WEBVTT - I Smell Pop Culture: 98 Degrees

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<v Speaker 1>I am all in again.

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<v Speaker 2>Oh it's just you.

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<v Speaker 1>I Smell pop Culture with Eastern Allen and I heart

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<v Speaker 1>radio podcast.

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<v Speaker 3>Hey everybody, Easton Allen. I am in podcasts. What eleven productions?

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<v Speaker 3>I heart radio, iHeart media, I heart podcasts. It's I

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<v Speaker 3>Smell pop culture. I smell pop culture. I smell it

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<v Speaker 3>and now you're going to with it as well. We're

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<v Speaker 3>so excited this week. This is a huge one. We're

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<v Speaker 3>talking to a music legend, and before I tell you

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<v Speaker 3>who it is, I know you can see it in

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<v Speaker 3>the title. I'm not I'm just gonna pretend like you

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<v Speaker 3>can't though. I'm going to drag this out a little bit.

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<v Speaker 3>This has been such a fun thing to do. I'm

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<v Speaker 3>so grateful to Scott Patterson for letting me do this.

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<v Speaker 3>This has just been such a blast. We've gotten to

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<v Speaker 3>talk to so many great people, so many awesome icons

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<v Speaker 3>from the world of pop culture referenced in the world

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<v Speaker 3>of Gilmour Girls.

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<v Speaker 1>And we're going to keep it going. Baby.

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<v Speaker 3>I've gotten a lot of great and very kind messages

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<v Speaker 3>from you guys, but here I'm going to ask you

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<v Speaker 3>to do one small thing for me. This is going

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<v Speaker 3>to go really far with my boss. Okay, so, can

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<v Speaker 3>you do me a favor on the podcast reviews on

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<v Speaker 3>Apple Podcasts. You can leave a review there. Could you

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<v Speaker 3>give it five stars and then say that Easton's pop

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<v Speaker 3>culture interviews are my favorite part of this show.

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<v Speaker 1>Can you just do that for me? Can you do

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<v Speaker 1>that for me?

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<v Speaker 3>That'd be great, even if you don't believe it, that

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<v Speaker 3>would be awesome. Okay, but let's get into today's episode.

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<v Speaker 3>We are talking to Jeff Timmins from ninety eight degrees.

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<v Speaker 3>That's right, ninety eight degrees. He's not just the lead vocals.

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<v Speaker 3>This man started the whole group. It all started with him.

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<v Speaker 3>There would be no ninety eight degrees if it wasn't

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<v Speaker 3>for Jeff Timmons. We're so excited to get to know him.

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<v Speaker 3>Ninety eight degrees was referenced twice in Gilmer Girls, two times,

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<v Speaker 3>once in season, both in season one. By the way,

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<v Speaker 3>Season one, episode nine, Rory's Dance. So at the beginning

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<v Speaker 3>of the episode, Rory and Laura II are in the

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<v Speaker 3>car and they're talking about why Rory isn't going to

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<v Speaker 3>the dance.

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<v Speaker 1>She's not going to go.

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<v Speaker 3>Rory says she doesn't want to go because she can

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<v Speaker 3>imagine how it will go. It'll be stuffy and boring,

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<v Speaker 3>the musical suck, and since none of the kids like me,

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<v Speaker 3>I'll be stuck in the back listening to ninety eight

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<v Speaker 3>Degrees watching Tristan in Paris argue which of them gets

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<v Speaker 3>to make me miserable first? So you know clear that

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<v Speaker 3>Rory's not a ninety eight degrees fan, and that gets

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<v Speaker 3>cemented later on. In season one, episode nineteen, Emily in Wonderland,

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<v Speaker 3>Rory and Lane are hanging out in her bedroom. They're

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<v Speaker 3>analyzing the voicemail that Henry left for Lane when Emily

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<v Speaker 3>calls Rory with some questions about what she likes. This

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<v Speaker 3>is for this bedroom she's setting up for her. Does

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<v Speaker 3>she like Roses or Lily's? And for music? Does she

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<v Speaker 3>like in Sync or ninety eight degrees? And then she

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<v Speaker 3>later says or the Backside boys that made me left

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<v Speaker 3>pretty hard, and Rory says in Sync. Rory does not

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<v Speaker 3>like ninety eight degrees. She is not a fan. She

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<v Speaker 3>is an InSync girl, at least given that choice. But

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<v Speaker 3>we are ninety eight degrees fans. We're huge fans. I

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<v Speaker 3>mean invisible man, I do. Thank god I found you

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<v Speaker 3>true to your heart from mulan.

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<v Speaker 2>God.

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<v Speaker 1>I love that song. I love it so much.

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<v Speaker 3>We're gonna talk to the guy that wrote it. He

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<v Speaker 3>is in the waiting room here. It's Jeff Timmins from

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<v Speaker 3>ninety eight degrees and this is I smell pop culture.

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<v Speaker 3>Let's get into this. Jeff Timmins, the founder of ninety

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<v Speaker 3>eight degrees with the legendary ninety degrees. We're such big fans.

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<v Speaker 3>Thank you so much for doing this. We're so excited.

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<v Speaker 4>Oh my gosh, thanks for having me me. Congrats on

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<v Speaker 4>all your success. I'm excited to do this with you.

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<v Speaker 1>Oh, thank you, thank you so much.

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<v Speaker 3>Okay, I want to go back to the beginning here

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<v Speaker 3>at the start, and something that stood out to me

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<v Speaker 3>about ninety eight degrees that always stood out to me

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<v Speaker 3>is that the other kind of boy bands that you

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<v Speaker 3>guys get grouped in with, like in sync backsheet boys,

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<v Speaker 3>those were all started by like record labels and like

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<v Speaker 3>producers you got you were started by you, like you

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<v Speaker 3>started the vand Jeff Timmons.

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<v Speaker 4>Well, I appreciate you knowing that a lot of people don't,

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<v Speaker 4>despite us having done hundreds of interviews. You know, look,

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<v Speaker 4>we you know it's flattering to be lumped in with

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<v Speaker 4>such successful acts, and we have a ton of respect

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<v Speaker 4>for Backstreet in and saying friends with those guys.

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<v Speaker 2>But we were started in a different way. You know.

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<v Speaker 4>I was a fan of R and B music and

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<v Speaker 4>really didn't intend on being a musician and heard Boys

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<v Speaker 4>the Men on the radio and fell in love with

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<v Speaker 4>Boys to Men and had always had a knack for

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<v Speaker 4>singing and been in quartets in school, and you know,

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<v Speaker 4>for some reason, I just gravitated towards R and B

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<v Speaker 4>pop and started the group at a party with some

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<v Speaker 4>other guys and you know, quit school and went to La.

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<v Speaker 4>You know, like the old stories. I mean, you didn't

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<v Speaker 4>have stuff like this. You didn't have zooms and social

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<v Speaker 4>media and to break cuber or you know TV shows

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<v Speaker 4>like American Idol, So you had to go where the

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<v Speaker 4>action was. And a group of friends of mine and

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<v Speaker 4>I went to LA. We drove to LA and just

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<v Speaker 4>started now basically singing for our supper, dropping the hat

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<v Speaker 4>and trying to get discovered. And those guys ended up

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<v Speaker 4>quitting and then I, you know, auditioned a bunch of

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<v Speaker 4>people and then aroundabout way got introduced to Nick via

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<v Speaker 4>a tape, a cassette tape, which is you know, it's

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<v Speaker 4>an arcade.

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<v Speaker 2>It's it's an ancient form.

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<v Speaker 4>Of a medium which you put into a tape player

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<v Speaker 4>and press play and you know all that stuff. But

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<v Speaker 4>Nick on a tape and didn't know what he looked

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<v Speaker 4>like and convinced La and and joined my group that

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<v Speaker 4>we were gonna, you know, hopefully be world famous one day.

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<v Speaker 1>That's incredible.

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<v Speaker 3>So you you were already before you left Ohio, you

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<v Speaker 3>were kind of you wanted to start a group, like

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<v Speaker 3>a vocal group.

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<v Speaker 1>That was already on your mind.

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<v Speaker 2>Well, it actually wasn't you know. I was. I was

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<v Speaker 2>bouncing from school to school.

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<v Speaker 4>I come from a small town in Ohio that's a

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<v Speaker 4>football town. It's not arts well, not discouraged. It's not cool,

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<v Speaker 4>you know, uh and it and I always had an

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<v Speaker 4>act for that. But I went to small college to

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<v Speaker 4>play football, and of course didn't have the size, the

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<v Speaker 4>skills you know in the above to be a good

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<v Speaker 4>football player. And after bounce around in failing and not

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<v Speaker 4>doing well a small colleges, I was at Kent State

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<v Speaker 4>University as a student and I was at a party

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<v Speaker 4>and some girls were talking about these guys as they

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<v Speaker 4>saw they weren't paying attention to us that they saw

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<v Speaker 4>these guys that were singing.

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<v Speaker 2>And I was like, well, I can do that.

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<v Speaker 4>And I found three guys at the at the party

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<v Speaker 4>with me that I ended up had gone to high

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<v Speaker 4>school with before, and we parted out my girl and

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<v Speaker 4>sang at a cappella and they paid attention to its

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<v Speaker 4>literally as shallow as that sounds, That's how I started.

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<v Speaker 2>This whole thing. I called my mom up. I only

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<v Speaker 2>had a.

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<v Speaker 4>Less than a semester left before I graduated school, and

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<v Speaker 4>I called my mom on the phone and said, I'm

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<v Speaker 4>going to start a singing group and I'm going to

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<v Speaker 4>quit school.

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<v Speaker 2>And she, obviously she didn't believe me.

