WEBVTT - 'The Lost World: Jurassic Park' Rewatch | Jurassic Pals

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<v Speaker 1>Welcome to Jurassic Pals, the No Dunks summer podcast project

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<v Speaker 1>where we're watching every movie from the Jurassic Park franchise.

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<v Speaker 2>Today we tackle the.

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<v Speaker 1>Head scratching sequel, The Lost World Jurassic Park. I'm Jay

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<v Speaker 1>Skeets here in the Classic Factory, and alongside me, as always,

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<v Speaker 1>he loves the baby Dinos tasmelas.

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<v Speaker 3>Yeah, sure, I sure do. I also love you just

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<v Speaker 3>rolling off the Jurassic Pals. I think that's more entertaining

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<v Speaker 3>than the actual movie.

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<v Speaker 1>Oh wow, thank you. Next to him, next to task,

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<v Speaker 1>don't let this guy loose in San Diego, it's the

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<v Speaker 1>Bearded one, Trey Herby, Hey yo. And last but not

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<v Speaker 1>least over Yonder, this is a man that knows that

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<v Speaker 1>thirty minutes is half an hour. It's super producer JD. Hello, Hello, JD.

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<v Speaker 1>One of the weirdest parts of this movie. Why did

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<v Speaker 1>he say that we don't have a.

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<v Speaker 2>Lot of clarification in this movie? I think, Oh boy boy.

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<v Speaker 1>Appreciate you all checking out the podcast here. Maybe you're

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<v Speaker 1>watching on YouTube. Hit the like button, subscribe, share the show,

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<v Speaker 1>podcast listeners, five star ratings and reviews. Yes, this is

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<v Speaker 1>our second Jurassic Park. Here from the entire movie franchise.

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<v Speaker 1>We really loved Jurassic Park, the original ten out of ten.

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<v Speaker 2>Go check out that.

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<v Speaker 1>Pod if you haven't already. But this one, the Lost

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<v Speaker 1>World Jurassic Park, came out May twenty three of nineteen

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<v Speaker 1>ninety seven. The budget seventy three million, so they gave

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<v Speaker 1>Spielberg another ten million from the first one. Here go

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<v Speaker 1>have some fun with this. It did well.

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<v Speaker 2>It's done well. Look it grossed.

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<v Speaker 1>Nearly six hundred and twenty million dollars worldwide and it

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<v Speaker 1>actually set a new opening weekend record at the time,

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<v Speaker 1>so it popped for people to go see it. People

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<v Speaker 1>were excited about the see absolutely, and then they probably

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<v Speaker 1>left a little disappointed. The skinny is a research team

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<v Speaker 1>is sent to the Jurassic Park site b Island to

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<v Speaker 1>study the dinosaurs there, while an in gen team approaches

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<v Speaker 1>with another agenda. Oh boy, run time about two hours

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<v Speaker 1>and ten minutes too long? Is the answer?

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<v Speaker 2>Stars Jeff Goldbloom. He's back.

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<v Speaker 1>He's the main guy. This time. We got Julianne Moore,

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<v Speaker 1>Pete Posselthwaite. Oh yeah, I hope I'm saying that correctly.

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<v Speaker 1>Rest in Pete's rest in Pete to Pete Posselthwaite and

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<v Speaker 1>then a young Vince Vaughan. It's also in this movie,

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<v Speaker 1>and it's directed by Steven Spielberg for the final time.

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<v Speaker 1>This will be his last go here in the Jurassic

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<v Speaker 1>Park franchise. Obviously did the first one, that summer blockbuster

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<v Speaker 1>that it was, and then he did a sequel, and

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<v Speaker 1>he seemed to even hate this movie.

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<v Speaker 4>He doesn't like doing sequels.

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<v Speaker 1>No, he doesn't. Good for good reason, I think.

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<v Speaker 2>Yeah, it doesn't like doing sequels.

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<v Speaker 5>And apparently Michael Crichton was basically asked to write a

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<v Speaker 5>second book as well. He wrote it in Spielberg's like, Eh,

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<v Speaker 5>some good ideas, but I got my own things I

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<v Speaker 5>want to do. I'm only doing one sequel, so I'm

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<v Speaker 5>jamming all.

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<v Speaker 2>The ideas and here that I can.

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<v Speaker 1>All right, let's make our way through this movie. We

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<v Speaker 1>start with a look at and I'll say it correctly

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<v Speaker 1>this time.

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<v Speaker 6>Is La Sona.

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<v Speaker 1>This is Site B, the code name for Site B

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<v Speaker 1>here by the in Gen company. It's located eighty seven

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<v Speaker 1>miles southwest of our og Dino island that we had

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<v Speaker 1>in the first one. Is La Nublar, not Isla to island.

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<v Speaker 4>We wish we know it's the Spanish word r.

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<v Speaker 1>Yeah, yeah, that's right, that's right.

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<v Speaker 5>It's confirmed eighty seven miles away from the other island.

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<v Speaker 1>Huh yeah, yeah, they're all clustered, I guess together.

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<v Speaker 2>That's a crazy plan.

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<v Speaker 5>Eighty seven miles isn't that close to trans because what

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<v Speaker 5>they're telling us is they're making the dinosaurs here and

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<v Speaker 5>then traveling ninety miles nautically, Yeah, to bring the dinosaurs

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<v Speaker 5>to the other place.

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<v Speaker 1>Yeah.

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<v Speaker 2>I feel like if.

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<v Speaker 5>John Hammond would have told people that's how they're producing

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<v Speaker 5>the dinosaurs, it'd be like, no, way.

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<v Speaker 2>That can't work. You can't transport a dino that far.

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<v Speaker 5>Yeah.

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<v Speaker 2>Every time we've seen a dinosaur transporter it goes.

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<v Speaker 1>For Yeah, it's a weird logistics there that he decided

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<v Speaker 1>to like fold into this whole play. Yeah. Well, we

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<v Speaker 1>start this off with a British couple. They are vacationing

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<v Speaker 1>there by the island on the island from their private yacht.

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<v Speaker 1>They're sipping champagne, they're eating roast beef, they got some

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<v Speaker 1>prawns on the way all and their youngest daughter, Kathy

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<v Speaker 1>I think her name is, She wanders off down the

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<v Speaker 1>beach doing a little beach step in and tweets, and

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<v Speaker 1>she comes across the tiny little dinosaur and sort of

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<v Speaker 1>feeds a little roast beef, and oh, here come a

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<v Speaker 1>bunch of them, and I thought at first was eating alive,

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<v Speaker 1>but we learned she'd later survive. But it is attacked,

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<v Speaker 1>I guess by these tiny hungry dinosaurs. Yes, compies, Yes, yes,

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<v Speaker 1>our first go of the company. We have not seen

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<v Speaker 1>the compy, right, the debut film for the company.

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<v Speaker 2>Does anybody else think that's just the baby Raptor?

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<v Speaker 1>Yeah?

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<v Speaker 7>You know.

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<v Speaker 2>I was like, Oh, cool, baby raptor.

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<v Speaker 5>We're gonna see the next big raptor come out and

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<v Speaker 5>eat this girl, which is what I thought at first,

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<v Speaker 5>because I don't remember this one nearly as well as

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<v Speaker 5>I remember the first one, which I've watched a billion times.

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<v Speaker 5>In this one I've probably seen like five times now,

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<v Speaker 5>not as much replay value for me, but I definitely

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<v Speaker 5>was like, oh, that's just like the baby raptor we

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<v Speaker 5>saw hatch in the first one. Watch out for the

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<v Speaker 5>parents coming next instead a swarm of babys which.

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<v Speaker 2>Are now copies.

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<v Speaker 1>Yeah, it's a whole new thing here.

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<v Speaker 2>I was confused.

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<v Speaker 8>I think the copies are what killed doctor Malcolm in

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<v Speaker 8>the first book?

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<v Speaker 6>Interesting? Okay, I think so if I'm remembering correctly.

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<v Speaker 8>And then you know, Cranton was asked to write a

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<v Speaker 8>sequel and he's like, well, we're just going to bring

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<v Speaker 8>doctor Malcolm back. Oh okay, but whatever.

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<v Speaker 1>Yeah, well funny, funny you say, bring them back because

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<v Speaker 1>the British mom's scream dissolves into Jeff Goldbloom doctor Ian Malcolm.

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<v Speaker 1>He is a doctor, right he is?

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<v Speaker 6>Yeah, he's a doctor.

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<v Speaker 1>Yeah.

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<v Speaker 5>Well, I mean he's technically a chaos mathematician, but I'm

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<v Speaker 5>sure he has his doctorate in Yeah.

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<v Speaker 1>You know, in the first one we did Jurassic Pals,

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<v Speaker 1>I definitely left doctor off a his name for a

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<v Speaker 1>majority of the time.

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<v Speaker 8>I said it, Yeah, and you were calling John Hammond

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<v Speaker 8>doctor Hammond.

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<v Speaker 4>He's no doctor.

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<v Speaker 2>Oh I was. I think, is that a doctor degree?

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<v Speaker 2>What about the coffees? Are they doctors?

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<v Speaker 4>Yeah?

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<v Speaker 6>They do not have their PhD.

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<v Speaker 3>Know anyway, Yeah, I was weirded out hearing Ian Malcolm

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<v Speaker 3>actually because in the first one they just call him

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<v Speaker 3>doctor Malcolm.

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<v Speaker 1>Yeah. Yeah, yeah.

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<v Speaker 3>It doesn't seem like an Ian to me. She's more

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<v Speaker 3>of a Jeff.

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<v Speaker 5>I do love the cut though, from lady yelling to

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<v Speaker 5>Malcolm yawning, and it looks like he's on an island somewhere,

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<v Speaker 5>but he's really just standing in front of a poster.

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<v Speaker 2>I thought that was pretty funny. I think it's my

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<v Speaker 2>favorite shot of the entire movie. Wow, serious, Oh, this

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<v Speaker 2>is awesome.

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<v Speaker 1>And then it sort of goes downhill from there. But yeah,

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<v Speaker 1>he's he's in the subway and he boards a train,

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<v Speaker 1>and he's recognized by a bunch of passengers, right the

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<v Speaker 1>one guy in particular coming up to him and trying

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<v Speaker 1>to get something out of them. But all I kept

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<v Speaker 1>thinking was like, whoa is that the Atlanta Marta. It

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<v Speaker 1>looks like it's so identical, Yeah to the mart of

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<v Speaker 1>those orange like hard bucket scenes. I thought it maybe was.

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<v Speaker 1>I don't think it is.

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<v Speaker 3>But and it was a super clean subway. It was

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<v Speaker 3>part of the well, it didn't seem like New York either.

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<v Speaker 3>Sitting with my my New York and wife Danielle said, whoa,

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<v Speaker 3>that's clean, clear, cleaned the heck out of it. It

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<v Speaker 3>felt really weird. Just the whole thing didn't smell like urine,

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<v Speaker 3>like the whole.

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<v Speaker 6>You know, the whole thing, the whole New York Vine.

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<v Speaker 4>Yeah, it didn't feel like that at all.

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<v Speaker 1>So any anything from this, I mean, we can move

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<v Speaker 1>with some pace here on the opening of this movie

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<v Speaker 1>here with the British couple and the daughter and then

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<v Speaker 1>into Malcolm.

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<v Speaker 8>Well, I've been trying to keep a running tally of

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<v Speaker 8>the worst parents in the franchise. You know, yeah, we

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<v Speaker 8>thought that the lex and uh Tim's parents were the worst.

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<v Speaker 8>But you know, I don't know, just letting your daughter

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<v Speaker 8>wander off on a strange island not great.

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<v Speaker 1>Yeah, but then again, like she was trying to make

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<v Speaker 1>her like, hey, stay close. Just the dad was the

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<v Speaker 1>one that was like, relax, We're on a private island here.

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<v Speaker 2>What is she gonna do?

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<v Speaker 1>Yeah? Yeah, yeah, And they don't know.

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<v Speaker 8>There's I'm just trying to keep track of my ranking.

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<v Speaker 8>So and Tim's parents still number one for now for now?

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<v Speaker 1>Okay?

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<v Speaker 2>Do you think prawns are the most elitist food? Who shrimp?

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<v Speaker 5>Shrimp for us peasants, but prawns are for the upper

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<v Speaker 5>crust of society?

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<v Speaker 3>It felt like to me, Yeah, it feels disgusting to me.

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<v Speaker 3>I'm not a prawn man.

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<v Speaker 6>You a shrimpman.

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<v Speaker 2>Well, it depends on the day.

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<v Speaker 3>Sometimes I think they're disgusting. Gosh, the floor of the ocean. No,

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<v Speaker 3>thank you, they are bugs. There are the ocean's bugs.

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<v Speaker 3>Depends on the day. But I just never saw. I

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<v Speaker 3>just didn't know prawns were a thing in Eastlesorna, but

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<v Speaker 3>I guess they are.

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<v Speaker 1>My takeaway as a fan that watches Below Deck and

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<v Speaker 1>j D, I can't if you do, or yeah, like

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<v Speaker 1>you know how they're on the yacht. They're on these

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<v Speaker 1>this beautiful yacht, the super Yacht. They're well staffed, of course,

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<v Speaker 1>everything you want there, But then it feels like every

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<v Speaker 1>episode of Blow Deck, the people want to go to

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<v Speaker 1>a private beach and then you got to pack up everything.

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<v Speaker 1>If you're the chef and you're the staff, and you

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<v Speaker 1>got to take the tables, you gotta take the tents,

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<v Speaker 1>you gotta take the barbecue and all that, it's always

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<v Speaker 1>a night, huge pan of it. It's the biggest pain

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<v Speaker 1>in the ice. That's all I could think about with

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<v Speaker 1>these poor staff here.

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<v Speaker 2>The super had an elaborate set up, incredible.

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<v Speaker 1>What do you think they got tipped.

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<v Speaker 6>At the end.

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<v Speaker 1>Oh yeah, when they hand them the envelope, it's a

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<v Speaker 1>big part. Well, they would have got nothing. Their daughter

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<v Speaker 1>was attacked by dinosaurs, and you know they're going to

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<v Speaker 1>blame it on them. Well because of the why do

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<v Speaker 1>you bring us to this island the.

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<v Speaker 2>Scent of the prawns cops.

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<v Speaker 1>Okay, so Malcolm shows up at this big sort of

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<v Speaker 1>mansion here and we.

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<v Speaker 2>Meet Lex and Tim.

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<v Speaker 1>They're bay for thirty seconds if that. They're on screen

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<v Speaker 1>for like a minute.

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<v Speaker 3>Oh yeah, And I even forgot because it was so quick.

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<v Speaker 3>I thought they just showed up later because they show

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<v Speaker 3>up later.

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<v Speaker 1>No, this is their only camps.

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<v Speaker 2>Are only Lex and Tim. I popped.

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<v Speaker 4>I was like, yeah, they're gone.

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<v Speaker 1>Yeah, they like hug him. And then obviously it gets

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<v Speaker 1>into doctor Malcolm meeting Hammond's nephew Peter Ludlow, who is

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<v Speaker 1>the new CEO of Engen, who accuses Malcolm of spreading

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<v Speaker 1>false rumors about the Jurassic Park incident for payment, right,

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<v Speaker 1>And this is like Peter saying, ah, you you signed

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<v Speaker 1>the NDA and then you proceeded to violate violate the

0:10:29.679 --> 0:10:34.840
<v Speaker 1>agreement and as such, his tenure at the university was rescinded,

0:10:34.920 --> 0:10:37.640
<v Speaker 1>his reputation left in tatters. And this is where we're at.

0:10:37.760 --> 0:10:41.000
<v Speaker 1>But there's a lot of exposition here in this first

0:10:41.000 --> 0:10:41.439
<v Speaker 1>stage of this.

0:10:41.679 --> 0:10:42.319
<v Speaker 2>Yeah, and doesn't.

0:10:42.400 --> 0:10:46.480
<v Speaker 5>Ludlow also basically kind of confirms what the random dude

0:10:46.480 --> 0:10:48.800
<v Speaker 5>on the subway was saying. He's like, nobody believes what

0:10:48.880 --> 0:10:51.920
<v Speaker 5>you said happened on the island, doctor Malcolm. It's totally

0:10:52.000 --> 0:10:53.920
<v Speaker 5>fine out there, and then he hits him with the

0:10:54.000 --> 0:10:58.199
<v Speaker 5>ultimate diss. This suit costs more than your education. That's

0:10:58.240 --> 0:11:04.280
<v Speaker 5>an expensive suit. Malcolm to the school to become a doctor. Yeah,

0:11:04.440 --> 0:11:05.200
<v Speaker 5>six years.

0:11:04.960 --> 0:11:06.560
<v Speaker 6>Minimum minimum, Yeah, minimum.

0:11:06.559 --> 0:11:07.480
<v Speaker 2>And this is the nineties.

0:11:08.000 --> 0:11:10.720
<v Speaker 5>We got probably like a fifty thousand dollars suit easily

0:11:10.920 --> 0:11:13.920
<v Speaker 5>and doesn't Peter here, does it exists the nephew or

0:11:13.920 --> 0:11:16.960
<v Speaker 5>the new He says something like you're the only one

0:11:17.040 --> 0:11:20.360
<v Speaker 5>breaking the NDA too, implying there, but it's true yet

0:11:20.440 --> 0:11:22.559
<v Speaker 5>left dress part he even says, like Lex and Tim,

0:11:23.200 --> 0:11:23.920
<v Speaker 5>they've kept it tight.

0:11:24.040 --> 0:11:27.280
<v Speaker 2>Left getting live exactly.

0:11:28.240 --> 0:11:31.520
<v Speaker 1>So we then have Malcolm going up to a bedridden

0:11:31.960 --> 0:11:35.160
<v Speaker 1>John Hammond, he's back in this movie, and he tells Malcolm, hey,

0:11:35.480 --> 0:11:38.959
<v Speaker 1>sight b man, it was breeding site for the dinosaurs.

0:11:39.280 --> 0:11:42.679
<v Speaker 1>So he as he puts it, Soorna is the factory

0:11:42.720 --> 0:11:46.760
<v Speaker 1>floor and New Blar is the showroom. And this is like, again,

0:11:46.760 --> 0:11:50.040
<v Speaker 1>what you were saying, Treyla, Wow, that was a weird decision.

0:11:51.720 --> 0:11:52.160
<v Speaker 2>Very weird.

0:11:52.240 --> 0:11:55.359
<v Speaker 5>Just like I would want to have as little dinosaur

0:11:55.400 --> 0:11:57.000
<v Speaker 5>interaction as possible.

0:11:57.400 --> 0:11:59.839
<v Speaker 2>Grow them in the place where you're to keep them, Yeah,

0:12:00.080 --> 0:12:00.720
<v Speaker 2>grow them.

0:12:00.559 --> 0:12:05.200
<v Speaker 1>And show them simple. And then I mean it gets

0:12:05.240 --> 0:12:08.320
<v Speaker 1>worse because we learned that they had a hurricane Clarissa,

0:12:09.040 --> 0:12:12.040
<v Speaker 1>and then that happened on Soorna here, and then all

0:12:12.160 --> 0:12:15.920
<v Speaker 1>the dinosaurs were left free to Rome, and Hammon says, like,

0:12:16.600 --> 0:12:18.800
<v Speaker 1>for four years, the dinosaurs have just lived in a

0:12:18.880 --> 0:12:22.440
<v Speaker 1>natural environment without human intervention. Uh, and they're in their

0:12:22.480 --> 0:12:27.240
<v Speaker 1>own social groups and it's going great. But I did

0:12:27.360 --> 0:12:30.720
<v Speaker 1>like this. Malcolm was like, hey, I thought you breeded

0:12:30.720 --> 0:12:33.600
<v Speaker 1>these things with that lyzine deficiency. You know, like if

0:12:33.600 --> 0:12:36.320
<v Speaker 1>you don't give it to them, they die. Shouldn't they

0:12:36.320 --> 0:12:38.319
<v Speaker 1>be dead? Is basically always saying. So that was good

0:12:38.360 --> 0:12:39.960
<v Speaker 1>at least a little call back to the first one.

0:12:39.960 --> 0:12:42.400
<v Speaker 1>But Hammon's answer is just like, hey man, you were right.

0:12:42.440 --> 0:12:51.120
<v Speaker 1>Life finds a way. So that's the setup. And then Hammon,

0:12:51.200 --> 0:12:53.800
<v Speaker 1>who like I thought, was on his deathbed and like dying,

0:12:53.880 --> 0:12:55.240
<v Speaker 1>he sort of like pops out of bed.

0:12:55.760 --> 0:13:00.760
<v Speaker 2>He's suddenly got like some energy. Grandpa Joe from Chocolate Back.

0:13:04.080 --> 0:13:07.600
<v Speaker 8>Any opportunity to send somebody to their most certain death

0:13:08.160 --> 0:13:10.640
<v Speaker 8>just fills him with life and effervescent.

0:13:10.880 --> 0:13:12.400
<v Speaker 6>You know that's right.

0:13:12.440 --> 0:13:15.520
<v Speaker 5>He's like, I got one more live here, I do.

0:13:15.679 --> 0:13:17.640
<v Speaker 2>Like I feel like they make him look like the

0:13:17.679 --> 0:13:18.800
<v Speaker 2>devil in this seat.

0:13:18.840 --> 0:13:22.320
<v Speaker 5>He's dressed in black and red. His bushy eyebrows, I

0:13:22.400 --> 0:13:25.720
<v Speaker 5>feel like are intentionally turned up so they're horrid. Like

0:13:26.360 --> 0:13:29.080
<v Speaker 5>he's even like a flushed I feel like his skin

0:13:29.160 --> 0:13:32.439
<v Speaker 5>is pretty red. So the guy is in the first one,

0:13:32.480 --> 0:13:34.960
<v Speaker 5>he's like supposed to be a little bit angelic, I think,

0:13:35.040 --> 0:13:36.120
<v Speaker 5>and dressed in all white.

0:13:36.200 --> 0:13:38.760
<v Speaker 2>Not so much. In this one, they're like, this guy sucks.

0:13:38.760 --> 0:13:41.160
<v Speaker 1>But you kept saying our first Jurassic pals, this guy's

0:13:41.160 --> 0:13:43.000
<v Speaker 1>the villain. This guy's the villain man, And like, I

0:13:43.000 --> 0:13:45.600
<v Speaker 1>think they've leaned into it here definitely, because his plan

0:13:45.800 --> 0:13:48.280
<v Speaker 1>is Hammond's plan is he wants Malcolm to lead a

0:13:48.320 --> 0:13:51.560
<v Speaker 1>team to find out how are these dinosaurs even surviving?

0:13:51.640 --> 0:13:52.720
<v Speaker 1>Like what's going on there?

0:13:53.960 --> 0:13:54.160
<v Speaker 6>You know?

0:13:54.640 --> 0:13:57.600
<v Speaker 1>Again, Malcolm's like that's crazy, bro, Like what there's no

0:13:57.720 --> 0:14:00.680
<v Speaker 1>fences even, Like why would we go, Hey, don't worry,

0:14:00.720 --> 0:14:03.160
<v Speaker 1>the carnivores stay in the interior of the island.

0:14:04.240 --> 0:14:05.199
<v Speaker 2>So if you guys stay.

0:14:05.040 --> 0:14:08.800
<v Speaker 1>On the outer rim, you're safe. He even says, very

0:14:08.840 --> 0:14:11.600
<v Speaker 1>low impact light left.

0:14:12.400 --> 0:14:12.760
<v Speaker 4>Come on.

0:14:13.000 --> 0:14:16.680
<v Speaker 3>Man, just happens too quickly too. Hammond sets up the

0:14:16.720 --> 0:14:19.640
<v Speaker 3>whole fricking movie at four line bank, bang bang bang,

0:14:20.000 --> 0:14:22.960
<v Speaker 3>and then here comes Malcolm when he's leaving, with his

0:14:23.080 --> 0:14:26.160
<v Speaker 3>line of it's not a research expedition, it's a rescue

0:14:26.200 --> 0:14:28.600
<v Speaker 3>operation and it's leaving now. And then the dramatic music

0:14:28.640 --> 0:14:31.440
<v Speaker 3>already like it's way too early. It all happens way

0:14:31.440 --> 0:14:35.560
<v Speaker 3>too early. It was so slow and so all worthy,

0:14:35.640 --> 0:14:39.080
<v Speaker 3>the first one, the wondering what was happening, the wonderment

0:14:39.120 --> 0:14:41.320
<v Speaker 3>about all and here's just like bop, it's over.

