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Speaker 1: I believe that Kendrick didn't think a full disc record

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Speaker 1: from Drake was coming.

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Speaker 2: I do think he has an album coming in May.

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Speaker 3: Where do you keep hearing? Sorry, where do you keep

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Speaker 3: hearing about this album coming in May?

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Speaker 4: I didn't first time already was from Mall.

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Speaker 3: Just now, yeah, Sam, Yeah, you said it like three times.

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Speaker 2: I just I just spoke to a little birdie.

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Speaker 4: I was on Twitter.

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Speaker 1: No, not on Twitter. I was smoking walking around the

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Speaker 1: park and a little birdie dropped a little button button

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Speaker 1: my head. No, Kendrick maybe coming to May.

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Speaker 4: So I was like, oh, okay, what type of bird?

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Speaker 4: Was it a butterfly?

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Speaker 2: It was a It was a blue jay?

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Speaker 3: I think can butterflies be Oh wow, that's a good reference.

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Speaker 5: Oh wow, good job, Mall, I get it.

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Speaker 2: Not that blue jay.

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Speaker 5: Okay, no worry.

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Speaker 6: And now.

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Speaker 4: Boys and girls want to hear with your story.

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Speaker 7: Saturday night was at this real wild party.

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Speaker 8: They had to lift up over flowing the cup about

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Speaker 8: five six.

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Speaker 4: Strip was trying to work for a buck.

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Speaker 1: Then not one girl outside with me her name was

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Speaker 1: lying and shop with the guy.

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Speaker 4: With you said why you open the dancing the cash?

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Speaker 1: I guess the full last scene since the scene last,

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Speaker 1: she said.

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Speaker 4: And we are back. Yes, we are.

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Speaker 1: Took a quick little you know, forty eight hours apart.

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Speaker 1: Took some rn R, needed some little R and R

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Speaker 1: to kind of let things breathe a little bits like wine.

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Speaker 1: Gotta like pop the cork sometime, let it breathe.

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Speaker 4: We took the usual time off that we have for

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Speaker 4: the last house. Yeah, but this one just felt a

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Speaker 4: little different, did it?

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Speaker 2: But a little different.

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Speaker 4: Why do you feel that way?

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Speaker 2: I don't know.

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Speaker 1: Maybe because I got more ship done in these two days,

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Speaker 1: and I have gotten done in the past couple of weeks.

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Speaker 4: Oh nice, Would you take adderall? No, I gotta take

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Speaker 4: a road to get ship done now. I mean it helps.

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Speaker 2: Yeah, No, I didn't take it.

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Speaker 1: Just had a busy two days getting shit together. But

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Speaker 1: we're back to talk to the people you fully moved in.

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Speaker 1: Yet we never got like a house update from you.

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Speaker 1: We'll get to everything else, but not yet. I'm still

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Speaker 1: waiting for small pieces to come in, pieces coming this week.

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Speaker 1: Still getting things furnished and things like that.

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Speaker 4: Did you pick a theme?

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Speaker 2: No, I promise I didn't pick a no.

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Speaker 4: No, what about a color palette?

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Speaker 1: Type of natural tones, grays, creams, things like that, you know,

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Speaker 1: keep things minimal.

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Speaker 3: I like the food you got today, malls, the burgen.

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Speaker 3: Do see the shoes match the collar and the.

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Speaker 4: Oh yeah, I see how you put that together.

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Speaker 2: You know, I've been doing this for a long time.

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Speaker 2: You know in the hat. You know what I'm saying.

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Speaker 1: We used to before social media. If you didn't wait

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Speaker 1: to write ship, you got roasted outside all day for it.

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Speaker 4: So the streets want to know, not us. But the

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Speaker 4: streets were asking are the glasses full time?

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Speaker 5: Now?

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Speaker 4: You need that transition.

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Speaker 2: Only when I'm recording, I have to look at the

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Speaker 2: TV for things.

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Speaker 5: Just gotcha?

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Speaker 4: Okay, So ages catching up even though your hairline and

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Speaker 4: skin looks immaculate. Yeah fine, I mean not only something

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Speaker 4: is aging on you.

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Speaker 1: No, the oys are not bad, but you know, before

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Speaker 1: they start to get there, want to get ahead of

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Speaker 1: this thing.

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Speaker 4: God, Okay, this is just getting ahead of an issue.

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Speaker 1: Preventive fair, that's all it is. I don't need it

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Speaker 1: in my prostate exams exactly. Yeah, I get in there.

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Speaker 2: Let's see what's going on. See what's happening.

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Speaker 4: Yeah, you're fingering your eyes exactly.

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Speaker 5: Started his prostate exams at eight years old.

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Speaker 4: At eight, he's making another I know less stations.

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Speaker 2: I know that's what he does. It's okay. I'm here

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Speaker 2: for you.

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Speaker 1: I'm here for to make sure that your mental health

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Speaker 1: is great. Coasting right off me whenever you ride, whenever

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Speaker 1: you're ready to ride down and follow on Malley, just

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Speaker 1: let me know, like we can still go put them

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Speaker 1: on ice.

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Speaker 4: I was not molested by.

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Speaker 2: I'm sorry, sorry about that.

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Speaker 1: We keep putting follow on Malley in some bullshit. But

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Speaker 1: we do have new merch available new Rory mal dot com.

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Speaker 1: Now this that's not hip hop shirt available now. Everybody

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Speaker 1: has been asking for this shirt and finally is here.

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Speaker 4: All the letters on this side are different letters from

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Speaker 4: other hip hop logos.

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Speaker 5: I don't know.

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Speaker 4: We need like a merch salesperson to just come on

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Speaker 4: here and sell this shit. I just think it looks cool.

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Speaker 1: We just need an only fans model to have sex

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Speaker 1: on her only fans with this and really get those

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Speaker 1: numbers up ticking trill.

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Speaker 4: And then spam every Twitter account possible.

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Speaker 2: I'm ass send one of these to miss be Nasty

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Speaker 2: and let her squirt in this.

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Speaker 5: Oh okay, it's sam Wow.

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Speaker 4: Yeah, it could be a towel, it could kee white,

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Speaker 4: misbe Nasty.

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Speaker 1: You can wipe off your monitor after you squirt all

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Speaker 1: over it with the shirt.

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Speaker 2: Do whatever you want.

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Speaker 4: Somebody sent me a tweet during our little r and

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Speaker 4: R for two days of someone saying, Maul, you know

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Speaker 4: we can see your likes. So naturally I went to

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Speaker 4: go look what was in Mal's likes and thank god

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Speaker 4: I wasn't in public. Who was there, Miss be Nasty

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Speaker 4: squirting all over the celf?

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Speaker 2: Oh yes, coconut water.

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Speaker 4: Let's I mean, we're gonna have to blur this on

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Speaker 4: the TV. Just don't blurt all you liked a lot.

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Speaker 4: This was the first thing that popped up. Oh look

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Speaker 4: at that when someone said, Mal, you know we can see.

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Speaker 2: Look at this art. Oh man, just art.

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Speaker 4: There's so much porn on Twitter.

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Speaker 5: It's a nice sweater too.

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Speaker 2: Yeah, I'm gonna sit here, miss miss nast. We're gonna

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Speaker 2: send you some merch. Yeah, and you can squirt all

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Speaker 2: over the march if you please, saw on us. Don't

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Speaker 2: worry about it. Send it back and let us smell it.

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Speaker 5: Oh my god, us you got that.

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Speaker 2: Yeah, send it back. That's what we would do. Send

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Speaker 2: us some merch. She'll send it back.

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Speaker 1: We'll smell it on the air and let you know

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Speaker 1: exactly how wonderful Miss be Nasty smells. And then we'll

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Speaker 1: auction off a squirt merch. Gotta have gotta got gotta

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Speaker 1: have a good pack of squirt merch. You know that

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Speaker 1: what charity would be good for the squirt merch?

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Speaker 2: Y m C A.

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Speaker 4: Boys and Girls Club?

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Speaker 2: Yeah, kid can always use a hoodie at the YMCA.

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Speaker 4: You know that instead of going into Lost and Fountain.

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Speaker 1: Well, if you, I'm pretty sure Miss be Nasty's merch

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Speaker 1: smells better than Lost and Found merch.

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Speaker 4: Have you ever had to wear a Lost and Founder hoodie?

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Speaker 1: Thank god, Rory, I never had to, never had that.

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Speaker 1: I was never that far down on the pole of life.

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Speaker 4: I feel like there was one time I wore a

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Speaker 4: shirt that was inappropose. I forgot what it was and

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Speaker 4: I had to go to the principal's office and wear

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Speaker 4: one of the Lost and Found shirts. O what I

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Speaker 4: had on?

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Speaker 2: I thought, you meant like they robbed you.

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Speaker 4: I was shirt being robbed in your middle school by

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Speaker 4: a middle school. Yeah, that's why it happened. Something only

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Speaker 4: way to school and then they say going to Lost

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Speaker 4: and Fountain and then your stuff, give me my.

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Speaker 1: Shit, he has sit in his book bag. I want

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Speaker 1: my shirt, give me my fucking irty bag.

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Speaker 4: It definitely was. It was pretty banned the Snowman. Yeah,

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Speaker 4: I can't believe they really banned that T shirt in

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Speaker 4: high school.

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Speaker 2: Well, I mean.

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Speaker 1: Peoples getting robbed for you know, people getting beat up

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Speaker 1: for the shirt. So they figured, let's let's just have

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Speaker 1: kids not wear it at the school so we don't

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Speaker 1: have to have that issue.

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Speaker 7: Didn't it Also, wasn't it like crack affiliated.

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Speaker 3: Yeah, yeah, it wasn't like he was a meteorologist.

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Speaker 2: He was born, he was born, he was he was

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Speaker 2: born in December.

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Speaker 4: It was to bring awareness to climate change. Yeah, that's

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Speaker 4: all it was because right now, as Arctica's melting exactly

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Speaker 4: and the polar ice caps.

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Speaker 5: And climate change, you see what's going on in Dubai.

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Speaker 4: That's not real, it is, Well, the flood is real. Yeah,

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Speaker 4: the floods. What are you saying, is it like Dubai

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Speaker 4: is not real?

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Speaker 8: No?

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Speaker 1: No, well they posted it's been other videos circulating of

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Speaker 1: like crazy lightning and things tornadoes that people are just

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Speaker 1: cgi on on social media to make it look like

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Speaker 1: Dubai and that's got you with bays.

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Speaker 3: But the rumor was Dubais started creating because they wanted

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Speaker 3: to kind of temperament their climate. So they started creating like, uh,

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Speaker 3: rain clouds, artificial rain clouds. And they're saying, I don't

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Speaker 3: know how much time since they started. They did like

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Speaker 3: a test run with those. They just had this insane

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Speaker 3: flooding and the airports were flooded, the streets were flooded,

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Speaker 3: everyone was flooded. And it's like, Okay, was that these

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Speaker 3: rain clouds going rogue or was just just like you know,

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Speaker 3: inclement weather that no one saw coming kind of thing.

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Speaker 5: It's just weird timing.

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Speaker 4: I'm going to go with the weather machine. Yeah, I

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Speaker 4: think they fucked up.

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Speaker 2: I think they kicked it up and high gear and

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Speaker 2: didn't think about what was going to happen.

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Speaker 4: Yeah, they had Willy Wonka at the handle.

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Speaker 1: Somebody got drunk and sent up too many clouds. It's

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Speaker 1: only supposed to send for They sent fourteen.

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Speaker 4: Showing up drunk to work. When you're controlling the weather

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Speaker 4: that day, it's a new level.

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Speaker 2: Fuck it. Whatever happens, Roller Dice, we don't know what

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Speaker 2: we're going to get today.

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Speaker 4: It looks well anyways, I will say in the two

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Speaker 4: days that we were not here. I was at the

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Speaker 4: edge of my seat, still obsessing over this rap beef pause.

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Speaker 4: I really thought Kendrick would have replied by now mmm.

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Speaker 4: I was giving it last night. I was like, Oh,

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Speaker 4: it's definitely gonna happen tonight, mainly because I wanted to

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Speaker 4: talk about it on the pod today. I'm very scared

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Speaker 4: that he's going to try to do some Thursday midnight

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Speaker 4: shit to try to chart. Then we're gonna have to

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Speaker 4: wait till Monday to pot about it.

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Speaker 1: I am hearing that he has an album coming in May,

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Speaker 1: so I don't think that we'll probably get a response

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Speaker 1: until the album. I think I'll see that being a

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Speaker 1: smart move and why not put the response on an album.

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Speaker 1: But why well, if you let Drake tell it, tell it,

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Speaker 1: you know exactly why.

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Speaker 4: That he was just using us because he needed it.

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Speaker 1: I said, if you let Drake Taylor, They've gon call

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Speaker 1: me a Dick roder for like twelve all right days

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Speaker 1: out a song.

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Speaker 2: I'm tired of rodding Dick.

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Speaker 5: I'll let you tell it.

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Speaker 4: Kendrick has had sort of a theme with every single album.

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Speaker 4: If there's one with a diss record to Drake, what

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Speaker 4: is the theme here or is he just doing an

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Speaker 4: album of just raps.

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Speaker 2: I don't know what Kendrick is doing.

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Speaker 4: We're speculating.

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Speaker 1: I think that Kendrick didn't think that this was going

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Speaker 1: to turn into a full out beef. I didn't think, Well,

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Speaker 1: you just asked me to tell you what I think.

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Speaker 1: I'm just thinking.

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Speaker 4: Let me just think away your thoughts. Taking it back,

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Speaker 4: let me tell you what I think.

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Speaker 1: I think that Kendrick put out those bars on a

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Speaker 1: Future's album. I think that, and it's funny how it

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Speaker 1: goes back to what I said. I didn't think that

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Speaker 1: that warranted the response, but that's just me. I don't

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Speaker 1: think that he thought that a full record from Drake

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Speaker 1: was coming his way. I think he thought that there

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Speaker 1: will obviously be some bars on another record, a song somewhere.

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Speaker 1: I don't think that he thought that this would turn

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Speaker 1: into a full beef. I think that's part of the

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Speaker 1: reason why Jay Cole apologized. I think he spoke to

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Speaker 1: Kendrick and Kendrick was like, YO, like, I didn't it's

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Speaker 1: not a beef. I just said what I said, and

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Speaker 1: that was it. Just what I'm thinking, just my thoughts.

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Speaker 4: I think the opposite as far as the convo with

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Speaker 4: Kendrick and Cole, I think Drake and Cole this is

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Speaker 4: purely speculation, not spoken to a single human being about this.

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Speaker 4: I think he talked to Cole and said he's gonna

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Speaker 4: take it there with Kendrick, and Cole was like, all right,

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Speaker 4: you're gonna do that, Bet, I'm not a part of this.

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Speaker 4: If y'all are going to really go there, I'm not

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Speaker 4: even really involved here. That's what I think happened with

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Speaker 4: Cole's reply. I think he got some information from Drake

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Speaker 4: is purely speculation, Yeah, and was.

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Speaker 7: Like, nah, I'm cool.

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Speaker 4: I'm gonna have some fun like wrapping back and forth. Bet,

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Speaker 4: I'm good.

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Speaker 2: See. That's what I think. The opposite.

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Speaker 1: I think that Kendrick and Cole spoke after the Cole

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Speaker 1: record came out, and he was like, yo, like I

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Speaker 1: didn't think this was going to turn into a battle,

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Speaker 1: said it was big me.

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Speaker 2: Yeah, Like that's it.

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Speaker 1: So I said, I think it was going to turn

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Speaker 1: into a battle, But clearly Drake had different plans.

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Speaker 2: And I think with Drake a lot of this is.

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Speaker 1: Just a culmination of him not responding and holding him

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Speaker 1: back on a lot of things for a while. And

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Speaker 1: I think that he's like, Okay, let me entertain this.

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Speaker 1: People obviously think that I'm sweet, think that you know,

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Speaker 1: you can just say things about me and I'll never respond.

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Speaker 1: Because typically that's what Drake does. He ignores a lot direct.

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Speaker 4: I think he pretty much either in a whole subliminal

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Speaker 4: type way or direct pretty much addresses everything down to

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Speaker 4: like very minuscule things that we would think would be

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Speaker 4: above Drake, which I actually appreciate him for that. As

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Speaker 4: a rapper, he will legitimately address a bum on the

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Speaker 4: corner if that bum on the corner said something, but

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Speaker 4: not in such a direct are subs. I mean, I

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Speaker 4: think that Old Deluxe is just five records of selves.

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Speaker 1: I mean Red Button was definitely the battle record that

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Speaker 1: I think that you know, probably putting most rappers on

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Speaker 1: hy and alert, like okay, he's he's letting you know

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Speaker 1: that you know he's aware, but if he has to

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Speaker 1: go there, this.

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Speaker 2: Is what will happened. I don't think y'all want that.

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Speaker 4: I'll ask the room. I tweeted last night and was

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Speaker 4: met with an array of what's Kendrick's have called the

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Speaker 4: big steppers? But what were they before the butterflies? I'm

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Speaker 4: not trying to like what was his his stand group called.

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Speaker 5: No one's ever called.

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Speaker 4: I'm saying no one Kendrick called himself that I'm Kendrick Lama.

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Speaker 4: I asked a question, in the unlikely hypothetical event that

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Speaker 4: Kendrick does not reply, are we gonna move the goalposts

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Speaker 4: for him like we have a lot in the past,

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Speaker 4: or is this boogeyman persona done? And the way we

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Speaker 4: spoke about Cole where all these braggadocia's bars don't hit anymore?

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Speaker 4: Are we going to say the same for Kendrick in

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Speaker 4: the hypothetical.

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Speaker 1: Though, I blame you ever for that, for what y'all

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Speaker 1: made Kendrick feel like he was some boogeyman.

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Speaker 4: No, he didn't. He was saying, someone say candy Man.

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Speaker 4: That was something he created. He did a very good

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Speaker 4: job at it.

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Speaker 1: But yeah, but Jenny, y'all started calling like y'all started

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Speaker 1: calling him candy Man, the Boogeyman, all these other like

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Speaker 1: weird names.

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Speaker 4: The marketing worked, did he Yeah, my generation thinks he's

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Speaker 4: the boogeyman, which I don't. I've never felt that he

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Speaker 4: is the boogeyman.

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Speaker 3: I just feel, oh, now, you don't small see you

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Speaker 3: got it, you'd keep kind of rewrite.

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Speaker 2: Oh now you don't.

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Speaker 3: Now you don't, you keep changing things. I didn't change

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Speaker 3: anything with I've told you. I feel like this is

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Speaker 3: Drake's battle to lose. Drake is light years ahead of

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Speaker 3: whatever Kendrick can do. I've agreed with you on that,

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Speaker 3: have you. Yes, Sorry, I'm sick. My voice is courus.

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Speaker 4: We well, we don't know that there yet. I'm still

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Speaker 4: as much as I loved Drake's reply, and I think

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Speaker 4: he fares very well in a battle with Kendrick. Let's

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Speaker 4: not just dismiss Kendrick like he's not.

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Speaker 2: No nobody's raph Hendrick's.

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Speaker 4: I still think we should give him the benefit of

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Speaker 4: the doubt that he can hang in this arena. I'm

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Speaker 4: just keeping the same energy that I did with Drake

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Speaker 4: after like that, you're on the clock and we're in

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Speaker 4: a different era. Bro, You've had so much time to prepare.

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Speaker 4: Why is it Thursday about to be Friday? Well, to

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Speaker 4: be fair, gotten anything.

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Speaker 1: To be fair, I gave Kendrick the same quote unquote

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Speaker 1: clock that it took Drake to respond.

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Speaker 4: To the to your point, though he was on tour.

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Speaker 4: Even though I thought Drake could record on tour. No,

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Speaker 4: but because he was on tour.

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Speaker 1: Yeah, But like I said, you have to turn into

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Speaker 1: a different person to get into battle mode. You can't

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Speaker 1: be on the tour and be in battle Molde at

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Speaker 1: the same time.

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Speaker 4: Sure, and I'm saying Kendrick to your point before, we

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Speaker 4: believe has been planning this for quite some time. And

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Speaker 4: now that you're saying he may have an album in May,

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Speaker 4: this was probably his roleout and it's been prepped for it.

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Speaker 4: Why didn't you come that the weekend that Drake's this leaked?

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Speaker 4: Why not step on it right away?

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Speaker 1: Well, like I told you, I think the Ross thing

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Speaker 1: kind of put a wedge that. I think that kind

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Speaker 1: of took some of the stem out of it. I

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Speaker 1: think that kind of took some things that Ross may

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Speaker 1: be said. I think Kendrick may have said some of

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Speaker 1: those things too. I agree with you that, So I

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Speaker 1: think that may have You know that that can sound

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Speaker 1: a little dated if you're Kendrick can put that out

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Speaker 1: and it's basically echoing the same thing that Ross already said.

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Speaker 1: So I think that had a lot to do with it.

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Speaker 1: But I do think obviously he'll respond. I think he

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Speaker 1: has to respond. How he responds is different. I don't

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Speaker 1: know if it's a record on his album. I don't

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Speaker 1: know if it's a full out disc. I don't know

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Speaker 1: if it's something similar to the future record. But obviously

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Speaker 1: Kendrick is an EMC of the highest level, so he

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Speaker 1: will respond. But I don't think it's gonna be what

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Speaker 1: people are anticipating. I don't think it's gonna be that.

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Speaker 1: I think the moment of the table reserve for two

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Speaker 1: type of thing that we thought this was kind of

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Speaker 1: got interrupted by the Ross thing a little bit. And

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Speaker 1: I think now with the whole AI thing, I think

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Speaker 1: it's just taking some of that allure off of it.

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Speaker 1: But I think that Kendrick will respond. I just don't

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Speaker 1: think that it's gonna be the way people want.

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Speaker 5: It to be.

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Speaker 4: Perfect segue is my next question. Two leaks happened on

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Speaker 4: what Tuesday morning? Yeah, one Owl Hunting I believe was

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Speaker 4: the fake name of it, and then there was another

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Speaker 4: one that hushed from Ovio posted. Then later on that

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Speaker 4: Owl Hunting one, the guy that made it showed how

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Speaker 4: he made that one. I'm split on this. I thought

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Speaker 4: the Owl Hunting one was AI from rip like just

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Speaker 4: down to the hook. Everything was like, Kendrick's not doing this.

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Speaker 4: I do believe that one that Hush posted might be real.

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Speaker 2: I think so too.

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Speaker 1: I think that's where I think it leaked, the same

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Speaker 1: way Drake's version for the first version leaked. Obviously, I

393
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Speaker 1: think it was more to that record, to that music

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Speaker 1: that we heard from Kendrick. But I do think that

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Speaker 1: that was And that's the thing with this AI thing.

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Speaker 1: I think that, you know, if if another rap battle

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Speaker 1: it occurs, I think that it has to We've learned

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Speaker 1: through this that the music can only be put out

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Speaker 1: on the streaming platform, like it has to.

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Speaker 2: Be either from directly from the artists. Yeah, it can't

401
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Speaker 2: be like we can't.

402
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Speaker 1: We can't just think that it's going to pop up

403
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Speaker 1: on a sound because this AI thing changes that whole dynamic.

404
00:17:26,160 --> 00:17:28,440
Speaker 2: Now, it changes it. It's like, all right, is it really?

405
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Speaker 1: Like when the Drake thing leaked, I didn't even want

406
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Speaker 1: to click on it at first because I was like,

407
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Speaker 1: is this like I don't want to hear no AI

408
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Speaker 1: bars and get all you know into it, Like, oh

409
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Speaker 1: that was hard. I didn't like that bar and it

410
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Speaker 1: come to find out it's not even a real record.

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Speaker 1: I didn't want to do that, so I never didn't.

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Speaker 1: I didn't click on it. But same record, different lines,

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Speaker 1: different beat, So that was a different type of AI

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Speaker 1: because it wasn't AI.

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Speaker 2: It was just a leak version. It was real, but

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Speaker 2: it wasn't the real record.

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Speaker 4: It's funny. I was thinking like the artist's perspective of it,

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Speaker 4: and I do want to listen to what hush Po

419
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Speaker 4: posted in a second. I feel like AI is also

420
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Speaker 4: fucking with the artists because there's been some actual, like

421
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Speaker 4: sort of okay AI disc records that we know I

422
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Speaker 4: flat out AI, like they weren't even like, all right,

423
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Speaker 4: where's that guy's original mirror? I know some of those

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Speaker 4: artists must be tight when they hear these clearly AI records,

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Speaker 4: taking an approach they would have taken, because now it's like,

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Speaker 4: you may look like you're copying the A the viral AI,

427
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Speaker 4: and they were already just taking the obvious approach.

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Speaker 2: You were, right.

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Speaker 4: Can we hear the one that hush posted.

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Speaker 7: The Gulfs of Kendrin, I.

431
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Speaker 8: Dominated your favorite rapp but you might have last. But

432
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Speaker 8: Silen says enough to make niggas apologize. But it's like

433
00:18:48,359 --> 00:18:51,280
Speaker 8: the statements Karl say the credit miss niggas and seized

434
00:18:51,320 --> 00:18:53,520
Speaker 8: diwhen you revive and compet and it's scribed how the

435
00:18:53,600 --> 00:18:57,080
Speaker 8: kind of rapper letting do what theyself self afflicted career

436
00:18:57,200 --> 00:19:01,040
Speaker 8: wounds that fear helped draped loops, surprisse, loose height of respect.

437
00:19:01,240 --> 00:19:02,400
Speaker 4: They promised me my death.

438
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Speaker 7: Now they just needed dreads.

439
00:19:04,480 --> 00:19:07,000
Speaker 4: Wasn't that being dead laid on the plot? You're not

440
00:19:07,160 --> 00:19:07,399
Speaker 4: in need?

441
00:19:07,480 --> 00:19:09,040
Speaker 8: But I have to throw boutits for him to go.

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Speaker 8: Now that we got that out of little waysmo more

443
00:19:11,640 --> 00:19:13,320
Speaker 8: to go. Stop wasting time.

444
00:19:13,440 --> 00:19:13,879
Speaker 3: Let's get the.

445
00:19:13,920 --> 00:19:15,480
Speaker 4: Show on the brow niggas?

446
00:19:15,600 --> 00:19:16,080
Speaker 8: Was I normal?