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<v Speaker 4>She thought I was drinking, which I had, But you know,

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<v Speaker 4>there was something about the way it sounded that night

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<v Speaker 4>that it just it kind of I had an epiphany

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<v Speaker 4>and I wanted to do it.

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<v Speaker 2>And that's that's how it started.

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<v Speaker 4>I'd never aspired although that stuff came to me naturally

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<v Speaker 4>and I had a knack for it, I didn't think

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<v Speaker 4>i'd be doing it for a career at no point

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<v Speaker 4>in my life.

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<v Speaker 2>Zero percent chance.

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<v Speaker 3>And I mean, and you guys like really influenced like

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<v Speaker 3>an entire generation of music just from that moment.

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<v Speaker 1>It's incredible.

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<v Speaker 4>It is weird that one single, slight decision can can

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<v Speaker 4>change the course of the universe, you know, your own universe.

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<v Speaker 4>I mean I decided that, Oh man, I got to

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<v Speaker 4>finish school. I mean, who knows what would be going on?

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<v Speaker 4>You wouldn't I mean, Nick wouldn't have joined my group.

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<v Speaker 4>I mean, who knows what his destiny would have been.

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<v Speaker 4>But there's a lot of things that you're going Well,

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<v Speaker 4>if I didn't go to this place, I meet this

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<v Speaker 4>guy and then do this, you know, the whole course

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<v Speaker 4>of a lot of things would be different.

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<v Speaker 3>Yeah. Again, I'm wondering if you can clear something up

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<v Speaker 3>for me. The name ninety degrees. I love it so much.

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<v Speaker 3>It's so cool. I love that it's stylized with the

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<v Speaker 3>little degree symbol. That makes me so happy. I read

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<v Speaker 3>two different origins for the name, and I want to

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<v Speaker 3>know if you can clear this up for me.

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<v Speaker 4>So one's probably true, So okay, okay, which ones you're

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<v Speaker 4>gonna tell me?

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<v Speaker 3>I read that you uh seeing a temperature on a

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<v Speaker 3>hot tub was one of the stories, and the other

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<v Speaker 3>one is just the average human body temperature.

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<v Speaker 2>Well, I hadn't heard either one of those whoa.

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<v Speaker 4>But you know what we used to say in interviews

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<v Speaker 4>was our music is our love. Songs created an atmosphere

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<v Speaker 4>of heat and sexiness, and so that's why we came

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<v Speaker 4>up with ninety eight degrees. No, that's not how we

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<v Speaker 4>really came up with it. We we had a bunch

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<v Speaker 4>of bad names. When I started the group, we were

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<v Speaker 4>called just us. Actually the first group was a spoof

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<v Speaker 4>name called four Tools, like four goofballs then it can

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<v Speaker 4>jump us, which is totally boring and unmemorable. And then

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<v Speaker 4>you know, right before we got signed, people were like, look,

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<v Speaker 4>you guys got to come up with a cooler name,

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<v Speaker 4>and so we we we all scratched down names on

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<v Speaker 4>a piece of paper.

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<v Speaker 2>There were some terrible ones.

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<v Speaker 4>Next issue, you know, new edition, you know, yeah, you

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<v Speaker 4>know verse four fourte you know, all the names with

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<v Speaker 4>four in it, and then we, you know, none of

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<v Speaker 4>them stuck in. Our manager at the time had a

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<v Speaker 4>really pretty girlfriend and she and her friends walked up

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<v Speaker 4>to us and here we are, fresh off the boat

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<v Speaker 4>from Ohio and see gorgeous New York girls telling us

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<v Speaker 4>we should be called nine.

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<v Speaker 2>NB eight degrees. And so we were like sure, and

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<v Speaker 2>that's how we came up with the day.

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<v Speaker 4>Believe it at very very deep thinkers we were back then.

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<v Speaker 1>I mean it clearly stuck.

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<v Speaker 2>Wow.

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<v Speaker 3>Incredible. Anyway, thank you for clearing that up for me.

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<v Speaker 3>Something I'm always really interested in with bands, groups that

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<v Speaker 3>get to this level is like, what are some of

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<v Speaker 3>the early shows you guys played? Do you remember something

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<v Speaker 3>like did you ever play like a county fair or

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<v Speaker 3>like that's.

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<v Speaker 2>A great question. Nobody really ever asked us that.

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<v Speaker 4>We started off playing cheerleading camps and driving ourselves around

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<v Speaker 4>in a window bago that we had wrapped with our

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<v Speaker 4>pictures on it. Yeah, and we went from cheer we

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<v Speaker 4>sang It's Something acappella and met somebody that ran a

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<v Speaker 4>big cheerleader organization, and so we thought we would gain

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<v Speaker 4>a fan base by driving around to these cheer leading

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<v Speaker 4>camps in the summertime. We played gymnasiums and sometimes we

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<v Speaker 4>had a boom box was the sound system, and we

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<v Speaker 4>literally were collecting a mailing list.

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<v Speaker 2>There wasn't an email list.

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<v Speaker 4>We would collect physical mailing addresses from these cheerleaders so

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<v Speaker 4>we could spam them with our letters and mail with

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<v Speaker 4>our new material and our new songs and stuff like that.

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<v Speaker 4>But I mean we've played everything. Man, We've played a

0:10:23.280 --> 0:10:26.720
<v Speaker 4>cornfield in the middle of nowhere, in the mud. I mean,

0:10:26.880 --> 0:10:31.000
<v Speaker 4>you name it, we've done it. Malls, you know, car lots,

0:10:31.280 --> 0:10:35.200
<v Speaker 4>I mean, and also the other side of things, stadiums

0:10:35.240 --> 0:10:38.000
<v Speaker 4>and race tracks for one hundred and ten thousand people.

0:10:38.240 --> 0:10:38.880
<v Speaker 2>But we've done it.

0:10:39.080 --> 0:10:41.040
<v Speaker 4>When I tell you we've done it all, we've done.

0:10:41.200 --> 0:10:43.480
<v Speaker 4>We've done it all. There's nothing left for us that

0:10:43.520 --> 0:10:44.640
<v Speaker 4>we haven't done yet.

0:10:45.360 --> 0:10:47.200
<v Speaker 3>And let that be a listen to everyone listening. You

0:10:47.240 --> 0:10:50.480
<v Speaker 3>know that grind, that motivation, believing in what you're doing.

0:10:50.520 --> 0:10:53.240
<v Speaker 3>It's so inspiring to hear that. That's kind of story.

0:10:54.320 --> 0:10:57.320
<v Speaker 3>And when you guys were when you first hit the scene,

0:10:58.080 --> 0:11:01.320
<v Speaker 3>your style, I think you're style is so markedly different

0:11:01.360 --> 0:11:03.320
<v Speaker 3>from the other boy bands that again you get grouped

0:11:03.360 --> 0:11:06.720
<v Speaker 3>in with, Like you're so distinctly different from in sync

0:11:06.840 --> 0:11:10.199
<v Speaker 3>from Backstreet Boys. How did you develop that sound? Like,

0:11:10.400 --> 0:11:12.120
<v Speaker 3>where did that inspiration come from? Well?

0:11:12.559 --> 0:11:14.760
<v Speaker 4>I appreciate you knowing all this stuff. It's very nice

0:11:14.760 --> 0:11:17.440
<v Speaker 4>because look, we were inspired by good music. And not

0:11:17.520 --> 0:11:19.520
<v Speaker 4>to say that those groups don't have good music.

0:11:19.520 --> 0:11:21.000
<v Speaker 2>We love pop, but.

0:11:21.040 --> 0:11:23.720
<v Speaker 4>We're more r and B influenced, you know, we boys

0:11:23.800 --> 0:11:27.040
<v Speaker 4>demand and vocal groups like Take six, which are these

0:11:27.600 --> 0:11:29.880
<v Speaker 4>these guys with an amazing blunt but also do wop

0:11:29.920 --> 0:11:33.480
<v Speaker 4>groups from the fifties and sixties and Temptations and the

0:11:33.480 --> 0:11:37.280
<v Speaker 4>Four Tops, but also classic rock groups like Foreigner and

0:11:37.400 --> 0:11:40.080
<v Speaker 4>Journey and Boston and all these groups that have these

0:11:40.120 --> 0:11:43.240
<v Speaker 4>really lush you know, four five part, six part harmony

0:11:43.760 --> 0:11:46.440
<v Speaker 4>with a lot of soul, and so was our That

0:11:46.520 --> 0:11:49.000
<v Speaker 4>was the sort of the gestation and beginning of what

0:11:49.040 --> 0:11:51.199
<v Speaker 4>we kind of craft that as our sound. And I'm

0:11:51.320 --> 0:11:54.240
<v Speaker 4>very thankful you you recognize that.

0:11:55.120 --> 0:11:57.640
<v Speaker 3>Yeah, it really drew me in. I mean, so when

0:11:57.679 --> 0:12:00.240
<v Speaker 3>I was growing up, the only boy band I listened

0:12:00.280 --> 0:12:02.520
<v Speaker 3>to was the Beach Boys. I loved their harmonies. I

0:12:02.559 --> 0:12:05.000
<v Speaker 3>love the Beach Boys. But then when I heard True

0:12:05.040 --> 0:12:06.960
<v Speaker 3>to Your Heart on the Mulan soundtrack, I was like,

0:12:07.000 --> 0:12:10.200
<v Speaker 3>who are these guys? Oh my god, this is awesome. How,

0:12:10.760 --> 0:12:13.120
<v Speaker 3>I mean, how did you get hooked up with Disney

0:12:13.120 --> 0:12:15.160
<v Speaker 3>with Stevie Wonder? Can you tell me how that came together?

