1 00:00:08,360 --> 00:00:14,120 Speaker 1: Pushkin. Just a quick note here. You can listen to 2 00:00:14,160 --> 00:00:17,120 Speaker 1: all of the music mentioned in this episode on our playlist, 3 00:00:17,160 --> 00:00:19,200 Speaker 1: which you can find a link to in the show 4 00:00:19,280 --> 00:00:22,959 Speaker 1: notes for licensing reasons, each time a song is referenced 5 00:00:22,960 --> 00:00:28,240 Speaker 1: in this episode, you'll hear this sound effect. All right, 6 00:00:28,840 --> 00:00:34,120 Speaker 1: enjoyed episode. The following episode of Broken Record contains language 7 00:00:34,200 --> 00:00:41,280 Speaker 1: that is extremely grim, infernal, cult brutal, and just sort 8 00:00:41,320 --> 00:00:46,320 Speaker 1: of negative in general. My name is Malcolm Glabo. Welcome 9 00:00:46,360 --> 00:00:49,360 Speaker 1: to Broken Record, where today we explore the dark world 10 00:00:49,360 --> 00:00:54,280 Speaker 1: of black metal with Dave Hill, guitar hero metal enthusiast, 11 00:00:54,840 --> 00:00:59,520 Speaker 1: spawn of the suburbs of Cleveland, Ohio, creative force behind 12 00:00:59,520 --> 00:01:04,440 Speaker 1: a seven inch Witch Taint anthology, the first thirteen Infernal Years, 13 00:01:04,920 --> 00:01:09,839 Speaker 1: and the forthcoming Sons of Midwestern Darkness. If you've never 14 00:01:09,880 --> 00:01:12,959 Speaker 1: seen Dave's epic version of Stairway to Heaven with his 15 00:01:13,080 --> 00:01:15,720 Speaker 1: eighty three year old dad on keyboards, by the way, 16 00:01:16,280 --> 00:01:20,640 Speaker 1: you should probably drop everything and watch it now. Today, 17 00:01:20,800 --> 00:01:23,560 Speaker 1: in a departure from our usual practice at Broken Record 18 00:01:23,760 --> 00:01:27,440 Speaker 1: of doing thoughtful and sophisticated interviews, we're going to go 19 00:01:27,560 --> 00:01:32,039 Speaker 1: deep and tell the Witch Taint origin story, which involves 20 00:01:32,160 --> 00:01:37,200 Speaker 1: an extended encounter between Dave Hill's alter ego aka the 21 00:01:37,280 --> 00:01:41,240 Speaker 1: King of Black Metal Lance from Gary, Indiana and the 22 00:01:41,280 --> 00:01:49,080 Speaker 1: Norwegian black metal empresario named Satan spelled Saiam also known 23 00:01:49,120 --> 00:01:54,600 Speaker 1: as Matthias. Why Norwegian? Because Norway is to black metal 24 00:01:55,400 --> 00:01:59,480 Speaker 1: like Belgium, Mister Chocolate. What's the difference in the way 25 00:01:59,480 --> 00:02:02,920 Speaker 1: one would play a guitar in a metal band and 26 00:02:03,000 --> 00:02:06,720 Speaker 1: in a progressive rock band or in an alternative Can 27 00:02:06,760 --> 00:02:09,600 Speaker 1: you just have give me a little tutorial on what 28 00:02:09,639 --> 00:02:14,040 Speaker 1: it means musically? You know with rock, you can rock 29 00:02:14,080 --> 00:02:17,080 Speaker 1: can be kind of whatever you know, you can be like, 30 00:02:17,919 --> 00:02:21,800 Speaker 1: you know, sort of arim e jangly ethens or whatever. 31 00:02:22,280 --> 00:02:25,000 Speaker 1: I mean. Well, metal, all metal, if they're doing it right, 32 00:02:25,360 --> 00:02:28,720 Speaker 1: starts with Black Sabbath, of course, and that would be 33 00:02:30,280 --> 00:02:33,680 Speaker 1: described to me what you're doing exactly a net. I'm 34 00:02:33,680 --> 00:02:39,120 Speaker 1: butchering the riff to Black Sabbath from the album Black 35 00:02:39,160 --> 00:02:44,040 Speaker 1: Sabbath by the band Black Sabbath, that's called the Devil. 36 00:02:44,200 --> 00:02:47,440 Speaker 1: The flat at fifth is the Devil's interval, and in 37 00:02:47,480 --> 00:02:51,360 Speaker 1: some cultures you can't even play it because it conjures 38 00:02:51,560 --> 00:02:55,280 Speaker 1: the devil, Like in the suburbs of Cleveland, you can't 39 00:02:55,320 --> 00:02:59,359 Speaker 1: play that no, but no, it was truly like considered. 40 00:03:00,120 --> 00:03:01,960 Speaker 1: I think it's always been fine to play in Cleveland, 41 00:03:02,000 --> 00:03:06,200 Speaker 1: but in some cultures, I think, yeah, it was considered, 42 00:03:06,240 --> 00:03:11,399 Speaker 1: like you just wouldn't so that one that's basically having 43 00:03:11,480 --> 00:03:14,280 Speaker 1: metal right there. Talk a little bit. You said there 44 00:03:14,440 --> 00:03:19,799 Speaker 1: there are distinctions in lyrics and sound between black and 45 00:03:19,880 --> 00:03:23,239 Speaker 1: death metal. Can you talk a little bit about from 46 00:03:23,320 --> 00:03:26,840 Speaker 1: your perspective what those distinctions are. Death metal is more 47 00:03:27,240 --> 00:03:29,400 Speaker 1: and by the way, there's going you know, if I 48 00:03:29,520 --> 00:03:32,480 Speaker 1: may just a quick disclaimer, there's gonna. I would call 49 00:03:32,560 --> 00:03:37,680 Speaker 1: myself a metal enthusiast, not I'm knowledge I'm extremely knowledgeable, 50 00:03:37,680 --> 00:03:39,280 Speaker 1: I would say, but I wouldn't say I'm an expert. 