0:14:41.480 --> 0:14:41.840
<v Speaker 4>Yeah.

0:14:41.840 --> 0:14:44.400
<v Speaker 2>So yeah, Hammond says, I got a site B team.

0:14:44.480 --> 0:14:46.640
<v Speaker 1>It's gonna consist of Nick van Owen, that's gonna be

0:14:46.720 --> 0:14:50.920
<v Speaker 1>Vince Vaughn, a videographer, Eddie Carr played by Richard Schiff,

0:14:50.960 --> 0:14:55.800
<v Speaker 1>a field equipment expert, an unnamed palaeontologist that they just

0:14:55.840 --> 0:14:57.960
<v Speaker 1>sort of snip over. I mean, we'll get to in

0:14:58.040 --> 0:15:01.480
<v Speaker 1>one second, but like an unnamed that killed me and

0:15:01.520 --> 0:15:04.200
<v Speaker 1>of course yeah yeah, and of course Malcolm will be

0:15:04.240 --> 0:15:07.080
<v Speaker 1>the fourth. So Peter is opposed to this idea. He

0:15:07.120 --> 0:15:09.080
<v Speaker 1>wants to use Site B for Profits to take in

0:15:09.160 --> 0:15:12.880
<v Speaker 1>Gen out of Chapter eleven bankruptcy. After the incident with

0:15:12.920 --> 0:15:15.840
<v Speaker 1>this British couple. The basically the board took control from

0:15:15.840 --> 0:15:18.640
<v Speaker 1>in Gen from Hammon. So Hammond says, look, the only

0:15:18.680 --> 0:15:20.240
<v Speaker 1>way to get this backer to save this is to

0:15:20.240 --> 0:15:23.840
<v Speaker 1>get public support to stop all this commercial exploitation. So

0:15:23.920 --> 0:15:27.760
<v Speaker 1>that's why this, uh, this thing's even happening, this mission,

0:15:27.760 --> 0:15:30.040
<v Speaker 1>if you want to call it that, send these four

0:15:30.120 --> 0:15:32.640
<v Speaker 1>in document everything, and that's going to win the people

0:15:32.680 --> 0:15:35.400
<v Speaker 1>over and then we'll guess, keep these animals alive.

0:15:36.520 --> 0:15:37.880
<v Speaker 2>Hey, exactly, exactly.

0:15:38.000 --> 0:15:40.400
<v Speaker 5>Don't trust Hammond he wants to keep the animals alive,

0:15:40.960 --> 0:15:43.560
<v Speaker 5>telling you right here, But I think great line by Malcolm.

0:15:43.760 --> 0:15:45.840
<v Speaker 5>You went from a capitalist to a naturalist in just

0:15:45.840 --> 0:15:48.080
<v Speaker 5>four years. That's that's something.

0:15:50.640 --> 0:15:55.160
<v Speaker 1>And this is very cute line too, because Sir Richard Attenborough,

0:15:55.280 --> 0:15:58.440
<v Speaker 1>who is Hammon not doctor? I almost said it, JD.

0:15:59.000 --> 0:16:04.880
<v Speaker 1>His brother is naturalist, Sir David Attenburg. Damn, you just

0:16:04.880 --> 0:16:09.080
<v Speaker 1>turn into your brother four years. Very confusing in the movie.

0:16:09.200 --> 0:16:12.440
<v Speaker 1>So Malcolm refuses Hammond's offer. Okay, that's smart, but and

0:16:12.440 --> 0:16:14.360
<v Speaker 1>then he sort of alluded to it. He's like, oh,

0:16:14.480 --> 0:16:18.920
<v Speaker 1>your girlfriend's there. That palaeontologist that I didn't name, Sarah Harding,

0:16:18.920 --> 0:16:21.560
<v Speaker 1>which is Julianne Moore. She's already there, man. She's got

0:16:21.560 --> 0:16:24.720
<v Speaker 1>a great flight, good deal on a flight out.

0:16:23.920 --> 0:16:27.360
<v Speaker 2>She went get their early scout locations.

0:16:26.880 --> 0:16:29.480
<v Speaker 1>And the other additional members are to meet her there.

0:16:29.560 --> 0:16:31.840
<v Speaker 1>And that's is where Malcolm's like, you sent my girlfriend

0:16:31.840 --> 0:16:35.120
<v Speaker 1>to this island alone. And Malcolm says, yeah, this is

0:16:35.920 --> 0:16:37.960
<v Speaker 1>now a rescue mission because now I gotta go get

0:16:38.000 --> 0:16:39.000
<v Speaker 1>sir mm hmm okay.

0:16:39.440 --> 0:16:41.480
<v Speaker 8>And there's a weird moment where I Hammond is like

0:16:42.000 --> 0:16:44.720
<v Speaker 8>Goldblum says that it's a rescue mission. Then he turns

0:16:44.720 --> 0:16:47.040
<v Speaker 8>around and he's like he's like counting on his fingers.

0:16:47.080 --> 0:16:47.440
<v Speaker 6>He's like.

0:16:49.200 --> 0:16:52.080
<v Speaker 8>And he goes, ah, yes, I got it, and continues

0:16:52.120 --> 0:16:54.560
<v Speaker 8>on like what Like he's like, I've got everybody like

0:16:55.200 --> 0:16:59.360
<v Speaker 8>whatever happened, Like he's going under duress, but I got

0:16:59.400 --> 0:17:00.120
<v Speaker 8>everybody's so.

0:17:01.880 --> 0:17:04.320
<v Speaker 1>I guess yeah, I don't know, Like and.

0:17:04.560 --> 0:17:08.240
<v Speaker 8>There is a moment where he's handing him the binders

0:17:08.240 --> 0:17:11.920
<v Speaker 8>of the you know, here's a nick and here's such

0:17:11.960 --> 0:17:15.560
<v Speaker 8>and such, and he holds he holds the palaeontologist close

0:17:15.680 --> 0:17:16.359
<v Speaker 8>to his breast.

0:17:16.600 --> 0:17:19.240
<v Speaker 6>I'm not I can't reveal who it is just yet,

0:17:19.480 --> 0:17:19.920
<v Speaker 6>just yet.

0:17:20.800 --> 0:17:23.000
<v Speaker 8>That'll be my ace in the hole, you know, like

0:17:23.400 --> 0:17:24.840
<v Speaker 8>your girlfriend's there in your face?

0:17:25.359 --> 0:17:27.600
<v Speaker 1>Well, also, how long has she been there? Like they

0:17:27.640 --> 0:17:28.200
<v Speaker 1>live together.

0:17:28.240 --> 0:17:30.000
<v Speaker 6>It's like, do you didn't notice she was gone?

0:17:30.359 --> 0:17:30.760
<v Speaker 2>Yeah?

0:17:30.880 --> 0:17:33.720
<v Speaker 1>They tried to cover their tracks. I thought. She has

0:17:33.760 --> 0:17:37.000
<v Speaker 1>a line later like like I'm always traveling.

0:17:37.240 --> 0:17:42.119
<v Speaker 3>I'm always on the road and you love Yeah, I

0:17:42.400 --> 0:17:43.439
<v Speaker 3>try to love that.

0:17:44.600 --> 0:17:47.280
<v Speaker 1>I love it when you're gone.

0:17:47.560 --> 0:17:49.320
<v Speaker 4>He likes to get married and stuff. You know.

0:17:49.760 --> 0:17:51.480
<v Speaker 5>One of the craziest parts of this scene to me

0:17:51.640 --> 0:17:54.560
<v Speaker 5>is right at the end, Malcolm makes a call and

0:17:55.160 --> 0:17:58.720
<v Speaker 5>he holds his phone in his right hand on the

0:17:58.800 --> 0:18:00.240
<v Speaker 5>love side of space.

0:18:04.480 --> 0:18:10.480
<v Speaker 2>Chaos. You never expect it of the time to the

0:18:10.560 --> 0:18:12.280
<v Speaker 2>right ear this one time.

0:18:12.680 --> 0:18:16.960
<v Speaker 6>It goes to the he's holding binders, isn't he stuff?

0:18:17.000 --> 0:18:20.640
<v Speaker 3>Yeah, maybe there's some weird hand gestures. Malcolm gives him

0:18:20.680 --> 0:18:24.680
<v Speaker 3>the get out here. It's a real there's some weird

0:18:24.760 --> 0:18:26.240
<v Speaker 3>stuff in that. Yeah.

0:18:26.400 --> 0:18:29.240
<v Speaker 1>So okay, Malcolm goes and meets this team right because

0:18:29.240 --> 0:18:30.960
<v Speaker 1>now he's got to speed things up because he's got

0:18:30.960 --> 0:18:33.760
<v Speaker 1>to go rescue Sarah. Who's there by herself on this island,

0:18:33.760 --> 0:18:35.760
<v Speaker 1>this sight beat with all the dinosaurs that are like

0:18:36.080 --> 0:18:38.400
<v Speaker 1>just roaming free. So he meets his team. It's it's

0:18:38.720 --> 0:18:43.440
<v Speaker 1>Nick and Eddie. Nick again is Vince Vaughan. We get

0:18:43.520 --> 0:18:47.000
<v Speaker 1>right away that Vince Vaughn, I mean Nick is like

0:18:47.040 --> 0:18:47.760
<v Speaker 1>a ladies man.

0:18:48.240 --> 0:18:48.480
<v Speaker 4>Yep.

0:18:48.960 --> 0:18:53.800
<v Speaker 5>But then nothing comes with that, right, Nope, joined Greenpeace

0:18:53.840 --> 0:18:54.240
<v Speaker 5>for the women.

0:18:54.480 --> 0:19:00.280
<v Speaker 8>Yeah, eight women and Google that it's not true at

0:19:00.359 --> 0:19:03.000
<v Speaker 8>least there's no there's no proof of.

0:19:02.920 --> 0:19:08.920
<v Speaker 1>That, right, And then we meet Malcolm's daughter. Okay, we

0:19:08.960 --> 0:19:13.000
<v Speaker 1>meet Vilcom's daughter, Kelly played by Vanessa Lee Chester and

0:19:13.119 --> 0:19:15.640
<v Speaker 1>she wants to come along on the expedition, but Malcolm

0:19:15.640 --> 0:19:19.199
<v Speaker 1>explains that she can't go. And man, we had this

0:19:19.359 --> 0:19:22.320
<v Speaker 1>was a long scene. I thought between her and her

0:19:22.400 --> 0:19:26.160
<v Speaker 1>dad were we learned that she likes the sega, which

0:19:26.160 --> 0:19:30.040
<v Speaker 1>I was like respect, and that she was cut from

0:19:30.080 --> 0:19:32.040
<v Speaker 1>her gymnastics team and that's going to pay off of

0:19:32.080 --> 0:19:35.280
<v Speaker 1>course later, But like I also was struggling like hell

0:19:35.320 --> 0:19:37.720
<v Speaker 1>in this scene to figure out, like, what is the

0:19:37.720 --> 0:19:39.720
<v Speaker 1>family dynamic here?

0:19:39.840 --> 0:19:40.960
<v Speaker 2>What is going on?

0:19:41.320 --> 0:19:42.080
<v Speaker 1>Who's with who?

0:19:42.160 --> 0:19:44.600
<v Speaker 2>Where's the mom you're with? Julianne Moore say.

0:19:44.640 --> 0:19:47.080
<v Speaker 1>Like it was a little confusing, and even Vince Vaughn's

0:19:47.119 --> 0:19:50.120
<v Speaker 1>character was like, I don't he made a joke about

0:19:50.160 --> 0:19:53.680
<v Speaker 1>the resemblance. It's like, Okay, she's adopted of some sort

0:19:53.720 --> 0:19:56.520
<v Speaker 1>or whatever. But I don't know, I.

0:19:56.440 --> 0:19:57.280
<v Speaker 2>Don't know exactly.

0:19:57.359 --> 0:20:00.560
<v Speaker 5>I'm like, I buy that Malcolm has kids that we

0:20:00.560 --> 0:20:02.520
<v Speaker 5>wouldn't have heard about. Sure, right, because in the first

0:20:02.520 --> 0:20:05.120
<v Speaker 5>one he knows to like be worried for the kids

0:20:05.119 --> 0:20:08.720
<v Speaker 5>when he's sitting in the jeep with Grant when the

0:20:08.720 --> 0:20:11.640
<v Speaker 5>Tyrannosaurus attack is happening, He's like, the kids are scared,

0:20:11.960 --> 0:20:13.840
<v Speaker 5>and like Grant hadn't even thought about the kids. We

0:20:13.880 --> 0:20:16.120
<v Speaker 5>know he has multiple ex wives because in the first

0:20:16.160 --> 0:20:18.080
<v Speaker 5>one he's looking for the next future X.

0:20:18.520 --> 0:20:20.600
<v Speaker 2>This is Malcolm. So I kind of like it that

0:20:20.720 --> 0:20:21.880
<v Speaker 2>they're just like he.

0:20:21.840 --> 0:20:23.919
<v Speaker 1>Has a black daughter. Yeah, And I was like, oh,

0:20:23.960 --> 0:20:27.160
<v Speaker 1>he has a black daughter. It's not yeah, for sure,

0:20:27.440 --> 0:20:29.720
<v Speaker 1>it's not the race of the daughter. It is just like,

0:20:29.880 --> 0:20:31.679
<v Speaker 1>did we really need a daughter.

0:20:31.600 --> 0:20:33.000
<v Speaker 6>Or a kid at all in this movie?

0:20:33.040 --> 0:20:35.880
<v Speaker 1>Right? And they you know, they warned in for sure

0:20:35.920 --> 0:20:38.720
<v Speaker 1>to get her out there, yeah, because she'll show up. Yeah.

0:20:38.720 --> 0:20:42.800
<v Speaker 3>They never reveal with mom is his previous relationship. It

0:20:42.840 --> 0:20:46.600
<v Speaker 3>doesn't it doesn't matter. Apparently Melacunas, young Mela Cunas, was

0:20:46.640 --> 0:20:49.600
<v Speaker 3>also in the role for this for his daughter, but

0:20:49.680 --> 0:20:53.800
<v Speaker 3>they decided different direction and she was great later Chester.

0:20:54.040 --> 0:20:58.600
<v Speaker 1>Yeah, so, dude, to Malcolm's insistence to leave asap, Eddie's

0:20:58.600 --> 0:21:00.960
<v Speaker 1>got to shave off three days from his parture timeline.

0:21:01.320 --> 0:21:04.040
<v Speaker 1>He seems a little stretched the stressed because he's not

0:21:04.080 --> 0:21:06.880
<v Speaker 1>being able to test all this equipment. Uh that will

0:21:06.920 --> 0:21:10.119
<v Speaker 1>sort of be important later too. So anyway, they head out, Okay,

0:21:10.160 --> 0:21:14.280
<v Speaker 1>I guess, he says by in theory to Kelly color

0:21:14.320 --> 0:21:17.359
<v Speaker 1>a cat. She took a cap there. Maybe just call

0:21:17.440 --> 0:21:20.080
<v Speaker 1>her one for a relieve. Malcolm, Eddie, and Nick transport

0:21:20.119 --> 0:21:22.840
<v Speaker 1>to Mercedes SUVs and a modified r V.

0:21:23.600 --> 0:21:25.080
<v Speaker 2>They go to Costa.

0:21:24.840 --> 0:21:27.679
<v Speaker 1>Rica, I think first, and then they head to Cite B.

0:21:28.840 --> 0:21:30.879
<v Speaker 1>There's a quick scene thrown in here with a panicked

0:21:30.880 --> 0:21:32.520
<v Speaker 1>boat captain, right.

0:21:32.480 --> 0:21:35.320
<v Speaker 2>All right, yeah, yeah, you're right. And I just didn't know.

0:21:35.240 --> 0:21:37.040
<v Speaker 1>Where they were when that was happening, but I guess

0:21:37.040 --> 0:21:39.159
<v Speaker 1>that's where they were anyway, And this is where we

0:21:39.240 --> 0:21:43.840
<v Speaker 1>learned what the locals called the islands. I thought for

0:21:43.880 --> 0:21:45.480
<v Speaker 1>sure he was going to say they call them the

0:21:45.560 --> 0:21:53.160
<v Speaker 1>Lost World. He doesn't the Five Deaths, okay.

0:21:53.200 --> 0:21:58.320
<v Speaker 5>Los cinko'sos cinco muertes, right, yeah, And we even got

0:21:58.320 --> 0:22:00.479
<v Speaker 5>a scene of Kelly like looking at the map and

0:22:00.520 --> 0:22:02.960
<v Speaker 5>seeing it and instantly what I saw. You know, I

0:22:02.960 --> 0:22:04.919
<v Speaker 5>took three years of high school Spanish, so I'm pretty

0:22:05.000 --> 0:22:06.840
<v Speaker 5>knowledgeable in this sort of thing. I was like, Oh,

0:22:07.119 --> 0:22:10.119
<v Speaker 5>the Islands of Death, but if you didn't take Spanish

0:22:10.119 --> 0:22:13.159
<v Speaker 5>in high school. Thirty seconds later they explained that it

0:22:13.200 --> 0:22:15.320
<v Speaker 5>is the Islands of Death. I looked up the names

0:22:15.359 --> 0:22:19.399
<v Speaker 5>of all the islands they have there. Ela Matankeros butchers

0:22:20.280 --> 0:22:23.720
<v Speaker 5>butcher Island. I guess, elam Werta death, Yeah, East La

0:22:23.760 --> 0:22:30.480
<v Speaker 5>Sorna sarcasm, Yeah, weird, weird Sorna sarcasm. I suppose Takana

0:22:31.200 --> 0:22:35.960
<v Speaker 5>mean like being mean, and East Lapaina sorrow or grief.

0:22:36.680 --> 0:22:39.320
<v Speaker 5>I mean they got fair names, though, I think sarcasm

0:22:39.480 --> 0:22:42.399
<v Speaker 5>is maybe a little left of those ones.

0:22:43.000 --> 0:22:46.240
<v Speaker 1>And so it's called the Five Deaths by the locals

0:22:46.280 --> 0:22:49.280
<v Speaker 1>now because of what happened when they get the names.

0:22:49.320 --> 0:22:50.840
<v Speaker 2>I don't know, yeah, great question.

0:22:51.400 --> 0:22:53.720
<v Speaker 6>Maybe they're just cursed. The islands are cursed.

0:22:54.160 --> 0:22:56.880
<v Speaker 5>Yeah, maybe if they're an extra curse now, or they

0:22:57.080 --> 0:22:59.960
<v Speaker 5>renamed them after the experiments.

0:23:00.280 --> 0:23:00.719
<v Speaker 2>I don't know.

0:23:00.840 --> 0:23:03.720
<v Speaker 1>I mean, he did have five deaths in Jurassic Park

0:23:03.760 --> 0:23:06.159
<v Speaker 1>the original, did we not if we count Jeoffrey, the

0:23:06.160 --> 0:23:09.120
<v Speaker 1>poor guy that had to lift up the cage, counting him? Yeah, okay,

0:23:09.119 --> 0:23:10.960
<v Speaker 1>that's because I think there was four others.

0:23:11.040 --> 0:23:14.040
<v Speaker 6>Yeah, okay, wow. Interesting.

0:23:14.480 --> 0:23:17.080
<v Speaker 8>I mean, look, they're probably cursed because Hammond got them

0:23:17.280 --> 0:23:19.840
<v Speaker 8>for a steal. The guy is cheap, right, yeah, like

0:23:20.080 --> 0:23:21.560
<v Speaker 8>he runs a skeleton.

0:23:21.119 --> 0:23:22.400
<v Speaker 1>Crew, no expensive spare.

0:23:23.680 --> 0:23:27.480
<v Speaker 6>Except for islands and it tea and.

0:23:27.520 --> 0:23:30.600
<v Speaker 1>Something to uh you know, automatically open a cage door.

0:23:32.880 --> 0:23:36.240
<v Speaker 3>And the Great Malcolm Jamal Warner just passed away swimming

0:23:36.240 --> 0:23:38.280
<v Speaker 3>off the coast of Costa Rica.

0:23:38.119 --> 0:23:39.959
<v Speaker 4>Yeah, yeah, that's where he was.

0:23:40.680 --> 0:23:44.960
<v Speaker 1>So on the island, Eddie, Malcolm and Nick come across

0:23:45.000 --> 0:23:50.159
<v Speaker 1>a few giant stegasauruses. I guess those were yeah, yeah.

0:23:50.040 --> 0:23:51.719
<v Speaker 4>Yeah, they wanted to bring the stegosaurus back.

0:23:51.800 --> 0:23:51.879
<v Speaker 5>Ye.

0:23:51.920 --> 0:23:54.480
<v Speaker 1>They're big, they're big. They're stumbling across and they're going

0:23:54.520 --> 0:23:56.840
<v Speaker 1>through and then you know they're they're trying to find

0:23:56.880 --> 0:24:03.520
<v Speaker 1>Sarah and she's right there either were using obviously something

0:24:03.600 --> 0:24:07.399
<v Speaker 1>on her backpack, homing beacon on her backpack. But this

0:24:07.440 --> 0:24:10.760
<v Speaker 1>is where we first meet Sarah and man, she's a firecracker.

0:24:11.119 --> 0:24:14.040
<v Speaker 1>She is a firecracker. She borrows Nick's camera right away,

0:24:14.040 --> 0:24:17.680
<v Speaker 1>even though she has one. She touches a baby's dinosaur's

0:24:17.840 --> 0:24:21.040
<v Speaker 1>head right away. Her camera then starts freaking out because

0:24:21.040 --> 0:24:23.120
<v Speaker 1>it's like, you know, running out of film, starts making

0:24:23.160 --> 0:24:26.000
<v Speaker 1>crazy noises that pisses off the baby dinosaur, which then

0:24:26.040 --> 0:24:29.639
<v Speaker 1>pisses off the herd. She escapes, though, and then she

0:24:29.720 --> 0:24:32.520
<v Speaker 1>has the nerve. While they're walking away, Nick goes to

0:24:32.600 --> 0:24:34.719
<v Speaker 1>light up a cigarette, hold onder your butts here we go,

0:24:35.520 --> 0:24:38.600
<v Speaker 1>and Sarah tells him not to do that, quote, We're

0:24:38.600 --> 0:24:43.800
<v Speaker 1>here to observe and document, not interact. She just touched

0:24:44.040 --> 0:24:50.800
<v Speaker 1>a dinosaur that's interacting. That's much a cigarette. I'm sorry,

0:24:51.440 --> 0:24:53.040
<v Speaker 1>that was weird. So I don't know if we're supposed

0:24:53.080 --> 0:24:54.960
<v Speaker 1>to like her, I guess right away, but I hated

0:24:54.960 --> 0:24:58.159
<v Speaker 1>her immediately because like, you are a hypocrite. That was

0:24:58.160 --> 0:24:58.600
<v Speaker 1>my opinion.

0:24:59.640 --> 0:25:03.360
<v Speaker 8>I mean, look, Julianne Moore is wasted in this movie.

0:25:03.440 --> 0:25:06.320
<v Speaker 8>She's not the only one, obviously, but you know when

0:25:06.320 --> 0:25:09.840
<v Speaker 8>we first made her, there's that there's her just messing

0:25:09.880 --> 0:25:13.560
<v Speaker 8>with nature in general, Like she's the worst wildlife photographer

0:25:13.560 --> 0:25:17.040
<v Speaker 8>of all time, you know, like you know that you're

0:25:17.160 --> 0:25:20.200
<v Speaker 8>when your film runs out, it's going to automatically rewind,

0:25:20.320 --> 0:25:21.960
<v Speaker 8>like and you don't touch the wildlife.

0:25:22.000 --> 0:25:25.240
<v Speaker 6>That's rule number one. Yeah, that's right, that's.

0:25:24.520 --> 0:25:25.479
<v Speaker 1>The wa biggest problem.

