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Speaker 1: We should start right off because I have some ideas.

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Speaker 2: Go ahead, Johnny, Go ahead, Johnny.

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Speaker 1: Because you guys have to grind this. And I'm so

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Speaker 1: excited that some things occurred to me while I was

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Speaker 1: watching this thing.

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Speaker 2: Go ahead, Lot. I love it when you come on,

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Speaker 2: you know why, because you come prepared. You're like, you're

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Speaker 2: as prepared as Donald and I You're like, you're wound up.

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Speaker 1: Well, I am a big look going back in and

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Speaker 1: watching this, first of all, it's hard not to feel

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Speaker 1: really proud of it. Yeah, and this one I thought

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Speaker 1: deserved some backdrop because the one last Week one fifteen

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Speaker 1: is a spectacular episode. Zach. You're particularly great in that

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Speaker 1: episode with Sarah and then the monologues with the shrink,

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Speaker 1: let the whole ensemble just shine. And I busted my

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Speaker 1: ass on those monologues because the writing was astonished.

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Speaker 2: And you notice there's no cuts. I mean, we were

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Speaker 2: clearly all told that they would be wonders. Yeah, they were,

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Speaker 2: especially since Donald knew it, So we were clearly all

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Speaker 2: that there would be no cuts.

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Speaker 1: But what I thought was really interesting and maybe interesting

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Speaker 1: for people listening is a little bit of context. And

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Speaker 1: what I mean is because in this episode, it became

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Speaker 1: clear to me just how gelled the ensemble is. Whether

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Speaker 1: it's Kenny and Judy, you and me, Zachi Donald and Sarah,

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Speaker 1: the thing is just water tight. And the reason is

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Speaker 1: because I think now, as we discussed already, nine to

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Speaker 1: eleven had already occurred. We're round about the middle of

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Speaker 1: December here, and so what happened in New York, which

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Speaker 1: I'll circle this back, was the New York Yankees lost

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Speaker 1: the World Series in seven games to the Arizona Diamondbacks.

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Speaker 1: And the only reason that's relevant is because they lost.

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Speaker 1: There was no tick or tape parade in New York City,

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Speaker 1: so we were invited to the Thanksgiving Parade in New

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Speaker 1: York City, and it was the first taste of real

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Speaker 1: rock star for all of us because we worked till

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Speaker 1: Wednesday night, till about nine to twenty five, and this

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Speaker 1: was a week or two before this episode, and then

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Speaker 1: we were whisked off to Lax where we occupied the

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Speaker 1: entire front of first class.

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Speaker 3: There was only one other person. There was only one other,

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Speaker 3: that's right, and it was a boy band. It was

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Speaker 3: like uh oh Town or something like that. We shared

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Speaker 3: first class. It was the cast of Scrubs and o Town.

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Speaker 1: I remember, it might as well have been in private plane,

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Speaker 1: it wasn't. But it was first class. It wasn't coach.

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Speaker 1: It was first It wasn't business class. It was first class.

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Speaker 1: And we were going to New York to participate in

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Speaker 1: the Thanksgiving Day parade. Now, remember there had been no

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Speaker 1: mass gatherings allowed in New York since that Tuesday morning

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Speaker 1: in September. This just wasn't allowed. The Yankees were supposed

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Speaker 1: to be there, but they weren't. So we fly overnight,

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Speaker 1: and you guys can chime in, but we fly overnight,

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Speaker 1: we go, we're deposited at some chapel on the Upper

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Speaker 1: West Side somewhere.

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Speaker 3: We didn't even go to the hotel. We just they

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Speaker 3: dropped us off at the freaking parade.

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Speaker 2: We were like lying on the on the ground in

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Speaker 2: the chapel to come.

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Speaker 1: Absolutely, and we got sideways on the plane, yeah, as

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Speaker 1: you do. And and then we got up and Zachie,

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Speaker 1: I think you brought your nephew onto the float. And

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Speaker 1: it was a quasi racist kind of Pocahontas float.

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Speaker 2: And they've gotten they've gotten rid of some of those

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Speaker 2: since then, I think, Yeah.

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Speaker 1: But absolutely, here's the scrubs cast and a quasi racist

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Speaker 1: of Pocahonna's float on the upper west side in the

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Speaker 1: staging area. And who pulls up behind us but the

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Speaker 1: Wiggles in the big red car. Now, I had gone

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Speaker 1: to Wiggles concerts with my son every time they're in

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Speaker 1: Los Angeles for the last couple of years. I was eating, sleeping,

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Speaker 1: and drinking the Wiggles. So I got off the float

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Speaker 1: and I went back to the big Red car and

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Speaker 1: introduced myself to Murray and Jeff and I introduced myself

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Speaker 1: to everybody, and I became friends with the Wiggles, and

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Speaker 1: I am to this day.

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Speaker 4: You hang out with the Wiggles still not really.

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Speaker 1: But I did a video for them and they became

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Speaker 1: my friends. They're great educated.

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Speaker 2: My memory started interrupt one second, Johnny. My memory is

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Speaker 2: that my nephew was a very outspoken kid and not

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Speaker 2: shy at all. And I don't know how old he was,

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Speaker 2: but he was little.

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Speaker 4: And we had to be like nine, dude, no younger.

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Speaker 1: Or younger younger heid.

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Speaker 2: And so Al Roker we're off the flow at one

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Speaker 2: point and Al Roker's interviewing us, and he goes and

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Speaker 2: I'm here with the cast of scrubs and I've got

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Speaker 2: Johnny ce McGinley and Donald FaZe's going around introducing the

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Speaker 2: whole cast and my nephew and this is live television.

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Speaker 2: And my nephew goes, what about me? And Al Roker?

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Speaker 2: It's awkward, and Al Roker ignores him and starts so

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Speaker 2: tell us about the show. Interrupts him again, what about me?

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Speaker 2: And finally Al feels bad enough that he's like, oh,

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Speaker 2: I'm sorry, young man, you're right, and what's your name?

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Speaker 2: And then he introduces himself. But I was like, it

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Speaker 2: was my first.

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Speaker 4: And he throwing gang signs too, Like, wasn't He.

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Speaker 2: Didn't, he didn't, he didn't know any like real gang signs,

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Speaker 2: but he had seen on TV how how how rappers

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Speaker 2: and whomever throw gang signs. So we're on the float

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Speaker 2: and he's like throwing these like almost gang signs.

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Speaker 1: When I when I spoke to Al Roker after after

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Speaker 1: he cut, I said, how, how is this for a turnout?

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Speaker 1: And he said this will be the largest turnout in

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Speaker 1: the history of the Macy's Thanksgiving Day parade. And I said, well,

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Speaker 1: give me an estimate, and he said, there'll be about

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Speaker 1: three and a half million people here, and so every

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Speaker 1: time we went through an intersection, and I'll wrap this

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Speaker 1: story up in a minute, but every time we went

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Speaker 1: down an intersection, you could see it was one hundred

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Speaker 1: to two hundred people deep at every intersection. I've never

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Speaker 1: seen that many people. I never will in my life.

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Speaker 4: Yeah, it was that was.

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Speaker 3: I remember being like, wow, there are so many people here,

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Speaker 3: and we were on the float and every You're right,

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Speaker 3: every time we passed an intersection it looked like it

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Speaker 3: went so deep into the intersection. I remember thinking, how

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Speaker 3: are all of these people? It was like sardines too,

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Speaker 3: Like they were packed together.

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Speaker 1: Because nobody had been allowed nobody had been allowed to

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Speaker 1: gather since that Tuesday.

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Speaker 2: And another thing I remember is that my nephew was

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Speaker 2: on the float and he I thought, Oh, this will

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Speaker 2: be fun for him. He was He was bored in

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Speaker 2: thirty seconds, right, And I was like, oh fuck, I

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Speaker 2: got to take care of this kid for a whole parade.

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Speaker 4: Yeah, we had to. It's all the way from Uptown,

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Speaker 4: all the way to Mason. Yeah.

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Speaker 2: And he's throwing his gang signs for a while and

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Speaker 2: then he got bored of that and then there was

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Speaker 2: like an upstairs in the float. I don't know if

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Speaker 2: it was like it was like in Pocahontas's head or something.

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Speaker 1: Well, no, it was a multi tiered ship that was

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Speaker 1: a boat.

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Speaker 2: Yeah, but even like the in the non outside area,

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Speaker 2: there was some spot he found and then he went

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Speaker 2: up there and he found bubble wrap and I was like, okay,

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Speaker 2: fucking bubble wrap will entertain him for a little while.

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Speaker 2: Then he got over the buck. He was stomping on

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Speaker 2: the bubble wrap, and I was like, this is I'm

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Speaker 2: never having kids. This is like the worst.

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Speaker 1: What about my My only point bringing this up, and

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Speaker 1: I'll circle it back, was that. And also remember a

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Speaker 1: couple of weeks earlier, actually about a month earlier, we

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Speaker 1: had been picked up for the back nine, and we

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Speaker 1: ran around the hospital where our HUDs cut off, and

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Speaker 1: so that meant you had paychecks until May the first

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Speaker 1: week of rid yourself, because in TV you only get

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Speaker 1: paid for episodes produced, and so.

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Speaker 2: They just so you know it, just let's explain to

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Speaker 2: people who don't know the show was picked up for

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Speaker 2: the first thirteen episodes, and they kind of see how

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Speaker 2: you do in the ratings, and then if you do

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Speaker 2: well enough in the ratings, you get the rest of

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Speaker 2: the order, which which is in business talk is called

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Speaker 2: the back nine, meaning you get nine more episodes.

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Speaker 1: And we had been given that news about a month earlier,

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Speaker 1: and we ran around the hospital like we'd won the

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Speaker 1: Stanley Coppers. I remember, vivid.

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Speaker 4: Yeah, yeah.

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Speaker 1: And my only point in this is that between getting

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Speaker 1: picked up and now about fifteen or sixteen episodes into it,

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Speaker 1: and I can see it in this episode as we'll discuss,

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Speaker 1: but the ensemble is water tight, whether it meant going

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Speaker 1: on a trip together or getting picked up, people are

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Speaker 1: starting to vibe off each other. And it's as clear

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Speaker 1: as day when I was watching it. It's just what

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Speaker 1: Donald and Sarah are doing. As you guys know, I

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Speaker 1: think the camera is an X ray machine and it

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Speaker 1: sees through all the bullshit and what they're doing together,

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Speaker 1: there's zero bullshit. And what Zach is doing at the

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Speaker 1: end with Sarah in that in that on that cot,

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Speaker 1: there's no bullshit. It's it's just tight and right. And

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Speaker 1: I just got a chill. It just it really got me.

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Speaker 2: You gave me a chill too, because I gotta tell you,

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Speaker 2: I didn't remember in that scene with Sarah what happened.

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Speaker 2: I didn't know if it was going to turn romantic.

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Speaker 2: I didn't know if I cried, I couldn't remember. And

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Speaker 2: I was actually moved by the two of us because

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Speaker 2: nothing happens like I agree, like I agree, like like

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Speaker 2: you like would happen in real life. You know, in

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Speaker 2: the movies, we'd kiss. In the movies, I'd break down

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Speaker 2: and cry, But in real life two friends might just

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Speaker 2: sit there in silence for a minute. And I just

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Speaker 2: thought that was beautifully done.

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Speaker 1: I think it's the real privilege of friendship when nothing

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Speaker 1: does happen, so that I don't have to demonstrate to

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Speaker 1: you anything and you don't have to demonstrate ending to me.

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Speaker 1: And real friendship is when stuff is allowed. And it's

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Speaker 1: a tricky verb to settle, and you guys let it

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Speaker 1: settle in front of the lens. And as we'll discuss

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Speaker 1: Will McKenzie, he just let the scene play and the

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Speaker 1: two actors it's really lovely. And on a primetime comedy,

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Speaker 1: it's spectacular. It's spectacular.

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Speaker 4: Should we start the show?

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Speaker 1: Yeah?

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Speaker 2: But which is that the show? But I think Johnny,

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Speaker 2: because of that beautiful prologue, should should have the honor

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Speaker 2: of counting a Sindo. The song Johnny Fleet.

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Speaker 5: Stories about show we made about a bunch of dogs.

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Speaker 4: He said, he's the stories.

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Speaker 2: Scrub So I've been using this Scrubs Wiki Johnny that that.

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Speaker 1: Get is scrubs. I've heard you reference it. By the way,

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Speaker 1: you guys are killing this podcast a lot of Scrubs Wiki.

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Speaker 2: Scrubs wiki is uh. If you just put in scrubs

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Speaker 2: wiki into into the Google machine, it brings you up.

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Speaker 2: This this thing that I guess multiple fans are. One

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Speaker 2: fan has curated. It's on a website called fandom dot com.

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Speaker 2: I guess it's a place where where fans can collect

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Speaker 2: trivia and share stories, and you know it's a fan site.

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Speaker 2: But someone, and I'm thinking it might be one person,

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Speaker 2: has put a lot of work into this because every

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Speaker 2: episode it has the synopsis, it has recurring themes, it

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Speaker 2: has guest stars, it has the famous quotes, and it

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Speaker 2: has trivia form each episode and today and I often

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Speaker 2: reference it, and today I went to look at the

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Speaker 2: trivia and the first line of trivia it says, hi

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Speaker 2: Zac exclamation point, glad you're enjoying Scrubs Wiki. Have me

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Speaker 2: on the podcast question mark, have Joel search for my email.

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Speaker 4: Wow.

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Speaker 2: So I've been discovered by the curator of Scrubs Wiki

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Speaker 2: as a as an avid fan. But I will have

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Speaker 2: Joel seek you out and I and I have to

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Speaker 2: tell you've done a fantastic job because it's very useful.

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Speaker 2: I can find out all sorts of of trivia. Like

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Speaker 2: Kelso mentions Baxter for the very first time in this.

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Speaker 1: Episode, there's a lot of trivia in here.

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Speaker 2: There's a lot of interesting stuff. So I think, Yeah,

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Speaker 2: Joel says she's going to track him down, and this

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Speaker 2: fellah knows a lot about Scrubs, so I think it

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Speaker 2: might be fun to have him on. We can, we

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Speaker 2: can try and stump him.

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Speaker 1: Well, let me get to you at at at early on,

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Speaker 1: at at a minute or two in you and Sarah

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Speaker 1: in the batting cage, you.

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Speaker 2: Zach, Yeah, why am I? Why is Jad at the

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Speaker 2: at the batting kids?

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Speaker 1: You know? Well, it's as Donald as Donald knows. No

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Speaker 1: one says you don't even play sports. There's no no

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Speaker 1: one's ever said that in the history of the English language,

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Speaker 1: which is great writing, and you deliver like you really

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Speaker 1: know sports. But I mean you and Sarah in there.

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Speaker 1: You redeem yourself from early on when you get bricks

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Speaker 1: dropped on your head and you anticipated it. You don't

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Speaker 1: anticipate the beanball in this, and neither does Sarah.

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Speaker 2: Yeah, well I gotta tell you I commit it. Yeah

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Speaker 2: we did. I did not flinch. I was not gonna

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Speaker 2: let that happen again, Johnny, from that, from that happen again.

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Speaker 2: And and it's hard to you know, to anticipate, uh,

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Speaker 2: to not anticipate a softball being thrown at your head.

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Speaker 1: Well, you both did it, and as a result, it's

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Speaker 1: it's Charlie Chaplin funny.

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Speaker 2: But why is why is j D at the bating gage?

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Speaker 2: He's not even with Turk like maybe one thing, one thing.

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Speaker 2: He's a good turk like Turk made me come I'm

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Speaker 2: alone at the batting gages.

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Speaker 1: Yeah.

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Speaker 3: Neither one of you played sports, neither one of you

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Speaker 3: playing baseball, neither one of you in real life too,

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Speaker 3: I know. But why I think Sarah, Like in high school, Sarah.

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Speaker 4: Was like on the shot put team.

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Speaker 2: Yeah, who's on the shot put? I've never heard Sarah

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Speaker 2: talk about single sport, have you?

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Speaker 1: Oh?

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Speaker 2: Ski, she's a good snowboarder, snowboard yeah, yeah, yeah, she's Canadian.

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Speaker 2: I think that's a rule up there. You got to

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Speaker 2: be able to ski or snowboard, but she Yeah, I

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Speaker 2: just didn't understand that bit of writing. Mike Schwartz, we

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Speaker 2: should say he was the writer of this episode, along

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Speaker 2: with as Johnny mentioned, Will McKenzie, who is a concredible

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Speaker 2: director and directed Everybody's a lot of people's favorite episode,

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Speaker 2: the musical episode.

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Speaker 1: Will McKenzie is famous on set for the way he

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Speaker 1: says acid yeah.

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Speaker 2: And and cut yeah do it?

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Speaker 4: Did you remember? Do you remember? Johnny?

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Speaker 2: How does But he also does this so coming into

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Speaker 2: the room, Yeah, he sums up the scene. He's like, okay,

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Speaker 2: and here comes Donald and he's mad about what Carla

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Speaker 2: just did and action.

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Speaker 1: This is and cup.

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Speaker 2: I think he's he's directed a zillion sitcoms too. I

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Speaker 2: mean he was, he was, you know, he's a legendary

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Speaker 2: TV director. He I think he's retired, I imagine now,

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Speaker 2: but he is just a legend.

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Speaker 3: And a pretty good tennis player apparently really and yeah,

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Speaker 3: that's what I heard.

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Speaker 2: That's what you heard.

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Speaker 4: I heard. Will can make it so you're running around

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Speaker 4: while he's standing in one place.

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Speaker 2: There were a lot of directors that when you showed

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Speaker 2: up on set on Monday morning, you saw who it

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Speaker 2: was and you just had a big old smile on

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Speaker 2: your face. And Will McKenzie was always one of those

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Speaker 2: guys for all of us. We just would like he

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Speaker 2: was like, you know, he just just felt like a

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Speaker 2: grandfather figure because he was an older guy, but he

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Speaker 2: had so much experience and he had a big old

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Speaker 2: smile on his face and I just I love that guy.

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Speaker 1: Also in this in this episode, some of the I

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Speaker 1: don't know how to say this, some of the peripheral characters,

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Speaker 1: whether it's Sammy, which I'll get to in a minute,

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Speaker 1: or Neil is a janitor get to really shine. Yeah,

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Speaker 1: and and the janitor and it I guess I think

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Speaker 1: one O three when he says girl problems and then

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Speaker 1: you say, and then Cox says, I'd say they're a

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Speaker 1: bea cup and the button is at least they're real

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Speaker 1: laugh out loud. I'm stealing. I'm stealing Zachy's laugh out loud.

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Speaker 2: I did. I laughed out loud at that man. And uh,

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Speaker 2: you know, because it's funny because you know, we keep

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Speaker 2: fucking with Bill Johnny because he's he's hanging on by

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Speaker 2: his fingernails to this old lore that the janitor barely

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Speaker 2: talked to anybody in season one, and and he was

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Speaker 2: just still deciding by the time he started season two

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Speaker 2: if he was going to make the Janitor solely a

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Speaker 2: figment of Jad's imagination hanging on.

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Speaker 3: He is, And and every episode the Janitor's talking to

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Speaker 3: a different cast.

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Speaker 2: And Donald and I, Donald and I joke that we're

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Speaker 2: like detective as being like, well, how would Bill possibly

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Speaker 2: rationalize this one? And uh, you know again, Bill would say, well,

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Speaker 2: he's not interacting with Johnny. See, he just he just

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Speaker 2: if he's a if he's a figure of Jad's imagination,

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Speaker 2: he hears what Cox says and just builds on it,

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Speaker 2: you know.

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Speaker 1: But but also, and I'm going to keep circling back

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Speaker 1: with this, you could see And in this case, it's

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Speaker 1: just a simple, clean scene Donald and Zach at two nine,

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Speaker 1: when you take the phone call from your mom and

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Speaker 1: you find out about mister Peters, you too are just

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Speaker 1: it's in carpentry, it's called tongue and groove. You guys

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Speaker 1: are just effortless, and it sets up the whole scene.

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Speaker 1: There's a ton of n expository stuff in it, and

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Speaker 1: it's just effortless. And it's only because of what you

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Speaker 1: guys had become in those I guess seventeen or eighteen

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Speaker 1: weeks by then.

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Speaker 3: Yeah, I remember, well, I don't. I don't remember any

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Speaker 3: of this episode except for the handshake. And I had

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Speaker 3: no idea even and when we did the handshake, I

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Speaker 3: had no clue what Sarah and I like. I thought

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Speaker 3: it was something that Sarah and I made up on

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Speaker 3: set and it turned into something in the scene. But

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Speaker 3: I think we made it up for the scene and

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Speaker 3: it turned into something that we did on set.

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Speaker 2: Yeah, we saw this handshake. Johnny and I had to

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Speaker 2: endure this handshake get longer and longer. I think by

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Speaker 2: the end of it. I think by the end of

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Speaker 2: nine years, it took them an hour and a half

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Speaker 2: to do the handshake.

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Speaker 4: And that was just to say hello to each other.

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Speaker 1: Yeah. During during the Vietnam War, I found out it

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Speaker 1: was called a dap A dap you would adapt somebody.

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Speaker 2: But wait, now, Donald, you don't remember if you guys

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Speaker 2: were just walking around and made this up and then

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Speaker 2: put it in the show, or.

