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Speaker 1: It's nine O G one leg with Jenny Garth and

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Speaker 1: Tory spelling. Oh okay, people, we're back. Sounded like a

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Speaker 1: game thank you? Oh alrighty, like let's do this.

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Speaker 2: That was good.

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Speaker 1: Hi, guys, it's real a fortune with guards.

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Speaker 3: And don't get her distracted. She loves a good game.

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Speaker 1: Dreams right now. I want to be a game show

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Speaker 1: host so bad.

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Speaker 3: She was great at it. No, because you jump in

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Speaker 3: and just want to like say the answers.

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Speaker 1: I'd be so happy for people.

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Speaker 2: You guys should watch this new game show one Percent.

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Speaker 2: It's on Amazon. I don't know why there's only one episode,

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Speaker 2: but my friend produced it. And the questions are like

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Speaker 2: really fun because like the first half you're like, I

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Speaker 2: can do it. The second half.

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Speaker 1: You're like, no chance.

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Speaker 2: But it's good. Watch a percent. Yeah, it's like and

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Speaker 2: it kind of makes you you test your brain. You're like, oh,

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Speaker 2: this is like good exercise for my brain.

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Speaker 1: Why is it called one percent? Though?

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Speaker 2: Because uh, like at the end only one percent of

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Speaker 2: people can get the answer right.

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Speaker 3: Oh, it's like factually like they.

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Speaker 1: Patton Oswalt's the host, but who wrote that?

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Speaker 2: In who else watched one percent? In our group?

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Speaker 1: I love Patton Oswalt. Oh my god, Rein, I watched it.

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Speaker 2: It's good.

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Speaker 1: That's yeah, he's adorable. I would love to go on

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Speaker 1: that show. I was thinking you were saying it was

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Speaker 1: a show for the one percent, and I was like,

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Speaker 1: I don't think that's a good idea. What are we

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Speaker 1: talking about this week?

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Speaker 3: Y'all?

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Speaker 2: Billionaires are allowed to watch it?

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Speaker 3: Yeah, you guys, lovers my got this episode.

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Speaker 1: It's wait, lovers Leap.

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Speaker 2: Heared me a little.

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Speaker 3: It's a lot.

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Speaker 1: It's pretty scary, you guys.

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Speaker 2: It was intense.

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Speaker 3: Intense. Intens is a great word, and that thank you.

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Speaker 2: It was intense, and it was kind of like, Okay,

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Speaker 2: let's just I want to talk about it all, talk

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Speaker 2: about it all.

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Speaker 1: Let's dive in.

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Speaker 2: Let's dive in.

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Speaker 1: But first, all right, this is it? Season six, episode five.

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Speaker 1: Lovers Leap aired October fourth, nineteen ninety five.

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Speaker 2: Nineteen ninety five. Sorry, I'm just thinking about nineteen ninety.

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Speaker 1: Okay, thanks silently over there.

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Speaker 3: What happened to your life in nineteen ninety five? Should

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Speaker 3: we sague?

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Speaker 2: It's a junior in college? No, I was a senior.

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Speaker 2: Now think I was a senior. I was a senior

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Speaker 2: in college. We were watching you guys. In Melrose plays

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Speaker 2: non stop, NonStop.

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Speaker 1: Excuse me misspelling? Can you please give us a synopsis?

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Speaker 3: Maybe more than happy to synopsis David's dramas. There's a

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Speaker 3: bad memories for Valerie, while Dylan gets got snooping through

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Speaker 3: Tony Marsha's study. Brandon finally breaks down Susan's stuff exterior,

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Speaker 3: Donna's shame for dating a guy from Mercita, and Steve

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Speaker 3: goes in for a smooch that prompts Claire to give

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Speaker 3: him an a plus. In French Kissing y'all.

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Speaker 1: Mmm, directed by Bethany Rooney, written by Ken Stringer, I mean, wow,

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Speaker 1: this was a pretty cool opening, you guys. This whole

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Speaker 1: thing with David's mom has val really stirred up emotionally.

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Speaker 3: The dream scary dream.

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Speaker 1: She has some daddy issues.

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Speaker 2: Yeah, and that scared me a little. It was like

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Speaker 2: a little poltergeistye with that hallway running down.

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Speaker 1: It was cool. I love the way it was done.

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Speaker 3: It was dark, loves to sprinkle stuff. I wonder who

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Speaker 3: like really liked that, like horror esque dream sequence stuff,

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Speaker 3: because it happens, well, not quite frequently, but enough that

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Speaker 3: it's like I can't imagine Fox was like, hey, we're

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Speaker 3: on board with this, So, like I call that noir.

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Speaker 2: A little bit like it was shot a little film noir,

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Speaker 2: like how it was all greeny, black and white and.

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Speaker 1: Grayish film noiry. Yeah, it was good. Whatever the heck

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Speaker 1: it was like it it was cool.

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Speaker 3: Get it?

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Speaker 2: Yeah, guys, obviously she has issues.

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Speaker 1: Like, well now we're finding out we're finding out why

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Speaker 1: she is so messed up because it's bad.

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Speaker 2: That would be like beyond bad, beyond traumatizing, Like I

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Speaker 2: have to give her a little more grace, although I

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Speaker 2: still think she's kind of like a Conniver.

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Speaker 3: But do you feel like at this point, I mean,

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Speaker 3: alre screwed one of their series regulars, like Ray not redeemable,

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Speaker 3: can't bring them back. But after a season of Valerie,

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Speaker 3: they're like, wait, here's one of our main female leads,

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Speaker 3: Like we have to make her somewhat redeemable, so we're

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Speaker 3: going to go back into this. Is that why this

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Speaker 3: is happening?

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Speaker 1: Great question? Yes, I think so. I think I would

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Speaker 1: feel like if I was writing this show and producing

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Speaker 1: this show and we had a main cast member that

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Speaker 1: people were really starting to not like, I would go

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Speaker 1: in right, we would go in and we would say,

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Speaker 1: let's find out why she is the way she is.

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Speaker 1: Let's yeah, let's redeem her a little bit so people

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Speaker 1: understand her more.

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Speaker 2: She's sort of like you like or you hater. You

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Speaker 2: like her, you hater, You're curious, you love to hate her.

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Speaker 2: She's kind of very all of it.

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Speaker 1: I think that they're also seeing like she's very lovable,

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Speaker 1: this character and the way Tiffany plays her very she

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Speaker 1: can be very soft and very lovable and you do

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Speaker 1: kind of just want to hug her and be friends

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Speaker 1: with her. But then there's that other side.

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Speaker 2: For me, there was just so much Tiffany Brian in

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Speaker 2: this episode as opposed to Valerie.

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Speaker 1: David you said that last time.

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Speaker 2: I know, but it is like I can't help up Cory,

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Speaker 2: am I right?

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Speaker 1: Don't get her upset? I know, like, why do you

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Speaker 1: do this? Wait, let's just.

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Speaker 2: Let's talk about something chemistry.

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Speaker 1: How about Steve Sanders His some of his worst lines

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Speaker 1: were in this episode, some of the most well, not

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Speaker 1: really some of its most offensive, but could be.

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Speaker 2: Here's should not be open if there is a rodent

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Speaker 2: in it? Like there's a mouse crawling around on all

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Speaker 2: y'all's toes do.

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Speaker 1: You want to hear the Steve Sanders lines that I

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Speaker 1: was just gonna say or not, because can you hear me?

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Speaker 2: Yeah, I'm sorry. It just totally made me picture Steve

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Speaker 2: at the table with that mouse on her foot.

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Speaker 1: You go, okay, just before we get into it. This

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Speaker 1: place makes us look like we're from the wrong side

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Speaker 1: of the tracks. That's what he's talking about when he

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Speaker 1: sees the marsh, that massion. You can't say that, Steve Sanders,

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Speaker 1: And that's what you get for dating someone from Rosita

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Speaker 1: preferring to Ray Pruitt.

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Speaker 3: But do you feel like that was a sign the

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Speaker 3: sign of the times like it was nineteen ninety five? Yes,

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Speaker 3: I mean now Recita is like.

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Speaker 1: Juice Ye in the Valley, like Rosita is where at

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Speaker 1: the sight.

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Speaker 3: If I was back living in Reseda right now.

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Speaker 1: It's so true.

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Speaker 2: Valley was so much more like the valley back in

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Speaker 2: the nineties. Oh you live in the valley.

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Speaker 1: You didn't want to be No, no, no, no, no

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Speaker 1: no no. I've proudly always been eight one eight and AOL.

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Speaker 2: Thank you so much, the same right here, eight one

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Speaker 2: a and AOL.

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Speaker 1: Let's give it up for the ladies of a certain age.

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Speaker 3: All three of us. Yes, you're not, you're three one oh,

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Speaker 3: I one eight.

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Speaker 2: No, I'm not, I'm I'm I live three one oh,

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Speaker 2: but my phone is eight one eight because of the odds.

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Speaker 1: It's so funny. I live three two three, but I'm

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Speaker 1: so eight one eight. Oh my god.