0:12:15.679 --> 0:12:18.440
<v Speaker 4>It was amazing. And you want you talk about Stevie Wonder.

0:12:18.480 --> 0:12:20.199
<v Speaker 4>I mean, he's one of our idols. I mean, you're

0:12:20.200 --> 0:12:24.319
<v Speaker 4>talking about those old motown groups like Stevie and Smokey Robinson,

0:12:24.360 --> 0:12:27.040
<v Speaker 4>and you know, we were signed a modetown h and

0:12:27.120 --> 0:12:29.280
<v Speaker 4>so we were on the road and we had gotten

0:12:29.280 --> 0:12:33.240
<v Speaker 4>approached by Disney, you know, and and here, you know,

0:12:33.280 --> 0:12:35.319
<v Speaker 4>Disney wanted us to do something for a soundtrack, and

0:12:35.360 --> 0:12:37.520
<v Speaker 4>we all know what that means. That means, that's a

0:12:37.600 --> 0:12:39.880
<v Speaker 4>huge opportunity. And so we of course said yes. And

0:12:39.920 --> 0:12:42.240
<v Speaker 4>they said, well, how did you feel about Stevie wonder,

0:12:42.320 --> 0:12:43.640
<v Speaker 4>you know, playing harmonica?

0:12:43.720 --> 0:12:44.880
<v Speaker 2>We said, are you kidding you?

0:12:45.559 --> 0:12:47.520
<v Speaker 4>Of course, And what we did is we went in

0:12:47.559 --> 0:12:51.240
<v Speaker 4>the studio and recorded the record, all of it without

0:12:51.280 --> 0:12:54.840
<v Speaker 4>Stevie on it, and just his harmonica part. And and

0:12:55.240 --> 0:12:59.840
<v Speaker 4>Christina Aguilera was there, Yeah, reflections wow. And it was

0:13:00.000 --> 0:13:02.400
<v Speaker 4>in the beginning stages of her career as well. And

0:13:02.440 --> 0:13:05.000
<v Speaker 4>then you know, I guess Stevie decided it. He heard it

0:13:05.080 --> 0:13:07.199
<v Speaker 4>and said, hey, you know, I'm going to take take

0:13:07.200 --> 0:13:09.000
<v Speaker 4>a verse on this. And of course he took the

0:13:09.040 --> 0:13:12.160
<v Speaker 4>song to a whole nother dimension and that that stuff

0:13:12.600 --> 0:13:13.679
<v Speaker 4>was like a pinch me moment.

0:13:13.720 --> 0:13:15.840
<v Speaker 2>You never you know, I'm a year.

0:13:15.640 --> 0:13:17.840
<v Speaker 4>And a half, two years removed from sitting in my

0:13:17.920 --> 0:13:21.040
<v Speaker 4>basement in Ohio listening to this guy on the stereo

0:13:21.160 --> 0:13:23.640
<v Speaker 4>and then next thing I know, we're doing this soundtrack

0:13:23.679 --> 0:13:26.360
<v Speaker 4>for Disney with him and then performing on the Tonight

0:13:26.440 --> 0:13:28.760
<v Speaker 4>Show with him. So it was, it was it was

0:13:28.840 --> 0:13:30.120
<v Speaker 4>quite an experience for us.

0:13:30.480 --> 0:13:30.720
<v Speaker 1>Wow.

0:13:30.880 --> 0:13:33.120
<v Speaker 3>So would you say that was the moment when things

0:13:33.160 --> 0:13:35.520
<v Speaker 3>started really like going to the stratosphere for you or.

0:13:36.200 --> 0:13:38.880
<v Speaker 4>It's hard to say because you know you went back

0:13:38.920 --> 0:13:41.520
<v Speaker 4>then it was such a grind and you literally worked

0:13:41.559 --> 0:13:44.679
<v Speaker 4>all the time. You didn't have social media to proliferate

0:13:44.720 --> 0:13:47.120
<v Speaker 4>your brand and touch your fans every day of the week.

0:13:47.160 --> 0:13:49.320
<v Speaker 4>You had to constantly be out into the public, sort

0:13:49.320 --> 0:13:52.199
<v Speaker 4>of like on a campaign trail for your career, doing

0:13:52.760 --> 0:13:56.400
<v Speaker 4>live shows, free shows in stores where you sign autographs

0:13:56.440 --> 0:13:57.640
<v Speaker 4>in stores. A lot of people are like, one, are

0:13:57.679 --> 0:14:00.679
<v Speaker 4>those you know doing all kinds of stuff where you know,

0:14:00.760 --> 0:14:03.840
<v Speaker 4>we didn't really you know, we would see these different milestones,

0:14:03.840 --> 0:14:05.760
<v Speaker 4>but we're such a bunch of blue collar guys.

0:14:05.800 --> 0:14:06.400
<v Speaker 2>We were going, all.

0:14:06.400 --> 0:14:08.800
<v Speaker 4>Right, what's next, what's next? And you'd go, Okay, this

0:14:08.920 --> 0:14:11.120
<v Speaker 4>is cool. I think the Tonight Show with Stevie was

0:14:11.240 --> 0:14:13.599
<v Speaker 4>one of them. I think hearing your song on the

0:14:13.679 --> 0:14:15.360
<v Speaker 4>radio for the first time is another one.

0:14:15.400 --> 0:14:17.120
<v Speaker 2>You're like, oh, man, kiss FM.

0:14:17.200 --> 0:14:19.280
<v Speaker 4>I was in La working security and I was going, man,

0:14:19.320 --> 0:14:21.400
<v Speaker 4>I want to be on Kiss FM someday, you know.

0:14:21.480 --> 0:14:23.560
<v Speaker 4>So those are there are so many of those moments,

0:14:23.600 --> 0:14:25.920
<v Speaker 4>but it takes it takes them innute to step back,

0:14:26.120 --> 0:14:28.360
<v Speaker 4>which we didn't have and go wow, we're on the

0:14:28.440 --> 0:14:30.800
<v Speaker 4>right trajectory. And then all of a sudden you're doing

0:14:31.040 --> 0:14:33.640
<v Speaker 4>different things, performing at the White House on a ward

0:14:33.640 --> 0:14:35.080
<v Speaker 4>shows and things of that nature, and you're going, wow,

0:14:35.080 --> 0:14:37.880
<v Speaker 4>we're still we think we're still in the right direction,

0:14:38.000 --> 0:14:41.280
<v Speaker 4>but the milestones you really couldn't take a break and

0:14:41.320 --> 0:14:43.720
<v Speaker 4>take it in. We enjoyed it, but we probably could

0:14:43.760 --> 0:14:45.160
<v Speaker 4>have enjoyed a lot more.

0:14:46.360 --> 0:14:47.040
<v Speaker 1>I love hearing that.

0:14:47.400 --> 0:14:49.440
<v Speaker 3>As we record this, I'm sitting two doors down from

0:14:49.480 --> 0:14:52.080
<v Speaker 3>the KISSFM studios, so that's that's exciting to hear at

0:14:52.120 --> 0:14:52.600
<v Speaker 3>that station.

0:14:52.680 --> 0:14:52.840
<v Speaker 2>Man.

0:14:53.000 --> 0:14:55.800
<v Speaker 4>I mean, those guys were instrumental in helping break us,

0:14:55.840 --> 0:14:57.000
<v Speaker 4>so big fan.

0:14:57.920 --> 0:15:02.480
<v Speaker 3>Yeah, we love you over here. So I told you

0:15:02.480 --> 0:15:05.920
<v Speaker 3>before we started recording this. This show is about Gilmore Girls,

0:15:06.000 --> 0:15:10.000
<v Speaker 3>and we're exploring all the pop culture icons that grace.

0:15:10.080 --> 0:15:13.600
<v Speaker 3>The words of Gilmore Girls and ninety degrees is brought

0:15:13.640 --> 0:15:18.560
<v Speaker 3>up twice, and there's one part where Rory, the daughter character,

0:15:18.640 --> 0:15:22.080
<v Speaker 3>she's asked by her grandmother what music do you like

0:15:22.120 --> 0:15:24.680
<v Speaker 3>in sync or ninety eight degrees? And then she also

0:15:24.720 --> 0:15:27.440
<v Speaker 3>references she calls them the Backside Boys, but the Backshe Boys,

0:15:27.880 --> 0:15:31.120
<v Speaker 3>and Rory chooses in sync over you, guys, I'm sorry

0:15:31.160 --> 0:15:32.880
<v Speaker 3>to say, hey, look again.

0:15:33.080 --> 0:15:35.840
<v Speaker 4>To be first of all on such an iconic show,

0:15:37.000 --> 0:15:38.640
<v Speaker 4>we used to like, well, we would hear that kind

0:15:38.720 --> 0:15:41.080
<v Speaker 4>of stuff. We were like, wow, that's amazing, even if

0:15:41.080 --> 0:15:43.280
<v Speaker 4>it was a jab at us. You know, if the

0:15:43.440 --> 0:15:46.040
<v Speaker 4>La Times reviewing one of our records, it gives us

0:15:46.040 --> 0:15:49.400
<v Speaker 4>the thumbs down, We'll like, hey, guys, La Times. They

0:15:49.400 --> 0:15:52.680
<v Speaker 4>reviewed our record Gilmore Girls, Okay, in sync they sold

0:15:52.840 --> 0:15:56.160
<v Speaker 4>you know, forty million albums. I don't mean by coming

0:15:56.200 --> 0:15:58.200
<v Speaker 4>in second place to them on a hit TV show.