0:25:26.040 --> 0:25:29.400
<v Speaker 8>And then when she sees Malcolm, she just starts blabbering

0:25:29.680 --> 0:25:33.600
<v Speaker 8>this palaeontology bullshit. It's not even exposition. I don't think like,

0:25:33.680 --> 0:25:36.600
<v Speaker 8>it's just like I figured out that this and that

0:25:36.640 --> 0:25:40.320
<v Speaker 8>and that. She just seems like a complete idiot. You know,

0:25:40.400 --> 0:25:42.680
<v Speaker 8>I'm like, this is the person you came to rescue.

0:25:43.040 --> 0:25:44.800
<v Speaker 8>Leave her there, like, what are you doing?

0:25:45.440 --> 0:25:47.080
<v Speaker 2>Get out now, man? Get out?

0:25:47.600 --> 0:25:51.040
<v Speaker 1>Exactly Well, she does say too, I guess important things.

0:25:51.040 --> 0:25:54.120
<v Speaker 1>She says, the herbivores are eating a lyceine rich diet

0:25:54.800 --> 0:25:57.240
<v Speaker 1>that's helping them survive. Literally, who cares?

0:25:59.640 --> 0:26:03.040
<v Speaker 8>You are right to be explained all but also you

0:26:03.080 --> 0:26:04.639
<v Speaker 8>could could have just left it at.

0:26:04.840 --> 0:26:06.720
<v Speaker 6>They found a way. Life found a way, right. We

0:26:06.800 --> 0:26:08.920
<v Speaker 6>don't need her, like.

0:26:09.320 --> 0:26:12.480
<v Speaker 8>You know, there's it did not ring true, like you

0:26:12.520 --> 0:26:15.840
<v Speaker 8>know your girlfriend's missing, you know, you find her on

0:26:15.880 --> 0:26:21.480
<v Speaker 8>this death island and then it's just like.

0:26:20.320 --> 0:26:22.359
<v Speaker 1>The other thing she says, though, it says that she

0:26:22.480 --> 0:26:25.240
<v Speaker 1>can prove now that the t rex does not abandon

0:26:25.280 --> 0:26:29.320
<v Speaker 1>their young as is the current accepted norms of their behavior.

0:26:29.480 --> 0:26:31.000
<v Speaker 1>So that's what you know, a lot of the scientists

0:26:31.040 --> 0:26:33.239
<v Speaker 1>are saying and thinking. But she's like, I don't think so,

0:26:33.400 --> 0:26:35.520
<v Speaker 1>of course that's going to be like a whole storyline here.

0:26:35.680 --> 0:26:36.760
<v Speaker 6>Just tell us that one thing.

0:26:36.840 --> 0:26:38.640
<v Speaker 1>Yeah, okay, you know what, I sort of agree.

0:26:39.160 --> 0:26:42.240
<v Speaker 5>Trying to prove that Dinohs are good parents, That's what

0:26:42.240 --> 0:26:42.960
<v Speaker 5>I'm out here trying to.

0:26:43.960 --> 0:26:46.520
<v Speaker 2>I do like what they're searching for. And they're yelling

0:26:46.600 --> 0:26:49.640
<v Speaker 2>Sarah Sarah, and Nick yells Sarah.

0:26:49.640 --> 0:26:53.439
<v Speaker 5>Hardy Malcolm says, how many Sarahs do you think are

0:26:53.480 --> 0:26:54.000
<v Speaker 5>on the island?

0:26:54.560 --> 0:26:55.040
<v Speaker 4>That was good?

0:26:55.280 --> 0:26:55.480
<v Speaker 2>Yeah?

0:26:56.600 --> 0:26:58.520
<v Speaker 1>Is there not a callback to that joke? Later in

0:26:58.560 --> 0:27:03.160
<v Speaker 1>the movie, doesn't gold Blue yell? He yells somebody's full name?

0:27:03.800 --> 0:27:04.680
<v Speaker 1>Where to Gods?

0:27:04.720 --> 0:27:05.840
<v Speaker 2>Yeah, you're probably right.

0:27:05.720 --> 0:27:08.600
<v Speaker 1>But nobody like addresses it. But they're yelling the what

0:27:08.640 --> 0:27:10.879
<v Speaker 1>is Who's he yelling for? It must it's got to

0:27:10.920 --> 0:27:12.600
<v Speaker 1>be either maybe Kelly or something.

0:27:12.600 --> 0:27:12.879
<v Speaker 2>I don't know.

0:27:12.880 --> 0:27:14.960
<v Speaker 1>He's yelling for somebody, right, And I swear he yells

0:27:14.960 --> 0:27:16.760
<v Speaker 1>the first name and then he says full name. But

0:27:16.760 --> 0:27:21.399
<v Speaker 1>it's later in the movie, nice so what a payoff? Okay,

0:27:21.440 --> 0:27:24.320
<v Speaker 1>So yeah, they're all together here and suddenly they see

0:27:24.320 --> 0:27:27.040
<v Speaker 1>that there's a fire back at camp and they're like,

0:27:27.080 --> 0:27:28.640
<v Speaker 1>who the heck started that quick fire?

0:27:28.720 --> 0:27:30.320
<v Speaker 2>Yeah, just a quick little fire going.

0:27:30.680 --> 0:27:34.760
<v Speaker 1>Get Kelly on Survivor man Dominate and yeah, Kelly pops

0:27:34.760 --> 0:27:37.560
<v Speaker 1>out of the RV because she has secretly stowed herself

0:27:37.640 --> 0:27:41.040
<v Speaker 1>on this trip. So Kelly's there.

0:27:42.200 --> 0:27:44.159
<v Speaker 8>What a bummer when she shows up, you know what

0:27:44.200 --> 0:27:47.080
<v Speaker 8>I mean? You know she's gonna you know, she walks

0:27:47.160 --> 0:27:50.920
<v Speaker 8>into a working work site, like there's sparks flying everywhere.

0:27:50.920 --> 0:27:53.879
<v Speaker 8>It's like, oh, this seems like a pretty good place

0:27:53.920 --> 0:27:56.400
<v Speaker 8>to stow away in. And then she's there and it's

0:27:56.440 --> 0:27:59.600
<v Speaker 8>just like, good, now there's a kid, yeah to deal

0:27:59.680 --> 0:28:00.600
<v Speaker 8>with forget.

0:28:01.080 --> 0:28:05.800
<v Speaker 5>So where does that put a doctor in? Malcolm only

0:28:06.000 --> 0:28:06.440
<v Speaker 5>was I.

0:28:06.400 --> 0:28:08.520
<v Speaker 2>Mean, he did bring her to the hangar.

0:28:09.320 --> 0:28:11.760
<v Speaker 5>He didn't expect for her to stow away, right, But

0:28:11.800 --> 0:28:13.000
<v Speaker 5>if he would have never called her.

0:28:12.840 --> 0:28:14.399
<v Speaker 2>There, she would have never had a chance.

0:28:14.280 --> 0:28:14.720
<v Speaker 4>That's right.

0:28:14.840 --> 0:28:17.320
<v Speaker 6>And he did say the line never listened to me.

0:28:17.560 --> 0:28:20.520
<v Speaker 8>Yeah, at least he's self deprecating enough to realize he's

0:28:20.560 --> 0:28:23.080
<v Speaker 8>a shitty parent, you know what I mean. But and

0:28:23.119 --> 0:28:25.439
<v Speaker 8>he's also, you know, there's a lot lot of like

0:28:26.200 --> 0:28:28.880
<v Speaker 8>hands drop that he's unreliable. It's like, I just need

0:28:28.920 --> 0:28:31.320
<v Speaker 8>you to, you know, be there when I need your

0:28:31.480 --> 0:28:34.280
<v Speaker 8>He's aloof for sure, But is he in the top?

0:28:34.320 --> 0:28:37.199
<v Speaker 1>I don't know, I mean, because we have to believe

0:28:37.320 --> 0:28:40.760
<v Speaker 1>that he didn't really even say I mean, he's when

0:28:40.760 --> 0:28:42.600
<v Speaker 1>did he say by door ye to.

0:28:42.600 --> 0:28:45.920
<v Speaker 2>Kelly at that hangar? He said bye?

0:28:46.000 --> 0:28:47.760
<v Speaker 1>And I guess like didn't see her get in a

0:28:47.760 --> 0:28:50.080
<v Speaker 1>cab and leave for something, and she just he was

0:28:50.160 --> 0:28:51.280
<v Speaker 1>just trying. She just went in the RV.

0:28:51.400 --> 0:28:53.840
<v Speaker 3>Yeah, yeah, we thought you'd grab a kid ten year old,

0:28:53.880 --> 0:28:56.480
<v Speaker 3>that's what he said, right, Yeah, yeah, to some degree,

0:28:56.480 --> 0:28:57.160
<v Speaker 3>he didn't say by.

0:28:57.120 --> 0:28:59.880
<v Speaker 1>Her established he did.

0:28:59.880 --> 0:29:01.720
<v Speaker 8>I thought it was like when he walked away from

0:29:01.720 --> 0:29:04.400
<v Speaker 8>the office they had the confrontation and yeah, he's just

0:29:04.440 --> 0:29:06.000
<v Speaker 8>like your mother took off to Paris. I don't know

0:29:06.040 --> 0:29:08.560
<v Speaker 8>what to do with you. And then he walks away

0:29:08.560 --> 0:29:11.360
<v Speaker 8>and says, just don't listen to me. And then I

0:29:11.360 --> 0:29:12.640
<v Speaker 8>think that was a goodbye.

0:29:15.840 --> 0:29:16.320
<v Speaker 2>Figure it out.

0:29:17.760 --> 0:29:20.000
<v Speaker 8>Staying with this person who doesn't have Sega, the chocolate

0:29:20.040 --> 0:29:20.640
<v Speaker 8>datee or whatever.

0:29:20.960 --> 0:29:27.920
<v Speaker 5>Yeahcolate, yeah, yeah, okay, cool, my favorite dinosaur I.

0:29:28.040 --> 0:29:32.640
<v Speaker 1>Know totally okay. So now now we cut to Peter

0:29:32.800 --> 0:29:37.200
<v Speaker 1>Ludlow flying in Roland Tembo. That is Pete apostle Thwaite.

0:29:37.960 --> 0:29:40.680
<v Speaker 1>He's a big game hunter. They're coming. He's coming in

0:29:40.680 --> 0:29:42.880
<v Speaker 1>with his entire assault team here and the equipment, and

0:29:42.880 --> 0:29:45.560
<v Speaker 1>they're going to round up these various dinosaurs for Engen

0:29:45.680 --> 0:29:47.960
<v Speaker 1>and Roland tells us he wants to kill a t rex.

0:29:48.920 --> 0:29:52.840
<v Speaker 1>That's his fee for the assignments, right, that's sick, man,

0:29:52.920 --> 0:29:55.240
<v Speaker 1>that's some sick stuff. And we're right into a scene

0:29:55.280 --> 0:29:58.880
<v Speaker 1>where they just start snatching up dinosaurs and he's trying

0:29:58.880 --> 0:30:00.240
<v Speaker 1>to figure out the names of these things.

0:30:00.320 --> 0:30:01.719
<v Speaker 2>He's like me doing my notes.

0:30:02.360 --> 0:30:04.560
<v Speaker 1>He's like, screw it, get the friar tuck looking one,

0:30:05.000 --> 0:30:06.160
<v Speaker 1>Get the eldest looking one.

0:30:06.520 --> 0:30:07.200
<v Speaker 2>Yeah, I like that.

0:30:07.240 --> 0:30:10.480
<v Speaker 1>And they're having some success here in this like I

0:30:10.480 --> 0:30:14.640
<v Speaker 1>guess first real action sequence where all the dinosaurs are

0:30:14.720 --> 0:30:16.120
<v Speaker 1>running around and there's like, man, they.

0:30:16.040 --> 0:30:18.680
<v Speaker 2>Came with a bunch of people. Yeah, a lot of vehicles.

0:30:19.160 --> 0:30:23.160
<v Speaker 5>Yeah, they got to quite the crew together pretty quickly.

0:30:23.240 --> 0:30:24.000
<v Speaker 2>But I guess uh.

0:30:24.120 --> 0:30:26.160
<v Speaker 5>Nick tells us eventually he's like, yeah, I knew these

0:30:26.200 --> 0:30:28.520
<v Speaker 5>guys were coming, so we had to finish our work

0:30:28.520 --> 0:30:32.320
<v Speaker 5>before they got here, which obviously didn't happen. But I

0:30:32.360 --> 0:30:34.640
<v Speaker 5>do like that they're showing us the contrast of like, look,

0:30:34.720 --> 0:30:38.440
<v Speaker 5>every other person we've met so far in the franchise,

0:30:38.480 --> 0:30:41.800
<v Speaker 5>including the first movie, like they're there because they want

0:30:41.800 --> 0:30:44.360
<v Speaker 5>to see dinosaurs, because they're interested in dinosaurs, and like

0:30:44.440 --> 0:30:47.640
<v Speaker 5>this is a once in a lifetime opportunity. Meanwhile, the

0:30:47.800 --> 0:30:49.840
<v Speaker 5>majority of these guys are just like, let's go to

0:30:49.880 --> 0:30:53.760
<v Speaker 5>mess up some dinosaurs. We don't care anything about these.

0:30:53.800 --> 0:30:56.360
<v Speaker 5>We got Pete possel Towait throwing away the key to

0:30:56.400 --> 0:30:58.320
<v Speaker 5>the dinosaurs because the other thing want to mess around

0:30:58.320 --> 0:31:00.960
<v Speaker 5>with any name that isn't t Rex. These guys are

0:31:01.000 --> 0:31:05.040
<v Speaker 5>just complete savages going out there to be mercenaries, right,

0:31:05.120 --> 0:31:08.040
<v Speaker 5>And I think that's completely different than what the other

0:31:08.160 --> 0:31:10.400
<v Speaker 5>team is showing and what we have seen thus far.

0:31:10.520 --> 0:31:13.720
<v Speaker 2>So you know we're going right away. These guys are dickheads.

0:31:13.840 --> 0:31:14.080
<v Speaker 7>Yeah.

0:31:14.280 --> 0:31:16.040
<v Speaker 1>Then there's the one guy on their team that does

0:31:16.080 --> 0:31:16.840
<v Speaker 1>seem to know stuff.

0:31:18.760 --> 0:31:21.040
<v Speaker 5>I don't know if he ever got a name, Big

0:31:21.080 --> 0:31:24.320
<v Speaker 5>Old Beard Long. Yeah, yeah, I only have him as

0:31:24.320 --> 0:31:24.840
<v Speaker 5>in my notes.

0:31:24.960 --> 0:31:26.680
<v Speaker 1>They literally have to have him there so he could

0:31:26.720 --> 0:31:32.920
<v Speaker 1>say the proper name, like thank you. So then the

0:31:33.200 --> 0:31:35.440
<v Speaker 1>timeline was weird here to me, I think we jumped

0:31:35.520 --> 0:31:38.560
<v Speaker 1>right to like the next morning, because this is where

0:31:38.560 --> 0:31:41.080
<v Speaker 1>we have role in finding the infant t Rex. It

0:31:41.200 --> 0:31:44.440
<v Speaker 1>was like, okay, we just jumped right to the next day.

0:31:45.160 --> 0:31:47.120
<v Speaker 6>I thought that was just later in the day.

0:31:47.600 --> 0:31:50.160
<v Speaker 1>That night, I thought it got I thought they were

0:31:50.200 --> 0:31:53.480
<v Speaker 1>doing all their hunting. It got dark, and then it's

0:31:53.560 --> 0:31:55.480
<v Speaker 1>the t rex scene. The infant t rex is like

0:31:55.520 --> 0:31:56.400
<v Speaker 1>morning again.

0:31:57.760 --> 0:31:58.440
<v Speaker 2>Or is it dark?

0:31:58.560 --> 0:32:00.720
<v Speaker 1>I can't. Oh, it's dark, so it's it's night. So

0:32:00.760 --> 0:32:03.400
<v Speaker 1>it's the same day, well, same day. Maybe could be

0:32:03.440 --> 0:32:06.440
<v Speaker 1>the next morning for all I know. Anyway, it doesn't matter.

0:32:06.480 --> 0:32:09.840
<v Speaker 1>The t rex is chained up, little baby, like I'm

0:32:09.880 --> 0:32:10.600
<v Speaker 1>hunting right away.

0:32:10.640 --> 0:32:13.120
<v Speaker 5>You guys set up camp. Yeah, I'll be back with

0:32:13.160 --> 0:32:14.920
<v Speaker 5>a t rex and momentarily yeah.

0:32:14.720 --> 0:32:16.400
<v Speaker 1>And they chain it up and they're hoping the cries

0:32:16.400 --> 0:32:18.400
<v Speaker 1>are going to bring the parents to the base and

0:32:18.400 --> 0:32:20.080
<v Speaker 1>that that's where they can hunt them down. And that

0:32:20.200 --> 0:32:23.160
<v Speaker 1>t rex, that little baby t Rex, it's whaling like

0:32:23.200 --> 0:32:24.960
<v Speaker 1>a mother. It's going crazy.

0:32:25.320 --> 0:32:27.520
<v Speaker 4>Apparently they used a baby camel for that sound.

0:32:27.560 --> 0:32:29.520
<v Speaker 2>The sound, yeah, and then once you hear.

0:32:29.360 --> 0:32:35.360
<v Speaker 3>It the entire time, close your eyes and that's a

0:32:35.400 --> 0:32:36.640
<v Speaker 3>camel crying.

0:32:36.760 --> 0:32:38.640
<v Speaker 4>It's so Samuel L.

0:32:38.720 --> 0:32:41.400
<v Speaker 1>Jackson was still alive to pop in say somebody say, Cammel,

0:32:42.960 --> 0:32:49.000
<v Speaker 1>but your humps. So later that night, I guess then

0:32:49.160 --> 0:32:53.040
<v Speaker 1>Hammon's crew sneaks up on the Dino snatchers. Peter is

0:32:53.040 --> 0:32:56.400
<v Speaker 1>making a presentation to the engine board about his plan,

0:32:56.480 --> 0:33:01.000
<v Speaker 1>which is this dinosaur themed park in San Diego. Weird

0:33:01.000 --> 0:33:03.280
<v Speaker 1>blind thrown in here. You know how great at play

0:33:03.360 --> 0:33:05.520
<v Speaker 1>San Diego was for this, he says, San Diego Zoo,

0:33:05.800 --> 0:33:12.640
<v Speaker 1>SeaWorld and the San Diego Chargers. Yeah, what lost me

0:33:12.680 --> 0:33:17.520
<v Speaker 1>on the Chargers part animals, the standibals man. Uh so yeah,

0:33:17.520 --> 0:33:20.040
<v Speaker 1>he has like I mean, poor Eddie's struggling with all

0:33:20.080 --> 0:33:22.880
<v Speaker 1>his equipment. They've got a full Zoom meeting going like yeah.

0:33:22.720 --> 0:33:23.240
<v Speaker 2>I'm impressed.

0:33:23.280 --> 0:33:26.120
<v Speaker 5>Actually yeah, I know in Gen like Engen should have

0:33:26.120 --> 0:33:29.360
<v Speaker 5>gotten into the technology game rather than just straight up

0:33:29.400 --> 0:33:32.040
<v Speaker 5>the dinosaur de extincting game, because we saw in the

0:33:32.080 --> 0:33:34.920
<v Speaker 5>first one they basically invented Weymouth thirty years earlier. They

0:33:34.920 --> 0:33:37.880
<v Speaker 5>have electric self driving cars, and then that's when they're

0:33:37.880 --> 0:33:40.960
<v Speaker 5>doing Zoom twenty five years before Zoom comes out, Like

0:33:41.000 --> 0:33:43.840
<v Speaker 5>they were onto some really good technology stuff and I

0:33:43.840 --> 0:33:45.720
<v Speaker 5>guess that was just like to.

0:33:45.800 --> 0:33:47.600
<v Speaker 2>Finance the dinosaur projects.

0:33:47.640 --> 0:33:50.640
<v Speaker 5>Yeah, but they could have probably done well and killed

0:33:50.680 --> 0:33:52.840
<v Speaker 5>way fewer people if they just would have continued down

0:33:52.880 --> 0:33:55.360
<v Speaker 5>the path of making consumer products.

0:33:55.360 --> 0:33:58.880
<v Speaker 3>So this is like, was it Kelly or maybe I'm

0:33:58.920 --> 0:34:02.520
<v Speaker 3>mixing up, like these are hacking abilities?

0:34:02.800 --> 0:34:05.280
<v Speaker 2>She could have taken over the company exactly, she could have.

0:34:05.520 --> 0:34:07.160
<v Speaker 1>I was gonna say, this is what you're saying is

0:34:07.200 --> 0:34:10.200
<v Speaker 1>like Apple and their technology and their phones and computers.

0:34:10.200 --> 0:34:14.960
<v Speaker 1>But then you know, pivoting into uh movies, ridiculous. Yeah,

0:34:15.080 --> 0:34:16.560
<v Speaker 1>they're like, we got all get this funny, let's just

0:34:16.560 --> 0:34:18.560
<v Speaker 1>do other things. Yeah, that's what they're doing here. So

0:34:18.680 --> 0:34:22.040
<v Speaker 1>Nick infiltrates the base camp, he frees the dinosaurs, and

0:34:22.080 --> 0:34:25.040
<v Speaker 1>they recavoc here on this base camp, and that's when

0:34:25.120 --> 0:34:27.719
<v Speaker 1>Roland then inspects the cages and he really realizes they've

0:34:27.719 --> 0:34:30.360
<v Speaker 1>been sabotaged and that they're not alone on this island,

0:34:30.600 --> 0:34:32.880
<v Speaker 1>and that was not dinosaurs that let these dinosaurs out

0:34:32.920 --> 0:34:33.279
<v Speaker 1>of the cage.

0:34:33.280 --> 0:34:34.239
<v Speaker 6>That was humans.

0:34:34.480 --> 0:34:36.399
<v Speaker 1>So that's where we are. Any thoughts on this whole

0:34:36.440 --> 0:34:38.720
<v Speaker 1>scene here, JD with what's going on.

0:34:38.719 --> 0:34:41.400
<v Speaker 8>Well, look when they're chasing the dinosaurs, when they first

0:34:41.440 --> 0:34:43.839
<v Speaker 8>get there, you know, I think it's supposed to be

0:34:43.880 --> 0:34:45.480
<v Speaker 8>like a showstopping wow, like.

0:34:45.480 --> 0:34:46.000
<v Speaker 6>We're in it.

0:34:46.040 --> 0:34:50.760
<v Speaker 8>We're like we are riding motorbikes underneath dinosaurs and it's cool.

0:34:51.360 --> 0:34:55.240
<v Speaker 8>It did not look great, like compared to the wonder

0:34:55.280 --> 0:34:57.799
<v Speaker 8>and awe of you know, seeing the dinosaurs. Like I

0:34:57.880 --> 0:35:01.160
<v Speaker 8>like that they were trying to move. We're further with it,

0:35:01.200 --> 0:35:02.799
<v Speaker 8>like yeah, now we're not just looking at them. We're

0:35:02.880 --> 0:35:06.040
<v Speaker 8>hunting dinosaurs. And like just this action sequence where we

0:35:06.160 --> 0:35:09.600
<v Speaker 8>got vehicles, we got you know, this weird chair that

0:35:09.680 --> 0:35:12.400
<v Speaker 8>comes out of the jeep for some reason, like you know,

0:35:12.880 --> 0:35:16.120
<v Speaker 8>sort of mad Max, like yeah, yeah, when the motorcycle

0:35:16.160 --> 0:35:19.600
<v Speaker 8>goes under the whatever it is, the big dinosaur. I'm like,

0:35:20.120 --> 0:35:22.959
<v Speaker 8>this is not this is stupid, like like this is dumb.

0:35:23.000 --> 0:35:26.880
<v Speaker 8>And then you know Tembo's sort of speech about his fee.

0:35:26.719 --> 0:35:28.560
<v Speaker 6>And you know, like this is not a blah blah

0:35:28.600 --> 0:35:30.200
<v Speaker 6>blah blah.

0:35:30.000 --> 0:35:34.480
<v Speaker 8>Absolutely nailed by Parcel Thwaite, but horrible dialogue and like

0:35:34.520 --> 0:35:36.400
<v Speaker 8>this whole thing of they're in a bumpy jeep and

0:35:36.440 --> 0:35:40.960
<v Speaker 8>he's like this big monologue and he's just like I

0:35:41.040 --> 0:35:43.120
<v Speaker 8>have two conditions blah blah blah blah blah. You know

0:35:43.160 --> 0:35:46.800
<v Speaker 8>it's just like good. I mean it's fine. I guess

0:35:46.840 --> 0:35:49.000
<v Speaker 8>like any other actor wouldn't be able to pull it off.

