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Speaker 1: Turn around the world on the I Heart radio app,

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Speaker 1: Apple Podcast, or wherever you get your podcast. It's Cannabis

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Speaker 1: Talk one oh one, the world's number one source for

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Speaker 1: everything cannabis with Blue and Joe Grande. Hello, welcome to

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Speaker 1: Cannabis Talk one oh one, the world's number one source

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Speaker 1: for everything cannabis. My name is Blue. Alongside of me

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Speaker 1: is Mr Joe Grande. Thank you, Senor Christopher right. It's

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Speaker 1: always good to be here on the show with you,

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Speaker 1: and thank you guys all for listening around the world

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Speaker 1: to our podcast, Cannabis Talk one oh one. I say tannabis,

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Speaker 1: tannabas cannabis. We're changing the name from cannabis to tannabis.

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Speaker 1: Follow us. Let's follow us on our new website, Cannabis

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Speaker 1: Talk one on one. Don't do that, seven silver swan swam.

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Speaker 1: I need to work on my pronunciation. Cannabis Talk one

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Speaker 1: on one. Check out the website. You know what it is,

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Speaker 1: Cannabis Talk one on one dot com. And we've got

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Speaker 1: so many great articles on there and so many great blogs.

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Speaker 1: Thank you guys all for contributing there. Call us up anytime.

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Speaker 1: Check out the i G pages at Cannabis Talk one

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Speaker 1: oh one. As we are the world's number one source

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Speaker 1: for everything cannabis. Blue was at the number one. Christopher Rice,

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Speaker 1: I am at Joe grand Day fifty two. And if

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Speaker 1: you're looking for a trust of cannabis folks at a

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Speaker 1: fair price, you know where you need to head. It's

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Speaker 1: Rocket Seeds dot Com are on I G at Rocket

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Speaker 1: Underscore Seeds. I love everything about them and the commercials

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Speaker 1: that Christians are doing. And I don't know if you

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Speaker 1: know this though, Blue Christian not only who directs these

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Speaker 1: amazing commercials, he is now apparently doing workout videos that

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Speaker 1: Pitch just showed me. And he's doing workout videos on

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Speaker 1: I G. And I just think it's amazing that Pitch

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Speaker 1: showed me these. Yeah, he had the white speedos and

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Speaker 1: the no no, he do like real workouts like bands.

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Speaker 1: I see the white speedos and it yeah yeah. So

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Speaker 1: so keep doing your thing, Christian, You're doing amazing work

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Speaker 1: out there. Our guests on the show today, This dude

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Speaker 1: right here is like for me, Blue, what was it like?

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Speaker 1: It's like a flashbacky New schoolly dope and then you

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Speaker 1: throw in a Latin. It's just this dude. Daniel Sanchez

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Speaker 1: a k A. Hazard Folks. If you don't know, you

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Speaker 1: need to know what I'm saying this Hazard google it now.

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Speaker 1: He's a rapper and the founder of Hazard Entertainment LS.

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Speaker 1: You know Hazard. This cat E's from Ontario, hip hop

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Speaker 1: artist best known for his countless freestyles. And that's why

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Speaker 1: I say old school because when I say countless freestyles,

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Speaker 1: we've got some dope freestyles up in here to it

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Speaker 1: and to me, cannabis smoking, blunt smoke freestyles, rapp it

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Speaker 1: goes hand in hands part of the culture, right, It's

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Speaker 1: like the elements of hip hop. And he's been on

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Speaker 1: the internet heavy, So that's why I say the new

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Speaker 1: school style right because he wasn't on the corners. Maybe

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Speaker 1: he was back in the day. I just don't know.

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Speaker 1: I'm sure he was because he's so dope. But bottom line,

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Speaker 1: he pops on the internet and of course he has

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Speaker 1: his weekly Instagram series now called forty Ounce Fridays and

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Speaker 1: once again the throwback to the forty ounce. Like we

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Speaker 1: just recently talked to some ogs up here about popping

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Speaker 1: forty ounce. I brought brought up the ten forties forties

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Speaker 1: I drink and when he has a forty ounce Fridays,

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Speaker 1: I go, I like this, it relates to me. It

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Speaker 1: O G style for me right, Like he doesn't even

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Speaker 1: know how much he's affecting me personally. Where I go.

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Speaker 1: This dude's dope, where Hazard's freestyle wraps and hand selected

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Speaker 1: beats are are like sip signatures, forty ounce Mickey's Malt

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Speaker 1: liquor and true hip hop fashion. Like everything about his

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Speaker 1: ship is true hip hop and old school like that

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Speaker 1: he's been making noise throughout the years in the underground scene,

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Speaker 1: which is true hip hop, and making moves with the

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Speaker 1: Moving Difference is a big shot that you had write

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Speaker 1: a big songs that one of them was we just

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Speaker 1: drove Moving Moving Different the single and then writing on

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Speaker 1: the Wall and modern day slavery. This guy is the

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Speaker 1: real deal, folks. I think he's like Holy Field. The

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Speaker 1: motherfucker will knock you out. You might be able to

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Speaker 1: buy his ear off and still be able to get him.

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Speaker 1: You can check him out at this year's Burning Trees

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Speaker 1: Festival because the shitty did with us on I G

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Speaker 1: is official like a referee with a whistle. Check him

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Speaker 1: out on TikTok, Tiktop You Hop and everything else that

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Speaker 1: you can find him on. It is at I am hazard,

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Speaker 1: I am a h A Z E r D. This

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Speaker 1: guy right here is so dope and he's so on

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Speaker 1: tune with everything with his freestyle that he provides the

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Speaker 1: biggest coolest ship out there. Like what Mark Carnes foul

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Speaker 1: out your pile out, your pal out found because bottom

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Speaker 1: line Marked in my eyes found you to me. And

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Speaker 1: I always think Mark has a good eye and a

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Speaker 1: good ear. Right, He's got this little long beach white

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Speaker 1: cat that's like a scout. He's got a different scout

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Speaker 1: ere that. And and when Mark, when Mark tells me anything,

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Speaker 1: I listened to be honest, right, So up, Michael was like, okay, was'

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Speaker 1: Mark talking about? What are you talking about? Oh? Mark said,

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Speaker 1: I got this guy who does he's freestyle. Joe, I

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Speaker 1: think you're gonna like and I peeped your ship and

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Speaker 1: then I've seen what you did. Don't tell what you

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Speaker 1: really said, though you were like, I don't know if

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Speaker 1: I like it really at the beginning, at what point

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Speaker 1: at the beginning. At the beginning, I didn't even know

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Speaker 1: like exactly what you're gonna muster, to be quite honest,

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Speaker 1: But I was like I just trusted in Mark, So

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Speaker 1: there was nothing to be remotely even said, I just

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Speaker 1: trust whoever his idea was. It was fucking great idea,

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Speaker 1: but it wasn't executed by you, and they knew what

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Speaker 1: you could execute. And you pulled that ship off, Dog

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Speaker 1: to the highest level of execution. And the only way

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Speaker 1: I like to say this is how big boy says it.

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Speaker 1: And and I just say it because big boys up

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Speaker 1: here in my book of like you know, I mean,

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Speaker 1: when it's when it's official, it's it's it's a big

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Speaker 1: boys level, right of course. And when I heard your ship,

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Speaker 1: it was press play, thank you, thank you, if you

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Speaker 1: didn't need to go back. I mean there was a

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Speaker 1: few other words that are missing, but you know, meanbody

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Speaker 1: says it. But the point is, Dog, your ship was

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Speaker 1: pressed play and go, and it's hard to find cats

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Speaker 1: that are pressed play, motherfucker's and for you for me

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Speaker 1: to see it the first time and say this, dude

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Speaker 1: did that and I'm seeing this and we didn't have

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Speaker 1: to turn it around, like Blue didn't have to change.

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Speaker 1: Blue didn't say what do you think Joe on something

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Speaker 1: like we need to change because we do we're on

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Speaker 1: the same page, like we really all the time, which

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Speaker 1: is beautiful for our relationship. So if I say to him,

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Speaker 1: take a look at this, and I know it's done.

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Speaker 1: I I know it's done. And if he says something,

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Speaker 1: I'm like, that's odd. But sometimes if he says something

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Speaker 1: to me, I know there's a is it he's not

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Speaker 1: for sure. I can tell when he's for sure. This

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Speaker 1: is dope, this is done. Yours was done. I appreciate that,

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Speaker 1: big dog. First of all, thanks for having me. Well,

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Speaker 1: first of all, welcome to the show. Thank you for

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Speaker 1: having me. I appreciate it. Home to the show, and

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Speaker 1: then I gave you my praise and in the welcome

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Speaker 1: but yeah, then no, and and genuinely appreciate you guys

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Speaker 1: all the whole, the whole Cannabis Talk one on one

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Speaker 1: team shouts out to Mark, You're you know what I'm saying, Um,

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Speaker 1: you guys have been done adult to me. From from

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Speaker 1: the first time that he reached out and shout, saw

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Speaker 1: my boy these you know what I'm saying. He was

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Speaker 1: the one that kind of made the plug. But Dope

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Speaker 1: as dude, just a cool individual because he's I feel like,

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Speaker 1: especially like local music, you see a lot of backbiting

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Speaker 1: and you see a lot of like, you know, people

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Speaker 1: act like they funk with you, and people act like

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Speaker 1: they're cool with you. Well know, your pal said he

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Speaker 1: ghost wrote all your ship, so don't get its secret

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Speaker 1: page that says all that. But that's how his style is.

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Speaker 1: Well it's cool. It's cool. I don't write nothing down

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Speaker 1: at also, okay, so in all series is though, like

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Speaker 1: for for these to reach out to me like they said, hey, bro,

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Speaker 1: I got a boy who wants to talk to you.

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Speaker 1: Is a cool if I shooting your number? Oh yeah,

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Speaker 1: run that ship? It was like it was to me,

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Speaker 1: it wasn't a question. And so that like when what

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Speaker 1: I always say is that the highest compliment of somebody's

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Speaker 1: character is how people speak about you when you leave

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Speaker 1: the room, right, So for me not to be in

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Speaker 1: that room at all, I had no idea that conversation

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Speaker 1: was even happening, And for him to speak that highly

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Speaker 1: of me, it was pretty cool. You know. So shouts

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Speaker 1: on my boy these but shouts on market and shouts

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Speaker 1: out to you gentlemen for having me. I really genuinely

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Speaker 1: appreciate being here. Were words that were spoken from my

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Speaker 1: mouth behind your back. When I first heard that, I

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Speaker 1: compared it to you ready for my thought process. I

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Speaker 1: don't say this like, oh look what I did, but

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Speaker 1: it took me to the s thought. I remember going

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Speaker 1: to Eminem's hanger when I met Dr Dre and thinking

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Speaker 1: of that vibe when I was there, going this young artist, like,

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Speaker 1: what you're spitting reminds me of that young Eminem ortist

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Speaker 1: spitting from that high my Name is album. That's the

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Speaker 1: vibe I took my mind too, like that's the presence.

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Speaker 1: Like I went to like literally when I heard that

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Speaker 1: that I was rock and I went, dude, this is

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Speaker 1: where I'm mentally at now of my vibe, and and

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Speaker 1: that was a spirit of my life of hip hop

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Speaker 1: and dealing with that culture. That was also like a

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Speaker 1: selfless promotion right there too, kind of Eminem back in

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Speaker 1: the day. And then then I said to Mark, I

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Speaker 1: said to Mark, I go, dude, this dude reminds me

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Speaker 1: of Eminem. Yeah. Man, Marshall Mathers coming after you. That's

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Speaker 1: a legend, you know what I mean. So that I

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Speaker 1: look at the way you free stuff. So how did

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Speaker 1: you get that gift to be able to just when

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Speaker 1: did you realize you could just hear a word and

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Speaker 1: then just start busting on that type of ship, because

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Speaker 1: that's a straight talent. I think. I think it was

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Speaker 1: kind of like progressively. I wanted to do it from

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Speaker 1: a young age. I've seen it. I was like twelve

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Speaker 1: years old. I remember seeing like, there's a little cipher

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Speaker 1: and I see him to do rapping, and I've seen

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Speaker 1: the way everybody was looking at him, and I was like,

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Speaker 1: and I want that. That's cool right there, you know.

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Speaker 1: And so um I remember kind of sitting there and

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Speaker 1: like thinking, trying to think of is in my room.

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Speaker 1: And it took me like two years, like just sitting

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Speaker 1: there trying to think of Ryan, think of Ryan. And

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Speaker 1: then one day I'm in high school at a different

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Speaker 1: school now, and I would see these dudes ciphering every day.

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Speaker 1: So I had told my boys, like, hey, will you

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Speaker 1: guys go with me over here to the circle where

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Speaker 1: they wrap at And the homies are like really, I

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Speaker 1: was like, yeah, come on. So I had sat there

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Speaker 1: like thinking of his rhyme for like a week, and

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Speaker 1: I went in there and like I'm trying to liked

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Speaker 1: this beatboxing and trying to catch trying to catch the beat.

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Speaker 1: And I did and I spent the rhyme and like

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Speaker 1: I said, I had like a week to like think

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Speaker 1: of it, you know, And so it was I had

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Speaker 1: it down cold, and like people started ooing and awing

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Speaker 1: and you know yeah, and I was like I like

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Speaker 1: that and feeling feeling you know, I genuinely love like

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Speaker 1: I fell in love with the with the process of

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Speaker 1: like I sit at home, I come up with the rhyme.

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Speaker 1: I practiced that, I practiced that I come to squad

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Speaker 1: it right. And so at first it was that I

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Speaker 1: would try to come with like some rhymes already stacked. Uh.

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Speaker 1: And then one time there was a dude that was

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Speaker 1: like he was he was dope and he'd been doing

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Speaker 1: it a lot longer than me. So I spent my

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Speaker 1: rhyme and then he spent one was like, O can

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Speaker 1: you go again? And I was like ship, you know,

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Speaker 1: and I wasn't. I I just remember I think I said,

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Speaker 1: like I was like big on DMX at the time,

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Speaker 1: so I think I told this sort of suck my

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Speaker 1: dick like ten times, like I remember trying to arrive.

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Speaker 1: I was like, suck my day. At first it was funny,

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Speaker 1: people started laughing. Staid of the second time, people didn't

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Speaker 1: laugh as much. I said. The third time it was

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Speaker 1: like I was like, this is what bomb me like

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Speaker 1: a comic is, you know, like when you hear about comy.

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Speaker 1: It was like, so I went home and like I

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Speaker 1: was mad, and I just started like anything that I

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Speaker 1: would think, I would try to turn it into a rhyme,

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Speaker 1: like anything, Like it didn't matter what I was doing,

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Speaker 1: like you know, ordering dinner, wanted to order lunch, whatever,

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Speaker 1: Like get up from my seat, I'm brushing my teeth.

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Speaker 1: I gotta take a piss, you know, get a load

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Speaker 1: of it. Like literally, like that's what I would do

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Speaker 1: in my head all day, like every day and the practice.

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Speaker 1: And that was when I knew that, Like it was

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Speaker 1: crazy because like I played basketball like as a kid

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Speaker 1: growing up until my freshman year, and I was like

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Speaker 1: when my focus shifted, like I went from like wanting

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Speaker 1: to play basketball every day too, like wanting to rap

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Speaker 1: like every day all the time, you know what I'm saying.

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Speaker 1: That was when And so that was when I started

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Speaker 1: kind of honing it. And then like who was sitting

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Speaker 1: the back of English class and like I'll just grabbed

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Speaker 1: the dictionary and try to find a word. You see,

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Speaker 1: if I could rhyme it, you know what I mean,

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Speaker 1: it was like it came became kind of like a

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Speaker 1: like a classroom party trick, you know what I'm saying.

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Speaker 1: Like the homies gassed me up and be like, hey,

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Speaker 1: he'll get it. They'll get the dictionary to the girls.

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Speaker 1: Pick a word, He's gonna rap it. And then I

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Speaker 1: started rapping. So it was just like how did you

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Speaker 1: get the name hazards? I was um, like fifteen or sixteen.

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Speaker 1: We were I was at a kickback um and I

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Speaker 1: was the youngest person there too. I was like fifteen

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Speaker 1: sixteen years old. Where the kick back and some of

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Speaker 1: the females that the dudes did invite it over. They

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Speaker 1: invited some dudes from another neighborhood, and so these fools came.