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Speaker 3: I think it came from the handshake in the show.

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Speaker 3: I think our handshake, we made it up for the show,

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Speaker 3: and then it turned into something that we did all

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Speaker 3: the time when we saw each other.

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Speaker 1: But that that, once again is what I'm talking about.

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Speaker 1: It's effortless. Yeah, it doesn't. Did you just complete with

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Speaker 1: totally long and and then you guys throw it away

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Speaker 1: and go right into the scene and that that's later on.

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Speaker 1: But I was so struck by so many of these vignettes.

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Speaker 1: Ye completely tongue and groove.

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Speaker 2: Yeah, I agree, man, and and and and Donald. Did

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Speaker 2: you make that up or did Sarah contribute? Like it's

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Speaker 2: pretty great some of it.

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Speaker 3: I made up a lot of it. I know I

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Speaker 3: made up because it's uh, it.

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Speaker 2: Has it has rhythm to it. That's why.

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Speaker 4: Well there's that, and then there's also.

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Speaker 1: There's even Sarah could do all that stuff, Yes, you could.

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Speaker 4: There was.

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Speaker 3: It was also a like what is it that remember

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Speaker 3: how we were talking about the color purple and miss

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Speaker 3: when Celia and her sister are broken up and they're

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Speaker 3: doing they.

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Speaker 2: Miss patty cake Cake.

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Speaker 3: Yeah, so it also has a little bit of that

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Speaker 3: in it where it's like where we slap each other's hand.

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Speaker 3: I don't know, man, all I know is yeah, no,

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Speaker 3: that thing was made up for this episode and it turned.

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Speaker 2: Into I like, I like what Johnny said too, that

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Speaker 2: you kind of go into this ale everything and then

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Speaker 2: you just kind of go into the scene like nothing happened.

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Speaker 2: It's just dull. You just did a high five.

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Speaker 1: I thought that, But it's the same way. It's the

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Speaker 1: same way. I feel like, I'm maybe it sounds like

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Speaker 1: I'm blown too much. Smoke up your guys, asses, but

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Speaker 1: I'll take it.

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Speaker 2: We'll take it.

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Speaker 1: I'm like Donald, I don't remember any of this stuff.

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Speaker 1: So then when we go back and watch it, I'm

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Speaker 1: I'm sincerely struck by different things. And in this episode,

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Speaker 1: unlike the last one we watched together, I wasn't struck

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Speaker 1: by as many things other than the circumstances that were

399
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Speaker 1: occurring outside of scrubs. In this I was really struck

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Speaker 1: by what was happening in front of the lens and

401
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Speaker 1: what the writers did. And then in three minutes there's

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Speaker 1: this great walking talk between Zachi and Cox, and the

403
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Speaker 1: writers let Cox be this fierce, fierce patient advocate, and

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Speaker 1: it grounds them in a way that it's just genius

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00:19:32,200 --> 00:19:34,280
Speaker 1: because it gives them license to then go do what

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Speaker 1: he's about to go do, which is destroy a lab.

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Speaker 2: Now, this is the first time we really see Cox

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Speaker 2: have this raw motion, Johnny, I think that you know,

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Speaker 2: we had seen him be upset. There's the episode where's

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Speaker 2: where he's just saying, Jad, you need to have a life.

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Speaker 2: I have no fucking life. But this is, you know,

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Speaker 2: the first time we see how much pain this man

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Speaker 2: has and how dedicated he is to his profession. So

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Speaker 2: I just talked a bit about that. And of course

415
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Speaker 2: destroying this lab paper in the Backgrock with Charles pappard

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Speaker 2: Our steadycam operators back is the one of the lab texts.

417
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Speaker 2: But I mean, do you remember that day trashing that lab?

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Speaker 2: That must have been cathartic.

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Speaker 1: I do, and I had. I had been lucky enough

420
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Speaker 1: in nineteen ninety four, and lucky is in italics to

421
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Speaker 1: have been with Michael Caine, your actor in your lovely

422
00:20:28,800 --> 00:20:35,000
Speaker 1: movie up in Valdis, Alaska and with Steven Sigal directing

423
00:20:35,040 --> 00:20:37,840
Speaker 1: an epic movie for Warner Brothers called on Deadly Ground.

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Speaker 1: Stephen was there and I got to destroy a house,

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Speaker 1: and halfway through it I find a petrified walrus penis,

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Speaker 1: which is called an usk, and so I slow down.

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Speaker 2: You're gonna not. You can't rush, You can't The listeners

428
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Speaker 2: that the listeners have questions, how did you find a

429
00:21:00,480 --> 00:21:03,040
Speaker 2: Don't worry, we're gonna get back to destroying the lab. Everybody,

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Speaker 2: How did you How did you know that it was

431
00:21:05,119 --> 00:21:06,680
Speaker 2: a petrified walrus penis?

432
00:21:06,720 --> 00:21:09,919
Speaker 1: I asked, there's this long fallus and I asked the

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Speaker 1: production designer, I said, what's this and he goes, well,

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Speaker 1: it's a petrified walr's penis. And he said, God old mighty,

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Speaker 1: just call action and get on my eyeline.

436
00:21:19,880 --> 00:21:22,040
Speaker 6: If you don't think that's coming in the frame, you're

437
00:21:22,080 --> 00:21:22,919
Speaker 6: out of your mind.

438
00:21:23,920 --> 00:21:25,120
Speaker 2: Look out, everybody.

439
00:21:26,200 --> 00:21:30,280
Speaker 1: And so I I what my takeaway from destroying house,

440
00:21:31,440 --> 00:21:35,960
Speaker 1: just destroying it was go slow. If you destroy a

441
00:21:36,000 --> 00:21:39,399
Speaker 1: house or a lab too fast, the camera doesn't get it.

442
00:21:39,400 --> 00:21:42,399
Speaker 1: It's just like as Donald definitely knows, either taking or

443
00:21:42,400 --> 00:21:44,560
Speaker 1: throwing a punch in front of the lens. If you

444
00:21:44,600 --> 00:21:46,840
Speaker 1: go too fast, the camera doesn't see it. Yeah, And

445
00:21:47,359 --> 00:21:50,840
Speaker 1: it's the same same with destroying a room. You've got

446
00:21:50,840 --> 00:21:55,560
Speaker 1: to go slow. And it's funny Billy who or will

447
00:21:55,760 --> 00:21:58,040
Speaker 1: ramped it up to high speed for the throw through

448
00:21:58,040 --> 00:22:01,679
Speaker 1: the window, because otherwise that stuff happens too fast and

449
00:22:02,320 --> 00:22:04,919
Speaker 1: you don't get it. Yeah. And I'm sure Zach as

450
00:22:04,920 --> 00:22:08,320
Speaker 1: a filmmaker you know, unless you cover a fight or

451
00:22:08,400 --> 00:22:14,000
Speaker 1: destroying something pretty meticulously, the lens misses it. And so

452
00:22:14,119 --> 00:22:18,240
Speaker 1: my only thought in destroying that lab was take your time. Yeah.

453
00:22:18,440 --> 00:22:20,760
Speaker 3: Well, when I watched that, I was like, how much

454
00:22:20,880 --> 00:22:23,720
Speaker 3: trouble would doctor Cox be and if he were to

455
00:22:23,760 --> 00:22:26,760
Speaker 3: do that? And how much money did he just throw

456
00:22:26,800 --> 00:22:29,040
Speaker 3: out the window by doing all of that?

457
00:22:29,440 --> 00:22:30,640
Speaker 1: I know, I was thinking the same thing.

458
00:22:31,240 --> 00:22:33,080
Speaker 2: I thought the same thing too. I thought like, did

459
00:22:33,119 --> 00:22:35,520
Speaker 2: they have some system or no one's gonna tell kelso,

460
00:22:35,600 --> 00:22:39,320
Speaker 2: because I mean, Carla implies that he freaks out at

461
00:22:39,400 --> 00:22:41,280
Speaker 2: least once a year, right, And I was like, does

462
00:22:41,320 --> 00:22:45,199
Speaker 2: everyone sort of protect him because you know, in the

463
00:22:45,200 --> 00:22:48,440
Speaker 2: real world of a hospital, he'd be in a phenomenal

464
00:22:48,480 --> 00:22:49,320
Speaker 2: amount of trouble for this.

465
00:22:50,440 --> 00:22:54,960
Speaker 3: Yeah, I couldn't. That was the first thing I thought.

466
00:22:54,960 --> 00:22:57,320
Speaker 3: And then I thought when Carla said he does this

467
00:22:57,359 --> 00:23:00,879
Speaker 3: once a year, I was like, holy shit, Cox is

468
00:23:01,600 --> 00:23:03,640
Speaker 3: you know, it's clear that he's in pain, but he's

469
00:23:03,680 --> 00:23:06,240
Speaker 3: in like a lot of pain. And to build it

470
00:23:06,320 --> 00:23:09,080
Speaker 3: up to be able to just damage thousands of dollars

471
00:23:09,080 --> 00:23:11,359
Speaker 3: of equipment, you know what I mean? You have to

472
00:23:11,520 --> 00:23:14,560
Speaker 3: really you have to really be on that level of

473
00:23:14,680 --> 00:23:16,360
Speaker 3: fuck it I'm I don't care anymore.

474
00:23:16,359 --> 00:23:19,280
Speaker 4: I just I just he clearly doesn't care anymore.

475
00:23:19,320 --> 00:23:21,600
Speaker 2: But they also really need Cox, you know Cox.

476
00:23:21,920 --> 00:23:24,960
Speaker 4: Everybody needs Cox. You're absolutely right. Well look what you

477
00:23:25,000 --> 00:23:27,719
Speaker 4: just said, Donald, that was that came out a little different.

478
00:23:28,520 --> 00:23:31,439
Speaker 1: You're gonna pull over there, Donald, You're going fifty.

479
00:23:31,640 --> 00:23:34,080
Speaker 2: I'm gonna I'm gonna that's gonna be my new ringtone,

480
00:23:34,160 --> 00:23:36,960
Speaker 2: Donald yelling everybody needs Cox.

481
00:23:41,880 --> 00:23:45,359
Speaker 3: In the hospital, in the hospital, at the hospital that

482
00:23:45,400 --> 00:23:46,520
Speaker 3: I met the character.

483
00:23:47,720 --> 00:23:50,320
Speaker 1: And then and then at four thirty nine, we get

484
00:23:50,359 --> 00:23:54,919
Speaker 1: to see the janitor do medical jargon. Yeah, yeah, and

485
00:23:54,960 --> 00:23:55,720
Speaker 1: he kills it.

486
00:23:56,000 --> 00:23:58,880
Speaker 2: Yeah. I remember you know that Neil audition for your part,

487
00:23:58,920 --> 00:24:00,960
Speaker 2: you know that trivia Johnny.

488
00:24:00,720 --> 00:24:03,720
Speaker 1: Of course, but I mean, he's such a spectacular actor,

489
00:24:03,760 --> 00:24:06,600
Speaker 1: but I've never seen him do. You Gotta remember, all

490
00:24:06,720 --> 00:24:10,160
Speaker 1: medical jargon is Latin based, so when you really get

491
00:24:10,200 --> 00:24:13,000
Speaker 1: into it, you're just talking Latin. And so for the

492
00:24:13,119 --> 00:24:15,760
Speaker 1: janitor just to peel out some Latin question.

493
00:24:16,080 --> 00:24:18,240
Speaker 2: By the way, I wondered, when I wondered if I

494
00:24:18,240 --> 00:24:20,840
Speaker 2: think that might be the only time the janitors ever

495
00:24:20,920 --> 00:24:22,080
Speaker 2: in our apartment.

496
00:24:21,720 --> 00:24:24,919
Speaker 3: I was gonna ask that we should ask Bill if

497
00:24:24,920 --> 00:24:27,840
Speaker 3: he remembers putting the janitor in the apartment at any point.

498
00:24:28,119 --> 00:24:33,400
Speaker 2: Okay, Donald has pulled the lever for an ask Bill. Joell, Bill,

499
00:24:33,680 --> 00:24:35,840
Speaker 2: you're not gonna remember. I bet the guy on WICKI

500
00:24:36,000 --> 00:24:38,200
Speaker 2: Scrubs knows better than you, But we're gonna ask you.

501
00:24:39,440 --> 00:24:41,520
Speaker 2: By the way, you know we should do We should also, Joelle,

502
00:24:41,560 --> 00:24:43,040
Speaker 2: that's what we should do with that guy. We should

503
00:24:43,040 --> 00:24:46,160
Speaker 2: haven't asked Bill Button, but we should haven't also asked

504
00:24:46,160 --> 00:24:50,080
Speaker 2: the Scrubs wicky because he knows he's the keeper of

505
00:24:50,119 --> 00:24:51,920
Speaker 2: the trivia more than Bill. Bill's gonna be like, I

506
00:24:51,960 --> 00:24:56,760
Speaker 2: don't know, five, six, seven, eight, and uh Bill, Bill

507
00:24:56,800 --> 00:24:59,960
Speaker 2: has found is what you're talking about? Willis Johnny. He

508
00:25:00,000 --> 00:25:02,439
Speaker 2: he's found his catchphrase. So now he just says five

509
00:25:02,560 --> 00:25:05,399
Speaker 2: and the fans think it's hilarious. He just starts hilarious,

510
00:25:05,440 --> 00:25:07,520
Speaker 2: he starts the theme song, and Donald and I have

511
00:25:07,560 --> 00:25:12,040
Speaker 2: to stop the damn thing. So anyway, Joelle, when we

512
00:25:12,080 --> 00:25:14,120
Speaker 2: talk to that guy, when we find him, let's ask

513
00:25:14,160 --> 00:25:16,639
Speaker 2: him if we can ask him a Scrubs trivia. But

514
00:25:16,760 --> 00:25:19,119
Speaker 2: for now, since we only have Bill, Bill, do you

515
00:25:19,160 --> 00:25:21,399
Speaker 2: think this is the only time that the janitor is

516
00:25:21,480 --> 00:25:24,040
Speaker 2: ever in our apartment? Even though it's a fantasy.

517
00:25:24,560 --> 00:25:24,879
Speaker 1: Neil.

518
00:25:25,080 --> 00:25:27,960
Speaker 7: I'm going by memory here, guys, But Neil Flynn was

519
00:25:28,000 --> 00:25:33,680
Speaker 7: in Turk and JD's apartment when there's a fantasy about

520
00:25:33,720 --> 00:25:37,760
Speaker 7: him being a doctor, and I believe he returns to

521
00:25:37,800 --> 00:25:42,560
Speaker 7: try and fix their air conditioning or pipes or something

522
00:25:43,520 --> 00:25:45,600
Speaker 7: in a later season. But I think he was only

523
00:25:45,720 --> 00:25:52,280
Speaker 7: there twice except once I think he was implied that

524
00:25:52,320 --> 00:25:54,199
Speaker 7: he was there a third time, that he and doctor

525
00:25:54,240 --> 00:25:58,440
Speaker 7: Cox moved JD's bed somewhere and they did it together.

526
00:25:58,760 --> 00:25:59,440
Speaker 2: Thank you, Bill.

527
00:26:00,920 --> 00:26:04,400
Speaker 1: And once again at five point forty nine when when

528
00:26:04,480 --> 00:26:09,280
Speaker 1: Kenny and when Kelso and and and Jude are together,

529
00:26:09,920 --> 00:26:13,960
Speaker 1: they're butter. They're total butter. Oh gosh, yeah, they're butter.

530
00:26:14,359 --> 00:26:16,800
Speaker 2: Now how about Judy, they're they they're great. How about Judy?

531
00:26:16,960 --> 00:26:19,160
Speaker 2: So for first Judy, I noticed, because this is funny

532
00:26:19,200 --> 00:26:22,480
Speaker 2: tracking the when we shot this in two thousand and one,

533
00:26:23,000 --> 00:26:25,120
Speaker 2: that Judy says I got to get a tape deck,

534
00:26:25,600 --> 00:26:28,000
Speaker 2: which I thought was funny. And then and then when

535
00:26:28,080 --> 00:26:31,240
Speaker 2: she brings in and it's actually a CD player, it's

536
00:26:31,240 --> 00:26:31,679
Speaker 2: just funny.

537
00:26:31,680 --> 00:26:35,840
Speaker 3: Even now you realize that you're you're definitely pretty good show, dude.

538
00:26:35,840 --> 00:26:38,440
Speaker 4: That's very good, because I did not pick up on that.

539
00:26:38,520 --> 00:26:40,760
Speaker 2: Well, I caught her. I caught her saying tape deck,

540
00:26:40,800 --> 00:26:43,280
Speaker 2: and then my brain went, there's no way it was cassettes.

541
00:26:43,280 --> 00:26:46,600
Speaker 2: I remember it was at least CDs and uh and

542
00:26:46,680 --> 00:26:49,840
Speaker 2: then and I guess that was just still I'm imagining.

543
00:26:49,840 --> 00:26:51,639
Speaker 2: In two thousand and one, we were still using the

544
00:26:51,680 --> 00:26:54,240
Speaker 2: expression tape deck, like I'll get a tape deck and.

545
00:26:54,680 --> 00:26:56,240
Speaker 1: I have a I have a question for you. On

546
00:26:56,280 --> 00:26:59,840
Speaker 1: the heels of that, when Kenny says, like Motley Crue

547
00:27:00,080 --> 00:27:03,360
Speaker 1: and Winger, my son's a bit of a headbanger, first

548
00:27:03,400 --> 00:27:05,800
Speaker 1: of all, that crushed me. And second is that the

549
00:27:05,880 --> 00:27:09,440
Speaker 1: first time, first of many when he refers to his son,

550
00:27:09,880 --> 00:27:15,240
Speaker 1: who turns out is just a cavalcade of eccentricity.

551
00:27:15,680 --> 00:27:19,080
Speaker 2: A cavalcade of eccentricities is a great title for a screenplay,

552
00:27:19,880 --> 00:27:24,199
Speaker 2: but that is funny. The Scrubs wiki said, it's the

553
00:27:24,240 --> 00:27:26,159
Speaker 2: first time he mentions Baxter. I don't know if it's

554
00:27:26,160 --> 00:27:28,200
Speaker 2: the first time his son comes up, but this might

555
00:27:28,240 --> 00:27:30,479
Speaker 2: be the first time his son comes up in terms

556
00:27:30,520 --> 00:27:34,480
Speaker 2: of being a cavalcade of eccentricity.

557
00:27:35,280 --> 00:27:38,920
Speaker 6: His son, it turns out it's the single most tortured

558
00:27:38,960 --> 00:27:39,600
Speaker 6: person on the.

559
00:27:39,520 --> 00:27:41,440
Speaker 2: Planet I know and we never got to meet him,

560
00:27:41,520 --> 00:27:43,639
Speaker 2: and we never met his wife. I think it was Eenil.

561
00:27:43,760 --> 00:27:45,840
Speaker 1: But it's so much better. It's so much better.

562
00:27:45,920 --> 00:27:48,040
Speaker 2: No, it was all Remember remember on Cheers when you

563
00:27:48,080 --> 00:27:53,000
Speaker 2: never saw Cliff's family. No, I think it was Norm's

564
00:27:53,000 --> 00:27:56,280
Speaker 2: wife Vera, we never saw. Well gave me the thumbs up?

565
00:27:56,320 --> 00:27:57,200
Speaker 2: Am I right? Joelle?

566
00:27:57,320 --> 00:27:57,560
Speaker 1: Wow?

567
00:27:57,640 --> 00:28:00,000
Speaker 4: Well, well played Zach.

568
00:28:00,040 --> 00:28:03,320
Speaker 2: That bartender would always ali up him, see I bet

569
00:28:03,400 --> 00:28:06,680
Speaker 2: sports reference and and then he'd he'd have a one

570
00:28:06,720 --> 00:28:08,640
Speaker 2: liner and and and dunk it if he I.

571
00:28:08,560 --> 00:28:10,000
Speaker 3: Blew the I bleuw the one line because I didn't

572
00:28:10,040 --> 00:28:12,600
Speaker 3: remember it. Veratt does make an appearance on Cheers, though,

573
00:28:12,640 --> 00:28:13,440
Speaker 3: I guess.

574
00:28:13,400 --> 00:28:15,600
Speaker 2: Really and then well won Well, Joelle, did you go

575
00:28:15,640 --> 00:28:18,080
Speaker 2: on the Cheers wiki and find out that Vera does

576
00:28:18,119 --> 00:28:20,600
Speaker 2: make an appearance on the Thanksgiving Day episode?

577
00:28:20,600 --> 00:28:24,200
Speaker 1: As you guys, As you guys have done so wonderfully.

578
00:28:24,640 --> 00:28:28,000
Speaker 1: I do want to look at Sammy for a second.

579
00:28:28,080 --> 00:28:32,200
Speaker 1: Who uh is astonishing episode?

580
00:28:32,280 --> 00:28:32,760
Speaker 2: This really is?

581
00:28:32,800 --> 00:28:33,280
Speaker 1: Probably is?

582
00:28:33,320 --> 00:28:37,440
Speaker 2: This probably is I hate to say it, but probably

583
00:28:37,480 --> 00:28:40,120
Speaker 2: his first real I mean, other than one liners. This

584
00:28:40,160 --> 00:28:42,560
Speaker 2: is the first episode where Sammy really shined.