0:35:49.040 --> 0:35:53.160
<v Speaker 8>But pussel Thwait's great, and you know, like the jump

0:35:53.200 --> 0:35:56.040
<v Speaker 8>to oh we are not alone on this island. I'm like,

0:35:56.160 --> 0:35:58.879
<v Speaker 8>you brought a hundred guys, like you think it might

0:35:58.880 --> 0:36:04.959
<v Speaker 8>have been one of your dude sabotage But anyways, yeah,

0:36:05.120 --> 0:36:07.160
<v Speaker 8>I mean it's fine whatever.

0:36:07.480 --> 0:36:09.319
<v Speaker 6>Like I don't know, I.

0:36:09.280 --> 0:36:12.839
<v Speaker 3>Do like the chairs being ejected out from each cool

0:36:12.960 --> 0:36:15.120
<v Speaker 3>ahead of the time, good tech.

0:36:15.400 --> 0:36:18.319
<v Speaker 9>Yeah, what is the purpose of it though, Like, so

0:36:18.360 --> 0:36:20.879
<v Speaker 9>you can just get a better, better, you know, rope

0:36:20.920 --> 0:36:27.200
<v Speaker 9>on I guess so, I guess rope the technologies there?

0:36:27.640 --> 0:36:29.759
<v Speaker 4>Do they drive under a stegosaurus? Is that?

0:36:32.120 --> 0:36:34.279
<v Speaker 1>Yeah? That's why the ones we couldn't name in the

0:36:34.320 --> 0:36:36.640
<v Speaker 1>first because.

0:36:36.040 --> 0:36:40.320
<v Speaker 8>Those are those are el size right, Okay, it was

0:36:40.360 --> 0:36:42.120
<v Speaker 8>big enough for a motorcycle?

0:36:42.600 --> 0:36:43.680
<v Speaker 1>Was it the Elvis one? Maybe?

0:36:43.840 --> 0:36:45.880
<v Speaker 6>Maybe? I think I might have Elvis.

0:36:46.160 --> 0:36:47.640
<v Speaker 2>We mostly got a shot of its legs.

0:36:47.640 --> 0:36:50.000
<v Speaker 5>I do like when the triceratops starts raging through the

0:36:50.040 --> 0:36:54.160
<v Speaker 5>camp after making them like release them at the investor call.

0:36:54.200 --> 0:36:56.280
<v Speaker 2>I think that's pretty good. Now I'm getting excited.

0:36:56.280 --> 0:36:58.480
<v Speaker 5>I'm like Oka right, we're gonna get some dinosaur raging

0:36:58.719 --> 0:37:01.840
<v Speaker 5>and then something it's over. Yeah, just like the tiniest

0:37:01.880 --> 0:37:03.600
<v Speaker 5>taste of dinosaur not enough for me.

0:37:03.760 --> 0:37:05.080
<v Speaker 2>But I think you're totally right.

0:37:05.120 --> 0:37:08.279
<v Speaker 5>It's like in the first one they have that moment

0:37:08.320 --> 0:37:10.200
<v Speaker 5>when they get to Jurassic Park, we get the awe,

0:37:10.239 --> 0:37:11.799
<v Speaker 5>but kind of like the genies out of the bottle,

0:37:11.840 --> 0:37:14.160
<v Speaker 5>they can't really do that the exact same way.

0:37:14.200 --> 0:37:14.480
<v Speaker 2>Again.

0:37:15.000 --> 0:37:17.920
<v Speaker 5>We get tiny moments of people like in the jeeps

0:37:17.960 --> 0:37:20.560
<v Speaker 5>driving along and they're like, oh cool, you know, they

0:37:20.560 --> 0:37:24.080
<v Speaker 5>are like still wowed to see the dinosaurs. But because

0:37:24.120 --> 0:37:26.319
<v Speaker 5>they did that whole the whole first half of the

0:37:26.320 --> 0:37:29.600
<v Speaker 5>first movie is you know, the beauty of the dinosaurs

0:37:29.600 --> 0:37:32.640
<v Speaker 5>and the friendliness of the herbivores. They don't do that

0:37:32.680 --> 0:37:34.880
<v Speaker 5>in the second one because they can't just totally repeat themselves.

0:37:34.920 --> 0:37:37.080
<v Speaker 2>I know, like the herbivores are dangerous.

0:37:36.800 --> 0:37:38.520
<v Speaker 5>Right, you know, And I think that is kind of

0:37:38.560 --> 0:37:40.839
<v Speaker 5>like indicative of the way this whole movie goes. It's

0:37:40.880 --> 0:37:44.239
<v Speaker 5>like everything's a little bit more serious and dark and

0:37:44.320 --> 0:37:47.239
<v Speaker 5>dangerous for the second one compared to the first one.

0:37:47.320 --> 0:37:49.080
<v Speaker 5>And what we liked about the first one was that

0:37:49.120 --> 0:37:51.440
<v Speaker 5>they had the contrast in style whereas with this one,

0:37:51.440 --> 0:37:53.040
<v Speaker 5>it's just like murders right away.

0:37:53.120 --> 0:37:55.920
<v Speaker 4>It's just as man anything.

0:37:57.280 --> 0:38:01.520
<v Speaker 1>Look, there's no fenses. Man Nick though, he saves the

0:38:01.560 --> 0:38:05.120
<v Speaker 1>injured infant t Rex and he brings it to the

0:38:05.280 --> 0:38:07.759
<v Speaker 1>r V for medical attention. So they've got it here

0:38:07.800 --> 0:38:10.160
<v Speaker 1>in the r V and they're, you know, they're they're

0:38:10.200 --> 0:38:12.000
<v Speaker 1>fixing it, and he takes off his belt to like

0:38:12.040 --> 0:38:14.919
<v Speaker 1>wrap up its mouth so it doesn't you know, sort

0:38:14.920 --> 0:38:17.359
<v Speaker 1>of bite them or whatever. And oh my god, there's

0:38:17.400 --> 0:38:23.600
<v Speaker 1>a fly in here in case exactly. Uh, and Sarah's helping,

0:38:23.719 --> 0:38:26.920
<v Speaker 1>and they're trying to fix its leg, you knows.

0:38:26.320 --> 0:38:32.640
<v Speaker 2>Chopping away. I need something that he said can be

0:38:32.680 --> 0:38:36.919
<v Speaker 2>possibly you. Oh well slights again.

0:38:37.040 --> 0:38:41.759
<v Speaker 3>Well she says spit and he literally spits his and she.

0:38:41.719 --> 0:38:45.520
<v Speaker 4>Said, gum, yeah that's right, dummy, Yeah, okay.

0:38:46.440 --> 0:38:51.040
<v Speaker 8>Dummy is correct, because these fucking morons are bringing a

0:38:51.160 --> 0:38:53.480
<v Speaker 8>baby t Rex into their trailer.

0:38:53.560 --> 0:38:56.800
<v Speaker 6>Yeah, they're more they're morons.

0:38:56.680 --> 0:38:57.759
<v Speaker 2>And what are you doing?

0:38:57.920 --> 0:39:01.399
<v Speaker 1>Told us, yeah that she is learned that they will

0:39:01.400 --> 0:39:05.239
<v Speaker 1>go nuts in protecting their infant, and it's like, oh no,

0:39:05.280 --> 0:39:07.319
<v Speaker 1>it's not like we thought t Rex has baby, and

0:39:07.400 --> 0:39:09.040
<v Speaker 1>just like, yeah, screw get out of here, baby, we

0:39:09.080 --> 0:39:10.120
<v Speaker 1>don't care about you anymore.

0:39:10.239 --> 0:39:12.239
<v Speaker 8>They're not like that at all, Right, And to your

0:39:12.280 --> 0:39:14.399
<v Speaker 8>earlier point, she made a point of being like, well,

0:39:14.400 --> 0:39:19.440
<v Speaker 8>we can't interfere here, Like even though Posselthwaite probably purposefully

0:39:19.520 --> 0:39:22.560
<v Speaker 8>broke its leg to lure the t Rex, you still can't.

0:39:23.080 --> 0:39:25.640
<v Speaker 8>You just it's just the stupidest thing you could do.

0:39:26.600 --> 0:39:28.799
<v Speaker 8>And when you're when your characters are morons, are like,

0:39:28.840 --> 0:39:30.239
<v Speaker 8>I don't care about them.

0:39:30.360 --> 0:39:31.480
<v Speaker 1>Yeah, yeah, you know.

0:39:31.680 --> 0:39:31.879
<v Speaker 2>Yeah.

0:39:32.280 --> 0:39:34.920
<v Speaker 1>So well they're in this r V and at one

0:39:34.920 --> 0:39:36.920
<v Speaker 1>point I thought it happened like really quickly, but like

0:39:37.000 --> 0:39:40.320
<v Speaker 1>Kelly starts freaking out. She's like suddenly like this is

0:39:40.320 --> 0:39:44.040
<v Speaker 1>a bad idea coming here. Yeah, maybe it's seeing the

0:39:44.080 --> 0:39:46.840
<v Speaker 1>wailing baby in you know, infant t rex on the

0:39:46.880 --> 0:39:49.960
<v Speaker 1>table or something. But she starts panicking. So her and

0:39:50.000 --> 0:39:54.080
<v Speaker 1>Malcolm go and join Eddie in the in the high Tide,

0:39:54.480 --> 0:39:57.960
<v Speaker 1>high Hide, high hide, Yeah, high hide, thank you elevated

0:39:58.000 --> 0:39:58.640
<v Speaker 1>basket thing.

0:39:59.040 --> 0:40:01.600
<v Speaker 2>Yeah, which, what was the.

0:40:01.560 --> 0:40:02.479
<v Speaker 1>Point of this thing? I mean.

0:40:04.400 --> 0:40:05.719
<v Speaker 2>That was one where I was like, oh, this will

0:40:05.760 --> 0:40:06.200
<v Speaker 2>pay off.

0:40:06.800 --> 0:40:08.520
<v Speaker 5>You made it because they show us like what they're

0:40:08.560 --> 0:40:10.440
<v Speaker 5>at the hangar or whatever, right, and he's kind of

0:40:10.480 --> 0:40:13.200
<v Speaker 5>like going through Eddie's going through all of the different

0:40:13.239 --> 0:40:15.239
<v Speaker 5>things that he's bringing that he hasn't tested yet and

0:40:15.320 --> 0:40:19.440
<v Speaker 5>included as the High Hide, and Malcolm's like, oh, perfect convenient,

0:40:19.480 --> 0:40:21.960
<v Speaker 5>biting hype, right right, You're thinking Eddie is going to

0:40:22.000 --> 0:40:25.200
<v Speaker 5>get chomped out of that, sure, sure, but no, they

0:40:25.239 --> 0:40:26.040
<v Speaker 5>just use it to hide.

0:40:26.120 --> 0:40:26.759
<v Speaker 2>Yeah, that's it.

0:40:26.960 --> 0:40:30.960
<v Speaker 8>Yeah, you never heard of Chekov's High Hide.

0:40:30.280 --> 0:40:34.560
<v Speaker 1>Right. Well, what's funny too, is like Malcolm takes her

0:40:34.719 --> 0:40:36.640
<v Speaker 1>Kelly up with Eddie or they get up there in

0:40:36.680 --> 0:40:38.600
<v Speaker 1>the High Hide and then he's like, up there, he

0:40:39.000 --> 0:40:42.600
<v Speaker 1>calls back to the r V. No answer, Yeah, so

0:40:42.680 --> 0:40:45.800
<v Speaker 1>he like repels down like ten seconds later. Yep, He's like,

0:40:45.840 --> 0:40:47.560
<v Speaker 1>I guess you're safe now. You didn't want to be

0:40:47.560 --> 0:40:50.040
<v Speaker 1>in the RV let me go back. Yeah, you just

0:40:50.080 --> 0:40:53.600
<v Speaker 1>stay with Eddie pouring rain out, barely any coverage to

0:40:53.640 --> 0:40:56.960
<v Speaker 1>this thing. She's got no jacket on. I'm sure it's warm,

0:40:57.080 --> 0:41:03.200
<v Speaker 1>but we very well. So, yeah, he repels down, and

0:41:03.320 --> 0:41:05.479
<v Speaker 1>he's just making some fascinating decisions in my mind.

0:41:05.520 --> 0:41:06.120
<v Speaker 6>Oh totally.

0:41:06.200 --> 0:41:08.359
<v Speaker 8>I mean, look, let me ask the dads in the room,

0:41:08.520 --> 0:41:11.120
<v Speaker 8>are you leaving your child in the High Hide by yourself?

0:41:11.239 --> 0:41:15.360
<v Speaker 8>By herself? So you can go rescue your soon to

0:41:15.400 --> 0:41:16.960
<v Speaker 8>be ex girlfriend.

0:41:17.640 --> 0:41:21.800
<v Speaker 2>Absolutely not literally left her hanging.

0:41:21.960 --> 0:41:25.320
<v Speaker 8>Yeah, it's crazy, it's a crazy decision.

0:41:25.680 --> 0:41:27.480
<v Speaker 3>Yeah, it should have been like Mario Kart, you know

0:41:27.480 --> 0:41:29.600
<v Speaker 3>in the Renegade round up where they have these high heights.

0:41:29.600 --> 0:41:32.480
<v Speaker 4>Everybody's got to go together, you get released together.

0:41:33.000 --> 0:41:35.480
<v Speaker 3>Okay, all I want right going together. You're not just

0:41:35.560 --> 0:41:38.640
<v Speaker 3>leaving your child there. Yes, that's a hard, hard No, dog,

0:41:38.840 --> 0:41:39.320
<v Speaker 3>you can't.

0:41:39.480 --> 0:41:40.080
<v Speaker 4>You just can't.

0:41:40.200 --> 0:41:41.960
<v Speaker 2>So Malcolm makes it back to the r V.

0:41:42.200 --> 0:41:44.239
<v Speaker 1>But this is where the team is attacked by the

0:41:44.280 --> 0:41:49.120
<v Speaker 1>adult t Rexes. Yes plural, there's more than one. There's

0:41:49.160 --> 0:41:50.759
<v Speaker 1>a cool part. We got both of them on both

0:41:50.760 --> 0:41:53.560
<v Speaker 1>sides of the RV. We're doing we're doing some big

0:41:53.640 --> 0:41:57.160
<v Speaker 1>Dino looking through window work here. But yeah, that's that's

0:41:57.200 --> 0:41:59.680
<v Speaker 1>fine to play that. Sure that hit again and you're

0:41:59.719 --> 0:42:01.000
<v Speaker 1>double it up. Now they're on both.

0:42:01.560 --> 0:42:03.400
<v Speaker 8>This is by far the best scene in the movie

0:42:03.719 --> 0:42:06.560
<v Speaker 8>for me. The trailer, the whole trailer sequence.

0:42:06.840 --> 0:42:09.520
<v Speaker 1>Oh, the whole trailer sequence. I think it goes on

0:42:09.560 --> 0:42:13.359
<v Speaker 1>at all too long when it's off the clan. But

0:42:13.960 --> 0:42:17.479
<v Speaker 1>Sarah says, they're not hunting. They came for their infant. Yep, yep,

0:42:17.920 --> 0:42:20.759
<v Speaker 1>we knew that. So they open the door. They give

0:42:20.800 --> 0:42:23.319
<v Speaker 1>the baby t Rex back, just give back to them.

0:42:23.520 --> 0:42:27.320
<v Speaker 1>They'll probably take it and leave. But they're not done.

0:42:27.440 --> 0:42:29.440
<v Speaker 1>They're not done. No, no, no, they're still angry. So this

0:42:29.480 --> 0:42:31.680
<v Speaker 1>is where they flip the r V and they push

0:42:31.760 --> 0:42:34.040
<v Speaker 1>it over a cliff and it's teetering over the edge.

0:42:34.200 --> 0:42:35.640
<v Speaker 1>I guess like at least half of the r V

0:42:35.800 --> 0:42:38.000
<v Speaker 1>is hanging off the edge. The other is sort of

0:42:38.040 --> 0:42:38.479
<v Speaker 1>on land.

0:42:38.760 --> 0:42:43.040
<v Speaker 3>That's the weird part because the dinos disappear after. Yeah,

0:42:43.280 --> 0:42:48.520
<v Speaker 3>they finished the job, that's good enough. Yeah, they get distracted, left,

0:42:49.520 --> 0:42:51.359
<v Speaker 3>they leave and come back and leave and come back

0:42:51.400 --> 0:42:53.280
<v Speaker 3>like three times, right, don't they.

0:42:53.320 --> 0:42:56.120
<v Speaker 4>Sort of definitely, yeah, definitely twice they get the.

0:42:56.080 --> 0:42:59.200
<v Speaker 8>Baby back, they leave, then gold blooms about to get

0:42:59.200 --> 0:43:00.719
<v Speaker 8>on the radio and he's like, oh, this is gonna

0:43:00.719 --> 0:43:03.120
<v Speaker 8>be bad. They get smashed up, and they leave again.

0:43:04.440 --> 0:43:05.440
<v Speaker 8>I think it's three times.

0:43:05.840 --> 0:43:07.320
<v Speaker 2>Yeah, they definitely come back for Eddie.

0:43:07.480 --> 0:43:10.440
<v Speaker 8>Yeah, yes, I guess they hear the but yeah, why

0:43:10.480 --> 0:43:13.240
<v Speaker 8>wouldn't they just finish the job, and it's.

0:43:13.080 --> 0:43:16.719
<v Speaker 1>Just knock the felt Well, it's teetering over the edge

0:43:16.719 --> 0:43:20.200
<v Speaker 1>and Sarah falls onto the window on the one end

0:43:20.239 --> 0:43:21.880
<v Speaker 1>of the thing, and this is where we get the

0:43:21.880 --> 0:43:24.120
<v Speaker 1>hole like it's cracking. The art scene, it's like, are

0:43:24.160 --> 0:43:25.480
<v Speaker 1>they gonna be able to get to her in time?

0:43:25.680 --> 0:43:28.279
<v Speaker 1>And something else is about to drop and break it? Right,

0:43:28.320 --> 0:43:30.720
<v Speaker 1>that's that's the thing. Nick vin Vaughn's trying to grab

0:43:30.800 --> 0:43:34.280
<v Speaker 1>satellite phone. Satellite phone, right, Yeah, And of course Malcolm's

0:43:34.280 --> 0:43:36.200
<v Speaker 1>trying to get to her, and he catches her just

0:43:36.239 --> 0:43:38.160
<v Speaker 1>before it breaks her while it breaks the help of

0:43:38.200 --> 0:43:42.400
<v Speaker 1>that lucky backpack. What a movie for this backpack. It

0:43:42.440 --> 0:43:43.399
<v Speaker 1>comes to a couple of times.

0:43:43.480 --> 0:43:46.879
<v Speaker 5>Yeah, she doesn't heed her own advice at all when

0:43:46.880 --> 0:43:49.040
<v Speaker 5>it comes to not interfering, because every chance she gets

0:43:49.120 --> 0:43:51.359
<v Speaker 5>she interferes. But she was one hundred percent right about

0:43:51.360 --> 0:43:53.920
<v Speaker 5>the lucky backpack. Yeah, it comes in handy all on. Yes,

0:43:55.120 --> 0:43:59.520
<v Speaker 5>I love anytime in a movie there's a slow cracking scene.

0:43:59.520 --> 0:44:02.400
<v Speaker 5>Oh yeah, I think is awesome. So she's hanging or

0:44:02.480 --> 0:44:05.520
<v Speaker 5>she's laying like on the glass, and as she's slowly

0:44:05.560 --> 0:44:09.400
<v Speaker 5>moving her hands and her fingers, it's like little spider

0:44:09.400 --> 0:44:11.480
<v Speaker 5>webs coming out and we know, like the clock is

0:44:11.520 --> 0:44:14.200
<v Speaker 5>ticking on it, she's gonna fall soon enough. You'll see

0:44:14.239 --> 0:44:18.040
<v Speaker 5>that like on ice or something like an iced over Lake.

0:44:18.280 --> 0:44:19.279
<v Speaker 5>I always think it's cool.

0:44:19.920 --> 0:44:22.880
<v Speaker 1>I'm with this scene up until this point, like if

0:44:22.920 --> 0:44:26.440
<v Speaker 1>it had ended soon after they catch her, but it

0:44:26.440 --> 0:44:28.600
<v Speaker 1>actually goes on for a lot longer because he got

0:44:28.600 --> 0:44:31.520
<v Speaker 1>the whole eddy sort of saving them. Yeah, because he

0:44:31.600 --> 0:44:35.359
<v Speaker 1>hustles back. He now leaves Kelly in the high hide.

0:44:35.920 --> 0:44:38.279
<v Speaker 1>So he's coming back and he's trying to save them.

0:44:38.760 --> 0:44:40.520
<v Speaker 1>He's trying to save them with the rope that he's

0:44:40.560 --> 0:44:45.000
<v Speaker 1>tied to a tree. And then he attaches his car

0:44:45.120 --> 0:44:48.000
<v Speaker 1>to the RV with like the steel wrench cable like

0:44:48.000 --> 0:44:51.080
<v Speaker 1>to the you know, with to his truck, and then

0:44:51.280 --> 0:44:52.560
<v Speaker 1>you know, this is what he's doing. He's got two

0:44:52.560 --> 0:44:54.640
<v Speaker 1>things going right. He's got them on the rope and

0:44:54.680 --> 0:44:56.720
<v Speaker 1>he has some complications with that, and then he's obviously

0:44:56.719 --> 0:44:58.560
<v Speaker 1>got the truck part. Got complications with that because the

0:44:58.560 --> 0:45:00.680
<v Speaker 1>t Rex has come back, like you said, yeah, and

0:45:00.719 --> 0:45:01.719
<v Speaker 1>he eventually gets eaten.

0:45:01.800 --> 0:45:04.880
<v Speaker 3>He can't decide what to do. It's like he's on

0:45:04.920 --> 0:45:07.600
<v Speaker 3>the hamster wheel. Does he just start working? He's like

0:45:07.719 --> 0:45:09.880
<v Speaker 3>this way or that way? This way you just can't

0:45:10.680 --> 0:45:11.400
<v Speaker 3>can't grapple it.

0:45:11.600 --> 0:45:13.279
<v Speaker 8>I mean, that's what I like about it, and that's

0:45:13.320 --> 0:45:15.880
<v Speaker 8>why I think it works. It's it on paper. It

0:45:16.000 --> 0:45:18.520
<v Speaker 8>feels tedious, and I can see how somebody would think

0:45:18.560 --> 0:45:20.239
<v Speaker 8>it's this is going on way too long.

0:45:20.760 --> 0:45:21.279
<v Speaker 6>But I don't know.

0:45:21.320 --> 0:45:23.360
<v Speaker 8>It'd worked for me, just be just the tension of

0:45:23.400 --> 0:45:25.160
<v Speaker 8>them being stuck at the bottom of this thing and

0:45:25.280 --> 0:45:27.000
<v Speaker 8>him trying to work out how am I going to

0:45:27.080 --> 0:45:29.200
<v Speaker 8>do this? And then he gets eaten by a t rex.

0:45:29.480 --> 0:45:29.960
<v Speaker 6>Yeah.

0:45:30.000 --> 0:45:32.400
<v Speaker 1>I was getting a little confused with the ropes and

0:45:32.440 --> 0:45:34.640
<v Speaker 1>what was to and where the heck everything was. But

0:45:34.800 --> 0:45:36.080
<v Speaker 1>you know, I went back and I did look at

0:45:36.080 --> 0:45:37.719
<v Speaker 1>it again. I was like, Okay, it does make sense

0:45:37.760 --> 0:45:39.880
<v Speaker 1>what he's trying to do, right, yep. But he's got

0:45:39.880 --> 0:45:42.000
<v Speaker 1>a lot to do. There's two t rexes coming.

0:45:41.880 --> 0:45:45.719
<v Speaker 8>Back exactly single handedly trying to you know, save these

0:45:45.719 --> 0:45:49.800
<v Speaker 8>people while fending off t rexes, and he's just it.