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Speaker 3: She had to make sure to get that in just

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Speaker 3: to clarify.

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Speaker 2: So, Jenny, I do apologize for getting rote and distracted,

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Speaker 2: But can we just talk for a second, Like, what

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Speaker 2: the hell is with the storyline of the mouse?

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Speaker 1: It's cute, he's so cute, Donna holds him. And that's

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Speaker 1: also not a mouse. I think that's a rat.

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Speaker 3: How do you know it was a mouse?

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Speaker 1: It just was big. When I see a big mouse,

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Speaker 1: I think that's a rat.

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Speaker 3: No, No, you're right, you would. You had a big now.

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Speaker 1: You had to hold You picked this rat up off

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Speaker 1: the ground and hailed it like a baby.

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Speaker 3: I know. I'm wondering if this you know a lot

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Speaker 3: of time we watch back and I'm like, you guys,

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Speaker 3: not even my character. I'll be like, wait, storyline happened

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Speaker 3: to you that that didn't I My parents like feed

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Speaker 3: the writers that this was going on in life. But

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Speaker 3: but you have rats okay, I did. Oh, and my

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Speaker 3: dad on his property had a real police car from

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Speaker 3: like one of his sets, but he would have it

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Speaker 3: out so that if anyone would come up, they'd be like, oh,

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Speaker 3: the police are here, and not like break in. This

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Speaker 3: is before the big mansion.

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Speaker 2: This pause, I'm sorry pause. You had a police car

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Speaker 2: for like TJ Hooker? Was that your show? TJ Hooker?

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Speaker 2: Like what show?

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Speaker 3: Yeah, I don't know. Transpo from one of his sets

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Speaker 3: just showed up with it one day and I was

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Speaker 3: like embarrassed because my friends are coming over to visit

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Speaker 3: and I was like something happening, and they're like, no,

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Speaker 3: we're just gonna leave it out here because if anyone

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Speaker 3: were to somehow, I was like, get past all your

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Speaker 3: for security in the guards room, Like what do you mean?

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Speaker 3: What do we need this too? AnyWho? I rescued two rats.

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Speaker 3: That's a lie about them in that store. It was

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Speaker 3: back in the day before rescue. It was nineteen ninety five,

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Speaker 3: wrong side of the tracks. So bought them and hid

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Speaker 3: them in the police car. Why you know, I love animals.

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Speaker 1: You didn't think they would get out?

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Speaker 3: They didn't. My mom found them and we had to

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Speaker 3: rehome them.

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Speaker 1: Why would your mom. Okay, this story has so many holes. A.

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Speaker 1: Why would you put them in a police car? They

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Speaker 1: could probably find their way out because they're rats, and

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Speaker 1: that's what they do. They find their ways, you know,

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Speaker 1: eat their way out of things. And B why was

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Speaker 1: your Why was Candy Spelling looking in the car for

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Speaker 1: your rats?

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Speaker 3: Oh? Because I think I when I had friends over,

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Speaker 3: like we would like sneak out and go back there,

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Speaker 3: and maybe she was like looking to see if we

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Speaker 3: were like I was like sixteen, like sneaking in some

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Speaker 3: bartles and dreams very cooler. Remember those Wait wait, wait, wait.

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Speaker 1: Wait, you were in the car drinking.

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Speaker 3: It might be this's worse right now. I was a

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Speaker 3: really good girl, you know that.

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Speaker 1: Yeah, But I just I did think he looks like

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Speaker 1: you look natural holding the rat, So I felt like,

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Speaker 1: maybe you must be familiar with practice.

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Speaker 3: I was rat familiar.

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Speaker 2: Do yourselves a favor, I'm not even kidding. Yeah, anyone

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Speaker 2: listening do yourselves as a favor and go on Kyle

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Speaker 2: Richard's Instagram or TikTok I'm not sure which one and

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Speaker 2: watch her get trapped in her car with a rat

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Speaker 2: on the side her.

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Speaker 3: It's so everyone's like is it set up like right,

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Speaker 3: or you can also go and look up a clip.

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Speaker 3: I believe it's on Jimmy Fallon where Nicole Ritchie just

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Speaker 3: said that she did the same thing when she was

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Speaker 3: a teen and bought rats and she had one named

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Speaker 3: Tori Spelling that attacked her mom, and her mom woke

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Speaker 3: up and it was on her eye and they had

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Speaker 3: to return to the pet store. Fine, it was the

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Speaker 3: Tori Spelling is causing happening.

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Speaker 2: I do have a friend who has chickens. I think

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Speaker 2: I've told you about that are named Donna Martin and

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Speaker 2: Kelly Taylor. But anyway, let's get back to it.

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Speaker 1: Yep, yep, please please do. Let's go back to it.

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Speaker 3: So wrote and story. We're done with that.

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Speaker 1: The peach pit has a rat and it nibbles on

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Speaker 1: Steve and Claire's toes.

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Speaker 2: That letter ce this was before the time, but you

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Speaker 2: know how all the restaurants in LA have those letters.

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Speaker 1: This one would be a big fig s. Yes, But

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Speaker 1: let's go back to the top where we see Dylan

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Speaker 1: right going to the Marshett mansion. His cool car. That's

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Speaker 1: car is really cool, you guys. I never really fully

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Speaker 1: appreciated it, even in it, making out in it, doing

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Speaker 1: all kinds of things in it. Never really took a

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Speaker 1: good look at it.

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Speaker 2: Yeah, mistake, because it's pretty cool. He's pretty cool, she's

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Speaker 2: they're a good looking couple.

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Speaker 1: Yeah. And she's having a dinner party for him tomorrow

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Speaker 1: night at his house and she's invited all his friends.

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Speaker 2: I don't know.

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Speaker 1: I feels like it feels like a lot too fast,

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Speaker 1: like too like she's moving in.

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Speaker 3: She's gonna get killed in Texas, had kay?

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Speaker 1: That is not fair anyway. So Tony is giving Dylan

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Speaker 1: a tour of the mansion and he goes in the

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Speaker 1: She takes him into her dad's office and he finds

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Speaker 1: a picture of his dad.

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Speaker 2: That was so weird.

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Speaker 1: Why is there a picture a framed photo of Tony

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Speaker 1: Marshett with his arms around Jack? Okay?

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Speaker 2: And then he lies, I'm like, I don't know these

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Speaker 2: people who's that?

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Speaker 1: That was too convenient y'all?

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Speaker 3: Wy. But for us the viewers were like, oh, but.

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Speaker 1: Why was it in there? Were they friends?

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Speaker 3: Wait?

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Speaker 2: And why did they go from friend to foe?

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Speaker 1: Yes? Why did they go from friend to I'm going

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Speaker 1: to kill you?

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Speaker 3: I bet we're going to find out though?

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Speaker 1: Oh, okay, good good good. Back at the peach pit,

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Speaker 1: Kelly and Claire are dubious about Tony inviting everyone to

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Speaker 1: her house for dinner. Just what I said, I was

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Speaker 1: dubious just a moment ago didn't have the word for it.

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Speaker 1: But now I know.

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Speaker 2: Weird that she's been in the scene for what a

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Speaker 2: week or two and she's like inviting them behind us back.

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Speaker 2: It's just very strange.

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Speaker 1: I mean, it makes sense, yeah, but it makes sense

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Speaker 1: that Kelly would be like, I don't know, this feels weird,

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Speaker 1: But why is Claire all worked up?

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Speaker 3: Claire's let stuff happen to you. Stuff happened to me.

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Speaker 3: She's not dubious about anything. Now she's dubious about this girl.

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Speaker 1: I just want to say the word dubious over here.

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Speaker 2: I know, anything more awkward for everybody, yes than Kelly

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Speaker 2: Taylor at a party with Dylan and Brandon with Dylan's

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Speaker 2: like new girlfriend.

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Speaker 1: And Brandon's new girlfriend.

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Speaker 2: Yes, and and Kelly's new boyfriend. It was so weird,

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Speaker 2: like just so not going to happen.

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Speaker 1: But not you guys.

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Speaker 3: I wouldn't have it any other way.

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Speaker 2: Wait.

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Speaker 1: Wait, let's go to the hospital and talk about David,

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Speaker 1: because he's visiting his mom and the doctor tells Melan

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Speaker 1: David that Sheila is not responding and that they want

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Speaker 1: to give her electric shock therapy.

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Speaker 2: I mean, I don't was that that real at the time?

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Speaker 3: Yes?

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Speaker 2: Is that real? Now?

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Speaker 1: Wait, did you guys ever see that movie with? It's

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Speaker 1: my favorite movie with Jessica lan Francis, best movie ever.

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Speaker 3: We've never watched it together, but.

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Speaker 1: No, but I love that movie and only because I've

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Speaker 1: always wanted a lobotomy.

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Speaker 3: Wait we didn't get one of those years ago?

