WEBVTT - Steven Pressfield's Comeback Story

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<v Speaker 1>Before we dive into this week's episode, be sure to

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<v Speaker 1>follow leave a review like Comeback Stories, hit that subscribe

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<v Speaker 1>button so you don't miss any episodes. If there was

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<v Speaker 1>anything Donnie and I could ask of you guys, it

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<v Speaker 1>would be to give us a five star review in

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<v Speaker 1>a written review. Our mission has always been to reach

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<v Speaker 1>as many people as possible to remind that they're not

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<v Speaker 1>alone and that we all have a comeback story within us.

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<v Speaker 1>And we feel like you guys can definitely help us

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<v Speaker 1>push that message further by helping us in this way.

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<v Speaker 1>So we appreciate you guys more than you'll ever know

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<v Speaker 1>all the times you've supported us from the beginning of

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<v Speaker 1>the show to this point. So thank you, and let's

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<v Speaker 1>drop in deep to this week's show.

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<v Speaker 2>All right, welcome back everyone. We are here for another

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<v Speaker 2>episode of Comeback Stories, and I'm here always with my

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<v Speaker 2>main man, Darren Waller.

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<v Speaker 1>How are you, brother, I'm fantastic, bro. Anytime I get

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<v Speaker 1>taught to you, man, I'm doing great.

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<v Speaker 2>And this guest today, I mean, we'll just get right

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<v Speaker 2>into it. So our next guest you'll be hearing from today.

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<v Speaker 2>Wrote for twenty seven years before he got his first

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<v Speaker 2>novel published, and during that time he worked twenty one

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<v Speaker 2>different jobs in eleven different states. Today he's written over

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<v Speaker 2>like twenty books, yet his first one did not come

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<v Speaker 2>until he was fifty five years old, and since then

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<v Speaker 2>he's written bestsellers such as the Legend of bager Vance,

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<v Speaker 2>which later turned into an epic movie, The War of Art,

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<v Speaker 2>which changed my life forever, a book called Do the Work,

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<v Speaker 2>which is like the best title ever, and so many more.

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<v Speaker 2>And so Stephen Pressfield, welcome to the show Man.

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<v Speaker 3>Thanks for having me, Donnie and Darren's great to be

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<v Speaker 3>here with you guys.

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<v Speaker 2>I guess I should also mention the book Government Cheese,

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<v Speaker 2>which just came out, what in December, and thank you

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<v Speaker 2>for the gift spending this yeah, newly released. So you

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<v Speaker 2>just I'm coming.

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<v Speaker 3>Man, Yeah, that's that one is my comeback story. We just.

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<v Speaker 2>Yeah, I hope we get to uh well, I know

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<v Speaker 2>we're going to get to hear about that today, so

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<v Speaker 2>we like to dive right in. Can you tell us

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<v Speaker 2>what it was like for you growing up.

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<v Speaker 3>I had a real Ozzy and Harriet upbringing. You know,

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<v Speaker 3>I grew up in the suburbs of New York if anything,

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<v Speaker 3>you know, I went to a really good high school.

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<v Speaker 3>My mom and dad didn't get divorced. I didn't grow

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<v Speaker 3>up in the projects or anything like that, didn't have anything,

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<v Speaker 3>you know, If anything, my upbringing in terms of a

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<v Speaker 3>challenge was that it was too sheltered. That I was

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<v Speaker 3>never really exposed to a lot of the challenges that

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<v Speaker 3>you run into when you get to be an adult.

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<v Speaker 3>So you know what you were saying, Donnie, about how

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<v Speaker 3>it from the time I quitted my first job to

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<v Speaker 3>try to write. It was like twenty seven years before

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<v Speaker 3>I got a novel published, and that sort of I

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<v Speaker 3>don't know if I would call that a comeback, but

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<v Speaker 3>it was more of a kind of a journey through

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<v Speaker 3>the wilderness, you know, like twenty seven whatever. It was

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<v Speaker 3>twenty nine years of just kind of struggling to find

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<v Speaker 3>who I was and what my vocation was.

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<v Speaker 2>How would you say that?

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<v Speaker 1>It's interesting.

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<v Speaker 2>We just had another football player on we interviewed prior

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<v Speaker 2>to you, Austin Eckler, who talked about his childhood and

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<v Speaker 2>just how challenging it was and how hard he had

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<v Speaker 2>to work for certain things and it wasn't very sheltered

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<v Speaker 2>and it's actually shaped him into the machine that he

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<v Speaker 2>is today. And defining the odds being so small yet

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<v Speaker 2>you know, being able to be so successful. But how

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<v Speaker 2>do you feel like being too sheltered impacted you in

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<v Speaker 2>your i don't know, teenage years, your twenties. What did

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<v Speaker 2>that look like?

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<v Speaker 3>Well, it just sort of compelled me. Once I became

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<v Speaker 3>an adult, my life sort of fell apart because because

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<v Speaker 3>of not really being ready for the stuff that you

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<v Speaker 3>were going to get. And then I kind of, uh

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<v Speaker 3>embarked upon a sort of a journey of real life,

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<v Speaker 3>you know, of hard knocks to uh to sort of

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<v Speaker 3>get back to a place where I felt like I

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<v Speaker 3>had my feet one. By the way, I'm a big

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<v Speaker 3>fan of Austin Ekeler. I wish the Raiders would drab

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<v Speaker 3>onto him as fast as they can. Uh. Yeah, he's

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<v Speaker 3>an amazing guy. You know. I got to watch that

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<v Speaker 3>episode for sure.

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<v Speaker 2>Well, and just for some context to our listeners, Steven

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<v Speaker 2>and his wife are massive Raiders fans. Steven's wife was

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<v Speaker 2>on here talking with us earlier, and she's the She

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<v Speaker 2>the president of the what was the fan club called again.

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<v Speaker 3>Women of Raider Nation. She founded Women of Raider.

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<v Speaker 2>Yeah, so they're they're currently grieving the loss of one

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<v Speaker 2>of their players shot.

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<v Speaker 3>Heartbroken shot.

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<v Speaker 2>But yeah, so I guess just getting back on track

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<v Speaker 2>to to your story. You talked about it, uh just

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<v Speaker 2>being sheltered. Can you talk about just going back, uh

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<v Speaker 2>into your childhood is as an early memory of pain

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<v Speaker 2>or struggle that you can remember.

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<v Speaker 3>You know, I'm probably going to disappoint you guys, and

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<v Speaker 3>I don't my childhood I don't really have. It wasn't

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<v Speaker 3>really that kind of upbringing, you know. If anything, I

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<v Speaker 3>think of it as kind of an idyllic upbringing that

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<v Speaker 3>I lived in a great little town. I had a

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<v Speaker 3>great high school, you know, friends, every everything. If you

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<v Speaker 3>on the surface, everything seemed seemed great. What what? What

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<v Speaker 3>was really going on with me at the deepest level

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<v Speaker 3>is that I was a writer. I'm born to be

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<v Speaker 3>a writer, but I never knew it and I never

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<v Speaker 3>could believe in it. I come from a family of

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<v Speaker 3>business people like you know, my uncles, my dad, everybody

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<v Speaker 3>sort of commuted to New York City or business people

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<v Speaker 3>like that were There were no artists in my family.

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<v Speaker 3>There was nobody that was in a creative field. I

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<v Speaker 3>was never exposed to that as any kind of I

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<v Speaker 3>had no role models in that area at all. Yet

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<v Speaker 3>that was kind of what I was. I was that

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<v Speaker 3>kind of you know, with all the things to go

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<v Speaker 3>with that, insecurities, the ego that goes with that, and

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<v Speaker 3>so that was really sort of part of my struggles

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<v Speaker 3>just to believe in what I already was, but I

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<v Speaker 3>didn't know and couldn't really grab a hold on with

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<v Speaker 3>any real faith. I'm sorry if I'm disappointed on a

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<v Speaker 3>come backstory. That's what it was.

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<v Speaker 2>Well and but you but you have one. I obviously

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<v Speaker 2>when we get into the the to the later years

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<v Speaker 2>of that gap of when you were writing for so long,

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<v Speaker 2>But I think it's interesting how you had this gift,

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<v Speaker 2>this gift of writing, but you were not able to

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<v Speaker 2>use the gift or you weren't using the gift, which ultimately,

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<v Speaker 2>I think is like when we talk about purpose, like

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<v Speaker 2>our purpose in life, our purpose isn't static, it's it's dynamic,

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<v Speaker 2>it's fluid. But what is consistent are our natural gifts

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<v Speaker 2>and talents. And if we're not using our natural gifts

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<v Speaker 2>and talents, ultimately we're not very happy, no matter how

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<v Speaker 2>much money we're making or how much success we're having

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<v Speaker 2>on the outside. So I think it's it's great to

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<v Speaker 2>bring that up and highlight the fact that you weren't

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<v Speaker 2>able to actually express or tap into your gift yet.

