WEBVTT - Cut Down

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 2>Some are solved and some are cold, very cold.

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<v Speaker 1>This is buried bones.

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<v Speaker 2>Vakate. How are you?

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<v Speaker 1>I'm great, Paul, how are you?

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<v Speaker 2>I am doing really good.

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<v Speaker 1>I have a big sports story for you. Not really,

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<v Speaker 1>it's big for our family. One of my girls, Quinn,

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<v Speaker 1>is a big athlete. She loves basically every sport. We

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<v Speaker 1>are not a basketball family, okay, we just you know,

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<v Speaker 1>I played soccer, Quinn plays volleyball. She's great at volleyball.

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<v Speaker 1>You know, We've done a lot of different sports. Basketball

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<v Speaker 1>has never been one of them. Did your kids ever

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<v Speaker 1>play basketball or did you ever play basketball? And no, tall,

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<v Speaker 1>short jokes whatever you're about to say, not being qualified

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<v Speaker 1>to play basketball because of your height.

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<v Speaker 2>Yeah, you know, during I would say, like the sixth

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<v Speaker 2>to eighth grade, basketball is my favorite sport.

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<v Speaker 1>Okay.

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<v Speaker 2>I was out in San Antonio and there was a

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<v Speaker 2>basketball hoop out there on the street and I would

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<v Speaker 2>go and do like one hundred labs with my right hand,

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<v Speaker 2>hundred labs with my left hand, you know, and a

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<v Speaker 2>lot of pickup games and never played it after that,

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<v Speaker 2>you know, So I have experience with basketball. I kind

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<v Speaker 2>of wish I had done it in high school, you know,

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<v Speaker 2>instead ended up playing football, and my body just did

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<v Speaker 2>not hold up very well to football.

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<v Speaker 1>So football ruined you essentially for other sports.

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<v Speaker 2>Is yes, that pretty much. I had a my junior

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<v Speaker 2>year during hell week, you know, helmet to helmet collision,

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<v Speaker 2>you know, the pick a hole, and ended up getting

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<v Speaker 2>a pretty significant concussion.

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<v Speaker 1>Oh.

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<v Speaker 2>I still get what I call my concussion headache today,

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<v Speaker 2>which is right here. This is a weird thing, And

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<v Speaker 2>in hindsight, I am very happy that I did not

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<v Speaker 2>continue to play football because in you know, what kind

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<v Speaker 2>of injuries or even concussive effects would I have now

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<v Speaker 2>that I'm getting older.

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<v Speaker 1>Oh, yeah, I mean, how awful, awful awful, And your

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<v Speaker 1>kids did not play in high school? I assume no.

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<v Speaker 2>You know, my older kids they both played volleyball, My

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<v Speaker 2>oldest daughter played water polo o. My younger kids just

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<v Speaker 2>never took up sports. They just were not interested in it.

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<v Speaker 1>Okay, well I have one kid like that, and then Quinn,

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<v Speaker 1>who will play anything. So Quinn got talked into playing

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<v Speaker 1>basketball because she's friends with these two seniors who were

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<v Speaker 1>wonderful and they're on the basketball team, and they said,

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<v Speaker 1>you know, you need to come play basketball. So she said, okay,

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<v Speaker 1>I've never played before. We'll go to the park and

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<v Speaker 1>shoot hoops a little bit. But neither of us. I mean,

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<v Speaker 1>I'm not good. She's not particularly good either, so she

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<v Speaker 1>is petrified to play. I think it was the second game.

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<v Speaker 1>I was sitting there watching her and I was talking

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<v Speaker 1>to one of the other parents, and I saw her

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<v Speaker 1>sitting next to the head coach, listening to him really intently,

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<v Speaker 1>and he had a notepad, and I asked one of

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<v Speaker 1>the parents, who's really into basketball? I said, what's happening?

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<v Speaker 1>And she said that the coach is teaching your kid

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<v Speaker 1>how to play right before she goes on because she

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<v Speaker 1>didn't know the difference fall between offense and defense in

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<v Speaker 1>terms of basketball. She didn't understand. Yeah, so I said

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<v Speaker 1>to her, I gave her the ageous device I could

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<v Speaker 1>come up with, which is win in out, steal the ball,

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<v Speaker 1>don't touch the person, but steal the ball and get

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<v Speaker 1>it to somebody who can shoot. Because I think it's

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<v Speaker 1>unrealistic for her to think that she's going to be

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<v Speaker 1>shooting three pointers immediately. We have to kind of build

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<v Speaker 1>up to that. Yeah, and the coach of Green with

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<v Speaker 1>my technique, and so we said that's a good idea.

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<v Speaker 1>So she's playing. She's playing, she's doing what I'm saying.

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<v Speaker 1>She's not really stealing the ball, but when she does

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<v Speaker 1>get the ball, she's feeding it to the right people.

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<v Speaker 1>So there's three seconds left and we are just getting killed.

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<v Speaker 1>Like it's pretty awful. I think it's like ten to

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<v Speaker 1>forty eight or something else. Really Okay, yeah, it was

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<v Speaker 1>really bad. But she's just happy to be on the

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<v Speaker 1>court and just trying to figure out the way this

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<v Speaker 1>game works. And all of her friends says she's doing

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<v Speaker 1>a good job. So she's on the court. There's three

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<v Speaker 1>seconds left. There's somebody I don't remember the technical term.

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<v Speaker 1>What is it when you get the ball and you go,

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<v Speaker 1>you know, across the line and then you like throw

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<v Speaker 1>it in, you do like a chess throw or whatever

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<v Speaker 1>in and then the person on your team can throw

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<v Speaker 1>and could shoot. What is that? What does that mean?

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<v Speaker 1>Taking an inbound or something like that?

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<v Speaker 2>Inbound pass? Yeah, for sure, I think that's what you're

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<v Speaker 2>talking about.

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<v Speaker 1>Yeah. So her teammates on the sideline with the ball

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<v Speaker 1>and their team is crowded up. The kids who are

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<v Speaker 1>on the court are all crowded up. There's three seconds left,

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<v Speaker 1>and the girl looks at Quinn, her teammate, and starts saying,

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<v Speaker 1>I'm going, oh god, Quinn's going to get the ball,

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<v Speaker 1>and there's three seconds left. Maybe she can turn and

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<v Speaker 1>shoot and salvage something from this terrible game. So the

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<v Speaker 1>clock starts, the girl has the ball, she looks at Quinn.

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<v Speaker 1>She passes Quinn the ball, and Quinn ducks.

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<v Speaker 2>Of course she does.

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<v Speaker 1>I've never seen that happen before. And the buzzer is

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<v Speaker 1>so dramatic, and then the buzzer goes off and I

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<v Speaker 1>started laughing, and luckily her coach laughed too. You know,

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<v Speaker 1>we were like a smart art school. The sports is

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<v Speaker 1>not their big priority. We love sports, but you know,

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<v Speaker 1>we give that same kind of energy to like the

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<v Speaker 1>art shows and the bands that they have. So sure,

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<v Speaker 1>luckily nobody really ribbed her too much about it. But

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<v Speaker 1>oh my gosh, I mean when she did that, I

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<v Speaker 1>just thought, that's my kid. Boy, she just and then

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<v Speaker 1>she said she got into the car and she said, Paul,

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<v Speaker 1>she said, it's three seconds. What am I supposed to

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<v Speaker 1>do it through? Was I really supposed to take a shot?

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<v Speaker 1>And I said, yes, you weren't. You were supposed to

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<v Speaker 1>do a shot.

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<v Speaker 2>For her, though, you know, that's that's a tough position

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<v Speaker 2>to be put in.

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<v Speaker 1>I know. And she said, well, I didn't think she

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<v Speaker 1>was throwing it to me at all. And I said, okay,

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<v Speaker 1>well I understand that, but when you done right, well

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<v Speaker 1>I thought that was funny. It was a very typical

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<v Speaker 1>kind of Quinn story that was lovely.

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<v Speaker 2>No, yeah, when and yeah, I would say, like basketball,

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<v Speaker 2>the worst injury I ever got from basketball was the

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<v Speaker 2>ball to the nose. Oh that hurts so bad. You know,

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<v Speaker 2>it bangs off the rim and now it hits the

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<v Speaker 2>square in the face. You're done at that point. Fortunately,

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<v Speaker 2>I never broke my nose as a result, but I

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<v Speaker 2>had that happen several times.

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<v Speaker 1>Yeah, I had a bad a couple of bad injuries

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<v Speaker 1>with soccer. I mean I felt like, you know, I

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<v Speaker 1>had a separated shoulder and broken ankle, broken foot, things

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<v Speaker 1>like that. But yeah, I don't know Quinn. She's gotten

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<v Speaker 1>better for sure. But when she ducked, I just thought,

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<v Speaker 1>that's she's comic relief. I think for sports.

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<v Speaker 2>Teams, is she going to be continuing to play? Is

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<v Speaker 2>this something that's ongoing?

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<v Speaker 1>Then the seniors are making her so yes, I think.

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<v Speaker 2>Okay.

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<v Speaker 1>So then we ended up playing a team where it

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<v Speaker 1>was reversed. I mean, we really like ended up stomping

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<v Speaker 1>this team and they were great sports about it. She

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<v Speaker 1>ended up scoring, and I kind of think she's like,

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<v Speaker 1>that's great. And I told my friend, I said, this

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<v Speaker 1>is like Vegas. You know, she hit the jackpot one time,

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<v Speaker 1>and hopefully she'll continue to go back, but there's no

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<v Speaker 1>guarantee depending on the team, so you know, she'll try

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<v Speaker 1>any sport essentially, But she's excited her sister doing rock climbing.

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<v Speaker 1>She's in a rock climbing club. So yeah, okay. One

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<v Speaker 1>of the things that my kiddos. Love is. We spent

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<v Speaker 1>a part of our summer in London every year, and

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<v Speaker 1>they do all kinds of activities outside, and we are,

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<v Speaker 1>for this story going to be in London, nineteen twenty two, London.

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<v Speaker 1>So you and I to go back to London where

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<v Speaker 1>we were.

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<v Speaker 2>That's great. You know, I've gotten to know London a

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<v Speaker 2>little bit better since you and I met up there,

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<v Speaker 2>and you were with me when the hotel caught fire, right,

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<v Speaker 2>that was dramatic.

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<v Speaker 1>I don't know was it that dramatic? I can't remember

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<v Speaker 1>was it really? I guess it was.

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<v Speaker 2>You had the fire engines coming, they had their homeland

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<v Speaker 2>the equivalent of their homeland security people showing up being honest, like,

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<v Speaker 2>are we dealing with a terrorist act here? You know

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<v Speaker 2>which over in London. That's that's something. But then we

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<v Speaker 2>all end up petting to a bar and waiting the

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<v Speaker 2>fire out.

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<v Speaker 1>It was a pub, but yes, that's exactly what.

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<v Speaker 2>We same thing. Speaking of which, I got my bourbon

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<v Speaker 2>for this episode, so.

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<v Speaker 1>Oh you did? You did your American bourbon for this

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<v Speaker 1>very British story.

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<v Speaker 2>I think, yeah, they need to have more more bourbon

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<v Speaker 2>over in London. There's too much Scotch.

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<v Speaker 1>I can't even get into the difference because I'm clueless

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<v Speaker 1>about the difference and frankly not that interesting.

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<v Speaker 2>Yeah, if you don't like bourbon, you would struggle with

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<v Speaker 2>Scotch at all likelihood.

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<v Speaker 1>I struggle with all hard liquor. They're not my friends

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<v Speaker 1>for sure. Okay, Well, I'm going to get a cider

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<v Speaker 1>and we're going to head to London and let me

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<v Speaker 1>set the scene. We are in nineteen twenty two UK,

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<v Speaker 1>and this is a story about a couple and their

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<v Speaker 1>relationship and kind of what ends up happening, and the

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<v Speaker 1>police really trying to piece some things together. It's just

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<v Speaker 1>after midnight. It's Wednesday, October fourth, nineteen twenty two, and

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<v Speaker 1>there's a young married couple named Edith and Percy Thompson.

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<v Speaker 1>You gotta love a good Percy. We don't get a

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<v Speaker 1>lot of Percy's here in the United States, I think, right.

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<v Speaker 2>No, you know, I can think of one football player

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<v Speaker 2>Minnesota Viking, Percy Harvin. Okay, that's probably the only purse. No,

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<v Speaker 2>I can think of somebody in high school. I think

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<v Speaker 2>I was also Percy.

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<v Speaker 1>Okay, very old school name, or at least in the

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<v Speaker 1>United States.

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<v Speaker 2>I think it would be ye.

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<v Speaker 1>So Edith and Percy are walking home from a trains

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<v Speaker 1>to their house in the London suburb of Ilford after

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<v Speaker 1>an evening out of the theater. You know, they're pretty

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<v Speaker 1>close in age. Edith is twenty eight and Percy is

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<v Speaker 1>thirty three. So getting right to the incident, here witnesses

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<v Speaker 1>here a woman's scream and she says, according to some witnesses,

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<v Speaker 1>she says, oh dear, what should I do? My husband

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<v Speaker 1>has fallen and cut his head. And they also then

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<v Speaker 1>hear the sound of vomiting. If we take this at

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<v Speaker 1>face value, I don't think we've talked about this before.