447
00:19:16,600 --> 00:19:18,560
Speaker 5: This is and when a kid was flying ahead.

448
00:19:18,320 --> 00:19:19,679
Speaker 9: And take in a sweet this is.

449
00:19:22,920 --> 00:19:23,239
Speaker 5: All right?

450
00:19:23,280 --> 00:19:26,480
Speaker 4: I saw everyone killing that and saying Kendrick's got to

451
00:19:26,520 --> 00:19:28,200
Speaker 4: come hard than that. I thought that was a great

452
00:19:28,359 --> 00:19:32,119
Speaker 4: intro to start off with this record. He's about to

453
00:19:32,160 --> 00:19:35,280
Speaker 4: go somewhere and everyone's like, yo, that got leaked. That's

454
00:19:35,320 --> 00:19:37,280
Speaker 4: why Kendricks taking so long, because he thought that was

455
00:19:37,320 --> 00:19:40,840
Speaker 4: it and everyone called it trash. Clearly he's about to

456
00:19:40,880 --> 00:19:43,359
Speaker 4: go somewhere. I thought that was a great fucking start

457
00:19:43,440 --> 00:19:45,320
Speaker 4: with the cold Ship. All right, Now let's get to

458
00:19:45,359 --> 00:19:47,320
Speaker 4: the drake shit, I thought I hope this is the

459
00:19:47,440 --> 00:19:49,359
Speaker 4: beginning of the real record. I thought that was a

460
00:19:49,440 --> 00:19:49,960
Speaker 4: great start.

461
00:19:50,359 --> 00:19:53,240
Speaker 2: Uh, it sounds good. I wasn't mad at it. Obviously.

462
00:19:53,320 --> 00:19:56,440
Speaker 2: The beat is hard. You know, he's saying a couple

463
00:19:56,440 --> 00:19:57,560
Speaker 2: of things on there that's like okay.

464
00:19:58,160 --> 00:19:58,280
Speaker 5: Uh.

465
00:19:58,359 --> 00:20:00,680
Speaker 1: But then this this gentleman I guess popped up on

466
00:20:00,800 --> 00:20:03,159
Speaker 1: TikTok or whatever he popped up at and proved that

467
00:20:03,280 --> 00:20:04,920
Speaker 1: it was him that actually made the record.

468
00:20:05,040 --> 00:20:06,679
Speaker 4: No, no, no, no, that was that was a different one,

469
00:20:06,680 --> 00:20:08,280
Speaker 4: but that was the other one. Yeah, okay, the one

470
00:20:08,320 --> 00:20:12,119
Speaker 4: that Hush posted. I believe just my own thoughts that

471
00:20:12,240 --> 00:20:14,600
Speaker 4: that could actually be a real I think that's a

472
00:20:14,680 --> 00:20:16,919
Speaker 4: real record that owl hunts and ship like.

473
00:20:18,600 --> 00:20:18,639
Speaker 9: That.

474
00:20:19,080 --> 00:20:19,240
Speaker 5: Yeah.

475
00:20:19,320 --> 00:20:21,000
Speaker 4: That hook was like all right, bro, this is how

476
00:20:21,200 --> 00:20:22,240
Speaker 4: how could y'all think this is real?

477
00:20:22,359 --> 00:20:22,560
Speaker 5: Yeah?

478
00:20:24,119 --> 00:20:27,600
Speaker 4: I mean, I'm glad people were posting this to prove

479
00:20:27,760 --> 00:20:30,600
Speaker 4: that it was fake, because the Internet believes anything.

480
00:20:30,760 --> 00:20:31,120
Speaker 7: M hmm.

481
00:20:31,640 --> 00:20:33,119
Speaker 4: But I'm also on the side of like, why are

482
00:20:33,160 --> 00:20:36,760
Speaker 4: we promoting this? This is just gonna encourage more people.

483
00:20:36,600 --> 00:20:36,840
Speaker 5: To do this.

484
00:20:36,880 --> 00:20:39,520
Speaker 3: Ship HOMEI this isn't cool, guys, Like, here's how I

485
00:20:39,600 --> 00:20:41,679
Speaker 3: made the record. Stay the funk out of the business.

486
00:20:41,720 --> 00:20:43,879
Speaker 3: It's corny, No one gives a ship. You dubbed your

487
00:20:43,920 --> 00:20:45,359
Speaker 3: voice to sound like a famous rapper.

488
00:20:45,480 --> 00:20:47,680
Speaker 5: It's whack. You fucked up this whole rollout.

489
00:20:47,800 --> 00:20:51,080
Speaker 4: You figured out how Kendrick does his tease. Great, I

490
00:20:51,160 --> 00:20:51,560
Speaker 4: don't care.

491
00:20:51,800 --> 00:20:53,639
Speaker 3: I think Kendrick would have dropped if this dick had

492
00:20:53,640 --> 00:20:55,600
Speaker 3: didn't fucking put this shitty ass record out.

493
00:20:55,800 --> 00:20:57,879
Speaker 2: No, I don't think Kendrick would have dropped. I think that.

494
00:20:58,600 --> 00:20:59,480
Speaker 4: I think it's something else.

495
00:20:59,560 --> 00:20:59,800
Speaker 5: I don't.

496
00:21:00,840 --> 00:21:04,879
Speaker 1: I think it's you know again, I believe that Kendrick

497
00:21:04,920 --> 00:21:08,560
Speaker 1: didn't think a full this record from Drake was coming.

498
00:21:08,800 --> 00:21:09,639
Speaker 2: I don't think he thought that.

499
00:21:09,760 --> 00:21:11,399
Speaker 1: I thought he thought he would just address it in

500
00:21:11,480 --> 00:21:14,840
Speaker 1: another Drake record and just put be on an album somewhere.

501
00:21:15,320 --> 00:21:18,160
Speaker 1: I don't think he thought that a battle was gonna

502
00:21:18,160 --> 00:21:19,720
Speaker 1: happen from that moment. I don't think he thought that

503
00:21:19,760 --> 00:21:20,040
Speaker 1: at all.

504
00:21:20,600 --> 00:21:20,840
Speaker 5: Huh.

505
00:21:21,440 --> 00:21:23,000
Speaker 1: So I think that he had to, you know, I

506
00:21:23,119 --> 00:21:26,240
Speaker 1: do think he has an album coming in May, and

507
00:21:26,359 --> 00:21:28,600
Speaker 1: I think that that kind of like this kind of

508
00:21:28,680 --> 00:21:31,679
Speaker 1: got in the way of maybe some album things. Now

509
00:21:31,760 --> 00:21:33,760
Speaker 1: he has to turn into this mode or maybe he

510
00:21:33,800 --> 00:21:35,679
Speaker 1: has to create this type of record when the album's

511
00:21:35,720 --> 00:21:39,159
Speaker 1: almost done. But yeah, I think the moment my overall

512
00:21:39,160 --> 00:21:41,119
Speaker 1: point is I think the moment we thought we were

513
00:21:41,200 --> 00:21:44,720
Speaker 1: going to have between Drake and Kendrick, I don't think

514
00:21:44,840 --> 00:21:47,120
Speaker 1: we're gonna have it the way we thought. I think

515
00:21:47,119 --> 00:21:50,680
Speaker 1: it'll happen eventually. Kendrick will respond, but it won't be

516
00:21:50,800 --> 00:21:54,560
Speaker 1: the battle. It won't be like back and forth like

517
00:21:54,640 --> 00:21:55,000
Speaker 1: we thought.

518
00:21:55,119 --> 00:21:57,199
Speaker 3: Where do you keep hearing? Sorry, where do you keep

519
00:21:57,240 --> 00:21:58,520
Speaker 3: hearing about this album coming in May?

520
00:21:59,160 --> 00:22:00,920
Speaker 4: I didn't first some arty was from Mall.

521
00:22:01,040 --> 00:22:04,000
Speaker 5: Just now, yeah, Sam, you said it like three times.

522
00:22:04,280 --> 00:22:08,080
Speaker 5: I just I just spoke to a little birdie on Twitter.

523
00:22:08,280 --> 00:22:10,320
Speaker 2: No, not on Twitter. I was smoking walking around the

524
00:22:10,359 --> 00:22:13,760
Speaker 2: park and a little birdie dropped a little button button.

525
00:22:13,800 --> 00:22:16,040
Speaker 2: My d it No, Kendrick maybe coming to May.

526
00:22:16,200 --> 00:22:17,920
Speaker 4: So I was like, oh, okay, what type of a bird?

527
00:22:18,080 --> 00:22:18,639
Speaker 4: Was it a butterfly?

528
00:22:19,040 --> 00:22:20,200
Speaker 2: It was a It was a blue jay.

529
00:22:20,200 --> 00:22:21,520
Speaker 4: I think can butterflies be.

530
00:22:21,640 --> 00:22:26,720
Speaker 5: Oh wow, that's a reference. Oh wow, good job, Mall.

531
00:22:26,800 --> 00:22:29,280
Speaker 5: I get it. Not that blue jay. Okay, No, I mean,

532
00:22:29,359 --> 00:22:32,440
Speaker 5: but they're up there ken folk.

533
00:22:32,520 --> 00:22:34,360
Speaker 3: By the way, you guys were asking what Kendrick fans

534
00:22:34,400 --> 00:22:36,320
Speaker 3: are called. He once tweeted at his fan base for

535
00:22:36,400 --> 00:22:39,320
Speaker 3: freeing to them as ken folk, like k folk like

536
00:22:39,440 --> 00:22:42,359
Speaker 3: kin Folk, but I feel like Kendrick's better than that.

537
00:22:43,240 --> 00:22:43,960
Speaker 3: It was an old tweet.

538
00:22:44,040 --> 00:22:46,280
Speaker 2: That's the name of kendricks fan base is Kinfolk.

539
00:22:46,480 --> 00:22:49,360
Speaker 5: It was an old tweet he made. Oh but yeah,

540
00:22:49,520 --> 00:22:51,560
Speaker 5: ken Folk, I'm.

541
00:22:51,400 --> 00:22:53,520
Speaker 4: Gonna sound like I'm moving the goalpost. And I swear

542
00:22:53,600 --> 00:22:57,880
Speaker 4: I have not joined any Ovio alliance. It's my own

543
00:22:58,040 --> 00:22:58,880
Speaker 4: individual thought.

544
00:22:59,480 --> 00:22:59,800
Speaker 5: Kendrick.

545
00:23:00,000 --> 00:23:01,879
Speaker 4: It's a different clock than Drake. Even though I was

546
00:23:02,040 --> 00:23:05,080
Speaker 4: very I put a lot of pressure in these episodes.

547
00:23:06,160 --> 00:23:08,720
Speaker 4: Why because you don't get to pop the ship off

548
00:23:09,200 --> 00:23:11,200
Speaker 4: and then get to make the time.

549
00:23:11,440 --> 00:23:11,919
Speaker 7: I agree.

550
00:23:12,040 --> 00:23:13,960
Speaker 2: Oh, so you're saying Kendrick should respond sooner.

551
00:23:14,200 --> 00:23:17,879
Speaker 4: Yes, he doesn't. He does not get the luxury relax.

552
00:23:18,520 --> 00:23:19,399
Speaker 4: He does not get.

553
00:23:23,359 --> 00:23:25,080
Speaker 2: Because I'm waiting. I'm waiting. I'm waiting for y'all to

554
00:23:25,160 --> 00:23:26,359
Speaker 2: move the post. I know it's gonna have.

555
00:23:27,000 --> 00:23:28,760
Speaker 4: It's gonna look like I'm moving the post for Drake,

556
00:23:28,800 --> 00:23:30,240
Speaker 4: but I'm not. I feel like if you pop the

557
00:23:30,240 --> 00:23:31,960
Speaker 4: ship off, we can't be on your time.

558
00:23:32,040 --> 00:23:32,159
Speaker 5: Now.

559
00:23:32,280 --> 00:23:35,280
Speaker 4: I agree you popped it off. Even though I said,

560
00:23:35,359 --> 00:23:37,600
Speaker 4: Drake should have replied quicker. I'll give them the benefit

561
00:23:37,600 --> 00:23:39,440
Speaker 4: of the doubt because the records great three weeks is

562
00:23:39,440 --> 00:23:42,880
Speaker 4: a good enough turnaround time when you're on tour, Kendrick

563
00:23:43,040 --> 00:23:45,119
Speaker 4: is chilling. You popped it off. Now we're not on

564
00:23:45,240 --> 00:23:48,000
Speaker 4: your time anymore. You have to reply right away. You

565
00:23:48,040 --> 00:23:50,199
Speaker 4: don't get the same luxury to pop the ship off,

566
00:23:50,240 --> 00:23:52,560
Speaker 4: and everyone else has to get their ship in order, Like, damn,

567
00:23:52,600 --> 00:23:55,160
Speaker 4: didn't see this coming. Now we have to get into

568
00:23:55,160 --> 00:23:56,280
Speaker 4: what you're saying, a battle mode.

569
00:23:57,359 --> 00:23:57,880
Speaker 7: No you don't.

570
00:23:58,040 --> 00:24:00,960
Speaker 4: We're not on your clock anymore, Kendrick, you popped it off.

571
00:24:01,240 --> 00:24:04,680
Speaker 4: Somebody replied directly, we need something this week.

572
00:24:04,920 --> 00:24:08,199
Speaker 1: Well, well he will respond, and it'll be a great response,

573
00:24:08,280 --> 00:24:12,480
Speaker 1: because Kendrick is a great rapper. But I think still

574
00:24:12,560 --> 00:24:14,159
Speaker 1: through all of this, we find out that all of

575
00:24:14,200 --> 00:24:16,840
Speaker 1: this candy Man Boogieyman shit that your generation kind of

576
00:24:16,920 --> 00:24:17,960
Speaker 1: dubbed Kendrick.

577
00:24:18,400 --> 00:24:19,600
Speaker 5: Well I don't believe in that.

578
00:24:20,080 --> 00:24:23,080
Speaker 2: Well, well not you, but your generation definitely was running around.

579
00:24:23,080 --> 00:24:23,199
Speaker 9: So I.

580
00:24:24,960 --> 00:24:26,920
Speaker 1: Mean, it was twenty eight year old runnerup to me

581
00:24:27,000 --> 00:24:28,240
Speaker 1: say say candy Man. I'm like, I don't want to

582
00:24:28,280 --> 00:24:29,600
Speaker 1: say candy Man. I never liked that movie.

583
00:24:29,680 --> 00:24:31,920
Speaker 4: Like I'm not saying, not even knowing what the reference. Yeah,

584
00:24:31,920 --> 00:24:33,000
Speaker 4: I'm like, I'm not saying candy Man.

585
00:24:33,040 --> 00:24:34,639
Speaker 1: And then y'all just kind of ran and thought that

586
00:24:34,720 --> 00:24:36,639
Speaker 1: Kendrick was this bully that ran through the industry and

587
00:24:36,680 --> 00:24:37,720
Speaker 1: nobody wanted to battle.

588
00:24:37,800 --> 00:24:41,200
Speaker 4: All right, well, I agree with you. My generation definitely

589
00:24:41,280 --> 00:24:45,320
Speaker 4: took that stance with Kendrick. But can you blame us, Yeah,

590
00:24:45,520 --> 00:24:47,920
Speaker 4: I'm blaming you right now. We were very proud that,

591
00:24:48,200 --> 00:24:52,119
Speaker 4: especially people my age that grew up on like golden

592
00:24:52,160 --> 00:24:54,560
Speaker 4: era hip hop. We weren't actually like there for it.

593
00:24:54,640 --> 00:24:56,640
Speaker 4: We were alive, we weren't there for it, but grew

594
00:24:56,760 --> 00:25:00,840
Speaker 4: up appreciating that, especially when our era of music when

595
00:25:00,880 --> 00:25:03,040
Speaker 4: we were in high school was you know, a little weird.

596
00:25:04,040 --> 00:25:07,680
Speaker 4: We finally got somebody, we feel that could have been

597
00:25:07,760 --> 00:25:10,000
Speaker 4: in the same tier as the j and the Nases

598
00:25:10,080 --> 00:25:12,919
Speaker 4: like and we were there at twenty years old. When

599
00:25:12,960 --> 00:25:15,159
Speaker 4: Kendrick put out Good Kid, Mad City. He means a

600
00:25:15,240 --> 00:25:17,879
Speaker 4: lot to us in that regard. No, he's ours that

601
00:25:18,040 --> 00:25:18,400
Speaker 4: in that way.

602
00:25:18,440 --> 00:25:20,439
Speaker 1: But you call somebody a boogeyman once you've seen them

603
00:25:20,480 --> 00:25:24,359
Speaker 1: in action, like terrorize other rappers, and like Kendrick has

604
00:25:24,400 --> 00:25:24,840
Speaker 1: never done that.

605
00:25:25,160 --> 00:25:27,080
Speaker 4: I was way more scared of gun play on cartoons

606
00:25:27,119 --> 00:25:27,920
Speaker 4: and serial exactly.

607
00:25:29,760 --> 00:25:31,040
Speaker 2: That's the boogey man.

608
00:25:31,080 --> 00:25:33,359
Speaker 1: If we try to talk about the boogieyman like Kendrick

609
00:25:33,440 --> 00:25:36,360
Speaker 1: has never I mean, but you know, I understand it. Yeah,

610
00:25:36,480 --> 00:25:38,840
Speaker 1: sometimes you say things and you know it grows legs

611
00:25:38,840 --> 00:25:41,320
Speaker 1: and people start calling that. But you know, it's just

612
00:25:41,359 --> 00:25:43,800
Speaker 1: gonna be very interesting to watch this unfold and watch

613
00:25:43,840 --> 00:25:44,800
Speaker 1: with a lance after that.

614
00:25:45,040 --> 00:25:49,200
Speaker 4: I mean, he did a great job of marketing that

615
00:25:49,359 --> 00:25:52,159
Speaker 4: mystique and only dropping a certain steff like he is

616
00:25:52,280 --> 00:25:56,040
Speaker 4: owed the respect of this perception that he created. It

617
00:25:56,280 --> 00:25:58,760
Speaker 4: was great marketing. It was just the other side of

618
00:25:58,800 --> 00:26:01,840
Speaker 4: what Drake was doing. Yeah, so I think he still

619
00:26:01,920 --> 00:26:05,960
Speaker 4: deserves the same praise. But nah, I gotta see you

620
00:26:06,160 --> 00:26:09,520
Speaker 4: like reply, Yeah, it's this name dropt like when that

621
00:26:09,640 --> 00:26:11,399
Speaker 4: element leak came out when he was like dis in

622
00:26:11,480 --> 00:26:14,879
Speaker 4: French Montana and like telling Drake, I'm not Meek. I

623
00:26:14,960 --> 00:26:16,680
Speaker 4: didn't lose my mind the way everyone else. I was like,

624
00:26:16,720 --> 00:26:20,720
Speaker 4: all right, he just set a bunch of rappers names again, Okay,

625
00:26:21,160 --> 00:26:23,399
Speaker 4: we know that Meek is not Drake. I didn't need

626
00:26:23,480 --> 00:26:28,000
Speaker 4: Kendrick to tell me that. How are y'all feeling about

627
00:26:29,280 --> 00:26:31,760
Speaker 4: everything that's going on in Gaza?

628
00:26:31,880 --> 00:26:32,480
Speaker 5: Not very good?

629
00:26:32,640 --> 00:26:32,760
Speaker 9: Well?

630
00:26:32,840 --> 00:26:33,840
Speaker 2: No, no, no, not Gaza.

631
00:26:34,440 --> 00:26:36,720
Speaker 5: Oh in this well, I mean, y'all have.

632
00:26:36,720 --> 00:26:38,560
Speaker 2: Been kind of quiet because your horse kind of bowed out.

633
00:26:38,640 --> 00:26:40,000
Speaker 5: So I think I got a check in with you.

634
00:26:40,040 --> 00:26:42,760
Speaker 4: I think Demarus is making a quiet, bold statement today

635
00:26:43,040 --> 00:26:46,240
Speaker 4: wearing that Kanye West Vulture's crew neck.

636
00:26:46,640 --> 00:26:47,399
Speaker 2: What is the statement?

637
00:26:47,760 --> 00:26:49,399
Speaker 4: I think she chose a side and it's not it's

638
00:26:49,440 --> 00:26:55,920
Speaker 4: not Drake's. Wait what hold on para? But like, why no,

639
00:26:56,000 --> 00:27:00,280
Speaker 4: I'm not Drake's not Israel. I'm saying in the rap world, Okay,

640
00:27:00,960 --> 00:27:03,200
Speaker 4: are you taking the Kendrick side?

641
00:27:03,920 --> 00:27:06,960
Speaker 7: Is Vulture's Kendrick? How would that be taking Kendrick side?

642
00:27:07,280 --> 00:27:08,879
Speaker 4: If you take a Kanye side, you're not taking a

643
00:27:08,920 --> 00:27:09,400
Speaker 4: Drake side?

644
00:27:10,119 --> 00:27:12,119
Speaker 7: Oh please, I didn't even child.

645
00:27:13,320 --> 00:27:14,520
Speaker 4: I think I think you made a statement.

646
00:27:14,560 --> 00:27:17,120
Speaker 10: I'm on rap side. I want to hear everybody's responses

647
00:27:17,160 --> 00:27:18,199
Speaker 10: and pick a winner at the end.

648
00:27:18,280 --> 00:27:19,760
Speaker 4: You're one of those that thinks the fans win.

649
00:27:20,040 --> 00:27:22,600
Speaker 7: Yeah, the fans are losing right now though, because sh

650
00:27:22,600 --> 00:27:23,679
Speaker 7: it is nasty out here.

651
00:27:23,800 --> 00:27:25,000
Speaker 5: But is it?

652
00:27:25,119 --> 00:27:29,000
Speaker 4: I feel like this has revived some form of at

653
00:27:29,119 --> 00:27:32,440
Speaker 4: least music talk, like outside of just podcasting. It's nice

654
00:27:32,480 --> 00:27:35,840
Speaker 4: to see the timeline, see people in my everyday life

655
00:27:36,359 --> 00:27:38,720
Speaker 4: want to talk about music. Yeah, it's it's a great

656
00:27:38,800 --> 00:27:41,720
Speaker 4: change that I'm cherishing being in the moment. It's just

657
00:27:41,960 --> 00:27:43,040
Speaker 4: because I know it's going to pass.

658
00:27:43,240 --> 00:27:45,560
Speaker 1: Because no rappers, no other rappers, can really put out

659
00:27:46,000 --> 00:27:46,679
Speaker 1: music right now.

660
00:27:47,200 --> 00:27:48,760
Speaker 5: Yeah, it would be horrible for them today.

661
00:27:48,760 --> 00:27:50,600
Speaker 1: It would be so it would be it would be

662
00:27:50,720 --> 00:27:52,480
Speaker 1: like the dumbest thing for a rapper to try to

663
00:27:52,600 --> 00:27:53,520
Speaker 1: drop something right.

664
00:27:53,440 --> 00:27:56,920
Speaker 4: Now, speaking of like the real boogeyman. Is Taylor Swift

665
00:27:56,960 --> 00:27:57,480
Speaker 4: dropping tonight?

666
00:27:57,560 --> 00:27:58,360
Speaker 5: Is that true.

667
00:28:00,240 --> 00:28:01,159
Speaker 9: That I was?

668
00:28:01,480 --> 00:28:03,760
Speaker 4: I was thinking maybe Kendrick was waiting this week, because

669
00:28:03,840 --> 00:28:05,200
Speaker 4: isn't Taylor dropping something tonight?

670
00:28:05,359 --> 00:28:06,080
Speaker 7: I don't, I don't know.

671
00:28:06,240 --> 00:28:07,720
Speaker 5: I maybe Kendrick's verses on that.

672
00:28:07,800 --> 00:28:11,120
Speaker 4: I think I saw Carl Cherry tweeting about some Admittedly,

673
00:28:11,160 --> 00:28:13,600
Speaker 4: I don't keep up with what's going on with Taylor Swift.

674
00:28:13,640 --> 00:28:18,760
Speaker 4: I'm sorry, swifties, I'm not I'm not. I know her

675
00:28:18,840 --> 00:28:21,560
Speaker 4: next one's called The Tortured Poets, but I don't know.

676
00:28:21,840 --> 00:28:23,600
Speaker 4: I just feel like I wouldn't know if it was

677
00:28:23,640 --> 00:28:26,000
Speaker 4: really coming out at midnight.

678
00:28:26,480 --> 00:28:27,320
Speaker 2: You're not a swiftie.

679
00:28:27,359 --> 00:28:27,719
Speaker 7: I don't think.

680
00:28:28,160 --> 00:28:29,600
Speaker 4: I never said I was one.

681
00:28:30,359 --> 00:28:32,960
Speaker 7: She does have something coming, so is it tonight?

682
00:28:33,280 --> 00:28:33,480
Speaker 6: Yeah?

683
00:28:33,600 --> 00:28:35,600
Speaker 4: Oh guess who? The only Swifty in the room is me?

684
00:28:35,640 --> 00:28:36,560
Speaker 4: Because I'm wow.

685
00:28:36,680 --> 00:28:38,600
Speaker 5: Damn, that's a quick turnaround, all.

686
00:28:38,560 --> 00:28:41,120
Speaker 4: Right, so we're definitely not getting a Kendrick Well I

687
00:28:41,280 --> 00:28:43,360
Speaker 4: respond on this, what if he's one of the tortured poets?

688
00:28:43,960 --> 00:28:44,120
Speaker 9: Mm.

689
00:28:44,680 --> 00:28:45,760
Speaker 5: You didn't even put like that once he.

690
00:28:46,200 --> 00:28:47,720
Speaker 1: Made him do it for the swifties again, once he

691
00:28:47,840 --> 00:28:49,800
Speaker 1: dropped his response, he's going to be a torching poet

692
00:28:49,800 --> 00:28:54,400
Speaker 1: all right.

693
00:28:54,480 --> 00:28:56,520
Speaker 2: Let me I'm roding Dick again. My bad, I'm sorry,

694
00:28:56,640 --> 00:28:57,120
Speaker 2: let me stop.

695
00:28:58,600 --> 00:29:00,720
Speaker 5: Don't check, don't do that, don't do that all of us.