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<v Speaker 3>Yeah. The other thing is, you know, if you're you're

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<v Speaker 3>a natural athlete as a young person, you tap into

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<v Speaker 3>that right away. Right, it's very clear by the time

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<v Speaker 3>you're in fourth grade, fifty grade, or sixth grade. You know, Darren,

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<v Speaker 3>I'm sure that was true for you, that people scouts

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<v Speaker 3>were looking at you and everybody in the family a

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<v Speaker 3>lot of times. You when you're a natural athlete, brothers,

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<v Speaker 3>big brothers, big sisters, whatever, your dad or whatever, who

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<v Speaker 3>are also so early on you sort of know that.

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<v Speaker 3>But if you're in the arts or particularly a writer,

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<v Speaker 3>you don't really come into your own. You've got like

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<v Speaker 3>a twenty year apprenticeship ahead of you, right, You got

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<v Speaker 3>to learn a lot of stuff, and not just the

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<v Speaker 3>skill of the craft, but what I would call the

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<v Speaker 3>soft skills, like how do you handle rejection, how do

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<v Speaker 3>you handle loneliness, how do you handle the indifference with people?

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<v Speaker 3>How do you handle the hospitility of people? How do

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<v Speaker 3>you believe in yourself, particularly when you start out and

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<v Speaker 3>you're no good, you know, you're a bum. You produce

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<v Speaker 3>that stuff and it sucks, you know, it's it's mediocre,

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<v Speaker 3>it's no good, and people tell you that, and so

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<v Speaker 3>you ask yourself, what am I doing? Am I crazy?

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<v Speaker 3>I mean, for years that was the real question I

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<v Speaker 3>was asking myself, and my family was asking because I was,

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<v Speaker 3>you know, a streamed from my family for years. You know,

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<v Speaker 3>I didn't talk to my parents, didn't talk to my brother,

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<v Speaker 3>and people sort of thought of me in my family

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<v Speaker 3>and people who knew me growing up, like, what's wrong

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<v Speaker 3>with this guy? What happened to him?

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<v Speaker 1>You know?

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<v Speaker 3>You know we you know, is he crazy? And of

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<v Speaker 3>course I'm asking that same question. Why do I keep

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<v Speaker 3>doing this dream? I keep writing screenplays, I keep writing books.

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<v Speaker 3>Nobody wants them. I can't get them published. You know.

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<v Speaker 3>I work a job. I save money for you know,

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<v Speaker 3>two or three years. I quit the job. I go,

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<v Speaker 3>I write a book. Nobody wants it. I work other jobs.

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<v Speaker 3>I saved more money. I write another guy, I write

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<v Speaker 3>another book after nobody wants it, you know, And so

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<v Speaker 3>you're asking yourself, like I say, am I crazy? What's

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<v Speaker 3>wrong with me? So I I it's different from being

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<v Speaker 3>an athlete, and it's just it's a long apprenticeship It's

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<v Speaker 3>like being a brain surgeon, except you're not in school.

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<v Speaker 3>At least be a brain surgeon, you can say, Okay,

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<v Speaker 3>I'm in my first medical school, I'm going somewhere. But

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<v Speaker 3>when you're trying to be a writer and everything you

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<v Speaker 3>do is getting rejected, you don't have anything to hang

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<v Speaker 3>on to at all. But that again, I think I'm

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<v Speaker 3>probably blathering on here, but I think in a way

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<v Speaker 3>that was great training for me and a great grounding

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<v Speaker 3>for me, because when you when you living with failure

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<v Speaker 3>so long, for me, you know, twenty plus years, twenty

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<v Speaker 3>seven years, you have to kind of ask yourself, why

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<v Speaker 3>am I doing it? You know, am I doing it

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<v Speaker 3>for money? Because if if that's the reason, I'm really wrong?

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<v Speaker 3>Am I doing it? You know? For women? Am I

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<v Speaker 3>doing it because you know what? Am I doing it?

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<v Speaker 3>And I eventually you have to answer the only answer

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<v Speaker 3>to me is that you can't. You're doing it for

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<v Speaker 3>the work it's done, you know. For me, the way

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<v Speaker 3>it translated was if I had another job. Let's say

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<v Speaker 3>I worked at an ad agency, which I did. You know,

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<v Speaker 3>it's a writer for an ant age. At the end

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<v Speaker 3>of the day I would come home, I'd be so

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<v Speaker 3>depressed that I just thought, I can't keep going like this.

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<v Speaker 3>The only thing that would save me was to try

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<v Speaker 3>to write a story, write a novel, write something like that,

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<v Speaker 3>even though nobody wanted so. The answer for me was,

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<v Speaker 3>I'm I'm a writer and I'm talking with it. I'm

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<v Speaker 3>going to do it no matter come hell or high water,

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<v Speaker 3>even though nobody is going to be any positive feed

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<v Speaker 3>And that, in a kind of a strange way, is

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<v Speaker 3>a really great ground for you, because at least your

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<v Speaker 3>feet are on the ground. You say, I don't give

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<v Speaker 3>a shit, I'm doing this, I'm in it all the way.

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<v Speaker 3>But it took a lot of years to get to

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<v Speaker 3>that place.

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<v Speaker 2>It sounds like you eventually had to detach from the

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<v Speaker 2>outcome of definitely where those where those books were going

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<v Speaker 2>to go, and just fall in love with the process,

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<v Speaker 2>knowing that it was the process that was actually giving

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<v Speaker 2>you the healing and the fulfillment where you were actually

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<v Speaker 2>using it. Maybe early on, I think that's any time.

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<v Speaker 2>I think the most important time of setting a goal,

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<v Speaker 2>or the most important part of setting a goal, is

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<v Speaker 2>detaching from the outcome because we don't have control over that,

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<v Speaker 2>and sometimes we get so attached and then we forget

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<v Speaker 2>as to why we're even doing it.

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<v Speaker 3>Yeah, it's really true, and I think it must be true, Daron.

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<v Speaker 3>It must be doing sports too. I mean, at some

0:12:55.160 --> 0:12:59.360
<v Speaker 3>point you have to ask yourself it's love of the game, right,

0:13:00.120 --> 0:13:01.800
<v Speaker 3>you know, because you're not going to be in the

0:13:01.840 --> 0:13:03.920
<v Speaker 3>super Bowl every year you're not, you know, you're going

0:13:03.960 --> 0:13:06.920
<v Speaker 3>to get hurt all kinds of you know, I would

0:13:07.000 --> 0:13:10.840
<v Speaker 3>imagine that you come back to just love of the game, right,

0:13:11.040 --> 0:13:15.000
<v Speaker 3>and love of your brothers that you're that you're fighting alongside.

0:13:15.200 --> 0:13:20.800
<v Speaker 3>But if I can throw something else in here, I'm

0:13:20.840 --> 0:13:24.840
<v Speaker 3>thinking of people who are listening here. The other aspect

0:13:25.480 --> 0:13:27.560
<v Speaker 3>of being in the creative arts, of being a writer,

0:13:27.760 --> 0:13:31.440
<v Speaker 3>being any kind of an artist, is that you have

0:13:31.520 --> 0:13:36.720
<v Speaker 3>to ask yourself where do ideas come from? And you

0:13:36.840 --> 0:13:40.760
<v Speaker 3>realize very soon you're a songwriter for you whatever it is,

0:13:41.400 --> 0:13:45.160
<v Speaker 3>that the stuff that you're producing is coming from someplace else.

0:13:46.080 --> 0:13:50.040
<v Speaker 3>You know, there's a whole other dimension of reality that

0:13:50.160 --> 0:13:54.480
<v Speaker 3>you have to sort of tap into and I have

0:13:54.520 --> 0:13:58.079
<v Speaker 3>found and so that makes you kind of humble in

0:13:58.120 --> 0:14:00.760
<v Speaker 3>a way. You know, it makes you, It makes it

0:14:01.160 --> 0:14:03.199
<v Speaker 3>This is like the spiritual side of it. You know

0:14:03.720 --> 0:14:10.400
<v Speaker 3>that you can't have an ego, because if you're really honest,

0:14:10.840 --> 0:14:12.720
<v Speaker 3>you know that the stuff that's coming out of you

0:14:12.880 --> 0:14:16.400
<v Speaker 3>is coming from some other place. And I've found that

0:14:16.400 --> 0:14:19.040
<v Speaker 3>that the books that I wrote that had the most success,

0:14:19.640 --> 0:14:22.080
<v Speaker 3>like The Legend of Bag or Each the Fire. I

0:14:22.080 --> 0:14:24.160
<v Speaker 3>don't know if you know that book about the three

0:14:24.240 --> 0:14:30.040
<v Speaker 3>hundred spart Mornopoly, but those were two books that when first,

0:14:30.080 --> 0:14:32.400
<v Speaker 3>first of all, I had no idea where they were

0:14:32.480 --> 0:14:35.840
<v Speaker 3>coming from. It wasn't that I planned them or I thought, oh,

0:14:35.840 --> 0:14:38.760
<v Speaker 3>this is a great idea, you know, not at all.