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<v Speaker 1>What happens to your body to trigger vomiting when you've

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<v Speaker 1>had some kind of a head injury. What is that exactly?

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<v Speaker 2>You're really testing my medical knowledge on this question. It's

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<v Speaker 2>I think, you know, when you start talking about, you know,

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<v Speaker 2>that nauseous feeling, I think there's a lot of things

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<v Speaker 2>that could cause that. You know, first of course, maybe

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<v Speaker 2>a brain injury, traumatic brain injury, but also you know,

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<v Speaker 2>there's weird things like with the cranial nerves, like like

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<v Speaker 2>there's a vagual nerve reflex where you can have all

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<v Speaker 2>sorts of different types of reactions to injury, whether it

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<v Speaker 2>be like to your neck, and that's something where the

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<v Speaker 2>medical evaluation would have to consider all sorts of different

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<v Speaker 2>things for this symptom. You know, it's if it truly

0:11:20.840 --> 0:11:23.640
<v Speaker 2>is a result of this traumatic you know, this fall

0:11:23.679 --> 0:11:27.600
<v Speaker 2>where it's at least significant enough that there's a laceration

0:11:27.760 --> 0:11:30.560
<v Speaker 2>on the scalp and you've got you know, this vomiting

0:11:30.600 --> 0:11:32.880
<v Speaker 2>that's occurring pretty quickly afterwards.

0:11:36.200 --> 0:11:41.400
<v Speaker 1>Okay, so sorry for testing your medical knowledge. Ball. We'll

0:11:41.440 --> 0:11:43.840
<v Speaker 1>see what comes of this though. Yeah, I understand, and

0:11:44.080 --> 0:11:46.600
<v Speaker 1>you know. So they hear the sound of vomiting. Edith

0:11:47.200 --> 0:11:49.000
<v Speaker 1>rushes to find some people to come to help, and

0:11:49.080 --> 0:11:51.719
<v Speaker 1>she finds two people who have also been walking back

0:11:51.720 --> 0:11:55.760
<v Speaker 1>from this train around midnight. She says, come quickly. She says,

0:11:55.800 --> 0:11:58.600
<v Speaker 1>her husband's blood is all over her. And they get

0:11:58.640 --> 0:12:01.559
<v Speaker 1>back to Percy. He's laying the ground, he is bleeding heavily,

0:12:02.240 --> 0:12:05.079
<v Speaker 1>and one of them runs to get a nearby doctor.

0:12:05.679 --> 0:12:08.280
<v Speaker 1>So the street is very dark, so I would assume

0:12:08.320 --> 0:12:11.080
<v Speaker 1>no street lights. One of the people who's come back

0:12:11.320 --> 0:12:13.880
<v Speaker 1>to help strike a match, and the only thing they

0:12:13.880 --> 0:12:17.120
<v Speaker 1>could really see is that Percy looks dead and there's

0:12:17.160 --> 0:12:20.200
<v Speaker 1>a large amount of blood on the ground around him.

0:12:20.600 --> 0:12:23.319
<v Speaker 1>A doctor gets to the scene about twelve forty am,

0:12:23.480 --> 0:12:27.080
<v Speaker 1>so this is, you know, thirty forty minutes afterwards, and

0:12:27.360 --> 0:12:31.000
<v Speaker 1>he says, this is interesting, Percy has appeared to be

0:12:31.040 --> 0:12:34.120
<v Speaker 1>dead for about ten minutes. So I looked it up.

0:12:34.160 --> 0:12:36.880
<v Speaker 1>The nineteen twenties. They just said rigor and body temperature

0:12:37.160 --> 0:12:40.200
<v Speaker 1>were used to determine time of death. Ten minutes seems

0:12:40.200 --> 0:12:43.679
<v Speaker 1>pretty specific. How would he know that? Is that based

0:12:43.720 --> 0:12:45.400
<v Speaker 1>on body tibe? What was it? What is that?

0:12:45.800 --> 0:12:50.400
<v Speaker 2>No, ten minutes. There isn't going to be anything that

0:12:50.640 --> 0:12:55.360
<v Speaker 2>would indicate that short duration of time. There's just no

0:12:55.520 --> 0:12:58.000
<v Speaker 2>way that doctor would be able to say he's been

0:12:58.040 --> 0:13:01.880
<v Speaker 2>dead ten minutes. Weird, you know. Of course, back back

0:13:01.880 --> 0:13:05.480
<v Speaker 2>in the day, you know, liver temperature would be used,

0:13:05.880 --> 0:13:09.200
<v Speaker 2>you know, but that's also been shown to be completely

0:13:09.280 --> 0:13:13.720
<v Speaker 2>unreliable because there's so many variables that impact how fast

0:13:13.960 --> 0:13:19.560
<v Speaker 2>a body cools. And then rigor takes longer for rigor

0:13:19.600 --> 0:13:23.480
<v Speaker 2>to form than ten minutes. You're talking on the order

0:13:23.520 --> 0:13:27.520
<v Speaker 2>of several hours. And that's in the smaller muscles, and

0:13:27.559 --> 0:13:31.200
<v Speaker 2>then it progresses into the larger muscles of the body.

0:13:31.720 --> 0:13:34.880
<v Speaker 2>So I, yeah, I'm a little bit confused as to

0:13:34.960 --> 0:13:37.280
<v Speaker 2>how this doctor is saying he's been dead ten minutes.

0:13:37.480 --> 0:13:40.480
<v Speaker 1>Yeah, that's really odd, but he confirms he's dead.

0:13:40.720 --> 0:13:41.040
<v Speaker 2>Okay.

0:13:41.200 --> 0:13:45.439
<v Speaker 1>So at twelve fifty, ten minutes after that, Percy's body

0:13:45.600 --> 0:13:48.760
<v Speaker 1>has been taken to the Ilford Mortuary and an ambulance

0:13:49.120 --> 0:13:52.400
<v Speaker 1>and Edith is brought down to the police station. And

0:13:52.440 --> 0:13:55.920
<v Speaker 1>the reason she's brought down is and she's hysterical, by

0:13:55.920 --> 0:13:58.079
<v Speaker 1>the way, the reason she's brought down to the police

0:13:58.120 --> 0:14:01.880
<v Speaker 1>station is that when an ambulance it comes and they

0:14:01.960 --> 0:14:06.800
<v Speaker 1>start to look at Percy's body, it looks like there

0:14:06.840 --> 0:14:10.400
<v Speaker 1>are cuts and not I just fell down and gashed

0:14:10.440 --> 0:14:14.600
<v Speaker 1>my head. Cuts, like actual cuts on his body, Okay,

0:14:14.760 --> 0:14:18.720
<v Speaker 1>which is alarming of course to you know, the doctors

0:14:18.720 --> 0:14:22.040
<v Speaker 1>with the ambulance and then the police show up. So

0:14:22.200 --> 0:14:24.280
<v Speaker 1>I have more information about that. We just know we

0:14:24.360 --> 0:14:27.560
<v Speaker 1>have an hysterical wife who is saying her husband fell

0:14:27.560 --> 0:14:30.000
<v Speaker 1>in hit his head, and then you've got a dead

0:14:30.000 --> 0:14:33.520
<v Speaker 1>man who has been taken and he's in his early thirties.

0:14:34.280 --> 0:14:37.440
<v Speaker 1>So the cuts, you want information about the cuts? Once

0:14:37.440 --> 0:14:40.080
<v Speaker 1>they get all his clothes off and start examining him.

0:14:40.280 --> 0:14:44.200
<v Speaker 2>Yeah, are these cuts to his head? You know? Part

0:14:44.240 --> 0:14:49.360
<v Speaker 2>of in listening to this is when you start dealing

0:14:49.480 --> 0:14:54.920
<v Speaker 2>with like paramedics. You know, they're not forensic pathologists, and

0:14:55.040 --> 0:14:58.320
<v Speaker 2>of course they've got exposure to a wide variety of different,

0:14:58.760 --> 0:15:02.480
<v Speaker 2>you know, types of injury. But are they truly assessing

0:15:02.920 --> 0:15:07.520
<v Speaker 2>the nature of this injurre Oftentimes people will think somebody

0:15:07.560 --> 0:15:11.120
<v Speaker 2>has been cut and it's actually a laceration from a blow.

0:15:11.400 --> 0:15:15.960
<v Speaker 2>It's the skin has been split. A pathologist knows how

0:15:16.000 --> 0:15:21.960
<v Speaker 2>to diagnose the differences between an incision and laceration. So

0:15:22.360 --> 0:15:27.200
<v Speaker 2>if these cuts are just about Percy's head, I would

0:15:27.240 --> 0:15:30.880
<v Speaker 2>go are they lacerations? And do you have multiple blows

0:15:30.880 --> 0:15:34.400
<v Speaker 2>occurring to his head? But now if you have what

0:15:34.480 --> 0:15:36.600
<v Speaker 2>appear to be cuts to other parts of the body,

0:15:36.640 --> 0:15:39.920
<v Speaker 2>that's inconsistent with what Edith said happened.

0:15:40.120 --> 0:15:43.320
<v Speaker 1>We'll talk about inconsistencies. Let's go through this. So I

0:15:43.400 --> 0:15:47.160
<v Speaker 1>had said before the doctor had said about fifteen cuts

0:15:47.200 --> 0:15:51.600
<v Speaker 1>on his body. Okay, So when his clothes are removed,

0:15:52.080 --> 0:15:55.800
<v Speaker 1>the corner says that all but three of the cuts

0:15:56.520 --> 0:16:00.560
<v Speaker 1>are superficial. So most of the superficial cuts were on

0:16:00.640 --> 0:16:05.160
<v Speaker 1>his face and on his Torso there are three deep

0:16:05.240 --> 0:16:08.640
<v Speaker 1>cuts and here there right There's a cut measuring three

0:16:08.680 --> 0:16:12.360
<v Speaker 1>and one quarter inches long on the inside of his forearm.

0:16:12.600 --> 0:16:15.520
<v Speaker 1>There's a stab wound at the back of the neck

0:16:16.160 --> 0:16:19.760
<v Speaker 1>two inches deep and one in a quarter inch wide,

0:16:20.000 --> 0:16:24.760
<v Speaker 1>which was toward the side ending near the right ear.

0:16:25.240 --> 0:16:27.400
<v Speaker 1>And there's a stab wound on the right side of

0:16:27.440 --> 0:16:31.480
<v Speaker 1>the throat which was one inch long and two and

0:16:31.520 --> 0:16:35.000
<v Speaker 1>a quarter inches deep. This cut penetrated both the carotted

0:16:35.160 --> 0:16:38.280
<v Speaker 1>artery and the jugular vein. So those are his injuries.

0:16:38.280 --> 0:16:40.760
<v Speaker 2>What do you think homicide?

0:16:41.440 --> 0:16:43.400
<v Speaker 1>Is that your expert opinion? Homicide?

0:16:43.560 --> 0:16:46.680
<v Speaker 2>You know, the twelve roughly twelve superficial cuts to the

0:16:46.680 --> 0:16:50.320
<v Speaker 2>face and torso, you know, it appears that would tend

0:16:50.320 --> 0:16:53.640
<v Speaker 2>to suggest that you have a sharp edged weapon, and

0:16:54.080 --> 0:16:57.760
<v Speaker 2>the superficial nature. I'm not sure why those are just

0:16:57.840 --> 0:17:03.200
<v Speaker 2>superficial unless there's actually I could see a struggle between

0:17:03.240 --> 0:17:07.639
<v Speaker 2>Percy and the offender and the knife is just not

0:17:07.920 --> 0:17:10.639
<v Speaker 2>getting close enough to cause deeper cuts to the face

0:17:10.760 --> 0:17:15.160
<v Speaker 2>or torso area. The deep and eat very long incision

0:17:15.280 --> 0:17:19.800
<v Speaker 2>to his forearm that is entirely consistent with a type

0:17:19.840 --> 0:17:23.639
<v Speaker 2>of defensive injury, as Percy's trying to ward off a knife.

0:17:23.680 --> 0:17:25.800
<v Speaker 2>Unless the knife just happens to cut, you know, just

0:17:26.200 --> 0:17:28.960
<v Speaker 2>randomly cut hit his forearm. But then when you have

0:17:29.000 --> 0:17:30.840
<v Speaker 2>the stab to the back of the neck and the

0:17:30.880 --> 0:17:33.720
<v Speaker 2>stab to the right throat, you know, obviously this is

0:17:33.800 --> 0:17:37.520
<v Speaker 2>a in all likelihood an intentional act to kill eat.

0:17:37.560 --> 0:17:41.280
<v Speaker 2>A story is completely wrong, just completely wrong. So what

0:17:41.359 --> 0:17:42.159
<v Speaker 2>the hell's going on?

