WEBVTT - Of Mice and Manors

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<v Speaker 1>It's nine O G one leg with Jenny Garth and

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<v Speaker 1>Tory spelling. Oh okay, people, we're back. Sounded like a

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<v Speaker 1>game thank you? Oh alrighty, like let's do this.

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<v Speaker 2>That was good.

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<v Speaker 1>Hi, guys, it's real a fortune with guards.

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<v Speaker 3>And don't get her distracted. She loves a good game.

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<v Speaker 1>Dreams right now. I want to be a game show

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<v Speaker 1>host so bad.

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<v Speaker 3>She was great at it. No, because you jump in

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<v Speaker 3>and just want to like say the answers.

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<v Speaker 1>I'd be so happy for people.

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<v Speaker 2>You guys should watch this new game show one Percent.

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<v Speaker 2>It's on Amazon. I don't know why there's only one episode,

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<v Speaker 2>but my friend produced it. And the questions are like

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<v Speaker 2>really fun because like the first half you're like, I

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<v Speaker 2>can do it. The second half.

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<v Speaker 1>You're like, no chance.

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<v Speaker 2>But it's good. Watch a percent. Yeah, it's like and

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<v Speaker 2>it kind of makes you you test your brain. You're like, oh,

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<v Speaker 2>this is like good exercise for my brain.

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<v Speaker 1>Why is it called one percent? Though?

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<v Speaker 2>Because uh, like at the end only one percent of

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<v Speaker 2>people can get the answer right.

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<v Speaker 3>Oh, it's like factually like they.

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<v Speaker 1>Patton Oswalt's the host, but who wrote that?

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<v Speaker 2>In who else watched one percent? In our group?

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<v Speaker 1>I love Patton Oswalt. Oh my god, Rein, I watched it.

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<v Speaker 2>It's good.

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<v Speaker 1>That's yeah, he's adorable. I would love to go on

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<v Speaker 1>that show. I was thinking you were saying it was

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<v Speaker 1>a show for the one percent, and I was like,

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<v Speaker 1>I don't think that's a good idea. What are we

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<v Speaker 1>talking about this week?

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<v Speaker 3>Y'all?

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<v Speaker 2>Billionaires are allowed to watch it?

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<v Speaker 3>Yeah, you guys, lovers my got this episode.

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<v Speaker 1>It's wait, lovers Leap.

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<v Speaker 2>Heared me a little.

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<v Speaker 3>It's a lot.

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<v Speaker 1>It's pretty scary, you guys.

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<v Speaker 2>It was intense.

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<v Speaker 3>Intense. Intens is a great word, and that thank you.

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<v Speaker 2>It was intense, and it was kind of like, Okay,

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<v Speaker 2>let's just I want to talk about it all, talk

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<v Speaker 2>about it all.

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<v Speaker 1>Let's dive in.

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<v Speaker 2>Let's dive in.

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<v Speaker 1>But first, all right, this is it? Season six, episode five.

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<v Speaker 1>Lovers Leap aired October fourth, nineteen ninety five.

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<v Speaker 2>Nineteen ninety five. Sorry, I'm just thinking about nineteen ninety.

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<v Speaker 1>Okay, thanks silently over there.

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<v Speaker 3>What happened to your life in nineteen ninety five? Should

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<v Speaker 3>we sague?

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<v Speaker 2>It's a junior in college? No, I was a senior.

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<v Speaker 2>Now think I was a senior. I was a senior

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<v Speaker 2>in college. We were watching you guys. In Melrose plays

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<v Speaker 2>non stop, NonStop.

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<v Speaker 1>Excuse me misspelling? Can you please give us a synopsis?

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<v Speaker 3>Maybe more than happy to synopsis David's dramas. There's a

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<v Speaker 3>bad memories for Valerie, while Dylan gets got snooping through

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<v Speaker 3>Tony Marsha's study. Brandon finally breaks down Susan's stuff exterior,

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<v Speaker 3>Donna's shame for dating a guy from Mercita, and Steve

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<v Speaker 3>goes in for a smooch that prompts Claire to give

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<v Speaker 3>him an a plus. In French Kissing y'all.

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<v Speaker 1>Mmm, directed by Bethany Rooney, written by Ken Stringer, I mean, wow,

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<v Speaker 1>this was a pretty cool opening, you guys. This whole

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<v Speaker 1>thing with David's mom has val really stirred up emotionally.

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<v Speaker 3>The dream scary dream.

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<v Speaker 1>She has some daddy issues.

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<v Speaker 2>Yeah, and that scared me a little. It was like

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<v Speaker 2>a little poltergeistye with that hallway running down.

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<v Speaker 1>It was cool. I love the way it was done.

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<v Speaker 3>It was dark, loves to sprinkle stuff. I wonder who

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<v Speaker 3>like really liked that, like horror esque dream sequence stuff,

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<v Speaker 3>because it happens, well, not quite frequently, but enough that

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<v Speaker 3>it's like I can't imagine Fox was like, hey, we're

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<v Speaker 3>on board with this, So, like I call that noir.

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<v Speaker 2>A little bit like it was shot a little film noir,

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<v Speaker 2>like how it was all greeny, black and white and.

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<v Speaker 1>Grayish film noiry. Yeah, it was good. Whatever the heck

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<v Speaker 1>it was like it it was cool.

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<v Speaker 3>Get it?

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<v Speaker 2>Yeah, guys, obviously she has issues.

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<v Speaker 1>Like, well now we're finding out we're finding out why

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<v Speaker 1>she is so messed up because it's bad.

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<v Speaker 2>That would be like beyond bad, beyond traumatizing, Like I

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<v Speaker 2>have to give her a little more grace, although I

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<v Speaker 2>still think she's kind of like a Conniver.

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<v Speaker 3>But do you feel like at this point, I mean,

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<v Speaker 3>alre screwed one of their series regulars, like Ray not redeemable,

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<v Speaker 3>can't bring them back. But after a season of Valerie,

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<v Speaker 3>they're like, wait, here's one of our main female leads,

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<v Speaker 3>Like we have to make her somewhat redeemable, so we're

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<v Speaker 3>going to go back into this. Is that why this

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<v Speaker 3>is happening?

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<v Speaker 1>Great question? Yes, I think so. I think I would

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<v Speaker 1>feel like if I was writing this show and producing

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<v Speaker 1>this show and we had a main cast member that

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<v Speaker 1>people were really starting to not like, I would go

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<v Speaker 1>in right, we would go in and we would say,

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<v Speaker 1>let's find out why she is the way she is.

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<v Speaker 1>Let's yeah, let's redeem her a little bit so people

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<v Speaker 1>understand her more.

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<v Speaker 2>She's sort of like you like or you hater. You

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<v Speaker 2>like her, you hater, You're curious, you love to hate her.

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<v Speaker 2>She's kind of very all of it.

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<v Speaker 1>I think that they're also seeing like she's very lovable,

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<v Speaker 1>this character and the way Tiffany plays her very she

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<v Speaker 1>can be very soft and very lovable and you do

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<v Speaker 1>kind of just want to hug her and be friends

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<v Speaker 1>with her. But then there's that other side.

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<v Speaker 2>For me, there was just so much Tiffany Brian in

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<v Speaker 2>this episode as opposed to Valerie.

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<v Speaker 1>David you said that last time.

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<v Speaker 2>I know, but it is like I can't help up Cory,

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<v Speaker 2>am I right?

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<v Speaker 1>Don't get her upset? I know, like, why do you

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<v Speaker 1>do this? Wait, let's just.

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<v Speaker 2>Let's talk about something chemistry.

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<v Speaker 1>How about Steve Sanders His some of his worst lines

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<v Speaker 1>were in this episode, some of the most well, not

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<v Speaker 1>really some of its most offensive, but could be.

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<v Speaker 2>Here's should not be open if there is a rodent

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<v Speaker 2>in it? Like there's a mouse crawling around on all

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<v Speaker 2>y'all's toes do.

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<v Speaker 1>You want to hear the Steve Sanders lines that I

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<v Speaker 1>was just gonna say or not, because can you hear me?

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<v Speaker 2>Yeah, I'm sorry. It just totally made me picture Steve

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<v Speaker 2>at the table with that mouse on her foot.

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<v Speaker 1>You go, okay, just before we get into it. This

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<v Speaker 1>place makes us look like we're from the wrong side

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<v Speaker 1>of the tracks. That's what he's talking about when he

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<v Speaker 1>sees the marsh, that massion. You can't say that, Steve Sanders,

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<v Speaker 1>And that's what you get for dating someone from Rosita

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<v Speaker 1>preferring to Ray Pruitt.

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<v Speaker 3>But do you feel like that was a sign the

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<v Speaker 3>sign of the times like it was nineteen ninety five? Yes,

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<v Speaker 3>I mean now Recita is like.

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<v Speaker 1>Juice Ye in the Valley, like Rosita is where at

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<v Speaker 1>the sight.

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<v Speaker 3>If I was back living in Reseda right now.

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<v Speaker 1>It's so true.

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<v Speaker 2>Valley was so much more like the valley back in

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<v Speaker 2>the nineties. Oh you live in the valley.

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<v Speaker 1>You didn't want to be No, no, no, no, no

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<v Speaker 1>no no. I've proudly always been eight one eight and AOL.

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<v Speaker 2>Thank you so much, the same right here, eight one

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<v Speaker 2>a and AOL.

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<v Speaker 1>Let's give it up for the ladies of a certain age.

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<v Speaker 3>All three of us. Yes, you're not, you're three one oh,

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<v Speaker 3>I one eight.

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<v Speaker 2>No, I'm not, I'm I'm I live three one oh,

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<v Speaker 2>but my phone is eight one eight because of the odds.

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<v Speaker 1>It's so funny. I live three two three, but I'm

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<v Speaker 1>so eight one eight. Oh my god.

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<v Speaker 3>She had to make sure to get that in just

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<v Speaker 3>to clarify.