0:14:38.920 --> 0:14:42.440
<v Speaker 3>They sort of rupped me completely by surprise. They sort

0:14:42.480 --> 0:14:46.040
<v Speaker 3>of seized me so that I had no choice except

0:14:46.080 --> 0:14:50.800
<v Speaker 3>to write them. And while I was writing them, if

0:14:50.800 --> 0:14:55.000
<v Speaker 3>I thought to myself, I asked myself, are these commercial?

0:14:56.040 --> 0:14:57.920
<v Speaker 3>Are they going to sell? I would say to myself,

0:14:58.000 --> 0:15:02.320
<v Speaker 3>absolutely not. These are the dumbest idea is commercial wise?

0:15:03.040 --> 0:15:06.600
<v Speaker 3>That I can imagine a golf story that's sort of mystical,

0:15:07.120 --> 0:15:09.520
<v Speaker 3>or then a story about a battle that took place,

0:15:10.000 --> 0:15:12.320
<v Speaker 3>you know, twenty five hundred years ago that nobody can

0:15:12.400 --> 0:15:16.000
<v Speaker 3>spell or pronounce, and no Americans are involved with them.

0:15:16.400 --> 0:15:21.520
<v Speaker 3>And those turned out to be the best and coming

0:15:21.600 --> 0:15:24.840
<v Speaker 3>out of nowhere and asking myself what do I know

0:15:24.880 --> 0:15:27.000
<v Speaker 3>about it? I don't know anything about this sort of stuff.

0:15:27.040 --> 0:15:30.080
<v Speaker 3>I'm just just, you know, opening up the can and

0:15:30.400 --> 0:15:38.040
<v Speaker 3>waging it. So that's another aspect that doesn't come to

0:15:38.080 --> 0:15:42.280
<v Speaker 3>fruition until many years in the process. You know, Like

0:15:42.320 --> 0:15:45.600
<v Speaker 3>I say, I was in my fifties before I felt

0:15:45.600 --> 0:15:47.760
<v Speaker 3>like my feet were really on the ground.

0:15:47.920 --> 0:15:50.200
<v Speaker 1>I can really speak to that as well. I'm a creator.

0:15:50.320 --> 0:15:56.000
<v Speaker 1>I make music, I produce, I record myself. So I'm

0:15:56.080 --> 0:15:58.760
<v Speaker 1>on that journey and I think the same way.

0:15:58.800 --> 0:15:58.960
<v Speaker 3>You know.

0:15:59.000 --> 0:16:01.040
<v Speaker 1>I heard if you know who Pharrell is, but I

0:16:01.080 --> 0:16:04.000
<v Speaker 1>heard him in an interview. He's talking about how ideas

0:16:04.080 --> 0:16:06.600
<v Speaker 1>are He's like, the universe is like a library and

0:16:06.760 --> 0:16:10.320
<v Speaker 1>that if you're tapped in to a particular mode, particular

0:16:10.320 --> 0:16:13.840
<v Speaker 1>space spiritually, like you can check out certain ideas from

0:16:13.840 --> 0:16:16.720
<v Speaker 1>that library. And I feel like I'm the same way anytime,

0:16:17.240 --> 0:16:20.040
<v Speaker 1>anytime I've ever tried to make a song happen or

0:16:20.600 --> 0:16:24.600
<v Speaker 1>you know, force lyrics onto a page like it doesn't work.

0:16:24.760 --> 0:16:26.880
<v Speaker 1>But I, like you said, where these ideas come from?

0:16:26.920 --> 0:16:29.280
<v Speaker 1>I ask myself the same thing, because they'll hit me

0:16:29.280 --> 0:16:30.800
<v Speaker 1>out of nowhere, they'll hit me in a car, they'll

0:16:30.880 --> 0:16:33.880
<v Speaker 1>hit me in three in the morning. They'll hit me

0:16:34.360 --> 0:16:36.520
<v Speaker 1>in times and then they'll just start to flow out,

0:16:36.520 --> 0:16:38.960
<v Speaker 1>and it's like, this isn't all me. I'm almost just

0:16:38.960 --> 0:16:42.000
<v Speaker 1>like a channel here. So it's like I definitely relate

0:16:42.040 --> 0:16:43.480
<v Speaker 1>to that, and I'm sure a lot of artists do

0:16:44.120 --> 0:16:47.000
<v Speaker 1>as well. And I'm interested to dive more into your

0:16:47.080 --> 0:16:50.520
<v Speaker 1>journey because me talk about not having your first novel

0:16:50.560 --> 0:16:54.600
<v Speaker 1>published to your fifty five and not only does I

0:16:54.600 --> 0:16:57.440
<v Speaker 1>take an extreme amount of endurance, I feel like, but

0:16:57.640 --> 0:17:00.520
<v Speaker 1>also can you talk to us about what the battles

0:17:00.560 --> 0:17:04.640
<v Speaker 1>were like with self doubt, with potentially like different forms

0:17:04.640 --> 0:17:07.640
<v Speaker 1>of self sabotage. I know, I'm I've been a master

0:17:07.720 --> 0:17:10.199
<v Speaker 1>of self sabotage myself. Like, what are some of the

0:17:10.280 --> 0:17:14.480
<v Speaker 1>battles that you were facing internally along this journey.

0:17:15.040 --> 0:17:19.639
<v Speaker 3>Ah, that's a great question. You know. In my book

0:17:19.720 --> 0:17:23.480
<v Speaker 3>The War of Art that you mentioned, Donnie, which is

0:17:23.520 --> 0:17:27.680
<v Speaker 3>really about the creative process, I give a name to

0:17:27.680 --> 0:17:31.240
<v Speaker 3>to this force that I call resistance with a capital R.

0:17:32.280 --> 0:17:36.440
<v Speaker 3>And resistance to me is you're a writer and you

0:17:36.480 --> 0:17:40.159
<v Speaker 3>sit down in front of one of these things, you

0:17:40.200 --> 0:17:44.920
<v Speaker 3>can feel this force radiating off of the screen or

0:17:45.160 --> 0:17:49.600
<v Speaker 3>the keyboard and it's trying to stop you from doing

0:17:49.840 --> 0:17:54.600
<v Speaker 3>your thing right. And and the form it takes is

0:17:54.640 --> 0:17:58.360
<v Speaker 3>a voice in your head, and you think it's yourself

0:17:58.440 --> 0:18:01.320
<v Speaker 3>thinking these thoughts, but it's really not. It's really this

0:18:01.480 --> 0:18:04.240
<v Speaker 3>negative thing. And the thoughts that it puts in your

0:18:04.240 --> 0:18:10.720
<v Speaker 3>head are you're no good, you have no tenants. The

0:18:10.800 --> 0:18:14.840
<v Speaker 3>idea that you have right now is worthless. It's been

0:18:14.880 --> 0:18:17.760
<v Speaker 3>done one hundred times before, better than you'll ever do it.

0:18:18.320 --> 0:18:20.720
<v Speaker 3>Who do you think you are? You have too much education,

0:18:20.880 --> 0:18:23.800
<v Speaker 3>not enough education, You're too old, you're too young, you're

0:18:23.800 --> 0:18:25.800
<v Speaker 3>too fat, you're too thin, you're the wrong race, you're

0:18:25.840 --> 0:18:29.399
<v Speaker 3>the wrong sex. Whatever. It'll tell you all that. The

0:18:29.440 --> 0:18:31.760
<v Speaker 3>other thing it'll do is it will try to distract you.

0:18:32.880 --> 0:18:36.040
<v Speaker 3>And this is where addictions and stuff come in. Right,

0:18:36.080 --> 0:18:38.960
<v Speaker 3>It'll say, let's have a drink, you know, let's light

0:18:39.080 --> 0:18:42.960
<v Speaker 3>up a dobe, let's go hang out at the beach, whatever, right,

0:18:44.480 --> 0:18:47.800
<v Speaker 3>trying to get you off off the track. So and

0:18:48.359 --> 0:18:51.520
<v Speaker 3>one of the big things it'll do is it'll inflict

0:18:51.560 --> 0:18:55.800
<v Speaker 3>you with self doubt. And I have I have a

0:18:55.840 --> 0:18:58.879
<v Speaker 3>theory I believe this absolutely after all the many books

0:18:58.880 --> 0:19:02.199
<v Speaker 3>I've written. Is that if you start on a project,

0:19:02.640 --> 0:19:07.960
<v Speaker 3>and you don't have self doubt, something's wrong. You should

0:19:08.000 --> 0:19:13.199
<v Speaker 3>have massive self doubt or something's from something's wrong, you know,

0:19:13.720 --> 0:19:17.080
<v Speaker 3>because again, one of the laws of resistance for the

0:19:17.119 --> 0:19:23.280
<v Speaker 3>capital R is that the bigger your idea a book,

0:19:23.359 --> 0:19:27.480
<v Speaker 3>let's say, or a song or whatever, the more resistance

0:19:27.560 --> 0:19:31.080
<v Speaker 3>you will feel, the more self doubt you will feel.