51 00:03:39,400 --> 00:03:41,720 Speaker 1: And I say I mentioned this only because there's bound 52 00:03:41,800 --> 00:03:44,880 Speaker 1: to be someone who's going to be like, you didn't 53 00:03:44,880 --> 00:03:48,120 Speaker 1: get that quite right, and so I'm just saying that 54 00:03:48,400 --> 00:03:51,880 Speaker 1: admitting to whoever's listening, Yes, you do no more than 55 00:03:51,920 --> 00:03:54,600 Speaker 1: I do. So death metal would be more about like 56 00:03:54,800 --> 00:03:58,600 Speaker 1: gore and you know, just look at Cannibal Corpse's album 57 00:03:58,720 --> 00:04:01,240 Speaker 1: covers and they're all very great, graphic and violent, and 58 00:04:01,280 --> 00:04:04,280 Speaker 1: so the lyrics about that, like I think Cannibal Corpses, 59 00:04:04,760 --> 00:04:07,280 Speaker 1: I guess they're stairway to have them would be hammer 60 00:04:07,360 --> 00:04:14,720 Speaker 1: smash face, So that's death black black So death is 61 00:04:14,760 --> 00:04:18,480 Speaker 1: more gore and all that, and black metal is more 62 00:04:18,680 --> 00:04:24,880 Speaker 1: just dark and grim and satanic and depressing and very 63 00:04:24,920 --> 00:04:28,839 Speaker 1: negative and about you know, it's about also more about 64 00:04:29,240 --> 00:04:34,080 Speaker 1: can be about nature and about isolation. It's not a party, 65 00:04:34,600 --> 00:04:38,360 Speaker 1: whereas I would argue that death metal is maybe more 66 00:04:38,640 --> 00:04:44,239 Speaker 1: of communal music. Do you think that black metal bands 67 00:04:44,279 --> 00:04:46,919 Speaker 1: take themselves more seriously than death metal bands? Death? Is 68 00:04:46,920 --> 00:04:49,880 Speaker 1: death metal more much more tongue in cheek. Yeah, yeah, 69 00:04:49,920 --> 00:04:52,400 Speaker 1: I think it's just more about fun and fantasy. I 70 00:04:52,440 --> 00:04:56,599 Speaker 1: don't think any I've yet to meet a death metal 71 00:04:56,680 --> 00:05:02,240 Speaker 1: musician who wasn't a and sunny person. And I'm not 72 00:05:02,279 --> 00:05:05,800 Speaker 1: even kidding. Yeah, I mean any that I've ever known 73 00:05:05,880 --> 00:05:10,320 Speaker 1: have been in sharp contrast to black metal. Yeah, though 74 00:05:10,320 --> 00:05:16,440 Speaker 1: there I have met some very lighthearted black metal musicians also, 75 00:05:17,560 --> 00:05:21,719 Speaker 1: But the stereotype or the general rule would be there humorless. 76 00:05:22,040 --> 00:05:27,400 Speaker 1: Is there a particular black metal song or riff you 77 00:05:27,440 --> 00:05:29,960 Speaker 1: could you could do right now to shoot shows what 78 00:05:30,360 --> 00:05:34,520 Speaker 1: you're talking about? Well, I would say the stairw in 79 00:05:34,560 --> 00:05:38,599 Speaker 1: my opinion, the stairway to Heaven of of black metal 80 00:05:38,600 --> 00:05:43,600 Speaker 1: would be Freezing Moon by Mayhem, which I think goes 81 00:05:43,680 --> 00:05:49,440 Speaker 1: up if you want to sound metal or sound black metal, 82 00:05:50,560 --> 00:05:53,960 Speaker 1: how do you sing? It's more like with death meton 83 00:05:54,040 --> 00:05:56,800 Speaker 1: a lot of metal you're singing, you know, death metal 84 00:05:56,880 --> 00:06:01,960 Speaker 1: is more like cookie monster like words like you know 85 00:06:02,160 --> 00:06:05,440 Speaker 1: a lot of that, and with black metal it's more 86 00:06:05,520 --> 00:06:09,000 Speaker 1: a lot a lot of it is more like like 87 00:06:09,160 --> 00:06:15,240 Speaker 1: more just higher and uh and just sounds much crazier 88 00:06:15,279 --> 00:06:17,839 Speaker 1: in my opinion, Can you can you sing and play 89 00:06:17,880 --> 00:06:22,320 Speaker 1: something death metally in that? I want to hear that, 90 00:06:22,320 --> 00:06:24,880 Speaker 1: that voy those two, those two voices, the death versus 91 00:06:24,880 --> 00:06:27,960 Speaker 1: there trying to think of like you know, there'd be 92 00:06:28,040 --> 00:06:30,560 Speaker 1: a lower like that and black metal will be more 93 00:06:30,640 --> 00:06:36,600 Speaker 1: like but is that really hard to do? No, especially 94 00:06:36,640 --> 00:06:39,599 Speaker 1: as sloppy as I'm doing it, it's not. But but 95 00:06:39,760 --> 00:06:42,839 Speaker 1: more of that where it's open and you're because usually 96 00:06:42,839 --> 00:06:45,080 Speaker 1: in metal, in any sort of power like in rock, 97 00:06:45,160 --> 00:06:49,640 Speaker 1: you wouldn't use the the third of the chord, the 98 00:06:50,560 --> 00:06:54,760 Speaker 1: minor third, but but you you do. You there's a 99 00:06:54,760 --> 00:06:58,000 Speaker 1: lot more of that and in black metal. We'll be 100 00:06:58,040 --> 00:07:05,720 Speaker 1: back with more broken record after the We're back with 101 00:07:05,839 --> 00:07:09,840 Speaker 1: broken record. The key figures in Norwegian black Metal are 102 00:07:10,000 --> 00:07:14,520 Speaker 1: Uronymous who was in Mayhem, and Vargue Victorous, who actually 103 00:07:14,760 --> 00:07:18,400 Speaker 1: murdered Uronymous and who now lives in France and occasionally 104 00:07:18,400 --> 00:07:23,080 Speaker 1: posts nasty videos on YouTube. These are not pleasant people. 105 00:07:24,240 --> 00:07:26,520 Speaker 1: All of this is detailed in a book called Lords 106 00:07:26,520 --> 00:07:30,480 Speaker 1: of Chaos, The Bloody Rise of the Satanic Metal Underground, 107 00:07:30,800 --> 00:07:34,640 Speaker 1: which I have to say is the most unintentionally bananas 108 00:07:34,720 --> 00:07:37,080 Speaker 1: rock and roll book I've ever read, and which I 109 00:07:37,240 --> 00:07:40,360 Speaker 1: was required to read as a condition of Dave granting 110 00:07:40,400 --> 00:07:45,040 Speaker 1: me this interview. Is now is Mayhem. Their first sort 111 00:07:45,040 --> 00:07:48,760 Speaker 1: of signature anti social movie is the church burnings. They're 112 00:07:48,800 --> 00:07:51,880 Speaker 1: burning down these no Way, I guess is rife with 113 00:07:52,440 --> 00:07:56,080 Speaker 1: two thousand year old wooden yeah churches, And this is 114 00:07:56,480 --> 00:07:59,480 Speaker 1: one of the things that's so unintentionally hilarious about them. 115 00:08:00,080 --> 00:08:05,240 Speaker 1: They've decided that the great foe of civilized world, the 116 00:08:05,280 --> 00:08:08,800 Speaker 1: civilized rule, is Christianity, even though of course no one 117 00:08:08,840 --> 00:08:12,040 Speaker 1: goes to church in Norway, right, It's like the least 118 00:08:12,280 --> 00:08:15,880 Speaker 1: Christian country in Western Europe. So this subculture has grown 119 00:08:15,960 --> 00:08:21,960 Speaker 1: up in defiance of something that basically doesn't exist. Yeah yeah, yeah, 120 00:08:22,400 --> 00:08:25,800 Speaker 1: Like they're burning churches that no one attends. So varg 121 00:08:26,360 --> 00:08:29,840 Speaker 1: varg Victorius is the kind of what is is there 122 00:08:30,040 --> 00:08:33,200 Speaker 1: is there an analogy to our Victorius in American society. 