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<v Speaker 2>So, Jenny, I do apologize for getting rote and distracted,

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<v Speaker 2>But can we just talk for a second, Like, what

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<v Speaker 2>the hell is with the storyline of the mouse?

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<v Speaker 1>It's cute, he's so cute, Donna holds him. And that's

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<v Speaker 1>also not a mouse. I think that's a rat.

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<v Speaker 3>How do you know it was a mouse?

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<v Speaker 1>It just was big. When I see a big mouse,

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<v Speaker 1>I think that's a rat.

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<v Speaker 3>No, No, you're right, you would. You had a big now.

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<v Speaker 1>You had to hold You picked this rat up off

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<v Speaker 1>the ground and hailed it like a baby.

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<v Speaker 3>I know. I'm wondering if this you know a lot

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<v Speaker 3>of time we watch back and I'm like, you guys,

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<v Speaker 3>not even my character. I'll be like, wait, storyline happened

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<v Speaker 3>to you that that didn't I My parents like feed

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<v Speaker 3>the writers that this was going on in life. But

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<v Speaker 3>but you have rats okay, I did. Oh, and my

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<v Speaker 3>dad on his property had a real police car from

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<v Speaker 3>like one of his sets, but he would have it

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<v Speaker 3>out so that if anyone would come up, they'd be like, oh,

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<v Speaker 3>the police are here, and not like break in. This

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<v Speaker 3>is before the big mansion.

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<v Speaker 2>This pause, I'm sorry pause. You had a police car

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<v Speaker 2>for like TJ Hooker? Was that your show? TJ Hooker?

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<v Speaker 2>Like what show?

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<v Speaker 3>Yeah, I don't know. Transpo from one of his sets

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<v Speaker 3>just showed up with it one day and I was

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<v Speaker 3>like embarrassed because my friends are coming over to visit

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<v Speaker 3>and I was like something happening, and they're like, no,

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<v Speaker 3>we're just gonna leave it out here because if anyone

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<v Speaker 3>were to somehow, I was like, get past all your

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<v Speaker 3>for security in the guards room, Like what do you mean?

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<v Speaker 3>What do we need this too? AnyWho? I rescued two rats.

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<v Speaker 3>That's a lie about them in that store. It was

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<v Speaker 3>back in the day before rescue. It was nineteen ninety five,

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<v Speaker 3>wrong side of the tracks. So bought them and hid

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<v Speaker 3>them in the police car. Why you know, I love animals.

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<v Speaker 1>You didn't think they would get out?

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<v Speaker 3>They didn't. My mom found them and we had to

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<v Speaker 3>rehome them.

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<v Speaker 1>Why would your mom. Okay, this story has so many holes. A.

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<v Speaker 1>Why would you put them in a police car? They

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<v Speaker 1>could probably find their way out because they're rats, and

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<v Speaker 1>that's what they do. They find their ways, you know,

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<v Speaker 1>eat their way out of things. And B why was

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<v Speaker 1>your Why was Candy Spelling looking in the car for

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<v Speaker 1>your rats?

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<v Speaker 3>Oh? Because I think I when I had friends over,

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<v Speaker 3>like we would like sneak out and go back there,

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<v Speaker 3>and maybe she was like looking to see if we

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<v Speaker 3>were like I was like sixteen, like sneaking in some

0:10:53.320 --> 0:10:56.920
<v Speaker 3>bartles and dreams very cooler. Remember those Wait wait, wait, wait.

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<v Speaker 1>Wait, you were in the car drinking.

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<v Speaker 3>It might be this's worse right now. I was a

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<v Speaker 3>really good girl, you know that.

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<v Speaker 1>Yeah, But I just I did think he looks like

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<v Speaker 1>you look natural holding the rat, So I felt like,

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<v Speaker 1>maybe you must be familiar with practice.

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<v Speaker 3>I was rat familiar.

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<v Speaker 2>Do yourselves a favor, I'm not even kidding. Yeah, anyone

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<v Speaker 2>listening do yourselves as a favor and go on Kyle

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<v Speaker 2>Richard's Instagram or TikTok I'm not sure which one and

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<v Speaker 2>watch her get trapped in her car with a rat

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<v Speaker 2>on the side her.

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<v Speaker 3>It's so everyone's like is it set up like right,

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<v Speaker 3>or you can also go and look up a clip.

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<v Speaker 3>I believe it's on Jimmy Fallon where Nicole Ritchie just

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<v Speaker 3>said that she did the same thing when she was

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<v Speaker 3>a teen and bought rats and she had one named

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<v Speaker 3>Tori Spelling that attacked her mom, and her mom woke

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<v Speaker 3>up and it was on her eye and they had

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<v Speaker 3>to return to the pet store. Fine, it was the

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<v Speaker 3>Tori Spelling is causing happening.

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<v Speaker 2>I do have a friend who has chickens. I think

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<v Speaker 2>I've told you about that are named Donna Martin and

0:12:10.840 --> 0:12:13.240
<v Speaker 2>Kelly Taylor. But anyway, let's get back to it.

0:12:13.520 --> 0:12:16.600
<v Speaker 1>Yep, yep, please please do. Let's go back to it.

0:12:16.640 --> 0:12:18.840
<v Speaker 3>So wrote and story. We're done with that.

0:12:19.800 --> 0:12:23.480
<v Speaker 1>The peach pit has a rat and it nibbles on

0:12:23.559 --> 0:12:25.400
<v Speaker 1>Steve and Claire's toes.

0:12:26.720 --> 0:12:29.280
<v Speaker 2>That letter ce this was before the time, but you

0:12:29.320 --> 0:12:31.720
<v Speaker 2>know how all the restaurants in LA have those letters.

0:12:32.320 --> 0:12:38.040
<v Speaker 1>This one would be a big fig s. Yes, But

0:12:38.160 --> 0:12:40.400
<v Speaker 1>let's go back to the top where we see Dylan

0:12:40.640 --> 0:12:50.079
<v Speaker 1>right going to the Marshett mansion. His cool car. That's

0:12:50.160 --> 0:12:53.120
<v Speaker 1>car is really cool, you guys. I never really fully

0:12:53.160 --> 0:12:56.880
<v Speaker 1>appreciated it, even in it, making out in it, doing

0:12:56.960 --> 0:12:58.960
<v Speaker 1>all kinds of things in it. Never really took a

0:12:58.960 --> 0:12:59.760
<v Speaker 1>good look at it.

0:13:00.080 --> 0:13:04.640
<v Speaker 2>Yeah, mistake, because it's pretty cool. He's pretty cool, she's

0:13:04.760 --> 0:13:06.200
<v Speaker 2>they're a good looking couple.

0:13:06.440 --> 0:13:08.920
<v Speaker 1>Yeah. And she's having a dinner party for him tomorrow

0:13:09.080 --> 0:13:11.840
<v Speaker 1>night at his house and she's invited all his friends.

0:13:13.720 --> 0:13:14.200
<v Speaker 2>I don't know.

0:13:15.600 --> 0:13:19.920
<v Speaker 1>I feels like it feels like a lot too fast,

0:13:20.280 --> 0:13:24.839
<v Speaker 1>like too like she's moving in.

0:13:25.120 --> 0:13:27.400
<v Speaker 3>She's gonna get killed in Texas, had kay?

0:13:29.040 --> 0:13:35.079
<v Speaker 1>That is not fair anyway. So Tony is giving Dylan

0:13:35.280 --> 0:13:39.319
<v Speaker 1>a tour of the mansion and he goes in the

0:13:39.840 --> 0:13:42.600
<v Speaker 1>She takes him into her dad's office and he finds

0:13:42.600 --> 0:13:43.840
<v Speaker 1>a picture of his dad.

0:13:43.960 --> 0:13:45.080
<v Speaker 2>That was so weird.

0:13:45.360 --> 0:13:49.280
<v Speaker 1>Why is there a picture a framed photo of Tony

0:13:49.360 --> 0:13:51.320
<v Speaker 1>Marshett with his arms around Jack? Okay?

0:13:52.760 --> 0:13:54.520
<v Speaker 2>And then he lies, I'm like, I don't know these

0:13:54.520 --> 0:13:57.319
<v Speaker 2>people who's that?

0:13:57.320 --> 0:13:59.000
<v Speaker 1>That was too convenient y'all?

0:13:59.559 --> 0:14:06.280
<v Speaker 3>Wy. But for us the viewers were like, oh, but.

0:14:06.240 --> 0:14:08.040
<v Speaker 1>Why was it in there? Were they friends?

0:14:09.160 --> 0:14:09.400
<v Speaker 3>Wait?

0:14:09.440 --> 0:14:11.160
<v Speaker 2>And why did they go from friend to foe?

0:14:11.800 --> 0:14:13.960
<v Speaker 1>Yes? Why did they go from friend to I'm going

0:14:14.040 --> 0:14:14.480
<v Speaker 1>to kill you?

0:14:15.000 --> 0:14:16.720
<v Speaker 3>I bet we're going to find out though?

0:14:16.960 --> 0:14:20.000
<v Speaker 1>Oh, okay, good good good. Back at the peach pit,

0:14:21.040 --> 0:14:25.960
<v Speaker 1>Kelly and Claire are dubious about Tony inviting everyone to

0:14:26.000 --> 0:14:28.160
<v Speaker 1>her house for dinner. Just what I said, I was

0:14:28.240 --> 0:14:30.840
<v Speaker 1>dubious just a moment ago didn't have the word for it.

0:14:30.880 --> 0:14:31.840
<v Speaker 1>But now I know.

0:14:33.040 --> 0:14:36.360
<v Speaker 2>Weird that she's been in the scene for what a

0:14:36.400 --> 0:14:41.040
<v Speaker 2>week or two and she's like inviting them behind us back.

0:14:41.080 --> 0:14:42.359
<v Speaker 2>It's just very strange.

