1 00:00:12,560 --> 00:00:17,119 Speaker 1: Shout out to Four Charles Prime, besides REO's original location, 2 00:00:17,239 --> 00:00:21,120 Speaker 1: which is in Harlem, which is the most impossible reservation. Frankly, 3 00:00:21,160 --> 00:00:24,000 Speaker 1: you can't count that because it is not a reservation. 4 00:00:24,040 --> 00:00:26,479 Speaker 1: Someone has to own a table, so it doesn't count. 5 00:00:26,800 --> 00:00:30,360 Speaker 1: It's the hardest seat at a restaurant. The hardest public 6 00:00:32,000 --> 00:00:35,840 Speaker 1: dining establishment to dine at in the country is REOs, 7 00:00:35,840 --> 00:00:37,600 Speaker 1: because you can't dine at unless you own a table. 8 00:00:37,640 --> 00:00:40,240 Speaker 1: So let's put that to the side. Second, I would 9 00:00:40,240 --> 00:00:44,440 Speaker 1: say probably in the world used to be French laundry. 10 00:00:45,360 --> 00:00:47,720 Speaker 1: I would say in the world maybe, but certainly in 11 00:00:47,720 --> 00:00:50,479 Speaker 1: New York, Four Charles Prime is the hardest seat to get. 12 00:00:50,520 --> 00:00:53,840 Speaker 1: It is nine tables. Last night we sat at the 13 00:00:53,960 --> 00:00:56,360 Speaker 1: largest nicest table because all the tables seem to be 14 00:00:56,360 --> 00:00:58,880 Speaker 1: two tops or four tops. If you've ever seen or 15 00:00:58,920 --> 00:01:01,480 Speaker 1: heard of the waiverly In in New York was like 16 00:01:01,480 --> 00:01:04,440 Speaker 1: a famous iconic place where there's Minetta Tavern. There are 17 00:01:04,440 --> 00:01:08,120 Speaker 1: these club like leather booth cozy, dark, moody places in 18 00:01:08,160 --> 00:01:10,440 Speaker 1: New York, a little speakeasy ish, a little gangs of 19 00:01:10,440 --> 00:01:14,960 Speaker 1: New york Ish, and the po at the Palm D'antana's 20 00:01:15,120 --> 00:01:17,280 Speaker 1: in La used to be like a bigger, more commercial 21 00:01:17,360 --> 00:01:19,960 Speaker 1: version of that, like but these are like these cozy 22 00:01:19,959 --> 00:01:23,160 Speaker 1: little places like the Cozy Cauldron. Let's call it okay. 23 00:01:23,640 --> 00:01:25,920 Speaker 1: And so for Charles Prime, I've been wanting to go 24 00:01:25,959 --> 00:01:28,640 Speaker 1: to because it's a thing you've seen on social media. 25 00:01:28,760 --> 00:01:30,880 Speaker 1: They poke the egg and the egg goes on the burger, 26 00:01:30,959 --> 00:01:33,039 Speaker 1: and it seems like there's pomp and circumstance and it's 27 00:01:33,040 --> 00:01:34,960 Speaker 1: a whole thing. And so in my mind, I'm thinking 28 00:01:34,959 --> 00:01:37,440 Speaker 1: there has to be a level of pretension. Like when 29 00:01:37,480 --> 00:01:40,680 Speaker 1: you go to Polo Club, which is the second hardest reservation. 30 00:01:41,840 --> 00:01:44,240 Speaker 1: It's as hard, but there are more seats, So by 31 00:01:44,280 --> 00:01:47,640 Speaker 1: definition of it's an easier resolution because there's more, there's 32 00:01:47,680 --> 00:01:54,000 Speaker 1: more real estate, so Polo is more like it's slightly fancy. 