0:19:32.240 --> 0:19:35.040
<v Speaker 3>So if you don't feel self doubt, that's a very

0:19:35.080 --> 0:19:38.480
<v Speaker 3>bad sign. It shows you a little tiny idea. But

0:19:38.520 --> 0:19:40.760
<v Speaker 3>if you have a big idea in a sense when

0:19:40.760 --> 0:19:43.520
<v Speaker 3>I say big, I mean in the sense of it's

0:19:43.600 --> 0:19:49.040
<v Speaker 3>important to the evolution of your soul, a big idea

0:19:49.240 --> 0:19:53.199
<v Speaker 3>equals big resistance, big self doubt. So so there, And

0:19:53.200 --> 0:19:56.360
<v Speaker 3>to answer your question, self doubt is like wakes up

0:19:56.400 --> 0:20:00.200
<v Speaker 3>with me every morning to this day. It's a it's

0:20:00.200 --> 0:20:04.720
<v Speaker 3>our constant battle with that and I've sort of made

0:20:04.760 --> 0:20:07.960
<v Speaker 3>friends with it away. Like I say, if I don't

0:20:07.960 --> 0:20:14.719
<v Speaker 3>feel it, then I worry. But yeah, so yeah, anyway,

0:20:14.720 --> 0:20:17.040
<v Speaker 3>that's that's my short answer to that one.

0:20:17.720 --> 0:20:21.200
<v Speaker 1>No, I'm actually very encouraged by the answer, as somebody

0:20:21.240 --> 0:20:25.920
<v Speaker 1>that you know, I've been very successful in my football

0:20:25.960 --> 0:20:28.320
<v Speaker 1>career and you know, I feel like i'm really you know,

0:20:28.359 --> 0:20:32.040
<v Speaker 1>I'm six years into making music, five years into making beats,

0:20:32.520 --> 0:20:35.120
<v Speaker 1>so I'm like really starting to find starting to find

0:20:35.200 --> 0:20:38.840
<v Speaker 1>my sound. I feel like in that and uh, but

0:20:38.880 --> 0:20:41.760
<v Speaker 1>the self doubt doesn't really go anywhere for long periods

0:20:41.800 --> 0:20:44.120
<v Speaker 1>of time. There's times where I feel peace, times where

0:20:44.119 --> 0:20:48.359
<v Speaker 1>I feel confidence, but that self doubt always finds a

0:20:48.359 --> 0:20:50.919
<v Speaker 1>way to loop back around. But this, what you just

0:20:50.960 --> 0:20:54.160
<v Speaker 1>said is so encouraging because it's almost like I feel

0:20:54.160 --> 0:20:57.119
<v Speaker 1>a lot of opposition. I feel I feel the resistance

0:20:57.280 --> 0:20:59.399
<v Speaker 1>with a lot of the ideas that I have pretty

0:20:59.440 --> 0:21:02.000
<v Speaker 1>much every single one, whether it be music, whether it

0:21:02.040 --> 0:21:04.240
<v Speaker 1>be where I want to take my career, where I

0:21:04.240 --> 0:21:07.040
<v Speaker 1>want to be as far as service and my foundation work.

0:21:07.119 --> 0:21:10.040
<v Speaker 1>So it's like, honestly, if I'm facing that opposition, I'm

0:21:10.080 --> 0:21:10.840
<v Speaker 1>on the right track.

0:21:11.480 --> 0:21:12.760
<v Speaker 3>Like if you are that.

0:21:12.800 --> 0:21:16.919
<v Speaker 1>Resistance, I'm really doing something that's meaningful or that's going

0:21:17.000 --> 0:21:19.119
<v Speaker 1>to be able to have an impact in the in

0:21:19.200 --> 0:21:23.360
<v Speaker 1>its right timing. So the way that you said that

0:21:23.400 --> 0:21:25.960
<v Speaker 1>in place that it's like that's very encouraging for me

0:21:26.000 --> 0:21:28.520
<v Speaker 1>because I want to run from resistance usually I want

0:21:28.520 --> 0:21:30.200
<v Speaker 1>to go the opposite way. I want the path of

0:21:30.320 --> 0:21:35.359
<v Speaker 1>least resistance. That's just yeah, yeah, that's our default character

0:21:35.400 --> 0:21:38.280
<v Speaker 1>as human beings. I feel like, have you.

0:21:38.280 --> 0:21:40.720
<v Speaker 3>Guys interviewed Rick Rubin on the shil.

0:21:41.840 --> 0:21:44.119
<v Speaker 1>I would love to interview Rick Rubin. That would be

0:21:44.240 --> 0:21:46.360
<v Speaker 1>that would be an amazing guess.

0:21:46.240 --> 0:21:48.160
<v Speaker 3>Well, you probably would be able to get him because

0:21:48.160 --> 0:21:51.159
<v Speaker 3>he's got his new book. But the one thing I

0:21:51.160 --> 0:21:53.320
<v Speaker 3>would you know, we all know like Rick Rubin is

0:21:53.359 --> 0:21:55.560
<v Speaker 3>sort of like the godfather of hip hop, right. He's

0:21:55.840 --> 0:21:58.320
<v Speaker 3>He's worked with so many bands and groups, and if

0:21:58.359 --> 0:22:02.240
<v Speaker 3>you think about it, I think what he does or

0:22:02.440 --> 0:22:05.399
<v Speaker 3>groups that he brings into his studios and training re

0:22:05.520 --> 0:22:11.600
<v Speaker 3>law is he eases their self down. Right. He's sort

0:22:11.600 --> 0:22:14.919
<v Speaker 3>of the guru. He's walking around his bare feet, with

0:22:15.000 --> 0:22:17.560
<v Speaker 3>his beard and everything, and he kind of creates this

0:22:17.680 --> 0:22:19.960
<v Speaker 3>sort of really safe space for them. And he says,

0:22:20.520 --> 0:22:22.600
<v Speaker 3>basically I think what he said. I've never been there

0:22:22.600 --> 0:22:25.760
<v Speaker 3>to watch him. I'm sure what he basically communicates to

0:22:25.840 --> 0:22:31.200
<v Speaker 3>them is let it rip, baby, you know you're safe here.

0:22:31.680 --> 0:22:35.240
<v Speaker 3>I don't care if you fail. Go big, go do

0:22:35.359 --> 0:22:38.080
<v Speaker 3>something you think is never going to work. And it's

0:22:38.119 --> 0:22:40.960
<v Speaker 3>constantly encouraging them to do that. So I think, like

0:22:42.480 --> 0:22:47.000
<v Speaker 3>any of us, Darren, you and me, whatever, Donnie, we

0:22:47.119 --> 0:22:49.720
<v Speaker 3>sort of have to do that for ourselves. We got

0:22:49.720 --> 0:22:54.200
<v Speaker 3>to be our own Rick Ruben, you know, and tell ourselves,

0:22:54.280 --> 0:22:58.239
<v Speaker 3>you know, really really go for it, you know, go

0:22:58.359 --> 0:23:01.480
<v Speaker 3>for the ideas that seem like dum much ideas.

0:23:01.800 --> 0:23:04.840
<v Speaker 2>Yeah, in your book The War of Art, which you know,

0:23:04.920 --> 0:23:08.439
<v Speaker 2>I've had sitting in plain sight. I can't tell you

0:23:08.440 --> 0:23:10.000
<v Speaker 2>for how many years it's sitting right in front of

0:23:10.080 --> 0:23:12.480
<v Speaker 2>me right now. But there's so many things with the

0:23:12.560 --> 0:23:14.920
<v Speaker 2>idea of resistance, And one of the things I've heard

0:23:14.920 --> 0:23:18.680
<v Speaker 2>you speak on is just also the closer you are

0:23:18.840 --> 0:23:22.639
<v Speaker 2>to that breakthrough, the more resistance you're going to feel,

0:23:22.640 --> 0:23:25.080
<v Speaker 2>which I think was so important for me to hear,

0:23:25.200 --> 0:23:28.720
<v Speaker 2>because we think we're feeling all this resistance that we're

0:23:28.760 --> 0:23:31.840
<v Speaker 2>actually farther away, but it's actually that we're that much

0:23:32.000 --> 0:23:36.520
<v Speaker 2>closer to the breakthrough or changing. And for me, I

0:23:36.520 --> 0:23:40.160
<v Speaker 2>think it showed up as like wanting to break maybe

0:23:40.160 --> 0:23:45.520
<v Speaker 2>it's generational dysfunction or you know, family dysfunction in certain ways,

0:23:45.560 --> 0:23:49.280
<v Speaker 2>and like being the change and then just having opportunities,

0:23:49.280 --> 0:23:51.960
<v Speaker 2>but just still feeling that resistance. But your words have

0:23:52.040 --> 0:23:54.639
<v Speaker 2>really helped me understand that I'm not further away. I'm

0:23:54.640 --> 0:23:57.360
<v Speaker 2>actually very close to it. So to keep leaning in.