0:14:42.560 --> 0:14:45.320
<v Speaker 1>I mean, it makes sense, yeah, but it makes sense

0:14:45.360 --> 0:14:49.440
<v Speaker 1>that Kelly would be like, I don't know, this feels weird,

0:14:49.560 --> 0:14:51.000
<v Speaker 1>But why is Claire all worked up?

0:14:51.440 --> 0:14:54.360
<v Speaker 3>Claire's let stuff happen to you. Stuff happened to me.

0:14:54.560 --> 0:14:58.440
<v Speaker 3>She's not dubious about anything. Now she's dubious about this girl.

0:14:58.800 --> 0:15:00.880
<v Speaker 1>I just want to say the word dubious over here.

0:15:00.920 --> 0:15:07.240
<v Speaker 2>I know, anything more awkward for everybody, yes than Kelly

0:15:07.360 --> 0:15:13.160
<v Speaker 2>Taylor at a party with Dylan and Brandon with Dylan's

0:15:13.200 --> 0:15:15.240
<v Speaker 2>like new girlfriend.

0:15:14.840 --> 0:15:16.800
<v Speaker 1>And Brandon's new girlfriend.

0:15:16.400 --> 0:15:19.880
<v Speaker 2>Yes, and and Kelly's new boyfriend. It was so weird,

0:15:19.960 --> 0:15:22.120
<v Speaker 2>like just so not going to happen.

0:15:22.480 --> 0:15:24.800
<v Speaker 1>But not you guys.

0:15:24.920 --> 0:15:26.440
<v Speaker 3>I wouldn't have it any other way.

0:15:27.640 --> 0:15:27.960
<v Speaker 2>Wait.

0:15:27.960 --> 0:15:31.160
<v Speaker 1>Wait, let's go to the hospital and talk about David,

0:15:31.160 --> 0:15:34.640
<v Speaker 1>because he's visiting his mom and the doctor tells Melan

0:15:34.720 --> 0:15:37.040
<v Speaker 1>David that Sheila is not responding and that they want

0:15:37.040 --> 0:15:38.520
<v Speaker 1>to give her electric shock therapy.

0:15:39.320 --> 0:15:42.360
<v Speaker 2>I mean, I don't was that that real at the time?

0:15:42.680 --> 0:15:42.960
<v Speaker 3>Yes?

0:15:43.560 --> 0:15:44.360
<v Speaker 2>Is that real? Now?

0:15:44.640 --> 0:15:46.440
<v Speaker 1>Wait, did you guys ever see that movie with? It's

0:15:46.480 --> 0:15:50.160
<v Speaker 1>my favorite movie with Jessica lan Francis, best movie ever.

0:15:51.080 --> 0:15:52.440
<v Speaker 3>We've never watched it together, but.

0:15:52.600 --> 0:15:56.360
<v Speaker 1>No, but I love that movie and only because I've

0:15:56.600 --> 0:15:58.280
<v Speaker 1>always wanted a lobotomy.

0:16:00.120 --> 0:16:02.240
<v Speaker 3>Wait we didn't get one of those years ago?

0:16:03.040 --> 0:16:06.760
<v Speaker 1>Sure, No, that's her favorite movie because I've always wanted

0:16:06.760 --> 0:16:10.200
<v Speaker 1>a lobotomy, Like whenever my brain is racing and I'm

0:16:10.240 --> 0:16:13.200
<v Speaker 1>just so stressed out, Like please, somebody just give me

0:16:13.240 --> 0:16:16.520
<v Speaker 1>a lebotomy, because it worked out for Francis.

0:16:17.640 --> 0:16:22.200
<v Speaker 2>It did. It didn't work well, did not work.

0:16:22.520 --> 0:16:24.920
<v Speaker 3>But by the way, if you guys have not seen

0:16:24.960 --> 0:16:28.720
<v Speaker 3>that movie, you really should got a farm. It's called Francis.

0:16:28.800 --> 0:16:35.320
<v Speaker 3>Jessica Ling is amazing in it and favorite it sounds

0:16:35.640 --> 0:16:38.480
<v Speaker 3>like she wasn't crazy in my opinion.

0:16:38.840 --> 0:16:41.280
<v Speaker 1>No, anyway, the electric shock of it all, I knew

0:16:41.280 --> 0:16:42.920
<v Speaker 1>somebody that got electric shock therapy.

0:16:43.040 --> 0:16:44.440
<v Speaker 3>Seriously, did it work?

0:16:46.280 --> 0:16:47.320
<v Speaker 1>I think yes? It was?

0:16:48.000 --> 0:16:48.520
<v Speaker 3>I was.

0:16:50.080 --> 0:16:53.640
<v Speaker 1>I was in a group with her and she was

0:16:54.360 --> 0:16:57.440
<v Speaker 1>getting electric shop the shock therapy to help her with

0:16:57.480 --> 0:17:02.400
<v Speaker 1>her addictions. Oh wow, mm hmmm mm hmm. But this

0:17:02.480 --> 0:17:04.760
<v Speaker 1>doctor says that there's a risk of dying from the

0:17:04.800 --> 0:17:05.480
<v Speaker 1>electric shock.

0:17:05.920 --> 0:17:08.160
<v Speaker 2>I'm gonna stick. I'm gonna stick with the.

0:17:08.160 --> 0:17:14.720
<v Speaker 1>Tapping a little safer. It's like low dose electric shock

0:17:15.840 --> 0:17:19.840
<v Speaker 1>to the brain to like wake up sleepy parts of

0:17:19.920 --> 0:17:20.240
<v Speaker 1>the brain.

0:17:20.280 --> 0:17:20.639
<v Speaker 4>Tapping.

0:17:20.760 --> 0:17:27.800
<v Speaker 3>Yeah, there's other ways. Now, see you, Brandon, are you tapping?

0:17:27.840 --> 0:17:30.639
<v Speaker 2>Because I'm not gonna I'm gonna stick with the tap.

0:17:30.680 --> 0:17:32.000
<v Speaker 1>Tap it up, tap it down.

0:17:35.160 --> 0:17:35.440
<v Speaker 2>Okay.

0:17:35.480 --> 0:17:37.960
<v Speaker 1>Back at the SeeU, Brandon invites Susan to the dinner

0:17:38.000 --> 0:17:41.440
<v Speaker 1>party just to make it more awkward, and she gives

0:17:41.520 --> 0:17:43.640
<v Speaker 1>him an ultimatum that he needs to quit his job

0:17:43.680 --> 0:17:47.520
<v Speaker 1>if he wants to date her, and she she admits

0:17:47.720 --> 0:17:51.600
<v Speaker 1>that she is attracted to him. Uh duh. And she's

0:17:51.720 --> 0:17:53.640
<v Speaker 1>just afraid of that workplace romance.

0:17:54.080 --> 0:17:57.280
<v Speaker 2>Like they could figure this out in the college newspaper.

0:17:58.280 --> 0:18:00.880
<v Speaker 1>It's not that big of a workplace, please you guys

0:18:00.960 --> 0:18:03.960
<v Speaker 1>with his job, ain't nobody getting paid? Are they getting

0:18:03.960 --> 0:18:04.480
<v Speaker 1>paid for that?

0:18:05.119 --> 0:18:05.280
<v Speaker 3>Oh?

0:18:05.400 --> 0:18:11.600
<v Speaker 2>Good question, You get paid on the college. I'm gonna

0:18:11.640 --> 0:18:14.240
<v Speaker 2>go no, what was called the Daily Cow, and I

0:18:14.280 --> 0:18:16.160
<v Speaker 2>don't I would assume you don't get paid.

0:18:16.160 --> 0:18:18.200
<v Speaker 1>But I have no idea. But I'm going to think

0:18:18.720 --> 0:18:20.520
<v Speaker 1>my instinct advertisement.

0:18:20.680 --> 0:18:24.040
<v Speaker 3>So maybe May asked a question you in high school,

0:18:24.119 --> 0:18:27.760
<v Speaker 3>like you want to be on the newspaper because you're

0:18:27.800 --> 0:18:31.520
<v Speaker 3>you know, it looks good? Yeah, yeah, reference for college

0:18:31.560 --> 0:18:33.639
<v Speaker 3>once you're in college, Like, what does it help you with? Like,

0:18:33.680 --> 0:18:36.960
<v Speaker 3>it's not like a job the rest of your life.

0:18:37.520 --> 0:18:39.960
<v Speaker 2>You get a job if you're the editor of the

0:18:40.080 --> 0:18:43.160
<v Speaker 2>Daily Cow, and then you want to get the San

0:18:43.200 --> 0:18:44.480
<v Speaker 2>Francisco Chronicle.

0:18:45.040 --> 0:18:45.600
<v Speaker 1>Looks good.

0:18:45.760 --> 0:18:48.080
<v Speaker 2>Definitely, it's a good look.

0:18:49.320 --> 0:18:50.000
<v Speaker 3>Yeah.

0:18:50.119 --> 0:19:02.359
<v Speaker 1>I never really appreciated Houston. I was just like, shame me.

0:18:59.320 --> 0:19:01.400
<v Speaker 3>Sha dating a boy from Rosita.

0:19:01.800 --> 0:19:07.280
<v Speaker 1>Oh my god, that shame beats. That is a wildly

0:19:07.359 --> 0:19:08.960
<v Speaker 1>misused term these days.

0:19:09.440 --> 0:19:11.440
<v Speaker 3>It really is shame.

0:19:12.040 --> 0:19:13.119
<v Speaker 1>Yeah, don't shame me.

0:19:13.960 --> 0:19:16.520
<v Speaker 2>Yeah, shame is rough. We'll could do a whole episode

0:19:16.520 --> 0:19:16.920
<v Speaker 2>on shame.

0:19:17.000 --> 0:19:17.840
<v Speaker 1>Don't food shame me.