0:17:42.720 --> 0:17:44.359
<v Speaker 1>Well, let me tell you before you get all on

0:17:44.400 --> 0:17:46.320
<v Speaker 1>top of the Edith here, let me tell you more

0:17:46.359 --> 0:17:50.479
<v Speaker 1>information about the blood boy. You target people so early

0:17:50.560 --> 0:17:55.280
<v Speaker 1>polls for Edith. Okay, let me tell you what. The

0:17:55.280 --> 0:17:57.760
<v Speaker 1>police they go back after they get all this information,

0:17:57.800 --> 0:17:59.960
<v Speaker 1>they go back to the crime scene. Because we have

0:18:00.160 --> 0:18:03.400
<v Speaker 1>real police officers, thank goodness, in London in nineteen twenty two.

0:18:03.560 --> 0:18:06.040
<v Speaker 1>We're not talking about like the Bow Street Runners or

0:18:06.240 --> 0:18:08.760
<v Speaker 1>this is not that long ago. So we have an

0:18:08.840 --> 0:18:12.520
<v Speaker 1>organized police force, the Metropolitan Police. So they go back

0:18:12.560 --> 0:18:15.080
<v Speaker 1>to the street corner to figure out what happened. I

0:18:15.080 --> 0:18:17.720
<v Speaker 1>can't emphasize this enough. It's very dark, you know, there's

0:18:17.760 --> 0:18:20.520
<v Speaker 1>just no lamps anywhere. It's three in the morning, and

0:18:20.560 --> 0:18:25.240
<v Speaker 1>they can see now using torches flashlights that the coverage

0:18:25.240 --> 0:18:28.160
<v Speaker 1>of the bleeding. There's a trail of blood about forty

0:18:28.320 --> 0:18:31.280
<v Speaker 1>four feet long. I mean, I know, I talk to

0:18:31.280 --> 0:18:34.080
<v Speaker 1>you sometimes about distance and me being confused by distance,

0:18:34.080 --> 0:18:36.480
<v Speaker 1>But forty four feet seems like a long distance to

0:18:36.520 --> 0:18:39.680
<v Speaker 1>me from the street corner up the road.

0:18:39.880 --> 0:18:45.359
<v Speaker 2>So Percy's got some significant bleeding injuries the forearm and

0:18:45.440 --> 0:18:49.600
<v Speaker 2>the neck wounds right, and the superficial cuts may or

0:18:49.600 --> 0:18:53.560
<v Speaker 2>may not be significantly bleeding. So is this, you know,

0:18:53.600 --> 0:18:58.119
<v Speaker 2>Percy after being stabbed, stumbling and falling. Is this the

0:18:58.160 --> 0:19:03.280
<v Speaker 2>offender during a stab cutting himself and you know, running away?

0:19:03.720 --> 0:19:05.919
<v Speaker 2>So that's, you know what I'm tossing around in my

0:19:06.000 --> 0:19:09.280
<v Speaker 2>head right now and waiting to hear more information about this.

0:19:09.840 --> 0:19:12.280
<v Speaker 1>It looks like he's trying to get home because the

0:19:12.480 --> 0:19:15.760
<v Speaker 1>end of this trail is about one hundred yards from

0:19:15.800 --> 0:19:18.600
<v Speaker 1>his house, which is at forty one Kensington Gardens. It's

0:19:18.600 --> 0:19:22.960
<v Speaker 1>a Victorian townhouse. So what they're saying is that there's

0:19:23.040 --> 0:19:25.560
<v Speaker 1>this trail forty four feet long from the street corner

0:19:25.680 --> 0:19:29.159
<v Speaker 1>up the road, and it starts and stops pooling about

0:19:29.160 --> 0:19:31.760
<v Speaker 1>every three feet, So I think exactly what you're talking about.

0:19:32.240 --> 0:19:34.320
<v Speaker 1>Then at the end of the trail there's a big puddle,

0:19:34.520 --> 0:19:37.439
<v Speaker 1>and that's where they think he was stabbed in the throat.

0:19:37.800 --> 0:19:40.199
<v Speaker 1>So tell me if this is something they could really know.

0:19:40.480 --> 0:19:43.600
<v Speaker 1>They said, it looks like the blood spurted out in

0:19:43.680 --> 0:19:48.040
<v Speaker 1>a six foot arc six feet and then nearby at

0:19:48.080 --> 0:19:51.000
<v Speaker 1>the garden wall he was found slumped against. There's more blood,

0:19:51.040 --> 0:19:54.200
<v Speaker 1>including a puddle, which is the vomiting that they think

0:19:54.359 --> 0:19:56.840
<v Speaker 1>people heard after the cut to his throat began to

0:19:56.840 --> 0:19:59.840
<v Speaker 1>fill his stomach with blood. Okay, does that all make

0:19:59.840 --> 0:20:01.480
<v Speaker 1>it to you? Six foot arc?

0:20:01.920 --> 0:20:06.359
<v Speaker 2>Gosh, yeah, you know there's because you have the stab

0:20:06.400 --> 0:20:10.000
<v Speaker 2>wound that goes through the carotid artery. When the heart

0:20:10.040 --> 0:20:14.760
<v Speaker 2>is still beating, of course, there's pressure within the arterial system,

0:20:15.440 --> 0:20:18.320
<v Speaker 2>and when there is a cut a breach in an artery,

0:20:19.480 --> 0:20:23.959
<v Speaker 2>if circumstances are right, when the heart beats the next time,

0:20:24.640 --> 0:20:28.840
<v Speaker 2>the blood instead of going through the artery, sprays out

0:20:28.840 --> 0:20:31.639
<v Speaker 2>of the artery. And so this is what we call

0:20:31.680 --> 0:20:36.000
<v Speaker 2>it an arterial spurt. And so this arcing pattern might

0:20:36.119 --> 0:20:39.200
<v Speaker 2>suggest that that's what that is. It also could be

0:20:39.440 --> 0:20:42.159
<v Speaker 2>something like with this forearm injury, if he's got the

0:20:42.200 --> 0:20:47.199
<v Speaker 2>significant bleeding from his forearm, him moving his arm is

0:20:47.240 --> 0:20:50.199
<v Speaker 2>going to cause a cast off what we call a

0:20:50.200 --> 0:20:54.280
<v Speaker 2>cast off pattern, and that also could potentially look like

0:20:54.400 --> 0:20:56.760
<v Speaker 2>this arct pattern just depending on his movement.

0:21:00.160 --> 0:21:02.520
<v Speaker 1>Well, I mean, this just sounds like a nightmare. They

0:21:02.520 --> 0:21:05.360
<v Speaker 1>say the attack began at Belgrave Road, which is where

0:21:05.400 --> 0:21:07.560
<v Speaker 1>they were, and you know, like I said, it was

0:21:07.560 --> 0:21:10.400
<v Speaker 1>about ended about one hundred yards from the house. They

0:21:10.400 --> 0:21:12.600
<v Speaker 1>said that the couple had followed Belgrave Road from the

0:21:12.640 --> 0:21:15.280
<v Speaker 1>train station and then they were about to turn on

0:21:15.400 --> 0:21:20.119
<v Speaker 1>to Kensington Gardens. So again really dark area. And the

0:21:20.200 --> 0:21:23.080
<v Speaker 1>house is in an area that has front gardens, which

0:21:23.080 --> 0:21:26.120
<v Speaker 1>I love. They have little walls, some of them have hedges,

0:21:26.440 --> 0:21:29.320
<v Speaker 1>great places to hide, and the hedges have a little

0:21:29.320 --> 0:21:31.720
<v Speaker 1>cutout so that you can kind of like somebody could

0:21:31.720 --> 0:21:34.600
<v Speaker 1>squat down. And it looks like the police are saying

0:21:34.600 --> 0:21:38.240
<v Speaker 1>whoever attacked Percy waited in one of these little sort

0:21:38.240 --> 0:21:40.960
<v Speaker 1>of like alcove cut out things at a house on

0:21:41.000 --> 0:21:44.840
<v Speaker 1>Belgrave Road and then attacked him there. So then the

0:21:44.880 --> 0:21:48.280
<v Speaker 1>police of course want to talk to Edith. So now

0:21:48.280 --> 0:21:51.240
<v Speaker 1>we have to figure out if Edith's story makes sense.

0:21:51.520 --> 0:21:53.760
<v Speaker 2>Well, he didn't fall down and hit his head.

0:21:53.720 --> 0:21:57.320
<v Speaker 1>No he didn't. But it's dark, Paul, maybe she doesn't know. Maybe,

0:21:57.520 --> 0:22:00.800
<v Speaker 1>I mean, you know, it's pitch black. They said they're.

0:22:00.640 --> 0:22:06.359
<v Speaker 2>Walking together right now. Stabbings can be shockingly fast in

0:22:06.480 --> 0:22:09.040
<v Speaker 2>terms of the amount of time it takes to commit.

0:22:09.600 --> 0:22:13.040
<v Speaker 2>And you know when when people often see numerous stab

0:22:13.040 --> 0:22:16.359
<v Speaker 2>wounds are thinking this was a prolonged attack. Well, just

0:22:16.400 --> 0:22:19.760
<v Speaker 2>watch a jail shanking. You know, the surveillance cameras pick

0:22:19.840 --> 0:22:23.720
<v Speaker 2>up the victim being approached and next thing you know,

0:22:24.119 --> 0:22:27.320
<v Speaker 2>ten stab wounds are done in a blink of an eye.

0:22:27.640 --> 0:22:30.800
<v Speaker 2>I think about Edith's statement, It's like, well, is it

0:22:31.000 --> 0:22:34.399
<v Speaker 2>possible that you know, at a certain point, you know,

0:22:34.480 --> 0:22:37.360
<v Speaker 2>an offender could have come up and very quickly attack

0:22:37.760 --> 0:22:41.880
<v Speaker 2>Percy with a knife and Edith not be aware that

0:22:41.920 --> 0:22:45.880
<v Speaker 2>this is happening. I wantn't rule out that possibility, considering

0:22:45.920 --> 0:22:48.159
<v Speaker 2>how you've stated that this is a very dark alley

0:22:48.600 --> 0:22:52.159
<v Speaker 2>and then Percy the blood trail with you know, in

0:22:52.240 --> 0:22:55.639
<v Speaker 2>all likelihood, after this arct pattern, you're going to have

0:22:55.680 --> 0:22:58.560
<v Speaker 2>a lot of drip pattern. And then you say there's

0:22:58.640 --> 0:23:01.960
<v Speaker 2>small blood pools when he's pausing, and now you have

0:23:02.000 --> 0:23:04.919
<v Speaker 2>bleeding injuries that are stationary over this location for a

0:23:04.920 --> 0:23:08.560
<v Speaker 2>period of time because he suffered a mortal injury, right,

0:23:08.640 --> 0:23:12.920
<v Speaker 2>he is slowly bleeding out as he's struggling to get home.

0:23:13.200 --> 0:23:20.520
<v Speaker 2>How does Edith not really observe that aspect of Percy's movements.

0:23:20.960 --> 0:23:23.960
<v Speaker 2>Now at the very end, if he collapses, then her

0:23:24.040 --> 0:23:26.560
<v Speaker 2>statement of yeah, he fell down and hit his head

0:23:27.000 --> 0:23:32.400
<v Speaker 2>is possibly an accurate statement. You mentioned at the beginning

0:23:32.560 --> 0:23:36.240
<v Speaker 2>that there is vomiting. Was that Percy vomiting or was

0:23:36.280 --> 0:23:38.000
<v Speaker 2>that Edith vomiting?

0:23:38.359 --> 0:23:40.840
<v Speaker 1>Well, the police that gets him because of there's blood

0:23:40.880 --> 0:23:43.040
<v Speaker 1>all in it, but don't know, we'll see if we

0:23:43.080 --> 0:23:45.600
<v Speaker 1>get more information about that. So they were saying blood

0:23:45.720 --> 0:23:48.439
<v Speaker 1>was going seeping into his stomach and that was causing

0:23:48.480 --> 0:23:51.080
<v Speaker 1>his vomiting. It just seems awful.

0:23:51.760 --> 0:23:56.440
<v Speaker 2>What some of these victims experience is horrific in terms

0:23:56.480 --> 0:23:59.840
<v Speaker 2>of lungs filling up with blood there you know, every

0:23:59.840 --> 0:24:02.879
<v Speaker 2>time they're trying to breathe, you know, they're expiring blood

0:24:02.920 --> 0:24:04.879
<v Speaker 2>and they're trying to suck in air and they you know,

0:24:04.920 --> 0:24:07.640
<v Speaker 2>it's imagine how miserable that would be in the last

0:24:07.720 --> 0:24:08.520
<v Speaker 2>moments of your life.

0:24:08.640 --> 0:24:11.600
<v Speaker 1>It's awful. Well, let me tell you as we continue on.