696
00:29:00,960 --> 00:29:03,560
Speaker 1: I'm just saying, you can't can't say anything about Drake.

697
00:29:03,600 --> 00:29:05,440
Speaker 1: I'm rod digging if it say anything about Drake, I can't.

698
00:29:05,760 --> 00:29:07,480
Speaker 1: If you like a rap, I don't say you're rotten

699
00:29:07,480 --> 00:29:10,080
Speaker 1: dick just like okay, that'sh you like him like you guys.

700
00:29:09,920 --> 00:29:11,760
Speaker 4: Are gonna make me defend Kendrick more than I even

701
00:29:11,800 --> 00:29:13,680
Speaker 4: want to. He's not gonna do the alien voice. It's

702
00:29:13,720 --> 00:29:15,840
Speaker 4: not gonna be over jazz beats. Like Kendrick Lamar is

703
00:29:15,920 --> 00:29:18,840
Speaker 4: still a great fucking rapper. Who said he's all of

704
00:29:18,960 --> 00:29:21,880
Speaker 4: the ovo stands. Everyone north of the border has made

705
00:29:21,920 --> 00:29:24,600
Speaker 4: this perception in the last two weeks that Kendrick Lamar

706
00:29:24,720 --> 00:29:25,640
Speaker 4: is not Kendrick Lamar.

707
00:29:25,560 --> 00:29:26,560
Speaker 7: Everybody the border.

708
00:29:26,560 --> 00:29:28,360
Speaker 4: There's always easiest gonna be like this, this, this, this

709
00:29:28,480 --> 00:29:29,920
Speaker 4: over some over some jazz chords.

710
00:29:31,200 --> 00:29:31,600
Speaker 5: Wasn't that bad?

711
00:29:31,720 --> 00:29:31,880
Speaker 7: Yeah?

712
00:29:32,840 --> 00:29:35,960
Speaker 5: I was raised asleep and it's bad.

713
00:29:36,840 --> 00:29:39,480
Speaker 4: The only thing he was missing was a leah. I

714
00:29:39,560 --> 00:29:40,680
Speaker 4: hated that bar so much.

715
00:29:42,520 --> 00:29:42,640
Speaker 6: Uh.

716
00:29:43,360 --> 00:29:47,640
Speaker 4: Kendrick is still one of the most intelligent strategic rappers

717
00:29:47,720 --> 00:29:50,080
Speaker 4: that we have seen. If y'all think he is about

718
00:29:50,160 --> 00:29:53,160
Speaker 4: to go do some to Pimple Butterfly ship in a

719
00:29:53,240 --> 00:29:56,520
Speaker 4: response to Drake, That's where I just can't stand.

720
00:29:56,280 --> 00:29:59,400
Speaker 2: With people that are just just saying anything.

721
00:29:59,600 --> 00:30:01,600
Speaker 1: No, he's gonna he's gonna rap for real, this is

722
00:30:01,640 --> 00:30:04,280
Speaker 1: gonna be He's gonna respond, He's gonna respond.

723
00:30:04,360 --> 00:30:06,920
Speaker 2: I just think that his plan wasn't a battle.

724
00:30:07,560 --> 00:30:10,720
Speaker 4: How do we like turn down the algorithms a little

725
00:30:10,760 --> 00:30:14,040
Speaker 4: bit like a volume button, because I'll click, man, I'll

726
00:30:14,080 --> 00:30:18,840
Speaker 4: click one like positive Drake tweet that I like, not

727
00:30:18,920 --> 00:30:20,640
Speaker 4: even actually like it, but I'm like, oh okay, I'll

728
00:30:20,680 --> 00:30:24,239
Speaker 4: read it, and then I completely get thrown into all

729
00:30:24,320 --> 00:30:27,000
Speaker 4: the Ovio stands, and then I'll like one Kendrick thing

730
00:30:27,080 --> 00:30:29,920
Speaker 4: and then I'll be in the biggest Drake hater thread

731
00:30:30,360 --> 00:30:31,600
Speaker 4: all by just looking at something.

732
00:30:31,920 --> 00:30:33,080
Speaker 2: I like that what happens.

733
00:30:33,160 --> 00:30:35,800
Speaker 4: I do like the algorithms because it does bring more shit.

734
00:30:36,600 --> 00:30:38,880
Speaker 4: I'm not an algorithm hater, but like, how do we

735
00:30:39,000 --> 00:30:41,560
Speaker 4: just turn it down a little bit where once I

736
00:30:41,640 --> 00:30:43,200
Speaker 4: click one thing, I don't get everything.

737
00:30:43,440 --> 00:30:43,720
Speaker 5: You got it?

738
00:30:43,800 --> 00:30:45,520
Speaker 2: You can't click on nothing, you really can't.

739
00:30:45,600 --> 00:30:48,000
Speaker 3: Yeah, you know what else we could turn down? I

740
00:30:48,080 --> 00:30:51,040
Speaker 3: already take back my angle of championing Rick Ross for

741
00:30:51,120 --> 00:30:54,920
Speaker 3: trolling Drake. I'm past it now. You can stop post

742
00:30:55,040 --> 00:30:57,560
Speaker 3: like four hundred Instagram stories of just like nonsense.

743
00:30:57,640 --> 00:31:01,440
Speaker 4: I can't even keep up. It's so it's got also Ross, like,

744
00:31:02,320 --> 00:31:03,720
Speaker 4: do they know that all of us aren't rich?

745
00:31:04,960 --> 00:31:05,600
Speaker 7: No, it wasn't.

746
00:31:06,360 --> 00:31:08,200
Speaker 4: It wasn't a dis to me that he owns a

747
00:31:08,240 --> 00:31:10,560
Speaker 4: sliver of Star Island. Yeah, I think that's kind.

748
00:31:10,640 --> 00:31:12,760
Speaker 3: It was like a thirty six million dollar home while

749
00:31:12,840 --> 00:31:16,520
Speaker 3: Drake's home it was selling for eighty eight. And then

750
00:31:16,560 --> 00:31:18,720
Speaker 3: he's like the tree line, that vacant lot next to

751
00:31:18,760 --> 00:31:20,400
Speaker 3: the tree lines, not even yours. It's like, now we're

752
00:31:20,520 --> 00:31:24,320
Speaker 3: nitpicking square footage. It started out funny, and we know Ross,

753
00:31:24,720 --> 00:31:27,720
Speaker 3: we're both funny. Now it's getting into like money talk

754
00:31:27,800 --> 00:31:30,400
Speaker 3: that all of us are like you're both very rich.

755
00:31:30,440 --> 00:31:32,560
Speaker 7: In the middle of a damn near recession.

756
00:31:33,680 --> 00:31:36,760
Speaker 2: M Yeah, I feel like I feel like they shouldn't

757
00:31:36,760 --> 00:31:38,920
Speaker 2: talking about their money, not.

758
00:31:39,280 --> 00:31:40,760
Speaker 7: Dragging it the way that they're dragging it.

759
00:31:40,840 --> 00:31:44,360
Speaker 4: I think they can do that in their DMS or

760
00:31:44,440 --> 00:31:46,760
Speaker 4: do it on a record. I've never met a money

761
00:31:46,800 --> 00:31:47,640
Speaker 4: talk on a rap record.

762
00:31:47,920 --> 00:31:48,360
Speaker 5: I like it.

763
00:31:49,520 --> 00:31:51,840
Speaker 1: I like when rich and they can start beefing, because

764
00:31:51,840 --> 00:31:54,560
Speaker 1: look what they beefing about. That plane was a cargo

765
00:31:54,640 --> 00:31:58,400
Speaker 1: plane before you put seats in it. Yeah, yeah, exactly.

766
00:32:00,280 --> 00:32:01,720
Speaker 2: Yeah, it was like, what.

767
00:32:01,760 --> 00:32:03,959
Speaker 1: Do you want me to do, nap, put a luxurious

768
00:32:04,040 --> 00:32:07,600
Speaker 1: interior in the Now it's a private fucking plane.

769
00:32:07,680 --> 00:32:08,800
Speaker 5: Also, that was a known thing.

770
00:32:08,880 --> 00:32:10,920
Speaker 3: I hate when people try to say stuff like they're

771
00:32:11,000 --> 00:32:13,320
Speaker 3: breaking news, like that was a gifted cargo jet.

772
00:32:13,440 --> 00:32:14,120
Speaker 5: Everyone knew that.

773
00:32:14,560 --> 00:32:16,080
Speaker 4: I didn't, and I still don't care.

774
00:32:16,160 --> 00:32:19,560
Speaker 3: Even if you didn't, it's still it's still just paid

775
00:32:19,560 --> 00:32:22,880
Speaker 3: amount of money to keep that thing running. You're you're staffing,

776
00:32:22,960 --> 00:32:25,200
Speaker 3: that's its staff. You're hiring a staff to operate that.

777
00:32:25,320 --> 00:32:28,600
Speaker 3: So it's like you're accruing another property. So that that alone,

778
00:32:28,640 --> 00:32:31,280
Speaker 3: you're gutting it, fitting it to fit people, because it

779
00:32:31,400 --> 00:32:34,280
Speaker 3: was a cargo plane. At one point, it's like these

780
00:32:34,320 --> 00:32:36,720
Speaker 3: are like, these are tens of millions of dollars in projects.

781
00:32:37,400 --> 00:32:39,840
Speaker 3: Just yeah, so what the plane itself was a gift?

782
00:32:39,960 --> 00:32:42,760
Speaker 4: Okay, but I did laugh, and Drake so dumb told

783
00:32:42,880 --> 00:32:44,640
Speaker 4: Ross that he has to take the wrap off his

784
00:32:44,720 --> 00:32:46,880
Speaker 4: jet when it's time for other people to fly. That's

785
00:32:47,000 --> 00:32:47,720
Speaker 4: I did laugh at that.

786
00:32:48,080 --> 00:32:48,480
Speaker 2: It was good.

787
00:32:48,560 --> 00:32:49,560
Speaker 5: That was that's pretty funny.

788
00:32:49,720 --> 00:32:51,840
Speaker 4: At least be funny with your rich talk. I don't

789
00:32:51,880 --> 00:32:54,120
Speaker 4: care that his plane was a cargo. I also think

790
00:32:54,640 --> 00:32:58,440
Speaker 4: Ross owning a house on Starline is great. Yes, I

791
00:32:58,480 --> 00:33:00,120
Speaker 4: didn't think it was a slight to say that you

792
00:33:00,200 --> 00:33:02,600
Speaker 4: have like a sliver of the pie. It's a great pie.

793
00:33:02,640 --> 00:33:06,640
Speaker 4: It's Starland, like Star Island in Miami. And it looked

794
00:33:06,640 --> 00:33:09,880
Speaker 4: like an awesome house. This is a beautiful, beautiful home. Beauty.

795
00:33:10,080 --> 00:33:13,160
Speaker 4: It was funny when he called it a content creator

796
00:33:13,960 --> 00:33:16,280
Speaker 4: starter house or something Miami starter pack.

797
00:33:17,120 --> 00:33:21,520
Speaker 10: You know that those are like real like content creator houses. Yeah,

798
00:33:21,800 --> 00:33:23,040
Speaker 10: that's fucking insane.

799
00:33:24,080 --> 00:33:29,800
Speaker 4: What's crazy is the only fan houses sorry, are well

800
00:33:29,880 --> 00:33:32,400
Speaker 4: that's for the night, that's the Airbnb, that's where they

801
00:33:32,440 --> 00:33:35,760
Speaker 4: go to shoot. No, they have like houses like similar

802
00:33:35,800 --> 00:33:37,960
Speaker 4: to what Drake was saying, content creator cribs that looked

803
00:33:38,040 --> 00:33:40,800
Speaker 4: just like these all white Miami houses and it's just

804
00:33:41,920 --> 00:33:44,200
Speaker 4: a bunch of chicks that do only fans going there

805
00:33:44,240 --> 00:33:47,040
Speaker 4: and they fuck each other and collapse.

806
00:33:46,800 --> 00:33:47,960
Speaker 2: Then wait for the uber to pull up.

807
00:33:48,480 --> 00:33:51,160
Speaker 5: It's kind of like what As Angels was As Angels

808
00:33:51,200 --> 00:33:51,480
Speaker 5: Is Back?

809
00:33:52,120 --> 00:33:54,000
Speaker 7: Really I heard that, Yeah, that's how you know we

810
00:33:54,360 --> 00:33:56,120
Speaker 7: entered our recessions as Angels Back.

811
00:33:57,040 --> 00:34:01,400
Speaker 4: Yeah, being so outward with sex trafficking these days shows that,

812
00:34:02,480 --> 00:34:04,720
Speaker 4: you know, this administration put this country in the camp.

813
00:34:05,160 --> 00:34:10,440
Speaker 2: Tas basically said, now y'all jumping on my wave. Y'all

814
00:34:10,520 --> 00:34:11,239
Speaker 2: jumping on my wave.

815
00:34:11,360 --> 00:34:14,239
Speaker 1: So much money now he's about to do his forgot

816
00:34:14,280 --> 00:34:17,200
Speaker 1: about it that now now you're on my way down

817
00:34:17,280 --> 00:34:18,200
Speaker 1: the type of time I was on.

818
00:34:18,360 --> 00:34:20,400
Speaker 4: Okay, I get it, and some motherfucking thanks I.

819
00:34:20,400 --> 00:34:22,799
Speaker 7: Get might have been the first content creator house.

820
00:34:24,040 --> 00:34:27,920
Speaker 4: You're not. What about what was the ship that Natalie

821
00:34:27,960 --> 00:34:28,360
Speaker 4: Nune was on?

822
00:34:29,320 --> 00:34:31,759
Speaker 10: That's back Girls Club? Wasn't that sort of They were

823
00:34:31,800 --> 00:34:35,439
Speaker 10: not creating content. They were selling pussy though that's also

824
00:34:35,600 --> 00:34:39,279
Speaker 10: not true. I never watched it, thank god.

825
00:34:39,960 --> 00:34:42,400
Speaker 4: They were just put prostitution on people that I've never

826
00:34:42,440 --> 00:34:43,239
Speaker 4: even I mean.

827
00:34:43,200 --> 00:34:46,279
Speaker 1: They weren't selling it while they were filming, But after

828
00:34:46,360 --> 00:34:48,840
Speaker 1: filming is done, they might have sold something by the

829
00:34:48,880 --> 00:34:49,359
Speaker 1: crafty table.

830
00:34:49,360 --> 00:34:50,840
Speaker 2: That's when the sale sale begins.

831
00:34:51,480 --> 00:34:56,719
Speaker 4: The money food, oh over, that's who the customers are.

832
00:34:57,160 --> 00:35:00,319
Speaker 10: Everyone has to get crafty as craft services. Where out

833
00:35:00,320 --> 00:35:01,800
Speaker 10: of snacks are when you're filming someone.

834
00:35:01,680 --> 00:35:03,640
Speaker 4: But you gotta think season one people don't make any money.

835
00:35:04,840 --> 00:35:06,680
Speaker 2: That's why once you finished shooting, you have to go.

836
00:35:06,880 --> 00:35:10,239
Speaker 4: It's like when rappers still sell drugs during their first album. Like, yeah,

837
00:35:10,239 --> 00:35:11,960
Speaker 4: they were probably still selling pussy in season one.

838
00:35:12,080 --> 00:35:15,000
Speaker 2: Yeah for sure, not on set, but.

839
00:35:16,560 --> 00:35:17,160
Speaker 4: Taking projects.

840
00:35:17,200 --> 00:35:20,280
Speaker 2: They was taking pre orders, take some pre orders.

841
00:35:25,080 --> 00:35:28,240
Speaker 7: Did Jay still live in Marcy on his first album?

842
00:35:30,000 --> 00:35:33,840
Speaker 4: No, I was asking he misplaced ninety two bricks. I

843
00:35:34,200 --> 00:35:38,080
Speaker 4: think he was doing fine. No, he was still living

844
00:35:38,120 --> 00:35:41,680
Speaker 4: in marsh No, he was uh five sixty h State Street.

845
00:35:42,800 --> 00:35:44,680
Speaker 2: Yeah he was not in mars. He wasn't in the projects.

846
00:35:45,880 --> 00:35:48,080
Speaker 4: I had a fun night and never mind. Yeah in

847
00:35:48,200 --> 00:35:50,480
Speaker 4: five it's a great apartment.

848
00:35:50,600 --> 00:35:50,920
Speaker 5: All right.

849
00:35:50,960 --> 00:35:53,799
Speaker 1: Well, Julian has this conspiracy hole he wants to fall

850
00:35:53,880 --> 00:35:54,400
Speaker 1: down today.

851
00:35:55,000 --> 00:35:55,520
Speaker 5: I'm with him.

852
00:35:55,520 --> 00:35:56,920
Speaker 2: I didn't bring my ten foil.

853
00:35:56,719 --> 00:35:57,640
Speaker 5: Hat do I need it?

854
00:35:57,960 --> 00:35:59,879
Speaker 3: As long as I have Rory and I have plenty

855
00:36:00,160 --> 00:36:04,160
Speaker 3: to curry and Ross has responded now, so I don't

856
00:36:04,200 --> 00:36:04,759
Speaker 3: believe Ross.

857
00:36:06,520 --> 00:36:10,200
Speaker 5: Okay, well Ross, no, that's boom. I said that to

858
00:36:10,280 --> 00:36:11,200
Speaker 5: yell mean yeah, boom.

859
00:36:11,239 --> 00:36:11,960
Speaker 4: That wasn't really like it?

860
00:36:12,040 --> 00:36:12,279
Speaker 10: No, it is.

861
00:36:12,520 --> 00:36:16,600
Speaker 3: I didn't because these are these are contracts and negotiations.

862
00:36:16,640 --> 00:36:18,719
Speaker 5: You would know nothing about. These don't pertain to you.

863
00:36:18,920 --> 00:36:20,400
Speaker 5: I own your ship, I.

864
00:36:20,480 --> 00:36:21,560
Speaker 2: Own you, I own you.

865
00:36:23,120 --> 00:36:26,320
Speaker 4: Clearly would give a cut to Gamma UMG. He wouldn't

866
00:36:26,320 --> 00:36:29,399
Speaker 4: know what they did with that afterwards. So start, I'll

867
00:36:29,480 --> 00:36:31,799
Speaker 4: let you lead with these tweets. Are a better reader

868
00:36:31,880 --> 00:36:32,200
Speaker 4: than I am.

869
00:36:32,360 --> 00:36:35,600
Speaker 3: Yeah, so uh yeah, I've been bedridden for the last

870
00:36:35,640 --> 00:36:36,239
Speaker 3: forty eight hours.

871
00:36:36,280 --> 00:36:38,319
Speaker 5: So I really dove into this conspiracy and.

872
00:36:39,360 --> 00:36:40,319
Speaker 4: Very reliable source.

873
00:36:40,400 --> 00:36:42,920
Speaker 3: Right this guy on Twitter, Well, it's it's a cumulative

874
00:36:43,160 --> 00:36:46,480
Speaker 3: This is a nice thread where he takes uh information

875
00:36:46,640 --> 00:36:49,800
Speaker 3: he pulls from all over internet, the lyrics, the people involved,

876
00:36:49,800 --> 00:36:50,359
Speaker 3: et cetera, et cetera.

877
00:36:50,400 --> 00:36:51,520
Speaker 4: But I did a really good job.

878
00:36:51,800 --> 00:36:51,960
Speaker 5: Yeah.

879
00:36:52,040 --> 00:36:53,880
Speaker 3: Basically what we're looking at is Larry Jackson, who is

880
00:36:53,920 --> 00:36:56,799
Speaker 3: the man over at Apple Music. Uh and Drake who

881
00:36:56,920 --> 00:36:59,840
Speaker 3: was given four hundred million from UMG, which Rory and

882
00:36:59,880 --> 00:37:03,480
Speaker 3: I were very adamant about saying that's not enough money liquid.

883
00:37:04,400 --> 00:37:07,040
Speaker 3: You can't value Drake at a check you can cut him.

884
00:37:07,120 --> 00:37:09,160
Speaker 3: You have to give him kickback on the back end

885
00:37:09,480 --> 00:37:12,520
Speaker 3: to really continue to pat his pockets and meet him

886
00:37:12,520 --> 00:37:14,120
Speaker 3: at the level of value that he actually is worth.

887
00:37:14,719 --> 00:37:18,680
Speaker 3: So with that being said, Larry starts forms this company

888
00:37:18,760 --> 00:37:21,960
Speaker 3: called Gamma, and the rumor is Drake is like the

889
00:37:22,080 --> 00:37:25,920
Speaker 3: Lucianto this Gamma operation and a lot of the Gamma artists,

890
00:37:26,040 --> 00:37:28,399
Speaker 3: most of which were included in this beef Rick Ross,

891
00:37:29,360 --> 00:37:32,440
Speaker 3: Na have the Weekend Metro, Kendrick a sap in future

892
00:37:32,520 --> 00:37:36,040
Speaker 3: are all subsidiaries under Gamma, as well as a bunch

893
00:37:36,080 --> 00:37:39,200
Speaker 3: of other artists. Sexy Red is also in there, which

894
00:37:39,239 --> 00:37:41,960
Speaker 3: people are speculating that's why Drake's been championing her so much.

895
00:37:42,960 --> 00:37:45,600
Speaker 3: And then there's other things you've seen support from Drake

896
00:37:45,680 --> 00:37:48,680
Speaker 3: where he usually doesn't support artists. On September twenty ninth,

897
00:37:48,719 --> 00:37:53,840
Speaker 3: when Rick Ross and Maybak Music announced their partnership with Gamma,

898
00:37:54,239 --> 00:37:56,960
Speaker 3: Drake then less than a month or two later, posted

899
00:37:57,280 --> 00:37:59,560
Speaker 3: the album with him and Meek on his story. So

900
00:37:59,640 --> 00:38:01,640
Speaker 3: then you're kind of like putting the pieces together on

901
00:38:01,760 --> 00:38:04,520
Speaker 3: that end, but this one, this was false out of

902
00:38:04,600 --> 00:38:06,040
Speaker 3: this guy's theory. I thought he did a great job.

903
00:38:06,120 --> 00:38:08,680
Speaker 3: But Drake posts people's music all the time, all the

904
00:38:08,760 --> 00:38:11,759
Speaker 3: time on Okay, ig store Fair. But the things that

905
00:38:11,840 --> 00:38:13,719
Speaker 3: looked interesting to me, which is stuff that I've been

906
00:38:13,760 --> 00:38:16,359
Speaker 3: paying most attention to, I think Drake reveals a lot

907
00:38:16,480 --> 00:38:18,600
Speaker 3: via his lyrics, and this is what I was drawn

908
00:38:18,640 --> 00:38:24,759
Speaker 3: to the most most recently on Champagne Poetry or Sorry. Recently,

909
00:38:24,880 --> 00:38:27,680
Speaker 3: he said, the twenty percent of you that we own

910
00:38:27,800 --> 00:38:34,080
Speaker 3: is my Tutsi's money, ownership other artists. Somebody get Larry

911
00:38:34,160 --> 00:38:36,120
Speaker 3: Jackson on the phone. I need to ownership if we

912
00:38:36,200 --> 00:38:38,400
Speaker 3: press and go because business is booming on behalf of me.

913
00:38:38,640 --> 00:38:40,560
Speaker 3: I need a bite out of the apple like Adam

914
00:38:40,640 --> 00:38:40,960
Speaker 3: and Eve.

915
00:38:41,840 --> 00:38:44,600
Speaker 4: Well that was referencing when Larry was still with Apple

916
00:38:45,400 --> 00:38:46,439
Speaker 4: and not UMG.

917
00:38:46,640 --> 00:38:49,640
Speaker 3: But they could ben in the process of fair and

918
00:38:49,719 --> 00:38:52,320
Speaker 3: then there's a couple more. Man, if your pop is

919
00:38:52,360 --> 00:38:53,520
Speaker 3: up for sale, I buy the whole thing.

920
00:38:53,600 --> 00:38:54,360
Speaker 5: I think that's just.

921
00:38:54,680 --> 00:38:57,080
Speaker 3: Yeah, yeah, I mean that's yeah. When the who's the

922
00:38:57,160 --> 00:39:00,600
Speaker 3: CEO of Universal? They mistaken because Google says Lucy, But

923
00:39:00,719 --> 00:39:01,719
Speaker 3: that just doesn't make sense.

924
00:39:01,760 --> 00:39:04,040
Speaker 5: Who filling up the piggy bank? Who bringing home the bacon?

925
00:39:04,640 --> 00:39:08,359
Speaker 3: Again, I think that's just more Yeah, it's bravado talk,

926
00:39:08,440 --> 00:39:11,280
Speaker 3: but I think there's a lot of weight to Drake's

927
00:39:11,320 --> 00:39:16,320
Speaker 3: involvement that isn't communicated or wasn't publicized when he got that.

928
00:39:16,600 --> 00:39:19,600
Speaker 3: They call it the Lebron size check from Universal, So

929
00:39:20,000 --> 00:39:21,920
Speaker 3: I know Rory is willing to put the hat on

930
00:39:22,040 --> 00:39:24,359
Speaker 3: for this mall. I'm more curious as to what you think.

931
00:39:24,719 --> 00:39:27,320
Speaker 3: Do you think Drake's collecting on the back end? And

932
00:39:27,400 --> 00:39:30,080
Speaker 3: I don't think it's as like obvious as I'm saying, Hey, it's.

933
00:39:29,920 --> 00:39:31,920
Speaker 1: Just collecting on the back end, But for people to

934
00:39:32,000 --> 00:39:34,640
Speaker 1: try to sit there and make it seem like he

935
00:39:34,800 --> 00:39:39,200
Speaker 1: owns it each each a piece of each artist, It's like, okay, well,

936
00:39:39,239 --> 00:39:44,520
Speaker 1: these artists into company that owes Drake money. Yes, does

937
00:39:44,560 --> 00:39:46,120
Speaker 1: that mean that he's getting a percentage of all of

938
00:39:46,120 --> 00:39:47,600
Speaker 1: these artists if you want to paint it that way,

939
00:39:48,239 --> 00:39:50,799
Speaker 1: wherever this company gets the music from, Yes, they are

940
00:39:50,880 --> 00:39:52,000
Speaker 1: paying Drake on the back end.