0:19:17.920 --> 0:19:21.439
<v Speaker 3>I get that a lot. I hit my teens all

0:19:21.480 --> 0:19:23.640
<v Speaker 3>the time. Tell me not to shame me too.

0:19:25.440 --> 0:19:29.600
<v Speaker 2>Oh. Kids, these days, they own their they own their ship,

0:19:30.000 --> 0:19:30.520
<v Speaker 2>they own it.

0:19:30.640 --> 0:19:33.119
<v Speaker 1>Yeah, it's so good. I can't wait to see how

0:19:33.160 --> 0:19:33.880
<v Speaker 1>that works out for.

0:19:33.880 --> 0:19:36.800
<v Speaker 3>Them may there's so many others. I'm just like, you

0:19:36.800 --> 0:19:38.360
<v Speaker 3>guys are too smart for your own good.

0:19:38.640 --> 0:19:40.480
<v Speaker 1>Well, this is what I love the most. They say

0:19:40.480 --> 0:19:42.160
<v Speaker 1>this all the time. Are you okay?

0:19:42.920 --> 0:19:44.800
<v Speaker 2>Yeah? They love to say are you okay?

0:19:44.840 --> 0:19:47.640
<v Speaker 1>And then they say anytime you do anything, like if

0:19:47.640 --> 0:19:50.200
<v Speaker 1>they mess up something, and they're like, oh, I love

0:19:50.240 --> 0:19:52.760
<v Speaker 1>it that they're asking themselves that question.

0:19:53.160 --> 0:19:55.320
<v Speaker 3>So mine do this? Fu jen But they're not. But

0:19:55.400 --> 0:19:59.159
<v Speaker 3>we both know they're not. They don't care care. They're like, okay,

0:19:59.320 --> 0:20:01.840
<v Speaker 3>we trying to make you think, like, oh.

0:20:02.359 --> 0:20:05.199
<v Speaker 1>That is shaming in itself right there, I.

0:20:05.280 --> 0:20:07.080
<v Speaker 3>Say it, yes, right now.

0:20:07.480 --> 0:20:11.680
<v Speaker 1>It's like mm hmmmmm that that is equal to shaming.

0:20:12.080 --> 0:20:17.040
<v Speaker 1>Are you okay? Anyway? Sorry, let's see. I just wanted

0:20:17.080 --> 0:20:19.959
<v Speaker 1>to say I never really knew how stinking cute Susan

0:20:20.040 --> 0:20:24.080
<v Speaker 1>Keats is. She's I just never really appreciated her comedic

0:20:24.160 --> 0:20:26.240
<v Speaker 1>little timing, and and we.

0:20:26.200 --> 0:20:29.320
<v Speaker 2>Talked about it, how like in my mind I barely

0:20:29.359 --> 0:20:33.040
<v Speaker 2>remember her, and fact, the gay heart is just huge

0:20:33.240 --> 0:20:35.640
<v Speaker 2>in my mind. So I don't know.

0:20:35.600 --> 0:20:37.919
<v Speaker 1>If it's it's probably because they were at the same time.

0:20:38.280 --> 0:20:40.720
<v Speaker 1>So yeah, well you had to pick one or the other.

0:20:40.720 --> 0:20:44.120
<v Speaker 2>And I want to ruin it to remember trauma coming

0:20:44.520 --> 0:20:45.720
<v Speaker 2>and so Susan.

0:20:45.480 --> 0:20:50.000
<v Speaker 1>Keats nop okay, good? Do you guys want to go

0:20:50.040 --> 0:20:50.480
<v Speaker 1>to the dorm?

0:20:51.760 --> 0:20:52.080
<v Speaker 2>Worse?

0:20:52.680 --> 0:20:54.560
<v Speaker 1>Kelly and Donna do. They go there to check on

0:20:54.680 --> 0:20:57.320
<v Speaker 1>David and he shuts them out because he is so

0:20:57.400 --> 0:21:00.399
<v Speaker 1>upset about his mom. It's really sad. And you know what,

0:21:00.520 --> 0:21:04.960
<v Speaker 1>he is so good in this storyline because acting is

0:21:06.680 --> 0:21:07.480
<v Speaker 1>chef's kiss.

0:21:08.359 --> 0:21:12.919
<v Speaker 2>Yeah, he was good. He was, He actually really was.

0:21:14.040 --> 0:21:16.439
<v Speaker 2>He was pretty subtle with how good he was.

0:21:18.520 --> 0:21:20.960
<v Speaker 3>Look, I feel like I can't like interject, Everyone's gonna

0:21:20.960 --> 0:21:22.919
<v Speaker 3>be like, oh, she's just so like she was always

0:21:22.920 --> 0:21:25.720
<v Speaker 3>in love with him. But that aside, I feel like

0:21:26.119 --> 0:21:30.040
<v Speaker 3>whenever Brian was given really great dramatic moments, he was

0:21:30.160 --> 0:21:32.920
<v Speaker 3>excellent and it just was few and far between.

0:21:33.480 --> 0:21:38.000
<v Speaker 1>M I'm with you on that one, but I loved

0:21:38.000 --> 0:21:39.960
<v Speaker 1>working with him when it came to, like us doing

0:21:40.000 --> 0:21:42.000
<v Speaker 1>dramatic stuff together. I'm sure you did too.

0:21:42.119 --> 0:21:42.399
<v Speaker 3>Same.

0:21:44.280 --> 0:21:47.320
<v Speaker 1>Valerie at the Walsh House is writing an email to

0:21:47.359 --> 0:21:50.760
<v Speaker 1>Cindy to update her on things in Beverly Hills.

0:21:51.640 --> 0:21:52.080
<v Speaker 3>That sweet.

0:21:52.880 --> 0:21:54.880
<v Speaker 2>Oh yeah, we hear her voice at some point.

0:21:54.960 --> 0:21:58.159
<v Speaker 1>Sorry, she's in the Carol Potter is in the credits

0:21:58.080 --> 0:21:59.840
<v Speaker 1>this episode, so I was so excited we were going

0:21:59.880 --> 0:22:01.640
<v Speaker 1>to here, and then all we did was hear her,

0:22:01.760 --> 0:22:02.800
<v Speaker 1>which was okay.

0:22:03.080 --> 0:22:07.000
<v Speaker 2>Yeah, unless your Carol pops Like.

0:22:07.760 --> 0:22:09.159
<v Speaker 3>They had to pay her to be in it, But

0:22:09.760 --> 0:22:12.399
<v Speaker 3>do they pay her less if they just hear a voiceover?

0:22:12.680 --> 0:22:17.240
<v Speaker 2>Obviously? I don't know, guys, Obviously.

0:22:17.080 --> 0:22:20.240
<v Speaker 1>Really probably it was probably like a set amount because

0:22:20.240 --> 0:22:22.480
<v Speaker 1>she was now officially off the show, so that contract

0:22:22.520 --> 0:22:26.440
<v Speaker 1>maybe was off over done, right, This was just like, hey,

0:22:26.480 --> 0:22:28.520
<v Speaker 1>can you come in and do a voiceover real quick?

0:22:28.560 --> 0:22:32.640
<v Speaker 2>Well, she's probably like, I'll take the ten g's to record,

0:22:33.040 --> 0:22:36.800
<v Speaker 2>you know, three lines five minutes money, But I'm just

0:22:36.840 --> 0:22:37.840
<v Speaker 2>making it up.

0:22:38.000 --> 0:22:39.840
<v Speaker 3>She's like, but do you have a grazing board? That's

0:22:39.880 --> 0:22:42.119
<v Speaker 3>my only question. I'm wondering.

0:22:43.200 --> 0:22:45.440
<v Speaker 1>Do you have any props that I could eat while

0:22:45.480 --> 0:22:48.720
<v Speaker 1>I'm recordingset bless Her.

0:22:49.119 --> 0:22:50.919
<v Speaker 3>Said this to her and she laughed about it. She

0:22:51.040 --> 0:22:54.720
<v Speaker 3>left back then, and the prop department would be like.

0:22:55.520 --> 0:22:58.400
<v Speaker 1>Oh, here comes Carrel because you.

0:22:58.320 --> 0:23:00.280
<v Speaker 3>Know, we just always knew the drill. It would be

0:23:00.320 --> 0:23:03.399
<v Speaker 3>all set up, beautiful and rehearsal. You just didn't want it.

0:23:03.560 --> 0:23:05.320
<v Speaker 3>You didn't eat it, and then in the scene you

0:23:05.520 --> 0:23:07.239
<v Speaker 3>ate it. And then they had to match it and

0:23:07.280 --> 0:23:10.359
<v Speaker 3>do all that, and she would be doing rehearsal and

0:23:10.400 --> 0:23:12.080
<v Speaker 3>she'd just be eating the food. So they had to start.

0:23:12.119 --> 0:23:12.880
<v Speaker 3>Would they spray it.

0:23:12.840 --> 0:23:18.800
<v Speaker 1>With like slimy stuff whatever? The shiny made it shiny? Okay?

0:23:18.840 --> 0:23:23.639
<v Speaker 1>So Valerie also in this scene, tells Brandon that she's

0:23:23.720 --> 0:23:27.960
<v Speaker 1>the one who found her dad after he killed himself.

0:23:29.440 --> 0:23:37.000
<v Speaker 1>That's heavy, really really like really heavy, like the heaviest

0:23:37.040 --> 0:23:39.920
<v Speaker 1>you can carry on your shoulders for the rest of

0:23:40.000 --> 0:23:43.520
<v Speaker 1>your life. You feel bad for her.

0:23:43.480 --> 0:23:46.440
<v Speaker 3>Now and now I just now I'm mad at your man.

0:23:46.520 --> 0:23:49.840
<v Speaker 3>The gym wasn't nicer to her, Like he knew that,

0:23:50.080 --> 0:23:50.959
<v Speaker 3>and he knew that.

0:23:51.280 --> 0:23:53.719
<v Speaker 1>Why wasn't he's more sympathetic to her?