0:24:11.760 --> 0:24:14.680
<v Speaker 1>So this is Edith, this is Edith's story to hang

0:24:14.760 --> 0:24:19.200
<v Speaker 1>on tight. It's interesting. So the very early morning hours,

0:24:19.560 --> 0:24:22.560
<v Speaker 1>the police take her to her house and they want

0:24:22.600 --> 0:24:24.520
<v Speaker 1>to get her story about what she saw that night,

0:24:24.680 --> 0:24:29.399
<v Speaker 1>she appears really shaken, She's dazed. Her clothing is caked

0:24:29.400 --> 0:24:32.400
<v Speaker 1>with blood. It's all over her, all over her handbag,

0:24:32.440 --> 0:24:35.399
<v Speaker 1>all over the contents inside the handbag, which the police

0:24:35.400 --> 0:24:37.680
<v Speaker 1>look inside, you know, just in case, but there's nothing

0:24:37.680 --> 0:24:40.840
<v Speaker 1>in there, but everything in there has blood all over.

0:24:41.359 --> 0:24:44.280
<v Speaker 1>So Edith says to the officer who walks her initially

0:24:44.320 --> 0:24:48.560
<v Speaker 1>to the house, they're going to blame me for this. Uh,

0:24:48.680 --> 0:24:52.080
<v Speaker 1>I would think, yes, of course, They're like, you're the

0:24:52.080 --> 0:24:54.080
<v Speaker 1>only person in your story. Doesn't make any sense. But

0:24:54.160 --> 0:24:57.159
<v Speaker 1>she says that immediately, and then she talks about what

0:24:57.440 --> 0:24:59.760
<v Speaker 1>her side of the story is. So what do you

0:24:59.800 --> 0:25:00.680
<v Speaker 1>think so far?

0:25:01.200 --> 0:25:06.000
<v Speaker 2>Well, I think because the just the huge inconsistency between

0:25:06.040 --> 0:25:09.320
<v Speaker 2>what she said happened and what they're finding truly happened

0:25:09.320 --> 0:25:11.560
<v Speaker 2>to Percy. It's now they have to get to the

0:25:11.560 --> 0:25:15.199
<v Speaker 2>bottom of why is she so wrong, you know? And

0:25:15.280 --> 0:25:18.760
<v Speaker 2>is this an intentional thing that she's saying to mislead

0:25:18.840 --> 0:25:23.240
<v Speaker 2>police or is there a true explanation for how wrong

0:25:23.359 --> 0:25:25.320
<v Speaker 2>she is, you know? And that's what you have to

0:25:25.440 --> 0:25:27.720
<v Speaker 2>kind of tease out from her statements.

0:25:28.160 --> 0:25:31.600
<v Speaker 1>Okay, so she's covered in blood. Everything that she has

0:25:31.720 --> 0:25:34.439
<v Speaker 1>is covered in blood. She says, they're going to blame

0:25:34.480 --> 0:25:37.880
<v Speaker 1>me for this. She says to the officer walking her home,

0:25:37.920 --> 0:25:40.199
<v Speaker 1>we were just coming home from the theater and walking along.

0:25:40.400 --> 0:25:44.800
<v Speaker 1>My husband said, oh, then fell against me. I said,

0:25:44.840 --> 0:25:48.320
<v Speaker 1>bear up, thinking that he had had one of his attacks.

0:25:48.920 --> 0:25:51.840
<v Speaker 1>She says that he has heart issues and I don't

0:25:51.840 --> 0:25:53.840
<v Speaker 1>know if that's an arrhythmia or what that means, but

0:25:53.960 --> 0:25:56.879
<v Speaker 1>sometimes he'll sort of like you know, freeze up or fall,

0:25:57.160 --> 0:25:59.919
<v Speaker 1>but he always recovers. And she basically said, suck it,

0:26:00.160 --> 0:26:03.080
<v Speaker 1>it's fine. She said that we walked a little further,

0:26:03.119 --> 0:26:04.920
<v Speaker 1>he fell against the wall and slid to the ground.

0:26:05.520 --> 0:26:08.600
<v Speaker 1>She said that he would recover from these little attacks

0:26:08.640 --> 0:26:12.040
<v Speaker 1>without getting any medical attention from a doctor. But of

0:26:12.080 --> 0:26:15.159
<v Speaker 1>course the police in their heads say this makes no sense,

0:26:15.320 --> 0:26:17.719
<v Speaker 1>and the officer doesn't say anything and just listens to her,

0:26:17.840 --> 0:26:20.720
<v Speaker 1>essentially because they know there's blood everywhere, so there's more

0:26:20.720 --> 0:26:24.600
<v Speaker 1>suspicion of course around Edith. And she makes another statement,

0:26:25.160 --> 0:26:28.119
<v Speaker 1>and this is one where she's now picking up on

0:26:28.160 --> 0:26:30.840
<v Speaker 1>the fact that the bleeding is an important part of

0:26:30.880 --> 0:26:33.640
<v Speaker 1>this story and she needs to address the bleeding. She says,

0:26:33.680 --> 0:26:36.840
<v Speaker 1>we were coming along Belgrave Road, just past the corner

0:26:37.080 --> 0:26:40.919
<v Speaker 1>of Inslee Gardens, and I heard him say oh, and

0:26:41.000 --> 0:26:43.679
<v Speaker 1>he fell against me. I put out my arms to

0:26:43.760 --> 0:26:46.600
<v Speaker 1>save him and found blood, which I thought was coming

0:26:46.640 --> 0:26:50.000
<v Speaker 1>from his mouth. I tried to help him up. He

0:26:50.080 --> 0:26:52.840
<v Speaker 1>staggered for several yards toward Kensington Gardens and then fell

0:26:52.840 --> 0:26:55.399
<v Speaker 1>against the wall and slid down. He did not speak

0:26:55.440 --> 0:26:58.480
<v Speaker 1>to me. I cannot say if I spoke to him.

0:26:58.920 --> 0:27:02.239
<v Speaker 1>I felt him, found his clothing wet with blood. He

0:27:02.359 --> 0:27:05.560
<v Speaker 1>never moved after he fell. And then she says, we

0:27:05.600 --> 0:27:07.840
<v Speaker 1>had no quarrel on the way. We were quite happy

0:27:07.920 --> 0:27:10.720
<v Speaker 1>you together. Immediately I saw blood, I ran across the

0:27:10.720 --> 0:27:12.600
<v Speaker 1>street to the doctors. I appealed to a lady and

0:27:12.600 --> 0:27:15.520
<v Speaker 1>a gentleman who were passing, and the gentleman also went

0:27:15.560 --> 0:27:17.919
<v Speaker 1>to the doctors. The doctor came and told me my

0:27:18.040 --> 0:27:20.919
<v Speaker 1>husband was dead. Just before he fell down, I was

0:27:21.000 --> 0:27:24.480
<v Speaker 1>walking on his right hand side, on the inside of

0:27:24.520 --> 0:27:27.960
<v Speaker 1>the pavement, nearest the wall. We were side by side.

0:27:28.119 --> 0:27:32.040
<v Speaker 1>I did not see anybody about at the time. My

0:27:32.119 --> 0:27:34.800
<v Speaker 1>husband and I were talking about going to a dance.

0:27:35.320 --> 0:27:38.240
<v Speaker 1>All of that information kind of all in one statement,

0:27:38.720 --> 0:27:41.959
<v Speaker 1>which again seems odd. What do you think about all that?

0:27:42.480 --> 0:27:45.720
<v Speaker 2>Well, believe it or not. I can see where some

0:27:45.960 --> 0:27:50.320
<v Speaker 2>of what Edith is saying could line up really. Percy

0:27:50.440 --> 0:27:54.879
<v Speaker 2>walking and he goes, oh, you know, is he being

0:27:54.920 --> 0:27:59.360
<v Speaker 2>stabbed in the neck? Right? Most people, I shouldn't say

0:27:59.359 --> 0:28:02.800
<v Speaker 2>most people. I actually talked to a stabbing victim who

0:28:02.920 --> 0:28:06.480
<v Speaker 2>was a friend of my first wife, and he had

0:28:06.520 --> 0:28:10.840
<v Speaker 2>been out walking and got basically robbed and stabbed. He

0:28:10.920 --> 0:28:13.840
<v Speaker 2>had no idea he had been stabbed. Oh ye, he said,

0:28:13.880 --> 0:28:17.320
<v Speaker 2>it felt like punches. And this has to do with

0:28:17.440 --> 0:28:21.720
<v Speaker 2>your internal organs. The pain nerves aren't set up to

0:28:21.800 --> 0:28:28.960
<v Speaker 2>register like cutting injuries. They're set up to register like expansion. Yeah,

0:28:29.280 --> 0:28:32.040
<v Speaker 2>you know. That's why when you get really bloated, it

0:28:32.040 --> 0:28:35.720
<v Speaker 2>can really hurt. So Percy could have been stabbed in

0:28:35.760 --> 0:28:38.280
<v Speaker 2>the neck not realize he had been stabbed. But he's,

0:28:38.560 --> 0:28:42.360
<v Speaker 2>you know, receiving what would ultimately be a fatal injury

0:28:42.480 --> 0:28:45.240
<v Speaker 2>with the jugular and crowded being severed on one side

0:28:45.280 --> 0:28:50.040
<v Speaker 2>of his neck. That aspect, if it truly, is just

0:28:50.400 --> 0:28:53.440
<v Speaker 2>somebody pops out from the shadows and stabs Percy and

0:28:53.560 --> 0:28:59.480
<v Speaker 2>somehow Edith doesn't see that. That is I think plausible.

0:28:59.600 --> 0:29:04.760
<v Speaker 2>But she has twelve superficial incisive injuries to his face

0:29:04.800 --> 0:29:09.320
<v Speaker 2>and torso you know, he has a large, incisive injury

0:29:09.360 --> 0:29:11.840
<v Speaker 2>to his forearm. You know, it seems like there's a

0:29:11.840 --> 0:29:17.160
<v Speaker 2>little bit more prolonged interaction between the stabber and Percy

0:29:17.200 --> 0:29:20.720
<v Speaker 2>that I still have a hard time seeing Edith not,

0:29:21.480 --> 0:29:24.960
<v Speaker 2>you know, at least observing some aspect of that interaction.

0:29:25.760 --> 0:29:27.720
<v Speaker 1>That's going to be important for us to establish with

0:29:27.760 --> 0:29:30.960
<v Speaker 1>the story. I think, how much do we think that

0:29:31.160 --> 0:29:35.520
<v Speaker 1>Edith knew? So you're saying that there is some sort

0:29:35.560 --> 0:29:40.800
<v Speaker 1>of like possibility that Edith might not know what's going on.

0:29:40.960 --> 0:29:43.120
<v Speaker 1>You're saying that her story is more plausible than it

0:29:43.200 --> 0:29:45.280
<v Speaker 1>was before, but we're not saying we believe her one

0:29:45.320 --> 0:29:46.440
<v Speaker 1>hundred percent, right.

0:29:46.560 --> 0:29:51.360
<v Speaker 2>Yeah, I'm still struggling to correlate Edith's lack of observing

0:29:51.920 --> 0:29:56.080
<v Speaker 2>Percy having an interaction with somebody that is stabbing him

0:29:56.120 --> 0:29:57.920
<v Speaker 2>for the amount of injuries that he has.

0:29:58.320 --> 0:29:58.560
<v Speaker 1>Yeah.

0:29:58.680 --> 0:30:03.760
<v Speaker 2>Fifteen of Edith's statement is, you know she's talking about

0:30:03.920 --> 0:30:08.280
<v Speaker 2>at certain points like Percy ends up slumping down, you know,

0:30:08.880 --> 0:30:12.840
<v Speaker 2>is that location consistent with the blood trail? You know,

0:30:12.920 --> 0:30:16.000
<v Speaker 2>because she's not going to know the blood patterns at

0:30:16.000 --> 0:30:18.200
<v Speaker 2>this scene. You know, she may observe blood, but she

0:30:18.360 --> 0:30:20.960
<v Speaker 2>doesn't have the expertise to actually know what what the

0:30:20.960 --> 0:30:25.040
<v Speaker 2>blood patterns mean. So you know, she's saying, Percy slumps

0:30:25.080 --> 0:30:28.520
<v Speaker 2>down at a certain location. Okay, now do I have

0:30:28.680 --> 0:30:31.200
<v Speaker 2>a drip pattern there? Do I have pooled blood at

0:30:31.200 --> 0:30:34.880
<v Speaker 2>that location that would support it, would corroborate Edith's statement?

0:30:35.360 --> 0:30:39.840
<v Speaker 2>Doesn't sound like they followed through with that type of assessment.