0:15:58.320 --> 0:16:00.240
<v Speaker 2>That's yeah.

0:16:00.280 --> 0:16:03.040
<v Speaker 3>I was gonna ask, like that must happen all the time,

0:16:03.120 --> 0:16:05.160
<v Speaker 3>Like where you're like watching TV and like a character

0:16:05.240 --> 0:16:06.960
<v Speaker 3>brings or like or you see like a ninety degrees

0:16:07.040 --> 0:16:09.040
<v Speaker 3>poster in the background of a movie or something like

0:16:09.200 --> 0:16:10.040
<v Speaker 3>how does that feel?

0:16:10.080 --> 0:16:10.880
<v Speaker 1>Does that happen to you?

0:16:12.120 --> 0:16:14.200
<v Speaker 2>It does feel? You know, Look, it's it always felt cool.

0:16:14.240 --> 0:16:16.360
<v Speaker 4>It feels cool now when I mean, we're thirty years

0:16:16.360 --> 0:16:19.360
<v Speaker 4>into this, right, so yeah, still, you know, mentioned on

0:16:19.440 --> 0:16:22.360
<v Speaker 4>relevant TV show someone I can't remember the show that

0:16:22.400 --> 0:16:25.120
<v Speaker 4>it was on, but somebody just referenced us on a

0:16:25.480 --> 0:16:27.440
<v Speaker 4>show the other day, And of course immediately my phone

0:16:27.480 --> 0:16:30.240
<v Speaker 4>starts blowing up, Well did you see this? Then the

0:16:30.320 --> 0:16:32.360
<v Speaker 4>other And I'm like, I don't even know what show

0:16:32.440 --> 0:16:35.680
<v Speaker 4>that is, but reference very recently and I can't. I

0:16:35.720 --> 0:16:37.360
<v Speaker 4>wish I could have remembered the name of the show,

0:16:37.400 --> 0:16:37.840
<v Speaker 4>but I can't.

0:16:37.920 --> 0:16:39.080
<v Speaker 2>Right now.

0:16:39.880 --> 0:16:42.160
<v Speaker 3>Yeah, I mean again, you guys, and we're all talk

0:16:42.160 --> 0:16:44.400
<v Speaker 3>about your new album here in a second. But still

0:16:44.440 --> 0:16:48.360
<v Speaker 3>in twenty twenty five, still such a huge band. Now,

0:16:48.600 --> 0:16:52.360
<v Speaker 3>in two thousand and three, you went on hiatus. You

0:16:52.360 --> 0:16:54.960
<v Speaker 3>guys took a break for a bit, and but you

0:16:55.040 --> 0:16:57.440
<v Speaker 3>reunited in twenty twelve. You kept your promise that you'd

0:16:57.440 --> 0:16:59.640
<v Speaker 3>be back. But I'm curious if you're open to talking

0:16:59.640 --> 0:17:02.760
<v Speaker 3>about this. During that break, was there ever a point

0:17:02.760 --> 0:17:05.000
<v Speaker 3>where you were like, oh, we might get back together,

0:17:05.040 --> 0:17:06.359
<v Speaker 3>this might be the end of ninety degrees?

0:17:06.600 --> 0:17:08.960
<v Speaker 2>Well, yeah, the entire break, you know, the entire break

0:17:09.040 --> 0:17:09.800
<v Speaker 2>until the very end.

0:17:10.080 --> 0:17:12.600
<v Speaker 4>I mean, you know, for us, it was abrupt, so

0:17:12.640 --> 0:17:16.720
<v Speaker 4>we ended up stopping you know, September twelfth of two

0:17:16.760 --> 0:17:19.320
<v Speaker 4>thousand and one, we were in New York City on

0:17:19.359 --> 0:17:20.400
<v Speaker 4>September eleventh.

0:17:20.440 --> 0:17:22.960
<v Speaker 2>We were on the grind for pretty much five years straight.

0:17:23.080 --> 0:17:26.160
<v Speaker 4>We did the Michael Jackson Special in New York City

0:17:26.160 --> 0:17:29.320
<v Speaker 4>on September tenth. The next day was September eleventh, and

0:17:29.400 --> 0:17:31.359
<v Speaker 4>we didn't know what was going to happen.

0:17:31.560 --> 0:17:32.440
<v Speaker 2>But in the world we.

0:17:32.359 --> 0:17:35.080
<v Speaker 4>Were due for a break for our last couple of

0:17:35.080 --> 0:17:37.360
<v Speaker 4>shows because obviously, you know, we didn't know if there

0:17:37.400 --> 0:17:39.400
<v Speaker 4>was going to be a war or we were away

0:17:39.400 --> 0:17:40.160
<v Speaker 4>from our families.

0:17:40.200 --> 0:17:41.560
<v Speaker 2>We all went to our families.

0:17:41.840 --> 0:17:44.320
<v Speaker 4>I had two little kids at the time, and I

0:17:44.440 --> 0:17:46.440
<v Speaker 4>just just you know, I went in that direction. Nick

0:17:46.560 --> 0:17:49.280
<v Speaker 4>ended up doing a TV show, you know, Justin ended

0:17:49.359 --> 0:17:51.879
<v Speaker 4>up running for may or. Drew ended up started and

0:17:51.920 --> 0:17:54.200
<v Speaker 4>performing art school. So we all went in different directions.

0:17:54.520 --> 0:17:57.080
<v Speaker 4>We didn't officially break up. We just kind of went

0:17:57.160 --> 0:18:00.640
<v Speaker 4>in weird trajectories for about a decade.

0:18:00.680 --> 0:18:03.440
<v Speaker 2>And so I never thought, you know that we you know, we.

0:18:03.440 --> 0:18:06.280
<v Speaker 4>All had so many different things we were doing and

0:18:06.520 --> 0:18:09.159
<v Speaker 4>it's and they were all so different that we're like,

0:18:09.160 --> 0:18:10.679
<v Speaker 4>how are we going to make this a line? And

0:18:10.720 --> 0:18:14.760
<v Speaker 4>then you know, look in twenty eleven, we said, well

0:18:14.760 --> 0:18:16.080
<v Speaker 4>maybe we should get back together.

0:18:16.160 --> 0:18:17.000
<v Speaker 2>I mean, it was so weird.

0:18:17.080 --> 0:18:18.920
<v Speaker 4>I called Justin and like, don't you think it's time

0:18:18.960 --> 0:18:21.160
<v Speaker 4>to get back together? And he said yeah. I mean,

0:18:21.160 --> 0:18:24.160
<v Speaker 4>it wasn't like some weird fight that we all sat

0:18:24.200 --> 0:18:26.800
<v Speaker 4>down at the table and hashed out our differences. Were

0:18:26.800 --> 0:18:29.320
<v Speaker 4>all like, okay, should we get back together now? And

0:18:29.320 --> 0:18:32.679
<v Speaker 4>then everybody said yeah, let's get let's get back together,

0:18:33.000 --> 0:18:34.600
<v Speaker 4>and that's what we did. We came back and we

0:18:34.640 --> 0:18:37.520
<v Speaker 4>decided to come back, couldn't find the right timing. We

0:18:37.600 --> 0:18:39.879
<v Speaker 4>end up doing this big show in Pennsylvania that was

0:18:39.920 --> 0:18:43.080
<v Speaker 4>popular called Mixtape, and we were like, look, here's what

0:18:43.119 --> 0:18:45.360
<v Speaker 4>we'll do. We'll put together a little show for this

0:18:46.000 --> 0:18:48.879
<v Speaker 4>and if the fans like it, maybe we'll consider, you know,

0:18:49.040 --> 0:18:52.080
<v Speaker 4>doing it more and coming back. And if they don't, well,

0:18:52.080 --> 0:18:54.640
<v Speaker 4>look we'll go back and do our own things. Fortunately

0:18:54.640 --> 0:18:57.160
<v Speaker 4>for us, they liked it, and so we've been around

0:18:57.480 --> 0:19:01.560
<v Speaker 4>ever since then, and it's been the second time we've

0:19:01.600 --> 0:19:03.639
<v Speaker 4>been together and at it twice as long as we

0:19:03.640 --> 0:19:07.640
<v Speaker 4>were the first run, and so owned by we have.

0:19:07.600 --> 0:19:08.400
<v Speaker 2>So much more fun.

0:19:08.520 --> 0:19:11.359
<v Speaker 4>We're so blessed to do it, and we never thought

0:19:11.400 --> 0:19:13.119
<v Speaker 4>I thought we would be doing it this long and

0:19:13.160 --> 0:19:15.800
<v Speaker 4>have such a loyal fan base, so you know, we're

0:19:16.080 --> 0:19:18.480
<v Speaker 4>thrilled and excited about you know, what we've been able

0:19:18.480 --> 0:19:20.199
<v Speaker 4>to do and that they're still coming out for us

0:19:20.200 --> 0:19:21.000
<v Speaker 4>and supporting us.

0:19:21.920 --> 0:19:22.359
<v Speaker 2>I love it.

0:19:22.560 --> 0:19:25.159
<v Speaker 3>Jeff Timmins from ninety degrees is with us. We're going

0:19:25.200 --> 0:19:27.880
<v Speaker 3>to take a quick break here on the IMLON podcast.

0:19:27.880 --> 0:19:39.840
<v Speaker 3>We'll be back in one second. Hey, it's the imlone podcast.

0:19:39.920 --> 0:19:42.040
<v Speaker 3>I smell pop culture. We're hanging out with Jeff Timmins

0:19:42.080 --> 0:19:45.800
<v Speaker 3>from ninety eight degrees, the legendary ninety eight degrees. So

0:19:46.320 --> 0:19:50.080
<v Speaker 3>something I read that we're gonna talk about your again.