0:23:54.080 --> 0:23:54.600
<v Speaker 3>Obviously?

0:23:55.320 --> 0:23:57.520
<v Speaker 2>Yeah, she had non stop therapy.

0:23:58.359 --> 0:23:59.880
<v Speaker 1>Oh now my crush might be over.

0:24:00.800 --> 0:24:03.679
<v Speaker 2>Why wasn't she just all kinds of counseling.

0:24:04.840 --> 0:24:07.879
<v Speaker 3>I won't be come on our show. I don't know.

0:24:07.960 --> 0:24:12.280
<v Speaker 1>I don't know. The Valerie's mom also another worse thing,

0:24:12.880 --> 0:24:15.679
<v Speaker 1>even maybe even worse. Her mom blames her for her

0:24:15.680 --> 0:24:22.760
<v Speaker 1>father's death because she was a disappointment. Boy. Yeah, a

0:24:23.080 --> 0:24:25.280
<v Speaker 1>lot for a young girl to carry around.

0:24:26.160 --> 0:24:28.199
<v Speaker 3>I got to be honest, I watched this and I

0:24:28.280 --> 0:24:30.520
<v Speaker 3>just wanted to hand all of our men over to

0:24:30.560 --> 0:24:33.400
<v Speaker 3>her and be like, you know what, take the hall pass.

0:24:33.480 --> 0:24:37.520
<v Speaker 3>She gets, like a serious pass. She may take everybody and.

0:24:40.119 --> 0:24:41.080
<v Speaker 2>Kiss over to her.

0:24:41.240 --> 0:24:44.560
<v Speaker 1>You guys, I never knew this, like I as Kelly

0:24:44.840 --> 0:24:48.560
<v Speaker 1>basically never knew this because Kelly never knew this, So

0:24:48.600 --> 0:24:51.560
<v Speaker 1>that's why they never got along. But I does Kelly

0:24:51.600 --> 0:24:55.640
<v Speaker 1>ever find these things out and become more sympathetic to her?

0:24:56.400 --> 0:24:59.240
<v Speaker 1>Does anybody in the cast other than Brandon know this?

0:24:59.680 --> 0:25:00.239
<v Speaker 2>Or now?

0:25:00.320 --> 0:25:00.639
<v Speaker 1>David?

0:25:00.760 --> 0:25:01.840
<v Speaker 3>I don't remember knowing this.

0:25:02.440 --> 0:25:02.840
<v Speaker 1>Mm hmm.

0:25:03.359 --> 0:25:06.200
<v Speaker 2>We knew he killed himself. I think from the beginning.

0:25:06.280 --> 0:25:07.920
<v Speaker 1>It was briefly mentioned.

0:25:07.920 --> 0:25:12.080
<v Speaker 2>It wasn't why she moved to La.

0:25:24.560 --> 0:25:27.040
<v Speaker 1>So this is really crazy, and she's having these bad

0:25:27.160 --> 0:25:30.119
<v Speaker 1>nightmares and waking up terrified. It's so sad. It were

0:25:30.160 --> 0:25:34.240
<v Speaker 1>really sad for you. Bell back to the SeeU, You're like,

0:25:34.280 --> 0:25:38.880
<v Speaker 1>how about that? And over the gang is coming back

0:25:38.880 --> 0:25:40.680
<v Speaker 1>from watching One Flew Over the Cuckoo's Nest.

0:25:40.800 --> 0:25:47.320
<v Speaker 2>Okay, totally random film, Yeah, like really really random, and Claire.

0:25:47.040 --> 0:25:49.439
<v Speaker 1>Makes a comment that if David doesn't snap out of

0:25:49.480 --> 0:25:54.560
<v Speaker 1>his stress with his mom, he'll land in the Cuckoo's Nest.

0:25:56.880 --> 0:25:58.320
<v Speaker 3>They would never have been watching that.

0:26:00.000 --> 0:26:01.760
<v Speaker 2>No, it doesn't seem like a movie that a bunch

0:26:01.760 --> 0:26:02.639
<v Speaker 2>of college kids are gonna go.

0:26:02.760 --> 0:26:06.880
<v Speaker 1>Well, it was an Academy Award winning film in nineteen

0:26:07.280 --> 0:26:10.600
<v Speaker 1>seventy six, so that's something you do go back and

0:26:10.600 --> 0:26:12.160
<v Speaker 1>watch because in your film Clatty.

0:26:12.320 --> 0:26:14.640
<v Speaker 2>But I don't know about like on a Thursday night.

0:26:15.359 --> 0:26:18.160
<v Speaker 3>And not a great movie for David to go guys

0:26:18.200 --> 0:26:21.160
<v Speaker 3>like Billy Madison or something, the Top.

0:26:21.080 --> 0:26:26.320
<v Speaker 2>Gully in Our Lives Yeah, yeah, ninety five. I don't remember,

0:26:26.440 --> 0:26:31.200
<v Speaker 2>but it would have been like, you know, something good, Yeah,

0:26:31.600 --> 0:26:35.360
<v Speaker 2>then we speed or something. Let's go watch.

0:26:35.160 --> 0:26:41.639
<v Speaker 1>Speed Ooh I love that movie. Oh. Anyway, back at

0:26:41.680 --> 0:26:45.040
<v Speaker 1>the Marshette mansion, Bruno tells Tony she's getting too involved

0:26:45.040 --> 0:26:47.360
<v Speaker 1>with Dylan, and then he watches the makeout in the backyard.

0:26:48.440 --> 0:26:53.480
<v Speaker 2>I'm surprised that Bruno is really like letting her be

0:26:53.600 --> 0:26:56.280
<v Speaker 2>with him. He knows who he is, he.

0:26:56.280 --> 0:26:59.840
<v Speaker 1>Loves her, I know, Oh yeah, what's the deal.

0:27:01.400 --> 0:27:03.440
<v Speaker 3>I feel like he's a little creepy.

0:27:03.160 --> 0:27:07.639
<v Speaker 1>And he kind of wants to Yeah, I'm sorry. He

0:27:07.720 --> 0:27:10.040
<v Speaker 1>loves her just a little too much, you guys.

0:27:10.119 --> 0:27:11.960
<v Speaker 3>Yeah, and he's like, well I can't hammer, so.

0:27:14.880 --> 0:27:17.080
<v Speaker 1>Okay. Anyway, We're gonna keep talking.

0:27:16.840 --> 0:27:19.120
<v Speaker 3>When I'm off hours. Is he ever off?

0:27:20.160 --> 0:27:21.800
<v Speaker 1>They ever get off?

0:27:21.880 --> 0:27:22.600
<v Speaker 3>I'm serious?

0:27:22.880 --> 0:27:25.639
<v Speaker 1>Okay, Okay, we're talking about the peach pit now. And

0:27:25.640 --> 0:27:28.719
<v Speaker 1>there's a mouse and Steve puts his arm around Claire

0:27:29.040 --> 0:27:30.040
<v Speaker 1>and she likes it.

0:27:30.240 --> 0:27:32.919
<v Speaker 2>She thinks he's playing foot seats because there's a critter

0:27:33.000 --> 0:27:33.840
<v Speaker 2>on her toe.

0:27:34.320 --> 0:27:36.639
<v Speaker 1>I kind of enjoyed the close up of their feet.

0:27:36.880 --> 0:27:39.920
<v Speaker 1>I gotta say, I like seeing their shoes.

0:27:41.240 --> 0:27:45.200
<v Speaker 2>I would never eat there ever again, ever, ever again.

0:27:45.359 --> 0:27:48.760
<v Speaker 1>If you knew the things that go on in a restaurant.

0:27:51.400 --> 0:27:55.720
<v Speaker 1>Back at David's, storm Mail comes by and tells David

0:27:55.760 --> 0:27:58.359
<v Speaker 1>to convince his mom to agree to the electric shock

0:27:58.440 --> 0:28:01.399
<v Speaker 1>treatment because it's always good to with your son in

0:28:01.440 --> 0:28:08.680
<v Speaker 1>a position like that. No cute, lord, nobody is protecting

0:28:08.720 --> 0:28:09.320
<v Speaker 1>these kids.

0:28:10.960 --> 0:28:15.640
<v Speaker 3>You just noticed this. Yeah, and we all turned out

0:28:15.720 --> 0:28:19.359
<v Speaker 3>we they us, they pretty well considering.

0:28:19.520 --> 0:28:23.520
<v Speaker 2>Your parents are a mess, like literally, your parents. Your

0:28:23.560 --> 0:28:26.679
<v Speaker 2>mom's a mess, your mom's a drug addict, mels. What

0:28:26.840 --> 0:28:28.040
<v Speaker 2>it's happening like.

0:28:28.040 --> 0:28:31.160
<v Speaker 3>A point is like we are the parents. This show

0:28:31.280 --> 0:28:33.960
<v Speaker 3>is about the kids, not the parents, and the parents

0:28:33.960 --> 0:28:38.040
<v Speaker 3>are just like figuring it out, and all the kids

0:28:38.080 --> 0:28:40.120
<v Speaker 3>are stepping up and actually making it work.

0:28:40.360 --> 0:28:42.560
<v Speaker 1>I feel like that's how it is, though, I feel

0:28:42.560 --> 0:28:44.520
<v Speaker 1>like that way with my own children. Do you feel

0:28:44.520 --> 0:28:48.840
<v Speaker 1>that way, Like I'm really figuring this out as I go,

0:28:49.000 --> 0:28:53.200
<v Speaker 1>making it up this whole like raising children into young adults,

0:28:53.680 --> 0:28:56.080
<v Speaker 1>and then they have it so much more together.

0:28:57.600 --> 0:29:01.640
<v Speaker 2>I agree, Yeah, causing damage that they'll deal with when

0:29:01.680 --> 0:29:02.240
<v Speaker 2>they're fifty.

0:29:02.360 --> 0:29:04.160
<v Speaker 1>Also, it'll it'll tell.