123 00:08:33,640 --> 00:08:36,320 Speaker 1: He would be like the Charles Manson. He's a Charlie 124 00:08:36,320 --> 00:08:39,720 Speaker 1: Manson basically. Yeah, yeah, I did have people know who 125 00:08:39,720 --> 00:08:44,800 Speaker 1: he is. Yeah, responsible for several murders. Well, again it 126 00:08:44,880 --> 00:08:49,400 Speaker 1: depends who you asked. He didn't know. I think he 127 00:08:49,480 --> 00:08:52,240 Speaker 1: is really only I know just one murder. Just he 128 00:08:52,360 --> 00:08:56,120 Speaker 1: murdered Uronymous for the guitar player from me. Oh, that's right. 129 00:08:56,800 --> 00:09:00,480 Speaker 1: And dad took his own life dead yeah, but prior 130 00:09:00,840 --> 00:09:05,280 Speaker 1: yeah dead who was the singer was Swedish singer from 131 00:09:05,320 --> 00:09:08,400 Speaker 1: a band called Morbid. He was a singer in Mayhem 132 00:09:08,760 --> 00:09:12,440 Speaker 1: and he, yeah, took his own own life and when 133 00:09:12,440 --> 00:09:15,920 Speaker 1: he he he this is very very graphic and gross. 134 00:09:15,960 --> 00:09:19,959 Speaker 1: But he put a gun to his head and didn't 135 00:09:20,080 --> 00:09:23,800 Speaker 1: Uronymous come across the body and then take two pieces 136 00:09:23,840 --> 00:09:27,240 Speaker 1: of his skull and make necklaces out of them. Yeah, 137 00:09:27,280 --> 00:09:30,480 Speaker 1: supposedly said apography. Was that true? I think the necklace 138 00:09:30,520 --> 00:09:35,160 Speaker 1: thing is true. But then you know, there was rumors 139 00:09:35,200 --> 00:09:37,160 Speaker 1: that he took pieces of the brain, because you know, 140 00:09:37,200 --> 00:09:41,400 Speaker 1: he's dead, shot himself with the shotgun and there's brain 141 00:09:42,520 --> 00:09:45,560 Speaker 1: splattered all over and you know, so there were rumors 142 00:09:45,600 --> 00:09:50,040 Speaker 1: that he cooked and ate some of the brain, but 143 00:09:50,280 --> 00:09:55,160 Speaker 1: I don't think that's true. I mean that's supposedly just lore. 144 00:09:55,520 --> 00:09:59,800 Speaker 1: But but the necklace thing is supposedly true. And they 145 00:10:00,040 --> 00:10:05,679 Speaker 1: mayhem in a famous concert had pigsheads on steaks. Yeah, yeah, 146 00:10:05,720 --> 00:10:09,720 Speaker 1: there's pigs I mean sometimes, but gorg Roth did that too. 147 00:10:10,880 --> 00:10:13,280 Speaker 1: Or it's like a thing, it's a thing. Yeah. Good. 148 00:10:13,360 --> 00:10:15,840 Speaker 1: You know, if you can't get pigs heads, you sheep heads. 149 00:10:15,880 --> 00:10:18,400 Speaker 1: And there was some band I don't know if it 150 00:10:18,440 --> 00:10:22,079 Speaker 1: was Wattain from Sweden. I don't mean it wasn't them. 151 00:10:22,120 --> 00:10:25,800 Speaker 1: There was some black metal band not from Norway who 152 00:10:26,679 --> 00:10:29,880 Speaker 1: got so much animal blood all over a club that 153 00:10:30,000 --> 00:10:33,679 Speaker 1: the club had to go out of business. And I 154 00:10:33,720 --> 00:10:38,960 Speaker 1: would say that's taking it too far. That's very black, yeah, 155 00:10:39,040 --> 00:10:42,760 Speaker 1: and and unsanitary. I would say the uh oh, yes. 156 00:10:42,840 --> 00:10:46,000 Speaker 1: Here's the reference into the pigs heads. And this is 157 00:10:46,040 --> 00:10:52,400 Speaker 1: from an interview with Bard. Bard was the drummer from 158 00:10:53,160 --> 00:10:56,280 Speaker 1: He was also known as Faust. He was the drummer 159 00:10:56,400 --> 00:11:01,520 Speaker 1: from from Emperor and is quote's unquoting for but I 160 00:11:01,559 --> 00:11:03,760 Speaker 1: remember at the gig one person ate some piece of 161 00:11:03,800 --> 00:11:07,880 Speaker 1: the pighead, which was very old, so he got very sick. Yeah, 162 00:11:07,960 --> 00:11:11,480 Speaker 1: and that that what you just read. I mean that 163 00:11:11,800 --> 00:11:15,120 Speaker 1: I cannot The first two hundred pages of Lords of 164 00:11:15,200 --> 00:11:18,520 Speaker 1: Kans are full of gems like that. I mean, it's 165 00:11:18,559 --> 00:11:21,120 Speaker 1: it is one of the most extraordinary reads. So this 166 00:11:21,240 --> 00:11:24,439 Speaker 1: is a history of essentially, it's really a history of 167 00:11:24,480 --> 00:11:27,960 Speaker 1: Norwegian black metal, although it has pretensions otherwise, but at 168 00:11:28,000 --> 00:11:31,600 Speaker 1: its core and it sort of traces the lives of 169 00:11:31,640 --> 00:11:34,319 Speaker 1: all of these through interviews of all of these key 170 00:11:34,360 --> 00:11:39,839 Speaker 1: figures in the scene, and especially Vark the Charles Manson. Yeah, 171 00:11:39,840 --> 00:11:42,920 Speaker 1: he's in there quite a bit. First, have you met No, 172 00:11:43,080 --> 00:11:46,559 Speaker 1: I don't want to meet him. That would I would 173 00:11:46,640 --> 00:11:49,880 Speaker 1: not want that. Why because he's too evil? Yeah, I 174 00:11:49,960 --> 00:11:55,120 Speaker 1: just you know, I don't. As much as I enjoy 175 00:11:55,200 --> 00:11:59,040 Speaker 1: all this, you know, I'm kind of a softy and 176 00:11:59,080 --> 00:12:04,319 Speaker 1: I really don't want to be around a guy like that. 177 00:12:04,480 --> 00:12:06,440 Speaker 1: Here is Vark is my favorite arg quote, and there's 178 00:12:06,480 --> 00:12:09,640 Speaker 1: a lot, I mean, there's a long list of potential candidates. 