.920
<v Speaker 1>of games because my game was class really really yeah,

0:33:25.040 --> 0:33:26.960
<v Speaker 1>that's why we do. It's really not not It's funny

0:33:26.960 --> 0:33:28.520
<v Speaker 1>because when we first got out on the road, we

0:33:28.600 --> 0:33:30.800
<v Speaker 1>had to share a room together, a low budget situation.

0:33:31.120 --> 0:33:32.840
<v Speaker 1>They used to call a sit and Clay. They would

0:33:32.880 --> 0:33:36.160
<v Speaker 1>never get our names right, you know. And he beat

0:33:36.280 --> 0:33:39.520
<v Speaker 1>some girl and come to the room late, and who

0:33:39.800 --> 0:33:41.480
<v Speaker 1>wait for the phone to ring because she's supposed to

0:33:41.520 --> 0:33:43.720
<v Speaker 1>call him when she got home safely. I'm like, dude,

0:33:43.920 --> 0:33:50.000
<v Speaker 1>he was one of those Yeah, I was I was

0:33:50.160 --> 0:33:55.840
<v Speaker 1>talking about and he couldn't go to that without some

0:33:55.960 --> 0:34:02.000
<v Speaker 1>tea teething dog. Who is this so wird? You know what?

0:34:02.560 --> 0:34:07.360
<v Speaker 1>Get me out of And you really did good at school?

0:34:07.400 --> 0:34:09.560
<v Speaker 1>And here like that, And I said, I learned how

0:34:09.640 --> 0:34:12.480
<v Speaker 1>to talk is from this dude, because school's got done

0:34:12.560 --> 0:34:17.480
<v Speaker 1>with me, Art Designed Flush and High Hillcrest High Brian

0:34:21.040 --> 0:34:23.319
<v Speaker 1>I got kicked out of. But I started hanging out

0:34:23.360 --> 0:34:25.480
<v Speaker 1>with this guy when I taught him how to cut

0:34:25.520 --> 0:34:28.720
<v Speaker 1>school the whole nine And we be in his crib

0:34:29.239 --> 0:34:34.160
<v Speaker 1>and Jeopardy would come on and it was they tell me, yes,

0:34:40.040 --> 0:34:42.839
<v Speaker 1>but I can. I can be an intelligent funk out

0:34:42.880 --> 0:34:44.520
<v Speaker 1>of it. You know what I'm saying. Because I used

0:34:44.560 --> 0:34:46.520
<v Speaker 1>to use all my children to get it. Women, you

0:34:46.520 --> 0:34:48.759
<v Speaker 1>know what I'm saying, watch the soaps when I cut

0:34:48.800 --> 0:34:51.600
<v Speaker 1>out being the party. See your girl wanted to get

0:34:51.600 --> 0:34:53.320
<v Speaker 1>what excuse me? But do you know what happened with

0:34:53.440 --> 0:34:56.000
<v Speaker 1>Erica Kane and so on? So today you watch the soaps. Yeah,

0:34:56.040 --> 0:34:59.480
<v Speaker 1>you know, my little tend to side sliding. Don't try

0:34:59.560 --> 0:35:05.120
<v Speaker 1>to say some real component ship right here. I know

0:35:05.280 --> 0:35:07.480
<v Speaker 1>that thing so far was was a way like I

0:35:08.800 --> 0:35:10.120
<v Speaker 1>used to I want to leave in college back in

0:35:10.160 --> 0:35:15.320
<v Speaker 1>the days, and so at lunch time I would go

0:35:15.480 --> 0:35:18.040
<v Speaker 1>to like the student center because that's when the girls were.

0:35:18.080 --> 0:35:19.520
<v Speaker 1>All the girls with there. You'd be me and like

0:35:19.640 --> 0:35:21.600
<v Speaker 1>twenty chicks, you know what I mean, watching watching all

0:35:21.680 --> 0:35:24.080
<v Speaker 1>my children. So you just you know what I gotta saying.

0:35:24.239 --> 0:35:27.840
<v Speaker 1>Names only somebody would watch with you, so you don't know,

0:35:27.880 --> 0:35:34.440
<v Speaker 1>you wouldn't play games, you know. And then Martin, Martin,

0:35:35.080 --> 0:35:37.359
<v Speaker 1>how do you know about that? A bunch of chicks right?

0:35:37.360 --> 0:35:39.360
<v Speaker 1>And I was like, damn they got me. Yeah, what

0:35:39.560 --> 0:35:40.919
<v Speaker 1>like the chicks to look at me like he looks

0:35:40.960 --> 0:35:45.840
<v Speaker 1>like a cuddler whatever, like inside competition between you and

0:35:45.920 --> 0:35:48.120
<v Speaker 1>Salt Pepper being that it was like y'all was the

0:35:48.160 --> 0:35:50.879
<v Speaker 1>exact opposite version of each other. Never we helped each

0:35:50.920 --> 0:35:52.719
<v Speaker 1>other a lot, you know what I'm saying there, you know,

0:35:53.560 --> 0:35:56.640
<v Speaker 1>you know, yeah, I mean that too, because our first

0:35:56.719 --> 0:35:58.719
<v Speaker 1>thing was really well, I was in the tramp video

0:35:59.760 --> 0:36:02.160
<v Speaker 1>and then we were in Shake Your Thing, you dance

0:36:02.200 --> 0:36:05.319
<v Speaker 1>with Shake Your Thing. But the thing was Kid helped

0:36:05.320 --> 0:36:07.440
<v Speaker 1>with the lyrics, help her reform that I with the

0:36:07.480 --> 0:36:09.640
<v Speaker 1>outfits and to give the pushing jackets, all of that

0:36:09.760 --> 0:36:12.239
<v Speaker 1>kind of stuff. So and they helped us. Man, I

0:36:12.320 --> 0:36:15.680
<v Speaker 1>mean the girls that are believe me forever. If you

0:36:15.719 --> 0:36:17.000
<v Speaker 1>look at you look at a lot of early Song

0:36:17.040 --> 0:36:18.719
<v Speaker 1>and Pepper videos, you see us all up in there,

0:36:18.760 --> 0:36:21.040
<v Speaker 1>you know, and then what we like the detectives and

0:36:21.280 --> 0:36:24.440
<v Speaker 1>shake your things and everybody get up. But this is,

0:36:24.520 --> 0:36:26.800
<v Speaker 1>this is this was the idol maker's way. You know, Herbie.

0:36:26.840 --> 0:36:30.240
<v Speaker 1>Herbie is conglomerate at that time because it was always

0:36:30.280 --> 0:36:33.120
<v Speaker 1>the strong helping the week. So so Pepper helped put

0:36:33.200 --> 0:36:35.400
<v Speaker 1>us on. Then we came and then we put it.

0:36:35.520 --> 0:36:37.280
<v Speaker 1>You know, we put Karma on. You know, he's started

0:36:37.280 --> 0:36:39.680
<v Speaker 1>appearing in on Star. We started dressing videos. Like you

0:36:39.719 --> 0:36:42.200
<v Speaker 1>know what I'm saying. Dana Dan was in the you know,

0:36:42.920 --> 0:36:44.879
<v Speaker 1>go back and watch old data dame videos. We all

0:36:44.920 --> 0:36:48.279
<v Speaker 1>have been there, you know, just just topped for one

0:36:48.320 --> 0:36:51.759
<v Speaker 1>second because Um plays so nonchalant. He was like he

0:36:52.080 --> 0:36:54.520
<v Speaker 1>helped with the lyrics. Why do you think back in

0:36:54.560 --> 0:36:58.120
<v Speaker 1>the days like Big Daddy came with out front right

0:36:58.200 --> 0:37:01.880
<v Speaker 1>for bis Marck, he would make it be known. I

0:37:01.920 --> 0:37:03.840
<v Speaker 1>mean easy. He has a line on his lyrics. He

0:37:04.200 --> 0:37:07.600
<v Speaker 1>says ice cu right the rhymes that I say. And

0:37:08.080 --> 0:37:10.800
<v Speaker 1>you just said like, but back then that was not

0:37:10.920 --> 0:37:13.879
<v Speaker 1>frowned upon. But now you know, I heard you missed

0:37:14.000 --> 0:37:17.440
<v Speaker 1>Drake earlier. Um, I wouldn't looked at your interviews. You

0:37:17.520 --> 0:37:19.200
<v Speaker 1>missed Drake a lot like I saw I done that

0:37:19.280 --> 0:37:20.960
<v Speaker 1>you like drinking, But why do you think it was

0:37:21.040 --> 0:37:23.320
<v Speaker 1>so Why do both of you guys, not just you,

0:37:23.600 --> 0:37:26.279
<v Speaker 1>but why do I both of you guys think that

0:37:26.600 --> 0:37:29.120
<v Speaker 1>it's so frowned upon? Like when a person like Drake