0:45:49.960 --> 0:45:52.839
<v Speaker 8>He's stuck in the mud, he's slipping all over the place,

0:45:52.920 --> 0:45:55.359
<v Speaker 8>and then the gun gets stuck right Like, It's just

0:45:55.480 --> 0:45:58.080
<v Speaker 8>it's kind of frustrating to watch, but also like you're like,

0:45:58.120 --> 0:46:01.040
<v Speaker 8>holy shit, I it worked for me.

0:46:01.440 --> 0:46:04.120
<v Speaker 1>Tough death for our guy Eddie. Yeah, oh yeah, double

0:46:04.200 --> 0:46:05.879
<v Speaker 1>chump tossed in the.

0:46:05.840 --> 0:46:10.120
<v Speaker 5>Air, yeah yeah, pop corn in their mouths, Hey, toss

0:46:10.160 --> 0:46:10.400
<v Speaker 5>me up.

0:46:13.640 --> 0:46:15.799
<v Speaker 1>I would have liked to have seen the two dinosaurs,

0:46:15.800 --> 0:46:18.200
<v Speaker 1>the two Texas do a little lady in tramp with them.

0:46:19.680 --> 0:46:20.440
<v Speaker 1>They would have kissed it.

0:46:20.600 --> 0:46:23.919
<v Speaker 2>Meet me at the belts. Yeah, his air bag goes off.

0:46:24.160 --> 0:46:27.920
<v Speaker 1>Yeah, that was a good part. So yeah, long scene,

0:46:27.920 --> 0:46:30.680
<v Speaker 1>but goodbye Eddie. H don't worry though.

0:46:30.840 --> 0:46:32.799
<v Speaker 3>Ten minutes is how long it took, is what it was.

0:46:33.160 --> 0:46:35.440
<v Speaker 3>From the Dino push. I did go back, not to

0:46:35.440 --> 0:46:36.920
<v Speaker 3>get all analytics.

0:46:36.640 --> 0:46:38.200
<v Speaker 1>Just from the first Dino push.

0:46:38.280 --> 0:46:39.359
<v Speaker 4>Yeah to that.

0:46:39.440 --> 0:46:43.279
<v Speaker 1>Okay, Yeah, maybe it feels like an even longer scene

0:46:43.320 --> 0:46:45.000
<v Speaker 1>because we are with them in the r V for

0:46:45.040 --> 0:46:46.799
<v Speaker 1>a good chunk before that too.

0:46:47.360 --> 0:46:48.040
<v Speaker 4>Yeah.

0:46:48.160 --> 0:46:49.160
<v Speaker 2>Please think of the orders.

0:46:50.040 --> 0:46:53.880
<v Speaker 5>Three cheeseburgers, no onions for Nick and an apple turnover

0:46:53.960 --> 0:46:54.600
<v Speaker 5>for Sarah.

0:46:56.000 --> 0:46:59.120
<v Speaker 1>The most like craziest things are happening to these people

0:46:59.120 --> 0:47:01.600
<v Speaker 1>for them to throw some I don't know.

0:47:01.640 --> 0:47:02.640
<v Speaker 2>It was an interesting time.

0:47:02.920 --> 0:47:04.799
<v Speaker 1>That was an interesting time to have some fun.

0:47:05.080 --> 0:47:08.360
<v Speaker 8>It does happen in Jurassic Park, which we love. The

0:47:08.480 --> 0:47:13.200
<v Speaker 8>tone is different. Look, Jeff Goldblum is different in this movie.

0:47:13.239 --> 0:47:18.080
<v Speaker 8>He is thrust into the leading men position. He is

0:47:18.320 --> 0:47:21.200
<v Speaker 8>in dad mode, and you know, when you're in dad mode,

0:47:21.280 --> 0:47:23.960
<v Speaker 8>you're kind of less fun you know, like he's it's

0:47:24.000 --> 0:47:26.719
<v Speaker 8>easier for him to be wisecracking and like, you know,

0:47:26.920 --> 0:47:30.160
<v Speaker 8>when he's just observing the action, you know, rather than

0:47:30.200 --> 0:47:32.279
<v Speaker 8>being in the action, you know what I'm saying.

0:47:32.320 --> 0:47:36.960
<v Speaker 3>So yeah, and as he said, Julian Moore just wasn't

0:47:37.000 --> 0:47:37.919
<v Speaker 3>peak Julian Moore.

0:47:38.080 --> 0:47:38.160
<v Speaker 5>No.

0:47:38.400 --> 0:47:42.400
<v Speaker 8>And also I'll say Vince Vaughan should have easily stepped

0:47:42.400 --> 0:47:45.120
<v Speaker 8>into that role of the wisecracking smart ass, you know

0:47:45.120 --> 0:47:48.600
<v Speaker 8>what I mean, because look, Spielberg saw him in Swingers,

0:47:48.640 --> 0:47:51.560
<v Speaker 8>a rough cut his Swingers apparently we're talking about And

0:47:52.840 --> 0:47:55.000
<v Speaker 8>you know, the guy has comedy chops. He's been in

0:47:55.080 --> 0:47:58.560
<v Speaker 8>some of the best comedies ever, you know, in the

0:47:58.640 --> 0:48:02.120
<v Speaker 8>last whatever the next ten years of his career. Like,

0:48:02.160 --> 0:48:05.480
<v Speaker 8>he has comedy chops. He's just as funny as as

0:48:05.960 --> 0:48:08.440
<v Speaker 8>Jeff Goldblum in a different way. He could have easily

0:48:08.480 --> 0:48:11.040
<v Speaker 8>been like wisecracking and you know, just being that.

0:48:11.320 --> 0:48:11.520
<v Speaker 2>Yeah.

0:48:11.520 --> 0:48:13.880
<v Speaker 1>But like Trace said this, the tone of this movie is, right,

0:48:13.960 --> 0:48:16.080
<v Speaker 1>so much darker and serious.

0:48:15.760 --> 0:48:19.080
<v Speaker 8>And yeah, but like if if he's a like doctor

0:48:19.120 --> 0:48:22.279
<v Speaker 8>Malcolm in the first movie is a bit of an asshole, right,

0:48:22.560 --> 0:48:26.160
<v Speaker 8>like clearly, so make Vince Vaughan the bit of an asshole.

0:48:26.200 --> 0:48:27.520
<v Speaker 6>He is a bit of an asshole.

0:48:27.200 --> 0:48:30.040
<v Speaker 8>In this movie, but you know, just make him funny,

0:48:30.080 --> 0:48:33.680
<v Speaker 8>and those kind of lines feel better coming from an

0:48:33.719 --> 0:48:36.320
<v Speaker 8>asshole in a tense situation, I guess, is my point.

0:48:36.600 --> 0:48:37.319
<v Speaker 2>Yeah, I agree with it.

0:48:37.360 --> 0:48:40.239
<v Speaker 5>That's why to me, Vince Vaughn's best scene is when

0:48:40.640 --> 0:48:44.040
<v Speaker 5>he meets Ian Malcolm and they're talking about greenpeace for women.

0:48:44.120 --> 0:48:45.800
<v Speaker 2>He's like, oh, how noble of He's like, noble was

0:48:45.880 --> 0:48:46.359
<v Speaker 2>last year.

0:48:46.600 --> 0:48:48.440
<v Speaker 5>This year, I'm getting paid, And that to me is

0:48:48.480 --> 0:48:51.000
<v Speaker 5>like Vince Vaughn in double down Trent mode. And that's

0:48:51.000 --> 0:48:53.399
<v Speaker 5>when he's at his best in any movie, is when

0:48:53.440 --> 0:48:57.000
<v Speaker 5>he's like the fast talking, snip talking ye asshole guy

0:48:57.080 --> 0:49:00.000
<v Speaker 5>and he knows exactly yeah, exactly it. He doesn't get

0:49:00.080 --> 0:49:01.840
<v Speaker 5>to do that nearly enough in this I don't think.

0:49:01.719 --> 0:49:04.279
<v Speaker 1>No his I mean, his role in this movie not

0:49:04.440 --> 0:49:04.799
<v Speaker 1>a lot.

0:49:05.320 --> 0:49:05.640
<v Speaker 4>Really.

0:49:06.280 --> 0:49:08.839
<v Speaker 5>Now he goes from being a photographer to being like

0:49:08.880 --> 0:49:13.120
<v Speaker 5>an eco terrorist.

0:49:13.760 --> 0:49:15.840
<v Speaker 4>You mentioned getting paid. Let me just throw this in here. Apparently.

0:49:15.920 --> 0:49:18.640
<v Speaker 3>Julian Moore later admitted that she only signed on because

0:49:18.640 --> 0:49:22.040
<v Speaker 3>she was trying to pay off her divorce settlement with

0:49:22.520 --> 0:49:24.400
<v Speaker 3>John gold Rubin, but she did want to work with

0:49:24.440 --> 0:49:26.000
<v Speaker 3>Steven Spielberg that she hadn't done.

0:49:25.920 --> 0:49:30.000
<v Speaker 1>So that I say, yeah, that checks out.

0:49:30.120 --> 0:49:30.839
<v Speaker 2>I'll take a check.

0:49:30.920 --> 0:49:34.239
<v Speaker 1>Yeah, Peter roll in the mercenaries they come to the

0:49:34.400 --> 0:49:37.480
<v Speaker 1>r V site, so they rescue Malcolm and his team

0:49:37.520 --> 0:49:39.719
<v Speaker 1>after the t Rexes have left. They brought Kelly too,

0:49:39.760 --> 0:49:41.200
<v Speaker 1>so that was nice of them. I guess got her

0:49:41.280 --> 0:49:42.919
<v Speaker 1>down from the high hide.

0:49:42.920 --> 0:49:43.760
<v Speaker 4>Thanks for that.

0:49:44.120 --> 0:49:46.600
<v Speaker 5>Yeah, I mean, honestly, now that I'm thinking about it,

0:49:46.600 --> 0:49:47.279
<v Speaker 5>maybe we need to.

0:49:47.200 --> 0:49:49.960
<v Speaker 2>Reassess Malcolm's parenting. She was the safest.

0:49:52.640 --> 0:49:54.680
<v Speaker 4>Yeah, it turned out that.

0:49:54.640 --> 0:49:57.719
<v Speaker 1>High hide was very high because we even see a

0:49:57.760 --> 0:50:00.760
<v Speaker 1>shot of like I guess the t reck is going

0:50:00.840 --> 0:50:04.600
<v Speaker 1>through the jungle really and you can just you can't

0:50:04.600 --> 0:50:05.400
<v Speaker 1>even see their heads.

0:50:06.160 --> 0:50:06.520
<v Speaker 6>How high?

0:50:07.560 --> 0:50:09.040
<v Speaker 1>What tree was that attached to?

0:50:09.160 --> 0:50:11.600
<v Speaker 8>But yeah, yeah, Also the problem is that it's attached

0:50:11.640 --> 0:50:14.719
<v Speaker 8>to a jeep, which would be seen. And we know

0:50:15.719 --> 0:50:18.720
<v Speaker 8>that the t rex is pretty curious about the jeeps

0:50:18.760 --> 0:50:22.760
<v Speaker 8>and vehicles, right, they hate them, they jeeps.

0:50:23.680 --> 0:50:26.040
<v Speaker 1>Okay, So we learned then now that they're sort of

0:50:26.120 --> 0:50:28.880
<v Speaker 1>all together, both of these teams, that the only working

0:50:28.960 --> 0:50:32.840
<v Speaker 1>radio is in the interior that's populated by the velociraptors,

0:50:33.960 --> 0:50:36.040
<v Speaker 1>and this was where they have to like they're.

0:50:35.880 --> 0:50:37.040
<v Speaker 2>They're all going to go together.

0:50:37.760 --> 0:50:39.920
<v Speaker 1>But we have members of this team that get attacked

0:50:40.040 --> 0:50:42.960
<v Speaker 1>by raptors and by other dinosaurs and killed. So I'll

0:50:42.960 --> 0:50:46.000
<v Speaker 1>give them all to you. You tell me your favorite.

0:50:46.360 --> 0:50:49.080
<v Speaker 1>I guess sort of death scene here. So the first

0:50:49.160 --> 0:50:54.040
<v Speaker 1>death is Dieter is that his name? The Nihilists from

0:50:54.040 --> 0:50:57.839
<v Speaker 1>The Big Lebowski. He tells Carter he's going for a leak,

0:50:58.560 --> 0:51:05.520
<v Speaker 1>but Carter's too busy listening to so, I mean, this

0:51:05.600 --> 0:51:08.080
<v Speaker 1>is a long scene and I'm you know, flying through

0:51:08.080 --> 0:51:10.719
<v Speaker 1>it here. But he gets he gets killed by all

0:51:10.719 --> 0:51:15.160
<v Speaker 1>those little baby dinos that the compo, the the compies. Yeah,

0:51:15.160 --> 0:51:17.719
<v Speaker 1>that took that, or at least attack that daughter early

0:51:17.760 --> 0:51:18.320
<v Speaker 1>in the movie.

0:51:18.640 --> 0:51:20.760
<v Speaker 2>The next one is Carter, Poor Carter.

0:51:21.280 --> 0:51:25.480
<v Speaker 1>I think it's him. He gets smashed like a bug. One.

0:51:26.640 --> 0:51:28.759
<v Speaker 1>Oh that's a good one. Yeah, that's when you know

0:51:28.800 --> 0:51:31.680
<v Speaker 1>the t rex has showed up. Ye Burke, that is

0:51:31.680 --> 0:51:33.879
<v Speaker 1>the guy's name. I guess, the guy that knows about

0:51:33.920 --> 0:51:36.480
<v Speaker 1>the paleontologists, but the bad team. Yeah, the bad guys.

0:51:36.560 --> 0:51:39.920
<v Speaker 1>He snatched from inside the waterfall because the snake went

0:51:39.960 --> 0:51:42.560
<v Speaker 1>down his shirt. Dumb decision on this guy's part.

0:51:42.640 --> 0:51:43.960
<v Speaker 2>Yeah, you gotta take the snake bite.

0:51:43.960 --> 0:51:45.600
<v Speaker 1>There, you got to take the snake bite. And then

0:51:45.719 --> 0:51:48.800
<v Speaker 1>finally we get the raptors out in the tall grass.

0:51:48.840 --> 0:51:52.400
<v Speaker 2>They took out like twenty guys. Yeah, pretty silently.

0:51:52.760 --> 0:52:00.680
<v Speaker 1>Yeah. So favorite fields, favorite of those four deaths A

0:52:00.760 --> 0:52:01.319
<v Speaker 1>tough call.

0:52:04.000 --> 0:52:07.719
<v Speaker 5>I do like the blood downstream shot when Peter gets killed,

0:52:07.719 --> 0:52:09.920
<v Speaker 5>But I think I'm gonna go with you said Carter

0:52:10.160 --> 0:52:10.600
<v Speaker 5>was his name.

0:52:10.719 --> 0:52:12.600
<v Speaker 1>I thought it was Carter the band guy.

0:52:12.680 --> 0:52:14.919
<v Speaker 2>Yeah, guys stuck on the bottom of the t rex foot.

0:52:14.920 --> 0:52:15.640
<v Speaker 2>I think it's pretty good.

0:52:15.840 --> 0:52:16.560
<v Speaker 4>Yeah, it's good.

0:52:17.360 --> 0:52:21.360
<v Speaker 3>I'm going with Dieter Uh, Peter stor Marcus. He's just

0:52:21.440 --> 0:52:24.120
<v Speaker 3>he's the bad guy that he was in Constantine.

0:52:24.840 --> 0:52:25.040
<v Speaker 2>Uh.

0:52:25.200 --> 0:52:27.719
<v Speaker 3>They it felt it felt right for him to get

0:52:27.800 --> 0:52:29.319
<v Speaker 3>nibbled over and over and over.

0:52:29.840 --> 0:52:33.880
<v Speaker 1>When he gets bit on the lip, he sort of

0:52:33.920 --> 0:52:34.720
<v Speaker 1>took it in stride.

0:52:34.760 --> 0:52:37.000
<v Speaker 4>I was like, damn, yeah, he's tough.

0:52:37.280 --> 0:52:37.720
<v Speaker 2>Yeah.

0:52:37.840 --> 0:52:38.080
<v Speaker 4>Yeah.

0:52:38.360 --> 0:52:40.399
<v Speaker 3>At first, when I saw the blood streaming, I thought

0:52:40.640 --> 0:52:42.520
<v Speaker 3>I want to see him get eaten, because it did.

0:52:43.200 --> 0:52:43.520
<v Speaker 4>It did.

0:52:43.640 --> 0:52:45.319
<v Speaker 3>We didn't see it, but then it was fitting. We

0:52:45.400 --> 0:52:47.800
<v Speaker 3>saw enough biting, We saw biting him the lip.

0:52:48.360 --> 0:52:48.880
<v Speaker 4>It was great.

0:52:49.000 --> 0:52:51.239
<v Speaker 1>I just think like even in this movie with you

0:52:51.280 --> 0:52:52.920
<v Speaker 1>see all of them, like they sort of look the

0:52:52.960 --> 0:52:55.560
<v Speaker 1>worst to me, the smaller the dinosaur, the worst it looks.

0:52:55.719 --> 0:52:59.040
<v Speaker 1>C G I was wise, and I wonder if they're like, yeah,

0:52:59.320 --> 0:53:02.120
<v Speaker 1>we can't show of meeting them, it won't look good. Yeah,

0:53:02.280 --> 0:53:04.400
<v Speaker 1>Like so just like have them. You know, he dies,

0:53:04.520 --> 0:53:06.120
<v Speaker 1>but like just we can't show.

0:53:05.960 --> 0:53:09.080
<v Speaker 5>It, yeah, says yeah, because they don't show it with

0:53:09.080 --> 0:53:12.520
<v Speaker 5>the little girl either, Like yeah, probably the c G

0:53:12.680 --> 0:53:13.880
<v Speaker 5>I bites and blood.

0:53:13.920 --> 0:53:15.000
<v Speaker 2>It's the part that's the problem.

0:53:15.280 --> 0:53:17.600
<v Speaker 8>Yeah, Yeah, I mean I want to give a little

0:53:17.640 --> 0:53:20.839
<v Speaker 8>bit of justice for Deeter because he did the one

0:53:20.880 --> 0:53:23.880
<v Speaker 8>good thing in the whole movie was when he zaps

0:53:23.880 --> 0:53:28.080
<v Speaker 8>the compy with the little cattle prod. The paleontologist is like,

0:53:28.360 --> 0:53:30.480
<v Speaker 8>they don't have no reason to feel man to fear

0:53:30.600 --> 0:53:34.600
<v Speaker 8>man he zaps him. Now he does, Well, you just

0:53:34.640 --> 0:53:37.000
<v Speaker 8>did a very good thing because now the companies are

0:53:37.000 --> 0:53:41.160
<v Speaker 8>going to be afraid of the natural predaters men right right,

0:53:41.840 --> 0:53:46.319
<v Speaker 8>They'll be like afraid to go after them, you know what.

0:53:46.320 --> 0:53:48.920
<v Speaker 1>I mean, Like, let's we're going to be afraid to

0:53:48.960 --> 0:53:50.000
<v Speaker 1>go after humans.

0:53:49.760 --> 0:53:54.239
<v Speaker 8>Yeah, because they and then and then well I know,

0:53:54.400 --> 0:53:59.040
<v Speaker 8>but I'm just saying revenge man. Yeah, But we want

0:53:59.080 --> 0:54:01.640
<v Speaker 8>wildlife to be a rate of humans. That is what

0:54:01.719 --> 0:54:04.560
<v Speaker 8>I'm saying, right, because it's good for everybody.

0:54:04.239 --> 0:54:06.200
<v Speaker 5>Long term, you think it puts the long term, it's

0:54:06.440 --> 0:54:08.200
<v Speaker 5>short term bad for him personally.

0:54:08.280 --> 0:54:11.400
<v Speaker 6>But went friends.

0:54:12.640 --> 0:54:15.640
<v Speaker 1>Because I still believe. I still believe they're all doctors,

0:54:18.080 --> 0:54:22.200
<v Speaker 1>so they're well educated companies. Yeah, so I think they

0:54:22.200 --> 0:54:24.359
<v Speaker 1>are all these deaths. And again there's a whole bunch

0:54:24.400 --> 0:54:27.040
<v Speaker 1>of them here. Nick heads out ahead of the others

0:54:28.840 --> 0:54:30.799
<v Speaker 1>of his little team. He managed to get he gets

0:54:30.800 --> 0:54:32.680
<v Speaker 1>he manages to get a message off to the boat

0:54:32.880 --> 0:54:35.720
<v Speaker 1>waiting in the seas around the island, and then Malcolm,

0:54:35.719 --> 0:54:39.560
<v Speaker 1>Sarah and Kelly arrive soon after. Where are they at?

0:54:39.640 --> 0:54:42.440
<v Speaker 1>They're at just like something that was maybe was the

0:54:42.440 --> 0:54:43.960
<v Speaker 1>breeding facility.

0:54:44.000 --> 0:54:48.239
<v Speaker 5>I think the operations center whatever, communications center, I don't know.

0:54:48.239 --> 0:54:51.280
<v Speaker 2>They call it names. What is the village?

0:54:52.000 --> 0:54:52.160
<v Speaker 1>Right?

0:54:52.280 --> 0:54:52.880
<v Speaker 2>The buildings?

0:54:53.120 --> 0:54:54.959
<v Speaker 1>We have the three of them, Malcolm, Sarah, and Kelly.

0:54:54.960 --> 0:54:57.279
<v Speaker 1>They are fighting off a pack of raptors. There's a

0:54:57.280 --> 0:54:59.239
<v Speaker 1>lot going on here. They get sort of separated a

0:54:59.239 --> 0:55:02.399
<v Speaker 1>little bit because Malcolm's in the jeep at first, they're

0:55:02.440 --> 0:55:06.279
<v Speaker 1>in that building. We do then get soon after this

0:55:06.920 --> 0:55:11.680
<v Speaker 1>the batshit crazy scene where Kelly defeats a velociraptor thanks

0:55:11.719 --> 0:55:15.280
<v Speaker 1>to the power of gymnastics, and we get the line

0:55:15.719 --> 0:55:17.319
<v Speaker 1>after she does, so the.

0:55:17.280 --> 0:55:22.120
<v Speaker 7>School cut you from the not bad like for the

0:55:22.239 --> 0:55:24.880
<v Speaker 7>for the zingers following up, I thought the Zinger was

0:55:24.920 --> 0:55:27.720
<v Speaker 7>better than the stunt and this one unfortunately.

0:55:27.760 --> 0:55:29.719
<v Speaker 5>There are some parts I like to this before we

0:55:29.760 --> 0:55:35.200
<v Speaker 5>get to her uneven bars routine, like I love the raptors. Okay,

0:55:35.239 --> 0:55:37.400
<v Speaker 5>first of all, the lucky pack comes in handy for

0:55:37.520 --> 0:55:40.880
<v Speaker 5>Sarah again. A raptor jumps on her back but lands

0:55:40.920 --> 0:55:42.439
<v Speaker 5>on the pack and rips it off, so she gets

0:55:42.440 --> 0:55:44.279
<v Speaker 5>a little bit of leeway to go. Her and Kelly

0:55:44.280 --> 0:55:45.960
<v Speaker 5>get into that room where they eventually have to climb

0:55:46.000 --> 0:55:47.399
<v Speaker 5>up and all that stuff. And then I love when

0:55:47.400 --> 0:55:50.880
<v Speaker 5>the raptors are chasing Malcolm and he uses a door,

0:55:51.360 --> 0:55:54.280
<v Speaker 5>goes in through the door, but then the raptors busts

0:55:54.320 --> 0:55:57.360
<v Speaker 5>through the window, so Malcolm lee's back out the door again.

0:55:57.400 --> 0:55:58.160
<v Speaker 2>I thought that was great.

0:55:58.760 --> 0:56:01.000
<v Speaker 1>It was good. I even like the digging part where

0:56:01.560 --> 0:56:04.239
<v Speaker 1>they're trying to dig under to go under something, and

0:56:04.280 --> 0:56:06.640
<v Speaker 1>the velociraptors are also digging on the other side, and

0:56:06.680 --> 0:56:08.920
<v Speaker 1>they're like having this race cool close up to them

0:56:08.920 --> 0:56:14.400
<v Speaker 1>digging so much faster. Yeah. I just remember in ninety

0:56:14.440 --> 0:56:17.960
<v Speaker 1>seven watching this movie and just like I didn't get

0:56:18.040 --> 0:56:21.200
<v Speaker 1>up and leave the theater after she kicks the velociraptor,

0:56:21.239 --> 0:56:24.000
<v Speaker 1>but like it was, it's so bad. Oh.

