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Speaker 1: Look may oh, I see you. Look over there is

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Speaker 1: that culture. Yes, wow, Los.

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Speaker 2: Ding Dong Lost Culturas calling.

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Speaker 1: I have a gift for Bowen this. I've been waiting

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Speaker 1: to hear. What sound you're gonna yes, yes, oh my god,

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Speaker 1: very Percy. Miss.

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Speaker 2: I had no idea what this reveal was gonna be.

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Speaker 2: But you, but Dennis, I think I heard like the crinkling.

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Speaker 2: Oh fuck, this is the Emine crinkled as I came in.

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Speaker 2: Oh my god, my favorite.

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Speaker 1: Well actually so they're actually from Zane Philip's sister Emily,

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Speaker 1: who she brought two bags of Percy pigs shout out

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Speaker 1: because explain Percy Pegs. I didn't.

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Speaker 2: I don't think so, honey, Percy Pegs. That was kind

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Speaker 2: of a fake out because I was like, I don't

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Speaker 2: think so, honey. That they are exclusively available at M

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Speaker 2: and S, which is this like food chain in the UK.

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Speaker 2: And but god, they're my favorite candy.

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Speaker 1: Yeah, so good. In the addition, these are limited.

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Speaker 2: They're all vegan person vegan candy in Europe? Is that girl?

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Speaker 2: The candy technology there is cutting edge. They pump our

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Speaker 2: ship with like chemicals. They're trying to kill us. They're

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Speaker 2: trying to kill did you hear that the government is

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Speaker 2: actually trying to kill us all?

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Speaker 1: How do you mean? Well? I can't get into it

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Speaker 1: because they're coming. You know, our guest came in with

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Speaker 1: the Secret Service.

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Speaker 2: Those are the lovely folks at security at NBC. I

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Speaker 2: know there was Are you at the level? Are you

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Speaker 2: at the level where I don't get I don't get

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Speaker 2: a little FAILANX, but I get so.

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Speaker 1: You're vulnerable out there.

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Speaker 2: But I say hi to the guys on like every

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Speaker 2: day that I'm do they give this because that I

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Speaker 2: can't describe the energy more than he No, they really

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Speaker 2: they know they're talking to a foppish fellow and they hey, Bowen,

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Speaker 2: how are Yeah, they soften up a little bit.

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Speaker 1: They're not you. You're one of the poppish girls of NBC.

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Speaker 1: So an't you guys all in a group text like

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Speaker 1: Lauren's always Laurence guys, that's what we call it.

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Speaker 2: Lornette lor Lornettes are me and the security people on eight.

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Speaker 1: Do people know about the Lornettes, like the actual Lornettes? Yeah?

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Speaker 2: Yeah, I think so, like they've been documented. Okay, there

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Speaker 2: needs to be a Do you think it's fine if

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Speaker 2: I talk about the Lornettes.

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Speaker 3: I would be glancing in your description of the Lornette.

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Speaker 2: The Lornettes are the people who make the popcorn event great.

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Speaker 1: Love that. Yeah, keep it there, Let's keep it there. Wow.

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Speaker 3: So you have to be a little bit more specific

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Speaker 3: now that I've made it sound like no.

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Speaker 2: No, Yeah, they're all lovely people. And actually one of

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Speaker 2: the Lornettes, Karina helped out on the Culture Awards. Yes

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Speaker 2: she did. I love that Lornette. She's well, she's more

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Speaker 2: than a lornette. She's a wonderful more than a lornette,

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Speaker 2: more than any That should be the title of all

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Speaker 2: their books.

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Speaker 1: She's a Mornette's. So the reason why this is so

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Speaker 1: exciting is because I was in London and I want

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Speaker 1: to shout out London and a couple of things I did.

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Speaker 1: Then I saw Nicole Scherzinger and son St Boulevard. This

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Speaker 1: has to be seen. And I'm not just saying this

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Speaker 1: because I one of the gayest people in the world.

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Speaker 1: This is one of the stunning performances of our time.

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Speaker 1: You can't believe how crazy it is.

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Speaker 2: I mean unreal. Nicole Sures and your can do sense

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Speaker 2: that Boulevard. Glenn Close could not sing buttons could not

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Speaker 2: sing buttons or react. No, And that's a rule of culture.

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Speaker 1: Cannot do button and react. Now, I think that the

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Speaker 1: fact that we're sort of like in this deep of

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Speaker 1: gay culture talking about buttons and react Sunset Boulevard, Sunset Boulevard. Like,

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Speaker 1: I'm wondering if our guest knows about buttons and react.

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Speaker 1: I think he does. I wonder if we were to say,

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Speaker 1: this is a group of words buttons, react, beep, I

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Speaker 1: would wonder if he could describe do you know what

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Speaker 1: those are? I am so in the weeds and you're

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Speaker 1: not introduced yet, but he's in the weeds so far.

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Speaker 1: What we're talking about a Pussycat Dolls song titles excellent.

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Speaker 3: I mean I think I could have based I did

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Speaker 3: know that about a nicure Yeah, yeah, maybe I could.

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Speaker 1: Have got Has she been on the show? She is?

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Speaker 1: Oh boy.

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Speaker 2: I feel like she's a fox girly with the masked singer,

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Speaker 2: and I feel like they're telling her if you go

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Speaker 2: on seth, yeah, you're done, you're done.

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Speaker 1: You're done, Nicole, You're done, Nicole. And already it's tough. Hey, no,

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Speaker 1: I'm saying the UK embraced her in the UK Nicole

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Speaker 1: Scherzinger is Celine Dion's You come to the US. You

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Speaker 1: can't even get on the show.

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Speaker 2: It's not She's a very successful entertainer. Nicole Scherzinger for

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Speaker 2: the pod for Ohnicle.

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Speaker 1: We would love to have started here because I think

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Speaker 1: it's going to transfer to Broadway and every gay person

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Speaker 1: and theater lover, yes, should go see this. I mean

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Speaker 1: that then diagram is a circle. Speaking of theater, you

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Speaker 1: saw Spamalot last night.

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Speaker 2: I saw spam a Lot last Night's so funny, uh huh,

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Speaker 2: excellent performance is all around.

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Speaker 1: Wow a person Broadway.

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Speaker 2: I think stupid is back.

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Speaker 1: I think stupid shit is back.

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Speaker 2: And I just watching spam a Lot and me going,

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Speaker 2: I know it was my first time seeing the actual show,

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Speaker 2: but I was like, I know, Monty Python on the

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Speaker 2: Holy Real like the back of my damn hands.

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Speaker 1: That would you say it's one of the cultures that

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Speaker 1: made you say culture.

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Speaker 2: It is definitely one of the cultures that because I

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Speaker 2: actually just read in it from the library on my

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Speaker 2: own accord when I was like nine.

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Speaker 1: You looked at the cover and said that looks like

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Speaker 1: fun comedy and something I'll enjoy.

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Speaker 2: And just the opening title cards of like that person

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Speaker 2: has been sacked and the person who sacked that person

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Speaker 2: that's been sacked. I was like, what am I watching?

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Speaker 2: And then the end of that movie, I'm gonna spoil it.

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Speaker 2: Everyone gets there's this huge sceniariors and then and then

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Speaker 2: the cops come and arrest everybody. It's one of the

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Speaker 2: best comedy endings ever of a film. I would say, huge,

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Speaker 2: and I want to throw it over to I guess

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Speaker 2: because I think he is a he's an expert in comedy.

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Speaker 2: I would say that, wouldn't you say so? Not only

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Speaker 2: would I say that.

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Speaker 1: Not only would I say expert in comedy, I would

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Speaker 1: say expert in kindness and kindness, I would say expert

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Speaker 1: in professionalist family, I would say family. I would say

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Speaker 1: this man has one of the best reputations in the business. Yeah,

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Speaker 1: and guess what a lot of people talking and talking

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Speaker 1: the truth and the truth they always say about this guy. Lovely, gracious.

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Speaker 1: Everyone at the place he works late night with Seth

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Speaker 1: Myers says, I've been here for a long time and

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Speaker 1: I will stay here for a long time. Thank God.

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Speaker 1: He puts one of our good friend's house, Henry Melcher,

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Speaker 1: a roof over his house, Henry Melcher, Henry Melcher and

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Speaker 1: Archie and hugo oh, the babies. The baby.

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Speaker 2: That makes it sound like I only pay enough to

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Speaker 2: put a roof on.

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Speaker 1: Well, and just for roofing. We reroofed Henry's house. That's

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Speaker 1: so nice. The plumbing there is terrible, but there's a roof.

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Speaker 1: You know him as the star of New Year's Eve

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Speaker 1: and the co host of the Strike Force five podcasts

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Speaker 1: and Stanley Trips with the Myers brother Family Trips with

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Speaker 1: the Meyers Brothers. He's also the host of Late Night

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Speaker 1: with Seth Myers. You know him from Saturday Night Live

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Speaker 1: many many many years doing the thing over there. And

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Speaker 1: you know something about that this is a good day,

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Speaker 1: This is a good day. Did I say, goriod? I

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Speaker 1: think so that was very Lindsay lohand of me started

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Speaker 1: to say good. So I say, great, But let's just

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Speaker 1: bring him in show. Everyone welcome, Seth.

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Speaker 3: Be so happy to be here. So first of all,

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Speaker 3: let me just say you said a very you were

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Speaker 3: on the show second time. Yeah, fantastic, so funny, you

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Speaker 3: were great effort.

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Speaker 1: Would you not agree?

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Speaker 3: I think there was a level of comfort between both

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Speaker 3: of us. We know each other a little bit better.

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Speaker 3: I think the second time was a home run, and

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Speaker 3: I really was. I had left really happy about the

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Speaker 3: first time, and then the second time I was like,

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Speaker 3: see that that was how you want to do it. Yes,

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Speaker 3: it felt a little bit less hun to maybe the

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Speaker 3: pre interview, except everything was.

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Speaker 1: A bit more. I think that was my first ever

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Speaker 1: talk show by myself. That's true. Oh so that's the

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Speaker 1: first time you want to The first time I went

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Speaker 1: on your show was the first time I was ever

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Speaker 1: like and please welcome and you come out and do

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Speaker 1: the thing where and no one ever talks about the

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Speaker 1: sort of headiness about walking out when the doors come

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Speaker 1: and then you crazy your walk out. It's sort of

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Speaker 1: like what what what's my walkout? Like? What's my thing?

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Speaker 3: It's funny because I, well, every now and then I'll

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Speaker 3: just pop downstairs. You would think this is the easiest

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Speaker 3: possible talk show appearance. I popped downstairs to do Fallon. Yeah,

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Speaker 3: and I'm backstage, and I have such an appreciation this

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Speaker 3: is Being a guest on a talk show is so

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Speaker 3: much harder than hosting.

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Speaker 1: And how do you describe it?

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Speaker 3: You host it, you get to do it every day

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Speaker 3: and you just slowly over the course of time, like

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Speaker 3: waves lapping against the shore, you become comfortable with it

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Speaker 3: and the show becomes yours. But even backstage of Fallon,

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Speaker 3: which I've probably done fifteen times, Yeah, the stage might

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Speaker 3: be like and I remember, you walk out and turn right,

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Speaker 3: and I go turn right. I know, like, it's not

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Speaker 3: like I'm going to walk out and walk straight to

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Speaker 3: the roots. I will find the desk. But you're backstage

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Speaker 3: in the dark, and you really do start to spin

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Speaker 3: out about the idea that you are now going to perform,

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Speaker 3: the idea of being a guest.

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Speaker 1: Yes, that is a thing, because there's there's also been

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Speaker 1: at least two hellos beforehand. There's been a conversation before him,

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Speaker 1: and you have to the artifice of a greeting is tough.

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Speaker 1: Artifice of a greeting. That's a great memoir.

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Speaker 3: That's interesting. I like to say during an interview sometime

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Speaker 3: we were talking backstage. Yes, because I don't I won't

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Speaker 3: artifice a greeting, although it's interesting, neither will David Letterman,

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Speaker 3: and he would not come and say hello before the

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Speaker 3: show and when he's the two times he's been a

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Speaker 3: guest on my show, he has asked that I don't

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Speaker 3: say hello before the show very politely, because he likes

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Speaker 3: the hello to be the real Hello, to be on

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Speaker 3: camera a god, and they always are.

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Speaker 2: They always are. Hold on this is not my I

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Speaker 2: don't think so money, but Worldwide Pants took down every

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Speaker 2: single Letterman clip from YouTube.

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Speaker 3: I thought they just launched a new YouTube channel. Yeah,

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Speaker 3: they had their own they have They have a whole

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Speaker 3: like encyclopedic cattle.

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Speaker 2: Because I'm like, how am I going to get Miami's

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Speaker 2: sadaris fixed from those episodes?

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Speaker 1: Oh, do you have a favorite guest?

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Speaker 3: You know it's I will say, I think we've become

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Speaker 3: a nice post Letterman home FRAMI I think I was

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Speaker 3: just gonna say, you know, they're I think they kind

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Speaker 3: of all get sort of doled out. Yeah, a draft

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Speaker 3: of sorts where each of us sort of ends up.

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Speaker 3: And I think Amy, even though Amy and and Colbert

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Speaker 3: have long history in their Dear Friends, I think she

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Speaker 3: likes who she gets to be on our show.

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Speaker 2: Colbert can't be like the There's something about her and

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Speaker 2: Letterman where it was like it's just this guy letting

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Speaker 2: her go. And then with Colbert, there's so much history

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Speaker 2: there that it's like, right, but it's just like two

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Speaker 2: friends talking, which is not why you watch Amy Sidaris

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Speaker 2: go off.

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Speaker 1: Yes, it's weird.

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Speaker 3: I had to find a way to interview friends because

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Speaker 3: I early on in the show underestimated how prep does

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Speaker 3: help with these things. And I would say, oh, Bill's

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Speaker 3: coming on, wigs coming on, how could it be bad?

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Speaker 3: And then halfway through it, I'd realize, oh, this is

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Speaker 3: a little bad. You think so I think, but we've

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Speaker 3: found I've gotten better at it. Like you can't just

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Speaker 3: completely rest on the idea that we will because we're

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Speaker 3: old friends, we're gonna have an interesting conversation. Because sometimes

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Speaker 3: I think about friends is you're enjoying the conversation even

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Speaker 3: when it's not interesting. And when a lot of people

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Speaker 3: that don't share that history in the audience watching, they

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Speaker 3: need a few more sort of like touch points they

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Speaker 3: can lock into the story.

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Speaker 1: Right.

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Speaker 2: What about family though, Like let's say, like Thanksgiving, you

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Speaker 2: you bring yeah, my Josh and the parents.

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Speaker 3: It's the most stressed out I am on. Oh, and

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Speaker 3: by the way, I think it always works out great.

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Speaker 3: My parents are wonderful on the show. My brother's wonderful

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Speaker 3: in the show. But everybody has been saying this week,

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Speaker 3: oh we forget this is the only week of the

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Speaker 3: year where Seth is on edge?

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Speaker 1: Wow? Now is that also to do with the fact that, like,

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Speaker 1: you don't want to put anyone in your family like

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Speaker 1: in a position where they feel like fucking on edge

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Speaker 1: on it.

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Speaker 3: I want to take care of my parents, got it.

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Speaker 3: I want to take care of my brother. I also

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Speaker 3: don't ever want us to be on TV, like aren't

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Speaker 3: we just the best?

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Speaker 1: You know? You want to like bring it every time?

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Speaker 3: Like I want my family is fun on Aatakshaw because

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Speaker 3: my family is funny, and so I want to put

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Speaker 3: them in a position to be funny as opposed to

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Speaker 3: just look at us grand they were this close.

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Speaker 2: That's like on the surface, it seems and I'm not

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Speaker 2: saying this is what it is, but it just it

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Speaker 2: would read as presumptuous to be like, I'm going to

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Speaker 2: bring my my parents and my brother on my show.

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Speaker 1: Yeah yeah, and look how charming we are. I think

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Speaker 1: my mother, if she ever came on this podcast. My

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Speaker 1: mother has sort of a catchphrase that she thinks works

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Speaker 1: all the time, but only works sometimes. So I told

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Speaker 1: the story one time about how she was at the beach.

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Speaker 1: She called me because she had been at the beach.

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Speaker 1: My parents were at the beach and a seagull came

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Speaker 1: and stole her sandwich out of her hand, and she said,

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Speaker 1: damn bird. And so people love that she said damn

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Speaker 1: bird because she also typed it out on text like

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Speaker 1: d A M M. So now whenever anyone like is

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Speaker 1: posting or whatever I see her way in online, she'll

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Speaker 1: just say, Lol, this is so funny, damn bird, She'll

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Speaker 1: just throw it in there.

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Speaker 3: I know how old was she when this happened? Like

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Speaker 3: what age did she add a catchphrase to it?

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Speaker 1: Yeah? Very late breaking? Oh yeah, I know. But like

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Speaker 1: dan bird has really like been a huge thing. I said,

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Speaker 1: she should make shirts. I think more people would buy

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Speaker 1: her merch than like March that says like lost cultusta.

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Speaker 1: Certainly she's got a huge She's sitting on a gold mine.

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Speaker 3: Dann Bird two ms is a very funny share.

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Speaker 1: So funny and like with a little bird in the corner,

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Speaker 1: hold in a bagel, I mean, come on, we My

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Speaker 1: son and Axel, when he was three, was running down

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Speaker 1: a beach holding a bagel in his above his head

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Speaker 1: and in the best mood and a bird came down

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Speaker 1: like it was a circus act where a boy ran

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Speaker 1: across the you know, the big top, and a bird

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Speaker 1: flew down and grabbed the bagel.

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Speaker 3: And it was other than the fact that he was crying,

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Speaker 3: It's the most everyone had jumped to my feet and applod. Yeah,

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Speaker 3: did you tell him that in years he's going to

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Speaker 3: be last?

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Speaker 1: This is a good story, is one? That bagel? That

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Speaker 1: damn bird?

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Speaker 3: He might actually I might offer him damn bird with

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Speaker 3: an m N so that's available and he could take

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Speaker 3: damn bird.

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Speaker 1: Axel is the coolest fucking name for a kid.

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Speaker 3: And I wasn't bored from the beginning. Really, I love it,

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Speaker 3: and he's an axle, and I give my wife all

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Speaker 3: the credit in the world.

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Speaker 1: But I didn't.

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Speaker 3: It felt a little. It felt like a bigger swing

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Speaker 3: than it ended up being. Okay, can I tell you

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Speaker 3: because we then, so we have a names ash, which

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Speaker 3: is my wife's maiden names are first A s h E,

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Speaker 3: then Axel, and then our daughter is Adelaide, which is

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Speaker 3: my grandmother's name. Now, if the third had been a boy,

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Speaker 3: my wife had an a name picked out that I

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Speaker 3: was very I was going to fight hard edge. Yes,

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Speaker 3: give me your instant reactions.

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Speaker 1: We will Atlas okay, okay, yeah, well we're both we're

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Speaker 1: both resident on that real good.

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Speaker 2: What was the what's what's the sentiment of that name?

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Speaker 1: I think uniqueness.

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Speaker 3: I think that we live in an era where a

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Speaker 3: lot of the unique A names have now become a

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Speaker 3: very commonplace. It was hard to find, you know, it's

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Speaker 3: at some point even like Archer. I feel like my

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Speaker 3: kids had been already been in a class where there's

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Speaker 3: like Archer B and Archer J. You know, because they've

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Speaker 3: got a couple.

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Speaker 2: Right, I'm sorry, you know what I'm coming around to.

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Speaker 2: And I think it's like but I think it's a

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Speaker 2: grower now. I thought of miss Rand as soon as

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Speaker 2: I heard it.

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Speaker 1: For sure, I think that that's going to happen. But

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Speaker 1: Atlas myers like, I'm sorry, that's a very powerful high

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Speaker 1: schooler that is not as I I hate saying, yes,

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Speaker 1: but that person crushes it. Yes.

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Speaker 3: The risk of what you end up with like an

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Speaker 3: ironic Atlas, you know, you end up with a high

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Speaker 3: schooler who is not Yeah.

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Speaker 1: Yeah.

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Speaker 3: The funny thing is I was like, well, you want

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Speaker 3: an a name, and so if it's a boy's Atlice

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Speaker 3: and if it's a girl's going to be Anne and

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Speaker 3: then you would have.

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Speaker 1: A y N and that would tell you I would

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Speaker 1: tell you everything about her. Interesting.

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Speaker 2: But I think that the unique anime that kicked this

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Speaker 2: all off for the culture, you know, miss Apple Martin, Oh,

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Speaker 2: Apple Martin.

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Speaker 1: I think I've never been Apple Martin.

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Speaker 2: She certainly has. She seems to be loving life.

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Speaker 1: How old is Apple Martin?

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Speaker 2: I think she's like a like as an adult.

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Speaker 1: Yeah, I think I think she's going to become a model.

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Speaker 1: That's the rumor I heard on the street. Word on

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Speaker 1: the street was that Apple Martin was going to become

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Speaker 1: a model, which is like, yeah, sure, sure, you know

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Speaker 1: what I mean.

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Speaker 3: Sure it would have been one of those things if

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Speaker 3: you could have bet on it early, Yeah, that would

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Speaker 3: have been terrible, like bet one hundred to in like seven.

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Speaker 1: Fifty on Vegas. Are you a gambler? I will gamble

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Speaker 1: a little. Yeah, that is a that's a hard yess.

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Speaker 3: I mean, so when I go to Vegas, I will

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Speaker 3: get a little intimidated by craps, But that is by

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Speaker 3: far the most fun one.

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Speaker 2: Yeah.

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Speaker 3: If I can go with a couple of people who

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Speaker 3: know it, that is the most fun to do blackjack,

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Speaker 3: I'd just become a little like to be good at blackjack,

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Speaker 3: you have to be patient. And when I go to

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Speaker 3: in the last thirty decade, when I'm in Vegas, it's

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Speaker 3: usually because I did a show and I don't have

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Speaker 3: a lot of time, and so if I only have

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Speaker 3: an hour, it just feels like I get a little antsy. Yeah,

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Speaker 3: I got play right into the casino's hand.

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Speaker 1: Yeah, it really is true. I was just in Vegas,

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Speaker 1: and like I've been to Vegas where the table was hot.

382
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Speaker 1: You really can feel that, Like when the table's hot

383
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Speaker 1: and things are going good, you feel like, oh, there's

384
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Speaker 1: no way I could ever sit down and play this

385
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Speaker 1: game and not be good. Yeah, And then the last

386
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Speaker 1: time I was there the table was ice cold. I

387
00:16:53,800 --> 00:16:56,600
Speaker 1: was bad. Every single hand was bad, and you're like,

388
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Speaker 1: I will never do this again. But there's something addiction

389
00:17:00,320 --> 00:17:04,640
Speaker 1: about that, and there's something very real and tangible about

390
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Speaker 1: the feeling of I'm hot or I'm like dead.

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Speaker 2: Yes, but because you're sure that it can turn at

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Speaker 2: any given moment, and it sometimes it doesn't.

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Speaker 1: This is what I'm saying. Though, It's like I'll sit

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Speaker 1: down and I'll play like play a bad hand. Is

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00:17:18,119 --> 00:17:21,240
Speaker 1: that what they'd say? Yeah, and sure, and I'll be like, oh,

396
00:17:21,440 --> 00:17:23,080
Speaker 1: it's bad for the rest of the night, and then

397
00:17:23,160 --> 00:17:25,879
Speaker 1: it is, and then sometimes it's good and the steak

398
00:17:26,000 --> 00:17:28,439
Speaker 1: is on me. Actually you'll see me in Alexander McQueen.

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Speaker 3: Now, this is the very depressing gambling summer I had

400
00:17:32,720 --> 00:17:34,680
Speaker 3: because when the strike happened, I tried to book stand

401
00:17:34,720 --> 00:17:37,040
Speaker 3: up shows. It's very hard to book maybe the ideal

402
00:17:37,080 --> 00:17:38,640
Speaker 3: places because a lot of people are on the road,

403
00:17:38,640 --> 00:17:40,520
Speaker 3: a lot of those stags. But I had a three

404
00:17:40,640 --> 00:17:43,280
Speaker 3: day stint where I did a casino in Hollywood, Florida,

405
00:17:43,840 --> 00:17:47,239
Speaker 3: then Tampa, Florida, then Bethlehem, Pennsylvania.

406
00:17:47,240 --> 00:17:48,480
Speaker 1: And all those places.

407
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Speaker 3: Even if people didn't maybe know me from my show

408
00:17:50,840 --> 00:17:53,680
Speaker 3: or out, posters are up of you at the casinos

409
00:17:53,760 --> 00:17:56,120
Speaker 3: because you're doing a show, and so you don't really

410
00:17:56,160 --> 00:17:58,639
Speaker 3: want to go gamble as someone who you know they

411
00:17:58,680 --> 00:18:01,320
Speaker 3: could recognize. Sure, So what I would I would have

412
00:18:01,359 --> 00:18:03,000
Speaker 3: to wake up so early to get to the airport

413
00:18:03,040 --> 00:18:04,800
Speaker 3: for the next one that I would sort of sometimes

414
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Speaker 3: go and like gamble at like four forty five in

415
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Speaker 3: the morning. Really because it was and that is you

416
00:18:09,720 --> 00:18:14,000
Speaker 3: see the way he I mean there's no one there, like, no,

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Speaker 3: there's no happy gamblers at four in Tampa, Florida.

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Speaker 1: Not in Tampa, Florida. I know. Yeah, we say that

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00:18:20,240 --> 00:18:22,960
Speaker 1: with all love, with all do you get people in

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Speaker 1: like Tampa Florida will come up to you and say, hey,

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Speaker 1: I see your show. You get ordinary people? I don't,

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Speaker 1: you know.