0:37:29.200 --> 0:37:32.960
<v Speaker 1>status like today's find upon? Yeah, I mean I don't

0:37:32.960 --> 0:37:35.880
<v Speaker 1>know what you know what our click our crew was

0:37:36.120 --> 0:37:39.400
<v Speaker 1>was a community and it was everybody pitching whatever you

0:37:39.480 --> 0:37:45.160
<v Speaker 1>would say, I don't make his camp sweet team. But

0:37:45.239 --> 0:37:47.360
<v Speaker 1>what was the intention. The intention was to get the

0:37:47.400 --> 0:37:49.480
<v Speaker 1>people up and dance. You know what I'm saying. All

0:37:49.560 --> 0:37:52.160
<v Speaker 1>means necessary. So if you had a clever line or

0:37:52.200 --> 0:37:54.879
<v Speaker 1>something that's gonna accomplish sitting around and study what I'm saying,

0:37:54.920 --> 0:37:57.000
<v Speaker 1>we all have. It's a party in the studio. And

0:37:57.120 --> 0:37:58.600
<v Speaker 1>the thing I think about back then, you have the

0:37:58.680 --> 0:38:01.320
<v Speaker 1>juice crew. Yeah, I don't make his crew. You have

0:38:01.400 --> 0:38:03.520
<v Speaker 1>the boogie down. Everybody had these crews in the first

0:38:03.640 --> 0:38:05.560
<v Speaker 1>Lady of their cruise and all that stuff. But it

0:38:05.680 --> 0:38:08.560
<v Speaker 1>was a competition. Iron sharper than Iron. We all wanted

0:38:08.600 --> 0:38:10.640
<v Speaker 1>to be unique in own way. He was gonna do this,

0:38:10.840 --> 0:38:12.720
<v Speaker 1>gonna do that. So I think it was the intention.

0:38:12.760 --> 0:38:14.880
<v Speaker 1>I think the intention today is different. I don't think

0:38:14.920 --> 0:38:18.080
<v Speaker 1>it's the same agenda. You know, that's not a bad thing.

0:38:18.239 --> 0:38:20.120
<v Speaker 1>It's just and to me, I don't I don't. I

0:38:20.160 --> 0:38:22.160
<v Speaker 1>don't have a problem with cats having ghost writing and

0:38:22.239 --> 0:38:24.919
<v Speaker 1>stuff like that, man, because you still gotta you still

0:38:24.960 --> 0:38:27.319
<v Speaker 1>gotta make it sound good. You know, guys, I don't

0:38:27.400 --> 0:38:29.600
<v Speaker 1>like taking steroids. You canna take. You still gonna work

0:38:29.600 --> 0:38:33.440
<v Speaker 1>out what's the question, what's the question behind what's the

0:38:33.480 --> 0:38:36.200
<v Speaker 1>different between the rapper and then see, Yeah, that's what

0:38:36.400 --> 0:38:39.359
<v Speaker 1>doves into that right there. If you seek you got

0:38:39.480 --> 0:38:48.120
<v Speaker 1>to be to write his own thing. But now that's

0:38:48.120 --> 0:38:51.200
<v Speaker 1>just one thing, brainstorming and loaning a line versus writing

0:38:51.239 --> 0:38:53.040
<v Speaker 1>the whole song. And I think the other person helped

0:38:53.040 --> 0:38:54.960
<v Speaker 1>set this straight was Ditty's line, don't worry about be

0:38:55.040 --> 0:38:56.880
<v Speaker 1>right right right checks you know what I'm saying. Well,

0:38:56.960 --> 0:39:00.759
<v Speaker 1>we had producers on there because d do and he

0:39:00.880 --> 0:39:04.799
<v Speaker 1>said he was. I think he was. He was being

0:39:04.840 --> 0:39:08.520
<v Speaker 1>a marriage he came in. So what happened was he

0:39:08.640 --> 0:39:13.600
<v Speaker 1>said that every artist stills. He said every artist stole

0:39:14.280 --> 0:39:17.080
<v Speaker 1>every single I said, not everybody. He said everybody. He

0:39:17.200 --> 0:39:23.120
<v Speaker 1>was very adamat looked and I was like, here, but

0:39:23.280 --> 0:39:26.320
<v Speaker 1>you know, I'm not here as an artist. That I

0:39:26.360 --> 0:39:28.080
<v Speaker 1>got to remind us of all my hand as an artist.

0:39:28.120 --> 0:39:30.200
<v Speaker 1>I had to let people speak as a journalist. But

0:39:30.760 --> 0:39:32.799
<v Speaker 1>ras Cast was there too, a Rascast was like, yo,

0:39:32.920 --> 0:39:36.160
<v Speaker 1>be he was, we were not every artist has stole

0:39:36.239 --> 0:39:39.080
<v Speaker 1>it with that. But what I'm not going to allow

0:39:39.160 --> 0:39:42.280
<v Speaker 1>to you. As I posted that, I read my comments,

0:39:42.440 --> 0:39:44.480
<v Speaker 1>which I don't. I don't read my comments because I

0:39:44.840 --> 0:39:47.120
<v Speaker 1>could be saying, um, but this is the first time

0:39:47.160 --> 0:39:49.000
<v Speaker 1>I did read my comments, and a lot of people

0:39:49.080 --> 0:39:53.200
<v Speaker 1>were praying with him, everybody saying everybody's the way he

0:39:53.320 --> 0:39:54.800
<v Speaker 1>was saying I think it's a matter of semantics to

0:39:55.000 --> 0:39:57.320
<v Speaker 1>like he's saying, like if you if you borrow anything,

0:39:58.640 --> 0:40:02.640
<v Speaker 1>that's the way he's saying you. He's saying anything that

0:40:03.520 --> 0:40:07.080
<v Speaker 1>you know, standing next to Big made jay Z better

0:40:07.400 --> 0:40:09.480
<v Speaker 1>and it made Jay which I think there's chats when

0:40:09.560 --> 0:40:18.960
<v Speaker 1>someone's between the wholesale because somebody really comedy, right, I

0:40:19.000 --> 0:40:24.480
<v Speaker 1>apologize for comedy. In comedy that is like almost standard,

0:40:24.880 --> 0:40:27.320
<v Speaker 1>like like almost standards to have a writer run around

0:40:27.360 --> 0:40:32.080
<v Speaker 1>with you. Well, not always stand but I mean, well,

0:40:32.280 --> 0:40:34.920
<v Speaker 1>look if you're if you're at super high levels, you know,

0:40:35.080 --> 0:40:38.799
<v Speaker 1>like Bill maher like having hard Yeah you you there's

0:40:38.840 --> 0:40:43.000
<v Speaker 1>no way one man can create working too Yeah yeah, Bill,

0:40:43.080 --> 0:40:46.239
<v Speaker 1>Bill Maherr has has has writers year round, you know

0:40:46.280 --> 0:40:48.759
<v Speaker 1>what I'm saying, year around footnot I only the team show,

0:40:48.840 --> 0:40:51.399
<v Speaker 1>but when he does his live performances, so so they're

0:40:51.400 --> 0:40:54.400
<v Speaker 1>always giving him fresh new political stuff and whatnot. And

0:40:54.600 --> 0:40:56.160
<v Speaker 1>and Kevin and I'm sure the same way. He has

0:40:56.200 --> 0:40:58.680
<v Speaker 1>a real tight talented cruise. I mean, and and so

0:40:58.800 --> 0:41:01.360
<v Speaker 1>that's yeah, that's more like that of a show credits

0:41:01.400 --> 0:41:05.000
<v Speaker 1>with Eddie Murphy and you see how much and even

0:41:05.080 --> 0:41:07.360
<v Speaker 1>Robert Townsend, all of them, they will click, man, and

0:41:07.400 --> 0:41:10.239
<v Speaker 1>they all, here's something funny, and they just yea. It's

0:41:10.280 --> 0:41:12.320
<v Speaker 1>hard to create all that content by yourself. So what

0:41:12.400 --> 0:41:15.040
<v Speaker 1>happens is you're you're with people that are like minded,

0:41:15.120 --> 0:41:17.040
<v Speaker 1>you know what I'm saying, like good friends and stop

0:41:17.080 --> 0:41:20.600
<v Speaker 1>friends the Mooney with Richard pryor you know, good friends

0:41:20.600 --> 0:41:23.640
<v Speaker 1>of line like Joe Tommy Davidson. You know what I'm saying.

0:41:23.640 --> 0:41:26.319
<v Speaker 1>We all want to look that crazy this man, I mean,

0:41:26.800 --> 0:41:29.880
<v Speaker 1>be around all of them, man, just commedia. It's nothing serious.