585
00:28:43,480 --> 00:28:46,720
Speaker 1: And even even when he and he and and Jude

586
00:28:46,760 --> 00:28:49,640
Speaker 1: together are are completely money.

587
00:28:49,720 --> 00:28:51,760
Speaker 2: Did you guys get goosebumps when they sang together?

588
00:28:52,320 --> 00:28:55,920
Speaker 1: Yes, yeah, absolutely. But the first time we see Sammy,

589
00:28:56,080 --> 00:28:59,000
Speaker 1: he does this thing with his hand where he puts

590
00:28:59,040 --> 00:29:03,680
Speaker 1: it way in the back of his donald. My triceps

591
00:29:03,680 --> 00:29:04,840
Speaker 1: are too big to even do this.

592
00:29:06,840 --> 00:29:10,520
Speaker 2: Get your fucking arms, arms to you, to you listeners

593
00:29:10,560 --> 00:29:12,880
Speaker 2: out there. I want you to know this guy is

594
00:29:12,960 --> 00:29:17,360
Speaker 2: still fucking ripped. He's got bigger biceps than than anyone

595
00:29:17,440 --> 00:29:18,840
Speaker 2: I I know. I think.

596
00:29:19,040 --> 00:29:20,800
Speaker 4: Are you still doing a lot of paddlesurfing?

597
00:29:21,400 --> 00:29:21,640
Speaker 1: Yeah?

598
00:29:21,680 --> 00:29:27,520
Speaker 2: Every day, every day you paddle surf. Yeah, john Johnny, Johnny,

599
00:29:27,520 --> 00:29:28,520
Speaker 2: you are Let.

600
00:29:28,440 --> 00:29:31,280
Speaker 3: Me say something, you got, mister Miyagi body where it's

601
00:29:31,360 --> 00:29:35,560
Speaker 3: like you're doing you know active, you know, everything is

602
00:29:35,640 --> 00:29:41,440
Speaker 3: for a purpose. I wrot, I row a board in

603
00:29:41,480 --> 00:29:44,200
Speaker 3: the ocean. I'm using my hands to build.

604
00:29:44,440 --> 00:29:46,080
Speaker 2: I thought you were saying. I thought you were saying

605
00:29:46,080 --> 00:29:48,280
Speaker 2: he had the body of Pat Marita, and I was like, no,

606
00:29:48,360 --> 00:29:48,840
Speaker 2: he does not.

607
00:29:50,560 --> 00:29:52,520
Speaker 4: But when Sammy wax on wax off.

608
00:29:53,120 --> 00:29:55,360
Speaker 1: The first time we see Sammy, he's got that hand

609
00:29:55,400 --> 00:29:58,440
Speaker 1: over his head and then the button on the scene

610
00:29:58,480 --> 00:30:01,840
Speaker 1: with Judy is he was careful. I've been hurt before.

611
00:30:02,000 --> 00:30:05,560
Speaker 2: Yeah, oh my God, he dropped me, drop me. He

612
00:30:05,600 --> 00:30:07,600
Speaker 2: loves Judy, he loves Carla, he loves.

613
00:30:07,400 --> 00:30:09,480
Speaker 4: Car She hugs him and he's like, don't let go.

614
00:30:10,200 --> 00:30:13,120
Speaker 6: And for those and well that's later on and for

615
00:30:13,200 --> 00:30:17,360
Speaker 6: those who don't know asides, when you keeping a side real,

616
00:30:17,840 --> 00:30:21,480
Speaker 6: it's almost impossible because if you don't do it right,

617
00:30:21,600 --> 00:30:24,120
Speaker 6: you come off as a crazy person because you're talking

618
00:30:24,120 --> 00:30:24,680
Speaker 6: to yourself.

619
00:30:24,920 --> 00:30:27,520
Speaker 1: And Sammy does it with careful I've been hurt before.

620
00:30:28,000 --> 00:30:30,800
Speaker 1: And then when he and Judy get back together later on,

621
00:30:31,000 --> 00:30:32,880
Speaker 1: he is two that are genius.

622
00:30:33,280 --> 00:30:37,760
Speaker 6: He says, she knows, she knows your name, he says

623
00:30:37,760 --> 00:30:41,520
Speaker 6: to himself, and then he says, don't let go.

624
00:30:43,480 --> 00:30:45,440
Speaker 1: It dropped me and I can't.

625
00:30:45,160 --> 00:30:46,520
Speaker 4: Tell you how.

626
00:30:47,640 --> 00:30:49,520
Speaker 3: Yeah, he has one more when he's like, I love

627
00:30:49,560 --> 00:30:51,160
Speaker 3: you and she turns around like what.

628
00:30:51,640 --> 00:30:54,520
Speaker 2: And he goes right back to the song. Yeah, but

629
00:30:54,640 --> 00:30:56,600
Speaker 2: that song you got, I mean, we're jumping all over

630
00:30:56,640 --> 00:30:59,600
Speaker 2: the place, but that song moment was so beautiful, and

631
00:30:59,640 --> 00:31:03,040
Speaker 2: I forget. I apologize to the universe that I forgot.

632
00:31:03,040 --> 00:31:04,600
Speaker 2: How pretty Judy's voice.

633
00:31:04,360 --> 00:31:08,600
Speaker 1: Is me too, Yeah, and she slays and.

634
00:31:08,520 --> 00:31:11,240
Speaker 2: It's beautiful and their harmonies, I mean, Sammy, we knew

635
00:31:11,240 --> 00:31:13,640
Speaker 2: because sam was an amazing singer, and it was an

636
00:31:13,760 --> 00:31:15,920
Speaker 2: a cappella group, but the two of them together, their

637
00:31:15,960 --> 00:31:18,160
Speaker 2: harmonies were I got goosebumps over my body.

638
00:31:18,520 --> 00:31:22,320
Speaker 1: Yeah, now let me ask you something, uh Zachi. Yes,

639
00:31:22,440 --> 00:31:24,880
Speaker 1: And I could see you, I could see you ringing

640
00:31:24,920 --> 00:31:27,120
Speaker 1: this one out as hard as you could. Was this

641
00:31:27,240 --> 00:31:30,720
Speaker 1: Billy or you on Beaker's beakers?

642
00:31:30,840 --> 00:31:31,480
Speaker 2: It's probably me.

643
00:31:32,400 --> 00:31:35,360
Speaker 1: You were ringing everything out of that.

644
00:31:35,560 --> 00:31:40,280
Speaker 2: I know there's certain is there certains, there's just funny beakers.

645
00:31:40,680 --> 00:31:43,880
Speaker 2: I I think I think it was probably not in

646
00:31:43,880 --> 00:31:46,920
Speaker 2: the script because that wouldn't probably been funny on the page.

647
00:31:46,960 --> 00:31:50,479
Speaker 2: But I was probably just riffing like words that sounded funny.

648
00:31:51,120 --> 00:31:53,160
Speaker 2: And we should say it's the first appearance of Franklin

649
00:31:53,200 --> 00:31:54,200
Speaker 2: played by Masioka.

650
00:31:54,240 --> 00:31:57,680
Speaker 3: Yeah, about to say Massi oh. Before he went on

651
00:31:57,720 --> 00:32:01,000
Speaker 3: to be a time traveling star of Heroes.

652
00:32:01,280 --> 00:32:04,160
Speaker 2: Right, he was the star of the show Heroes. Yeah,

653
00:32:04,200 --> 00:32:08,280
Speaker 2: and I think this was his first juicy gig. He

654
00:32:08,640 --> 00:32:10,240
Speaker 2: recurred as Franklin.

655
00:32:10,240 --> 00:32:10,760
Speaker 4: For a while.

656
00:32:10,840 --> 00:32:12,000
Speaker 1: He's very he's very good.

657
00:32:12,200 --> 00:32:15,080
Speaker 2: Yeah, he was funny, hugging is hugging his favorite microscope

658
00:32:15,120 --> 00:32:16,800
Speaker 2: so that you didn't destroy it.

659
00:32:18,040 --> 00:32:19,960
Speaker 1: And then and then at eight minutes, we go to

660
00:32:20,000 --> 00:32:23,920
Speaker 1: what I referenced earlier is Sarah and Donald, and it's

661
00:32:24,040 --> 00:32:26,680
Speaker 1: it's what I started this whole thing off with with. However,

662
00:32:26,720 --> 00:32:31,160
Speaker 1: this ensemble jeld, whether it was just time or traveling

663
00:32:31,160 --> 00:32:35,880
Speaker 1: together and getting into it. You guys are effortless, all.

664
00:32:35,840 --> 00:32:37,400
Speaker 2: Right, But let's go a little bit back. Johnny, you're

665
00:32:37,400 --> 00:32:40,440
Speaker 2: going too fast. First of all, oh, dear Lord, please

666
00:32:40,480 --> 00:32:42,960
Speaker 2: tell me that's not a onesie.

667
00:32:44,480 --> 00:32:45,040
Speaker 1: Oh god.

668
00:32:45,400 --> 00:32:48,080
Speaker 2: And now doctor Cox says, first of all, I'm wearing

669
00:32:48,080 --> 00:32:50,960
Speaker 2: a onesie, which I love a onesie. I don't wear

670
00:32:51,000 --> 00:32:52,760
Speaker 2: a onesie it to bed, but man, when I have

671
00:32:52,800 --> 00:32:55,680
Speaker 2: a onesie on do I love a onesie? And I

672
00:32:55,720 --> 00:32:59,320
Speaker 2: guess JD really loved one because he wears it to

673
00:32:59,400 --> 00:33:02,240
Speaker 2: the bar. And then and then Cox pulls over the

674
00:33:02,240 --> 00:33:03,240
Speaker 2: two ladies to flirt.

675
00:33:03,520 --> 00:33:05,280
Speaker 4: Okay, before you go past what I had.

676
00:33:05,440 --> 00:33:08,200
Speaker 1: But that's that's at eleven twenty eight. I'm gonna I'm

677
00:33:08,200 --> 00:33:08,600
Speaker 1: gonna eight.

678
00:33:08,800 --> 00:33:11,200
Speaker 2: I know, I'm, I'm I'm the ones He occurs at

679
00:33:11,200 --> 00:33:15,920
Speaker 2: seven oh six. Oh okay, now, but go ahead, Donald.

680
00:33:16,040 --> 00:33:19,640
Speaker 4: Uh Minty? First of all, what were y'all drinking in

681
00:33:19,680 --> 00:33:20,920
Speaker 4: your shots? If that was Minty?

682
00:33:21,640 --> 00:33:24,240
Speaker 2: No, the the the toothbrush was minty.

683
00:33:24,080 --> 00:33:26,520
Speaker 4: Oh, still from the after you dipped it into.

684
00:33:27,040 --> 00:33:28,920
Speaker 2: I don't know, it doesn't track. I guess you're right,

685
00:33:28,960 --> 00:33:30,480
Speaker 2: because the toothpaste would have been off of it.

686
00:33:30,520 --> 00:33:33,200
Speaker 3: But that's it was hilary because and then right after that,

687
00:33:33,320 --> 00:33:34,600
Speaker 3: yuck yack, yuck.

688
00:33:35,120 --> 00:33:37,520
Speaker 2: Yeah, yeah, you know what I was thinking of. Do

689
00:33:37,520 --> 00:33:39,320
Speaker 2: you remember do you remember I don't know if you

690
00:33:39,320 --> 00:33:41,840
Speaker 2: remember this, Donald, but don Johnny, you definitely remember Easy

691
00:33:41,920 --> 00:33:46,239
Speaker 2: Rider when uh, whenever Nicholson would do a shot, he

692
00:33:46,320 --> 00:33:49,640
Speaker 2: would he would just say a random word because the

693
00:33:49,680 --> 00:33:51,400
Speaker 2: shot was so bad and an easy Rider. He'd do

694
00:33:51,440 --> 00:33:54,160
Speaker 2: the shot and he goes, but he would say like

695
00:33:54,160 --> 00:33:57,240
Speaker 2: a random word that would like help him recover from

696
00:33:57,240 --> 00:33:59,719
Speaker 2: how bad the shot was. And that's that's what I

697
00:33:59,760 --> 00:34:01,800
Speaker 2: was thinking of when I when I when I did it,

698
00:34:01,840 --> 00:34:06,680
Speaker 2: I was like, yuck, trying so hard to be manly

699
00:34:06,760 --> 00:34:09,640
Speaker 2: in front of Cox, but I'm in a onesie with

700
00:34:09,640 --> 00:34:10,560
Speaker 2: a toothbrush.

701
00:34:11,000 --> 00:34:12,520
Speaker 1: It was funny when you go yucky and then the

702
00:34:12,520 --> 00:34:15,360
Speaker 1: writers give Cox, uh, oh great, I'm drinking with a

703
00:34:15,400 --> 00:34:16,080
Speaker 1: mouseket deer.

704
00:34:18,600 --> 00:34:20,560
Speaker 3: Like I said, I didn't remember this episode at all,

705
00:34:20,600 --> 00:34:23,120
Speaker 3: so I never knew that you guys had a wingman

706
00:34:23,960 --> 00:34:26,279
Speaker 3: uh situation going on the two of you.

707
00:34:26,840 --> 00:34:27,480
Speaker 4: What happened?

708
00:34:27,719 --> 00:34:29,920
Speaker 3: I know that one girl blows it because she's talking

709
00:34:29,960 --> 00:34:33,880
Speaker 3: about her ex boyfriend. What happened to the girl you

710
00:34:33,920 --> 00:34:34,560
Speaker 3: were talking to?

711
00:34:34,760 --> 00:34:37,640
Speaker 2: Well, I don't think Cox has gives a flying fuck about.

712
00:34:38,640 --> 00:34:40,880
Speaker 2: He's just like here, if this if she? Cox is

713
00:34:40,920 --> 00:34:42,640
Speaker 2: like here, you want you want a reason to stay here?

714
00:34:42,719 --> 00:34:45,000
Speaker 2: Talk to these girls. I'm gonna, I'm gonna, I'm gonna go.

715
00:34:45,400 --> 00:34:47,480
Speaker 2: And then JD is like, okay, now you're talking, and

716
00:34:48,040 --> 00:34:50,239
Speaker 2: he tries to hit on that one woman, but she's

717
00:34:50,280 --> 00:34:52,520
Speaker 2: just you know, rambling and rambling and rambling.

718
00:34:52,600 --> 00:34:54,000
Speaker 1: The hangman's noose is.

719
00:34:55,480 --> 00:34:57,880
Speaker 2: Yeah, it's kind of it's kind of stolen from airplane.

720
00:34:57,920 --> 00:35:02,440
Speaker 1: Though it doesn't matter. No, he remembers airplane. It's absolutely hilarious.

721
00:35:03,719 --> 00:35:05,920
Speaker 1: I remember, I know, but we're dinosaurs.

722
00:35:07,719 --> 00:35:09,160
Speaker 2: No, but I think there's a scene in a moment

723
00:35:09,239 --> 00:35:12,040
Speaker 2: an airplane when someone's doing a long speech about their

724
00:35:12,080 --> 00:35:15,480
Speaker 2: past and you you cut back and the passenger next

725
00:35:15,520 --> 00:35:19,760
Speaker 2: to him has hung himself and he's swinging anyway.

726
00:35:20,280 --> 00:35:22,880
Speaker 1: I think it's really interesting. After the two girls leave

727
00:35:23,480 --> 00:35:26,600
Speaker 1: and j D and Cox are alone, I don't remember

728
00:35:26,640 --> 00:35:27,800
Speaker 1: Cox being that broken.

729
00:35:28,480 --> 00:35:31,560
Speaker 3: Yeah, that's what I was going to say he's so broken, dude,

730
00:35:31,560 --> 00:35:32,760
Speaker 3: he's so broken.

731
00:35:32,960 --> 00:35:35,720
Speaker 2: Well, it's like once a year, he you know, Carla says,

732
00:35:35,760 --> 00:35:37,680
Speaker 2: like once a year, he pretty much has a breakdown.

733
00:35:38,560 --> 00:35:40,920
Speaker 1: And I went back and I went back. As I

734
00:35:40,960 --> 00:35:43,480
Speaker 1: told you guys, I keep composition books and it's kind

735
00:35:43,480 --> 00:35:46,200
Speaker 1: of how I learned my lines. And in the margins,

736
00:35:46,200 --> 00:35:49,400
Speaker 1: I wrote notes to myself, and in that I the

737
00:35:49,440 --> 00:35:52,319
Speaker 1: first thing gig. I'll digress for a second. The first

738
00:35:52,360 --> 00:35:54,680
Speaker 1: gig I got to get at n YU was to

739
00:35:54,760 --> 00:35:57,279
Speaker 1: understudy John Tatro in Danny and the Deep Blue c

740
00:35:57,760 --> 00:36:01,319
Speaker 1: and over ats Circle Rep, which was maybe I lived

741
00:36:01,360 --> 00:36:04,279
Speaker 1: on Sullivan Street and Circle was on Bleaker, so it

742
00:36:04,320 --> 00:36:06,680
Speaker 1: was maybe a half a block from my house, and

743
00:36:06,760 --> 00:36:09,240
Speaker 1: I understudy John, and I was the assistant stage manager,

744
00:36:09,280 --> 00:36:11,000
Speaker 1: so I helped call the lights and I made up

745
00:36:11,000 --> 00:36:13,400
Speaker 1: the actors. But I had keys to the theater. And

746
00:36:13,440 --> 00:36:15,680
Speaker 1: because it's just a two hander, two hander means just

747
00:36:15,719 --> 00:36:19,160
Speaker 1: two actors on stage. It was June Stein and John,

748
00:36:19,320 --> 00:36:22,520
Speaker 1: and John went to do desperately seeking Susan. After about

749
00:36:22,560 --> 00:36:24,840
Speaker 1: eight months, he WoT he wouldn't It's eight shows a

750
00:36:24,840 --> 00:36:27,160
Speaker 1: week off Broadway and he wouldn't go down. It's a

751
00:36:27,200 --> 00:36:29,880
Speaker 1: very violent play, and so I had the keys to

752
00:36:29,920 --> 00:36:33,000
Speaker 1: the theater. So every day I would walk and do

753
00:36:33,200 --> 00:36:35,640
Speaker 1: circles on the stage because I had the keys, and

754
00:36:35,680 --> 00:36:38,440
Speaker 1: I would do both actors' parts out loud a couple

755
00:36:38,400 --> 00:36:41,360
Speaker 1: of times a day. And this was all fear based, and.

756
00:36:41,360 --> 00:36:43,640
Speaker 2: You were afraid to say, Johnny, you were afraid that

757
00:36:43,719 --> 00:36:45,520
Speaker 2: you might have to go on and you didn't want it.

758
00:36:45,640 --> 00:36:50,160
Speaker 1: Yeah, I was scared to death. And John finally went

759
00:36:50,200 --> 00:36:54,080
Speaker 1: to go do Desperately Seeking Susan and which every actor

760
00:36:54,080 --> 00:36:55,640
Speaker 1: in New York wanted to be in, and so I

761
00:36:55,680 --> 00:36:58,279
Speaker 1: got to take over for him for about a week.

762
00:36:58,960 --> 00:37:01,520
Speaker 1: And there's a line that Danny has at the end

763
00:37:01,520 --> 00:37:04,239
Speaker 1: of the play where he says everything hurts. And I

764
00:37:05,000 --> 00:37:08,719
Speaker 1: worked backwards in that play from everything hurts and and

765
00:37:09,120 --> 00:37:11,319
Speaker 1: what that must mean for someone to actually say that

766
00:37:11,320 --> 00:37:14,759
Speaker 1: that everything hurts. And I gave it to Cox in

767
00:37:14,800 --> 00:37:18,280
Speaker 1: this that when we see him, there's that long profile

768
00:37:18,320 --> 00:37:23,480
Speaker 1: shot of Cox that Will stays on and everything hurts, Yeah,

769
00:37:23,520 --> 00:37:27,279
Speaker 1: and it resonates and it's nothing said, it's underneath and

770
00:37:27,400 --> 00:37:30,080
Speaker 1: Zaki's so lovely in the scene, but I just think

771
00:37:30,120 --> 00:37:31,239
Speaker 1: the guy's broken.

772
00:37:31,719 --> 00:37:37,400
Speaker 2: Yeah, And he's so incredibly committed to this job, which

773
00:37:37,560 --> 00:37:41,160
Speaker 2: is endlessly frustrating for him, not only what would be

774
00:37:41,239 --> 00:37:44,319
Speaker 2: normal dealing with so much death and pain, but that

775
00:37:44,440 --> 00:37:49,560
Speaker 2: this hospital, this this hospital that it seems is barely

776
00:37:49,600 --> 00:37:54,680
Speaker 2: surviving with with with its finances. And he opens the

777
00:37:54,680 --> 00:37:56,960
Speaker 2: episode walking around, and I noticed that Will made sure

778
00:37:57,000 --> 00:37:59,080
Speaker 2: that the ceiling panels were all fucked up. I don't

779
00:37:59,120 --> 00:38:00,799
Speaker 2: know if you noticed that, but when you when you're

780
00:38:00,800 --> 00:38:03,000
Speaker 2: looking around, being like, everything is here is fucking broken.