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Speaker 3: I do think people at this point are smart enough

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Speaker 3: to self select, got it? Yeah, I do get a

425
00:18:33,320 --> 00:18:35,919
Speaker 3: little way. I mean I think weirdly, the hard rock

426
00:18:35,960 --> 00:18:38,600
Speaker 3: in Hollywood, Florida is the one that's shaped like a guitar.

427
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Speaker 3: It's like crazy three I literd disappointing. One thing is

428
00:18:44,200 --> 00:18:45,680
Speaker 3: you hear it shape like a guitar, and you're like,

429
00:18:45,720 --> 00:18:47,560
Speaker 3: that's so dumb. And then when you're driving in you

430
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Speaker 3: see it and you do have that kid moment.

431
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Speaker 1: Of like, oh my god, I'm gonna stay guitar. Yeah

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Speaker 1: we love that hour.

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Speaker 3: Yeah, it's really kind of cool. The neck of the

434
00:18:55,680 --> 00:18:57,640
Speaker 3: guitar you wish was a little higher. Obviously it doesn't

435
00:18:57,640 --> 00:19:00,199
Speaker 3: make sense. You're in a hurricane state, so it it's

436
00:19:00,240 --> 00:19:03,080
Speaker 3: only maybe like five or six frets up. I think

437
00:19:03,080 --> 00:19:04,679
Speaker 3: the idea is that sort of you're supposed to think

438
00:19:04,720 --> 00:19:05,720
Speaker 3: it disappears into the class.

439
00:19:05,960 --> 00:19:09,200
Speaker 1: Yeah, totally. It's an upright guitar. It's an upright guitar.

440
00:19:09,320 --> 00:19:14,040
Speaker 3: Okay, And but that I felt like that was real, Uh,

441
00:19:14,520 --> 00:19:17,280
Speaker 3: Trump country, but the kind of Trump country where they

442
00:19:17,359 --> 00:19:19,840
Speaker 3: have money and they're totally fine come to your show

443
00:19:20,440 --> 00:19:23,560
Speaker 3: and not be like, you know, like we all. I mean,

444
00:19:23,640 --> 00:19:25,600
Speaker 3: isn't he a lot like yeah, he's doing He's.

445
00:19:25,480 --> 00:19:28,399
Speaker 1: Only doing his thing. Yeah, it was funny, right, the

446
00:19:28,520 --> 00:19:30,040
Speaker 1: rest of it was funny. But then when he got

447
00:19:30,080 --> 00:19:30,840
Speaker 1: a little edgy, you.

448
00:19:30,880 --> 00:19:34,159
Speaker 3: Know, but anyway, you know, also does good things, so

449
00:19:34,359 --> 00:19:36,920
Speaker 3: like that's yeah, yeah, well okay, here's my question.

450
00:19:37,040 --> 00:19:39,760
Speaker 1: So you mentioned like looking at a guitar shaped hotel

451
00:19:39,800 --> 00:19:42,159
Speaker 1: and getting very excited. Are you like us where you

452
00:19:42,320 --> 00:19:45,520
Speaker 1: reap the NBC perks and by us Simon and Bowen.

453
00:19:45,720 --> 00:19:47,159
Speaker 1: Are you a theme park person but you go to

454
00:19:47,280 --> 00:19:48,920
Speaker 1: Universal Studios and sort of kill it.

455
00:19:49,160 --> 00:19:52,560
Speaker 3: I am waiting, the kids aren't quite there, okay, And

456
00:19:52,680 --> 00:19:53,960
Speaker 3: so but I have I will say I did not

457
00:19:54,040 --> 00:19:57,040
Speaker 3: take advantage as an adult without children of the theme

458
00:19:57,080 --> 00:19:57,520
Speaker 3: park world.

459
00:19:57,640 --> 00:19:59,760
Speaker 1: Right, we do it? You know, why would you I had?

460
00:20:00,000 --> 00:20:02,640
Speaker 3: I've seen part of the era years where I lived

461
00:20:02,680 --> 00:20:04,080
Speaker 3: in Amsterdeare for a couple of years, I worked for

462
00:20:04,080 --> 00:20:07,640
Speaker 3: this theater in Chicago and sort of middle of Holland

463
00:20:07,960 --> 00:20:11,800
Speaker 3: there is this place called Efteling, which is, for my money,

464
00:20:11,840 --> 00:20:13,560
Speaker 3: the best theme park in the world, and it's sort

465
00:20:13,600 --> 00:20:17,320
Speaker 3: of fairy tale themes and it's built in sort of

466
00:20:17,480 --> 00:20:22,240
Speaker 3: a forest. And that was We would just go there

467
00:20:22,280 --> 00:20:24,960
Speaker 3: on a bus and take hard drugs. Yes, And it

468
00:20:25,119 --> 00:20:27,840
Speaker 3: was to me, I kind of I'd just be chasing

469
00:20:27,880 --> 00:20:28,680
Speaker 3: that the rest of my life.

470
00:20:28,920 --> 00:20:31,000
Speaker 1: Yeah, And I think that's what happened to us because

471
00:20:31,040 --> 00:20:34,280
Speaker 1: we this was like pre anyone knowing who the fuck

472
00:20:34,320 --> 00:20:36,520
Speaker 1: we were, It's the most important. So we went. That's

473
00:20:36,720 --> 00:20:39,120
Speaker 1: really what ended up happening because we went, our friend

474
00:20:39,280 --> 00:20:42,480
Speaker 1: Dave and us we went to Universal and Disney World

475
00:20:42,600 --> 00:20:45,560
Speaker 1: and he had made these you know, when someone makes

476
00:20:45,640 --> 00:20:49,000
Speaker 1: weed food themselves, it's gonna be a gnarly ryde yes,

477
00:20:49,080 --> 00:20:50,959
Speaker 1: and we're really roll in the dice. So he had

478
00:20:51,080 --> 00:20:54,960
Speaker 1: made these rice crispy treats that weed butter looted, yeah,

479
00:20:54,960 --> 00:20:57,800
Speaker 1: with THHD And I'm telling you, like, we would take

480
00:20:58,080 --> 00:21:01,280
Speaker 1: mouthfuls of this and just be like unable to speak

481
00:21:01,960 --> 00:21:06,879
Speaker 1: at Universal, just exploring the world, you know what I mean,

482
00:21:07,000 --> 00:21:10,800
Speaker 1: immersing in these rides and like we were children, and

483
00:21:10,960 --> 00:21:13,000
Speaker 1: now I don't think we can ever do that again

484
00:21:13,040 --> 00:21:16,280
Speaker 1: because I don't think we'll ever ingest we'd like that again,

485
00:21:17,040 --> 00:21:19,160
Speaker 1: because they don't make it like that anymore, and we've

486
00:21:19,160 --> 00:21:23,760
Speaker 1: already had that experience of being children and like rechilding ourselves.

487
00:21:23,960 --> 00:21:27,480
Speaker 3: Yes, so it's really I will say that if you

488
00:21:27,680 --> 00:21:30,160
Speaker 3: veer into a bad trip, the last thing you want

489
00:21:30,200 --> 00:21:33,800
Speaker 3: to be around is a bunch of Dutch teenage just

490
00:21:34,400 --> 00:21:36,159
Speaker 3: because all of a sudden that like it.

491
00:21:36,280 --> 00:21:41,800
Speaker 1: Really everything about it is so this hits this level

492
00:21:41,960 --> 00:21:46,480
Speaker 1: of sort of melting grotesqueness. Yes, yes, yeah, oh that's hard.

493
00:21:47,080 --> 00:21:50,280
Speaker 2: I think we've said publicly it's a gross language. It

494
00:21:50,359 --> 00:21:54,760
Speaker 2: doesn't really so to me it doesn't hit. No, we

495
00:21:54,960 --> 00:21:56,200
Speaker 2: just performed at Broom Chicago.

496
00:21:56,680 --> 00:21:58,040
Speaker 1: We're a little mad at them right now because they

497
00:21:58,119 --> 00:22:00,879
Speaker 1: lost the audio of ar Michelle Collins upisode and so

498
00:22:00,960 --> 00:22:02,399
Speaker 1: we're a little mad at that right now. But it

499
00:22:02,480 --> 00:22:04,600
Speaker 1: was a lovely experience performing there, and we were there

500
00:22:04,640 --> 00:22:07,040
Speaker 1: and I was like, oh wow, this was Boom Chicago. Yes,

501
00:22:07,119 --> 00:22:07,800
Speaker 1: this was I was.

502
00:22:07,920 --> 00:22:10,480
Speaker 3: It was a different physical space when I was there.

503
00:22:11,000 --> 00:22:12,919
Speaker 3: But I've performed and that's why I went back there

504
00:22:12,960 --> 00:22:15,719
Speaker 3: for the thirtieth Aniversity this summer, which was cool. I mean,

505
00:22:15,920 --> 00:22:17,680
Speaker 3: I think we missed each other by a deck. Yeah,

506
00:22:17,720 --> 00:22:19,639
Speaker 3: I had texted you, was like when we were there, No,

507
00:22:19,800 --> 00:22:21,720
Speaker 3: when I was there, when I took a solo, little

508
00:22:21,760 --> 00:22:23,440
Speaker 3: old trip there in July.

509
00:22:23,480 --> 00:22:24,320
Speaker 1: Or something something like that.

510
00:22:24,640 --> 00:22:26,960
Speaker 2: The talk of the town was well seth Myers was

511
00:22:27,119 --> 00:22:29,920
Speaker 2: just here and I said, oh, like his show was

512
00:22:30,000 --> 00:22:31,840
Speaker 2: last night. Let me see if he's into And by

513
00:22:31,880 --> 00:22:33,159
Speaker 2: the way, it was just to be it was. I

514
00:22:33,240 --> 00:22:34,919
Speaker 2: was just texting me to be like, I heard your

515
00:22:34,960 --> 00:22:37,879
Speaker 2: in town. I'm just here by myself, just like wandering

516
00:22:37,920 --> 00:22:40,200
Speaker 2: the canals, like if you're up to anything.

517
00:22:39,960 --> 00:22:41,760
Speaker 1: Let me know. And then you would obviously taken a

518
00:22:41,800 --> 00:22:43,960
Speaker 1: flight out. I was very sure of his. I would

519
00:22:43,960 --> 00:22:46,200
Speaker 1: have been lovely to walk the canals. Well, we would

520
00:22:46,240 --> 00:22:46,840
Speaker 1: just walk the canals.

521
00:22:46,880 --> 00:22:48,080
Speaker 3: I think we would have walked it thro out.

522
00:22:49,080 --> 00:22:51,399
Speaker 2: I think we maybe stopped for a coffee, you know,

523
00:22:51,960 --> 00:22:54,720
Speaker 2: side canal side coffee. Rich stuffful, We got rich stuff?

524
00:22:54,920 --> 00:22:56,680
Speaker 1: You did? Did you enjoy your right stuff? I love it,

525
00:22:56,800 --> 00:23:00,840
Speaker 1: love it. I absolutely love Amsterdam in the canals in

526
00:23:00,880 --> 00:23:04,000
Speaker 1: the evening when there's no one there, it is quite peaceful.

527
00:23:04,320 --> 00:23:07,359
Speaker 3: I realized I have a problem with Amsterdam. What is

528
00:23:07,520 --> 00:23:10,600
Speaker 3: my own personal problem with me? I find the nostalgia

529
00:23:10,720 --> 00:23:14,440
Speaker 3: for the time I had there is oppressive because it

530
00:23:14,680 --> 00:23:18,840
Speaker 3: was where things. It was that sense of beginning, which

531
00:23:18,920 --> 00:23:21,760
Speaker 3: is an impossible thing to recreate. I was there with

532
00:23:21,840 --> 00:23:25,880
Speaker 3: this exceptional group of people and we were all had

533
00:23:25,960 --> 00:23:29,120
Speaker 3: this adventurous spirit of let's go move overseas, let's take

534
00:23:29,160 --> 00:23:32,119
Speaker 3: this chance, and we're doing great shows. And then one

535
00:23:32,200 --> 00:23:34,119
Speaker 3: by one we all started to, you know, find success

536
00:23:34,160 --> 00:23:35,680
Speaker 3: outside of it. And that was all great, that was

537
00:23:35,720 --> 00:23:38,879
Speaker 3: the plan. But oh, it's impossible. And so sometimes I

538
00:23:38,960 --> 00:23:41,840
Speaker 3: go back there and I walk these canals where even

539
00:23:41,920 --> 00:23:44,640
Speaker 3: though you know, everything that I could have possibly hoped

540
00:23:44,680 --> 00:23:46,840
Speaker 3: would have happened for me has happened for me. Like

541
00:23:46,920 --> 00:23:49,200
Speaker 3: you still don't float the way you float when you're

542
00:23:49,359 --> 00:23:53,280
Speaker 3: twenty four and you just crushed as isn't that interesting?

543
00:23:53,359 --> 00:23:54,280
Speaker 1: It's so true.

544
00:23:54,440 --> 00:23:56,480
Speaker 2: Well, but we don't really experience that, I think because

545
00:23:56,640 --> 00:23:57,600
Speaker 2: we were coming up here.

546
00:23:58,240 --> 00:24:01,679
Speaker 1: I experienced that after I left New York, so basically

547
00:24:01,800 --> 00:24:04,040
Speaker 1: like I had this in New York City, Like it's

548
00:24:04,160 --> 00:24:06,879
Speaker 1: very hard for me sometimes still to be like around

549
00:24:07,040 --> 00:24:08,920
Speaker 1: NYU in the Lower East Side and even around like

550
00:24:09,000 --> 00:24:11,160
Speaker 1: UCB Chelsea and stuff like that. Like I had left

551
00:24:11,200 --> 00:24:13,400
Speaker 1: for five years and then came back and the pandemic

552
00:24:13,440 --> 00:24:15,399
Speaker 1: had separated me from it, and so I found like

553
00:24:15,480 --> 00:24:17,400
Speaker 1: one night when I was walking around, we just talked

554
00:24:17,400 --> 00:24:20,320
Speaker 1: about this, but I got really emotional just being like

555
00:24:20,400 --> 00:24:24,000
Speaker 1: back in New York, like looking at theaters that were

556
00:24:24,080 --> 00:24:26,800
Speaker 1: there and aren't there anymore, and like, you know, because

557
00:24:26,840 --> 00:24:28,679
Speaker 1: it's what you're saying. It's like I remember like crushing

558
00:24:28,680 --> 00:24:30,720
Speaker 1: a character set at you seb East and feeling like

559
00:24:31,000 --> 00:24:33,760
Speaker 1: better than I do after I like release a fucking

560
00:24:33,840 --> 00:24:35,440
Speaker 1: album or something, you know what I mean. It's just

561
00:24:35,760 --> 00:24:37,960
Speaker 1: it's funny. One of the questions they asked is what

562
00:24:38,000 --> 00:24:39,720
Speaker 1: would you tell yourself ten years ago? What would you

563
00:24:39,760 --> 00:24:42,960
Speaker 1: tell yourself fifteen years ago? Just like enjoy it because

564
00:24:43,040 --> 00:24:48,679
Speaker 1: those are such iconic memorable like is irrepeatable a words

565
00:24:48,800 --> 00:24:51,800
Speaker 1: like so it could be you can't repeat them. Well.

566
00:24:51,960 --> 00:24:55,400
Speaker 3: Also, the crushing was the thing. Yeah, that's all it was. Yeah,

567
00:24:55,400 --> 00:24:58,320
Speaker 3: Like when you mentioned like putting out an album, you

568
00:24:58,480 --> 00:25:01,320
Speaker 3: put it out and then you wait, right, but that

569
00:25:01,760 --> 00:25:04,920
Speaker 3: instant reaction like the goal you went out and you

570
00:25:05,080 --> 00:25:09,280
Speaker 3: never thought tonight tonight. Someone from Amsterdam show business mister

571
00:25:09,359 --> 00:25:11,280
Speaker 3: Amsterdam is going to be in the audience, so you

572
00:25:11,400 --> 00:25:13,520
Speaker 3: never thought you were going to break yeah night, and

573
00:25:13,640 --> 00:25:16,639
Speaker 3: it was just this also that wonderful thing and you

574
00:25:16,720 --> 00:25:20,119
Speaker 3: guys obviously had it where succeeding is part of a collective,

575
00:25:20,800 --> 00:25:23,800
Speaker 3: which happens a little bit at SNL, but not really

576
00:25:23,840 --> 00:25:26,160
Speaker 3: because there's never a night where everybody has a great night.

577
00:25:26,240 --> 00:25:28,520
Speaker 1: Totally, that's such an interesting thing.

578
00:25:28,720 --> 00:25:31,000
Speaker 3: I will say a nice way looking back at my

579
00:25:31,359 --> 00:25:33,680
Speaker 3: favorite era of SML, like I think we all look

580
00:25:33,760 --> 00:25:35,720
Speaker 3: back at it like, look, we all crushed every week

581
00:25:36,040 --> 00:25:38,680
Speaker 3: even though we know we didn't, yes, but we allow

582
00:25:38,840 --> 00:25:40,520
Speaker 3: that to be the memory of it. Which was what

583
00:25:40,680 --> 00:25:45,320
Speaker 3: era my I think for me it's thirty six to

584
00:25:45,440 --> 00:25:49,240
Speaker 3: thirty seven to eleven two seven two yeah, yeah, of

585
00:25:49,320 --> 00:25:53,080
Speaker 3: course it's it's it was the greatest freshman class of

586
00:25:53,119 --> 00:25:57,880
Speaker 3: all time. Andy and the Lowland absolutely weeks today is bill?

587
00:25:58,760 --> 00:25:59,879
Speaker 3: I mean that that alone?

588
00:26:00,160 --> 00:26:03,840
Speaker 1: Yeah, that was really really that was very special and

589
00:26:04,119 --> 00:26:06,920
Speaker 1: weirdly enough, so we were freshmen in two thousand and

590
00:26:06,920 --> 00:26:09,600
Speaker 1: eight and what I would do every single weekend as

591
00:26:09,600 --> 00:26:11,760
Speaker 1: I would go wait on the stand by line. I

592
00:26:12,720 --> 00:26:15,280
Speaker 1: was like a stand by girl. Like I met Bobby

593
00:26:15,359 --> 00:26:17,600
Speaker 1: moynahan on the stand by line Bill Hater came out,

594
00:26:17,640 --> 00:26:18,040
Speaker 1: I think.

595
00:26:18,000 --> 00:26:20,760
Speaker 2: So high, and that would be weird.

596
00:26:20,960 --> 00:26:24,320
Speaker 1: That is not my memory. He was he seemed to high,

597
00:26:24,400 --> 00:26:26,040
Speaker 1: but it was Bill Hayter, you know what I mean,

598
00:26:26,119 --> 00:26:27,639
Speaker 1: like and Bobby and they were coming out to say

599
00:26:27,680 --> 00:26:30,240
Speaker 1: hi to us, and I remember I got in. My

600
00:26:30,440 --> 00:26:34,440
Speaker 1: first show was James Franco and Kings of Leon, which

601
00:26:34,480 --> 00:26:36,200
Speaker 1: and I think I was just in shock the whole time.

602
00:26:36,240 --> 00:26:38,240
Speaker 1: And this was when Tina was coming to do Sarah

603
00:26:38,520 --> 00:26:42,320
Speaker 1: Yeah and Sarah Sarah Balin. And then my I think

604
00:26:42,440 --> 00:26:45,800
Speaker 1: second episode was Ann Halfaway and The Killers, and this

605
00:26:46,040 --> 00:26:50,359
Speaker 1: episode was when Kristen did Laurence Weelkshea and I was

606
00:26:50,400 --> 00:26:53,879
Speaker 1: sitting there and I just thought, this is this energy

607
00:26:54,440 --> 00:26:59,000
Speaker 1: is so insane and so wild that like it like

608
00:26:59,119 --> 00:27:00,879
Speaker 1: drove me for the rest of my life. And the

609
00:27:01,000 --> 00:27:03,840
Speaker 1: other thing I remember, and this is this is you,

610
00:27:04,480 --> 00:27:07,000
Speaker 1: was how fucking cool you were when you came out

611
00:27:07,040 --> 00:27:09,080
Speaker 1: for a weekend update and you gave all the interns

612
00:27:09,160 --> 00:27:12,400
Speaker 1: high fives and everyone in the theater was like, it's

613
00:27:12,480 --> 00:27:14,520
Speaker 1: seth Myers. You know what I mean. You came out

614
00:27:14,520 --> 00:27:17,920
Speaker 1: and like frush weekend updates, Weekend Update was incredible and

615
00:27:18,040 --> 00:27:21,159
Speaker 1: I just remember your energy and your vibe and then

616
00:27:21,200 --> 00:27:23,560
Speaker 1: meeting you years later, I was like, that totally tracks

617
00:27:23,760 --> 00:27:26,439
Speaker 1: just from me, like even seeing this man inhabit of space,

618
00:27:26,720 --> 00:27:30,359
Speaker 1: because you set the tone that was like the best vibe,

619
00:27:30,720 --> 00:27:31,359
Speaker 1: best vibe.

620
00:27:31,400 --> 00:27:33,720
Speaker 3: I am thank you, that is I'm so happy you

621
00:27:33,760 --> 00:27:35,960
Speaker 3: mentioned that show because we just had Anne Hathaway on.

622
00:27:36,040 --> 00:27:38,119
Speaker 3: I can't even remember if I just mentioned this on camera.

623
00:27:38,880 --> 00:27:41,680
Speaker 3: It is the only time I remember. When that show

624
00:27:41,760 --> 00:27:44,680
Speaker 3: was over, the audience gave a standing ovation. It was amazing,

625
00:27:44,800 --> 00:27:47,800
Speaker 3: a standing ovation, and the Killers performed again. And The

626
00:27:47,920 --> 00:27:50,960
Speaker 3: Killers performed again. Yeah, and my parents were at that show,

627
00:27:51,160 --> 00:27:54,160
Speaker 3: and I introduced my mom to the Killers, and as

628
00:27:54,320 --> 00:27:58,240
Speaker 3: they walked away, she said very loud and they heard.

629
00:27:58,440 --> 00:28:00,000
Speaker 3: She goes, well, I don't know why they called themself

630
00:28:00,040 --> 00:28:01,960
Speaker 3: of the Killers. They couldn't be nicer boys.

631
00:28:06,160 --> 00:28:07,560
Speaker 2: That it couldn't be nicer.

632
00:28:09,080 --> 00:28:11,080
Speaker 1: They couldn't be a nicer boy, couldn't be.

633
00:28:13,119 --> 00:28:15,280
Speaker 3: Also, though I have a weird shame thing, and this

634
00:28:15,440 --> 00:28:17,639
Speaker 3: is that not being able to let go of a choice.

635
00:28:18,520 --> 00:28:20,919
Speaker 3: I don't think this mattered. We lost the Emmy all

636
00:28:20,960 --> 00:28:23,000
Speaker 3: those years, and let me just say so fucked up

637
00:28:23,080 --> 00:28:26,240
Speaker 3: that year and that went those Sarah Palelin things. That

638
00:28:26,440 --> 00:28:28,399
Speaker 3: is the most I ever felt like we were on

639
00:28:28,520 --> 00:28:33,760
Speaker 3: a winning team. Yes, there was white hot and having

640
00:28:33,840 --> 00:28:36,800
Speaker 3: Tina back, and I felt like we had we understood

641
00:28:36,800 --> 00:28:38,520
Speaker 3: we have to keep out doing ourselves and it was

642
00:28:38,560 --> 00:28:42,120
Speaker 3: so thrilling and so fun and that cast was coming

643
00:28:42,160 --> 00:28:43,920
Speaker 3: into his own and people were everybody walked out. You

644
00:28:43,960 --> 00:28:46,040
Speaker 3: were excited to see. It was nuts and it was

645
00:28:46,080 --> 00:28:48,720
Speaker 3: great at the end of the year. I remember as

646
00:28:50,000 --> 00:28:52,560
Speaker 3: head writer, they you get to pick a sketch to submit.

647
00:28:52,720 --> 00:28:55,160
Speaker 3: I don't think it would have mattered, but I remember

648
00:28:55,240 --> 00:28:58,520
Speaker 3: I didn't pick that one because Lauren thought he picked

649
00:28:58,560 --> 00:29:00,400
Speaker 3: a different one, which was a worst show. But it

650
00:29:00,480 --> 00:29:02,400
Speaker 3: was the one Sarah Palin was actually on right yes,

651
00:29:02,560 --> 00:29:04,000
Speaker 3: which was also incredible.

652
00:29:04,000 --> 00:29:04,560
Speaker 1: It was good.

653
00:29:04,680 --> 00:29:07,960
Speaker 3: That moment was incredible. The rest of the show was

654
00:29:08,440 --> 00:29:12,400
Speaker 3: it was esoteric in a way, whereas the Ann Hathaway

655
00:29:12,440 --> 00:29:14,960
Speaker 3: Show was just banger after banger after Everybody's so funny

656
00:29:14,960 --> 00:29:16,560
Speaker 3: because I remember after we lost, it was like it

657
00:29:16,560 --> 00:29:18,560
Speaker 3: wouldn't matter at I'll forget about this every time it

658
00:29:18,600 --> 00:29:20,040
Speaker 3: comes up with like I wanted to pick that one.