0:41:30.120 --> 0:41:31.680
<v Speaker 1>Everything is a joke. And a lot of times what

0:41:31.719 --> 0:41:34.239
<v Speaker 1>happens this you you'll have a friend, you know, a

0:41:34.320 --> 0:41:37.160
<v Speaker 1>friend condic watch your set and watch something child. A

0:41:37.239 --> 0:41:38.960
<v Speaker 1>lot of times they'll give you what's called a note

0:41:39.360 --> 0:41:41.200
<v Speaker 1>like hey man, you know you know they joke you

0:41:41.239 --> 0:41:43.480
<v Speaker 1>do about the such and such at the end, why

0:41:43.520 --> 0:41:46.920
<v Speaker 1>don't you say you know? And saying it to make

0:41:46.960 --> 0:41:48.799
<v Speaker 1>it pop like a little bit more. And we've all

0:41:48.880 --> 0:41:51.200
<v Speaker 1>been of the mindset like, look, I don't I don't

0:41:51.239 --> 0:41:53.520
<v Speaker 1>care if it's funny. It's funny, I'll use it if

0:41:53.520 --> 0:41:55.560
<v Speaker 1>it's gonna make a joke. That's my point in regards

0:41:55.640 --> 0:41:58.359
<v Speaker 1>to going back to writing lyrics back then, if it's

0:41:58.400 --> 0:42:00.319
<v Speaker 1>what it's gonna take to get the people to get

0:42:00.400 --> 0:42:03.040
<v Speaker 1>up and dance. It is that kind of line. Use

0:42:03.160 --> 0:42:07.480
<v Speaker 1>it that w you just said, nailed that, but use

0:42:07.520 --> 0:42:10.800
<v Speaker 1>a line that wasn't. This was my ghost riding hervey.

0:42:10.960 --> 0:42:14.479
<v Speaker 1>I threw it a little man one of the days.

0:42:14.880 --> 0:42:17.840
<v Speaker 1>Not this idea for a dope jacket. Put this because

0:42:17.880 --> 0:42:22.000
<v Speaker 1>that big shout out to run law by the way.

0:42:22.520 --> 0:42:25.520
<v Speaker 1>But my thing was designing. My thing was just hanging

0:42:25.520 --> 0:42:31.920
<v Speaker 1>out with death longer than if he if he if

0:42:32.000 --> 0:42:34.640
<v Speaker 1>you saw our gear and you thought that, and you

0:42:34.719 --> 0:42:38.200
<v Speaker 1>thought that she was flying. That was It was like

0:42:38.280 --> 0:42:40.560
<v Speaker 1>the first designer, like the first like well, you know,

0:42:40.640 --> 0:42:43.160
<v Speaker 1>it's so funny because I remember having a meeting with

0:42:43.280 --> 0:42:46.160
<v Speaker 1>Andre Horrell and I was like, yo, let's create beats

0:42:46.520 --> 0:42:49.319
<v Speaker 1>and let this beat be a beat that represents four

0:42:49.360 --> 0:42:51.080
<v Speaker 1>play because that was the name of my joint. And

0:42:51.120 --> 0:42:54.759
<v Speaker 1>he play for play, and I had the clothing drink

0:42:54.800 --> 0:42:57.000
<v Speaker 1>for play because when DAP got caught up with that

0:42:57.040 --> 0:43:00.400
<v Speaker 1>whole Mitch Green and Tyson situation was a watch was

0:43:00.480 --> 0:43:02.800
<v Speaker 1>passed to me, so you know, all that good stuff.

0:43:02.800 --> 0:43:05.600
<v Speaker 1>And I still like this right now. But anyway, the

0:43:05.719 --> 0:43:08.080
<v Speaker 1>interesting thing wasn't about to lose. My train of thought

0:43:08.440 --> 0:43:10.399
<v Speaker 1>was the fact that all you're going to the new

0:43:12.160 --> 0:43:23.920
<v Speaker 1>it was stylist if um um. Yeah, it's like the thing,

0:43:24.360 --> 0:43:30.120
<v Speaker 1>but my thing. I really didn't lost his Hell yeah,

0:43:30.160 --> 0:43:31.800
<v Speaker 1>but I couldn't afford it when y'all was doing it.

0:43:32.200 --> 0:43:35.040
<v Speaker 1>But y'all was doing it up there all the time.

0:43:35.640 --> 0:43:38.160
<v Speaker 1>To do those pep of jackets, I had to live

0:43:38.520 --> 0:43:40.160
<v Speaker 1>there at that shop because you know, he had all

0:43:40.200 --> 0:43:43.000
<v Speaker 1>the Africans in the beast, but that wasn't known for

0:43:43.120 --> 0:43:45.400
<v Speaker 1>being on time with your gears. So her was like, yo, man,

0:43:45.440 --> 0:43:47.520
<v Speaker 1>you're gonna have to just stay here all night whatever

0:43:47.520 --> 0:43:50.240
<v Speaker 1>because we had to get those jackets and the mural.

0:43:50.280 --> 0:43:52.480
<v Speaker 1>I did this on the back of that push. I

0:43:52.520 --> 0:43:54.359
<v Speaker 1>had to be on a plane to get them there out.

0:43:54.400 --> 0:43:57.040
<v Speaker 1>I think we did that in Florida to push it thing.

0:43:57.280 --> 0:44:00.160
<v Speaker 1>So technically you can see me on the side the

0:44:00.239 --> 0:44:02.319
<v Speaker 1>first puff daddy. Oh, I know what I was gonna say. Now.

0:44:02.640 --> 0:44:04.840
<v Speaker 1>The thing about it, Andre and I we were talking

0:44:04.880 --> 0:44:08.439
<v Speaker 1>about doing a thing with gear and he's like, play,

0:44:08.480 --> 0:44:10.839
<v Speaker 1>I really don't see that. Then you got Wu Tang

0:44:10.960 --> 0:44:16.120
<v Speaker 1>that did it? What was that? And he didn't see

0:44:16.160 --> 0:44:18.759
<v Speaker 1>the vision at the time. You know what he was

0:44:18.800 --> 0:44:22.200
<v Speaker 1>definitely ahead of Curb. He was definitely he had like

0:44:22.280 --> 0:44:25.319
<v Speaker 1>for example, when when Martin Lawrence was hosting Deaf Deaf

0:44:25.400 --> 0:44:31.480
<v Speaker 1>Commy jam back those first six first episodes, even when

0:44:31.520 --> 0:44:33.560
<v Speaker 1>it showing, you know, because you know, I did School

0:44:33.560 --> 0:44:38.960
<v Speaker 1>of Our Knocks Queen maybe in my partner at the time,

0:44:39.080 --> 0:44:46.600
<v Speaker 1>but School Knocks Jerry Bonds in Corona. We were partners

0:44:46.640 --> 0:44:48.840
<v Speaker 1>at the time. I did the designing. We had this

0:44:48.920 --> 0:44:55.680
<v Speaker 1>idea because African American college line, that allegic line Chris Yeah, yeah, yeah,

0:44:56.160 --> 0:44:59.319
<v Speaker 1>Chris Blackstick. So I said, you know, they get all

0:44:59.360 --> 0:45:01.520
<v Speaker 1>this thing about pe We're going to college, I'm gonna dropout.

0:45:01.600 --> 0:45:04.400
<v Speaker 1>We know the people they didn't finish school. We need

0:45:04.440 --> 0:45:06.520
<v Speaker 1>to come up with a line that represents those that

0:45:06.600 --> 0:45:08.400
<v Speaker 1>are still good even though you didn't go to school.

0:45:08.480 --> 0:45:10.920
<v Speaker 1>So we said school. We came with the idea on

0:45:11.040 --> 0:45:14.320
<v Speaker 1>the fifty Night Street Bridge and traffic going into Manhattan,

0:45:14.400 --> 0:45:16.440
<v Speaker 1>and I said School of Hard Knocks, and we came

0:45:16.520 --> 0:45:18.520
<v Speaker 1>up with the line of naming all the artists from

0:45:18.600 --> 0:45:21.279
<v Speaker 1>Queens and rapids. We knew they didn't finish school, and

0:45:21.320 --> 0:45:23.960
<v Speaker 1>that's how the thing blew up. And then things was

0:45:24.000 --> 0:45:27.279
<v Speaker 1>going on crazy in my life I want, and I

0:45:27.400 --> 0:45:31.600
<v Speaker 1>just gave it. I gave it to say just take

0:45:31.640 --> 0:45:38.640
<v Speaker 1>it because it's stressing, you know, like when not when

0:45:38.680 --> 0:45:40.840
<v Speaker 1>I when I because you know, I want to properly always,

0:45:40.960 --> 0:45:43.840
<v Speaker 1>you know, introduce and you know, be in tune with

0:45:43.920 --> 0:45:46.960
<v Speaker 1>the artists. So one thing I though this is you're

0:45:46.960 --> 0:45:50.400
<v Speaker 1>a big glasses guy. I loved I collect glasses and watches.