0:30:40.360 --> 0:30:43.680
<v Speaker 2>Edith having blood all over her as well as on

0:30:43.880 --> 0:30:47.880
<v Speaker 2>items within her purse, is that what you had indicated? Yeah? Yeah,

0:30:47.960 --> 0:30:50.560
<v Speaker 2>So of course, now there has to be a question

0:30:50.640 --> 0:30:53.240
<v Speaker 2>as to Okay, how did she interact with Percy after

0:30:53.280 --> 0:30:56.880
<v Speaker 2>he's received bleeding injuries? Is there you know, because a

0:30:56.880 --> 0:30:58.920
<v Speaker 2>loved one, you're going to go up and you're possibly

0:30:58.960 --> 0:31:02.800
<v Speaker 2>going to be touched, hugging, you know, blood is on

0:31:02.880 --> 0:31:04.920
<v Speaker 2>your hands. You're diving into your purse to see if

0:31:04.960 --> 0:31:09.240
<v Speaker 2>there's anything that you know could help you know the situation.

0:31:09.720 --> 0:31:13.000
<v Speaker 2>You know, that's where doing a proper interview is so critical.

0:31:13.320 --> 0:31:16.920
<v Speaker 2>Does she have an explanation for the types of blood

0:31:16.960 --> 0:31:19.560
<v Speaker 2>patterns and the locations of the blood patterns that are

0:31:19.560 --> 0:31:20.240
<v Speaker 2>on her person?

0:31:21.240 --> 0:31:24.080
<v Speaker 1>Well, there's more information, so let's let's go through it.

0:31:24.400 --> 0:31:25.080
<v Speaker 2>Of course there is.

0:31:28.320 --> 0:31:32.239
<v Speaker 1>Okay, now the police who have talked to Edith and

0:31:32.360 --> 0:31:35.000
<v Speaker 1>gotten her wacky story. I want to go back to

0:31:35.040 --> 0:31:36.719
<v Speaker 1>the scene now that the sun is up and they

0:31:36.720 --> 0:31:40.600
<v Speaker 1>can actually see. As the sun rises on Wednesday, the

0:31:40.600 --> 0:31:44.480
<v Speaker 1>press of course descends and I'm a contaminated area. I'm

0:31:44.520 --> 0:31:47.080
<v Speaker 1>sure I don't think they had yellow tape. At that

0:31:47.200 --> 0:31:51.960
<v Speaker 1>point they are looking at the bloody pavement on Belgrave Road,

0:31:52.400 --> 0:31:56.640
<v Speaker 1>and the investigators really start looking more at the Thompson's

0:31:56.720 --> 0:31:58.920
<v Speaker 1>and who they are. So this is what we know.

0:31:59.160 --> 0:32:01.640
<v Speaker 1>Edith had grown up in East London, in the suburbs

0:32:01.680 --> 0:32:04.640
<v Speaker 1>of East London, and she is the oldest of five children.

0:32:05.280 --> 0:32:09.120
<v Speaker 1>After school, she moved to London to work for a

0:32:09.720 --> 0:32:14.200
<v Speaker 1>wholesale hat shop called Carlton and Pryor. Eventually she rose

0:32:14.240 --> 0:32:16.800
<v Speaker 1>through the ranks to become the chief buyer at the company,

0:32:16.840 --> 0:32:20.560
<v Speaker 1>which is a huge deal. In nineteen sixteen, she marries

0:32:20.600 --> 0:32:24.120
<v Speaker 1>Percy and they buy a house in the London suburb

0:32:24.200 --> 0:32:27.720
<v Speaker 1>of Ilford, and Edith keeps working and she actually makes

0:32:27.760 --> 0:32:30.600
<v Speaker 1>more money than Percy does. This is kind of unconventional,

0:32:31.120 --> 0:32:34.280
<v Speaker 1>but this is, you know, the way women in the

0:32:34.400 --> 0:32:38.000
<v Speaker 1>nineteen twenties, you know, are starting to move forward in careers.

0:32:38.560 --> 0:32:41.880
<v Speaker 1>She likes to go out to London's hotels and dance halls,

0:32:42.000 --> 0:32:44.560
<v Speaker 1>and you know she likes to spend money, and she

0:32:44.760 --> 0:32:47.040
<v Speaker 1>likes to spend evenings at the theater in the cinema.

0:32:47.440 --> 0:32:49.520
<v Speaker 1>This is a couple who is close to a young

0:32:49.600 --> 0:32:53.960
<v Speaker 1>man named Fred Bywaters. He's twenty and he had been

0:32:54.040 --> 0:32:58.880
<v Speaker 1>a schoolmate of one of Edith's younger siblings. So Fred

0:32:58.960 --> 0:33:03.959
<v Speaker 1>is twenty and Edith is twenty eight, Percy is thirty three.

0:33:04.000 --> 0:33:06.479
<v Speaker 1>Just so we know where everybody's ages are here, at

0:33:06.560 --> 0:33:09.360
<v Speaker 1>least three people become friends. But Fred had become close

0:33:09.400 --> 0:33:12.000
<v Speaker 1>with Percy and Edith and had spent some time living

0:33:12.080 --> 0:33:14.760
<v Speaker 1>with them, and I'm sure Percy must have looked at

0:33:14.840 --> 0:33:17.280
<v Speaker 1>him as sort of like a little brother. And Percy's

0:33:17.320 --> 0:33:20.160
<v Speaker 1>brother is the one who actually tells police that they

0:33:20.200 --> 0:33:22.800
<v Speaker 1>need to talk to Fred to get some more information.

0:33:23.320 --> 0:33:25.880
<v Speaker 1>You probably know where this is heading, because you know,

0:33:26.080 --> 0:33:30.040
<v Speaker 1>you have a couple and an attractive young woman and

0:33:30.800 --> 0:33:33.080
<v Speaker 1>you know younger man who moves in. I feel like

0:33:33.080 --> 0:33:36.360
<v Speaker 1>we've done this story four or five different times. Police

0:33:36.400 --> 0:33:38.600
<v Speaker 1>find out fairly quickly that Edith and Fred had been

0:33:38.640 --> 0:33:41.000
<v Speaker 1>sleeping together and they have been for a couple of years.

0:33:41.480 --> 0:33:43.600
<v Speaker 1>From when Fred was eighteen and Edith was in her

0:33:43.600 --> 0:33:47.719
<v Speaker 1>mid twenties. And when police searched the room that Fred

0:33:47.840 --> 0:33:51.280
<v Speaker 1>used to live in, they find a love letter from Edith.

0:33:51.560 --> 0:33:54.680
<v Speaker 1>They essentially, you know, start putting some pieces together here

0:33:54.760 --> 0:33:57.080
<v Speaker 1>and again, I'm sure you know where this is heading.

0:33:57.480 --> 0:34:01.440
<v Speaker 1>The accusations that you know, Fred and or Edith did

0:34:01.480 --> 0:34:04.320
<v Speaker 1>this to get Percy out of the picture and why,

0:34:04.640 --> 0:34:07.680
<v Speaker 1>And that is one question is if that is the case,

0:34:08.040 --> 0:34:11.120
<v Speaker 1>who knew what and who did what? In a couple

0:34:11.400 --> 0:34:13.240
<v Speaker 1>who is under suspicion at this point.

0:34:13.520 --> 0:34:17.800
<v Speaker 2>Well, it's naturally something that has to be looked into,

0:34:18.360 --> 0:34:21.640
<v Speaker 2>you know, because we have seen these lover triangles that

0:34:21.840 --> 0:34:27.560
<v Speaker 2>is a motive for homicide, But there's plenty of you know,

0:34:27.680 --> 0:34:31.560
<v Speaker 2>these scenarios where you'd never have any type of issue,

0:34:31.680 --> 0:34:33.919
<v Speaker 2>you know, but you just have to explore Fred. Where

0:34:34.000 --> 0:34:37.759
<v Speaker 2>was Fred that night? You know, because as I was listening,

0:34:38.320 --> 0:34:41.600
<v Speaker 2>you know, and evaluating the information out at the crime scene,

0:34:41.880 --> 0:34:45.360
<v Speaker 2>I was thinking, yeah, this sounds like potentially an ambush

0:34:45.400 --> 0:34:50.200
<v Speaker 2>on Percy. But with Edith's inconsistent statements to what happened,

0:34:50.400 --> 0:34:55.759
<v Speaker 2>suggests that this may be something that she arranged or well,

0:34:55.880 --> 0:34:59.800
<v Speaker 2>actually that's where she understood what was likely going to

0:34:59.840 --> 0:35:02.000
<v Speaker 2>ha happened, and.

0:35:01.920 --> 0:35:04.000
<v Speaker 1>That is going to be a big question because the

0:35:04.480 --> 0:35:07.120
<v Speaker 1>death penalty is in play here in the UK in

0:35:07.160 --> 0:35:10.520
<v Speaker 1>this time period, so that'll be important. We have had

0:35:10.840 --> 0:35:14.840
<v Speaker 1>a couple of different stories involving couples. One in particular,

0:35:15.040 --> 0:35:19.120
<v Speaker 1>I remember a couple. It was a man and a

0:35:19.160 --> 0:35:21.800
<v Speaker 1>woman having an affair. Do you remember this? And the

0:35:22.160 --> 0:35:24.600
<v Speaker 1>intended victim had been he was a real jerk. He

0:35:24.760 --> 0:35:28.279
<v Speaker 1>was like the head of a gambling hall, and he

0:35:28.320 --> 0:35:31.120
<v Speaker 1>had already been shot twice in the past, you know,

0:35:31.120 --> 0:35:32.840
<v Speaker 1>I think he still had a bullet in his body.

0:35:33.160 --> 0:35:35.800
<v Speaker 1>People have been trying to kill him, and he finally dies,

0:35:35.840 --> 0:35:38.640
<v Speaker 1>but they could not figure out who did it. It

0:35:38.680 --> 0:35:42.040
<v Speaker 1>was like she poisoned him and the lover shot him

0:35:42.480 --> 0:35:45.399
<v Speaker 1>or beat him with a baton. I can't remember which one,

0:35:46.000 --> 0:35:48.440
<v Speaker 1>and they could not prove which were the what was

0:35:48.480 --> 0:35:50.759
<v Speaker 1>the thing that killed him? And so both of them

0:35:50.840 --> 0:35:54.160
<v Speaker 1>essentially got like attempted murder and didn't serve very much

0:35:54.160 --> 0:35:58.080
<v Speaker 1>time at all. So I find that confusing. I guess

0:35:58.160 --> 0:36:00.520
<v Speaker 1>that is you actually have to know who actually did

0:36:00.520 --> 0:36:03.080
<v Speaker 1>the killing killing to charge with first degree murder. I

0:36:03.080 --> 0:36:04.800
<v Speaker 1>didn't think that was the case. Oh that was a

0:36:04.800 --> 0:36:05.359
<v Speaker 1>big eye roll.

0:36:06.239 --> 0:36:10.920
<v Speaker 2>Well, because you know this is now getting to where,

0:36:11.320 --> 0:36:14.000
<v Speaker 2>you know, when you start getting into kind of the

0:36:14.040 --> 0:36:19.760
<v Speaker 2>weeds on the elements of the crime and different das,

0:36:20.120 --> 0:36:23.080
<v Speaker 2>Some das are much more aggressive than others in terms

0:36:23.120 --> 0:36:26.279
<v Speaker 2>of I can prove this case. You know, now, when

0:36:26.320 --> 0:36:28.879
<v Speaker 2>you have a scenario where let's say you have two

0:36:29.800 --> 0:36:34.000
<v Speaker 2>that you think are involved, but you don't know which

0:36:34.000 --> 0:36:39.040
<v Speaker 2>one actually inflicted the fatal injuries, I can see where

0:36:39.040 --> 0:36:41.040
<v Speaker 2>there would be a DA that will go, yeah, I'm

0:36:41.120 --> 0:36:44.000
<v Speaker 2>charging both of them. You know, there's enough proof for

0:36:44.080 --> 0:36:49.000
<v Speaker 2>both of them, and possibly another DA going you keep investigating,

0:36:49.400 --> 0:36:52.520
<v Speaker 2>you know it's not clear. I want something clear, you know,

0:36:52.600 --> 0:36:53.720
<v Speaker 2>to take in front of a jury.

0:36:54.000 --> 0:36:55.880
<v Speaker 1>Well, I can tell you that police in London in

0:36:55.960 --> 0:36:59.560
<v Speaker 1>nineteen twenty two are very alarmed by the discovery of Fred.

0:36:59.719 --> 0:37:02.719
<v Speaker 1>The way this goes is in intervening two years when

0:37:02.960 --> 0:37:06.440
<v Speaker 1>Fred and Edith starting to have an affair. It sounds

0:37:06.440 --> 0:37:09.359
<v Speaker 1>like Percy doesn't know Fred rented a room from them.

0:37:09.760 --> 0:37:12.480
<v Speaker 1>He was in between jobs as a storekeeper on ships.