0:19:50.080 --> 0:19:53.080
<v Speaker 3>You new I'm here in a second. But Nikolache said

0:19:53.080 --> 0:19:55.320
<v Speaker 3>that when you guys were recording I do cherish you,

0:19:56.240 --> 0:19:59.440
<v Speaker 3>he had a cold and he was eating lazed potato

0:19:59.520 --> 0:20:01.679
<v Speaker 3>chips till help code his throat or something like that.

0:20:01.760 --> 0:20:03.640
<v Speaker 3>I thought that was such a wild I had never

0:20:03.680 --> 0:20:05.400
<v Speaker 3>heard that before for a vocalist, and I was worrying,

0:20:05.400 --> 0:20:08.199
<v Speaker 3>if you have any weird vocal tricks that you do

0:20:08.359 --> 0:20:10.080
<v Speaker 3>that you can share with us, Well.

0:20:09.880 --> 0:20:10.760
<v Speaker 2>That's interesting.

0:20:11.760 --> 0:20:14.560
<v Speaker 4>So we you know, I'm sure you know vocalists, and

0:20:14.640 --> 0:20:17.320
<v Speaker 4>you interview vocalists when you're in the studio, you're a

0:20:17.359 --> 0:20:21.480
<v Speaker 4>head case. Vocalists they're superstitious. They always think they're not

0:20:21.600 --> 0:20:25.080
<v Speaker 4>warmed up. They always there. They're hypochondriacs. They think they

0:20:25.119 --> 0:20:27.920
<v Speaker 4>have a cold when they don't have it. We somehow

0:20:27.960 --> 0:20:31.800
<v Speaker 4>psych ourselves out. And you know, for me, this is

0:20:31.880 --> 0:20:34.600
<v Speaker 4>probably not going to be the best advice because I

0:20:34.720 --> 0:20:36.119
<v Speaker 4>like to have a couple of beers before I go

0:20:36.240 --> 0:20:38.840
<v Speaker 4>in this, right, loosen up and relax a little bit

0:20:39.040 --> 0:20:39.919
<v Speaker 4>before I go in there.

0:20:39.960 --> 0:20:40.919
<v Speaker 2>I'll have a couple of drinks.

0:20:41.000 --> 0:20:45.320
<v Speaker 4>Now, vocal coaches purists will tell you that that's bad

0:20:45.359 --> 0:20:47.640
<v Speaker 4>for your voice, it dries out your vocal cords, which

0:20:47.680 --> 0:20:51.600
<v Speaker 4>could be true. But for me, that little inner critic,

0:20:51.880 --> 0:20:53.480
<v Speaker 4>if I have a couple of beers or a couple drinks,

0:20:53.480 --> 0:20:54.680
<v Speaker 4>the inner critic shuts off.

0:20:54.840 --> 0:20:57.040
<v Speaker 2>You're a little bit more relaxed. Even if it's a placebos.

0:20:57.080 --> 0:20:59.640
<v Speaker 2>Probably someone could give me non alcoholic beer and put

0:20:59.640 --> 0:21:01.640
<v Speaker 2>it in al and I would go, oh, I feel loose.

0:21:01.680 --> 0:21:01.840
<v Speaker 2>You know.

0:21:01.880 --> 0:21:04.199
<v Speaker 4>It's that kind of a thing to where you're not

0:21:04.280 --> 0:21:06.960
<v Speaker 4>afraid to try things. You have a little bit more confidence.

0:21:07.280 --> 0:21:09.680
<v Speaker 4>And so that's I mean not to encourage people to

0:21:09.760 --> 0:21:12.479
<v Speaker 4>drink alcohol, but that's when I'm in the studio, I

0:21:12.520 --> 0:21:14.200
<v Speaker 4>like to have a couple of drinks. Now, Nick did

0:21:14.320 --> 0:21:18.679
<v Speaker 4>do that with the laze potato chips, specifically lays Keith Thomas,

0:21:18.680 --> 0:21:21.080
<v Speaker 4>the producer, gave him because they had more salt and

0:21:21.119 --> 0:21:25.159
<v Speaker 4>more oil in it, and supposedly that made him, you know,

0:21:25.280 --> 0:21:28.280
<v Speaker 4>sing such beautifully on that song. It's like a legendary

0:21:28.280 --> 0:21:31.840
<v Speaker 4>song that he crushes. But I don't know that those

0:21:31.960 --> 0:21:35.040
<v Speaker 4>potato chips. Actually, I think Nick psyched himself out, and

0:21:35.040 --> 0:21:37.439
<v Speaker 4>he sounds amazing, even if he has a cold, he

0:21:37.480 --> 0:21:38.480
<v Speaker 4>always sounds amazing.

0:21:38.800 --> 0:21:40.520
<v Speaker 1>Oh yeah, a voice of an angel, that guy.

0:21:40.920 --> 0:21:43.680
<v Speaker 3>Do you have any like formal vocal training, because you're

0:21:43.680 --> 0:21:46.040
<v Speaker 3>telling me like it seems like everything starts so organically

0:21:46.080 --> 0:21:46.359
<v Speaker 3>for you.

0:21:47.040 --> 0:21:47.280
<v Speaker 2>Yeah.

0:21:47.320 --> 0:21:50.480
<v Speaker 4>You know, Look, I grew up in the musical, theater

0:21:50.680 --> 0:21:53.480
<v Speaker 4>and choir. My parents had us in everything. We played

0:21:53.600 --> 0:21:55.879
<v Speaker 4>a lot of sports. We were in speech and debate.

0:21:56.000 --> 0:21:57.960
<v Speaker 4>We were in theater, we were in musicals, we were

0:21:57.960 --> 0:21:59.800
<v Speaker 4>in the band. You know, they had us doing everything. Now,

0:22:00.320 --> 0:22:02.240
<v Speaker 4>you don't have time as a kid, you can do

0:22:02.320 --> 0:22:06.040
<v Speaker 4>one thing. Yeah, but we did everything, and so I

0:22:06.080 --> 0:22:08.720
<v Speaker 4>had some training. But you know, like I said, we

0:22:09.240 --> 0:22:11.879
<v Speaker 4>came from it wasn't cool, so I.

0:22:11.320 --> 0:22:12.760
<v Speaker 2>Never really took it seriously.

0:22:12.800 --> 0:22:15.760
<v Speaker 4>I mean i'd go and excel in that area or

0:22:15.840 --> 0:22:18.919
<v Speaker 4>get lead parts of things, but I never practiced. I

0:22:18.960 --> 0:22:23.080
<v Speaker 4>never did any vocal exercises. I mean, to this day,

0:22:23.119 --> 0:22:25.520
<v Speaker 4>we'd kind of warm up about three minutes before we

0:22:25.600 --> 0:22:28.200
<v Speaker 4>go on stage. I don't walk around with the thing

0:22:28.280 --> 0:22:31.560
<v Speaker 4>on my neck and turn the temperature down in the room.

0:22:31.560 --> 0:22:32.520
<v Speaker 2>I don't do any of that stuff.

0:22:32.520 --> 0:22:34.320
<v Speaker 4>So once in a while for your horse, maybe some

0:22:34.359 --> 0:22:36.240
<v Speaker 4>hot teat a little bit of honey and lemon, and

0:22:36.520 --> 0:22:38.080
<v Speaker 4>sometimes that'll get it going.

0:22:38.119 --> 0:22:39.920
<v Speaker 2>But you know, look, I wish we did.

0:22:40.080 --> 0:22:42.840
<v Speaker 4>At one point, Motown put us with a vocal coach,

0:22:43.080 --> 0:22:46.000
<v Speaker 4>and we were paying for this guy to go see

0:22:46.040 --> 0:22:48.119
<v Speaker 4>him once a week, twice a week. But we get

0:22:48.200 --> 0:22:51.200
<v Speaker 4>there and before like the month was over, we realized

0:22:51.200 --> 0:22:52.520
<v Speaker 4>we never did any vocal training.

0:22:52.560 --> 0:22:55.119
<v Speaker 2>All we did was tell us stories about his career.

0:22:55.200 --> 0:22:57.439
<v Speaker 4>So we cut that off after it cost us I

0:22:57.440 --> 0:23:00.720
<v Speaker 4>don't know twenty thousand dollars or something, but yeah, I mean,

0:23:01.040 --> 0:23:03.560
<v Speaker 4>it's a little off the beaten path that we don't

0:23:03.680 --> 0:23:06.200
<v Speaker 4>have those kinds of things. And I wouldn't encourage people

0:23:06.280 --> 0:23:08.280
<v Speaker 4>not to take care of their voice and you know,

0:23:08.320 --> 0:23:10.320
<v Speaker 4>it's your instrument, you know all that stuff. But we

0:23:10.560 --> 0:23:12.800
<v Speaker 4>you know, we probably could be better at that.

0:23:13.760 --> 0:23:14.840
<v Speaker 1>I mean just personally.

0:23:14.920 --> 0:23:16.520
<v Speaker 3>I think it really comes through in the music though,

0:23:16.520 --> 0:23:18.800
<v Speaker 3>because like, like you guys just are your friends. You're

0:23:18.840 --> 0:23:22.440
<v Speaker 3>such good friends. I can hear that relationship in the performances,

0:23:22.480 --> 0:23:24.719
<v Speaker 3>and like, I just think it's the purest form of

0:23:24.760 --> 0:23:27.480
<v Speaker 3>like of music. It's this guys getting together singing. It's great.

0:23:28.119 --> 0:23:29.000
<v Speaker 2>I'm glad you see that.