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Speaker 1: They don't really have any business there, and so like

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Speaker 1: it was tense for about ten minutes and a little

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Speaker 1: some ship jumped off. These fools were like in the

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Speaker 1: early twenties. I'm like six team five five, little chubby

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Speaker 1: Mexican kid. So I'm trying I try to running, like

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Speaker 1: running to help my older homies, and like one dude

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Speaker 1: grabbed me, picked me up and throw me against the wall,

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Speaker 1: like just WoT hit? I hit the wall? I got

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Speaker 1: kind of scared. I had a forty fun fact that

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Speaker 1: had forty and making up against the wall, so I

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Speaker 1: go to grab it. I'm gonna hit these fools with

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Speaker 1: the with the you know, the bottle, but that was

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Speaker 1: like kind of wet, like you know, from the moisture.

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Speaker 1: I went to grab it. I got scared. I dropped

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Speaker 1: the bottle. But when I did that, like one of

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Speaker 1: the bricks on top was loose. So I grabbed the

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Speaker 1: brick off the top of the wall and just started swinging.

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Speaker 1: So early, well earlier, so earlier in the night, I

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Speaker 1: had been like it was at the time it was

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Speaker 1: an oddity to have like somebody that looked like me,

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Speaker 1: dressed like me, kicked with a bunch of ball headed foods.

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Speaker 1: To be rapping. That was like that wasn't a thing.

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Speaker 1: So the homies would be like, hey, listen this full wrap.

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Speaker 1: Listen my homeboy rap you don't clear. And then so

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Speaker 1: I'll start rapping. And one of the dudes was like,

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Speaker 1: that ship sounds hazardous, Holmi, that ship sounds hazardous. And

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Speaker 1: I remember he kind of caught my ear whatever we're kigging,

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Speaker 1: and then these foods show up with w him getting

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Speaker 1: down with them. And so after this fool turns around,

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Speaker 1: he's a grown man years or whatever. He turns, he

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Speaker 1: like goes like this because he thinks he's gonna get

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Speaker 1: hit by somebody's meat. And he looks, he stops, He

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Speaker 1: looks at me, and there's like I got like two

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Speaker 1: fools laidut because of him, and they don't break. So

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Speaker 1: he looks, he goes, funk, You're really a hazard hun

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Speaker 1: And it's just like it's stuck after that, like yeah,

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Speaker 1: I like that shot running with you. It was like

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Speaker 1: it was like that was it. So every time I

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Speaker 1: call hey fucking hazardous, it was like there was That's

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Speaker 1: how they would say, look a little little hazardous on me.

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Speaker 1: And then like I just shortened it the hazzards nice,

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Speaker 1: I say, And there it is Canada's Talk one on one.

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Speaker 1: We'll come back with the hazard. I might have a

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Speaker 1: beat box in me and let's see if he can

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Speaker 1: still freestyle and flow. Let you know about your boy

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Speaker 1: named Joe and your boy Blue, and let Blue get

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Speaker 1: back on the mic and do what he do like

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Speaker 1: one oh one. We'll be right back after that. We'll

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Speaker 1: be right back with Cannabis Talk one oh one. Welcome back,

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Speaker 1: to Cannabis Talk one oh one Kelly Effects. His full

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00:14:06,880 --> 00:14:10,400
Speaker 1: and broad spectrum hip extructed products contains C B, D, CBG,

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00:14:10,600 --> 00:14:14,760
Speaker 1: and some thirteen plus other elements and are naturally derived

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00:14:14,800 --> 00:14:17,240
Speaker 1: substances from the hemp and the plant. You guys check

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00:14:17,240 --> 00:14:22,960
Speaker 1: out their tinksters, waters topicals and bape collections topics topicles.

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00:14:23,440 --> 00:14:26,080
Speaker 1: Go fill the effects with Kelly Effects. The website is

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Speaker 1: CALLI Effects dot com. That's c A L Y f

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Speaker 1: X dot com. Are guy on the show right here

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Speaker 1: government named Daniel Sanchez. You just heard the brick hitting

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Speaker 1: motherfucker hazard right there. Tell the story. I mean when

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Speaker 1: you say hazard, you better watch out for the bricks,

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00:14:42,920 --> 00:14:45,880
Speaker 1: is all I'm saying. And if you don't know now

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00:14:45,960 --> 00:14:48,560
Speaker 1: you know where he comes from what he did for

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00:14:48,680 --> 00:14:50,640
Speaker 1: us folks that are listening. If you follow us on

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00:14:50,680 --> 00:14:52,320
Speaker 1: i G you may have seen it. But if you're

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00:14:52,360 --> 00:14:54,760
Speaker 1: just listening to the podcast for the first time and

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00:14:54,840 --> 00:14:56,760
Speaker 1: you heard me, give him all the praise and worship

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Speaker 1: of what we heard that we thought was so dope.

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Speaker 1: I want you guys to listen to the now on

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Speaker 1: the podcast and take a listen to have it. Burning

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Speaker 1: Trees Festival the promo Love you can catch me every week.

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00:15:12,680 --> 00:15:14,880
Speaker 1: I'll be surfing beats August twenty seven and not a

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00:15:14,960 --> 00:15:17,480
Speaker 1: loot on Burning trees the only festival where you can

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00:15:17,520 --> 00:15:20,040
Speaker 1: purchase dirty greens, turning around and burning things down to

337
00:15:20,120 --> 00:15:22,280
Speaker 1: the third degree. You never heard of me. It's tash

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00:15:22,320 --> 00:15:24,080
Speaker 1: it with a slinky flow. If you need a ticky,

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00:15:24,120 --> 00:15:26,400
Speaker 1: get the clicking on the leak below. You gotta see

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00:15:26,440 --> 00:15:30,160
Speaker 1: this show. Rose Blota, Vendicella, Path Fernalia and the Buddha

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00:15:30,600 --> 00:15:33,880
Speaker 1: Bosta Rhymes, mr axs to the Z two short bis,

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00:15:33,920 --> 00:15:37,360
Speaker 1: having might be corrupt, young gutty, all of the alcoholic,

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00:15:37,520 --> 00:15:40,000
Speaker 1: so many dope artists av can't even call it so

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00:15:40,320 --> 00:15:42,960
Speaker 1: boy Gonna plank while you hit a dancing and Planet

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00:15:43,000 --> 00:15:46,480
Speaker 1: Asian Supernatural, take your way back to the underground bars,

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00:15:47,000 --> 00:15:49,480
Speaker 1: rocket sees Lass off to the Stars and Sushi and

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00:15:49,480 --> 00:15:52,000
Speaker 1: It's twenty one plus coming party with the big Boys,

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00:15:52,000 --> 00:15:54,920
Speaker 1: make Twins, Big North Humans making big Boys. You need

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00:15:54,920 --> 00:15:56,960
Speaker 1: a rig bull because all of your dad's fine for

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00:15:57,040 --> 00:16:00,760
Speaker 1: that dope hard where hollyband ice Spy, I'm the skippy

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00:16:00,800 --> 00:16:03,080
Speaker 1: set Golofy just for big bloods and big mics and

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00:16:03,160 --> 00:16:05,360
Speaker 1: best new trees. If you add a town I want

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00:16:05,360 --> 00:16:07,360
Speaker 1: to know where to weed the this what really need that.

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Speaker 1: It's called v mass with my chees or Grand and

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Speaker 1: Blue Cannabis talk one on one social news speaking to

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Speaker 1: news it needed off. I g make sure you follow

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00:16:16,640 --> 00:16:19,120
Speaker 1: that black list, x y Z. I was raised by

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Speaker 1: O Cheese, so we think the same way. I'm changing

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Speaker 1: the game, Doug. It's where the game day. No, I

360
00:16:23,720 --> 00:16:26,280
Speaker 1: don't play play with in the vaypen. Think how you

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00:16:26,320 --> 00:16:29,320
Speaker 1: all at that time? It's a straight tap yo, shout

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00:16:29,320 --> 00:16:31,480
Speaker 1: out to white. Ain't the farm? You know they haven't

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00:16:31,480 --> 00:16:34,120
Speaker 1: set in Earth grown? Hit up your pal out for that.

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Speaker 1: V I P guest list August twenty seven out of Lato, California,

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Speaker 1: Burning Trees, Baby, I go by the name of Hazard

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Speaker 1: to the fucking mic live from Rooms the l A.

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Speaker 1: I'm out man, that ship's colder than the hooker's heart.

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Speaker 1: I mean, I appreciate it. That is just like like

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Speaker 1: I was. You know when when Mark hit me up

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Speaker 1: about it, gave me a checklist, and I wanted to

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Speaker 1: make sure I hit every single point, but I didn't

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Speaker 1: want it to like sound corny, so I try not

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Speaker 1: to overthink it. I know you were saying I turned

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Speaker 1: it around quick like he gave me the you know,

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Speaker 1: he gave me the whole rundown, the whole outline like

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Speaker 1: her for you right, could you shot these people? And

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00:17:16,640 --> 00:17:18,520
Speaker 1: then and then he was like, Yo, I think this

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00:17:18,600 --> 00:17:20,440
Speaker 1: you would sound dope on this one beat. And I'm like,

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Speaker 1: all right, cool, let's do it. Let's running. So Mark

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Speaker 1: like that production and I gotta I got a shot him.

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00:17:27,560 --> 00:17:29,399
Speaker 1: I gotta get a managed. He was like, Yo, what

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00:17:29,440 --> 00:17:32,000
Speaker 1: about this beat? And I'm like, man, it's it's your promo,

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00:17:32,480 --> 00:17:35,280
Speaker 1: you know whatever, you whatever you mean. So so he

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Speaker 1: had shot me as a beat choice that I'm sitting

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00:17:38,080 --> 00:17:39,880
Speaker 1: there listen. I'm like, he might know something, so let's

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00:17:39,920 --> 00:17:41,439
Speaker 1: do it. So I just like my thing was like

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00:17:41,440 --> 00:17:43,560
Speaker 1: trying not to overthink it. I mean that was like

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Speaker 1: that was my main like cut the mic on his goal.

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Speaker 1: You know what's crazy is he had he had mentioned that, um, Mark,

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00:17:50,600 --> 00:17:52,919
Speaker 1: you're proud. He mentioned that he had shot you that

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00:17:52,960 --> 00:17:55,760
Speaker 1: beat a long time ago and he thought you would

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00:17:55,760 --> 00:17:59,240
Speaker 1: be dope on it, I think prior to even this. Yeah.

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Speaker 1: He So it's crazy because and this is with the

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Speaker 1: whole like recent success of you're talking about forty on

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00:18:05,359 --> 00:18:07,720
Speaker 1: Friday's people really kind of started tuning in maybe like

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00:18:07,760 --> 00:18:09,600
Speaker 1: seven eight months ago. We've been doing it for over

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00:18:09,680 --> 00:18:12,360
Speaker 1: three years now, and so with that, like last seven

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00:18:12,400 --> 00:18:16,160
Speaker 1: eight months my inboxes, I got like seven penny requests.

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00:18:16,160 --> 00:18:18,320
Speaker 1: I try to keep like at the very top. I

400
00:18:18,359 --> 00:18:19,480
Speaker 1: try to look you know what I mean, but it's

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00:18:19,520 --> 00:18:21,840
Speaker 1: it's like I don't have my d MS closed for

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00:18:22,359 --> 00:18:24,639
Speaker 1: people like Mark to reach out to me. But the

403
00:18:25,440 --> 00:18:27,480
Speaker 1: issue is like you get like a lot of fans

404
00:18:27,520 --> 00:18:29,000
Speaker 1: and I try to respond to as many of them

405
00:18:29,000 --> 00:18:31,679
Speaker 1: as I can, but then sometimes like people don't have

406
00:18:31,760 --> 00:18:35,800
Speaker 1: like a like a personal boundary and it'll get weird

407
00:18:35,880 --> 00:18:37,239
Speaker 1: like in the d M and I'm like, oh, you're

408
00:18:37,240 --> 00:18:40,360
Speaker 1: a grown man right now, so am I? Like you're

409
00:18:40,400 --> 00:18:42,080
Speaker 1: being kind of fucking weird, you know what I'm saying.

410
00:18:42,080 --> 00:18:44,080
Speaker 1: But I don't never want to be rude or disrespectful

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00:18:44,119 --> 00:18:46,560
Speaker 1: to anybody. So what I started doing was just kind

412
00:18:46,600 --> 00:18:48,720
Speaker 1: of like skimming the top of my request and make

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00:18:48,760 --> 00:18:50,560
Speaker 1: sure I kind of clear him, Sure, you know what

414
00:18:50,600 --> 00:18:53,800
Speaker 1: I mean. But he was like, for real, that's like

415
00:18:53,920 --> 00:18:57,560
Speaker 1: real all day. It's weird because like why would where

416
00:18:57,560 --> 00:19:00,879
Speaker 1: the funk would you? Like, I don't know, like the

417
00:19:00,920 --> 00:19:03,440
Speaker 1: one when I was like all right, this is officially

418
00:19:03,960 --> 00:19:05,520
Speaker 1: like I had to do, send me his whole life

419
00:19:05,520 --> 00:19:07,840
Speaker 1: story and then so can you cash at me twenty

420
00:19:07,880 --> 00:19:11,120
Speaker 1: dollars ha ha? And I was like you're like no, bro,

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00:19:11,640 --> 00:19:15,120
Speaker 1: like you're really like it was like a whole story. See,

422
00:19:15,880 --> 00:19:17,200
Speaker 1: I don't even like a lot of us, Like, no,

423
00:19:17,280 --> 00:19:19,520
Speaker 1: you're supposed to pay me to do that. It was

424
00:19:19,600 --> 00:19:21,600
Speaker 1: like it was why so like I don't know, but

425
00:19:21,800 --> 00:19:24,399
Speaker 1: that being said, he had told me shot, and I

426
00:19:24,440 --> 00:19:26,080
Speaker 1: felt horrible because he's like, yeah, I shot you just

427
00:19:26,080 --> 00:19:27,760
Speaker 1: beat a while ago. And I go into the d M.

428
00:19:27,840 --> 00:19:30,600
Speaker 1: It's like, right there, you would sound dope on this. Yeah,

429
00:19:32,280 --> 00:19:34,320
Speaker 1: he called his shot like about four or five months ago.

430
00:19:34,359 --> 00:19:36,480
Speaker 1: So you know, shouts out tomorrow. Mark has a good ear,

431
00:19:36,560 --> 00:19:38,919
Speaker 1: he's always had. I agree, and feel like, you know,

432
00:19:39,200 --> 00:19:41,159
Speaker 1: I like I've actually sent him some stuff like a

433
00:19:41,280 --> 00:19:43,240
Speaker 1: Mark a matter of fact, he's never responding that fucking

434
00:19:43,240 --> 00:19:46,840
Speaker 1: things I've sent him, come to think of it, Yeah,

435
00:19:47,119 --> 00:19:49,640
Speaker 1: I've said him some ship why like months ago. Come

436
00:19:49,680 --> 00:19:52,160
Speaker 1: to think of it, I've sent him something and they've

437
00:19:52,200 --> 00:19:54,520
Speaker 1: never got an official response from him on something like

438
00:19:54,520 --> 00:19:55,960
Speaker 1: I really wanted to know what he thought about. So

439
00:19:56,040 --> 00:19:58,399
Speaker 1: I was just I was just your carver for him

440
00:19:58,520 --> 00:20:00,640
Speaker 1: or something. You know, that's really no. But I see

441
00:20:00,680 --> 00:20:02,280
Speaker 1: him on every sucking day. What do you mean? I know,

442
00:20:02,320 --> 00:20:03,920
Speaker 1: I mean a guy every day. It's not like a

443
00:20:03,960 --> 00:20:06,120
Speaker 1: matter of still just fun. Yeah, and it's not even

444
00:20:06,320 --> 00:20:09,480
Speaker 1: I just forgot about story, but you know, yeah exactly.

445
00:20:10,080 --> 00:20:11,600
Speaker 1: I even bought him a little wooden now that he

446
00:20:11,680 --> 00:20:16,080
Speaker 1: probably lost him through away. I literally was at a

447
00:20:16,160 --> 00:20:19,320
Speaker 1: store and I seen this car pools and I had

448
00:20:19,320 --> 00:20:21,040
Speaker 1: to buy it for because I woulden't carved out. And

449
00:20:21,040 --> 00:20:23,959
Speaker 1: I go, do that just your name, you know, at

450
00:20:23,960 --> 00:20:26,399
Speaker 1: a random and tea shop. So, dude, so what's the story.