941
00:39:53,000 --> 00:39:53,839
Speaker 5: We know that. Now.

942
00:39:53,880 --> 00:39:55,400
Speaker 1: If you want to say, oh, then that means that

943
00:39:55,480 --> 00:39:58,160
Speaker 1: he's getting money from this artist that's signed there and

944
00:39:58,200 --> 00:39:58,720
Speaker 1: that artist.

945
00:39:59,120 --> 00:40:00,520
Speaker 2: That's how you want to slight they said, cool.

946
00:40:00,560 --> 00:40:02,800
Speaker 1: I don't know what other business dealers these people have

947
00:40:02,960 --> 00:40:04,879
Speaker 1: and where else they'll get money from.

948
00:40:06,280 --> 00:40:08,480
Speaker 4: But I think to paint it like Drake is getting

949
00:40:08,520 --> 00:40:12,040
Speaker 4: a percentage of each one of these artists. I mean,

950
00:40:12,440 --> 00:40:13,920
Speaker 4: I mean, you could paint it that way if we

951
00:40:14,000 --> 00:40:17,160
Speaker 4: were going in some form of a rap battle. Yeah,

952
00:40:17,200 --> 00:40:19,160
Speaker 4: But I feel like, and maybe that's something. Let's say

953
00:40:19,200 --> 00:40:21,040
Speaker 4: this is true. Maybe that is something Drake is holding

954
00:40:21,080 --> 00:40:23,520
Speaker 4: for the next, the next, this and didn't want to

955
00:40:23,520 --> 00:40:25,520
Speaker 4: put it in the first one because if this was true,

956
00:40:26,120 --> 00:40:29,480
Speaker 4: Drake is telling us, if all these people are shooting

957
00:40:29,520 --> 00:40:32,640
Speaker 4: at him, Drake is letting the world know in a

958
00:40:32,760 --> 00:40:36,720
Speaker 4: very witty way that I own you guys as artists

959
00:40:37,640 --> 00:40:42,239
Speaker 4: now where I don't even think it's a tenfoil hat conspiracy.

960
00:40:42,840 --> 00:40:46,000
Speaker 4: When he got out of his cash money deal and

961
00:40:46,160 --> 00:40:50,280
Speaker 4: re signed with UMG Direct, I don't think we value

962
00:40:50,360 --> 00:40:52,799
Speaker 4: Drake in the streaming era at four hundred million dollars.

963
00:40:52,880 --> 00:40:57,759
Speaker 4: I think it's drastically higher. And the leverage in which

964
00:40:58,719 --> 00:41:02,759
Speaker 4: UMG has with a Spotify with Apple Music, how they

965
00:41:02,840 --> 00:41:06,440
Speaker 4: got twenty five percent of Spotify is based off their leverage.

966
00:41:07,120 --> 00:41:11,160
Speaker 4: So drake value to four million is nothing. I believe

967
00:41:11,200 --> 00:41:13,960
Speaker 4: that they would have to give him some form of

968
00:41:14,200 --> 00:41:17,920
Speaker 4: just UMG universal music. I could see them doing some

969
00:41:18,960 --> 00:41:25,040
Speaker 4: shit and giving him just the urban side of UMG

970
00:41:25,200 --> 00:41:28,080
Speaker 4: and a point on that. I could see that, But

971
00:41:28,200 --> 00:41:31,240
Speaker 4: then again, also, what is that value really to Drake?

972
00:41:32,800 --> 00:41:34,600
Speaker 4: I mean, I'm not gonna sit here and shit on

973
00:41:34,719 --> 00:41:37,000
Speaker 4: Rick Ross and Meek. I really enjoyed that album. I

974
00:41:37,040 --> 00:41:39,920
Speaker 4: don't think it was profitable. If we're just going off

975
00:41:40,440 --> 00:41:45,719
Speaker 4: that certain list in the streaming era, the weekend would

976
00:41:45,719 --> 00:41:49,480
Speaker 4: be for sure profitable, right NAV does good numbers, But

977
00:41:49,520 --> 00:41:52,160
Speaker 4: we're talking about UMG. We saw during that back and

978
00:41:52,280 --> 00:41:56,720
Speaker 4: forth TikTok debacle that they said, go fuck yourself TikTok

979
00:41:57,000 --> 00:41:59,600
Speaker 4: because UMG is point zero zero one percent of their

980
00:42:00,680 --> 00:42:05,000
Speaker 4: their their profit. So is that even that value to

981
00:42:05,239 --> 00:42:09,280
Speaker 4: Drake having a back end on some of these artists

982
00:42:09,719 --> 00:42:12,719
Speaker 4: or more of a cut of his music? To me,

983
00:42:12,840 --> 00:42:15,440
Speaker 4: that's the whole ship, Like, all right, I'll sign to

984
00:42:15,480 --> 00:42:18,760
Speaker 4: you guys, liquid four and a million. What's the split

985
00:42:18,840 --> 00:42:21,600
Speaker 4: look like with my music? Because I'm the one that's

986
00:42:21,640 --> 00:42:23,960
Speaker 4: at the end of everyone's Spotify wrap up. I'm the

987
00:42:24,000 --> 00:42:28,040
Speaker 4: reason they're sitting on these DSPs for two hours. My

988
00:42:28,480 --> 00:42:30,840
Speaker 4: retention rate is way longer than any other artist. On

989
00:42:30,920 --> 00:42:35,080
Speaker 4: the planet sans Taylor Swift. I don't know about him

990
00:42:35,120 --> 00:42:38,440
Speaker 4: owning publishing and shit from other artists.

991
00:42:38,320 --> 00:42:42,480
Speaker 3: Is really that crazy other game My artists include Snoop,

992
00:42:42,960 --> 00:42:45,680
Speaker 3: we mentioned mc ross, Usher, Sexy Red, French, Montana, and

993
00:42:45,800 --> 00:42:48,839
Speaker 3: d Smoke. I agree with you, Mal, I don't think

994
00:42:49,080 --> 00:42:51,319
Speaker 3: it's like, Okay, Rick Ross put out an album, here's

995
00:42:51,360 --> 00:42:53,719
Speaker 3: the check you got from Ross's album. I just think

996
00:42:53,760 --> 00:42:56,680
Speaker 3: the salacious headline of this is, oh, Drake's collecting money

997
00:42:56,760 --> 00:42:58,879
Speaker 3: from artists that he doesn't even work with, his even

998
00:42:58,920 --> 00:42:59,920
Speaker 3: fuck with, etcetera, etcetera.

999
00:43:00,520 --> 00:43:02,680
Speaker 1: But with us the silations, that's the real thing is

1000
00:43:02,800 --> 00:43:05,480
Speaker 1: Drake is getting paid on the back end this company exactly.

1001
00:43:05,600 --> 00:43:08,719
Speaker 1: His company just happens to have these artists signed as

1002
00:43:08,760 --> 00:43:09,920
Speaker 1: well and.

1003
00:43:11,880 --> 00:43:13,640
Speaker 4: To be on the side of the conspiracy.

1004
00:43:14,120 --> 00:43:14,319
Speaker 5: Though.

1005
00:43:15,760 --> 00:43:18,920
Speaker 4: Had Drake when independent, it would have crumbled a lot

1006
00:43:20,040 --> 00:43:22,040
Speaker 4: of what's going on with the majors and their deals

1007
00:43:22,080 --> 00:43:24,960
Speaker 4: with DSPs, like they had to keep Drake happy, and

1008
00:43:25,040 --> 00:43:26,440
Speaker 4: I don't think four in a million is doing it.

1009
00:43:27,520 --> 00:43:30,799
Speaker 4: There's no way Drake did not go independent because they

1010
00:43:30,840 --> 00:43:34,480
Speaker 4: gave him four hundred million. No, there's something happening with

1011
00:43:34,719 --> 00:43:36,560
Speaker 4: UMG and Drake. But I think it's more on the

1012
00:43:36,600 --> 00:43:37,959
Speaker 4: side of the splits of his music.

1013
00:43:38,120 --> 00:43:39,040
Speaker 2: Yeah, I don't.

1014
00:43:41,440 --> 00:43:45,200
Speaker 4: Of him having a cut into Sexy Red, And I

1015
00:43:45,280 --> 00:43:48,239
Speaker 4: promise this isn't Sexy Red hate. She's very profitable on

1016
00:43:48,360 --> 00:43:50,560
Speaker 4: who she is as a person. So unless they have

1017
00:43:50,600 --> 00:43:52,640
Speaker 4: her in a full three sixty deal and really own

1018
00:43:52,719 --> 00:43:56,440
Speaker 4: her ip as a human, her streaming numbers aren't really

1019
00:43:56,480 --> 00:44:00,680
Speaker 4: going to bring in much profit. She's probably cofitable, right,

1020
00:44:01,600 --> 00:44:04,040
Speaker 4: So I don't know, like, does Drake have Steak in

1021
00:44:04,239 --> 00:44:08,520
Speaker 4: that or just in her streaming numbers, because that's not

1022
00:44:08,600 --> 00:44:09,680
Speaker 4: going to bring back as much as we.

1023
00:44:09,719 --> 00:44:10,040
Speaker 5: Think it is.

1024
00:44:11,000 --> 00:44:13,400
Speaker 1: I think that the the clear thing, that the safe

1025
00:44:13,960 --> 00:44:17,759
Speaker 1: thing to assume here is that he has money coming

1026
00:44:17,800 --> 00:44:19,759
Speaker 1: from this company on the back end. How they how

1027
00:44:19,800 --> 00:44:21,360
Speaker 1: they get it, where they get it from, how they

1028
00:44:21,760 --> 00:44:25,600
Speaker 1: divvy it up. You can speculate that, but it four

1029
00:44:25,680 --> 00:44:29,239
Speaker 1: hundred million dollars is not enough for an artist of

1030
00:44:29,360 --> 00:44:32,600
Speaker 1: Drake's caliber. He needs way too much to the music industry.

1031
00:44:33,000 --> 00:44:35,000
Speaker 4: He bets that on Steak yeah last night.

1032
00:44:35,160 --> 00:44:38,160
Speaker 2: Yeah, yeah, like that's not gonna that's not going to

1033
00:44:38,239 --> 00:44:38,719
Speaker 2: do it for him.

1034
00:44:38,800 --> 00:44:41,560
Speaker 4: But I understand on the w NBA Draft Top ten.

1035
00:44:41,800 --> 00:44:43,799
Speaker 1: Yeah, but I understand I understand, you know, people wanting

1036
00:44:43,840 --> 00:44:46,520
Speaker 1: to just create these headlines based around you know, shit

1037
00:44:46,600 --> 00:44:49,239
Speaker 1: he's saying, and the people that you know seem to

1038
00:44:49,320 --> 00:44:53,080
Speaker 1: have some type of you know, ill feelings toward him

1039
00:44:53,160 --> 00:44:54,520
Speaker 1: right now, and he's getting into a little back and

1040
00:44:54,640 --> 00:44:56,759
Speaker 1: forth with so you start to take those things and

1041
00:44:56,800 --> 00:45:00,359
Speaker 1: paint this picture and make it more you know, icing

1042
00:45:00,520 --> 00:45:01,480
Speaker 1: to dive into.

1043
00:45:01,600 --> 00:45:03,560
Speaker 2: But I don't think that that's what that is.

1044
00:45:03,640 --> 00:45:07,359
Speaker 4: And if he, like we know Drake and his petty level,

1045
00:45:07,880 --> 00:45:10,279
Speaker 4: remember when fifty was running around, when he was so

1046
00:45:10,560 --> 00:45:12,680
Speaker 4: close with Jimmy Avin that he was like making fucking

1047
00:45:12,760 --> 00:45:15,160
Speaker 4: decisions at Interscope and he said, what was it one

1048
00:45:15,200 --> 00:45:18,160
Speaker 4: more line out of Kiss, I'll shut style shit down?

1049
00:45:18,360 --> 00:45:21,439
Speaker 4: What was it? Whatever? On I Run New York. Drake

1050
00:45:21,480 --> 00:45:25,759
Speaker 4: would be that direct if he had the power. His

1051
00:45:25,880 --> 00:45:29,480
Speaker 4: conspiracy is given. Yeah, So I think there's true to it,

1052
00:45:29,680 --> 00:45:32,040
Speaker 4: But I think they're taking it a little too far

1053
00:45:33,600 --> 00:45:39,000
Speaker 4: with Drake owning yeah or having it of everyone's shit.

1054
00:45:39,120 --> 00:45:41,440
Speaker 2: Yeah, that's just that's no, I don't I don't think so.

1055
00:45:41,640 --> 00:45:44,600
Speaker 3: In the press release that came out when he inked

1056
00:45:44,640 --> 00:45:48,440
Speaker 3: the deal in twenty twenty two May twenty twenty two,

1057
00:45:48,840 --> 00:45:53,880
Speaker 3: it was quote an expansive, multifaceted deal that encompasses recording, publishing, merchandise,

1058
00:45:53,960 --> 00:45:57,680
Speaker 3: and visual media projects, so pretty vague. Didn't really specify

1059
00:45:58,160 --> 00:46:01,680
Speaker 3: what for, you know, are these his publishing his recording

1060
00:46:02,239 --> 00:46:03,680
Speaker 3: is just very open ended.

1061
00:46:04,440 --> 00:46:08,640
Speaker 2: Just recordings, publishing, merchandise in visual media projects.

1062
00:46:08,680 --> 00:46:10,840
Speaker 5: Yeah, but it doesn't say his.

1063
00:46:11,160 --> 00:46:14,480
Speaker 3: It says just generally, which could be technically applied to

1064
00:46:14,600 --> 00:46:16,240
Speaker 3: every artist under their property.

1065
00:46:18,360 --> 00:46:22,680
Speaker 4: I mean he may have. He may have some type

1066
00:46:22,719 --> 00:46:26,080
Speaker 4: of backend speculating some type of back end with anything

1067
00:46:26,200 --> 00:46:28,680
Speaker 4: that UMG license, like if they have to re up

1068
00:46:28,680 --> 00:46:31,680
Speaker 4: a licensing deal with a DSP or let's say that

1069
00:46:31,719 --> 00:46:34,680
Speaker 4: they settle with TikTok. I could see that being very

1070
00:46:34,800 --> 00:46:39,280
Speaker 4: valuable for Drake being with Gamma and having a percentage

1071
00:46:39,280 --> 00:46:43,040
Speaker 4: of that for anything that UMG licensed. As far as catalog, yeah,

1072
00:46:43,160 --> 00:46:45,800
Speaker 4: Drake has one percent or some shit like that that

1073
00:46:45,920 --> 00:46:50,359
Speaker 4: I can see being very fucking profitable. But to your point,

1074
00:46:50,400 --> 00:46:54,520
Speaker 4: you're just like getting paid by a company that another

1075
00:46:54,600 --> 00:46:58,480
Speaker 4: artist assigned to doesn't equate to He doesn't own twenty

1076
00:46:58,480 --> 00:46:59,680
Speaker 4: percent of the Weekend's catalog.

1077
00:47:00,120 --> 00:47:01,200
Speaker 2: No, just doesn't make sense.

1078
00:47:01,480 --> 00:47:03,880
Speaker 1: We would fucking know, Yeah, he would definitely let that

1079
00:47:03,960 --> 00:47:05,799
Speaker 1: be known you got to, he would be talking way

1080
00:47:05,840 --> 00:47:08,839
Speaker 1: more disrespectful than he is now, way more disrespectful.

1081
00:47:09,000 --> 00:47:12,600
Speaker 4: But I mean, I think he deserves artists like him

1082
00:47:12,960 --> 00:47:17,120
Speaker 4: Taylor Beyonce, Like we we talked about that early on

1083
00:47:17,360 --> 00:47:22,600
Speaker 4: with streaming splits, like it shouldn't be equal for everyone.

1084
00:47:22,680 --> 00:47:25,560
Speaker 4: And this is coming from someone that it would benefit

1085
00:47:25,680 --> 00:47:27,719
Speaker 4: more when I put out music for everyone to have

1086
00:47:28,080 --> 00:47:32,680
Speaker 4: the same playing field as far as streaming splits. But no,

1087
00:47:32,960 --> 00:47:34,920
Speaker 4: Drake keeps people on that app way longer than all

1088
00:47:34,960 --> 00:47:37,960
Speaker 4: of us. His split should not be the same as mine. Right,

1089
00:47:38,600 --> 00:47:40,440
Speaker 4: So I feel the same way as far as these

1090
00:47:40,520 --> 00:47:44,759
Speaker 4: licensing deals that UMG does with tech companies like these

1091
00:47:44,800 --> 00:47:48,200
Speaker 4: bigger artists, it's way more valuable to have Taylor's catalog

1092
00:47:49,400 --> 00:47:53,640
Speaker 4: than just mine, which is I know it's an obvious

1093
00:47:53,640 --> 00:47:56,480
Speaker 4: thing to say versus I'm just saying because I'm on

1094
00:47:56,560 --> 00:47:58,520
Speaker 4: this podcast, But like even artists that you would say

1095
00:47:58,520 --> 00:48:01,680
Speaker 4: see lessen seeless, to me, that's a big you. You

1096
00:48:01,760 --> 00:48:05,359
Speaker 4: know you're doing eighty ninety one hundred K first week,

1097
00:48:06,480 --> 00:48:09,399
Speaker 4: they don't deserve the same split the tailor and Drake deserve.

1098
00:48:09,440 --> 00:48:12,040
Speaker 4: When it comes to these licensing deals for catalogs that

1099
00:48:12,120 --> 00:48:12,759
Speaker 4: the major's own.

1100
00:48:13,239 --> 00:48:14,399
Speaker 2: Fuck No, yeah, no it doesn't.

1101
00:48:14,440 --> 00:48:17,759
Speaker 4: And I'm leaving if that's the case. And Drake didn't leave.

1102
00:48:17,920 --> 00:48:22,319
Speaker 4: So I think he's pretty intelligent guy. So I highly

1103
00:48:22,400 --> 00:48:24,759
Speaker 4: doubt his business seems I signed back with you guys

1104
00:48:24,800 --> 00:48:25,399
Speaker 4: for the same shit.

1105
00:48:25,560 --> 00:48:28,160
Speaker 1: Yeah no, his his business seems to be an order.

1106
00:48:28,200 --> 00:48:31,120
Speaker 1: But let's get out of people's pockets for a second.

1107
00:48:32,080 --> 00:48:34,359
Speaker 4: Can we get into your tweets though? Oh?

1108
00:48:34,880 --> 00:48:35,080
Speaker 5: Yeh?

1109
00:48:35,480 --> 00:48:39,640
Speaker 4: Why I'm just asking why do you think that Michael

1110
00:48:39,719 --> 00:48:40,920
Speaker 4: Jackson would love Bryson to her?

1111
00:48:41,560 --> 00:48:41,640
Speaker 8: Oh?

1112
00:48:41,680 --> 00:48:43,719
Speaker 2: Because Michael was a big fan of like R and

1113
00:48:43,840 --> 00:48:44,359
Speaker 2: B RAP.

1114
00:48:45,600 --> 00:48:45,799
Speaker 5: True.

1115
00:48:45,920 --> 00:48:47,400
Speaker 1: I think that Bryson would have been one of the

1116
00:48:47,520 --> 00:48:51,640
Speaker 1: younger artists that Mike would have would have enjoyed listening to.

1117
00:48:52,719 --> 00:48:54,439
Speaker 2: Like his sound. His sound is very.

1118
00:48:56,640 --> 00:49:00,640
Speaker 1: Bryson has a U and a lot of records he

1119
00:49:00,800 --> 00:49:03,680
Speaker 1: kind of channels. He doesn't obviously he's not as vocally

1120
00:49:03,719 --> 00:49:06,960
Speaker 1: gifted as Michael Jackson, but the music, some of the

1121
00:49:07,040 --> 00:49:12,040
Speaker 1: melodies kind of resembles when Mike would get into his

1122
00:49:13,120 --> 00:49:15,839
Speaker 1: hip hop R and B type of vibe. A lot

1123
00:49:15,880 --> 00:49:18,680
Speaker 1: of Bryson's music kind of mirrors that. So I just

1124
00:49:18,719 --> 00:49:20,440
Speaker 1: think that he's one of the younger artists that Michael

1125
00:49:20,440 --> 00:49:22,080
Speaker 1: would have enjoyed listening to.

1126
00:49:22,840 --> 00:49:27,040
Speaker 4: Do you think Mike put any stake into like superstardom,

1127
00:49:27,840 --> 00:49:30,600
Speaker 4: because I do think that Mike would have paid attention

1128
00:49:30,680 --> 00:49:35,400
Speaker 4: to Trap Soul for sure, And even though objectively Bryce's

1129
00:49:35,480 --> 00:49:38,120
Speaker 4: career did decline a bit as far as popularity, I

1130
00:49:38,239 --> 00:49:39,799
Speaker 4: still like the albums he put out, but they were

1131
00:49:39,880 --> 00:49:43,800
Speaker 4: not of the level and attention that Trapped Soul was.

1132
00:49:45,040 --> 00:49:47,600
Speaker 4: We've seen plenty of artists go back to Drake unfortunately,

1133
00:49:48,360 --> 00:49:51,239
Speaker 4: that loves artists when they're hot, but superstars like.

1134
00:49:51,280 --> 00:49:52,279
Speaker 2: Other superstars, right.

1135
00:49:52,480 --> 00:49:54,719
Speaker 4: Do you think he would have stopped paying attention once

1136
00:49:54,760 --> 00:49:57,200
Speaker 4: Bryson was no longer the next one? Nah?

1137
00:49:57,560 --> 00:49:57,960
Speaker 2: I think that.

1138
00:49:59,640 --> 00:50:02,279
Speaker 1: I think them You know, when you obviously somebody as

1139
00:50:02,600 --> 00:50:04,840
Speaker 1: Michael Jackson is, I think he's just no talent. You know,

1140
00:50:04,960 --> 00:50:09,759
Speaker 1: good music, whether or not popularity, it doesn't matter. I

1141
00:50:09,840 --> 00:50:12,560
Speaker 1: think you hear something and you see somebody you know

1142
00:50:12,640 --> 00:50:14,920
Speaker 1: that that's talent. And I just think that he's one

1143
00:50:14,960 --> 00:50:18,080
Speaker 1: of those artists that we have that some of the

1144
00:50:19,480 --> 00:50:21,800
Speaker 1: artists before him would appreciate, and even some of the

1145
00:50:21,840 --> 00:50:23,960
Speaker 1: artists we staff today, I'm sure that they enjoy listening

1146
00:50:24,000 --> 00:50:27,800
Speaker 1: to Bryson This Bryson Tiler album is amazing. It's a

1147
00:50:27,880 --> 00:50:29,879
Speaker 1: really really dope project. I hate that it's getting lost

1148
00:50:30,520 --> 00:50:32,600
Speaker 1: in the cloud of all of this rat beef and

1149
00:50:32,960 --> 00:50:35,759
Speaker 1: you know this records and memes and shit. But this,

1150
00:50:36,080 --> 00:50:38,879
Speaker 1: this Bryson Tiller album is uh. Is from I still

1151
00:50:38,880 --> 00:50:39,560
Speaker 1: don't know what is the name.

1152
00:50:39,600 --> 00:50:43,480
Speaker 5: It is self titled.

1153
00:50:43,520 --> 00:50:44,160
Speaker 2: Oh that's what it is.

1154
00:50:44,440 --> 00:50:45,799
Speaker 1: Because it's a whole bunch of shit on the cover,

1155
00:50:45,840 --> 00:50:48,359
Speaker 1: I don't know what. I was trying to read shit

1156
00:50:48,440 --> 00:50:50,000
Speaker 1: in different I was like, what the fuck is this?

1157
00:50:50,080 --> 00:50:50,960
Speaker 2: But the album is uh.

1158
00:50:51,360 --> 00:50:55,359
Speaker 1: This album is crazy. This is like literally the only

1159
00:50:55,800 --> 00:50:58,399
Speaker 1: music I've been listening to for the past few days.

1160
00:50:58,480 --> 00:51:01,080
Speaker 1: Just had the album on repeat and they did a

1161
00:51:01,120 --> 00:51:02,920
Speaker 1: great job. I don't know who produced on it, who

1162
00:51:02,960 --> 00:51:06,200
Speaker 1: worked on it, just listening to the music, but it

1163
00:51:06,320 --> 00:51:07,399
Speaker 1: sounds really really good.

1164
00:51:07,520 --> 00:51:10,799
Speaker 2: The features a dope. The record with Manet is uh

1165
00:51:11,320 --> 00:51:13,200
Speaker 2: is really really uh unique.

1166
00:51:13,360 --> 00:51:16,080
Speaker 1: Shout out the Child he produced, out shout out to child.

1167
00:51:18,280 --> 00:51:21,120
Speaker 1: I love that piece in the loude that's fire feeding

1168
00:51:21,160 --> 00:51:22,640
Speaker 1: for you, Calypso.

1169
00:51:22,480 --> 00:51:25,160
Speaker 4: No, thank you love that which is the country joint?

1170
00:51:27,840 --> 00:51:29,880
Speaker 7: I think it's about undertow is that that might be

1171
00:51:29,960 --> 00:51:30,239
Speaker 7: it that.

1172
00:51:30,280 --> 00:51:33,480
Speaker 4: Records fire again. Admittedly, I have to give this a

1173
00:51:33,680 --> 00:51:36,480
Speaker 4: proper chance. Off the first listen, I felt like it

1174
00:51:36,560 --> 00:51:39,399
Speaker 4: was all over the place. But oh yeah, you guys

1175
00:51:39,400 --> 00:51:42,239
Speaker 4: have been talking about it. I need to you got

1176
00:51:42,760 --> 00:51:45,640
Speaker 4: I'm a huge Bryson fan. Let it run whatever album,

1177
00:51:45,719 --> 00:51:46,160
Speaker 4: But then.

1178
00:51:46,960 --> 00:51:47,840
Speaker 2: Listen, do whatever you do.

1179
00:51:49,000 --> 00:51:50,920
Speaker 1: Make one of those videos on TikTok with a man

1180
00:51:51,000 --> 00:51:55,440
Speaker 1: cleans the house, play this phenomenal album.

1181
00:51:56,480 --> 00:51:57,240
Speaker 4: I'm good at mopping.