0:56:24.080 --> 0:56:28.000
<v Speaker 8>I saw that opening weekend and I remember grown grown,

0:56:28.400 --> 0:56:32.560
<v Speaker 8>Like the pat Theater people are like what they were.

0:56:32.560 --> 0:56:34.719
<v Speaker 1>Like, she's up there and she like looks at the

0:56:34.760 --> 0:56:36.239
<v Speaker 1>bar and like Sarah was.

0:56:36.239 --> 0:56:38.719
<v Speaker 2>Like, what are you doing? What are you doing? And

0:56:38.760 --> 0:56:39.400
<v Speaker 2>then jumps on it.

0:56:39.480 --> 0:56:41.759
<v Speaker 1>Spin spin, spin kickkick. Yeah, see you.

0:56:41.719 --> 0:56:44.640
<v Speaker 6>Through the thing. It's brutal, brutal, brutal.

0:56:44.840 --> 0:56:47.920
<v Speaker 8>And right before that you were talking about Trey about

0:56:47.920 --> 0:56:54.120
<v Speaker 8>the Jeff Goldbloom versus the Raptors. This is highlights how

0:56:54.200 --> 0:56:56.920
<v Speaker 8>wrong he is for this leading sort of running around

0:56:57.040 --> 0:57:01.680
<v Speaker 8>thing because he's so jazzy. He's just it feels like

0:57:01.719 --> 0:57:04.040
<v Speaker 8>a musical number, you know what I mean, Like he's like,

0:57:06.360 --> 0:57:08.719
<v Speaker 8>you know, like go back and watch it and then

0:57:08.760 --> 0:57:11.440
<v Speaker 8>you if you listen to the score. I think that

0:57:12.760 --> 0:57:15.799
<v Speaker 8>John Williams could not help himself because it feels like

0:57:16.120 --> 0:57:17.040
<v Speaker 8>what's that score?

0:57:17.200 --> 0:57:22.080
<v Speaker 6>You know, like he's you know, jiving and bobbin and

0:57:23.280 --> 0:57:26.160
<v Speaker 6>it is hilarious. It was very little.

0:57:26.200 --> 0:57:30.240
<v Speaker 8>Yeah, we don't hear the theme, like the Majestic theme

0:57:30.360 --> 0:57:33.120
<v Speaker 8>at all in this movie, and they don't play the

0:57:33.120 --> 0:57:36.480
<v Speaker 8>the the main theme or whatever, you know, the island

0:57:36.520 --> 0:57:37.760
<v Speaker 8>theme till the credits.

0:57:37.960 --> 0:57:39.439
<v Speaker 6>Oh wow, you will hear.

0:57:39.640 --> 0:57:41.320
<v Speaker 1>I thought there was like a remixed version.

0:57:43.360 --> 0:57:45.800
<v Speaker 8>There is. There is one moment whereass a couple of moments,

0:57:45.840 --> 0:57:48.280
<v Speaker 8>but when you first see the island for the first time,

0:57:49.080 --> 0:57:53.120
<v Speaker 8>it hits the chord of the first but it's the strings.

0:57:53.120 --> 0:57:54.000
<v Speaker 6>It's the same chord.

0:57:54.440 --> 0:57:56.560
<v Speaker 8>But then it just goes off to something else because

0:57:56.560 --> 0:57:57.880
<v Speaker 8>this isn't Jurassic Park.

0:57:57.920 --> 0:58:02.040
<v Speaker 1>This is right to sight b B. Yeah, so okay,

0:58:02.080 --> 0:58:03.880
<v Speaker 1>we have to rewatch this scene.

0:58:03.920 --> 0:58:06.680
<v Speaker 2>I didn't notice that Jazzy Hands.

0:58:06.480 --> 0:58:07.720
<v Speaker 1>Is of jungle.

0:58:12.720 --> 0:58:14.320
<v Speaker 6>Exactly exactly.

0:58:15.440 --> 0:58:19.680
<v Speaker 1>Well back to Kelly taking out the Velociraptor, Vanessa le Chester,

0:58:19.840 --> 0:58:23.600
<v Speaker 1>the actor, She joked that she kept begging the filmmakers

0:58:23.600 --> 0:58:26.200
<v Speaker 1>to give her a stunt to do, and she thinks

0:58:26.920 --> 0:58:30.080
<v Speaker 1>this is may have been where the gymnastics scene came from.

0:58:30.400 --> 0:58:32.400
<v Speaker 1>She explained, quote, I was just like, please give me

0:58:32.400 --> 0:58:34.600
<v Speaker 1>a stunt scene, Please give me something crazy to do,

0:58:35.360 --> 0:58:37.240
<v Speaker 1>and that maybe they put this and I.

0:58:37.120 --> 0:58:40.080
<v Speaker 8>Hope not, but I mean that's a fair request to

0:58:40.120 --> 0:58:41.920
<v Speaker 8>be Honest, if you're in a dinosaur and I want

0:58:41.920 --> 0:58:42.560
<v Speaker 8>to do something.

0:58:42.320 --> 0:58:45.360
<v Speaker 6>Cool, this is not cool. Yeah.

0:58:45.440 --> 0:58:49.560
<v Speaker 1>Yeah, so she survives thanks to the power of gymnastics.

0:58:49.600 --> 0:58:53.200
<v Speaker 1>Sarah manages to survive thanks to I guess poor roofing construction.

0:58:53.880 --> 0:58:56.280
<v Speaker 1>When she's up there and the tiles are falling off

0:58:56.840 --> 0:59:00.040
<v Speaker 1>and she's using it to her advantage and getting the

0:59:00.160 --> 0:59:03.200
<v Speaker 1>fighting each other. Yeah, the velociraptors turn on each other.

0:59:03.240 --> 0:59:05.680
<v Speaker 5>That's the thing with raptors is if you can last

0:59:05.920 --> 0:59:08.280
<v Speaker 5>long enough, eventually they'll turn on each other.

0:59:09.280 --> 0:59:10.040
<v Speaker 2>Yeah that's good.

0:59:10.600 --> 0:59:12.760
<v Speaker 5>Yeah, you just gotta you gotta deal with the fifteen

0:59:12.800 --> 0:59:14.760
<v Speaker 5>minutes of terror. But eventually they'll get bored.

0:59:14.640 --> 0:59:16.200
<v Speaker 2>Chasing a human and just want to fight each other.

0:59:16.280 --> 0:59:20.640
<v Speaker 1>Yeah, especially now that we know there are male velociraptors. Right,

0:59:20.960 --> 0:59:24.000
<v Speaker 1>it was one thing when all these very wise just

0:59:24.080 --> 0:59:28.000
<v Speaker 1>female dinosaurs living in harmony, but then obviously when they

0:59:28.000 --> 0:59:29.360
<v Speaker 1>started breeding, things got on hand.

0:59:30.200 --> 0:59:33.600
<v Speaker 8>I think that sequence worked on the roof. Yeah, Okay,

0:59:33.920 --> 0:59:36.720
<v Speaker 8>she's fending off one of them below, but it's actually

0:59:36.720 --> 0:59:38.640
<v Speaker 8>bringing the other raptor closer to her.

0:59:38.760 --> 0:59:38.960
<v Speaker 6>You know.

0:59:39.080 --> 0:59:45.040
<v Speaker 3>Yep, it works kind of was the amount of shingles

0:59:44.680 --> 0:59:47.080
<v Speaker 3>and believable at all?

0:59:48.320 --> 0:59:51.520
<v Speaker 2>I guess they're like flying down this building.

0:59:51.760 --> 0:59:54.560
<v Speaker 1>It's like, hasn't been you know, no upkeeps for four

0:59:54.640 --> 0:59:58.520
<v Speaker 1>years at least the hurricane hit it. Yeah, hurricane, So

0:59:58.920 --> 1:00:00.000
<v Speaker 1>it's shoddy, is my point.

1:00:00.120 --> 1:00:01.240
<v Speaker 4>Yeah, yeah, she.

1:00:01.200 --> 1:00:01.680
<v Speaker 2>Made it work.

1:00:02.600 --> 1:00:05.560
<v Speaker 1>So then the helicopters arrived to fly out Malcolm, his

1:00:05.720 --> 1:00:08.120
<v Speaker 1>daughter Sarah Nick and that's the.

1:00:08.160 --> 1:00:10.600
<v Speaker 2>End of the movie. Yay ah, good movie.

1:00:10.680 --> 1:00:15.640
<v Speaker 1>Yeah, buddy record, scratch what Nope, we got a lot

1:00:15.680 --> 1:00:19.360
<v Speaker 1>more to go here. Roland has managed to tranquilize a

1:00:19.360 --> 1:00:22.800
<v Speaker 1>t Rex and its baby and they're caged and they're

1:00:22.800 --> 1:00:24.320
<v Speaker 1>waiting to put them on the ship. I guess they

1:00:24.400 --> 1:00:27.160
<v Speaker 1>sort of see that right from the helicopters, like what

1:00:27.200 --> 1:00:29.960
<v Speaker 1>the hell's going on? Suddenly we're back in San Diego

1:00:31.000 --> 1:00:34.320
<v Speaker 1>and the ship is going to come there, and Peter's

1:00:34.360 --> 1:00:37.280
<v Speaker 1>plan is to put the captured wreck into a cage

1:00:37.320 --> 1:00:40.000
<v Speaker 1>in that zoo, in that amphitheater that he had talked about.

1:00:40.640 --> 1:00:42.440
<v Speaker 1>He holds a press conference that like, I don't know,

1:00:42.480 --> 1:00:45.440
<v Speaker 1>it appears to be like two in the morning. They

1:00:45.440 --> 1:00:47.640
<v Speaker 1>even slipped in a line something like he says something

1:00:47.680 --> 1:00:50.360
<v Speaker 1>like thanks to all these people showing up at this time. Yeah,

1:00:50.400 --> 1:00:52.960
<v Speaker 1>this is a little weird. But we got an issue

1:00:53.000 --> 1:00:56.919
<v Speaker 1>here because this ship coming in the SS Venture, it's

1:00:56.960 --> 1:01:00.720
<v Speaker 1>not slowing down and they cannot communicate with it it

1:01:00.840 --> 1:01:04.480
<v Speaker 1>and it crashes into the dock. Holy crap. And then

1:01:04.520 --> 1:01:07.600
<v Speaker 1>they get on it and everybody's killed. And obviously we'll

1:01:07.600 --> 1:01:11.200
<v Speaker 1>get into the dinosaur part of it all. But who

1:01:11.280 --> 1:01:14.600
<v Speaker 1>killed these people on this ship? Yeah, this is the

1:01:14.600 --> 1:01:18.680
<v Speaker 1>biggest question because we know the baby t Rex has

1:01:18.720 --> 1:01:22.520
<v Speaker 1>been flown already and this just is the cargo ship

1:01:22.520 --> 1:01:24.720
<v Speaker 1>for the big giant tranquilized t Rex.

1:01:25.000 --> 1:01:27.320
<v Speaker 3>Yeah, so what kills it? There was a scene that

1:01:27.360 --> 1:01:32.760
<v Speaker 3>was deleted, Okay, go on that makes sense that I know.

1:01:32.920 --> 1:01:35.720
<v Speaker 8>It doesn't make anything there because on the bridge there's

1:01:36.160 --> 1:01:37.760
<v Speaker 8>crew all over the place, ripped apart.

1:01:38.200 --> 1:01:39.240
<v Speaker 6>They hand.

1:01:39.280 --> 1:01:42.000
<v Speaker 1>Obviously there's no t Rex in there, That's what I'm saying.

1:01:42.280 --> 1:01:44.560
<v Speaker 6>It's unless there's a raptor running.

1:01:44.400 --> 1:01:47.440
<v Speaker 3>There are apparently there are raptors on the board, on

1:01:47.520 --> 1:01:49.920
<v Speaker 3>the board, the ship, on the ship. But then it

1:01:49.960 --> 1:01:52.520
<v Speaker 3>was deleted for some reason. However, the scene was removed

1:01:52.600 --> 1:01:55.360
<v Speaker 3>and never it was removed and never filmed.

1:01:54.920 --> 1:01:58.360
<v Speaker 4>But this detail still remained. I don't know. I don't

1:01:58.360 --> 1:01:59.000
<v Speaker 4>have an answer.

1:01:59.080 --> 1:02:01.040
<v Speaker 1>The only thing that makes sense is like when they

1:02:01.040 --> 1:02:04.200
<v Speaker 1>were putting the t Rex on that other dinosaurs got on,

1:02:04.240 --> 1:02:07.800
<v Speaker 1>probably velociraptors, let's be honest. And then they took out everybody,

1:02:07.840 --> 1:02:10.240
<v Speaker 1>hence why nobody could communicate, and it crashed into the

1:02:10.280 --> 1:02:13.520
<v Speaker 1>dock and the t Rex is still in the cargo thing.

1:02:13.560 --> 1:02:15.440
<v Speaker 2>That's a great point, like, I mean, you're you're buying

1:02:15.440 --> 1:02:16.160
<v Speaker 2>that everybody in the.

1:02:16.080 --> 1:02:20.240
<v Speaker 5>Cargo hold is dead, t Rex going nut total. Once

1:02:20.320 --> 1:02:22.919
<v Speaker 5>that's happening, I think it's on the captain to say,

1:02:23.520 --> 1:02:26.640
<v Speaker 5>nobody go to the cargo hole. We just got to

1:02:26.640 --> 1:02:29.960
<v Speaker 5>get this boat back. But I guess if there's raptors hanging,

1:02:31.320 --> 1:02:33.520
<v Speaker 5>maybe maybe they're just still loose and Sandy.

1:02:33.320 --> 1:02:35.800
<v Speaker 1>Yeah, maybe maybe we haven't.

1:02:35.600 --> 1:02:36.720
<v Speaker 2>Gotten the number four yet.

1:02:38.040 --> 1:02:38.920
<v Speaker 6>I don't know what happens.

1:02:39.400 --> 1:02:42.680
<v Speaker 1>So, yeah, they get aboard this thing and they're like,

1:02:42.680 --> 1:02:44.440
<v Speaker 1>where's the crew and yeah, somebody says they're all over

1:02:44.480 --> 1:02:46.400
<v Speaker 1>the place. They've all been killed. So then the t

1:02:46.560 --> 1:02:50.160
<v Speaker 1>Rex escapes the ship, you know, burst out of the hold.

1:02:50.280 --> 1:02:53.560
<v Speaker 1>Because that's like, you know, one guy's you know, decapitated

1:02:53.640 --> 1:02:56.720
<v Speaker 1>arm right is holding on to the open clothes button

1:02:56.760 --> 1:02:59.720
<v Speaker 1>and then somebody grabbed it. Anyway, bus loose because they

1:02:59.760 --> 1:03:02.640
<v Speaker 1>screw it up. This was like they glossed over this,

1:03:02.760 --> 1:03:04.080
<v Speaker 1>but like they tranquilized it.

1:03:04.440 --> 1:03:07.040
<v Speaker 2>But then they thought they gave it too much. It's

1:03:07.160 --> 1:03:09.120
<v Speaker 2>up breathing, so they gave it something else. Yeah, and

1:03:09.120 --> 1:03:10.760
<v Speaker 2>then it's like adrenaline course and through it.

1:03:11.200 --> 1:03:11.560
<v Speaker 1>Yeah.

1:03:11.680 --> 1:03:19.080
<v Speaker 2>And Sarah's like, it's like a locomotive. It's hiped up. Yeah, coffee,

1:03:19.720 --> 1:03:23.160
<v Speaker 2>you give it a mountain to give it a red bull.

1:03:23.480 --> 1:03:26.680
<v Speaker 1>So it's loose in the city of San Diego, and

1:03:26.760 --> 1:03:29.640
<v Speaker 1>we get this whole scene and it's taking a casual.

1:03:29.240 --> 1:03:31.240
<v Speaker 2>Stroll through a San Diego neighborhood.

1:03:31.640 --> 1:03:34.760
<v Speaker 1>There's not a single cop car following it, or at

1:03:34.800 --> 1:03:36.760
<v Speaker 1>least that we can see. There's not a light on it.

1:03:36.840 --> 1:03:40.320
<v Speaker 1>There's nothing like it's just like going again around these

1:03:40.360 --> 1:03:44.080
<v Speaker 1>backyards stops to take a sip from a backyard pool.

1:03:44.800 --> 1:03:45.320
<v Speaker 4>I love that.

1:03:45.360 --> 1:03:46.680
<v Speaker 5>I love that They're like, it's gonna go for a

1:03:46.720 --> 1:03:50.680
<v Speaker 5>water source. Next, it was on a boat one second,

1:03:51.800 --> 1:03:54.240
<v Speaker 5>it's on a pier, but now I'm gonna go find

1:03:54.240 --> 1:03:55.440
<v Speaker 5>a swimming pool.

1:03:55.560 --> 1:04:00.280
<v Speaker 1>Yeah, salty water. Yeah, and then it uh, it's the

1:04:00.280 --> 1:04:02.760
<v Speaker 1>family dog. Rest in peace to the family dog. I

1:04:02.760 --> 1:04:04.400
<v Speaker 1>will get the scene with the kid waking up his

1:04:04.520 --> 1:04:05.840
<v Speaker 1>kids or his parents.

1:04:06.440 --> 1:04:10.400
<v Speaker 8>Okay, where do these parents rank? I mean, they're kind

1:04:10.400 --> 1:04:11.640
<v Speaker 8>of dicks there.

1:04:12.200 --> 1:04:16.160
<v Speaker 1>Yeah yeah, this boy has cried dinosaur before the yeah

1:04:16.280 --> 1:04:22.320
<v Speaker 1>slash obviously yeah yeah, survive so that they didn't do

1:04:22.360 --> 1:04:23.520
<v Speaker 1>anything too stupid.

1:04:23.680 --> 1:04:25.520
<v Speaker 8>I don't like the way they chained the dog to

1:04:25.600 --> 1:04:27.760
<v Speaker 8>it the snoopy dog house.

1:04:28.520 --> 1:04:29.360
<v Speaker 6>Do people do that?

1:04:29.480 --> 1:04:32.080
<v Speaker 2>Is that a thing in nineties movies?

1:04:32.640 --> 1:04:32.840
<v Speaker 3>Yeah?

1:04:33.200 --> 1:04:35.920
<v Speaker 6>Yeah, I remember in my life.

1:04:36.080 --> 1:04:39.840
<v Speaker 5>I mean I feel like I've seen doghouses driving around,

1:04:39.960 --> 1:04:41.320
<v Speaker 5>but not very common.

1:04:41.520 --> 1:04:43.240
<v Speaker 2>No, definitely not in.

1:04:43.240 --> 1:04:46.000
<v Speaker 1>The city for sure, maybe more of a I was

1:04:46.000 --> 1:04:47.840
<v Speaker 1>gonna say, more of a country thing. But why would

1:04:47.880 --> 1:04:50.400
<v Speaker 1>you have a dog? You shouldn't have a dog caged?

1:04:50.600 --> 1:04:55.120
<v Speaker 1>Everybody knows that. Yeah, but it's yeah, it's dead yet sad.

1:04:55.200 --> 1:04:58.440
<v Speaker 8>I mean, it's really just for the the image of

1:04:58.920 --> 1:05:03.880
<v Speaker 8>the doghouse, you know, dangling from the the t rex's mouth,

1:05:04.400 --> 1:05:06.320
<v Speaker 8>which is effective, I think.

1:05:06.200 --> 1:05:09.880
<v Speaker 1>Okay, but poor. So the plan here Malcolm and Sarah

1:05:09.960 --> 1:05:13.520
<v Speaker 1>learn that Peter did bring the infant t Rex back

1:05:13.600 --> 1:05:15.600
<v Speaker 1>on a plane like I said, so it also wasn't

1:05:15.600 --> 1:05:18.680
<v Speaker 1>on that ship, and uh, they have it in the

1:05:20.120 --> 1:05:23.240
<v Speaker 1>in construction zoo or amphitheater where he plans to do

1:05:23.280 --> 1:05:25.760
<v Speaker 1>all this stuff. That's where they have it. So Malcolm

1:05:25.800 --> 1:05:27.680
<v Speaker 1>and Sarah go to retrieve it to lure the t

1:05:27.840 --> 1:05:30.880
<v Speaker 1>Rex back to the docks. But yeah, now the t

1:05:31.040 --> 1:05:33.720
<v Speaker 1>rex though, after getting he's got a mountain dew coursing

1:05:33.760 --> 1:05:36.440
<v Speaker 1>through him. Now he's got a dog coursing through him.

1:05:36.840 --> 1:05:38.640
<v Speaker 1>Got a lot of energy. So he hits the downtown

1:05:38.760 --> 1:05:41.760
<v Speaker 1>core guess right of San Diego, and that's where he's

1:05:41.800 --> 1:05:44.040
<v Speaker 1>just going sicko mode. He's going nuts.

1:05:44.120 --> 1:05:47.040
<v Speaker 5>Goes to Blockbuster right away, right, just like the nineties

1:05:47.120 --> 1:05:52.920
<v Speaker 5>is like I got my Mountain Dewami Sunrise, Kevin Baker.

1:05:53.360 --> 1:05:55.120
<v Speaker 2>I love the fake movies they have in there that

1:05:55.360 --> 1:05:55.640
<v Speaker 2>I don't know.

1:05:55.680 --> 1:05:57.840
<v Speaker 5>I couldn't decide if I want to see Tsunami Sunrise

1:05:58.080 --> 1:06:00.360
<v Speaker 5>or Arnold Schwarzenegger's King Year.

1:06:03.040 --> 1:06:03.760
<v Speaker 2>Robin Williams.

1:06:03.920 --> 1:06:04.919
<v Speaker 6>Robin Williams is in there.

1:06:05.040 --> 1:06:08.400
<v Speaker 1>Yeah, Jack and Something or Jack and the bean Stock maybe.

1:06:08.320 --> 1:06:09.360
<v Speaker 2>Something like that.

1:06:09.360 --> 1:06:10.680
<v Speaker 5>That would be a fun part of being in the

1:06:10.680 --> 1:06:13.680
<v Speaker 5>writer's room is coming up with the fake uh, and we.

1:06:13.680 --> 1:06:16.000
<v Speaker 1>Get I'm sure everybody noticed it, do you, especially we

1:06:16.040 --> 1:06:21.040
<v Speaker 1>get an ode to Godzilla. Oh yes, four Japanese guys

1:06:21.440 --> 1:06:24.640
<v Speaker 1>running and looking back. Yeah, I think they even say, right,

1:06:24.680 --> 1:06:26.960
<v Speaker 1>don't they say, like we left Tokyo for this or something.

1:06:28.000 --> 1:06:30.800
<v Speaker 8>I think that's what Austin Bowers you're thinking of. Oh,

1:06:31.200 --> 1:06:34.600
<v Speaker 8>because there is the copyright, we can't.

1:06:36.680 --> 1:06:39.840
<v Speaker 1>Uh, that's it. That's the yeah.

1:06:39.160 --> 1:06:44.120
<v Speaker 5>Percent and homage Godzilla showing the Asian businessman first before

1:06:44.160 --> 1:06:46.560
<v Speaker 5>we get into like everybody running down the street.

1:06:46.560 --> 1:06:47.680
<v Speaker 2>I thought that was good. I think.

1:06:47.720 --> 1:06:52.240
<v Speaker 5>I mean, this whole t Rex coming to San Diego

1:06:52.280 --> 1:06:54.760
<v Speaker 5>is basically King Kong. Yes, guess what now it's a

1:06:54.800 --> 1:06:57.040
<v Speaker 5>dinosaur in San Diego. And you even get like a

1:06:57.040 --> 1:06:59.560
<v Speaker 5>little bit of a callback to an earlier Steven Spielberg

1:06:59.600 --> 1:07:03.080
<v Speaker 5>movie and the seventy six ball from the gas station

1:07:03.200 --> 1:07:05.480
<v Speaker 5>comes rolling behind him, just like later than the Lost Art.