659
00:29:20,160 --> 00:29:24,160
Speaker 2: Wow, So but no, I mean, I feel like Emmy's

660
00:29:24,640 --> 00:29:27,960
Speaker 2: NSNL were in this we I mean, it still is

661
00:29:28,040 --> 00:29:30,080
Speaker 2: in this weird existential place now where like they don't

662
00:29:30,120 --> 00:29:31,280
Speaker 2: quite know what to do with the show or like

663
00:29:31,280 --> 00:29:32,880
Speaker 2: where to place it or how to categorize it. But

664
00:29:32,920 --> 00:29:35,040
Speaker 2: it's like back then, it was like it's like, why

665
00:29:35,080 --> 00:29:37,760
Speaker 2: wouldn't you nominate Kristen and Bill every single thing and

666
00:29:38,120 --> 00:29:40,600
Speaker 2: Andy and Jason like that whole cast. Why wou't you

667
00:29:40,680 --> 00:29:43,800
Speaker 2: nominate all those people in the same league, is like,

668
00:29:43,920 --> 00:29:45,680
Speaker 2: you know, the sitcoms of that day.

669
00:29:45,960 --> 00:29:48,280
Speaker 1: I just think, well, and I've said this to you,

670
00:29:48,400 --> 00:29:50,080
Speaker 1: and this is it doesn't make sense to me that

671
00:29:50,160 --> 00:29:54,360
Speaker 1: there's not a variety performance category, because I think you

672
00:29:54,400 --> 00:29:56,600
Speaker 1: would have an Emmy if there was. I'm just saying that.

673
00:29:56,880 --> 00:30:00,240
Speaker 1: I mean, like, I think it's weird to say, let's

674
00:30:00,280 --> 00:30:02,600
Speaker 1: put these variety performers in with people that are playing

675
00:30:02,680 --> 00:30:07,320
Speaker 1: characters with emotional arcs, because actors, especially like will vote

676
00:30:07,360 --> 00:30:10,240
Speaker 1: for that before they vote for like somebody do. I

677
00:30:10,360 --> 00:30:12,920
Speaker 1: feel as though I with Bowen's George Santos. I've seen

678
00:30:12,960 --> 00:30:18,920
Speaker 1: a journey that I actually went to his, so I'm

679
00:30:19,040 --> 00:30:20,960
Speaker 1: kind of addicted to like the fact that he still

680
00:30:21,000 --> 00:30:23,880
Speaker 1: digs in on Twitter. It's so crazy. I went with

681
00:30:24,000 --> 00:30:25,680
Speaker 1: Twitter and to see if he had comments and on it,

682
00:30:25,760 --> 00:30:27,920
Speaker 1: because I want him to say something about you so

683
00:30:28,080 --> 00:30:30,080
Speaker 1: bad so that I can log onto our Twitter and

684
00:30:30,160 --> 00:30:31,480
Speaker 1: be like, I just want to.

685
00:30:31,520 --> 00:30:34,320
Speaker 2: Say he's in the weeds right now. I don't think

686
00:30:34,320 --> 00:30:36,040
Speaker 2: he has on.

687
00:30:36,800 --> 00:30:39,080
Speaker 1: I wouldn't be surprised if you has. I just don't

688
00:30:39,120 --> 00:30:41,680
Speaker 1: put anything past him to do the dumbest shit possible.

689
00:30:41,920 --> 00:30:44,120
Speaker 2: Although I mean, what gay Twitter was talking about this

690
00:30:44,200 --> 00:30:45,720
Speaker 2: past week was that like, I mean, you want to

691
00:30:45,760 --> 00:30:49,640
Speaker 2: gay representation in Congress for god, like this fucking slop

692
00:30:50,200 --> 00:30:52,040
Speaker 2: some gay guy found money and then spend it on

693
00:30:52,120 --> 00:30:52,840
Speaker 2: makeup and porn.

694
00:30:53,360 --> 00:30:56,480
Speaker 3: Again. It's really it is always be careful. I always say,

695
00:30:56,520 --> 00:30:58,280
Speaker 3: like I just would just give us one. It's like, well,

696
00:31:08,400 --> 00:31:10,600
Speaker 3: I bet this will shock you. But my other favorite

697
00:31:10,640 --> 00:31:12,440
Speaker 3: memory about that year is when it was over yeah,

698
00:31:12,480 --> 00:31:17,160
Speaker 3: because you know the man between dress and air, Lorne said,

699
00:31:17,480 --> 00:31:19,560
Speaker 3: you know, he gave all his notes and then he said,

700
00:31:19,760 --> 00:31:21,800
Speaker 3: I just want you all to know I feel as though.

701
00:31:21,680 --> 00:31:23,520
Speaker 1: This has been a championship season.

702
00:31:23,840 --> 00:31:26,440
Speaker 3: Yes, and I think we all it like it was.

703
00:31:26,720 --> 00:31:29,720
Speaker 3: Nobody knew what to say because it was Lorne is

704
00:31:29,760 --> 00:31:32,120
Speaker 3: not someone who has moments like that.

705
00:31:32,360 --> 00:31:33,440
Speaker 1: No I do.

706
00:31:33,600 --> 00:31:37,280
Speaker 2: I think that was for me, and again, just everybody

707
00:31:37,400 --> 00:31:39,760
Speaker 2: was so in the pocket that year. It wasn't in

708
00:31:39,880 --> 00:31:41,000
Speaker 2: the pocket season.

709
00:31:40,960 --> 00:31:43,960
Speaker 1: I'm telling you, And it was an energy that radiated

710
00:31:44,520 --> 00:31:47,440
Speaker 1: certainly through the city and I guess to everyone watching it,

711
00:31:47,520 --> 00:31:49,760
Speaker 1: but in the comedy community that we were in or

712
00:31:49,800 --> 00:31:53,640
Speaker 1: that we were about to be in, it was really exciting.

713
00:31:53,720 --> 00:31:56,080
Speaker 1: And you mentioned the Lonely Island. I remember they were like,

714
00:31:56,680 --> 00:31:58,480
Speaker 1: that was really the year I think too that the

715
00:31:58,880 --> 00:32:02,400
Speaker 1: digital shorts started like really popping off. And I remember

716
00:32:02,520 --> 00:32:05,920
Speaker 1: that was like formative, certainly for me, I'm sure for

717
00:32:06,000 --> 00:32:08,960
Speaker 1: you as well, like because there was something there was

718
00:32:09,080 --> 00:32:11,320
Speaker 1: an abandon about it that was like that felt like

719
00:32:11,520 --> 00:32:13,880
Speaker 1: queer to me, and I was hitting me in my

720
00:32:13,960 --> 00:32:15,560
Speaker 1: head and I was like, there's something about the Lonely

721
00:32:15,640 --> 00:32:17,200
Speaker 1: Island that makes me feel like I can do whatever

722
00:32:17,280 --> 00:32:18,840
Speaker 1: the fuck I want. Uh, you know what I mean.

723
00:32:18,920 --> 00:32:22,360
Speaker 3: I think those had that had so much to do

724
00:32:22,560 --> 00:32:24,120
Speaker 3: with the next twenty years of comedy.

725
00:32:24,280 --> 00:32:27,720
Speaker 1: Yeah, I think they're way more influential than people realize. Yes,

726
00:32:27,920 --> 00:32:30,680
Speaker 1: and I think that even the sketch work of you

727
00:32:30,840 --> 00:32:34,320
Speaker 1: talk about that. I love that Laurence Well Kristen sketch,

728
00:32:34,720 --> 00:32:37,240
Speaker 1: but that was sort of inspired by Ride seventies SNL

729
00:32:37,400 --> 00:32:40,880
Speaker 1: like that could have also worked that anytime, And that was.

730
00:32:40,880 --> 00:32:43,280
Speaker 3: Sort of the magic of Kristin was being this better,

731
00:32:43,400 --> 00:32:45,680
Speaker 3: more modern version of what we But those guys showed

732
00:32:45,760 --> 00:32:47,240
Speaker 3: up and it was, oh no, this is a whole

733
00:32:47,280 --> 00:32:47,560
Speaker 3: new thing.

734
00:32:47,760 --> 00:32:49,600
Speaker 1: Yeah, this is different thing. Yep.

735
00:32:49,720 --> 00:32:51,720
Speaker 2: I mean those seasons were like a perfect little like

736
00:32:52,040 --> 00:32:54,840
Speaker 2: four dimensional tapestry of like this is like past, present,

737
00:32:54,920 --> 00:32:55,760
Speaker 2: future all in one.

738
00:32:56,080 --> 00:32:57,320
Speaker 1: Very cool. It's very weird.

739
00:32:57,440 --> 00:33:00,080
Speaker 3: You guys mentioned Henry Milcher, who is a producer the

740
00:33:00,160 --> 00:33:01,920
Speaker 3: show and obviously went to school with you guys, And

741
00:33:02,440 --> 00:33:05,200
Speaker 3: for me, it's so crazy just realizing now there's this

742
00:33:05,360 --> 00:33:08,400
Speaker 3: whole you guys talking about being college when that season happened,

743
00:33:08,480 --> 00:33:11,640
Speaker 3: and now so many of you and your colleagues have

744
00:33:11,720 --> 00:33:14,040
Speaker 3: come through been guessed on my show. It must be

745
00:33:14,160 --> 00:33:17,040
Speaker 3: so weird to have your moment where the people you

746
00:33:17,120 --> 00:33:19,120
Speaker 3: knew in college are all sort of in culture.

747
00:33:19,240 --> 00:33:21,080
Speaker 2: Well, I mean with Josh and Aaron for Dix, the

748
00:33:21,160 --> 00:33:24,080
Speaker 2: musical going on, that was like I stayed up for

749
00:33:24,200 --> 00:33:26,640
Speaker 2: that upside, stay up for your episode this past month.

750
00:33:26,720 --> 00:33:30,840
Speaker 1: It is this like really it's crazy. That was when

751
00:33:30,880 --> 00:33:31,640
Speaker 1: they were on this show.

752
00:33:32,200 --> 00:33:34,760
Speaker 3: Please I hope you don't take offense to the fact

753
00:33:34,800 --> 00:33:37,400
Speaker 3: that I will listen to my podcast at a not one.

754
00:33:37,800 --> 00:33:38,920
Speaker 1: I will speed it upload.

755
00:33:39,040 --> 00:33:42,440
Speaker 3: Yes, And that was the first time when the four

756
00:33:42,480 --> 00:33:44,120
Speaker 3: of you were talking about something like Nope, I'm gonna

757
00:33:44,160 --> 00:33:48,000
Speaker 3: do it, slowed it down because I can't it started

758
00:33:48,040 --> 00:33:51,080
Speaker 3: in the beginning, I was like, this is like everybody.

759
00:33:51,240 --> 00:33:52,680
Speaker 3: It was like in an or if you look down

760
00:33:52,680 --> 00:33:56,120
Speaker 3: in an orchestra pit and everybody with yeah it was.

761
00:33:56,680 --> 00:34:00,400
Speaker 3: It enlightened me to know and love that. The only

762
00:34:00,560 --> 00:34:02,000
Speaker 3: I think that's the only podcast in the last ten

763
00:34:02,080 --> 00:34:03,600
Speaker 3: years that I've been like, I'm gonna listened to it

764
00:34:03,640 --> 00:34:06,200
Speaker 3: said one X, Seth and I are the same.

765
00:34:06,080 --> 00:34:09,600
Speaker 1: Man you were Boonen. But so now I do one

766
00:34:09,640 --> 00:34:12,560
Speaker 1: point seventy five on YouTube. But like I used to

767
00:34:12,600 --> 00:34:14,480
Speaker 1: get on Boonen because I was like, why would you

768
00:34:14,560 --> 00:34:17,279
Speaker 1: do that? Because every comedy is intentional, the speed at

769
00:34:17,320 --> 00:34:19,239
Speaker 1: which we say things as intentional. We talk all the

770
00:34:19,280 --> 00:34:20,520
Speaker 1: time about how caidence is called.

771
00:34:20,640 --> 00:34:24,520
Speaker 3: Yes, of course, but now I understand sometimes because you

772
00:34:24,680 --> 00:34:27,000
Speaker 3: are just resetting your own internal cadence to it. So

773
00:34:27,640 --> 00:34:31,200
Speaker 3: because it's also cadence in you know, it was in

774
00:34:31,280 --> 00:34:33,399
Speaker 3: a relative sense in a relative sense to the other people.

775
00:34:33,640 --> 00:34:35,880
Speaker 3: So if you see it all, if you sped up,

776
00:34:35,920 --> 00:34:39,080
Speaker 3: one person created a comedy scene wouldn't make sense. But everybody,

777
00:34:39,360 --> 00:34:42,680
Speaker 3: I will say I in the early days of The Daily,

778
00:34:43,200 --> 00:34:45,480
Speaker 3: I had Michael Barbaro on the show. Yes, and I

779
00:34:45,640 --> 00:34:48,480
Speaker 3: did not realize that anyone could take offense to this,

780
00:34:48,960 --> 00:34:51,000
Speaker 3: but I said, I love The Daily because it's twenty minutes.

781
00:34:51,000 --> 00:34:52,640
Speaker 1: I can listen to it. At one point five and

782
00:34:53,080 --> 00:34:55,799
Speaker 1: it was it was as if I slapped the man.

783
00:34:56,000 --> 00:34:59,439
Speaker 3: But it's not because I've seen him since he's lovely

784
00:34:59,480 --> 00:35:01,080
Speaker 3: and we get I did. Was the first time I

785
00:35:01,120 --> 00:35:03,640
Speaker 3: realized I felt safe. I felt like a safe place.

786
00:35:03,680 --> 00:35:06,800
Speaker 3: And I can tell you guys, just play on it

787
00:35:06,880 --> 00:35:10,719
Speaker 3: at all. Oh yeah, major, this show you got first

788
00:35:10,719 --> 00:35:12,920
Speaker 3: of all, let me say I have this real. The

789
00:35:13,080 --> 00:35:15,680
Speaker 3: only hesitation I had about coming on this show is

790
00:35:15,760 --> 00:35:17,880
Speaker 3: that I feel like your voice is in concert with

791
00:35:17,920 --> 00:35:20,440
Speaker 3: one another are music, And when I listen to your podcasts,

792
00:35:20,440 --> 00:35:23,200
Speaker 3: it is like music. And I have the flattest, most

793
00:35:23,360 --> 00:35:25,360
Speaker 3: nasally voice. I'm working through a cold. I feel like

794
00:35:25,400 --> 00:35:29,719
Speaker 3: your listeners right now are like, who let this out too?

795
00:35:30,120 --> 00:35:32,200
Speaker 3: I feel like you are too, like a classically trained

796
00:35:32,280 --> 00:35:34,960
Speaker 3: musician and I'm a third grader with a recorder who

797
00:35:35,080 --> 00:35:38,920
Speaker 3: is on here like like I have a lot of

798
00:35:38,960 --> 00:35:40,200
Speaker 3: shame for everybody's life.

799
00:35:40,280 --> 00:35:42,160
Speaker 1: This is just to be further from the truth.

800
00:35:42,200 --> 00:35:44,719
Speaker 2: I listen to Family Trips and I go, wow, I

801
00:35:44,800 --> 00:35:47,520
Speaker 2: get two meyers vocal timbers.

802
00:35:47,719 --> 00:35:48,359
Speaker 1: This is my heaven.

803
00:35:48,440 --> 00:35:49,880
Speaker 2: I'm glad that you think they're too, because I do

804
00:35:49,960 --> 00:35:52,000
Speaker 2: think we sound You sound so similar in a way

805
00:35:52,000 --> 00:35:54,600
Speaker 2: that is only delightful for me. I go, these are

806
00:35:54,680 --> 00:35:56,640
Speaker 2: two good guys talking in my ear.

807
00:35:56,760 --> 00:35:59,200
Speaker 1: I'm all for it. You're so off base for the okay,

808
00:36:00,320 --> 00:36:02,680
Speaker 1: thank you. We are so we were described by Betty

809
00:36:02,680 --> 00:36:05,080
Speaker 1: gilp and us piccolo and bassoon, and I feel like.

810
00:36:05,120 --> 00:36:07,960
Speaker 2: You've arrived her as a clarinet. Welcome to the orchestra,

811
00:36:08,080 --> 00:36:08,720
Speaker 2: baby or the Betty.

812
00:36:08,880 --> 00:36:12,080
Speaker 1: I mean she's is that your pinnacle guest? She's one

813
00:36:12,080 --> 00:36:14,600
Speaker 1: of them? She was. I haven't I listened when she

814
00:36:14,640 --> 00:36:16,200
Speaker 1: was a guest. You haven't listened to the live one? Was?

815
00:36:16,239 --> 00:36:19,200
Speaker 1: The live one was fun? But like her first episode

816
00:36:19,320 --> 00:36:21,279
Speaker 1: Maggots and Magic, that was like a moment in the

817
00:36:21,320 --> 00:36:24,279
Speaker 1: podcast because we genuinely believe you've had her on your show, right.

818
00:36:24,360 --> 00:36:26,680
Speaker 3: I never have, Oh, you have I know, I'm it

819
00:36:26,840 --> 00:36:27,879
Speaker 3: breaks my heart that I haven't.

820
00:36:28,320 --> 00:36:30,719
Speaker 1: She's just so smart and so great. You should also

821
00:36:30,880 --> 00:36:31,560
Speaker 1: check out her book.

822
00:36:31,680 --> 00:36:33,080
Speaker 2: I think it's time to ask Seth the ones. It's

823
00:36:33,239 --> 00:36:36,480
Speaker 2: literally time, Seth Myers, what is the culture that made

824
00:36:36,480 --> 00:36:36,719
Speaker 2: you say?

825
00:36:36,800 --> 00:36:37,360
Speaker 1: Culture is so?

826
00:36:37,560 --> 00:36:40,040
Speaker 3: I talked to Henry about this beforehand, and this is

827
00:36:40,080 --> 00:36:42,520
Speaker 3: the heartbreaking. I can't believe you literally talked about the

828
00:36:42,680 --> 00:36:45,400
Speaker 3: movie which I should have known, the movie Money Python.

829
00:36:47,480 --> 00:36:49,440
Speaker 1: You know what culture? That was your culture? But in

830
00:36:49,600 --> 00:36:50,640
Speaker 1: and that's fair.

831
00:36:50,760 --> 00:36:54,320
Speaker 3: So my here's my moment because I remember it so clearly.

832
00:36:54,719 --> 00:36:57,880
Speaker 3: I was homesick from school and usually my mom was

833
00:36:57,880 --> 00:36:59,719
Speaker 3: a school teacher. Usually she would take the day off

834
00:36:59,800 --> 00:37:03,040
Speaker 3: and I, for some reason, my dad did not go

835
00:37:03,160 --> 00:37:04,360
Speaker 3: to work one day, you know, when he was a

836
00:37:04,400 --> 00:37:07,560
Speaker 3: businessmanic commuted to Boston. He's like, I'll stay home with you,

837
00:37:07,880 --> 00:37:09,840
Speaker 3: and he went to the Video Story and he rented it.

838
00:37:10,280 --> 00:37:11,560
Speaker 3: He brought it home and obviously it was a movie

839
00:37:11,640 --> 00:37:16,680
Speaker 3: he'd seen, and that the opening credit that was the

840
00:37:16,840 --> 00:37:18,960
Speaker 3: thing mine was there was all of a sudden, they

841
00:37:19,000 --> 00:37:22,640
Speaker 3: just slowly started mentioning a moose in the credits, like

842
00:37:22,840 --> 00:37:25,279
Speaker 3: moose handler. And I remember there was one that was

843
00:37:25,560 --> 00:37:30,239
Speaker 3: Moose's nose wiped by, And for whatever reason, I think

844
00:37:30,400 --> 00:37:33,360
Speaker 3: that's the moment where you go, I don't think I

845
00:37:33,520 --> 00:37:36,000
Speaker 3: ever will, but it would be nice to be in

846
00:37:36,040 --> 00:37:38,799
Speaker 3: a world where I would try to write something back Wow,

847
00:37:39,680 --> 00:37:44,280
Speaker 3: because it's also writing as a kid, when you realize

848
00:37:45,160 --> 00:37:48,800
Speaker 3: writing because that thing of and again that's Python. But

849
00:37:48,960 --> 00:37:51,160
Speaker 3: I loved SNL as a kid, but my parents also

850
00:37:51,440 --> 00:37:54,879
Speaker 3: had watched Python, and it showed on public televisions. We'd

851
00:37:54,920 --> 00:37:57,120
Speaker 3: watch that, and so I kind of liked being the

852
00:37:57,200 --> 00:38:00,320
Speaker 3: kid who we could all talk about SNL sketches. Certainly

853
00:38:00,880 --> 00:38:02,680
Speaker 3: was never looked down my nose at SNL. But I

854
00:38:02,760 --> 00:38:04,440
Speaker 3: also like that I had this other thing which is

855
00:38:04,520 --> 00:38:07,319
Speaker 3: like you guys probably wouldn't, right, Yeah, yeah, the fact

856
00:38:07,320 --> 00:38:09,560
Speaker 3: that that was on it was on PBS, right, that's

857
00:38:09,600 --> 00:38:11,920
Speaker 3: when we saw. Yeah, I think that's probably where the

858
00:38:11,960 --> 00:38:16,040
Speaker 3: states from the beginning, right that, Yeah, Moose's nose wiped

859
00:38:16,080 --> 00:38:18,320
Speaker 3: by is pure ready because as a kid, it's like

860
00:38:18,520 --> 00:38:19,840
Speaker 3: performance is always registered.

861
00:38:19,960 --> 00:38:22,719
Speaker 2: It's a very obvious direct thing. But for you to

862
00:38:22,760 --> 00:38:25,279
Speaker 2: realize that, like, oh, that's writing, like that is a

863
00:38:25,520 --> 00:38:28,400
Speaker 2: joke and it's just words on a screen or whatever, is.

864
00:38:29,239 --> 00:38:32,279
Speaker 1: There is that moment when you realize writing is a thing.

865
00:38:32,760 --> 00:38:35,720
Speaker 1: It's very odd. It's like you things appear on television

866
00:38:35,719 --> 00:38:37,200
Speaker 1: and you're a kid, you kind of just accept it.

867
00:38:37,360 --> 00:38:39,200
Speaker 1: Like I remember watching all these movies and just like

868
00:38:39,239 --> 00:38:41,000
Speaker 1: I'm watching a movie, I don't think about how it

869
00:38:41,160 --> 00:38:42,920
Speaker 1: came to be, it's just in front of me. And

870
00:38:43,000 --> 00:38:45,120
Speaker 1: then you realize there's a creative aspect to it, and

871
00:38:45,239 --> 00:38:47,840
Speaker 1: you're like, how the fuck would I find myself to

872
00:38:47,920 --> 00:38:50,120
Speaker 1: be that person? But that's like a light bulb moment

873
00:38:50,160 --> 00:38:50,959
Speaker 1: for a young person.

874
00:38:51,120 --> 00:38:53,839
Speaker 3: I also think the genius and why that movie, Why

875
00:38:53,920 --> 00:38:56,680
Speaker 3: Life of Brian, why they endure is you make it

876
00:38:56,719 --> 00:38:59,640
Speaker 3: about a thing from a thousand years ago or whatever. Yeah, yeah, yeah,

877
00:39:00,040 --> 00:39:02,319
Speaker 3: And it's also funny as a kid, you know King Arthur,

878
00:39:02,880 --> 00:39:05,319
Speaker 3: and it's only been presented to you. There's never been

879
00:39:05,400 --> 00:39:07,960
Speaker 3: a patina of comedy on it, right, and then all

880
00:39:07,960 --> 00:39:09,719
Speaker 3: of a sudden it is. So it's also the first

881
00:39:09,760 --> 00:39:12,560
Speaker 3: time as a kid you're like, oh, and also you

882
00:39:12,719 --> 00:39:15,399
Speaker 3: can be dumb about all this, yes, like you could

883
00:39:15,440 --> 00:39:18,919
Speaker 3: tell jokes about the idea of Holy Grail is also

884
00:39:19,000 --> 00:39:22,279
Speaker 3: inherently super sun right, Yeah, and we've been saying this

885
00:39:22,400 --> 00:39:25,320
Speaker 3: for years now, but I really feel like dumb, frivolous

886
00:39:25,400 --> 00:39:28,960
Speaker 3: shit is back like between like spam a lot being

887
00:39:29,040 --> 00:39:33,400
Speaker 3: back shocked to which I love, I love shuck and

888
00:39:34,280 --> 00:39:36,600
Speaker 3: Josh n Aaron doing Dix is like a perfect example

889
00:39:36,640 --> 00:39:40,000
Speaker 3: of just like, let's just make jewelry for people's heads

890
00:39:40,040 --> 00:39:44,200
Speaker 3: instead of like making like these gorgeous embellished adornments of

891
00:39:44,320 --> 00:39:47,080
Speaker 3: like importance for people. I feel like there's it's great

892
00:39:47,080 --> 00:39:49,840
Speaker 3: when something's important, especially in comedy, I guess, but like.

893
00:39:50,080 --> 00:39:52,200
Speaker 1: But we flew a little too close to the sun.

894
00:39:52,239 --> 00:39:55,520
Speaker 1: Then as a generation, I think weepy comedy. By the way,

895
00:39:55,880 --> 00:39:58,919
Speaker 1: I saw the movie May December. Oh oh my god,

896
00:39:59,600 --> 00:40:03,080
Speaker 1: it is a wild. It is a wild. Natalie is

897
00:40:03,400 --> 00:40:06,000
Speaker 1: the best she's ever been, Like I'm telling you when

898
00:40:06,120 --> 00:40:09,839
Speaker 1: she crushes it like she's and there's obviously no debate,

899
00:40:09,880 --> 00:40:13,120
Speaker 1: but obviously one of the best. We have Julianne's cuckle

900
00:40:13,200 --> 00:40:15,319
Speaker 1: bird in it, like she has a lisp, which has

901
00:40:15,400 --> 00:40:17,560
Speaker 1: to be I'm looking at you, the audience, you have

902
00:40:17,719 --> 00:40:20,560
Speaker 1: to go. And then Charles Melton from Riverdale like Deliver

903
00:40:20,640 --> 00:40:22,640
Speaker 1: is one of the best supporting performances of the year.