0:23:29.080 --> 0:23:31.840
<v Speaker 4>And it's hard to find guys to BLENDND with the

0:23:31.880 --> 0:23:34.280
<v Speaker 4>blend is everything right, the feel and the blend, and

0:23:34.480 --> 0:23:37.160
<v Speaker 4>and that's why a lot of people are good groups.

0:23:37.680 --> 0:23:39.640
<v Speaker 4>And you might have a couple of two three lead

0:23:39.760 --> 0:23:42.560
<v Speaker 4>singers in a group, but when they can't sing acappella, well,

0:23:42.600 --> 0:23:45.520
<v Speaker 4>we didn't have any tracks or ability to create tracks

0:23:45.800 --> 0:23:46.840
<v Speaker 4>or any instruments.

0:23:46.880 --> 0:23:48.120
<v Speaker 2>We just had our voices.

0:23:48.200 --> 0:23:50.600
<v Speaker 4>So we had to really kind of figure it out

0:23:50.600 --> 0:23:53.520
<v Speaker 4>a whip way to make them blend really quickly. And fortunately,

0:23:53.880 --> 0:23:55.480
<v Speaker 4>you know Nick and Dree brothers, so they have a

0:23:55.520 --> 0:23:58.119
<v Speaker 4>similar tambur to their voice, and you know, Justin had

0:23:58.160 --> 0:24:00.840
<v Speaker 4>been working with Nick in another band, so they all

0:24:00.920 --> 0:24:04.160
<v Speaker 4>were familiar with themselves, and you know, it just had

0:24:04.160 --> 0:24:05.920
<v Speaker 4>to be be getting in there and kind of fitting

0:24:05.960 --> 0:24:08.520
<v Speaker 4>in when I could. We've been fortunate enough that that's

0:24:08.520 --> 0:24:11.040
<v Speaker 4>where we're That's probably our strongest suit is singing our

0:24:11.240 --> 0:24:14.480
<v Speaker 4>a cappella, but you can't put out complete albums anymore

0:24:14.560 --> 0:24:17.359
<v Speaker 4>acapella and actually new tracks and R and B tracks

0:24:17.520 --> 0:24:20.200
<v Speaker 4>don't even like you to stack stack too many harmonies anymore,

0:24:20.280 --> 0:24:23.040
<v Speaker 4>make it too complicated. So you know, uh, you know,

0:24:23.080 --> 0:24:25.440
<v Speaker 4>we that's why we like Christmas music so much, because

0:24:25.480 --> 0:24:28.480
<v Speaker 4>you can you can showcase everybody's voice and the dynamics

0:24:28.520 --> 0:24:30.200
<v Speaker 4>of a quartet or even more harmony.

0:24:30.240 --> 0:24:33.000
<v Speaker 3>Sometimes when you were doing those early shows, you were

0:24:33.000 --> 0:24:35.119
<v Speaker 3>playing those like cheerleader camps and stuff. What were you

0:24:35.160 --> 0:24:37.560
<v Speaker 3>singing original songs that you'd written or were you singing covers?

0:24:37.560 --> 0:24:38.160
<v Speaker 1>Where were you guys?

0:24:38.359 --> 0:24:40.040
<v Speaker 2>Well, we were doing a combination of both.

0:24:40.080 --> 0:24:42.679
<v Speaker 4>So we had we had our own couple originals of

0:24:42.680 --> 0:24:45.040
<v Speaker 4>our own and you know, we're probably not very good

0:24:45.520 --> 0:24:47.560
<v Speaker 4>that we did covers. You know, we did some Boys

0:24:47.600 --> 0:24:50.520
<v Speaker 4>to Men covers and you know, I had a song

0:24:50.560 --> 0:24:52.639
<v Speaker 4>we would do that sometimes and some other ones. But

0:24:52.880 --> 0:24:56.280
<v Speaker 4>we actually did a demo with Montel Jordan. Montel Jordan,

0:24:56.400 --> 0:24:59.119
<v Speaker 4>who wrote, you know, produced and was famous, most famous,

0:24:59.119 --> 0:24:59.760
<v Speaker 4>had a lot of hits.

0:24:59.760 --> 0:25:00.679
<v Speaker 2>But this is how we do it.

0:25:00.880 --> 0:25:01.280
<v Speaker 1>How we do it.

0:25:01.359 --> 0:25:03.080
<v Speaker 2>Yeah song And when.

0:25:02.960 --> 0:25:05.439
<v Speaker 4>We had gotten discovered at Avoye the Men concert, it

0:25:05.520 --> 0:25:09.400
<v Speaker 4>was by his road manager and wow, you know kind

0:25:09.400 --> 0:25:12.320
<v Speaker 4>of took us under his wing and Montel did our demo.

0:25:12.400 --> 0:25:14.959
<v Speaker 4>So Montel crafted like three or four songs for us

0:25:14.960 --> 0:25:17.200
<v Speaker 4>that never weren't out yet. So we were just basically

0:25:17.200 --> 0:25:20.439
<v Speaker 4>singing these new songs to girls in the crowd that

0:25:20.520 --> 0:25:23.360
<v Speaker 4>didn't even had never heard those before. But a couple

0:25:23.400 --> 0:25:24.960
<v Speaker 4>of them ended up making our first album.

0:25:25.400 --> 0:25:26.400
<v Speaker 1>Oh amazing.

0:25:26.440 --> 0:25:30.720
<v Speaker 3>And so you you just released a re recorded edition

0:25:30.880 --> 0:25:35.560
<v Speaker 3>of I Do Cherish You, ninety eighth version. I love that,

0:25:35.840 --> 0:25:37.400
<v Speaker 3>you know, taking ownership of the masters.

0:25:37.520 --> 0:25:40.080
<v Speaker 4>You know, Taylor Swift is the one that made that popular, right,

0:25:40.160 --> 0:25:43.760
<v Speaker 4>She had dispute with Scooter Braun and he took her masters,

0:25:43.760 --> 0:25:46.600
<v Speaker 4>so she re recorded her master's. But what artists don't

0:25:46.600 --> 0:25:50.239
<v Speaker 4>know is if you're not under recording an agreement, you

0:25:50.280 --> 0:25:52.800
<v Speaker 4>always have the ability to do that. And we've had

0:25:52.840 --> 0:25:55.560
<v Speaker 4>that opportunity to do that for years. But you know,

0:25:55.720 --> 0:25:58.080
<v Speaker 4>people didn't understand why you would do it. Now you

0:25:58.160 --> 0:26:00.280
<v Speaker 4>do it, you know, for us of course, we want

0:26:00.320 --> 0:26:02.840
<v Speaker 4>to have ownership and make money from your stuff. But

0:26:02.840 --> 0:26:05.040
<v Speaker 4>for us, it was we'd like to own our own

0:26:05.040 --> 0:26:05.760
<v Speaker 4>material that.

0:26:05.760 --> 0:26:06.600
<v Speaker 2>Made us popular.

0:26:07.000 --> 0:26:08.960
<v Speaker 4>So we took some time to go back and re

0:26:08.960 --> 0:26:11.440
<v Speaker 4>record those songs, and we didn't want to record them

0:26:11.440 --> 0:26:14.399
<v Speaker 4>differently than what people remembered them as because that's what

0:26:14.520 --> 0:26:18.080
<v Speaker 4>made them successful. So it was challenging for us to

0:26:18.160 --> 0:26:20.320
<v Speaker 4>go back and try to sound like we did back

0:26:20.359 --> 0:26:23.480
<v Speaker 4>then and make the track sound like they did back then.

0:26:23.520 --> 0:26:24.440
<v Speaker 2>But we feel like we've.

0:26:24.240 --> 0:26:26.719
<v Speaker 4>Accomplished that and it just feels good to own your

0:26:26.760 --> 0:26:29.000
<v Speaker 4>own stuff, you know, control your own stuff.

0:26:29.440 --> 0:26:31.800
<v Speaker 3>Well, I mean, I imagine you know, you sing that

0:26:31.920 --> 0:26:35.040
<v Speaker 3>song at your shows like every every time, but like

0:26:35.200 --> 0:26:37.520
<v Speaker 3>getting back in the studio to record it in that setting,

0:26:37.560 --> 0:26:39.240
<v Speaker 3>was that weird at all? How did that feel?

0:26:39.520 --> 0:26:39.760
<v Speaker 2>Well?

0:26:39.800 --> 0:26:43.679
<v Speaker 4>It was weird because one, you know, those modules and

0:26:43.720 --> 0:26:46.920
<v Speaker 4>those synths and those sounds they were they came from

0:26:47.000 --> 0:26:49.320
<v Speaker 4>you know, physical instruments, and to go to find those

0:26:49.359 --> 0:26:51.760
<v Speaker 4>old things to recreate those sounds were hard to do.

0:26:51.840 --> 0:26:54.439
<v Speaker 4>That was a tough challenge initially because we wanted them

0:26:54.480 --> 0:26:57.880
<v Speaker 4>to sound identical because eventually we'd like them to replace

0:26:57.920 --> 0:27:00.959
<v Speaker 4>the old ones, you know, so play our versions, So

0:27:01.040 --> 0:27:01.840
<v Speaker 4>that was a challenge.

0:27:01.880 --> 0:27:03.520
<v Speaker 2>But to go back and sing.

0:27:03.600 --> 0:27:06.359
<v Speaker 4>You know, back then, we didn't use auto tune every

0:27:06.359 --> 0:27:09.280
<v Speaker 4>time on our voices, right, you just sometimes sing.

0:27:09.080 --> 0:27:10.280
<v Speaker 2>A little bit out of tune.