0:23:58.520 --> 0:24:02.120
<v Speaker 3>Yeah, I think it's it's really true that I think

0:24:02.160 --> 0:24:05.600
<v Speaker 3>of resistances. It's kind of like the devil, you know.

0:24:05.680 --> 0:24:09.200
<v Speaker 3>It's like it's like the most negative force you can

0:24:09.240 --> 0:24:13.199
<v Speaker 3>possibly think is as like you say, Donnie, as you

0:24:13.240 --> 0:24:16.639
<v Speaker 3>get closer and closer to a break two point, resistance

0:24:16.680 --> 0:24:19.600
<v Speaker 3>gets higher and higher and stronger and stronger. And it's

0:24:19.840 --> 0:24:24.520
<v Speaker 3>very intelligent force. It's not just a dumb force to

0:24:24.560 --> 0:24:28.000
<v Speaker 3>stop you. It'll the arguments that it will put into

0:24:28.040 --> 0:24:29.600
<v Speaker 3>your head you have the voice in your head that

0:24:29.640 --> 0:24:34.400
<v Speaker 3>you think is your own voice, are very subtle, very sneaky,

0:24:34.440 --> 0:24:40.040
<v Speaker 3>you know. So I always tell myself that when resistance

0:24:40.119 --> 0:24:43.520
<v Speaker 3>is really high is when I'm about to make a breakthrough.

0:24:43.560 --> 0:24:47.120
<v Speaker 3>It sometimes because I think we get we don't get

0:24:47.160 --> 0:24:50.679
<v Speaker 3>better on a path like that. It's not a smooth

0:24:50.840 --> 0:24:53.359
<v Speaker 3>we get better kind of like scare steps. Right, you

0:24:53.520 --> 0:24:55.600
<v Speaker 3>run into a wall and then you make a breakthrough,

0:24:55.800 --> 0:24:58.480
<v Speaker 3>and you run into another wall and you know in

0:24:58.600 --> 0:25:02.240
<v Speaker 3>another breakthrough. And resistance is always strongest when you're right

0:25:02.280 --> 0:25:05.000
<v Speaker 3>at that stare strap where you're about to go to

0:25:05.040 --> 0:25:07.960
<v Speaker 3>the next level. But it's hard to believe that you

0:25:08.080 --> 0:25:10.160
<v Speaker 3>got to. You have to have that inner Rick Rubin

0:25:10.280 --> 0:25:12.720
<v Speaker 3>telling you, but keep going.

0:25:13.040 --> 0:25:16.040
<v Speaker 1>Yeah, Well, I wanted to ask next, were there any mantras?

0:25:16.040 --> 0:25:20.399
<v Speaker 1>Were there any habits or rituals that you had that

0:25:20.480 --> 0:25:23.399
<v Speaker 1>would help you, you know, each in every wall that

0:25:23.480 --> 0:25:26.040
<v Speaker 1>you would hit to keep going? Like, were there anything

0:25:26.160 --> 0:25:28.320
<v Speaker 1>practical that somebody that's listening could take away?

0:25:29.640 --> 0:25:33.159
<v Speaker 3>The only thing? Really? You know, Actually I heard Anthony

0:25:33.240 --> 0:25:36.160
<v Speaker 3>Hopkins talk about this. He's another guy he could get

0:25:36.160 --> 0:25:38.440
<v Speaker 3>on this show. You know, the actor that played had

0:25:38.480 --> 0:25:41.720
<v Speaker 3>an elector and a million other great things, and he's

0:25:41.800 --> 0:25:44.320
<v Speaker 3>kind of a really interesting guy. You know, he's not

0:25:44.400 --> 0:25:46.960
<v Speaker 3>stuffed on himself at all for all of his kind

0:25:46.960 --> 0:25:50.440
<v Speaker 3>of things, and he but he appears on shows every

0:25:50.440 --> 0:25:52.240
<v Speaker 3>now and then. There somebody asked him that, you know,

0:25:52.440 --> 0:25:56.960
<v Speaker 3>like what and what he said? I completely believe he said,

0:25:57.480 --> 0:26:02.280
<v Speaker 3>just keep going, Just keep put one foot in front

0:26:02.280 --> 0:26:05.040
<v Speaker 3>of the other. You know. It's like the rock when

0:26:05.040 --> 0:26:07.800
<v Speaker 3>he talks about working out, you know, no matter how

0:26:07.920 --> 0:26:12.399
<v Speaker 3>bad it is, he say, get into the gym, do it,

0:26:12.920 --> 0:26:15.200
<v Speaker 3>do it, and then do it the next day. That's

0:26:15.240 --> 0:26:19.160
<v Speaker 3>sort of the only the only thing that's ever stood

0:26:19.200 --> 0:26:23.119
<v Speaker 3>by me. Like for me, I kind of I originally

0:26:24.000 --> 0:26:26.679
<v Speaker 3>totally screwed up my first book that I tried to

0:26:26.680 --> 0:26:30.199
<v Speaker 3>write and blew up my marriage, really hurt, my wife,

0:26:30.600 --> 0:26:34.240
<v Speaker 3>ruined her life. So I was coming for years and

0:26:34.320 --> 0:26:39.600
<v Speaker 3>years out of tremendous guilt and shame. So when I

0:26:39.640 --> 0:26:42.600
<v Speaker 3>sort of was, I could never finish anything. I could

0:26:42.640 --> 0:26:45.520
<v Speaker 3>never finish a book and sort of chicken out at

0:26:45.560 --> 0:26:50.920
<v Speaker 3>the very end. So this sort of shame would all

0:26:50.960 --> 0:26:54.920
<v Speaker 3>would drive me to finish something, you know, it would

0:26:55.240 --> 0:26:58.199
<v Speaker 3>make me keep going. Like if I quit now, I

0:26:58.280 --> 0:27:01.160
<v Speaker 3>just can't face myself. You know, I have lived myself,

0:27:01.840 --> 0:27:05.600
<v Speaker 3>you know, so so I would be cracking a whip

0:27:05.640 --> 0:27:09.440
<v Speaker 3>over my own, you know, back. Just keep going, keep going,

0:27:09.560 --> 0:27:10.040
<v Speaker 3>keep going.

0:27:11.119 --> 0:27:13.840
<v Speaker 2>Darren and I both come from the world of recovery,

0:27:14.160 --> 0:27:18.120
<v Speaker 2>and we've been blessed with so many great mantras and sayings,

0:27:18.160 --> 0:27:20.800
<v Speaker 2>and one of the main ones in those rooms is

0:27:20.840 --> 0:27:24.440
<v Speaker 2>one day at a time, and one a similar saying

0:27:24.520 --> 0:27:27.800
<v Speaker 2>is keep going. And I think that's what's allowed us

0:27:27.840 --> 0:27:31.239
<v Speaker 2>to kind of be in in the process. And you know,

0:27:31.320 --> 0:27:34.160
<v Speaker 2>with one or two days sober saying how am I gonna?

0:27:34.280 --> 0:27:36.120
<v Speaker 2>How am I going to keep doing this? And then

0:27:36.160 --> 0:27:38.880
<v Speaker 2>for that to be pounded into our heads just one

0:27:38.960 --> 0:27:41.320
<v Speaker 2>day at a time, and eventually those days stack and

0:27:41.440 --> 0:27:44.480
<v Speaker 2>become a really a solid foundation for the rest of

0:27:44.480 --> 0:27:47.320
<v Speaker 2>our lives. So I love how you say that. I

0:27:47.600 --> 0:27:51.240
<v Speaker 2>wanted to ask you, maybe backtracking a little bit, you

0:27:51.359 --> 0:27:55.400
<v Speaker 2>had mentioned earlier that for a while you were estranged

0:27:55.440 --> 0:28:00.080
<v Speaker 2>from your family, Like what what what caused that? Where

0:28:00.119 --> 0:28:02.720
<v Speaker 2>you just on your own path? Were you resisting certain

0:28:02.760 --> 0:28:04.439
<v Speaker 2>things or what was behind that.

0:28:08.800 --> 0:28:10.440
<v Speaker 3>I'll give you a little bit of the long for.