0:37:13.200 --> 0:37:16.440
<v Speaker 1>Sometime in the year leading up to Percy's murder. Percy

0:37:16.520 --> 0:37:20.879
<v Speaker 1>had evicted Fred because he suspected that Fred and Edith

0:37:20.920 --> 0:37:24.160
<v Speaker 1>were having an affair. Fred says when the police interviewed

0:37:24.200 --> 0:37:27.719
<v Speaker 1>him that on at least one occasion Percy had hit

0:37:27.960 --> 0:37:31.719
<v Speaker 1>Edith in front of Fred, and despite this, Fred and

0:37:31.920 --> 0:37:36.000
<v Speaker 1>Edith continued to see each other at hotels after Fred

0:37:36.040 --> 0:37:39.400
<v Speaker 1>was evicted, and police get a lot of this information

0:37:39.560 --> 0:37:43.919
<v Speaker 1>also from the tenant. So there's a female tenant who

0:37:44.000 --> 0:37:47.319
<v Speaker 1>moved into the extra room once Fred moved out, and

0:37:47.360 --> 0:37:50.399
<v Speaker 1>she confirmed this. She said, yeah, Percy hit Edith and

0:37:50.480 --> 0:37:54.480
<v Speaker 1>there was definitely arguments over Fred. So the police tracked

0:37:54.520 --> 0:37:58.000
<v Speaker 1>Fred down and he is, as I said, he worked

0:37:58.040 --> 0:38:01.520
<v Speaker 1>as a storekeeper on ship, so he's had a job.

0:38:01.680 --> 0:38:05.399
<v Speaker 1>He has a job on the S s Morea, which

0:38:05.440 --> 0:38:07.600
<v Speaker 1>is a ship he's supposed to be on and it's

0:38:07.600 --> 0:38:10.200
<v Speaker 1>going to set sail pretty much now, and it's docked

0:38:10.200 --> 0:38:12.680
<v Speaker 1>at Tilbury, which is at the mouth of the Thames River.

0:38:13.120 --> 0:38:15.919
<v Speaker 1>They find a lock box in his cabin and there's

0:38:16.000 --> 0:38:19.520
<v Speaker 1>love letters. So here's kind of the question that we have.

0:38:20.200 --> 0:38:24.000
<v Speaker 1>I think it's pretty clear that somebody killed Percy Thompson.

0:38:24.160 --> 0:38:27.440
<v Speaker 1>I think it's clear that it's probably either Edith or

0:38:27.480 --> 0:38:29.879
<v Speaker 1>Fred or both. Do we agree on that so far?

0:38:30.239 --> 0:38:31.760
<v Speaker 2>I think that's most likely scenario.

0:38:31.960 --> 0:38:35.400
<v Speaker 1>Yes, So the question will be important in that what

0:38:35.560 --> 0:38:40.160
<v Speaker 1>evidence do we have, like real evidence going forward that

0:38:40.360 --> 0:38:43.480
<v Speaker 1>both were involved, because they're both being focused on at

0:38:43.480 --> 0:38:46.880
<v Speaker 1>this point. And you know, there are a lot of

0:38:46.960 --> 0:38:49.759
<v Speaker 1>rumblings about wrongful convictions, and I'll tell you that this

0:38:49.880 --> 0:38:52.840
<v Speaker 1>case is one of the cases that potentially led to

0:38:53.480 --> 0:38:57.320
<v Speaker 1>the abolishment of the death penalty in the UK. Okay,

0:38:57.840 --> 0:39:01.160
<v Speaker 1>so we'll see. Okay, So they find this lock box.

0:39:01.200 --> 0:39:03.960
<v Speaker 1>There are love letters in the lock box, and it

0:39:04.160 --> 0:39:07.480
<v Speaker 1>sounds like Edith in one of these letters is alluding

0:39:07.560 --> 0:39:11.960
<v Speaker 1>to an attempted poisoning of Percy. She said in a

0:39:12.040 --> 0:39:14.680
<v Speaker 1>kind of an accusatory manner. It says, sounds like to Fred,

0:39:14.760 --> 0:39:18.320
<v Speaker 1>she writes, Fred, you said it was enough for an elephant,

0:39:19.040 --> 0:39:20.920
<v Speaker 1>meaning to kill an elephant, I to I mean, I

0:39:20.960 --> 0:39:23.160
<v Speaker 1>see this all the time. Being a poisoner is not

0:39:23.239 --> 0:39:26.560
<v Speaker 1>that easy. You really have to know what you're shaking

0:39:26.560 --> 0:39:28.560
<v Speaker 1>your head, you can know what you're doing, I mean,

0:39:28.600 --> 0:39:32.200
<v Speaker 1>not anybody. It's just so she said, basically, you know,

0:39:32.520 --> 0:39:35.240
<v Speaker 1>you messed up your dosage. It didn't work. It sounds

0:39:35.239 --> 0:39:37.640
<v Speaker 1>like they've been plotting, or at least she's been plotting this.

0:39:38.280 --> 0:39:41.680
<v Speaker 2>Yeah, this is obviously a major clue, you know, in

0:39:41.760 --> 0:39:46.440
<v Speaker 2>terms of pointing the finger at both Edith and Fred

0:39:46.840 --> 0:39:49.520
<v Speaker 2>in terms of what happened to Percy that night, kind

0:39:49.520 --> 0:39:52.600
<v Speaker 2>of wondering is her life insurance policy on Percy?

0:39:53.160 --> 0:39:55.600
<v Speaker 1>I have not seen that that there is a life

0:39:55.640 --> 0:39:58.960
<v Speaker 1>insurance policy, but it does sound like as things kind

0:39:58.960 --> 0:40:02.080
<v Speaker 1>of go forward, she is pretty miserable with him and

0:40:02.160 --> 0:40:04.759
<v Speaker 1>wants to be out of that relationship. Not that I

0:40:04.760 --> 0:40:07.920
<v Speaker 1>have seen now, but that's definitely a possibility. They find

0:40:08.000 --> 0:40:12.000
<v Speaker 1>also in this cabin that Fred's overcoat is there, and

0:40:12.080 --> 0:40:14.640
<v Speaker 1>it is also caked with blood. It's not a rocket

0:40:14.680 --> 0:40:17.640
<v Speaker 1>science to figure out it. I'm sure it's Percy's blood.

0:40:17.760 --> 0:40:20.320
<v Speaker 1>So this is more hard evidence. So Fred is clearly

0:40:20.400 --> 0:40:23.480
<v Speaker 1>at least there, if not the one holding this knife,

0:40:23.640 --> 0:40:24.600
<v Speaker 1>I assume, right.

0:40:24.800 --> 0:40:27.720
<v Speaker 2>Yeah, you know, so of course in this day and age,

0:40:27.760 --> 0:40:30.200
<v Speaker 2>we have to show that that's Percy's blood. Yeah. Was

0:40:30.239 --> 0:40:34.160
<v Speaker 2>Fred given an opportunity to explain where that blood came from?

0:40:34.320 --> 0:40:37.040
<v Speaker 2>And typically they'll make up something you know, I ran

0:40:37.160 --> 0:40:38.640
<v Speaker 2>over an animal, or you.

0:40:38.640 --> 0:40:40.839
<v Speaker 1>Know, I'm a butcher, something like.

0:40:40.800 --> 0:40:44.800
<v Speaker 2>That, the butchers. So I'm assuming if that if Fred

0:40:44.880 --> 0:40:47.319
<v Speaker 2>has a coat that has Percy's blood on it. Then

0:40:47.440 --> 0:40:50.359
<v Speaker 2>Fred is out there at the homicide scene. Yeah, and

0:40:50.640 --> 0:40:53.239
<v Speaker 2>likely is the one that is got the knife. Yep.

0:40:53.440 --> 0:40:56.040
<v Speaker 1>Okay, now this is interesting and you have to tell

0:40:56.040 --> 0:41:00.680
<v Speaker 1>me the morals about this. Okay. So it's now Thursday, Thursday,

0:41:00.840 --> 0:41:03.960
<v Speaker 1>and Edith is already being held in the matron's quarters

0:41:04.040 --> 0:41:06.560
<v Speaker 1>of a local jail where all the ladies are, and

0:41:06.640 --> 0:41:10.239
<v Speaker 1>Fred is brought to the same building. The police decide

0:41:10.440 --> 0:41:13.000
<v Speaker 1>to walk them past each other to see how they're

0:41:13.000 --> 0:41:17.040
<v Speaker 1>going to react, and Edith says, why did he do it?

0:41:17.160 --> 0:41:19.800
<v Speaker 1>I didn't want him to do it? Oh god, oh god,

0:41:19.920 --> 0:41:23.400
<v Speaker 1>what can I do? I must tell the truth? Roh

0:41:23.480 --> 0:41:24.879
<v Speaker 1>for Fred sounds like.

0:41:24.800 --> 0:41:29.040
<v Speaker 2>She didn't to make a big turn on him.

0:41:29.080 --> 0:41:29.720
<v Speaker 1>Oh my god.

0:41:29.800 --> 0:41:32.640
<v Speaker 2>That's why. That's why you know the police did that

0:41:32.800 --> 0:41:36.919
<v Speaker 2>is they recognized, you know, they've got two people, and

0:41:37.640 --> 0:41:41.000
<v Speaker 2>now it's well, how loyal are these two people to

0:41:41.280 --> 0:41:45.560
<v Speaker 2>each other? And it turns out Edith jumped on the

0:41:45.600 --> 0:41:47.640
<v Speaker 2>opportunity to start pointing a finger.

0:41:48.360 --> 0:41:51.880
<v Speaker 1>Okay, well, listen to this. So she said, yes, I

0:41:51.920 --> 0:41:54.719
<v Speaker 1>saw him attack Percy. I did not want him to

0:41:54.800 --> 0:41:58.239
<v Speaker 1>do it, but she also didn't want to implicate him,

0:41:58.600 --> 0:42:01.440
<v Speaker 1>and that's why you know she did and say something further.

0:42:01.719 --> 0:42:04.960
<v Speaker 1>This seems risky though, because why believe her. I guess

0:42:05.000 --> 0:42:07.600
<v Speaker 1>sty'll look at the evidence. But I know it's sort

0:42:07.600 --> 0:42:09.160
<v Speaker 1>of like the first one who puts her hand up

0:42:09.200 --> 0:42:13.520
<v Speaker 1>gets the deal. But this still seems pretty risky. She

0:42:13.560 --> 0:42:16.360
<v Speaker 1>doesn't know what friend's going to say. Maybe Fred's gonna deny,

0:42:16.520 --> 0:42:18.319
<v Speaker 1>who knows, you know, it just seems risky to me.

0:42:18.920 --> 0:42:24.239
<v Speaker 2>Well, she's she's trying to preempt Fred. You know, when

0:42:24.239 --> 0:42:27.600
<v Speaker 2>she sees that Fred is now you know, essentially if

0:42:27.600 --> 0:42:32.040
<v Speaker 2>he's being taken into this this ward area, she sees

0:42:32.080 --> 0:42:35.600
<v Speaker 2>that he's with law enforcement, what's he saying to law enforcement?

0:42:35.719 --> 0:42:39.520
<v Speaker 2>You know, she's now her wheels are spinning going, uh, oh,

0:42:39.800 --> 0:42:43.400
<v Speaker 2>he's going to dine me out. I bet her front

0:42:43.760 --> 0:42:48.960
<v Speaker 2>information that minimizes my role in the homicide and maximizes

0:42:49.000 --> 0:42:51.640
<v Speaker 2>Fred's role. You know. And so now this is self preservation.

0:42:52.520 --> 0:42:55.440
<v Speaker 2>But just because she's the first one to offer information,

0:42:56.040 --> 0:42:58.160
<v Speaker 2>that's not like, Okay, well she's going to get the deal.

0:42:58.800 --> 0:43:01.960
<v Speaker 2>You know, now you take that information and now you're

0:43:02.000 --> 0:43:04.680
<v Speaker 2>telling Fred Edith has just dimed you out. What do

0:43:04.680 --> 0:43:07.239
<v Speaker 2>you have to say? And see what he says, you know,

0:43:07.360 --> 0:43:11.400
<v Speaker 2>and this is that classic uh oh, the movie La

0:43:11.480 --> 0:43:15.560
<v Speaker 2>Confidential where they have, you know, two different suspects and

0:43:15.600 --> 0:43:18.120
<v Speaker 2>two different interview rooms. And I think it's Russell Crowe

0:43:18.120 --> 0:43:20.480
<v Speaker 2>going back and forth or one are the investigators going

0:43:20.520 --> 0:43:22.600
<v Speaker 2>back and forth and in essence playing each guy off

0:43:22.640 --> 0:43:25.080
<v Speaker 2>of each other, and then next thing, you know, somebody's

0:43:25.160 --> 0:43:29.120
<v Speaker 2>actually telling the truth, you know, And that's that's what

0:43:29.200 --> 0:43:33.480
<v Speaker 2>I think these investigators were starting the process. And at

0:43:33.560 --> 0:43:37.319
<v Speaker 2>least right now in the case, Edith is the one

0:43:37.400 --> 0:43:38.640
<v Speaker 2>that took the bait.

0:43:39.239 --> 0:43:41.640
<v Speaker 1>Well, let's see if Edith's telling the truth, you know,

0:43:41.680 --> 0:43:45.320
<v Speaker 1>Fred is surprised to see her. Edith says what she says.