781
00:38:03,040 --> 00:38:04,759
Speaker 2: I'm so sick of it. And in that in that

782
00:38:04,880 --> 00:38:07,719
Speaker 2: very walk and talk moment, you're seeing like the ceilings

783
00:38:07,719 --> 00:38:12,120
Speaker 2: all fucked up, and and he's just just so frustrated,

784
00:38:12,200 --> 00:38:15,600
Speaker 2: I imagine with trying to save lives with no with

785
00:38:15,640 --> 00:38:18,399
Speaker 2: no support, with no gear like so many by the way,

786
00:38:18,520 --> 00:38:21,520
Speaker 2: like so many doctors and nurses and people must be

787
00:38:21,520 --> 00:38:25,239
Speaker 2: feeling now with the lack of of ppe they had

788
00:38:25,320 --> 00:38:26,160
Speaker 2: with with COVID.

789
00:38:27,000 --> 00:38:29,080
Speaker 1: I think it's really interested at what you were just

790
00:38:29,160 --> 00:38:33,439
Speaker 1: referencing that the writers don't even have Cocks reference it

791
00:38:33,520 --> 00:38:36,720
Speaker 1: as the hospital or or the name of the hospital.

792
00:38:36,719 --> 00:38:39,480
Speaker 1: He he just calls it that place. He can't even

793
00:38:39,520 --> 00:38:41,880
Speaker 1: he doesn't even want it in his mouth, and he says,

794
00:38:41,920 --> 00:38:43,840
Speaker 1: I can't I can't go back to that place.

795
00:38:44,440 --> 00:38:47,440
Speaker 2: Yeah, and then Jad at least feels like wow, he

796
00:38:48,120 --> 00:38:50,319
Speaker 2: I don't know what to do. He broke down what

797
00:38:50,360 --> 00:38:51,840
Speaker 2: are we going to do? And Carl was like, oh no,

798
00:38:51,960 --> 00:38:53,680
Speaker 2: he just does that once a year. He'll be fine today.

799
00:38:53,719 --> 00:38:55,960
Speaker 2: And I'm like, there's no way he's going to be fine.

800
00:38:56,000 --> 00:38:59,120
Speaker 2: And you come in like, hey.

801
00:38:58,360 --> 00:39:02,200
Speaker 3: What, it's going to be a good.

802
00:39:03,040 --> 00:39:06,400
Speaker 1: Still. I stole that from a brother, my brother's friendship.

803
00:39:06,440 --> 00:39:08,360
Speaker 1: Humph you who lives in Atlanta. Now. He used to

804
00:39:08,400 --> 00:39:13,400
Speaker 1: always go around and go it's a great day. I

805
00:39:13,480 --> 00:39:15,320
Speaker 1: put that one right in my back pocket.

806
00:39:15,640 --> 00:39:18,560
Speaker 2: You were so funny. All right, Wait, yes, we're gonna

807
00:39:18,600 --> 00:39:20,600
Speaker 2: take a break. We always forget because we're having so

808
00:39:20,680 --> 00:39:34,239
Speaker 2: much fun. We'll be right back and see. Donald, You're

809
00:39:34,239 --> 00:39:36,479
Speaker 2: giving the people what they want, which is the mm hmmm.

810
00:39:36,880 --> 00:39:39,000
Speaker 4: They asked for it, so I might as well give

811
00:39:39,000 --> 00:39:39,399
Speaker 4: it to him.

812
00:39:39,400 --> 00:39:39,560
Speaker 1: Man.

813
00:39:39,640 --> 00:39:41,920
Speaker 2: A lot of chatter, a lot of chatter on we

814
00:39:41,960 --> 00:39:44,440
Speaker 2: gotta just digress for a moment, so much chatter on

815
00:39:44,480 --> 00:39:47,400
Speaker 2: it on Instagram about about the washcloth conversation.

816
00:39:47,920 --> 00:39:49,799
Speaker 4: Well, that was a conversation. That was real deal.

817
00:39:49,840 --> 00:39:52,400
Speaker 2: Holy Field man, Johnny, did you do you use a washcloth?

818
00:39:52,440 --> 00:39:52,960
Speaker 2: In the shower.

819
00:39:53,000 --> 00:39:55,319
Speaker 3: We need to know if my wife wanted to make

820
00:39:55,360 --> 00:39:57,800
Speaker 3: sure that before we get into Johnny using the washcloth,

821
00:39:57,880 --> 00:40:00,920
Speaker 3: she wanted you guys all to know that you are

822
00:40:01,000 --> 00:40:05,000
Speaker 3: supposed to get rid of the washcloth after he shouts

823
00:40:05,000 --> 00:40:07,760
Speaker 3: it that one time, right period.

824
00:40:07,960 --> 00:40:11,919
Speaker 4: But you don't, I do what you don't?

825
00:40:12,160 --> 00:40:14,239
Speaker 2: You don't. Your wife was like, you better fucking tell

826
00:40:14,280 --> 00:40:17,759
Speaker 2: them we changed the wash cloth. There are too many

827
00:40:17,800 --> 00:40:20,839
Speaker 2: fucking people listening to this podcast. Donald, you better tell

828
00:40:20,920 --> 00:40:22,080
Speaker 2: them we change the wash cloth.

829
00:40:22,200 --> 00:40:24,759
Speaker 3: I'm telling you right, I'm telling you right now. He

830
00:40:24,960 --> 00:40:27,920
Speaker 3: changed the wash cloths. Baby, I told everybody.

831
00:40:28,000 --> 00:40:29,640
Speaker 2: See, I told everybody, Baby.

832
00:40:29,480 --> 00:40:31,719
Speaker 4: Takeing care of It's not like she listens to the

833
00:40:31,760 --> 00:40:32,320
Speaker 4: show anyway.

834
00:40:32,440 --> 00:40:34,239
Speaker 2: If you want, we can have Dan go back and

835
00:40:34,280 --> 00:40:37,600
Speaker 2: re edit that that sentence into the original wash cloth

836
00:40:37,680 --> 00:40:37,840
Speaker 2: to be.

837
00:40:39,640 --> 00:40:40,760
Speaker 1: Jesus was funny.

838
00:40:40,840 --> 00:40:42,360
Speaker 2: Well, I just want you to know that. You know,

839
00:40:42,520 --> 00:40:44,799
Speaker 2: in one in that episode, we were talking about both

840
00:40:45,120 --> 00:40:47,360
Speaker 2: what kind of merch we should have and the washcloth

841
00:40:47,440 --> 00:40:49,480
Speaker 2: to be And so now my whole Instagram feed was like,

842
00:40:49,520 --> 00:40:52,800
Speaker 2: how about merch that says team washcloth on a wash cloth?

843
00:40:57,239 --> 00:41:02,200
Speaker 3: I love it so some, he said, And now look, man,

844
00:41:02,320 --> 00:41:05,839
Speaker 3: if not look man, you know me, this is how

845
00:41:05,880 --> 00:41:10,080
Speaker 3: I am. But listen, I accumulate a lot of spit

846
00:41:10,160 --> 00:41:13,600
Speaker 3: in my mouth when I talk, so sometimes I might

847
00:41:14,160 --> 00:41:20,239
Speaker 3: when I'm talking. Listen, asshole, that's how I talk. All right,

848
00:41:20,800 --> 00:41:23,279
Speaker 3: accept it. I just did it again, And if you

849
00:41:23,360 --> 00:41:25,759
Speaker 3: got a problem with it, you can kiss my.

850
00:41:25,719 --> 00:41:26,640
Speaker 2: Ass all right?

851
00:41:28,200 --> 00:41:31,640
Speaker 1: Maybe just of course for avid listards begs the question

852
00:41:32,080 --> 00:41:36,239
Speaker 1: which instructor? Did Donald? Have no yes, because he just

853
00:41:36,280 --> 00:41:37,399
Speaker 1: went into aggressive guy.

854
00:41:37,440 --> 00:41:39,239
Speaker 2: You're right, Johnny, good call. You know.

855
00:41:40,120 --> 00:41:42,120
Speaker 3: I need to protect how I sound on this thing.

856
00:41:42,160 --> 00:41:43,960
Speaker 3: Everybody had a problem with me saying you know what

857
00:41:44,000 --> 00:41:46,640
Speaker 3: I mean. And now somebody's talking about the way I

858
00:41:46,680 --> 00:41:50,960
Speaker 3: slurp when I'm done the sentences, slur.

859
00:41:51,120 --> 00:41:53,759
Speaker 2: By the way, slurp by the way. You know they

860
00:41:53,800 --> 00:41:56,239
Speaker 2: have those fancy spit guards for the mic. We could

861
00:41:56,239 --> 00:41:58,000
Speaker 2: get you, right, Dan, we can. You know, there's like

862
00:41:58,040 --> 00:41:59,600
Speaker 2: a little circle that goes in front of the mic,

863
00:41:59,640 --> 00:42:01,400
Speaker 2: so you have to be spitting on the house.

864
00:42:01,440 --> 00:42:02,759
Speaker 4: I don't need to do any of it, all.

865
00:42:02,719 --> 00:42:04,680
Speaker 2: Right, Well, why don't you reach behind you and dab

866
00:42:04,719 --> 00:42:07,800
Speaker 2: your mouth with some sweatpants?

867
00:42:08,120 --> 00:42:11,000
Speaker 4: Fuck you?

868
00:42:11,760 --> 00:42:19,920
Speaker 2: Fuck you? Well anyway, it's just fun to see that

869
00:42:20,000 --> 00:42:22,600
Speaker 2: so many people are engaging, and we love to hear

870
00:42:22,640 --> 00:42:26,400
Speaker 2: from you, especially when it's debating things. We're debating here

871
00:42:26,440 --> 00:42:28,120
Speaker 2: because I love seeing people weigh in and be like,

872
00:42:28,160 --> 00:42:30,160
Speaker 2: I'm team washcloth and I'm from the South.

873
00:42:30,400 --> 00:42:32,839
Speaker 3: I was about to say, right right, Well, a lot

874
00:42:32,880 --> 00:42:35,239
Speaker 3: of white people that got on the on the thing

875
00:42:35,320 --> 00:42:38,839
Speaker 3: were like, yo, I do use a washcloth, but I

876
00:42:38,880 --> 00:42:39,680
Speaker 3: am from the South.

877
00:42:39,920 --> 00:42:42,640
Speaker 2: So and then some women won't be like Zach, you

878
00:42:42,680 --> 00:42:44,640
Speaker 2: can put a loofa between your cheeks, you just have

879
00:42:44,719 --> 00:42:47,000
Speaker 2: to make sure you wash it. They're washable, and I'm not.

880
00:42:47,040 --> 00:42:50,240
Speaker 2: I'm still not gonna put a scratchyof loof of between

881
00:42:50,239 --> 00:42:50,760
Speaker 2: my cheeks.

882
00:42:50,880 --> 00:42:54,080
Speaker 4: Johnny, are you team washcloth or team no washcloth?

883
00:42:54,800 --> 00:42:59,160
Speaker 1: It's funny. I use washcloths at hotels but not at home.

884
00:42:59,640 --> 00:43:01,640
Speaker 1: But at home both I just surf, I just I

885
00:43:01,760 --> 00:43:03,800
Speaker 1: just there's a shower I put in outside the building,

886
00:43:04,160 --> 00:43:06,319
Speaker 1: and I just shower out there. And so no, there's

887
00:43:06,320 --> 00:43:07,360
Speaker 1: no wash cloths up theah.

888
00:43:08,040 --> 00:43:10,960
Speaker 4: But in hotels you use the washcloths. You know what

889
00:43:11,160 --> 00:43:11,279
Speaker 4: he do?

890
00:43:11,680 --> 00:43:13,319
Speaker 2: You know why he does because he doesn't have to

891
00:43:13,320 --> 00:43:16,120
Speaker 2: worry about cleaning that fucking poo poo stain up.

892
00:43:18,000 --> 00:43:20,480
Speaker 4: That that also is a problem. For me, Zach, I'm

893
00:43:20,480 --> 00:43:22,120
Speaker 4: a problem with your poostain story.

894
00:43:22,239 --> 00:43:25,680
Speaker 2: Now why why dude, you're rehashing some shit right now? No,

895
00:43:25,719 --> 00:43:28,000
Speaker 2: pun intendent, do you have itchy all day?

896
00:43:28,080 --> 00:43:30,279
Speaker 4: Hold on, do you have itchy butt all the time?

897
00:43:31,000 --> 00:43:32,680
Speaker 2: No, you still don't understand what I'm saying.

898
00:43:32,719 --> 00:43:35,400
Speaker 4: There's no way, dude, I do understand what you're saying.

899
00:43:35,520 --> 00:43:37,840
Speaker 2: I don't have poo. If I were to swipe the

900
00:43:38,040 --> 00:43:41,600
Speaker 2: washcloth down the outside of my balloon knot, there'd be

901
00:43:41,640 --> 00:43:43,880
Speaker 2: no poo on it. But if I were to dig

902
00:43:44,520 --> 00:43:47,480
Speaker 2: a quarter inch, there'd be some remnants.

903
00:43:47,600 --> 00:43:49,640
Speaker 4: Why are you digging in your ass?

904
00:43:49,840 --> 00:43:52,160
Speaker 2: Because that's what I feel. The purpose of the wash

905
00:43:52,239 --> 00:43:55,719
Speaker 2: cloth is. I have a washcloth as my interface between

906
00:43:55,719 --> 00:43:58,000
Speaker 2: me and my rectum, and I can dig a little.

907
00:43:58,040 --> 00:44:01,200
Speaker 2: I can be aggressive, check my pro snate while I'm

908
00:44:01,200 --> 00:44:01,440
Speaker 2: in there.

909
00:44:01,800 --> 00:44:03,759
Speaker 1: Do you guys not have the magic toilet seat that

910
00:44:03,840 --> 00:44:04,720
Speaker 1: does the spray?

911
00:44:05,200 --> 00:44:06,080
Speaker 4: I wish I had.

912
00:44:06,520 --> 00:44:08,640
Speaker 2: I'm gonna get you one of those. It's a seat.

913
00:44:08,680 --> 00:44:10,160
Speaker 2: It's a seat. You put a seat.

914
00:44:10,200 --> 00:44:12,080
Speaker 1: It's not even a day. It's the most genius thing

915
00:44:12,080 --> 00:44:14,200
Speaker 1: on the planet. Yeah, we got him. We got them

916
00:44:14,200 --> 00:44:17,239
Speaker 1: at the Design Center. It's some invited event that yeah.

917
00:44:17,320 --> 00:44:19,239
Speaker 2: Yeah, it just blasts a little. It's like a it's

918
00:44:19,239 --> 00:44:20,799
Speaker 2: like a water pick for your anus.

919
00:44:21,640 --> 00:44:23,320
Speaker 1: It's the single greatest gift on the planet.

920
00:44:23,360 --> 00:44:25,280
Speaker 2: It's lovely. Donald. I'm gonna get you one for Honkah

921
00:44:25,680 --> 00:44:26,120
Speaker 2: can't wait.

922
00:44:26,280 --> 00:44:29,000
Speaker 1: Well, what you have to get him with with is

923
00:44:29,040 --> 00:44:32,160
Speaker 1: you also get a contractor to extend a water outlet

924
00:44:32,239 --> 00:44:33,080
Speaker 1: and electricity to.

925
00:44:33,080 --> 00:44:34,839
Speaker 2: Oh that's not coming with my honica. Well maybe that'll

926
00:44:34,880 --> 00:44:36,520
Speaker 2: be the second night. The first night will be the

927
00:44:36,520 --> 00:44:39,719
Speaker 2: water pick for your anus. Second night contractor.

928
00:44:45,480 --> 00:44:47,560
Speaker 1: Could we could we get back to Laverne?

929
00:44:48,280 --> 00:44:53,560
Speaker 2: Welcome back, Welcome back, Johnny, Johnny, Johnny. This is what happens.

930
00:44:54,200 --> 00:44:56,360
Speaker 2: I know, by the way, when you're into you guys,

931
00:44:56,400 --> 00:44:58,960
Speaker 2: when you're here, we can I love that Johnny's already

932
00:44:59,000 --> 00:45:01,200
Speaker 2: here being like, can we get to the episode? Which

933
00:45:01,239 --> 00:45:02,759
Speaker 2: is what I'm the one. I'm the one who's always

934
00:45:02,800 --> 00:45:03,320
Speaker 2: saying that.

935
00:45:03,239 --> 00:45:06,160
Speaker 3: We tried to digress several times, and Donnie's like, but

936
00:45:06,320 --> 00:45:08,520
Speaker 3: you know when yeah, six, So.

937
00:45:09,160 --> 00:45:12,200
Speaker 8: I wanted to do all right, let's I thought in

938
00:45:12,239 --> 00:45:16,640
Speaker 8: twelve fifty two, I thought Billy Billy likes to take

939
00:45:16,680 --> 00:45:18,120
Speaker 8: a swipe at Zachi every once in a while.

940
00:45:18,200 --> 00:45:22,719
Speaker 1: He always has run and he Laverne says, you think

941
00:45:22,760 --> 00:45:26,399
Speaker 1: so with those ears, and it's just and it's just.

942
00:45:26,800 --> 00:45:29,640
Speaker 2: Zackie goes up totally uncalled for, so fucked up. I

943
00:45:29,680 --> 00:45:31,640
Speaker 2: must have done something that week that he wanted to

944
00:45:31,680 --> 00:45:34,719
Speaker 2: take me down a notche for. I never really had

945
00:45:34,760 --> 00:45:37,160
Speaker 2: my ears this before. I mean, obviously, I have a

946
00:45:37,320 --> 00:45:40,960
Speaker 2: large nose, and I'm used, you know, anytime a caricature

947
00:45:41,040 --> 00:45:43,279
Speaker 2: artist would draw me, it would be like ninety five

948
00:45:43,320 --> 00:45:47,000
Speaker 2: percent nose, So I'm used to that. But I I

949
00:45:47,080 --> 00:45:50,400
Speaker 2: never really had my ears disc before before Nurse Roberts

950
00:45:50,440 --> 00:45:51,080
Speaker 2: went after them.

951
00:45:51,719 --> 00:45:54,400
Speaker 1: Yeah, she and she took She took no small amount

952
00:45:54,440 --> 00:45:55,759
Speaker 1: of pleasure in doing it too. No.

953
00:45:56,480 --> 00:45:58,680
Speaker 2: Red Dawn fifteen forty. I've never seen Red Dawn. I

954
00:45:58,680 --> 00:45:59,600
Speaker 2: don't know anything about her.

955
00:45:59,640 --> 00:46:01,960
Speaker 3: You fucking kidding me right now. You've never seen Red Dawn? No,

956
00:46:02,800 --> 00:46:04,640
Speaker 3: you did you audition John Lewis.

957
00:46:05,280 --> 00:46:06,200
Speaker 4: No, I didn't.

958
00:46:06,239 --> 00:46:08,080
Speaker 1: I wouldn't up to that speed yet.

959
00:46:08,480 --> 00:46:10,440
Speaker 3: Well there's a part in that. Well you're probably you're

960
00:46:10,480 --> 00:46:11,480
Speaker 3: probably way too young.

961
00:46:11,520 --> 00:46:14,000
Speaker 2: I have no idea what wolverines means. Please tell us.

962
00:46:14,080 --> 00:46:20,600
Speaker 3: Okay, So, uh, the Russians in Red Dawn, Yeah, attack America.

963
00:46:20,680 --> 00:46:23,600
Speaker 2: Yeah, Colorado, The trivia. Our trivia friend says there's a

964
00:46:23,640 --> 00:46:26,440
Speaker 2: mistake in the episode. One of you guys says, Michigan,

965
00:46:26,520 --> 00:46:27,760
Speaker 2: but it's actually Colorado.

966
00:46:27,840 --> 00:46:31,359
Speaker 3: Yeah, because the Michigan because the Michigan Michigan or the Wolverines.

967
00:46:31,400 --> 00:46:34,320
Speaker 3: The college team Michigan are the Wolverines. But it actually

968
00:46:34,360 --> 00:46:38,560
Speaker 3: takes place in Colorado. You're right, and they attack and kids,

969
00:46:38,600 --> 00:46:42,359
Speaker 3: students are the rebellion. They wind up being like all

970
00:46:42,400 --> 00:46:46,000
Speaker 3: the adults are gathered and put into concentration camps. And

971
00:46:46,400 --> 00:46:52,120
Speaker 3: Harry Dean Stanton, Yeah, see Thomas Howell, Charlie Sheen, does

972
00:46:52,120 --> 00:46:55,239
Speaker 3: it hold up? I mean they tried to. They tried

973
00:46:55,239 --> 00:46:57,680
Speaker 3: to remake it and stuff like that. The action is amazing.

974
00:46:58,120 --> 00:46:59,760
Speaker 3: Who's the the older brother?

975
00:47:00,040 --> 00:47:04,640
Speaker 4: Oh my gosh, Ghost Well, Patrick Patrick Crazy, Patrick swayze

976
00:47:05,000 --> 00:47:06,480
Speaker 4: Just so many people are in it.

977
00:47:06,640 --> 00:47:06,839
Speaker 1: Uh.