451
00:20:26,440 --> 00:20:29,439
Speaker 1: You come from Ontario? You didn't get signed signed the

452
00:20:29,480 --> 00:20:32,960
Speaker 1: real quick. He went to jail. Is that it or

453
00:20:32,960 --> 00:20:35,400
Speaker 1: something like that? Yeah? Yeah, So I was like InCAR

454
00:20:35,440 --> 00:20:38,080
Speaker 1: started from the time I was eighteen to twenty four

455
00:20:38,359 --> 00:20:40,000
Speaker 1: and I was out for like a couple of months.

456
00:20:40,200 --> 00:20:42,280
Speaker 1: I was on bail. I caught like a bunch of

457
00:20:42,359 --> 00:20:44,280
Speaker 1: charge I was. I was a young dumbass. And so

458
00:20:44,640 --> 00:20:46,920
Speaker 1: from the time I was like nineteen to twenty four

459
00:20:46,960 --> 00:20:49,359
Speaker 1: hours in prison. Um, so you guys were talking about

460
00:20:49,359 --> 00:20:52,160
Speaker 1: like a jet or whatever, private jet. My first time

461
00:20:52,160 --> 00:20:55,320
Speaker 1: on the plane was kind of jail. Yeah, they were transporting.

462
00:20:55,320 --> 00:20:57,440
Speaker 1: They were transferring to me from so they had due

463
00:20:57,440 --> 00:20:59,560
Speaker 1: to overcrowd in California, they sent us out of state

464
00:20:59,600 --> 00:21:02,600
Speaker 1: to like private presence. Yeah, I was wondering. I wasn't

465
00:21:02,600 --> 00:21:06,080
Speaker 1: one in Arizona. And then they needed transporters to Oklahoma.

466
00:21:07,080 --> 00:21:10,240
Speaker 1: And so did they parole you in Oklahoma? No, they

467
00:21:10,280 --> 00:21:13,360
Speaker 1: have to bring you back to California. So so they

468
00:21:13,400 --> 00:21:16,040
Speaker 1: flew us out to Oklahoma. And I remember like I

469
00:21:16,119 --> 00:21:18,000
Speaker 1: jumped on the plane and I think I said something

470
00:21:18,080 --> 00:21:19,800
Speaker 1: like I remember like all the homies were mad at

471
00:21:19,840 --> 00:21:21,720
Speaker 1: me too, because I said, hey, for what, you know,

472
00:21:21,760 --> 00:21:24,240
Speaker 1: I've never been on the plane before, and my favorite

473
00:21:24,240 --> 00:21:27,960
Speaker 1: movies Labama, and the whole fucking plates turned it looked

474
00:21:27,960 --> 00:21:30,560
Speaker 1: at me. They turned it looked. They just looked at

475
00:21:30,560 --> 00:21:32,119
Speaker 1: me like this, And I was like, I guess what

476
00:21:32,160 --> 00:21:38,760
Speaker 1: my middle name is. I had like I had like

477
00:21:38,840 --> 00:21:40,720
Speaker 1: filevias ordered to fight. They were looking at me like

478
00:21:40,800 --> 00:21:42,959
Speaker 1: for real, fool, Yeah, like you really want to do this, you'

479
00:21:44,440 --> 00:21:46,520
Speaker 1: I gotta put that carm on. And I had never

480
00:21:46,600 --> 00:21:48,320
Speaker 1: I had never like I've never been on a plane.

481
00:21:48,320 --> 00:21:50,120
Speaker 1: But I remember like they fed as kind of cool,

482
00:21:50,200 --> 00:21:52,359
Speaker 1: which is a big deal. And anytime you get decent food.

483
00:21:52,400 --> 00:21:54,480
Speaker 1: We had like subway sandwiches. We were geeked about that.

484
00:21:54,800 --> 00:21:58,360
Speaker 1: And the in flight movie was um the Tourist when

485
00:21:58,440 --> 00:22:01,800
Speaker 1: Johnny Depp and Angeline and Jelly. That was cool. Yeah. Yeah,

486
00:22:01,840 --> 00:22:03,720
Speaker 1: you got to really get what you get. Hit for

487
00:22:04,560 --> 00:22:09,240
Speaker 1: um from my turn for five years, robbery, conspiracy to

488
00:22:09,320 --> 00:22:13,240
Speaker 1: admit a crime, Salter in Peace, Officer and um. And

489
00:22:13,280 --> 00:22:17,120
Speaker 1: then I had another suspended sentence for a carjacking. So

490
00:22:17,480 --> 00:22:19,720
Speaker 1: so so the fun childhood ship. I was a real dumbass.

491
00:22:19,800 --> 00:22:26,120
Speaker 1: Yeah yeah, so how's life now? Life is life? Is good? Man? Better?

492
00:22:26,119 --> 00:22:30,520
Speaker 1: Are you doing better? No? A thousand percent? So like, um,

493
00:22:30,560 --> 00:22:34,679
Speaker 1: I proled in twelve actually and UM, my focus was

494
00:22:34,760 --> 00:22:37,760
Speaker 1: like trying to I have I have a daughter, so

495
00:22:37,840 --> 00:22:39,560
Speaker 1: my focus was trying to be there for my daughter.

496
00:22:39,680 --> 00:22:42,080
Speaker 1: And then they make music so like you were talking

497
00:22:42,119 --> 00:22:45,280
Speaker 1: about like a modern day slavery writing on the wall

498
00:22:45,280 --> 00:22:47,679
Speaker 1: that those were all songs like I did in my

499
00:22:47,760 --> 00:22:52,040
Speaker 1: run from like to like. Um, I was fighting for

500
00:22:52,080 --> 00:22:54,879
Speaker 1: custody and my daughter and UM, I was dealing with

501
00:22:54,920 --> 00:22:56,520
Speaker 1: a lot in court. I had done a song called

502
00:22:56,560 --> 00:22:58,719
Speaker 1: started Right. I was very careful about my music when

503
00:22:58,760 --> 00:23:00,400
Speaker 1: I first came home. I wanted to talk my ship

504
00:23:00,560 --> 00:23:02,280
Speaker 1: like I'm fresh out, look at me. But I was

505
00:23:02,320 --> 00:23:04,399
Speaker 1: careful because I was trying to get custody of my daughter.

506
00:23:04,760 --> 00:23:06,959
Speaker 1: So I did a song called started Ride, just as

507
00:23:06,960 --> 00:23:09,159
Speaker 1: an example, and they told me that I had my

508
00:23:09,240 --> 00:23:11,080
Speaker 1: daughter at a at a video shoot where I was

509
00:23:11,119 --> 00:23:13,679
Speaker 1: promoted because the song is kind of like revolutionary, kind

510
00:23:13,720 --> 00:23:17,359
Speaker 1: of you know, uh, anti police brutality song. They told

511
00:23:17,400 --> 00:23:19,280
Speaker 1: me I had my daughter at a because she was

512
00:23:19,320 --> 00:23:21,080
Speaker 1: there on set, but like I had her kind of

513
00:23:21,119 --> 00:23:23,040
Speaker 1: like in a back areas my day, you know what

514
00:23:23,080 --> 00:23:24,800
Speaker 1: I'm saying. So I had her, but I had her

515
00:23:24,880 --> 00:23:27,480
Speaker 1: kind of like set apart with her own little babysitter

516
00:23:27,520 --> 00:23:30,200
Speaker 1: for the day, you know what I'm saying. And they

517
00:23:30,240 --> 00:23:32,320
Speaker 1: told me I had her. They told me I had

518
00:23:32,359 --> 00:23:34,200
Speaker 1: her at a video shoot. First they trying to say

519
00:23:34,200 --> 00:23:36,280
Speaker 1: I had a video shoot with like naked women, and

520
00:23:36,320 --> 00:23:38,639
Speaker 1: I was like, no, I didn't. Then here's the video.

521
00:23:38,760 --> 00:23:40,159
Speaker 1: So then they said, oh, so you had her at

522
00:23:40,359 --> 00:23:43,920
Speaker 1: a video shoot where you were advocating violence against police officers,

523
00:23:44,440 --> 00:23:46,359
Speaker 1: and I was like, well, that's what we're doing. So

524
00:23:46,480 --> 00:23:48,840
Speaker 1: at a certain point it became like I'm trying to

525
00:23:48,920 --> 00:23:51,040
Speaker 1: make music because it's the one way that I know,

526
00:23:51,640 --> 00:23:53,720
Speaker 1: like legally, I feel like I'm good enough to make

527
00:23:53,760 --> 00:23:55,919
Speaker 1: a difference in my child's life. But if they're going

528
00:23:55,960 --> 00:23:58,080
Speaker 1: to use that ship against me, like, what's the point

529
00:23:58,080 --> 00:24:01,359
Speaker 1: what saying? So so I had kind of pulled back

530
00:24:01,400 --> 00:24:03,399
Speaker 1: and like, you know, I had a decent day job whatever.

531
00:24:04,119 --> 00:24:07,040
Speaker 1: I had pulled back from making music. And then when

532
00:24:07,040 --> 00:24:10,120
Speaker 1: I got custody, other like, I kind of doubled down.

533
00:24:10,160 --> 00:24:12,800
Speaker 1: You know. I talk to my lady, I talked to

534
00:24:12,840 --> 00:24:15,200
Speaker 1: my daughter about it, like, look, I probably got one

535
00:24:15,240 --> 00:24:17,480
Speaker 1: more push at this, you know, I want I would

536
00:24:17,560 --> 00:24:20,159
Speaker 1: like to try to what do you guys think, you know?

537
00:24:20,200 --> 00:24:22,880
Speaker 1: And they were just like whatever, because I had been

538
00:24:22,880 --> 00:24:24,840
Speaker 1: trying to do it for so long, it's probably to

539
00:24:24,920 --> 00:24:28,119
Speaker 1: them they were let him keep doing his hobby, you know, no,

540
00:24:28,280 --> 00:24:29,719
Speaker 1: not not even give up, just like let him keep

541
00:24:31,200 --> 00:24:34,399
Speaker 1: what I'm saying. And so I just I ken't like,

542
00:24:34,480 --> 00:24:37,720
Speaker 1: he's got a mike in the back and he's fine.

543
00:24:37,760 --> 00:24:39,800
Speaker 1: Let him keep doing this thing. He might buy a

544
00:24:39,840 --> 00:24:42,040
Speaker 1: new a couple of little things here, right, And so

545
00:24:42,080 --> 00:24:43,640
Speaker 1: I just kind of kept pushing at it, and then

546
00:24:43,640 --> 00:24:46,440
Speaker 1: the idea for forty on Fridays came about my boy

547
00:24:46,560 --> 00:24:49,919
Speaker 1: urban from from all angles. Uh he had uh, he

548
00:24:49,960 --> 00:24:52,200
Speaker 1: had shot me some beats, like, bro, you can't quit music.

549
00:24:52,240 --> 00:24:54,479
Speaker 1: I got some dope here. You would sound dope on this.

550
00:24:54,840 --> 00:24:56,920
Speaker 1: So we started recording music, and we're trying to figure

551
00:24:56,920 --> 00:24:59,200
Speaker 1: out how we could promote the music. At that time,

552
00:24:59,240 --> 00:25:02,240
Speaker 1: I was read typically like unknown, you know. So I

553
00:25:02,280 --> 00:25:04,359
Speaker 1: was like, hey, people like when I get drunk and

554
00:25:04,359 --> 00:25:07,080
Speaker 1: talk shit. So because I had had a video, it

555
00:25:07,119 --> 00:25:09,280
Speaker 1: went crazy on TikTok for me. Some years later, but

556
00:25:09,320 --> 00:25:11,520
Speaker 1: I had a video called buzz Bars. It was me

557
00:25:11,560 --> 00:25:14,080
Speaker 1: and my in my boys living room, and I thought

558
00:25:14,119 --> 00:25:16,359
Speaker 1: at that time I was like quitting music. So I

559
00:25:16,480 --> 00:25:18,320
Speaker 1: wanted to get these bars off and record them and

560
00:25:18,320 --> 00:25:20,400
Speaker 1: put them up. So I told my boy, let me wrap,

561
00:25:20,480 --> 00:25:23,159
Speaker 1: Let me wrap. It was four twenty. Actually, these fools

562
00:25:23,160 --> 00:25:25,399
Speaker 1: are like ripped clearing big gas bonds. I got the

563
00:25:25,400 --> 00:25:27,920
Speaker 1: whole apartment cloudy. I'm like, I'm getting I'm catching the

564
00:25:28,000 --> 00:25:30,119
Speaker 1: contact and I'm like, I even I wasn't even smoking

565
00:25:30,119 --> 00:25:32,119
Speaker 1: because I was drinking. I was trying to chill, and

566
00:25:32,240 --> 00:25:35,800
Speaker 1: I got like really really faded. I'm rapping, like like

567
00:25:35,880 --> 00:25:37,639
Speaker 1: I don't even remember doing it. The next day, I

568
00:25:37,680 --> 00:25:40,000
Speaker 1: asked my lady like, Hey, was I rapping last night? Yea, yeah,

569
00:25:40,000 --> 00:25:42,399
Speaker 1: they were recording you like, look at your phone. So

570
00:25:42,440 --> 00:25:44,200
Speaker 1: then I checked my phone and I was like, holy

571
00:25:44,200 --> 00:25:46,560
Speaker 1: sh it, this looks fuck dope. I put it on

572
00:25:46,560 --> 00:25:48,920
Speaker 1: my Facebook. It did like I don't know, maybe like

573
00:25:48,960 --> 00:25:51,119
Speaker 1: fifteen thousand views on my Facebook, like on my personal

574
00:25:51,200 --> 00:25:55,480
Speaker 1: Facebook page. Yeah, and so people. I was like, damn,

575
00:25:55,720 --> 00:25:58,720
Speaker 1: people really like that. So, you know, fast forward when

576
00:25:58,720 --> 00:26:00,399
Speaker 1: we're talking about trying to do something then like a

577
00:26:00,600 --> 00:26:03,200
Speaker 1: like to promote the album. I was like, we had,

578
00:26:03,280 --> 00:26:04,840
Speaker 1: you know, this, this group of songs we wanted to

579
00:26:04,840 --> 00:26:06,800
Speaker 1: put out. I was like, hey, what if we did

580
00:26:06,800 --> 00:26:09,800
Speaker 1: something called forty on Fridays? You know where I kill

581
00:26:09,840 --> 00:26:11,680
Speaker 1: a forty, I'll pick a classic rap beat, I'll wrap

582
00:26:11,760 --> 00:26:15,520
Speaker 1: over my boys like that. Shi it sounds dope. Let's go. So,

583
00:26:15,920 --> 00:26:18,000
Speaker 1: but do you really kill the forty every week? Every

584
00:26:18,000 --> 00:26:23,720
Speaker 1: single week? I got My wife could have tested it.

585
00:26:23,840 --> 00:26:26,960
Speaker 1: I got a hundred and seventy one empty forty bottles,

586
00:26:26,960 --> 00:26:29,280
Speaker 1: not all in my path, but like my boys at

587
00:26:29,320 --> 00:26:33,040
Speaker 1: my boys studio, Um, he's got like fifty some at

588
00:26:33,040 --> 00:26:36,320
Speaker 1: the latest location we've been at. I probably yeah, and

589
00:26:36,520 --> 00:26:38,080
Speaker 1: now you're gonna sign him and sell him when you

590
00:26:38,080 --> 00:26:39,959
Speaker 1: get when you get popped, and that's the plan. Ye

591
00:26:42,000 --> 00:26:44,000
Speaker 1: did I just throw that out there? You had something

592
00:26:44,040 --> 00:26:46,840
Speaker 1: like that. I've got like I've got a lot of them.