0:43:45.760 --> 0:43:49.080
<v Speaker 1>Fred had initially said, I have no idea what you're

0:43:49.120 --> 0:43:51.440
<v Speaker 1>talking about. I didn't have any part of this. They

0:43:51.480 --> 0:43:54.239
<v Speaker 1>tell him, you know, that Edith had said I didn't

0:43:54.239 --> 0:43:57.080
<v Speaker 1>want him to do it. This is what Fred says.

0:43:57.520 --> 0:44:02.080
<v Speaker 1>Fred says, I killed him, and he says Edith had

0:44:02.080 --> 0:44:02.919
<v Speaker 1>nothing to do with it.

0:44:03.400 --> 0:44:06.360
<v Speaker 2>Oh, I put some veracity on that. Okay, you know,

0:44:06.760 --> 0:44:11.160
<v Speaker 2>now part of the concern. Let's say Fred is in

0:44:11.200 --> 0:44:12.160
<v Speaker 2>love with Edith.

0:44:12.080 --> 0:44:13.040
<v Speaker 1>And he's twenty paul.

0:44:13.239 --> 0:44:17.040
<v Speaker 2>Just to remind us, so this is where you know,

0:44:17.239 --> 0:44:23.840
<v Speaker 2>he is letting his emotions kind of dictate protecting Edith,

0:44:23.960 --> 0:44:26.440
<v Speaker 2>So that would be my concern. But the fact that

0:44:26.520 --> 0:44:29.919
<v Speaker 2>Fred is fronting I did it. I put some weight

0:44:29.960 --> 0:44:34.040
<v Speaker 2>on that because he could have just denied, denied, or

0:44:34.080 --> 0:44:38.120
<v Speaker 2>he could have said, she asked me to do this. Yeah,

0:44:38.160 --> 0:44:40.600
<v Speaker 2>And the fact that he didn't say she asked me

0:44:40.640 --> 0:44:43.160
<v Speaker 2>to do this, it's like, Okay, well he's he's putting

0:44:43.200 --> 0:44:48.239
<v Speaker 2>himself into this homicide. It's just now, is he protecting

0:44:48.360 --> 0:44:53.759
<v Speaker 2>Edith because of his romantic relationship with her? Or is

0:44:53.800 --> 0:44:56.359
<v Speaker 2>he telling the truth and he just acted alone and

0:44:56.440 --> 0:44:58.879
<v Speaker 2>decided to eliminate the husband so he could have Edith

0:44:58.880 --> 0:44:59.680
<v Speaker 2>all to himself.

0:45:00.280 --> 0:45:02.719
<v Speaker 1>Well, this is the mystery. It is not who killed

0:45:02.760 --> 0:45:06.200
<v Speaker 1>him necessarily, it's does Edith know what happens? So this

0:45:06.280 --> 0:45:08.399
<v Speaker 1>is the statement. It's not too long, but I want

0:45:08.400 --> 0:45:10.560
<v Speaker 1>to read the whole thing. Fred says, I wish to

0:45:10.560 --> 0:45:14.560
<v Speaker 1>make a voluntary statement. Missus Edith Thompson was not aware

0:45:14.800 --> 0:45:19.080
<v Speaker 1>of my movements. On Tuesday, third October, I left Maynor Park.

0:45:19.200 --> 0:45:21.360
<v Speaker 1>So now I need you to make sure all everything

0:45:21.360 --> 0:45:24.080
<v Speaker 1>he's saying lines up with the evidence. Paul I left

0:45:24.120 --> 0:45:27.880
<v Speaker 1>Maynor Park at eleven PM and proceeded to Ilford. I

0:45:27.920 --> 0:45:31.759
<v Speaker 1>waited for Missus Thompson and her husband. When near in

0:45:32.000 --> 0:45:36.160
<v Speaker 1>Sleigh Gardens, I pushed her to one side, also pushing

0:45:36.280 --> 0:45:39.520
<v Speaker 1>him further up the street. I said to him, you

0:45:39.640 --> 0:45:42.440
<v Speaker 1>have got to separate from your wife. He said no,

0:45:43.440 --> 0:45:47.000
<v Speaker 1>I said you will have to. We struggled. I took

0:45:47.040 --> 0:45:49.840
<v Speaker 1>my knife from my pocket and we fought, and he

0:45:49.920 --> 0:45:54.240
<v Speaker 1>got the worst of it. Missus Thompson must have been spellbound,

0:45:54.360 --> 0:45:57.880
<v Speaker 1>for I saw nothing of her during the fight. I

0:45:58.000 --> 0:46:05.719
<v Speaker 1>ran away through in Gardens, through Wanstead, Leytonston, Stratford, got

0:46:05.719 --> 0:46:09.920
<v Speaker 1>a taxi at Strafford to Aldgate, walked from there to

0:46:10.280 --> 0:46:15.320
<v Speaker 1>Finnchurch Street, got another taxi to Thornton Heath, then walked

0:46:15.440 --> 0:46:19.120
<v Speaker 1>to Upper Norwood, arriving home about three am. The reason

0:46:19.160 --> 0:46:22.120
<v Speaker 1>I fought with Thompson was because he never acted like

0:46:22.160 --> 0:46:25.640
<v Speaker 1>a man to his wife. He always seemed several degrees

0:46:25.719 --> 0:46:28.800
<v Speaker 1>lower than a snake. I loved her and I could

0:46:28.800 --> 0:46:32.080
<v Speaker 1>not go on seeing her leading that life. I did

0:46:32.080 --> 0:46:34.759
<v Speaker 1>not intend to kill him, I only meant to injure him.

0:46:35.120 --> 0:46:37.560
<v Speaker 1>I gave him an opportunity of standing up to me

0:46:37.640 --> 0:46:40.440
<v Speaker 1>as a man, but he wouldn't. I have had the

0:46:40.520 --> 0:46:44.680
<v Speaker 1>knife sometime. It was a sheath knife. I threw it

0:46:44.800 --> 0:46:48.920
<v Speaker 1>down a drain when I was running through en Sleigh gardens.

0:46:49.640 --> 0:46:52.680
<v Speaker 1>And that is his statement. What do you think, does

0:46:52.719 --> 0:46:53.759
<v Speaker 1>it ring true to you?

0:46:54.200 --> 0:46:55.040
<v Speaker 2>I called bullshit?

0:46:55.239 --> 0:46:57.000
<v Speaker 1>Oh okay, First.

0:46:57.040 --> 0:47:00.400
<v Speaker 2>Kind of dissecting the statement, you know, he's an since

0:47:00.440 --> 0:47:05.040
<v Speaker 2>pushing Edith away, minimizing her involvement in the homicide, and

0:47:05.080 --> 0:47:10.000
<v Speaker 2>now he is confronting Percy, and he's bringing up an

0:47:10.080 --> 0:47:13.719
<v Speaker 2>excuse as to why he feels he has to confront

0:47:13.840 --> 0:47:17.959
<v Speaker 2>Percy to give Percy an opportunity to be a man.

0:47:18.200 --> 0:47:22.000
<v Speaker 2>You know, So it's such a self serving. Look at me,

0:47:22.520 --> 0:47:25.680
<v Speaker 2>I'm the man in this scenario. Now, this whole thing

0:47:25.760 --> 0:47:28.840
<v Speaker 2>about his escape path and everything else that could be accurate.

0:47:29.440 --> 0:47:32.600
<v Speaker 2>But part of assessing what Fred is doing here is, well,

0:47:32.640 --> 0:47:35.160
<v Speaker 2>we have to take a look at the totality of

0:47:35.200 --> 0:47:39.280
<v Speaker 2>the information that we have, and we have evidence that

0:47:39.600 --> 0:47:44.880
<v Speaker 2>Edith and Fred conspired to poison Percy. Edith was fully aware.

0:47:44.960 --> 0:47:47.760
<v Speaker 2>She's like the one that is actually administering the poison.

0:47:48.239 --> 0:47:50.279
<v Speaker 2>Sounds like Fred's the one that told her this is

0:47:50.320 --> 0:47:54.359
<v Speaker 2>what is going to work to kill your husband. So

0:47:54.440 --> 0:47:58.120
<v Speaker 2>you have a prior act that the two were involved with.

0:47:58.440 --> 0:48:04.000
<v Speaker 2>Then we have Percy and Edith walking home, right, they

0:48:04.040 --> 0:48:07.239
<v Speaker 2>get off the train and they're walking home, and now

0:48:07.280 --> 0:48:10.279
<v Speaker 2>I start to question as to well, did Fred know

0:48:10.560 --> 0:48:14.080
<v Speaker 2>that ahead of time? How did he know that ahead

0:48:14.120 --> 0:48:14.439
<v Speaker 2>of time?

0:48:14.560 --> 0:48:14.840
<v Speaker 1>Yeah?

0:48:15.120 --> 0:48:17.800
<v Speaker 2>Did Edith tell him this is where we're going to

0:48:17.880 --> 0:48:21.600
<v Speaker 2>be at And it just so happens that Fred finds

0:48:21.680 --> 0:48:24.680
<v Speaker 2>what sounds like the perfect location to be able to

0:48:24.800 --> 0:48:27.240
<v Speaker 2>jump out and ambush Percy.

0:48:27.600 --> 0:48:31.200
<v Speaker 1>I think you're right, Paul, because Percy knew Fred. Obviously

0:48:31.320 --> 0:48:34.600
<v Speaker 1>they had lived in the same, you know, apartment, So

0:48:35.040 --> 0:48:37.239
<v Speaker 1>I guess you could say Fred was maybe stalking him

0:48:37.239 --> 0:48:39.400
<v Speaker 1>and Edith didn't know. But he would have been spotted.

0:48:39.440 --> 0:48:41.759
<v Speaker 1>I mean, he's twenty, he's not some CIA agent. He

0:48:41.760 --> 0:48:44.799
<v Speaker 1>would have been spotted. So yes, I think you're probably right.

0:48:44.960 --> 0:48:47.120
<v Speaker 2>Yeah, you know, And then you know, part of what

0:48:47.239 --> 0:48:50.200
<v Speaker 2>I'm kind of curious about, you know, how Fred is

0:48:50.239 --> 0:48:53.120
<v Speaker 2>saying that him and Percy got into a physical fight,

0:48:53.520 --> 0:48:57.160
<v Speaker 2>you know, and that that Percy got the worst of it. Well,

0:48:57.480 --> 0:49:00.680
<v Speaker 2>was there any injuries on Fred? And do we have

0:49:00.719 --> 0:49:03.279
<v Speaker 2>any information on that? It doesn't sound like there is.

0:49:03.440 --> 0:49:06.759
<v Speaker 2>There's nothing significant on Fred, you know. And then I'm like,

0:49:07.040 --> 0:49:09.680
<v Speaker 2>you know, what you've got to stab to the back

0:49:09.719 --> 0:49:11.600
<v Speaker 2>of the neck. You got to stab to the neck.

0:49:12.239 --> 0:49:16.880
<v Speaker 2>This it sounds more akin to more of an ambush

0:49:16.960 --> 0:49:20.280
<v Speaker 2>style attack. Fred lies and wait, you got the little

0:49:20.520 --> 0:49:23.840
<v Speaker 2>cubbies if you will, along this route that the original

0:49:23.920 --> 0:49:27.600
<v Speaker 2>investigators said, the offender likely weighted in one of these

0:49:27.640 --> 0:49:32.759
<v Speaker 2>cubbies and he jumps out, stabs Percy and he probably

0:49:32.880 --> 0:49:36.520
<v Speaker 2>runs off very quickly after that, and then Edith comes

0:49:36.600 --> 0:49:39.719
<v Speaker 2>up with initially husband, you know, fell down and hit

0:49:39.760 --> 0:49:43.120
<v Speaker 2>his head and that's why he's dead, possibly being naive

0:49:43.880 --> 0:49:47.680
<v Speaker 2>to the types of physical evidence that law enforcement can

0:49:47.800 --> 0:49:52.480
<v Speaker 2>use to discern. Oh no, this isn't a accident, this

0:49:52.600 --> 0:49:57.520
<v Speaker 2>is actual homicide. He's got stab wounds, right, So I'm

0:49:57.560 --> 0:49:59.759
<v Speaker 2>not buying Fred's statement. I think he is trying to

0:49:59.760 --> 0:50:04.560
<v Speaker 2>prot Edith and he's trying to, you know, in essence,

0:50:05.000 --> 0:50:09.399
<v Speaker 2>maximize his role. And again, twenty year old in love

0:50:09.520 --> 0:50:11.759
<v Speaker 2>with the older woman, you know, I think that's what's

0:50:11.760 --> 0:50:12.120
<v Speaker 2>going on.

0:50:12.400 --> 0:50:16.960
<v Speaker 1>Well, you know, is there enough evidence he's confessed? She hasn't.

0:50:17.320 --> 0:50:20.800
<v Speaker 1>Is there enough evidence to convict her of murder, which

0:50:20.960 --> 0:50:24.520
<v Speaker 1>is a capital crime in England? Right now? Is there

0:50:24.600 --> 0:50:26.160
<v Speaker 1>enough evidence for her?