179 00:12:10,080 --> 00:12:12,600 Speaker 1: But he gets put in prison and the first thing 180 00:12:12,640 --> 00:12:15,400 Speaker 1: he does is he gets really angry and he lashes 181 00:12:15,440 --> 00:12:19,000 Speaker 1: out and he says, it's much too nice here. It's 182 00:12:19,040 --> 00:12:22,920 Speaker 1: not hell at all. In this country, prisoners get a bed, toilet, 183 00:12:22,960 --> 00:12:26,280 Speaker 1: and shower. It's completely ridiculous. I asked the police to 184 00:12:26,320 --> 00:12:29,320 Speaker 1: throw me in a real dungeon and also encourage them 185 00:12:29,360 --> 00:12:34,040 Speaker 1: to use violots. Yeah that's I mean, it's very typical arc. Yeah, yeah, 186 00:12:34,320 --> 00:12:38,960 Speaker 1: that I mean, that's gold right there. So you read 187 00:12:39,160 --> 00:12:44,720 Speaker 1: this Lords of Chaos in and do you decide that 188 00:12:44,800 --> 00:12:47,800 Speaker 1: you would like to get in contact? Yeah, I someone 189 00:12:47,840 --> 00:12:50,800 Speaker 1: from that scene. Well, yeah, I was reading this book 190 00:12:51,200 --> 00:12:55,360 Speaker 1: and I found it fascinating on tons of levels, you know, 191 00:12:55,800 --> 00:13:00,280 Speaker 1: being a fan of metal, but then also love the 192 00:13:00,320 --> 00:13:02,600 Speaker 1: absurdity of some of the things you just said, Like 193 00:13:02,600 --> 00:13:07,480 Speaker 1: what you know, there's hell vat I'm not pronouncing it 194 00:13:07,920 --> 00:13:12,480 Speaker 1: with the record store, so it's still But anyways, so 195 00:13:12,559 --> 00:13:16,840 Speaker 1: this store that Uronymous opened, at one point he said like, yeah, 196 00:13:16,840 --> 00:13:20,800 Speaker 1: we wanted to give all the customers torches to walk 197 00:13:20,840 --> 00:13:23,679 Speaker 1: around to see, but then we realized that wasn't practical 198 00:13:23,679 --> 00:13:26,679 Speaker 1: because it would melt the vinyl if they got it. 199 00:13:26,720 --> 00:13:29,840 Speaker 1: And for someone to say something like that with with 200 00:13:30,120 --> 00:13:34,840 Speaker 1: just like dead serious, just no irony Whatso it was 201 00:13:34,920 --> 00:13:39,320 Speaker 1: just to me, this does not get funnier. I found 202 00:13:39,360 --> 00:13:43,160 Speaker 1: the book just completely entertaining in that way with tons 203 00:13:43,200 --> 00:13:46,240 Speaker 1: of stuff, and yeah, so it became fascinated. And so 204 00:13:46,679 --> 00:13:51,400 Speaker 1: somewhere around the early two thousands, just to entertain myself, 205 00:13:51,440 --> 00:13:59,040 Speaker 1: I started going down. There was a website called FMP 206 00:13:59,559 --> 00:14:02,679 Speaker 1: six six six, I think Full Moon Productions, and I 207 00:14:02,760 --> 00:14:05,080 Speaker 1: think this site is still up and it's they're not 208 00:14:05,160 --> 00:14:07,080 Speaker 1: out of business. But there was like a mail order 209 00:14:07,120 --> 00:14:10,319 Speaker 1: for black metal stuff, and so I just started emailing 210 00:14:10,440 --> 00:14:14,280 Speaker 1: bands and labels and stuff just for my own fun, 211 00:14:14,440 --> 00:14:16,960 Speaker 1: like making crank calls. Only you know, at this point, 212 00:14:16,960 --> 00:14:21,280 Speaker 1: I'm a grown man and I'm questioning how black these 213 00:14:21,280 --> 00:14:24,160 Speaker 1: guys are and saying, you know, I actually my band 214 00:14:24,280 --> 00:14:29,720 Speaker 1: witch Taint. I called myself Lance, a teenager from Gary, 215 00:14:29,760 --> 00:14:33,160 Speaker 1: Indiana who lives with his mother and has the most 216 00:14:33,240 --> 00:14:36,600 Speaker 1: extreme black metal band of all time called witch Taint, 217 00:14:36,720 --> 00:14:40,840 Speaker 1: which in America, I think, you know, people know taint 218 00:14:40,880 --> 00:14:44,960 Speaker 1: is slang for the perennium, which is interesting as now 219 00:14:44,960 --> 00:14:48,240 Speaker 1: we do this witch Taint live show, and we've taken it, 220 00:14:48,640 --> 00:14:53,640 Speaker 1: you know, we've done it in London, Oslo, in Germany, 221 00:14:54,280 --> 00:14:57,840 Speaker 1: and they don't have the same they don't have that work. 222 00:14:58,000 --> 00:15:01,440 Speaker 1: They don't have they don't they missed the nuance, so 223 00:15:01,480 --> 00:15:03,880 Speaker 1: I have to explain it. So then they're like, oh, 224 00:15:03,960 --> 00:15:08,480 Speaker 1: that's a great band name once I explain it. But anyway, 225 00:15:08,560 --> 00:15:10,320 Speaker 1: so it was that on the orders of that day, 226 00:15:10,320 --> 00:15:14,240 Speaker 1: and when you you're obviously the competition. We're in the 227 00:15:14,280 --> 00:15:18,480 Speaker 1: world of black metal, the name of your band is 228 00:15:18,520 --> 00:15:21,880 Speaker 1: obviously of enormous importance. Sure it just I mean, it 229 00:15:21,920 --> 00:15:24,120 Speaker 1: doesn't really matter what your band name is. If you're 230 00:15:24,160 --> 00:15:27,600 Speaker 1: doing you know, all rock, it can be anything obscure. Yeah, 231 00:15:27,600 --> 00:15:30,800 Speaker 1: I mean they're I mean, Spoon come one, great band, 232 00:15:30,840 --> 00:15:33,720 Speaker 1: but come on, yeah, but the Snakes are really super 233 00:15:33,760 --> 00:15:35,960 Speaker 1: high when it comes to band naming. And I'm just 234 00:15:36,040 --> 00:15:39,920 Speaker 1: curious about So your feeling was that which Taint was was, 235 00:15:40,040 --> 00:15:46,040 Speaker 1: as was the kind of apotheosis of black metal band 236 00:15:46,120 --> 00:15:50,240 Speaker 1: names in terms of what this character in my mind 237 00:15:51,160 --> 00:15:53,960 Speaker 1: Lance Lance, you know. And I don't want to pat 238 00:15:54,040 --> 00:15:58,680 Speaker 1: myself on the back too much, but I will say 239 00:15:59,560 --> 00:16:02,920 Speaker 1: that all of this came to me and so clearly 240 00:16:04,440 --> 00:16:06,840 Speaker 1: when I was started doing it that I did not 241 00:16:07,640 --> 00:16:11,480 Speaker 1: think for a second about what the band name should be. Literally, 242 00:16:11,520 --> 00:16:13,840 Speaker 1: as I was typing and making it up, I named 243 00:16:13,880 --> 00:16:16,280 Speaker 1: the band Witch Taint as if it had been in 244 00:16:16,320 --> 00:16:20,400 Speaker 1: me forever and I'm in it. I believe it to 245 00:16:20,400 --> 00:16:23,560 Speaker 1: be the greatest band name of all time to this day. 246 00:16:24,080 --> 00:16:29,640 Speaker 1: Why it's very good. Why Why was Lance from Gary, Indiana. 247 00:16:30,280 --> 00:16:33,520 Speaker 1: I didn't really know anything about Gary, Indiana other than 248 00:16:33,560 --> 00:16:38,560 Speaker 1: that's where Michael Jackson and his family were from. And 249 00:16:38,600 --> 00:16:41,800 Speaker 1: so to my mind, I thought it was just like 250 00:16:41,920 --> 00:16:46,680 Speaker 1: this white bread American town, which I don't think is 251 00:16:46,960 --> 00:16:50,080 Speaker 1: quite the reality at all. Oh, it's like a post 252 00:16:50,120 --> 00:16:53,920 Speaker 1: industrial wasteland, right, and which I didn't I didn't know that, 253 00:16:54,560 --> 00:16:58,040 Speaker 1: but it was too. I love that you're from Cleveland, Yeah, 254 00:16:58,080 --> 00:17:00,480 Speaker 1: and you feel the need to go somewhere else to 255 00:17:00,520 --> 00:17:04,439 Speaker 1: get a post industrial wastement. Yeah, well, because I thought, 256 00:17:04,520 --> 00:17:09,720 Speaker 1: like you know, and the perception on the mean streets 257 00:17:09,720 --> 00:17:14,240 Speaker 1: of Cleveland in northeastern Ohio in general is that Indiana 258 00:17:14,320 --> 00:17:18,080 Speaker 1: is much softer. So I think that's where my mind went. 259 00:17:18,359 --> 00:17:23,040 Speaker 1: And Lance, you're emailing around and someone takes debate. Yeah, 260 00:17:23,080 --> 00:17:28,479 Speaker 1: this label called Planet Satan Revolution, I thought that I 261 00:17:28,560 --> 00:17:32,639 Speaker 1: was emailing. They were putting out records by this band 262 00:17:32,720 --> 00:17:37,240 Speaker 1: from Oslo called Mysticome, which is an industrial black metal 263 00:17:37,240 --> 00:17:40,320 Speaker 1: band whose music I've still never heard. I should stress 264 00:17:40,359 --> 00:17:43,520 Speaker 1: to you fifteen years later, but they only put out 265 00:17:43,520 --> 00:17:46,760 Speaker 1: one album in twelve years. Yeah, yeah, well that's I mean, 266 00:17:46,800 --> 00:17:49,200 Speaker 1: that's a big thing with black metal, and I think 267 00:17:49,280 --> 00:17:53,080 Speaker 1: it has worked for a witch Taint as well. The 268 00:17:53,200 --> 00:17:57,040 Speaker 1: less music you actually produced and the less she performed. 269 00:17:57,200 --> 00:18:00,320 Speaker 1: Ideally you should never perform live, but the less you 270 00:18:00,480 --> 00:18:05,880 Speaker 1: do is almost the more you do, if that makes sense. Yeah. Yeah, 271 00:18:06,200 --> 00:18:15,000 Speaker 1: we'll be back with more Broken Record after this. We're 272 00:18:15,040 --> 00:18:19,399 Speaker 1: back with Broken Record and the ever Darkening encounter between 273 00:18:19,480 --> 00:18:23,240 Speaker 1: Lance from Gary, Indiana aka the King of black Metal 274 00:18:23,840 --> 00:18:32,359 Speaker 1: and Matthias aka Satan, Norwegian black metal empresario. So the 275 00:18:32,640 --> 00:18:35,840 Speaker 1: first email and anyone can read all these emails at 276 00:18:35,960 --> 00:18:41,159 Speaker 1: the black Metaldialogues dot com. The first email was I 277 00:18:41,200 --> 00:18:44,159 Speaker 1: thought I was emailing the band, so I'm insulting the band. 278 00:18:44,800 --> 00:18:47,679 Speaker 1: And then the guy writes back saying, this is you know, 279 00:18:47,720 --> 00:18:50,639 Speaker 1: the label, and that's when I decide, well, I'm going 280 00:18:50,680 --> 00:18:52,520 Speaker 1: to try to get signed to the label with this 281 00:18:53,119 --> 00:18:57,240 Speaker 1: band that doesn't exist, witch Taint. And by the time 282 00:18:57,320 --> 00:19:01,199 Speaker 1: I'm emailing this guy, it's it's been going on for 283 00:19:01,200 --> 00:19:03,399 Speaker 1: a couple of years that I've been emailing, but just 284 00:19:03,520 --> 00:19:05,639 Speaker 1: very casually. It'd be like late at night to be 285 00:19:05,800 --> 00:19:08,760 Speaker 1: getting ready for bed. I'd be like, let's email black 286 00:19:08,800 --> 00:19:11,600 Speaker 1: metal band, insult them just for no read, you know, 287 00:19:11,680 --> 00:19:15,480 Speaker 1: like you would make a crank call. I'm pathetic, I 288 00:19:15,560 --> 00:19:19,760 Speaker 1: admit it. So I started emailing this guy at Planet 289 00:19:19,760 --> 00:19:22,240 Speaker 1: Satan Revolution and just kind of telling him about how 290 00:19:22,280 --> 00:19:25,200 Speaker 1: extreme my band was. You say that you had heard 291 00:19:25,240 --> 00:19:28,560 Speaker 1: about this band, Mysticum, and you had heard they were 292 00:19:28,640 --> 00:19:33,960 Speaker 1: very black, and then you listen to them. Wait, I 293 00:19:33,960 --> 00:19:36,879 Speaker 1: think we have to you have to read. Do you 294 00:19:36,880 --> 00:19:39,000 Speaker 1: have them? Can you read? I can pull it up, 295 00:19:39,040 --> 00:19:41,360 Speaker 1: you put just pull it up and read the the 296 00:19:41,440 --> 00:19:45,760 Speaker 1: crucial section of that first email. So the first email, 297 00:19:45,760 --> 00:19:49,480 Speaker 1: So I send this email from my email address at 298 00:19:49,480 --> 00:19:53,080 Speaker 1: the time, mister lou Rawls at aol dot com. By 299 00:19:53,080 --> 00:19:56,200 Speaker 1: the way, how is that not a dad giveaway? Does 300 00:19:56,240 --> 00:19:59,320 Speaker 1: he not? Does he not Google Lou Rolls and understand 301 00:19:59,359 --> 00:20:02,840 Speaker 1: that you can't be the blackest I would, yeah, you 302 00:20:02,880 --> 00:20:08,400 Speaker 1: would think first. Okay, So here's the email, subject Mysticum 303 00:20:08,640 --> 00:20:13,320 Speaker 1: question mark. Hey Mysticum, guys. I got your email off 304 00:20:13,400 --> 00:20:16,359 Speaker 1: the internet. I was surprised someone in a black metal 305 00:20:16,400 --> 00:20:19,640 Speaker 1: band would use email, but whatever, I guess we can't 306 00:20:19,680 --> 00:20:21,919 Speaker 1: expect you guys to live in caves. All the time. 307 00:20:22,600 --> 00:20:26,200 Speaker 1: If you were serious about black metal, you would though. Anyway, 308 00:20:26,640 --> 00:20:28,800 Speaker 1: the reason I am writing is because I was wondering 309 00:20:28,800 --> 00:20:32,119 Speaker 1: if there were two bands called Mysticome or something. The 310 00:20:32,200 --> 00:20:34,919 Speaker 1: reason I ask is because my friend Todd told me 311 00:20:34,960 --> 00:20:38,439 Speaker 1: about a band called Mysticum that were really heavy and 312 00:20:38,560 --> 00:20:41,679 Speaker 1: extreme and that I should totally check them out. So 313 00:20:41,800 --> 00:20:44,000 Speaker 1: I went out and bought your record and all I 314 00:20:44,000 --> 00:20:47,760 Speaker 1: got was this total pussy metal instead. Is there another 315 00:20:47,840 --> 00:20:51,119 Speaker 1: band called mysticm that I should know about? I'm really 316 00:20:51,119 --> 00:20:54,320 Speaker 1: into super heavy and extreme black metal, so if there 317 00:20:54,359 --> 00:20:57,959 Speaker 1: is another Mysticme that plays this this kind of music, 318 00:20:58,520 --> 00:21:01,240 Speaker 1: I would really like to know. Don't get me wrong, 319 00:21:01,520 --> 00:21:04,359 Speaker 1: I'm sure tons of chicks did what you guys are doing, 320 00:21:04,680 --> 00:21:08,520 Speaker 1: but I'm into some serious shit, not this strummy bullshit 321 00:21:08,640 --> 00:21:11,600 Speaker 1: you guys seem to be into. Anyway, let me know 322 00:21:11,600 --> 00:21:13,920 Speaker 1: if you have heard of these guys. Are you guys 323 00:21:13,920 --> 00:21:20,600 Speaker 1: on MTV Dark Regards Lance aka the King of Black Metal? Right? 324 00:21:20,800 --> 00:21:23,400 Speaker 1: What is the time that elapses between when you send 325 00:21:23,440 --> 00:21:26,960 Speaker 1: that email and when Satan response? So I write on 326 00:21:28,280 --> 00:21:32,200 Speaker 1: November nineteenth, two thousand and four, five forty three pm. 327 00:21:32,760 --> 00:21:37,680 Speaker 1: On November twentieth, two thousand and four, eight forty eight. Am, Oh, 328 00:21:37,680 --> 00:21:40,879 Speaker 1: he's right on it and he is an Oslo, remember, Yeah, 329 00:21:40,960 --> 00:21:43,879 Speaker 1: so we do the time change. He's yeah, he's on 330 00:21:43,960 --> 00:21:47,359 Speaker 1: it fast and he do you want me to read 331 00:21:47,359 --> 00:21:51,280 Speaker 1: what he wrote? Yeah? Read the Matthiasa's response. Just to 332 00:21:51,320 --> 00:21:56,080 Speaker 1: be clear, these emails, there are thousands and thousands of 333 00:21:56,119 --> 00:21:59,080 Speaker 1: words of ease emails. They go on epic. It went 334 00:21:59,119 --> 00:22:02,880 Speaker 1: on first six months. Yeah, and I think you can 335 00:22:02,920 --> 00:22:05,560 Speaker 1: read all of it in about half an hour maybe, 336 00:22:05,640 --> 00:22:09,879 Speaker 1: but yeah, no, it's thousands of words. So he writes back, Hi, 337 00:22:10,800 --> 00:22:15,200 Speaker 1: exclamation point, so right away. Not very black metal. First 338 00:22:15,200 --> 00:22:17,840 Speaker 1: of all, I find your email a bit bare faced 339 00:22:17,920 --> 00:22:21,480 Speaker 1: and strange, but I have decided to answer you anyway. 340 00:22:22,080 --> 00:22:24,280 Speaker 1: You have now come to the label address of the 341 00:22:24,359 --> 00:22:28,120 Speaker 1: extreme Mysticum band. We have never heard about the pussy 342 00:22:28,160 --> 00:22:32,840 Speaker 1: Ones you mentioned about. Label name is Planet Satan Revolution 343 00:22:33,200 --> 00:22:38,120 Speaker 1: all caps. Check out www dot Mysticum dot com. Under 344 00:22:38,160 --> 00:22:41,400 Speaker 1: release this link you can download the debut album from 345 00:22:41,480 --> 00:22:45,040 Speaker 1: nineteen ninety six for free. If you are interested in 346 00:22:45,200 --> 00:22:49,119 Speaker 1: ordering this masterpiece of black grimness, let me know. I 347 00:22:49,119 --> 00:22:52,760 Speaker 1: am soon sold out, so be quick. I like that. 348 00:22:52,920 --> 00:22:56,320 Speaker 1: So he's kind of hit, you know, he's staying on message. 