1182
00:51:57,520 --> 00:52:00,360
Speaker 3: Yeah, they just did a shout out to Rice and

1183
00:52:00,960 --> 00:52:03,799
Speaker 3: our good friend DJ night Train who's on tour with him.

1184
00:52:03,840 --> 00:52:06,400
Speaker 3: They just sold out Ovil Wembley, and the footage and

1185
00:52:06,440 --> 00:52:08,360
Speaker 3: everything that came out of that looks incredible.

1186
00:52:08,600 --> 00:52:11,719
Speaker 5: Their their tour is going strong. So love it.

1187
00:52:11,760 --> 00:52:13,520
Speaker 2: I mean, shout out to man.

1188
00:52:13,600 --> 00:52:16,279
Speaker 4: Even when Bryson wasn't like at the height of his career,

1189
00:52:16,400 --> 00:52:19,280
Speaker 4: he was still doing venues twice the size of artists

1190
00:52:19,320 --> 00:52:23,440
Speaker 4: that were quote unquote more popular at the time. Like

1191
00:52:23,520 --> 00:52:25,560
Speaker 4: his fan base still still rocks with him a lot.

1192
00:52:26,960 --> 00:52:28,200
Speaker 7: I definitely want to go to this tour.

1193
00:52:28,960 --> 00:52:32,880
Speaker 4: Speaking of Mike and once this rap beef and everything

1194
00:52:33,040 --> 00:52:37,040
Speaker 4: starts to settle down for the sake of podcasting and

1195
00:52:37,120 --> 00:52:38,880
Speaker 4: the music industry, I think someone needs to put a

1196
00:52:38,960 --> 00:52:41,960
Speaker 4: mic in front of Quincy Jones just to get us

1197
00:52:42,000 --> 00:52:51,120
Speaker 4: back into music. No, it'so mess dellacious, he'll restore some wader.

1198
00:52:51,280 --> 00:52:52,960
Speaker 1: Oh man, you get the Quincy to told him about

1199
00:52:52,960 --> 00:52:55,680
Speaker 1: those rat pack days. See, I want to know about

1200
00:52:55,719 --> 00:52:56,320
Speaker 1: those stories.

1201
00:52:56,400 --> 00:52:58,360
Speaker 7: I want to know less about my favorite artists.

1202
00:52:58,400 --> 00:53:00,279
Speaker 4: I don't want to find out the rap.

1203
00:53:00,440 --> 00:53:00,840
Speaker 2: I want to know.

1204
00:53:01,160 --> 00:53:03,040
Speaker 1: Yeah, I want to know what's French Sinatra and seeing

1205
00:53:03,080 --> 00:53:04,160
Speaker 1: me and it was doing in Vegas.

1206
00:53:04,200 --> 00:53:06,120
Speaker 4: I need to know some nasty ship.

1207
00:53:06,239 --> 00:53:07,600
Speaker 2: Oh man, it was living life.

1208
00:53:07,840 --> 00:53:10,799
Speaker 4: No cameras, niggas ain't got no phone.

1209
00:53:10,560 --> 00:53:12,399
Speaker 5: The original pussy patrol social media.

1210
00:53:12,480 --> 00:53:13,360
Speaker 4: Oh my god.

1211
00:53:13,800 --> 00:53:13,920
Speaker 10: Uh.

1212
00:53:14,520 --> 00:53:17,000
Speaker 4: Dame was on Math Office podcast again.

1213
00:53:17,239 --> 00:53:19,719
Speaker 2: Yeah again, damn Dame. You you really go get a

1214
00:53:19,760 --> 00:53:20,439
Speaker 2: haircut over there.

1215
00:53:20,320 --> 00:53:20,560
Speaker 5: Don't you.

1216
00:53:21,080 --> 00:53:23,880
Speaker 4: It's a allul well they're doing like the swap thing.

1217
00:53:23,880 --> 00:53:28,080
Speaker 4: Because Math did a great interview on uh, what's name's.

1218
00:53:28,840 --> 00:53:32,680
Speaker 2: New America, New America. Yeah, New America, New America. Right,

1219
00:53:32,920 --> 00:53:33,480
Speaker 2: I think that's it.

1220
00:53:33,560 --> 00:53:33,759
Speaker 5: Yeah.

1221
00:53:34,040 --> 00:53:37,520
Speaker 4: Dame brought up one of my favorite theories, and I'm

1222
00:53:37,560 --> 00:53:39,279
Speaker 4: so glad he brought it up because sometimes I've been

1223
00:53:39,320 --> 00:53:42,160
Speaker 4: scared to like go down this path. The Hitler was

1224
00:53:42,239 --> 00:53:46,759
Speaker 4: gay theory. Oh yeah they are. Yeah, it makes a

1225
00:53:46,840 --> 00:53:49,560
Speaker 4: lot of a lot of sense. I'm not saying all

1226
00:53:49,640 --> 00:53:52,239
Speaker 4: artists are gay, but let's just like go through his timeline.

1227
00:53:52,520 --> 00:53:55,600
Speaker 4: We all know Hitler wanted to be an artist, but

1228
00:53:55,719 --> 00:53:59,520
Speaker 4: you know, no one encouraged his drawings. He was abused

1229
00:53:59,520 --> 00:54:02,280
Speaker 4: by his far. He liked to design men's fashion.

1230
00:54:02,440 --> 00:54:04,399
Speaker 2: M hm, oh there you go, right there.

1231
00:54:05,239 --> 00:54:07,319
Speaker 4: Let's be real about his mustache. I know it's now

1232
00:54:07,400 --> 00:54:09,560
Speaker 4: been the face of anti Semitism, which it should be,

1233
00:54:09,640 --> 00:54:10,800
Speaker 4: but it's a pretty gay mustache.

1234
00:54:10,880 --> 00:54:12,160
Speaker 5: Might get down rocked for a minute.

1235
00:54:12,280 --> 00:54:14,000
Speaker 4: If he never killed a bunch of Jews, we'd be like,

1236
00:54:14,040 --> 00:54:16,600
Speaker 4: that's just a gay mustache. Yeah, I can see him,

1237
00:54:16,880 --> 00:54:19,200
Speaker 4: and we know that his background is actually Jewish. She

1238
00:54:19,280 --> 00:54:21,719
Speaker 4: was very self hating. I think his father abused him

1239
00:54:21,719 --> 00:54:24,440
Speaker 4: because he was a gay artist and all that aggression

1240
00:54:24,520 --> 00:54:26,680
Speaker 4: was built up. And he did a lot of fucking

1241
00:54:26,760 --> 00:54:30,200
Speaker 4: coke and meth, and he was on a lot of men.

1242
00:54:30,280 --> 00:54:33,600
Speaker 4: He went crazy. He just happened to be very articulate.

1243
00:54:33,760 --> 00:54:35,960
Speaker 2: Oh yeah, so you think he was a gay method.

1244
00:54:35,760 --> 00:54:37,359
Speaker 4: I think Quincy Jones can tell us the truth.

1245
00:54:37,719 --> 00:54:39,960
Speaker 1: No Quinchy could definitely tell us Whatitler was doing for sure,

1246
00:54:41,480 --> 00:54:42,960
Speaker 1: But I don't know about him being I don't know.

1247
00:54:43,480 --> 00:54:45,640
Speaker 3: Well there was like always this h and again I

1248
00:54:45,680 --> 00:54:47,719
Speaker 3: don't give a shit straight or it doesn't matter. He's

1249
00:54:47,960 --> 00:54:49,840
Speaker 3: obviously horrible all that. I don't need to preface this,

1250
00:54:50,400 --> 00:54:52,600
Speaker 3: but there's been like this like big revision is history

1251
00:54:52,760 --> 00:54:55,880
Speaker 3: coming from all over the place of just like slandering him.

1252
00:54:55,880 --> 00:54:57,640
Speaker 3: There's also like things that he had a tiny penis.

1253
00:54:57,840 --> 00:55:00,239
Speaker 3: It's like all that, Like he used to s his

1254
00:55:00,360 --> 00:55:02,200
Speaker 3: pants a lot. There's like all these things that just

1255
00:55:02,280 --> 00:55:02,759
Speaker 3: makes us.

1256
00:55:02,800 --> 00:55:04,799
Speaker 1: But see see, but if I was back in those

1257
00:55:04,880 --> 00:55:06,959
Speaker 1: times and then now people in twenty twenty four saying

1258
00:55:07,000 --> 00:55:09,120
Speaker 1: these things about me and it wasn't true, I would

1259
00:55:09,200 --> 00:55:11,160
Speaker 1: want somebody that has some history of me someway to

1260
00:55:11,160 --> 00:55:12,680
Speaker 1: come up, like, yo, bro, what a y'all talking about?

1261
00:55:12,680 --> 00:55:15,600
Speaker 2: He was nothing like but that I think he had

1262
00:55:15,600 --> 00:55:17,800
Speaker 2: a little dick in twenty twenty four is crazy.

1263
00:55:18,040 --> 00:55:20,560
Speaker 4: Him shitting his pants is the least of his pr problems.

1264
00:55:20,680 --> 00:55:23,279
Speaker 1: Yeah, Like, yo, I have a little dick, and I'm

1265
00:55:23,360 --> 00:55:25,840
Speaker 1: like a piece of shit, Like come on, man, Like

1266
00:55:26,000 --> 00:55:28,640
Speaker 1: where do people get this shit from? Somebody just says

1267
00:55:28,680 --> 00:55:29,960
Speaker 1: it and then it's just like oh yeah, like I

1268
00:55:30,040 --> 00:55:31,480
Speaker 1: heard that too. Where did you hear that?

1269
00:55:31,600 --> 00:55:35,120
Speaker 3: It's to strip, like to strip the allure from a

1270
00:55:35,600 --> 00:55:37,719
Speaker 3: quote boogie man, just to the reason.

1271
00:55:37,520 --> 00:55:39,080
Speaker 4: He like the reason he was such such a bad

1272
00:55:39,120 --> 00:55:40,640
Speaker 4: person is because he was so insecure.

1273
00:55:41,000 --> 00:55:43,600
Speaker 5: Is that that part of that thing is to dehumanize him? Yeah,

1274
00:55:43,640 --> 00:55:46,080
Speaker 5: I don't know. I'm also not defending Hiller no, Like

1275
00:55:46,200 --> 00:55:47,000
Speaker 5: it's just a whack.

1276
00:55:47,760 --> 00:55:50,560
Speaker 10: I don't know, Like, yeah, because who wrote that? Who

1277
00:55:50,640 --> 00:55:53,520
Speaker 10: wrote that in the history book? Like who documented that

1278
00:55:53,920 --> 00:55:54,880
Speaker 10: he had a little dick.

1279
00:55:55,640 --> 00:55:58,279
Speaker 4: One of the hosts. It was the same back then

1280
00:55:58,360 --> 00:56:00,400
Speaker 4: as it is now. They just put it in journals

1281
00:56:00,400 --> 00:56:01,560
Speaker 4: instead of IG captions.

1282
00:56:02,200 --> 00:56:05,719
Speaker 1: Like what's they find is somebody journal from back then

1283
00:56:05,760 --> 00:56:07,160
Speaker 1: and it says, yo, he had a little dick.

1284
00:56:07,560 --> 00:56:09,560
Speaker 2: That's a lot They talk like that.

1285
00:56:11,440 --> 00:56:12,479
Speaker 7: Sire was not welling.

1286
00:56:12,560 --> 00:56:14,600
Speaker 4: Matter of fact, they made statues of men with the

1287
00:56:14,680 --> 00:56:16,520
Speaker 4: tiniest penises. It was revered back then.

1288
00:56:16,719 --> 00:56:20,040
Speaker 5: Yeah, they ran out of marble.

1289
00:56:20,320 --> 00:56:23,200
Speaker 4: Yeah do you think anyone like walked past those statues

1290
00:56:23,680 --> 00:56:25,279
Speaker 4: when they were finished in that time and was like

1291
00:56:26,520 --> 00:56:30,719
Speaker 4: our president is that little or whatever their leader was.

1292
00:56:31,320 --> 00:56:32,960
Speaker 4: Because they did those in real time a lot and

1293
00:56:33,040 --> 00:56:34,360
Speaker 4: it's like, no.

1294
00:56:34,440 --> 00:56:36,080
Speaker 1: Caesar had to actually stand in When they did that,

1295
00:56:36,480 --> 00:56:38,120
Speaker 1: everybody was just walking past them looking.

1296
00:56:38,000 --> 00:56:40,440
Speaker 4: Like, oh yeah, he got the little dick statue. And

1297
00:56:40,480 --> 00:56:42,560
Speaker 4: he's like, all right, I'll learn y'all. I'm Jesus Christ.

1298
00:56:42,640 --> 00:56:47,759
Speaker 4: Now this is the last time you're gonna fuck with

1299
00:56:47,880 --> 00:56:50,279
Speaker 4: me when it comes to art or paintings. I am

1300
00:56:50,360 --> 00:56:52,719
Speaker 4: going to be the face of what white people think

1301
00:56:52,840 --> 00:56:56,480
Speaker 4: Jesus is fact different caesarsift history, buffs.

1302
00:56:56,480 --> 00:56:57,399
Speaker 2: I know it was a joke.

1303
00:56:59,120 --> 00:57:01,200
Speaker 4: Anyways, I don't know how we got to the Hitler.

1304
00:57:01,280 --> 00:57:03,960
Speaker 4: Oh yeah, either way, Quincy Jones, please do another interview.

1305
00:57:06,239 --> 00:57:07,880
Speaker 4: We need to get all his testimony.

1306
00:57:08,239 --> 00:57:11,640
Speaker 2: Quincy, Yes, Quincy gonna die with those secrets. Man, he

1307
00:57:11,680 --> 00:57:12,279
Speaker 2: ain't gonna do that.

1308
00:57:12,560 --> 00:57:14,160
Speaker 4: He came out the gate and was like Marvin Gay

1309
00:57:14,239 --> 00:57:16,080
Speaker 4: was fucking every dude you could think of. I think

1310
00:57:16,160 --> 00:57:17,640
Speaker 4: I don't think he wants to die with any secrets.

1311
00:57:18,760 --> 00:57:19,840
Speaker 2: He's dying to get him out.

1312
00:57:19,720 --> 00:57:22,440
Speaker 7: Because nobody even asked him that for. He just volunteered

1313
00:57:22,480 --> 00:57:22,960
Speaker 7: that information.

1314
00:57:23,720 --> 00:57:27,040
Speaker 4: He made us think of a freebasing comedian that let

1315
00:57:27,120 --> 00:57:31,160
Speaker 4: himself on fire and go, wait, Richard Pryor did what Yeah, Quincy,

1316
00:57:31,360 --> 00:57:32,360
Speaker 4: I think wants to let it go.

1317
00:57:33,360 --> 00:57:35,200
Speaker 1: It was somebody's birthday the other day that we were

1318
00:57:35,240 --> 00:57:37,520
Speaker 1: talking about Martin. Martin's birthday was the other day, and

1319
00:57:37,520 --> 00:57:39,240
Speaker 1: we were sitting here cracking jokes about him and how

1320
00:57:39,280 --> 00:57:42,360
Speaker 1: he should not be doing any action scenes anymore. You you,

1321
00:57:43,600 --> 00:57:45,200
Speaker 1: I started it, but y'all like kind of like you know,

1322
00:57:45,280 --> 00:57:47,960
Speaker 1: your niggas added some sassoon and everything to it.

1323
00:57:48,840 --> 00:57:50,200
Speaker 2: But happy birthday that Martin Lawrence.

1324
00:57:51,000 --> 00:57:51,360
Speaker 5: I didn't.

1325
00:57:51,360 --> 00:57:53,640
Speaker 2: I didn't appreciate that we talked about bad about Martin.

1326
00:57:53,640 --> 00:57:54,360
Speaker 5: It was his birthday.

1327
00:57:54,840 --> 00:57:55,439
Speaker 4: He reached out.

1328
00:57:55,760 --> 00:57:57,120
Speaker 2: No, I just tolw his birthday.

1329
00:57:57,120 --> 00:57:59,040
Speaker 4: I was like, fuck's been a lot of people reaching out.

1330
00:57:59,080 --> 00:58:03,400
Speaker 5: That's just what another blue meal?

1331
00:58:03,800 --> 00:58:07,280
Speaker 4: Oh yeah, yeah, do we not have the whole dream? Though?

1332
00:58:08,840 --> 00:58:10,960
Speaker 2: That doesn't count. We knew that was gonna She wasn't.

1333
00:58:10,760 --> 00:58:11,960
Speaker 4: Sure if Martin and his team.

1334
00:58:14,400 --> 00:58:17,280
Speaker 2: The bad Boys crazy never beefing with Martin Lawrence.

1335
00:58:18,240 --> 00:58:23,920
Speaker 4: Yeah, we were. We were giving ourselves like sarcastic credit

1336
00:58:24,400 --> 00:58:28,720
Speaker 4: for the Chris Brown Quavo thing re sparking. I feel

1337
00:58:28,760 --> 00:58:30,520
Speaker 4: like that that's a stain on our jacket. Now we

1338
00:58:30,640 --> 00:58:32,720
Speaker 4: deserve an asterisk because we really started one of the

1339
00:58:32,800 --> 00:58:34,920
Speaker 4: worst audio beets and all time.

1340
00:58:35,200 --> 00:58:36,720
Speaker 2: Well, you said, we started to feel like.

1341
00:58:36,720 --> 00:58:38,560
Speaker 4: I don't even want my name, what's actually anymore?

1342
00:58:38,680 --> 00:58:40,960
Speaker 1: And people been hitting me talking about I started the

1343
00:58:41,000 --> 00:58:45,720
Speaker 1: Loope ship. I think wants to battle everybody I didn't have.

1344
00:58:46,080 --> 00:58:47,400
Speaker 1: I just said I didn't think he was a better

1345
00:58:47,440 --> 00:58:48,000
Speaker 1: rapper than Drake.

1346
00:58:48,160 --> 00:58:49,880
Speaker 4: That's not me saying I think it was a mixture

1347
00:58:49,960 --> 00:58:52,440
Speaker 4: of our ship. But we can't be too arrogant. I

1348
00:58:52,560 --> 00:58:56,400
Speaker 4: think that whatever publication put out all the rappers that

1349
00:58:56,840 --> 00:59:00,680
Speaker 4: apologized to Kendrick, lamar Bay was on there and was like,

1350
00:59:00,720 --> 00:59:03,480
Speaker 4: I never fucking apologized, So I think it was a mixture.

1351
00:59:03,800 --> 00:59:06,320
Speaker 10: Okay, we kept saying Loupe his name was a little

1352
00:59:06,320 --> 00:59:08,120
Speaker 10: bit in too many mixes, and he was like, all right,

1353
00:59:09,040 --> 00:59:15,800
Speaker 10: y'all talking crazy on me. Well, I asked TikTok, I

1354
00:59:15,800 --> 00:59:17,880
Speaker 10: got just on TikTok today, on TikTok Life, shout out

1355
00:59:17,880 --> 00:59:19,320
Speaker 10: to my TikTok live community.

1356
00:59:19,640 --> 00:59:20,480
Speaker 1: And shut up.

1357
00:59:22,160 --> 00:59:22,560
Speaker 7: For a week.

1358
00:59:22,720 --> 00:59:24,360
Speaker 10: No, because I used the bathroom when I was on

1359
00:59:24,400 --> 00:59:26,320
Speaker 10: the phone. When I was on TikTok Live. You couldn't

1360
00:59:26,320 --> 00:59:27,480
Speaker 10: see me use the bathroom.

1361
00:59:27,600 --> 00:59:29,120
Speaker 5: You just heard splash.

1362
00:59:29,800 --> 00:59:30,920
Speaker 4: How did TikTok know you were?

1363
00:59:31,600 --> 00:59:33,560
Speaker 10: I don't have no idea. I think somebody reported me.

1364
00:59:33,640 --> 00:59:34,920
Speaker 10: I think like there was a hater and there, and

1365
00:59:34,960 --> 00:59:37,960
Speaker 10: a hater reported me. So I'm now being from TikTok

1366
00:59:38,320 --> 00:59:39,040
Speaker 10: live for a week.

1367
00:59:39,120 --> 00:59:39,520
Speaker 7: But whatever.

1368
00:59:39,520 --> 00:59:41,600
Speaker 10: Anyway, they picked out my outfit from me. I took

1369
00:59:41,640 --> 00:59:43,240
Speaker 10: them in my closet and they picked out my outfit.

1370
00:59:43,400 --> 00:59:45,800
Speaker 10: I told him that these shoes didn't go with this shirt,

1371
00:59:46,040 --> 00:59:49,000
Speaker 10: and they said that, ask you, why do.

1372
00:59:49,040 --> 00:59:50,200
Speaker 2: You think the shoes gonna go with the shirt?

1373
00:59:50,320 --> 00:59:51,480
Speaker 5: Wouldn't they because they.

1374
00:59:51,440 --> 00:59:53,600
Speaker 7: Don't have black in them. They're all gray.

1375
00:59:56,240 --> 00:59:57,600
Speaker 5: They they do have black.

1376
00:59:57,880 --> 00:59:59,200
Speaker 4: This is your way to show your toes on the

1377
00:59:59,200 --> 01:00:00,160
Speaker 4: pod up.

1378
01:00:00,160 --> 01:00:02,280
Speaker 5: I have been through YouTube.

1379
01:00:02,520 --> 01:00:05,640
Speaker 4: That's not black on the gumb this.

1380
01:00:05,720 --> 01:00:06,800
Speaker 7: Is all gray.

1381
01:00:07,000 --> 01:00:09,280
Speaker 2: It doesn't matter to him, like you're wearing all black.

1382
01:00:09,640 --> 01:00:13,240
Speaker 7: Yeah, so they still my outfit. They were like. I

1383
01:00:13,360 --> 01:00:14,440
Speaker 7: was like, because I don't want more all to talk

1384
01:00:14,480 --> 01:00:15,919
Speaker 7: about me. You know, mam all know how to dress.

1385
01:00:15,960 --> 01:00:17,560
Speaker 7: They were like, nah, you're good. You dressed like him.

1386
01:00:17,600 --> 01:00:20,800
Speaker 1: And I was like, all right, could have asked me, hmm,

1387
01:00:21,280 --> 01:00:23,240
Speaker 1: so they want me to rake this outfit? Yep, one

1388
01:00:23,280 --> 01:00:24,320
Speaker 1: through one through ten.

1389
01:00:26,440 --> 01:00:31,520
Speaker 2: She good shirt and know what I would get sock?

1390
01:00:31,880 --> 01:00:34,720
Speaker 1: What I would have did me, I wouldn't have did

1391
01:00:34,760 --> 01:00:36,240
Speaker 1: black socks. I would have did white socks?

1392
01:00:37,440 --> 01:00:37,800
Speaker 4: Problem?

1393
01:00:38,200 --> 01:00:39,600
Speaker 7: How did white contrast?

1394
01:00:39,920 --> 01:00:41,200
Speaker 2: You know what I mean? Give it a little white?

1395
01:00:41,240 --> 01:00:42,560
Speaker 2: You know what I'm saying, because right now I look

1396
01:00:42,640 --> 01:00:44,200
Speaker 2: like the pants is connected to the sneakers.

1397
01:00:44,920 --> 01:00:46,880
Speaker 1: You don't want that look and hip on connected. Wanted

1398
01:00:46,880 --> 01:00:49,200
Speaker 1: to detach it. I wanted to detach that look, so

1399
01:00:49,240 --> 01:00:51,120
Speaker 1: I would have did white socks. But that's a good

1400
01:00:51,160 --> 01:00:53,760
Speaker 1: fit to see the bamboo ear rings. I see what

1401
01:00:53,800 --> 01:00:57,160
Speaker 1: you're giving them. Collar on, good ponytail, good makeup.

1402
01:00:57,280 --> 01:00:58,840
Speaker 2: You know what I'm saying. I'm gonna get at it.

1403
01:00:58,880 --> 01:01:00,520
Speaker 2: That's a good you A good night right now?

1404
01:01:00,760 --> 01:01:02,960
Speaker 5: Okay, you're a good night thinking that.

1405
01:01:03,120 --> 01:01:05,960
Speaker 2: You're good nough. It's a good nough A nigga. How

1406
01:01:06,080 --> 01:01:07,040
Speaker 2: let you on the train right now?

1407
01:01:07,120 --> 01:01:07,439
Speaker 5: For sure?

1408
01:01:07,960 --> 01:01:10,000
Speaker 7: Nigga will holler be in the train if I was home.

1409
01:01:12,480 --> 01:01:14,360
Speaker 4: You don't taken to much credit here. Yeah.

1410
01:01:14,400 --> 01:01:15,920
Speaker 2: I don't know if that's my bad, but you know

1411
01:01:15,960 --> 01:01:17,360
Speaker 2: what I mean, You know what I was trying to say.

1412
01:01:17,480 --> 01:01:18,920
Speaker 5: Yeah, you look at thank you.

1413
01:01:19,000 --> 01:01:21,120
Speaker 3: Speaking of getting hollered at live, did you guys see

1414
01:01:21,160 --> 01:01:24,200
Speaker 3: this video of Adrian Brawner shooting a shot at Coiler

1415
01:01:24,280 --> 01:01:26,400
Speaker 3: ray on mar on Instagram Live.

1416
01:01:27,200 --> 01:01:28,840
Speaker 2: Adrian trying to say you want to fight me or something.

1417
01:01:29,040 --> 01:01:30,240
Speaker 5: Yeah, you probably lose.

1418
01:01:30,320 --> 01:01:31,760
Speaker 2: That's what it says that.

1419
01:01:33,280 --> 01:01:34,520
Speaker 5: Beau.

1420
01:01:34,600 --> 01:01:36,400
Speaker 2: He says, you want to fight me May thirty first,

1421
01:01:36,440 --> 01:01:40,480
Speaker 2: and mall meet me. Meet me at the fight in

1422
01:01:40,560 --> 01:01:42,520
Speaker 2: Miami May thirty for yo a b.

1423
01:01:42,680 --> 01:01:43,000
Speaker 5: What's up?

1424
01:01:43,080 --> 01:01:43,200
Speaker 7: Man?