593
00:26:46,880 --> 00:26:48,600
Speaker 1: Like the first ones, they are all signed and dated,

594
00:26:49,320 --> 00:26:51,159
Speaker 1: but like some of these newer ones is like I

595
00:26:51,240 --> 00:26:54,720
Speaker 1: killed forty you know, keeps signing them a dating. But

596
00:26:54,800 --> 00:26:59,280
Speaker 1: it's crazy because it's crazy because, um, we had one

597
00:26:59,320 --> 00:27:01,240
Speaker 1: of my boys that uses the same studio that I

598
00:27:01,280 --> 00:27:04,879
Speaker 1: record forty on Friday's out of now. Um he goes

599
00:27:04,960 --> 00:27:07,000
Speaker 1: and he's like, hey, if anybody wanted to know forty

600
00:27:07,040 --> 00:27:09,200
Speaker 1: on Friday's legit, look at this ship he turned it

601
00:27:09,400 --> 00:27:11,640
Speaker 1: just like a wall of forty. Yeah, you're like, this

602
00:27:11,680 --> 00:27:14,000
Speaker 1: is fucking crazy because I didn't think he really did this.

603
00:27:14,080 --> 00:27:15,879
Speaker 1: And the moody to come here and rip one one

604
00:27:15,960 --> 00:27:18,439
Speaker 1: day on the Friday just drink, I would be honest.

605
00:27:19,040 --> 00:27:21,800
Speaker 1: Now you do tomorrow. What's what day is this Friday?

606
00:27:21,960 --> 00:27:24,280
Speaker 1: This Friday? We're here, right, we're here. You should come

607
00:27:24,320 --> 00:27:26,320
Speaker 1: here on Friday. What you're doing, Well, he's gotta he's

608
00:27:26,320 --> 00:27:29,280
Speaker 1: gotta just bring How do you do it live on

609
00:27:29,280 --> 00:27:31,600
Speaker 1: the phone, which we could do it after hours. Yeah,

610
00:27:31,320 --> 00:27:33,240
Speaker 1: we can get it done. We can do show. We

611
00:27:33,240 --> 00:27:34,840
Speaker 1: can do it today and we keep the footage. Yeah,

612
00:27:36,840 --> 00:27:39,359
Speaker 1: right now and here we can sign Cannabis Talk one

613
00:27:39,400 --> 00:27:42,680
Speaker 1: on cannabis hang it in the walls. Why not, let's

614
00:27:42,680 --> 00:27:45,200
Speaker 1: break real quick. We're gonna come back. It's Hazard Cannabis

615
00:27:45,240 --> 00:27:46,800
Speaker 1: Talk one on one. We're gonna come. I still need

616
00:27:46,840 --> 00:27:48,440
Speaker 1: to beat box for you. Just hear you rip and flow,

617
00:27:48,480 --> 00:27:49,879
Speaker 1: because you know, I still got a little something in

618
00:27:49,880 --> 00:27:52,520
Speaker 1: my chamber. I might have a little something. Ma. It's

619
00:27:52,520 --> 00:27:54,320
Speaker 1: Cannabis Talk one on one. We were right back after

620
00:27:56,359 --> 00:28:00,440
Speaker 1: keep it locked. We'll be right back with Cannabis Talk No. One.

621
00:28:11,560 --> 00:28:14,399
Speaker 1: Welcome back to Cannabis Talk one oh one. Are you

622
00:28:14,440 --> 00:28:17,080
Speaker 1: ready for the biggest concert of the year. It's the

623
00:28:17,160 --> 00:28:23,640
Speaker 1: Burning Trees August seven, folks in Adelanto, California, performing live

624
00:28:23,720 --> 00:28:27,640
Speaker 1: on stage. It's the boss Man himself, Rich Cross, Ludicrous

625
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Speaker 1: Buster Rhymes, Big Draco, a k A. Soldier Boy, Too Short,

626
00:28:32,800 --> 00:28:36,200
Speaker 1: Havoc from the Infamous Mob, Deep Extra, the Z Exhibit,

627
00:28:36,600 --> 00:28:39,440
Speaker 1: and Corrupt Young Gotti from the Dog Pound, all live

628
00:28:39,520 --> 00:28:43,720
Speaker 1: on stage August Attlanto Plaza and Events Center. Plus. You

629
00:28:43,760 --> 00:28:46,239
Speaker 1: know we've got that World Series of Cannabis presented by

630
00:28:46,280 --> 00:28:49,840
Speaker 1: cann x is I Heart Radio's Cannabis Talk, one oh one,

631
00:28:49,960 --> 00:28:55,320
Speaker 1: Game Day, Green Holdies, Group Dudes, the Blacklist and weed Maps.

632
00:28:55,320 --> 00:28:57,760
Speaker 1: For tickets go to can Xus dot com, at C

633
00:28:58,040 --> 00:29:02,120
Speaker 1: A N and e x S dot com and out

634
00:29:02,200 --> 00:29:05,120
Speaker 1: of butter I Fire. You know what I'm saying, all

635
00:29:05,160 --> 00:29:08,680
Speaker 1: the you know, weed maps obviously, UM, you know all

636
00:29:08,720 --> 00:29:11,200
Speaker 1: the people that have been supporting us on this that

637
00:29:11,240 --> 00:29:13,880
Speaker 1: are really coming through for us. Uh, you know, for me,

638
00:29:14,240 --> 00:29:16,880
Speaker 1: I just want to say that, you know, Um, it's

639
00:29:16,960 --> 00:29:19,520
Speaker 1: it's such a blessing to have the whole industry behind

640
00:29:19,600 --> 00:29:22,200
Speaker 1: us right now. Uh, you know how difficult it is

641
00:29:22,280 --> 00:29:24,200
Speaker 1: that you know, it's been shout out to Keith Allen,

642
00:29:24,280 --> 00:29:26,920
Speaker 1: the G four people for Puss, to Brothers, a lot

643
00:29:26,960 --> 00:29:29,680
Speaker 1: of brothers, everybody helping us out, coming together, Everybody at

644
00:29:29,680 --> 00:29:32,040
Speaker 1: I Heeart that's doing so much, Heart Kid, j at KG,

645
00:29:32,200 --> 00:29:36,560
Speaker 1: g Ennickers, Jennifer doing so much over their eman at

646
00:29:36,640 --> 00:29:40,320
Speaker 1: Power one oh six boys coming on board right now,

647
00:29:40,840 --> 00:29:43,280
Speaker 1: everybody everybody sold me oh from the good Fellows, It's

648
00:29:43,280 --> 00:29:45,840
Speaker 1: gonna be up. Romeo is a good dude. I've met Romeo.

649
00:29:45,920 --> 00:29:49,240
Speaker 1: Romeo was supposed to be DJ. Was here at my

650
00:29:49,280 --> 00:29:51,480
Speaker 1: birthday party. Here too, so the good fellows like what

651
00:29:51,600 --> 00:29:54,320
Speaker 1: I mean, Yeah, Baker boys, Baker we gotta convite them

652
00:29:54,320 --> 00:29:55,960
Speaker 1: to think. You know what I was thinking about. We

653
00:29:56,000 --> 00:29:57,920
Speaker 1: need to tell Big Boy we should do a reunion

654
00:29:58,000 --> 00:29:59,680
Speaker 1: since it's all these old scords like that would do

655
00:29:59,760 --> 00:30:04,000
Speaker 1: Big Boy, Me, Fuzzy, Liz and and you ready for this?

656
00:30:04,000 --> 00:30:06,840
Speaker 1: Why it's a big deal because Big and Eman. We'll

657
00:30:06,840 --> 00:30:09,920
Speaker 1: get him a private vehicle. But Big and Eman two

658
00:30:09,960 --> 00:30:12,960
Speaker 1: different companies now because Email is now the program director

659
00:30:13,400 --> 00:30:17,600
Speaker 1: for Power Richard Marillo, Big Big Sound Real ninety two three,

660
00:30:17,600 --> 00:30:19,840
Speaker 1: which is my heart. So we do a picture on

661
00:30:19,960 --> 00:30:22,960
Speaker 1: stage together. It's ever reunited. You know what I'm saying.

662
00:30:22,960 --> 00:30:24,760
Speaker 1: I want to make that happen. Is that Big and

663
00:30:24,760 --> 00:30:26,720
Speaker 1: You ready for this? I want you to take the

664
00:30:26,760 --> 00:30:28,800
Speaker 1: picture because you're gonna be on stage with me and

665
00:30:28,840 --> 00:30:30,960
Speaker 1: my boys going, you guys want to reunite? Get one.

666
00:30:31,040 --> 00:30:34,160
Speaker 1: I'm call Liz, call Fuzzy, put the fours up for

667
00:30:34,160 --> 00:30:37,680
Speaker 1: you exactly and you know, and you're gonna take the picture, going,

668
00:30:37,680 --> 00:30:40,320
Speaker 1: guys off us five of ups on say yeah, let's go. Okay,

669
00:30:40,600 --> 00:30:43,600
Speaker 1: it's just so random idea with you too, though, we

670
00:30:43,640 --> 00:30:45,560
Speaker 1: need that one too. I just thought that I think

671
00:30:45,560 --> 00:30:48,920
Speaker 1: before when I just thought that stage together good idea.

672
00:30:49,040 --> 00:30:51,160
Speaker 1: I think it would be fantastic and present an artist

673
00:30:51,160 --> 00:30:53,000
Speaker 1: and say hey, I don't stage and reunited big boy

674
00:30:53,400 --> 00:30:56,440
Speaker 1: and and the current borhood as well with big Boys

675
00:30:56,800 --> 00:30:59,600
Speaker 1: just you know, but to reunite over everybody from his neighborhood,

676
00:30:59,600 --> 00:31:01,080
Speaker 1: and that would be epic. I mean, if he had

677
00:31:01,080 --> 00:31:04,120
Speaker 1: a picture pull off, I'll even get Seawan Wan and

678
00:31:04,280 --> 00:31:08,400
Speaker 1: DJ Ray the original fucking Big Boys neighborhood. That would

679
00:31:08,440 --> 00:31:11,560
Speaker 1: be so dope. Have us all up there just like

680
00:31:11,640 --> 00:31:13,959
Speaker 1: that happened. That all being said to staff, to thinking everybody,

681
00:31:13,960 --> 00:31:15,880
Speaker 1: I appreciate each and every one of you, as I

682
00:31:15,920 --> 00:31:18,440
Speaker 1: just stared in the Pitt's eyes. But Jan Erica, Daniel

683
00:31:18,520 --> 00:31:22,120
Speaker 1: cal Christian, keep making those videos, dog, both Christian and Christian,

684
00:31:22,680 --> 00:31:28,520
Speaker 1: Danny p fun Connor, Daniel Sagar, Jessica Cash, Cam Camberly,

685
00:31:28,600 --> 00:31:33,320
Speaker 1: Isaiah's Lard, Nadia, Ali Pitt, Devin, Chris Frankino, Jennifer and

686
00:31:33,360 --> 00:31:37,040
Speaker 1: Elvis and of course Mark and Horne Hair or Buss

687
00:31:37,120 --> 00:31:40,480
Speaker 1: Gold here look at him South, what about me? Hord here? Thanks,

688
00:31:42,000 --> 00:31:44,400
Speaker 1: that's our guy there. That all being said, it's it's

689
00:31:44,440 --> 00:31:49,000
Speaker 1: the dream work that makes the team work. Y baby, Daniel.

690
00:31:49,240 --> 00:31:50,680
Speaker 1: You know, I just want to say, Orry, Hey came

691
00:31:50,680 --> 00:31:53,160
Speaker 1: out to me and he goes. He says, who's Cameroon?

692
00:31:54,640 --> 00:32:00,040
Speaker 1: Cameroon Cameron? Because he says, who's the shrimp? Why? And

693
00:32:00,120 --> 00:32:02,200
Speaker 1: I just say Christians. That's so funked up. I thought

694
00:32:02,200 --> 00:32:04,880
Speaker 1: he's talking about Christians. I was like, why is he

695
00:32:04,920 --> 00:32:08,760
Speaker 1: talking smack about Christians? He said, he found a business

696
00:32:08,800 --> 00:32:11,000
Speaker 1: card on on the on the on the table, and

697
00:32:11,640 --> 00:32:19,200
Speaker 1: who's caming on? Cam's shrimp and favor? Next time you

698
00:32:19,240 --> 00:32:21,120
Speaker 1: tell him that, he tell him to pick up that

699
00:32:21,160 --> 00:32:22,840
Speaker 1: card that he left on the floor, because I'm the

700
00:32:22,880 --> 00:32:24,160
Speaker 1: one who threw it away. I was gonna put on

701
00:32:24,240 --> 00:32:28,560
Speaker 1: camps desk the shrip. Oh that's a hazard if I've

702
00:32:28,560 --> 00:32:31,040
Speaker 1: ever heard of that. All being said, we have Hazzard

703
00:32:31,040 --> 00:32:33,760
Speaker 1: here in the building with us. See how you yeah? Man?

704
00:32:33,840 --> 00:32:36,520
Speaker 1: And watch this man? So so, Joe, it was talking

705
00:32:36,560 --> 00:32:38,760
Speaker 1: about the boxing and you were gonna free style. You

706
00:32:38,800 --> 00:32:40,360
Speaker 1: got one in and you think you could just go

707
00:32:40,480 --> 00:32:42,600
Speaker 1: around the room and just make it ready. Okay, so

708
00:32:42,680 --> 00:32:44,560
Speaker 1: let me wet the lips a little bit, he said.

709
00:32:44,640 --> 00:32:47,560
Speaker 1: Let me just as we get to talk in a

710
00:32:47,640 --> 00:32:49,240
Speaker 1: wrapping and talking, I'm gonna give you a little beat

711
00:32:49,280 --> 00:33:02,040
Speaker 1: that I think will be something special. Two three to one, Yeah,

712
00:33:02,360 --> 00:33:06,640
Speaker 1: blood blood blood Yo. It has into the mic. Who

713
00:33:06,720 --> 00:33:11,200
Speaker 1: you know were candidates taught studios. I'm I'm all ce,

714
00:33:11,600 --> 00:33:14,080
Speaker 1: don't test me. He's from the even mr h A

715
00:33:14,200 --> 00:33:17,840
Speaker 1: Z E r D to the m I C look

716
00:33:18,600 --> 00:33:21,960
Speaker 1: here we here, we gonna listen. One to three my

717
00:33:22,040 --> 00:33:24,360
Speaker 1: command of the English language that you wallow win in English,

718
00:33:24,400 --> 00:33:26,480
Speaker 1: took the bottle to the danger and swallowing my anger

719
00:33:26,520 --> 00:33:28,160
Speaker 1: because because of they'll be out to be wrapped seven

720
00:33:28,200 --> 00:33:30,000
Speaker 1: days without to be begging you to battle me. You're

721
00:33:30,000 --> 00:33:32,280
Speaker 1: never gonna rabble me. Never hasnit taken when it's the

722
00:33:32,320 --> 00:33:36,480
Speaker 1: gating one second right in head, never hesitate and win.

723
00:33:36,520 --> 00:33:38,400
Speaker 1: This's the gating one second right in the poems casting

724
00:33:38,480 --> 00:33:40,480
Speaker 1: Hayden's memory, I'm replacing with the name is facing, I

725
00:33:40,480 --> 00:33:42,880
Speaker 1: don't care face, and just know that I will replacing

726
00:33:42,920 --> 00:33:45,280
Speaker 1: them in mccollumn winds and then she problem begins as

727
00:33:45,320 --> 00:33:48,680
Speaker 1: soon as I'm prob in my pen. Look, you said,

728
00:33:48,680 --> 00:33:51,680
Speaker 1: go around the room, keep you can keep it going.

729
00:33:51,720 --> 00:33:56,520
Speaker 1: You said breathe. You said exactly, he needs to breathe

730
00:33:57,360 --> 00:33:59,600
Speaker 1: the longest be bucks I read for a minute. Dog

731
00:33:59,640 --> 00:34:05,280
Speaker 1: I can't. Let's called through it. I can, fella, you said,

732
00:34:05,320 --> 00:34:07,520
Speaker 1: go all around the room because the fellows hurt. Shouts

733
00:34:07,520 --> 00:34:10,239
Speaker 1: to the dude work in the camera in the yellow shirt. Um,

734
00:34:10,239 --> 00:34:12,799
Speaker 1: I'm looking at the screen. I see us three. It's

735
00:34:12,960 --> 00:34:14,799
Speaker 1: has it to the m I see a real m

736
00:34:14,840 --> 00:34:17,480
Speaker 1: C And shouts to the dude in the back with

737
00:34:17,520 --> 00:34:20,279
Speaker 1: the glasses. I forget his name. I don't need my

738
00:34:20,400 --> 00:34:25,000
Speaker 1: ass kick, Daniel Sotton. We got the same government. I'm

739
00:34:25,080 --> 00:34:27,600
Speaker 1: running this. Here we go. I'm loving this. This ship

740
00:34:27,640 --> 00:34:30,000
Speaker 1: is all off the top. It's easy. I'm all off

741
00:34:30,040 --> 00:34:32,839
Speaker 1: the whip. I am zaney um off the craney. Um.