978
00:47:07,440 --> 00:47:09,359
Speaker 3: This is the first movie that Jennifer Gray and Patrick

979
00:47:09,400 --> 00:47:11,919
Speaker 3: swayzey did together. This is before Dirty Dancing.

980
00:47:12,200 --> 00:47:13,160
Speaker 1: And Lea Thompson.

981
00:47:13,239 --> 00:47:17,279
Speaker 4: Leah Thompson's in it. Also a lot of people went on.

982
00:47:17,239 --> 00:47:17,520
Speaker 1: To do.

983
00:47:19,080 --> 00:47:19,160
Speaker 6: It.

984
00:47:19,200 --> 00:47:22,800
Speaker 2: Makes me think of another before you explain that more taps.

985
00:47:22,800 --> 00:47:24,840
Speaker 2: We were talking about taps the other Do you guys remember.

986
00:47:24,600 --> 00:47:30,160
Speaker 1: That a lot of George Valley Forge Military Academy.

987
00:47:30,239 --> 00:47:32,680
Speaker 2: Yeah, and a lot of amazing actors. It was their

988
00:47:32,680 --> 00:47:36,600
Speaker 2: first big thing, Sawn Sean and Tom Cruise.

989
00:47:37,239 --> 00:47:37,839
Speaker 4: Yeah.

990
00:47:37,880 --> 00:47:39,480
Speaker 2: But anyway, go back to the plot of Loverne.

991
00:47:39,680 --> 00:47:42,879
Speaker 3: So the kids, the kids, and the and the school

992
00:47:43,040 --> 00:47:45,319
Speaker 3: that the kids they're all like on the football team

993
00:47:45,320 --> 00:47:47,759
Speaker 3: and stuff like that. And the football team of the

994
00:47:47,800 --> 00:47:51,359
Speaker 3: school is called the Wolverines. And so when they're when

995
00:47:51,360 --> 00:47:56,240
Speaker 3: they're in the fight with the Russians, their victory cry

996
00:47:56,800 --> 00:48:00,200
Speaker 3: is Wolverines. Their battle cry is Wolverines. Like you know,

997
00:48:00,280 --> 00:48:01,960
Speaker 3: g I Joe was Yo Joe.

998
00:48:02,480 --> 00:48:04,320
Speaker 4: Theirs was Wolverines.

999
00:48:05,239 --> 00:48:08,400
Speaker 2: Okay, got it. And in the world of Scrubs, Elliott

1000
00:48:08,400 --> 00:48:10,920
Speaker 2: knows this movie. I don't believe it, but I believe

1001
00:48:11,000 --> 00:48:13,320
Speaker 2: I believe. I believe Turk knows that.

1002
00:48:13,360 --> 00:48:15,240
Speaker 4: I don't believe that Turk would know it, so therefore

1003
00:48:15,360 --> 00:48:16,520
Speaker 4: j D would know it, right.

1004
00:48:16,600 --> 00:48:19,480
Speaker 2: But Elliott walks in like, oh, I forget the homework assignment,

1005
00:48:19,560 --> 00:48:20,560
Speaker 2: Let's watch Red Dawn.

1006
00:48:20,600 --> 00:48:22,560
Speaker 4: I'm like, come on, buddy, I'd love it.

1007
00:48:22,600 --> 00:48:25,879
Speaker 1: Yeah, but it's also great again. You guys both throw

1008
00:48:25,920 --> 00:48:28,080
Speaker 1: the gesture away and it's great when Zachie comes in

1009
00:48:28,120 --> 00:48:30,360
Speaker 1: and goes you know Wolverines, and he just throws it

1010
00:48:30,360 --> 00:48:32,080
Speaker 1: away and Sarah does too, and it's great.

1011
00:48:32,200 --> 00:48:34,760
Speaker 2: You know, when I was first watching this episode, before

1012
00:48:34,800 --> 00:48:36,399
Speaker 2: I got through it, I was like, what a dick

1013
00:48:36,560 --> 00:48:40,319
Speaker 2: Turk is for inviting my newly ex girlfriend over to

1014
00:48:40,440 --> 00:48:44,240
Speaker 2: do a homework as Simon at the fucking living room table.

1015
00:48:45,680 --> 00:48:46,240
Speaker 4: Be done.

1016
00:48:46,560 --> 00:48:50,279
Speaker 1: Yeah, But then he comes yeah, there's a great thing.

1017
00:48:50,560 --> 00:48:54,319
Speaker 1: Later on at ten forty five that Donald does this

1018
00:48:54,400 --> 00:48:56,959
Speaker 1: great thing where Sarah goes, you and I can still

1019
00:48:57,000 --> 00:48:59,960
Speaker 1: hang out and Donald goes, no, he's my best friend.

1020
00:49:00,520 --> 00:49:02,800
Speaker 1: Either you fix it or and then there's an ellipsis.

1021
00:49:03,440 --> 00:49:07,400
Speaker 1: And for all of us who have had divorced friends

1022
00:49:07,560 --> 00:49:10,920
Speaker 1: or friends who have broken up, it's the way Donald

1023
00:49:11,040 --> 00:49:14,359
Speaker 1: lays it out. You can't have both. It's just it's

1024
00:49:14,480 --> 00:49:17,600
Speaker 1: never you got to be friends with either or the wife.

1025
00:49:18,160 --> 00:49:20,240
Speaker 1: You can't have both. It doesn't work.

1026
00:49:20,360 --> 00:49:22,520
Speaker 2: People always choose a side, don't they.

1027
00:49:23,440 --> 00:49:26,279
Speaker 3: You have to, Yeah, yeah, there's no in between. You

1028
00:49:26,320 --> 00:49:28,719
Speaker 3: can't stay in between. You can't be like, she's my

1029
00:49:28,840 --> 00:49:30,600
Speaker 3: friend and you're my friend.

1030
00:49:30,760 --> 00:49:34,080
Speaker 2: Right right, I got it now now now when so

1031
00:49:34,480 --> 00:49:36,759
Speaker 2: we what we learned is that Turk did it in

1032
00:49:36,960 --> 00:49:42,240
Speaker 2: order to try and get them to be friends again, right, Well.

1033
00:49:42,360 --> 00:49:45,080
Speaker 1: I think his intentions are really good, but it's so raw.

1034
00:49:45,120 --> 00:49:47,400
Speaker 2: I mean, it's still so new, this breakup. You know,

1035
00:49:47,480 --> 00:49:48,560
Speaker 2: It's like, yeah, but.

1036
00:49:48,560 --> 00:49:50,960
Speaker 3: You guys are running to each running into each other.

1037
00:49:51,800 --> 00:49:54,280
Speaker 3: Elliott and j D are running into each other every

1038
00:49:54,400 --> 00:49:58,560
Speaker 3: day at work, and there's all of this animosity towards

1039
00:49:58,640 --> 00:49:59,040
Speaker 3: each other.

1040
00:49:59,280 --> 00:50:00,000
Speaker 1: It's how the show will.

1041
00:50:00,640 --> 00:50:03,080
Speaker 2: I felt sad about it, you know, I have to say,

1042
00:50:03,120 --> 00:50:06,720
Speaker 2: I guess I'm these old feelings of being so invested

1043
00:50:06,719 --> 00:50:09,080
Speaker 2: in these characters came up, and of course, I'm sure

1044
00:50:10,680 --> 00:50:12,800
Speaker 2: you know memories of times in my own life of

1045
00:50:13,400 --> 00:50:16,360
Speaker 2: this stage of a relationship, and I don't know, I

1046
00:50:16,400 --> 00:50:20,279
Speaker 2: was so invested that I genuinely was feeling sad for

1047
00:50:20,360 --> 00:50:23,160
Speaker 2: these two characters and how they clearly love each other

1048
00:50:23,200 --> 00:50:25,319
Speaker 2: so much, and as we learned in the series, they

1049
00:50:25,760 --> 00:50:29,200
Speaker 2: ultimately choose each other. But but oh, that awkwardness of

1050
00:50:29,560 --> 00:50:32,919
Speaker 2: of you know, of trying to be friends and having

1051
00:50:33,000 --> 00:50:36,000
Speaker 2: mutual friends and working together. I mean, what a nightmare.

1052
00:50:36,560 --> 00:50:38,480
Speaker 1: Yeah, but what you just said pays off in the

1053
00:50:38,520 --> 00:50:40,840
Speaker 1: final before you guys go up on the roof and

1054
00:50:40,840 --> 00:50:44,920
Speaker 1: throw watermelons. When you guys are on that cot, you're Zachi.

1055
00:50:45,120 --> 00:50:49,799
Speaker 1: Your truth is that it made you genuinely sad and

1056
00:50:51,080 --> 00:50:55,880
Speaker 1: it resonates. It absolutely jumps into the lens and it resonates,

1057
00:50:55,960 --> 00:50:57,400
Speaker 1: and it's so lovely.

1058
00:50:57,719 --> 00:50:58,879
Speaker 2: I think I had not so much.

1059
00:50:58,960 --> 00:51:03,120
Speaker 1: There's nothing demand constrative, there's nothing showy. It's just this

1060
00:51:03,160 --> 00:51:05,240
Speaker 1: guy sad and sad sucks. Sometimes.

1061
00:51:05,360 --> 00:51:07,880
Speaker 2: I think that was easy to play because it was real,

1062
00:51:08,120 --> 00:51:10,560
Speaker 2: and I think I had so much love for Sarah

1063
00:51:10,600 --> 00:51:14,640
Speaker 2: and I just you know, I could just play in

1064
00:51:14,680 --> 00:51:17,000
Speaker 2: my in my heart that we weren't going to be

1065
00:51:17,040 --> 00:51:19,440
Speaker 2: friends anymore, and it was just easy to tap into,

1066
00:51:19,520 --> 00:51:19,799
Speaker 2: you know.

1067
00:51:19,960 --> 00:51:23,680
Speaker 1: Right, it showed it was very good.

1068
00:51:24,160 --> 00:51:26,560
Speaker 3: I really you know, when in the beginning of the

1069
00:51:26,600 --> 00:51:30,880
Speaker 3: episode when he said when j D says, my teacher died,

1070
00:51:31,560 --> 00:51:33,000
Speaker 3: I was like, oh, this is this is going to

1071
00:51:33,040 --> 00:51:36,440
Speaker 3: be the problem of the episode. And then when you know, Johnny,

1072
00:51:36,440 --> 00:51:38,640
Speaker 3: when Cox goes into this rent, I was like, no,

1073
00:51:38,800 --> 00:51:41,239
Speaker 3: this is the problem of the episode. Then how you

1074
00:51:41,239 --> 00:51:43,520
Speaker 3: bring it full circle? It's always brought back to one

1075
00:51:43,640 --> 00:51:46,400
Speaker 3: right and with our show. So at the end of

1076
00:51:46,440 --> 00:51:49,000
Speaker 3: it all, you remind him, didn't you tell me about

1077
00:51:49,040 --> 00:51:52,120
Speaker 3: your teacher that you know just passed away? How are

1078
00:51:52,120 --> 00:51:55,000
Speaker 3: you going to deal with that, because I know you're

1079
00:51:55,040 --> 00:51:56,920
Speaker 3: trying to hide it. What did you do when? What

1080
00:51:57,000 --> 00:51:59,319
Speaker 3: did you do when you found out your teacher died?

1081
00:52:00,040 --> 00:52:03,040
Speaker 3: That's right, you made a joke. That shit stings inside

1082
00:52:03,200 --> 00:52:04,640
Speaker 3: and if you hold on to it, and if you

1083
00:52:04,640 --> 00:52:07,080
Speaker 3: don't have an outlet, you wind up doing what I did.

1084
00:52:07,480 --> 00:52:08,040
Speaker 4: You know what I mean.

1085
00:52:08,200 --> 00:52:10,520
Speaker 3: And there's not a bunch of people at this hospital

1086
00:52:10,560 --> 00:52:12,239
Speaker 3: that are going to protect you the way they protect me.

1087
00:52:12,560 --> 00:52:15,480
Speaker 3: That's that's the honest of goodness truth. Yeah, we'll get

1088
00:52:15,520 --> 00:52:17,120
Speaker 3: this shit out. You know, I was well said.

1089
00:52:17,200 --> 00:52:19,279
Speaker 2: I believe that too. I mean, I feel like I

1090
00:52:19,360 --> 00:52:23,320
Speaker 2: do that in life. I try and dissipate the emotion

1091
00:52:23,520 --> 00:52:26,440
Speaker 2: by making a joke and then you're all, you know,

1092
00:52:26,480 --> 00:52:28,759
Speaker 2: which is fine, it's a coping mechanism. But then you're

1093
00:52:29,000 --> 00:52:31,960
Speaker 2: you're letting that shit fester and build up. And then

1094
00:52:32,040 --> 00:52:35,160
Speaker 2: Johnny and Cox is saying, like, look what happens if

1095
00:52:35,160 --> 00:52:37,520
Speaker 2: you let it build for three hundred and sixty four days?

1096
00:52:37,680 --> 00:52:39,680
Speaker 2: You fucking destroy Franklin's lab.

1097
00:52:40,680 --> 00:52:43,560
Speaker 1: And I wrote, I wrote, I wrote in my notebook

1098
00:52:43,600 --> 00:52:47,640
Speaker 1: because I'd had about a twenty year, ongoing, twenty year

1099
00:52:48,360 --> 00:52:52,120
Speaker 1: art crush on a Welsh poet named Dylan Thomas, and

1100
00:52:52,360 --> 00:52:54,480
Speaker 1: I didn't have the spine to go down to the

1101
00:52:54,480 --> 00:52:57,399
Speaker 1: writer's room and ask Billy if I could put this in.

1102
00:52:57,440 --> 00:53:00,240
Speaker 1: But I did put it in the margins the poem

1103
00:53:00,239 --> 00:53:02,759
Speaker 1: that do not go gently into that good night rage,

1104
00:53:02,840 --> 00:53:05,799
Speaker 1: rage against the dying of the light. And that informs

1105
00:53:05,880 --> 00:53:09,439
Speaker 1: everything I'm telling Zachi in that scene, that you don't

1106
00:53:09,520 --> 00:53:13,360
Speaker 1: go gently into the good night rage, rage, rage against

1107
00:53:13,360 --> 00:53:15,360
Speaker 1: the dying of the light. Oah, I get a chill.

1108
00:53:15,400 --> 00:53:17,520
Speaker 1: And I wanted to say it to Zachie so bad,

1109
00:53:17,560 --> 00:53:20,399
Speaker 1: but it was a little too esoteric. And but it's

1110
00:53:20,520 --> 00:53:21,080
Speaker 1: underneath it.

1111
00:53:21,120 --> 00:53:23,759
Speaker 2: It needs it, John, because it was underneath your whole performance.

1112
00:53:24,320 --> 00:53:26,960
Speaker 1: It floats it. Yeah. And if you can get Dylan

1113
00:53:27,000 --> 00:53:31,120
Speaker 1: Thomas to float something underneath what you're doing again, you're

1114
00:53:31,120 --> 00:53:33,280
Speaker 1: not lying, You're telling your truth. Yeah.

1115
00:53:33,400 --> 00:53:37,320
Speaker 2: I really like that you do that, John, the putting,

1116
00:53:37,719 --> 00:53:41,879
Speaker 2: putting thoughts and inspiration in the margins and letting that

1117
00:53:42,080 --> 00:53:45,120
Speaker 2: sort of exist underneath the scene. I think that's really

1118
00:53:46,200 --> 00:53:47,640
Speaker 2: a smart technique.

1119
00:53:48,080 --> 00:53:51,560
Speaker 1: It's completely selfish and self serving. It helps me. I

1120
00:53:51,640 --> 00:53:54,520
Speaker 1: always find that if you can, since we're lying in

1121
00:53:54,520 --> 00:53:56,960
Speaker 1: front of the lens, everything most of it's a lie.

1122
00:53:57,360 --> 00:54:00,399
Speaker 1: In other words. I'm not doctor Cox, I'm not the guy.

1123
00:54:00,400 --> 00:54:03,719
Speaker 1: I'm not Sergeant O Neil in platoon. I'm not I'm

1124
00:54:03,719 --> 00:54:06,400
Speaker 1: not I'm some guy. I'm just the Irish jack yis.

1125
00:54:06,640 --> 00:54:10,799
Speaker 1: And if you can, yeah, if you can reduce, if

1126
00:54:10,840 --> 00:54:14,600
Speaker 1: you can reduce the frequency of the lie, whether it's

1127
00:54:14,640 --> 00:54:17,399
Speaker 1: Oliver putting this through two weeks of boot camp or

1128
00:54:17,600 --> 00:54:22,239
Speaker 1: or putting Dylan Thomas underneath underneath a particular beat that

1129
00:54:22,320 --> 00:54:25,439
Speaker 1: reduces the lie. And if you can reduce the lie

1130
00:54:25,480 --> 00:54:30,040
Speaker 1: to a certain frequency, then the lens doesn't suffer it

1131
00:54:30,040 --> 00:54:31,200
Speaker 1: as a lie quite as much.

1132
00:54:31,680 --> 00:54:33,719
Speaker 2: And I think, and I think genuinely this might be

1133
00:54:33,800 --> 00:54:37,600
Speaker 2: a non sequitor, but for me, genuinely listen. You know

1134
00:54:38,880 --> 00:54:41,840
Speaker 2: a lot of times actors will ask me for and

1135
00:54:41,880 --> 00:54:43,960
Speaker 2: I'm sure this you guys get this as well. Young

1136
00:54:44,000 --> 00:54:46,399
Speaker 2: actors ask you for advice or or and you try

1137
00:54:46,440 --> 00:54:48,480
Speaker 2: and think of like something's accinct you can say, because

1138
00:54:48,480 --> 00:54:51,680
Speaker 2: it's none of it's that easy. But when I do

1139
00:54:51,719 --> 00:54:54,320
Speaker 2: try and say, the most basic thing that I've learned

1140
00:54:54,760 --> 00:54:59,719
Speaker 2: is genuinely listening. If I'm if the camera's on me

1141
00:55:00,000 --> 00:55:03,239
Speaker 2: and Johnny C playing Cox is saying all these things

1142
00:55:03,239 --> 00:55:05,920
Speaker 2: to me, and I can genuinely listen. I'm not looking

1143
00:55:05,920 --> 00:55:08,080
Speaker 2: in my periphery at the camera. I'm not looking at

1144
00:55:08,360 --> 00:55:11,000
Speaker 2: the gel on the light that's about to fall. I'm

1145
00:55:11,000 --> 00:55:14,880
Speaker 2: not distracted by something. I'm genuinely listening. Then I can't

1146
00:55:14,920 --> 00:55:18,320
Speaker 2: help but react naturally as a human being would. And

1147
00:55:18,440 --> 00:55:21,040
Speaker 2: that's not easy to do it. You can only I

1148
00:55:21,360 --> 00:55:24,000
Speaker 2: find I could only do it in spurts, which hopefully

1149
00:55:24,000 --> 00:55:27,920
Speaker 2: those spurts can be edited together into something good. But

1150
00:55:28,120 --> 00:55:31,160
Speaker 2: that's the that's sort of my version of what you're saying,

1151
00:55:31,280 --> 00:55:35,800
Speaker 2: is being as present as you can and genuinely listening.

1152
00:55:35,760 --> 00:55:37,000
Speaker 1: Because you're telling the truth.

1153
00:55:37,200 --> 00:55:39,759
Speaker 2: Yeah, and then we react. I remember when I was

1154
00:55:39,800 --> 00:55:41,200
Speaker 2: I did this movie, The Last Kiss, and I was

1155
00:55:41,360 --> 00:55:43,480
Speaker 2: I had a scene with Tom Wilkinson, a wonderful actor,

1156
00:55:43,640 --> 00:55:45,680
Speaker 2: and it was one of those moments where this really

1157
00:55:45,680 --> 00:55:47,840
Speaker 2: worked for me. He was the cameras were kind of

1158
00:55:47,840 --> 00:55:50,040
Speaker 2: far back. I love that when when on the occasion

1159
00:55:50,040 --> 00:55:51,600
Speaker 2: when they can be sort of a little bit far

1160
00:55:51,640 --> 00:55:54,759
Speaker 2: away on longer lenses, and he's too and he was

1161
00:55:54,840 --> 00:55:58,320
Speaker 2: just on the porch and he's giving me a speech

1162
00:55:58,680 --> 00:56:02,520
Speaker 2: about his daughter, and I just remember being so present.

1163
00:56:02,560 --> 00:56:04,560
Speaker 2: I didn't see the cameras. I just saw this man

1164
00:56:05,120 --> 00:56:07,319
Speaker 2: talking to me and giving me advice about how to

1165
00:56:07,360 --> 00:56:11,560
Speaker 2: deal with my troubled relationship, and I just felt I

1166
00:56:11,640 --> 00:56:14,520
Speaker 2: was so in the moment that in Spurts, I was

1167
00:56:14,560 --> 00:56:17,360
Speaker 2: able to just forget that it wasn't real, you know

1168
00:56:17,400 --> 00:56:17,759
Speaker 2: what I mean?

1169
00:56:18,200 --> 00:56:19,319
Speaker 4: No, I totally know what you mean.

1170
00:56:19,360 --> 00:56:22,040
Speaker 3: When I did Gee's Tripping, I got stone with my

1171
00:56:22,080 --> 00:56:24,719
Speaker 3: boy Dion right before a scene.