0:45:51.440 --> 0:45:58.959
<v Speaker 1>By the way, manasses. I think this is the havas. Okay,

0:45:59.000 --> 0:46:06.680
<v Speaker 1>all right, ain't got those his glass his glass almost

0:46:06.760 --> 0:46:11.000
<v Speaker 1>looking at them, almost like yo. One thing you can

0:46:11.040 --> 0:46:12.400
<v Speaker 1>tell a look at getting money. But the type of

0:46:12.400 --> 0:46:16.800
<v Speaker 1>glasses he got. The fisher, he had a bad cardiers.

0:46:17.120 --> 0:46:21.200
<v Speaker 1>I couldn't find him. You know. I was like, y'all

0:46:21.560 --> 0:46:23.600
<v Speaker 1>this cardiers and I said, hold on, let me try

0:46:23.640 --> 0:46:25.520
<v Speaker 1>to find him. And I couldn't find him. I said,

0:46:25.520 --> 0:46:28.200
<v Speaker 1>he's a fisher. When I can't find your glasses, I

0:46:28.360 --> 0:46:33.000
<v Speaker 1>know you you dig deep. I'm a glasses guy. I

0:46:33.080 --> 0:46:35.160
<v Speaker 1>was so sorry. I was. I was much more of

0:46:35.200 --> 0:46:36.960
<v Speaker 1>a sneakerhead. I mean, I still I still have to

0:46:37.000 --> 0:46:38.600
<v Speaker 1>a certain okay you know what I'm saying, but not

0:46:38.840 --> 0:46:41.600
<v Speaker 1>like bringing the ponies out now. I shot one of

0:46:41.640 --> 0:46:47.000
<v Speaker 1>the one and hold someone just told me when ponies,

0:46:48.960 --> 0:46:52.960
<v Speaker 1>I remember someone just took stands for New York and

0:46:53.040 --> 0:46:57.080
<v Speaker 1>pony it's p O. It's an acronym. The N stands

0:46:57.120 --> 0:47:00.319
<v Speaker 1>for New York. And someone just told me in old

0:47:00.360 --> 0:47:10.680
<v Speaker 1>school play handball. Yeah yeah, So let me ask you

0:47:12.120 --> 0:47:14.200
<v Speaker 1>all the things from being a rapp But even though

0:47:14.239 --> 0:47:18.080
<v Speaker 1>you you you touched the comedian world, what made you

0:47:18.280 --> 0:47:20.600
<v Speaker 1>say I'm gonna do the standard stand us boughted the

0:47:20.719 --> 0:47:24.719
<v Speaker 1>roughest of the comedian, like why wouldn't you go straight

0:47:24.760 --> 0:47:28.000
<v Speaker 1>to your HBO stand up special? Well, this is the thing, um,

0:47:28.840 --> 0:47:31.520
<v Speaker 1>A backstory is I was actually hosting a TV show,

0:47:31.880 --> 0:47:33.880
<v Speaker 1>a syndicated TV show called Your Big Break. It was

0:47:33.920 --> 0:47:37.320
<v Speaker 1>actually like the precursor remember, precursor to American Idol, Like

0:47:37.400 --> 0:47:39.920
<v Speaker 1>you know, if you can sing, you know you you

0:47:39.960 --> 0:47:41.759
<v Speaker 1>sing a share song, but we're gonna put you in

0:47:41.840 --> 0:47:43.799
<v Speaker 1>one of share His gowns and dress up a set

0:47:44.120 --> 0:47:46.279
<v Speaker 1>all losing that right. So it was a show I showed.

0:47:46.320 --> 0:47:49.040
<v Speaker 1>I hosted for a year, um and but then I

0:47:49.080 --> 0:47:51.040
<v Speaker 1>got fired almost like yeah, I got fired. I got

0:47:51.320 --> 0:47:53.600
<v Speaker 1>I got fired from after the first year was the

0:47:53.640 --> 0:47:55.759
<v Speaker 1>Dick Clark Show, and they sent they fired me by

0:47:55.920 --> 0:47:58.640
<v Speaker 1>by letter and then I end up getting replaced by

0:47:58.719 --> 0:48:01.960
<v Speaker 1>Alfonso Ribero, right though, the only black guy whiter than me,

0:48:02.239 --> 0:48:05.480
<v Speaker 1>you know what. Right, So, so I was like out

0:48:05.520 --> 0:48:09.160
<v Speaker 1>of work. It was like it was like nine, you know,

0:48:09.320 --> 0:48:22.200
<v Speaker 1>I was. I was literally girls. You know, Joe's a

0:48:22.320 --> 0:48:27.279
<v Speaker 1>time release, right, so you know I was. I was,

0:48:27.360 --> 0:48:29.520
<v Speaker 1>you know, kidn't played. Was was cold at the time.

0:48:29.920 --> 0:48:31.279
<v Speaker 1>You know what I'm saying. I was on the left coast,

0:48:31.520 --> 0:48:34.120
<v Speaker 1>he was, he was back east. I wasn't really I

0:48:34.200 --> 0:48:36.040
<v Speaker 1>wasn't really doing anything I need. I needed. I needed

0:48:36.080 --> 0:48:38.399
<v Speaker 1>a spark and with two good friends of mine, Tommy

0:48:38.480 --> 0:48:41.960
<v Speaker 1>Davidson and Bill Maher, that urged me to go in

0:48:42.040 --> 0:48:43.920
<v Speaker 1>to stand up. And actually Bill Moore brought me on

0:48:44.040 --> 0:48:47.000
<v Speaker 1>the Oprah Winfrey Show one of the first times I

0:48:47.120 --> 0:48:49.040
<v Speaker 1>ever did stand up because it was a show called

0:48:49.280 --> 0:48:52.040
<v Speaker 1>Funny People and who they Think are funny? So you

0:48:52.160 --> 0:48:55.960
<v Speaker 1>had dial, Hughesley brought on some more, John Stewart brought

0:48:56.000 --> 0:48:59.160
<v Speaker 1>on Lewis Black, and Bill Moore brought me on and said,

0:48:59.160 --> 0:49:00.960
<v Speaker 1>hey man, this is one of the funniest guys I know.

0:49:01.320 --> 0:49:02.840
<v Speaker 1>And that out a so that that's kind of how

0:49:02.840 --> 0:49:05.239
<v Speaker 1>I got started. But what I found out ultimately was

0:49:05.880 --> 0:49:09.319
<v Speaker 1>having been a rapper really helped prepare me for stand

0:49:09.400 --> 0:49:11.880
<v Speaker 1>up that well, it's well, first of all, you already

0:49:11.920 --> 0:49:13.359
<v Speaker 1>know where your way around the stage. I mean, any

0:49:13.400 --> 0:49:15.000
<v Speaker 1>comedian will tell you. Man, half the battle is just

0:49:15.040 --> 0:49:17.320
<v Speaker 1>feeling comfortable on stage and comfortable in front of strangers

0:49:17.360 --> 0:49:19.480
<v Speaker 1>and comfortable in front of fans. Man, we had already

0:49:19.560 --> 0:49:21.160
<v Speaker 1>done that. We would perform the front of hundreds of

0:49:21.200 --> 0:49:22.920
<v Speaker 1>thousands of people. You just got to make sure that

0:49:23.040 --> 0:49:25.960
<v Speaker 1>the maternity was tight. That it's unique to you and

0:49:26.080 --> 0:49:28.800
<v Speaker 1>to me. If you're talking about you know, Tommy, Tommy

0:49:28.840 --> 0:49:31.279
<v Speaker 1>and Bill mar you know, two of the greats, and

0:49:31.360 --> 0:49:37.040
<v Speaker 1>they literally kind of forced me. I mean if you

0:49:37.120 --> 0:49:40.319
<v Speaker 1>talk about if you talk about comedian idols, I mean,

0:49:40.560 --> 0:49:43.719
<v Speaker 1>you know everybody, the Richard proect. Tommy is one of

0:49:43.800 --> 0:49:46.320
<v Speaker 1>the He's so underrated. He's one of the greatest of

0:49:46.360 --> 0:49:48.719
<v Speaker 1>all times. And you know, we're a lot of like,

0:49:49.000 --> 0:49:51.080
<v Speaker 1>you know, kind of manning and over you know what

0:49:51.080 --> 0:49:53.440
<v Speaker 1>I mean, real quick off the top and stuff like that.

0:49:53.560 --> 0:49:56.279
<v Speaker 1>So he was a great, great influence. And and you know,

0:49:56.360 --> 0:49:58.800
<v Speaker 1>and Bill, somebody as as great as Bill was behind that.

0:49:58.960 --> 0:50:02.279
<v Speaker 1>So um, it felt comfortable like almost off the rip.