0:29:04.120 --> 0:29:06.360
<v Speaker 3>Us about turned sixteen. And the other day there was

0:29:06.400 --> 0:29:10.040
<v Speaker 3>a little argument going on within the house and she said, guys,

0:29:10.040 --> 0:29:13.240
<v Speaker 3>you need to remember this is mom's first life too.

0:29:13.360 --> 0:29:15.280
<v Speaker 3>She's light.

0:29:16.360 --> 0:29:17.960
<v Speaker 1>My daughter said the same thing.

0:29:20.680 --> 0:29:21.600
<v Speaker 2>Isn't that amazing?

0:29:21.800 --> 0:29:22.240
<v Speaker 3>Yeah?

0:29:22.480 --> 0:29:25.680
<v Speaker 1>That was like a turning point for me too. Mom's

0:29:25.720 --> 0:29:29.840
<v Speaker 1>figuring this out. I love that message so much. I'm

0:29:29.880 --> 0:29:32.040
<v Speaker 1>so glad she said that too. They must teach them

0:29:32.040 --> 0:29:34.040
<v Speaker 1>that at like sixteen, because that was about the age

0:29:34.080 --> 0:29:36.840
<v Speaker 1>that Fiona realized it too. Maybe they saw it on.

0:29:36.880 --> 0:29:40.080
<v Speaker 2>TikTok that you might just have kids that figured stuff out.

0:29:40.080 --> 0:29:41.040
<v Speaker 2>That's pretty amazing.

0:29:41.120 --> 0:29:41.400
<v Speaker 3>Wow.

0:29:41.960 --> 0:29:42.840
<v Speaker 2>Wow, back to the.

0:29:42.800 --> 0:29:45.280
<v Speaker 1>Mouse, Back to the mouse. No, we're done with the mouse.

0:29:45.920 --> 0:29:46.560
<v Speaker 2>Disgusting.

0:29:46.640 --> 0:29:48.240
<v Speaker 1>We're going to go to the dinner.

0:29:48.040 --> 0:29:51.480
<v Speaker 2>Party, Claire. Before that, how are we feeling about them?

0:29:51.640 --> 0:29:52.520
<v Speaker 1>Is that where they kissed.

0:29:52.600 --> 0:29:55.760
<v Speaker 2>No, not yet, not yet, But how did you feel

0:29:55.760 --> 0:29:57.560
<v Speaker 2>about it? I'm not mad at it at all.

0:29:57.720 --> 0:29:58.480
<v Speaker 1>No, I'm not mad.

0:29:58.920 --> 0:30:00.440
<v Speaker 3>I''m mad at it. I don't know.

0:30:01.280 --> 0:30:02.640
<v Speaker 1>I kind of like it.

0:30:02.760 --> 0:30:07.720
<v Speaker 3>I like them together the most out of all his romances.

0:30:08.360 --> 0:30:13.560
<v Speaker 2>More than a carry. Grant's daughter, Jennifer Grant. I enjoyed it.

0:30:13.680 --> 0:30:17.240
<v Speaker 1>Yes, I mean because Claire has a sense of herself

0:30:17.560 --> 0:30:20.640
<v Speaker 1>and she's you know, she claps back at him, yeah,

0:30:20.640 --> 0:30:23.280
<v Speaker 1>and she keeps him in line. I love that about

0:30:23.400 --> 0:30:25.840
<v Speaker 1>their relationship, and I think that that's why he's attracted

0:30:25.880 --> 0:30:29.240
<v Speaker 1>to her, because she's not just like sitting there silently

0:30:29.280 --> 0:30:32.080
<v Speaker 1>letting him do his thing. She's like, hello, we already.

0:30:31.840 --> 0:30:34.040
<v Speaker 2>Had the scene where he comes running in with the

0:30:34.080 --> 0:30:38.440
<v Speaker 2>tossled hair and the shirt off. Yeah, that wasn't.

0:30:38.600 --> 0:30:42.239
<v Speaker 1>That's entering Valerie's nightmare. Valerie's nightmare. He comes in and

0:30:42.240 --> 0:30:44.520
<v Speaker 1>his hair's forward. Did you guys see it?

0:30:44.560 --> 0:30:45.760
<v Speaker 2>The hair was great.

0:30:46.240 --> 0:30:50.400
<v Speaker 1>The hair was not up. The hair was forward like

0:30:50.440 --> 0:30:51.719
<v Speaker 1>this like little baby bangs.

0:30:51.840 --> 0:30:53.000
<v Speaker 2>I had a moment of light.

0:30:53.480 --> 0:30:58.680
<v Speaker 1>Oh wows too. I was like, he's hot, Yeah, he's hot.

0:30:58.840 --> 0:31:03.560
<v Speaker 1>I was like, what, Amy's crushed this episode?

0:31:03.840 --> 0:31:06.680
<v Speaker 3>So now like I think it was a miss and

0:31:06.720 --> 0:31:08.800
<v Speaker 3>I know it couldn't have ever played out that way

0:31:09.080 --> 0:31:14.120
<v Speaker 3>that Brandon. Sorry, Brandon and Claire. I just feel like.

0:31:14.360 --> 0:31:16.640
<v Speaker 1>No, don't. I don't want to hear what you're about

0:31:16.640 --> 0:31:17.880
<v Speaker 1>to say if that happens.

0:31:18.280 --> 0:31:22.440
<v Speaker 3>No oh no, no meaning because Brandon's kind of your guy.

0:31:23.520 --> 0:31:26.080
<v Speaker 1>Wait, but do Brandon and Claire get together?

0:31:28.160 --> 0:31:35.480
<v Speaker 3>It already happened, so it was like ago, Oh.

0:31:35.400 --> 0:31:37.880
<v Speaker 1>My god, you guys, I don't remember last week's episode.

0:31:37.920 --> 0:31:40.560
<v Speaker 3>It's okay, but it was never a thing. Remember she

0:31:40.560 --> 0:31:43.600
<v Speaker 3>had like a crush on him, and she was a

0:31:43.640 --> 0:31:47.360
<v Speaker 3>bad girl. But now she's evolved, and you know, well,

0:31:47.400 --> 0:31:48.160
<v Speaker 3>now she's evolved.

0:31:48.160 --> 0:31:50.800
<v Speaker 1>She went through David, now she's on to Steve.

0:31:51.240 --> 0:31:54.680
<v Speaker 3>Now she's on to Steve. But now they hadn't flushed

0:31:54.680 --> 0:31:57.400
<v Speaker 3>out her character. She was supposed to be that character

0:31:57.720 --> 0:31:59.800
<v Speaker 3>and now she's one of us, and she I just

0:32:00.320 --> 0:32:04.560
<v Speaker 3>now present day, present day now season six, like it

0:32:04.600 --> 0:32:06.719
<v Speaker 3>would be cool to see Brandon and Clare together. I

0:32:06.760 --> 0:32:09.880
<v Speaker 3>just feel like their chemistry and their banter since she's

0:32:09.960 --> 0:32:14.520
<v Speaker 3>super smart and know that, then align.

0:32:14.320 --> 0:32:18.640
<v Speaker 1>Yeah, it would, it would, it definitely would. I want

0:32:18.640 --> 0:32:20.719
<v Speaker 1>to talk about that dinner party though, because it was

0:32:20.840 --> 0:32:28.240
<v Speaker 1>so it was soups awk. Oh, so everybody's there. Kelly,

0:32:28.320 --> 0:32:33.400
<v Speaker 1>of course wears red dress to make everything more uncomfortable,

0:32:33.400 --> 0:32:36.440
<v Speaker 1>wearing a red sweatshirt just say it. It's a red day.

0:32:37.920 --> 0:32:43.640
<v Speaker 1>Susan and Tony are expressing their feelings about Kelly and

0:32:44.160 --> 0:32:46.840
<v Speaker 1>what else happens there. It's just there's it's so awkward.

0:32:46.920 --> 0:32:49.320
<v Speaker 1>I can barely think about it until.

0:32:49.120 --> 0:32:54.840
<v Speaker 2>The most part, Like, Hi, Dylan, maybe you don't be

0:32:54.920 --> 0:32:58.440
<v Speaker 2>quite so obvious that you're gonna sneak away into the

0:32:58.440 --> 0:33:03.600
<v Speaker 2>guys like private office and ruffle through his papers, Like also,

0:33:03.640 --> 0:33:06.040
<v Speaker 2>what are you thinking you're gonna find? Oh my god,

0:33:06.160 --> 0:33:10.360
<v Speaker 2>it's a document where he bought the you know, bomb

0:33:10.640 --> 0:33:12.200
<v Speaker 2>put under the car. Like it's just like, what do

0:33:12.200 --> 0:33:13.960
<v Speaker 2>you think you're gonna find in there? This guy's not

0:33:14.000 --> 0:33:16.040
<v Speaker 2>an amateur captain.

0:33:16.040 --> 0:33:18.760
<v Speaker 3>Obvious already happened. There's a frame photo of him and

0:33:18.880 --> 0:33:20.760
<v Speaker 3>his dad, So yeah, what.

0:33:20.720 --> 0:33:21.560
<v Speaker 1>Else is he looking for?

0:33:22.520 --> 0:33:22.920
<v Speaker 2>Bruno?

0:33:23.480 --> 0:33:28.960
<v Speaker 3>And then it's like cup.

0:33:30.280 --> 0:33:31.560
<v Speaker 1>Bruno sees everything.

0:33:33.000 --> 0:33:36.120
<v Speaker 2>Bruno has eyes everywhere. There's probably cameras in that whole

0:33:36.160 --> 0:33:37.120
<v Speaker 2>house too, like.