1172
00:56:29,200 --> 00:56:30,800
Speaker 2: When I was in Homies Pomoni.

1173
00:56:33,600 --> 00:56:38,000
Speaker 3: Oh, and there was we were at a dance at

1174
00:56:38,200 --> 00:56:40,440
Speaker 3: a house party, and I was supposed to be dancing

1175
00:56:40,440 --> 00:56:42,640
Speaker 3: with this girl at the house party, and I was

1176
00:56:42,680 --> 00:56:45,680
Speaker 3: so stone that I forgot we were filming a damn movie.

1177
00:56:45,960 --> 00:56:49,080
Speaker 3: You think this is bullshit, But I remembered my direction was.

1178
00:56:49,160 --> 00:56:50,200
Speaker 2: I thought you were by the way, I just want

1179
00:56:50,200 --> 00:56:51,840
Speaker 2: to stop for a second. I thought you were kidding

1180
00:56:52,120 --> 00:56:54,200
Speaker 2: and it was hilarious, but you're serious. You got so

1181
00:56:54,280 --> 00:56:55,720
Speaker 2: high you forgot you were doing a movie.

1182
00:56:55,800 --> 00:56:58,000
Speaker 4: I forgot that we were making This is how.

1183
00:56:59,160 --> 00:56:59,960
Speaker 2: I gotta see this movie.

1184
00:57:00,080 --> 00:57:04,000
Speaker 3: Yeah, so we're in a scene and we're you know,

1185
00:57:04,040 --> 00:57:07,480
Speaker 3: it's a house party, and we're dancing, and I'm dancing

1186
00:57:07,520 --> 00:57:10,640
Speaker 3: with this girl, and I remembered my direction. My direction

1187
00:57:10,880 --> 00:57:14,280
Speaker 3: is tell her to come with you and you guys exit.

1188
00:57:14,719 --> 00:57:17,720
Speaker 3: So we're dancing and everything, and now I'm really fucking

1189
00:57:17,720 --> 00:57:19,880
Speaker 3: in it. I'm looking around at the boys and shit,

1190
00:57:22,200 --> 00:57:24,480
Speaker 3: oh you know what I mean. I'm waving to my

1191
00:57:24,560 --> 00:57:26,240
Speaker 3: boy you know what I mean in the movie and

1192
00:57:26,280 --> 00:57:29,680
Speaker 3: everything like that, and I remember Joe, oh, I'm supposed

1193
00:57:29,680 --> 00:57:32,120
Speaker 3: to tell us something. So I whispered in the ear like, yo,

1194
00:57:32,200 --> 00:57:35,120
Speaker 3: let's go to the other room. And she goes, okay,

1195
00:57:35,200 --> 00:57:38,400
Speaker 3: let's go. And so we're exiting, and as I'm walking out,

1196
00:57:38,480 --> 00:57:42,680
Speaker 3: I'm like, oh shit, I just pulled down. I'm just

1197
00:57:43,240 --> 00:57:45,560
Speaker 3: what I did, you know what I mean? And I'm

1198
00:57:45,600 --> 00:57:49,080
Speaker 3: looking at my boys like, yeah, look how I did it.

1199
00:57:49,440 --> 00:57:53,320
Speaker 3: And then they said cut and I was like, oh no,

1200
00:57:53,360 --> 00:57:55,360
Speaker 3: I didn't. I didn't, but you know, I didn't go

1201
00:57:55,440 --> 00:57:57,440
Speaker 3: like we were making a movie. But it was like cut.

1202
00:57:57,600 --> 00:57:59,080
Speaker 3: And we walked away and my boy was like.

1203
00:57:59,040 --> 00:58:01,240
Speaker 4: Yo, it really like you was taken out of the

1204
00:58:01,320 --> 00:58:01,840
Speaker 4: other room.

1205
00:58:03,880 --> 00:58:07,720
Speaker 2: Oh my god, that's so funny.

1206
00:58:07,760 --> 00:58:07,920
Speaker 1: Man.

1207
00:58:07,960 --> 00:58:08,880
Speaker 2: So that would get me.

1208
00:58:09,040 --> 00:58:11,400
Speaker 1: I would get hives if I ever found myself in

1209
00:58:11,400 --> 00:58:14,400
Speaker 1: that situation. I would I might worry too much.

1210
00:58:15,320 --> 00:58:18,920
Speaker 2: How often how often were you stoned while acting on

1211
00:58:19,000 --> 00:58:23,120
Speaker 2: Scrubs a percentage of the time.

1212
00:58:23,760 --> 00:58:25,000
Speaker 4: It's not It's not as high.

1213
00:58:25,000 --> 00:58:26,959
Speaker 2: I go to add it to the Scrubs Wiki.

1214
00:58:26,920 --> 00:58:29,640
Speaker 3: It's not as high as everybody, you know, as I

1215
00:58:29,760 --> 00:58:32,360
Speaker 3: made it out to be. But there were times where

1216
00:58:32,400 --> 00:58:36,240
Speaker 3: I came to work and I was like, fuck, I

1217
00:58:36,240 --> 00:58:38,640
Speaker 3: did it in the morning. By the end of the day,

1218
00:58:38,840 --> 00:58:40,240
Speaker 3: I'll be fine, dude.

1219
00:58:40,360 --> 00:58:41,960
Speaker 4: I was probably I had a problem.

1220
00:58:42,040 --> 00:58:44,000
Speaker 2: You know'll be funny if on the Scrubs Wiki with

1221
00:58:44,040 --> 00:58:47,000
Speaker 2: each episode it has a little section where it says

1222
00:58:47,040 --> 00:58:49,920
Speaker 2: how high Donald was during the filming of this episode.

1223
00:58:50,440 --> 00:58:52,040
Speaker 2: You know, it has like a it has like a

1224
00:58:52,080 --> 00:58:54,200
Speaker 2: red for very, there's like a there's like a there's

1225
00:58:54,200 --> 00:58:56,320
Speaker 2: like a color system, like how dangerous the water is

1226
00:58:56,320 --> 00:58:56,840
Speaker 2: at the beach.

1227
00:58:57,880 --> 00:59:00,720
Speaker 4: Those those days are over, though, Those days over. But

1228
00:59:00,800 --> 00:59:01,400
Speaker 4: I do remember.

1229
00:59:01,520 --> 00:59:04,640
Speaker 3: I remember thinking, you know, there's so many actors that

1230
00:59:04,680 --> 00:59:06,720
Speaker 3: are baked when they're working. And I'm sure there are

1231
00:59:06,760 --> 00:59:09,600
Speaker 3: there are, you know what I mean. But it really

1232
00:59:09,680 --> 00:59:10,320
Speaker 3: wasn't for me.

1233
00:59:10,600 --> 00:59:12,320
Speaker 1: Let me tell you something. I'm gonna get us back

1234
00:59:12,360 --> 00:59:15,320
Speaker 1: on track here at six Johnny Johnny.

1235
00:59:15,560 --> 00:59:18,080
Speaker 2: If Johnny was always on the show, we'd be much

1236
00:59:18,120 --> 00:59:18,760
Speaker 2: more on track.

1237
00:59:19,160 --> 00:59:21,400
Speaker 1: Let me tell you, let me tell you something. The

1238
00:59:21,440 --> 00:59:24,160
Speaker 1: todd shows up in eight oh six hilarious, and he

1239
00:59:24,240 --> 00:59:27,120
Speaker 1: comes up from behind the couch and it's kind of creepy.

1240
00:59:27,480 --> 00:59:31,000
Speaker 4: Yeah, it's a little crazy. The things he says to

1241
00:59:31,120 --> 00:59:31,760
Speaker 4: her are.

1242
00:59:31,680 --> 00:59:34,320
Speaker 1: Cey, it's a little creepy, I know.

1243
00:59:34,360 --> 00:59:36,040
Speaker 2: But I laughed out loud when he said.

1244
00:59:43,040 --> 00:59:45,200
Speaker 1: So, is it safe to assume Donald that at a

1245
00:59:45,400 --> 00:59:48,440
Speaker 1: fifty six, when you do a very graceful jump up

1246
00:59:48,520 --> 00:59:51,120
Speaker 1: onto the nurses station, that you are not, in fact

1247
00:59:51,200 --> 00:59:52,360
Speaker 1: wearing silk boxers.

1248
00:59:52,600 --> 00:59:54,600
Speaker 4: I am definitely not wearing silkboxers.

1249
00:59:55,000 --> 00:59:57,280
Speaker 1: Do you wear do you wear anything out of your scrubs?

1250
00:59:57,920 --> 00:59:59,800
Speaker 3: I did at the time because I was look, man,

1251
01:00:01,360 --> 01:00:05,760
Speaker 3: I got a leaky o ring and so loose gasket.

1252
01:00:06,000 --> 01:00:08,520
Speaker 3: Sometimes when you go to the bathroom and come back

1253
01:00:08,520 --> 01:00:10,840
Speaker 3: and you got a little pea spot, it's embarrassing.

1254
01:00:10,880 --> 01:00:13,320
Speaker 2: So I don't think that you could. I mean, I

1255
01:00:13,360 --> 01:00:15,520
Speaker 2: don't think that it would be appropriate for you to

1256
01:00:15,560 --> 01:00:20,400
Speaker 2: not have your your what your situation contained.

1257
01:00:20,840 --> 01:00:23,920
Speaker 3: I'm sure there were people that put on their scrubs

1258
01:00:24,440 --> 01:00:28,560
Speaker 3: at as Johnny's hand goes up, you.

1259
01:00:28,520 --> 01:00:29,760
Speaker 2: Free ball in your scrubs?

1260
01:00:30,440 --> 01:00:34,000
Speaker 1: Do One time in the Philippines, we were we were

1261
01:00:34,040 --> 01:00:36,720
Speaker 1: shooting a flick. And during boot camp I had to

1262
01:00:36,760 --> 01:00:40,040
Speaker 1: go through a river is called a blue, and so

1263
01:00:40,080 --> 01:00:41,560
Speaker 1: we had to go through a blue and hold our

1264
01:00:41,600 --> 01:00:44,680
Speaker 1: weapons above our heads and then we got out the

1265
01:00:44,680 --> 01:00:47,680
Speaker 1: other side. I took my fatigues off and I had

1266
01:00:47,680 --> 01:00:51,280
Speaker 1: about nine leeches right near my power source.

1267
01:00:51,520 --> 01:00:56,800
Speaker 8: And so I decided and then die wee that are

1268
01:00:57,080 --> 01:01:01,560
Speaker 8: our commandant told us that they like warm, wet places

1269
01:01:01,600 --> 01:01:03,400
Speaker 8: like under your arms and down in your crotch.

1270
01:01:03,680 --> 01:01:06,400
Speaker 1: And I haven't worn underwear since nineteen eighty six.

1271
01:01:06,600 --> 01:01:09,960
Speaker 4: Wow, And that's all it took. And that is all.

1272
01:01:10,840 --> 01:01:13,240
Speaker 1: You can't say, you can't preface it with that's all.

1273
01:01:13,560 --> 01:01:18,280
Speaker 1: That's what it took. Seven leeches, seven leeches near my

1274
01:01:18,600 --> 01:01:22,880
Speaker 1: near my power so horse, I'm not no chance, Lance,

1275
01:01:24,120 --> 01:01:24,560
Speaker 1: And how do.

1276
01:01:24,520 --> 01:01:26,240
Speaker 2: You pull them off? You just can't do you just

1277
01:01:26,320 --> 01:01:27,920
Speaker 2: can you just pull a leach off? I've never had

1278
01:01:27,960 --> 01:01:28,680
Speaker 2: a leech stock.

1279
01:01:28,600 --> 01:01:31,360
Speaker 1: Dale Dale came and he used like a cigarette butt

1280
01:01:31,520 --> 01:01:33,360
Speaker 1: and like he'd burn him and pull him at the

1281
01:01:33,360 --> 01:01:36,760
Speaker 1: same time. And it was very humiliating to take my

1282
01:01:37,200 --> 01:01:39,360
Speaker 1: you know, to have all twenty four guys looking at,

1283
01:01:39,680 --> 01:01:44,720
Speaker 1: you know, the Irish donkey with seven leeches. Wow, I'm

1284
01:01:44,760 --> 01:01:46,440
Speaker 1: not getting any leeches near my I guess.

1285
01:01:46,360 --> 01:01:48,480
Speaker 2: Jeans would be fine, but scrubs wouldn't work.

1286
01:01:48,680 --> 01:01:51,160
Speaker 4: No gross even ge oh man, I couldn't do it

1287
01:01:51,200 --> 01:01:53,600
Speaker 4: with my jeans. Too much chafing.

1288
01:01:53,800 --> 01:01:55,240
Speaker 2: All right, should we get back to the episode.

1289
01:01:55,320 --> 01:01:57,640
Speaker 1: Guys, are you boxers or tidy? What do you? Guys?

1290
01:01:58,000 --> 01:02:01,120
Speaker 4: I'm straight up boxers, dude. Whities can't happen.

1291
01:02:01,120 --> 01:02:03,120
Speaker 2: No, no, I don't do teddy whities. But they're not

1292
01:02:03,200 --> 01:02:07,320
Speaker 2: boxers like traditional boxers, minors sort of like clingy, tight

1293
01:02:07,520 --> 01:02:13,960
Speaker 2: soft boxers. Okay, their their stance. If if I highly

1294
01:02:14,000 --> 01:02:17,160
Speaker 2: recommend this brand s T A n C. They're not

1295
01:02:17,280 --> 01:02:18,640
Speaker 2: a paid sponsor, but I'm.

1296
01:02:18,560 --> 01:02:20,280
Speaker 4: Giving the stance like the socks.

1297
01:02:20,400 --> 01:02:22,720
Speaker 2: Yes, they make really fun socks. But they also make

1298
01:02:22,760 --> 01:02:25,560
Speaker 2: this like butter It's called like butter Undies.

1299
01:02:25,720 --> 01:02:27,640
Speaker 4: Butter Undies by stance.

1300
01:02:27,800 --> 01:02:30,240
Speaker 2: Yeah, there you go. There's a shout out for butter Undies.

1301
01:02:30,400 --> 01:02:33,520
Speaker 2: Send Donald an XXXL every stance, folks.

1302
01:02:33,760 --> 01:02:36,280
Speaker 4: I don't need an X. My waist isn't that big, dude?

1303
01:02:36,560 --> 01:02:36,760
Speaker 1: Oh?

1304
01:02:37,040 --> 01:02:37,880
Speaker 2: Quadru blecks.

1305
01:02:38,680 --> 01:02:39,160
Speaker 4: Wow.

1306
01:02:40,360 --> 01:02:42,280
Speaker 1: We got to get back to Kenny and Judy because

1307
01:02:42,280 --> 01:02:45,080
Speaker 1: we haven't given them their due. Because the song, the

1308
01:02:45,160 --> 01:02:48,360
Speaker 1: song He Turns Off is in fact the song that

1309
01:02:48,480 --> 01:02:51,400
Speaker 1: then Sammy and Judy sing together.

1310
01:02:51,160 --> 01:02:55,200
Speaker 2: Acapella beautifully, so pretty, so pretty.

1311
01:02:55,600 --> 01:02:58,760
Speaker 4: That's so tough to do. Also, I guess it.

1312
01:02:58,760 --> 01:03:00,919
Speaker 2: Was, you know, they must to practice a lot.

1313
01:03:00,960 --> 01:03:03,680
Speaker 3: They had to have practiced that because that's so like

1314
01:03:03,760 --> 01:03:09,000
Speaker 3: even the way lock the cadence and everything was on fire,

1315
01:03:09,360 --> 01:03:11,480
Speaker 3: you know what I mean. That had to They had.

1316
01:03:11,360 --> 01:03:14,240
Speaker 2: To remind everyone who's listening what the song was. It

1317
01:03:14,480 --> 01:03:17,560
Speaker 2: was talk Dirty to Me, Oh, talk Dirty to Me? Yeah,

1318
01:03:17,640 --> 01:03:18,240
Speaker 2: by poison.

1319
01:03:19,560 --> 01:03:24,280
Speaker 1: But they're not again, gosh, I'm beating a dead horse here,

1320
01:03:24,320 --> 01:03:27,800
Speaker 1: But the two of them are. They're not showing off,

1321
01:03:28,080 --> 01:03:30,320
Speaker 1: they're not putting it up on a bill They're not

1322
01:03:30,320 --> 01:03:32,919
Speaker 1: putting it up on a billboard. They're so great, they're

1323
01:03:32,960 --> 01:03:36,479
Speaker 1: so graceful, and they're not doing can you believe this shit?

1324
01:03:36,520 --> 01:03:39,400
Speaker 1: Because Sammy never does that and Judy is the master

1325
01:03:39,920 --> 01:03:42,480
Speaker 1: of just navigating her way through a scene, and the

1326
01:03:42,520 --> 01:03:45,880
Speaker 1: two of them together are so money and that thing

1327
01:03:45,960 --> 01:03:48,600
Speaker 1: is just so lovely. And then the same says I

1328
01:03:48,640 --> 01:03:49,080
Speaker 1: love you.

1329
01:03:49,880 --> 01:03:50,880
Speaker 2: I dropped.

1330
01:03:51,440 --> 01:03:54,120
Speaker 4: Yeah, so good.

1331
01:03:54,600 --> 01:03:57,600
Speaker 2: It really made me miss him me too. I had

1332
01:03:57,640 --> 01:04:00,200
Speaker 2: just one of those moments of going fucking hell on

1333
01:04:00,280 --> 01:04:03,240
Speaker 2: too soon. This guy is so funny and so talented,

1334
01:04:03,680 --> 01:04:08,280
Speaker 2: and I just wish more people got to know how

1335
01:04:08,280 --> 01:04:11,120
Speaker 2: talented he was. I mean, he was a successful, working actor,

1336
01:04:11,200 --> 01:04:13,920
Speaker 2: but I I you know, I watch him in this

1337
01:04:14,000 --> 01:04:15,760
Speaker 2: and I go, I just I wish everyone in the

1338
01:04:15,800 --> 01:04:17,080
Speaker 2: world knew how genius this guy.

1339
01:04:17,160 --> 01:04:20,080
Speaker 3: His abilities. Man, he's just had so many great abilities,

1340
01:04:20,240 --> 01:04:21,640
Speaker 3: you know what I mean? He could make you did

1341
01:04:21,640 --> 01:04:22,640
Speaker 3: you know problem?

1342
01:04:23,240 --> 01:04:26,920
Speaker 1: Did you guys at the end of the show actually

1343
01:04:26,960 --> 01:04:28,439
Speaker 1: get to throw things off the roof?

1344
01:04:28,680 --> 01:04:29,040
Speaker 2: Yeah?

1345
01:04:29,160 --> 01:04:31,320
Speaker 4: I don't remember I did any of that.

1346
01:04:31,280 --> 01:04:33,800
Speaker 1: Because I remember that being a kind of a nightmare with.

1347
01:04:34,040 --> 01:04:37,880
Speaker 3: It also dates the show with Letterman talking about let

1348
01:04:37,880 --> 01:04:39,200
Speaker 3: you want to throw stuff off the roof?

1349
01:04:39,280 --> 01:04:41,720
Speaker 4: Like Letterman. Yeah, it's like Letterman hasn't been on for

1350
01:04:41,760 --> 01:04:42,880
Speaker 4: what ten years now?

1351
01:04:43,800 --> 01:04:45,840
Speaker 2: Well, for those of you who are too young to

1352
01:04:46,120 --> 01:04:49,600
Speaker 2: or didn't ever watch Letterman, he would often throw large

1353
01:04:49,640 --> 01:04:51,880
Speaker 2: objects off the roof of the Ed Sullivan Theater.

1354
01:04:53,800 --> 01:04:56,240
Speaker 4: And was this before he moved to CBS.

1355
01:04:56,880 --> 01:04:58,640
Speaker 2: No, I think it was a bit he did for

1356
01:04:58,720 --> 01:05:00,920
Speaker 2: the whole his whole thing. I don't remember. Yeah, I

1357
01:05:00,960 --> 01:05:03,800
Speaker 2: don't remember, but but I think we did. I have

1358
01:05:03,840 --> 01:05:05,680
Speaker 2: a weird memory of feeling like it was kind of

1359
01:05:05,760 --> 01:05:08,080
Speaker 2: dangerous It's probably something they wouldn't let us do today,

1360
01:05:08,120 --> 01:05:10,680
Speaker 2: with all the with with the doubt, with the increase

1361
01:05:10,720 --> 01:05:14,400
Speaker 2: in set safety. Because the wall of that roof wasn't

1362
01:05:14,400 --> 01:05:19,480
Speaker 2: incredibly high and we were hurling watermelons over the side.

1363
01:05:21,160 --> 01:05:24,160
Speaker 2: I don't know that would be approved by by HR

1364
01:05:24,360 --> 01:05:25,480
Speaker 2: this at this day and age.

1365
01:05:25,720 --> 01:05:27,960
Speaker 3: By the way, my Bill cosby that that made me

1366
01:05:28,040 --> 01:05:29,880
Speaker 3: laugh out loud, and I.

1367
01:05:29,760 --> 01:05:31,320
Speaker 4: Think it made me laugh. I think it made me

1368
01:05:31,400 --> 01:05:33,280
Speaker 4: laugh because of how bad my bill.