0:28:12.040 --> 0:28:16.399
<v Speaker 3>My first job was at an ad agency in New

0:28:16.480 --> 0:28:19.040
<v Speaker 3>York City, and I was like a young kid, a

0:28:19.119 --> 0:28:22.440
<v Speaker 3>junior copywriter, and I had a boss named Ed Hannibal

0:28:23.560 --> 0:28:27.800
<v Speaker 3>and he wrote a novel and it was a hit. Yeah,

0:28:27.840 --> 0:28:32.120
<v Speaker 3>they quit and to write to a writer. So I'm

0:28:32.119 --> 0:28:34.240
<v Speaker 3>like twenty two years old, twenty three years old. I

0:28:34.280 --> 0:28:36.240
<v Speaker 3>said to him, I said, well shit, I'll do that too.

0:28:37.640 --> 0:28:41.800
<v Speaker 3>So I tried and it just totally flamed out, choked

0:28:41.880 --> 0:28:47.000
<v Speaker 3>da da dada, and I sort of dropped out of

0:28:47.000 --> 0:28:52.440
<v Speaker 3>the bottom of the middle class. I could no longer

0:28:52.480 --> 0:28:55.200
<v Speaker 3>get a white college job. If I walked into a place,

0:28:55.880 --> 0:28:58.120
<v Speaker 3>you know, I was a college graduate, You'm a smart guy,

0:28:58.880 --> 0:29:04.360
<v Speaker 3>they could just smell defeat on me. And so I

0:29:04.440 --> 0:29:06.520
<v Speaker 3>sort of fell out of the bottom and I began

0:29:06.680 --> 0:29:11.120
<v Speaker 3>working the kind of jobs that your only thing you

0:29:11.200 --> 0:29:14.040
<v Speaker 3>need is a pulse to get the job. Like I

0:29:14.080 --> 0:29:16.640
<v Speaker 3>worked in the oil fields in Louisiana. I worked as

0:29:16.680 --> 0:29:20.320
<v Speaker 3>a as a in a mental hospital, as an attendent

0:29:20.400 --> 0:29:22.920
<v Speaker 3>in a mental hospital. Later I went to truck driving

0:29:22.960 --> 0:29:25.320
<v Speaker 3>school and I became a truck driver, and I did

0:29:25.400 --> 0:29:28.640
<v Speaker 3>all those kind of you know, dumb jobs. You know,

0:29:28.960 --> 0:29:33.080
<v Speaker 3>I don't say dumb, but the jobs that And I

0:29:33.120 --> 0:29:36.040
<v Speaker 3>was in other parts of the country away from my home.

0:29:36.600 --> 0:29:40.440
<v Speaker 3>I was just I was ashamed of myself for screwing

0:29:40.520 --> 0:29:43.280
<v Speaker 3>up my marriage, for hurrying my wife, failing to be

0:29:44.520 --> 0:29:48.760
<v Speaker 3>anything to provide anything like that, and I just was

0:29:49.840 --> 0:29:53.000
<v Speaker 3>ashamed before my own family. It wasn't like I could

0:29:53.000 --> 0:29:56.560
<v Speaker 3>come home for Thanksgiving and say everything is cool. I thought,

0:29:56.880 --> 0:30:00.600
<v Speaker 3>I can't show my face again until I I've done

0:30:00.800 --> 0:30:04.680
<v Speaker 3>something you know that I can I can point to

0:30:04.840 --> 0:30:08.480
<v Speaker 3>and be proud of you. On the subject of recovery,

0:30:10.160 --> 0:30:14.240
<v Speaker 3>do you guys know seeing McFarland by any chance, he

0:30:14.280 --> 0:30:16.640
<v Speaker 3>works with Mike Tyson. He works a lot, he's he's

0:30:16.640 --> 0:30:20.160
<v Speaker 3>got a place here in ben and he's a real

0:30:20.280 --> 0:30:25.000
<v Speaker 3>uh kind of uh guru to people who are who

0:30:25.040 --> 0:30:28.360
<v Speaker 3>are having real struggles with addiction, even as a place

0:30:28.400 --> 0:30:33.960
<v Speaker 3>where they can stay. And anyway, when I go to

0:30:33.960 --> 0:30:35.960
<v Speaker 3>the same gym as he, and we said to each other,

0:30:36.040 --> 0:30:38.600
<v Speaker 3>let's go have breakfast one day. So we did go

0:30:38.680 --> 0:30:41.320
<v Speaker 3>to and the first thing he said to me he

0:30:41.360 --> 0:30:44.280
<v Speaker 3>didn't know really anything about me, You kind of and

0:30:44.360 --> 0:30:48.080
<v Speaker 3>I've I've never had any trouble with alcohol, never anything

0:30:48.120 --> 0:30:50.600
<v Speaker 3>like that. He looked across the table to me and

0:30:50.600 --> 0:30:56.200
<v Speaker 3>he said, are you sober? And I said, why do you?

0:30:56.320 --> 0:30:59.280
<v Speaker 3>Why do you say that? And so another is the

0:30:59.360 --> 0:31:03.760
<v Speaker 3>point I'm trying to make is my struggles with resistance

0:31:05.000 --> 0:31:09.000
<v Speaker 3>I think are the exact same thing as struggles with addictions.

0:31:09.520 --> 0:31:15.480
<v Speaker 3>Now it's self sabotaged, it's self destruction. It's the wall

0:31:15.600 --> 0:31:18.440
<v Speaker 3>that's trying to stop you from being who you were

0:31:18.480 --> 0:31:22.120
<v Speaker 3>born To me, so I can absolutely relate to one

0:31:22.200 --> 0:31:25.840
<v Speaker 3>day at a time. That's my month for two, and

0:31:25.880 --> 0:31:28.720
<v Speaker 3>the whole idea of a higher power, that's my montra two.

0:31:29.440 --> 0:31:32.880
<v Speaker 2>I've also heard you talking about well another form, and

0:31:32.920 --> 0:31:34.360
<v Speaker 2>I think I want to get to some of the

0:31:34.560 --> 0:31:37.080
<v Speaker 2>Hopefully we can squeeze all this in on one episode.

0:31:37.080 --> 0:31:38.480
<v Speaker 2>We might have to bring you back for a round

0:31:38.480 --> 0:31:42.360
<v Speaker 2>two because this is there's so much to cover. But

0:31:42.520 --> 0:31:46.719
<v Speaker 2>you have talked about the unknown and stepping into the unknown,

0:31:46.760 --> 0:31:49.040
<v Speaker 2>and I've heard you speak on this and it's fascinating.

0:31:49.080 --> 0:31:51.320
<v Speaker 2>I have a coaching exercise I do with my clients

0:31:51.320 --> 0:31:54.280
<v Speaker 2>called stepping into the unknown, and I think why so

0:31:54.360 --> 0:31:58.640
<v Speaker 2>many people struggle with truly stepping into the unknown is

0:31:58.680 --> 0:32:03.760
<v Speaker 2>because they haven't died to the old, their old life.

0:32:03.800 --> 0:32:06.680
<v Speaker 2>They're still resisting, they're wishing their life. They had this

0:32:06.800 --> 0:32:09.200
<v Speaker 2>vision of their life and they're still holding on to

0:32:09.400 --> 0:32:12.520
<v Speaker 2>this vision. But our our life is never what we

0:32:12.560 --> 0:32:15.240
<v Speaker 2>think it's going to be. So I'm just curious, like,

0:32:15.320 --> 0:32:18.320
<v Speaker 2>can you touch more on that about why people struggle

0:32:18.360 --> 0:32:21.240
<v Speaker 2>to step on step into the unknown and does it

0:32:21.360 --> 0:32:23.800
<v Speaker 2>have to do with so much of holding on to

0:32:23.920 --> 0:32:26.280
<v Speaker 2>the life that they're living right now or wish they

0:32:26.280 --> 0:32:27.240
<v Speaker 2>would have lived.

0:32:28.480 --> 0:32:32.400
<v Speaker 3>Well, it's it's certainly true. I mean, I think it's

0:32:32.400 --> 0:32:36.600
<v Speaker 3>probably comes from our evolutionary pasting cavement and stuff like that,

0:32:36.800 --> 0:32:40.320
<v Speaker 3>where if you say to yourself, try a different way

0:32:40.520 --> 0:32:44.200
<v Speaker 3>of driving, leaves some masterdons over the cliff and then

0:32:44.400 --> 0:32:48.800
<v Speaker 3>we all die. So it becomes evolutionary want to say, hey,

0:32:48.840 --> 0:32:51.520
<v Speaker 3>let's stick with what we know let's not go into

0:32:51.520 --> 0:32:57.720
<v Speaker 3>the unknown. But certainly as as a as a songwriter,

0:32:57.880 --> 0:32:59.920
<v Speaker 3>as a as an artist, as a writer or whatever,

0:33:02.120 --> 0:33:05.920
<v Speaker 3>that's your stock and trade is going into the young.