33 00:01:54,280 --> 00:01:56,800 Speaker 1: They have a burger and they have a rubin, but 34 00:01:56,840 --> 00:02:00,559 Speaker 1: it's slightly fancy and it's got a level of Upper 35 00:02:00,560 --> 00:02:04,400 Speaker 1: East Side even though it's midtown like pretension. But I 36 00:02:04,520 --> 00:02:06,840 Speaker 1: like it. I like it meaning it's like it's special 37 00:02:06,880 --> 00:02:09,519 Speaker 1: and everyone's nice, but like you feel like you've arrived 38 00:02:09,560 --> 00:02:14,000 Speaker 1: at something that is sort of elite, not snobby, not snobby, 39 00:02:14,360 --> 00:02:19,040 Speaker 1: but it's not. It's it's what's the word aspirational. It's 40 00:02:19,120 --> 00:02:21,920 Speaker 1: not really that accessible attainable once you sit down, it is, 41 00:02:21,960 --> 00:02:25,520 Speaker 1: but it's aspirational, but like you sit down and you're like, wow, 42 00:02:25,680 --> 00:02:29,120 Speaker 1: this is something, we're at something. Okay. So that's what 43 00:02:29,520 --> 00:02:31,720 Speaker 1: Polo is, which I love and I love the girls 44 00:02:31,720 --> 00:02:33,560 Speaker 1: there and the people there and it's amazing. Okay. So 45 00:02:33,600 --> 00:02:36,080 Speaker 1: that's Polo and the and it's a different similar types 46 00:02:36,120 --> 00:02:39,160 Speaker 1: of like published type of food. For Charles. Prime is 47 00:02:39,200 --> 00:02:42,200 Speaker 1: an interesting thing because it's the most coveted reservation to 48 00:02:42,440 --> 00:02:45,160 Speaker 1: show up and outside there's like a stoop and people 49 00:02:45,200 --> 00:02:47,200 Speaker 1: are actually sitting on it because it was a spring day. 50 00:02:47,600 --> 00:02:50,000 Speaker 1: But there's something very New York about it, very gangs 51 00:02:50,000 --> 00:02:51,480 Speaker 1: of New York, very the New York that I grew 52 00:02:51,560 --> 00:02:54,800 Speaker 1: up in. Like a stoop is iconic. Okay, So people 53 00:02:54,800 --> 00:02:56,280 Speaker 1: are sitting on a stoop and there was like these 54 00:02:56,320 --> 00:03:01,240 Speaker 1: wrought iron windows and like charming townhouses you could be 55 00:03:01,400 --> 00:03:05,240 Speaker 1: in like London, like Nodding Hill or something. Okay, you 56 00:03:05,240 --> 00:03:08,440 Speaker 1: could be in London. And then there's and there's a 57 00:03:08,440 --> 00:03:10,120 Speaker 1: little table right outside. I don't know if you can 58 00:03:10,160 --> 00:03:12,240 Speaker 1: eat at it, but that's so cute right outside, like 59 00:03:12,280 --> 00:03:14,520 Speaker 1: it looks almost like it's like a set, just a table, 60 00:03:14,600 --> 00:03:18,600 Speaker 1: a two top, right outside the window of this little, dark, cozy, 61 00:03:18,639 --> 00:03:22,920 Speaker 1: cavernous townhouse. And like people were there each time that 62 00:03:22,960 --> 00:03:24,560 Speaker 1: I when I walked in and walked out, just two 63 00:03:24,600 --> 00:03:26,360 Speaker 1: people sitting there. I don't know if they were having drinks. 64 00:03:26,400 --> 00:03:28,000 Speaker 1: That's part of the bar. You can't really eat on 65 00:03:28,040 --> 00:03:30,720 Speaker 1: the street, I don't know. Then you see this guy 66 00:03:30,800 --> 00:03:33,120 Speaker 1: and I hear his accent. I hear his British accent. 67 00:03:33,160 --> 00:03:34,480 Speaker 1: I don't know if it was Cockney or if it 68 00:03:34,520 --> 00:03:36,760 Speaker 1: was just straight up British because I didn't speak enough. 69 00:03:36,960 --> 00:03:39,880 Speaker 1: But you hear this British accent. And he's wearing a 70 00:03:39,920 --> 00:03:45,200 Speaker 1: tweed cap, which is again very like Peaky Blinders, Peaky Blinders, 71 00:03:45,240 --> 00:03:48,040 Speaker 1: Gangs of New York, very like Irish. And so he's 72 00:03:48,120 --> 00:03:50,840 Speaker 1: outside and he's like cast. I don't know if he 73 00:03:50,840 --> 00:03:53,000 Speaker 1: wears that hat every day, but like he's been cast 74 00:03:53,080 --> 00:03:55,440 Speaker 1: for this role, you