1425
01:01:43,240 --> 01:01:45,200
Speaker 1: I'll beat here because I don't even like the energy

1426
01:01:45,240 --> 01:01:48,520
Speaker 1: you're giving on. I g live to my you know

1427
01:01:48,520 --> 01:01:50,400
Speaker 1: what I mean, my my one and only.

1428
01:01:50,480 --> 01:01:52,320
Speaker 4: Don't jump out the window and get into some beef.

1429
01:01:52,360 --> 01:01:54,040
Speaker 4: Your queen stayed tentoes?

1430
01:01:54,640 --> 01:01:55,240
Speaker 5: Do you want to watch it?

1431
01:01:55,400 --> 01:01:55,880
Speaker 4: Disrespect?

1432
01:01:56,160 --> 01:01:58,440
Speaker 2: All right, as long as she ain't disrespect our household.

1433
01:02:00,240 --> 01:02:01,880
Speaker 7: Try to bag me on an Instagram line.

1434
01:02:01,920 --> 01:02:03,360
Speaker 5: It's fucking crazy, that's right.

1435
01:02:04,400 --> 01:02:07,080
Speaker 4: Get the fuck on, get the money on everything.

1436
01:02:07,160 --> 01:02:10,000
Speaker 2: I think see see see coy we talked about that.

1437
01:02:10,480 --> 01:02:11,240
Speaker 2: I mean, I'm glad you.

1438
01:02:12,040 --> 01:02:13,840
Speaker 1: I'm glad you're taking the lessons from the house and

1439
01:02:14,640 --> 01:02:16,400
Speaker 1: walking through life with the lessons and the jews that

1440
01:02:16,440 --> 01:02:16,960
Speaker 1: I'm dropping.

1441
01:02:17,360 --> 01:02:18,520
Speaker 4: I'm going, I'm getting off.

1442
01:02:18,800 --> 01:02:20,240
Speaker 7: Go look at my post, post my cover.

1443
01:02:21,040 --> 01:02:23,160
Speaker 4: So how how old is Coyler?

1444
01:02:24,160 --> 01:02:25,600
Speaker 2: I want to say twenty six?

1445
01:02:26,240 --> 01:02:29,000
Speaker 4: Okay, that's not I could see y'all being like a

1446
01:02:29,040 --> 01:02:29,600
Speaker 4: power couple.

1447
01:02:30,160 --> 01:02:32,200
Speaker 1: Me and coy give her like two more years. I

1448
01:02:32,280 --> 01:02:34,600
Speaker 1: think coy is really attractive, she's beautiful.

1449
01:02:34,920 --> 01:02:35,680
Speaker 5: I like her style.

1450
01:02:36,640 --> 01:02:38,640
Speaker 4: I think she makes good music. I think she's a star.

1451
01:02:38,800 --> 01:02:40,000
Speaker 4: I think Coyla is a star man.

1452
01:02:40,160 --> 01:02:42,760
Speaker 3: She she did get on Twitter because obviously that went

1453
01:02:42,920 --> 01:02:45,320
Speaker 3: viral pretty quickly, and she did get on Twitter and said,

1454
01:02:45,360 --> 01:02:46,240
Speaker 3: I wasn't trying to be harsh.

1455
01:02:46,280 --> 01:02:48,320
Speaker 5: However, I hope he wins his fight and many more so.

1456
01:02:48,560 --> 01:02:52,000
Speaker 10: She did that because they were on her ass. The

1457
01:02:52,080 --> 01:02:54,080
Speaker 10: men were on her ass. They said she need to

1458
01:02:54,160 --> 01:02:56,960
Speaker 10: humble herst men. They said she need to humble herself.

1459
01:02:57,040 --> 01:02:57,720
Speaker 7: That was rude.

1460
01:02:57,840 --> 01:02:59,160
Speaker 10: She didn't have to say it like that because he

1461
01:02:59,200 --> 01:03:01,880
Speaker 10: didn't really come at her disrespectful. It was like, that

1462
01:03:02,000 --> 01:03:03,600
Speaker 10: was super rude. You didn't have to be like that,

1463
01:03:03,880 --> 01:03:05,440
Speaker 10: this this, this, this need to have to call him

1464
01:03:05,480 --> 01:03:06,520
Speaker 10: corny and all of that.

1465
01:03:07,320 --> 01:03:08,840
Speaker 4: But he is so sensitive.

1466
01:03:09,320 --> 01:03:11,760
Speaker 1: What if she felt that that was corny? What's wrong

1467
01:03:11,840 --> 01:03:14,600
Speaker 1: with somebody feeling like that was corny? Like that's my

1468
01:03:14,720 --> 01:03:16,720
Speaker 1: thing with all of this, Like people people say in

1469
01:03:17,120 --> 01:03:20,439
Speaker 1: comments and all, you know, how many of these people

1470
01:03:20,640 --> 01:03:22,800
Speaker 1: in comments be fucked up people in real life? You

1471
01:03:22,840 --> 01:03:25,320
Speaker 1: think I'll give a fuck what they're talking about it. So,

1472
01:03:25,920 --> 01:03:28,520
Speaker 1: I mean she felt like that was corny. She's entitled

1473
01:03:28,560 --> 01:03:32,360
Speaker 1: to that. What's wrong with her stating that? Yeah, I

1474
01:03:32,400 --> 01:03:34,040
Speaker 1: apologize for stating that that was corny.

1475
01:03:34,080 --> 01:03:36,640
Speaker 3: Adrian jumped on his Instagram and then said, now the

1476
01:03:36,680 --> 01:03:38,800
Speaker 3: whole world. No, I'm fighting at the hard dogs or

1477
01:03:38,840 --> 01:03:42,040
Speaker 3: promoting the fight. I'm a marketing genius lol hashtag let's.

1478
01:03:41,880 --> 01:03:45,520
Speaker 7: Go maybe, oh baby, just take the Ellen silence.

1479
01:03:46,680 --> 01:03:50,600
Speaker 4: So listen, take that l but Miami thirty first, you

1480
01:03:50,680 --> 01:03:53,520
Speaker 4: better be ready to fucking win that fight. Use it

1481
01:03:53,560 --> 01:03:54,280
Speaker 4: as fuel.

1482
01:03:56,320 --> 01:03:56,920
Speaker 2: To win the fight.

1483
01:03:57,240 --> 01:03:59,960
Speaker 4: Yeah, being turned down by Coy. Yeah, but what was

1484
01:04:00,120 --> 01:04:01,840
Speaker 4: his shot? All I saw was that he said, come

1485
01:04:01,880 --> 01:04:02,080
Speaker 4: to my.

1486
01:04:02,080 --> 01:04:03,920
Speaker 5: Fighter inted fight.

1487
01:04:05,240 --> 01:04:07,200
Speaker 2: It'll be dope. If chef actually slowed.

1488
01:04:07,000 --> 01:04:07,760
Speaker 5: Up, all right.

1489
01:04:07,760 --> 01:04:09,920
Speaker 4: The only thing corny there, I would say, who said

1490
01:04:09,960 --> 01:04:12,080
Speaker 4: I was shooting my shot? Just want you to come

1491
01:04:12,120 --> 01:04:12,520
Speaker 4: to my fight?

1492
01:04:13,120 --> 01:04:14,360
Speaker 2: No, if you want a girl to come here, that's

1493
01:04:14,400 --> 01:04:15,600
Speaker 2: like asking a girl to come to the gym and

1494
01:04:15,640 --> 01:04:16,200
Speaker 2: watch you play.

1495
01:04:17,640 --> 01:04:19,720
Speaker 5: It's different flirting.

1496
01:04:20,120 --> 01:04:20,720
Speaker 2: You flirting.

1497
01:04:21,080 --> 01:04:22,920
Speaker 1: You know if she walking that gym, you're telling, give

1498
01:04:22,960 --> 01:04:26,000
Speaker 1: me the ball, give me the ball, give me the ball,

1499
01:04:26,080 --> 01:04:27,720
Speaker 1: you niggas, make sure you get me the ball.

1500
01:04:28,080 --> 01:04:30,800
Speaker 4: Start doing crossovers at half court give me the rock

1501
01:04:30,840 --> 01:04:35,000
Speaker 4: and everybody moved. She just said, before you get just

1502
01:04:35,080 --> 01:04:35,520
Speaker 4: a defense.

1503
01:04:35,600 --> 01:04:37,760
Speaker 1: You just just walked in, sat down right there on

1504
01:04:37,840 --> 01:04:40,040
Speaker 1: the bleachers, like give me the ball, and everybody moved.

1505
01:04:40,240 --> 01:04:42,120
Speaker 4: But that's like what a famous girl you would want

1506
01:04:42,120 --> 01:04:43,720
Speaker 4: at your fight though, no, bring more attention to it.

1507
01:04:44,080 --> 01:04:46,480
Speaker 1: Yeah, absolutely, but I would want a pretty famous girl

1508
01:04:46,520 --> 01:04:48,000
Speaker 1: my fight. So after the fight, we can go on

1509
01:04:48,080 --> 01:04:48,360
Speaker 1: a date.

1510
01:04:48,480 --> 01:04:50,040
Speaker 4: I might side with some of the men. I thought

1511
01:04:50,080 --> 01:04:52,080
Speaker 4: he actually was shooting his shot if he just said

1512
01:04:52,120 --> 01:04:53,440
Speaker 4: come to my fight, and she was like, why are

1513
01:04:53,440 --> 01:04:54,280
Speaker 4: you shooting your shot at me?

1514
01:04:54,360 --> 01:04:54,480
Speaker 5: Now?

1515
01:04:54,600 --> 01:04:55,880
Speaker 4: Just inviting you to my fight.

1516
01:04:56,120 --> 01:04:57,840
Speaker 3: That's what that's the angle he took. By the way,

1517
01:04:57,880 --> 01:04:59,840
Speaker 3: before she even replied, he was like, I'm just telling

1518
01:04:59,880 --> 01:05:00,640
Speaker 3: her the show up.

1519
01:05:01,720 --> 01:05:04,080
Speaker 7: I'm not putting this sign shooting his shot. Bro, I

1520
01:05:04,200 --> 01:05:05,960
Speaker 7: was putting anybody.

1521
01:05:07,240 --> 01:05:08,880
Speaker 2: She's sexy, like he's shooting the shot.

1522
01:05:09,000 --> 01:05:11,560
Speaker 10: What I'm what I'm thinking is that he might have

1523
01:05:11,600 --> 01:05:14,280
Speaker 10: been in the d MS shooting before and not gotten

1524
01:05:14,320 --> 01:05:14,960
Speaker 10: a response.

1525
01:05:15,240 --> 01:05:16,880
Speaker 7: I do not know this to be a factor.

1526
01:05:17,000 --> 01:05:18,200
Speaker 1: And then he took it to the took it to

1527
01:05:18,240 --> 01:05:20,080
Speaker 1: the live and she's like, Nigga, I'm already ignoring you

1528
01:05:20,160 --> 01:05:21,120
Speaker 1: in the DMS.

1529
01:05:21,000 --> 01:05:23,800
Speaker 10: Because she got super irritated, And I'm like, that's probably

1530
01:05:23,840 --> 01:05:24,760
Speaker 10: that wasn't his first time.

1531
01:05:25,800 --> 01:05:26,680
Speaker 2: That wasn't his first time.

1532
01:05:26,760 --> 01:05:28,480
Speaker 10: You guys ever invited a girl to the gym to

1533
01:05:28,520 --> 01:05:31,280
Speaker 10: watch you shoot or like to do something. I know

1534
01:05:31,360 --> 01:05:32,800
Speaker 10: y'all used to invite you said.

1535
01:05:32,600 --> 01:05:33,680
Speaker 2: I was joking when I just said that.

1536
01:05:34,320 --> 01:05:36,520
Speaker 4: Yeah, hell yeah, give me the ball in your nigga's move.

1537
01:05:37,400 --> 01:05:39,080
Speaker 7: So that's how you feel that like our live shows

1538
01:05:39,120 --> 01:05:40,000
Speaker 7: and y'all got bitches there.

1539
01:05:40,680 --> 01:05:42,400
Speaker 4: Maul must have had one at the DC show because

1540
01:05:42,400 --> 01:05:43,080
Speaker 4: he was hilarious.

1541
01:05:47,160 --> 01:05:47,800
Speaker 2: I don't know how that.

1542
01:05:48,640 --> 01:05:50,920
Speaker 4: I don't know what that God if he has no response,

1543
01:05:51,720 --> 01:05:54,280
Speaker 4: that just was I feel like you wrote a monologue before.

1544
01:05:54,800 --> 01:05:56,320
Speaker 5: I think hilarious.

1545
01:05:56,760 --> 01:05:58,840
Speaker 7: But he was in the mirror in the green of practicing.

1546
01:05:59,000 --> 01:06:01,600
Speaker 4: Yeah, no, I think you staged that fight too.

1547
01:06:02,160 --> 01:06:02,800
Speaker 5: M m oh.

1548
01:06:02,880 --> 01:06:04,440
Speaker 4: I set all of that up in the audience, like

1549
01:06:04,520 --> 01:06:06,960
Speaker 4: to show you could be a protector from the stage.

1550
01:06:07,480 --> 01:06:08,440
Speaker 5: Watch me clear this out.

1551
01:06:08,960 --> 01:06:10,800
Speaker 7: You said security, go take her to the back.

1552
01:06:11,200 --> 01:06:12,720
Speaker 2: No, security is the one that fucked you.

1553
01:06:13,520 --> 01:06:15,320
Speaker 4: I had no security had a girl there. The yea,

1554
01:06:15,520 --> 01:06:16,600
Speaker 4: they definitely had a girl there.

1555
01:06:16,640 --> 01:06:17,919
Speaker 2: I had nothing to do with that ship.

1556
01:06:18,520 --> 01:06:21,720
Speaker 4: That's funny. Well, I think you should shoot your shot

1557
01:06:21,760 --> 01:06:23,439
Speaker 4: at Koy. Is it corny? Do you think to shoot

1558
01:06:23,480 --> 01:06:24,200
Speaker 4: your shot from a pod?

1559
01:06:24,880 --> 01:06:25,080
Speaker 2: Yeah?

1560
01:06:25,440 --> 01:06:26,200
Speaker 4: That's probably corny.

1561
01:06:26,320 --> 01:06:27,200
Speaker 5: Yeah that's good.

1562
01:06:27,720 --> 01:06:29,280
Speaker 2: So how like you have to work. I'm a grown

1563
01:06:29,360 --> 01:06:29,720
Speaker 2: ass man.

1564
01:06:29,840 --> 01:06:30,840
Speaker 5: We'll do it for you, Maro.

1565
01:06:31,560 --> 01:06:33,720
Speaker 3: Well, Coy, if you won't be in Miami on May

1566
01:06:33,840 --> 01:06:35,560
Speaker 3: thirty first, you can come here to New York.

1567
01:06:35,960 --> 01:06:36,640
Speaker 5: Ma will be here.

1568
01:06:37,280 --> 01:06:39,440
Speaker 4: That must be tough, though, Like the only way you

1569
01:06:39,480 --> 01:06:41,200
Speaker 4: could ever shoot you out at someone that thinks that

1570
01:06:41,280 --> 01:06:43,439
Speaker 4: way is if you happen to meet them in person.

1571
01:06:43,720 --> 01:06:46,560
Speaker 1: This is tough, the bottom line. Seeing it always goes

1572
01:06:46,640 --> 01:06:49,720
Speaker 1: back to if she liked you, if she liked him.

1573
01:06:50,000 --> 01:06:52,320
Speaker 2: If that was somebody that Coy liked that she wanted to,

1574
01:06:53,200 --> 01:06:55,040
Speaker 2: that response would have been totally different.

1575
01:06:55,320 --> 01:06:56,720
Speaker 4: Yeah, if she liked you, you could just send us

1576
01:06:56,760 --> 01:06:59,200
Speaker 4: so list a dick pic and she'd be like, come over, yeah.

1577
01:06:59,400 --> 01:07:01,280
Speaker 5: That's what they If she liked him, she'd probably feel

1578
01:07:01,280 --> 01:07:01,880
Speaker 5: like you stupid.

1579
01:07:02,520 --> 01:07:04,880
Speaker 1: Yeah, she would have just laughed and smiled at it, yeah,

1580
01:07:05,120 --> 01:07:07,240
Speaker 1: and then said something like I think I'm gonna go

1581
01:07:07,440 --> 01:07:09,320
Speaker 1: to Miami Made thirty first, Like you know, you know

1582
01:07:09,360 --> 01:07:11,640
Speaker 1: how girls, the cute girls flirt. She would have turned

1583
01:07:11,640 --> 01:07:13,560
Speaker 1: around to assistant and say, yeah, I think can you

1584
01:07:13,600 --> 01:07:16,360
Speaker 1: be in Miami made thirty. Yeah, that's if she was

1585
01:07:16,440 --> 01:07:18,600
Speaker 1: feeling you. If she's not feeling you, you're gonna get there.

1586
01:07:18,840 --> 01:07:19,880
Speaker 1: I'm about to get off Live.

1587
01:07:21,400 --> 01:07:23,960
Speaker 2: That's she wasn't feeling you, bro, Sorry though, keep swinging.

1588
01:07:24,040 --> 01:07:28,880
Speaker 4: It should have sound like a request to join her lived.

1589
01:07:28,880 --> 01:07:29,320
Speaker 7: Ignored it.

1590
01:07:29,480 --> 01:07:32,200
Speaker 2: No, I oh, I thought you said me. I should

1591
01:07:32,200 --> 01:07:32,840
Speaker 2: have sent the request.

1592
01:07:32,920 --> 01:07:35,240
Speaker 4: I think you should her IG Live.

1593
01:07:36,360 --> 01:07:36,600
Speaker 5: Yeah.

1594
01:07:37,040 --> 01:07:40,360
Speaker 4: Remember when I buckled with Seven on IG Live when

1595
01:07:40,400 --> 01:07:43,560
Speaker 4: she had yep ten bad bitch. Yeah, yep, I think

1596
01:07:43,640 --> 01:07:46,120
Speaker 4: now I didn't buckle. I handled it okay, but I

1597
01:07:46,240 --> 01:07:49,640
Speaker 4: definitely I'm not saying Seven was flirting with me. But

1598
01:07:49,760 --> 01:07:52,360
Speaker 4: it was just like Seven and all her beautiful fucking

1599
01:07:52,440 --> 01:07:56,040
Speaker 4: friends and then somehow I ended up on there hm

1600
01:07:56,400 --> 01:08:00,080
Speaker 4: and I I got nothing, nothing done. Yeah that I

1601
01:08:00,120 --> 01:08:02,600
Speaker 4: saw all of them in person and didn't say nothing.

1602
01:08:02,680 --> 01:08:03,560
Speaker 4: They weren't impressed.

1603
01:08:05,800 --> 01:08:06,560
Speaker 7: They remember.

1604
01:08:08,240 --> 01:08:10,160
Speaker 4: I was with Aunt Clemens. We all went out to eat.

1605
01:08:10,600 --> 01:08:12,000
Speaker 4: They were and it was a few of them that

1606
01:08:12,040 --> 01:08:14,200
Speaker 4: were on that that live, and like I went to

1607
01:08:14,320 --> 01:08:18,599
Speaker 4: like joke about it and like nah, damn nobody thought

1608
01:08:18,640 --> 01:08:20,560
Speaker 4: I was cute or funny on that live. Let's just

1609
01:08:20,640 --> 01:08:22,160
Speaker 4: keep it a buke. I forgot it was even you, Like,

1610
01:08:22,360 --> 01:08:22,680
Speaker 4: what was that?

1611
01:08:22,840 --> 01:08:23,280
Speaker 2: Okay?

1612
01:08:24,080 --> 01:08:24,760
Speaker 7: You that white boy?

1613
01:08:25,000 --> 01:08:25,880
Speaker 5: Oh he's still in here.

1614
01:08:26,040 --> 01:08:28,000
Speaker 4: Yeah, like he's still and he's still in our live

1615
01:08:28,360 --> 01:08:31,760
Speaker 4: now he's in live in person. And then one of

1616
01:08:31,800 --> 01:08:34,880
Speaker 4: them exchanged numbers with one of them at at the dinner.

1617
01:08:35,120 --> 01:08:37,880
Speaker 4: This was a long time ago, and I feel like

1618
01:08:38,000 --> 01:08:39,680
Speaker 4: she did it out of sympathy, just because I was

1619
01:08:39,760 --> 01:08:42,519
Speaker 4: a nice person. Because then, like I tried to get

1620
01:08:42,520 --> 01:08:43,599
Speaker 4: a little text rhythm.

1621
01:08:44,280 --> 01:08:45,479
Speaker 5: And it wasn't there.

1622
01:08:45,600 --> 01:08:48,000
Speaker 4: It wasn't yeah, yeah, but I mean I did the

1623
01:08:48,040 --> 01:08:51,280
Speaker 4: honorable thing. I caught the vibe first day of texting

1624
01:08:51,760 --> 01:08:52,719
Speaker 4: and didn't play myself.

1625
01:08:52,760 --> 01:08:54,880
Speaker 5: I just left it like this is just not meant

1626
01:08:54,920 --> 01:08:55,679
Speaker 5: to be okay.

1627
01:08:56,000 --> 01:08:58,320
Speaker 4: Are there any celebrities that you guys would not just

1628
01:08:58,680 --> 01:08:59,920
Speaker 4: it's not seven of her friend?

1629
01:09:00,120 --> 01:09:00,200
Speaker 5: Ye?

1630
01:09:00,840 --> 01:09:02,920
Speaker 10: Any celebrities you guys would like shoot your shot at,

1631
01:09:04,520 --> 01:09:07,880
Speaker 10: like in person or just like hypothetically right hypothetically?

1632
01:09:08,000 --> 01:09:08,160
Speaker 5: Yes?

1633
01:09:09,120 --> 01:09:09,759
Speaker 4: Who Doclan?

1634
01:09:09,760 --> 01:09:13,280
Speaker 5: If you hear this, of course you're already off. What's

1635
01:09:13,320 --> 01:09:13,599
Speaker 5: his name?

1636
01:09:16,520 --> 01:09:17,120
Speaker 2: Who does she say?

1637
01:09:17,760 --> 01:09:18,120
Speaker 7: MacLean?

1638
01:09:18,520 --> 01:09:18,880
Speaker 5: Who's that?

1639
01:09:20,479 --> 01:09:22,920
Speaker 7: Y'all don't know what McLean, y'all, don't y'all watch Power.

1640
01:09:23,720 --> 01:09:29,960
Speaker 1: Oh so you're Bobby Brown. Oh yeah, that's Bobby that's

1641
01:09:30,040 --> 01:09:35,400
Speaker 1: Bobby Brown. He smoked that, bro, he's Bobby Job Woody McLean,

1642
01:09:35,439 --> 01:09:36,160
Speaker 1: that's Bobby Brown.

1643
01:09:36,200 --> 01:09:37,200
Speaker 4: It's definitely Bobby Brown.

1644
01:09:38,280 --> 01:09:40,639
Speaker 1: Oh so that's your but devirus. You're good for saying

1645
01:09:40,640 --> 01:09:42,439
Speaker 1: you got a crush and then to crush me right there.

1646
01:09:42,560 --> 01:09:47,280
Speaker 1: You just said this about the I'm not doing this

1647
01:09:47,360 --> 01:09:49,040
Speaker 1: with you, baby. The now you would pull up on

1648
01:09:49,120 --> 01:09:52,680
Speaker 1: wood I would Dimson was right there because Dimpson.

1649
01:09:52,400 --> 01:09:54,240
Speaker 7: Wasn't my I thought that he was cute. He was

1650
01:09:54,320 --> 01:09:54,920
Speaker 7: not my crush.

1651
01:09:55,000 --> 01:09:57,200
Speaker 10: Y'all wanted me to pull up and I'm not doing that.

1652
01:09:57,439 --> 01:10:00,160
Speaker 10: That's weird. I'm not doing that approaching some guy in

1653
01:10:00,240 --> 01:10:02,200
Speaker 10: the club like hey, like, that's weird.

1654
01:10:02,320 --> 01:10:03,840
Speaker 2: So you're gonna pull up on Bobby Brown, but not

1655
01:10:03,920 --> 01:10:04,559
Speaker 2: Franklin Saint.

1656
01:10:05,680 --> 01:10:07,479
Speaker 5: It was whatever.

1657
01:10:07,800 --> 01:10:11,080
Speaker 2: That's crazy. That's crazy. See what I'm saying, Baby d

1658
01:10:11,200 --> 01:10:11,639
Speaker 2: that's wild.

1659
01:10:11,760 --> 01:10:15,000
Speaker 4: Please call them by their actor, no disrespect.

1660
01:10:15,080 --> 01:10:17,280
Speaker 2: Willie McClain did a great job with Bobby Brown, though.

1661
01:10:18,200 --> 01:10:22,800
Speaker 4: King of r and b King of the Streets I

1662
01:10:22,960 --> 01:10:27,439
Speaker 4: go with, Yeah, answer my question, who was my crush.

1663
01:10:27,600 --> 01:10:36,360
Speaker 1: Yes, India love man still, Yes, I love India, loved.

1664
01:10:34,360 --> 01:10:34,760
Speaker 2: You see me.

1665
01:10:35,120 --> 01:10:37,759
Speaker 1: But see, I'm consistent with my crushes. My questions don't change.

1666
01:10:38,400 --> 01:10:40,200
Speaker 1: It was Clauda, but then you know she got married

1667
01:10:40,240 --> 01:10:44,120
Speaker 1: and so respectfully had the Claudaeotis from City. Oh my god,

1668
01:10:45,040 --> 01:10:46,439
Speaker 1: I love Claudade.

1669
01:10:46,040 --> 01:10:49,280
Speaker 4: Yo, my, my little young horny ass. When City came out?

1670
01:10:51,120 --> 01:10:53,479
Speaker 4: Was I ran through some lotion on her? That was

1671
01:10:53,680 --> 01:10:55,839
Speaker 4: you allowed to say that I was going through puberty?

1672
01:10:56,120 --> 01:10:56,639
Speaker 2: That's my late.

1673
01:10:57,200 --> 01:10:58,840
Speaker 10: What would you do if yourself was that whole crowding

1674
01:10:58,880 --> 01:11:00,439
Speaker 10: along in the bathroom and like eat off.