742
00:34:32,840 --> 00:34:36,440
Speaker 1: What's the gentleman's name? To the left, pit pit pit

743
00:34:36,280 --> 00:34:39,280
Speaker 1: pit pit? Looks like he sells insurance over the phone?

744
00:34:40,000 --> 00:34:51,200
Speaker 1: Has it to the microphone? Now the now. The dude

745
00:34:51,239 --> 00:34:52,879
Speaker 1: to the right, he won't give me some hell son,

746
00:34:52,920 --> 00:34:55,399
Speaker 1: because if you look at him, he looks like Maxwell's son.

747
00:34:55,680 --> 00:35:00,920
Speaker 1: That is a good one for real, though it's not

748
00:35:01,000 --> 00:35:02,919
Speaker 1: even a far reach. She looks like he would suck

749
00:35:03,000 --> 00:35:06,239
Speaker 1: him an India r read that not even that's not

750
00:35:06,320 --> 00:35:10,239
Speaker 1: even a disk dog. She looks like she would be

751
00:35:10,280 --> 00:35:12,480
Speaker 1: your type. You know, this is has it to the microphone,

752
00:35:12,480 --> 00:35:14,279
Speaker 1: and I ain't even got a right I see the

753
00:35:14,360 --> 00:35:18,200
Speaker 1: dude hunched down right below the computer minded and hold

754
00:35:18,239 --> 00:35:22,600
Speaker 1: on one second, what am I calling? Up? Here? We go?

755
00:35:22,800 --> 00:35:25,080
Speaker 1: I'm sorry, dog hits you at hurts, but he looks

756
00:35:25,080 --> 00:35:32,840
Speaker 1: like a West Coast version of Joe Dirt bad. I

757
00:35:32,880 --> 00:35:34,839
Speaker 1: don't mean not bad. I didn't mean to give you

758
00:35:34,880 --> 00:35:37,720
Speaker 1: that suck attack. You could have got away with that beard,

759
00:35:37,719 --> 00:35:45,040
Speaker 1: but you capped it off with the trucker head. Hold

760
00:35:45,080 --> 00:35:55,600
Speaker 1: on one second, let me let me go ahead, go ahead, Christian, Oh,

761
00:35:56,239 --> 00:35:57,680
Speaker 1: I gotta give it to you, though. I gotta give

762
00:35:57,719 --> 00:35:59,160
Speaker 1: it to you stood up from in front of the

763
00:35:59,200 --> 00:36:02,759
Speaker 1: TV screen. I don't mean to be me. We're in

764
00:36:02,760 --> 00:36:05,840
Speaker 1: Orange County. You got like Huntington's beach. He looks like

765
00:36:05,880 --> 00:36:14,520
Speaker 1: a miniature version of Screech. He really does. But one second,

766
00:36:14,600 --> 00:36:17,320
Speaker 1: one second, you know that comparison was heaven sent because

767
00:36:17,320 --> 00:36:24,600
Speaker 1: he looks like Screech of Screech was an immigrant hazard,

768
00:36:25,200 --> 00:36:27,800
Speaker 1: nothing but respect. It just flows off of the chest.

769
00:36:31,480 --> 00:36:35,200
Speaker 1: Give it up for hazard, boy. I mean I came

770
00:36:35,239 --> 00:36:37,080
Speaker 1: to play have fun in the sun with you. I'm

771
00:36:37,080 --> 00:36:39,480
Speaker 1: Big Joe, the last born son. This is my boo

772
00:36:39,640 --> 00:36:42,600
Speaker 1: boy Blue. I tried to keep going hard, but I

773
00:36:42,880 --> 00:36:45,280
Speaker 1: check it out. I see has it on my left

774
00:36:45,320 --> 00:36:47,719
Speaker 1: doing it real. Big Joe grand is on the mic,

775
00:36:47,840 --> 00:36:50,879
Speaker 1: just like the old kid, still stretching it back. Got

776
00:36:50,880 --> 00:36:53,680
Speaker 1: the homie Danny Mack. The homie pits to the side

777
00:36:53,719 --> 00:36:57,200
Speaker 1: holding his hat back, and I'm just kicking it the

778
00:36:57,520 --> 00:37:00,120
Speaker 1: slinky flow like has it on the mic. I'm want

779
00:37:00,160 --> 00:37:02,960
Speaker 1: to keep it all on row now, backing up, backing up,

780
00:37:03,000 --> 00:37:05,200
Speaker 1: singing one one time. Now Blue was on the mic,

781
00:37:05,280 --> 00:37:08,719
Speaker 1: and I set the funk up as he shut up,

782
00:37:08,920 --> 00:37:10,920
Speaker 1: and as I go one back one time, I like

783
00:37:11,000 --> 00:37:12,719
Speaker 1: to give a beat back and just give it one

784
00:37:12,719 --> 00:37:18,120
Speaker 1: more time and here we go. Hey, that was fun, man,

785
00:37:18,160 --> 00:37:20,759
Speaker 1: It's so good that that had to that that hip

786
00:37:20,840 --> 00:37:24,120
Speaker 1: hop style, because that's what we come from. Dog back Blue.

787
00:37:24,120 --> 00:37:26,640
Speaker 1: When I were talking about doing something like roll called

788
00:37:26,719 --> 00:37:32,040
Speaker 1: type fund ship, but this is like like we you

789
00:37:32,040 --> 00:37:34,920
Speaker 1: you're doing that is is our vibe? Doctor. We like

790
00:37:35,719 --> 00:37:38,000
Speaker 1: And I don't even say I like. I say we're

791
00:37:38,040 --> 00:37:40,640
Speaker 1: so in tune that I can say we like this.

792
00:37:41,080 --> 00:37:44,360
Speaker 1: Knowing Christopher Wright and Joseph p Flipez this, you know

793
00:37:44,400 --> 00:37:46,160
Speaker 1: what I really want to do though, because because we

794
00:37:46,239 --> 00:37:48,319
Speaker 1: put you on the spot man and pressure with like that,

795
00:37:48,360 --> 00:37:49,759
Speaker 1: and I really want to hear. Just give us an

796
00:37:49,800 --> 00:37:53,359
Speaker 1: acapella man, just something, something that you got ten bars, eight,

797
00:37:53,400 --> 00:37:55,920
Speaker 1: sixteen bars something, Just acapella ball, shut up and just

798
00:37:56,000 --> 00:38:04,400
Speaker 1: let you flow. Um wait, wait, I'm kidding, Just all right,

799
00:38:04,480 --> 00:38:07,200
Speaker 1: let's go. Come on. I'm from the side of town

800
00:38:07,239 --> 00:38:09,640
Speaker 1: with tadd I voppers a ride around six deep and

801
00:38:09,680 --> 00:38:12,160
Speaker 1: a five seed and hoping they arrivals out grip heat

802
00:38:12,239 --> 00:38:14,720
Speaker 1: to their four fingers, carry out riders now and mistreat

803
00:38:14,800 --> 00:38:16,960
Speaker 1: Carmen until that bitch want to buy them foul. But

804
00:38:17,080 --> 00:38:19,480
Speaker 1: quiet down. This isn't me glorifying how we live a

805
00:38:19,480 --> 00:38:22,600
Speaker 1: lifestyle that's practically suicide or now, because honestly, we ain't

806
00:38:22,640 --> 00:38:24,719
Speaker 1: killing ship, but our damn selves putting each other in

807
00:38:24,760 --> 00:38:27,239
Speaker 1: early graves of that damn cell. And it's a damn

808
00:38:27,280 --> 00:38:29,640
Speaker 1: hell when you're doing that, damn l waking up every

809
00:38:29,640 --> 00:38:32,080
Speaker 1: morning knowing, damn well, if you ain't going home, no

810
00:38:32,160 --> 00:38:34,040
Speaker 1: chance to parole. Have you ever had to glance at

811
00:38:34,080 --> 00:38:36,160
Speaker 1: the man with no soul? I've seen it too many

812
00:38:36,160 --> 00:38:37,600
Speaker 1: times when I was in the pen with it. You

813
00:38:37,640 --> 00:38:40,120
Speaker 1: lose the way to live with consecutive life sentences. They're

814
00:38:40,120 --> 00:38:42,719
Speaker 1: missing they loved once they're missing the loved ones to

815
00:38:42,760 --> 00:38:44,640
Speaker 1: tat them on the pendages until they buy a Grammar

816
00:38:44,719 --> 00:38:46,719
Speaker 1: Heroin for them to end the ship. I was with

817
00:38:46,760 --> 00:38:49,319
Speaker 1: the Killers behind Barboy and Fences and wrote so many

818
00:38:49,400 --> 00:38:52,120
Speaker 1: letters home. I perfected my pennanship the other day. My

819
00:38:52,200 --> 00:38:55,240
Speaker 1: coworker complimented it, said I had nice writing and asked

820
00:38:55,239 --> 00:38:57,279
Speaker 1: me how to get the ship. I'm like, damn, Homi,

821
00:38:57,400 --> 00:39:00,360
Speaker 1: if you only knew twenty four hour lockdown sitting in the

822
00:39:00,320 --> 00:39:08,399
Speaker 1: the shoe. Yeah, anyways, hard hard, Hey, that's what's up. Seriously, though,

823
00:39:08,440 --> 00:39:10,880
Speaker 1: thank you for doing what you've done for us. If

824
00:39:10,920 --> 00:39:14,839
Speaker 1: I can self fill see getting candle store water, ripping

825
00:39:14,840 --> 00:39:16,960
Speaker 1: it up with something that we could play on the show,

826
00:39:18,040 --> 00:39:19,160
Speaker 1: I want to do it, you know what I'm saying,

827
00:39:19,360 --> 00:39:20,839
Speaker 1: because that's what I know we could do for you.

828
00:39:22,200 --> 00:39:23,719
Speaker 1: And if that, if you could just rip and have

829
00:39:23,800 --> 00:39:25,680
Speaker 1: some fun. But that might be the intro song. Yeah

830
00:39:25,760 --> 00:39:27,239
Speaker 1: you know what I mean exactly, we might if you

831
00:39:27,360 --> 00:39:29,200
Speaker 1: rip something that's right now. I got you for that,

832
00:39:29,200 --> 00:39:31,520
Speaker 1: that that goes like that rips the show right. Yeah,

833
00:39:31,600 --> 00:39:32,799
Speaker 1: let's do it, you know, I mean, I'll give you

834
00:39:32,800 --> 00:39:34,719
Speaker 1: the elements of the show and what makes something happen

835
00:39:34,800 --> 00:39:37,080
Speaker 1: that being said, Oh that just got me juicy, right

836
00:39:37,520 --> 00:39:42,600
Speaker 1: that another south and I know when you're thinking of

837
00:39:42,680 --> 00:39:44,840
Speaker 1: what I'm thinking that we're gonna. Oh now this is

838
00:39:44,840 --> 00:39:48,319
Speaker 1: gonna be great. Here's my acapella. Ready, let's do it

839
00:39:48,760 --> 00:39:50,840
Speaker 1: all right, here we go, I'm gonna do. What what

840
00:39:50,920 --> 00:39:55,360
Speaker 1: should I do? I'll do. Life is real. So let

841
00:39:55,400 --> 00:39:57,680
Speaker 1: me put the mic I got, I got on one

842
00:39:57,719 --> 00:39:59,480
Speaker 1: to wrap. This is dope. I always take this as

843
00:39:59,480 --> 00:40:02,080
Speaker 1: the ultimate compliment. Yeah, you man, make the old guys wrap.

844
00:40:02,080 --> 00:40:06,120
Speaker 1: It's fun. Now let's go water so yeah, yeah, no,

845
00:40:06,200 --> 00:40:08,279
Speaker 1: I'm good. I'm good. Let me get this out real quick.

846
00:40:08,640 --> 00:40:10,920
Speaker 1: Ye know, this life is real, but it's something that

847
00:40:10,960 --> 00:40:13,000
Speaker 1: you see every day. I'll break it down or make

848
00:40:13,000 --> 00:40:15,799
Speaker 1: it the cookie crumbles that way. Well, if I could,

849
00:40:15,880 --> 00:40:17,439
Speaker 1: I would, but you know I can't. So I try

850
00:40:17,440 --> 00:40:19,319
Speaker 1: and help me in. My whole crew will make it throw.

851
00:40:19,360 --> 00:40:21,640
Speaker 1: And this life is real, but it's something that you

852
00:40:21,719 --> 00:40:23,759
Speaker 1: see every day. I'll break it down or make it

853
00:40:23,800 --> 00:40:26,960
Speaker 1: the cookie crumbles that way. Well, if I could, I would,

854
00:40:26,960 --> 00:40:28,440
Speaker 1: be you know I can't, so I try and help

855
00:40:28,480 --> 00:40:30,560
Speaker 1: me in. My whole crew will make it throw. And survived.

856
00:40:30,719 --> 00:40:33,200
Speaker 1: I understand that it's life that I live. It isn't perfect,

857
00:40:33,200 --> 00:40:35,120
Speaker 1: So tell me what's the purpose walking around here feeling

858
00:40:35,160 --> 00:40:37,600
Speaker 1: worthless about myself? In the crooking hand that I've been dealt.

859
00:40:37,719 --> 00:40:40,040
Speaker 1: Descriptions that were written of emotions that were felt like

860
00:40:40,280 --> 00:40:42,359
Speaker 1: my life can't be explained that even in poetic ways.

861
00:40:42,400 --> 00:40:44,040
Speaker 1: So I'm locked up in the box and steel chopped

862
00:40:44,080 --> 00:40:45,840
Speaker 1: inside of amaze cut in the days when the blunt

863
00:40:45,960 --> 00:40:48,520
Speaker 1: blaze bullets graze. I flipped the page and see these

864
00:40:48,520 --> 00:40:50,640
Speaker 1: gangsters in the war face people out the l a

865
00:40:50,760 --> 00:40:53,440
Speaker 1: times when more cats die, you more cats become convicted

866
00:40:53,480 --> 00:40:56,479
Speaker 1: of more crime, young dumb running the streets after dark,

867
00:40:56,719 --> 00:40:59,319
Speaker 1: scenes of dope things, the homeless, pushing shopping carts, gangs

868
00:40:59,360 --> 00:41:02,000
Speaker 1: the streets, site walking concrete. To me, it seems to

869
00:41:02,000 --> 00:41:04,040
Speaker 1: be the only language I can speak. I'd rather live

870
00:41:04,080 --> 00:41:05,480
Speaker 1: a life on my feet, to live a life on

871
00:41:05,520 --> 00:41:07,279
Speaker 1: my knees. Don't be amazed if I go out in

872
00:41:07,320 --> 00:41:09,680
Speaker 1: the gun blaze and life is real, but it's something

873
00:41:09,719 --> 00:41:11,600
Speaker 1: that you see every day. I'll break it down or

874
00:41:11,680 --> 00:41:14,399
Speaker 1: make it the cookie crumbles that way. Well, if I could,

875
00:41:14,440 --> 00:41:15,960
Speaker 1: I will, but you know I can't. Still try and

876
00:41:16,000 --> 00:41:17,560
Speaker 1: help me in my whole crew will make it through

877
00:41:17,600 --> 00:41:20,680
Speaker 1: and survive. This life is real and ain't nothing change

878
00:41:20,840 --> 00:41:22,640
Speaker 1: from back in the day for you to still pull

879
00:41:22,680 --> 00:41:25,960
Speaker 1: that out to your back pocket. It is still col

880
00:41:26,160 --> 00:41:28,920
Speaker 1: He practices that once a week when he's drunk in

881
00:41:28,960 --> 00:41:34,040
Speaker 1: front of me, right here on this stage, somewhere you'll

882
00:41:34,080 --> 00:41:36,200
Speaker 1: be here, back in the back, just just to just

883
00:41:36,239 --> 00:41:39,040
Speaker 1: to prove you wrong. Brainstorm, my brain and gang bangs

884
00:41:39,040 --> 00:41:40,840
Speaker 1: banging in the early morning. I've been going back and