know. So he's like this handsome 75 00:03:55,480 --> 00:03:58,800 Speaker 1: man outside, very charming, engaging, and again there's a little 76 00:03:58,800 --> 00:04:00,200 Speaker 1: bit of like you on the list, Do you not? 77 00:04:00,240 --> 00:04:02,600 Speaker 1: Because by definition, there's a nine table place that's the 78 00:04:02,600 --> 00:04:04,760 Speaker 1: hottest place in the United States of America, if not 79 00:04:04,840 --> 00:04:08,640 Speaker 1: the globe to get a reservation barring like some micheling 80 00:04:08,800 --> 00:04:12,840 Speaker 1: crazy like wild thing Elbouli in Spain, which is like 81 00:04:12,880 --> 00:04:15,000 Speaker 1: a hard reservation, but I actually think this is probably 82 00:04:15,040 --> 00:04:18,440 Speaker 1: harder or as hard. So now you pass this guy 83 00:04:19,320 --> 00:04:22,800 Speaker 1: and you walk in and there are these handsome bartenders 84 00:04:22,839 --> 00:04:27,040 Speaker 1: around this like craft cocktail looking bar to the left. 85 00:04:27,400 --> 00:04:29,200 Speaker 1: So Horause used to have like a little bar cart 86 00:04:29,240 --> 00:04:31,800 Speaker 1: that came to your room, and it just it feels 87 00:04:31,800 --> 00:04:34,240 Speaker 1: like moody, sultry, and like you just picture that they're 88 00:04:34,240 --> 00:04:37,760 Speaker 1: gonna have like you know, burnt rosemary that they're rimming 89 00:04:37,760 --> 00:04:40,400 Speaker 1: a glass with and like bitters and like you know, 90 00:04:40,560 --> 00:04:43,719 Speaker 1: like just candied oranges and ginger. It just looks like that. Okay, 91 00:04:43,920 --> 00:04:46,000 Speaker 1: So you have these handsome guys to the bar and 92 00:04:46,000 --> 00:04:49,480 Speaker 1: they're like the bar boys, but they're men. And then 93 00:04:49,520 --> 00:04:52,120 Speaker 1: you sit down in this cozy booth with of course 94 00:04:52,200 --> 00:04:54,800 Speaker 1: the like big menu that's like got the script and 95 00:04:54,839 --> 00:04:57,040 Speaker 1: it's the base script and like you know, you're picturing 96 00:04:57,080 --> 00:05:00,159 Speaker 1: you're there. You're moody, right, and these little little like 97 00:05:00,240 --> 00:05:02,760 Speaker 1: four top booze and two tops and it's a small place. 98 00:05:02,760 --> 00:05:05,680 Speaker 1: You're in a living room, but you're private somehow you're 99 00:05:05,720 --> 00:05:07,400 Speaker 1: in a living room that's small. I mean, I don't 100 00:05:07,440 --> 00:05:11,200 Speaker 1: think it's a thousand feet. No, that a thirteen hundred 101 00:05:11,200 --> 00:05:12,919 Speaker 1: feet I no, I think it might be eight hundred 102 00:05:12,920 --> 00:05:17,279 Speaker 1: feet right the dining room maybe maybe six fifty eight hundred. 103 00:05:17,320 --> 00:05:22,159 Speaker 1: It's small and Edwin the server comes over. He's dressed 104 00:05:22,240 --> 00:05:24,680 Speaker 1: impeccably in like the vest and the shirt coming out. 105 00:05:24,760 --> 00:05:28,040 Speaker 1: He's dressed immaculately, and you soon realize it's not a uniform, 106 00:05:28,080 --> 00:05:29,680 Speaker 1: like they're all just sort of dressed, but there's like 107 00:05:29,720 --> 00:05:31,400 Speaker 1: a code like I guess you have to wear like 108 00:05:31,440 --> 00:05:34,640 Speaker 1: a black sort of vest suit or something. I don't know. 109 00:05:34,920 --> 00:05:37,800 Speaker 1: But he's got like a gorgeous yellow pocket square and 110 00:05:37,880 --> 00:05:41,400 Speaker 1: tie and like he's he's just but he's friendly and approachable. 