0:33:37.160 --> 0:33:40.760
<v Speaker 1>What and then he says he he knows that he's

0:33:40.840 --> 0:33:45.480
<v Speaker 1>Jack McKay's son. Any Warren's Dylan that Antonia is like

0:33:45.520 --> 0:33:48.120
<v Speaker 1>a daughter to him? Is that it is that the

0:33:48.200 --> 0:33:51.360
<v Speaker 1>end of the dinner party, it looked really boring and

0:33:51.480 --> 0:33:56.840
<v Speaker 1>so grown up, Like what college age kids are going

0:33:56.880 --> 0:34:00.240
<v Speaker 1>to a party where there's cheese platters and you have

0:34:00.280 --> 0:34:00.640
<v Speaker 1>to dress?

0:34:00.800 --> 0:34:01.040
<v Speaker 3>I don't know.

0:34:01.040 --> 0:34:01.880
<v Speaker 1>It just felt so.

0:34:02.000 --> 0:34:04.480
<v Speaker 3>Weird but kind of cool. I mean it was fun

0:34:04.480 --> 0:34:06.400
<v Speaker 3>as if you were to watch it just because I'm

0:34:06.400 --> 0:34:07.920
<v Speaker 3>seeing all my favorite people.

0:34:08.520 --> 0:34:12.120
<v Speaker 1>Yeah, but when you think about it, like, yeah, that

0:34:12.200 --> 0:34:15.719
<v Speaker 1>doesn't go with the age failing well.

0:34:15.760 --> 0:34:18.560
<v Speaker 3>I mean we watch we love when Dave Cause performed,

0:34:18.600 --> 0:34:20.279
<v Speaker 3>So why not a dinner party like this? What are

0:34:20.280 --> 0:34:20.520
<v Speaker 3>you talking?

0:34:20.520 --> 0:34:20.839
<v Speaker 1>All right?

0:34:20.920 --> 0:34:25.680
<v Speaker 3>All right? Multi highly evolved HM.

0:34:27.320 --> 0:34:29.880
<v Speaker 1>Back at David's dorm, Valerie shows up to check on

0:34:29.960 --> 0:34:36.279
<v Speaker 1>David and she takes him to the scariest bridge overlooking

0:34:36.320 --> 0:34:39.960
<v Speaker 1>Pch Isn't that the bridge like that isn't that up

0:34:40.000 --> 0:34:44.600
<v Speaker 1>there by p and where you can look out over

0:34:44.640 --> 0:34:46.200
<v Speaker 1>Santa Monica, Peter, Like you.

0:34:46.160 --> 0:34:49.480
<v Speaker 3>Know that cliff where you could like drive up and

0:34:49.480 --> 0:34:51.400
<v Speaker 3>you can live up there. And it's called Sunset.

0:34:51.480 --> 0:34:57.359
<v Speaker 1>No, no, no, it's it's by Ocean Avenue and it's

0:34:57.360 --> 0:35:03.600
<v Speaker 1>where the pier is, Yes, And there's a park, right park,

0:35:04.400 --> 0:35:05.920
<v Speaker 1>It's like it's not like a park. It's like a

0:35:05.920 --> 0:35:08.880
<v Speaker 1>big area of grass and you can walk them jog

0:35:08.960 --> 0:35:11.319
<v Speaker 1>the path around it, but the cliff is right there,

0:35:11.320 --> 0:35:13.840
<v Speaker 1>and it's terrifying because if you follow off that cliff,

0:35:13.920 --> 0:35:17.920
<v Speaker 1>you land on pH which is like a really crazy

0:35:17.920 --> 0:35:20.520
<v Speaker 1>fast highway. And I think that's where they were.

0:35:21.520 --> 0:35:22.239
<v Speaker 3>I think you're right.

0:35:22.960 --> 0:35:27.800
<v Speaker 1>Mm hmmm hmm. So she scares him basically by encouraging

0:35:27.880 --> 0:35:32.319
<v Speaker 1>him to jump. I guess that's like reverse psychology.

0:35:33.120 --> 0:35:34.720
<v Speaker 3>Yeah, but what if he had jumped?

0:35:34.840 --> 0:35:37.400
<v Speaker 1>Like I know, there was a moment where I was like,

0:35:37.480 --> 0:35:41.200
<v Speaker 1>I think you might jump, or she might jump.

0:35:41.040 --> 0:35:43.440
<v Speaker 3>Or has she been through so much that she almost

0:35:43.480 --> 0:35:47.880
<v Speaker 3>like her brain gets off on that like keep pushing it,

0:35:48.040 --> 0:35:49.600
<v Speaker 3>like acting out.

0:35:49.360 --> 0:35:54.200
<v Speaker 1>Like like oh yeah, let's do this. Uh huh. I

0:35:54.239 --> 0:35:56.360
<v Speaker 1>felt nervous that that she was going to jump. I

0:35:56.400 --> 0:35:58.720
<v Speaker 1>didn't think that David would jump, honestly.

0:35:59.200 --> 0:36:01.000
<v Speaker 3>Right, because he is go on to marry me in

0:36:01.040 --> 0:36:04.000
<v Speaker 3>five seasons. So yes, yes, Luckily he snapped out of it,

0:36:04.800 --> 0:36:05.800
<v Speaker 3>thank goodness.

0:36:05.400 --> 0:36:07.839
<v Speaker 1>And they hug and it felt it did feel very

0:36:08.760 --> 0:36:12.040
<v Speaker 1>Tiffany Brian mm hmm in that moment.

0:36:12.080 --> 0:36:14.680
<v Speaker 3>Are we going to wrap them up? Soon. How much

0:36:15.480 --> 0:36:18.319
<v Speaker 3>they're gonna stay together for a bit? I think, I

0:36:18.400 --> 0:36:21.200
<v Speaker 3>mean I live through now wait watch are they.

0:36:21.040 --> 0:36:24.120
<v Speaker 1>Are their characters going to become romantically involved?

0:36:24.440 --> 0:36:27.000
<v Speaker 2>I can't exactly recall, but it does. It is sort

0:36:27.000 --> 0:36:31.640
<v Speaker 2>of a thing for a minute. Okay, well the shee right,

0:36:31.719 --> 0:36:33.799
<v Speaker 2>I'm not wrong. I don't want to ruin it.

0:36:33.880 --> 0:36:45.400
<v Speaker 5>But yeah, hey, friends, I'm Jessica Capshaw and this is

0:36:45.440 --> 0:36:47.000
<v Speaker 5>Camila Luddington and we.

0:36:46.920 --> 0:36:49.840
<v Speaker 6>Have a new podcast, call It What it Is. You

0:36:50.120 --> 0:36:53.239
<v Speaker 6>may know us from Graycelawn Memorial, but did you know

0:36:53.520 --> 0:36:56.320
<v Speaker 6>that we are actually besties in real life.

0:36:56.480 --> 0:36:59.080
<v Speaker 4>And as all besties do, we navigate the highs and

0:36:59.120 --> 0:37:01.520
<v Speaker 4>lows of life together. When one of us sends out

0:37:01.520 --> 0:37:04.640
<v Speaker 4>the distress signal, the other one always answers the call,

0:37:04.840 --> 0:37:05.600
<v Speaker 4>big or small.

0:37:05.800 --> 0:37:07.719
<v Speaker 3>We are there, And what does that look like?

0:37:08.880 --> 0:37:12.040
<v Speaker 6>A thousand pep talks a million, I've got yous, some

0:37:12.280 --> 0:37:13.560
<v Speaker 6>very urgent I'm coming.

0:37:13.360 --> 0:37:17.560
<v Speaker 4>Overs laughter through tears, no judgment, problem solving over glasses

0:37:17.560 --> 0:37:21.319
<v Speaker 4>of rose. Sometimes it takes tequila.

0:37:20.880 --> 0:37:21.960
<v Speaker 1>Because I don't know.

0:37:22.040 --> 0:37:24.600
<v Speaker 6>Let's face it, life can get even crazier than a

0:37:24.600 --> 0:37:25.920
<v Speaker 6>season finale of Gray's Anatomy.

0:37:26.120 --> 0:37:29.040
<v Speaker 4>And now here we are opening up the friendship circle.

0:37:29.239 --> 0:37:32.719
<v Speaker 6>To you someone's cheating, We've got you on that. In

0:37:32.800 --> 0:37:36.600
<v Speaker 6>laws or inlawe. Let's get into it, toxic friendship, air

0:37:36.640 --> 0:37:38.920
<v Speaker 6>it out. We're on your side to help you with

0:37:39.000 --> 0:37:41.840
<v Speaker 6>your concerns, talk about ours, and every once in a

0:37:41.920 --> 0:37:44.959
<v Speaker 6>while bring on an awesome guest to get their take

0:37:45.040 --> 0:37:46.560
<v Speaker 6>on the things that you bring us.

0:37:46.960 --> 0:37:50.200
<v Speaker 4>While we may be a license to advise, we're gonna

0:37:50.239 --> 0:37:50.840
<v Speaker 4>do it anyway.

0:37:51.320 --> 0:37:54.000
<v Speaker 6>Listen to call it what it is starting June third

0:37:54.120 --> 0:37:58.000
<v Speaker 6>on the iHeartRadio app, Apple Podcasts or wherever you get

0:37:58.000 --> 0:37:58.879
<v Speaker 6>your podcasts.

0:38:03.360 --> 0:38:06.680
<v Speaker 1>Everybody goes back to the peach pit after that, of course,

0:38:06.840 --> 0:38:08.480
<v Speaker 1>because where else would they go?

0:38:08.680 --> 0:38:11.880
<v Speaker 2>We do want to go where the animal.

0:38:13.040 --> 0:38:14.560
<v Speaker 1>And then Donna catches the mouse.

0:38:14.719 --> 0:38:17.960
<v Speaker 2>That was also so insane, insane.

0:38:18.320 --> 0:38:20.000
<v Speaker 1>I thought it was cute that it was Donna, like

0:38:20.040 --> 0:38:21.000
<v Speaker 1>sweet Donna.