349 00:22:56,400 --> 00:23:00,160 Speaker 1: Oh yeah, yeah, he's selling selling. This band is as 350 00:23:00,160 --> 00:23:05,240 Speaker 1: a cult act originally signed Touronymous, Uronymous prenzes, rip of 351 00:23:05,359 --> 00:23:11,280 Speaker 1: Mayhem's own label, Deathlike Silence Productions, parentheses DSP. And since 352 00:23:11,320 --> 00:23:15,200 Speaker 1: you're claiming to be a quote unquote real black metaler, 353 00:23:15,520 --> 00:23:18,920 Speaker 1: you should know that famous history of what happened with him. 354 00:23:19,200 --> 00:23:21,600 Speaker 1: If you're into real black metal, you should also know 355 00:23:21,640 --> 00:23:25,680 Speaker 1: that email addresses has nothing to do I'm reading there's 356 00:23:25,720 --> 00:23:27,639 Speaker 1: a bit of English as a second language in here. 357 00:23:27,680 --> 00:23:31,040 Speaker 1: As you can here to do with being quote unquote 358 00:23:31,080 --> 00:23:34,920 Speaker 1: true or not, you have won yourself. Mysticum has been 359 00:23:34,960 --> 00:23:37,320 Speaker 1: in the underground for twelve years, so we know what 360 00:23:37,400 --> 00:23:40,960 Speaker 1: we're talking about here. There is nothing wrong in using 361 00:23:41,040 --> 00:23:45,840 Speaker 1: emails to spread the disease. Living in a cave has 362 00:23:45,960 --> 00:23:48,720 Speaker 1: nothing to do with black metal at all. As long 363 00:23:48,760 --> 00:23:52,320 Speaker 1: as you are dealing with satanic and occult things, believe 364 00:23:52,320 --> 00:23:55,040 Speaker 1: in what you are doing, you can do whatever you want. 365 00:23:55,400 --> 00:23:58,640 Speaker 1: Of course, Mysticum has never been on MTV and never 366 00:23:58,760 --> 00:24:02,560 Speaker 1: will be. Such music are not loved by the MTV 367 00:24:02,760 --> 00:24:06,080 Speaker 1: crew and too extreme to be on a channel that 368 00:24:06,200 --> 00:24:12,800 Speaker 1: only sends crappy, happy, sellout shit dark regards. He steals 369 00:24:12,840 --> 00:24:16,600 Speaker 1: my salutation right out of the gate for Planet Satan Revolution, 370 00:24:17,160 --> 00:24:24,120 Speaker 1: say Tom, managing director again back, he's a businessman, yeah, 371 00:24:24,520 --> 00:24:29,160 Speaker 1: he writes back, defending his business model for putting out 372 00:24:29,160 --> 00:24:33,399 Speaker 1: mist Coom records. Basically, so, I write back, dear say Tom, 373 00:24:33,480 --> 00:24:35,800 Speaker 1: I see your point. If you're going to put something 374 00:24:35,840 --> 00:24:38,359 Speaker 1: into something, in this case a record by a bunch 375 00:24:38,359 --> 00:24:41,600 Speaker 1: of pussies called mysticm then you should get something out 376 00:24:41,600 --> 00:24:44,639 Speaker 1: of it too, some money and also a reputation for 377 00:24:44,720 --> 00:24:48,240 Speaker 1: working with pussies like the guys in Mysticum. I don't 378 00:24:48,280 --> 00:24:51,399 Speaker 1: like the idea of everyone, or anyone for that matter, 379 00:24:51,560 --> 00:24:55,159 Speaker 1: being happy. As you mentioned, though, that is exactly what 380 00:24:55,200 --> 00:24:58,760 Speaker 1: I'm saying. Black metal has nothing to do with being happy. 381 00:24:59,119 --> 00:25:01,840 Speaker 1: It should make you want to live in darkness, perhaps 382 00:25:01,880 --> 00:25:04,879 Speaker 1: with a babbling brook nearby that would mock you in 383 00:25:04,920 --> 00:25:08,240 Speaker 1: the night. But I fear I am being too harsh. 384 00:25:08,440 --> 00:25:10,600 Speaker 1: I realize you may not think that Mystic Come are 385 00:25:10,640 --> 00:25:13,720 Speaker 1: a bunch of pussies, but that is probably because yet 386 00:25:13,840 --> 00:25:16,399 Speaker 1: you have yet to hear my band Witch Taint. In 387 00:25:16,440 --> 00:25:19,679 Speaker 1: a perfect world, black metal would exist totally in the mind, 388 00:25:19,880 --> 00:25:23,359 Speaker 1: as it does with me. Much of the time. We 389 00:25:23,359 --> 00:25:26,200 Speaker 1: would hear the black sounds pouring through our brain as 390 00:25:26,240 --> 00:25:28,840 Speaker 1: we sit in darkness, or maybe there could be a 391 00:25:28,880 --> 00:25:33,560 Speaker 1: torch nearby. This is true black metal. A compromise might 392 00:25:33,640 --> 00:25:36,320 Speaker 1: be just having bands play in the woods, and there 393 00:25:36,320 --> 00:25:39,239 Speaker 1: could be a bonfire, and a select few would be 394 00:25:39,240 --> 00:25:42,680 Speaker 1: permitted to hide behind trees and listen to the band's 395 00:25:42,680 --> 00:25:46,960 Speaker 1: perform I realize, however, that this is impractical and it 396 00:25:47,000 --> 00:25:50,080 Speaker 1: would be awkward if everybody ran into each other later 397 00:25:50,119 --> 00:25:53,080 Speaker 1: at the grocery store or something. It is hard to 398 00:25:53,119 --> 00:25:57,000 Speaker 1: be truly black when shopping for groceries, which is why 399 00:25:57,240 --> 00:26:01,640 Speaker 1: I rarely eat unless I absolutely have to. It goes 400 00:26:01,680 --> 00:26:07,480 Speaker 1: on from there, and then the wonderful turn is when 401 00:26:07,520 --> 00:26:11,840 Speaker 1: Satan reveals that he has short hair, a wife. Does 402 00:26:11,880 --> 00:26:14,439 Speaker 1: he have kids? Yeah, he has a wife and two kids. 403 00:26:14,480 --> 00:26:17,440 Speaker 1: These two kids, and so the plot so it gets more. 404 00:26:18,080 --> 00:26:20,640 Speaker 1: It ramps up way more from