111 00:05:41,440 --> 00:05:44,279 Speaker 1: And this is where it gets interesting. There's nothing stuffy 112 00:05:44,320 --> 00:05:49,599 Speaker 1: about this coveted reservation. It's like a chill, relaxed vibe. 113 00:05:50,120 --> 00:05:54,760 Speaker 1: It's giving this version the New York like pub fair, 114 00:05:55,000 --> 00:05:58,799 Speaker 1: Italian meat steakhouse like REOs, because you get to Raos 115 00:05:58,839 --> 00:06:01,680 Speaker 1: and it's super chill, you know, like it's hard to 116 00:06:01,680 --> 00:06:03,240 Speaker 1: get there, but you get there, you sit down, it's 117 00:06:03,240 --> 00:06:06,240 Speaker 1: super chill. This is slightly more formula because there is 118 00:06:06,320 --> 00:06:09,040 Speaker 1: like there is a process to it all, which I'll 119 00:06:09,080 --> 00:06:13,080 Speaker 1: get into. But it's chill and it's warm, and it's engaging. 120 00:06:13,120 --> 00:06:15,440 Speaker 1: It's approachable and like once you're sitting down, you're like, oh, yeah, 121 00:06:15,440 --> 00:06:17,200 Speaker 1: I belong here. I'm good, I feel comfortable. I don't 122 00:06:17,200 --> 00:06:19,680 Speaker 1: feel like, ooh, you're here now you need to feel 123 00:06:19,720 --> 00:06:22,920 Speaker 1: a certain way. And it's pretentious. So the service is immaculate, Okay, 124 00:06:22,960 --> 00:06:37,760 Speaker 1: the people are nice. So now you get to the food, 125 00:06:38,240 --> 00:06:40,839 Speaker 1: and there's this salad that's baby Romain and it's just 126 00:06:40,839 --> 00:06:43,960 Speaker 1: people talk about it on social media and it's avocado 127 00:06:44,000 --> 00:06:47,920 Speaker 1: and it's a basic salad. It's basically like just a basic, nice, fresh, 128 00:06:48,000 --> 00:06:50,800 Speaker 1: crispy lemone with a mustard dressing on the side if 129 00:06:50,839 --> 00:06:53,360 Speaker 1: you want it. Salad like just very fresh and straightforward. 130 00:06:53,760 --> 00:06:55,520 Speaker 1: And a lot of these places that have these coveted 131 00:06:55,600 --> 00:06:58,279 Speaker 1: reservations are fresh and straightforward. It's not like, you know, 132 00:06:58,560 --> 00:07:02,279 Speaker 1: foam beat moose Like, it's not like pretentious where they're 133 00:07:02,320 --> 00:07:05,760 Speaker 1: over ambitious. It's just a good, straightforward. Then we get 134 00:07:05,800 --> 00:07:10,120 Speaker 1: into the shrimp scampy, which is sizzling, think like escargo sizzling, 135 00:07:10,200 --> 00:07:12,840 Speaker 1: but like shrimp, you know, with a big chunky, crispy 136 00:07:12,840 --> 00:07:15,040 Speaker 1: pieces of bread, and that too is very good, but 137 00:07:15,160 --> 00:07:18,440 Speaker 1: very straightforward, but like delicious and buttery and amazing. The 138 00:07:18,480 --> 00:07:21,880 Speaker 1: star of the universe is the carbonara because not unlike 139 00:07:21,920 --> 00:07:26,720 Speaker 1: the Palm chain, which is known as a steakhouse, the 140 00:07:26,760 --> 00:07:29,240 Speaker 1: Palm is an Italian restaurant. They have steak with chicken, 141 00:07:29,280 --> 00:07:31,760 Speaker 1: parmesan and a lot of Italian dishes. This is a 142 00:07:31,800 --> 00:07:34,840 Speaker 1: steakhouse with a heavy Italian influence, so there's carbonara on 143 00:07:34,880 --> 00:07:38,480 Speaker 1: the menu, but it is better than any carbonara in Italy, 144 00:07:38,600 --> 00:07:41,400 Speaker 1: in any place in Italy that I've ever been, it's 145 00:07:41,440 --> 00:07:43,960 Speaker 1: this like I think it's Buccatini. It's at the thick 146 00:07:44,080 --> 00:07:49,760 Speaker 1: round pasta that is chewy al dente squares of bacon. 