0:50:02.640 --> 0:50:04.040
<v Speaker 1>You know what I'm saying. And what did you think

0:50:04.040 --> 0:50:06.480
<v Speaker 1>when you when when he said to you, I was

0:50:06.520 --> 0:50:08.839
<v Speaker 1>an interesting piece of news. He didn't come get at

0:50:08.920 --> 0:50:10.800
<v Speaker 1>me like yo playing I'm gonna do comedy. I just

0:50:10.880 --> 0:50:13.640
<v Speaker 1>heard he was doing comedy. I just know how much

0:50:13.680 --> 0:50:16.680
<v Speaker 1>he makes me laugh. I just hope it translated to

0:50:16.840 --> 0:50:19.200
<v Speaker 1>huge your audiences. But no, I was good with it.

0:50:19.280 --> 0:50:21.719
<v Speaker 1>I heard he was like Bigfoot. There were sightings of him.

0:50:21.840 --> 0:50:23.800
<v Speaker 1>He's here's this club, He's only did you see him on?

0:50:24.040 --> 0:50:27.120
<v Speaker 1>I did see um when he hosted that show you

0:50:27.160 --> 0:50:28.840
<v Speaker 1>know that? But I got a question. Do you anybody

0:50:28.920 --> 0:50:31.200
<v Speaker 1>remember when Will Smith tried to do stand up? Oh?

0:50:31.280 --> 0:50:34.920
<v Speaker 1>I don't remember. It was like a word show about

0:50:35.000 --> 0:50:38.320
<v Speaker 1>bombing because he did a joke about it. Supposed Jesus

0:50:38.400 --> 0:50:41.520
<v Speaker 1>came out with sneakers and they were calling Jesus too.

0:50:41.640 --> 0:50:46.879
<v Speaker 1>So you know, I don't never forget that man. But yeah,

0:50:47.320 --> 0:50:50.600
<v Speaker 1>the best of what kids doing his thing? But what

0:50:50.760 --> 0:50:55.640
<v Speaker 1>was your worst night? Wow? Alright, you're gonna love this one, right,

0:50:55.719 --> 0:50:58.640
<v Speaker 1>T King's gonna love this one because I died Royal Okay,

0:50:59.040 --> 0:51:03.920
<v Speaker 1>so I was in to rock Arkansas. It's gonna be Arkansas, right,

0:51:04.239 --> 0:51:08.080
<v Speaker 1>Bill Clinton and I'm crushing it, dude. I'm crushing it

0:51:08.280 --> 0:51:12.080
<v Speaker 1>Thursday and crushing Friday, crushing it. And back then I

0:51:12.200 --> 0:51:14.360
<v Speaker 1>used to bring our DJ DJ Whiz I used to

0:51:14.400 --> 0:51:15.960
<v Speaker 1>bring in with me. You know, I almost like on

0:51:16.040 --> 0:51:18.600
<v Speaker 1>this kick of pre stuff. You know, play play up stuff.

0:51:19.160 --> 0:51:21.440
<v Speaker 1>We'll get to that later. Yeah, yeah, play play the

0:51:21.520 --> 0:51:25.759
<v Speaker 1>comedians on, playing me on whatever kind. So Whis would

0:51:25.760 --> 0:51:27.960
<v Speaker 1>come with me. So where's with me that weekend? So

0:51:28.080 --> 0:51:30.279
<v Speaker 1>I'm feeling myself, man, Saturday? Now, I said, Minimo, try

0:51:30.320 --> 0:51:33.120
<v Speaker 1>this brand new jaw. I'm feelings. I was watching TV

0:51:33.320 --> 0:51:36.359
<v Speaker 1>or in the room probably getting Yeah, I got cash

0:51:36.600 --> 0:51:43.839
<v Speaker 1>because I was doing so much exact I'm so um.

0:51:43.880 --> 0:51:45.439
<v Speaker 1>I said, all right, I'm gonna pick ups pick spot

0:51:45.520 --> 0:51:47.560
<v Speaker 1>right in the middle, so I'll come out. I'm crushing him.

0:51:48.040 --> 0:51:50.359
<v Speaker 1>So now is the time to do the bread new joke.

0:51:50.640 --> 0:51:52.960
<v Speaker 1>So I said, hey, man, mind you we're in Little Rock, Arkansas.

0:51:53.000 --> 0:51:55.080
<v Speaker 1>I said, Man, I was watching a TV today. Now,

0:51:55.080 --> 0:51:56.719
<v Speaker 1>I was watching this religious program. Man. I don't know

0:51:56.719 --> 0:51:58.440
<v Speaker 1>if you guys are into a boy bands at all,

0:51:58.520 --> 0:52:00.719
<v Speaker 1>but you know they got a relig just boy band out.

0:52:00.760 --> 0:52:03.800
<v Speaker 1>Man heard these guys man. Then their first record was

0:52:03.840 --> 0:52:07.520
<v Speaker 1>called Jesus he's so neat. They put nails through his

0:52:07.800 --> 0:52:11.399
<v Speaker 1>arms and nails through his feet, and I just laid

0:52:11.440 --> 0:52:14.160
<v Speaker 1>it like jail. So the very was like the and

0:52:14.239 --> 0:52:20.360
<v Speaker 1>the audience went silent, and I looked down now and

0:52:20.719 --> 0:52:22.279
<v Speaker 1>I can look. I looked out in the corner of

0:52:22.280 --> 0:52:24.479
<v Speaker 1>my eye, and I can see Whiz whis was down below.

0:52:24.520 --> 0:52:26.759
<v Speaker 1>Whiz looked at me and said, why did you do that?

0:52:29.280 --> 0:52:36.320
<v Speaker 1>We were we kill that. This is the words I

0:52:36.400 --> 0:52:39.920
<v Speaker 1>every week, and I never ever ever told that joke again.

0:52:40.360 --> 0:52:45.520
<v Speaker 1>I just tell you just to be a comedian. That's

0:52:45.560 --> 0:52:47.239
<v Speaker 1>how you have to learn. If the joke is good,

0:52:49.239 --> 0:52:51.279
<v Speaker 1>we can go that afternoon, I said, I'm winning with

0:52:51.440 --> 0:53:04.839
<v Speaker 1>this still silence. Oh now, now now it's like it's

0:53:04.880 --> 0:53:07.840
<v Speaker 1>like y'all lives had did at three sixty. Because in

0:53:07.880 --> 0:53:11.120
<v Speaker 1>the beginning, um, I think you self call yourself a

0:53:11.280 --> 0:53:14.000
<v Speaker 1>nerd or something like that, and then you were like

0:53:14.120 --> 0:53:16.520
<v Speaker 1>the cool kid. You were a street kid. You actually

0:53:16.680 --> 0:53:19.319
<v Speaker 1>wanted to pursue you know, the street like even more

0:53:19.360 --> 0:53:21.320
<v Speaker 1>than you remember back then when you went to jail

0:53:21.640 --> 0:53:24.480
<v Speaker 1>because your celebrity and the talk come out. You know

0:53:24.480 --> 0:53:26.920
<v Speaker 1>what I'm saying. That was a stupidity then, you know,

0:53:27.440 --> 0:53:29.520
<v Speaker 1>but your lives is like three sixty now because he

0:53:29.600 --> 0:53:31.799
<v Speaker 1>got something called kid in Blaze. What you want your

0:53:31.840 --> 0:53:34.480
<v Speaker 1>own joint or you don't know, I'm gonna because just

0:53:34.560 --> 0:53:36.719
<v Speaker 1>just just you know, doesn't doesn't work like where you

0:53:36.800 --> 0:53:40.480
<v Speaker 1>got something called kid in blade and you are actually

0:53:40.680 --> 0:53:44.719
<v Speaker 1>a born again Christian believer? Now, how did how did

0:53:44.800 --> 0:53:46.840
<v Speaker 1>that happen for you? For for people that just to

0:53:46.920 --> 0:53:48.640
<v Speaker 1>cut right to the chase? Man, when you just get

0:53:48.680 --> 0:53:50.960
<v Speaker 1>everything you want, did you think it's going to be fulfilling,

0:53:51.120 --> 0:53:53.280
<v Speaker 1>going to be happy? You know who my ex wife

0:53:53.440 --> 0:53:57.160
<v Speaker 1>is and homes and calls? Who at all of that

0:53:57.280 --> 0:54:02.640
<v Speaker 1>good stuff had y'all coming to America? Come on, mcdown,

0:54:04.440 --> 0:54:10.360
<v Speaker 1>Lisa McDowell. But when you have everything, I mean everything,

0:54:10.400 --> 0:54:12.279
<v Speaker 1>I mean, come on, I wanted to be you. He's

0:54:12.320 --> 0:54:16.880
<v Speaker 1>buying benches her, He's doing benches and BMW's and portions.