0:33:06.480 --> 0:33:10.960
<v Speaker 3>That's kind of the skill that you have to develop, right,

0:33:11.200 --> 0:33:18.600
<v Speaker 3>what's new, and the the more unusual it is or

0:33:18.720 --> 0:33:24.440
<v Speaker 3>or unexpected, it is scarier. It's scary going into the unknown, right,

0:33:24.520 --> 0:33:29.520
<v Speaker 3>That's you know, all the great myths and legends are

0:33:29.520 --> 0:33:33.280
<v Speaker 3>really about you know, a theseust or Odysseus or whatever

0:33:33.440 --> 0:33:37.360
<v Speaker 3>going into the dark cave, right, you know, Indiana Jones.

0:33:38.480 --> 0:33:41.000
<v Speaker 3>So I think it's very very natural to be afraid

0:33:41.080 --> 0:33:44.560
<v Speaker 3>of the unknown. But there's a skill if you can

0:33:45.440 --> 0:33:49.960
<v Speaker 3>teach it to yourself, one increment at a time, to

0:33:50.000 --> 0:33:54.480
<v Speaker 3>be able to go into the unknown. That's that's that's

0:33:54.520 --> 0:33:55.720
<v Speaker 3>where the good stuff is.

0:33:56.680 --> 0:33:59.440
<v Speaker 1>Yeah, I think it's about arriving to a place where

0:33:59.440 --> 0:34:02.640
<v Speaker 1>there's a person respective shift of as opposed to I

0:34:03.080 --> 0:34:05.880
<v Speaker 1>don't know what's in there. It might be scary, it

0:34:05.920 --> 0:34:09.120
<v Speaker 1>might be hard to hmm, Like, I don't know what's

0:34:09.160 --> 0:34:10.520
<v Speaker 1>in there, but I feel like there could be something

0:34:10.560 --> 0:34:12.960
<v Speaker 1>amazing in there. There could be and I never even

0:34:13.440 --> 0:34:17.120
<v Speaker 1>imagined happening on the other side of of what I

0:34:17.160 --> 0:34:18.719
<v Speaker 1>may be fearing and what I may be thinking. And

0:34:19.239 --> 0:34:21.200
<v Speaker 1>you know, for me, especially like with the life that

0:34:21.239 --> 0:34:24.200
<v Speaker 1>I'm living now, I never thought it was possible. But

0:34:24.239 --> 0:34:26.839
<v Speaker 1>the only way that I was able to do that

0:34:26.960 --> 0:34:29.279
<v Speaker 1>was to go into the unknown and to wrestle with

0:34:29.360 --> 0:34:33.239
<v Speaker 1>the discomfort of the unknown, wrestle with looking myself in

0:34:33.280 --> 0:34:37.040
<v Speaker 1>the mirror in the unknown, because you know, I feel like, really,

0:34:37.120 --> 0:34:39.520
<v Speaker 1>what's what's in the what's in the unknown, what's really

0:34:39.840 --> 0:34:42.600
<v Speaker 1>out there is really just a mirror that's reflecting back

0:34:42.680 --> 0:34:48.160
<v Speaker 1>into what I fear, what I'm afraid of, what I doubt.

0:34:48.400 --> 0:34:51.480
<v Speaker 1>It just just revealing the lack of trust that I

0:34:51.560 --> 0:34:54.160
<v Speaker 1>have in God and the lack of trust that I

0:34:54.200 --> 0:34:59.719
<v Speaker 1>have in myself to be able to navigate, adapt to

0:35:00.000 --> 0:35:02.920
<v Speaker 1>anything that I may face and still come out victorious,

0:35:02.960 --> 0:35:06.600
<v Speaker 1>still come out with a story to tell and better

0:35:06.680 --> 0:35:09.680
<v Speaker 1>because of going through it. But a lot of times

0:35:09.760 --> 0:35:12.560
<v Speaker 1>we just see things as threats so easily because all

0:35:12.560 --> 0:35:15.120
<v Speaker 1>we've ever done in our lives is run the opposite direction.

0:35:15.239 --> 0:35:18.680
<v Speaker 1>I know that's true for me. I see opportunities as

0:35:19.920 --> 0:35:22.839
<v Speaker 1>as fear, as as threats first before I see them

0:35:22.880 --> 0:35:26.000
<v Speaker 1>as great opportunities. But like you said, through training through

0:35:27.160 --> 0:35:32.440
<v Speaker 1>consistently seeking that discomfort, seeking to run towards as opposed

0:35:32.480 --> 0:35:35.120
<v Speaker 1>to run away from. That's the only way to get there.

0:35:35.120 --> 0:35:37.520
<v Speaker 1>It's the only way to develop the mental toughness like

0:35:37.520 --> 0:35:39.480
<v Speaker 1>we were just talking about with Austin Eckler. It's like,

0:35:39.520 --> 0:35:42.160
<v Speaker 1>there's no way to develop that toughness or that skill

0:35:42.239 --> 0:35:46.040
<v Speaker 1>without going head on into what you're deathly afraid of

0:35:46.760 --> 0:35:49.279
<v Speaker 1>and just to find out that that fear probably isn't

0:35:49.320 --> 0:35:49.759
<v Speaker 1>even real.

0:35:51.280 --> 0:35:53.800
<v Speaker 3>Yeah, let me ask you, Darren, what, like, what specifically

0:35:54.480 --> 0:35:58.200
<v Speaker 3>is the thing that you're afraid of any in the music?

0:35:58.320 --> 0:36:03.400
<v Speaker 3>Is it footballs? And what what specifically have you like struggled.

0:36:03.000 --> 0:36:08.680
<v Speaker 1>With Yeah, I mean football wise, it was always been

0:36:08.760 --> 0:36:11.560
<v Speaker 1>like being or really in anything in life is just

0:36:11.560 --> 0:36:15.360
<v Speaker 1>like being a failure or being exposed as a fraud,

0:36:15.560 --> 0:36:18.200
<v Speaker 1>not worthy of the life that I'm living. Like they're

0:36:18.239 --> 0:36:20.040
<v Speaker 1>gonna kind of like a Scooby Doo where they pulled

0:36:20.040 --> 0:36:22.759
<v Speaker 1>the mask off the villain at the end and it's

0:36:22.800 --> 0:36:24.840
<v Speaker 1>just like they got him tied up and it's like

0:36:24.920 --> 0:36:27.719
<v Speaker 1>there he is, Like I feel like that's what my

0:36:27.840 --> 0:36:30.400
<v Speaker 1>fear tells me. Is like, you know even though that

0:36:30.400 --> 0:36:33.360
<v Speaker 1>I've I've put in the work, and devoted myself in

0:36:33.520 --> 0:36:36.719
<v Speaker 1>all these different crafts, all these different things. There's a

0:36:36.760 --> 0:36:39.640
<v Speaker 1>fear that somebody's gonna look at me because of all

0:36:39.640 --> 0:36:41.800
<v Speaker 1>the mistakes that I did, because of the way that

0:36:41.840 --> 0:36:45.879
<v Speaker 1>I viewed myself when I was a kid, that I'm

0:36:45.880 --> 0:36:48.160
<v Speaker 1>not worthy of this, and that the whole world will

0:36:48.239 --> 0:36:49.239
<v Speaker 1>just be like pointing.

0:36:48.920 --> 0:36:50.520
<v Speaker 3>At me, laughing like ha ha haha.

0:36:50.800 --> 0:36:55.600
<v Speaker 1>Like that's literally a look at what the fear looks

0:36:55.680 --> 0:36:58.759
<v Speaker 1>like for me. So it's you know, not wanting to

0:36:58.800 --> 0:37:02.560
<v Speaker 1>fail as a football player because I know I have

0:37:02.680 --> 0:37:05.400
<v Speaker 1>the these gifts and I don't want to be somebody

0:37:05.440 --> 0:37:08.520
<v Speaker 1>that never saw their full potential. And then music wise,

0:37:08.560 --> 0:37:11.400
<v Speaker 1>it's like, you know, I don't have the pedigree of

0:37:11.440 --> 0:37:13.640
<v Speaker 1>other people, but you know, I know it's in my

0:37:13.680 --> 0:37:16.360
<v Speaker 1>bloodline with my family and just the passion that I

0:37:16.400 --> 0:37:19.960
<v Speaker 1>have for listening to good music and making good music,

0:37:20.080 --> 0:37:22.759
<v Speaker 1>Like I don't I don't want to just fall on

0:37:22.800 --> 0:37:25.799
<v Speaker 1>my face in front of the crowd. You know. That's

0:37:25.840 --> 0:37:27.400
<v Speaker 1>that's still something I wrestled.

0:37:28.200 --> 0:37:31.359
<v Speaker 3>Russell's getting any easier as you go along.