0:27:10.440 --> 0:27:12.480
<v Speaker 4>So early we're going, well, I got to sing a

0:27:12.480 --> 0:27:16.520
<v Speaker 4>little autitude here, and I gotta sing with less soulfulness here,

0:27:16.680 --> 0:27:19.440
<v Speaker 4>and I gotta be choppy and have less feel here.

0:27:19.840 --> 0:27:22.119
<v Speaker 2>And so after your years.

0:27:21.840 --> 0:27:24.320
<v Speaker 4>Of habitually singing the songs and flipping them your own

0:27:24.320 --> 0:27:26.040
<v Speaker 4>way on stage, you got to go back and go,

0:27:26.080 --> 0:27:28.360
<v Speaker 4>oh wow, I really did it totally different than we

0:27:28.600 --> 0:27:30.880
<v Speaker 4>So it was challenging, but it was really really fun too.

0:27:31.520 --> 0:27:33.520
<v Speaker 3>I never thought about that because you know, I'm think

0:27:33.520 --> 0:27:35.520
<v Speaker 3>abou all these artists, like we recording these songs and

0:27:35.560 --> 0:27:37.600
<v Speaker 3>thinking like, oh, you know, you just do it again,

0:27:37.680 --> 0:27:40.919
<v Speaker 3>but like there's little imperfections that you want to recreate

0:27:41.000 --> 0:27:42.639
<v Speaker 3>to make them sound is soone.

0:27:42.880 --> 0:27:44.880
<v Speaker 1>Wow, that's fascinating. Thank you for sharing that.

0:27:45.040 --> 0:27:47.040
<v Speaker 2>It was fun. Well, look, we wanted people to We

0:27:47.080 --> 0:27:47.680
<v Speaker 2>wanted them to.

0:27:47.600 --> 0:27:49.520
<v Speaker 4>Be so close that people won't be able to tell

0:27:49.520 --> 0:27:53.040
<v Speaker 4>the difference, and we feel like they're pretty they're pretty close.

0:27:53.119 --> 0:27:55.399
<v Speaker 4>I mean the mixes are better now because you have

0:27:55.480 --> 0:27:59.800
<v Speaker 4>better technology. To mix like at Most and all this other. Yeah, spatial,

0:28:00.920 --> 0:28:03.560
<v Speaker 4>but but we feel like we were like, let's make

0:28:03.600 --> 0:28:06.480
<v Speaker 4>them so undeniably close that, you know, people won't be

0:28:06.520 --> 0:28:08.320
<v Speaker 4>able to tell the difference, because that's what they fell

0:28:08.359 --> 0:28:08.880
<v Speaker 4>in love with.

0:28:08.920 --> 0:28:10.560
<v Speaker 2>You know, so we wanted to be true to that.

0:28:11.920 --> 0:28:15.360
<v Speaker 3>And I Do as part of your new album, Full

0:28:15.400 --> 0:28:17.639
<v Speaker 3>Circle come in May ninth, can you give us a

0:28:17.640 --> 0:28:19.399
<v Speaker 3>sneak peak of what else is on that album?

0:28:19.680 --> 0:28:21.800
<v Speaker 4>Well, we've got the you know what, we think still

0:28:21.800 --> 0:28:24.560
<v Speaker 4>are our five biggest hits, and then we recreated all

0:28:24.600 --> 0:28:27.840
<v Speaker 4>those Una Noce and I DO and an Invisible Man

0:28:27.920 --> 0:28:31.040
<v Speaker 4>and and you know, because of you Hardest thing. But

0:28:31.080 --> 0:28:34.239
<v Speaker 4>we've got five new ones that are pretty cool. They

0:28:34.440 --> 0:28:36.399
<v Speaker 4>kind of sound true to our sound.

0:28:36.480 --> 0:28:38.000
<v Speaker 2>You know. We went had a little bit.

0:28:37.880 --> 0:28:40.200
<v Speaker 4>Of a departure here and there because you start to go, oh,

0:28:40.240 --> 0:28:43.280
<v Speaker 4>I need to be relevant and I need to sound current.

0:28:43.080 --> 0:28:44.440
<v Speaker 2>And you know, do this and that.

0:28:44.520 --> 0:28:47.680
<v Speaker 4>But we decided, well, let's go back and sing songs

0:28:47.960 --> 0:28:50.080
<v Speaker 4>that sound like when people hear them, oh, it sounds

0:28:50.080 --> 0:28:51.800
<v Speaker 4>like a ninety eight degree song. So we have five

0:28:52.160 --> 0:28:54.440
<v Speaker 4>new ones, one of which Nick wrote with a bunch

0:28:54.440 --> 0:28:57.080
<v Speaker 4>of group, a group of great talented writers called Got

0:28:57.120 --> 0:29:00.360
<v Speaker 4>You that's also out right now and that as soon

0:29:00.400 --> 0:29:03.000
<v Speaker 4>as that came out and everybody said, sounds like.

0:29:02.960 --> 0:29:04.320
<v Speaker 2>A ninety eight degree song.

0:29:04.400 --> 0:29:09.760
<v Speaker 4>Drew pet one that's really cool called Same Mistake, and

0:29:09.800 --> 0:29:11.760
<v Speaker 4>it's really really it's sort of a it's sort of

0:29:11.760 --> 0:29:14.880
<v Speaker 4>a sequel to the Hardest Thing, and that's you know,

0:29:14.880 --> 0:29:17.200
<v Speaker 4>a couple of other ones tremble stranger things. In this

0:29:17.280 --> 0:29:19.920
<v Speaker 4>one we did with a Filipino artist called Mona Lisa

0:29:20.280 --> 0:29:24.160
<v Speaker 4>that our label, our label partner, Adam h Road with

0:29:24.200 --> 0:29:27.520
<v Speaker 4>his wife, So you know, we have we're really proud

0:29:27.560 --> 0:29:28.040
<v Speaker 4>of this one.

0:29:28.120 --> 0:29:32.120
<v Speaker 3>You know, I can't wait. That's May ninth, Full Circles coming.

0:29:32.680 --> 0:29:35.960
<v Speaker 3>Are you guys gonna you have a tour in the works.

0:29:35.840 --> 0:29:37.440
<v Speaker 2>Or you can hit the road? Yeah?

0:29:37.520 --> 0:29:40.320
<v Speaker 4>I mean usually we you know, our schedules are crazy.

0:29:40.360 --> 0:29:43.560
<v Speaker 4>We all do sure different things, which we're very fortunate

0:29:43.560 --> 0:29:45.000
<v Speaker 4>to do. So we haven't been able to do a

0:29:45.000 --> 0:29:46.920
<v Speaker 4>big proper tour in a long time. So when we

0:29:46.960 --> 0:29:48.920
<v Speaker 4>find we can do a pocket of fifteen dates or

0:29:48.960 --> 0:29:51.760
<v Speaker 4>twenty dates, which we've been doing in September and October

0:29:51.800 --> 0:29:53.840
<v Speaker 4>the last couple of years. But this year we're going

0:29:53.920 --> 0:29:56.240
<v Speaker 4>to kind of, you know, go overseas for a little bit.

0:29:56.280 --> 0:29:58.560
<v Speaker 4>We haven't been overseas to our fans there. You know,

0:29:58.600 --> 0:30:02.320
<v Speaker 4>we actually Canada and in Southeast Asia broke US before

0:30:02.400 --> 0:30:04.920
<v Speaker 4>the US, so we haven't been there in a proper

0:30:04.960 --> 0:30:06.480
<v Speaker 4>way in a long time. So we're gonna kind of

0:30:06.480 --> 0:30:10.720
<v Speaker 4>target those probably start in May, June July timeframe, and

0:30:10.720 --> 0:30:12.959
<v Speaker 4>then maybe in the fall come back and do some

0:30:13.120 --> 0:30:16.000
<v Speaker 4>US stuff, maybe a Christmas tour. You know, we're not

0:30:16.080 --> 0:30:18.400
<v Speaker 4>sure yet. We're kind of just feeling it out.

0:30:18.640 --> 0:30:19.120
<v Speaker 1>I love it.

0:30:19.160 --> 0:30:19.480
<v Speaker 2>I love it.

0:30:19.520 --> 0:30:20.120
<v Speaker 1>I can't wait.

0:30:21.280 --> 0:30:23.920
<v Speaker 3>So this is something I always ask our guests here,

0:30:23.960 --> 0:30:26.680
<v Speaker 3>and this is a this is a dumb question, but

0:30:26.800 --> 0:30:28.800
<v Speaker 3>I'm just fascinated by it. But like, is there one

0:30:28.920 --> 0:30:32.320
<v Speaker 3>moment that, in all of ninety eight degrees since you've

0:30:32.360 --> 0:30:34.000
<v Speaker 3>been doing this, is there a moment that, like, like

0:30:34.040 --> 0:30:35.840
<v Speaker 3>when you're kind of just sitting back and thinking on

0:30:35.960 --> 0:30:38.800
<v Speaker 3>your career, like, wow, that one like rises to the top.

0:30:38.880 --> 0:30:42.800
<v Speaker 3>Is there a memory you think of It's a big question.

0:30:42.880 --> 0:30:45.880
<v Speaker 2>I know, it's not a dumb question at all. We've

0:30:45.880 --> 0:30:47.640
<v Speaker 2>been blessed, man, We've had so many.

0:30:48.240 --> 0:30:51.480
<v Speaker 4>Yeah, but I gotta say some of the stuff in

0:30:51.520 --> 0:30:55.120
<v Speaker 4>the beginning that was fun, right that I remember doing

0:30:55.160 --> 0:30:57.120
<v Speaker 4>that and going, man, that was sort of like the

0:30:57.240 --> 0:30:59.200
<v Speaker 4>innocent time before we came fame.