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Speaker 1: Sure, No, that's her favorite movie because I've always wanted

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Speaker 1: a lobotomy, Like whenever my brain is racing and I'm

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Speaker 1: just so stressed out, Like please, somebody just give me

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Speaker 1: a lebotomy, because it worked out for Francis.

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Speaker 2: It did. It didn't work well, did not work.

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Speaker 3: But by the way, if you guys have not seen

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Speaker 3: that movie, you really should got a farm. It's called Francis.

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Speaker 3: Jessica Ling is amazing in it and favorite it sounds

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Speaker 3: like she wasn't crazy in my opinion.

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Speaker 1: No, anyway, the electric shock of it all, I knew

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Speaker 1: somebody that got electric shock therapy.

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Speaker 3: Seriously, did it work?

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Speaker 1: I think yes? It was?

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Speaker 3: I was.

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Speaker 1: I was in a group with her and she was

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Speaker 1: getting electric shop the shock therapy to help her with

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Speaker 1: her addictions. Oh wow, mm hmmm mm hmm. But this

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Speaker 1: doctor says that there's a risk of dying from the

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Speaker 1: electric shock.

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Speaker 2: I'm gonna stick. I'm gonna stick with the.

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Speaker 1: Tapping a little safer. It's like low dose electric shock

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Speaker 1: to the brain to like wake up sleepy parts of

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Speaker 1: the brain.

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Speaker 4: Tapping.

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Speaker 3: Yeah, there's other ways. Now, see you, Brandon, are you tapping?

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00:17:27,840 --> 00:17:30,639
Speaker 2: Because I'm not gonna I'm gonna stick with the tap.

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Speaker 1: Tap it up, tap it down.

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Speaker 2: Okay.

336
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Speaker 1: Back at the SeeU, Brandon invites Susan to the dinner

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Speaker 1: party just to make it more awkward, and she gives

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Speaker 1: him an ultimatum that he needs to quit his job

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Speaker 1: if he wants to date her, and she she admits

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Speaker 1: that she is attracted to him. Uh duh. And she's

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Speaker 1: just afraid of that workplace romance.

342
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Speaker 2: Like they could figure this out in the college newspaper.

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Speaker 1: It's not that big of a workplace, please you guys

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00:18:00,960 --> 00:18:03,960
Speaker 1: with his job, ain't nobody getting paid? Are they getting

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Speaker 1: paid for that?

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Speaker 3: Oh?

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00:18:05,400 --> 00:18:11,600
Speaker 2: Good question, You get paid on the college. I'm gonna

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00:18:11,640 --> 00:18:14,240
Speaker 2: go no, what was called the Daily Cow, and I

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Speaker 2: don't I would assume you don't get paid.

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Speaker 1: But I have no idea. But I'm going to think

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Speaker 1: my instinct advertisement.

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00:18:20,680 --> 00:18:24,040
Speaker 3: So maybe May asked a question you in high school,

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Speaker 3: like you want to be on the newspaper because you're

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00:18:27,800 --> 00:18:31,520
Speaker 3: you know, it looks good? Yeah, yeah, reference for college

355
00:18:31,560 --> 00:18:33,639
Speaker 3: once you're in college, Like, what does it help you with? Like,

356
00:18:33,680 --> 00:18:36,960
Speaker 3: it's not like a job the rest of your life.

357
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Speaker 2: You get a job if you're the editor of the

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Speaker 2: Daily Cow, and then you want to get the San

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00:18:43,200 --> 00:18:44,480
Speaker 2: Francisco Chronicle.

360
00:18:45,040 --> 00:18:45,600
Speaker 1: Looks good.

361
00:18:45,760 --> 00:18:48,080
Speaker 2: Definitely, it's a good look.

362
00:18:49,320 --> 00:18:50,000
Speaker 3: Yeah.

363
00:18:50,119 --> 00:19:02,359
Speaker 1: I never really appreciated Houston. I was just like, shame me.

364
00:18:59,320 --> 00:19:01,400
Speaker 3: Sha dating a boy from Rosita.

365
00:19:01,800 --> 00:19:07,280
Speaker 1: Oh my god, that shame beats. That is a wildly

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Speaker 1: misused term these days.

367
00:19:09,440 --> 00:19:11,440
Speaker 3: It really is shame.

368
00:19:12,040 --> 00:19:13,119
Speaker 1: Yeah, don't shame me.

369
00:19:13,960 --> 00:19:16,520
Speaker 2: Yeah, shame is rough. We'll could do a whole episode

370
00:19:16,520 --> 00:19:16,920
Speaker 2: on shame.

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Speaker 1: Don't food shame me.

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Speaker 3: I get that a lot. I hit my teens all

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Speaker 3: the time. Tell me not to shame me too.

374
00:19:25,440 --> 00:19:29,600
Speaker 2: Oh. Kids, these days, they own their they own their ship,

375
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Speaker 2: they own it.

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00:19:30,640 --> 00:19:33,119
Speaker 1: Yeah, it's so good. I can't wait to see how

377
00:19:33,160 --> 00:19:33,880
Speaker 1: that works out for.

378
00:19:33,880 --> 00:19:36,800
Speaker 3: Them may there's so many others. I'm just like, you

379
00:19:36,800 --> 00:19:38,360
Speaker 3: guys are too smart for your own good.

380
00:19:38,640 --> 00:19:40,480
Speaker 1: Well, this is what I love the most. They say

381
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Speaker 1: this all the time. Are you okay?

382
00:19:42,920 --> 00:19:44,800
Speaker 2: Yeah? They love to say are you okay?

383
00:19:44,840 --> 00:19:47,640
Speaker 1: And then they say anytime you do anything, like if

384
00:19:47,640 --> 00:19:50,200
Speaker 1: they mess up something, and they're like, oh, I love

385
00:19:50,240 --> 00:19:52,760
Speaker 1: it that they're asking themselves that question.

386
00:19:53,160 --> 00:19:55,320
Speaker 3: So mine do this? Fu jen But they're not. But

387
00:19:55,400 --> 00:19:59,159
Speaker 3: we both know they're not. They don't care care. They're like, okay,

388
00:19:59,320 --> 00:20:01,840
Speaker 3: we trying to make you think, like, oh.

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00:20:02,359 --> 00:20:05,199
Speaker 1: That is shaming in itself right there, I.

390
00:20:05,280 --> 00:20:07,080
Speaker 3: Say it, yes, right now.

391
00:20:07,480 --> 00:20:11,680
Speaker 1: It's like mm hmmmmm that that is equal to shaming.

392
00:20:12,080 --> 00:20:17,040
Speaker 1: Are you okay? Anyway? Sorry, let's see. I just wanted

393
00:20:17,080 --> 00:20:19,959
Speaker 1: to say I never really knew how stinking cute Susan

394
00:20:20,040 --> 00:20:24,080
Speaker 1: Keats is. She's I just never really appreciated her comedic

395
00:20:24,160 --> 00:20:26,240
Speaker 1: little timing, and and we.

396
00:20:26,200 --> 00:20:29,320
Speaker 2: Talked about it, how like in my mind I barely

397
00:20:29,359 --> 00:20:33,040
Speaker 2: remember her, and fact, the gay heart is just huge

398
00:20:33,240 --> 00:20:35,640
Speaker 2: in my mind. So I don't know.

399
00:20:35,600 --> 00:20:37,919
Speaker 1: If it's it's probably because they were at the same time.

400
00:20:38,280 --> 00:20:40,720
Speaker 1: So yeah, well you had to pick one or the other.

401
00:20:40,720 --> 00:20:44,120
Speaker 2: And I want to ruin it to remember trauma coming

402
00:20:44,520 --> 00:20:45,720
Speaker 2: and so Susan.

403
00:20:45,480 --> 00:20:50,000
Speaker 1: Keats nop okay, good? Do you guys want to go

404
00:20:50,040 --> 00:20:50,480
Speaker 1: to the dorm?

405
00:20:51,760 --> 00:20:52,080
Speaker 2: Worse?

406
00:20:52,680 --> 00:20:54,560
Speaker 1: Kelly and Donna do. They go there to check on

407
00:20:54,680 --> 00:20:57,320
Speaker 1: David and he shuts them out because he is so

408
00:20:57,400 --> 00:21:00,399
Speaker 1: upset about his mom. It's really sad. And you know what,

409
00:21:00,520 --> 00:21:04,960
Speaker 1: he is so good in this storyline because acting is

410
00:21:06,680 --> 00:21:07,480
Speaker 1: chef's kiss.

411
00:21:08,359 --> 00:21:12,919
Speaker 2: Yeah, he was good. He was, He actually really was.

412
00:21:14,040 --> 00:21:16,439
Speaker 2: He was pretty subtle with how good he was.

413
00:21:18,520 --> 00:21:20,960
Speaker 3: Look, I feel like I can't like interject, Everyone's gonna

414
00:21:20,960 --> 00:21:22,919
Speaker 3: be like, oh, she's just so like she was always

415
00:21:22,920 --> 00:21:25,720
Speaker 3: in love with him. But that aside, I feel like

416
00:21:26,119 --> 00:21:30,040
Speaker 3: whenever Brian was given really great dramatic moments, he was

417
00:21:30,160 --> 00:21:32,920
Speaker 3: excellent and it just was few and far between.