1369
01:05:33,760 --> 01:05:36,080
Speaker 2: Yeah, it was like it was turned up to eleven.

1370
01:05:36,760 --> 01:05:38,960
Speaker 1: It was, it was turned up to eleven.

1371
01:05:40,440 --> 01:05:40,760
Speaker 4: I think.

1372
01:05:40,840 --> 01:05:45,240
Speaker 2: Yeah, it was almost like you were doing an impression

1373
01:05:46,080 --> 01:05:49,320
Speaker 2: of of Eddie Murphy, of Eddie Murphy doing his impression.

1374
01:05:50,920 --> 01:05:52,560
Speaker 2: Now why pudding. I didn't even that was such a

1375
01:05:52,600 --> 01:05:56,320
Speaker 2: non sequitor, like we put pudding in medical gloves.

1376
01:05:56,240 --> 01:05:57,560
Speaker 4: And then toss them off the roof.

1377
01:05:57,960 --> 01:06:00,960
Speaker 2: Yeah, and then you went into a I wonder if

1378
01:06:00,960 --> 01:06:02,320
Speaker 2: that was in the script. Do you think I was

1379
01:06:02,320 --> 01:06:03,600
Speaker 2: in the script or you just riff that.

1380
01:06:04,160 --> 01:06:06,160
Speaker 3: No, that was definitely in the script. We were putting

1381
01:06:06,200 --> 01:06:09,400
Speaker 3: off the roof. They definitely put it in the show.

1382
01:06:11,280 --> 01:06:13,480
Speaker 2: I would like to talk to you about it.

1383
01:06:13,800 --> 01:06:15,440
Speaker 4: Would like to talk to you.

1384
01:06:16,760 --> 01:06:19,200
Speaker 2: About some of the things you've been doing in your shop.

1385
01:06:19,240 --> 01:06:22,760
Speaker 3: About some of the things that you do and your

1386
01:06:22,760 --> 01:06:23,800
Speaker 3: shop now.

1387
01:06:25,040 --> 01:06:32,040
Speaker 1: And then and then and then Neil at the end saying, oh.

1388
01:06:30,520 --> 01:06:33,760
Speaker 2: Yeah, like the clocalypse now right, I think, uh, that

1389
01:06:33,920 --> 01:06:36,120
Speaker 2: was the I learned from Scrubs wiki that was the

1390
01:06:36,120 --> 01:06:40,960
Speaker 2: first time Neil's ever been alone in a scene.

1391
01:06:42,560 --> 01:06:45,320
Speaker 1: Really, Oh my goodness, Yeah, that's right.

1392
01:06:45,320 --> 01:06:46,640
Speaker 4: That's wicked. They really have.

1393
01:06:46,920 --> 01:06:49,600
Speaker 1: But he gets Billy. Billy puts him alone more and

1394
01:06:49,680 --> 01:06:53,040
Speaker 1: more as the when him building that squirrel thing in

1395
01:06:53,080 --> 01:06:56,720
Speaker 1: his garage, and I think that I think gets more

1396
01:06:56,760 --> 01:06:57,480
Speaker 1: and more alone.

1397
01:06:57,840 --> 01:07:01,280
Speaker 2: Yeah, And I think that this was a shift to Neil,

1398
01:07:01,440 --> 01:07:04,320
Speaker 2: like I think he entered the world of a regular

1399
01:07:04,400 --> 01:07:05,680
Speaker 2: cast member around here.

1400
01:07:06,040 --> 01:07:08,840
Speaker 3: And there is an episode where Neil's not going to

1401
01:07:08,880 --> 01:07:11,680
Speaker 3: be on this show in the first season, and that's

1402
01:07:11,680 --> 01:07:14,240
Speaker 3: how they got around him not being a regular. If

1403
01:07:14,240 --> 01:07:17,320
Speaker 3: I really, if I recall correctly, let's ask a Bill.

1404
01:07:17,400 --> 01:07:18,360
Speaker 3: We can ask Bill right now.

1405
01:07:18,440 --> 01:07:21,400
Speaker 2: That's a good ask Bill, Go ahead, Donald, ask Bill

1406
01:07:21,520 --> 01:07:22,960
Speaker 2: Bill coma.

1407
01:07:23,120 --> 01:07:26,480
Speaker 3: If my memory serves me correctly, isn't there an episode

1408
01:07:26,560 --> 01:07:27,960
Speaker 3: where there's no janitor?

1409
01:07:28,320 --> 01:07:33,320
Speaker 2: And if so, was that related to tiptoeing around his contract?

1410
01:07:33,560 --> 01:07:35,680
Speaker 2: Because he would have had to have been a regular

1411
01:07:35,720 --> 01:07:38,920
Speaker 2: of some sort. Do not say five six seven eight?

1412
01:07:39,000 --> 01:07:41,360
Speaker 4: Bill Well shut it down.

1413
01:07:41,760 --> 01:07:43,760
Speaker 7: Neil Flynn did not have to test for the part

1414
01:07:43,800 --> 01:07:48,320
Speaker 7: of the janitor, so he was not listed as a regular.

1415
01:07:48,400 --> 01:07:49,680
Speaker 7: You know, I just cast him as a guest star

1416
01:07:49,720 --> 01:07:51,240
Speaker 7: in the pilot with the intention of putting him in

1417
01:07:51,240 --> 01:07:53,720
Speaker 7: every episode, And then we did put him in every

1418
01:07:53,760 --> 01:07:57,600
Speaker 7: episode as a recur guy, and at the very end

1419
01:07:57,760 --> 01:07:59,920
Speaker 7: made him. You know, I was able to convince that

1420
01:08:00,080 --> 01:08:01,680
Speaker 7: Networks they liked him a lot, that we needed to

1421
01:08:01,680 --> 01:08:04,720
Speaker 7: pay to make him a regular the second year. Originally

1422
01:08:05,840 --> 01:08:10,080
Speaker 7: they only wanted him in a maximum of four episodes,

1423
01:08:10,440 --> 01:08:12,080
Speaker 7: but I was like four, you gotta have him in, like.

1424
01:08:12,040 --> 01:08:17,920
Speaker 2: Five six seven eight. Stop it, Dan off this fucking guy.

1425
01:08:18,560 --> 01:08:19,320
Speaker 4: Let's take a break.

1426
01:08:19,360 --> 01:08:20,559
Speaker 2: We'll be right back after.

1427
01:08:20,400 --> 01:08:31,679
Speaker 9: These fine words. High high, Hi, We're back in. Hello,

1428
01:08:32,840 --> 01:08:36,280
Speaker 9: back quick, after a quick pe break, We're back.

1429
01:08:36,640 --> 01:08:38,000
Speaker 2: Joel introduced us.

1430
01:08:38,200 --> 01:08:39,120
Speaker 4: It's Jeremy.

1431
01:08:39,280 --> 01:08:42,479
Speaker 10: Lee nailed it.

1432
01:08:42,920 --> 01:08:45,840
Speaker 2: There's our Jeremy. You got the Oprah introduction. It's a

1433
01:08:45,880 --> 01:08:47,960
Speaker 2: it's a sacred right that only Jeremy.

1434
01:08:48,040 --> 01:08:50,200
Speaker 4: Are you in an office?

1435
01:08:50,479 --> 01:08:52,000
Speaker 10: I'm in my home office right now.

1436
01:08:52,080 --> 01:08:55,960
Speaker 4: Yeah, Well, Jeremy it's like office baby.

1437
01:08:56,479 --> 01:08:58,679
Speaker 2: Okay, Oprah, can you chill for two seconds?

1438
01:08:58,760 --> 01:08:59,720
Speaker 4: Jeremy will do that.

1439
01:09:01,320 --> 01:09:02,920
Speaker 2: My God, do you get a car? You get a car?

1440
01:09:03,040 --> 01:09:06,320
Speaker 2: You get a car. Jeremy tell us you have a

1441
01:09:06,400 --> 01:09:09,920
Speaker 2: special special day to be on the podcast because the legendary,

1442
01:09:10,000 --> 01:09:13,400
Speaker 2: the living legend, Johnny c McGinley has joined us. So,

1443
01:09:13,840 --> 01:09:15,960
Speaker 2: who do you have a question for three of the

1444
01:09:16,000 --> 01:09:18,480
Speaker 2: cast members of the TV show Scrubs.

1445
01:09:18,720 --> 01:09:20,960
Speaker 11: I do have a question with if I don't mind,

1446
01:09:21,000 --> 01:09:24,160
Speaker 11: just a quick background, I work with children with autism,

1447
01:09:24,720 --> 01:09:29,599
Speaker 11: and so we actually did research at my wonderful company

1448
01:09:29,600 --> 01:09:33,880
Speaker 11: and nonprofit Autism Partnership Foundation to research if we could

1449
01:09:34,000 --> 01:09:37,320
Speaker 11: change a kid with autism to like social things, not

1450
01:09:37,360 --> 01:09:40,840
Speaker 11: just toys or food. And so we actually stole from

1451
01:09:40,960 --> 01:09:44,680
Speaker 11: an episode that you guys did and got children to

1452
01:09:44,720 --> 01:09:47,160
Speaker 11: actually enjoy the social aspect of that instead of their

1453
01:09:47,200 --> 01:09:50,240
Speaker 11: favorite toy. So I guess my first question is Wow. Yeah,

1454
01:09:50,280 --> 01:09:52,720
Speaker 11: and it's published in a journal so you can look

1455
01:09:52,760 --> 01:09:52,920
Speaker 11: at it.

1456
01:09:53,000 --> 01:09:53,920
Speaker 1: Hungry chicken at all.

1457
01:09:54,280 --> 01:09:55,800
Speaker 2: That's incredible. Good for you.

1458
01:09:56,240 --> 01:09:58,720
Speaker 11: I guess the first question is who came up with

1459
01:09:58,720 --> 01:10:00,599
Speaker 11: the hungry chicken? Because we use it all the time.

1460
01:10:01,840 --> 01:10:02,479
Speaker 4: Wow, I don't know.

1461
01:10:02,520 --> 01:10:04,760
Speaker 3: I think that's Bill Lawrence that came up with one

1462
01:10:04,760 --> 01:10:06,240
Speaker 3: of the writers, right am I?

1463
01:10:06,320 --> 01:10:08,800
Speaker 1: Right? Guys, Oh god, if you if you throw this

1464
01:10:08,880 --> 01:10:10,080
Speaker 1: to Billy, he's going to do a five.

1465
01:10:10,320 --> 01:10:12,320
Speaker 2: Now, you know, we got to limit him. We got

1466
01:10:12,360 --> 01:10:15,040
Speaker 2: to limit him. He doesn't get too many. That is

1467
01:10:15,040 --> 01:10:18,120
Speaker 2: a good question. I have no idea. I think it

1468
01:10:18,240 --> 01:10:20,800
Speaker 2: must have been one of the writers. I don't know.

1469
01:10:21,160 --> 01:10:22,360
Speaker 4: Yeah, we gotta throw it to Bill.

1470
01:10:22,960 --> 01:10:26,400
Speaker 2: So wait, just explain a little bit more. The children

1471
01:10:26,400 --> 01:10:29,080
Speaker 2: who have autism, you say they would they would rather

1472
01:10:29,160 --> 01:10:31,519
Speaker 2: interact with a toy, and you use this to give

1473
01:10:31,520 --> 01:10:33,839
Speaker 2: them a way to interact without having a toy involved.

1474
01:10:34,200 --> 01:10:36,439
Speaker 11: We both think like children thought to them only like

1475
01:10:36,560 --> 01:10:38,320
Speaker 11: toys or only want food, and they only use that

1476
01:10:38,360 --> 01:10:39,160
Speaker 11: to motivate them.

1477
01:10:39,400 --> 01:10:41,320
Speaker 10: But we know we can motivate them.

1478
01:10:41,160 --> 01:10:43,920
Speaker 11: Socially too, because they need to be social and it's

1479
01:10:43,920 --> 01:10:47,080
Speaker 11: a social disorder. So we would take the hungry chicken

1480
01:10:47,120 --> 01:10:49,680
Speaker 11: and we would have do it with a friend of

1481
01:10:49,720 --> 01:10:52,400
Speaker 11: theirs and then see if after we did it with

1482
01:10:52,439 --> 01:10:54,120
Speaker 11: them they would pick that or.

1483
01:10:54,240 --> 01:10:55,599
Speaker 10: Favorite or their favorite toy.

1484
01:10:56,160 --> 01:10:59,080
Speaker 11: And so we were able to show like by really

1485
01:10:59,080 --> 01:11:01,080
Speaker 11: selling it and really and a lot of hungry chicken

1486
01:11:01,640 --> 01:11:05,360
Speaker 11: that they would pick a social motivator instead of like

1487
01:11:05,479 --> 01:11:06,840
Speaker 11: food or M and MS, which is.

1488
01:11:09,120 --> 01:11:11,439
Speaker 2: That's amazing. Well, now, I really wish I could take

1489
01:11:11,479 --> 01:11:16,320
Speaker 2: credit for inventing that, because that's a very inspiring story. Wow,

1490
01:11:16,360 --> 01:11:17,679
Speaker 2: do you have another question for us?

1491
01:11:17,960 --> 01:11:18,760
Speaker 10: Yeah, I guess I do.

1492
01:11:19,360 --> 01:11:19,519
Speaker 1: So.

1493
01:11:20,479 --> 01:11:22,599
Speaker 11: You've talked a little bit about the music on the show,

1494
01:11:23,160 --> 01:11:25,519
Speaker 11: and I just think the music on the show is great.

1495
01:11:25,560 --> 01:11:29,280
Speaker 11: And Zach just to say, I think the Garden State

1496
01:11:29,320 --> 01:11:30,960
Speaker 11: soundtrack is one of the best soundtracks ever.

1497
01:11:31,120 --> 01:11:31,439
Speaker 2: Thank you.

1498
01:11:31,560 --> 01:11:34,639
Speaker 4: It's a mixtape. Hold on, it's a mix tape.

1499
01:11:34,680 --> 01:11:36,800
Speaker 2: It's a mixtape. I want a Grammy for moment.

1500
01:11:36,840 --> 01:11:39,599
Speaker 4: Yeah, but you yeah, you want to mix tape Grammy.

1501
01:11:39,720 --> 01:11:41,960
Speaker 2: You want to mix Well, I didn't even know they

1502
01:11:41,960 --> 01:11:44,040
Speaker 2: had a mixtape Grammy, but it turns out they do.

1503
01:11:44,360 --> 01:11:47,240
Speaker 2: And you won that ship I did, I did. You've

1504
01:11:47,240 --> 01:11:47,680
Speaker 2: held it.

1505
01:11:48,439 --> 01:11:48,680
Speaker 6: I have.

1506
01:11:51,880 --> 01:11:55,920
Speaker 2: I got, I got the I got the I got

1507
01:11:55,960 --> 01:11:59,840
Speaker 2: the fucking first award in my egot. I didn't think

1508
01:11:59,840 --> 01:12:01,240
Speaker 2: it was going to be my first. I thought it

1509
01:12:01,280 --> 01:12:02,080
Speaker 2: might be my last.

1510
01:12:04,000 --> 01:12:04,200
Speaker 4: Right.

1511
01:12:04,400 --> 01:12:07,519
Speaker 3: If you get when you get the E got, you

1512
01:12:07,640 --> 01:12:09,400
Speaker 3: already got the Grammy, right.

1513
01:12:09,400 --> 01:12:10,400
Speaker 2: I thought I was gonna have to do like a

1514
01:12:10,400 --> 01:12:10,840
Speaker 2: book on.

1515
01:12:10,840 --> 01:12:17,120
Speaker 3: Tape, Jeremy, do you know what at is? I?

1516
01:12:17,200 --> 01:12:19,680
Speaker 10: Of course I mean Grammy Oscar Tony.

1517
01:12:19,600 --> 01:12:22,759
Speaker 2: Yes, sir y yes, but thank you, thank you, Jeremy.

1518
01:12:23,200 --> 01:12:26,080
Speaker 2: I I donald ruined my my praise from you, and

1519
01:12:26,120 --> 01:12:27,000
Speaker 2: I want to thank you.

1520
01:12:27,240 --> 01:12:27,360
Speaker 1: Uh.

1521
01:12:27,520 --> 01:12:31,200
Speaker 2: It was it was shocking to everyone involved that that

1522
01:12:31,439 --> 01:12:33,800
Speaker 2: soundtrack was so successful, but I really appreciate it.

1523
01:12:33,560 --> 01:12:35,040
Speaker 4: It really is a good soundtrack.

1524
01:12:35,080 --> 01:12:35,240
Speaker 1: Though.

1525
01:12:36,000 --> 01:12:37,760
Speaker 11: Do you guys just like already have a song in

1526
01:12:37,800 --> 01:12:40,600
Speaker 11: mind you know when that episode comes, or do you

1527
01:12:41,040 --> 01:12:43,080
Speaker 11: listen to a song and you know, oh, that'll be

1528
01:12:43,120 --> 01:12:45,639
Speaker 11: a great song to add to a soundtrack one day.

1529
01:12:46,000 --> 01:12:49,799
Speaker 2: I think what happens is there There were some writers

1530
01:12:49,800 --> 01:12:53,880
Speaker 2: that were involved. There was of course Christa Miller who

1531
01:12:54,120 --> 01:12:57,040
Speaker 2: plays Jordan and is Bill's wife, and she's very very

1532
01:12:57,040 --> 01:12:59,360
Speaker 2: into it and very good at it, and Bill and

1533
01:12:59,400 --> 01:13:01,320
Speaker 2: then the ended, and then I think what happens is

1534
01:13:01,360 --> 01:13:02,559
Speaker 2: you sort of this is the way I do it

1535
01:13:02,560 --> 01:13:04,800
Speaker 2: for my films as well. You sort of build a

1536
01:13:04,840 --> 01:13:08,240
Speaker 2: big ass playlist of potential songs. You feel like, oh,

1537
01:13:08,280 --> 01:13:10,760
Speaker 2: these would be great for a montage, or oh, this

1538
01:13:10,800 --> 01:13:13,800
Speaker 2: is a really moving song for somewhere you don't really know,

1539
01:13:14,360 --> 01:13:16,000
Speaker 2: and then when you get in the edit, you start

1540
01:13:16,040 --> 01:13:18,880
Speaker 2: to go, let's try that song, and then you see

1541
01:13:18,960 --> 01:13:23,080
Speaker 2: and I always jokingly have a goosebump detector. You can

1542
01:13:23,120 --> 01:13:27,000
Speaker 2: listen to twenty five songs and they're like, Okay, that's okay,

1543
01:13:27,080 --> 01:13:28,760
Speaker 2: and then all of a sudden you watch it and

1544
01:13:28,800 --> 01:13:30,760
Speaker 2: you just get goosebumps up and down your arm and

1545
01:13:30,760 --> 01:13:35,320
Speaker 2: you go, Okay, well, that's obviously a contender. And that's

1546
01:13:35,439 --> 01:13:37,240
Speaker 2: a lot of trial and error, a lot of trial

1547
01:13:37,240 --> 01:13:40,479
Speaker 2: and error. And these days it's even harder because so

1548
01:13:40,600 --> 01:13:42,720
Speaker 2: many people are doing it that when I made my

1549
01:13:42,720 --> 01:13:45,960
Speaker 2: film Wish I was here, we would try it and

1550
01:13:46,000 --> 01:13:47,599
Speaker 2: we'd fall in love with the song, and then we'd

1551
01:13:47,640 --> 01:13:49,080
Speaker 2: look up online. I was like, oh no, it's been

1552
01:13:49,160 --> 01:13:51,000
Speaker 2: used in Gray's Anatomy, It's been used on this It's

1553
01:13:51,000 --> 01:13:54,200
Speaker 2: been used in this movie. So it's even harder now

1554
01:13:54,240 --> 01:13:56,679
Speaker 2: because you got to find music that hasn't been done

1555
01:13:56,680 --> 01:14:01,120
Speaker 2: to death in being used with film. Wow.

1556
01:14:01,520 --> 01:14:04,200
Speaker 1: I think a really a really good example that is

1557
01:14:04,320 --> 01:14:08,640
Speaker 1: Joshi is your friend Joshi and the different music he

1558
01:14:08,680 --> 01:14:11,840
Speaker 1: brought to the show Zechi was just astonishing.

1559
01:14:12,080 --> 01:14:15,840
Speaker 2: Yeah, Joshua Raydon was a a is an artist that

1560
01:14:15,880 --> 01:14:18,560
Speaker 2: we love a lot. And Johnny I don't even know

1561
01:14:18,560 --> 01:14:21,200
Speaker 2: if you know this trivia that his song Winter, which

1562
01:14:21,240 --> 01:14:24,280
Speaker 2: is in that famous episode where we where we lose

1563
01:14:24,320 --> 01:14:26,719
Speaker 2: Brendan Fraser, was the first song you'd ever written.

1564
01:14:28,479 --> 01:14:31,960
Speaker 4: Yeah, wow, thank you. He wasn't the one hit wonder dude.

1565
01:14:32,000 --> 01:14:34,880
Speaker 2: Well this many years yeah, this many years later.

1566
01:14:34,960 --> 01:14:37,679
Speaker 10: I loved his cover on Alex inc That first episode.