0:54:16.960 --> 0:54:18.840
<v Speaker 1>I'm like, I gotta go bigger than these cats. What

0:54:18.920 --> 0:54:21.800
<v Speaker 1>do I Because it's like y'all do a Delorian what

0:54:21.840 --> 0:54:26.520
<v Speaker 1>I'm saying. So I've got trying to be back to

0:54:26.600 --> 0:54:39.080
<v Speaker 1>the feature of ships choosing a lot of money out life,

0:54:39.280 --> 0:54:41.360
<v Speaker 1>yo yo yo. He was, he was doing the w

0:54:43.440 --> 0:54:45.359
<v Speaker 1>and it just got to the point where it's like, yo,

0:54:45.600 --> 0:54:49.040
<v Speaker 1>this isn't doing it. This is like I'm tormented. It's like,

0:54:49.640 --> 0:54:51.640
<v Speaker 1>what more do I need to do? Whatever? And I'm

0:54:51.640 --> 0:54:54.680
<v Speaker 1>seeing you gotta cross into that dark side type stuff.

0:54:54.719 --> 0:54:56.960
<v Speaker 1>Now some people call a deal with naughty, making deals

0:54:57.040 --> 0:54:59.960
<v Speaker 1>down to use IM so scared. I was like, damn.

0:55:00.520 --> 0:55:02.759
<v Speaker 1>I was like, I gotta be kids. I did to

0:55:02.800 --> 0:55:05.480
<v Speaker 1>come here because I smoke weed on every episode. So

0:55:05.600 --> 0:55:08.800
<v Speaker 1>I was like, but then when you didn't decline and

0:55:08.920 --> 0:55:11.400
<v Speaker 1>you just came, I said, damn, he's the You're the

0:55:11.520 --> 0:55:13.680
<v Speaker 1>cool like turned over questions. But you know there's some

0:55:13.760 --> 0:55:15.480
<v Speaker 1>people that take it too far. They'd be like, I

0:55:15.520 --> 0:55:17.399
<v Speaker 1>mean I went through that stage too, Like what I'm

0:55:17.920 --> 0:55:20.440
<v Speaker 1>dinant mean you know what I'm saying. You couldn't like

0:55:20.520 --> 0:55:23.320
<v Speaker 1>he's Irish and Jamaican, like both of his side a

0:55:23.360 --> 0:55:28.239
<v Speaker 1>little bit. You know what's interested in? We have a

0:55:28.360 --> 0:55:31.279
<v Speaker 1>we have a relationship most don't have. It's like there

0:55:31.360 --> 0:55:34.080
<v Speaker 1>was no casting call for a kid, there was no

0:55:34.160 --> 0:55:37.680
<v Speaker 1>casting call for a play. We can finish each other's sentences.

0:55:37.800 --> 0:55:39.719
<v Speaker 1>We can if I'm not able to be on the

0:55:39.760 --> 0:55:41.880
<v Speaker 1>call for a business deal of vice versa. Just as

0:55:41.880 --> 0:55:44.320
<v Speaker 1>long as we had a conversation about it right to

0:55:44.680 --> 0:55:48.280
<v Speaker 1>We're good. So it's like, you know, it's just natural,

0:55:48.280 --> 0:55:50.520
<v Speaker 1>it's organic type thing. I mean, it ain't perfect. We

0:55:50.640 --> 0:55:53.439
<v Speaker 1>go we the odd company, you know what I'm saying,

0:55:53.800 --> 0:55:57.040
<v Speaker 1>especially now, but it's like it's all good, and it's

0:55:57.080 --> 0:55:59.920
<v Speaker 1>like for me, I just want people to beat them

0:56:00.000 --> 0:56:02.680
<v Speaker 1>albs man, because that's where we gotta If it's gonna

0:56:02.680 --> 0:56:04.239
<v Speaker 1>be any kind of change, you gotta start from that.

0:56:04.360 --> 0:56:06.120
<v Speaker 1>It just can't be like trying to be something you're not.

0:56:06.239 --> 0:56:15.600
<v Speaker 1>But spark it up man, Like yeah, um, they should

0:56:15.680 --> 0:56:18.719
<v Speaker 1>let me know before you guys. One thing that I

0:56:18.800 --> 0:56:20.480
<v Speaker 1>definitely want to know because and I was trying to

0:56:20.560 --> 0:56:22.000
<v Speaker 1>bring it up before, is that when you guys did

0:56:22.040 --> 0:56:25.000
<v Speaker 1>the movie stuff, if there's anything that artists could learn

0:56:25.080 --> 0:56:29.120
<v Speaker 1>today the way you guys structured those situations that do

0:56:29.200 --> 0:56:31.760
<v Speaker 1>you do you do you see something from those movies today?

0:56:32.000 --> 0:56:34.560
<v Speaker 1>Oh yeah, I mean people you know, we might have

0:56:34.680 --> 0:56:39.560
<v Speaker 1>took them for first, you got sixty and he got thirty. No,

0:56:39.680 --> 0:56:42.480
<v Speaker 1>I got thirty, got I got dirty? I think because

0:56:42.480 --> 0:56:46.719
<v Speaker 1>I literally knew we were like on on on the clock.

0:56:47.080 --> 0:56:49.279
<v Speaker 1>So if I had a little more screen time than him,

0:56:49.560 --> 0:56:51.479
<v Speaker 1>that means I probably got paid like like a little

0:56:51.520 --> 0:56:53.600
<v Speaker 1>bit more. But that was that was that top that

0:56:53.640 --> 0:56:56.640
<v Speaker 1>out like thirty g s. Nobody was getting. Nobody got

0:56:56.719 --> 0:57:00.719
<v Speaker 1>but but where they but where they didn't have an

0:57:00.719 --> 0:57:06.360
<v Speaker 1>option for say Blue now we gotta stick you up.

0:57:06.560 --> 0:57:08.800
<v Speaker 1>And I think it's because of our situation that a

0:57:08.880 --> 0:57:10.759
<v Speaker 1>lot of companies said, no, we will never let that

0:57:10.840 --> 0:57:15.000
<v Speaker 1>happen again. We are we want to make everything. If

0:57:15.040 --> 0:57:18.680
<v Speaker 1>you do movies, your images right over these. They didn't

0:57:18.680 --> 0:57:21.480
<v Speaker 1>have that with us, so and I think that that Fredmno,

0:57:21.880 --> 0:57:25.560
<v Speaker 1>good friend, match Select Records, great guy, but he let

0:57:25.640 --> 0:57:27.479
<v Speaker 1>that slip through the cracks, and I think he kicks

0:57:27.560 --> 0:57:31.760
<v Speaker 1>himself for not, you know, because no one thought whatever happened?

0:57:31.800 --> 0:57:33.880
<v Speaker 1>But did you guys got production credits in the In

0:57:33.920 --> 0:57:36.320
<v Speaker 1>the following films, it grew a lot of stuff grew

0:57:36.400 --> 0:57:40.360
<v Speaker 1>eventually because the situations where people can learn from those situations. Yeah,

0:57:40.840 --> 0:57:43.360
<v Speaker 1>I would say this. I would say this, the type

0:57:43.400 --> 0:57:46.400
<v Speaker 1>of input that that we had and and thank thankfully

0:57:46.480 --> 0:57:49.360
<v Speaker 1>that director, the directors and the producers gave us would

0:57:49.400 --> 0:57:54.320
<v Speaker 1>be considered producing today, but were not. You described, Yeah,

0:57:54.400 --> 0:57:57.920
<v Speaker 1>you know he's finding Bernie Man writing, you know, remaking

0:57:57.960 --> 0:58:00.640
<v Speaker 1>the thing, you know, writing all the raps. But that's

0:58:00.680 --> 0:58:05.320
<v Speaker 1>producing today, ain't that producing? So no, know what you're worth,

0:58:05.880 --> 0:58:08.040
<v Speaker 1>Know what talents you're bringing to the table because a

0:58:08.120 --> 0:58:09.560
<v Speaker 1>lot of the things that that we did and they

0:58:09.880 --> 0:58:12.080
<v Speaker 1>took for granted. Look it all came out and and

0:58:12.200 --> 0:58:14.959
<v Speaker 1>thirty years later we still here, you know, doing our things.

0:58:15.280 --> 0:58:18.640
<v Speaker 1>But just know exactly what these the details are of

0:58:18.960 --> 0:58:21.200
<v Speaker 1>what you're expected because that, yeah, what we were doing

0:58:21.240 --> 0:58:25.440
<v Speaker 1>back then, that's that's production about that. Want to ask

0:58:25.520 --> 0:58:29.680
<v Speaker 1>him about now when y'all did that's DJ? What y'all

0:58:29.680 --> 0:58:33.000
<v Speaker 1>did that Martin? Um? Um he did. He was a

0:58:33.080 --> 0:58:36.160
<v Speaker 1>DJ for Martin's death jam thing but prior to that.