0:50:26.440 --> 0:50:29.440
<v Speaker 2>I'm going through my head trying to think about the

0:50:29.520 --> 0:50:33.879
<v Speaker 2>various bits of information. There's definitely, I think proof that

0:50:34.040 --> 0:50:39.680
<v Speaker 2>Edith was lying. She changes her statement from the early

0:50:39.719 --> 0:50:44.840
<v Speaker 2>statement about Percy falling down to she's now seeing Percy

0:50:44.920 --> 0:50:48.480
<v Speaker 2>being attacked. You know. I think it really does come

0:50:48.520 --> 0:50:53.839
<v Speaker 2>down to whether or not there is sufficient evidence that

0:50:53.880 --> 0:50:59.520
<v Speaker 2>would support that she arranged this homicide. She was an

0:50:59.560 --> 0:51:04.280
<v Speaker 2>excessive to this homicide. Fred's the killer, He's one wielding

0:51:04.280 --> 0:51:09.160
<v Speaker 2>the knife. But did Edith provide the information to Fred?

0:51:09.200 --> 0:51:13.040
<v Speaker 2>Did she ask Fred to do this? And that one,

0:51:13.080 --> 0:51:16.560
<v Speaker 2>I think is a much tougher sell with the information

0:51:16.680 --> 0:51:20.120
<v Speaker 2>at hand. And this is where you know that those

0:51:20.360 --> 0:51:25.160
<v Speaker 2>previous letters that the poisoning attempt, You know, is there

0:51:25.160 --> 0:51:29.080
<v Speaker 2>a possibility, if that was even admissible, to be able

0:51:29.120 --> 0:51:32.399
<v Speaker 2>to get the jury to convict her for some charge? Yeah,

0:51:32.400 --> 0:51:36.040
<v Speaker 2>you know, almost like a murder for higher type of scenario.

0:51:36.239 --> 0:51:40.799
<v Speaker 1>Yeah. Well, listen, nineteen twenty two, the police charge them

0:51:40.800 --> 0:51:45.800
<v Speaker 1>both with first orge murder and they are both convicted

0:51:46.239 --> 0:51:49.759
<v Speaker 1>in sentenced to death. Fred is stoic and he never

0:51:49.840 --> 0:51:54.920
<v Speaker 1>implicates her, and she collapses and they are both hanged.

0:51:55.680 --> 0:52:00.319
<v Speaker 1>In January of nineteen twenty three, a woman hanged over

0:52:00.560 --> 0:52:02.839
<v Speaker 1>what I consider to be pretty shaddy evidence. I mean,

0:52:02.880 --> 0:52:05.759
<v Speaker 1>I know there's stuff there, and I know there's a

0:52:05.800 --> 0:52:08.520
<v Speaker 1>there there, but I don't know. I mean, put her

0:52:08.520 --> 0:52:11.759
<v Speaker 1>in life in prison. I don't know. If this case

0:52:11.800 --> 0:52:14.040
<v Speaker 1>makes me uncomfortable, and it is one of the reads.

0:52:14.040 --> 0:52:16.920
<v Speaker 1>It's an important case in the UK because of the

0:52:17.000 --> 0:52:18.759
<v Speaker 1>question of whether or not this woman should have been

0:52:18.760 --> 0:52:21.840
<v Speaker 1>executed when there's a big question mark about whether she

0:52:21.960 --> 0:52:24.200
<v Speaker 1>was involved at all. I think she probably was. I

0:52:24.239 --> 0:52:28.880
<v Speaker 1>think you think she probably was. But legally is she responsible?

0:52:28.920 --> 0:52:29.319
<v Speaker 1>I don't know.

0:52:29.840 --> 0:52:32.279
<v Speaker 2>Yeah, yeah, I think you know, when she is not

0:52:32.640 --> 0:52:37.960
<v Speaker 2>the one who's actually committing the murder and she's just

0:52:38.200 --> 0:52:42.560
<v Speaker 2>asking for it to happen and possibly leading Percy to

0:52:42.680 --> 0:52:48.120
<v Speaker 2>his death, you know there is criminal culpability there. But

0:52:48.239 --> 0:52:52.040
<v Speaker 2>is it at the level of first degree murder with

0:52:52.080 --> 0:52:56.120
<v Speaker 2>special circumstances. I'm not sure that there's a case there.

0:52:56.200 --> 0:52:58.319
<v Speaker 1>I don't either. I mean, I think it's right and

0:52:58.360 --> 0:53:00.160
<v Speaker 1>we don't talk about the death penalty and or feeling

0:53:00.239 --> 0:53:02.840
<v Speaker 1>about it. But what a story. I know that it

0:53:02.840 --> 0:53:04.439
<v Speaker 1>seemed like it was going to be pretty clear cut

0:53:04.440 --> 0:53:06.799
<v Speaker 1>from the beginning. But the thing I think about with

0:53:06.800 --> 0:53:08.920
<v Speaker 1>these kinds of stories are you know, there's a difference

0:53:08.920 --> 0:53:11.799
<v Speaker 1>between what you know and what we can prove, and

0:53:12.480 --> 0:53:15.759
<v Speaker 1>it makes me uncomfortable when there are cases where you know,

0:53:15.800 --> 0:53:19.480
<v Speaker 1>you're so certain that somebody is guilty, and you know

0:53:19.520 --> 0:53:21.799
<v Speaker 1>there's an enough evidence and they still get convicted. And

0:53:21.840 --> 0:53:23.759
<v Speaker 1>it's like, well, okay, you know, am I going to

0:53:23.800 --> 0:53:26.600
<v Speaker 1>get convicted on shotty evidence when I didn't do anything wrong?

0:53:27.000 --> 0:53:29.440
<v Speaker 1>How many murderers are I've been let free? Or how

0:53:29.480 --> 0:53:32.359
<v Speaker 1>many innocent people have been convicted when they shouldn't have been.

0:53:32.400 --> 0:53:33.879
<v Speaker 1>And I think this is one of those cases where

0:53:33.920 --> 0:53:35.520
<v Speaker 1>I just kind of go gosh. I mean, I need

0:53:35.560 --> 0:53:37.520
<v Speaker 1>her to be punished, because I really do feel like

0:53:37.600 --> 0:53:41.360
<v Speaker 1>she was involved. It just sounds like it. But executing

0:53:41.400 --> 0:53:43.960
<v Speaker 1>someone on evidence like that just made me uncomfortable. And

0:53:44.040 --> 0:53:45.959
<v Speaker 1>I like to make you uncomfortable, Paul, So I wanted

0:53:45.960 --> 0:53:47.520
<v Speaker 1>to see how you were going to react to this.

0:53:49.360 --> 0:53:53.440
<v Speaker 2>Yeah. I don't feel uncomfortable in terms of the deployment

0:53:53.520 --> 0:53:57.200
<v Speaker 2>of the death penalty. It's so swift in this case. Yeah,

0:53:57.480 --> 0:54:01.520
<v Speaker 2>And I personally do not feel that the evidence adds

0:54:01.640 --> 0:54:06.240
<v Speaker 2>up to where she could even be charged with murder,

0:54:06.800 --> 0:54:09.879
<v Speaker 2>you know, So that's where I think the sentencing is

0:54:10.080 --> 0:54:13.520
<v Speaker 2>way off base with Edith. I do believe she is

0:54:13.560 --> 0:54:18.359
<v Speaker 2>involved based on the totality of the information provided it

0:54:18.400 --> 0:54:21.160
<v Speaker 2>does I can see where this case would be something

0:54:21.200 --> 0:54:24.320
<v Speaker 2>where people would question the use of the death penalty

0:54:24.400 --> 0:54:27.960
<v Speaker 2>and sometimes maybe the over use of it. And you

0:54:28.000 --> 0:54:31.600
<v Speaker 2>can have just over time, you know, and we've seen

0:54:31.680 --> 0:54:35.880
<v Speaker 2>with exonerations that have occurred with DNA, where you see

0:54:35.920 --> 0:54:40.239
<v Speaker 2>truly innocent people convicted of, you know, really horrific crimes

0:54:40.760 --> 0:54:44.040
<v Speaker 2>and even sentenced to death. And sometimes, you know, you

0:54:44.160 --> 0:54:49.800
<v Speaker 2>have very very skilled prosecutors that can take circumstantial evidence

0:54:50.040 --> 0:54:53.839
<v Speaker 2>and get a jury of twelve to convict even when

0:54:53.920 --> 0:54:57.520
<v Speaker 2>the case is weak. But then that person is now

0:54:57.560 --> 0:55:01.239
<v Speaker 2>convicted of you know, first degree murder with the you know,

0:55:01.280 --> 0:55:05.400
<v Speaker 2>the special cirque and eligible for death. And it is scary,

0:55:05.560 --> 0:55:08.120
<v Speaker 2>you know, from that perspective, we know that we've had

0:55:08.120 --> 0:55:11.479
<v Speaker 2>innocent people executed in this country and over in the UK.

0:55:11.920 --> 0:55:17.799
<v Speaker 2>At some point legislators over there recognize, you know what,

0:55:18.080 --> 0:55:23.319
<v Speaker 2>we probably have to adjust our our sentencing structure to

0:55:23.440 --> 0:55:27.520
<v Speaker 2>prevent people from being overcharged and losing their life.

0:55:27.880 --> 0:55:31.080
<v Speaker 1>Absolutely well, Paul, I think you should go and enjoy

0:55:31.200 --> 0:55:34.080
<v Speaker 1>your bourbon, not Scotch, for sure.

0:55:34.000 --> 0:55:35.000
<v Speaker 2>Because you hate Scotch.

0:55:36.120 --> 0:55:38.000
<v Speaker 1>I bet you drink it if there was nothing else.

0:55:38.080 --> 0:55:40.080
<v Speaker 2>But I you know, I can do it. I can

0:55:40.120 --> 0:55:42.239
<v Speaker 2>do a poor Scotch. I like it. I like the PD.

0:55:42.760 --> 0:55:45.000
<v Speaker 1>You know, I don't know what that means, but I'm

0:55:45.040 --> 0:55:47.359
<v Speaker 1>assuming it's something that you enjoy. So that's good.

0:55:47.560 --> 0:55:51.120
<v Speaker 2>Scott Scotch has like a smoky and imped because it,

0:55:51.200 --> 0:55:53.359
<v Speaker 2>you know, it uses. I think it's the peaked out

0:55:53.400 --> 0:55:56.160
<v Speaker 2>there and so it's a distinct flavor. But it's a

0:55:56.280 --> 0:55:59.960
<v Speaker 2>very strong flavor. So I can do a single poor,

0:56:00.160 --> 0:56:02.040
<v Speaker 2>but I have to go back to my bourbon.

0:56:02.960 --> 0:56:05.279
<v Speaker 1>We'll go back to your burb and you might need

0:56:05.320 --> 0:56:06.960
<v Speaker 1>a double for next week, but I'll give you a

0:56:06.960 --> 0:56:07.960
<v Speaker 1>warning beforehand.

0:56:08.520 --> 0:56:11.520
<v Speaker 2>Okay, as always, I'm looking forward to it.

0:56:11.600 --> 0:56:18.359
<v Speaker 1>Let's see you later, all right, take care. This has

0:56:18.400 --> 0:56:21.680
<v Speaker 1>been an exactly right production for our sources and show

0:56:21.719 --> 0:56:25.920
<v Speaker 1>notes go to exactlyrightmedia dot com slash Buried Bones sources.

0:56:26.160 --> 0:56:28.520
<v Speaker 1>Our senior producer is Alexis Emrosi.

0:56:28.800 --> 0:56:33.040
<v Speaker 2>Research by Maren mcclashan, Ali Elkin, and Kate Winkler Dawson.

0:56:33.280 --> 0:56:35.560
<v Speaker 1>Our mixing engineer is Ben Tolliday.

0:56:35.880 --> 0:56:38.160
<v Speaker 2>Our theme song is by Tom Bryfogel.

0:56:38.400 --> 0:56:40.200
<v Speaker 1>Our artwork is by Vanessa.

0:56:40.000 --> 0:56:43.880
<v Speaker 2>Lilac, Executive produced by Karen Kilgarriff, Georgia hard Stark and

0:56:44.000 --> 0:56:44.840
<v Speaker 2>Daniel Kramer.

0:56:45.120 --> 0:56:48.480
<v Speaker 1>You can follow Buried Bones on Instagram and Facebook at

0:56:48.600 --> 0:56:49.360
<v Speaker 1>Baried Bones.

0:56:49.440 --> 0:56:52.360
<v Speaker 2>Pod Kate's most recent book, All That Is Wicked, a

0:56:52.360 --> 0:56:54.680
<v Speaker 2>Gilded Age story of murder and the race to decode

0:56:54.680 --> 0:56:57.040
<v Speaker 2>the criminal mind, is available now, and

0:56:57.120 --> 0:57:01.160
<v Speaker 1>Paul's best selling memoir Unmasked, My life life solving America's

0:57:01.160 --> 0:57:03.200
<v Speaker 1>cold Cases is also available now