147 00:07:49,880 --> 00:07:52,160 Speaker 1: I like it more like a sort of like thin 148 00:07:52,240 --> 00:07:54,760 Speaker 1: where it melts in, almost panchatta. But people love the 149 00:07:54,760 --> 00:07:57,240 Speaker 1: cube bacon and it's the sickest dish ever. I would 150 00:07:57,240 --> 00:07:59,440 Speaker 1: just for my personal taste, give it a quarter of 151 00:07:59,480 --> 00:08:01,320 Speaker 1: a point half a point off, because I like a 152 00:08:02,040 --> 00:08:04,280 Speaker 1: bacon that like melts in almost the way it does 153 00:08:04,280 --> 00:08:06,040 Speaker 1: in like a vodka with onions, you know how, It's 154 00:08:06,040 --> 00:08:07,640 Speaker 1: like there, but you wouldn't know it's there. But you 155 00:08:07,720 --> 00:08:12,520 Speaker 1: taste it. The carbonara is sickening like this carbonara is 156 00:08:12,560 --> 00:08:16,480 Speaker 1: as good as carbones, spicy RIGATONI pasta like that. That's 157 00:08:16,480 --> 00:08:20,160 Speaker 1: what you need to understand. It's insane. Then we get 158 00:08:20,160 --> 00:08:21,960 Speaker 1: and I'm gonna give the shrimp like a good solid 159 00:08:22,000 --> 00:08:23,520 Speaker 1: eight and a half. And I'm gonna give this this 160 00:08:23,600 --> 00:08:25,360 Speaker 1: carbonar like a nine and a half. And then we 161 00:08:25,440 --> 00:08:29,440 Speaker 1: get to the burger, which is pomp and circumstance and 162 00:08:29,440 --> 00:08:31,360 Speaker 1: a process and the oozing of the egg and the whatever. 163 00:08:31,720 --> 00:08:34,559 Speaker 1: It melts. It's a double smash burger, but it melts 164 00:08:34,640 --> 00:08:37,480 Speaker 1: like a regular burger. It just melts. Now, I love it. 165 00:08:38,080 --> 00:08:40,680 Speaker 1: I will not give it the raining title that red 166 00:08:40,679 --> 00:08:43,520 Speaker 1: hook has, and I cannot explain why it is Davoon. 167 00:08:43,679 --> 00:08:45,840 Speaker 1: It's just a little more melty where the red hook 168 00:08:45,880 --> 00:08:49,280 Speaker 1: is like an actual like some version of a traditional 169 00:08:49,280 --> 00:08:52,080 Speaker 1: classic burger. The sag Harbor Tavern burger is the same 170 00:08:52,080 --> 00:08:55,000 Speaker 1: as the red hook the Billy makes. But this melts. 171 00:08:55,080 --> 00:08:57,600 Speaker 1: This is extraordinary. I mean that's we were splitting hairs. 172 00:08:57,640 --> 00:08:59,320 Speaker 1: We're talking nine versus a nine and a half. I mean, 173 00:08:59,400 --> 00:09:02,960 Speaker 1: it is a melting, gorgeous, stunning specimen of a burger. 174 00:09:03,600 --> 00:09:07,600 Speaker 1: The star is the French dip. It's the kushed of 175 00:09:07,640 --> 00:09:10,760 Speaker 1: the French bread. The inside is like melting and chewy 176 00:09:10,840 --> 00:09:13,560 Speaker 1: like of the bread and then the meat melts. But 177 00:09:13,600 --> 00:09:16,360 Speaker 1: it's that jew that Sausu're dipping it in that has 178 00:09:16,400 --> 00:09:19,240 Speaker 1: like a depth of flavor, like it's like got a 179 00:09:19,320 --> 00:09:22,720 Speaker 1: depth of like some version of a wine reduction, like 180 00:09:22,840 --> 00:09:24,800 Speaker 1: some spice. I don't know what's in there, but it's 181 00:09:24,800 --> 00:09:27,960 Speaker 1: like deep. It goes deep. It's got layers like that 182 00:09:28,160 --> 00:09:31,720 Speaker 1: is a very serious sauce. It's dipped in, Okay, very 183 00:09:31,760 --> 00:09:34,880 Speaker 1: serious prime. We did get the end cut, but you 184 00:09:34,960 --> 00:09:38,000 Speaker 1: can see what the normal part of the prime rib 185 00:09:38,040 --> 00:09:40,280 Speaker 1: is because there's a pink part that's not the end cut. 186 00:09:40,360 --> 00:09:42,959 Speaker 1: The end cut is like the briskety, chewy like flavory, salty, 187 00:09:43,080 --> 00:09:47,400 Speaker 1: pistrami ish corn beefish like briskety end. But so that 188 00:09:47,559 --> 00:09:50,319 Speaker 1: was good. Ironically, it's for Charles. Prime was good. We're 189 00:09:50,320 --> 00:09:52,560 Speaker 1: gonna call that like an eight, but not like a ten. 190 00:09:53,160 --> 00:09:56,080 Speaker 1: And the filet good. These are the things it's known for. 191 00:09:56,160 --> 00:09:58,840 Speaker 1: But like, it's good. It's solid, but I would not 192 00:09:58,880 --> 00:10:02,120 Speaker 1: say that that's their star. The broccoli, the charred broccoli. 193 00:10:02,120 --> 00:10:03,720 Speaker 1: It's like who cares it's gonna be broccoli, but it 194 00:10:03,760 --> 00:10:06,000 Speaker 1: like melted and was lemon and lemony, and it like 195 00:10:06,080 --> 00:10:07,400 Speaker 1: look like it was gonna be like just hard and 196 00:10:07,440 --> 00:10:11,520 Speaker 1: for the flavorless it like hits. It's like tender and devoon. 197 00:10:12,000 --> 00:10:15,520 Speaker 1: Green beans are we're actually a fail like I want 198 00:10:15,559 --> 00:10:17,280 Speaker 1: and I would like to be honest, so I can't 199 00:10:17,320 --> 00:10:20,800 Speaker 1: just praise green beans wear a fail. I feel like 200 00:10:20,800 --> 00:10:23,800 Speaker 1: we have more things. Oh, chicken under the brick. I'm 201 00:10:23,800 --> 00:10:25,760 Speaker 1: gonna give it a solid eight. I need to tell 202 00:10:25,800 --> 00:10:27,559 Speaker 1: them this and this I'm saying emphatical. This is not 203 00:10:27,559 --> 00:10:30,080 Speaker 1: an opinion. This is a fact. It comes covered in 204 00:10:30,080 --> 00:10:32,280 Speaker 1: a sauce that has gorgeous like garlic, and the sauce 205 00:10:32,360 --> 00:10:35,120 Speaker 1: is delicious. I was literally mushing my baked potato. And 206 00:10:35,160 --> 00:10:37,280 Speaker 1: the sauce sauce needs to be served on the side 207 00:10:37,320 --> 00:10:41,160 Speaker 1: because Poyo al matone, which is under a brick, by definition, 208 00:10:41,200 --> 00:10:43,559 Speaker 1: it's flat and crispy. That's the attraction to it. You're 209 00:10:43,559 --> 00:10:46,160 Speaker 1: like taking an entire chicken and making it so it's 210 00:10:46,240 --> 00:10:49,520 Speaker 1: all crisp. So to have the sauce on top doesn't 211 00:10:49,520 --> 00:10:53,560 Speaker 1: make any sense because it's like sad crisp. We need crisp, crisp, 212 00:10:54,040 --> 00:10:56,240 Speaker 1: and maybe a drizzle of the sauce or the sauce 213 00:10:56,320 --> 00:10:58,800 Speaker 1: is like underneath, and then this is placed on top. 214 00:10:59,200 --> 00:11:01,400 Speaker 1: But we cannot the top us to be crisp beer, 215 00:11:01,800 --> 00:11:04,160 Speaker 1: and that I'm gonna give a good like eight because 216 00:11:04,160 --> 00:11:07,440 Speaker 1: the flavor is there. But here, oh God, dear God, 217 00:11:08,000 --> 00:11:11,880 Speaker 1: the dessert, there's nothing to say to describe. They admit 218 00:11:11,920 --> 00:11:13,960 Speaker 1: that the coconut cake is from Veniros, which means that 219 00:11:13,960 --> 00:11:17,160 Speaker 1: I now have done a review of Veniros, which is unbelievable, 220 00:11:17,920 --> 00:11:20,960 Speaker 1: because the coconut cake is extraordinary. It's a cream cheese frosting. 