885
00:41:40,840 --> 00:41:43,000
Speaker 1: forth mentally lost and burnt out, looking at my life

886
00:41:43,000 --> 00:41:44,919
Speaker 1: in the way that it turned out, praying on these days,

887
00:41:44,920 --> 00:41:46,800
Speaker 1: so I'm hoping for next days. Maybe I'm a falloff,

888
00:41:46,840 --> 00:41:49,560
Speaker 1: losing the Chess gang. Raised in the city with multiple opportunity,

889
00:41:49,600 --> 00:41:51,480
Speaker 1: I chose the role with the lowest of the community,

890
00:41:51,560 --> 00:41:53,440
Speaker 1: Hated by many, both most envy. The kid from l

891
00:41:53,480 --> 00:41:56,200
Speaker 1: Space still a long summerladium ship, William Mays bonny I

892
00:41:56,239 --> 00:41:58,560
Speaker 1: kill him and taking money well and his mother motherfucker's

893
00:41:58,560 --> 00:42:01,880
Speaker 1: w hate on me. H. I got him. It's the

894
00:42:01,920 --> 00:42:07,759
Speaker 1: headphone battle another one battle. Are you gonna do any

895
00:42:07,760 --> 00:42:09,960
Speaker 1: battle rapping? Like? What's the other dude names that we

896
00:42:10,000 --> 00:42:14,359
Speaker 1: had here? Has you? But uh, that's that's the how

897
00:42:14,400 --> 00:42:17,799
Speaker 1: many I've met him on a few ocasions. He's a

898
00:42:17,840 --> 00:42:19,960
Speaker 1: tatting on the seat when it comes to the battle rap. Bro,

899
00:42:20,000 --> 00:42:24,120
Speaker 1: that's a whole different singer. That is a whole different realm,

900
00:42:24,239 --> 00:42:26,040
Speaker 1: you know know what I'm saying. And I came up battling,

901
00:42:26,200 --> 00:42:29,480
Speaker 1: but like what those guys did like him, if you're

902
00:42:29,480 --> 00:42:33,759
Speaker 1: looking into like a loaded lux and murder mug right, uh,

903
00:42:33,960 --> 00:42:36,480
Speaker 1: if you're looking at culture clips, you know what I'm saying,

904
00:42:36,480 --> 00:42:38,719
Speaker 1: If you're looking at Hollowdan, if you're looking at these

905
00:42:38,800 --> 00:42:41,120
Speaker 1: dudes took it to a different place, like they took

906
00:42:41,160 --> 00:42:43,160
Speaker 1: battle rap and he turned it into like this fine

907
00:42:43,160 --> 00:42:44,839
Speaker 1: tune art form you know. I mean you have like

908
00:42:45,400 --> 00:42:47,520
Speaker 1: you know, they have fucking pay per view battle rap

909
00:42:47,560 --> 00:42:50,120
Speaker 1: events that they do, numbers like they do they do

910
00:42:50,239 --> 00:42:54,640
Speaker 1: really well. So we're talking huge, huge, huge shout out

911
00:42:54,680 --> 00:42:57,320
Speaker 1: to those dudes. I'm saying, shout out this um and

912
00:42:57,760 --> 00:43:00,680
Speaker 1: they kind of like resurrected their lead. I figure, what

913
00:43:00,680 --> 00:43:03,360
Speaker 1: the hell they're calling it for him and him and

914
00:43:03,480 --> 00:43:09,120
Speaker 1: Lush what? Yeah? Yeah, So with that, like you know,

915
00:43:09,320 --> 00:43:10,920
Speaker 1: you really got to give it to those dudes, like

916
00:43:10,920 --> 00:43:13,359
Speaker 1: they're very, very talented at what they do, and not

917
00:43:13,400 --> 00:43:17,040
Speaker 1: only like from a like writing rhymes perspective, but like

918
00:43:17,920 --> 00:43:19,839
Speaker 1: having a brand and pushing that, you know what I mean.

919
00:43:19,960 --> 00:43:22,359
Speaker 1: It's not just the rhymes because like yeah, dis wrap

920
00:43:22,400 --> 00:43:24,919
Speaker 1: circles around a lot of these dudes, but like it's

921
00:43:24,960 --> 00:43:27,319
Speaker 1: the way that they kind of like try to put

922
00:43:27,480 --> 00:43:30,160
Speaker 1: battles together. It's going to have adult storyline. Like they're

923
00:43:30,160 --> 00:43:32,640
Speaker 1: really doing their ship right now. It's really creating the

924
00:43:32,760 --> 00:43:35,719
Speaker 1: producing as well. I mean the producing an element of

925
00:43:35,800 --> 00:43:40,000
Speaker 1: like like Mexico over the like they're making. I always

926
00:43:40,040 --> 00:43:41,799
Speaker 1: like to look at that and call it production, right,

927
00:43:41,840 --> 00:43:43,880
Speaker 1: like when you we produce or do anything, going to

928
00:43:43,880 --> 00:43:46,600
Speaker 1: grab his bottle, the Daniel to please. It's always one

929
00:43:46,600 --> 00:43:48,279
Speaker 1: of those things that you look at when people take

930
00:43:48,280 --> 00:43:50,640
Speaker 1: it the extra mile because they're carrying that much about

931
00:43:50,680 --> 00:43:52,920
Speaker 1: the culture, Like nobody else is doing that or ever

932
00:43:53,000 --> 00:43:54,799
Speaker 1: did that are laid that out, Like they're laying this

933
00:43:54,920 --> 00:43:57,680
Speaker 1: out literally right now for the culture. They're fucking laying

934
00:43:57,680 --> 00:43:59,840
Speaker 1: this foundation. Well you have you have to remember like

935
00:44:00,000 --> 00:44:03,360
Speaker 1: these guys come from you know, and I remember, you know,

936
00:44:03,440 --> 00:44:07,840
Speaker 1: there was trying to think of the name, but like Medusa, Um,

937
00:44:07,880 --> 00:44:11,239
Speaker 1: you know, we used to be at yeah Project Blow,

938
00:44:11,480 --> 00:44:12,760
Speaker 1: you know, and I used to be down a Project

939
00:44:12,800 --> 00:44:14,279
Speaker 1: Blow at the time when I was because I don't know,

940
00:44:14,320 --> 00:44:16,400
Speaker 1: you don't know this, but I was at Death Row

941
00:44:16,440 --> 00:44:18,360
Speaker 1: in the nineties, so you know, I was one of

942
00:44:18,360 --> 00:44:21,280
Speaker 1: the only Latin artists there and so I was rapping

943
00:44:21,280 --> 00:44:22,640
Speaker 1: back then, and so I used to go down to

944
00:44:22,680 --> 00:44:24,920
Speaker 1: Project Blow and then you know it wasn't ever you

945
00:44:25,000 --> 00:44:29,400
Speaker 1: were with Death Row used to That's great, know, I

946
00:44:29,520 --> 00:44:31,959
Speaker 1: just walked on stage. Hey, you know what you know

947
00:44:31,760 --> 00:44:34,160
Speaker 1: what hony a big Lyric Yeah he was, yeah, you

948
00:44:34,200 --> 00:44:37,400
Speaker 1: know Lyric Mexican Cat, Yeah he was. He was a runner. Yeah,

949
00:44:37,480 --> 00:44:39,759
Speaker 1: so Lyric was he won eight seven. Yeah, so so

950
00:44:39,840 --> 00:44:41,920
Speaker 1: he has seen Lyric in years, though, Bro, I love

951
00:44:41,960 --> 00:44:44,279
Speaker 1: just move. He just moved, you know. Yeah, yeah, I

952
00:44:44,280 --> 00:44:47,239
Speaker 1: love Yeah. I know Larry, I know Lyric from Death Row.

953
00:44:47,239 --> 00:44:49,799
Speaker 1: I haven't seen him for fucking years. But I got

954
00:44:49,840 --> 00:44:52,239
Speaker 1: a great story with Lyric. Man um. You know, I

955
00:44:52,239 --> 00:44:55,279
Speaker 1: ice Cube was producing the song west Side Connect and

956
00:44:55,280 --> 00:44:57,320
Speaker 1: Connect game being been main west Side in the studio

957
00:44:57,360 --> 00:45:00,640
Speaker 1: when when Lyric was Lyric wintco get us uh uh

958
00:45:01,000 --> 00:45:04,600
Speaker 1: Taco Bell Taco Bell and oh yeah it was Lyric.

959
00:45:05,520 --> 00:45:07,680
Speaker 1: MERI brought. I would just talking to the story, just

960
00:45:07,719 --> 00:45:11,240
Speaker 1: told the story. Bro he'll remember this story too, is uh. So.

961
00:45:11,239 --> 00:45:14,319
Speaker 1: So I'm sitting in the studio while they're recording the song.

962
00:45:14,440 --> 00:45:17,000
Speaker 1: Ice Cubes recording a song and lyric brings in a

963
00:45:17,000 --> 00:45:21,360
Speaker 1: bunch of taco bell right, and then um fucking I

964
00:45:21,440 --> 00:45:23,160
Speaker 1: just you know, I just reached in the bag and

965
00:45:23,160 --> 00:45:24,640
Speaker 1: grab some tacos, you know what I mean. And I

966
00:45:24,640 --> 00:45:26,759
Speaker 1: just started eating, well, the first two tacos on the top,

967
00:45:26,800 --> 00:45:29,759
Speaker 1: we're chicken soft tacos. So i eat the chicken soft

968
00:45:29,760 --> 00:45:32,160
Speaker 1: tacos and I'm just munching. I'm starving, you know. And

969
00:45:32,200 --> 00:45:34,040
Speaker 1: then all of a sudden, I'm sucking mouth full of

970
00:45:34,080 --> 00:45:37,040
Speaker 1: fucking food and and Ice Cub was like whoa, pours

971
00:45:37,120 --> 00:45:39,279
Speaker 1: all the tacos out, digs through the whole ship, and goes,

972
00:45:39,280 --> 00:45:43,600
Speaker 1: where's my chicken tacos? So fucking lyrics, I mean, so

973
00:45:43,600 --> 00:45:49,080
Speaker 1: so c was like, young Taco to fucking tacos bro too,

974
00:45:49,160 --> 00:45:50,759
Speaker 1: I said, you to buy all these things and just

975
00:45:50,800 --> 00:45:53,759
Speaker 1: give me two chicken doc to fucking chicken tacos the

976
00:45:53,800 --> 00:45:57,279
Speaker 1: only thing he So, I got him a full mouth

977
00:45:57,360 --> 00:45:59,520
Speaker 1: just full of full of tacos. Do it. And he's

978
00:45:59,560 --> 00:46:02,080
Speaker 1: looking at and he's like and I'm like, uh, like

979
00:46:02,239 --> 00:46:03,719
Speaker 1: I'm sorry, like you know what I mean. And back

980
00:46:03,760 --> 00:46:06,600
Speaker 1: then I wasn't even driving dog. I was so young.

981
00:46:07,080 --> 00:46:09,399
Speaker 1: I was getting dropped off at the studio every day,

982
00:46:09,440 --> 00:46:11,200
Speaker 1: like I had literally people dropped me off at the

983
00:46:11,200 --> 00:46:13,160
Speaker 1: studio and then I'd get a ride home from somebody

984
00:46:13,160 --> 00:46:15,880
Speaker 1: at the studio every night. I mean I was probably sixteen,

985
00:46:15,920 --> 00:46:17,879
Speaker 1: but you know, I'm at Dethroent and ice Cube was like, yo,

986
00:46:17,920 --> 00:46:20,160
Speaker 1: you're my fucking tacos and I'm like, oh, ship bro,

987
00:46:20,239 --> 00:46:22,279
Speaker 1: and I literally just finished the second one and full

988
00:46:22,280 --> 00:46:24,439
Speaker 1: of my mouth. So he goes out and tells lyric

989
00:46:24,520 --> 00:46:26,120
Speaker 1: and lyrics like yeah, I'll go get you some new

990
00:46:26,200 --> 00:46:27,720
Speaker 1: and he's like, funk that and he got all piste

991
00:46:27,719 --> 00:46:29,759
Speaker 1: off and ship That was my first and then I've

992
00:46:29,760 --> 00:46:33,919
Speaker 1: seen Cube later thought at a Butch Cassidy's video, um,

993
00:46:33,920 --> 00:46:36,160
Speaker 1: this is the way house hustlers roll back and watch

994
00:46:36,200 --> 00:46:38,759
Speaker 1: about it. And I was in that video with him,

995
00:46:38,760 --> 00:46:40,360
Speaker 1: and then Cube came up next to me and you

996
00:46:40,480 --> 00:46:42,080
Speaker 1: just started dancing. And that was kind of like the

997
00:46:42,120 --> 00:46:44,600
Speaker 1: break the ice where we were like he wasn't mad

998
00:46:44,640 --> 00:46:48,239
Speaker 1: at me no more because they were watching it. Because

999
00:46:48,239 --> 00:46:50,640
Speaker 1: the ice Cube back then had an impaula. It was

1000
00:46:50,680 --> 00:46:53,520
Speaker 1: like a ninety three year ninety five Apola the Dope Ones,

1001
00:46:53,560 --> 00:46:55,799
Speaker 1: you know, I mean that came out and I was like, Bro,

1002
00:46:55,880 --> 00:46:57,520
Speaker 1: they were watching this car outside. I was like, oh, go,

1003
00:46:57,640 --> 00:46:59,560
Speaker 1: he'll wash your car. Bro, like I was trying to

1004
00:46:59,640 --> 00:47:03,359
Speaker 1: be was like, I'll still go wash. The ran down

1005
00:47:03,360 --> 00:47:05,840
Speaker 1: the street and got U talking. I didn't have a

1006
00:47:05,840 --> 00:47:08,400
Speaker 1: web talking about It wasn't that closed, bro. It was

1007
00:47:08,400 --> 00:47:10,480
Speaker 1: in the seat that we don't know we were out there, man.

1008
00:47:10,520 --> 00:47:12,439
Speaker 1: But yeah, shout out to the lyric man. I ain't

1009
00:47:12,480 --> 00:47:14,640
Speaker 1: seen him in years, bro. And he had a dope

1010
00:47:14,640 --> 00:47:16,800
Speaker 1: band for a while. One and seven I heard, yeah,

1011
00:47:16,640 --> 00:47:18,160
Speaker 1: yeah he was doing this thing. He like he did

1012
00:47:18,200 --> 00:47:19,480
Speaker 1: a lot of tour like in Europe. It was like

1013
00:47:19,520 --> 00:47:22,480
Speaker 1: kind of that like rap metal. But I've seen like

1014
00:47:22,560 --> 00:47:25,480
Speaker 1: some like clips and mostly photos from that time, Like

1015
00:47:25,520 --> 00:47:27,960
Speaker 1: he had a crazy life show like that f had

1016
00:47:28,000 --> 00:47:30,839
Speaker 1: a crazy life show. He he moved over into UM

1017
00:47:30,840 --> 00:47:34,799
Speaker 1: like show promoting and then UM like now his his

1018
00:47:34,840 --> 00:47:39,279
Speaker 1: passion is like, uh, music videos, photography. He doesn't like

1019
00:47:39,600 --> 00:47:41,640
Speaker 1: he was out the door every day. He just he

1020
00:47:41,760 --> 00:47:45,600
Speaker 1: just was out dethro every day. He just moved to Tennessee. Yeah,

1021
00:47:45,680 --> 00:47:47,920
Speaker 1: that dude was at the Deathrol every day. Man, I

1022
00:47:48,000 --> 00:47:50,520
Speaker 1: used to literally work what's out there every day. He'd

1023
00:47:50,560 --> 00:47:52,040
Speaker 1: check us in and check us out. You know. He

1024
00:47:52,160 --> 00:47:54,600
Speaker 1: remember he went viral. He went he went viral like

1025
00:47:55,120 --> 00:47:58,360
Speaker 1: maybe a few years back because that that picture somebody

1026
00:47:58,400 --> 00:48:02,600
Speaker 1: hit photoshop the Games face on that picture next to Tupac.