1567
01:14:38,040 --> 01:14:40,559
Speaker 2: Just oh of Bob Dylan, Thank you. You're you're the

1568
01:14:40,760 --> 01:14:42,960
Speaker 2: so you're the guy that was watching Alex Sink. Thank

1569
01:14:43,000 --> 01:14:43,679
Speaker 2: you so much.

1570
01:14:44,080 --> 01:14:46,320
Speaker 11: My wife and I who's really sad she couldn't be here,

1571
01:14:46,320 --> 01:14:48,920
Speaker 11: but she's actually a second year resident, so she's off

1572
01:14:48,920 --> 01:14:49,679
Speaker 11: at the hospital.

1573
01:14:49,800 --> 01:14:53,880
Speaker 2: Oh wow, yeah, well, thank you, and thank you for

1574
01:14:53,920 --> 01:14:57,519
Speaker 2: being such a fan of of all things Scrubs and

1575
01:14:57,720 --> 01:14:59,439
Speaker 2: Alex Sink and Garden State.

1576
01:14:59,520 --> 01:15:02,879
Speaker 10: I really shit that and all you guys guys are amazing.

1577
01:15:03,120 --> 01:15:05,759
Speaker 4: Man, you don't even know my name. That was Jeremy.

1578
01:15:08,160 --> 01:15:08,240
Speaker 1: No.

1579
01:15:08,360 --> 01:15:11,280
Speaker 11: We were just watching Can't Hardly Wait. My wife is

1580
01:15:11,479 --> 01:15:15,160
Speaker 11: not from America. We were watching Can't Hardly Wait, and

1581
01:15:15,600 --> 01:15:17,000
Speaker 11: I forgot you were in it.

1582
01:15:17,320 --> 01:15:19,639
Speaker 4: Oh my gosh, that's the best way to That's great,

1583
01:15:19,720 --> 01:15:22,559
Speaker 4: that's great. It was right, it was going right. And

1584
01:15:22,600 --> 01:15:23,559
Speaker 4: then he's.

1585
01:15:23,439 --> 01:15:25,800
Speaker 2: Like He's like. I turned to my wife and I

1586
01:15:25,840 --> 01:15:27,720
Speaker 2: was like, did you remember that Tay Diggs is in

1587
01:15:27,800 --> 01:15:28,280
Speaker 2: this movie?

1588
01:15:33,960 --> 01:15:35,439
Speaker 4: All right, Jeremy give it up.

1589
01:15:35,439 --> 01:15:38,960
Speaker 3: Thundrous applause Dan for Jeremy.

1590
01:15:39,040 --> 01:15:42,200
Speaker 2: Jeremy, stay safe and keep doing the beautiful work you're

1591
01:15:42,240 --> 01:15:44,639
Speaker 2: doing with with autistic children. And thank you so much

1592
01:15:44,680 --> 01:15:45,879
Speaker 2: for the kind words.

1593
01:15:45,960 --> 01:15:47,680
Speaker 10: Oh, thank you so much for having me. Hey, we

1594
01:15:47,760 --> 01:15:48,439
Speaker 10: appreciate it.

1595
01:15:48,600 --> 01:15:51,839
Speaker 2: Thanks, buddy. Well, guys, I think we did it. We've

1596
01:15:51,880 --> 01:15:54,120
Speaker 2: gone it. We've gone a long. The people seem to

1597
01:15:54,120 --> 01:15:55,760
Speaker 2: love it. Whenever I say I've gotten a lot of

1598
01:15:55,840 --> 01:15:58,880
Speaker 2: chatter on my Insta saying stop, saying you've gone too long.

1599
01:15:58,960 --> 01:16:01,600
Speaker 2: We don't want you, guys to stop, but we want to.

1600
01:16:01,800 --> 01:16:03,479
Speaker 2: You know, I had a great acting teacher. He used

1601
01:16:03,479 --> 01:16:06,280
Speaker 2: to say, give him ten minutes less than they want.

1602
01:16:06,600 --> 01:16:09,120
Speaker 4: Was this great acting teacher that you have ever on Scrubs?

1603
01:16:09,479 --> 01:16:11,000
Speaker 2: Yes? By the way, did you know that?

1604
01:16:11,880 --> 01:16:12,200
Speaker 4: Dude?

1605
01:16:12,320 --> 01:16:14,320
Speaker 2: Come on, man, I thought you may have forgotten with

1606
01:16:14,360 --> 01:16:15,080
Speaker 2: your stoner break.

1607
01:16:15,120 --> 01:16:17,000
Speaker 1: Who did who did? Who was your acting teacher?

1608
01:16:17,040 --> 01:16:19,000
Speaker 4: And who did I had?

1609
01:16:19,040 --> 01:16:22,759
Speaker 3: I had the privilege to work with Zach's acting teacher

1610
01:16:22,760 --> 01:16:24,000
Speaker 3: though David Downs.

1611
01:16:24,520 --> 01:16:26,120
Speaker 4: David Downs I work.

1612
01:16:26,080 --> 01:16:27,160
Speaker 1: And who did David play.

1613
01:16:27,680 --> 01:16:31,720
Speaker 3: He played the one whose kid was in a coma

1614
01:16:31,840 --> 01:16:35,240
Speaker 3: or broke his Uh, I don't, I don't remember.

1615
01:16:35,439 --> 01:16:38,800
Speaker 2: I directed the episode. Was this wasn't the epic Heather

1616
01:16:38,880 --> 01:16:39,400
Speaker 2: Graham one?

1617
01:16:39,520 --> 01:16:39,640
Speaker 1: Was it?

1618
01:16:40,000 --> 01:16:40,639
Speaker 4: No, it wasn't.

1619
01:16:40,680 --> 01:16:43,040
Speaker 3: It was like he broke his son, either broke his

1620
01:16:43,200 --> 01:16:46,960
Speaker 3: back or I I forget what it was. But you know,

1621
01:16:47,040 --> 01:16:50,000
Speaker 3: he asked me to be honest with him, right, and

1622
01:16:50,080 --> 01:16:53,559
Speaker 3: he was like his one line. I remember the part

1623
01:16:53,560 --> 01:16:55,760
Speaker 3: of the interaction we had. He said to me, do

1624
01:16:55,840 --> 01:16:58,639
Speaker 3: you shave your head because it's cool or because you're bold?

1625
01:16:58,680 --> 01:17:04,040
Speaker 2: And I go, yeah, it was a really good episode.

1626
01:17:04,680 --> 01:17:06,679
Speaker 2: We'll have to figure out what it was. But yeah,

1627
01:17:06,760 --> 01:17:10,920
Speaker 2: David Downs was my acting teacher at Northwestern and also

1628
01:17:11,000 --> 01:17:14,280
Speaker 2: a beautiful actor, and so I had him do a

1629
01:17:14,280 --> 01:17:16,040
Speaker 2: guest star on Scrubs.

1630
01:17:16,280 --> 01:17:18,639
Speaker 1: Yes. I always feel like one of the great gifts

1631
01:17:18,720 --> 01:17:22,280
Speaker 1: of being mister Bulger, sorry, either a hit show or

1632
01:17:22,360 --> 01:17:28,160
Speaker 1: producing a movie is throwing talented friends, not just random friends,

1633
01:17:28,520 --> 01:17:31,760
Speaker 1: talented friends, putting them on your piece. And I did

1634
01:17:31,800 --> 01:17:33,760
Speaker 1: it with a half a dozen actors on Scrubs, And

1635
01:17:33,800 --> 01:17:36,600
Speaker 1: then if people are right, I do it all the

1636
01:17:36,640 --> 01:17:38,080
Speaker 1: time with the movies i'm producing too.

1637
01:17:38,520 --> 01:17:40,519
Speaker 4: Yeah, you have some very talented friends.

1638
01:17:40,600 --> 01:17:43,160
Speaker 2: Yeah, you've done quite a posse of Sorry, I just

1639
01:17:43,200 --> 01:17:45,640
Speaker 2: don't interrupt. Oh, I know what it was why it

1640
01:17:45,680 --> 01:17:48,679
Speaker 2: was special. It was the Wizard of Oz episode. Joel

1641
01:17:48,880 --> 01:17:50,559
Speaker 2: is telling us in the chat. It was mister.

1642
01:17:50,360 --> 01:17:53,160
Speaker 4: Bulger and his son was brain dead and its brain.

1643
01:17:53,080 --> 01:17:56,320
Speaker 2: In It was the it was at season five, episode seven.

1644
01:17:56,520 --> 01:17:59,840
Speaker 2: If you're listening and are curious, it was. Yeah, it

1645
01:17:59,880 --> 01:18:02,680
Speaker 2: was I that that epic Wizard of Oz episode.

1646
01:18:02,760 --> 01:18:07,040
Speaker 1: But Johnny, mister Bulger would be an homage to Ray

1647
01:18:07,040 --> 01:18:08,759
Speaker 1: Bulger that Wizard of Us, Yes, sir.

1648
01:18:08,640 --> 01:18:09,080
Speaker 2: It would be.

1649
01:18:09,520 --> 01:18:11,880
Speaker 3: Now, Johnny, Johnny, you have a lot of You have

1650
01:18:11,960 --> 01:18:16,160
Speaker 3: a lot of friends that like are almost like mentors

1651
01:18:16,200 --> 01:18:20,080
Speaker 3: to me, like Eric Lassal, Michael Beach. These are people

1652
01:18:20,120 --> 01:18:26,000
Speaker 3: that you've known, Yeah, since you like out of college

1653
01:18:26,080 --> 01:18:27,840
Speaker 3: or you went to college with a lot of these guys.

1654
01:18:27,960 --> 01:18:30,240
Speaker 1: Eric and I, Eric and I went to college together, right,

1655
01:18:30,320 --> 01:18:33,599
Speaker 1: and uh, that's he's my guy, Johnny.

1656
01:18:34,240 --> 01:18:37,759
Speaker 3: And the guys are like, these guys are like, you know, uh,

1657
01:18:38,320 --> 01:18:41,000
Speaker 3: mentors to me, Like you know, when I was a

1658
01:18:41,040 --> 01:18:44,080
Speaker 3: young actor, Michael Beach was one of the people when

1659
01:18:44,120 --> 01:18:45,840
Speaker 3: I was doing Waiting and Exhale that was like, well,

1660
01:18:45,880 --> 01:18:47,120
Speaker 3: this is what you need to do if you want

1661
01:18:47,120 --> 01:18:49,920
Speaker 3: to be successful. Stop smoking that damn cigarette that you're

1662
01:18:49,960 --> 01:18:52,000
Speaker 3: holding on too. Like I was smoking cigarettes, like I

1663
01:18:52,040 --> 01:18:54,120
Speaker 3: want to be a movie star, smoking a cigarette a

1664
01:18:54,200 --> 01:18:54,639
Speaker 3: table read.

1665
01:18:54,760 --> 01:18:56,120
Speaker 4: He was like, Oh, you want to be a movie star.

1666
01:18:56,240 --> 01:18:58,240
Speaker 4: Put the fucking cigarette down, dude, Mike.

1667
01:18:58,439 --> 01:19:00,960
Speaker 1: Mike, Mike is no lie, Mike is no.

1668
01:19:01,240 --> 01:19:03,160
Speaker 4: Straight up, straight up Johnny.

1669
01:19:03,240 --> 01:19:05,080
Speaker 2: I remember I was taking the other day. You were

1670
01:19:05,120 --> 01:19:09,559
Speaker 2: on a movie, a big movie, the one that took

1671
01:19:09,560 --> 01:19:11,920
Speaker 2: place at the motel with Cusack and all.

1672
01:19:11,960 --> 01:19:15,040
Speaker 1: The Identity Jim Jim Engle director.

1673
01:19:14,960 --> 01:19:17,600
Speaker 2: Identity, and it's a really good movie. I recommend to you.

1674
01:19:17,720 --> 01:19:20,320
Speaker 2: I I liked it a lot, but I was I

1675
01:19:20,680 --> 01:19:22,920
Speaker 2: remember you said you want to come visit the set

1676
01:19:22,960 --> 01:19:24,760
Speaker 2: because the set was really cool. Even though it looks

1677
01:19:24,800 --> 01:19:26,920
Speaker 2: like it's all outside, it was all in a giant

1678
01:19:26,920 --> 01:19:30,240
Speaker 2: soundstage and it was all pissing rain the whole time.

1679
01:19:30,880 --> 01:19:32,880
Speaker 2: And uh, and you said you got to You said

1680
01:19:32,880 --> 01:19:34,599
Speaker 2: you got to come see this set. It's really cool.

1681
01:19:34,600 --> 01:19:36,360
Speaker 2: And I was like, I can't believe I'm allowed to.

1682
01:19:36,920 --> 01:19:39,320
Speaker 2: And uh. And I came to visit you one day

1683
01:19:39,320 --> 01:19:41,320
Speaker 2: on set, and it was just so cool and I

1684
01:19:41,360 --> 01:19:44,439
Speaker 2: just I thought of that because I know a bunch

1685
01:19:44,439 --> 01:19:45,040
Speaker 2: of your buddies.

1686
01:19:45,160 --> 01:19:45,800
Speaker 1: Uh.

1687
01:19:46,240 --> 01:19:48,160
Speaker 2: You know, it feels like you and your posse often

1688
01:19:48,240 --> 01:19:50,320
Speaker 2: cast each other in each other's films.

1689
01:19:50,680 --> 01:19:53,200
Speaker 1: I think it's I think if your posse is talented,

1690
01:19:53,240 --> 01:19:58,160
Speaker 1: I mean, there's there's some outliers. But then then yeah,

1691
01:19:58,280 --> 01:20:00,639
Speaker 1: good audience, it's gonna it's gonna make life easier.

1692
01:20:00,800 --> 01:20:02,519
Speaker 2: I like that too. I like to use the same

1693
01:20:02,560 --> 01:20:04,080
Speaker 2: people over and over again.

1694
01:20:04,200 --> 01:20:06,240
Speaker 1: But you didn't use Donald in Garden State.

1695
01:20:06,360 --> 01:20:07,800
Speaker 2: Oh Jesus, here you go.

1696
01:20:08,160 --> 01:20:10,960
Speaker 4: Thank you, John, Oh God, thank you John, Thank you

1697
01:20:11,200 --> 01:20:14,679
Speaker 4: very very much. Like Oliver Stone used John c McGinley.

1698
01:20:14,840 --> 01:20:16,960
Speaker 2: Yeah, so many times, so many times.

1699
01:20:17,200 --> 01:20:19,720
Speaker 4: Made you would think that Zach Braff would take a hit,

1700
01:20:19,760 --> 01:20:20,280
Speaker 4: you know what I mean?

1701
01:20:20,320 --> 01:20:23,280
Speaker 2: Like, you know, I want you to be the I

1702
01:20:23,320 --> 01:20:25,160
Speaker 2: want you to be the Johnny c McGinley to my

1703
01:20:25,280 --> 01:20:26,040
Speaker 2: Oliver Stone.

1704
01:20:27,720 --> 01:20:33,160
Speaker 4: You say that now, but I don't think. I don't think.

1705
01:20:33,200 --> 01:20:35,799
Speaker 2: How many movies did you do with him? John?

1706
01:20:37,080 --> 01:20:37,360
Speaker 1: Six?

1707
01:20:38,000 --> 01:20:42,360
Speaker 2: Wow, that's incredible, incredible, And there's some and they're six

1708
01:20:42,400 --> 01:20:45,920
Speaker 2: of the best. What about talk radio. I was thinking

1709
01:20:45,920 --> 01:20:47,639
Speaker 2: about you and talk radio the other day. I always

1710
01:20:47,640 --> 01:20:50,800
Speaker 2: thinking about you in seven for those of you don't remember.

1711
01:20:50,880 --> 01:20:54,519
Speaker 2: Johnny's in one of my favorite movies, seven Shot.

1712
01:20:54,600 --> 01:20:56,280
Speaker 4: Take the shot, and then.

1713
01:20:56,200 --> 01:20:57,960
Speaker 2: Johnny you go, I don't know if you improve did

1714
01:20:58,000 --> 01:21:01,599
Speaker 2: you improve this? When you go somebody, oh, somebody I did.

1715
01:21:02,439 --> 01:21:05,880
Speaker 2: That was incredible. He's in the chopper right when right

1716
01:21:05,920 --> 01:21:08,280
Speaker 2: when the shit goes down with there wasn't the box

1717
01:21:08,680 --> 01:21:09,800
Speaker 2: was in the box.

1718
01:21:10,439 --> 01:21:13,320
Speaker 1: And then David, David gave us as much rope as

1719
01:21:13,320 --> 01:21:16,560
Speaker 1: we wanted to hang ourselves with. He he lets the

1720
01:21:16,600 --> 01:21:18,880
Speaker 1: actors run and then he'll chop it together and post,

1721
01:21:18,920 --> 01:21:19,760
Speaker 1: but he lets you run.

1722
01:21:20,160 --> 01:21:21,840
Speaker 3: There were two scenes, so you're in the chopper, but

1723
01:21:21,880 --> 01:21:24,719
Speaker 3: you're also in when they bum rushed the room too, right.

1724
01:21:24,680 --> 01:21:27,200
Speaker 1: Yeah, with the emaciated guy.

1725
01:21:27,400 --> 01:21:31,599
Speaker 2: Yeah, but I'll never forget. I remember getting goosebumps when

1726
01:21:31,840 --> 01:21:33,400
Speaker 2: you know this before I even knew you, Johnny, and

1727
01:21:33,920 --> 01:21:37,520
Speaker 2: you were and you go, oh my god, somebody call somebody,

1728
01:21:37,600 --> 01:21:38,960
Speaker 2: and I was like, that's such a good.

1729
01:21:38,800 --> 01:21:42,080
Speaker 1: Look with the emaciated guy. David found out there was

1730
01:21:42,439 --> 01:21:45,640
Speaker 1: asbestos in that building and he wasn't down with it.

1731
01:21:45,680 --> 01:21:48,240
Speaker 1: So we shut down for a while and found another building.

1732
01:21:48,439 --> 01:21:52,760
Speaker 1: And that was a hole to do. That was a

1733
01:21:52,840 --> 01:21:56,000
Speaker 1: complete clusterfuck. When he found out there was asbestos in

1734
01:21:56,000 --> 01:21:56,479
Speaker 1: that building.

1735
01:21:56,600 --> 01:21:58,000
Speaker 2: You know you have but you know you have budget

1736
01:21:58,000 --> 01:22:00,679
Speaker 2: when they're like, there's asbestus in the building, which shutting down.

1737
01:22:04,040 --> 01:22:05,799
Speaker 2: I've never been on a movie that had that power.

1738
01:22:05,960 --> 01:22:08,840
Speaker 2: But again, I'm no Fincher man. I love Fincher and

1739
01:22:08,840 --> 01:22:10,639
Speaker 2: Man I love that movie. That's one of my favorites.

1740
01:22:11,400 --> 01:22:13,040
Speaker 1: Yeah, everybody shines in that movie.

1741
01:22:13,640 --> 01:22:17,320
Speaker 2: What's in the Box. On that note, we love you

1742
01:22:17,360 --> 01:22:21,000
Speaker 2: all for listening. Keep chatting us on install. You make

1743
01:22:21,080 --> 01:22:25,519
Speaker 2: us laugh. And if you have a question, scrubsiheart at

1744
01:22:25,560 --> 01:22:28,559
Speaker 2: gmail dot com. Joel will decide if your question is

1745
01:22:28,600 --> 01:22:32,160
Speaker 2: worthy for air, Right Joel, Joel yields all the power.

1746
01:22:32,160 --> 01:22:34,519
Speaker 2: Don't yell at me and Donald. We don't do anything, Joel.

1747
01:22:34,600 --> 01:22:36,320
Speaker 4: A lot of people like the fact that we talk

1748
01:22:36,439 --> 01:22:38,479
Speaker 4: Star Wars too. I'm just gonna put it out there.

1749
01:22:38,840 --> 01:22:40,360
Speaker 2: Yeah, I saw that too.

1750
01:22:41,400 --> 01:22:41,599
Speaker 6: MS.

1751
01:22:44,560 --> 01:22:47,280
Speaker 2: There was a lot of that happen. There was a

1752
01:22:47,280 --> 01:22:50,719
Speaker 2: lot of talk about I saw much to my dismay,

1753
01:22:50,760 --> 01:22:53,519
Speaker 2: I saw someone going. I really thought Donald and Joel's

1754
01:22:53,560 --> 01:22:55,840
Speaker 2: inside about Quigan Joe, whatever it.

1755
01:22:55,800 --> 01:23:01,440
Speaker 4: Is, was really interesting. I'm six seven or that show.

1756
01:23:01,400 --> 01:23:05,600
Speaker 5: We made about a bunch of talks and nurses in

1757
01:23:05,840 --> 01:23:10,400
Speaker 5: the janitor Hullo, I said, here's the stories that all

1758
01:23:10,640 --> 01:23:11,160
Speaker 5: should know.

1759
01:23:12,800 --> 01:23:16,439
Speaker 2: So gadder round you. Here, gather around you.

1760
01:23:16,600 --> 01:23:19,400
Speaker 4: Here are spect We Showiz and

1761
01:23:21,560 --> 01:23:21,600
Speaker 1: M