0:58:36.520 --> 0:58:40.520
<v Speaker 1>But when it goes more hear you did the thing.

0:58:40.680 --> 0:58:42.480
<v Speaker 1>But that's kicking reason why when it goes no, no, no,

0:58:42.640 --> 0:58:44.760
<v Speaker 1>let me tell you what happened. We did a couple

0:58:44.840 --> 0:58:47.600
<v Speaker 1>of different verses. The one like the first couple of years,

0:58:48.280 --> 0:58:52.440
<v Speaker 1>that's me sounded like capri, that's me, gonna mind you

0:58:52.480 --> 0:58:56.280
<v Speaker 1>know I came there to do it. Now, Yeah, yeah,

0:58:56.320 --> 0:58:58.720
<v Speaker 1>that was me, And I apologize comp I should have

0:58:58.920 --> 0:59:04.160
<v Speaker 1>you know, I should have called to up. But that's

0:59:04.160 --> 0:59:08.800
<v Speaker 1>what but that's what but then don't But it's like

0:59:08.880 --> 0:59:15.440
<v Speaker 1>finding out But let me tell you what happened. You know, honestly,

0:59:15.480 --> 0:59:17.640
<v Speaker 1>out of respect for Caprix, I didn't. I didn't. I

0:59:17.680 --> 0:59:19.720
<v Speaker 1>didn't sample him. We didn't sample him off the top,

0:59:19.800 --> 0:59:22.240
<v Speaker 1>so and I knew I could imitate it. And second

0:59:23.000 --> 0:59:25.040
<v Speaker 1>but then like after the second year, I was like, name,

0:59:25.080 --> 0:59:26.760
<v Speaker 1>just want to go go, go puck a free voice.

0:59:26.760 --> 0:59:29.840
<v Speaker 1>So that's probably when you were probably every one of

0:59:29.920 --> 0:59:32.440
<v Speaker 1>them season when we just slipped them back in there. Man,

0:59:32.560 --> 0:59:37.400
<v Speaker 1>so jet separation with because that's how dude first tour.

0:59:37.560 --> 0:59:40.240
<v Speaker 1>He'll tell you this that he ever ever did was

0:59:40.280 --> 0:59:43.520
<v Speaker 1>with us, ever ever did, because it was the time

0:59:43.600 --> 0:59:45.920
<v Speaker 1>we said, yo, I wanted to DJs WHI and we

0:59:46.040 --> 0:59:48.440
<v Speaker 1>tell abody living up to crowd the whole nine. But

0:59:48.520 --> 0:59:53.400
<v Speaker 1>the only thing about him he refused to fly. Yeah,

0:59:53.440 --> 0:59:56.160
<v Speaker 1>he's the John Madden of DJs. That's so much. DJ

0:59:56.280 --> 1:00:00.680
<v Speaker 1>College was like that, that's flying out right. I was tempted,

1:00:00.680 --> 1:00:04.520
<v Speaker 1>But I don't think me being a part of the story,

1:00:04.640 --> 1:00:07.400
<v Speaker 1>me being a part of a group, right, even though

1:00:07.480 --> 1:00:11.560
<v Speaker 1>even though it's it's too us right, I'm componing Oriegi.

1:00:11.560 --> 1:00:14.720
<v Speaker 1>You guys a kid and play. It's kind of hard

1:00:14.840 --> 1:00:17.720
<v Speaker 1>to stick stick together when you grow apart. But you,

1:00:18.160 --> 1:00:20.760
<v Speaker 1>you're still the same kids that you remember, Like how

1:00:21.000 --> 1:00:23.800
<v Speaker 1>what is the worst worst part of kids? And play

1:00:24.080 --> 1:00:28.200
<v Speaker 1>as your relationship as famous people because you're our friends.

1:00:28.280 --> 1:00:30.840
<v Speaker 1>Prior to that, I think there's only there's only want

1:00:30.840 --> 1:00:33.360
<v Speaker 1>to think of one. But that's not bad. It's not bad.

1:00:33.440 --> 1:00:35.800
<v Speaker 1>I don't be talking about the airport. What happened to

1:00:35.800 --> 1:00:40.720
<v Speaker 1>the airport? I think separate sep. I'm thinking about the

1:00:40.800 --> 1:00:42.280
<v Speaker 1>time because if you were look at some of the

1:00:42.360 --> 1:00:45.160
<v Speaker 1>times we started blowing up. We started doing interviews on

1:00:45.840 --> 1:00:53.040
<v Speaker 1>you know, Fish Fight Coming Down and BT shows and

1:00:53.120 --> 1:00:55.160
<v Speaker 1>all this stuff, and all of a sudden, this guy

1:00:55.240 --> 1:01:00.680
<v Speaker 1>starts wearing like he's right now dark shades. Everybody and

1:01:00.720 --> 1:01:02.280
<v Speaker 1>the crew was like, yeah, we're over kid in the

1:01:02.400 --> 1:01:04.240
<v Speaker 1>dark ship and you know, even in the light. You

1:01:04.320 --> 1:01:06.320
<v Speaker 1>know what you said, that was a little odd. It

1:01:06.440 --> 1:01:08.760
<v Speaker 1>was like a sign of black, like he was going on, Hollywood,

1:01:08.800 --> 1:01:11.040
<v Speaker 1>you forgot this, this what happened we were flying back.

1:01:11.080 --> 1:01:15.680
<v Speaker 1>I think that's what you're saying. Well in AFOL he

1:01:15.800 --> 1:01:18.600
<v Speaker 1>was liked be like, yo, maybe that should look back

1:01:18.600 --> 1:01:20.880
<v Speaker 1>and I'm like, okay, we're off, and it was like,

1:01:21.000 --> 1:01:22.280
<v Speaker 1>you know, I don't want to share a thing with him,

1:01:22.320 --> 1:01:25.000
<v Speaker 1>nor get like that. But it's like, dude, which you

1:01:25.080 --> 1:01:27.160
<v Speaker 1>forgot distress. That's what has When he was flying back

1:01:27.200 --> 1:01:29.000
<v Speaker 1>to New York, I think from Los Angeles, man of

1:01:29.040 --> 1:01:30.840
<v Speaker 1>fact and Jeff Christie was with a shout out to

1:01:30.920 --> 1:01:33.640
<v Speaker 1>Jeff Christie and for something man I felt with a

1:01:33.680 --> 1:01:36.400
<v Speaker 1>specific specific thing was but we know we was, we was,

1:01:36.480 --> 1:01:37.960
<v Speaker 1>we were butting hands. I think we were waiting on

1:01:38.040 --> 1:01:39.520
<v Speaker 1>the car and the car was coming and you said

1:01:39.520 --> 1:01:41.840
<v Speaker 1>you gotta go here, and then this and that and

1:01:42.240 --> 1:01:43.960
<v Speaker 1>you know what I'm saying. You don't remember we got

1:01:44.080 --> 1:01:45.880
<v Speaker 1>into it and then and then you know, we had

1:01:45.920 --> 1:01:48.760
<v Speaker 1>to get separated by Jeff Christie and you remember they

1:01:48.760 --> 1:01:50.280
<v Speaker 1>were they were like fans like, oh my god, can

1:01:50.400 --> 1:01:54.720
<v Speaker 1>you play your face? You don't believe that the black

1:01:54.760 --> 1:01:57.040
<v Speaker 1>down that was like only time I could think of

1:01:57.160 --> 1:01:59.480
<v Speaker 1>that was like a million freaking years ago. Yeah. But

1:01:59.720 --> 1:02:01.360
<v Speaker 1>let me to tell you something. Let me ask you

1:02:01.400 --> 1:02:05.840
<v Speaker 1>all a question, Right, do you realize how famous y'all? All?