418
00:21:33,480 --> 00:21:38,000
Speaker 1: M I'm with you on that one, but I loved

419
00:21:38,000 --> 00:21:39,960
Speaker 1: working with him when it came to, like us doing

420
00:21:40,000 --> 00:21:42,000
Speaker 1: dramatic stuff together. I'm sure you did too.

421
00:21:42,119 --> 00:21:42,399
Speaker 3: Same.

422
00:21:44,280 --> 00:21:47,320
Speaker 1: Valerie at the Walsh House is writing an email to

423
00:21:47,359 --> 00:21:50,760
Speaker 1: Cindy to update her on things in Beverly Hills.

424
00:21:51,640 --> 00:21:52,080
Speaker 3: That sweet.

425
00:21:52,880 --> 00:21:54,880
Speaker 2: Oh yeah, we hear her voice at some point.

426
00:21:54,960 --> 00:21:58,159
Speaker 1: Sorry, she's in the Carol Potter is in the credits

427
00:21:58,080 --> 00:21:59,840
Speaker 1: this episode, so I was so excited we were going

428
00:21:59,880 --> 00:22:01,640
Speaker 1: to here, and then all we did was hear her,

429
00:22:01,760 --> 00:22:02,800
Speaker 1: which was okay.

430
00:22:03,080 --> 00:22:07,000
Speaker 2: Yeah, unless your Carol pops Like.

431
00:22:07,760 --> 00:22:09,159
Speaker 3: They had to pay her to be in it, But

432
00:22:09,760 --> 00:22:12,399
Speaker 3: do they pay her less if they just hear a voiceover?

433
00:22:12,680 --> 00:22:17,240
Speaker 2: Obviously? I don't know, guys, Obviously.

434
00:22:17,080 --> 00:22:20,240
Speaker 1: Really probably it was probably like a set amount because

435
00:22:20,240 --> 00:22:22,480
Speaker 1: she was now officially off the show, so that contract

436
00:22:22,520 --> 00:22:26,440
Speaker 1: maybe was off over done, right, This was just like, hey,

437
00:22:26,480 --> 00:22:28,520
Speaker 1: can you come in and do a voiceover real quick?

438
00:22:28,560 --> 00:22:32,640
Speaker 2: Well, she's probably like, I'll take the ten g's to record,

439
00:22:33,040 --> 00:22:36,800
Speaker 2: you know, three lines five minutes money, But I'm just

440
00:22:36,840 --> 00:22:37,840
Speaker 2: making it up.

441
00:22:38,000 --> 00:22:39,840
Speaker 3: She's like, but do you have a grazing board? That's

442
00:22:39,880 --> 00:22:42,119
Speaker 3: my only question. I'm wondering.

443
00:22:43,200 --> 00:22:45,440
Speaker 1: Do you have any props that I could eat while

444
00:22:45,480 --> 00:22:48,720
Speaker 1: I'm recordingset bless Her.

445
00:22:49,119 --> 00:22:50,919
Speaker 3: Said this to her and she laughed about it. She

446
00:22:51,040 --> 00:22:54,720
Speaker 3: left back then, and the prop department would be like.

447
00:22:55,520 --> 00:22:58,400
Speaker 1: Oh, here comes Carrel because you.

448
00:22:58,320 --> 00:23:00,280
Speaker 3: Know, we just always knew the drill. It would be

449
00:23:00,320 --> 00:23:03,399
Speaker 3: all set up, beautiful and rehearsal. You just didn't want it.

450
00:23:03,560 --> 00:23:05,320
Speaker 3: You didn't eat it, and then in the scene you

451
00:23:05,520 --> 00:23:07,239
Speaker 3: ate it. And then they had to match it and

452
00:23:07,280 --> 00:23:10,359
Speaker 3: do all that, and she would be doing rehearsal and

453
00:23:10,400 --> 00:23:12,080
Speaker 3: she'd just be eating the food. So they had to start.

454
00:23:12,119 --> 00:23:12,880
Speaker 3: Would they spray it.

455
00:23:12,840 --> 00:23:18,800
Speaker 1: With like slimy stuff whatever? The shiny made it shiny? Okay?

456
00:23:18,840 --> 00:23:23,639
Speaker 1: So Valerie also in this scene, tells Brandon that she's

457
00:23:23,720 --> 00:23:27,960
Speaker 1: the one who found her dad after he killed himself.

458
00:23:29,440 --> 00:23:37,000
Speaker 1: That's heavy, really really like really heavy, like the heaviest

459
00:23:37,040 --> 00:23:39,920
Speaker 1: you can carry on your shoulders for the rest of

460
00:23:40,000 --> 00:23:43,520
Speaker 1: your life. You feel bad for her.

461
00:23:43,480 --> 00:23:46,440
Speaker 3: Now and now I just now I'm mad at your man.

462
00:23:46,520 --> 00:23:49,840
Speaker 3: The gym wasn't nicer to her, Like he knew that,

463
00:23:50,080 --> 00:23:50,959
Speaker 3: and he knew that.

464
00:23:51,280 --> 00:23:53,719
Speaker 1: Why wasn't he's more sympathetic to her?

465
00:23:54,080 --> 00:23:54,600
Speaker 3: Obviously?

466
00:23:55,320 --> 00:23:57,520
Speaker 2: Yeah, she had non stop therapy.

467
00:23:58,359 --> 00:23:59,880
Speaker 1: Oh now my crush might be over.

468
00:24:00,800 --> 00:24:03,679
Speaker 2: Why wasn't she just all kinds of counseling.

469
00:24:04,840 --> 00:24:07,879
Speaker 3: I won't be come on our show. I don't know.

470
00:24:07,960 --> 00:24:12,280
Speaker 1: I don't know. The Valerie's mom also another worse thing,

471
00:24:12,880 --> 00:24:15,679
Speaker 1: even maybe even worse. Her mom blames her for her

472
00:24:15,680 --> 00:24:22,760
Speaker 1: father's death because she was a disappointment. Boy. Yeah, a

473
00:24:23,080 --> 00:24:25,280
Speaker 1: lot for a young girl to carry around.

474
00:24:26,160 --> 00:24:28,199
Speaker 3: I got to be honest, I watched this and I

475
00:24:28,280 --> 00:24:30,520
Speaker 3: just wanted to hand all of our men over to

476
00:24:30,560 --> 00:24:33,400
Speaker 3: her and be like, you know what, take the hall pass.

477
00:24:33,480 --> 00:24:37,520
Speaker 3: She gets, like a serious pass. She may take everybody and.

478
00:24:40,119 --> 00:24:41,080
Speaker 2: Kiss over to her.

479
00:24:41,240 --> 00:24:44,560
Speaker 1: You guys, I never knew this, like I as Kelly

480
00:24:44,840 --> 00:24:48,560
Speaker 1: basically never knew this because Kelly never knew this, So

481
00:24:48,600 --> 00:24:51,560
Speaker 1: that's why they never got along. But I does Kelly

482
00:24:51,600 --> 00:24:55,640
Speaker 1: ever find these things out and become more sympathetic to her?

483
00:24:56,400 --> 00:24:59,240
Speaker 1: Does anybody in the cast other than Brandon know this?

484
00:24:59,680 --> 00:25:00,239
Speaker 2: Or now?

485
00:25:00,320 --> 00:25:00,639
Speaker 1: David?

486
00:25:00,760 --> 00:25:01,840
Speaker 3: I don't remember knowing this.

487
00:25:02,440 --> 00:25:02,840
Speaker 1: Mm hmm.

488
00:25:03,359 --> 00:25:06,200
Speaker 2: We knew he killed himself. I think from the beginning.

489
00:25:06,280 --> 00:25:07,920
Speaker 1: It was briefly mentioned.

490
00:25:07,920 --> 00:25:12,080
Speaker 2: It wasn't why she moved to La.

491
00:25:24,560 --> 00:25:27,040
Speaker 1: So this is really crazy, and she's having these bad

492
00:25:27,160 --> 00:25:30,119
Speaker 1: nightmares and waking up terrified. It's so sad. It were

493
00:25:30,160 --> 00:25:34,240
Speaker 1: really sad for you. Bell back to the SeeU, You're like,

494
00:25:34,280 --> 00:25:38,880
Speaker 1: how about that? And over the gang is coming back

495
00:25:38,880 --> 00:25:40,680
Speaker 1: from watching One Flew Over the Cuckoo's Nest.

496
00:25:40,800 --> 00:25:47,320
Speaker 2: Okay, totally random film, Yeah, like really really random, and Claire.

497
00:25:47,040 --> 00:25:49,439
Speaker 1: Makes a comment that if David doesn't snap out of

498
00:25:49,480 --> 00:25:54,560
Speaker 1: his stress with his mom, he'll land in the Cuckoo's Nest.