904
00:40:22,680 --> 00:40:27,080
Speaker 1: I think the script is naha sah and what I

905
00:40:27,120 --> 00:40:29,560
Speaker 1: will say the funniest thing is is the Golden Globes.

906
00:40:30,120 --> 00:40:31,840
Speaker 1: I guess I don't know. Maybe they feel this is

907
00:40:31,880 --> 00:40:34,239
Speaker 1: the way forward for it, but it's being categorized as

908
00:40:34,280 --> 00:40:38,760
Speaker 1: a comedy, and I'm like, wait, I'm sorry, No, that's

909
00:40:38,960 --> 00:40:41,600
Speaker 1: the comedy of that is that you think this movie

910
00:40:41,680 --> 00:40:45,080
Speaker 1: passes as a comedy. People might disagree because I guess

911
00:40:45,160 --> 00:40:49,560
Speaker 1: you could call it like a very very very dark satire,

912
00:40:49,680 --> 00:40:51,880
Speaker 1: like a black back, black black black comedy, but like

913
00:40:52,600 --> 00:40:53,759
Speaker 1: not really.

914
00:40:53,680 --> 00:40:56,240
Speaker 3: I can't believe in the reboot of The Golden Globes,

915
00:40:56,719 --> 00:40:59,040
Speaker 3: the first thing they did was say, we're gonna say

916
00:40:59,080 --> 00:41:00,799
Speaker 3: what your movies are. Yeah, you know what I mean,

917
00:41:00,840 --> 00:41:03,320
Speaker 3: because that was always like they it was just the

918
00:41:03,400 --> 00:41:09,279
Speaker 3: most corrupt, you know, category Hunting or Joe, And maybe

919
00:41:09,320 --> 00:41:10,719
Speaker 3: they were like, that's who we are, and that's how.

920
00:41:10,640 --> 00:41:12,440
Speaker 1: People like, Yeah, maybe they're just not afraid of it.

921
00:41:12,520 --> 00:41:14,120
Speaker 1: But to hear that May December was going to be

922
00:41:14,160 --> 00:41:16,480
Speaker 1: a comedy days after I had seen it, it shook

923
00:41:16,560 --> 00:41:18,840
Speaker 1: me to my core. And what I will say is

924
00:41:19,480 --> 00:41:23,359
Speaker 1: I think I get the impulse for someone that's done

925
00:41:24,040 --> 00:41:26,920
Speaker 1: really hard comedy and stuff like that, like a comedian,

926
00:41:27,040 --> 00:41:30,560
Speaker 1: to want to show and express another side I get that,

927
00:41:31,000 --> 00:41:33,400
Speaker 1: but also like I just feel sometimes it's a shame

928
00:41:33,960 --> 00:41:36,800
Speaker 1: when there are no laughs in something that's meant to

929
00:41:36,840 --> 00:41:39,600
Speaker 1: be like a comedy, like and that's why I feel

930
00:41:39,640 --> 00:41:42,000
Speaker 1: I hope you're right, because I want to say, like

931
00:41:42,080 --> 00:41:44,520
Speaker 1: stupid never left, and Stupid's always been there, but like

932
00:41:44,880 --> 00:41:45,640
Speaker 1: it kind of did.

933
00:41:45,880 --> 00:41:48,920
Speaker 2: Like I feel like stupid doesn't get Like what a

934
00:41:48,920 --> 00:41:50,400
Speaker 2: lot of people were saying about DICKX was that they

935
00:41:50,400 --> 00:41:52,719
Speaker 2: were like, this is beyond critique, Like we don't know

936
00:41:52,800 --> 00:41:54,359
Speaker 2: how to like the reviewers were like, we don't really

937
00:41:54,440 --> 00:41:56,680
Speaker 2: know what to rate this. Yeah, yeah, right, And I

938
00:41:56,760 --> 00:42:00,000
Speaker 2: feel like there is something about comedy that's like outside

939
00:42:00,280 --> 00:42:03,800
Speaker 2: of like any kind of criticism in a way, in

940
00:42:03,880 --> 00:42:05,560
Speaker 2: a way that is unfortunate because I think a lot

941
00:42:05,560 --> 00:42:07,560
Speaker 2: of comedy, like The Police are destroy Boys had their

942
00:42:07,600 --> 00:42:09,560
Speaker 2: movie came out and like a lot of the reviews

943
00:42:09,560 --> 00:42:14,080
Speaker 2: are like, this was great forty out of one hundred.

944
00:42:14,320 --> 00:42:16,879
Speaker 1: Yeah, you know what I mean. It's that is the weird.

945
00:42:16,880 --> 00:42:19,680
Speaker 3: I mean again, it's a reminder why there's a poison

946
00:42:19,719 --> 00:42:21,680
Speaker 3: to putting a number on it. Sometimes you read a

947
00:42:21,760 --> 00:42:25,759
Speaker 3: thing and all it will be is positive yep, And then.

948
00:42:25,719 --> 00:42:27,080
Speaker 1: When you look at the number and you're like, now,

949
00:42:27,120 --> 00:42:29,640
Speaker 1: what what is that? All right? Yeah exactly, And they

950
00:42:29,719 --> 00:42:31,080
Speaker 1: do that with comedies all the time.

951
00:42:31,160 --> 00:42:33,799
Speaker 3: Please don't destroy has the thing. They'll still never pass

952
00:42:33,960 --> 00:42:36,439
Speaker 3: up the chance to tie it to SNL of course,

953
00:42:36,640 --> 00:42:38,480
Speaker 3: of course, so that is the thing they if you

954
00:42:38,560 --> 00:42:40,839
Speaker 3: are an SNL person, And it feels like, even though

955
00:42:41,040 --> 00:42:43,160
Speaker 3: Lauren had nothing to do with it, like they will

956
00:42:43,360 --> 00:42:45,000
Speaker 3: and I was noticing. I'm like, oh, even these people

957
00:42:45,120 --> 00:42:47,280
Speaker 3: really like it, or like they want to tell.

958
00:42:47,200 --> 00:42:50,000
Speaker 2: You they know these are guys on us, yes and yes,

959
00:42:50,400 --> 00:42:52,560
Speaker 2: and then put it in the same cluster of films

960
00:42:52,600 --> 00:42:55,799
Speaker 2: as like Tomato's doing the Ladies Man movie, Like it's

961
00:42:55,880 --> 00:42:58,879
Speaker 2: not the same thing anyway I did.

962
00:42:59,560 --> 00:43:01,640
Speaker 3: We were looking for something just again, we're starting to

963
00:43:01,680 --> 00:43:03,600
Speaker 3: shut off our brains. My wife and I either today

964
00:43:03,800 --> 00:43:06,120
Speaker 3: and because i'd listen to you guys do a list.

965
00:43:06,840 --> 00:43:08,840
Speaker 3: I have not since I saw in theaters watched my

966
00:43:08,880 --> 00:43:09,600
Speaker 3: best friend's wedding.

967
00:43:09,800 --> 00:43:11,760
Speaker 1: Oh wasn't it great?

968
00:43:12,040 --> 00:43:14,000
Speaker 3: And I feel like, you, guys, the thing that you

969
00:43:14,080 --> 00:43:16,600
Speaker 3: forgot to make and is so much When was the

970
00:43:16,719 --> 00:43:19,399
Speaker 3: era of I'm doing comedy meant I'm gonna fall down

971
00:43:19,480 --> 00:43:19,960
Speaker 3: seven times?

972
00:43:20,400 --> 00:43:20,600
Speaker 2: Yeah?

973
00:43:20,640 --> 00:43:22,520
Speaker 1: Yeah, yeah. She's constantly on her back.

974
00:43:22,480 --> 00:43:25,040
Speaker 3: And constantly falling down. And then I think even when

975
00:43:25,280 --> 00:43:28,040
Speaker 3: Rupert Everett shows up, he falls down. There's a lot

976
00:43:28,120 --> 00:43:30,000
Speaker 3: of like that was an error where people would look

977
00:43:30,040 --> 00:43:32,160
Speaker 3: at you when you weren't supposed to be seen, and

978
00:43:32,480 --> 00:43:34,880
Speaker 3: you would you would be so taken aback that you

979
00:43:34,880 --> 00:43:37,200
Speaker 3: would you would just fall a lot of falling in that.

980
00:43:37,800 --> 00:43:40,359
Speaker 1: She makes everything easy in that even the constant falling down.

981
00:43:40,840 --> 00:43:42,360
Speaker 1: A lesser actress, people would be like, watch you have

982
00:43:42,400 --> 00:43:45,040
Speaker 1: fallen down so much? Oh, but yeah, everything that is

983
00:43:45,200 --> 00:43:46,080
Speaker 1: the ease of it.

984
00:43:46,560 --> 00:43:48,640
Speaker 2: I feel like there's a generation of let's just say

985
00:43:48,760 --> 00:43:53,279
Speaker 2: actress who like I've heard anecdotally from people that are like, oh, well,

986
00:43:53,400 --> 00:43:58,239
Speaker 2: this actor like across different projects, the same actor has

987
00:43:58,320 --> 00:44:01,879
Speaker 2: pitched multiple times to different writers. What if I fell

988
00:44:01,960 --> 00:44:06,600
Speaker 2: into I will I'll tell you, I'll tell you who

989
00:44:06,640 --> 00:44:12,400
Speaker 2: it is off Mike, But it's the same act legendary,

990
00:44:12,480 --> 00:44:15,040
Speaker 2: a list actress who has been in every movie that

991
00:44:15,120 --> 00:44:18,680
Speaker 2: you love, has for multiple movies, been like, I think

992
00:44:18,719 --> 00:44:20,200
Speaker 2: the scene is fine. I think it'd be better if

993
00:44:20,200 --> 00:44:23,160
Speaker 2: I fell into You're gonna love the answer.

994
00:44:23,239 --> 00:44:25,560
Speaker 3: I'd like to make our camera guesses and then you

995
00:44:25,600 --> 00:44:27,319
Speaker 3: don't have to say who it is. Okay, please next

996
00:44:27,360 --> 00:44:28,719
Speaker 3: episode say whether or not we're right.

997
00:44:28,760 --> 00:44:30,640
Speaker 1: Yes, yes, okay. Well I will also say one of

998
00:44:30,719 --> 00:44:32,839
Speaker 1: my favorite stories is when I was at n YU

999
00:44:33,000 --> 00:44:36,319
Speaker 1: studying writing in my sitcom class, like this woman had

1000
00:44:36,440 --> 00:44:38,800
Speaker 1: written on a sitcom that starred It was one of

1001
00:44:38,880 --> 00:44:42,719
Speaker 1: those like first name sitcoms in the nineties, and she

1002
00:44:42,960 --> 00:44:45,560
Speaker 1: said that the actress came into the writer's room one

1003
00:44:45,640 --> 00:44:48,920
Speaker 1: day and said, there's just too much conflict in the episodes?

1004
00:44:49,160 --> 00:44:50,839
Speaker 1: Can I just come in and jump on the bed.

1005
00:44:51,280 --> 00:44:53,239
Speaker 1: And they had to explain to her that in her

1006
00:44:53,280 --> 00:44:55,960
Speaker 1: half hour sitcom, which needs a story and conflict to

1007
00:44:56,040 --> 00:44:58,440
Speaker 1: create comedy and all the things she really wants, she

1008
00:44:58,560 --> 00:45:04,600
Speaker 1: can't just come in and jump on again. I know

1009
00:45:04,640 --> 00:45:05,960
Speaker 1: what you're talking about. I do.

1010
00:45:06,280 --> 00:45:10,440
Speaker 3: I remember Fred, when he was pitching Los of Spookies

1011
00:45:10,480 --> 00:45:13,200
Speaker 3: to me, was saying that he wanted to open it.

1012
00:45:13,280 --> 00:45:13,640
Speaker 1: Do you know this.

1013
00:45:14,360 --> 00:45:17,120
Speaker 3: He wanted to open the first episode by saying, because

1014
00:45:17,160 --> 00:45:19,040
Speaker 3: Fred had this theory that conflict is over.

1015
00:45:19,360 --> 00:45:19,879
Speaker 1: Oh wow.

1016
00:45:20,040 --> 00:45:22,160
Speaker 3: He was like, I think we're I think we're post contact,

1017
00:45:22,160 --> 00:45:24,640
Speaker 3: which is a very funny Fred idea, and he wanted

1018
00:45:24,680 --> 00:45:28,359
Speaker 3: to start it by him sitting there and him Fred

1019
00:45:28,400 --> 00:45:29,880
Speaker 3: arms in this show is called Los of Spookies.

1020
00:45:29,880 --> 00:45:31,600
Speaker 1: We just want you to nothing bad's gonna happen.

1021
00:45:31,760 --> 00:45:37,080
Speaker 3: Yeah, so sweet everything everything's going to turn out fine

1022
00:45:37,480 --> 00:45:39,000
Speaker 3: and we don't ever want you to worry when you

1023
00:45:39,040 --> 00:45:40,800
Speaker 3: watch this show. I think Basket it was such a

1024
00:45:40,840 --> 00:45:43,160
Speaker 3: funny idea because of course lots of Spookies is nothing

1025
00:45:43,200 --> 00:45:44,920
Speaker 3: bad happened. But it was really funny to be like,

1026
00:45:45,280 --> 00:45:46,480
Speaker 3: we just want you to know a lot of shows

1027
00:45:46,560 --> 00:45:48,920
Speaker 3: right now because even comedies right like bad things started

1028
00:45:48,920 --> 00:45:50,040
Speaker 3: happening in comedies all the time.

1029
00:45:50,120 --> 00:45:53,000
Speaker 1: It's like, yep, this isn't that that's so funny because

1030
00:45:53,040 --> 00:45:55,719
Speaker 1: we're working on something together for us, and in the

1031
00:45:55,840 --> 00:45:59,120
Speaker 1: thing that we're doing, we say, you never worry about

1032
00:45:59,160 --> 00:46:01,800
Speaker 1: the friendship, don't worry, don't always going to be friends?

1033
00:46:02,000 --> 00:46:04,480
Speaker 2: Yeah, And I don't know why that's like a huge

1034
00:46:04,520 --> 00:46:06,000
Speaker 2: disclaimer that we have to put in there. Yeah, but

1035
00:46:06,040 --> 00:46:08,040
Speaker 2: it feels like who are we doing that for? For us,

1036
00:46:08,200 --> 00:46:10,480
Speaker 2: for them, for the network? Like what is that for

1037
00:46:10,800 --> 00:46:13,160
Speaker 2: for everybody? Because I think it is pretty ingrained at

1038
00:46:13,160 --> 00:46:15,839
Speaker 2: this point that it's like it's not like we used

1039
00:46:15,880 --> 00:46:17,440
Speaker 2: to watch sitcoms like it used to be like a

1040
00:46:17,480 --> 00:46:19,799
Speaker 2: family matters, like a fresh prince thing where it was like, oh,

1041
00:46:20,239 --> 00:46:23,160
Speaker 2: it's always gonna be fine, yeah, you know, but now

1042
00:46:23,200 --> 00:46:25,319
Speaker 2: we're not quite as reassured. Yeah.

1043
00:46:25,320 --> 00:46:27,000
Speaker 1: I think that it's also that thing of like us

1044
00:46:27,320 --> 00:46:29,560
Speaker 1: wanting to be clear about the fact that, like, if

1045
00:46:29,600 --> 00:46:31,960
Speaker 1: we do something it's gonna be comedy, don't it's not

1046
00:46:32,120 --> 00:46:34,040
Speaker 1: going to do that thing where it's like I look

1047
00:46:34,080 --> 00:46:36,000
Speaker 1: over my shoulder at boone in one episode and a

1048
00:46:36,040 --> 00:46:38,359
Speaker 1: silent teer rolls down my face because I'm concerned about

1049
00:46:38,400 --> 00:46:41,719
Speaker 1: the deterioration of who we are, you know what I mean, Like,

1050
00:46:42,000 --> 00:46:45,000
Speaker 1: whereas which I think we've done, We've seen like I'm

1051
00:46:45,080 --> 00:46:49,279
Speaker 1: tired of and sad and dark, but God blessed those shows.

1052
00:46:49,080 --> 00:46:51,600
Speaker 2: But God blessed there was.

1053
00:46:52,000 --> 00:46:53,839
Speaker 3: Now I feel like, right a lot of comedies we're

1054
00:46:53,880 --> 00:46:57,200
Speaker 3: in this sort of gritty comedy area era. I feel

1055
00:46:57,239 --> 00:46:58,919
Speaker 3: like ten years ago, I remember talking to my friends

1056
00:46:58,920 --> 00:47:02,400
Speaker 3: that there should be a different category called whimsy that

1057
00:47:02,719 --> 00:47:05,720
Speaker 3: was not because there was a there was a brand

1058
00:47:05,840 --> 00:47:07,959
Speaker 3: of comedy for a while where there.

1059
00:47:07,960 --> 00:47:09,239
Speaker 1: Was no expectation.

1060
00:47:09,760 --> 00:47:13,160
Speaker 3: They were laughs, but it certainly wasn't a drama. But

1061
00:47:13,280 --> 00:47:15,480
Speaker 3: it just sort of lived in this middle where it

1062
00:47:15,600 --> 00:47:17,200
Speaker 3: was just it's look, it's whimsy.

1063
00:47:17,320 --> 00:47:18,919
Speaker 1: It's jumping on the bed.

1064
00:47:19,480 --> 00:47:20,479
Speaker 2: It's the bed.

1065
00:47:20,680 --> 00:47:22,680
Speaker 3: Did you have when you were at NYU? Did you

1066
00:47:22,719 --> 00:47:24,880
Speaker 3: ever take a class taught by Eric Gilliland?

1067
00:47:25,440 --> 00:47:28,200
Speaker 1: Eric Gilliland, I don't think so. Was he in dramatic writing.

1068
00:47:28,280 --> 00:47:31,239
Speaker 1: He had written for Roseanne, Okay, so he. I think

1069
00:47:31,280 --> 00:47:34,360
Speaker 1: it was like a visiting teacher. The most iconic teacher

1070
00:47:34,600 --> 00:47:36,680
Speaker 1: we had. His name was Charlie Rubin. He had written

1071
00:47:36,760 --> 00:47:40,960
Speaker 1: for Seinfeld, SNL and Simpsons, and I remember it was

1072
00:47:41,000 --> 00:47:45,400
Speaker 1: like three iconic essays and every every every like straight

1073
00:47:45,520 --> 00:47:49,000
Speaker 1: dude that I was in college with was like Seinfeld, Simpsons,

1074
00:47:49,160 --> 00:47:52,839
Speaker 1: SNL baby, and like having to learn that. Of course

1075
00:47:53,000 --> 00:47:55,160
Speaker 1: SNL was like deep and Seinfeld. My dad was like

1076
00:47:55,200 --> 00:47:58,319
Speaker 1: a huge Seinfeld fan. But the Simpsons was this thing

1077
00:47:58,920 --> 00:48:01,120
Speaker 1: that like felt like, were you a Simpsons kid?

1078
00:48:01,160 --> 00:48:02,800
Speaker 2: I was a Simpsons kid, and then going to NYU

1079
00:48:03,040 --> 00:48:06,040
Speaker 2: felt completely alienated by all the Simpsons quoting that was

1080
00:48:06,080 --> 00:48:08,800
Speaker 2: going on around. I thought, I loved this show and

1081
00:48:09,000 --> 00:48:11,120
Speaker 2: I guess I know nothing about it. Yeah, so it's

1082
00:48:11,160 --> 00:48:14,839
Speaker 2: taking me this like re I re tutored myself into

1083
00:48:14,880 --> 00:48:17,040
Speaker 2: this idea that like, oh, I have always loved the

1084
00:48:17,040 --> 00:48:19,560
Speaker 2: Simpsons just as much as anyone else It's just it

1085
00:48:19,840 --> 00:48:22,280
Speaker 2: was this competition to see who like loved the Simpsons

1086
00:48:22,320 --> 00:48:23,560
Speaker 2: the most anyway.

1087
00:48:23,640 --> 00:48:25,440
Speaker 1: But Charles Reuben, No, I'm just saying like he was

1088
00:48:25,480 --> 00:48:27,719
Speaker 1: an iconic teacher, and I remember those three shows like

1089
00:48:27,880 --> 00:48:30,080
Speaker 1: set him up as being that way, and so I

1090
00:48:30,160 --> 00:48:32,759
Speaker 1: mean saying that he had that background meant that he

1091
00:48:32,880 --> 00:48:35,000
Speaker 1: had like disciples. Yeah, he had the full attention.

1092
00:48:36,560 --> 00:48:39,279
Speaker 3: Can I review a movie that i've Yeah, yeah, and

1093
00:48:39,320 --> 00:48:42,719
Speaker 3: I will watch the whole it's The Holdovers the Yeah

1094
00:48:42,760 --> 00:48:45,080
Speaker 3: I'm hearing, which I really enjoyed the first half of.

1095
00:48:45,280 --> 00:48:48,360
Speaker 3: But GIAMMANI best Friend's wedding.

1096
00:48:49,040 --> 00:48:52,120
Speaker 1: Oh wow, Yes he plays he works at the hotel.

1097
00:48:52,880 --> 00:48:55,520
Speaker 1: Oh my god. Wow.

1098
00:48:55,640 --> 00:48:57,440
Speaker 3: And so I'm very excited thanks to you. I do

1099
00:48:57,600 --> 00:48:59,759
Speaker 3: believe I'm going to ask him about his time on my.

1100
00:49:00,360 --> 00:49:03,239
Speaker 1: You you should, and I'm happy you brought it back

1101
00:49:03,280 --> 00:49:05,759
Speaker 1: because you know what clip I often go to and

1102
00:49:05,880 --> 00:49:08,120
Speaker 1: watch again and again and again on YouTube from that

1103
00:49:08,239 --> 00:49:10,880
Speaker 1: movie It's not pick Me too, as Me Love Me,

1104
00:49:10,960 --> 00:49:13,360
Speaker 1: which should always get the credit as it walked so

1105
00:49:13,520 --> 00:49:15,600
Speaker 1: that Meredith Greg could run. Sure, is it when they're

1106
00:49:15,640 --> 00:49:18,040
Speaker 1: on the boat. It's when they're on the boat. Yeah, yeah,

1107
00:49:19,040 --> 00:49:23,960
Speaker 1: Kimmy says, just you love someone, you say it, you

1108
00:49:24,080 --> 00:49:26,759
Speaker 1: say it right then out loud, this is myrmot, it's

1109
00:49:26,920 --> 00:49:31,560
Speaker 1: Lauren lor. Otherwise, the moment just passes, you buy, passes,

1110
00:49:31,600 --> 00:49:34,920
Speaker 1: you buy, and then the moment they go, I have

1111
00:49:35,040 --> 00:49:37,200
Speaker 1: to say something. And this is again, this is praise

1112
00:49:37,239 --> 00:49:37,560
Speaker 1: for the two.

1113
00:49:38,880 --> 00:49:42,400
Speaker 3: I believe you are the way I would describe you

1114
00:49:42,480 --> 00:49:45,520
Speaker 3: your witnesses, like when you see things like it's so

1115
00:49:45,719 --> 00:49:48,200
Speaker 3: I was like the backup dancers at Usher are so

1116
00:49:48,320 --> 00:49:52,040
Speaker 3: lucky you were at their ship. I kind of like, yeah,

1117
00:49:52,080 --> 00:49:53,440
Speaker 3: but like you know what I mean, Like, you guys

1118
00:49:53,520 --> 00:49:55,520
Speaker 3: see things and then you talk about things. So I

1119
00:49:55,880 --> 00:49:59,200
Speaker 3: because you mentioned that quote on your Julia Roberts episode,

1120
00:49:59,600 --> 00:50:01,239
Speaker 3: and so I think I would have missed how good

1121
00:50:01,280 --> 00:50:01,880
Speaker 3: that scene was.

1122
00:50:02,160 --> 00:50:02,839
Speaker 1: It's so good.

1123
00:50:02,880 --> 00:50:04,680
Speaker 3: But because you were talked about it, I want like,

1124
00:50:04,760 --> 00:50:07,960
Speaker 3: oh wow, Yeah. I sometimes could allow myself to maybe

1125
00:50:08,000 --> 00:50:10,080
Speaker 3: get a little jaded during a romantic comedy and then I.

1126
00:50:10,080 --> 00:50:12,719
Speaker 1: Realized, oh no, this is the it's an excellent one.

1127
00:50:12,840 --> 00:50:15,560
Speaker 3: This is the But again, like you need these moments

1128
00:50:15,840 --> 00:50:17,680
Speaker 3: to like weave it all together, and if you don't

1129
00:50:17,719 --> 00:50:21,560
Speaker 3: have this really special moment, God was up to his

1130
00:50:21,640 --> 00:50:24,239
Speaker 3: tricks that day too, because the way that her hair

1131
00:50:24,360 --> 00:50:24,840
Speaker 3: is blowing.

1132
00:50:25,400 --> 00:50:27,880
Speaker 1: It was like they said, we're gonna set up a

1133
00:50:28,000 --> 00:50:33,319
Speaker 1: perfect day, yeah for this shot. And I have to say,

1134
00:50:33,960 --> 00:50:37,120
Speaker 1: like that movie, I think there's like, is there anything

1135
00:50:37,239 --> 00:50:38,320
Speaker 1: problematic about it?

1136
00:50:38,480 --> 00:50:41,000
Speaker 2: Even like it's not like other movies of that.

1137
00:50:42,600 --> 00:50:44,840
Speaker 3: Why when people start singing at a restaurant it's all

1138
00:50:44,840 --> 00:50:47,279
Speaker 3: of a sudden scored with a backing shot for sure.

1139
00:50:47,760 --> 00:50:48,960
Speaker 1: Problematic problematic?