1:02:05.920 --> 1:02:09.840
<v Speaker 1>Though I don't, you don't And I'm just I'm not

1:02:09.960 --> 1:02:12.960
<v Speaker 1>telling you. I'm not telling you what I think you

1:02:13.040 --> 1:02:15.200
<v Speaker 1>want to hear. I really don't. And I'm kind of

1:02:15.280 --> 1:02:18.600
<v Speaker 1>glad for that because you know, get the ego and

1:02:18.640 --> 1:02:20.320
<v Speaker 1>all of that kind of stuff like that. But as

1:02:20.680 --> 1:02:23.280
<v Speaker 1>just now, kind of recently, like last night, I was

1:02:23.360 --> 1:02:26.160
<v Speaker 1>at the Black X, I mean Radio one b Expo,

1:02:26.200 --> 1:02:30.200
<v Speaker 1>shoutout to Charisse Ma Malachi, and I did what I

1:02:30.240 --> 1:02:33.000
<v Speaker 1>had to do, premiering a documentary about dancers and hip

1:02:33.040 --> 1:02:35.720
<v Speaker 1>hop and all, and I go to hang out and

1:02:36.440 --> 1:02:38.760
<v Speaker 1>the guy grabbed me in a yoke and won't let

1:02:38.840 --> 1:02:42.360
<v Speaker 1>me go for like three minutes. It's Alan Iverson's just

1:02:42.760 --> 1:02:47.680
<v Speaker 1>talking about how much an influence of my character men

1:02:47.760 --> 1:02:50.360
<v Speaker 1>on him on being cool, and then other people in

1:02:50.440 --> 1:02:52.919
<v Speaker 1>the business just coming going y'all. And it's funny because

1:02:52.960 --> 1:02:54.680
<v Speaker 1>back then cats wouldn't tell you that, you know how

1:02:54.720 --> 1:02:57.040
<v Speaker 1>we all did. And now as we gotten older and

1:02:57.160 --> 1:03:00.480
<v Speaker 1>humble and appreciate life more, we come up to each

1:03:00.520 --> 1:03:03.640
<v Speaker 1>other and say, Yo, you need to know what this

1:03:03.800 --> 1:03:06.480
<v Speaker 1>meant to me. You know what I'm saying. So now

1:03:06.600 --> 1:03:08.640
<v Speaker 1>I'm beginning to get it. Like I wasn't big on

1:03:08.800 --> 1:03:11.520
<v Speaker 1>legend and icon and all that stuff. People, I tell

1:03:11.600 --> 1:03:15.880
<v Speaker 1>him that I'm still working on it. Definitely pioneers, but

1:03:16.000 --> 1:03:18.360
<v Speaker 1>like last night, I'm with Grandmaster Casts, and I'm with

1:03:19.560 --> 1:03:25.240
<v Speaker 1>Cast that's living legend. But That's what drink champters about.

1:03:25.280 --> 1:03:28.600
<v Speaker 1>And I just want to reiterate that that's that's what

1:03:28.760 --> 1:03:31.120
<v Speaker 1>I saw that there was a lack of I feel

1:03:31.160 --> 1:03:35.320
<v Speaker 1>like when the person when a person has ten, twelve,

1:03:35.560 --> 1:03:38.680
<v Speaker 1>fifteen years in this game, we write them all as

1:03:38.720 --> 1:03:41.480
<v Speaker 1>opposed to with rock and roll and and just celebrate them.

1:03:41.520 --> 1:03:44.560
<v Speaker 1>They celebrate them, and I think all culture has to

1:03:44.800 --> 1:03:46.920
<v Speaker 1>change change that. That's why a lot of people come

1:03:47.000 --> 1:03:48.840
<v Speaker 1>to me and they want me to interview new artists

1:03:49.320 --> 1:03:52.680
<v Speaker 1>about this artists because I just want to. I feel

1:03:52.680 --> 1:03:55.360
<v Speaker 1>like they got the regular ratings about this industry. Man

1:03:55.520 --> 1:03:57.520
<v Speaker 1>is one where ages m because you don't do it

1:03:57.600 --> 1:04:01.680
<v Speaker 1>at the colors, you know, John, But when it comes

1:04:01.720 --> 1:04:05.320
<v Speaker 1>to this, it's like wow, like really and it should

1:04:05.320 --> 1:04:09.520
<v Speaker 1>be already in ages and doesn't go together to your point.

1:04:09.600 --> 1:04:12.360
<v Speaker 1>I look, you know the young rappers they rolled upon

1:04:12.480 --> 1:04:14.600
<v Speaker 1>us and they show us mad love if he either

1:04:14.640 --> 1:04:20.360
<v Speaker 1>where if we're together or he's aout. All of them

1:04:20.400 --> 1:04:23.640
<v Speaker 1>got me and they love and we appreciate it because

1:04:24.880 --> 1:04:26.520
<v Speaker 1>but I just try to We just try to tell

1:04:26.600 --> 1:04:29.560
<v Speaker 1>them to say, hey, man, we are are you know,

1:04:29.720 --> 1:04:32.320
<v Speaker 1>our participation, you know, you know our work is kind

1:04:32.320 --> 1:04:34.800
<v Speaker 1>of done, you know, we're either yeah, we're on that

1:04:34.960 --> 1:04:37.000
<v Speaker 1>wall to whever you you know, wherever you want to

1:04:37.000 --> 1:04:39.960
<v Speaker 1>put us. Now you got the ball, you got the bag,

1:04:40.040 --> 1:04:41.640
<v Speaker 1>Now you got the football. What you're gonna do with

1:04:41.680 --> 1:04:43.800
<v Speaker 1>You're gonna fumbling at the one or you untill gonna

1:04:43.800 --> 1:04:48.320
<v Speaker 1>bears said. Okay, you said something that just bother me.

1:04:48.400 --> 1:04:50.120
<v Speaker 1>You just said they don't have to and the thing

1:04:50.160 --> 1:04:52.720
<v Speaker 1>about it as Kid, that's that's something that we got

1:04:52.840 --> 1:04:54.480
<v Speaker 1>to take out of the culture. I think they should

1:04:54.520 --> 1:04:58.560
<v Speaker 1>have to. I think that if if if a person

1:04:58.680 --> 1:05:00.920
<v Speaker 1>is a two man group and a person has not

1:05:01.160 --> 1:05:04.400
<v Speaker 1>reached the accomplishment of accolades, I think they should they

1:05:04.440 --> 1:05:07.240
<v Speaker 1>should be asking you the time to throw the roses

1:05:07.320 --> 1:05:11.040
<v Speaker 1>at your feet with time. We really got a guy

1:05:11.080 --> 1:05:13.360
<v Speaker 1>for the show, is going for the show because we

1:05:14.840 --> 1:05:16.680
<v Speaker 1>got you. I want to take this time personally on

1:05:17.000 --> 1:05:21.000
<v Speaker 1>behalf of Kid and I to thank you because you're

1:05:21.040 --> 1:05:23.400
<v Speaker 1>going through some things, you know how it goes in

1:05:23.480 --> 1:05:25.840
<v Speaker 1>this joint of course, and I'm hearing this thing about

1:05:26.080 --> 1:05:29.800
<v Speaker 1>Nori and his podcast, and I didn't know the name

1:05:29.840 --> 1:05:32.520
<v Speaker 1>of it, but this thing has become the talk man.

1:05:32.640 --> 1:05:35.560
<v Speaker 1>I mean on some breakfast club maybe hind all this

1:05:36.200 --> 1:05:43.240
<v Speaker 1>and congratulations to y'all too really and you don't let

1:05:43.360 --> 1:05:50.720
<v Speaker 1>no you look good. Seriously, man, we want because we

1:05:50.880 --> 1:05:53.480
<v Speaker 1>just realized that this is the last thing. We realized

1:05:53.520 --> 1:05:55.880
<v Speaker 1>that hip hop has to have a platform to salute

1:05:55.920 --> 1:05:58.280
<v Speaker 1>hip hop. You know what I'm saying at the end

1:05:58.320 --> 1:06:01.160
<v Speaker 1>of the day, like our culture has to continue. And

1:06:02.120 --> 1:06:04.000
<v Speaker 1>the older we get in this game, it should be

1:06:04.080 --> 1:06:07.280
<v Speaker 1>like the tribes in Africa. The older you get, the

1:06:07.400 --> 1:06:10.480
<v Speaker 1>more the more revere should you should be throwing. So

1:06:10.680 --> 1:06:12.160
<v Speaker 1>you know, I know, we gotta rush because you guys

1:06:12.200 --> 1:06:16.040
<v Speaker 1>are doing today. You got to make some noos. Motherfucker

1:06:16.120 --> 1:06:21.960
<v Speaker 1>kids were quick jo. We love, we love, we love

1:06:22.000 --> 1:06:32.160
<v Speaker 1>watching y'all. Advice to shout out to week no not

1:06:32.280 --> 1:06:33.880
<v Speaker 1>big shout out man, we love, we love the show.

1:06:34.160 --> 1:06:35.920
<v Speaker 1>Keep doing what you're doing now that we get to

1:06:36.000 --> 1:06:37.400
<v Speaker 1>talk to you about it, and really they need to

1:06:37.560 --> 1:06:40.120
<v Speaker 1>the whole mindset behind it, and it's perfect is right

1:06:40.160 --> 1:06:43.160
<v Speaker 1>on time you're teaching the children, that's right anytime. So

1:06:43.520 --> 1:06:46.280
<v Speaker 1>we just get to a pictures Thank you so much

1:06:46.400 --> 1:06:50.200
<v Speaker 1>if you're apologize, okay, yeah, picture picture picture first. Who

1:06:50.240 --> 1:06:52.040
<v Speaker 1>are you up? Dre Okay,