1027
00:48:03,160 --> 00:48:04,640
Speaker 1: It was a picture of him. It was a picture

1028
00:48:04,640 --> 00:48:06,640
Speaker 1: of Lyric. Yeah that you know, you know what you

1029
00:48:06,640 --> 00:48:08,839
Speaker 1: want to talk about. So there it went. They went

1030
00:48:08,880 --> 00:48:11,120
Speaker 1: crazy on the BLOSB like eight nine years ago. Somebody

1031
00:48:11,120 --> 00:48:15,600
Speaker 1: had taken the rapper the Games like teenage photo and

1032
00:48:15,640 --> 00:48:19,120
Speaker 1: like took the face and superimposed it on it. Uh,

1033
00:48:19,360 --> 00:48:21,920
Speaker 1: Lyric has a picture with Poc in the studio from

1034
00:48:21,920 --> 00:48:24,399
Speaker 1: the night that he recorded. Hit him up. He was like, yo,

1035
00:48:24,480 --> 00:48:27,239
Speaker 1: pot you just like recorded a classic already, know, can

1036
00:48:27,280 --> 00:48:29,080
Speaker 1: I get a picture with you? So they took a

1037
00:48:29,120 --> 00:48:32,960
Speaker 1: Polarid picture and then I guess somebody uploaded online and

1038
00:48:33,120 --> 00:48:34,600
Speaker 1: Lyric had it. He would post it every once in

1039
00:48:34,600 --> 00:48:37,279
Speaker 1: a while on the throwback whatever. And so somebody had

1040
00:48:37,280 --> 00:48:39,960
Speaker 1: taken that picture and like photoshopped it, and then the

1041
00:48:40,000 --> 00:48:43,040
Speaker 1: Game had posted it to his page his Instagram and

1042
00:48:43,080 --> 00:48:45,480
Speaker 1: people were people you know, you know how the internet

1043
00:48:45,520 --> 00:48:48,279
Speaker 1: does you know what I'm saying, you're a liar, and

1044
00:48:48,320 --> 00:48:51,560
Speaker 1: like they're tagging Lyric, Like Lyric got tagged like ten

1045
00:48:51,600 --> 00:48:53,920
Speaker 1: thousand times in the comments like this, you know, big

1046
00:48:54,000 --> 00:48:58,919
Speaker 1: lyrics picture blah blahs, like of course it is. But yeah,

1047
00:48:59,040 --> 00:49:01,759
Speaker 1: he said he did. In his in defense of him,

1048
00:49:01,800 --> 00:49:03,200
Speaker 1: He's like, Yo, a fan sent me this. I thought

1049
00:49:03,239 --> 00:49:04,480
Speaker 1: it was a dope ass. I was like, how long

1050
00:49:04,480 --> 00:49:06,200
Speaker 1: did you make it look so cool? You know what

1051
00:49:06,239 --> 00:49:08,319
Speaker 1: I mean? He's like, I just thought it was dope,

1052
00:49:08,320 --> 00:49:11,440
Speaker 1: so I posted it. You know, He's just saying homage

1053
00:49:11,480 --> 00:49:14,680
Speaker 1: is showing and somebody respect. So we're here with Hazard

1054
00:49:14,760 --> 00:49:16,520
Speaker 1: right now. We have to get the high five with

1055
00:49:16,640 --> 00:49:19,359
Speaker 1: all the guests that come on the show. And once again, Doug,

1056
00:49:19,440 --> 00:49:22,520
Speaker 1: thank you for that sick promo and everything that you're doing.

1057
00:49:23,120 --> 00:49:25,879
Speaker 1: Check out Hazard. Man. I am Hazard. It's I am

1058
00:49:25,920 --> 00:49:29,040
Speaker 1: a hazard. So the letter I, the letter M, the

1059
00:49:29,120 --> 00:49:33,440
Speaker 1: letter A, H, A Z E R D. Yeah. Yeah, alright.

1060
00:49:33,560 --> 00:49:35,800
Speaker 1: Question number one, how old we the first time you

1061
00:49:35,840 --> 00:49:38,200
Speaker 1: smoke cannabis? Wh where'd you get it from? I was like,

1062
00:49:39,680 --> 00:49:44,480
Speaker 1: I was like twelve, where'd you get? Uh? One of

1063
00:49:44,480 --> 00:49:48,800
Speaker 1: the house? Yeah, keep short like that is there is

1064
00:49:48,920 --> 00:49:50,640
Speaker 1: question of the two of the High five. What is

1065
00:49:50,680 --> 00:49:54,120
Speaker 1: your favorite way to use or smoke cannabis. I'm an

1066
00:49:54,200 --> 00:49:56,480
Speaker 1: edible dude myself. I like, yeah, I like I like

1067
00:49:56,520 --> 00:49:58,360
Speaker 1: the guy. I've actually brought you guys a pack. I

1068
00:49:58,400 --> 00:49:59,759
Speaker 1: mean you guys. I know you probably got a lot,

1069
00:49:59,800 --> 00:50:01,320
Speaker 1: but I at you a pack of my boys stuff.

1070
00:50:01,440 --> 00:50:03,960
Speaker 1: It's funny because I've been how how what's the dose?

1071
00:50:04,640 --> 00:50:08,120
Speaker 1: So the packs? The packs four hundred's twenty they're gummy bears.

1072
00:50:08,120 --> 00:50:11,919
Speaker 1: There's twenty gummy little gummy squares. So there's twenty twenty

1073
00:50:11,960 --> 00:50:14,960
Speaker 1: gum shot saw my boy Tommy Tomato, so caut gardens

1074
00:50:15,719 --> 00:50:18,120
Speaker 1: um heat. They're fired though. I like them because they're

1075
00:50:18,120 --> 00:50:20,919
Speaker 1: really accurate, you know how. Sometimes like you'll eat something,

1076
00:50:20,960 --> 00:50:22,920
Speaker 1: you'll be like, I didn't do nothing for what the

1077
00:50:22,960 --> 00:50:25,560
Speaker 1: fun was that? Or wasn't that wasn't enough? And then

1078
00:50:25,560 --> 00:50:27,480
Speaker 1: like the next day, I'll take one. I didn't do

1079
00:50:27,480 --> 00:50:28,960
Speaker 1: not until me and then I was your on the

1080
00:50:29,000 --> 00:50:32,799
Speaker 1: couch for he's a treaty steady. They got a real

1081
00:50:32,840 --> 00:50:35,600
Speaker 1: delayed reaction though. That should sometimes take me like forty

1082
00:50:35,960 --> 00:50:37,799
Speaker 1: five minutes for hits. Yeah, that's about right. But when

1083
00:50:37,800 --> 00:50:41,719
Speaker 1: it does, though, that's funny because I've gotten like five

1084
00:50:42,440 --> 00:50:43,719
Speaker 1: that puts you on the couch. And I mean because

1085
00:50:43,719 --> 00:50:45,040
Speaker 1: when I just do a little with that, just micro

1086
00:50:45,080 --> 00:50:47,319
Speaker 1: dose a little bit five tan, I'm like cut the

1087
00:50:47,360 --> 00:50:49,239
Speaker 1: gummy in half. That's all. I did a little bit.

1088
00:50:49,760 --> 00:50:51,439
Speaker 1: And I only do that every night, Like oh god,

1089
00:50:51,480 --> 00:50:53,680
Speaker 1: if not just a little bit during the day. Question

1090
00:50:54,080 --> 00:50:57,399
Speaker 1: number three of the high five craziest place you ever

1091
00:50:57,520 --> 00:51:03,640
Speaker 1: use cannabis or smoked prison, I would take that's pretty crazy.

1092
00:51:03,880 --> 00:51:06,920
Speaker 1: We used to um, we used to actually shout, I

1093
00:51:06,960 --> 00:51:09,319
Speaker 1: saw my boy from Jesus smokes man. We used to

1094
00:51:09,320 --> 00:51:12,399
Speaker 1: take the back pages of the Bible. Yeah, the blank ones.

1095
00:51:12,880 --> 00:51:15,640
Speaker 1: You cut them out, roll Jay's because it was perfect.

1096
00:51:15,640 --> 00:51:18,760
Speaker 1: They're they're excellent. I did it too in the county.

1097
00:51:18,960 --> 00:51:21,200
Speaker 1: So yeah, you sit there, you take the back pages.

1098
00:51:21,280 --> 00:51:24,080
Speaker 1: I was. I was a gentleman about it. I took

1099
00:51:24,080 --> 00:51:27,040
Speaker 1: the back pages. I knew a dude who was like

1100
00:51:27,080 --> 00:51:29,719
Speaker 1: a devil worshiper type food and this one would take

1101
00:51:29,719 --> 00:51:34,160
Speaker 1: the page with John three sixteen in it and like, wow,

1102
00:51:34,440 --> 00:51:36,480
Speaker 1: burn it down like your wild. I used to tell,

1103
00:51:36,800 --> 00:51:40,160
Speaker 1: like your wild, Like isn't it crazy? Thing? Like that paper?

1104
00:51:40,320 --> 00:51:45,279
Speaker 1: That page is worse than the back of Hold on,

1105
00:51:45,320 --> 00:51:48,520
Speaker 1: Hold on, don't blatantly do it, right, let me just

1106
00:51:48,640 --> 00:51:50,600
Speaker 1: try to grab the at least one. Let's take the

1107
00:51:50,600 --> 00:51:52,520
Speaker 1: five six pages out the back. That's all I'm saying.

1108
00:51:52,719 --> 00:51:54,759
Speaker 1: Let's be gentleman about it. But I say prisoner. Yeah,

1109
00:51:54,760 --> 00:51:57,920
Speaker 1: for sure, that's crazy. That's crazy. Question number four of

1110
00:51:58,000 --> 00:52:01,960
Speaker 1: the high five what is your go to munchy after

1111
00:52:02,040 --> 00:52:06,680
Speaker 1: you get high? So it's so if I don't have

1112
00:52:06,760 --> 00:52:10,840
Speaker 1: nothing planned, I'm gonna alternate between like sweet and salty foods.

1113
00:52:11,280 --> 00:52:14,600
Speaker 1: So I'll have like a fucking some like chocolate, some

1114
00:52:14,640 --> 00:52:17,200
Speaker 1: sour gummies or whatever, and then I'll turn around and

1115
00:52:17,239 --> 00:52:21,239
Speaker 1: I'll eat like some fucking hot chips or something. Right. Um,

1116
00:52:21,320 --> 00:52:23,839
Speaker 1: but like, if I got the energy for it, I'll

1117
00:52:23,840 --> 00:52:27,680
Speaker 1: sit there. I'll make a whole last prison spread in

1118
00:52:27,680 --> 00:52:30,320
Speaker 1: your spread. Come on, let's get on the spread. I

1119
00:52:31,160 --> 00:52:35,000
Speaker 1: got start on the spread. Salm gonna take We'll do

1120
00:52:35,040 --> 00:52:37,600
Speaker 1: the simple one. Um, so I just take the take

1121
00:52:37,640 --> 00:52:39,640
Speaker 1: the soup. I still cook it in the bag in

1122
00:52:39,719 --> 00:52:41,759
Speaker 1: the bag. My lady be getting mad at me too,

1123
00:52:41,840 --> 00:52:45,680
Speaker 1: She's like putting the bag put a ball. No, I

1124
00:52:45,719 --> 00:52:48,279
Speaker 1: just opened a soup bag and I'll put the hot

1125
00:52:48,280 --> 00:52:49,840
Speaker 1: water in there. Right. Let us sit like in a

1126
00:52:49,880 --> 00:52:52,120
Speaker 1: ball in case of tips over and wants to let

1127
00:52:52,160 --> 00:52:55,439
Speaker 1: that sit um and I'll grab whatever whatever crunchy ship

1128
00:52:55,480 --> 00:52:56,880
Speaker 1: we got, and how she laughs at me because like

1129
00:52:56,920 --> 00:53:00,000
Speaker 1: I need like that crunchy test everything. What I'm saying,

1130
00:53:00,000 --> 00:53:01,400
Speaker 1: I think it's a Mexican thing. Yeah, I'm not like

1131
00:53:02,400 --> 00:53:04,919
Speaker 1: everything has to have a crunch to either either either

1132
00:53:05,000 --> 00:53:08,560
Speaker 1: like some some port cracklings, some ch yes, or some

1133
00:53:08,600 --> 00:53:12,399
Speaker 1: hot chips connected. I think that I think the most

1134
00:53:12,520 --> 00:53:14,560
Speaker 1: the most underrated. I love it because my kids don't

1135
00:53:14,600 --> 00:53:18,080
Speaker 1: like him for some reason. But we'll get the Flaming

1136
00:53:18,120 --> 00:53:21,120
Speaker 1: Hot variety pack. They'll up the funny and stuff up

1137
00:53:21,120 --> 00:53:23,680
Speaker 1: the Lion Chili ones, the extra hot ones, but they

1138
00:53:23,760 --> 00:53:29,000
Speaker 1: leave the flaming hot friedos super Yeah it's perfect. Yeah,

1139
00:53:29,000 --> 00:53:30,920
Speaker 1: it's prepper for the top of the either the flaming

1140
00:53:30,960 --> 00:53:34,160
Speaker 1: hot fritos or cheat on some beans and then whatever proteins.

1141
00:53:34,200 --> 00:53:36,400
Speaker 1: How do you do the beans on that? Like just

1142
00:53:36,440 --> 00:53:38,080
Speaker 1: the cannon ones and you put them on, my lady,

1143
00:53:38,080 --> 00:53:41,759
Speaker 1: don't do can't make so you get the good I

1144
00:53:41,800 --> 00:53:43,000
Speaker 1: had to be clear on that because I do my

1145
00:53:43,000 --> 00:53:45,480
Speaker 1: home baby homemabe being still so then so then you know,

1146
00:53:45,560 --> 00:53:47,600
Speaker 1: being from friend and then whatever proteins in the fridge.

1147
00:53:48,000 --> 00:53:50,560
Speaker 1: So if there was like some chicken left should get

1148
00:53:50,600 --> 00:53:52,040
Speaker 1: mad at it should be like you're gonna take my

1149
00:53:52,360 --> 00:53:55,200
Speaker 1: like good cooking and funk it up and the spread.

1150
00:53:56,120 --> 00:53:58,279
Speaker 1: What's the sauce that? What kind of sauce you put on?

1151
00:53:58,280 --> 00:54:00,239
Speaker 1: Speaking to you? That's your wife here, what's your man?

1152
00:54:00,400 --> 00:54:03,360
Speaker 1: Yeah no she said, don't Oh yeah, she said, I

1153
00:54:03,360 --> 00:54:07,840
Speaker 1: don't want that. No part of yeah, appreciate, appreciate that'll

1154
00:54:07,840 --> 00:54:10,560
Speaker 1: be said to prochein. And then there's a sauce that

1155
00:54:10,600 --> 00:54:15,279
Speaker 1: you put in it. Definitely Saracha hot sauce. Um, if

1156
00:54:15,320 --> 00:54:16,839
Speaker 1: we need to make it stick because a lot of people,

1157
00:54:16,920 --> 00:54:19,320
Speaker 1: like the male I can't count, I'll do a mustard

1158
00:54:20,160 --> 00:54:23,000
Speaker 1: mustard instead of mayonnaise, and then um, saracha hot sauce

1159
00:54:23,040 --> 00:54:27,560
Speaker 1: on the top. Um, oh choppling some pickles, chopped, some pickles,

1160
00:54:27,600 --> 00:54:29,720
Speaker 1: those are going on top with the saracha hot sauce

1161
00:54:31,520 --> 00:54:33,480
Speaker 1: or like some bread. You know what I'm saying, Go

1162
00:54:33,719 --> 00:54:36,040
Speaker 1: and go. So yeah, I'll sit there like for a

1163
00:54:36,080 --> 00:54:39,520
Speaker 1: whole like a highest ship off in my mouth right now,

1164
00:54:39,680 --> 00:54:42,560
Speaker 1: water like making it you said there, Me and my

1165
00:54:42,560 --> 00:54:45,520
Speaker 1: brothers used to well then they first taught me our

1166
00:54:45,520 --> 00:54:47,400
Speaker 1: spread because they went to jail first and then my

1167
00:54:47,480 --> 00:54:49,880
Speaker 1: oldest brother came out teaching us what spread was. And

1168
00:54:49,960 --> 00:54:51,520
Speaker 1: when I went to jail, I remember making my own

1169
00:54:51,520 --> 00:54:53,879
Speaker 1: container out of the phone cups. That was my heater

1170
00:54:53,920 --> 00:54:56,040
Speaker 1: could like the warmer thing. Yeah, and I got it

1171
00:54:56,040 --> 00:54:57,719
Speaker 1: from an O G that was before me. Joe. I'm

1172
00:54:57,719 --> 00:55:00,400
Speaker 1: gonna give you this who he got outside my what

1173
00:55:00,440 --> 00:55:03,239
Speaker 1: I'm saying, my spread and keep the warmness in. It

1174
00:55:03,320 --> 00:55:04,960
Speaker 1: was the best part of that. Man. It was like

1175
00:55:05,360 --> 00:55:07,640
Speaker 1: it's like a whole process. Well, we always say shotsaw,

1176
00:55:07,719 --> 00:55:10,080
Speaker 1: my boy, my boy, Big Tiny. He's from spreads. They

1177
00:55:10,120 --> 00:55:12,760
Speaker 1: actually there's actually like a company, you know, making spreads.