what I just read, 405 00:26:20,680 --> 00:26:25,280 Speaker 1: and you know, talks about all this stuff. And eventually 406 00:26:25,960 --> 00:26:29,280 Speaker 1: my friend John Kimber and I sat down and recorded 407 00:26:29,560 --> 00:26:31,960 Speaker 1: the first ever witch Tint song, which I can play 408 00:26:32,000 --> 00:26:34,879 Speaker 1: for you, which you know, before you play it, I 409 00:26:34,920 --> 00:26:39,480 Speaker 1: would point out that you do some absolutely heroic build 410 00:26:39,560 --> 00:26:42,639 Speaker 1: up in which you'd like to be signed by his 411 00:26:42,720 --> 00:26:45,280 Speaker 1: label and you claim that the music you're doing is 412 00:26:45,320 --> 00:26:49,640 Speaker 1: so black that he should remove all sharp objects. Yeah, 413 00:26:49,800 --> 00:26:53,920 Speaker 1: like making his family's not run around, and that you 414 00:26:54,000 --> 00:26:56,600 Speaker 1: have to even yourself sometimes when you're playing your own music, 415 00:26:57,160 --> 00:26:59,840 Speaker 1: have to turn it off to kind of keep yourself 416 00:26:59,840 --> 00:27:02,920 Speaker 1: so safe. Yeah. Yeah, like I have to go take 417 00:27:03,000 --> 00:27:07,280 Speaker 1: breaks from it's too much. So this was not under 418 00:27:07,320 --> 00:27:10,719 Speaker 1: promise and over deliver when you were dealing with with Satan. 419 00:27:11,119 --> 00:27:13,520 Speaker 1: You really really this is why. I mean, there's a 420 00:27:13,680 --> 00:27:16,400 Speaker 1: moment when you're reading the emails when you're like, oh shit, 421 00:27:16,640 --> 00:27:19,280 Speaker 1: like what if Lance, Lance is building this up is 422 00:27:19,320 --> 00:27:22,800 Speaker 1: the greatest, darkest, blackest song of all time, And like 423 00:27:23,280 --> 00:27:26,760 Speaker 1: now he has to deliver because Matthias keeps asking send 424 00:27:26,760 --> 00:27:29,800 Speaker 1: me something, yes the MP three, Yeah, because I keep 425 00:27:29,840 --> 00:27:33,960 Speaker 1: talking about the music, but it doesn't exist because it's 426 00:27:34,000 --> 00:27:38,320 Speaker 1: again just a grown man emailing this guy every night. 427 00:27:38,760 --> 00:27:42,359 Speaker 1: So I finally decide my friend John Kimber I go 428 00:27:42,440 --> 00:27:46,199 Speaker 1: over to his house and we record a song to 429 00:27:46,280 --> 00:27:52,720 Speaker 1: send to send it. It's called Necro dream Raper my character. 430 00:27:53,200 --> 00:27:55,560 Speaker 1: We're not talking about sexual assault, We're talking more of 431 00:27:55,600 --> 00:28:00,000 Speaker 1: a psychological Uh. I don't want anyone to get the 432 00:28:00,000 --> 00:28:03,160 Speaker 1: wrong idea about the song title. But again it's from 433 00:28:03,200 --> 00:28:05,520 Speaker 1: the perspective of this character that I was just trying 434 00:28:05,560 --> 00:28:08,440 Speaker 1: to think of the most disturbing title that I could 435 00:28:08,480 --> 00:28:11,960 Speaker 1: put on this song. Can So this is the song 436 00:28:12,040 --> 00:28:16,879 Speaker 1: I said, three minutes and thirty three seconds. So you 437 00:28:16,920 --> 00:28:20,120 Speaker 1: send this to Matthias and he's not impressed. No, he's 438 00:28:20,119 --> 00:28:24,280 Speaker 1: not at all. But at the same time he does 439 00:28:25,840 --> 00:28:30,440 Speaker 1: accepts it as my He analyzes it, it it gives his criticism, 440 00:28:30,720 --> 00:28:35,479 Speaker 1: and his criticism is super spot on, like he naw's 441 00:28:35,520 --> 00:28:39,120 Speaker 1: what's wrong with it? But then he doesn't dismiss it 442 00:28:39,200 --> 00:28:43,440 Speaker 1: at all. He goes his whole thing like how it's 443 00:28:43,520 --> 00:28:46,720 Speaker 1: not it says it is not depressive enough. I did 444 00:28:46,760 --> 00:28:50,720 Speaker 1: not think to cut myself and so but at the 445 00:28:50,800 --> 00:28:53,280 Speaker 1: end of it, he says, send me some more tracks 446 00:28:53,320 --> 00:28:57,200 Speaker 1: so I can decide. But the problem is then I 447 00:28:57,240 --> 00:29:00,280 Speaker 1: didn't have anymore. That was the only one was the 448 00:29:00,360 --> 00:29:05,080 Speaker 1: challenge for Witch Taint. It took thirteen years. Finally we 449 00:29:05,160 --> 00:29:10,160 Speaker 1: have it a record. Witch Taint Sons of Midwestern Darkness 450 00:29:10,800 --> 00:29:16,040 Speaker 1: Satan's long wait is over. Here's their song Are You 451 00:29:16,200 --> 00:29:24,000 Speaker 1: Ready to Black? Metal? Broken record is produced by Justin 452 00:29:24,080 --> 00:29:28,240 Speaker 1: Richmond and Jason Gambrell with help from Bruce Headlam, Mia Lovel, 453 00:29:28,440 --> 00:29:32,520 Speaker 1: Jaquita Baskill, Jacob Smith, Julia Barton, Jacob Weisberg, and of 454 00:29:32,520 --> 00:29:37,120 Speaker 1: course Rick Rubin. Special thanks this week to A. C. Valdez. 455 00:29:37,840 --> 00:29:40,720 Speaker 1: To hear the songs featured in today's episode, check out 456 00:29:40,800 --> 00:29:44,960 Speaker 1: Broken Record podcast dot com. This show is brought to 457 00:29:45,000 --> 00:29:53,400 Speaker 1: you by Pushkin Industries. I'm Malcolm Godwo. Thanks for having me. 458 00:29:54,640 --> 00:29:57,920 Speaker 1: If you get any you know, there's probably gonna people 459 00:29:57,920 --> 00:30:02,800 Speaker 1: will call me, you know, say I'm a pussy or opposer, 460 00:30:03,240 --> 00:30:06,720 Speaker 1: you know, false metal guy or something, and just for 461 00:30:06,720 --> 00:30:09,200 Speaker 1: forward those to my AOL address, we will defend you 462 00:30:09,280 --> 00:30:12,720 Speaker 1: against him