221 00:11:21,000 --> 00:11:22,440 Speaker 1: I can tell. It's not one of those with like 222 00:11:22,440 --> 00:11:25,760 Speaker 1: the burnt coconut toasted coconut, which I don't like the toasted. 223 00:11:26,280 --> 00:11:29,920 Speaker 1: It's like a melty, gorgeous, gorgeous coconut cake. I have 224 00:11:30,000 --> 00:11:35,360 Speaker 1: to compare it to Savannahs and Edgar's and Ina Gardens 225 00:11:35,440 --> 00:11:38,920 Speaker 1: and the one at Christmas that Tom Cruise gives out. 226 00:11:39,240 --> 00:11:43,520 Speaker 1: But it's it's it was excellent. They have a lemon 227 00:11:43,600 --> 00:11:46,920 Speaker 1: merangue pie that is like mile high, like the merangue 228 00:11:47,040 --> 00:11:50,880 Speaker 1: is like four miles four miles high. It is such 229 00:11:50,920 --> 00:11:53,080 Speaker 1: a good cake. I mean such a good pie. It's 230 00:11:53,080 --> 00:11:58,320 Speaker 1: out of control. The chocolate cream pie. The chocolate cream 231 00:11:58,360 --> 00:12:02,559 Speaker 1: pie is like a dense, chocolate rich moose in an 232 00:12:02,640 --> 00:12:08,040 Speaker 1: Oreo cookie crust. They do crust swell whoever the crust supervisors. 233 00:12:08,240 --> 00:12:12,240 Speaker 1: I'd like the cs to get raised. The crust supervisor 234 00:12:12,400 --> 00:12:18,720 Speaker 1: at four Charles deserves a fucking a wax figure made 235 00:12:18,760 --> 00:12:21,480 Speaker 1: of them. And Madame Tussau is okay because the lemon 236 00:12:21,559 --> 00:12:24,880 Speaker 1: meringue pie has a crust as a kushture of the 237 00:12:24,920 --> 00:12:27,320 Speaker 1: gram Cracker. There's nothing that's sobbed out about it. And 238 00:12:27,360 --> 00:12:31,000 Speaker 1: the chocolate cream pie is Oreo and the crust is 239 00:12:31,040 --> 00:12:34,360 Speaker 1: like a wall of crispness. Okay if you don't it's 240 00:12:34,360 --> 00:12:39,240 Speaker 1: and it's a rich, chocolate rich sickest Like that was 241 00:12:39,280 --> 00:12:42,079 Speaker 1: a start half. I mean the Sunday half Uch Sunday 242 00:12:42,120 --> 00:12:43,240 Speaker 1: hack and you go wrong. I don't know about the 243 00:12:43,240 --> 00:12:45,480 Speaker 1: ice cream that was there was something else. There was 244 00:12:45,480 --> 00:12:47,720 Speaker 1: one more thing that we got that was insane. The lemon. 245 00:12:48,440 --> 00:12:53,760 Speaker 1: I feel like I'm missing some. The dessert is davuon d'voon. 246 00:12:55,080 --> 00:12:57,320 Speaker 1: I could almost give like tens on the dessert, like 247 00:12:57,480 --> 00:13:00,600 Speaker 1: I'm gonna get the desserts there's a ten for the chocolate. 248 00:13:00,679 --> 00:13:02,280 Speaker 1: The rest is like nine and a half. Like it 249 00:13:02,320 --> 00:13:06,400 Speaker 1: was like sickening, Like the dessert is disgusting, Like I can't. 250 00:13:06,520 --> 00:13:08,560 Speaker 1: I was like, this is a discuss. I can't. I want, 251 00:13:08,920 --> 00:13:10,760 Speaker 1: like I don't have it now. I'm aa taste everything, 252 00:13:10,800 --> 00:13:12,640 Speaker 1: eat nothing I get in, I get out where I'm 253 00:13:12,640 --> 00:13:15,360 Speaker 1: like fixated and I'm trying to be a supermodel. I 254 00:13:15,400 --> 00:13:17,000 Speaker 1: have something coming up in a couple of weeks. I'm 255 00:13:17,040 --> 00:13:19,600 Speaker 1: like sitting at the table, like I know you're talking 256 00:13:19,640 --> 00:13:22,320 Speaker 1: to me five other humans at this Mother's Day