1:07:05.600 --> 1:07:07.680
<v Speaker 6>Yeah, right, right right, it's cool.

1:07:08.040 --> 1:07:11.080
<v Speaker 1>So were you a fan of this whole dinosaur loose

1:07:11.160 --> 1:07:12.400
<v Speaker 1>in San Diego? I was?

1:07:12.440 --> 1:07:14.160
<v Speaker 8>I mean, it's fun. I mean, this is the reason

1:07:14.240 --> 1:07:16.480
<v Speaker 8>why Spielberg wanted to do this movie at all. I

1:07:16.520 --> 1:07:19.200
<v Speaker 8>think he's he said, I always wanted to do a

1:07:19.200 --> 1:07:22.080
<v Speaker 8>Godzilla or a monster movie. You know, he's he's doing it,

1:07:22.280 --> 1:07:27.200
<v Speaker 8>and I think it's it's stupid, and but it works.

1:07:27.200 --> 1:07:29.200
<v Speaker 8>It's it's fun. It's fun to watch, for sure.

1:07:29.320 --> 1:07:32.720
<v Speaker 1>Yeah, yeah, it's stupid, like the whole point like plot point, like,

1:07:33.720 --> 1:07:36.160
<v Speaker 1>how the heck were they going to actually, yeah.

1:07:36.000 --> 1:07:38.200
<v Speaker 2>I mean this thing in this amphitheater.

1:07:38.360 --> 1:07:40.680
<v Speaker 8>Yeah, well all of that, like the setup of getting

1:07:40.720 --> 1:07:44.440
<v Speaker 8>it there and and this was never in the Crichton sequel,

1:07:44.600 --> 1:07:47.280
<v Speaker 8>not that that was any great work of art or anything,

1:07:47.720 --> 1:07:52.000
<v Speaker 8>but yeah, this is this is just Spielberg running amuck.

1:07:53.080 --> 1:07:54.000
<v Speaker 4>You know, look, he.

1:07:55.920 --> 1:07:58.720
<v Speaker 8>I felt the way he probably felt making this movie.

1:07:58.720 --> 1:08:01.880
<v Speaker 8>Watching this movie, I've just got bored halfway through, and

1:08:01.960 --> 1:08:04.200
<v Speaker 8>I want to go watch Saving Private Ryan now, which

1:08:04.240 --> 1:08:07.040
<v Speaker 8>is his next movie. He wanted to go make a

1:08:07.080 --> 1:08:11.200
<v Speaker 8>war movie next. So but yeah, this this scene kind

1:08:11.200 --> 1:08:14.760
<v Speaker 8>of works as its own five minute sequence, as a

1:08:14.800 --> 1:08:17.240
<v Speaker 8>fun sort of Wow, there's a dinosaur running a muck

1:08:17.320 --> 1:08:19.800
<v Speaker 8>in San Diego, but it's like who cares.

1:08:21.120 --> 1:08:24.960
<v Speaker 1>So upon hearing and smelling the infant, the t Rex

1:08:25.000 --> 1:08:27.400
<v Speaker 1>follows Malcolm and Sarah back to the docks because they

1:08:27.400 --> 1:08:28.760
<v Speaker 1>did get to it. It got it out of the

1:08:28.800 --> 1:08:32.200
<v Speaker 1>little cage there. They got it in their convertible and

1:08:32.240 --> 1:08:35.720
<v Speaker 1>they're you know, they're driving back, get it to the docks. Now,

1:08:35.760 --> 1:08:39.560
<v Speaker 1>Peter Ludlow, he's ordering that the adult male be shot.

1:08:40.080 --> 1:08:43.479
<v Speaker 1>Infant got to be recovered, and he sees Malcolm and

1:08:43.520 --> 1:08:47.400
<v Speaker 1>Sarah carrying the infant to the cargo ship, so he follows,

1:08:48.320 --> 1:08:51.040
<v Speaker 1>only to find the infant in the cargo hold. Malcolm

1:08:51.080 --> 1:08:57.479
<v Speaker 1>and Sarah they leap off the boat, right, I just watched,

1:08:58.960 --> 1:09:01.600
<v Speaker 1>and then Ludlow attell to lure the infant out, but

1:09:01.720 --> 1:09:04.840
<v Speaker 1>soon after here comes the adult t Rex. He enters

1:09:04.880 --> 1:09:09.920
<v Speaker 1>the hold injures Peter Ludlow before allowing the infant to

1:09:09.960 --> 1:09:13.040
<v Speaker 1>do the final kill. I think it even nudges it, right, yep,

1:09:13.120 --> 1:09:14.280
<v Speaker 1>it's like, yeah, you do it.

1:09:14.680 --> 1:09:17.840
<v Speaker 2>So Deuce is to Peter one.

1:09:18.040 --> 1:09:22.200
<v Speaker 5>Finally a righteous chomps like Peter deserved it. Man, We've

1:09:22.200 --> 1:09:24.320
<v Speaker 5>been waiting to see this guy get eaten. And then

1:09:24.320 --> 1:09:26.880
<v Speaker 5>he gets eaten by the infant, who's you know, getting

1:09:26.920 --> 1:09:27.759
<v Speaker 5>its first taste of blood.

1:09:27.800 --> 1:09:28.240
<v Speaker 2>Good stuff.

1:09:29.160 --> 1:09:29.240
<v Speaker 7>Uh.

1:09:29.360 --> 1:09:32.960
<v Speaker 1>Sarah then launches the Tranquilizer dart. Good shot from her

1:09:33.040 --> 1:09:35.920
<v Speaker 1>right shot is that the do we like? It follows

1:09:35.960 --> 1:09:37.839
<v Speaker 1>the dart shot? Am I crazy?

1:09:37.920 --> 1:09:38.519
<v Speaker 2>It definitely has.

1:09:40.080 --> 1:09:43.480
<v Speaker 8>The barrel and I guess the whole thing was beating

1:09:43.920 --> 1:09:47.920
<v Speaker 8>the chopper right because the dart is just going to

1:09:47.960 --> 1:09:51.040
<v Speaker 8>tranquilize it. But I think the chopper looming over it head.

1:09:50.840 --> 1:09:51.519
<v Speaker 1>It's gonna shoot it.

1:09:51.520 --> 1:09:54.000
<v Speaker 6>They're gonna shoot it because Bledlow gave orders to shoot.

1:09:54.120 --> 1:09:54.240
<v Speaker 4>Right.

1:09:54.320 --> 1:09:55.240
<v Speaker 1>You're right, you're right, But that.

1:09:55.280 --> 1:09:59.280
<v Speaker 8>Wasn't very well explained or pointed out or anything.

1:09:59.400 --> 1:10:03.559
<v Speaker 1>No, so uh, Yeah, the dart hits the t Rex

1:10:03.600 --> 1:10:05.840
<v Speaker 1>and it subdues it enough I guess for Malcolm to

1:10:05.880 --> 1:10:07.799
<v Speaker 1>close the big doors.

1:10:08.080 --> 1:10:09.160
<v Speaker 6>Yeah.

1:10:08.720 --> 1:10:10.640
<v Speaker 1>Uh, And and that's sort of it. And then we

1:10:10.680 --> 1:10:13.040
<v Speaker 1>get this other scene. You know, in the aftermath, we're

1:10:13.040 --> 1:10:16.799
<v Speaker 1>watching CNN. They're all asleep. I guess Kelly's watching CNN.

1:10:18.680 --> 1:10:21.559
<v Speaker 1>The Navy. Great point.

1:10:26.080 --> 1:10:26.960
<v Speaker 4>I mean they're tired.

1:10:27.600 --> 1:10:30.200
<v Speaker 5>Yeah, I understand why they're asleep. Yeah, I think it's

1:10:30.280 --> 1:10:33.360
<v Speaker 5>more questionable that she would turn on CNN or not

1:10:33.520 --> 1:10:34.840
<v Speaker 5>change the scene what they're saying.

1:10:34.880 --> 1:10:36.800
<v Speaker 1>I guess. Yeah. The Navy and the new crew are

1:10:36.920 --> 1:10:40.680
<v Speaker 1>escorting the ship back to Lasorna. So then we get

1:10:40.720 --> 1:10:43.599
<v Speaker 1>CNN running an interview with John Hammond. He talks about

1:10:43.600 --> 1:10:47.719
<v Speaker 1>the preservation and isolation of this island. The creatures require

1:10:47.800 --> 1:10:51.520
<v Speaker 1>our absence, so now we just have to leave it alone.

1:10:52.040 --> 1:10:54.240
<v Speaker 1>And then we end with a shot of like all

1:10:54.320 --> 1:10:56.600
<v Speaker 1>the dinosaurs on this island where they're free and we

1:10:56.680 --> 1:10:59.800
<v Speaker 1>get a for the first time, right, uh pterodactyl. Yes,

1:11:00.200 --> 1:11:04.360
<v Speaker 1>that that we see lands on the branch makes a sound.

1:11:04.400 --> 1:11:06.400
<v Speaker 1>I don't know if it was camel sound or not.

1:11:06.720 --> 1:11:08.360
<v Speaker 4>I'm not sure there was.

1:11:08.640 --> 1:11:11.000
<v Speaker 3>There was a Spielberg reflection on the screen during the

1:11:11.000 --> 1:11:13.280
<v Speaker 3>CNN report as well.

1:11:13.360 --> 1:11:15.559
<v Speaker 4>That was planned that he was there.

1:11:16.160 --> 1:11:20.200
<v Speaker 1>What do you mean a Spielberg Steven Spielberg in the reflection?

1:11:20.320 --> 1:11:25.360
<v Speaker 3>Yeah, yeah, no, no, they did on purpose to get Spielberg.

1:11:25.439 --> 1:11:30.759
<v Speaker 3>They just gave Spielberg a little shot in he's the director.

1:11:31.040 --> 1:11:31.240
<v Speaker 5>Yeah.

1:11:33.439 --> 1:11:34.240
<v Speaker 4>Yes, he put.

1:11:34.160 --> 1:11:37.080
<v Speaker 2>Himself into the room with Kelly, Malcolm and Sarah.

1:11:37.120 --> 1:11:42.479
<v Speaker 6>It's just creepily peered in. It's just a decision back

1:11:42.520 --> 1:11:42.960
<v Speaker 6>and watch it.

1:11:43.080 --> 1:11:45.000
<v Speaker 4>I think he is beside Malcolm.

1:11:45.040 --> 1:11:47.479
<v Speaker 3>I think he put both of them. Has the reflection

1:11:48.800 --> 1:11:50.639
<v Speaker 3>just on the screen a choice.

1:11:51.200 --> 1:11:55.160
<v Speaker 5>I also thought that the scene where they first come

1:11:55.200 --> 1:11:58.280
<v Speaker 5>to East Last Serna the second team and like Peters

1:11:58.320 --> 1:12:03.160
<v Speaker 5>in the in the jeep with rolling tembo and they're talking,

1:12:03.880 --> 1:12:07.200
<v Speaker 5>is Peter supposed to be dressed exactly like Steven Spielberg.

1:12:07.400 --> 1:12:10.720
<v Speaker 5>He's got like the hat on, he's small glasses, he

1:12:10.840 --> 1:12:12.640
<v Speaker 5>looks like Spielberg behind.

1:12:12.360 --> 1:12:14.920
<v Speaker 2>The scenes making Jurassic Park. Wow, which I was like,

1:12:15.360 --> 1:12:19.000
<v Speaker 2>an interesting choice to look like you minus the beard

1:12:19.040 --> 1:12:19.479
<v Speaker 2>and stuff.

1:12:19.520 --> 1:12:22.240
<v Speaker 5>But uh, I guess you just want to put his

1:12:22.400 --> 1:12:23.040
<v Speaker 5>touches out there.

1:12:23.040 --> 1:12:24.000
<v Speaker 2>Hey, I made this movie.

1:12:24.240 --> 1:12:27.120
<v Speaker 3>Yeah, seems like there's a lot of that, just like

1:12:27.160 --> 1:12:28.000
<v Speaker 3>maybe we'll do some.

1:12:27.960 --> 1:12:29.920
<v Speaker 4>Stuff, all right.

1:12:29.920 --> 1:12:32.040
<v Speaker 2>Well, that's also I'm thinking. You know what I'm thinking

1:12:32.040 --> 1:12:34.640
<v Speaker 2>when Hammond is talking about saving the animals.

1:12:34.400 --> 1:12:38.479
<v Speaker 5>Don't trust this guy. Do the opposite blow up the ship.

1:12:38.960 --> 1:12:42.240
<v Speaker 5>We just saw the exact opposite when you did it

1:12:42.280 --> 1:12:44.920
<v Speaker 5>at nighttime. The t Rex went nuts and ate everybody

1:12:44.960 --> 1:12:48.360
<v Speaker 5>on the ship, crashed and then devoured people in the

1:12:48.360 --> 1:12:51.400
<v Speaker 5>mainland in the United States. Why would the return journey

1:12:51.400 --> 1:12:51.840
<v Speaker 5>go better?

1:12:52.439 --> 1:12:55.479
<v Speaker 1>Well, and also, like use all this amazing technology you

1:12:55.520 --> 1:13:00.080
<v Speaker 1>guys are good at to just like, uh, view the

1:13:00.080 --> 1:13:01.640
<v Speaker 1>the dinosaurs on this island with that.

1:13:02.439 --> 1:13:05.520
<v Speaker 2>Don't send people, Yeah, don't send people, sending.

1:13:05.320 --> 1:13:09.519
<v Speaker 1>Drones, set up cameras, whatever, let's just track it that way.

1:13:09.520 --> 1:13:11.519
<v Speaker 1>I guess maybe they already are. Why did they have

1:13:11.560 --> 1:13:14.479
<v Speaker 1>to go? It's sort of all stupid. But anyway, that's

1:13:14.600 --> 1:13:18.360
<v Speaker 1>Jurassic Park, the Lost World. Do you have a favorite scene.

1:13:18.400 --> 1:13:22.240
<v Speaker 1>Let's start with you, Tess, favorite scene or your or

1:13:22.320 --> 1:13:24.720
<v Speaker 1>you or the dumbest scene. I'll throw them both at you.

1:13:24.760 --> 1:13:33.880
<v Speaker 3>Guys, best are dumbest. I mean I do like the

1:13:33.960 --> 1:13:39.320
<v Speaker 3>nibbling of the little dinosaur. Ah, just that, okay, just that,

1:13:39.760 --> 1:13:42.200
<v Speaker 3>you know, it's it keeps on going.

1:13:42.439 --> 1:13:44.080
<v Speaker 2>It's not just bothering them.

1:13:44.120 --> 1:13:47.760
<v Speaker 4>Yeah yeah, you know they fight to death by a

1:13:47.800 --> 1:13:50.519
<v Speaker 4>thousand nibbles. So yeah, that part's fun.

1:13:50.600 --> 1:13:50.680
<v Speaker 5>Me.

1:13:50.760 --> 1:13:53.200
<v Speaker 8>Okay, it's fun the way it's sort of it's a

1:13:53.280 --> 1:13:56.080
<v Speaker 8>nuisance at first, and then it just escalates and escalates

1:13:56.080 --> 1:13:57.080
<v Speaker 8>and then it kills him.

1:13:57.320 --> 1:13:59.720
<v Speaker 1>Yeah yeah, and he's like mean to them and all that.

1:13:59.800 --> 1:14:00.000
<v Speaker 4>Yeah.

1:14:00.080 --> 1:14:00.280
<v Speaker 2>Course.

1:14:00.360 --> 1:14:06.280
<v Speaker 1>Yeah. As for a dumb scene, our dumbest plot point.

1:14:07.800 --> 1:14:11.000
<v Speaker 4>Now I got to defend the gymnastics move.

1:14:11.320 --> 1:14:13.000
<v Speaker 1>Okay, okay, please have that.

1:14:13.040 --> 1:14:13.679
<v Speaker 2>I'm not fighting.

1:14:13.680 --> 1:14:16.080
<v Speaker 3>I'm not fighting for the type of movie. It was

1:14:16.160 --> 1:14:17.680
<v Speaker 3>just for the kids, That's all it was. It was

1:14:17.760 --> 1:14:20.960
<v Speaker 3>just the kids. The kids apparently complained after the first

1:14:21.000 --> 1:14:23.880
<v Speaker 3>movie that there weren't enough dinosaurs.

1:14:24.040 --> 1:14:26.599
<v Speaker 4>So this was just it was literally just for the kids.

1:14:26.840 --> 1:14:30.799
<v Speaker 4>Let the kid do something cool, Let the kid flip.

1:14:32.000 --> 1:14:32.719
<v Speaker 4>It was strange.

1:14:32.840 --> 1:14:34.920
<v Speaker 1>I was wondering, I'm like, okay, this movie came out

1:14:34.920 --> 1:14:39.559
<v Speaker 1>in ninety seven. We had a summer Olympics in ninety six.

1:14:39.600 --> 1:14:42.760
<v Speaker 1>I assume, yeah, like where we ride in that wave.

1:14:43.560 --> 1:14:47.040
<v Speaker 2>That was Kerrie Struggle. I think Carrie Struggle was nineteen

1:14:47.080 --> 1:14:47.559
<v Speaker 2>ninety six.

1:14:47.600 --> 1:14:51.200
<v Speaker 5>I think you're right. Atlanta, that's Atlanta among us. She

1:14:51.280 --> 1:14:53.480
<v Speaker 5>was a huge star. So you can see why gymnastics

1:14:53.479 --> 1:14:54.120
<v Speaker 5>were on the mind.

1:14:55.080 --> 1:14:59.240
<v Speaker 1>Yeap ninety six, when's Gabby Douglass come into our lives

1:14:59.640 --> 1:15:00.240
<v Speaker 1>much much?

1:15:00.280 --> 1:15:01.000
<v Speaker 2>She's like twenty twelve.

1:15:01.080 --> 1:15:05.120
<v Speaker 1>I think okay, I was just like maybe big gymnastics

1:15:05.160 --> 1:15:08.559
<v Speaker 1>like teamed up with big dinosaurs. Yeah, there you go,

1:15:09.200 --> 1:15:10.000
<v Speaker 1>all right, what about you?

1:15:10.040 --> 1:15:10.880
<v Speaker 2>Tre favorite scene?

1:15:10.920 --> 1:15:11.639
<v Speaker 1>And then dumba scene.

1:15:11.760 --> 1:15:15.519
<v Speaker 5>There are three scenes that, like I think, really carry

1:15:15.520 --> 1:15:18.439
<v Speaker 5>the movie from a set piece standpoint, Like I'm with JD.

1:15:18.600 --> 1:15:20.799
<v Speaker 5>I like the San Diego sequence, but it just feels

1:15:20.800 --> 1:15:24.360
<v Speaker 5>completely tacked on, as like Spielberg's like, I'm only making

1:15:24.800 --> 1:15:26.280
<v Speaker 5>this last Jurassic Park movie.

1:15:26.280 --> 1:15:28.240
<v Speaker 2>I gotta do it monster style if I'm gonna do it.

1:15:28.280 --> 1:15:30.840
<v Speaker 5>So I like the scene, but it's probably best just

1:15:30.880 --> 1:15:33.719
<v Speaker 5>watching that scene because it definitely feels like a third

1:15:33.800 --> 1:15:35.759
<v Speaker 5>ending to the movie, which is a little bit weird.

1:15:36.080 --> 1:15:37.680
<v Speaker 2>I also do like.

1:15:37.640 --> 1:15:40.800
<v Speaker 5>The scene when, for whatever reason, they decided to go

1:15:40.840 --> 1:15:45.839
<v Speaker 5>to sleep on the ground in t rex territory. Questionable decision,

1:15:46.120 --> 1:15:48.160
<v Speaker 5>but I love the visual of like the t rex

1:15:48.200 --> 1:15:51.360
<v Speaker 5>poking its head into the tent and when it finally

1:15:51.400 --> 1:15:52.800
<v Speaker 5>wakes up, it stands up and it's got the.

1:15:52.720 --> 1:15:55.120
<v Speaker 2>Tent all its head. I think that's played pretty well.

1:15:55.120 --> 1:15:57.760
<v Speaker 5>That leads to the guy getting stomped and stepped on

1:15:57.800 --> 1:16:00.439
<v Speaker 5>the bottom of his foot, and then uh long hair

1:16:00.479 --> 1:16:02.280
<v Speaker 5>guy getting eaten after it gets bit by a snake.

1:16:02.280 --> 1:16:04.360
<v Speaker 5>I think that's all pretty good. But best scene for

1:16:04.439 --> 1:16:06.760
<v Speaker 5>me is r V going over the edge.

1:16:06.840 --> 1:16:07.240
<v Speaker 1>I love it.

1:16:07.320 --> 1:16:09.040
<v Speaker 5>I think it's the whole part of it is good.

1:16:09.120 --> 1:16:12.000
<v Speaker 5>Starting with you think it's one dino. I think it's

1:16:12.000 --> 1:16:13.880
<v Speaker 5>one t Rex. It turns out to be two of them.

1:16:14.400 --> 1:16:16.240
<v Speaker 5>They get the thing back, They do leave and come

1:16:16.280 --> 1:16:19.040
<v Speaker 5>back quite a good time, for sure. But every time

1:16:19.080 --> 1:16:23.040
<v Speaker 5>I'm like, oh, yeah, t rexes are bad. Yeah, okay,

1:16:23.040 --> 1:16:24.040
<v Speaker 5>that's for dumbest syn.

1:16:26.560 --> 1:16:28.799
<v Speaker 2>The Flipping Man. Yeah, it's a big.

1:16:28.680 --> 1:16:31.519
<v Speaker 1>Grow It's tough not to grow at that. Yeah, j D.

1:16:32.120 --> 1:16:34.360
<v Speaker 2>Any other dumb scenes or are you going with that one?

1:16:34.600 --> 1:16:38.720
<v Speaker 8>I'm going with that one. I again, Uh Doctor Malcolm

1:16:39.120 --> 1:16:40.160
<v Speaker 8>jazz dancing with.

1:16:40.720 --> 1:16:41.519
<v Speaker 1>I rewatch that.

1:16:41.640 --> 1:16:43.200
<v Speaker 6>Yeah, it's it's hilarious.

1:16:43.200 --> 1:16:46.960
<v Speaker 8>I actually love it, so I shouldn't say it's the dumbest.

1:16:47.240 --> 1:16:50.960
<v Speaker 8>I had a shout out Vince Vaughan here backing up

1:16:51.000 --> 1:16:53.640
<v Speaker 8>a cargo van in that warehouse.

1:16:53.080 --> 1:16:54.200
<v Speaker 6>Scene, you know what I mean.

1:16:54.360 --> 1:16:57.519
<v Speaker 8>The first time we see him, Okay, he's just backing

1:16:57.600 --> 1:17:01.400
<v Speaker 8>up a vent and it like right onto the set,

1:17:01.520 --> 1:17:03.920
<v Speaker 8>right on him. It's it's mark, you know, and then

1:17:03.960 --> 1:17:05.920
<v Speaker 8>he gets out and then they have the whole green

1:17:05.920 --> 1:17:10.120
<v Speaker 8>peace talk. But just imagine you're Vince Vaughan. You you're

1:17:10.439 --> 1:17:12.360
<v Speaker 8>the movie. Your breakup movie hasn't even come out yet,

1:17:12.360 --> 1:17:14.800
<v Speaker 8>I don't think, or it just came out. You're working

1:17:14.840 --> 1:17:19.120
<v Speaker 8>with Steven Spielberg for the first time. I'm nervous backing

1:17:19.160 --> 1:17:22.360
<v Speaker 8>up a vent in general, like my car, Like I

1:17:22.400 --> 1:17:24.400
<v Speaker 8>don't think I'd be able to back up my car,

1:17:24.600 --> 1:17:26.320
<v Speaker 8>but the pressure, you know what I mean, It's like,

1:17:26.360 --> 1:17:29.599
<v Speaker 8>you're not just acting, you're driving a van backwards, hitting

1:17:29.600 --> 1:17:32.160
<v Speaker 8>a mark, getting out all in one shot.

1:17:32.320 --> 1:17:34.360
<v Speaker 6>Like that's impressed.

1:17:34.360 --> 1:17:35.479
<v Speaker 1>We don't know how many takes it took.