499
00:25:56,880 --> 00:25:58,320
Speaker 3: They would never have been watching that.

500
00:26:00,000 --> 00:26:01,760
Speaker 2: No, it doesn't seem like a movie that a bunch

501
00:26:01,760 --> 00:26:02,639
Speaker 2: of college kids are gonna go.

502
00:26:02,760 --> 00:26:06,880
Speaker 1: Well, it was an Academy Award winning film in nineteen

503
00:26:07,280 --> 00:26:10,600
Speaker 1: seventy six, so that's something you do go back and

504
00:26:10,600 --> 00:26:12,160
Speaker 1: watch because in your film Clatty.

505
00:26:12,320 --> 00:26:14,640
Speaker 2: But I don't know about like on a Thursday night.

506
00:26:15,359 --> 00:26:18,160
Speaker 3: And not a great movie for David to go guys

507
00:26:18,200 --> 00:26:21,160
Speaker 3: like Billy Madison or something, the Top.

508
00:26:21,080 --> 00:26:26,320
Speaker 2: Gully in Our Lives Yeah, yeah, ninety five. I don't remember,

509
00:26:26,440 --> 00:26:31,200
Speaker 2: but it would have been like, you know, something good, Yeah,

510
00:26:31,600 --> 00:26:35,360
Speaker 2: then we speed or something. Let's go watch.

511
00:26:35,160 --> 00:26:41,639
Speaker 1: Speed Ooh I love that movie. Oh. Anyway, back at

512
00:26:41,680 --> 00:26:45,040
Speaker 1: the Marshette mansion, Bruno tells Tony she's getting too involved

513
00:26:45,040 --> 00:26:47,360
Speaker 1: with Dylan, and then he watches the makeout in the backyard.

514
00:26:48,440 --> 00:26:53,480
Speaker 2: I'm surprised that Bruno is really like letting her be

515
00:26:53,600 --> 00:26:56,280
Speaker 2: with him. He knows who he is, he.

516
00:26:56,280 --> 00:26:59,840
Speaker 1: Loves her, I know, Oh yeah, what's the deal.

517
00:27:01,400 --> 00:27:03,440
Speaker 3: I feel like he's a little creepy.

518
00:27:03,160 --> 00:27:07,639
Speaker 1: And he kind of wants to Yeah, I'm sorry. He

519
00:27:07,720 --> 00:27:10,040
Speaker 1: loves her just a little too much, you guys.

520
00:27:10,119 --> 00:27:11,960
Speaker 3: Yeah, and he's like, well I can't hammer, so.

521
00:27:14,880 --> 00:27:17,080
Speaker 1: Okay. Anyway, We're gonna keep talking.

522
00:27:16,840 --> 00:27:19,120
Speaker 3: When I'm off hours. Is he ever off?

523
00:27:20,160 --> 00:27:21,800
Speaker 1: They ever get off?

524
00:27:21,880 --> 00:27:22,600
Speaker 3: I'm serious?

525
00:27:22,880 --> 00:27:25,639
Speaker 1: Okay, Okay, we're talking about the peach pit now. And

526
00:27:25,640 --> 00:27:28,719
Speaker 1: there's a mouse and Steve puts his arm around Claire

527
00:27:29,040 --> 00:27:30,040
Speaker 1: and she likes it.

528
00:27:30,240 --> 00:27:32,919
Speaker 2: She thinks he's playing foot seats because there's a critter

529
00:27:33,000 --> 00:27:33,840
Speaker 2: on her toe.

530
00:27:34,320 --> 00:27:36,639
Speaker 1: I kind of enjoyed the close up of their feet.

531
00:27:36,880 --> 00:27:39,920
Speaker 1: I gotta say, I like seeing their shoes.

532
00:27:41,240 --> 00:27:45,200
Speaker 2: I would never eat there ever again, ever, ever again.

533
00:27:45,359 --> 00:27:48,760
Speaker 1: If you knew the things that go on in a restaurant.

534
00:27:51,400 --> 00:27:55,720
Speaker 1: Back at David's, storm Mail comes by and tells David

535
00:27:55,760 --> 00:27:58,359
Speaker 1: to convince his mom to agree to the electric shock

536
00:27:58,440 --> 00:28:01,399
Speaker 1: treatment because it's always good to with your son in

537
00:28:01,440 --> 00:28:08,680
Speaker 1: a position like that. No cute, lord, nobody is protecting

538
00:28:08,720 --> 00:28:09,320
Speaker 1: these kids.

539
00:28:10,960 --> 00:28:15,640
Speaker 3: You just noticed this. Yeah, and we all turned out

540
00:28:15,720 --> 00:28:19,359
Speaker 3: we they us, they pretty well considering.

541
00:28:19,520 --> 00:28:23,520
Speaker 2: Your parents are a mess, like literally, your parents. Your

542
00:28:23,560 --> 00:28:26,679
Speaker 2: mom's a mess, your mom's a drug addict, mels. What

543
00:28:26,840 --> 00:28:28,040
Speaker 2: it's happening like.

544
00:28:28,040 --> 00:28:31,160
Speaker 3: A point is like we are the parents. This show

545
00:28:31,280 --> 00:28:33,960
Speaker 3: is about the kids, not the parents, and the parents

546
00:28:33,960 --> 00:28:38,040
Speaker 3: are just like figuring it out, and all the kids

547
00:28:38,080 --> 00:28:40,120
Speaker 3: are stepping up and actually making it work.

548
00:28:40,360 --> 00:28:42,560
Speaker 1: I feel like that's how it is, though, I feel

549
00:28:42,560 --> 00:28:44,520
Speaker 1: like that way with my own children. Do you feel

550
00:28:44,520 --> 00:28:48,840
Speaker 1: that way, Like I'm really figuring this out as I go,

551
00:28:49,000 --> 00:28:53,200
Speaker 1: making it up this whole like raising children into young adults,

552
00:28:53,680 --> 00:28:56,080
Speaker 1: and then they have it so much more together.

553
00:28:57,600 --> 00:29:01,640
Speaker 2: I agree, Yeah, causing damage that they'll deal with when

554
00:29:01,680 --> 00:29:02,240
Speaker 2: they're fifty.

555
00:29:02,360 --> 00:29:04,160
Speaker 1: Also, it'll it'll tell.

556
00:29:04,120 --> 00:29:06,360
Speaker 3: Us about turned sixteen. And the other day there was

557
00:29:06,400 --> 00:29:10,040
Speaker 3: a little argument going on within the house and she said, guys,

558
00:29:10,040 --> 00:29:13,240
Speaker 3: you need to remember this is mom's first life too.

559
00:29:13,360 --> 00:29:15,280
Speaker 3: She's light.

560
00:29:16,360 --> 00:29:17,960
Speaker 1: My daughter said the same thing.

561
00:29:20,680 --> 00:29:21,600
Speaker 2: Isn't that amazing?

562
00:29:21,800 --> 00:29:22,240
Speaker 3: Yeah?

563
00:29:22,480 --> 00:29:25,680
Speaker 1: That was like a turning point for me too. Mom's

564
00:29:25,720 --> 00:29:29,840
Speaker 1: figuring this out. I love that message so much. I'm

565
00:29:29,880 --> 00:29:32,040
Speaker 1: so glad she said that too. They must teach them

566
00:29:32,040 --> 00:29:34,040
Speaker 1: that at like sixteen, because that was about the age

567
00:29:34,080 --> 00:29:36,840
Speaker 1: that Fiona realized it too. Maybe they saw it on.

568
00:29:36,880 --> 00:29:40,080
Speaker 2: TikTok that you might just have kids that figured stuff out.

569
00:29:40,080 --> 00:29:41,040
Speaker 2: That's pretty amazing.

570
00:29:41,120 --> 00:29:41,400
Speaker 3: Wow.

571
00:29:41,960 --> 00:29:42,840
Speaker 2: Wow, back to the.

572
00:29:42,800 --> 00:29:45,280
Speaker 1: Mouse, Back to the mouse. No, we're done with the mouse.

573
00:29:45,920 --> 00:29:46,560
Speaker 2: Disgusting.

574
00:29:46,640 --> 00:29:48,240
Speaker 1: We're going to go to the dinner.

575
00:29:48,040 --> 00:29:51,480
Speaker 2: Party, Claire. Before that, how are we feeling about them?

576
00:29:51,640 --> 00:29:52,520
Speaker 1: Is that where they kissed.

577
00:29:52,600 --> 00:29:55,760
Speaker 2: No, not yet, not yet, But how did you feel

578
00:29:55,760 --> 00:29:57,560
Speaker 2: about it? I'm not mad at it at all.

579
00:29:57,720 --> 00:29:58,480
Speaker 1: No, I'm not mad.

580
00:29:58,920 --> 00:30:00,440
Speaker 3: I''m mad at it. I don't know.

581
00:30:01,280 --> 00:30:02,640
Speaker 1: I kind of like it.

582
00:30:02,760 --> 00:30:07,720
Speaker 3: I like them together the most out of all his romances.