0:37:32.719 --> 0:37:35.719
<v Speaker 1>Yeah, I feel like it gets easier. I'm not crippled

0:37:35.960 --> 0:37:39.000
<v Speaker 1>by it. It's just like little little flashes little hints

0:37:39.000 --> 0:37:41.719
<v Speaker 1>of it, like little suggestions of like you know, you

0:37:41.800 --> 0:37:44.200
<v Speaker 1>sure you want to go do that? You don't know,

0:37:44.280 --> 0:37:46.520
<v Speaker 1>like you might it might not work. It used to

0:37:46.560 --> 0:37:49.000
<v Speaker 1>just be like you can't do shit and you can't

0:37:49.000 --> 0:37:51.839
<v Speaker 1>do anything. Now it's more so just like little hints

0:37:51.840 --> 0:37:53.560
<v Speaker 1>that flow by. And if it's just like in my mind,

0:37:53.640 --> 0:37:56.239
<v Speaker 1>like if I want to if I latch onto it,

0:37:56.360 --> 0:37:59.560
<v Speaker 1>I can ruminate and have that thing snowball. But if

0:37:59.560 --> 0:38:01.800
<v Speaker 1>I can just see it, acknowledge it and let it

0:38:01.880 --> 0:38:04.440
<v Speaker 1>flow by in my mind, it's that I can get

0:38:04.480 --> 0:38:07.319
<v Speaker 1>back to what I'm doing. So it's definitely quieted down.

0:38:07.360 --> 0:38:10.399
<v Speaker 1>It's it's it's gotten a little bit easier, but it's

0:38:10.400 --> 0:38:13.399
<v Speaker 1>still something that I gotta wrestle with from ton of time.

0:38:14.120 --> 0:38:16.160
<v Speaker 3>Yeah, it's it's actually the same for me. I'm a

0:38:16.160 --> 0:38:20.440
<v Speaker 3>lot older than you are, but I know that I

0:38:21.000 --> 0:38:23.560
<v Speaker 3>have succeeded in the past, so I can tell myself, Okay,

0:38:23.600 --> 0:38:30.080
<v Speaker 3>you can do it. But each project is still really scary,

0:38:30.719 --> 0:38:34.880
<v Speaker 3>and it's still really the the unknown. It's still scary.

0:38:36.280 --> 0:38:38.640
<v Speaker 3>I'm gonna show you. I'm I'm working on a new

0:38:38.880 --> 0:38:41.360
<v Speaker 3>book right now. This is these are something like the

0:38:41.440 --> 0:38:46.080
<v Speaker 3>bards that you work with you know, and you know

0:38:46.120 --> 0:38:51.440
<v Speaker 3>I'm just doing that too, uh to uh uh tell

0:38:51.520 --> 0:38:54.920
<v Speaker 3>myself everything this is okay. You know, you got to

0:38:55.040 --> 0:38:58.360
<v Speaker 3>handle on it. But the only reason I'm doing it

0:38:58.400 --> 0:39:00.160
<v Speaker 3>is is I have so much self doubt about it.

0:39:00.760 --> 0:39:01.560
<v Speaker 3>Even at this state.

0:39:02.120 --> 0:39:04.680
<v Speaker 2>Just listening to Darren talk when you asked him that

0:39:04.760 --> 0:39:10.000
<v Speaker 2>question about it hasn't gotten any easier. Darren is very humbled,

0:39:10.080 --> 0:39:13.280
<v Speaker 2>humbled to a fault sometimes. But I think it's gotten

0:39:13.320 --> 0:39:17.440
<v Speaker 2>easier because he's done the work. Just like like your book,

0:39:17.880 --> 0:39:20.000
<v Speaker 2>he's done a lot of work, a lot of I mean,

0:39:20.080 --> 0:39:24.040
<v Speaker 2>he's more dedicated than most anybody I know or worked

0:39:24.080 --> 0:39:27.480
<v Speaker 2>with as far as consistencies with daily habits and rituals

0:39:27.560 --> 0:39:32.760
<v Speaker 2>and turning this not enough story into acts of self

0:39:32.800 --> 0:39:34.799
<v Speaker 2>love every single day. So I don't think it was

0:39:34.920 --> 0:39:38.799
<v Speaker 2>just something that eventually came to him. It's been It's

0:39:38.800 --> 0:39:42.280
<v Speaker 2>been a direct result of him diving in and being

0:39:42.440 --> 0:39:47.080
<v Speaker 2>like super super consistent on his habits, routines, and rituals.

0:39:47.440 --> 0:39:50.080
<v Speaker 3>I think that's really true. Like for years I would

0:39:50.080 --> 0:39:53.320
<v Speaker 3>try to say it myself, I'm a writer. I'm a

0:39:53.400 --> 0:39:55.920
<v Speaker 3>really a writer. I believe it. I'm a writer, but

0:39:55.960 --> 0:40:01.960
<v Speaker 3>I never believe it and it's only after you've done it,

0:40:02.000 --> 0:40:04.520
<v Speaker 3>You've actually really done the work, you know, for years

0:40:04.520 --> 0:40:06.880
<v Speaker 3>and years, and I'm saying to myself, God, damn it,

0:40:06.880 --> 0:40:10.040
<v Speaker 3>I've got, you know, thirty five strange plays over here,

0:40:10.080 --> 0:40:14.319
<v Speaker 3>I've got I am or I have done, and even

0:40:14.360 --> 0:40:17.359
<v Speaker 3>then you still have self doubt. So anyway, but that's

0:40:17.360 --> 0:40:19.480
<v Speaker 3>absolutely right. You got to put in the work, like

0:40:19.520 --> 0:40:23.960
<v Speaker 3>Austin Eckler. That's you. Sorry, I'm out of focus here.

0:40:24.160 --> 0:40:26.640
<v Speaker 3>I'm not mentally out of said drums.

0:40:27.200 --> 0:40:29.200
<v Speaker 2>No, we we we hear you loud and clear, and

0:40:29.239 --> 0:40:33.600
<v Speaker 2>I'm just wondering, Stephen, so we don't lose the quality

0:40:33.640 --> 0:40:37.120
<v Speaker 2>of the video. Would you be open to maybe jumping

0:40:37.200 --> 0:40:39.560
<v Speaker 2>on with us for for a round two? Because I

0:40:39.600 --> 0:40:42.480
<v Speaker 2>feel like we might be a little short on time,

0:40:42.520 --> 0:40:45.920
<v Speaker 2>and there's just so much that I.

0:40:44.920 --> 0:40:46.200
<v Speaker 3>Know I want to ask you.

0:40:46.440 --> 0:40:49.680
<v Speaker 2>Yeah, yeah, maybe we can make this a two part

0:40:49.800 --> 0:40:53.520
<v Speaker 2>series because I would we be doing our listeners a

0:40:53.600 --> 0:40:56.359
<v Speaker 2>disservice and selfishly for Darren and I and I know,

0:40:56.800 --> 0:40:59.239
<v Speaker 2>you know Darren being so creative in his music and

0:40:59.280 --> 0:41:02.799
<v Speaker 2>everything else. He's I know, he's he's hyped about this conversation.

0:41:02.920 --> 0:41:06.000
<v Speaker 2>So maybe we can we can, uh say to be

0:41:06.120 --> 0:41:08.799
<v Speaker 2>continued on this one and have everybody jumping back for

0:41:08.880 --> 0:41:09.719
<v Speaker 2>the following week.

0:41:10.000 --> 0:41:12.680
<v Speaker 3>Okay, that's fine with me, And I apologize. I don't

0:41:12.719 --> 0:41:15.960
<v Speaker 3>know what happened with the camera. I'm a low check.

0:41:19.000 --> 0:41:22.000
<v Speaker 2>We are too, man, but but honestly, it's it's an

0:41:22.000 --> 0:41:24.719
<v Speaker 2>honor and I'm I'm excited to jump back in more

0:41:24.760 --> 0:41:26.759
<v Speaker 2>with you and I again, I can't tell you. I'll

0:41:26.800 --> 0:41:29.879
<v Speaker 2>probably give you more acknowledgment on the end of round two,

0:41:30.000 --> 0:41:31.759
<v Speaker 2>but as I look at this War of Art book

0:41:31.880 --> 0:41:35.439
<v Speaker 2>and well, we'll read some some of the pages from

0:41:35.440 --> 0:41:37.640
<v Speaker 2>it on the next episode and you can elaborate more

0:41:37.640 --> 0:41:39.680
<v Speaker 2>on them, because it's just straight fire. If you don't

0:41:39.680 --> 0:41:42.040
<v Speaker 2>have the book, go out and get it. It'll it'll

0:41:42.080 --> 0:41:42.960
<v Speaker 2>change the game for you.

0:41:44.440 --> 0:41:47.560
<v Speaker 3>All Right, thanks a lot, you guys. Just we'll communicate

0:41:47.600 --> 0:41:48.560
<v Speaker 3>it and make a plan.

0:41:50.120 --> 0:41:50.680
<v Speaker 1>Sounds good.

0:41:50.840 --> 0:41:53.200
<v Speaker 3>Thank you Roman, great, Thank you

0:42:00.680 --> 0:42:02.960
<v Speaker 1>Dit Dott