dinner, 257 00:13:22,559 --> 00:13:23,960 Speaker 1: but I really don't give a shit because I just wan. 258 00:13:23,960 --> 00:13:26,080 Speaker 1: I'm thinking about my relationship with that cake over there 259 00:13:26,080 --> 00:13:27,560 Speaker 1: and is there still more? And is there not? And 260 00:13:27,559 --> 00:13:28,760 Speaker 1: can I take it home? And am I gonna have 261 00:13:28,760 --> 00:13:30,720 Speaker 1: it tomorrow? Can I sell myself? It's a muffin? And 262 00:13:30,760 --> 00:13:32,400 Speaker 1: can I say it's for breakfast? And what do I do? 263 00:13:32,440 --> 00:13:33,880 Speaker 1: And how do I have it next year? And like 264 00:13:34,000 --> 00:13:35,560 Speaker 1: next week? And like I have to leave it, And 265 00:13:36,520 --> 00:13:38,920 Speaker 1: I was like thinking about my relationship to this cake, 266 00:13:39,400 --> 00:13:40,800 Speaker 1: this pie. I was like, what am I gonna do? 267 00:13:41,040 --> 00:13:42,920 Speaker 1: Like I don't we have to leave each other now 268 00:13:43,000 --> 00:13:45,720 Speaker 1: and it's over soon and I just want to go 269 00:13:45,760 --> 00:13:47,199 Speaker 1: back and say I want to hug one more time, 270 00:13:47,200 --> 00:13:48,520 Speaker 1: but then I'll get upset and I won't be able 271 00:13:48,520 --> 00:13:50,520 Speaker 1: to get out. And it was it was psychotic. The 272 00:13:50,600 --> 00:13:52,600 Speaker 1: chocolate cake and I need to, like I literally said 273 00:13:52,640 --> 00:13:54,640 Speaker 1: at the table, I want to take all you know 274 00:13:54,640 --> 00:13:56,320 Speaker 1: how like they have like a turd duck in or 275 00:13:56,360 --> 00:13:58,360 Speaker 1: like they mix all the shit together and they take 276 00:13:58,400 --> 00:14:01,080 Speaker 1: like a cheesecake and they put like one flavor of 277 00:14:01,080 --> 00:14:03,360 Speaker 1: each cheesecake in one round thing, so it's like a 278 00:14:03,679 --> 00:14:04,880 Speaker 1: I just wanted to I was like, how do I 279 00:14:04,920 --> 00:14:08,040 Speaker 1: get all these desserts in like a little tupperware. There's 280 00:14:08,080 --> 00:14:11,040 Speaker 1: four compartments, big toperware, and like put them put each 281 00:14:11,080 --> 00:14:12,880 Speaker 1: part and like bring everybody together and go to a 282 00:14:12,880 --> 00:14:15,800 Speaker 1: hotel room and touch myself. Like how do we make 283 00:14:15,840 --> 00:14:17,640 Speaker 1: that happen? I want to go to a hotel room 284 00:14:17,679 --> 00:14:21,040 Speaker 1: with all the four Charles Prime rib desserts and touch myself. 285 00:14:21,480 --> 00:14:23,800 Speaker 1: Is that weird and awkward and a fetish? I don't know, 286 00:14:24,200 --> 00:14:26,080 Speaker 1: but I will not be putting into my dating profile, 287 00:14:26,160 --> 00:14:30,280 Speaker 1: or maybe I will. Anyway, the meal was it was 288 00:14:30,320 --> 00:14:32,360 Speaker 1: just it was just a lovely experience and the people 289 00:14:32,360 --> 00:14:33,840 Speaker 1: were nice and I loved it, but I'm not like, 290 00:14:33,880 --> 00:14:35,520 Speaker 1: oh my god, I have to wrap a rubber band 291 00:14:35,520 --> 00:14:36,960 Speaker 1: around my arm. I have to be back there tomorrow. 292 00:14:37,040 --> 00:14:38,720 Speaker 1: I did it. It was amazing. I can't wait to 293 00:14:38,720 --> 00:14:41,160 Speaker 1: go back live for it. And Edwin is my friend. 294 00:14:41,440 --> 00:15:02,240 Speaker 1: That's what I got. Thank you. Posters want to go 295 00:15:02,640 --> 00:15:03,760 Speaker 1: to beat Off the Stern