1140
00:50:50,760 --> 00:50:54,000
Speaker 3: Yeah, that was that was It's very safely not problematic

1141
00:50:54,080 --> 00:50:57,520
Speaker 3: at all. No, and an iconic Chicago movie, iconic, would

1142
00:50:57,520 --> 00:50:58,799
Speaker 3: you say so? And I think it is an iconic

1143
00:50:59,160 --> 00:51:00,960
Speaker 3: I got movie you've never seen?

1144
00:51:01,200 --> 00:51:02,160
Speaker 2: She is so good?

1145
00:51:02,360 --> 00:51:05,480
Speaker 1: Where was her Oscar nomination? Met her exactly one time?

1146
00:51:06,560 --> 00:51:08,600
Speaker 3: And you know what, I should answer this question because

1147
00:51:08,600 --> 00:51:10,279
Speaker 3: sometimes I do a Q and A at my show

1148
00:51:10,800 --> 00:51:12,480
Speaker 3: before the last act, and sometimes.

1149
00:51:12,160 --> 00:51:13,600
Speaker 1: People will say, are you ever starstruck?

1150
00:51:14,320 --> 00:51:16,480
Speaker 3: And this is really one of them. I was I

1151
00:51:16,640 --> 00:51:20,120
Speaker 3: hosted an Emmys and I was backstage with a couple

1152
00:51:20,200 --> 00:51:22,560
Speaker 3: of writers and at the Emmys there was just a

1153
00:51:22,560 --> 00:51:25,480
Speaker 3: lot of calming and going between the wings and this

1154
00:51:26,120 --> 00:51:28,399
Speaker 3: was she had a mini series.

1155
00:51:29,960 --> 00:51:30,440
Speaker 1: On Amazon.

1156
00:51:30,600 --> 00:51:32,879
Speaker 3: That's exactly right, and that was great. By the way,

1157
00:51:32,960 --> 00:51:36,600
Speaker 3: she was just sort of racing by and she just

1158
00:51:36,760 --> 00:51:39,120
Speaker 3: stopped and put a hand on Myra and say, oh

1159
00:51:39,120 --> 00:51:40,320
Speaker 3: my god, you're doing such a great job. And I

1160
00:51:40,360 --> 00:51:42,520
Speaker 3: was like, oh my god, thank you. And then she

1161
00:51:42,719 --> 00:51:46,640
Speaker 3: went and it was just like I didn't have enough

1162
00:51:46,719 --> 00:51:49,239
Speaker 3: time to be in the moment of Wow, that was

1163
00:51:50,200 --> 00:51:53,400
Speaker 3: thrilling that. I think, you know, you do enough SNL,

1164
00:51:53,480 --> 00:51:55,040
Speaker 3: you host a talk show, You think, oh, who can

1165
00:51:55,120 --> 00:52:00,960
Speaker 3: you meet? That would actually and she's something else. It

1166
00:52:01,440 --> 00:52:03,600
Speaker 3: did that happen with Taylor Taylor Swift?

1167
00:52:03,760 --> 00:52:06,960
Speaker 2: Yeah, but the last time I saw Taylor, I made

1168
00:52:07,000 --> 00:52:08,759
Speaker 2: an ass of myself and I was very anxious and

1169
00:52:08,800 --> 00:52:09,640
Speaker 2: she called me out on it.

1170
00:52:11,360 --> 00:52:12,400
Speaker 1: It was her and Travis Kelsey.

1171
00:52:12,440 --> 00:52:15,719
Speaker 2: I go, I texted you in August a mega mix

1172
00:52:15,840 --> 00:52:17,759
Speaker 2: on YouTube of your songs and I'm so sorry, and

1173
00:52:17,840 --> 00:52:21,080
Speaker 2: she goes, what And I go, I was on ketamine

1174
00:52:21,080 --> 00:52:22,759
Speaker 2: and I'm really really sorry. I shouldn't have done that.

1175
00:52:22,840 --> 00:52:24,600
Speaker 2: And she was like, and then I apologized to Travis

1176
00:52:24,640 --> 00:52:26,320
Speaker 2: about something, and then she goes, I think this is

1177
00:52:26,480 --> 00:52:29,040
Speaker 2: just your anxiety, like, you're right, You're right.

1178
00:52:29,160 --> 00:52:30,279
Speaker 1: Bye. It was.

1179
00:52:31,800 --> 00:52:33,880
Speaker 2: I think there are moments like that where I go, oh,

1180
00:52:33,960 --> 00:52:35,920
Speaker 2: working at SNL and doing a show like this, it

1181
00:52:36,040 --> 00:52:38,120
Speaker 2: makes me worse at talking to famous people.

1182
00:52:38,239 --> 00:52:40,160
Speaker 1: Sometimes it does, and you feel that.

1183
00:52:40,200 --> 00:52:41,960
Speaker 2: I don't know, I think I'm going through like some

1184
00:52:42,200 --> 00:52:44,920
Speaker 2: Joseph Campbellian thing where I'm like gonna circle back to

1185
00:52:45,040 --> 00:52:48,520
Speaker 2: like being okay, But right now I'm in a weird weird.

1186
00:52:49,120 --> 00:52:51,799
Speaker 3: Maybe ten hopefully I haven't told this story too much,

1187
00:52:51,840 --> 00:52:55,279
Speaker 3: but ten twelve years ago, maybe she'd hosted SNL. My

1188
00:52:55,360 --> 00:52:58,200
Speaker 3: wife and I were somewhere at maybe that time one

1189
00:52:58,280 --> 00:53:01,000
Speaker 3: hundred event, and she was there and went up and

1190
00:53:01,000 --> 00:53:02,759
Speaker 3: said hello, My wife's a big fan of hers. And

1191
00:53:03,680 --> 00:53:06,799
Speaker 3: we said, oh, we're going to Nashville. We had never been,

1192
00:53:07,280 --> 00:53:09,480
Speaker 3: and she said, oh my God, give me your email.

1193
00:53:09,840 --> 00:53:12,920
Speaker 3: I'll tell you where to go. And I gave my

1194
00:53:13,160 --> 00:53:18,560
Speaker 3: email to Taylor Swift and two days later, the longest,

1195
00:53:18,840 --> 00:53:24,000
Speaker 3: most helpful email I would say, eight mini paragraphs about

1196
00:53:24,080 --> 00:53:25,200
Speaker 3: different places.

1197
00:53:24,920 --> 00:53:25,720
Speaker 1: To go in Nashville.

1198
00:53:26,360 --> 00:53:28,719
Speaker 2: And this is still you know, she's not Taylor Swift

1199
00:53:28,800 --> 00:53:31,600
Speaker 2: of today, but she's Taylor Swift there was at the

1200
00:53:31,640 --> 00:53:35,520
Speaker 2: time when she has established Taylor Swift. Yeah.

1201
00:53:36,120 --> 00:53:39,000
Speaker 1: I mean some people also, like I've noticed that when

1202
00:53:39,040 --> 00:53:42,480
Speaker 1: people are like, let me make recommendations, and they mean that.

1203
00:53:42,800 --> 00:53:46,960
Speaker 1: Some people really love to do that. They're like it's

1204
00:53:47,040 --> 00:53:50,480
Speaker 1: like a power people have. I forget the name of

1205
00:53:50,560 --> 00:53:51,759
Speaker 1: every restaurant I ever go to.

1206
00:53:52,040 --> 00:53:54,960
Speaker 3: I also don't want the burden of people. I don't

1207
00:53:55,000 --> 00:53:57,359
Speaker 3: want them to put their vacation in my hands.

1208
00:53:57,560 --> 00:53:59,919
Speaker 1: No, absolutely, not like I could.

1209
00:54:00,200 --> 00:54:03,960
Speaker 2: I couldn't possibly project my interests onto yours. Is it

1210
00:54:04,040 --> 00:54:07,759
Speaker 2: because your question, your own taste or their reaction to

1211
00:54:07,840 --> 00:54:08,400
Speaker 2: my own taste?

1212
00:54:08,520 --> 00:54:08,640
Speaker 1: Right?

1213
00:54:09,360 --> 00:54:12,759
Speaker 3: So it's insecurity, Yes, it's insecurity. That's one hundred percent.

1214
00:54:13,000 --> 00:54:15,920
Speaker 3: My dad, my parents gotten it down. I live in

1215
00:54:16,239 --> 00:54:19,200
Speaker 3: the West Village. My dad said he's staying at a

1216
00:54:19,239 --> 00:54:21,719
Speaker 3: hotel nearby with my mom, and he said, we're gonna

1217
00:54:21,960 --> 00:54:23,319
Speaker 3: have lunch with your brother. I'm like, great. He goes,

1218
00:54:23,360 --> 00:54:25,600
Speaker 3: are there good places to have lunch? Panic in town?

1219
00:54:25,640 --> 00:54:29,200
Speaker 1: And I'm like, there are tons a million place. It's

1220
00:54:29,360 --> 00:54:30,080
Speaker 1: New York City.

1221
00:54:30,760 --> 00:54:31,640
Speaker 3: Don't make me tell you.

1222
00:54:31,719 --> 00:54:33,040
Speaker 1: But could you say even one? No?

1223
00:54:33,320 --> 00:54:36,360
Speaker 3: I couldn't say no. Well, Also, Mike, because my dad

1224
00:54:36,800 --> 00:54:39,400
Speaker 3: is to his I guess if you think honesty is

1225
00:54:39,440 --> 00:54:40,960
Speaker 3: a virtue, we'll tell you.

1226
00:54:41,000 --> 00:54:41,439
Speaker 1: What he thought.

1227
00:54:44,280 --> 00:54:47,279
Speaker 3: Okay, so then you're just protecting yourself protected. Yeah, yeah,

1228
00:54:47,480 --> 00:54:50,440
Speaker 3: but you know the tricky one, which brings me a

1229
00:54:50,480 --> 00:54:51,160
Speaker 3: little bit of shame. Is.

1230
00:54:51,239 --> 00:54:52,439
Speaker 1: People always ask me about answer.

1231
00:54:52,440 --> 00:54:53,680
Speaker 3: I am, and it's that weird thing where you say,

1232
00:54:53,719 --> 00:54:55,839
Speaker 3: I haven't lived there for twenty five years, and when

1233
00:54:55,840 --> 00:54:57,400
Speaker 3: I lived there with twenty five years ago, I had

1234
00:54:57,440 --> 00:54:59,320
Speaker 3: no money and so I don't actually and I'm.

1235
00:54:59,239 --> 00:55:00,480
Speaker 1: Like three sentence ago.

1236
00:55:00,719 --> 00:55:04,040
Speaker 3: Yeah, it's just not they had a different government, right, yeah,

1237
00:55:04,160 --> 00:55:05,359
Speaker 3: Like yeah, well.

1238
00:55:05,280 --> 00:55:07,240
Speaker 1: Bowen, I'll just say, we gotta go to the Soho house.

1239
00:55:08,640 --> 00:55:11,560
Speaker 1: Bowen will go to every international Stowho house. You are

1240
00:55:11,640 --> 00:55:12,480
Speaker 1: their number one game.

1241
00:55:12,600 --> 00:55:12,920
Speaker 4: I'm not.

1242
00:55:13,200 --> 00:55:15,440
Speaker 2: It's only because I don't know where Berlin.

1243
00:55:15,480 --> 00:55:16,759
Speaker 1: I'm like, I've never been here before. I don't know

1244
00:55:16,760 --> 00:55:20,080
Speaker 1: where to go. Let's go to the soho Is food

1245
00:55:20,160 --> 00:55:21,920
Speaker 1: there at the German Stufho house.

1246
00:55:21,960 --> 00:55:25,239
Speaker 3: It's oh, you haven't had Mexican until you at the

1247
00:55:25,320 --> 00:55:26,319
Speaker 3: German house.

1248
00:55:27,040 --> 00:55:29,719
Speaker 1: I want to have like a membership somewhere, but I

1249
00:55:29,760 --> 00:55:31,680
Speaker 1: don't know where because then, like I feel like you

1250
00:55:31,760 --> 00:55:34,160
Speaker 1: get clocked sometimes, like okay, so they're not supposed to

1251
00:55:34,200 --> 00:55:36,320
Speaker 1: clock you, no, no, no, not clocked in terms of

1252
00:55:36,440 --> 00:55:38,400
Speaker 1: like we see who you are. It's just like I

1253
00:55:38,400 --> 00:55:40,560
Speaker 1: feel like people are like, oh, you remember there, you

1254
00:55:40,600 --> 00:55:42,239
Speaker 1: know what I mean. I know, but that's part of

1255
00:55:42,280 --> 00:55:42,840
Speaker 1: the exchange.

1256
00:55:42,920 --> 00:55:44,719
Speaker 3: I went to Berlin once with some ICINL people and

1257
00:55:44,760 --> 00:55:46,359
Speaker 3: I'm going to tell you the name of ansnal person

1258
00:55:46,360 --> 00:55:49,440
Speaker 3: who still works there, who rocked so hard in Berlin,

1259
00:55:49,640 --> 00:55:51,480
Speaker 3: and it's gonna blow your mind. I'm gonna tell you

1260
00:55:51,520 --> 00:55:58,160
Speaker 3: the name Eric Kenward. Oh, Eric Kenward r. Last choice, right,

1261
00:55:59,280 --> 00:56:03,000
Speaker 3: It's not totally unsurprising, yes, but Eric Kenward. We were

1262
00:56:03,160 --> 00:56:06,440
Speaker 3: out in Berlin. Everywhere we went, we would be at

1263
00:56:06,480 --> 00:56:08,279
Speaker 3: sort of underground bars. It would be three in the

1264
00:56:08,360 --> 00:56:10,560
Speaker 3: morning and we would say, are we're gonna go? He's like, yeah,

1265
00:56:10,600 --> 00:56:13,120
Speaker 3: I'm gonna i'ma go check out another place, just like

1266
00:56:13,200 --> 00:56:15,320
Speaker 3: he would have gone to the bar and met some

1267
00:56:15,600 --> 00:56:16,480
Speaker 3: other German.

1268
00:56:16,760 --> 00:56:19,399
Speaker 2: And he is because he's very on top of it. Yeah,

1269
00:56:19,640 --> 00:56:21,520
Speaker 2: we put together person, very put together.

1270
00:56:21,280 --> 00:56:25,399
Speaker 3: Person, and he a whole different version of him came

1271
00:56:25,400 --> 00:56:27,040
Speaker 3: out in Berlin and one night we went to a

1272
00:56:27,120 --> 00:56:29,719
Speaker 3: night club in Berlin and the next morning he goes,

1273
00:56:29,760 --> 00:56:31,680
Speaker 3: I think I left my passport at the club.

1274
00:56:31,760 --> 00:56:32,279
Speaker 1: Oh my god.

1275
00:56:32,719 --> 00:56:34,880
Speaker 3: And it was the funniest thing because it was, you know,

1276
00:56:35,000 --> 00:56:37,560
Speaker 3: ten am, and we went back like a German nightclub

1277
00:56:37,560 --> 00:56:41,000
Speaker 3: at ten am looked like there was no no It

1278
00:56:41,120 --> 00:56:43,040
Speaker 3: was like the amount of locks on the doors. It's like,

1279
00:56:43,160 --> 00:56:46,400
Speaker 3: this might not open again ever a day. It doesn't

1280
00:56:46,400 --> 00:56:50,080
Speaker 3: look it looks like a condemned And I'll bring it

1281
00:56:50,120 --> 00:56:52,319
Speaker 3: back to one of the credits you mentioned. I thank

1282
00:56:52,360 --> 00:56:54,239
Speaker 3: you very much for doing that New Year's Eve. So

1283
00:56:54,520 --> 00:56:55,839
Speaker 3: I was in the film Newars Eve. It was then

1284
00:56:55,880 --> 00:56:56,560
Speaker 3: my final film.

1285
00:56:57,160 --> 00:56:59,200
Speaker 1: It's on Delta. By the way, you can watch it

1286
00:56:59,239 --> 00:56:59,920
Speaker 1: on Delta almost.

1287
00:57:00,040 --> 00:57:01,960
Speaker 3: You know what I will say, I have I've been

1288
00:57:02,000 --> 00:57:03,640
Speaker 3: in the kind of movies that I have seen on

1289
00:57:03,719 --> 00:57:07,120
Speaker 3: the back of seats where people then flip no, you

1290
00:57:07,160 --> 00:57:09,120
Speaker 3: still get residentied. I think if they started, I get

1291
00:57:09,160 --> 00:57:12,680
Speaker 3: a resist. So one of my co stars in that

1292
00:57:12,760 --> 00:57:14,880
Speaker 3: movie is a guy named Till Schweger who is a

1293
00:57:15,080 --> 00:57:20,320
Speaker 3: German actor. He was in Gloria's Bastard yep. And he

1294
00:57:21,680 --> 00:57:23,400
Speaker 3: had said to me, if you're ever in Germany, here's

1295
00:57:23,440 --> 00:57:24,800
Speaker 3: my number, and I assume you know, I was like,

1296
00:57:24,800 --> 00:57:25,520
Speaker 3: I'm never gonna see me.

1297
00:57:25,920 --> 00:57:26,200
Speaker 1: We worked.

1298
00:57:26,240 --> 00:57:27,720
Speaker 3: It was like three days we worked on that movie,

1299
00:57:28,200 --> 00:57:30,000
Speaker 3: and then I'm in Germany. I'm like and he told

1300
00:57:30,040 --> 00:57:33,080
Speaker 3: me I'm a huge start in Germany. And so I

1301
00:57:33,200 --> 00:57:35,920
Speaker 3: text Till Schweiger and I'm like, han with like five friends,

1302
00:57:36,120 --> 00:57:37,360
Speaker 3: and he goes, oh my god, where are you. I'm

1303
00:57:37,360 --> 00:57:39,160
Speaker 3: like here, he goes, come over. So he went over

1304
00:57:39,360 --> 00:57:42,880
Speaker 3: and he was the nicest. He said, I've got a

1305
00:57:42,920 --> 00:57:43,439
Speaker 3: bunch of bikes.

1306
00:57:43,480 --> 00:57:43,800
Speaker 1: We'll get it.

1307
00:57:43,880 --> 00:57:45,640
Speaker 3: Well, I'll get bikes. And he's the guy who took

1308
00:57:45,720 --> 00:57:47,720
Speaker 3: us this night club. And by the way, he was

1309
00:57:47,840 --> 00:57:50,400
Speaker 3: like everywhere you went he heard people be like this

1310
00:57:50,560 --> 00:57:56,920
Speaker 3: is like everybody even on bikes, people like so and so. Anyway,

1311
00:57:57,280 --> 00:58:00,920
Speaker 3: he's like, come out on my boat there. So kenra

1312
00:58:01,040 --> 00:58:03,880
Speaker 3: loses his passport and we get on till Schweger's boat

1313
00:58:04,000 --> 00:58:06,280
Speaker 3: and uh, Ken was like, I think I gotta go

1314
00:58:06,360 --> 00:58:08,080
Speaker 3: to the embassy or you know, because we gotta fly

1315
00:58:08,440 --> 00:58:10,160
Speaker 3: Andti it's like, what happened. I'm like his left his

1316
00:58:10,160 --> 00:58:12,160
Speaker 3: passport at the club last night. He's like yeah, hold

1317
00:58:12,200 --> 00:58:13,960
Speaker 3: on second, and he just like I mean, you know,

1318
00:58:14,080 --> 00:58:18,160
Speaker 3: it's yeah, is it Schweger? My friend did Kenvid is

1319
00:58:18,160 --> 00:58:18,800
Speaker 3: a passports?

1320
00:58:19,240 --> 00:58:19,400
Speaker 4: Yeah?

1321
00:58:19,640 --> 00:58:22,480
Speaker 3: Good guy and he's like yeah, they have it. He

1322
00:58:22,640 --> 00:58:25,000
Speaker 3: just like call like new like he had like the

1323
00:58:25,040 --> 00:58:26,840
Speaker 3: phone number to like club owners in Berlin.

1324
00:58:26,960 --> 00:58:27,600
Speaker 1: That's incredible.

1325
00:58:27,640 --> 00:58:29,680
Speaker 3: And it was immediately like it'll be at your hotel.

1326
00:58:30,040 --> 00:58:33,200
Speaker 3: So that was that was a lot of you know what,

1327
00:58:33,400 --> 00:58:35,360
Speaker 3: I will say, I did not enjoy my time on

1328
00:58:35,480 --> 00:58:37,640
Speaker 3: film sets. I felt very out of my depths.

1329
00:58:37,880 --> 00:58:41,720
Speaker 1: Okay, but there's it was a great experience. Who is

1330
00:58:41,760 --> 00:58:42,120
Speaker 1: your wife?

1331
00:58:42,160 --> 00:58:44,960
Speaker 3: And that Jessica Bill, So that's a nice thing just

1332
00:58:45,040 --> 00:58:47,560
Speaker 3: as a credit. But the other couple was Till Schweger

1333
00:58:47,640 --> 00:58:50,960
Speaker 3: and Sarah Paulson. Oh, so that was it was a

1334
00:58:51,000 --> 00:58:51,920
Speaker 3: really nice foursome.

1335
00:58:52,200 --> 00:58:53,800
Speaker 1: And uh Marshall.

1336
00:58:53,880 --> 00:58:57,920
Speaker 3: It was Garry Marshall. Gary Marshall, who I love. I

1337
00:58:58,160 --> 00:59:01,240
Speaker 3: loved him so much and he he was a Northwestern guy. Yeah,

1338
00:59:01,600 --> 00:59:04,200
Speaker 3: and I remember one are the days I had a

1339
00:59:04,200 --> 00:59:05,840
Speaker 3: scene where I was gonna run down the hallway because

1340
00:59:05,920 --> 00:59:07,360
Speaker 3: you know, Jessica's water had broken.

1341
00:59:07,640 --> 00:59:09,520
Speaker 1: I do not remember her character's name. I apologize.

1342
00:59:10,040 --> 00:59:11,360
Speaker 3: I was run down the hallway. I was gonna bump

1343
00:59:11,360 --> 00:59:13,160
Speaker 3: in an old lady and apologize to her. And I

1344
00:59:13,240 --> 00:59:14,160
Speaker 3: remember Gary came up with you.

1345
00:59:14,640 --> 00:59:17,120
Speaker 4: He goes, I want you to think of your favorite

1346
00:59:17,240 --> 00:59:20,520
Speaker 4: teacher you ever had, and whatever her name was. When

1347
00:59:20,560 --> 00:59:24,240
Speaker 4: you bump into this lady, you're gonna say I'm sorry, missus,

1348
00:59:24,360 --> 00:59:27,200
Speaker 4: whatever her name was, and she's gonna watch it, and

1349
00:59:27,280 --> 00:59:28,560
Speaker 4: she's gonna say, look at it.

1350
00:59:28,960 --> 00:59:31,520
Speaker 3: He remembers me anyway.

1351
00:59:31,920 --> 00:59:32,640
Speaker 1: It's so sweet.

1352
00:59:32,720 --> 00:59:35,280
Speaker 3: And then end of the day we run along, have

1353
00:59:35,360 --> 00:59:37,680
Speaker 3: to cut the scene. No, but he comes in, he goes,

1354
00:59:37,920 --> 00:59:40,760
Speaker 3: I'm cutting the scene. Will you promised me you're gonna

1355
00:59:40,800 --> 00:59:41,120
Speaker 3: call her?

1356
00:59:41,440 --> 00:59:43,480
Speaker 1: Oh you did not?

1357
00:59:44,920 --> 00:59:46,320
Speaker 3: I think also the thing that I had never had

1358
00:59:46,360 --> 00:59:48,360
Speaker 3: that to tell her. I'm like, I'm pretty sure she's long.

1359
00:59:48,760 --> 00:59:51,640
Speaker 1: Yeah, yeah, I don't have a scary thought of like

1360
00:59:51,760 --> 00:59:54,080
Speaker 1: because your favorite teachers when you were young might have

1361
00:59:54,400 --> 00:59:56,520
Speaker 1: they old now, or you'd see them and they would

1362
00:59:56,520 --> 01:00:02,040
Speaker 1: look like so different. I'm scared later you to bring

1363
01:00:02,080 --> 01:00:04,240
Speaker 1: it to that. I had to bring it there, you

1364
01:00:04,320 --> 01:00:05,640
Speaker 1: know what. I was looking at the New Year's Eve

1365
01:00:05,720 --> 01:00:07,280
Speaker 1: thing and there's so many stars.

1366
01:00:07,640 --> 01:00:09,880
Speaker 3: Michelle and none of us met each other because it

1367
01:00:09,920 --> 01:00:12,440
Speaker 3: was everything was like silent. It wasn't like one of

1368
01:00:12,520 --> 01:00:13,800
Speaker 3: those movies where we all meet.

1369
01:00:13,720 --> 01:00:16,760
Speaker 1: Up at the end, so you're not in your future.

1370
01:00:16,800 --> 01:00:18,880
Speaker 1: You don't see more on camera act I do not,

1371
01:00:19,160 --> 01:00:20,000
Speaker 1: and I feel great.

1372
01:00:20,120 --> 01:00:22,400
Speaker 3: I had a moment I remember where I decided I

1373
01:00:22,560 --> 01:00:25,320
Speaker 3: wasn't going to be I wasn't gonna do that anymore.

1374
01:00:26,040 --> 01:00:29,480
Speaker 1: And I was so the relief I felt. It was

1375
01:00:29,680 --> 01:00:31,480
Speaker 1: so lovely. Well, we had a part for you.

1376
01:00:33,200 --> 01:00:36,640
Speaker 3: I big, big movie, any big movie with you two,

1377
01:00:37,560 --> 01:00:39,080
Speaker 3: if it's the case where I get to play.

1378
01:00:41,320 --> 01:00:43,840
Speaker 1: It was like, you know the one we're talking about, Well, actually,

1379
01:00:43,880 --> 01:00:44,560
Speaker 1: what are you a role?