583
00:30:08,360 --> 00:30:13,560
Speaker 2: More than a carry. Grant's daughter, Jennifer Grant. I enjoyed it.

584
00:30:13,680 --> 00:30:17,240
Speaker 1: Yes, I mean because Claire has a sense of herself

585
00:30:17,560 --> 00:30:20,640
Speaker 1: and she's you know, she claps back at him, yeah,

586
00:30:20,640 --> 00:30:23,280
Speaker 1: and she keeps him in line. I love that about

587
00:30:23,400 --> 00:30:25,840
Speaker 1: their relationship, and I think that that's why he's attracted

588
00:30:25,880 --> 00:30:29,240
Speaker 1: to her, because she's not just like sitting there silently

589
00:30:29,280 --> 00:30:32,080
Speaker 1: letting him do his thing. She's like, hello, we already.

590
00:30:31,840 --> 00:30:34,040
Speaker 2: Had the scene where he comes running in with the

591
00:30:34,080 --> 00:30:38,440
Speaker 2: tossled hair and the shirt off. Yeah, that wasn't.

592
00:30:38,600 --> 00:30:42,239
Speaker 1: That's entering Valerie's nightmare. Valerie's nightmare. He comes in and

593
00:30:42,240 --> 00:30:44,520
Speaker 1: his hair's forward. Did you guys see it?

594
00:30:44,560 --> 00:30:45,760
Speaker 2: The hair was great.

595
00:30:46,240 --> 00:30:50,400
Speaker 1: The hair was not up. The hair was forward like

596
00:30:50,440 --> 00:30:51,719
Speaker 1: this like little baby bangs.

597
00:30:51,840 --> 00:30:53,000
Speaker 2: I had a moment of light.

598
00:30:53,480 --> 00:30:58,680
Speaker 1: Oh wows too. I was like, he's hot, Yeah, he's hot.

599
00:30:58,840 --> 00:31:03,560
Speaker 1: I was like, what, Amy's crushed this episode?

600
00:31:03,840 --> 00:31:06,680
Speaker 3: So now like I think it was a miss and

601
00:31:06,720 --> 00:31:08,800
Speaker 3: I know it couldn't have ever played out that way

602
00:31:09,080 --> 00:31:14,120
Speaker 3: that Brandon. Sorry, Brandon and Claire. I just feel like.

603
00:31:14,360 --> 00:31:16,640
Speaker 1: No, don't. I don't want to hear what you're about

604
00:31:16,640 --> 00:31:17,880
Speaker 1: to say if that happens.

605
00:31:18,280 --> 00:31:22,440
Speaker 3: No oh no, no meaning because Brandon's kind of your guy.

606
00:31:23,520 --> 00:31:26,080
Speaker 1: Wait, but do Brandon and Claire get together?

607
00:31:28,160 --> 00:31:35,480
Speaker 3: It already happened, so it was like ago, Oh.

608
00:31:35,400 --> 00:31:37,880
Speaker 1: My god, you guys, I don't remember last week's episode.

609
00:31:37,920 --> 00:31:40,560
Speaker 3: It's okay, but it was never a thing. Remember she

610
00:31:40,560 --> 00:31:43,600
Speaker 3: had like a crush on him, and she was a

611
00:31:43,640 --> 00:31:47,360
Speaker 3: bad girl. But now she's evolved, and you know, well,

612
00:31:47,400 --> 00:31:48,160
Speaker 3: now she's evolved.

613
00:31:48,160 --> 00:31:50,800
Speaker 1: She went through David, now she's on to Steve.

614
00:31:51,240 --> 00:31:54,680
Speaker 3: Now she's on to Steve. But now they hadn't flushed

615
00:31:54,680 --> 00:31:57,400
Speaker 3: out her character. She was supposed to be that character

616
00:31:57,720 --> 00:31:59,800
Speaker 3: and now she's one of us, and she I just

617
00:32:00,320 --> 00:32:04,560
Speaker 3: now present day, present day now season six, like it

618
00:32:04,600 --> 00:32:06,719
Speaker 3: would be cool to see Brandon and Clare together. I

619
00:32:06,760 --> 00:32:09,880
Speaker 3: just feel like their chemistry and their banter since she's

620
00:32:09,960 --> 00:32:14,520
Speaker 3: super smart and know that, then align.

621
00:32:14,320 --> 00:32:18,640
Speaker 1: Yeah, it would, it would, it definitely would. I want

622
00:32:18,640 --> 00:32:20,719
Speaker 1: to talk about that dinner party though, because it was

623
00:32:20,840 --> 00:32:28,240
Speaker 1: so it was soups awk. Oh, so everybody's there. Kelly,

624
00:32:28,320 --> 00:32:33,400
Speaker 1: of course wears red dress to make everything more uncomfortable,

625
00:32:33,400 --> 00:32:36,440
Speaker 1: wearing a red sweatshirt just say it. It's a red day.

626
00:32:37,920 --> 00:32:43,640
Speaker 1: Susan and Tony are expressing their feelings about Kelly and

627
00:32:44,160 --> 00:32:46,840
Speaker 1: what else happens there. It's just there's it's so awkward.

628
00:32:46,920 --> 00:32:49,320
Speaker 1: I can barely think about it until.

629
00:32:49,120 --> 00:32:54,840
Speaker 2: The most part, Like, Hi, Dylan, maybe you don't be

630
00:32:54,920 --> 00:32:58,440
Speaker 2: quite so obvious that you're gonna sneak away into the

631
00:32:58,440 --> 00:33:03,600
Speaker 2: guys like private office and ruffle through his papers, Like also,

632
00:33:03,640 --> 00:33:06,040
Speaker 2: what are you thinking you're gonna find? Oh my god,

633
00:33:06,160 --> 00:33:10,360
Speaker 2: it's a document where he bought the you know, bomb

634
00:33:10,640 --> 00:33:12,200
Speaker 2: put under the car. Like it's just like, what do

635
00:33:12,200 --> 00:33:13,960
Speaker 2: you think you're gonna find in there? This guy's not

636
00:33:14,000 --> 00:33:16,040
Speaker 2: an amateur captain.

637
00:33:16,040 --> 00:33:18,760
Speaker 3: Obvious already happened. There's a frame photo of him and

638
00:33:18,880 --> 00:33:20,760
Speaker 3: his dad, So yeah, what.

639
00:33:20,720 --> 00:33:21,560
Speaker 1: Else is he looking for?

640
00:33:22,520 --> 00:33:22,920
Speaker 2: Bruno?

641
00:33:23,480 --> 00:33:28,960
Speaker 3: And then it's like cup.

642
00:33:30,280 --> 00:33:31,560
Speaker 1: Bruno sees everything.

643
00:33:33,000 --> 00:33:36,120
Speaker 2: Bruno has eyes everywhere. There's probably cameras in that whole

644
00:33:36,160 --> 00:33:37,120
Speaker 2: house too, like.

645
00:33:37,160 --> 00:33:40,760
Speaker 1: What and then he says he he knows that he's

646
00:33:40,840 --> 00:33:45,480
Speaker 1: Jack McKay's son. Any Warren's Dylan that Antonia is like

647
00:33:45,520 --> 00:33:48,120
Speaker 1: a daughter to him? Is that it is that the

648
00:33:48,200 --> 00:33:51,360
Speaker 1: end of the dinner party, it looked really boring and

649
00:33:51,480 --> 00:33:56,840
Speaker 1: so grown up, Like what college age kids are going

650
00:33:56,880 --> 00:34:00,240
Speaker 1: to a party where there's cheese platters and you have

651
00:34:00,280 --> 00:34:00,640
Speaker 1: to dress?

652
00:34:00,800 --> 00:34:01,040
Speaker 3: I don't know.

653
00:34:01,040 --> 00:34:01,880
Speaker 1: It just felt so.

654
00:34:02,000 --> 00:34:04,480
Speaker 3: Weird but kind of cool. I mean it was fun

655
00:34:04,480 --> 00:34:06,400
Speaker 3: as if you were to watch it just because I'm

656
00:34:06,400 --> 00:34:07,920
Speaker 3: seeing all my favorite people.

657
00:34:08,520 --> 00:34:12,120
Speaker 1: Yeah, but when you think about it, like, yeah, that

658
00:34:12,200 --> 00:34:15,719
Speaker 1: doesn't go with the age failing well.

659
00:34:15,760 --> 00:34:18,560
Speaker 3: I mean we watch we love when Dave Cause performed,

660
00:34:18,600 --> 00:34:20,279
Speaker 3: So why not a dinner party like this? What are

661
00:34:20,280 --> 00:34:20,520
Speaker 3: you talking?

662
00:34:20,520 --> 00:34:20,839
Speaker 1: All right?

663
00:34:20,920 --> 00:34:25,680
Speaker 3: All right? Multi highly evolved HM.