1675
01:11:00,640 --> 01:11:05,880
Speaker 4: Turned on, turned on yo? Her Caramel of remix when

1676
01:11:05,920 --> 01:11:06,800
Speaker 4: she was rapping.

1677
01:11:06,920 --> 01:11:08,400
Speaker 2: Keep disrespecting old lady like that.

1678
01:11:08,520 --> 01:11:11,240
Speaker 4: I can't believe it that he's still disrespecting my ladies

1679
01:11:11,280 --> 01:11:13,600
Speaker 4: in my face. No, disrespected Eve. But she smoked a

1680
01:11:13,640 --> 01:11:15,719
Speaker 4: great rap like she smoked Eve on that record.

1681
01:11:15,840 --> 01:11:18,040
Speaker 1: Yeah, that was my I had that King. I bought

1682
01:11:18,080 --> 01:11:21,120
Speaker 1: four those King magazine she was on the cover of. Yeah,

1683
01:11:21,200 --> 01:11:22,880
Speaker 1: Claudete was mine, but now it's Indie love.

1684
01:11:23,479 --> 01:11:29,040
Speaker 4: But all right, I'm not shaming at all. That story

1685
01:11:29,200 --> 01:11:33,680
Speaker 4: was wild of City, Hi, though, Like I'm not shaming her,

1686
01:11:34,000 --> 01:11:39,479
Speaker 4: I'm just saying it was a interesting twist in that

1687
01:11:39,880 --> 01:11:43,400
Speaker 4: entire group where it's like, all right, should I like

1688
01:11:43,520 --> 01:11:48,479
Speaker 4: this girl this way? What was she was dating one

1689
01:11:48,520 --> 01:11:51,000
Speaker 4: of them? I think she married one of them, divorced him,

1690
01:11:51,000 --> 01:11:52,599
Speaker 4: and then got with the other one.

1691
01:11:53,680 --> 01:11:55,000
Speaker 7: Sometimes you picked her off from.

1692
01:11:54,920 --> 01:11:56,800
Speaker 4: And it wasn't a dude from a sister act.

1693
01:11:58,240 --> 01:11:58,920
Speaker 2: He's in the city.

1694
01:11:58,960 --> 01:12:01,559
Speaker 4: I yeah, yeah, they were supposed to be the next

1695
01:12:01,600 --> 01:12:02,920
Speaker 4: Fujis Jersey too.

1696
01:12:04,080 --> 01:12:06,400
Speaker 2: Yeah, that was my who, No, she was. It took

1697
01:12:06,439 --> 01:12:07,760
Speaker 2: me a while. It took me a lot of years

1698
01:12:07,840 --> 01:12:09,920
Speaker 2: to like move on and realize that that was never

1699
01:12:09,960 --> 01:12:10,400
Speaker 2: gonna happen.

1700
01:12:10,520 --> 01:12:12,040
Speaker 4: Yeah, is she still married to the other one?

1701
01:12:13,120 --> 01:12:13,679
Speaker 2: I'm not sure.

1702
01:12:14,520 --> 01:12:17,160
Speaker 3: It doesn't give us on her wiki page, it doesn't

1703
01:12:17,240 --> 01:12:19,960
Speaker 3: say what her the status is of her relationship.

1704
01:12:20,320 --> 01:12:27,880
Speaker 2: Well, Claudade, if you're single and you're hungry, then on me, okay, you.

1705
01:12:27,960 --> 01:12:29,960
Speaker 7: Know what me stay and you're hungry.

1706
01:12:30,920 --> 01:12:32,120
Speaker 4: What if she wants to go to a place that

1707
01:12:32,160 --> 01:12:33,040
Speaker 4: had no vegan options?

1708
01:12:34,120 --> 01:12:36,360
Speaker 1: I mean, whatever she ordered me, But what do you

1709
01:12:36,400 --> 01:12:38,680
Speaker 1: think I should get hit that you let her order

1710
01:12:38,720 --> 01:12:42,400
Speaker 1: for you? Just bring it out, Just bring it the

1711
01:12:42,479 --> 01:12:46,080
Speaker 1: fuck out, bring it out. I'm meaning all that, Claudade

1712
01:12:46,080 --> 01:12:47,760
Speaker 1: won't me. I bring it out said, is good.

1713
01:12:47,760 --> 01:12:48,160
Speaker 2: It's good.

1714
01:12:48,479 --> 01:12:51,400
Speaker 3: If she was married to Ryan Toby, they were only

1715
01:12:51,439 --> 01:12:54,000
Speaker 3: together for four years, it looks, and they divorced in

1716
01:12:54,040 --> 01:12:55,040
Speaker 3: two thousand and seven.

1717
01:12:55,280 --> 01:12:57,360
Speaker 4: And then she got with the other dude.

1718
01:12:58,040 --> 01:12:58,400
Speaker 5: M hmm.

1719
01:12:58,920 --> 01:13:01,280
Speaker 1: I don't think that's how that went. But I like

1720
01:13:01,360 --> 01:13:03,280
Speaker 1: when Rory puts things on people and then they able

1721
01:13:03,320 --> 01:13:03,960
Speaker 1: to reach out to him.

1722
01:13:03,960 --> 01:13:06,280
Speaker 4: And that was you think I knew at twelve years old,

1723
01:13:06,360 --> 01:13:07,960
Speaker 4: was that that was the rumor that was going around.

1724
01:13:08,160 --> 01:13:11,120
Speaker 2: Okay rumor you know how.

1725
01:13:11,200 --> 01:13:13,280
Speaker 4: Go to Wikipedia. That's a real source. I think it

1726
01:13:13,320 --> 01:13:16,559
Speaker 4: says it on the Wikipedia page that that's what broke

1727
01:13:16,600 --> 01:13:20,720
Speaker 4: the group up. They were supposed to be. They're on

1728
01:13:20,840 --> 01:13:22,519
Speaker 4: my list too, of like people you thought were going

1729
01:13:22,600 --> 01:13:25,439
Speaker 4: to be huge and you were wrong. I thought they

1730
01:13:25,479 --> 01:13:28,519
Speaker 4: were the next Fujis. I feel like why Kleff was

1731
01:13:28,560 --> 01:13:32,040
Speaker 4: the one that was producing their shit too he was Yeah,

1732
01:13:32,080 --> 01:13:33,519
Speaker 4: he should have. I mean he should have saw that

1733
01:13:33,600 --> 01:13:37,760
Speaker 4: from a mile away. Guys, don't fuck any of your

1734
01:13:37,800 --> 01:13:39,000
Speaker 4: group members if you want this stick.

1735
01:13:39,280 --> 01:13:40,320
Speaker 2: I think that goes what I'm saying.

1736
01:13:40,960 --> 01:13:43,799
Speaker 4: Quick trigger warning. This next segment involves sexual assault.

1737
01:13:43,960 --> 01:13:47,720
Speaker 7: What other groups had like inner fornication.

1738
01:13:47,360 --> 01:13:49,760
Speaker 4: Going on Rasby and nem.

1739
01:13:50,640 --> 01:13:53,360
Speaker 7: Hey, what just because you've been molested on me you

1740
01:13:53,360 --> 01:13:53,640
Speaker 7: can make it?

1741
01:13:53,800 --> 01:13:54,639
Speaker 4: Means I can make the joke.

1742
01:13:54,960 --> 01:13:57,200
Speaker 2: Yeah, he's part of the club. You have to be

1743
01:13:57,280 --> 01:13:59,400
Speaker 2: in the club to make jokes about people in the club.

1744
01:14:00,120 --> 01:14:01,280
Speaker 2: I can't make jokes about that.

1745
01:14:01,800 --> 01:14:02,759
Speaker 7: You never been molested.

1746
01:14:03,120 --> 01:14:04,120
Speaker 2: You got me fucked up?

1747
01:14:04,560 --> 01:14:06,479
Speaker 4: Wait, what the fuck does that mean? I'm just saying

1748
01:14:06,520 --> 01:14:08,840
Speaker 4: she got you got me, you got me fucked up.

1749
01:14:09,240 --> 01:14:10,280
Speaker 4: You don't get to choose that.

1750
01:14:10,479 --> 01:14:11,400
Speaker 2: No, I get to choose that.

1751
01:14:12,960 --> 01:14:16,640
Speaker 5: Agency Like no, wouldn't be me. You wouldn't know.

1752
01:14:16,680 --> 01:14:18,960
Speaker 4: You'd be like ten, I wouldn't know if I was molested.

1753
01:14:19,160 --> 01:14:20,960
Speaker 5: You would know, but you wouldn't have any fucking power

1754
01:14:21,040 --> 01:14:22,120
Speaker 5: in the matter. You'd be kid.

1755
01:14:22,280 --> 01:14:23,360
Speaker 2: That was a different type of kid.

1756
01:14:23,439 --> 01:14:23,519
Speaker 10: Bro.

1757
01:14:23,680 --> 01:14:25,240
Speaker 2: All right, you can't get nobody.

1758
01:14:25,720 --> 01:14:28,760
Speaker 4: This is like when Mark Wahlberg said he would stop exactly. Yeah,

1759
01:14:29,560 --> 01:14:31,720
Speaker 4: if I was on and they would have never won

1760
01:14:31,800 --> 01:14:35,240
Speaker 4: in the Towers if I was there, up Marks molestation

1761
01:14:35,400 --> 01:14:36,840
Speaker 4: and not eleven is to say no, But it's the

1762
01:14:36,880 --> 01:14:38,800
Speaker 4: same level of ignorance like you have. It was around

1763
01:14:38,840 --> 01:14:39,280
Speaker 4: the same time.

1764
01:14:39,520 --> 01:14:42,519
Speaker 5: The outcome is already predetermined. You can't change. It's just

1765
01:14:42,600 --> 01:14:43,320
Speaker 5: going to happen.

1766
01:14:43,800 --> 01:14:45,640
Speaker 1: You're a kid, So you're saying that was in the

1767
01:14:45,680 --> 01:14:49,320
Speaker 1: stars for me, That's what I was ready to say, Like,

1768
01:14:49,400 --> 01:14:50,960
Speaker 1: what is he told my it was already written that.

1769
01:14:52,800 --> 01:14:55,719
Speaker 5: You think, God, what are you talking about?

1770
01:14:55,840 --> 01:14:57,920
Speaker 10: Rory never got my listed? Rory wouldn't have the life

1771
01:14:57,920 --> 01:15:00,800
Speaker 10: that Yeah, never got my listed. He probably be like healthy,

1772
01:15:00,840 --> 01:15:01,280
Speaker 10: he would have ever.

1773
01:15:01,280 --> 01:15:04,439
Speaker 2: Got podcast if he didn't.

1774
01:15:04,640 --> 01:15:07,320
Speaker 3: Less, Roy would probably working in Nashville on like pop Records.

1775
01:15:09,240 --> 01:15:11,439
Speaker 3: You would have been he would have known about Taylor's

1776
01:15:11,520 --> 01:15:13,559
Speaker 3: Dead Poets, asshole, whatever the it's called.

1777
01:15:15,439 --> 01:15:17,519
Speaker 4: You'll see. I've never thought about how my life would

1778
01:15:17,520 --> 01:15:20,160
Speaker 4: have been different if that. First of all, I tried

1779
01:15:20,200 --> 01:15:25,240
Speaker 4: to bury it for a decade, so no, I never

1780
01:15:25,320 --> 01:15:28,639
Speaker 4: gave it a thought moment. I try to forget about.

1781
01:15:28,680 --> 01:15:30,799
Speaker 4: What would you decided to talk about it your podcast?

1782
01:15:30,920 --> 01:15:31,800
Speaker 4: Blackout the Kid?

1783
01:15:35,560 --> 01:15:38,120
Speaker 2: Ho Yo, that's sick as fuck.

1784
01:15:38,640 --> 01:15:42,040
Speaker 4: I don't think I'd have the same pessimistic dark side

1785
01:15:42,080 --> 01:15:44,040
Speaker 4: of me that can be entertaining if that didn't happen.

1786
01:15:44,439 --> 01:15:51,120
Speaker 1: The same friends, traumatic experience into what propels you into

1787
01:15:51,200 --> 01:15:52,759
Speaker 1: speaking and being confident.

1788
01:15:52,800 --> 01:15:54,640
Speaker 4: That's what they try to tell you in therapy to

1789
01:15:54,680 --> 01:15:55,280
Speaker 4: make you feel better.

1790
01:15:55,760 --> 01:15:57,240
Speaker 1: So now you I'm going to try to believe it.

1791
01:15:57,240 --> 01:15:58,960
Speaker 1: I'mna invoice you forty five dollars for that. Want to

1792
01:15:59,000 --> 01:15:59,479
Speaker 1: worry about it?

1793
01:16:00,120 --> 01:16:00,519
Speaker 5: So good?

1794
01:16:01,240 --> 01:16:03,120
Speaker 2: Yeah, no, you got me fucked up, Julian, I was

1795
01:16:03,160 --> 01:16:03,920
Speaker 2: a different type of kid.

1796
01:16:04,960 --> 01:16:05,800
Speaker 4: So what type of kid was I?

1797
01:16:05,960 --> 01:16:10,720
Speaker 6: Yeah, you seem like the because because because pedophiles don't

1798
01:16:10,720 --> 01:16:13,760
Speaker 6: do that, Because because pedophiles know they know who to

1799
01:16:13,840 --> 01:16:16,880
Speaker 6: go for, Like you go to organization, the parents trust you,

1800
01:16:16,920 --> 01:16:17,840
Speaker 6: they drop you off.

1801
01:16:18,040 --> 01:16:20,519
Speaker 1: So mean, So that's just what they That's what these

1802
01:16:20,560 --> 01:16:23,320
Speaker 1: pedophiles do. The parents dropped them off and they trust

1803
01:16:23,360 --> 01:16:25,719
Speaker 1: them with these adults. The adults know that they're nasty,

1804
01:16:25,760 --> 01:16:27,160
Speaker 1: but they think like, hey, I got all the trust

1805
01:16:27,200 --> 01:16:30,480
Speaker 1: of the parents as the autocot.

1806
01:16:30,640 --> 01:16:32,880
Speaker 4: I just love that you guys have continued to make

1807
01:16:33,040 --> 01:16:35,439
Speaker 4: up this scenario in which I was molested in first

1808
01:16:35,640 --> 01:16:38,160
Speaker 4: there not my parents dropped me off to an adult

1809
01:16:38,200 --> 01:16:40,840
Speaker 4: that they trusted. Not might be the truth.

1810
01:16:42,120 --> 01:16:44,160
Speaker 2: That's usually how it happens. I'm just telling you this

1811
01:16:44,280 --> 01:16:45,360
Speaker 2: is the thing. They study, this thing.

1812
01:16:45,920 --> 01:16:48,599
Speaker 1: They usually get the trust of their parents and their

1813
01:16:48,640 --> 01:16:52,000
Speaker 1: parents and trust these adults things like that. But you know,

1814
01:16:52,360 --> 01:16:54,840
Speaker 1: my my mom was just a little different. She didn't

1815
01:16:54,840 --> 01:16:56,240
Speaker 1: trust no adult for everyone.

1816
01:16:56,280 --> 01:16:59,559
Speaker 4: That's everybody think pieces on social media about all being

1817
01:16:59,600 --> 01:17:02,320
Speaker 4: in sense, if he knows that he's okay to talk

1818
01:17:02,360 --> 01:17:04,400
Speaker 4: about this type of stuff, I'm fine talking about it,

1819
01:17:04,960 --> 01:17:08,640
Speaker 4: and I'm especially great with joking about it. Makes we

1820
01:17:08,720 --> 01:17:12,400
Speaker 4: got a joke about it, man, whenever I'm just a

1821
01:17:12,439 --> 01:17:15,120
Speaker 4: sick individual that doesn't, I'm like, I don't, but you

1822
01:17:15,280 --> 01:17:15,840
Speaker 4: you know, I mean it's.

1823
01:17:15,760 --> 01:17:17,920
Speaker 1: Okay to joke about it. If you're okay joking about it.

1824
01:17:18,040 --> 01:17:20,320
Speaker 1: But whenever you want to go, you know, get your

1825
01:17:20,360 --> 01:17:21,599
Speaker 1: look back pause.

1826
01:17:22,840 --> 01:17:25,640
Speaker 2: Now we could go ride down on him.

1827
01:17:25,720 --> 01:17:26,160
Speaker 7: I got to go.

1828
01:17:26,840 --> 01:17:28,559
Speaker 2: You know what I'm saying, give give him that long that.

1829
01:17:28,920 --> 01:17:30,479
Speaker 4: He's dead, is he I think?

1830
01:17:30,520 --> 01:17:33,880
Speaker 2: So let's go piss on his grave. Dude, would even

1831
01:17:33,920 --> 01:17:36,320
Speaker 2: because just after drinking all his watermelon juice, I got

1832
01:17:36,400 --> 01:17:37,160
Speaker 2: a full bladder.

1833
01:17:38,280 --> 01:17:38,800
Speaker 7: I mean that one.

1834
01:17:38,880 --> 01:17:40,960
Speaker 4: Yeah, Like I would want to write him. I would

1835
01:17:41,040 --> 01:17:44,240
Speaker 4: like to have a nice talk with like the handsy

1836
01:17:44,360 --> 01:17:49,360
Speaker 4: woman that like that was acceptable, Like she should be

1837
01:17:49,400 --> 01:17:51,560
Speaker 4: in jail too, not just that dude, Like bro, you

1838
01:17:51,640 --> 01:17:56,280
Speaker 4: were you were, I didn't have sexual thought.

1839
01:17:56,280 --> 01:17:58,559
Speaker 2: I wasn't in like you know now looking back, if

1840
01:17:58,600 --> 01:18:00,679
Speaker 2: you see her face now is wrong?

1841
01:18:00,960 --> 01:18:04,200
Speaker 4: What don't you understand about blackouts? You know, I'm just saying,

1842
01:18:04,280 --> 01:18:06,760
Speaker 4: you don't know. I know, I remember what? Yeah, I

1843
01:18:06,840 --> 01:18:07,479
Speaker 4: don't know, I don't.

1844
01:18:07,600 --> 01:18:07,920
Speaker 5: I did not.

1845
01:18:08,120 --> 01:18:10,160
Speaker 4: Nothing about that was attractive to me because I was

1846
01:18:10,960 --> 01:18:15,479
Speaker 4: a child, No not. And she was a nasty fucking woman.

1847
01:18:15,960 --> 01:18:20,080
Speaker 4: But what she pretty though, Jesus, she could be all

1848
01:18:20,080 --> 01:18:22,160
Speaker 4: of those things? What's she attractive? So if she was,

1849
01:18:22,160 --> 01:18:23,400
Speaker 4: I should be able to brag about like Yo, I

1850
01:18:23,439 --> 01:18:23,760
Speaker 4: was getting.

1851
01:18:24,920 --> 01:18:26,479
Speaker 2: No, we won't just go get our look back on

1852
01:18:27,160 --> 01:18:27,920
Speaker 2: train on her, that's all.

1853
01:18:35,240 --> 01:18:36,439
Speaker 5: Let's go on her.

1854
01:18:36,560 --> 01:18:39,040
Speaker 4: Nasty assid be consensual, That's what I'm saying. Let's go.

1855
01:18:39,320 --> 01:18:41,120
Speaker 4: She probably say some nasty line like oh you grew

1856
01:18:41,240 --> 01:18:52,680
Speaker 4: up line, Yo, adults are nasty. I'm just gonna say that.

1857
01:18:52,760 --> 01:18:53,559
Speaker 5: Adults are awful.

1858
01:18:53,640 --> 01:18:54,960
Speaker 2: Yo, you grew up is sick.

1859
01:18:57,080 --> 01:18:57,280
Speaker 9: You know.

1860
01:18:57,400 --> 01:19:00,439
Speaker 4: That was in every like mid day soap opera when

1861
01:19:00,479 --> 01:19:03,280
Speaker 4: the babysitter came back and the guy grew up.

1862
01:19:03,280 --> 01:19:03,800
Speaker 2: Oh didn't you?

1863
01:19:04,400 --> 01:19:05,200
Speaker 4: Didn't you grow up?

1864
01:19:05,360 --> 01:19:05,479
Speaker 6: Oh?

1865
01:19:05,560 --> 01:19:06,240
Speaker 5: Yeah, Julio.

1866
01:19:07,240 --> 01:19:11,840
Speaker 1: It's always a Julio. It's always a Julio soap opera. Alright, man,

1867
01:19:11,880 --> 01:19:13,000
Speaker 1: do we have any voicemails?

1868
01:19:14,760 --> 01:19:17,240
Speaker 4: Why is Michael J. Fox on Times one hundred most

1869
01:19:17,280 --> 01:19:20,320
Speaker 4: influential people of twenty twenty four of this year.

1870
01:19:22,200 --> 01:19:23,080
Speaker 2: Did I miss something?

1871
01:19:23,160 --> 01:19:23,360
Speaker 5: Yeah?

1872
01:19:23,520 --> 01:19:24,400
Speaker 2: What did he do this year?

1873
01:19:24,560 --> 01:19:27,240
Speaker 4: I mean maybe did something great for Parkinson's. Like, I

1874
01:19:27,439 --> 01:19:28,639
Speaker 4: just didn't understand why.

1875
01:19:28,640 --> 01:19:30,040
Speaker 5: He's in the icons division?

1876
01:19:32,720 --> 01:19:34,439
Speaker 4: Really, what did he do this year in the last

1877
01:19:34,479 --> 01:19:34,920
Speaker 4: four months?

1878
01:19:35,040 --> 01:19:35,200
Speaker 5: Yeah?

1879
01:19:35,280 --> 01:19:36,639
Speaker 2: We only we're in April.

1880
01:19:39,640 --> 01:19:40,000
Speaker 5: I don't know.

1881
01:19:42,400 --> 01:19:44,439
Speaker 4: I'm gonna sound like a hater and all this because guys,

1882
01:19:44,479 --> 01:19:46,000
Speaker 4: I know I'm not on it, and I'm just hating

1883
01:19:46,240 --> 01:19:49,120
Speaker 4: from the sidelines. I love twenty one Savage and I'm

1884
01:19:49,160 --> 01:19:54,360
Speaker 4: happy he's there, But like, why, Yeah, what times one

1885
01:19:54,439 --> 01:19:55,880
Speaker 4: hundred most influential people?

1886
01:19:55,960 --> 01:19:57,200
Speaker 5: You think Drake did that from? Now?

1887
01:19:57,280 --> 01:19:58,599
Speaker 2: Did I say by burna Boy?

1888
01:19:58,960 --> 01:19:59,880
Speaker 5: Yeah? So the words?

1889
01:20:00,040 --> 01:20:03,519
Speaker 3: The words were done by other well known people. So

1890
01:20:03,640 --> 01:20:05,839
Speaker 3: boy did the words for twenty one Savages.

1891
01:20:05,880 --> 01:20:08,360
Speaker 2: Okay, I thought that was his pick for the most influential.

1892
01:20:08,880 --> 01:20:09,960
Speaker 2: Let's say that's interesting, But.

1893
01:20:10,400 --> 01:20:12,280
Speaker 4: Like, where's where's Netan Yahoo on this list?

1894
01:20:14,200 --> 01:20:15,280
Speaker 5: Do Alipid on the cover?

1895
01:20:15,400 --> 01:20:17,600
Speaker 2: By the way, let me guess Kanye is not only here?

1896
01:20:19,000 --> 01:20:19,040
Speaker 10: No?

1897
01:20:19,120 --> 01:20:21,040
Speaker 1: No, So there are one hundred more influential people than

1898
01:20:21,120 --> 01:20:24,599
Speaker 1: Kanye West. Yeah, who wanted to talk about this bullshit?

1899
01:20:24,640 --> 01:20:28,479
Speaker 4: List for this reason. I just don't get it. You noticed,

1900
01:20:28,479 --> 01:20:30,080
Speaker 4: It's gonna sound like I'm hating if we actually have

1901
01:20:30,160 --> 01:20:32,599
Speaker 4: the conversation, But I just don't understand how they gaue.

1902
01:20:32,600 --> 01:20:34,920
Speaker 4: You can't have one hundred most influential person list in

1903
01:20:35,000 --> 01:20:36,000
Speaker 4: twenty twenty four and not have.

1904
01:20:36,120 --> 01:20:39,759
Speaker 3: Kanye now burna boy is on here also under icons,

1905
01:20:40,840 --> 01:20:44,160
Speaker 3: not artists. I don't know what the differentiation is.

1906
01:20:44,439 --> 01:20:46,320
Speaker 4: He's an Afrobeat's icon for sure.

1907
01:20:47,479 --> 01:20:47,639
Speaker 10: Yeah.

1908
01:20:48,040 --> 01:20:50,240
Speaker 5: I see that Titans got Patrick Mahomes.

1909
01:20:50,400 --> 01:20:54,759
Speaker 4: Patrick Mahomes only played one game this year, the only.

1910
01:20:54,640 --> 01:20:55,240
Speaker 2: One that mattered.

1911
01:20:56,400 --> 01:21:00,760
Speaker 3: Aja Wilson. That's devilis she's on here. Jack anton Off

1912
01:21:00,800 --> 01:21:04,320
Speaker 3: that that's could have been Rory. That's Taylor's.

1913
01:21:04,880 --> 01:21:10,679
Speaker 4: Oh I thought that was like another never man Kelly Rippa. Okay, anyways,

1914
01:21:15,240 --> 01:21:16,360
Speaker 4: we can just get to voicemails.

1915
01:21:16,479 --> 01:21:17,240
Speaker 2: You've got mail.

1916
01:21:18,000 --> 01:21:20,240
Speaker 5: Ah, yes, here, we got some family advice.

1917
01:21:20,880 --> 01:21:21,400
Speaker 2: Oh ship.

1918
01:21:22,800 --> 01:21:25,599
Speaker 9: Hey, my name is Tarik and I'm for VA shout

1919
01:21:25,640 --> 01:21:30,080
Speaker 9: out to the four three four. My question is how

1920
01:21:30,280 --> 01:21:33,160
Speaker 9: do I keep my family together.

1921
01:21:35,080 --> 01:21:36,080
Speaker 5: I'm in the military.

1922
01:21:36,600 --> 01:21:38,800
Speaker 9: My baby mama is in the military too. We had

1923
01:21:38,840 --> 01:21:42,200
Speaker 9: our son's woe and she went through my phone while

1924
01:21:42,240 --> 01:21:46,080
Speaker 9: I was sleeping. She saw that I have platonic woman friends.