1380
01:00:45,880 --> 01:00:47,600
Speaker 2: That's what I was going on. It's like, I think

1381
01:00:47,640 --> 01:00:48,680
Speaker 2: this is just a challenge.

1382
01:00:48,800 --> 01:00:51,760
Speaker 1: I have to say your Gary just now, you're Gary

1383
01:00:51,800 --> 01:00:55,240
Speaker 1: Marshall just now was unbelievable. Put a camera on you there.

1384
01:00:55,520 --> 01:00:57,160
Speaker 1: That's an for the bike.

1385
01:00:57,280 --> 01:00:59,760
Speaker 3: I have a perfect level of impersonation for my current

1386
01:01:00,240 --> 01:01:04,160
Speaker 3: which is very undercooked, but like grabbing the essence of Yes.

1387
01:01:04,640 --> 01:01:07,640
Speaker 3: There was a moment in time where the beginnings or

1388
01:01:07,680 --> 01:01:10,880
Speaker 3: the idea of a Steffan script was being discussed when

1389
01:01:10,880 --> 01:01:14,000
Speaker 3: a millennium bill write one. And this was not a

1390
01:01:14,040 --> 01:01:15,960
Speaker 3: scene that's ever written, but I did have a pitch

1391
01:01:16,200 --> 01:01:20,280
Speaker 3: for myself and Steffan, which was because I knew it

1392
01:01:20,320 --> 01:01:23,240
Speaker 3: was going to be Steffan and James Franco, you know,

1393
01:01:23,320 --> 01:01:25,800
Speaker 3: whatever whoever his It wasn't going to be me and Steffan.

1394
01:01:25,960 --> 01:01:27,880
Speaker 3: But you figure in, So I figured in. So I said,

1395
01:01:27,920 --> 01:01:30,160
Speaker 3: here's how I think it should start. It should start

1396
01:01:30,200 --> 01:01:32,919
Speaker 3: with Stefan when we get update, and then when it's over,

1397
01:01:33,440 --> 01:01:35,520
Speaker 3: you know, and once again I'm so disappointed that as

1398
01:01:35,560 --> 01:01:38,160
Speaker 3: the city correspondent he did not bring whatever St. Patricks

1399
01:01:38,160 --> 01:01:40,800
Speaker 3: State tips, and he said, look, jamake it.

1400
01:01:40,840 --> 01:01:41,080
Speaker 1: Up for you.

1401
01:01:41,240 --> 01:01:43,200
Speaker 3: Just come out with me one night, Just come out

1402
01:01:43,280 --> 01:01:46,160
Speaker 3: have a night me and you together as Stefan's New York.

1403
01:01:46,320 --> 01:01:47,840
Speaker 3: And I'm like, all right, one night, and then you

1404
01:01:47,880 --> 01:01:50,400
Speaker 3: would just do these super fast cuts of he and

1405
01:01:50,480 --> 01:01:52,720
Speaker 3: I and all these crazy clubs. That would be the

1406
01:01:52,760 --> 01:01:54,760
Speaker 3: opening montage, and then it would end with me in

1407
01:01:54,800 --> 01:02:00,400
Speaker 3: a body bag and Stefan would say He's dead, and

1408
01:02:00,480 --> 01:02:03,439
Speaker 3: then title like then the splash stuff on the movie,

1409
01:02:03,600 --> 01:02:05,680
Speaker 3: and then it would be about him following, you.

1410
01:02:05,680 --> 01:02:07,560
Speaker 2: Know, that would be that is the most beautiful bridge

1411
01:02:07,640 --> 01:02:09,120
Speaker 2: out of I thought it was a world bridge.

1412
01:02:09,640 --> 01:02:12,960
Speaker 1: That is so funny, and honestly, fifteen years before they

1413
01:02:12,960 --> 01:02:16,560
Speaker 1: would have made that movie, it was Yeah, I think

1414
01:02:16,640 --> 01:02:18,920
Speaker 1: that was a real Bill had a good sense of

1415
01:02:19,360 --> 01:02:23,320
Speaker 1: because again it was still pristine to have a has

1416
01:02:23,520 --> 01:02:24,000
Speaker 1: no character.

1417
01:02:24,120 --> 01:02:26,520
Speaker 3: That also, that was the greatest gift to me as

1418
01:02:26,560 --> 01:02:30,560
Speaker 3: far as I mean, I thought my job was just

1419
01:02:30,640 --> 01:02:34,040
Speaker 3: to be Stefan's foil. And then very slowly him and

1420
01:02:34,120 --> 01:02:36,320
Speaker 3: Malaney wrote this. It was my romantic company.

1421
01:02:36,360 --> 01:02:41,000
Speaker 1: I can't believe it really developed into something gorgeous. It was.

1422
01:02:42,000 --> 01:02:43,840
Speaker 1: It was a moment in culture. Yeah, that was that

1423
01:02:44,320 --> 01:02:47,439
Speaker 1: was incredible. We both it was his last.

1424
01:02:47,520 --> 01:02:50,439
Speaker 3: Bill's last show was that getting married to Andre Cooper,

1425
01:02:50,480 --> 01:02:53,200
Speaker 3: and we had me saving me the wedding and we

1426
01:02:53,520 --> 01:02:56,160
Speaker 3: villa and I ran off stage, or he ran off,

1427
01:02:56,160 --> 01:02:57,400
Speaker 3: and then I followed him, and then it went to

1428
01:02:57,480 --> 01:02:59,840
Speaker 3: the pre tape and then Bill and I were backed

1429
01:03:00,080 --> 01:03:04,200
Speaker 3: age right outside the control room wardrobe if you can picture,

1430
01:03:04,240 --> 01:03:06,800
Speaker 3: and we're watching a pre tape and now he's wearing

1431
01:03:06,800 --> 01:03:09,440
Speaker 3: a veil and we're holding hands. And it was Bill's

1432
01:03:09,480 --> 01:03:13,080
Speaker 3: last show, and it was Sidigus's last show and friend's

1433
01:03:13,200 --> 01:03:15,400
Speaker 3: last show, I think, and so and the last the

1434
01:03:15,440 --> 01:03:17,960
Speaker 3: previous year had been Andy and Wiggs. So for me,

1435
01:03:18,120 --> 01:03:19,880
Speaker 3: end of the era. I also know I'm leaving that

1436
01:03:20,000 --> 01:03:21,640
Speaker 3: year at the host late night and Bill and I

1437
01:03:21,680 --> 01:03:25,160
Speaker 3: are holding hands and we're both like starting to cry.

1438
01:03:26,000 --> 01:03:28,600
Speaker 3: And I was so funny because I remember I was

1439
01:03:28,640 --> 01:03:31,080
Speaker 3: getting married a few months later, and I'm like, I

1440
01:03:31,360 --> 01:03:32,640
Speaker 3: don't cry at my real wedding.

1441
01:03:34,840 --> 01:03:36,600
Speaker 1: Did you I did that?

1442
01:03:36,760 --> 01:03:41,000
Speaker 3: But it was yes, oh yes, but it's happy Capricorn.

1443
01:03:41,520 --> 01:03:42,800
Speaker 3: I'm a real happy crier.

1444
01:03:42,920 --> 01:03:43,280
Speaker 1: I don't.

1445
01:03:43,360 --> 01:03:46,440
Speaker 3: I rarely cry out of sadness. I will I'm a

1446
01:03:46,440 --> 01:03:49,240
Speaker 3: happy I mean, one of the great things in life

1447
01:03:49,360 --> 01:03:51,640
Speaker 3: is for me is like telling people how much you

1448
01:03:51,640 --> 01:03:51,960
Speaker 3: love him?

1449
01:03:52,000 --> 01:03:55,440
Speaker 1: How much? I mean, do you? That is so wonderful.

1450
01:03:55,720 --> 01:03:57,720
Speaker 1: I think if I've ever cried, it's been happy thing.

1451
01:03:57,720 --> 01:03:59,240
Speaker 1: I don't think I've ever cried for a sad thing

1452
01:03:59,280 --> 01:04:02,280
Speaker 1: on here on here. Yeah, I've definitely cried for that.

1453
01:04:03,120 --> 01:04:03,600
Speaker 2: You have, I have.

1454
01:04:03,720 --> 01:04:07,040
Speaker 1: I have a nice you have a beautiful range of

1455
01:04:07,360 --> 01:04:11,000
Speaker 1: range of emotion. I've tried to cry, not even tried

1456
01:04:11,040 --> 01:04:12,840
Speaker 1: to cry, but like I realized the other day, so

1457
01:04:12,920 --> 01:04:15,160
Speaker 1: I got on like Xippro this year, and I feel

1458
01:04:15,200 --> 01:04:18,360
Speaker 1: like it's made me unable to cry, and it's been

1459
01:04:18,920 --> 01:04:22,120
Speaker 1: hard to not have that because I do identify as

1460
01:04:22,160 --> 01:04:24,360
Speaker 1: a crier. So then I thought, maybe I'll get off

1461
01:04:24,400 --> 01:04:27,040
Speaker 1: of it. I missed crying. And then you realize, no, no, no,

1462
01:04:27,360 --> 01:04:29,680
Speaker 1: it's not the reason of it. You might cry all

1463
01:04:29,720 --> 01:04:32,680
Speaker 1: the time. Can you just lower the doors? So I

1464
01:04:32,720 --> 01:04:45,000
Speaker 1: get like two, yeah, good cries. Do you know what

1465
01:04:45,600 --> 01:04:48,840
Speaker 1: weekend update character? I always feel like should have come back,

1466
01:04:49,040 --> 01:04:50,720
Speaker 1: and it came in her last year. And you know

1467
01:04:50,720 --> 01:04:52,200
Speaker 1: who I'm going to talk about. I know you're gonna

1468
01:04:52,200 --> 01:04:55,120
Speaker 1: talk about flirting expert Rebecca LaRue. I mean, it's unbelievable,

1469
01:04:55,320 --> 01:04:59,680
Speaker 1: it's the I think it was her best work ever. Well,

1470
01:04:59,800 --> 01:05:01,640
Speaker 1: I I'll just say here's how good it was. It was.

1471
01:05:02,120 --> 01:05:04,120
Speaker 3: While it was going on, I had a moment where

1472
01:05:04,120 --> 01:05:06,080
Speaker 3: I thought, am I gonna fuck Christy?

1473
01:05:07,000 --> 01:05:08,400
Speaker 1: It literally is so.

1474
01:05:10,080 --> 01:05:14,160
Speaker 3: It's so so real, real, so real, And it was

1475
01:05:14,280 --> 01:05:17,960
Speaker 3: such an indictment the kind of girls that I was

1476
01:05:18,160 --> 01:05:22,040
Speaker 3: into before I met my wife. Was like having this

1477
01:05:22,160 --> 01:05:26,440
Speaker 3: weird flashbacks like this is nice. She's making me feel nice.

1478
01:05:28,080 --> 01:05:31,400
Speaker 2: This is so for me because that's why it's so funny,

1479
01:05:31,440 --> 01:05:34,600
Speaker 2: is because that is a person in the world and

1480
01:05:34,720 --> 01:05:38,640
Speaker 2: that's how they are. But I gotta say, so, you

1481
01:05:38,720 --> 01:05:42,360
Speaker 2: can access dress rehearsal footage for every single episode that's

1482
01:05:42,400 --> 01:05:45,280
Speaker 2: ever aired. I love this and I was so curious.

1483
01:05:45,320 --> 01:05:47,640
Speaker 2: I was like, how did Rebecca LaRue play a dress?

1484
01:05:48,160 --> 01:05:50,240
Speaker 1: Oh? I don't even know. Do you not remember? I

1485
01:05:50,320 --> 01:05:50,920
Speaker 1: have no memory.

1486
01:05:51,000 --> 01:05:52,560
Speaker 2: I went back and watched the dress version of that

1487
01:05:52,560 --> 01:05:57,400
Speaker 2: and I read the script completely different, almost completely, and like,

1488
01:05:57,560 --> 01:05:59,400
Speaker 2: it didn't And I'm gonna say, and I think it's

1489
01:05:59,440 --> 01:06:02,280
Speaker 2: okay that I say this didn't necessarily play a dress

1490
01:06:02,800 --> 01:06:04,400
Speaker 2: and It's one of those things where I go, that's

1491
01:06:04,480 --> 01:06:06,520
Speaker 2: amazing that they're like, we know what to change, we

1492
01:06:06,640 --> 01:06:08,600
Speaker 2: know how to fix this, and by the time it

1493
01:06:08,640 --> 01:06:10,120
Speaker 2: got to air it was perfect.

1494
01:06:10,200 --> 01:06:12,600
Speaker 1: How would you characterize the changes? It was just like

1495
01:06:12,760 --> 01:06:13,720
Speaker 1: she didn't open her legs.

1496
01:06:13,920 --> 01:06:17,320
Speaker 2: Yeah, dress she did it. I think she like underplayed it.

1497
01:06:18,000 --> 01:06:21,040
Speaker 2: I think she was quite too long and like it

1498
01:06:21,080 --> 01:06:23,040
Speaker 2: didn't have a breaking moment by the end, like it

1499
01:06:23,160 --> 01:06:25,760
Speaker 2: was just they really really fixed it up by it.

1500
01:06:25,920 --> 01:06:28,480
Speaker 3: I also I'm at risk of saying, well, that was

1501
01:06:28,560 --> 01:06:30,960
Speaker 3: the Wig era where she knew it would go through

1502
01:06:31,000 --> 01:06:31,400
Speaker 3: no matter what.

1503
01:06:31,520 --> 01:06:32,520
Speaker 1: But that was never her style.

1504
01:06:32,640 --> 01:06:35,600
Speaker 3: Sure, but that wasn't she never counted on anything right,

1505
01:06:35,680 --> 01:06:37,520
Speaker 3: So right, I don't even think it was a case

1506
01:06:37,560 --> 01:06:39,360
Speaker 3: of her being like I'm going to pace myself. I

1507
01:06:39,440 --> 01:06:41,439
Speaker 3: do think it was a case of her being smart enough.

1508
01:06:41,760 --> 01:06:44,919
Speaker 3: Probably wrote it with Kent Games. I'm gonna guess where

1509
01:06:44,960 --> 01:06:47,440
Speaker 3: they knew how to fix it. Yeah, and that is

1510
01:06:47,760 --> 01:06:52,919
Speaker 3: I mean so early on when I was doing update alone. Shoemaker,

1511
01:06:53,080 --> 01:06:56,080
Speaker 3: who's my producer, my Shreemaker fast he now claims that

1512
01:06:56,160 --> 01:06:58,439
Speaker 3: he maybe made this up to give me a note

1513
01:06:58,520 --> 01:07:01,080
Speaker 3: because he said, look, they've done some testing on you

1514
01:07:01,320 --> 01:07:04,160
Speaker 3: as a solo update host. And one of the things

1515
01:07:04,240 --> 01:07:07,320
Speaker 3: they said is they don't like when you don't like

1516
01:07:07,640 --> 01:07:10,080
Speaker 3: the guest. The viewer doesn't like when I'm mad, And

1517
01:07:10,120 --> 01:07:13,320
Speaker 3: I will say I think that was sort of a

1518
01:07:13,520 --> 01:07:17,240
Speaker 3: bygone comedy move just being frustrated, Like if I was

1519
01:07:17,360 --> 01:07:22,040
Speaker 3: always frustrated with Stefan, it would have been less fun.

1520
01:07:22,360 --> 01:07:26,440
Speaker 3: And so I gave myself permission to just enjoy. Yes,

1521
01:07:26,880 --> 01:07:29,880
Speaker 3: And with that said, there's still so many moments knowing

1522
01:07:29,960 --> 01:07:31,919
Speaker 3: that they were dress rehearsals of all those characters where

1523
01:07:31,920 --> 01:07:35,200
Speaker 3: they were so capable, that group of people was so

1524
01:07:35,360 --> 01:07:37,840
Speaker 3: capable of still being surprising two hours later.

1525
01:07:38,080 --> 01:07:38,280
Speaker 1: Yeah.

1526
01:07:38,560 --> 01:07:41,160
Speaker 2: Yeah, But that is the thing where, like I think

1527
01:07:41,200 --> 01:07:44,400
Speaker 2: Alex Bayz pointed this out, like the most flattering thing

1528
01:07:44,520 --> 01:07:47,200
Speaker 2: that ever came out of me doing the Iceberg was

1529
01:07:47,240 --> 01:07:49,560
Speaker 2: like Henry was telling me that Alex Bayes was telling

1530
01:07:49,720 --> 01:07:53,720
Speaker 2: Henry that, like, the Iceberg is so crazy because it's

1531
01:07:53,840 --> 01:07:57,240
Speaker 2: usually Colin or Seth or Jay or whoever's at the

1532
01:07:57,280 --> 01:07:59,600
Speaker 2: update desk being like, hey, come on, hey, come on, guests,

1533
01:07:59,640 --> 01:08:02,160
Speaker 2: like stop doing that. But this was a reversal where

1534
01:08:02,200 --> 01:08:05,200
Speaker 2: it was Colin being like come on, like like teasing

1535
01:08:05,280 --> 01:08:08,320
Speaker 2: something out of the guests being like, no, once you

1536
01:08:08,360 --> 01:08:10,520
Speaker 2: give us something, won't you talk about like the Titanic

1537
01:08:10,840 --> 01:08:13,200
Speaker 2: thinking but for a little bit. And it's the guests

1538
01:08:13,200 --> 01:08:15,680
Speaker 2: who's like, no, I'm not going to do that. I

1539
01:08:15,760 --> 01:08:18,200
Speaker 2: was like, oh, like I that had never occurred to

1540
01:08:18,280 --> 01:08:20,040
Speaker 2: me and Anna dress and that like that's what we

1541
01:08:20,120 --> 01:08:22,560
Speaker 2: were doing. But like that is the thing that like

1542
01:08:22,800 --> 01:08:24,680
Speaker 2: that's another ingreen to think about. Asking No, it's like, oh,

1543
01:08:24,680 --> 01:08:26,600
Speaker 2: whoever's at the update desk is like trying to like

1544
01:08:26,800 --> 01:08:28,720
Speaker 2: tamp down the fun of whatever's going on with the

1545
01:08:28,760 --> 01:08:29,360
Speaker 2: guests or something.

1546
01:08:29,439 --> 01:08:31,640
Speaker 3: Yes, absolutely, but like people will say, how did you

1547
01:08:31,720 --> 01:08:33,320
Speaker 3: not laugh during stuffan? And I was saying, I think

1548
01:08:33,320 --> 01:08:34,840
Speaker 3: I laughed all the time. Yeah, I think that was

1549
01:08:34,840 --> 01:08:36,120
Speaker 3: part of the fun of it. When you go back,

1550
01:08:36,240 --> 01:08:40,240
Speaker 3: like I allowed myself. One of my friends Neil Brannan said,

1551
01:08:40,439 --> 01:08:42,240
Speaker 3: he goes. I like to think of update as the

1552
01:08:42,439 --> 01:08:46,840
Speaker 3: last place anyone can get their clients booked. Like everyone has,

1553
01:08:46,960 --> 01:08:49,880
Speaker 3: they've already they've had just like look morning, Joe will

1554
01:08:49,960 --> 01:08:54,680
Speaker 3: not have gone back. He's a persona non grada, you know,

1555
01:08:54,800 --> 01:08:57,600
Speaker 3: but they think, you know, if we could just he promises,

1556
01:08:57,760 --> 01:08:59,840
Speaker 3: And so that was another funny way to think about it,

1557
01:09:00,000 --> 01:09:01,720
Speaker 3: which this is the last place with any of these

1558
01:09:01,760 --> 01:09:02,479
Speaker 3: people can be on it.

1559
01:09:03,320 --> 01:09:07,200
Speaker 1: That is such a good frame. Yep, totally. Well, I

1560
01:09:07,240 --> 01:09:09,479
Speaker 1: think it's time. It might be time. I don't think so, honey.

1561
01:09:09,800 --> 01:09:09,960
Speaker 2: Oh.

1562
01:09:10,360 --> 01:09:14,960
Speaker 1: This seth is our one minute segment we do. It's

1563
01:09:14,960 --> 01:09:17,639
Speaker 1: where we sort of drag something on culture for let's

1564
01:09:17,640 --> 01:09:20,479
Speaker 1: say a minute, and we said, I don't think so, honey,

1565
01:09:20,560 --> 01:09:23,439
Speaker 1: threw out. I have something, and it's it's not to

1566
01:09:23,600 --> 01:09:28,040
Speaker 1: attack London. It's to make an observation again about something

1567
01:09:28,080 --> 01:09:31,320
Speaker 1: I've said in the past, because let me just get

1568
01:09:31,360 --> 01:09:31,600
Speaker 1: into it.

1569
01:09:31,680 --> 01:09:33,240
Speaker 2: Okay, this is Matt Rounders. I don't think so many

1570
01:09:33,360 --> 01:09:33,760
Speaker 2: times starts.

1571
01:09:34,040 --> 01:09:36,240
Speaker 1: I don't think so many of the showers in London. Oh,

1572
01:09:36,360 --> 01:09:38,760
Speaker 1: I've come for the water closets and the situations with

1573
01:09:38,840 --> 01:09:41,200
Speaker 1: the toilets being in a separate room. I have a

1574
01:09:41,400 --> 01:09:44,080
Speaker 1: huge bruise on my ass right now. I collapsed in

1575
01:09:44,160 --> 01:09:45,920
Speaker 1: the shower. I didn't even fell. I collapsed. It was

1576
01:09:46,080 --> 01:09:48,280
Speaker 1: more than what Julia Roberts does for comedic effect. It

1577
01:09:48,360 --> 01:09:51,560
Speaker 1: was a full collapse. Okay, I have to tell you

1578
01:09:51,880 --> 01:09:55,000
Speaker 1: what we're trying to do. I appreciate that the shower

1579
01:09:55,080 --> 01:09:56,599
Speaker 1: and the toilet were in the same room. But when

1580
01:09:56,640 --> 01:09:59,000
Speaker 1: the room is too small, that means the shower is

1581
01:09:59,080 --> 01:10:02,000
Speaker 1: too small as well. The shower too small, I collapse

1582
01:10:02,320 --> 01:10:04,840
Speaker 1: the bruise on my as seconds. I was, of course,

1583
01:10:04,960 --> 01:10:07,719
Speaker 1: because this is the horniest time of the year, dming

1584
01:10:07,760 --> 01:10:09,479
Speaker 1: with people about potentially hooking up with them in the

1585
01:10:09,560 --> 01:10:12,120
Speaker 1: days prior to Thanksgiving because people get super horny on

1586
01:10:12,160 --> 01:10:13,479
Speaker 1: the DMS this time of year. I told you this

1587
01:10:13,600 --> 01:10:16,080
Speaker 1: on your show. Yes, I can't hook up with anyone

1588
01:10:16,200 --> 01:10:20,040
Speaker 1: right now because of the ganger tax bruise on my ass.

1589
01:10:20,160 --> 01:10:20,479
Speaker 3: Right now.

1590
01:10:20,560 --> 01:10:22,519
Speaker 1: I would show you, but I just don't think everyone

1591
01:10:22,560 --> 01:10:23,200
Speaker 1: wants to see it.

1592
01:10:23,880 --> 01:10:27,000
Speaker 2: I have to say it's bad, it's limiting, and it's

1593
01:10:27,120 --> 01:10:29,160
Speaker 2: because of the size of the shower.

1594
01:10:29,280 --> 01:10:31,800
Speaker 1: I don't think so, honey. The way we're set up

1595
01:10:31,880 --> 01:10:36,040
Speaker 1: to fail in London in these certain rooms with the plumbing,

1596
01:10:36,400 --> 01:10:38,800
Speaker 1: that's so scary. I have to tell you. It was

1597
01:10:38,960 --> 01:10:40,519
Speaker 1: just a thing where I was like in the shower

1598
01:10:40,560 --> 01:10:42,479
Speaker 1: and I was just like, okay, well if I can't

1599
01:10:42,560 --> 01:10:44,840
Speaker 1: really move It's like, you know, when there's like too

1600
01:10:44,960 --> 01:10:47,320
Speaker 1: much room you have fun in the shower and you're

1601
01:10:47,360 --> 01:10:48,200
Speaker 1: kind of moving around.

1602
01:10:48,600 --> 01:10:51,320
Speaker 2: I don't move around that much, stand right, on what's

1603
01:10:51,360 --> 01:10:52,040
Speaker 2: your shower style?

1604
01:10:52,080 --> 01:10:53,479
Speaker 1: You stand right under the water and.

1605
01:10:53,479 --> 01:10:55,679
Speaker 2: Then I'll reach and grab a bottle of something.

1606
01:10:56,160 --> 01:10:58,439
Speaker 1: But I'm not. I'm not really using the space. I

1607
01:10:58,680 --> 01:11:00,719
Speaker 1: like to like very much move around in the swer.

1608
01:11:00,800 --> 01:11:03,599
Speaker 1: It's not dancing. Will that there's there's a hazard?

1609
01:11:03,840 --> 01:11:06,120
Speaker 3: Well sure, but like I feel like your lawyer, if

1610
01:11:06,120 --> 01:11:08,080
Speaker 3: you're going to take legal action against this hotel, your

1611
01:11:08,160 --> 01:11:10,960
Speaker 3: lawyer right now is stop talking, man.

1612
01:11:11,120 --> 01:11:14,800
Speaker 1: You are putting yourself in a hard position. And Okay.