664
00:34:27,320 --> 00:34:29,880
Speaker 1: Back at David's dorm, Valerie shows up to check on

665
00:34:29,960 --> 00:34:36,279
Speaker 1: David and she takes him to the scariest bridge overlooking

666
00:34:36,320 --> 00:34:39,960
Speaker 1: Pch Isn't that the bridge like that isn't that up

667
00:34:40,000 --> 00:34:44,600
Speaker 1: there by p and where you can look out over

668
00:34:44,640 --> 00:34:46,200
Speaker 1: Santa Monica, Peter, Like you.

669
00:34:46,160 --> 00:34:49,480
Speaker 3: Know that cliff where you could like drive up and

670
00:34:49,480 --> 00:34:51,400
Speaker 3: you can live up there. And it's called Sunset.

671
00:34:51,480 --> 00:34:57,359
Speaker 1: No, no, no, it's it's by Ocean Avenue and it's

672
00:34:57,360 --> 00:35:03,600
Speaker 1: where the pier is, Yes, And there's a park, right park,

673
00:35:04,400 --> 00:35:05,920
Speaker 1: It's like it's not like a park. It's like a

674
00:35:05,920 --> 00:35:08,880
Speaker 1: big area of grass and you can walk them jog

675
00:35:08,960 --> 00:35:11,319
Speaker 1: the path around it, but the cliff is right there,

676
00:35:11,320 --> 00:35:13,840
Speaker 1: and it's terrifying because if you follow off that cliff,

677
00:35:13,920 --> 00:35:17,920
Speaker 1: you land on pH which is like a really crazy

678
00:35:17,920 --> 00:35:20,520
Speaker 1: fast highway. And I think that's where they were.

679
00:35:21,520 --> 00:35:22,239
Speaker 3: I think you're right.

680
00:35:22,960 --> 00:35:27,800
Speaker 1: Mm hmmm hmm. So she scares him basically by encouraging

681
00:35:27,880 --> 00:35:32,319
Speaker 1: him to jump. I guess that's like reverse psychology.

682
00:35:33,120 --> 00:35:34,720
Speaker 3: Yeah, but what if he had jumped?

683
00:35:34,840 --> 00:35:37,400
Speaker 1: Like I know, there was a moment where I was like,

684
00:35:37,480 --> 00:35:41,200
Speaker 1: I think you might jump, or she might jump.

685
00:35:41,040 --> 00:35:43,440
Speaker 3: Or has she been through so much that she almost

686
00:35:43,480 --> 00:35:47,880
Speaker 3: like her brain gets off on that like keep pushing it,

687
00:35:48,040 --> 00:35:49,600
Speaker 3: like acting out.

688
00:35:49,360 --> 00:35:54,200
Speaker 1: Like like oh yeah, let's do this. Uh huh. I

689
00:35:54,239 --> 00:35:56,360
Speaker 1: felt nervous that that she was going to jump. I

690
00:35:56,400 --> 00:35:58,720
Speaker 1: didn't think that David would jump, honestly.

691
00:35:59,200 --> 00:36:01,000
Speaker 3: Right, because he is go on to marry me in

692
00:36:01,040 --> 00:36:04,000
Speaker 3: five seasons. So yes, yes, Luckily he snapped out of it,

693
00:36:04,800 --> 00:36:05,800
Speaker 3: thank goodness.

694
00:36:05,400 --> 00:36:07,839
Speaker 1: And they hug and it felt it did feel very

695
00:36:08,760 --> 00:36:12,040
Speaker 1: Tiffany Brian mm hmm in that moment.

696
00:36:12,080 --> 00:36:14,680
Speaker 3: Are we going to wrap them up? Soon. How much

697
00:36:15,480 --> 00:36:18,319
Speaker 3: they're gonna stay together for a bit? I think, I

698
00:36:18,400 --> 00:36:21,200
Speaker 3: mean I live through now wait watch are they.

699
00:36:21,040 --> 00:36:24,120
Speaker 1: Are their characters going to become romantically involved?

700
00:36:24,440 --> 00:36:27,000
Speaker 2: I can't exactly recall, but it does. It is sort

701
00:36:27,000 --> 00:36:31,640
Speaker 2: of a thing for a minute. Okay, well the shee right,

702
00:36:31,719 --> 00:36:33,799
Speaker 2: I'm not wrong. I don't want to ruin it.

703
00:36:33,880 --> 00:36:45,400
Speaker 5: But yeah, hey, friends, I'm Jessica Capshaw and this is

704
00:36:45,440 --> 00:36:47,000
Speaker 5: Camila Luddington and we.

705
00:36:46,920 --> 00:36:49,840
Speaker 6: Have a new podcast, call It What it Is. You

706
00:36:50,120 --> 00:36:53,239
Speaker 6: may know us from Graycelawn Memorial, but did you know

707
00:36:53,520 --> 00:36:56,320
Speaker 6: that we are actually besties in real life.

708
00:36:56,480 --> 00:36:59,080
Speaker 4: And as all besties do, we navigate the highs and

709
00:36:59,120 --> 00:37:01,520
Speaker 4: lows of life together. When one of us sends out

710
00:37:01,520 --> 00:37:04,640
Speaker 4: the distress signal, the other one always answers the call,

711
00:37:04,840 --> 00:37:05,600
Speaker 4: big or small.

712
00:37:05,800 --> 00:37:07,719
Speaker 3: We are there, And what does that look like?

713
00:37:08,880 --> 00:37:12,040
Speaker 6: A thousand pep talks a million, I've got yous, some

714
00:37:12,280 --> 00:37:13,560
Speaker 6: very urgent I'm coming.

715
00:37:13,360 --> 00:37:17,560
Speaker 4: Overs laughter through tears, no judgment, problem solving over glasses

716
00:37:17,560 --> 00:37:21,319
Speaker 4: of rose. Sometimes it takes tequila.

717
00:37:20,880 --> 00:37:21,960
Speaker 1: Because I don't know.

718
00:37:22,040 --> 00:37:24,600
Speaker 6: Let's face it, life can get even crazier than a

719
00:37:24,600 --> 00:37:25,920
Speaker 6: season finale of Gray's Anatomy.

720
00:37:26,120 --> 00:37:29,040
Speaker 4: And now here we are opening up the friendship circle.

721
00:37:29,239 --> 00:37:32,719
Speaker 6: To you someone's cheating, We've got you on that. In

722
00:37:32,800 --> 00:37:36,600
Speaker 6: laws or inlawe. Let's get into it, toxic friendship, air

723
00:37:36,640 --> 00:37:38,920
Speaker 6: it out. We're on your side to help you with

724
00:37:39,000 --> 00:37:41,840
Speaker 6: your concerns, talk about ours, and every once in a

725
00:37:41,920 --> 00:37:44,959
Speaker 6: while bring on an awesome guest to get their take

726
00:37:45,040 --> 00:37:46,560
Speaker 6: on the things that you bring us.

727
00:37:46,960 --> 00:37:50,200
Speaker 4: While we may be a license to advise, we're gonna

728
00:37:50,239 --> 00:37:50,840
Speaker 4: do it anyway.

729
00:37:51,320 --> 00:37:54,000
Speaker 6: Listen to call it what it is starting June third

730
00:37:54,120 --> 00:37:58,000
Speaker 6: on the iHeartRadio app, Apple Podcasts or wherever you get

731
00:37:58,000 --> 00:37:58,879
Speaker 6: your podcasts.

732
00:38:03,360 --> 00:38:06,680
Speaker 1: Everybody goes back to the peach pit after that, of course,

733
00:38:06,840 --> 00:38:08,480
Speaker 1: because where else would they go?

734
00:38:08,680 --> 00:38:11,880
Speaker 2: We do want to go where the animal.

735
00:38:13,040 --> 00:38:14,560
Speaker 1: And then Donna catches the mouse.

736
00:38:14,719 --> 00:38:17,960
Speaker 2: That was also so insane, insane.

737
00:38:18,320 --> 00:38:20,000
Speaker 1: I thought it was cute that it was Donna, like

738
00:38:20,040 --> 00:38:21,000
Speaker 1: sweet Donna.

739
00:38:20,680 --> 00:38:24,680
Speaker 2: Of course, and she's so grave I would not yeah,

740
00:38:24,719 --> 00:38:27,240
Speaker 2: even be screaming.

741
00:38:29,000 --> 00:38:32,479
Speaker 3: Yeah like, but it's so like on brand in real life. Right.

742
00:38:33,600 --> 00:38:36,240
Speaker 1: Oh, and this is where we see Steve drop Claire

743
00:38:36,239 --> 00:38:38,920
Speaker 1: off at the beach house after the dinner party and

744
00:38:38,960 --> 00:38:41,680
Speaker 1: they kiss on the porch and she gives an a

745
00:38:41,840 --> 00:38:44,760
Speaker 1: plus in French. It's a good kiss.

746
00:38:45,280 --> 00:38:47,840
Speaker 3: It was a good kiss. They do have chemistry that

747
00:38:48,040 --> 00:38:49,960
Speaker 3: it's not that sort.