1925
01:21:46,479 --> 01:21:48,240
Speaker 9: You know, we go out, we have a good time.

1926
01:21:48,520 --> 01:21:49,320
Speaker 9: I don't I don't.

1927
01:21:49,600 --> 01:21:52,479
Speaker 5: I don't funck on them, but I guess from all right,

1928
01:21:52,520 --> 01:21:54,439
Speaker 5: hold on, before we finish it, is he lyon.

1929
01:21:54,760 --> 01:22:00,280
Speaker 4: I think your full ship. My god, you are full

1930
01:22:00,439 --> 01:22:00,960
Speaker 4: of shit.

1931
01:22:01,080 --> 01:22:03,479
Speaker 7: Fucking you, fucking y'all both fucking out each other. I

1932
01:22:03,560 --> 01:22:05,599
Speaker 7: never met nobody faithful in the military. Stop.

1933
01:22:06,280 --> 01:22:09,200
Speaker 4: Mmm, well, first of all, they're protecting our freedom.

1934
01:22:09,439 --> 01:22:11,160
Speaker 1: Yeah, if you protect my freedom, you can fuck whoever

1935
01:22:11,200 --> 01:22:14,320
Speaker 1: you want. It's true, just how I feel about it.

1936
01:22:14,439 --> 01:22:15,800
Speaker 1: They're faithful to their camaros.

1937
01:22:15,880 --> 01:22:17,080
Speaker 4: Think about isis.

1938
01:22:17,160 --> 01:22:20,160
Speaker 2: Faithful to their country. You don't have to be faithful

1939
01:22:20,200 --> 01:22:21,680
Speaker 2: to me, all right.

1940
01:22:21,800 --> 01:22:25,080
Speaker 4: So he's claiming that all the women in his phone

1941
01:22:25,560 --> 01:22:27,240
Speaker 4: are platonic, and he goes out with him, but he

1942
01:22:27,320 --> 01:22:29,680
Speaker 4: has to lie. His girl doesn't know when he goes

1943
01:22:29,720 --> 01:22:32,800
Speaker 4: out with his platonic friends. He has a lie about that.

1944
01:22:33,080 --> 01:22:33,800
Speaker 5: Well, let's finish it.

1945
01:22:34,360 --> 01:22:38,920
Speaker 9: Her perspective, the conversations we were having were flirting, you know,

1946
01:22:39,560 --> 01:22:42,439
Speaker 9: and I feel like every man has you know, has

1947
01:22:42,560 --> 01:22:45,800
Speaker 9: has women friends, you know, and it's healthy to have

1948
01:22:46,360 --> 01:22:50,600
Speaker 9: platonic women friends. So my question to y'all, is that

1949
01:22:50,680 --> 01:22:53,880
Speaker 9: you played with in order to keep my family together

1950
01:22:54,640 --> 01:22:59,360
Speaker 9: and also be able to be myself? How the normally

1951
01:22:59,400 --> 01:23:00,680
Speaker 9: interact with anybody?

1952
01:23:01,280 --> 01:23:02,000
Speaker 5: What should I do?

1953
01:23:03,400 --> 01:23:06,120
Speaker 7: She must listen to this podcast protect him.

1954
01:23:06,160 --> 01:23:06,960
Speaker 5: He needs to be himself.

1955
01:23:07,200 --> 01:23:08,800
Speaker 1: So you gotta get a burn the phone first of all,

1956
01:23:09,800 --> 01:23:11,760
Speaker 1: because he ain't gonna stop flirting. These are the times

1957
01:23:11,840 --> 01:23:12,719
Speaker 1: just say you want to be yourself.

1958
01:23:12,840 --> 01:23:14,840
Speaker 4: These type of men that should not go to therapy

1959
01:23:15,080 --> 01:23:17,000
Speaker 4: because they go to therapy to just learn how to

1960
01:23:17,080 --> 01:23:21,000
Speaker 4: manipulate more. How do I keep my relationship and still

1961
01:23:21,080 --> 01:23:25,559
Speaker 4: be myself? Yourself? Your entire existence is flirting with other women. Yeah,

1962
01:23:25,720 --> 01:23:27,640
Speaker 4: he needs that. She's not letting him be.

1963
01:23:27,840 --> 01:23:31,160
Speaker 2: He needs the healthy platonic friendship with women that he

1964
01:23:31,200 --> 01:23:31,560
Speaker 2: flirts with.

1965
01:23:31,680 --> 01:23:33,920
Speaker 4: If you're a she's platonic. Why does your girl not

1966
01:23:34,040 --> 01:23:34,400
Speaker 4: know about it?

1967
01:23:34,520 --> 01:23:34,800
Speaker 7: Exactly?

1968
01:23:34,840 --> 01:23:37,080
Speaker 10: If you're in a serious relationship, your girl knows who

1969
01:23:37,160 --> 01:23:39,640
Speaker 10: your female friends are. She wouldn't even go through your

1970
01:23:39,680 --> 01:23:41,280
Speaker 10: phone and think you were flirting with my.

1971
01:23:41,479 --> 01:23:43,160
Speaker 5: Also, aren't they all in the military ship they all

1972
01:23:43,240 --> 01:23:43,640
Speaker 5: know each other.

1973
01:23:44,640 --> 01:23:47,360
Speaker 2: Well, I'm sure he knows girls outside of the military.

1974
01:23:48,000 --> 01:23:50,880
Speaker 4: They could be from sure Dodge Charger to the other side.

1975
01:23:50,880 --> 01:23:51,200
Speaker 5: Of town.

1976
01:23:51,479 --> 01:23:55,080
Speaker 1: Yeah, he's taking that. He's taking that Mustang everywhere. Everybody

1977
01:23:55,120 --> 01:24:00,280
Speaker 1: knows that white Mustang, the white tudo must think that's

1978
01:24:00,320 --> 01:24:01,720
Speaker 1: in front of every girl's condo, you know that.

1979
01:24:03,880 --> 01:24:05,720
Speaker 4: My advice here is stop being full of shit. Yeah,

1980
01:24:06,120 --> 01:24:09,160
Speaker 4: stop stop flirting with women. If you want to keep

1981
01:24:09,280 --> 01:24:13,760
Speaker 4: your family like your your existence isn't flirting with other women.

1982
01:24:14,479 --> 01:24:17,640
Speaker 10: If okay, now, okay here, benefit of it, doubt, if

1983
01:24:17,680 --> 01:24:22,320
Speaker 10: you're whatever, If you're genuinely friends with these women. The

1984
01:24:22,479 --> 01:24:25,479
Speaker 10: only way to make your girl comfortable is to include

1985
01:24:25,600 --> 01:24:28,479
Speaker 10: your person in that relationship. So she needs to know

1986
01:24:28,560 --> 01:24:31,840
Speaker 10: who they are, maybe sit them down for drinks and

1987
01:24:31,880 --> 01:24:34,960
Speaker 10: dinner one time, like like you have to. She has

1988
01:24:35,040 --> 01:24:38,280
Speaker 10: to regularly hear this name and understand you guys's friendship

1989
01:24:38,520 --> 01:24:40,760
Speaker 10: and also when did y'all become friends? Because if y'all

1990
01:24:40,760 --> 01:24:43,479
Speaker 10: became friends after you've been in this relationship, I call

1991
01:24:43,600 --> 01:24:46,760
Speaker 10: cap and bullshit. No man is going and picking up

1992
01:24:46,840 --> 01:24:50,200
Speaker 10: close female friends in the middle of his life while

1993
01:24:50,640 --> 01:24:51,360
Speaker 10: in a relationship.

1994
01:24:51,360 --> 01:24:52,840
Speaker 7: It don't work like that. Men aren't doing that.

1995
01:24:53,880 --> 01:24:57,120
Speaker 4: I think he he's just full of shit because he's

1996
01:24:57,160 --> 01:25:00,280
Speaker 4: pretending like he doesn't know the definition of platonic like

1997
01:25:00,760 --> 01:25:06,800
Speaker 4: in a relationship. Now there's women that I guess I

1998
01:25:06,840 --> 01:25:09,439
Speaker 4: would call them friends just because we didn't fuck, like,

1999
01:25:09,520 --> 01:25:12,880
Speaker 4: we weren't platonic friends. We flirted like that girl is

2000
01:25:12,920 --> 01:25:15,599
Speaker 4: not a platonic friend. When you get in a relationship,

2001
01:25:15,760 --> 01:25:19,240
Speaker 4: I'm no longer communicating with that person because it doesn't

2002
01:25:19,240 --> 01:25:22,360
Speaker 4: make us platonic friends. Just because we didn't fuck. We

2003
01:25:22,520 --> 01:25:26,160
Speaker 4: flirted before we talked, like and that opportunity presented it

2004
01:25:26,240 --> 01:25:30,040
Speaker 4: so we would have had sex. That's not appropriate to

2005
01:25:30,160 --> 01:25:33,240
Speaker 4: keep that person around in a relationship. Now, I have

2006
01:25:33,720 --> 01:25:38,080
Speaker 4: platonic friends that Kiev knows. Those are my friends and

2007
01:25:38,160 --> 01:25:40,320
Speaker 4: she knows that. But if I just have some girl

2008
01:25:40,840 --> 01:25:44,160
Speaker 4: that I'm known for five, six, seven years now, that's

2009
01:25:44,200 --> 01:25:47,000
Speaker 4: just a girl that I never ended up fucking not

2010
01:25:47,400 --> 01:25:49,920
Speaker 4: bringing her around my fucking relationship, nor am I going

2011
01:25:50,760 --> 01:25:53,639
Speaker 4: out with her for drinks and then also not telling

2012
01:25:53,680 --> 01:25:54,400
Speaker 4: my girl about.

2013
01:25:54,160 --> 01:25:56,400
Speaker 7: It, also not texting her regularly.

2014
01:25:57,360 --> 01:25:59,320
Speaker 4: I feel like my family would probably end if I

2015
01:25:59,360 --> 01:25:59,560
Speaker 4: did that.

2016
01:25:59,720 --> 01:26:03,200
Speaker 1: Yeah, I think it's pretty simple, though I don't know

2017
01:26:03,280 --> 01:26:05,160
Speaker 1: how people still are at this cross roads. If you

2018
01:26:05,280 --> 01:26:07,360
Speaker 1: don't do nothing, you wouldn't want your partner doing to you.

2019
01:26:07,640 --> 01:26:08,080
Speaker 7: Mm hmm.

2020
01:26:08,520 --> 01:26:11,280
Speaker 1: It's simple if you wouldn't want your partner texting somebody

2021
01:26:11,800 --> 01:26:14,200
Speaker 1: a certain way, you can't be texting nobody a certain one.

2022
01:26:14,200 --> 01:26:16,640
Speaker 4: Unless you can think you're a master manipulator and say, well,

2023
01:26:16,680 --> 01:26:18,200
Speaker 4: it's just who I am, it's not who you are.

2024
01:26:18,360 --> 01:26:20,680
Speaker 7: Oh yeah, don't beat me, be better, or don't beat

2025
01:26:20,720 --> 01:26:21,120
Speaker 7: me be you.

2026
01:26:21,520 --> 01:26:23,439
Speaker 10: I've definitely said that a couple of times. Don't be me,

2027
01:26:23,560 --> 01:26:26,000
Speaker 10: be you, because when I do something, it means something

2028
01:26:26,120 --> 01:26:28,519
Speaker 10: different than when you do it. When you do it,

2029
01:26:28,600 --> 01:26:30,479
Speaker 10: that's not in your character. So you're only doing it

2030
01:26:30,600 --> 01:26:35,120
Speaker 10: to be reactionary. You shouldn't and that's toxic and you're

2031
01:26:35,160 --> 01:26:35,519
Speaker 10: not healing.

2032
01:26:35,600 --> 01:26:36,479
Speaker 4: In therapy, you're learning.

2033
01:26:38,160 --> 01:26:38,760
Speaker 2: That's a real thing.

2034
01:26:38,920 --> 01:26:40,040
Speaker 5: I know. I know people like you.

2035
01:26:43,120 --> 01:26:43,599
Speaker 4: Know your kind.

2036
01:26:43,720 --> 01:26:44,360
Speaker 2: I know your kind.

2037
01:26:46,240 --> 01:26:48,560
Speaker 4: You're in class in therapy, learned it.

2038
01:26:48,600 --> 01:26:50,680
Speaker 2: You're learning. Like Also, if I say it this way, no,

2039
01:26:51,120 --> 01:26:54,400
Speaker 2: that'll buy me more time in this tone? Yeah, this tone?

2040
01:26:55,400 --> 01:26:56,439
Speaker 2: Dmarics is definitely one.

2041
01:26:56,400 --> 01:26:59,720
Speaker 5: Of those How did he is the toxic one?

2042
01:26:59,760 --> 01:27:00,760
Speaker 7: How do this come about me?

2043
01:27:00,840 --> 01:27:03,400
Speaker 2: Because you just said what you just said that was toxic?

2044
01:27:03,479 --> 01:27:04,080
Speaker 5: What you just said.

2045
01:27:04,080 --> 01:27:07,680
Speaker 1: I don't think that that that's that's exactly what I finitiated.

2046
01:27:07,800 --> 01:27:10,640
Speaker 1: That's exactly what toxic people say. I don't think that

2047
01:27:10,760 --> 01:27:11,200
Speaker 1: was toxic.

2048
01:27:12,160 --> 01:27:13,240
Speaker 5: Sorry you felt that way.

2049
01:27:13,439 --> 01:27:15,240
Speaker 2: Sorry you felt that way about what I said.

2050
01:27:15,640 --> 01:27:18,840
Speaker 10: Because that's not a real apology. I genuinely apologize that

2051
01:27:18,920 --> 01:27:19,599
Speaker 10: you feel that way.

2052
01:27:24,560 --> 01:27:26,080
Speaker 5: Yo, that's not sick.

2053
01:27:26,360 --> 01:27:30,200
Speaker 4: I genuinely apologize that you feel that way. That's not

2054
01:27:30,200 --> 01:27:30,759
Speaker 4: an apology.

2055
01:27:31,200 --> 01:27:32,639
Speaker 2: It's not an apology at all.

2056
01:27:35,720 --> 01:27:37,559
Speaker 4: It's like when someone's being an asshole, You're like, you're

2057
01:27:37,560 --> 01:27:43,840
Speaker 4: being an asshole, Like, Yo, your decision. I genuinely apologize

2058
01:27:43,920 --> 01:27:44,800
Speaker 4: that you feel that.

2059
01:27:46,720 --> 01:27:49,639
Speaker 10: If my intention wasn't to make you feel away, then

2060
01:27:49,640 --> 01:27:51,719
Speaker 10: I'm not sorry for what I did. If that wasn't

2061
01:27:51,760 --> 01:27:54,680
Speaker 10: my intention, depending on what it is, because some things,

2062
01:27:54,680 --> 01:27:56,479
Speaker 10: it's like, Okay, it wasn't necessary for me to do that,

2063
01:27:56,640 --> 01:27:58,640
Speaker 10: and it caused you to feel a way. So I

2064
01:27:58,760 --> 01:28:00,800
Speaker 10: am sorry because me doing and that wasn't worth you

2065
01:28:00,880 --> 01:28:02,720
Speaker 10: feeling that way. But if I was being true to

2066
01:28:02,800 --> 01:28:05,639
Speaker 10: myself and I did something that offended you, I really

2067
01:28:05,720 --> 01:28:07,639
Speaker 10: am sorry that you feel that way, but that wasn't

2068
01:28:07,680 --> 01:28:08,760
Speaker 10: my intent was to hurt you.

2069
01:28:08,880 --> 01:28:10,160
Speaker 4: She's good. I see why they keep coming back.

2070
01:28:12,000 --> 01:28:13,360
Speaker 2: You watched a lot of Moury.

2071
01:28:16,240 --> 01:28:19,000
Speaker 4: Maury. You know, I've thought about asking my therapist when

2072
01:28:19,040 --> 01:28:21,840
Speaker 4: she gives me advice if I can record her, because

2073
01:28:21,880 --> 01:28:24,200
Speaker 4: like when I take her advice, or how I should

2074
01:28:24,200 --> 01:28:27,040
Speaker 4: say things to my partner. I think I'm coming across

2075
01:28:27,080 --> 01:28:29,040
Speaker 4: how demeras sounds like. I think I'm gonna sound like

2076
01:28:29,120 --> 01:28:31,280
Speaker 4: a manipulating yeah, and I think it's fucked up, And

2077
01:28:31,280 --> 01:28:33,200
Speaker 4: I'd rather you say it, because if it comes through

2078
01:28:33,280 --> 01:28:35,519
Speaker 4: my brain, I'm gonna I'm gonna look like a toxic

2079
01:28:35,560 --> 01:28:38,400
Speaker 4: piece of shit. I think, like, I understand you've been

2080
01:28:38,439 --> 01:28:41,519
Speaker 4: having some feelings and I haven't been the best in

2081
01:28:41,600 --> 01:28:43,599
Speaker 4: contributing to how you feel. But I think that's something

2082
01:28:43,720 --> 01:28:44,680
Speaker 4: you need to work on.

2083
01:28:45,120 --> 01:28:46,480
Speaker 7: Apparently that gaslighting.

2084
01:28:46,640 --> 01:28:49,960
Speaker 4: I can't be the purpose of your feelings and they're

2085
01:28:50,000 --> 01:28:50,679
Speaker 4: your feelings.

2086
01:28:50,720 --> 01:28:53,160
Speaker 2: I can't be secure for you, Yeah I can't.

2087
01:28:53,240 --> 01:28:55,280
Speaker 10: Yeah, I'm not in control of your feelings. Your feelings

2088
01:28:55,320 --> 01:28:57,599
Speaker 10: are your feelings. I'm here to support you through those feelings,

2089
01:28:57,640 --> 01:28:59,240
Speaker 10: but they aren't my feelings to have.

2090
01:29:00,040 --> 01:29:02,200
Speaker 2: Whole time, you got a whole nother nigga's phone waving

2091
01:29:02,240 --> 01:29:05,920
Speaker 2: his dick on the video the whole time, the whole time.

2092
01:29:05,960 --> 01:29:06,960
Speaker 1: Girls will say all of that and it to be

2093
01:29:07,000 --> 01:29:09,320
Speaker 1: a nigga right in the text message, someoney, yo, he's

2094
01:29:09,360 --> 01:29:09,720
Speaker 1: still there.

2095
01:29:10,200 --> 01:29:11,800
Speaker 4: Yo, someone is still there.

2096
01:29:12,800 --> 01:29:14,160
Speaker 2: I'm still fucking with that, nigga.

2097
01:29:15,280 --> 01:29:17,240
Speaker 4: I forgot what woman it was, but someone posted a

2098
01:29:17,280 --> 01:29:19,400
Speaker 4: photo on Twitter with a girl like looking up at

2099
01:29:19,400 --> 01:29:21,519
Speaker 4: her man hugged up this way, and the tweet was

2100
01:29:21,640 --> 01:29:23,599
Speaker 4: a girl look at a man this way while she's

2101
01:29:23,640 --> 01:29:25,160
Speaker 4: in five different talking stages.

2102
01:29:25,280 --> 01:29:28,920
Speaker 5: Oh of course, nasty, Yeah, damn, that's what they do.

2103
01:29:29,040 --> 01:29:30,760
Speaker 1: They look at you while they take your soul from

2104
01:29:30,800 --> 01:29:34,439
Speaker 1: you and wonder why your hairline is receiving. A woman

2105
01:29:34,520 --> 01:29:36,160
Speaker 1: in therapy is one of the most dangerous things on

2106
01:29:36,240 --> 01:29:39,000
Speaker 1: her Oh, absolutely, yeah, because no woman could just go

2107
01:29:39,120 --> 01:29:41,920
Speaker 1: there to just actually heal right, all women are manipulative. Well,

2108
01:29:42,000 --> 01:29:44,040
Speaker 1: y'all go there, y'all go to therapy to hell like wolverine,

2109
01:29:44,439 --> 01:29:46,600
Speaker 1: Like y'all just need some more ani antium. Yeah, to

2110
01:29:46,720 --> 01:29:49,320
Speaker 1: just go out in the world prattels, fucking kill more

2111
01:29:49,400 --> 01:29:54,519
Speaker 1: fucking men along your way of destruction, just destroy everything

2112
01:29:54,560 --> 01:29:55,160
Speaker 1: in y'all path.

2113
01:29:57,120 --> 01:30:00,120
Speaker 3: Yeah, and they have those cloth things like the it's

2114
01:30:00,160 --> 01:30:02,320
Speaker 3: like the scissor hand reference again.

2115
01:30:04,160 --> 01:30:07,760
Speaker 4: Meanwhile, Julie, shut the fuck. Just you sit there today

2116
01:30:07,760 --> 01:30:11,479
Speaker 4: and shut the We're just Iran trying to defend ourselves

2117
01:30:11,520 --> 01:30:14,360
Speaker 4: against your iron cloud or whatever the thing?

2118
01:30:14,920 --> 01:30:15,360
Speaker 5: What yo?

2119
01:30:15,479 --> 01:30:20,120
Speaker 10: What iron mixture of like pop culture world references you

2120
01:30:20,240 --> 01:30:20,840
Speaker 10: just put together?

2121
01:30:21,080 --> 01:30:22,799
Speaker 4: Was? I think a lot of men feel like Iran.

2122
01:30:24,280 --> 01:30:25,680
Speaker 5: I tried to run. She wouldn't let me.

2123
01:30:26,800 --> 01:30:27,880
Speaker 2: I just told you to shut that.

2124
01:30:28,479 --> 01:30:30,280
Speaker 4: I just said, chef, you come from our rib.

2125
01:30:30,880 --> 01:30:33,280
Speaker 2: I just said that. Nobody listens.

2126
01:30:38,960 --> 01:30:41,519
Speaker 4: All right, Well anyway, is that the last voicemail? Julian

2127
01:30:41,560 --> 01:30:42,240
Speaker 4: were good? Yeah?

2128
01:30:42,360 --> 01:30:42,880
Speaker 5: Yeah, all right.

2129
01:30:42,920 --> 01:30:44,880
Speaker 4: Let's get get to some Patreon. Let's get to some

2130
01:30:44,960 --> 01:30:46,800
Speaker 4: Patreon shirts available right now.

2131
01:30:47,080 --> 01:30:49,519
Speaker 1: That's not ball dot com, that's not hip hop t

2132
01:30:49,600 --> 01:30:51,720
Speaker 1: shirts available now only full limited time.

2133
01:30:51,960 --> 01:30:55,160
Speaker 10: And don't forget that when Kendrick goes, please subscribe to

2134
01:30:55,200 --> 01:30:57,960
Speaker 10: our discord and our Patreon because when Kendrick does drop,

2135
01:30:58,000 --> 01:31:00,960
Speaker 10: we're going live immediately to live react.

2136
01:31:00,880 --> 01:31:03,519
Speaker 4: If he If he drops while we're at that premiere,

2137
01:31:03,600 --> 01:31:06,120
Speaker 4: I'm sorry to your friends. I'm leaving in the middle

2138
01:31:06,160 --> 01:31:09,240
Speaker 4: of the premiere like I'm going to get up and

2139
01:31:09,400 --> 01:31:11,479
Speaker 4: be rude during that film.

2140
01:31:12,080 --> 01:31:12,920
Speaker 2: If Kendrick drops.

2141
01:31:13,040 --> 01:31:15,639
Speaker 7: Hell yeah, Kendrick's not going to drop at seven o'clock

2142
01:31:15,680 --> 01:31:16,280
Speaker 7: on a Thursday.

2143
01:31:16,840 --> 01:31:17,599
Speaker 4: He's got to beat Taylor.

2144
01:31:17,680 --> 01:31:19,760
Speaker 2: She's coming find out what Big Sean is doing so

2145
01:31:20,040 --> 01:31:20,679
Speaker 2: so Big.

2146
01:31:20,520 --> 01:31:24,679
Speaker 4: Sean is performing live at the Draft next Friday or something,

2147
01:31:24,720 --> 01:31:26,840
Speaker 4: and someone I put it in the recording. Someone said,

2148
01:31:26,840 --> 01:31:28,479
Speaker 4: all right, now we finally have a date that kendrickson.

2149
01:31:29,640 --> 01:31:32,680
Speaker 1: Kendrick will be dropping next week when Big Sean is

2150
01:31:32,720 --> 01:31:34,880
Speaker 1: Big Sean is doing whatever he's doing, That's when Kendrick

2151
01:31:34,880 --> 01:31:35,840
Speaker 1: will drop and we will.

2152
01:31:35,720 --> 01:31:37,479
Speaker 4: Be here to talk about it. I would love to

2153
01:31:37,479 --> 01:31:38,639
Speaker 4: have Sean on and talk about his book.

2154
01:31:39,439 --> 01:31:40,400
Speaker 2: Yeah we should.

2155
01:31:40,880 --> 01:31:43,200
Speaker 4: Yeah, all the Big Sean jokes. I get everything's going on,

2156
01:31:43,280 --> 01:31:44,920
Speaker 4: but he put out a book, and I'm interested.

2157
01:31:45,640 --> 01:31:47,320
Speaker 2: See what we could talk to him? Why he's in

2158
01:31:47,400 --> 01:31:48,120
Speaker 2: town in New York.

2159
01:31:48,200 --> 01:31:49,439
Speaker 7: What if he'll put it in broil so you can

2160
01:31:49,520 --> 01:31:49,760
Speaker 7: read it.

2161
01:31:50,640 --> 01:31:53,200
Speaker 4: We'll talk to y'all soon. Have a safe weekend, newroymul

2162
01:31:53,240 --> 01:31:53,639
Speaker 4: dot com.

2163
01:31:53,720 --> 01:31:56,439
Speaker 1: Now for merch, that him drop to the Patreons for

2164
01:31:56,520 --> 01:31:58,960
Speaker 1: scop to the discord, and now we'll talk to y'all soon.

2165
01:31:59,080 --> 01:32:00,880
Speaker 4: Be safe, be blessed. I'm not nigga, He's just ginger

2166
01:32:01,040 --> 01:32:03,160
Speaker 4: peace Worran Mound