1178
00:55:12,800 --> 00:55:14,920
Speaker 1: They're called Spreads. It is really dope s I'll give

1179
00:55:14,960 --> 00:55:16,680
Speaker 1: you guys are plug you would love. Yeah. He's actually

1180
00:55:16,760 --> 00:55:19,279
Speaker 1: an Orange County cat, so just so healthy. Now I'm

1181
00:55:19,320 --> 00:55:21,200
Speaker 1: such a really really good dude. And they actually have

1182
00:55:21,239 --> 00:55:25,279
Speaker 1: these prepackaged spread kept the workout the big dude. Yeah,

1183
00:55:25,400 --> 00:55:28,600
Speaker 1: oh yeah, he's on Uh, he's all over Instagram. No no, no,

1184
00:55:28,600 --> 00:55:30,960
Speaker 1: I don't know who you're talking about, not know not him.

1185
00:55:31,000 --> 00:55:34,840
Speaker 1: So Tiny is a big dude himself. But um um,

1186
00:55:34,960 --> 00:55:38,439
Speaker 1: these dudes are like really doing their thing. Um, it's

1187
00:55:38,520 --> 00:55:40,600
Speaker 1: called spreads, you know. I mean you can look them up, um,

1188
00:55:40,800 --> 00:55:43,360
Speaker 1: and it's a it's a prepackaged soup with some hot chips,

1189
00:55:43,960 --> 00:55:46,359
Speaker 1: just just add waters, ready to go, ready to go

1190
00:55:47,080 --> 00:55:49,880
Speaker 1: in one little pouch. Selling for like I think I

1191
00:55:49,920 --> 00:55:52,400
Speaker 1: was just at the festival with him on Sunday, um

1192
00:55:52,480 --> 00:55:55,040
Speaker 1: and they were selling them for like five bucks a bag. Either,

1193
00:55:55,080 --> 00:55:57,000
Speaker 1: how higher we are health fatter we that we stayed

1194
00:55:57,000 --> 00:56:01,040
Speaker 1: that long? And question number four with they man connected

1195
00:56:01,160 --> 00:56:04,040
Speaker 1: one of the other Question number five with the high

1196
00:56:04,080 --> 00:56:08,520
Speaker 1: five with my man hazard Daniel Sanchez and the lesson

1197
00:56:08,960 --> 00:56:11,400
Speaker 1: if you could smoke cannabis with anyone dead or alive?

1198
00:56:11,640 --> 00:56:20,840
Speaker 1: Who could you know? What? Like? I guess I guess

1199
00:56:20,320 --> 00:56:23,479
Speaker 1: that everybody's like bucket list has got either yours, don't

1200
00:56:23,800 --> 00:56:25,279
Speaker 1: I know? I know, I know, I know. I gotta say,

1201
00:56:25,280 --> 00:56:28,959
Speaker 1: like a huge honorable mention, Uh either either be real

1202
00:56:29,280 --> 00:56:32,319
Speaker 1: or or or snoop. Obviously those are like obvious ones.

1203
00:56:32,680 --> 00:56:34,960
Speaker 1: But I would actually say this and this is um,

1204
00:56:35,320 --> 00:56:36,919
Speaker 1: I don't even know if those are made for either

1205
00:56:37,000 --> 00:56:40,160
Speaker 1: obvious to me? I mean to me that in hip hop,

1206
00:56:40,800 --> 00:56:43,120
Speaker 1: for sure it could be anybody could be really, But

1207
00:56:43,160 --> 00:56:44,759
Speaker 1: what I would say honestly in all serious SNS, I

1208
00:56:44,760 --> 00:56:47,640
Speaker 1: would say this um rest in peace to my grandmother.

1209
00:56:47,680 --> 00:56:50,719
Speaker 1: So my grandmother when she was young, would like I

1210
00:56:51,040 --> 00:56:53,360
Speaker 1: found out like way later she was smoked weed, like

1211
00:56:53,360 --> 00:56:55,960
Speaker 1: when she was young young, uh, like she's in her

1212
00:56:55,960 --> 00:56:59,040
Speaker 1: twenties and I wasn't born yet, right, So she got

1213
00:56:59,040 --> 00:57:02,040
Speaker 1: older and she actually had got diagnosed with a LS.

1214
00:57:02,480 --> 00:57:05,920
Speaker 1: So as as you know, as a an older lady,

1215
00:57:06,320 --> 00:57:08,920
Speaker 1: I would bring her. I was bringing her like uh

1216
00:57:09,040 --> 00:57:12,279
Speaker 1: some like shouts to my boy xp uh salamandero g.

1217
00:57:12,480 --> 00:57:14,239
Speaker 1: He would sit there and make me this U. His

1218
00:57:14,360 --> 00:57:16,360
Speaker 1: lady would actually make it for him. She would take

1219
00:57:16,360 --> 00:57:18,600
Speaker 1: like an ounce and a half of their flower and

1220
00:57:18,640 --> 00:57:22,080
Speaker 1: then she would put it in um coconut oil. So

1221
00:57:22,120 --> 00:57:24,800
Speaker 1: it was like a like like like canner butter, but

1222
00:57:24,840 --> 00:57:26,520
Speaker 1: it was but it was it was plant based, right,

1223
00:57:26,600 --> 00:57:29,160
Speaker 1: it's coconut. So she would send me like it looked

1224
00:57:29,160 --> 00:57:32,040
Speaker 1: like a giant candle and it was green, and I

1225
00:57:32,120 --> 00:57:34,040
Speaker 1: give it to my grand because my grandmother at the end,

1226
00:57:34,080 --> 00:57:36,320
Speaker 1: like she couldn't um what a l S does, like

1227
00:57:36,400 --> 00:57:39,160
Speaker 1: affects like a certain group of muscles usually and whatever

1228
00:57:39,320 --> 00:57:41,840
Speaker 1: hers it was like her tongue in her cheek, so

1229
00:57:41,920 --> 00:57:45,640
Speaker 1: she couldn't like eat, so like I would take the um,

1230
00:57:45,680 --> 00:57:47,840
Speaker 1: you know, I would take the canic coco, but I

1231
00:57:47,960 --> 00:57:49,680
Speaker 1: like she like put it in her mouth, like on

1232
00:57:49,720 --> 00:57:51,480
Speaker 1: her gums. What I'm saying, She's in a lot of

1233
00:57:51,480 --> 00:57:53,640
Speaker 1: pain towards the end, So like I would say, I would,

1234
00:57:53,680 --> 00:57:56,000
Speaker 1: I would, you know, I would have like one one

1235
00:57:56,080 --> 00:57:58,600
Speaker 1: last combo with her for sure, And I'm sorry for

1236
00:57:58,640 --> 00:58:03,440
Speaker 1: your loss. Yeah, yeah, definite. That's that's that's a beautiful thing. Man.

1237
00:58:03,920 --> 00:58:06,200
Speaker 1: How did she use that? How would you use that?

1238
00:58:07,120 --> 00:58:09,160
Speaker 1: You could? Like they had told me, Like it was

1239
00:58:09,200 --> 00:58:12,520
Speaker 1: like it was a fucking superman thing that they did

1240
00:58:12,560 --> 00:58:15,040
Speaker 1: for me because it was topical. She could ingest it,

1241
00:58:15,120 --> 00:58:17,960
Speaker 1: she could put it like cook with it the whole night.

1242
00:58:17,960 --> 00:58:20,720
Speaker 1: She was able to cook, put it on your body,

1243
00:58:20,880 --> 00:58:23,720
Speaker 1: whole knock and everything. I would. And it was really

1244
00:58:23,720 --> 00:58:26,840
Speaker 1: cool because since it wasn't there was no animal byproducts

1245
00:58:26,840 --> 00:58:30,280
Speaker 1: in it, it didn't it didn't matter if she could

1246
00:58:30,360 --> 00:58:32,400
Speaker 1: leave it on the counter, put it in the fridge,

1247
00:58:32,440 --> 00:58:34,600
Speaker 1: it was gonna harden because you can still grab what

1248
00:58:34,680 --> 00:58:37,040
Speaker 1: it's hard and apply it on your body exactly. So

1249
00:58:38,000 --> 00:58:39,360
Speaker 1: she'd had it in the fridge and I told her,

1250
00:58:39,360 --> 00:58:41,000
Speaker 1: you don't have to refrigerate it because she was having

1251
00:58:41,040 --> 00:58:44,320
Speaker 1: a hard time getting She's like, what do microwave it?

1252
00:58:44,360 --> 00:58:45,880
Speaker 1: What do I do? I just leave it on the counter,

1253
00:58:46,240 --> 00:58:48,880
Speaker 1: so at room temperature. It was kind of like like

1254
00:58:48,920 --> 00:58:51,720
Speaker 1: if you were to leaving butter, nice butter, you know

1255
00:58:51,720 --> 00:58:53,880
Speaker 1: what I'm saying. So like, yeah, she was able to

1256
00:58:53,960 --> 00:58:55,640
Speaker 1: use it as a topical ointment. That's why that's my

1257
00:58:55,640 --> 00:58:59,520
Speaker 1: guy XPM x mark. He yeah, he's for ever good

1258
00:58:59,520 --> 00:59:01,080
Speaker 1: in my book. That that man. He didn't try. I

1259
00:59:01,120 --> 00:59:03,000
Speaker 1: try to give him money. He wouldn't take it. He

1260
00:59:03,120 --> 00:59:05,200
Speaker 1: was giving me. They were making her like edible cookies,

1261
00:59:05,200 --> 00:59:06,960
Speaker 1: and at first she was eating those, but then it

1262
00:59:07,000 --> 00:59:09,120
Speaker 1: got to the point where she couldn't chew. So like

1263
00:59:09,160 --> 00:59:10,720
Speaker 1: they sat there and like game planned it, you know.

1264
00:59:10,760 --> 00:59:12,520
Speaker 1: I mean they took a whole bunch of their tree

1265
00:59:12,840 --> 00:59:15,000
Speaker 1: and they just cooked down that. That cocon their company

1266
00:59:15,000 --> 00:59:17,600
Speaker 1: a license company. Now, um no, he's got ye. He

1267
00:59:17,640 --> 00:59:19,520
Speaker 1: has a private liber is called a salam manner O

1268
00:59:19,640 --> 00:59:22,560
Speaker 1: g let him know that because of something like that.

1269
00:59:22,560 --> 00:59:24,479
Speaker 1: I would love that if there's a license company, would

1270
00:59:24,480 --> 00:59:25,680
Speaker 1: love to have him on the show to promote his

1271
00:59:25,760 --> 00:59:27,160
Speaker 1: type of a couple of absolute things that they do

1272
00:59:27,200 --> 00:59:30,600
Speaker 1: because things stories like that that we're here of countless

1273
00:59:30,680 --> 00:59:34,320
Speaker 1: companies out there, that there's so many companies out there

1274
00:59:34,320 --> 00:59:35,720
Speaker 1: that do this and when we find out about them,

1275
00:59:35,720 --> 00:59:37,320
Speaker 1: we want to highlight them on the show. So people,

1276
00:59:37,400 --> 00:59:39,400
Speaker 1: let the CEO know, yeah, we would love to feature.

1277
00:59:40,680 --> 00:59:42,560
Speaker 1: I'll come back with him that that's my boy boyfriend,

1278
00:59:43,040 --> 00:59:44,800
Speaker 1: and I'll tell you what do One thing I want

1279
00:59:44,840 --> 00:59:47,280
Speaker 1: to mention it's super important is that when people that

1280
00:59:47,440 --> 00:59:49,960
Speaker 1: that's what the cannabis community is about, Like, that's why

1281
00:59:50,040 --> 00:59:52,600
Speaker 1: he didn't take your money, bro, And I like, you know,

1282
00:59:52,640 --> 00:59:54,920
Speaker 1: and even if he did, sometimes they have to because

1283
00:59:55,360 --> 00:59:56,720
Speaker 1: they need to, you know what I'm saying that they

1284
00:59:56,840 --> 00:59:59,560
Speaker 1: and not only business, but sometimes they just can't afford

1285
00:59:59,600 --> 01:00:02,360
Speaker 1: to do his overhead right. And that's what I was telling.

1286
01:00:02,400 --> 01:00:05,400
Speaker 1: I'm like, bro, don't take anything more than just what

1287
01:00:05,440 --> 01:00:07,600
Speaker 1: do you need for me to just cover what covers

1288
01:00:07,640 --> 01:00:09,840
Speaker 1: his cars? What covers and cover the car? And he

1289
01:00:09,840 --> 01:00:11,760
Speaker 1: told and he told me, He's like, nah, I got it,

1290
01:00:11,800 --> 01:00:13,960
Speaker 1: I got it, you know what I'm saying. So that

1291
01:00:14,360 --> 01:00:17,160
Speaker 1: like that, and he's a talented artist in his own right.

1292
01:00:17,200 --> 01:00:18,840
Speaker 1: He's doing his thing right now. He just dropped the

1293
01:00:18,840 --> 01:00:22,760
Speaker 1: project called um Pacific Standard Time, So shouts out my

1294
01:00:22,840 --> 01:00:25,840
Speaker 1: boy XP XP two Marksman Pacific Standard Time, go check

1295
01:00:25,880 --> 01:00:28,280
Speaker 1: out on all streaming platforms. He's a super dope artist,

1296
01:00:28,480 --> 01:00:30,880
Speaker 1: but he's a better person. Know what I'm saying that dude,

1297
01:00:30,920 --> 01:00:34,040
Speaker 1: That dude's got my respect and appreciation admiration to you

1298
01:00:34,040 --> 01:00:37,160
Speaker 1: know today, I die really really dope. Do anything that

1299
01:00:37,240 --> 01:00:41,200
Speaker 1: we forgot? Yeah, man, that's that's joke. Is there an

1300
01:00:41,400 --> 01:00:43,080
Speaker 1: Is there anything that we forgot before we let you

1301
01:00:43,080 --> 01:00:45,800
Speaker 1: get on out of here man that you need to say? Uh,

1302
01:00:45,920 --> 01:00:48,880
Speaker 1: follow me on you know on the socialist TikTok Instagram

1303
01:00:48,920 --> 01:00:50,840
Speaker 1: at I'm a Hazard, the letter II, the letter M,

1304
01:00:50,840 --> 01:00:53,040
Speaker 1: the letter A, H A Z E R D catch

1305
01:00:53,080 --> 01:00:54,960
Speaker 1: me and burning trees on the seven. You know what

1306
01:00:55,000 --> 01:00:56,520
Speaker 1: I'm saying, We're gonna We're gonna do some real cool

1307
01:00:56,520 --> 01:00:59,080
Speaker 1: ship man. I'm really um looking forward to that, you know.

1308
01:00:59,320 --> 01:01:01,200
Speaker 1: You know, shouts to you guys, everybody a part of

1309
01:01:01,200 --> 01:01:04,000
Speaker 1: that whole festival. Um, and again, thank you guys for

1310
01:01:04,040 --> 01:01:05,840
Speaker 1: having me. I appreciate you guys, no doubt, man, Thank

1311
01:01:05,880 --> 01:01:07,840
Speaker 1: you very much. Man. It's cannabis talk one on one

1312
01:01:07,840 --> 01:01:10,560
Speaker 1: and remember this, if no one else loves you, we do.

1313
01:01:11,040 --> 01:01:13,440
Speaker 1: Thank you for listening to Cannabis Talk one oh one

1314
01:01:13,480 --> 01:01:16,680
Speaker 1: on the I Heart Radio app, Apple podcast, or wherever

1315
01:01:16,760 --> 01:01:17,920
Speaker 1: you get your podcasts