748
00:38:49,719 --> 00:38:52,799
Speaker 2: Of a there's sort of a likely unlikely couple, Like

749
00:38:52,840 --> 00:38:57,600
Speaker 2: I get it. You know. She's sassy pants and he's

750
00:38:57,680 --> 00:38:58,480
Speaker 2: sort of like.

751
00:39:00,160 --> 00:39:00,520
Speaker 3: Challenge.

752
00:39:01,400 --> 00:39:03,960
Speaker 2: Yeah, like there, Yeah, she sort of got a one

753
00:39:04,040 --> 00:39:05,000
Speaker 2: up on him.

754
00:39:06,000 --> 00:39:06,520
Speaker 1: Yeah.

755
00:39:06,640 --> 00:39:09,560
Speaker 3: Do you think I don't remember this? And I feel

756
00:39:09,560 --> 00:39:13,200
Speaker 3: like it didn't happen, but she has. She's so fashioned forward.

757
00:39:13,320 --> 00:39:17,720
Speaker 3: Does she like help change his style at any point? Well,

758
00:39:17,760 --> 00:39:19,040
Speaker 3: that should have come on board.

759
00:39:19,440 --> 00:39:23,000
Speaker 1: Okay, that's so. Valerie takes David to the hospital to

760
00:39:23,040 --> 00:39:25,840
Speaker 1: talk to his mom, and he convinces her to allow

761
00:39:25,880 --> 00:39:27,760
Speaker 1: the doctors to give her the shock therapy.

762
00:39:28,880 --> 00:39:29,120
Speaker 3: Yep.

763
00:39:29,760 --> 00:39:33,000
Speaker 1: Colin tells Kelly he loves her and he invites her

764
00:39:33,080 --> 00:39:39,080
Speaker 1: to spend the night. Like that was just weird, right,

765
00:39:39,200 --> 00:39:39,919
Speaker 1: what's the big deal?

766
00:39:40,760 --> 00:39:41,160
Speaker 2: He's not.

767
00:39:41,239 --> 00:39:44,160
Speaker 1: I don't We've already seen her in his bed and.

768
00:39:44,120 --> 00:39:46,560
Speaker 3: He's never said he loves you before. I feel like

769
00:39:46,640 --> 00:39:49,200
Speaker 3: all of this probably happened in New York. I don't know.

770
00:39:50,080 --> 00:39:50,760
Speaker 1: I just don't.

771
00:39:50,960 --> 00:39:54,080
Speaker 2: I'm not. I don't love the Kelly drug era that's coming.

772
00:39:54,239 --> 00:39:58,560
Speaker 2: So I'm sort of like sorry, Jenny, but don't be sorry.

773
00:39:58,719 --> 00:39:59,239
Speaker 1: I don't care.

774
00:40:00,000 --> 00:40:00,520
Speaker 2: Remember it.

775
00:40:02,080 --> 00:40:04,480
Speaker 1: Yes, it was so exciting and fun to pretend like

776
00:40:04,520 --> 00:40:05,360
Speaker 1: you're a drug addict.

777
00:40:05,480 --> 00:40:06,279
Speaker 3: What are you talking about?

778
00:40:06,840 --> 00:40:09,879
Speaker 1: I never I've never done cocaine, you guys, I've never

779
00:40:09,920 --> 00:40:12,040
Speaker 1: done a drug. Is that what you say? I've never

780
00:40:12,080 --> 00:40:13,520
Speaker 1: done it? Or no, I've never eaten it.

781
00:40:13,560 --> 00:40:16,920
Speaker 2: I've never Yeah, I don't, well, I think or done it.

782
00:40:17,080 --> 00:40:21,520
Speaker 1: I never did it. But yeah, so it's fun. We'll

783
00:40:21,640 --> 00:40:22,960
Speaker 1: get to that when we get to that.

784
00:40:23,200 --> 00:40:25,640
Speaker 2: Yeah, but I don't like him, and I'm ready for

785
00:40:25,800 --> 00:40:28,399
Speaker 2: Joe too, sorry, Tory ready for Joe.

786
00:40:29,400 --> 00:40:36,439
Speaker 1: Oh yeah, well you can't jump ahead. Stop it. Back

787
00:40:36,520 --> 00:40:39,480
Speaker 1: at the Walsh House, I am, Valerie is reading an

788
00:40:39,480 --> 00:40:42,600
Speaker 1: email from Cindy. When we hear her voice. Valerie tells

789
00:40:42,640 --> 00:40:44,960
Speaker 1: Brandon that she's feeling better and she has another dream,

790
00:40:45,040 --> 00:40:48,239
Speaker 1: but this time it's David behind the door, telling her

791
00:40:48,600 --> 00:40:50,920
Speaker 1: that she doesn't have to be afraid anymore.

792
00:40:51,640 --> 00:40:54,080
Speaker 2: The ball Welcome to Night on two to one. Wrap

793
00:40:54,120 --> 00:40:56,920
Speaker 2: it up in a bow in forty four.

794
00:40:56,719 --> 00:40:59,960
Speaker 1: Minutes, Wrap it up in a bow.

795
00:41:01,160 --> 00:41:05,160
Speaker 2: It's like this girl has lifelong trauma, like what not anymore?

796
00:41:07,000 --> 00:41:07,600
Speaker 1: Not anymore?

797
00:41:09,560 --> 00:41:11,000
Speaker 3: Just disappeared that fast.

798
00:41:11,880 --> 00:41:19,440
Speaker 2: Yeah, I trauma secured and foreshadowing behind the door. What

799
00:41:20,360 --> 00:41:25,200
Speaker 2: aut foreshadowing that it's David behind the door? Oh, they

800
00:41:25,239 --> 00:41:25,960
Speaker 2: are going.

801
00:41:25,840 --> 00:41:28,759
Speaker 3: To Sorry I went to like game show. I did too.

802
00:41:28,800 --> 00:41:30,000
Speaker 1: I was like, who's behind the door?

803
00:41:30,120 --> 00:41:35,080
Speaker 3: I don't know what's behind door number three? Okay, Bob, Oh.

804
00:41:35,280 --> 00:41:37,720
Speaker 1: We just full circle that you guys to the game show.

805
00:41:37,880 --> 00:41:39,880
Speaker 1: I think this is a perfect way to end the episode.

806
00:41:40,400 --> 00:41:44,879
Speaker 1: Next week, what's our what's our show? Miss Speciless?

807
00:41:44,960 --> 00:41:47,120
Speaker 2: But right in the butt?

808
00:41:49,640 --> 00:41:53,440
Speaker 1: Wait? Right, wait?

809
00:41:57,600 --> 00:42:00,359
Speaker 2: Sorry the guys all right in the butt and say

810
00:42:00,440 --> 00:42:01,200
Speaker 2: Jack's just like.

811
00:42:01,600 --> 00:42:04,239
Speaker 3: No, wait sorry, I think you sure it was in

812
00:42:04,320 --> 00:42:04,960
Speaker 3: the game show?

813
00:42:05,320 --> 00:42:08,600
Speaker 2: U was the other one in the butt bob or whatever.

814
00:42:08,680 --> 00:42:12,080
Speaker 1: The game U price is right in the butt bob,

815
00:42:12,560 --> 00:42:13,960
Speaker 1: wasn't it?

816
00:42:15,000 --> 00:42:16,440
Speaker 3: No? No, no, what's the one where they have.

817
00:42:18,680 --> 00:42:19,920
Speaker 1: Newly went so?

818
00:42:20,239 --> 00:42:25,920
Speaker 3: Yes, favorite place to make Whookie Whookie not Wookie Star

819
00:42:25,960 --> 00:42:28,040
Speaker 3: Wars to make what they used to call it Nioki

820
00:42:28,440 --> 00:42:32,960
Speaker 3: whoopie whoopy. I'd be in the butt bob. This is

821
00:42:33,000 --> 00:42:34,440
Speaker 3: paid for.

822
00:42:34,400 --> 00:42:37,000
Speaker 1: The rest of my life. I'm always like, just random times,

823
00:42:37,000 --> 00:42:39,080
Speaker 1: I'm like in the butt bob, like as an answer

824
00:42:39,120 --> 00:42:41,640
Speaker 1: to some question that has nothing to do with anything.

825
00:42:41,680 --> 00:42:45,160
Speaker 3: I've heard her do this and I love every time.

826
00:42:45,280 --> 00:42:46,920
Speaker 3: And then people just look at us and like.

827
00:42:46,880 --> 00:42:49,879
Speaker 1: They don't get it. No, we get it. All right,

828
00:42:50,080 --> 00:42:51,960
Speaker 1: that's it. What's the next episode. I didn't hear you

829
00:42:51,960 --> 00:42:53,000
Speaker 1: because you're Soliet.

830
00:42:55,320 --> 00:42:58,600
Speaker 3: Season six, Episode six, speechless.

831
00:42:59,480 --> 00:43:00,560
Speaker 1: Everybody watch it.

832
00:43:05,800 --> 00:43:06,080
Speaker 3: Mm hm