0:30:59.280 --> 0:31:00.360
<v Speaker 2>Is that grind fun?

0:31:00.440 --> 0:31:02.920
<v Speaker 4>But I think for me performing with Boys de Men,

0:31:03.160 --> 0:31:05.720
<v Speaker 4>you know, after being on a hiatus for eleven years

0:31:05.920 --> 0:31:08.120
<v Speaker 4>and coming back with Boys de Men and New Kids

0:31:08.160 --> 0:31:11.640
<v Speaker 4>on the Block, touring with our idols and legends like

0:31:11.680 --> 0:31:13.760
<v Speaker 4>new kids on the Block after not doing it for

0:31:13.840 --> 0:31:16.720
<v Speaker 4>ten years, I mean, that was pretty amazing.

0:31:16.760 --> 0:31:19.320
<v Speaker 2>It was a huge tour, you know, forty some.

0:31:19.400 --> 0:31:23.720
<v Speaker 4>Cities, big arenas, sixteen to twenty thousand people a night.

0:31:24.120 --> 0:31:26.240
<v Speaker 4>I think, you know, every night that I performed with

0:31:26.320 --> 0:31:28.720
<v Speaker 4>Boys de Men, I was like, man, this is like

0:31:28.760 --> 0:31:30.920
<v Speaker 4>a dream. I would have never if I could have

0:31:30.920 --> 0:31:32.920
<v Speaker 4>written this out, which I did. I wrote all my

0:31:33.000 --> 0:31:36.960
<v Speaker 4>goals down and fortunately all of them came true. But

0:31:37.040 --> 0:31:40.440
<v Speaker 4>I didn't even pennant this well, you know, I didn't

0:31:40.440 --> 0:31:43.360
<v Speaker 4>even think of it being this grand. So I think,

0:31:43.400 --> 0:31:45.880
<v Speaker 4>you know, performing every night with those guys, I literally

0:31:45.920 --> 0:31:47.560
<v Speaker 4>was going to my own tour with Boys.

0:31:47.280 --> 0:31:48.600
<v Speaker 2>De Men like crazy.

0:31:49.080 --> 0:31:51.440
<v Speaker 4>So that's probably you know, there are some you ask

0:31:51.520 --> 0:31:54.520
<v Speaker 4>me a different day, it's probably something else, you know, so,

0:31:54.760 --> 0:31:56.400
<v Speaker 4>but this that was one of the big ones.

0:31:56.920 --> 0:31:57.280
<v Speaker 2>I love.

0:31:57.640 --> 0:31:59.600
<v Speaker 3>So you actually had it yet a list of goals?

0:32:00.000 --> 0:32:01.520
<v Speaker 3>When need you make this list? At what point in

0:32:01.560 --> 0:32:01.920
<v Speaker 3>your life?

0:32:01.960 --> 0:32:02.160
<v Speaker 2>Well?

0:32:02.480 --> 0:32:05.320
<v Speaker 4>Well, I like talking about this because I think it's

0:32:05.440 --> 0:32:08.040
<v Speaker 4>interesting for people. It's I think people should do this

0:32:08.280 --> 0:32:11.240
<v Speaker 4>because it kind of it kind of sparks your mind

0:32:11.280 --> 0:32:14.200
<v Speaker 4>to create the opportunity for you. When my original group

0:32:14.240 --> 0:32:16.880
<v Speaker 4>that I was with quit and I decided to stay

0:32:16.880 --> 0:32:18.440
<v Speaker 4>in LA, they all went back to Ohio.

0:32:18.520 --> 0:32:19.240
<v Speaker 2>I stayed in La.

0:32:19.840 --> 0:32:22.720
<v Speaker 4>I you know, I was working, you know, twelve hour

0:32:22.760 --> 0:32:24.320
<v Speaker 4>shifts in security.

0:32:23.800 --> 0:32:25.440
<v Speaker 2>And my brother, you know, I was I was like, man,

0:32:25.480 --> 0:32:26.720
<v Speaker 2>how am I going to start a new group? But

0:32:26.800 --> 0:32:29.160
<v Speaker 2>I don't know anybody in LA And how do I

0:32:29.200 --> 0:32:29.480
<v Speaker 2>do it?

0:32:29.880 --> 0:32:33.320
<v Speaker 4>And my brother gave me to Tony Robbins books. One

0:32:33.440 --> 0:32:35.720
<v Speaker 4>was called Unlimited Power and one was called Awaken the

0:32:35.720 --> 0:32:37.880
<v Speaker 4>Giant Within. And I had plenty of time to write

0:32:37.920 --> 0:32:40.480
<v Speaker 4>my goals in the security booth at my security job

0:32:40.560 --> 0:32:43.360
<v Speaker 4>that I worked twelve hours, and it just said, hey,

0:32:43.440 --> 0:32:45.840
<v Speaker 4>write out your goals and make them as lofty as

0:32:45.840 --> 0:32:49.320
<v Speaker 4>possible and as detailed as possible. And and at first

0:32:49.320 --> 0:32:52.720
<v Speaker 4>it seems foolish that it's impossible, but I wrote them

0:32:52.720 --> 0:32:55.880
<v Speaker 4>all down in great detail. And then two years later,

0:32:55.960 --> 0:32:57.760
<v Speaker 4>every single one of them had come true.

0:32:58.080 --> 0:32:59.880
<v Speaker 2>Uh, and so it was. It was funny.

0:32:59.880 --> 0:33:02.600
<v Speaker 4>But because we were doing a still in San Diego

0:33:02.600 --> 0:33:05.120
<v Speaker 4>and here, you know, Tony Robbins, they knock on our

0:33:05.160 --> 0:33:07.440
<v Speaker 4>dressing room door. Tony Robbins wants to meet us with

0:33:07.480 --> 0:33:08.400
<v Speaker 4>his son, and I freaked out.

0:33:08.440 --> 0:33:10.160
<v Speaker 2>I'm like, hey, man, you're the reason.

0:33:10.880 --> 0:33:14.000
<v Speaker 4>You know what, Like, yeah, I know my stuff works,

0:33:14.000 --> 0:33:16.720
<v Speaker 4>but geez really, but you know, there's something to be

0:33:16.760 --> 0:33:21.000
<v Speaker 4>said about opening up your imagination, your subconscious mind, and

0:33:21.040 --> 0:33:23.520
<v Speaker 4>you know, being open to these things and as you

0:33:23.560 --> 0:33:26.200
<v Speaker 4>write them down, you start to visualize them and feel them.

0:33:26.200 --> 0:33:28.800
<v Speaker 4>And I know it sounds like cosmic wu stuff, but hey,

0:33:28.880 --> 0:33:31.960
<v Speaker 4>every single one of those weird goals came true. And

0:33:32.000 --> 0:33:33.640
<v Speaker 4>I had no right to really believe it at that

0:33:33.640 --> 0:33:35.880
<v Speaker 4>time because I had no money, I had no group,

0:33:36.120 --> 0:33:39.360
<v Speaker 4>and I had no immediate you know, futures or opportunity,

0:33:39.520 --> 0:33:41.600
<v Speaker 4>future opportunity right there in front of them.

0:33:41.640 --> 0:33:43.040
<v Speaker 2>So that's what happened.

0:33:44.040 --> 0:33:48.160
<v Speaker 3>Wow, I mean, everyone listening, take ray you wind that part,

0:33:48.240 --> 0:33:50.680
<v Speaker 3>listen to that again. That is great advice I think

0:33:50.720 --> 0:33:54.000
<v Speaker 3>for anyone who's looking to improve your life, just achieve

0:33:54.040 --> 0:33:56.520
<v Speaker 3>a goal. It's it's great. And look, look at works

0:33:56.560 --> 0:33:59.440
<v Speaker 3>for Jeff Timmons, it can work for you. Thank you

0:33:59.520 --> 0:34:01.719
<v Speaker 3>so much for your time today. This has been so exciting.

0:34:01.720 --> 0:34:04.160
<v Speaker 3>We're all such big fans of ninety degrees. We're so

0:34:04.160 --> 0:34:07.320
<v Speaker 3>excited for the new album and we can't wait to

0:34:07.360 --> 0:34:11.759
<v Speaker 3>hear ninety degrees reference in another TV show. So thank

0:34:11.800 --> 0:34:13.759
<v Speaker 3>you again, Jeff tims You're just like so much.

0:34:14.200 --> 0:34:17.040
<v Speaker 4>I'm flattered and honored that you had me on continued success.

0:34:17.040 --> 0:34:19.040
<v Speaker 4>I've noticed you've been doing a lot of great things

0:34:19.080 --> 0:34:22.440
<v Speaker 4>for a long time. Congrats on this pet podcast, and

0:34:22.480 --> 0:34:24.120
<v Speaker 4>I'm excited to see what's next for you. Thanks for

0:34:24.120 --> 0:34:26.520
<v Speaker 4>plugging the album and knowing a lot about our career.

0:34:26.560 --> 0:34:28.560
<v Speaker 4>I mean, I sincerely appreciate.

0:34:28.120 --> 0:34:31.160
<v Speaker 1>That you're the best. Have a great one, man, Thank you.

0:34:31.000 --> 0:34:31.920
<v Speaker 2>Man, appreciate it.

0:35:00.719 --> 0:35:04.080
<v Speaker 3>Hey, everybody, don't forget Follow us on Instagram at I

0:35:04.360 --> 0:35:08.439
<v Speaker 3>Am All In podcast and email us at Gilmore at

0:35:08.600 --> 0:35:20.240
<v Speaker 3>iHeartRadio dot com.