1:17:35.800 --> 1:17:38.200
<v Speaker 6>We don't Well, you're right, but.

1:17:40.200 --> 1:17:43.200
<v Speaker 1>Exactly by weeks.

1:17:43.680 --> 1:17:45.040
<v Speaker 6>Yeah, go back and watch it.

1:17:45.040 --> 1:17:48.200
<v Speaker 8>He's just very confidently just backs up that van and

1:17:48.280 --> 1:17:53.240
<v Speaker 8>I was like, God, damn, it's fine.

1:17:51.520 --> 1:17:54.320
<v Speaker 2>Character Nick too. I guess I skip by it.

1:17:54.800 --> 1:18:00.799
<v Speaker 1>He stole the particular bullets right from from Roland.

1:18:00.880 --> 1:18:02.800
<v Speaker 8>Yeah, that is a dumb scene to me. That is

1:18:02.840 --> 1:18:05.320
<v Speaker 8>a dumb thing that he does. Another dumb thing that

1:18:05.400 --> 1:18:07.920
<v Speaker 8>the character does in the movie, like, why would you

1:18:07.920 --> 1:18:10.360
<v Speaker 8>You've already sort of met and you know, you have

1:18:10.479 --> 1:18:13.639
<v Speaker 8>your differences with Tembo, but you know he's the one

1:18:13.680 --> 1:18:16.280
<v Speaker 8>guy that could probably protect you from a t Rex. Yeah,

1:18:17.080 --> 1:18:20.320
<v Speaker 8>you know, let him have his bullets, you know, and

1:18:19.760 --> 1:18:23.280
<v Speaker 8>that and that's the reason why if he hadn't have

1:18:23.320 --> 1:18:26.120
<v Speaker 8>taken those bullets, that t Rex would have been probably

1:18:26.200 --> 1:18:30.080
<v Speaker 8>dead and not on the island or in San Diego, right,

1:18:30.200 --> 1:18:32.960
<v Speaker 8>because he ends up having to tranquilize him instead.

1:18:33.920 --> 1:18:38.559
<v Speaker 5>So anyway, why two shotgun blasts taken down a t Rex?

1:18:38.600 --> 1:18:38.960
<v Speaker 4>You think?

1:18:39.240 --> 1:18:42.040
<v Speaker 6>Did you see those bullets? I don't know. I trusted

1:18:42.120 --> 1:18:43.000
<v Speaker 6>Tembo trust in.

1:18:45.320 --> 1:18:48.920
<v Speaker 1>Is he your favorite character from this movie by a lot? Yeah?

1:18:49.000 --> 1:18:51.720
<v Speaker 8>Yeah, I mean he's a caricature of the you know,

1:18:51.800 --> 1:18:55.320
<v Speaker 8>the Great Hunter whatever. But I think Posselthwaite nails it.

1:18:56.120 --> 1:18:58.000
<v Speaker 8>I mean I think you said it like he's he's

1:18:58.040 --> 1:18:58.719
<v Speaker 8>great and everything.

1:18:58.840 --> 1:19:02.200
<v Speaker 1>So Eric does develop I guess.

1:19:01.960 --> 1:19:03.040
<v Speaker 6>Too, it's got an arc.

1:19:03.320 --> 1:19:06.760
<v Speaker 8>He's he's I'm gonna kill the biggest predator, and then

1:19:06.880 --> 1:19:11.040
<v Speaker 8>he's like, you know what respect to the biggest predator?

1:19:11.680 --> 1:19:13.160
<v Speaker 6>Uh, what's his line?

1:19:13.160 --> 1:19:16.680
<v Speaker 8>I've I've I believe I've spent enough time in the

1:19:16.680 --> 1:19:17.360
<v Speaker 8>company of death.

1:19:17.560 --> 1:19:19.480
<v Speaker 4>Yeah, that's a great line.

1:19:20.320 --> 1:19:24.519
<v Speaker 1>So he's, uh, he's really heartbroken over a guy that

1:19:24.720 --> 1:19:34.360
<v Speaker 1>died out there too, that we barely met in this movie. Yeah,

1:19:34.720 --> 1:19:37.519
<v Speaker 1>who we see like in a handful of scenes. But

1:19:37.600 --> 1:19:41.320
<v Speaker 1>he's like, he's devastated that he's been killed.

1:19:42.400 --> 1:19:45.320
<v Speaker 2>Whatever these guys doing before, Yeah, it's.

1:19:45.240 --> 1:19:47.960
<v Speaker 1>Like a lot of they're isolated. I'm sure a lot

1:19:47.960 --> 1:19:51.720
<v Speaker 1>of big game hunting, spending a lot of time bonding. Yeah,

1:19:51.720 --> 1:19:54.320
<v Speaker 1>I'm not saying it's you know, broke Back Mountain or anything,

1:19:55.040 --> 1:19:57.480
<v Speaker 1>but you never know, you never know, he was heartbroken.

1:19:57.520 --> 1:19:59.080
<v Speaker 1>They had a strong bond.

1:19:59.640 --> 1:20:03.519
<v Speaker 3>Maybe this is why the w NBA chose Toronto Tempo Tembo.

1:20:03.680 --> 1:20:05.280
<v Speaker 3>It's close, it's not.

1:20:05.920 --> 1:20:06.280
<v Speaker 7>It's not.

1:20:08.360 --> 1:20:09.719
<v Speaker 4>Raptors first Tembo.

1:20:12.800 --> 1:20:13.400
<v Speaker 2>That's good.

1:20:14.120 --> 1:20:14.679
<v Speaker 1>That's good.

1:20:15.080 --> 1:20:18.080
<v Speaker 5>Yeah, I totally like Tembo is my favorite character to it.

1:20:18.200 --> 1:20:21.560
<v Speaker 5>You totally buy him as like a big game hunter

1:20:21.880 --> 1:20:25.760
<v Speaker 5>Peter Posselthwaite, perfect casting. Vince Vaughan is the opposite to me.

1:20:26.080 --> 1:20:28.600
<v Speaker 5>You hear a lot of criticisms of a movie nowadays.

1:20:28.800 --> 1:20:31.280
<v Speaker 5>People will say that face has seen his cell phone,

1:20:31.520 --> 1:20:33.839
<v Speaker 5>like playing You look.

1:20:33.680 --> 1:20:34.920
<v Speaker 2>Too modern for me.

1:20:35.800 --> 1:20:38.400
<v Speaker 5>I don't feel like Vince Vaughan has spent a day

1:20:38.439 --> 1:20:41.960
<v Speaker 5>outdoors in his life outside of shooting this specific movie.

1:20:42.080 --> 1:20:44.920
<v Speaker 2>Doesn't seem like an outdoors guy. I'm less surprised that

1:20:44.960 --> 1:20:47.720
<v Speaker 2>he could perfectly back up a van right like. He

1:20:47.720 --> 1:20:48.160
<v Speaker 2>seems like he.

1:20:48.160 --> 1:20:51.559
<v Speaker 5>Would be a good driver. I don't know why. More

1:20:51.600 --> 1:20:53.720
<v Speaker 5>realistic as a driver than a photographer to me?

1:20:53.920 --> 1:20:58.599
<v Speaker 4>Yeah, truth, has he been ten in any other movie?

1:20:59.320 --> 1:21:04.120
<v Speaker 3>It's a great Yeah, he looked he's always very fair skinned.

1:21:04.160 --> 1:21:06.840
<v Speaker 6>Yeah, I thought about it that, but he does.

1:21:07.240 --> 1:21:10.960
<v Speaker 8>He does escape the island pretty well manicured, you know

1:21:10.960 --> 1:21:13.760
<v Speaker 8>what I mean. He doesn't look as dirty as you

1:21:13.760 --> 1:21:16.639
<v Speaker 8>would think he would after that, after an adventure like that. Yeah,

1:21:16.720 --> 1:21:18.599
<v Speaker 8>at least in my mind, as I'm thinking back. But

1:21:18.880 --> 1:21:19.519
<v Speaker 8>maybe I'm wrong.

1:21:19.960 --> 1:21:23.680
<v Speaker 1>So let's let's rank the Lost World here. You know,

1:21:23.800 --> 1:21:26.880
<v Speaker 1>in comparison to Jurassic Park, I have a feeling it's

1:21:26.880 --> 1:21:29.840
<v Speaker 1>going to be slotted in behind that which we called

1:21:29.880 --> 1:21:32.479
<v Speaker 1>basically a perfect movie. I will tell you fifty six

1:21:32.560 --> 1:21:35.879
<v Speaker 1>percent on Rotten Tomatoes for the Lost World from the critics,

1:21:36.320 --> 1:21:39.519
<v Speaker 1>fifty two percent from the fans. I feel like that's

1:21:39.520 --> 1:21:43.360
<v Speaker 1>pretty rare. See the fans with the lower score than

1:21:43.360 --> 1:21:46.560
<v Speaker 1>the critics, but they're in the same ballpark. Roger Ebert

1:21:46.720 --> 1:21:49.680
<v Speaker 1>two out of four stars for The Lost World. I'll

1:21:49.720 --> 1:21:51.679
<v Speaker 1>read you a small piece, he said, quote the film's

1:21:51.720 --> 1:21:54.840
<v Speaker 1>structure is weird. I thought it was over. Let it

1:21:54.920 --> 1:21:57.679
<v Speaker 1>began again. There you go with the San Diego secrets,

1:21:57.720 --> 1:22:00.160
<v Speaker 1>in which Spielberg seemed to be trying to upstate. Is

1:22:00.200 --> 1:22:04.479
<v Speaker 1>the upcoming Godzilla movie? Because that was right, Roderick coming

1:22:04.479 --> 1:22:04.800
<v Speaker 1>out soon?

1:22:04.920 --> 1:22:05.680
<v Speaker 2>Yeah?

1:22:05.720 --> 1:22:08.280
<v Speaker 1>And can we and can we really believe that a

1:22:08.320 --> 1:22:11.920
<v Speaker 1>ship could ram appear at full speed and remain seaworthy?

1:22:12.400 --> 1:22:16.320
<v Speaker 1>Good point? The problem with the moon Rogers, Yes, the

1:22:16.360 --> 1:22:19.200
<v Speaker 1>problem with the movie is that the dinosaurs aren't allowed

1:22:19.240 --> 1:22:25.479
<v Speaker 1>to be the stars. Wow, that's what Roger thinks. So

1:22:25.560 --> 1:22:27.960
<v Speaker 1>on a scale of one to ten, how would you

1:22:28.040 --> 1:22:31.280
<v Speaker 1>rank this movie? The Lost World Jurassic Park.

1:22:31.640 --> 1:22:34.320
<v Speaker 4>Roger put it perfectly. This is a two out of ten.

1:22:36.560 --> 1:22:40.559
<v Speaker 4>Careful what you did. Yeah, you're running, you're so Yeah.

1:22:40.560 --> 1:22:43.280
<v Speaker 3>I've never been good at the hey rank these five

1:22:43.360 --> 1:22:45.639
<v Speaker 3>things ranked, these ten things. I always slought it way

1:22:45.680 --> 1:22:50.120
<v Speaker 3>too low. You're right that that's potentially my mistake.

1:22:50.160 --> 1:22:53.519
<v Speaker 4>But that's low. It's low.

1:22:53.600 --> 1:22:57.760
<v Speaker 3>Yeah, it doesn't. There's no comparison. But the dinos are

1:22:57.760 --> 1:23:01.360
<v Speaker 3>not featured. I agree they so they have to. Spielberg

1:23:01.360 --> 1:23:04.120
<v Speaker 3>goes in a different direction than the Wonder anticipation.

1:23:05.200 --> 1:23:07.120
<v Speaker 4>But there has to be a better way than just

1:23:07.160 --> 1:23:10.080
<v Speaker 4>a boom dino, boom, dina boom China. It's just too fast,

1:23:10.080 --> 1:23:13.480
<v Speaker 4>there's too much. It's low. It's so low for me, unfortunately.

1:23:13.479 --> 1:23:15.479
<v Speaker 1>Okay, two out of ten? Where are you going, Trey?

1:23:15.560 --> 1:23:16.840
<v Speaker 2>It's a five out of ten for me.

1:23:16.920 --> 1:23:20.960
<v Speaker 5>I do like the action pieces in this, like all

1:23:20.960 --> 1:23:23.320
<v Speaker 5>the different dinosaur attacks. I like that they bring back

1:23:23.360 --> 1:23:26.640
<v Speaker 5>some new or start with some new dinosaurs that we

1:23:26.680 --> 1:23:27.599
<v Speaker 5>hadn't seen before.

1:23:28.080 --> 1:23:29.800
<v Speaker 2>A favorite dino for me is the.

1:23:29.720 --> 1:23:34.479
<v Speaker 5>Friar Tuck, who we're told his skull is nine inches

1:23:34.520 --> 1:23:37.000
<v Speaker 5>of solid bone.

1:23:37.360 --> 1:23:38.679
<v Speaker 2>So I tell Laura every.

1:23:38.520 --> 1:23:43.040
<v Speaker 1>Night, this guy's going Friar Tuck a little.

1:23:44.880 --> 1:23:47.840
<v Speaker 2>Hey, tuck me in, Laura.

1:23:48.360 --> 1:23:53.360
<v Speaker 5>But but I forgive it.

1:23:53.400 --> 1:23:54.640
<v Speaker 2>That's the Friar Tuck Like.

1:23:54.760 --> 1:23:57.240
<v Speaker 5>That's kind of the problem with the movie to me

1:23:57.479 --> 1:23:59.240
<v Speaker 5>is it's so much darker.

1:23:59.200 --> 1:24:02.120
<v Speaker 2>And dumber to me than the first one.

1:24:02.160 --> 1:24:05.200
<v Speaker 5>We liked all the happy, joy filled parts, which make

1:24:05.320 --> 1:24:09.400
<v Speaker 5>the terror parts play a lot better. In Jurassic Park one,

1:24:09.479 --> 1:24:12.280
<v Speaker 5>we don't have any light moments really in this one.

1:24:12.280 --> 1:24:14.240
<v Speaker 5>It's kind of the same way as Temple of Doom

1:24:14.360 --> 1:24:17.080
<v Speaker 5>was so much darker than Raiders of the Lost Dark

1:24:17.160 --> 1:24:20.120
<v Speaker 5>right rad Like, it's just insanity the entire way through,

1:24:20.160 --> 1:24:22.439
<v Speaker 5>And that's what this one is like to me. And

1:24:22.960 --> 1:24:26.719
<v Speaker 5>like we said at the end of last episode, those

1:24:26.840 --> 1:24:29.280
<v Speaker 5>moments where they're enjoying the park are some of the

1:24:29.320 --> 1:24:32.720
<v Speaker 5>best moments because it makes everything hit so much harder afterwards,

1:24:32.760 --> 1:24:34.760
<v Speaker 5>whereas this one, it's like, we meet a stegosaurus.

1:24:34.840 --> 1:24:36.040
<v Speaker 2>Oh cute, it's a herbivore.

1:24:36.080 --> 1:24:38.600
<v Speaker 5>But guess what, even this one's going crazy trying to

1:24:38.640 --> 1:24:39.439
<v Speaker 5>knock people out.

1:24:39.520 --> 1:24:42.320
<v Speaker 2>It's just a different movie, and this is the mark

1:24:42.320 --> 1:24:43.000
<v Speaker 2>a little bit for me.

1:24:43.120 --> 1:24:46.719
<v Speaker 5>So five out of ten action, cool, plot and character

1:24:46.760 --> 1:24:48.280
<v Speaker 5>development not so much, okay.

1:24:48.400 --> 1:24:50.720
<v Speaker 8>D Yeah, I'm with you, Trey. I think it's a

1:24:50.800 --> 1:24:54.719
<v Speaker 8>five out of ten for me. I but for different reasons.

1:24:54.840 --> 1:24:57.000
<v Speaker 8>I don't mind that it wanted to go for a

1:24:57.080 --> 1:25:01.160
<v Speaker 8>darker tone. I want it. You know, we would if

1:25:01.280 --> 1:25:03.280
<v Speaker 8>Jeff Goblum showed up and he was just the same

1:25:03.360 --> 1:25:06.200
<v Speaker 8>character as before, but being a dad, we would criticize

1:25:06.200 --> 1:25:08.840
<v Speaker 8>that for not having enough depth in character to it. So,

1:25:09.760 --> 1:25:11.400
<v Speaker 8>but I think it was a mistake having him the

1:25:11.479 --> 1:25:13.360
<v Speaker 8>lead of this movie. He should have just stayed out

1:25:13.400 --> 1:25:16.439
<v Speaker 8>of this movie. Let Vince Vaughan take over or whatever.

1:25:17.960 --> 1:25:23.800
<v Speaker 8>You know, it's just a problem. The movie itself is

1:25:23.880 --> 1:25:26.880
<v Speaker 8>just it's just not good, you know, I guess is

1:25:26.920 --> 1:25:30.559
<v Speaker 8>what I'm trying to say. It's that there are set

1:25:30.600 --> 1:25:35.840
<v Speaker 8>pieces that I did find kind of entertainment, entertaining. Spielberg,

1:25:36.120 --> 1:25:38.760
<v Speaker 8>you know, his worst movies. You can learn a lot

1:25:38.800 --> 1:25:41.040
<v Speaker 8>from watching them, you know, like he's he's a very

1:25:41.080 --> 1:25:43.280
<v Speaker 8>good director. He just did not seem to be that

1:25:43.439 --> 1:25:46.880
<v Speaker 8>interested in making this particular movie. I don't know if

1:25:46.880 --> 1:25:49.000
<v Speaker 8>he got tired or bored, or he just wanted to

1:25:49.040 --> 1:25:51.519
<v Speaker 8>move on to save a Private Ryan, which is a

1:25:51.640 --> 1:25:54.600
<v Speaker 8>very good movie. But yeah, five out of ten for me,

1:25:55.800 --> 1:25:58.160
<v Speaker 8>I don't know, it was a wasted opportunity. It's just

1:25:58.439 --> 1:26:01.200
<v Speaker 8>made me angry more than anything. You got some great

1:26:01.240 --> 1:26:05.080
<v Speaker 8>actors and an amazing cast. You know, you could have

1:26:05.120 --> 1:26:07.000
<v Speaker 8>done so much more with this. I mean, he should

1:26:07.040 --> 1:26:08.840
<v Speaker 8>have just passed it on to somebody else. Let Fincher,

1:26:08.960 --> 1:26:10.479
<v Speaker 8>somebody direct it, right, you know what I mean.

1:26:11.200 --> 1:26:13.280
<v Speaker 1>I think I'm in the ballpark of you guys. I'll

1:26:13.320 --> 1:26:15.360
<v Speaker 1>go four out of ten. I was gonna go five,

1:26:15.360 --> 1:26:17.840
<v Speaker 1>but I'll switch it up here. It is funny, like

1:26:18.000 --> 1:26:21.880
<v Speaker 1>roughly fifty percent more dinosaur action in this movie than

1:26:21.880 --> 1:26:24.680
<v Speaker 1>the first one. Yeah, but it's half as good if

1:26:24.720 --> 1:26:28.680
<v Speaker 1>that so, I don't know what that says. There's just

1:26:28.720 --> 1:26:31.000
<v Speaker 1>so many like there are a lot of holes in

1:26:31.000 --> 1:26:32.720
<v Speaker 1>the plot of this movie, or a lot of things

1:26:32.760 --> 1:26:35.240
<v Speaker 1>where you're like what what like you just even if

1:26:35.240 --> 1:26:37.559
<v Speaker 1>I'm being honest, like just Malcolm going back to this

1:26:37.640 --> 1:26:40.040
<v Speaker 1>place the first place speaks to me what you were saying, JB.

1:26:40.880 --> 1:26:44.280
<v Speaker 1>But his his odd relationship with his girlfriend who he

1:26:44.360 --> 1:26:46.639
<v Speaker 1>must save but doesn't even seem all that in love

1:26:46.680 --> 1:26:46.880
<v Speaker 1>to me.

1:26:47.160 --> 1:26:47.760
<v Speaker 4>Yeah.

1:26:48.160 --> 1:26:48.519
<v Speaker 2>Odd.

1:26:49.520 --> 1:26:51.680
<v Speaker 1>So yeah, it's it's not great. I stopped it at

1:26:51.680 --> 1:26:53.479
<v Speaker 1>one point, like it's a long movie, Like I said,

1:26:53.479 --> 1:26:55.680
<v Speaker 1>it's two hour plus. Like I definitely stopped it at

1:26:55.760 --> 1:26:58.719
<v Speaker 1>around an hour or so in like there's an hour left,

1:26:58.760 --> 1:26:59.639
<v Speaker 1>I'm like, what the hell?

1:27:00.000 --> 1:27:01.360
<v Speaker 2>And then it has that whole part where you do

1:27:01.439 --> 1:27:02.040
<v Speaker 2>think it's over.

1:27:02.160 --> 1:27:03.840
<v Speaker 1>You're like, Okay, it's done. You're like, oh no, We're

1:27:03.840 --> 1:27:06.679
<v Speaker 1>going to San Diego, which is cool, does look cool,

1:27:06.760 --> 1:27:09.560
<v Speaker 1>but it's like, yeah, thrown on at the end. So

1:27:09.600 --> 1:27:12.960
<v Speaker 1>I'm a four to ten man. Yeah, fails in comparison

1:27:12.960 --> 1:27:15.000
<v Speaker 1>to the first one. But that's our thoughts. Let's hear

1:27:15.000 --> 1:27:18.719
<v Speaker 1>from you when it comes to the Lost World Jurassic Park.

1:27:19.800 --> 1:27:23.439
<v Speaker 1>Does it get better? Does it get worse? Jurassic Park

1:27:23.560 --> 1:27:28.040
<v Speaker 1>three is our next movie that we're tackling in Jurassic Pals,

1:27:28.320 --> 1:27:32.719
<v Speaker 1>released in two thousand and one. Uh, Doctor Allan Grant

1:27:32.800 --> 1:27:35.920
<v Speaker 1>is back. He's back, So there's that to look forward to.

1:27:36.040 --> 1:27:37.559
<v Speaker 1>I don't does this get more campy?

1:27:38.880 --> 1:27:39.040
<v Speaker 4>Want?

1:27:39.120 --> 1:27:40.000
<v Speaker 6>Do you want to answer that?

1:27:40.240 --> 1:27:40.439
<v Speaker 1>Yeah?

1:27:40.520 --> 1:27:44.479
<v Speaker 8>Tell me it gets worse. Oh I think it gets worse.

1:27:44.560 --> 1:27:46.040
<v Speaker 8>But Trey, you just watched it.

1:27:46.160 --> 1:27:46.519
<v Speaker 2>I did.

1:27:46.960 --> 1:27:49.080
<v Speaker 1>Okay, Well, hey, look what do you think.

1:27:50.600 --> 1:27:53.519
<v Speaker 5>I can't spoil my thoughts, but I watched it.

1:27:53.800 --> 1:27:55.000
<v Speaker 1>I'm gonna watch it here.

1:27:55.040 --> 1:27:57.240
<v Speaker 2>Here's the best part about Jurassic Park three.

1:27:57.600 --> 1:28:00.519
<v Speaker 5>It gets compared to Jurassic Park two, whereas Grassic Park

1:28:00.520 --> 1:28:04.280
<v Speaker 5>two gets compared to Jurassic Park one.

1:28:05.120 --> 1:28:10.759
<v Speaker 1>Yes, good point. So that next Jurassic Pals coming next Friday.

1:28:11.040 --> 1:28:14.360
<v Speaker 1>That'll drop on August twenty second, us talking about Jurassic

1:28:14.439 --> 1:28:17.760
<v Speaker 1>Park three. If you're having a good time talking dinosaurs

1:28:17.800 --> 1:28:21.040
<v Speaker 1>with the boys, hit the lake button, subscribe, share the show.

1:28:21.120 --> 1:28:24.360
<v Speaker 1>Five star ratings and reviews for Jurassic Pals. All right,

1:28:24.360 --> 1:28:26.400
<v Speaker 1>we will see you next week for Jurassic Park three.

1:28:26.800 --> 1:28:30.680
<v Speaker 1>Until then, embrace the embryos.

1:28:30.880 --> 1:28:31.800
<v Speaker 6>I don't know how to share.

1:28:31.960 --> 1:28:44.840
<v Speaker 1>Yep, I didn't know what to say there. Bye,