0:38:20.680 --> 0:38:24.680
<v Speaker 2>Of course, and she's so grave I would not yeah,

0:38:24.719 --> 0:38:27.240
<v Speaker 2>even be screaming.

0:38:29.000 --> 0:38:32.479
<v Speaker 3>Yeah like, but it's so like on brand in real life. Right.

0:38:33.600 --> 0:38:36.240
<v Speaker 1>Oh, and this is where we see Steve drop Claire

0:38:36.239 --> 0:38:38.920
<v Speaker 1>off at the beach house after the dinner party and

0:38:38.960 --> 0:38:41.680
<v Speaker 1>they kiss on the porch and she gives an a

0:38:41.840 --> 0:38:44.760
<v Speaker 1>plus in French. It's a good kiss.

0:38:45.280 --> 0:38:47.840
<v Speaker 3>It was a good kiss. They do have chemistry that

0:38:48.040 --> 0:38:49.960
<v Speaker 3>it's not that sort.

0:38:49.719 --> 0:38:52.799
<v Speaker 2>Of a there's sort of a likely unlikely couple, Like

0:38:52.840 --> 0:38:57.600
<v Speaker 2>I get it. You know. She's sassy pants and he's

0:38:57.680 --> 0:38:58.480
<v Speaker 2>sort of like.

0:39:00.160 --> 0:39:00.520
<v Speaker 3>Challenge.

0:39:01.400 --> 0:39:03.960
<v Speaker 2>Yeah, like there, Yeah, she sort of got a one

0:39:04.040 --> 0:39:05.000
<v Speaker 2>up on him.

0:39:06.000 --> 0:39:06.520
<v Speaker 1>Yeah.

0:39:06.640 --> 0:39:09.560
<v Speaker 3>Do you think I don't remember this? And I feel

0:39:09.560 --> 0:39:13.200
<v Speaker 3>like it didn't happen, but she has. She's so fashioned forward.

0:39:13.320 --> 0:39:17.720
<v Speaker 3>Does she like help change his style at any point? Well,

0:39:17.760 --> 0:39:19.040
<v Speaker 3>that should have come on board.

0:39:19.440 --> 0:39:23.000
<v Speaker 1>Okay, that's so. Valerie takes David to the hospital to

0:39:23.040 --> 0:39:25.840
<v Speaker 1>talk to his mom, and he convinces her to allow

0:39:25.880 --> 0:39:27.760
<v Speaker 1>the doctors to give her the shock therapy.

0:39:28.880 --> 0:39:29.120
<v Speaker 3>Yep.

0:39:29.760 --> 0:39:33.000
<v Speaker 1>Colin tells Kelly he loves her and he invites her

0:39:33.080 --> 0:39:39.080
<v Speaker 1>to spend the night. Like that was just weird, right,

0:39:39.200 --> 0:39:39.919
<v Speaker 1>what's the big deal?

0:39:40.760 --> 0:39:41.160
<v Speaker 2>He's not.

0:39:41.239 --> 0:39:44.160
<v Speaker 1>I don't We've already seen her in his bed and.

0:39:44.120 --> 0:39:46.560
<v Speaker 3>He's never said he loves you before. I feel like

0:39:46.640 --> 0:39:49.200
<v Speaker 3>all of this probably happened in New York. I don't know.

0:39:50.080 --> 0:39:50.760
<v Speaker 1>I just don't.

0:39:50.960 --> 0:39:54.080
<v Speaker 2>I'm not. I don't love the Kelly drug era that's coming.

0:39:54.239 --> 0:39:58.560
<v Speaker 2>So I'm sort of like sorry, Jenny, but don't be sorry.

0:39:58.719 --> 0:39:59.239
<v Speaker 1>I don't care.

0:40:00.000 --> 0:40:00.520
<v Speaker 2>Remember it.

0:40:02.080 --> 0:40:04.480
<v Speaker 1>Yes, it was so exciting and fun to pretend like

0:40:04.520 --> 0:40:05.360
<v Speaker 1>you're a drug addict.

0:40:05.480 --> 0:40:06.279
<v Speaker 3>What are you talking about?

0:40:06.840 --> 0:40:09.879
<v Speaker 1>I never I've never done cocaine, you guys, I've never

0:40:09.920 --> 0:40:12.040
<v Speaker 1>done a drug. Is that what you say? I've never

0:40:12.080 --> 0:40:13.520
<v Speaker 1>done it? Or no, I've never eaten it.

0:40:13.560 --> 0:40:16.920
<v Speaker 2>I've never Yeah, I don't, well, I think or done it.

0:40:17.080 --> 0:40:21.520
<v Speaker 1>I never did it. But yeah, so it's fun. We'll

0:40:21.640 --> 0:40:22.960
<v Speaker 1>get to that when we get to that.

0:40:23.200 --> 0:40:25.640
<v Speaker 2>Yeah, but I don't like him, and I'm ready for

0:40:25.800 --> 0:40:28.399
<v Speaker 2>Joe too, sorry, Tory ready for Joe.

0:40:29.400 --> 0:40:36.439
<v Speaker 1>Oh yeah, well you can't jump ahead. Stop it. Back

0:40:36.520 --> 0:40:39.480
<v Speaker 1>at the Walsh House, I am, Valerie is reading an

0:40:39.480 --> 0:40:42.600
<v Speaker 1>email from Cindy. When we hear her voice. Valerie tells

0:40:42.640 --> 0:40:44.960
<v Speaker 1>Brandon that she's feeling better and she has another dream,

0:40:45.040 --> 0:40:48.239
<v Speaker 1>but this time it's David behind the door, telling her

0:40:48.600 --> 0:40:50.920
<v Speaker 1>that she doesn't have to be afraid anymore.

0:40:51.640 --> 0:40:54.080
<v Speaker 2>The ball Welcome to Night on two to one. Wrap

0:40:54.120 --> 0:40:56.920
<v Speaker 2>it up in a bow in forty four.

0:40:56.719 --> 0:40:59.960
<v Speaker 1>Minutes, Wrap it up in a bow.

0:41:01.160 --> 0:41:05.160
<v Speaker 2>It's like this girl has lifelong trauma, like what not anymore?

0:41:07.000 --> 0:41:07.600
<v Speaker 1>Not anymore?

0:41:09.560 --> 0:41:11.000
<v Speaker 3>Just disappeared that fast.

0:41:11.880 --> 0:41:19.440
<v Speaker 2>Yeah, I trauma secured and foreshadowing behind the door. What

0:41:20.360 --> 0:41:25.200
<v Speaker 2>aut foreshadowing that it's David behind the door? Oh, they

0:41:25.239 --> 0:41:25.960
<v Speaker 2>are going.

0:41:25.840 --> 0:41:28.759
<v Speaker 3>To Sorry I went to like game show. I did too.

0:41:28.800 --> 0:41:30.000
<v Speaker 1>I was like, who's behind the door?

0:41:30.120 --> 0:41:35.080
<v Speaker 3>I don't know what's behind door number three? Okay, Bob, Oh.

0:41:35.280 --> 0:41:37.720
<v Speaker 1>We just full circle that you guys to the game show.

0:41:37.880 --> 0:41:39.880
<v Speaker 1>I think this is a perfect way to end the episode.

0:41:40.400 --> 0:41:44.879
<v Speaker 1>Next week, what's our what's our show? Miss Speciless?

0:41:44.960 --> 0:41:47.120
<v Speaker 2>But right in the butt?

0:41:49.640 --> 0:41:53.440
<v Speaker 1>Wait? Right, wait?

0:41:57.600 --> 0:42:00.359
<v Speaker 2>Sorry the guys all right in the butt and say

0:42:00.440 --> 0:42:01.200
<v Speaker 2>Jack's just like.

0:42:01.600 --> 0:42:04.239
<v Speaker 3>No, wait sorry, I think you sure it was in

0:42:04.320 --> 0:42:04.960
<v Speaker 3>the game show?

0:42:05.320 --> 0:42:08.600
<v Speaker 2>U was the other one in the butt bob or whatever.

0:42:08.680 --> 0:42:12.080
<v Speaker 1>The game U price is right in the butt bob,

0:42:12.560 --> 0:42:13.960
<v Speaker 1>wasn't it?

0:42:15.000 --> 0:42:16.440
<v Speaker 3>No? No, no, what's the one where they have.

0:42:18.680 --> 0:42:19.920
<v Speaker 1>Newly went so?

0:42:20.239 --> 0:42:25.920
<v Speaker 3>Yes, favorite place to make Whookie Whookie not Wookie Star

0:42:25.960 --> 0:42:28.040
<v Speaker 3>Wars to make what they used to call it Nioki

0:42:28.440 --> 0:42:32.960
<v Speaker 3>whoopie whoopy. I'd be in the butt bob. This is

0:42:33.000 --> 0:42:34.440
<v Speaker 3>paid for.

0:42:34.400 --> 0:42:37.000
<v Speaker 1>The rest of my life. I'm always like, just random times,

0:42:37.000 --> 0:42:39.080
<v Speaker 1>I'm like in the butt bob, like as an answer

0:42:39.120 --> 0:42:41.640
<v Speaker 1>to some question that has nothing to do with anything.

0:42:41.680 --> 0:42:45.160
<v Speaker 3>I've heard her do this and I love every time.

0:42:45.280 --> 0:42:46.920
<v Speaker 3>And then people just look at us and like.

0:42:46.880 --> 0:42:49.879
<v Speaker 1>They don't get it. No, we get it. All right,

0:42:50.080 --> 0:42:51.960
<v Speaker 1>that's it. What's the next episode. I didn't hear you

0:42:51.960 --> 0:42:53.000
<v Speaker 1>because you're Soliet.

0:42:55.320 --> 0:42:58.600
<v Speaker 3>Season six, Episode six, speechless.

0:42:59.480 --> 0:43:00.560
<v Speaker 1>Everybody watch it.

0:43:05.800 --> 0:43:06.080
<v Speaker 3>Mm hm