1613
01:11:14,880 --> 01:11:17,160
Speaker 1: So then they had what was called a rubber matt,

1614
01:11:17,880 --> 01:11:22,040
Speaker 1: which I guess I was supposed to put down. I'm

1615
01:11:22,080 --> 01:11:26,840
Speaker 1: not saying no, I'm not because my lawyer, Seth, you're

1616
01:11:26,840 --> 01:11:29,920
Speaker 1: a lawyer to he'll be like, I don't know because

1617
01:11:29,920 --> 01:11:31,720
Speaker 1: I think this Seth is right, But I will say

1618
01:11:31,840 --> 01:11:34,400
Speaker 1: I open up. Our laws name is actually Seth. The

1619
01:11:34,479 --> 01:11:38,120
Speaker 1: lawyers name is Seth. Silent killers. We love our lawyers.

1620
01:11:39,000 --> 01:11:40,640
Speaker 1: They were described to us before we hired them as

1621
01:11:40,680 --> 01:11:41,920
Speaker 1: silent kill Were they really?

1622
01:11:42,160 --> 01:11:42,600
Speaker 4: I was not.

1623
01:11:43,000 --> 01:11:45,040
Speaker 1: They were not described as that to me. We had

1624
01:11:45,080 --> 01:11:47,240
Speaker 1: a manager who was like, you're gonna want these guys.

1625
01:11:47,280 --> 01:11:49,960
Speaker 1: They're silent killers. They're not the kind of lawyers that's

1626
01:11:49,960 --> 01:11:53,679
Speaker 1: like in peoples. They're they're lovely, very very good lawyers.

1627
01:11:53,840 --> 01:11:55,360
Speaker 1: They love when we talk about them. Mother shows. So

1628
01:11:55,439 --> 01:11:57,719
Speaker 1: we always get a text that's great, well, Seth always texts.

1629
01:11:57,720 --> 01:12:01,720
Speaker 1: Is not a texter, Yeah, and not with me. He's

1630
01:12:01,760 --> 01:12:04,680
Speaker 1: a silent text, That's what it is. I'm just not

1631
01:12:04,800 --> 01:12:08,360
Speaker 1: I'm just not seeing it. So I opened the rubber

1632
01:12:08,439 --> 01:12:12,240
Speaker 1: mat and it's like yellow and like it looks nasty,

1633
01:12:12,320 --> 01:12:13,720
Speaker 1: and I'm like, I'm not putting my feet on that,

1634
01:12:13,880 --> 01:12:17,080
Speaker 1: especially as someone who's a survivor of athletes' foot right.

1635
01:12:17,439 --> 01:12:20,240
Speaker 1: I had athletes over about nine months. Oh, and I

1636
01:12:20,360 --> 01:12:22,439
Speaker 1: realized it was because I had to have my shower washed.

1637
01:12:22,479 --> 01:12:24,320
Speaker 2: But can I say that you having a bruise on

1638
01:12:24,400 --> 01:12:27,120
Speaker 2: your ass does not necessarily preclude you from hooking up

1639
01:12:27,120 --> 01:12:29,040
Speaker 2: with anybody some people, can I say?

1640
01:12:29,600 --> 01:12:32,439
Speaker 1: It's not like cute bruise, Like, I'm.

1641
01:12:32,400 --> 01:12:35,360
Speaker 2: Like, that's not up to you, all right, that's up

1642
01:12:35,400 --> 01:12:36,120
Speaker 2: to the other person.

1643
01:12:36,320 --> 01:12:37,479
Speaker 1: I guess should I run the risk?

1644
01:12:37,640 --> 01:12:39,360
Speaker 2: I think you should. Also, I don't I disagree that

1645
01:12:39,439 --> 01:12:41,680
Speaker 2: this is the horniest time of year. In a month,

1646
01:12:41,760 --> 01:12:43,040
Speaker 2: it will be the horniest time of year.

1647
01:12:43,120 --> 01:12:46,280
Speaker 3: It's actually I don't disagree with me every on record

1648
01:12:47,040 --> 01:12:49,760
Speaker 3: thing for me and press, Oh busy interesting. So it's

1649
01:12:49,760 --> 01:12:52,120
Speaker 3: not weather related or like where our bodies are at

1650
01:12:52,160 --> 01:12:54,639
Speaker 3: during now today, It's just it's just that everyone's busy.

1651
01:12:54,840 --> 01:12:56,880
Speaker 1: It's about to become the horniest time of year. Because

1652
01:12:56,880 --> 01:12:58,640
Speaker 1: I said this on his show, but it basically it's like,

1653
01:12:58,760 --> 01:13:00,760
Speaker 1: I know you did well forever on listening at home

1654
01:13:00,800 --> 01:13:04,479
Speaker 1: that didn't watch my incredible segment agree.

1655
01:13:04,320 --> 01:13:07,160
Speaker 2: With Henry texted me they were like that was so funny.

1656
01:13:07,280 --> 01:13:09,160
Speaker 2: I said, I have no doubt. And then I said

1657
01:13:09,160 --> 01:13:10,400
Speaker 2: to you, I was like, you have Seth's number.

1658
01:13:10,439 --> 01:13:11,439
Speaker 1: I was like, what are you guys in a group

1659
01:13:11,520 --> 01:13:16,439
Speaker 1: chat called Laurence Faves called Lauren Boys Lauren's Boys. So

1660
01:13:16,680 --> 01:13:18,800
Speaker 1: in a little while, it will become the thing where

1661
01:13:18,840 --> 01:13:21,040
Speaker 1: people are like at home for a little bit too long.

1662
01:13:21,360 --> 01:13:24,080
Speaker 1: And I'm telling you this is when you shoot your

1663
01:13:24,120 --> 01:13:26,519
Speaker 1: shot with the person that you like, have like flirted

1664
01:13:26,560 --> 01:13:28,720
Speaker 1: with before a little bit, but like it's never gone there.

1665
01:13:29,760 --> 01:13:31,599
Speaker 1: I bet back in the day, and you can say

1666
01:13:32,240 --> 01:13:35,160
Speaker 1: back in the day, certain hosts came through, like Girl

1667
01:13:35,280 --> 01:13:37,240
Speaker 1: Lady hosts like that that were into it.

1668
01:13:37,360 --> 01:13:39,960
Speaker 2: Jeffer Lawrence admitted to having a crush but yeah.

1669
01:13:39,920 --> 01:13:43,840
Speaker 3: I will say this, Uh Leaney once said this, did

1670
01:13:43,880 --> 01:13:44,160
Speaker 3: you know we.

1671
01:13:44,160 --> 01:13:44,960
Speaker 1: Could flirt with the host?

1672
01:13:45,080 --> 01:13:46,960
Speaker 3: I was like no, because I feel like a lot

1673
01:13:47,000 --> 01:13:50,600
Speaker 3: of people did very well. Andy Samberg really yes, I

1674
01:13:50,720 --> 01:13:53,160
Speaker 3: think saday kiss and then it never occurred to me.

1675
01:13:53,280 --> 01:13:55,920
Speaker 3: I mean, I will say bowen. I feel like every

1676
01:13:56,840 --> 01:13:58,920
Speaker 3: day for me at SNL's head writer was Christmas.

1677
01:13:59,000 --> 01:14:01,479
Speaker 1: I was too busy. I was just too busy. Just

1678
01:14:01,600 --> 01:14:05,000
Speaker 1: thank you, and you probably knew that they were like

1679
01:14:05,120 --> 01:14:06,040
Speaker 1: coming on, but you were.

1680
01:14:05,960 --> 01:14:09,200
Speaker 3: Like, I don't think my radar for that was not up.

1681
01:14:09,320 --> 01:14:13,760
Speaker 3: I was as shocked as anyone when I heard that

1682
01:14:13,920 --> 01:14:15,320
Speaker 3: bounce from Jennifer Lawrence.

1683
01:14:15,520 --> 01:14:18,640
Speaker 2: Wow, shocked, not surprising to me at all. But I

1684
01:14:18,720 --> 01:14:20,479
Speaker 2: mean you had every Rebecca LaRue in the city.

1685
01:14:22,320 --> 01:14:28,559
Speaker 1: I had lu years. We need to have our LaRue years.

1686
01:14:28,920 --> 01:14:30,920
Speaker 1: Are they happening now? And we just don't know. I

1687
01:14:30,960 --> 01:14:32,120
Speaker 1: think I'm letting them slip away.

1688
01:14:32,160 --> 01:14:34,360
Speaker 3: I know, I think I had a moment that maybe

1689
01:14:34,560 --> 01:14:38,280
Speaker 3: there was a nightclub I used to go to that

1690
01:14:38,640 --> 01:14:41,839
Speaker 3: a friend of mine now's kids were having their barmits

1691
01:14:41,880 --> 01:14:44,760
Speaker 3: fat It was just that moment is starting to happen

1692
01:14:44,840 --> 01:14:46,639
Speaker 3: where like you know, we're talking about like New York City,

1693
01:14:46,920 --> 01:14:48,400
Speaker 3: like it's one thing when there used to be a

1694
01:14:48,479 --> 01:14:51,040
Speaker 3: theater there. Even worse if it's the thing you used

1695
01:14:51,080 --> 01:14:51,920
Speaker 3: to go to still there and.

1696
01:14:51,960 --> 01:14:54,560
Speaker 2: Now it's this and now it's for venues to go

1697
01:14:54,680 --> 01:14:55,439
Speaker 2: through generations.

1698
01:14:55,600 --> 01:14:56,920
Speaker 1: Yeah, like to look at it, to look at a

1699
01:14:56,960 --> 01:14:59,160
Speaker 1: corner where you like made out with the Rebecca LaRue

1700
01:14:59,240 --> 01:15:01,439
Speaker 1: and like there's like a thirteen year old like growing

1701
01:15:01,600 --> 01:15:07,559
Speaker 1: up not good anyway. I'm just nervous about the bruise

1702
01:15:07,600 --> 01:15:09,240
Speaker 1: on my ass, and then I feel like it's that

1703
01:15:09,360 --> 01:15:10,760
Speaker 1: weird thing where if I go to hook up with

1704
01:15:10,800 --> 01:15:12,960
Speaker 1: someone like Jessing, you know, there's a huge bruise on

1705
01:15:13,040 --> 01:15:14,320
Speaker 1: my ass, and then I'm kind of scared of the

1706
01:15:14,400 --> 01:15:17,360
Speaker 1: reaction work they're really enthusiastic. I'm sort of over the

1707
01:15:17,479 --> 01:15:19,840
Speaker 1: thing where guys like try to like hurt me during sex.

1708
01:15:19,960 --> 01:15:23,600
Speaker 1: Now that's out, it's out. And if you're in my

1709
01:15:23,720 --> 01:15:27,080
Speaker 1: DMS being like some people really can't stop with the

1710
01:15:27,120 --> 01:15:28,960
Speaker 1: whole thing of like I'm gonna come over in choke

1711
01:15:29,040 --> 01:15:31,240
Speaker 1: you or I'm gonna come over in like you're gonna

1712
01:15:31,240 --> 01:15:33,640
Speaker 1: be in an immense amount of pain. I'm like, what

1713
01:15:34,000 --> 01:15:34,200
Speaker 1: is it?

1714
01:15:34,439 --> 01:15:35,000
Speaker 2: What is it?

1715
01:15:37,080 --> 01:15:40,920
Speaker 3: That's a real reverse LaRue, that's a very different vibe.

1716
01:15:42,600 --> 01:15:45,720
Speaker 3: This just speaks back to a very hornier time in

1717
01:15:45,760 --> 01:15:47,720
Speaker 3: my life. I remember when it's being with a girl

1718
01:15:47,760 --> 01:15:49,320
Speaker 3: who is in your situation. But I remember she said,

1719
01:15:49,640 --> 01:15:52,680
Speaker 3: I have a boil that I need lance and I

1720
01:15:52,760 --> 01:15:56,200
Speaker 3: don't wanna. I never hooked up with air, and I

1721
01:15:56,320 --> 01:15:59,760
Speaker 3: remember being like, I'm sure it's fine. I literally eatn

1722
01:16:00,080 --> 01:16:01,880
Speaker 3: which is the word. I was like, it's fine, and

1723
01:16:02,000 --> 01:16:04,240
Speaker 3: I think that we should still do it, and she

1724
01:16:04,439 --> 01:16:06,960
Speaker 3: was like, no, let me and let me lance the boil,

1725
01:16:07,040 --> 01:16:07,800
Speaker 3: let me land boil.

1726
01:16:07,880 --> 01:16:09,400
Speaker 1: But at the time, I was like, this is you

1727
01:16:09,479 --> 01:16:11,439
Speaker 1: know what? Hy are we getting hung up on boils?

1728
01:16:12,240 --> 01:16:14,160
Speaker 1: It seems she was asking you to lance it. I

1729
01:16:14,240 --> 01:16:22,320
Speaker 1: would you think maybe maybe maybe come over with your Okay? Well, anyway,

1730
01:16:22,560 --> 01:16:24,320
Speaker 1: I guess in a couple of days time, when this

1731
01:16:24,400 --> 01:16:26,360
Speaker 1: episode is out, maybe it'll have gone down a little bit.

1732
01:16:26,400 --> 01:16:28,840
Speaker 1: I'm working at the camera, but I'll be home with

1733
01:16:28,920 --> 01:16:32,080
Speaker 1: my goddamn parents. And I have to say, Long Island

1734
01:16:32,280 --> 01:16:36,519
Speaker 1: Grinder sucks. A Yeah, it's tough out there, but maybe

1735
01:16:36,560 --> 01:16:37,960
Speaker 1: I can find a straight guy. You know. I'm still

1736
01:16:37,960 --> 01:16:42,479
Speaker 1: trying to figure that out. Anyway, This is I don't

1737
01:16:42,479 --> 01:16:45,920
Speaker 1: think so, honey, are you excited about that? I'm excited.

1738
01:16:46,000 --> 01:16:47,479
Speaker 1: Do you have something that you've been thinking about for

1739
01:16:47,520 --> 01:16:50,120
Speaker 1: a long time? Not a long time, but it's top

1740
01:16:50,160 --> 01:16:51,559
Speaker 1: of mind. Okay, well, you know a lot of people

1741
01:16:51,560 --> 01:16:53,400
Speaker 1: are gonna listen to this one. It's a seth Meyer's episode.

1742
01:16:53,720 --> 01:16:55,800
Speaker 1: This is Bowing Young's Out twenty time starts.

1743
01:16:55,880 --> 01:16:59,920
Speaker 2: Now. I don't think so, honey. Weighted blankets, I am.

1744
01:17:00,960 --> 01:17:04,120
Speaker 2: These are so dangerous. These are so dangerous. These will

1745
01:17:04,200 --> 01:17:04,519
Speaker 2: kill me.

1746
01:17:04,640 --> 01:17:05,479
Speaker 1: I'm waking up.

1747
01:17:05,520 --> 01:17:09,920
Speaker 2: Groggy as hell because of this fucking X ray apron

1748
01:17:10,000 --> 01:17:13,120
Speaker 2: on my chest. And why are some of them filled

1749
01:17:13,120 --> 01:17:16,880
Speaker 2: with glass beads? Is this the cock on a Thursday night?

1750
01:17:17,479 --> 01:17:20,280
Speaker 2: Get the beads out, and I'm sorry to shame the

1751
01:17:20,320 --> 01:17:22,719
Speaker 2: people who like the beads in them. Get the beads

1752
01:17:22,720 --> 01:17:25,519
Speaker 2: out of my blankets because it's not And how come

1753
01:17:26,280 --> 01:17:29,000
Speaker 2: half of them aren't machine washable? So I'm supposed to

1754
01:17:29,040 --> 01:17:31,759
Speaker 2: spot treat these things that are disgusting and heavy.

1755
01:17:32,320 --> 01:17:32,720
Speaker 1: No way.

1756
01:17:33,080 --> 01:17:35,880
Speaker 2: I better be able to put it in my drum,

1757
01:17:36,240 --> 01:17:39,559
Speaker 2: in my little machine and clean them. Otherwise I'm getting

1758
01:17:39,600 --> 01:17:42,599
Speaker 2: the factory smell on me and that is not going

1759
01:17:42,720 --> 01:17:47,000
Speaker 2: to relax me. These weighted blankets are going to ruin

1760
01:17:47,120 --> 01:17:47,719
Speaker 2: my sleep.

1761
01:17:47,840 --> 01:17:48,519
Speaker 1: And my life.

1762
01:17:48,720 --> 01:17:51,280
Speaker 2: And if you get me one for Christmas, or anyone

1763
01:17:51,320 --> 01:17:54,680
Speaker 2: you love for Christmas, you're wishing death upon your loved one.

1764
01:17:54,680 --> 01:17:58,320
Speaker 1: And that's one minute. It's not and I don't really

1765
01:17:58,400 --> 01:17:59,960
Speaker 1: use it, and I think it's a novel.

1766
01:18:00,400 --> 01:18:03,559
Speaker 2: I think it's just we're all gonna laugh at how

1767
01:18:04,080 --> 01:18:07,280
Speaker 2: much we supposedly loved these things in a couple of years.

1768
01:18:07,439 --> 01:18:10,280
Speaker 3: I also think the bane of a weighted blanket is

1769
01:18:10,280 --> 01:18:12,640
Speaker 3: when you decide you hate it, almost impossible to throw it.

1770
01:18:12,760 --> 01:18:14,800
Speaker 1: You can't. Yeah, you're forever.

1771
01:18:15,200 --> 01:18:17,719
Speaker 3: Oh it's gonna be whenever you move out of your apartment,

1772
01:18:17,760 --> 01:18:19,800
Speaker 3: you're going to leave it as a welcome to.

1773
01:18:20,000 --> 01:18:22,040
Speaker 2: The next person, and you're never going to move out

1774
01:18:22,040 --> 01:18:24,880
Speaker 2: of that parting anywhere near that next person.

1775
01:18:25,320 --> 01:18:27,680
Speaker 1: I think that they're really good in theory, But what

1776
01:18:27,840 --> 01:18:30,680
Speaker 1: I fear about the weighted blanket is what actually is

1777
01:18:30,720 --> 01:18:33,040
Speaker 1: it doing to our backs and our bodies? Because I

1778
01:18:33,120 --> 01:18:35,920
Speaker 1: don't think that that can be good for you, because

1779
01:18:35,920 --> 01:18:37,880
Speaker 1: you're not really supposed to sleep with them on right,

1780
01:18:37,880 --> 01:18:39,120
Speaker 1: you're supposed to like rest with.

1781
01:18:39,200 --> 01:18:41,360
Speaker 2: Some people say that you can sleep with them and

1782
01:18:41,439 --> 01:18:45,200
Speaker 2: that they're helpful for sleep, And yet I was talking

1783
01:18:45,240 --> 01:18:46,960
Speaker 2: to I was talking to our friend Amber roughing about

1784
01:18:47,000 --> 01:18:47,719
Speaker 2: this yesterday.

1785
01:18:47,800 --> 01:18:50,120
Speaker 1: Sorry yesterday, sorry yesterday as well, and she.

1786
01:18:50,240 --> 01:18:52,840
Speaker 2: Said, my fear is that I'm going to be too

1787
01:18:52,880 --> 01:18:53,840
Speaker 2: weak to get out of it.

1788
01:18:56,560 --> 01:18:59,920
Speaker 1: But I am laughing thinking about Amber struggling under a

1789
01:19:00,920 --> 01:19:03,400
Speaker 1: like late late for work.

1790
01:19:03,600 --> 01:19:09,120
Speaker 3: Yeah, I got a work before I do my I

1791
01:19:09,160 --> 01:19:11,000
Speaker 3: don't think so, honey. There was something in a recent

1792
01:19:11,040 --> 01:19:12,639
Speaker 3: episode that struck home.

1793
01:19:13,640 --> 01:19:15,479
Speaker 1: Can I ask you are you're a reader? Like, what's

1794
01:19:15,479 --> 01:19:20,320
Speaker 1: going on? How do you identify? I guess a reader? Finalist? No,

1795
01:19:20,360 --> 01:19:20,960
Speaker 1: you're a finalist.

1796
01:19:22,840 --> 01:19:25,480
Speaker 3: Donna Karan, Donna Kana.

1797
01:19:25,520 --> 01:19:26,160
Speaker 1: Here is mine?

1798
01:19:26,200 --> 01:19:28,559
Speaker 3: I had one, which is my mom my entire life

1799
01:19:29,160 --> 01:19:30,560
Speaker 3: said Tommy Hillfinger.

1800
01:19:31,560 --> 01:19:31,960
Speaker 1: That's huge.

1801
01:19:32,040 --> 01:19:34,960
Speaker 3: My mother would and I did not never got corrected

1802
01:19:35,040 --> 01:19:36,880
Speaker 3: because I think then I it was a catalog that

1803
01:19:36,920 --> 01:19:38,320
Speaker 3: came to our home and my dad wore a lot

1804
01:19:38,360 --> 01:19:41,400
Speaker 3: of Tommy Hillfinger. But then it was nothing to correct

1805
01:19:41,439 --> 01:19:45,000
Speaker 3: it for me, right, And then I did a charity

1806
01:19:45,080 --> 01:19:48,960
Speaker 3: event for Tommy Hillfinger, and it was thank god I

1807
01:19:49,080 --> 01:19:51,880
Speaker 3: wrote my jokes and I showed it to Shoemaker and

1808
01:19:52,080 --> 01:19:55,000
Speaker 3: thank god I spelled it hillfinger and my because I

1809
01:19:55,080 --> 01:19:56,960
Speaker 3: was ready, and he goes, I'm going to say something,

1810
01:19:56,960 --> 01:19:58,320
Speaker 3: and I wish to be a f Do you think

1811
01:19:58,360 --> 01:19:59,599
Speaker 3: his name is Tommy Hillfinger, I'm.

1812
01:19:59,520 --> 01:20:02,040
Speaker 1: Like, say things name because it is not Tommy, it's

1813
01:20:02,080 --> 01:20:04,040
Speaker 1: Tommy Hilling. I'm like, oh my god, this could have been.

1814
01:20:05,000 --> 01:20:06,720
Speaker 3: Is that to get it wrong in front of him

1815
01:20:06,760 --> 01:20:08,800
Speaker 3: at an event honoring.

1816
01:20:10,160 --> 01:20:14,200
Speaker 1: That's like saying Jimmy Buffet, Jimmy Buffet at his funeral,

1817
01:20:16,080 --> 01:20:20,720
Speaker 1: James Buffet? Rest rest in? Are you a parro? Heead?

1818
01:20:21,200 --> 01:20:22,720
Speaker 1: I never cared about it. It was a thing.

1819
01:20:22,800 --> 01:20:25,000
Speaker 3: I will say there was a moment in I but

1820
01:20:25,160 --> 01:20:28,920
Speaker 3: so whatever ninety two to wait, hold on, is it

1821
01:20:29,000 --> 01:20:29,320
Speaker 3: really good?

1822
01:20:29,360 --> 01:20:31,640
Speaker 1: That's right. I was high school eighty nine to ninety two.

1823
01:20:31,680 --> 01:20:34,080
Speaker 3: There were a lot of kids who like love Jimmy Buffett. Yeah.

1824
01:20:34,080 --> 01:20:35,800
Speaker 3: I mean like we would go to parties and that

1825
01:20:35,880 --> 01:20:38,280
Speaker 3: would be there was like Elton John Moxte came out

1826
01:20:38,320 --> 01:20:41,520
Speaker 3: that year and there was a Jimmy, a lot of Buffett.

1827
01:20:41,160 --> 01:20:42,439
Speaker 1: And John that was that.

1828
01:20:42,840 --> 01:20:46,320
Speaker 2: This is inurban suburban New Hams, suburban New Hampshire.

1829
01:20:46,600 --> 01:20:48,559
Speaker 1: Yeah, I think it's a thing, and it's an.

1830
01:20:48,479 --> 01:20:51,960
Speaker 2: Access point for a lifestyle that is so far away

1831
01:20:52,000 --> 01:20:54,439
Speaker 2: from you. Yeah, especially if you're in New Hampshire or

1832
01:20:54,479 --> 01:20:55,599
Speaker 2: maybe even Yeah.

1833
01:20:55,479 --> 01:20:57,800
Speaker 1: The day my dad was at the beach crying a

1834
01:20:57,880 --> 01:20:59,680
Speaker 1: cheer and poor on one out. Good for him.

1835
01:20:59,760 --> 01:21:01,960
Speaker 3: Yeah, he was a massive good I mean, I do

1836
01:21:02,160 --> 01:21:04,200
Speaker 3: think and that was a very nice I mean talk

1837
01:21:04,200 --> 01:21:06,200
Speaker 3: about a non toxic culture.

1838
01:21:06,000 --> 01:21:09,200
Speaker 1: Right, yeah, totally perfect. Who do you stan? Who do

1839
01:21:09,320 --> 01:21:09,920
Speaker 1: I stand?

1840
01:21:10,120 --> 01:21:13,719
Speaker 3: I feel like I'm I'm I'm outgrowing my stand years

1841
01:21:13,840 --> 01:21:16,160
Speaker 3: like a lot of the things I stand. I you know,

1842
01:21:16,600 --> 01:21:19,000
Speaker 3: I don't even know who I stand anymore.

1843
01:21:19,240 --> 01:21:22,280
Speaker 2: Let's say the last person that you were like, I'm

1844
01:21:22,320 --> 01:21:26,040
Speaker 2: gonna really I'm gonna listen to the whole discography. I'm

1845
01:21:26,040 --> 01:21:28,760
Speaker 2: going to like familiarize myself with this person, these people

1846
01:21:28,800 --> 01:21:29,840
Speaker 2: because I love them so much.

1847
01:21:30,280 --> 01:21:33,000
Speaker 3: Well, okay, so somebody, this music critic I really like,

1848
01:21:33,160 --> 01:21:35,000
Speaker 3: wrote he did make a list of his fifty favorite

1849
01:21:35,000 --> 01:21:36,800
Speaker 3: Elton John songs. There are a lot of them that

1850
01:21:36,880 --> 01:21:38,920
Speaker 3: I didn't like. I realized, I'm like, oh, I didn't know.

1851
01:21:39,000 --> 01:21:43,639
Speaker 3: And there's a lot of like seventies Elton stuff that's

1852
01:21:43,760 --> 01:21:46,320
Speaker 3: really great and like not radio friendly because they're like

1853
01:21:46,400 --> 01:21:47,080
Speaker 3: nine minute songs.

1854
01:21:47,240 --> 01:21:47,400
Speaker 2: Yeah.

1855
01:21:47,479 --> 01:21:49,280
Speaker 3: So I had a very nice summer listen to a

1856
01:21:49,360 --> 01:21:50,760
Speaker 3: lot of long Elton John song.

1857
01:21:50,840 --> 01:21:53,600
Speaker 1: Elton John is one that I got my dad the

1858
01:21:53,840 --> 01:21:56,680
Speaker 1: Goodbye yellow Brook Road vinyl. And he got really way

1859
01:21:56,760 --> 01:21:59,519
Speaker 1: more excited than I thought he would, and it excited

1860
01:21:59,600 --> 01:22:01,559
Speaker 1: me how excited he was perfect album?

1861
01:22:01,720 --> 01:22:04,639
Speaker 2: Yeah, would you Stan? I think Jeff tweeties, but he's

1862
01:22:04,640 --> 01:22:05,080
Speaker 2: a friend.

1863
01:22:05,200 --> 01:22:07,720
Speaker 1: He's quite friendly now. But like I do, Stan, will

1864
01:22:16,840 --> 01:22:18,240
Speaker 1: seth Are you ready for? I don't think so, honey.

1865
01:22:18,320 --> 01:22:20,120
Speaker 3: I am. I'm so ready for I don't think so, honey.

1866
01:22:20,160 --> 01:22:22,360
Speaker 3: And I hope you let me just do it.

1867
01:22:22,400 --> 01:22:23,320
Speaker 1: What are your hopes for this?

1868
01:22:23,760 --> 01:22:28,679
Speaker 3: My hopes is that, well, it's going to be holiday theme, okay, great?

1869
01:22:28,760 --> 01:22:31,439
Speaker 3: And I really do Rockfeller Senna. That's one of your

1870
01:22:31,479 --> 01:22:33,280
Speaker 3: songs right in your name, I know, And I was

1871
01:22:33,320 --> 01:22:35,840
Speaker 3: a little worried because you know, Fallon gets name dropped

1872
01:22:35,840 --> 01:22:38,360
Speaker 3: early and so then you worry like and I would

1873
01:22:38,439 --> 01:22:41,200
Speaker 3: not begrudge you made it, and so I'm very happy

1874
01:22:41,240 --> 01:22:42,280
Speaker 3: that I find my way in later.

1875
01:22:42,479 --> 01:22:44,240
Speaker 1: I forgot to bring that up when I was on

1876
01:22:44,320 --> 01:22:47,439
Speaker 1: your show. Should you know that you were in the song?

1877
01:22:47,960 --> 01:22:49,920
Speaker 3: I did not know I was in the song when

1878
01:22:49,960 --> 01:22:52,200
Speaker 3: you were on. I knew I was in the song

1879
01:22:52,240 --> 01:22:54,640
Speaker 3: when I because I listened to the album after you

1880
01:22:54,720 --> 01:22:56,160
Speaker 3: were on, and I was very happy because when I

1881
01:22:56,160 --> 01:22:56,880
Speaker 3: heard fallon early.

1882
01:22:56,920 --> 01:22:58,880
Speaker 2: I was like, oh boy, oh shit, I wouldn't. But again,

1883
01:22:58,960 --> 01:22:59,840
Speaker 2: that was the right choice.

1884
01:23:00,080 --> 01:23:02,920
Speaker 1: But yeah, what's fun about that is starting with Jimmy

1885
01:23:02,920 --> 01:23:05,639
Speaker 1: and then going to Allen and landing in Jenna bush Haiger. Absolutely,

1886
01:23:05,640 --> 01:23:07,599
Speaker 1: and Jenna bush Haigger is a laugh line. And that's

1887
01:23:07,600 --> 01:23:11,600
Speaker 1: actually the culture number eighteen is a laugh line. I

1888
01:23:11,800 --> 01:23:13,400
Speaker 1: was actually one of my favorite people in culture.

1889
01:23:13,479 --> 01:23:16,880
Speaker 3: I think I'm gonna see her tomorrow. I really, yeah, perfect,

1890
01:23:17,160 --> 01:23:20,040
Speaker 3: I'll tell her how you guys say we love her.

1891
01:23:20,120 --> 01:23:22,080
Speaker 3: We're about to see her too, We're about to Are you.

1892
01:23:22,120 --> 01:23:26,040
Speaker 1: Really your house or yours? No? I mean, is she

1893
01:23:26,160 --> 01:23:30,880
Speaker 1: coming up? Gotcha? Gotcha? But I need you coming right before?

1894
01:23:30,920 --> 01:23:35,280
Speaker 1: Cecily Strong? Really I think strong Meredith.

1895
01:23:36,560 --> 01:23:38,120
Speaker 3: Yeah that was and you know who is really happy?

1896
01:23:38,479 --> 01:23:39,240
Speaker 3: Verizon Corporate.

1897
01:23:41,680 --> 01:23:44,600
Speaker 2: That was you get Verizon money if you're next to you,

1898
01:23:45,280 --> 01:23:46,880
Speaker 2: but one version between us, no pain.

1899
01:23:47,320 --> 01:23:49,599
Speaker 1: Well here's the thing, here's the people the curtain about

1900
01:23:49,600 --> 01:23:52,000
Speaker 1: that song. So I'm writing that part because I wanted

1901
01:23:52,000 --> 01:23:55,240
Speaker 1: to have Verizon And I said, you know what, I'm no,

1902
01:23:55,640 --> 01:23:58,599
Speaker 1: I'm said, I don't care what anyone thinks. Ann Curry

1903
01:23:58,720 --> 01:24:01,520
Speaker 1: is going in this song. I know Anne Curry is controversial,

1904
01:24:01,960 --> 01:24:03,000
Speaker 1: like in the all of it, but I was like,

1905
01:24:03,120 --> 01:24:06,519
Speaker 1: I don't care. This is my fight song, like Anne Curry.

1906
01:24:06,680 --> 01:24:08,439
Speaker 1: All respect to Anne Curry is the lyric, and that

1907
01:24:08,560 --> 01:24:09,680
Speaker 1: is true forever.

1908
01:24:09,800 --> 01:24:12,960
Speaker 2: Yeap love her, Love Anne, love Anne.

1909
01:24:12,760 --> 01:24:15,080
Speaker 1: And for the pod, and she'd be an incredible guest.

1910
01:24:15,360 --> 01:24:16,000
Speaker 1: She really would be.

1911
01:24:16,160 --> 01:24:18,920
Speaker 2: You think, yeah, okay, this is seth Myers's holiday themed.

1912
01:24:18,960 --> 01:24:21,519
Speaker 2: I don't think Soney as time starts now, I.

1913
01:24:21,560 --> 01:24:23,840
Speaker 3: Don't think so honey. Out of towners who visit the

1914
01:24:23,920 --> 01:24:26,559
Speaker 3: Rockefeller Christmas Tree, this is an office. It's a place,

1915
01:24:26,600 --> 01:24:28,800
Speaker 3: of course. Just listen to Matt's song.

1916
01:24:28,880 --> 01:24:29,920
Speaker 1: Yeah, people work there.

1917
01:24:30,280 --> 01:24:32,320
Speaker 3: And I get it, But I think you all come

1918
01:24:32,360 --> 01:24:33,960
Speaker 3: from places where there are a lot of trees you

1919
01:24:34,040 --> 01:24:36,839
Speaker 3: go see. Is it just that there's one tree amongst buildings.

1920
01:24:36,920 --> 01:24:39,719
Speaker 3: If you put one building amongst the forest, I wouldn't

1921
01:24:39,760 --> 01:24:42,519
Speaker 3: come and visit it. Also, you can look at the

1922
01:24:42,560 --> 01:24:44,840
Speaker 3: weather before you visit New York City, and sometimes I

1923
01:24:45,000 --> 01:24:46,720
Speaker 3: hate to say it, but due to climate change, it's

1924
01:24:46,760 --> 01:24:50,120
Speaker 3: not zero degrees. So don't wear your biggest coat because

1925
01:24:50,240 --> 01:24:53,280
Speaker 3: that's basically each person is two people and we don't

1926
01:24:53,320 --> 01:24:55,840
Speaker 3: have enough room in the concourse for that. Yeah, here's

1927
01:24:55,840 --> 01:24:57,880
Speaker 3: the biggest thing though, if you go to the tree lighting,

1928
01:24:58,400 --> 01:24:59,920
Speaker 3: I have so much respect for you to be there

1929
01:25:00,120 --> 01:25:01,880
Speaker 3: person when they light the thing up, just look at it.

1930
01:25:02,040 --> 01:25:02,760
Speaker 1: Just enjoy the moment.

1931
01:25:02,800 --> 01:25:04,800
Speaker 3: Because too many of you hold up your phones and

1932
01:25:04,920 --> 01:25:06,840
Speaker 3: you try to take a photo of the moment the

1933
01:25:06,960 --> 01:25:10,040
Speaker 3: lights go on. That's an impossible moment to take because

1934
01:25:10,080 --> 01:25:11,800
Speaker 3: you either get the moment before the lights are on

1935
01:25:12,160 --> 01:25:13,800
Speaker 3: or the moment the lights are on.

1936
01:25:14,280 --> 01:25:16,320
Speaker 1: And I just this is the thing. You're there, you

1937
01:25:16,400 --> 01:25:17,720
Speaker 1: fought through the crowds. Just watch it.

1938
01:25:17,840 --> 01:25:21,560
Speaker 3: Yes, live, but a merry Christmas doll, and I do

1939
01:25:21,840 --> 01:25:24,640
Speaker 3: appreciate you, actually dead right.

1940
01:25:24,640 --> 01:25:28,120
Speaker 1: And the thing about needing to document the tree lighting

1941
01:25:28,640 --> 01:25:32,000
Speaker 1: is they're actually they're grabbing that. They're grabbing it. They're

1942
01:25:32,000 --> 01:25:35,400
Speaker 1: actually grabbing it. There's professionals that are grabbing it for you.

1943
01:25:36,000 --> 01:25:38,880
Speaker 1: So you can actually have that moment documented. You don't

1944
01:25:38,960 --> 01:25:40,519
Speaker 1: need to be the one to do it. I promise you.

1945
01:25:40,600 --> 01:25:42,440
Speaker 1: There's actually a huge televisce special.

1946
01:25:42,160 --> 01:25:44,759
Speaker 3: Where they're getting it slipping around get you and your family,

1947
01:25:45,000 --> 01:25:47,040
Speaker 3: but with the tree in the background, no one's gonna

1948
01:25:47,080 --> 01:25:49,280
Speaker 3: say you shouldn't do that. But just that moment of

1949
01:25:49,360 --> 01:25:51,599
Speaker 3: trying to be that I was there when the light

1950
01:25:51,680 --> 01:25:53,280
Speaker 3: went on, so you can't take that photo.

1951
01:25:53,600 --> 01:25:54,920
Speaker 1: Yeah, what is that?

1952
01:25:55,120 --> 01:25:59,680
Speaker 2: How does that play into your own Christmas experience? I

1953
01:25:59,720 --> 01:26:02,839
Speaker 2: think everyone's fine just looking at the tree from Saxspith

1954
01:26:02,880 --> 01:26:04,639
Speaker 2: Avenue and then keeping it moving.

1955
01:26:05,040 --> 01:26:07,519
Speaker 1: We would come in from Long Island to see it,

1956
01:26:07,760 --> 01:26:10,400
Speaker 1: and even as a pre ironic like whenever when I

1957
01:26:10,520 --> 01:26:12,880
Speaker 1: was in like middle school, I was just like, look,

1958
01:26:13,040 --> 01:26:14,920
Speaker 1: like I get we're going into the city to see

1959
01:26:14,960 --> 01:26:17,280
Speaker 1: a show, Like I understand this culture, but the tree.

1960
01:26:17,760 --> 01:26:20,519
Speaker 1: I was like, I never got the tree. And I

1961
01:26:20,600 --> 01:26:22,200
Speaker 1: think that's where the song comes from. It's just like

1962
01:26:22,280 --> 01:26:23,680
Speaker 1: this is so silly, but.

1963
01:26:23,840 --> 01:26:26,519
Speaker 3: Like, well, your song is great because you respect it

1964
01:26:26,600 --> 01:26:29,680
Speaker 3: as a place of work that you were. You were

1965
01:26:29,760 --> 01:26:32,240
Speaker 3: singing a song about a holiday place. But what I

1966
01:26:32,400 --> 01:26:34,599
Speaker 3: like about the lyrics is you keep reminding people, yes,

1967
01:26:34,680 --> 01:26:35,679
Speaker 3: this is where people work.

1968
01:26:35,760 --> 01:26:39,080
Speaker 1: But it also encourages voyeurism and it encourages the encroachment

1969
01:26:39,160 --> 01:26:41,000
Speaker 1: of privacy. And I'm happy you're here, so I can

1970
01:26:41,040 --> 01:26:42,800
Speaker 1: apologize to you about that because I think you're really

1971
01:26:42,840 --> 01:26:45,519
Speaker 1: on the map. Because of my song, people are going

1972
01:26:45,560 --> 01:26:46,439
Speaker 1: to be on the hunt.

1973
01:26:46,720 --> 01:26:49,840
Speaker 3: I didn't realize, so I was speaking about nobody on

1974
01:26:49,880 --> 01:26:53,519
Speaker 3: the hunt. I like when you know BTS is a felon,

1975
01:26:53,560 --> 01:26:55,840
Speaker 3: there's so many people outside, right, Yeah, and talk about

1976
01:26:55,880 --> 01:26:59,680
Speaker 3: a ven diagram where it's two circles. Yeah, like I

1977
01:26:59,760 --> 01:27:02,160
Speaker 3: can walk and like nobody and again I walk out

1978
01:27:02,200 --> 01:27:03,720
Speaker 3: with a couple of scurity guys, So there you would

1979
01:27:03,760 --> 01:27:05,800
Speaker 3: be there's a moment where you're like, is it you know,

1980
01:27:05,960 --> 01:27:07,599
Speaker 3: like you you know, you see a guy.

1981
01:27:07,840 --> 01:27:09,120
Speaker 1: You say and nothing. Man.

1982
01:27:09,280 --> 01:27:12,640
Speaker 3: I found out at SNL after the fact that like

1983
01:27:12,720 --> 01:27:14,400
Speaker 3: there are people in my cast who at the end

1984
01:27:14,439 --> 01:27:16,400
Speaker 3: of the show would go to the basement to get cars.

1985
01:27:16,840 --> 01:27:17,720
Speaker 1: Wow, you know.

1986
01:27:19,320 --> 01:27:22,120
Speaker 2: You. And I'm starting to get when I walked out

1987
01:27:22,160 --> 01:27:26,200
Speaker 2: now not the biggest response anybody. And it's fine, It's

1988
01:27:26,200 --> 01:27:28,280
Speaker 2: actually it's a beautiful moment. I'm like, yeah, I'm not

1989
01:27:28,400 --> 01:27:32,040
Speaker 2: like wet behind or I'm not like thee that's.

1990
01:27:31,960 --> 01:27:34,160
Speaker 1: Literally not true. I think that you're probably just used

1991
01:27:34,200 --> 01:27:34,400
Speaker 1: to it.

1992
01:27:34,600 --> 01:27:36,320
Speaker 2: No, no, no, I think it's very used to me.

1993
01:27:36,400 --> 01:27:38,439
Speaker 2: And they're like, oh, there's the.

1994
01:27:38,479 --> 01:27:42,360
Speaker 1: Glamour of walking from those doors to the cars when

1995
01:27:42,560 --> 01:27:45,160
Speaker 1: it's like the thing of they recognize you. I never

1996
01:27:45,600 --> 01:27:47,960
Speaker 1: think that's ever gonna like happen for me. And then

1997
01:27:48,000 --> 01:27:51,200
Speaker 1: when I was at Bravo con Oh. I got out

1998
01:27:51,240 --> 01:27:53,000
Speaker 1: of a car at Bravocan and walked and it was

1999
01:27:53,200 --> 01:27:56,640
Speaker 1: people were screaming like I was beats he s. I

2000
01:27:56,800 --> 01:27:58,679
Speaker 1: was like why, because I've been on watch it appens.

2001
01:27:58,680 --> 01:28:00,240
Speaker 1: I have a handful of times and that is what

2002
01:28:02,000 --> 01:28:04,920
Speaker 1: are their chef's kiss the way they act.

2003
01:28:04,840 --> 01:28:07,000
Speaker 3: Lovely two thousand and one SNL. I feel like it

2004
01:28:07,040 --> 01:28:08,800
Speaker 3: was the end of an era. I feel like it

2005
01:28:08,920 --> 01:28:12,200
Speaker 3: was the last vestiges of sex in the city of

2006
01:28:12,240 --> 01:28:15,040
Speaker 3: New York before it shifted to the post nine to eleven. Yes,

2007
01:28:15,840 --> 01:28:18,719
Speaker 3: and the cars to the SNL after party were stretch limousines,

2008
01:28:19,160 --> 01:28:23,320
Speaker 3: like old school promise stretch limousines, and so you know,

2009
01:28:23,439 --> 01:28:26,640
Speaker 3: now I think it's all svs. And so it was

2010
01:28:26,680 --> 01:28:28,240
Speaker 3: such a trip when you I would have high school

2011
01:28:28,240 --> 01:28:30,320
Speaker 3: friends or college tens of the show and it was

2012
01:28:30,439 --> 01:28:33,160
Speaker 3: everything you wanted to be where you'd like get into.

2013
01:28:33,080 --> 01:28:33,840
Speaker 1: A limb wretch.

2014
01:28:34,520 --> 01:28:36,639
Speaker 2: Kyle Mooney would still get one every week before.

2015
01:28:39,080 --> 01:28:43,160
Speaker 1: Yeah, it was so talk about a Disney person. Oh Kyle,

2016
01:28:43,439 --> 01:28:45,680
Speaker 1: Kyle will suck it up at Disney. Oh, I got

2017
01:28:45,800 --> 01:28:46,840
Speaker 1: he goes with Franko.

2018
01:28:46,600 --> 01:28:51,360
Speaker 3: Lespie ran back and back they yeah, ye, back back

2019
01:28:51,439 --> 01:28:55,680
Speaker 3: and I were at Sarah Schneider Mike Carnell's wedding and

2020
01:28:56,240 --> 01:28:59,880
Speaker 3: it was in Virginia, and I went on my oh,

2021
01:29:00,520 --> 01:29:02,519
Speaker 3: and I got like a room that was it was

2022
01:29:02,600 --> 01:29:05,880
Speaker 3: like a two room villa each type. It's not a

2023
01:29:05,960 --> 01:29:08,479
Speaker 3: villain because it was like all colonial, but anyway, you'd

2024
01:29:08,520 --> 01:29:09,680
Speaker 3: walk in the front door, you go right and it

2025
01:29:09,840 --> 01:29:11,639
Speaker 3: was one hotel room and left in it was the other.

2026
01:29:11,640 --> 01:29:13,880
Speaker 3: And they were like each sweets. And I again it

2027
01:29:13,960 --> 01:29:15,320
Speaker 3: was a wedding where I was on my own and

2028
01:29:15,479 --> 01:29:16,760
Speaker 3: had a nice time. And then I went back. I

2029
01:29:16,800 --> 01:29:17,960
Speaker 3: was going to drive back the first thing in the

2030
01:29:18,000 --> 01:29:21,680
Speaker 3: morning and Beck had people do his room and it

2031
01:29:21,800 --> 01:29:25,519
Speaker 3: was the funniest thing. It was so loud and dumb.

2032
01:29:25,960 --> 01:29:28,280
Speaker 3: I kept me on, but it was Beck was doing

2033
01:29:28,360 --> 01:29:31,559
Speaker 3: the dumbest bits that were It was making me laugh

2034
01:29:31,680 --> 01:29:33,840
Speaker 3: so hard, usually because it was just I was like,

2035
01:29:33,960 --> 01:29:36,840
Speaker 3: he would be so devastated if he knew you heard.

2036
01:29:37,040 --> 01:29:39,519
Speaker 2: It's like, I'm it's like somebody rolled a bed with

2037
01:29:39,640 --> 01:29:40,760
Speaker 2: me in it into the middle of it.

2038
01:29:41,320 --> 01:29:41,519
Speaker 1: I hear.

2039
01:29:42,000 --> 01:29:44,240
Speaker 3: And he did write me the nicest note, because I

2040
01:29:44,280 --> 01:29:46,479
Speaker 3: think in the morning he slowly put it together.

2041
01:29:46,600 --> 01:29:49,680
Speaker 1: He was like, oh no, and it was really one

2042
01:29:50,200 --> 01:29:54,479
Speaker 1: of our biggest sweeties. Love love that guy, love that guy.

2043
01:29:54,960 --> 01:29:57,000
Speaker 1: Speaking of loving that guy, love this guy.

2044
01:29:57,320 --> 01:29:57,639
Speaker 2: Period.

2045
01:29:57,800 --> 01:30:00,080
Speaker 3: This was this was everything I wanted to be. My

2046
01:30:00,160 --> 01:30:02,200
Speaker 3: favorite thing was when it started and Matt said I

2047
01:30:02,240 --> 01:30:03,920
Speaker 3: have a surprise for you and you literally heard a

2048
01:30:04,000 --> 01:30:07,400
Speaker 3: rustle and guessed it exactly exactly, really speaks to hell Insike,

2049
01:30:07,479 --> 01:30:08,000
Speaker 3: you too are.

2050
01:30:08,080 --> 01:30:10,760
Speaker 1: Oh listen, I have a psychic connection to him. And

2051
01:30:10,880 --> 01:30:13,680
Speaker 1: honestly it's really we have Emily to thank because when

2052
01:30:13,760 --> 01:30:15,519
Speaker 1: she gave me this for you, I was like, I

2053
01:30:15,920 --> 01:30:17,800
Speaker 1: should have And then I got a friend good because

2054
01:30:17,800 --> 01:30:20,439
Speaker 1: I was like, why didn't I know? And I got

2055
01:30:20,520 --> 01:30:23,960
Speaker 1: an elevator today to go down from my apartment to

2056
01:30:24,040 --> 01:30:25,760
Speaker 1: come here, and I had forgotten them, and I said,

2057
01:30:26,320 --> 01:30:28,240
Speaker 1: let me go back. I was like, I have to

2058
01:30:28,320 --> 01:30:29,160
Speaker 1: get this to my girl.

2059
01:30:29,280 --> 01:30:32,639
Speaker 2: And still you got here before I did. Yeah, that's amazing.

2060
01:30:34,160 --> 01:30:34,880
Speaker 1: Don't feel It's.

2061
01:30:34,800 --> 01:30:36,840
Speaker 3: Such an honor and a pleasure to be here with you, guys.

2062
01:30:37,400 --> 01:30:39,880
Speaker 3: This is just the best show. You guys are so good.

2063
01:30:40,000 --> 01:30:42,960
Speaker 3: You're still good at many things, but you are the

2064
01:30:43,040 --> 01:30:45,000
Speaker 3: two of you together do this. Has been just so

2065
01:30:45,120 --> 01:30:46,000
Speaker 3: happy to be here in person.

2066
01:30:46,240 --> 01:30:48,320
Speaker 1: This is the best and the God in person and

2067
01:30:48,360 --> 01:30:50,960
Speaker 1: it's caught on film. Yeah, and give it up for

2068
01:30:51,040 --> 01:30:54,719
Speaker 1: the crew. They've been so great. Did you guys enjoy

2069
01:30:54,800 --> 01:31:00,080
Speaker 1: yourself today? All right, there we go? Yes, yes, this

2070
01:31:00,200 --> 01:31:02,880
Speaker 1: is incredible. You got to watch Late Night with Teth Myers.

2071
01:31:02,880 --> 01:31:04,840
Speaker 1: You probably already are because we have such a cool

2072
01:31:04,880 --> 01:31:08,080
Speaker 1: audience with a great sense of humor. You guys, you

2073
01:31:08,200 --> 01:31:11,400
Speaker 1: might have to come on our podcast one day. Oh yeah, yeah.

2074
01:31:11,439 --> 01:31:15,320
Speaker 1: We have trip stories for sure. Between stories. You know,

2075
01:31:15,439 --> 01:31:17,400
Speaker 1: there was We've told the story many times. But Bowen

2076
01:31:17,400 --> 01:31:18,880
Speaker 1: almost threw up on a plane and I got mad

2077
01:31:18,920 --> 01:31:19,240
Speaker 1: at him.

2078
01:31:19,920 --> 01:31:22,280
Speaker 2: He got mad at me for being for feeling nausea

2079
01:31:22,560 --> 01:31:23,120
Speaker 2: on a plane.

2080
01:31:23,720 --> 01:31:28,479
Speaker 1: Well we'll talk about that. We end every episode with

2081
01:31:28,560 --> 01:31:35,360
Speaker 1: the song why is this one in my head? Good Tuesdays?

2082
01:31:35,760 --> 01:31:39,559
Speaker 1: Becauselton John?

2083
01:31:40,200 --> 01:31:42,960
Speaker 3: But that's not but I feel like psychically it is

2084
01:31:43,040 --> 01:31:45,839
Speaker 3: Elton John, but famously not famous.

2085
01:31:46,960 --> 01:31:53,160
Speaker 1: Psychically it's actually look culture number eight. Psychically, yes, famously

2086
01:31:53,320 --> 01:31:54,280
Speaker 1: not Bye bye